Design Thesis by Ziyi

ST KILDA

y r o m e

MUSEUM OF CONTEMPORARY ART

M

8102

ZIYI

LIU

Introduction 2018 St Kilda Channel Surfing 5

6 St Kilda Channel Surfing 2018 Introduction

Introduction 2018 St Kilda Channel Surfing 7

00/Introduction

8 St Kilda Channel Surfing 2018 Introduction

Project Brief

Introduction 2018 St Kilda Channel Surfing 9

10 St Kilda Channel Surfing 2018 Introduction

Site Location

Introduction 2018 St Kilda Channel Surfing 11

Melbourne CBD

ALBERT PARK

St Kilda Triangle PIER

12 St Kilda Channel Surfing 2018 Introduction

Baroque Culture Existing built forms on site suggest inlfuences by baroque and popular culture. The overscale and sparkling supergraphics create strong visual effects.

Introduction 2018 St Kilda Channel Surfing 13

14 St Kilda Channel Surfing 2018 Introduction

Domes on the site Different types of dome were found on the site. The mixture of classic dome and oriental onion dome creates a sense of amusement. It emphasizes the importance of entertainment at St Klida.

Introduction 2018 St Kilda Channel Surfing 15

16 St Kilda Channel Surfing 2018 Introduction

Introduction 2018 St Kilda Channel Surfing 17

01/Design Statement

18 St Kilda Channel Surfing 2018 Introduction

Gallery Precedents

Introduction 2018 St Kilda Channel Surfing 19

20 St Kilda Channel Surfing 2018 Design Statement

1905 National Gallery London Antique

Jewish Museum, Berlin, Libeskind

Design Statement 2018 St Kilda Channel Surfing 21

1

1

Continued Sequence Typical Gallery spatial order allows user to visit individual gallery spaces one by one without making any choices.

It is good that users will have a chance to see everything in the exhibition in the most efficient way.

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Guggenheim Museum New York, Frank Lloyd Wright

Design Statement 2018 St Kilda Channel Surfing 23

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3 Discontinued Sequence

It is a trending spatial organisation method recently.

4 It maintains the simplicity of the visiting routine. However, it requires the visitors to get in and out from exhibition 5rooms. This eliminates the requirement of the relevance of each room. It also provides breaks for visitors.

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2

24 St Kilda Channel Surfing 2018 Design Statement

Bad Thoughts Amsterdam,2014, So-il

Design Statement 2018 St Kilda Channel Surfing 25

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3 Space Field

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4

The rooms in the gallery are not in any particular order.

People 4 need to make choices at almost every opening. They could see a glimpse of the following rooms.

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26 St Kilda Channel Surfing 2018 Design Statement

21st Century Museum of Contemporary Art, Kanazawa, Kazuyo Sejima, Ryue Nishizawa

Design Statement 2018 St Kilda Channel Surfing 27

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3

Disconnected Space Field The rooms are independed in the 4 space. People will need to exit each room before they enter another. There is no specific entrance or exit. Such type5of space allows users to generate distinct experience for every visit.

However, it may be confusing for tourists.

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2

28 St Kilda Channel Surfing 2018 Design Statement

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Traditional Gallery One Way Rountine Order is important

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Design Statement 2018 St Kilda Channel Surfing 29

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Modern Gallery Free Rountine No Hierarchy/ Order

Gallery Spatial Order

30 St Kilda Channel Surfing 2018 Design Statement

Concept Development

Design Statement 2018 St Kilda Channel Surfing 31

32 St Kilda Channel Surfing 2018 Design Statement

1910 Sea Baths 1912 Luna Park 1927 Palais Theatre

Historical Influence St Kilda in the 1920s has defined itself through the erection of a pleasure land which was full filled with entertainment. The Palais Theatre and Luna Park symbolized the vibrancy of the site.

Memories of St Kilda was captured at those moments.

It prompts me to question:

Design Statement 2018 St Kilda Channel Surfing 33

What are moments What arethe the moments define St in the thatthat define StKilda Kilda in the Modern Age? Modern Age?

How wouldour our future How would future generation remember St Kilda generation remember St Kilda? in the 21st Century?

34 St Kilda Channel Surfing 2018 Design Statement

Memory vs. Reality Peter Zumthor described architectural spaces with his senses. It was evident that people’s memories are shaped by their knowledge and senses. Interestingly, memories are often not exactly the same as the reality. One remembers moments instead of an entire space experience. In this case, our memories are those key moments together with own imaginations.

Design Statement 2018 St Kilda Channel Surfing 35

People’s memory can be deconstructed into moments or serials of scenes. Creating memories will be compositing those moments and create gaps to allow imaginations.

36 St Kilda Channel Surfing 2018 Design Statement

Fragmentation and Chaotic Learning from the modern gallery spatial organization, I have realized that fragmented spaces with least rule or order coordinate better with modern metropolitan lives.

St Kilda triangle should be a place of joy and freedom.

Design Statement 2018 St Kilda Channel Surfing 37

The design approach of galleries can be applied to the entire site. Individual built forms will not have direct connections between one and other, but it will create attractions between the spaces to encourage people to navigate.

38 St Kilda Channel Surfing 2018 Design Statement

Past and Future The project aims to recap the iconic scenes and redefine the local culture through the architectural space. It will maintain and strengthen the locality and inter-relationships of landmarks in the context. Without disturbing the site culture, it will build on the entertainment features of St Kilda through its spatial quality and formation process. The project will represent the featured elements on site into a playful approach to create delight memories.

The featured elements include:

the classical architectural language of dome or arches, the astonishing view of Esplanade, the amusing fluctuation of the Luna Park roller coaster and the culture of bathing.

Design Statement 2018 St Kilda Channel Surfing 39

Dome and Baroque Interior spaces of the project will be formed a dome system and the spaces will be reflected on the building faรงade according to their functions. The system maximizes the benefit of panorama effect of exhibition spaces and creates dynamic interior rooftop for public spaces.

View Built forms create pathways for permeability as well as providing visual focus to frame the views towards the beach, the Palais, Luna Park and the Pier.

Roller Coaster The exaggerated roof variation will stimulate the three dimensional movement of the roller coaster. This allows more people to enjoy the entertainment of movement in space.

Bathing The easy access hot pool provides a similar experience of bathing in the sea. In this case, the leisure will not be affected by weather conditions.

40 St Kilda Channel Surfing 2018 Design Statement

Digital Art In ‘Culture of Congestion’, Rem Koolhaas attacks the problem of pleasure with same technological means without the seriousness.

The gallery spaces should be promoting contemporary digital art in addition to traditional physical artworks. ACMI and Digital Gallery provides wide space which allows isolated VR experience or AR display. Such spaces could be customized to fit different scales and format of exhibitions.

It then brings in new art forms to keep activating the site.

Design Statement 2018 St Kilda Channel Surfing 41

The project converts conventional elements of the original site to a land of amusement which is an extension of the memorable St Kilda features.

The site allows a highly free circulation which allows people to determine their own experience and generate individual memory of the site. While building a unique experience of the gallery spaces, people will rethink about architectural entertainment from a contemporary perspective. It will turn the dull carpark into a vigorous and energetic communal space.

The memory of St Kilda in 21st Century will be formed by the new interpretation of the existing site features. The new spaces incorporate a group form which allows people to select their preferred elements to create a customized memory by their self-determined visiting routines.

42 St Kilda Channel Surfing 2018 Design Development

Design Development 2018 St Kilda Channel Surfing 43

02/Project Development

44 St Kilda Channel Surfing 2018 Design Development

Form Generation

Design Development 2018 St Kilda Channel Surfing 45

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Design Development 2018 St Kilda Channel Surfing 47

48 St Kilda Channel Surfing 2018 Design Development

Dome space system Basic composition The domes fit in to the column grid, overlapping two different sizes dome without disrupting the columns.

Connected composition The domes touches the edge of a conventional column, four intersecting domes form connected spaces.

Open composition Open space may remove every second column of the structure, the dome uses the second column as space center which creates more fluent space.

Interior Strategy

Design Development 2018 St Kilda Channel Surfing 49

50 St Kilda Channel Surfing 2018 Design Development

Design Development 2018 St Kilda Channel Surfing 51

52 St Kilda Channel Surfing 2018 Design Development

Light Penetration Strategy Cut surface according to the connectivity diagram to form the rooftop geometry.

Identify area to allow sunlight. Space do not need light will be cut.

Genrate ceilling holes according to the level of neccesity of naturallight.

Facade Strategy

Design Development 2018 St Kilda Channel Surfing 53

Penetrations are different in sizes and directions

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Design Development 2018 St Kilda Channel Surfing 55

56 St Kilda Channel Surfing 2018 Design Development

Exterior Dome

Each dome on the site maximize the ultility of the interior function.They could bring in indirect sunlight for space that requires natural light. They also provide projection surface for exhibitions.

Space Interation

At the back of the palais, the multi-level building is providing a mix use space. It integrates library, exhibiton, gallery, art and craft workshop in a continuous space.

View Preservation

The building will provide maximized sea view without block 80% of the esplanade view.

Design Development 2018 St Kilda Channel Surfing 57

Light Light Screen

Light

Screen

Light Screen

LEE IS LLLEE U S UR CU IIISS H RER LTU E O UU R OS EEEVHHHO O UUU ICCT LLTLTT SSS E PPIPICT UUURRER A

ALLITT IW IRY E PI TA TE IEE VVVIIE WWW TALLIIT YYYC C E R N E RA T N E CCR ERT R AFA ENNTTTEEERR RA A T IN FFTF TTT N TT AAIIA MEM ENNTT M NNIM EENN TT

AA A RR A R R TTTT

Office

LLE IS UU IIS LEE RR EEEHHH OOSSPITCCUCULUTLU S U RE R LTTU A VV IE YURREE TALLIT I WOSPPIIT

Hot Po ol

Spa

Acmi

Film Theatr e

afe VIE EW Craft w WGaming CenALIITTYYCC ECE orkshop RR N TT AA E FFF ter R C EN TT T E R N A TERRT A I N A A M rt I T Gallery TAIN E N Li T NM E b ra MEN NTT ry

AA ARR RTT T

HPo Hot Hot oPo tolPoloolOffOicffOeicffeice SpSapSapa

Acm Acm Aicm i

Caf Caf Caefe e

i

Tea ThTh htretr ea eae tre Ginam Gam Gam ginin g Cg Cen en Cte ete r r nrte

Cra CraCftra ftwor ft or w wksoksrhkhop sop ho

Lib LibLira b ra ryra ry

Aral ArtAG rt t le G Galery al llry ery

ry

p

58 St Kilda Channel Surfing 2018 Design Development

Design Development 2018 St Kilda Channel Surfing 59

60 St Kilda Channel Surfing 2018 Gallery of Memories

Gallery of Memories 2018 St Kilda Channel Surfing 61

03/Gallery of Memory

62 St Kilda Channel Surfing 2018 Gallery of Memories

Gallery of Memories 2018 St Kilda Channel Surfing 63

64 St Kilda Channel Surfing 2018 Gallery of Memories

15 17

14

21

13 18 16 12

13

6 9

5

11

Ground Floor Plan

N 0

10

20 30

40m

Gallery of Memories 2018 St Kilda Channel Surfing 65

20

Second Floor Plan

N 0

1 Carpark Entry 2 Storage 3 Gallery Storage 4 Service 5 Gallery/ Permanent 6 Gallery/ Temporary 7 Library 8 Visitor Center 9 Restaurant 10 Kitchen 11 Gift Shop 12 Film/Cinema 13 ACMI 14 Spa 15 Hotpool 16 Gaming Center 17 Office 18 Cafe 19 Workshop 20 Study/ Lounge 21 Water Pool/ Amphitheatre

10

20 30

40m

19 18

First Floor Plan

N 0

10

20 30

40m

66 St Kilda Channel Surfing 2018 Gallery of Memories

Basement Carpark Floor Plan

N 0

10

20 30

40m

Gallery of Memories 2018 St Kilda Channel Surfing 67

Art Gallery

Digital Gallery

ACMI Game Center

Theatre

Workshop

Library Office

Restaurant

Spa/Baths

Function Access

The diversity of the functions allows the site to be activated at different times in a day.

68 St Kilda Channel Surfing 2018 Gallery of Memories

Section C-C 0

1 B

2

3

4

m

A

B A C

B

Section Key Plan

Gallery of Memories 2018 St Kilda Channel Surfing 69

Section A-A 0 10 20 30 40 m

Section B-B 0 10 20 30 40 m

70 St Kilda Channel Surfing 2018 Gallery of Memories

Gallery of Memories 2018 St Kilda Channel Surfing 71

72 St Kilda Channel Surfing 2018 Gallery of Memories

Gallery of Memories 2018 St Kilda Channel Surfing 73

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Gallery of Memories 2018 St Kilda Channel Surfing 75

76 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 77

04/Appendix

78 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 79

a. Site Survery COLOR SIGN RULE TEXTURE SKYLINE OUT MATERIAL SOUNDSCAPE

80 St Kilda Channel Surfing 2018 Appendix

COL

RULE

SKY

MAT

WIND

SEA BREEZE

DOG BARKING

CAR

PEDESTRIAN LIGHT

DOOR CLOSING

SND

Appendix 2018 St Kilda Channel Surfing 81

SGN

TEX

OUT

MAT

CHILDREN

SCREAMING

WAVE

TRAM

CHATTING

PEDESTRIAN

LEAVES

BICYCLE

CAR

SND

82 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 83

b. Precedent Techniques Study Distortion Folding Positive and Negative Supergraphic Blur

84 St Kilda Channel Surfing 2018 Appendix

Dancing House

by Frank Gehry

The distorted cylinda glass house demonstrates the wildness of the built form. The joint connections are well designed to allow the glass panels to form curvatures. It demonstrated the advancement in technology in the 1990s. It remains some elements from the surround buildings, but it stands out because of the distortion.

Brisbane Airport Kinetic Parking Garage Faรงade

by Ned Kahn and UAP

The facade is distorted to mimic the effect of wind breeze. The creases of the facade capture a moment of the movement. The building skin stirs a sense of dynamicity with a still form.

Distortion Built form can be developed from a common geometry to something unusual. Instead of randomly change the geometires, such design approach allows architecture to emphasise its visual effects or to improve its function and programme.

Appendix 2018 St Kilda Channel Surfing 85

Central Station Arnhelm

by UNStudio

The folds are implemented to weaken the boundaries between walls. floors and ceilings.

They create more interesting interalationships between different programme.

The Wave Vejle

In

by Rem Koolhaas

A continuous surface is created by the folds.

Folding the roof suddenly forms a volume without building walls. It also preserves the views from the context partially. The residents are allowed to enjoy better views and natural light in this case comparing to a slab built form at the waterfront.

Folding Volumetric space can be created when folding a sheet material. It creates richful vertical interactions with reduced amount of surfaces. Folding adds complexity to the built form compare to a single box. Folds can be rigid or curved to illustrate different atmosphere of space.

86 St Kilda Channel Surfing 2018 Appendix

Très Grande Bibliothèque

by OMA (Rem Koolhaas)

The negative space of the built form emphasises the role of voids. It create connections between different programme as they share the void space.

Sydney House

Opera

by Jorn Utzon The architecture is formed by cut outs of a sphere. It created the well designed curvature of the built form.

Positive and Negative The positive and negative spaces result in rational space and geometries. It emphasizes on the space relationships, especially between occupied and void spaces.

Appendix 2018 St Kilda Channel Surfing 87

Munich East Railway Station

by MVRDV

The building introduces a sense of amusement through the neon lights and colour contrast.

It creates astonishing visual imacts.

Marina Bay Sands

by Moshe Safdie

The architecture stands out from its context. The gesture of the form create an iconic image of city.

Supergraphic Supergraphic is often associated with visual impacts. It brings attention to the built form. It can also be seen as a collaboration of architecture and other art forms. The use of color and geometry will be drawing people’s attension.

88 St Kilda Channel Surfing 2018 Appendix

Sunny Hills

by Kengo Kuma

The interlocking timber sticks adds depth to the architectural skin.

The boundary of exterior and interior is blurred to create a transitional experience.

Serpentine Pavilion

by Sou Fujimoto

The installation space is defined by the frame on horizontal and vertical planes. The density of the frame demonstate the dominated space by the architecture.

Blur The blur adds softness to architecture. It is more likely to be generated by a thick envelope in order to introduce the blurred effect. It often allow people to see and experience a transition from void space to solid space.

Appendix 2018 St Kilda Channel Surfing 89

90 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 91

c. Design Technqiue Exploration Distortion Folding Positive and Negative Supergraphic Blur

92 St Kilda Channel Surfing 2018 Appendix

Postive & Negative

Illusion

Anamorphy

Distortion

Fragmentation

Distortion

Appendix 2018 St Kilda Channel Surfing 93

Distortion

Folding

Folding

Fragmentation

Supergraphic

Scale

94 St Kilda Channel Surfing 2018 Appendix

Illustion

Anamorphy

Folding

Blur

Postivie & Negative

Supergrahpic

Appendix 2018 St Kilda Channel Surfing 95

96 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 97

D. Urban Massing Iterations

Building as Landscape Courtyard Abstract Object Objects on a plane Collages Diagram of functions

98 St Kilda Channel Surfing 2018 Appendix

01 Building as landscape + Abstract Object

Appendix 2018 St Kilda Channel Surfing 99

03 Diagram of functions + Abstract Objects

100 St Kilda Channel Surfing 2018 Appendix

04 Building as landscape + Courtyard

Appendix 2018 St Kilda Channel Surfing 101

05 Diagram of functions + Landscape

102 St Kilda Channel Surfing 2018 Appendix

06 Courtyard + Abstract Objects

Appendix 2018 St Kilda Channel Surfing 103

07 Building as Landscape + Courtyard

104 St Kilda Channel Surfing 2018 Appendix

08 Diagram of functions + Abstract Objects

Appendix 2018 St Kilda Channel Surfing 105

09 Diagram of functions + Abstract Objects

106 St Kilda Channel Surfing 2018 Appendix

10 Courtyard + Abstract Objects

Appendix 2018 St Kilda Channel Surfing 107

11 Building as landscape + Courtyard

108 St Kilda Channel Surfing 2018 Appendix

12 Diagram of functions + Abstract Objects

Appendix 2018 St Kilda Channel Surfing 109

13 Building as landscape + Abstract Objects

110 St Kilda Channel Surfing 2018 Appendix

14 Landscape + Courtyard

Appendix 2018 St Kilda Channel Surfing 111

15 Collage + Courtyard

112 St Kilda Channel Surfing 2018 Appendix

16 Building as Landscape + Abstract Object

Appendix 2018 St Kilda Channel Surfing 113

17 Landscape + Courtyard

114 St Kilda Channel Surfing 2018 Appendix

18 Landscape + Courtyard

Appendix 2018 St Kilda Channel Surfing 115

19 Landscape + Courtyard

116 St Kilda Channel Surfing 2018 Appendix

20 Landscape + Courtyard

Appendix 2018 St Kilda Channel Surfing 117

Feasibility Study

118 St Kilda Channel Surfing 2018 Appendix

900 sqm

900 sqm

200 sqm

200 sqm Plaza 500 sqm

Seats

Pool

Plaza 500 sqm

760 sqm

Seats 180 sqm Pool

100 sqm

300 sqm

Seats 85 sqm

380 sqm

520 sqm

380 sqm

520 sqm

Project 1 Floor Area

Appendix 2018 St Kilda Channel Surfing 119

Project 1 Render

120 St Kilda Channel Surfing 2018 Appendix

220 sqm 270 sqm

Seats

Seats Plaza 200 sqm

420 sqm

280 sqm

Seats Seats

190 sqm

1300 sqm

860 sqm

Project 2 Floor Area

Appendix 2018 St Kilda Channel Surfing 121

Project 2 Render

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65 sqm

28 sqm

62 sqm

3000 sqm

2000 sqm

1750 sqm

Project 3 Floor Area

Appendix 2018 St Kilda Channel Surfing 123

Project 3 Render

124 St Kilda Channel Surfing 2018 Appendix

220 sqm

3200 sqm 350 sqm

200 sqm

600 sqm

1000 sqm

Project 4 Floor Area

Appendix 2018 St Kilda Channel Surfing 125

Project 4 Render

126 St Kilda Channel Surfing 2018 Appendix

Development 1

Appendix 2018 St Kilda Channel Surfing 127

Development 2

128 St Kilda Channel Surfing 2018 Appendix

Development 3

Appendix 2018 St Kilda Channel Surfing 129

Development 4

130 St Kilda Channel Surfing 2018 Appendix

Development 5

Appendix 2018 St Kilda Channel Surfing 131

Development 6

132 St Kilda Channel Surfing 2018 Appendix

Development 7

Appendix 2018 St Kilda Channel Surfing 133

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Appendix 2018 St Kilda Channel Surfing 135

E. Early Proposals

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Appendix 2018 St Kilda Channel Surfing 137

Design Proposal 1

138 St Kilda Channel Surfing 2018 Appendix

Design Agenda 1

In this proposal, the design aims to prompt people to be aware of their sensations. It articulates the possibilities of having new perceptions of St Kilda. Both interior and exterior spaces are designed to decode sound and visual factors of ones’ memory.

Recompositing sound and visual factors from different existing landmarks may reshape one’s prejudice impression of St Kilda.

Architecture is capable of shaping one’s perception of a historical valued site. It emphasizes on the legacy of entertainment and film history while providing a new definition of the site.

Appendix 2018 BreezeSt Kilda Channel Surfing 139 Cars Trams

Jogging

Dogs Barking

Traffic

Esplanade

Market

Chatting

Laughter Palais

Beach Chatting

Sea

Plaza

Laughter

Nature

Luna Park

Breeze Entertainment

Breeze

Screaming Waves

Equipment Chatting

Location

Sources

Breeze Cars Trams

Jogging

Dogs Barking

Esplanade

Market

Chatting

Laughter Palais

Beach Chatting

Sea

Laughter Luna Park

Breeze Screaming

Breeze

Waves Equipment Chatting

Wave Analysis

140 St Kilda Channel Surfing 2018 Appendix

Sound Sources

Identification of sound sources.

Esplanade Palais Sea Entertainment

Spatial Experience

Set points to allow different sound experience with a similar view.

Function Allocation

Generate feasible sapce to accommendate relevant function.

Esplanade Palais Sea Entertainment

Appendix 2018 St Kilda Channel Surfing 141

Spatial Connection Create connections between space.

View Ajustment

Set Heights according to the better view opportunities while maintaining development values.

Site Circulation

Creating Site circulation with a comple vertical interaction of ramps.

It also allows more permeable circulation from the Esplanade to the beach

142 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 143

SEA

GARDEN

VIEW LUNA PARK NOISE OPEN HORIZON

SCREAMING

BREEZE SUN

W

OSED ENCL

DIM

VIE AURAINN G RESTFINE DIN

T QUIE

O SI EN

T EX N

HI

CL

E

PL

AT F

PI

VIE

CL V A P O I

ER

OR

H AC

BE

ND SC

T

VE

LA

W

EWE

CK

M

TRAM

DO M

E

GARDEN

BR

T ERN AR T CTIO A LE WREF EE

ZE

BR

ID

GE

E

COMMUNAL

VIEW

LANDSCAP

CIRCULATION

FINEARTDESIGN

PUBLIC

ERY GALL QUIET FILM

C TE

EN

RT AI N K

MI AC

AR D

AL SU

VI

W NE Y

OG OL

HN

TE

V

M

VE

TI EA

LOVAT TAINN GI DI

CR

IR RE TUALEN ALIT T Y SOU ND

N IO

CA VI

FILM ACCOUSTIC

FE

THEATRE INTIMATE

EW

DARK

VISUAL

ART

ARY

TEMPOR

SENSTA TION

GALLERY OFFICE

COMMERCIAL

WORK SHOPS CRAFT HUB

ART

MAKING HYBRID MARKET

144 St Kilda Channel Surfing 2018 Appendix

14

11

Roof Top Plan 12 13

1

First Floor Plan 8 9

Ground Floor Plan

10

7

2 6

3

5

1 2 3 4 5 6 7 8 9 10 11 12 13

WORKSHOP/OFFICE CAR PARK ENTRANCE STORAGE STORAGE GALLERY TEMPORARY EXHIBITION CAFE ACMI ENTERTAINMENT THEATRE EXHIBITION DOME INTERACTIVE INSTALLATION DOME ROOF TOP GARDEN

4

1

Basement Floor Plan

Lower Ground Floor Plan

Appendix 2018 St Kilda Channel Surfing 145

Section A-A

Section B-B

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Appendix 2018 St Kilda Channel Surfing 147

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Appendix 2018 St Kilda Channel Surfing 149

Design Proposal 2

150 St Kilda Channel Surfing 2018 Appendix

Design Agenda 2 In this proposal, the design aims to exaggerate the culture of entertainment of St Kilda. It intended to recall the energy and amusement at the Triangle.

The architecture will provide new perception of St Kilda. The visual permeability will be maintained. The project will be framing views towards the iconic landmarks in the context. The physical connectivities will also be improved to create a more complex inter-relationships between elements in the context.

Architecture is capable of improving user experiences. Allowing users to see attractions and activities will result in a more energetic environment. It will allow people to recall the fun and joy at St Kilda Triangle.

Appendix 2018 St Kilda Channel Surfing 151

152 St Kilda Channel Surfing 2018 Appendix

Attractions

Palais

Places that attracts pedestrians.

Horizon

Transport Circulation

Access by cars, trams and other vehicles.

Pedestrain Crosses

Points where are designed for pedestrains to cross the roads.

Roller Coaster

Appendix 2018 St Kilda Channel Surfing 153

Form Segmentation Segmentation of foot prints according to new circulation pattern.

Connectivity

Ramp connections to increase connectivity on site and with the context.

Architecture as Landscape

Alternate ramp heights to connect the ground and roof top. Create continuous movement accross different floors.

154 St Kilda Channel Surfing 2018 Appendix

Entertainment Overscale Exaggeration Mood Changing

Visual Impact

Appendix 2018 St Kilda Channel Surfing 155

156 St Kilda Channel Surfing 2018 Appendix

VIEW TOWARDS PALAIS

VIEW COLLAGE

Appendix 2018 St Kilda Channel Surfing 157

BEACH VIEW

VIEW FRAME

158 St Kilda Channel Surfing 2018 Appendix

INSTRUMENT

STAGE

PERFORMANCE DANCING FLOOR

MUSICAL

CLUB VIEW BAR

D

ATTESIGND RAC ISPLAY TIO N

First Floor Plan

HOSPITALITY

CAFE

DINING

Ground Floor Plan

FU

LEISURE

VIEW SOCIAL

NP L

TI AY ME S

ENCHILDRE TE N SP RT A REL A AI NM AXDAUTION EN LTS DIG TIAL T NEW HO TP O

OL

S

FIC E VIC E

SER

CT

RA TE

OG OL

IN

MA RKE T

NS

OF

TIO VA

N CH

NO

IN

TE

ACMI

E

IV

Y EXHIBITION

FINE

RE

ART RN

CU

DE

MO

Lower Ground Floor Plan

TU

DESIGN

Appendix 2018 St Kilda Channel Surfing 159

First Floor Plan

18

14

13

15

16

17

Ground Floor Plan

B

A

1 2 3 4 7

5

6 1 SPA CENTER 2 HOTPOOL 3 GAMING CENTER 4 OFFCIE 5 RESTAURANT 6 DESIGNER MARKET 7 ACMI 8 ART GALLERY 9 CARPARK ENTRANCE 10 CARPARK EXIT 11 LOWER LEVEL 12 STORAGE 13 EXHIBITION CENTER 14 URBAN PLAZA 15 ROOF TOP THEATRE 16 CAFE 17 OUTDOOR DINING 18 PERFORMANCE STAGE

A 9

Lower Ground Floor Plan

8

10 11

Basement Floor 1 Plan

12

B

160 St Kilda Channel Surfing 2018 Appendix

Section A-A

Section B-B

Appendix 2018 St Kilda Channel Surfing 161

162 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 163

164 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 165

F. Interim Proposal

166 St Kilda Channel Surfing 2018 Appendix

Development stagnation of St Kilda is urging new energy. It plays an important role in Melbournians’ memory. However, the place seems to be unchanged for few decades. What kind of memories could define our modern world of 21st Century? Everyone may have their own interpretations. The project aims to recap the iconic scenes and redefine the local culture through the architectural space.

It will maintain and strengthen the locality and inter-relationships of landmarks in the context.

Without disturbing the site culture, it will build on the entertainment features of St Kilda through its spatial quality and formation process.

The site is identified as a place full of entertainment.

The multifunctional architecture intends to emphasize on the feature of St Kilda. How could architecture space be generated in a more playful manner? The new gallery could use an artistic and mischevious approach to articulate the spaces. While building a unique experience of the gallery spaces, people will rethink about architectural entertainment from a contemporary perspective. It will turn the dull carpark into a vigorous and energetic communal space.

Appendix 2018 St Kilda Channel Surfing 167

Attractions

Palais

Places that attracts pedestrians.

Horizon

Transport Circulation

Access by cars, trams and other vehicles.

Pedestrain Crosses

Points where are designed for pedestrains to cross the roads.

Roller Coaster

168 St Kilda Channel Surfing 2018 Appendix

View

Identify key view towards the horizon, Stokehouse, Pier and gardens.

Walkability

Cut out pathways to allow users to walk through the site.

Insert Domes

Use domes as influential factors to manipulate site contours.

Appendix 2018 St Kilda Channel Surfing 169

Pier

Permeability

Identify key desitination in the context. Create roof top or ground pavement accordingly.

Flow

Create flow of circulation that contiuous vertically.

Esplanade Palais Lunar Park

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170 St Kilda Channel Surfing 2018 Appendix

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Appendix 2018 St Kilda Channel Surfing 171

4

3

1

2

Basement Floor Plan N

0 10 20 30 40m

2

172 St Kilda Channel Surfing 2018 Appendix

15 17

14

13

10 18 16 13

12

10 9

6

5 11 7

8

Ground Floor Plan N

0 10 20 30 40m

Appendix 2018 St Kilda Channel Surfing 173

19 19

1st Floor Plan N

0 10 20 30 40m

18

174 St Kilda Channel Surfing 2018 Appendix

21

21

20

2nd Floor Plan N

0 10 20 30 40m

Appendix 2018 St Kilda Channel Surfing 175

176 St Kilda Channel Surfing 2018 Appendix

Appendix 2018 St Kilda Channel Surfing 177

178 St Kilda Channel Surfing 2018 Bibliography

Bibliography 2018 St Kilda Channel Surfing 179

05/Bibliography

180 St Kilda Channel Surfing 2018 Bibliography

Museum of Image and Sound Diller Scofidio + Renfro

Philips Pavilion – by Le Corbusier and Iannis Xenakis

The Broad - Diller Scofidio + Renfro

Field Chapel Peter Zumthor

21 Century Art Museum - SANAA

Cloud by Diller Scofidio + Renfro

Bibliography 2018 St Kilda Channel Surfing 181

Stan Allen, 1997, Field Conditions Juhani Pallasmaa, 2005, The Eyes of the Skin: Architecture and the Senses, John Wiley and Sons Peter Zumthor, 2010, Thinking Architecture, Birkhäuser Basel Jessie Turbull, 2012, Toyo Ito: Forces of Nature, Chronicle Books Kengo Kuma, 2008, Anti-object: The Dissolution and Disintegration of Architecture Maki Fumihiko and Kengo Kuma, 1997, Architecture and Transparency: Architecture and Environment in a New Relationship, Space Design (SD) Rem Koolhaas, Bruce Mau et al., 1998, Small, Medium, Large, Extra-large: Office for Metropolitan Architecture, Rem Koolhaas, and Bruce Mau, Monacelli Press Rem Koolhaas, 1977, ‘Life in the Metropolis‘ or ‘The culture of Congestion‘, in Architectural Design,Vol 47, no. 51977 Bartlett, F.C. (1932). Remembering: A Study in Experimental and Social Psychology. Cambridge, England: Cambridge University Press.

Brown, Roger; Kulik, James (1977). “Flashbulb memories”.

Cognition.

Jacques Attali, 2011, Homo Deus: A Brief History of Tomorrow, Skyhorse Publishing Inc.

182 St Kilda Channel Surfing 2018 Bibliography

Bibliography 2018 St Kilda Channel Surfing 183

184 St Kilda Channel Surfing 2018 Bibliography

CHANNELSURFING:

STKILDA

DESIGNTHESIS

TRIANGLEZIYI L I U 2018

Bibliography 2018 St Kilda Channel Surfing 185

186 St Kilda Channel Surfing 2018 Bibliography

Ziyi LIU

CHANNELSURFING:

STKILDA

DESIGNTHESIS

TRIANGLEZIYI L I U 2018