The Muse was established in 2003 as an artist-led organisation, support ing both gallery and studio elements. Our gallery is situated in the heart of North Kensington, amongst the Georgian houses of Portobello Market. We host an annual residency programme with subsidised studio space and further show opportunities for recent graduates. We open our doors to artists throughout the year, curating the space to present a balance of emerging and established profession als. In 2020 we were proud to support three new residents and a diverse list of national and international artists. We hope you enjoy a collection of work in this periodical; hopefully, collectable images, whether online or printed accessible art for our readership.
Whats 3............................................................................................Tavistockon: Festival 4........................................................................Sophie Hing - Yee Cheung 5............................................................................................. Matthew Dardart 6................................................................................................... Lauren Goldie 7......................................................................................................Katya Hudson 8.............................................................................................. Khrystyna Khmil 9....................................................................................................Anum Lasharie 10.................................................................................................Eleni Maragaki 11................................................................................................... Audrey Roger 12........................................................................The Artist Support Centre 13.................................................................................................. Daria Koltsova 14 -15............................................................................................. Nadia Nervo 16 -18 .........................................................................................Amir Dehghan 19......................................................................................... Queen Elizabeth II 20........................................................................ The Galleries Association 21.......................................................................... Portobello Dance School 22-23................................................................................. The Muse Theatre 24...................................................................................Trellic 50 Film Week 25................................................................................... .... Samantha McEwen 26..................................................................Piers What’s on your mind ? 27-29.............................................................................Nicholas Cheeseman 31-32....................................................................Giorgia30................................................................................ Campbell-Calder Contributors : Amir Dehghan GosiaDamianMalawskaRayne September 2022 The MUSE Gallery (UK Charity for the arts No.1162300) 269, Portobello Rd. London W11 1LR Twitter:info@themuseat269.comwww.themuseat269.comMuse_Gallery
In our online version, we focus on partner organisations, guest artists and residents to bring you a preview of ‘what is’, and ‘what’s to be ex pected’. We also have links to a wealth of online content this month, in cluding: sound art files for music producers, virtual tours and interviews with our partner organisation (The Galleries Association), and a cross-section of counter-culture to be found in West London.
2022 continued... OFFICIAL ACCESS TO THE MUSE in September/ October Opening hours: Thursday/Friday /Saturday/Sunday 12-6pm Please check our website for up to date information 2 Front cover: Violet Maimbourg - Mourning A Ghost (Zombie) 30x91cm
Edition XVIII
About...
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@cheunghingyee_sophie
Sophie Hing - Yee Cheung
Matthew Dardart 5@mattymatman
Lauren Goldie 6 @laurenmgoldie
Katya Hudson 7
@katyahudson
Khrystyna Khmil 8 @khrystynakhmil
Anum Lasharie
@anumlasharie
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@eleni__maragaki
Eleni Maragaki 10
11 Audrey Roger @audrey_roger
An exhibition is a necessary platform for artists to showcase their work, engage with the public and find supporters, but the heart of what we do is building a community within the arts where we can pass on practical and useful working knowledge from one artist to
TASC is run by a small team headed by Samantha Y Huang. The team consists of Amit Rai Sharma (BA Fine Art, MSc Psychology, practicing sound artist), Mark Tamer (BA/MA photography, practicing artist), and newest member Kieran Cook (recently graduated NUA Photography BA).
Weanother.would like to welcome you to join us this August to celebrate the art and creativity that brings us together at The Muse Gallery from 17 - 26 Aug. Talks and workshops will take place on 20/21 Aug. Please visit our website for further information: www.theartistsupport
ArtPatel-Harris.students and recent graduates (2020, 2021, 2022): Abbie Horberry, Annie Ashwell, Edyta Lang, Violet Maimbourg, Takudzwa Chandiwana, Eva Andronikidou, Toby Tobias Kidd, Carla Ceylan, Qing Xuan Pud, Karina Synytsia, Tommy Lee Grimmer, Vladyslav Riaboshtan, Lorraine Wiseman, Daria Koltsova.
What Samantha does differently with The Artist Support Centre is to have TASC act more like a companion rather than a one-stop shop. And what TASC does differently is to appreciate the ‘whole’ you. As artists, our lives impact our work, whether directly or indirectly, but they do affect it. One size simply cannot fit all when everyone has such unique approaches to living life.
What TASC aims to do is take working knowledge from each artist we work with and distill it and let it inform approaches and methods to share with artists and the arts community, so that we may create necessary impactful change in the lives of artists.
This August The Artist Support Centre (TASC) is hosting a number of events over 9 days in the heart of West London, at our London Home - The Muse Gallery! Followed by a three month online exhibition and collateral online events with art students and graduates around the globe.
Drawing on personal experiences in arts education and working in the creative industries, each member of TASC understands how difficult it is for a creative soul to follow a "typical" work and life path.
Our mission is to have more and more artists and creatives able to work and sustain their livelihood through their creative careers. And contrary to what a lot of knowledge out there will lead you to believe, there is no ‘insider knowledge’ with ‘quick tips’ or ‘hacks’ to help you ‘make it’ as an artist. And those who have sustained a career in the arts for a little while know this all too well.
The Artist Support Centre was founded by Samantha Y Huang (BA/MFA Fine Art) because questions about what it actually means to be a working artist are still not being answered within the education system, nor are they being adequately discussed outside of them.
Practicing[centre.com/tascathand2022ParticipatingArtists]Artists:
Julie Derbyshire, Gosia Łapsa-Malawska, Eli Cauley, Kevin McCollum, Vinni Kiniki, Mark Tamer, Oliver Campbell, Kashmirwala, Greg
At our real-world location, we are showcasing both the artists we have worked with in the past alongside fresh-faced art students and recent graduates who are only just beginning their artistic journey.
The Artist Support Centre exists to help guide artists on their path into the creative working world. TASC are taking small, but steady steps, and are developing the resources for artists that will make the journey easier.
Each member of the team has had to find this out the hard way. Which begs the question; why isn’t there any other way, other than the hard way?
The Artist Support Centre
Collectively as TASC we've come to realise that while university is great for developing your artistic skills, it's not where you'll learn how to set yourself up as a self-employed artist, nor learn how to pursue a career as a working artist.
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13 Daria Koltsova
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Nadia Nervo Dancing with Trees
27.10 - 13.11.2022
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After seeing thirteen artists, touring for four hours, and listening to four intimate onboard gigs, it’s time to head back home to Notting Hill; on the way, being serenaded by Klay, another one of the musicians on board. As a man in yellow, I cannot stress how awesome the monthly Artbus is; you need to join us on our next trip; I mean, I would say this trumps The Magical Mystery Tour... To recap, on this free bus, we have a wealth of musicians, artists, and gallerists, all on one bus stopping at 12 stops which exhibit the best that the West has; what else would you do on a sunny Saturday?
Amir Dehghan
On the first Saturday of all twelve months, I am one of the two men in yellow on the double-decker bus. The red Routemaster spends most of the year touring curious gallery-goers across The Galleries Association’s spaces around west London, from the Design Museum to J/M Gallery. On one particular Saturday, once a year, the red bus gives an exclusive tour around the exhibitions that take part in Kensington and Chelsea’s Art week; this was the first year I was on board and in yellow. I need to introduce what being a man in yellow entails; I’m the child of an artistically-driver chaperone and a 1970s Routemaster conductor; I escort, accompany and look after the It’sgallery-goers.twelveo’clock on a sunny Saturday, the 2nd of July, and I’m at The Muse, escorting the last few soon-to-be passengers up to the Routemaster parked at its usual spot on Raddington Road. As soon as I see the bus, I can also hear the sounds of Portobello Road Radio penetrating the aluminium walls of the bus, the resident DJs of the TGA Art Bus. As the clock ticked to 12:30, the men in yellow shouted, “All aboard!” and the wheels on the bus went round and round on our way to the first stop on KCAW 2022 art trail. “Home Grown” by Kipling hunt, found at Kensington Memorial Park, consisted of four paintings of examples of homegrown plants, a mural that even I could see at the back of the bus at St Mark’s street; I could also see the gallery go-ers and art bus musicians snapping away the acrylic painted plants. “All aboard”, I shouted, and with a full bus, we began heading to the second stop, taking in the beautiful views of Not ting Hill on a sunny summer’s day. An amulet, based on a white blood cell placed on Bramley Road by the artist Charlotte Colbert. As I watched from a distance, I noticed the blown-up size of the cell and pearl-like texture provoked the audience to interact with this symbol of protection.
The wheels on the art bus go round and round
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The Art bus brings people together, exposing them to the various stimulating things around them, not only visual art but also music. Every month we have guest musicians that come along for the ride and perform for the passengers and portobello road radio; expo sure is at the centre of the tour’s philosophy. After our all-year-round pitstop/coffee break at the Design Museum, Portobello Road Radio’s speaker cones begin warming up with our first musician, Kitty Noble, a modern young RnB musician, with self-written lyrics and self-produces sounds serenading the window gazers taking in the wealth of sites on our route to Duke of York Square to find Ro man Lokati’s sculptures. My hunting partner was Maya Sanbar, an artist onboard this month’s art bus and an artist who is a part of the art trail, specifically the next stop. Sanbar is an artist that put her energy into art therapy; her study on how art can be a tool to heal and her work on the art trail, “Quilt patch”, was precisely that. We all gathered outside Chelsea Theatre, where the artist Maya Sanbar and the children who took part in the workshop brought out their quilt patches, all presenting the artist’s expressions of happiness. This was the 12th stop since we saw “Home-grown”, but by far the most intimate; the Sanbar gave us a talk, and we met the children involved and interacted with the works on a tactile level.
Accessing the rarities within the doors of Notting Dale Campus is like catching a rare Pokemon. On 1/37th of the 365 days of the year, Kensington and Chelsea Art Week opens the doors of Notting Dale Campus to the public. The treasures within these doors are whis pered about all around the sphere we live on, from Jeff Koon’s Baroque Egg and Hirst’s Spot paintings to my favourite work being an artist that’s experienced migration, “KIMSOOJA Cities on the Move – 11633 Miles of Bottari Truck”. Something I try and catch each year.
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Carsten Holler’s Mirror Carousel (2005). A 7-meter-tall playground carousel made of gleaming steel, complete with stage show bulbs and extended suspended seating, is found at the atrium of Notting Dale Campus. This striking piece in the atrium of the Yellow Build ing is not to be missed. Holler explains the overall effect of reflective surfaces and vivid motion: “During a 5-minute loop, participants on the ride were confronted with a whimsical mix of refracting reflections in relaxing slow motion, creating an omnidirectional medita tion experience.” A metaphor not just for this space but a visualisation of the carousel that is Kensington and Chelsea Art week, a rare Pokemon-catching trip that you can miss next year.
The unmissable Notting Dale Campus
We’ll move on to arguably one of the most unmissable sculptures on campus, which stands proudly and brilliantly in the of heart the yellow building, and of course, the baroque egg and ribbon by renowned American artist Jeff Koons. Koons’ The Baroque Egg With Bow is part of his Celebration collection - modelled on a chocolate Easter egg, this baroque piece evokes familiar nostalgic objects from our childhood. Recreated at striking scale and shimmering surfaces, the piece appeals to multiple senses, with pleasing colours and tactile renderings of blue foil. In addition to prolific names like Koons and Hirst, what better month in the year than July to see David Hockney’s contemporary works that we’re drawn in situ via an IPAD. Documenting the transition from winter to summer, each piece depicts the period from January to June 2011, with specific days in between. The colour is rich and has innate intimacy due to its subject and relationship to the artist. Hockney considers this one of his significant works and sees many of the images as a work of art. The series formed part of a major exhibition at the Royal Academy in 2012 and conveys the beauty and fragility of nature with a very contemporary eye and medium. Hockney uses a touchscreen tablet as a digital sketchpad, allowing the artist to explore and expand a new visual language expressing his love of colour in these bright wooded landscapes.
A two-tonne Hyundai Truck with used bed covers and clothes native to the land on which the truck departed its 11633-mile trip over looks passers-by on Nicholas Road. The truck’s bed is loaded with a mound of colourful Bottari (cloth bundles sewn by Kimsooja) bound together to form an interactive performance piece. The truck was driven through Korean cities from November 4 to 14, 1997, with Kimsooja sitting atop the bundles capturing the journey on film to create a reflection on the role of women in society and voluntary or involuntary migration and movement. A film that was initially projected on a Seoul building and has since been projected world wide. It demonstrates its contemporary global relevance by evoking a sense of nostalgia for the past and hope for the future and new beginnings. This truck may have found its resting place in Notting Dale Campus, but the story it tells and the road it travels will forever give it meaning in a changing world.
Amir Dehghan
Outside of the secondary art market’s world, the art industry rarely provides mentorship on a formal basis and the IF award acts as a proof of concept to the industry. It is an example of how two months of intensive mentorship can lead to the birth of an industry pro fessional which has acted as a vital tool within an industry hungry for finite professionals. From only one years experience as a gallery technician, I can name over 10 London Galleries which are begging for well trained technicians, assistants, managers. To those on the industry side of the bridge, from Galleries to advisors, the IF award is an example of how to successfully develop individuals to become sustainable members within a short period of time, providing hope to both malnourished sides of the bridge.
If you’re reading this as an artist who has just left Art school, you can apply to the IF award via the website: ifaward.me on a yearly ba sis. Though there are some key skills that I learnt during my time that can help you begin to bridge the gap yourself. Firstly, attend as many private views as possible, talk to as many people as possible with your details (portfolio, website, Instagram) to hand. Secondly, write proposals for exhibitions which you can share with galleries and curators which you feel your work would fit well with, if that’s spreading your message by going door to door or within the digital sphere. If you are someone looking to build skills to apply yourself within the industry, I would shadow industry professionals, contact myself @amirdehghanart, volunteer at young projects. Offer to help out on university installs, from photography, to marketing, to hanging, so that you can bulk out your portfolio, prior to contacting galleries for work.
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Art school was extremely valuable, you have your own studio, ability to make your own decisions, to have tutors to talk to who had successful careers of their own and who treated you as artists whose work was deserving of their time and attention and even criticism, which was very precious to me. But, there were many vital missing pieces of the puzzle which can disable artists from being sustainable practitioner outside of the walls of art school. Leaving them like Thelma and Louise, flying off a cliff in style. This is exactly where the IF award was vital, bridging the art school side of the cliff to the Industry’s cliffside. Two months of mentorship, which initially covered everything from networking, skill sharing with industry professionals, shadowing curators, gallerists, talking to established artists, leading onto the streamlining and milling away of your creative gears to find where you would fit in best within the industry. The IF award is the step which has gotten me where I am now, an artist which has had multiple Solos both international, and national, a Parttime 3D specialist technician across University of the Arts London, a Freelance Gallery Technician, and as of late a gallery manager of Zerui Gallery, a space which myself and my close friend setup using many of the skills I gained from IF. This not just an Ode to the award, but also a plea to the industry to begin bridging the crucial gap.
438 days ago, I, Amir, began my Industry Foundation Award (IF Award), after recently graduating from BA Fine art at Camberwell College of Arts. 368 days have passed since then, and only now am I beginning to understand the vitality of that short period. A time I now treasure, one that has sculpted me artistically, professionally and philosophically. To find myself in the arms of the IF award after leaving Art school, is like the shift from Baroque to the era of enlightenment in art, a departure from the mythological and historical thought that comes with art school, into learning the rigid forms of industry and science. The IF award helped me find which gear I mesh with best within an industry foriegn to me.
The bridging of a vital gap”
The Industry foundation is hope, it’s a template, it’s a bridge, it is something that has changed my life and has the ability to change many more. It is a proven concept which benefits both gallery and intern, a concept that needs to be spread in an industry which is starved of trained experienced individuals.
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20 The Galleries Association - industry networking at its finest Japan 101-111HouseKensington High St London W8 whitewallgalleries.comLondon100Whitewallunit1gallery-workshop.comLondon1Unitserenamorton.comLondon343Serenathemuseat269.comW11269Thejapanhouselondon.uk5SAMuseGalleryPortobelloRoad1LRLondonMortonGalleryLadbrokeGroveW106HAOneGallery|WorkshopBardRd,W106TPGalleriesCentralWestbourneGroveW25RU Galleries on the Tour David Hill Gallery 345 Ladbroke Grove, London W10 224-238Designdavidhillgallery.net6HAMuseumKensington High St London W8 frestoniangallery.comW112Frestonianelephantwest.art/London62Elephantdesignmuseum.org6AGWestWoodLaneW127RHGalleryOlafStreet4BELondon Graffik Gallery 284 Portobello Road W10 5TE London graffikgallery.co.uk www.thegalleriesassociation.co.uk
(above Miss Claire Miller during the Kensington & Chelsea Art Week 2021 - www.kcaw.co.uk)
Welcome to Our World of Dance
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Portobello Dance is a community initiative on the international stage. Our established organisation runs and participates in various activities through dance edu cation and events – locally, nationally, and beyond. Based in North Kensington’s diverse Notting Hill, Portobello Dance School is a popular weekend destination offering children from 3yrs to adults training in Classical Ballet, Tap and Street. With our open doors policy, over 150 budding dancers pass through for classes each week. The school’s high achievers often move on to further training or auditioning for the commercial dance world. Our professional dance trainers and visiting tutors encourage appropriate exams, such as the British Ballet Organisation’s (BBO) curriculum – for which the passing record is exceptional. Annual school per formances allow families, the local community, sponsors and patrons to experience our work, whilst various local and national events showcase the school through its Student Performance Group. Widening our mission, the school Outreach programme takes our training and mission to other schools around the Boroughs of London. We encourage students to visit inspiring dance events, including ‘Classically British’ (part of Black History Season), which highlights the overwhelming talent of the UK’s multicultural choreographers and dancers, often featuring upcoming talent from the school.
Our vision is to provide access to excellence, so whether you’re interested in our school or how we promote dance beyond it, step in!
Laura Glaser Movement Director
Penny Bosworth Actor, Writer, Director
RB8 was set up in 2015 by friends Nekisha De Costa and Penny Bos worth. They are a writing duo who tell human stories for both adults and children around themes dealing with global issues. It is RB8’S mis sion to implement the importance of giving back, and what better way than storytelling. Human StoriesUnited We Stand, is RB8’s second short play. It was written in support of the Ukraine, to acknowledge the struggle and trauma civilians now face every day while the war con tinues. They thank you for your sup port!
RB8
Penny is originally from Birmingham. Her love for the theatre started from a very young age having grown up with actors from Birmingham’s Rep Thea tre staying in her parents home where she would often help actors run their lines. After many years of toying with the idea of becoming an actor full time, Penny went and trained at The Actors Temple and The Salon Collective for six years studying the Sandford Meis ner Technique. After graduating in 2019, she began her journey as a stage actress treading the boards on Lon don’s fringe circuit where her passion for theatre was re-ignited. In 2020 she was cast by director Victor Sobchak in his production of ‘Masks - The feast before the plague’ which sparked beginningtheof their working relation ship. Since their first production to gether Penny has gone on to play a number of roles in plays directed by Victor Sobchak. Penny now embarks on a new venture along with Victor and the Muse Gal lery, bringing theatre into the hub of Portobello, her home of twenty years connecting artists exhibits and plays together.
Her interest in supporting perform ers to expand their expressive range both physically and emotionally, led her to study and combine many differ ent techniques over the past 20 years. When working on a production, Laura collaborates closely with the direc tor and the individual actors. Her aim is to bring forth an authentic visceral embodiment of each actor’s character and obtain physical eloquence which also deepens the level of intimacy be tween the actors.
Laura has been a dance lecturer at Trinity Laban Music and Dance Con servatoire London for many years and has taught contemporary dance, body awareness, yoga and creative move ment to a wide range of people includ ing dancers and actors. She is a visit ing lecturer at the University of the Arts London (UAL). Currently, she is in an ongoing training of the William son Technique (Movement for Actors) with Ted Morin.
has worked on several productions for both screen and stage,
She holds a BA (Hons) in Dance Theat er from Trinity Laban Music and Dance Conservatory London and an MA in Performance: Dance from Chichester University. She studied acting at Ac tors Temple London (Meisner based Recently,technique).she
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Laura is a London based movement specialist and actress with an exten sive background in body based prac tices for performers.
www.musetheatre.london :www.musetheatre.londonvisitpleasecrewandcasttimes,ticketsFor 23
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Samantha McEwen Emergency Flowers
www.sammcewen.com
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Watch every Friday between 16:00 – 18:00 at: https://bit. ly/37TmmML or check socials at www.portobelloradio.com for live links, playlists and trivia.
Live,www.portobelloradio.comhostedbyIsisAmlak,GregWierandPiersThompson, is a
vibrant 120 minutes of current affairs, community banter and lo cal music. This Youtube live stream boasts a symposium of human rights, philosophy and chaos; all supporting human rights, the planet and of course an abundance of local talent, representing a counter-culture of north Kensington – the birth place of some of the best of British culture and armchair revolutionaries.
26 5TDW10END/5TDW10START doortodoorhoursfour editiondawnnewA TOURbusGALLERIESKENSINGTONFREE PARTINASSOCIATIONGALLERIESTHE ISRADIO,PORTOBELLOWITHNERSHIP EXTRAORDINARYANPRESENTTOPROUD PERFORMANCE.ANDARTOFEXPERIENCE =BUS.ROUTEMASTERCLASSICAONSTEP BACKTHETHROUGHGUIDEDBEAND WHILSTLONDON,WESTOFSTREETS COUNTHEANDHISTORYOFLEARNING BESTTHESHAPEDTHATTERCULTURE SOCIALANDIDEASGLOBALOFPARTS ANDCENTURY2OTHTHEOFNARRATIVES AREAANSHRINKTODESIGNEDBEYOND. ALLOWSTOURBUSTHECULTURE,INRICH TOCHANCETHEENTHUSIASTSBOTH ARTISTSANDMANAGERSGALLERYMEET NETCOLLABORATIVEAUTILISEPLUS AONCEALBEIT–RESOURCEWORKING MONTH. performance&Art aboardAll September24th 16:00-12:00from UK
27 Nicholas Cheeseman in his studio.
Nicholas Cheeseman, Untitled, acrylic paint and acrylic pen over photographic print on canvas.
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Nicholas Cheeseman, Untitled, acrylic paint and acrylic pen over photographic print on canvas.
Joanna Ciechanowska www.joanna-ciechanowska.com 30
Don’t have a lacking mindset. Take the opportunity that is in front of you not the one millions of miles away which you cannot reach yet. You cannot run before you walk,
Yes it you have luck talent and are hardworking
Q – Do you believe in the soul? Yes _ soul, mind body
Music artist atm -no one is Artist -- some packer
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Interviewee: Giorgia Campbell-Calder
No idea
I wouldn’t change the world, without the world where it is now would I be me or you you - consequence need to happen for peo ple to understand bow to change/improve. Also what is the point of changing the world went all these things that are happening now will happen later. In shows when they show the charcaters trying to change the what has already happened or what has not happened yet the thing still happens wether it be then and there or in 5 years
Music makes me happy - istenins or playing it. Drawing when it goes well.
Q – What is your favourite art form?-dada
Most yes but there are the odd 2 who are just evil
Q – How do you think Trump and Brexit were connected?
Q – How long have you lived in the borough?
Qmatching–What’s your favourite meal?
Q – Where would you like to live if you could choose anywhere in the world?
At the moment, I am doing a digital drawing of a picture of my boyfriend. Who knew humans had so many different colour in their face. Each person has a different undertone which is pretty cool.I have worked out that painting is like putting on makeup and involves a lot of blending to make it a smooth piece I have a long way to go and the thing I will probably try is colour
Q – What projects are you working on currently?
Q – Do you think a focus on freedom of expression through the arts, can improve society? Yes
Q – Do you think a profession in entertainment is achievable?
Please provide us with a high resolution portrait jpeg of you that you are happy with.
Q – If you were Queen what would you do to change the area?
Q – Do you have a political ideology?
At this particular moment getting ready to go an holiday without my mother for the first time. Overall, practicing for my drivers theory tear in late September
To view previous versions of this publication please go to:
Q – If you were God, how would you change the world?
Q – How do you feel the borough has changed since you lived here?
Oh this is a hard one pizza, pasta, Italian
Q – What makes you laugh? Meme
Comfortable in the fact that I am not scared of it it will happen in due time sooner or later it is not something you can run from so why fear it
Q – How do you feel about death?
Q – What would be your ideal job?
It has been harder for local businesses to stay in the area due to inflation. Lately there has been a high turnover
Q – What makes you happy?
QCanada–What would you say to the stranger reading this?
Thankhttps://issuu.com/search?q=The%20Museletteryoufortakingpartinthisinterview.
All my life
Yes without opinions some business would not be here- social media for example nuns off public opinion
Q – What are you doing with your life now?
I don’t. I don’t like politics. If I have to vote I’ll work it out but I would rather not if I could ignore it I would Q – Do you believe opinions matter?
Q – Do you think humans are inherently good?
Q – Do you think man landed on the moon? Yes
Q – Who is your favourite artist?
I don’t feel like the area needs fixing just improvement, lower council tax but then the queen can’t change to much - only ap prove and disapprove of a bill so I guess- hold a charity event.
Not sure yet. I was going to work that out by the end of my second year of college
Giorgia Campbell-Calder
