RESTORATION OF THE CITY SENSES
Studio 05: " False Summits "
YUELIN LIU
MLA YEAR 1
STUDENT NUMBER: 21087780
BARC0116 & BARC0117: LANDSCAPE DESIGN 1&2
TUTOR: LAURENCE BLACKWELL THALE & PETE DAVIES
Studio 05: " False Summits "
YUELIN LIU
MLA YEAR 1
STUDENT NUMBER: 21087780
BARC0116 & BARC0117: LANDSCAPE DESIGN 1&2
TUTOR: LAURENCE BLACKWELL THALE & PETE DAVIES
Studio 05: " False Summits "
Human’s inherent senses and exploration of nature are domesticated by long-term manmade intervention. At the same time, the human-centered construction of urban areas squeezes the living space of animal and plant species.
However, the wildness that separates nature from humans is an underestimation of the natural richness of the city which hinders humans to capture and appreciate non-human life forms. Cities can also serve as sites of wild where the seasons, the weather, the topography and the body are experienced.
The process of wilding is a reinterpretation of urban environment and inner natural forms. In this way, recording, enhancing and amplifying the different scales of natural life forms and dynamic movement to show luxuriance and vitality of nature which maintain the wildness in cities. With
the transformation from landscape to microcosm, humans can capture the experience of wildness and senses, and put them as specimens into a cabinet of curiosities that record natural stories and geological information.
My research is seeking to make some of the hidden natural forms of cities visible again. In this way, my interventions and devices could be seen as trig points in the city, mapping and marking different environmental conditions and experiences.
By Michael Pederson/ "FALSE SUMMITS"
/ RESTORATION OF THE CITY SENSES
Chapter 1: JOURNEY FROM SUMMIT TO SUMMIT
PROJECT BACKGROUND SITE RESEARCH STORY BOOK
Chapter 2: REMOVE THE CITY - EXPERIENCE
REMOVE THE CITY SENSES RESEARCH HIDDEN NATURAL FORM
Chapter 3: AMPLIFY & RE-AWANKEN - SCALE
URBAN ENVIRONMENTAL CONDITIONS & EXPERIENCE DESIGN DEVELOPMENT MODEL
JOURNEY FROM SUMMIT TO SUMMIT
From1936 to 1962, there were about 6500 trig pillars installed across the country by OS. The Trig Pillars are some concrete structure which positioned in the landscape for the making of maps. In this way, mostly of them located on the hilltops for the purposes of visibility.
These trig points provide a base for the theodolites used by the survey teams, promoting accurate mapmaking. In addition, The network formed by thr trig pillars mark the landscape and geographical
By Ordnance Surveylocation. Nowadays, with the development of GNSS, they are no longer used to the making of maps, although they still act as a frame of reference for walkers.
Therefore, the trig points provide a new invisible dimension to record and survey landscape. The system of my interventions and devices could be seen as trig points in the city, mapping and marking different environmental conditions and experiences.
Since 1937, the policy named the 'St Paul’s Heights' has operated in London to protect and enhance local views of the Cathedral.
The historic skyline, buildings and landscape which travel information as trig points are gradually submerged by the city. In this way, most of summits are invisible in urban space and the journey between different summits are blank.
ST Paul's Cathedral is broken down into fragments by the outline of the city's architecture and reassembled as pieces of a jigsaw puzzle in mind.
At the same time, as an important religious site within the city, the St paul shows not only a physical summit but also a religious spirit. The height shows a power
The three different height attract different activities and duration. Summit enhances immediate heightened experience and mid-rise attracted people to stay. However, ground level shows contiuous movement.
/ CHAPTER 1: Journey From Summit To Summit
The summit of Greenwich Park is 50m above the sea level and the limiting height of seeing ST Paul's Cathedral is 47m above the sea level.
Summit enhances immediate heightened experience. However, ground level shows contiuous movement. Compared with Primrose Hill, the steep mid-rise ramp is difficult to stay and ascent.
In the process, we are surrounded by city and the summits are invisible. Our brain makes cross-connections between the senses to record and analysis huge amount of outside information. The fragments of senses and Microcosmos required enhancment.
"The Jorney From Summit to Summit"Primrose Hill - ST Paul's Cathedral - Greenwich Park Restoration Of The City Senses
/ CHAPTER 1: Journey From Summit To Summit STORY BOOK
"The Primrose Hill - ST Paul's Cathedral"
Lamb’s Conduit St
Gloucester Ave
"One day of a dog"
"Waste & Collector"
Holborn Viaduct
"Outline & Composition"
/ CHAPTER 1: Journey From Summit To Summit STORY BOOK
"ST Paul's Cathedral - Greenwich Park"
Manmade intervention makes our environment more safe but sensitive. on the contrary, our senses become insensitive.
Romove
/
VIEWPOINT
/ CHAPTER 1: Journey From Summit To Summit SENSES RESEARCH
ST Paul's Cathedral is about 45M above sea Level taller than Primrose Hill and 66M above sea Level taller than Greenwich Park.
The variation and composition of urban space brings different rhythms of feeling. Height intensifies the transience, allowing people to focus on the environment and reducing urban distractions. The summit can provide an open view and the natural and simple but strong smell.
Human’s inherent senses and exploration of nature are domesticated by long-term manmade intervention..
Our senses capture signals of hidden natural forms, creating different conditions and experiences. Thereforee, digging the surface ,and recording, enhancing and amplifying the microcosm seems to be a way to evoking the ability of senses.
/ CHAPTER 2: REMOVE THE CITY - EXPERIENCE
HIDDEN NATURAL FORM
/ CHAPTER 2: REMOVE THE CITY - EXPERIENCE
HIDDEN NATURAL FORM
/ CHAPTER 3: AMPLIFY & RE-AWANKEN- SCALE
URBAN ENVIRONMENTAL CONDITIONS & EXPERIENCE
VISION SMELL
HEARING
TOUCH
Restoration Of The City Senses
/ CHAPTER 3: AMPLIFY & RE-AWANKEN- SCALE
URBAN ENVIRONMENTAL CONDITIONS & EXPERIENCE
WEATHER
Rainy
WEAKEN SENSES
Sunny
Autumn
When a raindrop lands on a porous surface, air from the pores forms small bubbles, which float to the surface and release aerosols which carry the scent. Microcosmos
Plants That Grows In Urban Crevices
Spring
Summer Winter
WIND TUNNEL EFFECT
Cabinet of Curiosities housed objects including ore, animal and plant specimens and so on which require a long-distance adventure and record a story and geographic information.
And my device seems to be a Cabinet of Curiosities, collecting, recording and showing story and senses.
/ CHAPTER 3: AMPLIFY & RE-AWANKEN- SCALE DESIGN DEVELOPMENT
Restoration Of The City Senses
Greenwich Park
WIND
Primrose Hill ST Paul's Cathedral
Layer 1: Site
Layer 2: Terrain
Layer 3: Soil Texture
Layer 4: Green
OPENING UP THE SOANE
By Sir John Soane's MuseumRecording, enhancing and amplifying the different scale of natural life forms and dynamic movement to show luxuriance and vitality of nature in cities. Macroscoic world becomes a microcosm, and the envirionment we 're in convert to objects which can be controlled flexibly.
The interventions could be seen as trig points in the city, mapping and marking different environmental conditions and experiences.
The Scent of Desire: Discovering Our Enigmatic Sense of Smell by Rachel Herz
Restoration Of The City Senses
According to the working principle of petrichor, the device simulates the environmental conditions, providing rain and porous surface inorder to make petrichor.
With macroscale converting to microscale, the change of scale amplify and re-awanken the senses which capture the immediate experience. It also shows how the wind direction affect microclimate and natural smell.
/ CHAPTER 3: AMPLIFY & RE-AWANKEN- SCALE MODEL
Restoration Of The City Senses
/ CHAPTER 3: AMPLIFY & RE-AWANKEN- SCALE MODEL
Restoration Of The City Senses