Keeping Tempo Volume 1, Number 4 May 2010
YOBC’s Expanded Master Class Offerings
Inside this issue: Mr. Loughran’s Flaw
2
Conductors’ Notes: Meet Mr. D.
2
Student Spotlight: Will Holstrom
3
Notes from the Executive Director: Summer Fun
3
YOBC Alumnus Jonathan Clark on the Audition Circuit
4
YOBC Board of Direc- 4 tors Working on 5-Year Plan
Important Dates:
Saturday May 22: Concerto Soloist Competition
Saturday, September 11: New Student Orientation
Sunday, September 12: Fall rehearsals begin
Sunday, September 26: International Tour parents meeting, 2:15 PM
October 30, 2010: YOBC Wine Tasting & Live Auction
May 21, 2011: 20th Anniversary GALA Celebration, Patriot’s Theater, Trenton War Memorial
During the Spring 2010 season, YOBC greatly expanded the number of master classes offered to our students. This is part of a new initiative to provide advanced opportunities for YOBC students to work with professional musicians who are masters of their craft. Our offerings this semester included master classes on flute, led by David DiGiacobbe of the Harrisburg Symphony; trumpet with TCNJ’s Gary Feinberg, French horn with YOBC alumnus Jonathan Clark (see page 4); saxophone with Larry Werner, and of course our special day-long string day with students from the Curtis Institute. We invited guests from the community, who are not currently members of
YOBC, to participate in the YOBC master classes. We worked collaboratively with Bucks County public Curtis Institute students play for YOBC’s Concerschool tino and Prima Strings during special string master class in March. teachers to identify stustylistic playing takes.” dents who would benefit The Curtis string day from the program. In was a great success for March, 21 community YOBC students and the guests signed up to take Curtis musicians alike. part in the trumpet masFor Philharmonia basster class led by Gary ist, Garrett Mitchell, his Feinberg, Chair of the Defavorite part was the secpartment of Music at TCNJ. One of the attendees told us, tional (he got a private “I love being able to sit lesson!). “I liked learning down and ask questions from a more experienced to a person who has spent player.” Symphony vioyears doing something linist Nick Lewis told us, you might “It is a great experience. consider I was impressed with the going into quality of the instrucas a profestors.” Philharmonia viosion, underlinist Kelsey Busch, standing echoing the opinion of their many of the students, thoughts, said, “They are very inand getting spirational. It makes me a perspecwant to play better. To tive of what have one AT LEAST once a year would be great.” Prima Strings play for the Curtis Institute students. professional