HUANG, YU-SIANG's portfolio for internship application.

HUANG, YU-SIANG PORTFOLIO 2021

Taiwan,Pingtung

2002/01/11

+886 0966 316 892

DAVIDH2669@GMAIL.COM

Chinese / English

淡江大學 建築學系 學生

Dept. of Architecture, Tamkang University. / STUDENT

2020.9-

實習生

TMA ARCHITECT & ASSOCIATES / INTERN

2022.7-2022.8

Rhinoceros 3D

AutoCAD

Twinmotion

SketchUp

Adobe Illustrator

Adobe Photoshop

Adobe InDesign

淡江大學 建築學系

王紀鯤建築設計獎 X 2

TKUA WANG,CHI-KUNG

ARCHITECTURE DESIGN AWARD

/ 2020-2021 & 2021-2022

Untitled Poem of Shilin

士林的無題詩 / 2022

士林跟台灣的許多當代城市一樣是一座跟著時間推進 的城市，面臨著新都市與舊都市之間的拉扯，許多建 築如陽明戲院一樣隨著時間推移消失，這座城市像一 座山長滿了根淺的植物，而這個情況令人不安。

當代城市裡大多存在的建築都是為了回應最現實的機 能需求，新的時代來臨的時候新的機能會不斷抹去原 有的都市涵構，城市與建築的價值便會在這其中變質， 因此建築作為城市文化的載體應該跨越時間並承載文 化，並且超越那些簡單而膚淺的去脈絡機能主義。然

而都市中的建築又始終不能脫離機能，如果建築只回 應文化的紀念性則又會因為缺乏了生活，使建築變得 空泛。建築該以何種態度面對現代機能需求與文化記 憶脈絡之間的衝突？此次的設計在探討此矛盾的關係， 並且企圖用城市裡的符號與現象用構成的方式做討論， 並做出一個宣言式的設計，幫助建立對於建築的看法。

Like many contemporary cities in Taiwan, Shilin is a city that progresses with time and faces the tug-of-war between the new and the old. Many buildings, such as the Yangming Theater, disappear over time. This city is like a mountain covered with shallow roots, which is unsettling. Most of the buildings in contemporary cities exist to respond to practical functional needs. When a new era arrives, new functions will constantly erase the original urban structure, and the value of cities and buildings will be compromised. Therefore, as a carrier of urban culture, architecture should transcend time and carry culture beyond simple and superficial functionalism. However, buildings in cities must always be functional. If architecture only responds to cultural memorials, it will become empty due to a lack of vitality. What attitude should architecture adopt to deal with the conflict between modern functional needs and cultural memory? This design explores this contradiction and attempts to use symbols and phenomena in the city to construct a declaration-style design, to help me establish my opinion on architecture.

區域與道路分配形成網格線性要素形成紐帶 不同時間產生紋理的疊合 區域各系統互相結構

安平街

具有規劃性的模矩

街道尺度貼近人 速度相對慢 消費形式直接而無中介

模矩相對小 穿沿

行人徒步為主 線性關係

消費形式相對有目的 文林路

視覺性看板為內部機能展現

騎樓為交通道路與商業空間的過度

小型貨車卸貨 文林路101巷

行人徒步為主 線性關係

舊有建築代謝 穿沿

因應商業需求加建的附加建物 臨時型流動商業

需求索引 建築的假面 游移機能 公共語言 頂的矛盾

土地乘法

面體狀態

因應排水而生的方向性

上面的開口&側向的開口

各種狀態的面回應不同需求 不同需求但同時被需要 所形成的矛盾與複雜

實板 / 金屬皮層 / 採光罩 / 排水紋路 / 格柵 實樓地板 / 各種頂加和面

疊合與膨脹的廊

RAIN FALLS

電梯造成層的直接垂直串聯

樓梯與斜坡造成 面的連續 面的邊界

機能分區 / 都市個體 / 內與外 / 遇牆而止

舊河與符號

基礎架構 / 附加架構 / 附加物

不同尺度及方向的分層意義

尺度 / 水平分層 / 垂直分層

機能混雜 / 立面分割

面的狀態 面的多重 開口與面

機能的核與接頭

面的邊界

面的延續 面的穿透 面的方向

層的水平序列

層的垂直序列 層的尺度 層的疊合

Bohemian HouseNomadic Artistic Life in the City 波西米亞之 家

-城市裡的游牧藝術生 活 / 2022

波西米亞是一些過著非傳統生活風格的藝術家，與布爾喬亞不同， 比起物質生活，他們更希望脫離現實和背離傳統的束縛並追求精 神層次上的滿足。此次設計以波西米亞為主軸精神並在淡水取材， 企圖建構一個脫離布爾喬亞現實的藝術者之家，比以此設計作為 城市之中波西米亞與布爾喬亞之間矛盾關係的辯證。

Bohemians are artists who live non-traditional lifestyles and differ from the bourgeoisie in that they seek spiritual fulfillment rather than material comfort. They desire to escape the constraints of reality and tradition. This design takes Bohemianism as its main theme and draws inspiration from Tamsui to create an artist's residence that is separate from the reality of the bourgeoisie. The goal is to use this design as a dialectic of the conflict between Bohemianism and the bourgeoisie within the city.

Tamsui City

Land Game pavilion

此次基地選在淡水河幫邊的捷運站公園，緊 鄰淡水河岸，作為老街的起點是外地遊客的 第一站，從整個區域來看已經幾乎看不到老 淡水的影子，捷運站周邊及現代的公園甚至 是過度觀光化的老街脫離了原本老淡水的城 市紋理，形成一種超寫實的狀態，巨大的尺 度及人為刻意塑造的機能符碼游移在這個區 域，因此我企圖以抽象無機的表現方式來回 應這個基地，並且對於我所看到的淡水空透 的狀態闡述一種隱喻。 首先，我建構出一個平躺的面以承接來自天 上的風、光、雨水，如同一張攤開的網，接 著我開始在這個面上刻畫出許多表情，利用 開口、虛化、增生、錯位、轉向、透明…等 方式使這個面開始變樣，讓這個面承接風、 光、雨水，不斷的跟這些自然的元素產生互 動。同時在地面上升高了許多平台，高程差 的邊界形成了一種非封閉界定空間的方式， 並且讓上下之間產生許多界定空間的矛盾。 接著我把機能性的服務空間依照其特性置入 ，最後在這些機能空間中創造出一個由量體 脫開的透空的空間，提供一個活動的半戶外 場地讓人們在活動的時候不斷的透過建築創 造的機會來跟自然產生互動。最後在經過轉 化當初的面已經消融在這塊基地，建構了人 跟自然的關係

The site for this project is located in a park next to the Tamsui River, adjacent to the starting point of the old street, which is the first stop for out-of-town visitors. From the perspective of the entire area, the shadow of old Tamsui can hardly be seen. The surroundings of the MRT station and the modern park, and even the over-commercialized old street, have departed from the original urban texture of old Tamsui and formed a kind of hyper-realistic state. The huge scale and artificially created functional symbols are roaming in this area. Therefore, I attempted to respond to this site with an abstract and inorganic expressive style, and to express a metaphor for the transparent state of Tamsui that I observed.

First, I constructed a flat surface to receive the wind, light, and rainwater from the sky, like an open net. Then I began to carve out many expressions on this surface, using methods such as opening, virtualizing, growing, misaligning, turning, and transparentizing to make this surface start to change, so that it interacts continuously with these natural elements. At the same time, I raised many platforms on the ground, and the boundaries of the height difference formed a way of non-closed defining space, and created many conflicting defining spaces between up and down. Then I placed the functional service spaces according to their characteristics, and finally created a ventilated space detached from the volume in these functional spaces, providing a semi-outdoor activity space for people to interact with nature continuously through the opportunities created by architecture during activities. Finally, after transformation, the original surface has melted into this site, and the relationship between human and nature has been constructed.

淡水社區圖書館

這座位於淡水河邊的兒童圖書館，分為兩個二元 的區域，上部弧形量體是社區的親子共同閱讀空 間，裡面除了藏書的空間之外，有許多微型的劇 場空間可以讓故事媽媽的說故事，此外也可以為 孩童舉辦閱讀分享活動，下部量體則是寧靜的區 域，靜靜的躺在寧靜的小鎮之中與河水相伴。整 個童書館園區的中心是一個開放的廣場，隨著大 樓梯銜接逐漸爬升至上部弧形量體與下部區域的 中間，最後以無邊際的水景銜接淡水河的遠景。

This children's library, located by the Tamsui River, is divided into two binary areas. The upper curved volume is a community space for parent-child reading. In addition to the space for book storage, there are many mini theater spaces for storytelling and reading-sharing activities for children. The lower volume is a quiet area that lies peacefully in the small town, accompanied by the river. The center of the entire children's library park is an open square that gradually climbs up to the middle of the upper curved volume and the lower area, with a large staircase, and finally connects to the distant view of the Tamsui River with an infinity water feature

THANKS