YourLuxury Africa - May 2024 issue

TALKING HOME & HERITAGE WITH THE WORLD’S FIRST AFRICAN FEMALE HIGH JEWELLER

VANIA LELES

FOR THOSE WHO DARE

X M THE

The 25th of this month marks 61 years since the founding of the Organisation of African Unity (OAU), a pan-African manifesto for a united and free continent, which is commemorated on Africa Day each year. YourLuxury Africa’s conversation thread on luxury and the continent only highlights that we’re reclaiming our place as a source of material and immaterial contributions towards the two-hundred-billion-dollar global luxury industry. This, while staying energised to help close the 500-year gap that shifted many African countries out of the centre of their own creative and economic locus.

In this issue, with Vania Leles – the world’s first Black, African, female high jewellery brand owner – on the cover, we double click on Africa’s homecoming in the luxury sector. Bringing her African voice to the exclusive world of high jewellery, the founder of London-based VANLELES has many interpretations of the concept of home. Born in Guinea-Bissau, she briefly lived in Senegal in the ’80s before moving to Portugal for

MY TOP PICKS

her formal education. She then went to London where she was scouted as a model, leading to moves to Paris and New York, before finally settling back in London. She’s called Gra Diamonds, De Beers, and Sotheby’s her professional homes, but now has her own atelier on London’s Bond Street. Vania talks to us about heritage as the primary memory deposit from which she draws inspiration, as well as her complex quest for ethical sourcing and redirecting wealth back to the African regions where precious materials are sourced (page 26).

We also zoom in on the physical concept of home by celebrating the extraordinary spaces our featured interviewees occupy and beautify. Rich Mnisi talks to us about his new body of work in furniture design on view at Cape Town’s Southern Guild Gallery until the end of May (page 32), while design maven Lezanne Viviers of Viviers Studio welcomes us into her mid-century Johannesburg home (page 40).

& Co hosts a diverse annual programme of auctions encompassing expertly curated fine art, wine, decorative arts, and jewellery. These exquisite pieces and others go under the hammer in the Deluxe Diamonds sale on Monday 27 May at 7pm at Strauss & Co in Johannesburg. straussart.co.za

The new Rolex Perpetual 1908 is a visual masterpiece, with light bouncing o the raised pattern on the dial producing a variety of reflections with every movement of the wrist. charlesgreig.co.za

An infusion of the power duo that is Caviar Infinite and Caviar Micro-Nutrients, La Prairie’s Skin Caviar Eye Lift targets the skin’s horizontal elements as well as the vertical ligaments, giving upper eyelids a lift, smoothing wrinkles and diminishing eye bags. Available at selected Edgars and Woolworths Stores

EDITORIAL: EDITOR Ntokozo Maseko Ntokozo@yourluxury.africa MANAGING EDITOR Rizwana Variawa rizwana@yourluxury.africa CREATIVE DIRECTOR Kate Walters BEAUTY EDITOR Ingrid Wood ingrid@yourluxury.africa COPY EDITOR Tamlyn Cumings CONTRIBUTING EDITOR Leigh Herringer IMAGE EDITOR Coralie Elske DIGITAL EDITOR Norma Young norma@yourluxury.africa ADVERTISING & MARKETING: ADVERTISING DIRECTOR Yvonne Sha +27 (82) 903 5641 I yvonne@yourluxury.africa ADVERTISING CO-ORDINATOR Yvette Mehl + 27 (21) 439 4907 I yvette@yourluxury.africa ACCOUNT MANAGER: NATIONAL Gina van de Wall I gina@yourluxury.africa MANAGEMENT: MANAGING DIRECTOR Yvonne Sha PUBLISHER Ingrid Wood

EDITORIAL DIRECTOR Jacquie Myburgh Chemaly jacquie@yourluxury.africa DISTRIBUTION & PRINT: DISTRIBUTION On the Dot, Media Support PRINTED BY CTP Printers, Cape Town for YourLuxuryPO Box 1053, Sea Point 8060, Cape Town. All

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Strauss

Louis Vuitton’s Super Vision sunglasses are inspired by photography. Available in four contemporary styles, each moulded in rubber-e ect nylon to mimic the aesthetic of iconic camera designs. louisvuitton.com

IMAGE: Victoria Culco

THE HOME ISSUE

FRIC A

VANIA LELES

IWC PORTUGIESER AUTOMATIC.

Portugieser Automatic 42, Ref. IW501705

Conceived 85 years ago as an instrument watch with marine chronometer precision, the Portugieser has evolved into a timeless yet dynamic paragon of understated elegance. A slimmer case now makes the Portugieser Automatic 42 even more refined, while double-box glass sapphire crystals showcase the IWC-manufactured 52011 caliber with a power reserve of 7 days and the elaborately crafted dial in a new colour called Dune. IWC. ENGINEERING BEYOND TIME.

JOIN US ONLINE

ONLINE NOW: Thonton Kabeya (b. 1983, Democratic Republic of Congo) challenges his medium of paint and canvas by gluing layers of canvas together which he then cuts, carves, and sculpts, before painting. He is one of the many contemporary African artists who will be showcasing at the Dakar Biennale from 16 May to 16 June. Read the full story on YourLuxury.Africa.

MEET OUR CONTRIBUTORS

NKGOPOLENG MOLOI

Nkgopoleng is a Cape Town-based writer whose work has appeared in Art Forum Elephant Magazine Mail & Guardian, and the British Journal of Photography. She recently curated Practices of Self-Fashioning, an exhibition exploring queer mobility at the Goethe-Institut in Johannesburg.

“A little way I like to express luxury in my home environment is with the use of candles – it’s a super easy and fun way to change the mood. I’m also a big fan of fresh flowers –tulips always look good and they feel like a little treat. “

See: p32

EDWARD MOLEKE MAKWANA

A public relations executive with more than two decades of experience across multiple industries, Edward has extensive knowledge of original equipment manufacturing and the retail sector of the automotive industry. He’s currently a freelance contributor, offering insights into the automotive sector.

“While I consider myself to have simple tastes, I prioritise certain elements in my home. This includes integrating smart home technology, statement furniture pieces, and personal touches, such as custom fragrance diffusers and curated collections.”

See: p46

HERRINGER

Leigh has an honours degree in International Relations but followed her passion for print media and the world of magazines. She edited well-known titles Food & Home Entertaining and Wedding Inspirations and is a contributing editor to YourLuxury Africa

“I express little luxuries at home with beautiful coffee table books, garden roses, candles, and heated bath towels. However, our home tells a bigger story about the experiences we’ve had and the things we’ve collected over the years, and to me, those are the greatest luxuries.”

See: p40

LEIGH

FASHION • WATCHES

WHEELS, WINGS & WATER

YACHT WEEK

If a seven-day floating festival in and around picturesque parts of the world piques your interest, you won’t want to miss out on Yacht Week. Choose a week between 25 May and 6 September and set sail on a curated adventure, exploring breathtaking destinations such as Croatia and its neighbouring islands. Each day o ers a new experience in the local surrounds, and the exclusive parties are sure to make this a memorable trip. Prices start at $610. Visit theyachtweek.com for more information.

LIQUID ASSETS

Africa’s premier Cap Classique and Champagne Festival takes place on 17 and 18 May at the Inanda Polo Club in Johannesburg, and promises to be a weekend of luxury tastings and culinary delights. The festival kicks o with a bottomless bubbly VIP dinner on the Friday evening followed by full day MCC and Champagne experience on Saturday – with a fabulous floral-chic dress code. Tickets start at R2 250 pp. Weekend and couple’s packages are on o er too. Visit luxempire.co.za for more information.

DAK’ART THE WAKE

The 15th edition of Dak’Art, taking place from 16 May to 16 June in Dakar, Senegal, will showcase 58 artists from Africa and its diaspora under the theme The Wake. This edition will probe the intersections of art with societal, climatic, and historical narratives, urging a collective consciousness towards global challenges. Expect a diverse display from drawing to virtual reality, shaping a new global dialogue through art. biennaledakar.org

CULTURE DIARY

LIGHTS, CAMERA, CANNES

From 14 – 25 May, the renowned Cannes Film Festival invites enthusiasts to a showcase of cinematic excellence on the French Riviera. Attendees can look forward to premieres, celebrity encounters, and networking events.

This year sees a rise of historic moments for Africa as films include selections from Tunisia, Senegal, Algeria, Morocco, Sudan, and Cameroon, along with o -screen recognition for legendary Malian writer-director Souleymane Cissé. festival-cannes.com

PONY TALES

Nedbank’s prestigious International Polo is back on Saturday 11 May and highlights the longstanding rivalry between top polo nations Argentina and South Africa as they take each other on in the main test. Fashion stakes are high and guests can enjoy various luxury experiences, such as the Aperol Garden, throughout the day. It’s on at the Inanda Club, Johannesburg, and tickets are available at nedbankinternationalpolo.co.za.

RMB LATITUDES 2024

From 24 – 26 May, the RMB Latitudes Art Fair returns to Joburg’s Shepstone Gardens to celebrate contemporary African art. Following its successful launch last year, this vibrant gathering will once again transform the lush three-acre estate into a state-of-the-art exhibition space as artists and exhibitors from across 12 countries and 40 galleries come together to showcase the diverse and dynamic spirit of Africa through the works of 250 artists. latitudesartfair.com

Elegance is an attitude

Regé-Jean Page

N UP

The Ultima

1. Louis Vuitton’s LV Dynasty Pearls Brooch showcases the brand’s craftsmanship, inspired by Pharrell Williams’ inaugural show. Featuring intertwined L and V initials, the brooch is adorned with brilliant white and blue zircons encased within a design reminiscent of an aristocratic crest, accented with ruby-hued stones and luminous pearl beads. R23 400, louisvuitton.com

2. The Gra Tilda’s Bow diamond high jewellery brooch in white gold is a masterpiece of diamond craftsmanship, capturing the sculptural elegance of a silk ribbon and adorned with round and baguette cut diamonds, each curve custom cut for perfect fit. POA, gra .com; Delaire Gra Estate boutique, 021 885 8160

3. The Prelude Necklace and Brooch from the Metamorphosis by De Beers collection o ers three looks in one design. Alone, it’s a classically elegant white gold necklace adorned with bezel-set diamonds reminiscent of winter’s glacial beauty. With a unique pear-shaped clip, it’s a tribute to the four seasons, featuring a 10.05 carat Fancy light yellow diamond surrounded by gold strands. The clip can also be worn as a brooch. POA, debeers.co.uk

4. The Charlie Chaplin Rose Brooch symbolises Chopard’s love of film, marking the 75th anniversary of the Cannes International Film Festival. Graced with some mobile petals, the

PINS AND BROOCHES ONCE SERVED AS CRUCIAL FABRIC FASTENERS AND STATUS SYMBOLS. NOW MAKING A COMEBACK ON THE RUNWAY, THE ORNATE ACCESSORY PROVES ITS TIMELESSNESS WORDS DEBBIE HATHWAY

bloom also has white diamond petals at the tip of a stem bearing black diamond leaves, a chromatic tribute to the black and white images of Charlie Chaplin films. POA, chopard.com; BHH Boutique, V&A Waterfront, 021 418 1889

5. The Fabergé x James Ganh Butterfly Brooch, inspired by the “romantic and loving surprises of Fabergé creations”, comes in 18kt white gold and incorporates a pear-shaped and round ruby, pink opal, pink sapphire, yellow sapphire and round brilliant-cut white diamond. POA, faberge.com; Murdocks, V&A Waterfront, 021 419 0302

6. This Cartier Devant-de-corsage brooch (circa 1910) will be among 250 pieces auctioned by Sotheby’s in Geneva this month as part of Iconic Jewels: Her Sense Of Style, one of the most important private collections of signed jewellery to come to auction. According to Sotheby’s, the partially articulated openwork bow is composed of laurel leaves and supporting flexible tassels. It is millegrain-set throughout with circularcut diamonds, enhanced with rose diamonds and accented by marquise- and pear-shaped diamonds. Online bidding takes place from 2 – 16 May. Estimate CHF200 000 –CHF400 000, sothebys.com, cartier.com

Givenchy Skin Ressource Mask has a refreshing formula that retains water and shields against moisture loss for lasting hydration. R1 590, selected Edgars stores and edgars.co.za

Hydrating and firming, the sublime Gatineau Collagene Expert Plumping Revival Mask can be left on overnight for an intensive treatment. R1 050, orleanscosmetics.co.za

The all-natural Novexpert Vitamin C Radiance Peeling Care gently sloughs o dull winter skin for a smoother, more luminous complexion. R930, novexpert.co.za

COLDPlay

Chanel No 1 Red Camellia Revitalizing Mask pairs two naturally derived AHAs for gentle exfoliation with the incredibly hydrating hibiscus extract. R1 985, Chanel Fragrance & Beauty Boutiques

WINTER-PROOF YOUR SKIN WITH THESE MOISTURISING COMPLEXION BOOSTERS

COMPILED BY INGRID WOOD

The highly concentrated Elemis Superfood Facial Oil contains nine superfood oils, including broccoli, rosehip, flaxseed, and daikon radish to feed the skin and boost radiance. R1 205, za.elemis.com

Replenish your skin at night with La Prairie’s Skin Caviar Luxe Sleep Mask, a caviar-infused formula that deeply nourishes and comforts the skin. R8 715, woolworths.co.za

Give your skin the ultimate pamper with a QMS Collagen Sheet Mask that includes a Stem Cell Complex treatment. Made from pure bovine collagen touted for its medical benefits in treating burns and scars while promoting tissue repair, this mask is a multi-wonder: it intensely hydrates, enhances smoothness, boosts elasticity, and aids skin renewal, all while Swiss apple stem cells ensure exceptional revitalising benefits. futurethis.co.za

IN-SALON ESSENTIAL

ABOVE: Delaire Graff Estate houses an extensive collection of African art

BELOW: Spa treatments, jewels, and incredible views are just a few of the experiences on offer

A TRUE (E)STATE

ofgrandeur

DELAIRE GRAFF ESTATE HAS ALWAYS BEEN THE ULTIMATE LUXURY DESTINATION IN SOUTH AFRICA, AND NOW IT’S ADDED ANOTHER LAYER TO ITS CROWN OF PERFECTION

Often described as the jewel of the winelands, Delaire Graff Estate on the scenic Helshoogte Pass just outside Stellenbosch is one of those unique destinations devoted to beauty in all forms – fine dining, wine, art, spa, and landscaped gardens – for sublime experiences in every corner.

The Estate recently underwent an extensive refurbishment guided by the vision of owner, Laurence Graff OBE, and executed by interior designers David Collins Studio, who have worked with Delaire since its inception. The new interiors reflect the colours of the surrounding landscape and perfectly complement Laurence’s extensive collection of African art. The most luxurious addition is the fully serviced four-bedroom Owner’s Villa – one of the most exclusive private residences in Southern Africa.

The relaunch also included the opening of the new spa and HŌSEKI, an extraordinary Japanese restaurant, under the skilful eye of chef Virgil Kahn. HŌSEKI means jewel in Japanese, and pays homage to Laurence, who is a renowned diamantaire. The spa offers a selection of rituals unique to an art-inspired wellness sanctuary while using renowned global brands such as Augustinus Bader – a pioneer in regenerative skincare – during treatments. Laurence’s love of art extends to the gardens too, and the inclusion of striking sculptures has created a true open-air exhibition. The gardens are a journey within a journey, and it’s no wonder they have been featured on the Top 10 Spectacular Gardens Around the World list by Relais & Châteaux properties, while the vineyards placed in the Top 50 of the World’s Best Vineyards.

And, of course, as a leader in the jewellery world, the Estate is home to the only Graff store in Africa, where guests can shop the latest fine diamond collections and timepieces. The boutique also has a unique selection of luxury clothing, accessories, and homeware brands, offering a fusion of the finest treasures for an incomparable experience.

delaire.co.za

AES HE TECH

CLOCKWISE FROM TOP:

PETCUBE BITES 2 LITE: The Petcube Interactive WiFi Pet Monitoring Camera is the ultimate gadget for pet owners, o ering Wi-Fi connectivity to monitor and treat your pet remotely via smartphone. It boasts two-way audio, Amazon Alexa compatibility, and sound and motion alerts. $74.99, petcube.com

SAMSUNG MUSIC FRAME: Samsung extends its popular Frame line with the new Music Frame. This Bluetooth/Wi-Fi device is wall-mountable and versatile as a standalone speaker, a TV speaker, or even a subwoofer while doubling up as a stylish decor art piece. $399.99, samsung.com

INDELB FRIDOM CUBE FREESTANDING MINIBAR: Designed by Massimo Mussapi, these mini fridges can hang on walls, stand on tables, or be freely positioned. Equipped with Ecosmart technology, they boast quiet operation and top-tier energy e ciency with Timer, Smart, and Eco modes. POA, indelb.com

MAGNISMARTECH MAGNIFLEX SMART BED SYSTEM: Experience the future of sleep with this revolutionary bed system that analyses your sleep habits and tracks the quality of your sleep in real time. With adjustable positions for reading, relaxing muscles, or leg relief, find your perfect sleep posture e ortlessly. POA, magnismartech.com

CAPSTONE SMART MIRRORS: The Capstone Connected full-length smart mirror features Full Touch Screen Control with Thin Touch™ technology. This portable mirror – equipped with four integrated speakers – enhances workouts, streamlines workspaces, and o ers immersive experiences. $999, capstoneconnected.com

I CHING TOWEL WARMER: The award-winning towel warmer from Tubes Radiatori Italy comes in various lengths and can be installed horizontally or vertically. It is programmable for energy e ciency, and maintains a purist, cablefree appearance. From £1 336, tubesradiatori.com

ECOVACS DEEBOT

X2 OMNI: ECOVACS’

flagship DEEBOT X2 OMNI Robot Vacuum Cleaner vacuums, mops, and responds to voice commands for the ultimate hands-free cleaning experience. R28 999, ecovacs.co.za

FROM CHIC ROBOT VACUUMS TO SMART MIRRORS, STYLISH MUSIC FRAMES AND TOWEL WARMERS, WE’VE GATHERED THE FUTURE OF HOME TECH

WORDS SONY THOMAS

THEPORTUGIESERISRENOWNEDFOR ITSTIMELESSDESIGNANDEPITOMISES IWCSCHAFFHAUSEN’SPROWESSIN THEARTOFFINEWATCHMAKING

PHOTOGRAPHSJUDDVANRENSBURG

DE IGN PERFORMANCE S meets

Over the years, the Swiss luxury watch manufacturer has presented many Portugieser watches with high complications, from different versions of its perpetual calendar and tourbillons to the Portugieser Sidérale Scafusia – the most intricate watch ever built by IWC. The latest collection revealed at Watches and Wonders 2024 pushes the boundaries once again.

THE PORTUGIESER ETERNAL CALENDAR

The Perpetual Calendar was introduced almost four decades ago, and now the Portugieser Eternal Calendar – which already recognises the different lengths of the months and adds a leap day every four years – now incorporates the Gregorian calendar's leap-year exception criteria. The new 400-years gear ensures that the calendar automatically skips three leap years over four centuries – which will happen for the first time in 2100. You can also expect a highly precise moon phase display, with only one day’s deviation from the moon’s orbit after 45 million years.

WE LOVE: The finely crafted platinum case and the use of glass in the dial and double box-glass sapphire crystals to highlight the movement inside.

OPPOSITE, FROM LEFT: Portugieser Chronograph (IW371626), Automatic 40 (IW358402), Automatic (IW501705), and Chronograph (IW371624)

ABOVE: Automatic (IW501707)

MIDDLE: Automatic (IW501704)

RIGHT: Automatic (IW50170) and (IW501702)

PORTUGIESER HANDWOUND TOURBILLON DAY & NIGHT

With its polished and brushed 18-karat Armor Gold case, gold-plated hands, gold appliqués, polished Obsidian black dial and black alligator leather strap, this is a timepiece that is not only durable (Armor Gold is significantly harder and more wear-resistant than traditional 5N gold), but also technically elegant. The flying minute tourbillon at six o’clock is one of the most advanced complications in watchmaking, reducing the influence of gravity on the oscillating system and therefore boosting accuracy.

WE LOVE: The day and night display, which depicts this eternal cycle using a little sphere moving around its axis.

PORTUGIESER

PERPETUAL CALENDAR

The re-engineered Portugieser Perpetual Calendar 44 is available in four versions: two in 18-karat white gold with Horizon Blue and Dune dials, and two in 18-karat Armor Gold, with either an Obsidian or a Silver Moon dial. The most noticeable design update is the reimagined case which has a much slimmer side profile, while the box-glass sapphire crystals on the front and the back provide a clearer glimpse of the famous Portugieser design elements.

WE LOVE: The exquisitely crafted dials. The appliqués are painstakingly placed on the dials by hand with up to 60 individual steps.

PORTUGIESER AUTOMATIC

The Portugieser Automatic is distinguished by its balanced dial design that includes the power reserve indicator at three o’clock and the small seconds at nine o’clock. The new Portugieser Automatic 42, which builds on the timeless DNA of the original (which debuted in 2000), is presented as a modern dress watch, while the new Portugieser Automatic 40 (first introduced in 2020), comes in a compact 40mm case and features a clean dial with the small seconds at six o’clock and no date window. Both models are powered by the IWC-manufactured 82200 calibre and are available in two options: an 18-karat white gold case, Horizon Blue dial, rhodium-plated hands and appliqués, and blue calfskin strap; or an 18-karat 5N gold case, Obsidian black dial, gold-plated hands and appliqués, and black alligator leather strap.

WE LOVE: The elegant dial graphics, which have been updated for the ideal mix of lightness and legibility.

THE PORTUGIESER CHRONOGRAPH

When the Portugieser Chronograph Rattrapante launched in 1995, the vertical arrangement of the sub-dials added a touch of sporty elegance to the line. IWC has now released three new versions of the famous chronograph in the new colour codes of Horizon Blue, Obsidian and Dune. The dials are painstakingly constructed with 15 layers of transparent lacquer and a high gloss finish, while the innovative printing process enhances the three-dimensional look.

WE LOVE: How the three dial shades represent the never-ending day and night cycle.

THE MUSEUM

A MODERN AGORA

WE ATTENDED THIS YEAR’S FOURTH EDITION OF CARTIER ART DIALOGUES –A SERIES OF CONVERSATIONS BETWEEN MULTI-DISCIPLINARY ARTISTS AND LEADING CULTURAL EXPERTS – AT THE LOUVRE ABU DHABI

WORDS YOURLUXURY AFRICA

In 1910, Louis Cartier, grandson of the Maison’s founder, became a dedicated collector of precious objects from the Middle East after Islamic art caught his eye and piqued his interest. His brother, Jacques Cartier, regularly travelled to meet the brand’s clientele in the region, and he developed a similar fascination.

It’s said that Jacques’ exploration of The Gulf marked the beginning of a cultural bridge of inspiration that still inspires the brand today. Building on that bridge, an exhibition titled Cartier, Islamic Inspiration and Modern Design opened late last year at the Louvre Abu Dhabi, showcasing the impact of Islamic arts and culture on the design evolution of Cartier’s New Horizons collection. Again, this year, as only dialogue can, the fourth edition of Cartier’s Art Dialogues series further fortified this intercultural bridge, and we had the pleasure of travelling to Abu Dhabi to attend.

Taking place at the Louvre Abu Dhabi in the heart of the Saadiyat Cultural District, the theme of the talks – The Museum: A Modern Agora – crafted a neat connection between design and Islamic culture, guiding multiple conversations that explore the concept of museums and the architecture of cultural

notably directed the development of the Louvre Abu Dhabi from conception to completion. She highlighted how architecture binds the varying influences and materials of a place, offering a permanent site that reflects the consciousness of the culture and people.

The second panel discussion brought together four leading voices within the contemporary art scene to examine the museum site, its role as an agora, and a place of inspiration for artistic creativity. Film director and actress Nadine Labaki, choreographer, dancer, and film director Blanca Li, as well as pluridisciplinary artists Subodh Gupta and Sophie Calle went deep into the topic, with Maisa Al Qassimi, acting project director of the Guggenheim Abu Dhabi, as moderator.

In surmising the power of architecture, Subodh recalled that while growing up in Bahar in Northeast India, his school was situated right behind the Patna Sangrahalaya Museum. Not many people visited the museum, so he would find solace there to sit and sketch. Years later, the government of Bahar decided to open a new museum and invited world-renowned architects to inform the thought around its design. Subodh says, “It will surprise you that there are more than a thousand people visiting

‘Conversation focused on an appreciation of the museum as a site that stills the ephemeral nature of virtual content… Nothing can replace the place’

communities. Leading museum experts, architects, and artists lent their voices to this edition of Cartier Art Dialogues, which was separated into two panel discussions.

The opening panel featured world-renowned architects Elizabeth Diller and Hala Wardé, as well as Laurence des Cars, presidentdirector of the Louvre in Paris. Considering the transformation of museums over the first quarter of the 21st century, they put into dialogue their extensive experience and perspectives on subjects ranging from design choices to institutional decisions and today’s challenges facing museums. Panel moderator Rashid Bin Shabib pointed out that “museums hold more than treasures, they are cultural spaces of dialogue and learning,” in his introduction of the talk titled Architecture, Museums and Space: From Context to Concept. This conversation focused on an appreciation of the museum as a site that stills the ephemeral nature of virtual content. “Talking about virtuality, nothing can replace the place,” said French, Beirut-born architect Hala, who

the museum every day, and these are average people coming from the villages and towns. Interestingly, the same artwork I was looking at in my childhood is now presented in a very different way. It is, therefore, very important to have a good architect to create the museum because it’s not just the artefact telling you the history, it’s also the way it’s presented, kept and the atmosphere around it that tells you to respect the art, respect the artist and respect the community and contemporary society around it.”

Similarly, seeing the artefacts first-hand in Cartier’s exhibition, as well as the jewellery and objet d’arts from the New Horizon collection with their geometric shapes fused with strong colour contrasts in a museum setting, the influence of culture, region, and architecture was artfully mirrored by the Maison renowned for its creative curiosity.

All conversations can be accessed at artdialogues.cartier.com. ■

A

IS BORN STAR

COMÈTE IS THE NEWEST CELESTIAL JEWEL IN THE LES EXCLUSIFS DE CHANEL FRAGRANCE CONSTELLATION

INTERVIEW IVEL JAN GRIGOROVA

ADDITIONAL WORDS INGRID WOOD

Afragrance is more than a scent; it evokes memories and tells stories. It reveals something about the person who inspired it, the person who created it and, ultimately, the person who wears it. Les Exclusifs de Chanel is a definitive story. Each of the 19 luxurious Eau de Parfums tells a part of Gabrielle ‘Coco’ Chanel’s journey – a storyline of both the person and the House of Chanel.

Mademoiselle Chanel knew how to recognise a powerful aesthetic and often translated it into her designs. The sparkle and power of the comet, for example, was a source of inspiration for her first high jewellery collection – presented in Paris in 1932 – and returns now as the star of the latest addition to the Les Exclusifs de Chanel collection, Comète.

“The comet is a strong symbol for Chanel, and I’m thinking in particular of the Comète necklace from the 1932 high jewellery collection, which is worn open, laying right on the skin, and reminds me of the enveloping trail of a skin fragrance,” says Chanel in-house perfumer-creator, Olivier Polge.

YourLuxury Africa met with Olivier in Paris to discover the story behind the new scent.

WHAT WAS THE INSPIRATION BEHIND THE LAUNCH OF THE LES EXCLUSIFS DE CHANEL PERFUME COLLECTION IN 2007?

Each perfume is a language – it reveals facets of the person who wears it. With Les Exclusifs de Chanel, we wanted to honour Gabrielle Chanel as a woman and designer. Each of the 19 Eau de Parfums reveals parts of her character – marking a chapter of her life, outlining the features of her iconic designs, or highlighting a symbol that inspired her.

HOW DO YOU FOLLOW THE PATH CREATED FOR LES EXCLUSIFS DE CHANEL BY ERNEST BEAUX AND JACQUES POLGE, WHILE STILL GIVING IT YOUR PERSONAL TOUCH?

Ernest and Jacques had their own intuitive rationale, exactly as I have today. We’ve worked on and continue to look for memorable scents that are the essence of an era, instead of fleeting trends. A brand without history is a brand where you cannot challenge yourself to create something truly interesting – there is nothing to play off. This is why I feel that continuing to innovate will ensure my predecessors’ legacies live on.

WHY DID YOU DECIDE TO MAKE THE COMET THE FOCUS OF THE NEW FRAGRANCE?

The comet has followed Coco Chanel’s style over the years, becoming her symbol of eternal chance and a sign of her unwavering optimism. Imagining the Comète necklace laying open, directly on the skin, I immediately think of the trail left by an enveloping fragrance.

I didn’t envision the fragrance formula immediately, but rather what it would feel like – something powdery, vaporous, and luminous, all at the same time.

YOU HAVE SAID, “FRAGRANCE AT CHANEL IS A STATE OF MIND.” HOW DOES THIS GUIDE YOUR PHILOSOPHY AS A PERFUME CREATOR?

Keeping in mind that Gabrielle Chanel was first and foremost a fashion designer, and back then, the fashion and fragrance worlds were separate. She realised that they could be blended, and style could be expressed with scent. Our philosophy focuses on what a scent would bring out from its wearer’s personality; something that creates a unique style that’s equal parts mystery and elegance.

HOW WOULD YOU DESCRIBE COMÈTE?

It is intensely floral and luminous with powder notes suffused in a fresh and delicate cherry blossom accord. The fragrance envelops the skin with elusive magnetism, celebrating its singular character. I feel the fragrance is genderless; it’s for everyone who sets their own trajectory and doesn’t deviate from their chosen path.

WHAT IS THE STORY YOU WOULD LIKE THE WEARER TO KNOW WHEN THEY APPLY COMÈTE?

“Each perfume is a language – it reveals facets of the person who wears it”

IMAGINING THE ESSENCE OF A TRAVELLING STAR IS NO EASY TASK. HOW DID THE CREATION PROCESS BEGIN?

None of the Les Exclusifs de Chanel fragrances are named after a raw ingredient. The iconic No 5, for example, is a number, and so abstraction is part of our DNA. We never had a literal or standard way to compose a scent – it all starts with an image, a sensation. For Comète, I started by translating the idea of stardust into something we can smell in a very subjective way.

The story is in the wearer’s hand, but the essence, with the fragrance’s notes of lightness, is quite optimistic. I imagine it’s like a city experience, and if we oppose something casual to something elegant, it would be a dressed-up occasion.

WHAT IS THE MOTIVATION BEHIND THE MINIMALIST LES EXCLUSIFS DE CHANEL BOTTLES?

When Chanel launched the iconic No 5, the bottle was plain – almost like a lab flask in comparison to the complex perfume bottle designs of the time. Since then, Les Exclusifs de Chanel is always carried in a bottle of exemplary minimalism, shifting attention to the fragrance. The Comète case represents an elegant white jewellery-style coffret accentuated with a black trim. This two-tone aesthetic is like a heritage seal and is accompanied for the fragrance launch by a special limited-edition detail: an embossed representation of the legendary necklace.

CRAFT IS OFTEN PASSED DOWN FROM GENERATION TO GENERATION. HAS BECOMING A PERFUMER ALWAYS BEEN YOUR DREAM?

When I was a teenager, I wanted to do everything except what my parents did. I studied History of Art and had several internships – one of which was in my father’s lab where I discovered my passion for scent. My other love is classical music and I play the piano. If I was not a perfumer, I would have potentially become a musician. I find parallels between music and scent. They are not visual arts, but currents in the air that create powerful emotions.

An intense floral “stardust” scent, Comète Les Exclusifs de Chanel has a fresh cherry blossom accord, sensual notes of iris and heliotrope and a powdery, musky signature. It is available in 75ml, R4 945, and 200ml, R8 710, at Chanel Fragrance & Beauty Boutiques. ■

A TOUCH STONE of HERITAGE & HOME

VANIA LELES, FOUNDER OF THE WORLD’S FIRST FEMALE-OWNED HIGH JEWELLERY BRAND, IS AN EMBLEMATIC FIGURE WHO REFLECTS THE SENTIMENT OF HER MOTHER CONTINENT THROUGH HER PIONEERING BRAND, VANLELES

WORDS MONALISA MOLEFE

In the era where luxury is synonymous with hushed tones of exclusivity and covert opulence, a maven carrying a distinct voice representing the African continent shines. Vania Leles – the brains behind high jewellery brand, VANLELES – is not just an entrepreneur; she’s a storyteller whose history is laced with African heritage, ethical elegance, and unyielding determination. Our conversation feels like we’re tracing the intricate patterns of a finely cut gemstone, each facet and cut representing a pivotal moment, shaping the story of the businesswoman, wife, and mother she is today.

Born in what she dubs the 'land of the mighty people', GuineaBissau in West Africa, Vania's childhood was steeped in the safety of a close-knit community, devoid of material excess but abundant in cultural wealth. “My childhood was marked by simplicity and joy. I grew up in a small community in Bissau that had large, close-knit families. My roots are in a humble

family with no political or elite connection. It was only when I went to Europe that I realised we were considered poor,” she says. Vania has travelled extensively across Africa and the world. As is common in many African families, she was sent to live with relatives in Portugal for her education. “This paradox never struck me until later; I didn't move to Portugal, I merely went there to study. During holidays, I would go back to my homeland. Though I've lived in Portugal for a long time and speak Portuguese fluently, Bissau has always felt like home, not Portugal. This is why I don't find my situation confusing or traumatic. To be truly free, you need deep roots, and mine are firmly in Guinea-Bissau. We may be overlooked, but we are the land of mighty people. This is exemplified by eminent African economists like Paulo Gomes and Mario Lappish, and entrepreneurs such as Armando Cabral, who is known for his luxury shoe brand. I pride myself on being the first African woman to create high jewellery,” she tells me.

“ To be truly free, you need deep roots, and mine are firmly in Guinea-Bissau”

There's a moment in life when you're struck by a vision so compelling that it alters the trajectory of your path forever. Her path to starting VANLELES was unconventional, having first ventured into the world of modelling. “It wasn't until I was modelling at a photoshoot in New York with fine jewellery on the table that I became captivated by it. I realised then that these stones and metals probably originated from Africa, and beyond the narrative of blood diamonds from Ivory Coast and Sierra Leone, it highlighted the importance of telling our stories and connecting this wealth to its origins in a positive light. I wanted to find an African or someone like me in the industry who could share more insights. This would be the beginning of it all,” Vania recalls. Her mother, wise and perceptive, knew that the path to creating something of your own wasn't just about the dream –it was about the foundation. She advised Vania to delve into the industry, to learn it inside and out. “Find a job in the industry and work for 10 years, and if you still want to start your brand, good luck," her mother said, not to discourage her daughter, but to temper her passion with pragmatism. The industry was a bastion of tradition and generational knowledge, and as an outsider, Vania would need to navigate its depths before she could ever hope to rise to its heights. She pursued her studies at the Gemological Institute of America (GIA), and upon completion, a move to London would turn a crucial cog in her career ambitions. “I was determined to break into the industry despite lacking experience, connections, and wealth – three industry essentials. I diligently sent out my CV to every major brand, particularly focusing on Graff before graduating. At that time, we didn't have platforms like LinkedIn to network easily, but I researched the companies extensively to see if they valued diversity – something not widely discussed back then. I sent my CV to Graff 15 times without any response.

THIS ELEGANT TRANSFORMATION SEAMLESSLY BLENDS TIMELESS CHARM WITH MODERN ELEMENTS, RESULTING IN A PEACEFUL, CAPTIVATING HOME

With a luxurious and tranquil palette, this contemporary penthouse underwent a full turnkey refurbishment, with bespoke interiors designed to suit the client’s taste. Beautiful oak finishes wrapped with texture, marble, and soft curved lines in the cabinetry came together to create a space for fine living.

So, I decided to print my CV and would walk around Bond Street, where I knew Mr Gra Senior and Junior frequented. I hardly spoke English, but despite this, I approached Mr Gra Senior with my CV one day, expressing my eagerness to learn and work hard. To my surprise, he took my CV, and shortly after, I received an interview invitation. The head of security had noticed me persistently walking around and mentioned it to Mr Gra . This determination is what led him to call me in,” Vania recalls of her big break.

Her years at Gra were impactful. “It was a dream job. Mr Gra , who built the company from nothing, was deeply involved, and it was the perfect environment for me. Had I started in a large corporation, I wouldn't have learned as much. As time passed, my ambition grew; I wanted more responsibility. After being candid with Mr Gra Senior about my aspirations, I realised I had reached a ceiling there,” she explains. Vania was then headhunted by De Beers, which soon became part of LVMH –a stepping stone into the luxury conglomerate world. Her time at De Beers was brief, and she moved on to Sotheby's auction house, which rounded out her industry experience.

Over the years, Vania observed how at various fairs – despite the emphasis on Colombian emeralds or Russian diamonds – African gemstones weren't highlighted.

“Once, a manager told me we were there to work, not to question.”

These experiences only fuelled her resolve to establish her own brand, and in 2015, she launched VANLELES – the first-ever African-female-owned high jewellery brand. With modest savings, she managed to rent a tiny o ce on Belgravia Street near Sloane Square.

“I invested in high-quality stationery and built a stylish website. The challenge was that I didn’t have a single diamond in stock.

I reached out to industry contacts, and when I visited a familyrun diamond dealer in London's diamond district – despite the typical practice of not giving new clients diamonds on memo – his wife encouraged him to trust me. He handed over $1.1 million worth of diamonds based on a handshake agreement. With these diamonds, I commissioned a trusted workshop to craft the jewellery, promising payment within 90 days.” Vania managed to sell the pieces and pay back her suppliers within a year.

It hasn’t been an even road though, and Vania recalls, “I had times on Bond Street, handing out my business card, explaining that my products were crafted in Italy, representing quality and prestige. Yet, sadly, these interactions rarely resulted in sales. I shifted my focus to events in Doha, Bahrain, and Palm Beach, catering to clients from Texas, New York’s Upper East Side, and London. I also have African collectors who seek more than just the brand; they resonate with my work, appreciating the bespoke pieces I create. A notable example is George

LEFT & ABOVE:

Wife, mother, fine jewellery designer, and business maven are just some of the pivotal roles Vania plays today

the Poet, a Ugandan British artist who chooses my designs for his significant life moments, underscoring the meaningful connections clients have with my creations. In 2024, I aim to engage more actively with the African continent.” Her collections have won the hearts of many, including global icons like Rihanna, HRH Catherine, Princess of Wales, and Queen Rania of Jordan.

The ethical sourcing of African gemstones is a contentious issue that forms the cornerstone of VANLELES. Her brand is an expression of her philosophy that luxury should contribute positively to the regions from which it originates. “I advocate for the notion that Africa, with its burgeoning consumer market, should not only be a consumer, but also a creator of the products it consumes. There's no need to look elsewhere for luxury brands; VANLELES for high jewellery, David Tlale or Sarah Diouf for garments, and Armando Cabral for men's shoes. We must embrace and promote our own – we are more than equipped to contribute significantly to the luxury market.”

IMAGES

VANIA LELES; VANLELES; SIMON MARTNER

ABOVE:

Although not an easy path, VANLELES strives to purchase African gemstones locally for its stunning pieces

The commitment to shifting the status quo is somewhat challenging – to buy metals locally isn't straightforward due to how international trade works. “I can't purchase Ghanaian gold in Accra; I must get it from Dubai, Denmark, or London. The difficulty lies in transferring money and adhering to anti-moneylaundering regulations, given we're a UK-registered business. However, I'm determined to change this. I want to buy African gold and trade using local currencies in those countries.” On a smaller scale she also strives to purchase locally through the market, aiming for African gemstones. “I don't have direct access to the supply chain, though, so I must trust the process. I'm not in a position to claim all my gemstones come from a verified pipeline because of financial limitations. I buy from the market like any other brand, ensuring compliance with 'know your supplier' and 'know your customer' principles. I source nonaggregated parcels, which means they're not mixed with stones from other regions, allowing for better traceability.”

Vania’s life and career are powerful affirmations that one can remain tethered to one’s origins while soaring on the global stage. Her journey and the narrative of VANLELES are a clarion call to the world – that luxury, when crafted with ethics and a respect for heritage, exceeds mere adornment and becomes a celebration of home, of Africa, and its indefatigable spirit.

“I hope that my children and my children's children will walk the streets – from Accra to Lagos, from London to Paris – and see an abundance of African brands represented. That's the legacy I aspire to leave behind,” Vania concludes. ■ vanleles.com

C o smology of beauty andform

WORKING ACROSS MULTIPLE CULTURAL, FASHION AND DESIGN FIELDS, SOUTHAFRICAN BASED ARTIST AND DESIGNER RICH MNISI IS AS INFLUENCED BY DREAMS AS HE IS BY HIS OWN LIFE EXPERIENCES

WORDS NKGOPOLENG MOLOI

Following the successful debut of his furniture and design collection, Nyoka, in 2021, Rich Mnisi returns with a new body of work, Dzuvula (Shedding Skin), on view at Southern Guild in Cape Town until the end of May. The nature of his work builds itself around the human form, undulating through its curvature and fluidity. “For me, furniture is now an extension of my main medium of fashion, and that’s how I think about it when I design. That’s why a lot of the shapes look like a body,” he says, adding, “My one medium dresses the form, while my other needs to interact with it.”

While Nyoka, meaning snake, reflected on tension and conflicts and was characterised by serpentine lines moving through space and surface, his sophomore collection Dzuvula — comprising a bronze table, sculptural seats, a chandelier, and a rug — is an expansion on duality. The body of work complicates the interplay of the mundane and the magical, the matriarchal and magisterial, and represents transformation in his personal and professional journey, shedding old skins to reveal a new narrative.

To create meaningful expressions rather than mere functional forms, mythology is central to Rich’s method – be it Bumba’s creation myths about the moon and the stars, familial lore, dreams, or nightmares. “Made out of concrete, the Rhulani seat is a physical signifier of my late great grandmother’s existence,” he explains. Another example are the Ripfumeo chairs. Crafted from bronze and sheepskin, the plush seating embodies a juxtaposition of lightness and darkness, smoothness and hardness, austerity and sensuality. “I think I could do seating forever,” he adds. “I’ve had a lot of fun designing seating elements and besides that, I just love the communal aspect. It’s special – a couch or side chairs helps foster conversation and encourages us to really engage with one another.” Design, it seems, is a conduit to allow other things, such as relationality and flow. “For example, my Alkebulan pieces [morphing and versatile seating] are among my favourites. Four or five people can sit around them, which means that they are true symbols of unity, gathering, and community,” he says.

“My one medium dresses the form, while my other needs to interact with it”

OPPOSITE: Rich with his Rich Mnisi x Paco Shivula (Flower) in Tibetan wool and silk

ABOVE

Ripfumelo I and Ripfumelo II (Believer), 2024, in bronze and sheepskin; Rich Mnisi x Charles Haupt Tsundzuka (Remember), 2024, in bronze and acrylic polymer; Rich Mnisi x Charles Haupt Vutlhari II (Wisdom), 2023, in bronze, nylon, and lighting components

LEFT: Nyoka II (Snake), 2024, in bronze and glass beads

Rich views the home as a place of safety and comfort. “It’s where you lay your head and rest, you argue, you smile, you laugh, you cry,” he notes. It’s also a place where personal expressions and histories can be reflected. As a result, he explores the concept of home and the interplay between the domestic space and the external world. Home is not just a physical space, but a repository of memories. He sees his work as a chance to create pieces that are more exclusive; pieces that are deeply meaningful and can be interactive within the intimate setting of a person’s home. “Working on these sculptural furniture collections has brought me a beautiful opportunity in that I feel I am making monuments, more personal than public in their nature – monuments that can be witnessed and experienced within a home environment.”

ABOVE:

Nyoka (Snake), 2021, in bronze and glass beads BELOW:

Rhulani (Peace), 2024, in concrete

Of course, a monument can be architectural, sculptural, or symbolic. In Dzuvula they embody all three forms, gestured

through memory, cultural expression, and playful experimentation. “I try to play with things and see how they speak to each other when they come together. I will follow curiosity in that sense and have no fixed rules about material use. It’s this approach that ultimately leads to pairing materials like bronze and sheepskin,” he says.

The designer and artist believes that the elements in a home that reflect one’s personal history are essential — objects that define a person, items that resonate with them, and pieces with character. This, he says, is where the luxury experience in home design emerges: in the small treasures collected from travels, or in the significant, functional pieces that still carry personal or familial meaning. Through his work, Rich invites us to reimagine our spaces not only as functional environments, but as vessels for storytelling and expression. ■ southernguild.com; richmnisi.com

An Unbridled EXPERIENCE

JOHNNIE WALKER BLUE LABEL BRINGS ITS SIGNATURE

SOPHISTICATION TO THE SPORT OF KINGS

The ultimate fusion of luxury, fashion, and exhilarating equestrian action, this year the Johnnie Walker Blue Label Polo takes place for the first time under the stars. The polo games and festivities will kick off as the sun sets, followed by a night of entertainment with Johnnie Walker Blue Label – an icon of opulence and refinement.

Hosted at the prestigious Inanda Club in Johannesburg, polo fans and tastemakers will attend, and in addition to exciting polo matches on the field, guests are invited to a series of bespoke experiences curated by Johnnie Walker Blue Label. These include whisky tastings, cocktail masterclasses, and live entertainment.

Crafted with the perfect blend of unique single malts and renowned for its rich flavours and timeless elegance, Johnnie Walker Blue Label is the pinnacle of sophistication in the world of Scotch whisky. It’s also synonymous with luxury, elevating all special moments into longlasting memories.

“It is our delight to set the stage for an unforgettable journey,” says Keval Ramraj, senior brand manager at Johnnie Walker SA. “I'm thrilled to welcome consumers to an unparalleled experience at the Johnnie Walker Blue Label Polo event. Our commitment to excellence extends beyond the bottle, as we curate an atmosphere where luxury, sport, and sophistication converge.”

Visit johnniewalker.com for more information about the event.

The collaboration between renowned South African chef Wandile Mabaso and Johnnie Walker is a marriage of complementary philosophies. “Johnnie Walker Blue Label is a distinct and perfect whisky to drink and cook with, which makes the collaboration incredibly pleasurable,” says chef Wandile.

While Johnnie Walker Blue Label is often savoured neat or on the rocks to fully appreciate its complexity, it also serves as a versatile base for premium cocktails. Its smooth and wellbalanced flavour profile adds sophistication to classic whisky cocktails and creates new possibilities for mixology enthusiasts.

“I always suggest consuming a well-crafted whisky neat to truly appreciate it,” says chef Wandile. “It’s the perfect drink to warm you up in winter, and if you’re a foodie, there are endless ways to use and enjoy Johnnie Walker Blue Label. It can be used to deglaze stews and soups, and adds aromatics and depth. It can also be used in winter sauces and desserts, particularly when paired with 70 percent dark chocolate.”

A VILLA

with a view

AS CAPE TOWN'S FIRST AND ONLY FIVE-STAR REGENERATIVE TRAVEL DESTINATION, MAISON NOIR AT FUTURE FOUND SANCTUARY IS A KEEN STUDY ON WHOLE LIVING COUPLED WITH QUIET LUXURY WORDS NTOKOZO MASEKO

TLEFT & BELOW:

Majestic mountain views, luxury, comfort, and serenity surround guests at Future Found Sanctuary

o get to the front door of Maison Noir, one of the exclusive-use villas in Cape Town’s Future Found Sanctuary, you drive through a grand black gate on a bend in one of the slopey streets of Hout Bay. Once opened, it reveals a secluded seven-acre getaway against a setting that never gets old: Table Mountain serving as a wellsuited backdrop to the estate’s sustainably landscaped garden. The private mountain retreat houses three villas that operate as 11 individual rooms, each with a unique personality and a well-curated collection of local art.

On the winding drive that leads to Maison Noir, the concept of an African kraal comes to mind; only this contemporary village is interconnected by pathways and passages inspired by conceptual design. At the entrance to the villa, a concierge, who’s an invaluable part of your stay, is the first point of contact we find waiting, and once inside, the use of glass cleverly invites the outside to stay with us. Both interior and exterior design details of this five-bedroomed villa symbolically merge African, French, and Indonesian design cues that tell the storied history of multi-cultural influences that have shaped the Cape region. The interiors are an apt reflection of the visionary owners’ experience in interiors and design. Jim Brett, president of West Elm and former CMO of Anthropologie Home, and Ed Gray, who founded luxury furnishing store Bruges Home, visited South Africa to source crafts for export to the USA, but fell in love with Cape Town instead.

We’re staying in the grand master suite, also known as Equinox, where a gable glass door frames a magnificent mountainside view. The most generous of the five rooms in the villa, it comprises a king-size bed, a work station, and direct access to the enormous garden with a heated pool. This 90-square-metre two sleeper also has a separate and very homely TV lounge, complete with a fireplace. The en-suite bathroom has a more than sizeable bath tub as centrepiece, while the shower’s floor-to-ceiling window allows for a view of the serene gardens, while maintaining privacy.

The rest of the villa comprises a master suite (Solstice), which offers complete privacy from the rest of the villa when needed. Botanical wallpaper in its TV lounge is a bold design statement, while a fireplace adds cosy comfort. It also has its own parking, entrance, and a lavish patio garden. The remaining three suites (Sunrise, Noon, and Nightfall) each have a loft that can either be used as a private office, or transformed into an additional bedroom. The top-floor deck area on two of the loft suites has unparalleled mountain views, and is the ideal spot to unwind.

For dining, guests can enjoy the daily breakfast and harvest table prepared by the villa’s dedicated chef. You can then opt for a privately prepared lunch or dinner at the 12-seater indoor dining table, the outdoor undercover dining space, or in the privacy of your suite’s own lounge. Alternatively, ask your concierge to prepare a detailed dining itinerary for your stay and take advantage of the incredible restaurants in Cape Town. During our stay, we’re spoilt with indulgent breakfast spreads that are varied each morning – the likes of homemade scones, fresh fruit, and delectable hot options ticking all the boxes. Between meals, charcuterie boards and wine from the on-site cellar are available to be served on the private decks, in the main lounge, or poolside in the garden. Then a quick descent down a short flight of stairs reveals an entertainment cove with a cinema for movie nights.

Wellness is at the heart of what makes this a unique destination. As Cape Town’s first and only five-star regenerative travel destination, the property borders Table Mountain National Park, and with direct access to hiking trails, the indigenous gardens are an amphitheatre of nature’s beauty. The groundbreaking ‘wholebeing’ offering at Future Found is based on four key pillars: rise, realign, reflect, and rest. When you rise, your day can begin with energising and grounding private experiences that range from a guided hike to the waterfall, a Vinyasa yoga session, a coldwater immersion in the plunge pool, or personal training. To realign, there is an array of healing arts modalities, such as acupuncture, or simply enjoy a healthy feast from one of the lunchtime harvest tables. Reflection is enhanced with a Middle Eastern Rasul mud ritual – a Signature Whole-Being spa treatment at

the Sensorium Spa – or you can cultivate your chi with a private Tai Chi experience in the healing gardens. Rest is a core pillar of the sanctuary’s whole-being journey, with options to bathe in the frequencies of sound during the Signature Rest Ritual, or relax and release in a private restorative Yin yoga and meditation experience which encourages deep, regenerative sleep. The spa is a definite highlight, taking us on a journey of the five senses with experienced therapists, a beautifully designed steam room, and a Hammam ritual.

Immersed in the beauty of one of the seven Wonders of Nature coupled with the luxury of our stay, we left feeling the benefits of a journey towards whole living. ■ newmarkhotels.com

“African, French, and Indonesian design cues tell the storied history of multicultural influences that have shaped the Cape region”

ABOVE & LEFT:

The dining and wellness experiences are hallmarks of this five-star regenerative destination

IN HER ELEMENT

CONCEPTUAL SOUTH AFRICAN FASHION

DESIGNER LEZANNE VIVIERS’ LATEST COLLECTION

WAS

INSPIRED BY THE NATURAL ELEMENTS IN HER MID-CENTURY JOHANNESBURG HOME

WORDS LEIGH HERRINGER P HOTOGRAPHS SARAH DE PINNA

Lezanne Viviers’ mid-century home that she shares with her husband is nestled high up amongst the trees of a rocky ridge in Westcliff. An iconic example of late modernist architecture intertwined with the couple’s personal narrative, Lotus House, as it’s named, has been featured in various international magazines. In Architectural Digest, it was described as having “…all the trademarks of the kind of regionalism that was developing in Johannesburg in the ’60s, with influences from the likes of Frank Lloyd Wright and even hints of Japanese and Brazilian modernism”.

“A LITTLE BIT OF ODD IS EXCITING AND RELATABLE. IT’S THE SAME AS FASHION –I LOVE THE TOUCH OF THE HAND AND THE HUMAN BEHIND THE ITEM – IT’S WHAT MAKES THINGS FEEL REAL”

The couple moved in five years ago, not long after her husband, who is passionate about property, brought Lezanne to see the space. At the time, it belonged to an Italian family who had lived there for 20 years and downscaled in their retirement. The owners, however, were so attached to the house that it took 10 years for them to let it go. “At the time, the house was empty and quite neutral,” says Lezanne as we chat on an unseasonably hot autumn morning. “But when I saw the view, I knew we were in trouble.”

The house was originally built in 1960 over three cantilevered levels and overlooks Joburg’s unique man-made forest, with panoramic views that extend from the Melville Koppies to the Magaliesberg. “I love the open space and coming home to our sanctuary of solitude and quietness – it’s definitely where I recover and recharge,” the designer says.

Along with the structural bones of the house, the original floor-to-ceiling windows and doors are still in place, and there is an airy indoor-outdoor flow throughout the home with abundant natural light and hints of the view’s lush greenery from almost every sightline. It’s no wonder that the balcony has often become a catwalk and rooms have morphed into vibrant galleries filled with creative and like-minded friends and lovers of the arts.

OPPOSITE: Lezanne in the dining room that opens on to the balcony. She wears a silk lamé jacket and pants from Viviers Artwork: Untitled V, 2023. Nylon pantyhose and acrylic on canvas by Turiya Magadlela

ABOVE:

The sitting room is layered with colours and eclectic collections, all of which have meaning and purpose for the couple

BELOW:

A breakfast nook is lifted with colour and works by South African art photographer Nico Krijno, and artist and activist Lady Skollie

They refer to themselves as mere custodians of the property, and are set on preserving their home’s historical significance. Over time, they have thoughtfully added their own dimensions to the interiors, juxtaposing bold colour with layers of textiles, wood, art, and vintage treasures in ways that are playful yet authentic – and never overwhelming.

“I’m a specialised hoarder and have a personal way of putting things together, and I move them around all the time,” says Lezanne, as I note her collections of African artefacts and gemstones, a groovy vinyl station, and an Irma Stern, which hangs near their little boy’s enchanting artworks. “A little bit of odd is exciting and relatable. It’s the same as fashion – I love the touch of the hand and the human behind the item – it’s what makes things feel real.

Viviers Studio’s AW24 range, In our Element(AL), was presented at Milan Fashion Week earlier this year, and says Lezanne, was mostly inspired by natural elements in her home. She explains how these elements are almost imprinted and

Lezanne has created masterful flow and functionality throughout Lotus House. The pot on the vintage dining table was dug up on the property and is said to be about 500 years old

BELOW:

Vintage television tubes are seamlessly – and playfullyjuxtaposed with texture and colour

Artwork: Untitled (Bouquet I) 2021. Oil on Belgian linen by Lucy Jane Turpin

automated into her subconscious, yet are spontaneous and accumulate like layers of thoughts and ideas. “The collection is a celebration of the raw beauty of nature through our earthy, textured palettes, metallics, and crystal-like shades of shimmery minerals,” she affirms.

In contrast to the steep and narrow driveway that leads one up to the entrance of Lotus House, shady pathways and stone walkways wind their way down to the pool, which has been built into the rocks and resembles a natural pond. It’s a piece of paradise for the family who swim on most summer evenings.

Lezanne appointed her friend and landscape artist, James Barry Slabbert, to create a sense of order and balance in the garden she had coined a “jungle space”. To do this, flower beds were given a structured circular edging surrounded by anthracite, and dahlias bloom playfully between the cacti and colourful roses. It’s another lesson in the sublime art of juxtaposition that adds to the energetic charm and soul of this extraordinary home. ■ viviersstudio.com

LEFT:

WHEN THE SIX-STAR RESIDENTIAL MEGA YACHT, THE WORLD, RESIDENCES AT SEA, DOCKED IN CAPE TOWN, WE WERE GIVEN A GUIDED TOUR AND FOUND IT IS SO MUCH MORE THAN JUST ANY CRUISE SHIP

WORDS DEBBIE HATHWAY

ABOVE & RIGHT: Life on board The World leaves residents wanting for nothing with their luxurious homes, superb facilities and memorable experiences

LIFE BEYOND THE HORIZON

When you have the privilege of entering the home of a person whose net worth is as closely guarded as their identity, it’s like treading on hallowed ground. One might be inclined to tiptoe in one’s handmade Fratelli Rossettis if it weren’t for the plush carpets cushioning footfall inside said sumptuous permanent residence on The World, Residences at Sea.

The only private residential mega yacht in operation today has been home to ultra-high-net-worth individuals, statesmen, sheikhs, and inheritors, all of whom have experienced the unparalleled delight of sailing around the world –often more than once and not in the same sequence – during their time as homeowners. However, most residents who have met the rigorous entrance criteria to join this close-knit community of adventurers are self-made.

Wealth is not the only clincher for potential investors. New homeowners must be the right fit for this very exclusive group, who bond through experiences, explorations, and common interests while sharing their palatial floating home. Any changes or innovations to life on board are voted in by the community, and their power is determined by the number of square metres they own. Residences range in size from around 30sqm to 301sqm.

More than the purchase price, which ranges from US$2 million to US$15 million, it’s the annual ownership costs covering operational and administrative expenses, fuel, capital reserves contribution, and a food and beverage

minimum (valid at any of the restaurants, bars, onboard grocery or room service) that make or break the deal. It’s no wonder, though, because it’s clear that no expense is spared in keeping The World immaculate, in line with uncompromising six-star standards and assisted by a scheduled renovation in the dry dock every three years. That’s when homeowners can renovate, refurbish, and redecorate using materials compliant with fire and safety regulations. Structural changes are off-limits.

There are usually a handful of residences for sale, negotiations for which are handled by the long-serving residence director Andy Dinsdale, who entertains me with memorable anecdotes during a guided tour. As we wander through homes decorated by the likes of Hirsch Bender Associates, JP Molyneux, Yran & Storbraaten Design, and TMT Design, I marvel at the expansive space, artworks, objets d’art, woodwork, furnishings, and mother-of-pearl wallcoverings, among others.

“It’s clear that no expense is spared in keeping The World immaculate”

A studio featuring bright woodwork and a neutral colour palette is large enough for a king-size bed. At the same time, a two-bedroom, two-and-a-half-bathroom home has a formal dining area that seats 10 and an expansive veranda for alfresco dining. Here, classic features come alive with decorative accents, beautiful furnishings, ornate mouldings, and rich colours, while another residence for sale is decorated in rich wood tones and bright, airy colours.

Another two-bedroom, two-bathroom home is decorated with white oak panelling, mirrored walls, Italian furnishing, and subtle neutral tones.

However, a chat with one of the few owners in residence over lunch surprised me with one of her most notable decor items – yellow onyx. The effort that must have gone into sourcing and crafting a wall covering in this precious stone known for its healing properties is mindboggling. What made her choose it? She explains that it was already installed, and she liked it so much that she decided to leave it intact. “It’s very zen,” she smiles. She’s also the proud instigator of the book club and walked us through the beautiful library overlooking the main foyer on our way out.

FACTS AND FIGURES

• Maiden voyage: 2002

• Homeowners: around 150 families from 20 countries

• Average occupancy: 150-200 residents and guests

• Average stay: three to four months per year

• 165 residences: 40 studio, 19 one- and two-bedroom studio apartments; 106 two and three-bedroom apartments

• Staff-to-guest ratio: around 2:1

• Crew: up to 300 from 42 countries

• Decks: 12

• Maximum speed: 18.5 knots

• Tonnage: 43,188 gross tons

• Length: 196.35m

While the mega yacht sails to more than 100 ports each year, following an itinerary agreed three years in advance by the resident owners, there is plenty to do – or not – on board, with or without company. There are spa and exercise facilities that include a full-size tennis court, pickleball court, yoga studio and jogging track, as well as six casual and four fine-dining restaurants, a wine cellar storing up to 15 000 bottles (some signed by the most esteemed winemakers on the planet), cocktail lounges, bars, a library, poker room, Cigar Club (the only space where smoking is permitted on board), and a theatre for enrichment lectures and perhaps a film screening.

The average age of residents onboard is 64. While some have owned their luxurious home on The World since her maiden voyage in 2002, others tend to retain ownership for around seven years – the time it takes to properly explore Earth as we know it. They commit to adventuring for three to four months at a time, sometimes longer, inviting approved guests to visit or even offer their home into the rental pool so that others may enjoy the experience, albeit more briefly.

Having docked in Cape Town recently, where The World spent more nights than any other ship in port, resident owners were excited to be in the Mother City during the current voyage that will take them to six continents and expeditions in Antarctica, South Georgia, and the Falkland Islands; then Kimberley, Australia; Papua New Guinea and the Solomon Islands.

Visit aboardtheworld.com for more details. ■

ON WHEELS DESIGN MASTERY

IN A WORLD WHERE ELEGANCE MEETS ENGINEERING, THESE MOBILE MASTERPIECES

EMBODY THE PINNACLE OF CRAFTSMANSHIP, PERFORMANCE, AND AESTHETIC APPEAL

WORDS EDWARD MOLEKE MAKWANA

The Mercedes-Benz S-Class and McLaren Artura Spider are paragons of design and engineering excellence. The S-Class, with its understated elegance and technological prowess, redefines what a luxury sedan can be, while the McLaren Artura Spider, a symphony of power and sustainability, introduces a new era for supercars. Together, these two vehicles offer us a glimpse into the future of luxury driving.

In its own realm of vehicle design is the breathtaking McLaren Artura Spider. According to McLaren, the visual design and architecture of the new Spider make it immediately recognisable as an Artura, despite the integration of the Retractable Hard Top (RHT) and the various changes this brings.

Launched in February 2024, the Artura Spider coincides with McLaren’s reveal of the details of its future design language. Underpinned by 60 years of racing heritage and extraordinary supercars, this next era of McLaren design will be defined by five core principles (Epic, Athletic, Functional, Focused, and Intelligent), upon which the design fundamentals of McLaren’s next-generation cars will be based.

The visual expression of this Design DNA references McLaren’s innovative and highly successful approach to motorsport engineering, fused with cutting-edge and lightweight supercar design.

“Racing is in our DNA, and beauty flows from this relentless pursuit of performance. Our Design DNA will build McLaren into a brand that delivers 60 years of motorsport heritage in incredible lightweight supercars and beyond. A new era, with new vehicles, more product differentiation, and with Performance by Design at the heart of it,” said Tobias Sühlmann, chief design officer at McLaren Automotive.

“The new Artura Spider is unquestionably a supercar with a visual identity of its own”

According to McLaren, the ‘shrinkwrapped,’ sculpted bodywork, signature ‘hammerhead’ nose, integrated front fender louvres, and headlight air intakes of the Artura Spider are all familiar yet striking – as too are the dihedral doors that open close to the body to allow easy access and egress in tight parking spaces.

We have to agree with McLaren that as a convertible, the new Artura Spider is unquestionably a supercar with a visual identity of its own. The overall design epitomises the level of detail that has been incorporated into the impressive car.

The Artura Spider certainly adds a new dimension to McLaren’s supercar range. It is priced in its UK home market from £221 500 for the standard specification – expect to invest roughly R6,5 million when it’s available in South Africa in June this year.

Then there’s the S-Class, which was launched globally in 2020 and declared World Luxury Car of the year at the 2023

World Car Awards, but was only unveiled in South Africa in 2022 due to Covid-19 restrictions. “What matters to our customers is beautiful designs and extraordinary automobiles. The S-Class has always been an automotive icon. It delivers on our promise of luxury like none other,” said Gorden Wagener, chief design officer of the Daimler Group, at the world premiere of the S-Class in 2021.

The designers have created feel-good ambience with an elegant and light-filled interior. In terms of exterior design, the S-Class redefines the classic sedan with its short front overhang, long wheelbase, and balanced proportions, with a wide track and flushmounted wheels for a muscular appearance. The design simplifies character lines, focusing instead on sculptured surfaces that play with light. The front showcases a highstatus grille and sleek headlamps with the iconic three-point daytime signature. Notably, the flush-mounted door handles, which extend electrically, enhance the car’s look. At the rear, the S-Class’ stance is accentuated by detailed, animated rear lights, ensuring it stands out with unmistakable quality.

Priced from R2 640 571, buyers can expect the epitome of sophistication. “We created an S-Class that combined the desire for beauty and the extraordinary. It’s the most progressive S-Class ever since the luxury icon of the 20s,” Gorden added. ■

ABOVE:

Design team Pam Samasuwo-Nyawiri and her husband,

ACT BALANCING

ZIMBABWEAN-BORN PAM SAMASUWO-NYAGIRI WEAVES TRADITIONAL PRACTICES AND MODERN INNOVATION IN HER AFRICAN-MADE FASHION DESIGNS AND LIFE IN CANADA

COMPILED BY NORMA YOUNG

Growing up in Zimbabwe, Pam Samasuwo-Nyawiri was always so absorbed in day dreaming that the imaginary friends and make-up worlds she created had to come to life. She began to write stories, and by the time she was a teenager, Pam was pursuing a new dream of becoming a best-selling author, which led to an illustrious career as a journalist. But her long-held interest in fashion design couldn’t be ignored, and she decided to pay it more attention. Alongside her husband and business partner, Simba, she started the fashion label Vanhu Vamwe, which means ‘One People’ in Shona.

ON CHANGING CAREERS: Creative people often only care about creating, and their knowledge of business is far-fetched. I wanted a balance, so going back to study at age 36 in a different field was a challenge worth taking.

ON OBTAINING A PHD IN DESIGN: I took my journey to doctorate level because it was not only about making products to run a successful brand, it was also about developing an ecosystem through valuable research that would benefit our communities.

collection with our Ecuador community. It was their first time creating bags, but despite this and the huge language barrier, we made it to the handbag awards in New York and were nominated for ‘The most responsible handbag’.

ON WORKING WITH HER HUSBAND: Simba understands my way of working as I do his, and we garner our weaknesses and strengths to support each other. With his interpretation of architectural forms and my quirky aesthetic, we create magic.

ON HOW SHE SPENDS HER DOWNTIME: Simba and I are passionate about farming and we run an organic 128-acre farm, where we spend hours in the summer growing vegetables found in different African counties. In the winter, we go on hikes and long walks in our ‘back yard’ – Lake Ontario.

ON HER DESIGN PROCESS: My inspiration comes from dreams, life experiences, and books. We’re interested in creating meaningful pieces that can be passed from one generation to another.

ON THE CREATIVE BALANCING ACT: Our products stand out. We know how authentic they are, but we also ask if we are creating what we love, or what the assumed demographic ‘wants’.

ON A MEANINGFUL ACHIEVEMENT: We’ve won many awards, but the one that sticks out was when we created a handbag

ON THE ULTIMATE TRAVEL DESTINATION: We love community, so when we travel we don’t do hotel pools and beaches; we’re obsessed with experiencing different lifestyles. South America and Africa are repeatedly our ultimate travel destinations.

ON INTERNATIONAL COLLABS: Bridging cultures through design is one of our biggest values. You’ll be surprised by the similarities between Zimbabwe and Ecuador. Society creates and elevates differences, but when we identify what we can learn and borrow respectfully from each other, our values, stories, and creativity become powerful.

ON FUTURE PROJECTS: I have two self-published books and am working on a powerful narrative – I hope it becomes part of African fashion history. ■ vanhuvamwe.com

Simba Nyawiri