YourLuxury Africa - October 2023 Issue

A FRIC A

CASTLES OF GONDAR

An African AI fashion tale

30

THE SARTORIAL APPEAL OF THE SUMMER SUIT: New suit trends and how to style the wardrobe staple this season

36

NEWFOUND FUTURE: What does an AI-powered future mean for creative ingenuity?

38

CASTLES OF GONDAR: In a South African first, the use of AI takes our cover story shoot to the North African medieval city of Gondar

24

LA DOLCE VITA

44

Food and travel writer Steve Steinfeld takes us into the heart of Italian wine and cuisine culture

52

The past, present and future of Italian car design firm Carrozzeria Pininfarina

54

A Sardinian-style Villa in the Cape is transformed into a sophisticated family retreat

REGULARS

10 ED’S NOTE

12 YOUR LUXURY

14 YOUR DIARY

16 YOUR WATCHES

20 YOUR STYLE

28 YOUR BEAUTY

62 YOUR COLLECTOR

64 YOUR DOWNTIME

yourluxury.africa

Thomas Sankara, then president of Burkina Faso, had the following exchange with Swiss journalist JeanPhilippe Rapp at the end of a lengthy interview in 1985:

SANKARA: “You cannot carry out fundamental change without a certain kind of madness. In this case, it comes from nonconformity, the courage to turn your back on the old formulas, the courage to invent the future. Besides, it took the madmen of yesterday for us to be able to act with extreme clarity today. I want to be one of those madmen.”

RAPP: “To invent the future?”

SANKARA: “Yes. We must dare to invent the future. In the speech I gave launching the five-year plan, I said, ‘Everything man is capable of imagining, he can create’. I’m convinced that’s true.”

Mr Sankara, I’m here to report that the future continues to be robustly invented, and that man has gone beyond imagining for himself – we have artificial intelligence to help us create new futures entirely.

In this issue, our imagined future collides with the storied history of a Northern Ethiopian city, Gondar. We relied on ChatGPT to retell the tale of Gondar, which was once the culture mecca of Ethiopia, and called on the artificial intelligence app MidJourney to reimagine the landscapes and architecture as the backdrop for our cover shoot. My brief to AI photographer, Thekiso Mokhele, was to reprise the castles of Gondar and transport us to her glory days, demonstrating that luxury is neither new, nor foreign to this continent.

Loewe Double Frame Mixed-Media Cat-Eye sunglasses, Picot & Moss Eyewear, 011 669 0796

TOP PICKS

Jaeger-LeCoultre 101 Secrets watch,

Faeeza Khan, head of research at business trends consultancy, Flux Trends, then foraged even further into the future, writing about AI and its projected influence on our lived reality, as well as on various sectors of the luxury industry.

Sarah Diouf – founder of luxury fashion brand Tongoro – is living a fairytale of her own at the helm of a flourishing e-commerce empire based in Dakar, Senegal. She talks about the big and little expressions of luxury in her business and life.

These are the makings of an African wonderland, and we can only hope Sankara would be proud.

NtokozoMaseko

Dolce&Gabbana Crossbody Logo bag, available at DG boutiques

Joburg, Durban and Cape Town, 011 326 7808

EDITORIAL: EDITOR Ntokozo Maseko Ntokozo@yourluxury.africa MANAGING EDITOR Rizwana Variawa rizwana@yourluxury.africa CREATIVE DIRECTOR Kate Walters BEAUTY EDITOR Ingrid Wood ingrid@yourluxury.africa COPY EDITOR Tamlyn Cumings PROOFREADER/CONTRIBUTOR Leigh Herringer IMAGE EDITOR Coralie Elske PRODUCTION ASSISTANT Rachael Akerman rachael@yourluxury.africa ADVERTISING & MARKETING: MD Yvonne Shaff +27 (82) 903 5641 I yvonne@yourluxury.africa ADVERTISING CO-ORDINATOR Yvette Mehl + 27 (21) 439 4907 I yvette@yourluxury.africa ACCOUNT MANAGER: NATIONAL Gina van de Wall I gina@yourluxury.africa MANAGEMENT: MANAGING DIRECTOR & PUBLISHER Yvonne Shaff

EDITORIAL DIRECTOR Jacquie Myburgh Chemaly jacquie@yourluxury.africa DISTRIBUTION & PRINT: DISTRIBUTION On the Dot, Media Support PRINTED BY Hirt & Carter for YourLuxury: PO Box 1053, Sea Point 8060, Cape Town. All rights reserved. Whereas precautions have been taken to ensure the accuracy of information, neither the editor nor

Africa can be held liable for any inaccuracies, injury or damages that may arise. The opinions expressed in the articles may not reflect those of the publisher. All prices correct at time of going to print.

yourluxury.africa

PHOTOGRAPHER: Thekiso Mokhele

PHOTOGRAPHER’S ASSISTANT: Lano Phera

STYLIST: Julienne M’Poko HAIR: Bonolo

Gabuza MAKEUP ARTIST: Jali Avumile

MODEL: Michelange Mulolo, Fabulous Models, wearing Dolce&Gabbana

La Prairie Skin Caviar Luxe Cream, select retailers

Bulgari Omnia Crystalline Eau De Toilette, select retailers

jaeger-lecoultre.com

“ONCE I DREAMED TO BECOME THE FASTEST DRIVER. TODAY, I AM A DRIVER OF CHANGE.”

LEWIS HAMILTON, 7 TIME FORMULA 1 TM WORLD CHAMPION

IW3894 THE REFERENCE.

PILOT’S WATCH CHRONOGRAPH 41 TOP GUN OCEANA

When it comes to chronographs, we have been setting ourselves the highest standards for more than four decades. The new Pilot’s Watch Chronograph 41 TOP GUN Oceana combines the IWC-manufactured 69380 calibre with a hard and scratch-resistant case made of eye-catching marine blue ceramic, exemplifying IWC’s extensive expertise in advanced performance materials.

SUDHIR MATAI

Sudhir is a well-known member of the motoring media fraternity and an unrepentant petrolhead with a love of the finer things in life. “The world of luxury is epitomised in the fine craftsmanship of a premium automobile.

Stylish design, high-quality leathers, bespoke touches and, of course, a highperformance engine, makes any day special.”

See: p52

MEET OUR CONTRIBUTORS

Online now: Crystal and the Hat Factory How Crystal Birch preserves the art of millinery while taking us into a land of fantasy.

THEKISO MOKHELE

Thekiso is a dynamic, young AI art photographer, director and recording artist from Johannesburg, who is currently residing in Cape Town. He is changing the game in the South African film and media industry through AI art photography. “To me, luxury is when the aesthetic meets comfort and peace of mind in an elegant way.”

See: p38

SITHASOLWAZI KENTANE

Sithasolwazi is a Johannesburg-based writer and entrepreneur who works within the luxury sector, with experience in publishing and fashion. She recently launched luxury leather goods brand, Seven. “Luxury, to me, means appreciating the art of the process as much as the finished product. This takes time, and time is the biggest luxury of all.”

See: p20

yourluxury.africa

FAEEZA KHAN

Faeeza is the head of research at business trends consultancy, Flux Trends. She combines an analytical approach with a creative mindset in order to identify the latest business and consumer trends, which are used as indicators of possible futures for businesses. “Luxury is having the time to engage in pursuits that bring you fulfilment and joy.”

See: p36

JULIENNE

M’POKO

Julienne has a fashion and textile-design background, but focuses on styling and creative consulting, while celebrating women in the arts. “For me, luxury considers the future and lives beyond the present, making it somewhat timeless. It is an object, a collection, a space, or an experience executed through excellent craftsmanship and service.”

See: p38

CULTURE

FOOD

JAPANESE FINE DINING COMES TO THE WINELANDS

Mark your calendars for 16 October when chef Virgil Kahn debuts HŌSEKI, a new Japanese restaurant at the Delaire Graff Estate in Stellenbosch. The Estate’s owner, the diamantaire Laurence Graff (OBE), worked with interior designer David Collins to revamp the Delaire Graff Lodges and Spa, which will be unveiled at the same time. delaire.co.za

ART

FASHION SIGNED, SEALED AND EDITIONED

Inspired by the overlap of fashion and art, artist Sam Nhlengethwa’s collection of vivid hand-printed colour lithographic prints celebrate the power, beauty and complexity of South African women. “In this series, I reflected on models in dressing rooms and on the ramp. I always like to see women with Afro hairstyles, head scarves, berets and hats,” says Sam.

“The theme Art meets Fashion was born out of the golden thread of art that permeates the fashion world. I believe that clothing designs and other fashion accessories are inspired by art – whether in colour or style,” he adds. Published by The Artists’ Press in Mpumalanga, the limited edition prints are available online at artprintsa.com.

DIARY

CULTURE AFRICA’S BRIGHTEST CULTURE EXPORTS

Pan-African creatives are winning an array of prestigious awards and booking some high-profile gigs. Just recently, South African surfwear brand Mami Wata Surf won the Nelson Mandela Changemaker Award for its partnership with Surfers Not Street Children (SNSC). The prestigious Vogue Business 100 Innovators list featured the African Fashion Research Institute on the next-gen entrepreneurs and agitators category, while Viviers Studio is showing its Spring/ Summer collection in Milan, one of the fashion capitals of the world. Internationally acclaimed Cape Town-based photographer Pieter Hugo shot two of the covers for Travis Scott’s latest album, Utopia @afri_digital; mamiwatasurf.co.za; viviersstudio.com; pieterhugo.com

ART OKUNTAKINTE IN THE CRADLE OF HUMANKIND

The Nirox Sculpture Park at the Cradle of Humankind near Johannesburg will host artist in residence, Ghanaian Joseph Awuah-Darko. Best known by his handle Okuntakinte, the artist is also founder and director of the artist-led Noldor Residency programme in Accra, Ghana. His exhibition at Nirox opens in the Covered Space on 10 October.

@okuntakinte

FASHION A DATE WITH FASHION

This month, South African Fashion week continues its legacy by supporting ethical fashion and the growth of emerging design talent. It’s on from 19 – 21 October in Johannesburg. During Lagos Fashion Week, from 26 – 29 October, the Nigerian city will highlight indigenous African craftsmanship, and fashion travellers will descend on Dakar Fashion Week in Senegal from 7 – 10 December. A highlight on the global fashion calendar, various contemporary African brands will present their latest collections. safashionweek.co.za; lagosfashionweek.ng; @dakarfashionweek

yourluxury.africa

AS THE DAYS GROW LONGER, THE ALLURE OF BLUE WATCH DIALS TAKES CENTRE STAGE, MIRRORING THE ONSET OF SUMMER’S VIBRANT AND REFRESHING SPIRIT WORDS DEBBIE HATHWAY

EMBRACING SUMMER’S

Cool Blues

Johannesburg: Sandton City - Panerai Boutique. Melrose Arch - Elegance Jewellers Pretoria: Menlyn Park Shopping Centre - The Vault Cape Town: V & A Waterfront - Charles Greig Jewellers Mauritius: Floreal - Adamas

The enduring popularity of blue as a watch dial colour can be attributed to its versatility, as it effortlessly transitions from casual to formal settings and evokes a sense of calm and serenity reminiscent of clear summer skies and tranquil oceans. Blue watch dials not only exude timeless elegance, but also offer a refreshing alternative to classic black or white, making them an enduring choice for horology enthusiasts seeking sophistication and style in their timepieces.

Bulgari’s new Octo Roma collection elevates the octagonal watch (and any wardrobe) to a new level of modern sophistication. The epitome of casual chic, this watch is for wearers who love a statement timepiece that offers a range of functions, from a gorgeous automatic watch (pictured on the previous page) to a stunning new chronograph or an eye-catching tourbillon piece. Its unique, round-but-not-round shape connects to the brand’s Roman roots and the balance and sense of proportion synonymous with Italian architecture. The 41mm Octo Roma Automatic with three hands and date is powered by the in-house Calibre BVL 191, featuring a power reserve of 42 hours. The dial is easy to read and visually appealing, enhanced with the 3D effect of the Clous de Paris decoration.

Baume & Mercier honours the 50th anniversary of the Riviera watch with its first 39mm model, a smaller diameter to suit more wrists and inspire more

positivity and freedom, as per the carefree lifestyle on the French Riviera. The watch with its distinctive 12-sided bezel continues to convey a perennially fashionable sport-chic allure, while honouring the original 1973 model. The new timepieces feature the familiar smoked sapphire dial symbolic of the Riviera Baumatic, this time in blue (pictured below) or grey, and are powered by the Baumatic manufacture movement, which provides a five-day power reserve. The Riviera M0A10714, crafted in polished and satin-finished stainless steel, features a smoked blue sapphire dial with a transparent wave transfer decoration. It is mounted on an integrated interchangeable blue rubber and alligator strap with tone-on-tone overstitching. The Riviera is a multifaceted and endlessly versatile timepiece, symbolising a fusion of elements such as high watchmaking, family vacations, spontaneous adventures with friends and diving along the scenic French Riviera coastline – the perfect summer accessory.

Meanwhile, the Reference 5905 (left) is a Patek Philippe masterpiece that combines two coveted complications: the self-winding flyback chronograph and annual calendar. Now available in a stunning rose gold iteration featuring a captivating sunburst blue dial, this timepiece exudes modernity and elegance while accentuating the timeless essence of this flagship model. The patented annual calendar functionality seamlessly adjusts for months of 30 and 31 days, necessitating just one correction per year, typically at the end of February. Notably, the rose gold case boasts an exquisite design, characterised by its refined concave bezel and intricately hollowed flanks. ■

“BLUE watch dials not only exude timeless ELEGANCE, but also offer a refreshing alternative to classic black or white”

JENNIFER LAWRENCE

Clean Slate

WHITE HAS BEEN SYNONYMOUS WITH PURITY AND INNOCENCE FOR DECADES, BUT THE ASCENT OF QUIET LUXURY HAS TRANSCENDED THESE CONVENTIONAL CONNOTATIONS. THIS SEASON’S RESOUNDING LUXURIOUS TREND TREADS WITHOUT MAKING A SOUND COMPILED BY SITHASOLWAZI

KENTANE

First Sight rectangular sunglasses, Fendi, and Triomphe 01 sunglasses, Celine POR, Picot & Moss Eyewear, picotandmoss.co.za

Women’s Meadow sunglasses, Burberry, R3 880, burberry.com

Shake slingback pump, Louis Vuitton, R22 400, louisvuitton.com

Earrings with logo and teardrop pendants, Dolce&Gabbana, R14 250, dolcegabbana.com

Gabardine trench coat, Balmain, R63 929, balmain.com

True Square Automatic Open Heart watch, Rado R79 500, rado.com

Victoria Wharf Shopping Centre, Victoria & Alfred Waterfront, Cape Town 021 418 4515 Hyde Park Corner, Johannesburg | 011 325 4477

Elevating jewellery to

MORE THAN ADORNMENT, MORAGLIONE JEWELLERY IS A BRIDGE CONNECTING THE INTRICATE ARTISTRY OF NATURE WITH THE EVER-EVOLVING WORLD OF FASHION

WORDS

DEBBIE HATHWAY

ARTISTRY & DE SIRE

H

eadquartered in Valenza, Italy, the Moraglione family has been weaving tales of elegance and craftsmanship for generations. Massimo Moraglione’s journey as a jeweller began in 1922. Joined by brothers Marco and Pierino in 1943, the company expanded across Italy and, in the 1980s, the world. Today, 90 percent of production is exported worldwide.

Despite historical ties to Valenza, their story is one of resilience through wars, booms, crises and market changes. In Italian craftsmanship, family businesses are a tradition, an emblem of trust and interpersonal connections. Moraglione thrives on this principle and found synergy in encounters with South African stockist Alan Carrington of Shemer Jewellers, a

family business established in Germiston on Johannesburg’s East Rand in the early 1900s. “He sees life and business parallel to us,” says Fabio Amelotti, co-founder, designer and the creative force behind the brand.

As jewellers, Moraglione understands that its creations aren’t just accessories, but expressions of the soul. Fashion and taste influence the collections, but its jewellery transcends trends, accentuates femininity and appeals to a refined clientele described as “connoisseurs of life”. They are as sophisticated as the Moraglione jewels they wear, embracing fashion, global travel and the spirit of Italy.

The Moraglione designers are highly skilled at merging timeless style with exquisite gem selection to craft jewellery that encapsulates Italy’s timeless allure and spirit of la dolce vita. This is the foundation of the brand’s collections – to celebrate Italian nature – and each piece captures the essence of good living and a sense of warmth and vitality.

“The colours of nature have always inspired our collections,” says co-owner Giovanni Bonzano. “The Sofia and Anastasia ranges, in particular, resulted after months of trend research into the most important Italian fashion houses. For years, jewellery has gone hand in hand with fashion.”

Every Moraglione creation is meticulously crafted to echo the outside world, and the 2023/24 designs follow a masterful journey through the seasons. Collections reminiscent of the bright Italian sunshine feature citrine quartz and fancy yellow diamonds. Shades of green symbolise the country’s lush nature, while greys and blacks mirror the autumn and winter months and bring a touch of elegance to the designs.

In 2024, a renaissance of yellow gold and a return to the classics is anticipated, complementing the whites and pinks that have dominated the global arena for years.

As for Moraglione’s designs, a tapestry of multicoloured stones will continue to hold centre stage, as they always have.

moraglione.com

FAR

TOP: Moraglione’s Giovanni Bonzano, Fabio Amelotti and Raffaele Profumo

RIGHT: Anastasia 18kt gold ring with brown and white diamonds

RIGHT: Moraglione jewellery is handmade in Italy

HINTS OF LONG-AWAITED WARMER DAYS HAVE US REACHING FOR LIGHTER, LOVELIER LOOKS AND JEWELS THAT REFLECT THE ELEVATED MOOD WORDS DEBBIE HATHWAY

What better way to show off that summer glow than beneath exquisite gems crafted into coveted heirlooms by some of the world’s most renowned artisans? The likes of the centuries-old London-based House of Garrard and Graff, as well as Roman jeweller Bulgari and South African-based Charles Greig Jewellers, have made sure it’s all about statement style this summer.

ELEGANT ESCAPISM

Since 1735, royalty and private clients have commissioned bespoke pieces alongside Garrard’s distinguished collections, which bear the quintessential British hallmarks of heritage. This summer, the House pairs pink sapphire, rubellite and pink opal hoop earrings with aquamarine and diamonds. These bright gems, interspersed with everyday diamonds, gleam in eyecatching necklaces, delicate bracelets and earrings that can be mixed and matched to suit every occasion as well as any individual style.

NATURAL BEAUTY

The ethereal butterfly, a heritage motif long part of the Graff oeuvre, represents good fortune, hope, strength and freedom. The creature’s allure lies in its captivating appearance and story, inspiring designers to craft exquisite pieces that encapsulate beauty, emotions and memories of life’s special moments. The result? Cherished heirlooms that connect generations.

“The DNA of Graff is very distinctive, and while a stone-led design philosophy guides us, we are also inspired by the world around us. The outline of a butterfly – which has become synonymous with Graff – has, over the decades, offered us endless opportunities for reinterpretation,” comments Anne-Eva Geffroy, design director at Graff. “The inner fire and life a diamond holds within make it the ideal medium to portray the natural beauty of the butterfly, and to give it permanence to endure through all of time.”

The Butterfly Collection offers styles ranging from delicate jewels that can be stacked, layered and worn daily to extraordinary high-jewellery creations.

PREVIOUS:

Graff Butterfly jewellery collection

CLOCKWISE:

Charles Greig Signature Bee collection earrings: Mozambican ruby and diamond (left) and mother-of-pearl and tsavorite (right); Garrard blaze blue sapphire, tanzanite, aquamarine, blue topaz and turquoise cocktail ring; Bulgari Resort Capsule collection and High Jewellery collection earrings and ring

VIBRANT CHARM

Bulgari’s legacy has long been intertwined with the vibrant energy and language of coloured gemstones. The Bulgari Resort Capsule collection of jewellery, watches, handbags and fragrances incorporates the Allegra line, illuminating the season’s selection with Mediterranean hues and an exuberant mix of gemstone cuts. Infused with geometric elegance, the solar citrines, warm amethysts, tourmalines, peridots and blue topazes converge in a symphony of design completed with two harmonising rings and an enchanting pair of mismatched 18kt rose gold earrings.

Another component is the Colour Journey High Jewellery collection, which unveils a new chapter of the Kunzite and Morganite story via four exclusive destinations: Saint Tropez, Bodrum, Porto Cervo and Capri. This is the third episode in Bulgari’s Colour Journey – an ode to the unbridled delight of coloured gemstones, now delving into the modern and feminine nuances of Kunzite and Morganite, two treasures discovered by mineralogist G.F. Kunz at the inception of the 20th century.

MADE BY HAND

Designers at Charles Greig Jewellers look to the natural world for inspiration, resulting in a magnificent array of head-turning rings, earrings, bracelets and necklaces. The yellow gold flower ring is the perfect statement piece for the season.

Flora and fauna feature and jewellery fans will appreciate the handcrafted detail that gives life to the endearing creatures of the family jeweller’s signature Bee Collection. If you like a walk on the wild side, you’ll love the frogs and crocodiles in the menagerie featured in the earrings and rings.

Of course, there are always vivid gemstone creations that cater to those who like big, bold jewellery or enjoy maximum sparkle with multi-gem compositions. The yellow gold multi-gem and pearl string necklace, classic gem cocktail ring and elegant pearl drop earrings are definite favourites. ■

Ooh La Le Rouge

BEHIND THE SCENES OF 31 LE ROUGE – CHANEL’S MOST EXCLUSIVE LIPSTICK WORDS INGRID WOOD

Chanel’s 31 Le Rouge lipstick, which pays homage to one of the most iconic addresses in Paris, is also a tribute to the Chanel spirit of creation. A complete departure from the traditionally black-encased lipstick that we all associate with the brand, the remarkable glass packaging, the colours, the relationship between the name where it all began and the connection with haute parfumerie, mean this is more than just a lipstick. It is a creative dialogue.

EXTREME SOHISTICATION

“The 12 shades were created like a fragrance,” explains Nathalie Lasnet, director of Chanel’s Makeup Creation Studio who created the colours and tones. “In the same way that a complex fragrance structure contains different notes, each shade possesses a multitude of sub-tones. In a reflection of fragrance creation, each raw material is equivalent to a specific pigment to help find the right balance and achieve perfection.”

Named in honour of the famous address of 31 rue Cambon in Paris where Gabrielle ‘Coco’ Chanel lived and created her haute couture collections, Nathalie says they not only drew on the Chanel heritage, but also the atmosphere of the Couture Atelier. “The colours of this lipstick are our interpretation of creation at 31 rue Cambon,” she says.

Rouge 2.55, a rich garnet, is inspired by the lining of the iconic handbag, while the crimson Rouge Fétiche is reminiscent of the flannel ribbons Coco Chanel wore around her ankles in the lead up to a new collection release. Rouge Privé is a nod to the door at the top of the staircase at 31 rue Cambon, where the words Mademoiselle Privé appear.

The glass case – designed to resemble the mirrors that line the staircase at rue Cambon – was a challenge the team readily accepted. “I made the choice to use glass and drew inspiration from the perfumery,” explains Sylvie Legastelois, Chanel Beauty’s director of packaging and graphic identity and the expert behind the object and its mechanism. “We took up the challenge without making any compromises on the original model by pushing back the limits of the glass and metal processes.”

To overcome the major difficulty of making the glass surface as thin as possible while still being incredibly resilient, a Japanese master glassmaker was called in and “worked an absolute miracle,” says Sylvie. “The lipstick is like a jewel. It makes me think of a diamond set in a gold metal ring that is there to protect the ends. For even though it makes sense aesthetically, like everything always does at Chanel, each detail also has a function and is never merely ornamental.”

Another exceptional achievement is the actual formula. With the high number of natural origin ingredients, the task of delivering a formula that is incredibly pigmented and offers a blast of colour both as you apply it and in the long-term, was complex. “The studio had to reinvent the work on colour, create new rules and formulation bases, and rebalance everything to see the colours shine in the way we had imagined,” says Nathalie. “The other seemingly impossible task was to offer a small range of shades that would enhance every skin tone. Each shade was almost a blank new page.”

“It had to have everything, do everything and offer everything,” adds Nathalie Volpe, international director of innovation, research and development, who was responsible for developing the formula. And in true Chanel style, 31 Le Rouge delivers on all counts. “There is an exceptional sensorial experience in using it – its colours, textures and even its fragrance. This almost holistic dimension makes it very special.”

31 Le Rouge is available at Chanel Fragrance & Beauty Boutiques at Sandton City, V&A Waterfront, Menlyn and Gateway.

THE SARTORIAL APPEAL OF THE SUMMER SUIT

The journey of the modern suit intriguingly finds its origins in 17th-century Europe. Here, it was the epitome of refinement for gentlemen, with popular fashion boasting a tailcoat, waistcoat and breeches — short trousers that fastened below the knee. As we moved to the Victorian era, the suit evolved into the more familiar two-piece silhouette. With each passing age, the suit morphed, representing the zeitgeist of the times. The Roaring Twenties, for instance, favoured bolder designs with broader shoulders and tapered waists, while the audacity of the Swinging Sixties brought forth brighter hues and daring patterns. Today, we stand at an intriguing crossroads where the suit is both reminiscent of its storied past and a testament to contemporary style, underscored by innovative materials and fresh designs. Luxury brands have been at the forefront of this transformation. They’ve tirelessly woven the narrative of the suit, adapting it to modern sensibilities while ensuring it remains a wardrobe cornerstone. Brands like Gucci, Chanel and South Africa’s Viviers Studio are continually redefining what a suit can be.

PLAYFUL PRINTS

From timeless pinstripes and playful checks to florals – as seen in the Louis Vuitton Men’s Spring/Summer 2024 campaign – these motifs merge seamlesly with the timeless elegance of a suit.

OPPOSITE: Blazer, POR, Balmain, balmain.com

FAR LEFT: Silk blend pyjama shirt, R39 500, silk blend pyjama pants, R37 000, Sac Plat Bag, R53 500, Varenne Richelieu Shoes, R29 100, all Louis Vuitton, louisvuitton.com

LEFT: Composition jet pocket blouson, R58 000, and cigaret pants, R21 500, Louis Vuitton, louisvuitton.com

AS SUMMER BECKONS, WE REVEL IN THE TRENDS THAT ARE RESHAPING THE LANDSCAPE OF THE SUIT AND HOW TO STYLE IT WORDS SITHASOLWAZI KENTANE

THE FEMME POWER SUIT

Parallel to the male narrative, women’s suits tell a tale of empowerment, tied intimately to the rise of women's rights. Initially echoing men's fashion, the women's suit swiftly became a symbol of strength and autonomy. The 20th century in particular heralded a new era where women shattered glass ceilings, with the power suit as their chosen armour. Designers like Mmuso Maxwell underscore this evolution with handmade textiles and distinct silhouettes that celebrate feminine strength.

FAR RIGHT:

Brown keyhole jacket, R13 950, and brown wool mini skirt, R2 850, Mmuso Maxwell, mmusomaxwell.shop

RIGHT:

Crop jacket, POR, and belted trouser, POR, both Dolce&Gabbana, dolcegabbana.com

LIGHT AS LINEN

Lightweight linen and cotton fabrics, such as the handwoven suit by LVMH Karl Lagerfeld prize winner Lukhanyo Mdingi, are on-trend this season.

LEFT: CABES handwoven tailored jacket and trousers, POR, Lukhanyo Mdingi, lukhanyomdingi.co.za

CREATURE OF COLOUR

Colour palettes too, are broadening. While a monochrome look will always be in style, consider experimenting with pastel shades, or even a few bolder choices, like electric blue or shimmering golds.

RIGHT:

Radiating Jewel tailored jacket with detachable sleeves in silk lamé, R35 100, and signature pants, R21 000, both Viviers Studio, viviersstudio.com

ASeasonSensual at

DOLCE&GABBANA

DOLCE&GABBANA REVEALED A LACY LESSON IN SENSUALITY AND FREEDOM WITH ITS AUTUMN/WINTER 2023 COLLECTION

THE AUTUMN/ WINTER 2023 WOMENSWEAR COLLECTION

showcases Dolce&Gabbana’s Italian DNA with pieces drenched in lace and feminine sensuality. This time, however, DG’s lingerieinspired world has been reimagined into a modern statement about freedom. Think dresses made of lace, tulle and chiffon with the signature DG transparencies that unveil an inner sensuality. The colour palette is mostly black with accents of gold, red and white.

WITH THEIR LATEST SHOW, Italian fashion maestros Dolce&Gabbana created a masterclass in femininity that hinted at being sexy while ultimately celebrating being spontaneous and natural.

DOLCE&GABBANA’S SUITING STORY provides the ideal chance to protect that sensuality with the perfectly tailored jacket and coat. The gold foil trench is certain to be the season’s showstopper.

Front-row stars at the showing of the collection included Kim Kardashian, singer J Balvin, models Valentina Ferrer and Bianca Balti, and singer Chiara.

The collection is currently available in the Dolce&Gabbana Sandton City store in Johannesburg.

Imagine a day in the life of an affluent woman in the near future. Amazon Alexa wakes her at the optimal time in her sleep cycle to start the day with exercise, monitoring vitals on her Fitbit. A grocery drone touches down just in time for coffee, delivering the milk her fridge ordered. She has a great meeting with her Japanese client as AI translates their conversation in real-time. That afternoon, another AI recommends three cocktail dresses for an upcoming event, and she orders her favourite. At dinnertime, her fridge has ordered the groceries needed for their family meal. Finally, when reading her child a bedtime story, an AI tailors one to the lesson she’d like to teach.

This is the world of artificial intelligence that we are heading towards. AI can be defined as the ability of machines to perform tasks that are typically associated with human intelligence, and we have merely scratched the surface of its full potential. It’s already integrated into our daily lives with virtual assistants like Siri, streaming services like Netflix and smart home devices such as Google Nest. It has made waves in the creative

ABOVE:

French Majolica-print chiffon cape,R84 000; DG

THE INTERSECTION OF LUXURY FASHION AND AI COMES TO A HEAD ON OUR OCTOBER COVER BUT WHAT DOES AN AI-POWERED FUTURE REALLY MEAN FOR A CONTINENT BRIMMING WITH CREATIVE INGENUITY AND BOUNDLESS ECONOMIC POTENTIAL?

WORDS FAEEZA KHAN

industry ever since ChatGPT launched, although opinion remains divided among the creative community about its full impact. Some are even taking legal action against the alleged copyright infringements that have occurred. Three visual artists in San Francisco, for example, filed a case against Stability AI, and its text-toimage generator, Stable Diffusion, for violating the rights of artists by ingesting troves of digital images and then producing derivative works that compete against the originals. The writer’s strike in the US is another such example. It is still unclear where AI art fits in today’s legal landscape, and the courts are busy developing frameworks for this uncharted territory.

There are other creatives, like local AI photographer Thekiso Mokhele, who have decided to embrace the technology. Thekiso is telling stories that traverse the boundaries of human imagination using AI images. His evocative depictions of the recent Bree Street gas explosion in the Johannesburg CBD captured the attention of many South Africans. “I was inspired by the turmoil and chaos that was happening at the time. I’m from Johannesburg and I lived near the location of the explosion. I wanted to feel relief as my art is therapy to me, so I created this series to spread awareness and to have a theraputic release. The reaction from the public was mixed. Most people were quite engaged. It broadened their minds about AI photography and the possibilities that it holds,” he says.

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“Our October cover, themed Castles of Gondar, was photographed by Thekiso because I wanted to retell a story about the glory days of Gondar, which was once a culture mecca in northern Ethiopia. It’s the kind of whimsical theme that could easily have been in Alice in Wonderland, but we’re in Africa, and this continent has its own rich history of opulence and luxury – as seen in the history of Gondar. This is a wonderland for which ChatGPT rendered a beautiful back story to inspire our cover. Thekiso used an AI programme called Midjourney to recreate a scene set in the courtyard of one of the famous castles of Gondar. By reconstructing this as a backdrop, we keep our history alive,” says YourLuxury Africa editor Ntokozo Maseko.

Regarding his process in creating the world for the cover, Thekiso said that exhaustive research about the castles of Gondar. He tried to find as many references about the culture as possible in order to implement it into the image-creation process. In terms of originality, as there are no substantial images of the castles, Thekiso had to make sure that he created an image that embodies what the research entailed. It had to have an African motif and feel as if it was in Ethiopia – not a castle in Scotland.

Like Thekiso, AI is giving storytellers access to a previously unavailable suite of tools, allowing them new ways to digitally express their creative ideas. While the line between the human artist and the machine is blurry, the former is in the driver’s seat and the generation of the final artwork requires skilful prompting as well as numerous edits. As Thekiso says, “AI is helpful in telling my stories because it has a vast amount of information, similar to search engines such as Google or reference materials like the Bible. It gave us an in-depth understanding of what Gondar could have been and enough research to get an adequate idea of what it looked like.”

According to a recent PwC report, AI could expand Africa’s economy by $1.5 trillion by 2030. AI applications can enhance agricultural productivity by providing data-driven insights for African farmers, helping with crop and water-resource management and pest control, thereby having a positive economic impact for the continent. In healthcare, telemedicine, AI-based diagnostics and predictive analytics can enhance healthcare access and delivery, leading to growth in this sector.

As AI technology advances, we will continue to see more cases emerge in the luxury sector. French luxury group Kering – which owns Gucci, Balenciaga, Bottega Veneta, Yves Saint Laurent, Creed, Puma and Alexander McQueen – launched a platform in May called KNXT that uses an AI-powered personal shopper named Madeline, powered by OpenAI’s ChatGPT. While you are shopping online, your customer data – including body measurements, browsing history, social media activity, customer reviews, search queries and past-purchase behaviour – will all be analysed by the AI to provide hyper-personalised product suggestions. Think of it like a personal shopper at every

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e-commerce store you visit. Visual search technology is set to advance beyond what Google Image search is today and will enable customers to find fashion items by uploading images or taking photos of clothing they like. AI will then identify similar products in retailers’ catalogues. Imagine Shazam, but for clothing. Fast forward even further into the future, and AI-powered virtual try-on solutions will significantly improve, allowing customers to virtually try on clothing. This will also help customers find the right size and fit by analysing body measurements and past purchases, reducing the likelihood of returns.

In the luxury automobile industry, AI-powered self-driving cars are a major disruption, with companies like Tesla and Waymo at the forefront of this technology. AI enables vehicles to connect to the internet and communicate with other vehicles, traffic infrastructure and cloud-based services. This connectivity enhances navigation and provides real-time traffic updates. While connected technology can unlock new in-vehicle capabilities, these advances are, however, accompanied by increasing cybersecurity threats.

In the fine-jewellery sector, AI image recognition technology helps identify counterfeit jewellery items, protecting the consumers from purchasing fake products. And in travel, customised itineraries based on preferences, time constraints and budgets can be generated by AI, offering a seamless and personalised experience. It can also enhance security at airports and hotels through facial recognition technology, baggage screening and predictive-threat assessment, improving safety for travellers.

We mustn’t, however, lose sight of the important questions that AI raises around privacy and bias. Some of the questions to ask include: What data is being collected by the AI system? How long will the data be retained? How will it be used? Has the AI system been thoroughly tested for bias? Does the AI system share data with third parties? It’s essential to strike a balance between the benefits of AI, the individual’s right to privacy and the inherent bias within these systems. AI has already brought us many benefits, and it is exciting to see what new developments emerge as the years progress. ■

LEFT: Automobile brands like Waymo and Tesla rely heavily on AI technology

“AI is giving storytellers access to a previously unavailable suite of TOOLS ”

THEKISO MOKHELE USING MIDJOURNEY

Castles of Gondar

WE ASKED AI TO CREATE A STORY ABOUT THE ANCIENT CITY OF GONDAR IN ETHIOPIA. WORKING WITH CHATGPT AND VISUAL AI APP MIDJOURNEY, THIS IS THE TALE THE AI CAME UP WITH...

Once upon a time in ancient Ethiopia, there was a city nestled amidst lush green hills and breathtaking landscapes, known as Gondar. It was a place steeped in history, filled with captivating tales and remarkable architecture. Legend has it that Gondar was founded by Emperor Fasilides in the 17th century. The city quickly grew into a bustling hub of trade, culture and learning, attracting people from far and wide. Its unique charm stemmed from the harmonious blend of Ethiopian, Arab, and European influences that shaped its character.

One of the most remarkable aspects of Gondar, however, was its collection of magnificent castles and palaces. Emperor Fasilides himself built the grandest of them all, the Fasil Ghebbi, which served as the imperial residence. This UNESCO World Heritage Site was a true architectural marvel with its towering walls, intricate carvings and stunning courtyards.

The city of Gondar was also known for its vibrant festivals, particularly the Timkat celebration, which drew thousands of devotees every year. During this event, the streets would come alive with processions, music, dance, and joyous celebrations. It was a time when the people of Gondar would come together, united in their shared traditions and values.

Gondar’s allure extended beyond its historical landmarks and cultural events. The city was surrounded by natural wonders, such as the majestic Simien Mountains. These towering peaks provided a sanctuary for a variety of unique wildlife, including the endangered Ethiopian wolf and the gelada baboon. Explorers and nature enthusiasts would often venture into the mountains, captivated by their beauty and the opportunity to witness incredible biodiversity.

And so, the story of Gondar must continue to be written, with each passing day adding new chapters to its tale of history, culture, and the indomitable spirit of its people.

AI IMAGES BY THEKISO MOKHELE USING MIDJOURNEY

MONEY EXPERTS WHO LOOK GOOD

A RENEWED WARDROBE POLICY AND COLLABORATION WITH LOCAL TALENT GAVE NEDBANK A DESIGNER CORPORATE WEAR COLLECTION FIT FOR THE FUTURE

When an older range of corporate wear reached the end of its life cycle, an opportunity arose to create a new line of corporate wear for Nedbank staff. For the next chapter of the bank’s visual image, the Nedbank Group Brand Division built a business strategy around market trends by identifying a local designer who could usher in a new range that would align with the bank’s employee culture and transformation values. The result is a unisex, 12-item capsule collection featuring a bespoke print pattern in the brand’s colours that is synonymous with the signature work designer Bongiwe Walaza is known for.

Bongiwe’s fashion journey began in 1997 when she graduated with a National Diploma in fashion after an uncanny segway from being a qualified electrical engineer working at Telkom. The decision yielded great results for the award-winning designer, whose career boasts numerous achievements, including showcasing her designs in fashion capitals like New York, London, Milan, Hong Kong and Qatar.

Following a successful bid against other local designers, Bongiwe’s vision for the looks centred around comfort for everyday wear and flexibility for different body shapes. “It was an honour for me to be nominated for the job. Given the brief, the budget and the prints to work with, I had to stay within these boundaries and still exercise my freedom to design. I’ve fused the given African ornament prints with shweshwe in mind with corporate clothing requirements to make the end product comfortable for everyone, and to give it that overall look that says ‘Nedbank for Africa’,” she says.

As one of the pioneering designers who helped popularise original shweshwe (the only true ethnic South African fabric) on the catwalk, her use of print was welcomed. “I love working with prints, and I’m well known as a shweshwe designer. I love African silhouettes because they are accommodating of different body shapes,” Bongiwe adds. The overall outcome is a contemporary offering that elegantly shifts from formal corporate wear to relaxed fits, as well as corporate-wear guidelines that better align with staff bringing their authentic style to work. “How we show up expands across gender lines, and our legacy of structural wear shifts gears into a relaxed image, embodying our bank’s purpose and essence. Ultimately, we have brand and customer intune designs connecting professional care, trust and brand relevance now and in the future,” says Khensani Nobanda, Group Executive: Group Marketing and Corporate Affairs.

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La Dolce Vita

ON A WHIRLWIND CULINARY TOUR OF ITALY, STEVE STEINFELD DISHES UP HIS RECOMMENDATIONS FOR THE BEST PLACES TO EAT, DRINK AND STAY IN TWO OF THE COUNTRY’S MOST DYNAMIC CITIES

WORDS STEVE STEINFELD

As a child, one of my earliest culinary memories was walking into my mom’s kitchen and looking through a maze of fettucine drying on washing racks as she rolled out and cut strands of pasta. In reality, it was probably just a few wooden clothes horses, but as a toddler, it seemed much grander. It is this that I think back on as one of my first food experiences, paving the way for where I am today.

So then, where better to embark on a culinary adventure than Italy? After all, it is the home of pasta, some of the world’s best chefs and many of the finest ingredients on the market. From the simple pleasures of a sweet Italian tomato to the deep layers of umami found in a perfectly aged Parmigiano Reggiano, you’ll find them – as I did –in Bel Paese, the beautiful country.

Over the course of three weeks, I traversed Italy, experiencing the best it had to offer. From underground speakeasies to chic cocktail bars, family run pizzerias to fine-dining destinations, luxury hotels to country houses, I tried it all.

On this particular trip, the two cities that captured me the most were Milan and Florence, and so this is my guide on how to experience the best of them.

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yourluxury.africa

1930

An unassuming shopfront – reminiscent of a Chinese take-away spot – is revealed to be the entrance to one of the world’s most notorious secret speakeasies. It also happens to be number 35 on the World’s 50 Best Bars list.

Entering 1930 feels like taking a step back in time; the vintage furnishings and exposed brick harken back to the decade of speakeasies, moonshine and clandestine meetings. This is especially true when venturing down to the lower floor, which is housed in a repurposed bomb shelter of a Milan long past, rumoured to have once run the length of the city.

The bar has a drinks list that pays homage to its past and pushes boundaries into the future. Diving deep into cocktail lore and supported by artisanal spirits – many made exclusively for the bar – the mixologists have created an original menu, such as the Wild and Sour Iberic Mead, made from 1930’s own mead, fino sherry and local honey. @1930cocktailbar

Milan

MOEBIUS MILANO

An old textile workshop transformed into an exhilarating, stylish, incredibly sexy and effortlessly cool experience. The industrial-style building features two restaurants and a high-volume bar, together with a 700-year-old olive tree which stands sentinel over the venue.

The lower floor houses the cocktail bar and Moebius Tapa Bistrot – which presents a small-plate menu and casual dining. Upstairs is where you’ll find Sperimentale, the fine-dining offering led by two-star Michelin chef, Enrico Croatti. In what is undoubtedly an incredible feat of engineering, the dining room appears to be suspended in space, as if hovering in the centre of the double-volume building.

Moebius is magnificent in design and well curated; from drinks to food and service, it truly is an epic experience. moebiusmilano.it

TRIPPA MILANO

Unfussy, uncomplicated and unbelievably delicious, Trippa has to be one of the best trattorias in Italy. Chef Diego Rossi delivers plate after plate of deeply flavourful food.

As the name may suggest, ‘trippa’ is Italian for tripe, and the menu features the ‘ugly bits’ and secondary cuts of meat as well as classic Italian dishes in line with the food world’s current focus on vegetables.

Deceivingly simple, the dishes, which are comprised of only a handful of ingredients, are expertly cooked to be so much more than the sum of their parts.

Think fried tripe – by far the best offal I’ve ever had – or the pasta with butter and Parmigiana – the rich sauce coating silky ribbons of pasta with green beans and chicken neck dressed in pistachio pesto. At Trippa, everything just tastes like ‘more please’. trippamilano.it

FOUR SEASONS HOTEL MILAN

An oasis amongst the bustle of Italy’s fashion capital, the Four Seasons Hotel Milan is undoubtedly one of the most sought after addresses in the city. It is a luxurious escape within the heart of the city, a stone’s throw from designer stores such as Gucci, Versace, Tiffany and Cartier.

Dating back to the 15th century, the hotel is built around a centre courtyard abundant in greenery. Inside the hotel, modern interiors are juxtaposed with the occasional whisper of its past – the remnants of a fresco peak through the screeded walls, vaulted ceilings sit above the swimming pool and stone-hewn pillars line the lush courtyard.

The Four Seasons Milan features five speciality suites, all inspired by the hotel’s historic location – both past and present. The sprawling penthouse suite, complete with private elevator and a rooftop terrace, overlooks the central city and the iconic Duomo. Light, bright and airy, the suite is finished in luxurious neutral tones.

The fashion suite presents a more modern interpretation of Milanese living with pops of colour, vibrant prints and 50s-inspired furnishings, creating the look and feel of a trendy city apartment. The presidential suite, in its own secluded wing, still has the original stucco ceiling and plush velvet finishes in hues of deep purple and red.

Dining at the Four Seasons Milan is also a treat that includes everything from innovative Mediterranean cuisine and aperativo, to a raw bar and plant-based menus. fourseasons.com

GUCCI GIARDINO AND GUCCI OSTERIA DA MASSIMO BOTTURA

There are few designer brands that embody the Italian spirit of style, sophistication and elegance as well as Gucci can. In Florence, Gucci’s DNA has been extended into a duo of superb dining establishments, which stand side-by-side in Florence’s Piazza della Signoria – Gucci Giardino and Gucci Osteria da Massimo Bottura.

The cocktail bar, Gucci Giardino, is housed in a building once tenanted by a local florist and draws on the location’s floral past, pairing it with the house’s iconic style and the expertise of mixologist Martina Bonci.

The drinks menu has a host of inventive and elegant drinks such as butterfly pea negronis with bright yellow lemon buttons and deconstructed martinis.

Drinks are accompanied by a small menu selected by the chef and includes dishes like black kale and scampi prawn pasta, cheese and charcuterie selections. Open all day, breakfast and afternoon tea are also on offer.

Next door, the equally impressive Osteria is a project in partnership with world-renowned chef Massimo Bottura. Here, the kitchen, led by the talented duo of Mexican-born Karime López and Japanese-born Konda Takahiko, sees the merging of the two chefs’ cultures underscored by Massimo’s ingenuity, with the impeccable Gucci aesthetic.

Contemporary Italian dishes are elevated with flavour fusions and twists on classics such as ‘The Cannoli that wants to become a Cannelloni’ and a pre-dessert spaghetti with flavours of pistachio and almond cream. Awarded a Michelin star in 2019, the tasting and à la carte menus come together beautifully.

Once finished with your meal or cocktail, head next door for a spot of shopping at the Gucci Palazzo Boutique or visit the Gucci Museum, where there’s sure to be a fascinating exhibition centred around the many facets of the fashion house. gucciosterio.com

LOCALE FIRENZE

With a history spanning two centuries, Locale is found within the remnants of the Concini Palace in the city’s historic Noble Quarter. Dating back to the 1200s, the building is steeped in Italian history and lore.

The ground floor features a series of distinct spaces: the garden – now the cocktail bar in a greenhouse, which on warmer evenings, opens to the elements. The library, court and the room of mirrors all take guests on a journey through time.

The original palace – also on the ground floor – has a basement underneath it and was built before the streets were raised to the level they are today. You’ll find a warren of passageways and vaulted rooms now used as kitchens, private dining rooms and a cellar.

Locale Firenze’s multifaceted space is used as both a conceptual fine-dining restaurant and an award-winning cocktail bar. After dinner, you may well find yourself migrating to the bar, where head mixologist Alessandro Mengoini will shake, stir and pour an array of signature drinks. Come midnight and the lights are lowered, the music is turned up, and everyone is invited to dance the night away.

Locale is undisputedly the most fun you can have on a night out in Florence. localefirenze.it

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FOUR SEASONS HOTEL FIRENZE

The former private residence of one of Italy’s noble families, the Four Seasons Hotel Firenze is a visual spectacle. From the lush gardens to the frescos, stuccos and a collection of sculptures around every corner, it is magnificent in its entirety.

Dating back to the renaissance, the palazzo is set within the largest private gardens in Florence. It’s also home to the Michelin-starred Il Palagio, where chef Paolo Lavezzini guides guests through a masterfully curated fine-dining experience inspired by the seasons and showcasing Italy’s finest produce.

The Atrium Bar is also worth a mention, and it is here that the talented mixologists have devised a menu that pays homage to various character’s who have frequented the hotel. Its gin martinis are not to be missed.

Lavish finishes follow through to the suites and take guests back in time. Think ornate headboards set underneath painted vaulted ceilings, complemented with the original Capodimonte Maioliche-style ceramic floor below it and 17th-century frescos.

Staying at the Four Seasons Hotel Firenze is perfect for guests who enjoy the bustle of the city, but also like to escape the throng of tourists. It strikes the right balance between old-world charm and modern indulgence. fourseasons.com

GIACOSA CAFÉ

The famed birthplace of the negroni has returned to Florence with the reopening of Giacosa. Situated just across from its original location, the new setting is a stunning reinvention of the original café, where Count Negroni is said to have devised the much-loved cocktail.

Tones of gold, green and midnight blue, along with textures of brass, wood, leather and marble – and some art-deco flare – are used to great effect, creating a space which is as luxurious as it is welcoming.

The bar, helmed by head mixologist Lucca Mani and bar manager Gabriele Manfredi, has some seriously impressive cocktails on its menu. Naturally, the classic negroni is on offer, as are negroni twists, signature pours and a host of seltzers.

Giacosa has captured the essence of the name’s history and imbued it with a vibrant touch and a seriously impressive bar team. ■

FROM THE PICTURESQUE LAGOON TO A WORLD-CLASS EQUESTRIAN CENTRE, A FLOODLIT PROMENADE AND SO MUCH MORE, STEYN CITY OFFERS THE ULTIMATE IN SUMMER LIVING. IN FACT, THERE’S REALLY NO REASON TO EVER LEAVE

AN EXTRAORDINARILY

Summertime living certainly is easy at Steyn City, with just about everything on offer that makes this season the most enjoyable one.

It all starts with Steyn City’s magnificent 2 000-acre indigenous parkland. What better way to kick start your day than with a walk, run or bike ride on a sunny Highveld morning?

The 45km promenade – ideal for jogging and walking – is floodlit so you can also exercise after hours, and there’s a 50km mountain bike track for cyclists who like to ramp up the pace. And let’s not forget about the equestrian and indoor aquatic centres and Nicklaus design golf course, ensuring that there is something for everyone.

To really enjoy the best of our Joburg summer, head over to the lagoon area, where every day feels like a holiday. The Steyn City lagoon has 300 metres of crystalline waters where you can enjoy a swim, pedalos, kayaking or even some stand-up paddle boarding, before you get out the water for some “beach” volleyball and a game of Padel.

When it’s time for a lagoon-side snack or sit-down meal, enjoy the local Mediterranean-inspired restaurant (with an extensive craft beer and wine menu), catered braai areas, a Seattle Coffee Co pod, as well as a convenience store for treats and any last-minute essentials.

There are also several fabulous dining options at Steyn City: The Clubhouse and Nineteen Restaurant boast a magnificent terrace, perfect for cocktails and sundowners with a view. Or you can linger for hours at The Farmhouse while the children play, or book out the whole venue for a summer celebration. The newest addition to Steyn City’s world of eateries is Café del Sol Steyn City – a member of the Café del Sol family –and which can be found on the piazza at the flagship apartment development, City Centre. After dinner, stroll

around the tree-lined piazzas, browse the brandnew shops, which include Le Creuset and The Gallery at Steyn City, before stopping for a sweet treat at Paul’s Homemade Ice Cream.

From summer swims and sport activities to sunset drinks and alfresco dining, it’s easy to see why people fall in love with the luxurious lifestyle at Steyn City.

HAUTE CARTURE

DESIGN HOUSE PININFARINA MAY BE RENOWNED FOR PRODUCING EVOCATIVE FERRARIS, BUT THE ITALIAN COMPANY HAS LONG BEEN A CREATOR OF BEAUTIFUL THINGS

WORDS

SUDHIR MATAI

There are many wellknown styling firms in the automotive arena: Zagato, Bertone, Italdesign Giugiaro and Ghia among them, but none are more famous than Pininfarina. The company’s history stretches back nearly a hundred years to when Battista ‘Pinin’ Farina founded Carrozzeria Pininfarina in Turin, Italy.

As was commonplace at the time, small-scale carrozzeria, or body shops, built customised car bodies for individual customers.

Pinin’s work quickly earned a reputation among Europe’s elite, which was helped, in no small part, by some of his incredible creations displayed at the Paris Motor Show in 1932.

However, it was not until Battista met another famous Italian automotive doyen that his fame would spread worldwide. That person was Enzo Ferrari. Many believed the two head-strong characters would not be able to forge an amicable working relationship, but as it turned out, they were wrong. The two men respected and admired each other’s talent, and the partnership between Ferrari and Pininfarina now stretches for more than 60 years. The cars produced from this long-standing collaboration are considered the embodiments of power, speed and luxury.

OPPOSITE TOP (FROM LEFT): Battista ‘Pinin’ Farina, founder of Carrozzeria Pininfarina; the first home of Pininfarina in Turin, Italy; the Alfa Romeo “Duetto” Spider

OPPOSITE:

The Battista Edizione Nino Farina – an impressive specialedition hypercar

LEFT: The Battista B95, one of the marque’s latest offerings

Countless desirable shapes were conceived by the designers in Turin and built in the small northern Italian town of Maranello during the fruitful relationship. Among these are the famous Ferrari 365 GTB/4, better known as the Daytona, the 512 BB (named after French model Brigitte Bardot), the ‘Magnum, P.I.’ 308 GTS, the iconic F40, the Testarossa and the well-known 458. Fittingly, the Ferrari Enzo was also designed by Pininfarina.

In April 1966, Battista passed away after handing over the reins to his son Sergio. Incidentally, Battista had his surname officially changed to Pininfarina to align the family closely to the creations that bore the name of the carrozzeria.

It was business as usual with Sergio at the helm. There were brief forays into the burgeoning US market, but Pininfarina concentrated its efforts closer to home and applied its special touch to new models of European brands. In addition, the famous Alfa Romeo “Duetto” Spider, immortalised as Dustin Hoffman’s mode of transport in The Graduate, also debuted the same year Battista passed away.

Peugeot, Bentley, Citroën, Maserati and many others have produced cars that were styled by the independent atelier. From the unlikely Peugeot 404 to the breathtaking Maserati GranTurismo and countless models in between, you’ve inadvertently set your eyes on a Pininfarina creation at some point in your life.

The manufacturer has evolved over the last 90-odd years from a simple automotive design studio to a fully-fledged member of the automotive landscape. Today’s ventures include non-automotive design (yachts, appliances, furniture and timepieces to name a few) and automotive engineering services. Keeping with tradition, it also offers production facilities for limited-edition series or exclusive high-end cars.

In 2018, the company announced that it would build its first stand-alone product and was fittingly named the Battista. Paolo Pininfarina, now chairman of the company, said, “This is genuinely a dream come true. My grandfather always had the vision that one day there would be a stand-alone range of Pininfarina-branded cars. For me, we simply had to call it Battista.”

The jaw-dropping Battista features extensive use of lightweight carbon-fibre. Under its provocative shape is an extremely powerful, all-electric drivetrain delivering 1 400kW and a massive 2 340N.m of torque. The EV hypercar can blast from rest to 100km/h in under two seconds and has a top speed of 350km/h. Only 150 of these will be built.

A few weeks ago, the company unveiled two new models. The B95 is a speedster based on the Battista that boasts the same powertrain, with only 10 units scheduled to be built. The name is a nod to the company’s upcoming 95th anniversary. The other, an SUV – the Pura Vision – will offer a look into the future of the marque’s lineup.

Three generations of Pininfarina, aided by exceptional designers who cut their teeth in Turin, have captured the imaginations of auto enthusiasts the world over. As we enter a new age of motoring and electrification, Pininfarina is proving that it is more than up to the task, just as it has been for almost a century. ■

yourluxury.africa

A SARDINIAN-STYLE VILLA WITH A STORIED PAST IS TRANSFORMED INTO A SOPHISTICATED FAMILY RETREAT. AND DID WE MENTION THE PENGUIN NEIGHBOURS?

WORDS LORI COHEN PHOTOGRAPHY GREG COX/BUREAUX

ASHORE THING

OPPOSITE: The sheltered outdoor space has idyllic views

THIS PAGE: A catwalk-like platform runs along the villa’s

extension

Nestled on the distinctive coastline of Boulders, just south of Cape Town, Rocamar Villa shares its outlook of aqua waters and pristine white sands with the area’s iconic African penguin colony. Cleverly concealed from the curious eyes of beachgoers by indigenous trees and shrubs, the house is just steps away from the sand. The journey from beach to villa takes you up through a couple of private alfresco dining spaces, primed for comfort and views. And inside the house, newly raised ceilings and the addition of generous windows and sliding doors have created a calm, light-filled space, with moments of vibrancy and smart design choices conveying an atmosphere of timeless style.

Currently some 50 years old, this beach house was built to mirror the original owner’s Sardinian retreat after they put down roots in South Africa following the Second World War. So, while the property was full of nostalgic charm, the new owners wanted to open the house up to suit an entertainer’s lifestyle. The structural changes were entrusted to architect Wynand Wilsenach, who masterfully rethought both the interior and exterior by raising the ceilings, replacing doors and windows to give rooms choreographed views of the sea and garden, and exploiting the features of the site to create a more dramatic entryway. His vision crafted an open-plan living space that feels wonderfully spacious yet comfortably contained – and guarantees fantastic views of Boulders Bay cove.

In turn, the challenge for interior designer Andrea Graff was to strike a balance between old-world elegance and creating a beach house that was comfortable, practical and relaxed. Taking her lead from the high-beamed ceilings and terrazzo floors, she chose a simple but dramatic all-white palette for the kitchen and casual dining space, which is open-plan to the living area. A striking custom-made Formica table and chairs with clean lines holds court in the dining space, while a subtle touch of whimsy comes in the form of a wall covered with handmade curved tiles in the kitchen.

“I chose off-white to dominate the house, but I also wanted to use soft shades throughout to reference the sea and surrounding greens, without relying on the blues typically used in beach houses,” says Andrea, whose studio custom-designed furnishings complement the original arched doorways and pay homage to the building’s heritage.

CLOCKWISE TOP

The living room flows seamlessly outdoors thanks to the new sliding doors; a soft sage in the guest room brings the outdoors in; the all-white kitchen is the ultimate casual dining space

(FROM LEFT):

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Wednesday, 25 October 2023 at 7pm 2nd floor, Brickfield Canvas, Woodstock, Cape Town

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LEFT: Nestled in indigenous bush, Rocamar overlooks Boulders Beach

MIDDLE: A patterned velvet headboard complements the floral quilt in the main bedroom

BOTTOM: Having raised the beamed ceilings, the kids’ bedroom could happily accommodate a loft bed

A striking painted wooden relief by South African contemporary artist Sthenjwa Luthuli introduces bold green and glamorous tones of cream, ivory and sand to the living room. “When I showed it to the homeowners, they could see my vision for the room with this dramatic piece,” says Andrea. Taking a cue from it, she designed and installed the dusty pink sofa – complete with chic black and white Corian end tables – that now hugs the walls. This built-in piece, says Andrea, is the triumph of the living room, giving the space a glamorous feel of yesteryear and delivering maximum seating in a relatively small area. It’s complemented by an organically shaped rug and contrasted with centenary-issue Wassily chairs, making for what Andrea describes as a mix of furniture and colours that combines to create a beautiful gathering point for the family, without feeling over-designed.

The villa’s bedrooms provided further opportunities to make use of some of the pastoral and sun-bleached shades borrowed from the surroundings. In the main bedroom, Andrea used soft coral Belgian floor-to-ceiling linen curtains draping like an old-school Hollywood starlet’s dress, with the room further softened by a subtly patterned quilt. “The main bedroom opens directly onto the living room, so it was important that the rooms have a visual connection,” says Andrea. Referencing the charming quilt that graces the main bedroom, which she had custom made using vintage Tana Lawn fabric by Liberty, Andrea reflects that this is “a house that pushed me to think about details and use old-fashioned techniques while making them new”.

The homeowner’s passion for diving and photography is fully embraced at Rocamar, with bold underwater prints prominently displayed throughout. “My clients are ‘water people’, and using their work in the house connects them to their memories of past travels and the ocean, which is a stone’s throw away,” says Andrea. With two guesthouses for family and friends having been added to the property and set apart from the main house, they will also most certainly be able to share this memorable spot with visitors aplenty.

“Everyone on this project was committed to respecting the integrity this property already had as well as the unique location it is in. We were also given creative freedom that allowed us to exploit its potential. It’s going to age gracefully and timelessly,” says Andrea. With its bright interior, personal touches and quiet embrace of the landscape, the villa is now the perfect retreat where the family can enjoy this unique slice of the beautiful Cape Town coast. ■

“The SMART design choices convey an atmosphere of TIMELESS style”

It is so easy to fall in love with Cape Town. Built around Table Mountain, the Mother City offers stylish city living imbued with once-in-a-lifetime nature experiences. Situated in Bantry Bay, Ellerman House is Cape Town’s most exclusive boutique hotel and embodies everything a nature-loving city traveller dreams of. It’s coastal location is also a stone’s throw from the city centre, as well as numerous other tourist attractions.

Previously the residence of shipping magnate Sir John Ellerman, the boutique hotel retains the estate’s distinguished pedigree, exuding refined elegance and a fine collection of antiquities.

It is the hotel’s two self-contained private villas with extraordinary views of the Atlantic Ocean, however, that sets Ellerman House apart, making it the go-to retreat for visitors from all over the world. Perched over the sea, the contemporary-style villas offer open-plan living with dramatic ocean views. Villa One has three bedrooms, but can be extended to five bedrooms to accommodate up to 10 guests, while Villa Two has three spacious bedrooms for a total of six guests. All bedrooms have ensuite bathrooms and private decks. Both villas also have generous outdoor and indoor living spaces, and each one has its own entertainment room, interactive designer kitchen and a pool.

As a Relais & Châteaux property, Ellerman House promises excellent personal service and both villas are staffed by hospitality teams and private chefs.

On the property, guests can enjoy rejuvenating and holistic treatments at the spa, dine at the hotel’s main restaurant, or explore the extensive wine gallery, which showcases more than 7 500 South African wines. The Champagne cellar only stocks rare vintages of Dom Perignon.

Ellerman House is also home to one of the country’s leading art collections with more than 1 000 works by South African artists, from the 19th century to present day. From the views to the spa, the wine to the art, villa life at Ellerman House promises luxurious living at its best.

THIS INTIMATE BOUTIQUE HOTEL’S TWO PRIVATE VILLAS IN THE MOST BEAUTIFUL CORNER OF CAPE TOWN MAKE ELLERMAN HOUSE A SOUGHT-AFTER ADDRESS FOR VISITORS THE WORLD OVER

LUXURY LIVES HERE

yourluxury.africa

MOMENTS THAT MOVE YOU

VASTLY SAGE BY AMANDA DAMBUZA STARTED AS A YOUTUBE BROADCAST

FOUR YEARS AGO AND HAS EVOLVED INTO A MOVEMENT TO INSPIRE, CONNECT, EMPOWER AND CHANGE LIVES

Founded in 2020 by transformational author, international speaker, mentor and global award-winning businesswoman, Amanda Dambuza, the Vastly Sage Uplifting Brunch is an extraordinary event. It’s set to bring some of the most incredible minds of our time into one space to share wisdom, life journeys and practical tools to navigate life, career and business.

Launched during the Covid-19 pandemic to a brunch of 100 guests, this year’s event will play host to more than 500, and the tickets sold out within days of going on sale. “The Vastly Sage Uplifting Brunch has empowered and changed the lives of many women in corporate and business,” says Amanda. “The connections made there have yielded in business partnerships, others have connected and found mentors.”

Amanda started Vastly Sage when she realised that the people she interacted with craved a physical space at which to network, be mentored, connect and transform themselves. “Human beings are a social species; we are wired to

connect. According to Maslow's Hierarchy of Needs, besides food, water and safety, love and belonging are the most important needs we must fulfil. This includes our desire for interpersonal relationships, intimacy, to connect with others, and to be integrated into a group,” she says. “The Vastly Sage Uplifting Brunch is this to many; a community where they learn to have fun, learn and thrive.”

This year’s Vastly Sage Uplifting Brunch takes place on 18 November, but such is the demand for this extraordinary event that tickets are already sold out. The good news is that tickets for the 2024 brunch are readily available at amandadambuza.com.

The speakers at this year’s Vastly Sage Uplifting Brunch include: Erik Kruger, founder of Modern Breed, author and leadership coach; Shudufhadzo Musida, founder of Imbe Swimwear, Miss SA 2020 and mental health advocate; Bilala Mabuza, founder and head designer of Cocoon Lifestyle; Samke Mhlongo, wealth coach and author; and Claire Blanckenberg, founder of Reel Gardening and Veuve Clicquot Bold Woman Award South Africa 2023 winner.

A number of partners have also come on board, including Steyn City, Veuve Clicquot, Kitchen Aid, Appletiser, Telkom and Schweppes. Amanda’s own business, Uyandiswa Project Management Services, is also involved.

HATS ARE HUGE THIS SEASON

AMERICAN HEADWEAR DESIGNER RODNEY PATTERSON

TALKS US THROUGH HIS CREATIVE PROCESS… AND AN INTERESTING ENCOUNTER WITH JANET JACKSON

WORDS PETRA MASON

Wearing faded denim dungarees and one of his own signature high-crowned acorn-round-brim hats, headwear designer Rodney Patterson commands attention. By the time I met him at Afropunk Brooklyn in August, his line of hats, known as Esenshel (pronounced essential), had already picked up paying celebrity endorsements at a time when influencers were peaking. “Often, it’s the celebrities themselves who contact me wanting to buy hats – not their stylists. That’s a real endorsement as these are people who can get almost anything for free and can afford to buy anything they want. It’s really flattering that they are choosing to spend their money with me,” says Rodney, whose clients include Lizzo, Billy Porter and Erykah Badu.

Born in Chicago, the New York-based designer’s style is strong, graphic and abstract. The amazing Jean-Paul Goude’s image of Grace Jones adorned with cones in primary colours comes to mind, as does the snap of elastic as Grace is unwrapped. Stripes and strong colour statements combined with utilitarian wearability: there is nothing frilly or fussy about Esenshel’s strong statements, and his gender-fluid shapes, styles and lines add definition to both his and hers lines equally.

I caught up with Rodney while he was in the midst of getting his Fall ’23 collection onto shelves in high-end retail outlets, as well as in his own New York City 67 East 4th Street and web shops.

WHAT ADVICE WOULD YOU GIVE YOUNG DESIGNERS FROM AFRICA WHO ARE PURSUING A FASHION CAREER? “Be true to your point of view. Cultivate your own style and technique and don’t worry about mass appeal or mass success. Your tribe and the believers in your vision will loyally support you. It’s ok to be a niche brand.”

DO YOU THINK THAT THE FASHION INDUSTRY IS MORE INCLUSIVE THAN OTHER CREATIVE CAREERS? “I don’t think so. I think in most creative careers you hire the person that has the right point of view and skill set you’re looking for. The key is to be visible so that you’re included in the pool of candidates being considered. Social media has helped inclusivity in creative careers and has provided a platform to showcase craft and abilities.”

TELL US ABOUT YOUR PERSONAL JOURNEY AS A HAT DESIGNER: “My headwear collection formed organically. In around 2015, I decided to stop spending great deals of money on clothing and instead opted to create a uniform for myself. The uniform was going to be jeans and a T-shirt with a great coat or blazer, a nice shoe and an interesting hat. I went to a hatmaker’s shop in SoHo and purchased some hats, and later started having him make custom ones in various proportions and shapes. When wearing them, I was constantly stopped and asked where they were from. That was the birth of Esenshel.”

TELL US A BIT ABOUT YOUR CELEBRITY CLIENTS: “The celebrity thing is weird and sometimes wonderful. One of my favourite celebrity stories was when this guy contacted me through Instagram. He said, “I am a creative director, dancer and choreographer”, and asked if he could call me. I ignored the message. A few days later he called me through the Instagram app, but I didn’t answer. He messaged again and said that he’d like to talk to me, and assured me, “It will be worth your time”. I agreed that we could talk the next day and figured that would give me a chance to get my “shut-itdown” game face on. He called and told me he was choreographing a show and wanted to know if I would be interested in making hats for one of the two scenes. He then proposed we have a group video call with Janet. He was referring to Janet Jackson. She’s the loveliest and most genuine person you will ever meet… well, unless you get to meet Samuel L. Jackson. @esenshel ■

OPPOSITE & FAR LEFT: The model wears various hats from Esenshel’s Windela Ivory Hat’s collection

LEFT: Rodney Patterson in his Yoko oval brim hat

yourluxury.africa

IMAGES

REX LOTT PHOTOGRAPHY

A LUX URY BUSINESS

THE DEFINING MOMENT SPARKING THE CREATION OF TONGORO: This came after realising there was a gap in the African fashion landscape. Most of the brands I loved were positioning themselves on the western luxury segment, and accessibility was also an issue. I thought it could be filled with more premium brands that would speak to a core customer like myself –a worldly, proudly African cosmopolite who’s wanting to look good without having to sell an arm.

THE VISION FOR THE BRAND: It’s ‘Africa – to the world’… literally.

ON THE RISE OF SLOW FASHION: I think African fashion has always embodied the characteristics of slow fashion. Even if it’s by default, you cannot be more sustainable than that, so it’s been interesting to witness the emphasis on this “new” way of doing things, when that’s all we’ve really known.

THE HALLMARK OF LUXURY IN ACQUIRING A TONGORO ITEM: To get something that has been handcrafted with love, pride and passion is luxury, and that is what you get from our whole experience.

ON BREAKING AWAY FROM CONVENTION TO BUILD A LUXURY AFRICAN BRAND: I think the decision to use and solely focus on e-commerce for a newly launched African fashion brand was innovative and a bit daring. African goods have suffered from bad branding for decades, so it was a gamble. But I’m glad people gave it a try.

ON EMBRACING TECHNOLOGY OR ARTIFICIAL IINTELLIGENCE IN THE BUSINESS OR CREATIVE PROCESS: My design process definitely includes technology. I work closely with my 3D designer to finalise each of the pieces before launching a sample production line. This allows me a certain level of flexibility and the ability to change elements, especially when it comes to the prints and their placement.

BORN IN PARIS, RAISED IN ABIDJAN AND NOW BUILDING A FASHION EMPIRE IN DAKAR, AFRICAN COSMOPOLITE SARAH DIOUF’S E-COMMERCE SENSATION TONGORO –WORN FREQUENTLY BY THE LIKES OF BEYONCÉ – ISN’T THE ONLY THING THAT BREATHES LUXURY INTO HER LIFE

COMPILED BY NTOKOZO MASEKO

LUX URY

LIFE

A DREAM PANEL OF STYLE ICONS: I think of women like (Nigerian fashion entrepreneur) Reni Folawiyo, or actress Amanda Murray. Style is something personal and distinctive; it speaks for you so that you don’t have to. There are amazing people who make style happen and whose work I love, such as designer Law Roach and journalist Ib Kamara. If I had to sit in a room and talk style, these four people would be my dream panel.

WHAT LUXURY LOOKS LIKE AT HOME: Quiet, peace and solar warmth. I enjoy time to just sit alone with my thoughts. WHERE TO SHOP, EAT AND RELAX IN DAKAR: Visit Sandaga or Colobane market for fabrics, and Nomad for the most amazing Moroccan home supplies. Sunset drinks at Copacabana Surf Village is a must.

ON ART COLLECTIONS: I started collecting African art two years ago. I have recently acquired a beautiful Alioune Diouf painting called The Field of Mankind – it’s mesmerising. But my most precious piece to date is a signed portrait my friend Kehinde Wiley made of me, which is so surreal.

MY TREASURED FAMILY HEIRLOOMS: I still have a piece of red velvet fabric that my grandmother put in my crib when I was born. I’ve taken it pretty much everywhere with me my whole life. It used to be around two metres long and it’s now in two small pieces, but I cherish it. She passed away four months ago, and I am glad that I still have it with me 30 years later. I hope to pass it on to my child or grandchild some day in memory of her.

I also have some diamonds that my mother gifted me every other year until I turned 30, and I still need to create something with them. My mother is from the Central African Republic – which is actually where I got the name Tongoro from. It means ‘star’ in Sango, which is the national language – and the country abounds in diamonds. ■

ABOVE: The portrait made for Sarah by Kehinde Wiley

LEFT: Beyoncé in Tongoro

MASTER OF MATERIALS