香港帶路城市文化交流會議2017–會議會刊 Hong Kong Belt-Road City-to-City Cultural Exchange 2017-conference booklet

總策畫：榮念曾、胡恩威 Curators: Danny Yung, Mathias Woo 會議日期：2017 年 12 月 9 - 10 日 會議地點：香港文化中心大劇院及劇場 主辦 Organiser:

主題：文化交流及城市品質 Conference date: 9 – 10 December 2017 Conference venue: Grand Theatre and Studio Theatre, Hong Kong Cultural Centre Theme: Cultural Exchange and City Branding 1

總策畫：榮念曾、胡恩威 Curators: Danny Yung, Mathias Woo 會議日期：2017 年 12 月 9 - 10 日 會議地點：香港文化中心大劇院及劇場 主辦 Organiser:

主題：文化交流及城市品質 Conference date: 9 – 10 December 2017 Conference venue: Grand Theatre and Studio Theatre, Hong Kong Cultural Centre Theme: Cultural Exchange and City Branding 1

「香港 _ 帶 _ 路 —— 一帶一路城市文化交流會議 2017」簡介

Introduction of Hong Kong Belt-Road City-to-City Cultural Exchange 2017

「香港 _ 帶 _ 路——一帶一路城市文化交流會

在 1997 年，榮念曾和進念在香港主催了「四

Hong Kong Belt-Road City-to-City Cultural

Crossover is a way to broaden our vision, and it

議 2017」是以「一帶一路」城市為基礎的網絡

城 會 議 」， 上 海、 深 圳、 臺 北、 香 港 四 個 城

Exchange Conference 2017 is a network

gives birth to public space that is inclusive and

會議，目的是促進一帶一路城市的文化藝術交

市，輪流作莊，主題為探討四城之間共同關注

conference focusing on the Belt and Road

interactive.

流與合作，開展未來一帶一路東西多元文化互

的文化議題，包括文化政策、文化組織、文化

cities. Its aim is to promote arts and cultural

動的新模式。

挑戰與教育、經濟、社會、政治、科技、城規

exchanges and collaborations among the

In 1997, Danny Yung and Zuni were the key

的互動關係。通過四城相互比較作出論述，推

respective cities, and to provide an impetus to

drivers in Hong Kong behind the organisation of

動理性知識基礎的評論文化。經過了二十年，

the new paradigm of multicultural interactions

the City-to-City Conference, bringing together

今年四城會議也經歷了二十年的考驗，橫面啟

between the East and the West.

Shanghai, Shenzhen, Taipei and Hong Kong

二十年前，香港回歸中國，大家普遍認為這個 轉變，將會是一次「文化」契機，將會對中華 文化、中外文化、東西文化開

一次重要的論

述；尤其是基本法明文規定香港文化經濟交流

動了「香港 _ 帶 _ 路——一帶一路城市文化交

with each of these four cities taking turns to host Twenty years ago, Hong Kong returned to the

the conference. The themes of the conference

sovereignty of China. This change was generally

have always been placed on the cultural issues

perceived as a "cultural opportunity” that would

commonly shared in the four cities, including

initiate an important discourse on Chinese

cultural policy, cultural organisation, cultural

culture, Chinese and foreign cultures as well as

challenge and their relevance in the domains of

為單位的文化交流策略，催化了跨城市、跨領

Eastern and Western cultures. The Basic Law,

education, economy, society, politics, science

域、跨文化的三跨平台。跨越可以拓展視野，

in particular, has stipulated that Hong Kong

and technology, and urban planning. The aim is

也孕育包容互動的公共空間。

has its own autonomy in cultural and economic

to promote a culture of rational and knowledge-

exchanges. Such a provision empowers Hong

based critiquing by city-to-city comparisons

Kong cultural circles to reflect and assess

through discourse. Having survived two

critically; to enhance the deep structure of

decades of challenges, this year the City-to-

exchange culture; and to promote the strategic

City Conference paves the way to the launch of

operation of cultural exchange. The multi-level

the Hong Kong Belt-Road City-to-City Cultural

interpretations and discussions of “One Country,

Exchange Conference 2017, a continuation from

Two Systems” has brought forth the concept

the concept of World Culture Forum. The next

of Crossover. It has also inspired the city-to-

challenge is to figure out the way to build a non-

city practice in cultural exchange strategy,

governmental think tank network that is organic

and triggered the establishment of a cross-

and far-reaching.

的自主，正好提供香港文化界去思考、評議文 化，並推動交流文化的深層結構與文化交流的 策略營運。一國兩制的多層次演譯和討論，也 引發了「跨越」的概念。同時也

發了以「城市」

流會議 2017」，承接了當年世界文化論壇的概 念。縱面

動的是下一步如何建立有機的、更

深層次的民間網絡智庫之挑戰。

city, cross-sector and cross-culture platform.

2

3

「香港 _ 帶 _ 路 —— 一帶一路城市文化交流會議 2017」簡介

Introduction of Hong Kong Belt-Road City-to-City Cultural Exchange 2017

「香港 _ 帶 _ 路——一帶一路城市文化交流會

在 1997 年，榮念曾和進念在香港主催了「四

Hong Kong Belt-Road City-to-City Cultural

Crossover is a way to broaden our vision, and it

議 2017」是以「一帶一路」城市為基礎的網絡

城 會 議 」， 上 海、 深 圳、 臺 北、 香 港 四 個 城

Exchange Conference 2017 is a network

gives birth to public space that is inclusive and

會議，目的是促進一帶一路城市的文化藝術交

市，輪流作莊，主題為探討四城之間共同關注

conference focusing on the Belt and Road

interactive.

流與合作，開展未來一帶一路東西多元文化互

的文化議題，包括文化政策、文化組織、文化

cities. Its aim is to promote arts and cultural

動的新模式。

挑戰與教育、經濟、社會、政治、科技、城規

exchanges and collaborations among the

In 1997, Danny Yung and Zuni were the key

的互動關係。通過四城相互比較作出論述，推

respective cities, and to provide an impetus to

drivers in Hong Kong behind the organisation of

動理性知識基礎的評論文化。經過了二十年，

the new paradigm of multicultural interactions

the City-to-City Conference, bringing together

今年四城會議也經歷了二十年的考驗，橫面啟

between the East and the West.

Shanghai, Shenzhen, Taipei and Hong Kong

二十年前，香港回歸中國，大家普遍認為這個 轉變，將會是一次「文化」契機，將會對中華 文化、中外文化、東西文化開

一次重要的論

述；尤其是基本法明文規定香港文化經濟交流

動了「香港 _ 帶 _ 路——一帶一路城市文化交

with each of these four cities taking turns to host Twenty years ago, Hong Kong returned to the

the conference. The themes of the conference

sovereignty of China. This change was generally

have always been placed on the cultural issues

perceived as a "cultural opportunity” that would

commonly shared in the four cities, including

initiate an important discourse on Chinese

cultural policy, cultural organisation, cultural

culture, Chinese and foreign cultures as well as

challenge and their relevance in the domains of

為單位的文化交流策略，催化了跨城市、跨領

Eastern and Western cultures. The Basic Law,

education, economy, society, politics, science

域、跨文化的三跨平台。跨越可以拓展視野，

in particular, has stipulated that Hong Kong

and technology, and urban planning. The aim is

也孕育包容互動的公共空間。

has its own autonomy in cultural and economic

to promote a culture of rational and knowledge-

exchanges. Such a provision empowers Hong

based critiquing by city-to-city comparisons

Kong cultural circles to reflect and assess

through discourse. Having survived two

critically; to enhance the deep structure of

decades of challenges, this year the City-to-

exchange culture; and to promote the strategic

City Conference paves the way to the launch of

operation of cultural exchange. The multi-level

the Hong Kong Belt-Road City-to-City Cultural

interpretations and discussions of “One Country,

Exchange Conference 2017, a continuation from

Two Systems” has brought forth the concept

the concept of World Culture Forum. The next

of Crossover. It has also inspired the city-to-

challenge is to figure out the way to build a non-

city practice in cultural exchange strategy,

governmental think tank network that is organic

and triggered the establishment of a cross-

and far-reaching.

的自主，正好提供香港文化界去思考、評議文 化，並推動交流文化的深層結構與文化交流的 策略營運。一國兩制的多層次演譯和討論，也 引發了「跨越」的概念。同時也

發了以「城市」

流會議 2017」，承接了當年世界文化論壇的概 念。縱面

動的是下一步如何建立有機的、更

深層次的民間網絡智庫之挑戰。

city, cross-sector and cross-culture platform.

2

3

會議日程

語言：普通話及英語（設即時傳譯）

12 月 9 日（六）第一天

1155 – 1245

評論

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

香港文化中心大劇院 0930 – 1020

海德拉巴 倫敦

開幕典禮

Rossella FERRARI 倫敦大學亞非學院中國及舞台研究教授

主禮嘉賓：林鄭月娥 , 大紫荊勳賢 , GBS, 香港特別行政區行政長官

曼谷

Nongrat THANJITT 曼谷藝術文化中心基金會主管

香港文化中心劇場

上海

1030 – 1045

登記入場

1045 – 1050

會議簡介

1045 – 1050

主持

香港

前上海戲劇學院院長及教授 公眾討論

論壇一：學者／研究員 學者及研究員在提升文化交流城市品質的角色之挑戰、評估及展望

1050 – 1135

主持

上海

黃昌勇

上海戲劇學院院長 蘇黎世

1245 – 1415

午休

1415 – 1430

登記入場

1430 – 1625

論壇二：文化機構／藝術工作者

陳聖來

中國國家對外文化交流研究基地主任 1050 – 1245

主持小結

胡恩威

會議策畫及進念．二十面體聯合藝術總監 上海

文化機構及藝術工作者在提升文化交流城市品質的角色之挑戰、評估及展望 1430 – 1515

主持

曼谷

講者

上海／ 柏林

Hans-Georg KNOPP

伊斯蘭堡／ Aimon FATIMA 拉合爾 The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

柏林國際文化政策學院高級研究員及 上海戲劇學院高級戰略顧問

新加坡

曼谷

Pawit MAHASARINAND

首爾

河內

LE Khanh 越南人民藝術家及 Youth Theatre of Vietnam 副總監

沈貞順

柏林

崇實大學榮休教授

Martin GRUBER 柏林恩斯特．布施演藝學院形體表演系主任及教授

青年回應

4

郭慶亮

新加坡官委議員及戲劇盒藝術總監

朱拉隆功大學戲劇藝術系主任

小休

Chatvichai PROMADHATTAVEDI

簡介及城市影片播放

Richard GOUGH 南威爾士大學音樂及表演教授

1135 – 1155

許毓仁

曼谷藝術文化中心董事會成員及秘書長

簡介及城市影片播放 卡迪夫

臺北

立法委員、TEDxTaipei 共同創辦人

Hartmut WICKERT 蘇黎世藝術大學表演藝術及電影系主任

講者

榮廣潤

青年回應 1515 – 1535

小休

5

會議日程

語言：普通話及英語（設即時傳譯）

12 月 9 日（六）第一天

1155 – 1245

評論

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

香港文化中心大劇院 0930 – 1020

海德拉巴 倫敦

開幕典禮

Rossella FERRARI 倫敦大學亞非學院中國及舞台研究教授

主禮嘉賓：林鄭月娥 , 大紫荊勳賢 , GBS, 香港特別行政區行政長官

曼谷

Nongrat THANJITT 曼谷藝術文化中心基金會主管

香港文化中心劇場

上海

1030 – 1045

登記入場

1045 – 1050

會議簡介

1045 – 1050

主持

香港

前上海戲劇學院院長及教授 公眾討論

論壇一：學者／研究員 學者及研究員在提升文化交流城市品質的角色之挑戰、評估及展望

1050 – 1135

主持

上海

黃昌勇

上海戲劇學院院長 蘇黎世

1245 – 1415

午休

1415 – 1430

登記入場

1430 – 1625

論壇二：文化機構／藝術工作者

陳聖來

中國國家對外文化交流研究基地主任 1050 – 1245

主持小結

胡恩威

會議策畫及進念．二十面體聯合藝術總監 上海

文化機構及藝術工作者在提升文化交流城市品質的角色之挑戰、評估及展望 1430 – 1515

主持

曼谷

講者

上海／ 柏林

Hans-Georg KNOPP

伊斯蘭堡／ Aimon FATIMA 拉合爾 The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

柏林國際文化政策學院高級研究員及 上海戲劇學院高級戰略顧問

新加坡

曼谷

Pawit MAHASARINAND

首爾

河內

LE Khanh 越南人民藝術家及 Youth Theatre of Vietnam 副總監

沈貞順

柏林

崇實大學榮休教授

Martin GRUBER 柏林恩斯特．布施演藝學院形體表演系主任及教授

青年回應

4

郭慶亮

新加坡官委議員及戲劇盒藝術總監

朱拉隆功大學戲劇藝術系主任

小休

Chatvichai PROMADHATTAVEDI

簡介及城市影片播放

Richard GOUGH 南威爾士大學音樂及表演教授

1135 – 1155

許毓仁

曼谷藝術文化中心董事會成員及秘書長

簡介及城市影片播放 卡迪夫

臺北

立法委員、TEDxTaipei 共同創辦人

Hartmut WICKERT 蘇黎世藝術大學表演藝術及電影系主任

講者

榮廣潤

青年回應 1515 – 1535

小休

5

會議日程

語言：普通話及英語（設即時傳譯）

1535 – 1625

評論

伊斯坦堡

Görgün TANER Istanbul Foundation for Culture and Arts (IKSV) 總監

梭羅 金邊

Koes Murtiyah WANDANSARI

12 月 10 日（日）第二天 香港文化中心大劇院

梭羅皇室民俗委員會主席

0945 – 1000

登記入場

CHEY Chankethya

1000 – 1005

會議簡介 主持

Amrita Performing Arts 藝術總監 布拉格

1005 – 1200 1005 – 1050

主持小結

主持

香港

新加坡

郭慶亮

新加坡官委議員及戲劇盒藝術總監

第一天會議小結

伊斯坦堡

胡恩威

Görgün TANER Istanbul Foundation for Culture and Arts (IKSV) 總監

會議策畫及進念．二十面體聯合藝術總監 1630

論壇三：學者／文化智庫 學者及文化智庫在提升文化交流城市品質的角色之挑戰、評估及展望

公眾討論

主持

胡恩威

會議策畫及進念．二十面體聯合藝術總監

Michaela BURIÁNKOVÁ 布拉格四年展 2019 執行總監

1625 – 1630

香港

簡介及城市影片播放

第一天會議結束

講者

海德拉巴

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

吉隆坡

HAMDAN Abdul Majeed Think City 執行總監

蘇黎世

Hartmut WICKERT 蘇黎世藝術大學表演藝術及電影系主任

倫敦

Rossella FERRARI 倫敦大學亞非學院中國及舞台研究教授

青年回應 1050 – 1110

6

小休

7

會議日程

語言：普通話及英語（設即時傳譯）

1535 – 1625

評論

伊斯坦堡

Görgün TANER Istanbul Foundation for Culture and Arts (IKSV) 總監

梭羅 金邊

Koes Murtiyah WANDANSARI

12 月 10 日（日）第二天 香港文化中心大劇院

梭羅皇室民俗委員會主席

0945 – 1000

登記入場

CHEY Chankethya

1000 – 1005

會議簡介 主持

Amrita Performing Arts 藝術總監 布拉格

1005 – 1200 1005 – 1050

主持小結

主持

香港

新加坡

郭慶亮

新加坡官委議員及戲劇盒藝術總監

第一天會議小結

伊斯坦堡

胡恩威

Görgün TANER Istanbul Foundation for Culture and Arts (IKSV) 總監

會議策畫及進念．二十面體聯合藝術總監 1630

論壇三：學者／文化智庫 學者及文化智庫在提升文化交流城市品質的角色之挑戰、評估及展望

公眾討論

主持

胡恩威

會議策畫及進念．二十面體聯合藝術總監

Michaela BURIÁNKOVÁ 布拉格四年展 2019 執行總監

1625 – 1630

香港

簡介及城市影片播放

第一天會議結束

講者

海德拉巴

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

吉隆坡

HAMDAN Abdul Majeed Think City 執行總監

蘇黎世

Hartmut WICKERT 蘇黎世藝術大學表演藝術及電影系主任

倫敦

Rossella FERRARI 倫敦大學亞非學院中國及舞台研究教授

青年回應 1050 – 1110

6

小休

7

會議日程

語言：普通話及英語（設即時傳譯）

1110 – 1200

評論

波哥大／ 柏林

Martha HINCAPIÉ CHARRY Plataforma Iberoamerican Festival 藝術總監及 哥倫比亞 Bienal de Danza de Cali 策劃人

伊斯蘭堡／ Aimon FATIMA 拉合爾 The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

孟買

Astad DEBOO

南京

1450 – 1540

評論

Sangeet Natak Akademi Award and Padam Shri 得獎者 曼谷

江蘇省演藝集團總經理

Pawit MAHASARINAND

吉隆坡

朱拉隆功大學戲劇藝術系主任 特拉維夫

深圳

The Standford Arts Institute 特邀駐場藝術家

公眾討論

主持小結

主持小結

1330 – 1345

登記入場

1345 – 1540

論壇四：藝術基金會／藝術節

1540 – 1600

小休

1600 – 1630

總結及圓桌會議 主持

藝術基金會及藝術節在提升文化交流城市品質的角色之挑戰、評估及展望 1345 – 1430

主持

海德拉巴

上海

Martin GRUBER

講者

新加坡

Chatvichai PROMADHATTAVEDI 伊斯坦堡

Görgün TANER 海德拉巴

Michaela BURIÁNKOVÁ

8

Görgün TANER B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

柏林

青年回應 小休

郭慶亮

Istanbul Foundation for Culture and Arts (IKSV) 總監

布拉格四年展 2019 執行總監

1430 – 1450

Chatvichai PROMADHATTAVEDI

新加坡官委議員及戲劇盒藝術總監

Istanbul Foundation for Culture and Arts (IKSV) 總監 布拉格

Hartmut WICKERT

曼谷藝術文化中心董事會成員及秘書長

劉小康

曼谷藝術文化中心董事會成員及秘書長 伊斯坦堡

蘇黎世 曼谷

香港設計總會秘書長、靳劉高創意策略創辦人 曼谷

何建華

蘇黎世藝術大學表演藝術及電影系主任

簡介及城市影片播放 香港

胡恩威

上海社會科學院副院長

柏林恩斯特．布施演藝學院形體表演系主任及教授 講者

香港

會議策畫及進念．二十面體聯合藝術總監

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

柏林

徐霞

深圳大劇院藝術總監

公眾討論 午休

Neil KHOR Think City 營運總監

Saar MAGAL

1200 – 1330

柯軍

Martin GRUBER 柏林恩斯特．布施演藝學院形體表演系主任及教授

1630

會議結束

9

會議日程

語言：普通話及英語（設即時傳譯）

1110 – 1200

評論

波哥大／ 柏林

Martha HINCAPIÉ CHARRY Plataforma Iberoamerican Festival 藝術總監及 哥倫比亞 Bienal de Danza de Cali 策劃人

伊斯蘭堡／ Aimon FATIMA 拉合爾 The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

孟買

Astad DEBOO

南京

1450 – 1540

評論

Sangeet Natak Akademi Award and Padam Shri 得獎者 曼谷

江蘇省演藝集團總經理

Pawit MAHASARINAND

吉隆坡

朱拉隆功大學戲劇藝術系主任 特拉維夫

深圳

The Standford Arts Institute 特邀駐場藝術家

公眾討論

主持小結

主持小結

1330 – 1345

登記入場

1345 – 1540

論壇四：藝術基金會／藝術節

1540 – 1600

小休

1600 – 1630

總結及圓桌會議 主持

藝術基金會及藝術節在提升文化交流城市品質的角色之挑戰、評估及展望 1345 – 1430

主持

海德拉巴

上海

Martin GRUBER

講者

新加坡

Chatvichai PROMADHATTAVEDI 伊斯坦堡

Görgün TANER 海德拉巴

Michaela BURIÁNKOVÁ

8

Görgün TANER B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

柏林

青年回應 小休

郭慶亮

Istanbul Foundation for Culture and Arts (IKSV) 總監

布拉格四年展 2019 執行總監

1430 – 1450

Chatvichai PROMADHATTAVEDI

新加坡官委議員及戲劇盒藝術總監

Istanbul Foundation for Culture and Arts (IKSV) 總監 布拉格

Hartmut WICKERT

曼谷藝術文化中心董事會成員及秘書長

劉小康

曼谷藝術文化中心董事會成員及秘書長 伊斯坦堡

蘇黎世 曼谷

香港設計總會秘書長、靳劉高創意策略創辦人 曼谷

何建華

蘇黎世藝術大學表演藝術及電影系主任

簡介及城市影片播放 香港

胡恩威

上海社會科學院副院長

柏林恩斯特．布施演藝學院形體表演系主任及教授 講者

香港

會議策畫及進念．二十面體聯合藝術總監

B ANANTHAKRISHNAN 海德拉巴大學舞台藝術教授

柏林

徐霞

深圳大劇院藝術總監

公眾討論 午休

Neil KHOR Think City 營運總監

Saar MAGAL

1200 – 1330

柯軍

Martin GRUBER 柏林恩斯特．布施演藝學院形體表演系主任及教授

1630

會議結束

9

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

9 December (Sat) Day One

1155 – 1245

Commentators Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad

Grand Theatre, Hong Kong Cultural Centre 0930 – 1020

Grand Opening Ceremony Officiating Guest : The Hon Mrs LAM CHENG Yuet Ngor, Carrie, GBM, GBS Chief Executive of the Hong Kong Special Administrative Region

Studio Theatre, Hong Kong Cultural Centre 1030 – 1045

Admission

1045 – 1050

Introduction of the Conference Moderator

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron CHEN Shenglai Director, National Base for International Cultural Exchange and Research

Shanghai

1050 – 1245

1050 – 1135

Forum 1 – Academics/Researchers The challenges, evaluation, and way forward of the role of the academics and researchers on enhancing cultural exchange and city branding Moderators

Shanghai

HUANG Changyong President, Shanghai Theatre Academy

Zurich

Hartmut WICKERT Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

Cardiff

Hans-Georg KNOPP Senior Fellow, Hertie School of Governance, Berlin and Strategic International Advisor, Shanghai Theater Academy

Bangkok

Pawit MAHASARINAND Chairman, Department of Dramatic Arts, Chulalongkorn University

Seoul

SHIM Jung-soon Professor Emerita, Soongsil University

Young Generation Response 1135 – 1155 10

Bangkok

Nongrat THANJITT Foundation Office Manager, Bangkok Art and Culture Centre

Shanghai

RONG Guangrun Professor and Former President of Shanghai Academy of Theatre, Shanghai

Summary by Moderators 1245 – 1415

Lunch

1415 – 1430

Admission

1430 – 1625

Forum 2 – Cultural Institutions/Arts Practitioners The challenges, evaluation, and way forward of the role of the cultural institutions and arts practitioners on enhancing cultural exchange and city branding

1430 – 1515

Moderators

Taipei

Jason HSU Legislator and Co-founder, TEDxTaipei

Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Introduction and Video Presentation Speakers

Richard GOUGH Professor of Music and Performance, University of South Wales

Berlin/ Shanghai

Rossella FERRARI Reader in Chinese and Theatre Studies, SOAS University of London

Open Discussion

Introduction and Video Presentation Speakers

London

Islamabad/ Aimon FATIMA Lahore Programme Coordinator, Pakistan National Institute of Folk & Traditional Heritage (Lok Virsa) Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Hanoi

LE Khanh People’s Artist, Vietnam and Deputy Director, Youth Theatre

Berlin

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Young Generation Response 1515 – 1535

Break

Break 11

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

9 December (Sat) Day One

1155 – 1245

Commentators Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad

Grand Theatre, Hong Kong Cultural Centre 0930 – 1020

Grand Opening Ceremony Officiating Guest : The Hon Mrs LAM CHENG Yuet Ngor, Carrie, GBM, GBS Chief Executive of the Hong Kong Special Administrative Region

Studio Theatre, Hong Kong Cultural Centre 1030 – 1045

Admission

1045 – 1050

Introduction of the Conference Moderator

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron CHEN Shenglai Director, National Base for International Cultural Exchange and Research

Shanghai

1050 – 1245

1050 – 1135

Forum 1 – Academics/Researchers The challenges, evaluation, and way forward of the role of the academics and researchers on enhancing cultural exchange and city branding Moderators

Shanghai

HUANG Changyong President, Shanghai Theatre Academy

Zurich

Hartmut WICKERT Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

Cardiff

Hans-Georg KNOPP Senior Fellow, Hertie School of Governance, Berlin and Strategic International Advisor, Shanghai Theater Academy

Bangkok

Pawit MAHASARINAND Chairman, Department of Dramatic Arts, Chulalongkorn University

Seoul

SHIM Jung-soon Professor Emerita, Soongsil University

Young Generation Response 1135 – 1155 10

Bangkok

Nongrat THANJITT Foundation Office Manager, Bangkok Art and Culture Centre

Shanghai

RONG Guangrun Professor and Former President of Shanghai Academy of Theatre, Shanghai

Summary by Moderators 1245 – 1415

Lunch

1415 – 1430

Admission

1430 – 1625

Forum 2 – Cultural Institutions/Arts Practitioners The challenges, evaluation, and way forward of the role of the cultural institutions and arts practitioners on enhancing cultural exchange and city branding

1430 – 1515

Moderators

Taipei

Jason HSU Legislator and Co-founder, TEDxTaipei

Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Introduction and Video Presentation Speakers

Richard GOUGH Professor of Music and Performance, University of South Wales

Berlin/ Shanghai

Rossella FERRARI Reader in Chinese and Theatre Studies, SOAS University of London

Open Discussion

Introduction and Video Presentation Speakers

London

Islamabad/ Aimon FATIMA Lahore Programme Coordinator, Pakistan National Institute of Folk & Traditional Heritage (Lok Virsa) Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Hanoi

LE Khanh People’s Artist, Vietnam and Deputy Director, Youth Theatre

Berlin

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Young Generation Response 1515 – 1535

Break

Break 11

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

1535 – 1625

Commentators Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Solo Koes Murtiyah WANDANSARI (Surakarta) Chairman, Board of Customs, Palace of Surakarta Phnom Penh

CHEY Chankethya Artistic Director, Amrita Performing Arts

Prague

Michaela BURIÁNKOVÁ Executive Director, Prague Quadrennial 2019

10 December (Sun) Day Two Grand Theatre, Hong Kong Cultural Centre 1000 – 1005

Moderator

1625 – 1630

Forum 3 – Academics/Cultural Think-tanks The challenges, evaluation, and way forward of the role of the academics and cultural think-tanks on enhancing cultural exchange and city branding

1005 – 1050

Moderators

Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Summary of Day One Conference Moderator

1630

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron

1005 – 1200

Open Discussion Summary by Moderators

Introduction

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron

End of Day One Conference

Introduction and Video Presentation Speakers

Hyderabad

B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad

Kuala Lumpur

HAMDAN Abdul Majeed Executive Director, Think City

Zurich

Hartmut WICKERT, Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

London

Rossella FERRARI Reader in Chinese and Theatre Studies, SOAS University of London

Young Generation Response 1050 – 1110

12

Break

13

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

1535 – 1625

Commentators Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Solo Koes Murtiyah WANDANSARI (Surakarta) Chairman, Board of Customs, Palace of Surakarta Phnom Penh

CHEY Chankethya Artistic Director, Amrita Performing Arts

Prague

Michaela BURIÁNKOVÁ Executive Director, Prague Quadrennial 2019

10 December (Sun) Day Two Grand Theatre, Hong Kong Cultural Centre 1000 – 1005

Moderator

1625 – 1630

Forum 3 – Academics/Cultural Think-tanks The challenges, evaluation, and way forward of the role of the academics and cultural think-tanks on enhancing cultural exchange and city branding

1005 – 1050

Moderators

Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Summary of Day One Conference Moderator

1630

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron

1005 – 1200

Open Discussion Summary by Moderators

Introduction

Hong Kong Mathias WOO Curator of Conference and Co-Artistic Director, Zuni Icosahedron

End of Day One Conference

Introduction and Video Presentation Speakers

Hyderabad

B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad

Kuala Lumpur

HAMDAN Abdul Majeed Executive Director, Think City

Zurich

Hartmut WICKERT, Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

London

Rossella FERRARI Reader in Chinese and Theatre Studies, SOAS University of London

Young Generation Response 1050 – 1110

12

Break

13

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

1110 – 1200

Martha HINCAPIÉ CHARRY Artistic Director, Plataforma Iberoamerican Festival and Curator, the Bienal de Danza de Cali, Colombia

Commentators Bogota/ Berlin Mumbai

Astad DEBOO Laureate of Sangeet Natak Akademi Award and Padam Shri

Bangkok

Pawit MAHASARINAND Chairman, Department of Dramatic Arts, Chulalongkorn University Saar MAGAL Visiting Artist In Residence, The Stanford Arts Institute

Tel Aviv

Open Discussion

1450 – 1540

Lunch Admission

1345 – 1540

Forum 4 - Arts Foundations/Festivals The challenges, evaluation, and way forward of the role of the arts foundations and festivals on enhancing cultural exchange and city branding

1345 – 1430

Moderators

Kuala Lumpur

Neil KHOR Chief Operations Officer, Think City

Shenzhen

XU Xia Artistic Director, Shenzhen Grand Theatre

Summary by Moderators Break

1600 – 1630

Closing Remarks and Roundtable: Way Forward

Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad Berlin

KE Jun General Manager, Jiangsu Performing Arts Group

1540 – 1600

Moderator 1330 – 1345

Nanjing

Open Discussion

Summary by Moderators 1200 – 1330

Commentators Islamabad/ Aimon FATIMA Lahore Programme Coordinator, The National Institute of Folk and Traditional Heritage (Lok Virsa)

Speakers

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Hong Kong Mathias WOO Curator of the Conference and Co-Artistic Director, Zuni Icosahedron Shanghai

HE Jianhua Vice President, Shanghai Academy of Social Sciences

Zurich

Hartmut WICKERT Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Introduction and Video Presentation Speakers

Hong Kong Freeman LAU Vice President, Board of Directors, Hong Kong Design Centre and Secretary General, Hong Kong Federation of Design Associations Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Prague

Michaela BURIÁNKOVÁ Executive Director, Prague Quadrennial 2019

Young Generation Response 1430 – 1450

14

Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad Berlin

1630

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

End of the Conference

Break

15

Conference schedule Language: Putonghua & English (with simultaneous interpretation)

1110 – 1200

Martha HINCAPIÉ CHARRY Artistic Director, Plataforma Iberoamerican Festival and Curator, the Bienal de Danza de Cali, Colombia

Commentators Bogota/ Berlin Mumbai

Astad DEBOO Laureate of Sangeet Natak Akademi Award and Padam Shri

Bangkok

Pawit MAHASARINAND Chairman, Department of Dramatic Arts, Chulalongkorn University Saar MAGAL Visiting Artist In Residence, The Stanford Arts Institute

Tel Aviv

Open Discussion

1450 – 1540

Lunch Admission

1345 – 1540

Forum 4 - Arts Foundations/Festivals The challenges, evaluation, and way forward of the role of the arts foundations and festivals on enhancing cultural exchange and city branding

1345 – 1430

Moderators

Kuala Lumpur

Neil KHOR Chief Operations Officer, Think City

Shenzhen

XU Xia Artistic Director, Shenzhen Grand Theatre

Summary by Moderators Break

1600 – 1630

Closing Remarks and Roundtable: Way Forward

Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad Berlin

KE Jun General Manager, Jiangsu Performing Arts Group

1540 – 1600

Moderator 1330 – 1345

Nanjing

Open Discussion

Summary by Moderators 1200 – 1330

Commentators Islamabad/ Aimon FATIMA Lahore Programme Coordinator, The National Institute of Folk and Traditional Heritage (Lok Virsa)

Speakers

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Hong Kong Mathias WOO Curator of the Conference and Co-Artistic Director, Zuni Icosahedron Shanghai

HE Jianhua Vice President, Shanghai Academy of Social Sciences

Zurich

Hartmut WICKERT Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Singapore

KOK Heng Leun Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Introduction and Video Presentation Speakers

Hong Kong Freeman LAU Vice President, Board of Directors, Hong Kong Design Centre and Secretary General, Hong Kong Federation of Design Associations Bangkok

Chatvichai PROMADHATTAVEDI Board Member and Secretary, Bangkok Art and Culture Centre

Istanbul

Görgün TANER General Director, Istanbul Foundation for Culture and Arts (IKSV)

Prague

Michaela BURIÁNKOVÁ Executive Director, Prague Quadrennial 2019

Young Generation Response 1430 – 1450

14

Hyderabad B ANANTHAKRISHNAN Professor of Theatre Arts, University of Hyderabad Berlin

1630

Martin GRUBER Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

End of the Conference

Break

15

總策劃

Curators

榮念曾

胡恩威

華語地區實驗戲劇、錄像及裝置藝術先鋒人

進念·二十面體聯合藝術總監暨行政總裁。跨

物，現任香港實驗藝術劇團進念·二十面體

界劇場及多媒體劇場先鋒，以強烈視覺影像建

聯合藝術總監。獲頒「2015 香港藝術發展獎

構劇場美學，作品主題涵蓋文學、歷史、時

藝術家年獎（戲劇）」、「福岡亞洲文化獎藝術

政、建築、宗教、哲學等。劇場作品逾六十

文化獎」（2014）及「德國聯邦十字絲帶勳章」

齣，作品曾應邀於上海、北京、台北、新加

（2009）， 並 於 聯 合 國 教 科 文 組 織 國 際 劇 協

坡、米蘭、栢林、波蘭等地上演。2009 年香

Music Theatre NOW 比賽中獲殊榮（2008）。

港首個以建築為題的「建築是藝術節」，探索 建築及劇場的各種藝術可能。

嘉賓講者

Guest Speakers

（排名不分先後）

(listed in no particular order)

海德拉巴

Hyderabad

B. ANANTHAKRISHNAN

B. ANANTHAKRISHNAN

海德拉巴大學舞台藝術教授

Professor of Theatre Arts, University of Hyderabad

海 德 拉 巴 大 學 Sarojini Naidu 藝 術 與 傳 播 學 院 舞 台 藝 術 系 教 授，Pondicherry Central

ANANTHAKRISHNAN is a professor in the

University 戲 劇 及 舞 台 藝 術 碩 士，University

School of Arts & Communication at the

of Madras 當代馬拉雅拉姆語劇場博士。專攻 印 度 表 演 藝 術， 相 關 文 章 於 Theatre India、

University of Hyderabad. He obtained an MA

Theatre Research International 等刊物發表；

Central University and a Ph.D. in contemporary

參與編輯選集及百科全書，如 Encyclopedia

Malayalam theatre from the University of

of Asian Theatre（Sam Leiter, Greenwood,

Madras.

Westport 主編，2007 年）。現任國際戲劇研究

Danny Yung

Mathias Woo

A pioneer of experimental performance,

Mathias Woo is the Co-Artistic Director cum

video, and installation art in the Sinophone

Executive Director of Zuni Icosahedron. As

re g i o n , a n d t h e C o - A r t i s t i c D i re c t o r o f

a scriptwriter, director, producer and curator,

Zuni Icosahedron - Hong Kong’s leading

Woo is a pioneer in cross-boundary and multi-

experimental arts company. Yung is the

media theatre. He is recognised for his portfolio

Fukuoka Prize Laureate - Arts and Culture

of more than 60 original theatre works, which

(2014), the recipient of the Hong Kong Arts

have been invited to cities around the globe

Development Awards 2015 Artist of the Year

and major Chinese cities. Woo’s theatre works

(Drama), the Cross of the Order of Merit of the

explore a wide range of subjects including

Federal Republic of Germany (2009), and of the

literature, history, architecture, religion, current

UNESCO Music Theatre NOW Award (2008).

political affairs, and philosophy. In 2009, Woo initiated and curated “Architecture is Art Festival”, the first art festival with architecture as the central topic in Hong Kong.

16

聯合會（IFTR）執行委員、印度戲劇研究學會 （ISTR）始創秘書長，透過主催多個戲劇研究 項目，促進該領域研究風氣。

Department of Theatre Arts, Sarojini Naidu

in Drama and Theatre Arts from Pondicherry

Specialising in Indian performance studies, ANANTHAKRISHNAN has published articles on Indian theatre in journals such as Theatre India and Theatre Research International, and has contributed to different anthologies and encyclopedia such as the Encyclopedia of Asian Theatre (edited by Sam Leiter, Greenwood, Westport, 2007).

As the executive committee member of the International Federation for Theatre Research (IFTR) and founder general secretary of the Indian Society for Theatre Research (ISTR), ANANTHAKRISHNAN has taken up different research initiatives on theatre to foster the research culture in the field.

17

總策劃

Curators

榮念曾

胡恩威

華語地區實驗戲劇、錄像及裝置藝術先鋒人

進念·二十面體聯合藝術總監暨行政總裁。跨

物，現任香港實驗藝術劇團進念·二十面體

界劇場及多媒體劇場先鋒，以強烈視覺影像建

聯合藝術總監。獲頒「2015 香港藝術發展獎

構劇場美學，作品主題涵蓋文學、歷史、時

藝術家年獎（戲劇）」、「福岡亞洲文化獎藝術

政、建築、宗教、哲學等。劇場作品逾六十

文化獎」（2014）及「德國聯邦十字絲帶勳章」

齣，作品曾應邀於上海、北京、台北、新加

（2009）， 並 於 聯 合 國 教 科 文 組 織 國 際 劇 協

坡、米蘭、栢林、波蘭等地上演。2009 年香

Music Theatre NOW 比賽中獲殊榮（2008）。

港首個以建築為題的「建築是藝術節」，探索 建築及劇場的各種藝術可能。

嘉賓講者

Guest Speakers

（排名不分先後）

(listed in no particular order)

海德拉巴

Hyderabad

B. ANANTHAKRISHNAN

B. ANANTHAKRISHNAN

海德拉巴大學舞台藝術教授

Professor of Theatre Arts, University of Hyderabad

海 德 拉 巴 大 學 Sarojini Naidu 藝 術 與 傳 播 學 院 舞 台 藝 術 系 教 授，Pondicherry Central

ANANTHAKRISHNAN is a professor in the

University 戲 劇 及 舞 台 藝 術 碩 士，University

School of Arts & Communication at the

of Madras 當代馬拉雅拉姆語劇場博士。專攻 印 度 表 演 藝 術， 相 關 文 章 於 Theatre India、

University of Hyderabad. He obtained an MA

Theatre Research International 等刊物發表；

Central University and a Ph.D. in contemporary

參與編輯選集及百科全書，如 Encyclopedia

Malayalam theatre from the University of

of Asian Theatre（Sam Leiter, Greenwood,

Madras.

Westport 主編，2007 年）。現任國際戲劇研究

Danny Yung

Mathias Woo

A pioneer of experimental performance,

Mathias Woo is the Co-Artistic Director cum

video, and installation art in the Sinophone

Executive Director of Zuni Icosahedron. As

re g i o n , a n d t h e C o - A r t i s t i c D i re c t o r o f

a scriptwriter, director, producer and curator,

Zuni Icosahedron - Hong Kong’s leading

Woo is a pioneer in cross-boundary and multi-

experimental arts company. Yung is the

media theatre. He is recognised for his portfolio

Fukuoka Prize Laureate - Arts and Culture

of more than 60 original theatre works, which

(2014), the recipient of the Hong Kong Arts

have been invited to cities around the globe

Development Awards 2015 Artist of the Year

and major Chinese cities. Woo’s theatre works

(Drama), the Cross of the Order of Merit of the

explore a wide range of subjects including

Federal Republic of Germany (2009), and of the

literature, history, architecture, religion, current

UNESCO Music Theatre NOW Award (2008).

political affairs, and philosophy. In 2009, Woo initiated and curated “Architecture is Art Festival”, the first art festival with architecture as the central topic in Hong Kong.

16

聯合會（IFTR）執行委員、印度戲劇研究學會 （ISTR）始創秘書長，透過主催多個戲劇研究 項目，促進該領域研究風氣。

Department of Theatre Arts, Sarojini Naidu

in Drama and Theatre Arts from Pondicherry

Specialising in Indian performance studies, ANANTHAKRISHNAN has published articles on Indian theatre in journals such as Theatre India and Theatre Research International, and has contributed to different anthologies and encyclopedia such as the Encyclopedia of Asian Theatre (edited by Sam Leiter, Greenwood, Westport, 2007).

As the executive committee member of the International Federation for Theatre Research (IFTR) and founder general secretary of the Indian Society for Theatre Research (ISTR), ANANTHAKRISHNAN has taken up different research initiatives on theatre to foster the research culture in the field.

17

嘉賓講者

Guest Speakers

布拉格

Prague

伊斯蘭堡╱拉合爾

Islamabad / Lahore

Michaela BURIÁNKOVÁ

Michaela BURIÁNKOVÁ

Aimon FATIMA

Aimon FATIMA

布拉格四年展 2019 執行總監

Executive Director, Prague Quadrennial 2019

The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

Program Coordinator, The National Institute of Folk and Traditional Heritage (Lok Virsa)

2013 年，加入捷克 Arts and Theatre Institute

In 2013, BURIÁNKOVÁ joined the Prague

人類學家，目前領導 Celebrating Diversity &

FATIMA is an anthropologist. Currently, she

布 拉 格 四 年 展（PQ）。 始 於 1967 年，PQ 是

Quadrennial of Performance Design and

Shared Cultural Heritage in Pakistan 傳 統 文

is heading “Celebrating Diversity & Shared

目 前 全 球 最 大 型 當 代 舞 台 設 計 主 題 展 覽。

Space (PQ) team at the Arts and Theatre

化保育項目，旨在推動巴基斯坦文化遺產檔案

Cultural Heritage in Pakistan”, a project

2015 年，擔任為期三年表演和視覺藝術教育

Institute. The PQ is the largest scenography

數碼化及提升當地博物館管理。曾參與巴基斯

aiming at Archive Digitisation and Museum

項 目 SharedSpace: Music Weather Politics

event in the world that explores a wide range

坦 1930 年至今珍貴電影業文獻存檔工作。巴

curation up-gradation in Pakistan. She is the

主 管 及 統 籌。2014–2015 年， 曾 任 職 捷 克

of scenographic/stage design practices since

基斯坦文化組織網絡 AUTAQ 創辦人之一。現

co-founder of AUTAQ, a network of cultural

共和國總統辦公室新聞部、國家博物館戲劇

1967.

為 DANKA 執行董事，巴基斯坦首家文化活動

organisation in Pakistan. She was a researcher

網站 www.danka.pk，為當地文化組織與藝術

who documented rare archival records of

家網絡數據庫。另主持電視節目 Folk Beats，

Pakistan film industry dating back till 1930s.

報道當地樂器及民間音樂人，亦任巴基斯坦博

She is the Managing Director of DANKA, an

物館協會（MAP）助理秘書長。

NGO for culture promotion that initiated the

部 門 和 Czech Association of Museums and Galleries。

In late 2015, BURIÁNKOVÁ took up the position of the main manager and coordinator of a three-year project SharedSpace: Music Weather Politics.

In 2014-2015, BURIÁNKOVÁ worked at the Office of the President of the Czech Republic

first cultural-event-based website in Pakistan (www.danka.pk) to develop an online archive of culture institutions and artists of Pakistan.

at the Press Department. Then she moved to

FATIMA also hosts a national TV show “Folk

the National Museum (Theatre Department),

Beats” that highlights indigenous musical

and later to the Czech Association of Museu-

instruments and folk musicians, and holds the

ms and Galleries.

position of Assistant General Secretary of the Museum Association of Pakistan (MAP).

18

19

嘉賓講者

Guest Speakers

布拉格

Prague

伊斯蘭堡╱拉合爾

Islamabad / Lahore

Michaela BURIÁNKOVÁ

Michaela BURIÁNKOVÁ

Aimon FATIMA

Aimon FATIMA

布拉格四年展 2019 執行總監

Executive Director, Prague Quadrennial 2019

The National Institute of Folk and Traditional Heritage (Lok Virsa) 項目統籌

Program Coordinator, The National Institute of Folk and Traditional Heritage (Lok Virsa)

2013 年，加入捷克 Arts and Theatre Institute

In 2013, BURIÁNKOVÁ joined the Prague

人類學家，目前領導 Celebrating Diversity &

FATIMA is an anthropologist. Currently, she

布 拉 格 四 年 展（PQ）。 始 於 1967 年，PQ 是

Quadrennial of Performance Design and

Shared Cultural Heritage in Pakistan 傳 統 文

is heading “Celebrating Diversity & Shared

目 前 全 球 最 大 型 當 代 舞 台 設 計 主 題 展 覽。

Space (PQ) team at the Arts and Theatre

化保育項目，旨在推動巴基斯坦文化遺產檔案

Cultural Heritage in Pakistan”, a project

2015 年，擔任為期三年表演和視覺藝術教育

Institute. The PQ is the largest scenography

數碼化及提升當地博物館管理。曾參與巴基斯

aiming at Archive Digitisation and Museum

項 目 SharedSpace: Music Weather Politics

event in the world that explores a wide range

坦 1930 年至今珍貴電影業文獻存檔工作。巴

curation up-gradation in Pakistan. She is the

主 管 及 統 籌。2014–2015 年， 曾 任 職 捷 克

of scenographic/stage design practices since

基斯坦文化組織網絡 AUTAQ 創辦人之一。現

co-founder of AUTAQ, a network of cultural

共和國總統辦公室新聞部、國家博物館戲劇

1967.

為 DANKA 執行董事，巴基斯坦首家文化活動

organisation in Pakistan. She was a researcher

網站 www.danka.pk，為當地文化組織與藝術

who documented rare archival records of

家網絡數據庫。另主持電視節目 Folk Beats，

Pakistan film industry dating back till 1930s.

報道當地樂器及民間音樂人，亦任巴基斯坦博

She is the Managing Director of DANKA, an

物館協會（MAP）助理秘書長。

NGO for culture promotion that initiated the

部 門 和 Czech Association of Museums and Galleries。

In late 2015, BURIÁNKOVÁ took up the position of the main manager and coordinator of a three-year project SharedSpace: Music Weather Politics.

In 2014-2015, BURIÁNKOVÁ worked at the Office of the President of the Czech Republic

first cultural-event-based website in Pakistan (www.danka.pk) to develop an online archive of culture institutions and artists of Pakistan.

at the Press Department. Then she moved to

FATIMA also hosts a national TV show “Folk

the National Museum (Theatre Department),

Beats” that highlights indigenous musical

and later to the Czech Association of Museu-

instruments and folk musicians, and holds the

ms and Galleries.

position of Assistant General Secretary of the Museum Association of Pakistan (MAP).

18

19

嘉賓講者

Guest Speakers

倫敦

London

卡迪夫

Cardiff

Rossella FERRARI

Rossella FERRARI

Richard GOUGH

Richard GOUGH

倫敦大學亞非學院中國及戲劇研究教授

Reader in Chinese and Theatre Studies, SOAS University of London

南威爾士大學音樂及表演教授

Professor of Music and Performance, University of South Wales

倫敦大學亞非學院東亞語言及文化系中國及戲

FERRARI is Reader in Chinese and Theatre

威爾士國際多元戲劇機構表演藝術研究中

GOUGH is Artistic Director of the Centre for

劇研究教授，專攻華語戲劇，著重當代先鋒及

Studies in the Department of East Asian

心 藝 術 總 監，Performance Research 期 刊

Performance Research (CPR) - a multi-faceted

跨文化作品、華語圈內及華語與其他亞洲表演

Languages and Cultures at SOAS University of

（Routledge 出 版 之 雙 月 刊 ）及 該 中 心 出 版

theatre organisation based in Wales that

文化的合作交流。多次發表不同角色論述進

London. She specialises in Chinese-language

總 編 輯， 南 威 爾 士 大 學（ 卡 地 夫 ）音 樂 及 表

works internationally. He is General Editor of

念·二十面體的藝術實踐的論文，包括「一桌

theatres, focusing particularly on contemporary

演系教授，阿伯里斯特威斯大學榮譽教授。

Performance Research (published bi-monthly

二椅」項目、《經典文本的改編、本地美學融

avant-garde and intercultural production,

1997–2001，擔任Performance Studies

by Routledge), Performance Books and Black

合現代實驗形式》、《劇場與影像及劇場與建

collaborations within the Sinophone region,

international (PSi) 始創主席。曾策劃多個國

Mountain Press (imprints of CPR). He is

築的關係》等。其文章見於《戲劇評論 TDR》、

and interactions between Sinophone and other

際戲劇項目，並製作多個實驗和傳統舞蹈及戲

Professor of Music & Performance at University

《新戲劇季刊》、《後殖民研究》、《立場：亞洲

Asian performance cultures. She has written

劇於世界各地演出；執導超過 70 部作品於歐

o f S o u t h Wa l e s ( C a rd i ff ) a n d E m e r i t u s

評論》等。著作有 Pop Goes the Avant-Garde:

about various aspects of the artistic practice

洲巡演。過去 42 年，致力推動和探索跨界別

Professor of Aberystwyth University. He was

Experimental Theatre in Contemporary China

of Zuni Icosahedron, including the One Table

實驗表演藝術。

founding President (1997-2001) of Performance

（2012），並正撰寫關於泛亞洲跨文化合作及

Two Chairs project, The adaptation of classical

Studies international (PSi). He has curated

表演網絡的專書。現任《戲劇時代》地區主編

texts and indigenous aesthetics into modern

and organized numerous international theatre

experimental forms, and Intermedial relations

projects, and has produced nationwide tours

between theatre and film/video, and between

of experimental theatre and traditional dance/

theatre and architecture. Her publications

theatre ensembles from around the world.

have appeared in TDR: The Drama Review,

He has directed over seventy productions,

New Theatre Quarterly, Postcolonial Studies,

many of which have toured Europe, and he

positions: asia critique, and elsewhere. She

has lectured and led workshops throughout

is the author of Pop Goes the Avant-Garde:

Europe and Australasia and in China, Japan,

E x p e r i m e n t a l T h e a t re i n C o n t e m p o r a r y

USA, Philippines, Colombia and Brazil. He

China (2012), and is currently completing

has dedicated the last 42 years to developing

a monograph on trans-Asian intercultural

and exploring interdisciplinary, experimental

collaborations and performance networks. She

performance and seeks to present work that

is the Regional Managing Editor (China) of The

pushes boundaries and disciplines.

（中國）。

Theatre Times.

20

21

嘉賓講者

Guest Speakers

倫敦

London

卡迪夫

Cardiff

Rossella FERRARI

Rossella FERRARI

Richard GOUGH

Richard GOUGH

倫敦大學亞非學院中國及戲劇研究教授

Reader in Chinese and Theatre Studies, SOAS University of London

南威爾士大學音樂及表演教授

Professor of Music and Performance, University of South Wales

倫敦大學亞非學院東亞語言及文化系中國及戲

FERRARI is Reader in Chinese and Theatre

威爾士國際多元戲劇機構表演藝術研究中

GOUGH is Artistic Director of the Centre for

劇研究教授，專攻華語戲劇，著重當代先鋒及

Studies in the Department of East Asian

心 藝 術 總 監，Performance Research 期 刊

Performance Research (CPR) - a multi-faceted

跨文化作品、華語圈內及華語與其他亞洲表演

Languages and Cultures at SOAS University of

（Routledge 出 版 之 雙 月 刊 ）及 該 中 心 出 版

theatre organisation based in Wales that

文化的合作交流。多次發表不同角色論述進

London. She specialises in Chinese-language

總 編 輯， 南 威 爾 士 大 學（ 卡 地 夫 ）音 樂 及 表

works internationally. He is General Editor of

念·二十面體的藝術實踐的論文，包括「一桌

theatres, focusing particularly on contemporary

演系教授，阿伯里斯特威斯大學榮譽教授。

Performance Research (published bi-monthly

二椅」項目、《經典文本的改編、本地美學融

avant-garde and intercultural production,

1997–2001，擔任Performance Studies

by Routledge), Performance Books and Black

合現代實驗形式》、《劇場與影像及劇場與建

collaborations within the Sinophone region,

international (PSi) 始創主席。曾策劃多個國

Mountain Press (imprints of CPR). He is

築的關係》等。其文章見於《戲劇評論 TDR》、

and interactions between Sinophone and other

際戲劇項目，並製作多個實驗和傳統舞蹈及戲

Professor of Music & Performance at University

《新戲劇季刊》、《後殖民研究》、《立場：亞洲

Asian performance cultures. She has written

劇於世界各地演出；執導超過 70 部作品於歐

o f S o u t h Wa l e s ( C a rd i ff ) a n d E m e r i t u s

評論》等。著作有 Pop Goes the Avant-Garde:

about various aspects of the artistic practice

洲巡演。過去 42 年，致力推動和探索跨界別

Professor of Aberystwyth University. He was

Experimental Theatre in Contemporary China

of Zuni Icosahedron, including the One Table

實驗表演藝術。

founding President (1997-2001) of Performance

（2012），並正撰寫關於泛亞洲跨文化合作及

Two Chairs project, The adaptation of classical

Studies international (PSi). He has curated

表演網絡的專書。現任《戲劇時代》地區主編

texts and indigenous aesthetics into modern

and organized numerous international theatre

experimental forms, and Intermedial relations

projects, and has produced nationwide tours

between theatre and film/video, and between

of experimental theatre and traditional dance/

theatre and architecture. Her publications

theatre ensembles from around the world.

have appeared in TDR: The Drama Review,

He has directed over seventy productions,

New Theatre Quarterly, Postcolonial Studies,

many of which have toured Europe, and he

positions: asia critique, and elsewhere. She

has lectured and led workshops throughout

is the author of Pop Goes the Avant-Garde:

Europe and Australasia and in China, Japan,

E x p e r i m e n t a l T h e a t re i n C o n t e m p o r a r y

USA, Philippines, Colombia and Brazil. He

China (2012), and is currently completing

has dedicated the last 42 years to developing

a monograph on trans-Asian intercultural

and exploring interdisciplinary, experimental

collaborations and performance networks. She

performance and seeks to present work that

is the Regional Managing Editor (China) of The

pushes boundaries and disciplines.

（中國）。

Theatre Times.

20

21

嘉賓講者

Guest Speakers

柏林

Berlin

吉隆坡

Kuala Lumpur

Martin GRUBER

Martin GRUBER

HAMDAN Abdul Majeed

HAMDAN Abdul Majeed

柏林恩斯特．布施演藝學院 形體表演系主任及教授

Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Think City 執行總監

Executive Director, Think City

導演、編舞。基於對多種武術、鈴木忠志「足

GRUBER is a director and choreographer.

馬來西亞政府國家主權基金國庫控股董事。兼

HAMDAN is a Director at Khazanah Nasional

的文法」及功能性身體的體驗，Gruber 發展

Based on his experience in several martial arts,

任推動馬來西亞城市持續發展策略 Think City

Berhad (KNB), the investment arm of the

出訓練表演藝術家的獨特方法。曾製作演出於

Tadashi Suzuki’s “the Grammar of the Feet”

行政總裁。對馬拉西亞公民社會發展、第三世

Malaysian government. He also serves as

北京及河內公演。

and functional bodywork, Gruber developed

界政治經濟及伊斯蘭經濟學尤有興趣，活躍於

Executive Director of Think City, an urban

h i s o w n a p p ro a c h t o t h e e d u c a t i o n o f

經濟、社會政治、國際事務和宗教等。倫敦大

regeneration outfit providing urban policy

performing artists. He staged productions with

學經濟學與管理學士。2012 年獲頒艾森豪威

thinking, implementing and managing urban

international casts inter alia in Beijing (China)

爾獎學金，以及 2014 年世界城市峰會嘉獎，

solutions in Malaysia.

and Hanoi (Vietnam).

其為傑出青年領導，於城市發展及改造的工 作。

HAMDAN has an interest in the development of civil society in Malaysia, the political economy of Third World and Islamic economics. He is actively involved in the areas of economics and socio-political development, world affairs and religion. He holds a degree in Economics and Management from University of London.

In 2012, HAMDAN was awarded the Eisenhower Fellowships as a young leader for his work on urban development and leadership on cities. In 2014, he was recognized by World Cities Summit as young leader on urban development and city transformation.

22

23

嘉賓講者

Guest Speakers

柏林

Berlin

吉隆坡

Kuala Lumpur

Martin GRUBER

Martin GRUBER

HAMDAN Abdul Majeed

HAMDAN Abdul Majeed

柏林恩斯特．布施演藝學院 形體表演系主任及教授

Professor and Head of the Department of Movement, Ernst Busch Academy of Dramatic Arts

Think City 執行總監

Executive Director, Think City

導演、編舞。基於對多種武術、鈴木忠志「足

GRUBER is a director and choreographer.

馬來西亞政府國家主權基金國庫控股董事。兼

HAMDAN is a Director at Khazanah Nasional

的文法」及功能性身體的體驗，Gruber 發展

Based on his experience in several martial arts,

任推動馬來西亞城市持續發展策略 Think City

Berhad (KNB), the investment arm of the

出訓練表演藝術家的獨特方法。曾製作演出於

Tadashi Suzuki’s “the Grammar of the Feet”

行政總裁。對馬拉西亞公民社會發展、第三世

Malaysian government. He also serves as

北京及河內公演。

and functional bodywork, Gruber developed

界政治經濟及伊斯蘭經濟學尤有興趣，活躍於

Executive Director of Think City, an urban

h i s o w n a p p ro a c h t o t h e e d u c a t i o n o f

經濟、社會政治、國際事務和宗教等。倫敦大

regeneration outfit providing urban policy

performing artists. He staged productions with

學經濟學與管理學士。2012 年獲頒艾森豪威

thinking, implementing and managing urban

international casts inter alia in Beijing (China)

爾獎學金，以及 2014 年世界城市峰會嘉獎，

solutions in Malaysia.

and Hanoi (Vietnam).

其為傑出青年領導，於城市發展及改造的工 作。

HAMDAN has an interest in the development of civil society in Malaysia, the political economy of Third World and Islamic economics. He is actively involved in the areas of economics and socio-political development, world affairs and religion. He holds a degree in Economics and Management from University of London.

In 2012, HAMDAN was awarded the Eisenhower Fellowships as a young leader for his work on urban development and leadership on cities. In 2014, he was recognized by World Cities Summit as young leader on urban development and city transformation.

22

23

嘉賓講者

Guest Speakers

吉隆坡

Kuala Lumpur

上海╱柏林

Shanghai / Berlin

Neil KHOR

Neil KHOR

Hans-Georg KNOPP

Hans-Georg KNOPP

Think City 營運總監

Chief Operations Officer, Think City

柏林國際文化政策學院高級研究員及 上海戲劇學院高級戰略顧問

Senior Fellow, Hertie School of Governance, Berlin and Strategic International Advisor, Shanghai Theater Academy

Think City 吉隆坡及新山市項目總監。「喬治

KHOR is Programme Director at Think City

前德國歌德學院秘書長，現擔任同濟大學客席

Former General Secretary of Goethe-Institut

城補助項目」發起人之一，為馬拉西亞首個城

overseeing offices at Kuala Lumpur and Johor

教授。

a n d c u r re n t l y Vi s i t i n g P ro f e s s o r To n g j i

市社區改造撥款項目。專注於社會歷史、古蹟

Bahru. He was part of the founding team

解說、及社區博物館。劍橋大學海峽華語文學

that help set up the George Town Grants

博士，劍橋大學南亞與東南亞研究中心學者。

Programme, Malaysia’s first grants programme

著有《老檳城一瞥》 （Star，2002）、《檳城保良

for community based urban regeneration. His

局：中國婦女、賣淫與福利組織》 （MBRAS,

special focus area is social history, heritage

2004）、《中國婦女：她們在馬來西亞的故事》

interpretation and community museums.

（旅遊局，2008）、《馬來西亞的城鎮》 （EDM， 2017）、及《共同振興城市：喬治城補助項目》 （Think City，2017）等。現任皇家亞洲學會馬 來西亞分會榮譽秘書長。

University Shanghai.

Holding a Ph.D in Straits Chinese Literature from the University of Cambridge, he is an Affiliated Scholar at the Centre for South & Southeast Asian Studies at the University of Cambridge.

KHOR is the author of several books including “Glimpses of Old Penang” (Star, 2002), “The Penang Po Leung Kuk: Chinese Women, Prostitution & A Welfare Organisation” (MBRAS, 2004), “Chinese Women: Their Malaysian Story” (Ministry of Tourism: 2008), and more recently “Towns of Malaya” (EDM, 2017) and “Rejuvenating the City Together: The George Town Grants Programme” (Think City, 2017). Neil is also Honorary Secretary of the Malaysian Branch of the Royal Asiatic Society.

24

25

嘉賓講者

Guest Speakers

吉隆坡

Kuala Lumpur

上海╱柏林

Shanghai / Berlin

Neil KHOR

Neil KHOR

Hans-Georg KNOPP

Hans-Georg KNOPP

Think City 營運總監

Chief Operations Officer, Think City

柏林國際文化政策學院高級研究員及 上海戲劇學院高級戰略顧問

Senior Fellow, Hertie School of Governance, Berlin and Strategic International Advisor, Shanghai Theater Academy

Think City 吉隆坡及新山市項目總監。「喬治

KHOR is Programme Director at Think City

前德國歌德學院秘書長，現擔任同濟大學客席

Former General Secretary of Goethe-Institut

城補助項目」發起人之一，為馬拉西亞首個城

overseeing offices at Kuala Lumpur and Johor

教授。

a n d c u r re n t l y Vi s i t i n g P ro f e s s o r To n g j i

市社區改造撥款項目。專注於社會歷史、古蹟

Bahru. He was part of the founding team

解說、及社區博物館。劍橋大學海峽華語文學

that help set up the George Town Grants

博士，劍橋大學南亞與東南亞研究中心學者。

Programme, Malaysia’s first grants programme

著有《老檳城一瞥》 （Star，2002）、《檳城保良

for community based urban regeneration. His

局：中國婦女、賣淫與福利組織》 （MBRAS,

special focus area is social history, heritage

2004）、《中國婦女：她們在馬來西亞的故事》

interpretation and community museums.

（旅遊局，2008）、《馬來西亞的城鎮》 （EDM， 2017）、及《共同振興城市：喬治城補助項目》 （Think City，2017）等。現任皇家亞洲學會馬 來西亞分會榮譽秘書長。

University Shanghai.

Holding a Ph.D in Straits Chinese Literature from the University of Cambridge, he is an Affiliated Scholar at the Centre for South & Southeast Asian Studies at the University of Cambridge.

KHOR is the author of several books including “Glimpses of Old Penang” (Star, 2002), “The Penang Po Leung Kuk: Chinese Women, Prostitution & A Welfare Organisation” (MBRAS, 2004), “Chinese Women: Their Malaysian Story” (Ministry of Tourism: 2008), and more recently “Towns of Malaya” (EDM, 2017) and “Rejuvenating the City Together: The George Town Grants Programme” (Think City, 2017). Neil is also Honorary Secretary of the Malaysian Branch of the Royal Asiatic Society.

24

25

嘉賓講者

Guest Speakers

新加坡

Singapore

河內

Hanoi

郭慶亮

KOK Heng Leun

LE Khanh

LE Khanh

新加坡官委議員及戲劇盒藝術總監

Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

越南人民藝術家及 Youth Theatre of Vietnam 副總監

People’s Artist, Vietnam and Deputy Director, Youth Theatre

新加坡戲劇盒藝術總監，新加坡英語及華語戲

Artistic Director of Singaporean theatre company Drama Box, and a prominent figure in both the English and Chinese-language theatres in Singapore, KOK has directed over 80 plays. Strongly believing in engaging the community in his works to promote critical dialogues about the world we live in, he is one of the most important theatre practitioners in Singapore advocating applied and engaged arts. Recently, he has also focused on the issue of end of life, using theatre and arts installation, involving healthcare sector and community, to explore what it means to live and die well.

四十年來活躍於劇場及電影，獲越南國家級

After 40 years of actively working in both

獎項無數。1993 年，授「功勳藝術家」。2000

theatrical and film industries, LE has received

年，獲「人民藝術家」的最年輕藝術家。「傑出

numerous national art honours and awards.

越南女性」，丹麥大使館選為「越南安徒生親

She was awarded the Meritorious Artist in

善大使」。駐河內日本國際交流基金會主辦的

1993 and became the youngest artist who

「學生電影節」終身委員，加拿大駐越南大使

was awarded the honorary title of People’s

館「兒童慈善基金」形象大使。LE 為河內戲劇

Artist in 2000. She was also honoured as the

電影學院獲戲劇導演學士及戲劇藝術碩士，現

Outstanding Vietnamese Woman, selected

於該校任講師，及 Youth Theatre of Vietnam

by the Embassy of Denmark as Goodwill

副藝術總監和藝術家。

Ambassador Andersen in Vietnam. She is

劇界領軍人物，執導作品八十餘部。堅信其作 品應有不同群體參與以推動世界的對話，亦是 新加坡提倡參與性藝術的重要戲劇界人士。近 來關注生死議題，運用劇場與藝術裝置，邀請 健康護理專業人士，探索生與死的話題。近年 積極倡導區內與國際藝術家及文化工作者文化 交流及對話，並在多個項目中擔任教育、策 展、編劇等角色。因相信戲劇表演研究與記錄 的重要性，發起多個新加坡華語戲劇研究項 目。現任新加坡國會藝術界官委議員，積極倡 議公民社會、藝術文化等相關議題。

26

a permanent member of the Student Film Festival, organised by Japan Foundation Hanoi and is the spokesperson of the Charity Fund

In recent years, KOK has been actively advocating cultural exchanges and dialogues among artists and cultural workers in the region as well as internationally. He has also taken up teaching, curatorial and dramaturgical roles in many projects.

for Children of the Embassy of Canada in

Believing in the importance of research and documentation of theatre and performance, KOK has initiated various projects to document and research on Chinese language theatre in Singapore. He is currently the Arts Nominated Member of Parliament and have actively spoken on civil society as well as arts and culture issues in the Singapore Parliament.

LE is currently a lecturer at Hanoi Academy

Vietnam.

She received her Bachelor’s degree in Theatre Directing, and Master’s degree in Theatre Art at Hanoi Academy of Theatre and Cinema. of Theatre and Cinema, as well as an artist and Deputy Art Director of Youth Theatre of Vietnam.

27

嘉賓講者

Guest Speakers

新加坡

Singapore

河內

Hanoi

郭慶亮

KOK Heng Leun

LE Khanh

LE Khanh

新加坡官委議員及戲劇盒藝術總監

Nominated Member of Parliament, Singapore and Artistic Director, Drama Box

越南人民藝術家及 Youth Theatre of Vietnam 副總監

People’s Artist, Vietnam and Deputy Director, Youth Theatre

新加坡戲劇盒藝術總監，新加坡英語及華語戲

Artistic Director of Singaporean theatre company Drama Box, and a prominent figure in both the English and Chinese-language theatres in Singapore, KOK has directed over 80 plays. Strongly believing in engaging the community in his works to promote critical dialogues about the world we live in, he is one of the most important theatre practitioners in Singapore advocating applied and engaged arts. Recently, he has also focused on the issue of end of life, using theatre and arts installation, involving healthcare sector and community, to explore what it means to live and die well.

四十年來活躍於劇場及電影，獲越南國家級

After 40 years of actively working in both

獎項無數。1993 年，授「功勳藝術家」。2000

theatrical and film industries, LE has received

年，獲「人民藝術家」的最年輕藝術家。「傑出

numerous national art honours and awards.

越南女性」，丹麥大使館選為「越南安徒生親

She was awarded the Meritorious Artist in

善大使」。駐河內日本國際交流基金會主辦的

1993 and became the youngest artist who

「學生電影節」終身委員，加拿大駐越南大使

was awarded the honorary title of People’s

館「兒童慈善基金」形象大使。LE 為河內戲劇

Artist in 2000. She was also honoured as the

電影學院獲戲劇導演學士及戲劇藝術碩士，現

Outstanding Vietnamese Woman, selected

於該校任講師，及 Youth Theatre of Vietnam

by the Embassy of Denmark as Goodwill

副藝術總監和藝術家。

Ambassador Andersen in Vietnam. She is

劇界領軍人物，執導作品八十餘部。堅信其作 品應有不同群體參與以推動世界的對話，亦是 新加坡提倡參與性藝術的重要戲劇界人士。近 來關注生死議題，運用劇場與藝術裝置，邀請 健康護理專業人士，探索生與死的話題。近年 積極倡導區內與國際藝術家及文化工作者文化 交流及對話，並在多個項目中擔任教育、策 展、編劇等角色。因相信戲劇表演研究與記錄 的重要性，發起多個新加坡華語戲劇研究項 目。現任新加坡國會藝術界官委議員，積極倡 議公民社會、藝術文化等相關議題。

26

a permanent member of the Student Film Festival, organised by Japan Foundation Hanoi and is the spokesperson of the Charity Fund

In recent years, KOK has been actively advocating cultural exchanges and dialogues among artists and cultural workers in the region as well as internationally. He has also taken up teaching, curatorial and dramaturgical roles in many projects.

for Children of the Embassy of Canada in

Believing in the importance of research and documentation of theatre and performance, KOK has initiated various projects to document and research on Chinese language theatre in Singapore. He is currently the Arts Nominated Member of Parliament and have actively spoken on civil society as well as arts and culture issues in the Singapore Parliament.

LE is currently a lecturer at Hanoi Academy

Vietnam.

She received her Bachelor’s degree in Theatre Directing, and Master’s degree in Theatre Art at Hanoi Academy of Theatre and Cinema. of Theatre and Cinema, as well as an artist and Deputy Art Director of Youth Theatre of Vietnam.

27

嘉賓講者

Guest Speakers

曼谷

Bangkok

曼谷

Bangkok

Pawit MAHASARINAND

Pawit MAHASARINAND

Chatvichai PROMADHATTAVEDI

Chatvichai PROMADHATTAVEDI

朱拉隆功大學戲劇藝術系主任

Chairman, Department of Dramatic Arts, Chulalongkorn University

曼谷藝術文化中心董事會成員及秘書長

Board Member and Secretary, Bangkok Art and Culture Centre

自 1992 年， 於 朱 拉 隆 功 大 學 戲 劇 藝 術 系 教

MAHASARINAND has taught performing arts

1977 - 1989年，任 Birasri Institute of Modern

PROMADHATTAVEDI was director of the

授 表 演 藝 術 評 論 及 管 理， 現 任 學 系 主 任。

criticism and management at Chulalongkorn

Art 總監，致力推廣視覺藝術、音樂和戲劇項

Birasri Institute of Modern Art from 1977 to

Festival/Tokyo 2011 及 2017 年城市當代舞蹈

University’s Department of Dramatic Arts since

目。曼谷交響樂團創團成員，前曼谷歌劇院

1989, promoting visual arts programme and

藝術節評論家；自 2001 年，其舞蹈及戲劇評

1992, and is currently the chairperson. A critic-

董事。2002 年，策劃成立文化部當代藝術與

music and theatre activities. He was a founding

論刊於當地英文報紙 The Nation，並任國際演

in-residence at Festival/Tokyo 2011 and City

文化辦公室。參與建設曼谷藝術文化中心，並

member of the Bangkok Symphony Orchestra

藝評論家協會泰國分會首任主席。與中國崑曲

Contemporary Dance Festival 2017, he has

於 2008 年開幕後任代理總監，現任董事兼幹

and was on the Board of the Bangkok Opera.

藝術家及泰國肢體戲劇藝術家合作「一桌二椅」

written dance and theatre reviews for English-

事。2012 年，加入曼谷城市咨詢委員會，主

In 2002 he organized the setting up of the

作品後，現與法國編舞家及泰國舞蹈運動治療

language newspaper The Nation since 2001

責社區文化項目。暹粒協會理事會委員，聯合

Office of the Contemporary Art and Culture,

師創作以泰式按摩及正骨法為主題的跨文化

and is the first president of the International

國教科文組織亞太區文化遺產保護獎評審委

Ministry of Culture. He was involved in the

作品。獲法國文化傳播部頒發「藝術文學騎士

Association of Theatre Critics (IATC)—Thailand

員。一直從事設計師，公共設施室內及佈景設

Bangkok Art and Culture Centre project,

勳章」，現為臺灣文化部東南亞事務諮詢委員

centre.

計。

which opened in 2008 with him as its Acting

會，及泰國國家藝術家選拔委員會成員。

Director. He is now on the BACC Board and After working with Chinese Kunqu and Thai

its Secretary. In 2012 he joined Bangkok City

physical theatre artists in “One Table Two

Advisory Board and worked on community

Chairs” last year, he is now co-creating,

cultural projects. He has been a Council

with French choreographer and Thai dance

Member of the Siam Society, and has been

movement therapist, a new cross-cultural

on the panel of the UNESCO’s Asia-Pacific

performance on traditional Thai massage and

Heritage Awards. He maintains his career as

osteopathy.

a designer, and has his own firm doing public

Awarded “chevalier de l’ordre des arts et des

interiors as well as sets for the theatre.

lettres” by France’s Ministry of Culture and Communication, he is currently a member of the Southeast Asia Advisory Committee for its Taiwanese counterpart and National Artist Selection Committee in his home country.

28

29

嘉賓講者

Guest Speakers

曼谷

Bangkok

曼谷

Bangkok

Pawit MAHASARINAND

Pawit MAHASARINAND

Chatvichai PROMADHATTAVEDI

Chatvichai PROMADHATTAVEDI

朱拉隆功大學戲劇藝術系主任

Chairman, Department of Dramatic Arts, Chulalongkorn University

曼谷藝術文化中心董事會成員及秘書長

Board Member and Secretary, Bangkok Art and Culture Centre

自 1992 年， 於 朱 拉 隆 功 大 學 戲 劇 藝 術 系 教

MAHASARINAND has taught performing arts

1977 - 1989年，任 Birasri Institute of Modern

PROMADHATTAVEDI was director of the

授 表 演 藝 術 評 論 及 管 理， 現 任 學 系 主 任。

criticism and management at Chulalongkorn

Art 總監，致力推廣視覺藝術、音樂和戲劇項

Birasri Institute of Modern Art from 1977 to

Festival/Tokyo 2011 及 2017 年城市當代舞蹈

University’s Department of Dramatic Arts since

目。曼谷交響樂團創團成員，前曼谷歌劇院

1989, promoting visual arts programme and

藝術節評論家；自 2001 年，其舞蹈及戲劇評

1992, and is currently the chairperson. A critic-

董事。2002 年，策劃成立文化部當代藝術與

music and theatre activities. He was a founding

論刊於當地英文報紙 The Nation，並任國際演

in-residence at Festival/Tokyo 2011 and City

文化辦公室。參與建設曼谷藝術文化中心，並

member of the Bangkok Symphony Orchestra

藝評論家協會泰國分會首任主席。與中國崑曲

Contemporary Dance Festival 2017, he has

於 2008 年開幕後任代理總監，現任董事兼幹

and was on the Board of the Bangkok Opera.

藝術家及泰國肢體戲劇藝術家合作「一桌二椅」

written dance and theatre reviews for English-

事。2012 年，加入曼谷城市咨詢委員會，主

In 2002 he organized the setting up of the

作品後，現與法國編舞家及泰國舞蹈運動治療

language newspaper The Nation since 2001

責社區文化項目。暹粒協會理事會委員，聯合

Office of the Contemporary Art and Culture,

師創作以泰式按摩及正骨法為主題的跨文化

and is the first president of the International

國教科文組織亞太區文化遺產保護獎評審委

Ministry of Culture. He was involved in the

作品。獲法國文化傳播部頒發「藝術文學騎士

Association of Theatre Critics (IATC)—Thailand

員。一直從事設計師，公共設施室內及佈景設

Bangkok Art and Culture Centre project,

勳章」，現為臺灣文化部東南亞事務諮詢委員

centre.

計。

which opened in 2008 with him as its Acting

會，及泰國國家藝術家選拔委員會成員。

Director. He is now on the BACC Board and After working with Chinese Kunqu and Thai

its Secretary. In 2012 he joined Bangkok City

physical theatre artists in “One Table Two

Advisory Board and worked on community

Chairs” last year, he is now co-creating,

cultural projects. He has been a Council

with French choreographer and Thai dance

Member of the Siam Society, and has been

movement therapist, a new cross-cultural

on the panel of the UNESCO’s Asia-Pacific

performance on traditional Thai massage and

Heritage Awards. He maintains his career as

osteopathy.

a designer, and has his own firm doing public

Awarded “chevalier de l’ordre des arts et des

interiors as well as sets for the theatre.

lettres” by France’s Ministry of Culture and Communication, he is currently a member of the Southeast Asia Advisory Committee for its Taiwanese counterpart and National Artist Selection Committee in his home country.

28

29

嘉賓講者

Guest Speakers

首爾

Seoul

伊斯坦堡

Istanbul

沈貞順

SHIM Jung-soon

Görgün TANER

Görgün TANER

崇實大學榮休教授

Professor Emerita, Soongsil University

伊斯坦堡文化藝術基金會（İKSV）總監

General Director, Istanbul Foundation for Culture and Arts (İKSV)

曾任首爾崇實大學人類學研究中心女性文化

SHIM served as Director of the Humanities

伊斯坦堡文化藝術基金會總監，基金會成立於

研 究 中 心 主 任 及 女 教 務 長， 知 名 戲 劇 評 論

Research Center of the Women’s Culture

1973 年，為非牟利非政府機構，舉辦 4 個國

家、劇作家、翻譯、散文作家。前韓國戲劇

Research Center and as Dean of Women. She

際藝術節（電影、戲劇、古典音樂及爵士樂），

研究協會主席，韓國劇場女性協會創會成員

is also known as a theatre critic, dramaturge,

伊斯坦堡雙年展、伊斯坦堡設計雙年展。現任

及 前 主 席。2014 年， 獲 Yuhsukki 戲 劇 評

translator and essayist. She is a former

阿姆斯特丹歐洲文化基金會主席，伊斯坦堡

論家獎項。國際戲劇研究聯盟執行委員會委

president of the Korean Theatre Studies

當代藝術博物館董事。自 2014 年，德國－土

員。獨立及合著超過 30 部出版，包括《女性

Association and the Korean Association of

耳其青年橋樑咨詢委員會成員。曾任歐洲爵

主義與韓國戲劇》 （1999）、《韓國女性導演的

Women in Theatre, of which she is also a

士樂藝術節協會主席，伊斯坦堡 2010 年歐洲

歷史及美學》 （2004）。《韓國戲劇與全球化時

founding member. She is the winner of the

文化之都參選咨詢委員會成員，法國 Cultural

代的文化》 （2002）、《全球化的莎士比亞在韓

2014 Yuhsukki Theatre Critics Award (KATC)

Season of Turkey 土耳其專員，及阿姆斯特丹

國》 （2009）分別獲韓國文化部及韓國藝術學院

and has been an executive committee

市政府藝術顧問。2011 年，獲法國政府頒發

最佳書籍獎。

member of the IFTR. She has authored or co-

「榮譽軍團騎士團勳章」。2014 年，獲法國文

TANER is the General Director of the Istanbul Foundation for Culture and Arts (İKSV), a nonprofit, non-governmental organisation founded in 1973 that organises four international festivals (Film, Theatre, Classical Music and Jazz), the Istanbul Biennial, and the Istanbul Design Biennial. He is also currently the Chair of the European Cultural Foundation (based in Amsterdam), and a board member of the Istanbul Modern Arts Museum. Since 2014, he also serves as a member of the Advisory Committee of German-Turkish Youth Bridge.

authored more than 30 publications in Korean,

化部頒發「藝術及文學勳章」，及波蘭共和國

including Feminism and Korean Theatre (1999) and Korean Women Directors: History and their Aesthetics (2004). Her books, Korean Theatre and Culture in the Age of Globalization (2002) a n d G l o b a l i z i n g S h a k e s p e a re i n K o re a andBeyond (2009) won a Best Book Award from the Korean Ministry of Culture and the Korean Academy of Arts, respectively.

30

「十字勳章」。

Previously, TANER served as the President of the European Jazz Festivals Association, a member of the Advisory Board of the Istanbul 2010 European Capital of Culture Agency. He was the commissioner of Turkey during the Cultural Season of Turkey in France, and the Art Consultant of the Amsterdam Municipality.

TANER was awarded by the French government with the Legion of Honour (Chevalier dans l’ordre national de la Legion d’Honneur) in 2011, and with membership to the French Ministry of Culture’s Order of Arts and Letters (Ordre des Arts et des Lettres) in 2014. He also received the Officer’s Cross of Merit, Superior Service to the Republic of Poland in 2014.

31

嘉賓講者

Guest Speakers

首爾

Seoul

伊斯坦堡

Istanbul

沈貞順

SHIM Jung-soon

Görgün TANER

Görgün TANER

崇實大學榮休教授

Professor Emerita, Soongsil University

伊斯坦堡文化藝術基金會（İKSV）總監

General Director, Istanbul Foundation for Culture and Arts (İKSV)

曾任首爾崇實大學人類學研究中心女性文化

SHIM served as Director of the Humanities

伊斯坦堡文化藝術基金會總監，基金會成立於

研 究 中 心 主 任 及 女 教 務 長， 知 名 戲 劇 評 論

Research Center of the Women’s Culture

1973 年，為非牟利非政府機構，舉辦 4 個國

家、劇作家、翻譯、散文作家。前韓國戲劇

Research Center and as Dean of Women. She

際藝術節（電影、戲劇、古典音樂及爵士樂），

研究協會主席，韓國劇場女性協會創會成員

is also known as a theatre critic, dramaturge,

伊斯坦堡雙年展、伊斯坦堡設計雙年展。現任

及 前 主 席。2014 年， 獲 Yuhsukki 戲 劇 評

translator and essayist. She is a former

阿姆斯特丹歐洲文化基金會主席，伊斯坦堡

論家獎項。國際戲劇研究聯盟執行委員會委

president of the Korean Theatre Studies

當代藝術博物館董事。自 2014 年，德國－土

員。獨立及合著超過 30 部出版，包括《女性

Association and the Korean Association of

耳其青年橋樑咨詢委員會成員。曾任歐洲爵

主義與韓國戲劇》 （1999）、《韓國女性導演的

Women in Theatre, of which she is also a

士樂藝術節協會主席，伊斯坦堡 2010 年歐洲

歷史及美學》 （2004）。《韓國戲劇與全球化時

founding member. She is the winner of the

文化之都參選咨詢委員會成員，法國 Cultural

代的文化》 （2002）、《全球化的莎士比亞在韓

2014 Yuhsukki Theatre Critics Award (KATC)

Season of Turkey 土耳其專員，及阿姆斯特丹

國》 （2009）分別獲韓國文化部及韓國藝術學院

and has been an executive committee

市政府藝術顧問。2011 年，獲法國政府頒發

最佳書籍獎。

member of the IFTR. She has authored or co-

「榮譽軍團騎士團勳章」。2014 年，獲法國文

TANER is the General Director of the Istanbul Foundation for Culture and Arts (İKSV), a nonprofit, non-governmental organisation founded in 1973 that organises four international festivals (Film, Theatre, Classical Music and Jazz), the Istanbul Biennial, and the Istanbul Design Biennial. He is also currently the Chair of the European Cultural Foundation (based in Amsterdam), and a board member of the Istanbul Modern Arts Museum. Since 2014, he also serves as a member of the Advisory Committee of German-Turkish Youth Bridge.

authored more than 30 publications in Korean,

化部頒發「藝術及文學勳章」，及波蘭共和國

including Feminism and Korean Theatre (1999) and Korean Women Directors: History and their Aesthetics (2004). Her books, Korean Theatre and Culture in the Age of Globalization (2002) a n d G l o b a l i z i n g S h a k e s p e a re i n K o re a andBeyond (2009) won a Best Book Award from the Korean Ministry of Culture and the Korean Academy of Arts, respectively.

30

「十字勳章」。

Previously, TANER served as the President of the European Jazz Festivals Association, a member of the Advisory Board of the Istanbul 2010 European Capital of Culture Agency. He was the commissioner of Turkey during the Cultural Season of Turkey in France, and the Art Consultant of the Amsterdam Municipality.

TANER was awarded by the French government with the Legion of Honour (Chevalier dans l’ordre national de la Legion d’Honneur) in 2011, and with membership to the French Ministry of Culture’s Order of Arts and Letters (Ordre des Arts et des Lettres) in 2014. He also received the Officer’s Cross of Merit, Superior Service to the Republic of Poland in 2014.

31

嘉賓講者

Guest Speakers

梭羅

Solo (Surakarta)

蘇黎世

Zurich

Koes Murtiyah WANDANSARI

Koes Murtiyah WANDANSARI

Hartmut WICKERT

Hartmut WICKERT

梭羅皇室民俗委員會主席

Chairman, Board of Customs, Palace of Surakarta

蘇黎世藝術大學表演藝術及電影系主任

Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

WANDANSARI 曾 獲 獎 項 包 括： 報 紙《 自

The awards received by WANDANSARI include

於德國的波鴻魯爾大學及哥廷根大學修讀德國

WICKERT studied German literature, sociology

由 之 聲 》年 度 人 物 獎（1993）、 中 爪 哇 及 日

Newspaper Suara Merdeka’s Man of The Year

文學、社會學及傳播學。自 2006 年，擔任蘇

and communications at the Ruhr University in

惹 Fashion Woman Neatly（1994）、Bhakti

(1993), Fashion Woman Neatly in Central Java

黎世藝術大學表演藝術及電影系主任。2000

Bochum and at the Georg August University

Upradana 文 化（ 中 爪 哇 藝 術 發 展 ） （1997）、

& DIY (1994), Culture of Bhakti Upradana

– 2006 年， 為 眾 多 劇 團 如 Thalia Theater

Göttingen. Since 2006, he has been the Head

中爪哇及日惹 ADHIPALA 藝術及文化旅遊獎

(Achievement of the field of arts development

Hamburg、Schauspiel Graz、Staatstheater

of the Department of Performing Arts and Film

（1997）、MURI record（2010）及 福 岡 亞 洲 文

– Central Java Province) (1997), The award of

Mainz、Staatstheater Karlsruhe、Weimar

of Zurich University of the Arts. From 2000

art and culture tourism ADHIPALA Central Java

German National Theatre

及 Jena Theatre

to 2006, he directed theatres, including the

& DIY (1997), MURI record (2010), FUKUOKA

導演劇場作品。1993 – 2000 年，於漢諾威

Thalia Theater Hamburg, Schauspiel Graz,

PRIZE in the field of culture (2011).

Staatstheatre 擔 任 首 席 導 演。1989 – 1993

Staatstheater Mainz, Staatstheater Karlsruhe,

年，Stadttheater Konstanz任首席導演；1984

Weimar German National Theatre, and Jena

– 1988 年，為 Tübinger Zimmertheater 藝術

theatre. From 1993 to 2000, he was the leading

總監。

director of the Staatstheater in Hannover;

化獎（2011）。

from 1989 to 1993, the leading director of the Stadttheater Konstanz; from 1984 to 1988, the artistic director of the Tübinger Zimmertheater.

32

33

嘉賓講者

Guest Speakers

梭羅

Solo (Surakarta)

蘇黎世

Zurich

Koes Murtiyah WANDANSARI

Koes Murtiyah WANDANSARI

Hartmut WICKERT

Hartmut WICKERT

梭羅皇室民俗委員會主席

Chairman, Board of Customs, Palace of Surakarta

蘇黎世藝術大學表演藝術及電影系主任

Head of the Department of Performing Arts and Film, Zurich University of the Arts (ZHdK)

WANDANSARI 曾 獲 獎 項 包 括： 報 紙《 自

The awards received by WANDANSARI include

於德國的波鴻魯爾大學及哥廷根大學修讀德國

WICKERT studied German literature, sociology

由 之 聲 》年 度 人 物 獎（1993）、 中 爪 哇 及 日

Newspaper Suara Merdeka’s Man of The Year

文學、社會學及傳播學。自 2006 年，擔任蘇

and communications at the Ruhr University in

惹 Fashion Woman Neatly（1994）、Bhakti

(1993), Fashion Woman Neatly in Central Java

黎世藝術大學表演藝術及電影系主任。2000

Bochum and at the Georg August University

Upradana 文 化（ 中 爪 哇 藝 術 發 展 ） （1997）、

& DIY (1994), Culture of Bhakti Upradana

– 2006 年， 為 眾 多 劇 團 如 Thalia Theater

Göttingen. Since 2006, he has been the Head

中爪哇及日惹 ADHIPALA 藝術及文化旅遊獎

(Achievement of the field of arts development

Hamburg、Schauspiel Graz、Staatstheater

of the Department of Performing Arts and Film

（1997）、MURI record（2010）及 福 岡 亞 洲 文

– Central Java Province) (1997), The award of

Mainz、Staatstheater Karlsruhe、Weimar

of Zurich University of the Arts. From 2000

art and culture tourism ADHIPALA Central Java

German National Theatre

及 Jena Theatre

to 2006, he directed theatres, including the

& DIY (1997), MURI record (2010), FUKUOKA

導演劇場作品。1993 – 2000 年，於漢諾威

Thalia Theater Hamburg, Schauspiel Graz,

PRIZE in the field of culture (2011).

Staatstheatre 擔 任 首 席 導 演。1989 – 1993

Staatstheater Mainz, Staatstheater Karlsruhe,

年，Stadttheater Konstanz任首席導演；1984

Weimar German National Theatre, and Jena

– 1988 年，為 Tübinger Zimmertheater 藝術

theatre. From 1993 to 2000, he was the leading

總監。

director of the Staatstheater in Hannover;

化獎（2011）。

from 1989 to 1993, the leading director of the Stadttheater Konstanz; from 1984 to 1988, the artistic director of the Tübinger Zimmertheater.

32

33

嘉賓講者

Guest Speakers

香港

Hong Kong

上海

Shanghai

劉小康

Freeman LAU

何建華

HE Jianhua

香港設計總會秘書長、 靳劉高創意策略創辦人

Secretary General, Hong Kong Federation of Design Associations and Founder, KL&K Creative Strategics

上海社會科學院副院長

Vice President, Shanghai Academy of Social Sciences

著名設計師及藝術家劉小康 , 生於 1958 年，

Born in 1958, Freeman Lau is a renowned artist and designer in Hong Kong. Freeman is currently the Founder of KL&K Creative S t r a t e g i c s , t h e Vi c e C h a i r m a n f o r t h e Design Alliance Asia (tDA Asia), a Director of the Board of Directors of the Hong Kong Design Centre (HKDC), and the Secretary General of Hong Kong Federation of Design Associations (FHKDA). These years, he is devoted in promoting the design industry.

As the secretary general of the Hong Kong Federation of Design Associations, Mr. Lau cocurated the 1st (2014) & 2nd (2016) "HK-SZ Design Biennale” with 39 design associations from Hong Kong and Shenzhen in various design disciplines including graphic design, new media design, fashion design, interior design, industrial design, etc. The success of the biennale is owing to the full support from different sectors in the society.

工商管理碩士，高級記者（新聞正高），上海

HE is the vice president of Shanghai Academy

社會科學院黨委委員，副院長。曾先後任上海

of Social Sciences (SASS). Before joining

青年報社新聞部負責人、駐北京記者、專刊部

SASS, he has served successively as the

主任，新民晚報社特稿部記者、經濟部副主

director of Special Issue Department of

任、上海市委宣傳部新聞出版處處長、助理巡

Shanghai Youth Daily, deputy director of

視員，文匯新民聯合報業集團黨委委員、文匯

Economics Department of Xinmin Evening

報黨委副書記、副總編輯（主持編輯工作），

Post, director of Office of Press and

上海文化廣播影視集團黨委委員、副總裁，上

Publication of the Publicity Department of the

海市新聞工作者協會副主席、上海市第十一屆

CPC Shanghai Committee, Deputy Editor-in-

政協委員等。

Chief of Wenhui Daily and the vice president of

現為靳劉高創意策略創辦人 , 身兼亞洲設計連 副主席、香港設計中心董事會成員、香港設計 總會秘書長等公職，一直致力於推動設計產 業。於 2014 及 2016 年 , 劉氏更以香港設計總 會秘書長的身份 , 與深港兩地設計業界共 39 個 設計協會共同策動了兩屆「深港設計雙年展」, 橫誇平面設計、新媒體設計、時裝設計、室內 設計、工業設計等設計界別 , 展覽亦獲各界支 持 , 非常成功。 劉氏的作品所牽涉的設計範疇十分廣泛，包 括書籍、平面設計、包裝設計及海報等。自 1984 年起，獲獎超過 300 項 , 近年的獎項包 括 : 國際平面設計協會 (ico-D) 認受的韓國亞洲 設計師邀請展「亞洲最佳設計師獎」（2014）、 「DFA 亞洲最具影響力設計獎 - 大獎」Grand Award of DFA Design for Asia Awards （2015） 及「iF 設計獎」(2016)。

34

the new Shanghai Media Group (SMG).

HE got his B.A. from Fudan Journalism School and EMBA from Fudan University. His research is specialised in news management, guidance of public opinion and media sector’s strategies in crisis management.

Since 1984, Freeman has won over 300 design awards and his design profession is developed in several fields including books, graphic design, packaging and poster design and so on. His most recent design achievements include “The Best Asian Designer” at the 2014 Asian Designers’ Invitational Exhibition in Korea endorsed by ico-D (2014), “Grand Award of DFA Design for Asia Awards” (2015), and “iF Design Award” (2016).

35

嘉賓講者

Guest Speakers

香港

Hong Kong

上海

Shanghai

劉小康

Freeman LAU

何建華

HE Jianhua

香港設計總會秘書長、 靳劉高創意策略創辦人

Secretary General, Hong Kong Federation of Design Associations and Founder, KL&K Creative Strategics

上海社會科學院副院長

Vice President, Shanghai Academy of Social Sciences

著名設計師及藝術家劉小康 , 生於 1958 年，

Born in 1958, Freeman Lau is a renowned artist and designer in Hong Kong. Freeman is currently the Founder of KL&K Creative S t r a t e g i c s , t h e Vi c e C h a i r m a n f o r t h e Design Alliance Asia (tDA Asia), a Director of the Board of Directors of the Hong Kong Design Centre (HKDC), and the Secretary General of Hong Kong Federation of Design Associations (FHKDA). These years, he is devoted in promoting the design industry.

As the secretary general of the Hong Kong Federation of Design Associations, Mr. Lau cocurated the 1st (2014) & 2nd (2016) "HK-SZ Design Biennale” with 39 design associations from Hong Kong and Shenzhen in various design disciplines including graphic design, new media design, fashion design, interior design, industrial design, etc. The success of the biennale is owing to the full support from different sectors in the society.

工商管理碩士，高級記者（新聞正高），上海

HE is the vice president of Shanghai Academy

社會科學院黨委委員，副院長。曾先後任上海

of Social Sciences (SASS). Before joining

青年報社新聞部負責人、駐北京記者、專刊部

SASS, he has served successively as the

主任，新民晚報社特稿部記者、經濟部副主

director of Special Issue Department of

任、上海市委宣傳部新聞出版處處長、助理巡

Shanghai Youth Daily, deputy director of

視員，文匯新民聯合報業集團黨委委員、文匯

Economics Department of Xinmin Evening

報黨委副書記、副總編輯（主持編輯工作），

Post, director of Office of Press and

上海文化廣播影視集團黨委委員、副總裁，上

Publication of the Publicity Department of the

海市新聞工作者協會副主席、上海市第十一屆

CPC Shanghai Committee, Deputy Editor-in-

政協委員等。

Chief of Wenhui Daily and the vice president of

現為靳劉高創意策略創辦人 , 身兼亞洲設計連 副主席、香港設計中心董事會成員、香港設計 總會秘書長等公職，一直致力於推動設計產 業。於 2014 及 2016 年 , 劉氏更以香港設計總 會秘書長的身份 , 與深港兩地設計業界共 39 個 設計協會共同策動了兩屆「深港設計雙年展」, 橫誇平面設計、新媒體設計、時裝設計、室內 設計、工業設計等設計界別 , 展覽亦獲各界支 持 , 非常成功。 劉氏的作品所牽涉的設計範疇十分廣泛，包 括書籍、平面設計、包裝設計及海報等。自 1984 年起，獲獎超過 300 項 , 近年的獎項包 括 : 國際平面設計協會 (ico-D) 認受的韓國亞洲 設計師邀請展「亞洲最佳設計師獎」（2014）、 「DFA 亞洲最具影響力設計獎 - 大獎」Grand Award of DFA Design for Asia Awards （2015） 及「iF 設計獎」(2016)。

34

the new Shanghai Media Group (SMG).

HE got his B.A. from Fudan Journalism School and EMBA from Fudan University. His research is specialised in news management, guidance of public opinion and media sector’s strategies in crisis management.

Since 1984, Freeman has won over 300 design awards and his design profession is developed in several fields including books, graphic design, packaging and poster design and so on. His most recent design achievements include “The Best Asian Designer” at the 2014 Asian Designers’ Invitational Exhibition in Korea endorsed by ico-D (2014), “Grand Award of DFA Design for Asia Awards” (2015), and “iF Design Award” (2016).

35

嘉賓講者

Guest Speakers

上海

Shanghai

上海

Shanghai

黃昌勇

HUANG Changyong

榮廣潤

RONG Guangrun

上海戲劇學院院長及教授

President and Professor, Shanghai Theatre Academy

上海戲劇學院教授及前院長

Professor and Former President, Shanghai Theatre Academy

上海戲劇學院黨委副書記、院長，全球城市

HUANG is currently the President of Shanghai

上海戲劇學院教授，博士生導師。前上海戲劇

Professor of Shanghai Theater Academy

（上海）文化觀測研究中心（MSCAC）主任，

T h e a t r e A c a d e m y ( S TA ) , a n d D e a n o f

學院院長。曾任中國戲劇家協會理事、中國話

professor and doctoral tutor. He was President

《藝術管理》雜誌主編，世界城市文化協同創新

College of Creative Studies–STA, Director of

劇藝術研究會副會長、中國莎士比亞學會副會

of Shanghai Theater Academy, Director of

中心贊助者、首席專家，教授、博士生導師；

Metropolitan Cultural Audit Center (MCAC),

長、上海市政協委員、上海市文聯委員、上海

Chinese Dramatists Association, Vice President

兼任同濟大學教授、博士生導師，世界城市文

Professor and Ph.D tutor (Studies on Culture,

戲劇家協會副主席、上海市翻譯家協會理事、

of China Stage Play Art Research Society,

化論壇 ( 倫敦 ) 顧問，教育部高等學校藝術學

Creativity and Arts Management). He is also

上海話劇研究會副會長等職。

Vice president of Shakespeare Society of

理論類教學指導委員會副主任委員、全國藝術

Professor and Ph.D Tutor (Studies on cultural

China, member of Shanghai People’s Political

學會藝術管理委員會副會長、上海市作家協會

industries) in Tongji University. He is mainly

Consultative Committee, member of Shanghai

理事。 歷任同濟大學講師、副教授、教授，

engaged in the research on literature, cultural

Federation of Literary and Art Circles, Vice

先後或同時擔任同濟大學傳播與藝術學院副院

theories, cultural and creative industries, and

Chairman of Shanghai Dramatists Association,

長、黨委宣傳部部長、新聞中心主任、人文學

metropolitan culture. He has chaired many

Director of Shanghai Translators Association,

院黨委書記、中國文學中心常務副主任、文化

national and provincial level research projects

Deputy Director of Shanghai Drama Research

產業研究所所長等職。

by national social sciences funds and Shanghai

Association.

philosophy and social science planning. His has received The Fourth Shanghai Outstanding Achievement Award for Philosophy and Social Sciences, and The Eighth Shanghai Outcome Award of Consultation and Research for Government Decision-Making.

36

37

嘉賓講者

Guest Speakers

上海

Shanghai

上海

Shanghai

黃昌勇

HUANG Changyong

榮廣潤

RONG Guangrun

上海戲劇學院院長及教授

President and Professor, Shanghai Theatre Academy

上海戲劇學院教授及前院長

Professor and Former President, Shanghai Theatre Academy

上海戲劇學院黨委副書記、院長，全球城市

HUANG is currently the President of Shanghai

上海戲劇學院教授，博士生導師。前上海戲劇

Professor of Shanghai Theater Academy

（上海）文化觀測研究中心（MSCAC）主任，

T h e a t r e A c a d e m y ( S TA ) , a n d D e a n o f

學院院長。曾任中國戲劇家協會理事、中國話

professor and doctoral tutor. He was President

《藝術管理》雜誌主編，世界城市文化協同創新

College of Creative Studies–STA, Director of

劇藝術研究會副會長、中國莎士比亞學會副會

of Shanghai Theater Academy, Director of

中心贊助者、首席專家，教授、博士生導師；

Metropolitan Cultural Audit Center (MCAC),

長、上海市政協委員、上海市文聯委員、上海

Chinese Dramatists Association, Vice President

兼任同濟大學教授、博士生導師，世界城市文

Professor and Ph.D tutor (Studies on Culture,

戲劇家協會副主席、上海市翻譯家協會理事、

of China Stage Play Art Research Society,

化論壇 ( 倫敦 ) 顧問，教育部高等學校藝術學

Creativity and Arts Management). He is also

上海話劇研究會副會長等職。

Vice president of Shakespeare Society of

理論類教學指導委員會副主任委員、全國藝術

Professor and Ph.D Tutor (Studies on cultural

China, member of Shanghai People’s Political

學會藝術管理委員會副會長、上海市作家協會

industries) in Tongji University. He is mainly

Consultative Committee, member of Shanghai

理事。 歷任同濟大學講師、副教授、教授，

engaged in the research on literature, cultural

Federation of Literary and Art Circles, Vice

先後或同時擔任同濟大學傳播與藝術學院副院

theories, cultural and creative industries, and

Chairman of Shanghai Dramatists Association,

長、黨委宣傳部部長、新聞中心主任、人文學

metropolitan culture. He has chaired many

Director of Shanghai Translators Association,

院黨委書記、中國文學中心常務副主任、文化

national and provincial level research projects

Deputy Director of Shanghai Drama Research

產業研究所所長等職。

by national social sciences funds and Shanghai

Association.

philosophy and social science planning. His has received The Fourth Shanghai Outstanding Achievement Award for Philosophy and Social Sciences, and The Eighth Shanghai Outcome Award of Consultation and Research for Government Decision-Making.

36

37

嘉賓講者

Guest Speakers

上海

Shanghai

台北

Taipei

陳聖來

CHEN Shenglai

許毓仁

Jason HSU

中國國家對外文化交流研究基地主任、 上海國際文化學會會長

Director of National Base for International Cultural Exchange and Research and President of the Institute of Cultural StudiesShanghai

立法委員、TEDxTaipei 共同創辦人

Legislator and Co-founder, TEDxTaipei

高級編輯、研究員、教授。 中國國家對外文

Senior editor, researcher, professor. Special

政 治 大 學 主 修 英 語 文 學 系、 副 修 新 聞 系。

J a s o n H s u i s a n e n t re p re n e u r a n d t h e

化交流研究基地主任、上海國際文化學會會

Fellow of Peking University and Fudan

2008 年創辦 The Big Question Conference，

cofounder of TEDxTaipei. In 2009 he applied

長，北京大學、復旦大學特約研究員，美國加

University. Honorary Professor of California

隔年與朋友創辦 TEDx Taipei，成為亞洲區第

successfully for the right to host TEDx

州州立大學奇科分校榮譽教授，上海師範大

State of University Chico. Visiting Professor

一個得到 TED 授權的城市，建構 TEDx Taipei

conferences and made Taipei the first city in

學、西南大學、復旦大學視覺學院等客座教

of Shanghai Normal University, Southwest

的 願 景： 塑 造 TEDx Taipei 為「 社 會 企 業 」，

Asia to obtain the license. In 2011 Hsu became

授，亞洲藝術節聯盟主席，中國對外文化交流

University and School of Visual Arts, Fudan

以「18 分鐘演講改變全世界」的全球論壇，處

the TEDx ambassador for all of Asia, speaking

協會常務理事，中國上海國際藝術節組委會副

University. Chairman of Asian Arts Festival

理主流企業不願意做的事。隨著 TEDx Taipei

at TED and TEDx conferences across the

秘書長，上海海外聯誼會顧問，宋慶齡基金會

Union, Executive Director of China International

在 TED 社群發展蓬勃，2011 年成為 TEDx 亞

world including TEDx Summit, TEDx Kyoto,

理事，中國作家協會會員，中國戲劇家協會會

Cultural Association, Deputy Secretary

洲區大使。2016，從新創領域跨進政府體制

TEDx Wanchai and others. Hsu also organized

員。歷任東方廣播電臺台長、總編輯，中國上

General of Shanghai International Arts Festival

內，擔任第九屆國民黨不分區立法委員。

the Sharable Cities Initiative in 2014, a series

海國際藝術節中心總裁。

Organizing Committee, Advisor of Shanghai

of hack-a-thons, forums, and workshops

Overseas Chinese Friendship Association,

dedicated to increasing transparency and

Director of Soong Ching Ling Foundation,

promoting open data through crowdsourcing.

ember of Chinese Writers Association and

H s u i s a c u r r e n t Ta i w a n e s e a t - l a r g e

member of Chinese Dramatists Association.

legislator and an active advocate of issues

Former Director and Editor-in-chief of the

regarding education, technology, innovation,

Shanghai Oriental Radio, President of China

sustainability, and marriage equality.

Shanghai International Arts Festival Center.

38

39

嘉賓講者

Guest Speakers

上海

Shanghai

台北

Taipei

陳聖來

CHEN Shenglai

許毓仁

Jason HSU

中國國家對外文化交流研究基地主任、 上海國際文化學會會長

Director of National Base for International Cultural Exchange and Research and President of the Institute of Cultural StudiesShanghai

立法委員、TEDxTaipei 共同創辦人

Legislator and Co-founder, TEDxTaipei

高級編輯、研究員、教授。 中國國家對外文

Senior editor, researcher, professor. Special

政 治 大 學 主 修 英 語 文 學 系、 副 修 新 聞 系。

J a s o n H s u i s a n e n t re p re n e u r a n d t h e

化交流研究基地主任、上海國際文化學會會

Fellow of Peking University and Fudan

2008 年創辦 The Big Question Conference，

cofounder of TEDxTaipei. In 2009 he applied

長，北京大學、復旦大學特約研究員，美國加

University. Honorary Professor of California

隔年與朋友創辦 TEDx Taipei，成為亞洲區第

successfully for the right to host TEDx

州州立大學奇科分校榮譽教授，上海師範大

State of University Chico. Visiting Professor

一個得到 TED 授權的城市，建構 TEDx Taipei

conferences and made Taipei the first city in

學、西南大學、復旦大學視覺學院等客座教

of Shanghai Normal University, Southwest

的 願 景： 塑 造 TEDx Taipei 為「 社 會 企 業 」，

Asia to obtain the license. In 2011 Hsu became

授，亞洲藝術節聯盟主席，中國對外文化交流

University and School of Visual Arts, Fudan

以「18 分鐘演講改變全世界」的全球論壇，處

the TEDx ambassador for all of Asia, speaking

協會常務理事，中國上海國際藝術節組委會副

University. Chairman of Asian Arts Festival

理主流企業不願意做的事。隨著 TEDx Taipei

at TED and TEDx conferences across the

秘書長，上海海外聯誼會顧問，宋慶齡基金會

Union, Executive Director of China International

在 TED 社群發展蓬勃，2011 年成為 TEDx 亞

world including TEDx Summit, TEDx Kyoto,

理事，中國作家協會會員，中國戲劇家協會會

Cultural Association, Deputy Secretary

洲區大使。2016，從新創領域跨進政府體制

TEDx Wanchai and others. Hsu also organized

員。歷任東方廣播電臺台長、總編輯，中國上

General of Shanghai International Arts Festival

內，擔任第九屆國民黨不分區立法委員。

the Sharable Cities Initiative in 2014, a series

海國際藝術節中心總裁。

Organizing Committee, Advisor of Shanghai

of hack-a-thons, forums, and workshops

Overseas Chinese Friendship Association,

dedicated to increasing transparency and

Director of Soong Ching Ling Foundation,

promoting open data through crowdsourcing.

ember of Chinese Writers Association and

H s u i s a c u r r e n t Ta i w a n e s e a t - l a r g e

member of Chinese Dramatists Association.

legislator and an active advocate of issues

Former Director and Editor-in-chief of the

regarding education, technology, innovation,

Shanghai Oriental Radio, President of China

sustainability, and marriage equality.

Shanghai International Arts Festival Center.

38

39

嘉賓講者

Guest Speakers

深圳

Shenzhen

曼谷

Bangkok

徐霞

XU Xia

Nongrat THANJITT

Nongrat THANJITT

深圳大劇院藝術總監

Artistic Director, Shenzhen Grand Theatre

曼谷藝術文化中心基金會主管

Foundation Office Manager, Bangkok Art and Culture Centre

上海音樂學院藝術管理研究生、北京大學光華

Graduate of Arts Management at Shanghai

擁有 11 年在 CMO Group PLC 的藝術管理商

During her 11 years’ experience as Managing

管理學院 EDP 研究生。 2000 年籌建深圳音樂

Conservatory of Music and EDP graduate of

業部門擔任營運總監的經驗，這是泰國最領

Director of the Art Management business unit

廳，曾任深圳音樂廳藝術總監，參與策劃製作

Guanghua School of Management. In 2000,

先 的 創 意 活 動 管 理 公 司。 自 2005 年 以 來，

in CMO Group PLC, Thailand’s leading creative

鋼琴協奏曲《走進新時代》、「春聆音樂廳」、

Xu established and was the Artistic Director of

Nongrat Thanjitt (Nay) 策劃過多項藝術計畫，

event management company, Nongrat Thanjitt

「暑期親子季」、「秋聆音樂廳」、「美麗星期

Shenzhen Concert Hall. She has curated and

對象包括政府部門和私人組織。任職過副總監

has managed several art projects for both

produced piano concerto Enter the New Age

曼谷雕塑藝術中心。

government and private organisations. She

天」等著名藝術品牌。

and a number of big names.

2014 年起，Nongrat 加入曼谷藝術文化中心 (BACC)，這是由曼谷藝術中心起創，並由曼

was also Deputy Director of Bangkok Sculpture Centre.

谷大都會管理局在經濟上支持。身為第一任

In 2014, Nongrat joined Bangkok Art and

的基金會總監（Foundation Manager），需要

Culture Centre (BACC), Bangkok’s art centre

負起籌集資金、與外界資源合作，提高藝術

initiated and financially funded by BMA, as

與文化的意識以及為泰國社會建立文化基礎

the first BACC Foundation Manager to be in

設施。

charge of fund raising, networking with external resources to create awareness in art and culture and building up cultural infrastructure for Thai society.

40

41

嘉賓講者

Guest Speakers

深圳

Shenzhen

曼谷

Bangkok

徐霞

XU Xia

Nongrat THANJITT

Nongrat THANJITT

深圳大劇院藝術總監

Artistic Director, Shenzhen Grand Theatre

曼谷藝術文化中心基金會主管

Foundation Office Manager, Bangkok Art and Culture Centre

上海音樂學院藝術管理研究生、北京大學光華

Graduate of Arts Management at Shanghai

擁有 11 年在 CMO Group PLC 的藝術管理商

During her 11 years’ experience as Managing

管理學院 EDP 研究生。 2000 年籌建深圳音樂

Conservatory of Music and EDP graduate of

業部門擔任營運總監的經驗，這是泰國最領

Director of the Art Management business unit

廳，曾任深圳音樂廳藝術總監，參與策劃製作

Guanghua School of Management. In 2000,

先 的 創 意 活 動 管 理 公 司。 自 2005 年 以 來，

in CMO Group PLC, Thailand’s leading creative

鋼琴協奏曲《走進新時代》、「春聆音樂廳」、

Xu established and was the Artistic Director of

Nongrat Thanjitt (Nay) 策劃過多項藝術計畫，

event management company, Nongrat Thanjitt

「暑期親子季」、「秋聆音樂廳」、「美麗星期

Shenzhen Concert Hall. She has curated and

對象包括政府部門和私人組織。任職過副總監

has managed several art projects for both

produced piano concerto Enter the New Age

曼谷雕塑藝術中心。

government and private organisations. She

天」等著名藝術品牌。

and a number of big names.

2014 年起，Nongrat 加入曼谷藝術文化中心 (BACC)，這是由曼谷藝術中心起創，並由曼

was also Deputy Director of Bangkok Sculpture Centre.

谷大都會管理局在經濟上支持。身為第一任

In 2014, Nongrat joined Bangkok Art and

的基金會總監（Foundation Manager），需要

Culture Centre (BACC), Bangkok’s art centre

負起籌集資金、與外界資源合作，提高藝術

initiated and financially funded by BMA, as

與文化的意識以及為泰國社會建立文化基礎

the first BACC Foundation Manager to be in

設施。

charge of fund raising, networking with external resources to create awareness in art and culture and building up cultural infrastructure for Thai society.

40

41

嘉賓藝術家

Guest Artists

伊斯坦堡 Istanbul

金邊 Phnom Penh

曼谷 Bangkok

大阪 / 紐約 Osaka/New York City

Gizem BILGEN

CHEY Chankethya

Jitti CHOMPEE

舞者 Studio Oyunculari 方法訓練講師

舞者／編舞 Amrita Performing Arts 藝術總監

當代舞者／編舞 18 Monkeys Dance Theatre 及 Unfolding Kafka Festival 藝術總監

中馬芳子

畢業於庫達茲藝術大學鹿特丹舞蹈學院，曾

於柬埔寨皇家藝術大學主修編舞及加州大學洛

於 2007 年 彭 博 稱 她 為「 近 25 年 來 紐 約 市 藝

於「莎莎．華爾斯與客人們」舞團實習。2011

杉磯分校主修舞蹈／編舞，後隨柬埔寨皇家宮

2013 及 2014 年，獲邀參與摩洛哥 The Institut Français de Fès 及巴黎西帖國際藝術中心的駐

年，參與 Riksteatern Cullberg Ballet 駐團藝

廷舞團於國內外演出。曾多次獲頒獎項及獎學

Awards 及古根海姆基金會、國家藝術基金

術家計劃。伊斯坦堡 Mimar Sinan Fine Arts

金，亦多次參與印尼及美國之舞蹈節。

場藝術家計劃。2015 年，於 The Nederlandse Reisopera（Les pêcheurs de perles）及 布 宜 諾 斯 艾 利 斯 Escalandrum（Astor Piazzolla） 任 特 邀 編 舞。2016 年， 擔 任 海 牙 Kylián

會、Meet the Composer Choreographer/

Foundation at Korzo Theatre 駐團藝術家。

Works 等獎項。

University 當代舞學系表演藝術碩士 。

舞者／編舞 The School of Hard Knocks 藝術總監

術界之標竿人物」。中馬芳子曾獲頒 Bessie 會、 紐 約 藝 術 基 金 會、 日 本 國 際 交 流 基 金 Composer Commission 及 Philip Morris New

Gizem BILGEN

CHEY Chankethya

Jitti CHOMPEE

Yoshiko CHUMA

Dancer Method-training lecturer of Studio Oyunculari

Dancer/ Choreographer Artistic Director, Amrita Performing Arts

Contemporary Dancer/Choreographer Artistic Director, 18 Monkeys Dance Theatre and Unfolding Kafka Festival

Dancer/Choreographer Artistic Director, The School of Hard Knocks

Bilgen graduated from Rotterdam Dance

Kethya studied Choreographic Arts at Royal

The Institut Français de Fès, Morocco invited

Described in 2007 by Bloomberg as “a fixture

Academy of Codarts University for the Arts.

University of Fine Arts, Cambodia and Dance/

Jitti in 2013 for an artist-in-residency programme

on New York’s downtown scene for over a

She joined the artist-in-residence programme

Choreography at University of California,

and again at Cite Internationale des Arts, Paris

quarter-century”, Chuma is a recipient of

in Riksteatern Cullberg Ballet in 2011 upon

Los Angeles. She used to perform nationally

in 2014. In 2015, he was a guest choreographer

several fellowships and awards, including

receiving her internship training with Sasha

and internationally with The Royal Ballet of

for the Nederlandse Reisopera (Les pêcheurs

Bessie Awards and those from the Guggenheim

Waltz & Guests. She completed her MPA

Cambodia. She has received many awards,

de perles) and Escalandrum (Astor Piazzolla)

Foundation, National Endowment for the

at Department of Contemporary Dance,

fellowships and scholarships, and also

in Buenos Aires. In 2016, Jitti was granted a

Arts, New York Foundation for the Arts,

State Conservatory in Mimar Sinan Fine Arts

participated in several dance festivals in

residency by the Kylián Foundation at Korzo

Japan Foundation, Meet the Composer

University, Istanbul.

Indonesia and America.

Theatre in The Hague.

Choreographer/Composer Commission and Philip Morris New Works.

42

43

嘉賓藝術家

Guest Artists

伊斯坦堡 Istanbul

金邊 Phnom Penh

曼谷 Bangkok

大阪 / 紐約 Osaka/New York City

Gizem BILGEN

CHEY Chankethya

Jitti CHOMPEE

舞者 Studio Oyunculari 方法訓練講師

舞者／編舞 Amrita Performing Arts 藝術總監

當代舞者／編舞 18 Monkeys Dance Theatre 及 Unfolding Kafka Festival 藝術總監

中馬芳子

畢業於庫達茲藝術大學鹿特丹舞蹈學院，曾

於柬埔寨皇家藝術大學主修編舞及加州大學洛

於 2007 年 彭 博 稱 她 為「 近 25 年 來 紐 約 市 藝

於「莎莎．華爾斯與客人們」舞團實習。2011

杉磯分校主修舞蹈／編舞，後隨柬埔寨皇家宮

2013 及 2014 年，獲邀參與摩洛哥 The Institut Français de Fès 及巴黎西帖國際藝術中心的駐

年，參與 Riksteatern Cullberg Ballet 駐團藝

廷舞團於國內外演出。曾多次獲頒獎項及獎學

Awards 及古根海姆基金會、國家藝術基金

術家計劃。伊斯坦堡 Mimar Sinan Fine Arts

金，亦多次參與印尼及美國之舞蹈節。

場藝術家計劃。2015 年，於 The Nederlandse Reisopera（Les pêcheurs de perles）及 布 宜 諾 斯 艾 利 斯 Escalandrum（Astor Piazzolla） 任 特 邀 編 舞。2016 年， 擔 任 海 牙 Kylián

會、Meet the Composer Choreographer/

Foundation at Korzo Theatre 駐團藝術家。

Works 等獎項。

University 當代舞學系表演藝術碩士 。

舞者／編舞 The School of Hard Knocks 藝術總監

術界之標竿人物」。中馬芳子曾獲頒 Bessie 會、 紐 約 藝 術 基 金 會、 日 本 國 際 交 流 基 金 Composer Commission 及 Philip Morris New

Gizem BILGEN

CHEY Chankethya

Jitti CHOMPEE

Yoshiko CHUMA

Dancer Method-training lecturer of Studio Oyunculari

Dancer/ Choreographer Artistic Director, Amrita Performing Arts

Contemporary Dancer/Choreographer Artistic Director, 18 Monkeys Dance Theatre and Unfolding Kafka Festival

Dancer/Choreographer Artistic Director, The School of Hard Knocks

Bilgen graduated from Rotterdam Dance

Kethya studied Choreographic Arts at Royal

The Institut Français de Fès, Morocco invited

Described in 2007 by Bloomberg as “a fixture

Academy of Codarts University for the Arts.

University of Fine Arts, Cambodia and Dance/

Jitti in 2013 for an artist-in-residency programme

on New York’s downtown scene for over a

She joined the artist-in-residence programme

Choreography at University of California,

and again at Cite Internationale des Arts, Paris

quarter-century”, Chuma is a recipient of

in Riksteatern Cullberg Ballet in 2011 upon

Los Angeles. She used to perform nationally

in 2014. In 2015, he was a guest choreographer

several fellowships and awards, including

receiving her internship training with Sasha

and internationally with The Royal Ballet of

for the Nederlandse Reisopera (Les pêcheurs

Bessie Awards and those from the Guggenheim

Waltz & Guests. She completed her MPA

Cambodia. She has received many awards,

de perles) and Escalandrum (Astor Piazzolla)

Foundation, National Endowment for the

at Department of Contemporary Dance,

fellowships and scholarships, and also

in Buenos Aires. In 2016, Jitti was granted a

Arts, New York Foundation for the Arts,

State Conservatory in Mimar Sinan Fine Arts

participated in several dance festivals in

residency by the Kylián Foundation at Korzo

Japan Foundation, Meet the Composer

University, Istanbul.

Indonesia and America.

Theatre in The Hague.

Choreographer/Composer Commission and Philip Morris New Works.

42

43

嘉賓藝術家

Guest Artists

孟買 Mumbai

波哥大 / 柏林 Bogota/Berlin

南京 Nanjing

蘇黎世 Zurich

Astad DEBOO

Martha HINCAPIÉ CHARRY

Denise LAMPART

當代舞者／編舞 Sangeet Natak Akademi Award 及 Padam Shri 得獎者

編舞／演員 Plataforma Iberoamerican Festival 藝術總監

柯軍

崑曲藝術家 江蘇省演藝集團總經理

編舞 蘇黎世藝術大學當代舞導師

曾 合 作 的 世 界 級 藝 術 家 包 括 Pina Bausch、

先後於哥倫比亞、阿根廷、古巴及德國修讀舞

國家一級演員。近年潛心探索實驗崑劇，在

Alison Becker Chase 及 Pink Floyd 等。1996

蹈、劇場及獨舞，曾獲 Pina Bausch 指導。其

國內外劇壇引起反響。曾榮獲中國戲劇「梅花

及 2007 年， 印 度 政 府 頒 發 Sangeet Natak

編舞作品曾應邀到美洲及歐洲多個藝術節演

獎」榜首、文化部「文華獎」、「中國電視戲曲

Akademi Award 及 Padam Shri，以誌其對當

出，並獲多個獎學金及獎項。2007 年創立哥

蘭花獎」，並獲「國家非物質文化遺產繼承人」

代印度舞蹈形式的貢獻。

倫比亞－德國舞團 PERIFERIC。現於柏林工

稱號。

2001－ Opernhaus 蘇黎世芭蕾舞學校現代／ 當代舞導師 2013-16 編舞及獨舞國際大師班：南美、亞 美尼亞、格魯吉亞、日本、也門、 阿塞拜疆 2010 與 Susanne Linke 合作獨舞《LUNGMEI》首演 2001 柏林芭蕾舞團 Nils Christe Mentor 編 舞獎 2000 伯恩芭蕾舞團客席編舞《L’En-gage du Corps》

及哥倫比亞 Bienal de Danza de Cali 策劃人

作及居住。

Astad DEBOO

Martha HINCAPIÉ CHARRY

KE Jun

Denise LAMPART

Contemporary Dancer/Choreographer Laureate of Sangeet Natak Akademi Award and Padam Shri

Choreographer/Performer Artistic Director, Plataforma Iberoamerican Festival and Curator, Bienal de Danza de Cali, Colombia

Kunqu Artist General Manager, Jiangsu Performing Arts Group

Choreographer Instructor of Contemporary Dance, Zurich University of the Arts

Astad Deboo has performed and associated

Martha studied dance, theatre, and solo-

KE Jun is a National Class One Performer. Apart

2001-

with world class artists like Pina Bausch, Alison

dance in Colombia, Argentina, Cuba, and

from having received prestigious awards

Becker Chase and Pink Floyd. The Government

Germany, under the direction of Pina Bausch.

including Meihua Award, Wenhua Award

of India honoured him with Sangeet Natak

Her creations of choreography have been

and Lanhua Award, Ke is also honoured as

Akademi Award in 1996 and Padam Shri

invited to festivals in Europe and the America.

a propagator of National Intangible Cultural

in 2007, for his overall contributions to

She has been awarded with several prizes and

Heritage.

contemporary Indian dance forms.

scholarships. Martha founded the ColombianGerman group PERIFERIC in 2007. She works and lives in Berlin.

44

Modern/Contemporary Teacher for Ballettschule Opernhaus Zürich 2013-16 International Masterclass in Choreographie and Solo Work: South America, Armenia, Georgia, Japan, Jemen, Aszerbajian 2010 Premiere Solo Performance LUNGMEI, Collaboration Susanne Linke 2001 Grant for Choreographer, Nils Christe Mentor, Berlin Ballett 2000 “L’En-gage du Corps” Bern Ballet Guest Choreographer

45

嘉賓藝術家

Guest Artists

孟買 Mumbai

波哥大 / 柏林 Bogota/Berlin

南京 Nanjing

蘇黎世 Zurich

Astad DEBOO

Martha HINCAPIÉ CHARRY

Denise LAMPART

當代舞者／編舞 Sangeet Natak Akademi Award 及 Padam Shri 得獎者

編舞／演員 Plataforma Iberoamerican Festival 藝術總監

柯軍

崑曲藝術家 江蘇省演藝集團總經理

編舞 蘇黎世藝術大學當代舞導師

曾 合 作 的 世 界 級 藝 術 家 包 括 Pina Bausch、

先後於哥倫比亞、阿根廷、古巴及德國修讀舞

國家一級演員。近年潛心探索實驗崑劇，在

Alison Becker Chase 及 Pink Floyd 等。1996

蹈、劇場及獨舞，曾獲 Pina Bausch 指導。其

國內外劇壇引起反響。曾榮獲中國戲劇「梅花

及 2007 年， 印 度 政 府 頒 發 Sangeet Natak

編舞作品曾應邀到美洲及歐洲多個藝術節演

獎」榜首、文化部「文華獎」、「中國電視戲曲

Akademi Award 及 Padam Shri，以誌其對當

出，並獲多個獎學金及獎項。2007 年創立哥

蘭花獎」，並獲「國家非物質文化遺產繼承人」

代印度舞蹈形式的貢獻。

倫比亞－德國舞團 PERIFERIC。現於柏林工

稱號。

2001－ Opernhaus 蘇黎世芭蕾舞學校現代／ 當代舞導師 2013-16 編舞及獨舞國際大師班：南美、亞 美尼亞、格魯吉亞、日本、也門、 阿塞拜疆 2010 與 Susanne Linke 合作獨舞《LUNGMEI》首演 2001 柏林芭蕾舞團 Nils Christe Mentor 編 舞獎 2000 伯恩芭蕾舞團客席編舞《L’En-gage du Corps》

及哥倫比亞 Bienal de Danza de Cali 策劃人

作及居住。

Astad DEBOO

Martha HINCAPIÉ CHARRY

KE Jun

Denise LAMPART

Contemporary Dancer/Choreographer Laureate of Sangeet Natak Akademi Award and Padam Shri

Choreographer/Performer Artistic Director, Plataforma Iberoamerican Festival and Curator, Bienal de Danza de Cali, Colombia

Kunqu Artist General Manager, Jiangsu Performing Arts Group

Choreographer Instructor of Contemporary Dance, Zurich University of the Arts

Astad Deboo has performed and associated

Martha studied dance, theatre, and solo-

KE Jun is a National Class One Performer. Apart

2001-

with world class artists like Pina Bausch, Alison

dance in Colombia, Argentina, Cuba, and

from having received prestigious awards

Becker Chase and Pink Floyd. The Government

Germany, under the direction of Pina Bausch.

including Meihua Award, Wenhua Award

of India honoured him with Sangeet Natak

Her creations of choreography have been

and Lanhua Award, Ke is also honoured as

Akademi Award in 1996 and Padam Shri

invited to festivals in Europe and the America.

a propagator of National Intangible Cultural

in 2007, for his overall contributions to

She has been awarded with several prizes and

Heritage.

contemporary Indian dance forms.

scholarships. Martha founded the ColombianGerman group PERIFERIC in 2007. She works and lives in Berlin.

44

Modern/Contemporary Teacher for Ballettschule Opernhaus Zürich 2013-16 International Masterclass in Choreographie and Solo Work: South America, Armenia, Georgia, Japan, Jemen, Aszerbajian 2010 Premiere Solo Performance LUNGMEI, Collaboration Susanne Linke 2001 Grant for Choreographer, Nils Christe Mentor, Berlin Ballett 2000 “L’En-gage du Corps” Bern Ballet Guest Choreographer

45

嘉賓藝術家

Guest Artists

香港 Hong Kong

特拉維夫 Tel Aviv

日惹 Yogyakarta

大馬士革 / 柏林 Damascus/Berlin

李俊樂

Saar MAGAL

Didik NINI THOWOK

Fadi WAKED

口琴家 世界口琴節冠軍得主

當代劇場導演／編舞 The Stanford Arts Institute 特邀駐場藝術家

傳統爪哇舞者／編舞 Didik Nini Thowok Foundation 總監

編舞／舞者 AL AMAL Contemporary Dance 編舞

享譽國際的口琴演奏家李俊樂，畢業於香港 教育大學創意藝術及文化（榮譽）文學士，主 修音樂。2017 年，他於德國舉辦的口琴奧林 匹克及被喻為世界口琴賽事最高殿堂的世界 口琴節奪得冠軍。

於倫敦 Laban Centre 學習形體及舞蹈 。目前

為 目 前 少 數 傳 承「 跨 性 別 」舞 蹈 表 演 的 藝

自 2010 年 起 學 習 舞 蹈 表 演 及 編 舞， 並 於 大

擔任三藩市斯坦福大學藝術學院訪問藝術家，

術 家。 曾 於 世 界 各 地 演 出， 其 結 合 傳 統、

馬士革教授舞蹈。2016 年，參與中馬芳子、

與 蘇黎世 Rote Fabrik & Tanzhaus、耶路撒

民間、當代、喜劇風格的獨特舞蹈形式廣受

Julian Hamilton 及 Sasha Waltz Company

冷 Dance Arena 及 柏林 Staatsoper 藝術節合

讚譽。

的形體與舞蹈工作坊。目前於當代舞蹈演出 AMAL 擔任編舞。

作三部曲作品。

2011 年，年僅 19 歲的他獲選為香港電台「樂 壇新秀」。2012 年他贏得亞太口琴節冠軍。 2014 年他於紐約舉行的國際協奏曲比賽中獲 得首獎 ( 第一名 )。同年受邀於紐約 Carnegie Hall 卡內基大廳獨奏演出。

Gordon LEE

Saar MAGAL

Didik NINI THOWOK

Fadi WAKED

Harmonicist Champion of World Harmonica Festival

Contemporary Theatre Director/ Choreographer Visiting Artist In Residence, The Stanford Arts Institute

Classical Javanese Dancer/Choreographer Director, Didik Nini Thowok Foundation

Choreographer/Dancer Choreographer, AL AMAL Contemporary Dance

Widely regarded as one of the foremost harmonicists in the world, Gordon Lee is a graduate of The Education University of Hong Kong with a Bachelor’s Degree in Creative Arts and Culture majoring in Music. In 2017, Gordon was the Champion of World Harmonica Festival, the highest level of harmonica competition in the world.

Magal studied dance at the Laban Centre for Movement and Dance in London. She is currently a Visiting-Artist-in-Residence at the Stanford Arts Institute in Stanford University, San Francisco, and working on a trilogy with Rote Fabrik & Tanzhaus Zürich, Dance Arena Jerusalem and Staatsoper Berlin.

Didik is now one of the very few artists who

Fadi studied dance/choreography since 2010,

continues the long tradition of “cross-gender”

and has been practicing and teaching dance

dance performance. He has performed around

in Damascus. In 2016, he took part in Dance/

the world and is renowned for combining

Movement Workshop with Yoshiko Chuma,

classical, folk, modern and comedic dance

Julian Hamilton and Sasha Waltz Company. He

forms in his works.

is now working for AMAL contemporary dance

In 2011, Gordon was elected as one of the “Young Music Makers” of RTHK Radio in the age of 19. In 2012, he was the Champion of the Asia Pacific Harmonica Festival. He also won the first prize at the 2014 International Concerto Competition in New York. In the same year he was invited to have a solo performance at the Carnegie Hall in New York.

46

as a choreographer.

47

嘉賓藝術家

Guest Artists

香港 Hong Kong

特拉維夫 Tel Aviv

日惹 Yogyakarta

大馬士革 / 柏林 Damascus/Berlin

李俊樂

Saar MAGAL

Didik NINI THOWOK

Fadi WAKED

口琴家 世界口琴節冠軍得主

當代劇場導演／編舞 The Stanford Arts Institute 特邀駐場藝術家

傳統爪哇舞者／編舞 Didik Nini Thowok Foundation 總監

編舞／舞者 AL AMAL Contemporary Dance 編舞

享譽國際的口琴演奏家李俊樂，畢業於香港 教育大學創意藝術及文化（榮譽）文學士，主 修音樂。2017 年，他於德國舉辦的口琴奧林 匹克及被喻為世界口琴賽事最高殿堂的世界 口琴節奪得冠軍。

於倫敦 Laban Centre 學習形體及舞蹈 。目前

為 目 前 少 數 傳 承「 跨 性 別 」舞 蹈 表 演 的 藝

自 2010 年 起 學 習 舞 蹈 表 演 及 編 舞， 並 於 大

擔任三藩市斯坦福大學藝術學院訪問藝術家，

術 家。 曾 於 世 界 各 地 演 出， 其 結 合 傳 統、

馬士革教授舞蹈。2016 年，參與中馬芳子、

與 蘇黎世 Rote Fabrik & Tanzhaus、耶路撒

民間、當代、喜劇風格的獨特舞蹈形式廣受

Julian Hamilton 及 Sasha Waltz Company

冷 Dance Arena 及 柏林 Staatsoper 藝術節合

讚譽。

的形體與舞蹈工作坊。目前於當代舞蹈演出 AMAL 擔任編舞。

作三部曲作品。

2011 年，年僅 19 歲的他獲選為香港電台「樂 壇新秀」。2012 年他贏得亞太口琴節冠軍。 2014 年他於紐約舉行的國際協奏曲比賽中獲 得首獎 ( 第一名 )。同年受邀於紐約 Carnegie Hall 卡內基大廳獨奏演出。

Gordon LEE

Saar MAGAL

Didik NINI THOWOK

Fadi WAKED

Harmonicist Champion of World Harmonica Festival

Contemporary Theatre Director/ Choreographer Visiting Artist In Residence, The Stanford Arts Institute

Classical Javanese Dancer/Choreographer Director, Didik Nini Thowok Foundation

Choreographer/Dancer Choreographer, AL AMAL Contemporary Dance

Widely regarded as one of the foremost harmonicists in the world, Gordon Lee is a graduate of The Education University of Hong Kong with a Bachelor’s Degree in Creative Arts and Culture majoring in Music. In 2017, Gordon was the Champion of World Harmonica Festival, the highest level of harmonica competition in the world.

Magal studied dance at the Laban Centre for Movement and Dance in London. She is currently a Visiting-Artist-in-Residence at the Stanford Arts Institute in Stanford University, San Francisco, and working on a trilogy with Rote Fabrik & Tanzhaus Zürich, Dance Arena Jerusalem and Staatsoper Berlin.

Didik is now one of the very few artists who

Fadi studied dance/choreography since 2010,

continues the long tradition of “cross-gender”

and has been practicing and teaching dance

dance performance. He has performed around

in Damascus. In 2016, he took part in Dance/

the world and is renowned for combining

Movement Workshop with Yoshiko Chuma,

classical, folk, modern and comedic dance

Julian Hamilton and Sasha Waltz Company. He

forms in his works.

is now working for AMAL contemporary dance

In 2011, Gordon was elected as one of the “Young Music Makers” of RTHK Radio in the age of 19. In 2012, he was the Champion of the Asia Pacific Harmonica Festival. He also won the first prize at the 2014 International Concerto Competition in New York. In the same year he was invited to have a solo performance at the Carnegie Hall in New York.

46

as a choreographer.

47

關聯機構 （按英文名稱字母排序）

Affiliated Institutions

主辦機構

Organiser

進念．二十面體

Zuni Icosahedron

1982 年成立，以香港為基，面向世界的

Founded in 1982, is one of the nine major professional arts companies in Hong Kong, and has established itself as a premiere experimental theatre locally, regionally and internationally. Zuni’s theatre has always stayed on the cutting edge of media technology in presenting the interactive relationship between multimedia and theatre, as well as in probing the possibilities of form and content in “theatre space” through experimentation and exploration.

(in alphabetical order)

Amrita Performing Arts（金邊）

Amrita Performing Arts, Phnom Penh

曼谷藝術文化中心（曼谷）

Bangkok Art and Culture Centre, Bangkok

梭羅皇室民俗委員會（梭羅） 倫敦大學亞非學院中國研究院（倫敦）

Board of Customs, Palace of Surakarta, Solo (Surakarta)

朱拉隆功大學（曼谷）

China Institute, SOAS University of London, London

Didik Nini Thowok Foundation（日惹）

Chulalongkorn University, Bangkok

戲劇盒（新加坡）

Didik Nini Thowok Foundation, Yogyakarta

柏林柏林恩斯特．布施演藝學院（柏林）

Drama Box, Singapore

柏林國際文化政策學院（柏林）

Ernst Busch Academy of Dramatic Arts, Berlin

由早期非敍事、形體，與舞台空間的互動

Hertie School of Governance, Berlin

實驗，到後來的光、影、聲、空間的多媒

Istanbul Foundation for Culture and Arts (IKSV), Istanbul

體設計，由跨媒體舞台表演空間，到跨界

Jiangsu Performing Arts Group, Nanjing

空間，由流行普及到社會禁忌，由傳統到

Istanbul Foundation for Culture and Arts （IKSV） （伊斯坦堡） 江蘇省演藝集團（南京） The National Institute of Folk and Traditional Heritage (Lok Virsa) （伊斯蘭堡）

The National Institute of Folk and Traditional Heritage (Lok Virsa), Islamabad

國立臺灣戲曲學院（臺北）

National Taiwan College of Performing Arts, Taipei

布拉格四年展 2019（布拉格）

Prague Quadrennial 2019, Prague

Plataforma Iberoamerican Festival（柏林）

Plataforma Iberoamerican Festival, Berlin

The School of Hard Knocks（紐約）

The School of Hard Knocks, New York

崇實大學（首爾）

Soongsil University, Seoul

Studio Oyunculari（伊斯坦堡）

Studio Oyunculari, Istanbul

Think City（吉隆坡）

Think City, Kuala Lumpur

海德拉巴大學（海德拉巴）

University of Hyderabad, Hyderabad

Youth Theatre of Vietnam（河內）

Youth Theatre of Vietnam, Hanoi

蘇黎世藝術大學（蘇黎世）

Zurich University of the Arts (ZHdK), Zurich

18 Monkeys Dance Theatre（曼谷）

18 Monkeys Dance Theatre, Bangkok

國際實驗劇團，現為香港九個主要專業藝 術團體之一。進念的劇場創作，一直以其 對媒體科技發展的敏銳觸覺，詮釋多媒體 創作與劇場演出的互動關係，實驗與探索 “舞台空間”不同形式和內容的可能性。

別政治民生空間，到跨地域國際文化交流 當代，進念的實驗性和顛覆性，不斷啟發 著華人社會的藝術和舞台美學發展。

進念與文化交流

Zuni and Cultural Exchange

進 念 早 於 1997 年 及 1999 年 分 別 主 催 香

As early as in 1997 and 1999, Zuni Icosahedron initiated the Hong Kong-Taipei-ShanghaiShenzhen City-to-City Cultural Exchange Conference and Asia Arts Net respectively to promote arts and cultural policy researches and reviews. Zuni has been devoted all along to encourage exchanges among the cultural and creative industries of the cities by launching programmes such as the Chinese Creative Industries Forum, Festival of Vision: Hong Kong/ Berlin, Toki International Arts Festival and AsiaPacific Performing Arts Network.

港｜臺北｜上海｜深圳 城市文化交流會議 及亞洲藝術網絡，推動亞太城市的文化藝 術政策研究及評論，並一直致力帶動城市 間的文化創意產業交流，其他項目包括： 中華創意產業論壇、香港柏林當代文化藝

48

嗚謝

Acknowledgements

裕豐針織有限公司

Uniform Knitters Limited

Zuni has been most inspiring in developing the aesthetics of theatre in Chinese society, with its experimental and subversive nature, and this could be seen in the interactive experiments in the narrative (or rather non-narrative), form and space in its early works. The same spirit could be found in the multimedia design in lights, images, sounds and spaces as in the attempts in the area of crossmedia performances, to cross-boundary political and civil area, and to cross-region international cultural exchanges. The topics covered stretch from popular culture to social taboos, from the traditional to the contemporary.

術節、朱䴉國際藝術節及亞太表演藝術網 絡等。

關聯機構 （按英文名稱字母排序）

Affiliated Institutions

主辦機構

Organiser

進念．二十面體

Zuni Icosahedron

1982 年成立，以香港為基，面向世界的

Founded in 1982, is one of the nine major professional arts companies in Hong Kong, and has established itself as a premiere experimental theatre locally, regionally and internationally. Zuni’s theatre has always stayed on the cutting edge of media technology in presenting the interactive relationship between multimedia and theatre, as well as in probing the possibilities of form and content in “theatre space” through experimentation and exploration.

(in alphabetical order)

Amrita Performing Arts（金邊）

Amrita Performing Arts, Phnom Penh

曼谷藝術文化中心（曼谷）

Bangkok Art and Culture Centre, Bangkok

梭羅皇室民俗委員會（梭羅） 倫敦大學亞非學院中國研究院（倫敦）

Board of Customs, Palace of Surakarta, Solo (Surakarta)

朱拉隆功大學（曼谷）

China Institute, SOAS University of London, London

Didik Nini Thowok Foundation（日惹）

Chulalongkorn University, Bangkok

戲劇盒（新加坡）

Didik Nini Thowok Foundation, Yogyakarta

柏林柏林恩斯特．布施演藝學院（柏林）

Drama Box, Singapore

柏林國際文化政策學院（柏林）

Ernst Busch Academy of Dramatic Arts, Berlin

由早期非敍事、形體，與舞台空間的互動

Hertie School of Governance, Berlin

實驗，到後來的光、影、聲、空間的多媒

Istanbul Foundation for Culture and Arts (IKSV), Istanbul

體設計，由跨媒體舞台表演空間，到跨界

Jiangsu Performing Arts Group, Nanjing

空間，由流行普及到社會禁忌，由傳統到

Istanbul Foundation for Culture and Arts （IKSV） （伊斯坦堡） 江蘇省演藝集團（南京） The National Institute of Folk and Traditional Heritage (Lok Virsa) （伊斯蘭堡）

The National Institute of Folk and Traditional Heritage (Lok Virsa), Islamabad

國立臺灣戲曲學院（臺北）

National Taiwan College of Performing Arts, Taipei

布拉格四年展 2019（布拉格）

Prague Quadrennial 2019, Prague

Plataforma Iberoamerican Festival（柏林）

Plataforma Iberoamerican Festival, Berlin

The School of Hard Knocks（紐約）

The School of Hard Knocks, New York

崇實大學（首爾）

Soongsil University, Seoul

Studio Oyunculari（伊斯坦堡）

Studio Oyunculari, Istanbul

Think City（吉隆坡）

Think City, Kuala Lumpur

海德拉巴大學（海德拉巴）

University of Hyderabad, Hyderabad

Youth Theatre of Vietnam（河內）

Youth Theatre of Vietnam, Hanoi

蘇黎世藝術大學（蘇黎世）

Zurich University of the Arts (ZHdK), Zurich

18 Monkeys Dance Theatre（曼谷）

18 Monkeys Dance Theatre, Bangkok

國際實驗劇團，現為香港九個主要專業藝 術團體之一。進念的劇場創作，一直以其 對媒體科技發展的敏銳觸覺，詮釋多媒體 創作與劇場演出的互動關係，實驗與探索 “舞台空間”不同形式和內容的可能性。

別政治民生空間，到跨地域國際文化交流 當代，進念的實驗性和顛覆性，不斷啟發 著華人社會的藝術和舞台美學發展。

進念與文化交流

Zuni and Cultural Exchange

進 念 早 於 1997 年 及 1999 年 分 別 主 催 香

As early as in 1997 and 1999, Zuni Icosahedron initiated the Hong Kong-Taipei-ShanghaiShenzhen City-to-City Cultural Exchange Conference and Asia Arts Net respectively to promote arts and cultural policy researches and reviews. Zuni has been devoted all along to encourage exchanges among the cultural and creative industries of the cities by launching programmes such as the Chinese Creative Industries Forum, Festival of Vision: Hong Kong/ Berlin, Toki International Arts Festival and AsiaPacific Performing Arts Network.

港｜臺北｜上海｜深圳 城市文化交流會議 及亞洲藝術網絡，推動亞太城市的文化藝 術政策研究及評論，並一直致力帶動城市 間的文化創意產業交流，其他項目包括： 中華創意產業論壇、香港柏林當代文化藝

48

嗚謝

Acknowledgements

裕豐針織有限公司

Uniform Knitters Limited

Zuni has been most inspiring in developing the aesthetics of theatre in Chinese society, with its experimental and subversive nature, and this could be seen in the interactive experiments in the narrative (or rather non-narrative), form and space in its early works. The same spirit could be found in the multimedia design in lights, images, sounds and spaces as in the attempts in the area of crossmedia performances, to cross-boundary political and civil area, and to cross-region international cultural exchanges. The topics covered stretch from popular culture to social taboos, from the traditional to the contemporary.

術節、朱䴉國際藝術節及亞太表演藝術網 絡等。

查詢

Enquires

info@zuni.org.hk

info@zuni.org.hk

香港上環永樂街 60-66 號 昌泰商業大廈 2 字樓 203-4 室

Room 203-4, 2/F., Cheong Tai Commercial Building, 60-66 Wing Lok Street, Sheung Wan, Hong Kong

+852 2566 9696

+852 2566 9696

進念．二十面體為香港文化中心場地伙伴

Zuni Icosahedron is a Venue Partner of the Hong Kong Cultural Centre

進念．二十面體由香港特別行政區政府資助

Zuni Icosahedron is financially supported by the Government of the Hong Kong Special Administrative Region

進念．二十面體保留更改節目內容及編排的一切最終決定權

宣傳單張平面設計：八萬四千溝通事務所

Zuni Icosahedron reserves the right to vary advertised programmes and arrangement.

Leaflet Graphic Design: 84000 Communications

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