G1.zeyu guo.rep2.17

SEEK LIGHT

REPRESENTATION2,2017

Zeyu Guo

a1708612 1 Rep2 2017

Light Perspectives 'A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.'

by Louis Kahn

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01 The Elevations The Plan Access and Movement

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Design One -Spatial Diagrams -Plan,Section -Ground View -Aerial View -Internal Views

The Shade and Shadow Culture of The Place

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04

The Ground views The Arial views The Photography

06 07

02

Contents

Essay - luminosity Reference

Design Two -Spatial Diagrams -Plan,Section -Ground View -Aerial View -Internal Views Precedent

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Essay - Reflection Reference 3 Rep2 2017

The Engineering Building, Elevation.

The Math Building, Elevation.

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The Barr Smith Library, Elevation.

Access

Movement The Math Building The Engineering Building

The Barr Smith Library The Bragg Building The Science Building 0

5

10m

Site Plan 1:500

01 5 Rep2 2017

Site, Summer, July, 9AM

Site, Summer, July, 12AM

Site, Summer, July, 3PM

Culture of the place

The Barr Smith built in 1884, is a perfect mi

The Barr Smith Library is the main library o centre of the North Terrace Campus, There

to honours the donation for the library, so n

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02

Shadow and Shade

Site, Winter, February, 9AM

Site, Winter, February, 12AM

Site, Winter, February, 3PM

ilestone of late Victorian architecture.

of the University of Adelaide, located in the is a stone near the stair of Library, which is

name it the Barr Smith Library.

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0

Ground View

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03

Arial View

Photographic of Day time

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Ground View, from the outside stair in the Engineering Building.

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Photographic of Night time

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When the light meets the fluid architecture, the luminosity would be fluid too. Zaha Hadid is one of the light master, whose projects are amazing for her magical building shape and the use of light. In her building, light divided into nature light and artificial light. No matter which light gives people a comfortable feeling. One of the reason is that the light converted by the fluid shape. When the sun shine in the exterior of building, the light looks like dancing in the surface, giving people a strong activity rhythm.

But the interior of the building, for example the Museum of XXI Century Arts (Rome, 2009), surpassed the spatial energy of its façade, making the light flows through the building and builds a calm counterpoint to the dynamic lines.

The material is also important that different material reflect different color. The concrete and light give people a strong single and hard sense, the wood and light give people a warm and comfortable sense. In her building, The Guangzhou Opera House (Chian, 2010), she mixed a warm, golden and glossy atmosphere in it. Thousands of light pixels flow in the fluid wooden ceiling, which is not only the visual impact but also the shocking of spirit.

Meanwhile the light could divide the space and spark the volume. In her Port House (Antwerp, 2016) introduces a fragmented interpretation of a floating glass volume. Thousands of facets on the building reflect a light in different angle, rendering the boring space to a magical world.

Besides, her diffuse illumination created a soft atmosphere, where the energy of the space stems from the fluid forms.

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In astronomy, Luminosity is the total amount of energy emitted by a star, galaxy, or

other astronomical object per unit time. It is related to the brightness, which is the luminosity of an object in a given spectral region. In photometry, “Luminosity” is the density of the Luminous intensity in the specified direction.

A thing is either light and luminosity in its own reality or is not light and luminosity in its own reality. The meanings of ‘light’ and ‘luminosity’ are the same here. Light is divided into light that is a state of something else (the accidental light) and light that is not a state of something else (the incorporeal or pure light). That which is not light in its own reality is divided into that which is independent of a locus (the dusky substance) and that which is a state of something else (the dark state). The light is something that people can see, but the luminosity is something that people can feel.

When people say the light is shining, that the term shining describe the luminosity.

So, luminosity is a feeling which is related to the medium or maybe the shape.

In condition, luminosity related to light more important is the medium. The property of medium decides the feeling of the luminosity, the shape, the marital, the diffuse, the reflection.

Reference http://architectureau.com/articles/2013-national-architecture-awards-public-7/ http://www.designinc.com.au/projects/university-adelaide-ingkarni-wardli-building-formerly-innova21 http://www.abc.net.au/news/2013-07-05/adelaide-university-opens-new-research-and-lecture-building-the-/4801650 http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe6be58ecec9a6000074-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfdf4e58eceef0900010d-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe4be58ecec9a6000072-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe59e58ecec9a6000073-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe1ce58ecec9a6000070-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo

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GROUND VIEW DESIGN ONE

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INTERNAL VIEW 1

INTERNAL VIEW 2

DESIGN ONE

DESIGN ONE

ONE

DESIGN

AERIAL VIEW DESIGN ONE

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0m -3m

300 SQM UNERGROUND

TRANSFER TO PENTAGON

SECTION 1:100 DESIGN ONE

0

SKYLIGHT

ENTRANCE (RAMP)

GLASS ROOF

SPATIAL DIAGRAMS DESIGN ONE

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1m

2m

GLASS ROOF ENTRANCE

RAMP

(DISABLE ACCESS)

SEMINAR ROOM SEMINAR ROOM PRESENTATION SPACE SMALL LIBRARY

3 TOILETS PLAN 1:200 DESIGN ONE

0

2m

4m

READING/RELAXING SPACE STORAGE SPACE

RECEPTION AREA

AXONOMETRIC DIAGRAM DESIGN ONE

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INTERNAL VIEW 2 DESIGN TWO

INTERNAL VIEW 2 DESIGN TWO

DESIGN

AERIAL VIEW DESIGN TWO

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TWO

GROUND VIEW DESIGN TWO

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0m -3m

300 SQM UNDERGROUND

TRANSFER TO OVAL

SEPERATED IN RANDOM

SECTION 1:100 DESIGN TWO

0

1m

2m

PRECEDENT VIA 57 WEST BY BIG

SKYLIGHT

SPATIAL DIAGRAMS DESIGN TWO

ENTRANCE (RAMP) FILLET THE CURVE

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ROOF

ENTRANCE RAMP (DISABLE

3 TOILETS

PLAN 1:200 DESIGN TWO

PRESENTATION SPACE 0

2m

STORAGE SPACE

4m

SEMINAR ROOM

READING/RELAXING SPACE RECEPTION AREA

SMALL LIBRARY SEMINAR ROOM

VIA 57 West is a hybrid between the European perimeter block and a traditional Manhattan high-rise.

The shape transferred from a box to a quadrilateral. Placing a hole in the mid of the building, in this case ,the resident could enjoy the sunshine. Besides, the architects open a lot of different size skylight in the roof, which not only make the building more beautiful, but also lead the sunshine come into inside space.

What is more important, the orientation of the building, the roof facing the eastern way. So make the best use of the light.

AXONOMETRI DIAGRAM DESIGN TWO

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O n the other hand, the curves of the glass operates

the building as a magical eyecatcher. With a blue or diffuse sky the distinctive curves reflect the light as bright lines, similar to the horizontal lines seen in the designs of the automotive industry. Under direct sunlight, bright glossy points appear and evoke a jewel-like shimmer. Additionally, the vertical and horizontal convex curves of numerous single glass elements reinforce the shiny distorted reflections of the sky. Overall the curved façade with its printed dot screens evokes a vivid and liquid image, which expresses a close link to the water around.

Other good example of the reflection is the Guggenheim Museum Bilbao by Frank Gehry in 1997. The American architect transferred such aesthetic of brilliance from glass to metal with the titanium cladding.

With a abstract shape, the architect use metal rather than glass to make a mystical feeling, besides, the titanium sheets have a poor ability of reflection, which make the building as a whole and make people focus on the shape rather than the others. However, with the sparkling light qualities of the titanium sheets and its changing appearance, Frank Gehry has not only brought a dynamic composition of forms to Bilbao but reinforced his design with a distinctive, dynamic image which varies with every cloud and sunbeam.

In contrast to the shimmering disc dress at Birmingham, the stretched metal gesture at Messe Basel New Hall by Herzog & de Meuron introduces a linear interpretation of light reflections. The two different way to twist bands of aluminium give brightness to the building in contrast feeling. Besides, the dark perforation and area could hide the internal view perfectly. When oriented towards the sky, the surface gives brightness to the building which is set in stark contrast to the dark perforations and areas where the bands leans toward the ground.

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Reflection is the throwing back by a body or surface of light, heat, or sound without absorbing it. Sometimes, it is an often obscure of indirect criticism. Besides, Reflection is the change in direction of a wavefront at an interface between two different media so that the wavefront returns into the medium from which it originated.

The philosophical reflection is a little hard to define. It could be colourful or black, which is up to the media and the light. When the reflection meets water, it could be silvery. When the reflection meets metal, it could be shining. When the reflection meets glass, it could show what the glass could see on the surface of the glass. That is amazing things, so the definition of the philosophical reflection is defined by what it meets.

There is no doubt that the glass is really a special material, whose property is up to the surrounding and the light, especially the reflection. The Elbphilharmonie in Hamburg by Herzog and de Meuron show the best possibility of the glass and light. The glass faรงade at the building shows the perception of the city, water and sky. Besides, the glass is not every single straight one, it is the curved glass elements. So that the scene at the glass is a little abstract than reality, which fit the concept the building, contrast.

Reference http://www.big.dk/#projects-w57 http://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture/57f94b2ae58ece3e7b000257-veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture-photo http://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture/57f94af2e58ece3e7b000255-veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture-photo http://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture/57f94b78e58ece3e7b000259-veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture-photo http://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture/57f94ae9e58ece6dad00010f-veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe59e58ecec9a6000073-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid/58dbfe1ce58ecec9a6000070-fluid-luminosity-the-architectural-lighting-of-zaha-hadid-photo

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