ENVS20001_YUTING YANG_MODULE02

DIGITAL DESIGN + FABRICATION SM1, 2017 M2 JOURNAL - PANEL/FOLDING

Yuting Yang, Nurul Syahirah Muhamad, Joo Liew (813151, 779893, 831400 ) Matthew Greenwood + Group 4

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Sketch Design Development

A variety of sketches exploring potential concepts, defining range of personal space and taking into account individual distances. An upper body part range was decided upon, defining importance of instinctive space among the majority.

Extrusion and intrusion of panels which have ability to fold were analyzed in further detail at this stage, including experimentation with over-sheltering and lack thereof, and in addition, investigating natural shell mechanisms found in some types of fauna as used as passive protective schemes.

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Refined Sketch Model

1) Initiated with a cocoon/husklike concept, but is later brought to concern it forms as a ‘jacket’, towards the clothing aspect and less abstract in form, thus this needed more investigation and analysis.

2) More trials with other features of personal space incorporated and some removed, to be able to conform to the perspective of what kind of space mainly extroverts needed.

3) In the next form, twisting and folding become more prevalent, as to cater for a wider range of users, intro and extroverts, including taking into consideration the users’ physical builds particularly of the upper body.

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2nd Skin proposed design V.1

Model derived from a range of ideas, in particular suiting the needs of an extroverted wearer of small physical build. The current concept visualizes how the form is able to twist around the upper body, minimizing individual distance yet allowing for sufficient personal space. The frontal extrusion portrays the idea of an occasional defense mechanism to be used sparingly. The model has the ability to move according to the user’s needs; to provide cover when they prefer, and also increase exposure by the user’s will.

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c

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a) Sketch of personal space mapping (Fragments show concentration of personal space) for an introvert of small build in a scenario of a crowded area she does not want to be involved in willingly (eg crowded train ride).

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b) Sketch of a similar map style, this time an extravert woman of medium build who willingly engages herself in conversations and delightful events (eg festivals). c) Diagrams of possible situation when wearing the second skin. d)Full-body view of the relative size of the model, as intended to give sufficient personal space to suit both introverted and extroverted needs of space.

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2nd Skin proposed design V.2

Model formed from the inteferance of personal space and attempt on finding the best enclosure for our second skin. We contraint the space up to 450mm from the user. For this proposed design, we open up the front and cover the back of the head because we assume that this second skin is for people who feel uncomfortable from the sides that they cannot see. The model is used outdoor, thus the design enclose the space above head so to protect user from extreme wheather.

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450mm

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450mm

450mm

a) The model is intended to provide approximately 1 feet of personal space for the wearer and more, depending on the positioning of the model worn by the wearer. b) Rough sketches to show the possibilites wof where to block the view of the user with the surroundings. The larger coverage is where the user did not what other people to see. Mainly on the back and the sides. c)Trying to cover the left part of head and extruting to the front. This design is suitable for extroverts who want to keep a distance from others. d) Covering the backside of user but we eliminated it because it does not included with our personal space. e) The development of proposed design after learning panellinng tools in Workshop 3. f) A close up to the textures inside the second skin. Triangulated planars to create uneven surfaces similar to a shell

f

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Precedent Research PUPPET THEATER MOS, 2004

by Pierre Huyghe

Triangle/intergrationpenetration/modulating/interlayer

Description: • Built with polycarbonate panels. Panels under light penetration, creates suspension.

• Consists of triangle which allows more surface curvature • Interlocking forms a rigid shape. Panels are bolted together as a uniform system. It works as an egg - forces dissipate across the whole surface.

• Ceiling panels flipped over to create skylights Work as keystones on an arch for structural stability.

• Foam inserted into the panels to stiffen the shell.

Xin Zhan,(2012). Retrieved from https://au.pinterest.com/ pin/137782069819354156/ Kyle Barker,(2017). Retrieved from http://xzhanarchitecture. blogspot.com.au/2012/10/mos-architects-puppet-theater.html

Inside of Puppet Theater: all panels work as a whole.

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Using triangules to increase curvature.

Twisting panels to form a space.

Ceiling of Puppet Theatre: some panels are fliiped over as keystones.

Precedent applied to design Triangle/intergrationpenetration/modulating/interlayer

If light can come through splayed surface, it creats a ray effect. Light is important in assisting with optimal sight in people.

Singular to multiple elements (variations produced when combined at different angles).

Modulating some pieces to add stability to the structure.

Shift to parallelogram

Space for insertion of different material (planar; could be transparent).

Cuevature formed by manipulating the pattern to create internal volume at back.

Creates visual space for wearer, allowing “room to breath�.

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Design development - Version #1

Isometric 2

Plan

Plan

Isometric 1

Isometric 3

An outer shell or exposed husk that creates spatial volume sufficient for introverted space. It is able to shield the wearer from unseen contact and allow them to convey their necessary personal space, similar to a iguana’s defense mechanism.

Four elevations

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By exploring methods to create a more wearable form and prevention of infliction of pain upon the werer, the model is subjected to a more ergonomic change, followed by smaller panelling with different pattens for curvature.

Progressing from shell-like figure to a more crystallised form; creating rough jagged structures at the bottom to defend against others and prevent inflicting pain on self, respectively. It is more ergonomic in this instance.

Planar (flat) surfaces combined to create a spatial form and maximise internal volume for the introvert wearer’s space. The diamond effect is organised and visually systematic.

The jagged texture formed is close to our intended sketch design 2. However, a problem occured during the process where there is a hole forming on the back of the second skin.

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Design development - Version #2

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1) A variation. Extraction of a minor aspect from design development 1. Lofting + ptPanelGrid (TriBasic) forms the planar triangular shapes to create a case-like structure.

2) Rounded form developed further from (1). Circular formation by addition of more planar surfaces.

3) With regard to (2) and the precedent, this is enhanced further. It is done in order to create a net casing structure and enclose the wearer from their surroundings thus imbuing comfort in the personal space of the wearer.

4) Attempt to develop a combination of rough, jagged upper edges with a smoother, rounded surface at the bottom. This portrays defensive mechanism in a slightly more aggressive way to outsiders yet at least holds physical comfort to the wearer.

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Sketches regarding the above formations and how the rib extrusion may come into play with diversity of connections, to serve as a mediator between the developed form and the wearer, as in, it acts as a combined entity with the second skin and despite its mild presence, it is not to be belittled by the other form’s blaring composition. The introverted wearer is able to feel as though they are being ‘consoled’ due to the mediator.

The combination of an aggressively-shaped cylindrical form in symbiosis with the smooth husk form from version 1. As a result this creates a more intimadating perspective but this is evened by the presence of the smooth form.

For the introverted wearer, this can portray a seemingly mild nature albeit with the want for more secure protection from outsiders.

Rib extrusion; a further developed variation of the initial extrusion connection. Supposed to be able to hold the developed case forms to the wearer. Depending on preferences, it is able to connect to the wearer’s body via the upper arm, shoulders, neck or around the chest.

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Prototype

TRANSPARENCY EFFECT (SIGHT): Introvert may prefer solitude, but need light to do her work.

Allow privacy in crowded space.

Possible materials may consist of polypropene, acetate/perspex.

Possible gloss finish for a temporary blinding effect while some aspects may include matte texture finish to diffuse light permanently depending on the environment.

(Right: Exploring options and alternations with light and its effects)

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Testing Effects SCENTED EFFECT: The introverted wearer is provided with a temporarily created space for them to express their own imagination.

Based on their preferences, the scent can be changed as it is absorbed into the fabric. This is a similar situation to having incense sticks or scented candles alit in a small cottage. In situational context, the wearer may be reading a book outdoors in a quiet place and their chosen scent enables them to enhance their imaginations further.

Investigation of developed upper jagged form, to work in mutualism with a smoother lower-end form as shown in the Development 2. Creates a more passive-aggressive effect when used in conjunction with the other, allowing the introvert wearer to increase protection if needed.

AUDITORY EFFECT: Bells, soothing sound. Keep her awake haha while doing monotonous work. Crackling of materials used can create a stranger sound effect that may ward off unwanted company of strangers. Materials used are paper, bells and mostly tissue to provide this effect.

TOUCH EFFECT: Physical comfort via fabric infill. Internal space is more defined, creating volume for the wearer. It is also ergonomic and reduces injury to the wearer, if any.

In situational context, this second skin is designed to be almost form-fitting with regard to internal spatial volume yet prevent discomfort from the wearer themself.

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Appendix REFERENCE Xin Zhan,(2012). Retrieved from https://au.pinterest. com/pin/137782069819354156/ Kyle Barker,(2017). Retrieved from http:// xzhanarchitecture.blogspot.com.au/2012/10/mosarchitects-puppet-theater.html

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