Yu-Hsiang Fu Portfolio 2017

Page 1

Y U - H S I A N G

F U

P O R T F O L I O +1 -3 47- 83 6- 0 570

yu h s i an g fu . i n te r i o r @ g m a i l .co m

ACA DEMIC at NEW YO RK S C H O O L O F I N T E R I O R D E SI G N

E V E RL ANE co n ce pt sto re

2 01 5 - 2 01 6

H OT E L M b o u t i qu e h o te l

// retail //

// hospitality //

N ew Yo r k U n i ve r s i t y o f I nd ust r i al D e si gn (N YU S I D) // educational //

H AVS N I VA d i n i n g c h a i r // furniture //

D E ST I J L // furniture //

PR OFESSION A L at U N I O N AT E LI E R D E SI G N

AV E DA h a i r s a l o n

2 01 5

B LOSS OMI NG j u i ce sh o p

// commercial //

// retail //

ACA DEMIC at C H A N G G U N G U N I V E R SI T Y 2 01 1

INSIDE-OUT // exhibition // LOU D OA // furniture //


EVERLANE

/ retail / 01

EVERLANE CONCEPT STORE

EVERLANE

Program / Retail Location / New York, US Area / 2630 sqft. Status / Idea, December 2015 Designer / Yu-Hsiang Fu

WINNER 2016 STUDENT DESIGN AWARDS

at New York School of Interior Design

Material / Birch wood, Oak wood flooring, Concrete flooring

Challenge / EVERLANE has a unique business model on its side: by choosing to sell solely online, it has managed to cut costs to a bare minimum. What is the first brick and mortar store for? This question is the main challenge of this project.

Solution / EVERLANE has its strong belief, “Radical Tranpsarency”. The next step is to spread their beliefs for public, which is the aim of this concept store, to create a complete experience from material, manufacturing process to try-on each product.


EVERLANE

/ retail / 02

“A whole experience from materials, manufacturing process to try-on service”

F it t in g Ro o m Be n c h

Mir ro r

Know your factory Know your costs

EVERL ANE

“Radical Transparency”

Always ask why

- E V E R L A NE

- EVERLANE

7

6

5

11

14 13

4

16

15

3

10

12

2

9

1

8

Floor Plan

E x p e ri e n c e A rea Merch an di s i n g A rea

1. 2. 3. 4.

Cashmere Leather Bag & Accessories Tee & Sweatshirt Knit

5. 6. 7. 8.

Sh oe Sweate r & S ca r f Pa n t Si l k

9 . Out we a r 10. Denim 1 1 . Fi t t i n g Ro o m 1 2 . I n fo rm a t i o n D e s k

13. 14. 15. 16.

Bre a k A re a P i p p m o b i l e Sh e lve s E mp l oye e To ilet M a n a ge r ’s D e s k

In fo rm at i o n D es k Back o f H o u s e


EVERLANE

/ retail / 03

Des i gn C o n c e pt In order to keep openness, the experience areas are defined by white painted frames instead of solid walls. In each experience area, customers can feel the products by various senses, including touching both the raw materials and final products, and hearing the sound in manufacturing process. The contents of experience areas change seasonally to give customers fresh experience.


EVERLANE

/ retail / 04

D rop c e ilin g w it h lig h t in g

Screen with local weather info r m atio n

I nfo r m atio n Des k

Back of house

Drop ceiling with screens Drop ceiling with lighting 60 F 3:29AM Dongguan, C hi na

33 F 9: 29PM Vicenza, Italy

78 F 2:29AM Ho Chi Mi nh C i t y, V i et nam

61 F 11: 29A M L os A nge l e s , US

o

o

o

Digital Comp onent

o

The Drop ceilings, align with four experience areas, serve as screens to present the environments of each factory’s location. The screens connect customers with factories. When customers enter the experience areas, they can choose the manufacturing process videos on their personal devices. The craftsperson will introduce the whole process from materials to final products in u pda t in g lo c a l w e a t h e r in f o r m a t io n

the video.


EVERLANE

/ retail / 05

Infor mat ion De sk

Ex p e r ie nce A rea

M erchand is ing A rea

S creens

Raw Materials

manu factu ring p ro ce s s

Enter the exper ience a re a .

Con n e c t w i t h p e r s o n a l d e v ic e .

C h o o s e t h e m a n u f a c t u r i n g p ro c ess video.

T he cr afts m an intro d uces the m anufactur ing p ro ces s .

T he cr afts m an intro d uces the manuf acturing process.



HOTEL M

/ hospitality / 01

HOTEL M BOUTIQUE HOTEL

M

O

M M

N

T

A U

R R

S

E

E

A

L

I

E

U

M

Program / Hospitality Location / Montreal, CA Area / 15180 sqft. Status / Idea, Oct. 2016 Designer / Yu-Hsiang Fu at New York School of Interior Design

Design Concept / Hotel M is a boutique hotel locating in Montreal, a multi-cultural city. Design for world travelers, who always look for fresh and in-depth experiences. Hotel M expresses different aspects of Montreal, including geographic, cultural information, and local artworks. The purpose is to create an intriguing spatial experience by mixing various forms, materials and colors, and still keep all elements in harmony. The public space of Hotel M is visually divided into vertical and horizontal languages, which express in ceiling and floor patterns, architectural elements and layouts. Use circles to show where two languages mix together, and create circular lounge seating resonating with floor and ceiling patterns. The main features of the lobby are two grand stairs with lounge seating, both below and on the extending stair landings, which create various visual experiences in different heights.


HOTEL M

/ hospitality / 02 FIRE VESTIBULE

FIRE EXIT

UP

EGRESS CORRIDOR

F I R E STAI R I UP

FIRE EXIT F I R E STAI R I I

UP

FIRE VESTIBULE UP

EGRESS CORRIDOR SERVICE GARAGE

LOADING DOCK

UP GARBAGE UP B A S E M E N T FIRE STAIR

UP

SERVICE

DN

SERVICE B A S E M E N T FIRE STAIR SERVICE

CORRIDOR

SERVICE

CORRIDOR

4

FIRE EXIT

SERVICE

LAU N D R Y CHUTE

5

9

10

E LE VATO R I I

SERVICE E LE VATO R

E LE VATO R I

3

2

11

M

O

U

H V

N

T

A E

R

A

I

R T

I

C

N D

A

11

1

UP 9

R

11

UP 10

S

11

L

I

V O

E

R

F

T

H O R I Z O N T A L UP

HANDICAP E LE VATO R

UP

Ground Floor Plan

8

SERVICE

SERVICE

FIRE

FIRE

SERVICE

STAI R I I

6

STAI R I

4

A

E F I R E STAI R I I

6

FIRE EXIT

F I R E STAI R I

FIRE EXIT

12 SERVICE

11

7 UP 5

UP 9

11

UP 5

UP 3 UP 14

11

11

UP 14

11

B

C

D

Second Floor Plan

A. Mount Royal Montreal-based A r t i s t s : B. Uly sse Co mt oi s - S u i t e c a rt é si e n n e #10 C. Louis Belz ile - Ca n a di a n gou a c h e a n d c ra yo n D. Lo uis Belzile - Com posi t i on

F

G

H

E. Saint Lawrence River 1. 2. 3. 4.

L o b by C he ck - In / C o n ci e r ge E l eva to r s Re s t ro o m s

5. 6. 7. 8.

Baggage S to rage Adminis trative O f fice Re s tau rant Kitch e n

9. Cafe L o u nge 10. De s ign S to re 11. L o u nge Are a 12. Galler y

Montreal-based Artists: F. M arcel B ar b eau - U nti tl ed G. C hr is tian M arcel Bar b eau - I m p a sse des conif eres H . P aul-Ém ile Bo rd uas - Ép ano uis s ement


HOTEL M

/ hospitality / 03

A

B

Elevation SCALE 1/4”=1’0”

A

B A. Lounge seating on the stair landing B. Lounge seating below stairs C . Blue ho ned m ar b le D. Onice p ink o ny x E. C us to m iz ed lo ung e s eating C

E

D


HOTEL M

/ hospitality / 04

FIRE VESTIBULE

C

B

D

FIRE EXIT

UP

EGRESS CORRIDOR

F I R E STAI R I

A

UP

FIRE EXIT F I R E STAI R I I

UP

FIRE VESTIBULE UP

EGRESS CORRIDOR SERVICE GARAGE

LOADING DOCK

UP GARBAGE UP B A S E M E N T FIRE STAIR

UP

SERVICE

DN

SERVICE B A S E M E N T FIRE STAIR SERVICE

CORRIDOR

SERVICE

CORRIDOR

+9'-6"

FIRE EXIT

SERVICE

LAU N D R Y CHUTE

SERVICE E LE VATO R

E LE VATO R I I

+12'-6"

E LE VATO R I

+13'-3"

+14'-6"

E

UP

HANDICAP E LE VATO R

UP

Ground Floor RCP SCALE 1/8”=1’0”

Ground Floor - Design Store

A. B. C. D. E.

STAI R I I

SERVICE

SERVICE

FIRE

FIRE

SERVICE

STAI R I

+10'

I v o r y L ight Travertine C a la c a tta Tucci M ar b le Tu x e d o Benches b y H er m an M iller C u s t o mized Dining Table M a t t ia z z i H e S aid C hair b y H er m an M iller

F I R E STAI R I I

FIRE EXIT

FIRE EXIT

F I R E STAI R I

+11'-9" SERVICE

+28'-10"

+28'-4"

Second Floor RCP SCALE 1/8”=1’0”

Second Floor - Restaurant


HOTEL M

/ hospitality / 05

3 3

E l e v a t i o n A - E l e v a t o r Ve s t i b u l e & C o r r i d o r

3

2

3 2

A

1

4

3

3

3

“Elevator vestibule serves as a gallery space, which not only displays local artworks but also frames the dramatic and sculptural entry gates.�

Ty p i c a l F l o o r P l a n 1. E l eva to r Ve s t i b u l e / G aller y S pace

2 . S to rage

3 . Gues troom

4. Corri d or

5

10 Ty p i c a l F l o o r - E l e v a t o r V e s t i b u l e

6

7

9 8

Model Guestroom Floor Plan 5. E n t r y G a te

6 . L iv i ng Ro o m

7 . M ini B ar

8 . C o re

9 . Bed room

10. Ba t hroom

Model Guestroom RCP Ty p i c a l F l o o r - E l e v a t o r V e s t i b u l e & C o r r i d o r


HOTEL M

/ hospitality / 06

C los et

St o r a g e Shelf

Guestroom - Living Room

A

Bo o ks helf

B

M ini Bar

C

D

Guestroom - Bedroom

Core Exploded View

R S

I

V O

E F

R T

H O R I Z O N T A L

Guestroom - Living Room

Guestroom - Bathroom M

O

U

E

R

H V

N

T

A

A

I

R T

I

C

N D

A

L Model Guestroom Axonometric


HOTEL M

/ hospitality / 07

“Create a series of customized lamps and furniture, including headboard, nightstand, side table, sofa, pendant light and table light, which emphasize the visual languages of horizontality and verticality.�

A . H e a d b o a rd B. S of a C. Ha n ge r

D. Side table E . Ta b le L a m p F. Sid e t a b le

G . Pe n d a n t la m p H . N ig h t s t a n d

A

C

B

G

E

H

F

D



NYUSID

/ education / 01

NYUSID N e w Yo r k Un iv e r s ity Sc h o o l o f I n d u s t r ia l De s ig n TERRACE

CLASSROOM

LIBRARY

OFFICE

Program / Education Location / New York City, US Area / 5020 sqft. Status / Idea, December 2015 Designer / Yu-Hsiang Fu at New York School of Interior Design

Material / Plywood, Steel Oak wood flooring, Concrete flooring RESTAURANT

GALLERY

Design Concept / The philosophy of School of Industrial Design is “Form follows function”, stated by Louis Sullivan in 1930s. The principle is that the shape of a building or object should be primarily upon its intended function or purpose, which is the foundation of industrial design. The main concept is to create an inspiring learning environment for industrial design students by using rough materials and flexible usage of space and seating.


NYUSID

/ education / 02

Reception Area & Bookshelves

THIRD FLOOR

LIBRARY

9

8

2

3

A

1 4 6

5

7

1. 2. 3. 4. 5. 6. 7. 8. 9.

Re ce p t i o n Are a Bo o ks he l ve s P ri va te Ro om S te p p e d S e ating C a s ua l S e ating P ri va te Re ading Sp ace Re a d i n g S pace Of fi ce & Wo rkro o m S cre e n i n g Ro o m

Reading Space

Floor Plan

NYUSID library focuses on the experience in books and space by creating various types of seating, including stepped seating, private lounge chair and study chairs. The library is divided into areas for different functions by various flooring materials and drop ceilings. At the center, the stepped seating serves as the hub providing a flexible space for students.

Section A

Stepped Seating


NYUSID

/ education / 03

MAIN FLOOR

RESTAURANT Restaurant

6 7 4

2

5 3

1

A

1. 2. 3. 4. 5. 6. 7.

E n t r y to Re s tau rant S ta i r to L owe r L eve l D i n i n g A re a Ba r Ki tche n Of fi ce E n t r y to S ch o o l

Long Bar

Floor Plan

In order to express “School of Industrial Design� as the first impression for public, the trusses at two sides serve as the decoration with industrial feeling instead of supporting structures. The central drop ceiling with track lighting and planting pots wall at the back of dining area soften the hard industrial elements, create a welcoming space.

Section A


NYUSID

/ education / 04

Studio

FOURTH FLOOR

CLASSROOM

7

8

6

1

A

5 3

2

4

1. 2. 3. 4. 5. 6. 7. 8.

M a te ri a l L ab S t ud i o M o d e l s ho p Wo o d s ho p M eta i s ho p S p ra y b o ot h P hoto gra p hy S tu dio C o mp ute r L ab

“the skylights connect the roof terrace with studio space, creating energetic atmosphere.�

Material Lab

Floor Plan

The main features in fourth floor are open studio with skylight, material lab at the entry and open workshops. The materials keep the same language as whole buildings, including concrete floor, oak floor, steel and plywood to express the school of industrial design.

Section A

Workshops


1

2

3 connecting hardware reinforced polypropylene plastic handle

4

7

5

8

6

“HAVSNIVA� means sea level in Swedish. To design a dining chair for IKEA, who pays much attention to climate-change issue, the product needs to be not only affordable, easy to assemble but sending a message to remind people paying more attention on the environment. Havsniva is designed to express the rising sea level which is one of the most severe climate issue by simplifying the iceberg form as the back of seating, ocean blue seating surface and legs. The folding function creates a strong visual impact on the urgency of rising sea level.


D

E

Jean Gorin - Bryce Hudson’s Collection

-

S

1

flipping sofa

T

2

flipping desk

I

3

plugging out

J

4

plugging seat back

L

5

study function


AVEDA barber shop

/ commercial / 01

AVEDA Hair Salon

Program / Commercial Location / Chiayi City, Taiwan Area / 727 sqft. Status / Completed, November 2015

Designer / Yu-Hsiang Fu, Minhan Lin at Union Atelier

Material / Paulownia wood, Oak wood Aluminum Plate Concrete Floor

7

6 01 02 03 04 05 06 07

5 1

3

display stands products display reception desk bathroom workstation hair-washing area storage area

4 2

Concept / AVEDA barber shop was designed to create a stylish and welcoming environment for haircut experience. Focus on the contrast between warm-feeling materials - paulownia wood and oak wood and cold-feeling materials - concrete floor and black iron frames. The flat white walls and wood grille ceiling serve as backdrops to enhance the visual contrast. The two types of wood texture not only create a welcoming environment but enhance the visual variety in the space.

Key Contributions / - Inspected and surveyed the sites.

- Completed detailed construction drawings.

- Mapped out the space.

- Specified materials and furnishings.

- Proposed design solutions to clients.


AVEDA barber shop

/ commercial / 02

A

Wood G ri l l e Cei l i n g - Whi te P ai nt Fi ni s h

B

Track Lighting & Rectangul ar D ownl i ghts

C

Ex teri or S i gnage & S torage A rea - P aul owni a Wood Fi ni s h

D

Floor-to-ceiling W indows & Entry Door w/ P aul owni a Wood Fram e Wood G ri l l e S creen & D i s pl ay S tands - Oak Wood Fi ni s h

E

Recepti on D es k w/ A l um i num P l ate - Oak Wood Fi ni s h Cabi net - P aul owni a Wood Fi ni s h

F

Cus tom i zed S al on Works tati on - Oak Wood Tabl e - Bl ack Iron Fram e and Legs - Lower P aul owni a Wood S urface


AVEDA barber shop

/ commercial / 03

7

6

5 1

3

01 02 03 04 05 06 07

display stands products display reception desk bathroom workstation hair-washing area storage area

4 2

Floor Plan

Elevation - exterior

Floor Plan

Elevation A - workstation

Elevation A - storage


BLOSSOMING juice

/ retail / 01

BLOSSOMING Juice shop

Program / Retail Location / Taipei City, Taiwan Area / 210 sqft. Status / Completed, July 2015

Designer / Yu-Hsiang Fu, Minhan Lin, Weiche Wu at Union Atelier

Material / Tiles, Plywood, Aluminum Plate Concrete Floor

Challenge / Blossoming juice shop, a new brand of fresh juice wants to open the first brickand-mortar store in the most competitive commercial area in Taipei City. How to create an attractive brand identity and interior space with low budget is the main challenge.

Concept / Blossoming juice shop expresses the fresh and welcoming feeling to catch attentions. Using light plywood and white net wall as backdrop to make green plants, colorful fruit and the brand identity color - tint stand out. The rough texture of concrete floor and exterior walls creates the contrast and enhance the fresh feeling of interior space.

Key Contributions / - Inspected and surveyed the sites.

- Completed detailed construction drawings.

- Mapped out the space.

- Specified materials and furnishings.

- Proposed design solutions to clients.


BLOSSOMING juice

/ retail / 02

A

Wood G ri l l e Cei l i n g - P i newood Fi ni s h

B

Track Lighting & P endant Li ghts

C

Display Wall for pl ants and frui t - 4’ x 6’ Whi te Iron Net

D

Work s t at i on - 1”x8” T int T iles - 1 1/2” Plywood Tabletop - 1 1/ 2” P l ywood S hel f

E

S eati ng A rea

F

S torage S pace


BLOSSOMING juice

/ retail / 03

01 02 03 04 05 06 07 08

3 6

2

5

seating preparing area staff entry cleaning area mobile cart fruit display food storage storage

7

1 4

8

Floor Plan

Lighting Plan

Elevation A

Elevation C

Elevation B

Elevation D


INSIDE-OUT

/ exhibition / 01

INSIDE -OUT Exhibition Program / Exhibition Location / Taipei City, Taiwan Area / 3197sqft. Status / Completed, May 2011

Designer / Yu-Hsiang Fu (team leader) Hui-Chun Chen, Stan Lu Min-Chien Hsu, Leo Chen

Material / Translucent stretch fabric, plywood

Award of Merit , 2011 Yodex Exhibit Space Design Competition 5

8

6

3 6

8

7 5

2 9 4 1

7 6

8

01 02 03 04 05 06 07 08 09

image wall concept introduction designers & sponsors counter low stand middle stand high stand light screen storage space

About INSIDE-OUT “Challenge is what design needs! To come nearer to the perfection, the deep-buried defects are sublimated into essence of the works. We hope the happiness we bring to you outshines the imperfection in the works, if there is still any.”

Concept YODEX is an annual exhibition for rising stars in design departments. As a leader of exhibition design team in Chang Gung University, I led team members to finish the exhibit space design. The theme of our show was “INSIDE-OUT”. We created the contrast between outside and inside by dark grey exterior walls, white interior walls and light. Within the space, the light leaking from stands showed our desire to present our design ability.


INSIDE-OUT

/ exhibition / 02

low stand middle stand high stand counter

EXISTING SPACE

PARTITION

CONTRAST

STAND

The main entrance of the exhibition center is at north side. The existing exhibit space is surrounded by three aisles.

Considering the location of the exhibition center’s main entry, we create our entry and image wall at the northeast side to attract visitors. We designed the logo with neon light to catch every visitors’ attention.

In order to create a contrast between inside and outside, we use white interior walls and dark grey exterior walls. Then, we open parts of the exterior walls to allow the inside light to penetrate through to catch visitors’ attention.

Based on the design work’s size, there are three types of stands of different heights. The low stands allow visitors to walk in and to interact with the design works while other stands provide a spacious space for each design work without interruption.


INSIDE-OUT

/ exhibition / 03

01

We started from models to test light effect, then we built the wood-frame structures and installed fluorescent light. At last, we installed the stretch fabric and made final corrections.

Light screen at the entry

02.03

04

Table light & Wall light

stretch fabric 01

Gap light gap

02

03

04

2

1

3 4

01 02 03 04

for low stands

light screen wall light table light gap light

LIGHTING Based on the concept of INSIDE-OUT, we designed three types of lighting for various use. The light screen brightens up the space and creates the contrast with the exterior wall while the wall and table light provide the light for design works display. The gap light in each stand makes the consistency within the space and provides the light for introduction panels.

for high & middle stands

LIGHT SCREEN

WALL LIGHT

TABLE LIGHT

GAP LIGHT

The light screen is composed of a wood frame with translucent stretch fabric, to allow fluorescent light to penetrate though.

Exploded diagram shows the triangular-prism shaped wall light for low and middle stand display.

Exploded diagram shows the rectangular -prism shaped table light for high stand display.

The light leaks out the gap in each type of stand to create the consistency within the space.


INSIDE-OUT

/ exhibition / 04

DEVELOPMENT As the leader of the exhibit space design team, I was in charge of the design plan process. First, we came up with lots of concept sketching for the layout, appearance of the stands, and light based on the concept of “INSIDE-OUT�. Then we made 3D model to understand the appropriate size of the stands. In order to arrange all design works, we made a 1:50 model so that we could understand the space between each design work.


INSIDE-OUT

/ exhibition / 05

PRODUCTION IN YODEX

INSIDE-OUT EXHIBITION IN YODEX

Before the exhibition opened, we only had two days to build the exhibit space. As the leader of design team, I arranged the schedule carefully. We cooperated with carpenters and electricians to install the walls and stands that we made in our school. We repaired any damages occurred during transportation. At last, we installed and tested the fluorescent light and neon light on the image wall.

After two-days preparing, we successfully opened the exhibition. The contrast between white interior and darkgrey exterior caught the visitors’ attention. The neon logo with light on the image wall acted as a showstopper and we earned lots of compliments from visitors. With our hard work, we earned Award of Merit in Yodex Exhibit Space Design Competition.



LOU-DOA

/ chair / 01

LOU DOA Chair

Function / Chair Size / L460 x W460 x H860 mm Year / June 2010 Material / Wood, steel

Designer / Yu-Hsiang Fu Hui-Chun Chen

Photographer / Yu-Hsiang Fu

Officially Selected , Up and Coming Designers Exhibition, Taipei, Taiwan

Concept Lou Doa is a structure part of a Chinese architecture to support the weight of the roof. By crossing woods, Lou Doa is strong enough to stable the whole building. This chair had a connection with Chinese culture. The first chair with back support in China was referenced to the stable structure-Lou Doa. A chair with Lou Doa in the ancient China taught people to correct their sitting postures as well as their behaviors. Chinese people believe that good behaviors begin with correct sitting postures.Lou Doa Chair was designed to combine Lou Doa spirits with elegant and modern form. Meanwhile, it reminds modern people of correct sitting postures and behaviors.


LOU-DOA

/ chair / 02

DEVELOPMENT By understanding those Chinese elements in a deeper layer, we had a whole new attitude toward ancient wisdom. All of the forms in ancient China are not only shapes, but had meanings. We transformed these images into a chair design and tried to combine the meaning and forms of Chinese elements. Also, we used 3D model to adjust the shape.

EXHIBITION Lou Doa Chair was officially selected in several exhibitions, including Sold-Out Exhibition, 2011 Young Designers Exhibition and Up and Coming Designers Exhibition.



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.