ملائح المدائح

‫ﺳﻠﺴﻠﺔ ﻣﻼﺋﺢ ﺍﳌﺪﺍﺋﺢ‪1 :‬‬

‫ﺢ ﺍﳌﺪﺍﺋﺢ ﰲ ﺍﻟﺸﻌﺮ ﺍﳌﻌﺎﺻﺮ‬ ‫ﻣﻼﺋ ‪‬‬ ‫ﲨﻌﻬﺎ ﻭﻗﺪﻡ ﳍﺎ ﻭﻋﻠﻖ ﻋﻠﻴﻬﺎ‬ ‫ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺍﻟﺒﺴﻴﻮﱐ‬

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‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﳏﻤﺪ‪:‬‬

‫ﺇﱃ ﻣﻘﺎﻣﻚ ﺍﶈﻤﻮﺩ‪ ،‬ﻭﺟﻨﺎﺑﻚ ﺍﻷﺭﻓﻊ ﻳﺎ ﺳﻴﺪ ﺍﻷﻭﻟﲔ ﻭﺍﻵﺧﺮﻳﻦ‬ ‫ﺃﻫﺪﻯ ﻫﺬﻩ ﺍﻷﻧﺎﺑﻴﺶ‬ ‫ﺳﺎﺋ ﹰﻠﺎ ﺭﰊ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ ﲝﺒﻪ ﺇﻳﺎﻙ‬ ‫ﺃﻻ ﳛﺮﻣﲏ ﺷﻔﺎﻋﺘﻚ‪ ..‬ﻭﺍﻟﻘﺮﺏ ﻣﻨﻚ ﰲ ﺍﳉﻨﺔ‬ ‫ﺍﻟﻠﻬﻢ ﺁﻣﲔ‬

‫ﺍﻟﻠﻬﻢ ﺻﻞ ﻋﻠﻰ ﳏﻤﺪ ﻭﻋﻠﻰ ﺁﻝ ﳏﻤﺪ‬ ‫ﻛﻤﺎ ﺻﻠﻴﺖ ﻋﻠﻰ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻋﻠﻰ ﺁﻝ ﺇﺑﺮﺍﻫﻴﻢ‬ ‫ﻭﺑﺎﺭﻙ ﻋﻠﻰ ﳏﻤﺪ ﻭﻋﻠﻰ ﺁﻝ ﳏﻤﺪ‬ ‫ﻛﻤﺎ ﺑﺎﺭﻛﺖ ﻋﻠﻰ ﺁﻝ ﺇﺑﺮﺍﻫﻴﻢ ﰲ ﺍﻟﻌﺎﳌﲔ‬ ‫ﺇﻧﻚ ﲪﻴﺪ ﳎﻴﺪ‬

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‫ﺇﻋﻼﻥ ﺣﺐ‪:‬‬

‫ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺍﻟﺒﺴﻴﻮﱐ‬

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‫ﺻﻠﻰ ﺍﻹﻟﻪ ﻋﻠﻰ ﺍﻟﻨﱯ ﳏﻤ ِﺪ‬

‫ﻣﻦ ﺟﺎﺀﻧﺎ ﺑﺎﳋﲑ ﻭﺍﻟﺬﻛﺮ ﺍﻟﻨﺪﻱ‬

‫ﻣﻦ ﺭﺑ‪‬ﻨﺎ ﺍﻟﺮﲪ ‪‬ﻦ ﺃﻋﻠﻰ ﻗﺪ ‪‬ﺭ ‪‬ﻩ‬

‫ﺕ ﺍﻟﻌﻼ ﻭﺍﻟﺴﺆﺩﺩ‬ ‫ﻭﺣﺒﺎﻩ ﺁﻳﺎ ِ‬

‫ﻭﺃﻗﺎﻡ ﺑﺎﳍﺎﺩﻱ ﻣﻨﺎﺋ ‪‬ﺮ ﻋﺰ ٍﺓ‬

‫ﻣﻦ ﻳﺴﺘﻨﺮ ﺑﻀﻴﺎﻩ ﺩﻭﻣ‪‬ﺎ ﻳﻬﺘ ِﺪ‬

‫ﺇﱐ ﺃﺣﺒﻚ ﻳﺎ ﳏﻤ ‪‬ﺪ ﻣﺮﺷﺪ‪‬ﺍ‬

‫ﻱ ﺍﻷﺭﺷﺪ ﺗﺪﻋﻮ‬ ‫ﺞ ﺍﻟﺴﻮ ‪‬‬ ‫ﺇﱃ ﺍﻟﻨﻬ ِ‬

‫ﻭﺃﺣﺐ ﺭﺃﻓﺘﻚ ﺍﻟﱵ ﻓﺎﺿﺖ ﻋﻠﻰ‬

‫ﺃﺩﻧﺎﻙ ﻭﺍﻟﺸﺎﱐ ﺍﻟﺒﻐﻴﺾ ﺍﻷﺑﻌ ِﺪ‬

‫ﻭﺃﺣﺐ ﺭﲪﺘﻚ ﺍﻟﱵ ﱂ ﺗﺰﻭﻫﺎ‬

‫ﺣﱴ ﻋﻦ ﺍﳊﺠﺮ ﺍﻷﺻﻢ ﺍﳉﻠﻤﺪ‬

‫ﳌﺎ ﺑﺪﺕ ﺃﺿﻮﺍ ُﺀ ﺩﻳﻨﻚ ﺃﺑﺼﺮﺕ‬

‫ﺐ ﺍﻷﺭﻣ ِﺪ‬ ‫ﻋﲔ ﺍﻟﻌ‪‬ﻤ ‪‬ﻲ ﺍﳌﺴﺘﺮﻳ ِ‬

‫ﺇﱐ ﺃﺣﺒﻚ ﻳﺎ ﺭﺳﻮﻝ ﳏﻄﻤ‪‬ﺎ‬

‫ﻛ ﱠﻞ ﺍﻷﺑﺎﻃﻴﻞ ﺍﻟﱵ ﱂ ﺗ‪‬ﺮﺷ ِﺪ‬

‫ﻭﺃﺣﺐ ﺩﻋﻮﺗﻚ ﺍﻟﱵ ﻗﺎﻣﺖ ﻋﻠﻰ‬

‫ﻧﺒﺬ ﺍﻟﻀﻼﻟﺔ ﻭﺍﻟﺘﻔﺎﻫﺔ ﻭﺍﻟ ‪‬ﺪ ِﺩ‬

‫ﺟ‪‬ﻤﻌﺖ ﺑﺎﻟﺘﻮﺣﻴﺪ ﺃﻗﻮﺍﻣ‪‬ﺎ ﻋﻼ‬

‫ﻱ ﺍﳌﺴﺘﺒ ‪‬ﺪ ﺍﳌﻌﺘﺪﻱ‬ ‫ﻓﻴﻬﺎ ﺍﻟﻐﻮ ‪‬‬

‫ﻭﺭﺑﻄﺖ ﺑﺎﻹﳝﺎﻥ ﺟﻴﻠﹰﺎ ﻧﲑ‪‬ﺍ‬

‫ﺫﺍ ﳘﺔ ﻧﻴﻄﺖ ﺑﺄﻓﻖ ﺍﻟﻔﺮﻗ ِﺪ‬

‫ﺇﱐ ﺃﺣﺒﻚ ﻳﺎ ﺣﺒﻴﱯ ﺷﺎﻓﻌ‪‬ﺎ‬

‫ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ ﻭﺍﳌﺼﲑ ﺍﻷﺭﺑ ِﺪ‬

‫ﻳﺎ ﺭﺏ ﺛﺒﺘﲏ ﻋﻠﻰ ﺩﺭﺏ ﺍﳍﺪﻯ‬

‫ﻳﺎ ﺭﺏ ﻭﺍﻣﻨﺤﲏ ﺷﻔﺎﻋﺔ ﺃﲪﺪ‬

‫ﻣﻘﺪﻣﺔ‬

‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻚ ﺣﺒﻴﱯ ﻳﺎ ﺳﻴﺪ ﺧﻠﻖ ﺍﷲ‪ /‬ﻋﺪﺩ ﺍﻟﺬﺭ ﻭﻋﺪﺩ ﺍﻟﻘﻄﺮ ﻭﻣﻮﺝ ﺍﻟﺒﺤﺮ ﺻﻞ‬ ‫ﺍﻟﻠﻬﻢ ﻋﻠﻰ ﺃﲪﺪ‪ /‬ﺻﻞ ﺍﻟﻠﻬﻢ ﻋﻠﻰ ﺍﻟﻜﺎﻣﻞ‪ /‬ﺻﻞ ﺍﻟﻠﻬﻢ ﻋﻠﻰ ﺍﳍﺎﺩﻱ‪ /‬ﺻﻞ ﺍﻟﻠﻬﻢ ﻋﻠﻰ ﺁﻝ‬ ‫ﳏﻤﺪ‪ /‬ﻭﻋﻠﻰ ﺃﺻﺤﺎﺏ ﳏﻤﺪ‪ /‬ﻭﻋﻠﻰ ﺃﻧﺼﺎﺭ ﳏﻤﺪ‪ /‬ﺻﻞ ﺍﻟﻠﻬﻢ ﻋﻠﻰ ﻣﻦ ﺳﺎﺭ ﺑﺪﺭﺏ ﳏﻤﺪ‪/‬‬ ‫ﻒ ﻭﺳﻠﻢ ﺗﺴﻠﻴﻤﺎ‪ /‬ﹶﺃ ‪‬ﻋ ِﻞ ﻭﺑﺎﺭﻙ ﻭﺍﺭﻓﻊ‪ ..‬ﺯﺩ ﺗﻌﻈﻴﻤﺎ‪.‬‬ ‫ﺻﻞ ﻭﺃ ﹾﻛ ِﺮ ‪‬ﻡ ﻭﺍﻋ ‪‬‬

‫ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﺳﻘﻄﺖ ﻭﺭﻗﺔ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﺍﻫﺘﺰ ﻓﺆﺍ ‪‬ﺩ ﺍﻷﻡ ِﺑ ِﻬ ‪‬ﺰ ِﺓ ﺷﻔﻘﺔ‪ /‬ﺻﻞ‬

‫ﺐ ﺍﳊﺠ ِﺮ ﺍﻟﺼﻠﺪ‪ /‬ﺻﻞ‬ ‫ﺕ ﺑﺮ‪‬ﺣ ٍﻢ ﻋﻠﹶﻘﺔ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﺷﻖ ﺍﻟﱪﻋ ‪‬ﻢ ﻗﻠ ‪‬‬ ‫ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﺻ ‪‬ﻮ ‪‬ﺭ ‪‬‬ ‫ﻕ ﺍﻟﻌﺪ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﺟﺰ‪‬ﺭ ﺍﻟﺒﺤﺮ ﻭﻣﺎ ﺍﻣﺘﺪ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ‬ ‫ﻕ ﺍﳊﺼ ِﺮ ﻭﻓﻮ ‪‬‬ ‫ﻋﻠﻴﻪ ﺇﳍﻲ ﻓﻮ ‪‬‬ ‫ﻣﺎ ﺳﺎﻟﺖ ﰲ ﻗﻠﺐ ﺍﳌﺆﻣ ِﻦ ﻣﻦ ﺧﻮﻓﻚ ﺩﻣﻌﺔ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻣﺎ ﻫﺎﺝ ﺍﳊ ‪‬ﺮ ﻭﺳﻜﹶﻦ ﺍﻟﱪﺩ‪ /‬ﺻﻞ‬ ‫ﺶ ﻭﻋﺪ ‪‬ﺩ ﺍﻟﺸﻌ ِﺮ ﻭﻋﺪﺩ ﺍﻟﺼﻮﻑ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻋﺪﺩ‬ ‫ﻋﻠﻴﻪ ﺇﳍﻲ ﻋﺪ ‪‬ﺩ ﺍﻷﺟﻨﺤ ِﺔ ﻭﻋﺪ ‪‬ﺩ ﺍﻟﺮﻳ ِ‬

‫ﲔ ﻭﻋﺪﺩ‬ ‫ﻅ ﻭﺣﺮﻭﻑ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ﻋﺪ ‪‬ﺩ ﺍﻹﻧﺲ ﻭﻋﺪﺩ ﺍﳉ ‪‬ﻦ ﻭﻋ ‪‬ﺪ ﺍﻟﺴﻴ‪‬ﺎﺣ ‪‬‬ ‫ﻛﻼﻣِﻚ ﻣﻦ ﺃﻟﻔﺎ ٍ‬ ‫ﺖ ﻣﻦ ﺍﻟﺴﻴﺎﺭﺍﺕ!‬ ‫ﺐ ﺍﻷﻧﺴﺎ ِﻡ ﻭﻋ ‪‬ﺪ ﺍﻷﺟﺮﺍ ِﻡ ﻭﻣﺎ ﹶﻛ ‪‬ﻮ ﹶﻛ ‪‬ﺒ ‪‬‬ ‫ﺍﳊﻮﺭ‪ /‬ﺻﻞ ﻋﻠﻴﻪ ﺇﳍﻲ ‪‬ﻫ ‪‬‬ ‫ﻫﺬﻩ ﺻﻠﻮﺍﺕ ﻗﻠﻮﺏ‪ ،‬ﻭﻧﻐﻤﺎﺕ ﺃﺷﻮﺍﻕ ﺃﺯﺟﻴﻬﺎ‪ ،‬ﻭﺃﺯﺟﺎﻫﺎ ﻗﺒﻠﻲ ﻭﺑﻌﺪﻱ ﳏﺒﻮﻥ ﻳﺮﲡﻮﻥ‬

‫ﺍﻟﻘﺮﺏ‪ ،‬ﻭﻳﺴﺘﻌﻠﻨﻮﻥ ﺑﺎﳊﺐ‪ ،‬ﻭﻳﺴﺘﺸﺮﻓﻮﻥ ﺍﻟﺸﻔﺎﻋﺔ‪ ،‬ﻭﻳﻌﺒﺪﻭﻥ ﺍﻟﺮﺏ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ ﲝﺒﻜﻢ‬ ‫ﺳﻴﺪﻱ‪ ،‬ﻭﻳﺸﻬﺪﻭﻥ ﺃﻧﻜﻢ ﺭﲪﺔ ﺍﷲ ﻟﻠﻌﺎﳌﲔ‪ ،‬ﻭﺣﺒﻴﺒﻪ ﻣﻦ ﺍﻷﻭﻟﲔ ﻭﺍﻵﺧﺮﻳﻦ‪ ،‬ﻭﺻﺎﺣﺐ ﺍﳌﻘﺎﻡ‬

‫ﺍﶈﻤﻮﺩ ﺍﳌﻮﻋﻮﺩ ﻳﻮﻡ ﺍﻟﺪﻳﻦ‪ ،‬ﻭﺍﻟﻮﺳﻴﻠﺔ ﻭﺍﻟﻔﻀﻴﻠﺔ ﻭﺍﻟﺪﺭﺟﺔ ﺍﻟﺮﻓﻴﻌﺔ‪ ،‬ﻭﳏﺎﻣﺪ ﺍﻟﺪﺍﺭﻳﻦ ﺍﻟﱵ ﱂ‬

‫ﻳﺆ‪‬ﺗﻬﺎ ﻧﱯ ﻣﺮﺳﻞ‪ ،‬ﻭﻻ ﻣﻠﻚ ﻣﻘﺮﺏ‪..‬‬ ‫ﻭﺃﺳﺄﻟﻪ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ ﺃﻥ ﻳﻨﻔﻌﲏ ‪‬ﺬﺍ ﺍﻟﻌﻤﻞ ﻭﻳﻨﻔﻊ ﺍﳌﺴﻠﻤﲔ‪ ،‬ﻭﻳﺮﺳﻢ ﺻﻮﺭﺓ ﺷﺎﻋﺮﻳﺔ ﺗﺮﻯ‬ ‫ﻣﻦ ﻻ ﻳﻌﺮﻓﻚ ﻛﻴﻒ ﳓﺒﻚ ﺳﻴﺪﻱ ﻭﻧﺘﻮﺳﻞ ﲝﺒﻚ‪ ..‬ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻚ ﻭﻋﻠﻰ ﺁﻟﻚ ﻭﺻﺤﺒﻚ‬ ‫ﻭﺗﺎﺑﻌﻴﻚ ﺇﱃ ﻳﻮﻡ ﺍﻟﺪﻳﻦ‪..‬‬ ‫ﳏﺒﻚ ﺍﻟﻘﺎﺻﺮ ﺍﳌﻘﺼﺮ ﺍﳌﺴﺘﺸﻔﻊ ﲝﺒﻚ‬ ‫ﻋﺒﺪ ﺍﻟﺴﻼﻡ‬

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‫ﺍﻟﺒﺎﺏ ﺍﻷﻭﻝ‬ ‫ﺍﻟﻔﺼﻞ ﺍﻷﻭﻝ‬

‫ﻣﺪﺧﻞ ﻣﺘﻔﺎﺋﻞ‬ ‫ﻗﺮﺍﺀﺓ ﻧﻘﺪﻳﺔ‬

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‫ﻣﺪﺧﻞ‬

‫ﻻ ﺷﻚ ﺃﻥ ﺍﳌﺪﺍﺋﺢ ﺍﻟﻨﺒﻮﻳﺔ ﻓﻦ ﺃﺻﻴﻞ ﻗﺪﱘ ﻗﺪﻡ ﺍﻹﺳﻼﻡ‪،‬‬ ‫ﺗﺒﺎﺭﻯ ﻓﻴﻬﺎ ﺷﻌﺮﺍﺀ ﺍﻟﺼﺤﺎﺑﺔ ﺭﺿﻮﺍﻥ ﺍﷲ ﺗﻌﺎﱃ ﻋﻨﻬﻢ؛ ﻓﻤﻦ‬ ‫ﺑﻌﺪﻫﻢ‪ ،‬ﻣﻌﱪﻳﻦ ﻋﻦ ﺣﺒﻬﻢ ﻟﻠﺴﻴﺪ ﺍﳌﺼﻄﻔﻰ ﺍﻷﻋﻈﻢ ﺻﻠﻰ ﺍﷲ‬ ‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪.‬‬

‫ﻭﻛﺎﻥ ﺷﻌﺮﺍﺀ ﺍﳌﺪﺍﺋﺢ – ﻣﻊ ﻧﺒﻞ ﻗﺼﺪﻫﻢ‪ ،‬ﻭﺣﺴﻦ ﻧﻴﺘﻬﻢ‪،‬‬

‫ﻭﻋﱪ ﺗﺎﺭﳜﻬﻢ ﺍﻟﻄﻮﻳﻞ ‪ -‬ﺑﲔ ﻇﺎﱂ ﻟﻨﻔﺴﻪ‪ ،‬ﻭﺑﲔ ﻣﻘﺘﺼﺪ‪ ،‬ﻭﺳﺎﺑﻖ ﺑﺎﳋﲑﺍﺕ ﺑﺈﺫﻥ ﺍﷲ‪..‬‬ ‫ﻛﺎﻥ ﻣﻨﻬﻢ ﺍﳌﺒﺪﻉ ﺍﻟﺮﺍﺋﺪ ﺍﻟﺒﻠﻴﻎ‪..‬‬ ‫ﻭﻛﺎﻥ ﻣﻨﻬﻢ ﺍﻟﺴﻄﺤﻲ ﺍﻟﺬﻱ ﻳﻘﻮﻝ ﻛﻼﻣ‪‬ﺎ ﻣﻨﻈﻮﻣ‪‬ﺎ‪..‬‬ ‫ﻭﺍﻟﻐﺎﻭﻱ ﺍﻟﺬﻱ ﰲ ﻛﻞ ﻭﺍﺩ ﻳﻬﻴﻢ‪ ،‬ﻭﰲ ﻛﻞ ﺑﻴﺪﺍﺀ ﳜﺒﻂ‪..‬‬

‫ﻛﺎﻥ ﻣﻨﻬﻢ ﺍﻹﺷﺎﺭﻱ ﺍﻟﺒﺎﻃﲏ‪ ،‬ﻭﺍﻟﻈﺎﻫﺮﻱ ﺍﻟﻮﺍﺿﺢ ﺍﻟﺬﻱ ﻻ ﻳﻜِﻨّﻲ‪ ،‬ﻭﻛﺎﻥ ﻣﻨﻬﻢ ﻣﻦ ﻳﺼﻞ‬

‫ﺇﱃ ﺃﻗﺼﻰ ﺃﺷﻜﺎﻝ ﺍﳊﺪﺍﺛﺔ ﺍﻟﺘﻌﺒﲑﻳﺔ ﻭﺍﻟﺮﻣﺰ‪ ،‬ﻭﺑﲔ ﺃﻗﺼﻰ ﺃﺷﻜﺎﻝ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ ﺍﻟﺘﻌﺒﲑﻳﺔ‪..‬‬ ‫ﻛﺎﻥ ﻣﻨﻬﻢ ﺍﻟﺬﻱ ﻳﻮﻗﺮ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺑﻮﻋﻲ ﻭﺍﻧﺘﺒﺎﻩ ﳌﺎ ﻳﻘﻮﻝ‪ ،‬ﻟﺘﺒﻘﻰ‬ ‫ﻣﺒﺎﻟﻐﺎﺗﻪ ﰲ ﺣﺪﻭﺩ ﺍﻟﻠﻐﺔ ﻭﲨﺎﻟﻴﺎ‪‬ﺎ‪ ،‬ﻭﺍﻹﺑﺪﺍﻉ ﻭﻣﻘﺘﻀﻴﺎﺗﻪ‪..‬‬ ‫ﻭﻛﺎﻥ ﻣﻨﻬﻢ ﺍﻟﺬﻱ ﻏﻼ ﰲ ﻣﺪﺣﻪ ﺣﱴ ﺟﻌﻞ ﳏﻤﺪ‪‬ﺍ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻫﻮ ﺍﷲ ﻻ‬

‫ﺷﺮﻳﻚ ﻟﻪ!‬

‫ﻭﰲ ﺫﻟﻚ ﻛﻠﻪ ﺍﻧﺪﺍﺡ ﺳﻴﻞ ﺩﺍﻓﻖ ﻣﻦ ﺍﻟﻘﺼﺎﺋﺪ ﺍﻟﱵ ﻻ ﳛﺼﺮﻫﺎ ﻛﺘﺎﺏ‪ ،‬ﻭﻻ ﳛﻴﻂ ‪‬ﺎ‬ ‫ﺑﺎﺣﺚ‪ ،‬ﻟﻜﻦ ﻟﻌﻞ ﰲ ﺍﻹﺷﺎﺭﺓ ﻣﺎ ﻳﻐﲏ ﻋﻦ ﺍﻟﻌﺒﺎﺭﺓ‪.‬‬ ‫ﻭﺇﻋﻼ‪‬ﻧﺎ ﻋﻦ ﺣﱯ ﻟﻠﺴﻴﺪ ﺍﳌﺼﻄﻔﻰ ﻭﺍﻟﺸﻔﻴﻊ ﺍ‪‬ﺘﱮ ﳏﻤﺪ ﺑﻦ ﻋﺒﺪ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺁﻟﻪ‬ ‫ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ ﺗﺴﻠﻴﻤ‪‬ﺎ ﻛﺜﲑ‪‬ﺍ ﺃﻛﺘﺐ ﻫﺬﻩ ﺍﻟﺴﻠﺴﻠﺔ ﻣﻦ ﺍﻷﻋﻤﺎﻝ )ﻣﻼﺋﺢ ﺍﳌﺪﺍﺋﺢ( ﺃﻭ‬ ‫ﺍﻟﻘﻄﺮﺍﺕ ﰲ ﲝﺮ ﺍﳊﺐ‪) :‬ﺍﳌﺪﺍﺋﺢ‪ /‬ﻣﺪﺍﺋﺢ ﺷﻌﺮﺍﺀ ﺍﻟﻨﺼﻒ ﺍﻷﻭﻝ ﻣﻦ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ‪/‬‬ ‫ﺍﳌﺎﺩﺣﺎﺕ‪ /‬ﻣﻌﺎﺭﺿﻮ ﺍﻟﱪﺩﺓ ﻣﻦ ﺍﶈﺪﺛﲔ‪ /‬ﻣﺴﺮﺣﻴﺔ ﺍﻷﻋﻈﻢ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ( ﺃﺳﺘﺸﺮﻑ‬

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‫ﻧﺴﻴﻢ ﺍﳊﺐ‪ ،‬ﻭﺍﻟﻘﺮﺏ‪ ،‬ﻭﺍﻟﺸﻔﺎﻋﺔ‪ ،‬ﻭﺍﻻﺭﺗﻔﺎﻉ؛ ﻋﻠﻰ ﻣﺎ ﰊ ﻣﻦ ﺫﻧﺐ ﻭﺣﻮﺏ‪ ،‬ﻭﺗﻘﺼﲑ‬ ‫ﻭﻋﺠﺰ‪ ،‬ﻭﺍﷲ ﻏﻔﻮﺭ ﺭﺣﻴﻢ‪.‬‬ ‫ﻭﺑﺎﺳﻢ ﺍﷲ ﺗﻌﺎﱃ ﺃﻗﻮﻝ ﺇﻧﻨﺎ ﳝﻜﻨﻨﺎ ﺗﻘﺴﻴﻢ ﺍﳌﺪﺍﺋﺢ ﺍﻟﻨﺒﻮﻳﺔ ﺇﱃ ﻏﻨﺎﺋﻴﺔ ﺷﻔﻮﻳﺔ ﻭﻧﺼﻴﺔ ﻛﺘﺎﺑﻴﺔ‪،‬‬

‫ﻭﺍﻟﻜﺘﺎﺑﻴﺔ ﺇﱃ ﻋﺎﻣﻴﺔ ﻭﻓﺼﺤﻲ‪ ،‬ﻭﺍﻟﻔﺼﺤﻰ ﺇﱃ ﻗﺼﺎﺋﺪ ﻗﺪﳝﺔ ﻭﺃﺧﺮﻯ ﺣﺪﻳﺜﺔ‪ ،‬ﻭﺳﺄﺗﻨﺎﻭﻝ‬ ‫ﺍﻟﻘﻮﺍﺳﻢ ﺍﳌﺸﺘﺮﻛﺔ ﺍﻟﱵ ﲡﻤﻊ ﻫﺬﻩ ﺍﻟﻌﻨﺎﺻﺮ ﻛﻠﻬﺎ‪ ،‬ﰒ ﺃﺭﻛﺰ ﺟﻬﺪﻱ ﰲ ﻫﺬﺍ ﺍﳉﺰﺀ‪ ،‬ﰲ )ﺃﻫﻢ(‬ ‫ﺍﳌﺪﺍﺋﺢ ﺍﻟﻔﺼﺤﻰ ﺍﳌﺼﻮﻏﺔ ﰲ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ‪ ،‬ﻭﺍﻟﻌﻘﺪ ﺍﻷﻭﻝ ﻣﻦ ﻫﺬﺍ ﺍﻟﻘﺮﻥ‪ ،‬ﺑﺎﻟﻌﺮﺽ‬ ‫ﻭﺍﻟﺘﺄﻣﻞ ﻭﺍﻟﺘﺮﲨﺔ ﻟﻠﺸﺎﻋﺮ‪..‬‬ ‫ﻭﻣﻦ ﺣﻴﺚ ﺍﻟﻘﺒﻮﻝ ﻭﺍﻟﺮﺩ ﻳﻨﺒﻐﻲ ‪ -‬ﻛﻤﺎ ﻛﺘﺐ ﺍﻟﺸﻴﺦ ﻋﺒﺪ ﺍﷲ ﳒﻴﺐ ﺳﺎﱂ ﺍﻟﺒﺎﺣﺚ‬ ‫ﺍﻟﻌﻠﻤﻲ ﺑﺎﳌﻮﺳﻮﻋﺔ ﺍﻟﻔﻘﻬﻴﺔ ‪ -‬ﺃﻥ )ﻧﻘﺴﻢ ﺍﳌﺪﻳﺢ ﺍﻟﻨﺒﻮﻱ ﺇﱃ ﺛﻼﺛﺔ ﺃﻗﺴﺎﻡ‪:‬‬

‫ﺍﻟﻘﺴﻢ ﺍﻷﻭﻝ‪ :‬ﺍﳌﺪﻳﺢ ﺍﳌﺘﻔﻖ ﻋﻠﻰ ﻗﺒﻮﻟﻪ‪ ،‬ﺍﻟﺬﻱ ﻻ ﳜﺎﻟﻒ ﺃﺣﺪ ﻓﻴﻪ‪ ،‬ﻭﻻ ﻳﺸﺬ ﺃﺣﺪ ﰲ‬

‫ﻣﻨﺎﺯﻋﺘﻪ‪ ،‬ﻭﺇﳕﺎ ﻫﻮ ﻣﺄﺧﻮﺫ ﻣﻦ ﺻﺤﻴﺢ ﺍﻷﺧﺒﺎﺭ ﻭﻭﺍﺿﺢ ﺍﻷﻟﻔﺎﻅ ﻭﺟﻠﻲ ﺍﻟﻔﻬﻢ‪.‬‬ ‫ﺍﻟﻘﺴﻢ ﺍﻟﺜﺎﱐ‪ :‬ﺍﳌﺪﻳﺢ ﺍﳌﺘﻔﻖ ﻋﻠﻰ ﺭﺩﻩ ﻭﺇﻧﻜﺎﺭﻩ ﻭﺍﻟﺰﺟﺮ ﻋﻨﻪ‪ ،‬ﻭﻫﻮ ﻣﺎ ﺧﺮﺝ ﺑﺮﺳﻮﻝ ﺍﷲ ﻋﻦ‬ ‫ﺣﺪ ﺍﻟﻌﺒﻮﺩﻳﺔ ﷲ‪ ،‬ﻓﺄﻭﺻﻠﻪ ﺇﱃ ﺭﺗﺒﺔ ﺍﻷﻟﻮﻫﻴﺔ‪ ،‬ﻭﺍﻟﻔﻌﻞ ﺍﳌﻄﻠﻖ ﰲ ﺍﻟﻜﻮﻥ‪ ،‬ﻭﻧﺴﺒﺔ ﺣﺪﻭﺙ‬ ‫ﺍﻷﺷﻴﺎﺀ ﻭﺃﺣﺪﺍﺛﻬﺎ ﺇﻟﻴﻪ ﺣﻘﻴﻘﺔ ﻭﺻﺮﺍﺣﺔ؛ ﻓﻬﺬﺍ ﻭﺍﺿﺢ ﰲ ﺍﻟﻜﻔﺮ‪ ،‬ﺟﻠﻲ ﰲ ﺍﳌﻨﻊ‪.‬‬

‫ﺍﻟﻘﺴﻢ ﺍﻟﺜﺎﻟﺚ‪ :‬ﺍﳌﺪﻳﺢ ﺍﳌﺨﺘﻠﻒ ﻓﻴﻪ ﺑﲔ ﺍﻟﻘﺒﻮﻝ ﻭﺍﻟﺮﺩ‪ ،‬ﻭﺍﻷﺧﺬ ﺑﻪ ﻭﺍﳌﻨﻊ ﻋﻨﻪ‪ ،‬ﻭﻫﺬﺍ ﺭﺍﺟﻊ‬

‫ﺇﱃ ﻣﺒﺎﻟﻐﺎﺕ ﺑﻌﺾ ﺍﳌﺎﺩﺣﲔ‪ ،‬ﺃﻭ ﺃﺧﺬﻫﻢ ﺑﺒﻌﺾ ﻣﺎ ﻟﻴﺲ ﺑﻘﻮﻱ ﺍﻟﺴﻨﺪ ﻣﻦ ﺍﻷﺧﺒﺎﺭ ﻭﺍﻵﺛﺎﺭ‪ ،‬ﺃﻭ‬ ‫ﻓﻬﻤﻬﻢ ﺑﻌﺾ ﺍﻟﻨﺼﻮﺹ ﻋﻠﻰ ﻭﺟﻪ ﱂ ﻳﻮﺍﻓﻘﻬﻢ ﻏﲑﻫﻢ ﻓﻴﻪ(‪.‬‬ ‫ﻭﺳﺄﲢﺮﻯ ﺟﻬﺪﻱ ﰲ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺃﻥ ﺃﻗﺪﻡ ﳕﺎﺫﺝ ﻣﻦ )ﺧﲑ( ﻣﺎ ﻗﻴﻞ ﰲ ﻣﺪﺡ ﺳﻴﺪﻱ‬ ‫ﺍﻟﺮﺳﻮﻝ ﺍﻷﻋﻈﻢ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺑﻌﺪ ﺃﻥ ﻻﺣﻈﺖ ﺷﻴﺌﹰﺎ ﻋﺠﻴﺒ‪‬ﺎ ﻗﺪ ﻳﻮﺍﻓﻘﲏ ﻋﻠﻴﻪ‬

‫ﺍﻟﻘﺎﺭﺉ ﺍﳌﺘﺨﺼﺺ ﻭﻗﺪ ﻳﻮﺍﻓﻘﲏ‪ ..‬ﻭﺃﺭﺟﻮ ﺃﻥ ﻳﻜﻮﻥ ﺭﺃﻳﻲ ﰲ ﻫﺬﺍ ﺍﳉﺎﻧﺐ ﺻﺎﺋﺒ‪‬ﺎ‪ ،‬ﻭﺃﻥ ﳚﺪ‬

‫ﻗﺎﺭﺋﻲ ﺍﻟﻜﺮﱘ ﺍﳌﻌﲎ ﺍﻟﺬﻱ ﺳﺄﺷﲑ ﺍﷲ – ﺑﻌﺪ ﺍﻻﻧﺘﻬﺎﺀ ﻣﻦ ﻫﺬﻩ ﺍﻟﻮﺭﻗﺎﺕ – ﻓﻴﻮﺍﻓﻘﲏ ﻋﻠﻴﻪ‪:‬‬

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‫ﺍﺳﺘﺒﺸﺎﺭ ﻭﺗﻔﺎﺅﻝ‪:‬‬

‫ﺃﻭﹰﻟﺎ‪ :‬ﺃﺯﻋﻢ ﺃﻥ ﻫﻨﺎﻙ ﻣﻮﺟﺔ ﺟﺪﻳﺪﺓ ﻣﻦ ﺍﳌﺪﺍﺋﺢ‪ ،‬ﲣﺘﻠﻒ ﰲ ﻃﺒﻴﻌﺘﻬﺎ ﻭﺷﺎﻋﺮﻳﺘﻬﺎ ﻭﺷﻌﺮﺍﺋﻬﺎ‬ ‫ﻋﻦ ﺍﳌﺪﺍﺋﺢ ﺍﻟﻘﺪﳝﺔ‪ ،‬ﻭﳝﻜﻦ ﺍﻋﺘﺒﺎﺭﻫﺎ ﻣﺪﺭﺳﺔ ﺟﺪﻳﺪﺓ ﰲ ﺍﳌﺪﺡ‪ ،‬ﺟﺪﻳﺮﺓ ﺑﺎﻟﺮﺻﺪ ﻭﺍﻟﺘﻘﻴﻴﻢ‪،‬‬ ‫ﺣﺮﻳﺔ ﺑﺎﻟﺪﻋﻢ ﻭﺍﻟﺘﺄﻳﻴﺪ‪ ،‬ﻟﻜﻮ‪‬ﺎ ﺃﻫﺪﻯ ﻭﺃﺭﺷﺪ‪ ،‬ﻭﺃﻋﻈﻢ ﺷﺎﻋﺮﻳﺔ ﻭﺃﺣﺴﻦ ﺗﺄﺗﻴ‪‬ﺎ‪.‬‬ ‫ﺛﺎﻧﻴ‪‬ﺎ‪ :‬ﺟﻞ ﺷﻌﺮﺍﺀ ﺍﳌﺪﺡ ﺍﳌﺬﻛﻮﺭﻳﻦ ﰲ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺣﻮﻝ ﺍﻷﺭﺑﻌﲔ ﻣﻦ ﺍﻟﻌﻤﺮ‪ ،‬ﺃﻭ ﺩﻭ‪‬ﺎ‬

‫ﺑﻌﻘﺪ ﺃﺣﻴﺎﻧ‪‬ﺎ‪ ،‬ﻭﻳﺘﻤﻴﺰﻭﻥ ﺑﺸﺎﻋﺮﻳﺔ ﻣﺮﻫﻔﺔ‪ ،‬ﻭﻗﺪﺭﺓ ﻛﺒﲑﺓ ﻋﻠﻰ ﺍﻟﺘﻌﺒﲑ‪ ،‬ﻭﺍﺻﻄﻨﺎﻉ ﻣﻌﺠﻤﻬﻢ‬ ‫ﺍﻟﺸﻌﺮﻱ‪ ،‬ﺩﻭﻥ ﺍﺳﺘﻨﺴﺎﺥ ﻭﻻ ﺗﻘﻠﻴﺪ‪ ،‬ﻭﻻ ﺳﻘﻮﻁ ﰲ ﻓﺦ ﺍﻟﺴﻄﺤﻴﺔ‪ ،‬ﻭﺍﳋﻄﺎﺑﻴﺔ ﺍﻟﺘﻘﺮﻳﺮﻳﺔ‪،‬‬ ‫ﻭﺍﳌﺒﺎﺷﺮﺓ ﺍﻟﻠﻔﻈﻴﺔ‪ ،‬ﻛﻜﺜﲑ ﳑﻦ ﺳﺒﻖ‪ ،‬ﻭﳍﻢ ﺛﻘﺎﻓﺘﻬﻢ ﺍﻟﻌﺎﳌﻴﺔ‪ ،‬ﻭﻋﻤﻘﻬﻢ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻮﺍﺿﺢ‪،‬‬ ‫ﻭﻣﻌﺮﻓﺘﻬﻢ ﺑﺘﺎﺭﻳﺦ ﺃﻣﺘﻬﻢ‪ ،‬ﺑﻪ ﻳﻔﺘﺨﺮﻭﻥ‪ ،‬ﻭﻣﻨﺎﺋﺮﻩ ﻳﺮﻓﻌﻮﻥ‪..‬‬ ‫ﻭﺃﺯﻋﻢ ﺃ‪‬ﻢ ﺟﻴﻞ ﺟﺪﻳﺪ ﺳﲑﺳﻢ ﻣﺴﺎﺭ‪‬ﺍ ﺷﻌﺮﻳ‪‬ﺎ ‪‬ﻀﻮﻳ‪‬ﺎ ﲡﺪﻳﺪﻳ‪‬ﺎ ﺃﺻﻴﻼ‪ ،‬ﻳﻔﺨﺮ ﺑﺎﻟﻌﺮﺑﻴﺔ‬

‫ﻭﺗﻔﺨﺮ ﺑﻪ‪ ،‬ﻭﻳﺴﺘﻌﻠﻲ ﺑﺘﺎﺭﻳﺦ ﺍﻷﻣﺔ‪ ،‬ﻭﺭﻣﻮﺯﻫﺎ‪ ،‬ﻋﻜﺲ ﺍﳉﻴﻞ ﺍﻟﻜﻨﻮﺩ ﺍﳉﺎﺣﺪ ﺍﻟﺬﻱ ﻇﻬﺮ ﰲ‬

‫ﻯ ﻭﻭﻻﺀً‪،‬‬ ‫ﺍﻟﺴﺘﻴﻨﻴﺎﺕ ﻣﻦ ﺍﻟﻘﺮﻥ ﺍﳌﺎﺿﻲ‪ ،‬ﻭﺍﻟﺬﻱ ﲤﺮﺩ ﻋﻠﻰ ﺍﻷﻣﺔ ﺩﻳﻨ‪‬ﺎ ﻭﺗﺎﺭﳜﹰﺎ ﻭﻟﻐﺔ ﻭﻫﻮ ‪‬‬ ‫ﻭﺣﺎﻭﻝ ﺃﻥ )ﻳﺘﻔﺮﻧﺞ( ﻭﻳﻨﺴﻠﺦ‪ ،‬ﻓﻀﺎﻉ ﻭﺃﺿﺎﻉ!‬ ‫ﺍﻗﺮﺃ ﻗﺼﺎﺋﺪ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻷﺳﻮﺩ‪ ،‬ﻭﺃﺑﻮ ﴰﻴﺲ‪ ،‬ﻭﺃﲪﺪ ﲞﻴﺖ‪ ،‬ﻭﺃﲪﺪ ﺣﺴﻦ‪ ،‬ﻭﲰﲑ ﻓﺮﺍﺝ‪،‬‬ ‫ﻭﳏﻤﺪ ﺟﺮﺑﻮﻋﺔ‪ ،‬ﻭﳏﻤﺪ ﻋﺮﻳﺞ‪ ،‬ﻭﳏﻤﺪ ﻗﺎﺳﻢ ﺍﻟﺒﻐﺪﺍﺩﻱ‪ ،‬ﻭﳛﲕ ﺍﳊﻤﺎﺩﻱ‪ ،‬ﻭﻳﻮﺳﻒ ﺍﳊﻤﻮﺩ‪،‬‬

‫ﻭﻣﻦ ﻳﻜﺘﺐ ﻛﺘﺎﺑﺘﻬﻢ‪ ،‬ﻭﺃﺧﱪﱐ‪ :‬ﻣﺎﺫﺍ ﲡﺪ؟ ﻭﻣﺎﺫﺍ ﺗﺘﻮﺳﻢ؟ ﻭﻛﻴﻒ ﺗﺘﻔﺎﻋﻞ!؟‬ ‫• ﺃﻻ ﻳﺸﻜﻞ ﻫﺆﻻﺀ ﻣﺪﺭﺳﺔ ﺟﺪﻳﺪﺓ‪ ،‬ﻭﻧﻔﺴ‪‬ﺎ ﺷﻌﺮﻳ‪‬ﺎ ﺟﺪﻳﺪ‪‬ﺍ؟‬ ‫• ﺃﻟﻴﺴﻮﺍ ﳎﻤﻮﻋﺔ ﺃﺻﻴﻠﺔ ﻣﺜﻘﻔﺔ ﺍﻟﻘﻠﺐ‪ ،‬ﺛﺮﻳﺔ ﺍﻟﺸﺎﻋﺮﻳﺔ‪ ،‬ﺛﺮﺓ ﺍﻟﻌﻄﺎﺀ؟‬

‫• ﻫﻞ ﺃﲰﻴﻬﻢ ﺟﻴﻞ ﺍﻟﻌﻘﺪ ﺍﻷﻭﻝ‪ ،‬ﻭﺃﺑﺸﺮ ﺍﻷﻣﺔ ﲟﻴﻼﺩ ﺧﻂ ﺟﺪﻳﺪ ﺑﺪﺃﺕ ﺗﺘﺒﻠﻮﺭ ﻣﻼﳏﻪ‪ ،‬ﻓﺘﻴ‪‬ﺎ‬ ‫ﻗﻮﻳ‪‬ﺎ‪ ،‬ﲨﻴﻠﹰﺎ‪ ،‬ﺟﺴﻮﺭ‪‬ﺍ؟‬ ‫ﺛﺎﻟﺜﹰﺎ‪ :‬ﺃﻋﻄﺖ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻟﺸﻌ ‪‬ﺮ ﻗﻮﺓ ﺩﺍﻓﻌﺔ‪ ،‬ﻭﺍﻧﻄﻼﻗﺔ ﺟﺪﻳﺪﺓ‪ ،‬ﻭ‪‬ﺑﺮﻋﻢ ﺧﻼﳍﺎ‬

‫ﻧﺒﺖ‪ ‬ﻣﺒﺎﺭﻙ ﻛﺎﻥ ﻣﻄﻤﻮﺭ‪‬ﺍ ﰲ ﻭﺣﻞ ﺍﳊﺮﺏ ﻋﻠﻰ ﺍﻟﻔﺼﺤﻰ‪ ،‬ﻭﺍﺟﺘﻬﺎﺩ ﺍﳌﺒﻄﻠﲔ ﰲ ﳏﻮ ﻫﻮﻳﺔ‬ ‫ﺍﻷﻣﺔ‪ ،‬ﰒ ﺍﺳﺘﻮﻯ ﻗﺎﺋﻤ‪‬ﺎ ﻋﻠﻰ ﺳﻮﻗﻪ‪ ،‬ﺷﺎﳐﹰﺎ ﻣﺴﺘﻌﻠﻴ‪‬ﺎ ‪‬ﻮﻳﺘﻪ ﻭﺛﻘﺎﻓﺘﻪ‪ ،‬ﻭﻣﻨﺎﻃﺎﺕ ﻓﺨﺎﺭﻩ‪ ،‬ﻭﻣﻌﺎﻗﺪ‬ ‫‪8‬‬

‫ﻋﺰﺗﻪ‪ ،‬ﻣﻦ ﺃﻗﺼﻰ ﺍﻷﻣﺔ ﺇﱃ ﺃﻗﺼﺎﻫﺎ‪ ،‬ﲤﺎﻣ‪‬ﺎ ﻛﻤﺎ ﺣﺼﻠﺖ ‪‬ﻀﺔ ﻛﺎﺳﺤﺔ ﰲ ﺍﻟﻔﻨﻮﻥ ﺍﻹﺳﻼﻣﻴﺔ‬ ‫ﺍﻟﺘﻘﻠﻴﺪﻳﺔ ﺍﻟﻜﱪﻯ‪ :‬ﺍﳋﻂ ﻭﺍﻟﺘﺬﻫﻴﺐ ﻭﺍﻟﺰﺧﺮﻓﺔ ﻭﺍﻹﺑﺮﻭ‪ ..‬ﺑﻌﺪ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﱵ ﻗﺎﻣﺖ ﻫﻨﺎ‬ ‫ﻭﻫﻨﺎﻙ‪.‬‬

‫ﺭﺍﺑﻌ‪‬ﺎ‪ :‬ﺃﲤﲎ ﻋﻠﻰ ﺷﻌﺮﺍﺀ ﻫﺬﻩ ﺍﳌﺪﺭﺳﺔ ﺃﻥ ﻳﻌﻠﻨﻮﺍ ﻋﻦ ﺗﺄﺳﻴﺲ ﺭﺍﺑﻄﺔ ﺟﺪﻳﺪﺓ‪ ،‬ﺃﻭ ﻣﺪﺭﺳﺔ‬

‫ﺟﺪﻳﺪﺓ ﲡﻤﻌﻬﻢ‪ ،‬ﻭﻳﻀﻌﻮﻥ ﳍﺎ ﻣﻼﳏﻬﺎ ﻭﻣﻌﺎﳌﻬﺎ‪ ،‬ﻭﺭﺅﻳﺘﻬﺎ ﻭﺭﺳﺎﻟﺘﻬﺎ‪ ،‬ﻛﻤﺎ ﻓﻌﻞ ﺷﻌﺮﺍﺀ‬ ‫ﺍﻟﺴﺘﻴﻨﻴﺎﺕ ﻭﺍﻟﺴﺒﻌﻴﻨﻴﺎﺕ ﰲ ﻣﺼﺮ‪ ،‬ﻭﻛﻤﺎ ﻓﻌﻞ ﻗﺒﻠﻬﻢ ﺷﻌﺮﺍﺀ ﺍﻟﺪﻳﻮﺍﻥ ﻭﺃﺑﻮﻟﻮ‪ ،‬ﻭﻛﻤﺎ ﻳﻔﻌﻞ ﻛﻞ‬ ‫ﺍﻟﺸﻌﺮﺍﺀ ﰲ ﺍﻟﻌﺎﱂ‪.‬‬ ‫ﻭﻫﺬﺍ ﺃﻗﻞ ﻣﺎ ﻳﻠﺰﻡ ﻓﻌﻠﻪ ﺧﺪﻣﺔ ﻟﻠﺸﻌﺮ ﻭﺍﻹﺑﺪﺍﻉ ﻭﺍﻷﺻﺎﻟﺔ؛ ﻓﻬﻞ ﺃﻧﺘﻢ ﻓﺎﻋﻠﻮﻥ!؟‬

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‫ﻣﻼﺣﻈﺎﺕ ﻋﻠﻰ ﺍﳌﺪﺍﺋﺢ ﺍﻟﺸﻔﻮﻳﺔ ﻭﺍﻟﻌﺎﻣﻴﺔ ﻭﺍﻟﻔﺼﺤﻰ‬

‫ﻭﺗﺄﺻﻴ ﹰﻠﺎ ﳌﻮﺿﻮﻋﻲ ﺃﻇﻦ ﺃﻧﻪ ﻻ ﻣﻨﺎﺹ ﱄ ﻣﻦ ﺍﻟﺒﺪﺀ ﺑﺎﻹﺷﺎﺭﺓ ﺇﱃ ﺃﻧﻪ – ﺑﻌﻴﺪ‪‬ﺍ ﻋﻦ ﺍﻟﺸ‪‬ﺤﻦ‬ ‫ﺍﻹﳝﺎﻧﻴﺔ ﻭﺍﻟﻌﺎﻃﻔﻴﺔ‪ ،‬ﻭﺩﻻﺋﻞ ﺍﳊﺐ ﺍﻟﺸﺪﻳﺪ ﻟﻠﻤﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻣﻦ ﺷﻌﺮﺍﺀ‬ ‫ﺍﳌﺪﺍﺋﺢ‪ ،‬ﻭﺣﺮﺻﻬﻢ ﻋﻠﻰ ﺇﺑﺮﺍﺯ ﳎﺎﱄ ﻋﻈﻤﺘﻪ ﺑﺄﰊ ﻫﻮ ﻭﺃﻣﻲ ﻭﺃﻫﻠﻲ ﺃﲨﻌﲔ – ﺃﻗﻮﻝ ﺇﻥ ﺍﳌﺎﺩﺣﲔ‬ ‫ﻯ – ﻛﺎﻧﻮﺍ ﺑﻌﻴﺪﻳﻦ ﻋﻦ‬ ‫– ﺃﻭﻝ ﺍﻹﺳﻼﻡ – ﻣﻦ ﺍﻟﺼﺤﺎﺑﺔ ﻭﺍﻟﺘﺎﺑﻌﲔ ﻭﻣﻦ ﺍﺗﺒﻌﻬﻢ ﺑﻮﻋﻲ ﻭﻫﺪ ‪‬‬

‫ﺍﻟﻐﻠﻮ ﰲ ﺍﳌﺪﺡ‪ ،‬ﻳﺰﻧﻮﻥ ﺃﻟﻔﺎﻇﻬﻢ ﻭﺗﻌﺎﺑﲑﻫﻢ‪ ،‬ﰒ ﺑﻌﺪ ﺗﻘﺪﻡ ﺍﻷﻳﺎﻡ ﺑﺪﺃﺕ ﺻﻮﺭ‪ ‬ﺟﺪﻳﺪ ﺗﺮﺳﻢ‬

‫ﻟﺮﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻓﻴﻬﺎ ﻛﺜﲑ ﻣﻦ ﺍﳌﺒﺎﻟﻐﺔ – ﻭﺃﺣﻴﺎﻧ‪‬ﺎ ﺍﻟﺘﻄﺮﻑ ‪ -‬ﻣﻦ ﺧﻼﻝ‬ ‫ﳐﺎﻳﻞ ﺍﻟﺸﻌﺮﺍﺀ‪ ،‬ﻭﺗﻌﺎﺑﲑﻫﻢ ﺍﻟﻔﻀﻔﺎﺿﺔ‪ ،‬ﻳﺴﺘﺤﺴﻨﻬﺎ ﺑﻌﺾ ﺍﻟﻨﺎﺱ‪ ،‬ﻭﻳﱰﻋﺞ ﻣﻨﻬﺎ ﺁﺧﺮﻭﻥ‪،‬‬ ‫ﻭﲢﺘﺎﺝ ﺇﱃ ﺗﺄﺻﻴﻞ ﻋﻠﻤﻲ ﺻﺤﻴﺢ‪ ،‬ﻭﺇﻥ ﻛﺎﻥ ﺍﻟﺸﻌﺮ ﻻ ﻳﻌﲏ ﺑﺎﻟﻌﻠﻢ ﻋﻨﺎﻳﺘﻪ ﺑﺘﻬﺎﻭﱘ ﺍﻟﺸﻌﺮﺍﺀ‬ ‫ﻭﺑﺪﻭﺍ‪‬ﻢ ﺍﻟﱵ ﻳﺮﻭ‪‬ﺎ ﺧﺎﺭﺝ ﺣﺪﻭﺩ ﺍﻟﻌﻠﻢ ﻭﺃﺳﻮﺍﺭﻩ ﺍﻟﺼﺎﺭﻣﺔ‪ ،‬ﻟﺬﺍ ﻓﻘﺪ ﻛﺎﻥ ﻣﻦ ﺑﺪﻭﺍﺕ‬

‫ﺷﻌﺮﺍﺀ ﺍﳌﺪﺡ ﲨﻠﺔ ﺃﻇﻨﻬﺎ ﲢﺘﺎﺝ ﺗﺄﻣ ﹰﻠﺎ ﻭﻣﻨﺎﻗﺸﺔ ﻋﺎﻗﻠﺔ ﻣﺘﻮﺍﺯﻧﺔ‪ ،‬ﻭﻣﻦ ﻫﺬﻩ ﺍﻟﺒﺪﻭﺍﺕ‪:‬‬

‫ﺃﻭﹰﻟﺎ‪ :‬ﺗﺄﻧﻴﺚ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‪:‬‬

‫ﺑﺪ ﹰﻻ ﻣﻦ ﺃﻥ ﻳﻜﻮﻥ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﳕﻮﺫﺝ ﺍﻟﺮﺟﻮﻟﺔ ﺍﻟﻌ‪‬ﻔﺔ‪ ،‬ﻭﺍﻟﻘﻮﺓ ﺍﻟﺮﺣﻴﻤﺔ‪،‬‬ ‫ﻭﺍﳍﻤﺔ ﺍﻟﺪﺍﻓﻌﺔ‪ ،‬ﻓﺈﻥ ﻣﻦ ﺃﻛﱪ ﺇﺷﻜﺎﻻﺕ ﺑﻌﺾ ﺍﳌﺪﺍﺋﺢ ﺗﺄﻧﻴﺚ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ – ﲢﺖ‬ ‫ﺃﻗﻨﻌﺔ ﺍﻟﺮﻣﺰ‪ ،‬ﻭﺍﻟﺸﻄﺢ‪ ،‬ﻭﺍﻹﺷﺎﺭﺓ‪ ،‬ﻭﻋﻠﻢ ﺍﻟﺒﺎﻃﻦ‪ ،‬ﻭﻓﻬﻢ ﺍﳋﻮﺍﺹ‪ ،‬ﻭﻏﲑ ﺫﻟﻚ ‪ -‬ﺑﻮﺻﻔﻪ‬ ‫ﺕ ﻫﻲ ﺃﻟﺼﻖ ﺑﺎﻷﻧﺜﻰ ﻣﻨﻬﺎ ﺑﺎﻟﺮﺟﻞ‪ ،‬ﻓﻬﻮ‪ :‬ﺍﻷﻫﻴﻒ‪ ،‬ﺫﻭ ﺍﻟﻘﻮﺍﻡ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺑﺼﻔﺎ ٍ‬ ‫ﺍﻟﺮﺳﻴﻞ‪ ،‬ﻭﺍﳋﺪ ﺍﻷﺳﻴﻞ‪ ،‬ﻭﺍﻟﺮﻣﺶ ﺍﻟﻜﺤﻴﻞ‪ ،‬ﻭﻫﻮ ﺃﲪﺮ ﺍﳋﺪﻳﻦ‪ ،‬ﻭﻛﺤﻴﻞ ﺍﻟﻌﲔ‪ ،‬ﻭﺃﺯﺝ‬ ‫ﺍﳊﺎﺟﺒﲔ‪ ،‬ﻭﻳﺎ ﻛﺎﻭﻳﲏ ﻳﺎ ﻧﱯ‪ ..‬ﻭﻏﲑﻫﺎ ﻣﻦ ﺍﻝ‪!...‬‬

‫ﻳﻘﻮﻝ ﺍﻟﺸﺎﻋﺮ ﺑﻦ ﺍﳋﻠﻮﻑ ﰲ ﺗﺎﺋﻴﺘﻪ‪:‬‬

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‫ﻒ ﻗﺪ ﺑﺴﻤﺖ‬ ‫ﺞ ﺃﻗﲎ ﺍﻷﻧ ِ‬ ‫ﺝ ﺃﺑﻠ ‪‬‬ ‫ﺃﺯ ‪‬‬

‫ﺕ‬ ‫ﻣﻨﻪ ﻋﻦ ﺍﻟﻠﺆﻟﺆ ﺍﻟﺮﻃﺐ ﺍﻟﺜﻨﻴﺎ ‪‬‬

‫ﺐ ﺍﻟﺜﻐ ِﺮ ﺣﻠﻮﺍﻟﺸﻜﻞ ﻣﻨﻄﻘ ‪‬ﻪ‬ ‫ﳏﺒ ‪‬‬

‫ﺕ‬ ‫ﻋﻨﻪ ﺍﻟﻔﺼﺎﺣﺔ ﺗﺮﻭﻯ ﻭﺍﻟﺒﻼﻏﺎ ‪‬‬

‫ﺝ ﺍﳋ ‪‬ﺪ ﹶﻟ ‪‬ﺪﻥ ﺍﻟﻘ ‪‬ﺪ ﲢﺴﺒ ‪‬ﻪ‬ ‫ﻣﻀﺮ ‪‬‬

‫ﺕ‬ ‫ﺢ ﰲ ﺃﻋﻼﻩ ﻭﺭﺩﺍ ‪‬‬ ‫ﻏﺼ‪‬ﻨﺎ ﺗﻔﺘ ‪‬‬

‫ﻑ ﻟﻮﻓﺮﺿﺖ‬ ‫ﺐ ﺳﺎﺟﻲ ﺍﻟﻄﺮ ِ‬ ‫ﺃﻏ ‪‬ﺮ ﺍﺷﻨ ‪‬‬

‫ﻣﻼﺣ‪‬ﺘﻪ‪ ..‬ﻣﺎ ﺗﻌﺪﺗﻪ ﺍﳌﻼﺣﺎﺕ‬

‫ﺃﺷ ‪‬ﻢ ﺃﺣﻮﻯ ﺷﺮﻳﻒ ﺍﻟﻨﻔﺲ ﻗﺪ ﺧﻀﻌﺖ‬

‫ﺸ ِّﻢ ﺃﻓﻌﺎﻟﻪ ﺍﻟﺸ ‪‬ﻢ ﺍﻟﺮﻓﻴﻌﺎﺕ‬ ‫ﻟ‪‬‬

‫ﻋﺒﻞ ﺍﻟﺬﺭﺍﻉ ﻧﺪﻱ ﺍﻟﻜﻒ ﻣﻠﺘﻔﺖ‪‬‬

‫ﺕ‬ ‫ﱯ ﺧ ﹶﻠﺖ ﻣﻨﻪ ﺍﻟﺘﻔﺎﺗﺎ ‪‬‬ ‫ﻋﻦ ﺟﻴ ِﺪ ﻇ ٍ‬

‫ﺿﺨﻢ ﺍﻟﻜﺮﺍﺩﻳﺲ ﺭﺣﺐ ﺍﻟﺼﺪﺭ ﻣﻨﻌﻄﻒ‪‬‬

‫ﺕ‬ ‫ﻋﻦ ِﻋﻄﻒ ﺑﺎ ٍﻥ ﺯﻫﺖ ﻣﻨﻪ ﺍﻟﺘﻔﺎﺗﺎ ‪‬‬

‫ﺯﺍﻫﻲ ﺍﳉﺒﲔ ﺳﻮﺍﺀ ﺍﻟﺼﺪﺭ ﺗﻌﻄﻔﻪ‬

‫ﺣﻼﻭﺓﹲ ﻣﺰﺟﺖ ﻓﻴﻪ ﻃﻼﻭﺍﺕ‬

‫ﲡﻤﻌﺖ ﻓﻴﻪ ﺃﻭﺻﺎﻑ ﺍﳉﻤﺎﻝ ﻛﻤﺎ‬

‫ﺕ‬ ‫ﺗﻔﺮﻗﺖ ﰲ ﻣﻌﺎﻧﻴﻪ ﺍﻟﻜﻤﺎﻻ ‪‬‬

‫ﺃﺭﺍﺩﻩ ﺍﷲ ﳏﺒﻮﺑ‪‬ﺎ ﲝﻀﺮﺗﻪ‬

‫ﻓﻜﺎﻥ ﺫﺍﻙ‪ ..‬ﻭﷲ ﺍﻹﺭﺍﺩﺍﺕ‬

‫ﻣﺎ ﻛﻨﺖ ﺃﻋﻠﻢ ﻟﻮﻻ ﺳﺤ ‪‬ﺮ ﻣﻘﻠﺘﻪ‬

‫ﺕ‬ ‫ﺃﻥ ﺍﳉﻔﻮﻥ ﳍﺎ ﻛﺎﻟﺒﻴﺾ ﻓﺘﻜﺎ ‪‬‬

‫ﲔ ﻗﺎﻣﺘﻪ‬ ‫ﻭﻻ ﲢﻘﻘﺖ ﻟﻮﻻ ﻟ ‪‬‬

‫ﺃﻥ ﺍﻟﻘﺪﻭﺩ ﳍﺎ – ﻛﺎﻟﺴﻤﺮ ‪ -‬ﺭﺷﻘﺎﺕ‬

‫ﻭﻗﺎﻝ ﺍﻵﺧﺮ‪:‬‬ ‫ﺯﺍﺭﱐ ﺑﻌﺪ ﺍﳉﻔﺎ ﻇﱯ ﺍﻟﻨﺠﻮﺩ‬

‫ﻋﻨﱪﻱ ﺍﻟﻌﺮﻑ‪ ..‬ﻭﺭﺩﻱ ﺍﳋﺪﻭﺩ‬

‫ﻭﺳﻘﺎﱐ ﻣﻦ ﺭﺣﻴﻖ ﰲ ﺍﻟﺒﺪﻳﺪ‬

‫ﻭﺷﻔﻰ ﺑﺎﳌﻠﺘﻘﻰ ﻗﻠﺐ ﺍﻟﻌﺒﻴﺪ‬

‫ﻗﻠﺖ ﺃﻫﻠﹰﺎ ﻳﺎ ﻏﺰﺍﻝ ﺍﻟﺮﻗﻤﺘﲔ‬

‫ﺃﻧﺖ ﻗﺮﺓ ﺧﺎﻃﺮﻱ ﺃﻳﻀ‪‬ﺎ ﻭﻋﻴﲏ‬

‫ﻭﻗﺎﻝ ﺛﺎﻟﺚ‪:‬‬ ‫ﻒ ﻣ‪ ‬ﻬ‪‬ﻨ ٍﺪ‬ ‫ﻧﱯ‪ ‬ﻟﻪ ﺭﻣﺶ‪ ‬ﻛﺴﻴ ٍ‬

‫ﻕ‬ ‫ﺢ ﺍﻷﺣﺰﺍ ﹸﻥ ﻭﺍﻟﺴﻌ ‪‬ﺪ ﻳﻮﺭ ‪‬‬ ‫ِﺑ ِﻪ ﺗ‪ ‬ﹾﺬ‪‬ﺑ ‪‬‬

‫ﻟﻪ ﺣﺎﺟﺐ‪ ‬ﻣﺜ ﹸﻞ ﺍﳍﻼ ِﻝ ﻭﻭﺟﻬ ‪‬ﻪ‬

‫ﻕ‬ ‫ﻛﻤﺎ ﺍﻟﺒﺪﺭ ﻭﺍﻟﻌﻴﻨﺎ ِﻥ ﻛﺎﻟﻨﺠ ِﻢ ﺗﱪ ‪‬‬

‫ﻟﻪ ﻭﺟﻨﺔﹲ ﲢﻜِﻲ ﺍﻟﻮﺭﻭ ‪‬ﺩ ﺑﻄﻴِﺒﻬ‪‬ﺎ‬

‫ﻚ ﺃﻋ‪‬ﺒﻖ‪‬‬ ‫ﺐﻻﺷ ‪‬‬ ‫ﳊ ‪‬‬ ‫ﻭﲪﺮﺗِﻬﺎ ﻭﺍ ِ‬

‫ﺡ ﻣﺮﺟﺎ ﹸﻥ ﺛﻐﺮ ِﻩ‬ ‫ﻭﻛﺎﻟﻔﻠ ِﻖ ﺍﻟﻮﺿ‪‬ﺎ ِ‬

‫ﲑ ﺗﺰﻫ ‪‬ﻖ‬ ‫ﺖ ﺍﻟﺪﻳﺎﺟ ‪‬‬ ‫ﺡ ﺃﻟﻔﻴ ‪‬‬ ‫ﺇﺫﺍ ﻻ ‪‬‬

‫ﲔ ﺣ‪‬ﺒ ِﻪ‬ ‫ﺖ ﻗﻠﺒِﻲ ﺑﺮﺍﻛ ‪‬‬ ‫ﺇﺫﺍ ﻓﺘ ﹶﻘ ‪‬‬

‫ﺖ ﲝﺎﺭ‪‬ﺍ ﺑﺎﻟﻐﺮﺍ ِﻡ ‪‬ﺗ ‪‬ﺪ ﱠﻓ ‪‬ﻖ‬ ‫ﺭﺃﻳ ‪‬‬

‫ﺐ ﻛﻠﱡﻬﺎ‬ ‫ﺲ ﻭﺍﻟﺸﻬ ‪‬‬ ‫ﻛﺄ ﱠﻥ ﺑﻜﺒﺪِﻱ ﺍﻟﺸﻤ ‪‬‬

‫ﻉ ﺍﻟﻮﺟ ‪‬ﺪ ﻭﳍﺎ ﹸﻥ ﻳﻌﺸ ‪‬ﻖ‬ ‫ﻏﺪﺍ ﹶﺓ ﺃﺫﺍ ‪‬‬

‫ﻭﻗﺎﻝ ﺁﺧﺮ‪:‬‬

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‫ﳏﻤﺪ ﺯﻳﻦ‪ ..‬ﺫﻛﺮﻩ ﺯﻳﻦ‬

‫ﳏﻤﺪ ﻳﺎ ﻛﺤﻴﻞ ﺍﻟﻌﲔ‬

‫ﻭﺍﻧﺸﻖ ﺍﻟﻘﻤﺮ ﻧﺼﲔ‬

‫ﻣﻦ ﻫﻴﺒﺔ ﺭﺳﻮﻝ ﺍﷲ‬

‫ﻭﻗﺎﻝ ﺁﺧﺮ‪:‬‬ ‫ﺃﻻﻗﻲ ﺯﻳﻚ ﻓﲔ ﻳﺎ ﻧﱯ‬

‫ﺃﺑﻴﺾ‪ ..‬ﻭﻛﺤﻴﻞ ﺍﻟﻌﲔ ﻳﺎ ﻧﱯ‬

‫ﻳﺎ ﺣﺒﻴﱯ ﻳﺎ ﻧﱯ ﻳﺎ ﺷﻔﻴﻌﻲ ﻳﺎ ﻧﱯ‬

‫ﻋﺎﻟﻌﲔ ﻳﺎ ﻧﱯ‪ ..‬ﻳﺎ ﻧﱯ ﻳﺎ ﻧﱯ‬

‫ﻻ ﺗﺴﻴﺒﲏ ﻳﺎ ﻧﱯ ﻳﺎ ﻧﱯ‬ ‫ﻭﻗﺎﻝ ﺁﺧﺮ‪:‬‬

‫ﺣﺐ ﺍﻟﺮﺳﻮﻝ ﻳﺎ ﺑﺎ ﺩﻭﺑﲏ ﺩﻭﺏ‬

‫‪ ..‬ﻭﻣﺎ ﺷﺎﺑﻪ!‬

‫ﻭﳑﺎ ﻗﺎﻟﻪ )ﺍﻟﻘﻄﺐ ﺍﻟﺼﻮﰲ( ﺍﻷﻣﲑ ﻋﺒﺪ ﺍﻟﻘﺎﺩﺭ ﺍﳉﺰﺍﺋﺮﻱ ﰲ ﺫﻟﻚ‪:‬‬ ‫)ﻓﺤﻘﻴﻘﺔ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻫﻲ ﺍﳌﺸﻬﻮﺩﺓ ﻷﻫﻞ ﺍﻟﺸﻬﻮﺩ‪ ،‬ﻭﻫﻲ ﺍﻟﱵ ﻳﺘﻐﺰﻟﻮﻥ‬ ‫‪‬ﺎ ﻭﻳﺘﻠﺬﺫﻭﻥ ﲝﺪﻳﺜﻬﺎ ﰲ ﺃﲰﺎﺭﻫﻢ ‪ -‬ﻭﻫﻲ ﺍﳌﻌﻨﻴﺔ ﻋﻨﺪﻫﻢ ﺑﻠﻴﻠﻰ ﻭﺳﻠﻤﻰ‪ ،‬ﻭﻫﻲ ﺍﳌﻜﲎ ﻋﻨﻬﺎ‬ ‫ﺑﺎﳋﻤﺮ ﻭﺍﻟﺸﺮﺏ ﻭﺍﻟﻜﺄﺱ ﻭﺍﻟﻨﺎﺭ ﻭﺍﻟﻨﻮﺭ ﻭﺍﻟﺸﻤﺲ ﻭﺍﻟﱪﻕ ﻭﻧﺴﻴﻢ ﺍﻟﺼﺒﺎ ﻭﺍﳌﻨﺎﺯﻝ ﻭﺍﻟﺮﺳﻮﻡ‬

‫ﻭﺍﻟﺮﺑﺎ‪ ،‬ﻭﻫﻲ ‪‬ﺎﻳﺔ ﺳﲑ ﺍﻟﺴﺎﺋﺮﻳﻦ‪ ،‬ﻭﻏﺎﻳﺔ ﻣﻄﻠﻮﺏ ﺍﻟﻌﺎﺭﻓﲔ(!‬

‫ﻭﻟﻴﺲ ﻫﺬﺍ ﲟﺴﺘﻐﺮﺏ ﳑﻦ ﺃﻧﺜﻮﺍ ﺣﱴ ﺍﻟﺬﺍﺕ ﺍﻹﳍﻴﺔ؛ ﺟﻞ ﻭﻋﺰ ﻭﺗﻌﺎﱃ ﺍﷲ ﻋﻤﺎ ﻳﻘﻮﻟﻮﻥ‬ ‫ﻋﻠﻮ‪‬ﺍ ﻛﺒﲑ‪‬ﺍ! ﻭﺃﺫﻛﺮ ﺃﻧﲏ ﰲ ﻃﻔﻮﻟﱵ ﻛﻨﺖ ﺃﺣﻀﺮ )ﺣﻀﺮﺍﺕ ﺍﻟﺼﻮﻓﻴﺔ( ﻭﺃﻧﺸﺪ ﻣﻌﻬﻢ‪:‬‬ ‫ﺳﻠﺒﺖ ﱄ‪ ..‬ﻣﲎ ﺍﻟﻌﻘﻼ‪ ......‬ﻗﻠﺖ ﻳﺎ ﻟﻴﻠﻰ‪ :‬ﺍﺭﲪﻲ ﺍﻟﻘﺘﻠﻰ‬ ‫ﻓﻠﻤﺎ ﺳﺄﻟﺖ ﻋﻦ ﻟﻴﻠﻰ ﻗﺎﻝ ﱄ ﺷﻴﺦ ﺍﳊﻀﺮﺓ‪ :‬ﺇ‪‬ﺎ ﻛﻨﺎﻳﺔ ﻋﻦ ﺍﷲ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ!‬ ‫ﻭﻗﺪ ﻓﺼﻞ ﺍﻟﺸﻴﺦ ﻋﺒﺪ ﺍﻟﺮﲪﻦ ﺍﻟﻮﻛﻴﻞ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ ﻫﺬﻩ ﺍﻟﻨﻘﻄﺔ ﺍﻟﻐﺮﻳﺒﺔ ﰲ ﻛﺘﺎﺑﻪ‪ :‬ﻫﺬﻩ‬

‫ﻫﻲ ﺍﻟﺼﻮﻓﻴﺔ‪ ،‬ﻭﳑﺎ ﺫﻛﺮﻩ‪:‬‬

‫ﻳﻘﺮﺭ ﺍﺑﻦ ﻋﺮﰊ ﻫﺬﻩ ﺍﻟﻌﻘﻴﺪﺓ ﻓﻴﻘﻮﻝ‪:‬‬ ‫ﻓﺈﺫﺍ ﺷﺎﻫﺪ ﺍﻟﺮﺟﻞ ﺍﳊﻖ ﰲ ﺍﳌﺮﺃﺓ ﻛﺎﻥ ﺷﻬﻮﺩﻩ ﰲ ﻣﻨﻔﻌﻞ‪ ،‬ﻭﺇﺫﺍ ﺷﺎﻫﺪﻩ ﰲ ﻧﻔﺴﻪ ﻣﻦ ﺣﻴﺚ‬ ‫ﻇﻬﻮﺭ ﺍﳌﺮﺃﺓ ﻋﻨﻪ ﺷﺎﻫﺪﻩ ﰲ ﻓﺎﻋﻞ‪ ،‬ﻭﺇﺫﺍ ﺷﺎﻫﺪﻩ ﻣﻦ ﻧﻔﺴﻪ ﻣﻦ ﻏﲑ ﺍﺳﺘﺤﻀﺎﺭ ﺻﻮﺭﺓ ﻣﺎ ﻛﺎﻥ‬ ‫ﺷﻬﻮﺩﻩ ﰲ ﻣﻨﻔﻌﻞ ﻋﻦ ﺍﳊﻖ ﺑﻼ ﻭﺍﺳﻄﺔ‪ ،‬ﻓﺸﻬﻮﺩﻩ ﻟﻠﺤﻖ ﰲ ﺍﳌﺮﺃﺓ ﺃﰎ ﻭﺃﻛﻤﻞ‪ ،‬ﻷﻧﻪ ﻳﺸﺎﻫﺪ‬

‫ﺍﳊﻖ ﻣﻦ ﺣﻴﺚ ﻫﻮ ﻓﺎﻋﻞ ﻣﻨﻔﻌﻞ‪ ،‬ﻭﻣﻦ ﻧﻔﺴﻪ ﻫﻮ ﻣﻨﻔﻌﻞ ﺧﺎﺻﺔ‪ ،‬ﻓﻠﻬﺬﺍ ﺃﺣﺐ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ‬

‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺍﻟﻨﺴﺎﺀ ﻟﻜﻤﺎﻝ ﺷﻬﻮﺩ ﺍﳊﻖ ﻓﻴﻬﻦ‪ ،‬ﺇﺫ ﻻ ﻳ‪‬ﺸ‪‬ﺎﻫﺪ‪ ‬ﳎﺮ ‪‬ﺩﺍ ﻋﻦ ﺍﳌﻮﺍﺩ ﺃﺑﺪﺍ‪ ،‬ﻓﺈﻥ ﺍﷲ‬ ‫‪12‬‬

‫ﺗﻌﺎﱃ ﺑﺎﻟﺬﺍﺕ ﻏﲏ ﻋﻦ ﺍﻟﻌﺎﳌﲔ‪ ،‬ﻓﺈﺫﺍ ﻛﺎﻥ ﺍﻷﻣﺮ ﻣﻦ ﻫﺬﺍ ﺍﻟﻮﺟﻪ ﳑﺘﻨ ‪‬ﻌﺎ‪ ،‬ﻭﱂ ﺗﻜﻦ ﺍﻟﺸﻬﺎﺩﺓ ﺇﻻ‬ ‫ﰲ ﻣﺎﺩﺓ‪ ،‬ﻓﺸﻬﻮﺩ ﺍﳊﻖ ﰲ ﺍﻟﻨﺴﺎﺀ ﺃﻋﻈﻢ ﺍﻟﺸﻬﻮﺩ ﻭﺃﻛﻤﻠﻪ!‬ ‫ﻭﻳﻘﻮﻝ ﺍﺑﻦ ﺍﻟﻔﺎﺭﺽ ﰲ ﺗﺎﺋﻴﺘﻪ‪:‬‬ ‫ﻓﻜﻞ ﻣﻠﻴﺢ ﺣﺴﻨﻪ ﻣﻦ ﲨﺎﳍﺎ‬

‫ﻣ‪‬ﻌﺎﺭ‪ ‬ﻟﻪ ﺑﻞ ﺣﺴﻦ ﻛﻞ ﻣﻠﻴﺤﺔ‬

‫‪‬ﺎ ﻗﻴﺲ ﻟﺒﲎ ﻫﺎﻡ ﺑﻞ ﻛﻞ ﻋﺎﺷﻖ‬

‫ﻛﻤﺠﻨﻮﻥ ﻟﻴﻠﻰ ﺃﻭﻛﺜﲑ ﻋﺰﺓ‬

‫ﻓﻜﻞ ﺻﺒﺎ ﻣﻨﻬﻢ ﺇﱃ ﻭﺻﻒ ﻟﺒﺴﻬﺎ‬

‫ﺑﺼﻮﺭﺓ ﺣﺴﻦ ﻻﺡ ﰲ ﺣﺴﻦ ﺻﻮﺭﺓ‬

‫ﻭﻣﺎ ﺫﺍﻙ ﺇﻻ ﺃﻥ ﺑﺪﺕ ﲟﻈﺎﻫﺮ‬

‫ﻓﻈﻨﻮﺍ ﺳﻮﺍﻫﺎ ﻭﻫﻲ ﻓﻴﻬﺎ ﲡﻠﺖ‬

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‫ﻭﺗﻈﻬﺮ ﻟﻠﻌﺸﺎﻕ ﰲ ﻛﻞ ﻣﻈﻬﺮ‬

‫ﻣﻦ ﺍﻟﻠﺒﺲ ﰲ ﺃﺷﻜﺎﻝ ﺣﺴﻦ ﺑﺪﻳﻌﺔ‬

‫ﻓﻔﻲ ﻣﺮﺓ ﻟﺒﲎ‪ ..‬ﻭﺃﺧﺮﻯ ﺑﺜﻴﻨﺔ‬

‫ﻭﺁﻭﻧﺔ ﺗﺪﻋﻰ ﺑﻌﺰﺓ‪ ..‬ﻋﺰﺕ‬

‫ﻭﻟﺴﻦ ﺳﻮﺍﻫﺎ ﻻ ﻭﻻ ﹸﻛ ‪‬ﻦ ﻏﲑﻫﺎ‬

‫ﻭﻣﺎ ﺇﻥ ﳍﺎ ﰲ ﺣﺴﻨﻬﺎ ﻣﻦ ﺷﺮﻳﻜﺔ‬

‫ﻭﺫﻛﺮ ﺍﻟﻘﺴﻄﻼﱐ ﺃﺣﺪ ﺷﺮﺍﺡ ﺻﺤﻴﺢ ﺍﻟﺒﺨﺎﺭﻱ ﰲ )ﺍﳌﻮﺍﻫﺐ ﺍﻟﻠﺪﻧﻴﺔ( ﻋﻨﺪ ﻗﺼﺔ ﺍﻹﺳﺮﺍﺀ‬

‫ﻭﺍﳌﻌﺮﺍﺝ‪ :‬ﳌﺎ ﺳﺄﻝ ﻣﻮﺳﻰ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﺍﻟﺮﺅﻳﺔ ﻭﱂ ﲢﺼﻞ ﻟﻪ ﺍﻟﺒ‪‬ﻐﻴﺔ‪ ،‬ﺑﻘﻲ ﺍﻟﺸﻮﻕ ﻳﻘﻠﻘﻪ‪،‬‬ ‫ﻭﺍﻷﻣﻞ ﻳﻌﻠﻠﻪ‪ ،‬ﻓﻠﻤﺎ ﲢﻘﻖ ﺃﻥ ﺳﻴﺪﻧﺎ ﳏﻤ ‪‬ﺪﺍ ﺍﳊﺒﻴﺐ ﻣﻨﺢ ﺍﻟﺮﺅﻳﺔ‪ ،‬ﻭﻓﺘﺢ ﻟﻪ ﺑﺎﺏ ﺍﳌﺰﻳﺔ‪ ،‬ﺃﻛﺜﺮ‬ ‫ﺍﻟﺴﺆﺍﻝ ﻟﻴﺴﻌﺪ ﺑﺮﺅﻳﺔ ﻣﻦ ﻗﺪ ﺭﺃﻯ ﻛﻤﺎ ﻗﻴﻞ‪:‬‬ ‫ﻭﺇﳕﺎ ﺍﻟﺴﺮ ﰲ ﻣﻮﺳﻰ ﻳ‪‬ﺮﺩ‪‬ﺩﻩ‬

‫ﻟ‪‬ﻴﺠ‪‬ﺘﻠﻲ ﺣﺴﻦ ﻟﻴﻠﻰ ﺣﲔ ﻳﺸﻬﺪﻩ‬

‫ﻳﺒﺪﻭ ﺳﻨﺎﻫﺎ ﻋﻠﻰ ﻭﺟﻪ ﺍﻟﺮﺳﻮﻝ ﻓﻴﺎ‬

‫ﷲ ‪‬ﺩ ‪‬ﺭ ﺭﺳﻮﻝ ﺣﲔ ﺃﺷﻬﺪﻩ‬

‫ﻭﻗﺪ ﺑﲔ ﺍﻟﻘﺴﻄﻼﱐ ﺃﻥ ﻫﺬﺍ ﻛﻼﻡ ﺃﻫﻞ ﺍﻹﺷﺎﺭﺍﺕ‪ ،‬ﻣﻦ ﺃﻗﻄﺎﺏ ﺍﻟﺘﺼﻮﻑ!‬

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‫ﺛﺎﻧﻴ‪‬ﺎ‪ :‬ﺗﺄﻟﻴﻪ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‪:‬‬

‫ﻭﻻ ﺷﻚ ﺃﻥ ﻣﻦ ﻣﻌﺘﻘﺪ ﺃﻫﻞ ﺍﻟﺴﻨﺔ ﻭﺍﳉﻤﻌﺔ ﺃﻥ ﺍﻟﻐﻠﻮ ﰲ ﻣﺪﺡ ﺷﻲﺀ ﻭﺍﻟﺘﻌﻠﻖ ﺑﻪ ﻗﺪ ﻳﻨﺘﻬﻲ‬ ‫ﺑﺎﲣﺎﺫﻩ ﺇﳍﺎ ﻣﻦ ﺩﻭﻥ ﺍﷲ ﺗﻌﺎﱃ‪:‬‬ ‫ﺖ ‪‬ﺗﻜﹸﻮ ﹸﻥ ‪‬ﻋ ﹶﻠ ‪‬ﻴ ِﻪ ‪‬ﻭﻛِﻴﻠﹰﺎ( ﺍﻟﻔﺮﻗﺎﻥ‪..43:‬‬ ‫• ﻛﻌﺒﺎﺩﺓ ﺍﳍﻮﻯ‪) :‬ﺃﺭﺃﻳﺖ ﻣﻦ ﺍﲣﺬ ﺇﳍﻪ ﻫﻮﺍﻩ؛ ﹶﺃ ﹶﻓﹶﺄ‪‬ﻧ ‪‬‬ ‫• ﻭﻋﺒﺎﺩﺓ ﺍﳌﺎﻝ‪) :‬ﺗﻌﺲ ﻋﺒﺪ ﺍﻟﺪﻳﻨﺎﺭ‪ ،‬ﺗﻌﺲ ﻋﺒﺪ ﺍﻟﺪﺭﻫﻢ‪ ،‬ﺗﻌﺲ ﻋﺒﺪ ﺍﻟﻘﻄﻴﻔﺔ‪ ،‬ﺗﻌﺲ ﻋﺒﺪ‬ ‫ﺍﳋﻤﻴﺼﺔ‪ ،‬ﺗﻌﺲ ﻭﺍﻧﺘﻜﺲ‪ ،‬ﻭﺇﺫﺍ ﺷﻴﻚ ﻓﻼ ﺍﻧﺘﻘﺶ( ﺍﻟﺒﺨﺎﺭﻱ‪..‬‬

‫• ﻭﻋﺒﺎﺩﺓ ﺍﻟﺮﻫﺒﺎﻥ ﻭﺍﻷﺣﺒﺎﺭ ﻭﺍﻷﻓﻜﺎﺭ‪ :‬ﻓﻔﻲ ﺍﻟﺘﺮﻣﺬﻱ ﻭﻏﲑﻩ‪ ،‬ﺃﻧﻪ ﳌﺎ ﻧﺰﻝ ﻗﻮﻟﻪ ﺗﻌﺎﱃ‪:‬‬ ‫)ﺍﲣﺬﻭﺍ ﺃﺣﺒﺎﺭﻫﻢ ﻭﺭﻫﺒﺎ‪‬ﻢ ﺃﺭﺑﺎﺑ‪‬ﺎ ﻣﻦ ﺩﻭﻥ ﺍﷲ‪ ،‬ﻭﺍﳌﺴﻴﺢ ﺍﺑﻦ ﻣﺮﱘ( ﻗﺎﻝ ﺳﻴﺪﻱ ﻋﺪﻱ‬ ‫ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ‪ :‬ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ‪ :‬ﻣﺎ ﻋﺒﺪﻧﺎﻫﻢ! ﻓﻘﺎﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﺃﱂ ﳛﻠﻮﺍ ﻟﻜﻢ ﺍﳊﺮﺍﻡ‪ ،‬ﻭﳛﺮﻣﻮﺍ ﻋﻠﻴﻜﻢ ﺍﳊﻼﻝ ﻓﺘﻄﻴﻌﻮﻫﻢ؟ ﻗﺎﻝ‪ :‬ﺑﻠﻰ!‬

‫ﻗﺎﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ :‬ﻓﺘﻠﻚ ﻋﺒﺎﺩﺗﻜﻢ ﺇﻳﺎﻫﻢ!‬

‫ﻭﻋﺒﺎﺩﺓ ﺍﻷﻧﺒﻴﺎﺀ ﺃﻣﺮ ﻏﲑ ﻭﺍﺭﺩ ﺍﻹﺳﻼﻡ‪ ،‬ﺑﻞ ﻫﻮ ﻣﻦ ﺍﻷﻣﻮﺭ ﺍﻟﱵ ﺷﺪﺩ ﺍﷲ ﺗﻌﺎﱃ ﻋﻠﻰ‬ ‫ﺍﻟﺴﻘﻮﻁ ﰲ ﺑﺮﺍﺛﻨﻬﺎ‪ ،‬ﻓﻬﻮ ﺳﺒﺤﺎﻧﻪ ﻳﻘﻮﻝ ﺑﺸﻜﻞ ﻭﺍﺿﺢ ﻻ ﻟﺒﺲ ﻓﻴﻪ‪) :‬ﻣﺎ ﻛﺎﻥ ﻟﺒﺸ ٍﺮ ﺃﻥ ﻳﺆﺗﻴﻪ‬ ‫ﺍﷲ ﺍﻟﻜﺘﺎﺏ ﻭﺍﳊﻜﻢ ﻭﺍﻟﻨﺒﻮﺓ‪ ،‬ﰒ ﻳﻘﻮ ﹶﻝ ﻟﻠﻨﺎﺱ ﻛﻮﻧﻮﺍ ﻋﺒﺎ ‪‬ﺩﺍ ﱄ ﻣﻦ ﺩﻭﻥ ﺍﷲ؛ ﻭﻟﻜﻦ ﻛﻮﻧﻮﺍ‬ ‫ﺨﺬﹸﻭﺍ ﺍﹾﻟﻤ‪‬ﻼِﺋ ﹶﻜ ﹶﺔ‬ ‫ﺏ‪ ،‬ﻭﲟﺎ ﻛﻨﺘﻢ ﺗﺪ ‪‬ﺭﺳﻮﻥ* ﻭ‪‬ﻻ ‪‬ﻳ ﹾﺄﻣ‪ ‬ﺮﻛﹸ ‪‬ﻢ ﺃﹶﻥ ‪‬ﺗّ‪‬ﺘ ِ‬ ‫ﺭﺑﺎﻧﻴﲔ‪ ،‬ﲟﺎ ﻛﻨﺘﻢ ‪‬ﺗﻌ ّﹶﻠﻤﻮﻥ ﺍﻟﻜﺘﺎ ‪‬‬ ‫ﺴ ِﻠﻤ‪‬ﻮ ﹶﻥ(؟ ﺁﻝ ﻋﻤﺮﺍﻥ‪.80-79:‬‬ ‫ﲔ ﹶﺃ ‪‬ﺭﺑ‪‬ﺎﺑ‪‬ﺎ؛ ﹶﺃ‪‬ﻳ ﹾﺄﻣ‪‬ﺮ‪‬ﻛﹸ ‪‬ﻢ ﺑِﺎﹾﻟ ﹸﻜ ﹾﻔ ِﺮ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ِﺇ ﹾﺫ ﺃﹶﻧ‪‬ﺘ ‪‬ﻢ ‪‬ﻣ ‪‬‬ ‫ﻭ‪‬ﺍﻟّ‪‬ﻨِﺒِّﻴ ‪‬‬

‫ﻭﻫﻮ ﺳﺒﺤﺎﻧﻪ ﺳﻴﺴﺄﻝ ﺳﻴﺪﻧﺎ ﻋﻴﺴﻰ ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ‪) :‬ﺃﺃﻧﺖ ﻗﻠﺖ ﻟﻠﻨﺎﺱ‪ :‬ﺍﲣﺬﻭﱐ ﻭﺃﻣﻲ ﺇﳍﲔ‬ ‫ﻣﻦ ﺩﻭﻥ ﺍﷲ(؟ ﻓﻴﺠﻴﺐ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﺑﺸﻜﻞ ﺣﺎﺳﻢ‪) :‬ﺳﺒﺤﺎﻧﻚ ﻣﺎ ﻛﺎﻥ ﱄ ﺃﻥ ﺃﻗﻮﻝ ﻣﺎ ﻟﻴﺲ‬ ‫ﱄ ﲝﻖ؛ ﺇﻥ ﻛﻨﺖ ﻗﻠﺘﻪ ﻓﻘﺪ ﻋﻠﻤﺘ‪‬ﻪ‪ !(.....‬ﺍﳌﺎﺋﺪﺓ‪.116:‬‬ ‫ﻓﻤﻦ ﺍﻟﻌﻈﻴﻢ ﺷﻨﺎﻋ ﹰﺔ‪ ،‬ﺍﳋﻄﲑ ﻓﻈﺎﻋ ﹰﺔ‪ ،‬ﺍﻟﻜﺒﲑ ﺍﳓﺮﺍﻓﹰﺎ‪ :‬ﺍﻟﺘﻮﺭﻁ ﰲ ﺇﻋﻄﺎﺀ ﺷﻲﺀ ﻣﻦ ﺻﻔﺎﺕ‬ ‫ﺍﻷﻟﻮﻫﻴﺔ ﺃﻭ ﺍﻟﺮﺑﻮﺑﻴﺔ ﻟﺒﺸﺮ – ﻭﻟﻮ ﻟﺴﻴﺪﻱ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ – ﻓﻬﻮ ﺑﺄﰊ ﻫﻮ‬

‫ﻭﺃﻣﻲ ﻻ ﺗﺼﺮﻑ ﻟﻪ ﰲ ﺍﻟﻜﻮﻥ‪ ،‬ﻭﻻ ﳛﻴﻲ ﻭﻻ ﳝﻴﺖ‪ ،‬ﻭﻻ ﻳﻬﺪﻱ ﺑﺬﺍﺗﻪ‪ ،‬ﺧﺼﻮﺻ‪‬ﺎ ﺑﻌﺪ ﺍﻧﺘﻘﺎﻟﻪ‬

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‫ﻋﻠﻴﻪ ﺃﺯﻛﻰ ﺍﻟﺼﻠﻮﺍﺕ ﻭﺍﻟﺘﺴﻠﻴﻤﺎﺕ ﺇﱃ ﺍﻟﺮﻓﻴﻖ ﺍﻷﻋﻠﻰ‪ ،‬ﻭﻋﻈﻤﺘﻪ ﺍﳊﻘﺔ ﰲ ﺧﺼﺎﻟﻪ ﺍﻟﱵ‬ ‫ﺗﻘﺘﻀﻲ ﺍﺗﺒﺎﻋﻪ‪ ،‬ﻭﺣﺒﻪ‪ ،‬ﻭﺍﺗﺒﺎﻉ ﺳﻨﺘﻪ‪ ،‬ﻭﺍﻗﺘﻔﺎﺀ ﺃﺛﺮﻩ‪ ،‬ﻭﺍﻟﻴﻘﲔ ﰲ ﺍﻟﻨﺠﺎﺓ ‪‬ﺬﺍ ﺍﻻﺗﺒﺎﻉ‪.‬‬ ‫ﻭﻗﺪ ﻏﻼ ﻛﺜﲑ ﻣﻦ ﺍﳌﺎﺩﺣﲔ ﰲ ﺫﺍﺗﻪ ﻭﺻﻔﺎﺗﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﳊﺪ ﺟﻌﻠﻪ ﻫﻮ ﺍﷲ‬

‫ﺗﻌﺎﱃ‪ ،‬ﻻ ﻓﺮﻕ!‬

‫ﻓﺈﺫﺍ ﺍﻧﺪﻫﺸﺖ ﺍ‪‬ﺗﻬﻤﺖ ﺑﺎﳉﻔﺎﺀ‪ ،‬ﻭﺑﻐﺾ ﺍﳌﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ )ﻭﻳﺎ ﳍﻮﻝ ﺫﻟﻚ‬ ‫ﺖ ﺑﺎﳉﻬﻞ‪ ،‬ﻭﺑﺎﻟﻮﻗﻮﻑ ﻋﻨﺪ ﺍﻟﻈﺎﻫﺮ‪ ،‬ﻭﻋﻠﻢ ﺍﻟﻮﺭﻕ ﺍﻟﺬﻱ ﻟﻴﺲ‬ ‫ﻭﺟﺮﺃﺓ ﻗﺎﺋﻠﻪ!!!!!( ﻭﻟﻮﺻﻔ ‪‬‬ ‫ﺷﻴﹰﺌﺎ ﲜﺎﻧﺐ ﻋﻠﻢ ﺍﳋﺮﻕ‪ ،‬ﻭﺑﻜﻮﻧﻚ ﻋﺎﻣﻴ‪‬ﺎ ﻻ ﺗﺪﺭﻙ ﻣﻌﺎﺭﻑ ﺍﳋﺎﺻﺔ؛ ﻓﻀ ﹰﻠﺎ ﻋﻦ ﺇﺷﺮﺍﻗﺎﺕ‬ ‫ﺧﺎﺻﺔ ﺍﳋﺎﺻﺔ‪ ،‬ﻓﻀ ﹰﻠﺎ ﻋﻦ ﻛﺸﻮﻓﺎﺕ ﺍﻷﻗﻄﺎﺏ ﻭﺍﻷﻏﻮﺍﺙ!‬ ‫ﻭﻣﻦ ﻏﺮﺍﺋﺐ ﺍﻻﳓﺮﺍﻓﺎﺕ‪ ،‬ﻭﺍﻟﻐﻠﻮ ﰲ ﺍﻟﻐﻠﻮ‪ ،‬ﺗﺮﺗﻴﺐ ﻧﺴﺒﺔ ﺍﳊﻮﻝ ﻭﺍﻟﻄﻮﻝ ﻭﺍﻟﺒﺸﺮ‪،‬‬

‫ﻭﺗﻔﺎﻭﺕ ﺍﻟﻘﺪﺭﺍﺕ؛ ﻓﺎﻧﻈﺮ ﻭﺗﺄﻣﻞ‪:‬‬

‫ﺯﻋﻢ ﺍﻟﻔﺎﻛﻬﺎﱐ ﺃﻥ ﺍﻷﻧﺒﻴﺎﺀ ﻋﻠﻴﻬﻢ ﺍﻟﺼﻼﺓ ﻭﺍﻟﺴﻼﻡ ﺍﺳﺘﻐﺎﺛﻮﺍ ﺑﺮﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ‬ ‫ﻭﺳﻠﻢ ﻟﻴﻔﺮﺝ ﻛﺮﻭ‪‬ﻢ‪ ،‬ﻓﻘﺎﻝ ﰲ ﻛﺘﺎﺑﻪ ﺍﻟﻔﺠﺮ ﺍﳌﻨﲑ ﰲ ﺍﻟﺼﻼﺓ ﻋﻠﻰ ﺍﻟﺒﺸﲑ ﺍﳌﻨﲑ‪:‬‬ ‫ﻭﺑﻪ ﺗﻮﺳﻞ ﺁﺩﻡ ﻣﻦ ﺫﻧﺒﻪ‬

‫ﻭﺗﺸﻔﻌﺖ ﲟﻘﺎﻣﻪ ﺣﻮﺍ ُﺀ‬

‫ﻭﺑﻪ ﺗﻮﺳﻞ ﻧﻮﺡ ﰲ ﻃﻮﻓﺎﻧﻪ‬

‫ﻭﺃﺟﻴﺐ ﺣﲔ ﻃﻐﻰ ﻋﻠﻴﻪ ﺍﳌﺎﺀ‬

‫ﻭﺑﻪ ﺩﻋﺎ ﺇﺩﺭﻳﺲ ﻓﺎﺭﺗﻔﻌﺖ ﻟﻪ‬

‫ﻋﻨﺪ ﺍﻹﺟﺎﺑﺔ ﺭﺗﺒﺔ ﻋﻠﻴﺎﺀ‬

‫ﺏ ﻭﻗﺪ‬ ‫ﻭﺑﻪ ﺍﺳﺘﺠﻴﺐ ﺩﻋﺎ ﺃﻳﻮ ٍ‬

‫ﺃﻭﺩﻯ ﺑﻪ ﻋﻨﺪ ﺍﳌﺼﺎﺏ ﺑﻼﺀ‬

‫ﺕ ﻳﻮﻧﺲ‪‬‬ ‫ﻭﺑﻪ ﳒﺎ ﻣﻦ ﺑﻄﻦ ﺣﻮ ٍ‬

‫ﳌﺎ ﺩﻋﺎ‪ ..‬ﻭﲡﻠﺖ ﺍﻟﻈﻠﻤﺎﺀ‬

‫ﻭﺑﻪ ﲤﻜﻦ ﻳﻮﺳﻒ ﰲ ﻣﺼﺮ ﻣﻦ‬

‫ﺑﻌﺪ ﻣﺎ ﺃﻭﺩﺕ ﺑﻪ ﺍﻟﻀﺮﺍﺀ‬

‫ﻭﺑﻪ ﺍﺳﺘﺠﺎﺭﺕ ﻣﺮﱘ ﰲ ﲪﻠﻬﺎ‬

‫ﻓﺄﺟﺎﺀ ﻋﻦ ﻟﺒﺲ‪ ..‬ﻭﺯﺍﻝ ﻋﻨﺎﺀ‬

‫ﻭﺑﺴﺮﻩ ﻋﻴﺴﻰ ﺗﻮﺳﻞ‪ ..‬ﻓﺎﻧﺜﲎ‬

‫ﻣﻦ ﺷﺄﻧﻪ ﺑﲔ ﺍﻟﻮﺭﻯ ﺍﻹﺣﻴﺎﺀ!‬

‫ﰒ ﺃﺗﻰ ﺍﻟﺮﻭﺍﻓﺾ ﲟﺎ ﻫﻮ ﺃﻏﺮﺏ‪ ،‬ﻓﻴﺰﻋﻤﻮﻥ ﺇﻓ ﹰﻜﺎ ﻭﺯﻭﺭ‪‬ﺍ ﺃﻧﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﻳﺴﺘﻐﻴﺚ ﺑﺴﻴﺪﻧﺎ ﻋﻠﻲ ﺃﻣﲑ ﺍﳌﺆﻣﻨﲔ ﺭﺿﻲ ﺍﷲ ﺗﻌﺎﱃ ﻋﻨﻪ! ﻭﻳﻔﺘﺮﻭﻥ ﻛﺬﺑ‪‬ﺎ ﺃﻥ ﺟﱪﻳﻞ ﻋﻠﻴﻪ‬ ‫ﺍﻟﺴﻼﻡ ﺃﺗﻰ ﺍﻟﻨﱯ ﰲ ﻣﻌﺮﻛﺔ ﺃﺣﺪ‪ ،‬ﻭﺃﻣﺮﻩ ﺃﻥ ﻳﺴﺘﻐﻴﺚ ﺑﻌﻠﻲ ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ ﺑﻘﻮﻟﻪ‪:‬‬ ‫‪15‬‬

‫ﻧﺎﺩ ﻋﻠ‪‬ﻴﺎ ﻣﻈﻬﺮ ﺍﻟﻌﺠﺎﺋﺐ‪ /‬ﲡﺪﻩ ﻋﻮ‪‬ﻧﺎ ﻟﻚ ﰲ ﺍﻟﻨﻮﺍﺋﺐ‪ /‬ﻛﻞ ﻫﻢ ﻭﻏﻢ ﻳﻨﺠﻠﻲ‪ /‬ﺑﻮﻻﻳﺘﻚ ﻳﺎ‬ ‫ﻋﻠﻲ ﻳﺎ ﻋﻠﻲ ﻳﺎ ﻋﻠﻲ!‬ ‫ﰒ ﻳﺄﰐ ﺍﻟﺼﻮﻓﻴﺔ ﲟﺎ ﻫﻮ ﺃﻏﺮﺏ ﻭﺃﻧﻜﻰ‪ ،‬ﻓﻴﺰﻋﻤﻮﻥ ‪‬ﺘﺎﻧ‪‬ﺎ ﻭﻗﻠﺔ ﺣﻴﺎﺀ ﺃﻥ ﻋﻠﻴ‪‬ﺎ ﺭﺿﻲ ﺍﷲ ﺗﻌﺎﱃ‬

‫ﻋﻨﻪ ﻳﺴﺘﻐﻴﺚ ﺑﺎﻟﺒﺪﻭﻱ ﻭﺍﻟﺪﺳﻮﻗﻲ!‬

‫ﻓﻔﻲ ﻛﺘﺎﺏ‪ :‬ﻋﻠﻤﻮﺍ ﻋﲏ‪ ،‬ﻣﻦ ﺗﺄﻟﻴﻒ ﳏﻤﺪ ﻋﺜﻤﺎﻥ ﻋﺒﺪﻩ ﺍﻟﱪﻫﺎﱐ )ﺝ‪:(105-104 -2:‬‬ ‫ﺃﻥ ﺟﱪﻳﻞ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﻧﺰﻝ ﻋﻠﻰ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﻗﺎﻝ ﻟﻪ‪:‬‬ ‫ﺇﻥ ﺍﷲ ﺗﻌﺎﱃ ﻳﺄﻣﺮﻙ ﺃﻥ ﺗ‪‬ﺮﺳﻞ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ ﶈﺎﺭﺑﺔ ﺍﳉﻦ ﰲ ﺑﺌﺮ ﺍﻟﻌﻠﻤﲔ! ﻓﺎﺣﺘﺎﺭ‬ ‫ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﰲ ﻛﻴﻔﻴﺔ ﳏﺎﺭﺑﺔ ﺍﳉﻦ؛ ﻓﺎﳉﻦ ﻳﺄﰐ ﻟﻺﻧﺴﺎﻥ ﻣﻦ ﻓﻮﻗﻪ ﻭﻣﻦ ﲢﺘﻪ‬ ‫ﻭﻣﻦ ﳝﻴﻨﻪ ﻭﴰﺎﻟﻪ ﻭﻣﻦ ﺧﻠﻔﻪ!‬

‫ﻓﺄﺗﻰ ﺟﱪﻳﻞ ﺇﱃ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﲝﺰﺏ ﺍﻟﺴﻴﻒ )ﺍﻟﱪﻫﺎﱐ( ﻭﻗﺎﻝ ﻟﻪ‪:‬‬

‫‪‬ﺣ ﱢﻔ ﹾﻈﻪ‪ ‬ﻟﻌﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ!‬ ‫ﻭﺑﻴﻨﻤﺎ ﻛﺎﻥ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻳﺘﻠﻮ ﺣﺰﺏ ﺍﻟﺴﻴﻒ ﻋﻠﻰ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ‬ ‫ﺭﺿﻲ ﺍﷲ ﺗﻌﺎﱃ ﻋﻨﻪ ﺃﺗﻰ ﻣﻠﻮﻙ ﺍﳉﻦ ﺍﻟﺴﺒﻌﺔ ﻋﻠﻰ ﺭﺃﺳﻬﻢ ﺭﺋﻴﺲ ﺍﳉﻦ )ﺩﻣﺸﻘﻴﺸﻴﺎﺀ ﻭﻓﻬﻴﺎﺋﻴﻞ(‬ ‫ﻭﺟﺎﺀ ﺍﻟﺮﻭﺣﺎﻧﻴﻮﻥ ﺍﻟﺴﺒﻌﺔ ﻭﻋﻠﻰ ﺭﺃﺳﻬﻢ ﺭﺋﻴﺴﻬﻢ )ﻫﺎﻝ ﺃﻫﻠﻴﻮﻝ( ﻭﺟﺎﺀ ﺍﻟﻌﻔﺎﺭﻳﺖ ﺍﻟﺴﺒﻌﺔ‬

‫ﻭﻋﻠﻰ ﺭﺃﺳﻬﻢ ﺭﺋﻴﺴﻬﻢ )ﺃﳎﻠﻠﺔ( ﻓﻘﺎﻟﻮﺍ ﻟﻠﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ :‬ﳓﻦ ﳓﺮﺱ ﻫﺬﺍ ﺍﳊﺮﺯ!‬

‫ﻓﻘﺎﻝ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻟﻌﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ‪ :‬ﺇﺫﺍ ﺷﻌﺮﺕ ﺑﺎﳍﺰﳝﺔ ﻭﺃﺭﺩﺕ‬ ‫ﺍﻟﻨﺠﺪﺓ ﻓﻘﻞ‪ :‬ﻳﺎ ﺃﺑﺎ ﺇﺑﺮﺍﻫﻴﻢ‪ ،‬ﻭﻗﻞ ﻳﺎ ﻋﺮﰊ!‬ ‫ﻓﻨﺴﻲ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ ﻓﻘﺎﻝ‪ :‬ﻳﺎ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻳﺎ ﺷﻴﺦ ﺍﻟﻌﺮﺏ‪ ،‬ﻭﱂ ﻳﻘﻞ ﻳﺎ ﺃﺑﺎ ﺇﺑﺮﺍﻫﻴﻢ ﻭﻳﺎ‬ ‫ﻋﺮﰊ‪ ،‬ﻓﺄﺗﺎﻩ ﺍﻟﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﺪﺳﻮﻗﻲ‪ ،‬ﻭﺍﻟﺸﻴﺦ ﺃﲪﺪ ﺍﻟﺒﺪﻭﻱ‪ ،‬ﻓﺤﺎﺭﺑﺎ ﻣﻌﻪ ﺍﳉﻦ ﺣﱴ‬ ‫ﺍﺳﺘﺴﻠﻢ‪ ،‬ﰒ ﺫﻫﺐ ﻛﻞ ﻭﺍﺣ ٍﺪ ﻣﻨﻬﻤﺎ ﺇﱃ ﻗﹸﺒﺘﻪ‪ ،‬ﻓﻨﺎﺩﺍﳘﺎ ﺳﻴﺪﻧﺎ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ ﻓﻠﻢ ﻳ‪‬ﺠﻴﺒﺎﻩ!‬

‫ﻓﺄﺗﻰ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ ﻟﻠﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﺣﻜﻰ ﻟﻪ ﺍﻟﻘﺼﺔ‪ ،‬ﻭﺃﺧﱪﻩ ﺑﺄﻥ‬ ‫ﺃﺣﺪﻫﻢ ﻳ‪‬ﺸﺒﻪ ﺍﻟﻨﱯ‪ ،‬ﻭﺍﻵﺧﺮ ﻳﺸﺒﻪ ﻋﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ!‬

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‫ﻓﻘﺎﻝ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻟﻌﻠﻲ ﺑﻦ ﺃﰊ ﻃﺎﻟﺐ ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ‪ :‬ﺍﻷﻭﻝ ﻫﻮ ﺇﺑﺮﺍﻫﻴﻢ‬ ‫ﺍﻟﺪﺳﻮﻗﻲ‪ ،‬ﻭﺍﻵﺧﺮ ﺃﲪﺪ ﺍﻟﺒﺪﻭﻱ‪.‬‬ ‫ﺑﻞ ﺇﻥ ﺍﳌﻼﺋﻜﺔ ﺍﻷﻧﺒﻴﺎﺀ ﻭﺍﳌﺮﺳﻠﲔ ﻳﺘﻮﺳﻠﻮﻥ ﺑﺎﳊﺴﲔ ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ ﻓﻴﻔﺮﺝ ﻛﺮﻭ‪‬ﻢ‪،‬‬

‫ﻭﻳﻘﻀﻲ ﺣﻮﺍﺋﺠﻬﻢ‪:‬‬

‫ﻓﻬﻨﺎﻙ ﻓﻴﺪﻳﻮﻫﺎﺕ )ﻣﻀﺤﻜﺔ( ﻋﻠﻰ ﺍﻟﻴﻮﺗﻴﻮﺏ ﳌﻼﱄ ﺍﻟﺸﻴﻌﺔ‪ ،‬ﻳﺆﻛﺪﻭﻥ ﺃﻥ ﺁﺩﻡ ﻋﻠﻴﻪ‬ ‫ﺍﻟﺴﻼﻡ ﺗﻮﺳﻞ ﺑﻪ‪ ،‬ﻓﻨﺠﺎ ﻣﻦ ﻋﺬﺍﺏ ﺍﷲ‪ ،‬ﻭﺃﻥ ﺇﺑﺮﺍﻫﻴﻢ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﳒﺎ ﻣﻦ ﺍﻟﻨﺎﺭ ﳌﺎ ﺗﻮﺳﻞ‬ ‫ﺑﺎﳊﺴﲔ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ‪ ،‬ﻭﻳﻮﻧﺲ ﺍﻟﻨﱯ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﰲ ﺑﻄﻦ ﺍﳊﻮﺕ ﺗﻮﺳﻞ ﺑﻪ ﻓﻨﺠﺎ‪ ،‬ﻭﺃﻥ ﺍﻟﺬﻱ‬ ‫ﳛﺎﺳﺐ ﺍﻟﻨﺎﺱ ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ ﺍﳊﺴﲔ ﺭﺿﻲ ﺍﷲ ﺗﻌﺎﱃ ﻋﻨﻪ‪ ،‬ﻭﺃﻥ ﺍﻟﻜﻮﻥ ﺧﻠﻖ ﻷﺟﻞ ﺍﳋﻤﺴﺔ‬ ‫ﲢﺖ ﺍﻟﻜﺴﺎﺀ!‬

‫ﻭﺧﺬ ﻫﺬﻩ ﺍﻟﻔﻴﺪﻳﻮﻫﺎﺕ ﻣﺜﻼ‪:‬‬ ‫‪related‬‬ ‫‪uY_CoDNYwGo‬‬

‫‪4t0zwi4ONlw&feature‬‬

‫‪http://youtube.com/watch?v‬‬

‫‪related‬‬

‫‪XmSFlnoxHN4&feature‬‬

‫‪http://www.youtube.com/watch?v‬‬ ‫‪http://www.youtube.com/watch?v‬‬ ‫‪_aM_IVpm--Q&feature‬‬ ‫‪related‬‬ ‫‪http://www.youtube.com/watch?v‬‬

‫ﻭﺍﻗﺮﺃ ﻫﺬﻩ ﺃﻳﻀ‪‬ﺎ‪ ،‬ﻭﺗﻌﺠﺐ!‬ ‫ﰲ ﻛﺘﺎﺏ ﺍﻷﺭﺑﻌﲔ ﻟﻠﻤﺎﺣﻮﺯﻱ‪ ،‬ﺹ‪ 366 :‬ﺟﺎﺀ‪ :‬ﻋﻦ ﺃﲪﺪ ﺑﻦ ﺍﲰﺎﻋﻴﻞ ﺑﺈﺳﻨﺎﺩﻩ ﻋﻦ‬ ‫ﳏﻤﺪ ﺑﻦ ﻋﻠﻲ ﺃﻧ‪‬ﻪ ﻗﺎﻝ‪:‬‬ ‫ﺑﻌﺚ ﺍﷲ ﻋ ‪‬ﺰ ﻭﺟ ﹼﻞ ﺃﻣﻼﻛﹰﺎ‪ ،‬ﻓﺄﺑﻄﺄ ﺃﺣﺪﻫﻢ‪ ،‬ﻓﺄﻭﻫﻰ ﺍﷲ ﺟﻨﺎﺣﻪ‪ ،‬ﻓﺴﻘﻂ ﻋﻠﻰ ﺟﺰﻳﺮ ٍﺓ ﻣﻦ‬

‫ﺟﺰﺍﺋﺮ ﺍﻟﺒﺤﺮ‪ .‬ﻓﻠﻤ‪‬ﺎ ﺩﻧﺎ ﻣﻮﻟﺪ ﺍﻹﻣﺎﻡ ﺍﳊﺴﲔ )ﻉ( ﺑﻌﺚ ﺍﷲ ﺟﱪﺍﺋﻴﻞ ﺑﺒﺸﺎﺭﺗﻪ ﺇﱃ ﺭﺳﻮﻝ ﺍﷲ‪،‬‬ ‫ﻓﻤ ‪‬ﺮ ﺑﺬﻟﻚ ﺍﳌﻠﻚ‪ ،‬ﻓﻘﺎﻝ ﳉﱪﺍﺋﻴﻞ‪:‬‬ ‫ﺃﻳ‪‬ﻬﺎ ﺍﳌﻠﻚ ﺍﻟﻄﹼﻴﺐ ﺭﳛﻪ‪ ،‬ﺍﳊﺴﻦ ﻭﺟﻬﻪ‪ ،‬ﺍﻟﻜﺮﱘ ﻋﻠﻰ ﺭﺑ‪‬ﻪ‪ ،‬ﺃﻻ ﺗﺪﻋﻮﱄ ﺭﺑ‪‬ﻚ ﺃﻥ ﻳﻄﻠﻖ‬ ‫ﺟﻨﺎﺣﻲ ﻫﺬﺍ ﺍﻟﻮﺍﻫﻲ!؟‬ ‫ﻗﺎﻝ ﻟﻪ ﺟﱪﺍﺋﻴﻞ‪ :‬ﻟﻴﺲ ﺫﻟﻚ ﱄ‪ ،‬ﻭﻟﻜﻨ‪‬ﻲ ﺃﹸﺭﺳﻠﺖ ﺇﱃ ﻣﻦ ﻫﻮ ﺃﻛﺮ ‪‬ﻡ ﻋﻨﺪ ﺍﷲ ﻣﻨ‪‬ﻲ‪ ،‬ﻭﺳﺄﺳﺄﻟﻪ‬

‫ﺃﻥ ﻳﺪﻋﻮ ﺍﷲ ﻟﻚ‪ ،‬ﻓﻠﻤ‪‬ﺎ ﺑﺸ‪‬ﺮ ﺟﱪﺍﺋﻴﻞ ﺍﻟﻨﱯ )ﺹ( ﲟﻮﻟﺪ ﺍﳊﺴﲔ)ﻉ(‪ ،‬ﻗﺎﻝ ﻟﻪ‪:‬‬

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‫ﻚ ﻋﻠﻰ ﺟﺰﻳﺮﺓ ﻣﻦ ﺟﺰﺍﺋﺮ ﺍﻟﺒﺤﺮ‪ ،‬ﻗﺪ ﻭﻫﻰ ﺟﻨﺎﺣﻪ‪ ،‬ﻓﺴﺄﻟﲏ ﺃﻥ ﺃﺩﻋﻮ‬ ‫ﻳﺎ ﳏﻤﺪ‪ :‬ﺇﻧ‪‬ﻲ ﻣﺮﺭﺕ ﲟ ﹶﻠ ٍ‬ ‫ﺍﷲ ﻟﻪ‪ ،‬ﻓﻘﻠﺖ‪ :‬ﺇﻧ‪‬ﻲ ﺃﺭﺳﻠﺖ ﺇﱃ ﻣﻦ ﻫﻮ ﺃﻛﺮ ‪‬ﻡ ﻋﻨﺪ ﺍﷲ ﻣﻨ‪‬ﻲ‪ ،‬ﻭﺳﺄﺳﺄﻟﻪ ﺃﻥ ﻳﺪﻋﻮ ﺍﷲ ﻟﻚ‪.‬‬ ‫ﻑ ﺩﻓﻴﻔﹰﺎ‬ ‫ﻗﺎﻝ‪ :‬ﻓﺪﻋﺎ ﺍﷲ ﻟﻪ ﺍﻟﻨﱯ )ﺹ(‪ ،‬ﻓﺄﻭﺣﻰ ﺍﷲ ﺇﱃ ﺟﱪﺍﺋﻴﻞ ﺃﻥ ﻳﺄﻣﺮ ﺫﻟﻚ ﺍﳌﻠﻚ ﻷﻥ ﻳﺪ ‪‬‬

‫ﺢ ﺟﻨﺎﺣﻪ‪ ،‬ﻭﻋﺮﺝ‬ ‫ﺇﱃ ﺍﳌﻮﻟﻮﺩ )ﺃﻱ ﺍﳊﺴﲔ( ﻓﻴﻤﺴﺢ ﺟﻨﺎﺣﻪ ﺍﻟﻮﺍﻫﻲ ﺑﻪ ﻓﺈﻧ‪‬ﻪ ﻳﺼﺢ‪ ،‬ﻓﻔﻌﻞ‪ ،‬ﻓﺼ ‪‬‬ ‫ﺇﱃ ﺍﻟﺴﻤﺎﺀ!‬ ‫ﻭﺣﱴ ﻻ ﺃﺧﺮﺝ ﻋﻦ ﻏﺮﺽ ﺃﻭﺭﺩ ﻫﻨﺎ ﺑﻌﺾ ﺍﻟﻐﻠﻮ ﰲ ﺍﻻﺳﺘﻐﺎﺛﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ‪:‬‬ ‫ﻓﻬﺎ ﻫﻮ ﳏﻤﺪ ﺍﺑﻦ ﺃﰊ ﺑﻜﺮ ﺍﻟﺒﻐﺪﺍﺩ‪ ،‬ﺻﺎﺣﺐ ﺩﻳﻮﺍﻥ‪) :‬ﺍﻟﻘﺼﺎﺋﺪ ﺍﻟﻮﺗﺮﻳﺔ ﰲ ﻣﺪﺡ ﺧﲑ‬ ‫ﺍﻟﱪﻳﺔ( ﻳﻘﻮﻝ‪:‬‬ ‫ﺫﻫﺎﺑ‪‬ﺎ ﺫﻫﺎﺑ‪‬ﺎ ﻳﺎ ﻋﺼﺎ ﹸﺓ ﻷﲪﺪ‬

‫ﻭﻟﻮﺫﻭﺍ ﺑﻪ ﳑﺎ ﺟﺮﻯ ﻭﺗﻌﻮ‪‬ﺫﻭﺍ‬

‫ﺫﻧﻮﺑﻜﻢ ﺗ‪‬ﻤﺤﻰ ﻭﺗﻌﻄﻮﻥ ﺟﻨﺔ‬

‫‪‬ﺎ ‪‬ﺩ ‪‬ﺭﺭ‪ ‬ﺣﺼﺒﺎﺅﻫﺎ‪ ..‬ﻭﺯﻣﺮ ﹸﺫ‬

‫ﻭﻳﻘﻮﻝ ﺍﻟﺸﻴﺦ ﳏﻤﺪ ﺳﻌﻴﺪ ﺍﻟﻜﺮﺩﻱ‪:‬‬

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‫ﺭﺟﺎ ﹶﻝ ﺍﷲ ﻋﺒﺎ ‪‬ﺩ ﺍﷲ‬

‫ﺃﻋﻴﻨﻮﻧﺎ ﺑﻌﻮﻥ ﺍﷲ‬

‫ﻭﺷﺪﻭﺍ ﻋﺰﻣﻨﺎ ﺑﺎﷲ‬

‫ﻋﺴﻰ ﳓﻈﻰ ﺑﻔﻀ ِﻞ ﺍﷲ‬

‫ﺐ ﺍﷲ‬ ‫ﺭﺳﻮ ﹶﻝ ﺍﷲ ﺣﺒﻴ ‪‬‬

‫ﲑ ﺧﻠ ِﻖ ﺍﷲ‬ ‫ﺃﺟﺐ ﻳﺎ ﺧ ‪‬‬

‫ﺏ ﺍﷲ‬ ‫ﺃﻧﺎ ﻣ‪‬ﻠﻘﻰ ﺑﺒﺎ ِ‬

‫ﺏ ﺃﻣ ِﺮ ﺍﷲ‬ ‫ﻭﺃﻧﺖ ﺑﺎ ‪‬‬

‫ﻓﻴﺎ ﻃﻪ ﻭﻳﺎ ﻃﺲ‬

‫ﻭﻳﺎ ﺣﻢ ﻭﻳﺎ ﻳﺲ‬

‫ﺃﻧﺎ ﻋﺒﺪ‪ ‬ﺃﻧﺎ ﻣﺴﻜﲔ‬

‫ﻭﻣﺎ ﱄ ﻏﲑ ﺑﺎﺏ ﺍﷲ‬

‫ﻱ ﺍﷲ‬ ‫ﻭﻳﺎ ﺻِﺪﻳ ‪‬ﻖ ﻫﺪ ِ‬

‫ﺏ ﺍﷲ‬ ‫ﻕ ﺣﺰ ِ‬ ‫ﻭﻳﺎ ﻓﺎﺭﻭ ‪‬‬

‫ﻭﻳﺎ ﻋﺜﻤﺎ ﹶﻥ ﺳ ِﺮ ﺍﷲ‬

‫ﺃﻏﻴﺜﻮﺍ ﻋﺒﺪ‪‬ﻛﻢ ﷲ‬

‫ﺃﺑﺎ ﺍﳊﺴﻨﲔ ﺃﻳﺎ ﺯﻫﺮﺍ‬

‫ﻓﻤﺎ ﱄ ﻏﲑﻛﻢ ﺫﺧ ‪‬ﺮﺍ‬

‫ﻓﻼ ﺃﻗﺒﻞ ﻟﻜﻢ ﻋﺬ ‪‬ﺭﺍ‬

‫ﺏ ﺃﻫ ِﻞ ﺍﷲ‬ ‫ﺃﻧﺎ ﳏﺴﻮ ‪‬‬

‫ﻋﻠﻰ ﺃﻋﺘﺎﺑِﻜﻢ ﻣﻠﻘﻰ‬

‫ﺃﺟﻴﺒﻮﺍ ﻋﺒﺪﻛﻢ ﺭﻓﻘﺎ‬

‫ﻓﺤﺎﺷﺎ ﺟﺎﺭﻛﻢ ﻳﺸﻘﻰ‬

‫ﲑ ﺣﺰﺏ ﺍﷲ‬ ‫ﻭﺃﻧﺘﻢ ﺧ ‪‬‬

‫ﺃﺟﻴﺒﻮﺍ ﻃﻠﺒ ﹶﺔ ﺍﻟﻜﺮﺩﻱ‬

‫ﻭﻟﺒﻮﺍ ﺩﻋﻮ ﹶﺓ ﺍﻟﻌﺒﺪ‬

‫ﻓﻼ ﳜﻔﺎﻛ ‪‬ﻢ ﻗﺼﺪﻱ‬

‫ﻓﻼ ﺃﺭﺿﻰ ﺑﻐﲑ ﺍﷲ‬

‫ﻓﻴﺎ ﺭﰊ ‪‬ﻢ ﺃﺭﺟﻮ‬

‫ﻣﻦ ﺍﻷﻏﻴﺎﺭ ﺃﻥ ﺃﳒﻮ‬

‫ﲟﻦ ﻟﺒﻮﺍ ﲟﻦ ﺣﺠﻮﺍ‬

‫ﲟﻦ ﻗﺪ ﻧﺎﻟﻮﺍ ﻓﻀ ﹶﻞ ﺍﷲ‬

‫ﺏ ﺍﻟﻐﲔ‬ ‫ﺃﺯﻝ ﻋﲏ ﺣﺠﺎ ‪‬‬

‫ﻭﺃﻏﺮﻗﲏ ﺑﻌﲔ ﺍﻟﻌﲔ‬

‫ﻣﺮﺍﺩﻱ ﳎﻤ ‪‬ﻊ ﺍﻟﺒﺤﺮﻳﻦ‬

‫ﻓﺬﺍﻙ ﺳ‪‬ﺮ ﺫﺍﺕ ﺍﷲ‬

‫ﻓﻴﺎ ﺃﻧﺼﺎﺭ ﺩﻳ ِﻦ ﺍﷲ‬

‫ﻭﻳﺎ ﻛ‪‬ﺘﺎﺏ ﻭﺣ ِﻲ ﺍﷲ‬

‫ﺑﺒﺪﺭ ﻳﺎ ﺭﺟﺎﻝ ﺍﷲ‬

‫ﺗﻌﺎﻟﻮﺍ ﻭﺍﻧﺼﺮﻭﺍ ﷲ‬

‫ﻭﺑﺎﻟﻌﻠﻮﻱ ﺳﻨﺎ ﺍﻟﻜﻞ‬

‫ﲝ ِﻖ ﺍﳍﺎﴰﻲ ِﺧﻠﹼﻲ‬

‫ﺑﺴﺮ ﺍﻟﻀﻌﻒ ﻭﺍﻟﺬﻝ‬

‫ﻋﻠﻰ ﺃﻋﺘﺎﺏ ﺃﻫﻞ ﺍﷲ‬

‫ﻭﻣﻦ ﻗﺼﺎﺋﺪ ﺍﻟﺘﻮﺳﻞ ﻗﺼﻴﺪﺓ ﻗﺮﺃﺕ ﺑﻌﺾ ﺃﺑﻴﺎﺗ‪‬ﺎ ﻋﻠﻰ ﺍﳌﻘﺼﻮﺭﺓ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ ﰲ ﺍﳌﺪﻳﻨﺔ‬ ‫ﺍﳌﻨﻮﺭﺓ‪ ،‬ﻣﻜﺘﻮﺑﺔ ﲞﻂ ﺛﻠﺚ ﳑﻠﻮﻛﻲ‪ ،‬ﺯﻋﻤﻮﺍ ﺃﻥ ﻧﺎﻇﻤﻬﺎ ﻫﻮ ﺍﻟﺴﻠﻄﺎﻥ ﻋﺒﺪ ﺍﳊﻤﻴﺪ ﺧﺎﻥ ﺑﻦ‬ ‫ﺍﻟﺴﻠﻄﺎﻥ ﺃﲪﺪ ﺧﺎﻥ ﻋﺎﻡ ‪1191‬ﻩ‪ ،‬ﻭﻧﺼﻬﺎ‪:‬‬

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‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﺧﺬ ﺑﻴﺪﻱ‬

‫ﻣﺎ ﱄ ﺳﻮﺍﻙ ﻭﻻ ﺃﻟﻮﻱ ﻋﻠﻰ ﺃﺣﺪ‬

‫ﻓﺄﻧﺖ ﻧﻮﺭ ﺍﳍﺪﻯ ﰲ ﻛﻞ ﻛﺎﺋﻨﺔ‬

‫ﻭﺃﻧﺖ ﺳﺮ ﺍﻟﻨﺪﻯ ﻳﺎ ﺧﲑ ﻣﻌﺘﻤﺪ‬

‫ﻭﺃﻧﺖ ﺣ ‪‬ﻘﺎ ﻏﻴﺎﺙ ﺍﳋﻠﻖ ﺃﲨﻌﻬﻢ‬

‫ﻭﺃﻧﺖ ﻫﺎﺩﻱ ﺍﻟﻮﺭﻯ ﷲ ﺫﻱ ﺍﻟﺴﺪﺩ‬

‫ﻳﺎ ﻣﻦ ﻳﻘﻮﻡ ﻣﻘﺎﻡ ﺍﳊﻤﺪ ﻣﻨﻔﺮ ‪‬ﺩﺍ‬

‫ﻟﻠﻮﺍﺣﺪ ﺍﻟﻔﺮﺩ‪ ..‬ﱂ ﻳﻮﻟﺪ ﻭﱂ ﻳﻠﺪ‬

‫ﺇﱐ ﺇﺫﺍ ﺳﺎﻣﲏ ﺿﻴﻢ ﻳﺮﻭﻋﲏ‬

‫ﺃﻗﻮﻝ ﻳﺎ ﺳﻴﺪ ﺍﻟﺴﺎﺩﺍﺕ ﻳﺎ ﺳﻨﺪﻱ‬

‫ﻛﻦ ﱄ ﺷﻔﻴ ‪‬ﻌﺎ ﻣﻦ ﺍﻟﺮﲪﻦ ﻣﻦ ﺯﻟﻞ‬

‫ﻭﺍﻣﻨﻦ ﻋﻠﻲ ﲟﺎ ﻻ ﻛﺎﻥ ﰲ ﺧﻠﺪﻱ‬

‫ﻭﺍﻧﻈﺮ ﺑﻌﲔ ﺍﻟﺮﺿﺎ ﱄ ﺩﺍﺋ ‪‬ﻤﺎ ﺃﺑ ‪‬ﺪﺍ‬

‫ﻭﺍﺳﺘﺮ ﺑﻔﻀﻠﻚ ﺗﻘﺼﲑﻱ ﺇﱃ ﺍﻷﻣﺪ‬

‫ﻭﺍﻋﻄﻒ ﻋﻠﻲ ﺑﻌﻔﻮ ﻣﻨﻚ ﻳﺸﻤﻠﲏ‬

‫ﻓﺈﻧﲏ ﻋﻨﻚ ﻳﺎ ﻣﻮﻻﻱ ﱂ ﺃﺣﺪ‬

‫ﺇﱐ ﺗﻮﺳﻠﺖ ﺑﺎﳌﺨﺘﺎﺭ ﺃﻓﻀﻞ ﻣﻦ‬

‫ﺭ ﹶﻗّﻰ ﺍﻟﺴﻤﻮﺍﺕ ﺳﺮ ﺍﻟﻮﺍﺣﺪ ﺍﻷﺣﺪ‬

‫ﺭﺏ ﺍﳉﻤﺎﻝ ﺗﻌﺎﱃ ﺍﷲ ﺧﺎﻟﻘﻪ‬

‫ﻓﻤﺜﻠﻪ ﰲ ﲨﻴﻊ ﺍﳋﻠﻖ ﱂ ﺃﺟﺪ‬

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‫ﺧﲑ ﺍﳋﻼﺋﻖ ﺃﻋﻠﻰ ﺍﳌﺮﺳﻠﲔ ﺫﺭﻯ‬

‫ﺫﺧﺮ ﺍﻷﻧﺎﻡ ﻭﻫﺎﺩﻳﻬﻢ ﺇﱃ ﺍﻟﺮﺷﺪ‬

‫ﺑﻪ ﺍﻟﺘﺠﺄﺕ ﻟﻌﻞ ﺍﷲ ﻳﻐﻔﺮ ﱄ‬

‫ﻫﺬﺍ ﺍﻟﺬﻱ ﻫﻮ ﰲ ﻇﲏ ﻭﻣﻌﺘﻘﺪﻱ‬

‫ﻓﻤﺪﺣﻪ ﱂ ﻳﺰﻝ ﺩﺃﰊ ﻣﺪﻯ ﻋﻤﺮﻱ‬

‫ﻭﺣﺒﻪ ﻋﻨﺪ ﺭﺏ ﺍﻟﻌﺮﺵ ﻣﺴﺘﻨﺪﻱ‬

‫ﻋﻠﻴﻪ ﺃﺯﻛﻰ ﺻﻼﺓ ﱂ ﺗﺰﻝ ﺃﺑ ‪‬ﺪﺍ‬

‫ﻣﻊ ﺍﻟﺴﻼﻡ ﺑﻼ ﺣﺼﺮ ﻭﻻ ﻋﺪﺩ‬

‫ﻭﺍﻵﻝ ﻭﺍﻟﺼﺤﺐ ﺃﻫﻞ ﺍ‪‬ﺪ ﻗﺎﻃﺒﺔ‬

‫ﻭﺗﺎﺑﻌﻴﻬﻢ ﺑﺈﺣﺴﺎﻥ ﺇﱃ ﺍﻷﺑﺪ‬

‫ﺛﺎﻟﺜﹰﺎ‪ :‬ﺍﺧﺘﺮﺍﻉ ﺍﻟﻘﺼﺺ ﺣﻮﻝ ﺍﻟﺸﺨﺼﻴﺔ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‪:‬‬

‫ﻛﺎﻥ ﺍﻟ ﹸﻘﺼ‪‬ﺎﺹ ﰲ ﺍﳌﺎﺿﻲ ﺃﺻﺤﺎﺏ ﺍﻻﺑﺘﺪﺍﻉ ﰲ ﺣﻜﺎﻳﺔ ﻗﺼﺺ ﻻ ﺗﺜﺒﺖ ﻧﺴﺒﺘﻬﺎ ﻟﺮﺳﻮﻝ‬ ‫ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺇﺛﺎﺭﺓ ﳋﻴﺎﻝ ﺍﻟﻌﺎﻣﺔ‪ ،‬ﻭﺍﺳﺘﺠﻼﺑ‪‬ﺎ ﻹﻋﺠﺎ‪‬ﻢ‪ ،‬ﻭﺍﺳﺘﺪﺭﺍﺭ‪‬ﺍ ﻟﻌﻄﺎﺋﻬﻢ‪،‬‬ ‫ﻓﺎﺧﺘﺮﻋﻮﺍ ﻣﻮﺍﻗﻒ ﻣﺎ ﺃﻧﺰﻝ ﺍﷲ ‪‬ﺎ ﻣﻦ ﺳﻠﻄﺎﻥ!‬ ‫ﻭﻻ ﻳﺰﺍﻝ ﺍﳊﻜﺎﺅﻭﻥ ﻭﺭﻭﺍﺓ ﺍﻟﻘﺼﺺ ﺍﻟﺸﻌﺒﻴﺔ ﻳﺒﺘﺪﻋﻮﻥ ﻫﺬﺍ ﺍﻟﺼﻨﻒ ﻣﻦ ﺍﻟﺮﻭﺍﻳﺔ‪ ،‬ﻑ‪:‬‬

‫• ﺍﻟﻮﺭﺩ ﻛﺎﻥ ﺷﻮﻙ ﻣﻦ ﻋﺮ‪‬ﻕ ﺍﻟﻨﱯ ﻓﺘ‪‬ﺢ!‬ ‫• ﺣﱴ ﺍﳊﻤﺎﻡ ﻭﺍﻟﻴﻤﺎﻡ ﻻﺟﻞ ﺍﻟﻨﱯ ﻏﲎ‬ ‫• ﻭﺍﳊﻤﺎﻣﺔ ﺍﻟﱵ ﺑﺎﺿﺖ ﻋﻠﻰ ﺑﺎﺏ ﺍﻟﻐﺎﺭ‬

‫• ﻭﻗﺼﺔ ﺍﻟﺸﻴﺦ ﺃﲪﺪ ﺣﺎﻣﻞ ﻣﻔﺎﺗﻴﺢ ﺍﳊﺮﻡ‬ ‫• ﻭﺣﻮﺍﺭﻩ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺍﻟﻄﻮﻳﻞ ﻣﻊ ﺍﻟﺸﻴﻄﺎﻥ‬

‫ﻭﻛﺜﲑ ﻣﻦ ﺍﻟﻘﺼﺺ ﺍﳌﺨﺘﺮﻋﺔ ﺍﻟﱵ ﺗﻨﺘﺸﺮ ﺍﻵﻥ ﻋﱪ ﺍﻹﻧﺘﺮﻧﺖ‪ ،‬ﺩﻭﻥ ﳏﺎﻛﻤﺔ ﻋﻘﻠﻴﺔ‪ ،‬ﻭﻻ‬

‫ﻧﺼﻴﺔ‪ ،‬ﻳﺘﻨﺎﻗﻠﻬﺎ ﺃﻧﺎﺱ ﻋﺎﻃﻔﻴﻮﻥ‪ ،‬ﻏﲑ ﻣﺘﻤﺮﺳﲔ ﺑﺎﻟﻌﻠﻢ ﺍﻟﺸﺮﻋﻲ‪ ،‬ﻭﺿﺒﻂ ﻧﺼﻮﺻﻪ‪.‬‬ ‫ﻭﻗﺪ ﺗﺴﻠﻠﺖ ﻫﺬﻩ ﺍﳌﻌﺎﱐ ﺇﱃ ﺍﻟﺸﻌﺮ – ﺑﺪﺍﻓﻊ ﺍﳊﺐ ‪ -‬ﺩﻭﻥ ﲤﺤﻴﺺ ﻭﻻ ﺗﺪﻗﻴﻖ‪ ،‬ﻭﻻ‬ ‫ﻋﻨﺎﻳﺔ ﺑﺎﻟﺜﺒﻮﺕ ﻭﺍﻟﺼﺤﺔ‪..‬‬ ‫ﻭﺍﳌﲑﺍﺙ ﺍﻟﺼﻮﰲ ﻭﺍﻟﺮﺍﻓﻀﻲ ﺣﺎﻓﻞ ﺑﺎﳊﻜﺎﻳﺎﺕ ﻭﺍﻟﺘﻌﺎﺑﲑ ﺍﻟﱵ ﺗﺘﻐﺰﻝ ﰲ ﻧﻮﺭﻩ ﺻﻠﻰ ﺍﷲ‬

‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﻧﻌﻮﻣﺔ ﻳﺪﻩ ﺍﻟﺸﺮﻳﻔﺔ‪ ،‬ﻭﻋﻄﺮ ﺭﺍﺋﺤﺘﻪ‪ ،‬ﻭﺃﻧﺎﻗﺔ ﻫﻴﺌﺘﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪،‬‬ ‫ﺍﻋﺘﻤﺎﺩ‪‬ﺍ ﻋﻠﻰ ﻗﺼﺺ ﻭﺍﻩٍ‪ ،‬ﻭﻣﻨﺎﻣﺎﺕ ﳐﺘﺮﻋﺔ‪ ،‬ﻭﺭﻭﺍﻳﺎﺕ ﺑﻼ ﺳﻮﻕ ﺗﻘﻮﻡ ﻋﻠﻴﻬﺎ؛ ﻭﺍﻟﻌﺎﻣﺔ ﺃﺳﺮﻉ‬ ‫ﻟﻘﺒﻮﻝ ﺍﳋﺮﺍﻓﺔ ﻣﻦ ﺍﻧﻌﻄﺎﻑ ﺍﻟﻔﺮﺍﺵ ﻋﻠﻰ ﺍﻟﻨﺎﺭ‪..‬‬

‫ﻭﺍﳌﺴﻠﻢ ﺍﳊﻖ ﻳﺘﺤﺮﻯ ﰲ ﻗﻨﺎﻋﺎﺗﻪ ﻭﻣﻌﺘﻘﺪﻩ‪ ،‬ﻭﻣﺎ ﻳﻘﻮﻟﻪ ﻟﻠﻨﺎﺱ‪ ،‬ﺣﱴ ﻻ ﻳﺆﺗﻰ ﺍﻹﺳﻼﻡ ﻣﻦ‬ ‫ﺟﻬﺔ ﺧﺮﺍﻓﺎﺕ ﻭﺃﺑﺎﻃﻴﻞ ﻻ ﻋﻼﻗﺔ ﻟﻪ ‪‬ﺎ‪ ،‬ﻣﻊ ﻛﺜﺮﺓ ﺍﳌﺘﺮﺑﺼﲔ‪ ،‬ﻭﺍﳌﺸﻜﻜﲔ‪ ،‬ﻭﻣﺘﻠﻤﺴﻲ‬ ‫ﺍﻟﻌﺜﺮﺍﺕ ﻭﺍﻟﺜﻐﺮﺍﺕ‪ ،‬ﺑﻞ ﻭﺍﳌﻠﻔﻘﲔ ﺍﻟﺬﻱ ﻳﻔﺘﺸﻮﻥ ﻋﻦ ﻛﻞ ﻣﺎ ﻻ ﻳﺜﺒﺖ‪ ،‬ﻭﻳﻘﺪﻣﻮﻧﻪ ﺩﻟﻴﻞ ﺇﺩﺍﻧﺔ‬

‫ﻟﻺﺳﻼﻡ ﺍﻟﺼﺤﻴﺢ ﺍﻟﻨﻘﻲ‪ ..‬ﻭﻫﻮ ﻣﻨﻪ ﺑﺮﺍﺀ! ﻭﺍﷲ ﺃﻋﻠﻰ ﻭﺃﻋﻠﻢ!‬

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‫ﺭﺍﺑ ‪‬ﻌﺎ‪ :‬ﺳﺮﺩ ﺃﺣﺪﺍﺙ ﻭﻣﻌﺎﻥ ﻏﲑ ﺻﺤﻴﺤﺔ ﺗﺎﺭﳜﻴ‪‬ﺎ ﺃﻭ ﻣﻌﺘﻘﺪ‪‬ﺍ‬

‫ﻭﲤﺘﻠﺊ ﺍﻟﺴﲑ ﺍﻟﺸﻌﺒﻴﺔ ﺑﺄﺣﺪﺍﺙ ﳐﺘﺮﻋﺔ ﻻ ﺗﺼﺢ‪ ،‬ﺳﺎﻋﺪ ﰲ ﻧﺸﺮﻫﺎ ﻗﺼﺎﺋﺪ ﻣﺸﻬﻮﺭﺓ‪ ،‬ﻣﺜﻞ‬ ‫ﺍﻟﱪﺩﺓ ﺍﻟﱵ ﻳﺴﺘﻨﺴﺨﻬﺎ ﺍﻟﺸﻌﺮﺍﺀ ﻭﺍﳌﺪﺍﺣﻮﻥ‪ ..‬ﻭﻣﻨﻬﺎ ﻏﻴﻀﺎﻥ ﲝﲑﺓ ﺳﺎﻭﺓ‪ ،‬ﻭﺍﺿﻄﺮﺍﺏ ﺷﺮﻑ‬ ‫ﺍﻹﻳﻮﺍﻥ‪ ،‬ﻭﺍ‪‬ﻤﺎﺭ ﺍﻟﺸﻬﺐ‪ ،‬ﻭﻣﺎ ﺷﺎﺑﻪ‪..‬‬ ‫ﻗﺎﻝ ﺍﻟﺸﻴﺦ ﺻﻔﻲ ﺍﻟﺮﲪﻦ ﰲ ﺍﻟﺮﺣﻴﻖ ﺍﳌﺨﺘﻮﻡ‪ :‬ﻭﻗﺪ ﺭﻭﻱ ﺃﻥ ﺇﺭﻫﺎﺻﺎﺕ ﺑﺎﻟﺒﻌﺜﺔ ﻭﻗﻌﺖ‬

‫ﻋﻨﺪ ﺍﳌﻴﻼﺩ‪ ،‬ﻓﺴﻘﻄﺖ ﺃﺭﺑﻊ ﻋﺸﺮﺓ ﺷﺮﻓﺔ ﻣﻦ ﺇﻳﻮﺍﻥ ﻛﺴﺮﻯ‪ ،‬ﻭﲬﺪﺕ ﺍﻟﻨﺎﺭ ﺍﻟﱵ ﻳﻌﺒﺪﻫﺎ‬ ‫ﺍ‪‬ﻮﺱ‪ ،‬ﻭﺍ‪‬ﺪﻣﺖ ﺍﻟﻜﻨﺎﺋﺲ ﺣﻮﻝ ﲝﲑﺓ ﺳﺎﻭﺓ ﺑﻌﺪ ﺃﻥ ﻏﺎﺿﺖ‪ ،‬ﺭﻭﻯ ﺫﻟﻚ ﺍﻟﻄﱪﻱ ﻭﺍﻟﺒﻴﻬﻘﻲ‬ ‫ﻭﻏﲑﳘﺎ‪ ،‬ﻭﻟﻴﺲ ﻟﻪ ﺇﺳﻨﺎﺩ ﺛﺎﺑﺖ‪ ،‬ﻭﱂ ﻳﺸﻬﺪ ﻟﻪ ﺗﺎﺭﻳﺦ ﺗﻠﻚ ﺍﻷﻣﻢ؛ ﻣﻊ ﻗﻮﺓ ﺩﻭﺍﻋﻲ ﺍﻟﺘﺴﺠﻴﻞ‪..‬‬ ‫ﻭﻫﻲ ﺍﻟﱵ ﻗﺎﻝ ﻓﻴﻬﺎ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺒﻮﺻﲑﻱ ﰲ ﺍﻟﱪﺩﺓ‪ ،‬ﻭﺗﺒﻌﻪ ﺍﳌﺪﺍﺣﻮﻥ‪:‬‬ ‫ﺃﺑﺎﻥ ﻣﻮﻟﺪﻩ ﻋﻦ ﻃﻴﺐ ﻋﻨﺼﺮﻩ‬

‫ﻳﺎ ﻃﻴﺐ ﻣﺒﺘﺪﺃ ﻣﻨﻪ ﻭﳐﺘﺘ ِﻢ‬

‫ﻭﺑﺎﺕ ﺇﻳﻮﺍﻥ ﻛﺴﺮﻯ ﻭﻫﻮ ﻣﻨﺼﺪﻉ‪‬‬

‫ﻛﺸﻤﻞ ﺃﺻﺤﺎﺏ ﻛﺴﺮﻯ ﻏﲑ ﻣﻠﺘﺌﻢ‬

‫ﻒ‬ ‫ﻭﺍﻟﻨﺎﺭ ﺧﺎﻣﺪﺓ ﺍﻷﻧﻔﺎﺱ ﻣﻦ ﺃﺳ ٍ‬

‫ﻋﻠﻴﻪ ﻭﺍﻟﻨﻬﺮ ﺳﺎﻫﻲ ﺍﻟﻌﲔ ﻣﻦ ‪‬ﺳ ‪‬ﺪ ِﻡ‬

‫ﻭﺳﺎ َﺀ ﺳﺎﻭﺓ ﺃﻥ ﻏﺎﺿﺖ ﲝﲑ‪‬ﺎ‬

‫ﻭﺭ‪‬ﺩ ﻭﺍﺭﺩﻫﺎ ﺑﺎﻟﻐﻴﻆ ﺣﲔ ﻇﻤﻲ‬

‫ﻛﺄﻥ ﺑﺎﻟﻨﺎﺭ ﻣﺎ ﺑﺎﳌﺎﺀ ﻣﻦ ﺑﻠ ٍﻞ‬

‫ﺣﺰ‪‬ﻧﺎ ﻭﺑﺎﳌﺎﺀ ﻣﺎ ﺑﺎﻟﻨﺎﺭ ﻣﻦ ﺿﺮ ِﻡ‬

‫ﻳﻮﻡ‪ ‬ﺗﻔﺮ‪‬ﺱ ﻓﻴﻪ ﺍﻟﻔﺮﺱ ﺃ‪‬ﻢ‬

‫ﻗﺪ ﺃﻧﺬﺭﻭﺍ ﲝﻠﻮﻝ ﺍﻟﺒﺆ‪‬ﺱ ﻭﺍﻟﻨﻘﻢ‬

‫ﻭﺍﳉﻦ ‪‬ﺘﻒ ﻭﺍﻷﻧﻮﺍﺭ ﺳﺎﻃﻌﺔﹲ‬

‫ﻭﺍﳊﻖ ﻳﻈﻬﺮ ﻣﻦ ﻣﻌﲎ ﻭﻣﻦ ﻛﻠﻢ‬

‫ﻋﻤﻮﺍ ﻭﺻﻤﻮﺍ ﻓﺈﻋﻼﻥ ﺍﻟﺒﺸﺎﺋﺮ ﱂ‬

‫‪‬ﺗﺴﻤﻊ‪ ..‬ﻭﺑﺎﺭﻗﺔ ﺍﻹﻧﺬﺍﺭ ﱂ ﺗ‪‬ﺸﻢ‬

‫ﻣﻦ ﺑﻌﺪ ﻣﺎ ﺃﺧﱪ ﺍﻷﻗﻮﺍ ‪‬ﻡ ﻛﺎ ِﻫﻨ‪‬ﻬ‪ ‬ﻢ‬

‫ﺝ ﱂ ﻳﻘ ِﻢ‬ ‫ﺑﺄﻥ ﺩﻳﻨﻬﻢ ﺍﳌﻌﻮ ‪‬‬

‫ﻭﺑﻌﺪ ﻣﺎ ﻋﺎﻳﻨﻮﺍ ﰲ ﺍﻷﻓﻖ ﻣﻦ ﺷﻬﺐ‬

‫ﻣﻨﻘﻀ ٍﺔ ﻭﻓﻖ ﻣﺎ ﰲ ﺍﻷﺭﺽ ﻣﻦ ﺻﻨﻢ‬

‫ﺣﱴ ﻏﺪﺍ ﻋﻦ ﻃﺮﻳﻖ ﺍﻟﻮﺣﻰ ﻣﻨﻬﺰﻡ‪‬‬

‫ﻣﻦ ﺍﻟﺸﻴﺎﻃﲔ‪ ..‬ﻳﻘﻔﻮ ﺇﺛﺮ ﻣﻨﻬﺰﻡ‬

‫ﻛﺄ‪‬ﻢ ‪ -‬ﻫﺮ‪‬ﺑﺎ ‪ -‬ﺃﺑﻄﺎﻝ ﺃﺑﺮﻫ ٍﺔ‬

‫ﺃﻭ ﻋﺴﻜﺮ‪ ‬ﺑﺎﳊﺼﻰ ﻣﻦ ﺭﺍﺣﺘﻴﻪ ﺭﻣﻲ‬

‫ﺢ ﺑﺒﻄﻨﻬﻤﺎ‬ ‫ﻧﺒ ﹰﺬﺍ ﺑﻪ‪ ..‬ﺑﻌﺪ ﺗﺴﺒﻴ ٍ‬

‫ﻧﺒﺬ ﺍﳌﺴﺒ‪‬ﺢ ﻣﻦ ﺃﺣﺸﺎ ِﺀ ﻣﻠﺘﻘﻢ‬

‫ﻭﻫﺬﺍ ﺍﳌﻌﲎ ﺫﺍﺗﻪ ﻫﻮ ﺍﻟﺬﻱ ﺍﺳﺘﻨﺴﺨﻪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﻌﱯ‪ ،‬ﻓﻘﺎﻝ‪:‬‬ ‫‪22‬‬

‫ﻟﻴﻠﺔ ﻣﻴﻼﺩﻩ ﻗﺮﺑﺖ ﺍﻟﻨﺠﻮﻡ ﻟﻸﺭﺽ‬ ‫ﻭﻧﻮﺭﻩ ﻋﻢ ﺍﻟﻜﻮﻥ‪ ..‬ﻭﻛﺄﻥ ﻟﻴﻠﻪ ‪‬ﺎﺭ‬ ‫ﻭﻓﺮﺣﺖ ﻛﻞ ﺍﻟﻠﻴﺎﱃ ﺑﺄﻣﲑ ﺍﻟﺴﻨﻦ ﻭﺍﻟﻔﺮﺽ‬ ‫ﻣﻦ ﻗﺒﻞ ﺧﻠﻖ ﺍﻟﻜﻮﻥ ﺭﺑﻪ ﺃﺻﻄﻔﺎﻩ ﻭﺍﺧﺘﺎﺭ‬ ‫ﻭﳌﺎ ﻧﺰﻝ ﻟﻠﺪﻧﻴﺎ ﺧﻀﻌﺖ ﻟﻴﻪ ﺍﻟﻌﺮﻭﺵ‬ ‫ﻭﺍﻧﻄﻔﺖ ﻧﺎﺭ ﻳﺴﺠﺪ ﻟﻴﻬﺎ ﺍ‪‬ﻮﺱ ﻭﺍﻟﻔﺮﺱ‬ ‫ﻭﺑﻘﺖ ﺍﻟﺴﻤﺎ ﺣﺎﻣﻴﺔ‪ ..‬ﻭﺍﻟﺸﻬﺎﺏ ﻣﻔﺮﻭﺵ‬ ‫ﻭﻣﻌﺪﺵ ﻳﺴﻤﻊ ﺟﻦ‪ ..‬ﻭﺍﻟﻜﻬﻨﺔ ﺻﺒﺤﺖ ﺧﺮﺱ‬

‫ﺴﺎ‪ :‬ﺳﻄﺤﻴﺔ ﺍﻟﺼﻮﺭ‪ ،‬ﻭﺍﻟﺘﻘﺮﻳﺮﻳﺔ‪ ،‬ﻭﺍﻟﺘﺄﺭﻳﺦ ﺍﳌﺒﺎﺷﺮ‬ ‫ﺧﺎﻣ ‪‬‬

‫ﻳﺘﺤﻮﻝ ﻛﺜﲑ ﻣﻦ ﺍﳌﺪﺍﺋﺢ ﺍﻟﻨﺒﻮﻳﺔ ﰲ ﻛﺜﲑ ﻣﻦ ﺍﻷﺣﻴﺎﻥ ﺇﱃ ﻣﻨﻈﻮﻣﺎﺕ ﻣﻠﻴﺌﺔ ﺑﺎﳉﻤﻞ‬

‫ﺍﻟﺘﻘﺮﻳﺮﻳﺔ‪ ،‬ﻭﺍﻟﺴﺮﺩ ﺍﻟﻮﺻﻔﻲ‪ ،‬ﺍﳋﺎﱄ ﻣﻦ ﺑﻼﻏﺔ ﺍﻟﻌﺒﺎﺭﺍﺕ‪ ،‬ﻭﺍﻟﺘﺤﻠﻴﻖ ﺍﻟﺸﺎﻋﺮﻱ‪ ،‬ﻓﺎﻟﻌﺒﺎﺭﺍﺕ‬

‫ﻭﺻﻔﻴﺔ ﻣﺒﺎﺷﺮﺓ ﻻ ﺃﻧﺎﻗﺔ ﻓﻴﻬﺎ‪ ،‬ﻭﻻ ﳏﺴﻨﺎﺕ‪ ،‬ﻭﻻ ﺻﻮﺭ ﺑﻠﻴﻐﺔ‪ ،‬ﺑﻞ ﻫﻲ ﻛﻼﻡ ﻣﻨﻈﻮﻡ ﺫﻭ ﲝﺮ‬ ‫ﻱ!‬ ‫ﻭﺭﻭ ‪‬‬ ‫ﻭﻫﺬﺍ ﻓﺦ ﻳﻘﻊ ﻓﻴﻪ ﻛﺜﲑ ﻣﻦ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻹﺳﻼﻣﻴﲔ ﺍﻟﺬﻳﻦ ﺃﺣﺎﻟﻮﺍ ﺍﻟﺸﻌﺮ ﻧﻈﻤ‪‬ﺎ‪ ،‬ﻣﻨﻄﻠﻘﹰﺎ ﻣﻦ‬ ‫ﺍﻟﺒﺤﻮﺭ ﺍﳋﻠﻴﻠﻴﺔ ﻻ ﺃﻛﺜﺮ‪ ،‬ﺑﻼ ﺫﻭﻕ ﻣﺘﺄﻟﻖ‪ ،‬ﻭﻻ ﺧﻴﺎﻝ ﳏﻠﻖ‪ ،‬ﻭﻫﺬﺍ ﺑﻼ ﺷﻚ ﻻ ﳝﻨﺢ ﺍﻟﻨﺎﻇﻢ‬ ‫ﻟﻘﺐ ﺍﻟﺸﺎﻋﺮ ﻋﻨﺪ ﺍﻟﻨﺎﻗﺪ ﺍﻟﺒﺼﲑ‪..‬‬

‫ﻭﺳﻴﺠﺪ ﻗﺎﺭﺋﻲ ﺍﻟﻜﺮﱘ ﰲ ﺍﻟﻜﺘﺎﺏ ﻗﺼﺎﺋﺪ‪ ،‬ﺃﻭ ﺃﺑﻴﺎ‪‬ﺗﺎ ﰲ ﻗﺼﺎﺋﺪ ﻣﻦ ﻫﺬﺍ ﺍﻟﻨﻮﻉ‪ ،‬ﻭﻟﻦ ﳜﻔﻰ‬ ‫ﻋﻠﻴﻪ ﺍﻟﻔﺮﻕ ﺑﲔ ﺍﻟﺸﺎﻋﺮﻳﺔ ﻭﺍﻟﺴﺮﺩ ﺍﳌﻮﺯﻭﻥ‪.‬‬ ‫ﻭﺃﺳﺘﻌﻔﻲ ﻣﻦ ﺿﺮﺏ ﺍﳌﺜﻞ ﻫﻨﺎ‪ ،‬ﻭﺳﻴﺠﺪ ﰲ ﻃﺮﻳﻘﻪ ﺍﻟﻜﺜﲑ ﻣﻦ ﻫﺬﺍ ﺍﻟﻨﻮﻉ ﻣﻦ ﺍﻟﻨﻈﻢ ﰲ‬ ‫ﺭﺣﻠﺘﻪ ﻣﻊ ﺍﳌﺪﺍﺋﺢ ﻭﻏﲑﻫﺎ‪.‬‬

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‫ﺳﺎﺩﺳ‪‬ﺎ‪ :‬ﺍﻟﺪﻭﺭﺍﻥ ﰲ ﻓﻠﻚ ﺑﺮﺩﺓ ﺍﻟﺒﻮﺻﲑﻱ ﻭﺍﺳﺘﻨﺴﺎﺧﻬﺎ!‬

‫ﻭﻫﺬﺍ ﻓﺦ ﺁﺧﺮ ﻳﺴﻘﻂ ﻓﻴﻪ ﺷﻌﺮﺍﺀ ﺍﳌﺪﺍﺋﺢ‪ ،‬ﺇﺫ ﺍﻋﺘﱪﻭﺍ ﺍﻟﱪﺩﺓ ﻗﺒﻠﺘﻬﻢ‪ ،‬ﻭﻣﻌﺎﺭﺿﺘﻬﺎ ﻣﻌﻴﺎﺭ‬ ‫ﺷﺎﻋﺮﻳﺘﻬﻢ‪ ،‬ﻓﺎﺳﺘﻨﺴﺨﻮﻫﺎ ﲝﺮ‪‬ﺍ ﻭﺭﻭﻳ‪‬ﺎ‪ ،‬ﻭﺗﻌﺎﺑﲑ ﻭﺃﻟﻔﺎﻇﹰﺎ‪ ،‬ﻭﺻﻮﺭ‪‬ﺍ ﻭﺗﺮﺍﻛﻴﺐ‪ ،‬ﻓﺨﺮﺟﺖ ﺃﻋﻤﺎﳍﻢ‬ ‫ﰲ ﲨﻠﺘﻬﺎ ﻗﺼﺎﺋﺪ ﻣﻨﺴﻮﺧﺔ‪ ،‬ﻭ)‪‬ﺑ ‪‬ﺮﺩ‪‬ﺍ( ﳑﺴﻮﺧﺔ‪ ،‬ﻭﻫﺰﺍﹰﻟﺎ ﺷﻌﺮﻳ‪‬ﺎ‪ ،‬ﻣﻊ ﺃﻥ ﻋﺪﺩ‪‬ﺍ ﻣﻦ ﺍﻟﺬﻳﻦ ﺣﻠﻘﻮﺍ‬ ‫ﺧﺎﺭﺝ ﻓﻀﺎﺀ ﺍﻟﱪﺩﺓ ﺗﺮﻛﻮﺍ ﺑﺼﻤﺎ‪‬ﻢ ﺍﻟﺸﺨﺼﻴﺔ‪ ،‬ﻭﺍﺑﺘﺪﻋﻮﺍ ﻗﺎﻣﻮﺳﻬﻢ ﺍﳌﺪﺍﺋﺤﻲ‪ ،‬ﻭﺻﻮﺭﻫﻢ‬ ‫ﻭﺃﺧﻴﻠﺘﻬﻢ‪ ،‬ﻭﲤﻴﺰﻭﺍ ﻭﺃﺑﺪﻋﻮﺍ‪ ،‬ﻭﺳﻨﺠﺪ ﻓﻴﻤﺎ ﻳﻠﻲ ﺑﻌﺪ ﺍﻟﻨﻤﺎﺫﺝ ﺍﻟﱵ ﻋﱪ ﻓﻴﻬﺎ ﺍﻟﺸﺎﻋﺮ ﻋﻦ‬

‫ﺧﻠﺠﺎﺗﻪ ﺩﻭﻥ ﺍﻟﻮﻗﻮﻉ ﰲ ﺇﺳﺎﺭ ﺍﳌﻌﺎﺭﺿﺔ‪ ،‬ﺃﻭ ﺍﻻﺳﺘﻨﺴﺎﺥ‪ ،‬ﺃﻭ ﺍﻟﺘﻜﺮﺍﺭ‪ ،‬ﺃﻭ ﺍﻹﻧﺸﺎﺀ ﺍﳌﻨﻈﻮﻡ‬ ‫ﺍﻟﺒﺎﺭﺩ‪..‬‬ ‫ﻭﻣﻦ ﺍﻟﻴﺴﲑ ﺃﻥ ﺃﻋﻘﺪ ﻣﻘﺎﺭﻧﺎﺕ ﺑﲔ ﻣﻌﺎﺭﺿﺎﺕ ﺍﻟﱪﺩﺓ‪ ،‬ﻭﺍﳌﺪﺍﺋﺢ ﺍﻟﱵ ﺍﻧﺘﻬﺠﺘﻬﺎ‪ ،‬ﻟﻨﺠﺪ‬ ‫ﺍﻟﺘﺸﺎﺑﻪ ﺍﻟﻜﺒﲑ‪ ،‬ﻭﺍﻟﺘﻜﺮﺍﺭ ﺍﻟﻮﺍﺿﺢ‪ ،‬ﻭﺍﻟﻨﺴﺦ ﺍﳌﺒﺎﺷﺮ‪.‬‬

‫ﺳﺎﺑ ‪‬ﻌﺎ‪ :‬ﻣﺪﺣﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﻛﺜﺮ ﻣﻦ ﻣﺪﺡ ﺭﺏ ﺍﻟﻌﺰﺓ!‬ ‫ﻣﻦ ﺍﳌﻼﺣﻈﺎﺕ ﺍﻟﱵ ﺗﺴﺘﻠﻔﺖ ﺍﻟﻨﻈﺮ ﻟﻠﻮﻫﻠﺔ ﺍﻷﻭﱃ ﺃﻥ ﺍﳌﺘﺘﺒﻊ ﳚﺪ ﺍﳌﺪﺍﺋﺢ ﰲ ﺳﻴﺪﻱ‬

‫ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﺃﻛﺜﺮ ﻛﺜﲑ‪‬ﺍ ﻣﻦ ﺍﳌﺪﺍﺋﺢ ﺍﳌﻜﺘﻮﺑﺔ ﰲ ﺭﺏ ﺍﻟﻌﺰﺓ‬ ‫ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ‪ ،‬ﻭﺃﺑﻌﺪ ﺻﻴﺘ‪‬ﺎ‪ ،‬ﻭﺃﻛﺜﺮ ﺍﻧﺘﺸﺎﺭ‪‬ﺍ‪..‬‬ ‫ﺑﻞ ﺃﺯﻋﻢ ﺃﻥ ﻣﺪﺡ ﺭﺏ ﺍﻟﻌﺰﺓ ﺳﺒﺤﺎﻧﻪ ﻳﺄﰐ ﰲ ﻛﺜﲑ ﻣﻦ ﺍﻷﺣﻴﺎﻥ ﻣﻘﺪﻣﺔ ﳌﺪﺡ ﺍﻟﻨﱯ ﺻﻠﻰ‬ ‫ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ‪ ،‬ﺃﻭ ﺗﺒﻌ‪‬ﺎ ﻟﻪ!‬ ‫ﻭﺭﲟﺎ ﲤﺎﺩﻳﺖ ﰲ ﺯﻋﻤﻲ ﻭﻗﻠﺖ ﺇﻥ ﻫﺬﻩ ﺍﻟﻈﺎﻫﺮﺓ ﺗﺎﺭﳜﻴﺔ ﻻ ﻣﻌﺎﺻﺮﺓ ﻓﻘﻂ!‬

‫ﻓﻼ ﺗﻮﺟﺪ ﻗﺼﻴﺪﺓ ﻣﺪﺡ ﺇﳍﻲ ﰲ ﺍﻧﺘﺸﺎﺭ ﺍﻟﱪﺩﺓ ﻭﻻ ﰲ ﻗﻮ‪‬ﺎ‪ ،‬ﻭﱂ ﻳﻜﺘﺐ ﺷﻮﻗﻲ ﺭﲪﻪ ﺍﷲ –‬

‫ﻣﺜﻼ؛ ﻭﻫﻮ ﺃﻏﺰﺭ ﺷﻌﺮﺍﺀ ﺍﻟﻌﺮﺏ ﻋﻠﻰ ﺍﻹﻃﻼﻕ ﺷﻌﺮ‪‬ﺍ ‪ -‬ﺷﻴﺌﹰﺎ ﰲ ﺍﻹﳍﻴﺎﺕ‪ ،‬ﻣﻨﺘﺸﺮ‪‬ﺍ ﺍﻧﺘﺸﺎﺭ‬ ‫ﻣﻌﺎﺭﺿﺘﻪ ﺃﻭ ﳘﺰﻳﺘﻪ ﺃﻭ ﺑﺎﺋﻴﺘﻪ‪..‬‬ ‫ﻫﻞ ﺃﻧﺎ ﳏﻖ؟ ﻭﺇﺫﺍ ﻛﻨﺖ ﳏﻘ‪‬ﺎ ﻓﻠﻤﺎﺫﺍ ﻭﻗﻊ ﻫﺬﺍ ﺍﻷﻣﺮ؟ ﻭﳌﺎﺫﺍ ﻻ ﺗﻜﻮﻥ ﻗﺼﺎﺋﺪ ﺍﳊﺐ‬ ‫ﻭﻣﺪﺍﺋﺢ ﺍﻟﺮﺏ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ ﺃﻏﺰﺭ ﺇﻧﺘﺎﺟ‪‬ﺎ‪ ،‬ﻭﺃﻋﻠﻰ ﻣﺴﺘﻮﻯ‪ ،‬ﻭﺃﻛﺜﺮ ﺍﻧﺘﺸﺎﺭ‪‬ﺍ‪..‬‬

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‫ﻗﻀﻴﺔ ﺃﺗﺮﻛﻬﺎ ﻟﻠﺤﻮﺍﺭ ﻭﺍﳌﻨﺎﻗﺸﺔ ﻭﺍﻟﺘﺄﺻﻴﻞ ﻭﺍﻟﺘﺸﻘﻴﻖ‪ ..‬ﻭﺃﲤﲎ ﺃﻥ ﺗﻨﻄﻠﻖ ﺑﲔ ﺍﻟﺸﻌﺮﺍﺀ ﲪﻠﺔ‬ ‫ﳌﺪﺡ ﺭﺏ ﺍﻟﻌﺰﺓ ﻭﺍﻟﺜﻨﺎﺀ ﻋﻠﻴﻪ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ‪ ،‬ﻭﺇﻗﺎﻣﺔ ﻣﺴﺎﺑﻘﺎﺕ ﺷﻌﺮﻳﺔ ﻭﺧﻄﻴﺔ ﻭﻓﻨﻴﺔ ﻭﺗﺸﻜﻴﻠﻴﺔ‬ ‫ﻋﻠﻰ ﻏﺮﺍﺭ ﻣﺴﺎﺑﻘﺔ ﺍﻟﱪﺩﺓ ﰲ ﺃﺑﻮﻇﱯ‪ ،‬ﻻﺳﺘﺜﺎﺭﺓ ﻗﺮﺍﺋﺢ ﺍﻟﺸﻌﺮﺍﺀ ﻭﺧﻴﺎﻻﺕ ﺍﻟﻔﻨﺎﻧﲔ ﻟﻺﺑﺪﺍﻉ ﰲ‬ ‫ﻫﺬﺍ ﺍﻷﻓﻖ ﺍﻟﻔﲏ ﺍﻟﺘﻮﺣﻴﺪﻱ ﺍﻟﻌﺒﺎﺩﻱ ﺍﳉﻤﻴﻞ‪.‬‬

‫ﻭﺇﻥ ﺷﺎﺀ ﺍﷲ ﺗﻌﺎﱃ ﺳﻴﻜﻮﻥ ﻛﺘﺎﰊ ﺍﻟﺘﺎﱄ ﲨﻌ‪‬ﺎ ﻷﻫﻢ ﻣﺪﺍﺋﺢ ﺍﳊﺐ ﺍﻹﳍﻲ ﰲ ﺍﻟﺸﻌﺮ‬ ‫ﺍﳌﻌﺎﺻﺮ‪ ،‬ﻭﺍﺳﺄﻝ ﺍﷲ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ ﺍﳌﻌﻮﻧﺔ‪.‬‬

‫ﺛﺎﻣ‪‬ﻨﺎ‪ :‬ﺍﳌﺘﺄﺧﺮﻭﻥ ﻣﻦ ﻏﲑ ﺍﻟﺼﻮﻓﻴﺔ ﺃﻛﺜﺮ ﺗﻔﻨﻨ‪‬ﺎ ﻭﺃﺣﺴﻦ ﺃﺩﺍ ٍﺀ‬

‫ﻭﻗﺪ ﺃﺷﺮﺕ ﰲ ﺍﳌﺪﺧﻞ ﺍﻟﺴﺎﺑﻖ – ﻭﺃﺭﺟﻮﺃﻻ ﺃﻛﻮﻥ ﻣﺘﺠﺎﻭﺯ‪‬ﺍ – ﺇﱃ ﺃﻥ ﺍﻟﺸﻌﺮﺍﺀ‬ ‫ﺍﳌﻌﺎﺻﺮﻳﻦ ﻏﲑ ﺍﳌﻨﺴﻮﻳﲔ ﻟﻠﺼﻮﻓﻴﺔ‪ ،‬ﻭﺍﻟﺬﻳﻦ ﺧﺎﺿﻮﺍ ﳉﺞ ﺍﳌﺪﺍﺋﺢ – ﻟﺴﺒﺐ ﻣﺎ ‪ -‬ﺃﺣﺴﻦ ﺗﺄﺗﻴ‪‬ﺎ‪،‬‬ ‫ﻭﺃﺑﺪﻉ ﺇﺑﺪﺍﻋ‪‬ﺎ‪ ،‬ﻭﺃﻗﻞ ﺗﻜﻠﻔﹰﺎ‪ ،‬ﻭﺃﲨﻞ ﺻﻮﺭ‪‬ﺍ!‬

‫ﺏ ﺃﻧﻴﻖٍ‪ ،‬ﻭﺍﳌﺘﺄﻣﻞ ﻟﻜﺜﲑ‬ ‫ﻭﻗﺪ ﺍﺳﺘﺤﺪﺛﻮﺍ ﺻﻮﺭﻫﻢ ﺍﻟﻔﻨﻴﺔ‪ ،‬ﻭﻣﻌﺠﻤﻬﻢ ﺍﻟﻠﻔﻈﻲ ﺑﺸﻜﻞ ﻣﻄﺮ ٍ‬

‫ﻣﻦ ﺍﻷﻋﻤﺎﻝ ﺍﻟﻔﺎﺋﺰﺓ ﰲ ﻣﺴﺎﺑﻘﺔ ﺟﺎﺋﺰﺓ ﺍﻟﱪﺩﺓ – ﻭﺃﻏﻠﺐ ﺍﻟﻔﺎﺋﺰﻳﻦ ‪‬ﺎ ﺷﺒﺎﻥ ﺣﻮﻝ ﺍﻷﺭﺑﻌﲔ –‬ ‫ﳚﺪﻫﺎ ﺟﺪﻳﺪﺓ ﰲ ﳏﺘﻮﺍﻫﺎ‪ ،‬ﻭﺃﻗﻞ ﺇﻏﺮﺍﻗﹰﺎ ﰲ ﺍﳌﺨﺎﻟﻔﺎﺕ ﻭﺍﳌﺒﺎﻟﻐﺎﺕ ﻭﺍﳋﺮﺍﻓﺎﺕ ﺍﻟﱵ ﺗﻨﺴﺐ ﻟﺬﺍﺗﻪ‬ ‫ﺍﻟﺸﺮﻳﻔﺔ‪ ،‬ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ ﺗﺴﻠﻴﻤ‪‬ﺎ ﻛﺜﲑ‪‬ﺍ‪.‬‬ ‫ﻓﻤﺎ ﺩﻻﻟﺔ ﻫﺬﺍ‪ ،‬ﻭﻫﻞ ﻗﻔﺰ ﺍﻟﺸﻌﺮ ﺍﻟﻌﺮﰊ ﻗﻔﺰﺓ ﺟﺪﻳﺪﺓ ﰲ ﺇﻃﺎﺭ ﲪﻼﺕ ﲡﺪﻳﺪﻩ!؟‬

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‫ﺍﻟﺒﺎﺏ ﺍﻷﻭﻝ‪ /‬ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﱐ‬

‫ﺷﻌﺮﺍﺀ ﻧﺼﺎﺭﻯ‬ ‫ﻣﺪﺣﻮﺍ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬

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‫ﺃﻋﺘﻘﺪ ﺟﺎﺯﻣ‪‬ﺎ ﺃﻥ ﻛﻞ ﻣﺴﻠﻢ ‪ -‬ﻣﻬﻤﺎ ﻛﺎﻥ ﺣﺎﻟﻪ ‪ -‬ﳛﺐ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪،‬‬ ‫ﻭﻳﻐﺎﺭ ﻋﻠﻴﻪ‪ ،‬ﻭﻳﻀﻌﻪ ﰲ ﺃﻓﻖ ﺳﺎﻡٍ‪ ،‬ﻻ ﻳﺮﻗﻰ ﺇﱄ ﺭﺍﻕٍ‪ ،‬ﻭﻻ ﻳﺒﻠﻐﻪ ﺃﻣﻞ ﺁﻣﻞ‪.‬‬ ‫ﻭﺃﻋﺘﻘﺪ ﺃﻥ ﻫﺬﺍ ﺍﳊﺐ ﺿﺮﻭﺭﺓ ﺷﺮﻋﻴﺔ‪ ،‬ﻻ ﻳﻜﻮﻥ ﺃﺣﺪﻧﺎ ﻣﺴﻠﻤ‪‬ﺎ ﺑﺪﻭ‪‬ﺎ‪ ،‬ﻭﺃﻥ ﻗﺪﺭ ﺍﳊﺐ‬ ‫ﻳﻜﻮﻥ ﺑﻘﺪﺭ ﺍﳌﻌﺮﻓﺔ‪ ،‬ﻓﻜﻠﻤﺎ ﻋﺮﻓﺘﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﻛﺜﺮ‪ ،‬ﻭﺗﺘﺒﻌﺖ ﺳﲑﺗﻪ ﺍﻟﺰﺍﻛﻴﺔ ﺃﻛﺜﺮ‪،‬‬ ‫ﺯﺍﺩﺕ ﳏﺒﺘﻪ‪ ،‬ﻭﺍﺭﺗﻔﻊ ﻣﻨﺴﻮ‪‬ﺎ ﰲ ﻧﻔﺴﻚ‪..‬‬ ‫ﰒ ﺇﺫﺍ ﺃﺣﺒﺒﺘﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﻋﺮﻓﺘﻪ ﺍﺗﺒﻌﺘﻪ‪ ،‬ﻭﺃﺣﺒﺒﺖ ﺃﻥ ﲢﺬﻭ ﺣﺬﻭﻩ ﻟﺘﺤﺸﺮ‬ ‫ﻣﻌﻪ ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ‪ ،‬ﺍﻟﻠﻬﻢ ﺍﺟﻌﻠﻨﺎ ﻣﻦ ﺭﻓﻘﺎﺋﻪ ﰲ ﺍﳉﻨﺔ ﻳﺎ ﺭﺏ ﺍﻟﻌﺎﳌﲔ‪.‬‬ ‫ﻓﺈﺫﺍ ﺟﺎﺀ ﻣﻦ ﻳﺴﺐ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺃﻭ ﻳﺘﻨﻘﺺ ﻗﺪﺭﻩ‪ ،‬ﻓﻼ ﻳﻼﻡ ﺍﳌﺴﻠﻢ ﺃﻥ‬ ‫ﻳﻐﻀﺐ ﻭﻳﻨﻔﻌﻞ‪ ،‬ﻷﻧﻪ ﻳﻐﻀﺐ ﳊﺒﻴﺒﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﺩﻳﻨﻪ ﻭﺷﺮﻋﻪ ﻭﻋﻘﻴﺪﺗﻪ‪.‬‬ ‫ﻟﻜﲏ ﺃﻟﻮﻣﻪ ﺇﺫﺍ ﺟﺎﺀﺕ ﻏﲑﺗﻪ ﻭﻏﻀﺒﺘﻪ ﻫﻮﺟﺎﺀ ﲪﻘﺎﺀ‪ ،‬ﺃﻭ ﺷﻔﻮﻳﺔ ﻟﻔﻈﻴﺔ‪ ،‬ﺃﻭ ﺩﻓﻘﺔ ﻣﺆﻗﺘﺔ‬

‫ﺍﻧﻔﻌﺎﻟﻴﺔ‪ ،‬ﻟﻴﺲ ﳍﺎ ﻣﻀﻤﻮﻥ ﻭﻻ ﺃﺛﺮ‪ ،‬ﻛﺤﺎﻝ ﻛﺜﲑ ﻣﻦ ﻏﻀﺒﺎﺗﻨﺎ ﺍﻟﻌﺮﺑﻴﺔ ﺍ‪‬ﻴﺪﺓ ﺍﻟﱵ ﺗﺴﻔﺮ‪-‬‬ ‫ﻋﺎﺩﺓ – ﻋﻦ‪....‬ﻻ ﺷﻲﺀ!‬ ‫ﻛﺤﺎﻝ ﻫﺬﺍ ﺍﻟﻌﺮﰊ ﺍﻟﺬﻱ ﺃﻭﺳﻊ ﺍﻟﻠﺼﻮﺹ ﺫﻣ‪‬ﺎ‪ ،‬ﻭﺃﻭﺩﻭﺍ ﺑﺎﻹﺑﻞ‪.‬‬ ‫ﻭﰲ ﻣﻘﺎﺑﻞ ﺫﻟﻚ ﻻ ﻳﻔﺎﺟﺌﲏ ﻣﻦ ﱂ ﻳﻌﺮﻑ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻣﻦ ﻏﲑ ﺍﳌﺴﻠﻤﲔ ‪ -‬ﺇﺫﺍ‬

‫ﺳﺐ ﺃﻭ ﺃﺳﺎﺀ ‪ -‬ﻓﻬﺬﺍ ﻛﺜﲑ‪ ،‬ﻭﻣﺘﺘﺎﺑﻊ‪ ،‬ﻭﺗﺎﺭﳜﻲ‪ ،‬ﻣﻨﺬ ﺍﻟﻠﺤﻈﺔ ﺍﻷﻭﱄ ﻟﻠﺠﻬﺮ ﺑﺎﻹﺳﻼﻡ‪ ،‬ﺣﲔ‬ ‫ﻗﺎﻝ ﺍﻷﲪﻖ ﺃﺑﻮ ﳍﺐ ﻟﻠﻤﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪) :‬ﺗﺒ‪‬ﺎ ﻟﻚ! ﺃﳍﺬﺍ ﲨﻌﺘﻨﺎ(؟!‬ ‫ﰒ ﺗﺘﺎﺑﻌﺖ ﺍﻹﻫﺎﻧﺎﺕ ﻭﺍﻻﻓﺘﺮﺍﺀﺍﺕ‪ ،‬ﺣﱴ ﻗﺎﻟﺖ ﺍﻟﻌﺮﺏ ﻋﻨﻪ ﺑﺄﰊ ﻫﻮ ﻭﺃﻣﻲ‪ :‬ﻛﺎﻫﻦ‪ /‬ﺳﺎﺣﺮ‪/‬‬ ‫ﺷﺎﻋﺮ‪ ،‬ﳎﻨﻮﻥ‪ /‬ﻃﺎﻟﺐ ﻣﻠﻚ‪ /‬ﻃﺎﻟﺐ ﻣﺎﻝ‪..‬‬ ‫ﻭﺃﺷﺪ ﻣﻦ ﺫﻟﻚ ﺣﲔ ﺗﺂﻣﺮﻭﺍ ﻋﻠﻴﻪ ﻓﺪﺍﻩ ﺃﰊ ﻭﺃﻣﻲ ﻟﻴﻘﺘﻠﻮﻩ‪ ،‬ﺃﻭ ﻳﺜﺒﺘﻮﻩ‪ ،‬ﺃﻭ ﳜﺮﺟﻮﻩ‪.‬‬ ‫‪27‬‬

‫ﻭﻳﺴﺘﻤﺮ ﺍﻟﺘﻘﺒﻴﺢ ﻋﱪ ﺍﻟﺘﺎﺭﻳﺦ‪ ،‬ﻛﻤﺎ ﺃﺷﺮﺕ ﰲ ﻛﻼﻡ ﺳﺎﺑﻖ‪ ،‬ﻟﻴﺘﺮﻛﺰ ﰲ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ‬ ‫ﻣﻦ ﺧﻼﻝ ﺍﻟﺴﻴﻨﻤﺎ ﻭﺍﻟﺮﺍﺩﻳﻮ ﻭﺍﻟﺼﺤﺎﻓﺔ ﻭﺃﻓﻼﻡ ﻭﺭﺳﻮﻡ ﺍﻟﻜﺮﺗﻮﻥ‪ ،‬ﺣﱴ ﺃﻳﺎﻡ ﺍﻟﺘﻌﻴﺲ ﺳﻠﻤﺎﻥ‬ ‫ﺭﺷﺪﻱ‪ ،‬ﻭﺍﻷﺗﻌﺲ ﺗﺴﻠﻴﻤﺔ ﻧﺴﺮﻳﻦ‪ ،‬ﻭﺍﻹﺧﻮﺓ ﺍﻷﺷﺎﻭﺱ ﻋﻼﺀ ﺣﺎﻣﺪ ﻭﻧﻮﺍﻝ ﺍﻟﺴﻌﺪﺍﻭﻱ‬

‫ﻭﺣﻴﺪﺭ ﺣﻴﺪﺭ‪ ،‬ﺍﻟﻐﱯ ﺍﻟﺬﻱ ﻛﺘﺐ‪ :‬ﺍﺧﺮﺃ ﺑﺎﺳﻢ ﺭﺑﻚ! ﻭﺻﻮﻟﹰﺎ ﺇﱄ ﻛﺎﺭﻳﻜﺎﺗﲑﺍﺕ ﺍﻟﺼﺤﻒ‬ ‫ﺍﻷﻭﺭﻭﺑﻴﺔ ﺍﳌﺘﻄﺎﻭﻟﺔ ﻋﻠﻰ ﺍﳌﻘﺎﻡ ﺍﶈﻤﺪﻱ ﺍﻟﺴﺎﻣﻖ‪ ،‬ﰲ ﺍﻟﺴﻨﲔ )ﺍﻟﺜﻼﺛﲔ( ﺍﻷﺧﲑﺓ‪.‬‬

‫ﻭﻟﺘﺠﺪﻥ ﺃﻗﺮ‪‬ﻢ ﻣﻮﺩﺓ ﻟﻠﺬﻳﻦ ﺁﻣﻨﻮﺍ ﺍﻟﺬﻳﻦ ﻗﺎﻟﻮﺍ ﺇﻧﺎ ﻧﺼﺎﺭﻯ!‬

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‫ﺷﻬﺎﺩﺍﺕ ﺍﳌﻨﺼﻔﲔ‬ ‫ﻟﻜﻦ ﻫﺬﺍ ﺍﻟﺴﺮﺩ ﻻ ﻳﻨﺴﻴﲏ ‪ -‬ﻭﻻ ﳚﻮﺯ ‪ -‬ﺷﻬﺎﺩﺍﺕ‬

‫ﳎﻤﻮﻋﺔ ﻣﻦ ﺍﳌﻨﺼﻔﲔ ﻣﻦ ﺍﻟﻨﺼﺎﺭﻯ ﻟﺼﺎﱀ ﺍﻹﺳﻼﻡ ﻭﺍﻟﻨﱯ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺣﲔ ﺃﺳﺒﻐﻮﺍ ﻋﻠﻴﻪ ﻣﻦ ﺻﻔﺎﺕ‬ ‫ﺍﻟﻌﻈﻤﺔ ﻭﺍﻟﻨﺒﻞ ﻭﺍﻟﺮﲪﺔ ﻭﺍﻟﻔﻀﻞ ﻣﺎ ﻫﻮ ﺑﻪ ﺟﺪﻳﺮ‪..‬‬ ‫ﻭﺷﺎﻋﺖ ﰲ ﺍﻟﻨﺎﺱ ﺷﻬﺎﺩﺍﺕ ﻛﺜﲑ ﻣﻦ ﺍﳌﻔﻜﺮﻳﻦ ﻭﺍﻟﻌﻈﻤﺎﺀ‬ ‫ﺍﻟﻐﺮﺑﻴﲔ ﰲ ﻫﺬﺍ ﺍﻟﺒﺎﺏ‪ ،‬ﻛﻤﺎ ﺃﹸﻟﻔﺖ ﻛﺘﺐ‪ ،‬ﻭﺩ‪‬ﲜﺖ‬

‫ﻣﻘﺎﻻﺕ‪ ،‬ﺑﺄﻗﻼﻡ ﻋﺪﺩ ﻣﻦ ﺍﻟﻨﺼﺎﺭﻯ ﺍﻟﻌﺮﺏ‪ ،‬ﰲ ﻓﻀﺎﺋﻠﻪ‬ ‫ﻭﻣﻨﺎﻗﺒﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻓﻘﺪ ﻛﺘﺐ ﻓﻴﻪ ﺍﻟﺪﻛﺘﻮﺭ‬ ‫ﻧﻈﻤﻲ ﻟﻮﻗﺎ ﺛﻼﺛﺔ ﻛﺘﺐ ﰲ ﺍﻹﺳﻼﻡ ﺷﻬﲑﺓ ﻫﻲ‪ :‬ﻭﺍﳏﻤﺪﺍﻩ‪ ،‬ﻭﳏﻤﺪ‪ :‬ﺍﻟﺮﺳﺎﻟﺔ ﻭﺍﻟﺮﺳﻮﻝ ﺍﻟﺬﻱ‬ ‫ﻗﺮﺭﺗﻪ ﻭﺯﺍﺭﺓ ﺍﻟﺘﺮﺑﻴﺔ ﻭﺍﻟﺘﻌﻠﻴﻢ ﻋﻠﻰ ﻣﺪﺍﺭﺱ ﺍﳉﻤﻬﻮﺭﻳﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺍﳌﺘﺤﺪﺓ ﰲ ﻣﺼﺮ ﻭﺳﻮﺭﻳﺎ‪ ،‬ﻭﺃﻧﺎ‬ ‫ﻭﺍﻹﺳﻼﻡ! ﻛﻤﺎ ﻛﺘﺐ ﻋﻦ ﻋﻤﺮ ﺑﻦ ﺍﳋﻄﺎﺏ ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ‪ ،‬ﻭﻟﻪ ﺩﺭﺍﺳﺎﺕ ﺇﺳﻼﻣﻴﺔ ﺃﺧﺮﻯ‪.‬‬ ‫ﻭﺩ‪ .‬ﻧﻈﻤﻲ ﻟﻮﻗﺎ ‪ -‬ﻛﻤﺎ ﺗﺮﲨﺖ ﻟﻪ ﺇﺳﻼﻡ ﺃﻭﻧﻼﻳﻦ ‪ -‬ﻣﺴﻴﺤﻲ ﻣﻦ ﻣﺼﺮ‪ ،‬ﻳﺘﻤﻴﺰ ﺑﻨﻈﺮﺗﻪ‬ ‫ﺍﳌﻮﺿﻮﻋﻴﺔ‪ ،‬ﻭﺇﺧﻼﺻﻪ ﺍﻟﻌﻤﻴﻖ ﻟﻠﺤﻖ‪ .‬ﻭﺭﻏﻢ ﺇﳊﺎﺡ ﺃﺑﻮﻳﻪ ﻋﻠﻲ ﺗﻨﺸﺌﺘﻪ ﻋﻠﻲ ﺍﳌﺴﻴﺤﻴﺔ ﻣﻨﺬ‬

‫ﻛﺎﻥ ﺻﺒﻴ‪‬ﺎ‪ ،‬ﻓﺈﻧﻪ ﻛﺜﲑ‪‬ﺍ ﻣﺎ ﻛﺎﻥ ﳛﻀﺮ ﳎﺎﻟﺲ ﺷﻴﻮﺥ ﺍﳌﺴﻠﻤﲔ‪،‬‬

‫ﻭﻳﺴﺘﻤﻊ ﺑﺸﻐﻒ ﺇﱄ ﻛﺘﺎﺏ ﺍﷲ ﺗﻌﺎﱄ‪ ،‬ﻭﺳﲑﺓ ﺍﻟﺮﺳﻮﻝ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ‪.‬‬ ‫ﺑﻞ ﺇﻧﻪ ﺣﻔﻆ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ ﻭﱂ ﻳﺘﺠﺎﻭﺯ ﺍﻟﻌﺎﺷﺮﺓ ﻣﻦ ﻋﻤﺮﻩ‪.‬‬ ‫ﻭﻛﺘﺐ ﺑﻌﺾ ﻧﺼﺎﺭﻯ ﺍﻟﺸﺎﻡ ﻛﺘﺒ‪‬ﺎ ﻣﺸﺎ‪‬ﺔ‪ ،‬ﻛﻤﺎ ﻓﻌﻞ ﺍﻷﺳﺘﺎﺫ‬ ‫ﻧﺼﺮﻱ ﺳﻠﻬﺐ ﰲ ﻛﺘﺎﺑﻪ‪ :‬ﻋﻠﻰ ﺧﻄﻰ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪،‬‬ ‫ﻭﻛﻤﺎ ﻛﺘﺐ ﺍﻷﺳﺘﺎﺫ ﺧﻠﻴﻞ ﺇﺳﻜﻨﺪﺭ )ﺩﻋﻮﺓ ﻧﺼﺎﺭﻯ ﺍﻟﻌﺮﺏ ﻟﻺﺳﻼﻡ( ﻭﺍﻷﺳﺘﺎﺫ ﺧﻠﻴﻞ‬ ‫ﺍﻟﻄﻮﺍﻝ )ﲢﺖ ﺭﺍﻳﺔ ﺍﻹﺳﻼﻡ( ﻭﻟﺒﻴﺐ ﺍﻟﺮﻳﺎﺷﻲ )ﻧﻔﺴﻴﺔ ﺍﻟﺮﺳﻮﻝ ﺍﻟﻌﺮﰊ( ﻭﻫﻲ ﻛﻠﻬﺎ ﻛﺘﺐ‬ ‫‪29‬‬

‫ﻣﻨﺼﻔﺔ‪ ،‬ﺗﺼﻒ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﲟﺎ ﻓﻴﻪ ﻣﻦ ﺍﳊﻖ ﻭﺍﳋﲑ‪ .‬ﻛﻤﺎ ﺃﻥ ﺭﺑﻨﺎ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ‬ ‫ﻣﺪﺡ ﻃﺎﺋﻔﺔ ﻣﻦ ﺍﻟﻘﺴﻴﺴﲔ ﺍﳌﻨﺼﻔﲔ‪ ،‬ﺍﻟﺬﻳﻦ ﻋﺮﻓﻮﺍ ﻗﺪﺭ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﻓﻀﻠﻪ‪،‬‬ ‫ﻚ ﺑِﺄ ﹼﻥ‬ ‫ﺠ ‪‬ﺪ ﱠﻥ ﹶﺃ ﹾﻗ ‪‬ﺮ‪‬ﺑﻬ‪‬ﻢ ‪‬ﻣ ‪‬ﻮ ‪‬ﺩ ﹰﺓ ِﻟ ﱠﻠﺬِﻳ ‪‬ﻦ ﺀَﺍ ‪‬ﻣﻨ‪‬ﻮﺍ‪ :‬ﺍﱠﻟﺬِﻳ ‪‬ﻦ ﻗﹶﺎﻟﹸﻮﺍ‪ِ :‬ﺇﻧ‪‬ﺎ ﻧﺼﺎﺭﻯ؛ ﺫِﻟ ‪‬‬ ‫ﻓﻘﺎﻝ ﺳﺒﺤﺎﻧﻪ‪ ) :‬ﻭﹶﻟ‪‬ﺘ ِ‬ ‫ﺴ‪‬ﺘ ﹾﻜِﺒﺮ‪‬ﻭ ﹶﻥ*‬ ‫ﲔ ‪‬ﻭ ‪‬ﺭ ‪‬ﻫﺒ‪‬ﺎﻧ‪‬ﺎ‪ ،‬ﻭﹶﺃ‪‬ﻧﻬ‪ ‬ﻢ ﹶﻻ ‪‬ﻳ ‪‬‬ ‫ﺴ‪‬‬ ‫ِﻣ ‪‬ﻨ ‪‬ﻬ ‪‬ﻢ ِﻗﺴ‪‬ﻴ ِ‬

‫ﺤﻖ‪،‬‬ ‫ﺾ ﻣِﻦ ﺍﻟ ‪‬ﺪ ‪‬ﻣ ِﻊ؛ ِﻣﻤ‪‬ﺎ ‪‬ﻋ ‪‬ﺮﻓﹸﻮﺍ ِﻣ ‪‬ﻦ ﺍﹾﻟ ‪‬‬ ‫‪‬ﻭِﺇﺫﹶﺍ ‪‬ﺳ ِﻤﻌ‪‬ﻮﺍ ﻣ‪‬ﺎ ﺃﹸﻧ ِﺰ ﹶﻝ ِﺇﻟﹶﻲ ﺍﻟ ‪‬ﺮﺳ‪‬ﻮ ِﻝ ‪‬ﺗ ‪‬ﺮﻯ ﹶﺃ ‪‬ﻋﻴ‪‬ﻨﻬ‪ ‬ﻢ ‪‬ﺗﻔِﻴ ‪‬‬ ‫‪‬ﻳﻘﹸﻮﻟﹸﻮ ﹶﻥ‪ :‬ﺭ‪‬ﺑﻨ‪‬ﺎ ﺁ ‪‬ﻣﻨ‪‬ﺎ ﻓﹶﺎ ﹾﻛ‪‬ﺘ ‪‬ﺒﻨ‪‬ﺎ ‪‬ﻣ ‪‬ﻊ ﺍﻟﺸ‪‬ﺎ ِﻫﺪِﻳ ‪‬ﻦ*‬ ‫ﲔ*‬ ‫ﺤ‪‬‬ ‫ﺤﻖ‪ ،‬ﻭ‪‬ﻧ ﹾﻄ ‪‬ﻤﻊ‪ ‬ﺃﹶﻥ ‪‬ﻳ ‪‬ﺪ ِﺧ ﹶﻠﻨ‪‬ﺎ ‪‬ﺭ‪‬ﺑﻨ‪‬ﺎ ‪‬ﻣ ‪‬ﻊ ﺍﹾﻟ ﹶﻘ ‪‬ﻮ ِﻡ ﺍﻟﺼ‪‬ﺎِﻟ ِ‬ ‫‪‬ﻭﻣ‪‬ﺎ ﹶﻟﻨ‪‬ﺎ ﻻ ﻧ‪ ‬ﺆ ِﻣﻦ‪ ‬ﺑِﺎﻟ ﱠﻠﻪِ‪ ،‬ﻭﻣ‪‬ﺎ ﺟ‪‬ﺎ َﺀﻧ‪‬ﺎ ﻣِﻦ ﺍﹾﻟ ‪‬‬ ‫ﻚ ‪‬ﺟﺰ‪‬ﺍ ُﺀ‬ ‫ﺤِﺘﻬ‪‬ﺎ ﺍ َﻷ‪‬ﻧﻬ‪‬ﺎﺭ‪ ،‬ﺧ‪‬ﺎِﻟﺪِﻳ ‪‬ﻦ ﻓِﻴﻬ‪‬ﺎ‪ ،‬ﻭ ﹶﺫِﻟ ‪‬‬ ‫ﺠﺮِﻱ ﻣِﻦ ‪‬ﺗ ‪‬‬ ‫ﺕ ‪‬ﺗ ‪‬‬ ‫ﹶﻓﹶﺄﺛﹶﺎ‪‬ﺑ ‪‬ﻬ ‪‬ﻢ ﺍﻟ ﱠﻠ ‪‬ﻪ ‪ِ -‬ﺑﻤ‪‬ﺎ ﻗﹶﺎﻟﹸﻮﺍ ‪ -‬ﺟﻨ‪‬ﺎ ٍ‬ ‫ﲔ( ﺍﳌﺎﺋﺪﺓ‪.84-82 :‬‬ ‫ﺴِﻨ ‪‬‬ ‫ﺤِ‬ ‫ﺍﹾﻟﻤ‪ ‬‬

‫ﻭﺍﳊﻖ ﺃﻧﲏ ﻻ ﺃﺭﻳﺪ ﺍﻟﻜﻼﻡ ﻋﻦ ﻫﺬﺍ ﺍﳉﺎﻧﺐ ﺍﻵﻥ‪ ،‬ﻭﻻ ﺃﺗﻮﺳﻊ ﻓﻴﻪ‪ ،‬ﻓﻘﺪ ﺗﻜﻠﻢ ﻛﺜﲑﻭﻥ‬

‫ﻓﻴﻪ‪ ،‬ﺑﻞ ﺃﺭﻳﺪ ﺃﻥ ﺃﻗﻒ ﺃﻣﺎﻡ ﺭﺅﻳﺔ ﺃﺧﺮﻯ ﺃﻛﺜﺮ ﺭﻫﺎﻓﺔ ﻭﺭﻗﺔ‪ ،‬ﻫﻲ ﺭﺅﻳﺔ ﺑﻌﺾ ﺍﻟﺸﻌﺮﺍﺀ‬ ‫ﻭﺍﳌﺒﺪﻋﲔ‪ ،‬ﻣﻦ ﺍﻟﻌﺮﺏ ﻏﲑ ﺍﳌﺴﻠﻤﲔ ﻟﻠﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺁﻟﻪ ﻭﺻﺤﺒﻪ‪ ،‬ﺇﺫ ﻛﺘﺐ ﻛﺜﲑ ﻣﻨﻬﻢ‬ ‫ ﺧﺼﻮﺻ‪‬ﺎ ﻧﺼﺎﺭﻯ ﺍﻟﺸﺎﻡ ‪ -‬ﻗﺼﺎﺋﺪ ﺗﻨﻀﺢ ﺣﺒ‪‬ﺎ‪ ،‬ﻭﻣﻮﺩﺓ‪ ،‬ﻭﺇﻋﺠﺎﺑ‪‬ﺎ ﺑﺴﻴﺪﻧﺎ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ‬‫ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ‪.‬‬ ‫ﻭﺳﺄﺳﻮﻕ ﻫﻨﺎ ﳔﺒﺔ ﻣﻦ ﺍﻷﺷﻌﺎﺭ ﺍﳌﻌﱪﺓ ﺍﻟﺮﻗﻴﻘﺔ ﺍﻟﱵ ﻗﻴﻠﺖ‪ ،‬ﻷﻋﻜﺲ ﺟﺎﻧﺒ‪‬ﺎ ﻗﺪ ﺗﻐﻄﻴﻪ‬ ‫ﺍﻟﻔﻮﺭﺓ ﺍﻟﻌﺎﻃﻔﻴﺔ ﺍﻟﻘﺎﺋﻤﺔ‪ ،‬ﺍﻟﱵ ﻻ ﺗﻌﺠﺒﲏ ﻛﺜﲑ‪‬ﺍ؛ ﻷ‪‬ﺎ ﻻ ﺗﻜﻔﻲ ﺇﻃﻼﻗﹰﺎ ﻟﻠﺪﻓﺎﻉ ﻋﻨﻪ ﺻﻠﻰ ﺍﷲ‬ ‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺇﺫ ﳛﺘﺎﺝ ﺍﻷﻣﺮ ﺇﱃ ﺗﺼﺤﻴﺢ ﻭﺍﺳﻊ ﻟﻠﺼﻮﺭﺓ ﻣﻦ ﺧﻼﻝ ﻗﻨﻮﺍﺕ ﺍﻟﺘﺄﺛﲑ ﻛﻠﻬﺎ‪:‬‬ ‫ﺍﻟﺪﺑﻠﻮﻣﺎﺳﻴﺔ‪ ،‬ﻭﺍﻷﻛﺎﺩﳝﻴﺔ‪ ،‬ﻭﺍﻹﻋﻼﻣﻴﺔ‪ ،‬ﻭﺍﻟﺸﻌﺒﻴﺔ‪ ،‬ﻭﺍﻻﻗﺘﺼﺎﺩﻳﺔ‪ ،‬ﻭﺍﻟﻔﻨﻴﺔ‪ ،‬ﻭﻏﲑﻫﺎ‪ ،‬ﻣﻊ‬ ‫ﺍﻟﺘﺨﻄﻴﻂ ﻟﺬﻟﻚ‪ ،‬ﻭﺍﻟﺘﻨﺴﻴﻖ ﻟﻪ‪ ،‬ﻭﻃﻮﻝ ﺍﻟﻨﻔﺲ ﻓﻴﻪ‪ ،‬ﻭﺩﻋﻤﻪ ﺑﺼﻮﺭﺓ ﺭﲰﻴﺔ ﻭﺷﻌﺒﻴﺔ ﻣﺆﺛﺮﺓ‪..‬‬

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‫ﻓﺄﻣﺎ ﺍﻻﻛﺘﻔﺎﺀ ﺑﻔﻮﺭﺓ ﺍﻧﻔﻌﺎﻟﻴﺔ ﻭﻗﺘﻴﺔ ‪‬ﺬﻩ ﺍﻟﺸﻜﻞ‪ ،‬ﻓﻬﻮ ﺃﺩﺧﻞ ﰲ ﺑﺎﺏ )ﺍﳋﻴﺒﺔ ﺍﻟﻘﻮﻳﺔ(‬ ‫ﻭﺍﻷﺩﺍﺀ ﺍﻟﺴﻠﱯ ﺍﻟﺬﻱ ﺍﺷﺘﻬﺮﻧﺎ ﺑﻪ ﺑﲔ ﺍﻷﻣﻢ‪ ،‬ﺇﺫ ﺗﺰﻳﺪ ﻣﻦ ﺍﺳﺘﻔﺰﺍﺯ ﺍﻵﺧﺮﻳﻦ‪ ،‬ﻭﲢﺮﺿﻬﻢ ﺿﺪ‬ ‫ﺍﻹﺳﻼﻡ‪ ،‬ﻭﺗﺰﻳﺪﻫﻢ ﺳﻌﺎﺭ‪‬ﺍ ﻋﻠﻰ ﺳﻌﺎﺭ‪ ،‬ﻭﺳﻮﺀًﺍ ﻋﻠﻰ ﺳﻮﺀ!‬ ‫ﻭﺭﻗﺔ ﺑﻦ ﻧﻮﻓﻞ ﺃﻭﻝ ﻧﺼﺮﺍﱐ ﳏﺐ‪:‬‬ ‫ﻋﻠﻰ ﻛﻞ ﺣﺎﻝ‪ ..‬ﻟﺘﻜﻦ ﻭﻗﻔﺘﻨﺎ ﻣﻊ ﺍﻟﺸﻌﺮ ﻭﺍﻟﺸﻌﺮﺍﺀ ﺍﳌﻌﺠﺒﲔ ﺑﺴﻴﺪ ﺍﳋﻠﻖ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ‬ ‫ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﺍﻟﺬﻱ ﺑﺪﺃ ﻣﻊ ﺃﻭﻝ ﻧﺼﺮﺍﱐ ﺳﺎﻧﺪ ﺍﻹﺳﻼﻡ ﻋﻠﻰ ﺍﻹﻃﻼﻕ‪،‬‬ ‫ﻭﻫﻮ ﺳﻴﺪﻧﺎ ﻭﺭﻗﺔ ﺑﻦ ﻧﻮﻓﻞ ﺭﺿﻲ ﺍﷲ ﻋﻨﻪ‪ ،‬ﺃﻭﻝ ﻧﺼﺮﺍﱐ ﺃﺳﻠﻢ‪ ،‬ﻭﺍﻟﺬﻱ ﻭﻋﺪ ﺃﻥ ﻳﺪﺍﻓﻊ ﺟﻬﺪﻩ‬

‫ﻋﻦ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ‪ ،‬ﺣﲔ ﺍﺻﻄﺤﺒﺖ ﺃﻣﻨﺎ ﺍﻟﻌﻈﻴﻤﺔ‬ ‫ﺧﺪﳚﺔ ﺭﺿﻲ ﺍﷲ ﻋﻨﻬﺎ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﻭﻝ ﺍﻟﻮﺣﻲ ﺇﻟﻴﻪ‪ .‬ﻭﻛﺎﻥ ﻭﺭﻗﺔ ﻗﺪ‬ ‫ﺗﻨﺼﺮ‪ ،‬ﻭﻗﺮﺃ ﺍﻟﻜﺘﺐ‪ ،‬ﻭﲰﻊ ﻣﻦ ﺃﻫﻞ ﺍﻟﺘﻮﺭﺍﺓ ﻭﺍﻹﳒﻴﻞ‪ ،‬ﻓﺄﺧﱪﺗﻪ ﺍﻟﻌﻈﻴﻤﺔ ﺃﻡ ﺍﳌﺆﻣﻨﲔ ﺧﺪﳚﺔ ﲟﺎ‬ ‫ﺃﺧﱪﻫﺎ ﺑﻪ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﻧﻪ ﺭﺃﻯ ﻭﲰﻊ‪ ،‬ﻓﻘﺎﻝ ﻭﺭﻗﺔ ﺑﻦ ﻧﻮﻓﻞ‪:‬‬ ‫ﻗﺪﻭﺱ ﻗﺪﻭﺱ‪ ،‬ﻭﺍﻟﺬﻱ ﻧﻔﺲ ﻭﺭﻗﺔ ﺑﻴﺪﻩ ﻟﺌﻦ ﻛﻨﺖ ﺻﺪﻗﺘِﲏ ﻳﺎ ﺧﺪﳚﺔ ﻟﻘﺪ ﺟﺎﺀﻩ ﺍﻟﻨﺎﻣﻮﺱ‬ ‫ﺍﻷﻛﱪ ﺍﻟﺬﻱ ﻛﺎﻥ ﻳﺄﰐ ﻣﻮﺳﻰ‪ ،‬ﻭﺇﻧﻪ ﻟﻨﱯ ﻫﺬﻩ ﺍﻷﻣﺔ‪ ،‬ﻓﻘﻮﱄ ﻟﻪ ﻓﻠﻴﺜﺒﺖ‪.‬‬ ‫ﻭﺟﻌﻞ ﻭﺭﻗﺔ ﻳﺴﺘﺒﻄﺊ ﺍﻷﻣﺮ‪ ،‬ﻭﻳﺘﺤﺮﻕ ﺷﻮﻗﹰﺎ ﳌﺰﻳﺪ ﻣﻦ ﺩﻻﺋﻞ ﺍﻟﻨﺒﻮﺓ‪ ،‬ﻭﻓﻴﻮﺽ ﺍﻟﻮﺣﻲ‪،‬‬ ‫ﻭﻳﻘﻮﻝ‪ :‬ﺣﱴ ﻣﱴ!؟‬ ‫ﻭﻛﺎﻥ ﳑﺎ ﻗﺎﻝ ﰲ ﺫﻟﻚ‪:‬‬

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‫ﺖ ﻭﻛﻨﺖ ﰲ ﺍﻟﺬﻛﺮﻱ ﳉﻮﺟﺎ‬ ‫ﳉﺠ ‪‬‬

‫ﳍ ‪‬ﻢ ﻃﺎﳌﺎ ﺑﻌﺚ ﺍﻟﻨﺸﻴﺠﺎ‬

‫ﺑﺒﻄﻦ ﺍﳌﻜﱠﺘﲔ ﻋﻠﻰ ﺭﺟﺎﺋﻲ‬

‫ﺣﺪﻳﺜﻚ ﺃﻥ ﺃﺭﻯ ﻣﻨﻪ ﺧﺮﻭﺟﺎ‬

‫ﲟﺎ ﺧﺒ‪‬ﺮﺗِﻨﺎ ﻣﻦ ﻗﻮﻝ ﻗﺲ‬

‫ﻣﻦ ﺍﻟﺮﻫﺒﺎﻥ ﺃﻛﺮﻩ ﺃﻥ ﻳﻌﻮﺟﺎ‬

‫ﺑﺄﻥ ﳏﻤﺪ‪‬ﺍ ﺳﻴﺴﻮﺩ ﻓﻴﻨﺎ‬

‫ﻭﳜﺼِﻢ ﻣﻦ ﻳﻜﻮﻥ ﻟﻪ ﺣﺠﻴﺠﺎ‬

‫ﻭﻳﻈﻬﺮ ﰲ ﺍﻟﺒﻼﺩ ﺿﻴﺎ َﺀ ﻧﻮ ٍﺭ‬

‫ﻳﻘﻴﻢ ﺑﻪ ﺍﻟﱪﻳ ﹶﺔ ﺃﻥ ﲤﻮﺟﺎ‬

‫ﻓﻴﻠﻘﻰ ﻣﻦ ﳛﺎﺭﺑﻪ ﺧﺴﺎﺭ‪‬ﺍ‬

‫ﻭﻳﻠﻘﻰ ﻣﻦ ﻳﺴﺎﳌﻪ ﻓﹸﻠﻮﺟﺎ‬

‫ﻓﻴﺎ ﻟﻴﱵ ﺇﺫﺍ ﻣﺎ ﻛﺎﻥ ﺫﺍﻛﻢ‬

‫ﺕ ﻓﻜﻨﺖ ﺃﻭ‪‬ﳍﻢ ﻭﻟﻮﺟﺎ‬ ‫ﺷﻬﺪ ‪‬‬

‫ﻭﻟﻮﺟﺎ ﰲ ﺍﻟﺬﻱ ﻛﺮﻫﺖ ﻗﺮﻳﺶ‬

‫ﻭﻟﻮ ﻋﺠﺖ ﲟﻜﺘﻬﺎ ﻋﺠﻴﺠﺎ‬

‫ﻭﻟﻪ ﺃﺷﻌﺎﺭ ﺃﺧﺮﻯ ﻏﲑ ﻫﺬﻩ ﻻ ﺩﺍﻋﻲ ﻹﻳﺮﺍﺩﻫﺎ‪ ،‬ﻷﻓﺴﺢ ﺍ‪‬ﺎﻝ ﻟﻠﺸﻌﺮﺍﺀ ﺍﳌﻌﺎﺻﺮﻳﻦ ﻣﻦ‬ ‫ﻏﲑ ﺍﳌﺴﻠﻤﲔ‪ ،‬ﻭﺭﺃﻳﻬﻢ ﰲ ﺳﻴﺪﻧﺎ ﺍﳌﺼﻄﻔﻲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪.‬‬ ‫ﻭﺟﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ ﻫﻨﺎ ﺃﻥ ﺍﻟﻨﺎﻗﺪ ﻭﺍﻷﻛﺎﺩﳝﻲ ﻭﺍﳌﻔﻜﺮ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻜﺒﲑ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ‬ ‫ﺣﻠﻤﻲ ﺍﻟﻘﺎﻋﻮﺩ ﻛﺘﺐ ﺭﺳﺎﻟﺘﻪ ﰲ ﺍﻟﺪﻛﺘﻮﺭﺍﻩ ﺣﻮﻝ ﻫﺬﺍ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﰲ ﺍﻟﺸﻌﺮ‬ ‫ﺍﳊﺪﻳﺚ‪ ،‬ﻭﺗﻨﺎﻭﻝ ﻫﺬﺍ ﺍﳌﻮﺿﻮﻉ ﰲ ﺃﺣﺪ ﺃﺑﻮﺍﺑﻪ‪ ،‬ﻭﻗﺪ ﺍﺳﺘﻔﺪﺕ ﻣﻨﻪ ﺃﳝﺎ ﺍﺳﺘﻔﺎﺩﺓ‪.‬‬

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‫ﺍﻟﺸﺎﻋﺮ ﺍﻷﳌﺎﱐ ﺍﻟﻜﺒﲑ‪ :‬ﻳﻮﻫﺎﻥ ﻓﻮﻟﻔﺠﺎﻧﺞ ﻓﻮﻥ ﺟﻮﺗﻪ‬ ‫ﻭﻣﻦ ﺍﻟﺬﻳﻦ ﺃﻋﺠﺒﻮﺍ ﻛﻞ ﺍﻹﻋﺠﺎﺏ‬

‫ﲟﺤﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﻛﺘﺒﻮﺍ ﻋﻨﻪ‪،‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻷﳌﺎﱐ ﺍﻟﻜﺒﲑ ﺟﻮﺗﻪ‬ ‫‪1749‬‬

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‫ﺃﻏﺴﻄﺲ‬

‫ﻣﺎﺭﺱ ‪ (1832‬ﺍﻟﺬﻱ ﻇﻬﺮ‬

‫ﺇﻋﺠﺎﺑﻪ ﺍﻟﺸﺪﻳﺪ ﺑﺎﻟﺪﻳﻦ ﺍﻹﺳﻼﻣﻲ ﻭﺑﺎﻟﺮﺳﻮﻝ‬

‫ﺍﻟﻜﺮﱘ ﻣﻦ ﺧﻼﻝ ﺃﺷﻌﺎﺭﻩ‪ ،‬ﻭﺃﻋﻤﺎﻟﻪ ﺍﻷﺩﺑﻴﺔ‬ ‫ﻣﺜﻞ "ﺗﺮﺍﺟﻴﺪﻳﺎ ﳏﻤﺪ" ﺫﻟﻚ ﺍﻟﻜﺘﺎﺏ ﺍﻟﺬﻱ‬ ‫ﺍﻧﻘﺴﻢ ﺇﱃ ﻓﺼﻠﲔ‪:‬‬ ‫ﺍﻷﻭﻝ ﲢﺪﺙ ﻓﻴﻪ ﻋﻦ ﺑﻌﺜﺔ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ‬

‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺃﻣﺎ ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﱐ ﻓﻘﺎﻡ ﺑﺘﺼﻮﻳﺮ ﻣﻌﺎﻧﺎﺓ ﺍﻟﺮﺳﻮﻝ ﺃﺛﻨﺎﺀ ﺗﺒﻠﻴﻐﻪ ﺍﻟﺮﺳﺎﻟﺔ‪ ،‬ﻭﻣﺎ ﻗﺎﺳﺎﻩ‬ ‫ﻣﻦ ﺍﳌﺸﺮﻛﲔ ﺧﻼﻝ ﺫﻟﻚ‪.‬‬ ‫ﻛﻤﺎ ﺍﺧﺘﺺ ﺟﻮﺗﻪ ﺍﻟﺮﺳﻮﻝ ﳏﻤﺪ‪‬ﺍ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺑﻘﺼﻴﺪﺓ ﻣﺪﺡ ﻃﻮﻳﻠﺔ‪ ،‬ﻣﺸﺒﻬ‪‬ﺎ ﺇﻳﺎﻩ‬ ‫ﺑﺎﻟﻨﻬﺮ ﺍﻟﻌﻈﻴﻢ‪ ،‬ﺍﻟﺬﻱ ﳚﺮ ﻣﻌﻪ ﺍﳉﺪﺍﻭﻝ ﻭﺍﻟﺴﻮﺍﻗﻲ ﰲ ﻃﺮﻳﻘﻪ ﺇﱃ ﺍﻟﺒﺤﺮ‪ ،‬ﻛﻤﺎ ﻗﺎﻡ ﺑﻜﺘﺎﺑﺔ‬ ‫ﻣﺴﺮﺣﻴﺔ ﺃﻳﻀ‪‬ﺎ ﻋﻦ ﺍﻟﺮﺳﻮﻝ‪ ،‬ﱂ ﺗﻜﺘﻤﻞ ﺑﺴﺒﺐ ﻭﻓﺎﺗﻪ‪ ،‬ﻭﻗﺪ ﻭﺟﺪ ﺑﻌﺾ ﺍﳌﺨﻄﻮﻃﺎﺕ ﳍﺬﻩ‬ ‫ﺍﳌﺴﺮﺣﻴﺔ‪ ،‬ﺍﻟﱵ ﻋﻤﺪ ﻓﻴﻬﺎ ﺇﱃ ﺍﻟﺘﺄﻛﻴﺪ ﻋﻠﻰ ﺃﻥ ﳏﻤﺪ‪‬ﺍ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺟﺎﺀ ﺑﺄﻓﻜﺎﺭ‬

‫ﺟﺪﻳﺪﺓ ﻟﻨﺸﺮ ﺍﻹﺳﻼﻡ‪ ،‬ﻭﺭﻭﺡ ﺍﳌﺴﺎﻭﺍﺓ ﻭﺍﻹﺧﺎﺀ ﰲ ﺍﻟﻌﺎﱂ‪.‬‬ ‫ﻭﳑﺎ ﻗﺎﻟﻪ ﰲ ﺍﻹﺳﻼﻡ ﰲ ﺩﻳﻮﺍﻧﻪ ﺍﻟﺸﻌﺮﻱ )ﺍﻟﺪﻳﻮﺍﻥ ﺍﻟﺸﺮﻗﻲ( ﺍﻟﺬﻱ ﺗﺮﲨﻪ ﺍﻟﺪﻛﺘﻮﺭ ﻋﺒﺪ‬ ‫ﺍﻟﺮﲪﻦ ﺑﺪﻭﻱ‪" :‬ﺇﺫﺍ ﻛﺎﻥ ﺍﻹﺳﻼﻡ ﻣﻌﻨﺎﻩ ﺃﻥ ﻧﺴﻠﻢ ﺃﻣﺮﻧﺎ ﷲ‪ ،‬ﻓﻌﻠﻰ ﺍﻹﺳﻼﻡ ﻧﻌﻴﺶ ﻭﳕﻮﺕ‬ ‫ﲨﻴﻌ‪‬ﺎ"‪.‬‬

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‫ﻭﻗﺪ ﺍﻋﺘﻘﺪ ﺃﻧﺎﺱ ﺃﻧﻪ ﺃﺳﻠﻢ‪ ،‬ﺣﱴ ﺇﻥ ﺃﺳﺘﺎﺫﺓ ﺍﻷﺩﺏ ﺍﻷﳌﺎﱐ ﻛﺎﺗﺮﻳﻨﺎ ﻣﻮﻣﺰﻥ ﻗﺎﻟﺖ‪" :‬ﺇﻥ‬ ‫ﻋﻼﻗﺔ ﺟﻮﺗﻪ ﺑﺎﻹﺳﻼﻡ ﻭﻧﺒﻴﻪ ﺍﻟﻜﺮﱘ ﻇﺎﻫﺮﺓ‪ ،‬ﻣﺪﻋﺎﺓ ﻟﻠﺪﻫﺸﺔ ﰲ ﺣﻴﺎﺗﻪ‪ ،‬ﻓﻜﻞ ﺍﻟﺸﻮﺍﻫﺪ ﺗﺪﻝ‬ ‫ﻋﻠﻰ ﺃﻧﻪ ﰲ ﺃﻋﻤﺎﻗﻪ ﺷﺪﻳﺪ ﺍﻻﻫﺘﻤﺎﻡ ﺑﺎﻹﺳﻼﻡ‪ ،‬ﻭﻛﺎﻥ ﳛﻔﻆ ﻋﺸﺮﺍﺕ ﻣﻦ ﺁﻳﺎﺕ ﺍﻟﻘﺮﺁﻥ‬ ‫ﺍﻟﻜﺮﱘ"‪ ،‬ﻭﰲ ﺳﺆﺍﻝ ﳍﺎ ﺣﻮﻝ ﻣﺎ ﺇﺫﺍ ﻛﺎﻥ ﺟﻮﺗﻪ ﻗﺪ ﺃﺳﻠﻢ‪ ،‬ﻗﺎﻟﺖ‪ :‬ﺇﻥ ﺇﻋﺠﺎﺏ ﺟﻮﺗﻪ ﺑﺎﻹﺳﻼﻡ‬

‫ﻻ ﻳﻌﲏ ﺑﺎﻟﻀﺮﻭﺭﺓ ﺃﻧﻪ ﺍﻋﺘﻨﻘﻪ ﻭﺗﺮﻯ ﺃﻥ ﺟﻮﺗﻪ ﻛﺎﻥ ﻳﻜﻦ ﺗﻌﺎﻃﻔﹰﺎ ﻟﻺﺳﻼﻡ‪ ،‬ﻭﻟﻜﻨﻬﺎ ﺗﻨﻔﻲ ﺃﻥ‬ ‫ﻳﻜﻮﻥ ﻗﺪ ﲢﻮﻝ ﺇﻟﻴﻪ"‪.‬‬ ‫ﻭﻗﺪ ﻛﺘﺒﺖ ﺍﻷﺳﺘﺎﺫﺓ ﻣﻲ ﻛﻤﺎﻝ ﺍﻟﺪﻳﻦ ﻋﻨﻪ ﰲ ﻣﻮﻗﻊ ﳏﻴﻂ‪:‬‬ ‫ﰲ ﻗﺼﻴﺪﺗﻪ ﺍﻟﱵ ﺟﺎﺀﺕ ﰲ ﺃﻭﻝ ﻛﺘﺎﺏ "ﺍﳌﻐﲏ" ﲢﺖ ﻋﻨﻮﺍﻥ "ﺍﳍﺠﺮﺓ" ﺃﺷﺎﺭ ﺍﻟﺸﺎﻋﺮ ﺇﱃ‬ ‫ﺭﻏﺒﺘﻪ ﰲ ﺃﻥ ﻳﻬﺎﺟﺮ ﻛﻤﺎ ﻫﺎﺟﺮ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻣﻦ ﻣﻜﺔ ﺍﳌﻜﺮﻣﺔ ﺇﱃ ﺍﳌﺪﻳﻨﺔ ﺍﳌﻨﻮﺭﺓ‬ ‫ﻳﻘﻮﻝ‪:‬‬ ‫ﺍﻟﺸﻤﺎﻝ ﻭﺍﻟﻐﺮﺏ ﻭﺍﳉﻨﻮﺏ ﺗﺘﺤﻄﻢ ﻭﺗﺘﻨﺎﺛﺮ‪ /‬ﻭﺍﻟﻌﺮﻭﺵ ﺗ‪‬ﺜﻞ‪ ،‬ﻭﺍﳌﻤﺎﻟﻚ ﺗﺘﺰﻋﺰﻉ ﻭﺗﻀﺮﺏ‪/‬‬ ‫ﻓﻠﺘﻬﺎﺟﺮ ﺇﺫﹰﺍ ﺇﱃ ﺍﻟﺸﺮﻕ ﰲ ﻃﻬﺮﻩ ﻭﺻﻔﺎﺋﻪ‪ /‬ﻛﻲ ﺗﺴﺘﺮﻭﺡ ﺟﻮ ﺍﳍﹸﺪﺍﺓ ﻭﺍﳌﺮﺳﻠﲔ‪ /‬ﻫﻨﺎﻟﻚ‪،‬‬ ‫ﺣﻴﺚ ﺍﳊﺐ ﻭﺍﻟﻐﻨﺎﺀ‪ /‬ﺳﻴﻌﻴﺪﻙ ﻳﻨﺒﻮﻉ ﺍﳋِﻀﺮ ﺷﺎﺑ‪‬ﺎ ﻣﻦ ﺟﺪﻳﺪ‪ /‬ﺇﱃ ﻫﻨﺎﻟﻚ‪ ،‬ﺣﻴﺚ ﺍﻟﻄﻬﺮ‬ ‫ﻭﺍﳊﻖ ﻭﺍﻟﺼﻔﺎﺀ‪ /‬ﺃﻭﺩ ﺃﻥ ﺃﻗﻮﺩ ﺍﻷﺟﻨﺎﺱ ﺍﻟﺒﺸﺮﻳﺔ‪ /‬ﻓﺄﻧﻔﺬ ‪‬ﺎ ﺇﱃ ﺃﻋﻤﺎﻕ ﺍﳌﺎﺿﻲ ﺍﻟﺴﺤﻴﻖ‪ /‬ﺣﲔ‬ ‫ﻛﺎﻧﺖ ﺗﺘﻠﻘﻰ ﻣﻦ ﻟﺪﻥ ﺍﻟﺮﺏ ﻭﺣﻲ ﺍﻟﺴﻤﺎﺀ ﺑﻠﻐﺔ ﺍﻷﺭﺽ‪ /‬ﺩﻭﻥ ﲢﻄﻴﻢ ﺍﻟﺮﺃﺱ ﺑﺎﻟﺘﻔﻜﲑ!‬ ‫ﻭﻗﺪ ﻧﻈﻢ ﺟﻮﺗﻪ ﰲ ﺳﻦ ﺍﻟﺜﺎﻟﺜﺔ ﻭﺍﻟﻌﺸﺮﻳﻦ ﻗﺼﻴﺪﺓ ﺭﺍﺋﻌﺔ ﺃﺷﺎﺩ ﻓﻴﻬﺎ ﺑﺎﻟﻨﱯ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ‬

‫ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﺣﻴﻨﻤﺎ ﺑﻠﻎ ﺍﻟﺴﺒﻌﲔ ﻣﻦ ﻋﻤﺮﻩ ﺃﻋﻠﻦ ﻋﻠﻰ ﺍﳌﻸ ﺃﻧﻪ ﻳﻌﺘﺰﻡ ﺃﻥ "ﳛﺘﻔﻞ ﰲ ﺧﺸﻮﻉ‬

‫ﺑﺘﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﳌﻘﺪﺳﺔ ﺍﻟﱵ ﺃﻧﺰﻝ ﻓﻴﻬﺎ ﺍﻟﻘﺮﺁﻥ ﻋﻠﻰ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪،‬‬ ‫ﻭﰲ ﺇﻋﻼﻧﻪ ﻋﻦ ﺻﺪﻭﺭ ﻛﺘﺎﺑﻪ "ﺍﻟﺪﻳﻮﺍﻥ ﺍﻟﺸﺮﻗﻲ" ﻗﺎﻝ ﺇﻧﻪ "ﻻ ﻳﻜﺮﻩ ﺃﻥ ﻳﻘﺎﻝ ﻋﻨﻪ ﺇﻧﻪ‬ ‫ﻣﺴﻠﻢ"‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﻋﻦ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ ﺃﻥ ﺃﺳﻠﻮﺑﻪ "ﳏﻜﻢ‪ ،‬ﺳﺎﻡ‪ ،‬ﻣﺜﲑ ﻟﻠﺪﻫﺸﺔ‪ ،‬ﻭﰲ ﻣﻮﺍﺿﻊ‬ ‫ﻋﺪﻳﺪﺓ ﻳﺒﻠﻎ ﻗﻤﺔ ﺍﻟﺴﻤﻮ ﺣﻘ‪‬ﺎ"‬ ‫‪34‬‬

‫ﻭﻳﺸﲑ ﺍﻟﻜﺘﺎﺏ ﺇﱃ ﺃﻥ ﺍﳌﻌﺘﻘﺪﺍﺕ ﺍﻹﺳﻼﻣﻴﺔ ﺍﻟﻮﺍﺭﺩﺓ ﰲ ﺍﻟﻘﺮﺁﻥ ﻛﺎﻧﺖ ﺗﺘﻔﻖ ﻣﻊ ﻣﻌﺘﻘﺪﺍﺕ‬ ‫ﺟﻮﺗﻪ ﺍﻟﺪﻳﻨﻴﺔ ﻭﺍﻟﻔﻠﺴﻔﻴﺔ ﻭﻣﻨﻬﺎ ﻓﻜﺮﺓ ﺍﻟﺘﻮﺣﻴﺪ‪ ،‬ﻭﺍﻻﻋﺘﻘﺎﺩ ﺑﺎﻥ ﺍﷲ ﻳﺘﺠﻠﻰ ﰲ ﺍﻟﻄﺒﻴﻌﺔ‪ ،‬ﻭﺃﻧﻪ‬ ‫ﺳﺒﺤﺎﻧﻪ ﳜﺎﻃﺐ ﺍﻟﺒﺸﺮ ﻋﻠﻰ ﻟﺴﺎﻥ ﺍﻟﺮﺳﻞ‪.‬‬ ‫ﻭﻣﻦ ﺍﻟﺪﻻﺋﻞ ﺍﻟﱵ ﺗﺴﻮﻗﻬﺎ ﻛﺎﺗﺮﻳﻨﺎ ﻣﻮﻣﺰﻥ ﻋﻠﻰ ﺍﺭﺗﺒﺎﻁ ﺟﻮﺗﻪ ﺑﺎﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ ﺍﻟﺮﺳﺎﻟﺔ‬ ‫ﺍﻟﱵ ﺑﻌﺚ ‪‬ﺎ ﺇﱃ ﻫﺮﺩﺭ ﻋﺎﻡ ‪ 1772‬ﺣﻴﺚ ﻛﺘﺐ ﺟﻮﺗﻪ ﻣﻦ ﻣﺪﻳﻨﺔ ﻓﺘﺴﻼﺭ ﻗﺎﺋﻠﹰﺎ‪" :‬ﺇﱐ ﺃﻭﺩ ﺃﻥ‬ ‫ﺃﺩﻋﻮ ﺍﷲ ﻛﻤﺎ ﺩﻋﺎﻩ ﻣﻮﺳﻰ ﰲ ﺍﻟﻘﺮﺁﻥ‪} :‬ﺭﺏ ﺍﺷﺮﺡ ﱄ ﺻﺪﺭﻱ{‪.‬‬ ‫ﻭﻛﺎﻥ ﺟﻮﺗﻪ ﻳﻘﺘﺒﺲ ﻣﻌﺎﱐ ﺑﻌﺾ ﺁﻳﺎﺕ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ ﰲ ﻣﻘﻄﻮﻋﺎﺗﻪ ﺍﻟﺸﻌﺮﻳﺔ ﺍﳊﻜﻤﻴﺔ‪،‬‬ ‫ﻓﻴﻘﻮﻝ ﰲ ﺃﺣﺪ ﺃﺷﻌﺎﺭﻩ ﺍﻟﱵ ﺟﺎﺀﺕ ﰲ ﺷﻜﻞ ﺭﺑﺎﻋﻴﺎﺕ ﺃﺿﻔﻰ ﻋﻠﻴﻬﺎ ﺻﻴﻐﺔ ﺍﻟﺪﻋﺎﺀ‪:‬‬ ‫ﻳﺮﻳﺪ ﺍﻟﻀﻼﻝ ﺃﻥ ﻳﺮﺑﻜﲏ‪ /‬ﻟﻜﻨﻚ ﺗﻌﺮﻑ ﻛﻴﻒ ‪‬ﺪﻳﲏ‪ /‬ﻓﺈﻥ ﺃﻗﺪﻣﺖ ﻋﻠﻰ ﻋﻤﻞ ﺃﻭ ﺃﻧﺸﺪﺕ‬ ‫ﺷﻌﺮ‪‬ﺍ‪ /‬ﻓﺄﻧﺮ ﺃﻧﺖ ﱄ ﺟﺎﺩﺓ ﺍﻟﻄﺮﻳﻖ!‬ ‫ﻭﻣﻦ ﺃﺷﻌﺎﺭ ﺟﻮﺗﻪ ﺃﻳﻀ‪‬ﺎ‪ ،‬ﻭﺍﻟﱵ ﺗﺄﺛﺮ ‪‬ﺎ ﺑﺎﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ‪:‬‬ ‫ﻫﻮ ﺍﻟﺬﻱ ﺟﻌﻞ ﻟﻜﻢ ﺍﻟﻨﺠﻮﻡ‪ /‬ﻟﺘﻬﺘﺪﻭﺍ ‪‬ﺎ ﰲ ﺍﻟﱪ ﻭﺍﻟﺒﺤﺮ‪ /‬ﻭﻟﻜﻲ ﺗﻨﻌﻤﻮﺍ ﺑﺰﻳﻨﺘﻬﺎ‪..‬‬ ‫ﻭﺗﻨﻈﺮﻭﺍ ﺩﺍﺋﻤ‪‬ﺎ ﺇﱃ ﺍﻟﺴﻤﺎﺀ!‬

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‫ﻻﻣﺎﺭﺗﲔ ﻣﻨﺼﻔﹰﺎ‬ ‫ﻣﻦ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﺬﻳﻦ ﺃﺛﻨﻮﺍ ﻋﻠﻰ‬

‫ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪،‬‬ ‫ﺍﻟﻔﺮﻧﺴﻲ ﺃﻟﻔﻮﻧﺲ ﺩﻱ‬ ‫‪Lamartine‬‬ ‫)‪(1869 -1790‬‬

‫‪de‬‬

‫ﻻﻣﺎﺭﺗﲔ‬ ‫‪Alphonse‬‬

‫ﺍﻟﻜﺎﺗﺐ ﻭﺍﻟﺸﺎﻋﺮ‬

‫ﻭﺍﻟﺴﻴﺎﺳﻲ ﺍﻟﻔﺮﻧﺴﻲ ﺍﻟﺬﻱ ﻗﺪﻡ‬ ‫ﻟﻠﺸﺮﻕ‪ ،‬ﻭﺃﻗﺎﻡ ﻓﻠﺴﻄﲔ ﻭﺃﺯﻣﲑ ﰲ‬ ‫ﺗﺮﻛﻴﺎ‪.‬‬ ‫ﻣﻊ ﻧﺸﺎﻃﻪ ﺍﻟﺴﻴﺎﺳﻲ ﺃﺧﺬ ﻳﻬﺘﻢ‬ ‫ﺑﺎﻷﺩﺏ‬

‫ﻭﺍﻟﺸﻌﺮ‪،‬‬

‫ﻭﻳﻨﺸﺮ‬

‫ﺃﻭﱃ‬

‫ﳎﻤﻮﻋﺎﺗﻪ ﺍﻟﺸﻌﺮﻳﺔ ﻋﺎﻡ ‪ 1820‬ﲢﺖ ﻋﻨﻮﺍﻥ‪» :‬ﺗﺄﻣﻼﺕ ﺷﻌﺮﻳﺔ« ﺍﻟﺬﻱ ﺟﻌﻞ ﻣﻨﻪ ﺑﲔ ﻋﺸﻴﺔ‬ ‫ﻭﺿﺤﺎﻫﺎ ﺷﺎﻋ ‪‬ﺮﺍ ﻣﺸﻬﻮ ‪‬ﺭﺍ ﻳﺸﺎﺭ ﺇﻟﻴﻪ ﺑﺎﻟﺒﻨﺎﻥ‪ .‬ﻭﺑﻌﺪ ﺛﻼﺙ ﺳﻨﻮﺍﺕ ﻣﻦ ﺫﻟﻚ ﺍﻟﺘﺎﺭﻳﺦ ﺃﺻﺪﺭ‬

‫ﻻﻣﺎﺭﺗﲔ ﳎﻤﻮﻋﺔ ﺷﻌﺮﻳﺔ ﺛﺎﻧﻴﺔ ﲢﺖ ﻋﻨﻮﺍﻥ‪ :‬ﺗﺄﻣﻼﺕ ﺷﻌﺮﻳﺔ ﺟﺪﻳﺪﺓ‪ .‬ﰒ ﻧﺸﺮ ﺑﻌﺪﺋ ٍﺬ ﻋﺪﺓ ﻛﺘﺐ‬

‫ﻣﻦ ﺑﻴﻨﻬﺎ‪ :‬ﻣﻮﺕ ﺳﻘﺮﺍﻁ‪ ،‬ﻭﺁﺧﺮ ﺃﻧﺸﻮﺩﺓ ﺟﺤﻴﻢ ﻟﻠﻄﻔﻞ ﻫﺎﺭﻭﻟﺪ‪ ،‬ﻭﻗﺼﻴﺪﺓ »ﺍﻟﺒﺤﲑ ﹶﺓ«‬ ‫ﺍﻟﺸﻬﲑﺓ‪ ،‬ﻭﻫﻲ ﻣﻦ ﺃﺷﻬﺮ ﺍﻟﻘﺼﺎﺋﺪ ﺍﻟﺮﻭﻣﺎﻧﺘﻴﻜﻴﺔ ﰲ ﺍﻟﺸﻌﺮ ﺍﻟﻔﺮﻧﺴﻲ‪ .‬ﻭﺍﳔﺮﻁ ﻻﻣﺎﺭﺗﲔ ﰲ‬ ‫ﺍﳊﻴﺎﺓ ﺍﻟﺴﻴﺎﺳﻴﺔ ﻭﺃﺻﺒﺢ ﻧﺎﺋ‪‬ﺒﺎ ﰲ ﺍﻟﱪﳌﺎﻥ‪ .‬ﻭﻗﺪ ﺳﺤﺮ ﺯﻣﻼﺀﻩ ﲞﻄﺎﺑﺎﺗﻪ ﺍﻟﺸﺎﻋﺮﻳﺔ ﺍﻟﻔﻴﺎﺿﺔ ﺍﳌﻠﻴﺌﺔ‬ ‫ﺑﺎﻟﻌﻮﺍﻃﻒ ﺍﻟﻨﺒﻴﻠﺔ ﲡﺎﻩ ﺍﻟﺸﻌﺐ ﺍﻟﻔﻘﲑ‪ .‬ﻭﻛﺎﻥ ﻻﻣﺎﺭﺗﲔ ﺧﻄﻴ‪‬ﺒﺎ ﰲ ﺍﻟﺪﺭﺟﺔ ﺍﻷﻭﱃ‪.‬‬ ‫ﰒ ﻧﺸﺮ ﻻﻣﺎﺭﺗﲔ ﺑﻌﺪ ﺫﻟﻚ ﻋﺪﺓ ﻛﺘﺐ ﻣﻬﻤﺔ ﻧﺬﻛﺮ ﻣﻦ ﺑﻴﻨﻬﺎ‪ :‬ﺭﺣﻠﺔ ﺇﱃ ﺍﻟﺸﺮﻕ‬ ‫)‪ ،(1835‬ﺟﻮﺳﻠﲔ )‪ ،(1836‬ﺳﻘﻮﻁ ﻣﻼﻙ )‪ ،(1838‬ﺧﺸﻮﻉ ﺷﻌﺮﻱ )‪ ،(1839‬ﺇﱁ‪ .‬ﻛﻤﺎ‬

‫ﻧﺸﺮ ﻛﺘﺎ‪‬ﺑﺎ ﲨﻴ ﹰﻠﺎ ﻋﻦ ﺗﺎﺭﻳﺦ ﺍﻟﺜﻮﺭﺓ ﺍﻟﻔﺮﻧﺴﻴﺔ ﺍﻟﱵ ﻛﺎﻧﺖ ﻻ ﺗﺰﺍﻝ ﺣﺪﻳﺜﺔ ﺍﻟﻌﻬﺪ‪ .‬ﻭﺃﺻﺒﺢ ﻣﻦ‬

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‫ﻛﺒﺎﺭ ﻣﺆﻳﺪﻳﻬﺎ ﺑﻌﺪ ﺃﻥ ﺃﻃﺎﺣﺖ ﺑﻄﺒﻘﺔ ﺍﻟﻨﺒﻼﺀ ﺍﻷﺭﺳﺘﻘﺮﺍﻃﻴﲔ ﻭﺍﻣﺘﻴﺎﺯﺍ‪‬ﻢ ﺍﻟﻀﺨﻤﺔ! ﻭﻗﺪ‬ ‫ﻋﺎﺭﺽ ﺑﺸﺪﺓ ﺍﳊﻜﻢ ﺍﻟﺮﺟﻌﻲ ﻟﻠﻤﻠﻚ ﻟﻮﻳﺲ ﻓﻴﻠﻴﺐ‪ ،‬ﻭﻛﺎﻥ ﺃﺣﺪ ﻗﺎﺩﺓ ﺍﻟﺜﻮﺭﺓ ﺍﻟﺸﻌﺒﻴﺔ‬ ‫ﺍﻟﺸﻬﲑﺓ ﻋﺎﻡ ‪.1848‬‬ ‫ﰒ ﺃﺻﺒﺢ ﻋﻀ ‪‬ﻮﺍ ﰲ ﺍﳊﻜﻮﻣﺔ ﺍﳌﺆﻗﺘﺔ ﻟﻔﺮﻧﺴﺎ ﺑﻞ ﻭﺯﻳ ‪‬ﺮﺍ ﳋﺎﺭﺟﻴﺘﻬﺎ‪ ،‬ﻭﻟﻜﻦ ﻟﻔﺘﺮﺓ ﻗﺼﲑﺓ‪.‬‬ ‫ﻕ ﺃﻭ ﺍﻟﻌﺒﻮﺩﻳﺔ ﺍﻟﺬﻱ ﻳﺼﻴﺐ ﺍﻟﺴﻮﺩ‪.‬‬ ‫ﻭﻛﺎﻥ ﻣﻦ ﺃﻛﱪ ﺍﻟﺪﺍﻋﲔ ﺇﱃ ﺇﻟﻐﺎﺀ ﻗﺎﻧﻮﻥ ﺍﻟﺮ ‪‬‬ ‫ﻭﻗﺪ ﻋﺎﺵ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﺧﲑﺓ ﻣﻦ ﺣﻴﺎﺗﻪ ﺑﺸﻜﻞ ﺗﻌﻴﺲ ﻭﺣﺰﻳﻦ‪ ،‬ﻓﻘﺪ ﻛﺎﻥ ﻣﻀﻄ ‪‬ﺮﺍ ﻟﻠﻌﻤﻞ‬ ‫ﻟﻴ ﹰﻠﺎ ﻭ‪‬ﺎ ‪‬ﺭﺍ ﻟﻜﻲ ﻳﺴﺘﻄﻴﻊ ﺃﻥ ﻳﻌﻴﺶ ﻭﻳﺄﻛﻞ ﺍﳋﺒﺰ‪ ،‬ﻭﻣﺎﺕ ﻣﻐﻤﻮ ‪‬ﻣﺎ ﻭﻣﻬﻤﻮ ‪‬ﻣﺎ ﺑﻌﺪ ﺫﻟﻚ ﺑﺴﻨﺘﲔ‬ ‫ﻓﻘﻂ‪..‬‬ ‫ﳝﻜﻦ ﺍﻟﻘﻮﻝ ﺇﻥ ﳎﻤﻮﻋﺘﻪ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻷﻭﱃ »ﺗﺄﻣﻼﺕ ﺷﻌﺮﻳﺔ« ﺩﺷ‪‬ﻨﺖ ﺍﻟﺸﻌﺮ ﺍﻟﺮﻭﻣﺎﻧﺘﻴﻜﻲ‬

‫ﰲ ﻓﺮﻧﺴﺎ ﻭﺃﻏﻠﻘﺖ ﺍﳌﺮﺣﻠﺔ ﺍﻟﻜﻼﺳﻴﻜﻴﺔ‪ ،‬ﻓﻘﺪ ﺑﺪﺕ ﻭﻛﺄ‪‬ﺎ ﺻﺎﺩﺭﺓ ﻋﻦ ﺍﻷﻋﻤﺎﻕ‪ ،‬ﺃﻋﻤﺎﻕ‬ ‫ﺍﻟﻘﻠﺐ ﺍﳊﺴﺎﺱ‪ ..‬ﻗﺎﻝ ﻻﻣﺎﺭﺗﲔ ﻋﻦ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﻣﻦ ﺫﺍ ﺍﻟﺬﻱ ﳚﺮﺅ ﺃﻥ ﻳﻘﺎﺭﻥ ﺃﻳ‪‬ﺎ ﻣﻦ ﻋﻈﻤﺎﺀ ﺍﻟﺘﺎﺭﻳﺦ ﺍﳊﺪﻳﺚ ﺑﺎﻟﻨﱯ ﳏﻤﺪ )ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ‬

‫ﻭﺳﻠﻢ( ﰲ ﻋﺒﻘﺮﻳﺘﻪ؟ ﻓﻬﺆﻻﺀ ﺍﳌﺸﺎﻫﲑ ﻗﺪ ﺻﻨﻌﻮﺍ ﺍﻷﺳﻠﺤﺔ ﻭ ‪‬ﺳﻨ‪‬ﻮﺍ ﺍﻟﻘﻮﺍﻧﲔ ﻭﺃﻗﺎﻣﻮﺍ‬ ‫ﺍﻹﻣﱪﺍﻃﻮﺭﻳﺎﺕ‪ ،‬ﻓﻠﻢ ﳚﻨﻮﺍ ﺇﻻ ﺃﳎﺎﺩ‪‬ﺍ ﺑﺎﻟﻴﺔ ﱂ ﺗﻠﺒﺚ ﺃﻥ ﲢﻄﻤﺖ ﺑﲔ ﻇﻬﺮﺍﻧ‪‬ﻴﻬﻢ‪ ..‬ﻟﻜ ‪‬ﻦ ﻫﺬﺍ‬ ‫ﺴ ‪‬ﻦ ﺍﻟﺘﺸﺮﻳﻌﺎﺕ‪ ،‬ﻭﻳ‪‬ﻘﻢ‬ ‫ﺍﻟﺮﺟﻞ ﳏﻤﺪ‪‬ﺍ )ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ( ﱂ ‪‬ﻳﻘﹸ ِﺪ ﺍﳉﻴﻮﺵ‪ ،‬ﻭ‪‬ﻳ ِ‬ ‫ﺍﻹﻣﱪﺍﻃﻮﺭﻳﺎﺕ‪ ،‬ﻭﳛﻜﻢ ﺍﻟﺸﻌﻮﺏ‪ ،‬ﻭ‪‬ﻳ ‪‬ﺮﻭ‪‬ﺽ ﺍﳊﻜﺎﻡ ﻓﻘﻂ‪ ،‬ﻭﺇﳕﺎ ﻗﺎﺩ ﺍﳌﻼﻳﲔ ﻣﻦ ﺍﻟﻨﺎﺱ ﻓﻴﻤﺎ‬

‫ﻛﺎﻥ ‪‬ﻳ ‪‬ﻌ ‪‬ﺪ ﺛﻠﺚ ﺍﻟﻌﺎﱂ ﺣﻴﻨﺌ ٍﺬ‪ .‬ﻟﻴﺲ ﻫﺬﺍ ﻓﻘﻂ‪ ،‬ﺑﻞ ﺇﻧﻪ ﻗﻀﻰ ﻋﻠﻰ ﺍﻷﻧﺼﺎﺏ ﻭﺍﻷﺯﻻﻡ ﻭﺍﻷﺩﻳﺎﻥ‬ ‫ﻭﺍﻷﻓﻜﺎﺭ ﻭﺍﳌﻌﺘﻘﺪﺍﺕ ﺍﻟﺒﺎﻃﻠﺔ‪ ..‬ﺇﻧﻪ ﺑﺎﻟﻨﻈﺮ ﻟﻜﻞ ﻣﻘﺎﻳﻴﺲ ﺍﻟﻌﻈﻤﺔ ﺍﻟﺒﺸﺮﻳﺔ‪ ،‬ﺃﻭ ‪‬ﺩ ﺃﻥ ﺃﺗﺴﺎﺀﻝ‪:‬‬ ‫ﻫﻞ ﻫﻨﺎﻙ ﻣﻦ ﻫﻮ ﺃﻋﻈﻢ ﻣﻦ ﺍﻟﻨﱯ ﳏﻤﺪ؟!‬

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‫"ﺃﻋﻈﻢ ﺣﺪﺙ ﰲ ﺣﻴﺎﰐ ﻫﻮ ﺃﻧﲏ ﺩﺭﺳﺖ ﺣﻴﺎﺓ ﺭﺳﻮﻝ ﺍﷲ ﳏﻤﺪ ﺩﺭﺍﺳﺔ ﻭﺍﻓﻴﺔ‪ ،‬ﻭﺃﺩﺭﻛﺖ ﻣﺎ‬ ‫ﻓﻴﻬﺎ ﻣﻦ ﻋﻈﻤﺔ ﻭﺧﻠﻮﺩ"‪.‬‬ ‫ﻱ ﺭﺟﻞ ﺃﺩﺭﻙ ﻣﻦ ﺍﻟﻌﻈﻤﺔ ﺍﻹﻧﺴﺎﻧﻴﺔ ﻣﺜﻠﻤﺎ ﺃﺩﺭﻙ ﳏﻤﺪ‪ ،‬ﻭﺃﻱ ﺇﻧﺴﺎﻥ ﺑﻠﻎ ﻣﻦ ﻣﺮﺍﺗﺐ‬ ‫"ﺃ ‪‬‬ ‫ﺍﻟﻜﻤﺎﻝ ﻣﺎ ﺑﻠﻎ‪ ،‬ﻟﻘﺪ ﻫﺪﻡ ﺍﻟﺮﺳﻮﻝ ﺍﳌﻌﺘﻘﺪﺍﺕ ﺍﻟﺒﺎﻃﻠﺔ ﺍﻟﱵ ﺗﺘﺨﺬ ﻭﺍﺳﻄﺔ ﺑﲔ ﺍﳋﺎﻟﻖ ﻭﺍﳌﺨﻠﻮﻕ‬ ‫)‪(Wiki‬‬

‫ﻓﻠﻨﻨﻈﺮ ﺍﻵﻥ ﺇﱃ ﺑﻌﺾ ﺍﻟﺸﻌﺮﺍﺀ ﻣﻦ ﺍﳌﺴﻴﺤﻴﲔ ﺍﻟﻌﺮﺏ ﻟﻨﺮﻯ ﻣﺎ ﻗﺎﻟﻮﺍ ﻓﻴﻪ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬

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‫ﺇﻟﻴﺎﺱ ﻓﺮﺣﺎﺕ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻠﺒﻨﺎﱐ ﺍﳌﻬﺠﺮﻱ ﺍﻟﻜﺒﲑ ﺇﻟﻴﺎﺱ ﻓﺮﺣﺎﺕ‬

‫)‪ (1976 -1893‬ﻓﻴﻘﻮﻝ ﰲ ﻗﺼﻴﺪﺗﻪ‪ :‬ﻳﺎ ﺭﺳﻮ ﹶﻝ ﺍﷲ‪،‬‬ ‫ﻣﺎﺩﺣ‪‬ﺎ ﻭﻣﻨﺒﻬ‪‬ﺎ‪ ،‬ﻭﻣﺸﲑ‪‬ﺍ ﺇﱃ ﺃﻧﻪ ﺟﺎﺀ ﺳﺮﺍﺟ‪‬ﺎ ﻣﻨﲑ‪‬ﺍ‬ ‫ﻇﻼﻡ ﺍﻟﺪﻧﻴﺎ ﺍﳌﺪﳍﻢ‪ ،‬ﻟﻴﺨﺮﺝ ﺍﻷﻋﺮﺍﺏ ﺍﳉﻔﺎﺓ ﻣﻦ‬ ‫ﲪﺄﺓ ﺍﻟﺒﺪﺍﻭﺓ ﻭﺍﳉﻔﺎﺀ‪ ،‬ﻭﻳﻄﺎﻟﺐ ﺑﺄﻥ ﻳﺘﻌﺮﻑ ﺍﻟﻨﺎﺱ‬

‫ﻋﻠﻰ ﺍﻹﺳﻼﻡ‪ ،‬ﻟﻴﻌﺮﻓﻮﺍ ﻣﻌﺎﱂ ﺍﻟﺪﻳﻦ‪ ،‬ﰒ ﻳﺴﺘﺼﺮﺥ‪،‬‬

‫ﻧﺎﻋﻴ‪‬ﺎ ﺍﻟﺘﻀﻠﻴﻞ ﺍﻟﺬﻱ ﺗﺮﺗﻜﺲ ﻓﻴﻪ ﺍﻷﻣﺔ‪ ،‬ﻭﺍﳉﻬﻞ‬ ‫ﺍﻟﻌﺎﰐ ﺍﻟﺬﻱ ﻳﻜﺘﺴﺤﻬﺎ‪ ،‬ﻣﻄﺎﻟﺒ‪‬ﺎ ﺑﺎﻟﻌﻠﻢ ﻭﺍﻟﻘﻮﺓ‪ ،‬ﺣﻠﹰﺎ‬ ‫ﻟﺘﺮﺩﻱ ﺣﺎﻝ ﺍﻷﻣﺔ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺽ ِﺑﹶﺄ‪‬ﻧﻮ‪‬ﺍ ِﺭ ﺍﻟ‪‬ﻨ‪‬ﺒ ‪‬ﻮ ﹾﺓ‬ ‫ﹶﻏ ‪‬ﻤ ‪‬ﺮ ﺍ َﻷ ‪‬ﺭ ‪‬‬

‫ﺲ ‪‬ﻋ ﹸﻠ ‪‬ﻮ ‪‬ﻩ‬ ‫ﺸ ‪‬ﻤ ‪‬‬ ‫ﹶﻛ ‪‬ﻮ ﹶﻛﺐ‪ ‬ﹶﻟ ‪‬ﻢ ﺗ‪ ‬ﺪ ِﺭ ِﻙ ﺍﻟ ‪‬‬

‫ﺖ‬ ‫ﺤ ‪‬‬ ‫ﺻ‪‬ﺒ ‪‬‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ﹸﻜ ‪‬ﺪ ‪‬ﻳ ﹾﻠ ‪‬ﻤﻊ‪ ‬ﺣﱴ ﹶﺃ ‪‬‬

‫‪‬ﺗ ‪‬ﺮﻗﹸﺐ‪ ‬ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﻭ ‪‬ﻣ ‪‬ﻦ ﻓِﻴﻬ‪‬ﺎ ‪‬ﺩ‪‬ﻧ ‪‬ﻮ ‪‬ﻩ‬

‫ﻼﻡ‪ ‬ﺩ‪‬ﺍ ِﻣﺲ‪‬‬ ‫‪‬ﺑ ‪‬ﻴ‪‬ﻨﻤ‪‬ﺎ ﺍﻟ ﹶﻜ ‪‬ﻮﻥﹸ ﹶﻇ ﹶ‬

‫ﺖ ﻓِﻲ ‪‬ﻣ ﱠﻜ ﹶﺔ ﻟِﻠﻨ‪‬ﻮ ِﺭ ﹸﻛ ‪‬ﻮ ﹾﺓ‬ ‫ﺤ ‪‬‬ ‫ﻓﹸِﺘ ‪‬‬

‫ﺤﺮ‪‬ﺍ ﺯ‪‬ﺍ ِﺧﺮ‪‬ﺍ‬ ‫‪‬ﻭ ﹶﻃﻤ‪‬ﻲ ﺍﻹﺳﻼﻡ ‪‬ﺑ ‪‬‬

‫ﻱ ﺍﹾﻟ ‪‬ﻤﻌ‪‬ﺎﻟِﻲ ﻭ‪‬ﺍﻟ ﹸﻔ‪‬ﺘ ‪‬ﻮ ﹾﺓ‬ ‫ِﺑﹶﺄﻭ‪‬ﺍ ِﺫ ‪‬‬

‫ﺏ ﻓِﻲ ‪‬ﻭﹾﺛ‪‬ﺒِﺘ ِﻬ ‪‬ﻢ‬ ‫‪‬ﻣ ‪‬ﻦ ‪‬ﺭﺃﹶﻯ ﺍ َﻷ ‪‬ﻋﺮ‪‬ﺍ ‪‬‬

‫ﺠ ‪‬ﻬ ﹾﻞ ﹸﻃ ‪‬ﻤ ‪‬ﻮ ‪‬ﻩ‬ ‫ﺤ ‪‬ﺮ ‪‬ﻭﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬‬ ‫ﻑ ﺍﻟ‪‬ﺒ ‪‬‬ ‫‪‬ﻋ ‪‬ﺮ ‪‬‬

‫ﺏ ‪‬ﻋﻠﹰﺎ‬ ‫ﺇ ﱠﻥ ﻓِﻲ ﺍﻹﺳﻼﻡ ِﻟ ﹾﻠ ‪‬ﻌ ‪‬ﺮ ِ‬

‫ﺱ ﹸﺃ ‪‬ﺧ ‪‬ﻮ ﹾﺓ‬ ‫ﺇ ﱠﻥ ﻓِﻲ ﺍﻹﺳﻼﻡ ﻟِﻠﻨ‪‬ﺎ ِ‬

‫ﺱ ﺍﻹﺳﻼﻡ ﻳ‪‬ﺎ ﺟ‪‬ﺎ ِﻫ ﹶﻠﻪ‪‬‬ ‫ﻓﹶﺎ ‪‬ﺩﺭ‪ِ ‬‬

‫ﷲ ﻓِﻴ ِﻪ‪ ..‬ﻭﺣ‪‬ﻨ‪ ‬ﻮ ‪‬ﻩ‬ ‫ﺶﺍ ِ‬ ‫‪‬ﺗ ﹾﻠ ‪‬ﻖ ‪‬ﺑ ﹾﻄ ‪‬‬

‫ﷲ‪ِ :‬ﺇﻧ‪‬ﺎ ﹸﺃ ‪‬ﻣﺔﹲ‬ ‫ﻳ‪‬ﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍ ِ‬

‫ﻀﻠِﻴ ﹸﻞ ﻓِﻲ ﹶﺃ ‪‬ﻋ ‪‬ﻤ ِﻖ ‪‬ﻫ ‪‬ﻮ ﹾﺓ‬ ‫‪‬ﺯ ‪‬ﺟﻬ‪‬ﺎ ﺍﻟ‪‬ﺘ ‪‬‬

‫ﳉ ‪‬ﻬﻞﹸ ﺍﻟﺬِﻱ ﺣ‪‬ﺎ ‪‬ﺭ‪‬ﺑ‪‬ﺘﻪ‪‬‬ ‫ﻚﺍﹶ‬ ‫ﹶﺫِﻟ ‪‬‬

‫ﻕ ‪‬ﻋ‪‬ﺘ ‪‬ﻮ ‪‬ﻩ‬ ‫ﺸ ‪‬ﺮ ِ‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬ﺰ ﹾﻝ ﻳ‪ ‬ﹾﻈ ِﻬﺮ‪ ‬ﻟِﻠ ‪‬‬

‫ﺻﻠﱡﻮﺍ ﻭ‪‬ﺍ ‪‬ﺩ ‪‬ﺭﺳ‪‬ﻮﺍ‬ ‫ﻚ ‪‬‬ ‫ﹸﻗ ﹾﻞ َﻷ‪‬ﺗﺒ‪‬ﺎ ِﻋ ‪‬‬

‫ِﺇ‪‬ﻧﻤ‪‬ﺎ ﺍﻟﺪ‪‬ﻳ ‪‬ﻦ ﻫ‪ ‬ﺪﻯ‪ ..‬ﻭِﺍﹾﻟ ِﻌ ﹾﻠ ‪‬ﻢ ﹸﻗ ‪‬ﻮ ﹾﺓ‬

‫ﺇﻟﻴﺎﺱ ﻗﻨﺼﻞ‬

‫ﻭﺃﻣﺎ ﺍﻟﺸﺎﻋﺮ ﻭﺍﻟﺼﺤﻔﻲ ﺍﳌﻬﺠﺮﻱ ﺍﻟﺴﻮﺭﻱ ﺇﻟﻴﺎﺱ ﻗﻨﺼﻞ‬ ‫‪(1981‬‬

‫)‪1914‬‬

‫ﻓﻴﺤﻠﻢ ﺃﻧﻪ ﻛﺎﻥ ﰲ ﺃﺭﺽ ﺍﻟﻨﺒﻮﺓ ﻟﻴﻜﺘﺐ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﻋﻦ‬

‫ﺻﻔﺎﺕ ﺍﻟﺮ‪‬ﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻣﺎﺩﺣ‪‬ﺎ ﻓﻴﻪ ﺍﻹﻧﺴﺎﻥ ﺍﻟﺮﻓﻴﻖ‪،‬‬ ‫ﻭﺍﻟﻨﱯ ﺍﻟﻌﺪﻝ‪ ،‬ﻭﺍﻟﻘﺎﺋﺪ ﺫﺍ ﺍﳍﻤﺔ‪ ،‬ﻭﺍﳌﺮﰊ ﺫﺍ ﺍﳊﻜﻤﺔ‪ ،‬ﻭﻳﺜﲏ ﻋﻠﻰ ﺍﻷﻣﺔ‬

‫ﺍﻟﱵ ﺃﺧﺮﺟﻬﺎ ﳕﺎﺫﺝ ﻟﻠﺒﺸﺮﻳﺔ ﻓﺬﺓ‪ ،‬ﻭﺍﺟﻬﺖ ﺍﻟﻈﻠﻢ ﻭﺍﻟﺒﻄﺶ ﺑﺎﻟﻌﺪﻝ‬ ‫ﻭﺍﳊﺰﻡ ﻭﺣﺴﻦ ﺍﻟﺸﻴﺎﺳﺔ‪:‬‬

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‫ﺐ‬ ‫ﺣﺒﺎﻙ ﺭﺿﺎﺀ ﺍﷲ ﻣﺎ ﻛﻨﺖ ﺗﻄﻠ ‪‬‬

‫ﺏ؟‬ ‫ﻓﻬﻞ ﻟﻚ ﺑﻌﺪ ﺍﻵﻥ ﻳﺎ ﻗﻠﺐ ﻣﺄﺭ ‪‬‬

‫ﺃﻧﺎ ﺍﻟﻴﻮﻡ ﰲ ﺃﺭﺽ ﺍﻟﻨﺒﻮﺓ ﻭﺍﻟﺘﻘﻰ‬

‫ﳚﻠﻠﲏ ﻣﻦ ﻫﺎﻟﺔ ﺍﻟﻮﺣﻲ ﻛﻮﻛﺐ‬

‫ﺍﻧﻄﻠﻖ ﻋﻬﺪ ﺍﳊﻖ ﻣﻦ ﺟﻨﺒﺎ‪‬ﺎ‬

‫ﻓﻀﺎﺀ ﺍﳍﺪﻯ ﻭﺍﳒﺎﺏ ﻟﻠﺒﻄﻞ ﻏﻴﻬﺐ‬

‫ﻭﻋﺰ ﲟﺎ ﻓﻴﻪ ﻣﻦ ﺍﳋﲑ ﻣﺸﺮﻕ‬

‫ﻭﺃﺣﺮﺯ ﻣﻨﻪ ﺭﲪﺔ ﺍﻟﺼﻔﺢ ﻣﻐﺮﺏ‬

‫ﻭﺯﻋﺰﻉ ﺩﻧﻴﺎ ﺑﺎﳊﻘﻮﺩ ﻛﺌﻴﺒﺔ‬

‫ﻭﺭﻛﺰ ﺩﻧﻴﺎ ﺑﺎﻟﺘﺴﺎﻫﻞ ﺗﻄﺮﺏ‬

‫ﻋﻠﻰ ﺻﺨﺮﺓ ﺍﻹﳝﺎﻥ ﻗﺎﻡ ﺃﺳﺎﺳﻬﺎ‬

‫ﺏ‬ ‫ﻓﻌ ‪‬ﻲ ﻋﻦ ﺍﻟﺘﻬﺪﱘ ﻓﻴﻬﺎ ﺍﳌﺨﺮ ‪‬‬

‫ﻭﻭﻃﺪ ﻋﺪ ﹰﻻ ﺃﻓ ﹸﻘﻪ ﻟﻴﺲ ﻳﻨﺘﻬﻲ‬

‫ﻭﺭ ﹼﻛﻦ ﺃﻣ‪‬ﻨﺎ ﺑﺪﺭﻩ ﻟﻴﺲ ﳛﺠﺐ‬

‫ﻭﺳ ‪‬ﻮﻯ ﻓﻤﺎ ﰲ ﺍﻟﻨﺎﺱ ﻳﺸﻤﺦ ﺳﻴﺪ‬

‫ﻳﺬﻝ ﻛﻤﺎ ‪‬ﻮﻱ ﺍﻟﺮﻗﺎﺏ ﻭﻳﻀﺮﺏ‬

‫ﻭﻻ ﻻﺗﻘﺎﺀ ﺍﻟﺴﻮﻁ ﺟﻨﺲ ﻣﺼﻔﺪ‬

‫ﻭﻻ ﻻﺣﺘﻤﺎﻝ ﺍﻟﻠﻄﻢ ﺷﻌﺐ‪ ‬ﻣﻌﺬﺏ‬

‫ﻭﻟﻴﺲ ﻟﻠﻮﻥ ﺍﳌﺮﺀ ﺃﻳﺔ ﻗﻴﻤﺔ‬

‫ﺇﺫﺍ ﱂ ﳝﻴ‪‬ﺰﻩ ﺻﻨﻴﻊ ﻣﻄﻴﺐ‬

‫ﻭﻻ ﻓﻀﻞ ﻟﻺﻧﺴﺎﻥ ﻳﻐﺰﺭ ﻛﺴﺒﻪ‬

‫ﺇﺫﺍ ﱂ ﻳﻜﻦ ﻟﻠﻔﻀﻞ ﻣﺎ ﻫﻮ ﻳﻜﺴﺐ‬

‫ﳌﻦ ﺭﺍﻡ ﺃﻥ ﳛﻈﻰ ﺑﻨﻌﻤﺔ ﺭﺑﻪ‬

‫ﻓﻤﺎ ِﺑﺴﻮﻯ ﺍﻟﺘﻘﻮﻯ ﺇﱃ ﺍﷲ ﻳﻘﺮﺏ‬

‫ﺠﺎ ﻣﺴﺪ ‪‬ﺩﺍ‬ ‫ﻭﺧﻄﻂ ﻟﻠﺪﺍﺭﻳﻦ ‪ ‬‬

‫ﺃﻣﺎﱐ ﻣﻦ ﳚﺮﻱ ﺑﻪ ﻻ ﲣﻴﺐ‬

‫ﻭﻓﻚ ﻋﻦ ﺍﻷﻓﻬﺎﻡ ﺃﻃﻮﺍﻕ ﻏﻠﻬﺎ‬

‫ﻭﻛﺎﻧﺖ ﺑﺼﺤﺮﺍﺀ ﺍﻟﻔﺪﺍﻣﺔ ﺗﻐﺮﺏ‬

‫ﻧﻌﺴﺖ ﻛﻤﺎ ﺷﺎﺀ ﺍﳋﻴﺎﻝ ﻃﻠﻴﻘﺔ‬

‫ﻃﺮﺍﺋﻔﻬﺎ ﺍﻟﻐﺮﺍﺀ ﺗﻨﻤﻮ ﻭﺗﺜﻘﺐ‬

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‫ﻭﺃﺑﻌﺪ ﺧﻮ ﹰﻓﺎ ﻻ ﻳﱪﺭﻩ ﻏﺪ‬

‫ﻭﻣﺎ ﺍﳋﻮﻑ ﺇﻻ ﺍﻟﱰﻉ ﺃﻭ ﻫﻮ ﺃﺻﻌﺐ‬

‫ﻭﺯﻟﺰﻝ ﻋﺪﻭﺍﻥ ﺍﻟﻘﻮﻱ ﺗﺸﺪﻩ‬

‫ﻭﺟﺎﻫﺔ ﻣﺎﻝ ﻣﻦ ﻳﺪ ﺍﻟﻔﻘﺮ ﺗﺴﻠﺐ‬

‫ﻭﺣﺾ ﻋﻠﻰ ﺍﳌﻌﺮﻭﻑ ﻣﻦ ﻏﲑ ﻣﻨﺔ‬

‫ﻳﺰﻭﻝ ‪‬ﺎ ﺍﻷﺟﺮ ﺍﻟﺬﻱ ﻛﺎﻥ ﻳﺮﻗﺐ‬

‫ﻭﻫﻴﺄ ﻟﻸﺟﻴﺎﻝ ﺷﺮ ‪‬ﻋﺎ ﳏﺪ ‪‬ﺩﺍ‬

‫ﻳﺴﺪﺩ ﻣﺎ ﲢﺘﺎﺟﻪ‪ ..‬ﻭﻳﺪﺭﺏ‬

‫ﻭﻗﻮﻡ ﺃﺳﺒﺎﺏ ﺍﻟﺘﻌﺎﻭﻥ ﻓﺎﻏﺘﺪﻯ‬

‫ﻧﻈﺎ ‪‬ﻣﺎ ﻋﻠﻰ ﻓﻮﺿﻰ ﺍﳉﻔﺎ ﻳﺘﻐﻠﺐ‬

‫ﻭﻗﺎﺋﻌﻬﺎ ﻟﻠﺒﺎﺣﺜﲔ ﺧﻮﺍﺭﻕ‬

‫ﻭﺗﻔﺴﲑ ﻣﺎ ﻓﻴﻬﺎ ﻣﻦ ﺍﻟﻔﻮﺯ ﺃﻏﺮﺏ‬

‫ﻭﻣﺎ ﺍﻧﺘﺼﺮ ﺍﻟﻔﻮﻻﺫ ﰲ ﺳﺎﺣﺔ ﺍﻟﻮﻏﻰ‬

‫ﺭﻣﺎ ‪‬ﺣﺎ ﺇﱃ ﺻﺪﺭ ﺍﻟﻌﺪﻭ ﺗﺼﻮﺏ‬

‫ﺑﻞ ﺍﻧﺘﺼﺮ ﺍﻟﻌﺰﻡ ﺍﻟﺬﻱ ﺷﺪ ﺃﺯ ‪‬ﺭﻩ‬

‫ﻭﻓﺎﺀ ﳌﺎ ﺃﻭﺣﺎﻩ ﻃﺒﻊ ﻣﻬﺬﺏ‬

‫ﻭﻣﺎ ﺍﻧﺪﺣﺮ ﺍﳉﻴﺶ ﺍﻟﺬﻱ ﻋﺎﺵ ﺧﺎﺋ ﹰﻔﺎ‬

‫ﻭﺑﺎﻏﺘﻪ ﺟﻴﺶ ﺟﺮﻱﺀ ﻣﺪﺭﺏ‬

‫ﺑﻞ ﺍﻧﺪﺣﺮ ﺍﻟﻌﻬﺪ ﺍﻟﺬﻱ ﻛﺎﻥ ﺃﻣﺮﻩ‬

‫ﻣﺸﻴﺌﺔ ﻣﻦ ﻳﺮﺩﻱ ﻭﻳﻄﻐﻮ ﻭﻳﻐﺼﺐ‬

‫ﻟﺌﻦ ﺷﺎﺀﺕ ﺍﻟﺪﻧﻴﺎ ﻣﻦ ﺍﻟﻌﺮﺏ ﳘﺔ‬

‫ﺇﺫﺍ ﺟﺎﺭﺕ ﺍﻷﺭﺯﺍﺀ ﺗﻌﻠﻮ ﻭﺗﺼﻠﺐ‬

‫ﻒ ﳎﺮ ٍﺩ‬ ‫ﻓﻤﺎ ﻧﺸﺮ ﺍﻹﺳﻼﻡ ﺳﻴ ‪‬‬

‫ﻭﻻ ﻋﻤﻢ ﺍﻹﺳﻼﻡ ﻋﺰﻡ ﻣﺮﺗﺐ‬

‫ﻭﻟﻜﻦ ْﻛﺘﺎ‪‬ﺑﺎ ﱂ ﻳﺮ ﺍﻟﻨﺎﺱ ﻣﺜﻠﻪ‬

‫ﻣﻨﺎﻫﻠﻪ ﻟﻠﺨﲑ ﺗﻨﻤﻮ ﻭﺗﻌﺬﺏ‬

‫ﻳﺸﻊ ﻋﻠﻰ ﻫﺎﻡ ﺍﻟﺪﻫﻮﺭ ﺑﻴﺎﻧﻪ‬

‫ﻭﳜﻠﺪ ﻣﻠﻚ ﺍﻟﻀﺎﺩ ﻣﻨﻪ ﻭﻳﻘﺸﺐ‬

‫ﺷﺮﺍﺋﻌﻪ ﰲ ﻛﻞ ﻋﺼﺮ ﻭﺑﻴﺌﺔ‬

‫ﻣﺜﺎﻝ ﳌﺎ ﳝﻠﻲ ﺍﻟﺮﺷﺎﺩ ﻭﻳﻮﺟﺐ‬

‫ﻟﻮ ﺍﺗﺒﻌﺖ ﺃﻫﺪﺕ ﺇﱃ ﺍﻟﻌﺎﱂ ﺍﳌﲎ‬

‫ﻭﺑﺎﺕ ﻋﻠﻰ ﺯﻫﺮ ﺍﻟﺼﻔﺎ ﻳﺘﻘﻠﺐ‬

‫ﻭﺃﻣﺴﻰ ﺍﻟﺘﺮﺍﺿﻲ ﺳﻨﺔ ﻣﺴﺘﺤﺒﺔ‬

‫ﻭﺯﺍﻝ ﺍﻟﺘﺠﺎﰲ ﻭﺍﺿﻤﺤﻞ ﺍﻟﺘﺤﺰﺏ‬

‫ﻓﻠﺴﺖ ﺗﻼﻗﻲ ﻣﻦ ﳚﻮﺭ ﻭﻳﻌﺘﺪﻱ‬

‫ﻭﻟﺴﺖ ﺗﻼﻗﻲ ﻣﻦ ﳜﺎﻑ ﻭﻳﻜﺄﺏ‬

‫ﻭﻣﺎ ﻧﺸﺮ ﺍﻹﺳﻼﻡ ﺟﻴﺶ ﻣﺮﺗﺐ‬

‫ﻋﻠﻴﻢ ﺑﺄﺳﺮﺍﺭ ﺍﻟﻮﻗﺎﺋﻊ ﳏﺮﺏ‬

‫ﻭﻟﻜﻦ ﺻﻔﺎﺕ ﰲ ﺍﻟﺮﺳﻮﻝ ﻛﺮﳝﺔ‬

‫ﺑﺒﻮﺗﻘﺔ ﺍﻷﺣﺪﺍﺙ ﺗﺴﻤﻮ ﻭﺗﻨﺠﺐ‬

‫ﲡﻠﻰ ‪‬ﺎ »ﺍﻹﻧﺴﺎﻥ« ﻳﺪﻧﻮ ﲞﻠﻘﻪ‬

‫ﺇﱃ ﻗﻤﺔ ﻓﻴﻬﺎ ﺍﻟﻜﻤﺎﻝ ﺍﳌﻨﺼﺐ‬

‫ﻳﻘﺎﺑﻞ ﺑﺎﻟﺼﱪ ﺍﳉﻤﻴﻞ ﺿﻐﺎﺋ‪‬ﻨﺎ‬

‫ﲤﺎﺩﻯ ‪‬ﺎ ﻭﻏﺪ ﻳﺴﺐ ﻭﻳﺜﻠﺐ‬

‫ﻭﻳﻌﻔﻮ ﻋﻦ ﺍﻷﺳﺮﻯ ﻭﻛﺎﻥ ﻭﻋﻴﺪﻫﻢ‬

‫ﲟﺎ ﰲ ﻧﻮﺍﻳﺎﻫﻢ ﻣﻦ ﺍﻟﺜﺄﺭ ﻳﻠﻬﺐ‬

‫ﻭﻳﻄﻠﺐ ﺭﺃﻱ ﺍﻵﺧﺮﻳﻦ ﻭﺭﺃﻳﻪ‬

‫ﻣﱴ ﺑﺪﺕ ﺍﻵﺭﺍﺀ ﺃﻋﻠﻰ ﻭﺃﺻﻮﺏ‬

‫ﻭﻳﻮﺻﻲ ﺑﺈﺳﻌﺎﻑ ﺍﻟﻔﻘﲑ ﻭﺇﻥ ﻳﻜﻦ‬

‫ﻋﺪ ‪‬ﻭﺍ ﻟﺪﻭ ‪‬ﺩﺍ ﰲ ﺍﻟﻮﻗﻴﻌﺔ ﻳﺪﺃﺏ‬

‫ﺇﺫﺍ ﺟﺎﺀﻩ ﺍﳌﻠﻬﻮﻑ ﻓﻬﻮ ﻟﻪ ﺃﺥ‬

‫ﻭﺇﻥ ﺟﺎﺀﻩ ﺍﶈﺮﻭﻡ ﻓﻬﻮ ﻟﻪ ﺃﺏ‬

‫ﻭﺇﻥ ﻋﺎﺩ ﺫﻭ ﺇﰒ ﻋﻦ ﺍﻹﰒ ﻧﺎﺩ ‪‬ﻣﺎ‬

‫ﻳﻐﺾ ﻋﻦ ﺍﳌﺎﺿﻲ ﻭﻻ ﻳﺘﻌﺘﺐ‬

‫ﻭﳛﻨﻮ ﻋﻠﻰ ﺍﻟﺸﻴﺦ ﺍﻟﺬﻱ ﺟﻒ ﻋﺰﻣﻪ‬

‫ﻭﳛﺒﻮ ﻣﻊ ﺍﻟﻄﻔﻞ ﺍﻟﱪﻱﺀ ﻭﻳﻠﻌﺐ‬

‫ﻭﻳﺮﻓﺾ ﺇﻻ ﺍﻟﺼﺪﻕ ﰲ ﻛﻞ ﻣﻮﻗﻒ‬

‫ﻭﻟﻮ ﻛﺎﻥ ﻓﻴﻪ ﻣﺎ ﻳﻀﺮ ﻭﻳﻨﻜﺐ‬

‫ﻭﳝﻌﻦ ﰲ ﺻﻮﻍ ﺍﳌﺪﻳﺢ ﶈﺴﻦ‬

‫ﻭﳛﺒﺲ ﻋﻨﻪ ﻋﺬﻟﻪ ﺣﲔ ﻳﺬﻧﺐ‬

‫ﺗﻮﺍﺿﻌﻪ‪ ..‬ﻭﺍﻟﻨﺒﻞ ﻓﻴﻪ ﻓﻀﻴﻠﺔ‬

‫ﻭﻟﻴﺲ ﻛﻼﻻ ﺧﻠﻔﻪ ﺍﻟﻀﻌﻒ ﻳﺴﺮﺏ‬

‫ﺻﻔﺎﺕ ﻧﱯ ﺃﺣﺴﻦ ﺍﷲ ﺧﻠﻘﻪ‬

‫ﻧﻔﻮﺱ ﺍﻟﻮﺭﻯ ﻣﻦ ﺭﻓﺪﻫﺎ ﺗﺘﻬﺬﺏ‬

‫ﻭﻳﻌﻠﻦ ﻏﻀﺒﻪ ﻋﻠﻰ ﺍﻷﻣﺔ ﺍﻟﱵ ﺗﻨﺸﻐﻞ ﺑﺎﻻﺣﺘﻔﺎﻻﺕ ﻭﺍﻟﺘﻬﺎﱐ ﻭﺍﳌﻬﺮﺟﺎﻧﺎﺕ‪ ،‬ﻣﻊ ﻣﺎ ﻫﻲ ﻓﻴﻪ‬ ‫ﻣﻦ ﺍﻻﻧﻜﺴﺎﺭ‪ ،‬ﻭﺍﻟﻮﻗﻮﻉ ﰲ ﺇﺳﺎﺭ ﺃﻋﺪﺍﺋﻬﺎ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬ ‫ﺃﻳﻘﺒﻞ ﺑﻌﻀﻨﺎ ﺑﺎﻟﺘﻬﻨﺌﺎﺕ‬

‫ﻭﻣﻮﻃﻨﻨﺎ ﺍﳌﻔﺪﻯ ﻟﻠﻐﺰﺍﺓ‬

‫ﻭﳓﻦ ﻧﺴﺎﻕ ﻣﻦ ﺧﻄﺐ ﳋﻄﺐ‬

‫ﻳﻀﺞ ﻟﺼﻔﺪﻩ ﻗﻠﺐ ﺍﻟﺼﻔﺎﺓ‬

‫ﰒ ﳜﺎﻃﺐ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻣﻌﺘﺬﺭ‪‬ﺍ‪ ،‬ﻣﺸﻴﺪ‪‬ﺍ ﺑﺎﻟﻘﺮﺁﻥ ﻭﻣﻦ ﺟﺎﺀ ﺑﻪ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺭﺳﻮ ﹶﻝ ﺍﷲ‪ :‬ﻋﻔﻮ‪‬ﻙ‪ ،‬ﺇﻥ ﻋﺬﱄ‬

‫ﻟﺘﻨﺒﻴﻪ ﺍﻟﻨﻔﻮﺱ ﺍﻟﻐﺎﻓﻼﺕ‬

‫ﻛﺘﺎﺑﻚ ﺯﻳﻨﺔ ﺍﻷﺟﻴﺎﻝ ﺗﺰﻫﻮ‬

‫ﲟﻌﺠﺰ ﺁﻳ ِﻪ ﺃ ‪‬ﻡ ﺍﻟﻠﻐﺎﺕ‬

‫ﻭﺩﻳﻨ‪‬ﻚ ﻧﻌﻤﺔﹲ ﰲ ﺍﻟﻜﻮﻥ ﺿﺎﺀﺕ‬

‫ﻓﻨ ‪‬ﻮﺭ‪‬ﺕ ﺍﻟﻨﻮﺍﺣﻲ ﺍﳌﻈﻠﻤﺎﺕ‬

‫ﺗﻜﺮﻡ ﻳﺎ ﺇﻟﻪ ﺍﻟﻌﺮﺵ ﻭﺍﺟﻌﻞ‬

‫ﺑﻼﺩ ﺍﻟﻌ‪‬ﺮﺏ ﻟﻠﻌﺮﺏ ﺍﻻﺑﺎﺓ‬

‫ﺟﺎﻙ ﺻﱪﻱ ﴰﺎﺱ‬ ‫ﻭﻳﻄ ﱡﻞ ﻣﻦ ﺍﳉﺰﻳﺮﺓ ﺍﻟﺴﻮﺭﻳﺔ ﻣﻦ ﳏﺎﻓﻈﺔ ﺍﳊﺴﻜﺔ ﺍﻟﺸﺎﻋﺮ‬

‫ﺟﺎﻙ ﺻﱪﻱ ﴰﺎﺱ‬

‫)‪(....-1947‬‬

‫ﺍﻟﺬﻱ ﺗﺸﻬﺪ‬

‫ﻣﻌﻈﻢ‬

‫ﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ ،‬ﻭﻣﻘﺎﻻﺗﻪ ﻋﻠﻰ ﳏﺒﺘﻪ ﻭﻭﻻﺋﻪ ﻟﻠﻌﺮﻭﺑﺔ‬ ‫ﻭﺇﺷﺎﺩﺗﻪ ﺑﺎﻟﺪﻳﻦ ﺍﻹﺳﻼﻣﻲ‪ ،‬ﻭﺍﻓﺘﺨﺎﺭﻩ ﺑﺎﻟﻘﺎﺋﺪ ﺍﻟﻌﺮﰊ ﺍﻟﻌﻈﻴﻢ‬ ‫ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺍﻟﺬﻱ ﺩﺍﻧﺖ ﻟﻪ ﺍﻟﺪﻧﻴﺎ‬ ‫ﺑﺄﻗﻮﺍﻣﻬﺎ‪ ،‬ﻭﺫﻟﻚ ﰲ ﻗﺼﻴﺪﺗﻪ‪ :‬ﺃﻭﺭﺍﻕ ﺍﻋﺘﻤﺎﺩﻱ‪ ،‬ﻧﻘﻄﻒ ﺑﻌﺾ ﺃﺑﻴﺎ‪‬ﺎ‪:‬‬ ‫ﺇﱐ ﻣﺴﻴﺤ ‪‬ﻲ ﺃﺟ ﱡﻞ ﳏﻤﺪ‪‬ﺍ‬

‫ﻭﺃﺟ ﱡﻞ ﺿﺎﺩ‪‬ﺍ‪ ..‬ﻣﻬﺪ‪‬ﻩ ﺍﻹﺳﻼﻡ‬

‫ﻭﺃﺟ ﱡﻞ ﺃﺻﺤﺎﺏ ﺍﻟﺮﺳﻮﻝ ﻭﺃﻫﻠﻪ‬

‫ﺣﻴﺚ ﺍﻟﺼﺤﺎﺑﺔ ﺻﻔﻮﺓﹲ ﻭﻣﻘﺎﻡ‬

‫ﻛﺤ‪‬ﻠﺖ ﺷﻌﺮﻱ ﺑﺎﻟﻌﺮﻭﺑﺔ ﻭﺍﳍﻮﻱ‬

‫ﻭﻷﺟﻞ )ﻃﻪ( ﺗﻔﺨﺮ ﺍﻷﻗﻼﻡ‬

‫ﺃﻭﺩﻋﺖ ﺭﻭﺣﻲ ﰲ ﻫﻴﺎﻡ ﳏﻤﺪ‬

‫ﺩﺍﻧﺖ ﻟﻪ ﺍﻷﻋﺮﺍﺏ ﻭﺍﻷﻋﺠﺎﻡ‬

‫ﻭﺳﻴﺄﰐ ﻣﺰﻳﺪ ﻛﻼﻡ ﻋﻨﻪ ﻓﻴﻤﺎ ﺳﻴﻠﻲ ﺇﻥ ﺷﺎﺀ ﺍﷲ‪.‬‬

‫ﺟﻮﺭﺝ ﺳﻠﺴﱵ‬ ‫ﻭﻣﻦ ﺍﻟﺸﻌﺮﺍﺀ ﺍ‪‬ﻴﺪﻳﻦ‪ ،‬ﺷﺎﻋﺮ ﳏﺐ‪ ،‬ﻣﻨﺼﻒ‪ ،‬ﻣﺘﻔﻬﻢ‪ ،‬ﻫﻮ‬

‫ﺍﳌﻬﺠﺮﻱ ﺟﻮﺭﺝ ﺳﻠﺴﱵ ﺍﻟﺬﻱ ﻛﺘﺐ ﻗﺼﻴﺪﺓ‪) :‬ﳒﻮﻱ ﺍﻟﺮﺳﻮﻝ‬ ‫ﺍﻷﻋﻈﻢ( ﲤﻮﺝ ﺑﺎﻟﻌﺎﻃﻔﺔ ﻭﺍﳊﺐ‪ ،‬ﻛﺄﳕﺎ ﻛﺘﺒﺖ ﺑﻘﻠﻢ ﺷﺎﻋﺮ ﻣﺴﻠﻢ‪:‬‬

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‫ﺡ ﺍﻷﺳﺎﺭﻳﺮ‬ ‫ﺖ ﻛﺎﳊﻖ ﻭﺿ‪‬ﺎ ‪‬‬ ‫ﺃﻗﺒﻠ ‪‬‬

‫ﻳﻔﻴﺾ ﻭﺟﻬ‪‬ﻚ ﺑﺎﻟﻨﻌﻤﺎﺀ ﻭﺍﻟﻨﻮﺭ‬

‫ﻋﻠﻲ ﺟﺒﻴﻨﻚ ﻓﺠ ‪‬ﺮ ﺍﳊﻖ ﻣﻨﺒﻠﺞ‪‬‬

‫ﻭﰲ ﻳﺪﻳﻚ ﺟﺮﺕ ﻣﻘﺎﻟﻴ ‪‬ﺪ ﺍﻷﻣﻮ ِﺭ‬

‫ﺖ ﻓﻴﻨﺎ‪ ،‬ﻭﻟﻴﻞ ﺍﻟﻜﻔﺮ ﻣﻌﺘﻜﺮ‬ ‫ﻓﺮﺣ ‪‬‬

‫ﺗﻔﺮﻱ ‪‬ﺪﻳﻚ ﺃﺳﺪﺍﻑ ﺍﻟﺪﻳﺎﺟﲑ‬

‫ﻭﲤﻄﺮ ﺍﻟﺒﻴﺪ ﺁﻻ ًﺀ ﻭﺗ‪‬ﻤﺮِﻋﻬﺎ‬

‫ﳝﻨ‪‬ﺎ ﻳﺪﻭﻡ ﺇﱄ ﺩﻫﺮ ﺍﻟﺪﻫﺎﺭﻳ ِﺮ‬

‫ﺖ ﺇﻻ ﲰﻮ ﺍﳊﻖ ﺣﲔ ﺃﰊ‬ ‫ﺃﺑﻴ ‪‬‬

‫ﺳﻮﺍﻙ ﺇﻻ ﲰﻮ ﺍﻟﺒ‪‬ﻄﻞ ﻭﺍﻟﺰﻭﺭ!‬

‫ﻭﳑﺎ ﺟﺎﺀ ﰲ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﺃﻳﻀ‪‬ﺎ – ﻭﻫﻮ ﻣﺎ ﻻ ﻳﺼﺮﺡ ﺑﻪ ﺍﻟﺸﻌﺮﺍﺀ ﻏﲑ ﺍﳌﺴﻠﻤﲔ ﻋﺎﺩﺓ ‪-‬‬

‫ﺇﻗﺮﺍﺭﻩ ﺑﻨﺒﻮﺓ ﺳﻴﺪﻧﺎ ﺍﳌﺼﻄﻔﻲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺇﺫ ﻗﺎﻝ ﻳﺼﻒ ﺍﻟﺼﺤﺮﺍﺀ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﱵ‬ ‫ﺃﻃﻠﻌﺖ ﴰﺲ ﺍﳌﺼﻄﻔﻰ ﻋﻠﻴﻪ ﺍﻟﺼﻼﺓ ﻭﺍﻟﺴﻼﻡ‪:‬‬ ‫ﺖ ﺑﺎﳌﺼﻄﻔﻰ ﻳﺎ ﺑﻴ ‪‬ﺪ ﳎﺪﺑ ﹰﺔ‬ ‫ﻣﺎ ﺃﻧ ِ‬

‫ﺖ ﻳﺎ ﺻﺤﺮﺍ ُﺀ ﺑﺎﻟﺒﻮ ِﺭ‬ ‫ﻛﻼ ﻭﻻ ﺃﻧ ِ‬

‫ﺖ ﻣﻦ ﺗﺎﻫﺖ ﺍﻟﺪﻧﻴﺎ ﺑﻄﻠﻌﺘﻪ‬ ‫ﺃﻃﻠﻌ ِ‬

‫ﺖ ﻓﻴﻪ ﺣﱴ ﻣﻮﺋ ﹶﻞ ﺍﳊﻮ ِﺭ‬ ‫ﻭﻧﺎﻓﺴ ‪‬‬

‫ﺖ ﺃﺭﺿ‪‬ﺎ ﺗﺒﺚ ﺍﻟﻄﻬ ‪‬ﺮ ﺗﺮﺑﺘ‪‬ﻬﺎ‬ ‫ﺑﻮﺭﻛ ِ‬

‫ﺐ‪ ..‬ﺑﺜﺘﻪ ﺃﻓﻮﺍﻩ ﺍﻟﻘﻮﺍﺭﻳ ِﺮ‬ ‫ﻛﺎﻟﻄﻴ ِ‬

‫ﺍﻟﺪﻳﻦ ﻣﺎ ﺯﺍﻝ ﻳﺰﻛﻮ ﰲ ﻣﺮﺍﺑﻌﻬﺎ‬

‫ﻭﺍﻟﻨﺒﻞ ﻣﺎ ﺍﻧﻔﻚ ﻓﻴﻬﺎ ﺟ ‪‬ﺪ ﻣﻮﻓﻮ ِﺭ‬

‫ﻭﺍﻟﻔﻀﻞ ﻭﺍﳊﻠﻢ ﻭﺍﻷﺧﻼﻕ ﻣﺎ ﻓﺘﺌﺖ‬

‫ﲑ‬ ‫ﲢﻈﻰ ﻫﻨﺎﻙ ﺑﺈﺟﻼﻝ ﻭﺗﻮﻗ ِ‬

‫ﻭﻳﻌﺘﺬﺭ ﺳﻠﺴﱵ ﻋﻦ ﺗﻘﺼﲑﻩ ﰲ ﺍﻟﻮﻓﺎﺀ ﺑﺸﻌﺮﻩ ﻭﻛﻠﻤﺎﺗﻪ ﺍﻟﻘﺎﺻﺮﺓ ‪ -‬ﻣﻦ ﻭﺟﻬﺔ ﻧﻈﺮ ‪-‬‬

‫ﰲ ﺣﻖ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺇﺫ ﻫﻮ ﻋﻠﻴﻪ ﺍﻟﺼﻼﺓ ﻭﺍﻟﺴﻼﻡ‪ ،‬ﺻﺎﺣﺐ ﺍﻟﺒﻴﺎﻥ ﺍﻟﻔﺬ‪،‬‬ ‫ﻭﻣﺎﻟﻚ ﻧﺎﺻﻴﺔ ﺟﻮﺍﻣﻊ ﺍﻟﻜﻠﻢ‪ ،‬ﻭﺃﻓﺼﺢ ﻣﻦ ﻧﻄﻖ ﺍﻟﻀﺎﺩ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻣﻌﺬﺭ ﹰﺓ‬

‫ﺇﺫﺍ ﻛﺒﺎ ﻓﻴﻚ ﺗﺒﻴﺎﱐ ﻭﺗﻌﺒﲑﻱ‬

‫ﻣﺎﺫﺍ ﺃﻭﻓﻴﻚ ﻣﻦ ﺣﻖ ﻭﺗﻜﺮﻣ ٍﺔ‬

‫ﻭﺃﻧﺖ ﺗﻌﻠﻮ ﻋﻠﻰ ﻇﲏ ﻭﺗﻘﺪﻳﺮﻱ!‬

‫ﺏ ﺍﻷﺩﺍﺀ ﺍﻟﻔﺬ ﰲ ﻟﻐ ٍﺔ‬ ‫ﻭﺃﻧﺖ ﺭ ‪‬‬

‫ﺗﺸﺄﻭ ﺍﻟﻠﱡﻐﻰ ﺣﺴ ‪‬ﻦ ﺗﻨﻤﻴ ٍﻖ ﻭﺗﺼﻮﻳ ِﺮ‬

‫ﻋﻠﻰ ﻟﺴﺎﻧﻚ ﻣﺎ ﺟ‪‬ﻦ ﺍﻟﺒﻴﺎﻥ ﺑﻪ‬

‫ﻓﺬﻟﻚ ﺍﻟﺸﻌﺮ ﻳﺮﻧﻮ ﺷﺒﻪ ﻣﺴﺤﻮﺭ!‬

‫ﺁﻱ ﻣﻦ ﺍﷲ‪ ..‬ﻣﺎ ﻳﻨﻔﻚ ﻣ‪‬ﻌﺠﺰ‪‬ﻫﺎ‬

‫ﻳﻌﻴﻲ ﻋﻠﻰ ﺍﻟﺪﻫ ِﺮ ﺃﻋﻼﻡ ﺍﻟﺘﺤﺎﺭﻳ ِﺮ‬

‫ﺗﻠﻮﺗ‪‬ﻬﺎ ﻓﺴﺮﺕ ﻛﺎﻟﻨﻮﺭ ﻣﺆﺗﻠﻘﹰﺎ‬

‫ﻳﻄﻮﻱ ﺍﻟﺪﻧﺎ ﺑﲔ ﻣﺄﻫﻮ ٍﻝ ﻭﻣﻬﺠﻮ ِﺭ!‬

‫ﺟﻮﺭﺝ ﺻﻴﺪﺡ‬ ‫ﻭﻛﺘﺐ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺪﻣﺸﻘﻲ ﺍﳌﻬﺠﺮﻱ ﺟﻮﺭﺝ ﺻﻴﺪﺡ ﻗﺼﻴﺪﺓ‬

‫ﺭﺍﺋﻌﺔ ﰲ ﻣﺪﺡ ﺍﻟﻨﱯ ﺑﺎﺳﻢ‪ :‬ﺻﺤﺮﺍﺀ ﻳﺜﺮﺏ‪ ،‬ﻳﺴﺘﻨﻬﺾ ﻓﻴﻬﺎ ﺍﻷﻣﺔ‪،‬‬

‫ﻣﺬﻛﺮ‪‬ﺍ ﺇﻳﺎﻫﺎ ﲟﺎ ﺑﻌﺚ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻣﻦ ﺍﳊﻤﻴﺔ‪،‬‬ ‫ﻭﺍﳍﻤﺔ‪ ،‬ﻭﺍﻷﻧﻔﺔ‪ ،‬ﻣﺸﲑ‪‬ﺍ ﺇﱃ ﺗﺪﻧﻴﺲ ﺍﻟﻘﺪﺱ ﺍﻟﺸﺮﻳﻒ‪ ،‬ﺣﱴ ﺇﻧﻪ‬ ‫ﻟﻴﻘﺘﺒﺲ ﺁﻳﺔ ﻣﻦ ﺍﻟﻘﺮﺁﻥ‪ ،‬ﻣﻦ ﺳﻮﺭﺓ ﺍﻟﺮﲪﻦ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ‪ ،‬ﻳﻀﻤﻨﻬﺎ‬ ‫ﻭﰲ ﻋﺎﻡ‬

‫‪1911‬‬

‫ﺍﻟﻘﺼﻴﺪﺓ‪ ،‬ﻭﻗﺪ ﻭ‪‬ﻟﺪ ﺻﻴﺪﺡ ﰲ ﺩﻣﺸﻖ ﻋﺎﻡ‬

‫ﺳﺎﻓﺮ ﺇﱃ ﺍﻟﻘﺎﻫﺮﺓ ﻟﻠﺘﺠﺎﺭﺓ‪ ،‬ﰒ ﺗﺮﻙ ﺍﻟﻘﺎﻫﺮﺓ ﺇﱃ ﺑﺎﺭﻳﺲ‬

‫‪1925‬‬

‫ﻓﻤﻜﺚ ﻓﻴﻬﺎ ﺣﱴ‬

‫‪1927‬‬

‫‪1893‬‬

‫ﻭﺗﺰﻭﺝ ﻫﻨﺎﻙ ﺑﺒﺎﺭﻳﺴﻴﺔ‪ ،‬ﻭﰲ ﺃﻭﺍﺧﺮ ﻋﺎﻡ‬

‫‪ 1927‬ﻏﺎﺩﺭ ﺑﺎﺭﻳﺲ ﻣﻊ ﺯﻭﺟﺘﻪ ﺇﱃ ﻓﱰﻭﻳﻼ‪ .‬ﰲ ‪ 1947‬ﻏﺎﺩﺭ ﻓﱰﻭﻳﻼ‬ ‫ﺇﱃ ﺍﻷﺭﺟﻨﺘﲔ‪ ،‬ﻟﲑﻳﺢ ﻧﻔﺴﻪ ﻣﻦ ﻋﺐﺀ ﺍﻟﻌﻤﻞ ﺍﻟﺘﺠﺎﺭﻱ‪ ،‬ﻭﻟﻴﻔﺮﻍ‬ ‫ﻟﻸﺩﺏ ﻭﺍﻟﺸﻌﺮ‪ ،‬ﻭﻳﺼﺪﺭ ﳎﻠﺔ ﺑﺎﻹﺳﺒﺎﻧﻴﺔ‪ ،‬ﻭﺛﻼﺛﺔ ﺩﻭﺍﻭﻳﻦ ﺷﻌﺮﻳﺔ‪ .‬ﻳﻘﻮﻝ ﺟﻮﺭﺝ ﺻﻴﺪﺡ‪:‬‬

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‫ﻻ ﻳﻌﺠﺰ ﺍﷲ ﺍﻟﺬﻱ‬

‫ﺇﻥ ﻗﺎﻝ ‪:‬ﻛﻦ‪ ،‬ﻟﻠﺸﻲﺀ ﻛﺎﻥ‬

‫ﺃﻣﺮ ﺍﻟﺮﻣﺎﻝ ﻓﺄﻃﻠﻌﺖ‬

‫ﺻﺤﺮﺍﺀ ﻳﺜﺮﺏ ﺃﻗﺤﻮﺍﻥ‬

‫ﻟﻠﺮﺳﻞ ﺁﻳﺎﺕ ﻭﻫﺬﺍ ﺍﻝ‬

‫ﻃﻔﻞ ﺁﻳﺘﻪ ﺍﻟﺒﻴﺎﻥ‬

‫ﺍﻟﺮﻭﺡ ﳝﻠﻲ ﻣﺎ ﻳﺘﺮ‬

‫ﲨﻪ ﻭﻧﻌﻢ ﺍﻟﺘﺮﲨﺎﻥ‬

‫ﺑﺎﻟﻀﺎﺩ ﺁﺫﻥ ﺭﺑﻪ‬

‫ﻓﺘﺨﻠﺪﺕ ﻟﻐﺔ ﺍﻷﺫﺍﻥ‬

‫ﻳﺎ ﺻﺎﺣﱯ ﺑﺄﻱ ﺁﻻ‬

‫ﺀ ﺍﻟﺮﺳﻮﻝ ﺗﻜﺬﺑﺎﻥ؟‬

‫ﺷﺮ ﹰﻓﺎ ﺣﺮﺍﺀ ﺍﻟﻐﺎﺭ‪ ..‬ﻫﻞ‬

‫ﻛﺤﺮﺍﺀ ﰲ ﺍﻟﺪﻧﻴﺎ ﻣﻜﺎﻥ!؟‬

‫ﺃﺧﺬ ﺍﻟﺸﻬﺎﺩﺓ ﻣﻦ ﺷﻔﺎ‬

‫ﻩ ﺍﳌﺼﻄﻔﻰ‪ ..‬ﺃﺧﺬ ﺍﻟﺒﻨﺎﻥ‬

‫ﰲ ﺻﺪﺭﻩ ﺿﻢ ﺍﻟﻨﺠ ‪‬ﻲ‬

‫ﻭﺻﺎﻥ ﻣﻌﺠﺰﺓ ﺍﻟﺰﻣﺎﻥ‬

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‫ﻭﺗﱰﻟﺖ ﺃﻡ ﺍﻟﻜﺘﺎ‬

‫ﺏ ﻋﻠﻰ ﺍﻟﻴﺘﻴﻢ ﻣﻊ ﺍﻟﻠﺒﺎﻥ‬

‫ﻓﻬﺪﻯ ﺍﻷﻋﺎﺭﺏ ﺫﻟﻚ‬

‫ﺍﻷﻣﻲ ﺑﺎﻟﺴﻮﺭ ﺍﳊﺴﺎﻥ‬

‫ﺃﺿﺤﻮﺍ ﻭﰲ ﺍﻟﺪﻧﻴﺎ ﳍﻢ‬

‫ﺷﺄﻥ‪ ..‬ﻭﻋﻨﺪ ﺍﷲ ﺷﺎﻥ‬

‫ﻳﺎ ﺻﺎﺣﱯ ﺑﺄﻱ ﺁﻻ‬

‫ﺀ ﺍﻟﻨﱯ ﺗﻜﺬﺑﺎﻥ؟‬

‫ﻳﺎ ﻣﻦ ﺳﺮﻳﺖ ﻋﻠﻰ ﺍﻟﱪﺍ‬

‫ﻕ ﻭﺟﺰﺕ ﺃﺷﻮﺍﻁ ﺍﻟﻌﻨﺎﻥ‬

‫ﺁﻥ ﺍﻷﻭﺍﻥ ﻷﻥ ﲡ ‪‬ﺪ‬

‫ﺩ ﻟﻴﻠﺔ ﺍﳌﻌﺮﺍﺝ‪ ..‬ﺁﻥ‬

‫ﻋﺮﺝ ﻋﻠﻰ ﺍﻟﻘﺪﺱ ﺍﻟﺸﺮ‬

‫ﻒ ﻓﻔﻴﻪ ﺃﻗﺪﺍﺱ ‪‬ﺎﻥ‬ ‫ﻳ ِ‬

‫ﺿﺞ ﺍﳊﺠﻴﺞ ﺑﻪ ﻭ ِﺭ‬

‫ﻳﻊ ﺿﺮﳛﻪ ﻭﺍﳌﺴﺠﺪﺍﻥ‬

‫ﻭﺍﻟﻘﻮﻡ ﺃﻟﺴﻨﺔ ﻣﺒﻞ‬

‫ﻟﺔ‪ ..‬ﻛﺄﻥ ﺍﳊﺸﺮ ﺣﺎﻥ‬

‫ﻫﺬﻱ »ﺳﺪﻭﻡ« ﺗﺼﺎﻋﺪ‬

‫ﺍﻟﻨﲑﺍﻥ ﻣﻨﻬﺎ ﻭﺍﻟﺪﺧﺎﻥ‬

‫ﻭﺍﻟﺬﻋﺮ ﳛﺪﻭ ﺍﻟﺸﺎﺭﺩﻳﻦ‬

‫ﻛﺄ‪‬ﻢ ﻗﻄﻌﺎﻥ ﺿﺎﻥ‬

‫ﻣﺎﺫﺍ ﺩﻫﺎﻫﻢ؟ ﻫﻞ ﻋﺼﻮ‬

‫ﻙ ﻓﺄﺻﺒﺢ ﺍﻟﻐﺎﺯﻱ ﺟﺒﺎﻥ!؟‬

‫ﺃﻧﺖ ﺍﻟﺬﻱ ﻋﻠﻤﺘﻬﻢ‬

‫ﺩﻓﻊ ﺍﳌﻬﺎﻧﺔ ﺑﺎﻟﺴﻨﺎﻥ‬

‫ﻭﻧﺬﺭﺕ ﻟﻠﺸﻬﺪﺍﺀ ﺟﻦ‬

‫ﺍﺕ ﻭﺧﲑﺍﺕ ﺣﺴﺎﻥ‬

‫ﻳﺎ ﺻﺎﺣﱯ ﺑﺄﻱ ﺁﻻ‬

‫ﺀ ﺍﻟﻨﱯ ﺗﻜﺬﺑﺎﻥ؟‬

‫ﺣﻠﻴﻢ ﺩﻣﻮﺱ‬

‫ﻭﺃﻣﺎ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻠﺒﻨﺎﱐ ﺣﻠﻴﻢ ﺩﻣﻮﺱ )‪1957-1888‬ﻡ(‬

‫ﺍﻟﺬﻱ ﻟﻘﺐ ﻧﻔﺴﻪ ﺏ»ﺣﺴﺎﻥ« ﺗﻴﻤﻨ‪‬ﺎ ﺑﺎﺳﻢ ﺷﺎﻋﺮ ﺍﻟﺮﺳﻮﻝ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﻫﻮ ﺍﻟﻨﺼﺮﺍﱐ ﺍﻟﺬﻱ ﺍﻋﺘﻨﻖ ﺍﲡﺎ ‪‬ﻫﺎ‬ ‫ﻳﺪﻋﻮ ﺇﱃ ﺍﻹﳝﺎﻥ ﺑﻜﻞ ﺍﻟﺪﻳﺎﻧﺎﺕ ﺍﻟﺴﻤﺎﻭﻳﺔ‪ ،‬ﻭﻧﺒﺬ ﺍﻟﻄﻘﻮﺱ‬

‫ﺍﻟﺸﻜﻠﻴﺔ‪ ،‬ﻭﺍﻟﺘﺮﻛﻴﺰ ﻋﻠﻰ ﺍﻟﺼﻔﺎﺀ ﺍﻟﺮﻭﺣﻲ ﻓﻴﻘﻮﻝ ﻋﻨﻪ‬

‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﺃﳏﻤﺪ ﻭﺍ‪‬ﺪ ﺑﻌﺾ ﺻﻔﺎﺗﻪ‬

‫‪‬ﳎّﺪﺕ ﰲ ﺗﻌﻠﻴﻤﻚ ﺍﻷﺩﻳﺎﻧﺎ‬

‫ﺑﻌﺚ ﺍﳉﻬﺎﺩ ﻟﺪﻥ ﺑﻌﺜﺖ ﻭﺟﺮﺩﺕ‬

‫ﺃﺳﻴﺎﻑ ﺻﺤﺒﻚ ﺗﻔﺘﺢ ﺍﻟﺒﻠﺪﺍﻧﺎ‬

‫ﻭﺭﻓﻌﺖ ﺫﻛﺮ ﺍﷲ ﰲ ﺃﻣﻴﺔ‬

‫ﻭﺛﻨﻴﺔ ﻭﻧﻔﺤﺘﻬﺎ ﺍﻹﳝﺎﻧﺎ‬

‫ﻣﺮﺣﻰ ﻷﻣﻲ ﻳﻌﻠﻢ ﺳﻔﺮﻩ‬

‫ﻧﺒﻐﺎﺀ ﻳﻌﺮﺏ ﺣﻜﻤﺔ ﻭﺑﻴﺎﻧﺎ‬

‫ﺇﱐ ﻣﺴﻴﺤﻲ ﺃﺣﺐ ﳏﻤ ‪‬ﺪﺍ‬

‫ﻭﺃﺭﺍﻩ ﰲ ﻓﻠﻚ ﺍﻟﻌﻼ ﻋﻨﻮﺍﻧﺎ‬

‫ﻭﻟﻪ ﻗﺼﻴﺪﺓ ﺃﺧﺮﻯ ﺟﺎﺀ ﻓﻴﻬﺎ‪:‬‬

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‫ﺗﻐ‪‬ﻨ ‪‬ﻲ ﻋﺮﻭﺱ ﺍﻟﺸﻌﺮ ﺑﺎﺳﻢ ﳏﻤﺪ‬

‫ﻭﻫﺰﻯ ﺑﲏ ﺍﻟﺪﻧﻴﺎ ﺑﺴﲑﺓ ﺃﲪﺪ‬

‫ﻟﻌﻤﺮﻙ ﻣﺎ ﺍﻷﺩﻳﺎﻥ ﺇﻻ ﻧﻮﺍﻓﺬ‬

‫ﺗﺮﻯ ﺍﷲ ﻣﻨﻬﺎ ﻣﻘﻠﺔ ﺍﳌﺘﻌﺒﺪ‬

‫ﻓﺄﳌﺢ ﰲ ﺍﻟﻘﺮﺁﻥ ﻋﻴﺴﻰ ﺑﻦ ﻣﺮﱘ‬

‫ﻭﺃﺷﻬﺪ ﰲ ﺍﻹﳒﻴﻞ ﺭﻭﺡ ﳏﻤﺪ‬

‫ﺭﺷﻴﺪ ﺳﻠﻴﻢ ﺍﳋﻮﺭﻱ‪ :‬ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺮﻭﻱ‬ ‫ﻭﻣﻦ ﺃﺷﻬﺮ ﺷﻌﺮﺍﺀ ﺍﳌﻬﺠﺮ ﺍﳉﻨﻮﰊ ﻳﱪﺯ ﻟﻨﺎ ﺍﺳﻢ ﺭﺷﻴﺪ‬

‫ﺳﻠﻴﻢ ﺍﳋﻮﺭﻱ ﺍﻟﺬﻱ ﺍﺷﺘﻬﺮ ﺑﺎﻟﺸﺎﻋﺮ ﺍﻟﻘﺮﻭﻱ‪ .‬ﻭﻗﺪ ﺻﺎﻍ‬ ‫ﻗﺼﻴﺪﺓ ﺑﻌﻨﻮﺍﻥ ﻋﻴﺪ ﺍﻟﱪﻳﺔ ﻳﺴﺘﺤﺚ ﻓﻴﻬﺎ ﺍﳌﺴﻠﻤﲔ ﻻﺳﺘﻌﺎﺩﺓ‬ ‫ﳎﺪﻫﻢ ﺍﻟﻘﺪﱘ ﻣﻨﻬﺎ‪ ،‬ﻭﻳﻘﺮﺉ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺳﻼﻣﺎﺗﻪ ﻭﺣﺒﻪ‪ ،‬ﺩﺍﻋﻴ‪‬ﺎ ﺇﱄ ﺍﻟﺘﺤﺎﺏ ﻭﺍﻟﺘﺂﺧﻲ ﺑﲔ ﺍﳌﺴﻠﻤﲔ‬ ‫ﻭﺍﻟﻨﺼﺎﺭﻯ‪ ،‬ﺧﺪﻣﺔ ﻷﻭﻃﺎ‪‬ﻢ ﻭﺍﻟﺸﺮﻕ ﻛﻠﻪ‪ ،‬ﻓﻴﻬﺘﻒ‪:‬‬ ‫ﻋﻴﺪ ﺍﻟﱪﻳﺔ ﻋﻴﺪ ﺍﳌﻮﻟﺪ ﺍﻟﻨﺒﻮﻱ‬

‫ﰲ ﺍﳌﺸﺮﻗﲔ ﻟﻪ ﻭﰲ ﺍﳌﻐﺮﺑﲔ ﺩﻭﻱ‬

‫ﻋﻴﺪ ﺍﻟﻨﱯ ﺍﺑﻦ ﻋﺒﺪ ﺍﷲ ﻣﻦ ﻃﻠﻌﺖ‬

‫ﴰﺲ ﺍﳍﺪﺍﻳﺔ ﻣﻦ ﻗﺮﺁﻧﻪ ﺍﻟﻌﻠﻮﻱ‬

‫ﻯ‬ ‫ﺑﺪﺍ ﻣﻦ ﺍﻟﻘﻔﺮ ﻧﻮﺭ‪‬ﺍ ﻟﻠﻮﺭﻯ ﻭﻫﺪ ‪‬‬

‫ﻳﺎ ﻟﻠﺘﻤﺪﻥ ﻋﻢ ّﺍﻟﻜﻮﻥ ﻣﻦ ﺑﺪﻭﻱ‬

‫ﻳﺎ ﻓﺎﺗﺢ ﺍﻷﺭﺽ ﻣﻴﺪﺍﻧ‪‬ﺎ ﻟﺪﻭﻟﺘﻪ‬

‫ﺻﺎﺭﺕ ﺑﻼﺩ‪‬ﻙ ﻣﻴﺪﺍﻧ‪‬ﺎ ﻟﻜﻞ ﻗﻮﻱ‬

‫ﻳﺎ ﻗﻮ ‪‬ﻡ ﻫﺬﺍ ﻣﺴﻴﺤ ‪‬ﻲ ﻳﺬﻛﹼﺮﻛﻢ‬

‫ﻕ ﺇﻻ ﺣﺒ‪‬ﻨﺎ ﺍﻷﺧﻮﻱ‬ ‫ﻻ ﻳ‪‬ﻨﻬِﺾ ﺍﻟﺸﺮ ‪‬‬

‫ﻓﺈﻥ ﺫﻛﺮﰎ ﺭﺳﻮﻝ ﺍﷲ ﺗﻜﺮﻣﺔ‬

‫ﻓﺒﻠﹼﻐﻮﻩ ﺳﻼﻡ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺮﻭﻱ‬

‫ﻭﻳﺘﻤﲏ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺮﻭﻱ ﺃﻥ ﻳﻌﻮﺩ ﻋﻬﺪ ﺍ‪‬ﺪ ﰲ ﺑﻐﺪﺍﺩ ﻭﺍﻷﻧﺪﻟﺲ ﻓﻴﻘﻮﻝ‪:‬‬ ‫ﺲ‬ ‫ﻳﺎﺣﺒﺬﺍ ﻋﻬﺪ ﺑﻐﺪﺍﺩ ﻭﺃﻧﺪﻟ ٍ‬

‫ﻋﻬﺪ ﺑﺮﻭﺣﻲ ﺃﻓﺪ‪‬ﻱ ﻋ‪‬ﻮ ‪‬ﺩﻩ‪ ‬ﻭﺫﻭﻱ‬

‫ﺿﺨ‪‬ﻢ ﺩﻭﻟﺘﻪ‬ ‫ﻣﻦ ﻛﺎﻥ ﰲ ﺭﻳﺒ ٍﺔ ﻣﻦ ‪‬‬

‫ﻓﻠﻴﺘ ﹸﻞ ﻣﺎﰲ ﺗﻮﺍﺭﻳﺦ ﺍﻟﺸﻌﻮﺏ ﺭ‪‬ﻭﻱ‬

‫ﻭﻫﻮ ﻧﻔﺴﻪ ﺍﻟﺬﻱ ﻃﻠﺐ ﻣﻦ ﻛﻞ ﻗﺎﺋﺪ ﻟﻸﻣﺔ ‪ -‬ﻭﺇﻥ ﻛﺎﻥ ﻛﻼﻣﻪ ﻣﻮﺟﻬ‪‬ﺎ ﺁﻧﺬﺍﻙ ﻟﻠﺰﻋﻴﻢ‬

‫ﺍﻟﺪﺭﺯﻱ ﺳﻠﻄﺎﻥ ﺍﻷﻃﺮﺵ‪ ،‬ﺣﲔ ﺃﺷﻌﻞ ﺛﻮﺭﺗﻪ ﻋﻠﻰ ﺍﻟﻔﺮﻧﺴﻴﲔ ﺳﻨﺔ ‪ - 1925‬ﺃﻥ ﻳﻘﺎﺗﻠﻮﺍ‬ ‫ﺃﻋﺪﺍﺀ ﺍﻷﻣﺔ ﺑﺴﻴﻒ ﳏﻤﺪ‪ ،‬ﻻ ﺃﻥ ﻳﺪﻳﺮﻭﺍ ﳍﺎ ﺧﺪ ﺍﳌﺴﻴﺢ ‪ -‬ﺭﻏﻢ ﺃﻧﻪ ﻧﺼﺮﺍﱐ ﻣﺆﻣﻦ ﺑﺪﻳﻨﻪ ‪-‬‬ ‫ﻓﻬﺬﺍ ﻫﻮﻣﺎ ﺗ‪‬ﺤﻤﻲ ﺑﻪ ﺍﻷﻭﻃﺎﻥ‪ ،‬ﻭﻳ‪‬ﺪﻓﻊ ﺑﻪ ﺍﻟﻌﺎﺭ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬ ‫‪48‬‬

‫ﻓﱴ ﺍﳍﻴﺠﺎﺀ ﻻ ﺗﻌﺘﺐ ﻋﻠﻴﻨﺎ‬

‫ﻭﺃﺣﺴِﻦ ﻋﺬﺭ‪‬ﻧﺎ ﲢﺴ ‪‬ﻦ ﺻﻨﻴﻌﺎ‬

‫ﲤﺮﺳﺘﻢ ‪‬ﺎ‪ ..‬ﺃﻳﺎﻡ ﻛﻨﺎ‬

‫ﺱ ﰲ ﺳﻼﺳﻠﻨﺎ ﺍﳋﻀﻮﻋﺎ‬ ‫ﳕﺎﺭ ‪‬‬

‫ﻓﺄﻭﻗﺪﰎ ﳍﺎ ﺟﺜﺜﹰﺎ ﻭﻫﺎﻣ‪‬ﺎ‬

‫ﻭﺃﻭﻗﺪﻧﺎ ﺍﳌﺒﺎﺧﺮ ﻭﺍﻟﺸﻤﻮﻋﺎ‬

‫ﺖ ﺭﻓ ‪‬ﻊ ﺍﻟﻀﻴﻢ ﻓﺎﺿﺮﺏ‬ ‫ﺇﺫﺍ ﺣﺎﻭﻟ ‪‬‬

‫ﺑﺴﻴﻒ ﳏﻤ ٍﺪ ﻭﺍﻫﺠﺮ ﻳﺴﻮﻋﺎ!‬

‫ﺃﺣﺒﻮﺍ ﺑﻌﻀﻜﻢ ﺑﻌﻀ‪‬ﺎ‪ ..‬ﻭﻋﻈﻨﺎ‬

‫‪‬ﺎ ﺫﺋﺒ‪‬ﺎ‪ ..‬ﻓﻤﺎ ﳒﱠﺖ ﻗﻄﻴﻌﺎ‬

‫ﺖ ﺇﳒﻴﻠﹰﺎ ﺟﺪﻳﺪ‪‬ﺍ‬ ‫ﺃﻻ ﺃﻧﺰﻟ ‪‬‬

‫ﻳﻌﻠﱢﻤﻨﺎ ﺇﺑﺎ ًﺀ ﻻ ﺧﻨﻮﻋﺎ!‬

‫ﺃﺟِﺮﻧﺎ ﻣﻦ ﻋﺬﺍﺏ ﺍﻟﻨﲑ ﻻ ﻣﻦ‬

‫ﻋﺬﺍﺏ ﺍﻟﻨﺎﺭ ﺇﻥ ﺗﻚ ﻣﺴﺘﻄﻴﻌﺎ‬

‫ﻭﻳﺎ ﻟﺒﻨﺎﻥ ﻣﺎﺕ ﺑ‪‬ﻨﻮﻙ ﻣﻮﺗ‪‬ﺎ‬

‫ﻭﻛﻨﺖ ﺃﻇﻨ‪‬ﻬﻢ ﻫﺠﻌﻮﺍ ﻫﺠﻮﻋﺎ‬

‫ﺃﱂ ﺗﺮﻫﻢ ﻭﻧﺎﺭ ﺍﳊﺮﺏ ﺗ‪‬ﺼﻠﻰ‬

‫ﻛﺄ ﱠﻥ ﺩﻣﺎﺀﻫﻢ ﲨﺪﺕ ﺻﻘﻴﻌﺎ‬

‫ﺑﺪﺕ ﻟﻚ ﻓﺮﺻﺔﹲ ﻟﺘﻌﻴﺶ ﺣﺮ‪‬ﺍ‬

‫ﻓﺤﺎﺫ ‪‬ﺭ ﺃﻥ ﺗﻜﻮﻥ ﳍﺎ ﻣ‪‬ﻀﻴﻌﺎ‬

‫ﻭﻣﺎ ﻟﻚ ﺑﻌﺪ ﻫﺬﺍ ﺍﻟﻴﻮﻡ ﻳﻮﻡ‪‬‬

‫ﻓﺈﻥ ﱂ ﺗﺴﺘﻄ ‪‬ﻊ ﻟﻦ ﺗﺴﺘﻄﻴﻌﺎ‬

‫ﻭﰲ ﺇﺷﺎﺭﺓ ﺇﱃ ﺍﻫﺘﻤﺎﻣﻪ ﺑﺎﻟﻮﻃﻦ ‪ -‬ﻣﻊ ﺗﻘﺪﻳﺮﻩ ﻟﻺﺳﻼﻡ ﻭﺍﻟﻨﺼﺮﺍﻧﻴﺔ ﲨﻴﻌ‪‬ﺎ ‪ -‬ﻳﻘﻮﻝ ﺍﳋﻮﺭﻱ‪:‬‬ ‫ﺢ ﺑﺜﻮﺭﰐ‬ ‫ﺖ ﺃﲪ ‪‬ﺪ ﻭﺍﳌﺴﻴ ‪‬‬ ‫ﺃﺭﺿﻴ ‪‬‬

‫ﻭﲪﺎﺳﱵ‪ ،‬ﻭﺗﺴﺎﳏﻲ ﻭﺣﻨﺎﱐ‬

‫ﻳﺎ ﻣﺴﻠﻤﻮﻥ ﻭﻳﺎ ﻧﺼﺎﺭﻯ ﺩﻳﻨﻜﻢ‬

‫ﺩﻳ ‪‬ﻦ ﺍﻟﻌﺮﻭﺑ ِﺔ ﻭﺍﺣﺪ‪ ‬ﻻ ﺍﺛﻨﺎ ِﻥ‬

‫ﺑﲑﻭﺗﻜﻢ ﻛﺪﻣﺸﻘﻜﻢ ﻭﺩﻣﺸﻘﻜﻢ‬

‫ﻛﺮﻳﺎﺿﻜﻢ ﻭﺭﻳﺎﺿ‪‬ﻜﻢ ﻛﻌ‪‬ﻤﺎ ِﻥ‬

‫ﺳﺘﺠﺪ‪‬ﺩﻭﻥ ﺍﳌﹸﻠﻚ ﻣﻦ ﳝ ٍﻦ ﺇﱃ‬

‫ﻣﺼ ٍﺮ ﺇﱃ ﺷﺎ ٍﻡ ﺇﱃ ﺑﻐﺪﺍ ِﻥ‬

‫ﻋﺒﺪ ﺍﷲ ﻳﻮﺭﻛﻲ ﺣﻼﻕ‬ ‫ﻭﻟﻠﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻱ ﻋﺒﺪ ﺍﷲ ﻳﻮﺭﻛﻲ ﺣﻼﻕ ﻣﺆﺳﺲ‬ ‫ﳎﻠﺔ ﺍﻟﻀﺎﺩ ﰲ ﺣﻠﺐ‪ ،‬ﻗﺼﻴﺪﺓ ﺑﻌﻨﻮﺍﻥ‪ :‬ﻗﺒﺲ ﻣﻦ‬ ‫ﺍﻟﺼﺤﺮﺍﺀ‪ ،‬ﻳﺸﻴﺪ ﻓﻴﻬﺎ ﺑﺎﻟﺮﺳﻮﻝ ﺍﻷﻋﻈﻢ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ‬

‫ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺍﻟﺬﻱ ﲪﻞ ﻟﻮﺍﺀ ﺍﻟﺪﻳﺎﻧﺔ ﺍﻹﺳﻼﻣﻴﺔ‪،‬‬ ‫‪49‬‬

‫ﻭﻧﻘﻞ ﺍﻟﻌﺮﺏ ﻣﻦ ﻏﻴﺎﻫﺐ ﺍﳉﻬﻞ ﻭﺍﻟﺘﺨﻠﻒ ﺇﱄ ﻓﻀﺎﺀ ﺍﻟﻌﻠﻢ ﻭﺍﻟﻨﻬﻀﺔ‪ ،‬ﻭﺗﻜﻠﱠﻠﺖ ﺃﻓﻌﺎﻟﻪ ﺑﺎ‪‬ﺪ‬ ‫ﻭﺍﻟﺴﻤﻮ ﻭﺍﻟﺮﻓﻌﺔ ﻭﺍﻹﺑﺎﺀ‪ ،‬ﻭﻫﻮ ﳛﻄﱢﻢ ﺃﻭﺛﺎﻥ ﺍﻟﺸﺮ ﻭﺍﻟﻔﺴﺎﺩ ﻭﺍﻟﻜﻔﺮ‪ ،‬ﻭﻻ ﻳﻨﺴﻲ ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﺯ‬ ‫ﺍﻟﺘﻀﺎﻣﻦ ﻭﺍﻹﺧﺎﺀ ﻭﺍﻷﻟﻔﺔ‪:‬‬ ‫ﺑﻌﺚ ﺍﻟﺸﺮﻳﻌﺔ ﻣﻦ ﻏﻴﺎﻫﺐ ﺭﻣﺴِﻬﺎ‬

‫ﻓﺮﻋﻰ ﺍﳊﻘﻮﻕ ﻭﻓﺘ‪‬ﺢ ﺍﻷﺫﻫﺎﻧﺎ‬

‫ﺃﳏﻤﺪ‪ ..‬ﻭﺍ‪ ‬ﺪ ﻧﺴﺞ ﳝﻴﻨﻪ‬

‫ﳎﺪ‪‬ﺕ ﰲ ﺗﻌﻠﻴﻤﻚ ﺍﻷﺩﻳﺎﻧﺎ‬

‫ﻭﻟﺌﻨﻪ ﺩﺍﺱ ﺍﳉﻬﺎﻟﺔ ﻭﺍﻧﺘﻀﻲ‬

‫ﺳﻴﻒ ﺍﳉﻬﺎﺩ‪ ،‬ﻭﺣﻄﱠﻢ ﺍﻷﻭﺛﺎﻧﺎ‬

‫ﻓﻠﻘﺪ ﺭﺑﻴﻨﺎ ﰲ ﻇﻼﻝ ﻋﺮﻭﺑﺔ‬

‫ﻋﺮﺑﺎﺀ‪ ..‬ﺗﺸﺮﻕ ﻋﺰﺓ ﻭﺃﻣﺎﻧﺎ‬

‫ﻣﺎ ﳓﻦ ﺇﻻ ﺇﺧﻮﺓﹲ ﻧﺴﻌﻰ ﺇﱃ‬

‫ﺇﺳﻌﺎﺩ ﺃﻣﺘﻨﺎ‪ ..‬ﻭﺻﻮ ِﻥ ﲪﺎﻧﺎ‬

‫ﺩ‪ .‬ﺷﺒﻠﻲ ﴰﻴﻞ‬

‫ﻭﺃﻣﺎ ﺍﻟﺪﻛﺘﻮﺭ ﺷﺒﻠﻲ ﺇﺑﺮﺍﻫﻴﻢ ﴰِﻴّﻞ‪ ،‬ﺍﻟﺬﻱ ﻋﺎﺵ ﰲ ﻟﺒﻨﺎﻥ‬ ‫ﻭﺃﻭﺭﺑﺎ ﻭﻣﺼﺮ ﺑﲔ )‪(1853 - 1917‬ﻡ ﻭﲡﻨﺲ ﻣﺼﺮﻳ‪‬ﺎ ﻋﺎﻡ‬ ‫‪ .1882‬ﻭﺃﺻﺪﺭ ﳎﻠﺔ ﺍﻟﺸﻔﺎﺀ )‪ ،(1891 - 1886‬ﻭﺃﺳﺲ‬

‫ﳎﻠﺔ ﺍﳌﻘﺘﻄﻒ ﻭﻣﻄﺒﻌﺘﻬﺎ )‪ ،(1885‬ﻭﻛﺎﻥ ﺷﺪﻳﺪ ﺍﻟﺜﻘﺔ ﺑﺎﻟﻌﻠﻢ‬ ‫ﻭﺍﻟﺘﺠﺮﻳﺐ‪ ،‬ﻭﻣﻦ ﺩﻋﺎﺓ ﺍﻻﺷﺘﺮﺍﻛﻴﺔ ﺍﳌﺒﻜﺮﻳﻦ‪ ،‬ﻭﻣﻨﺎﻭﺋﹰﺎ ﻟﻠﺤﻜﻢ‬ ‫ﺍﻟﻌﺜﻤﺎﱐ‪ .‬ﻭﺍﻫﺘﻢ ﺑﺪﺍﺭﻭﻳﻦ ﻭﻫﻴﺠﻞ ﻭﺍﳌﺎﺩﺓ ﺑﺸﻜﻞ ﻭﺍﺳﻊ‪ ،‬ﺣﺼﻞ‬ ‫ﻋﻠﻰ ﺟﺎﺋﺰﺓ ﺍﳉﻤﻌﻴﺔ ﺍﻟﻴﺴﻮﻋﻴﺔ ‪ (1930) -‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺩﻉ ﻣﻦ ﳏﻤﺪ ﰲ ﺳﺪﻯ ﻗﺮﺁﻧﻪ‬

‫ﻣﺎ ﻗﺪ ﳓﺎﻩ ﻟﻠﺤﻤﺔ ﺍﻟﻐﺎﻳﺎﺕ‬

‫ﺇﱐ ﻭﺇﻥ ﺃﻙ ﻗﺪ ﻛﻔﺮﺕ ﺑﺪﻳﻨﻪ‬

‫ﻫﻞ ﺃﻛﻔﺮﻥ ﲟﺤﻜﻢ ﺍﻵﻳﺎﺕ؟‬

‫ﺃﻭﻣﺎ ﺣﻮﺕ ﻣﻦ ﻧﺎﺻﻊ ﺍﻷﻟﻔﺎﻅ ﻣﻦ‬

‫ِﺣﻜﹶﻢ ﺭﻭﺍﺩﻉ ﻟﻠﻬﻮﻯ ﻭﻋﻈﺎﺕ‬

‫ﻭﺷﺮﺍﺋﻊ ﻟﻮ ﺃ‪‬ﻢ ﻋﻘﻠﻮﺍ ‪‬ﺎ‬

‫ﻣﺎ ﻗﻴﺪﻭﺍ ﺍﻟﻌﻤﺮﺍﻥ ﺑﺎﻟﻌﺎﺩﺍﺕ‬

‫ِﻧﻌ‪‬ﻢ ﺍﳌﺪﺑﺮ ﻭﺍﳊﻜﻴﻢ ﻭﺇﻧﻪ‬

‫ﺭﺏ ﺍﻟﻔﺼﺎﺣﺔ ﻣﺼﻄﻔﻰ ﺍﻟﻜﻠﻤﺎﺕ‬

‫ﺭﺟﻞ ﺍﳊﺠﺎ ﺭﺟﻞ ﺍﻟﺴﻴﺎﺳﺔ ﻭﺍﻟ ‪‬ﺪﻫﺎ‬

‫ﺑﻄﻞ ﺣﻠﻴﻒ ﺍﻟﻨﺼﺮ ﰲ ﺍﻟﻐﺎﺭﺍﺕ‬

‫ﺑﺒﻼﻏﺔ ﺍﻟﻘﺮﺁﻥ ﻗﺪ ﺧﻠﺐ ﺍﻟﻨﻬﻰ‬

‫ﻭﺑﺴﻴﻔﻪ ﺃﳓﻰ ﻋﻠﻰ ﺍﳍﺎﻣﺎﺕ‬

‫ﻣﻦ ﺩﻭﻧﻪ ﺍﻷﺑﻄﺎﻝ ﰲ ﻛﻞ ﺍﻟﻮﺭﻯ‬

‫ﻣﻦ ﺳﺎﺑﻖ ﺃﻭ ﻻﺣﻖ ﺃﻭﺁﰐ‬

‫ﻼﻁ‬ ‫ﺷﺒﻠﻲ ﺍﳌ ﹼ‬ ‫ﺃﻣﺎ ﺷﺎﻋﺮ ﺍﻷﺭﺯ ﺍﻟﻠﺒﻨﺎﱐ ﺷﺒﻠﻲ ﺍﳌﻼﻁ‬

‫)‪(1961-1878‬‬

‫ﺃﺣﺪ ﺃﺑﺮﺯ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﻌﺮﺏ ﰲ ﺍﻟﻨﺼﻒ ﺍﻷﻭﻝ ﻣﻦ ﺍﻟﻘﺮﻥ‬ ‫ﺍﻟﻌﺸﺮﻳﻦ‪ ،‬ﻭﺻﺎﺣﺐ ﺟﺮﻳﺪﺓ ﺍﻟﻮﻃﻦ‪ ،‬ﻭﺍﻟﺬﻱ ﺻﺪﺭ ﻟﻪ‬

‫ﺩﻳﻮﺍﻥ ﺷﺒﻠﻲ ﺍﳌﻼﻁ‪ ،‬ﻓﻘﺪ ﻭﻗﻒ ﺳﻨﺔ ‪ ،1924‬ﰲ ﲨﻬﻮﺭ‬ ‫ﻣﺴﻠﻤﲔ ﻭﻣﺴﻴﺤﻴﲔ ﺍﺟﺘﻤﻌﻮﺍ ﺃﻣﺎﻡ ﺍﳉﺎﻣﻊ ﺍﻟﻌﻤﺮﻱ ﺍﻟﻜﺒﲑ‪،‬‬ ‫ﻟﻴﻠﻘﻲ ﻗﺼﻴﺪﺓ "ﻋﻴﺪ ﺍﳌﻮﻟﺪ ﺍﻟﻨﺒﻮﻱ" ﺍﻟﱵ ﻳﻨﻔﻲ ﻓﻴﻬﺎ ﻋﻦ‬ ‫ﺍﻹﺳﻼﻡ ﻭﺍﻟﻘﺮﺁﻥ ﺩﻋﻮﻯ ﺍﻟﺘﻔﺮﻳﻖ ﻟﻸﻣﺔ‪ ،‬ﻭﺷﻖ ﺍﻟﻌﺼﺎ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬ ‫ﳌﻦ ﺍﻟﺒﻼﺩ؟ ﺃﻟﻴﺲ ﻣﻦ ﺃﺻﺤﺎ‪‬ﺎ‬

‫ﺃﻧﺘﻢ ﻭﳓﻦ؟ ﻓﻤﺎ ﻟﻨﺎ ﻻ ‪‬ﺘﺪﻱ‬

‫ﺣﱴ ﻣﱴ ﻻ ﻧﺴﺘﻔﻴﻖ! ﻭﻛﻠﻨﺎ‬

‫ﳓﻴﺎ ﻭﻧﺪﻓﻦ ﲢﺖ ﺟﻮ ﺃﻭﺣﺪ‬

‫ﺣﱴ ﻣﱴ ﺍﻟﺘﻔﺮﻳﻖ ﻳﻠﻌﺐ ﺩﻭﺭﻩ‬

‫ﻓﻴﻨﺎ ﻭﻧﺼﻐﻲ ﺳﺎﻣﻌﲔ ﳌﻔﺴﺪ‬

‫ﻭﻳﻈﻞ ﻣ‪‬ﻦ ﺑﺚ ﺍﳌﻔﺎﺳﺪ ﺳﻴﺪ‪‬ﺍ‬

‫ﻭﺍﻟﺼﺎﱀ ﺍﻷﻋﻤﺎﻝ ﻣﻐﻠﻮ ﹶﻝ ﺍﻟﻴﺪ‬

‫ﻭﻳﺒﻴﺖ ﻣﻦ ﺗﺪﻋﻮ ﺍﻟﺒﻼﺩ ﺃﺋﻤﺔ‬

‫ﻣﺘﺸﺎﻏﻠﲔ ﺑﺒِﻴﻌ ٍﺔ‪ ..‬ﻭﲟﺴﺠﺪ‬

‫ﻭﺍﷲ ﻣﺎ ﻗﺎﻝ ﺍﳌﺴﻴﺢ ﺗﺒﺎﻏﻀﻮﺍ‬

‫ﺣﱴ ﻧﻜﻮﻥ‪ ..‬ﻭﻻ ﻛﺘﺎﺏ ﳏﻤﺪ‬

‫ﻟﻜﻨﻤﺎ ﺃﻳﺪﻱ ﺍﳉﻬﺎﻟﺔ ﺑﺪ‪‬ﻟﺖ‬

‫ﺃﺑﻨﺎﺀ ﻫﺬﺍ ﺍﻟﻘﻄﺮ ﺷﺮ ﻣﺒﺪﺩ‬

‫ﰒ ﻳﻄﺎﻟﺐ ﺑﺈ‪‬ﺎﺀ ﺍﻟﺘﻌﺼﺐ‪ ،‬ﺍﻟﺬﻱ ﻳﻮﻗﻊ ﺍﻷﻣﺔ ﰲ ﺍﳍﻮﺍﻥ ﻭﺍﳌﺬﻟﺔ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﻭﺗﺴﺎﻫﻠﻮﺍ ﻋﻨﺪ ﺍﻷﻣﻮﺭ ﻭﺃﻋﺮﺿﻮﺍ‬

‫ﻋﻤﻦ ﻳﻘﻮﻝ ﺑﻌﻴﺴﻮِﻱ ﻭﳏﻤﺪﻱ‬

‫ﻭﺩﻋﻮﺍ ﺍﻟﺘﻌﺼﺐ ﺇﻧﻪ ﺍﻟﺪﺍﺀ ﺍﻟﺬﻱ‬

‫ﻳﻘﻀﻲ ﻋﻠﻴﻜﻢ ﺑﺎﳍﻮﺍﻥ ﺍﻟﺴﺮﻣﺪﻱ‬

‫ﻛﻞ ﻣﻦ ﺍﻷﻋﻴﺎﺩ ﻋﻴﺪ ﺍﳌﻮﻟﺪ‬

‫ﻭﻟﺘﺸﻌﻠﻮﺍ ﻫﺬﻱ ﺍﻟﻌﻮﺍﻃﻒ ﻭﻟﻴﻜﻦ‬

‫ﻣﺎﺭﻭﻥ ﻋﺒﻮﺩ‬ ‫ﻭﻳﻜﺘﺐ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻠﺒﻨﺎﱐ ﺍﳌﺴﻴﺤﻲ‪ ،‬ﺃﺑﻮ ﳏﻤﺪ ﻣﺎﺭﻭﻥ ﻋﺒﻮﺩ‬

‫)ﺍﻟﺬﻱ ﺳﺄﻓﺼﻞ ﻋﻨﻪ ﻓﻴﻤﺎ ﺑﻌﺪ( ﻣﻄﻮﻟﺔ ﻛﺒﲑﺓ ﰲ ﻣﺪﺡ ﺍﻟﻨﱯ ﺻﻠﻰ‬ ‫ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬ ‫ﻟﻮﻻ ﻛﺘﺎﺑ‪‬ﻚ ﻣﺎ ﺭﺃﻳﻨﺎ ﻣﻌﺠﺰ‪‬ﺍ‬

‫ﰲ ﺃﻣ ٍﺔ ﻣﺮﺻﻮﺻﺔ ﺍﻟﺒﻨﻴﺎ ِﻥ‬

‫ﲪﻠﺖ ﺇﱃ ﺍﻷﻗﻄﺎﺭ ﻣﻦ ﺻﺤﺮﺍﺋﻬﺎ‬

‫ﻑ ﺍﻟﻌﻤﺮﺍ ِﻥ‬ ‫ﺲ ﺍﳍﺪﻯ ﻭﻣﻄﺎﺭ ‪‬‬ ‫ﻗﺒ ‪‬‬

‫ﻫﺎ ٍﺩ ﻳ‪‬ﺼﻮ‪‬ﺭ ﱄ ﻛﺄﻥ ﻗﻮﺍﻣﻪ‬

‫ﻣﺘﺠﺴﺪ‪ ‬ﻣﻦ ﻋﻨﺼﺮ ﺍﻹﳝﺎﻥ‬

‫ﳏﺒﻮﺏ ﺍﳋﻮﺭﻱ ﺍﻟﺸﺮﺗﻮﱐ‬ ‫ﻭﻣﻦ ﺷﻌﺮﺍﺀ ﺍﳌﻬﺠﺮ ﺍﻟﺸﻤﺎﱄ‪ ،‬ﺍﻟﺬﻳﻦ ﻛﺘﺒﻮﺍ ﰲ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ‪ -‬ﺭﺍﻓﻌ‪‬ﺎ‬

‫ﺇﻳﺎﻩ ﺇﱃ ﻣﺴﺘﻮﻯ ﺍﻟﻨﻤﻮﺫﺝ ﺍﻟﺒﺸﺮﻱ ﺍﻷﰎ‪ ،‬ﺃﻭ ﻣﺜﺎﻝ ﺍﻟﺒﻄﻮﻟﺔ ﺍﻷﻭﺣﺪ ‪ -‬ﺍﻟﺸﺎﻋﺮ ﳏﺒﻮﺏ‬ ‫ﺍﳋﻮﺭﻱ ﺍﻟﺸﺮﺗﻮﱐ‪ ،‬ﺍﻟﺬﻱ ﻛﺘﺐ ﻗﺼﻴﺪﺓ ﺑﻌﻨﻮﺍﻥ‪ :‬ﻗﺎﻟﻮﺍ ﲢﺐ ﺍﻟﻌﺮﺏ ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬

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‫ﻗﺎﻟﻮﺍ ﲢﺐ ﺍﻟ ‪‬ﻌﺮ‪‬ﺏ ﻗﻠﺖ‪ :‬ﺃﺣﺒﻬﻢ‬

‫ﻳﻘﻀﻲ ﺍﳉﻮﺍ ‪‬ﺭ ﻋﻠ ‪‬ﻲ ﻭﺍﻷﺭﺣﺎ ‪‬ﻡ‬

‫ﻗﺎﻟﻮﺍ‪ :‬ﻟﻘﺪ ﲞﻠﻮﺍ ﻋﻠﻴﻚ‪ ،‬ﺃﺟﺒﺘﻬﻢ‪:‬‬

‫ﺃﻫﻠﻲ ﻭﺇﻥ ﲞﻠﻮﺍ ﻋﻠ ‪‬ﻲ ﻛﺮﺍﻡ‬

‫ﻗﺎﻟﻮﺍ ﺍﻟﺪﻳﺎﻧﺔ ﻗﻠﺖ‪ :‬ﺟﻴﻞ ﺯﺍﺋﻞ‬

‫ﻭﺗﺰﻭﻝ ﻣﻌ‪‬ﻪ ﺣﺰﺍﺯﺓﹲ ﻭﺧﺼﺎ ‪‬ﻡ‬

‫ﻭﳏﻤﺪ‪ ..‬ﺑﻄﻞ ﺍﻟﱪﻳﺔ ﻛﻠﻬﺎ‬

‫ﻫﻮ ﻟﻸﻋﺎﺭﺏ ﺃﲨﻌﲔ ﺇﻣﺎﻡ‬

‫ﻭﺻﻔﻲ ﻗﺮﻧﻔﻠﻲ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺮﻭﻣﺎﻧﺴﻲ ﺍﻟﺴﻮﺭﻱ ﻭﺻﻔﻲ ﻗﺮﻧﻔﻠﻲ ‪ 1978/1911‬ﺍﻟﺸﺎﻋﺮ‬

‫ﺍﻟﺬﻱ ﱂ ﺗﺘﺢ ﻟﻪ ﻣﺘﺎﺑﻌﺔ ﺍﻟﺪﺭﺍﺳﺔ‪ ،‬ﻭﺍﻛﺘﻔﻰ ﺑﺜﻘﺎﻓﺔ ﺷﺨﺼﻴﺔ ﻭﺍﺳﻌﺔ‪،‬‬ ‫ﻭﻛﺎﻥ ﰲ ﻃﻠﻴﻌﺔ ﺭﺍﺑﻄﺔ ﺍﻟﻜﺘﺎﺏ ﺍﻟﺴﻮﺭﻳﲔ‪ ،‬ﻭﺻﺪﺭ ﻟﻪ ﺩﻳﻮﺍﻧﻪ‬ ‫ﺍﻟﻮﺣﻴﺪ‪ :‬ﻭﺭﺍﺀ ﺍﻟﺴﺮﺍﺏ‪.‬‬ ‫ﺗﻘﻮﻝ ﳒﺎﺡ ﺍﻟﻌﻄﺎﺭ‪ :‬ﰲ ﺍﻋﺘﻘﺎﺩﻱ ﺃ ﹼﻥ ﺍﻟﺴﺒﺐ ﺍﻟﺮﺋﻴﺲ ﻭﺭﺍﺀ ﺳﻴﻞ ﺍﻟﻜﱪﻳﺎﺀ ﺍﳌﺘﺪﻓﻖ ﻫﺬﺍ‪،‬‬ ‫ﻳﺘﻠﺨﺺ ﰲ ﺃﻥ ﻭﺻﻔﻴ‪‬ﺎ ﻛﺎﻥ ﻳﻌﻠﻢ ﺃﻧﻪ ﺭﺟﻞ ﻣﻮﻫﻮﺏ ﻓﻨﻴ‪‬ﺎ ﺑﺎﻣﺘﻴﺎﺯ‪ ،‬ﻭﺻﺎﺣﺐ ﻣﻮﻗﻒ ﻣﺒﺪﺋﻲ ﻣﻦ‬ ‫ﻱ ﺣﻘﻴﻘﻲ ﺑﻨ‪‬ﺎﺀ‪ ،‬ﻻ ﻳﺼﺎﻧﻊ ﻓﻴﻪ ﻭﻻ ﳝﺎﻟﺊ‪ ،‬ﻭﻻ ﳚﺎﻣﻞ ﻭﻻ‬ ‫ﻛﻞ ﺷﻲﺀ ﰲ ﺍﳊﻴﺎﺓ ﻭﺍﻟﻮﺟﻮﺩ‪ ،‬ﺟﻮﻫﺮ ‪‬‬ ‫ﻳﺪﺍﻫﻦ‪ ،‬ﰲ ﺯﻣﻦ ﻋﺮﰊ ﺻﻌﺐ‪ ،‬ﺧﺴﺮ ﺍﻷﺑﻄﺎﻝ ﻭﺍﻟﻘﺎﺩﺓ ﻭﺍﻷﻓﺮﺍﺩ ﺍﻟﺜﻘﺎﺕ ﻓﻴﻪ ﻣﻮﺍﻗﻔﻬﻢ ﺍﳌﻀﻴﺌﺔ‪،‬‬

‫ﻭﺍﻧﺰﺍﺣﻮﺍ ﻋﻨﻬﺎ ﺃﻭﲣﻠﻮﺍ؛ ﲢﺖ ﺃﻟﻒ ﺇﻏﺮﺍﺀ ﺃﻭ‪‬ﺪﻳﺪ‪ ،‬ﻳﻘﻮﻝ‪:‬‬ ‫ﺖ ﱄ ﺍﻟﻘﺼﻮ ‪‬ﺭ ﳊﻄﻢ‬ ‫ﻟﻮ ﺃﺗﻴﺤ ‪‬‬

‫ﺕ ﻗﺼﻮﺭ‪‬ﺍ ﲢ ‪‬ﺪ ﻣﻦ ﺁﻓﺎﻗﻲ‬ ‫‪‬‬

‫ﺾ ﺑﻪ ﺍﻟﻘﻲ‬ ‫ﺃﻧﺎ ﻛﺎﻟﻈﻞ ﻻ ﻳﻌ ‪‬‬

‫ﻕ‬ ‫ﺩ ﻭﻛﺎﻟﺸﻤﺲ ﺩﻭ‪‬ﺎ ﻛﻞ ﺭﺍ ِ‬

‫ﺃﻧﺎ ﻛﺎﳌﺎﺀ‪ ،‬ﻻ ﻳﻘﺮ‪ ،‬ﻓﺈ ﹾﻥ‬

‫ﻕ‬ ‫ﻗﺮ‪ ،‬ﻓﻘﺪ ﻣﺎﺕ ﺣﺴﺮ ﹰﺓ ﻻﻧﻄﻼ ِ‬

‫ﺃﻧﺎ ﺩﻧﻴﺎ‪ ..‬ﺑﻞ ﺩﻧﻴﻮﺍﺕ ﻋﺮﺍﺽ‬

‫ﻕ‬ ‫ﻳﺘﻜﺸﻔﻦ ﻋﻦ ﻃﺒﺎﻕ ﻃﺒﺎ ِ‬

‫ﻭﻗﺪ ﻣﺪﺡ ﺍﻟﺸﺎﻋﺮ ﺳﻴﺪﻧﺎ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻋﻠﻰ ﺧﻮﻑ ﻣﻨﻪ ﺃﻥ ﻳﻮﺻﻒ‬

‫ﲟﺠﺎﻣﻠﺔ ﺍﳌﺴﻠﻤﲔ‪ ،‬ﺃﻭ ﻣﺪﺍﻫﻨﺘﻬﻢ ﳊﺎﺟﺎﺕ ﰲ ﻧﻔﺴﻪ‪ ،‬ﻓﺒﺪﺃ ﺑﺎﻟﺪﻓﺎﻉ ﻋﻦ ﻧﻔﺴﻪ‪ ،‬ﻭﺗﱪﻳﺮ ﻣﺪﺣﻪ‬

‫ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻓﻴﻌﻠﻦ ﺃﻥ ﻃﺎﺋﻒ ﺍﳊﺐ ﻃﺎﻑ ﺑﻪ‪ ،‬ﻓﺄﺗﺮﻉ ﻛﺆﻭﺱ ﺍﳍﻮﻯ‪،‬‬ ‫ﻭﺍﻹﻋﺠﺎﺏ ﺑﺎﻟﻨﱯ ﺍﻟﻴﻌﺮﰊ ‪ -‬ﻭﺍﻟﻌﺮﻭﺑﺔ ﻋﻨﺪﻫﻢ ﻭﺷﻴﺠﺔ ﻣﻬﻤﺔ ‪ -‬ﻓﻘﺎﻝ‪:‬‬

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‫ﻗﺪ ﻳﻘﻮﻟﻮﻥ‪ :‬ﺷﺎﻋﺮ‪ ‬ﻧﺼﺮﺍﱐ‬

‫ﺏ ﺍﻟﺒﻴﺎ ِﻥ‬ ‫ﻳﺮﺳﻞ ﺍﳊﺐ ﰲ ﻛِﺬﺍ ِ‬

‫ﻳﺘﻐﲏ ﻫﻮﻯ ﺍﻟﺮﺳﻮ ِﻝ‪ ..‬ﻭﻳﻬﺬﻱ‬

‫ﺑﺎﻧﺒﺜﺎﻕ ﺍﳍﺪﻯ ﻣﻦ ﺍﻟﻘﺮﺁ ِﻥ‬

‫ﻳﻨﺘﺤﻲ ﺍﳉﺒﻬﺔ ﺍﻟﻘﻮﻳ ﹶﺔ ﳛﺪﻭﻫﺎ‬

‫ﺭﻳﺎ ًﺀ ﻭﺍﻟﺸﻌﺮ )ﻻ ﻭﺟﺪﺍﱐ(‬

‫ﻛﺬﺑﻮﺍ ‪ -‬ﻭﺍﻟﺮﺳﻮ ِﻝ ‪ -‬ﱂ ﳚ ِﺮ ﻳﻮﻣ‪‬ﺎ‬

‫ﲞﻼﻑ ﺍﻟﺬﻱ ﺃﻛﻦ ﻟﺴﺎﱐ‬

‫ﺖ ﺑﺎﳍﻮﻯ ﺑﻞ ﺳﻘﺎﱐ‬ ‫ﻣﺎ ﺗﺮﺍﺀﻳ ‪‬‬

‫ﻃﺎﺋﻒ‪ ‬ﻣﻦ ﺍﳊﺐ ﻭﺍﳍﻮﻯ ﻣﺎ ﺳﻘﺎﱐ‬

‫ﱴ ﻳﻌﺮﰊ‬ ‫ﺃﻭ َﻋﺎﺭ‪ ‬ﻋﻠﻰ ﻓ ‪‬‬

‫ﺃﻥ ﺗﻐﲎ ﺑﺎﻟﺴﻴﺪ ﺍﻟﻌﺪﻧﺎﱐ!‬

‫ﺃﻭ ﻟﻴﺲ ﺍﻟﺮﺳﻮﻝ ﻣﻨﻘ ﹶﺬ ﻫﺬﺍ ﺍﻟﺸﺮ‬

‫ﻕ ﻣﻦ ﻇﻠﻤﺔ ﺍﳍﻮﻯ ﻭﺍﳍﻮﺍ ِﻥ‬

‫ﺃﻓﻜﹸﻨﺎ ﻟﻮﻻ ﺍﻟﺮﺳﻮﻝ ﺳﻮﻯ ﺍﻟﻌﺒﺪ‬

‫ﺍﻥ‪ ..‬ﺑﺌﺴﺖ ﻣﻌﻴﺸﺔ ﺍﻟﻌﺒﺪﺍﻥ!‬

‫ﺃﻭﻟﻴﺲ ﺍﻟﻮﻓﺎﺀ ﺃﻥ ﲣﻠِﺺ ﺍﳌﻦ‬

‫ﻗﺬ ﺣﺒ‪‬ﺎ ﺇﻥ ﻛﻨﺖ ﺫﺍ ﻭﺟﺪﺍﻥ!‬

‫ﻓﺎﻟﺘﺤﻴﺎﺕ ﻭﺍﻟﺴﻼﻡ ﺃﺑﺎ ﺍﻟﻘﺎﺳﻢ‬

‫ﺗ‪‬ﻬﺪﻱ ﺇﻟﻴﻚ ﰲ ﻛﻞ ﺁﻥ!‬

‫ﻣﻴﺸﺎﻝ ﺍﳌﻐﺮﰊ‬ ‫ﻭﺃﻣﺎ ﺍﻟﺸﺎﻋﺮ ﻣﻴﺸﺎﻝ ﺍﳌﻐﺮﰊ ﻓﻴﺆﻛﺪ ﻋﻠﻰ ﺍﻟﻌﻼﻗﺔ ﺍﻷﺧﻮﻳﺔ‬

‫ﻭﺍﻟﻮﻃﻨﻴﺔ ﻭﺍﻟﻌﺮﻭﺑﻴﺔ ﺑﲔ ﺍﳌﺴﻠﻤﲔ ﻭﺍﻟﻨﺼﺎﺭﻯ‪ ،‬ﻭﻳﺆﻛﺪ ﺃﻧﻪ‬ ‫ﻳﺪﻋﻢ ﺍﻹﺳﻼﻡ ﻭﺍﳌﺴﻠﻤﲔ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺍﷲ ﻗﺪﺭ ﱄ ﺩﻳﻨ‪‬ﺎ ﺃﻗﻠﺪ ‪‬ﻩ‬

‫ﻋﻘﺪ‪‬ﺍ‪ ،‬ﺃﰊ ﻛﺎﻥ ﻣﻦ ﻗﺒﻠﻲ ﺗﻘﻠﱠﺪﻩ‬

‫ﻭﺇﻥ ﺟﺎﺭﻱ ﻟﻪ ﻋﻘﺪ‪ ‬ﳝﺎﺛﻠﻪ‬

‫ﻳﻀﻲﺀ ﻳﺎﻗﻮﺗ ‪‬ﻪ ﺍﻟﻐﺎﱄ ﻭﻋﺴﺠﺪ‪‬ﻩ‬

‫ﺻﻨﻮ ﺍﳌﺴﻴﺤﻴ ِﺔ ﺍﻹﺳﻼﻡ‪ ..‬ﺃﺑﺼﺮﻩ‬

‫ﺃﺥ‪ ‬ﱄ‪ ..‬ﺩﺭﺑﻪ ﻣﺜﻠﻲ ﻭﻣﺼﻌﺪﻩ‬

‫ﺇﱐ ﺃﺩﻳﺮ ﻟﻪ ﺧﺪﻱ ﻟﻴﻠﻄﻤﲏ‬

‫ﺇﻥ ﻛﺎﻥ ﰲ ﻟﻄﻤﻪ ﻣﺎ ﻗﺪ ﳝﺠﺪﻩ‬

‫ﺯﺭﻋﺖ ﺑﺎﳊﺐ ﺃﺭﺿﻲ ﻭﻫﻲ ﳐﺼﺒﺔ‬

‫ﻭﺍﳊﺐ ﻣﺎ ﺃﲦﺮﺕ ﻓﻠﺘﺠﻨﻪ ﻳﺪﻩ‬

‫ﻭﺍﳊﺐ ﻣﺎ ﻛﺎﻥ ﺇﻻ ﺍﳊﺐ ﻳﺴﻜﺒﻪ‬

‫ﻭﻟﻴﺲ ﺇﻻﻩ ﻣﻦ ﻃﲑ ﻳﻐﺮﺩﻩ‬

‫ﻓﻴﺎ ﺑﻦ ﺃﻣﻲ ﺫﺭ ﺍﻟﺘﻔﺮﻳﻖ ﻧﺎﺣﻴﺔ‬

‫ﻓﺴﺎﺑ ‪‬ﻖ ﺍﻟﻌﻬﺪ ﻛﺎﻥ ﺍﳉﻬﻞ ﻳﻔﺴﺪﻩ‬

‫ﻭﺫﻟﻚ ﺍﳊﻘﺪ ﻛﺎﻥ ﺍﻟﻐﺮﺏ ﻳﺰﺭﻋﻪ‬

‫ﻭﺇﻧﻪ ﻭﺣﺪﻩ ﻣﻦ ﻛﺎﻥ ﳛﺼﺪﻩ‬

‫ﻱ ﺍﻟﻄﺮﻳﻖ ﺍﻟﻌﺪﻝ ﻳﻨﻬﺠﻬﺎ‬ ‫ﺃﺧﻮﻙ ﺃ ‪‬‬

‫ﻭﻟﻴﺲ ﻳﻌﻨﻴﻚ ﺃﻱ ﺍﻟﻨﺠﻢ ﻳﺮﺻﺪﻩ‬

‫ﻓﻤﺎ ﻳﻀﲑﻙ ﻣﺎ ﻛﺎﻧﺖ ﻋﻘﻴﺪﺗﻪ‬

‫ﻣﺎ ﺯﺍﻝ ﻳﻌﺒﺪ ﺭﺑ‪‬ﺎ ﺃﻧﺖ ﺗﻌﺒﺪﻩ‬

‫ﻭﻛﺎﻥ ﻳﻨﻄﻖ ﺿﺎﺩ‪‬ﺍ ﺃﻧﺖ ﻧﺎﻃﻘﻬﺎ‬

‫ﻭﻣﺎ ﺗ‪‬ﺮﺩﺩ ﻣﻦ ﺷﻌﺮ‪ ..‬ﻳﺮﺩﺩﻩ‬

‫ﻟﻌﻠﻨﺎ ﰲ ﻫﺬﻩ ﺍﳉﻮﻟﺔ ﺍﻟﻘﺼﲑﺓ‪ ،‬ﻗﺪﻣ‪‬ﺎ ﺻﻮﺭﺓ ﺇﳚﺎﺑﻴﺔ ﻟﺒﻌﺾ ﻏﲑ ﺍﳌﺴﻠﻤﲔ ﺍﻟﺬﻳﻦ ﻛﺎﻧﺖ ﳍﻢ‬

‫ﳏﻄﺎﺕ ﺣﺐ‪ ،‬ﻭﺗﻌﺎﺑﲑ ﻋﻦ ﺑﺮ ﻭﻭﻓﺎﺀ‪ ،‬ﻭﺣﺴﻦ ﺗﻘﺪﻳﺮ ﻟﻠﻨﱯ ﺍﻟﻌﻈﻴﻢ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻲ ﺁﻟﻪ‬ ‫ﻭﺻﺤﺒﻪ‪..‬‬

‫ﻭﻣﻦ ﺷﻌﺮﺍﺀ ﺍﻟﻨﺼﺎﺭﻱ ﺍﻟﺬﻱ ﳍﻢ ﻣﻮﺍﻗﻒ ﺧﺎﺻﺔ‪:‬‬ ‫‪55‬‬

‫ﺖ )ﻃ ‪‬ﻪ(‬ ‫ﳝﻤ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻯ ﺍﳌﺴﻴﺤﻰ ﺟﺎﻙ ﴰﺎﺱ‬ ‫ﺟﺎﻙ ﺻﱪﻱ ﴰﺎﺱ‪ ،‬ﺷﺎﻋﺮ ﺳﻮﺭﻱ ﻣﻦ‬

‫ﻣﻮﺍﻟﻴﺪ ﺍﳊﺴﻜﺔ ﻋﺎﻡ ‪ ،1947‬ﻧﺎﻝ ﺷﻬﺎﺩﺓ‬

‫ﺍﻟﻠﻴﺴﺎﻧﺲ ﰲ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻣﻦ ﺟﺎﻣﻌﺔ‬ ‫ﺣﻠﺐ‪ ،‬ﻭﺣﺎﺻﻞ ﻋﻠﻰ ﺍﻻﺟﺎﺯﺓ ﰲ ﺍﻟﻠﻐﺔ‬

‫ﺍﻟﻌﺮﺑﻴﺔ ﻣﻦ ﺟﺎﻣﻌﺔ ﺣﻠﺐ ﻋﺎﻡ ‪1974‬ﻡ‪.‬‬

‫ﻋﻤﻞ ﻣﺪﺭﺳ‪‬ﺎ ﳌﺎﺩﺓ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﰲ ﺍﳌﺪﺍﺭﺱ‬ ‫ﺍﻟﺴﻮﺭﻳﺔ ﺣﱴ ﺍﻟﺘﻘﺎﻋﺪ‪ ..‬ﻧﺎﻝ ﻋﺪﺓ ﺟﻮﺍﺋﺰ‬ ‫ﰲ ﻣﻀﻤﺎﺭ ﺍﻟﺸﻌﺮ ﻣﻨﻬﺎ‪ :‬ﺟﺎﺋﺰﺓ ﺧﺎﺩﻡ‬ ‫ﺍﳊﺮﻣﲔ ﺍﻟﺸﺮﻳﻔﲔ ﻋﺎﻡ ‪2002‬ﻡ‪ .‬ﻭﺟﺎﺋﺰﺓ ﻧﺎﺩﻱ ﺍﻟﻄﺎﺋﻒ ﺍﻷﺩﰊ ﰲ ﺍﻟﺴﻌﻮﺩﻳﺔ ﻋﺎﻡ ‪2005‬ﻡ‪.‬‬ ‫ﻭﻟﻪ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳌﺆﻟﻔﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ‪ ،‬ﺃﳘﻬﺎ ﻋﻠﻰ ﺣﺴﺐ ﺍﻟﺘﺮﺗﻴﺐ ﺍﻟﺰﻣﲏ‪ :‬ﺟﺮﺍﺡ ﺍﳋﺎﺑﻮﺭ‪/‬‬

‫ﺍﻟﺪﺭﺱ ﺍﳋﺎﺹ‪ /‬ﺯﻧﺎﺑﻖ ﻟﻔﺪﺍﺀ ﺍﻟﻘﻠﺐ‪ /‬ﻫﻮﺍﺟﺲ ﰲ ﺃﻋﻤﺎﻕ ﺷﺎﻋﺮ‪ /‬ﻗﺼﺎﺋﺪ ﺣﺐ‪ /‬ﻭﺭﺩﺓ ﻋﻠﻰ‬ ‫ﺿﺮﻳﺢ ﺍﳋﺎﺑﻮﺭ‪ /‬ﺍﻟﺸﻬﻴﺪ ﳏﻤﺪ ﺍﻟﺪﺭﺓ‪ /‬ﻓﺎﺭﺱ ﺍﻟﻜﻠﻤﺔ‪ /‬ﻣﻮﺍﻗﻒ‪ /‬ﺷﻴﺦ ﺍ‪‬ﺎﻫﺪﻳﻦ!‬

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‫ﺖ ) ﻃ ‪‬ﻪ ( ﺍﳌﹸ ‪‬ﺮ ‪‬ﺳﻞﹸ ﺍﻟﺮﻭﺣﺎﱐ‬ ‫ﳝﻤ ‪‬‬

‫ﻭﻳ‪‬ﺠ ﱡﻞ )ﻃﻪ( ﺍﻟﺸﺎﻋ ‪‬ﺮ ﺍﻟﻨﺼﺮﺍﱐ‬

‫ﻳﺎ ﺧﺎ ﹶﰎ ﺍﻟﺮﺳﻞ ﺍﳌﻮﺷﺢ ﺑﺎﳍﺪﻯ‬

‫ﻭﺭﺳﻮﻝ ﻧﺒ ٍﻞ ﺷﺎﻣﺦ ﺍﻟﺒﻨﻴﺎﻥ‬

‫ﻚ ﺍﻟﻮ‪‬ﺣﻲ ﻃﻬ ‪‬ﺮ ﻋﻘﻴﺪﺓ‬ ‫ﹶﺃﹾﻟ ﹶﻘ ‪‬ﻰ ﻋﻠﻴ ‪‬‬

‫ﻧﺒﻮﻳ ٍﺔ‪ ..‬ﳘﺮﺕ ﺑﻔﻴﺾ ﻣﻌﺎﻥ‬

‫ﻗﻮ‪‬ﺿﺖ ﻛﻬﻒ ﺍﳉﻬﻞ ﺗﻐﺪﻕ ﺑﺎﳌﲎ‬

‫ﻭﻧﺴﻔﺖ ﺷﺮﻙ ﻋﺒﺎﺩﺓ ﺍﻷﻭﺛﺎﻥ‬

‫ﻣﻬﻤﺎ ﺃﺳﺎﺀ ﺍﻟﻐﺮﺏ ﰲ ﺇﻳﻼﻣﻪ‬

‫ﱂ ﻳﺮﻕ ‪‬ﻫﻮﻥﹲ ﻟﻠﻨﱯ ﺍﻟﺒﺎﱐ‬

‫ﻻ ﳛﺠﺐ ﺍﻟﻐﺮﺑﺎﻝ ﻧﻮﺭ ﺷﺮﻳﻌﺔ‬

‫ﻭﻳﻈﻞ ﻧﻮﺭﻙ ﻃﺎﻫﺮ‪‬ﺍ ﺭﻭﺣﺎﱐ‬

‫ﻣﺎﺫﺍ ﺃﺳﻄﺮ ﰲ ﻧﺒﻮﻍ )ﳏﻤﺪ(‬

‫ﻗﺎﺩ ﺍﻟﺴﻔﲔ ﲝﻜﻤﺔ ﻭﺃﻣﺎﻥ‬

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‫ﻭﻣﺂﺛﺮ ﺍﻹﺳﻼﻡ ﰲ ﺳﻔﺮ ﺍﳍﺪﻯ‬

‫ﺩﺭﺏ ﺍﻟﻨﺠﺎﺓ ﻭﺷﻌﻠﺔ ﺍﻟﻔﺮﻗﺎﻥ‬

‫ﺃﻧﺎ ﻳﺎ )ﳏﻤﺪ( ﻣﻦ ﺳﻼﻟﺔ ﻳﻌﺮﺏ‬

‫ﺃﻫﻮﺍﻙ ﺩﻳﻦ ﳏﺒﺔ ﻭﺗﻔﺎﻥ‬

‫ﻭﺃﺫﻭﺩ ﻋﻨﻚ ﻣﻮ ﹰﳍﺎ ﻭﻣﺘﻴ ‪‬ﻤﺎ‬

‫ﺣﱴ ﻭﻟﻮﺃﺟﺰﻯ ﺑﻘﻄﻊ ﻟﺴﺎﱐ‬

‫ﺃﻛﱪﺕ ﺷﺄﻭﻙ ﰲ ﻓﺼﻴﺢ ﺑﻼﻏﱴ‬

‫ﻭﺷﻐﺎﻑ ﻗﻠﱯ ﻣﻬﺠﱵ ﻭﺑﻴﺎﱐ‬

‫ﻭﺃﺭﺗﻞ ﺍﻷﺷﻌﺎﺭ ﰲ ﴰﻢ ﺍﻟﻨﺪﻯ‬

‫ﺩﻳﻦ ﲡﻠﹼﻰ ﰲ ﺷﺬﻯ ﺍﻟﻐﻔﺮﺍﻥ‬

‫ﻭﺗﺴﺎﻣﺢ ﻳﺰﻫﻮ ﺑﱪﺩ ﻓﻀﻴﻠﺔ‬

‫ﻭﴰﺎﺋﻞ ﺗﺸﺪﻭ ﺑﺴﻴﺐ ﺃﻏﺎﻥ‬

‫ﺃﻏﺪﻗﺖ ﻟﻠﻌﺮﺏ ﺍﻟﻨﺼﺎﺭﻯ ﻋﺰﺓ‬

‫ﻭﻣﻜﺎﻧﺔ ﺗﺮﻗﻰ ﻟﺸ ‪‬ﻢ ﻣﻌﺎﻥ‬

‫ﻭﺃﻧﺮﺕ ﺩﺭ‪‬ﺑﺎ ﻧﺎﺿﺮ‪‬ﺍ ﺑﺮﺳﺎﻟﺔ‬

‫ﻣﺴﻚ ﺍﻟﺮﺳﻮﻝ ﻭﺧﺎﰎ ﺍﻷﺩﻳﺎﻥ‬

‫ﻭﺯﺭﻋﺖ ﰲ ﻗﻠﺐ ﺍﻟﺮﻋﻴﺔ ﺣﻜﻤﺔ‬

‫ﴰﺎﺀ ﺗﻨﻄﻖ ﰲ ﻧﺪﻯ ﺍﻟﻮﺟﺪﺍﻥ‬

‫ﺃﻭﺩﻋﺖ ﳝﻨﻚ ﰲ ﺣﺪﺍﺋﻖ ﻣﻘﻠﱵ‬

‫ﻭﻭﴰﺖ ﳎﺪﻙ ﰲ ﺷﻐﺎﻑ ﺟﻨﺎﱐ‬

‫ﻭﻧﺬﺭﺕ ﺭﻭﺣﻲ ﻟﻠﻌﺮﻭﺑﺔ ﻫﺎﺋ ‪‬ﻤﺎ‬

‫ﺑﺎﻟﻀﺎﺩ‪ ..‬ﻭﺍﻹﳒﻴﻞ‪ ..‬ﻭﺍﻟﻘﺮﺁﻥ‬

‫ﻭﻧﻘﺸﺖ ﺧﻠﻖ )ﳏﻤﺪ( ﲟﺸﺎﻋﺮﻱ‬

‫ﻭﺩﺭﺟﺖ ﺃﺭﺷﻒ ﻛﻮﺛﺮ ﺍﻟﺮﲪﻦ‬

‫ﻭﺷﺘﻠﺖ ﰲ ﺩﻭﺡ ﺍﻟﺘﺂﺧﻲ ﺃﺣﺮﰲ‬

‫ﺃﺧﺘﺎﻝ ﺯﻫﻮ‪‬ﺍ ﰲ ﺑﲏ ﻗﺤﻄﺎﻥ‬

‫ﺁﺧﻴﺖ ) ﻓﺎﻃﻤﺔ( ﺍﻟﻌﺮﻭﺑﺔ ﰲ ﺩﻣﻲ‬

‫ﻭﻋﻔﺎﻑ )ﻣﺮﱘ( ﰲ ﻓﺆﺍﺩ ﻛﻴﺎﱐ‬

‫ﻋﺎﻭﺩﺕ ﻧﻮﺭ ) ﳏﻤﺪ ( ﺑﺸﺮﻳﻌﺔ‬

‫ﺗﺰﻫﻮ ﴰﻮ ‪‬ﺧﺎ ﰱ ﺃﺟﻞ ﺑﻴﺎﻥ‬

‫ﺭﻓﻠﺖ ﻣﺒﺎﺩﺋﻪ ﻧﻀﺎﺭ ﺭﺟﺎﺣﺔ‬

‫ﻭﺗﻌﻄﺮﺕ ﺑﺎﻟﱪ ﻭﺍﻹﳝﺎﻥ‬

‫ﻭﺍ‪‬ﺪ ﻳﺘﺒﻊ ﺧﻄﻮﻩ ﺃﻧ‪‬ﻰ ﻣﺸﻰ‬

‫ﻭﻳﺴﻴﻞ ﺷﻬﺪ‪‬ﺍ ﰲ ﻓﻢ ﺍﻷﺯﻣﺎﻥ‬

‫ﻭﻟﺌﻦ ﺗﻐﻄﺮﺱ ﺃﺟﻨﱯ ﺣﺎﻗﺪ‪‬‬

‫ﻛﻔﻘﺎﻋﺔ ﺍﻟﺼﺎﺑﻮﻥ ﰲ ﺍﻟﻔﻨﺠﺎﻥ‬

‫ﺃﻧﺎ ) ﻣﺴﻠﻢ ( ﷲ ﺃﻣﺮﻱ ﰲ ﺍﻟﺪﱏ‬

‫ﻭﻣﻔﺎﺧﺮ )ﺑﺎﳌﺴﻠﻢ( ﺍﳌﻌﻮﺍﻥ‬

‫ﻭﺇﺫﺍ ﻗﺮﺃﰎ ﻟﻠﺮﺳﻮﻝ ﲢﻴﺔ‬

‫ﻓﻠ‪‬ﺘﻘﺮﺅﻭﻩ ﲢﻴﺔ ﺍﻟﻨﺼﺮﺍﱐ!‬

‫ﺍﷲ ﺃﻛﱪ ﻳﺎ ﺭﺳﻮﻝ ﻓﺴﺮ ﺑﻨﺎ‬

‫ﳓﻮ ﺍﻟﺸﻤﻮﺥ ﻭﻗﺒﻠﺔ ﺍﻹﳝﺎﻥ‬

‫ﻭﻳ ﹶﻜﺤ‪‬ﻞ ﺍﻷﻗﺼﻰ ﺑﺮﻭﺡ ﳎﺎﻫﺪ‬

‫ﻭﺍﻟﻘﺪﺱ ﺗﺰﻫﻮ ﰲ ﻗﻼﻉ ﺃﻣﺎﻥ‬

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‫ﺃﺳﺘﺼﺮﺥ )ﺍﻟﲑﻣﻮﻙ( ﰲ ﺃﻟﻖ ﺍﻟﻮﻏﻰ‬

‫ﴰﺨﺖ ﺻﻤﻮﺩ‪‬ﺍ ﰲ ﺭﺣﻰ ﺍﳌﻴﺪﺍﻥ‬

‫ﻭﺗﺮﺑﻌﺖ ﻋﺮﺵ ﺍﻟﺒﻄﻮﻟﺔ ﻭﺍﻟﻔﺪﻯ‬

‫ﻭﳕﺖ ﻋﻠﻰ ﺷﻔﺔ ﻭﻛﻞ ﻟﺴﺎﻥ‬

‫ﺃﻭﺩﻋﺖ ﻟﻠﻌﺮﺏ ﺍﻟﻜﻤﺎﺓ ﻭﺻﻴﱵ‬

‫ﻭﻏﺪﺍﺓ ﺣﺘﻔﻲ ﺍﺫﻛﺮﻭﺍ ﻋﻨﻮﺍﱐ‬

‫ﺇﻥ ﺗﺎﻩ ﻋﻨﻮﺍﱐ ﻓﺈﱐ ﺷﺎﻋﺮ‬

‫ﻋﺸﻖ ﺍﻟﻨﺨﻴﻞ ﻭﺳﻮﺭﺓ ﺍﻹﻧﺴﺎﻥ‬

‫ﻣﻬﻤﺎ ﻣﺪﺣﺘﻚ ﻳﺎ )ﺭﺳﻮﻝ( ﻓﺈﻧﻜﻢ‬

‫ﻓﻮﻕ ﺍﳌﺪﻳﺢ ﻭﻓﻮﻕ ﻛﻞ ﺑﻴﺎﻥ‬

‫ﻟﻦ ﺗﻔﻠﺢ ﺍﻟﺪﻧﻴﺎ ﺑﻜﺴﺮ ﻋﻘﻴﺪﺓ‬

‫ﻭﺍﻟﺪﻳﻦ ﻳﺮﻓﻞ ﺑﺮﺩﺓ ﺍﻟﻘﺮﺁﻥ‬

‫ﺧﻠﻴﻞ ﻣﻄﺮﺍﻥ‪ ،‬ﰲ ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﺍﳍﺠﺮﻳﺔ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻠﺒﻨﺎﱐ ﺍﻟﻜﺒﲑ ﺧﻠﻴﻞ ﻣﻄﺮﺍﻥ ﺷﺎﻋﺮ ﺍﻟﻘﻄﺮﻳﻦ‬ ‫‪ 1949 - 1872‬ﻋﺎﺵ ﻣﻌﻈﻢ ﺣﻴﺎﺗﻪ ﰲ ﻣﺼﺮ‪ .‬ﻋﺮﻑ‬ ‫ﺑﻐﻮﺻﻪ ﰲ ﺍﳌﻌﺎﱐ ﻭﲨﻌﻪ ﺑﲔ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻷﺟﻨﺒﻴﺔ‪،‬‬ ‫ﻛﻤﺎ ﻛﺎﻥ ﻣﻦ ﻛﺒﺎﺭ ﺍﻟﻜﺘﺎﺏ‪ ،‬ﻋﻤﻞ ﺑﺎﻟﺘﺎﺭﻳﺦ ﻭﺍﻟﺘﺮﲨﺔ‪،‬‬ ‫ﻳﺸﺒ‪‬ﻪ ﺑﺎﻷﺧﻄﻞ ﺑﲔ ﺣﺎﻓﻆ ﻭﺷﻮﻗﻲ‪ ،‬ﻭﺷﺒﻬﻪ ﺍﳌﻨﻔﻠﻮﻃﻲ ﺑﺎﺑﻦ‬

‫ﺍﻟﺮﻭﻣﻲ‪ .‬ﻋﺮﻑ ﺑﻐﺰﺍﺭﺓ ﻋﻠﻤﻪ ﻭﺇﳌﺎﻣﻪ ﺑﺎﻷﺩﺑﲔ ﺍﻟﻔﺮﻧﺴﻲ‬ ‫ﻭﺍﻟﻌﺮﰊ‪ ،‬ﺑﺎﻹﺿﺎﻓﺔ ﻟﺮﻗﺔ ﻃﺒﻌﻪ ﻭﻣﺴﺎﳌﺘﻪ ﻭﻫﻮ ﺍﻟﺸﻲﺀ ﺍﻟﺬﻱ ﺍﻧﻌﻜﺲ ﻋﻠﻰ ﺃﺷﻌﺎﺭﻩ‪ ،‬ﺃﹸﻃﻠﻖ ﻋﻠﻴﻪ‬ ‫ﻟﻘﺐ‪ :‬ﺷﺎﻋﺮ ﺍﻟﻘﻄﺮﻳﻦ‪ ،‬ﻣﺼﺮ ﻭﻟﺒﻨﺎﻥ‪ ،‬ﻭﺑﻌﺪ ﻭﻓﺎﺓ ﺣﺎﻓﻆ ﻭﺷﻮﻗﻲ ﺃﻃﻠﻘﻮﺍ ﻋﻠﻴﻪ ﻟﻘﺐ‪ :‬ﺷﺎﻋﺮ‬ ‫ﺍﻷﻗﻄﺎﺭ ﺍﻟﻌﺮﺑﻴﺔ‪.‬‬ ‫ﻭﻣﻦ ﻏﺮﺍﺋﺐ ﺃﻭﻫﺎﻡ ﺍﻟﻜﺘ‪‬ﺎﺏ ‪ -‬ﺍﻟﺬﻳﻦ ﻳﻨﻘﻞ ﺑﻌﻀﻬﻢ ﻋﻦ ﺑﻌﺾ ‪ -‬ﺃﻧﲏ ﻗﺮﺃﺕ ﲬﺲ‬ ‫ﻣﻘﺎﻻﺕ ﻋﻠﻰ ﺍﻷﻗﻞ ﺣﻮﻝ ﺷﺎﻋﺮ ﻻ ﻭﺟﻮﺩ‪ ،‬ﺍﲰﻪ ﻣﻄﺮﺍﻥ ﺧﻠﻴﻞ ﻣﻄﺮﺍﻥ! ﻳﻘﺼﺪﻭﻥ ﺑﻪ ﺍﻟﺸﺎﻋﺮ‬

‫ﺍﻟﻠﺒﻨﺎﱐ ﺍﳌﺒﺪﻉ ﺧﻠﻴﻞ ﻣﻄﺮﺍﻥ ﺷﺎﻋﺮ ﺍﻟﻘﻄﺮﻳﻦ‪ ،‬ﺍﻟﺬﻱ ﻟﻪ ﺳﻬﻢ ﺃﻳﻀ‪‬ﺎ ﰲ ﺍﻹﺷﺎﺩﺓ ﺑﺎﻹﺳﻼﻡ‬

‫ﻭﺭﺳﻮﻟﻪ ﺍﻟﻌﻈﻴﻢ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ‪ ،‬ﺇﺫ ﻛﺘﺐ ﻗﺼﻴﺪﺓ ﻃﻮﻳﻠﺔ ﻣﺸﺤﻮﻧﺔ‬ ‫ﺑﺎﻟﻌﺎﻃﻔﺔ‪ ،‬ﻭﺍﻟﻨﺼﺢ‪ ،‬ﻭﺍﻟﻐﲑﺓ‪ ،‬ﺗﺴﻤﻰ ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﺍﳍﺠﺮﻳﺔ ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬

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‫ﻫﻞ ﺍﳍﻼﻝ ﻓﺤﻴﻮﺍ ﻃﺎﻟﻊ ﺍﻟﻌﻴ ِﺪ‬

‫ﺣﻴﻮﺍ ﺍﻟﺒﺸﲑ ﺑﺘﺤﻘﻴﻖ ﺍﳌﻮﺍﻋﻴ ِﺪ‬

‫ﻳﺄﻳﻬﺎ ﺍﻟﺮﻣﺰ ﺗﺴﺘﺠﻠﻲ ﺍﻟﻌﻘﻮﻝ ﺑﻪ‬

‫ﲎ ﻏﲑ ﳏﺪﻭﺩ‬ ‫ﳊﻜﻤﺔ ﺍﷲ ﻣﻌ ‪‬‬

‫ﻛﺄﻥ ﺣﺴﻨﻚ ﻫﺬﺍ‪ ..‬ﻭﻫﻮ ﺭﺍﺋﻌﻨﺎ‬

‫ﺣﺴﻦ‪ ‬ﻟﺒﻜﺮ ﻣﻦ ﺍﻷﻗﻤﺎﺭ ﻣﻮﻟﻮ ِﺩ‬

‫ﻳﺎ ﻋﻴ ‪‬ﺪ ﺟﺌﺖ ﻋﻠﻰ ﻭﻋﺪ ﺗﻌﻴﺪ ﻟﻨﺎ‬

‫ﺃﻭﱃ ﺣﻮﺍﺩﺛﻚ ﺍﻷﻭﱃ ﺑﺘﺄﻳﻴﺪ‬

‫ﺑﻞ ﻛﻨﺖ ﻋﻴﺪﻳﻦ ﰲ ﺍﻟﺘﻘﺮﻳﺐ ﺑﻴﻨﻬﻤﺎ‬

‫ﻣﻌﲎ ﻟﻄﻴﻒ ﻳﻨﺎﰲ ﻛﻞ ﺗﺒﻌﻴﺪ‬

‫ﺐ‬ ‫ﺭﺳﺎﻟﺔ ﺍﷲ ﻻ ﺗﻨﻬﻰ ﺑﻼ ﻧﺼ ٍ‬

‫ﺐ ﻭﺗﻨﻜﻴﺪ‬ ‫ﻳ‪‬ﺸﻘﻲ ﺍﻷﻣﲔ ﻭﺗﻐﺮﻳ ٍ‬

‫ﻭﺑﻌﺪ ﻛﻼﻡ ﻃﻮﻳﻞ ﻋﻦ ﺍﳍﺠﺮﺓ ﻭﺍﻟﺮﺳﺎﻟﺔ ﻭﺍﳌﻬﺎﺟﺮﻳﻦ ﻳﻘﻮﻝ‪:‬‬ ‫ﻋﺎﱏ ﳏﻤﺪ ﻣﺎ ﻋﺎﱏ ‪‬ﺠﺮﺗﻪ‬

‫ﳌﺄﺭﺏ ﰲ ﺳﺒﻴﻞ ﺍﷲ ﳏﻤﻮﺩ‬

‫ﻭﻛﻢ ﻏﺰﺍﺓ ﻭﻛﻢ ﺣﺮﺏ ﲡﺸﻤﻬﺎ‬

‫ﺣﱴ ﻳﻌﻮﺩ ﺑﺘﻤﻜﲔ‪ ..‬ﻭﺗﺄﻳﻴﺪ‬

‫ﻛﺬﺍ ﺍﳊﻴﺎﺓ ﺟﻬﺎﺩ ﻭﺍﳉﻬﺎﺩ ﻋﻠﻰ‬

‫ﻗﺪﺭ ﺍﳊﻴﺎﺓ ﻭﻣﻦ ﻓﺎﺩﻯ ‪‬ﺎ ﻓﻮﺩﻱ‬

‫ﺃﺩﱏ ﺍﻟﻜﻔﺎﺡ ﻛﻔﺎﺡ ﺍﳌﺮﺀ ﻋﻦ ﺳﻔﻪ‬

‫ﻟﻼﺣﺘﻔﺎﻅ ﺑﻌﻤﺮ ﺭﻫﻦ ﲢﺪﻳﺪ‬

‫ﻭﻣﻦ ﻋﺪﺍ ﺍﻷﺟﻞ ﺍﶈﺘﻮﻡ ﻣﻄﻠﺒﻪ‬

‫ﻋﺪﺍ ﺍﻟﻔﻨﺎﺀ ﺑﺬﻛﺮ ﻏﲑ ﻣﻠﺤﻮﺩ‬

‫ﻟﻘﺪ ﻋﻠﻤﺘﻢ ﻭﻣﺎ ﻣﺜﻠﻲ ﻳﻨﺒﺌﻜﻢ‬

‫ﰐ ﻓﻴﻜﻢ ﺻﻮﺕ ﺗﺮﺩﻳﺪ‬ ‫ﻟﻜﻦ ﺻﻮ ﹶ‬

‫ﻣﺎ ﺃﲦﺮﺕ ﻫﺠﺮﺓ ﺍﳍﺎﺩﻱ ﻷﻣﺘﻪ‬

‫ﻣﻦ ﺻﺎﳊﺎﺕ ﺃﻋﺪ‪‬ﺎ ﻟﺘﺨﻠﻴﺪ‬

‫ﻭﺳﻮﺩ‪‬ﺎ ﻋﻠﻰ ﺍﻟﺪﻧﻴﺎ ﺑﺄﲨﻌﻬﺎ‬

‫ﻃﻮﺍﻝ ﻣﺎ ﺧﻠﻘﺖ ﻓﻴﻬﺎ ﺑﺘﺴﻮﻳﺪ‬

‫ﻭﻋﻦ ﺣﺎﻝ ﺍﻟﻌﺮﺏ ﻣﻦ ﺍﻟﻔﺮﻗﺔ ﻭﺍﻟﺘﺨﻠﻒ ﻭﺍﻟﺴﻮﺀ ﻭﻗﺖ ﳎﻲﺀ ﺍﻹﺳﻼﻡ ﻳﻘﻮﻝ‪:‬‬ ‫ﺑﺪﺍ ﻭﻟﻠﺸﺮﻙ ﺃﺷﻴﺎﻉ‪ ‬ﺗﻮﻃﺪﻩ‬

‫ﰲ ﻛﻞ ﻣﺴﺮﺡ ﺑﺎ ٍﺩ ﻛﻞ ﺗﻮﻃﻴﺪ‬

‫ﻭﺍﳉﺎﻫﻠﻴﻮﻥ ﻻ ﻳﺮﺿ‪‬ﻮﻥ ﺧﺎﻟﻘﻬﻢ‬

‫ﺇﻻ ﻛﻌﺒﺪ ﳍﻢ ﰲ ﺷﻜﻞ ﻣﻌﺒﻮﺩ‬

‫ﻣﺆﳍﻮﻥ ﻋﻠﻴﻬﻢ ﻣﻦ ﺻﻨﺎﻋﺘﻪ‬

‫ﺑﻌﺾ ﺍﳌﻌﺎﺩﻥ ﺃﻭ ﺑﻌﺾ ﺍﳉﻼﻣﻴﺪ‬

‫ﻣﺴﺘﻜﱪﻭﻥ ﺃﺑﺎﺓ ﺍﻟﻀﲑ ﻏﺮ ﺣﺠﻰ‬

‫ﺛﻘﺎﻝ ﺑﻄﺶ‪ ..‬ﻟﺪﺍﻥﹲ ﻛﺎﻷﻣﺎﻟﻴﺪ‬

‫ﻻ ﻳﱰﻝ ﺍﻟﺮﺃﻱ ﻣﻨﻬﻢ ﰲ ﺗﻔﺮﻗﻬﻢ‬

‫ﺖ ﻭﺗﺒﺪﻳﺪ‬ ‫ﺇﻻ ﻣﻨﺎﺯ ﹶﻝ ﺗﺸﺘﻴ ٍ‬

‫ﻭﻻ ﻳﻀﻢ ﺩﻋﺎﺀ ﻣﻦ ﺃﻭﺍﺑﺪﻫﻢ‬

‫ﺇﻻ ﻛﻤﺎ ﺻﻴﺢ ﰲ ﻋﻔﺮ ﻋﺒﺎﺩﻳﺪ‬

‫ﻭﻻ ﻳﻄﻴﻘﻮﻥ ﺣﻜﻤ‪‬ﺎ ﻏﲑ ﻣﺎ ﻋﻘﺪﻭﺍ‬

‫ﻟﺬﻱ ﻟﻮﺍﺀ ﻋﻠﻰ ﺍﻷﻫﻮﺍﺀ ﻣﻌﻘﻮﺩ‬

‫ﻭﻋﻦ ﺃﺛﺮ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻓﻴﻬﻢ ﻳﻘﻮﻝ‪:‬‬

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‫ﺑﺄﻱ ﺣﻠﻢ ﻣﺒﻴ ‪‬ﺪ ﺍﳉﻬﻞ ﻋﻦ ﺛﻘﺔ‬

‫ﻭﺃﻱ ﻋﺰﻡ ﻣﺬ ﱠﻝ ﺍﻟﻘﺎﺩﺓ ﺍﻟﺼﻴﺪ‬

‫ﺃﻋﺎﺩ ﺫﺍﻙ ﺍﻟﻔﱵ ﺍﻷﻣﻲ ﺃﻣﺘﻪ‬

‫ﴰﻠﹰﺎ ﲨﻴﻌ‪‬ﺎ ﻣﻦ ﺍﻟﻐﺮ ﺍﻷﻣﺎﺟﻴﺪ‬

‫ﺻﻌﺒﺎﻥ ﺭﺍﺿﻬﻤﺎ‪ :‬ﺗﻮﺣﻴﺪ ﻣﻌﺸﺮﻫﻢ‬

‫ﻭﺃﺧﺬﻫﻢ ﺑﻌﺪ ﺇﺷﺮﺍﻙ ﺑﺘﻮﺣﻴﺪ‬

‫ﻭﺯﺍﺩ ﰲ ﺍﻷﺭﺽ ﲤﻬﻴﺪ‪‬ﺍ ﻟﺪﻋﻮﺗﻪ‬

‫ﺑﻌﻬﺪﻩ ﻟﻠﻤﺴﻴﺤﻴﲔ ﻭﺍﳍﻮ ِﺩ‬

‫ﻭﺑﺪﺋﻪ ﺍﳊﻜﻢ ﺑﺎﻟﺸﻮﺭﻯ ﻳﺘﻢ ﺑﻪ‬

‫ﻣﺎ ﺷﺎﺀﻩ ﺍﷲ ﻋﻦ ﻋﺪﻝ ﻭﻋﻦ ﺟﻮﺩ‬

‫ﻫﺬﺍ ﻫﻮ ﺍﳊﻖ‪ ..‬ﻭﺍﻹﲨﺎﻉ ﺃﻳﺪﻩ‬

‫ﻓﻤﻦ ﻳﻔﻨﺪﻩ‪ ..‬ﺃﻭﱃ ﺑﺘﻔﻨﻴﺪ‬

‫ﻭﻳﺴﺘﻨﺨﻲ ﺃﺑﻨﺎﺀ ﻣﺼﺮ‪ ،‬ﻭﳛﺮﺿﻬﻢ ﻋﻠﻰ ﺍﻟﻨﻬﻮﺽ ﻣﻦ ﻋﺜﺮﺍ‪‬ﻢ ﺍﳊﻀﺎﺭﻳﺔ‪ ،‬ﻭﻳﺪﻋﻮﻫﻢ‬

‫ﻻﺳﺘﺤﻴﺎﺀ ﺃﳎﺎﺩﻫﻢ‪ ،‬ﻭﺃﺩﺍﺀ ﺩﻭﺭﻫﻢ ﺍﳊﻀﺎﺭﻱ ﰲ ﻗﻴﺎﺩﺓ ﺍﻟﺸﺮﻕ ﻛﻠﻪ‪ ،‬ﻟﻴﺤﻖ ﳍﺎ ﺃﻥ ﺗﺮﻓﻊ ﺭﺃﺳﻬﺎ‬ ‫ﻣﺰﻫﻮﺓ ﺑﻌﻄﺎﺀﺍ‪‬ﺎ‪ ،‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺃﻱ ﻣﺴﻠﻤﻲ ﻣﺼﺮ ﺇﻥ ﺍﳉﺪ ﺩﻳﻨﻜﻢ‬

‫ﻭﺑﺌﺲ ﻣﺎ ﻗﻴﻞ ﺷﻌﺐ ﻏﲑ ﳎﺪﻭﺩ‬

‫ﻃﺎﻝ ﺍﻟﺘﻘﺎﻋﺲ ﻭﺍﻷﻋﻮﺍﻡ ﻋﺎﺟﻠﺔ‬

‫ﻭﺍﻟﻌﺎﻡ ﻟﻴﺲ ﺇﺫﺍ ﻭﱃ ﲟﺮﺩﻭﺩ‬

‫ﻫﺒﻮﺍ ﺇﱃ ﻋﻤﻞ ﳚﺪﻱ ﺍﻟﺒﻼﺩ ﻓﻤﺎ‬

‫ﻳﻔﻴﺪﻫﺎ ﻗﺎﺋﻞ‪ :‬ﻳﺎ ﺃﻣﱵ ﺳﻮﺩﻱ‬

‫ﺳﻌﻴ‪‬ﺎ ﻭﺣﺰ ‪‬ﻣﺎ ﹶﻓ ‪‬ﻮ ‪‬ﺩ ﺍﻟﻌﺪﻝ ﻭﺩﻛ ‪‬ﻢ‬

‫ﻭﺇﻥ ﺭﺃﻯ ﺍﻟﻌﺪ ﹶﻝ ﻗﻮﻡ ﻏﲑ ﻣﻮﺩﻭﺩ‬

‫ﻻ ﺗﺘﻌﺒﻮﺍ‪ ..‬ﻻ ﲤﻠﻮﺍ ﺇﻥ ﻇﻤﺄﺗﻜﻢ‬

‫ﺇﱃ ﻏﺪﻳﺮ ﻣﻦ ﺍﻷﻗﻮﺍﻡ ﻣﻮﺭﻭﺩ‬

‫ﺗﻌﻠﻤﻮﺍ ﻛﻞ ﻋﻠﻢ ﻭﺍﻧﺒﻐﻮﺍ ﻭﺧﺬﻭﺍ‬

‫ﺑﻜﻞ ﺧﻠﻖ ﻧﺒﻴﻪ ﺃﺧﺬ ﺗﺸﺪﻳﺪ‬

‫ﻓﻜﻮﺍ ﺍﻟﻌﻘﻮﻝ ﻣﻦ ﺍﻟﺘﺼﻔﻴﺪ ﺗﻨﻄﻠﻘﻮﺍ‬

‫ﻭﻣﺎ ﺗﺒﺎﻟﻮﻥ ﺃﻗﺪﺍﻣ‪‬ﺎ ﺑﺘﺼﻔﻴﺪ‬

‫ﻣﺼﺮ ﺍﻟﻔﺆﺍ ‪‬ﺩ ﻓﺈﻥ ﺗﺪﺭﻙ ﺳﻼﻣﺘﻬﺎ‬

‫ﻓﺎﻟﺸﺮﻕ ﻟﻴﺲ ﻭﻗﺪ ﺻﺤﺖ ﲟﻔﺆﻭﺩ‬

‫ﺍﻟﺸﺮﻕ ﻧﺼﻒ ﻣﻦ ﺍﻟﺪﻧﻴﺎ ﺑﻼ ﻋﻤﻞ‬

‫ﺳﻮﻯ ﺍﳌﺘﺎﻉ ﲟﺎ ﻳﻀﲏ ﻭﻣﺎ ﻳﻮﺩﻱ‬

‫ﻭﺍﻟﻐﺮﺏ ﻳﺮﻗﻰ ﻭﻣﺎ ﺑﺎﻟﺸﺮﻕ ﻣﻦ ﳘﻢ‬

‫ﺳﻮﻯ ﺍﻟﺘﻔﺎﺕ ﺇﱃ ﺍﳌﺎﺿﻲ ﻭﺗﻌﺪﻳﺪ‬

‫ﺗﺸﻜﻮ ﺍﳊﻀﺎﺭﺓ ﻣﻦ ﺟﺴﻢ ﺃﺷﻞ ﺑﻪ‬

‫ﺷﻄﺮ ﻳﻌﺪ‪ ..‬ﻭﺷﻄﺮ ﻏﲑ ﻣﻌﺪﻭﺩ‬

‫ﺃﺑﻨﺎﺀ ﻣﺼﺮ ﻋﻠﻴﻜﻢ ﻭﺍﺟﺐ ﺟﻠﻞ‬

‫ﻟﺒﻌﺚ ﳎﺪ ﻗﺪﱘ ﺍﻟﻌﻬﺪ ﻣﻔﻘﻮﺩ‬

‫ﻓﻠﲑﺟﻊ ﺍﻟﺸﺮﻕ ﻣﺮﻓﻮﻉ ﺍﳌﻘﺎﻡ ﺑﻜﻢ‬

‫ﻭﻟﺘﺰﻩ ﻣﺼﺮ ﺑﻜﻢ ﻣﺮﻓﻮﻋﺔ ﺍﳉﻴﺪ‬

‫ﻭﺍﻟﻘﺼﻴﺪﺓ ﻃﻮﻳﻠﺔ ﻣﺸﺤﻮﻧﺔ ﺑﺎﳌﻌﺎﱐ ﺍﻟﺮﺍﺋﻌﺔ ﺛﺮﺓ ﺑﺎﻟﻐﲑﺓ ﻭﺍﻟﻮﻃﻨﻴﺔ‪ ..‬ﻭﳋﻠﻴﻞ ﻣﻄﺮﺍﻥ ﻗﺼﻴﺪﺓ‬

‫ﺍﺣﺘﻔﺎﻟﻴﺔ ﺃﺧﺮﻯ ﺷﺎﺭﻙ ﻓﻴﻬﺎ ﺍﳌﺴﻠﻤﲔ‪ ،‬ﻋﻨﻮﺍ‪‬ﺎ‪ :‬ﻋﻈﺔ ﺍﻟﻌﻴﺪ ﺍﳍﺠﺮﻱ‪ ،‬ﳝﺪﺡ ﻓﻴﻬﺎ ﻭﻳ‪‬ﻜﺒِﺮ ﺍﳍﻼﻝ‬ ‫‪ -‬ﺭﻣﺰ ﺍﻹﺳﻼﻡ‪ ،‬ﺃﻭ ﻫﻮ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻧﻔﺴﻪ ‪ -‬ﻓﻴﻘﻮﻝ‪:‬‬

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‫ﺳﻼﻡ ﻋﻠﻰ ﻫﺬﺍ ﺍﳍﻼﻝ ﻣﻦ ﺍﻣﺮﺉ‬

‫ﺻﺮﻳﺢ ﺍﳍﻮﻯ‪ ،‬ﻭﺍﳊﺮ ﻻ ﻳﺘﻜﺘﻢ‬

‫ﺳﻼﻡ ﻭﺗﻜﺮﱘ‪ ..‬ﲝﻖ ﻛﻼﳘﺎ‬

‫ﻭﺃﺷﺮﻑ ﻣﻦ ﺃﺣﺒﺒﺘ‪‬ﻪ ﻣﻦ ﺗﻜﺮﻡ‬

‫ﻫﻮﻳﺘﻚ ﺇﻛﺒﺎﺭ‪‬ﺍ ﳌﻦ ﺃﻧﺖ ﺭﻣﺰﻩ‬

‫ﻣﻦ ﺍﳌﺄﺭﺏ ﺍﻟﻌﻠﻮﻱ ﻟﻮ ﻛﺎﻥ ﻳﻔﻬﻢ‬

‫ﺃﺑﻮ ﳏﻤﺪ ﻣﺎﺭﻭﻥ ﻋﺒﻮﺩ‬ ‫ﺍﻟﺸﺎﻋﺮ ﻭﺍﻷﺩﻳﺐ ﺍﻟﻠﺒﻨﺎﱐ ﺍﳌﺴﻴﺤﻲ ﻣﺎﺭﻭﻥ ﺑﻦ ﺣﻨﺎ‬

‫ﺑﻦ ﺍﳋﻮﺭﻱ ﻳﻮﺣﻨﺎ ﻋﺒ‪‬ﻮﺩ )‪ ،(1962 - 1886‬ﻣﺮﺕ ﺇﺷﺎﺭﺓ‬ ‫ﺇﻟﻴﻪ ﻣﻦ ﻗﺮﻳﺐ‪ ،‬ﻟﻜﻦ ﻟﻪ ﻣﻮﻗﻔﹰﺎ ﺟﺪﻳﺮ‪‬ﺍ ﺃﻥ ﻧﺘﻮﻗﻒ ﺃﻣﺎﻣﻪ‪،‬‬ ‫ﺇﺫﺍ ﻋﻠﻤﻨﺎ ﺃﻧﻪ ﻛﺎﻥ ﻣﺴﻴﺤﻴ‪‬ﺎ )ﻣﻠﺘﺰﻣ‪‬ﺎ( ﺣﱴ ﺇﻧﻪ ﻧﺎﻝ ﻭﺳﺎﻡ‬ ‫ﺍﻟﻘﱪ ﺍﳌﻘﺪ‪‬ﺱ )ﺍﻟﻘﺪﺱ(‪ ،‬ﻭﺍﻟﻮﺳﺎﻡ ﺍﻟﺒﺎﺑﻮﻱ‪ -‬ﺍﻟﺒﺎﺑﺎ ﻻﻭﻥ‬

‫ﺍﻟﺜﺎﻟﺚ ﻋﺸﺮ‪) -‬ﺭﻭﻣﺎ(‪ ،‬ﻭﺍﻟﻮﺳﺎﻡ ﺍﻟﺒﺎﺑﻮﻱ ﻟﻀﺮﻳﺢ‬

‫ﺍﻟﻘﺪﻳﺲ ﺑﻄﺮﺱ )ﺭﻭﻣﺎ(‪ ،‬ﻭﻛﺘﺐ ﻛﺘﺎﰊ‪ :‬ﺍﻟﻌﻮﺍﻃﻒ ﺍﻟﻠﺒﻨﺎﻧﻴﺔ ﺇﱃ ﺍﳉﺎﻟﺲ ﻋﻠﻰ ﺍﻟﺴﺪ‪‬ﺓ ﺍﻟﺮﺳﻮﻟﻴﺔ‪،‬‬ ‫ﻭﺍﻹﻛﻠﲑﻭﺱ ﰲ ﻟﺒﻨﺎﻥ‪ ،‬ﻭﻛﺎﻥ ﺃﺑﻮﻩ ﻳﻬﻴﺌﻪ ﻟﻠﺤﻴﺎﺓ ﺍﻟﻜﻬﻨﻮﺗﻴﺔ ﰲ ﺑﺪﺍﻳﺎﺕ ﺣﻴﺎﺗﻪ‪ ..‬ﻟﻜﻨﻪ ﺃﺗﻰ ﺷﻴﺌﹰﺎ‬ ‫ﻋﺠﻴﺒ‪‬ﺎ‪ ،‬ﻧﻘﺮﺅﻩ ﻋﻨﻪ ﻣﺒﺎﺷﺮﺓ‪:‬‬ ‫ﺭﺯﻗﺖ ﻭﻟ ‪‬ﺪﺍ ﻓﺴﻤ‪‬ﻴﺘﻪ ﳏﻤ ‪‬ﺪﺍ‪ ،‬ﻓﻘﺎﻣﺖ ﻗﻴﺎﻣﺔ ﺍﻟﻨﺎﺱ‪ ،‬ﻓﺮﻳﻖ ﻳﺴﺘﻬﺠﻦ ﻭﻳﻘﺒ‪‬ﺢ ﻭﻳﻜﻔﹼﺮ‪ ،‬ﻭﻓﺮﻳﻖ‬ ‫ﻳﻮﺍﱄ ﻭﻳﻨﺘﺼﺮ!‬ ‫ﻭﻛﺎﻥ ﺃﻭ‪‬ﻝ ﻣﻦ ﻗﺪﺭ ﻫﺬﺍ ﺍﻟﻌﻤﻞ ﻭﺃﻋﺠﺐ ﺑﻪ ﺃﺷ ‪‬ﺪ ﺍﻹﻋﺠﺎﺏ‪ ،‬ﺻﺪﻳﻘﻲ ﺍﳌﺮﺣﻮﻡ ﺃﻣﲔ ﺍﻟﺮﳛﺎﱐ‪،‬‬ ‫ﻓﺒﻌﺚ ﺇﱄ ﺑﻜﺘﺎﺏ ﺑﻴﲏ ﻭﺑﲔ ﺍﻟﺮﳛﺎﱐ‪ .‬ﺃﻣﺎ ﺍﻵﻥ ﻓﺈﻟﻴﻚ ﺍﻟﻘﺼﻴﺪﺓ ﻭﻓﻴﻬﺎ ﺍﻟﺘﻔﺼﻴﻞ ﺍﻟﺘﺎﻡ‪.‬‬

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‫ﻋﺸﺖ ﻳﺎ ﺍﺑﲏ‪ ،‬ﻋﺸﺖ ﻳﺎ ﺧﲑ ﺻﱯ‬

‫ﺐ«‬ ‫ﻭﻟﺪﺗﻪ ﺃﻣﻪ ﰲ »ﺭﺟ ِ‬

‫ﲰ ‪‬ﻪ ﳏﻤﺪ‪‬‬ ‫ﻓﻬﺘﻔﻨﺎ ﻭﺍ ‪‬‬

‫ﺏ‬ ‫ﺃﻳﻬﺎ ﺍﻟﺘﺎﺭﻳﺦ‪ :‬ﻻ ﺗﺴﺘﻐﺮ ِ‬

‫ﻒ ﺍﻟﺪﻫﺸ ﹶﺔ ﻭﺍﺧﺸ ‪‬ﻊ ﺇﻥ‬ ‫‪‬ﺧ ﹼﻔ ِ‬

‫ﺖ ﺍﺑ ‪‬ﻦ ﻣﺎﺭﻭ ٍﻥ ﲰ‪‬ﻴﺎ ﻟﻠﻨﱯ‬ ‫ﺭﺃﻳ ‪‬‬

‫ﹸﺍﻣ‪‬ﻪ ﻣﺎ ﻭﻟﹶﺪ‪‬ﺗ ‪‬ﻪ ﻣﺴﻠ ‪‬ﻤﺎ‪ ..‬ﺃﻭ‬

‫ﻣﺴﻴﺤ‪‬ﻴﺎ‪ ..‬ﻭﻟﻜﻦ ﻋﺮﰊ‬

‫ﱯ ﺍﻟﻘﺮﺷ ّ‪‬ﻲ ﺍﳌﺼﻄﻔﻰ‬ ‫ﻭﺍﻟﻨ ّ‪‬‬

‫ﺏ‬ ‫ﺁﻳﺔ ﺍﻟﺸﺮﻕ ﻭﻓﺨﺮ ﺍﻟﻌﺮ ِ‬

‫ﻳﺎ ﺭﺑﻮﻉ ﺍﻟﺸﺮﻕ ﺃﺻﻐﻲ ﻭﺍﲰﻌﻲ‬

‫ﺐ‬ ‫ﻭﺍﻓﻬﻤﻲ ﺩﺭ ‪‬ﺳﺎ ﻋﺰﻳﺰ ﺍﳌﻄﻠ ِ‬

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‫ﺯﺭﻉ ﺍﳉﻬﻞ ﺧﻼ ﹰﻓﺎ ﺑﻴﻨﻨﺎ‬

‫ﺐ‬ ‫ﻓﺎﻓﺘﺮﻗﻨﺎ ﺑﺎﲰﻨﺎ‪ ..‬ﻭﺍﻟﻠﻘ ِ‬

‫»ﻓﺎﻷﻓﻨﺪﻱ« ﻣﺴﻠﻢ‪ ‬ﰲ ﻋﺮﻓﻨﺎ‬

‫ﻭﺍﳌﺴﻴﺤ ّ‪‬ﻲ »ﺧﻮﺍﺟﻪ« ﻓﺎﻋﺠﱯ‬

‫ﺷﻐﻠﻮﺍ ﺍﳌﺸﺮﻕ ﰲ ﺃﺩﻳﺎﻧﻪ‬

‫ﺏ‬ ‫ﻓﻐﺪﺍ ﻋﺒ ‪‬ﺪﺍ ﻷﻫﻞ ﺍﳌﻐﺮ ِ‬

‫ﻳﺎ ﺑﲏ ﺍﻋﺘ ّ‪‬ﺰ ﺑﺎﺳ ٍﻢ ﺧﺎﻟ ٍﺪ‬

‫ﺏ‬ ‫ﺶ ‪ -‬ﺃﻭﰱ ﺃ ِ‬ ‫ﻭﺗﺬ ﹼﻛ ‪‬ﺮ ‪ -‬ﺇﻥ ﺗﻌ ‪‬‬

‫ﺟﺎﺀ ﻣﺎ ﱂ ﻳﺄِﺗ ِﻪ ﻣﻦ ﻗﺒﻠ ِﻪ‬

‫ﺐ‬ ‫ﻱ‪ ..‬ﰲ ﺧﻮﺍﱄ ﺍﳊﻘ ِ‬ ‫ﻋﻴﺴﻮ ّ‬

‫ﻓﺄﻧﺎ ﺧﺼﻢ ﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﱵ‬

‫ﺏ‬ ‫ﳊ ‪‬ﺮ ِ‬ ‫ﻕ ﺑﺸ ‪‬ﺮ ﺍ ﹶ‬ ‫ﺖ ﺍﻟﺸﺮ ‪‬‬ ‫ﺃﻟﻘ ِ‬

‫ﲞﺮﺍﻓﺎِﺗ ِﻪ ﻗ ِﻢ ﺍﺳﺘﻬﺰﺉ ﻭﻗ ﹾﻞ‪:‬‬

‫ﻫﻜﺬﺍ ﻗﺪ ﻛﺎﻥ ﻣﻦ ﻗﺒﻠﻲ ﺃﰊ‬

‫ﻭﻏ ‪‬ﺪﺍ ﻳﺎ ﻭﻟﺪﻱ‪ ،‬ﺣﲔ ﺗﺮﻯ‬

‫ﺃﺛﺮﻱ ﻣﺘّ‪‬ﺒ ‪‬ﻌﺎ ﺗﻔﺨﺮ ﰊ‬

‫ﺖ ﻳﺎ ﺍﺑﲏ ﻣﻠﹼﱵ‬ ‫ﻚ ﻗﺪ ﺧﺎﻟﻔ ‪‬‬ ‫ﺑ ‪‬‬

‫ﺭﺍﺟ‪‬ﻴﺎ ﻣﻄﻠ ‪‬ﻊ ﻋﺼﺮ ﺫﻫﱯ‬

‫ﺾ‬ ‫ﺐ ﻧﺎﻫ ٍ‬ ‫ﻋﺼﺮ ﺣﺮﻳﺔ ﺷﻌ ٍ‬

‫ﺏ‬ ‫ﻭﺍﲢﺎ ٍﺩ‪ ..‬ﻟﺒﻘﺎﻳﺎ ﻳ‪‬ﻌﺮ‪ِ ‬‬

‫ﺣﺒ‪‬ﺬﺍ ﺍﻟﻴﻮﻡ ﺍﻟﺬﻱ ﳚﻤﻌﻨﺎ‬

‫ﺏ‬ ‫ﻑ ﺍﻟﻨ‪‬ﻴﻞ ﺣﱴ ﻳﺜﺮ ِ‬ ‫ﻣﻦ ﺿﻔﺎ ِ‬

‫ﻭﳓﻴ‪‬ﻲ ﻋﻠ ‪‬ﻤﺎ ﳜﻔ ‪‬ﻖ ﻓﻮ‬

‫ﺐ‬ ‫ﻕ ﻣﻨﺎﺭﺍﺕ ﺍﻟﻮﺭﻯ ﻭﺍﻟﻘ‪‬ﺒ ِ‬ ‫‪‬‬

‫ﻟﻴﺘﻪ ﻳﺪﺭﻙ ﻣﺎ ﺻﺎﺩﻓﺘﻪ‬

‫ﺐ‬ ‫‪ -‬ﻋﻨﺪﻣﺎ ﲰ‪‬ﻴﺘﻪ ‪ -‬ﻣﻦ ﻧﺼ ِ‬

‫ﻟﻮ ﺩﺭﻯ ﰲ ﺍﳌﻬ ِﺪ ﺃﻋﻤﺎﻝ ﺍﻷﱃ‬

‫ﺐ‬ ‫ﺣﺮﻛﺘﻬﻢ ﻛﻬﺮﺑﺎﺀ ﺍﻟﻐﻀ ِ‬

‫ﻷﰉ ﺍﻟﻌﻴﺶ ﻭﺷﺎ َﺀ ﺍﳌﻮﺕ ﰲ‬

‫ﺐ‬ ‫ﺃ ‪‬ﻣ ٍﺔ ﻋﻦ ِﺟﺪ‪‬ﻫﺎ ﰲ ﻟﻌ ِ‬

‫ﻛﻢ ﻭﻛﻢ ﻗﺪ ﻗﻴ ﹶﻞ‪ :‬ﻣﺎ ﺃﻛﻔﺮ‪‬ﻩ‬

‫ﺐ‬ ‫ﺳﻮﻑ ﻳﺼﻠﻰ ﺍﻟﻨﺎ ‪‬ﺭ ﺫﺍﺕ ﺍﻟﻠﻬ ِ‬

‫ﺠﺐ‪‬‬ ‫ﺇﻥ ﻳﺸﻨ‪‬ﻊ ﺑﺎﺑﻨ ِﻪ ﻻ ‪‬ﻋ ‪‬‬

‫ﻓﻬﻮ ﻏ ‪‬ﺮ‪ ..‬ﻛﺎﻓﺮ‪ ..‬ﻻ ﻣﺬﻫﱯ‬

‫ﻻ ﺗﺼﺪ‪‬ﻕ ﻗﻮﻟﹶﻬﻢ ﻳﺎ ﻭﻟﺪﻱ‬

‫ﺏ‬ ‫ﺇﻥ ﻓﻴﻤﺎ ﻗِﻴﻞ ﻛ ّﹶﻞ ﺍﻟﻜﺬ ِ‬

‫ﺐ ﺍﻟﻨﺎﺱ ﺩﻳﲏ‪ ..‬ﻭﺣﻴﺎ‬ ‫ﺇ ﹼﻥ ﺣ ‪‬‬

‫ﹸﺓ ﺑﻼﺩﻱ ﺑﺎﲢﺎﺩ ﺃﺭﰊ‬

‫ﻓﻜﺘﺎﰊ ﺍﻟﻌﺪ ﹸﻝ ﻣﺎ ﺑﲔ ﺍﻟﻮﺭﻯ‬

‫ﰲ ﺑﻼ ٍﺩ ﻫ ‪‬ﻲ ﺃ ّ‪‬ﻡ ﺍﻟﻜﺘﺐ‬

‫ﻀﻪ‪‬‬ ‫ﻓﺎﺗ‪‬ﺒﻊ ﻳﺎ ﺍﺑﲏ ﺃ‪‬ﺑﺎ ﺃﺑﻐ ‪‬‬

‫ﻭﺟﻔﺎ ‪‬ﻩ ﻛ ّﹸﻞ ﺫﻱ ﺩﻳ ٍﻦ ﻏﱯ‬

‫ﻕ ﻣﺬ‬ ‫ﻓﻬ ‪‬ﻢ ﺁﻓ ﹸﺔ ﻫﺬﺍ ﺍﻟﺸﺮ ِ‬

‫ﺐ‬ ‫ﺏ ﺍﻟﺮﻋ ِ‬ ‫ﺣﻜﻤﻮ ‪‬ﻩ ﺑﻀﺮﻭ ِ‬

‫ﺝ ﺍﻟﻌﻼ‬ ‫ﺟﻌﻠﻮﺍ ﺍﻷﺩﻳﺎ ﹶﻥ ﻣﻌﺮﺍ ‪‬‬

‫ﺐ‬ ‫ﻭﻣﺸ‪‬ﻮﺍ ﰲ ﺯﻫﻮﻫﻢ ﰲ ﻣﻮﻛ ِ‬

‫ﺷﺮ‪‬ﺩﻭﺍ»ﺃﲪﺪ« ﻋﻦ ﻣﻀﺠﻌﻪ‬

‫ﺏ‬ ‫ﻓﺴﺮﻯ ﻟﻴﻠ‪‬ﺘﻪ‪ ‬ﰲ ﻛﺮ ِ‬

‫ﻭ ‪‬ﺩﻫﻮﺍ ﻋﻴﺴﻰ ﳌﺎ ﻋ ﹶﻠّﻤﻪ‪‬‬

‫ﺐ‬ ‫ﻭﻫﻮ ﻟﻮﻻ ﻛﻴﺪﻫﻢ ﱂ ﻳ‪‬ﺼﻠ ِ‬

‫ﺖ ﻳﺎ ﺍﺑﲏ ﰲ ﻏ ٍﺪ‬ ‫ﻓﺈﺫﺍ ﻣﺎ ﻣ ّ‪‬‬

‫ﺏ‬ ‫ﻓﺎﺗﺒﻊ ﺧﻄﻮﻱ ﺗﻔ ‪‬ﺰ ﺑﺎﻷﺭ ِ‬

‫ﻱ ﻻ ﺗﻨﺪﺏ ﻭ ﹸﻗ ﹾﻞ‬ ‫ﻭﻋﻠﻰ ﳊﺪ ‪‬‬

‫ﺐ‪:‬‬ ‫ﺁﻳ ﹰﺔ ﺗﺰﺭﻱ ﺑﺄﻏﻠﻰ ﺍﳋﻄ ِ‬

‫ﻋﺎﺵ ﺣ ‪‬ﺮﺍ ﻋﺮﺑ‪‬ﻴﺎ ﺻﺎﺩ ﹰﻗﺎ‬

‫ﻭﻃﻮﺍﻩ ﺍﻟﻠﺤ ‪‬ﺪ ﺣ ‪‬ﺮﺍ ﻋﺮﰊ‬

‫ﻟﻮﺣﺔ ﺑﺪﻳﻌﺔ ﻟﻠﺨﻄﺎﻁ ﺍﳌﺴﻴﺤﻲ ﻭﺳﺎﻡ ﺷﻮﻛﺖ ﻣﻜﻲ‪ :‬ﺇﻥ ﺍﷲ ﻭﻣﻼﺋﻜﺘﻪ ﻳﺼﻠﻮﻥ ﻋﻠﻰ ﺍﻟﻨﱯ‪..‬‬

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‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﺎﱐ‬ ‫ﺷﻌﺮﺍﺀ‪ ،‬ﻭﺃﻋﻤﺎﻝ ﺇﺑﺪﺍﻋﻴﺔ ﺣﺪﻳﺜﺔ‬

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‫ﲤﻬﻴﺪ‪:‬‬

‫ﺫﻛﺮﺕ ﻓﻴﻤﺎ ﺳﺒﻖ ﺃﻥ ﻛﺜﲑ‪‬ﺍ ﻣﻦ ﺍﳌﺪﺍﺋﺢ ﺇﳕﺎ ﺟﺎﺀﺕ ﺃﻗﺮﺏ ﻟﻠﻨﻈﻢ ﻣﻨﻬﺎ ﻟﻠﺸﻌﺮ‪ ،‬ﺗﻌﱪ ﻋﻦ‬ ‫ﺍﳊﺐ ﻭﺍﻟﻌﺎﻃﻔﺔ ﺩﻭﻥ ﺻﻮﺭ ﺭﺍﻗﻴﺔ‪ ،‬ﻭﺧﻴﺎﻝ ﳎﻨﺢ‪ ،‬ﻭﺇﺑﺪﺍﻉ ﻟﻐﻮﻱ ﳎﺪﺩ؛ ﺑﻞ ﺳﻘﻄﺖ ﰲ ﻓﺦ‬ ‫ﺍﻻﺳﺘﻨﺴﺎﺥ ﻣﻦ ﺑﺮﺩﺓ ﺍﻟﺒﻮﺻﲑﻱ‪ ،‬ﻭﻧﻘﻠﺖ ﺃﻟﻔﺎﻇﻬﺎ ﻭﻣﻌﺎﻧﻴﻬﺎ‪ ،‬ﻭﻓﻘﺪ ﺍﻟﻨﺎﻇﻢ ﻓﻴﻬﺎ ﺷﺨﺼﻴﺘﻪ‬ ‫ﺍﻟﻠﻐﻮﻳﺔ ﻭﺍﻟﺸﻌﺮﻳﺔ‪ ،‬ﲜﺎﻧﺐ ﻋﻠﻞ ﺃﺧﺮﻯ ﺗﻀﻌﻒ ﺍﻟﻌﻤﻞ‪ ،‬ﺭﻏﻢ ﻧﺒﻞ ﻗﺼﺪﻩ‪ ،‬ﻭﺍﺟﺘﻬﺎﺩ ﺻﺎﺣﺒﻪ!‬

‫ﻭﺑﺎﳌﻘﺎﺑﻞ ﳒﺪ ﺷﻌﺮﺍﺀ ﺃﺑﺪﻋﻮﺍ ﺻﻴﺎﻏﺎ‪‬ﻢ‪ ،‬ﻭﻋﻜﺴﻮﺍ ﺷﺨﺼﻴﺎ‪‬ﻢ ﺍﻹﺑﺪﺍﻋﻴﺔ‪ ،‬ﻭﻭﺿﻌﻮﺍ‬

‫ﺑﺼﻤﺎ‪‬ﻢ ﺍﻟﻔﻨﻴﺔ ﰲ ﻗﺼﺎﺋﺪﻫﻢ‪ ،‬ﻓﻜﺎﻧﻮﺍ ﻫﻢ ﺃﻧﻔﺴﻬﻢ؛ ﻓﻼ ﺍﺳﺘﻨﺴﺎﺥ‪ ،‬ﻭﻻ ﺗﻘﻠﻴﺪ‪ ،‬ﻭﻻ ﺗﻘﺮﻳﺮﻳﺔ‪،‬‬ ‫ﻭﻻ ﻣﺒﺎﺷﺮﺓ‪ ،‬ﻭﺳﺄﻋﺮﺽ ﰲ ﻫﺬﺍ ﺍﻟﻔﺼﻞ ﻝ)ﺑﻌﺾ( ﻫﺬﻩ ﺍﻟﺒﺪﺍﺋﻊ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻟﱵ ﺃﻇﻨﻬﺎ ﻣﻦ ﻣﻼﺋﺢ‬ ‫ﺍﳌﺪﺍﺋﺢ‪ ،‬ﻭﻓﺮﺍﺋﺪ ﺍﻟﻘﺼﺎﺋﺪ‪ ،‬ﻭﻗﺪ ﻗﺪﺭﻫﺎ ﺍﻟﻨﻘﺎﺩ‪ ،‬ﻭﺃﺛﻨﻮﺍ ﻋﻠﻴﻬﺎ‪ ،‬ﻭﻣﻨﺤﻮﻫﺎ ﺍﳉﻮﺍﺋﺰ‪ ،‬ﻭﺑﻌﺾ – ﻣﻊ‬ ‫ﺍﻟﻘﺪﻡ – ﻓﺎﺽ ﺫﻛﺮﻩ‪ ،‬ﻭﻏﹸﲏ‪ ،‬ﻭﺭﺩﺩﻩ ﺍﻟﻨﺎﺱ‪ ،‬ﺍﺳﺘﺤﺴﺎﻧ‪‬ﺎ ﻭﺇﻋﺠﺎﺑ‪‬ﺎ‪ ..‬ﻭﻟﻴﺲ ﻛﻞ ﺍﳌﻮﺟﻮﺩ ﻣﻦ‬

‫ﻫﺬﺍ ﺍﻟﺼﻨﻒ‪ ،‬ﻟﻜﻨﻚ ﻗﺎﺭﺋﻲ ﺳﺘﺤﺲ ﺑﺎﻟﺒﺪﺍﺋﻊ ﻭﻻ ﺷﻚ‪.‬‬

‫ﻭﻟﻘﺪ ﺭﺗﺒﺘﻬﺎ ﺃﲜﺪﻳ‪‬ﺎ ﻋﻠﻰ ﺍﺳﻢ ﺍﻟﺸﺎﻋﺮ‪ ،‬ﻓﻠﻌﻞ ﻗﺼﻴﺪﺓ ﺃﻗﻮﻯ‪ ،‬ﻭﺃﺑﻠﻎ ﰲ ﺳﺒﻜﻬﺎ ﻗﺪ ﺗﺄﺧﺮﺕ ﰲ‬ ‫ﺗﺮﺗﻴﺒﻬﺎ؛ ﺑﺴﺒﺐ ﺗﺮﺗﻴﺐ ﺍﺳﻢ ﺻﺎﺣﺒﻬﺎ‪ ..‬ﻓﻤﻌﺬﺭﺓ‪.‬‬ ‫ﻭﻫﺬﻩ ﺑﻌﺾ ﺍﳌﻼﺋﺢ‪.‬‬

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‫ﻋﺬﺭ‪‬ﺍ ﺭﺳﻮﻝ ﺍﷲ‬

‫ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﺑﻮ ﻣﻠﺤﺔ‬ ‫ﺍﻷﺳﺘﺎﺫ ﺇﺑﺮﺍﻫﻴﻢ ﺑﻮﻣﻠﺤﺔ ﻣﺴﺘﺸﺎﺭ ﺣﺎﻛﻢ ﺩﰊ ﻟﻠﺸﺆﻭﻥ ﺍﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﻭﺍﻹﻧﺴﺎﻧﻴﺔ‪ ،‬ﻭﺭﺋﻴﺲ ﺍﻟﻠﺠﻨﺔ ﺍﳌﻨﻈﻤﺔ ﳉﺎﺋﺰﺓ ﺩﰊ ﺍﻟﺪﻭﻟﻴﺔ ﻟﻠﻘﺮﺁﻥ‬ ‫ﺍﻟﻜﺮﱘ‪ ،‬ﻭﻧﺎﺋﺐ ﺭﺋﻴﺲ ﳎﻠﺲ ﺃﻣﻨﺎﺀ ﻣﺆﺳﺴﺔ ﳏﻤﺪ ﺑﻦ ﺭﺍﺷﺪ ﻟﻸﻋﻤﺎﻝ‬ ‫ﺍﳋﲑﻳﺔ ﻭﺍﻹﻧﺴﺎﻧﻴﺔ ﻭﻋﻀﻮﳎﻠﺲ ﺇﺩﺍﺭﺓ ﻧﺪﻭﺓ ﺍﻟﺜﻘﺎﻓﺔ ﻭﺍﻟﻌﻠﻮﻡ‪ .‬ﻛﻤﺎ‬

‫ﺃﺻﺪﺭ ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﺑﻮ ﻣﻠﺤﺔ ﻋﺪﺓ ﻛﺘﺐ ﻣﻨﻬﺎ ﻛﺘﺎﺏ ﺍﳌﺎﺟﺪﻱ ﺑﻦ‬ ‫ﻇﺎﻫﺮ‪ :‬ﺣﻴﺎﺗﻪ ﻭﺁﺛﺎﺭﻩ ﺑﺎﻻﺷﺘﺮﺍﻙ‪ /‬ﻭﻛﺘﺎﺏ ﶈﺎﺕ ﻣﻦ ﺣﻴﺎﺓ ﺍﻟﺸﻴﺦ‬ ‫ﺯﺍﻳﺪ‪.‬‬

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‫ﻣﺎ ﺯﻟﺖ ﻓﻴﻨﺎ ﻳﺎ ﳏﻤﺪ ﻗﺎﺋﺪﺍ‬

‫ﺃﺻﻔﻴﺘﻨﺎ ﳏﺾ ﺍﻟﻮﺩﺍﺩ ﻗﻼﺋﺪﺍ‬

‫ﺗﻌﻄﻲ ﳝﻴﻨﻚ ﺳﺎﺋﻐ‪‬ﺎ ﻣﻦ ﻓﻴﻀﻬﺎ‬

‫ﻓﺘﺴﻴﻞ ﻧﺒﻌ‪‬ﺎ ﺻﺎﻓﻴ‪‬ﺎ ﻭﻋﺴﺎﺟﺪﺍ‬

‫‪‬ﺪﻱ ﳕﲑ ﺍﳋﲑ ﺗﺴﻌﺪ ﺃﻧﻔﺴ‪‬ﺎ‬

‫ﻗﺪ ﺷﻔﻬﺎ ﻇﻤﺄ ﻓﻜﻨﺖ ﺍﳌﻮﺭﺩﺍ‬

‫ﻳﺎ ﻣﻦ ﺑﻪ ﳓﺪﻭ ﺭﻛﺎﺋﺐ ﻋﺰﻧﺎ‬

‫ﻭﻧﺼﻮﻍ ﻓﻴﻪ ﻣﻼﲪ‪‬ﺎ ﻭﻗﺼﺎﺋﺪﺍ‬

‫ﺗﺸﺪﻭ ﺑﻚ ﺍﻷﻃﻴﺎﺭ ﻓﻮﻕ ﻏﺼﻮ‪‬ﺎ‬

‫ﻣﻦ ﻓﺮﻁ ﻧﺸﻮ‪‬ﺎ ﺗﺜﲑ ﺣﻮﺍﺳﺪﺍ‬

‫ﻓﻸﻧﺖ ﻣﺜﻞ ﺍﻟﺸﻤﺲ ﰲ ﻭﺿﺢ ﺍﻟﻀﺤﻰ‬

‫ﻭﻷﻧﺖ ﻣﺜﻞ ﺍﻟﺒﺪﺭ ﻳﺮﺳﻢ ﻣﺸﻬﺪﺍ‬

‫ﻭﻷﻧﺖ ﺃﺻﺪﻕ ﻳﺎ ﺭﺳﻮﻝ ﳏﺒﺔ‬

‫ﻣﻦ ﺳﺎﺋﺮ ﺍﻟﺼﺤﺐ ﺍﻟﻜﺮﺍﻡ ﻭﺃﳒﺪﺍ‬

‫ﻓﻴﻚ ﺍﻟﻮﻓﺎﺀ ﺍﳊﻖ ﻧﺒﻊ ﺳﺠﻴﺔ‬

‫ﺣﱴ ﻏﺪﻭﺕ ﺃﻣﺎﻧﻴ‪‬ﺎ ﻭﻣﻘﺎﺻﺪﺍ‬

‫ﻭﺍﻟﺼﺪﻕ ﻓﻴﻚ ﴰﺎﺋﻞ ﺟﺬﺍﺑﺔ‬

‫ﰲ ﺛﻮﺑﻪ ﺃﺻﺒﺤﺖ ﻓﺮﺩ‪‬ﺍ ﻣﺎﺟﺪﺍ‬

‫ﻗﺪ ﺟﺮﺑﻮﻙ ﻓﻨﻠﺖ ﻛﺎﻣﻞ ﻗﺼﺪﻫﻢ‬

‫ﺣﱴ ﺗﺮﺩﺩ ﰲ ﺍﻟﻘﻔﺎﺭ ﺑﻚ ﺍﻟﺼﺪﻯ‬

‫ﲰﻮﻙ ﺑﺎﻟﺮﺟﻞ ﺍﻷﻣﲔ ﻧﺰﺍﻫﺔ‬ ‫‪‬‬

‫ﻭﻷﻧﺖ ﻓﻮﻕ ﺍﻟﻮﺻﻒ ﺁﻣﻨﻬﻢ ﻳﺪﺍ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﻣﺒﺘﻐﻰ ﺭﻭﺣﻲ ﻭﻳﺎ‬

‫ﻋﻴﲏ ﺍﻟﱵ ‪‬ﻤﻲ ﺍﻟﺪﻣﻮﻉ ﺷﻮﺍﻫﺪﺍ‬

‫ﱄ ﻓﻴﻚ ﺃﺷﻮﺍﻕ ﺗﺬﻳﺐ ﺟﻮﺍﳓﻲ‬

‫ﰲ ﻭﻃﺄﺓ ﺍﻟﻠﻴﻞ ﺍﻟﺒﻬﻴﻢ ﻣﺴﻬﺪﺍ‬

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‫ﰲ ﻳﻮﻡ ﻣﻮﻟﺪﻙ ﺍﻟﻜﺮﱘ ﺗﻨﺎﻫﺒﺖ‬

‫ﻗﻠﱯ ﺍﳌﺸﺎﻋﺮ ﺭﻗﺔ ﻭﺗﻨﻬﺪﺍ‬

‫ﻳﺄﻳﻬﺎ ﺍﻟﻨﻮﺭ ﺍﻟﺬﻱ ﺯﺍﻧﺖ ﺑﻪ‬

‫ﺩﻧﻴﺎ ﺍﻟﻮﺭﻯ ﻧﻌﻤ‪‬ﺎ ﻭﺧﲑ‪‬ﺍ ﺳﺎﺋﺪﺍ‬

‫ﻭﺍﻟﺪﻳﻦ ﺃﺿﺤﻰ ﺩﺭﺓ ﻷﻻﺀﺓ‬

‫ﻳﺴﱯ ﺍﻟﻌﻴﻮﻥ ﲝﺴﻨﻪ ﻭﺍﻷﻓﺆﺩﺍ‬

‫ﻳﺎ ﻣﻦ ﴰﺨﺖ ﺇﱃ ﺍﻟﻌﻼ ﲜﺪﺍﺭﺓ‬

‫ﻛﺎﻟﻨﺴﺮ ﰲ ﺃﻓﻖ ﺍﻟﻔﻀﺎﺀ ﻣﺸﺎﻫﺪﺍ‬

‫ﺗﻌﻠﻲ ﻳﺪﺍﻙ ﺍﻟﻌﺰ ﻃﻮﻉ ﺑﻨﺎ‪‬ﺎ‬

‫ﺗﺒﲏ ﺍﻟﺸﻤﻮﺥ ﻣﻨﺎﺋﺮ‪‬ﺍ ﻭﻣﻌﺎﻫﺪﺍ‬

‫ﻛﻢ ﻓﻴﻚ ﻣﻦ ﻭﺻﻒ ﺍﻹﺑﺎﺀ ﲨﺎﻋﻪ‬

‫ﺣﱴ ﻏﺪﻭﺕ ﻟﻨﺎ ﺍﳌﺜﺎﻝ ﺍﻷﻭﺣﺪﺍ‬

‫ﻣﻦ ﻭﺟﻬﻚ ﺍﻟﻮﺿﺎﺀ ﺃﺳﻔﺮ ﺳﺎﻃﻌ‪‬ﺎ‬

‫ﻧﻮﺭ ﺃﺿﺎﺀ ﺍﳌﺸﺮﻗﲔ ﺗﻮﻗﺪﺍ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﻭﺍﻟﺪﺭ ﻳﻘﻄﺮ ﺳﻠﺴﻠﹰﺎ‬

‫ﳑﺎ ﺃﻗﻮﻝ ﻛﻌﺬﺏ ﻗﻄﺮﺍﺕ ﺍﻟﻨﺪﻯ‬

‫ﰲ ﻭﺻﻒ ﺷﺎﻧﻚ ﻳﺎ ﻣﻠﻴﺢ ﺗﻔﺠﺮﺕ‬

‫ﺳﺤﺐ ﺍﳌﺪﻳﺢ ﻣﻨﺎﻫﻠﹰﺎ ﻭﻣﻮﺍﺭﺩﺍ‬

‫ﻏﺮﺍﺀ ﻛﺎﻟﺒﺪﺭ ﺍﳌﻨﲑ ﻣﻼﺣﺔ‬

‫‪‬ﺪﻳﻚ ﻭﺟﻬ‪‬ﺎ ﺑﺎﲰ‪‬ﺎ ﻣﺘﻮﺩﺩﺍ‬

‫ﻣﻦ ﺩﻭﺡ ﳎﺪﻙ ﻳﺎ ﺭﺳﻮﻝ ﺑﻨﺎﺅﻫﺎ‬

‫ﺣﱴ ﻧﻐﻴﻆ ‪‬ﺎ ﺍﻟﻌﺪﻭ ﺍﳊﺎﻗﺪﺍ‬

‫ﳎﺪ ﻛﻘﺮﺹ ﺍﻟﺸﻤﺲ ﺃﻭﺿﺢ ﻣﺎ ﻳﺮﻯ‬

‫ﰲ ﺍﳋﺎﻓﻘﲔ ﻣﻌﺎﳌﹰﺎ ﻭﻣﺸﺎﻫﺪﺍ‬

‫ﺃﻧﺖ ﺍﻟﺬﻱ ﺻﻐﺖ ﺍﻟﺰﻣﺎﻥ ﻧﻔﺎﺋﺴ‪‬ﺎ‬

‫ﰲ ﺻﺪﺭﻧﺎ ﻋﻘﺪ‪‬ﺍ ﲨﻴﻠﹰﺎ ﻣﻔﺮﺩﺍ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﺃﻧﺖ ﺍﻟﺬﻱ ﺷﺮﻓﺘﻨﺎ‬

‫ﺑﺎﻟﺪﻳﻦ ﻭﺍﳍﺪﻱ ﺍﳌﺒﲔ ﻧﻀﺎﺋﺪﺍ‬

‫ﻓﺎﻟﺸﻜﺮ ﰒ ﺍﻟﺸﻜﺮ ﻳﻨﻔﺢ ﻋﺎﻃﺮ‪‬ﺍ‬

‫ﻭﺟﻬ‪‬ﺎ ﻳﻀﻲﺀ ﺍﻟﻜﻮﻥ ﳝﻨ‪‬ﺎ ﻭﻫﺪﻯ‬

‫ﻣﻦ ﱄ ﲟﺜﻠﻚ ﻭﺍﻟﻈﺮﻭﻑ ﻛﺮﻳﻬﺔ‬

‫ﺗﻄﻐﻰ ﻋﻠﻴﻨﺎ ﻗﺴﻮﺓ ﻭﺗﺸﺪﺩﺍ‬

‫ﻋﺎﺩ ﺍﻟﻐﻼﺓ ﺇﱃ ﺍﻟﺮﺳﻮﻡ ﺳﻔﺎﻫﺔ‬

‫ﺗ‪‬ﺒﺎ ﻟﻔﻜﺮ ﺳﺎﻗﻬﻢ ﳓﻮﺍﻟﺮﺩﻯ‬

‫ﻫﻢ ﺭﺍﻓﻀﻮﻥ ﺍﳊﻖ ﻋﻤﻲ ﺟﻬﻞ‬

‫ﻫﻢ ﺷﺎﻧﺌﻮ ﺍﻟﻨﻮﺭ ﺍﻟﺬﻱ ﻋﻢ ﺍﳌﺪﻯ‬

‫ﻫﻢ ﺣﺎﺻﺪﻭ ﺍﳊﻘﺪ ﺍﻟﺬﻱ ﰲ ﺟﻮﻓﻬﻢ‬

‫ﲰ‪‬ﺎ ﺯﻋﺎﻓﹰﺎ ﻳﻠﺘﻈﻲ ﻭﻣﺼﺎﻫﺪﺍ‬

‫ﻫﻢ ﺩﻧﺴﻮﺍ ﻃﻬﺮ ﺍﳊﻀﺎﺭﺓ ﻋﻨﻮﺓ‬

‫ﺯﻭﺭ‪‬ﺍ ﻭﻏﻠﹰﺎ ﻃﺎﻓﺤ‪‬ﺎ ﻭﻣﺴﺪﺩﺍ‬

‫ﻫﻢ ﺷﻴﻌﻮﺍ ﻗﻴﻢ ﺍﻟﺴﻤﺎﺣﺔ ﻛﻠﻬﺎ‬

‫ﻭﺗﻨﺎﻫﺒﻮﻫﺎ ﻛﺎﻟﻮﺣﻮﺵ ﻣﻮﺍﺋﺪﺍ‬

‫ﻳﺎ ﻭﳛﻬﻢ ﺷﺮ ﺗﻌﺎﺿﺪ ﺿﺪﻧﺎ‬

‫ﻧﺎﺏ ﺍﻟﻌﺪﺍﻭﺓ ﻗﺪ ﺃﻃﻞ ﻭﺃﺯﺑﺪﺍ‬

‫ﺍﻟﻐﺮﺏ ﺃﻗﻔﺮ ﺳﺎﺣﻪ ﻣﻦ ﻣﻨﺼﻒ‬

‫ﻫﺒﻮﺍ ﻋﻠﻴﻨﺎ ﻳﻨﺴﺠﻮﻥ ﻣﻜﺎﺋﺪﺍ‬

‫ﻣﺎ ﺷﻮ‪‬ﻫﻮﻙ ﺃﻳﺎ ﺣﺒﻴﺐ‪ ..‬ﻭﺇﳕﺎ‬

‫ﺫﻫﺐ ﺍﻟﺬﻱ ﺭﲰﻮﻩ ﺃﺩﺭﺍﺝ ﺍﻟﺴﺪﻯ‬

‫ﻫﻢ ﺷﻮﻫﻮﺍ ﻭﺟﻪ ﺍﳊﻘﻴﻘﺔ ﻧﺎﺻﻌ‪‬ﺎ‬

‫ﻃﻠﻘﹰﺎ ‪ ..‬ﻛﺜﻐﺮ ﺍﻟﺰﻫﺮ ﺑﻠﻠﻪ ﺍﻟﻨﺪﻯ‬

‫ﻋﺬﺭ‪‬ﺍ ﺭﺳﻮﻝ ﺍﷲ ﻗﺪ ﺑﻠﻎ ﺍﻟﺰﰉ‬

‫ﺳﻔﻪ ﺗﻄﺎﻭﻝ ﰲ ﺍﳊﻴﺎﺓ ﻣﻌﺮﺑﺪﺍ‬

‫ﻋﺬﺭ‪‬ﺍ ﻓﺪﺗﻚ ﺍﻟﺮﻭﺡ ﻗﺪ ﻃﻔﺢ ﺍﻹﻧﺎ‬

‫ﳑﺎ ﺑﻪ‪ ..‬ﻭﺍﻟﻈﻠﻢ ﻋﺎﺩ ﻛﻤﺎ ﺑﺪﺍ‬

‫ﻳﻨﺪﻯ ﺟﺒﲔ ﺍﻟﺪﻫﺮ ﻣﻦ ﺧﺠﻞ ﺑﻪ‬

‫ﳑﺎ ﺑﻪ ﺗﻐﺪﻭ ﺍﻟﻌﻘﻮﻝ ﺟﻮﺍﻣﺪﺍ‬

‫ﺃﻳﻦ ﺍﻷﱃ ﻛﺘﺒﻮﺍ ﺍﳊﻴﺎﺓ ﻗﺼﻴﺪﺓ‬

‫ﻏ ‪‬ﺮﺍ ﻳﺘﻴﻪ ‪‬ﺎ ﺍﻟﺰﻣﺎﻥ ﻣﻐﺮﺩﺍ‬

‫ﻛﺎﻧﻮﺍ ﻋﺒﲑ ﺍﻟﺮﻭﺡ ﻧﻔﺤ‪‬ﺎ ﻋﺎﺑﻘﹰﺎ‬

‫ﺑﺎﺗﻮﺍ ﳌﻴﺰﺍﻥ ﺍﳊﻴﺎﺓ ﻗﻮﺍﻋﺪﺍ‬

‫ﷲ ﺩﺭﻫ ‪‬ﻢ ﺳﺠﺎﻳﺎ‪ ..‬ﺳﻄﺮﺕ‬

‫ﺑﺎﻟﻨﻮﺭ ﰲ ﺳﻔﺮ ﺍﻟﺰﻣﺎﻥ ﺭﻭﺍﺋﺪﺍ‬

‫ﻳﺒﻨﻮﻥ ﻋﺰ ﺍﻟﺪﻫﺮ ﳎﺪ ﺣﻀﺎﺭﺓ‬

‫ﻓﻴﻬﺎ ﻳﻜﻮﻥ ﺍﻟﺪﻳﻦ ﺭﻣﺰ‪‬ﺍ ﺧﺎﻟﺪﺍ‬

‫ﻫﻢ ﺃﺳﺴﻮﺍ ﺻﺮﺡ ﺍﶈﺒﺔ ﻧﺎﺻﻌ‪‬ﺎ‬

‫ﻫﻢ ﺣﻘﻘﻮﺍ ﺑﺎﻟﻌﺪﻝ ﺃﻣﻨ‪‬ﺎ ﺳﺎﺋﺪﺍ‬

‫ﻛﺎﻧﻮﺍ ﲪﺎﺓ ﻟﻠﺮﺳﻮﻝ ﻭﻫﺪﻳﻪ‬

‫ﻳﻔﺪﻭﻧﻪ ﺑﺎﻟﺮﻭﺡ ﺇﻥ ﻋﺰ ﺍﻟﻔﺪﺍ‬

‫ﻭﺍﻟﻜﻔﺮ ﺃﻭﺟﺲ ﺧﻴﻔﺔ ﻣﻦ ﺭﻫﺒﺔ‬

‫ﻭﺍﺷﺘﺪ ﰲ ﺧﻨﺲ ﺫﻟﻴﻠﹰﺎ ﺷﺎﺭﺩﺍ‬

‫ﻭﺍﻓﺘﺮ ﺛﻐﺮ ﺍﻟﺪﻫﺮ ﳛﺪﻭ ﺭﻛﺒﻬﻢ‬

‫ﺻﺪﺍ‬ ‫ﺣﱴ ﻏﺪﻭﺍ ﰲ ﺍﻷﻓﻖ ﺷﻬﺒ‪‬ﺎ ﺭ ‪‬‬

‫ﻟﺒﻮﺍ ﻧﺪﺍﺀ ﺍﻟﺪﻳﻦ ﺣ‪‬ﺒﺎ ﺟﺎﳏ‪‬ﺎ‬

‫ﺃﺿﺤﻰ ﺍﻟﻔﺪﺍﺀ ﳍﻢ ﺷﻌﺎﺭ‪‬ﺍ ﻭﺍﺣﺪﺍ‬

‫ﺣﱴ ﺇﺫﺍ ﻏﻔﻞ ﺍﻷﺑﺎﺓ ﻋﻦ ﺍﳊﻤﻰ‬

‫ﻭﺍﺳﺘﻌﺬﺑﻮﺍ ﺩﻑﺀ ﺍﻟﻔﺮﺍﺵ ﻣﺮﺍﻗﺪﺍ‬

‫ﻣﻦ ﻭﺿﻌﻨﺎ ﻫﺬﺍ ﺍﻟﺬﻱ ﻻ ﻳﺮﺗﻀﻰ‬

‫ﻗﺪ ﻣﺴﻨﺎ ﺳﻬﻢ ﺍﻟﻌﺪﺍﺓ ﻣﺴﺪﺩﺍ‬

‫ﻓﺄﺻﺎﺏ ﻣﻨﺎ ﻣﻘﺘﻠﹰﺎ ﻳﺎ ﻭﳛﻬﻢ‬

‫ﰲ ﺷﺨﺺ ﻣﻦ ﻋﺒﺪ ﺍﻹﻟﻪ ﻣﻮﺣﺪﺍ‬

‫ﻭﺍﳌﺴﻠﻤﻮﻥ ﲨﻴﻌﻬﻢ ﰲ ﺣﲑﺓ‬

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‫ﻣﻦ ﺣﺎﳍﻢ؛ ﻓﺎﳊﻖ ﺑﺎﺕ ﻣﺼﻔﺪﺍ‬

‫ﻟﻜﻨﻨﺎ ﺭﻏﻢ ﺍﻟﻌﺪﻭ ﻭﺃﻧﻔﻪ‬

‫ﺳﻨﺜﻮﺭ ﻛﺎﻟﻄﻮﻓﺎﻥ ﻳﻬﺪﺭ ﻋﺎﺋﺪﺍ‬

‫ﺳﻨﻜﻮﻥ )‪‬ﺗﺴﻨﺎﻣﻲ( ﻳﻬﺰ ﻧﻔﻮﺳﻬﻢ‬

‫ﻒ ﺗﺮﺿﻲ ﺍﻟﻨﱯ ﳏﻤﺪﺍ‬ ‫ﲟﻮﺍﻗ ٍ‬

‫ﻻ ﻧﺮﺗﻀﻲ ﻗﻬﺮ ﺍﻟﻠﺌﺎﻡ ﻭﻟﻮﻃﻐﻰ‬

‫ﺟﺒﺎﺭﻫﻢ ﻣﺜﻞ ﺍﻟﺒﻌﲑ ﻗﺪ ﺍﺯﺑﺪﺍ‬

‫ﺇﻧ‪‬ﺎ ﳍﻢ ﺃﺑﻨﺎﺀ ﺃﲪﺪ ﰲ ﺍﻟﺪﱏ‬

‫ﳓﻤﻲ ﻟﻮﺍﺀ ﺍﳊﻖ ﻟﻦ ﻧﺘﺮﺩﺩﺍ‬

‫ﻻ ﺗﺒﺘﺌﺲ ﻳﺎ ﺳﻴﺪﻱ؛ ﺇﻧﺎ ﻫﻨﺎ‬

‫ﻓﻜﺮ‪‬ﺍ ﻧﺬﻭﺩ ﺷﺮﻭﺭﻫﻢ ﻭﺳﻮﺍﻋﺪﺍ‬

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‫ﻻ ﻧﻨﺤﲏ ﺃﺑﺪ‪‬ﺍ ﻟﻜﻴﺪ ﺳﺎﻓﺮ‬

‫ﳓﻦ ﺍﻟﺬﻳﻦ ﻟﻨﺎ ﺍﻟﻔﻌﺎﻝ ﺧﻮﺍﻟﺪﺍ‬

‫ﳓﻦ ﺍﻷﻭﱃ ﰲ ﺳﻠﻤﻨﺎ ﻧﺴﻤﺎﺗﻪ‬

‫ﻟﻜﻨﻨﺎ ﻧﻐﺪﻭﺍ ﻟﱪﻭﻕ ﺭﻭﺍﻋﺪﺍ‬

‫ﳓﻦ ﺍﻟﺬﻳﻦ ﺇﺫﺍ ﻃﻐﻰ ﺧﻄﺐ ﺑﻨﺎ‬

‫ﻧﻐﺪﻭ ﻛﻘﺼﻒ ﺍﻟﺮﻳﺢ ﻧﻌﺼﻒ ﰲ ﺍﳌﺪﻯ‬

‫ﰲ ﺩﻳﺪﻥ ﻣﻦ ﺫﻟﻚ ﺍﻟﻮﻗﺖ ﺍﻟﺬﻱ‬

‫ﻗﺪ ﻛﻨﺘﻪ‪ ..‬ﻳﻨﻮﻭﻥ ﺷﺮ‪‬ﺍ ﺃﺳﻮﺩﺍ‬

‫ﻟﻜﻨﻚ ﺍﳌﻌﺼﻮﻡ ﻭﺿﻊ ﻋﻨﺎﻳﺔ‬

‫ﻻ ﻳﻘﺪﺭﻭﻥ ﻭﻟﻮ ﺑﻐﻰ ﻛﻞ ﺍﻟﻌﺪﺍ‬

‫ﳌﺎ ﺃﺭﺍﺩﻭﺍ ﻳﻘﺘﻠﻮﻙ ﺗﻨﺎﻫﺒﻮﺍ‬

‫ﻭﺟﻪ ﺍﻟﺘﺮﺍﺏ ﻣﺮﺍﻗﺪ‪‬ﺍ ﻭﻭﺳﺎﺋﺪﺍ‬

‫ﻭﺧﺮﺟﺖ ﺑﻴﻨﻬﻢ ﻛﺴﻴﻒ ﺃﺻﻠﺖ‬

‫ﻗﺪ ﺷﻔﻪ ﻇﻠﻢ ﺍﻟﺒﻐﺎﺓ ﻓﺠﺮﺩﺍ‬

‫ﻏﻄﻮﺍ ﺇﱃ ﺃﻥ ﺑﺎﻥ ﻧﻮﺭ ﺻﺒﺎﺣﻬﻢ‬

‫ﻳﻐﻔﻮﻥ ﰲ ﲝﺮ ﺍﳊﻴﺎﺓ ﻫﻮﺍﻣﺪﺍ‬

‫ﻣﻦ ﺛﻐﺮﻙ ﺍﻟﺒﺴﺎﻡ ﰲ ﻏﺴﻖ ﺍﻟﺪﺟﻰ‬

‫ﻳﻨﺴﺎﺏ ﺧﻴﻂ ﺍﻟﻔﺠﺮ ﻧﻮﺭ‪‬ﺍ ﺻﺎﻋﺪﺍ‬

‫ﺣﱴ ﺗﻸﻷ ﰲ ﺍﻟﻔﻀﺎﺀ ﻧﻀﻴﺪﻩ‬

‫ﻛﺎﻟﱪﻕ ﻳﻠﻤﻊ ﰲ ﺍﻟﺴﺤﺎﺏ ﺗﻮﻗﺪﺍ‬

‫‪‬ﻤﻲ ﻳﺪﺍﻙ ﺍﻟﺸﻬﺪ ﻣﺰﻧ‪‬ﺎ ﺳﺎﻛﺒ‪‬ﺎ‬

‫ﻣﻦ ﺭﺍﺣﺘﻴﻚ ﻧﻀﺎﺋﺪ‪‬ﺍ ﻭﻓﺮﺍﺋﺪﺍ‬

‫ﻳﺎ ﻗﺎﺋﺪ ﺍﻟﻐﺮ ﺍﶈﺠﻞ ﻧﻮﺭﻫﻢ‬

‫ﻳﺎ ﺳﻴﺪ ﺍﻟﺜﻘﻠﲔ ﻳﺎ ﻣﻦ ﻗﺪ ﺷﺪﺍ‬

‫ﻓﻴﻚ ﺍﻟﻠﺴﺎﻥ ﳏﺒ ﹰﺔ ﻧﻠﻘﻰ ‪‬ﺎ‬

‫ﻳﻮﻡ ﺍﳊﺴﺎﺏ ﺷﻔﺎﻋﺔ ﻭﺗﻮﺩﺩﺍ‬

‫ﺻﻒ ﻓﻴﻜ ‪‬ﻢ‬ ‫ﻳﺎ ﺳﻴﺪﻱ ﻣﺎﺫﺍ ﺃﻭ ِّ‬

‫ﻓﺎﳊﺐ ﺟﺎﳏﻪ ﻳﺜﲑ ﺭﻭﺍﻛﺪﺍ‬

‫ﺑﻞ ﻣﺎ ﺃﻗﻮﻝ ﻓﺄﻧﺖ ﻓﻮﻕ ﻣﻘﻮﻟﱵ‬

‫ﺃﻧﺖ ﺍﻟﺬﻱ ﺟﻌﻞ ﺍﳊﻴﺎﺓ ﻋﻨﺎﻗﺪﺍ‬

‫ﺑﻠﻐﺘﻨﺎ‪ ..‬ﺃﺩﻳﺖ ﻛﻞ ﺃﻣﺎﻧﺔ‬

‫ﻳﺎ ﺧﲑ ﻣﻦ ﺻﻠﻰ ﻭﺻﺎﻡ ﻭﺟﺎﻫﺪﺍ‬

‫ﻭﺑﺬﻟﺖ ﻣﻌﺮﻭﻓﹰﺎ ﻳﻔﻴﺾ ﺣﻴﺎﺿﻪ‬

‫ﻛﺎﻟﻨﻬﺮ ﻳﺮﻭﻱ ﺃﻧﻔﺴ‪‬ﺎ ﻭﻓﺪﺍﻓﺪﺍ‬

‫ﻳﺎ ﺻﺎﺣﺐ ﺍﳊﻮﺽ ﺍﳌﻌﻄﺮ ﻣﺎﺅﻩ‬

‫ﻳﻨﻬﻞ ﻛﻮﺛﺮ ﺻﺎﻓﻴ‪‬ﺎ ﻭﺭﻭﺍﻓﺪﺍ‬

‫ﻧﺪﻋﻮ ﻟﻚ ﺍﻟﻠﻬﻢ ﺧﲑ ﻭﺳﻴﻠﺔ‬

‫ﻭﻣﻘﺎﻡ ﲪﺪ ﻧﺮﲡﻴﻪ ﻣﺆﻛﺪﺍ‬

‫ﻳﺄﻳﻬﺎ ﺍﻟﺴﻤﺢ ﺍﻟﺬﻱ ﺷﺎﺩ ﺍﳌﲎ‬

‫ﺭﺃﻱ ﺍﻟﻌﻴﺎﻥ ﺣﻀﺎﺭﺓ ﻭﻋﻘﺎﺋﺪﺍ‬

‫ﳚﻠﻲ ﺳﺠﺎﻳﺎ ﺍﻟﺪﻳﻦ ﳎﺪ‪‬ﺍ ﻧﺎﺑﻀ‪‬ﺎ‬

‫ﺑﺎﳌﻜﺮﻣﺎﺕ ﻭﺑﺎﻟﺴﻤﻮ ﻭﺑﺎﳍﺪﻯ‬

‫ﻭﻳﺴﲑ ﳓﻮ ﺍﻟﺸﻤﺲ ﺛﺎﺑﺖ ﺧﻄﻮﺓ‬

‫ﻳﺒﲏ ﻣﻌﺎﱂ ﻟﻠﺴﻤﺎﺀ ﺻﻮﺍﻋﺪﺍ‬

‫ﰲ ﻣﺸﻬﺪ ﻟﻠﻨﻔﺲ ﺧﻼﺏ ‪‬ﺎ‬

‫ﻣﻨﻪ ﳛﺎﺭ ﺍﻟﻌﻘﻞ ﻃﻮﺭ‪‬ﺍ ﺷﺎﺭﺩﺍ‬

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‫ﻳﺎ ﻣﻦ ﺑﻨﻴﺖ ﻣﻔﺎﺧﺮ‪‬ﺍ ﲡﻠﻲ ﻟﻨﺎ‬

‫ﺻﻴﺘ‪‬ﺎ ﻣﻦ ﺍﻟﺬﻛﺮ ﺍﳉﻤﻴﻞ ﻭﺳﺆﺩﺩﺍ‬

‫ﻟﻠﻨﻬﻀﺔ ﺍﻟﻜﱪﻯ ﺍﻟﱵ ﰲ ﺫﻫﻨﻨﺎ‬

‫ﳓﻴﺎ ﳍﺎ ﻭﺟﺪ‪‬ﺍ‪ ..‬ﻭﻓﻜﺮ‪‬ﺍ ﺗﺎﻟﺪﺍ‬

‫‪‬ﻔﻮ ﻷﻟﻔﺔ ﺷﺮﻗﻨﺎ ﻣﻊ ﻏﺮﺑﻨﺎ‬

‫ﰲ ﻭﺣﺪﺓ ﻋﻈﻤﻰ ﻳﺘﻴﻪ ‪‬ﺎ ﺍﳌﺪﻯ‬

‫ﻣﺎ ﻣﻦ ﺳﻮﺍﻙ ﻳﺮﻭﻣﻬﺎ ﰲ ﻋﺼﺮﻧﺎ‬

‫ﺇﻻﻙ ﻳﺎ ﺑﻦ ﺍﻷﻛﺮﻣﲔ ﳏﺎﻣﺪﺍ‬

‫ﺃﻛﺮﻡ ﺑﻪ ﻣﻦ ﻗﺎﺋﺪ‪ ..‬ﻭﻣﻈﻔﺮ‬

‫ﻧﺴﺞ ﺍﻟﺰﻣﺎﻥ ﻋﻠﻴﻪ ﺑﺮﺩ‪‬ﺍ ﺧﺎﻟﺪﺍ‬

‫ﻧﺎﺩﺍﻙ ﻣﻦ ﺧﻠﻒ ﺍﻟﻐﻴﻮﺏ ﺻﻐﺎﺭﻫﻢ‬

‫ﻫﺒﻮﺍ ﺑﻮﺟﻪ ﺍﻟﺒﻐﻲ ﺻ ‪‬ﻔﺎ ﻭﺍﺣﺪﺍ‬

‫ﺃﻳﺘﺎﻣﻬﻢ ﻭﺍﻷﻡ ﺗﺬﺭﻑ ﺩﻣﻌﺔ‬

‫ﺣﺮﻯ ﻭﺳﻴﻒ ﺍﳊﻖ ﺑﺎﺕ ﻣﻐﻤ‪‬ﺪﺍ‬

‫ﻓﺎﻟﺪﻭﺡ ﺑﻌﺪﻙ ﻣﻘﻔﺮ ﻣﻦ ﺯﻫﺮﻩ‬

‫ﻭﺍﳌﺎﺀ ﺟﻒ ﻳﻨﺎﺑﻌ‪‬ﺎ ﻭﻣﻮﺍﺭﺩﺍ‬

‫ﻭﺍﻟﺴﻴﻒ ﻋﻠﻖ ﰲ ﺍﳌﺸﺎﺟﺐ ﲢﻔﺔ‬

‫ﻟﻠﺰﺍﺋﺮﻳﻦ ﻣﻨﺎﻇﺮ‪‬ﺍ ﻭﻣﺸﺎﻫﺪﺍ‬

‫ﻭﺍﻟﻘﻮﻡ ﻣﻦ ﻓﺮﻕ ﺗﻨﺎﻡ ﻋﻴﻮ‪‬ﻢ‬

‫ﻭﺿﻌﻮﺍ ﺍﻟﺮﺅﻭﺱ ﻋﻠﻰ ﺍﻟﻮﺛﲑ ﻭﺳﺎﺋﺪﺍ‬

‫ﻭﺍﻟﻄﲑ ﺃﺑﻜﻢ ﻣﺎ ﺣﺪﺍ ﺑﻨﺸﻴﺪﻩ‬

‫ﻣﻦ ﺣﺎﻝ ﻣﺎ ﺟﻌﻞ ﺍﻟﺮﻳﺎﺽ ﻫﻮﺍﻣﺪﺍ‬

‫ﻭﺃﻭﺍﺑﺪ ﺍﻟﻐﺰﻻﻥ ﻏﺎﺩﺭﺕ ﺍﳊﻤﻰ‬

‫ﻣﻦ ﻓﺮﻁ ﺣﺴﺮ‪‬ﺎ ﺗﺬﻭﺏ ﻣﻮﺍﺟﺪﺍ‬

‫ﺣﺎﻝ ﻣﻦ ﺍﻟﺬﻝ ﺍﻟﺒﻐﻴﺾ ﻟﺒﻮﺳﻪ‬

‫ﰲ ﻣﻮﺍﻗﺪﺍ‬ ‫ﻣﻦ ﺑﺆﺳﻪ ﻗﺪ ﺷﺐ ﹼ‬

‫ﺻﻠﻰ ﻋﻠﻴﻚ ﺍﷲ ﻣﺎ ﻃﲑ ﺑﺪﺍ‬

‫ﻣﺘﻬﻠﻠﹰﺎ ﺑﺎﻟﻔﺠﺮ ﺭﻓﺮﻑ ﻣﻨﺸﺪﺍ‬

‫ﺑﻞ ﻋﺪ ﻣﺎ ﻫﺎﺝ ﺍﶈﻴﻂ‪ ..‬ﻭﻣﺎ ﺳﺠﻰ‬

‫ﻟﻴﻞ‪ ..‬ﻭﻣﺎ ﻧﺎﺟﺎﻩ ﻋﺒﺪ ﺳﺎﺟﺪﺍ‬

‫ﻳﻮﻡ ﺍﳊﺒﻴﺐ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﻟﻠﺸﻴﺦ ﺍﻟﺪﺍﻋﻴﺔ ﺇﺑﺮﺍﻫﻴﻢ ﻋﺰﺕ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ‬

‫ﺍﻟﺸﻴﺦ ﺍﻟﺸﺎﻋﺮ ﺍﳌﺒﺎﺭﻙ ﺇﺑﺮﺍﻫﻴﻢ ﻋﺰﺕ‪ ،‬ﺩﺍﻋﻴﺔ ﻣﺼﺮﻱ ﺭﺍﺣﻞ‪،‬‬

‫ﻭﻟﺪ ﰲ ﻣﺪﻳﻨﺔ ﺳﻮﻫﺎﺝ ﺑﺼﻌﻴﺪ ﻣﺼﺮ ﻋﺎﻡ ‪ 1939‬ﺍﻟﺘﺤﻖ ﺑﻜﻠﻴﺔ‬

‫ﺍﻟﺘﺠﺎﺭﺓ ﲜﺎﻣﻌﺔ ﻋﲔ ﴰﺲ‪،‬ﻭﲣﺮﺝ ﻓﻴﻬﺎ ﻋﺎﻡ ‪ 1955‬ﻭﱂ ﺗﻜﻦ ﺳﻨﻪ ﻗﺪ‬ ‫ﲡﺎﻭﺯﺕ ﺍﻟﺴﺎﺑﻌﺔ ﻋﺸﺮﺓ‪ .‬ﺑﻌﺪ ﺫﻟﻚ ﰎ ﲡﻨﻴﺪﻩ ﻟﻴﺨﺪﻡ ﰲ ﺍﳉﻴﺶ‪ ،‬ﻭﰲ‬

‫ﺗﻠﻚ ﺍﻷﺛﻨﺎﺀ ﺗﻘﺪﻡ ﻟﻮﻇﻴﻔﺔ ﻣﺬﻳﻊ ﰲ ﺍﻹﺫﺍﻋﺔ ﺍﳌﺼﺮﻳﺔ‪ ،‬ﻭﳒﺢ ﰲ ﺍﺟﺘﻴﺎﺯ‬ ‫ﺍﻻﺧﺘﺒﺎﺭﺍﺕ‪ ،‬ﻭﰎ ﺗﻌﻴﻴﻨﻪ ﻣﺬﻳﻌ‪‬ﺎ‪ ،‬ﻭﻗﺪﻡ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﱪﺍﻣﺞ ﺍﻟﺪﻳﻨﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻣﺜﻞ‪ :‬ﺑﻴﻮﺕ ﺍﷲ‪،‬‬

‫ﻭﺩﻧﻴﺎ ﺍﻷﺩﺏ‪ .‬ﰒ ﻋﲔ ﰲ ﺍﳉﻬﺎﺯ ﺍﳌﺮﻛﺰﻱ ﻟﻠﺘﻨﻈﻴﻢ ﻭﺍﻹﺩﺍﺭﺓ‪ ،‬ﻛﻤﺎ ﺣﺼﻞ ﺩﺭﺟﺔ ﺍﳌﺎﺟﺴﺘﲑ ﰲ‬ ‫ﺇﺩﺍﺭﺓ ﺍﻷﻋﻤﺎﻝ ﻣﻦ ﺟﺎﻣﻌﺔ ﺍﻷﺯﻫﺮ؛ ﺭﻏﻢ ﺍﻧﺸﻐﺎﻟﻪ ﺑﺎﻟﺪﻋﻮﺓ ﺇﱃ ﺍﷲ ﺗﻌﺎﱃ‪.‬‬ ‫ﺍﻋﺘﻘﻞ ﻭﻋﺬﺏ ﻋﺬﺍﺑ‪‬ﺎ ﺷﺪﻳﺪ‪‬ﺍ‪ ،‬ﻭﻛﺘﺐ ﺟﻞ ﻗﺼﺎﺋﺪﻩ ﰲ ﺍﻟﺴﺠﻦ‪ ،‬ﻓﺠﺎﺀﺕ ﺷﺠﻴﺔ ﻭﺟﻴﻌﺔ‪،‬‬ ‫ﻭﻛﺎﻥ ﺫﺍ ﻧﻔﺲ ﺧﺎﺹ ﳐﺘﻠﻒ ﻋﻦ ﻧﻔﺲ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻹﺳﻼﻣﻴﲔ ﰲ ﺯﻣﻨﻪ‪ ،‬ﻓﻜﺘﺐ ﺷﻌﺮ ﺍﻟﺘﻔﻌﻴﻠﺔ‪،‬‬ ‫ﻭﺍﺳﺘﺨﺪﻡ ﻣﻌﺠﻤ‪‬ﺎ ﺻﻮﺭﻳ‪‬ﺎ ﻭﺑﻼﻏﻴ‪‬ﺎ ﺧﺎﺻ‪‬ﺎ ﺑﻪ ﳚﻌﻠﻪ ﻣﻦ ﺍﻟﺮﻭﺍﺩ‪ ،‬ﻛﻤﺎ ﻛﺘﺒﺖ ﰲ ﲢﻘﻴﻘﻲ ﻟﺪﻳﻮﺍﻧﻪ‬ ‫)ﺍﷲ ﺃﻛﱪ( ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ‪ ،‬ﻭﺍﻟﺬﻱ ﻏﲏ ﻛﺜﲑ‪‬ﺍ ﻣﻦ ﻗﺼﻴﺪﻩ ﺍﳌﻨﺸﺪ ﺍﻟﺮﺍﺋﺪ ﺃﺑﻮﻣﺎﺯﻥ‪..‬‬ ‫ﲑﺍ ﰲ ﺍﻟﺪﻋﻮﺓ ﺍﻹﺳﻼﻣﻴﺔ ﰲ ﻋﻘﺪﻱ ﺍﻟﺴﺒﻌﻴﻨﻴﺎﺕ‬ ‫ﺃﺩﻯ ﺍﻟﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﻋﺰﺕ ﺩﻭ ‪‬ﺭﺍ ﻛﺒ ‪‬‬

‫ﲑﺍ ﰲ ﻭﻋﻲ ﻋﺪﺩ ﻣﻦ ﺍﳊﺮﻛﺎﺕ ﺍﻹﺳﻼﻣﻴﺔ ﺍﻟﱵ ﺍﻟﺘﺤﻖ ﺑﺼﻔﻮﻓﻬﺎ ﻭﻋﻤﻞ‬ ‫ﻭﺍﻟﺜﻤﺎﻧﻴﻨﻴﺎﺕ‪ ،‬ﻭﺃﺛﺮ ﻛﺜ ‪‬‬ ‫‪‬ﺎ )ﻛﺎﻹﺧﻮﺍﻥ ﺍﳌﺴﻠﻤﲔ‪ ،‬ﻭﺍﻟﺘﺒﻠﻴﻎ ﻭﺍﻟﺪﻋﻮﺓ( ﻭﺍﺷﺘﻬﺮ ﲞﻄﺒﻪ ﺍﳌﺆﺛﺮﺓ ﺍﻟﱵ ﺍﺳﺘﻔﺎﺩ ﻣﻨﻬﺎ ﺁﻻﻑ‬ ‫ﺍﳌﺴﻠﻤﲔ‪ ،‬ﻭﻗﺪ ﻻ ﻳﻌﻠﻢ ﺍﻟﻜﺜﲑﻭﻥ ﻋﻦ ﺍﻟﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﺃﻧﻪ ﻛﺎﻥ ﺷﺎﻋﺮﺍ‪ ،‬ﻟﻴﺲ ﻛﺒﺎﻗﻲ ﺍﻟﺪﻋﺎﺓ‬ ‫ﺍﻟﺬﻳﻦ ﻧﻈﻤﻮﺍﻟﺸﻌﺮ ﺃﻭﻳﻨﻈﻤﻮﻥ ﺍﻟﺸﻌﺮ ﺑﻞ ﻛﺎﻥ ﺷﺎﻋ ‪‬ﺮﺍ ﺣ ‪‬ﻘﺎ ﲟﻌﲎ ﺍﻟﻜﻠﻤﺔ‪ ،‬ﻻ ﻳﻘﻞ ﺷﻌﺮﻩ ﰲ‬ ‫ﺃﺳﻠﻮﺑﻪ ﻭﻟﻐﺘﻪ ﻭﺧﻴﺎﻟﻪ ﻭﺃﺩﻭﺍﺗﻪ ﺍﻟﻔﻨﻴﺔ ﻋﻦ ﺑﺎﻗﻲ ﺍﻟﻔﺤﻮﻝ ﺍﳌﺘﻤﻴﺰﻳﻦ ﻣﻦ ﺟﻴﻠﻪ‪ ،‬ﺗﻮﰲ ﰲ ﻃﺮﻳﻘﻪ ﺇﱃ‬ ‫ﻣﻜﺔ ﺍﳌﻜﺮﻣﺔ ﻣﻌﺘﻤﺮ‪‬ﺍ‪ ،‬ﻋﻠﻰ ﺭﲪﺎﺕ ﺍﷲ ﻭﺭﺿﻮﺍﻧﻪ‪.‬‬ ‫‪73‬‬

‫ﻳﻮﻡ ﺍﳊﺒﻴﺐِ ﺍﻟﺬﻱ ﺗ‪‬ﺮﺟﻰ ﺷﻔﺎﻋﺘﻪ‬ ‫ﺏ ﺍﻟﺬﻱ ﻳﻬﺪﻱ ﺍﻟﻘﻠﻮﺏ ﺇﱃ‬ ‫ﻳﺘﻠﻮ ﺍﻟﻜﺘﺎ ‪‬‬ ‫ﻳﻮﻡ ﺍﳊﺒﻴﺐ ﺍﻟﺬﻱ ﻳﻌﻔﻮ ﺍﻹﻟﻪ ﺑﻪ‬ ‫ﻳﻮﻡ ﺍﳊﺒﻴﺐ ﺍﻟﺬﻱ ﻳ‪‬ﻄﻮﻯ ﺍﻟﺮﺟﺎﺀ ﺑﻪ‬ ‫ﻳﻮﻡ ﺍﳊﺒﻴﺐ ﺍﻟﺬﻱ ﻣﻦ ﺟﺎﺀﻩ ﻭ ِﺟﻠﹰﺎ‬ ‫ﺐ ﺍﷲ ﻣﺎ ﻇﻬﺮﺕ‬ ‫ﺻﻠﻮﺍ ﻋﻠﻴﻪ ﺣﺒﻴ ‪‬‬ ‫ﺻﻠﻮﺍ ﻋﻠﻰ ﻣﻦ ﺩﻋﺎ ﷲ ﳏﺘﺴﺒ‪‬ﺎ‬ ‫ﻭﻣﻦ ﺟﺮﻯ ﺍﳌﺎﺀ ‪‬ﺮ‪‬ﺍ ﻣﻦ ﺃﺻﺎﺑﻌﻪ‬ ‫ﺻ ﹸﻠﻮﺍ ﺣﺒ ﹶﻞ ﺍﻟﻘﻠﻮﺏِ ِﺑ ِﻪ‬ ‫ﺻ ﱡﻠﻮﺍ ﻋﻠﻴﻪِ ِ‬ ‫‪‬‬ ‫ﺻﻠﻮﺍ ﻋﻠﻴﻪ ﺻﻼ ﹶﺓ ﺍﳊﺐ ﻧﺎﺿﺮ ﹰﺓ‬ ‫ﺻﻠﻮﺍ ﻋﻠﻴﻪ ؛ ﻓﻘﺪ ﻋﻤﺖ ﺑﺸﺎﺋ ‪‬ﺮﻩ‬ ‫ﺇﻥ ﺍﳌﻼﺋﻚ ﻗﺪ ﺻﻠﺖ ﻣﻮﺍﻛﺒ‪‬ﻬﻢ‬ ‫ﺻﻠﻮﺍ ﻋﻠﻴﻪ ﻓﺮﺏ ﺍﻟﻌﺮﺵ ﻳﺴﺒﻘﻨﺎ‬ ‫ﺇﻥ ﺍﻟﺼﻼﺓ ﻋﻠﻰ ﺍﳌﺨﺘﺎﺭ ﻣﻜﺮﻣﺔﹲ‬ ‫ﻭ ‪‬ﻫ ‪‬ﻲ ﺍﳌﻮﺩﺓ‪ ..‬ﺇﺫ ﺗﺒﺪﻱ ﺩﻻﺋﻠﻬﺎ‬ ‫ﺏ ﺃﲪ ‪‬ﺪ‪ :‬ﺟ‪‬ﺪ‪ ‬ﺑﺎﳌﺪﺡِ ﻣﺘﺼﻠﹰﺎ‬ ‫ﻳﺎ ﺭ ‪‬‬ ‫ﺑﺎﻟﺒﺎﺏ ﹸﺃ ‪‬ﺭ ِﺳﻞﹸ ﺁﻫﺎﰐ ﻣﻌﺬﺑ ﹰﺔ‬ ‫ﻳﺎ ﺃﻛﺮ ‪‬ﻡ ﺍﻟ ‪‬ﺮ ‪‬ﺳ ِﻞ ‪‬ﻭﺟ‪‬ﺪ‪ ‬ﰲ ﺍﻟﻘﻠﻮﺏ ﺳﺮﻯ‬ ‫ﺢ ﻏﻠ ﹰﺔ ﻇﻤﺌﺖ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﳋﻠﻖ ﻓﺎﻣﺴ ‪‬‬ ‫ﻻ ﺷﻲﺀ ﳕﻠﻜﻪ ﺇﻻ ﳏﺒﺘ‪‬ﻜﻢ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﳋﻠﻖ ﺇﻥ ﺍﻟﻌﺠﺰ ﳛﺮﻣﲏ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﳋﻠﻖ‪ ..‬ﻻ ﻓﺮﺡ‪ ‬ﻳﺪﺍﻋﺒﻨﺎ‬ ‫ﻭﺍﻟﻌﲔ ﺗﻠﻤﺢ ﺃﻋﺪﺍ ًﺀ ﻟﻨﺎ ﻣﻜﺮﻭﺍ‬ ‫ﲑ ﻣﺎ ‪‬ﻭ ِﺳﻌ‪‬ﺖ‬ ‫ﺡ ﺍﳋ ِ‬ ‫ﺻ ‪‬ﺮﻭ ‪‬‬ ‫‪‬ﻳﻬ‪‬ﺪ‪ ‬ﻣﻮ ﹶﻥ ‪‬‬

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‫ﻣﻦ ﻧﻮﺭ ﺳﻨﺘﻪ ﺗﺰﻫﻮ ‪‬ﻣﺮﺍﻋﻴﻨﺎ‬ ‫ﻣﻦ ﺃﺑﺪﻉ ﺍﻟﻜﻮﻥ ﺇﺫ ﺫﻛﺮﺍﻩ ﺗﺰﻛﻴﻨﺎ‬ ‫ﺢ ﻋﻦ ﻛﻞ ﺍ ﹸﳌﻌﺎﻧﻴﻨﺎ‬ ‫ﻭﳝﻨﺢ ﺍﻟﺼﻔ ‪‬‬ ‫ﺣﱴ ﳚﺎﺏ ﺩﻋﺎﺀٌ ﻗﺒ ﹶﻞ ﺁﻣﻴﻨﺎ‬ ‫ﻣﺴﺘﻐﻔﺮ‪‬ﺍ ﺭ‪‬ﺑﻪ ﻳﺮﺿﻰ ﻭﻳﺮﺿﻴﻨﺎ‬ ‫ﺢ ﺍﻟﻨﻮﺭ ﰲ ﺩﺍﺟﻲ ﻟﻴﺎﻟﻴﻨﺎ‬ ‫ﻣﻼﻣ ‪‬‬ ‫ﻭﻣﻦ ﻟﺴﺎﺣﺘﻪ ﻳﻬﻔﻮﺍﶈﺒﻮﻧﺎ‬ ‫ﻓﻬ‪‬ﻮ ﺍﻟﻐﻤﺎ ‪‬ﻡ ﺍﻟﺬﻱ ‪‬ﻧﻌﻤﺎﻩ ﺗﺴﻘﻴﻨﺎ‬ ‫ﻭﻋﻄﺮﻭﺍ ﺍﻟﻜﻮﻥ ﻣﻦ ﺫﻛﺮﺍﻩ ﺗﺸﺠﻴﻨﺎ‬ ‫ﲟﺎ ﻳﻠﻴﻖ ﺑﻘﺪﺭٍ ﺷﺎﻣﺦٍ ﻓﻴﻨﺎ‬ ‫ﺐ ﺍﻟﺮﻭﺡ ﻓﺎﺳﺘﻬﺪﺕ ‪‬ﺎﺩﻳﻨﺎ‬ ‫ﺟﻮﺍﻧ ‪‬‬ ‫ﻟﹶﺒ‪ ‬ﻮﺍ ﻷﻣﺮٍ ﻣﻦ ﺍﻟﺮﲪﻦ ﺑﺎﺭﻳﻨﺎ‬ ‫ﺇﱃ ﺍﻟﺼﻼﺓ‪ ..‬ﻭﻃﻮﰉ ﻟﻠﻤﺼﻠﻴﻨﺎ‬ ‫ﻣﻦ ﻧﺎﳍﺎ ﻧﺎﻟﻪ ﺳﻌﺪ‪ ‬ﻳﻮﺍﻓﻴﻨﺎ‬ ‫ﲎ‪ ..‬ﰲ ﻣﺂﻗﻴﻨﺎ‬ ‫ﻭﺍﳊﺐ ﻳﻈﻬﺮ ﻣﻌ ‪‬‬ ‫ﺑﺴﻴﺪ ﺍﳋﻠﻖ‪ ..‬ﻛﻲ ﺗﺴﻤﻮ ﻗﻮﺍﻓﻴﻨﺎ‬ ‫ﺇﻧﺎ ﺑﺄﻋﺘﺎﺑﻜﻢ ﻧﺸﻜﻮ‪ ..‬ﺃﺟﻴﺒﻮﻧﺎ‬ ‫ﻓﺎﺳﺘﺮﺳﻞ ﺍﻟﺸﻮﻕ ﻳﻌﺼﺮِﻧﺎ ﻭﻳﻄﻮﻳﻨﺎ‬ ‫ﺐ ﻣﻦ ﻛﺄﺳﻜﻢ ﻳﺮﻭﻱ ﻭﻳﺮﺿﻴﻨﺎ‬ ‫ﻭﺍﳊ ‪‬‬ ‫ﻧﺮﺟﻮ ‪‬ﺎ ﻧﺴﺒ‪‬ﺎ‪ ..‬ﺑﲔ ﺍﳌﺮﻳﺪﻳﻨﺎ‬ ‫ﻣﻦ ﻋﺬﺑﺔ ﺍﻟﻘﻮﻝ ﰲ ﺍﻟﺬﻛﺮﻯ ﻟﺮﺍﻋﻴﻨﺎ‬ ‫ﻭﺍﻟﺮﻳﺢ ﺗﺰﺃﺭ ﲪﻘﻰ ﰲ ﺻﺤﺎﺭﻳﻨﺎ‬ ‫ﻭﺃﺷﻌﻠﻮﺍ ﺍﻟﻨﺎﺭ ﰲ ﺭﻳ‪‬ﺎ ﺭﻭﺍﺑﻴﻨﺎ‬ ‫ﻳ‪‬ﺪ‪ ‬ﺍﻟﺪﻣﺎﺭ‪ ..‬ﻟﻴﺪﻧﻮ ﻣﻦ ﻣﻐﺎﻧﻴﻨﺎ‬

‫ﻟﻠﻌﺎﳌﲔ‪ ..‬ﺃﺗﻴﻨﺎﻛﻢ ﻓﺰﻭﺭﻭﻧﺎ‬ ‫ﻳﺎ ﻣﻨﺔ ﺍﷲ ﻟﻠﺪﻧﻴﺎ ﻭﺭﲪﺘ‪‬ﻪ‪‬‬ ‫ﺐ ﻋﻠﻰ ﺍﻟﺴﺎﺣﺎﺕ ﺗﻨﺠﻴﻨﺎ‬ ‫ﺟﺒﺎ ﹶﻝ ﺷ ‪‬ﻬ ٍ‬ ‫ﻓﻠﺘﻌﺼﻔﻲ ﻳﺎ ﺭﻳﺎﺡ ﺍﻟﺸﺮ ﺇﻥ ﻟﻨﺎ‬ ‫ﺳﺘﻨﺒﺖ ﺍﻟﺸﻮﻙ ﰲ ﺍﻷﺣﺸﺎﺀ ﻏِﺴﻠﻴﻨﺎ‬ ‫ﻫﺬﻱ ﺍﻟﺪﻣﺎ ُﺀ ﺍﻟﱵ ﲡﺮﻱ ﻣﻄﻬﺮﺓ‬ ‫ﻭﺟﻨﺔ ﺍﳋﻠﺪ ﺣﺴﲎ ﺳﻮﻑ ﺗﻐﻨﻴﻨﺎ‬ ‫ﺇﻥ ﺍﻟﺸﻬﺎﺩﺓ ﰲ ﺃﳎﺎﺩﻧﺎ ﺷﺮﻑ‬ ‫ﻓﺎﻟﻠﻴﻞ ﻳﺸﻬﺪ ﻣﺎ ﻳﺘﻠﻮ ﺍﳌﻨﺎﺟﻮﻧﺎ‬ ‫ﻓﺄﻛﺜﺮِ ﺍﻟﺬﻛﺮ ﻟﻠﺮﲪﻦ ﰲ ﺳﺤﺮ‬ ‫ﺷﻬﺪﺕ ﺑﺮﻓﻌﺘﻬﺎ ﺁﻳﺎﺕ ‪‬ﻣﻨﺸﻴﻨﺎ‬ ‫ﻭﺍﻟﻔﺠﺮ ﻳﻌﺮﻑ ﻟﻠﻘﺮﺁﻥ ﻣﱰﻟﺔ‬ ‫ﻭﺿﺞ ﺳﺎﺟﺪ ﹸﻛﻢ ﺑﺎﻟﺪﻣﻊ ﺭﺍﺟﻴﻨﺎ‬ ‫ﺍﷲ ﺃﻛﱪ ﻣﺎ ﺻﻠﺖ ﻣﻮﺍﻛﺒ‪‬ﻜﻢ‬ ‫ﻟﻠﺤﻖ ﰲ ﺃﺭﺿﻨﺎ‪ ..‬ﻓﺎﻣﻀﻮﺍ ﻣﻠﺒﻴﻨﺎ‬ ‫ﺍﷲ ﺃﻛﱪ‪ ..‬ﺇﻥ ﺍﷲ ﻣﻨﺘﺼﺮ‬ ‫ﻭﻣﻦ ﺷﻌﺮﻩ ﰲ ﺩﻳﻮﺍﻧﻪ ﺍﻟﻮﺣﻴﺪ‪ :‬ﺍﷲ ﺃﻛﱪ‪ ،‬ﻗﺼﻴﺪﺗﻪ‪:‬‬

‫ﺍﳌﺎﺩﺣﻮﻥ‬ ‫ﺍﳌﺎﺩﺣﻮﻥ ﺗﺸﺮﻓﻮﺍ ﲟﺪﳛﻪ‬ ‫ﻭﺍﳌﺨﻠﺼﻮﻥ ﺗﺄﺩﺑﻮﺍ ﲟﻘﺎﻣﻪ‬ ‫ﻭﺍﳉﻨﺔ ﺍﳋﻀﺮﺍﺀ ﺃﺑﺪﺕ ﳍﻔ ﹰﺔ‬ ‫ﻭﺳﺮﺕ ﺇﱃ ﺍﻷﻣﻼﻙ ﻋﺬﺏ ﺑﺸﺎﺋﺮٍ‬ ‫ﻳﺎ ﺧﲑ ﺧﻠﻖِ ﺍﷲ ﺫﻛ ‪‬ﺮﻙ ﻣﺆﻧﺲ‪‬‬ ‫ﺃﺳﺮﻯ ﺑﻚ ﺍﻟﺮﲪ ‪‬ﻦ ﺃﺳﻌ ‪‬ﺪ ﻣﺮﺳ‪ٍ ‬ﻞ‬ ‫ﺻﻠﻴﺖ ﺑﺎﻟﺮﺳﻞ ﺍﻟﻜﺮﺍﻡ ﲨﻴ ِﻌﻬﻢ‬ ‫ﺕ ﺍﻟﺴﻤﺎ َﺀ ﻭﺟﺰﺕ ﻣﺎ ﺑﻌﺪ ﺍﻟﺴﻤﺎ‬ ‫ﺟ‪‬ﺰ‪ ‬‬ ‫ﻛﻞ ﻟﻪ ﺣ ‪‬ﺪ‪ ..‬ﻭﻳﺮﺟﻊ ﻋﻨﺪ ‪‬ﻩ‬ ‫ﺟﱪﻳﻞ ﻗﺪﻣﻪ ﳊﻀﺮﺓ ﺭِّﺑ ِﻪ‬ ‫ﺃﻗﻼ ‪‬ﻡ ﻏﻴﺐِ ﺍﳊﻖ ﺃﻧﺖ ﲰﻌﺘ‪‬ﻬﺎ‬ ‫ﻭﺭﺃﻳﺖ ﺁﺩﻡ ﻓﺎﺳﺘﻨﺎﺭ ﺟﺒﻴﻨ‪‬ﻪ‬ ‫ﺃﻧﺖ ﺍﳌﻘ ‪‬ﺪﻡ‪ ..‬ﻭﺍﳌﻘ ‪‬ﺪﻡ ﺭ‪‬ﺑ ‪‬ﻪ‬ ‫ﳛﲕ ﻭﻋﻴﺴﻲ ﺭﺣ‪‬ﺒﺎ ﲟﺤﻤﺪٍ‬ ‫‪75‬‬

‫ﻭﺍﻟﻌﺎﺷﻘﻮﻥ ﺗﻨﻌﻤﻮﺍ ‪‬ﺪﺍ ‪‬ﻩ‬ ‫ﻭﺍﳌﺨﻠﺼﻮﻥ ﺗﺸﻔﻌﻮﺍ ﲝﻤﺎﻩ‬ ‫ﻭﲢﺮﻛﺖ ﺃﺷﻮﺍ ﹸﻗﻬﺎ ﻟﻠِﻘﺎ ‪‬ﻩ‬ ‫ﺃﻥ ﺍﳊﺒﻴﺐ ﳛﲔ ﻭﻗﺖ ‪‬ﺳﺮﺍﻩ‬ ‫ﺣﺴﱯ ‪‬ﺬﺍ ﺍﻟﺬﻛﺮ ﺃﻥ ﺗﺮﻋﺎﻩ‬ ‫ﻟﺘﻨﺎﻝ ﻗﺮ‪‬ﺑﺎ ﺟ ﹼﻞ ﰲ ﻣﻌﻨﺎﻩ‬ ‫ﺃﻧﺖ ﺍﻹﻣﺎﻡ‪ ..‬ﻭﻛ ﱡﻠﻬﻢ ﻳﺮﺿﺎﻩ‬ ‫ﻑ ﺍﻟﻔﺆﺍ ‪‬ﺩ‪ ..‬ﻭﻛﹸ ِّﺮﻣﺖ ﻋﻴﻨﺎﻩ‬ ‫ﺷ ‪‬ﺮ ‪‬‬ ‫ﻕ ﺍﳊﺪﻭﺩ ﻣﺪﺍﻩ‬ ‫ﻭﺍﳌﺼﻄﻔﻰ ﻓﻮ ‪‬‬ ‫ﻭﺍﻟﺴ ‪‬ﺮ ﻓﻮﻕ ﺍﻟﺴﺮ ﻣﺎ ﺃﻭﺣﺎﻩ‬ ‫ﻭﺻﺮﻳ ﹸﻔﻬﺎ ﳚﺮﻱ ﺑ ﹶﻔﺼ‪‬ﻞ ﻗﻀﺎﻩ‬ ‫ﻳﺎ ﻗﺮﺓ ﺍﻟﻌﲔ ﺍﻟﱵ ﺗﻐﺸﺎﻩ‬ ‫ﻭﺍﻟﻜﻞ ﻳﺴﺘﻬﺪﻱ ﺑﻨﻮﺭ ﻫﺪﺍﻩ‬ ‫ﺑﺸﺮﻯ ﺍﳌﺴﻴﺢِ‪ ..‬ﲢﻘﻘﺖ ﺑﺸﺮﺍﻩ‬

‫ﻒ ﻭﺍﳉﻤﺎ ﹸﻝ ﳛﻮﻃﻪ‬ ‫ﻭﺭﺃﻳﺖ ﻳﻮﺳ ‪‬‬ ‫ﺖ ﻣﻦ ‪‬ﺭﻓﻌﺖ ﻟﻪ ﺩﺭﺟﺎﺗﻪ‬ ‫ﻭﻋﺮﻓ ‪‬‬ ‫ﻫﺎﺭﻭﻥ‪ ..‬ﻣﻮﺳﻰ‪ ..‬ﻭﺍﻟﺪﻋﺎ ُﺀ ﻣﻌﻄﺮ‬ ‫ﻭﻣﻦ ﺍﳋﻠﻴﻞ ﲪﻠﺖ ﺣ‪‬ﻠﻮﺳﻼﻣﻪ‬ ‫ﻭﺍﻟﺒﻴﺖ ﻣﻌﻤﻮﺭ‪ ‬ﺑﺄﺷﺮﻑ ﻃﺎﺋﻒ‬ ‫ﻭﺍﻟﺴﻴﺪ ﺍﳌﺨﺘﺎﺭ ﻳﺸﺮﻕ ﻇﺎﻫﺮ‪‬ﺍ‬ ‫ﻕ ﻛﻠﱠﻬﺎ ﻣﺘﻔﺮﺩ‪‬ﺍ‬ ‫ﺟﺎﺯ ﺍﳋﻮﺍﺭ ‪‬‬ ‫ﺻﻠﻮﺍ ﻋﻠﻴﻪ‪ ..‬ﺗﻌﻠﻘﻮﺍ ﺑﺮﺣﺎﺑﻪِ‬ ‫ﺍﷲ ﺃﻛﱪ‪ ..‬ﺇﻥ ‪‬ﺭﻛﹾﺐ‪ ‬ﳏﻤﺪٍ‬ ‫ﻭﺍﻟﺸِّﺮﻋ ﹸﺔ ﺍﻟﺴﻤﺤﺎﺀ ﻳﺒﺪﻭ ﻧﻮ ‪‬ﺭﻫﺎ‬ ‫ﻭﺍﻟﺪﻳ ‪‬ﻦ ﻋﺎﺩ ﺇﱃ ﺍﳊﻴﺎﺓ ﻳﻘﻮﺩﻫﺎ‬ ‫ﻭﻣﺴﺎﺟﺪ ﺍﻟﺮﲪﻦ ﻳﻌﻤ ‪‬ﺮﻫﺎ ﺍﻟﺘﻘﻰ‬ ‫ﻓﺎﺳﺘﻤﺴﻜﻮﺍ ﺑﺎﷲ ﻭﺍﲪﻮﺍ ﺩﻳﻨﻪ‬

‫ﻭﺍﳊﺴ ‪‬ﻦ ﺃﻧﺖ ﺟﻼﹸﻟﻪ ﻭ ‪‬ﺎ ‪‬ﻩ‬ ‫ﺻﺪ‪‬ﻗﺎﻩ‬ ‫ﺲ ﺻﺪﻳﻘﹰﺎ‪ ..‬ﻭﻣﻦ ‪‬‬ ‫ﺇﺩﺭﻳ ‪‬‬ ‫ﻧﻌﻢ ﺍﻹﺧﺎﺀ‪ ..‬ﺇﺫﺍ ﺍﻟﺘﻘﻰ ﻣﺮﻣﺎﻩ‬ ‫ﻟﻠﻤﺴﻠﻤﲔ‪ ..‬ﻭﻧﻌﻢ ﻣﺎ ﺃﻫﺪﺍﻩ‬ ‫ﻚ ﺍﻟﺮﲪﻦ ﰲ ﻣﺴﻌﺎﻩ‬ ‫ﻭﻣﻼﺋ ‪‬‬ ‫ﺢ ﺑﺬﻛﺮﻩ ﻭﺩﻋﺎﻩ‬ ‫ﺟ ﱠﻞ ﺍﳌﺪﻳ ‪‬‬ ‫ﻻ ﺍﻟﻜﻮ ﹸﻥ ﳛﺠ‪‬ﺒﻪ ﻭﻻ ﻣﺒﻨﺎﻩ‬ ‫ﻳﺎ ﻃﻴﺐ ﻫﺬﺍ ﺍﳉﺎﻩ؛ ﻣﺎ ﺃﻋﻼﻩ‬ ‫ﻇﻬﺮﺕ ﺑﺸﺎﺋ ‪‬ﺮﻩ‪ ..‬ﻭﻋ ‪‬ﻢ ﺳﻨﺎﻩ‬ ‫ﳚﻠﻮ ﻇﻼﻡ ﺍﻟﻠﻴﻞ‪ ..‬ﻣﺎ ﺃﻗﺴﺎﻩ‬ ‫ﺃﻛﺮِﻡ ﺑﻪ ﻣﻦ ﻗﺎﺋﺪٍ ﻧﻠﻘﺎﻩ‬ ‫ﻭﺍﺳﺘﻴﻘﻆ ﺍﻟﻌﻤﻼﻕ ﻣﺎ ﺃﻗﻮﺍﻩ‬ ‫ﻭﻏﺪ‪‬ﺍ ﺳﻨﻔﺮﺡ ﺑﺎﳊﺒﻴﺐ‪ ..‬ﻧﺮﺍﻩ‬

‫ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﺟﺌﻨﺎ‬

‫ﻟﻌﻞ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﻛﺎﻧﺖ ﰲ ﺇﺣﺪﻯ ﺭﺣﻼﺗﻪ ﻟﻠﻌﻤﺮﺓ‪ ،‬ﻗﺎﳍﺎ ﺑﺎﺛ‪‬ﺎ ﺃﺷﻮﺍﻗﻪ ﻟﺮﺳﻮﻝ ﺍﷲ ﺻﻠﻰ‬ ‫ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﻭﻟﻠﺤﺮﻡ ﺍﳌﺪﱐ ﺍﻟﺸﺮﻳﻒ‪ ،‬ﻳﺘﺄﻣﻞ ﻭﺩﻳﺎﻧﻪ ﻭﺟﺒﺎﻟﻪ‪ ،‬ﻭﻳﺘﺤﺪﺙ ﻋﻦ ﺍﻟﺸﻮﻕ ﺍﻟﺬﻱ‬ ‫ﻳﻨﺘﺎﺏ ﺣﱴ ﺍﳊﺠﺎﺭﺓ؛ ﻓﻴﺤﻴﻠﻬﺎ ﻗﻠﻮﺑ‪‬ﺎ ﺫﺍﺕ ﻣﺸﺎﻋﺮ ﺭﻗﺮﺍﻗﺔ‪ .‬ﻭﺍﻟﻘﺼﻴﺪﺓ ﻣﻦ ﺃﺣﻠﻰ ﻣﺎ ﺃﻧﺸﺪ‬ ‫ﺃﺑﻮﻣﺎﺯﻥ ﻟﻠﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ‪:‬‬ ‫ﺃﺳﻔﺮ ﺍﻟﻔﺠ ‪‬ﺮ ﻭﻻﺣﺖ‬ ‫ﻭﺃﺗﻴﻨﺎ ﻳﺎ ﺣﺒﻴﱯ‬ ‫ﻣﺎ ﺭﻛﺒﻨﺎﻫﺎ ﻣﻄﺎﻳﺎ‬ ‫ﻛﻠﻤﺎ ﺃﻃﺮﺏ ﺣﺎﺩٍ‬ ‫ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﺟﺌﻨﺎ‬ ‫ﺭﲪ ﹶﺔ ﺍﷲ ﺃﺗﻴﻨﺎ‬ ‫‪76‬‬

‫ﻣﻦ ﺛﻨﺎﻳﺎﻩ ﺍﻟﺒﺸﺎﺋ ‪‬ﺮ‬ ‫ﺡ ﺍﻟﺸﻮﻕِ ﻃﺎﺋ ‪‬ﺮ‬ ‫ﻭﺟﻨﺎ ‪‬‬ ‫ﺑﻞ ﻗﻠﻮﺑ‪‬ﺎ ﻭﻣﺸﺎﻋﺮ‬ ‫ﺟ ‪‬ﺪ ﰲ ﺍﻟﺴﲑِ ﺍﳌﻬﺎﺟﺮ‬ ‫ﺗﺴﺒﻖ ﺍﳋﻄﻮ ﺍﻟﻀﻤﺎﺋﺮ‬ ‫ﻳﺎ ﺷﻔﻴﻌ‪‬ﺎ ﻟﻠﻌﺸﺎﺋﺮ‬

‫ﻫﺬﻩ ﻛﻞﱡ ﻣﻨﺎﻧﺎ‬ ‫ﺖ ﻟﻠﻨﻮﺭ ﻷﺟﻠﻮ‬ ‫ﺟﺌ ‪‬‬ ‫ﺃﻃﻠﺐ ﺍﻟﱪ َﺀ ﻟﺴﻘﻢ‬ ‫ﺃﻃﻠﺐ ﺍﻟﻔﻀﻞ ﻋﻄﺎ ًﺀ‬ ‫ﺃﻃﻠﺐ ﺍﻟﺰﺍﺩ ﻟﻘﺼﺪٍ‬ ‫ﺃﻃﻠﺐ ﺍﳉﻮ ‪‬ﺩ ﺑﺪﺍﺭٍ‬ ‫ﻫﺬﻩ ﺍﻟﻮﺩﻳﺎ ﹸﻥ ﺗﺮﻭﻱ‬ ‫ﻭﺍﳉﺒﺎ ﹸﻝ ﺍﻟﺸ ‪‬ﻢ ﺗﺪﺭﻱ‬ ‫ﺐ ﺷﻜﹶﺘ‪‬ﻪ‪‬‬ ‫ﻭﳍﺎ ﺣ ‪‬‬ ‫ﻓﺈﺫﺍ ﺑﺎﻟﺼﺨﺮِ ﻗﻠﺐ‪‬‬ ‫ﻳﺴﻤﻊ ﺍﻷﻣ ‪‬ﺮ ﻓﻴﺼﻐﻲ‬ ‫ﺫﺍﺏ ﻣﻦ ﻭﺟﺪٍ ﻃﺮﻭﺑ‪‬ﺎ‬ ‫ﻳﺎ ﻧﺒ‪‬ﻴﻲ ﻳﺎ ﺣﺒﻴﱯ‬ ‫ﻛﻔﱡﻚ ﺍﻟﻌﺬﺏ ‪‬ﻳﺮﻭِّﻱ‬ ‫ﺏ ﻋﻴﻮﻥﹲ‬ ‫ﻛﻔﱡﻚ ﺍﻟﻌﺬ ‪‬‬ ‫ﻣﺎﺅﻫﺎ ﻳﺸﻔﻲ ﻋﻠﻴﻠﹰﺎ‬ ‫ﺟﺌﺖ ﻳﺎ ﻋﻴﲏ ﻭﻗﻠﱯ‬ ‫ﻣﺎ ﺑﻘﻠﱯ ﻻ ‪‬ﻳ‪‬ﺒ ‪‬ﺪﻯ؟‬

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‫ﻭﻧﺴﻴ ‪‬ﻢ ﺍﻟﻘﺮﺏ ﻋﺎﻃﺮ‬ ‫ﻛ ﱠﻞ ﺳﺎﺣﺎﺕِ ﺍﳋﻮﺍﻃﺮ‬ ‫ﲑ ﻗﺎﺩﺭ‬ ‫ﻻ ﻳﺮﺍﻩ ﻏ ‪‬‬ ‫ﲢﺘﻤﻲ ﻓﻴﻪ ﺍﻟﺴﺮﺍﺋﺮ‬ ‫ﻻ ﻳﺪﺍﻧﻴﻪِ ﻣﺴﺎﻓﺮ‬ ‫ﺟﻮ ‪‬ﺩﻫﺎ ﻛﺎﻟﺒﺤﺮِ ﺯﺍﺧﺮ‬ ‫ﻋ ‪‬ﺰﻫﺎ ﺑﲔ ﺍﳊﻮﺍﺿﺮ‬ ‫ﻛ ﱠﻞ ﻣﺸﺘﺎﻕٍ ﻭﺯﺍﺋﺮ‬ ‫ﻓﺤﻜﺘﻪ‪ ..‬ﱂ ﲢﺎﺫﺭ‬ ‫ﺣ ‪‬ﻦ ﻓﺎﻫﺘ ‪‬ﺰ ﻛﺸﺎﻋﺮ‬ ‫ﲑ ﺁﻣﺮ‬ ‫ﻭﻳﻠﱯ ﺧ ‪‬‬ ‫ﻭﺭﺳﻮ ﹸﻝ ﺍﷲِ ﺣﺎﺿﺮ‬ ‫ﻏﻴﹸﺜﻚ ﺍﶈﻤﻮ ‪‬ﺩ ﻏﺎﻣﺮ‬ ‫ﻛ ﱠﻞ ﻣﻐﻔﻮﺭٍ ﻭﺣﺎﺳﺮ‬ ‫ﺃﺷﺒﻌﺖ ﻳﻮ ‪‬ﻡ ﺍﳌﺨﺎﻃﺮ‬ ‫ﺩﺍ ‪‬ﺅ ‪‬ﻩ ﺧﺎﻑٍ ﻭﻇﺎﻫﺮ‬ ‫ﺫﺍﻙ ﺭﲝﻲ ﺇ ﹾﺫ ﺃﺗﺎﺟﺮ‬ ‫ﺠﺐ‪ ‬ﻟﻨﺎﻇﺮ‬ ‫ﻓﺎﻛﺸﻒ ﺍﳊ ‪‬‬

‫ﺍﳊﺒﻴﺐ ﻋﻠﻴﻪ ﺃﻓﻀﻞ ﺍﻟﺼﻼﺓ ﻭﺃﰎ ﺍﻟﺘﺴﻠﻴﻢ‪:‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻜﺒﲑ ﺃﲪﺪ ﲞﻴﺖ‬

‫ﺷﺎﻋﺮ ﲝﻖ‪ ،‬ﺑﺎﺭﻉ ﺑﺎﻗﺘﺪﺍﺭ‪،‬‬ ‫ﻣﺒﺪﻉ ﲜﺪﺍﺭﺓ‪ ،‬ﻣﺜﻘﻒ ﻻ ﺷﻚ ﻓﻴﻪ!‬ ‫ﻃﻮﻉ ﺍﷲ ﻟﻪ ﺍﻟﻠﻐﺔ ﻭﺍﻟﺼﻮﺭﺓ‬

‫ﻭﺍﻟﺘﺮﻛﻴﺐ‬

‫ﻭﺍﳌﻌﲎ؛‬

‫ﻓﺎﻣﺘﻠﻚ‬

‫ﻧﺎﺻﻴﺘﻬﺎ‪ ،‬ﻭﻓﺎﻕ ﺍﻵﺧﺮﻳﻦ‪ ،‬ﻭﻛﺘﺐ‬ ‫ﺷﻌﺮ‪‬ﺍ ﻓﻴﻪ ﺧﺼﺎﺋﺺ ﺍﻟﺸﻌﺮ‬ ‫ﺍﳊﻘﻴﻘﻲ‪ ،‬ﻻ ﺍﻟﻜﻼﻡ ﺍﻟﺴﺮﺩﻱ‬ ‫ﺍﻟﺘﻘﺮﻳﺮﻱ ﺍﳌﻨﻈﻮﻡ ﺍ‪‬ﺮﺩ ﻣﻦ ﺍﻟﺸﺎﻋﺮﻳﺔ‪ ،‬ﻛﻜﺘﺎﺑﺔ ﻛﺜﲑ ﻣﻦ ﺍﳌﺎﺩﺣﲔ‪..‬‬

‫ﱳ ﺑﺰﺧﺮﻓﺔ ﻧﻔﺴﻪ‬ ‫ﺑِﻜﺮ ﰲ ﺃﺧﻼﻗﻪ ﻭﻧﺒﻠﻪ‪ ،‬ﻃﺒﻴﻌﻲ‪ ،‬ﻏﲑ ﻣﺘﺼﻨﻊ‪ ،‬ﻭﻻ ﻣﺪﻉٍ‪ ،‬ﻭﻻ ﻣﻌ ٍ‬

‫ﻭﺗﺮﻛﻴﺒﺘﻪ‪ ،‬ﻓﻬﻮﻋﻠﻰ ﻣﺎ ﺧﻠﻘﻪ ﺍﷲ ﺗﻌﺎﱃ‪ ،‬ﻓﻄﺮﺓ ﻭﺧﻠﻘﹰﺎ ﻭﺃﺩﺑ‪‬ﺎ‪..‬‬ ‫ﻭﺗﻌﻜﺲ ﲨﻠﺔ ﺃﻋﻤﺎﻝ ﺃﲪﺪ ﲞﻴﺖ ‪ -‬ﺳﻮﺍﺀ ﻣﻨﻬﺎ ﻣﺎ ﻛﺎﻥ ﻟﻠﺼﻐﺎﺭ ﺃﻭﻟﻠﻜﺒﺎﺭ – ﺭﻗﺔ‬ ‫ﻭﺷﻔﺎﻓﻴﺔ ﻭﺷﺎﻋﺮﻳﺔ‪ ،‬ﻭﻋﻤﻘﹰﺎ ﺇﺳﻼﻣﻴ‪‬ﺎ ﻭﺍﻋﻴ‪‬ﺎ ﺭﺻﻴﻨ‪‬ﺎ‪ ،‬ﻭﺛﻘﺎﻓﺔ ﻋﺎﳌﻴﺔ ﻣﻨﻔﺘﺤﺔ ﺭﺍﻗﻴﺔ‪ ،‬ﻭﺧﺼﻮﺻﻴﺔ‬ ‫)ﲞﻴﺘﻴﺔ( ﲤﻴﺰﻩ ﻋﻤﻦ ﺳﻮﺍﻩ ﻣﻦ ﺍﶈﻠﻘﲔ ﰲ ﻣﺪﺍﺭﺍﺕ ﺍﻟﺸﻌﺮ‪..‬‬

‫ﻛﻨﺖ ﻣﻮﺟﻮﺩ‪‬ﺍ ﲜﺎﻧﺒﻪ ﺫﺍﺕ ﺃﻣﺴﻴﺔ‪ ،‬ﺣﻀﺮﻫﺎ ﺍﻟﻌﺎﱂ ﺍﳉﻠﻴﻞ ﺍﻟﻨﺎﻗﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺪﻛﺘﻮﺭ ﺃﲪﺪ‬

‫ﺩﺭﻭﻳﺶ‪ ،‬ﻭﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻨﺎﻗﺪ ﺍﻷﺩﻳﺐ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺣﺎﻣﺪ‪ ،‬ﻭﻋﻠﻘﺖ ﺗﻌﻠﻴﻘﹰﺎ ﰲ‬ ‫ﺧﺘﺎﻣﻬﺎ‪ ،‬ﺫﻛﺮﺕ ﻓﻴﻬﺎ ﻣﺰﺍﻳﺎ ﻣﺎ ﲰﻌﺖ ﻣﻦ ﺇﺑﺪﺍﻉ‪ ،‬ﰒ ﺯﻋﻤﺖ ﺃﻧﻪ ﺃﺷﻌﺮ ﻣﻦ ﺧﺮﺝ ﻣﻦ ﺍﳉﻨﻮﺏ‪،‬‬ ‫ﻭﺍﺳﺘﺪﺭﻛﺖ – ﲪﺎﻳﺔ ﻟﻨﻔﺴﻲ – ﻭﻗﻠﺖ ﻫﺬﺍ ﺭﺃﻳﻲ‪ ،‬ﻭﻟﻮ ﺿﺮﺑﲏ ﺍﻟﺪﻛﺘﻮﺭ ﺃﲪﺪ ﺩﺭﻭﻳﺶ‪..‬‬ ‫ﻓﻠﻤﺎ ﺳﺄﻟﺘﻪ ﺑﻌﺪ ﺍﻟﻨﺪﻭﺓ ﻋﻦ )ﺯﻋﻤﻲ( ﻗﺎﻝ ﻣﺒﺎﺷﺮﺓ‪ :‬ﻛﻼﻣﻚ ﺻﺤﻴﺢ؛ ﻭﻟﻘﺪ ﳋﺼﺖ ﻣﺎ‬ ‫ﺃﺭﺩﻧﺎ ﺃﻥ ﻧﻘﻮﻟﻪ ﲤﺎﻣ‪‬ﺎ‪ ..‬ﻓﻠﻤﺎ ﺳﺄﻟﺖ ﺍﻟﺪﻛﺘﻮﺭ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺃﺟﺎﺏ ﺍﳉﻮﺍﺏ ﻧﻔﺴﻪ!‬

‫ﻭﺃﲪﺪ ﲞﻴﺖ ﺷﺎﻋﺮ ﻣﺼﺮﻱ ﻭ‪‬ﻟﺪ ﻋﺎﻡ ‪ 1966‬ﲟﺪﻳﻨﺔ ﺃﺳﻴﻮﻁ ﲟﺤﺎﻓﻈﺔ ﺃﺳﻴﻮﻁ‪ .‬ﻋﺎﺵ‬

‫ﻃﻔﻮﻟﺘﻪ ﻭﺗﻠﻘﹼﻰ ﺗﻌﻠﻴﻤﻪ ﰲ ﺍﻟﻘﺎﻫﺮﺓ‪ .‬ﻭﲣﺮ‪‬ﺝ ﰲ ﺩﺍﺭ ﺍﻟﻌﻠﻮ ِﻡ ﻋﺎﻡ ‪ .1989‬ﻋﻤﻞ ﻣﻌﻴ ‪‬ﺪﺍ ﺑﻘﺴﻢ‬ ‫‪78‬‬

‫ﺍﻟﻨﻘﺪ ﻭﺍﻟﺒﻼﻏﺔ ﻭﺍﻷﺩﺏ ﺍﳌﻘﺎﺭ‪‬ﻥ ﺑﻜﻠﹼﻴﺔ ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻹﺳﻼﻣﻴﺔ ﺟﺎﻣﻌﺔ ﺍﻟﻘﺎﻫﺮﺓ ‪ -‬ﻓﺮﻉ‬ ‫ﺍﻟﻔﻴﻮﻡ ﻣﻨﺬ ﻋﺎﻡ ‪ .1990‬ﰒ ﺗﺮﻙ ﺍﻟﻌﻤﻞ ﺍﻷﻛﺎﺩﳝﻲ ﻣﻨﺬ ﺳﻨﻮﺍﺕ ﻟﻴﺘﻔﺮﻍ ﻟﻠﻜﺘﺎﺑﺔ‪..‬‬ ‫ﻧﺎﻝ ﲨﻠﺔ ﻣﻦ ﺍﳉﻮﺍﺋﺰ ﺍﻟﺘﻘﺪﻳﺮﻳﺔ‪ ،‬ﻣﻨﻬﺎ‪ :‬ﺍﳉﺎﺋﺰﺓ ﺍﻷﻭﱃ ﰲ ﺍﻟﺸﻌﺮ ﺍ‪‬ﻠﺲ ﺍﻷﻋﻠﻰ ﻟﻠﺜﻘﺎﻓﺔ‬

‫ﺃﻋﻮﺍﻡ‪ 1989-88-87‬ﻡ‪ /.‬ﺟﺎﺋﺰﺓ ﺃﻣﲑ ﺍﻟﺸﻌﺮﺍﺀ ﺃﲪﺪ ﺷﻮﻗﻲ ﻋﺎﻡ ‪1998‬ﻡ‪ /.‬ﺟﺎﺋﺰﺓ‬ ‫)ﺍﳌﺒﺪﻋﻮﻥ( ﻷﻓﻀﻞ ﻗﺼﺎﺋﺪ ﻋﺮﺑﻴﺔ ‪ -‬ﺍﻹﻣﺎﺭﺕ ‪2000 -‬ﻡ‪ /.‬ﺟﺎﺋﺰﺓ ﺍﳌﻨﺘﺪﻯ ﺍﻟﻌﺮﰊ ﺍﻷﻓﺮﻳﻘﻲ‬ ‫ ﺃﺻﻴﻠﺔ ‪ -‬ﺍﳌﻐﺮﺏ ‪2000 -‬ﻡ‪ /.‬ﺟﺎﺋﺰﺓ ﺍﻟﺪﻭﻟﺔ ﺍﻟﺘﺸﺠﻴﻌﻴﺔ ﰲ ﺍﻟﺸﻌﺮ ‪ -‬ﻣﺼﺮ ‪/.2000 -‬‬‫ﺟﺎﺋﺰﺓ )ﺍﳌﺒﺪﻋﻮﻥ( ﻷﻓﻀﻞ ﺩﻭﺍﻭﻳﻦ ﻋﺮﺑﻴﺔ ‪ -‬ﺍﻹﻣﺎﺭﺕ ‪2002 -‬ﻡ‪ /.‬ﺟﺎﺋﺰﺓ " ﺍﻟﺒﺎﺑﻄﲔ‬ ‫ﻟﻺﺑﺪﺍﻉ ﺍﻟﺸﻌﺮﻱ " ‪ -‬ﺍﻟﻜﻮﻳﺖ ‪ -‬ﻋﺎﻡ ‪2002‬ﻡ‪ /‬ﺟﺎﺋﺰﺓ ﺍﻟﺸﺎﺭﻗﺔ ﻟﻺﺑﺪﺍﻉ ﰲ ﺃﺩﺏ ﺍﻻﻃﻔﺎﻝ‬ ‫‪ /.2005‬ﺟﺎﺋﺰﺓ ﺍﻟﱪﺩﺓ ﺍﻟﺸﺮﻳﻔﺔ‪ -‬ﺃﺑﻮ ﻇﱯ ‪ /2005‬ﺟﺎﺋﺰﺓ ﺷﺎﻋﺮ ﻣﻜﺔ ﳏﻤﺪ ﺣﺴﻦ ﻓﻘﻲ‪-‬‬

‫ﻣﺆﺳﺴﺔ ﳝﺎﱐ ﺍﳋﲑﻳﺔ – ‪ /2005‬ﺟﺎﺋﺰﺓ ﺍﳌﺮﻛﺰ ﺍﻟﺜﺎﻟﺚ ﰲ ﻣﺴﺎﺑﻘﺔ )ﺃﻣﲑ ﺍﻟﺸﻌﺮﺍﺀ( ﻟﻠﻌﺎﻡ‬ ‫‪2008‬ﻡ‪..‬‬

‫ﻭﻫﻮﺻﺎﺣﺐ ﻭﻣﺪﻳﺮ ﺩﺍﺭ ﺍﻟﻜﻠﻴﻢ ﻟﻠﻨﺸﺮ‪ ،‬ﻳﺼﺪﺭ ﻣﻦ ﺧﻼﳍﺎ ﺃﻋﻤﺎﳍﺎ‪ ،‬ﻭﺃﻋﻤﺎﹰﻟﺎ ﺇﺑﺪﺍﻋﻴﺔ‬ ‫ﺃﺧﺮﻯ ﻛﺜﲑﺓ‪..‬‬ ‫ﻭﺑﻌﻴﺪﺃ ﻋﻦ ﺭﺃﻳﻲ ﺩﻋﻮﻧﺎ ﳓﻠﻖ ﻗﻠﻴ ﹰﻠﺎ ﻣﻊ ﺷﻲﺀ ﻣﻦ ﺇﺑﺪﺍﻉ ﺃﲪﺪ ﲞﻴﺖ‪:‬‬

‫‪1‬‬ ‫ﻑ"ﺣﱴ ﻧﻄﻔﺔ "ﺍﻟﻨﻮ ِﻥ"‬ ‫ﻣِﻦ ﻛﻌﺒﺔ "ﺍﻟﻜﺎ ِ‬ ‫‪79‬‬

‫ﺡ ﰲ "ﺃﻗﺼﻰ" ﺷﺮﺍﻳﻴﲏ‬ ‫ﻣِﻦ ﺭﻛﻌﺔ ﺍﻟﺮﻭ ِ‬

‫ﺡ" ﻭﻫﻲ ﺟﺎﺭﻳﺔﹲ‬ ‫ﻭﻣِﻦ ﺳﻔﻴﻨ ِﺔ" ﻧﻮ ٍ‬

‫ﲔ‬ ‫ﰲ ِﺳ ‪‬ﺮ "ﺁﺩ ‪‬ﻡ" ﺑ‪‬ﲔ ﺍﳌﺎﺀ ﻭﺍﻟﻄ ِ‬

‫ﺕ‬ ‫ﰐ ﺍﺗﻘﺪ ‪‬‬ ‫ﺖ ﺯﻳﺘﻮﻧ ٍﺔ ﰲ ﺫﺍ ﹶ‬ ‫ﻣِﻦ ﺯﻳ ِ‬

‫ﺣﺘ‪‬ﻰ ﲡﻠﹼﻰ ﺍﻟﺴﻨﺎ ﰲ ﻃﻮﺭ ﺳﻴﻨﻴﲏ‬

‫ﻚ ﻗﺮﺁﻥﹲ ﺃﺭ‪‬ﺗ ﹸﻠ ‪‬ﻪ‬ ‫ﻗﻠﱯ ِﺑﺤ‪‬ﺒ ‪‬‬

‫ﺣﺎﻣﻴ ‪‬ﻢ ﺳﺠﺪِﺗ ِﻪ‪ ..‬ﰲ ِﺳ ‪‬ﺮ ﺗﻜﻮﻳﲏ‬

‫ﺐ ﺍﳋﻠﻴﻞ ﳌﺎ‬ ‫ﻟﻮﻻ ﺳﺠﻮﺩ‪‬ﻙ ﰲ ﺻﻠ ِ‬

‫ﻗﺎﻝ ﺍﳌﻼﺋﻚ‪ :‬ﻳﺎ ﻧﲑﺍﻧ‪‬ﻪ ﻛﻮﱐ‬ ‫‪2‬‬

‫ﺕ ﺩﻣﻲ‬ ‫ﺃﻛﺎﺩ ﺃﲰﻊ ﻳﺎ ﻣﻮﻻﻱ ﺻﻮ ‪‬‬

‫ﻳ‪‬ﻈﻤﺎ ﻟﺮﺑ‪‬ﻲ ﻭﻣﻦ ﻛﻔﹼﻴﻚ ﺗﺴﻘﻴﲏ‬

‫ﲑ ﻛﺎﺑﻦ ﺳﺒﻴ ٍﻞ ﻻﻛﻔﻴ ﹶﻞ ﻟ ‪‬ﻪ‬ ‫ﺃﺳ ‪‬‬

‫ﺃﹸﻟﻘﻲ ﻋﻠﻰ ﺍﷲ ﺃﲪﺎﱄ ﻭﻳﻜﻔﻴﲏ‬

‫ﺝ ﺳﻨ‪‬ﺎ‬ ‫ﲏ ﺗﺎ ‪‬‬ ‫ﻚ‪ ..‬ﰲ ﻋﻴ ‪‬‬ ‫ﻏﺒﺎ ‪‬ﺭ ﻧﻌﻠﻴ ‪‬‬

‫ﺽ ﻳ‪‬ﻌﻠﻴﲏ‬ ‫ﺱ ﻃﻐﺎ ِﺓ ﺍﻷﺭ ِ‬ ‫ﻋﻠﻰ ﺭﺅﻭ ِ‬

‫ﺖ ﺭﲪﺔ ﺭﺑ‪‬ﻲ ﻛﻠﹼﻤﺎ ﻛﺴﺮﻭﺍ‬ ‫ﻭﺃﻧ ‪‬‬

‫ﷲ‪ ..‬ﻳﺸﻔﻴﲏ‬ ‫ﺐ ﺣﺒﻴﺐ ﺍ ِ‬ ‫ﻗﻠﱯ ﻓﺤ ‪‬‬

‫ﻫﺬﻱ ﺍﻟﺪﻣﻮﻉ ﺍﻟﻴﺘﺎﻣﻰ ﻣ ‪‬ﻦ ﻳ‪‬ﻜﻔﹾﻜﻔﹸﻬﺎ‬

‫ﲔ‬ ‫ﺐ ﺍﻟﻴﺘﺎﻣﻰ ﻭﺍﳌﺴﺎﻛ ِ‬ ‫ﺇ ﹼﻻ ﺣﺒﻴ ‪‬‬ ‫‪3‬‬

‫ﺢ ﺍﳋﻠ ِﻖ‪ :‬ﺑﺎﺳﻢ ﺍﳊ ‪‬ﻖ ﻣﻌﺬﺭ ﹰﺓ‬ ‫ﻳﺎ ﺃﻓﺼ ‪‬‬

‫ﲔ‬ ‫ﻋﻦ ﻟﺜﻐﺔ ﺍﻟﻄﻔ ِﻞ ﺑﲔ ﺍﻟﺜﺎ ِﺀ ﻭﺍﻟﺴ ِ‬

‫ﻒ ﻗﺎﻓﻴ ٍﺔ‬ ‫ﺖ ﰲ ﺷﻔﺎﻫﻲ ﺃﻟ ‪‬‬ ‫ﺗ‪‬ﻔﺘ‪‬ﺤ ‪‬‬

‫ﺕ ﺩﻭﺍﻭﻳﲏ‬ ‫ﺣﺘ‪‬ﻰ ﺗ‪‬ﻨﺎﺟﻴﻚ‪ ..‬ﻭﺍﺧﻀﺮ ‪‬‬

‫ﻚ ﻛﺘﺎﺏ‪ ‬ﻟﻠﺴ‪‬ﻤﺎ ﻗﻠﻢ‪‬‬ ‫ﺽ ﻓﻴ ‪‬‬ ‫ﻟﻸﺭ ِ‬

‫ﺐ‪ ..‬ﻭﺍﻟﻘﺮﺁ ﹸﻥ ‪‬ﻳﻤ‪‬ﻠﻴﲏ‬ ‫ﺇﻳ‪‬ﺎ ‪‬ﻙ ﺃﻛﺘ ‪‬‬

‫ﺖ ‪‬ﺧ ﹾﺬ ﺑﻴﺪﻱ‬ ‫ﺏ ﺇﻻ ﺃﻧ ‪‬‬ ‫ﺏ‪ :‬ﻻ ﺭ ‪‬‬ ‫ﻳﺎ ﺭ ‪‬‬

‫ﺐ "ﺃﲪ ‪‬ﺪ" ﻛﻲ ﺗﺮﺿﻰ ﻓﺘ‪‬ﺮﺿﻴﲏ‬ ‫ﰲﺣ ‪‬‬

‫‪‬ﻫﺒ‪‬ﲏ ﻣﺰﺍﻣﲑ "ﺩﺍﻭ ٍﺩ "ﲝﻨﺠﺮﰐ‬

‫ﺣﺘ‪‬ﻰ ﺃﺭﺗ‪‬ﻞ ﰲ "ﻃﻪ" ﻃﻮﺍﺳﻴﲏ‬ ‫‪4‬‬

‫ﻳﺎ ﻏﹸ ‪‬ﺮ ﹰﺓ ﰲ ﺟﺒﲔ ﺍﳊ ‪‬ﺮ‪ ..‬ﻳﺎ ﺃﻣﻠﹰﺎ‬

‫ﲔ‬ ‫ﻟﻠﻘﺎﺑﻀﲔ‪ ..‬ﻋﻠﻰ ﲨ ِﺮ ﺍﻟﱪﺍﻛ ِ‬

‫ﻕﱄ‬ ‫ﺖ ﺑﺎﲰﻚ ﰲ ﺍﻟﻈﻠﻤﺎ ِﺀ ﻳ‪‬ﺸﺮ ‪‬‬ ‫ﻟﻮ ﺑ‪‬ﺤ ‪‬‬

‫ﻒ" ﰲ ﻟﻴ ِﻞ ﺍﻟﺰﻧﺎﺯﻳ ِﻦ‬ ‫ﻕ "ﻳﻮﺳ ‪‬‬ ‫ﺇﺷﺮﺍ ‪‬‬

‫ﺖ ﳍ ‪‬ﻢ‬ ‫ﺕ‪ ..‬ﻗﻠ ‪‬‬ ‫ﺖ ﻭﺍﻟﻄﺎﻏﻮ ِ‬ ‫ﺟﺎﺅﻭﺍ ﻣﻦ ﺍﳉِﺒ ِ‬

‫ﲔ‬ ‫ﻉ "ﺍﻟﻜﻠﻴ ِﻢ"‪ ..‬ﻭﻻ ﺧﺒ ‪‬ﺰ ﺍﻟﻔﺮﺍﻋ ِ‬ ‫ﺟﻮ ‪‬‬

‫ﻟﻘﺎ َﺀ ﺃﻥ ﺃﻛﻠﻮﺍ ﺳ‪‬ﺤﺘ‪‬ﺎ ‪ -‬ﻭﻣﺎ ﺷﺒﻌﻮﺍ ‪-‬‬

‫ﲔ‪ ..‬ﰲ "ﺃﺭﺽ ﺍﳌﻼﻳﲔ "‬ ‫ﻉ ﺍﳌﻼﻳ ‪‬‬ ‫ﺟﺎ ‪‬‬

‫ﷲ ﰲ ﺍﻟﺒﻠﻮﻯ ﻭﻣﻞ ُﺀ ﺩﻣﻲ‬ ‫ﻻ ﺃﺷﺘﻜﻲ ﺍ َ‬

‫ﲔ‬ ‫ﺡ ﻋﻠﻰ ﺟﻬﻞ ﺍﻟﺴﻜﺎﻛ ِ‬ ‫ﱪ ﺍﳉﺮﺍ ِ‬ ‫ﺻ‪‬‬ ‫‪5‬‬

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‫ﻉ‪ ..‬ﻭﻳﺎ‬ ‫ﻒ ﺍﻟﺸﺠﺎ ِ‬ ‫ﻳﺎ ﺍﺳﻢ ﺍﳊﻘﻴﻘ ِﺔ‪ ..‬ﻳﺎ ﺳﻴ ‪‬‬

‫ﺧﺒ ‪‬ﺰ ﺍﳉﻴﺎﻉ‪ ..‬ﻭﻳﺎ "ﻛﻬﻔﻲ" ﻭ"ﻳﺎﺳﻴﲏ "‬

‫ﻚ‪ ..‬ﻭﻻ ﺳﻴﻒ‪ ‬ﻭﻻ ﻗﻠﻢ‪‬‬ ‫ﺁﻭﻱ ﺇﻟﻴ ‪‬‬

‫ﻻ "ﺑﺪ ‪‬ﺭ"ﺑﺪﺭﻱ ﻭﻻ " ِﺣ ﱢﻄﲔ‪ِ "‬ﺣﻄﱢﻴﲏ‬

‫ﺲ‬ ‫ﺲ ﻛﺎﻧﺖ ﻷﻧﺪﻟ ٍ‬ ‫ﺃﺑﻜﻲ ﻷﻧﺪﻟ ٍ‬

‫ﲔ"‬ ‫ﺲ ﺩﺍﻧﺖ ﻝ "ﺭﺍﺑ ِ‬ ‫ﻫﺎﻧﺖ ﻷﻧﺪﻟ ٍ‬

‫ﺕ ﺑﻨﺎ‬ ‫ﺳﺒﻊ‪ ‬ﻭﺳﺘﻮ ﹶﻥ ﻣﻮﺗ‪‬ﺎ ﻗﺪ ﻋﱪ ‪‬‬

‫ﲔ‬ ‫ﻓﻜﻴﻒ ﻋ‪‬ﺪﻧﺎ ﺇﱃ ﺳ‪‬ﺒ ٍﻊ ﻭ ِﺳ‪‬ﺘ ِ‬

‫ﺡ ﻣﻬﺰﻭﻣ‪‬ﺎ ﻭﻣ‪‬ﻨﺘﺼﺮ‪‬ﺍ‬ ‫ﻗﺪ ‪‬ﻣﺴ‪‬ﲏ ﺍﻟﻘ ‪‬ﺮ ‪‬‬

‫ﺃﺑﻜﻲ " ‪‬ﺣﺰِﻳﺮ‪‬ﺍ ﹶﻥ" ﺃﻡ ﺃﺑﻜﻲ ﻝ "ﺗﺸﺮﻳﻦ"‬ ‫‪6‬‬

‫ﺖ ﲢﺖ ﲰﺎﺀ ﺍﳊﻤﺪ ﻣﺒﺘﺴﻤ‪‬ﺎ‬ ‫ﻭﻗﻔ ‪‬‬

‫ﰊ ﻓﻘ ‪‬ﺮ "ﻣﻮﺳﻰ" ﻟﺮﺑ‪‬ﻲ ﻻ ﻝ "ﻗﺎﺭﻭ ِﻥ"‬

‫ﺕ ﺭﻭﺣﻲ ﳋﺎﻟِﻘﻬﺎ‬ ‫"ﻻﺋﻲ" ﺍﻟﱵ ﺣﺮ‪‬ﺭ ‪‬‬

‫ﲔ‬ ‫ﺱ ﺍﻟﺸﻴﺎﻃ ِ‬ ‫ﲔ ﻭﺳﻮﺍ ‪‬‬ ‫ﺗ‪‬ﻨﺴﻲ ﺍﻟﺸﻴﺎﻃ ‪‬‬

‫ﻚ "ﻟﻔﺮﻋﻮ ٍﻥ" ﻭﻭﺍﺭِﺛ ِﻪ‬ ‫ﻣِﻦ ﺃﺟ ِﻞ ﻣ‪‬ﻠ ٍ‬

‫ﺕ ﺃﻗﻄ ‪‬ﻊ ﺃﺭﺣﺎﻣﻲ ﺑﺴﻜﹼﻴﲏ‬ ‫ﻫﻴﻬﺎ ‪‬‬

‫ﺍﷲ ﰲ ﻏﺰ ٍﺓ‪ ..‬ﺍﷲ ﰲ ﺩﻣﻨﺎ‬

‫ﺍﷲ ﰲ ﺃﻣ‪‬ﱵ‪ ..‬ﺍﷲ ﰲ ﺩِﻳﲏ‬

‫ﺕ" ﻟﻸﻗﺼﻰ ﺃﻇﺎﻓﺮ‪‬ﻩ‬ ‫ﻣﺎ ‪‬ﻣ ‪‬ﺪ "ﺟﺎﻟﻮ ‪‬‬

‫ﺾ "ﺩﺍﻭ ‪‬ﺩ" ﺍﻟﻔﻠﺴﻄﻴﲏ‬ ‫ﺇﻻ ﻟﻴﻨﻬ ‪‬‬ ‫‪7‬‬

‫ﺕ ﺃﺳﺌﻠﱵ ﰲ ﻟﻴﻞ ﺃﺯﻣﻨﱵ‬ ‫ﺃﻭﻗﺪ ‪‬‬

‫ﺃﻣﺎﻡ ﺃﻋﻈﻢ ﺃﹸﻣ ‪‬ﻲ‪ ..‬ﻟﻴﻔﺘﻴﲏ‬

‫ﻫﻞ ﺁﺧ ‪‬ﺮ ﺍﻟﻌِﻠ ِﻢ ﺑﻌﺪ ﺍﳉﻬ ِﻞ ﺃ ﹾﻥ ﻋﺮﻓﻮﺍ‬

‫ﲔ‬ ‫ﺺ‪ ..‬ﻭﺃﻃﻮﺍ ﹶﻝ ﺍﻟﻔﺴﺎﺗ ِ‬ ‫ﻟﻮ ﹶﻥ ﺍﻟﻘﻤﻴ ِ‬

‫ﻗﹸﻠﻨﺎ ﳍ ‪‬ﻢ‪ :‬ﺫﻛﱢﺮﻭﻧﺎ ﻛﻲ ﻧﺮﻯ ﻏﺪ‪‬ﻧﺎ‬

‫ﲔ‬ ‫ﺚ ﺍﳊﹸﻮﺭ ﻭﺍﻟ ِﻌ ِ‬ ‫ﻓﺎﺳﺘﻔﺘﺤﻮﺍ ﲝﺪﻳ ِ‬

‫ﺺ ﺩﻡ‪ ‬ﻓﻮﻕ ﺍﻟﻀ‪‬ﻤﲑ ﺩﻡ‪‬‬ ‫ﻓﻮﻕ ﺍﻟﻘﻤﻴ ِ‬

‫ﻭﻻ ﻳﺰﺍﻟﻮ ﹶﻥ‪ ..‬ﻣﻦ ﻫ‪‬ﻮ ٍﻥ ﺇﱃ ﻫ‪‬ﻮ ِﻥ‬

‫ﻣﺎ ﻣِﻦ ﺳﺤﺎﺑ ِﺔ "ﻫﺎﺭﻭ ٍﻥ "ﺗ‪‬ﺬﻛﱢﺮﻫ ‪‬ﻢ‬

‫ﺑﻨﻮﺭ "ﺑﻐﺪﺍ ‪‬ﺩ"‪ ..‬ﰲ ﻧﺎﺭ ﺍﻟﻌﻨﺎﻭﻳ ِﻦ‬ ‫‪8‬‬

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‫ﲔ ﻣﺎ ﺧﺮﺟﻮﺍ‬ ‫ﻻ ﻋﻘ ﹶﻞ ﰲ ﺍﻟﻌﻘﻞ‪ ..‬ﻣِﻦ ﻗﺮﻧ ِ‬

‫ﲔ‬ ‫ﻣﻦ ﺭﻗﺼﺔ ﺍﳉ ‪‬ﻦ‪ ..‬ﰲ ﻭﻫ ِﻢ ﺍ‪‬ﺎﻧ ِ‬

‫ﺖ ﺣﻨﺎﺟﺮ‪‬ﻫ ‪‬ﻢ‬ ‫ﺷﺎﺏ ﺍﻟﻜﻼ ‪‬ﻡ‪ ..‬ﻭﻣﺎ ﺷﺎﺑ ‪‬‬

‫ﲔ‬ ‫ﺏ ﺍﻟﻄﹼﻮﺍﺣ ِ‬ ‫ﻣ ‪‬ﻦ ﺍﳍﺰﺍﺋ ِﻢ‪ ..‬ﰲ ﺣﺮ ِ‬

‫ﻫﻞ ﺃﻧﺰﻝ ﺍﷲ ﻗﺮﺁﻧ‪‬ﺎ ﻟﻴﻌﺠﺰﱐ؟‬

‫ﷲ ﻗﺮﺁﻧﺎ ﻟﻴﻬﺪﻳﲏ؟‬ ‫ﺃﻡ ﺃﻧﺰﻝ ﺍ ُ‬

‫ﻳﺎ ﺃﻛﻤ ﹶﻞ ﺍﳋﻠ ِﻖ‪ ..‬ﰲ ﺧ‪‬ﻠ ٍﻖ ﻭﰲ ﺧ‪‬ﻠﹸ ٍﻖ‬

‫ﺖ ﺗﻘﺮﺃ ﻣﺎ ﻳﻮﺣ‪‬ﻰ ﻭﺗ‪‬ﻮﺻﻴﲏ‬ ‫ﻣﺎ ﺯﻟ ‪‬‬

‫ﷲ ‪‬ﺗﺤ‪‬ﻴﻴﲏ‬ ‫ﻭﺃﻧﺖ ﺣ ‪‬ﻲ‪ ..‬ﻋﻠﻰ ﺍﺳﻢ ﺍ ِ‬

‫ﺕ ﺍﻟﺬﻳﻦ ﺍﺳﺘﺤﺒ‪‬ﻮﺍ ﺃﻥ ﻧﻌﻴﺶ ﺭﺩﻯ‬ ‫ﻣﺎ ‪‬‬ ‫‪9‬‬ ‫ﺧﺎﺽ ﺍﳍﺪﺍﺓ ﻣﻴﺎﺩﻳﻦ ﺍﳍﺪﻯ ﺗﺒﻌ‪‬ﺎ‬

‫ﺐ ﺍﻟﺴﺒ ِﻖ ﰲ ﻛ ﱢﻞ ﺍﳌﻴﺎﺩﻳ ِﻦ‬ ‫ﻳﺎ ﺻﺎﺣ ‪‬‬

‫ﺕ‬ ‫ﺗﺎﺭﳜﻨﺎ ﺳﲑﺓﹲ ﻋﻦ ﻛﺎﺋﻦ ٍﻋﱪ ‪‬‬

‫ﲔ‬ ‫ﲔ ﺇﱃ ﺣ ِ‬ ‫ﺽ‪ ..‬ﻣِﻦ ِﺣ ٍ‬ ‫ﺃﻗﺪﺍﻣ‪‬ﻪ ﺍﻷﺭ ‪‬‬

‫ﺖ‬ ‫ﺖ ﺳِﲑﺓ ﻛﻮ ٍﻥ ﻣﻨ ﹸﺬ ﺃ ﹾﻥ ﻭﻗﻔ ‪‬‬ ‫ﻭﺃﻧ ‪‬‬

‫ﺃﻗﺪﺍ ‪‬ﻡ "ﺁﺩ ‪‬ﻡ"‪ ..‬ﺣﺘ‪‬ﻰ ﻭِﻗﻔ ِﺔ ﺍﻟﺪ‪‬ﻳ ِﻦ‬

‫ﺖ ﻋﻠﻴﻚ ﻗﻠﻮﺏ‪ ‬ﻻﺻﻼ ﹶﺓ ﳍﺎ‬ ‫ﺻ ﱠﻠ ‪‬‬

‫ﻚ‪ ..‬ﻳ ‪‬ﻨﺠِﻴﻬﺎ ﻭﻳ‪‬ﻨﺠِﻴﲏ‬ ‫ﺇ ﹼﻻ ﲝ‪‬ﺒ ‪‬‬

‫ﻉ ﺍﻟﻴﺘﺎﻣﻰ ﻣ‪‬ﻦ ﻳ‪‬ﻜﻔﻜﻔﹸﻬﺎ‬ ‫ﻫﺬﻱ ﺍﻟﺪﻣﻮ ‪‬‬

‫ﲔ‬ ‫ﺐ ﺍﻟﻴﺘﺎﻣﻰ ﻭﺍﳌﺴﺎﻛ ِ‬ ‫ﺇ ﹼﻻ ﺣﺒﻴ ‪‬‬

‫ﻭﳑﺎ ﻗﺎﻟﻪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻜﺒﲑ ﰲ ﺣﺐ ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬

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‫ﻫﺬﻱ ﻳﺪﺍﻱ‪ ،‬ﻭﻫﺬﻩ ﺃﻭﺯﺍﺭﻱ‬

‫ﻓﺎﻣ‪‬ﻨ ‪‬ﻦ ﺑﻌﻔﻮ ﺍﻟﻘﺎﺩ ِﺭ ﺍﻟﻐﻔﹼﺎ ِﺭ‬

‫ﺐ ﳏ ّ‪‬ﻤﺪٍ‪ ،‬ﻭﳏ ّ‪‬ﻤﺪ‪‬‬ ‫ﺕﲝ ‪‬‬ ‫ﺁ ٍ‬

‫ﺨ ﹾﻠ ِﻖ ﺍﻟﺒﺎﺭﻱ‬ ‫ﻫﻮ ﺭﲪ ﹸﺔ ﺍﻟﺒﺎﺭﻱ ِﻟ ‪‬‬

‫ﺤ ّ‪‬ﻤ ٍﺪ‬ ‫ﺏ ‪‬ﻣ ‪‬‬ ‫ﺖ ﺃﻣﺎ ‪‬ﻡ ﺑﺎ ِ‬ ‫ﹶﻟ ‪‬ﻤّﺎ ﻭﻗﻔ ‪‬‬

‫ﺤ ّ‪‬ﻤ ٍﺪ ﺃﺷﻌﺎﺭﻱ‬ ‫ﻛ ‪‬ﺮّﻣﺖ‪ ‬ﺑﺎ ‪‬ﺳ ِﻢ ‪‬ﻣ ‪‬‬

‫ﺖ ﺑﺎ ‪‬ﺳ ِﻢ ﺍﳌﺼﻄﻔﹶﻰ‬ ‫ﷲ ‪‬ﻣ ﹾﺬ ﻏﻨ‪‬ﻴ ‪‬‬ ‫ﻭﺍ ِ‬

‫ﻣﺎ ‪‬ﻣ ّ‪‬ﺮ ﺷﻴﻄﺎﻥﹲ ﻋﻠﻰ ﻗِﻴﺜﹶﺎﺭِﻱ‬

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‫ﻕ ﺃﻧﺎﻣﻠﻲ‬ ‫ﺕ ﻓﻮ ‪‬‬ ‫ﺗﺘﻮﺿ‪‬ﺄ ﺍﻟﻜﻠﻤﺎ ‪‬‬

‫ﺠﻲ ُﺀ ﺳﺎﺟﺪ ﹰﺓ ﺇﱃ ﹶﺃ ‪‬ﻭﺗ‪‬ﺎﺭﻱ‬ ‫‪‬ﻭ‪‬ﺗ ِ‬

‫ﺐ ﺍﳌﺼﻄﻔﹶﻰ‬ ‫ﺇِﻧّﻲ َﻷ ‪‬ﺷ ‪‬ﻬﺪ‪ ‬ﺃﻥ ‪‬ﺣ ّ‪‬‬

‫ﻚ ﺇﺳﺎﺭﻱ‬ ‫ﺾ ‪‬ﺧ ‪‬ﺘ ‪‬ﻢ ﹶﻓﻤِﻲ‪ ،‬ﻭﻓ ّ‪‬‬ ‫ﹶﻗ ‪‬ﺪ ﻓ ّ‪‬‬

‫ﷲ ﻟﻴ ﹶﻞ ﺑﺼﲑﰐ‬ ‫ﻼ ﺑﻨ‪‬ﻮ ِﺭ ﺍ ِ‬ ‫‪‬ﻭ ‪‬ﺟ ﹶ‬

‫ﻷﺭﺍ ‪‬ﻩ ﻣﻞ َﺀ ﺍﻟﺴﻤ ِﻊ ﻭﺍﻷﺑﺼﺎ ِﺭ‬

‫ﺤ ّ‪‬ﻤﺪ‪‬ﺍ‬ ‫ﹶﺃ‪‬ﻧّﻰ ﺃﻗﻮ ﹸﻝ ﹶﻟ ﹶﻘ ‪‬ﺪ ‪‬ﻣ ‪‬ﺪ ‪‬ﺣﺖ‪ ‬ﻣ‪ ‬‬

‫ﻭﺃﻧﺎ ﺍﻟﺬﻧﻮﺏ‪ ،‬ﻭ ِﺫ ﹾﻛﺮ‪‬ﻩ‪ ‬ﺍﺳﺘﻐﻔﺎﺭﻱ؟!‬

‫ﺤ ّ‪‬ﻤ ٍﺪ‬ ‫ﺤ ّ‪‬ﻤﺪ‪‬ﺍ ‪‬ﲟ ‪‬‬ ‫ﺇﱐ ﻣﺪﺣﺖ ﻣ‪ ‬‬

‫ﺖ ِﻛﺒ‪‬ﺮﻱ ﳊﻈ ﹶﺔ ﺍﺳﺘﻜﹾﺒﺎﺭﻱ‬ ‫ﻭﺫﲝ ‪‬‬

‫ﺤ ّ‪‬ﻤ ٍﺪ‬ ‫ﺐ ‪‬ﻣ ‪‬‬ ‫ﻕ ‪‬ﺣ ّ‪‬‬ ‫ﻋﺎﺭ‪ ‬ﻋﻠﻰ ‪‬ﻣ ‪‬ﻦ ﺫﺍ ‪‬‬

‫ﻉ ﺍﻷﺳﺮﺍﺭ‬ ‫ﺃﻻ ﳚﻲ َﺀ ﺑﺄﺭ ‪‬ﻭ ِ‬

‫ﺱ ﺍﻟﻐﺎ ‪‬ﺭ ﺍﳊﻤﺎﻣﺔﹸ‪ ،‬ﺇّ‪‬ﻧﻤ‪‬ﺎ‬ ‫ﱂ ﲢﺮ ِ‬

‫ﺱ ﺍﳊﻤﺎﻣ ﹶﺔ ﻧ‪‬ﻮﺭ‪‬ﻩ ﰲ ﺍﻟﻐﺎ ِﺭ‬ ‫ﺣﺮ ‪‬‬

‫ﷲ ﺍّﹶﻟﺬِﻱ ﳜﺘﺎﺭ‪‬ﻧﺎ‬ ‫ﺍﳊﻤ ‪‬ﺪ ِ‬

‫ﺤّ‪‬ﺒ ِﺔ ﺍﳌﺨﺘﺎ ِﺭ‬ ‫ﻣﻦ ﺧﻠ ِﻘ ِﻪ ِﻟ ‪‬ﻤ ‪‬‬

‫ﺐ ﳏ ّ‪‬ﻤ ٍﺪ‬ ‫ﻣﺎ ﺩﺍ ‪‬ﻡ ﰲ ﺟﻨ‪‬ﺒ ّ‪‬ﻲ ‪‬ﺣ ّ‪‬‬

‫ﺖ ﺇﺯﺍﺭﻱ‬ ‫ﻓﺎﻟﻜﻮ ﹸﻥ ‪ -‬ﻛ ّﹸﻞ ﺍﻟﻜﻮ ِﻥ ‪ -‬ﲢ ‪‬‬

‫ﺷ ‪‬ﺮﻑ‪ ‬ﺍﳌﻜﺎ ِﻥ ﻣ ‪‬ﻦ ﺍ ﹶﳌ ِﻜﲔِ‪ ،‬ﳏﻤﺪ‬

‫ﺏ ﻣﻜ ّﹶﻠﻠﹰﺎ ﺑﺎﻟﻐﺎ ِﺭ‬ ‫ﺟﻌ ﹶﻞ ﺍﻟﺘﺮﺍ ‪‬‬

‫ﺗﺸﺮﻳﻒ ﻣﻜﺔ ﺃ‪‬ﺎ ‪‬ﻭِﻟﺪ‪‬ﺕ ﻟﻪ‬

‫ﺤ ّ‪‬ﻤﺪ‪ ‬ﻫﻮ ﹶﻛ ‪‬ﻌ‪‬ﺒﺔﹸ ﺍﻷﺑﺮﺍ ِﺭ‬ ‫ﻓ ‪‬ﻤ ‪‬‬

‫ﻱ ﳏ ّ‪‬ﻤ ٍﺪ‬ ‫ﻻ ﻫﺠﺮﺓﹲ ﺇ ﹼﻻ ﳍ ‪‬ﺪ ِ‬

‫ﺻﺮ‪ ‬ﺍﻷﻧﺼﺎ ِﺭ‬ ‫ﺤ ّ‪‬ﻤﺪ‪ ‬ﻫﻮ ﻧ‪‬ﺎ ِ‬ ‫ﻭ ‪‬ﻣ ‪‬‬

‫ﺷﺮﻓﺖ ﻭﺟﻮﻩ ﺍﻟﻨﺎﺱ ﻳﻮﻡ ﺃﻗﺎﻣﻬﺎ‬

‫ﷲ‪ ..‬ﺑﻌﺪ ﻋﺒﺎﺩﺓ ﺍﻷﺣﺠﺎﺭ‬

‫ﷲ‪ :‬ﻫ ‪‬ﺒﻨِﻲ ‪‬ﺟّ‪‬ﻨ ﹰﺔ‬ ‫ﻳ‪‬ﺎ ﹶﻛ ‪‬ﻢ ‪‬ﺳﹶﺄﹾﻟﺖ‪ ‬ﺍ َ‬

‫ﺕ ﻋﺒﺎﺩ ﹶﺓ ﺍﻟﺘﺠ‪‬ﺎ ِﺭ‬ ‫ﻳﺎ ﹶﻛ ‪‬ﻢ ﻋﺒﺪ ‪‬‬

‫ﻑ ‪‬ﺟ ‪‬ﻬّ‪‬ﻨﻤ‪‬ﺎ‬ ‫ﺖ‪ :‬ﻳﺎ ﺭِﺑّﻲ ﺃﺧﺎ ‪‬‬ ‫ﻭﺻﺮﺧ ‪‬‬

‫ﻑ ﺍﻟﻨﺎ ِﺭ‬ ‫ﺣ‪‬ﺘّﻰ ﺍﳒﻠﻰ ﺑﺎﻟ‪‬ﻨّﻮ ِﺭ ﺧﻮ ‪‬‬

‫ﻧﺎﺩﻳﺖ‪ :‬ﻳﺎ ﺍﷲ‪ ،‬ﺣﺒﻚ ﻏﺎﻳﱵ‬

‫ﺃﲤﻢ ﻋﻠ ّ‪‬ﻲ ﻋﺒﺎﺩﺓ ﺍﻷﺣﺮﺍ ِﺭ‬

‫ﷲ ‪‬ﺟ ّﹶﻞ ﺟﻼﹸﻟ ‪‬ﻪ‬ ‫ﻣﻦ ﻳﻌﺒﺪﻭ ﹶﻥ ﺍ َ‬

‫ﻻ ﻳ‪‬ﻔﺘ‪‬ﻨﻮ ﹶﻥ ِﺑﻔِﺘ‪‬ﻨ ِﺔ ﺍﻷﻏﻴﺎ ِﺭ‬

‫ﻉ ﹸﻗﻠﹸﻮِﺑ ِﻬ ‪‬ﻢ‬ ‫ﺖ ﺟﻮﺍ ِﺭ ‪‬ﺣﻬ‪‬ﻢ ‪‬ﺧﺸ‪‬ﻮ ‪‬‬ ‫ﺸ ‪‬ﻌ ‪‬‬ ‫‪‬ﺧ ‪‬‬

‫ﺤّ‪‬ﺒ ِﺔ ﺍﻟﺴ‪‬ﺘّﺎ ِﺭ‬ ‫ﺴّ‪‬ﺘﺮ‪‬ﻭﺍ ِﺑ ‪‬ﻤ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬‬

‫ﺤ ّ‪‬ﻤ ٍﺪ‬ ‫ﻁ ‪‬ﻣ ‪‬‬ ‫ﲔ ﻋﻠﻰ ﺑِﺴﺎ ِ‬ ‫ﺍﻟﻮﺍﻗﻔ ‪‬‬

‫ﻳﺘﻮﻗﹼﺪﻭ ﹶﻥ‪ ..‬ﺗﻮ ّﹸﻗ ‪‬ﺪ ﺍﻷﻧﻮﺍ ِﺭ‬

‫ﺤ ّ‪‬ﻤ ٍﺪ‬ ‫ﲑ ﻧ‪‬ﻮ ِﺭ ‪‬ﻣ ‪‬‬ ‫ﻻ ﻳﻨﺘﻤﻮ ﹶﻥ ِﻟ ‪‬ﻐ ِ‬

‫ﻭﳏ ّ‪‬ﻤﺪ‪ ‬ﻟﻠﻮﺍﺣ ِﺪ ﺍﻟﻘﻬ‪‬ﺎ ِﺭ‬

‫ﺤ ّ‪‬ﻤﺪ‪‬ﺍ‬ ‫ﺇ ّﹶﻥ ﺍﻟﺬﻳ ‪‬ﻦ ﳛﺎﺭﺑﻮﻥ ‪‬ﻣ ‪‬‬

‫ﺴّﺎﺭﻱ‬ ‫ﻀّﻴﺎ ُﺀ ﺍﻟ ‪‬‬ ‫ﻇ ﹶﻠﻢ‪ ‬ﻳﺒ ِّﺪﺩ‪‬ﻫﺎ ﺍﻟ ِ‬

‫ﺻ ّ‪‬ﻢ ﺍﳌﺴﺎﻣﻊِ‪ ،‬ﺧ ّ‪‬ﻮﻥﹲ ﺃﺑﺼﺎ ‪‬ﺭ ‪‬ﻫ ‪‬ﻢ‬ ‫‪‬‬

‫ﺖ ﺍﳌﻘﺎﻟﺔِ‪ ،‬ﻓﺎ ِﺳﻘﹸﻮ ﺍﻷﺧﺒﺎ ِﺭ‬ ‫‪‬ﺑ ‪‬ﻬ ‪‬‬

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‫ﺿﻌ‪‬ﻮﺍ ﻣﺮﺍﻳﺎ ‪‬ﻫ ‪‬ﻢ ﺃﻣﺎ ‪‬ﻡ ﹸﻗﻠﹸﻮِﺑ ِﻬ ‪‬ﻢ‬ ‫ﻭ ‪‬‬

‫ﻓﻌﻤﻮﺍ ﲟﺎ ﻓﻴﻬﺎ ِﻣ ‪‬ﻦ ﺍ َﻷ ‪‬ﻭﺿ‪‬ﺎ ِﺭ‬

‫ﺤ ّ‪‬ﻤﺪ‪ ‬ﻓِﻲ ﺍﻟِﺒ ِّﺮ ِﺳ ‪‬ﺪ ‪‬ﺭﺓﹸ ‪‬ﻣ ‪‬ﻨﺘ‪‬ﻬ ‪‬ﻰ‬ ‫ﻭ ‪‬ﻣ ‪‬‬

‫ﻼﻩ‪ ‬ﻓِﻲ ﺇ ﹾﻛ‪‬ﺒﺎ ِﺭ‬ ‫ﻼ ﻟﻌ‪ ‬ﹶ‬ ‫‪‬ﺗ ‪‬ﺮﻧ‪‬ﻮ ﺍﻟﻌ‪ ‬ﹶ‬

‫ﻫﻞ ﻳﻨﻘﻤﻮﻥ ﻋﻠﻰ ﺍﻟﻨﱯ ﳏﻤ ٍﺪ‬

‫ﺃﻥ ﺟﺎﺀ ﻣﻦ ﻭﺇﱃ ﺑﻼ ﺃﻭﺯﺍﺭ؟‬

‫ﺻﺎﰲ ﺍﻟﺴﺮﻳﺮﺓ‪ ،‬ﻻ ﻳﻜﺪ‪‬ﺭ ﺻﻔﻮ‪‬ﻩ‬

‫ﻣﺎ ﰲ ﻗﻠﻮﺏ ﺍﻟﻨﺎﺱ ﻣﻦ ﺃﻛﺪﺍﺭ‬

‫ﺏ ﻭﺍﺣ ٍﺪ‬ ‫ﺃﻳ‪‬ﻌﺎﺏ ‪‬ﻣ ‪‬ﻦ ﻳﺪﻋﻮ ﻟﺮ ٍّ‬

‫ﻣﻦ ﻏﲑ ﻣﺎ ﻗﻬ ٍﺮ ﻭﻻ ﺇﺟﺒﺎﺭِ؟‬

‫ﻣﻦ ﺫﺍ ﳚﺎﺩﻝ ﰲ ﻃﻬﺎﺭﺓ ﺳﲑ ٍﺓ‬

‫ﻫﻲ ‪‬ﺣﺠ‪‬ﺔ ﺍﳌﻮﱃ ﻋﻠﻰ ﺍﻷﻃﻬﺎﺭ؟‬

‫ﺕ ﹶﺛ ّ‪‬ﻢ ﻭﺩِﺭ ‪‬ﻋ ‪‬ﻪ ﻣﺮﻫﻮﻧﺔﹲ‬ ‫ﻣﻦ ﻣﺎ ‪‬‬

‫ﺃ‪‬ﻧّﻰ ﻳ‪‬ﻘﺎﺱ ﺑﺒﺎﺋ ٍﻊ ﺃﻭ ﺷﺎﺭِ؟!‬

‫ﲑ ﻃﻌﺎﻣﻪ‬ ‫ﻛﻢ ﺟﺎﻉ ﻛﻲ ﳚﺪ ﺍﻟﻔﻘ ‪‬‬

‫ﺨﺎ‪ ..‬ﻭﱂ ﻳﻌﺘ ّﹶﻞ ﺑﺎﻹﻋﺴﺎﺭ‬ ‫ﻭ ‪‬ﺳ ‪‬‬

‫ﻣﻦ ﻟﻮ ﺃﺭﺍﺩ ﻟﻜﺎﻥ ﻣﻮﻃ ﹸﺊ ﻧﻌﻠﻪ‬

‫ﻀ ٍﺔ ﻭﻧ‪‬ﻀﺎﺭ‬ ‫ﻋﺪﺩ ﺍﳊﺼﻰ ﻣﻦ ِﻓ ّ‪‬‬

‫ﺟﺌﲏ ﺑﺄﻛﺮﻡ ﻣﻨﻪ‪ ،‬ﻟﻦ ﺗﺄﰐ ﺑﻪ‬

‫ﺖ ﰲ ﺍﻹﻧﻜﺎﺭ‬ ‫ﺣﱴ ﻭﻟﻮ ﺃﺑﻠﺴ ‪‬‬

‫ﺍﷲ ﺃﻓﺮﺩ ﰲ ﺍﻟﻜﺮﺍﻣﺔ ﺧﻠﻘﻪ‬

‫ﻓﺄﺗﻰ ﻋﻠﻰ ﻭﻋﺪ ﻣﻦ ﺍﻷﻗﺪﺍﺭ‬

‫ﺳﻠ ‪‬ﻤﺎ ﳌﻦ ﺃﻟﻘﻰ ﺍﻟﺴﻼﻡ‪ ،‬ﻭﺭﲪ ﹰﺔ‬

‫ﻟﻠﻌﺎﻟﹶﻤﲔ‪ ،‬ﻭﺭﺍﻳ ﹶﺔ ﺍﺳﺘﺒﺸﺎ ِﺭ‬

‫ﻣﺎ ﻛﺎﻥ ﺧﺼﻢ ﺍﻟﻨﺎﺱ ﻣﻬﻤﺎ ﺧﺎﺻﻤﻮﺍ‬

‫ﺑﻞ ﻛﺎﻥ ﺧﺼﻢ ﺍﻟﺸ ِّﺮ ﰲ ﺍﻷﺷﺮﺍﺭ‬

‫ﻣﺎ ﺍﺳﺘ ﹼﻞ ﺳﻴﻒ ﺍﷲ ﻳﻮﻡ ﻛﺮﻳﻬ ٍﺔ‬

‫ﺇ ﹼﻻ ﻟﻨﺼﺮ ﺍﳋﲑ ﻭﺍﻷﺧﻴﺎﺭ‬

‫ﻧﻌﻢ ﺍﻷﻣﺎ ﹸﻥ ﻟﻜﻞ ﻋﺒ ٍﺪ ﻣﺆﻣ ٍﻦ‬

‫ﲑ ﺟِﻮﺍ ِﺭ‬ ‫ﻭﳉﺎﺭﻩ ﺍﻟ ِﺬ ِّﻣ ِّﻲ ﺧ ‪‬‬

‫ﻣ‪‬ﺎ ﺑ‪‬ﺎﹶﻟ ﹶﻎ ﺍﻟﻜﹸ ﹶﻔّﺎﺭ‪ ‬ﻓِﻲ ﺇﻳﺬﺍِﺋ ِﻪ‬

‫ﺇ ﹼﻻ ‪‬ﺩﻋ‪‬ﺎ ِﻟ ِﻬﺪ‪‬ﺍ‪‬ﻳ ِﺔ ﺍﻟﻜ ﹶﻔّﺎ ِﺭ‬

‫ﺭﺣﺐ ﺍﶈﺒﺔ‪ ،‬ﻻ ﻳﻀﻴﻖ ﺣﻨﺎﻧﻪ‬

‫ﺑﺎﻟﻄﲑ‪ ،‬ﻭﺍﳊﻴﻮﺍﻥ‪ ،‬ﻭﺍﻷﺷﺠﺎ ِﺭ‬

‫ﷲ ﻳﺎ ‪‬ﻣ ‪‬ﻦ ﺑِﺎ ‪‬ﺳ ِﻤ ِﻪ‬ ‫ﻚﺍ ُ‬ ‫ﺻﻠﹼﻰ ﻋﻠﻴ ‪‬‬

‫ﻳﺘﺮ‪‬ﻧ ‪‬ﻢ ﺍﻟ ﹶﻜ ‪‬ﺮﻭ‪‬ﺍ ﹸﻥ ﰲ ﺍﻷ ‪‬ﺳﺤ‪‬ﺎ ِﺭ‬

‫ﺻ ﹶﻠّﻰ ﻋﻠﻴﻚ ﺍﷲ ﻣﺎ ﺯﻛﹼﻰ ﺍﻟﻨﺪﻯ‬

‫ﻭﺗﺼ ‪‬ﺪّﻕ ﺍﻟﺒﺴﺘﺎﻥ ﺑﺎﻷﻋﻄﺎﺭ‬

‫ﺻ ﹶﻠّﺖ ﻋﻠﻴﻚ ﺍﻵﺩﻣﻴﺔ ﻛﻠﻬﺎ‬

‫ِﻣ ‪‬ﻦ " ﹸﻛ ‪‬ﻦ" ﻵ ِﺧ ِﺮ ﺁ ِﺧ ِﺮ ﺍﻷﻋﻤﺎ ِﺭ‬

‫ﺳﻨﺎﺑﻞ ﻣﻦ ﻧﻮﺭ ﺍﻟﺴﲑﺓ‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﺣﺴﻦ ﳏﻤﺪ ﺣﺴﻦ‬

‫ﲢﻔﺔ‬

‫ﺑﻼﻏﻴﺔ‪،‬‬

‫ﻭﻗﻄﻌﺔ‬

‫ﻣﻮﺳﻴﻘﻴﺔ ﺷﻌﺮﻳﺔ‪ ،‬ﻭﺩﻓﻘﺔ ﺣﺐ‬ ‫ﻛﺘﺒﻬﺎ ﻫﺬﺍ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﺎﺏ‬ ‫ﺍﻟﺒﺪﻳﻊ‪ ،‬ﺍﻟﺬﻱ ﲣﺮﺝ ﰲ ﻛﻠﻴﺔ‬ ‫ﺍﻟﺘﺮﺑﻴﺔ‪ ،‬ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‪،‬‬ ‫ﺟﺎﻣﻌﺔ ﺍﻟﺰﻗﺎﺯﻳﻖ‪ ،‬ﻭﻳﻌﻤﻞ ﳏﺮﺭ‪‬ﺍ‬ ‫ﻟﻐﻮﻳ‪‬ﺎ ﻣﺴﺘﻘ ﹰﻠﺎ‪.‬‬ ‫ﻭﻫﻮ ﻋﻀﻮﻣﺆﺳﺲ ﺑﺮﺍﺑﻄﺔ ﺃﺩﺑﺎﺀ ﺍﳊﺮﻳﺔ‪ ..‬ﻭﻗﺪ ﻧﺎﻝ ﻋﺪﺩ ﻣﻦ ﺍﳉﻮﺍﺋﺰ ﻣﻨﻬﺎ‪:‬‬ ‫ﺟﺎﺋﺰﺓ ﻣﺆﺳﺴﺔ ﺍﻟﺒﺎﺑﻄﲔ ﻷﻓﻀﻞ ﺩﻳﻮﺍﻥ ﺷﻌﺮﻱ ﻋﺎﻡ ‪ /2010‬ﺟﺎﺋﺰﺓ ﺍﳍﻴﺌﺔ ﺍﻟﻌﺎﻣﺔ ﻟﻘﺼﻮﺭ‬

‫ﺍﻟﺜﻘﺎﻓﺔ ‪ /2010‬ﺟﺎﺋﺰﺓ ﺍﻟﻘﺼﻴﺪﺓ ﺍﶈﻤﺪﻳﺔ ﺍﻟﱵ ﺃﻗﺎﻣﺘﻬﺎ ﺷﺮﻛﺔ ﺍﻹﺑﺪﺍﻉ ﺍﻷﺳﺮﻳﺔ ﻣﺴﺎﳘﺔ ﻣﻊ‬

‫ﻣﺆﺳﺴﺔ ﺍﻟﺒﺎﺑﻄﲔ ‪ /2010‬ﺟﺎﺋﺰﺓ ﺃﲨﻞ ﻗﺼﻴﺪﺓ ﰲ ﺍﻟﻘﺪﺱ ﺍﻟﱵ ﺃﻗﺎﻣﺘﻬﺎ ﻭﻛﺎﻟﺔ ﺃﻧﺒﺎﺀ ﺍﻟﻘﺪﺱ‬ ‫ﺍﻟﺸﺮﻳﻒ ﺑﺎﳌﻤﻠﻜﺔ ﺍﳌﻐﺮﺑﻴﺔ ﻣﺴﺎﳘﺔ ﻣﻊ ﻣﺆﺳﺴﺔ ﺍﻟﺒﺎﺑﻄﲔ ‪ 2009‬ﻣﻨﺎﺻﻔﺔ ﻣﻊ ﻭﻛﻴﻞ ﻭﺯﺍﺭﺓ‬ ‫ﺍﻹﻋﻼﻡ ﺍﻟﻔﻠﺴﻄﻴﲏ ﺳﺎﺑﻘﹰﺎ‪ /‬ﺩﺭﻉ ﺟﺎﻣﻌﺎﺕ ﻣﺼﺮ‪ ،‬ﻭﺍﳌﺮﻛﺰ ﺍﻷﻭﻝ ﰲ ﻣﺴﺎﺑﻘﺎﺕ ﺃﺳﺒﻮﻉ ﺷﺒﺎﺏ‬ ‫ﺍﳉﺎﻣﻌﺎﺕ ﺍﻟﺴﺎﺩﺱ ‪ /2003‬ﺟﺎﺋﺰﺓ ﺍﳊﻜﺎﻳﺎ ﺍﻷﺩﺑﻴﺔ ﺩﻭﺭﺓ ﺍﻷﺩﻳﺒﺔ ﺣﻨﺎﻥ ﺍﻵﻏﺎ‪ /‬ﺟﺎﺋﺰﺓ ﲡﻤﻊ‬ ‫ﺷﻌﺮﺍﺀ ﺑﻼ ﺣﺪﻭﺩ ‪ /2010‬ﺟﺎﺋﺰﺓ ﻣﺮﻛﺰ ﺍﻹﻋﻼﻡ ﺍﻟﺪﻭﱄ ﺑﺎﻟﻘﺎﻫﺮﺓ ‪ /2010‬ﺟﺎﺋﺰﺓ ﺃﺩﺑﺎﺀ‬ ‫ﺍﳌﺴﺘﻘﺒﻞ ﺍﻟﺴﺎﺩﺳﺔ‪ /‬ﺟﺎﺋﺰﺓ ﺍﳊﻜﺎﻳﺎ ﺍﻷﺩﺑﻴﺔ ﺩﻭﺭﺓ ﻧﻮﺭ ﺭﻣﻀﺎﻥ‪ /‬ﺍﳉﺎﺋﺰﺓ ﺍﻟﻌﻠﻤﻴﺔ ﺍﻟﱵ ﺃﺟﺮ‪‬ﺎ‬

‫ﺃﻛﺎﺩﳝﻴﺔ ﺍﻟﺒﺤﺚ ﺍﻟﻌﻠﻤﻲ ﻭﺍﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ ‪ 1995‬ﲟﺼﺮ ﰲ ﳎﺎﻝ ﺍﻟﻜﺘﺎﺑﺔ ﺍﻟﻌﻠﻤﻴﺔ‪ /‬ﺟﺎﺋﺰﺓ‬ ‫ﺍﻷﻭﳌﺒﻴﺎﺩ ﺍﳌﺼﺮﻱ ﺍﻷﻭﻝ ‪ /2002‬ﺍﳌﻴﺪﺍﻟﻴﺔ ﺍﻟﻔﻀﻴﺔ‪ /‬ﺟﺎﺋﺰﺓ ﺍﻟﺘﻀﺎﻣﻦ ﺍﻟﻌﺮﰊ ‪) 2008‬ﻣﻨﺘﺪﻳﺎﺕ‬ ‫ﲪﺎﺓ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ(‪ /‬ﺟﺎﺋﺰﺓ ﻓﺮﺳﺎﻥ ﺍﻟﺜﻘﺎﻓﺔ ‪) 2009‬ﻣﻨﺘﺪﻳﺎﺕ ﻓﺮﺳﺎﻥ ﺍﻟﺜﻘﺎﻓﺔ(‪ /‬ﺟﺎﺋﺰﺓ ﺷﺒﻜﺔ‬

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‫ﺍﳌﺮﺍﻳﺎ ﺍﻟﺜﻘﺎﻓﻴﺔ ‪) 2008‬ﻣﻨﺘﺪﻳﺎﺕ ﺷﺒﻜﺔ ﺍﳌﺮﺍﻳﺎ(‪ /‬ﺟﺎﺋﺰﺓ ﺁﻳﺮﺱ ﻟﻺﺑﺪﺍﻉ ﺍﻟﺸﻌﺮﻱ ‪/2011‬‬ ‫ﺟﺎﺋﺰﺓ ﻳﻮﻡ ﺍﻷﺭﺽ ﺍﻟﱵ ﺃﻗﺎﻣﺘﻬﺎ ﺍﻟﺴﻔﺎﺭﺓ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﺔ ﺑﺴﻠﻄﻨﺔ ﻋﻤﺎﻥ‪ ..‬ﻭﻏﲑﻫﺎ‪.‬‬ ‫‪ -‬ﻧﺸﺮﺕ ﻗﺼﺎﺋﺪﻩ ﻭﻣﻘﺎﻻﺕ ﻋﻦ ﺷﻌﺮﻩ ﰲ ﺍﻟﺼﺤﻒ ﻭﺍﻟﺪﻭﺭﻳﺎﺕ ﻭﺍ‪‬ﻼﺕ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﶈﻠﻴﺔ‬

‫ﻭﺃﺟﺮﻳﺖ ﻣﻌﻪ ﻋﺪﺓ ﺣﻮﺍﺭﺍﺕ ﻋﻠﻴﻬﺎ‪ ،‬ﻭﺍﺳﺘﻀﻴﻒ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﻟﻘﻨﻮﺍﺕ ﺍﻟﺘﻠﻔﺰﻳﻮﻧﻴﺔ ﻭﺍﻟﱪﺍﻣﺞ‬ ‫ﺍﳌﺨﺘﻠﻔﺔ‪ ،‬ﻭﺷﺎﺭﻙ ﰲ ﻓﻌﺎﻟﻴﺎﺕ ﺃﺩﺑﻴﺔ ﰲ ﻣﺼﺮ ﻭﺍﳋﺎﺭﺝ‪ .‬ﻭﻛﺮﻡ ﰲ ﻋﺪﺓ ﻣﺆﲤﺮﺍﺕ ﳏﻠﻴﺔ‬ ‫ﻭﻋﺮﺑﻴﺔ‪ .‬ﻳﻘﻮﻝ ﺃﲪﺪ ﺣﺴﻦ ﰲ ﺑﺪﻳﻌﺘﻪ‪:‬‬

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‫ﻕ ﻓﹶﺎ‪‬ﻧ ‪‬ﻬ ‪‬ﻤﺮ‪‬ﺍ‬ ‫ﻸ ‪‬ﻭﺭ‪‬ﺍ ِ‬ ‫ﺤﺖ‪ ‬ﹶﻗ ﹾﻠِﺒ ‪‬ﻲ ِﻟ َ‬ ‫ﹶﻓ‪‬ﺘ ‪‬‬

‫ﻑ ‪‬ﺷ ‪‬ﻮﻗﹸﻪ‪ ‬ﹶﻇ ‪‬ﻬﺮ‪‬ﺍ‬ ‫‪‬ﻧ ‪‬ﺒﻀِﻲ ‪‬ﻋﻠﹶﻰ ‪‬ﺧ ‪‬ﺪ ‪‬ﺣ ‪‬ﺮ ٍ‬

‫ﺢ ﻗﹶﺎ ِﻓ‪‬ﻴﺘِﻲ‬ ‫ﺤ ‪‬ﺒ ِﺮ ﹶﺃ ‪‬ﺟﻨِﻲ ﹶﻗ ‪‬ﻤ ‪‬‬ ‫ِﻣ ‪‬ﻦ ‪‬ﺗ ‪‬ﻮ‪‬ﺑ ِﺔ ﺍﹾﻟ ِ‬

‫‪‬ﻭ ِﻣ ‪‬ﻦ ﹶﻗﺒ‪‬ﺎِﺋ ِﻞ ﹶﺃ ‪‬ﺷﻮ‪‬ﺍﻗِﻲ ِﺣﻤ‪‬ﻰ ﻭ ِﻗﺮ‪‬ﻯ‬

‫ﺸ ‪‬ﻲ ﻓِﻲ ‪‬ﻭ ‪‬ﺭﻗِﻲ‬ ‫‪‬ﻋﻜﱠﺎ ‪‬ﺯ ِﺣ ‪‬ﺒﺮِﻱ ‪‬ﻣ ِﻌﻲ؛ ﻭ‪‬ﺍﹾﻟ ‪‬ﻤ ‪‬‬

‫ﺸ ‪‬ﺮﺩ‪ ‬ﻓِﻲ ‪‬ﻭ ‪‬ﺩﻳ‪‬ﺎِﻧ ِﻪ ﺍﻟ ِﻔ ﹶﻜﺮ‪‬ﺍ‬ ‫ﺻ ‪‬ﻌﺐ‪ ،‬ﻳ‪ ‬‬ ‫‪‬‬

‫ﹶﻟ ِﻜ ‪‬ﻦ ِﺫ ﹾﻛﺮ‪‬ﻯ ‪‬ﺭﺳ‪‬ﻮ ِﻝ ﺍﻟ ﹶﻠ ِﻪ ﻣ‪ ‬ﻨ ِﻔ ﹶﻘﺔﹲ‬

‫ﺴﺮ‪‬ﻯ ﹶﻗ ‪‬ﻤﺮ‪‬ﺍ‬ ‫‪‬ﻋﻠﹶﻰ ِﻋﻴ‪‬ﺎ ِﻝ ‪‬ﺳﻄﹸﻮﺭِﻱ ﻓِﻲ ﺍﻟ ‪‬‬

‫ﺐ ﹶﺃ ‪‬ﺧِﻴ ﹶﻠﺘِﻲ‬ ‫ﺿﺤ‪‬ﻰ ِﻣ ‪‬ﻦ ﺻ‪ ‬ﹾﻠ ِ‬ ‫ﺻﻠﱠﻰ ‪‬ﻋ ﹶﻠ ‪‬ﻴ ِﻪ ‪‬‬ ‫‪‬‬

‫ﻕ ﹶﻗ ‪‬ﺪ ‪‬ﺳ ِﻄﺮ‪‬ﺍ‬ ‫ﺡ ﻓِﻲ ‪‬ﺭ ِﺣ ِﻢ ﺍ َﻷ ‪‬ﻭﺭ‪‬ﺍ ِ‬ ‫ﺑِﺎﹾﻟ ‪‬ﻤ ‪‬ﺪ ِ‬

‫ﺻﺤ‪‬ﺎﺭ‪‬ﻯ ﺍﻟﻠ ‪‬ﻴ ِﻞ ﹶﻗ ‪‬ﺪ ‪‬ﺑ ﹶﺬﺭ‪‬ﺍ‬ ‫ﺤ ‪‬ﻤﺪ‪ !‬ﻓِﻲ ‪‬‬ ‫‪‬ﻣ ‪‬‬

‫ﻀﺮ‪‬ﺍ‬ ‫ﻀﻴ‪‬ﺎ ‪‬ﺧ ِ‬ ‫ﺕ ﺍﹾﻟ ‪‬ﻬﺪ‪‬ﻯ؛ ﻓﹶﺎ ‪‬ﺳ‪‬ﺘﻮ‪‬ﻯ ﻋ‪‬ﻮ ‪‬ﺩ ﺍﻟ ‪‬‬ ‫ﺻ ‪‬ﻮ ‪‬‬ ‫‪‬‬

‫ﺻ‪‬ﻨ ٍﻢ‬ ‫ﺾ ِﻣ ‪‬ﻦ ‪‬‬ ‫ﺕ ﺍﹾﻟﺒِﻴ ‪‬‬ ‫ﺼ ﹶﻠﻮ‪‬ﺍ ِ‬ ‫ﻭﹶﺃ‪‬ﻧ ﹶﻘ ﹶﺬ ﺍﻟ ‪‬‬

‫ﺸﺮ‪‬ﺍ‬ ‫ﺖ ﻓِﻲ ‪‬ﺟ ‪‬ﻬ ِﻠﻬ‪‬ﺎ ﺍﹾﻟ‪‬ﺒ ‪‬‬ ‫ﹶﺃ ‪‬ﺣﺠ‪‬ﺎ ‪‬ﺭ ‪‬ﻩ ﺍ ‪‬ﻋ‪‬ﺘ ﹶﻘ ﹶﻠ ‪‬‬

‫ﺴِﺒﻘﹸﻪ‪‬‬ ‫ﻀ ‪‬ﻮ ُﺀ ‪‬ﻳ ‪‬‬ ‫ِﻣ ‪‬ﻦ ﹶﻗ ‪‬ﺒ ِﻞ ‪‬ﻣ ‪‬ﻮِﻟ ِﺪﻩِ‪ ،‬ﻭ‪‬ﺍﻟ ‪‬‬

‫ﻒ ﺍﹾﻟ ‪‬ﻤﻨ‪‬ﺎ ِﻡ ‪‬ﺗﺮ‪‬ﻯ‬ ‫ﺸﺮ‪‬ﻯ ‪‬ﻋﻠﹶﻰ ﹶﻛ ‪‬‬ ‫ﺏ ‪‬ﺑ ‪‬‬ ‫ﻓِﻲ ﹶﺛ ‪‬ﻮ ِ‬

‫ﺴ ِﻞ ﺍﹾﻟ ‪‬ﻤﻨ‪‬ﺎ ِﻡ ‪‬ﺭﺅ‪‬ﻯ‬ ‫ﹶﻓﺘ‪ ‬ﺮ ‪‬ﺯﻕ‪ ‬ﺍ ُﻷ ‪‬ﻡ ِﻣ ‪‬ﻦ ‪‬ﻧ ‪‬‬

‫ﺼﺮ‪‬ﻯ"‬ ‫ﺐ( ﹶﻏ ‪‬ﺮ ‪‬ﺳ ‪‬ﻦ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ﻓِﻲ "‪‬ﺑ ‪‬‬ ‫ﺕ ﹶﻏ ‪‬ﻴ ٍ‬ ‫)‪‬ﺑﻨ‪‬ﺎ ِ‬

‫ﺖ‬ ‫ﺠ ‪‬ﺪ‪ِ :‬ﻣ ‪‬ﻦ ﹶﻇ ‪‬ﻬ ِﺮ ‪‬ﺭ ‪‬ﺅﻳ‪‬ﺎ ‪‬ﻩ ﹶﻗ ِﺪ ﺍ‪‬ﻧ‪‬ﺒﹶﺜ ﹶﻘ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ‪‬‬

‫ﻀﺮ‪‬ﺍ‬ ‫ﺤ ‪‬‬ ‫ﺿ ‪‬ﻮ ٍﺀ ‪‬ﺗ ‪‬ﺮﻭ‪‬ﻱ ﺍﹾﻟ‪‬ﺒ ‪‬ﺪﻭ ﻭ‪‬ﺍﹾﻟ ‪‬‬ ‫ﹶﺃ‪‬ﻧﻬ‪‬ﺎ ‪‬ﺭ ‪‬‬

‫ﺴﻤ‪‬ﺎﺀَ؛ ﹶﻓ ‪‬ﻤ ‪‬ﻦ‬ ‫ﺤﻤِﻲ ﺍﻟ ‪‬‬ ‫ﺖ ‪‬ﺷ ‪‬ﻬﺐ‪ ‬ﺗ ‪‬‬ ‫‪‬ﻭﺩ‪ ‬ﺭ‪‬ﺑ ‪‬‬

‫ﺸ‪‬ﺒ ‪‬ﻌ ‪‬ﻦ ‪‬ﺷ ‪‬ﺮﺭ‪‬ﺍ‬ ‫ﺐ ِﻗ ﹾﻄﻔﹰﺎ‪ ،‬ﻳ ‪‬‬ ‫ﻕ ِﻣ ‪‬ﻦ ﺍﹾﻟ ‪‬ﻐ ‪‬ﻴ ِ‬ ‫ﺴ ِﺮ ‪‬‬ ‫‪‬ﻳ ‪‬‬

‫‪‬ﻳ ‪‬ﻬﺪ‪‬ﻯ ِﻟ ‪‬ﻤ ﱠﻜ ﹶﺔ ﻋ‪‬ﺎ ‪‬ﻡ ﺍﹾﻟﻔِﻴ ِﻞ ﻓِﻲ ﹶﻃ‪‬ﺒ ٍﻖ‬

‫ﺴﺮ‪‬ﺍ‬ ‫ﺤ‪‬‬ ‫ﺼﺮِ؛ ﻭ‪‬ﺍ‪‬ﺑ ‪‬ﻦ ﺍﻟ ﱡﻈ ﹾﻠ ‪‬ﻤ ِﺔ ﺍ‪‬ﻧ ‪‬‬ ‫ِﻣ ‪‬ﻦ ﻟﹸ ‪‬ﺆﻟﹸ ِﺆ ﺍﻟ‪‬ﻨ ‪‬‬

‫ﺸِﺘ ِﻪ‬ ‫ﺴﺮ‪‬ﻯ ِﺑ ‪‬ﺮ ‪‬ﻋ ‪‬‬ ‫ﺼ ‪‬ﺮ ‪‬ﻋ‪‬ﺒ ‪‬ﺮ ﻳ‪‬ﺎ ِﻛ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ﹶﻘ ‪‬‬

‫ﺖ ِﻋ‪‬ﺒﺮ‪‬ﺍ‬ ‫‪‬ﻋ ‪‬ﻦ ‪‬ﺭ ﹾﻏ‪‬ﺒ ٍﺔ ﻓِﻲ ﺍﹾﻟ ‪‬ﻬﺪ‪‬ﻯ ﹶﻗ ‪‬ﺪ ﹶﻓ ‪‬ﺮ ‪‬ﺧ ‪‬‬

‫ﺴﺮ‪‬ﻯ ‪‬ﺭ ‪‬ﻣﺰ‪‬ﻩ‪ ‬ﺷ ‪‬ﺮﻑ‪‬‬ ‫ﺴﻞﹸ ِﻛ ‪‬‬ ‫ﹶﺃﹶﻟ ‪‬ﻢ ‪‬ﻳ ﹸﻜ ‪‬ﻦ ‪‬ﻧ ‪‬‬

‫ﺖ ِﻫ ‪‬ﻲ ﺍﹾﻟﺠ‪‬ﺪ‪‬ﺭ‪‬ﺍ؟!‬ ‫‪‬ﺗ ‪‬ﻬﻮِﻱ‪ ،‬ﻭﹶﺃﺻ‪‬ﻼ‪‬ﺑ ‪‬ﻬ ‪‬ﻢ ﻛﹶﺎ‪‬ﻧ ‪‬‬

‫ﺖ ﺍﻟﻨ‪‬ﺎ ‪‬ﺭ ِﻣ ‪‬ﻦ ِﺷ ‪‬ﺮ ٍﻙ ﹶﺃ ِﺟ‪‬ﻨ‪‬ﺘﻬ‪‬ﺎ‬ ‫ﺠ ِ‬ ‫‪‬ﻭ‪‬ﻧ ‪‬‬

‫ﺖ ‪‬ﺣ ‪‬ﺮ ‪‬ﻫ ‪‬ﻢ ) ِﺫ ﹾﻛﺮ‪‬ﻯ ِﻟ ‪‬ﻤ ‪‬ﻦ ﹶﺫ ﹶﻛﺮ‪‬ﺍ(‬ ‫ﻀ ‪‬‬ ‫ﹶﻓﹶﺄ ‪‬ﺟ ‪‬ﻬ ‪‬‬

‫ﺖ‬ ‫ﺖ ‪‬ﺩ ‪‬ﻣ ‪‬ﻌﻬ‪‬ﺎ )ﺳ‪‬ﺎﻭ‪‬ﺍ( ؛ ‪‬ﻭ ﹶﻛ ‪‬ﻢ ﹶﺫ ‪‬ﺭ ﹶﻓ ‪‬‬ ‫‪‬ﻭ ‪‬ﺟ ﱠﻔ ﹶﻔ ‪‬‬

‫ﹶﺃ ‪‬ﺳﻰ ‪‬ﻋﻠﹶﻰ ﻋ‪‬ﺎِﺑ ٍﺪ‪ ..‬ﻓِﻲ ﹶﻏﻴ‪‬ﻪ ﹸﻗِﺒﺮ‪‬ﺍ‬

‫ﹶﻓﻴ‪‬ﺎ ‪‬ﺣﻠِﻴ ‪‬ﻤﺔﹸ‪ ،‬ﻭﺻ‪‬ﻲ ﺃﹸ ‪‬ﻣ ﹰﺔ ﹶﻓ ﹶﻄﻤ‪‬ﻮﺍ‬

‫ﺿﻌ‪‬ﻮﺍ ‪‬ﺳ ﹶﻘﺮ‪‬ﺍ‬ ‫ﻀ ‪‬ﻬﻢ‪‬؛ ﻭ‪‬ﺍ ‪‬ﺳ‪‬ﺘ ‪‬ﺮ ‪‬‬ ‫‪‬ﻋ ‪‬ﻦ ﺣ‪‬ﺒ ِﻪ ‪‬ﻧ ‪‬ﺒ ‪‬‬

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‫ﺖ‬ ‫ﺐ ‪‬ﻣ ‪‬ﻦ ‪‬ﺷِﺒ ‪‬ﻌ ‪‬‬ ‫ﹶﺃﹶﻟ ‪‬ﻢ ‪‬ﺗﺴ‪‬ﺎِﺑ ‪‬ﻖ ﹶﺃﺗ‪‬ﺎﻥﹲ ‪‬ﺭ ﹾﻛ ‪‬‬

‫ﺐ ‪ -‬ﺃﹸ ‪‬ﺟﺮ‪‬ﺍ؟!‬ ‫ﲔ ﻣ‪ ‬ﹾﺬ ‪‬ﻫ ٍ‬ ‫‪‬ﺟﻴ‪‬ﻮ‪‬ﺑ ‪‬ﻬ ‪‬ﻢ ‪ِ -‬ﻣ ‪‬ﻦ ‪‬ﺭِﻧ ٍ‬

‫ﺴﻤ‪‬ﺎﺀِ؛ ﹶﻓ ﹶﻠ ‪‬ﻮ‬ ‫ﺻ ‪‬ﺪ ِﺭ ﺍﻟ ‪‬‬ ‫‪‬ﻭ ‪‬ﻣ ‪‬ﺪ ‪‬ﻧ ‪‬ﻬﺮ‪‬ﺍ ِﻙ ِﻣ ‪‬ﻦ ‪‬‬

‫ﺽ ﻣ‪‬ﺎ ‪‬ﻧ ‪‬ﺰﺭ‪‬ﺍ‬ ‫ﺖ ﹸﻛ ﱠﻞ ‪‬ﻳﺘ‪‬ﺎﻣ‪‬ﻰ ﺍ َﻷ ‪‬ﺭ ِ‬ ‫ﺿ ‪‬ﻌ ِ‬ ‫ﹶﺃ ‪‬ﺭ ‪‬‬

‫ﻣ‪‬ﺎ ِﻣ ‪‬ﻦ ‪‬ﻧِﺒ ‪‬ﻲ ِﺳﻮ‪‬ﻯ ﺭ‪‬ﺍﻉٍ‪ ،‬ﻭﹶﺃ ‪‬ﺣ ‪‬ﻤﺪ‪ ‬ﹶﻗ ‪‬ﺪ‬

‫ﺡ ﻭﺍﹾﻟ ِﻔ ﹶﻜﺮ‪‬ﺍ‬ ‫ﺼﺤ‪‬ﺎﺭِﻱ ‪ -‬ﺍﻟﺮ‪‬ﻭ ‪‬‬ ‫‪‬ﺭﻋ‪‬ﻰ ‪ِ -‬ﺑ ‪‬ﻌ ﹾﻘ ِﻞ ﺍﻟ ‪‬‬

‫ﺏ ِﺇﻟﹶﻰ‬ ‫ﺸﺒ‪‬ﺎ ِ‬ ‫ﺱ ﻓِﻲ ِﻋ ‪‬ﺰ ﺍﻟ ‪‬‬ ‫ﻣ‪‬ﺎ ‪‬ﻫ ‪‬ﻢ ﺑﺎﹾﻟ ﹶﻜ ﹾﺄ ِ‬

‫ﺸ ‪‬ﺮﺍ‬ ‫ﺐ ‪‬ﺷﻔﹶﻰ ﺍﻟ‪‬ﺒ ‪‬‬ ‫ﹶﺃ ﹾﻥ ﺻ‪‬ﺎ ‪‬ﺭ ﻓِﻲ ﺭِﻳ ِﻘ ِﻪ ِﻃ ‪‬‬

‫ﺤﺒ‪‬ﻪ‪‬‬ ‫ﺼ‪‬‬ ‫ﺕ‪ ..‬ﻭ‪‬ﻳ ‪‬‬ ‫ﺼ ‪‬ﻦ ﹶﻏ ‪‬ﻴﻤ‪‬ﺎ ٍ‬ ‫ﻳ‪ِ ‬ﻈﱡﻠﻪ‪ ‬ﹸﻏ ‪‬‬

‫ﺠﺮ‪‬ﺍ‬ ‫ﺴ‪‬ﻴ ‪‬ﺪ ٍﺓ ﻓِﻲ ﻣ‪‬ﺎِﻟﻬ‪‬ﺎ ﺍ‪‬ﺗ ‪‬‬ ‫ِﺭ‪‬ﺑﺢ‪ِ ‬ﻟ ‪‬‬

‫ﻀ ِﻦ ﻏﹶﺎ ٍﺭ‪ :‬ﺗ‪‬ﺒﻨ‪‬ﻰ ﹶﻗ ﹾﻠﺒ‪‬ﻪ‪ ‬ﺷ ‪‬ﻐﻔﹰﺎ‬ ‫ﻓِﻲ ِﺣ ‪‬‬

‫ﺑِﺎﻟﺪ‪‬ﻳ ِﻦ! ﻭ‪‬ﺍﻟ‪‬ﻨ ‪‬ﺒﺾ‪ ‬ﹶﺃ ‪‬ﻣﺴ‪‬ﻰ ‪‬ﺣ ‪‬ﻮﹶﻟﻪ‪ ‬ﹸﺃ ‪‬ﺳﺮ‪‬ﺍ‬

‫ﺵ ﺍﹾﻟ ‪‬ﻤﻨ‪‬ﺎﻡِ؛ ﹶﻓِﺈ ﹾﻥ‬ ‫‪‬ﺭﺅ‪‬ﺍ ‪‬ﻩ ‪‬ﺑ ‪‬ﻴﺾ‪ِ ‬ﺑﹶﺄ ‪‬ﻋﺸ‪‬ﺎ ِ‬

‫ﺸﺮ‪‬ﺍ‬ ‫ﺖ ‪‬ﺑ ‪‬‬ ‫ﺠ ‪‬ﺪﻫ‪‬ﺎ ﹶﺃ ﹾﻓ ‪‬ﺮ ‪‬ﺧ ‪‬‬ ‫ﺼﺢ‪ ‬ﺍﻟ ‪‬ﺮﺳ‪‬ﻮ ﹸﻝ ‪‬ﻳ ِ‬ ‫‪‬ﻳ ‪‬‬

‫ﻉ ﺍﹾﻟﻐ‪‬ﺎ ِﺭ ‪‬ﻧ ‪‬ﺒﺾ‪ ‬ﻫﺪ‪‬ﻯ‬ ‫ﺿﻠﹸﻮ ‪‬‬ ‫‪‬ﺣﺘ‪‬ﻰ ﹶﺃﺿ‪‬ﺎ َﺀ ‪‬‬

‫ﺤﺮ‪‬ﺍ‬ ‫ﺼ ﹶﻄﻔﹶﻰ ِﺑ ِ‬ ‫ﹶﻟﻤ‪‬ﺎ ‪‬ﺑﺪ‪‬ﺍ ‪‬ﻣ ﹶﻠﻚ‪ ‬ﹾﻟ ﹾﻠ ‪‬ﻤ ‪‬‬

‫ﺙ‪ ..‬ﻭ ‪‬ﻫﻮ ﻳ‪ ‬ﹾﻘ ِﺮﺋﹸﻪ‪‬‬ ‫ﻀﻤ‪‬ﻪ ِﻟﺜﹶﻼ ٍ‬ ‫‪‬ﻳ ‪‬‬

‫ﺴ ‪‬ﻮﺭ‪‬ﺍ‬ ‫ﺣﺘ‪‬ﻰ ‪‬ﻣﻀ‪‬ﻰ ﻧ‪‬ﺎ ِﻗﺸ‪‬ﺎ ﻓِﻲ ﹶﻗ ﹾﻠِﺒ ِﻪ ﺍﻟ ‪‬‬

‫ﺤﺮ‪‬ﺍ ُﺀ ﺧ‪ ‬ﹾﻄ ‪‬ﻮ‪‬ﺗﻪ‪‬‬ ‫ﺼ‪‬‬ ‫ﺖ ﺍﻟ ‪‬‬ ‫ﹶﺃ ﹾﻓﺪِﻱ ﺍﱠﻟﺬِﻱ ﺫﹶﺍ ﹶﻗ ِ‬

‫ﺤِﺘ ِﻪ ﺑ‪‬ﺎﻫ‪‬ﻰ ِﺑ ِﻪ ﺍﹾﻟ ‪‬ﻤ ﹶﻄﺮ‪‬ﺍ‬ ‫ﻓﹶﺎﻟ ‪‬ﺮ ‪‬ﻣﻞﹸ ِﻣ ‪‬ﻦ ‪‬ﺗ ‪‬‬

‫ﺢ ﹶﺃ ‪‬ﺟﻔﹶﺎﻧ‪‬ﺎ ﻣ‪ ‬ﻌ ﱠﻔ ‪‬ﺮ ﹰﺓ‬ ‫ﻓِﻲ ﺍﻟﺪ‪‬ﻳ ِﻦ ﹶﻓ‪‬ﺘ ‪‬‬

‫ﺖ ﹶﻓ ‪‬ﻮ ﹶﻗﻬ‪‬ﺎ ﺍﹾﻟ ‪‬ﻌ ﹶﻔﺮ‪‬ﺍ‬ ‫ﺑِﺎﹾﻟﺠ‪‬ﺎ ِﻫ ِﻠ‪‬ﻴﺔِ؛ ‪‬ﺭ‪‬ﺑ ‪‬‬

‫‪‬ﻭ‪‬ﻳ ﹾﻠ‪‬ﺒﺲ‪ ‬ﺍﹾﻟ ‪‬ﻌ ‪‬ﻢ ﹸﺃ ‪‬ﺧﺮ‪‬ﺍﻩ‪ ،‬ﻭ‪‬ﺗ ‪‬ﻐﺮ‪‬ﺏ‪ِ ‬ﻣ ‪‬ﻦ‬

‫ﺡ‪ ،‬ﻓﹶﺎ ‪‬ﺯﺩ‪‬ﺍ ‪‬ﺩ ﺍ َﻷﺫﹶﻯ ‪‬ﺷ ‪‬ﺮﺭ‪‬ﺍ‬ ‫‪‬ﺧﺪِﳚ ﹶﺔ ﺍﻟﺮﻭ ‪‬‬

‫‪‬ﻣﺸ‪‬ﻰ ﺍﻟ ‪‬ﺮﺳ‪‬ﻮ ﹸﻝ ‪‬ﻋﻠﹶﻰ ﺧ‪ ‬ﱠﻔ ‪‬ﻴ ِﻦ ِﻣ ‪‬ﻦ ﹶﺃ ‪‬ﻣ ٍﻞ‬

‫ﺠﺮ‪‬ﺍ‬ ‫ﻀ‪‬‬ ‫ﺱ ﻭ‪‬ﺍﻟ ‪‬‬ ‫‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ﺍﹾﻟ ﹶﻘﺒ‪‬ﺎِﺋ ِﻞ ‪‬ﻳ ‪‬ﻌﺼِﻲ ﺍﹾﻟ‪‬ﻴ ﹾﺄ ‪‬‬

‫ﺖ‬ ‫ﻀ ‪‬ﻮ ِﺀ ِﺇ ﹾﺫ ‪‬ﻳ ‪‬ﺮﻣ‪‬ﻮ‪‬ﻧﻬ‪‬ﺎ ‪‬ﺑ ﹶﻘ‪‬ﻴ ‪‬‬ ‫ﺨ ﹶﻠ ِﺔ ﺍﻟ ‪‬‬ ‫ﹶﻛ‪‬ﻨ ‪‬‬

‫ﺿ ‪‬ﻮِﺋﻬ‪‬ﺎ ﹶﺛ ‪‬ﻤﺮ‪‬ﺍ‬ ‫‪‬ﺗ ‪‬ﻌﻄِﻲ ﹶﻟ ‪‬ﻬ ‪‬ﻢ ِﻣ ‪‬ﻦ ﺣ‪‬ﻼﻭ‪‬ﻯ ‪‬‬

‫ﻉ ‪‬ﻣ ‪‬ﻦ ﹶﻟِﺒﺴ‪‬ﻮﺍ‬ ‫ﻑ َﺀ ﻓِﻲ ﹶﺃ ‪‬ﺳﻤ‪‬ﺎ ِ‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﻐ ِﺮﺱ‪ ‬ﺍﻟ ‪‬ﺪ ‪‬‬

‫ﺶ ﹶﻛﺮ‪‬ﻯ‬ ‫ﺞ ‪‬ﻣ ‪‬ﻐﻄﱠﺎ ﹰﺓ ِﺑ‪‬ﻨ ﹾﻘ ِ‬ ‫ﺏ ﹶﺛ ﹾﻠ ٍ‬ ‫ﹶﺃﹾﺛﻮ‪‬ﺍ ‪‬‬

‫ﺻ ‪‬ﺒ‪‬ﻴ ﹰﺔ ‪‬ﻳ ‪‬ﺮﻣ‪‬ﻮ‪‬ﻧﻪ‪ ‬ﺣﺠ‪‬ﺮﺍ‬ ‫ﺴ ﱠﻠﻄﹸﻮﺍ ِ‬ ‫ﹶﻓ ‪‬‬

‫ﺼﺮ‪ ‬ﻣ ‪‬ﻦ ‪‬ﻳ ‪‬ﺆﺫِﻳ ِﻪ ﻻ ‪‬ﻋ‪‬ﺘ ﹶﺬﺭ‪‬ﺍ‬ ‫ﹶﻟﻮ ﻛﹶﺎ ﹶﻥ ﻳ‪ ‬ﺒ ِ‬

‫ﺽ ‪‬ﺗ ‪‬ﻨ ِﺰﻓﹸﻪ‪‬‬ ‫ﺐ ِﻣ ‪‬ﻦ ‪‬ﺭ ‪‬ﻣ‪‬ﻴ ِﺔ ﺍ ِﻹ ‪‬ﻋﺮ‪‬ﺍ ِ‬ ‫ﻭ‪‬ﺍﹾﻟ ﹶﻘ ﹾﻠ ‪‬‬

‫ﺴﻤ‪‬ﺎ ﹶﺃﹶﺛﺮ‪‬ﺍ‬ ‫ﺻ ‪‬ﺪ ِﺭ ﺍﻟ ‪‬‬ ‫‪‬ﺷ ﹾﻜﻮ‪‬ﻯ؛ ﹶﻓ‪‬ﺘ ‪‬ﺘﺮ‪‬ﻙ‪ ‬ﻓِﻲ ‪‬‬

‫ﺽ ِﻣ ‪‬ﻦ ِﺭ ‪‬ﺟ ﹶﻠ ‪‬ﻴ ِﻪ ﹶﻃ ‪‬ﻌﻢ‪ ‬ﺩ ٍﻡ‬ ‫‪‬ﻭﻳ‪ ‬ﺮ ِﻋﺶ‪ ‬ﺍ َﻷ ‪‬ﺭ ‪‬‬

‫ﺴ‪‬ﺘ ِﻌ ‪‬ﺪ ِﺟﺒ‪‬ﺎ ﹸﻝ ﺍﻟﱠﺜ ﹾﺄﺭِ؛ ﹶﻟﻮ ﹶﺃ ‪‬ﻣﺮ‪‬ﺍ‬ ‫ﹶﻓ‪‬ﺘ ‪‬‬

‫ﻓِﻲ ِﻋ ‪‬ﺰ ﻣ‪‬ﺎ ﹶﺃ ﹾﻇ ﹶﻠ ‪‬ﻢ ﺍﻹﻳﺬﺍﺀُ‪ ،‬ﻣ ‪‬ﺪ ﹶﻟﻪ‪‬‬

‫ﺐ ِﺇﻟﹶﻰ ﺍﻟ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ِﻦ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ‪‬ﺳﺮ‪‬ﻯ‬ ‫ﺝ ‪‬ﺣ ‪‬‬ ‫ِﻣ ‪‬ﻌﺮ‪‬ﺍ ‪‬‬

‫ﺨ‪‬ﻴ ﹶﻠﺘِﻲ‬ ‫ﻱ ‪‬ﻣ ‪‬‬ ‫ﻭ‪‬ﺍﻵ ﹶﻥ ‪‬ﺩ ‪‬ﻣﻊ‪ ‬ﻋﻠﹶﻰ ‪‬ﺧ ‪‬ﺪ ‪‬‬

‫ِﻣ ‪‬ﻦ ‪‬ﻋ ‪‬ﻴ ِﻦ ِﺫ ﹾﻛﺮ‪‬ﺍﻩ‪ ،‬ﻓِﻲ ‪‬ﺟ ﹾﻔ ِﻦ ﺍﹾﻟ ﹶﻘﺼِﻴ ِﺪ ‪‬ﺟﺮ‪‬ﻯ‬

‫ﺤﺘ‪‬ﻮﺍ‬ ‫ﺠﺮ‪‬ﺍِﺋ ِﺪ" ﹶﺃ ‪‬ﺣﻔﹶﺎ ‪‬ﺩ ﺍ َﻷﺫﹶﻯ ‪‬ﻧ ‪‬‬ ‫ﹶﻓﻔِﻲ "ﺍﹾﻟ ‪‬‬

‫ﺼﻄﹶﺎﺩ‪‬ﻭﺍ ِﺑﻬ‪‬ﺎ ﺍﹾﻟ ﹶﻘ ‪‬ﻤﺮ‪‬ﺍ!‬ ‫ﺕ ِﻓ ﹾﻜ ٍﺮ ِﻟ‪‬ﻴ ‪‬‬ ‫ﺑ‪‬ﻮ ‪‬ﻣﺎ ِ‬

‫ﲑِﺗ ِﻪ‬ ‫ﺴ‪‬‬ ‫ﺿﹶﺄ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ِﺑ ِ‬ ‫‪‬ﺳﺒ‪‬ﻮﺍ ﺍﱠﻟﺬِﻱ ‪‬ﻭ ‪‬‬

‫ﺠ ‪‬ﺪ ِﻣ ‪‬ﻦ ﹶﺃﺧ‪‬ﻼ ِﻗ ِﻪ ِﺳ‪‬ﻴﺮ‪‬ﺍ‬ ‫ﺿ ﱠﻔ ‪‬ﺮ ﺍﹾﻟ ‪‬ﻤ ‪‬‬ ‫‪‬ﻭ ‪‬‬

‫ﺏ‬ ‫ﺖ ﺍﻟ ‪‬ﺮ ﹾﻓ ‪‬ﻖ ﺑِﺎ‪‬ﺑ ٍﻦ ﻓِﻲ ﹸﻓﺆ‪‬ﺍ ِﺩ ﹶﺃ ٍ‬ ‫‪‬ﻣ ‪‬ﻦ ﺃ‪‬ﻧ‪‬ﺒ ‪‬‬

‫ﺸﺮ‪‬ﺍ؟!‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﺗ ‪‬ﺮﻭ ﻗﹸ ‪‬ﺒ ﹶﻠﺘ‪‬ﻪ‪ ‬ﹶﺃﻭ‪‬ﻻ ‪‬ﺩ ‪‬ﻩ ﺍﹾﻟ ‪‬ﻌ ‪‬‬

‫ﺤ ‪‬ﻴﺮ‪‬ﻯ ِﻟﺒ‪‬ﺎ ِﺣﹶﺜ ٍﺔ‬ ‫‪‬ﻣ ‪‬ﻦ ﹶﻃ ‪‬ﻤﹶﺄ ﹶﻥ ﺍﻟ‪‬ﻨ ﹾﻈ ‪‬ﺮ ﹶﺓ ﺍﹾﻟ ‪‬‬

‫‪‬ﻋ ‪‬ﻦ ﹶﻓ ‪‬ﺮ ِﺧﻬ‪‬ﺎ؛ ‪‬ﻭ ‪‬ﺭﻋ‪‬ﻰ ﻓِﻲ ﺩِﻳِﻨ ِﻪ ﺍﹾﻟ ِﻬ ‪‬ﺮﺭ‪‬ﺍ؟!‬

‫ﺸﻜﹸﻮﹶﻟﻪ‪ِ ‬ﻣ ‪‬ﻦ ‪‬ﺭﺑ‪‬ﻪ ‪‬ﺟ ‪‬ﻤﻞﹲ‬ ‫ﺡ ‪‬ﻳ ‪‬‬ ‫‪‬ﻣ ‪‬ﻦ ﺭ‪‬ﺍ ‪‬‬

‫ﺻ ﹶﻄ‪‬ﺒﺮ‪‬ﺍ؟!‬ ‫ﻉ ﹶﺃﻭ ِﻣ ‪‬ﻦ ِﺣ ‪‬ﻤ ِﻞ ﻣ‪‬ﺎ ﺍ ‪‬‬ ‫ﻁ ﻣ‪‬ﺎ ﺟ‪‬ﺎ ‪‬‬ ‫ِﻣ ‪‬ﻦ ﹶﻓ ‪‬ﺮ ِ‬

‫ﺴﻪ‪‬‬ ‫ﺸﻔِﻲ ‪‬ﻣﺠ‪‬ﺎِﻟ ‪‬‬ ‫‪‬ﻭ ِﻣ ‪‬ﻦ ‪‬ﻋﻴ‪‬ﺎ ِﺀ ﺍﻟ ‪‬ﺪﺟ‪‬ﻰ ‪‬ﻳ ‪‬‬

‫ﺼﺮ‪‬ﺍ‬ ‫ﺐ ﻭﺍﻟ‪‬ﺒ ‪‬‬ ‫ﺢ ‪‬ﻭ ‪‬ﺟ ٍﻪ ‪‬ﻳﻔِﻴ ‪‬ﺪ ﺍﻟ ﹶﻘ ﹾﻠ ‪‬‬ ‫ِﺑﺼ‪ ‬ﺒ ِ‬

‫ﺤ ِﻞ ِﺇ ﹾﻥ ‪‬ﺳﹶﺄﻟﹸﻮﺍ‬ ‫ﺴﻘِﻲ ِﺷﻔﹶﺎ ‪‬ﻩ ﺍﹾﻟ ‪‬ﻤ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ‪‬ﻐ ‪‬ﻴ ‪‬ﻢ ‪‬ﻳ ‪‬‬

‫ِﺑ ‪‬ﻮ ‪‬ﺟ ِﻪ ‪‬ﻣ ‪‬ﻦ ‪‬ﻳ ﹾﺜ ِﻤﻞﹸ ﺍ َﻷ‪‬ﻳﺘ‪‬ﺎ ‪‬ﻡ ﻭ‪‬ﺍﹾﻟ ﹸﻔ ﹶﻘﺮ‪‬ﺍ‬

‫ﺼﻔﹸﻮ ِﺭ ِﻩ ِﻣ ‪‬ﺮﺭ‪‬ﺍ‬ ‫ﺴﹶﺄﻝﹸ ﺍﻟ ﱢﻄ ﹾﻔ ﹶﻞ ‪‬ﻋ ‪‬ﻦ ‪‬ﻋ ‪‬‬ ‫‪‬ﻣ ‪‬ﻦ ‪‬ﻳ ‪‬‬

‫ﻒ ﻳ‪‬ﺮﻯ!‬ ‫ﺲ ﺍﹾﻟ ﹶﻜﻔِﻴ ‪‬‬ ‫ﻒ ِﺇﺫﹶﺍ ‪‬ﻣ ‪‬‬ ‫ﻀ ‪‬ﻮ ِﺀ ‪‬ﻋ ﹾﻄ ٍ‬ ‫ِﺑ ‪‬‬

‫ﺏ ﹶﻟﻪ‪ ‬ﺭ ﹶﻗﻊ‪‬‬ ‫ﺞ ﹶﺃﹾﺛﻮ‪‬ﺍ ٍ‬ ‫ﺴِ‬ ‫ﺖ ‪‬ﻋﻠﹶﻰ ‪‬ﻧ ‪‬‬ ‫ﺸ ‪‬‬ ‫‪‬ﻣ ‪‬‬

‫‪‬ﻭﹶﻟﻮ ‪‬ﻧﻮ‪‬ﻯ ﻻ ‪‬ﺭ‪‬ﺗﺪ‪‬ﻯ ﻓِﻲ ﺧ‪ ‬ﱢﻔ ِﻪ ﺍﻟ ‪‬ﺪ ‪‬ﺭﺭ‪‬ﺍ‬

‫ﻛﻔﱠﺎ ‪‬ﻩ ﹶﻟ ‪‬ﻢ ‪‬ﺗ ﹾﻘﺒ‪‬ﻼ ‪‬ﺷ ‪‬ﻤﺴ‪‬ﺎ ﻭ‪‬ﻻ ﹶﻗ ‪‬ﻤﺮ‪‬ﺍ‬

‫ﺠﺮ‪‬ﺍ‬ ‫ِﺳ ‪‬ﻌﺮ‪‬ﺍ ﹶﻟﺪِﻳ ٍﻦ ‪‬ﺷﻜﹶﺎ ﻳﺎ ﺃ ‪‬ﻣﺘِﻲ ﺍﻟ‪‬ﺘ ‪‬‬

‫ﻉ ِﻟ ‪‬ﻤ ‪‬ﻦ‬ ‫ﺨﻀ‪‬ﻮ ِ‬ ‫ﺻ ‪‬ﺪ ِﺭ ﺍﹾﻟ ‪‬‬ ‫ﹶﻟﻤ‪‬ﺎ ‪‬ﺭ ‪‬ﻣ ‪‬ﻮ ِﻙ ‪‬ﻋﻠﹶﻰ ‪‬‬

‫ﺤ ِﻢ ﺍﻟ ‪‬ﺪﺟ‪‬ﻰ ‪‬ﻋ ‪‬ﻤﺮ‪‬ﺍ‬ ‫ﻚ ِﻣ ‪‬ﻦ ﹶﻟ ‪‬‬ ‫‪‬ﺭ‪‬ﺑﻮ‪‬ﺍ ‪‬ﺣﺮ‪‬ﻭ‪‬ﺑ ِ‬

‫ﺖ(‬ ‫ﻚ ﺍ َﻷ ‪‬ﺣﺠ‪‬ﺎ ‪‬ﺭ )ﹶﻟﻮ ‪‬ﺣ ﹶﻜ ‪‬ﻤ ‪‬‬ ‫‪‬ﺷﺪ‪‬ﻱ ‪‬ﻋﻠﹶﻰ ‪‬ﺑ ﹾﻄِﻨ ِ‬

‫ﺼﺪِﻳ ‪‬ﻖ ﹶﺃﻭ ‪‬ﻋ ‪‬ﻤﺮ‪‬ﺍ‬ ‫ﺤﻘِﻲ ﺍﻟ ‪‬‬ ‫ﺼ ﹶﻄﻔﹶﻰ ‪‬ﺗ ﹾﻠ ‪‬‬ ‫ﻛﹶﺎﹾﻟ ‪‬ﻤ ‪‬‬

‫ﻻ ‪‬ﺣ ﹾﻘ ﹶﻞ ﺇِﻻ ‪‬ﻭﻋ‪‬ﺎﻧ‪‬ﻰ ﺍﹾﻟ ﹶﻔ ﹾﺄﺱ‪‬؛ ﻓﹶﺎ ‪‬ﺣِﺘ ‪‬ﻤﻠِﻲ‬

‫ﺠﺮ‪‬ﺍ‬ ‫ﺸ‪‬‬ ‫ﺢ ﻭ‪‬ﺍﻟ ‪‬‬ ‫‪‬ﺣ ﹾﻘ ‪‬ﻦ ﺍﹾﻟ ِﻐﺮ‪‬ﺍﺱِ‪ ،‬ﺗﻨ‪‬ﺎﻟِﻲ ﺍﹾﻟ ﹶﻘ ‪‬ﻤ ‪‬‬

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‫ﺣﺒﻴﱯ ﺃﻧﺖ‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﺑﻦ ﺭﺍﺷﺪ ﺑﻦ ﺳﻌﻴﺪ‬ ‫ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ ﺍﻹﻋﻼﻣﻲ ﺍﻟﺴﻌﻮﺩﻱ ﺃﲪﺪ ﺑﻦ ﺭﺍﺷﺪ‬ ‫ﺑﻦ ﺳﻌﻴﺪ ﺍﻷﺳﺘﺎﺫ ﺑﻘﺴﻢ ﺍﻹﻋﻼﻡ ﲜﺎﻣﻌﺔ ﺍﳌﻠﻚ ﺳﻌﻮﺩ‪،‬‬ ‫ﺩﻛﺘﻮﺭﺍﻩ ﰲ ﺍﻹﻋﻼﻡ )ﺍﺗﺼﺎﻝ ﺧﻄﺎﰊ‪/‬ﺳﻴﺎﺳﻲ( ﺟﺎﻣﻌﺔ ﻭﻳﻠﺰ‪.‬‬

‫ﻧﺎﻝ ﺟﺎﺋﺰﺓ ﺍﻟﺸﻌﺮ ﺍﻷﻭﱃ ﰲ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﻄﻼﺑﻴﺔ ﲜﺎﻣﻌﺔ‬

‫ﺍﳌﻠﻚ ﺳﻌﻮﺩ‪ ،‬ﻭﺍﳌﻴﺪﺍﻟﻴﺔ ﺍﻟﺬﻫﺒﻴﺔ ﻋﺎﻡ ‪ .1980‬ﻭﺟﺎﺋﺰﺓ‬ ‫ﺍﳋﻄﺎﺑﺔ ﺍﻷﻭﱃ ﰲ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﻄﻼﺑﻴﺔ ﺑﺎﳉﺎﻣﻌﺔ‪ ،‬ﻭﺍﳌﻴﺪﺍﻟﻴﺔ‬ ‫ﺍﻟﺬﻫﺒﻴﺔ ﻋﺎﻡ ‪ .1980‬ﻭﺟﺎﺋﺰﺓ ﺍﻟﺸﻌﺮ ﺍﻟﺮﺍﺑﻌﺔ‪ ،‬ﻭﺍﳌﻴﺪﺍﻟﻴﺔ‬ ‫ﺍﻟﱪﻭﻧﺰﻳﺔ ﻋﺎﻡ ‪ .1981‬ﻭﺟﺎﺋﺰﺓ ﺍﳋﻄﺎﺑﺔ ﺍﻷﻭﱃ‪ ،‬ﻭﺍﳌﻴﺪﺍﻟﻴﺔ‬

‫ﺍﻟﺬﻫﺒﻴﺔ ﻋﺎﻡ ‪ .1981‬ﻭﺟﺎﺋﺰﺓ ﺍﳉﻤﻌﻴﺔ ﺍﻟﺴﻌﻮﺩﻳﺔ ﻟﻺﻋﻼﻡ ﻭﺍﻻﺗﺼﺎﻝ ﰲ ﺍﳌﻘﺎﻝ ﺍﻟﺼﺤﺎﰲ ﻋﺎﻡ‬

‫‪ .2005‬ﻭﻓﻀﻴﺔ ﻣﺆﲤﺮ ﺍﻷﻛﺎﺩﳝﻴﺔ ﺍﻟﺪﻭﻟﻴﺔ ﻟﻺﻋﻼﻡ ﻋﺎﻡ ‪ .2008‬ﻭﺟﺎﺋﺰﺓ ﺃﻓﻀﻞ ﲝﺚ ﻭﻛﺄﺱ‬ ‫ﺍﻷﻛﺎﺩﳝﻴﺔ ﺍﻟﺪﻭﻟﻴﺔ ﻟﻠﻬﻨﺪﺳﺔ ﻭﻋﻠﻮﻡ ﺍﻹﻋﻼﻡ ﰲ ﻣﺆﲤﺮ "ﻣﺼﺪﺍﻗﻴﺔ ﺍﻹﻋﻼﻡ ﰲ ﺍﻟﻮﻃﻦ ﺍﻟﻌﺮﰊ"‬ ‫ﺍﻟﺬﻱ ﻧﻈﻤﺘﻪ ﺍﻷﻛﺎﺩﳝﻴﺔ ﰲ ﺃﻳﺎﺭ )ﻣﺎﻳﻮ( ‪. 2010‬‬

‫ﻛﺎﻥ ﺭﺋﻴﺲ ﲢﺮﻳﺮ ﳎﻠﺔ )ﺍﳌﻐﺘﺮﺏ( ﻭﳎﻠﺔ )ﺍﻷﻣﻞ( ﺃﺛﻨﺎﺀ ﺍﻟﺪﺭﺍﺳﺔ ﰲ ﺍﻟﻮﻻﻳﺎﺕ ﺍﳌﺘﺤﺪﺓ‬

‫ﺍﻷﻣﲑﻛﻴﺔ‪ .‬ﻭﻫﻮ ﻋﻀﻮ ﻫﻴﺌﺔ ﺗﺪﺭﻳﺲ ﺑﻘﺴﻢ ﺍﻹﻋﻼﻡ ﲜﺎﻣﻌﺔ ﺍﳌﻠﻚ ﺳﻌﻮﺩ ﺑﺎﻟﺮﻳﺎﺽ ﻣﻦ ﻋﺎﻡ‬

‫‪ 1994‬ﻭﺣﱴ ﺍﻵﻥ‪ .‬ﻭﺭﺃﺱ ﲢﺮﻳﺮ ﳎﻠﺔ )ﺍﻷﺳﺮﺓ( ﻣﻦ ﻋﺎﻡ ‪ 1994‬ﺣﱴ ﻋﺎﻡ ‪ 1998‬ﻭﻛﺎﻥ‬ ‫ﻣﺴﺘﺸﺎﺭ ﲢﺮﻳﺮ ﳎﻠﺔ )ﺍﳌﻌﺮﻓﺔ( ﺍﻟﺴﻌﻮﺩﻳﺔ ﺧﻼﻝ ﻣﺮﺣﻠﺔ ﺇﻋﺎﺩﺓ ﺇﺻﺪﺍﺭﻫﺎ ﻋﺎﻡ ‪ .1997‬ﻭﺭﺋﻴﺲ‬ ‫ﲢﺮﻳﺮ ﳎﻠﺔ )ﺟﻮﺩﻱ( ﺍﻟﱵ ﺻﺪﺭﺕ ﰲ ﻛﺎﻧﻮﻥ ﺍﻟﺜﺎﱐ )ﻳﻨﺎﻳﺮ( ﻋﺎﻡ ‪.2000‬‬ ‫ﻟﻪ ﻋﺸﺮﺍﺕ ﺍﻟﻜﺘﺐ ﻭﺍﻷﲝﺎﺙ ﺍﳌﺘﺨﺼﺼﺔ‪ ،‬ﻭﻟﻪ ﺩﻳﻮﺍﻥ ﺷﻌﺮ "ﺁﻩ ﻳﺎ ﺯﻭﺝ ﺍﳌﺴﻴﺎﺭ" ﻭﺣﺪ‪‬ﺙ‬ ‫ﺳﻬﻢ ﺑﻦ ﻛﻨﺎﻧﺔ‪ :‬ﻣﻘﺎﻣﺎﺕ ﻭﻗﺼﺎﺋﺪ‪ ،‬ﻭﻟﻪ ﺃﻋﻤﺪﺓ ﺃﺳﺒﻮﻋﻴﺔ ﰲ ﻋﺪﺩ ﻣﻦ ﺍ‪‬ﻼﺕ‪ ،‬ﻭﻗﺎﻡ ﺑﺈﻋﺪﺍﺩ‬

‫ﻭﺗﻘﺪﱘ ﺑﺮﻧﺎﻣﺞ ﺳﻴﺎﺳﻲ ﺑﻌﻨﻮﺍﻥ )ﻣﺎ ﲣﻔﻲ ﺍﻟﺴﻄﻮﺭ( ﺑﺜﺘﻪ ﻗﻨﺎﺓ ﺍ‪‬ﺪ ﺍﻟﻔﻀﺎﺋﻴﺔ ﻋﻠﻰ ﻣﺪﻯ ﺑﻀﻌﺔ‬ ‫ﺃﺷﻬﺮ‪ ،‬ﻭﺃﺣﻴﺎ ﻋﺪ ‪‬ﺩﺍ ﻣﻦ ﺍﻷﻣﺴﻴﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ ﺩﺍﺧﻞ ﺍﻟﺴﻌﻮﺩﻳﺔ ﻭﺧﺎﺭﺟﻬﺎ‪ .‬ﻭﻧﺸﺮ ﻗﺼﺎﺋﺪ‬

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‫ﻭﻣﻘﻄﻮﻋﺎﺕ ﺃﺩﺑﻴﺔ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﺕ ﻭﺍﳌﻮﺍﻗﻊ‪ ،‬ﻛﻤﺎ ﺷﺎﺭﻙ ﰲ ﺑﺮﺍﻣﺞ ﺣﻮﺍﺭﻳﺔ‬ ‫ﺳﻴﺎﺳﻴﺔ ﻭﺛﻘﺎﻓﻴﺔ ﰲ ﻓﻀﺎﺋﻴﺎﺕ ﺳﻌﻮﺩﻳﺔ ﻭﻋﺮﺑﻴﺔ ﻋﺪﺓ‪ ..‬ﻳﻘﻮﻝ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ‪:‬‬ ‫ﺡ ﻭﺍﻷﻋﻈﹸﻤﺎ‬ ‫ﺖ ﺍﳉﻮﺍﺭ ‪‬‬ ‫ﺳﻜﻨ ‪‬‬ ‫ﺖ ﺍﻟﺸﻌﻮ ‪‬ﺭ‬ ‫ﺳﻜﻨ ‪‬‬

‫ﻭﻣﺎ ﺯﺍ ﹶﻝ ﻃﻴﻔﹸﻚ ﱄ ﻣ‪‬ﻠﻬﻤﺎ‬ ‫ﺖ‬ ‫ﱯ ﺃﻧ ‪‬‬ ‫ﺣﺒﻴ ‪‬‬ ‫ﺖ ﻣﻊ ﺍﻟﻠﱭ ﺍﳌﹸﺸﺘﻬﻰ‬ ‫ﺭﺿﻌ ‪‬‬ ‫ﺣﺒ‪‬ﻚ ﺍﻷﻛﺮﻣﺎ‬ ‫ﺖ ﺍﳍﺪﻯ ﻣﻦ ﻋ‪‬ﻼﻙ‬ ‫ﺭﺿﻌ ‪‬‬

‫ﻭﻗﻠﱯ ﻟﻪ ﺃﺳﻠﻤﺎ‬

‫ﲢ ‪‬ﺪ ‪‬ﺭ ﻣ ‪‬ﻦ ﺷﻔﺘﻴﻚ ﺍﻟﻀﻴﺎ ُﺀ‬ ‫ﻭﻣ ‪‬ﻦ ﺭﺍﺣﺘﻴﻚ‬ ‫ﺗﺪﻓﻖ ﻧﺒ ‪‬ﻊ ﺍﻟﺴﻤﺎ‬ ‫ﺱ‬ ‫ﻭﻣ ‪‬ﻦ ﺭﺍﺣﺘﻴﻚ ﺍﻟﻠﺘﲔ ﺃﻗ ‪‬ﺪ ‪‬‬

‫ﺏ ﺍﻟﺮﺣﻴﻖ‬ ‫ﻒ ﻋﺬ ‪‬‬ ‫ﺖ ﻷﺭﺷ ‪‬‬ ‫ﺟﺌ ‪‬‬ ‫ﻭﺃﻏﺴ ﹶﻞ ﻛ ﱠﻞ ﺍﳋﻄﺎﻳﺎ‬ ‫ﺑﻨﻬﺮﻙ‬ ‫ﲑ ﻣﻦ ﻋﻠﻤﺎ‬ ‫ﻳﺎ ﺧ ‪‬‬ ‫ﺭﺃﻳﺘﻚ ﻳﺎ ﺳﻴﺪﻱ ﻣﺸﺮ ﹰﻗﺎ ﻛﺎﻟﺼﺒﺎﺡ‬

‫ﺗ‪‬ﺠﻠﻲ ﺑﻨﻮﺭﻙ ﻛ ﱠﻞ ﺍﻟﺪﺭﻭﺏ‬ ‫ﺗﻠﻤﻠ ‪‬ﻢ ﻛ ﱠﻞ ﺷﺘﺎﺕ ﺍﻟﻘﻠﻮﺏ‬

‫ﺗﻮﺯ‪‬ﻉ ﺑﲔ ﺍﻟﺮﺟﺎﻝ ﻭﺭﻭ ‪‬ﺩ ﺍﻹﺧﺎﺀ‬ ‫ﺖ ﳉﺮﺡ ﺍﻟﻮﺭﻯ‬ ‫ﻭﻛﻨ ‪‬‬ ‫‪90‬‬

‫ﺑﻠﺴﻤﺎ‬ ‫ﺖ ﺍﻟﺴﻨﺎ َﺀ‬ ‫ﻭﻛﻨ ‪‬‬ ‫ﺇﺫﺍ ﺍﻟﻌﺘ ‪‬ﻢ ﻃ ‪‬ﻢ‬

‫ﺝ‬ ‫ﺖ ﺍﻟﺴﻴﺎ ‪‬‬ ‫ﻭﻛﻨ ‪‬‬ ‫ﺇﺫﺍ ﺍﻟﻐﻮ ﹸﻝ ﺣﻮ‪‬ﻡ ﺣﻮﻝ ﺍﳊﻤﻰ‬ ‫ﺚ ﰲ ﺍﻷﻓﻖ ﺩﻑ َﺀ ﺍﳊﻀﺎﺭ ﹾﺓ‬ ‫ﻭﺗﺒﻌ ﹸ‬ ‫ﺗﻜﺴﻮﺍﳌﺪﻯ ﺑﺎﻟﻨﻀﺎﺭﺓ‬ ‫ﺗﻮﻗﻆ ﺑﺎﻟﻔﻄﺮﺓ ﺍﻟﻨﻮ‪‬ﻣﺎ‬ ‫ﻚ ﻫﺒ‪‬ﺖ‬ ‫ﺑﻮﺣﻴ ‪‬‬

‫ﻭﲰﺤﺎ َﺀ ﻫﻠﺖ‬

‫ﺗ‪‬ﻄﺎﻭ ﹸﻝ ﰲ ﻋﺰ‪‬ﻫﺎ ﺍﻷﳒﻤﺎ‬ ‫ﺕ‬ ‫ﻭﺑﺎﲰﻚ ﲪﺤﻤﺖ ﺍﻟﺴﺎﲝﺎ ‪‬‬ ‫ﻭﺑﺎﲰﻚ ﰲ ﻛ ﱢﻞ ﺛﻐﺮ‬ ‫ﺷﺪﺍ ﺍﻟﻔﺎﲢﻮﻥ‬

‫ﻭﺑﺎﲰﻚ ﻟﻴﻞﹲ ﺗﻮﺍﺭﻯ‬ ‫ﻭﺷﻼ ﹸﻝ ﻓﺠﺮ ‪‬ﻫ ‪‬ﻤﻰ‬ ‫ﺕ ﺧ‪‬ﻄﺎﻙ ﺍﻟﻐﻤﺎ ‪‬ﻡ‬ ‫ﻭﺟﺎﺯ ‪‬‬ ‫ﺕ‬ ‫ﻭﺟﺎﺯ ‪‬‬ ‫ﺖ ﺧﻼﺋﻘﻚ ﺍﻟﺴﻠﱠﻤﺎ‬ ‫ﻭﻛﺎﻧ ‪‬‬

‫ﺏ‬ ‫ﻏﺸﺘﻚ ﺍﳋﻄﻮ ‪‬‬ ‫ﺱ ﻳﻮ ‪‬ﻣﺎ‬ ‫ﻓﻠ ‪‬ﻢ ﺗﺄ ‪‬‬

‫ﺐ ﻋﻮﺍ َﺀ ﺍﻟﺮﻳﺎﺡ‬ ‫ﻭ ﹾﱂ ﺗﺘﻬﻴ ‪‬‬ ‫ﺖ ﻳﺎ ﺳﻴﺪﻱ ﳏﺠﻤﺎ‬ ‫ﻭﻣﺎ ﻛﻨ ‪‬‬ ‫‪91‬‬

‫ﺖ‬ ‫ﱯ ﺃﻧ ‪‬‬ ‫ﺣﺒﻴ ‪‬‬ ‫ﺖ ﻋ‪‬ﻼﻧﺎ ﻋﻠﻰ ﻣ‪‬ﻔﺮﻕ ﺍﻟﻜﻮﻥ‬ ‫ﺭﲰ ‪‬‬ ‫ﺕ ﺍﳊﺴﺎ ﹶﻥ‬ ‫ﺑﻠﻐﺘﻨﺎ ﺍﻷﻣﻨﻴﺎ ِ‬

‫ﺖ ﻋﻠﻴﻨﺎ ﺍﳊﻨﺎ ﹶﻥ‬ ‫ﺳﻜﺒ ‪‬‬

‫ﺖ ﺍﳍﺪﻳﺔ ﻭﺍﳌﻐﻨﻤﺎ‬ ‫ﻭﻛﻨ ‪‬‬ ‫ﺖ‪ :‬ﺃﻧﺎ ﺭﲪ ﹸﺔ ﺍﻟﻌﺎﳌﲔ‬ ‫ﻫﺘﻔ ‪‬‬ ‫ﺖ ﺑﻄﺎﺡ‪ ‬ﻣﻦ ﺍﳌﺴﻚ‬ ‫ﻓﻀﺎﻋ ‪‬‬ ‫ﻫﻠ ﹶﻞ ﻛﻮﻥﹲ‬ ‫ﻭﻋﻰ ‪‬ﺠ‪‬ﻚ ﺍﻷﻗﻮﻣﺎ‬

‫ﻭﳌﱠﺎ ﺗﻨﺎﺩﻭﺍ ﻹﻃﻔﺎﺀ ﻧﻮﺭﻙ‬ ‫ﺑﻌﺜﺮﺗ‪‬ﻬﻢ ﰲ ﺍﻟﻔﺠﺎﺝ‬ ‫ﺡ‪:‬‬ ‫ﻭﺻﻮﺗ‪‬ﻚ ﻳﻨﺪﺍ ‪‬‬

‫ﺖ ﻭﺟﻮ ‪‬ﻩ ﺍﻟﻌﻤﻰ!‬ ‫ﺷﺎﻫ ‪‬‬ ‫ﻭﻫﺎﻫ ‪‬ﻢ ﺃﻭﻻ ِﺀ ﳚﻴﺌﻮﻥ ﻋﱪ ﺍﻟﻘﺮﻭﻥ‬ ‫ﻓﺸ ‪‬ﺮ ‪‬ﺩ ‪‬ﻢ‬ ‫‪‬ﻣ ‪‬ﻦ ﻭﺭﺍﺀ ﺍﳊﺼﻮﻥ‪:‬‬ ‫ﺖ ﻭﺟﻮ ‪‬ﻩ ﺍﻟﻌﻤﻰ‬ ‫ﻟﹸﻌﻨﺘ ‪‬ﻢ ﻭﺷﺎﻫ ‪‬‬ ‫ﺖ‬ ‫ﻱ ﺃﻧ ‪‬‬ ‫ﺖ‪ ..‬ﻭﻋﻤﺮ ‪‬‬ ‫ﱯ ﺃﻧ ‪‬‬ ‫ﺣﺒﻴ ‪‬‬ ‫ﻭﻛﻴﻒ ﻳﻨﺎﻟﻮ ﹶﻥ ﻣﻨﻚ‬

‫ﻭﳌﱠﺎ ﻳﺰ ﹾﻝ ﻭﺟﻬ‪‬ﻚ ﺍﻷﻛﺮﻣﺎ‬ ‫ﺖ ﺻﻨﻮ ﺍﳉﻤﺎﻝ‬ ‫ﻭﳌﱠﺎ ﺗﺰ ﹾﻝ ﺃﻧ ‪‬‬ ‫ﻒ ﺍﻟﻜﻤﺎﻝ‬ ‫ﺭﺩﻳ ‪‬‬ ‫‪92‬‬

‫ﺖ ﺧﻼﻝ ﺍﻟﺰﻣﺎﻥ‬ ‫ﻭﻛﻨ ‪‬‬ ‫ﺍﻟﻔﱴ ﺍﻷﻋﻈﻤﺎ‬

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‫ﰲ ﻣﺪﺡ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ‪‬ﺯ‪‬ﻧ‪‬ﺒﺮ ﹾﻛﺠﻲ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻱ ﺃﲪﺪ ﻋﺒﺪ ﺍﻟﻜﺮﱘ ﺯﻧﱪﻛﺠﻲ‪ ،‬ﻣﻦ ﻣﻮﺍﻟﻴﺪ ﺩﻣﺸﻖ‬

‫‪،1956/12/10‬‬

‫ﲣﺮﺝ‬

‫ﰲ ﺟﺎﻣﻌﺔ ﺩﻣﺸﻖ‪ ،‬ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ‪ ،‬ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﺣﺼﻞ ﻋﻠﻰ ﺩﺑﻠﻮﻡ ﺍﻟﺪﺭﺍﺳﺎﺕ‬ ‫ﺍﻟﻠﻐﻮﻳﺔ‪ ،‬ﻭﺍﻟﺘﺤﻖ ﺑﺎﻟﻌﻤﻞ ﺍﻟﺘﻌﻠﻴﻤﻲ ﰲ ﺍﻟﻜﻮﻳﺖ ﻋﺎﻡ )‪ ،(1981‬ﻭﻻ ﻳﺰﺍﻝ ﻳﻌﻤﻞ ﻣﻮﺟ ‪‬ﻬﺎ ﻓﻨ‪‬ﻴﺎ‬

‫ﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﰲ ﺩﻭﻟﺔ ﺍﻟﻜﻮﻳﺖ‪ .‬ﺑﺪﺃ ﻛﺘﺎﺑﺔ ﺍﻟﺸﻌﺮ ﰲ ﻣﺮﺣﻠﺔ ﺍﻟﺪﺭﺍﺳﺔ ﺍﳉﺎﻣﻌﻴﺔ ﲟﻘﻄﻮﻋﺎﺕ‬ ‫ﻗﺼﲑﺓ ﺑﺴﻴﻄﺔ‪ .‬ﻭﺗﺮﻛﺰﺕ ﺍﻫﺘﻤﺎﻣﺎﺗﻪ ﺍﻟﺸﻌﺮﻳﺔ ﰲ ﻗﻀﺎﻳﺎ ﺍﻷﻣﺔ ﻭﳘﻮﻣﻪ‪.‬‬ ‫ﻭﺍﻟﻘﺼﻴﺪﺓ ﺳﺮﺩﻳﺔ ﺗﻘﺮﻳﺮﻳﺔ ﰲ ﳎﻤﻠﻬﺎ‪.‬‬

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‫ﺑﺎﺳﻢ ﺍﳊﺒﻴﺐ ﻧﺮﻯ ﺍﻟﻮﺟﻮ ‪‬ﺩ ﻳﺮ‪‬ﻧ ‪‬ﻢ‬

‫ﺻﻠﻮﺍ ﻋﻠﻰ ﺧﲑ ﺍﻷﻧﺎﻡ ﻭﺳﻠﻤﻮﺍ‬

‫ﻣﻸ ﺍﻟﻮﺟﻮﺩ ﻛﺮﺍﻣﺔ ﻭﺗﺄﻟﻘﺎ‬

‫ﻓﺈﺫﺍ ﺍﻟﻮﺟﻮﺩ ﲝﺴﻨﻪ ﻳﺘﻜﻠ ‪‬ﻢ‬

‫ﻫﻮ ﺃﲪﺪ‪ ‬ﻭﳏﻤﺪ ﺳﻄﻌﺖ ﺑﻪ‬

‫ﴰﺲ ﺍﳊﻘﻴﻘﺔ‪ ،‬ﺠﻪ ﻳ‪‬ﺘﺮﺳ‪‬ﻢ‬

‫ﻫﺬﺍ ﺍﻟﻨﱯ ﺣﺒﻴﺒﻨﺎ ﻭﻃﺒﻴﺒﻨﺎ‬

‫ﺑﻌﺪ ﺍﻹﻟﻪ‪ ،‬ﺣﺪﻳﺜﻪ ﻣﺴﺘﻠﻬﻢ‬

‫ﺣﺐ ﺍﻟﺒﺸﲑ ﺍﳌﺼﻄﻔﻰ ﺳﻜﻦ ﺍﳊﺸﺎ‬

‫ﻣﻸ ﺍﳉﻮﺍﻧﺢ‪ ،‬ﺣﺒﻪ ﻻ ﻳﻜﺘﻢ‬

‫ﻳﺎ ﺳﻌﺪ ﻣﻦ ﺯﺍﺭ ﺍﻟﻨﱯ ﳏﻤﺪﺍ‬

‫ﻳﺎ ﺳﻌﺪ ﻣﻦ ﺑﻠﻘﺎﺋﻪ ﻳﺘﻨﻌﻢ‬

‫ﻓﻀﻞ ﺍﻟﺮﺳﻮﻝ ﳏﻤﺪ ﻋ ‪‬ﻢ ﺍﻟﻮﺭﻯ‬

‫ﻓﺎﻟﻜﻮﻥ ﻣﻨﻪ ﺗﺄﻟﻖ ﻭﺗﺒﺴ‪‬ﻢ‬

‫ﺃﻛﺮﻡ ﲟﺨﻠﻮﻕ ﻟﻪ ﺩﺍﻥ ﺍﻷﱃ‬

‫ﺟﻌﻠﻮﺍ ﺍﻟﱪﻳﺔ ﺑﺎﳍﺪﺍﻳﺔ ﺗﻨﻌﻢ‬

‫ﺭﻛﺰﻭﺍ ﻟﻮﺍﺀ ﺍﻟﻌﻠﻢ ﰲ ﻛﻞ ﺍﻟﺪﱏ‬

‫ﻭﻟﺴﻄﻮﺓ ﺍﻟﻄﺎﻏﲔ ﱂ ﻳﺴﺘﺴﻠﻤﻮﺍ‬

‫ﻭﻫﻮ ﺍﻟﺬﻱ ﺃﻫﺪﻯ ﺍﳋﻼﺋﻖ ﻛﻠﻬﺎ‬

‫ﺩﻳ‪‬ﻨﺎ ﻟﻪ ﻛﻞ ﺍﻟﻌﻘﻮﻝ ﺗﺴﻠﻢ‬

‫ﰲ ﻭﺍﺣﺔ ﺍﻹﺳﻼﻡ ﻛﻞ ﲬﻴﻠﺔ‬

‫ﺑﺴﻤﺎﺋﻬﺎ ﺗﺪﻧﻮ ﻭﺗﺰﻫﻮ ﺍﻷﳒﻢ‬

‫ﲦﺮ ﺍﻟﺴﻌﺎﺩﺓ ﻳﺎﻧﻊ ﺑﻐﺼﻮ‪‬ﺎ‬

‫ﻭﻧﺴﻴﻤﻬﺎ ﻋﻄﺮ ﳌﻦ ﻳﺘﻨﺴﻢ‬

‫ﻓﻴﻬﺎ ﺍﻟﺸﻔﺎﺀ ﻟﻜﻞ ﻗﻠﺐ ﻣﺪﻧﻒ‬

‫ﻓﻴﻬﺎ ﺍﻟﺪﻭﺍﺀ ﻟﻜﻞ ﻣﻦ ﻳﺘﺄﱂ‬

‫ﻼ ﻭﳛﻬﻢ‬ ‫ﻳﺎ ﺳﻴﺪﻱ ﺳﺒﻮﻙ ﺟﻬ ﹰ‬

‫ﻭﻷﻧﺖ ﻋﻨﺪ ﺍﷲ ﺃﻧﺖ ﺍﻷﻛﺮﻡ‬

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‫ﻭﻟﻘﺪ ﻛﻔﺎﻙ ﺍﷲ ﻛﻞ ﻣﺸﺮ‪‬ﻕ‬

‫ﻭﻣﻐﺮ‪‬ﺏ ﻣﺴﺘﻬﺰﺉ ﻻ ﻳﻌﻠﻢ‬

‫ﻓﻸﻧﺖ ﻣﻦ ﻏﺴﻞ ﺍﳌﻼﺋﻚ ﺻﺪﺭﻩ‬

‫ﻭﺑﻴﻮﻡ ﻣﻮﻟﺪﻩ ﺍﺳﺘﻨﺎﺭﺕ ﺃﳒ ‪‬ﻢ‬

‫ﻭﻷﻧﺖ ﻣﻦ ﺷﺎﺩ ﺍﻟﻔﻀﺎﺋﻞ ﻛﻠﻬﺎ‬

‫ﻓﺈﺫﺍ ﺍﳉﻬﺎﻟﺔ ﺣﺼﻨﻬﺎ ﻳﺘﻬﺪﻡ‬

‫ﺖ ﺍﻷﻣﲔ ﺍﻟﺼﺎﺩﻕ ﺍﶈﺒﻮﺏ ﰲ‬ ‫ﻛﻨ ‪‬‬

‫ﺑﻄﺤﺎﺀ ﻣﻜﺔ ﺃﻧﺖ ﺑﻌ ‪‬ﺪ ﳏﻜﹼﻢ‬

‫ﻭﺣﺮﺍﺀ ﳛﻜﻲ ﻟﻠﺰﻣﺎﻥ ﺣﻜﺎﻳﺔ‬

‫ﻋﻦ ﻋﺎﺑﺪ ﻣﺘﺄﻣﻞ‪ ..‬ﻻ ﻳﺴﺄﻡ‬

‫ﻭﺍﻫﺘﺰﺕ ﺍﻵﻓﺎﻕ ﻋﻨﺪ ﺩﻋﺎﺋﻪ‬

‫ﰲ ﻏﺎﺭ ﺛﻮﺭ‪ ..‬ﻭﺍﻟﻌﺪﺍ ﺗﺘﻀﺮﻡ‬

‫ﻭﻷﻧﺖ ﻣﻦ ﻣﻠﻚ ﺍﻟﻘﻠﻮﺏ ﺑﻌﻔﻮﻩ‬

‫ﻓﺈﺫﺍ ﺍﻟﻘﻠﻮﺏ ﻟﺪﻳﻦ ﺃﲪﺪ ﺗﺴ‪‬ﻠﻢ‬

‫ﻭﺇﺫﺍ ‪‬ﺎ ﲡﺪ ﺍﳊﻴﺎﺓ ﲨﻴﻠﺔ‬

‫ﻓﺎﻟﻜﻞ ﺑﺎﻟﻔﺠﺮ ﺍﳌﻨﻮ‪‬ﺭ ﳛﻠﻢ‬

‫ﺻﻠﻰ ﺍﻹﻟﻪ ﻋﻠﻰ ﺍﳊﺒﻴﺐ ﻭﻛﻞ ﻣﻦ‬

‫ﺻﻠﻰ ﻋﻠﻰ ﺃﻏﻠﻰ ﺍﻷﺣﺒﺔ ﻳﻐﻨ ‪‬ﻢ‬

‫ﺧﲑ ﻣﻦ ﲪﻞ ﺍﻟﺜﺮﻯ‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﳝﻦ ﺇﺑﺮﺍﻫﻴﻢ ﺷﺤﺎﺗﻪ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﺼﺮﻱ ﺃﳝﻦ ﺇﺑﺮﺍﻫﻴﻢ ﺷﺤﺎﺗﺔ ﻣﻦ ﻣﻮﺍﻟﻴﺪ ﺩﻣﻨﻬﻮﺭ‪ ،‬ﺍﻟﺒﺤﲑﺓ ﻳﻌﻤﻞ ﻣﺪﺭ ‪‬ﺳﺎ ﻟﻠﻐﺔ‬ ‫ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﻳﻜﺘﺐ ﰲ ﺃﻛﺜﺮ ﻣﻦ ﻣﻮﻗﻊ ﻭﳎﻠﺔ‪ ،‬ﻭﻳﻬﺘﻢ ﺑﺎﻟﻘﻀﺎﻳﺎ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻹﺳﻼﻣﻴﺔ‪.‬‬ ‫ﻳﺎ ﺭﺏ ﻫﺒﲏ ﻧﻔﺤﺔ ﺃﺣﻴﺎ ‪‬ﺎ ***** ﻣﻦ ﺭﻭﺡ ﺟﻨﺎﺕ ﺍﻟﻨﻌﻴﻢ ﺍﳋﺎﻟﺪ‬ ‫ﻭﺍﺟﻌﻞ ﻓﺆﺍﺩﻱ ﺭﻫﻦ ﺑﻴﺖ ﻋﺎﻣﺮ ***** ﰲ ﻇﻞ ﻋﺮﺷﻚ ﻭﺍﻟﺴﺮﻭﺭ ﺍﻟﺰﺍﺋﺪ‬ ‫ﻫﺎﻡ ﺍﻟﻔﺆﺍﺩ ﲞﲑ ﻣﻦ ﲪﻞ ﺍﻟﺜﺮﻯ ***** ﻭﲞﲑ ﺷﺨﺺ ﰲ ﺍﻟﺘﺮﺍﺏ ﻣﻮﺳﺪ‬ ‫ﻭﺳﺮﻯ ﺑﺼﺪﺭﻱ ﺧﺎﻃﺮ ﻓﻨﻔﺜﺘﻪ ***** ﺷﻌﺮﺍ ﻣﻮﺷﻰ ﺑﺎﳌﺪﻳﺢ ﻷﲪﺪ‬ ‫ﺯﻫﺮ ﺍﻟﻘﺮﻧﻔﻞ ﰲ ﺍﳌﺪﻳﻨﺔ ﻳﺴﺘﻘﻲ ***** ﻣﺎﺀ ﺍﻟﻄﻬﺎﺭﺓ ﻣﻦ ﺭﺑﻮﻉ ﺍﳌﺴﺠﺪ‬ ‫ﻗﻄﺮ ﺍﻟﻨﺪﻯ ﻓﻮﻕ ﺍﻟﺰﻫﻮﺭ ﻛﻠﺆﻟﺆ ***** ﻭﺍﻟﻄﻴﻒ ﰲ ﺟﻔﻦ ﺍﻟﻮﺭﻭﺩ ﻛﺈﲦﺪ‬ ‫ﺭﰲ ﲪﺎﺋﻢ ﺳﻌﺪﻧﺎ ﰲ ﺟﻮﻫﺎ ***** ﻣﺎ ﺩﺍﻡ ﻧﺒﺾ ﰲ ﺍﻟﻔﺆﺍﺩ‪ ..‬ﻭﻏﺮﺩﻱ‬ ‫ﻭﻗﻔﻲ ﻋﻠﻰ ﻫﺎﻡ ﺍﳌﺂﺫﻥ ﻭﺍﺳﺠﻌﻲ ***** ﰲ ﻣﺴﻤﻊ ﺍﻷﻛﻮﺍﻥ ﺑﺎﺳﻢ ﺍﻟﺴﻴﺪ‬ ‫ﻛﺎﻧﺖ ﺟﺰﻳﺮﺗﻨﺎ ﺑﺪﺍﺭ ﻣﺬﻟﺔ ***** ﻓﻐﺪﺕ ﺑﺒﻌﺚ ﳏﻤﺪ ﰲ ﺳﺆﺩﺩ‬ ‫ﻛﺎﻧﺖ ﻣﺮﺍﺑﻌﻨﺎ ﻗﺒﻴﻠﻚ ﺗﺸﺘﻜﻲ ***** ﻇﻠﻤﺎ ﻋﻼﻫﺎ ﻣﻦ ﺟﻬﻮﻝ ﺳﺎﻣﺪ‬ ‫ﻓﺄﺗﻴﺖ ﻋﺪ ﹰﻻ ﻟﻠﻌﺒﺎﺩ ﻭﺭﲪﺔ ***** ﺃﺟﺮﻳﺖ ﻧﺒﻊ ﺍﳋﲑ ﻋﺬﺏ ﺍﳌﻮﺭﺩ‬ ‫ﰲ ﺣﻀﻦ ﺷﺮﻋﻚ ﻗﺪ ﺗﺮﺑﺖ ﺃﻣﺔ ***** ﻋﺎﺷﺖ ﻋﻠﻰ ‪‬ﺞ ﺍﳍﺪﻯ ﺍﳌﺘﻔﺮﺩ‬ ‫ﻓﺼﻼﺓ ﺭﰊ ﺳﺮﻣ ‪‬ﺪﺍ ﻭﺳﻼﻣﻪ ***** ﺩﻭ ‪‬ﻣﺎ ﻋﻠﻰ ‪‬ﺞ ﺍﳉﻤﺎﻝ ﺍﻷﺳﻌﺪ‬

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‫ﰲ ﻧﺼﺮﺓ ﺍﳌﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺑﺴﺎﻡ ﺩﻋﻴﺲ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻷﺭﺩﱐ – ﻓﻠﺴﻄﻴﲏ ﺍﻷﺻﻞ ‪ -‬ﺑﺴﺎﻡ ﺩﻋﻴﺲ‬

‫ﺃﺑﻮﺷﺮﺥ‪ ،‬ﻣﻦ ﻣﻮﺍﻟﻴﺪ ﻋﻤ‪‬ﺎﻥ‪ ،‬ﺍﻷﺭﺩﻥ ‪1959‬ﻡ‪ .‬ﺧﺮﻳﺞ ﻣﻌﻬﺪ‬ ‫ﺍﳌﻌﻠﻤﲔ ﻟﻶﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ‪ ،‬ﻋﻤﺎﻥ‪) ،‬ﻟﻐﺔ ﻋﺮﺑﻴﺔ( ‪1979‬ﻡ‪.‬‬ ‫ﻋﻀﻮﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺎﳌﻴﺔ‪.‬‬ ‫ﻋﺪﺍ ﺍﻟﻨﺸﺮ ﺍﻹﻟﻜﺘﺮﻭﱐ ﻓﺈﻧﻪ ﻳﻨﺸﺮ ﻗﺼﺎﺋﺪﻩ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﺕ ﰲ ﺍﻷﺭﺩﻥ ﻭﺧﺎﺭﺟﻪ‪ ،‬ﻭﻳﺸﺎﺭﻙ ﰲ ﺃﻣﺴﻴﺎﺕ ﺷﻌﺮﻳﺔ ﰲ ﺍﻷﻧﺪﻳﺔ ﺍﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﺣﻴﺚ ﻳﻜﻮﻥ‪.‬‬ ‫ﻧﺎﺷﻂ ﺃﺩﺑﻴ‪‬ﺎ‪ ،‬ﻭﳝﺎﺭﺱ ﺇﺑﺪﺍﻋﻪ ﻋﻠﻰ ﻣﻮﺍﻗﻊ ﺇﻟﻜﺘﺮﻭﻧﻴﺔ ﻋﺪﻳﺪﺓ‪ ،‬ﻣﻦ ﺩﻭﺍﻭﻳﻨﻪ‪ :‬ﺍﳉﻤﺮ ﺑﲔ‬ ‫ﺃﺻﺎﺑﻌﻲ‪ ،‬ﻭ‪ :‬ﻗﺮﺍﺀﺍﺕ ﻋﻠﻰ ﺃﻋﺘﺎﺏ ﳑﻠﻜﺔ ﺍﻟﺪﻣﻊ‪ ،‬ﻭ‪ :‬ﺃﺧﲑ‪‬ﺍ ﺑﺪﺃﺕ‪ ،‬ﻭ‪ :‬ﺗﻮﻗﻴﻌﺎﺕ ﻋﻠﻰ ﺭﻣﺎﻝ‬ ‫ﺍﻟﻨﻮﻯ!‬ ‫ﻳﺎ ﺳﲑ ﹰﺓ ﻋﺒﻘﺖ ﺑﻄﻴﺐ ﺷﺬﺍﻫﺎ‬

‫ﻭﺃﺿﺎﺀ ﺗﺎﺭﻳﺦ ﺍﻟﺰﻣﺎﻥ ﺳﻨﺎﻫﺎ‬

‫ﺻﻠﹼﻰ ﻋﻠﻴﻪ ﺍﷲ ﺟ ﹼﻞ ﺟﻼﻟﻪ‬

‫ﻣﺎ ﺯﻳ‪‬ﻨﺖ ﴰﺲ ﺍﻟﺴ‪‬ﻤﺎ ﺩﻧﻴﺎﻫﺎ‬

‫ﻫﻮ ﺭﲪﺔﹲ ﻟﻠﻌﺎﳌﲔ ﻭﺧﺎﰎﹲ‬

‫ﻟﻠﻤﺮﺳﻠﲔ‪ ..‬ﻭﺧﲑ ﻣﻦ ﺯﻛﹼﺎﻫﺎ‬

‫ﺷﺮﻑ‪ ‬ﻟﺸﻌﺮﻱ ﺃﻥ ِﻳﺰﻳﻦ ﲟﺪﺣﻪ‬

‫ﺃﹶﻛ ِﺮ ‪‬ﻡ ﲟﺪﺡ ﺭﺳﻮﻝ ﺭﺑ‪‬ﻲ )ﻃﻪ(‬

‫ﺏ ﻟﻨﻮﺭ ِﻩ ﻭﲝﺒ‪‬ﻪ‬ ‫‪‬ﻔﻮ ﺍﻟﻘﻠﻮ ‪‬‬

‫ﺗﺼﻔﻮ‪ ..‬ﻓﺘﻨﺠﻮ ﻣﻦ ﺟﺤﻴﻢ ﺷﻘﺎﻫﺎ‬

‫ﻓﺎﻕ ﺍﻟﱪﺍﻳﺎ ﰲ ﲨﻴﻞ ﺻﻔﺎﺗﻪ‬

‫ﺐ ﺩﺟﺎﻫﺎ‬ ‫ﻓﻐﺪﺍ ﳍﺎ ﻧﻮ ‪‬ﺭﺍ ﳚ ‪‬‬

‫ﻫﻮ ﺳﻴ‪‬ﺪ ﺍﻟﺜﹼﻘﻠﲔ ﺃﻋﻠﻰ ﻗﺪﺭﻩ‬

‫ﻓﻠﻴﻬﻨﺄ ﺍﻟﻘﻠﺐ ﺍﻟﹼﺬﻱ ﻟﺰﻡ ﺍﻟﺘ‪‬ﻘﻰ‬

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‫ﷲ‪..‬‬ ‫ﻱ ﺍﻟﻜﺘﺎﺏ ﺑﻘﻮﻝ‪ :‬ﺇ ﱠﻥ ﺍ َ‬ ‫ﺁ‪‬‬

‫ﺐ ﻧﺒ‪‬ﻴ ِﻪ ﻳﺘﺒﺎﻫﻰ‬ ‫ﻭﻣﻀﻰ ﲝ ‪‬‬

‫ﻳﺎ ﺃ ‪‬ﻣ ﹰﺔ ﻛﺎﻧﺖ ﻭﻗﺒﻞ ﳏ ‪‬ﻤ ٍﺪ‬

‫ﰲ ﺟﺎﻫﻠﻴ‪‬ﺘﻬﺎ ﺗﺪﻭﺭ ﺭﺣﺎﻫﺎ‬

‫ﺣﺘ‪‬ﻰ ﺃﺗﺎﻫﺎ ﻣﻦ ﲰﺎ ﲟﻜﺎ‪‬ﺎ‬

‫ﺑﲔ ﺍﻟﺸ‪‬ﻌﻮﺏ‪ ..‬ﻭﺳﺎﺳﻬﺎ ﻭﺭﻋﺎﻫﺎ‬

‫ﻓﻐﺪﺕ ﺑﻪ ﰲ ﺍﻟﻌﺎﳌﲔ ﺃﺛﲑ ﹰﺓ‬

‫ﻭﺍﷲ ﺃﻛﺮﻣﻬﺎ ﺑﻪ‪ ..‬ﻭﺣﺒﺎﻫﺎ‬

‫ﺃﻧﻮﺍﺭ ﻣﻜﹼﺔ ﻭﺍﳌﺪﻳﻨﺔ ﹾﱂ ﺗ ‪‬ﺰ ﹾﻝ‬

‫ﺐ ﺗﺴﻄﻊ ﺃﺭﺿﻬﺎ ﻭﲰﺎﻫﺎ‬ ‫ﺑﺎﳊ ‪‬‬

‫ﻫﻮ ﺩ ‪‬ﺭ ﹸﺓ ﺍﻟﺘ‪‬ﺎﺝ ﺍﳌﺮﺻ‪‬ﻊ ﺑﺎﳍﺪﻯ‬

‫ﺃﺭﺳﻰ ﻗﻮﺍﻋﺪ ﻋﺪﳍﺎ ﻭﻫﺪﺍﻫﺎ‬

‫ﻳﺎ ﺃ ‪‬ﻣﱵ ﻭﺍﻟﻴﻮﻡ ﻗﺎﻣﺖ ﻃﻐﻤﺔﹲ‬

‫ﻭﺍﻟﺸ‪‬ﺮﻙ ﻭﺍﻟﻄﹼﻐﻴﺎﻥ ﻗﺪ ﺃﻏﻮﺍﻫﺎ‬

‫ﻧﺒﺸﺖ ﺗﺮﺍﺙ ﺍﳊﻘﺪ ﺗﻄﻠﺐ ﺛﺄﺭﻫﺎ‬

‫ﳑ‪‬ﻦ ﻣﺪﻯ ﺍﻟﺘﺎﺭﻳﺦ ﻗﺪ ﺃﺧﺰﺍﻫﺎ‬

‫ﻓﻬﻲ ﺍﻟﱵ ﺫﺍﻗﺖ ﻭﺑﺎﻝ ﺷﺮﻭﺭﻫﺎ‬

‫ﲔ( ﺃﺫ ﹼﻝ ﻟﻮﺍﻫﺎ‬ ‫)ﻭﺻﻼﺡ ﺣ ﹼﻄ ٍ‬

‫ﺖ ﻣﻦ )ﺍﻟﺪﳕﺮﻙ( ﺃﻓﻌﻰ ﺣﻘﺪﻩ‬ ‫ﺤ ‪‬‬ ‫ﻓ‪‬‬

‫ﻣﻦ ﺣﺮ‪‬ﻙ ﺍﻷﻓﻌﻰ ﻭﻣﻦ ﺃﻏﺮﺍﻫﺎ؟‬

‫ﺇﻧ‪‬ﺎ ﺟﻨﻮﺩﻙ ﻳﺎ ﳏﻤ‪‬ﺪ ﻧﻔﺘﺪﻱ‬

‫ﺫﻛﺮﺍﻙ‪ ..‬ﻭﺍﻷﺭﻭﺍﺡ ﺃﺭﺧﺼﻨﺎﻫﺎ‬

‫ﺣ ‪‬ﻖ ﻋﻠﻴﻨﺎ ﻧﺼﺮﺓ ﺍﻟﺪ‪‬ﻳﻦ ﺍﻟﹼﺬﻱ‬

‫ﻣﻨﺢ ﺍﻟﺒﺴﻴﻄﺔ ﴰﺴﻬﺎ ﻭﺿﺤﺎﻫﺎ‬

‫ﺍﺳﺄﻝ ﺑﲏ ﺻﻬﻴﻮﻥ ﻫﻞ ﻣﻦ ﻓﺘﻨ ٍﺔ‬

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‫ﺇ ﹼﻻ ﻭﻫﻢ ﺃﻋﺼﺎ‪‬ﺎ‪ ..‬ﻭﺩﻣﺎﻫﺎ؟‬

‫ﺳﻼﻡ ﻋﻠﻰ ﻃﻪ‬

‫ﺍﻟﺸﺎﻋﺮ ﲨﺎﻝ ﺍﻟﺼﻠﻴﻌﻲ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺘﻮﻧﺴﻲ ﲨﺎﻝ ﺍﻟﺼﻠﻴﻌﻲ ﰲ ﺩﻭﺯ ‪ -‬ﺍﳉﻨﻮﺏ‬

‫ﺍﻟﺘﻮﻧﺴﻲ ‪ ،1955‬ﺎ ﺗﻠﻘﻰ ﺗﻌﻠﻴﻤﻪ ﺍﻻﺑﺘﺪﺍﺋﻲ ﻭﺍﻟﺜﺎﻧﻮﻱ‪،‬‬ ‫ﻭﺩﺧﻞ ﺍﳊﻴﺎﺓ ﺍﳌﻬﻨﻴﺔ ﰲ ﺳﻦ ﻣﺒﻜﺮﺓ‪ ،‬ﻣﺎ ﻋﺎﻗﻪ ﻋﻦ ﺗﻌﻤﻴﻖ‬ ‫ﺗﻜﻮﻳﻨﻪ ﺍﻟﻌﻠﻤﻲ ﻭﺍﻷﺩﰊ‪ .‬ﻭﺍﺿﻄﺮﺗﻪ ﺍﻟﻈﺮﻭﻑ ﺍﻻﻗﺘﺼﺎﺩﻳﺔ‬

‫ﻟﻠﺴﺒﻌﻴﻨﻴﺎﺕ ﺍﻟﻘﺎﺳﻴﺔ ﺇﱃ ﺍﻻﻧﺘﻘﺎﻝ ﺇﱃ ﺍﻟﻘﻄﺮ ﺍﻟﻠﻴﱯ ﻟﻠﻌﻤﻞ‪،‬‬

‫ﻓﺎﻏﺘﻨﻢ ﻓﺮﺻﺔ ﻭﺟﻮﺩﻩ ﻫﻨﺎﻙ ﻓﻌﻤﻖ ﺗﻜﻮﻳﻨﻪ ﺍﻷﺩﰊ ﲜﻬﺪﻩ‬ ‫ﺍﳋﺎﺹ‪ ،‬ﲟﻮﺍﺯﺍﺓ ﻋﻤﻠﻪ‪ ،‬ﺣﻴﺚ ﺑﺪﺃ ﻗﻮﻝ ﺍﻟﺸﻌﺮ ﻣﺘﺠﻬﺎ ﺇﱃ‬ ‫ﺍﻟﻌﻤﻮﺩﻱ ﻣﻨﻪ‪ ،‬ﰒ ﻋﺎﺩ ﻣﻦ ﻟﻴﺒﻴﺎ ﻟﻴﺴﺘﻘﺮ ﺑﺘﻮﻧﺲ ﲟﺪﻳﻨﺘﻪ ﺩﻭﺯ ﻟﻴﻌﻤﻞ ﺑﻮﺯﺍﺭﺓ ﺍﻟﺼﺤﺔ ﺣﻴﺚ ﻳﻘﻴﻢ‬ ‫ﺍﻵﻥ‪.‬‬ ‫ﻋﺮﻑ ﲨﺎﻝ ﺍﻟﺼﻠﻴﻌﻲ ﰲ ﳐﺘﻠﻒ ﺍﳌﻨﺘﺪﻳﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﰲ ﺗﻮﻧﺲ ﻣﻨﺬ ﺑﺪﺍﻳﺔ‬ ‫ﺍﻟﺜﻤﺎﻧﻴﻨﻴﺎﺕ‪ ،‬ﻭﻳﻌﺘﱪﻩ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﳌﺜﻘﻔﲔ ﺷﺎﻋﺮ ﺍﳉﺎﻣﻌﺔ ﻭﺍﻟﻄﻠﺒﺔ ﻭﺍﻻﲢﺎﺩ ﺍﻟﻌﺎﻡ ﺍﻟﺘﻮﻧﺴﻲ‬ ‫ﻟﻠﺸﻐﻞ؛ ﺣﻴﺚ ﱂ ﻳﻐﺐ ﻋﻦ ﺃﻏﻠﺐ ﺍﳌﻨﺎﺳﺒﺎﺕ ﺍﻟﻮﻃﻨﻴﺔ ﺍﻟﱵ ﺃﺣﻴﺎﻫﺎ ﺍﻻﲢﺎﺩ‪.‬‬ ‫ﺃﻟﻘﻰ ﲨﺎﻝ ﺷﻌﺮﻩ ﰲ ﻣﻮﺍﻗﻊ ﻛﺜﲑﺓ ﻣﻦ ﺍﻟﻮﻃﻦ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﻟﻪ ﻗﺮﺍﺀ ﻭﻣﺘﺎﺑﻌﻮﻥ ﻣﻦ ﳐﺘﻠﻒ‬

‫ﺍﻷﻗﻄﺎﺭ ﺍﻟﻌﺮﺑﻴﺔ‪ .‬ﻭﻳﻌﻴﺐ ﻋﻠﻴﻪ ﺃﺻﺪﻗﺎﺅﻩ ﻭﻗﺮﺍﺅﻩ ﺗﻘﺎﻋﺴﻪ ﻋﻦ ﻧﺸﺮ ﺷﻌﺮﻩ‪ ،‬ﺭﻏﻢ ﻣﺮﺍﻛﻤﺘﻪ‬ ‫ﻟﺘﺮﺍﺙ ﺷﻌﺮﻱ ﺣﻘﻴﻘﻲ ﻭﺭﻏﻢ ﺍﻟﻌﺮﻭﺽ ﺍﳌﺎﺩﻳﺔ ﺍﳌﻐﺮﻳﺔ ﻣﺜﻠﻤﺎ ﻋﺮﺽ ﻋﻠﻴﻪ ﻣﻦ ﻣﺆﺳﺴﺔ ﺍﻟﺒﺎﺑﻄﲔ‬ ‫‪.‬‬

‫ﻭﺭﲟﺎ ﻳﻌﻮﺩ ﺫﻟﻚ ﺇﱃ ﻣﺎ ﺗﺒﻊ ﻧﺸﺮ ﳎﻤﻮﻋﺘﻪ ﺍﻷﻭﱃ ﻭﻫﻲ ﻋﺒﺎﺭﺓ ﻋﻦ ﻗﺼﻴﺪﺓ ﻃﻮﻳﻠﺔ ﲰﺎﻫﺎ‬ ‫»ﻭﺍﺩﻱ ﺍﻟﻨﻤﻞ« ﺳﻨﺔ ‪ 1998‬ﻋﻦ ﻃﺮﻳﻖ ﺑﻴﺖ ﺍﻟﺸﻌﺮ ﰲ ﺗﻮﻧﺲ ﺣﻴﺚ ﱂ ﻳﻌﺮﻑ ﺍﻟﺸﺎﻋﺮ ﻣﺼﲑ‬ ‫ﺩﻳﻮﺍﻧﻪ‪ .‬ﻭﺑﻘﺪﺭ ﻗﻮﺓ ﺷﻌﺮﻩ ﰲ ﺍﳌﺒﲎ ﻭﺍﳌﻌﲎ ﻓﺈﻥ ﺇﻟﻘﺎﺀﻩ ﳑﻴﺰ‪.‬‬ ‫‪99‬‬

‫ﻣﻦ ﻗﺼﺎﺋﺪﻩ ﺍﻟﺬﺍﺋﻌﺔ‪ :‬ﻋﺰﻑ ﻋﻠﻰ ﺣﺮﻑ ﻣﺸﺪﻭﺩ‪ ،‬ﻭﻟﻐﺔ ﺍﻟﻘﺒﺎﺋﻞ‪ ،‬ﻭﻭﺍﺩﻱ ﺍﻟﻨﻤﻞ‪،‬‬ ‫ﻭﻫﻮﺍﻣﺶ‪..‬‬ ‫ﻭﻳﺬﻛﺮ ﺃﻥ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻴﻤﲏ ﺍﻟﻜﺒﲑ ﻋﺒﺪ ﺍﷲ ﺍﻟﱪﺩﻭﱐ ﺍﺣﺘﻔﻰ ﺑﻪ‪ ،‬ﻭﺍﻋﺘﱪﻩ ﻭﺭﻳﺜﻪ ﰲ ﺍﻟﺸﻌﺮ‬

‫ﺍﻟﻌﻤﻮﺩﻱ ﻳﻘﻮﻝ ﺍﻟﺼﻠﻴﻌﻲ‪:‬‬

‫ﻂ ﲞ ‪‬ﺪ ﺍﻟﺮ‪‬ﻣﻞ "ﺩﻧﻴﺎ" ﻭﺃﻧﺜﲏ‬ ‫ﺃﺧ ﹼ‬

‫ﺃﺭﺍﻗﺐ ﺣﺎﻝ ﺍﻟﺮ‪‬ﻣﻞ ﻣﻦ ﺑﺮﺝ ﻣﻮﻗﻦ‬

‫ﲤ ‪‬ﺮ ﻭﻓﻮﺩ ﺍﻟﺮ‪‬ﻳﺢ‪ ..‬ﲢﺴﺐ ﺃﻧ‪‬ﲏ‬

‫ﻭﺛﻘﺖ ﲟﺎ ﺧﻄﹼﺖ ﻋﻠﻰ ﺍﻟﺮ‪‬ﻣﻞ ﺃﺯﻣﲏ‬

‫ﻓﻴﻀﺤﻚ ﺛﻐﺮ ﺍﻟﺮ‪‬ﻭﺡ‪ ..‬ﻳﻀﺤﻚ ﺧﺎﻃﺮﻱ‬

‫ﻣﻦ ﺍﻟﺮ‪‬ﻳﺢ ﻣﺎ ﻇﻨ‪‬ﺖ‪ ..‬ﻭﻣﺎ ﺍﻟﺮ‪‬ﻣﻞ ﻇﻨ‪‬ﲏ‬

‫ﺇﺫﺍ ﻛﺎﻥ ﻳﻔﲎ ﻳﺴﺘﻮﻱ ﺍﻟ ‪‬ﺪ ‪‬ﺭ ﻭﺍﳊﺼﻰ‬

‫ﲏ ﺍﻟﺪ‪‬ﱐ‬ ‫ﻭﻣﺴﻜﻨﻚ ﺍﻟﻌﺎﱄ ﻭﻣﺴﻜ ‪‬‬

‫ﻓﻜﻴﻒ ﻳﺮﻳﺢ ﺍﻟﻌﻘﻞ ﰲ ﺣﻀﻦ ﺭﺍﺣﻞ‬

‫ﻭﳝﺴﻚ ﻣﻦ ﺣﺒﻞ ﺍﻟﻨ‪‬ﺠﺎﺓ ﲟﻮﻗﻦ‬

‫ﺃﺭﺡ ﻗﻠﺒﻚ ﺍﻟﻌﺎﺭﻱ‪ ..‬ﺃﺭﺡ ﺭﻭﺣﻚ ﺍﻟﱵ‬

‫ﲢ ‪‬ﻦ ﺇﱃ ﺳﻜﻨﺎﻙ ﰲ ﻃﲔ ﻣﺆﻣﻦ‬

‫ﺗﺮﺍﺏ ﻫﻲ ﺍﻟﺪ‪‬ﻧﻴﺎ‪ ..‬ﻭﻋﻤﺮﻙ ﺭﳛﻬﺎ‬

‫ﱳ‬ ‫ﻒﳎ ِ‬ ‫ﻓﺄﻳ‪‬ﻬﻤﺎ ﻳﺒﻘﻰ ﻋﻠﻰ ﻛ ‪‬‬

‫ﻋﻠﻰ ﺃ‪‬ﺎ ﺃﺭﺽ ﺍﻟﺰ‪‬ﺭﻭﻉ ﻵﻣﻞ‬

‫ﻓﻴﺎ ﻣﻮﺳﻢ ﺍﳋﲑﺍﺕ ﺁﻣﻞ ﺃﻧ‪‬ﲏ‬

‫ﻭﻟﻠﹼﻪ ﻣﲑﺍﺙ ﺍﻟﺰ‪‬ﺭﻭﻉ ﲨﻴﻌﻬﺎ‬

‫ﻭﷲ ﺗﻘﺪﻳﺮ ﺍﳌﻮﺍﺳﻢ‪ ..‬ﻓﺎﺳﻜﻦ‬

‫ﺏ ﺍﻟﻌﺮﺵ ﺟ ﹼﻞ ﺟﻼﻟﻪ‬ ‫ﻫﻮﺍﷲ ﺭ ‪‬‬

‫ﻫﻮﺍﳌﻠﻚ ﺍﻟﻘﺪ‪‬ﻭﺱ ﻭﺍﻟﻮﺍﺳﻊ ﺍﻟﻐﲏ‬

‫ﲣ ‪‬ﺮ ﺟﺒﺎﻩ ﺍﻟﻄﹼﺎﺋﻌﲔ ﻟﻌﺰ‪‬ﻩ‬

‫ﻋﻠﻰ ﻣﻨﻬﺞ ﺍﳍﺎﺩﻱ ﺇﱃ ﺧﲑ ﻣﺄﻣﻦ‬

‫ﻭﻛﺎﻥ ﻇﻼﻡ ﺍﳉﻬﻞ ﺃﻃﺒﻖ ﻟﻴﻠﻪ‬

‫ﻋﻠﻰ ﺃﻣﻢ‪ ..‬ﻟﻠﹼﻴﻞ ﲡﺜﻮ ﻭﺗﻨﺤﲏ‬

‫ﻭﻃﺎﺭﺕ ﻭﺻﺎﻳﺎ )ﺍﻟﻌﺎﺭﻓﲔ( ﻓﺒﺸ‪‬ﺮﺕ‬

‫ﺑﻨﻮﺭ ﳚﻠﻲ ﻇﻠﻤﺔ ﺍﻟﻜﻮﻥ ﺑﻴ‪‬ﻦ‬

‫ﻋﻠﻰ ﺃﻧ‪‬ﻬﻢ ﻇﻨ‪‬ﻮﻩ ﻓﻴﻬﻢ ﻛﺄﻧ‪‬ﻬﻢ‬

‫ﻋﻠﻰ ﻣﻮﺛﻖ ﻣﻦ ﺧﺎﻟﻖ ﺍﻟﺮ‪‬ﺳﻞ ﻣﻮﻗﻦ‬

‫ﺗﻜﺸ‪‬ﻔﺖ ﺍﻟﺼ‪‬ﺤﺮﺍﺀ ﻋﻦ ﻓﻴﺾ ﻧﺒﻌﻪ‬

‫ﻭﺟﺎﺩﺕ ﺑﺄﺯﻫﺎﺭ ﺍﳌﺮﻭﺀﺍﺕ ﺗﻨﺜﲏ‬

‫ﻭﻫ ﹼﻞ ﺭﺑﻴ ‪‬ﻌﺎ ﰲ ﺭﺑﻴﻊ‪ ..‬ﻭﺃﺯﻫﺮﺕ‬

‫ﺑﺸﺎﺋﺮ ﺃﻧﻔﺎﺱ ﺍﻟﺰ‪‬ﻣﺎﻥ ﺍﳌﺰﻳ‪‬ﻦ‬

‫ﺗﺒﺴ‪‬ﻢ ﺛﻐﺮ ﺍﻟﻔﺠﺮ ﻋﻦ ﻧﻮﺭ ﻭﺟﻬﻪ‬

‫ﻭﺃﺷﺮﻕ ﺻﺒﺢ ﺍﻟﻮﻋﻲ ﻋﻦ ﻣﻨﻄﻖ ﺳﲏ‬

‫ﻓﺨﺮ‪‬ﺕ ﺻﺮﻭﺡ ﺍﻟﺸ‪‬ﺮﻙ ‪‬ﻮﻱ ﺫﻟﻴﻠﺔ‬

‫ﻭﺣﺪ‪‬ﺙ ﻣﻜﺘﻮﻡ ﺍﳉﻤﺎﺩ ﲟﻠﺴﻦ‬

‫ﻟﻘﺪ ﻭﻟﺪ ﺍﳌﺨﺘﺎﺭ‪ ..‬ﻳﺎ ﺧﲑ ﻣﻮﻟﺪ‬

‫ﻭﻳﺎ ﺧﲑ ﻣﺒﻌﻮﺙ‪ ..‬ﻭﺃﻛﺮﻡ ﳏﺴﻦ‬

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‫ﺳﻼﻡ ﻋﻠﻰ ﻃﻪ‪ ..‬ﺳﻼﻡ ﻋﻠﻰ ﺍﳍﺪﻯ‬

‫ﺳﻼﻡ ﻋﻠﻰ ﻣﺴﻚ ﺍﻟﺰ‪‬ﻣﺎﻥ ﺍﳌﺨﺰ‪‬ﻥ‬

‫ﻫﻮ ﺍﻟﺼ‪‬ﺎﺩﻕ ﺍﳌﺄﻣﻮﻥ ﻣﻦ ﻛﻞ ﺟﺎﻧﺐ‬

‫ﻫ ‪‬ﻢ ﺷﻬﺪﻭﺍ‪ ،‬ﺣﺎﺷﺎﻩ ﻋﻦ ﻇ ‪‬ﻦ ﻣﻄﻌﻦ‬

‫ﻫﻮ ﺍﻟﻌﺎﺑﺪ ﺍﳌﱪﻭﺭ‪ ..‬ﺗﺸﻬﺪ ﺧﻠﻮﺓ‬

‫ﻟﺪﻯ ﺍﻟﻐﺎﺭ ﻣﺎ ﺻﻠﹼﻰ ﺻﻼﺓ ﻣﺆﻣ‪‬ﻦ‬

‫ﻳﻘﻮﻝ ﻟﻪ ﺍﻗﺮﺃ ﺑﺎﺳﻢ ﺭﺑ‪‬ﻚ ﺧﺎﻟ ﹰﻘﺎ‬

‫ﺗﺒﺎﺭﻙ ﻣﻦ ﺃﻭﺣﻰ ﺑﺄﻣﺮ ﻣﺒﻴ‪‬ﻦ‬

‫ﺗﺪﺛﹼﺮﻩ ﰲ ﺻﻮﻟﺔ ﺍﻟﻮﺣﻲ ﺇﻟﻔﺔ‬

‫ﻓﻴﺄﻳ‪‬ﻬﺎ ﺍﳌ ‪‬ﺰﻣ‪‬ﻞ‪ :‬ﺍﻵﻥ ﺃﻋﻠﻦ‬

‫ﺃﺟﻞ ﺫﺍﻙ ﻋﺒﺪ ﺍﷲ‪ ..‬ﺫﺍﻙ ﺭﺳﻮﻟﻪ‬

‫ﺇﱃ ﻛ ﹼﻞ ﺃﻫﻞ ﺍﻷﺭﺽ ﻣﻦ ﻛ ﹼﻞ ﻣﻌﺪﻥ‬

‫ﻓﻘﻞ‪ :‬ﺃﻳ‪‬ﻬﺬﺍ ﺍﻟﻨ‪‬ﺎﺱ‪ ،‬ﻫﺬﺍ ﳏﻤ‪‬ﺪ‬

‫ﻧﺒﻴ‪‬ﻜ ‪‬ﻢ ﲨ ‪‬ﻌﺎ‪ ..‬ﻓﻤﻦ ﺷﺎﺀ ﻳﺆﻣﻦ‬

‫ﻭﻣﻦ ﺿ ﹼﻞ ﱂ ﻳﻌﺬﺭ ﻷ ﹼﻥ ﳏ ‪‬ﻤ ‪‬ﺪﺍ‬

‫ﺏ ﺍﻟﻨ‪‬ﺎﺱ ﺟﺎﺀ ﺑﺒﻴ‪‬ﻦ‬ ‫ﻭﻳﺸﻬﺪ ﺭ ‪‬‬

‫ﻓﺈ ﹼﻥ ﻣﺴﻴﹰﺌﺎ ﻧﺎﻝ ﻣﻦ ﺷ ‪‬ﻖ ﺛﻮﺑﻪ‬

‫ﻷﻫﻮﻥ ﻋﻨﺪ ﺍﷲ ﻣﻦ ﻛ ﹼﻞ ﺃﻫﻮﻥ‬

‫ﰊ‪ ..‬ﻏﲑ ﺃ ﹼﻥ ﺑﻴﺎﻧﻪ‬ ‫ﻧﻌﻢ ﻋﺮ ‪‬‬

‫ﺗﺒﻴ‪‬ﻨﻪ ﺍﻟﺼ‪‬ﺨﺮ ﺍﳉﻤﺎﺩ ﲟﻜﻤﻦ‬

‫ﰊ‪ ..‬ﺫﺍﻙ ﻓﺨﺮ ﻷﻫﻠﻪ‬ ‫ﻧﻌﻢ ﻋﺮ ‪‬‬

‫ﻭﻟﻜ ‪‬ﻦ ﺃﻫﻞ ﺍﳌﺼﻄﻔﻰ ﻛ ﹼﻞ ﻣﺆﻣﻦ‬

‫ﻫﻮ ﺍﻟﻘﺎﺋﻞ ﺍﳌﺄﺛﻮﺭ ﻻ ﻓﻀﻞ ﻻﻣﺮﺉ‬

‫ﻋﻠﻰ ﻏﲑﻩ‪ ..‬ﺑﺎﻟﻌﺮﻕ ﺃﻭ ﺑﺎﻟﺘ‪‬ﻠﻮ‪‬ﻥ‬

‫ﻭﻟﻜ ‪‬ﻦ ﻓﻀﻞ ﺍﻟﻔﻀﻞ ﻣﻦ ﻛﺎﻥ ﺫﺍ ﺗﻘﻰ‬

‫ﻳﻘﺪ‪‬ﻣﻪ ﻋﻨﺪ ﺍﳌﻠﻴﻚ ﺍﳌﻬﻴﻤﻦ‬

‫ﻭﻟﻮ ﺃ ﹼﻥ ﻛ ﹼﻞ ﺍﻟﻨ‪‬ﺎﺱ ﺳﺎﺭﻭﺍ ‪‬ﺪﻳﻪ‬

‫ﺏ ﺳﻼﻡ ﺍﻟﱪﺀ ﰲ ﺟﺮﺡ ﻣﺜﺨﻦ‬ ‫ﻟﺪ ‪‬‬

‫ﺃﺩﺭ ﻣﺴﻜﻬﺎ ﳒﻮﻯ ﺑﺬﻛﺮ ﳏﻤ‪‬ﺪ‬

‫ﺗﻀﻮ‪‬ﻉ ﻧﺸﺮ ﺍﳌﺴﻚ ﻭﺍﳌﺴﻚ ﻳﻐﺘﲏ‬

‫ﻭﻳﺰﺩﺍﻥ ﻋﺮﺵ ﺍﻟﻘﻮﻝ‪ ،‬ﳜﺘﺎﻝ ﻟﻔﻈﻪ‬

‫ﺇﺫﺍ ﻧﺎﻝ ﺫﻛﺮ ﺍﳌﺼﻄﻔﻰ ﺑﲔ ﺃﻟﺴﻦ‬

‫ﳝ ‪‬ﺮ ﺍﲰﻪ ﺍﻟﻨ‪‬ﺎﺩﻱ ﻋﻠﻰ ﻣﻴ‪‬ﺖ ﺍﳌﲎ‬

‫ﻓﻴﺨﻀ ‪‬ﺮ ﻋﻮﺩ ﺍﳊﻠﻢ ﰲ ﻗﻠﺐ ﻣ‪‬ﺤﺰﻥ‬

‫ﻓﺈ ﹼﻥ ﻓﺆﺍ ‪‬ﺩﺍ ﱂ ﻳﻌﻤ‪‬ﺮ ﲝﺒ‪‬ﻪ‬

‫ﻷﻗﻔﺮ ﻣﻦ ﻛﻬﻒ ﺑﺒﻴﺪﺍﺀ ﳑﻌﻦ‬

‫ﻭﺇ ﹼﻥ ﻟﺴﺎ‪‬ﻧﺎ ﱂ ﻳﺬﻕ ﻟﺬﹼﺓ ﺍﲰﻪ‬

‫ﱳ‬ ‫ﻟﻈ ‪‬ﻦ ﻣﺬﺍﻕ ﺍﻟﺸ‪‬ﻬﺪ ﻏﺎﻳﺔ ﳎ ِ‬

‫ﻭﺇ ﹼﻥ ﺑﻼ ‪‬ﺩﺍ ﱂ ﻳﺆﺫﹼﻥ ﺑﺬﻛﺮﻩ ‪‬ﺎ‬

‫ﳍﻲ ﻗﱪ‪ ..‬ﺩﻭﺭﻫﺎ ﺷ ‪‬ﺮ ﻣﺴﻜﻦ‬

‫ﺳﻼﻡ ﻋﻠﻰ ﻃﻪ‪ ..‬ﺳﻼﻡ ﻋﻠﻰ ﺍﳍﺪﻯ‬

‫ﺳﻼﻡ ﻋﻠﻰ ﻣﺴﻚ ﺍﻟﺰ‪‬ﻣﺎﻥ ﺍﳌﺨﺰ‪‬ﻥ‬

‫ﺳﻼﻡ ﻋﻠﻰ ﺍﻟﺴ‪‬ﺎﺭﻱ ﺑﻠﻴﻞ ﻟﺮﺑ‪‬ﻪ‬

‫ﻟﻴﻌﺮﺝ ﻋﻨﺪ ﺍﳌﻨﺘﻬﻰ‪ ..‬ﻋﻨﺪ ﺃﻣﱳ‬

‫ﻭﺧﲑ ﺻﻼﺓ ﻣﻦ ﻋﻠ ‪‬ﻲ ﻋﻠﻰ ﺍﻟﻌﻼ‬

‫ﻣﺪﺑ‪‬ﺮ ﻫﺬﺍ ﺍﻟﻜﻮﻥ ﻣﻦ ﻋﺮﺵ ﺃﻣﻜﻦ‬

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‫ﻭﺟﺪﺕ ﻟﺴﺎﻥ ﺍﻟﺸ‪‬ﻌﺮ ﺃﻋﺠﺰ ﳘﹼﺔ‬

‫ﻟﺪﻯ ﻣﺪﺣﻪ ﻟﻜﻦ ﺣﺒ‪‬ﻲ ﺩﻟﹼﲏ‬

‫ﻓﻤﻠﺖ ﺑﻄﺮﺯ ﺍﻟﺮ‪‬ﻭﺡ ﺃﻧﺴﺞ ﺣﻠﺔ‬

‫ﻣﻦ ﺍﻟﺸ‪‬ﺮﻑ ﺍﻟﻌﺎﱄ ﻋﻠﻰ ﻗﺪﺭ ﳑﻜﲏ‬

‫ﻓﻴﺎ ﺭﺏ ﺇﻥ ﻗﺼ‪‬ﺮﺕ‪ ،‬ﻋﺬﺭﻱ ﺃﻧ‪‬ﲏ‬

‫ﻃﻤﻌﺖ ﲟﺪﺡ ﺍﳌﺼﻄﻔﻰ ﺃﻥ ﺗﻈﻠﹼﲏ‬

‫ﻒ ﺍﻟﻘﻠﺐ ﻣﺒﺴﻮﻃﺔ ﺍﳌﲎ‬ ‫ﻭﻳﺎ ﺭﺏ ﻛ ‪‬‬

‫ﻟﺪﻯ ﺑﺎﺑﻚ ﺍﻷﻋﻠﻰ‪ ..‬ﻓﻴﺎ ﺭﺏ ﺃﻋﻄﲏ‬

‫ﻭﺇﻧ‪‬ﻲ ﳌﻐﻠﻮﺏ ‪ -‬ﺣﻨﺎﻧﻴﻚ ‪ -‬ﻓﺎﻧﺘﺼﺮ‬

‫ﻓﺈﻧ‪‬ﻚ ﺭﺑ‪‬ﻲ ‪ -‬ﻻ ﺳﻮﺍﻙ ‪ -‬ﻓﻨﺠ‪‬ﲏ‬

‫ﺷﻜﻮﺗﻚ ﻧﻔﺴﻲ‪ ..‬ﱂ ﺃﺯﻝ ﰲ ﻗﻴﻮﺩﻫﺎ‬

‫ﻱ ﻓﻘﻮ‪‬ﱐ‬ ‫ﺿﻌﻴ ﹰﻔﺎ ﻋﻠﻴﻬﺎ‪ ..‬ﻳﺎ ﻗﻮ ‪‬‬

‫ﻭﺃﺷﻜﻮﻙ ﺣﺎﻝ ﺍﳌﺴﻠﻤﲔ‪ ..‬ﺃﻋﺰ‪‬ﻧﺎ‬

‫ﻱ ﺭﺣﻴﻞ ﻭﻣﻮﻃﻦ‬ ‫ﺑﻌﺰ‪‬ﻙ ﰲ ﺩﺍﺭ ‪‬‬

‫ﻓﻼ ﻋ ‪‬ﺰ ﺇ ﹼﻻ ﺭﻛﻦ ﻋﺰ‪‬ﻙ ﻧﺎﺻﺮﻱ‬

‫ﻭﻻ ﻇ ﹼﻞ ﺇﻻ ﻇ ﹼﻞ ﻓﻀﻠﻚ ﻣﺄﻣﻦ‬

‫ﻋﺬ ‪‬ﺭﺍ ﺭﺳﻮﻝ ﺍﷲ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺣﺴﺎﻡ ﻫﺮﺷﺔ‬

‫ﱂ ﺃﻋﺮﻑ ﻋﻦ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻔﻠﺴﻄﻴﲏ ﺍﻷﺳﺘﺎﺫ ﺣﺴﺎﻡ ﺇﺑﺮﺍﻫﻴﻢ ﺧﻠﻴﻞ ﻫﺮﺷﺔ‪ ،‬ﺇﻻ ﺃﻧﻪ ﻣﻦ‬ ‫ﻣﻮﺍﻟﻴﺪ ‪ ،1966‬ﻭﻳﻌﻤﻞ ﻣﻌﻠﻢ ﻟﻐﺔ ﻏﺮﺑﻴﺔ ﰲ ﺍﻷﺭﺽ ﺍﶈﺘﻠﺔ‪ ،‬ﻓﻚ ﺍﷲ ﺃﺳﺮﻫﺎ‪ ،‬ﻭﺭﺯﻗﻨﺎ ﺻﻼﺓ ﰲ‬ ‫ﻣﺴﺠﺪﻫﺎ ﺍﻷﻗﺼﻰ‪ ..‬ﻳﻘﻮﻝ ﰲ ﻗﺼﻴﺪﺗﻪ‪:‬‬

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‫ﺃﺟﻮﻯ ﻭﺣﺮﻗﺔ ﳍﻔ ٍﺔ ﻭﺗﺸ ‪‬ﻮﻗﺎ‬

‫ﻭﺻﺒﺎﺑﺔ ﺩﻣ ‪‬ﻊ ﺍﻟﻐﺮﺍﻡ ﺗﺮﻗﺮﻗﺎ؟‬

‫ﻻ ﺷﻲ َﺀ ﻳ‪‬ﺨﻤ ‪‬ﺪ ﲨ ‪‬ﺮﻩ‪ ‬ﺇﻻ ﺍﻟﺬﻱ‬

‫ﺃﺫﻛﺎ ‪‬ﻩ ﺑﲔ ﺟﻮﺍﳓﻲ ﻣ‪‬ﺘﺤﺮ‪‬ﻗﺎ‬

‫ﺚ ﺻ‪‬ﺒﻮﺓ ‪‬ﻣﻬ‪‬ﺠﱵ‬ ‫‪‬ﻣ ‪‬ﻦ ﺫﺍ ﺍﻟﺬﻱ ﻳ‪‬ﺠﺘ ﹼ‬

‫ﻣ‪‬ﺘﻌﻄِﻔﺎ ﺑﻠﻘﺎِﺋ ِﻪ ﻣ‪‬ﺘﺮ‪‬ﻓﻘﺎ؟‬

‫ﺖ‬ ‫ﺕ ﺍﻷُﺳﺎ ِﺓ ﻭﺃﺧﻔﻘ ‪‬‬ ‫ﺖ ﺩِﺭﺍﻳﺎ ‪‬‬ ‫ﺿﻠ ‪‬‬

‫ﰲ ﻧﺴﺞ ِ ﺑ‪‬ﺮ ٍﺀ ﳛﺘﻮﻳﲏ ﻣ‪‬ﺸﻔِﻘﺎ‬

‫ﱯ ﻭﻫﺪﻳﻪ‬ ‫ﺃﺑﻐﲑ ِ ﺃﻧﻮﺍﺭ ﺍﻟﻨ ‪‬‬

‫ﱄ ﺍﻟﺸﻔﺎ ﻣﺘﺤﻘﻘﺎ؟‬ ‫ﻕ ﹶ‬ ‫ﺁﺱ ﻳﺴﻮ ‪‬‬

‫ﱯ ﻭﺫﻛﺮﻩ‬ ‫ﱄ ﻣﻦ ﺍﻟﻨ ‪‬‬ ‫ﻓﺎﺣ‪‬ﻤ ﹾﻞ ﺇ ﹼ‬

‫ﺡ ﳘﻲ ﺍﳌﹸﻄﺒﻘﺎ؟‬ ‫ﻗﺒﺴﺎ ﻳﻀ ‪‬ﻤ ‪‬ﺪ ﺟﺮ ‪‬‬

‫ﻣ‪‬ﻔﻦ ٍﻇﻼ ‪‬ﻡ ﺍﳉﺎﻫﻠﻴ ِﺔ ﻭﺍﺋﺪ‪‬‬

‫ﺃﻭﺯﺍﺭ‪‬ﻫﺎ ﺟﺎ َﺀ ﺍﳋﻠﻴﻘﺔ ﻣ‪‬ﻌﺘِﻘﺎ‬

‫ﺝ ﺃﻫﻠ ﹰﺔ ﻭﺳﺤﺎﺋﺒﺎ‬ ‫ﻣ‪‬ﻸ ﺍﳌﺮﻭ ‪‬‬

‫ﺏ ﻣﻦ ﺍﺗﻘﻰ‬ ‫‪‬ﺪﻱ ﻭﺗﺴﻘﻲ ﺑﺎﻟﻜﺘﺎ ِ‬

‫ﻭﻟﻘﺪ ﺑﲎ ﺟﻴﻠﲔ ﺟﻴ ﹶﻞ ﻓﻀﺎﺋﻞ‬

‫‪‬ﻧﺴِﻤﺎ ﻭﺟﻴ ﹶﻞ ﺻﺤﺎﺑ ٍﺔ ‪‬ﺣ ‪‬ﺮ ﺍﻟﻨﻘﺎ‬

‫ﺖ‬ ‫ﻧﺴﺠﺎ ﻟﺒﻌﻀِﻬﻤﺎ ﺍﳊﻴﺎﺓ ﻓﺄﻧﺒﺘ ‪‬‬

‫ﳎﺪﺍ ﺃﺟ ﱠﻞ ﻧ‪‬ﺎ ﻭﺃﲰﻰ ‪‬ﺑ ‪‬ﻴﺮ‪‬ﻗﺎ‬

‫ﻓﺘﻤﻠﻚ ﺍﻟﺪﻧﻴﺎ ﺭﻋﻴ ﹸﻞ ﻋﻘﻴﺪ ٍﺓ‬

‫ﻭﻣﻜﺎﺭ ٍﻡ ﻳﻠﻘﻰ ﺍﻟﺸﻬﺎﺩﺓ ﺷﻴ‪‬ﻘﺎ‬

‫ﺏ ﻏﺮﺍ ‪‬ﺳﻬﺎ‬ ‫ﺖ ﻳ ‪‬ﺪ ﺍﻟﺴﺎﻗﻲ ﻓﻄﺎ ‪‬‬ ‫ﻃﺎﺑ ‪‬‬

‫ﺏ ﺍﳉﹶﲎ ﻋ‪‬ﺒ ‪‬ﻖ ﺍﳊﺪﺍﺋﻖ ﻣﻮﺭﻗﺎ‬ ‫ﻋ ﹾﺬ ‪‬‬

‫ﺃﺣﻴﺎ ﻣﻦ ﺍﻷﺧﻼﻕ ﻛ ﹼﻞ ﻓﻀﻴﻠﺔ‬

‫ﺗﺒﲏ ﺇﱃ ﺑ ‪‬ﺮ ﺍﳋﻼﺹ ﺍﻟﺰﻭﺭﻗﺎ‬

‫ﻫﻲ ﻟﻠﺤﻴﺎ ِﺓ ﺣﻴﺎﺗ‪‬ﻬﺎ ﻭﻷﻫﻠِﻬﺎ‬

‫ﻛﺎﻟﺪ ‪‬ﺭ ﰲ ﺍﻟﻌﻘ ِﺪ ﺍﻟﻨﻔﻴﺲ ﻣﻨﺴﻘﺎ‬

‫ﺞ ﺍﻟﺰﻣﺎ ﹸﻥ ﺣﻀﺎﺭﺓ‬ ‫ﺃﺑﻐﲑﻫﺎ ﻧﺴ ‪‬‬

‫ﻣﺴﺮﻭﺟﺔ ًﺑﺎﳋﻠ ِﺪ ﺗﺮﻓ ﹸﻞ ﺑﺎﻟﺒﻘﺎ‬

‫ﻗﺪ ْﺟﺎ َﺀ ﺑﺎﻟﻘﺮﺁﻥ ِﻳﻨﺸ ‪‬ﺮ ﻧﻮﺭ‪‬ﻩ‬

‫ﺤﺎ ﻭﺿﻴﹰﺌﺎ ﻻ ﻳﺒﺪ ‪‬ﺩ ﻣ‪‬ﺸﺮﻗﺎ‬ ‫ﺻ‪ ‬ﺒ ‪‬‬

‫ﺏ ﺃﺟ ﱡﻞ ﰲ ﺇﺷﺮﺍﻗ ِﻪ‬ ‫ﻓﺠ ‪‬ﺮ ﺍﻟﻜﺘﺎ ِ‬

‫ﺏ ﰲ ﺍﻟﻔﺼﺎﺣ ِﺔ ﻣ‪‬ﻨﻄﻘﺎ‬ ‫ﺫﻛ ‪‬ﺮﺍ ﻭﺃﻋﺬ ‪‬‬

‫ﺟﺜﺖ ﺍﻟﻌﻘﻮ ﹸﻝ ﻛﻠﻴﻠﺔ ﻋﻦ ﻣﺜﻠِﻪ‬

‫ﺾ ﻋﻠﻰ ﺍﻟﻘﺮﺍﺋﺢ ﻣ‪‬ﻐﻠﻘﺎ‬ ‫ﻭﻏﺪﺍ ﺍﻟﻘﺮﻳ ‪‬‬

‫ﺏ ﻣﺜ ﹶﻞ ﺭﺣﻴﻘ ِﻪ‬ ‫ﱂ ﺗﻌﺮﻑ ﺍﻷﻟﺒﺎ ‪‬‬

‫ﻃﻴ‪‬ﺒﺎ‪ ..‬ﻭﻻ ﻛﻌﺒﲑ ِﻩ ﺇﺳ‪‬ﺘﱪﻗﺎ‬

‫ﺱ ﻣﻦ ﺍﳋﺸﻮﻉ ﺳﻜﻴﻨﺔ‬ ‫ﻳﻜﺴﻮ ﺍﻟﻨﻔﻮ ‪‬‬

‫ﺗﺴﱯ ﺍﻟﻀﺒﺎﺏ ﺍ ﹸﳌﺪ‪‬ﳍ ‪‬ﻢ ﺍﳌﻄﺒﻘﺎ‬

‫ﳋ ‪‬ﺮ ﴰﻮﺧ ‪‬ﻪ‬ ‫ﻭﻟﻮ ﺍﺣﺘﻮﻯ ﺟﺒﻼ ﹶ‬

‫ﻣ‪‬ﺘﺨﺸﻌﺎ ﻣ‪‬ﺘﺼﺪ‪‬ﻋﺎ ﻣ‪‬ﺘﺸﻘﻘﺎ‬

‫ﺖ ﺍﻵﺫﺍ ﹸﻥ ﺗﻨﺸ ‪‬ﻖ ﺃﺭ ‪‬ﺟﻪ‪‬‬ ‫ﺗﺘﻠﻔ ‪‬‬

‫ﻕ ﺩﻓﺘﻴ ِﻪ ﻣ‪‬ﺤﻠﻘﺎ‬ ‫ﺡ ﺑﲑ ‪‬‬ ‫ِﺇ ﹾﻥ ﻻ ‪‬‬

‫ﺏ ﺳ ‪‬ﺮ ﺟﻼﻟﺔ‬ ‫ﺖ ﺑ ِﻪ ﺍﻷﻟﺒﺎ ‪‬‬ ‫ﺃﻟﻔ ‪‬‬

‫ﻻ ﻳﺴﺘﺒﺎﺡ ﺳﱮ ﺍﻟﻌﻘﻮ ﹶﻝ ﺗﺄﻟﻘﺎ‬

‫ﻫﺬﺍ ﻫﻮ ﺍﻟﻘﺮﺁ ﹸﻥ ﻻ ﻣﺘﺒﺪﻝ‬

‫ﻣﺘ‪‬ﻨﺎ ﻭﻻ ﻳﻔﲎ ﺳﻨﺎﻩ ﲣﻠﻘﺎ‬

‫ﻚ‬ ‫ﷲ ﺇﱐ ﻣ‪‬ﺸﺘ ٍ‬ ‫ﻋﺬﺭﺍ ﺭﺳﻮ ﹶﻝ ﺍ ِ‬

‫ﺖ ﺿﻼﻻ ﻣﻮﺑﻘﺎ‬ ‫ﻟﻚ ﺃﻣﺔ ﺿﻠ ‪‬‬

‫ﻚ ﻭﰲ‬ ‫ﺳﺒﻜﻮﺍ ﳍﺎ ﺍﻟﺘﺎﺭﻳﺦ َﻣ ‪‬ﻦ ﺇﻓ ٍ‬

‫ﻀ ِﻪ ﻗﺪ ﺣﻜﹼﻤﻮﺍ ﻣﺴﺘﺸﺮﻗﺎ‬ ‫ﺗﻘﻮﻳ ِ‬

‫ﻑ ﺿﺮﻭﺑ ِﻪ‬ ‫ﲡ ‪‬ﺪ ﺍﻟﻀﻼ ﹶﻝ ﻋﻠﻰ ﺍﺧﺘﻼ ِ‬

‫ﻣ‪‬ﺘﻮ ِﺣ ‪‬ﺪﺍ ﻭﺳﻨﺎ ﺍﳍﺪﻯ ﻣﺘﻔﺮﻗﺎ‬

‫ﻑﰲ‬ ‫ﻭﺍﻟﺬ ﱡﻝ ﻣﺴﺘﺸﺮﻱ ﺍﻟﻐﻤﺎﻡ ﻳﻄﻮ ‪‬‬

‫ﺖ ﻣ‪‬ﺤﺪِﻗﺎ‬ ‫ﺃﻭﻃﺎﻧِﻨﺎ ﰲ ﻛ ﱢﻞ ﺑﻴ ٍ‬

‫ﻏﺪﺕ ﺍﳊﻴﺎﺓ ُﻋﻠﻰ ﺍﻣﺘﺪﺍ ِﺩ ﻣﺮﻭﺟﻬﺎ‬

‫ﺚ ﺑﻪ ﺍﳌﻌﺮ‪‬ﺓ ﺿﻴﻘﺎ‬ ‫ﻛﻮﺧﺎ ﺗﻌﻴ ﹸ‬

‫ﻳﺎ ﺃﻣﺔ ﺍﳌﺎﺿﻲ ﺍ ﹸﳌﻮ‪‬ﺷﻰ ﻋﺰﺓ‬

‫ﻒ ﺍﺳﺘﻮﻯ ﺍﻹﺫﻋﺎ ﹸﻥ ﺷﻬﺪﺍ ﺭﻳ‪‬ﻘﺎ؟‬ ‫ﻛﻴ ‪‬‬

‫ﺖ‬ ‫ﻳﺎ ﺳﻴﺪﻱ ﻣ‪‬ﺜ ﹸﻞ ﺍﻟﺰﻣﺎﻥ ِﺗﺒﺪﻟ ‪‬‬

‫ﻭﺿ‪‬ﺤﻰ ﺍﻟﻔﻀﺎﺋﻞ ِﻭﺍﳌﻜﺎﺭﻡ ِ ﺃﺯﻫﻘﺎ‬

‫ﺖ ﻣﺼﺒﺎﺣﻬﺎ‬ ‫ﺫﻭﺕ ﺍﻟﻨﻔﻮﺱ ﻭﺃﻭﻫﻨ ‪‬‬

‫ﺐ ﺗﻔﺴ‪‬ﻘﺎ‬ ‫ﺩﻧﻴﺎ ﲡﺮ‪‬ﻉ ‪‬ﻣ ‪‬ﻦ ﲢ ‪‬‬

‫ﻚ ﻗِﻄﻪ‬ ‫ﺗﻠﻘﻲ ﺇﻟﻴ ِﻪ ﻣﻦ ﺍﳌﻬﺎﻟ ِ‬

‫ﺸﻘﺎ‬ ‫ﻓﻴﺰﻳ ‪‬ﺪ ﻣﻨﻬﺎ ﺯﻟﻔﺔ ﻭﺗﻌ ‪‬‬

‫ﺷ ‪‬ﺮ ﺍﻷﻓﺎﻋﻲ ﻣﺎ ﺑﺪﺍ ﻟﻚ ﻟﻮﻧﻪ‬

‫ﻣ‪‬ﺘﻨﻤِﻘﺎ ﻣ‪‬ﺘﺄﻟﻘﺎ ﻣ‪‬ﺘﺰﻭﻗﺎ‬

‫ﺳﻴﻈ ﹸﻞ ﻣﺎﺿﻴﻨﺎ ﺍﻟﺘﻠﻴ ‪‬ﺪ ﻭﺛﻴﻘﺔ‬

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‫ﺗﺘﻠﻮ ﺍﳊﻘﻴﻘﺔ ﻭﺍﻟﺒﻴﺎﻥ ﻣ‪‬ﻮﺛﻘﺎ‬

‫ﻛﻨﺎ ﺇﺫﺍ ﻗﻠﻨﺎ ﺍﻣﺘﻄﺖ ﺃﻓﻌﺎﻟﻨﺎ‬

‫ﺻﱪﺍ ﺃﺑ‪‬ﻴﺎ‪ ..‬ﻟﻴﺲ ﻳﺮﻛ ‪‬ﻊ‪ ..‬ﻣ‪‬ﺤﺮﻗﺎ‬

‫ﻧﻠﻘﻰ ﺍﳌﻨﻴﺔ ﺑﺎﺫﻟﲔ ﻧﻔﻮﺳﻨﺎ‬

‫ﱪ ﺍﻟﻌﺰﳝ ِﺔ ﻭﺍﻟﻠﻮﺍ ﻳﻮﻡ ﺍﻟﻠﻘﺎ‬ ‫ﺻ‪ ‬‬

‫ﺳﻨﻌﻮ ‪‬ﺩ ﻟﻠﺘﺎﺭﻳﺦ ﻧﻨﺴﺞ ﳎﺪ‪‬ﻩ‬

‫ﺕ ﺍﻟﺘﻘﻰ‬ ‫ﺐ ﺁﻳﺎ ‪‬‬ ‫ﺇﻥ ﻏﺮ‪‬ﺩﺕ ﰲ ﺍﻟﻘﻠ ِ‬

‫ﻫﺬﺍ ﺍﻟﺴﺒﻴﻞ ُﺇﱃ ﺍﻧﻌﺘﺎﻕ ِﻧﻔﻮﺳﻨﺎ‬

‫ﻣﻦ ﺭﺟﺴِﻬﺎ‪ِ ..‬ﻧ ‪‬ﻌ ‪‬ﻢ ﺍﻟﻌﻘﻴﺪﺓ ُ ِﻣﺮ‪‬ﻓﻘﺎ‬

‫ﻻ ﻧﻌﺮﻑ ﺍﳌﺴﺘﺤﻴﻞ‬ ‫ﺍﻟﺪﻛﺘﻮﺭ ﺣﺴﻦ ﺍﻷﻣﺮﺍﱐ‬

‫ﻭﻟﺪ ﺍﻟﺪﻛﺘﻮﺭ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻜﺒﲑ‬ ‫ﺣﺴﻦ ﺍﻷﻣﺮﺍﱐ ﻋﺎﻡ ‪ 1949‬ﰲ‬ ‫ﻭﺟﺪﺓ‪ /‬ﺍﳌﻐﺮﺏ‪ .‬ﺩﻛﺘﻮﺭﺍﻩ ﰲ‬ ‫ﺍﻷﺩﺏ ﺍﻟﻌﺮﰊ‪ /‬ﺟﺎﻣﻌﺔ ﳏﻤﺪ‬ ‫ﺍﳋﺎﻣﺲ ﺑﺎﻟﺮﺑﺎﻁ‪ .‬ﺃﺳﺘﺎﺫ ﺳﺎﺑﻖ‬ ‫ﻟﻸﺩﺏ ﻭﺍﻟﻨﻘﺪ ﻭﺭﺋﻴﺲ ﺷﻌﺒﺔ‬ ‫ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﻜﻠﻴﺔ ﺍﻵﺩﺍﺏ‬ ‫ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﰲ ﺟﺎﻣﻌﺔ ﳏﻤﺪ ﺍﻷﻭﻝ ﺑﻮﺟﺪﺓ‪ .‬ﻭﻫﻮ ﺭﺋﻴﺲ ﲢﺮﻳﺮ ﳎﻠﺔ ﺍﳌﺸﻜﺎﺓ ﺍﳌﻬﺘﻤﺔ‬ ‫ﺑﺎﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﻗﺪﳝﻪ ﻭﺣﺪﻳﺜﻪ‪ .‬ﺷﺎﺭﻙ ﰲ ﻣﺆﲤﺮﺍﺕ ﺃﺩﺑﻴﺔ ﰲ ﺍﳌﻐﺮﺏ ﻭﺍﳉﺰﺍﺋﺮ‬ ‫ﻭﺗﻮﻧﺲ ﻭﻟﻴﺒﻴﺎ ﻭﻣﺼﺮ ﻭﺍﻟﺴﻌﻮﺩﻳﺔ ﻭﻓﺮﻧﺴﺎ ﻭﺃﳌﺎﻧﻴﺎ ﻭﺗﺮﻛﻴﺎ ﻭﺍﳍﻨﺪ ‪.‬‬ ‫ﻣﻦ ﺃﻋﻤﺎﻟﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ :‬ﺍﳊﺰﻥ ﻳﺰﻫﺮ ﻣﺮﺗﲔ‪ /‬ﺍﻟﱪﻳﺪ ﻳﺼﻞ ﻏ ‪‬ﺪﺍ )ﺑﺎﻻﺷﺘﺮﺍﻙ(‪ /‬ﻣﺰﺍﻣﲑ‪/‬‬ ‫ﺍﻟﻘﺼﺎﺋﺪ ﺍﻟﺴﺒﻊ‪ /‬ﺍﻟﺰﻣﺎﻥ ﺍﳉﺪﻳﺪ‪ /‬ﳑﻠﻜﺔ ﺍﻟﺮﻣﺎﺩ‪ /‬ﺛﻼﺛﻴﺔ ﺍﻟﻐﻴﺐ ﻭﺍﻟﺸﻬﺎﺩﺓ‪ /‬ﺃﺷﺠﺎﻥ ﺍﻟﻨﻴﻞ‬ ‫ﺍﻷﺯﺭﻕ‪ /‬ﺟﺴﺮ ﻋﻠﻰ ‪‬ﺮ ﺩﺭﻳﻨﺎ‪ /‬ﺇﱃ ﺟﺎﻧﺐ ﻋﺪﺩ ﻣﻦ ﺍﻟﺪﻭﺍﻭﻳﻦ ﺍﳌﺨﻄﻮﻃﺔ ﻣﺜﻞ‪ :‬ﻳﺎ ﻃﺎﺋﺮ‬ ‫ﺍﳊﺮﻣﲔ‪ /‬ﻗﻠﻮﺏ ﻋﻠﻰ ﺑﺮﻛﺎﻥ‪ /‬ﺍ‪‬ﺪ ﻟﻸﻃﻔﺎﻝ ﻭﺍﳊﺠﺎﺭﺓ!‬ ‫ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﻛﺎﻣﻠﻴﺔ‪ :‬ﺇﱃ ﺍﳌﺴﺘﻀﻌﻔﲔ ﰲ ﺍﻷﺭﺽ‪ /‬ﺍﳌﺘﻨﱯ ﰲ ﺩﺭﺍﺳﺎﺕ ﺍﳌﺴﺘﺸﺮﻗﲔ‪،‬‬ ‫ﻭﻏﲑﳘﺎ‪ .‬ﻋ‪‬ﺮﻑ ﰲ ﺍﻟﻌﻘﻮﺩ ﺍﻷﺧﲑﺓ ﺟﻨ‪‬ﺒﺎ ﺇﱃ ﺟﻨﺐ ﻣﻊ ﺷﻌﺮﺍﺀ ﻣﻐﺎﺭﺑﺔ ﻛﺒﺎﺭ ﺃﻣﺜﺎﻝ ﳏﻤﺪ‬ ‫ﺑﻨﻌﻤﺎﺭﺓ‪ ،‬ﻭﳏﻤﺪ ﻋﻠﻲ ﺍﻟﺮﺑﺎﻭﻱ‪ ،‬ﻭﻋﺒﺪ ﺍﻟﺮﲪﻦ ﺑﻮﻋﻠﻲ‪..‬‬

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‫ﻭﳑﻦ ﻛﺘﺒﻮﺍ ﻋﻦ ﺷﻌﺮﻩ‪ :‬ﻋﻤﺎﺩ ﺍﻟﺪﻳﻦ ﺧﻠﻴﻞ‪ ،‬ﻭﳏﻤﻮﺩ ﻣﻔﻠﺢ‪ ،‬ﻭﻳﺎﺳﺮﺍﻟﺰﻋﺎﺗﺮﺓ‪ ،‬ﻭﻋﺒﺪ ﺍﷲ‬ ‫ﺍﻟﻄﻨﻄﺎﻭﻱ‪ ،‬ﻭﻋﻼﻭﺓ ﻭﻫﱯ‪ ،‬ﻭﻋﺒﺪ ﺍﷲ ﺭﺍﺟﻌﻦ‪ ،‬ﻭﻋﺰﻳﺰ ﺍﳊﺴﲔ‪..‬‬ ‫ﻫﺒﺖ ﻋﻠﻲ ﺍﻟﺮﻳﺢ ﻳﻮ ‪‬ﻣﺎ ﺗﺒﺘﻐﻲ ﻣﲏ ﻋﺪﻭﻻ‬ ‫ﻭﺗﺮﻳﺪ ﻣﲏ ﺃﻥ ﺃﻣﻴﻼ‬ ‫ﻫﺒﺖ ﻋﻠﻲ ﺍﻟﺮﻳﺢ‪ ،‬ﺗﻠﻘﻲ ﰲ ﻣﺴﺎﻣﻌ ‪‬ﻲ ﺍﻟﻌﻮﻳﻼ‬ ‫ﻭ‪‬ﺰ ﻣﺮﻛﱯ ﺍﳌﺒﺎﺭﻙ‬ ‫ﺗﺮﲡﻲ ﺃﻣ ﹰﻠﺎ ﺑﻌﻴﺪﺍ‬ ‫ﻗﺪ ﺗﺰﻭﻝ ﺍﻟﺮﺍﺳﻴﺎﺕ ﻭﻟﻦ ﻳﺰﻭﻻ‬ ‫ﻓﻠﺮﲟﺎ ﻭﻫﻨﺖ ﻗﻮﺍﻱ ﻭﻣﻠﺖ ﻋﻦ ﺩﺭﰊ ﻗﻠﻴ ﹰﻠﺎ‬ ‫ﻭﻟﺮﲟﺎ ﻋﺎﻧﻘﺖ ﻣﻦ ﻭﻫﲏ ﺍﻟﺬﻫﻮﻻ‬ ‫ﻟﻜﻨﲏ ﺃﺑ ‪‬ﺪﺍ ﺳﺄﺭﺟﻊ ﻟﻠﻄﺮﻳﻖ‬

‫ﻭﻟﻦ ﺃﺣﻴﺪ ﻭﻟﻦ ﺃﻣﻴﻼ‬ ‫ﺃﻧﺎ ﻟﺴﺖ ﺃﺑﻐﻲ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻋﻦ ﺩﺭﰊ ﺑﺪﻳﻼ‬ ‫ﺃﻧﺎ ﻟﺴﺖ ﺃﺑﻐﻲ ﻏﲑ ﻧﻮﺭﻙ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ‬ ‫ﻳﻬﺪﻳﲏ ﺍﻟﺴﺒﻴﻼ‬ ‫ﺃﻧﺎ ﻟﺴﺖ ﺃﻋﺮﻑ ﰲ ﻫﻮﺍﻙ ﺍﳌﺴﺘﺤﻴﻼ‬

‫ﺳﺄﻃﻮﻑ ﰲ ﻛﻞ ﺍﻟﺒﻼﺩ‬

‫ﺃﺩﻋﻮﺇﱃ ﺍﻟﻨﻮﺭ ﺍﻟﺬﻱ ﲪ‪‬ﻠﺘﲏ ﻳﻮﻣﺎ‬ ‫ﻭﺃﻧﺜﺮﻩ ﻋﻠﻰ ﻛﻞ ﺍﻟﻌﺒﺎﺩ‬ ‫ﻱ ﻭﺑﺎﺩﻱ‬ ‫ﻻ ﻓﺮﻕ ﻋﻨﺪﻱ ﺑﲔ ﻗﺎﺭ ‪‬‬ ‫ﺳﺄﻃﻮﻑ ﻫﺬﺍ ﺍﻟﻜﻮﻥ ﻭﺍﻟﻘﺮﺁﻥ ﺯﺍﺩﻱ‬

‫ﺳﺄﻗﻮﻡ ﻳﺎ ﺧﲑ ﺍﻷﻧﺎﻡ‬

‫ﻷﻋﻠﹼﻢ ﺍﻟﻨﺎﺱ ﺍﻟﺴﻼﻡ‬ ‫‪106‬‬

‫ﻓﺄﻧﺖ ﻣﺼﺒﺎﺡ ﺍﻟﺴﻼﻡ‬ ‫ﻭﻏﺎﻳﱵ ﺩﺍﺭ ﺍﻟﺴﻼﻡ‬ ‫ﻓﻠﺘﺸﻬﺪ ﺍﻟﺪﻧﻴﺎ‬

‫ﻭﺇﻥ ﺃﺑﻄﺄﺕ ﻋﻦ ﻫﺪﰲ ﻗﻠﻴﻼ‬ ‫ﺃﻭﺯﺍﻍ ﺯﻭﺭﻗ ‪‬ﻲ ﺍﳌﺒﺎﺭﻙ ﻋﻦ ﻣﻮﺍﻧﺌﻪ ﻗﻠﻴﻼ‬ ‫ﻓﻠﺘﺸﻬﺪ ﺍﻟﺪﻧﻴﺎ ﺑﺄﱐ‬ ‫ﺳﻮﻑ ﺃﲪﻞ ﺿﻮﺀ ﺣﺒ‪‬ﻚ ﺩﺍﺋ ‪‬ﻤﺎ‬ ‫ﺣ‪‬ﺒﺎ ﻃﻔﻮﻟ‪‬ﻴﺎ ﲨﻴﻼ‬ ‫ﺣ‪‬ﺒﺎ ﺇﺫﺍ ﻳﻮ ‪‬ﻣﺎ ﺑﻪ ﻃﻮﻗﺖ ﻫﺬﺍ ﺍﻟﻜﻮﻥ‬ ‫ﺃﺻﺒﺢ ﻣﻨﺸﺪﺍ‬

‫ﻭﻳﻘﻮﻝ‪ :‬ﺇﱐ ﻗﺪ ﺭﺿﻴﺖ ﺑﺄﲪﺪ ﺍﳌﺨﺘﺎﺭ ﻳﺎ ﺭﰊ ﺭﺳﻮﻻ‬

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‫ﺧﻄﻮﺍﺕ ﻋﻠﻰ ﺍﻟﻄﺮﻳﻖ )ﻣﻦ ﺩﻳﻮﺍﻥ‪ :‬ﺍﻟﻔﺮﺍﺭ ﺇﱃ ﺍﷲ(‬ ‫ﺍﻟﺪﻛﺘﻮﺭ ﺩ‪ .‬ﺣﻜﻤﺖ ﺻﺎﱀ‬

‫ﻭﻟﺪ ﺍﻟﺪﻛﺘﻮﺭ ﺣﻜﻤﺖ ﺻﺎﱀ ﺟﺮﺟﻴﺲ ﺍﻟﺴﻴ‪‬ﺪ‬

‫ﲏ‪ ،‬ﰲ ﺍﳌﻮﺻﻞ ﺑﺎﻟﻌﺮﺍﻕ‬ ‫ﻭﻫﺐ ﺍﻟﺮﻓﺎﻋ ‪‬ﻲ ﺍﳊﺴﻴ ‪‬‬ ‫‪1946‬ﻡ‪.‬‬

‫ﻭﲣﺮ‪‬ﺝ ﰲ ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‪ ،‬ﻛ ﹼﻠﻴ‪‬ﺔ‬

‫ﺍﻵﺩﺍﺏ‪ ،‬ﺟﺎﻣﻌﺔ ﺍﳌﻮﺻﻞ‪ ..1970 ،‬ﺃﻭﻓِﺪ ﺇﱃ ﺍﳉﺰﺍﺋﺮ‬ ‫ﻟﻠﻤﺸﺎﺭﻛﺔ ﰲ ﲪﻠﺔ ﺍﻟﺘﻌﺮﻳﺐ ‪70-1972‬ﻡ‪ ..‬ﻣﺴﺎﳘﹰﺎ‬

‫ﰊ ﰲ ﺍﻟﺼﺤﺎﻓﺔ ﻭﺍﻹﺫﺍﻋﺔ ﻭﺍﻷﻣﺎﺳﻲ‬ ‫ﰲ ﺍﻟﻨﺸﺎﻁ ﺍﻷﺩ ‪‬‬ ‫ﺍﻷﺩﺑﻴ‪‬ﺔ‪ ..‬ﻋﺎﺩ ﺑﻌﺪﻫﺎ ﺇﱃ ﺍﻟﻌﺮﺍﻕ ﻟﻴﻮﺍﺻﻞ ﻋﻤﻠﻪ ﻣﺪ ‪‬ﺭ ‪‬ﺳﺎ‬ ‫ﻋﻠﻰ ﻣﺪﻯ ‪ 33‬ﻋﺎ ‪‬ﻣﺎ‪ ..‬ﻳ‪‬ﺪﺭ‪‬ﺱ ﺣﺎﻟ‪‬ﻴﺎ ﰲ ﻣﻌﻬﺪ ﺇﻋﺪﺍﺩ‬ ‫ﰊ ﺑﺪﺭﺟﺔ ﺍﻣﺘﻴﺎﺯ ﻣﻦ ﺁﺩﺍﺏ ﺍﳌﻮﺻﻞ ﻋﻦ‬ ‫ﻣﻌﻠﱢﻤﺎﺕ ﻧﻴﻨﻮﻯ‪ ..‬ﺩﻛﺘﻮﺭﺍﻩ ﻓﻠﺴﻔﺔ ﰲ ﺍﻷﺩﺏ ﺍﻟﻌﺮ ‪‬‬ ‫)ﲨﺎﻟﻴ‪‬ﺎﺕ ﺍﳊﺮﻛﺔ ﺍﻟﺘﺼﻮﻳﺮﻳ‪‬ﺔ ﰲ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ(‪ ..‬ﻛﺎﻥ ﻗﺪ ﺃﻗﺎﻡ ﻣﻌﺮﺿﲔ ﻟﻨﺘﺎﺟﺎﺗﻪ ﺍﻷﺩﺑﻴ‪‬ﺔ‬ ‫)ﺟﺎﻣﻌﺔ ﺍﳌﻮﺻﻞ( ﻧﺸﺮ ﻟﻪ ﺃﻛﺜﺮ ﻣﻦ ‪ 150‬ﻗﺼﻴﺪﺓ ﰲ ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﹼﺕ ﺍﻟﻌﺮﺍﻗﻴ‪‬ﺔ ﻭﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻣﻨﺬ‬

‫‪ ..1968‬ﺃﻟﹼﻒ ‪ 50‬ﻛﺘﺎ‪‬ﺑﺎ )ﺑﻀﻤﻨﻬﺎ ‪ 17‬ﺩﻳﻮﺍ‪‬ﻧﺎ ﺷﻌﺮ‪‬ﻳﺎ( ﻣﺎ ﺑﲔ ﻣﻨﺸﻮﺭ ﻭ ‪‬ﻣ ‪‬ﻌ ‪‬ﺪ ﻟﻠﻨﺸﺮ‪ ..‬ﺷﺎﺭﻙ ﰲ‬ ‫ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳌﺆﲤﺮﺍﺕ ﻭﺍﻟﻨﺪﻭﺍﺕ ﻭﺍﳌﻮﺍﺳﻢ ﺍﻷﺩﺑﻴ‪‬ﺔ ﻭﺍﳌﻬﺮﺟﺎﻧﺎﺕ ﺍﻟﺸﻌﺮﻳ‪‬ﺔ ﺩﺍﺧﻞ ﺍﻟﻌﺮﺍﻕ‬ ‫ﺐ ﻋﻦ ﺇﺑﺪﺍﻋﻪ ﻭﻣﺆﻟﹼﻔﺎﺗﻪ ﺃﻛﺜﺮ ﻣﻦ ‪ 80‬ﺩﺭﺍﺳ ﹰﺔ ﻭﲝﹰﺜﺎ ﺑﺄﻗﻼﻡ ﺃﻛﺜﺮ ﻣﻦ ‪ 50‬ﻣﻦ‬ ‫ﻭﺧﺎﺭﺟﻪ‪ ..‬ﻛﹸِﺘ ‪‬‬ ‫ﺍﻟﻨﻘﹼﺎﺩ ﻭﺃﺳﺎﺗﺬﺓ ﺍﳉﺎﻣﻌﺎﺕ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﻃﻠﺒﺔ ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻟﻌﻠﻴﺎ ﻓﻴﻬﺎ‪ ..‬ﻛﺮ‪‬ﻣﺘﻪ ﳏﺎﻓﻈﺔ ﻧﻴﻨﻮﻯ ﺑﻮﺳﺎﻡ‬ ‫ﻳﻮﻡ ﺍﻟ ِﻌﻠﹾﻢ‪ ،‬ﻭﺑﺸﻬﺎﺩﺓ ﺗﻘﺪﻳﺮﻳ‪‬ﺔ ﺑﺼﻔﺔ "ﻣﺒﺪﻉ ﰲ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ" ﺳﻨﺔ ‪1999‬ﻡ‪ .‬ﻭﺗ‪‬ﺮﲨﺖ ﺑﻌﺾ‬

‫ﺃﺷﻌﺎﺭﻩ ﺇﱃ ﺃﻛﺜﺮ ﻣﻦ ﻟﻐﺔ‪ ..‬ﺻﺎﺣﺐ ﺍﻣﺘﻴﺎﺯ ﳎﻠﹼﺔ )ﺍﻟﺒ‪‬ﺮﺍﻕ( ﻭﺭﺋﻴﺲ ﲢﺮﻳﺮﻫﺎ‪ ..‬ﻋﻀﻮ‪ :‬ﺍﺗ‪‬ﺤﺎﺩ‬ ‫ﺍ ُﻷﺩﺑﺎﺀ ﰲ ﺍﻟﻌﺮﺍﻕ‪ ،‬ﻭﺍﺗ‪‬ﺤﺎﺩ ﺍﻷُﺩﺑﺎﺀ ﺍﻟﻌﺮﺏ )ﺩﻣﺸﻖ(‪ ،‬ﻭﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺎﳌﻴ‪‬ﺔ‬ ‫)ﺍﻟﺮﻳﺎﺽ(‪ ،‬ﻭﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﰲ ﺍﻟﻌﺮﺍﻕ )ﺍﳍﻴﺌﺔ ﺍﻟﺘﺄﺳﻴﺴﻴ‪‬ﺔ(‪ ،‬ﻭﺭﺍﺑﻄﺔ ﻋﻠﻤﺎﺀ ﺍﻟﻌﺮﺍﻕ‪،‬‬ ‫ﻭﲨﻌﻴ‪‬ﺔ ﺍﻵﺩﺍﺏ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﰲ ﺍﻟﻌﺮﺍﻕ‪.‬‬ ‫‪108‬‬

‫ﺐ ﻟﻸﺭﺽ ﻭﺍﻹﻧﺴﺎﻥ‪ /‬ﳓﻮ ﺁﻓﺎﻕ ﺷﻌﺮ ﺇﺳﻼﻣﻲ ﻣﻌﺎﺻﺮ )ﺩﺭﺍﺳﺔ‬ ‫ﻣﻦ ﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ :‬ﺍﳊ ‪‬‬ ‫ﻭﺷﻌﺮ‪ /‬ﻣﻦ ﺍﳌﺆﻣﻨﲔ ﺭﺟﺎﻝ‪ /‬ﺃﺣﻔﺎﺩ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ )ﺃﺷﻌﺎﺭ ﻭﺗﺮﺍﺟﻢ(‪ /‬ﺃﻏﺎﺭﻳﺪ‬ ‫ﺍﳌﺴﻠﻢ ﺍﻟﺼﻐﲑ‪ /‬ﺣ ‪‬ﻲ ﻋﻠﻰ ﺍﻟﻔﻼﺡ‪ /‬ﺃﻫﺎﺯﻳﺞ ﺍﳌﺴﻠﻢ ﺍﻟﺼﻐﲑ‪ /‬ﺍﻹﲝﺎﺭ ﰲ ﻣﺎﺀ ﺍﻟﻮﺿﻮﺀ‪ /‬ﺍﻟﻔﺮﺍﺭ‬

‫ﺇﱃ ﺍﷲ‪ .‬ﻭﻟﻪ ﻣﻦ ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻷﺩﺑﻴ‪‬ﺔ ﻭﺍﻟﻨﻘﺪﻳ‪‬ﺔ‪ :‬ﺩﺭﺍﺳﺔ ﻓﻨﻴﺔ ﰲ ﺷﻌﺮ ﺍﻹﻣﺎﻡ ﺍﻟﺸﺎﻓﻌﻲ‪ /‬ﺭﺳﺎﺋﻞ‪:‬‬ ‫ﺺ‪.‬‬ ‫ﺍﳉﺬﻭﺭ‪ :‬ﰲ ﺍﻟﺸﻌﺮ ﺍﻹﺳﻼﻣﻲ ﺍﳌﻌﺎﺻﺮ‪ /‬ﺍﻟﺴﲑﺓ ﺍﻟﺬﺍﺗﻴ‪‬ﺔ‪ :‬ﻣﺎ ﺑﻌﺪ ﺍﻟﻨ ‪‬‬ ‫ﻭﺑﻘﻴ‪‬ﺔ ﻣﺆﻟﹼﻔﺎﺕ ﺍﻟﺪﻛﺘﻮﺭ )ﺣﻜﻤﺖ ﺻﺎﱀ( ﰲ ﻃﺮﻳﻘﻬﺎ ﺇﱃ ﺍﻟﻨﺸﺮ‪ ،‬ﻳﺘﺸﻜﹼﻞ ﺃﻏﻠﺒﻬﺎ ﰲ ﻋﺪﺩ‬ ‫ﻣﻦ ﺍﻟﺴﻼﺳﻞ‪ :‬ﺳﻠﺴﻠﺔ ﺩﺭﺍﺳﺎﺕ ﰲ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ‪ /‬ﺳﻠﺴﻠﺔ ﺍﻻﻏﺘﺮﺍﺏ ﰲ ﺍﻷﺩﺏ ﺍﻟﻌﺮﰊ‪/‬‬ ‫ﺳﻠﺴﻠﺔ ﻗﺮﺍﺀﺍﺕ ﰲ ﺍﻟﺬﺍﺕ ﺍﻷﺩﺑﻴ‪‬ﺔ‪ ..‬ﻛﺘﺐ ﺃﹸﺧﺮﻯ‪ ..‬ﻓﻀ ﹰﻠﺎ ﻋﻦ ﺩﻭﺍﻭﻳﻦ ﺍﻟﺸﻌﺮ‪.‬‬ ‫ﻭﻗﺼﺎﺋﺪ ﺣﻜﻤﺖ ﺻﺎﱀ ﻓﺮﻳﺪﺓ ﰲ ﻧﺴﺠﻬﺎ‪ ،‬ﻭﻟﻐﺘﻬﺎ ﻭﺻﻮﺭﻫﺎ‪ ،‬ﻓﻬﻲ ﻟﻴﺴﺖ ﻣﺪﺣ‪‬ﺎ‬ ‫ﻣﺒﺎﺷ ‪‬ﺮﺍ‪ ،‬ﺑﻞ ﲢﻜﻲ ﻣﻘﺎﻃﻊ ﺃﻭ ﻣﺸﺎﻫﺪ ﻣﻦ ﺣﻴﺎﺗﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺑﻄﺮﻳﻘﺔ )ﺣﻜﻤﺖ‬ ‫ﺻﺎﱀ( ﺍﳋﺎﺻﺔ‪ :‬ﻣﺪﺭﺳﺔ ﻻ ﺗﻌﺘﺮﻑ ﻛﺜﲑ‪‬ﺍ ﺑﺎﻟﺘﻌﺎﺑﲑ ﻭﺍﻟﺼﻮﺭ ﺍﻟﻘﺪﳝﺔ‪ ،‬ﺑﻞ ﻫﻲ ﻧﺴﻴﺞ ﻭﺣﺪﻫﺎ‪،‬‬ ‫ﰲ ﺳﺒﻜﻬﺎ ﻭﺣﺒﻜﺘﻬﺎ ﻭﺇﺷﺮﺍﻗﺎ‪‬ﺎ‪ ،‬ﻓﺎﻗﺮﺃ ﻭﺗﺄﻣﻞ‪:‬‬ ‫ﺠ ‪‬ﺮ ِﺓ‬ ‫ﻚ ﺍﻟﱠﻠ ‪‬ﻬ ‪‬ﻢ ‪‬ﻋ ‪‬ﺒﺪ‪ ‬ﻙ ‪‬ﺷ ‪‬ﺪ ‪‬ﺭ ‪‬ﺣ ﹶﻞ ﺍﹾﻟ ِﻬ ‪‬‬ ‫‪‬ﻋﻠﹶﻰ ‪‬ﻋ‪‬ﺘﺒ‪‬ﺎِﺗ ‪‬‬ ‫ﺦ‪ ..‬ﻭﺗ‪ ‬ﻌ ِﻠﻦ‪ ‬ﺭ ﹾﻓ ‪‬ﻊ ﹶﻛ ﱠﻔ ‪‬ﻴﻬ‪‬ﺎ ﺍﻟ‪‬ﻨ‪‬ﺒ ‪‬ﻮ ﹸﺓ‬ ‫ﺤﺪ‪‬ﻭ ﺑِﺎﻟ‪‬ﺘﻮ‪‬ﺍ ِﺭ‪‬ﻳ ِ‬ ‫ﺱ ‪‬ﺗ ‪‬‬ ‫ﺍ َﻷ ﹾﻗﺒ‪‬ﺎ ‪‬‬ ‫ﺏ‬ ‫ﻕ ‪‬ﺟ ِﺰ‪‬ﻳ ‪‬ﺮ ِﺓ ﺍﹾﻟ ‪‬ﻌ ‪‬ﺮ ِ‬ ‫‪‬ﻋ ‪‬ﺒ ‪‬ﺮ ‪‬ﻫﺬِﻱ ﺍﻟ ﱡﻈ ﹾﻠ ‪‬ﻤ ِﺔ ﺍﹾﻟ ‪‬ﻤ ‪‬ﺮﺧ‪‬ﺎ ِﺓ ﹶﻓ ‪‬ﻮ ‪‬‬ ‫ﺖ‬ ‫ﻚ ِﻗ ‪‬ﻴ ﹶﻞ‪ :‬ﹸﻗ ‪‬ﻢ ﻳ‪‬ﺎ ﹶﺃ‪‬ﻧ ‪‬‬ ‫‪‬ﻫﻨ‪‬ﺎِﻟ ‪‬‬ ‫ﺤ ‪‬ﻮ‪‬ﺗﻬ‪‬ﺎ‬ ‫ﺻ‪‬‬ ‫ﺽ ‪‬‬ ‫ﺾ ‪‬ﻋ ‪‬ﻦ ِﺭﺩ‪‬ﺍ ِﺀ ﺍ َﻷ ‪‬ﺭ ِ‬ ‫ﻭ‪‬ﺍ‪‬ﻧ ِﻔ ‪‬‬ ‫ﺴﺘ‪‬ﺎِﺋ ‪‬ﺮ‬ ‫ﺸﻒ‪ ‬ﺍﻟ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬ﻨ ﹶﻜ ِ‬ ‫ﺡ ﹶﺃ ‪‬ﻋﺼ‪ِ ‬ﺮ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ﺍﹾﻟ ‪‬ﻤﺸ‪‬ﺎ ِﻫﺪ‪‬‬ ‫ﺴ ‪‬ﺮ ِ‬ ‫ﻕ ‪‬ﻣ ‪‬‬ ‫ﹸﺛ ‪‬ﻢ ﺗ‪ ‬ﻌ ‪‬ﺮﺽ‪ ‬ﹶﻓ ‪‬ﻮ ‪‬‬ ‫ﺴﺒ‪‬ﺎ ِﻥ‬ ‫ﺤ‪‬‬ ‫ِﺇ‪‬ﻧﻪ‪ ‬ﻣ‪‬ﺎ ﻛﹶﺎ ﹶﻥ ﺑِﺎﹾﻟ ‪‬‬ ‫ﺦ‬ ‫ﺚ ‪‬ﺧﻄﹶﻰ ﺍﻟ‪‬ﺘﻮ‪‬ﺍ ِﺭ‪‬ﻳ ِ‬ ‫‪‬ﺣ ﱡ‬

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‫ﻂ‬ ‫ﺕ ‪‬ﺗ ‪‬ﻐ ﱡ‬ ‫ﺴﺒ‪‬ﺎ ِ‬ ‫‪‬ﺩ ‪‬ﻫ ‪‬ﻮﺭ‪ ‬ﺑ ‪‬ﻴ ‪‬ﻦ ﹶﺃ ﹾﻗِﺒ‪‬ﻴ ِﺔ ﺍﻟ ‪‬‬ ‫ﺖ ﺍﻟ ‪‬ﺪﻣ‪‬ﺎ ُﺀ ﹶﳌﺎ ‪‬ﻩ‬ ‫ﺿ ‪‬ﺮ ‪‬ﺟ ِ‬ ‫ﺱ ﺍﹾﻟ ‪‬ﻮ ‪‬ﺟ ِﻪ ‪‬‬ ‫ﻭ‪‬ﺍﻟ ‪‬ﺰ ‪‬ﻣ ‪‬ﻦ ﺍﹾﻟ ‪‬ﻌﺒ‪‬ﻮ ‪‬‬ ‫ﺦ ﹶﻟ ‪‬ﻬ ‪‬ﻢ‬ ‫ﺻ ِﺮ‪‬ﻳ ‪‬‬ ‫ﻼ ‪‬‬ ‫ﺴ‪‬ﺘﺒ‪‬ﺎﺡ‪ ،‬ﹶﻓ ﹶ‬ ‫ِﺩﻣ‪‬ﺎﺀٌ ﺗ‪ ‬‬

‫ﺐ‬ ‫ﺤ ﹶﻘ ِ‬ ‫ﺡ ‪‬ﻣﺮ‪‬ﺍ ‪‬ﺭ ِﺓ ﺍﹾﻟ ِ‬ ‫ﺐ ﻟِﻠ‪‬ﻨﺪ‪‬ﺍ ِﺀ ‪‬ﻋﻠﹶﻰ ﺳ‪‬ﻔﹸ ‪‬ﻮ ِ‬ ‫ﺠ ‪‬ﻴ ٍ‬ ‫ﺴ‪‬ﺘ ِ‬ ‫‪‬ﻭ ﹶﻻ ِﻣ ‪‬ﻦ ﻣ‪ ‬‬ ‫ﺕ‬ ‫ﺖ ‪‬ﻣﻔﹶﺎ ِﻫ ‪‬ﻴﻢ‪ ‬ﺍﹾﻟ ﹶﻘﺒ‪‬ﺎِﺋ ِﻞ ﺭ‪‬ﺍ ِﺯﺣ‪‬ﺎ ‪‬‬ ‫ﹶﻓﻤ‪‬ﺎ ﺍ‪‬ﻧ ﹶﻔ ﱠﻜ ‪‬‬ ‫ﺖ‬ ‫ﺢ ﺍﻟ ‪‬ﺪﺟ‪‬ﻰ ﺍ ‪‬ﺭ‪‬ﺗ ﹶﻔ ‪‬ﻌ ‪‬‬ ‫‪‬ﻭﻓِﻲ ﺟ‪ ‬ﻨ ِ‬ ‫ﺕ‬ ‫ﺼ ﹶﻠﻮ‪‬ﺍ ‪‬‬ ‫ﺏ ﺍﹾﻟ ِﻌ ‪‬ﺰ ِﺓ ﺍﻟ ‪‬‬ ‫ﺕ ‪‬ﺭ ‪‬‬ ‫ِﺇﻟﹶﻰ ‪‬ﺳ‪‬ﺒﺤ‪‬ﺎ ِ‬ ‫ﻚ ) ﹸﺫﻭ ﺍﹾﻟ ِﻔﻘﹶﺎ ِﺭ( ‪‬ﺗ ‪‬ﺪﱠﺛ ‪‬ﺮ ﺑِﺎﹾﻟ‪‬ﺒﺴ‪‬ﺎﹶﻟ ِﺔ‬ ‫ﹶﻓ ﹶﺬِﻟ ‪‬‬ ‫ِﺇ‪‬ﻧﻪ‪ ‬ﺍ ِﻹ‪‬ﻳﻤ‪‬ﺎ ﹾﻥ‬

‫ﻑ ﺍﹾﻟِﺒ ‪‬ﻴﺾِ‪ ،‬ﻭ‪‬ﺍﹾﻟ ِﻔ ‪‬ﺘﻴ‪‬ﺎ ﹾﻥ‬ ‫ﺴﻴ‪ ‬ﻮ ِ‬ ‫ﺼﺪ‪‬ﻯ ﻟِﻠ ‪‬‬ ‫‪‬ﺗ ‪‬‬ ‫ﺕ‬ ‫ﻼﻑ‪ ‬ﻓِﻲ ﺍﻟ ﱡﻄ ‪‬ﺮﻗﹶﺎ ‪‬‬ ‫‪‬ﻋ‪‬ﻴ ‪‬ﻮﻥﹲ ‪‬ﺑﱠﺜﻬ‪‬ﺎ ﺍ َﻷ ‪‬ﺣ ﹶ‬ ‫ﺕ‬ ‫ﺖ ‪‬ﺳﺘ‪‬ﺎِﺋ ِﺮ ﺍﻟ ﱡﻈ ﹸﻠﻤ‪‬ﺎ ‪‬‬ ‫ﺤ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬‬ ‫ﺸ ‪‬ﻴﻄﹶﺎ ﹾﻥ‬ ‫ﻒ ‪‬ﺳ ﱠﻠﻪ‪ ‬ﺍﻟ ‪‬‬ ‫ﻚ ﹶﺃﹾﻟﻒ‪ ‬ﺳ ‪‬ﻴ ٍ‬ ‫‪‬ﻫﻨ‪‬ﺎِﻟ ‪‬‬ ‫ﺢ ﺍﹾﻟ ‪‬ﻌ ‪‬ﻴ‪‬ﻨ ‪‬ﻴ ِﻦ‬ ‫ﷲ ﺁ ‪‬ﺯ ‪‬ﺭ‪ ..‬ﻭ‪‬ﺍ ﹾﻓ‪‬ﺘ ِ‬ ‫ﻼ ‪‬ﺗ ﹾﺄ‪‬ﺑ ‪‬ﻪ ﹶﻓِﺈ ﱠﻥ ﺍ َ‬ ‫ﹶﻓ ﹶ‬ ‫ﺕ ِﻣ ‪‬ﻦ ﺍﹾﻟ ﹸﻘﺮ‪‬ﺁ ﹾﻥ‬ ‫ﻀ ‪‬ﻊ ﺁﻳ‪‬ﺎ ٍ‬ ‫ﻭ‪‬ﺍ ﹾﻗ ‪‬ﺮﹾﺃ ِﺑ ‪‬‬

‫ﺴ ِﻜ ‪‬ﻴ‪‬ﻨﺔﹸ‬ ‫ﺕ ﺍﻟ ‪‬‬ ‫ﺤﻨ‪‬ﺎﻳ‪‬ﺎ ﻛﹶﺎﻟ ‪‬ﺰ ‪‬ﻫ ‪‬ﻴﺮ‪‬ﺍ ِ‬ ‫ﺢ ﻓِﻲ ﺍﹾﻟ ‪‬‬ ‫‪‬ﺗ ﹶﻔ‪‬ﺘ ‪‬‬ ‫ﺡ ﻭ‪‬ﺍﻟ ‪‬ﺮ‪‬ﻳﺤ‪‬ﺎ ﹾﻥ‬ ‫ﺸﺮ‪ ‬ﻓِﻲ ﺣ‪‬ﻘﹸ ‪‬ﻮ ِﻝ ﺍﻟ ‪‬ﺮ ‪‬ﻭ ِ‬ ‫ﹸﺛ ‪‬ﻢ ﺗ‪ ‬ﻨ ‪‬‬ ‫‪‬ﺣ ‪‬ﺰ‪‬ﻳﻤ‪‬ﺎﺕ‪ِ ‬ﻣ ‪‬ﻦ ﺍﻟ‪‬ﻨ ‪‬ﻮ ِﺭ ﺍﹾﻟﻤ‪ ‬ﹶﻠ ‪‬ﻮ ِﻥ‪ ..‬ﻳ‪‬ﺎ ﹶﻓﺘ‪‬ﻰ ﺍﹾﻟ ِﻔ ‪‬ﺘﻴ‪‬ﺎ ﹾﻥ‬ ‫ﻼِﺋﻚ‪ ‬ﺗ ﹾﻜﻸُ ﺍﻟﺪ‪‬ﺍﺭ‪‬ﺍ‬ ‫ﺴﺮ‪ِ ‬ﺭ ﺍﹾﻟ ‪‬ﻤ ﹶ‬ ‫ﻕ ‪‬ﻭﺳ‪‬ﺎِﺋ ِﺪ ﺍﻟ ‪‬‬ ‫‪‬ﻭ ﹶﻓ ‪‬ﻮ ‪‬‬ ‫ﺻﺮ‪‬ﺍﺭ‪‬ﺍ‬ ‫ﺤ ‪‬ﻖ ﺍﱠﻟﺬِﻱ ‪‬ﻳ ‪‬ﺰﺩ‪‬ﺍ ‪‬ﺩ ِﺇ ‪‬‬ ‫ﺻ ‪‬ﺮ ﺍﹾﻟ ‪‬‬ ‫ﺸ ‪‬ﺪ ﹶﺃﻭ‪‬ﺍ ِ‬ ‫‪‬ﺗ ‪‬‬

‫ﺤﻨ‪‬ﺎﻳ‪‬ﺎ‬ ‫ﺖ ‪‬ﺟ ﹸﺬ ‪‬ﻭﺭ‪‬ﺍ ﻓِﻲ ﺍﹾﻟ ‪‬‬ ‫ﺿ ‪‬ﺮ‪‬ﺑ ‪‬‬ ‫ﻑ ‪‬ﻋ ِﻘ ‪‬ﻴ ‪‬ﺪ ٍﺓ ‪‬‬ ‫ِﺑﻌ‪ ‬ﺮ ِ‬ ‫‪‬ﻭ ِﻣ ‪‬ﻦ ِﺣ ‪‬ﻴ ٍﻦ ِﺇﻟﹶﻰ ِﺣ ‪‬ﻴ ٍﻦ‬ ‫ﺏ ‪‬ﻳ ‪‬ﻬ ِﻤﺲ‪:‬‬ ‫‪‬ﺭ ِﻓ ‪‬ﻴﻖ‪ ‬ﺍﻟ ‪‬ﺪ ‪‬ﺭ ِ‬ ‫‪110‬‬

‫ﻼ‬ ‫ﺴﻤ‪‬ﺎ ِﺀ ﺗ‪ ‬ﺮ ‪‬ﺩﺩ‪ :‬ﺍ‪‬ﺗ ِﻜ ﹶ‬ ‫ﻕ ﺍﻟ ‪‬‬ ‫ِﺇ ﱠﻥ ﹶﺃ ‪‬ﻋﻤ‪‬ﺎ ‪‬‬ ‫ﺤ ‪‬ﻖ‪ِ..‬ﺇﹾﺋ ﹶﺬ ﹾﻥ ﻟِﻲ‬ ‫ِﻓﺪ‪‬ﺍ ‪‬ﻙ ﹶﺃﺑِﻲ ‪‬ﻭﹸﺃﻣ‪‬ﻲ ﻳ‪‬ﺎ ‪‬ﺭﺳ‪ ‬ﻮ ﹶﻝ ﺍﹾﻟ ‪‬‬ ‫ﺸ ِﺮ‬ ‫ﻱ ﺑِﺎﹾﻟِﺒ ‪‬‬ ‫ﺾ ‪‬ﻋ ‪‬ﻴﻨ‪‬ﺎ ‪‬‬ ‫‪‬ﺗ ِﻔ ‪‬‬ ‫ﹶﺃﺭ‪‬ﻯ ‪‬ﻣ ﹶﻄﺮ‪‬ﺍ‬

‫‪‬ﺗ ‪‬ﺪ ﱠﻓ ‪‬ﻖ ِﻣ ‪‬ﻦ ﻋ‪‬ﻴ‪ ‬ﻮ ِﻥ ﺍﹾﻟ ‪‬ﻐ ‪‬ﻴ ِﻢ ﻭ‪‬ﺍ‪‬ﻧ ‪‬ﻬ ‪‬ﻤﺮ‪‬ﺍ‬ ‫ﺐ ﺍﹾﻟﻤ‪‬ﺎ َﺀ‬ ‫ﺼ ﹾﻠﺼ‪‬ﺎ ﹸﻝ ‪‬ﻋ ‪‬‬ ‫ﺠ ِﺰ‪‬ﻳ ‪‬ﺮﺓِ؛ ﹶﺃ‪‬ﻳﻬ‪‬ﺎ ﺍﻟ ‪‬‬ ‫ﺸ ‪‬ﺮﻳ‪‬ﺎ ِﻥ ﺍﹾﻟ ‪‬‬ ‫ِﺑ ‪‬‬ ‫ﺨ ‪‬ﻴ ِﺮ‬ ‫ﺐ ﺍﹾﻟ‪‬ﺒ ‪‬ﻴﺪ‪‬ﺍ ِﺀ ﺑِﺎﹾﻟ ‪‬‬ ‫ﻸ ﺟ‪‬ﺎِﻧ ‪‬‬ ‫ﻭ‪‬ﺍ ‪‬ﻣ ْ‬ ‫ﻀ ِﺔ ﺍ ِﻹ ‪‬ﻋﺼ‪‬ﺎ ‪‬ﺭ‬ ‫ﺏ ِﺑ ﹶﻘ ‪‬ﺒ ‪‬‬ ‫ﺴﺤ‪‬ﺎ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﺮ‪‬ﺗ ِﻄﻢ‪ ‬ﺍﻟ ‪‬‬ ‫ﺸﻊ‪ ‬ﺍ َﻷ‪‬ﺑﺼ‪‬ﺎ ‪‬ﺭ‬ ‫ﺨ‪‬‬ ‫ﺸ‪‬ﺘِﺒﻚ‪ ‬ﺍﹾﻟ‪‬ﺒ ‪‬ﺮ ‪‬ﻭﻕ‪ ،‬ﹶﻓ‪‬ﺘ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬‬ ‫ﹶﻟﻬ‪‬ﺎ‪ ..‬ﻟِﻠ ‪‬ﺮ ‪‬ﻋ ‪‬ﺪ‬

‫ﺠ ‪‬ﻬ ِﻞ ﻏﹶﺎ ِﺷ‪‬ﻴ ﹶﺔ ﺍﹾﻟﻌ‪‬ﺼ‪ ‬ﻮ ِﺭ‬ ‫ﻕ ‪‬ﻋ ‪‬ﻦ ﻋ‪‬ﻴ‪ ‬ﻮ ِﻥ ﺍﹾﻟ ‪‬‬ ‫‪‬ﻭ ‪‬ﻣ ‪‬ﺰ ‪‬‬ ‫‪‬ﻭﹶﺃ ﹾﻗ ‪‬ﻌ ‪‬ﺪ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ‬ ‫ﹶﺃﺑ‪‬ﺎ ‪‬ﺑ ﹾﻜﺮٍ؛ ﹶﺃ ﹶﻻ ‪‬ﻫﻴ‪‬ﺎ‬ ‫ﻀ ‪‬ﻴﻨ‪‬ﺎﻫ‪‬ﺎ ِﺑ ‪‬ﻬﺬﹶﺍ ﺍﹾﻟﻐ‪‬ﺎ ‪‬ﺭ‬ ‫ﻼﺛﹰﺎ ِﻣ ‪‬ﻦ ﹶﻟﻴ‪‬ﺎِﻟ ‪‬ﻴﻨ‪‬ﺎ ﹶﻗ ‪‬‬ ‫ﹶﺛ ﹶ‬

‫ﺐ‬ ‫ﺨﻄﹶﻰ ‪‬ﺟ ‪‬ﻨﺒ‪‬ﺎ ِﺇﻟﹶﻰ ‪‬ﺟ ‪‬ﻨ ِ‬ ‫ﺖ ﺍﹾﻟ ‪‬‬ ‫ﺴ ‪‬ﻬ ِﺪ ﹶﺃ ‪‬ﺭ ﹶﻗ ِ‬ ‫ﻼﺛﹰﺎ ِﻣ ‪‬ﻦ ﹶﻟﻴ‪‬ﺎﻟِﻲ ﺍﻟ ‪‬‬ ‫ﹶﺛ ﹶ‬ ‫ﷲ ﺛﹶﺎِﻟﹸﺜﻨ‪‬ﺎ‬ ‫ﺤ ‪‬ﺰ ﹾﻥ‪ ..‬ﹶﻓِﺈ ﱠﻥ ﺍ َ‬ ‫ﻼ ‪‬ﺗ ‪‬‬ ‫ﹶﻓ ﹶ‬ ‫ﺤ ‪‬ﻤ ‪‬ﻮﻧ‪‬ﺎ‬ ‫ﺏ ‪‬ﻳ ‪‬‬ ‫‪‬ﻭِﺇ ﱠﻥ ﺟ‪‬ﻨ‪ ‬ﻮ ‪‬ﺩﻩ‪ ‬ﺑِﺎﹾﻟﺒ‪‬ﺎ ِ‬ ‫ﺕ‬ ‫ﺐ ﺍﻟﻄﱠﺎ ﹸﻏ ‪‬ﻮ ِ‬ ‫ﹶﻓِﺈ ﹾﻥ ﺛﹶﺎ ‪‬ﺭ ﺍﹾﻟ ‪‬ﻐﺒ‪‬ﺎ ‪‬ﺭ ِﺑ ‪‬ﻤ ‪‬ﻨ ِﻜ ِ‬ ‫ﺕ‬ ‫ﻁ ﺍﹾﻟ ‪‬ﻌ ‪‬ﻨ ﹶﻜﺒ‪ ‬ﻮ ِ‬ ‫ﺤ ‪‬ﺰ ﹾﻥ‪ ..‬ﻭِﺇ ﹾﻥ ﹶﻗ ﹶﻄ ‪‬ﻌﻮ‪‬ﺍ ﺧ‪‬ﻴ‪ ‬ﻮ ﹶ‬ ‫ﹶﻻ ‪‬ﺗ ‪‬‬ ‫ﺤ ‪‬ﺰ ﹾﻥ‬ ‫ﻼ ‪‬ﺗ ‪‬‬ ‫‪‬ﻭِﺇ ﹾﻥ‪ ...‬ﹶﻓ ﹶ‬

‫ﺕ‬ ‫ﺨﻄﹶﻰ ﺍ‪‬ﺑ‪‬ﺘ ‪‬ﻌ ‪‬ﺪ ‪‬‬ ‫ﺻ ِﻎ‪ ..‬ﺍﹾﻟ ‪‬‬ ‫ﹶﺃ ﹶﻻ ﺍ ‪‬‬ ‫‪‬ﻭﺫﹶﺍ ‪‬ﻙ )ﺃﹸ ‪‬ﺭ‪‬ﻳ ِﻘﻂﹲ(‪ ..‬ﹶﺃ‪‬ﻳ ‪‬ﻦ ﺍﻟ ‪‬ﺮﻭ‪‬ﺍ ِﺣﻞﹸ؟‬ ‫ﻳ‪‬ﺎ ﹶﺃﺑ‪‬ﺎ ‪‬ﺑ ﹾﻜﺮٍ؛ ﹶﺃ ﹶﻻ ‪‬ﻫﻴ‪‬ﺎ‬ ‫‪111‬‬

‫ﺻ ‪‬ﻌ ‪‬ﺪ ﺍﹾﻟ ﹶﻔ ‪‬ﺮﺱ‪‬‬ ‫ﺻ ِﻬ ‪‬ﻴ ﹶﻠﻪ‪ ‬ﹶﻗ ‪‬ﺪ ‪‬‬ ‫ﺨﺒ‪‬ﺎ ِﺀ ‪‬‬ ‫ﻒ ﺍﹾﻟ ِ‬ ‫‪‬ﻭ ِﻣ ‪‬ﻦ ‪‬ﺧ ﹾﻠ ِ‬ ‫‪‬ﺳﺮ‪‬ﺍ ﹶﻗﺔﹸ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪﻣ‪‬ﺎ ﹸﻓِﺘﻨ‪‬ﺎ‬ ‫ﺠﻮ‪‬ﺍﺩِ‪ ،‬ﻭﹶﺃ ﹾﻃ ﹶﻠ ‪‬ﻖ ﺍﻟ ‪‬ﺮ ‪‬ﺳﻨ‪‬ﺎ‬ ‫‪‬ﻋﻠﹶﻰ ﹶﻇ ‪‬ﻬ ِﺮ ﺍﹾﻟ ‪‬‬

‫ِﻧﺪ‪‬ﺍﺀٌ ِﻣ ‪‬ﻦ ‪‬ﻭﺭ‪‬ﺍ ِﺀ ﺍﹾﻟ ‪‬ﻐ ‪‬ﻴ ِﻢ ﺟ‪‬ﺎﺀﻩ‪ " :‬ﻋ ‪‬ﺪ ‪..‬‬ ‫ﻼﹶﻟ‪‬ﺘﻪ‪ ‬ﺯ ‪‬ﻣﻨ‪‬ﺎ‬ ‫ﺖ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﺟ ﹶ‬ ‫‪‬ﻭﺗ‪‬ﺎﺝ‪ ‬ﻫ‪‬ﺎ‪‬ﺑ ِ‬ ‫ﻼ‬ ‫ﺸﻌ‪‬ﺎﺏ‪‬؛ ِﻟﺘ‪ ‬ﻨ ِﺰ ﹶﻝ ﺍﻟ ‪‬ﺮ ‪‬ﺣ ﹶ‬ ‫‪‬ﻭ‪‬ﺗ ‪‬ﻤ‪‬ﺘ ‪‬ﺪ ﺍﹾﻟ ‪‬ﻤﻬ‪‬ﺎ ِﻣﻪ‪ ‬ﻭ‪‬ﺍﻟ ‪‬‬ ‫ِﺑﻀ‪‬ﺎ ِﺣ‪‬ﻴ ِﺔ )ﺍﹾﻟ ‪‬ﻤ ِﺪ‪‬ﻳ‪‬ﻨ ِﺔ(‪ ..‬ﻳ‪‬ﺎ ﹶﻟ ﹶﻠ ‪‬ﻬ ﹶﻔِﺘﻨ‪‬ﺎ‬ ‫ﺐ ﻧ‪ ‬ﻮ ِﺭ ‪‬ﻙ ﺍﹾﻟ ﹸﻘ ‪‬ﺪ ِﺳﻲ‪ ،‬ﻳ ‪‬ﺮﻓﹸﻞﹸ ﺑِﺎﻟ ‪‬ﺰﻏﹶﺎ ِﺭ‪‬ﻳ ِﺪ‬ ‫ِﺑ ‪‬ﻤ ‪‬ﻮ ِﻛ ِ‬ ‫ﺸﺮ‪‬ﻯ ِﻟ ‪‬ﻬﺬﹶﺍ ﺍﹾﻟ ِﻌ ‪‬ﻴ ِﺪ ِﻣ ‪‬ﻦ ِﻋ ‪‬ﻴ ِﺪ‬ ‫‪‬ﻭﻳ‪‬ﺎ ‪‬ﺑ ‪‬‬

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‫ﻭﻟﻪ ﺃﻳﻀ‪‬ﺎ‪ :‬ﺛﻨﻴﺎﺕ ﺍﻟﻮﺩﺍﻉ‬ ‫ﺕ " ‪‬ﻣ ﱠﻜ ﹶﺔ"‬ ‫ﻋ ﹶﻠﻰ ‪‬ﻋ‪‬ﺘﺒ‪‬ﺎ ِ‬

‫ﺢ ﺗ‪ ‬ﻌ ِﻮﻝﹸ ﻓِﻲ ﺍﹾﻟ ِﻘﻔﹶﺎ ِﺭ‬ ‫ﺼ ‪‬ﺪ ﺍﻟ ‪‬ﺮ‪‬ﻳ ‪‬‬ ‫‪‬ﺣ ‪‬ﻴﺚﹸ ﹶﻻ ﺑ‪‬ﺎﺑ‪‬ﺎ ‪‬ﻳ ‪‬‬ ‫ﺴﺠ‪‬ﻰ‬ ‫‪‬ﺗﺼ‪‬ﺎ ِﺭﻉ‪ ‬ﺍﻟ ﱠﻠ ‪‬ﻴ ﹶﻞ ﺍﹾﻟ ‪‬ﻤ ‪‬‬ ‫ﺨﺮ‪‬ﺍ ِﻓ‪‬ﻴ ﹾﺔ‬ ‫ﺑِﺎ َﻷﺳ‪‬ﺎ ِﻃ ‪‬ﻴ ِﺮ ﺍﹾﻟ ‪‬‬

‫ﻉ ﺍﻟ ‪‬ﺪﻫ‪‬ﺎ ِﻗ ‪‬ﻴﻦ‪‬‬ ‫ﺏ ﻳ‪ ‬ﺆ ﹶﻛﻞﹸ ﹸﻛ ﱠﻠﻤ‪‬ﺎ ﺟ‪‬ﺎ ‪‬‬ ‫‪‬ﻭ ‪‬ﺣ ‪‬ﻴﺚﹸ ﺍﻟ ‪‬ﺮ ‪‬‬ ‫ﺏ"‬ ‫‪‬ﻭ ‪‬ﺣ ‪‬ﻴﺚﹸ " ‪‬ﺟ ِﺰ‪‬ﻳ ‪‬ﺮﺓﹸ ﺍﹾﻟ ‪‬ﻌ ‪‬ﺮ ِ‬ ‫‪‬ﺗِﺌ ‪‬ﻦ ِﺑ ﹶﻘ ﹾﻔ ِﺮﻫ‪‬ﺎ ﺍ َﻷ ‪‬ﺯﻣ‪‬ﺎ ﹾﻥ‬ ‫ﺼ ِﺮﻫ‪‬ﺎ‪ /‬ﻓِﻲ ﹶﻇ ‪‬ﻬ ِﺮﻫ‪‬ﺎ‬ ‫ﺻ ‪‬ﺪ ِﺭﻫ‪‬ﺎ‪ /‬ﻓِﻲ ‪‬ﺧ ‪‬‬ ‫ﻯ ﻓِﻲ ‪‬‬ ‫ﻣ‪‬ﺪ ‪‬‬ ‫ﺕ ﻭ‪‬ﺍﹾﻟ ﹸﻜ ﹾﺜﺒ‪‬ﺎ ﹾﻥ‬ ‫ﺕ ﻭ‪‬ﺍﹾﻟ ﹶﻔ ﹶﻠﻮ‪‬ﺍ ِ‬ ‫‪‬ﻣ ‪‬ﻐﺮ‪ ‬ﻭ ‪‬ﺯ ﹰﺓ ﻓِﻲ ِﺛ ‪‬ﻨ‪‬ﻴ ِﺔ ﺍﹾﻟﻮ‪‬ﺍﺣ‪‬ﺎ ِ‬ ‫‪‬ﻭ ‪‬ﺣ ‪‬ﻴﺚﹸ ِﺩﻣ‪‬ﺎ ُﺀ ﹶﺃ‪‬ﺑﻨ‪‬ﺎ ِﺀ ﺍﹾﻟ ﹶﻘﺒ‪‬ﺎِﺋ ﹾﻞ‬

‫ﺤ ‪‬ﻤﺮ‪‬ﺍ ْﺀ‬ ‫ﻁ ﺍ َﻷ ‪‬ﻋﻴ‪ِ ‬ﻦ ﺍﹾﻟ ‪‬‬ ‫ﻼِ‬ ‫ﺴ ﹶﻔﻚ‪ ‬ﻓِﻲ ِﺑ ﹶ‬ ‫ﺗ‪ ‬‬ ‫ﺕ ﺍﻟ ‪‬ﺰﺟ‪‬ﺎ ِﺟ‪‬ﻴ ﹾﺔ‬ ‫ﺴ ‪‬ﻤﻮ‪‬ﺍ ِ‬ ‫ﻕ ﹶﺃ ‪‬ﺭ ِﺩ‪‬ﻳ ِﺔ ﺍﻟ ‪‬‬ ‫ﺴ ﹶﻔﺢ‪ ‬ﹶﻓ ‪‬ﻮ ‪‬‬ ‫‪‬ﺗ ‪‬‬ ‫ﺶ‬ ‫ﺴﺞ‪ ‬ﺍﹾﻟ ‪‬ﻌ ﹶﻄ ِ‬ ‫‪‬ﻳ ِﻄ ﱡﻞ ‪‬ﺑ‪‬ﻨ ﹾﻔ ‪‬‬ ‫ﺝ‬ ‫ﺤ ﹶﻈ ِﺔ ﺍﹾﻟ ﹶﻔ ‪‬ﺮ ِ‬ ‫ﺸﻒ‪ ‬ﻭ ‪‬ﺟ ‪‬ﻬﻪ‪ ‬ﻓِﻲ ﹶﻟ ‪‬‬ ‫ﻳ‪‬ﻨ ‪‬‬ ‫ﺴﺘ‪‬ﺎِﺋ ‪‬ﺮ‬ ‫ﺸﻒ‪ ‬ﺍﻟ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬ﻨ ﹶﻜ ِ‬ ‫ﺹ‬ ‫ﺸﺨ‪ ‬ﻮ ‪‬‬ ‫ﺴ‪‬ﺘ ﱡﻞ ﺍﻟ ‪‬‬ ‫ﺕ ‪‬ﻳ ‪‬‬ ‫ﺸ ‪‬ﻬﺪ‪ ‬ﺍﹾﻟ ‪‬ﻤ ﹶﻠﻜﹸ ‪‬ﻮ ِ‬ ‫ﹸﺛ ‪‬ﻢ ﻳ‪ ‬ﻌ ‪‬ﺮﺽ‪ ‬ﻣ ‪‬‬ ‫ﺲ‬ ‫ﺢ ﺍﹾﻟ ﹶﻜﻮ‪‬ﺍِﻟ ‪‬ﻴ ِ‬ ‫ﻂ ِﻣ ‪‬ﻦ ‪‬ﻣﺼ‪‬ﺎِﺑ ‪‬ﻴ ِ‬ ‫ﺴ ﱠﻠ ِ‬ ‫ﻀ ‪‬ﻮ ِﺀ ﺍﹾﻟﻤ‪ ‬‬ ‫ﺕ ِﺇﹶﻟ ‪‬ﻴﻬ‪‬ﺎ ﺣ‪ ‬ﺰ ‪‬ﻣﺔﹸ ﺍﻟ ‪‬‬ ‫ﺍﹾﻟﺒ‪ ‬ﺮ ﹶﻛﺔﹸ ﺍ َﻷ ‪‬ﺳﻴ‪‬ﺎ‪‬ﻧﺔﹸ ﺍ ‪‬ﻣ‪‬ﺘ ‪‬ﺪ ‪‬‬ ‫ﺠﺪ‪‬‬ ‫ﺨ ﹶﻠﻊ ﹶﺛ ‪‬ﻮ‪‬ﺑﻬ‪‬ﺎ ‪‬ﻧ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬‬ ‫ﺸ ﹶﻔﻘﹶﺎ‬ ‫ﺤﺮِﻳ ِﺮ ‪‬ﺗﻐ‪‬ﺎ ِﺯﻝﹸ ﺍﻟ ‪‬‬ ‫‪‬ﻳﻤ‪‬ﺎﻣ‪‬ﺎﺕ‪ ‬ﺍﹾﻟ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﻨﺴ‪‬ﺞ‪‬‬

‫ﺠ ِﺮ ﹶﺃ ‪‬ﺭ ِﺩ‪‬ﻳ ﹰﺔ ﹶﻟﻬ‪‬ﺎ‪ -‬ﺍﹾﻟ ‪‬ﻮ ‪‬ﺟ ‪‬ﺪ‬ ‫ﻉ ﺍﹾﻟ ﹶﻔ ‪‬‬ ‫ ِﻣ ‪‬ﻦ ‪‬ﺷﻌ‪‬ﺎ ِ‬‫‪113‬‬

‫ﻕ ‪‬ﺳ‪‬ﻴﺪ‪ ‬ﻫ ِﺬ ِﻩ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ‬ ‫ﺼ ‪‬ﺪ ِ‬ ‫ﻑ ﺍﻟ ‪‬‬ ‫ﹶﻓ‪‬ﻴ ‪‬ﺪﺧ‪‬ﻞﹸ ِﻣ ‪‬ﻦ ﺷ‪‬ﻔﹸ ‪‬ﻮ ِ‬ ‫ﻕ ‪‬ﺳ‪‬ﻴﺪ‪ ‬ﻫ ِﺬ ِﻩ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ‬ ‫ﺼ ‪‬ﺪ ِ‬ ‫ﻑ ﺍﻟ ‪‬‬ ‫ﺨﺮ‪‬ﺝ‪ِ ‬ﻣ ‪‬ﻦ ﺷ‪‬ﻔﹸ ‪‬ﻮ ِ‬ ‫‪‬ﻭ‪‬ﻳ ‪‬‬ ‫ﺴ ِﺪ ﺍ ِﻹﺭ‪‬ﺍ ‪‬ﺩﺓﹸ‬ ‫ﺠ‪‬‬ ‫ﺸ ‪‬ﻖ ﹶﻛﺜﹶﺎ ﹶﻓ ﹶﺔ ﺍﹾﻟ ‪‬‬ ‫‪‬ﺗ ‪‬‬

‫ﺕ‬ ‫ﻼِﻧﻬ‪‬ﺎﻳ‪‬ﺎ ِ‬ ‫ﺴ‪‬ﺒﺢ‪ ‬ﻓِﻲ ﹶﻓﻀ‪‬ﺎ ِﺀ ﺍﱠﻟ ﹶ‬ ‫ﹸﺛ ‪‬ﻢ ‪‬ﺗ ‪‬‬ ‫ﺽ ﻗﹶﺎِﺗ ٍﻢ‬ ‫ﺨ‪‬ﺘ ِﺮﻕ‪ ‬ﺍﹾﻟﻮ‪‬ﻋ‪ ‬ﻮ ‪‬ﺭ ﹶﺓ ﻓِﻲ ِﺣﻮ‪‬ﺍ ٍﺭ ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ﻣ‪‬ﺎ ٍ‬ ‫‪‬ﻭ‪‬ﺗ ‪‬‬ ‫‪‬ﻭ ‪‬ﻭﺿ‪‬ﺎﺀ ِﺓ ﺍﻵﺗِﻲ‬ ‫ﺝ ﺍﻟ ﱢﻈ ﱢﻞ ﺑِﺎ َﻷ ‪‬ﺷﻴ‪‬ﺎ ْﺀ‬ ‫ﻕ ﺍ ‪‬ﻣِﺘﺰ‪‬ﺍ ‪‬‬ ‫ﺼ ﹶﻄﻠِﻲ ِﻣ ‪‬ﻦ ﺟ ﹾﺬ ‪‬ﻭ ِﺓ ﺍ َﻷ ‪‬ﺭ ِ‬ ‫ِﻏﻴ‪‬ﺎﺏ‪ ‬ﻳ ‪‬‬ ‫ﺴﻤ‪‬ﺎ ِﻭ‪‬ﻳ ﹾﺔ‬ ‫ﺠ ‪‬ﺪ ﺍﹾﻟﻤ‪ ‬ﺆ ﱠﻃ ‪‬ﺮ ﺑِﺎﹾﻟ ﹶﻘﻨ‪‬ﺎ ِﺩ‪‬ﻳ ِﻞ ﺍﻟ ‪‬‬ ‫ﺼ‪‬ﻨﻊ‪ ‬ﺍﹾﻟ ‪‬ﻤ ‪‬‬ ‫ﻀ ‪‬ﻮﺭ‪ ‬ﻳ ‪‬‬ ‫‪‬ﺣ ‪‬‬ ‫ﺸﺘ‪‬ﺎ ‪‬ﺭ ﹶﺃ ﹾﻓِﺌ ‪‬ﺪ ﹶﺓ ﺍﻟ ‪‬ﺮﺟ‪‬ﺎ ِﻝ ﺗ‪‬ﹶﺜ‪‬ﺒﺖ‪ ‬ﺍ ِﻹ‪‬ﻳﻤ‪‬ﺎ ﹾﻥ‬ ‫ﺸﻒ‪ ‬ﺍﹾﻟ ‪‬ﻤﺮ‪‬ﺍﻳ‪‬ﺎ ﺣ‪ ‬ﺰ ‪‬ﻣ ﹰﺔ ‪‬ﺗ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬ﻨ ﹶﻜ ِ‬ ‫ﺸ ِﻌ ‪‬ﺮ ﹶﺓ ﻓِﻲ ﺍﹾﻟﺨ‪‬ﺪ‪ ‬ﻭ ِﺭ‬ ‫ﺕ ﺍﹾﻟﺨ‪‬ﻤ‪ ‬ﻮ ِﺭ ﺍﹾﻟﻤ‪ ‬ﹾﻘ ‪‬‬ ‫ﻕ ﺯ‪‬ﺟ‪‬ﺎﺟ‪‬ﺎ ِ‬ ‫ﺼ ‪‬ﻌ ِﻖ ﺍﹾﻟ‪‬ﺒ ‪‬ﺮ ‪‬‬ ‫ِﺇ ﹶﺫ ﹾﻥ‪ ..‬ﹶﻓ ﹾﻠ‪‬ﻴ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﻨ ﹶﻄ ِﻠﻖ‪ ‬ﺍﻟ ‪‬ﺪﻋ‪‬ﺎ ُﺀ ِﺇﻟﹶﻰ ‪‬ﻣﺪ‪‬ﻯ ‪‬ﺣ ‪‬ﺮ‪‬ﻳ ِﺔ ﺍ ِﻹ‪‬ﻧﺴ‪‬ﺎ ﹾﻥ‬ ‫ﻑ ِﺀ‬ ‫ﻁ ﺍﻟﱠﻠ ‪‬ﻮ ِﻥ ﻭ‪‬ﺍﻟ ‪‬ﺪ ‪‬‬ ‫ﺝ ﻓِﻲ ِﻧﻘﹶﺎ ِ‬ ‫ﻂ ﺍﹾﻟ ‪‬ﻤﻌ‪‬ﺎ ِﺭ ‪‬‬ ‫ﺨ‪‬ﺘ ﱡ‬ ‫ﹶﻓ‪‬ﻴ ‪‬‬ ‫ﺏ‬ ‫ﺤ ‪‬ﺮ ِﻛﻬ‪‬ﺎ ﺍﻟ ‪‬ﺪﺅ‪ ‬ﻭ ِ‬ ‫‪‬ﻭﹶﺃ‪‬ﺑﺮ‪‬ﺍﺟ‪‬ﺎ‪ ..‬ﺗ ِﻄ ﱡﻞ ‪‬ﻋﻠﹶﻰ ‪‬ﺗ ‪‬‬ ‫ﺸ ‪‬ﻴﹶﺌﺔﹸ ﺍﻟ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ‪‬ﻦ‬ ‫‪‬ﻣ ِ‬

‫ﻀ ‪‬ﻮ ِﺀ‬ ‫ﻀ ‪‬ﺮ ِﺓ ﺍﻟ ‪‬‬ ‫ﺨ ‪‬‬ ‫ﺠ‪‬ﻨ ِﺔ ﺍﹾﻟﻤ‪ ‬‬ ‫ﺴ ‪‬ﻮ ‪‬ﺭﻫ‪‬ﺎ ﻣ‪‬ﺎ ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ‪‬ﺩ‪‬ﻧﻴ‪‬ﺎﻧ‪‬ﺎ ‪‬ﻭ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ﺍﹾﻟ ‪‬‬ ‫ﺗ‪ِ ‬ﻘ ‪‬ﻴﻢ‪ ‬ﺟ ‪‬‬ ‫ﺠﻢ‪ ‬ﺍﹾﻟ ‪‬ﻤﺪ‪‬ﻯ ﹸﻗ ‪‬ﺮﺑ‪‬ﺎ‪ ..‬ﻭ‪‬ﺑ ‪‬ﻌﺪ‪‬ﺍ‬ ‫ﺴِ‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﻨ ‪‬‬ ‫ﷲ‪ ..‬ﻭ‪‬ﺍ ِﻹ‪‬ﻧﺴ‪‬ﺎ ﹾﻥ‬ ‫ﺕﺍ ِ‬ ‫ﺻ ‪‬ﻮ ِ‬ ‫‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ‪‬‬ ‫ﺨﺮِﻳ ﹶﻄ ِﺔ‬ ‫ﻁ ‪‬ﻋﻠﹶﻰ ﺍﹾﻟ ‪‬‬ ‫ﻀ ‪‬ﻊ ﺍﹾﻟﺨ‪‬ﻄﹸ ‪‬ﻮ ﹶ‬ ‫ِﻟ ﹶﻜ ‪‬ﻲ ‪‬ﻳ ‪‬‬ ‫ﺕ ‪‬ﺗ ‪‬ﻌﻠﹸﻮ‬ ‫ﺖ ﺍﻟﺮ‪‬ﺍﻳ‪‬ﺎ ‪‬‬ ‫ﺭ‪‬ﺍ ‪‬ﺣ ِ‬

‫ﺨ ِﻔﺾ‪‬‬ ‫ﹸﻛ ﱠﻠﻤ‪‬ﺎ ﺍﹾﻟ ِﻮ ‪‬ﺩﻳ‪‬ﺎ ﹸﻥ ‪‬ﺗ ‪‬ﻨ ‪‬‬ ‫ﺠ ‪‬ﻤﺢ‪ ‬ﺍﹾﻟ ﹶﻔ ‪‬ﺮﺳ‪‬ﺎ ِﻥ ﻓِﻲ ﻭ‪‬ﺍﺩِﻱ ﺍﹾﻟ ‪‬ﻌ ِﻘ ‪‬ﻴ ِﻖ‬ ‫ﺠ ‪‬ﻤﺢ‪ ..‬ﻳ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬‬ ‫ﻒ‬ ‫ﺴ ‪‬ﻌ ‪‬‬ ‫ﺠ ِﺰ‪‬ﻳ ‪‬ﺮ ِﺓ" ‪‬ﻳ ‪‬ﻨﺒ‪‬ﺖ‪ ‬ﺍﻟ ‪‬‬ ‫ﻒ ﺁﻣ‪‬ﺎ ِﺩ "ﺍﹾﻟ ‪‬‬ ‫‪‬ﻭ ‪‬ﺧ ﹾﻠ ‪‬‬ ‫‪114‬‬

‫ﺕ ‪‬ﺗ ‪‬ﻨ‪‬ﺘ ِﻔﺾ‪‬‬ ‫ﻼ ‪‬‬ ‫ﺨﹶ‬ ‫ﻉ ﻭ‪‬ﺍﻟ‪‬ﻨ ‪‬‬ ‫ﺠ ﹾﺬ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﻨﻤ‪‬ﻮﺍﹾﻟ ِ‬ ‫ﺕ‬ ‫ﺿﻮ‪‬ﺀ ‪‬ﻩ ﺍﻟ ‪‬ﺮ ‪‬ﻋﺸ‪‬ﺎ ‪‬‬ ‫ﺨ‪‬ﺒﺊﹸ ‪‬‬ ‫ﺠﺮ‪‬ﺍ ﺗ‪ ‬‬ ‫ﹶﻓﻴ‪‬ﺎ ‪‬ﺷ ‪‬‬ ‫ﻚ ‪‬ﺧ ﹾﻔ ﹶﻘ ﹶﺔ ﺍ َﻷ‪‬ﻧﻮ‪‬ﺍ ‪‬ﺭ‬ ‫ﻼ ِﺟ ‪‬‬ ‫ﺢ‪ ..‬ﻭ‪‬ﺑ ﱢﻠ ﹾﻞ ﺑِﺎ ‪‬ﺧِﺘ ﹶ‬ ‫ﺕ ﺍﹾﻟ ‪‬ﻤﺼ‪‬ﺎِﺑ ‪‬ﻴ ِ‬ ‫ﺺ ﹶﻓﺮ‪‬ﺍﺷ‪‬ﺎ ِ‬ ‫ﹶﺃ ﹶﻻ ﺭ‪‬ﺍ ِﻗ ‪‬‬ ‫‪‬ﻫﻨ‪‬ﺎ‪ِ ..‬ﺇ ﹾﺫ ﺗ‪ ‬ﻌ ﹶﻘﺪ‪ ‬ﺍﹾﻟ‪‬ﺒ ‪‬ﻴ ‪‬ﻌ ﹾﺔ‬ ‫ﺴﻘﹸﻂﹸ ﺍﻟ ‪‬ﺮ ﹶﻃﺐ‪‬‬ ‫ﺼ ‪‬ﻌﺐ‪ ‬ﺣ ‪‬ﻮ ﹶﻝ ِﻃ ‪‬ﻴ‪‬ﺒ ﹶﺔ ‪‬ﻳ ‪‬‬ ‫ﻉ ﻣ‪ ‬‬ ‫ﺠ ﹾﺬ ‪‬‬ ‫‪‬ﻳ ‪‬ﻬ ‪‬ﺰ ﺍﹾﻟ ِ‬ ‫ﺕ‬ ‫ﺼ ‪‬ﻌﺐ‪ ‬ﺍﻵﻳ‪‬ﺎ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﺘﻠﹸﻮﻣ‪ ‬‬ ‫ﻉ ‪‬ﻣ ِﺪ‪‬ﻳ‪‬ﻨ ِﺔ ﺍ َﻷ‪‬ﻧﺼ‪‬ﺎ ‪‬ﺭ‬ ‫ﺴ ِﻜ ‪‬ﻴ‪‬ﻨﺔﹸ ﻓِﻲ ﺭ‪‬ﺑ‪ ‬ﻮ ِ‬ ‫ﺸﺮ‪ ‬ﺍﻟ ‪‬‬ ‫ﹶﻓ‪‬ﺘ ‪‬ﻨ‪‬ﺘ ِ‬ ‫ﺤ ‪‬ﻖ‬ ‫ﺡ ﺍﹾﻟ ‪‬‬ ‫ﺻ ‪‬ﺮ ‪‬‬ ‫‪‬ﻭﻣ‪‬ﺎ ﹶﺃ ﹾﻥ ‪‬‬

‫‪‬ﻫﻨ‪‬ﺎ‪ ..‬ﺇ ﱠﻻ ‪‬ﻭ"‪‬ﻳ ﹾﺜ ِﺮﺏ‪ "‬ﺗ ‪‬ﺮ‪‬ﺗﺪِﻱ ﺣ‪ ‬ﹶﻠ ﹶﻞ ﺍﻟ ‪‬ﺰﻏﹶﺎ ِﺭ‪‬ﻳ ِﺪ!‬ ‫ﺕ ‪‬ﺗﺬﹸ ‪‬ﻭﺏ‪ ‬ﺗ ‪‬ﺮ ِﺟ ‪‬ﻴﻌ‪‬ﺎ‪‬ﺗﻬ‪‬ﺎ‬ ‫ﻑ ﺍﹾﻟ ‪‬ﻤ ‪‬ﺆ ِﻣﻨ‪‬ﺎ ِ‬ ‫‪‬ﺩ ﹸﻓ ‪‬ﻮ ‪‬‬ ‫ﻕ‬ ‫ﺼ ‪‬ﺪ ‪‬‬ ‫ﺾ ‪‬ﺷ ﱠﻔﻪ‪ ‬ﺍﻟ ‪‬‬ ‫ﻓِﻲ ﹸﻛ ﱢﻞ ‪‬ﻧ ‪‬ﺒ ٍ‬ ‫ﺸﻊ‪ ..‬ﻓِﻲ ‪‬ﺗﹶﺄﱡﻟ ِﻘﻬ‪‬ﺎ‬ ‫ﺸ ‪‬ﻌ ِ‬ ‫‪‬ﺯﻧ‪‬ﺎِﻧ ‪‬ﻴﺮ‪‬ﺍ‪ ..‬ﻭﹶﺃ ‪‬ﺳ ِﻮ ‪‬ﺭ ﹰﺓ ﺗ‪ ‬‬ ‫ﺸﻲ ﺍ ُﻷ ﹸﻓ ‪‬ﻖ‬ ‫ﻉ" ﹶﻓ‪‬ﻴ ‪‬ﻨ‪‬ﺘ ِ‬ ‫ﺕ ﺍﹾﻟ ‪‬ﻮﺩ‪‬ﺍ ِ‬ ‫"ﹶﺛِﻨﻴ‪‬ﺎ ‪‬‬

‫ﺱ ﻭ‪‬ﺍ َﻷ ﹾﻗﺰ‪‬ﺍﺡ‪ ‬ﻭ ‪‬ﺟ‪‬ﻨ‪‬ﺘﻪ‪‬‬ ‫‪‬ﻭ ِﺣ ‪‬ﻴ ‪‬ﻦ ﺗ‪ ‬ﹶﻠ ‪‬ﻮﻥﹸ ﺍ َﻷ ﹾﻗﻮ‪‬ﺍ ‪‬‬ ‫ﺏ ﺍﹾﻟﻤ‪ ‬ﺆ ِﻣِﻨ ‪‬ﻴ ‪‬ﻦ‬ ‫ﷲ ﻳ‪ ‬ﻤ ِﻄﺮ‪ ‬ﻓِﻲ ﻗﹸﻠﹸ ‪‬ﻮ ِ‬ ‫‪‬ﺭﺳ‪ ‬ﻮﻝﹸ ﺍ ِ‬ ‫ﺡ‬ ‫ﺐ ﺍﹾﻟ ﹶﻔ ‪‬ﺮ ِ‬ ‫‪‬ﺳﺤ‪‬ﺎِﺋ ‪‬‬

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‫ﺣﺐ ﺍﳌﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﺍﻟﺸﻴﺦ ﺍ‪‬ﺎﻫﺪ ﺭﺍﺋﺪ ﺻﻼﺡ‪:‬‬

‫ﻛﺜﲑﻭﻥ ﻣﻨﺎ ﻻ ﻳﻌﺮﻓﻮﻥ ﺍ‪‬ﺎﻫﺪ ﺍﻟﺸﻴﺦ ﺭﺍﺋﺪ ﺻﻼﺡ ﺷﺎﻋﺮ‪‬ﺍ‪ ..‬ﻋﻠﻤ‪‬ﺎ ﺃﻧﻪ ﻳﻜﺘﺐ ﻣﻦ ﺯﻣﻦ‪،‬‬ ‫ﻭﻟﻪ ﺩﻳﻮﺍﻥ ﻣﻦ ﺍﻟﺸﻌﺮ‪ ،‬ﲰﺎﻩ )ﺯﻏﺎﺭﻳﺪ ﺍﻟﺴﺠﻮﻥ( ﻭﻟﻪ ﻗﺼﺎﺋﺪ ﻛﺜﲑﺓ ﺷﻔﻴﻔﺔ ﻣﻦ ﺍﳌﻨﺎﺟﺎﺓ‬ ‫ﻭﺍﻻﺑﺘﻬﺎﻝ – ﻋﻠﻰ ﻫﻨﺎﺕ ﻓﻴﻪ ‪ -‬ﻛﻤﺎ ﺃﻥ ﻟﻪ ﻗﺼﺎﺋﺪ ﻳﻮﺍﺟﻪ ‪‬ﺎ ﺍﻻﺣﺘﻼﻝ ﺍﻟﺼﻬﻴﻮﱐ ﺍ‪‬ﺮﻡ‬ ‫ﲟﻀﺎﺀ ﻭﺻﻼﺑﺔ‪ ،‬ﻭﻣﻨﻬﺎ ﻗﺼﻴﺪﺗﻪ‪ :‬ﳌﺎﺫﺍ ﺃﻧﺎ ﰲ ﻗﻔﺺ ﺍﻻ‪‬ﺎﻡ‪ ،‬ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬ ‫ﻷﻥ ﺍﻷﺭﺽ ﻣﲑﺍﺛﻲ ﻭﻣﺎﺀ ﺍﻟﺒﺤﺮ ﻭﺍﻟﻨﻬﺮ‬

‫ﺢ ﺍﻟﻜﺮﻣﻞ ﺍﻟﻌﺎﱄ ﻭﺗﺮﺏ ﺍﻟﺴﻬﻞ ﻭﺍﻟﻐﻮﺭ‬ ‫ﻭﺳﻔ ‪‬‬ ‫ﻷﻥ ﺍﻟﺘﲔ ﻭﺍﻟﺰﻳﺘﻮﻥ ﺃﻃﻼﱄ ﻣﺪﻯ ﺍﻟﺪﻫﺮ‬ ‫ﻭﺭﻳﺢ ﺍﻟﺰﻋﺘﺮ ﺍﻟﺸﺎﰲ ﻭﻏﺎﺑﺎﺕ ﻣﻦ ﺍﻟﺼﱪ‬ ‫ﻷﻥ ﺍﻟﻘﻤﺢ ﻣﻦ ﺯﺭﻋﻲ ﻭﻣﻦ ﻧﺒﻌﻲ ﻭﻣﻦ ﺑﺬﺭﻱ‬ ‫ﻭﺯﻫﺮ ﺍﻟﻠﻮﺯ ﻭﺍﻟﱪﻗﻮﻕ ﻭﺍﻟﻠﻴﻤﻮﻥ ﻣﻦ ﺯﻫﺮﻱ‬ ‫‪116‬‬

‫ﻷﻥ ﺍﻟﻔﻞ ﻭﺍﳊ‪‬ﻨﻮﻥ ﻭﺍﻟﺮﳛﺎﻥ ﻣﻦ ﻋﻄﺮﻱ‬ ‫ﻭﺭﻳﺢ ﺍﻟﻨﺮﺟﺲ ﺍﻟﺰﺍﻛﻲ ﻭﻋﻮﺩ ﺍﻟﻨﺪ ﻭﺍﻟﺴﺪﺭ‬ ‫ﻭﻫﺬﺍ ﺍﻟﻠﻴﻞ ﺇﻥ ﻭﱃ ﻳﻠﻮﺡ ﻣﻌﻄﺮ‪‬ﺍ ﻓﺠﺮﻱ‬

‫ﻷﻥ ﺍﻟﺪﻡ ﻣﻦ ﺟﺮﺣﻲ ﻳﺮ ‪‬ﻭﻱ ﻧﺴﻤﺔ ﺍﻟﻨﺼﺮ‬ ‫ﻭﻧﻮﺭ ﺍﻟﺼﺒﺢ ﻣﻦ ﺻﱪﻱ ﻋﻠﻰ ﺍﶈﺘﻞ ﻭﺍﳉﻮﺭ‬ ‫ﺭﻣﻮﱐ ﺍﻟﻴﻮ ‪‬ﻡ ﻣﺸﺪﻭﺩ‪‬ﺍ ﺑﺄﻏﻼﻝ ﻣﻦ ﺍﻟﻘﻬﺮ‬ ‫ﻭﻗﺎﻟﻮﺍ‪ :‬ﻣﺴﻠﻢ ﺑﺎﻍ ﻭﻋﻀﻮﰲ ﻗﹸﻮﻯ ﺍﻟﺸ ‪‬ﺮ‬ ‫ﻭﺍﻟﻘﺼﻴﺪﺓ ﻃﻮﻳﻠﺔ‪ ..‬ﻭﻻ ﺃﻇﻦ ﺃﻧﲏ ﺃﺣﺘﺎﺝ ﻟﻠﺘﻌﺮﻳﻒ ﺑﻪ ﺣﻔﻈﻪ ﺍﷲ ﻓﻬﻮﺃﺷﻬﺮ ﻣﻦ ﺃﻥ ﺃﻋﺮﻑ‬ ‫ﺑﻪ‪ ،‬ﻳﻘﻮﻝ ﺍﻟﺸﻴﺦ ﺭﺍﺋﺪ ﺣﻔﻈﻪ ﺍﷲ ﺗﻌﺎﱃ‪:‬‬ ‫ﺃﺷﺮﻕ ﺍﻟﻘﻠﺐ ﲝﺐ ﺍﳌﺼﻄﻔﻰ‪...‬ﻛﺴﺮﺍﺝ ﺍﻟﺰﻳﺖ ﻧﻮ ‪‬ﺭﺍ‪ ..‬ﻭﻭﻓﺎ‬ ‫ﻣﺼﻄﻔﻰ ﺍﳍﺎﺩﻱ ﺍﻷﻣﲔ‪..‬‬ ‫ﻹﻟﻪ ﺍﻟﻌﺎﳌﲔ‪..‬‬

‫ﻭﺇﻣﺎﻡ ﺍﳌﺮﺳﻠﲔ‪..‬‬ ‫ﻭﺍﻟﺪﻋﺎﺓ ﺍﻟﺼﺎﺩﻗﲔ‪..‬‬ ‫ﻣﺼﻄﻔﻰ ﺍﻟﻨﻮﺭ ﺍﳌﺒﲔ‪..‬‬ ‫ﰲ ﺻﺪﻭﺭ ﺍﻟﻌﺎﺷﻘﲔ‪..‬‬ ‫ﻓﺄﺿﺎﺀ ﺍﻟﻘﻠﺐ ﻃﻬ ‪‬ﺮﺍ ﻭﺻﻔﺎ‪ ...‬ﻭﺣﺪﺍ ﺣ ‪‬ﺮﺍ ﻃﺮﻭ‪‬ﺑﺎ ﻭﺍﺣﺘﻔﻰ‬ ‫ﺯﺍﺩﻩ ﺣﻖ ﺍﻟﻴﻘﲔ‪..‬‬

‫ﰲ ﺭﻳﺎﺽ ﺍﻟﺼﺎﳊﲔ‪..‬‬ ‫ﻳﻨﺜﺮ ﺍﻟﺪﻣﻊ ﺍﻟﺴﺨﲔ‪..‬‬ ‫ﻭﺍﺑﺘﻬﺎﻻﺕ ﺍﳊﻨﲔ‪..‬‬ ‫ﰲ ﺛﻴﺎﺏ ﺍﻟﻌﺎﺑﺪﻳﻦ‪..‬‬ ‫‪117‬‬

‫ﻭﺍﻧﲔ ﺍﻟﺘﺎﺋﺒﲔ‪..‬‬ ‫ﺳﺎﺭ ﰲ ﺩﺭﺏ ﺍﳌﻌﺎﱄ ﻭﺟﻔﺎ‪ ...‬ﺯﻳﻨﺔ ﺍﻟﺪﻧﻴﺎ ﻭﻣﻦ ﻓﻴﻬﺎ ﻏﻔﺎ‬ ‫ﺩﺍﻋ‪‬ﻴﺎ ﺷﻬﺪ ﺍﻟﺒﻴﺎﻥ‪..‬‬

‫ﻭﺻﺪﻭ ﹰﻗﺎ ﰲ ﺍﻟﻠﺴﺎﻥ‪..‬‬ ‫ﺧﺎﺷ ‪‬ﻌﺎ ﻳﺮﺟﻮﺍﳉﻨﺎﻥ‪..‬‬ ‫ﻭﺣﻮﺍﺭﻳﻬﺎ ﺍﳊﺴﺎﻥ‪..‬‬ ‫ﺑﺎﻛ‪‬ﻴﺎ ﺧﻮﻑ ﺍﳍﻮﺍﻥ‪..‬‬ ‫ﰲ ﻟﻈﻰ ﻃﻮﻝ ﺍﻟﺰﻣﺎﻥ‪..‬‬ ‫ﻭﻣﻀﻰ ﺣ ‪‬ﺮﺍ ﺃﺑ‪‬ﻴﺎ ﻭﺍﻗﺘﻔﻰ‪ ...‬ﺳﲑﺓ ﺍﳌﺨﺘﺎﺭ ﻣﺸﻜﺎﺓ ﺍﻟﺸﻔﺎ‬

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‫ﺍﻗﺬﻑ ﺍﻟﺒﺤﺮ‬

‫ﺍﻟﺸﺎﻋﺮ ﺳﻌﻴﺪ ﺑﻨﻌﻴﺎﺩ‬ ‫ﻗﺼﻴﺪﺓ ﺍﻗﺬﻑ ﺍﻟﺒﺤﺮ ﻗﻄﻌﺔ ﺃﺩﺑﻴﺔ ﺃﻧﻴﻘﺔ‪ ،‬ﻣﺘﺮﻋﺔ ﺑﺎﻷﻧﻔﺔ‬ ‫ﻭﺍﻻﻋﺘﺰﺍﺯ ﺑﺎﻹﺳﻼﻡ‪ ،‬ﺣﺎﻓﻠﺔ ﺑﺎﻟﺘﻤﺮﺩ ﻭﺍﻟﺮﻓﺾ ﳌﻦ ﻳﺴﻴﺌﻮﻥ‬ ‫ﻟﻠﺤﺒﻴﺐ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻛﺎﺷﻔﺔ ﻟﻜﺜﲑ ﻣﻦ ﺍﳌﺜﺎﻟﺐ ﻭﺍﻟﺜﻐﺮ‬

‫ﺍﻟﱵ ﺗﺆﺗﻰ ﻣﻨﻬﺎ ﺍﻷﻣﺔ‪ .‬ﻟﻠﺸﺎﻋﺮ ﻭﺍﻟﺒﺎﺣﺚ ﺍﻟﻠﻐﻮﻱ ﺍﳌﻬﻨﺪﺱ ﺳﻌﻴﺪ‬ ‫ﺑﻦ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺑﻨﻌﻴﺎﺩ ﺍﳌﻐﺮﰊ ﺍﻟﺘﻄﻮﺍﱐ )‪ (1968‬ﺍﻟﺬﻱ ﲣﺼﺺ‬ ‫ﰲ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﻭﺍﳍﻨﺪﺳﺔ ﺍﳌﺪﻧﻴﺔ؛ ﻟﻜﻦ ﺍﻟﻘﺮﺁﻥ ﻭﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻟﺸﻌﺮ‬ ‫ﻫﻲ ﻋﺸﻘﻪ ﻭﺷﻐﻔﻪ‪ ،‬ﻣﻦ ﺃﲝﺎﺛﻪ ﻭﺷﻌﺮﻩ‪ :‬ﺯﻓﺮﺍﺕ ﻣﺘﻤﺮﺩﺓ‪ /‬ﻭﺍﺣﺔ ﺍﻷﻟﻐﺎﺯ‪ /‬ﺍﳌﺮﺟﻊ ﺍﻟﻌﺼﺮﻱ ﰲ‬ ‫ﺭﻭﺍﻳﺔ ﻭﺭﺵ ﺍﳌﺼﺮﻱ‪ ،‬ﻭﻳﻨﺸﺮ ﻣﻘﺎﻻﺗﻪ ﻭﺃﺷﻌﺎﺭﻩ ﰲ ﺍﻹﻋﻼﻡ ﺍﶈﻠﻲ ﻭﺍﻟﻌﺮﰊ‪ ..‬ﻳﻘﻮﻝ ﺑﻨﻌﻴﺎﺩ‪:‬‬ ‫ﻑ ﺍﻟﺒﺤ ‪‬ﺮ؛ ﻫﻞ ﻧﺄﻯ ﺍﻟﺒﺤ ‪‬ﺮ ِﺷ ‪‬ﺒ ‪‬ﺮﺍ؟‬ ‫ﺍ ﹾﻗ ِﺬ ِ‬

‫ﺿﺮ‪‬ﺍ؟‬ ‫ﻭﺍﺭﺷ‪ِ ‬ﻖ ﺍﻟ‪‬ﺒ ‪‬ﺪ ‪‬ﺭ؛ ﻫﻞ ﺷﻜﺎ ﺍﻟﺒﺪ ‪‬ﺭ ‪‬‬

‫ﻭﺍﺭﺟ‪ِ ‬ﻢ ﺍﻟ ﱠﻄ ‪‬ﻮ ‪‬ﺩ؛ ﻫﻞ ﺗ‪‬ﺮﻯ ﺍﻟ ﱠﻄ ‪‬ﻮ ‪‬ﺩ ﺇ ﹼﻻ‬

‫ﺨﺮ‪‬ﺍ؟‬ ‫ﺸ ‪‬ﻤ ِ‬ ‫ﺦ ﺍﻷﺻﻞِ‪ ،‬ﺷﺎ ِﻣﺨ‪‬ﺎ‪ ،‬ﻣ‪ ‬‬ ‫ﺭﺍ ِﺳ ‪‬‬

‫ﺚ ﻳ‪‬ﺨﺸ‪‬ﻰ‬ ‫ﺚ؛ ﻫﻞ ﺗ‪‬ﺮﻯ ﺍﻟ ﱠﻠ ‪‬ﻴ ﹶ‬ ‫ﻭﺍﹾﻟ ‪‬ﻌ ِﻦ ﺍﻟ ﱠﻠ ‪‬ﻴ ﹶ‬

‫ﺼ ‪‬ﻢ ِﻫﺮ‪‬ﺍ؟‬ ‫ﳋ ‪‬‬ ‫ﺼﻢِ‪ ،‬ﺇ ﹾﻥ ﺭ‪‬ﺃﻯ ﺍ ﹶ‬ ‫ﳋ ‪‬‬ ‫ﹶﻟﻌ‪‬ﻨ ﹶﺔ ﺍ ﹶ‬

‫ﺶ ﹶﻟ ‪‬ﻴ ٍﻞ‬ ‫ﺲ‪ :‬ﻫﻞ ‪‬ﺧﻔﹶﺎﻓﻴ ‪‬‬ ‫ﻭﺍﺳﺄ ِﻝ ﺍﻟﺸﻤ ‪‬‬

‫ﺽ ﹶﻓﺠ‪‬ﺮﺍ؟‬ ‫ﺗ‪ ‬ﺒ ِﻐﺾ‪ ‬ﺍﻟﻔﹶﺠ ‪‬ﺮ ﺗ‪‬ﺤ ِﺮ ‪‬ﻡ ﺍﻷﺭ ‪‬‬

‫ﺏ‬ ‫ﲔ ﺫﹸﺑﺎ ٍ‬ ‫ﺽ‪ :‬ﻫﻞ ﻃﹶﻨ ‪‬‬ ‫ﻭﺍﺳﺄ ِﻝ ﺍﻟﺮ‪‬ﻭ ‪‬‬

‫ﺐ ﺍﻟ ‪‬ﺰ ‪‬ﻫ ‪‬ﺮ ِﻋﻄﹾﺮﺍ؟‬ ‫ﻳ‪‬ﺸِﺘ ‪‬ﻢ ﺍﻟ ‪‬ﺰ ‪‬ﻫ ‪‬ﺮ ﻳ‪‬ﺴ ﹸﻠ ‪‬‬

‫ﻒ ﹸﻛ ﱢﻞ ﺟ‪‬ﺒﺎ ٍﻥ‬ ‫ﺸ ‪‬ﺘ ‪‬ﻢ ﺳ‪‬ﻴ ‪‬‬ ‫ﺇﻧ‪‬ﻤﺎ ﺍﻟ ‪‬‬

‫ﺡ ﰲ ﺍﳌﹶﻐﺎﻭﻳ ِﺮ ‪‬ﻧﺼ‪‬ﺮﺍ‬ ‫ﺐ ﺍﻟ ﹶﻘ ‪‬ﺪ ‪‬‬ ‫ﺴ ‪‬‬ ‫ﻳ‪‬ﺤ ِ‬

‫ﺴﻦ‪ ‬ﺍﻟ ﱠﻄ ‪‬ﻌ ‪‬ﻦ ﰲ ﺍﳍﹶﻮﺍﺀِ‪ ،‬ﻭ‪‬ﻳﺒ‪‬ﲏ‬ ‫ﺤِ‬ ‫ﻳ‪ ‬‬

‫ﳉﻮ‪‬ﺯﺍ ِﺀ ﻟِﻠﻤ‪‬ﺠ ِﺪ ﹶﻗﺼ‪‬ﺮﺍ‬ ‫ﻣِﻦ ﺻ‪‬ﺨﻮ ِﺭ ﺍ ﹶ‬

‫ﺕ‬ ‫ﳋ ﹾﻠ ‪‬ﻖ ﻭﺍِﺑﻠﹰﺎ ﻣِﻦ ﺻِﻔﺎ ٍ‬ ‫ﻳ‪ ‬ﻤ ِﻄﺮ‪ ‬ﺍ ﹶ‬

‫ﺴﻪ‪ ‬ﻧﺎﻝ ﺃﺟ‪‬ﺮﺍ‬ ‫ﺺ ﻧ ﹾﻔ ‪‬‬ ‫ﻟﻮ‪‬ﺎ ﺍﺧ‪‬ﺘ ‪‬‬

‫ﻕ‬ ‫ﺼﺮ‪ ‬ﺍﻟ‪‬ﺒ ‪‬ﺪ ‪‬ﺭ ﹶﻗ ﹾﻠ‪‬ﺒﻪ‪ ‬ﰲ ﺍﺣﺘﺮﺍ ٍ‬ ‫ﻳ‪ ‬ﺒ ِ‬

‫ﺲ ﻭ‪‬ﺟ ‪‬ﻬﻪ‪ ‬ﻣ ﹾﻜ ﹶﻔ ِﻬﺮ‪‬ﺍ‬ ‫ﻭﺗ‪‬ﺮﻯ ﺍﻟﺸﻤ ‪‬‬

‫ﺸ ِﺮﻙ‪ ‬ﺍﻷﻧﺎ ‪‬ﻡ ﺟ‪‬ﻤﻴﻌ‪‬ﺎ‬ ‫‪‬ﻭ ‪‬ﺩ ﻟﻮ ﻳ‪ ‬‬

‫ﺻﺪ‪‬ﺭﺍ‬ ‫ﻕ ‪‬‬ ‫ﺤ ‪‬ﻤﻠِﻬﺎ ﺿﺎ ‪‬‬ ‫ﺏ ِﺑ ‪‬‬ ‫ﰲ ﻋ‪‬ﻴﻮ ٍ‬

‫ﺇﻧ‪‬ﻤﺎ ﻳ‪‬ﺮﺗ‪‬ﻀﻲ ﺍﻟﺸ‪‬ﺘﻴﻤ ﹶﺔ ِﺧ ‪‬ﺪﻧ‪‬ﺎ‬

‫ﺻﻔﹾﺮﺍ‬ ‫ﲑ ِ‬ ‫ﳋِ‬ ‫ﻣ‪‬ﻦ ﺭ‪‬ﺃﻯ ﹶﻗ ﹾﻠ‪‬ﺒﻪ‪ ‬ﻣِﻦ ﺍ ﹶ‬

‫ﺐ ﺍﻟﻜﹶﻮ ﹸﻥ ﻣِﻦ ﺩ‪‬ﻓﺎﺋ ِﻦ ِﺣ ﹾﻘ ٍﺪ‬ ‫ﺠ ‪‬‬ ‫‪‬ﻋ ِ‬

‫ﺏ ‪‬ﻧﺸ‪‬ﺮﺍ‬ ‫ﻒ ﺍﻟ ‪‬ﻐ ‪‬ﺮ ِ‬ ‫ﺃ ‪‬ﺷ‪‬ﺒ ‪‬ﻌﺘ‪‬ﻬﺎ ﺻ‪‬ﺤﺎﺋ ‪‬‬

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‫ﻣِﻦ ‪‬ﺣﻘﹸﻮ ٍﺩ ﺗ‪‬ﺠﺎ ‪‬ﻭ ‪‬ﺯ ﺍﻟ ﹶﻘ ‪‬ﺪ ‪‬ﺭ ﺣﺘ‪‬ﻰ‬

‫ﳋ ﹾﻠ ِﻖ ﹶﻗﺪ‪‬ﺭﺍ‬ ‫ﻑﺍﹶ‬ ‫ﺭﺍ ‪‬ﻡ ﹶﻃ ‪‬ﻌﻨ‪‬ﺎ ﰲ ﺃﺷ ‪‬ﺮ ِ‬

‫ﻟﻮﺩﺭ‪‬ﻯ ﹶﻗ ‪‬ﺪ ‪‬ﺭ ﻣ‪‬ﻦ ﻋﻠﻴ ِﻪ ﺗ‪‬ﺠﻨ‪‬ﻰ‬

‫ﻒ ﺃﻣ‪‬ﺮﺍ‬ ‫‪‬ﻭ ‪‬ﺩ ﻟﻮﹶﻟ ‪‬ﻢ ‪‬ﺗ ِﻄ ‪‬ﻊ ﻟ ‪‬ﻪ ﺍﻟ ﹶﻜ ‪‬‬

‫ﺸ ‪‬ﺘ ِﻢ ﹶﺃ ‪‬ﻫﻠﹰﺎ‬ ‫ﺠ ‪‬ﺪ ﰲ ﺍﻷَﻧﺎ ِﻡ ﻟِﻠ ‪‬‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ِ‬

‫ﺡ ﹸﻃﺮ‪‬ﺍ‬ ‫ﹶﻏ ‪‬ﻴ ‪‬ﺮ ﹶﺃ ‪‬ﻭﻟﹶﻰ ﺍﻷَﻧﺎ ِﻡ ﺑﺎ ﹶﳌ ‪‬ﺪ ِ‬

‫ﺚ‬ ‫ﺼﻄﹶﻔﻰ‪ ،‬ﻭﻧﺎﺩ‪‬ﻯ ِﺑﺨ‪ ‬ﺒ ٍ‬ ‫‪‬ﺷ‪‬ﺘ ‪‬ﻢ ﺍ ﹸﳌ ‪‬‬

‫ﻉ ﹶﻓﻨ‪‬ﺎ ﻭ ِﻓﻜﹾﺮﺍ!‬ ‫ﺻﻔﱢﻘﻮﺍ ﻟِﻺﺑﺪﺍ ِ‬ ‫‪‬‬

‫ﻱ ﹶﻓ ‪‬ﻦ ﻭ ِﻓ ﹾﻜﺮٍ؟‬ ‫ﻱ ﺇﺑﺪﺍﻉٍ؟ ﺃ ‪‬‬ ‫ﺃ‪‬‬

‫ﺏ ِﺗﺒ‪‬ﺮﺍ؟‬ ‫ﻒ ﻳ‪‬ﺼِﺒﺢ‪ ‬ﺍﻟ‪‬ﺘ ‪‬ﺮ ‪‬‬ ‫ﺠﺒ‪‬ﺎ! ﻛ ‪‬ﻴ ‪‬‬ ‫‪‬ﻋ ‪‬‬

‫ﲔ ﺗ‪‬ﻔﺸ‪‬ﻰ؟‬ ‫ﻱ ﹸﺫ ﱟﻝ ﰲ ﺍﳌﹸﺴﻠِﻤ ‪‬‬ ‫ﺃ‪‬‬

‫ﺠ ‪‬ﺪ ﻏ ‪‬ﻴ ‪‬ﺮ ﺃ ‪‬ﺭﺿِﻬ ‪‬ﻢ ‪‬ﻣﺴ‪‬ﺘ ﹶﻘﺮ‪‬ﺍ!‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ِ‬

‫ﺞ ﺍﻟﻴ‪‬ﻬﻮ ‪‬ﺩ ﻟِﺴﺎﻥﹲ‬ ‫ﹸﻛﻠﹼﻤﺎ ﺃﹶﺯ ‪‬ﻋ ‪‬‬

‫ﺱ ﹶﻗﺴ‪‬ﺮﺍ‬ ‫ﺕ ﺃﹸ ‪‬ﺧ ِﺮ ‪‬‬ ‫ﻳ‪ ‬ﻨ ِﻜﺮ‪ ‬ﺍﳌﹶﺤﺮ‪‬ﻗﺎ ِ‬

‫ﺲ ﺛﺎﺭ‪‬ﻭﺍ ﺍﻧﺘِﻘﺎﻣ‪‬ﺎ‬ ‫ﻭﺍﻟﻨ‪‬ﺼﺎﺭﻯ ﺑﺎﻷ ‪‬ﻣ ِ‬

‫ﺢ ﺍﻷ ﹶﻏﺮ‪‬ﺍ‬ ‫ﻂ ‪‬ﻳ ‪‬ﺆﺫِﻱ ﺍﳌﹶﺴﻴ ‪‬‬ ‫ﻣِﻦ ﺷ‪‬ﺮﻳ ٍ‬

‫ﺕ ﺗ‪‬ﻤﺎﺛﻴ ﹸﻞ ﺑ‪‬ﻮﺫﺍ‬ ‫ﺠ ‪‬ﺮ ‪‬‬ ‫ﻭﻟﻘﺪ ﹶﻓ ‪‬‬

‫ﺤﺮ‪‬ﺍ‬ ‫ﺴ‪‬ﺘ ِ‬ ‫ﺴﻔِﻬﺎ ‪‬ﻣ ‪‬‬ ‫ﻀﺒ‪‬ﺎ ﻳ ‪‬ﻮ ‪‬ﻡ ‪‬ﻧ ‪‬‬ ‫ﻏ ‪‬‬

‫ﻓﺈﺫﺍ ﺍﳌﹸﺴﻠِﻤﻮﻥ ﻳ ‪‬ﻮﻣ‪‬ﺎ ﹸﺃﻫِﻴﻨﻮﺍ‬

‫ﻗﻴ ﹶﻞ‪ :‬ﺗﻌﺒﲑ‪ ‬ﺻﺎ ﹶﻏﻪ‪ ‬ﺍﻟ ِﻔ ﹾﻜﺮ‪ ‬ﺣﺮ‪‬ﺍ!‬

‫ﹶﻟ ‪‬ﻦ ﺗ‪‬ﻨﺎﻟﹸﻮﺍ ﺍﻋﺘﺬﺍ ‪‬ﺭ ‪‬ﻣ ‪‬ﻦ ﻇ ﹶﻠﻤ‪‬ﻮﻛ ‪‬ﻢ‬

‫ﳉﺰ‪‬ﺍ ‪‬ﺭ ﻟﻠﺸ‪‬ﺎ ِﺓ ‪‬ﻋﺬﹾﺭﺍ؟‬ ‫ﻕﺍ ﹶ‬ ‫ﻫﻞ ﻳﺴ‪‬ﻮ ‪‬‬

‫ﺖ ﺍﻟﺴ‪‬ﻤﺎ ِﺀ ﺃ ‪‬ﺷﻘﹶﻰ ﺍﻟ‪‬ﺒﺮ‪‬ﺍﻳﺎ‬ ‫ﺤ ‪‬‬ ‫ﻧ‪‬ﺤ ‪‬ﻦ ‪‬ﺗ ‪‬‬

‫ﺽ ﺃﻣ‪‬ﺮﺍ؟‬ ‫ﻛﻴﻒ ‪‬ﻧﻌ‪‬ﺼﻲ ﻟِﺴﺎﺩ ِﺓ ﺍﻷﺭ ِ‬

‫ﺼﺮ‪‬ﻧﺎ‬ ‫ﺐ ﰲ ﺍﻟﻘﻠﻮﺏِ‪ ،‬ﻓ ِ‬ ‫ﻗﺬﹶﻓﻮﺍ ﺍﻟﺮ‪‬ﻋ ‪‬‬

‫ﺴ‪‬ﻨ ‪‬ﻮ ‪‬ﺭ ﺇ ﹼﻻ ِﻫ ‪‬ﺰﺑ‪‬ﺮﺍ‬ ‫ﻻ ‪‬ﻧﺴﻤ‪‬ﻲ ﺍﻟ ‪‬‬

‫ﺇ ﹾﻥ ‪‬ﺳ ﹶﻘﻮ‪‬ﻧﺎ ﻣِﻦ ‪‬ﻋ ﹾﻠ ﹶﻘﻢٍ‪ ،‬ﺻﺎﺭ ‪‬ﺣ ﹾﻠﻮ‪‬ﺍ‬

‫ﺃﻭ ‪‬ﻧ ‪‬ﻬﻮ‪‬ﻧﺎ ﻋﻦ ‪‬ﺳ ﱠﻜﺮٍ‪ ،‬ﺻﺎﺭ ‪‬ﻣﺮ‪‬ﺍ‬

‫ﺠﻤ‪‬ﺎ‬ ‫ﺃﻭ ﺃﺷﺎﺩ‪‬ﻭﺍ ﺑِﺠﺎ ِﻫﻞٍ‪ ،‬ﻋﺎﺵ ‪‬ﻧ ‪‬‬

‫ﺃﻭ ﺃﻃﺎﺣ‪‬ﻮﺍ ﺑِﻌﺎِﻟﻢٍ‪ ،‬ﻣﺎﺕ ﹸﻏﻤ‪‬ﺮﺍ‬

‫ﻗﺪ ﺭﺃﻯ ﺍﻟ ﱡﺬ ﱡﻝ ﹸﺫﻟﱠﻨﺎ ﻓﺘ‪‬ﻮﺍﺭﻯ‬

‫ﺸ ‪‬ﻌﺮ‪‬ﺍ‬ ‫ﻑ ﺧ‪‬ﻮﻓﹶﻨﺎ ﻓﺎﻗ ‪‬‬ ‫ﻭﺭﺃﻯ ﺍﳋﹶﻮ ‪‬‬

‫ﺑﺄﺳ‪‬ﻨﺎ ﺑ ‪‬ﻴﻨ‪‬ﻨﺎ ‪‬ﻣﺮِﻳﺮ‪ ،‬ﻭﻟ ِﻜ ‪‬ﻦ‬

‫ﻗﺪ ﹶﻟﻘِﻴﻨﺎ ِﻣﻤ‪‬ﻦ ﺳِﻮﺍﻧﺎ ﺍﻷ ‪‬ﻣﺮ‪‬ﺍ‬

‫ﺠﺪ‪‬ﺍ ﻗﺪ ﻣ‪‬ﻀﻰ‪ ،‬ﻛ ‪‬ﺪﺧ‪‬ﺎ ٍﻥ‬ ‫ﻧﺪ‪‬ﻋﻲ ‪‬ﻣ ‪‬‬

‫ﺻ ﹶﻠﻪ‪ ‬ﻛﺎﻥ ‪‬ﺟﻤ‪‬ﺮﺍ‬ ‫ﻳﺪ‪‬ﻋﻲ ﺃ ﹼﻥ ﺃ ‪‬‬

‫ﺨ ٍﺮ‬ ‫ﻧﺘ‪‬ﺒﺎﻛﹶﻰ ﻋﻠﻰ ﻣ‪‬ﺮﺍِﺑ ِﻊ ﹶﻓ ‪‬‬

‫ﻒ ﺍﻟ ‪‬ﺪ ‪‬ﻫ ِﺮ ﹶﻗﻔﹾﺮﺍ‬ ‫ﺨﺘ‪‬ﻬﺎ ﻋﻮﺍﺻ ‪‬‬ ‫ﺴ‪‬‬ ‫ﻣ‪‬‬

‫ﲑ ﺍﻧﻜِﺴﺎﺭ‪‬‬ ‫ﺤﻦ‪ ،‬ﻭﺍﳌﹶﺼ ‪‬‬ ‫ِﻓ ‪‬ﺮﻕ‪ ‬ﻧ ‪‬‬

‫ﺠﺒ‪‬ﺮ‪ ‬ﹶﻛﺴ‪‬ﺮﺍ!‬ ‫ﺡ ‪‬ﻳ ‪‬‬ ‫ﺖ ‪‬ﺩ ‪‬ﻣ ‪‬ﻊ ﺍﻟﺘ‪‬ﻤﺴﺎ ِ‬ ‫ﻟ ‪‬ﻴ ‪‬‬

‫ﻓﻔﺮﻳﻖ‪ ‬ﺭ‪‬ﺃﻯ ﺍﻟﺘ‪‬ﺪ‪‬ﻳ ‪‬ﻦ ‪‬ﺣ ‪‬ﻤﻘﹰﺎ‬

‫ﻭﻓﺮﻳﻖ‪ ‬ﺭ‪‬ﺃﻯ ﺍﻟﺘ‪‬ﻤ ‪‬ﺪ ﹶﻥ ﹸﻛﻔﹾﺮﺍ‬

‫ﻭﻓﺮﻳﻖ‪ ‬ﻳﻀِﻴ ‪‬ﻖ ﺑﺎﻟ‪‬ﻨ ﹾﻘ ِﻞ ﹶﺫ ‪‬ﺭﻋ‪‬ﺎ‬

‫ﻭﻓﺮﻳﻖ‪ ‬ﻳ ‪‬ﺮﻧ‪‬ﻮ ﺇﱃ ﺍﻟ ‪‬ﻌ ﹾﻘ ِﻞ ‪‬ﺷﺰ‪‬ﺭﺍ‬

‫ﺇﻧ‪‬ﻤﺎ ﺿ‪‬ﻴ ‪‬ﻊ ﺍﻟﺸ‪‬ﺮﺍﺋ ‪‬ﻊ ﻗ ‪‬ﻮﻡ‪‬‬

‫ﻂ ﹶﻇﻬ‪‬ﺮﺍ‬ ‫‪‬ﻧ‪‬ﺒﺬﹸﻭﺍ ِﺷﺮ‪‬ﻋ ﹶﺔ ﺍﻟﺘ‪‬ﻮ ‪‬ﺳ ِ‬

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‫ﻳﺎ ﺭﺳﻮ ﹶﻝ ﺍﻹﺳﻼﻡِ‪ ،‬ﺃﻧ‪‬ﻰ ِﻟ ِﻤﺜﹾﻠﻲ‬

‫ﺼﻴ‪‬ﺎ ‪‬ﻣﺰ‪‬ﺍﻳﺎ ‪‬ﻙ ِﺷﻌ‪‬ﺮﺍ؟‬ ‫ﺤ ِ‬ ‫ﺃ ﹾﻥ ‪‬ﻳﺮ‪‬ﻯ ‪‬ﻣ ‪‬‬

‫ﺤﺮ‪‬ﺍ ﺧﻔﻴ ﹰﻔﺎ"‬ ‫ﺚ "‪‬ﺑ ‪‬‬ ‫ﺤ ﱡ‬ ‫ﺇﻧ‪‬ﻤﺎ ﺃﹶﺳ‪‬ﺘ ِ‬

‫ﻀ ِﻤ ‪‬ﺮ ﹶﻥ ‪‬ﺷﺮ‪‬ﺍ‬ ‫ﺏ ﻳ‪ ‬‬ ‫ﻭﺭِﻳﺎﺡ‪ ‬ﺍﻟﺬﱡﻧﻮ ِ‬

‫ﺤ ِﺮ ﺟ‪‬ﻮ ٍﺩ‬ ‫ﻓﻌ‪‬ﺴﻰ ﺃﻧﺘﻬﻲ ﺇﱃ ‪‬ﺑ ‪‬‬

‫ﺐ ﻣِﻦ ﻋ‪‬ﻄﺎﻳﺎ ‪‬ﻙ ‪‬ﺩﺭ‪‬ﺍ‬ ‫‪‬ﻳ ‪‬ﻐﻤ‪‬ﺮ‪ ‬ﺍﻟﻘ ﹾﻠ ‪‬‬

‫ﺖ ‪‬ﺷﻤ‪‬ﺴﻲ ﻭﻣ‪‬ﻨﻘِﺬﻱ ﻭﻃﺒﻴﱯ‬ ‫ﺃﻧ ‪‬‬

‫ﺸ ‪‬ﺮ ﺍﳋﹶﻠ ‪‬ﻖ ‪‬ﺣﺸ‪‬ﺮﺍ‬ ‫ﻭﺷﻔﻴﻌﻲ ﺇ ﹾﺫ ﻳ‪‬ﺤ ‪‬‬

‫ﺕ ِﻣ ‪‬ﻨﻪ‪ ‬ﺍﻧﺘﻘﺎﺹ‪‬‬ ‫ﺴ ٍﻦ ‪‬ﻫﻴ‪‬ﻬﺎ ‪‬‬ ‫‪‬ﺑ ‪‬ﺪﺭ‪ ‬ﺣ‪ ‬‬

‫ﻀ ٍﻞ ﻻ ‪‬ﻳ ‪‬ﻌ ِﺮﻑ‪ ‬ﺍﻟ ‪‬ﺪ ‪‬ﻫ ‪‬ﺮ ‪‬ﺟﺰ‪‬ﺭﺍ‬ ‫ﺤﺮ‪ ‬ﹶﻓ ‪‬‬ ‫‪‬ﺑ ‪‬‬

‫ﹶﻃ ‪‬ﻮﺩ‪ِ ‬ﻋ ‪‬ﺰ ﻻ ‪‬ﺗ ‪‬ﻌ‪‬ﺘﺮِﻳ ِﻪ ﺍﻟﺪ‪‬ﻭﺍﻫﻲ‬

‫ﺽ ﹶﻓﺨ‪‬ﺮﺍ‬ ‫ﹶﻓ ‪‬ﻴﺾ‪ِ ‬ﻋ ﹾﻠ ٍﻢ ‪‬ﺗ ‪‬ﺰﻫ‪‬ﻮ ﺑﻪ ﺍﻷﺭ ‪‬‬

‫ﺖ ﻟِﻠﺒ‪‬ﺮﺍﻳﺎ‬ ‫ﺖ ﺃﹸ ‪‬ﻫ ِﺪ‪‬ﻳ ‪‬‬ ‫‪‬ﺭﺣ‪‬ﻤﺔﹲ ﺃﻧ ‪‬‬

‫ﺠﺰِﻱ ﻋﻠﻰ ﺍ ﹶﳍ ِﺪ‪‬ﻳ ِﺔ ‪‬ﻧﻜﹾﺮﺍ؟‬ ‫ﻒ ‪‬ﻧ ‪‬‬ ‫ﻛ ‪‬ﻴ ‪‬‬

‫ﻚ ﻳ ‪‬ﺘ ﹸﻠﻮ ﺳ‪‬ﻼﻣ‪‬ﺎ‬ ‫ﻓﺴ‪‬ﻼﻡ‪ ‬ﻋﻠﻴ ‪‬‬

‫ﻣﺎ ﺍ ‪‬ﺭ ‪‬ﻋﻮ‪‬ﻯ ﺷﺎِﺗﻢ‪ ‬ﺃﻭ ﺍﺯﺩﺍ ‪‬ﺩ ‪‬ﻫﺠ‪‬ﺮﺍ‬

122

‫ﻧﻔﺤﺎﺕ ﺍﳍﺠﺮﺓ‬

‫ﺍﻟﺸﺎﻋﺮ ﺻﺎﱀ ﺑﻦ ﻋﻠﻲ ﺍﻟﻌﻤﺮﻱ‬ ‫ﻟﻔﺘﺖ ﻧﻈﺮﻱ ﻗﺼﻴﺪﺗﻪ‪ ،‬ﻭﱂ ﺃﺟﺪ ﻋﻨﻪ ﺇﻻ ﺃﻧﻪ ﺍﳌﻬﻨﺪﺱ ﺍﻟﺸﺎﻋﺮ‬ ‫ﻋﻠﻲ ﺑﻦ ﺻﺎﱀ ﺍﻟﻌﻤﺮﻱ‪ /‬ﺍﻟﻈﻬﺮﺍﻥ – ﺍﳌﻨﻄﻘﺔ ﺍﻟﺸﺮﻗﻴﺔ ﰲ ﺍﳌﻤﻠﻜﺔ‬ ‫ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﺴﻌﻮﺩﻳﺔ‪ ،‬ﻭﻭﺟﺪﺕ ﻟﻪ ﻗﺼﺎﺋﺪ ﻋﺪﻳﺪﺓ ﻳﺼﻒ ﻓﻴﻪ ﻭﺍﻗﻊ‬ ‫ﺍﳌﺴﻠﻤﲔ ﺑﺮﻭﺡ ﺇﺳﻼﻣﻴﺔ ﻧﻘﻴﺔ‪ ،‬ﻛﻘﺼﻴﺘﻪ ﻋﻦ ﻣﺼﺮ )ﻳﺎ ﺷﺬﻯ‬

‫ﺍﻟﻮﺍﺩﻱ(‪ ،‬ﻭﻗﺼﻴﺪﺗﻪ‪ :‬ﺃﻳﻬﺎ ﺍ‪‬ﺎﻫﺪ ﺍﻟﺴﻮﺭﻱ‪ :‬ﷲ ﺩﺭﻙ‪ ،‬ﻭﻟﻪ‬ ‫ﻗﺼﺎﺋﺪ ﺳﺎﺧﺮﺓ ﻋﻦ ﺍﳌﻬﻨﺪﺱ ﺍﳌﺘﻘﺎﻋﺪ‪ ،‬ﻭﺳﻔﻮﺭ ﺍﻟﻨﻌﺠﺔ‪ ،‬ﻭﻣﺎ‬ ‫ﺷﺎﺑﻪ‪:‬‬

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‫ﺷ ‪‬ﻊ ﺍﳍﺪﻯ‪ ،‬ﻭﺍﻟﺒﺸ ‪‬ﺮ ﰲ ﺑﺴﻤﺎﺗ ِﻪ‬

‫ﻭﺍﻟﻴ‪‬ﻤﻦ ﻭﺍﻹﳝﺎﻥ ﰲ ﻗﺴﻤﺎﺗ ِﻪ‬

‫ﻭﺗﻔﺠﺮﺕ ﻓﻴﻨﺎ ﻳﻨﺎﺑﻴﻊ ﺍﳍﺪﻯ‬

‫ﻭﺍﺳﺘﻴﻘﻆ ﺍﻟﺘﺄﺭﻳﺦ ﻣﻦ ﻏﻔﻮﺍﺗ ِﻪ‬

‫"ﺍﻗﺮﺃ ﻭﺭﺑ‪‬ﻚ" ﰲ ﺣﺮﺍﺀ ﲢﺮﺭﺕ‬

‫ﻑ ﰲ ﻋﻤﻴﻖ ﺳﺒﺎﺗ ِﻪ‬ ‫ﻭﺍﻟﺪﻫﺮ ﻏﺎ ٍ‬

‫ﺟﱪﻳﻞ ﺣﺎﻣﻠﻬﺎ ﻭﺃﲪﺪ ﺭﻭﺣﻬﺎ‬

‫ﺇﻥ ﺍﳊﺪﻳﺚ ﻣﻮﹼﺛ ‪‬ﻖ ﺑﺮﻭﺍﺗ ِﻪ‬

‫ﻣ‪‬ﻬﺞ ﺍﳌﻼﺋﻚ ﺑﺎﻟﺘﻼﻭﺓ ﺗﻨﺘﺸﻲ‬

‫ﺕ ﻓﻮﻕ ﺷﻔﺎﺗ ِﻪ‬ ‫ﻓ‪‬ﺘ ﹶﻘﺒ‪‬ﻞ ﺍﻟﻜﻠﻤﺎ ِ‬

‫ﺻﻠﻰ ﻋﻠﻴﻚ ﺍﷲ ﻳﺎ ﻣﻦ ِﺫﻛﺮﻩ‬

‫ﻗﺮﰉ‪ ..‬ﻭﻧﻮ ‪‬ﺭ ﺍﷲ ﻣﻦ ﻣﺸﻜﺎﺗ ِﻪ‬

‫ﻳﺎ ﻣﻦ ﻛﺴﺎﻩ ﺍﷲ ﺣﻠﹼﺔ ﲰﺘﻪ‬

‫ﻭﻛﺴﺎ ‪‬ﻩ ﺑﺎﻟﻘﺮﺁﻥ ‪‬ﺣﻠﹼﺔ ﺫﺍﺗ ِﻪ‬

‫ﳌﹼﺎ ﺃﺿﺎﺀ ﺍﷲ ﻣﻬﺠﺔ ﻗﻠﺒﻪ‬

‫ﺡ ﰲ ﻣﺮﺿﺎﺗ ِﻪ‬ ‫ﻫﺎﻧﺖ ﻋﻠﻴﻪ ﺍﻟﺮﻭ ‪‬‬

‫ﻏﺴﻞ ﺍﻟﻜﺮﻯ ﻋﻦ ﺃﻋﲔ ﺍﻟﺪﻧﻴﺎ ﻛﻤﺎ‬

‫ﻳ‪‬ﺠﻠﻰ ﺍﻟﺪ‪‬ﺟﻰ ﺑﺎﻟﻔﺠﺮ ﰲ ﻓﻠﻘﺎﺗ ِﻪ‬

‫ﻭﺃﻧﺎﺭ ﺑﺎﻵﻳﺎﺕ ﻛ ﹼﻞ ﺑﺼﲑ ٍﺓ‬

‫ﻓﻜﺄﻥ ﻧﻮﺭ ﺍﻟﺸﻤﺲ ﻣﻦ ﻗﺴﻤﺎﺗ ِﻪ‬

‫ﺐ‬ ‫ﻭﺍﻗﺘﺎﺩ ﻟﻠﺠﻨ‪‬ﺎﺕ ﺃﲰﻰ ﻣﻮﻛ ٍ‬

‫ﺕ ﺣﺪﺍﺗ ِﻪ‬ ‫"ﺇﻳﺎﻙ ﻧﻌﺒ ‪‬ﺪ" ﲤﺘﻤﺎ ‪‬‬

‫ﺍﻗﺮﺃ ﻣﻌﺎﱐ ﺍﻟﻮﺣﻲ ﰲ ﻛﻠﻤﺎﺗﻪ‬

‫ﰲ ﻧﺴﻜ ِﻪ ﻭﺣﻴﺎﺗ ِﻪ ﻭﳑﺎﺗﻪ‬

‫ﺤﺎ‬ ‫ﻟﻮ ‪‬ﻧﻈﹼﻤﺖ ﻛ ﹼﻞ ﺍﻟﻨﺠﻮﻡ ﻣﺪﺍﺋ ‪‬‬

‫ﻛﺎﻧﺖ ﻗﻼﺋﺪﻫﻦ ﺑﻌﺾ ﺻﻔﺎﺗﻪ‬

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‫ﻳﺎ ﻣﻦ ﺑﲎ ﻟﻠﻜﻮﻥ ﺃﻛﺮﻡ ﺃ ‪‬ﻣ ٍﺔ‬

‫ﻣﻦ ﻋﻠﻤﻪ‪ ..‬ﻣﻦ ﺣﻠﻤﻪ ﻭﺃﻧﺎﺗﻪ‬

‫ﺻﺎﺭﻭﺍ ﻣﻠﻮ ﹰﻛﺎ ﻟﻸﻧﺎﻡ ‪‬ﺑﻌﻴﺪ ﺃﻥ‬

‫ﻛﺎﻧﻮﺍ ﺭﻋﺎ َﺀ ﺍﻟﺸﺎ ِﺀ ﰲ ﻓﻠﻮﺍﺗﻪ‬

‫ﻓﺴﻞ ﺍﻟﻌﺪﺍﻟﺔ ﻭﺍﻟﻔﻀﻴﻠﺔ ﻭﺍﻟﻨﺪﻯ‬

‫ﻭﺳﻞ ﺍﳌﻌﻨ‪‬ﻰ ﻋﻦ ﻣ‪‬ﻠ ‪‬ﻢ ﺷﺘﺎﺗﻪ‬

‫ﻭﺳﻞ ﺍﳌﻜﺎﺭﻡ ﻭﺍﶈﺎﺭﻡ ﻭﺍﳊﻴﺎ‬

‫ﺾ ﻋﻦ ﺩﺭﺏ ﺍﳋﻨﺎ ﻧﻈﺮﺍﺗﻪ؟!‬ ‫ﻣﻦ ﻏ ‪‬‬

‫ﻣﻦ ﺣﻄﹼﻢ ﺍﻷﺻﻨﺎﻡ ﰲ ﺗﻜﺒﲑﻩ‬

‫ﻣﻦ ﻋﺎﻧﻖ ﺍﻟﺘﻮﺣﻴﺪ ﰲ ﺳﺠﺪﺍﺗ ِﻪ‬

‫ﻣﻦ ﺃﻃﻠﻖ ﺍﻹﻧﺴﺎﻥ ﻣﻦ ﺃﻏﻼﻟﻪ‬

‫ﻣﻦ ﺃﺧﺮﺝ ﺍﳌﻮﺀﻭﺩ ﻣﻦ ﺩﺭﻛﺎﺗﻪ؟!‬

‫ﻣﻦ ﻋﻠﹼﻢ ﺍﳊﲑﺍﻥ ﺩﺭﺏ ﳒﺎﺗ ِﻪ‬

‫ﻣﻦ ﺃﻭﺭﺩ ﺍﻟﻌﻄﺸﺎﻥ ﻋﺬﺏ ﻓﺮﺍﺗﻪِ؟!‬

‫ﻣﻦ ﻫ ‪‬ﺪ ﺑﻨﻴﺎﻥ ﺍﳉﻬﺎﻟﺔ ﻭﺍﻟﻌﻤﻰ‬

‫ﻭﺑﲎ ﺍﻷﻣﺎﻥ ﻋﻠﻰ ﺭﻣﻴﻢ ﺭﻓﺎﺗ ِﻪ؟!‬

‫ﻓﺈﺫﺍ ﺑﺄﺧﻼﻕ ﺍﻟﻌﻘﻴﺪﺓ ﺗﻌﺘﻠﻲ‬

‫ﺯﻭﺭ ﺍﻟﺘﺮﺍﺏ ﻭﺟﻨﺴﻪ ﻭﻟﻐﺎﺗ ِﻪ‬

‫ﻭﺇﺫﺍ ﻟﻘﺎﺀ ﺍﷲ ﻳﺄﺳﺮ ﰲ ﺭﺿﺎ‬

‫ﻕ ﻣﻦ ﻛﺎﻥ ﻋﺒﺪ ﺣﺼﺎﺗﻪ‬ ‫ﻭﺗﺸ ‪‬ﻮ ٍ‬

‫ﻭﺭﺃﻯ ﺟﻨﺎﻥ ﺍﳋﻠﺪ ﺣﻘﹼﺎ ﻓﺎﺯﺩﺭﻯ‬

‫ﺩﻧﻴﺎﻩ‪ ..‬ﻭﺍﺳﺘﻌﻠﻰ ﻋﻠﻰ ﻟﺬﹼﺍﺗ ِﻪ‬

‫ﺃﺭﺃﻳﺖ ﺇﻗﺪﺍﻡ ﺍﻟﺸﻬﻴﺪ ﻭﻗﺪ ﺳﻌﻰ‬

‫ﻟﻠﺤﺘﻒ ﻣﻌﺘﺬﺭ‪‬ﺍ ﺇﱃ ﲤﺮﺍﺗﻪ!‬

‫ﲪﻠﻮﺍ ﺍﳍﺪﻯ ﻟﻠﻜﻮﻥ ﰲ ﺟﻔﻦ ﺍﻟﻔﺪﺍ‬

‫ﻓﺘﺤﺮﺭ ﺍﻟﻮﺟﺪﺍﻥ ﻣﻦ ﺷﻬﻮﺍﺗ ِﻪ‬

‫ﺧﻴ‪‬ﺎﻟﺔ ﺍ‪‬ﺪ ﺍﳌﺆﺛﻞ ﻭﺍﻟﻌﻼ‬

‫ﻓﻜﺄﳕﺎ ﻭﻟﺪﻭﺍ ﻋﻠﻰ ﺻﻬﻮﺍﺗ ِﻪ‬

‫ﲰ‪‬ﺎﺭﺓ ﺍﶈﺮﺍﺏ ﰲ ﻟﻴﻞ‪ ،‬ﻭﺇﻥ‬

‫ﻧﺎﺩﻯ ﺍﳉﻬﺎﺩ ﻓﻬﻢ ﻋ‪‬ﺘﺎﺓ ﻛﻤﺎﺗﻪ‬

‫ﰲ ﺍﳍﺠﺮﺓ ﺍﻟﻐﺮﺍﺀ ﺫﻛﺮﻯ ﻣﻌﻬ ٍﺪ‬

‫ﻧﺴﺘﻠﻬ ‪‬ﻢ ﺍﻷﳎﺎﺩ ﻣﻦ ﺧﻄﺮﺍﺗﻪ‬

‫ﺗﺎﺭﻳﺦ ﺃﻣﺘﻨﺎ‪ ..‬ﻭﻣﻨﺒﻊ ﻋﺰ‪‬ﻧﺎ‬

‫ﻭﺩﺭﻭﺑﻨﺎ ﺗﺰﻫﻮ ﺑﺈﺷﺮﺍﻗﺎﺗﻪ‬

‫ﻓﻴﻪ ﺍﳊﻀﺎﺭﺓ ﻭﺍﻟﺒﺸﺎﺭﺓ ﻭﺍﻟﺘﻘﻰ‬

‫ﻭ ‪‬ﻣﻘِﻴﻞ ﻫﺬﺍ ﺍﻟﻜﻮﻥ ﻣﻦ ﻋﺜﺮﺍﺗﻪ‬

‫ﻓﺘﺄﻟﻘﻲ ﻳﺎ ﻧﻔﺲ ﰲ ﻧﻔﺤﺎﺗﻪ‬

‫ﻭﺍﺳﺘﺸﺮﰲ ﺍﻟﻐﺎﻳﺎﺕ ﻣﻦ ﻏﺎﻳﺎﺗﻪ‬

‫ﺃﺷﺘﺎﻕ ﺃﻧﻈﺮ ﻧﻮﺭﻩ‪:‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﻃﻠﻌﺖ ﺍﳌﻐﺮﰊ‬

‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﳌﺼﺮﻱ ﻃﻠﻌﺖ ﳏﻤﺪ ﻳﻮﺳﻒ ﳏﻤﺪ ﺍﳌﻐﺮﰊ ﰲ‬ ‫ﺳﻮﻫﺎﺝ ﲜﻤﻬﻮﺭﻳﺔ ﻣﺼﺮ ﻋﺎﻡ ‪1970‬ﻡ ﻭﻫﻮ ﻋﻀﻮ ﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ‬ ‫ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺎﳌﻴﺔ‪ ،‬ﻭﻋﻀﻮﺍﲢﺎﺩ ﻛﺘﺎﺏ ﻣﺼﺮ‪ ،‬ﻭﻋﻀﻮ ﻧﺎﺩﻱ ﺍﻷﺩﺏ‬

‫ﺑﻘﺼﺮ ﺛﻘﺎﻓﺔ ﺳﻮﻫﺎﺝ‪.‬‬

‫ﻧﺸﺮﺕ ﺃﻋﻤﺎﻟﻪ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﺕ ﺍﻟﻌﺮﺑﻴﺔ‪،‬‬ ‫ﻭﻟﻪ ﻣﻦ ﺍﻟﺪﻭﺍﻭﻳﻦ ﲢﺖ ﺍﻟﻄﺒﻊ‪ :‬ﺍﻟﻘﺪﺱ ﻋﺎﺋﺪﺓ ﻟﻨﺎ‪ /‬ﺿﺮﺍﻋﺔ ﻗﻠﺐ‪/‬‬ ‫ﲝﺎﺭ ﺍﻟﺸﻮﻕ‪..‬‬

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‫ﺡ ﺍﻟﺬﻱ‬ ‫ﻣﺎﺫﺍ ﻳﻘﻮ ﹸﻝ ﺍﻟﺸﻌ ‪‬ﺮ ﰲ ﻣﺪ ِ‬

‫ﷲ ﺑﺎﳋﻠ ِﻖ ﺍﻟﻌﻈﻴ ِﻢ ‪‬ﺣﺒ‪‬ﺎ ‪‬ﻩ‬ ‫ﺍُ‬

‫ﺍﻟﺸﻌ ‪‬ﺮ ﻛ ﱡﻞ ﺍﻟﺸﻌ ِﺮ ﳚﺜﻮﻟﻠﺬﻱ‬

‫ﻼﻩ‪‬‬ ‫ﺏ ﺍﻟﻮﺭﻯ ﺑﺼﻔﺎِﺗ ِﻪ ‪‬ﺣ ﱠ‬ ‫ﺭ ‪‬‬

‫ﻒ ﺃﻥ ِﺇﳍﹶﻨﺎ‬ ‫ﰲ ﺍﻟﺘﻮﺑ ِﺔ ﺍﻧ ﹸﻈ ‪‬ﺮ ﻛﻴ ‪‬‬

‫ﲔ ﻣﻦ ﺃﲰﺎﺋ ِﻪ ‪‬ﺳﻤ‪‬ﺎ ‪‬ﻩ‬ ‫ﺑﺎﲰ ِ‬

‫ﺠ ِﺮ ﻳﻘﺴﻢ ﺭﺑ‪‬ﻨﺎ ﲝﻴﺎﺗ ِﻪ‬ ‫ﳊ‪‬‬ ‫ﰲﺍِ‬

‫ﻓﻠﻌﻤﺮِﻛﻢ ﻫﻢ ﻳﻌﻤﻬﻮﻥ ﻭﺗﺎﻫﻮﺍ‬

‫ﺢ ﻳﻐﻔ ‪‬ﺮ ﻣﺎ ﺗﻘﺪ ‪‬ﻡ ﺭ‪‬ﺑﻨ‪‬ﺎ‬ ‫ﰲ ﺍﻟﻔﺘ ِ‬

‫ﺑﻞ ﻣﺎ ﺗﺄ ‪‬ﺧ ‪‬ﺮ‪ ..‬ﺟ ﱠﻞ ﰲ ﻋﻠﻴﺎ ‪‬ﻩ‬

‫ﻟﻴ‪ِ‬ﺘ ‪‬ﻢ ﻧﻌﻤﺘ‪‬ﻪ ﻋﻠﻴ ِﻪ ﺇﳍﹸﻨﺎ‬

‫ﻭﻣﻦ ﺍﻷﱃ ﻳﺴﺘﻬﺰﺋﻮﻥ ﻛﻔﺎﻩ‬

‫ﺠﱡﻠﻪ‪‬‬ ‫ﰲ ِﻥ ﻭﺍﻟﻘﻠ ِﻢ ﺍﻹﻟ ‪‬ﻪ ﻳ‪ِ ‬‬

‫ﻭﻋﻠﻰ ﻋﻈﻴ ِﻢ ﺍﳋﹸ ﹾﻠ ِﻖ ﻗ ‪‬ﺪ ﺭﻗﱠﺎ ‪‬ﻩ‬

‫ﺡ ﺻﺪ ‪‬ﺭﻩ‪‬‬ ‫ﺵ ﻳﺸﺮ ‪‬‬ ‫ﺏ ﺍﻟﻌﺮ ِ‬ ‫ﷲﺭ ‪‬‬ ‫ﺍُ‬

‫ﷲ ﻳﺮﻓ ‪‬ﻊ ‪ -‬ﺩﺍﺋﻤﺎ ‪ -‬ﺫﻛﺮﺍ ‪‬ﻩ‬ ‫ُ‬

‫ﺐ ﺍﳌﻮﱃ ﺍﻟﻜﺮ ‪‬ﱘ ﺣﺒﻴ‪‬ﺒ ‪‬ﻪ‬ ‫ﻭﻳﻌﺎﺗ ‪‬‬

‫ﺏ ‪‬ﺣﺒ‪‬ﺎ ‪‬ﻩ‬ ‫ﻭﺑﻌﻔﻮ ِﻩ ﻗﺒ ﹶﻞ ﺍﻟﻌﺘﺎ ِ‬

‫ﻣﻦ ﻣﻜ ٍﺔ ﺑﻠ ِﺪ ﺍﳍﺪﻯ ﺃﺳﺮﻯ ﺑﻪ‬

‫ﺏ ﺍﻟﻮﺭﻯ ﻟﻴ ﹰﻠﺎ ﺇﱃ ﺃﻗﺼﺎ ‪‬ﻩ‬ ‫ﺭ ‪‬‬

‫ﻭﻫﻨﺎ ‪‬ﻙ ﻛﺎ ﹶﻥ ﺇﻣﺎ ‪‬ﻡ ﻛ ِﻞ ﺍﻷﻧﺒﻴﺎ‬

‫ﺳﺒﺤﺎ ﹶﻥ ﻣﻦ ﺑﺎﻟﻔﻀ ِﻞ ﻗﺪ ﺃﻭﻻ ‪‬ﻩ‬

‫ﰒ ﺍﺭﺗﻘﻰ ﻣﻦ ﺑﻌ ِﺪ ﺫﺍ ﻟﻠﻤ‪‬ﻨﺘﻬﻰ‬

‫ﻭﺍﲰ ‪‬ﻊ ﺇﱃ ﺟﱪﻳ ﹶﻞ ﻗﺪ ﻧﺎﺟﺎ ‪‬ﻩ‬

‫ﺾ ﰲ ﲝﺎ ِﺭ ﺍﻟﻨﻮ ِﺭ ﻭﺣﺪ‪‬ﻙ ﺳﻴﺪﻱ‬ ‫‪‬ﺧ ‪‬‬

‫ﻣﺎ ﻛﺎ ﹶﻥ ﺫﺍ ‪‬ﻙ ﻟﻐﲑﻛ ‪‬ﻢ ﺣﺎﺷﺎ ‪‬ﻩ‬

‫ﺖ ﺑﻨﻮ ِﺭ ِﻩ‬ ‫ﺖ ﺍﺣﺘﺮﻗ ‪‬‬ ‫ﺃﻧﺎ ﺇ ﹾﻥ ﺗﻘﺪﻣ ‪‬‬

‫ﺖ ﻣﺎ ﺃﻋﻼ ‪‬ﻩ‬ ‫ﻟﻜ ‪‬ﻦ ﻗﺪ ‪‬ﺭ ‪‬ﻙ ﺃﻧ ‪‬‬

‫ﻛﻞﹲ ﻟﻪ ﻣﻨﺎ ﻣﻘﺎﻡ‪ ‬ﺳﻴﺪﻱ‬

‫ﻻ ﻳﺴﺘﻄﻴ ‪‬ﻊ ﲡﺎﻭ ‪‬ﺯﺍ ﳌﺪﺍ ‪‬ﻩ‬

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‫ﺐ ﺍﳌﻮﱃ ﺍﻟﻌﻈﻴ ‪‬ﻢ ﺣﺒﻴ‪‬ﺒﻪ‪‬‬ ‫ﻭﳜﺎﻃ ‪‬‬

‫ﻑ ﺍﻷﲰﺎ ِﺀ ﻗﺪ ﻧﺎﺩﺍ ‪‬ﻩ‬ ‫ﻭﺑﺄﺷﺮ ِ‬

‫ﻚ ﺍﻟﻌﻮﺍ ﹶﱂ ﻛﻠﹶﻬﺎ‬ ‫ﺖﻟ ‪‬‬ ‫ﺃﻧﺎ ﻗﺪ ﻛﺸﻔ ‪‬‬

‫ﺖ ﺗﺮﺍ ‪‬ﻩ‬ ‫ﻭﻛﺬﺍ ‪‬ﻙ ﻭﺟﻬﻲ ﺍﻵ ﹶﻥ ﺃﻧ ‪‬‬

‫ﻚ ﺣﺒﻴﺒ‪‬ﻨﺎ‬ ‫ﺐ ﻣﻨ ‪‬‬ ‫ﺖ ﺃﺣ ‪‬‬ ‫ﺃﻧﺎ ﻣﺎ ﺧﻠﻘ ‪‬‬

‫ﻚ ﺍﻟﺬﻱ ﺗﺮﺿﺎ ‪‬ﻩ‬ ‫ﻑ ﺃﻋﻄﻴ ‪‬‬ ‫ﻭﻟﺴﻮ ‪‬‬

‫ﻑ ﻛ ‪‬ﻨ ‪‬ﻬﻪ‪‬‬ ‫ﻫﺬﺍ ﻣﻘﺎﻡ‪ ‬ﻟﻴﺲ ﻳﻌﺮ ‪‬‬

‫ﺇﻻ ﺍﻟﺬﻱ ﳊﺒﻴﺒ ِﻪ ﺃﻋﻄﺎ ‪‬ﻩ‬

‫ﻋﺠ‪‬ﺒﺎ ﻟﺬﻱ ﻋﻴﻨﲔ ﻳﺒﺼ ‪‬ﺮ ﺃﲪ ‪‬ﺪﺍ‬

‫ﻭﺗﺰﻳ ﹸﻎ ﻋﻦ ﻧﻮ ِﺭ ﺍﳍﺪﻯ ﻋﻴﻨﺎ ‪‬ﻩ‬

‫ﺐ ﳏﻤ ‪‬ﺪﺍ‬ ‫ﻋﺠ‪‬ﺒﺎ ﳌﻦ ﲰ ‪‬ﻊ ﺍﳊﺒﻴ ‪‬‬

‫ﻳﻮﻣﺎ‪ ..‬ﻭﻣﺎ ﺑﻠ ﹶﻎ ﺍﻟﺴﻤﺎ ‪‬ﺪﺍ ‪‬ﻩ‬

‫ﻋﺠﺒﺎ ﳍﺬﺍ ﺍﻟﻜﻔ ِﺮ ﺁﺫﻯ ﺣِﺒﻨﺎ‬

‫ﻋﺠﺒﺎ ﻟﻪ ﻋﻦ ﺩﺍﺭ ِﻩ ﺃﻗﺼﺎ ‪‬ﻩ‬

‫ﻕ ﺭﺟﺎﻟﹸﻬﺎ‬ ‫ﻒ ﺿﺎ ‪‬‬ ‫ﻋﺠﺒﺎ ﳌﻜ ﹶﺔ ﻛﻴ ‪‬‬

‫ﲝﺒﻴﺒﻨﺎ‪ ..‬ﻭﺍﻟﻐﺎ ‪‬ﺭ ﻗﺪ ﺁﻭﺍ ‪‬ﻩ‬

‫ﻋﺠﺒﺎ ﻟﺬﺍ ﺍﳊﺠ ِﺮ ﺍﻷﺻ ِﻢ ﺇﺫﺍ ﺑﺪﺍ‬

‫ﲑ ﺍﻟﻮﺭﻯ ﺣﻴ‪‬ﺎ ‪‬ﻩ‬ ‫ﲜﻮﺍﺭ ِﻩ ﺧ ‪‬‬

‫ﺢ ﺭﺑ‪‬ﻬﺎ‬ ‫ﻋﺠﺒﺎ ﻷﺣﺠﺎ ٍﺭ ﺗﺴﺒ ‪‬‬

‫ﷲ‬ ‫ﰲ ﻛﻔ ِﻪ‪ ..‬ﺻﻠﻰ ﻋﻠﻴ ِﻪ ﺍ ُ‬

‫ﷲ ﺍﻟﻌﻈﻴ ِﻢ ﺑﻠﻴﻠ ِﻪ‬ ‫ﻭﻳﻘﻮ ‪‬ﻡ ِ‬

‫ﺕ ﻗﺪﻣﺎ ‪‬ﻩ‬ ‫ﻣﻦ ﺃﺟ ِﻞ ﺫﺍ ‪‬ﻙ ﺗﻔﻄﺮ ‪‬‬

‫ﻭﺃﺭﻯ ﺍﻟﻐﻤﺎ ‪‬ﻡ ﳛ‪‬ﺒ ‪‬ﻪ ﻓﻴﻈ ﹸﻠ ‪‬ﻪ‬

‫ﱪ ﰲ ﺍﻟﺪﻧﺎ ﻳﻠﻘﺎ ‪‬ﻩ‬ ‫ﰲ ﺃﻱ ﺷ ٍ‬

‫ﺗﻨﻀﻢ ﺃﺷﺠﺎ ‪‬ﺭ ﺍﻟﻔﻼ ِﺓ ﻟﺴﺘﺮﻩ‬

‫ﷲ ‪ -‬ﻣﺎ ﺃﺣﻴﺎ ‪‬ﻩ‬ ‫ﻓﺤﺒﻴﺒ‪‬ﻨﺎ ‪ -‬ﻭﺍ ِ‬

‫ﻉ ﺍﻟﺸﺎ ِﺓ ﺇﻛﺮﺍ ‪‬ﻣﺎ ﻟﻪ‬ ‫ﻭﻳﺪ ‪‬ﺭ ﺿﺮ ‪‬‬

‫ﻭﺃﺭﻯ ﺷﺮﺍﺫ ‪‬ﻡ ﻗﻮ ِﻣ ِﻪ ﺗﺄﺑﺎ ‪‬ﻩ‬

‫ﻋﺠﺒﺎ ﻷﻓﺌﺪ ٍﺓ ﺗﻀ ﹸﻞ ﻋﻦ ﺍﳍﺪﻯ‬

‫ﻉ ﺍﻟﻨﺨ ِﻞ‪ ..‬ﺑﻞ ﻳﻬﻮﺍ ‪‬ﻩ‬ ‫ﻭﳛﻦ ﺟﺬ ‪‬‬

‫ﻭﻳﻀﻤ ‪‬ﻪ ﺍﳌﺨﺘﺎ ‪‬ﺭ ﺿﻤ ﹶﺔ ﻣﺸﻔ ٍﻖ‬

‫ﻉ ﻗﺎ ﹶﻝ ﻟﻔﺮﻗ ٍﺔ‪ :‬ﺃﻭﺍ ‪‬ﻩ‬ ‫ﻓﺎﳉﺬ ‪‬‬

‫ﲑﺍ‬ ‫ﺐﳐ‪‬‬ ‫ﻭﻳﻘﻮﻝ ﻟﻠﺠﺬﻉ ﺍﳊﺒﻴ ‪‬‬

‫ﺽ ﺃﻭﺃﺧﺮﺍ ‪‬ﻩ‬ ‫ﺑﲔ ﺍﺧﻀﺮﺍﺭ ﺍﻷﺭ ِ‬

‫ﻉ ﺟﻨ ﹶﺔ ﺭﺑِﻨﺎ‬ ‫ﳜﺘﺎ ‪‬ﺭ ﻫﺬﺍ ﺍﳉﺬ ‪‬‬

‫ﺐ‪ ..‬ﻟﻜﻲ ﻳﺪﻭ ‪‬ﻡ ﻫﻨﺎ ‪‬ﻩ‬ ‫ﻟﲑﻯ ﺍﳊﺒﻴ ‪‬‬

‫ﻭﻗﺪ ﺍﺭﺗﻜﺴﻨﺎ ﳓ ‪‬ﻦ ﺑﻌ ‪‬ﺪ ﻓﻠ ‪‬ﻢ ﻧﻌ ‪‬ﺪ‬

‫ﻉ‪ ..‬ﻭﺍ ﺃﺳﻔﺎ ‪‬ﻩ‬ ‫ﺣﱴ ﻧﺴﺎﻭﻯ ﺍﳉﺬ ‪‬‬

‫ﻭﲡﻤ ‪‬ﻊ ﺍﻟﻘﻮ ‪‬ﻡ ﺍﻟﻠﺌﺎ ‪‬ﻡ ﻟﻘﺘﻠ ِﻪ‬

‫ﻭﳒﺎ‪ ..‬ﻓﺴﺒﺤﺎ ﹶﻥ ﺍﻟﺬﻱ ﳒﱠﺎ ‪‬ﻩ‬

‫ﻋﺠﺒﺎ ﻷﻧﺼﺎ ِﺭ ﺍﻟﻨﱯ ﻭﺣﺒِﻬﻢ‬

‫ﻓﻠ ‪‬ﻪ ﺍﻟﻮﻻ ُﺀ‪ ..‬ﻭﻟﻴﺲ ﺫﺍ ﻟﺴﻮﺍ ‪‬ﻩ‬

‫ﺧﺮﺟﻮﺍ ﺗﺴﺎﺑﻘﹸﻬﻢ ﻣﻨﺎﺯ ﹸﻝ ﻃﻴﺒ ٍﺔ‬

‫ﻗﺪ ﺯﺍ ‪‬ﺩ ﺷﻮﻗﻬ ‪‬ﻢ ﺇﱃ ﺭﺅﻳﺎ ‪‬ﻩ‬

‫ﲑ ﻣﻬ‪‬ﻨﹰﺌﺎ‬ ‫ﺳﺮﻋﺎ ﹶﻥ ﻣﺎ ﻗﺎ ﹶﻝ ﺍﻟﺒﺸ ‪‬‬

‫ﺐ ﻣﻬﺎﺟ ‪‬ﺮﺍ‪ ..‬ﺑﺸﺮﺍ ‪‬ﻩ‬ ‫ﺟﺎ َﺀ ﺍﳊﺒﻴ ‪‬‬

‫ﺐ ﻛﺒﺪ ِﺭ ٍﰎ ﻭﺟ ‪‬ﻬ ‪‬ﻪ‬ ‫ﻃﻠ ‪‬ﻊ ﺍﳊﺒﻴ ‪‬‬

‫ﷲ ‪ -‬ﻣﺎ ﺃ‪‬ﺎ ‪‬ﻩ‬ ‫ﻓﺠﻤﺎﻟﹸﻪ ‪ -‬ﻭﺍ ِ‬

‫ﺍﻟﻨﻮ ‪‬ﺭ ‪‬ﻋ ‪‬ﻢ ﺑﻼﺩ‪‬ﻧﺎ ﻭﺩﻳﺎﺭ‪‬ﻧﺎ‬

‫ﺾ ﺳﻨﺎ ‪‬ﻩ‬ ‫ﻓﻀﻴﺎ ُﺀ ﻛ ِﻞ ﺍﻟﻜﻮ ِﻥ ﺑﻌ ‪‬‬

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‫ﻭﺗﻘﻮﻝ ﺃﻟﺴﻨﺔﹲ ﻗﻠﻴﻞﹲ ﻗﻄﻌ‪‬ﻬﺎ‬

‫ﻫﻮﺳﺎﺣﺮ‪ ..‬ﻫﻮﻛﺎﺫﺏ‪ ..‬ﺣﺎﺷﺎ ‪‬ﻩ‬

‫ﱯ ﺑ ِﻜ ﹾﻠ ‪‬ﻤ ٍﺔ‬ ‫ﻋﺠﺒﺎ ﳌﻦ ﺁﺫﻯ ﺍﻟﻨ ‪‬‬

‫ﻼ ﹸﻗ ﱢﻄﻌ‪‬ﺖ ﺷﻔﺘﺎ ‪‬ﻩ‬ ‫ﺏﻫ ﱠ‬ ‫ﻳﺎ ﺭ ‪‬‬

‫ﻋﺠﺒﺎ ﳌﻦ ﺁﺫﻯ ﺍﻟﻨﱯ ﺑﺮﲰﻪ‬

‫ﺷﻠﺖ ‪‬ﺬﺍ ﺍﻟﺮﺳﻢ ﻣﻨﻪ ﻳﺪﺍﻩ‬

‫ﺖ ﻳﺪﺍ( ﻓﻴﻬﺎ ﺟﺰﺍ ُﺀ ﻣﻦ ﺍﻋﺘﺪﻯ‬ ‫)ﺗﺒ ‪‬‬

‫ﻳﻮﻣﺎ ﻋﻠﻰ ﺍﳌﺨﺘﺎ ِﺭ ﺃﻭ ﺁﺫﺍ ‪‬ﻩ‬

‫ﻭﻟﺴﻮﻑ ﻳﻌﻄﻰ ﺑﺎﻟﺸﻤﺎﻝ ﻛﺘﺎﺑﻪ‬

‫ﺗﺒﻜﻰ ﺍﻟﺪﻣﺎ ﻟﺸﻘﺎﺋﻪ ﻋﻴﻨﺎﻩ‬

‫ﺑﺘﺮﻭﺍ ﲟﺎ ﻓﻌﻠﻮﺍ ﻭﺑﻐﻀﻬ ‪‬ﻢ ﻟﻪ‬

‫ﲑ ﺍﳋﻠ ِﻖ ﰲ ﻋﻠﻴﺎ ‪‬ﻩ‬ ‫ﻭﻳﻈ ﹸﻞ ﺧ ‪‬‬

‫ﻚ ﺭﺍﻏ‪‬ﺒﺎ‬ ‫ﺭﺑﺎ ‪‬ﻩ ﺇﱐ ﻗﺪ ﺃﺗﻴ‪‬ﺘ ‪‬‬

‫ﺢ ﻋﲎ‪ ..‬ﻫﻞ ﺗ‪‬ﺮﻯ ﺃﻟﻘﺎﻩ‪‬؟‬ ‫ﰲ ﺍﻟﺼﻔ ِ‬

‫ﺢ ﻓﻤﻦ ﺫﺍ ﺃﺭﲡﻲ؟‬ ‫ﺖ ﱂ ﺗﺼﻔ ‪‬‬ ‫ﺇﻥ ﺃﻧ ‪‬‬

‫ﻭﻣﻦ ﺍﻟﻜﺮ ‪‬ﱘ ﺳﻮﺍ ‪‬ﻙ ﻳﺎ ﺭﺑﺎ ‪‬ﻩ‬

‫ﲪﺎ‬ ‫ﻳﺎ ﺭﺏ ﻛﻦ ﱄ ﰲ ﺍﻟﻘﻴﺎﻣ ِﺔ ﺭﺍ ‪‬‬

‫ﻭﺍﻏﻔﺮ ﻟﻌﺒﺪ ‪‬ﻙ ﻣﺎ ﺟﻨﺘ ‪‬ﻪ ﻳﺪﺍ ‪‬ﻩ‬

‫ﺑﺎﳌﺼﻄﻔﻰ ﻳﺎ ﺭﺏ ﲤ ‪‬ﻢ ﻓﺮﺣﱵ‬

‫ﻻ ﲢﺮ ‪‬ﻣ‪‬ﻨﻲ ﰲ ﻏ ٍﺪ ﻟﻘﻴﺎ ‪‬ﻩ‬

‫ﻭﺍﺟﻌﻠﻪ ﱄ ﻳﺎ ﺭﺏ ﻋﻨﺪﻙ ﺷﺎﻓ ‪‬ﻌﺎ‬

‫ﺸ ﹶﻔﻊ‪ ‬ﻳﻮﻣ‪‬ﻬﺎ ﺇﻻ ﻫﻮ‬ ‫ﻣﻦ ﺫﺍ ﺳﻴ ‪‬‬

‫ﻫﻮ ﰲ ﺍﻟﻘﻴﺎﻣ ِﺔ ﺷﺎﻓﻊ‪ ‬ﻭ ‪‬ﻣﺸ‪‬ﻔﻊ‪‬‬

‫ﲔ ﻭﻣﻦ ﻟﺬﺍ ‪‬ﻙ ﺳﻮﺍ ‪‬ﻩ‬ ‫ﰲ ﺍﻟﻌﺎﳌ ‪‬‬

‫ﻭﺍﺟﻌﻠ ‪‬ﻪ ﺫﹸﺧ ‪‬ﺮﺍ ﰲ ﺍﻟﻘﻴﺎﻣ ِﺔ ﺳﻴﺪﻱ‬

‫ﷲ ﻏﺎﻳ ﹸﺔ ﻣﻨﻴﱵ ﺭﺅﻳﺎ ‪‬ﻩ‬ ‫ﻭﺍ ِ‬

‫ﷲ ﺃﻧﻈ ‪‬ﺮ ﻭﺟ ‪‬ﻬﻪ‪‬‬ ‫ﻕ ﻳﺎ ﺍ ُ‬ ‫ﺃﺷﺘﺎ ‪‬‬

‫ﻕ ﻋﻴﲏ ﺗﺮﺗﻮﻱ ﺑﻀﻴﺎ ‪‬ﻩ‬ ‫ﺗﺸﺘﺎ ‪‬‬

‫ﺸﻖ‪ ‬ﻣﻦ ﻋﺒﲑ ﳏﻤ ٍﺪ‬ ‫ﻕ ﺃ‪‬ﻧ ‪‬‬ ‫ﺃﺷﺘﺎ ‪‬‬

‫ﻕ ﺃﻟﺜ ‪‬ﻢ ﺩﺍﺋﻤﺎ ﳝﻨﺎ ‪‬ﻩ‬ ‫ﺃﺷﺘﺎ ‪‬‬

‫ﻕ ﺇﱃ‬ ‫ﲔ ﻣﻦ ﺷﻮ ٍ‬ ‫ﻭﺃﻗﺒ ﹸﻞ ﺍﻟﻘﺪﻣ ِ‬

‫ﺐ ﳏﻤ ٍﺪ‪ ..‬ﺭﺑﺎ ‪‬ﻩ‬ ‫ﻧﻮ ِﺭ ﺍﳊﺒﻴ ِ‬

‫ﻻ ﲢﺮ ‪‬ﻣﻨ‪‬ﻲ ﻭ ‪‬ﺭ ‪‬ﺩ ﻛﻮﺛﺮ ِﻩ ﻏ ‪‬ﺪﺍ‬

‫ﻟﻴﺰﻭ ﹶﻝ ﻋﻦ ﻫﺬﺍ ﺍﻟﻔﺆﺍ ِﺩ ﻇﻤﺎ ‪‬ﻩ‬

‫ﺐ ﳏﻤ ٍﺪ‬ ‫ﻒ ﺍﳊﺒﻴ ِ‬ ‫ﻕ ﻣﻦ ﻛ ِ‬ ‫ﻷﺫﻭ ‪‬‬

‫ﺏ ﻣﺎ ﺃﺻﻔﺎ ‪‬ﻩ‬ ‫ﻛﺄﺳﺎ ﻫﻨ‪‬ﻴﺎ‪ ..‬ﺭ ِ‬

‫ﺖ ﳏﻤ ‪‬ﺪﺍ‬ ‫ﻳﺎ ﺭﺏ ﺇﱐ ﻗﺪ ﻣﺪﺣ ‪‬‬

‫ﺣﱴ ﺃﺣﻘ ‪‬ﻖ ﻟﻠﻔﺆﺍ ِﺩ ﻣﻨﺎ ‪‬ﻩ‬

‫ﺡ ﳏﻤ ٍﺪ‬ ‫ﻳﺎ ﺭﺏ ﻓﺎﺟﻌﻞ ﱃ ﲟﺪ ِ‬

‫ﺖ ﺃﻟﻘﺎ ‪‬ﻩ‬ ‫ﻧﻮ ‪‬ﺭﺍ ﺑﻘﱪﻱ ﺇ ﹾﻥ ﹶﺃ ‪‬ﻣ ‪‬‬

‫ﻁ ﻭﻋﻨ ‪‬ﺪ ﻧﺸ ِﺮ ﺻﺤﺎﺋﻔﻲ‬ ‫ﻭﻋﻠﻰ ﺍﻟﺼﺮﺍ ِ‬

‫ﷲ‬ ‫ﻓﺎﻗﺒﻞ ﺭﺟﺎﺋﻲ ﺍﻟﻴﻮ ‪‬ﻡ ﻳﺎ ﺍ ُ‬

‫ﺐ ﳏﻤ ٍﺪ‬ ‫ﺏ ﺻ ﱢﻞ ﻋﻠﻰ ﺍﳊﺒﻴ ِ‬ ‫ﻳﺎ ﺭ ‪‬‬

‫ﺖ ﻇ ِﻞ ﻟﻮﺍ ‪‬ﻩ‬ ‫ﻭﺍﺣﺸﺮ ﻋ‪‬ﺒ ‪‬ﻴ ‪‬ﺪ ‪‬ﻙ ﲢ ‪‬‬

‫ﺇﻣﺎﻡ ﺍﳍﺪﻯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺪﻛﺘﻮﺭ ﻋﺒﺎﺱ ﺍﳉﻨﺎﰊ‬

‫ﺍﻟﻄﺒﻴﺐ ﺍﻟﺸﺎﻋﺮ ﻋﺒﺎﺱ ﺍﳉﻨﺎﰊ ﻋﺮﺍﻗﻲ‪ ،‬ﻣﻘﻴﻢ ﰲ‬ ‫ﻟﻨﺪﻥ ﻣﻨﺬ ﺃﻥ ﻓﺮ ﻣﻦ ﺍﻟﻌﺮﺍﻕ ‪ 1998‬ﺣﻴﺚ ﻛﺎﻥ ﻳﻌﻤﻞ‬ ‫ﲑﺍ ﺻﺤﻔ‪‬ﻴﺎ ﻟﻌﺪﻱ ﺻﺪﺍﻡ ﺣﺴﲔ‪ .‬ﻣﻨﺘ ٍﻢ ﳊﺰﺏ‬ ‫ﺳﻜﺮﺗ ‪‬‬ ‫ﺍﻟﺒﻌﺚ ﺍﻟﻌﺮﰊ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻌﺮﺍﻗﻲ‪ .‬ﻧﺸﺮﺕ ﻟﻪ ﻗﻨﺎﺓ‬ ‫ﺍﳌﺴﺘﻘﻠﺔ ﻗﺼﺎﺋﺪ ﺷﻌﺮﻳﺔ ﰲ ﺩﻳﻮﺍ‪‬ﺎ ﻋﻦ ﺍﻟﺮﺳﻮﻝ ﳏﻤﺪ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﺑﻌﻨﻮﺍﻥ "ﳌﺎﺫﺍ ﳓﺒﻪ"‪ .‬ﻳﻌﻤﻞ‬ ‫ﻣﺬﻳ ‪‬ﻌﺎ ﰲ ﻗﻨﺎﺓ ﺍﳌﺴﺘﻘﻠﺔ ﻭﻳﻌﺮﻑ ﺑﺸﻜﻞ ﺧﺎﺹ ﺑﺘﻘﺪﳝﻪ‬ ‫ﺑﺮﻧﺎﻣﺞ ﺃﺧﺒﺎﺭ ﺃﻡ ﺍﻟﺪﻧﻴﺎ‪ ،‬ﻭﺇﺟﺮﺍﺋﻪ ﺣﻮﺍﺭﺍﺕ ﻣﻊ ﺭﺟﻞ‬ ‫ﺍﻷﻋﻤﺎﻝ ﺍﳌﺼﺮﻱ ﺃﺷﺮﻑ ﺍﻟﺴﻌﺪ‪.‬‬

‫ﻟﻌﺒﺎﺱ ﺍﳉﻨﺎﰊ ﻋﺪﺓ ﻣﺆﻟﻔﺎﺕ ﻣﻨﻬﺎ‪ :‬ﺩﻳﻮﺍﻥ ﺣﻜﺎﻳﺔ ﻭﺧﻴﻤﺔ ﻭﺑﻴﺖ‪ /‬ﻗﻴﺎﻣﺔ ﺍﻟﻮﻋﻲ‪ /‬ﺯﻣﻦ‬ ‫ﺳﻴﺎﻑ‪ ..‬ﻭﻟﻪ ﻗﺼﺎﺋﺪ ﰲ ﺍﻟﺼﺪﻳﻖ‪ ،‬ﻭﺍﻟﺼﺪﻳﻘﺔ ﻋﺎﺋﺸﺔ‪ ،‬ﻭﻋﻤﺮ ﺭﺿﻲ ﺍﷲ ﻋﻨﻬﻢ‪ ،‬ﻭﻏﲑﻫﻢ‪.‬‬

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‫ﻑ ﻭﺗﺴ‪‬ﺘﻌﺼﻲ ﻣﻌﺎﻧﻴﻬﺎ‬ ‫ﺗﺄﰉ ﺍﳊﹸﺮﻭ ‪‬‬

‫ﺖ ﻗﻮﺍﻓﻴﻬﺎ‬ ‫ﺣﱴ ﺫ ﹶﻛﺮ‪‬ﺗﻚ ﻓﺎ‪‬ﺎﻟ ‪‬‬

‫ﺖ ﻓﺎﺧﻀﺮ‪‬ﺕ ﺭ‪‬ﰉ ﻟﹸﻐﱵ‬ ‫)ﳏ ‪‬ﻤﺪ‪ (‬ﻗﻠ ‪‬‬

‫ﻭﺳﺎ ﹶﻝ ‪ ‬ﺮ ﻓﺮﺍﺕ‪ ‬ﰲ ﺑﻮﺍﺩﻳﻬﺎ‬

‫ﺖ ﻣ‪‬ﻠ ِﻬﻤ‪ ‬ﻪ‬ ‫ﻒ ‪‬ﳚ ِﺪﺏ‪ ‬ﺣ ‪‬ﺮﻑ‪ ‬ﺃ‪‬ﻧ ‪‬‬ ‫ﻓﻜﻴ ‪‬‬

‫ﺖ ﺳﺎﻗﻴﻬﺎ‬ ‫ﻒ ﺗﻈﻤﺄ ﺭﻭﺡ‪ ‬ﺃﻧ ‪‬‬ ‫ﻭﻛﻴ ‪‬‬

‫ﺡ ‪‬ﺎ‬ ‫ﺖ ﺯﻫﺮ ﹸﺓ ﺍﻷﻟﻔﺎﻅ ﻓﺎ ‪‬‬ ‫ﺗﻔﺘﺤ ‪‬‬

‫ﻣِﺴﻚ‪ ‬ﻣﻦ ﺍﻟﻘﺒ‪‬ﺔ ﺍﳋﻀﺮﺍﺀ ﻳﺄﺗﻴﻬﺎ‬

‫ﺞ ﺻﻮﺕ‪ ‬ﺎ ﺩﻭ‪‬ﻯ ﻓﺰﻟﺰﳍﺎ‬ ‫ﻭﺿ ‪‬‬

‫ﻭﻓﺠ ‪‬ﺮ ﺍﻟﻐﺎﺭ ﻧﺒ ‪‬ﻌﺎ ﰲ ﻓﻴﺎﻓﻴﻬﺎ‬

‫ﺖ‬ ‫ﺕ ﺃﻣﻢ‪ ‬ﰲ ﺍﻟﺸﺮ ِﻙ ﻣﺎﺑﻘﻴ ‪‬‬ ‫ﺗﺄﺑ‪‬ﺪ ‪‬‬

‫ﻟﻮ ﹾﱂ ﺗﻜﻦ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻫﺎﺩﻳﻬﺎ‬

‫ﺕ ‪‬ﺎ‬ ‫ﺃﻧﻘﺬﺗ‪‬ﻬﺎ ﻣﻦ ﻇﻼﻡ ﳉﻬ ِﻞ ﺳ ‪‬ﺮ ‪‬‬

‫ﺇﱃ ﺫﺭﻯ ﺍﻟﻨﻮﺭ ﻓﺎﳒﺎﺑﺖ ﺩﻳﺎﺟﻴﻬﺎ‬

‫ﺖ ﻓﻴﻬﺎ ﺇﻣﺎ ‪‬ﻣﺎ ﻟﻠﻬ‪‬ﺪﻯ ﻋ ﹶﻠﻤ‪‬ﺎ‬ ‫ﺃﺷﺮﻗ ‪‬‬

‫ﻣﺎ ﺯﺍﻝ ﳜﻔِﻖ ﺯﻫ ‪‬ﻮﺍ ﰲ ﺳﻮﺍﺭﻳﻬﺎ‬

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‫ﻭ ‪‬ﺣﺪ‪‬ﺕ ﺑﺎﻟﺪﻳﻦ ﻭﺍﻹﳝﺎﻥ ﻣﻮﻗﻔﻬﺎ‬

‫ﻭﻣ ‪‬ﻦ ﺳﻮﺍﻙ ﻋﻠﻰ ﺣ‪‬ﺐ ﻳﺆﺍﺧﻴﻬﺎ‬

‫ﻛﹸﻨﺖ ﺍﻻﻣﺎ ‪‬ﻡ ﳍﺎ ﰲ ﻛ ﹼﻞ ﻣﻌﺘ ‪‬ﺮ ٍﻙ‬

‫ﻭﻛﻨﺖ ﺃﺳﻮﺓ ﻗﺎﺻﻴﻬﺎ ﻭﺩﺍﻧﻴﻬﺎ‬

‫ﺕ ﺍﻟﺸﺮ ‪‬ﻙ ﻣﻘﺘﺪﺭﺍ‬ ‫ﰲ ﻳﻮﻡ ﺑﺪﺭ ﺩﺣﺮ ‪‬‬

‫ﺖ ﻭﺃﻋﻠﻰ ﻣﻦ ﻋﻮﺍﻟﻴﻬﺎ‬ ‫ﻃﻮ ‪‬ﺩﺍ ﻭﻗﻔ ‪‬‬

‫ﺖ ﻗﺒﻀﺔ ﺣﺼﺒﺎ ِﺀ ﺑﺄ ‪‬ﻋﻴ‪‬ﻨﻬﺎ‬ ‫ﺭﻣﻴ ‪‬‬

‫ﺖ ﻭﺍﺭﺗﻮﺕ ﻣﻨﻬ‪‬ﺎ ﻣﻮﺍﺿﻴﻬﺎ‬ ‫ﻓﺎﺳ‪‬ﺎﻗﻄ ‪‬‬

‫ﺖ ﻭﻟﻜ ‪‬ﻦ ﺍﻟﻘﺪﻳﺮ ﺭﻣﻰ‬ ‫ﻭﻣﺎ ﺭﻣﻴ ‪‬‬

‫ﻭ ﹾﱂ ﲣِﺐ ﺭﻣﻴﺔﹲ‪ ..‬ﺍﷲ ﺭﺍﻣﻴﻬﺎ‬

‫ﻫﻮ ﺍﻟﺬﻱ ﺃﻧﺸﺄ ﺍﻷﻛﻮﺍ ﹶﻥ ﻗﺪﺭﺗ ‪‬ﻪ‬

‫ﻃ ‪‬ﻲ ﺍﻟﺴﺠﻞ ﺇﺫﺍ ﻣﺎ ﺷﺎﺀ ﻳﻄﻮﻳﻬﺎ‬

‫ﺖ‬ ‫ﻳﺎ ﺧﺎ ﹶﰎ ﺍﻷﻧﺒﻴﺎ ِﺀ ﺍﻟﻔﺬ ّﻣﺎ ﺧﻠﻘ ‪‬‬

‫ﺖ ﻓﻴﻬﺎ ﺭﻭﺍﺳﻴﻬﺎ‬ ‫ﺃﺭﺽ‪ ‬ﻭﻻ ﹸﺛﺒ‪‬ﺘ ‪‬‬

‫ﻯ‬ ‫ﺇ ﹼﻻ ﻷﻧﻚ ﺁﺗﻴﻬﺎ ﺭﺳﻮ ﹶﻝ ﻫ‪‬ﺪ ‪‬‬

‫ﻃﻮﰉ ﳍﺎ ﻭﺣﺒﻴﺐ ﺍﷲ ﺁﺗﻴﻬﺎ‬

‫ﺣﻘﺎﺋ ‪‬ﻖ ﺍﻟﻜﻮﻥ ﱂ ﺗﺪﺭ ‪‬ﻙ ﻃﻼﲰ‪‬ﻬﺎ‬

‫ﻒ ﺧﻮﺍﻓﻴﻬﺎ‬ ‫ﺚ ﻭﱂ ﺗﻜﺸ ‪‬‬ ‫ﻟﻮﻻ ﺍﳊﺪﻳ ﹸ‬

‫ﺖ ﻣﱰﻟﺔ ًﻻ ﺷﻲﺀ ﻳﻌ‪‬ﺪﳍﺎ‬ ‫ﺣ‪‬ﺒﻴ ‪‬‬

‫ﺏ ﺍﳌﺜﺎﱐ ﺍﻟﺴ‪‬ﺒﻊ ﺣﺎﺑﻴﻬﺎ‬ ‫ﻷ ﹼﻥ ﺭ ‪‬‬

‫ﻭﺭﻓﻌﺔ ً ﻣ ‪‬ﻦ ﺟﺒﲔ ﺍﻟﺸﻤ‪‬ﺲ ﻣﻄﻠﻌ‪‬ﻬﺎ‬

‫ﻻ ﺷﻲﺀ ﰲ ﻛﻮﻧﻨﺎ ﺍﻟﻔﺎﱐ ﻳ‪‬ﻀﺎﻫﻴﻬﺎ‬

‫ﻳﺎ ﻭﺍﻗ ﹰﻔﺎ ﲜﻮﺍﺭ ﺍﻟﻌﺮ‪‬ﺵ ﻫﻴﺒﺘ ‪‬ﻪ‬

‫ﻣ ‪‬ﻦ ﻫﻴﺒﺔ ﺍﷲ ﻻ ﺗﺮﻗﻰ ﻣﺮﺍﻗﻴﻬﺎ‬

‫ﻣﻜﺎﻧﺔ ﱂ ﻳﻨﻠﻬﺎ ﰲ ﺍﻟﻮﺭﻯ ﺑﺸﺮ‪‬‬

‫ﺳﻮﺍ ‪‬ﻙ ﰲ ﺣﺎﺿﺮ ﺍﻟﺪ‪‬ﻧﻴﺎ ﻭﻣﺎﺿﻴﻬﺎ‬

‫ﺑﻨﻴﺖ ﻟﻠﺪﻳﻦ ﳎﺪﺍ ﺃﻧﺖ ﻫﺎﻟﺘ ‪‬ﻪ‬

‫ﻭ‪‬ﻀﺔ‪ ..‬ﱂ ﺗﺰﻝ ﻟﻠﻴﻮﻡ ﺭﺍﻋﻴﻬﺎ‬

‫ﻕ ﻗﺎﻣﺘ ‪‬ﻪ‬ ‫ﺳﻴﻮﻓﻚ ﺍﻟﻌﺪ ﹸﻝ ﻭﺍﻟﻔﺎﺭﻭ ‪‬‬

‫ﻭﺍﳍﺎﴰ ‪‬ﻲ ﺍﻟﺬﻱ ﻟﻠﺒﺎﺏ ﺩﺍﺣﻴﻬﺎ‬

‫ﺐ ﺍﻟﻐﺎﺭ ﻻ ﲢﺼﻰ ﻣﻨﺎﻗ‪‬ﺒ ‪‬ﻪ‬ ‫ﻭﺻﺎﺣ ‪‬‬

‫ﺲ ﺍﻟﺪﻭﻟﺔ ﺍﻟﻜﱪﻯ ﻭﺑﺎﻧﻴﻬﺎ‬ ‫ﻣﺆﺳ ‪‬‬

‫ﻭﺟﺎﻣ ‪‬ﻊ ﺍﻟﺬﻛﺮ ﻋﺜﻤﺎﻥﹲ ﺃﺧﻮ ﻛﺮ ٍﻡ‬

‫ﻛﻢ ﻏﺰﻭﺓ ﺑﺜﻴﺎﺏ ﺍﳊﺮ‪‬ﺏ ﻛﺎﺳﻴﻬﺎ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻛ ‪‬ﻢ ﻋﺼﻔﺖ‬

‫ﺏ‪ ..‬ﻭﺃﻏﻮﺗﲏ ﻣﻼﻫﻴﻬﺎ‬ ‫ﰊ ﺍﻟﺬﻧﻮ ‪‬‬

‫ﺖ ﺃﻭﺯﺍﺭﺍ ﻳﻨﻮ ُﺀ ‪‬ﺎ‬ ‫ﻭﻛ ‪‬ﻢ ﲢﻤﻠ ‪‬‬

‫ﻋﻘﻠﻲ ﻭﺟﺴﻤﻲ ﻭﺻﺎﺩﺗﲏ ﺿﻮﺍﺭﻳﻬﺎ‬

‫ﻚ ﳚﺮﻱ ﰲ ﺩﻣﻲ ﻭﺃﻧﺎ‬ ‫ﻟﻜﻦ ﺣ‪‬ﺒ ‪‬‬

‫ﻣﻦ ﻏﲑﻩ ﻣﻮﺟﺔﹲ ﺿﺎﻋﺖ ﺷﻮﺍﻃﻴﻬﺎ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻳﺸﻔ ‪‬ﻊ ﱄ‬

‫ﺇﱐ ﺍﺷﺘﺮﻳﺘﻚ ﺑﺎﻟﺪ‪‬ﻧﻴﺎ ﻭﻣﺎ ﻓﻴﻬﺎ‬

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‫ﻋﻨﺎﻗﻴﺪ ﺍﻟﻀﻴﺎﺀ‬

‫ﰲ ﻣﺪﺡ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺪﻛﺘﻮﺭ ﻋﺒﺪ ﺍﻟﺮﲪﻦ ﺑﻦ ﺻﺎﱀ ﺍﻟﻌﺸﻤﺎﻭﻱ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻜﺒﲑ‪ ،‬ﺍﳌﺜﻘﻞ ‪‬ﻤﻮﻡ ﺍﻷﻣﺔ‪ ،‬ﺍﻟﻌﺎﺯﻑ ﻋﻠﻰ ﺟﺮﺍﺣﻬﺎ ﻧﻐﻤﺎﺕ ﺍﻟﻮﺟﻊ‪ ،‬ﺍﻟﻨﺎﺯﻑ ﻣﻊ‬ ‫ﺩﻣﺎﺋﻬﺎ ﺷﻌﺮ‪‬ﺍ ﻭﺟﻴﻌ‪‬ﺎ ﺑﺪﻳﻌ‪‬ﺎ‪ :‬ﻋﺒﺪ ﺍﻟﺮﲪﻦ ﺻﺎﱀ ﺍﻟﻌﺸﻤﺎﻭﻱ ﺷﺎﻋﺮ ﻋﺮﰊ ﻣﺴﻠﻢ ﻣﻦ ﺍﳌﻤﻠﻜﺔ‬ ‫ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﺴﻌﻮﺩﻳﺔ‪ ..‬ﻭﻟﺪ ﰲ ﻗﺮﻳﺔ ﻋﺮﺍﺀ ﰲ ﻣﻨﻄﻘﺔ ﺍﻟﺒﺎﺣﺔ ﲜﻨﻮﺏ ﺍﳌﻤﻠﻜﺔ ﻋﺎﻡ ‪1956‬ﻡ‪.‬‬

‫ﺣﺼﻞ ﻋﻠﻰ ﺷﻬﺎﺩﺓ ﺍﻟﺪﻛﺘﻮﺭﺍﺓ ﻣﻦ ﻗﺴﻢ ﺍﻟﺒﻼﻏﺔ ﻭﺍﻟﻨﻘﺪ ﻭﻣﻨﻬﺞ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﻋﺎﻡ‬

‫‪ 1409‬ﻟﻠﻬﺠﺮﺓ‪ ،‬ﻭﺗﺪﺭﺝ ﰲ ﻭﻇﺎﺋﻒ ﺍﻟﺘﺪﺭﻳﺲ ﰲ ﺟﺎﻣﻌﺔ ﺍﻹﻣﺎﻡ ﳏﻤﺪ ﺑﻦ ﺳﻌﻮﺩ ﺍﻹﺳﻼﻣﻴﺔ‬ ‫ﺣﱴ ﺃﺻﺒﺢ ﺃﺳﺘﺎﺫﹰﺍ ﻣﺴﺎﻋﺪ‪‬ﺍ ﻟﻠﻨﻘﺪ ﺍﳊﺪﻳﺚ ﰲ ﻛﻠﻴﺔ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﰲ ﻫﺬﻩ ﺍﳉﺎﻣﻌﺔ‪ ..‬ﻭﻋﻤﻞ‬ ‫ﳏﺎﺿﺮ‪‬ﺍ ﰲ ﻗﺴﻢ ﺍﻟﺒﻼﻏﺔ ﻭﺍﻟﻨﻘﺪ ﻭﻣﻨﻬﺞ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﺣﱴ ﺗﻘﺎﻋﺪ ﻗﺒﻞ ﺳﻨﻮﺍﺕ!‬ ‫ﻣﺒﺪﻉ ﰲ ﺇﻟﻘﺎﺋﻪ‪ ،‬ﻣﻜﺜﺮ ﰲ ﺇﻧﺘﺎﺟﻪ‪ ،‬ﺟﺰﻝ ﰲ ﻣﻔﺮﺩﺍﺗﻪ‪ ،‬ﻣﺘﺠﺪﺩ ﻣﺘﺎﺑﻊ ﺭﺍﺻﺪ ﺃﻧﻴﻖ ﰲ ﻋﺒﺎﺭﺍﺗﻪ‬

‫ﻭﺻﻮﺭﻩ‪ ..‬ﺇﻋﻼﻣﻲ ﳏﺘﺮﻑ‪ ،‬ﻭﻛﺎﺗﺐ ﻣﻘﺘﺪﺭ‪ ،‬ﻭﺻﺤﻔﻲ ﻣﺘﺪﻓﻖ‪..‬‬ ‫‪131‬‬

‫ﻳﺸﺎﺭﻙ ﰲ ﺍﻷﻣﺎﺳﻲ ﺍﻟﺸﻌﺮﻳﺔ ﲝﻀﻮﺭ ﻭﺟﺎﺫﺑﻴﺔ ﻻﻓﺘﺔ‪ ،‬ﻭﻳﺼﺪﺭ ﺇﻧﺘﺎﺟﻪ ﺍﻷﻧﻴﻖ ﺑﺸﻜﻞ‬ ‫ﻣﺘﺘﺎﺑﻊ‪ ،‬ﻭﻟﻪ‪ :‬ﺇﱃ ﺃﻣﱵ‪ /‬ﺻﺮﺍﻉ ﻣﻊ ﺍﻟﻨﻔﺲ‪ /‬ﺑﺎﺋﻌﺔ ﺍﻟﺮﳛﺎﻥ‪ /‬ﻣﺄﺳﺎﺓ ﺍﻟﺘﺎﺭﻳﺦ‪ /‬ﻧﻘﻮﺵ ﻋﻠﻰ ﻭﺍﺟﻬﺔ‬ ‫ﺍﻟﻘﺮﻥ ﺍﳋﺎﻣﺲ ﻋﺸﺮ‪ /‬ﺇﱃ ﺣﻮﺍﺀ‪ /‬ﻋﻨﺪﻣﺎ ﻳﻌﺰﻑ ﺍﻟﺮﺻﺎﺹ‪ /‬ﴰﻮﺥ ﰲ ﺯﻣﻦ ﺍﻻﻧﻜﺴﺎﺭ‪ /‬ﻳﺎ ﺃﻣﺔ‬

‫ﺍﻹﺳﻼﻡ‪ /‬ﻣﺸﺎﻫﺪ ﻣﻦ ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ‪ /‬ﻭﺭﻗﺔ ﻣﻦ ﻣﺬﻛﺮﺍﺕ ﻣﺪﻣﻦ ﺗﺎﺋﺐ‪ /‬ﻣﻦ ﺍﻟﻘﺪﺱ ﺇﱃ ﺳﺮﺍﻳﻴﻔﻮ‪/‬‬

‫ﻋﻨﺪﻣﺎ ﺗﺸﺮﻕ ﺍﻟﺸﻤﺲ‪ /‬ﻳﺎ ﺳﺎﻛﻨﺔ ﺍﻟﻘﻠﺐ‪ /‬ﺣﻮﺍﺭ ﻓﻮﻕ ﺷﺮﺍﻉ ﺍﻟﺰﻣﻦ‪ /‬ﻗﺼﺎﺋﺪ ﺇﱃ ﻟﺒﻨﺎﻥ‪..‬‬ ‫ﻭﻏﲑﻫﺎ‪..‬‬ ‫ﻭﻣﻦ ﻛﺘﺒﻪ‪ :‬ﺍﻻﲡﺎﻩ ﺍﻹﺳﻼﻣﻲ ﰲ ﺁﺛﺎﺭ ﻋﻠﻰ ﺃﲪﺪ ﺑﺎﻛﺜﲑ‪ /‬ﻣﻦ ﺫﺍﻛﺮﺓ ﺍﻟﺘﺎﺭﻳﺦ ﺍﻹﺳﻼﻣﻲ‪/‬‬ ‫ﺑﻼﺩﻧﺎ ﻭﺍﻟﺘﻤﻴﺰ‪ /‬ﺇﺳﻼﻣﻴﺔ ﺍﻷﺩﺏ‪ :‬ﳌﺎﺫﺍ ﻭﻛﻴﻒ؟ ﻭﺗﻨﺘﻈﺮ ﺍﻷﻣﺔ ﻣﻨﻪ ﺍﳌﺰﻳﺪ‪ ،‬ﻓﺎﻗﺮﺃ ﻭﺍﻃﺮﺏ‪:‬‬

‫ﻋﻨﺎﻗﻴﺪ ﺍﻟﻀﻴﺎﺀ‬

‫ﰲ ﻣﺪﺡ ﺳﻴﺪﻧﺎ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﻫ ﹼﻞ ﺍﳍﻼﻝ ﻓﻜﻴﻒ ﺿﻞ ﺍﻟﺴﺎﺭﻱ؟ **** ﻭﻋﻼﻡ ﺗﺒﻘﻰ ﺣﲑﺓ ﺍﶈﺘﺎﺭ!؟‬ ‫ﺿﺤﻚ ﺍﻟﻄﺮﻳﻖ ﻟﺴﺎﻟﻜﻴﻪ ﻓﻘﻞ ﳌﻦ **** ﻳﻠﻮﻱ ﺧﻄﺎﻩ ﻋﻦ ﺍﻟﻄﺮﻳﻖ‪ :‬ﺣﺬﺍ ِﺭ‬ ‫ﻭﺗﻨﻔﺲ ﺍﻟﺼﺒﺢ ﺍﻟﻮﺿﻲﺀ ﻓﻼ ﺗﺴﻞ **** ﻋﻦ ﻓﺮﺣﺔ ﺍﻷﻏﺼﺎﻥ ﻭﺍﻷﺷﺠﺎ ِﺭ‬ ‫ﻏﻨ‪‬ﺖ ﺑﻮﺍﻛﲑ ﺍﻟﺼﺒﺎﺡ ﻓﺤﺮ‪‬ﻛﺖ **** ﺷﺠﻮ ﺍﻟﻄﻴﻮﺭ ﻭﳍﻔﺔ ﺍﻷﺯﻫﺎ ِﺭ‬ ‫ﻏﻨ‪‬ﺖ ﻓﻤﻜﹼﺔ ﻭﺟﻬﻬﺎ ﻣﺘﺄﻟﻖ **** ﺃﻣ ﹰﻠﺎ‪ ..‬ﻭﻭﺟﻪ ﻃﻐﺎ‪‬ﺎ ﻣﺘﻮﺍ ِﺭ‬ ‫ﻫ ﹼﻞ ﺍﳍﻼﻝ ﻓﻼ ﺍﻟﻌﻴﻮﻥ ﺗﺮﺩﺩﺕ **** ﻓﻴﻤﺎ ﺭﺃﺗﻪ ﻭﻻ ﺍﻟﻌﻘﻮﻝ ﲤﺎﺭﻱ‬ ‫ﻭﺍﳉﺎﻫﻠﻴﺔ ﻗﺪ ﺑﻨﺖ ﺃﺳﻮﺍﺭﻫﺎ **** ﺩﻭﻥ ﺍﳍﺪﻯ ﻓﺎﻧﻈﺮ ﺇﱃ ﺍﻷﺳﻮﺍ ِﺭ‬ ‫ﻭﺍﻗﺮﺃ ﻋﻠﻴﻬﺎ ﺳﻮﺭﺓ ﺍﻟﻔﺘﺢ ﺍﻟﱵ **** ﻧﺰﻟﺖ‪ ..‬ﻭﻻ ﺗﺮﻛﻦ ﺇﱃ ﺍﻟﻜﻔﹼﺎ ِﺭ‬ ‫ﺃﻭﻣﺎ ﺗﺮﻯ ﺍﻟﺒﻄﺤﺎﺀ ﺗﻔﺘﺢ ﻗﻠﺒﻬﺎ **** ﻓﺮﺣﺎ ﲟﻘﺪﻡ ﺳﻴﺪ ﺍﻷﺑﺮﺍ ِﺭ!‬ ‫ﻋﻄﺸﻰ ﻳﻠ ‪‬ﻤﻈﻬﺎ ﺍﳊﻨﲔ ﻭﱂ ﺗﺰﻝ **** ‪‬ﻔﻮ ﺇﱃ ﻏﻴﺚ ﺍﳍﺪﻯ ﺍﳌﺪﺭﺍﺭ‬ ‫ﻣﺎﺫﺍ ﺗﺮﻯ ﺍﻟﺼﺤﺮﺍﺀ ﰲ ﺟﻨﺢ ﺍﻟﺪﺟﻰ!؟ **** ﻫﻲ ﻻ ﺗﺮﻯ ﺇﻻ ﺍﻟﻀﻴﺎﺀ ﺍﻟﺴﺎﺭﻱ‬ ‫ﻭﺗﺮﻯ ﻋﻠﻰ ﻃﻴﻒ ﺍﳌﺴﺎﻓﺮ ﻫﺎﻟﺔ **** ﺑﻴﻀﺎﺀ‪ ..‬ﺗﺴﺮﻕ ﳍﻔﺔ ﺍﻷﻧﻈﺎ ِﺭ‬

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‫ﻭﺗﺮﻯ ﻋﻨﺎﻗﻴﺪ ﺍﻟﻀﻴﺎﺀ ﻭﻟﻮﺣﺔ **** ﺧﻀﺮﺍﺀ ﻗﺪ ﻋﺮﺿﺖ ﺑﻐﲑ ﺇﻃﺎ ِﺭ‬ ‫ﻫﻲ ﻻ ﺗﺮﻯ ﺇﻻ ﻃﻠﻮﻉ ﺍﻟﺒﺪﺭ ﰲ **** ﻏﺴﻖ ﺍﻟﺪﺟﻰ ﻭﺳﻌﺎﺩﺓ ﺍﻷﻣﺼﺎ ِﺭ‬ ‫ﻣﺎ ﺯﻟﺖ ﺃﲰﻌﻬﺎ ﺗﺼﻮﻍ ﺳﺆﺍﳍﺎ **** ﺑﻌﺒﺎﺭﺓ ﲣﻠﻮ ﻣﻦ ﺍﻟﺘﻜﺮﺍ ِﺭ‬ ‫ﻫﻞ ﻳﺴﺘﻄﻴﻊ ﺍﻟﻠﻴﻞ ﺃﻥ ﻳﺒﻘﻰ ﺇﺫﺍ **** ﺃﻟﻘﻰ ﺍﻟﺼﺒﺎﺡ ﻗﺼﻴﺪﺓ ﺍﻷﻧﻮﺍ ِﺭ!؟‬ ‫ﻣﺎﺫﺍ ﻳﻘﻮﻝ ﺣﺮﺍﺀ ﰲ ﺍﻟﺰﻣﻦ ﺍﻟﺬﻱ **** ﻏﻠﺒﺖ ﻋﻠﻴﻪ ﺷﻄﺎﺭﺓ ﺍﻟﺸﻄﹼﺎ ِﺭ!؟‬ ‫ﻣﺎﺫﺍ ﻳﻘﻮﻝ ﻟﻼ‪‬ﻢ ﻭﻣﻨﺎ‪‬ﻢ!؟ **** ﻣﺎﺫﺍ ﻳﻘﻮﻝ ﻟﻄﻐﻤﺔ ﺍﻟﻜﻔﹼﺎ ِﺭ!؟‬ ‫ﻣﺎﺫﺍ ﻳﻘﻮﻝ؟! ﻭﻣﺎ ﻳﺰﺍﻝ ﳏ ﹼﻔ ‪‬ﺰﺍ **** ﻣﺘﻄﻠﻌﺎ ﳋﺒﻴﺌﺔ ﺍﻷﻗﺪﺍ ِﺭ‬ ‫ﻃﺐ ﻳﺎ ﺣﺮﺍﺀ ﻓﻠﻠﻴﺘﻴﻢ ﺣﻜﺎﻳﺔ **** ﻧﺴﺠﺖ ﻭﻣﻨﻚ ﺑﺪﺍﻳﺔ ﺍﳌﺸﻮﺍ ِﺭ‬ ‫ﺃﻭ ﻣﺎ ﺗﺮﺍﻩ ﳚﻲﺀ ﳓﻮﻙ ﻋﺎﺑ ‪‬ﺪﺍ **** ﻣﺘﺒﺘ ﹰﻠﺎ ﻟﻠﻮﺍﺣﺪ ﺍﻟﻘﻬﺎ ِﺭ‬ ‫ﺃﻭﻣﺎ ﺗﺮﻯ ﰲ ﺍﻟﻠﻴﻞ ﻓﻴﺾ ﺩﻣﻮﻋﻪ **** ﺃﻭﻣﺎ ﺗﺮﻯ ﳒﻮﺍﻩ ﺑﺎﻷﺳﺤﺎ ِﺭ‬ ‫ﺃﲰﻌﺖ ﺷﻴﺌﺎ ﻳﺎ ﺣﺮﺍﺀ ﻋﻦ ﺍﻟﻔﱴ **** ﺃﻗﺮﺃﺕ ﻋﻨﻪ ﺩﻓﺎﺗﺮ ﺍﻷﺧﻴﺎ ِﺭ‬ ‫ﻃﺐ ﻳﺎ ﺣﺮﺍﺀ ﻓﺄﻧﺖ ﺃﻭﻝ ﺑﻘﻌﺔ **** ﰲ ﺍﻷﺭﺽ ﺳﻮﻑ ﺗﻔﻴﺾ ﺑﺎﻷﺳﺮﺍ ِﺭ‬ ‫ﻃﺐ ﻳﺎ ﺣﺮﺍﺀ ﻓﺄﻧﺖ ﺷﺎﻃﺊ ﻣﺮﻛﺐ **** ﻣﺎ ﺯﺍﻝ ﻳﺮﺳﻢ ﻟﻮﺣﺔ ﺍﻹﲝﺎ ِﺭ‬ ‫ﻣﺎﺟﺖ ﲝﺎﺭ ﺍﻟﻜﻔﺮ ﺣﲔ ﺟﺮﻯ ﻋﻠﻰ **** ﺃﻣﻮﺍﺟﻬﺎ ﺍﻟﺮﻋﻨﺎﺀ ﰲ ﺇﺻﺮﺍ ِﺭ‬ ‫ﻭﺗﺴﺎﺀﻝ ﺍﻟﻜﻔﺎﺭ ﺣﲔ ﺑﺪﺕ ﳍﻢ **** ﰲ ﻇﻠﻤﺔ ﺍﻷﻫﻮﺍﺀ ﴰﻌﺔ ﺳﺎ ِﺭ‬ ‫ﻣﻦ ﺫﻟﻚ ﺍﻵﰐ ﳝﺪ ﻟﻠﻴﻠﻨﺎ **** ﻗﺒﺴﺎ ﺳﻴﻜﺸﻒ ﻋﻦ ﺧﺒﺎﻳﺎ ﺍﻟﺪﺍ ِﺭ‬ ‫ﻣﻦ ﺫﻟﻚ ﺍﻵﰐ ﻳﺰﻟﺰﻝ ﻣﻠﻜﻨﺎ **** ﻭﻳﺮﻯ ﻋﺒﻴﺪ ﺍﻟﻘﻮﻡ ﻛﺎﻷﺣﺮﺍ ِﺭ‬ ‫ﻣﺎ ﺑﺎﻟﻪ ﻳﺘﻠﻮ ﻛﻼﻣﺎ ﺳﺎﺣ ‪‬ﺮﺍ **** ﻳﻐﺮﻱ ﻭﻳﻠﻘﻲ ﺧﻄﺒﺔ ﺍﺳﺘﻨﻔﺎ ِﺭ‬ ‫ﻫﺬﺍ ﳏﻤﺪ ﻳﺎ ﻗﺮﻳﺶ ﻛﺄﻧﻜﻢ **** ﱂ ﺗﻌﺮﻓﻮﻩ ﺑﻌﻔﺔ ﻭﻭﻗﺎ ِﺭ‬ ‫ﻫﺬﺍ ﺍﻷﻣﲔ‪ :‬ﺃﲡﻬﻠﻮﻥ ﻧﻘﺎﺀﻩ **** ﻭﺻﻔﺎﺀﻩ‪ ..‬ﻭﻭﻓﺎﺀﻩ ﻟﻠﺠﺎﺭ! ِ؟‬ ‫ﻫﺬﺍ ﺍﻟﺼﺪﻭﻕ ﺗﻄﻬﺮﺕ ﺃﻋﻤﺎﻗﻪ **** ﻓﺄﺗﻰ ﻟﲑﻓﻌﻜﻢ ﻋﻦ ﺍﻷﻗﺬﺍ ِﺭ‬ ‫ﻃﺐ ﻳﺎ ﺣﺮﺍﺀ ﻓﺄﻧﺖ ﺃﻭﻝ ﺳﺎﺣﺔ **** ﺳﺘﻠﲔ ﻓﻴﻬﺎ ﻗﺴﻮﺓ ﺍﻷﺣﺠﺎ ِﺭ‬ ‫ﺳﺘﺮﻯ ﺗﻮﻫﺞ ﳊﻈﺔ ﺍﻟﻮﺣﻲ ﺍﻟﺬﻱ **** ﺳﻴﻔﻴﺾ ﺑﺎﻟﺘﺒﺸﲑ ﻭﺍﻹﻧﺬﺍ ِﺭ‬ ‫‪133‬‬

‫ﺍﻗﺮﺃ‪ :‬ﺃﱂ ﺗﺴﻤﻊ ﺃﻣﲔ ﺍﻟﻮﺣﻲ ﺇﺫ **** ﻧﺎﺩﻯ ﺍﻟﺮﺳﻮﻝ ﻓﻘﺎﻝ ﻟﺴﺖ ﺑﻘﺎﺭﻱ!؟‬ ‫ﺍﻗﺮﺃ ﻓﺪﻳﺘﻚ ﻳﺎ ﳏﻤﺪ ﻋﻨﺪﻣﺎ **** ﻭﺍﺟﻬﺖ ﻫﺬﺍ ﺍﻷﻣﺮ ﺑﺎﺳﺘﻔﺴﺎ ِﺭ‬ ‫ﻭﻓﺪﻳﺖ ﺻﻮﺗﻚ ﺇﺫ ﺭﺩﺩ‪‬ﺎ **** ﺁ‪‬ﻳﺎ ﻣﻦ ﺍﻟﻘﺮﺁﻥ ﺑﺎﺳﻢ ﺍﻟﺒﺎﺭﻱ‬ ‫ﻭﻓﺪﻳﺖ ﺻﻮﺗﻚ ﺧﺎﺋﻔﺎ ﻣﺘﻬﺪﺟﺎ **** ﺗﺪﻋﻮ ﺧﺪﳚﺔ‪ :‬ﺃﺳﺮﻋﻲ ﺑﺪﺛﺎﺭﻱ‬ ‫ﻭﻓﺪﻳﺖ ﺻﻮﺗﻚ ﻧﺎﻃﻖ ﺑﺎﳊﻖ ﱂ **** ﳝﻨﻌﻚ ﻣﺎ ﻻﻗﻴﺖ ﻣﻦ ﺇﻧﻜﺎ ِﺭ‬ ‫ﻭﻓﺪﻳﺖ ﺯﻫﺪﻙ ﰲ ﻣﺒﺎﻫﺞ ﻋﻴﺸﻬﻢ **** ﻭﺧﻠﻮ ﻗﻠﺒﻚ ﻣﻦ ﻫﻮﻯ ﺍﻟﺪﻳﻨﺎ ِﺭ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﻷﺑﺮﺍﺭ ﺣﺒﻚ ﺩﻭﺣﺔ **** ﰲ ﺧﺎﻃﺮﻱ‪ ..‬ﺻﺪ‪‬ﺍﺣﺔ ﺍﻷﻃﻴﺎ ِﺭ‬ ‫ﻭﺍﻟﺸﻮﻕ‪ :‬ﻣﺎ ﻫﺬﺍ ﺑﺸﻮﻕ؛ ﺇﻧﻪ **** ﰲ ﻗﻠﱯ ﺍﻟﻮﳍﺎﻥ ﺟﺬﻭﺓ ﻧﺎ ِﺭ‬ ‫ﺣﺎﻭﻟﺖ ﺇﻋﻄﺎﺀ ﺍﳌﺸﺎﻋﺮ ﺻﻮﺭﺓ **** ﻓﺘﻬﻴﺒﺖ ﻣﻦ ﻭﺻﻔﻬﺎ ﺃﺷﻌﺎ ِﺭﻱ‬ ‫ﻣﺎﺫﺍ ﻳﻘﻮﻝ ﺍﻟﺸﻌﺮ ﻋﻦ ﺑﺪﺭ ﺍﻟﺪﺟﻰ **** ﳌﹼﺎ ﻳﻀﻲﺀ ﳎﺎﻟﺲ ﺍﻟﺴﻤﺎ ِﺭ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﻷﺑﺮﺍﺭ ﺃﻣﺘﻚ ﺍﻟﱵ **** ﺣﺮﺭ‪‬ﺎ ﻣﻦ ﻗﺒﻀﺔ ﺍﻷﺷﺮﺍ ِﺭ‬ ‫ﻭﻏﺴﻠﺖ ﻣﻦ ﺩﺭﻥ ﺍﻟﺮﺫﻳﻠﺔ ﺛﻮ‪‬ﺎ **** ﻭﺻﺮﻓﺖ ﻋﻨﻬﺎ ﻗﺴﻮﺓ ﺍﻹﻋﺼﺎ ِﺭ‬ ‫ﻭﺭﻓﻌﺖ ﺑﺎﻟﻘﺮﺁﻥ ﻗﺪﺭ ﺭﺟﺎﳍﺎ **** ﻭﺳﻘﻴﺘﻬﺎ ﺑﺎﳊﺐ ﻭﺍﻹﻳﺜﺎ ِﺭ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﻷﺑﺮﺍﺭ ﺃﻣﺘﻚ ﺍﻟﺘﻮﺕ **** ﰲ ﻋﺼﺮﻧﺎ‪ ..‬ﻭﻣﻀﺖ ﻣﻊ ﺍﻟﺘﻴﺎ ِﺭ‬ ‫ﺷﺮﺑﺖ ﻛﺆﻭﺱ ﺍﻟﺬﻝ ﺣﲔ ﺗﻌﻠﻘﺖ **** ﺑﺜﻘﺎﻓﺔ ﻣﺴﻤﻮﻣﺔ ﺍﻷﻓﻜﺎ ِﺭ‬ ‫ﺇﱐ ﺇﺭﺍﻫﺎ ﻭﻫﻲ ﺗﺴﺤﺐ ﺛﻮ‪‬ﺎ **** ﳐﺪﻭﻋﺔ ﰲ ﻗﺒﻀﺔ ﺍﻟﺴﻤﺴﺎ ِﺭ‬ ‫ﺇﱐ ﺃﺭﺍﻫﺎ ﺗﺴﺘﻄﻴﺐ ﺧﻀﻮﻋﻬﺎ **** ﻭﺗﻠﲔ ﻟﻠﺮﻫﺒﺎﻥ‪ ..‬ﻭﺍﻷﺣﺒﺎ ِﺭ‬ ‫ﺇﱐ ﺃﺭﻯ ﻓﻴﻬﺎ ﻣﻼﻣﺢ ﺧﻄﺔ **** ﻟﻠﻤﻌﺘﺪﻳﻦ‪ ..‬ﻏﺮﻳﺒﺔ ﺍﻷﻃﻮﺍ ِﺭ‬ ‫ﺇﱐ ﺃﺭﻯ ﺑﺪﻉ ﺍﳌﻮﺍﻟﺪ ﺃﺻﺒﺤﺖ **** ﺩﺍﺀ ﻳﻬﺪﺩ ﻣﻨﻬﺞ ﺍﻷﺧﻴﺎ ِﺭ‬ ‫ﻭﺃﺭﻯ ﺍﻟﻘﺒﺎﺏ ﻋﻠﻰ ﺍﻟﻘﺒﻮﺭ ﺗﻄﺎﻭﻟﺖ **** ﺗﻐﺮﻱ ﺍﻟﻌﻴﻮﻥ ﺑﻔﻨﻬﺎ ﺍﳌﻌﻤﺎﺭﻱ‬ ‫ﻳﺘﱪﻛﻮﻥ ‪‬ﺎ ﺗﱪﻙ ﺟﺎﻫﻞ **** ﺃﻋﻤﻰ ﺍﻟﺒﺼﲑﺓ‪ ..‬ﻓﺎﻗﺪ ﺍﻹﺑﺼﺎ ِﺭ‬ ‫ﻓﺮﻕ ﻣﻀﻠﻠﺔ ﲡﺴﺪ ﺣﺒﻬﺎ **** ﻟﻠﻤﺼﻄﻔﻰ ﺑﺎﻟﺸﻄﺢ ﻭﺍﳌﺰﻣﺎ ِﺭ‬ ‫ﺃﻧﺎ ﻟﺴﺖ ﺃﻋﺮﻑ‪ :‬ﻛﻴﻒ ﳚﻤﻊ ﻋﺎﻗﻞ **** ﺑﲔ ﺍﻣﺘﺪﺍﺡ ﻧﺒﻴﻨﺎ ﻭﺍﻟﻄﺎ ِﺭ!؟‬ ‫‪134‬‬

‫ﻛﱪﺕ ﺩﻭﺍﺋﺮ ﺣﺰﻧﻨﺎ‪ ..‬ﻭﺗﻌﺎﻇﻤﺖ **** ﰲ ﻋﺎﱂ ﺃﺿﺤﻰ ﺑﻐﲑ ﻗﺮﺍ ِﺭ‬ ‫ﺇﱐ ﺃﻗﻮﻝ ﳌﻦ ﳜﺎﺩﻉ ﻧﻔﺴﻪ **** ﻭﻳﻌﻴﺶ ﲢﺖ ﺳﻨﺎﺑﻚ ﺍﻷﻭﺯﺍ ِﺭ‬ ‫ﺳﻞ ﺃﻳﻬﺎ ﺍﳌﺨﺪﻭﻉ ﻃﻴﺒﺔ ﻋﻨﺪﻣﺎ **** ﺑﻠﻐﺖ ﻣﺪﺍﻫﺎ ﻧﺎﻗﺔ ﺍﳌﺨﺘﺎ ِﺭ‬ ‫ﺳﻞ ﺻﻮ‪‬ﺎ ﳌﺎ ﺗﻌﺎﱃ ﻫﺎﺗﻔﺎ **** ﻭﺷﺪﺍ ﺑﺄﻟﻒ ﻗﺼﻴﺪﺓ ﺍﺳﺘﺒﺸﺎ ِﺭ‬ ‫ﺳﻞ ﻋﻦ ﺣﻨﲔ ﺍﳉﺬﻉ ﰲ ﳏﺮﺍﺑﻪ **** ﻭﻋﻦ ﺍﳊﺼﻰ ﰲ ﳊﻈﺔ ﺇﺳﺘﻐﻔﺎ ِﺭ‬ ‫ﺳﻞ ﺻﺤﺒﻪ ﺍﻟﺼﺪﻳﻖ‪ ..‬ﻭﻫﻮﺃﻧﻴﺴﻪ **** ﰲ ﺩﺭﺑﻪ‪ ..‬ﻭﺭﻓﻴﻘﻪ ﰲ ﺍﻟﻐﺎ ِﺭ‬ ‫ﺳﻞ ﲪﺰﺓ ﺍﻷﺳﺪ ﺍﳍﺼﻮﺭ‪ ..‬ﻓﻌﻨﺪﻩ **** ﺧﱪ ﻋﻦ ﺍﳉﻨﺎﺕ ﻭﺍﻷ‪‬ﺎ ِﺭ‬ ‫ﺳﻞ ﻭﺟﻪ ﺣﻨﻈﻠﺔ ﺍﻟﻐﺴﻴﻞ‪ ..‬ﻓﺮﲟﺎ **** ﺃﻓﻀﻰ ﺇﻟﻴﻚ ﺍﻟﻮﺟﻪ ﺑﺎﻷﺳﺮﺍ ِﺭ‬ ‫ﺳﻞ ﻣﺼﻌ‪‬ﺒﺎ ﳌﺎ ﺗﻘﺎﺻﺮ ﺛﻮﺑﻪ **** ﻋﻦ ﺟﺴﻤﻪ‪ ..‬ﻭﻣﻀﻰ ﺑﻨﺼﻒ ﺇﺯﺍ ِﺭ‬ ‫ﺳﻞ ﰲ ﺭﻳﺎﺽ ﺍﳉﻨﺔ ﺍﺑﻦ ﺭﻭﺍﺣ ٍﺔ **** ﻭﺍﺳﺄﻝ ﺟﻨﺎﺣﻲ ﺟﻌﻔ ‪‬ﺮ ﺍﻟﻄﻴﺎ ِﺭ‬ ‫ﺳﻞ ﻛﻞ ﻣﻦ ﺭﻓﻌﻮﺍ ﺷﻌﺎﺭ ﻋﻘﻴﺪﺓ **** ﻭ‪‬ﺎ ﺍﻏﺘﻨﻮﺍ ﻋﻦ ﺭﻓﻊ ﻛﻞ ﺷﻌﺎ ِﺭ‬ ‫ﺳﻠﻬﻢ ﻋﻦ ﺍﳊﺐ ﺍﻟﺼﺤﻴﺢ ﻭﻭﺻﻔﻪ **** ﻓﻠﺴﻮﻑ ﺗﺴﻤﻊ ﺻﺎﺩﻕ ﺍﻷﺧﺒﺎ ِﺭ‬ ‫ﺣﺐ ﺍﻟﺮﺳﻮﻝ ﲤﺴﻚ ﺑﺸﺮﻳﻌﺔ **** ﻏﺮ‪‬ﺍﺀ ﰲ ﺍﻹﻋﻼﻥ ﻭﺍﻹﺳﺮﺍ ِﺭ‬ ‫ﺣﺐ ﺍﻟﺮﺳﻮﻝ ﺗﻌﻠﻖ ﺑﺼﻔﺎﺗﻪ **** ﻭﲣﻠﻖ ﲞﻼﺋﻖ ﺍﻷﻃﻬﺎ ِﺭ‬ ‫ﺣﺐ ﺍﻟﺮﺳﻮﻝ ﺣﻘﻴﻘﺔ ﳛﻴﺎ ‪‬ﺎ **** ﻗﻠﺐ ﺍﻟﺘﻘﻲ‪ ..‬ﻋﻤﻴﻘﺔ ﺍﻵﺛﺎ ِﺭ‬ ‫ﺇﺣﻴﺎﺀ ﺳﻨﺘﻪ‪ ..‬ﺇﻗﺎﻣﺔ ﺷﺮﻋﻪ **** ﰲ ﺍﻷﺭﺽ‪ ..‬ﺩﻓﻊ ﺍﻟﺸﻚ ﺑﺎﻹﻗﺮﺍ ِﺭ‬ ‫ﺇﺣﻴﺎﺀ ﺳﻨﺘﻪ ﺣﻘﻴﻘﺔ ﺣﺒﻪ **** ﰲ ﺍﻟﻘﻠﺐ ﰲ ﺍﻟﻜﻠﻤﺎﺕ ﰲ ﺍﻷﻓﻜﺎ ِﺭ‬ ‫ﻳﺎ ﺳﻴﺪ ﺍﻷﺑﺮﺍﺭ ﺣﺒﻚ ﰲ ﺩﻣﻲ **** ‪‬ﺮ ﻋﻠﻰ ﺃﺭﺽ ﺍﻟﺼﺒﺎﺑﺔ ﺟﺎ ِﺭ‬ ‫ﻳﺎ ﻣﻦ ﺗﺮﻛﺖ ﻟﻨﺎ ﺍﶈﺠﺔ ﻧﺒﻌﻬﺎ **** ﻧﺒﻊ ﺍﻟﻴﻘﲔ‪ ..‬ﻭﻟﻴﻠﻬﺎ ﻛﻨﻬﺎ ِﺭ‬ ‫ﺳ‪‬ﺤﺐ ﻣﻦ ﺍﻹﳝﺎﻥ ﺗﻨﻌﺶ ﺃﺭﺿﻨﺎ **** ﺑﺎﻟﻐﻴﺚ ﺣﲔ ﲣﻠﻒ ﺍﻷﻣﻄﺎ ِﺭ‬ ‫ﻟﻚ ﻳﺎ ﻧﱯ ﺍﷲ ﰲ ﺃﻋﻤﺎﻗﻨﺎ **** ﻗﻤﻢ ﻣﻦ ﺍﻹﺟﻼﻝ ﻭﺍﻹﻛﺒﺎ ِﺭ‬ ‫ﻋﻬﺪ ﻋﻠﻴﻨﺎ ﺃﻥ ﻧﺼﻮﻥ ﻋﻘﻮﻟﻨﺎ **** ﻋﻦ ﻭﻫﻢ ﻣﺒﺘﺪﻉ ﻭﻇ ‪‬ﻦ ﳑﺎ ِﺭ‬

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‫ﻋﻠﻤﺘﻨﺎ ﻣﻌﲎ ﺍﻟﻮﻻﺀ ﻟﺮﺑﻨﺎ **** ﻭﺍﻟﺼﱪ ﻋﻨﺪ ﺗﺰﺍﺣﻢ ﺍﻷﺧﻄﺎ ِﺭ‬ ‫ﻭﺭﲰﺖ ﻟﻠﺘﻮﺣﻴﺪ ﺃﻛﻤﻞ ﺻﻮﺭﺓ **** ﻧﻔﻀﺖ ﻋﻦ ﺍﻷﺫﻫﺎﻥ ﻛﻞ ﻏﺒﺎ ِﺭ‬ ‫ﻓﺮﺟﺎﺅﻧﺎ‪ ..‬ﻭﺩﻋﺎﺅﻧﺎ‪ ..‬ﻭﻳﻘﻴﻨﻨﺎ **** ﻭﻭﻻﺅﻧﺎ ﻟﻠﻮﺍﺣﺪ ﺍﻟﻘﻬﺎ ِﺭ‬ ‫ﻭﻟﻠﺪﻛﺘﻮﺭ ﺍﻟﻌﺸﻤﺎﻭﻱ ﺭﺍﺋﻴﺔ ﺃﺧﺮﻯ ﺑﺪﻳﻌﺔ ﰲ ﻣﺪﺡ ﺳﻴﺪﻱ ﺍﳌﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬ ‫ﻣﻦ ﻧﺒﻊ ﻫﺪﻳﻚ ﺗﺴﺘﻘﻲ ﺍﻷﻧﻮﺍ ‪‬ﺭ ***ﻭﺇﱃ ﺿﻴﺎﺋﻚ ﺗﻨﺘﻤﻲ ﺍﻷﻗﻤﺎ ‪‬ﺭ‬ ‫ﺭﺏ ﺍﻟﻌﺒﺎﺩ ﺣﺒﺎﻙ ﺃﻋﻈﻢ ﻧﻌﻤﺔ *** ﺩﻳﻨ‪‬ﺎ‪ ..‬ﻳﻌ ‪‬ﺰ ﺑﻌ ‪‬ﺰّﻩ ﺍﻷﺧﻴﺎﺭ‬ ‫ﺣ‪‬ﻔﻈﺖ ﺑﻚ ﺍﻷﺧﻼﻕ ﺑﻌﺪ ﺿﻴﺎﻋﻬﺎ *** ﻭﺗﺴﺎﻣﻘﺖ ﰱ ﺭﻭﺿﻬﺎ ﺍﻷﺷﺠﺎﺭ‬ ‫ﺖ ﺑﻪ ‪ -‬ﻭﺑﺪﻳﻨﻪ ‪ -‬ﺍﻷﺧﺒﺎﺭ‬ ‫ﻭﺑ‪‬ﻌﺜﺖ ﻟﻠﺜﻘﻠﲔ ﺑﻌﺜﺔ ﺳﻴ ٍﺪ *** ﺻﺪﻗ ‪‬‬ ‫ﺃﺻﻐﺖ ﺇﻟﻴﻚ ﺍﳉﻦ ﻭﺍﻧﺒﻬﺮﺕ ﲟﺎ *** ﺗﺘﻠﻮ‪ ،‬ﻭ ‪‬ﻋ ‪‬ﻢ ﻗﻠﻮ‪‬ﺎ ﺍﺳﺘﺒﺸﺎﺭ‬ ‫ﻳﺎ ﺧﲑ ﻣﻦ ﻭﻃﺊ ﺍﻟﺜﺮﻯ‪ ..‬ﻭﺗﺸﺮﻓﺖ *** ﲟﺴﲑﻩ ﺍﻟﻜﺜﺒﺎﻥ ﻭﺍﻷﺣﺠﺎﺭ‬ ‫ﻳﺎ ﻣﻦ ﺗﺘﻮﻕ ﺇﱃ ﳏﺎﺳﻦ ﻭﺟﻬﻪ *** ﴰﺲ‪ ..‬ﻭﻳ ﹾﻔ ‪‬ﺮﺡ‪ ‬ﺃﻥ ﻳﺮﺍﻩ ‪‬ﺎﺭ‬ ‫ﻑ ﺍﻷﻧﺼﺎﺭ‬ ‫ﺖ ﺣﲔ ﺗﺸﺮ‪‬ﻓﺖ *** ﺑﻚ ﻫﺠﺮﺓ‪ ..‬ﻭﺗﺸ ‪‬ﺮ ‪‬‬ ‫ﺑﺄﰊ ﻭﺃﻣﻲ ﺃﻧ ‪‬‬ ‫ﺕ ﻣﺪﺭﺳﺔ ﺍﻟﻨﺒﻮﺓ‪ ..‬ﻓﺎﺳﺘﻘﻰ *** ﻣﻦ ﻋﻠﻤﻬﺎ ﻭﻳﻘﻴﻨﻬﺎ ﺍﻷﺑﺮﺍﺭ‬ ‫ﺸ ﹾﺄ ‪‬‬ ‫ﺃ‪‬ﻧ ‪‬‬ ‫ﻫﻲ ﻟﻠﻌﻠﻮﻡ ﻗﺪﳝﻬﺎ ﻭﺣﺪﻳﺜﻬﺎ ***ﻭﳌﻨﻬﺞ ﺍﻟﺪﻳﻦ ﺍﳊﻨﻴﻒ ﻣﻨﺎﺭ‬ ‫ﺖ ﺑﻪ‪ ..‬ﻭﺑﻌﻠﻤﻪ ﺍﻵﺛﺎﺭ‬ ‫ﷲ ﺩﺭﻙ ﻣﺮﺷﺪ‪‬ﺍ ﻭﻣﻌﻠﻤ‪‬ﺎ *** ‪‬ﺷﺮ‪ ‬ﹶﻓ ‪‬‬ ‫ﺖ ﻓﻴﻬﺎ ﻣﻦ ﺭﺟﺎﻟﻚ ﺛﹸ ﱠﻠ ﹰﺔ *** ﺑﺎﳊ ‪‬ﻖ ﻃﺎﻓﻮﺍ ﰲ ﺍﻟﺒﻼﺩ‪ ..‬ﻭﺩﺍﺭﻭﺍ‬ ‫ﺭ‪‬ﺑ ‪‬ﻴ ‪‬‬ ‫ﻗﻮﻡ ﺇﺫﺍ ﺩﻋﺖ ﺍﳌﻄﺎﻣﻊ ﺃﻏﻠﻘﻮﺍ *** ﻓﻤﻬﺎ‪ ،‬ﻭﺇﻥ ﺩﻋﺖ ﺍﳌﻜﺎﺭﻡ ﻃﺎﺭﻭﺍ‬ ‫ﺇﻥ ﻭﺍﺟﻬﻮﺍ ﻇﻠﻤﺎ ﺭﻣﻮﻩ ﺑﻌﺪﳍﻢ *** ﻭﺇِﺫﺍ ﺭﺃﻭﺍ ﻟﻴﻞ ﺍﻟﻀﻼﻝ ﺃﻧﺎﺭﻭﺍ‬ ‫ﻗﺪ ﻛﻨﺖ ﻗﺮﺁﻧﺎ ﻳﺴﲑ ﺃﻣﺎﻣﻬﻢ *** ﻭﺑﻚ ﺍﻗﺘﺪﻭﺍ ﻓﺄﺿﺎﺀﺕ ﺍﻷﻓﻜﺎﺭ‬ ‫ﻋﻤﺮﻭﺍ ﺍﻟﻘﻠﻮﺏ ﻛﻤﺎ ‪‬ﻋ ‪‬ﻤﺮ‪‬ﺕ‪ ،‬ﻓﻤﺎ ﻣﻀﻮﺍ *** ﺇﻻ ﻭﺃﻓﺌﺪﺓ ﺍﻟﻌﺒﺎﺩ ‪‬ﻋﻤ‪‬ﺎﺭ‬ ‫ﺕ ﺇﻟﻴﻚ ﲟﺪﺣﻪ ﺍﻷﺷﻌﺎﺭ‬ ‫ﺢ ﻟﺴﺎﻧﻪ *** ﻟﺴﺮ ‪‬‬ ‫ﻟﻮ ﺃﻃﻠﻖ ﺍﻟﻜﻮ ﹸﻥ ﺍﻟﻔﺴﻴ ‪‬‬ ‫‪136‬‬

‫ﺕ ‪‬ﻣ ‪‬ﻦ ﲰﻌﻮﺍ‪ :‬ﻫﻮ ﺍﳌﺨﺘﺎ ‪‬ﺭ‬ ‫ﺕ *** ﺃﺻﻮﺍ ‪‬‬ ‫ﲑ ﺍﻟﻌﺒﺎﺩِ؟ ﻟﺮﺩ‪‬ﺩ ‪‬‬ ‫ﻟﻮ ﻗﻴﻞ‪ :‬ﻣ ‪‬ﻦ ﺧ ‪‬‬ ‫ﺖ ﺃﻓﻀ ﹸﻞ ﻣﺮﺳ ٍﻞ *** ﻭﺃﻋ ‪‬ﺰ ﻣﻦ ﺭﲰﻮﺍ ﺍﻟﻄﺮﻳﻖ ﻭﺳﺎﺭﻭﺍ‬ ‫ِﻟ ‪‬ﻢ ﻻ ﺗﻜﻮﻥ؟ ﻭﺃﻧ ‪‬‬ ‫ﲑ ﻏﺒﺎﺭ‬ ‫ﻣﺎ ﺃﻧﺖ ﺇﻻ ﺍﻟﺸﻤﺲ ﳝﻸ ﻧﻮﺭ‪‬ﻫﺎ *** ﺁﻓﺎﻗﹶﻨﺎ‪ ..‬ﻣﻬﻤﺎ ﺃﹸﺛ ‪‬‬ ‫ﻣﺎ ﺃﻧﺖ ﺇﻻ ﺃﲪﺪ ﺍﶈﻤﻮﺩ ﰲ *** ﻛﻞ ﺍﻷﻣﻮﺭ‪ ..‬ﺑﺬﺍﻙ ﻳﺸﻬﺪ ﻏﺎﺭ‬ ‫ﻭﺍﻟﻜﻌﺒﺔ ﺍﻟﻐﺮ‪‬ﺍ ُﺀ ﺗﺸﻬﺪ ﻣﺜﻠﻤﺎ *** ﺷﻬﺪ ﺍﳌﻘﺎﻡ‪ ..‬ﻭﺭﻛﻨﻬﺎ‪ ..‬ﻭﺍﻟﺪ‪‬ﺍﺭ‬ ‫ﺸﺘ‪‬ﺎ ‪‬ﺭ‬ ‫ﻳﺎ ﺧﲑ ﻣﻦ ﺻﻠﻰ ﻭﺻﺎﻡ ﻭﺧﲑ ﻣﻦ *** ﻗﺎﺩ ﺍﳊﺠﻴﺞ‪ ..‬ﻭﺧﲑ ﻣﻦ ‪‬ﻳ ‪‬‬ ‫ﺳﻘﻄﺖ ﻣﻜﺎﻧﺔ ﺷﺎﰎ‪ ..‬ﻭﺟﺰﺍﺅﻩ *** ﺇﻥ ﱂ ﻳﺘﺐ ﳑﺎ ﺟﻨﺎﻩ‪ :‬ﺍﻟﻨﺎﺭ‬ ‫ﺖ ‪‬ﺎ ﺍﻷﻭﺯﺍﺭ‬ ‫ﻟﻜﺄﻧﲏ ﲞﻄﺎﻩ ﺗﺄﻛﻞ ﺑﻌﻀﻬﺎ *** ﻭﻫﻨﺎ‪ ..‬ﻭﻗﺪ ﹶﺛﻘﹸ ﹶﻠ ‪‬‬ ‫ﺻﻐ‪‬ﺎﺭ‬ ‫ﻣﺎ ﻧﺎﻝ ﻣﻨﻚ ﻣﻨﺎﻓﻖ ﺃﻭﻛﺎﻓﺮ *** ﺑﻞ ﻣﻨﻪ ﻧﺎﻟﺖ ﺫﻟﺔ‪ ..‬ﻭ ‪‬‬ ‫ﺣﻠﹼﻘﺖ ﰲ ﺍﻷﻓﻖ ﺍﻟﺒﻌﻴﺪ‪ ..‬ﻓﻼ ﻳﺪ‪ *** ‬ﻭﺻﻠﺖ ﺇﻟﻴﻚ‪ ..‬ﻭﻻ ﻓﻢ‪ ‬ﻣﻬﺬﺍﺭ‬ ‫ﻭﺳﻜﻨﺖ ﰱ ﺍﻟﻔﺮﺩﻭﺱ ‪‬ﺳ ﹾﻜﻨ‪‬ﻰ ﻣﻦ ﺑﻪ *** ﻭﺑﺪﻳﻨﻪ ﻳﺘﻜﻔﱠﻞ ﺍﻟﻘﻬ‪‬ﺎﺭ‬ ‫ﺃﻋﻼﻙ ﺭﺑﻚ ﳘﺔ‪ ..‬ﻭﻣﻜﺎﻧﺔ *** ﻓﻠﻚ ﺍﻟﺴﻤﻮ‪ ..‬ﻭﻟﻠﺤﺴﻮﺩ ﺑﻮﺍﺭ‬ ‫ﺏ ﻧﻔﺴﻪ ﺍﻷﻗﺬﺍ ‪‬ﺭ‬ ‫ﺇﻧﺎ ﻟﻴﺆﳌﻨﺎ ﺗﻄﺎﻭﻝ ﻛﺎﻓﺮ *** ﻣﻸﺕ ﻣﺴﺎﺭ ‪‬‬ ‫ﻭﻳﺰﻳﺪﻧﺎ ﺃﳌﺎ ﲣﺎﺫﻝ ﺃﻣ ٍﺔ *** ﻳﺸﻜﻮ ﺍﻧﺪﺣﺎﺭ ﻏﺜﺎﺋﻬﺎ ﺍﳌﻠﻴﺎﺭ‬ ‫ﻭﻗﻔﺖ ﻋﻠﻰ ﺑﺎﺏ ﺍﳋﻀﻮﻉ‪ :‬ﺃﻣﺎﻣﻬﺎ *** ﻭﻫﻦ ﺍﻟﻘﻠﻮﺏ‪ ..‬ﻭﺧﻠﻔﻬﺎ ﺍﻟﻜﻔﺎﺭ‬ ‫ﻳﺎ ﻟﻴﺘﻬﺎ ﺻﺎﻧﺖ ﳏﺎﺭﻡ ﺩﺍﺭﻫﺎ *** ﻣﻦ ﻗﺒﻞ ﺃﻥ ﻳﺘﺤﺮﻙ ﺍﻹﻋﺼﺎﺭ‬ ‫ﻳﺎ ﺧﲑ ﻣﻦ ﻭﻃﺊ ﺍﻟﺜﺮﻯ‪ :‬ﰱ ﻋﺼﺮﻧﺎ *** ﺟﻴﺶ ﺍﻟﺮﺫﻳﻠﺔ‪ ..‬ﻭﺍﳍﻮﻯ ﺟﺮ‪‬ﺍﺭ‬ ‫ﰱ ﻋﺼﺮﻧﺎ ﺍﺣﺘﺪﻡ ﺍﶈﻴﻂ ﻭﱂ ﻳﺰﻝ *** ﻣﺘﺨﺒ‪‬ﻄﺎ ﰲ ﻣﻮﺟﻪ ﺍﻟﺒﺤ‪‬ﺎﺭ‬ ‫ﺵ ‪‬ﺎ ﺍﳍﻮﻯ *** ﻭﻣﻦ ﺍﳍﻮﻯ ﺗﺘﺴﺮ‪‬ﺏ ﺍﻷﺧﻄﺎﺭ‬ ‫ﺖ ﻋﻘﻮﻝ ﺍﻟﻨﺎﺱِ‪ ..‬ﻃﺎ ‪‬‬ ‫ﲨﺤ ‪‬‬ ‫ﺃﻧﺖ ﺍﻟﺒﺸﲑ ﳍﻢ‪ ..‬ﻭﺃﻧﺖ ﻧﺬﻳﺮﻫﻢ *** ﻧﻌﻢ ﺍﻟﺒﺸﺎﺭ ﹸﺓ ﻣﻨﻚ‪ ..‬ﻭﺍﻹﻧﺬﺍﺭ‬ ‫ﻟﻜﻨﻬﻢ ‪‬ﻮﻯ ﺍﻟﻨﻔﻮﺱ ﺗﺸﺮﺑﻮﺍ *** ﻓﺄﺻﺎ‪‬ﻢ ﹶﻏ‪‬ﺒﺶ‪ ‬ﺍﻟﻈﻨﻮﻥِ‪ ..‬ﻭﺣﺎﺭﻭﺍ‬ ‫ﺐ ﺍ ﹶﳌﻜﱠﺎ ‪‬ﺭ‬ ‫ﺐ ﻓﻴﻬﺎ ﺍﻟﱠﺜﻌ‪‬ﻠ ‪‬‬ ‫ﺻﺒﻐﻮﺍ ﺍﳊﻀﺎﺭ ﹶﺓ ﺑﺎﻟﺮﺫﻳﻠ ِﺔ ﻓﺎﻟﹾﺘﻘﻰ *** ﺑﺎﻟﺬﺋ ِ‬

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‫ﻣﺎ )ﺩﺍﳕﺮﻙ‪ (‬ﺍﻟﻘﻮﻡ؟ ﻣﺎ )ﻧﺮﻭﳚﻬﻢ(؟ *** ﻳ‪‬ﺼﻐﻲ ﺍﻟﺮ‪‬ﻋﺎﺓﹸ‪ ..‬ﻭﺗﻔﻬﻢ ﺍﻷﺑﻘﺎﺭ‬ ‫ﻣﺎ ﺑﺎﳍﻢ ﺳﻜﺘﻮﺍ ﻋﻠﻰ ﺳﻔﻬﺎﺋﻬﻢ *** ﺣﱴ ﲤﺎﺩﻯ ﺍﻟﺸ ‪‬ﺮ ﻭﺍﻷﺷﺮﺍﺭ!؟‬ ‫ﻋﺠﺒﺎ ﳍﺬﺍ ﺍﳊﻘﺪ ﳚﺮﻱ ﻣﺜﻠﻤﺎ *** ﳚﺮﻱ )ﺻﺪﻳﺪ‪ (‬ﰱ ﺍﻟﻘﻠﻮﺏ‪ ،‬ﻭ)ﻗﹶﺎﺭ‪(‬‬ ‫ﺕ ﻗﻄﺎﺭ‬ ‫ﻳﺎ ﻋﺼ ‪‬ﺮ ﺇﳊﺎﺩ ﺍﻟﻌﻘﻮﻝِ‪ :‬ﻟﻘﺪ ﺟﺮﻯ *** ﺑﻚ ﰲ ﻃﺮﻳﻖ ﺍﳌﻮﺑﻘﺎ ِ‬ ‫ﹶﻗ ‪‬ﺮﺑ‪‬ﺖ ﺧ‪‬ﻄﺎﻙ ﻣﻦ ﺍﻟﻨﻬﺎﻳﺔ‪ ..‬ﻓﺎﻧﺘﺒ ‪‬ﻪ *** ﻓﻠﺮﺑ‪‬ﻤﺎ ﺗﺘﺤﻄﱠﻢ ﺍﻷﺳﻮﺍﺭ‬ ‫ﺇﱐ ﺃﻗﻮﻝ‪ :‬ﻭﻟﻠﺪﻣﻮﻉ ﺣﻜﺎﻳﺔﹲ *** ﻋﻦ ﻣﺜﻠﻬﺎ ﺗﺘﺤﺪ‪‬ﺙ ﺍﻷﻣﻄﺎﺭ‪:‬‬ ‫ﺻﻐ‪‬ﺎ ‪‬ﺭ‬ ‫ﲔ ِ‬ ‫ﺇﻧ‪‬ﺎ ﻟﻨﻌﻠﻢ ﺃ ﱠﻥ ﹶﻗ ‪‬ﺪ ‪‬ﺭ ﻧﺒﻴ‪‬ﻨﺎ *** ﺃﲰﻰ‪ ..‬ﻭﺃ ﱠﻥ ﺍﻟﺸﺎﻧﺌ ‪‬‬ ‫ﻟﻜﻨﻪ ﺃﱂ ﺍﶈﺐ ﻳﺰﻳﺪﻩ *** ﺷﺮﻓﺎ‪ ..‬ﻭﻓﻴﻪ ﳌﻦ ﻳ‪‬ﺤﺐ ﻓﺨﺎﺭ‬ ‫ﺕ ﻗﻠﻮ‪‬ﻢ *** ﻭﻳﺬﻭﻕ ﻃﻌ ‪‬ﻢ ﺍﻟﺮ‪‬ﺍ ‪‬ﺣ ِﺔ ﺍﻷﻏﻴﺎﺭ‬ ‫ﻳ‪‬ﺸﻘﻲ ﻏﹸﻔﺎ ﹶﺓ ﺍﻟﻘﻮ ِﻡ ﻣﻮ ‪‬‬

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‫ﻋﺬﺭ‪‬ﺍ ﻳﺎ ﺳﻴﺪ ﺧﻠﻖ ﺍﷲ‬ ‫ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺍﻟﺒﺴﻴﻮﱐ‬

‫ﺕ‬ ‫ﻕ ﻭﺑ‪‬ﻌ ‪‬ﺪ ﺍﻟﺒﻌ ِﺪ ﻋﻠﻮ ‪‬‬ ‫ﻕ ﺍﻟﻔﻮ ِ‬ ‫ﻓﻮ ‪‬‬ ‫ﻱ ﺍﻟﻘ ِﺪّﻳﺲ ﺩﻧﻮ‪‬ﺕ‬ ‫ﻋﻨﺪ ﺍﻟﺰ‪‬ﺟ ِﻞ ﺍﻟﻌﻠﻮ ِّ‬ ‫ﺖ‪ ..‬ﻭﺃﻧﺖ‬ ‫ﺑﻌﺪ ﺍﻟﺴﺪﺭ ِﺓ‪ ..‬ﺑﻞ ﰲ ﺍﳉﻨ ِﺔ‪ ..‬ﻛﻨ ‪‬‬ ‫ﻣﺎ ﻻ ﻳﺒﻠﻐﻪ ﺃﻣ ﹸﻞ ﺍﻵﻣ ِﻞ ‪ -‬ﻳﺎ ﻓ ﱡﺬ ‪ -‬ﲤﻜﻨﺖ‬ ‫ﺡ ﺍﳌﺄﻣﻮ ﹸﻥ ﲰﻮﺕ!‬ ‫ﰲ ﻣﺎ ﱂ ﻳﺒﻠﻐ‪‬ﻪ ﺍﻟﺮﻭ ‪‬‬

‫ﺑﻌﻴﻮﻥ ﺍﳊ ِّﻖ‪ ..‬ﻭﻋﻮ ِﻥ ﺍﳊﻖ‪ ..‬ﻭﻧﻮﺭ ﺍﳊﻖ ﺭﺃﻳﺖ‬

‫ﻭﺭﺍ َﺀ ﻭﺭﺍ ِﺀ ﻭﺭﺍ ِﺀ ﺍﻟﺰﻣﻦ ﲰﻌﺖ‬ ‫ﺏ ﺍﻟﺼﺎﻓﲔ ﺍﻟﻌﺎﻓﲔ ﺍﻟﻮﺍﻓﲔ ﺳﻜﻨﺖ‬ ‫ﰲ ﻗﻠﺐ ﻗﻠﻮ ِ‬ ‫ﻓﻮﻕ ﺍﻟﺒﺸﺮ ﲨﻴﻌ‪‬ﺎ‬ ‫ﻑ ﺃﻭﺩﻋﻮﻯ ﻋﺎﺋﺮ ٍﺓ‪ ..‬ﺻﺮﺕ‬ ‫ﺩﻭﻥ ﻓﺨﺎﺭ ﺃﺟﻮ ‪‬‬ ‫ﺕ ﳏﺎﻣ ‪‬ﺪ‬ ‫ﺣﺰ ‪‬‬ ‫‪139‬‬

‫ﻟﻮﺟ‪‬ﻤﻌﺖ ﻟﻠﺪﻧﻴﺎ ﻟﻜﻔﺖ‪ ..‬ﻭﻛﻔﻴﺖ‬ ‫ﺭﲪﺘ‪‬ﻚ ﺃﺣﺎﻃﺖ ﺑﺎﻷﻭﱃ‬ ‫ﺑﻞ ﰲ ﺍﻷﺧﺮﻯ ﺗﺘﺠﻠﻰ‪ ..‬ﻭﲡﻠﻴﺖ‬

‫ﻳﺎ ﻣﻦ ﰲ ﺣﺒﺎﺕ ﻋﻴﻮﻥ ﳏﺒﻴﻚ‪ ..‬ﺃﺿﺄﺕ‬ ‫ﺍﻟﻜﻞ ﻓﺪﺍﻙ‬ ‫ﻭﺍﻟﻮﻟﺪ ﻓﺪﺍﻙ‬ ‫ﺍﻟﻨﻔﺲ ﻓﺪﺍﻙ‬ ‫ﻳﺎ ﻣﻦ ﺗﻨﻌﻢ ﲟﻘﺎﻡ )ﻭﻣﺎ ﺃﺭﺳﻠﻨﺎﻙ(‬ ‫ﻳﺎ ﻣﻦ ﺗﺴﺒﺢ ﺑﺒﺤﺎﺭ ﻋﺴﻰ ﺃﻥ ﻳﺒﻌﺜﻚ ﺍﻟﺮﺏ ﻣﻘﺎﻣ‪‬ﺎ ﳏﻤﻮﺩ‪‬ﺍ‬

‫ﻉ ﺃﺧﺮﺝ ﺷﻄﺄﻩ(‬ ‫ﻳﺎ ﻣﻦ ﺃﺷﺮﻗﺖ ﺑﺄﻓ ِﻖ )ﻛﺰﺭ ٍ‬ ‫ﻳﺎ ﻣﻦ ﺑ‪‬ﺸﺮ ﻳﻮﻡ ﺍﻵﺯﻓﺔ ﺏ )ﺳﻞ‪ ..‬ﺗﻌﻄﻪ(!‬ ‫ﻳﺎ ﻣﻦ ﺃﹸﻛﺮﻡ ﺑﻨﻌﻴﻢ )ﻭﻣﺎ ﻣﻨﺎ(‬ ‫ﻳﺎ ﻣﻦ ﺣﺎﺯ ﻓﺨﺎ ‪‬ﺭ )ﻭﺇﻧﻚ ﻟﻌﻠﻰ(‬ ‫ﻳﺎ ﻣﻦ ﺭ ِﻗ ‪‬ﻲ ﻭﺟﺎﺯ ﻭﺟﺎﻭﺯ ﻭﻋﻼ‬

‫ﻳﺎ ﻣﻦ ﻗﻴﻞ ﻟﻪ‪) :‬ﺇﻧﺎ ﻣﺎ ﺳﺆﻧﺎﻙ ﺑﺄﻣﺘﻚ(؛ ﺣﻨﺎﻧ‪‬ﺎ ﻭﺯﻛﺎﺓ ﻣﻨﺎ!‬ ‫ﻳﺎ ﻣﻦ ﻳﺴﺘﺸﺮﻑ ﺇﻧﻌﺎﻡ ﺍﳌﻨﻌﻢ ﻋﻨﺎ‬ ‫ﻳﺎ ﺃﻫﻞ ﺍﳊﻮﺽ ﻭﺃﻫﻞ ﺍﳊﻤﺪ ﻭﺃﻫﻞ ﺍﻟﻜﻮﺛﺮ‬ ‫ﻣﺎﺫﺍ ﺃﺗﺮﻙ ﻳﺎ )ﻃﺎ ﻫﺎ( ﻣﻦ ﻓﻀﻠﻚ ﺃﻭﺃﺫﻛﺮ؟!‬ ‫ﻣﺎ ﺃﻧﺴﻰ ﻣﻦ ﻓﻀﻠﻚ ﻳﺎ ﻗﺎﺳ ‪‬ﻢ ﺃﻛﺜﺮ‬ ‫ﺇﻥ ﻣﻘﺎﻣﺎﺗﻚ ﺃﺳﲎ ﺃﺟﻠﻰ ﺃ‪‬ﺮ‬

‫ﻛﻞ ﺍﻟﺒﺸﺮ ﻫﻨﺎﻟﻚ ﺧ‪‬ﻀﻌﺎﻧ‪‬ﺎ‬ ‫ﻳﻠﺘﻤﺴﻮﻥ ‪ -‬ﺑﺈﻛﺮﺍﻡ ﺍﷲ ‪ -‬ﻣﻘﺎﻣﻚ!‬ ‫ﻳﻠﺘﻤﺴﻮﻥ ﻣﻘﺎ ‪‬ﻡ‪ :‬ﻣﻘﺎﻣ‪‬ﻚ ﻓﺎﺷﻔﻊ‬ ‫‪140‬‬

‫ﻭﺍﻟﺒﺎﺭﺉ ﻳﺮﻓﻊ ﻗﺪﺭﻙ‬ ‫ﻳﺮﻓﻊ ﻳﺎ ﺣِﱯ ﺫﻛﺮﻙ‬ ‫ﻭﻛﻔﺎﺣ‪‬ﺎ ﻻ ﺟﺒﻞﹲ ﻳﻨﺪ ‪‬ﻙ ﻭﻻ ﺗ‪‬ﻜﺮ‪‬ﺙ ﺃﻭﺗﺼﻌﻖ‬

‫ﺑﻞ ﺻﻮﺕ ﺍﻟﺒﺎﺭﻱ ﻳﺄﻣﺮﻙ‪ :‬ﺍﻧﻄِﻖ ﻗﻞ ﻭﲤﻦ ﺧﻠﻴﻠﻲ؛ ﺗ‪‬ﺴﻤﻊ‬ ‫ﺳﲑﻯ ﺍﻷﻋﻤﻰ ﻭﺍﳌﺒﺼﺮ ﻋﻈﻢ ﺍﳌﻨﺔ‬ ‫ﺳﲑﻭﻥ ﺣﺒﻴﱯ ﻣ‪‬ﻦ ﺃﻭ ﹸﻝ ﻣﻦ ﻳﻘﺒﺾ ﺣِﻠﻖ ﺍﳉﻨﺔ‬ ‫ﺳﲑﻭﻥ ﻣﻘﺎﻡ ﺷﻔﺎﻋﺘﻚ ﺍﻟﻐﺮﺍﺀ‬ ‫ﺣﱴ ﰲ ﺍﻟﻜﻔﺮﺓ ﻭﺍﻟﻔﺠﺮﺓ ﻭﺍﳉﺒﺎﺭﻳﻦ‬ ‫ﺳﲑﻭﻥ ﻣﻘﺎﻣ‪‬ﺎ ﳏﻤﻮﺩ‪‬ﺍ‬

‫ﻻ ﻳﻘﺮﺑﻪ ﳐﻠﻮﻕ‪ ‬ﻏﲑﻙ ﻣﻦ ﺭﺳﻞ ﻭﻛﺮﻭﺑﻴﲔ‬ ‫ﺖ‬ ‫ﺳﲑﻯ ﺍﳌﻠﺤﺪ ﻭﺍﳌﺨﺒ ‪‬‬ ‫ﻂ ﻭﺍﻵﻣ ‪‬ﻦ ﻭﺍﳌﻠﻌﻮﻥ‬ ‫ﺳﲑﻯ ﺍﻟﻘﺎﺳﻂ ﻭﺍﳌﻘﺴ ﹸ‬ ‫ﻳﻮﻡ ﻳﻌﺾ ﺍﻟﻈﺎ ﹸﱂ ﻭﺍﻟﺒﺎﻏﻲ ﻳ ‪‬ﺪﻩ‪‬‬ ‫ﻳﺒﻜﻲ ﺍﻟﻜﺎﻓﺮ ﻣﺎﺿ‪‬ﻴﻪ‪ /‬ﺣﺎﺿﺮ ‪‬ﻩ‪ /‬ﻏ ‪‬ﺪﻩ‪‬‬

‫ﻳﻘﻮﻝ ﺃﻻ ﻟ ‪‬ﻴﺘِﻲ ﻣﻊ ﺳﻴﺪ ﺭﺳﻞ ﺍﷲ ﲣﺬﺕ ﺳﺒﻴﻠﹰﺎ‬

‫ﻭﻳﻠﻲ‪ ..‬ﻟﻴﱵ ﱂ ﺃﲣﺬ ﺍﻟﻜﻔﺮ ﺣﺒﻴﺒ‪‬ﺎ ﻭﺧﻠﻴﻠﹰﺎ‬ ‫ﻂ ﻭﺍﻵﻣ ‪‬ﻦ ﻭﺍﳌﻠﻌﻮﻥ‬ ‫ﺳﲑﻯ ﺍﻟﻘﺎﺳﻂ ﻭﺍﳌﻘﺴ ﹸ‬ ‫ﻳﻮﻡ ﻳﻘﻮﻝ ﺍﳌﺆﻣﻦ ﻫﺎﺅﻡ ﻳﺎ ﻗﻮﻣﻲ‬ ‫ﻳﺎ ﻛﻞ ﺍﻟﺪﻧﻴﺎ‪:‬‬

‫ﺃﻭﺗﻴﺖ ﻛﺘﺎﰊ ﺑﻴﻤﻴﲏ‬ ‫ﺃﻳﻘﻨﺖ ﺑﺄﻥ ﺳﺒﻴﻞ ﺍﳍﺎﺩﻱ ﻫﻮﻣﺎ ﻳﻬﺪﻳﲏ‬

‫ﻗﺪ ﺻﺪ‪‬ﻕ ﺭﰊ ﰲ ﺩﺭﺏ ﺍﳊﻖ ﻳﻘﻴﲏ‬ ‫ﺖ ﻭﺃﺩﺭﻛﺖ ﺑﺄﻥ ﻃﺮﻳﻘﻚ ﻳﺎ ﺃﲪ ‪‬ﺪ ﻻ ﻳﺸﻘﻴﲏ‬ ‫ﻗﺪ ﻭ‪‬ﻓﻘ ‪‬‬ ‫‪141‬‬

‫ﻳﺎﺍﺍﺍﺍﺍﺍﻩ‪ ..‬ﺃﻭﻻ ﻳﻜﻔﻲ ﻣﺎ ﻗﺎﻝ ﺗﻌﺎﱃ ﻓﻴﻚ‬ ‫ﺣﺒﻴﱯ ﻳﺎ ﺃﲪﺪ‪:‬‬ ‫ﺑﺎﷲ‪ ..‬ﺃﻻ ﻳﻜﻔﻴﻚ!؟‬

‫ﺃﻭﱂ ﳜﱪﻙ ﺑﺄﻥ ﻳﻌﻄﻴ‪‬ﻚ ﻭﻳﺮﺿِﻴﻚ!‬ ‫ﺃﻭﱂ ﺗﻮﻋﺪ ﺃﻥ ﺗﺴﻜﻦ ﺃﻣﺘ‪‬ﻚ ‪ -‬ﻋﻠﻰ ﻣﺎ ﻓﻴﻬﺎ ‪ -‬ﺍﳉﻨﺔ؟!‬ ‫ﺃﻭﱂ ﺗﺘﺒﻮﺃ ﺃﻧﺖ ﻭﺃﺗﺒﺎﻋ‪‬ﻚ ﺛﻠﺜﻲ ﺃﺭﺽ ﺍﳉﻨﺔ؟!‬ ‫ﲪﺪ‪‬ﺍ ﷲ‪ ..‬ﲟﻨﺘﻪ ﰒ ‪‬ﲞ ﱠﻠﺘِﻚ ﺣﺒﻴﱯ‬ ‫ﺑ‪‬ﻮﺃﹼﻧﺎ ﺣﻴﺚ ﻧﺸﺎﺀ ﻣﻦ ﺍﳉﻨﺔ‬ ‫ﲑ ﺍﻟﺒﺸﺮ ﻳﺪﺍﻧﻴﻚ؟!‬ ‫ﻣﻦ ﺑﺎﻟﺒﺸﺮ ﻭﻏ ِ‬ ‫ﻳﺎ ﺃﻋﻈﻢ ﺧﻠﻖ ﺍﷲ ﲨﻴﻌ‪‬ﺎ‬

‫ﻳﺎ ﺃﻗﺮﺑ‪‬ﻬﻢ ﻣﻦ ﺭﺏ ﻭﻣﻠﻴﻚ‬ ‫ﺭﻭﺣﻲ ﺗﻔﺪﻳﻚ‬ ‫ﺃﺭﻭﺍﺡ ﺃﺣﺒﺘﻚ ﲨﻴﻌ‪‬ﺎ ﺗﻔﺪﻳﻚ‬ ‫ﻣﺎﺫﺍ ﻳﺎ ﺃﻋﻈﻢ ﺧﻠﻖ ﺍﷲ ﻳﺆﺛﺮ ﻫﺬﺍ ﻓﻴﻚ؟‬

‫ﻣﺎﺫﺍ ﻟﻮ ﻗﺎﻝ ﺍﻷﻋﻤﻰ ﺇﻥ ﺍﻟﺸﻤﺲ ﻇﻼﻡ؟!‬ ‫ﻣﺎﺫﺍ ﻟﻮ ﺳﻔِﻪ ﺍﳊﻤﻘﻰ‪ ..‬ﻭﺭﻣﻮﺍ ﺑﻘﺒﻴﺢ ﻛﻼﻡ؟!‬ ‫ﻣﺎﺫﺍ ﻟﻮ ﻧﻌﺐ ﺍﻟﺒﻮﻡ ﻋﻠﻰ ﺳﺤﺐ ﻭﻏﻴﻮﻡ؟!‬ ‫ﻣﺎﺫﺍ ﻟﻮ ﺳﺒﻚ ﺯﻧﺪﻳﻖ‪ ‬ﺃﻭ ﳎﻨﻮﻥ؟!‬

‫ﻟﻴﺲ ﺟﺪﻳﺪ‪‬ﺍ ﻳﺎ ﺣﺒ ﹶﺔ ﻋﻴﲏ ﻣﺎ ﻳﻘﺘﺮﻓﻮﻥ‬

‫ﻣﻦ ﳊﻈﺔ )ﺗﺒ‪‬ﺖ( ﻭﺍﳊﻤﻘﻰ ﻳﻔﺘﺌﺘﻮﻥ‬

‫ﻣﻦ ﺣﲔ ﺍﺟﺘﺮﺅﻭﺍ ﻭﺍﺟﺘﺮﺣﻮﺍ ﺃﻧﻚ ﺷﺎﻋ ‪‬ﺮ‬ ‫ﺃﻧﻚ ﻛﺎﻫ ‪‬ﻦ‬ ‫ﺃﻧﻚ ﳎﻨﻮﻥ‬ ‫‪142‬‬

‫ﺖ ﳍﻢ‪ :‬ﻓﻠﺘﻀﻌﻮﺍ ﴰﺴ‪‬ﺎ ﺑﻴﻤﻴﲏ‬ ‫ﻣﺬ ﻗﻠ ‪‬‬ ‫ﻗﻤﺮ‪‬ﺍ ﺑﻴﺴﺎﺭﻱ‬ ‫ﻫﺎﺗﻮﺍ ﻛﻞ ﳏﺎ ٍﻝ‬

‫ﻟﻦ ﺃﺗﺮﻙ ﺃﻓﻘﻲ ﺃﻭ ﻳﻬﻠﻜﲏ ﺍﻟﺒﺎﺭﻱ‬

‫ﻣﻨﺬ ﺍﺟﺘﻤﻌﻮﺍ ﻭﺍﻗﺘﺮﺣﻮﺍ ﺑﻠﺴﺎﻥ ﺍﻟﺸﻴﻄﺎﻥ‬ ‫ﺖ ﺃﻭ ﻳﻘﺘﻞ‬ ‫ﺝ ﺃﻭ ﻳ‪‬ﺜﺒ ‪‬‬ ‫ﻓﻠﻴ‪‬ﺨ ‪‬ﺮ ‪‬‬ ‫ﻣﻨﺬﺋ ٍﺬ ﻳﺎ ﻋﻴﲏ‬ ‫ﺃﻭﺳﻜ ‪‬ﻦ ﺳﻌﺎﺭ ﺍﻟﺸﻴﻄﺎﻥ؟‬ ‫ﺢ ﻭﻋﺎ ‪‬ﺭ ﺍﻟﺘﻘﺒﻴﺢ؟‬ ‫ﺃﻭﻫﺪﺃ ﻋﺮﺍﻡ ﺍﻟﺘﺠﺮﻳ ِ‬

‫ﻣﺎ ﻫﺪﺃ‪ ..‬ﻭﺣﻖ ﺍﻟﺮﲪﻦ‬

‫ﺍﷲ ﺍﻟﺒﺎﺭﺉ ﻳﻌﺼﻤﻚ ﻣﻦ ﺍﻟﻨﺎﺱ‬ ‫ﺍﷲ ﺍﻟﺒﺎﺭﺉ ﳛﻔﻈﻚ ﻣﻦ ﺍﳉﻨﺔ ﻭﺍﻟﻨﺎﺱ‬ ‫ﻫﻲ ﻳﺎ ﺧﲑ ﺍﳋﻠﻖ ﲨﻴﻌ‪‬ﺎ ﺧﲑ‪‬‬ ‫ﻳﺄﺗﻴﻨﺎ ﰲ ﺛﻮﺏ ﺍﶈﻨﺔ‬

‫ﺇ ﹾﻥ ﻣﻨﻬﻢ ﺇﻻ ﳌﻘ ‪‬ﺮ ﻗﺒﻞ ﺍﳌﻮﺕ‬ ‫ﺇﻥ ﻣﻨﻬﻢ ﺇﻻ ﻳﻘﻄﺮ ﺃﳌﹰﺎ‬ ‫ﻟﻜﻦ ﺑﻌﺪ ﺍﻟﻔﻮﺕ‬ ‫ﻭﺳﺘﺸﻬﺪ ﻳﻮﻡ ﻟﻘﺎﺀ ﺍﷲ ﺳﺘﺸﻬﺪ‬ ‫ﻭﺳﻴﻌﺮﻑ ﻛﻞ ﺍﳋﻠﻖ ﺣﻘﻴﻘﺔ ﺃﲪﺪ‬

‫ﻳﺎ ﺷﺎﻫ ‪‬ﺪ ﻳﺎ ﻣﺸﻬﻮﺩ‬ ‫ﻳﺎ ﺣﺎﻣﺪ ﻳﺎ ﳏﻤﻮﺩ‬

‫ﻳﺎ ﻋﺎﺿﺪ ﻳﺎ ﻣﻌﻀﻮﺩ‬ ‫ﺻﺪﻗﲏ‪ :‬ﺗﻠﻚ ﺍﻟﺸﻤﻄﺎﺀ ﺣﺒﻴﱯ ﺳﻮﻑ ﺗﻌﺾ ﻳﺪﻳﻬﺎ ﻧﺪﻣ‪‬ﺎ‬ ‫‪143‬‬

‫ﺗﻠﻚ ﺍﻟﻌﻤﻴﺎ ُﺀ ﺍﳋﺮﻗﺎﺀ ﺳﺘﺠﺄ ‪‬ﺭ ﺃﳌﹰﺎ!‬ ‫ﻭﺳﺘﺪﻋﻮﻭﻳﻠﹰﺎ ﻭﺛﺒﻮﺭ‪‬ﺍ‬ ‫ﻭﺳﺘﻠﻘﻰ ﰲ ﺍﻟﺪﻧﻴﺎ ‪ -‬ﻗﺒﻞ ﺍﻷﺧﺮﻯ ‪ -‬ﻧﺎﺭ‪‬ﺍ ﻭﺳﻌﲑ‪‬ﺍ‬

‫ﺇﻥ ﺍﷲ ﺗﻌﺎﱃ ﻳﺎ ﻣﻮﻻﻱ ﻳﻐﺎﺭ‬

‫ﺇﻥ ﺍﷲ ﺗﻌﺎﱃ ﺁﺫﻥ ﺑﺎﳊﺮﺏ ﺍﻷﺷﺮﺍﺭ‬ ‫ﺇﻥ ﺍﷲ ﺗﻌﺎﱃ ﻳﻨﺼﺮ ﻛﻞ ﻭﱄ ﷲ‬ ‫ﺃﻓﻼ ﻳﻨﺼﺮﻙ ﻭﺃﻧﺖ ﺧﻠﻴﻞ ﺍﻟﺮﺏ ﻭﻣﻮﻻﻩ؟!‬ ‫ﺃﺑﺸﺮ ﺑﺎﻟﻨﺼﺮﺓ ﻳﻔﺪﻳﻚ ﺃﰊ‬ ‫ﻳﻔﺪﻳﻚ ﻛﻴﺎﱐ ﻳﻔﺪﻳﻚ ﺟﻨﺎﱐ‬

‫ﻳﻔﺪﻳﻚ ﺍﻷﻫﻞ ﲨﻴﻌ‪‬ﺎ ﻭﺍﻷﺻﺤﺎﺏ‬ ‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻚ ﺣﺒﻴﱯ‬ ‫ﺃﻭﱂ ﲣﱪﻧﺎ ﺃﻥ ﻗﺪ ﺃﺩﺭﻙ ﻣﻮﺳﻰ ﺃﻛﺜ ‪‬ﺮ ﻣﻦ ﻫﺬﺍ ﻓﺼﱪ؟!‬ ‫ﺃﻭﱂ ﲣﱪﻧﺎ ﺃﻥ ﺍﻟﺪﺍﺋﺮﺓ ﻋﻠﻰ ﻓﺮﻋﻮ ﹼﻥ ﺍﻟﺒﺎﻏﻲ ﺩﺍﺭﺕ‪ ..‬ﻓﹸﺜﺒِﺮ؟!‬ ‫ﺇﻥ ﺍﳌﻸ ﻟﻴﺄﲤﺮﻭ ﹶﻥ‬

‫ﻭﺇﻧﺎ ﻧﺘﺸﺒﺚ ﺑﺎﻟﺒﺸﺮﻯ ﻣﻨﻚ ﺭﺳﻮ ﹶﻝ ﺍﷲ‬ ‫ﺃﻭﱂ ﺗ‪‬ﺒﻠﻐﻨﺎ ﺃﻧﺒﺎ َﺀ ﺍﻟﻄﺎﺋﻔﺔ ﺍﳌﻨﺼﻮﺭﺓ؟!‬ ‫ﺃﻭﱂ ﲣﱪﻧﺎ ﺃﻥ ﺍﻟﺪﻳﻦ ﺳﻴﺒﻠﻎ ﻣﺎ ﺑﻠﻎ ﺍﳊﺪﺛﺎﻥ؟‬ ‫ﺃﻭﱂ ﲣﱪﻧﺎ ﺃﻥ ﺍﻟﻌﻘﱮ ﻫﻲ ﻟﻺﳝﺎﻥ ﻭﺃﻫﻞ ﺍﻹﳝﺎﻥ؟‬ ‫ﺃﻭﱂ ﲣﱪﻧﺎ ﺃﻥ ﺍﻟﻄﺎﺋﻔﺔ ﺍﳌﻨﺼﻮﺭﺓ ﺑﺎﻗﻴﺔﹲ‬

‫ﻻ ﻳ‪‬ﻜﺮﺛﻬﺎ ﻋﺠﺰ ﺃﻭﺧﺬﻻﻥ؟!‬

‫ﻧﺘﺸﺒﺚ ﺑﺎﻟﺒﺸﺮﻯ ﻣﻨﻚ ﺭﺳﻮﻝ ﺍﷲ‬ ‫ﻧﻄﻤﻊ ﺃﻥ ﻳﺴﻠﻜﻨﺎ ﺍﷲ ﲜﻨﺪ ﺍﷲ‬ ‫ﻧﻄﻤﻊ ﺃﻥ ﳓﻴﺎ ﻣﻊ ﺃﻧﺼﺎﺭ ﺍﷲ‬ ‫‪144‬‬

‫ﳓﺸ ‪‬ﺮ ﻣﻊ ﺃﻧﺼﺎﺭ ﺍﷲ‬ ‫ﺃﻥ ﻳﺴﻌﺪﻧﺎ ﺍﳌﻮﱃ ﺑﻠﻘﺎﺋﻚ ﰲ ﺍﻟﻔﺮﺩﻭﺱ ﺭﺳﻮ ﹶﻝ ﺍﷲ‬ ‫ﻳﺴﻌﺪﻧﺎ ﺍﳌﻮﱃ ﺑﻠﻘﺎﺋﻚ ﰲ ﺍﻟﻔﺮﺩﻭﺱ ﺭﺳﻮﻝ ﺍﷲ‬

‫ﺑﻌﺪ ﺍﳍﺠﻤﺔ ﺍﻟﻮﻗﺎﺡ ﻋﻠﻰ ﻣﻘﺎﻡ ﺳﻴﺪﻱ ﺍﳊﺒﻴﺐ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫‪2006 /2 /2‬‬

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‫ﺃﻧﺎ ﺍﻟﱵ ﻗﺪ ﺭﺃﺕ‬

‫ﻋﻠﻰ ﻟﺴﺎﻥ ﺍﻟﺴﻴ‪‬ﺪﺓ ﺁﻣﻨﺔ ﺑﻨﺖ ﻭﻫﺐ ﺃ ‪‬ﻡ ﺍﻟﺮﺳﻮﻝ ﺍﻟﻜﺮﱘ ﺻﻠﹼﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﹼﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺃﻣﲔ ﺃﺑﻮ ﴰﻴﺲ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻷﺭﺩﱐ ﻋﺒﺪ ﺍﷲ ﺃﻣﲔ ﺃﺑﻮ ﴰﻴﺲ )‪(1982‬ﻡ‪ ،‬ﺣﺎﺋﺰ‬ ‫ﻋﻠﻰ ﻋﺪﺩ ﻣﻦ ﺍﳉﻮﺍﺋﺰ ﺍﻟﺸﻌﺮﻳﺔ ﺍﶈﻠﻴﺔ ﺍﻷﺭﺩﻧﻴﺔ ﻭﺍﻟﻌﺮﺑﻴﺔ‪،‬‬ ‫ﺃﺑﺮﺯﻫﺎ‪ :‬ﺟﺎﺋﺰﺓ ﺍﻟﺸﺎﺭﻗﺔ ﻟﻺﺑﺪﺍﻉ ﺍﻟﻌﺮﰊ‪ /‬ﺍﻟﺪﻭﺭﺓ ﺍﻟﺘﺎﺳﻌﺔ‬

‫‪ 2006/2005‬ﺍﳌﺮﻛﺰ ﺍﻷﻭﻝ‪ ،‬ﻋﻦ ﺍﻟﺪﻳﻮﺍﻥ ﺍﻷﻭﻝ )ﻫﺬﺍ ﺗﺄﻭﻳﻞ‬ ‫ﺭﺅﻳﺎﻱ‪ /‬ﺟﺎﺋﺰﺓ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﺸﺒﺎﺏ – ﺟﺎﺋﺰﺓ ﺑﻴﺖ ﺍﻟﺸﻌﺮ ﺍﻷﺭﺩﱐ‬ ‫‪ 2006‬ﻡ‪ /‬ﺟﺎﺋﺰﺓ ﺍﳌﻨﺘﺪﻯ ﺍﻷﺩﰊ ﻟﺸﺒﺎﺏ ﺍﳉﺎﻣﻌﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ ‪-‬‬ ‫ﺟﺎﻣﻌﺔ ﺍﻹﻣﺎﺭﺍﺕ ﺍﻟﻌﺮﺑﻴﺔ ﺍﳌﺘﺤﺪﺓ ‪2005/2004 -‬ﻡ‪ /‬ﺟﺎﺋﺰﺓ‬

‫ﺇﻋﻼﻥ ﻋﻤﺎﻥ ﻋﺎﺻﻤﺔ ﻟﻠﺜﻘﺎﻓﺔ ﺍﻟﻌﺮﺑﻴﺔ ‪2002‬ﻡ‪ /‬ﺟﺎﺋﺰﺓ ﺍﻟﻘﺪﺱ ﺍﻟﺸﻌﺮﻳﺔ ‪ /‬ﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ‬ ‫ﺍﻹﺳﻼﻣﻲ ‪2002‬ﻡ‪ /‬ﺟﺎﺋﺰﺓ ﺍﻹﺑﺪﺍﻉ ﺍﻟﺸﺒﺎﰊ ‪ /‬ﻭﺯﺍﺭﺓ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻷﺭﺩﻧﻴﺔ ‪2001‬ﻡ‪.‬‬

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‫ﺕ! ﻭﺍﻟﻜﻮ ﹸﻥ ﹶﻏﻔﹾﻼ ﹸﻥ‬ ‫ﺃﻧﺎ ﺍﹼﻟﺘِﻲ ﻗﺪ ﺭﺃ ‪‬‬

‫ﻣﺎ ﹶﻟ ‪‬ﻢ ﻳﺸﺎﻫ ‪‬ﺪ ‪‬ﻩ ﰲ ﺍﻷﻳ‪‬ﺎ ِﻡ ﺇﻧﺴﺎ ﹸﻥ‬

‫ﺳ‪‬ﻔﺤ‪‬ﺎ ﻣﻦ ﺍﻟﻨ‪‬ﻮﺭ‪ ..‬ﻭﺍﻷﺷﺠﺎ ‪‬ﺭ ﺗ‪‬ﻤﻠﺆ‪‬ﻩ‪‬‬

‫ﺕ ﺍﻟﻀ‪‬ﻮ ِﺀ ﺃﻟﻮﺍ ﹸﻥ!‬ ‫ﲑ ﰲ ﺧﻔﹶﻘﺎ ِ‬ ‫ﻭﺍﻟ ﱠﻄ ‪‬‬

‫ﻭﺍﻟ ﱠﻄ ﱡﻞ ﻳﻐﺴ ﹸﻞ ﺃﻏﺼﺎ ﹶﻥ ﺍﻟﺪ‪‬ﺟﻰ‪ ،‬ﻓﺈﺫﺍ‬

‫ﺖ ﺑﻮﺍﺩﻱ ﺍﻟﻠﻴ ِﻞ ﹸﻛﺜﹾﺒﺎ ﹸﻥ‬ ‫ﹶﻗ ﹶﻄ ‪‬ﺮ ﹶﻥ ﺫﺍﺑ ‪‬‬

‫ﺖ‬ ‫ﺽ ﺑﺎﻵﺭﺍ ِﻡ‪ ..‬ﻭﺍﻧﻄﻠﻘ ‪‬‬ ‫ﺖ ﺍﻷﺭ ‪‬‬ ‫ﻭﻓﺎﺿ ِ‬

‫ﺕ ﺍﻟﹾﻤﺎ ِﺀ ﻏِﺰﻻﻥﹸ!‬ ‫ﺗ‪‬ﻌ ‪‬ﺪﻭ ﻋﻠﻰ ﻋﺘ‪‬ﺒﺎ ِ‬

‫ﺟﺒﺎ ﹸﻝ ﻣ ﹼﻜ ﹶﺔ ﻫﺬﻱ؟! ﺃﻡ ﺃﹶﺭﻯ ﺃﹶﺛﺮ‪‬ﺍ‬

‫ﺲ ﺳﻠﻴﻤﺎﻥﹸ؟‬ ‫ِﻣﻤ‪‬ﺎ ﺑ‪‬ﻨﺎﻩ‪ ‬ﻟﺒﻠﻘﻴ ٍ‬

‫ﺸ ٍﺮ‬ ‫ﺑﻞ ﻣﺎ ﺭﺃﻯ ﻣﺜ ﹶﻞ ﻫﺬﺍ ﺍﻟﻠﻴ ِﻞ ﻣﻦ ﺑ ‪‬‬

‫ﻑ ﻭﻧﻌﺴﺎﻥﹸ؟!‬ ‫ﻓﻤﺎ ﹶﻟﻬ‪‬ﻢ ﹸﻛﻠﱡﻬ ‪‬ﻢ ﻏﺎ ٍ‬

‫ﺖ ﻧﺎ ‪‬ﺭ ﻛﺴﺮﻯ ﹶﻓ ‪‬ﻬ ‪‬ﻲ ﻧﺎﺋﺴﺔﹲ‬ ‫ﻗﺎﻟﻮﺍ‪ :‬ﺧ‪‬ﺒ ‪‬‬

‫ﺦ ‪ -‬ﺇﻳﻮﺍ ﹸﻥ‬ ‫ﻭﻧﺎ ‪‬ﻡ ‪ -‬ﻓِﻲ ﹶﻏﻔﹾﻮ ِﺓ ﺍﻟﺘ‪‬ﺎﺭﻳ ِ‬

‫ﺕ ﻗﻴﺼ ‪‬ﺮ ﻣ‪‬ﺤﻤﻮﻣ‪‬ﺎ ﻋﻠﻰ ﻗ ﹶﻠ ٍﻖ‬ ‫ﻭﺑﺎ ‪‬‬

‫ﺏ ‪‬ﻳﻘﹾﻈﺎﻥﹸ!‬ ‫ﺠﻢ‪ ‬ﺍﻟﻌ‪‬ﺮ ِ‬ ‫ﻳ‪‬ﺮﻋﻰ ﺍﻟﻨ‪‬ﺠﻮ ‪‬ﻡ! ﻭ‪‬ﻧ ‪‬‬

‫ﻗﺎﻟﻮﺍ‪ ..‬ﻭﻛﺎﻧﻮﺍ ﻧﻴﺎﻣ‪‬ﺎ ﻓِﻲ ﹶﺃ ِﺳ ‪‬ﺮﺗِﻬ ‪‬ﻢ!‬

‫ﺖ ﺳﺎﻫﺮ ﹰﺓ ﻭﺣﺪﻱ‪ ..‬ﻭﻣﺎ ﻛﺎﻧﻮﺍ‬ ‫ﻭﻛﻨ ‪‬‬

‫ﲑ ﺟﱪﻳ ﹶﻞ ﺍﻟﺮ‪‬ﺳﻮ ِﻝ ﻣﻌﻲ‬ ‫ﻭﻟﹶﻢ ﻳﻜ ‪‬ﻦ ﻏ ‪‬‬

‫ﺲ ﻭﺍﻟﹾﺠﺎ ﹸﻥ‬ ‫ﺻ‪‬ﺤﺎ ﺍﹾﻟﻤ‪‬ﻼ ‪‬ﻙ‪ ..‬ﻭﻧﺎ ‪‬ﻡ ﺍﻹﻧ ‪‬‬

‫ﺕ‪ ..‬ﻭﺍﻟﺪ‪‬ﻣ ‪‬ﻊ ﻓِﻲ ‪‬ﻫ ‪‬ﺪﺑِﻲ‬ ‫ﺃﻧﺎ ﺍﹼﻟﺘِﻲ ﻗﺪ ﺭﺃ ‪‬‬

‫ﺝ ﻓﻴ ِﻪ ﺍﻟﻠﻴﺎﱄ‪ ..‬ﹶﻓ ‪‬ﻬ ‪‬ﻲ ﺃﺟﻔﺎ ﹸﻥ‬ ‫‪‬ﺗﻤ‪‬ﻮ ‪‬‬

‫ﺖ ﻣﻌﻲ‬ ‫ﷲ(‪ ،‬ﻛﻨ ‪‬‬ ‫ﺖ‪ :‬ﻟﻴ‪‬ﺘﻚ‪) ،‬ﻋﺒ ‪‬ﺪ ﺍ ِ‬ ‫ﻓﻘﻠ ‪‬‬

‫ﻚ ﺃﻭﺟﺎﻉ‪ ‬ﻭﺃﺣﺰﺍ ﹸﻥ‬ ‫ﻓ‪‬ﺘﻨ‪‬ﺠﻠﻲ ِﺑ ‪‬‬

‫ﺠﺮِﺑﺘِﻲ‬ ‫ﺃﻧﺎ ﺍﻟﻮﺣﻴﺪ ﹸﺓ ﻓِﻲ ﺻﺤﺮﺍ ِﺀ ‪‬ﺗ ‪‬‬

‫ﺳِﻘﺎﻳﺘِﻲ )ﻫﺎ ‪‬ﺟﺮ‪ (‬ﻭﺍﻟﻄﹼﻔ ﹸﻞ ﻇﻤﺂ ﹸﻥ‬

‫ﺖ ﺧﺎﺻﺮﺗِﻲ‬ ‫ﻫﺬﺍ ﺍﻟﻜﺮ ‪‬ﱘ ﺍﻟﹼﺬﻱ ﹶﺃ ‪‬ﻭ ‪‬ﺩ ‪‬ﻋ ‪‬‬

‫ﻁ ﺃﻛﻔﺎ ﹸﻥ‬ ‫ﺃﻣﺴﻰ ﻳﺘﻴﻤ‪‬ﺎ ﹶﻟﻪ‪ ‬ﺍﻷﻗﻤﺎ ﹸ‬

‫ﺖ ﻳﺎ ‪‬ﺭﺟ‪‬ﻠﻲ‬ ‫ﻓﺄﻳ ‪‬ﻦ ﺃﻧﺖ‪‬؟! ﻟﻘﺪ ﺃﻣ ‪‬ﻌ ‪‬ﻨ ‪‬‬

‫ﺐ ﺫﺅﺑﺎ ﹸﻥ‬ ‫ﺏ‪ ..‬ﻭﺍﻟﻠﻴ ﹸﻞ ﺣﻮﻝ ﺍﻟ ‪‬ﺮ ﹾﻛ ِ‬ ‫ﰲ ﺍﻟﺪ‪‬ﺭ ِ‬

‫‪‬ﻣ ‪‬ﻦ ﻟﻠﻮﻟﻴ ِﺪ ﻭﺣﻴﺪ‪‬ﺍ ﻓِﻲ ﻏﹶﻀﺎﺭِﺗﻪِ؟‬

‫ﻭ ‪‬ﻣ ‪‬ﻦ ﹶﻟﻪ‪ ‬ﺣﲔ ﺗﻘﺴﻮ ﻣ ‪‬ﻨ ‪‬ﻪ ﻋِﻴﺪﺍﻥﹸ؟!‬

‫ﲔ ﻧﺎﺩﻯ ﻛ ﱡﻞ ﺫﻱ ‪‬ﺳ‪‬ﻨ ٍﺪ‬ ‫ﻭ ‪‬ﻣ ‪‬ﻦ ﹶﻟﻪ‪ ‬ﺣ ‪‬‬

‫ﺃﺑﺎ ‪‬ﻩ‪ ..‬ﻭ ‪‬ﻫﻮ ﻣﻊ ﺍﻷﺻﺪﺍ ِﺀ ﺣﲑﺍﻥﹸ؟‬

‫ﺖ ﺁﻣﻨ ﹰﺔ‬ ‫ﺐ(‪ ،‬ﺩ‪‬ﻣ ِ‬ ‫ﻓﻘِﻴ ﹶﻞ‪ :‬ﻳﺎ )ﺍﺑ‪‬ﻨ ﹶﺔ ﻭ ‪‬ﻫ ٍ‬

‫ﻚ ﺍﻟﻴﻮ ‪‬ﻡ ﺇﳝﺎﻥﹲ ﻭﺇﺣﺴﺎ ﹸﻥ‬ ‫ﹶﺃ ﹶﻇ ﱠﻠ ِ‬

‫ﻫﻮ ﺍﻟﻴﺘﻴ ‪‬ﻢ‪ ..‬ﻭﻟﻜ ‪‬ﻦ ﺍﻟﺘ‪‬ﻘﻰ ﻧ‪‬ﺴﺐ‪‬‬

‫ﻓﻴ ِﻪ ﺍﻟﻌ‪‬ﻮﺍِﻟﻢ‪ ‬ﺃﺑﻨﺎﺀٌ ﻭﺇﺧﻮﺍ ﹸﻥ‬

‫ﺢ ﺍﻟﺮ‪‬ﻋﻮ ِﺩ‪ ..‬ﻭﻓِﻲ‬ ‫ﺠﻮﺗﺴﺒﻴ ‪‬‬ ‫ﹶﺃﺑ‪‬ﻮ ‪‬ﻩ ﰲ ﺍﹾﻟ ‪‬‬

‫ﷲ ﺣِﻴﺘﺎ ﹸﻥ‬ ‫ﻂ ﺇﺧﻮ‪‬ﺗ ‪‬ﻪ ﰲ ﺍ ِ‬ ‫ﺍﹾﻟﻤ‪‬ﺤﻴ ِ‬

‫ﺏ ﻳ‪‬ﺮﺍ ِﻓﻘﹸﻪ‪‬‬ ‫ﻭﺃﻳﻨﻤﺎ ﺳﺎ ‪‬ﺭ ﻓِﻲ ﺩﺭ ٍ‬

‫ﻼﻥﹸ‬ ‫ﻣﻦ ﺍﻟﻮﺟ‪‬ﻮ ِﺩ ﺻ‪‬ﺤﺎﺑﺎﺕ‪ ‬ﻭ ِﺧ ﹼ‬

‫ﻑ ﺁﻣﻨﺔﹲ‬ ‫ﻓﻼ ﺗ‪‬ﺨﺎﻓِﻲ ﻋﻠﻴ ِﻪ ﺍﻟﹾﺨﻮ ‪‬‬

‫ﻓﺈ‪‬ﻧ ‪‬ﻪ ﻟﻠ ‪‬ﺪ‪‬ﻧﺎ ﹶﺃ ‪‬ﻣﻦ‪ ‬ﻭﺇﳝﺎ ﹸﻥ‬

‫ﺠﺮ‪‬‬ ‫ﺃﻧﺎ ﺍﹼﻟﺘِﻲ ﻗﺪ ﺭﺃﺕ‪ ،‬ﻭﺍﻟﻠﻴ ﹸﻞ ‪‬ﻣﺸ‪‬ﺘ ِ‬

‫ﺕ ﻓﻴ ِﻪ ﺃﻏﺼﺎ ﹸﻥ‬ ‫ﺑﺎﻟﻠﻴﻞِ‪ ،‬ﻛﻴﻒ ﺃﺿﺎﺀ ‪‬‬

‫ﺕ ﺃﻗﻄ ﹸﻔ ‪‬ﻪ‬ ‫ﻕ ﺍﻟﻨ‪‬ﻮﺭ‪ ،‬ﺣﺘ‪‬ﻰ ﻛﺪ ‪‬‬ ‫ﻭﺃﻭﺭ ‪‬‬

‫ﺖ ﻋﻨﺎﻗﻴﺪ‪ ‬ﻭﺃﻓﻨﺎ ﹸﻥ!‬ ‫ﹶﻟﻤ‪‬ﺎ ﺗﺪﱠﻟ ‪‬‬

‫ﺚ ﻳﻐ ‪‬ﻤ ‪‬ﺮﻧِﻲ‬ ‫ﻭﺳﺎ ﹶﻝ ﺻﻮﺕ‪ ‬ﻛﻤﺎ ِﺀ ﺍﻟﻐﻴ ِ‬

‫ﺖ )ﺟﱪﻳ ﹶﻞ( ﻋ ‪‬ﻨ ‪‬ﻪ ﻗﺎﻝ‪ :‬ﻗﹸﺮﺁ ﹸﻥ!‬ ‫ﺳﺄﻟ ‪‬‬

‫ﺖ‬ ‫ﺖ! ﻭﻟﻜ ‪‬ﻦ ﺭﻭﺣ ‪‬ﻲ ﺍﻧﻄﻠﻘ ‪‬‬ ‫ﻓﻤﺎ ﻓﻬﻤ ‪‬‬

‫ﻏﺰﺍﻟ ﹰﺔ ‪‬ﺳ ﹾﻔﺤ‪‬ﻬﺎ ‪‬ﺭ ‪‬ﻭﺡ‪ ‬ﻭ ‪‬ﺭﻳ‪‬ﺤﺎﻥﹸ‬

‫ﺖ ﻣﻌﻲ‬ ‫ﷲ( ﻛﻨ ‪‬‬ ‫ﻚ )ﻋﺒ ‪‬ﺪ ﺍ ِ‬ ‫ﺖ‪ :‬ﻟﻴ‪‬ﺘ ‪‬‬ ‫ﻓﻘﻠ ‪‬‬

‫ﻚ ﺃﻓﺮﺍﺣﻲ ﻭﺗ‪‬ﺰﺩﺍ ﹸﻥ‬ ‫ﺗ‪‬ﺰﻫﻰ ﺑﻈ ﱢﻠ ‪‬‬

‫ﺖ ﻟﻌﻴ‪‬ﻮﻧِﻲ ﻣﻦ ﺑﺸﺎِﺋ ِﺮ ِﻩ‬ ‫ﺤ ‪‬‬ ‫ﺗﻔ‪‬ﺘ ‪‬‬

‫ﺴ ‪‬ﻤ ِﻊ ﺃﺯﻣﺎ ﹸﻥ‬ ‫ﺖ ﰲ ﺍﻟ ‪‬‬ ‫ﻋ‪‬ﻮﺍِﻟﻢ‪ ..‬ﻭ ‪‬ﺩ‪‬ﻧ ‪‬‬

‫ﺖ‬ ‫ﻀ ‪‬‬ ‫ﻓﻘﻴ ﹶﻞ )ﺃﲪ ‪‬ﺪ( ﺯﺍ ‪‬ﺭ ﺍﻟﻜﻮﻥﹶ‪ ،‬ﻓﺎﻧ‪‬ﺘ ﹶﻔ ‪‬‬

‫ﹶﻏﻴ‪‬ﺮﻯ ﻣﻦ ﺍﻟﻌﺎﹶﻟ ِﻢ ﺍﻷﺭﺿ ‪‬ﻲ ﺃﻛﻮﺍ ﹸﻥ‬

‫ﺽ ﺍﻟﹾﺠﻔﺎﻑِ‪ ،‬ﺃﺗﻰ‬ ‫ﻚ( ﻳﺎ ﺃﺭ ‪‬‬ ‫ﻫﺬﺍ )ﺭﺑﻴ ‪‬ﻌ ِ‬

‫ﺐ ﺍﻟﺜﱠﺮﻯ‪ ،‬ﻭﺍﻫ‪‬ﺘ ‪‬ﺰ ﻧﻴﺴﺎ ﹸﻥ‬ ‫ﺽ ﻗﻠ ‪‬‬ ‫ﻓﻔﺎ ‪‬‬

‫ﲑ ﻳﺘ‪‬ﺒﻌ‪‬ﻪ‪‬‬ ‫ﺃﺗ‪‬ﻰ ﻋﻠﻰ ﻣﻮﻋﺪٍ‪ ،‬ﻭﺍﻟﹾﺨ ‪‬‬

‫ﻣﻦ ﺑﻌ ِﺪ ﻣﺎ ﺃﺭ ‪‬ﻫ ‪‬ﻖ ﺍﻹﻧﺴﺎ ﹶﻥ ﺇﻧﺴﺎ ﹸﻥ‬

‫ﺢ ﺑ ِﻪ‬ ‫ﺼ ‪‬ﺮ( ﹶﻛ ‪‬ﻢ )ﻋﻴﺴﻰ( ﺍﺳﺘ‪‬ﺒﻴ ‪‬‬ ‫ﺐ )ﻗﻴ ‪‬‬ ‫ﺻﻠﻴ ‪‬‬

‫ﺡ ﺃﺣﺒﺎﺭ‪ ‬ﻭﺭ‪‬ﻫﺒﺎ ﹸﻥ‬ ‫ﻭﻛ ‪‬ﻢ ﺗ ﹶﻄ ‪‬ﻮ ‪‬‬

‫ﺡ ﻣ‪‬ﺴﻌ‪‬ﺮ ﹰﺓ‬ ‫ﺱ( ﻟﹶﻢ ﺗ ‪‬ﺒ ‪‬ﺮ ‪‬‬ ‫ﻭﻧﺎ ‪‬ﺭ ) ﻓﺎﺭ ‪‬‬

‫ﺱ‪ ..‬ﻭﺍﻷﺣﺠﺎ ‪‬ﺭ ﹸﻛﻬ‪‬ﺎ ﹸﻥ!‬ ‫‪‬ﻭﻗﹸﻮﺩ‪‬ﻫﺎ ﺍﻟﻨ‪‬ﺎ ‪‬‬

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‫ﺏ‬ ‫ﺽ ﻣﻦ ﻭﻳ ٍﻞ ﻭﻣﻦ ‪‬ﺣ ‪‬ﺮ ٍ‬ ‫ﺖ ﺍﻷﺭ ‪‬‬ ‫ﻛﻢ ﺫﺍﻗ ِ‬

‫ﷲ ﺑ‪‬ﺮﻫﺎﻥﹸ؟!‬ ‫ﺴﻤﺎ ِﺀ! ﻓﻬﻞ ِ‬ ‫ﺑﺎ ‪‬ﺳ ِﻢ ﺍﻟ ‪‬‬

‫ﺑﻠﻰ! ﻟﻘﺪ ﺟﺎ َﺀ ﺑﺎﻟﺒﻴﻀﺎ ِﺀ ﺻﺎﻓﻴ ﹰﺔ‬

‫ﺻﻨ‪‬ﻮﺍﻥﹸ‬ ‫ﺱ ِ‬ ‫ﺃﺳﺎﺳ‪‬ﻬﺎ ﺛﺎﺑﺖ‪ ..‬ﻭﺍﻟﻨ‪‬ﺎ ‪‬‬

‫ﺖ‬ ‫ﺖ‪ :‬ﻣ ‪‬ﻦ ﻫﻮ ﻳﺎ )ﺟﱪﻳ ﹸﻞ(؟! ﻓﺎﺑﺘﺴ‪‬ﻤ ‪‬‬ ‫ﻓﻘﻠ ‪‬‬

‫ﺖ ﻟﻠﻤ‪‬ﻬ ِﺪ ﺃﹶﺭﻛﺎ ﹸﻥ‬ ‫‪‬ﻋﻴ‪‬ﻨﺎﻩ‪ ..‬ﻭﺍﻟﺘﻔ‪‬ﺘ ‪‬‬

‫ﻚ ِﻣ ﹾﻞ َﺀ ﺍﻟﺴ‪‬ﻤﻊِ‪ ،‬ﻳﺎ ﻭﻟﹶﺪﻱ‬ ‫ﻭﺟﺎ َﺀ ﺻﻮﺗ‪ ‬‬

‫ﺤﻚ‪ !‬ﺇ ﹼﻥ ﺍﹾﻟﻤ‪‬ﻬ ‪‬ﺪ ﻋ‪‬ﻨﻮﺍ ﹸﻥ‬ ‫ﰲ ﺍﹾﻟﻤ‪‬ﻬ ِﺪ ﺗﻀ ‪‬‬

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‫ﺑﺸﺮﻱ ﻣﻦ ﺍﻟﻐﻴﺐ‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺍﻟﱪﺩﻭﱐ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻜﺒﲑ ﻋﺒﺪ ﺍﷲ ﺍﻟﱪﺩﻭﱐ‬

‫ﰲ ﻗﺮﻳﺔ ﺑﺮﺩﻭﻥ – ﺍﻟﻴﻤﻦ ﻋﺎﻡ ‪،1929‬‬ ‫ﻭﻓﻘﺪ ﺍﻟﺒﺼﺮ ﻭﻫﻮ ﰲ ﺍﻟﺴﺎﺩﺳﺔ ﻣﻦ ﻋﻤﺮﻩ‪،‬‬ ‫ﻭﺗﺮﻙ ﻗﺮﻳﺘﻪ "ﺑﺮﺩﻭﻥ" ﺑﻌﺪ ﺃﻥ ﻋﺎﱏ ﻣﻦ‬ ‫ﺑﺆﺱ ﻛﺒﲑ ﻟﻴﻮﺍﺻﻞ ﺗﻌﻠﻴﻤﻪ ﰲ "ﺫﻣﺎﺭ"‪.‬‬ ‫ﻇﻞ ﻟﺼﻴ ﹰﻘﺎ ﺑﻘﻀﺎﻳﺎ ﻭﻃﻨﻪ ﻭﻗﻮﻣﻪ‪،‬‬

‫ﲑﺍ ﻣﻦ ﺍﻻﺿﻄﻬﺎﺩ‬ ‫ﻭﻋﺎﱏ ﻟﺬﻟﻚ ﻛﺜ ‪‬‬

‫ﺍﻟﺴﻴﺎﺳﻲ‪ ،‬ﻭﺃﺩﺧﻞ ﺍﻟﺴﺠﻦ ﻣﺮﺍﺕ ﻋﺪﻳﺪﺓ‬ ‫ﺩﻭﻥ ﺃﻥ ﻳﺸﻔﻊ ﻟﻪ ﻓﻘﺪﺍﻥ ﺑﺼﺮﻩ‪ .‬ﻭﻫﻮ ﺃﺣﺪ‬ ‫ﺃﻫﻢ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﻌﺮﺏ ﺍﳌﻌﺎﺻﺮﻳﻦ‪ ،‬ﻭﱂ ﻳﺘﺮﻙ‬ ‫ﺍﻟﻘﺼﻴﺪﺓ ﺍﻟﺒﻴﺘﻴﺔ‪ ،‬ﻭﰲ ﺍﻟﻮﻗﺖ ﻧﻔﺴﻪ ﺃﺟﺮﻯ ﻓﻴﻬﺎ ﳐﺘﻠﻒ ﺍﻟﺘﻐﲑﺍﺕ ﻭﺍﻟﺘﺤﺪﻳﺚ‪.‬‬ ‫ﲤﺮﺩ ﻋﻠﻰ ﻗﻮﺍﻟﺐ ﺍﻟﺸﻌﺮ ﺍﳌﺘﻮﺍﺭﺛﺔ‪ ،‬ﻭﺍﻧﺘﻘﻞ ﺑﺸﻌﺮﻩ ﺇﱃ ﺃﺳﺎﻟﻴﺐ ﻓﻨﻴﺔ ﻏﲑ ﻣﻄﺮﻭﻗﺔ‪ .‬ﻭﺍﻃﻠﻊ‬ ‫ﻋﻠﻰ ﺍﻟﺘﺮﺍﺙ ﺍﻟﺸﻌﺮﻱ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﺩﺭﺳﻪ‪ ،‬ﻭﺗﺄﺛﺮ ﺑﻪ‪ ،‬ﻭﺍﺳﺘﻔﺎﺩ ﻣﻦ ﻫﺬﺍ ﺍﻟﺘﺮﺍﺙ ﺑﻜﻞ ﻣﺎ ﺃﻣﺪﻩ ﻣﻦ‬ ‫ﻓﺎﺋﺪﺓ‪ ،‬ﻣﺎ ﺟﻌﻞ ﻟﺸﻌﺮﻩ ﺃﺳﺎ ‪‬ﺳﺎ ﻣﺘﻴ‪‬ﻨﺎ ﺑﲎ ﻋﻠﻴﻪ ﻗﺼﻴﺪﺗﻪ ﺍﳊﺪﻳﺜﺔ‪.‬‬ ‫ﺃﺩﺧﻞ ﺍﳊﻮﺍﺭ ﺇﱃ ﻗﺼﻴﺪﺗﻪ‪ ،‬ﻓﻮﻇﻒ ﻫﺬﻩ ﺍﳌﻴﺰﺓ‪ ،‬ﻭﺍﺳﺘﻌﻤﻠﻬﺎ ﺍﺳﺘﻌﻤﺎﻻ ﺩﻗﻴ ﹰﻘﺎ ﰲ ﺇﻃﺎﺭ‬

‫ﻗﺼﻴﺪﺓ ﻣﺘﻜﺎﻣﻠﺔ‪ ،‬ﻣﺘﻴﻨﺔ ﺍﻟﺒﻨﺎﺀ‪ ،‬ﻣﺘﻨﺎﺳﻘﺔ ﰲ ﺷﻜﻠﻬﺎ ﻭﻣﻀﻤﻮ‪‬ﺎ‪ ،‬ﻭﺍﳊﻮﺍﺭ ﺑﻌﺪ ﻫﺬﺍ ﻭﺫﺍﻙ ﻋﻨﺼﺮ‬ ‫ﻣﻦ ﻋﻨﺎﺻﺮ ﺍﻟﺪﺭﺍﻣﺎ‪.‬‬

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‫ﻭﻗﺪ ﺃﺑﺪﻉ ﰲ ﺍﻟﻠﻐﺔ‪ ،‬ﻓﺎﺳﺘﺨﺪﻡ ﻣﻌﺠﻤﻪ ﺍﳋﺎﺹ‪ ،‬ﺑﻌﺪ ﺭﺣﻠﺔ ﺷﺎﻗﺔ ﰲ ﺍﻻﺷﺘﻘﺎﻕ ﻭﺍﻟﺘﻮﻟﻴﺪ‪،‬‬ ‫ﻭﺍﺳﺘﺨﺪﺍﻡ ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﻐﺮﻳﺒﺔ ﺍﻟﻨﺎﺩﺭﺓ ﻭﺍﻷﺟﻨﺒﻴﺔ ﺩﻭﻥ ﺗﻜﻠﻒ ﺃﻭ ﻋﻤﺪ‪ ،‬ﻭﻟﻪ ﺧﺼﺎﺋﺺ ﻟﻐﻮﻳﺔ‬ ‫ﺟﺪﻳﺮﺓ ﺑﺎﻟﺒﺤﺚ ﺍﳌﺴﺘﻘﻞ ﺍﳌﺘﻌﻤﻖ‪ ،‬ﻛﻤﺎ ﺍﺳﺘﺤﺪﺙ ﺃﺳﺎﻟﻴﺐ ﺷﻌﺮﻳﺔ ﻣﻦ ﳎﻤﻮﻉ ﺛﻘﺎﻓﺎﺗﻪ ﻭﺗﺸﻌﺒﻬﺎ‬ ‫ﻭﺗﻌﺪﺩﻫﺎ‪ ،‬ﻓﺎﺳﺘﺨﺪﻡ ﺍﳌﻮﺭﻭﺙ ﺑﻜﻞ ﺻﻮﺭﻩ‪.‬‬ ‫ﻣﻦ ﺩﺭﺍﺳﺎﺗﻪ‪ :‬ﻗﻀﺎﻳﺎ ﳝﻨﻴﺔ‪ ،‬ﻭﺭﺣﻠﺔ ﰲ ﺍﻟﺸﻌﺮ ﺍﻟﻴﻤﲏ‪ ،‬ﻭﻓﻨﻮﻥ ﺍﻷﺩﺏ ﺍﻟﺸﻌﱯ ﰲ ﺍﻟﻴﻤﻦ‪،‬‬

‫ﻭﺍﳉﺪﻳﺪ ﻭﺍﳌﺘﺠﺪﺩ ﰲ ﺍﻷﺩﺏ ﺍﻟﻴﻤﲏ‪ ،‬ﻭﺭﺟﺎﻝ ﻭﻣﻮﺍﻗﻒ‪ ،‬ﻭﻣﻦ ﺃﻭﻝ ﻗﺼﻴﺪﺓ ﺇﱃ ﺁﺧﺮ ﺭﺻﺎﺻﺔ‬ ‫ﰲ ﺣﻴﺎﺓ ﺍﻟﺰﺑﲑﻱ‪..‬‬ ‫ﻣﻦ ﺩﻭﺍﻭﻳﻨﻪ‪ :‬ﻣﻦ ﺃﺭﺽ ﺑﻠﻘﻴﺲ‪ /‬ﰲ ﻃﺮﻳﻖ ﺍﻟﻔﺠﺮ‪ /‬ﻣﺪﻳﻨﺔ ﺍﻟﻐﺪ‪ /‬ﻟﻌﻴﲏ ﺃﻡ ﺑﻠﻘﻴﺲ‪ /‬ﺍﻟﺴﻔﺮ‬ ‫ﺍﱃ ﺍﻷﻳﺎﻡ ﺍﳋﻀﺮ‪ /‬ﻭﺟﻮﻩ ﺩﺧﺎﻧﻴﺔ ﰲ ﻣﺮﺍﻳﺎ ﺍﻟﻠﻴﻞ‪ /‬ﺯﻣﺎﻥ ﺑﻼ ﻧﻮﻋﻴﺔ‪ /‬ﺗﺮﲨﺔ ﺭﻣﻠﻴﺔ ﻷﻋﺮﺍﺱ‬ ‫ﺍﻟﻐﺒﺎﺭ‪ /‬ﻛﺎﺋﻨﺎﺕ ﺍﻟﺸﻮﻕ ﺍﻻﹼﺧﺮ‪ /‬ﺭﻭﺍﺀ ﺍﳌﺼﺎﺑﻴﺢ‪.‬‬

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‫ﺑﺸﺮﻯ ﻣﻦ ﺍﻟﻐﻴﺐ ﺃﻟﻘﺖ ﰲ ﻓﻢ ﺍﻟﻐﺎﺭ‬

‫ﻭﺣ‪‬ﻴﺎ ﻭﺃﻓﻀﺖ ﺇﱃ ﺍﻟﺪﻧﻴﺎ ﺑﺄﺳﺮﺍﺭ‬

‫ﺑﺸﺮﻯ ﺍﻟﻨﺒﻮ‪‬ﺓ ﻃﺎﻓﺖ ﻛﺎﻟﺸﺬﻯ ﺳﺤﺮﺍ‬

‫ﻭﺃﻋﻠﻨﺖ ﰲ ﺍﻟﺮﰉ ﻣﻴﻼﺩ ﺃﻧﻮﺍﺭ‬

‫ﻭﺷﻘﹼﺖ ﺍﻟﺼﻤﺖ ﻭﺍﻷﻧﺴﺎﻡ ﲢﻤﻠﻬﺎ‬

‫ﲢﺖ ﺍﻟﺴﻜﻴﻨﻪ ﻣﻦ ﺩﺍﺭ ﺇﱃ ﺩﺍﺭ‬

‫ﻭﻫﺪﻫﺪﺕ "ﻣﻜﹼﺔ" ﺍﻟﻮﺳﲎ ﺃﻧﺎﻣﻠﻬﺎ‬

‫ﻭﻫﺰ‪‬ﺕ ﺍﻟﻔﺠﺮ ﺇﻳﺬﺍ‪‬ﻧﺎ ﺑﺈﺳﻔﺎﺭ‬

‫ﻓﺄﻗﺒﻞ ﺍﻟﻔﺠﺮ ﻣﻦ ﺧﻠﻒ ﺍﻟﺘﻼﻝ ﻭﰲ‬

‫ﻋﻴﻨﻴﻪ ﺃﺳﺮﺍﺭ ﻋﺸﺎﻕ ﻭﲰﺎﺭ‬

‫ﻛﺄ ﹼﻥ ﻓﻴﺾ ﺍﻟﺴﲎ ﰲ ﻛ ﹼﻞ ﺭﺍﺑﻴﺔ‬

‫ﻣﻮﺝ‪ ..‬ﻭﰲ ﻛ ﹼﻞ ﺳﻔﺢ ﺟﺪﻭﻝ ﺟﺎﺭﻱ‬

‫ﻑ ﺇﱃ‬ ‫ﺗﺪﺍﻓﻊ ﺍﻟﻔﺠﺮ ﰲ ﺍﻟﺪﻧﻴﺎ ﻳﺰ ‪‬‬

‫ﺗﺎﺭﳜﻬﺎ ﻓﺠﺮ ﺃﺟﻴﺎﻝ ﻭﺃﺩﻫﺎﺭ‬

‫ﻭﺍﺳﺘﻘﺒﻠﺖ ﻃﻔﻼ ﰲ ﺗﺒﺴ‪‬ﻤﻪ‬

‫ﺁﻳﺎﺕ ﺑﺸﺮﻯ ﻭﺇﳝﺎﺀﺍﺕ ﺇﻧﺬﺍﺭ‬

‫ﺐ ﻃﻔﻞ ﺍﳍﺪﻯ ﺍﳌﻨﺸﻮﺩ ﻣﺘ‪‬ﺰﺭﺍ‬ ‫ﻭﺷ ‪‬‬

‫ﺤﺎ ﺑﺎﻟﻨﻮﺭ ﻭﺍﻟﻨﺎﺭ‬ ‫ﺑﺎﳊ ‪‬ﻖ‪ ..‬ﻣﺘ‪‬ﺸ ‪‬‬

‫ﰲ ﻛﻔﹼﻪ ﺷﻌﻠﺔ ‪‬ﺪﻱ ﻭﰲ ﻓﻤﻪ‬

‫ﺑﺸﺮﻯ ﻭﰲ ﻋﻴﻨﻪ ﺇﺻﺮﺍﺭ ﺃﻗﺪﺍﺭ‬

‫ﻭﰲ ﻣﻼﳏﻪ ﻭﻋﺪ ﻭﰲ ﺩﻣﻪ‬

‫ﺑﻄﻮﻟﺔ ﺗﺘﺤﺪ‪‬ﻯ ﻛ ﹼﻞ ﺟﺒﺎﺭ‬

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‫ﻭﻓﺎﺽ ﺑﺎﻟﻨﻮﺭ ﻓﺎﻏﺘﻢ ﺍﻟﻄﻐﺎﺓ ﺑﻪ‬

‫ﺺ ﳜﺸﻰ ﺳﻄﻮﻉ ﺍﻟﻜﻮﻛﺐ ﺍﻟﺴﺎﺭﻱ‬ ‫ﻭﺍﻟ ﹼﻠ ‪‬‬

‫ﻭﺍﻟﻮﻋﻲ ﻛﺎﻟﻨﻮﺭ ﳜﺰﻱ ﺍﻟﻈﺎﳌﲔ ﻛﻤﺎ‬

‫ﳜﺰﻱ ﻟﺼﻮﺹ ﺍﻟﺪﺟﻰ ﺇﺷﺮﺍﻕ ﺃﻗﻤﺎﺭ‬

‫ﻧﺎﺩﻯ ﺍﻟﺮﺳﻮﻝ ﻧﺪﺍﺀ ﺍﻟﻌﺪﻝ ﻓﺎﺣﺘﺸﺪﺕ‬

‫ﻛﺘﺎﺋﺐ ﺍﳉﻮﺭ ﺗﻨﻀﻲ ﻛ ﹼﻞ ﺑ‪‬ﺘﺎﺭ‬

‫ﻛﺄﻧ‪‬ﻬﺎ ﺧﻠﻔﻪ ﻧﺎﺭ ﳎﻨ‪‬ﺤﺔ‬

‫ﺗﻌﺪﻭ‪ ..‬ﻭﻗﺪ‪‬ﺍﻣﻪ ﺃﻓﻮﺍﺝ ﺇﻋﺼﺎﺭ‬

‫ﺞ ﺑﺎﳊ ‪‬ﻖ ﻭﺍﻟﺪﻧﻴﺎ ﲟﺎ ﺭﺣﺒﺖ‬ ‫ﻓﻀ ‪‬‬

‫‪‬ﻮﻱ ﻋﻠﻴﻪ ﺑﺄﺷﺪﺍﻕ ﻭﺃﻇﻔﺎﺭ‬

‫ﻭﺳﺎﺭ ﻭﺍﻟﺪﺭﺏ ﺃﺣﻘﺎﺩ ﻣﺴﻠﹼﺨﺔ‬

‫ﻛﺄ ﹼﻥ ﰲ ﻛ ﹼﻞ ﺷﱪ ﺿﻴﻐ ‪‬ﻤﺎ ﺿﺎﺭﻱ‬

‫ﺐ ﰲ ﺩﺭﺑﻪ ﺍﳌﺮﺳﻮﻡ ﻣﻨﺪﻓ ‪‬ﻌﺎ‬ ‫ﻭﻫ ‪‬‬

‫ﻛﺎﻟﺪﻫﺮ ﻳﻘﺬﻑ ﺃﺧﻄﺎ ‪‬ﺭﺍ ﺑﺄﺧﻄﺎﺭ‬

‫ﻓﺄﺩﺑﺮ ﺍﻟﻈﻠﻢ ﻳﻠﻘﻲ ﻫﺎ ﻫﻨﺎ ﺃﺟ ﹰﻠﺎ‬

‫ﻒ ﺣﻔﹼﺎﺭ‬ ‫ﻭﻫﺎ ﻫﻨﺎ ﻳﺘﻠﻘﹼﻰ ﻛ ‪‬‬

‫ﻭﺍﻟﻈﻠﻢ ﻣﻬﻤﺎ ﺍﺣﺘﻤﺖ ﺑﺎﻟﺒﻄﺶ ﻋﺼﺒﺘﻪ‬

‫ﻓﻠﻢ ﺗﻄﻖ ﻭﻗﻔﺔ ﰲ ﻭﺟﻪ ﺗﻴ‪‬ﺎﺭ‬

‫ﺭﺃﻯ ﺍﻟﻴﺘﻴﻢ ﺃﺑﻮﺍﻷﻳﺘﺎﻡ ﻏﺎﻳﺘﻪ‬

‫ﻗﺼﻮﻯ ﻓﺸ ‪‬ﻖ ﺇﻟﻴﻬﺎ ﻛ ﹼﻞ ﻣﻀﻤﺎﺭ‬

‫ﻑ ﻋﻠﻰ‬ ‫ﻭﺍﻣﺘﺪ‪‬ﺕ ﺍﳌﻠﹼﺔ ﺍﻟﺴﻤﺤﺎ ﻳﺮ ‪‬‬

‫ﺟﺒﻴﻨﻬﺎ ﺗﺎﺝ ﺇﻋﻈﺎﻡ ﻭﺇﻛﺒﺎﺭ‬

‫ﻣﻀﻰ ﺇﱃ ﺍﻟﻔﺘﺢ ﻻ ﺑﻐ‪‬ﻴﺎ ﻭﻻ ﻃﻤ ‪‬ﻌﺎ‬

‫ﲑﺍ ﻷﻭﺯﺍﺭ‬ ‫ﻟﻜ ‪‬ﻦ ﺣﻨﺎ‪‬ﻧﺎ ﻭﺗﻄﻬ ‪‬‬

‫ﱪﺍ ﻭﺍﺑﺘﲎ ﺯﻣ‪‬ﻨﺎ‬ ‫ﻓﺄﻧﺰﻝ ﺍﳉﻮﺭ ﻗ ‪‬‬

‫ﻋﺪﹰﻟﺎ‪ ..‬ﺗﺪﺑ‪‬ﺮﻩ ﺃﻓﻜﺎﺭ ﺃﺣﺮﺍﺭ‬

‫ﻳﺎ ﻗﺎﺗﻞ ﺍﻟﻈﻠﻢ ﺻﺎﻟﺖ ﻫﺎﻫﻨﺎ ﻭﻫﻨﺎ‬

‫ﻓﻈﺎﺋﻊ ﺃﻳﻦ ﻣﻨﻬﺎ ﺯﻧﺪﻙ ﺍﻟﻮﺍﺭﻱ‬

‫ﺃﺭﺽ ﺍﳉﻨﻮﺏ ﺩﻳﺎﺭﻱ ﻭﻫﻲ ﻣﻬﺪ ﺃﰊ‬

‫ﺗﺌ ‪‬ﻦ ﻣﺎ ﺑﲔ ﺳﻔﹼﺎﺡ ﻭﲰﺴﺎﺭ‬

‫ﻳﺸﺪ‪‬ﻫﺎ ﻗﻴﺪ ﺳﺠ‪‬ﺎﻥ ﻭﻳﻨﻬﺸﻬﺎ‬

‫ﺳﻮﻁ‪ ..‬ﻭﳛﺪﻭ ﺧﻄﺎﻫﺎ ﺻﻮﺕ ﲬﹼﺎﺭ‬

‫ﺗﻌﻄﻲ ﺍﻟﻘﻴﺎﺩ ﻭﺯﻳ ‪‬ﺮﺍ ﻭﻫﻮ ﻣﺘ‪‬ﺠﺮ‬

‫ﲜﻮﻋﻬﺎ ﻓﻬﻮ ﻓﻴﻬﺎ ﺍﻟﺒﺎﺋﻊ ﺍﻟﺸﺎﺭﻱ‬

‫ﻓﻜﻴﻒ ﻻﻧﺖ ﳉﻠﹼﺎﺩ ﺍﳊﻤﻰ "ﻋﺪﻥ"‬

‫ﻭﻛﻴﻒ ﺳﺎﺱ ﲪﺎﻫﺎ ﻏﺪﺭ ﻓﺠ‪‬ﺎﺭ؟‬

‫ﻭﻗﺎﺩﻫﺎ ﺯﻋﻤﺎﺀ ﻻ ﻳﱪ‪‬ﻫﻢ‬

‫ﻓﻌﻞ‪ ..‬ﻭﺃﻗﻮﺍﳍﻢ ﺃﻗﻮﺍﻝ ﺃﺑﺮﺍﺭ‬

‫ﺃﺷﺒﺎﻩ ﻧﺎﺱ ﻭﺧﲑﺍﺕ ﺍﻟﺒﻼﺩ ﳍﻢ‬

‫ﻳﺎ ﻟﻠﺮﺟﺎﻝ ﻭﺷﻌﺐ ﺟﺎﺋﻊ ﻋﺎ ِﺭ‬

‫ﺃﺷﺒﺎﻩ ﻧﺎﺱ ﺩﻧﺎﻧﲑ ﺍﻟﺒﻼﺩ ﳍﻢ‬

‫ﻭﻭﺯ‪‬ﻢ ﻻ ﻳﺴﺎﻭﻱ ﺭﺑﻊ ﺩﻳﻨﺎﺭ‬

‫ﻭﻻ ﻳﺼﻮﻧﻮﻥ ﻋﻨﺪ ﺍﻟﻐﺪﺭ ﺃﻧﻔﺴﻬﻢ‬

‫ﻓﻬﻞ ﻳﺼﻮﻧﻮﻥ ﻋﻬﺪ ﺍﻟﺼﺤﺐ ﻭﺍﳉﺎﺭ‬

‫ﺗﺮﻯ ﺷﺨﻮﺻﻬﻢ ﺭﲰﻴ‪‬ﺔ ﻭﺗﺮﻯ‬

‫ﺃﻃﻤﺎﻋﻬﻢ ﰲ ﺍﳊﻤﻰ ﺃﻃﻤﺎﻉ ﲡﹼﺎﺭ‬

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‫ﺃﻛﺎﺩ ﺃﺳﺨﺮ ﻣﻨﻬﻢ ﹼﰒ ﺗﻀﺤﻜﲏ‬

‫ﺩﻋﻮﺍﻫﻢ ﺃﻧ‪‬ﻬﻢ ﺃﺻﺤﺎﺏ ﺃﻓﻜﺎﺭ‬

‫ﻳﺒﻨﻮﻥ ﺑﺎﻟﻈﻠﻢ ﺩﻭ ‪‬ﺭﺍ ﻛﻲ ﳕﺠ‪‬ﺪﻫﻢ‬

‫ﻭﳎﺪﻫﻢ ﺭﺟﺲ ﺃﺧﺸﺎﺏ ﻭﺃﺣﺠﺎﺭ‬

‫ﻻ ﲣﱪ ﺍﻟﺸﻌﺐ ﻋﻨﻬﻢ ﺇ ﹼﻥ ﺃﻋﻴﻨﻪ‬

‫ﺗﺮﻯ ﻓﻈﺎﺋﻌﻬﻢ ﻣﻦ ﺧﻠﻒ ﺃﺳﺘﺎﺭ‬

‫ﺍﻵﻛﻠﻮﻥ ﺟﺮﺍﺡ ﺍﻟﺸﻌﺐ ﲣﱪﻧﺎ‬

‫ﺛﻴﺎ‪‬ﻢ ﺃﻧ‪‬ﻬﻢ ﺁﻻﺕ ﺃﺷﺮﺍﺭ‬

‫ﺛﻴﺎ‪‬ﻢ ﺭﺷﻮﺓ ﺗﻨﱯ ﻣﻈﺎﻫﺮﻫﺎ‬

‫ﺑﺄﻧ‪‬ﻬﺎ ﺩﻣﻊ ﺃﻛﺒﺎﺩ‪ ..‬ﻭﺃﺑﺼﺎﺭ‬

‫ﻳﺸﺮﻭﻥ ﺑﺎﻟﺬ ﹼﻝ ﺃﻟﻘﺎ‪‬ﺑﺎ ﺗﺴﺘ‪‬ﺮﻫﻢ‬

‫ﻟﻜﻨ‪‬ﻬﻢ ﻳﺴﺘﺮﻭﻥ ﺍﻟﻌﺎﺭ ﺑﺎﻟﻌﺎﺭ‬

‫ﲢﺴ‪‬ﻬﻢ ﰲ ﻳﺪ ﺍﳌﺴﺘﻌﻤﺮﻳﻦ ﻛﻤﺎ‬

‫ﻒ ﺳﺤ‪‬ﺎﺭ‬ ‫ﺲ ﻣﺴﺒﺤﺔ ﰲ ﻛ ‪‬‬ ‫ﲢ ‪‬‬

‫ﻭﻳﻞ ﻭﻭﻳﻞ ﻷﻋﺪﺍﺀ ﺍﻟﺒﻼﺩ ﺇﺫﺍ‬

‫ﺞ ﺍﻟﺴﻜﻮﻥ ﻭﻫﺒ‪‬ﺖ ﻏﻀﺒﺔ ﺍﻟﺜﺎﺭ!‬ ‫ﺿ‪‬‬

‫ﻓﻠﻴﻐﻨﻢ ﺍﳉﻮﺭ ﺇﻗﺒﺎﻝ ﺍﻟﺰﻣﺎﻥ ﻟﻪ‬

‫ﻓﺈ ﹼﻥ ﺇﻗﺒﺎﻟﻪ ﺇﻧﺬﺍﺭ ﺇﺩﺑﺎﺭ‬

‫ﻭﺍﻟﻨﺎﺱ ﺷ ‪‬ﺮ ﻭﺃﺧﻴﺎﺭ ﻭﺷﺮ‪‬ﻫﻢ‬

‫ﻱ ﺃﺧﻴﺎﺭ‬ ‫ﻣﻨﺎﻓﻖ ﻳﺘﺰﻳ‪‬ﺎ ﺯ ‪‬‬

‫ﻭﺃﺿﻴﻊ ﺍﻟﻨﺎﺱ ﺷﻌﺐ ﺑﺎﺕ ﳛﺮﺳﻪ‬

‫ﺺ ﺗﺴ‪‬ﺘﺮﻩ ﺃﺛﻮﺍﺏ ﺃﺣﺒﺎﺭ‬ ‫ﻟ ‪‬‬

‫ﰲ ﺛﻐﺮﻩ ﻟﻐﺔ ﺍﳊﺎﱐ ﺑﺄﻣ‪‬ﺘﻪ‬

‫ﻭﰲ ﻳﺪﻳﻪ ﳍﺎ ﺳﻜﹼﲔ ﺟﺰ‪‬ﺍﺭ!‬

‫ﺣﻘﺪ ﺍﻟﺸﻌﻮﺏ ﺑﺮﺍﻛﲔ ﻣﺴﻤ‪‬ﻤﺔ‬

‫ﻭﻗﻮﺩﻫﺎ ﻛ ﹼﻞ ﺧﻮ‪‬ﺍﻥ ﻭﻏﺪ‪‬ﺍﺭ‬

‫ﻣﻦ ﻛ ﹼﻞ ﳏﺘﻘﺮ ﻟﻠﺸﻌﺐ ﺻﻮﺭﺗﻪ‬

‫ﺭﺳﻢ ﺍﳋﻴﺎﻧﺎﺕ ﺃﻭ ﲤﺜﺎﻝ ﺃﻗﺬﺍﺭ‬

‫ﻭﺟﺜﹼﺔ ﺷﻮ‪‬ﺵ ﺍﻟﺘﻌﻄﲑ ﺟﻴﻔﺘﻬﺎ‬

‫ﻛﺄﻧ‪‬ﻬﺎ ﻣﻴﺘﺔ ﰲ ﺛﻮﺏ ﻋﻄﹼﺎﺭ‬

‫ﺑﲔ ﺍﳉﻨﻮﺏ ﻭﺑﲔ ﺍﻟﻌﺎﺑﺜﲔ ﺑﻪ‬

‫ﻳﻮﻡ ﳛ ‪‬ﻦ ﺇﻟﻴﻪ ﻳﻮﻡ "ﺫﻱ ﻗﺎﺭ"‬

‫ﻳﺎ ﺧﺎﰎ ﺍﻟﺮﺳﻞ ﻫﺬﺍ ﻳﻮﻣﻚ ﺍﻧﺒﻌﺜﺖ‬

‫ﺫﻛﺮﺍﻩ ﻛﺎﻟﻔﺠﺮ ﰲ ﺃﺣﻀﺎﻥ ﺃ‪‬ﺎﺭ‬

‫ﻳﺎ ﺻﺎﺣﺐ ﺍﳌﺒﺪﺃ ﺍﻷﻋﻠﻰ‪ ،‬ﻭﻫﻞ ﲪﻠﺖ‬

‫ﺭﺳﺎﻟﺔ ﺍﳊ ‪‬ﻖ ﺇ ﹼﻻ ﺭﻭﺡ ﳐﺘﺎﺭ؟‬

‫ﺃﻋﻠﻰ ﺍﳌﺒﺎﺩﺉ ﻣﺎ ﺻﺎﻏﺖ ﳊﺎﻣﻠﻬﺎ‬

‫ﻣﻦ ﺍﳍﺪﻯ ﻭﺍﻟﻀﺤﺎﻳﺎ ﻧﺼﺐ ﺗﺬﻛﺎﺭ‬

‫ﺻﺎ ﻣﺒﺎﺩﺋﻬﻢ‬ ‫ﻓﻜﻴﻒ ﻧﺬﻛﺮ ﺃﺷﺨﺎ ‪‬‬

‫ﻣﺒﺎﺩﺉ ﺍﻟﺬﺋﺐ ﰲ ﺇﻗﺪﺍﻣﻪ ﺍﻟﻀﺎﺭﻱ؟!‬

‫ﻳﺒﺪﻭﻥ ﻟﻠﺸﻌﺐ ﺃﺣﺒﺎ‪‬ﺑﺎ‪ ..‬ﻭﺑﻴﻨﻬﻢ‬

‫ﻭﺍﻟﺸﻌﺐ ﻣﺎ ﺑﲔ ﻃﺒﻊ ﺍﳍ ‪‬ﺮ ﻭﺍﻟﻔﺎﺭ‬

‫ﻣﺎ ﱄ ﺃﻏﻨ‪‬ﻴﻚ ﻳﺎ "ﻃﻪ" ﻭﰲ ﻧﻐﻤﻲ‬

‫ﺩﻣﻊ ﻭﰲ ﺧﺎﻃﺮﻱ ﺃﺣﻘﺎﺩ ﺛﻮ‪‬ﺍﺭ؟‬

‫ﲤﻠﻤﻠﺖ ﻛﱪﻳﺎﺀ ﺍﳉﺮﺡ ﻓﺎﻧﺘﺰﻓﺖ‬

‫ﺣﻘﺪﻱ ﻋﻠﻰ ﺍﳉﻮﺭ ﻣﻦ ﺃﻏﻮﺍﺭ ﺃﻏﻮﺍﺭﻱ‬

‫ﻳﺎ "ﺃﲪﺪ ﺍﻟﻨﻮﺭ" ﻋﻔ ‪‬ﻮﺍ ﺇﻥ ﺛﺄﺭﺕ ﻓﻔﻲ‬ ‫"ﻃﻪ" ﺇﺫﺍ ﺛﺎﺭ ﺇﻧﺸﺎﺩﻱ ﻓﺈ ﹼﻥ ﺃﰊ‬

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‫ﺻﺪﺭﻱ ﺟﺤﻴﻢ ﺗﺸﻈﹼﺖ ﺑﲔ ﺃﺷﻌﺎﺭﻱ‬ ‫"ﺣﺴ‪‬ﺎﻥ" ﺃﺧﺒﺎﺭﻩ ﰲ ﺍﻟﺸﻌﺮ ﺃﺧﺒﺎﺭﻱ‬

‫ﺃﻧﺎ ﺍﺑﻦ ﺃﻧﺼﺎﺭﻙ ﺍﻟﻐ ‪‬ﺮ ﺍﻷﱃ ﻗﺬﻓﻮﺍ‬

‫ﺟﻴﺶ ﺍﻟﻄﻐﺎﺓ ﲜﻴﺶ ﻣﻨﻚ ﺟﺮ‪‬ﺍﺭ‬

‫ﺗﻀﺎﻓﺮﺕ ﰲ ﺍﻟﻔﺪﻯ ﺣﻮﻟﻴﻚ ﺃﻧﻔﺴﻬﻢ‬

‫ﻛﺄﻧ‪‬ﻬ ‪‬ﻦ ﻗﻼﻉ ﺧﻠﻒ ﺃﺳﻮﺍﺭ‬

‫ﳓﻦ ﺍﻟﻴﻤﺎﻧﲔ ﻳﺎ "ﻃﻪ" ﺗﻄﲑ ﺑﻨﺎ‬

‫ﺇﱃ ﺭﻭﺍﰊ ﺍﻟﻌﻼ ﺃﺭﻭﺍﺡ ﺃﻧﺼﺎﺭ‬

‫ﺇﺫﺍ ﺗﺬﻛﹼﺮﺕ "ﻋﻤ‪‬ﺎﺭﺍ" ﻭﻣﺒﺪﺃﻩ‬

‫ﻓﺎﻓﺨﺮ ﺑﻨﺎ؛ ﺇﻧ‪‬ﻨﺎ ﺃﺣﻔﺎﺩ "ﻋﻤ‪‬ﺎﺭ"‬

‫"ﻃﻪ" ﺇﻟﻴﻚ ﺻﻼﺓ ﺍﻟﺸﻌﺮ ﺗﺮﻓﻌﻬﺎ‬

‫ﺭﻭﺣﻲ‪ ..‬ﻭﺗﻌﺰﻓﻬﺎ ﺃﻭﺗﺎﺭ ﻗﻴﺜﺎﺭﻱ‬

‫ﻟﻮﻻﻙ ﻳﺎ ﺳﻴﺪﻱ ﺗﺎﻫﺖ ﺳﻔﻴﻨﺘﻨﺎ‬ ‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺟﺪﻱ‬

‫ﺍﻟﺸﺎﻋﺮ ﻭﺍﻟﺮﻭﺍﺋﻲ ﺍﳉﺰﺍﺋﺮﻱ ﻋﺒﺪ ﺍﷲ ﺟﺪﻱ ﺍﻟﺸﻬﲑ ﺏ)ﺍﺑﻦ‬ ‫ﺍﻷﺻﻴﻞ( ﻣﻦ ﻣﻮﺍﻟﻴﺪ ‪ ،1953‬ﻋﻤﻞ ﻗﺒﻞ ﺗﻘﺎﻋﺪﻩ ﺑﻘﺴﻢ )ﻣﺼﻠﺤﺔ‬ ‫ﺍﳌﻼﺣﻈﺔ ﻭﺍﻟﺘﺮﺑﻴﺔ ﰲ ﺍﻟﻮﺳﻂ ﺍﳌﻔﺘﻮﺡ ( ﻓﺮﻉ ﻭﻻﻳﺔ ﺍﳌﺴﻴﻠﺔ ﺇﱃ‬

‫ﺍﳉﻨﻮﺏ ﺍﻟﺸﺮﻗﻲ ﻣﻦ ﺍﻟﻌﺎﺻﻤﺔ ﺍﳉﺰﺍﺋﺮ ﻭﻛﺎﻧﺖ ﻟﻪ ﺟﻬﻮﺩﻩ ﰲ‬

‫ﺍﳌﺴﺮﺡ ﻭﺍﻟﺸﻌﺮ ﻭﺍﻟﻘﺼﺔ ﻭﺍﻟﻨﻘﺪ ﰲ ﺍﳉﺰﺍﺋﺮ‪ ،‬ﻛﺘﺐ ﻋﻨﻪ ﺍﻷﺳﺘﺎﺫ‬ ‫ﻛﻤﺎﻝ ﺃﺑﻮﺳﻠﻤﻲ ﺗﻌﻘﻴﺒ‪‬ﺎ ﻋﻠﻰ ﻗﺼﻴﺪﺗﻪ‪) :‬ﺳﺘﻮﻥ ﻋﺎﻣ‪‬ﺎ(‪:‬‬ ‫ﺑﺪﺃ ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺟﺪﻱ ﺍﻟﻜﺘﺎﺑﺔ ﰲ ﺳﻦ ﺑﻜﺮ‪ ،‬ﻭﺃﻳﻘﻆ ﻓﻴﻪ ﺍﳉﻮ ﺍﻟﺴﺘﻴﲏ ﻭﺍﻟﺴﺒﻌﻴﲏ ﻣﻦ‬ ‫ﺍﻟﻘﺮﻥ ﺍﳌﺎﺿﻲ ﺍﳊﺲ ﺍﻟﺒﺎﺭﻕ ﻟﻘﻮﻝ ﺍﻟﺸﻌﺮ ﻭﻗﺮﺽ ﺍﻟﻘﺎﻓﻴﺔ‪..‬‬

‫ﺇﻧﻪ ﻭﺍﺣﺪ ﻣﻦ ﻫﺎﻣﺎﺕ ﺍﻟﻜﻠﻤﺔ ﺍﻟﺼﺎﺩﻗﺔ ﺍﳌﻌﱪﺓ ﻋﻦ ﳘﻮﻡ ﺍﳌﻮﺍﻃﻦ ﺍﻟﻌﺮﰊ ﺍﻟﻨﺨﺒﻮﻱ ﻭﺍﳌﺘﻠﻘﻲ؛‬

‫ﻓﻘﺪ ﻛﺘﺐ ﰲ ﺷﱴ ﺍﻟﺼﻨﻮﻑ ﻭﺍﳌﻴﻮﻝ‪ ،‬ﻛﺎﻟﻐﺰﻝ ﻭﺍﻟﺴﻴﺎﺳﺔ ﻭﺍﻟﺮﺛﺎﺀ ﻭﺍﻟﻄﻠﻞ ﻭﺍﳊﻴﺎﺓ ﺍﻟﻌﺎﻣﺔ‪..‬‬ ‫ﻭﻟﺸﻌﺮﻩ ﻣﻴﺰﺓ ﺧﺎﺻﺔ ﻛﻮﻧﻪ ﻳﻮﻇﻒ ﺍﻟﻠﻐﺔ ﻛﺠﻤﺎﻟﻴﺔ ﻟﺒﻠﻮﻍ ﺍﳍﺪﻑ ﺍﳌﻨﺸﻮﺩ ﻭﻳﺘﺮﻙ ﺍﻟﻘﺎﺭﺉ‬ ‫ﻳﺴﺮﺡ ﺑﻠﺒﻪ ﻛﻲ ﻳﻘﺘﻨﺺ ﻓﻜﺮﺓ ﻫﺎﺋﻤﺔ ﰲ ﺑﺮﺯﺥ ﺍﻟﻠﻐﺔ ﺃﻭ ﲨﻠﺔ ﺗﻌﺎﻧﻖ ﺑﺮﻭﺝ ﺍﻟﻔﻜﺮﺓ ﺍﻟﻄﺮﻭﺑﻴﺔ‪..‬‬ ‫ﺖ ﺳﻔﻴﻨ‪‬ﺘﻨ‪‬ﺎ **** ﻓﹶﺎﻟﻐﺮﺏ‪ ‬ﺿ‪‬ﺎﻋ‪‬ﻮﺍ ﻭﺑﺎﺳ ِﻢ ﺍﻟﺪ‪‬ﻳ ِﻦ ﻗﺪ ﻓﺴﺪ‪‬ﻭﺍ‬ ‫ﻟﹶﻮﻻ ‪‬ﻙ ﻳﺎ ﺳ‪‬ﻴﺪِﻱ ﺗﺎ ‪‬ﻫ ‪‬‬ ‫ﺕ‪ ،‬ﻭِﺑﻬ‪‬ﺎ **** ﻗﺪ ﺣﺮ‪‬ﻓﻮﺍ ﺻﻔﻘﻮﺍ ﺣﺎﺩﻭﺍ ﻭﻣﺎ ‪‬ﺭ ‪‬ﺷﺪ‪‬ﻭﺍ‬ ‫ﺙ ‪‬ﻋ ‪‬ﺪ ‪‬ﺩ ‪‬‬ ‫ﺃﺭﺑ‪‬ﺎ‪‬ﺑ ‪‬ﻬ ‪‬ﻢ ﰲ ﺛﻼ ٍ‬ ‫ﷲ ‪‬ﻣ ‪‬ﻨﻘِﺬﻧ‪‬ﺎ **** ﻭﻳﺎ ﺷﻔﻴﻌ‪‬ﺎ‪ ..‬ﻟﺪﻯ ‪‬ﻣ ‪‬ﻦ ﻋﻨ ‪‬ﻪ ﻧﻌ‪‬ﺘ ِﻤﺪ‪‬‬ ‫ﻳﺎ ﺳﻴ‪‬ﺪﻱ ﻳﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍ ِ‬ ‫ﻕ ﻭﺍﺑﺘﻌﺪ‪‬ﻭﺍ‬ ‫ﺏ ‪‬ﻣ ‪‬ﺮ ِﺟﻌ‪‬ﻬ‪ ‬ﻢ **** ﹶﻓ ‪‬ﻐ‪‬ﻴﺮ‪‬ﻭﺍ ﺍﻟﺪ‪‬ﻳ ‪‬ﻦ ﻭﺍﻷﺧﻼ ‪‬‬ ‫ِﻣﻨ‪‬ﺎ ﺍﻟﺬﻳﻦ ِﻟ ﹶﻠ ‪‬ﻬﻮ ﺍﻟﻐﺮ ِ‬ ‫ﻒ ﻗﺪ ﺭﻗﺪ‪‬ﻭﺍ‬ ‫ِﻣﻨ‪‬ﺎ ﺍﻟﺬﻳﻦ ﻋﻠﻰ ﳍﻮ ‪‬ﻣﻀ‪‬ﺎ ِﺟ ِﻌ ِﻬ ‪‬ﻢ **** ﻓِﻲ ‪‬ﻧ ‪‬ﻮ ِﻣ ِﻬ ‪‬ﻢ ﻣﺜ ﹸﻞ ﺃﻫ ِﻞ ﺍﻟﻜﻬ ِ‬ ‫ِﻣﻨ‪‬ﺎ ﺍﻟﺬﻳ ‪‬ﻦ ﻋﻠﻰ ﺍﻹﺳﻼ ِﻡ ‪‬ﻭ ‪‬ﺣ ‪‬ﺪﺗ‪‬ﻬ‪ ‬ﻢ **** ﻟﻨﺼﺮ ﺩﻳﻨﻚ ﻛ ﱠﻞ ﺍﻟﻌﺰ ِﻡ ﻗﺪ ‪‬ﻋ ﹶﻘﺪ‪‬ﻭﺍ‬ ‫ﺽ ﻣ‪‬ﺎ ﻭ‪ِ ‬ﺟﺪ‪‬ﻭﺍ‬ ‫ﺏ ﺍﻷﺭ ِ‬ ‫ﺖ ﻋﻦ ِﺫ ﹾﻛ ِﺮ ِﻫ ‪‬ﻢ ﺑﺎﺗﺖ ‪‬ﻣﻀ‪‬ﺎ ِﺟﻌ‪‬ﻬ‪ ‬ﻢ **** ﹶﻛﹶﺄ‪‬ﻧﻬ‪ ‬ﻢ ﰲ ِﺭﺣ‪‬ﺎ ِ‬ ‫ِﺇ ﹾﻥ ِﻏ ‪‬ﺒ ‪‬‬ ‫ِﺇ ﹾﻥ ﻧﻔﻘ ِﺪ ﺍﻟ ‪‬ﺪ‪‬ﻳ ‪‬ﻦ ﻻ ﺃﺭﺿ‪‬ﺎ ﺳﺘﺤﻤﻠﻨﺎ‬

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‫ﻕ ‪‬ﻳ ﹾﻔ‪‬ﺘﻘِﺪ‬ ‫ﻭﻓﺎﻗ ‪‬ﺪ ﺍﻟﺪﻳ ِﻦ ﻟﻸﺧﻼ ِ‬

‫ﺨ‪‬ﻨﺜﹸ ‪‬ﻮ ﹶﻥ ﻓﲑﺿ ‪‬ﻰ ‪‬ﻋ ‪‬ﻨﻬ‪‬ﻢ‪ ‬ﺍﻟ‪‬ﺒ ﹶﻠﺪ‪‬‬ ‫ﺴﻬ‪‬ﺎ **** ‪‬ﻣ ‪‬‬ ‫ﺃﺑﻜﻲ ﻋﻠﻰ ﺣ‪ ‬ﺮ ‪‬ﻣ ِﺔ ﺍﻷﺩﻳﺎ ِﻥ ‪‬ﺩ‪‬ﻧ ‪‬‬ ‫ﻍ ﺍﻟ ‪‬ﺮ ‪‬ﺷ ِﺪ ﻣﺎ ‪‬ﺭ ‪‬ﺷﺪ‪‬ﻭﺍ‬ ‫ﲔ ﺑ‪‬ﻠﹸ ‪‬ﻮ ﹶ‬ ‫‪‬ﻭﺑ‪‬ﺎِﺋ ِﻌ ‪‬ﻴ ‪‬ﻦ ِﺑ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﻫ ‪‬ﻢ ﺩِﻳﺎ‪‬ﻧ‪‬ﺘﻬ‪ ‬ﻢ **** ﻭﺻﺎﻣﺘ ‪‬‬ ‫ﻚ ِﺇ ﱠﻥ ﺍﻟ ﹶﻘ ‪‬ﻮ ‪‬ﻡ ﻗﺪ ﹶﻗ ‪‬ﻌﺪ‪‬ﻭﺍ؟‬ ‫ﻓﻬﻞ ﺑﺼﻤﺘﻬﻢ ﺗﻌﲏ ﻣﻘﻮﻟ‪‬ﺘ ‪‬ﻬ ‪‬ﻢ‪ **** :‬ﺍﺫﻫﺐ ﻭﺭ‪‬ﺑ ‪‬‬ ‫ﻱ ﻗﺪ ‪‬ﺷ ِﻬﺪ‪‬ﻭﺍ‬ ‫ﺃﻡ ﺃ‪‬ﻢ ﺗﺮﻛﻮﺍ ﻟﻠﺒﻮﻡ ﺩﻭﻟﺘ‪‬ﻬﻢ **** ﻭﺃﻧ‪‬ﻬﻢ ﺑﻮﻓﺎ ِﺓ ﺍﻟ ‪‬ﺮﹾﺃ ‪‬‬ ‫ﺴﺪ‪‬‬ ‫ﺽ ﻗﻮﻡ‪ ‬ﹸﻛﱡﻠ ‪‬ﻬ ‪‬ﻢ ‪‬ﺣ ‪‬‬ ‫ﻂ ﹶﻓﺒ‪ ‬ﻐﻀ‪‬ﻬ‪‬ﻢ‪ **** ‬ﻗﺪ ﺯﻟﺰﻝ ﺍﻷﺭ ‪‬‬ ‫ﻋﺎﺩ ﺍﻟﻀ‪‬ﻼ ﹸﻝ ﺇﱃ ‪‬ﺭ ‪‬ﻫ ٍ‬ ‫ﺴ‪‬ﺘِﻨﺪ‪‬‬ ‫‪‬ﻳﻘﹶﺎ ﹸﻝ ﺣﺮﻳﺔﹲ ﻟﻠ ِﻔ ﹾﻜ ِﺮ ﻋﻨﺪ ‪‬ﻫ ‪‬ﻢ **** ﺗﻘﻮﺩﻫﺎ ﹸﻃ ‪‬ﻐ ‪‬ﻤﺔﹲ ﻟﻠﻜﹸ ﹾﻔ ِﺮ ‪‬ﺗ ‪‬‬ ‫ﺤﺪ‪‬ﻭﺍ‬ ‫ﺕ ﻗﺪ ‪‬ﺟ ‪‬‬ ‫ﺕ ﻛﺬﹶﺍ **** ِﺧﺼ‪‬ﺎﹶﻟﻪ‪ ‬ﺍﻟ ‪‬ﻐ ‪‬ﺮ ﻭﺍﻵﻳﺎ ِ‬ ‫ﺗﻨﻜﺮﻭﺍ ﻟﺮﺳﻮ ِﻝ ﺍﳌﻌﺠﺰﺍ ِ‬ ‫ﻧﻮﺭ‪ ‬ﻣﻦ ﺍﷲ ﻟﻜﻦ ﻻ ﻳﺮﻭﻥ ِﺳﻮ‪‬ﻯ **** ﻇﻼ ‪‬ﻣ ‪‬ﻬ ‪‬ﻢ ﻭﻟﻨﺸ ِﺮ ﺍﻟﻈﻠﻢ ﻗﺪ ﻗﺼﺪﻭﺍ‬ ‫ﺴﺪ‪‬‬ ‫ﺇﱃ ﺍﳉﺤﻴﻢ ﺗﺴﲑ ﺍﻟﻴﻮ ‪‬ﻡ ﹸﺛ ﱠﻠ‪‬ﺘ ‪‬ﻬ ‪‬ﻢ **** ‪‬ﺳ‪‬ﻴ ‪‬ﻨ‪‬ﺘﻬ‪‬ﻮ ﹶﻥ ﹶﻛ ‪‬ﻤ ‪‬ﻦ ﰲ ِﺟ ‪‬ﻴ ِﺪﻫ‪‬ﺎ ﺍ ﹶﳌ ‪‬‬ ‫ﺼﺪ‪‬ﻭﺍ‬ ‫ﻉ ﻗﺪ ‪‬ﺣ ‪‬‬ ‫ﺤﻜﹸﻢ‪ **** ‬ﹶﻓ ﹶﻘ ‪‬ﺒﻠﹸﻜﹸ ‪‬ﻢ ِﻣ ﹾﺜﻠﹸﻜﹸ ‪‬ﻢ ﻟﻠﺰﺭ ِ‬ ‫ﹶﻟ ﹶﻘ ‪‬ﺪ ‪‬ﺯ ‪‬ﺭ ‪‬ﻋﺘ‪‬ﻢ ‪‬ﺑﺬﹸﻭﺭ ﺍﻟﺸ ‪‬ﺮ ‪‬ﻭ‪‬ﻳ ‪‬‬ ‫ﻳﺎ ﻃﹸ ‪‬ﻐ ‪‬ﻤ ﹶﺔ ﺍﻟﻜﻔ ِﺮ ‪‬ﻳ ‪‬ﻮ ‪‬ﻡ ﺍﳊﺸ ِﺮ ‪‬ﻣ ‪‬ﻮ ِﻋ ‪‬ﺪﻧ‪‬ﺎ **** ﻟﻨﺎ ﺍﻟﺮﺳﻮ ﹸﻝ ﻭﺃﻧﺘﻢ ﻣﺎ ﻟﻜﻢ ‪‬ﺳ‪‬ﻨﺪ‪‬‬ ‫ﺖ ‪‬ﻳﺪ‪‬ﺍ ‪‬ﻣ ‪‬ﻦ ﻇﹶﻼ ‪‬ﻡ ﺍﳉﻬﻞ ﳛﻤﻠﻪ **** ﺇﱃ ﺭﺳﻮﻡ‪ِ ،‬ﺑﻨ‪‬ﺎ ِﺭ ﺍﳊﻘ ِﺪ ‪‬ﺗ‪‬ﺘ ِﻘﺪ‪‬‬ ‫‪‬ﺷ ﱠﻠ ‪‬‬ ‫ﺖ ‪‬ﻳﺪ‪‬ﺍ ﻛﹶﺎﻓ ٍﺮ ﻳﺮﻣﻲ ﻋﻘﻴ ‪‬ﺪ‪‬ﺗﻨ‪‬ﺎ **** ِﺇ ﱠﻥ ﺍﳉﺰﺍ َﺀ ﹶﻏﺪ‪‬ﺍ ‪‬ﻋ ‪‬ﻦ ‪‬ﺭ ‪‬ﺳ ِﻤ ِﻪ ﺍﻟ‪‬ﻨ ﹶﻜﺪ‪‬‬ ‫‪‬ﺗ‪‬ﺒ ‪‬‬ ‫ﺴﺪ‪‬ﻭﺍ‬ ‫ﻕ ‪‬ﻣ ‪‬ﻦ ﹶﻓ ‪‬‬ ‫ﷲ ﻳﺸﺘﻤﻪ **** ﺃﺑﻨﺎ ُﺀ ﻓﺎ ِﺳ ‪‬ﺪ ِﺓ ﺍﻷﺧﻼ ِ‬ ‫ﺐ ﺭﺳﻮ ﹸﻝ ﺍ ِ‬ ‫ِﻣ ‪‬ﻦ ﺍﻟﻐﺮﻳ ِ‬ ‫ﺲ ﻭﺍﻋﺘﺮﻓﻮﺍ **** ﻟﺪﻳِﻨﻨ‪‬ﺎ ﺧﻀﻌﻮﺍ ﻟﻠﺤ ِﻖ ﺑﻞ ﺳﺠﺪﻭﺍ‬ ‫ﺃﺑﻨﺎ ُﺀ ‪‬ﻣ ‪‬ﻦ ﻫ‪ِ ‬ﺰﻣ‪‬ﻮﺍ ﺑﺎﻷﻣ ِ‬ ‫ﻣﺎﺫﺍ ﺩﻫﺎﻛﻢ؟ ﻭﻫﻞ ﻋﺪﰎ ﻟﱰﻋﺘﻜﻢ؟ **** ﹶﺃﻣ‪‬ﺎ ﻟﺪﻳﻜﻢ ِﺳﻮ‪‬ﻯ ﺍﻹﺳﻼﻡ ﻳ‪ ‬ﻨ‪‬ﺘ ﹶﻘﺪ‪‬؟‬ ‫ﳉ ‪‬ﺮﺩ‪‬‬ ‫ﺽ ﻧ‪‬ﺎﹶﻟ ‪‬ﻬﺎ ﺍ ﹶ‬ ‫ﻳ‪‬ﺎ ‪‬ﻣ ‪‬ﻦ ﻋ‪‬ﺒﺜﺘﻢ ِﺑ ‪‬ﺪﻳِﻦ ﺍﷲ ِﻣﺜﹾﻠﻜﹸﻢ **** ‪‬ﻣ ‪‬ﻌ ﹶﻘﺪ‪‬ﻭ ﹶﻥ ﹶﻛﹶﺄ ‪‬ﺭ ٍ‬ ‫ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴ ‪‬ﺪ ﺍﻟﻜﻮ ِﻥ ‪‬ﻋ ﹾﺬﺭ‪‬ﺍ ِﺇ ﱠﻥ ﺳ‪‬ﺎ ‪‬ﺩ‪‬ﺗﻨ‪‬ﺎ **** ﻣﻦ ﹶﺃ ‪‬ﺟ ِﻞ ﻓﺎﻧﻴ ٍﺔ ﰲ ‪‬ﺣ ﹾﻠ ِﻤﻬِﻢ ‪‬ﺳ ‪‬ﻌﺪ‪‬ﻭﺍ‬ ‫ﺤﺪ‪‬ﻭﺍ‬ ‫ﻕ ﺍﻟﺸ‪‬ﻤ ﹸﻞ ﻣﻦ ﺿﻴ ٍﻖ ‪‬ﻭﺿ‪‬ﺎِﺋ ﹶﻘ ٍﺔ **** ﻟﻜ ‪‬ﻦ ِﺑ ِﺬ ﹾﻛ ِﺮ ‪‬ﻙ ﺻﻠﱠﻰ ﺍﻟﻜ ﱡﻞ ُﻭﺍ‪‬ﺗ ‪‬‬ ‫‪‬ﺗ ﹶﻔ ‪‬ﺮ ‪‬‬

‫ﺃﻓﺮﺍﺡ ﺍﻟﻨﻮﺭ‬ ‫‪155‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﴰﺲ ﺍﻟﺪﻳﻦ )‪(1977-1921‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﺼﺮﻱ ﺍﻷﺳﺘﺎﺫ ﻋﺒﺪ ﺍﷲ ﴰﺲ ﺍﻟﺪﻳﻦ‪ ،‬ﺣﻔﻆ‬ ‫ﺍﻟﻘﺮﺁﻥ ﰲ ﺻﺒﺎﻩ‪ ،‬ﰒ ﺍﻟﺘﺤﻖ ﺑﺎﻷﺯﻫﺮ ﺍﻟﺸﺮﻳﻒ ﻓﻌﻤﻞ ﻣﺴﺘﺸﺎ ‪‬ﺭﺍ‬

‫ﺛﻘﺎﻓ‪‬ﻴﺎ ﺑﺎ‪‬ﻠﺲ ﺍﻷﻋﻠﻰ ﻟﻠﺸﺒﺎﻥ ﺍﳌﺴﻠﻤﲔ‪ .‬ﻭﻟﻘﺐ ﺑﺸﺎﻋﺮ‬ ‫ﺍﻟﺘﻮﺣﻴﺪ‪.‬‬ ‫ﻛﺘﺐ ﻋﺒﺪ ﺍﷲ ﴰﺲ ﺍﻟﺪﻳﻦ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﻘﺼﺎﺋﺪ ﺫﺍﺕ‬ ‫ﺍﻟﻄﺎﺑﻊ ﺍﻹﺳﻼﻣﻲ ﻭﺍﻟﻌﺮﰊ‪ ،‬ﻭﻟﻜﻦ ﺃﺷﻬﺮ ﻗﺼﺎﺋﺪﻩ ﻋﻠﻰ‬ ‫ﺍﻹﻃﻼﻕ ﻫﻲ ﺍﻟﻨﺸﻴﺪ ﺍﻟﻮﻃﲏ ﺍﳌﺼﺮﻱ "ﺍﷲ ﺃﻛﱪ ﻓﻮﻕ ﻛﻴﺪ ﺍﳌﻌﺘﺪﻱ" ﺍﻟﺬﻱ ﻛﺘﺒﻪ ﺳﻨﺔ ‪1956‬‬

‫ﺃﺛﻨﺎﺀ ﺍﻟﻌﺪﻭﺍﻥ ﺍﻟﺜﻼﺛﻲ ﻋﻠﻰ ﻣﺼﺮ‪ ،‬ﻭﺍﻟﺬﻱ ﺑﻘﻲ ﻧﺸﻴﺪ‪‬ﺍ ﻭﻃﻨﻴ‪‬ﺎ ﰲ ﻟﻴﺒﻴﺎ ﺣﱴ ﻗﺎﻣﺖ ﺛﻮﺭ‪‬ﺎ‪.‬‬

‫ﻛﺘﺐ ﻋﺒﺪ ﺍﷲ ﴰﺲ ﺍﻟﺪﻳﻦ ﰲ ﲨﻴﻊ ﺃﻏﺮﺍﺽ ﺍﻟﺸﻌﺮ‪ :‬ﰲ ﺍﻟﻮﻃﻨﻴﺎﺕ ﻭﺍﻹﺳﻼﻣﻴﺎﺕ‬

‫ﻭﺍﻻﺟﺘﻤﺎﻋﻴﺎﺕ ﻭﺍﳊﺐ‪ .‬ﻭﻟﻜﻦ ﺍﳉﺰﺀ ﺍﻷﻛﱪ ﺍﻟﺬﻱ ﻣﻠﻚ ﻋﻠﻴﻪ ﺣﻴﺎﺗﻪ ﻛﺎﻥ ﰲ ﺍﳉﺎﻧﺐ ﺍﻟﺼﻮﰱ‬ ‫ﻓﻜﺎﻥ ﻟﻠﺸﻌﺮ ﺍﻟﺼﻮﰲ ﰲ ﺩﻳﻮﺍﻧﻪ ﻧﺼﻴﺐ ﻛﺒﲑ‪.‬‬ ‫ﻣﻨﺤﻪ ﺍﻟﺮﺋﻴﺲ ﻋﺒﺪ ﺍﻟﻨﺎﺻﺮ ﻭﺳﺎﻡ ﺍﳉﻤﻬﻮﺭﻳﺔ ﻣﻦ ﺍﻟﻄﺒﻘﺔ ﺍﻷﻭﱃ ﺗﻘﺪﻳ ‪‬ﺮﺍ ﻟﺪﻭﺭﻩ ﰲ ﺇﺛﺮﺍﺀ‬

‫ﺍﳊﻴﺎﺓ ﺍﻷﺩﺑﻴﺔ‪ .‬ﻭﻗﺪ ﻣﺜﻞ ﻣﺼﺮ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﻣﻬﺮﺟﺎﻧﺎﺕ ﺍﻟﺸﻌﺮ ﰲ ﳐﺘﻠﻒ ﺍﻷﻗﻄﺎﺭ ﺍﻟﻌﺮﺑﻴﺔ‪.‬‬

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‫ﻟﻐﺔ ﺍﻟﻜﻼﻡ ﻛﻤﺎ ﺭﺃﻳﺖ ﻋﻠﻰ ﻓﻤﻲ‬

‫ﺧﺠﻠﻰ‪ ..‬ﻭﻟﻮﻻ ﺍﳊﺐ ﱂ ﺃﺗﻜﻠﻢ‬

‫ﻳﺎ ﻣﻈﻬﺮ ﺍﻟﺘﻮﺣﻴﺪ ﺣﺴﱯ ﺃﻧﲏ‬

‫ﳊﻮ‪‬ﻡ‬ ‫ﺃﺣﺪ ﺍﻟﺸﺪﺍﺓ ﺍﳍﺎﺋﻤﲔ ﺍ ﹸ‬

‫ﻣﺎ ﺣﻴﻠﺔ ﺍﻟﺸﻌﺮﺍﺀ ﺯﺍﺩ ﻏﻨﺎﺅﻫﻢ‬

‫ﺭﻫﺒ‪‬ﺎ ﻟﺪﻯ ﻫﺬﺍ ﺍﳉﻤﺎﻝ ﺍﻷﻋﻈﻢ‬

‫ﺖ ﺗﻀﺎﺀﻟﺖ‬ ‫ﻛﻞ ﺍﳌﻌﺎﱐ ﺇﻥ ‪‬ﻭﺻِﻔ ‪‬‬

‫ﻭﲢﻴ‪‬ﺮﺕ ﰲ ﻛﹸﻨﻬﻚ ﺍﳌﺘﻠﺜﻢ‬

‫ﺇﻥ ﺍﻟﺬﻱ ﺳﻮ‪‬ﺍﻙ ﰲ ﺗﱰﻳﻠﻪ‬

‫ﻭﻓﹼﺎﻙ ﻭﺻﻔﹰﺎ ﺑﺎﻟﺜﻨﺎﺀ ﺍﻷﻛﺮﻡ‬

‫ﺳﺒﻘﺖ ﳏﺒﺘﻪ ﳎﻴﺌﻚ ﻟﻠﻮﺭﻯ‬

‫ﰲ ﻋﺎﱂ ﺍﻟﻐﻴﺐ ﺍﻟﻜﺒﲑ ﺍﻷﻗﺪﻡ‬

‫ﻳﺎ ﻧﻮﺭ ﻳﻮﻡ ﻭ‪‬ﻟﺪﺕ ﻗﺎﻣﺖ ﻋﺰ‪‬ﺓ‬

‫ﻟﻸﺭﺽ ﺇﺫ ﺃﻣﺴﺖ ﻟﻨﻮﺭﻙ ﺗﻨﺘﻤﻲ‬

‫ﺍﻟﻜﻮﻛﺐ ﺍﻷﺭﺿ ‪‬ﻲ ﺣﲔ ﻭﻃﺌﺘﻪ‬

‫ﺃﻣﺴﻰ ﺣﺼﺎﻩ ﻳﺘﻴﻪ ﻓﻮﻕ ﺍﻷﳒﻢ‬

‫ﻭﻋﻠﻰ ﻫﺪﻯ ﺍﻷﻗﺪﺍﺭ ﻗﺎﻡ ﳏﻤﺪ‪‬‬

‫ﷲ ﻓﻴﻪ ﺳﺮﺍﺋﺮ ﱂ ﺗ‪‬ﻌﻠﹶﻢ‬

‫ﻣﺘﺠﺮﺩ‪‬ﺍ ﻣﻦ ﻛﻞ ﺟﺎﻩ ﻇﺎﻫ ٍﺮ‬

‫ﻭﺑﻐﲑ ﺟﺎﻩ ﺍﷲ ﱂ ﻳﺴﺘﻌﺼﻢ‬

‫ﺻﻠﻰ ﻋﻠﻴﻪ ﺍﷲ ﰲ ﺳﺒ‪‬ﺤﺎﺗﻪ‬

‫ﻣﺎ ﺭﺍﺡ ﳚﻤﻊ ﺻﺤﺒﻪ ﺑﺘﻜﺘﻢ‬

‫ﳝﺸﻲ ﻋﻠﻰ ﺣﺬﺭ ﻭﻳﻨﺸﺮ ﻫﺪﻳﻪ‬

‫ﺭﺷﺪ‪‬ﺍ ﻣﻦ ﺍﻟﺬﻛﺮ ﺍﻟﻌﺰﻳﺰ ﺍﶈﻜﻢ‬

‫ﺐ ﻭﻻ ﻋﻦ ﺧﻴﻔﺔ‬ ‫ﻣﺎ ﻛﺎﻥ ﻋﻦ ﺭ ‪‬ﻫ ٍ‬

‫ﻟﻜﻦ ﻋﻠﻰ ﻗﺪ‪‬ﺭ ﺧﻔﻲ ﻣﻠﻬﻢ‬

‫ﺣﱴ ﺃﻓﺎﺽ ﺍﷲ ﻭﺍﻧﺘﺸﺮ ﺍﳍﺪﻯ‬

‫ﻭﻣﻀﻰ ﻳﻬﻴﺐ ﺑﻜﻞ ﻗﻠﺐ ﻣﺴﻠﻢ‬

‫ﻭﺩﻋﺎ ﻓﻜﺎﻥ ﺍﷲ ﻋﻨﺪ ﺩﻋﺎﺋﻪ‬

‫ﻳﺎ ﻫﺬﻩ ﺍﻟﺪﻧﻴﺎ ﻷﲪﺪ ﻓﺎﺳﻠﻤﻲ‬

‫ﻭﺍﻣﺸﻲ ﻭﺭﺍﺀ ﳏﻤﺪ ﻭﻛﻔﻰ ﺑﻪ‬

‫ﻯ ﻟﻜﻞ ﻣﻴﻤِﻢ‬ ‫ﻧﻮﺭ‪‬ﺍ ﻳﻀﻲﺀ ﻫﺪ ‪‬‬

‫ﺻﻠﻰ ﻋﻠﻴﻪ ﺍﷲ ﻧﻮﺭ‪‬ﺍ ﻫﺎﺩﻳ‪‬ﺎ‬

‫ﻣﺘﻌﺒﺪ‪‬ﺍ ﰲ ﻏﺎﺭﻩ ﱂ ﻳﺴﺄﻡ‬

‫ﳏﻤﺪ ﺭﺳﻮﻝ ﺍﷲ‬ ‫‪157‬‬

‫ﻋﺒﺪ ﺍﷲ ﺍﻟﺸﻮﺭﲜﻲ‬ ‫ﻣﻦ ﻣﻮﺍﻟﻴﺪ ‪ ،1969‬ﻭﻳﺒﺪﻭ ﺃﻧﻪ ﺑﻠﺪﻳﺎﰐ‪ ،‬ﻓﻠﻘﺪ ﺗﻜﻠﻢ ﻋﻦ‬ ‫ﻣﺪﻳﻨﱵ ﺯﻓﱴ‪ ،‬ﻭﻣﺮﻛﺰ ﺛﻘﺎﻓﺘﻬﺎ‪ ،‬ﻭﻣﺸﺮﻓ ٍﺔ ﻓﻴﻪ ﻋﻠﻰ ﺍﳌﻮﺍﻫﺐ‪ ،‬ﱂ‬ ‫ﺗﻔﻄﻦ ﳌﻮﻫﺒﺘﻪ ﻭﺧﺼﻮﺻﻴﺘﻪ ﺃﻭﻝ ﻋﻤﺮﻩ‪..‬‬

‫ﻧﺸﺮ ﺃﻭ‪‬ﻝ ﺩﻭﺍﻭﻳﻨﻪ "ﻧﺎﻧﺎ" ﺣﲔ ﻛﺎﻥ ﰲ ﺍﻟﺘﺎﺳﻌﺔ ﻋﺸﺮﺓ‪.‬‬ ‫ﻭﺍﻟﺪﻳﻮﺍﻥ ﻫﻮ ﺍﻹﺻﺪﺍﺭ ﺍﻟﺸﻌﺮﻱ ﺍﻟﺜﺎﱐ ﻋﺸﺮ ﻟﻠﺸﺎﻋﺮ ﺑﻌﺪ‪:‬‬ ‫ﻧﺎﻧﺎ‪ ،‬ﻗﺮﺍﺀﺓ ﰲ ﺟﺴﺪ ﺍﻣﺮﺃﺓ ﻋﺎﺭﻳﺔ‪ ،‬ﺍﳊﺐ ﰲ ﻋﻴﻨﻴﻚ‪ ،‬ﺃﻧﺖ ﰲ‬ ‫ﻋﻤﺮﻱ ﺻﻼﺓ‪ ،‬ﺃﺷﻬﺪ ﺃﻻ ﺣﺒﻴﺒﺔ ﻏﲑﻙ‪ ،‬ﺍﻣﺮﺃﺓ ﻣﻦ ﻋﺴﻞ ﻭﻧﺎﺭ‪،‬‬ ‫ﺃﺑﺎﻧﺎ ﺍﻟﺬﻱ ﰲ ﺍﻟﺼﻴﺪﻟﻴﺎﺕ‪ ،‬ﺃﺑﻮ ﳍﺐ ﻳﻌﺘﲏ ﺑﺄﻇﺎﻓﺮﻩ‪ ،‬ﺛﺎﱐ ﺃﻛﺴﻴﺪ ﺍﻟﺼﻤﺖ‪ ،‬ﻭﻏﲑﻫﺎ ﻣﻦ‬

‫ﺍﻟﻌﻨﺎﻭﻳﻦ‪.‬‬

‫ﺍﻵﻥ ﱄ‪ ..‬ﻟﻠﻬﻮﻯ‪ ..‬ﻟﻠﻌﺸﻖ ﻓﺎﺑﺘﺴﻤﻲ‬

‫ﻋﻴﻨﺎﻙ ﺗﺸﺮﻕ ﱄ ﻣﻦ ﺳﻮﺭﺓ ﺍﻟﻘﻠﻢ‬

‫ﺍﻗﺮﺃ‪ ..‬ﻗﺮﺃﺕ‪ ..‬ﻭﻋﻴﻨﺎﻙ ﺗﺰﻣﻠﲏ‬

‫ﰲ ﻗﻞ ﺃﻋﻮﺫ‪ ..‬ﺑﻼ ﺧﻮﻑ ﻭﻻ ﺃﱂ‬

‫ﺑﺴﻮﺭﺓ ﺍﻟﻨﻮﺭ‪ ..‬ﺑﺎﻟﻔﺮﻗﺎﻥ ﲢﻤﻠﲏ‬

‫ﳊﻀﻦ ﺃﲪﺪ‪ ..‬ﺧﲑ ﺍﳋﻠﻖ ﻛﻠﻬﻢ‬

‫ﳏﻤﺪ ﻛﻠﻤﺔ ﺗﻜﻔﻲ ﻟﺘﺄﺧﺬﱐ‬

‫ﻣﻦ ﻇﻠﻤﺔ ﺍﻟﻜﻬﻒ‪ ..‬ﳓﻮ ﺍﻟﻨﻮﺭ ﻭﺍﻟﻨﻌﻢ‬

‫ﻫﻞ ﻳﻜﺘﺐ ﺍﻟﺸﻌﺮ ﻓﻴﻤﻦ ﻭﺣﺪﻩ ﻟﻐﺔ‬

‫ﺣﺮﻭﻓﻬﺎ ﺍﻟﻨﻮﺭ ﻭﺍﻟﻘﺮﺁﻥ ﰲ ﺍﻟﻜﻠﻢ؟‬

‫ﺣﺴﱮ ﺃﺣﺎﻭﻝ ﺃﻥ ﺃﺩﻧﻮ ﻟﺸﺮﻓﺘﻪ‬

‫ﺃﻗﺪﻡ ﺍﻟﺘﻮﺑﺔ ﺍﻟﺒﻴﻀﺎﺀ ﰲ ﻧﺪﻡ‬

‫ﻋﻢ ﺍﻟﺘﺴﺎﺅﻝ؟ ﻋﻦ ﺃﺧﻼﻕ ﻣﻦ ﺷﻬﺪﺕ‬

‫ﺁﻳﺎﺕ ﺭﰊ ﻟﻪ ﺑﺄﻋﻈﻢ ﺍﻟﺸﻴﻢ؟‬

‫ﺗﺒﺎﺭﻙ ﺍﷲ‪ ..‬ﻛﻴﻒ ﺍﷲ ﺻﻮﺭﻩ‬

‫ﰲ ﻗﻠﺐ ﺁﻣﻨﺔ‪ ..‬ﰲ ﺭﲪﺔ ﺍﻟﺮﺣﻢ؟‬

‫ﻧﻮﺭ‪ ..‬ﻭﻗﺪ ﲰﻊ ﺍﻟﻜﻮﻧﺎﻥ ﺩﻋﻮﺗﻪ‬

‫ﺇﱐ ﺑﺸﲑ ﻣﻦ ﺍﻟﺮﲪﻦ ﻟﻸﻣﻢ‬

‫ﻳﺲ‪ ..‬ﺗﻨﺬﺭ ﺃﻗﻮﺍﻣ‪‬ﺎ ﺑﻐﻔﻠﺘﻬﻢ‬

‫ﻻ ﻳﺒﺼﺮﻭﻥ‪ ..‬ﻓﻜﻨﺖ ﺍﻟﺸﻤﺲ ﰱ ﺍﻟﻈﻠﻢ‬

‫ﺇﺳﺮﺍﺅﻩ ﺭﲪﺔ‪ ..‬ﻣﻌﺮﺍﺟﻪ ﺳﻮﺭ‬

‫ﻣﻦ ﺿﻤﺔ ﺍﻟﻌﺮﺵ ﺣﱴ ﻗﺒﻠﺔ ﺍﳊﺮﻡ‬

‫ﺇﺫ ﻗﺎﻝ ﺃﲪﺪ‪ :‬ﺇﻥ ﺍﷲ ﺛﺎﻟﺜﻨﺎ‬

‫ﻭﺍﻟﺼﺪﻕ ﰲ ﺍﻟﻐﺎﺭ‪ ..‬ﻭﺍﻟﺼﺪﻳﻖ ﱂ ﻳﻨﻢ‬

‫ﺍﻟﻌﻨﻜﺒﻮﺕ ﲢﺪﺍﻫﻢ ﺑﻌﺼﺒﺘﻬﻢ‬

‫ﻭﺍﻟﻐﺎﺭ ﺃﻡ ﺗﻀﻢ ﺍﻟﻨﻮﺭ ﰲ ﻛﺮﻡ‬

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‫ﺃﺫﻥ ﺑﻼﻝ‪ ..‬ﻓﺈﻥ ﺍﻟﺮﻛﺐ ﻣﺮﲢﻞ‬

‫ﻭﻗﻠﺐ ﻳﺜﺮﺏ ﻏﲎ ﺃﺭﻭﻉ ﺍﻟﻨﻐﻢ‬

‫ﺍﳊﻜﻢ ﷲ‪ ..‬ﻭﺍﻟﺸﻮﺭﻯ ﺳﻴﺎﺳﺘﻪ‬

‫ﻫﻞ ﺃﺑﺼﺮﻭﺍ ﺭﲪﺔ ﲤﺸﻲ ﻋﻠﻰ ﻗﺪﻡ‬

‫ﺃﺯﻭﺍﺟﻪ ﺍﻟﺪﺭ ﻣﻨﻈﻮﻡ ﲟﺴﺒﺤﺔ‬

‫ﺃﺻﺤﺎﺑﻪ ﺍﻟﻨﺠﻢ‪ ..‬ﺣﺒ‪‬ﺎ ‪‬ﺘﺪﻱ ‪‬ﻢ‬

‫ﺑﺪﺭ ﺑﺒﺪﺭ‪ ..‬ﻭﰲ ﺍﻷﺣﺰﺍﺏ‪ ..‬ﰲ ﺃﺣﺪ‬

‫ﻳﺎ ﺧﲑ ﻣﻌﺘﺼﻢ‪ ..‬ﺑﺎﷲ ﻣﻨﺘﻘﻢ‬

‫ﺧﺬﱐ ﺇﻟﻴﻚ ﻓﺄﻭﺯﺍﺭﻱ ﻣﻌﺘﻘﺔ‬

‫ﻭﺍﻟﻘﻬﺮ ﻳﺪﻓﻌﲏ ﻗﻬﺮ‪‬ﺍ‪ ..‬ﺇﱃ ﺻﻨﻢ‬

‫ﰲ ﺣﻮﺕ ﻳﻮﻧﺲ ﻭﺍﻟﻜﻔﺎﺭ ﺗﺘﺒﻌﲏ‬

‫ﻓﺮﻋﻮﻥ ﰲ ﺍﻟﻔﺮﺱ‪ ..‬ﰲ ﺍﻟﺮﻭﻣﺎﻥ‪ ..‬ﰲ ﺇﺭﻡ‬

‫ﻣﻦ ﻛﻞ ﻓﺞ ﻋﻤﻴﻖ ﺟﺎﺀﱐ ﺯﻣﺮ‬

‫ﺇﱐ ﻛﻴﻮﺳﻒ‪ :‬ﱄ ﺳﺠﲏ‪ ..‬ﻭﱄ ‪‬ﻤﻲ‬

‫ﻣﻦ ﻳﻬﺪﻡ ﺍﻟﺴﺠﻦ ﺇﻻ ﻛﻒ ﺳﻴﺪﻧﺎ‬

‫ﳏﻤﺪ‪ ..‬ﺃﺳﻮﰐ‪ ..‬ﻭﺑﺮﺍﺀﰐ‪ ..‬ﺣﻜﹶﻤﻲ‬

‫ﺇﱐ ﺃﺣﺒﻚ ﻳﺎ ﻃﻪ‪ ..‬ﻭﱄ ﺭﺋﺔ‬

‫ﺗﻨﻔﺲ ﺍﻟﻨﻮﺭ ﻓﻴﻬﺎ‪ ..‬ﻓﺎﻧﺘﻬﻰ ﺳﻘﻤﻲ‬

‫ﺑﺎﳊﺞ‪ ..‬ﺑﺎﻟﻨﻤﻞ‪ ..‬ﺑﺎﻷﻧﻔﺎﻝ ﱄ ﻭﻃﻦ‬

‫ﻭﺃﻏﺴﻞ ﺍﻟﺮﻭﺡ ﺑﺎﻵﻳﺎﺕ‪ ..‬ﺑﺎﳊﻜﻢ‬

‫ﺃﺑﻜﻲ ﺃﻣﺎﻣﻚ‪..‬ﻋﻨﺪﻱ ﺃﻟﻒ ﻣﺸﻜﻠﺔ‬

‫ﻟﻜﻦ ﺻﻼﰐ ﻋﻠﻴﻚ ﻛﻢ ﺗﻀﻲﺀ ﺩﻣﻲ‬

‫ﺃﺷﺘﺎﻕ ﻓﻴﻚ ﺭﺳﻮﻝ ﺍﷲ‪ ..‬ﺃﻋﺸﻘﻬﺎ‬

‫ﺣﺮﻭﻑ ﺍﲰﻚ ﰲ ﻗﻠﱯ‪ ..‬ﻭﻣﻞﺀ ﺩﻣﻲ‬

‫ﻳﻈﻞ ﺃﲪﺪ ﺑﺎﺳﻢ ﺍﷲ ﻣﻘﺘﺮﻧ‪‬ﺎ‬

‫ﺗﺴﺒﻴﺤﺔ ﺍﳉﻦ‪..‬ﻭﺍﻷﻋﺮﺍﺏ‪ ..‬ﻭﺍﻟﻌﺠﻢ‬

‫ﻣﺎ ﺿﻞ ﺻﺎﺣﺒﻜﻢ‪ ..‬ﺑﻞ ﺇﻥ ﺳﻨﺘﻪ‬

‫‪‬ﺪﻱ ﺇﱃ ﺍﻟﺮﺷﺪ‪ ..‬ﺇﻥ ﺗﺘﺒﻌﻪ ﺗﺴﺘﻘﻢ‬

‫ﻣﻮﻻﻱ ﺻﻞ ﻭﺳﻠﻢ ﺩﺍﺋﻤ‪‬ﺎ ﺃﺑﺪ‪‬ﺍ‬

‫ﻋﻠﻰ ﺣﺒﻴﺒﻚ ﺧﲑ ﺍﳋﻠﻖ ﻛﻠﻬﻢ‬

‫ﺣﺪﺙ ﺻﺪﻳﻘﻲ ﻋﻦ ﲨﺎﻝ ﳏﻤ ِﺪ‬ ‫‪159‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﳌﻌﻄﻲ ﺍﻟﺪﺍﻻﰐ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻱ ﺍﳊﻤﺼﻲ ﺍﻟﻄﺒﻴﺐ ﻋﺒﺪ ﺍﳌﻌﻄﻲ ﺑﻦ ﻋﺰ ﺍﻟﺪﻳﻦ ﺍﻟﺪﺍﻻﰐ ﻋﺎﻡ‬ ‫‪1961‬ﻡ‪ .‬ﻧﺎﻝ ﺷﻬﺎﺩﺓ ﺩﻛﺘﻮﺭ ﰲ )ﺍﻟﻄﺐ ﺍﻟﺒﺸﺮﻱ( ﻭﺍﳌﺎﺟﺴﺘﲑ ﰲ )ﺍﻷﺣﻴﺎﺀ ﺍﻟﺪﻗﻴﻘﺔ(‬

‫ﻭﺍﻻﺧﺘﺼﺎﺹ ﰲ )ﺍﻟﺪﻣﻮﻳﺎﺕ( ﻣﻦ ﺩﻣﺸﻖ‪ ..‬ﻭﻛﺬﺍ ﻧﺎﻝ ﺷﻬﺎﺩﺓ ﺍﻹﺟﺎﺯﺓ ﰲ )ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﻭﺁﺩﺍ‪‬ﺎ( ﻣﻦ ﺟﺎﻣﻌﺔ ﺣﻠﺐ‪ ،‬ﻭﺩﺭ‪‬ﺱ )ﺍﻟﺸﺮﻳﻌﺔ ﺍﻹﺳﻼﻣﻴﺔ( ﰲ ﻛﻠﻴﺔ ﺍﻟﺸﺮﻳﻌﺔ ﲜﺎﻣﻌﺔ ﺩﻣﺸﻖ‪،‬‬ ‫ﻭﺩﺭ‪‬ﺱ )ﺍﻟﻠﻐﺔ ﺍﻹﳒﻠﻴﺰﻳﺔ ﻭﺁﺩﺍ‪‬ﺎ( ﰲ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ﲝﻤﺺ!‬ ‫ﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﺭﲝﺖ ﳏﻤ ‪‬ﺪﺍ ﻭﱂ ﺃﺧﺴﺮ ﺍﳌﺴﻴﺢ‪ /‬ﻋﻄﺮ ﺍﻟﺴﻤﺎﺀ – ﺣ‪‬ﺪﺍﺀ ﻟﻠﺒﻨﲔ ﻭﺍﻟﺒﻨﺎﺕ‪/‬‬ ‫ﺃﺣﺒﻚ ﺭﰊ‪ /‬ﺃﻣﻨﻴﺔ ﺍﻟﻌﻤﺮ‪ /‬ﺇﻟﻴﻚ ﺣﻮﺍﺀ‪ /‬ﻟﻜﹸﻢ ﻳﻐﻨ‪‬ﻲ ﺍﻟﺮﺑﻴﻊ‪ /‬ﳊﻦ ﺍﻟﱪﺍﺀﺓ‪ /‬ﻋﻴﻮﻥ ﺍﻟﻘﻤﺮ‪..‬‬ ‫ﻭﻣﺆﻟﻔﺎﺕ ﺃﺧﺮﻯ‪..‬‬

‫ﻧﺸﺮ ﻣﻘﺎﻻﺗﻪ ﻭﲝﻮﺛﻪ ﻭﻗﺼﺎﺋﺪﻩ ﰲ ﻣﻮﻗﻊ ﺻﻴﺪ ﺍﻟﻔﻮﺍﺋﺪ‪ ،‬ﻭﻣﻮﻗﻊ ﺍﻹﺳﻼﻡ ﺍﻟﻴﻮﻡ‪ ،‬ﻭﻣﻮﻗﻊ ﳍﺎ‪،‬‬

‫ﻭﳍﺎ ﺃﻭﻥ ﻻﻳﻦ‪ ،‬ﻭﳎﻠﺔ ﺍﻟﻔﺎﺗﺢ ﻭﰲ ﺳﻮﺍﻫﺎ ﻣﻦ ﺍﳌﻮﺍﻗﻊ ﻭﺍ‪‬ﻼﺕ‪ ..‬ﻳﻘﻮﻝ ﺍﻟﺪﺍﻻﰐ‪:‬‬

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‫ﻕ‬ ‫ﺚ ﻣِﺰﺍﺟ‪‬ﻪ ﺍﻷﺷﻮﺍ ‪‬‬ ‫ﺕ ﺍﳊﺪﻳ ﹶ‬ ‫ﻫﺎ ِ‬

‫ﻕ‬ ‫ﺐ ﻓﻜﻠﱡﻨﺎ ﺗﻮ‪‬ﺍ ‪‬‬ ‫ﻒ ﺍﳊﺒﻴ ‪‬‬ ‫ﺻ ِ‬ ‫ﻭ ِ‬

‫ﺕ ﺃﺭﺩﺍﻧ‪‬ﻬﺎ‬ ‫ﻑ ﺗﻌﻄﹼﺮ ‪‬‬ ‫‪‬ﻮﻯ ﺍﳊﺮﻭ ‪‬‬

‫ﻕ‬ ‫ﺑﺸﺬﺍ ﺍﻷﺣﺒ ِﺔ‪ ..‬ﻭﺍﳍﻮﻯ ﺃﺫﻭﺍ ‪‬‬

‫ﺙ ﻋﻦ ﺟﻼﻝ ﺍﳌﺼﻄﻔﻰ‬ ‫ﻓﻐﺪﺍ ﻳ‪‬ﺤ ‪‬ﺪ ﹸ‬

‫ﻕ‬ ‫ﺕ ﺑﺪﻣﻮﻋﻬﺎ ﺍﻷﺣﺪﺍ ‪‬‬ ‫ﻓﺘﻮﺿﺄ ‪‬‬

‫ﻕ ﻋﻦ ﲨﺎﻝ ﳏﻤ ٍﺪ‬ ‫ﻳ‪‬ﺤﻜﻲ ﺑﺸﻮ ٍ‬

‫ﻕ‬ ‫ﺖ ﺍﻷﺷﻮﺍ ‪‬‬ ‫ﺃﺣﻠﻰ ﺍﻟﻠﱡﻐﻰ ﻣﺎ ﻗﺎﻟ ِ‬

‫ﻋﻦ ﻗﻠﺒﻪ‪،‬ﻋﻦ ﺣﺒﻪ‪،‬ﻋﻦ ﻟﻄﻔ ِﻪ‬

‫ﻕ‬ ‫ﺕ ﺍﻷﺧﻼ ‪‬‬ ‫ﻋﻦ ﻛﻞ ﻣﺎ ﻗﺪ ﺟﺎﺩ ِ‬

‫ﲢﻴﺎ ﺑﺬﻛﺮ ﳏﻤ ٍﺪ ﺗﺮﻧﻴﻤﺔﹲ‬

‫ﻕ‬ ‫ﰲ ﺍﻟﻘﻠﺐ ﺗﺴﺮﻱ ﻭﺍﳍﻮﻯ ﺧﻔﹼﺎ ‪‬‬

‫ﻃﻮﰉ ﳌﻦ ﻋﻦ ‪‬ﺠ ِﻪ ﱂ ﻳ‪‬ﻐﻔﻠﻮﺍ‬

‫ﻳﻮﻣ‪‬ﺎ‪ ،‬ﻭﺫﺍﻗﻮﺍ ﰲ ﺍﳍﻮﻯ ﻣﺎ ﺫﺍﻗﻮﺍ‬

‫ﻃﻮﰉ ﳌﻦ ﰲ ﺩﺭﺑ ِﻪ ﻗﺪ ﺃﻭ‪‬ﻏﻠﻮﺍ‬

‫ﻧﺎﻣﻮﺍ ﻋﻠﻰ ﺃﺣﻼﻣﻬﻢ ﻭﺃﻓﺎﻗﻮﺍ‬

‫ﺳﺎﺭﻭﺍ ﺇﻟﻴﻪ ﲢﺜﻬﻢ ﺁﻣﺎﻟﹸﻬﻢ‬

‫ﻚ ﻭﺛﺎﻕ‪‬؟!‬ ‫ﻭﺃﻧﺎ ﺍﻷﺳﲑ‪ ،‬ﻓﻬﻞ ﻳ‪‬ﻔ ‪‬‬

‫ﺖ ﻏﺮﺑﱵ ﻳﺎ ﺇﺧﻮﰐ‬ ‫ﺖ ﻭﻃﺎﻟ ‪‬‬ ‫ﻃﺎﻟ ‪‬‬

‫ﻕ‬ ‫ﺐ ﻗﻠﱯ ﺩﻭﻧﻪ ﺍﻵﻓﺎ ‪‬‬ ‫ﻭﺣﺒﻴ ‪‬‬

‫ﻃﺎﻝ ﺍﻟﻄﺮﻳ ‪‬ﻖ ﻓﻜﻴﻒ ﺃﺑﺪﺃ ﺭﺣﻠﱵ‬

‫ﻱ ﺑ‪‬ﺮﺍﻕ‪‬؟!‬ ‫ﻒ ﻭﻣﺎ ﻟﺪ ‪‬‬ ‫ﻭﺃﻧﺎ ﺍﻟﻀﻌﻴ ‪‬‬

‫ﺲ ﻫﻴ‪‬ﺎ ﻓﺎﺫﻫﱯ‬ ‫ﻻ ﺗ‪‬ﻄﺮﻗﻲ ﻳﺎ ﻧﻔ ‪‬‬

‫ﻕ‬ ‫ﻭﲢﺴ‪‬ﺴﻲ‪ ..‬ﻻ ﻳﻨﻔ ‪‬ﻊ ﺍﻹﻃﺮﺍ ‪‬‬

‫ﺏ ﺍﻟﻮﺭﻯ‬ ‫ﺲ ِﺟﺪ‪‬ﻱ ﺇ ﹾﻥ ﻳﺸ ﹾﺄ ﺭ ‪‬‬ ‫ﻳﺎ ﻧﻔ ‪‬‬

‫ﺏ ﺃﻥ ﻳﺘﻼﻗﻮﺍ‬ ‫ﺚ ﺍﻷﺣﺒﺎ ‪‬‬ ‫ﻻ ﻳﻠﺒ ِ‬

‫ﱪ ﺍﻟﺮﻭﺡ ﺃﻥ ﺍﳌﺼﻄﻔﻰ ﻓﻴﻪ؟! ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬ ‫ﻭﻟﻪ ﻣﻘﻄﻮﻋﺎﺕ ﻛﺜﲑﺓ‪ ،‬ﻣﻨﻬﺎ‪ :‬ﻣ‪‬ﻦ ﺃﺧ ‪‬‬ ‫ﺖ ﺃﺧﻔﻴ ِﻪ‬ ‫ﻚ ﻧﺸﻴﺪ‪‬ﺍ ﺭﺣ ‪‬‬ ‫ﺃﹸﻫﺪﻱ ﺇﻟﻴ ‪‬‬

‫‪ ‬‬

‫‪ ‬‬

‫ﺕ ﺍﳍﻮﻯ ﻓﻴ ِﻪ‬ ‫ﺑﲔ ﺍﻟﺪﻣﻮﻉ‪ ،‬ﺣﻼﻭﺍ ‪‬‬

‫‪ ‬‬

‫ﺃﻫﺪﻱ ﺇﻟﻴﻚ ﻓﺆﺍﺩ‪‬ﺍ ﺭﺍﺡ ﻳﺴﻜﻨ ‪‬ﻪ‬

‫ﻋﻄ ‪‬ﺮ ﺍﳊﺒﻴﺐ‪ ،‬ﻓﻤﺎ ﺃﺯﻛﻰ ﻣﻐﺎﻧﻴ ِﻪ!‬

‫ﺡ ﺳﺎﺋﻠ ﹰﺔ‬ ‫ﺏ ﺍﻟﺮﻭ ‪‬‬ ‫ﺑﲔ ﺍﻟﺼ‪‬ﺤﺎﺡ ﲡﻮ ‪‬‬

‫ﺖ ﻣﻌﺎﻧﻴ ِﻪ!‬ ‫ﻋﻨﻪ ﺍﳊﺮﻭﻑ‪ ،‬ﻭﻛﻢ ﺟ ﹼﻠ ‪‬‬

‫ﺚ ﺍﻟﺮﻛﺐ ﺇﺫ ﺭﺣﻠﻮﺍ‬ ‫ﺖ ﺃﺩﺭﻱ ﺣﺪﻳ ﹶ‬ ‫ﻟﻮ ﻛﻨ ‪‬‬

‫ﺖ ﺃﺩﺭﻳ ِﻪ!‬ ‫ﻯ ﻟﻮ ﻛﻨ ‪‬‬ ‫ﳓﻮ ﺍﳊﺠﺎﺯ ﻫﻮ ‪‬‬

‫ﺷﺪﻭﺍ ﺍﻟﺮﺣﺎ ﹶﻝ ﻭﰲ ﺃﺭﻭﺍﺣﻬﻢ ﻃﺮﺏ‪‬‬

‫ﺏ ﺣﺎﺩﻳ ِﻪ‬ ‫ﳛﺪﻭ ﺍﳉِﻤﺎﻝﹶ‪ ،‬ﻓﻴﻄﻮﻱ ﺍﻟﺪﺭ ‪‬‬

‫ﻕ ﳛﻤﻠﻬ ‪‬ﻢ‬ ‫ﻚ ﻭﻛﺎﻥ ﺍﻟﺸﻮ ‪‬‬ ‫ﺳﺎﺭﻭﺍ ﺇﻟﻴ ‪‬‬

‫ﺕ ﺃﻣﺎﻧﻴ ِﻪ‬ ‫ﻟﻜ ‪‬ﻦ ﺷﻮﻗﻲ ﺃﻧﺎ ﺣﺎﺭ ‪‬‬

‫ﺐ ﻳﺴﺄﳍ ‪‬ﻢ‬ ‫ﻚ ﻭﺭﺍﺡ ﺍﻟﻘﻠ ‪‬‬ ‫ﺳﺎﺭﻭﺍ ﺇﻟﻴ ‪‬‬

‫ﺏ ﻳﺒﻐﻴ ِﻪ!‬ ‫ﺐ ﺃﻥ ﺍﻟﺪﺭ ‪‬‬ ‫ﻟﻮ ﻳﻌﻠ ‪‬ﻢ ﺍﻟﻘﻠ ‪‬‬

‫ﺡ ﺗ‪‬ﺴﺒﻘﻬ ‪‬ﻢ‬ ‫ﺐ ﺃﻥ ﺍﻟﺮﻭ ‪‬‬ ‫ﺃﻭ ﻳﻌﻠ ‪‬ﻢ ﺍﻟﺮﻛ ‪‬‬

‫ﳓﻮ ﺍﳊﺒﻴﺐِ‪ ،‬ﻓﻬﻞ ﺣﻘﹰﺎ ﺗﻼﻗﻴ ِﻪ!‬

‫ﺭﻭﺣﻲ ﺗﻄﲑ ﻭ‪‬ﻮﻱ ﻋﻨﺪ ﻣﺴﺠﺪ ِﻩ‬

‫ﺡ ﺃﻥ ﺍﳌﺼﻄﻔﻰ ﻓﻴﻪِ؟!‬ ‫ﱪ ﺍﻟﺮﻭ ‪‬‬ ‫ﻣﻦ ﺃﺧ ‪‬‬

‫ﻕ‬ ‫ﺩﺍﺭﺕ ﻛﺆﻭﺱ ﺍﳊﺐ ﻟﻠﻌﺸﺎ ِ‬

‫ﺍﻟﺸﺎﻋﺮ ﻏﺎﺯﻱ ﺍﳉﻤﻞ )‪(2010-1950‬‬ ‫‪161‬‬

‫ﻫﺎﺟﺮ ﻭﺍﻟﺪ ﺍﻟﺸﺎﻋﺮ ﻏﺎﺯﻱ ﺍﳉﻤﻞ ﺑﻌﺪ ﻧﻜﺒﺔ ‪1948‬‬

‫ﻣﻦ ﻗﺮﻳﺔ ﲨﺰﻭ‪ /‬ﺍﻟﻠﺪ ﺇﱃ ﳐﻴﻢ ﺑﻼﻃﺔ ﰲ ﻧﺎﺑﻠﺲ‪ ،‬ﰒ ﺍﻧﺘﻘﻞ‬ ‫ﺳﻨﺔ ‪ 1950‬ﺇﱃ ﻣﺪﻳﻨﺔ ﻏﺰﺓ ﺣﻴﺚ ﻋﻤﻞ ﻣﺪﻳﺮ‪‬ﺍ ﳌﺪﺭﺳﺘﻬﺎ‬ ‫ﺍﻟﺜﺎﻧﻮﻳﺔ‪،‬‬

‫ﻭﺣﻴﺚ‬

‫ﻭﻟﺪ‬

‫ﺍﻟﺸﺎﻋﺮ‬

‫ﻫﻨﺎﻙ‪.‬‬

‫ﻭﳌﺎ ﻛﺎﻥ ﻟﻐﺎﺯﻱ ﻣﻦ ﺍﻟﻌﻤﺮ ﺛﻼﺙ ﺳﻨﻮﺍﺕ ﺧﺮﺝ‬ ‫ﲟﻔﺮﺩﻩ ﻣﻦ ﺍﳌﱰﻝ ﻭﺗﺎﻩ ﻋﻦ ﺍﻟﺒﻴﺖ ﻓﺎﻟﺘﻘﻄﻪ ﺃﺣﺪ ﺍﻟﻌﺮﺏ‬ ‫)ﺍﳊﻨﺎﺟﺮﻩ( ﻭﻣﻜﺚ ﻓﺘﺮﺓ ﻣﻦ ﺍﻟﺰﻣﻦ ﻋﻨﺪﻩ‪ ،‬ﻭﻛﺎﻥ‬ ‫ﻳﺼﻄﺤﺒﻪ ﻣﻊ ﺃﻭﻻﺩﻩ ﻟﻜﺮﻭﻡ ﺍﻟﺒﻄﻴﺦ‪ ،‬ﻭﻳﻌﻮﺩ ﰲ ﺍﳌﺴﺎﺀ ﺇﱃ‬ ‫ﺃﻥ ﻭﺟﺪﻩ ﻭﺍﻟﺪﻩ‪ ،‬ﻭﻧﺸﺄﺕ ﺻﺪﺍﻗﺔ ﲪﻴﻤﺔ ﺑﻴﻨﻪ ﻭﺑﲔ ﺍﻷﻋﺮﺍﰊ‪ ،‬ﻓﺒﻘﻲ ﻳﺘﺮﺩﺩ ﻋﻠﻰ ﺑﻴﺖ ﺫﻟﻚ‬ ‫ﺍﻷﻋﺮﺍﰊ ﺍﻟﺬﻱ ﻳﺪﻋﻰ )ﺃﺑﻮﻏﺎﱎ( ﻛﻮﻟﺪ ﻣﻦ ﺃﻭﻻﺩﻩ‪.‬‬

‫ﻭﰲ ﺳﻨﺔ ‪ 1954‬ﺍﻧﺘﻘﻞ ﻭﺍﻟﺪﻩ ﺇﱃ ﺍﻷﺭﺩﻥ ﺣﻴﺚ ﻋﻤﻞ ﻣﺪﺭﺳ‪‬ﺎ ﰒ ﻣﺪﻳﺮ‪‬ﺍ ﰲ ﻣﺪﺍﺭﺱ ﺍﻟﺸﻮﻧﺔ‬ ‫ﻭﺍﻟﺴﻠﻂ ﻭﺍﻟﺰﺭﻗﺎﺀ‪ ،‬ﻓﺎﻟﺘﺤﻖ ﻏﺎﺯﻱ ﺑﺎﳌﺪﺭﺳﺔ ﰲ ﺍﻟﺰﺭﻗﺎﺀ‪ ،‬ﻭﺃ‪‬ﻰ ﺍﻟﺜﺎﻧﻮﻳﺔ ﺍﻟﻌﺎﻣﺔ ﻣﻦ ﻣﺪﺭﺳﺔ‬ ‫ﺍﻟﺰﺭﻗﺎﺀ ﺍﻟﺜﺎﻧﻮﻳﺔ‪ ،‬ﰒ ﺫﻫﺐ ﺇﱃ ﻳﻮﻏﻮﺳﻼﻓﻴﺎ ﻭﺩﺭﺱ ﺍﳍﻨﺪﺳﺔ ﺍﳌﻴﻜﺎﻧﻴﻜﻴﺔ ﰒ ﺩﺭﺱ ﺍﳌﺎﺟﺴﺘﲑ ﰲ‬ ‫ﺍﳍﻨﺪﺳﺔ ﰲ ﺟﺎﻣﻌﺔ ﺍﻟﲑﻣﻮﻙ‪ .‬ﰒ ﻋﻤﻞ ﻣﻬﻨﺪﺳ‪‬ﺎ ﰲ ﻣﺆﺳﺴﺔ ﺍﳌﻮﺍﺻﻼﺕ ﺍﻟﺴﻠﻜﻴﺔ ﻭﺍﻟﻼﺳﻠﻜﻴﺔ‬

‫ﺳﻨﺔ ‪ 1989‬ﰒ ﺳﺎﻓﺮ ﺇﱃ ﻧﻴﻮﻳﻮﺭﻙ ﻭﻫﻨﺎﻙ ﻋﻤﻞ ﰲ ﺍﻟﺘﺠﺎﺭﺓ ﻣﺪﺓ ﲬﺲ ﺳﻨﻮﺍﺕ‪ ،‬ﰒ ﻋﺎﺩ ﺇﱃ‬ ‫ﺃﺭﺽ ﺍﻟﻮﻃﻦ ﻷﺗﺎﺑﻊ ﺍﻟﻌﻤﻞ ﰲ ﺳﻠﻚ ﺍﻟﺘﺠﺎﺭﺓ‪.‬‬ ‫ﻛﺎﻥ ﺫﺍ ﺃﺫﻥ ﺷﺎﻋﺮﻳﺔ ‪‬ﺘﺰ ﻟﻠﺸﻌﺮ ﻭﺗﻄﺮﺏ ﻟﻪ‪ ،‬ﻭﲞﺎﺻﺔ ﺷﻌﺮ ﺍﳊﻤﺎﺳﺔ‪ ،‬ﻭﺃﺣﺐ ﺍﻹﻟﻘﺎﺀ‬ ‫ﺍﻟﺬﻱ ﺗﻌﻠﻤﻪ ﻣﻦ ﻭﺍﻟﺪﻩ ﺭﲪﻬﻤﺎ ﺍﷲ‪ .‬ﻭﺑﺪﺃ ﳏﺎﻭﻻﺗﻪ ﺍﻟﺸﻌﺮﻳﺔ ﻭﻫﻮﻃﺎﻟﺐ ﰲ ﺍﳌﺮﺣﻠﺔ ﺍﻹﻋﺪﺍﺩﻳﺔ‪.‬‬ ‫ﻟﻪ ﺩﻳﻮﺍﻥ ﻣﻄﺒﻮﻉ ﺑﻌﻨﻮﺍﻥ )ﺩﻣﻊ ﺍﻟﲑﺍﻉ( ﻭﺩﻳﻮﺍﻧﺎﻥ ﳎﻬﺰﺍﻥ ﻟﻠﻄﺒﺎﻋﺔ ﻭﳘﺎ ﺩﻳﻮﺍﻥ )ﻧﻔﺢ ﺍﻟﻄﹼﻴﺐ(‬ ‫ﻭﺩﻳﻮﺍﻥ )ﻗﻨﺎﺩﻳﻞ ﺍﻟﻌﺮﺵ(‪.‬‬

‫ﻭﻛﺎﻥ ﻋﻀ ‪‬ﻮﺍ ﰲ ﺍﳍﻴﺌﺎﺕ ﻭﺍ‪‬ﺎﻣﻊ ﻋﺪﺓ‪ :‬ﻣﺴﺎﻋﺪ ﺭﺋﻴﺲ ﲨﻌﻴﺔ ﺍﻟﻜﺘﺎﺏ ﺍﻹﺳﻼﻣﻲ ﻋﻀﻮﺍﳍﻴﺌﺔ‬ ‫ﺍﻹﺩﺍﺭﻳﺔ ﻟﺮﺍﺑﻄﺔ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ‪ /‬ﻋﻀﻮﲨﻌﻴﺔ ﺍﳌﺮﻛﺰ ﺍﻹﺳﻼﻣﻲ ﰲ ﺍﻟﺰﺭﻗﺎﺀ‪ /‬ﻣﺴﺎﻋﺪ ﺭﺋﻴﺲ‬

‫‪162‬‬

‫ﲨﻌﻴﺔ ﲨﺰﻭﺍﳋﲑﻳﺔ‪ /‬ﻋﻀﻮﲨﻌﻴﺔ ﺍﻟﺘﺮﺑﻴﺔ ﺍﻹﺳﻼﻣﻴﺔ‪ /‬ﻋﻀﻮﰲ ﻧﻘﺎﺑﺔ ﺍﳌﻬﻨﺪﺳﲔ ﺍﻷﺭﺩﻧﻴﲔ‪/‬‬ ‫ﻋﻀﻮﺭﺍﺑﻄﺔ ﺍﻟﻌﺸ‪‬ﺎﺑﲔ ﺍﻷﺭﺩﻧﻴﲔ‪.‬‬

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‫ﻕ‬ ‫ﺩﺍﺭﺕ ﻛﺆﻭﺱ ﺍﳊﺐ ﻟﻠﻌﺸﺎ ِ‬

‫ﻓﺎﻟﻘﻠﺐ ﻧﺎﺭ ﻭﺍﻟﻌﻴﻮﻥ ﺳﻮﺍﻗﻲ‬

‫ﻛﻞﹲ ﻋﻠﻰ ﻟﻴﻼﻩ ﺃﺿﻨﺎﻩ ﺍﳍﻮﻯ‬

‫ﻭﺃﻧﺎ ﺍﳍﻮﻯ ﲟﺤﻤﺪ ﺗﺮﻳﺎﻗﻲ‬

‫ﺇﻥ ﻣ ‪‬ﺮ ﻃﻴﻒ ﳏﻤﺪ ﰲ ﺧﺎﻃﺮﻱ‬

‫ﻫﺎﺟﺖ ﲝﺎﺭ ﺍﳊﺐ ﰲ ﺃﻋﻤﺎﻗﻲ‬

‫ﺷﻮﻕ ﺇﱃ ﺫﻛﺮ ﺍﳊﺒﻴﺐ ﻳﻬﺰﱐ‬

‫ﻓﻠﺘﺴﻘﲏ ﻣﻦ ﻛﺄﺳﻪ ﻳﺎ ﺳﺎﻗﻲ‬

‫ﺃﻧﺎ ﻟﻮﻗﻀﻴﺖ ﺍﻟﻌﻤﺮ ﺃﺑﻜﻲ ﺃﲪ ‪‬ﺪﺍ‬

‫ﻕ‬ ‫ﻣﺎ ﺟﻒ ﺯﻣﺰﻡ ﺩﻣﻌﻲ ﺍﻟﺪﻓﺎ ِ‬

‫ﺃﻧﺎ ﰲ ﻫﻮﺍﻩ ﻣﺘﻴ‪‬ﻢ ﻣﺘﻄﺮﻑ‪‬‬

‫ﺣﺪ ﺍﳍﻴﺎﻡ ﻓﻤﺎ ﺗﻄﻴﻖ ﳊﺎﻗﻲ‬

‫ﳌﺄ ﻋﺮﻓﺖ ﺣﺒﻴﺐ ﺭﰊ ﺍﳌﺼﻄﻔﻰ‬

‫ﺻﺎﺭﺕ ﺻﻼﰐ ﻋﺪ‪‬ﰐ ﻭﺑﺮﺍﻗﻲ‬

‫ﻓﺎﷲ ﺻﻠﻰ ﻭﺍﳌﻼﺋﻜﺔ ﺍﻗﺘﺪﺕ‬

‫ﻓﺎﻫﺘﺰ ﻛﻞ ﺍﻟﻜﻮﻥ ﺑﺎﻷﺷﻮﺍﻕ‬

‫ﻓﺎﻟﺮﻣﻞ ﲝﺮ‪ ..‬ﻭﺍﻟﺒﺤﺎﺭ ﺑﺴﻴﻄﺔﹲ‬

‫ﻕ‬ ‫ﻭﺍﻟﺮﻭﺽ ﺃﻗﻼﻡ ﻋﻠﻰ ﺃﻭﺭﺍ ِ‬

‫ﻭﺍﳌﻮﺝ ﺣﱪ‪ ..‬ﻭﺍﻟﺸﻮﺍﻃﺊ ﺻﻔﺤﺔ‬

‫ﻭﺍﻟﻐﻴﺚ ﺩﻣﻊ‪ ‬ﻭﺍﻟﺴﺤﺎﺏ ﻣﺂﻕ‬

‫ﻭﺣﺜﻴﺚ ﺃﺷﺠﺎﺭ ﺍﻟﻮﺟﻮﺩ ﻧﺸﻴﺪﺓ‬

‫ﻕ‬ ‫ﺗﺸﺪﻭ ﻣﻊ ﺍﻷﻃﻴﺎﺭ ﰲ ﺍﻵﻓﺎ ِ‬

‫ﻭﺍﻟﻜﻮﻥ ﻗﻠﺐ ﺑﺎﶈﺒﺔ ﻧﺎﺑﺾ‬

‫ﻕ‬ ‫ﺷﻮ ﹰﻗﺎ ﻷﲪﺪ ﻗﺒﻠﺔ ﺍﻟﻌﺸ‪‬ﺎ ِ‬

‫ﻳﺎﺑﻦ ﺍﻟﺬﺑﻴﺤﲔ ﺍﻟﺬﻱ ﻣﻸ ﺍﻟﺪﻧﺎ‬

‫ﺑﺎﻟﺬﻛﺮ‪ ..‬ﺑﺎﻟﻨﻮﺭ ﺍﻟﻜﺮﱘ ﺍﻟﺒﺎﻗﻲ‬

‫ﻧﺴﺐ ﺃﻃﻞ ﻋﻠﻰ ﺍﻟﻮﺟﻮﺩ ﻣﺸﺮ ﹰﻓﺎ‬

‫ﻕ‬ ‫ﻣﻦ ﻗﻤﺔ ﺍﻷﻧﺴﺎﺏ ﻭﺍﻷﻋﺮﺍ ِ‬

‫ﻣﻦ ﻧﺴﻞ ﺇﺑﺮﺍﻫﻴﻢ ﺟﺪ ﺍﻷﻧﺒﻴﺎ‬

‫ﻕ‬ ‫ﲝﺮ ﺍﻟﻨﺪﻯ ﺑﺎﳉﻮﺩ ﻭﺍﻹﻏﺪﺍ ِ‬

‫ﻣﻦ ﻛﺴ‪‬ﺮ ﺍﻷﺻﻨﺎﻡ ﺩﻭﻥ ﺗﺮ ‪‬ﺩ ٍﺩ‬

‫ﻕ‬ ‫ﺿﺮ‪‬ﺑﺎ ﺑﻴﻤﻨﺎﻩ ﻋﻠﻰ ﺍﻷﻋﻨﺎ ِ‬

‫ﻣﻦ ﻗﺎﻡ ﰲ ﻭﺟﻪ ﺍﻟﻄﻐﺎﺓ ﻣﺰﳎ ‪‬ﺮﺍ‬

‫ﻕ‬ ‫ﺣﱴ ﻫﻮﺕ ﺑﺎﻟﺬﻝ ﻭﺍﻹﺯﻫﺎ ِ‬

‫ﺐ ﺁﺳﺎﺩ ﺍﻟﻌﺮﺍﻕ ﻋﻠﻰ ﺍﻟﻌﺪﺍ‬ ‫ﺇﻥ ﻫ ‪‬‬

‫ﻓﺄﺑﻮ ﺍﻟﻨﺒﻴﲔ ﺍﻟﻜﺮﺍﻡ ﻋﺮﺍﻗﻲ‬

‫ﻗﺎﻣﻮﺍ ﻟﻨﺼﺮ ﺍﻟﺪﻳﻦ ﻗﻮﻣﺔ ﻣﺎﺟ ِﺪ‬

‫ﻕ‬ ‫ﻓﺎﺭﺗﺪ ﻛﻴﺪ ﺍﳋﺼﻢ ﺑﺎﻹﺧﻔﺎ ِ‬

‫ﻗﺎﻣﻮﺍ ﺑﺄﺳﻴﺎﻑ ﺍﳉﻬﺎﺩ ﻋﻠﻰ ﺍﻟﻌﺪﺍ‬

‫ﻕ‬ ‫ﻓﻬﻮﻭﺍ ﺑﺪﻙ ﺍﻟﺴﻮﻕ ﻭﺍﻷﻋﻨﺎ ِ‬

‫ﻳﺎ ﻗﻤﺔ ﺍﻟﻄﻬﺮ ﺍﳌﺼﻔﻰ ﰲ ﺍﻟﺪﻧﺎ‬

‫ﻕ‬ ‫ﺧﲑ ﺍﻟﻮﺭﻯ ﲟﻜﺎﺭﻡ ﺍﻷﺧﻼ ِ‬

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‫ﻕ ﻭﻋ ِﺪﻩ‬ ‫ﻣﻦ ﻧﻮﺭ ﺇﲰﺎﻋﻴﻞ ﺻﺎﺩ ِ‬

‫ﱪﺍ ﻋﻠﻰ ﺍﻟﺴﻜﲔ ﻓﻮﻕ ﺗﺮﺍﻗﻲ‬ ‫ﺻ‪‬‬

‫ﺑﺸﺮﻯ ﺍﳌﺴﻴﺢ ﻣﺼﺪ ﹰﻗﺎ ﻭﻣﺒﺸ ‪‬ﺮﺍ‬

‫ﻕ‬ ‫ﺑﺎﻟﺮﲪﺔ ﺍﳌﺰﺟﺎﺓ ﺑﺎﻹﻏﺪﺍ ِ‬

‫ﺃﻧﺖ ﺍﻹﻣﺎﻡ ﻋﻠﻰ ﺍﻷﺋﻤﺔ ﻛﻠﻬﻢ‬

‫ﻕ‬ ‫ﰲ ﺳﺎﺣﺔ ﺍﻷﻗﺼﻰ ﲞﲑ ﺭﻓﺎ ِ‬

‫ﹸﺃﺧِﺬﺕ ﻋﻬﻮﺩ ﺍﻷﻧﺒﻴﺎ ﺑﺸﻬﺎﺩ ٍﺓ‬

‫ﻕ‬ ‫ﻣﻦ ﺭﺑﻨﺎ ﻳﺎ ﺻﺎﺣﺐ ﺍﳌﻴﺜﺎ ِ‬

‫ﺝ ﰲ ﺟﻮﺍﻟﺴﻤﺎ‬ ‫ﻳﺎ ﺻﺎﺣﺐ ﺍﳌﻌﺮﺍ ِ‬

‫ﻕ‬ ‫ﺻ‪‬ﻌ‪ ‬ﺪﺍ ﻣﻦ ﺍﻷﻗﺼﻰ ﺇﱃ ﺍﻵﻓﺎ ِ‬

‫ﺷﻔﺘﺎﻙ ﺑﺎﻷﺫﻛﺎﺭ ﻃﻴﺐ ﻋﺎﺑﻖ‪‬‬

‫ﻕ‬ ‫ﻭﻳﺪﺍﻙ ﲝﺮ ﺍﳉﻮﺩ ﻭﺍﻹﻏﺪﺍ ِ‬

‫ﻭﻟﺌﻦ ﺳﻜﺖ ﻓﺤﻜﻤﺔ ﻭﺗﺄﻣﻞﹲ‬

‫ﻕ‬ ‫ﻭﻟﺌﻦ ﻧﻄﻘﺖ ﺑﻌﻘﺪ ﺩ ‪‬ﺭ ﺭﺍ ِ‬

‫ﻭﻟﺌﻦ ﻭﻋﺪﺕ ﻓﺄﻧﺖ ﺃﻭﻝ ﻣﻦ ﻭﰱ‬

‫ﻕ‬ ‫ﻭﻟﺌﻦ ﻋﺼﻴﺖ ﻓﻐﻀﺒﺔ ﺍﻟﻌﻤﻼ ِ‬

‫ﻭﻟﺌﻦ ﺧﺮﺟﺖ ﺇﱃ ﺍﻷﻧﺎﻡ ﻛﺄﳕﺎ‬

‫ﻕ‬ ‫ﻣﻠﻚ ﻛﺮﱘ ﺳﺎﺭ ﰲ ﺍﻷﺳﻮﺍ ِ‬

‫ﻳﺎ ﺳﻴﺪﻱ ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﻟﺜﻠﺔ‬

‫ﺭﺍﺣﺖ ﺗﺒﺚ ﺍﻟﺴﻢ ﺑﺎﻷﺑﻮﺍﻕ!؟‬

‫ﺍﻟﻴﻮﻡ ﰲ ﺍﻟﺪﳕﺎﺭﻙ ﻗﺎﻣﺖ ﺯﻣﺮﺓ‬

‫ﻣﻦ ﻛﻬﻒ ﺯﻧﺪﻗﺔ ﻭﺟﺤﺮ ﻧﻔﺎﻕ‬

‫ﺗﻌﻮﻱ ﻛﻤﺎ ﺗﻌﻮﻱ ﺍﻟﺬﺋﺎﺏ ﺧﺴﻴﺴﺔ‬

‫ﻕ‬ ‫ﻓﻴﺠﻴﺐ ﰲ ﺍﻟﻨﺮﻭﻳﺞ ﺃﻫﻞ ﻧﻌﺎ ِ‬

‫ﻫﻴﻬﺎﺕ ﻳﻄ ﹶﻔﺄ ﻧﻮﺭ ﴰﺲ ﳏﻤﺪ‬

‫ﻕ‬ ‫ﺑﻔﺤﻴﺢ ﺃﻓﻌﻰ ﺃﻭﺑﺒﻌﺾ ‪‬ﺎ ِ‬

‫ﻆ ﻗﺪ ﻧﺒﺎ‬ ‫ﻳﺎ ﺳﻴﺪﻱ ﻋﺬﺭﺍ ﻟﻠﻔ ٍ‬

‫ﺇﻥ ﻟﻄﺨﺖ ﻣﻦ ﺫﻛﺮﻫﻢ ﺃﺷﺪﺍﻗِﻲ‬

‫ﻳﺘﺰﻭﺝ ﺍﻟﺬﻛﺮ ﺍﻟﺬﻛﻮﺭ ﺑﻼ ﺣﻴﺎ‬

‫ﻭﺑﺪﻋﻮﺓ ﻋﻠ‪‬ﻨﺎ ﻭﺩﻓﻊ ﺻ‪‬ﺪﺍﻕِ؟‬

‫ﻭﻟﻪ ﺣﻘﻮﻕ ﺍﻟﺰﻭﺝ ﻣﻌﺘﺮ‪‬ﻑ ‪‬ﺎ‬

‫ﻣﻦ ﳎﻤﻊ ﺍﻷﻧﺬﺍﻝ ﻭﺍﻟﻔﺴﺎﻕ‬

‫ﻭﺍﳋﻠﻊ ﻻ ﺃﺩﺭﻱ ﺃﺣﻖ‪ ‬ﻭﺍﺟﺐ‪‬‬

‫ﻕ‬ ‫ﻋﻨﺪ ﺍﻟﻨﺸﻮﺯ ﻭﻭﻗﻌﺔ ﻟﺸﻘﺎ ِ‬

‫ﻭﺩﻭﺍﺋﺮ ﺍﻷﺣﻮﺍﻝ ﺗﻄﻠﺐ ﺻﻮﺭﺓ‬

‫ﻕ‬ ‫ﺍﻟﺰﻭﺟﲔ ﺗﺜﺒﺘﻬﺎ ﻋﻠﻰ ﺍﻷﻭﺭﺍ ِ‬

‫ﱂ ﻳﺒ ‪‬ﻖ ﺇﻻ ﺃﻥ ‪‬ﻨ‪‬ﺊ ﺑﺎﻟﺮﻓﺎﻩ ﻭﺑﺎﻝ‬

‫ﻕ‬ ‫ﺑﻨﲔ ﳍﻢ‪ ..‬ﻭﻃﻮﻝ ﺗﻼ ِ‬

‫ﺳﻔﺮﺍﺅﻧﺎ ﺫﻫﺒﻮﺍ ﻟﻠﻮﻡ ﺯﻋﻴﻤﻬﻢ‬

‫ﻕ‬ ‫ﻓﺄﰉ ﺍﳋﺮﻭﺝ ﳍﻢ ﻋﻠﻰ ﺍﻹﻃﻼ ِ‬

‫ﺃﻧﺎ ﻻ ﺃﻟﻮﻡ ﺯﻋﻴﻤﻬﻢ؛ ﻓﻠﻌﻠﻪ‬

‫ﻕ‬ ‫ﻣﺘﺮﺑﺺ ﰲ ﻋﺪﺓ ﻟﻄﻼ ِ‬

‫ﻻ ﺗﻌﺬﹶﻟ‪‬ﻨﻲ ﰲ ﺳﻨﺎﻥ ﻗﺼﺎﺋﺪﻱ‬

‫ﻕ‬ ‫ﺣﺮﻳﺔ ﺍﻟﺘﻌﺒﲑ ﺣﻖ ﺭﺍ ِ‬

‫ﺸﹸﺄ ﰲ ﺍﳊﻠﻰ‪ ..‬ﺑﺘﱪﺝ‬ ‫ﺃﻭﻣﻦ ﻳﻨ ‪‬‬

‫ﻕ‬ ‫ﻣﻦ ﺯﻳﻨﺔ ﺍﻵﺫﺍﻥ ﰲ ﺍﻷﺣﻼ ِ‬

‫ﺃﻭ‪‬ﻣﻦ ﻳﻨﺸ‪‬ﺎ ﰲ ﺍﳊﻠﻰ ﻣﺘﻘﻠ ‪‬ﺪﺍ‬

‫ﻋﻘﺪ ﺍﻟﻨﺴﺎﺀ ﻳﻠﻮﺡ ﰲ ﺍﻷﻋﻨﺎﻕ‬

‫ﻳﻘﻮﻯ ﻋﻠﻰ ﺣﺠﺞ ﺍﳋﺼﺎﻡ ﻓﺼﺎﺣ ﹰﺔ‬

‫ﻕ؟‬ ‫ﲟﺤﻤ‪‬ﺮ ﺍﻟﺸﻔﺘﲔ ﻟﻠﻌﺸ‪‬ﺎ ِ‬

‫ﻓﺎﺧﺴﺄ ﻋﺪﻭ ﺍﷲ ﻟﻴﺲ ﻣﻜﺎﻧﻜﻢ‬

‫ﻕ‬ ‫ﺑﲔ ﺍﻟﺮﺟﺎﻝ ﲝﻠﺒﺔ ﻭﺳﺒﺎ ِ‬

‫ﺃﻭﱃ ﺑﻜﻦ ﺑﻴﻮﺗﻜﻦ ﻭﻃﺎﻋﺔ‬

‫ﻕ‬ ‫ﻟﻠﺰﻭﺝ ﰲ ﻭ ٍﺩ ﻭﻃﻮﻝ ﻋﻨﺎ ِ‬

‫ﻭﺍﺗﺮﻛﻦ ﺳﺎﺣﺎﺕ ﺍﻟﺮﺟﺎﻝ ﻷﻫﻠﻬﺎ‬

‫ﻕ‬ ‫ﻭﺍﻗﻨﻌﻦ ﺑﺎﳋﱰﻳﺮ ﰲ ﺍﻷﻃﺒﺎ ِ‬

‫ﺃﻣﺎﻡ ﺑﺎﺏ ﺍﳌﺼﻄﻔﻰ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫‪165‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻓﺎﺭﻭﻕ ﺟﻮﻳﺪﺓ‬

‫ﺷﺎﻋﺮ ﻣﺼﺮﻱ ﻭﻃﲏ ﻣﻌﺎﺻﺮ‪ ،‬ﻭﻟﺪ ﻋﺎﻡ ‪ ،1946‬ﻣﻦ ﺍﻷﺻﻮﺍﺕ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻟﺼﺎﺩﻗﺔ ﻭﺍﳌﻤﻴﺰﺓ‬ ‫ﲑﺍ ﻣﻦ ﺃﻟﻮﺍﻥ ﺍﻟﺸﻌﺮ ﺍﺑﺘﺪﺍﺀ ﺑﺎﻟﻘﺼﻴﺪﺓ ﺍﻟﻌﻤﻮﺩﻳﺔ‬ ‫ﰲ ﺣﺮﻛﺔ ﺍﻟﺸﻌﺮ ﺍﻟﻌﺮﰊ ﺍﳌﻌﺎﺻﺮ‪ ،‬ﻧﻈﻢ ﻛﺜ ‪‬‬ ‫ﻭﺍﻧﺘﻬﺎﺀ ﺑﺎﳌﺴﺮﺡ ﺍﻟﺸﻌﺮﻱ‪.‬‬ ‫ﲣﺮﺝ ﰲ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ﻗﺴﻢ ﺻﺤﺎﻓﺔ ﻋﺎﻡ ‪ ،1968‬ﻭﺑﺪﺃ ﺣﻴﺎﺗﻪ ﺍﻟﻌﻤﻠﻴﺔ ﳏﺮ ‪‬ﺭﺍ ﺑﺎﻟﻘﺴﻢ‬ ‫ﲑﺍ ﻟﺘﺤﺮﻳﺮ ﺍﻷﻫﺮﺍﻡ‪ ،‬ﻭﻫﻮﺣﺎﻟ‪‬ﻴﺎ ﺭﺋﻴﺲ ﺍﻟﻘﺴﻢ ﺍﻟﺜﻘﺎﰲ ﺑﺎﻷﻫﺮﺍﻡ‪.‬‬ ‫ﺍﻻﻗﺘﺼﺎﺩﻱ ﺑﺎﻷﻫﺮﺍﻡ‪ ،‬ﰒ ﺳﻜﺮﺗ ‪‬‬ ‫ﻗﺪﻡ ﻟﻠﻤﻜﺘﺒﺔ ﺍﻟﻌﺮﺑﻴﺔ ‪ 20‬ﻛﺘﺎ‪‬ﺑﺎ‪ ،‬ﻣﻦ ﺑﻴﻨﻬﺎ ‪ 13‬ﳎﻤﻮﻋﺔ ﺷﻌﺮﻳﺔ‪ ،‬ﲪﻠﺖ ﲡﺮﺑﺔ ﳍﺎ‬ ‫ﲑﺍ ﰲ ﻋﺪﺩ ﻣﻦ‬ ‫ﺧﺼﻮﺻﻴﺘﻬﺎ‪ ،‬ﻭﻗﺪﻡ ﻟﻠﻤﺴﺮﺡ ﺍﻟﺸﻌﺮﻱ ‪ 3‬ﻣﺴﺮﺣﻴﺎﺕ ﺣﻘﻘﺖ ﳒﺎ ‪‬ﺣﺎ ﻛﺒ ‪‬‬ ‫ﺍﳌﻬﺮﺟﺎﻧﺎﺕ ﺍﳌﺴﺮﺣﻴﺔ ﻫﻲ‪ :‬ﺍﻟﻮﺯﻳﺮ ﺍﻟﻌﺎﺷﻖ‪ ،‬ﻭﺩﻣﺎﺀ ﻋﻠﻰ ﺳﺘﺎﺭ ﺍﻟﻜﻌﺒﺔ‪ ،‬ﻭﺍﳋﺪﻳﻮﻱ‪..‬‬ ‫ﺗﺮﲨﺖ ﺑﻌﺾ ﻗﺼﺎﺋﺪﻩ ﻭﻣﺴﺮﺣﻴﺎﺗﻪ ﺇﱃ ﻋﺪﺓ ﻟﻐﺎﺕ ﻋﺎﳌﻴﺔ‪ ،‬ﻭﺗﻨﺎﻭﻝ ﺃﻋﻤﺎﻟﻪ ﺍﻹﺑﺪﺍﻋﻴﺔ ﻋﺪﺩ‬ ‫ﻣﻦ ﺍﻟﺮﺳﺎﺋﻞ ﺍﳉﺎﻣﻌﻴﺔ ﰲ ﺍﳉﺎﻣﻌﺎﺕ ﺍﳌﺼﺮﻳﺔ ﻭﺍﻟﻌﺮﺑﻴﺔ‪.‬‬ ‫ﺭﻛﺐ ﺍﻟﺰﻣﺎﻥ ﻳﻄﻮﻑ ﰲ ﻋﱪﺍﰐ‬

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‫ﺕ‬ ‫ﻭﺃﻧﺎ ﺃﺭﺍﻙ ﺗﻄﻞ ﻣﻦ ﻋﺮﻓﺎ ِ‬

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‫ﻭﺃﻣﺎﻣﻚ ﺍﻟﺘﺎﺭﻳﺦ ﻳﺴﺠﺪ ﺧﺎﺷ ‪‬ﻌﺎ‬

‫ﻭﺍﳊﻖ ﺣﻮﻟﻚ ﺷﺎﻣﺦ ﺍﻟﺮﺍﻳﺎﺕ‬

‫ﻭﺗﻮﺩﻉ ﺍﻟﺪﻧﻴﺎ ﺑﻮﺟﻪ ﻣﺸﺮﻕ‬

‫ﻓﻴﻪ ﺍﳉﻼﻝ‪ ..‬ﻭﻧﺒﻞ ﻛﻞ ﺻﻔﺎﺕ‬

‫ﺗﺒﻜﻲ ﺍﳉﻤﻮﻉ ﻭﺃﻧﺖ ‪‬ﻤﺲ ﺑﻴﻨﻬﺎ‬

‫ﻗﺪ ﻻ ﺃﺭﺍﻛﻢ ﰲ ﺍﳊﺠﻴﺞ ﺍﻵﰐ‬

‫ﻟﻜﻨﲏ ﺃﻭﺩﻋﺖ ﰲ ﺃﻋﻨﺎﻗﻜﻢ‬

‫ﻗﺮﺁﻥ ﺭﰊ‪ ..‬ﺳﲑﰐ ﻭﺣﻴﺎﰐ‬

‫ﻻ ﻟﻦ ﺗﻀﻠﻮﺍ ﺇﻥ ﲤﺴﻜﺘﻢ ﺑﻪ‬

‫ﻓﺨﻼﺹ ﻫﺬﻱ ﺍﻷﺭﺽ ﰲ ﺁﻳﺎﰐ‬

‫ﻭﻳﻄﻞ ﻭﺟﻬﻚ ﺧﻠﻒ ﺳﺘﺮ ﺧﺎﻓﺖ‬

‫ﻓﺘﺮﻯ ﺣﺸﻮﺩ ﺍﳊﻖ ﰲ ﺍﻟﺼﻠﻮﺍﺕ‬

‫ﻭﺗﺮﻯ ﺍﻟﻮﺟﻮﻩ ﻭﻗﺪ ﺃﺿﺎﺀ ﺟﻼﳍﺎ‬

‫ﻭﺍﻟﺪﻫﺮ ﻳﻜﺘﺐ ﺃﻗﺪﺱ ﺍﻟﺼﻔﺤﺎﺕ‬

‫ﻭﺗﺼﻴﺢ ﻓﻴﻬﻢ ﺃﻥ ﻏﺎﻳﺔ ﺩﻳﻨﻨﺎ‬

‫ﻃﻬﺮ ﺍﻟﻘﻠﻮﺏ ﻭﺭﻓﻌﺔ ﺍﻟﻐﺎﻳﺎﺕ‬

‫ﻓﺠﺮ ﺍﻟﻀﻤﲑ ﺭﺳﺎﻟﱵ ﻻ ﺗﺮﺟﻌﻮﺍ‬

‫ﻟﻠﻜﻔﺮ ﺑﻌﺪﻱ‪ ..‬ﰲ ﺛﻴﺎﺏ ﻃﻐﺎﺓ‬

‫ﻻ ﺗﻘﺮﺑﻮﺍ ﺍﻷﺻﻨﺎﻡ ﺑﻌﺪﻱ‪ ..‬ﺇ‪‬ﺎ‬

‫ﺑﻴﺖ ﺍﻟﻀﻼﻝ‪ ..‬ﻭﺁﻓﺔ ﺍﻵﻓﺎﺕ‬

‫ﻭﻟﺘﻌﺒﺪﻭﺍ ﺍﻟﺮﲪﻦ ﺭ‪‬ﺑﺎ ﻭﺍﺣ ‪‬ﺪﺍ‬

‫ﻓﻌﻠﻲ ﻫﺪﺍﻩ ﺗﻔﺠﺮﺕ ﺻﻴﺤﺎﰐ‬

‫ﺍﷲ ﺧﺎﻟﻖ ﻛﻞ ﺷﻲﺀ ﻓﺎﲨﻌﻮﺍ‬

‫ﺃﺷﻼﺀﻛﻢ ﺑﺎﳊﻖ ﻭﺍﻟﺮﲪﺎﺕ‬

‫ﻭﺣﺪﺕ ﺃﺷﻼﺀ‪ ..‬ﲨﻌﺖ ﺷﺮﺍﺫ ‪‬ﻣﺎ‬

‫ﻭﺟﻌﻠﺖ ﻣﻦ ﻃﻠﻞ ﺍﻟﺸﻌﻮﺏ ﺑﻨﺎﰐ‬

‫ﺍﻟﻈﻠﻢ ﰲ ﺭﻛﺐ ﺍﳊﻴﺎﺓ ﺿﻼﻟﺔ‬

‫ﻭﺍﻟﻌﺪﻝ ﻧﻮﺭ ﺍﷲ ﰲ ﺍﻟﻈﻠﻤﺎﺕ‬

‫ﻭﺍﻟﺬﻡ ﰲ ﻭﺟﻪ ﺍﳊﻴﺎﺓ ﺟﺮﳝﺔ‬

‫ﻭﲤﻴﻤﺔ ﻟﻠﺮﺟﺲ ﻭﺍﻟﻠﻌﻨﺎﺕ‬

‫ﻭﺍﳊﻖ ﺃﻭﱄ ﺃﻥ ﺗﺼﺎﻥ ﺣﺼﻮﻧﻪ‬

‫ﻟﻴﻈﻞ ﺗﺎﺝ ﺍﻷﺭﺽ ﻭﺍﻟﺴﻤﻮﺍﺕ‬

‫ﻭﺍﻷﺭﺽ ﻋﺮﺽ ﻭﺍﻟﺪﻣﺎﺀ ﳏﺎﺭﻡ‬

‫ﻭﻧﻘﺎﺀ ﻣﺎﻝ ﺍﳌﺮﺀ ﺑﺎﻟﺼﺪﻗﺎﺕ‬

‫ﺣﺮﻳﺔ ﺍﻹﻧﺴﺎﻥ ﻏﺎﻳﺔ ﺩﻳﻨﻨﺎ‬

‫ﻭﻃﺮﻳﻘﻨﺎ ﰲ ﻛﻞ ﻓﺠﺮ ﺁﺕ‬

‫ﻭﻧﺴﺎﺅﻛﻢ ﰲ ﻛﻞ ﺑﻴﺖ ﺭﲪﺔ‬

‫ﺗﺎﺝ ﺍﻟﻌﻔﺎﻑ ﻭﺳﺎﻡ ﻛﻞ ﻓﺘﺎﺓ‬

‫ﻭﺍﻟﻌﺪﻝ ﺩﺳﺘﻮﺭ ﺍﳊﻴﺎﺓ ﻓﺈﻥ ﻏﻔﺎ‬

‫ﻫﺮﻋﺖ ﺣﺸﻮﺩ ﺍﻟﻈﻠﻢ ﺑﺎﻟﻮﻳﻼﺕ‬

‫ﻭﺍﳊﻜﻢ ﻋﺪﻝ ﻭﺍﻟﺸﺮﺍﺋﻊ ﺣﻜﻤﺔ‬

‫ﻭﺍﻟﻨﻔﺲ ﻋﻨﺪﻱ ﺃﻛﱪ ﺍﳊﺮﻣﺎﺕ‬

‫ﺃﻫﻞ ﺍﻟﻜﺘﺎﺏ ﳍﻢ ﺣﻘﻮﻕ ﻣﺜﻠﻨﺎ‬

‫ﰲ ﺍﻷﻣﻦ‪ ..‬ﰲ ﺍﻷﻭﻃﺎﻥ‪ ..‬ﰲ ﺍﻟﺼﻠﻮﺍﺕ‬

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‫ﺍﷲ ﺳﺎﻭﻱ ﺍﳋﻠﻖ ﻭﺣﺪ ﺑﻴﻨﻬﻢ‬

‫ﰲ ﺍﻟﻌﻴﺶ‪ ..‬ﰲ ﺍﻷﻧﺴﺎﺏ‪ ..‬ﰲ ﺍﻟﺪﺭﺟﺎﺕ‬

‫ﺃﻣﺎ ﺍﳊﻴﺎﺓ ﻭﺩﻳﻌﺔ ﰲ ﺳﺮﻫﺎ‬

‫ﻫﻞ ﻳﺴﺘﻮﻱ ﺍﻷﺣﻴﺎﺀ ﺑﺎﻷﻣﻮﺍﺕ؟‬

‫ﻭﻳﻞ ﻷﺭﺽ ﻣﺎﺕ ﻓﺠﺮ ﺿﻤﲑﻫﺎ‬

‫ﻣﻮﺕ ﺍﻟﻀﻤﺎﺋﺮ ﻗﻤﺔ ﺍﳌﺄﺳﺎﺓ‬

‫ﻟﻜﻨﲏ ﺃﻳﻘﻨﺖ ﺃﻥ ﺭﺳﺎﻟﱵ‬

‫ﻓﻴﻬﺎ ﺍﳍﺪﻱ ﻣﻦ ﺧﺎﻟﻖ ﺍﻟﺴﻤﻮﺍﺕ‬

‫ﺑﻠﻐﺖ ﻳﺎ ﺍﷲ‪ ..‬ﻓﺎﺷﻬﺪ ﺃﻧﲏ‬

‫ﱂ ﺃﻧﺲ ﺣﻖ ﺭﻋﻴﱵ ﻭﺭﻋﺎﰐ‬

‫ﺯﻭﺭﻭﺍ ﺍﳌﺪﻳﻨﺔ‪ ..‬ﻭﺍﺫﻛﺮﻭﱐ ﻋﻨﺪﻫﺎ‬

‫ﻣﻦ ﺯﺍﺭ ﻗﱪﻱ ﺻﺎﻓﺤﺘﻪ ﺣﻴﺎﰐ‬

‫ﺃﻧﺎ ﱂ ﺃﻛﻦ ﺇﻻ ﺭﺳﻮ ﹰﻻ ﻗﺪ ﺧﻠﺖ‬

‫ﻗﺒﻠﻲ ﺭﺳﺎﻻﺕ ﻭﻫﺪﻱ ﻋﻈﺎﺕ‬

‫ﺑﺸﺮ ﺃﻧﺎ‪ ..‬ﻣﺎ ﻛﻨﺖ ﺭ‪‬ﺑﺎ ﺑﻴﻨﻜﻢ‬

‫ﺑﻞ ﻛﻨﺖ ﻓﺠ ‪‬ﺮﺍ ﻻﺡ ﰲ ﳊﻈﺎﺕ‬

‫ﻭﺃﻓﺎﺽ ﰲ ﺍﻟﺪﻧﻴﺎ‪ ..‬ﻭﺃﻳﻘﻆ ﺃﻫﻠﻬﺎ‬

‫ﺑﺎﳊﻖ‪ ..‬ﻭﺍﻟﺘﱰﻳﻞ‪ ..‬ﻭﺍﻵﻳﺎﺕ‬

‫ﻓﺈﺫﺍ ﺑﺪﺍ ﰲ ﺍﻷﻓﻖ ﻏﻴﻢ ﻋﺎﺑﺚ‬

‫ﺻﻠﻮﺍ ﻋﻠﻲ‪ ..‬ﻭﺃﻛﺜﺮﻭﺍ ﺍﻟﺼﻠﻮﺍﺕ‬

‫ﺭﻛﺐ ﺍﻟﺰﻣﺎﻥ ﻳﻄﻮﻑ ﰲ ﻧﻈﺮﺍﰐ‬

‫ﻭﺗﺘﻮﻩ ﰲ ﻋﻤﻖ ﺍﳌﺪﻯ ﻛﻠﻤﺎﰐ‬

‫ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﻭﻧﻮﺭ ﻭﺟﻪ ﺍﳌﺼﻄﻔﻰ‬

‫ﻛﺎﻟﺼﺒﺢ ﺃﺷﺮﻕ ﰲ ﺷﻮﺍﻃﺊ ﺫﺍﰐ‬

‫ﻭﻳﻄﻞ ﻭﺟﻬﻚ ﰲ ﺍﳊﺠﻴﺞ ﻛﺄﻧﻪ‬

‫ﻭﺟﻪ ﺍﻟﺴﻤﺎﺀ ﺃﺿﺎﺀ ﰲ ﺟﻨﺒﺎﰐ‬

‫ﻳﺎ ﺳﻴﺪ ﺍﳋﻠﻖ ﺍﻟﺮﻓﻴﻊ ﲢﻴﺔ‬

‫ﻣﻦ ﻛﻞ ﺷﻮﻕ ﻓﺎﺽ ﰲ ﻋﺮﻓﺎﺕ‬

‫ﻃﻮﻓﺖ ﰲ ﺃﺭﺟﺎﺀ ﻣﻜﺔ ﺳﺎﻋ‪‬ﻴﺎ‬

‫ﻭﻋﻠﻰ ﻣﲎ ﺃﻟﻘﻴﺖ ﺑﺎﳉﻤﺮﺍﺕ‬

‫ﻭﻧﻈﺮﺕ ﻟﻸﻓﻖ ﺍﻟﺒﻌﻴﺪ‪ ..‬ﻭﺣﻮﻟﻪ‬

‫ﺗﺴﺮﻱ ﺃﻣﺎﻣﻚ ﺟﻨﺔ ﺍﳉﻨﺎﺕ‬

‫ﻭﻭﻗﻔﺖ ﺗﺼﺮﺥ‪ :‬ﻳﺎ ﺇﳍﻲ ﺃﻣﱵ‬

‫ﻓﻴﺠﻴﺐ ﺭﺏ ﺍﳋﻠﻖ ﺑﺎﻟﺮﲪﺎﺕ‬

‫ﱂ ﺗﻨﺲ ﺃﻣﺘﻚ ﺍﳊﺰﻳﻨﺔ ﻛﻠﻤﺎ‬

‫ﻫﺮﻋﺖ ﲨﻮﻉ ﺍﻟﻨﺎﺱ ﺑﺎﻟﺪﻋﻮﺍﺕ‬

‫ﻭﺳﺄﻟﺖ ﺭﺏ ﺍﻟﻜﻮﻥ ﻫﺬﺍ ﺣﺎﳍﻢ‬

‫ﻓﻘﺮ‪ ..‬ﻭﺟﻮﻉ‪ ..‬ﻭﺍﻣﺘﻬﺎﻥ ﻃﻐﺎﺓ‬

‫ﻳﺎ ﺭﺏ ﻫﺬﻱ ﺃﻣﱵ ﻣﻐﻠﻮﺑﺔ‬

‫ﻣﺎ ﺑﲔ ﺣﻜﻢ ﺟﺎﺋﺮ‪ ..‬ﻭﻏﺰﺍﺓ‬

‫ﺍﻟﺮﻛﺐ ﺿﻞ ﻭﺷﺮﺩﺗﻪ ﻋﻮﺍﺻﻒ‬

‫ﺑﺎﻟﻌﺠﺰ‪ ..‬ﻭﺍﻟﻄﻐﻴﺎﻥ‪ ..‬ﻭﺍﻟﻨﻜﺒﺎﺕ‬

‫ﲨﻌﺘﻬﻢ ﰲ ﻛﻞ ﺷﻲﺀ ﻛﻠﻤﺎ‬

‫ﻧﺎﺩﻱ ﺍﳌﺆﺫﻥ ﺩﺍﻋ‪‬ﻴﺎ ﻟﺼﻼﺓ‬

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‫ﻭﺍﻵﻥ ﺻﺎﺭﻭﺍ ﰲ ﺍﳊﻴﺎﺓ ﺑﻼ ﻫﺪﻯ‬

‫ﺗﺒﺪﻭ ﻋﻠﻴﻬﻢ ﺳﻜﺮﺓ ﺍﻷﻣﻮﺍﺕ‬

‫ﺃﻧﺎ ﰲ ﺭﺣﺎﺑﻚ ﺟﺌﺖ ﺃﲪﻞ ﺃﻣﺔ‬

‫ﻣﺎﺗﺖ ﻋﻠﻰ ﺃﻃﻼﳍﺎ ﺻﺮﺧﺎﰐ‬

‫ﻭﺍﳊﺎﻗﺪﻭﻥ ﻋﻠﻰ ﺍﻟﻀﻼﻝ ﲡﻤﻌﻮﺍ‬

‫ﻭﺍﻷﻣﺔ ﺍﻟﺜﻜﻠﻰ ﻓﻠﻮﻝ ﺷﺘﺎﺕ‬

‫ﰲ ﺍﻟﻜﻌﺒﺔ ﺍﻟﻐﺮﺍﺀ ﻭﺟﻬﻲ ﺷﺎﺧﺺ‬

‫ﺗﺘﺴﺎﺑﻖ ﺍﻟﺼﻠﻮﺍﺕ ﰲ ﺍﻟﺼﻠﻮﺍﺕ‬

‫ﻭﺍﻟﻨﺎﺱ ﰲ ﺍﳊﺮﻡ ﺍﻟﺸﺮﻳﻒ ﺗﻮﺍﻓﺪﻭﺍ‬

‫ﺿﻮﺀ ﺍﻟﻮﺟﻮﻩ ﻳﻄﻮﻑ ﰲ ﺍﻟﺴﺎﺣﺎﺕ‬

‫ﺍﷲ ﺃﻛﱪ‪ ..‬ﻭﺍﳊﺠﻴﺞ ﻣﻮﺍﻛﺐ‬

‫ﻣﻦ ﻛﻞ ﻟﻮﻥ ﻗﺎﺩﻡ‪ ..‬ﻭﻟﻐﺎﺕ‬

‫ﺍﷲ ﻭﺣﺪﻫﻢ ﻋﻠﻰ ﻭﺣﻲ ﺍﳍﺪﻯ‬

‫ﺭﻏﻢ ﺍﺧﺘﻼﻑ ﺍﳉﻨﺲ ﻭﺍﻟﻠﻬﺠﺎﺕ‬

‫ﺟﺎﺅﻭﺍ ﻓﺮﺍﺩﻯ ﳛﻤﻠﻮﻥ ﺫﻧﻮ‪‬ﻢ‬

‫ﻭﻳﻔﻴﺾ ﺻﻔﺢ ﺍﷲ ﺑﺎﻟﻨﻔﺤﺎﺕ‬

‫ﺣﲔ ﺍﺳﺘﻮﻯ ﺍﻟﺮﲪﻦ ﻓﻮﻕ ﻋﺒﺎﺩﻩ‬

‫ﺍﻟﻌﻔﻮ ﻛﺎﻥ ﺑﺪﺍﻳﺔ ﺍﻟﺮﲪﺎﺕ‬

‫ﻳﺎ ﺭﺏ ﻓﻠﺘﺠﻌﻞ ‪‬ﺎﻳﺔ ﺭﺣﻠﱵ‬

‫ﻋﻨﺪ ﺍﻟﺴﺆﺍﻝ ﺷﻔﺎﻋﱵ ﻭﺛﺒﺎﰐ‬

‫ﺃﻧﺎ ﰲ ﺭﺣﺎﺑﻚ ﺟﺌﺖ ﺃﲪﻞ ﺗﻮﺑﱵ‬

‫ﺧﺠﻼﻥ ﻣﻦ ﺷﻄﻄﻲ ﻭﻣﻦ ﺯﻻﰐ‬

‫ﺃﻧﺖ ﺍﻟﻐﻔﻮﺭ ﻭﻛﺎﻥ ﺿﻌﻔﻲ ﳏﻨﱵ‬

‫ﻭﻋﺬﺍﺏ ﻗﻠﱯ ﻛﺎﻥ ﰲ ﻫﻔﻮﺍﰐ‬

‫ﺃﺷﻜﻮ ﺇﻟﻴﻚ ﺍﻵﻥ ﻗﻠﺔ ﺣﻴﻠﱵ‬

‫ﻭﻫﻮﺍﻥ ﻋﻤﺮﻱ‪ ..‬ﺣﲑﰐ ﻭﺷﺘﺎﰐ‬

‫ﺗﺘﺰﺍﺣﻢ ﺍﻷﻳﺎﻡ ﺑﲔ ﺧﻮﺍﻃﺮﻱ‬

‫ﻣﺎ ﺑﲔ ﺫﻧﺐ ﺣﺎﺋﺮ ﻭﻋﻈﺎﺕ‬

‫ﻳﺎ ﺭﺏ ﺳﲑﺕ ﺍﻟﻘﻠﻮﺏ ﻣﻮﺍﻃ‪‬ﻨﺎ‬

‫ﻟﻠﺤﺐ‪ ..‬ﻓﺎﻏﻔﺮ ﻳﺎ ﻛﺮﱘ ﻫﻨﺎﰐ‬

‫ﻗﺪ ﻛﺎﻥ ﺫﻧﱯ ﺃﻥ ﻗﻠﱯ ﻋﺎﺷﻖ‬

‫ﻓﺄﺿﻌﺖ ﰲ ﻋﺸﻖ ﺍﳉﻤﺎﻝ ﺣﻴﺎﰐ‬

‫ﺃﻧﺖ ﺍﻟﺬﻱ ﺳﻄﺮﺕ ﻗﻠﱯ ﻏﻨﻮﺓ‬

‫ﻟﻠﻌﺎﺷﻘﲔ‪ ..‬ﻭﻫﺬﻩ ﻣﺄﺳﺎﰐ‬

‫ﺍﻏﻔﺮ ﺫﻧﻮﺏ ﺍﻟﻌﺸﻖ ﺇﻥ ﺟﻮﺍﳓﻲ‬

‫ﺫﺍﺑﺖ ﻣﻦ ﺍﻷﺷﻮﺍﻕ ﻭﺍﻟﻌﱪﺍﺕ‬

‫ﻭﺍﻵﻥ ﺟﺌﺘﻚ ﺑﻌﺪ ﺃﻥ ﺿﺎﻕ ﺍﳌﺪﻯ‬

‫ﻭﺍﺛﺎﻗﻠﺖ ﰲ ﺭﻫﺒﺔ ﺧﻄﻮﺍﰐ‬

‫ﻧﺪ ‪‬ﻣﺎ ﻋﻠﻰ ﻋﻤﺮ ﺗﻮﱃ ﺿﺎﺋ ‪‬ﻌﺎ‬

‫ﺃﻡ ﺧﺸﻴﺔ ﻣﻦ ﻃﻴﻒ ﻋﻤﺮ ﺁﺕ‬

‫ﺃﺳﺮﻓﺖ ﰲ ﺫﻧﱯ ﻭﺑﺎﺑﻚ ﺭﲪﱵ‬

‫ﻭﻟﺪﻳﻚ ﻭﺣﺪﻙ ﺷﺎﻃﺌﻲ ﻭﳒﺎﰐ‬

‫ﰲ ﻫﺬﻩ ﺍﻷﺭﺽ ﺍﻟﺸﺮﻳﻔﺔ ﺃﺷﺮﻗﺖ‬

‫ﻳﻮ ‪‬ﻣﺎ ﻗﻼﻉ ﺍﻟﻨﻮﺭ ﻭﺍﻟﱪﻛﺎﺕ‬

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‫ﺑﺪﺃ ﺍﻟﻮﺟﻮﺩ ﺧﻄﻴﺌﺔ‪ ..‬ﰒ ﺍﻧﺘﻬﻰ‬

‫ﺑﺎﻟﺼﻔﺢ ﻭﺍﻟﻐﻔﺮﺍﻥ ﰲ ﻋﺮﻓﺎﺕ‬

‫ﺣﱴ ﺃﻃﻞ ﻋﻠﻰ ﺍﻟﻮﺟﻮﺩ ﳏﻤﺪ‬

‫ﻓﺎﺯﻳﻨﺖ ﻋﺮﻓﺎﺕ ﺑﺎﻟﺼﻠﻮﺍﺕ‬

‫ﻓﺄﺿﺎﺀ ﺗﺎﺭﻳﺦ ﻭﻗﺎﻣﺖ ﺃﻣﺔ‬

‫ﺑﺎﳊﻖ ﺗﻜﺘﺐ ﺃﺭﻭﻉ ﺍﻟﺼﻔﺤﺎﺕ‬

‫ﻭﺳﺮﻯ ﻋﻠﻰ ﺃﺭﺟﺎﺋﻬﺎ ﻭﺣﻲ ﺍﳍﺪﻯ‬

‫ﺟﱪﻳﻞ ﻳﺘﻠﻮ ﺃﻗﺪﺱ ﺍﻵﻳﺎﺕ‬

‫ﻭﳏﻤﺪ ﰲ ﻛﻞ ﺭﻛﻦ ﺳﺎﺟﺪ‬

‫ﳛﻴﻲ ﻗﻠﻮ‪‬ﺑﺎ‪ ..‬ﺑﻌﺪ ﻃﻮﻝ ﻣﻮﺍﺕ‬

‫ﺑﺪﺀ ﺍﳋﻠﻴﻘﺔ ﻛﺎﻥ ﻣﻦ ﺃﺳﺮﺍﺭﻫﺎ‬

‫ﺣﲔ ﺍﺳﺘﻮﺕ ﺑﺎﳋﻠﻖ ﰲ ﳊﻈﺎﺕ‬

‫ﻭﺗﺰﻳﻨﺖ ﻟﻨﺒﻴﻬﺎ ﺣﱴ ﺑﺪﺍ‬

‫ﻧﻮﺭ ﺍﻟﺮﺳﺎﻟﺔ ﻓﻮﻕ ﻛﻞ ﺣﺼﺎﺓ‬

‫ﻭﺗﻜﺴﺮﺕ ﺃﺻﻨﺎﻡ ﻣﻜﺔ‪ ..‬ﻭﺍﻧﺰﻭﻯ‬

‫ﺧﻠﻒ ﺍﳊﻄﺎﻡ ﺿﻼﻝ ﻟﻴﻞ ﻋﺎﺕ‬

‫ﰲ ﺣﻀﻦ ﻣﻜﺔ ﻛﺎﻥ ﻣﻴﻼﺩ ﺍﳍﺪﻯ‬

‫ﻭﺍﻟﺪﻫﺮ ﻳﺸﺪﻭ ﺃﻋﺬﺏ ﺍﻟﻨﻐﻤﺎﺕ‬

‫ﺃﻣﻢ ﺃﻓﺎﻗﺖ ﻣﻦ ﻇﻼﻡ ﻋﻬﻮﺩﻫﺎ‬

‫ﻭﺍﺳﺘﻴﻘﻈﺖ ﻣﻦ ﺑﻌﺪ ﻃﻮﻝ ﺳﺒﺎﺕ‬

‫ﺃﻟﻘﻰ ﻋﻠﻴﻚ ﺍﳊﺎﻗﺪﻭﻥ ﺿﻼﳍﻢ‬

‫ﻭﺗﺴﺎﺑﻘﻮﺍ ﰲ ﺍﻟﻠﻐﻮ ﻭﺍﻟﺴﻮﺀﺍﺕ‬

‫ﺃﺗﺮﻯ ﻳﻌﻴﺐ ﺍﻟﺸﻤﺲ ﺃﻥ ﺿﻴﺎﺀﻫﺎ‬

‫ﺃﻋﻤﻰ ﺣﺸﻮﺩ ﺍﳉﻬﻞ ﻭﺍﻟﻈﻠﻤﺎﺕ‬

‫ﻟﻮ ﻳﻌﻠﻢ ﺍﳉﻬﻼﺀ ﺭﲪﺔ ﺩﻳﻨﻨﺎ‬

‫ﻟﺘﺴﺎﺑﻘﻮﺍ ﰲ ﺍﻟﱪ ﻭﺍﻟﺮﲪﺎﺕ‬

‫ﱂ ﻳﺸﻬﺪ ﺍﻟﺘﺎﺭﻳﺦ ﻳﻮ ‪‬ﻣﺎ ﺃﻣﺔ‬

‫ﲨﻌﺖ ﺣﺸﻮﺩ ﺍﳊﻖ ﰲ ﳊﻈﺎﺕ‬

‫ﱂ ﺗﺸﻬﺪ ﺍﻟﺪﻧﻴﺎ ﲨﻮ ‪‬ﻋﺎ ﺳﺎﻓﺮﺕ‬

‫ﻋﱪﺕ ﺣﺪﻭﺩ ﺍﻷﺭﺽ ﻭﺍﻟﺴﻤﻮﺍﺕ‬

‫ﻟﻜﻨﻪ ﺍﻹﺳﻼﻡ ﻭﺣﺪ ﺑﻴﻨﻬﻢ‬

‫ﻓﺘﺴﺎﺑﻘﻮﺍ ﷲ ﰲ ﻋﺮﻓﺎﺕ‬

‫ﻫﺬﺍ ﻫﻮ ﺍﻹﺳﻼﻡ ﺩﻳﻦ ﳏﺒﺔ‬

‫ﺭﻏﻢ ﺍﺧﺘﻼﻑ ﺍﳉﺎﻩ ﻭﺍﻟﺪﺭﺟﺎﺕ‬

‫ﻳﺎ ﻟﻠﻤﺪﻳﻨﺔ ﺣﲔ ﻳﺒﺪﻭ ﺳﺤﺮﻫﺎ‬

‫ﻭﺗﺘﻴﻪ ﰲ ﺃﻳﺎﻣﻬﺎ ﺍﻟﻨﻀﺮﺍﺕ‬

‫ﻭﻣﻮﺍﻛﺐ ﺍﻟﺼﻠﻮﺍﺕ‪ ..‬ﺑﲔ ﺭﺑﻮﻋﻬﺎ‬

‫‪‬ﺘﺰ ﺃﺭﻛﺎﻥ ﺍﻟﻀﻼﻝ ﺍﻟﻌﺎﰐ‬

‫ﰲ ﺳﺎﺣﺔ ﺍﻟﺸﻬﺪﺍﺀ ﳊﻦ ﺩﺍﺋﻢ‬

‫ﺻﻮﺕ ﺍﳋﻴﻮﻝ ﻳﺼﻮﻝ ﰲ ﺍﻟﺴﺎﺣﺎﺕ‬

‫ﻭﺍﻷﻓﻖ ﻭﺣﻲ‪ ..‬ﻭﺍﻟﺴﻤﺎﺀ ﺑﺸﺎﺋﺮ‬

‫ﻭﺍﻟﺮﻭﺿﺔ ﺍﻟﻔﻴﺤﺎﺀ ﺗﺎﺝ ﺻﻼﰐ‬

‫ﻭﻳﻄﻮﻑ ﻭﺟﻪ ﳏﻤﺪ ﰲ ﺃﺭﺿﻬﺎ‬

‫ﺍﳌﺎﺀ ﻃﻬﺮﻱ‪ ..‬ﻭﺍﳊﺠﻴﺞ ﺳﻘﺎﰐ‬

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‫ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﺃﻣﺎﻡ ﻧﻮﺭﻙ ﺳﻴﺪﻱ‬

‫ﻭﺑﺄﻱ ﻭﺟﻪ ﲢﺘﻔﻲ ﻛﻠﻤﺎﰐ؟‬

‫ﺑﺎﻟﻌﺪﻝ‪ ..‬ﺑﺎﻹﳝﺎﻥ‪ ..‬ﺑﺎﳍﻤﻢ ﺍﻟﱵ‬

‫ﺷﻴﺪ‪‬ﺎ ﰲ ﺣﻜﻤﺔ ﻭﺛﺒﺎﺕ؟‬

‫ﺃﻡ ﺑﺎﻟﺮﺟﺎﻝ ﺍﻟﺼﺎﻣﺪﻳﻦ ﻋﻠﻰ ﺍﳍﺪﻯ‬

‫ﺑﺎﳊﻖ‪ ..‬ﻭﺍﻷﺧﻼﻕ‪ ..‬ﻭﺍﻟﺼﻠﻮﺍﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺯﻫﺪ ﺍﻟﻘﻠﻮﺏ ﻭﺳﻌﻴﻬﺎ‬

‫ﷲ ﺩﻭﻥ ﻣﻐﺎﱎ ﻭﻫﺒﺎﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺻﺪﻕ ﺍﻟﻌﻘﻴﺪﺓ ﻋﻨﺪﻣﺎ‬

‫ﺗﻌﻠﻮ ﺍﻟﻨﻔﻮﺱ ﲰﺎﺣﺔ ﺍﻟﻨﻴﺎﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺍﻹﻧﺴﺎﻥ ﺣﲔ ﳛﻴﻄﻪ‬

‫ﻧﺒﻞ ﺍﳉﻼﻝ ﻭﻋﻔﺔ ﺍﻟﻐﺎﻳﺎﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺣﺐ ﺍﻟﺸﻬﺎﺩﺓ ﻋﻨﺪﻣﺎ‬

‫ﳜﺒﻮ ﺑﺮﻳﻖ ﺍﳌﺎﻝ ﻭﺍﻟﺸﻬﻮﺍﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺯﻫﺪ ﺍﻟﺮﺟﺎﻝ ﺇﺫﺍ ﲰﺖ‬

‫ﻓﻴﻨﺎ ﺍﻟﻨﻔﻮﺱ ﻋﻠﻲ ﻧﺪﺍ ﺍﳊﺎﺟﺎﺕ؟‬

‫ﺃﻡ ﺃﻧﻪ ﺍﻟﻌﺰﻡ ﺍﳉﻠﻴﻞ ﻭﻗﺪ ﻣﻀﻰ‬

‫ﻓﻮﻕ ﺍﻟﻀﻼﻝ ﻭﺧﺴﺔ ﺍﻟﺮﻏﺒﺎﺕ؟‬

‫ﺑﻞ ﺇﻧﻪ ﺍﻟﻘﺮﺁﻥ ﻭﺣﻲ ﳏﻤﺪ‬

‫ﻭﺩﻟﻴﻠﻨﺎ ﰲ ﻛﻞ ﻋﺼﺮ ﺁﺕ‬

‫ﻳﺎ ﺳﻴﺪ ﺍﻟﺪﻧﻴﺎ‪ ..‬ﻭﺗﺎﺝ ﺿﻤﲑﻫﺎ‬

‫ﺍﺷﻔﻊ ﻟﻨﺎ ﰲ ﺳﺎﺣﺔ ﺍﻟﻌﺜﺮﺍﺕ‬

‫ﺃﻧﺎ ﻳﺎ ﺣﺒﻴﺐ ﺍﷲ ﺿﺎﻕ ﰊ ﺍﳌﺪﻯ‬

‫ﻭﺗﻌﺜﺮﺕ ﰲ ﺭﻫﺒﺔ ﻧﺒﻀﺎﰐ‬

‫ﻭﺻﻔﻮﻙ ﻗﺒﻠﻲ ﻓﻮﻕ ﻛﻞ ﺻﻔﺎﺕ‬

‫ﻧﻮﺭ ﺍﻟﻀﻤﲑ ﻭﻓﺠﺮ ﻛﻞ ﺣﻴﺎﺓ‬

‫ﺑﺸﺮ ﻭﻟﻜﻦ ﰲ ﺍﻟﻀﻤﲑ ﺗﺮﻓﻊ‬

‫ﻓﺎﻕ ﺍﻟﻮﺟﻮﺩ‪ ..‬ﻭﻓﺎﻕ ﺃﻱ ﺻﻔﺎﺕ‬

‫ﻭﺻﻔﻮﻙ ﻗﺒﻠﻲ ﻓﺎﻧﺰﻭﺕ ﺃﺑﻴﺎﰐ‬

‫ﻭﺧﺠﻠﺖ ﻣﻦ ﺷﻌﺮﻱ ﻭﻣﻦ ﻛﻠﻤﺎﰐ‬

‫ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﺃﻣﺎﻡ ﺑﺎﺑﻚ ﺳﻴﺪﻱ‬

‫ﺳﻜﺖ ﺍﻟﻜﻼﻡ ﻭﻓﺎﺽ ﰲ ﻋﱪﺍﰐ‬

‫ﻳﺎ ﺭﺏ ﻓﻠﺘﺠﻌﻞ ‪‬ﺎﻳﺔ ﺭﺣﻠﱵ‬

‫ﻋﻨﺪ ﺍﳊﺒﻴﺐ ﻭﺃﻥ ﻳﺮﺍﻩ ﺭﻓﺎﰐ‬

‫ﻳﻮ ‪‬ﻣﺎ ﺣﻠﻤﺖ ﺑﺄﻥ ﺃﺭﺍﻩ ﺣﻘﻴﻘﺔ‬

‫ﻳﺎ ﻟﻴﺘﲏ ﺃﻟﻘﺎﻩ ﻋﻨﺪ ﳑﺎﰐ‬

‫ﺣﻠﻴﺔ ﲞﻂ ﺍﳋﻄﺎﻁ ﺳﻌﻴﺪ ﺍﻟﻨﻬﺮﻱ‬

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‫ﺃﻫﻠﹰﺎ ﺭﺳﻮﻝ ﺍﷲ‬

‫ﺍﻟﺸﺎﻋﺮ ﻓﺎﺭﻭﻕ ﺟﻮﻳﺪﺓ‬ ‫ﷲ‬ ‫ﺃﻫ ﹰﻠﺎ ﺭﺳﻮﻝ ﺍ ِ‬ ‫ﻳﺎ ﺧﲑ ﺍﳍﺪﺍ ِﺓ ﺍﻟﺼﺎﺩﻗﲔ‬ ‫ﻚ ﻣﻦ ﺩﺭﻭﺏ ﺍﳊﺎﺋﺮﻳﻦ‬ ‫ﺃﻧﺎ ﻳﺎ ﳏﻤ ‪‬ﺪ ﻗﺪ ﺃﺗﻴﺘ ‪‬‬

‫ﺽ ﺗﺴﻜ ‪‬ﺮ ﻣﻦ ﺩﻣﺎﺀ ﺍﳉﺎﺋﻌﲔ‬ ‫ﺖ ﺍﻷﺭ ‪‬‬ ‫ﻓﻠﻘﺪ ﺭﺃﻳ ‪‬‬ ‫ﺕ ﺍﻟﻌﺪ ِﻝ‬ ‫ﻕ ﰲ ﺭﻓﺎ ِ‬ ‫ﺱ ﲢﺮ ‪‬‬ ‫ﻭﺍﻟﻨﺎ ‪‬‬ ‫ﺕ ﺍﻟﻌﺪﻝ ﻓﻴﻨﺎ ﻣﻦ ﺳﻨﲔ‬ ‫ﻣﺎ ‪‬‬ ‫ﺃﻧﺎ ﻳﺎ ﺭﺳﻮ ﹶﻝ ﺍﷲ ﻃﻔﻞﹲ ﺣﺎﺋﺮ‪‬‬ ‫ﻣﻦ ﻳﺮﺣﻢ ﺍﻵﺑﺎ َﺀ؟ ﻣﻦ ﳛﻤﻲ ﺍﻟﺒﻨﲔ؟‬ ‫ﺱ ﺗﺄﻛ ﹸﻞ ﺑﻌﻀ‪‬ﻬﺎ‬ ‫ﺍﻟﻨﺎ ‪‬‬

‫ﺱ ﻧﺄﻛﻠﻬﺎ‪ ..‬ﻭﻧﺸﺮﺏ ﺧﻠﻔﻬﺎ ﺩﻣ ‪‬ﻊ ﺍﳊﻴﺎﺭﻯ ﺍﳌﺘﻌﺒﲔ‬ ‫ﻫﺬﻱ ﳊﻮ ‪‬ﻡ ﺍﻟﻨﺎ ِ‬ ‫ﷲ ﻻ ﺗﻐﻀﺐ ﻓﻬﺬﺍ ﺣﺎﻟﹸﻨﺎ‬ ‫ﺭﻓ ﹰﻘﺎ ﺭﺳﻮ ﹶﻝ ﺍ ِ‬ ‫ﻓﻠﻘﺪ ﻋ‪‬ﺼﻴﻨﺎ ﺍﷲ ﰲ ﺯﻣ ٍﻦ ﺣﺰﻳﻦ‬ ‫ﺖ ﺍﻟﻨﺎﺱ‪ ..‬ﺧﺒ‪‬ﺮﱐ‬ ‫ﻣﺎﺫﺍ ﺗﻘﻮ ﹸﻝ ﺇﺫﺍ ﺳﺮﻗ ‪‬‬

‫ﻒ ﺍﳉﻮﻉ ﻳﻘﺘﻞ ﻃﻔﻠﱵ؟‬ ‫ﻭﻃﻴ ‪‬‬ ‫ﺕ ﻋﻠﻰ ﺍﻟﻄﺮﻳ ِﻖ‪..‬‬ ‫ﻭﺃﻧﺎ ﺃﻣﻮ ‪‬‬

‫ﺹ ﻭﻫﻢ ﺳﻜﺎﺭﻯ ﻣﻦ ﺑﻘﺎﻳﺎ ﻣﻬﺠﱵ؟‬ ‫ﻭﺣﻮﻟﻪ ﻳﺴﺮﻱ ﺍﻟﻠﺼﻮ ‪‬‬ ‫ﷲ ﺃﻳﻦ ﺑﺪﺍﻳﱵ‪ ..‬ﻭ‪‬ﺎﻳﱵ؟‬ ‫ﺑﺎﷲ ﺧﱪﱐ ﺭﺳﻮﻝ ﺍ ِ‬ ‫ﺏ ﺍﳌﲎ؟‬ ‫ﺶ ﺍﻟﻌﻤ ‪‬ﺮ ﻣﺼﻠﻮ ‪‬‬ ‫ﺃﺗ‪‬ﺮﻯ ﺃﻋﻴ ‪‬‬ ‫ﺃﻧﺎ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ِﱂ ﺃﻋﺮﻑ ﻣﻊ ﺍﻟﺪﺟﻞ ﺍﻟﺮﺧﻴﺺ ﺣﻜﺎﻳﱵ‬ ‫ﻣﺎﺫﺍ ﺃﻛﻮﻥﹸ؟ ﻭﻣﻦ ﺃﻛﻮﻥﹸ؟ ﺃﻣﺎﻡ ﻗﱪ ﻣﺪﻳﻨﱵ‬

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‫ﺕ ﰲ ﻧﻔﺴﻲ‪ ..‬ﺃﻣﻮﺕ‬ ‫ﻭﺃﻣﻮ ‪‬‬ ‫ﺕ ﰲ ﺧﻮﰲ‪ ..‬ﺃﻣﻮﺕ‬ ‫ﻭﺃﻣﻮ ‪‬‬ ‫ﻭﺃﻣﻮﺕ ﰲ ﺻﻤﱵ‪ ..‬ﺃﻣﻮﺕ‬

‫ﺃﻧﺎ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﺃﺣﻴﺎ ﻛﻲ ﺃﻣﻮﺕ‬

‫ﻗﺎﻟﻮﺍ ﺑﺄﻥ ﺍﳌﻮﺕ ﻣﻮﺕ‪ ‬ﻭﺍﺣﺪ‪‬‬ ‫ﻭﺃﻣﺎﻡ ﻛﻞ ﺩﻗﻴﻘﺔ ﻗﻠﱯ ﳝﻮﺕ‬ ‫ﻗﻠﱯ ﺭﺳﻮﻝ ﺍﷲ ﰲ ﺟﻨﱯ ﳝﻮﺕ‬ ‫ﺡ‬ ‫ﺽ ﺗﻔﺮ ‪‬‬ ‫ﺖ ﺍﻷﺭ ‪‬‬ ‫ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﻭﻗﺪ ﺭﺃﻳ ‪‬‬ ‫ﺑﺎﳌﻌﺎﺻﻲ ﻭﺍﻟﺬﻧﻮﺏ؟‬

‫ﻱ ﺍﳊﲑﺍ ﹸﻥ ﻳﻄﺤﻨﻪ ﺍﻟﻐﺮﻭﺏ؟‬ ‫ﻣﺎﺫﺍ ﺃﻗﻮ ﹸﻝ ﻭﻋﻤﺮ ‪‬‬ ‫ﺐ ﰲ ﻗﻠﱯ ﻳﺬﻭﺏ‬ ‫ﻭﺍﳊ ‪‬‬ ‫ﺁ ٍﻩ ﺭﺳﻮ ﹶﻝ ﺍﷲ ﻣﻦ ﺃﻳﺎﻣﻨﺎ‬ ‫ﻚ ﺣﺎﻟﻨ‪‬ﺎ‬ ‫ﺖ ﺑﻨﻮ ِﺭ ﻗﻠﺒ ‪‬‬ ‫ﻓﻠﻘﺪ ﺭﺃﻳ ‪‬‬ ‫ﻳﺎ ﻣﻨﺼﻒ ﺍﻷﺣﻴﺎ ِﺀ ﻭﺍﳌﻮﺗﻰ‬

‫ﻭﻳﺎ ﻧﻮ ‪‬ﺭﺍ ﺃﺿﺎﺀ ﻃﺮﻳﻘﻨﺎ‬

‫ﻻ ﺗﺘﺮﻙ ﺍﻷﺣﺰﺍ ﹶﻥ ﺗﺮﺗ ‪‬ﻊ ﺑﻴﻨﻨﺎ‬

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‫ﻗﺪﺭ ﺣﺒﻪ‪ ..‬ﻭﻻ ﻣﻔﺮ ﻟﻠﻘﻠﻮﺏ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺟﺮﺑﻮﻋﺔ‬

‫ﻛﺎﺗﺐ ﻭﺇﻋﻼﻣﻲ ﺟﺰﺍﺋﺮﻱ‪ ،‬ﻣﻦ ﻣﻮﺍﻟﻴﺪ ‪.1967‬‬ ‫ﻏﺰﻳﺮ ﺍﻹﻧﺘﺎﺝ‪ ،‬ﻭﻳﺘﻨﻮﻉ ﺃﺳﻠﻮﺑﻪ ﺑﲔ ﺍﻷﺩﺏ ﻭﺍﻟﺴﻴﺎﺳﺔ‬ ‫ﻭﺍﻟﻜﺘﺎﺑﺔ ﺍﻟﺴﺎﺧﺮﺓ ﺍﻟﻼﺫﻋﺔ‪ ،‬ﻭﺍﻟﺸﻌﺮ ﻭﺍﻷﺩﺏ‪..‬‬

‫ﻳﺘﻌﺎﻭﻥ ﻣﻊ ﺍﳌﺮﻛﺰ ﺍﻟﻌﺎﳌﻲ ﻟﻼﺳﺘﺸﺎﺭﺍﺕ‬

‫ﺍﻻﺳﺘﺮﺍﺗﻴﺠﻴﺔ‪ ،‬ﻭﻛﺘﺐ ﻟﻪ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﻟﻜﺘﺐ ﻣﻨﻬﺎ‪:‬‬ ‫ﻧﻘﺪ ﺍﻟﺘﺠﺮﺑﺔ ﺍﻹﻋﻼﻣﻴﺔ ﺍﻹﺳﻼﻣﻴﺔ‪ /‬ﳏﺎﻛﻤﺔ‬ ‫ﺍﳉﻤﺎﻋﺎﺕ ﺍﻹﺳﻼﻣﻴﺔ ﻋﻠﻰ ﺿﻮﺀ ﺍﻟﺴﲑﺓ ﺍﻟﻨﺒﻮﻳﺔ‪/‬‬ ‫ﻋﻈﻤﻰ ﰲ ﺍﳌﺸﻬﺪ ﺍﻹﻗﻠﻴﻤﻲ ﻭﺍﻟﻌﺎﳌﻲ‪.‬‬

‫ﺗﱪﺋﺔ ﻫﺘﻠﺮ ﻣﻦ ‪‬ﻤﺔ ﺍﳍﻮﻟﻮﻛﻮﺳﺖ‪ /‬ﺁﻓﺎﻕ ﳉﺰﺍﺋﺮ‬

‫ﻋﻤﻞ ﻣﺬﻳ ‪‬ﻌﺎ ﰲ ﺑﻌﺾ ﺍﻹﺫﺍﻋﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﺃﺷﺮﻑ ﻋﻠﻰ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﺼﺤﻒ ﺍﻟﻌﺮﺑﻴﺔ‪.‬‬ ‫ﻛﺎﻥ ﺃﻛﱪ ﺃﻋﻤﺎﻟﻪ ﺍﳌﻮﺳﻮﻋﺔ ﺍﳊﻤﺮﺍﺀ ﺍﻟﱵ ﺗﻘﻊ ﰲ ‪ 10‬ﳎﻠﺪﺍﺕ‪ ،‬ﻭﺗﻮﺛﻖ ﺍﳉﺮﺍﺋﻢ ﺍﻷﻣﺮﻳﻜﻴﺔ‬ ‫ﻭﻛﺎﻥ ﺍﶈﺮﺭ ﺍﻟﺮﺋﻴﺲ ﳍﺎ‪ .‬ﺗﻨﻘﻞ ﺑﲔ ﻋﺪﺓ ﺩﻭﻝ ﻋﺮﺑﻴﺔ ﻭﺍﺳﺘﻄﺎﻉ ﺃﻥ ﻳﺼﺪﺭ ﺃﻛﺜﺮ ﻣﻦ ﺃﺭﺑﻌﲔ‬ ‫ﻛﺘﺎ‪‬ﺑﺎ ﰲ ﺍﻟﺴﻴﺎﺳﺔ ﻭﺍﻟﺮﻭﺍﻳﺔ ﻭﺍﻷﺩﺏ‪ .‬ﺃﺳﺲ ﻋﺪﺓ ﻣﻨﺎﺑﺮ ﺇﻋﻼﻣﻴﺔ ﻣﻨﻬﺎ ﻗﻨﺎﺓ ﺍﻟﻼﻓﺘﺔ ﺍﻟﻔﻀﺎﺋﻴﺔ‬ ‫ﺍﻟﱵ ﻳﺮﺃﺱ ﳎﻠﺲ ﺇﺩﺍﺭ‪‬ﺎ‪ .‬ﺗﺮﲨﺖ ﺑﻌﺾ ﺃﻋﻤﺎﻟﻪ ﺇﱃ ﻟﻐﺎﺕ ﻋﺎﳌﻴﺔ‪.‬‬ ‫ﻃﺒﺸﻮﺭﺓﹲ ﺻﻐﲑﺓﹲ‪ ..‬ﻳﻨﻔﺨﻬﺎ ﻏﻼ ‪‬ﻡ‬ ‫ﻳﻜﺘﺐ ﰲ ﺳﺒﻮﺭ ٍﺓ‪" :‬ﺍﷲ ﻭﺍﻟﺮﺳﻮﻝ ﻭﺍﻹﺳﻼ ‪‬ﻡ"‬ ‫ﳛﺒﻪ ﺍﻟﻐﻼﹾﻡ‬ ‫ﻭ‪‬ﻤﺲ ﺍﻟﺸﻔﺎﻩ ﰲ ﺣﺮﺍﺭ ٍﺓ‬ ‫ﲢﺮﻗﻬﺎ ﺍﻟﺪﻣﻮﻉ ﰲ ﺗﺸﻬ‪‬ﺪ ﺍﻟﺴﻼ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﺍﻟﺼﻔﻮﻑ ﰲ ﺻﻼ‪‬ﺎ‬ ‫‪175‬‬

‫ﳛﺒﻪ ﺍﳌﺆﰎ ﰲ ﻣﺎﻟﻴﺰﻳﺎ‬ ‫ﻭﰲ ﺟﻮﺍﺭ ﺍﻟﺒﻴﺖ ﰲ ﻣﻜﹼﺘ ِﻪ‪ ..‬ﳛﺒﻪ ﺍﻹﻣﺎ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﺻﺒﻴﺔﹲ ﺗﻨﻀ‪‬ﺪ ﺍﻟﻌﻘﻴﻖ ﰲ ﺃﻓﺮﻳﻘﻴﺎ‬ ‫ﳛﺒﻪ ﻣﺰﺍﺭﻉ ﳛﻔﺮ ﰲ ﳔﻠﺘﻪ )ﳏﻤﺪ‪(‬‬ ‫ﰲ ﺷﺎﻃﺊ ﺍﻟﻔﺮﺍﺕ ﰲ ﺍﺑﺘﺴﺎ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﻓﻼﺣﺔ ﻣﻼﻣﺢ ﺍﻟﺼﻌﻴﺪ ﰲ ﺳﺤﻨﺘﻬﺎ‬ ‫‪‬ﺗﺬﹾﻛﺮﻩ ﻭﻫﻲ ﺗﺬ ‪‬ﺭ ﻗﻤﺤﻬﺎ‪ ..‬ﻟﺘﻄﻌﻢ ﺍﳊﻤﺎ ‪‬ﻡ‬ ‫ﳛﺒﻪ ﻣﻮﹼﻟﻪ‪‬‬ ‫ﺱ‬ ‫ﻋﻠﻰ ﺟﺒﺎﻝ ﺍﻷﻟﺐ ﻭﺍﻷﻧﺪﻳﺰ ﰲ ﺯﻗﹾﺮﻭ ‪‬‬ ‫ﺐ‪ ..‬ﰲ ﲡﻤ‪‬ﺪ ﺍﻟﻌﻈﺎ ‪‬ﻡ‬ ‫ﰲ ﺟﻠﻴﺪ ﺍﻟﻘﻄ ِ‬ ‫ﻳﺬﻛﺮﻩ ﻣﺴﺘﻘﺒِﻼ‬ ‫ﲣﺮﺝ ﻣﻦ ﺷﻔﺎﻓﻪ ﺍﳊﺮﻭﻑ ﰲ ﲞﺎﺭﻫﺎ‬ ‫ﲣﺘﺎﻝ ﰲ ﺗﻜﺒﲑﺓ ﺍﻹﺣﺮﺍ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﺻﻐﲑﺓ ﻣﻦ ﺍﻟﻘﻮﻗﺎ ِﺯ ﰲ ﻋﻴﻮ‪‬ﺎ ﺍﻟﺰﺭﻗﺎﺀ ﻣﺜﻞ ﺑﺮﻛ ٍﺔ ﻳﺴﺮﺡ ﰲ ﺿﻔﺎﻓﻬﺎ ﺍﻟﻴﻤﺎ ‪‬ﻡ‬ ‫ﳛﺒﻪ ﻣﺸﺮ‪‬ﺩ ﻣ‪‬ﺴﺘﺮﺟﻊ‪‬‬ ‫ﻳﻨﻈﺮ ﻣﻦ ﺧﻴﻤﺘ ِﻪ ﻟﺒﺎﺋﺲ ﺍﳋﻴﺎ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﺃﺭﻣﻠﺔ ﺗﺒﻠﻞ ﺍﻟﺮﻏﻴﻒ ﻣﻦ ﺩﻣﻮﻋﻬﺎ‬ ‫ﰲ ﻟﻴﻠﺔ ﺍﻟﺼﻴﺎ ‪‬ﻡ‬ ‫ﲢﺒﻪ ﺗﻠﻤﻴﺬﺓ )ﺷﻄﹼﻮﺭﺓﹲ( ﰲ )ﻋﲔ ﺃﺯﺍﻝ( ﻋﻨﺪﻧﺎ‬ ‫ﺗﻜﺘﺐ ﰲ ﺩﻓﺘﺮﻫﺎ‪:‬‬ ‫‪176‬‬

‫"ﺇﻻ ﺍﻟﺮﺳﻮﻝ ﺃﲪ ‪‬ﺪﺍ‪ ..‬ﻭﺻﺤﺒﻪ ﺍﻟﻜﺮﺍ ‪‬ﻡ"‬ ‫ﻭﺗﺴﺄﻝ ﺍﻟﺪﻣﻴﺔ ﰲ ﺃﺣﻀﺎ‪‬ﺎ‪:‬‬ ‫‪‬ﻮﻳﻨﻪ‪‬؟‬ ‫‪‬ﺰﻫﺎ ﻣﻦ ﺭﺃﺳﻬﺎ ﻟﻜﻲ ﺗﻘﻮﻝ‪ :‬ﺇﻱ ﻧﻌ ‪‬ﻢ‬ ‫ﻭﺑﻌﺪﻫﺎ ﺗﻨﺎ ‪‬ﻡ‬ ‫ﳛﺒﻪ ﺍﳊﻤﺎﻡ ﰲ ﻗﺒﺎﺑ ِﻪ‬ ‫ﻳﻄﲑ ﰲ ﺍﺭﺗﻔﺎﻋﺔ ﺍﻷﺫﺍﻥ ﰲ ﺃﺳﺮﺍﺑ ِﻪ‬ ‫ﻟﻴﺪﻫﺶ ﺍﻷﻧﻈﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﻣﻨﺎﺑﺮ ﺣﻄﹼﻤﻬﺎ ﺍﻟﻐﺰﺍﺓ ﰲ ﺁﻫﺎ‪‬ﺎ‬ ‫ﻕ‪ ..‬ﺃﻭ ﰲ ﻏﺮﻭﺯ‪‬ﱐ‬ ‫ﰲ ﺑﺼﺮﺓ ﺍﻟﻌﺮﺍ ِ‬ ‫ﺃﻭ ﻏﺰ ِﺓ ﺍﳊﺼﺎ ‪‬ﺭ‬ ‫ﳛ‪‬ﺒ ‪‬ﻪ ﻣﻦ ﻋ‪‬ﺒ ‪‬ﺪ ﺍﻷﺣﺠﺎ ‪‬ﺭ ﰲ ﺿﻼﻟ ِﻪ‬ ‫ﻭﺑﻌﺪﻫﺎ ﻛﺴ‪‬ﺮﻫﺎ ﻭﻋﻠﻖ ﺍﻟﻔﺆﻭﺱ ﰲ ﺭﻗﺎ‪‬ﺎ‬ ‫ﻭﺧﻠﻔﻪ ﺍﺳﺘﺪﺍ ‪‬ﺭ‬ ‫ﻟﻌﺎﱂ ﺍﻷﻧﻮﺍ ‪‬ﺭ‬ ‫ﳛﺒﻪ ﻷﻧ‪‬ﻪ ﺃﺧﺮﺟﻪ ﻣﻦ ﻣﻌﺒﺪ ﺍﻷﺣﺠﺎ ‪‬ﺭ‬ ‫ﳌﺴﺠﺪ ﺍﻟﻘﻬﺎ ‪‬ﺭ‬ ‫ﳛﺒ‪‬ﻪ ﻣﻦ ﻳﻜﺜﺮ ﺍﻷﺳﻔﺎ ‪‬ﺭ‬ ‫ﻳﺮﺍﻩ ﰲ ﺗﻜﺴﺮ ﺍﻷﻫﻮﺍﺭ ﻭﺍﻷﻣﻮﺍﺝ ﰲ ﺍﻟﺒﺤﺎﺭ‬ ‫ﻳﺮﺍﻩ ﰲ ﺃﺟﻮﺍﺋﻪ ﻣﻬﻴﻤﻨﺎ‬ ‫‪177‬‬

‫ﻓﲑﺳﻞ ﺍﻟﻌﻴﻮﻥ ﰲ ﺍﻧﺪﻫﺎﺷﻬﺎ‬ ‫ﻭﻳﺮﺳﻞ ﺍﻟﺸﻔﺎﻩ ﰲ ﳘﺴﺎ‪‬ﺎ‪:‬‬ ‫"ﺍﷲ ﻳﺎ ﻗﻬﺎﺭ!"‬ ‫ﻭﺷﺎﻋﺮ ﳛ‪‬ﺒ ‪‬ﻪ‬ ‫ﻳﻌﺼﺮﻩ ﰲ ﻟﻴﻠﻪ ﺍﻹﳍﺎ ‪‬ﻡ ﰲ ﺭﻫﺒﺘ ِﻪ‬ ‫ﻓﺘﺸﺮﻕ ﺍﻟﻌﻴﻮﻥ ﻭﺍﻟﺸﻔﺎﻩ ﺑﺎﻷﻧﻮﺍ ‪‬ﺭ‬ ‫ﻓﺘﻮﻟﺪ ﺍﻷﺷﻌﺎ ‪‬ﺭ‬ ‫ﺿﻮﺋﻴ ﹶﺔ ﺍﻟﻌﻴﻮﻥ ﰲ ﻣﺪﳛ ِﻪ‬ ‫ﻣﻦ ﻋﺴﺠ ٍﺪ ﺣﺮﻭﻓﻬﺎ‬ ‫ﻭﻧﻘﻂ ﺍﳊﺮﻭﻑ ﰲ ﲨﺎﳍﺎ‪ ..‬ﻛﺄ‪‬ﺎ ﺃﻗﻤﺎ ‪‬ﺭ‬ ‫ﳛﺒﻪ ﰲ ﻏﺮﺑﺔ ﺍﻷﻭﻃﺎﻥ ﰲ ﺿﻴﺎﻋﻬﺎ ﺍﻟﺜﻮﺍ ‪‬ﺭ‬ ‫ﻳﺴﺘﺨﺮﺟﻮﻥ ﺳﻴﻔ ‪‬ﻪ ﻣﻦ ﻏﻤﺪ ِﻩ‬ ‫ﻒ ﰲ ﺍﺭﲡﺎﻓ ِﻪ‬ ‫ﻟﻴﻨﺼﺮﻭﺍ ﺍﻟﻀﻌﻴ ‪‬‬ ‫ﻭﻳﻘﻄﻌﻮﺍ ﺍﻷﺳﻼﻙ ﰲ ﺩﻭﺍﺋﺮ ﺍﳊﺼﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﺻﺒﻴﺔ ﺗﺬﻫﺐ ﰲ ﺻﻮﳛﺒﺎ‪‬ﺎ‬ ‫ﻟﺘﻤﻸ ﺍﳉﺮﺍ ‪‬ﺭ‬ ‫ﺗﻘﻮﻝ ﰲ ﺣﻴﺎﺋﻬﺎ‬ ‫"ﺃﻧ ﹶﻘﺬﻧﺎ ﻣﻦ ﻭﺃﺩﻧﺎ"‪ ..‬ﻭﲤﺴﺢ ﺍﻟﺪﻣﻮﻉ ﺑﺎﳋﻤﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﻧﻔﺲ‪ ‬ﻫﻨﺎ ﻣﻨﻔﻮﺳﺔﹲ‬ ‫ﲢﻔﺮ ﰲ ﺯﻧﺰﺍﻧ ٍﺔ ﲝﺮﻗﺔ ﺍﻷﻇﻔﺎ ‪‬ﺭ‪:‬‬ ‫‪178‬‬

‫ﺕ ﺑﺎﻟﺴﺠﻮﻥ ﻟﻸﺣﺮﺍ ‪‬ﺭ‪"..‬‬ ‫"ﳏﻤﺪ‪ ‬ﱂ ﻳﺄ ِ‬ ‫ﺗﻨﻜﺴﺮ ﺍﻷﻇﻔﺎﺭ ﰲ ﻧﻘﻮﺷﻬﺎ‪ ..‬ﻭﳜﺠﻞ ﺍﳉﺪﺍ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﻗﺒﺎﺋﻞﹲ ﻛﺎﻧﺖ ﻫﻨﺎ ﻇﻼﳍﺎ ﺗﺪﻭﺭ ﺣﻮﻝ ﺍﻟﻨﺎ ‪‬ﺭ‬ ‫ﺗﺮﻗﺺ ﰲ ﻃﺒﻮﳍﺎ ﻭﺑﻴﻨﻬﺎ ﻛﺆﻭﺳﻬﺎ ﺑﺮﻏﻮﺓ ﺗﺪﺍ ‪‬ﺭ‬ ‫ﻗﻼﺋﺪ ﺍﻟﻌﻈﺎﻡ ﰲ ﺭﻗﺎ‪‬ﺎ‬ ‫ﻱ ﰲ ﲞﻮﺭ ِﻩ‬ ‫ﻭﺍﳌﻌﺒﺪ ﺍﻟﺼﺨﺮ ّ‪‬‬ ‫ﳘﻬﻤﺔ ﺍﻷﺣﺒﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﻷﻧ ‪‬ﻪ ﺃﺧﺮﺟﻬﺎ ﻣﻦ ﻟﻴﻠﻬﺎ‬ ‫ﻟﺮﻭﻋﺔ ﺍﻟﻨﻬﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﺍﻟﺼﺤﺮﺍﺀ ﰲ ﺭﻣﺎﳍﺎ‬ ‫ﺏ ﰲ ﺳﺒﺎﺳﺐ ﺍﻟﻘﻔﺎﺭ‪‬؟‬ ‫ﻣﺎ ﻛﺎﻧﺖ ﺍﻟﺼﺤﺮﺍ ُﺀ ﰲ ﻣﻀﺎﺭﺏ ﺍﻷﻋﺮﺍ ِ‬ ‫ﻣﺎ ﻛﺎﻧﺖ ﺍﻟﺼﺤﺮﺍﺀ ﰲ ﺃﻭﳍﺎ؟‬ ‫ﺕ ﻭﻫﻮﻯ‪ ..‬ﻭﺍﻟﻐﺪ ِﺭ ﺑﺎﳉﻮﺍﺭ‪‬؟‬ ‫ﻫﻞ ﻏﲑ ﻻ ٍ‬ ‫ﻒ ﺟﺎﺋ ٍﺮ ﻭﻏﺎﺭ ٍﺓ ﻭﺛﺎﺭ‪‬؟‬ ‫ﻫﻞ ﻏﲑ ﺳﻴ ٍ‬ ‫ﺏ ﰲ ﻧﺒﻀﺎ‪‬ﺎ‬ ‫ﲢﺒﻪ ﺍﻟﻘﻠﻮ ‪‬‬ ‫ﻣﺎ ﻛﺎﻧﺖ ﺍﻟﻘﻠﻮﺏ ﰲ ﺃﻫﻮﺍﺋﻬﺎ ﻣﻦ ﻗﺒﻠﻪِ؟‬ ‫ﻟﻴﻠﻰ ﻭﻫﻨﺪﺍ ﻭﺍﻟﱵ )‬

‫( ﻣﻬﺘﻮﻛﺔ ﺍﻷﺳﺘﺎ ‪‬ﺭ‬

‫ﻭﻗﺮﺑﺔ ﺍﳋﻤﻮﺭ ﰲ ﲤﺎﻳ ِﻞ ﺍﳋﻤ‪‬ﺎﺭ‪‬؟!‬ ‫ﺏ‬ ‫ﲢﺒﻪ ﺍﻟﺰﻫﻮﺭ ﻭﺍﻟﻨﺠﻮﻡ ﻭﺍﻷﻓﻌﺎﻝ ﻭﺍﻷﲰﺎﺀ ﻭﺍﻹﻋﺮﺍ ‪‬‬ ‫ﻭﺍﻟﺴﻄﻮﺭ ﻭﺍﻷﻗﻼﻡ ﻭﺍﻷﻓﻜﺎ ‪‬ﺭ‬ ‫‪179‬‬

‫ﻱ ﻭﺍﻟﻨﺴﺮﻳﻦ ﻭﺍﻟﻨﻮﺍ ‪‬ﺭ‬ ‫ﳛﺒﻪ ﺍﳉﻮﺭ ‪‬‬ ‫ﳛﺒﻪ ﺍﻟﻨﺨﻴﻞ ﻭﺍﻟﺼﻔﺼﺎﻑ ﻭﺍﻟﻌﺮﻋﺎ ‪‬ﺭ‬ ‫ﳛﺒ ‪‬ﻪ ﺍﳍﻮﺍﺀ ﻭﺍﳋﺮﻳﻒ ﻭﺍﻟﺮﻣﺎﺩ ﻭﺍﻟﺘﺮﺍﺏ ﻭﺍﻟﻐﺒﺎ ‪‬ﺭ‬ ‫ﲢﺒﻪ ﺍﻟﺒﻬﺎﺋﻢ ﺍﻟﻌﺠﻤﺎﺀ ﰲ ﺭﲪﺘ ِﻪ‬ ‫ﳛﺒﻪ ﺍﻟﻜﻔﺎ ‪‬ﺭ‬ ‫ﻟﻜﻨﻬﻢ ﻳﻜﺎﺑﺮﻭﻥ ﺣﺒ ‪‬ﻪ‬ ‫ﻭﻳﺪﻓﻨﻮﻥ ﺍﳊﺐ ﰲ ﺟﻮﺍﻧﺢ ﺍﻷﺳﺮﺍ ‪‬ﺭ‬ ‫ﲢﺒ ‪‬ﻪ‪ /‬ﳛﺒﻪ‪ /‬ﳓﺒﻪ‬ ‫ﻷﻧﻨﺎ ﻧﺴﺘﻨﺸﻖ ﺍﳍﻮﺍﺀ ﻣﻦ ﺃﻧﻔﺎﺳ ِﻪ‬ ‫ﻭﺩﻭﺭﺓ ﺍﻟﺪﻣﺎﺀ ﰲ ﻋﺮﻭﻗﻨﺎ‬ ‫ﻣﻦ ﻗﻠﺒﻪ ﺍﻟﻜﺒﲑ ﰲ ﻋﺮﻭﻗﻨﺎ ﺗ‪‬ﺪﺍ ‪‬ﺭ‬ ‫ﳓﺒ ‪‬ﻪ‬ ‫ﻷﻧﻪ ﺍﳍﻮﺍﺀ ﻭﺍﻷﻧﻔﺎﺱ ﻭﺍﻟﻨﺒﻀﺎﺕ ﻭﺍﻟﻌﻴﻮﻥ ﻭﺍﻷﺭﻭﺍﺡ ﻭﺍﻷﻋﻤﺎ ‪‬ﺭ‬ ‫ﳓﺒﻪ ﻷﻧﻪ ﲜﻤﻠﺔ ﺑﺴﻴﻄﺔ‪:‬‬ ‫ﻣﻦ ﺃﺭﻭﻉ ﺍﻷﻗﺪﺍﺭ ﰲ ﺣﻴﺎﺗﻨﺎ‬ ‫ﻣﻦ ﺃﺭﻭﻉ ﺍﻷﻗﺪﺍ ‪‬ﺭ‬ ‫ﻭﳓﻦ ﰲ ﺇﺳﻼﻣﻨﺎ ﻋﻘﻴﺪﺓ‬ ‫ﻧﺴﻠﹼﻢ ﺍﻟﻘﻠﻮﺏ ﻟﻸﻗﺪﺍ ‪‬ﺭ‬

‫‪180‬‬

181

‫ﺍﻟﺸﻮﻕ ﳛﻔﺰﱐ‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺿﻴﺎﺀ ﺍﻟﺪﻳﻦ ﺍﻟﺼﺎﺑﻮﱐ‬ ‫ﻭﻟﺪ ﺍﻟﺸﻴﺦ ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺿﻴﺎﺀ ﺍﻟﺪﻳﻦ‬

‫ﺍﻟﺼﺎﺑﻮﱐ ﰲ ﺳﻮﺭﻳﺔ ﻋﺎﻡ ‪ 1926‬ﰲ‬ ‫ﺣﻠﺐ‪ ،‬ﻭﺃ‪‬ﻰ ﺩﺭﺍﺳﺘﻪ ﺍﻟﺜﺎﻧﻮﻳﺔ ‪،1947‬‬ ‫ﻭﺣﺼﻞ ﻋﻠﻰ ﺍﻟﻠﻴﺴﺎﻧﺲ ﰲ ﺍﻷﺩﺏ ﺍﻟﻌﺮﰊ‬

‫ﻣﻦ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ‪ -‬ﺍﳉﺎﻣﻌﺔ ﺍﻟﺴﻮﺭﻳﺔ‬ ‫‪ 1952‬ﻭﺩﺑﻠﻮﻡ ﺍﻟﺘﺮﺑﻴﺔ ﻭﺷﻬﺎﺩﺓ ﺃﺻﻮﻝ‬ ‫ﺍﻟﺘﺪﺭﻳﺲ ‪.1953‬‬ ‫ﻋﻤﻞ ﻣﺪﺭ ‪‬ﺳﺎ ﰲ ﺛﺎﻧﻮﻳﺎﺕ ﺣﻠﺐ‬ ‫ﻭﻣﻌﺎﻫﺪﻫﺎ ﺍﻟﺸﺮﻋﻴﺔ‪ ،‬ﻭﻣﻮﺟﻬ‪‬ﺎ ﺗﺮﺑﻮ‪‬ﻳﺎ ﰲ ﺍﳉﺎﻣﻌﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺑﺎﳌﺪﻳﻨﺔ‪ ،‬ﻭﻫﻮ ﺍﻵﻥ ﻣﺪﺭﺱ ﰲ‬ ‫ﺍﳌﻌﻬﺪ ﺍﻟﻌﺎﱄ ﻹﻋﺪﺍﺩ ﺍﻷﺋﻤﺔ ﻭﺍﻟﺪﻋﺎﺓ ﲟﻜﺔ ﺍﳌﻜﺮﻣﺔ‪.‬‬ ‫ﻭﻫﻢ ﻋﻀﻮ ﰲ ﻧﺎﺩﻱ ﺍﳌﺪﻳﻨﺔ ﺍﳌﻨﻮﺭﺓ ﺍﻷﺩﰊ‪ ،‬ﻭﻧﺎﺩﻱ ﻣﻜﺔ ﺍﻟﺜﻘﺎﰲ ﺍﻷﺩﰊ‪ ،‬ﻭﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ‬ ‫ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺎﳌﻴﺔ‪ .‬ﻭﻧﺸﺮ ﺷﻌﺮﻩ ﰲ ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﺕ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﺷﺎﺭﻙ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫ﺍﳌﺆﲤﺮﺍﺕ ﻭﺍﻷﻣﺴﻴﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ‪.‬‬ ‫ﻣﻦ ﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ :‬ﻣﻦ ﻧﻔﺤﺎﺕ ﺍﳊﺮﻡ‪ /‬ﻣﻦ ﻧﻔﺤﺎﺕ ﻃﻴﺒﺔ‪ /‬ﲢﻴﺔ ﺭﻣﻀﺎﻥ‪ /‬ﻧﻔﺤﺎﺕ‬ ‫ﺍﻟﻘﺮﺁﻥ‪ /‬ﺭﺑﺎﻋﻴﺎﺕ ﻣﻦ ﻃﻴﺒﺔ‪ /‬ﰲ ﺭﺣﺎﺏ ﺭﻣﻀﺎﻥ‪ /‬ﻧﺸﻴﺪ ﺍﻹﳝﺎﻥ‪ .‬ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﺍﳌﻮﺟﺰ ﰲ‬ ‫ﺍﻟﺒﻼﻏﺔ ﻭﺍﻟﻌﺮﻭﺽ‪ ،‬ﻭﺷﺨﺼﻴﺔ ﺍﻟﺼﺪﻳﻖ ﻛﻤﺎ ﻳﺼﻮﺭﻩ ﺍﺑﻦ ﺍﳌﻘﻔﻊ‪.‬‬ ‫ﺣﺼﻞ ﻋﻠﻰ ﺟﻮﺍﺋﺰ ﻣﻦ ﺑﻨﺠﻼﺩﻳﺶ‪ ،‬ﻭﺍﳍﻨﺪ‪ ،‬ﻭﻧﺎﺩﻱ ﺃ‪‬ﺎ ﺍﻟﺜﻘﺎﰲ‪ ،‬ﻭﻧﺎﺩﻱ ﻣﻜﺔ‪ ،‬ﻭﻧﺎﺩﻱ ﺍﳌﺪﻳﻨﺔ‬ ‫ﺍﳌﻨﻮﺭﺓ‪.‬‬ ‫‪182‬‬

‫ﺍﻟﺸﻮﻕ ﳛﻔﺰﱐ ﻳﺜﲑ ﻋﻮﺍﻃﻔﻲ‬

‫ﻭﺍﳊﺐ ﻳﺴﻤﻮ ﰊ ﲰﻮ ﺍﻟﻔﺮﻗﺪ‬

‫ﺃﻧﺎ ﻭﺍﻟﺒﻌﺎﺩ ﻋﻠﻰ ﺧﺼﺎﻡ ﺩﺍﺋﻢ‬

‫ﻭﻣﻊ ﺍﻟﻠﻘﺎﺀ ﻋﻠﻰ ﻛﺮﱘ ﺍﳌﻮﻋﺪ‬

‫ﺃﺟﺪ ﺍﻟﺴﻌﺎﺩﺓ ﻭﺍﻟﻨﻌﻴﻢ ﺑﺮﻭﺿﻪ‬

‫ﻳﺎ ﻟﻴﺘﲏ ﺃﺣﻈﻰ ﺑﻘﺮﺏ ﺍﳌﺴﺠﺪ‬

‫ﺇﻥ ﻃﺎﻝ ﻫﺬﺍ ﺍﻟﺒﻌﺪ ﻓﻬﻮ ﳏﺮﻙ‬

‫ﻟﻠﺸﻮﻕ‪ ..‬ﻋﻦ ﺃﻋﺘﺎﺑﻪ ﻻ ﺗﺒﻌﺪ‬

‫ﺻﻔﺖ ﺍﻟﻠﻴﺎﱄ ﺑﻌﺪ ﻃﻮﻝ ﲡﻬﻢ‬

‫ﻳﺎ ﻧﻔﺲ ﻃﻴﱯ ﺑﺎﻟﻠﻘﺎﺀ ﻭﻏﺮﺩﻱ‬

‫ﻫﺎ ﺃﻧﺖ ﰲ ﺭﻭﺽ ﺍﳊﺒﻴﺐ ﺗﺄﺩﰊ‬

‫ﻭﻗﻔﻲ ﺧﺸﻮ ‪‬ﻋﺎ ﻋﻨﺪ ﺭﺅﻳﺔ ﺃﲪﺪ‬

‫ﰲ ﺭﻭﺿﺔ ﺍﳌﺨﺘﺎﺭ ﺃﻛﺮﻡ ﻣﺮﺳﻞ‬

‫ﺗﺼﻔﻮ ﺍﻟﻨﻔﻮﺱ ﻓﻠﻴﺲ ﺃﻱ ﻣﻨﻜﺪ‬

‫ﺗﺴﻤﻮ ‪‬ﺎ ﺃﺭﻭﺣﻨﺎ ﻭﻗﻠﻮﺑﻨﺎ‬

‫ﻭﺗﺮﻭﺡ ﰲ ﺩﻧﻴﺎ ﺍﳉﻤﺎﻝ ﻭﺗﻐﺘﺪﻱ‬

‫ﺍﳉﺬﻉ ﺣﻦ‪ ،‬ﻓﺄﻱ ﻗﻠﺐ ﱂ ﻳﺬﺏ‬

‫ﺷﻮ ﹰﻗﺎ ﺇﱃ ﺫﺍﻙ ﺍﳉﻤﺎﻝ ﺍﻷﲪﺪﻱ؟‬

‫ﻼ‬ ‫ﻭﻳﻬﻴﻢ ﰲ ﺃﻋﺘﺎﺑﻪ ﻣﺘﺬﻟ ﹰ‬

‫ﳉﻨﺎﺑﻪ‪ ..‬ﰲ ﺣﺮﻗﺔ ﻭﺗﻨﻬﺪ‬

‫ﻭﻣﻦ ﺍﳊﺠﺎﺭﺓ ﻣﺎ ﻳﺬﻭﺏ ﺻﺒﺎﺑﺔ‬

‫ﻭﻣﻦ ﺍﳊﺠﺎﺭﺓ ﻣﺎ ﳛ ‪‬ﻦ ﻷﲪﺪ‬

‫ﺍﷲ ﺃﻛﺮﻣﻨﺎ ﲝﺐ ﺍﳌﺼﻄﻔﻰ‬

‫ﻓﺎ‪‬ﺞ ﺷﺮﻳﻌﺔ ﺃﲪﺪ‪ ..‬ﻭﺗﺰﻭﺩ‬

‫)ﺇﻥ ﺍﻟﺬﻳﻦ ﻳﺒﺎﻳﻌﻮﻧﻚ ﺇﳕﺎ(‬

‫ﻗﺪ ﺑﺎﻳﻌﻮﺍ ﺍﻟﺮﲪﻦ ﺩﻭﻥ ﺗﺮﺩﺩ‬

‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻚ ﻳﺎ ﻋﻠﻢ ﺍﳍﺪﻯ‬

‫ﻳﺎ ﺧﲑ ﻣﺒﻌﻮﺙ ﻭﺃﻛﺮﻡ ﻣﻨﺠﺪ‬

‫ﻭﰲ ﻗﺼﻴﺪﺓ ﺃﺧﺮﻯ ﻟﻪ )ﻣﻦ ﻭﺣﻲ ﺍﻹﺳﺮﺍﺀ ﻭﺍﳌﻌﺮﺍﺝ( ﻳﻘﻮﻝ‪:‬‬

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‫ﺖ ﻣﺪﺍ ِﻣﻌ‪‬ﻪ‪‬‬ ‫ﻕ ﻓﺎﻧﺴﺎﺑ ‪‬‬ ‫ﺟﺮﻯ ﺑﻪ ﺍﻟﺸﻮ ‪‬‬

‫ﻭﻫﺎﺟﻪ ﺍﻟﻮﺟ ‪‬ﺪ ﻓﺎﻫﺘﺰ‪‬ﺕ ﺃﺿﺎﻟﻌﻪ‬

‫ﻗﺪ ﻋﺰﻩ ﺍﻟﺼﱪ ﻭﺍﻟﺴﻠﻮﺍﻥ ﻟﻮ‪‬ﻋﻪ‬

‫ﻭﺃﺭﻕ ﺍﻟﺴﻬﺪ ﻓﺎﻧﻘﻀﺖ ﻣﻀﺎﺟﻌﻪ‬

‫ﻣﺘﻴﻢ ﻟﺬﹼﻉ ﺍﳍﺠﺮﺍﻥ ﻣﻬﺠﺘﻪ‬

‫ﻭﻣ‪‬ﺪﻧﻒ ﻣﻦ ﺟﻼﻝ ﺍﻟﻨﻮﺭ ﻣﺼﺮﻋﻪ‬

‫ﻳﺒﻴﺖ ﻳﺮﻋﻰ ﳒﻮﻡ ﺍﻟﻠﻴﻞ ﰲ ‪‬ﺣﺮ‪‬ﻕ‬

‫ﷲ ﻣﻦ ﻓﻜﺮﺓ ﺑﺎﺗﺖ ﺗﻠﺬﹼﻋﻪ‬

‫ﻳﻈﻞ ﰲ ﺍﻟﻐﺎﺭ ﻳﺪﻋﻮ ﺭﺑﻪ ﺃﻣﻠﹰﺎ‬

‫ﻭﻟﻴﺲ ﺇﻻﻩ ﰲ ﺍﻟﻈﻠﻤﺎﺀ ﻳﺴﻤﻌﻪ‬

‫ﳌﺎ ﲤﺎﺩﺕ )ﻗﺮﻳﺶ( ﰲ ﻏﹶﻮﺍﻳﺘﻬﺎ‬

‫ﻭﻃﻐﻤﺔ ﺍﳉﻬﻞ ﻗﺪ ﺭﺍﺣﺖ ﺗﺮﻭﻋﻪ‬

‫ﺟﻬﺎﻟﺔ ﺍﻟﺒﻐﻲ ﻃﺎﻓﺖ ﰲ ﺭﺑﻮﻋ ِﻬﻢ‪‬‬

‫ﻭﺍﻟﺒﻐﻲ ﻳﺮﺗﻊ ﻗﺪ ﻃﺎﺑﺖ ﻣﺮﺍﺗﻌﻪ‬

‫ﲑﺍ ﰲ ﺟﻬﺎﻟﺘﻬﺎ‬ ‫ﺿﻠﺖ ﺿﻼﻟﹰﺎ ﻛﺒ ‪‬‬

‫ﺏ ﺍﻟﺒﻐﻲ ﺗﻜﺮﻋﻪ‬ ‫ﻭﻣﺎ ﺍﺭﻋﻮﺕ‪ ،‬ﻭﺷﺮﺍ ‪‬‬

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‫ﻓﺬﺍﻙ ﻳﻌﺒﺪ ﺻﺨ ‪‬ﺮﺍ ﰒ ﳛﻄﻤﻪ‬

‫ﻭﺫﺍ ﻳﺆﻟﻪ ﲤ ‪‬ﺮﺍ‪ ..‬ﹼﰒ ﻳﺒﻠﻌﻪ‬

‫ﻭﺫﺍ ﻳﺪﺱ ﻓﺘﺎﺓ ﰲ ﺍﻟﺘﺮﺍﺏ ﻭﻻ‬

‫ﻳﺜﻨﻴﻪ ﻋﻦ ﻋﺰﻣﻪ ﺧ‪‬ﻠﻖ ﻭﳝﻨﻌﻪ‬

‫ﱂ ﳜﺶ ﺿ ‪‬ﺮﺍ ﻭﻋﲔ ﺍﷲ ﲢﺮﺳﻪ‬

‫ﻣﻦ ﻳﺘﻖ ﺍﷲ ﺣ ‪‬ﻘﺎ ﻻ ﻳﻀﻴﻌﻪ‬

‫ﺇﻥ ﱂ ﺗﻜﻦ ﻏﺎﺿ‪‬ﺒﺎ ﻋﲏ ﻓﻼ ﺃﺣﺪ‬

‫ﺃﻋ ‪‬ﺰ ﻣﲏ‪ ،‬ﺇﻟﻴﻚ ﺍﻷﻣﺮ ﻣﺮﺟﻌﻪ‬

‫ﲢﺴ‪‬ﺮ ﺍﻟﻠﻴﻞ ﻋﻦ ﻓﺠﺮ ﺃﺿﺎﺀ ﻟﻪ‬

‫ﺷِﻌﺎﺏ‪ ‬ﻣﻜﺔ ﳓﻮ ﺍﻟﻘﺪﺱ ﻣﱰﻋﻪ‬

‫ﺳﺮﻯ ﺇﱃ ﺣﺒﻪ ﺍﻷﻋﻠﻰ ﻋﻠﻰ ﺷﻐﻒ‬

‫ﻭﺍﻟﺸﻮﻕ ﻳﻠﻬﺒﻪ‪ ..‬ﻭﺍﳊﺐ ﻳﺪﻓﻌﻪ‬

‫ﺣﱴ ﺃﺗﺎﻩ‪ ..‬ﻭﺃﻡ ﺍﻷﻧﺒﻴﺎﺀ ﺑﻪ‬

‫ﻭﻛﻠﻬﻢ ﺑﺮﺳﻮﻝ ﺍﷲ ﻣﻄﻤﻌﻪ‬

‫ﰒ ﺍﺭﺗﻘﻰ ﻟﻠﺴﻤﻮﺍﺕ ﺍﻟﻌﻼ ﺻﻌ ‪‬ﺪﺍ‬

‫ﺑﺎﻟﺮﻭﺡ ﻭﺍﳉﺴﻢ ﻭﺍﻷﺷﻮﺍﻕ ﺗﻠﺬﻋﻪ‬

‫ﰲ ﺳِﺪﺭﺓ ﺍﳌﻨﺘﻬﻰ ﺗﻐﺸﺎﻩ ﻋﺎﻃﻔﺔ‬

‫ﻟﻮﻻ ﺍﳉﻤﺎﻝ ﻟﻘﺪ ﻛﺎﺩﺕ ﺗﺮﻭﻋﻪ‬

‫ﻟﻘﺪ ﺭﺃﻯ ﺭﺑﻪ ﻓﺎﻫﺘﺰ ﻣﻦ ﻃﺮﺏ ﺍﻝ‬

‫ﻟﻘﻴﺎ ﻭﻗﺪ ﻃﻔﺮﺕ ﰲ ﺍﻟﻌﲔ ﺃﺩﻣﻌﻪ‬

‫ﺭﺃﻯ ﺑﻌﻴﻨﻴﻪ ﻣﻦ ﺁﻳﺎﺕ ﺑﺎﺭﺋﻪ‬

‫ﻣﺎ ﱂ ﻳﺰﻍ ﺑﺼﺮ ﺍﳍﺎﺩﻱ ﻭﻣﺴﻤﻌﻪ‬

‫ﻭﻓﺘﺤﺖ ﻟﻚ ﺃﺑﻮﺍﺏ ﺍﻟﺴﻤﺎﺀ ﻭﻗﺪ‬

‫ﻋﺮﻓﺖ ﻛﻞ ﻧﱯ ﺃﻳﻦ ﻣﻮﺿﻌﻪ‬

‫ﻫﻮ ﺍﳊﺒﻴﺐ ﻭﻗﺪ ﺃﺳﺮﻯ ﺑﻪ ﺷﺮﻓﹰﺎ‬

‫ﻋﻠﻰ ﺑﺪﺍﺋﻊ ﺧﻠﻖ ﺭﺍﺡ ﻳﻄﻠﻌﻪ‬

‫ﺭﺑﺎﻙ ﺭﺑﻚ‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻋﻠﻲ ﺍﳌﻘﺮﻥ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺎﺿﻲ ﺍﻟﺪﻛﺘﻮﺭ ﳏﻤﺪ ﻋﻠﻲ ﺍﳌﻘﺮﻥ‪ ،‬ﺩﻛﺘﻮﺭﺍﻩ‬

‫ﻣﻦ ﺍﳌﻌﻬﺪ ﺍﻟﻌﺎﱄ ﻟﻠﻘﻀﺎﺀ ﲜﺎﻣﻌﺔ ﺍﻹﻣﺎﻡ ﺑﺎﻟﺮﻳﺎﺽ ﻋﺎﻡ‬ ‫‪ ،1427‬ﻋﻀﻮ ﺍﻟﺴﻠﻚ ﺍﻟﻘﻀﺎﺋﻲ ﰲ ﺍﳌﻤﻠﻜﺔ ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﺍﻟﺴﻌﻮﺩﻳﺔ‪ ،‬ﻭﻣﺴﺘﺸﺎﺭ ﺭﺋﻴﺲ ﺍ‪‬ﻠﺲ ﺍﻷﻋﻠﻰ ﻟﻠﻘﻀﺎﺀ‪،‬‬

‫ﻭﻣﺘﻌﺎﻭﻥ ﰲ ﺍﻟﺘﺪﺭﻳﺲ ﺍﳉﺎﻣﻌﻲ‪ .‬ﺣﺼﻞ ﻋﻠﻰ ﺩﻭﺭﺍﺕ‬ ‫ﻣﺘﻌﺪﺩﺓ ﰲ ﺍﻟﻔﻘﻪ ﻭﺍﻟﻘﻀﺎﺀ ﻭﺍﻷﻧﻈﻤﺔ‪ ،‬ﻭﻳﻜﺘﺐ ﺑﺸﻜﻞ ﻏﲑ‬ ‫ﻣﻨﺘﻈﻢ ﰲ ﺑﻌﺾ ﺍﻟﺼﺤﻒ‪.‬‬ ‫ﻟﻪ ﺩﻳﻮﺍﻥ )ﻣﻠﻴﻜﺔ ﺍﻟﻄﻬﺮ( ﻭﺩﻳﻮﺍﻥ )ﺃﻧﺸﻮﺩﺓ ﺍﳋﺮﻳﻒ(‪ ،‬ﻭﺗﺪﺭﺱ ﺑﻌﺾ ﻗﺼﺎﺋﺪﻩ ﰲ ﻣﻨﺎﻫﺞ‬

‫ﺍﻟﺘﻌﻠﻴﻢ ﻣﺜﻞ )ﻳﺎ ﻋﺬﺑﺔ ﺍﻟﺮﻭﺡ( ﻭ)ﺟﻨﺔ ﺍﻟﺪﻧﻴﺎ( ﰲ ﻣﻨﻬﺞ ﺍﻟﺼﻒ ﺍﻟﺜﺎﻟﺚ ﺍﳌﺘﻮﺳﻂ )ﺑﻨﲔ ﻭﺑﻨﺎﺕ(‬ ‫ﻣﺜﻞ ﺍﳌﻤﻠﻜﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﺴﻌﻮﺩﻳﺔ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﻟﻠﻘﺎﺀﺍﺕ ﻭﺍﻷﺳﺎﺑﻴﻊ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﳌﺴﺎﺑﻘﺎﺕ‪.‬‬ ‫ﻒ ﺍﳍﺪﻯ ﻭﲪﺎﻛﺎ‬ ‫ﻚ ﺟ ﱠﻞ ﻣﻦ ﺭﺑ‪‬ﺎﻛﺎ ** ﻭﺭﻋﺎ ‪‬ﻙ ﰲ ﻛﻨ ِ‬ ‫ﺭﺑ‪‬ﺎ ‪‬ﻙ ﺭ‪‬ﺑ ‪‬‬ ‫ﺾ ﻓﻀﺎﺋ ٍﻞ ** ﱂ ‪‬ﻳﻌ‪‬ﻄﻬﺎ ﰲ ﺍﻟﻌﺎﳌﲔ ﺳﻮﺍﻛﺎ‬ ‫ﺳﺒﺤﺎﻧﻪ ﺃﻋﻄﺎﻙ ﻓﻴ ‪‬‬ ‫ﺳﻮ‪‬ﺍﻙ ﰲ ﺧﻠ ٍﻖ ﻋﻈﻴﻢ ﻭﺍﺭﺗﻘﻰ ** ﻓﻴﻚ ﺍﳉﻤﺎ ﹸﻝ ﻓﺠﻞ ﻣﻦ ﺳﻮﺍﻛﺎ‬ ‫ﺕ ﻫ‪‬ﺪﺍﻛﺎ‬ ‫ﺳﺒﺤﺎﻧﻪ ﺃﻋﻄﺎﻙ ﺧﻴ‪‬ﺮ ﺭﺳﺎﻟﺔ ** ﻟﻠﻌﺎﻟﻴﻤﻦ ‪‬ﺎ ﻧﺸ ‪‬ﺮ ‪‬‬ ‫ﻭﺣﺒﺎ ‪‬ﻙ ﰲ ﻳﻮﻡ ﺍﳊﺴﺎﺏ ﺷﻔﺎﻋﺔ ** ﳏﻤﻮﺩ ﹰﺓ ﻣﺎ ﻧﺎﳍﺎ ﺇﻻﹼﻛﺎ‬ ‫ﺖ ﺧﻄﺎﻩ ﺧ‪‬ﻄﺎﻛﺎ‬ ‫ﺍﷲ ﺃﺭﺳﻠﻜﻢ ﺇﻟﻴﻨﺎ ﺭﲪ ﹰﺔ ** ﻣﺎ ﺿ ﹼﻞ ﻣﻦ ‪‬ﺗﺒِﻌ ‪‬‬ ‫ﺡ ﺳﻨﺎﻛﺎ‬ ‫ﺲ ﺍﳍﺪﺍﻳ ِﺔ ﻳﻮ ‪‬ﻡ ﻻ ‪‬‬ ‫ﻛﻨ‪‬ﺎ ﺣﻴﺎﺭﻯ ﰲ ﺍﻟﻈﻼ ِﻡ ﻓﺄﺷ‪‬ﺮﻗﺖ ** ﴰ ‪‬‬ ‫ﻛﻨﺎ ﻭﺭﰊ ﻏﺎﺭﻗﲔ ﺑﻐﻴ‪‬ﻨﺎ ** ﺣﱴ ﺭﺑﻄﻨﺎ ‪‬ﺣ ‪‬ﺒﻠﹶﻨﺎ ﺑﻌ‪‬ﺮﺍﻛﺎ‬ ‫ﺐ ﻻ ﻧﻌﺮِﻑ ﺍﻹﺷﺮﺍﻛﺎ‬ ‫ﻟﻮﻻﻙ ﻛﻨﺎ ﺳﺎﺟﺪﻳﻦ ﻟﺼﺨﺮ ٍﺓ ** ﺃﻭ ﻛﻮﻛ ٍ‬ ‫‪185‬‬

‫ﻟﻮﻻﻙ ﱂ ﻧﻌﺒ ‪‬ﺪ ﺇﳍﹰﺎ ﻭﺍﺣﺪ‪‬ﺍ ** ﺣﱴ ﻫﺪﺍﻧﺎ ﺍﷲ ﻳﻮ ‪‬ﻡ ﻫﺪﺍﻛﺎ‬ ‫ﺖ ﺍﻟﺬﻱ ﺣ ّ‪‬ﻦ ﺍﳉﻤﺎ ‪‬ﺩ ﻟﻌﻄﻔ ِﻪ ** ﻭﺷﻜﺎ ﻟﻚ ﺍﳊﻴﻮﺍ ﹸﻥ ﻳﻮ ‪‬ﻡ ﺭﺁﻛﺎ‬ ‫ﺃﻧ ‪‬‬ ‫ﻉ ﻳ‪‬ﺴﻤ ‪‬ﻊ ﺑﺎﳊﻨﲔ ﺃﻧﻴﻨ ‪‬ﻪ ** ﻭﺑﻜﺎﺅ‪‬ﻩ ﺷﻮﻗﹰﺎ ﺇﱃ ﻟﹸﻘﻴﺎﻛﺎ‬ ‫ﻭﺍﳉﺬ ‪‬‬ ‫ﻣﺎﺫﺍ ﻳﺰﻳﺪ ‪‬ﻙ ﻣﺪﺣ‪‬ﻨﺎ ﻭﺛﻨﺎﺅ‪‬ﻧﺎ ** ﻭﺍﷲ ﰲ ﺍﻟﻘﺮﺁﻥ ﻗﺪ ﺯﻛﹼﺎﻛﺎ‬ ‫ﺏ ﻋﻨﻚ ﻭﺭﺑ‪‬ﻨﺎ ** ﺳﺒﺤﺎﻧﻪ ﺑﻌﻴﻮﻧﻪ ﻳﺮﻋﺎﻛﺎ؟‬ ‫ﻣﺎﺫﺍ ﻳﻔﻴﺪ ﺍﻟ ﹼﺬ ‪‬‬ ‫ﻒ ﺍﻟﱵ ** ﺭﻣﺖ ﺍﻟﻄﻐﺎ ﹸﺓ ﻓﺒﻮﺭﻛﺖ ﻛﻔﹼﺎﻛﺎ‬ ‫ﺑﺪﺭ‪ ‬ﲢﺪﺛﻨﺎ ﻋﻦ ﺍﻟﻜ ِّ‬ ‫ﻭﺍﻟﻐﺎ ‪‬ﺭ ﳜﱪ‪‬ﻧﺎ ﻋﻦ ﺍﻟﻌﲔ ﺍﻟﱵ ** ﺣﻔﻈﺘﻚ ﻳﻮﻡ ﻏﻔﺖ ﺑﻪ ﻋﻴﻨﺎﻛﺎ‬ ‫ﱂ ﺃﻛﺘﺐ ﺍﻷﺷﻌﺎ ‪‬ﺭ ﻓﻴﻚ ﻣﻬﺎﺑ ﹰﺔ ** ﺗﻐﻀﻲ ﺣﺮﻭﰲ ﺭﺃﺳ‪‬ﻬﺎ ﻟﻌﻼﻛﺎ‬ ‫ﻟﻜﻨﻬﺎ ﻧﺎﺭ‪ ‬ﻋﻠﻰ ﺃﻋﺪﺍﺋﻜﻢ ** ﻋﺎﺩﻯ ﺇﻟ ‪‬ﻪ ﺍﻟﻌﺮﺵ ﻣ‪‬ﻦ ﻋﺎﺩﺍﻛﺎ‬ ‫ﺲ ﲪﺎﻛﺎ‬ ‫ﺡ ﻭﻻ ﻳ‪‬ﻤ ‪‬‬ ‫ﺺ ﺩﻭﻥ ﻋﺮﺿﻚ ﻣﻬﺠﱵ ** ﺭﻭﺡ‪ ‬ﺗﺮﻭ ‪‬‬ ‫ﺇﱐ ﻷﺭﺧ ‪‬‬ ‫ﻕ ﺩﻣﺎ ُﺀ ﻣﻦ ﺁﺫﺍﻛﺎ‬ ‫ﺕ ** ﻭﺳﻂ ﺍﻟﻌﺮﻭ ِ‬ ‫ﺖ ﳝﲔ‪ ‬ﺻﻮ‪‬ﺭﺗﻚ ﻭ ‪‬ﺟ ِﻤّﺪ ‪‬‬ ‫‪‬ﺷ ﹼﻠ ‪‬‬ ‫ﻒ ﻭﻻﻛﺎ‬ ‫ﺽ ﺍﻟﺸﺮﻳ ِ‬ ‫ﺽ ﰲ ﺍﻟﻌِﺮ ِ‬ ‫ﻭﻳﻞﹲ ﻓﻮﻳﻞﹲ ﰒ ﻭﻳﻞﹲ ﻟﻠﺬﻱ ** ﻗﺪ ﺧﺎ ‪‬‬ ‫ﻳﺎ ﺇﺧﻮ ﹶﺓ ﺍﻹﺑﻘﺎ ِﺭ ﺭﻣﺰ ﺳﺒﺎﻗﻜﻢ ** ﻣ‪‬ﻦ ﰲ ﺍﻟﻘﻄﻴﻊ ﺳﻴﺼﺒﺢ ﺍﻷﻓﺎﻛﺎ‬ ‫ﻕ ﻫﻨﺎﻛﺎ‬ ‫ﻕ ﻣﺼﲑ‪‬ﻛﻢ ** ﻭﻫﻨﺎﻙ ﺟﺎﺋﺰ ﹸﺓ ﺍﻟﺴﺒﺎ ِ‬ ‫ﺍﻟﻨﺎ ‪‬ﺭ ﻳﺎ ﺃﻫﻞ ﺍﻟﺴﺒﺎ ِ‬ ‫ﺗﺘﺪﺍﻓﻌﻮﻥ ﻟﻘﻌﺮﻫﺎ ﺯﻣﺮ‪‬ﺍ‪ ..‬ﻭﻟﻦ ** ﲡﺪﻭﺍ ﻫﻨﺎﻙ ﻋﻦ ﺍﳉﺤﻴ ِﻢ ﻓﻜﺎﻛﺎ‬ ‫ﻫﺒﻮﺍ ﺑﲏ ﺍﻹﺳﻼﻡ ﻧﻜﺴﺮ ﺃﻧﻔﻬﻢ ** ﻭﻧﻜﻮﻥ ﻭﺳﻂ ﺣﻠﻮﻗﻬﻢ ﺃﺷﻮﺍﻛﺎ‬ ‫ﻟﻚ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﻧﺒﺾ ﻗﺼﺎﺋﺪﻱ ** ﻟﻮ ﻛﺎﻥ ﻗﻠﺐ‪ ‬ﻟﻠﻘﺼﻴﺪ ﻓﺪﺍﻛﺎ‬ ‫ﻫﻢ ﻟﻦ ﻳﻄﻮﻟﻮﺍ ﻣﻦ ﻣﻘﺎﻣﻚ ﺷﻌﺮ ﹰﺓ ** ﺣﱴ ﺗﻄﻮﻝ ﺍﻟﺬﺭﺓ ﺍﻷﻓﻼﻛﺎ‬ ‫ﻭﺍﷲ ﻟﻦ ﻳﺼﻠﻮﺍ ﺇﻟﻴﻚ ﻭﻻ ﺇﱃ ** ﺫﺭﺍﺕ ﺭﻣﻞ ﻣﻦ ﺗﺮﺍﺏ ﺧ‪‬ﻄﺎﻛﺎ‬ ‫ﻫﻢ ﻛﺎﳋﺸﺎﺵ ﻋﻠﻰ ﺍﻟﺜﺮﻯ ﻭﻣﻘﺎﻣﻜﻢ **ﻣﺜﻞ ﺍﻟﺴﻤﺎﺀ ﻓﻤﻦ ﻳﻄﻮﻝ ﲰﺎﻛﺎ‬ ‫ﺭﻭﺣﻲ ﻭﺃﺑﻨﺎﺋﻲ ﻭﺃﻫﻠﻲ ﻛﻠﻬﻢ **ﻭﲨﻴﻊ ﻣﺎ ﺣﻮﺕ ﺍﳊﻴﺎﺓ ﻓﺪﺍﻛﺎ‬

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‫ﺧﻴﻂ ﻣﻦ ﺑﺮﺩﺓ ﺍﻟﺮﺳﻮﻝ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻋﺮﻳﺞ‬

‫ﺭﻏﻢ ﻛﻮﻧﻪ ﺃﺳﺘﺎ ﹰﺫﺍ‬ ‫ﻟﻠﺮﻳﺎﺿﻴﺎﺕ‬

‫ﲟﺪﻳﻨﺔ‬

‫ﺯﺍﻛﻮﺭﺓ ﺍﳌﻐﺮﺑﻴﺔ ﺑﻌﺪ‬

‫ﺩﺭﺍﺳﺘﻪ ﺑﻜﻠﻴﺔ ﺍﻟﻌﻠﻮﻡ‬

‫ﲜﺎﻣﻌﺔ ﺍﳊﺴﻦ ﺍﻟﺜﺎﱐ‬ ‫ﺑﺎﻟﺪﺍﺭ ﺍﻟﺒﻴﻀﺎﺀ‪ ،‬ﺍﳌﺪﻳﻨﺔ‬ ‫ﺍﻟﱵ ﻳﻨﺤﺪﺭ ﻣﻨﻬﺎ‪ ،‬ﻓﺈﻥ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﻐﺮﰊ ﺍﳌﺒﺪﻉ ﳏﻤﺪ ﻋﺮﻳﺞ ﻗﺪ ﺑﺮﺯ ﺧﻼﻝ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﺜﻼﺙ ﺍﻷﺧﲑﺓ ﺑﺸﻜﻞ ﻻﻓﺖ‪،‬‬

‫ﻋﱪ ﻓﻮﺯﻩ ﺃﻛﺜﺮ ﻣﻦ ﻣﺮﺓ ﺑﺎﳉﻮﺍﺋﺰ ﺍﻷﻭﱃ ﰲ ﻣﺴﺎﺑﻘﱵ ﺍﻟﱪﺩﺓ‪ ،‬ﻭﺃﻣﲑ ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﻠﺘﲔ ﺗﻘﺎﻣﺎﻥ‬

‫ﺳﻨﻮ‪‬ﻳﺎ ﰲ ﺃﺑﻮ ﻇﱯ‪ ،‬ﻭﻛﺬﺍ ﰲ ﻣﺴﺎﺑﻘﺔ ﺟﺎﺋﺰﺓ ﺍﻟﺸﺎﺭﻗﺔ ﻟﻺﺑﺪﺍﻉ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﻏﲑﻫﺎ ﻣﻦ ﺍﳌﻨﺎﻓﺴﺎﺕ‬ ‫ﺍﻟﱵ ﺗﻀﻢ ﻛﺒﺎﺭ ﺍﳌﻮﻫﻮﺑﲔ ﰲ ﺍﻟﻌﺎﱂ ﺍﻟﻌﺮﰊ‪ ،‬ﻟﻴﺤﺠﺰ ﻟﻨﻔﺴﻪ ﻣﻜﺎﻧ‪‬ﺎ ﻭﺍﺳﻌ‪‬ﺎ ﻋﻠﻰ ﻗﻤﺔ ﻫﺮﻡ ﺍﻟﺸﻌﺮ‪،‬‬ ‫ﻭﻫﺬﻩ ﺇﺣﺪﻯ ﻗﺼﺎﺋﺪﻩ ﺍﻟﻔﺎﺋﺰﺓ‪:‬‬ ‫ﲔ ﺍﻟﺬِﻱ ﻣ‪‬ﺎ ِﻃ ﹾﻘﺖ‪ ‬ﺃﻛ‪‬ﺘ ‪‬ﻤ ‪‬ﻪ‬ ‫ﻕ ﺃ ‪‬ﻡ ‪‬ﺩﻣ‪‬ﻪ‪ *** ‬ﻫﺬﹶﺍ ﺍﳊﻨ ‪‬‬ ‫ﺏ ﻓِﻲ ﺍﻷ ‪‬ﻭﺭ‪‬ﺍ ِ‬ ‫ﺩ‪‬ﻣﻲ ﺍﻟﺬِﻱ ﺍ‪‬ﻧﺴ‪‬ﺎ ‪‬‬ ‫ﻕ ‪‬ﻧ ‪‬ﻨ ِﻈﻤ‪‬ﻪ‪‬‬ ‫ﺸ ‪‬ﻮ ‪‬‬ ‫ﺸ ‪‬ﻌ ‪‬ﺮ ﺇﻻ ﺍﻟ ‪‬‬ ‫ﻀﺖ‪ ‬ﺑ ِﻪ *** ِﺷ ‪‬ﻌﺮ‪‬ﺍ‪ ..‬ﻭﻣ‪‬ﺎ ﺍﻟ ‪‬‬ ‫ﺖ ﺑ ِﻪ ﺭ‪‬ﻭ ِﺣ ‪‬ﻲ ﺍﻟ ‪‬ﻮﳍﹶﻰ‪ ..‬ﹶﻓ ِﻔ ‪‬‬ ‫ﺿ ‪‬‬ ‫ﻓﺎ ‪‬‬ ‫ﺲ ‪‬ﻳ ‪‬ﻌ ﹶﻠﻤ‪‬ﻪ‪‬‬ ‫ﺖ ﻣ‪‬ﻌﻲ *** ‪‬ﺣﺘ‪‬ﻰ ﺃﻋ‪‬ﻠ ‪‬ﻤﻪ‪ ‬ﻣ‪‬ﺎ ﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺍﻟﻠ ‪‬ﻴ ﹸﻞ ﺗِﻠﻤِﻴﺬﹸ ‪‬ﺷﻮ‪‬ﻗﻲ ‪..‬ﻛ ‪‬ﻢ ﻳ‪‬ﺒﻴ ‪‬‬ ‫ﺴﺮ‪‬ﺍ ﹶﺓ ﻭ‪‬ﺃ ‪‬ﻫ ﹶﻞ ﺍﻟﺘ‪‬ﻴ ِﻪ ﺃ ﹸﳒ ‪‬ﻤ ‪‬ﻪ‬ ‫ﲑ ِﺓ ‪‬ﻣ ‪‬ﻦ *** ‪‬ﺗﻬ‪‬ﺪﻱ ﺍﻟ ‪‬‬ ‫ﺴ‪‬‬ ‫‪‬ﺣﺘ‪‬ﻰ ﺃﺿﻲ َﺀ ﻟ ‪‬ﻪ ﺍﻟﺪ‪‬ﻧﻴ‪‬ﺎ ِﺑ ِ‬ ‫‪‬ﻭ ‪‬ﻣ ‪‬ﻦ ﺗ‪ ‬ﻌ ﱢﻄﺮ‪ِ ‬ﺫ ﹾﻛﺮ‪‬ﺍ ‪‬ﻩ ﺍﻟﻨ‪‬ﺴﻴ ‪‬ﻢ ﺇﺫﹶﺍ *** ‪‬ﺳﺮ‪‬ﻯ‪ ..‬ﻭﻋ‪‬ﺎ‪‬ﻧ ‪‬ﻖ ‪‬ﺧ ‪‬ﺪ ﺍﻟ ‪‬ﻮ ‪‬ﺭ ِﺩ ‪‬ﻳ ﹾﻠﺜﹸﻤ‪‬ﻪ‪‬‬ ‫ﷲ ﻳ‪‬ﻠ ِﻬﻤ‪‬ﻪ‪‬‬ ‫ﺴﻪ‪ *** ‬ﻃﻮﺑ‪‬ﻰ ِﻟ ‪‬ﻤ ‪‬ﻦ ﻛﹶﺎ ﹶﻥ ‪‬ﻭ ‪‬ﺣﻲ‪ ‬ﺍ ِ‬ ‫ﺙ ﹸﻗﺮ‪‬ﺁﻧ‪‬ﺎ ﻓﹶﺂ‪‬ﻧ ‪‬‬ ‫ﺤ ‪‬ﺪ ﹶ‬ ‫‪‬ﻭ ‪‬ﻣ ‪‬ﻦ ‪‬ﺗ ‪‬‬ ‫ﺤ ‪‬ﻤ ِﻠ ِﻪ *** ‪‬ﻳﺮ‪‬ﻋﻰ ‪‬ﻭ ِﻣ ‪‬ﻦ ﹶﻓ ‪‬ﻮ ِﻗ ِﻪ ﺍﻟ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤﻦ‪ ‬ﻳ ‪‬ﺪ ‪‬ﻋﻤ‪‬ﻪ‪‬‬ ‫ﺽ ِﻃ ﹾﻔﻠﹰﺎ ﻓِﻲ ‪‬ﺗ ‪‬‬ ‫ﺸ ‪‬ﻬ ِﺪ ﺍﻷ ‪‬ﺭ ‪‬‬ ‫ﹾﱂ ‪‬ﺗ ‪‬‬ ‫ﻑ ‪‬ﻳ ‪‬ﻐ‪‬ﻨﻤ‪‬ﻪ‪‬‬ ‫ﺲ ﹶﻟﻪ‪ ‬ﻣ‪‬ﺎ ‪‬ﺳ ‪‬ﻮ ‪‬‬ ‫‪‬ﻳ ﹾﻔﻨِﻲ ﻷ ﹾﻏﻨ‪‬ﺎ ِﻣ ِﻪ ‪‬ﺟ ‪‬ﻬ ‪‬ﺪ ﺍﻟ ‪‬ﺮﻋ‪‬ﺎ ِﺓ ﻭ‪‬ﻻ *** ‪‬ﻳﺸ‪‬ﻜﻮ ﻭ‪‬ﻟ ‪‬ﻴ ‪‬‬ ‫‪187‬‬

‫ﺸ ‪‬ﺮ ﻛﹶﺎ ﹶﻥ ‪‬ﻳ ‪‬ﺪ ‪‬ﻫﻤ‪‬ﻪ‪‬‬ ‫‪‬ﻭﻛﹶﺎ ﹶﻥ ‪‬ﻳ ‪‬ﺪ ﹶﻓﻊ‪ ‬ﻋ ‪‬ﻨﻬ‪‬ﺎ ﻣ‪‬ﺎ ‪‬ﻳﺪ‪‬ﺍ ِﻫ ‪‬ﻤﻬ‪‬ﺎ *** ﻭ‪‬ﻻ ‪‬ﻳﺒ‪‬ﺎﱄ ِﺑ ‪‬‬ ‫ﺤﺘ‪‬ﻰ ﹸﺛﻐ‪‬ﺎ ُﺀ ﺍﻟﺸ‪‬ﺎ ِﺓ ‪‬ﻳ ﹾﻔ ‪‬ﻬﻤ‪‬ﻪ‪‬‬ ‫ﺤﻨ‪‬ﻮ‪ ..‬ﻭ‪‬ﻳ ‪‬ﻌ ﹶﻠﻢ‪ ‬ﺷ ﹾﻜﻮ‪‬ﻯ ﹸﻛ ﱢﻞ ﺛﹶﺎ ِﻏ‪‬ﻴ ٍﺔ *** ﹶﻟﻪ‪ ..‬ﹶﻓ ‪‬‬ ‫‪‬ﻳ ‪‬‬ ‫ﺼ ‪‬ﺒ ِﺮ ﻭﺍﻹ ﹾﻗﺪ‪‬ﺍ ِﻡ ‪‬ﺑ ‪‬ﺮ ‪‬ﻋ ‪‬ﻤ ‪‬ﻪ‬ ‫ﺡ ﺑﺎﻟ ‪‬‬ ‫ﺨ‪‬ﺒ ﹸﺊ ﰲ ﺃ ‪‬ﻋﻤ‪‬ﺎ ِﻗ ِﻪ ‪‬ﺭﺟ‪‬ﻼ *** ‪‬ﻳﻔﹸﻮ ‪‬‬ ‫ِﻃ ﹾﻔﻞﹲ ﻳ‪ ‬‬ ‫ﺻ ‪‬ﺪ ‪‬ﺭ ﺍﻟ ﹶﻜ ‪‬ﻮ ِﻥ ﻣ‪‬ﻘ ‪‬ﺪﻣ‪‬ﻪ‪‬‬ ‫ﺞ ‪‬‬ ‫ﺸﺮ‪‬ﺍ‪ ..‬ﻭ‪‬ﺃﺛ ﹶﻠ ‪‬‬ ‫ﺕ ‪‬ﻣﺮ‪‬ﺍﺑ ‪‬ﻌﻬ‪‬ﺎ *** ﺑ ‪‬‬ ‫ﻀ ‪‬ﺮ ‪‬‬ ‫ﺽ ﻓﹶﺎ ‪‬ﺧ ‪‬‬ ‫ﺃﺗ‪‬ﻰ ﺇﻟﹶﻰ ﺍﻷ ‪‬ﺭ ِ‬ ‫ﺐ ﺍﻟ ‪‬ﻮﺭ‪‬ﻯ‪ ..‬ﻭﺭ‪‬ﺑﻴﻊ‪ ‬ﺣ ﱠﻞ ‪‬ﻣ ‪‬ﻮﺳِﻤ ‪‬ﻪ‬ ‫ﻧ‪‬ﻮﺭ‪ ‬ﺳﺮ‪‬ﻯ ﻓِﻲ ﻇﻼ ٍﻡ ﻛﺎ ﹶﻥ ‪‬ﻣﻜﹾﺘِﻨﻔﹰﺎ *** ﻗﹶﻠ ‪‬‬ ‫ﺖ ‪‬ﻋ ‪‬ﻨﻪ‪ ‬ﺣ ‪‬ﺰﻧ‪‬ﺎ ﻛﹶﺎ ﹶﻥ ‪‬ﻳ ‪‬ﺆِﻟﻤ‪‬ﻪ‪‬‬ ‫ﺕ ‪‬ﻭ ‪‬ﺟ ‪‬ﻪ ﺍﻟ ‪‬ﺰﻣ‪‬ﺎ ِﻥ ِﺑ ِﻪ *** ‪‬ﻭ ‪‬ﺧ ﱠﻔ ﹶﻔ ‪‬‬ ‫ﺤ ﹶﻜﺔﹲ ﹶﻏ ‪‬ﻤ ‪‬ﺮ ‪‬‬ ‫ﺿ‪‬‬ ‫‪‬ﻭ ِ‬ ‫ﺸﺮ‪‬ﻯ ‪‬ﺗ ‪‬ﺮﳕﹸﻪ‪‬‬ ‫ﺡ ‪‬ﻣ ‪‬ﻊ ﺍﻟ‪‬ﺒ ‪‬‬ ‫ﺴﻤ‪‬ﺎ *** ﻭ‪‬ﺍﻟﻄ ‪‬ﻴ ‪‬ﺮ ﺳ‪‬ﺎ ‪‬‬ ‫ﺠﺮ‪ ‬ﻣ ‪‬ﺒ‪‬ﺘ ِ‬ ‫ﺡ ﺍﻟ ﹶﻔ ‪‬‬ ‫ﻼ‪‬‬ ‫ﺕ ﹶﻓ ﹶ‬ ‫ﺸﺮ‪‬ﻯ ﺃﺿ‪‬ﺎ َﺀ ‪‬‬ ‫‪‬ﺑ ‪‬‬ ‫ﺨ ﹸﻠ ‪‬ﻖ ﹶﻟﻪ‪ ‬ﺃ‪‬ﺑﺪ‪‬ﺍ *** ‪‬ﺗﻮ‪‬ﺍِﺋﻤ‪‬ﺎ‪ ..‬ﻓﹶﺎ ﹸﳍﺪ‪‬ﻯ ﻭﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ‪‬ﺗ ‪‬ﻮﹶﺃﻣ‪‬ﻪ‪‬‬ ‫ﷲ‪ ..‬ﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬‬ ‫‪‬ﺗﺒ‪‬ﺎ ‪‬ﺭ ‪‬ﻙ ﺍ ُ‬ ‫ﻼ *** ﺑ ِﻪ ﺇﱃ ﻗ ‪‬ﻤ ِﺔ ﺍﻹ‪‬ﻧﺴ‪‬ﺎ ِﻥ ﺳ‪‬ﻠ ‪‬ﻤ ‪‬ﻪ‬ ‫ﺻ ﹶﻄﻔﹶﺎ ‪‬ﻩ ‪‬ﻧِﺒﻴ‪‬ﺎ ﻓﹶﺎ ‪‬ﺭ‪‬ﺗﻘﹶﻰ ‪‬ﻭ ‪‬ﻋ ﹶ‬ ‫ﹶﻗ ِﺪ ﺍ ‪‬‬ ‫ﺖ *** ﻓﺠ‪‬ﺎ َﺀ ﻟﻠ ﹶﻜ ‪‬ﻮ ِﻥ ‪‬ﻳﻬ‪‬ﺪﻳ ِﻪ‪ ..‬ﻭ‪‬ﻳ ‪‬ﺮ ‪‬ﺣﻤ‪‬ﻪ‪‬‬ ‫ﺴ ﹶﻠ ‪‬‬ ‫ﻗ ﹾﻠﺐ‪ ‬ﺭﺣِﻴﻢ‪ ‬ﻭﺭ‪‬ﻭﺡ‪ ‬ﺑﺎ ﹸﳍﺪ‪‬ﻯ ﺍ ﹾﻏ‪‬ﺘ ‪‬‬ ‫ﺱ ﻣِﻴﺰ‪‬ﺍﻧ‪‬ﺎ‪ِ ..‬ﺑﺤِﻜ ‪‬ﻤِﺘ ِﻪ *** ﹶﻛ ‪‬ﻲ ‪‬ﻳﺜﹾﺄ ‪‬ﺭ ﺍﻟ ‪‬ﻌ ‪‬ﺪﻝﹸ ِﻣ ‪‬ﻤ ‪‬ﻦ ﻛﹶﺎ ﹶﻥ ﻳ‪‬ﻈ ِﻠﻤ‪‬ﻪ‪‬‬ ‫ﺃﻗﺎ ‪‬ﻡ ﻟﻠﻨ‪‬ﺎ ِ‬ ‫ﺸ ‪‬ﺮ ِﻙ ‪‬ﻳ ‪‬ﻬ ِﺪﻣ‪‬ﻪ‪‬‬ ‫ﺡ ﺍﻟ ‪‬‬ ‫ﺼ ‪‬ﺮ ِ‬ ‫ﺸ ِﻬﺮ‪‬ﻩ‪ *** ‬ﻳ ‪‬ﺒﻨِﻲ‪ ..‬ﻭ‪‬ﻳ ‪‬ﻤﻀِﻲ ِﻟ ‪‬‬ ‫ﻓِﻲ ﻛﹶﻔ ِﻪ ِﻣ ‪‬ﻌ ‪‬ﻮﻝﹸ ﺍﻟ‪‬ﺘﻮ‪‬ﺣﻴ ِﺪ ﻳ‪ ‬‬ ‫ﺼﻤ‪‬ﻪ‪‬‬ ‫ﺴﻦ‪ ‬ﺍﳋﹸﻠ ِﻖ ‪‬ﻳ ‪‬ﻌ ِ‬ ‫ﺕ *** ‪‬ﻋ ‪‬ﻨﻪ‪ ‬ﺍﻟ ‪‬ﺪﻧ‪‬ﺎﻳ‪‬ﺎ‪ ..‬ﹶﻓﺤ‪ ‬‬ ‫ﺽ ﹸﻗﺮ‪‬ﺁﻧ‪‬ﺎ‪ ..‬ﹶﻗ ِﺪ ﺍ‪‬ﺑ‪‬ﺘ ‪‬ﻌ ‪‬ﺪ ‪‬‬ ‫‪‬ﻳﻤ‪‬ﺸﻲ ‪‬ﻋﻠﹶﻰ ﺍﻷ ‪‬ﺭ ِ‬ ‫ﻒ ﺃ‪‬ﺗ ‪‬ﻤِﺘﻤ‪‬ﻪ‪‬‬ ‫ﺻ ٍ‬ ‫ﺖ ‪‬ﺳﺠ‪‬ﺎﻳ‪‬ﺎﻩ‪ ‬ﻋ ‪‬ﻦ ‪‬ﻭ ‪‬‬ ‫‪‬ﺳ ‪‬ﻤﺢ‪ ..‬ﺟﻠِﻴﻞﹲ‪ ..‬ﺟﻤِﻴﻞﹲ‪ ..‬ﺻ‪‬ﺎ ِﺩﻕ‪ ..‬ﻭ ِﺭﻉ‪ *** ‬ﺟ‪‬ﻠ ‪‬‬ ‫ﺨﺪ‪‬ﻣ‪‬ﻪ‪‬‬ ‫‪‬ﺗ ‪‬ﻬﻔﹸﻮ ﺇﹶﻟ ‪‬ﻴ ِﻪ ‪‬ﻧﺠ‪‬ﻮ ‪‬ﻡ ﺍﻟﻠ ‪‬ﻴ ِﻞ ﻋ‪‬ﺎ ِﺷ ﹶﻘ ﹰﺔ *** ﹶﻟﻮ ﻛﹶﺎ ﹶﻥ ﻓِﻲ ‪‬ﻭ ‪‬ﺳ ِﻌﻬ‪‬ﺎ ﺟ‪‬ﺎ َﺀ‪‬ﺗﻪ‪ ‬ﺗ ‪‬‬ ‫ﺴﻤ‪‬ﻪ‪‬‬ ‫ﺖ ﺍﻟﻀ‪‬ﻴ ِﻖ ‪‬ﺑ ﹾﻠ ‪‬‬ ‫ﺡ ﻭ‪‬ﻗ ‪‬‬ ‫ﺶ ﺍﻟﺮ‪‬ﻭ ‪‬‬ ‫ﺸﻔﹶﻰ ﺍﻟ ﹸﻔﺆ‪‬ﺍ ‪‬ﺩ ِﺑ ِﻪ *** ‪‬ﻭﻳ‪‬ﻨ ِﻌ ‪‬‬ ‫ﺴﻢ‪ ‬ﻳ ‪‬‬ ‫ﻓﹶﻲ ِﺫ ﹾﻛ ِﺮ ِﻩ ﺑ‪‬ﻠ ‪‬‬ ‫ﺤ‪‬ﺒِﺘ ِﻪ *** ‪‬ﻭﻣ‪‬ﺎ ‪‬ﻭ ‪‬ﺟ ‪‬ﺪﺕ‪ ‬ﻟ ‪‬ﻪ ﻟ ﹾﻔﻈﹰﺎ ﻳ‪‬ﺘ ‪‬ﺮ ِﺟﻤ‪‬ﻪ‪‬‬ ‫ﲎ ﻣ ‪‬ﻦ ‪‬ﻣ ‪‬‬ ‫ﺼ ‪‬ﺪ ِﺭ ‪‬ﻣ ‪‬ﻌ ‪‬‬ ‫‪‬ﺣ ‪‬ﻤ ﹾﻠﺖ‪ ‬ﰲ ﺍﻟ ‪‬‬ ‫ﳋ ﹾﻠ ِﻖ؛ ﻣ‪‬ﻘ‪‬ﺘِﻨﻌ‪‬ﺎ *** ﺃﻧ‪‬ﻲ ﺃ ‪‬ﻋ ﱢﻈﻢ‪ ‬ﻧ ﹾﻔﺴِﻲ ﺇ ﹾﺫ ﺃﻋ‪‬ﻈ ‪‬ﻤ ‪‬ﻪ‬ ‫ﻋ‪‬ﻈ ‪‬ﻤ‪‬ﺘ ‪‬ﻪ ‪‬ﻭﻫ‪‬ﻮ ‪‬ﺧ ‪‬ﻴﺮ‪ ‬ﺍ ﹶ‬ ‫ﺴﻤ‪‬ﻪ‪‬‬ ‫ﺴ ‪‬ﻢ ﺿ‪‬ﺎﻫ‪‬ﻰ ﺍﻟ‪‬ﺒ ‪‬ﺪ ‪‬ﺭ ‪‬ﻣ ‪‬ﺒ ِ‬ ‫ﺿﺤ‪‬ﻰ ﹶﻗﻮ‪‬ﻟ ‪‬ﻪ ﺩ‪ ‬ﺭ ‪‬ﺭﺍ *** ﻭ‪‬ﺇ ﹾﻥ ‪‬ﺗ‪‬ﺒ ‪‬‬ ‫ﺇ ﹶﺫﺍ ﺗ ﹶﻜ ﱠﻠ ‪‬ﻢ ﺃ ‪‬‬ ‫ﺲ ‪‬ﻳ ﹾﻔ ِﻄﻤ‪‬ﻪ‪‬‬ ‫ﺐ ‪‬ﺣﺒ‪‬ﺎ ﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺿﻊ‪ ‬ﺍﻟ ﹶﻘ ﹾﻠ ِ‬ ‫ﺖ ِﻣ ‪‬ﻦ ﺣ‪‬ﺒ ِﻪ ﻗﻠﹾﱯ ﻓ ﹶﻄ ‪‬ﻬ ‪‬ﺮﻧِﻲ *** ‪‬ﻭﻣ‪ ‬ﺮ ِ‬ ‫ﺿ ‪‬ﻌ ‪‬‬ ‫ﺃ ‪‬ﺭ ‪‬‬ ‫ﺖ ﻓِﻲ ﺍﻟ ﱠﻠ ‪‬ﻴ ِﻞ ﹶﻇﻤ‪‬ﺂﻧ‪‬ﺎ ِﻟﺮ‪ ‬ﺅ‪‬ﻳِﺘ ِﻪ *** ‪‬ﻋﺴ‪‬ﻰ ‪‬ﻳﻀ‪‬ﺎ ُﺀ ﺑ ِﻪ ﺣ‪‬ﻠﻢ‪ ‬ﺳ‪‬ﺄﺣ‪‬ﻠﻤ‪‬ﻪ‪‬‬ ‫ﺃﺑﻴ ‪‬‬ ‫ﺻ ‪‬ﺪﻗﹸﻪ‪ ‬ﻣ‪‬ﺎ ﻻ ﻧ‪‬ﻜ‪‬ﺘ ‪‬ﻤ ‪‬ﻪ‬ ‫ﲔ ﺃ ﹾﺫ ﹸﻛ ‪‬ﺮ ‪‬ﻩ *** ﻭﺍﻟ ‪‬ﺪ ‪‬ﻣ ‪‬ﻊ ﺃ ‪‬‬ ‫‪‬ﻭ ﹶﻛ ‪‬ﻢ ‪‬ﺑ ﹶﻜ ‪‬ﻴﺖ‪ ‬ﺑﺮ‪‬ﻏﻤﻲ ﺣ ‪‬‬

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‫ﺖ ﻟِﻲ ﹶﻏ ‪‬ﻴ ‪‬ﺮ ‪‬ﻧ ﹾﻔﺴِﻲ ﻣ‪‬ﺎ ﺃﻗ ‪‬ﺪ ‪‬ﻣ ‪‬ﻪ‬ ‫ﺲ ﻏﹶﺎِﻟ‪‬ﻴﺔﹲ *** ‪‬ﻭﹶﻟ ‪‬ﻴ ‪‬‬ ‫‪‬ﻧ ﹶﺬ ‪‬ﺭﺕ‪ ‬ﻧ ﹾﻔﺴِﻲ ﹶﻟﻪ‪ ..‬ﻭ‪‬ﺍﻟ‪‬ﻨ ﹾﻔ ‪‬‬ ‫ﺸﺘ‪‬ﻤ‪‬ﻪ‪‬‬ ‫ﺡ ‪‬ﻳ ‪‬‬ ‫ﻀ ‪‬ﺮﻩ‪ ‬ﺣ‪‬ﻘﻮﺩ‪ ‬ﺭ‪‬ﺍ ‪‬‬ ‫ﷲ ‪‬ﻣ ﹾﻜ‪‬ﺘ ِﻤﻠﹰﺎ *** ‪‬ﻭ ﹾﱂ ﻳ‪ِ ‬‬ ‫ﻣ‪‬ﺎ ﺯ‪‬ﺍ ﹶﻝ ﻧ‪‬ﻮ ‪‬ﺭ ‪‬ﺭﺳ‪‬ﻮ ِﻝ ﺍ ِ‬ ‫ﺴ ‪‬ﻤ ‪‬ﻪ‬ ‫ﺨﻔﹶﻰ ‪‬ﺗ‪‬ﺒ ‪‬‬ ‫ﺴ ﹶﻄﻊ‪ ..‬ﻻ ‪‬ﻳ ‪‬‬ ‫ﺍﻟ ﱠﻠ ‪‬ﻴ ﹸﻞ ‪‬ﻳ ‪‬ﺮﺧِﻰ ‪‬ﻋﻠﹶﻰ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﻋﺒ‪‬ﺎ َﺀ‪‬ﺗﻪ‪ *** ‬ﻭ‪‬ﺍﻟ‪‬ﺒ ‪‬ﺪ ‪‬ﺭ ‪‬ﻳ ‪‬‬ ‫ﺠﻤ‪‬ﻪ‪‬‬ ‫ﷲ ﻳ‪ ‬ﹾﻠ ِ‬ ‫ﺡ ‪‬ﺭﺳ‪‬ﻮ ِﻝ ﺍ ِ‬ ‫ﺠ ‪‬ﻤ ‪‬ﻪ ﻗﹶﺎ ِﻓ‪‬ﻴﺔﹲ *** ﹶﻟ ِﻜ ‪‬ﻦ ‪‬ﻣ ‪‬ﺪ ‪‬‬ ‫ﹶﻗ ﹾﻠﺒِﻲ ﹶﻓﺼِﻴﺢ‪ ‬ﻭﹶﻟ ‪‬ﻢ ‪‬ﺗ ﹾﻠ ِ‬ ‫ﺞ ِﻣ ‪‬ﻦ ِﺷﻌ‪‬ﺮﻱ ِﻟﺒ‪ ‬ﺮ ‪‬ﺩِﺗ ِﻪ *** ‪‬ﺧ ‪‬ﻴﻄﹰﺎ‪ِ ..‬ﺑﺮ‪‬ﻭ ِﺣ ‪‬ﻲ ﻻ ﻛﹶﻔﻲ ﺃﹶﻟ ‪‬ﻤ ِﻠﻤ‪‬ﻪ‪‬‬ ‫ﺴ‪‬‬ ‫ﺃ‪‬ﺗ ‪‬ﻴﺖ‪ ‬ﺃ‪‬ﻧ ‪‬‬ ‫ﺽ ‪‬ﺟ ‪‬ﺪ ‪‬ﻭﻟﹸﻪ‪ *** ‬ﻭ‪‬ﺑﺎﻟﺼ‪‬ﻼ ِﺓ ‪‬ﻋﻠﹶﻰ ﺍﳌﹸﺨﺘ‪‬ﺎ ِﺭ ﺃﺧِﺘﻤ‪‬ﻪ‪‬‬ ‫ﲔ‪ ..‬ﻓﹶﺎ ‪‬‬ ‫‪‬ﺑﺪ‪‬ﺃ‪‬ﺗ ‪‬ﻪ ‪‬ﲝِﻨ ٍ‬ ‫ﺠ ‪‬ﻤ ‪‬ﻪ‬ ‫ﺻ ﱢﻞ ‪‬ﻋﻠﹶﻰ ‪‬ﺧ ‪‬ﻴ ِﺮ ﺍﳋﹶﻼِﺋ ِﻖ ‪‬ﻣ ‪‬ﻦ *** ‪‬ﺗ ‪‬ﻬﺪِﻱ ﺍﻟﺴ‪‬ﺮﺍ ﹶﺓ ﻭ‪‬ﺃ ‪‬ﻫ ﹶﻞ ﺍﻟﺘ‪‬ﻴ ِﻪ ﺃ‪‬ﻧ ‪‬‬ ‫ﺏ ‪‬‬ ‫ﻳ‪‬ﺎ ‪‬ﺭ ‪‬‬

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‫ﺃﻧﺎ ﰲ ﻃﻴﺒﺔ‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﳏﻤﺪ ﺍﻟﻌﻴﺪ ﺍﳋﻄﺮﺍﻭﻱ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﳌﺪﱐ ﺍﻟﺪﻛﺘﻮﺭ ﳏﻤﺪ ﺍﻟﻌﻴﺪ‬

‫ﺍﳋﻄﺮﺍﻭﻱ ﻋﻠﻴﻪ ﺭﲪﺎﺕ ﺍﷲ‪ ،‬ﺑﺎﳌﺪﻳﻨﺔ ﺍﳌﻨﻮﺭﺓ ﻋﺎﻡ‬

‫‪1935‬ﻡ ﻭﲣﺮﺝ ﻣﻦ ﺍﻟﺰﻳﺘﻮﻧﺔ ﰲ ﺗﻮﻧﺲ‪ ،‬ﰒ ﻣﻦ ﳏﻤﺪ‬ ‫ﺑﻦ ﺳﻌﻮﺩ ﺑﺎﻟﺮﻳﺎﺽ‪ ،‬ﰒ ﻟﻴﺤﺼﻞ ﻋﻠﻰ ﺍﳌﺎﺟﺴﺘﲑ‬

‫ﻭﺍﻟﺪﻛﺘﻮﺭﺍﻩ ﻣﻦ ﻛﻠﻴﺔ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﲜﺎﻣﻌﺔ ﺍﻷﺯﻫﺮ ﰲ‬ ‫ﺍﻷﺩﺏ ﻭﺍﻟﻨﻘﺪ ﻣﻦ ﺍﳉﺎﻣﻌﺔ ﻧﻔﺴﻬﺎ ‪1980‬‬

‫ﻋﻤﻞ ﻣﺪﺭ ‪‬ﺳﺎ‪ ،‬ﻭﻣﺪﻳﺮ ﻣﺪﺭﺳﺔ‪ ،‬ﻭﻭﻛﻴﻞ ﺷﺆﻭﻥ‬ ‫ﺍﳌﻜﺘﺒﺎﺕ ﺑﺎﳉﺎﻣﻌﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺑﺎﳌﺪﻳﻨﺔ‪ ،‬ﻭﺭﺋﻴﺲ ﻗﺴﻢ‬ ‫ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﻜﻠﻴﺔ ﺍﻟﺘﺮﺑﻴﺔ ﺑﺎﳌﺪﻳﻨﺔ ﺍﳌﻨﻮﺭﺓ‪ ،‬ﻭﻣﺎﺕ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ ﰲ ﻳﻮﻟﻴﻮ ‪ 2012‬ﻋﻦ ﺳﺒﻌﺔ‬ ‫ﻭﺳﺒﻌﲔ ﻋﺎﻣ‪‬ﺎ‪.‬‬ ‫ﻭﻫﻮ ﻋﻀﻮ ﻣﺆﺳﺲ ﻟﻨﺎﺩﻱ ﺍﳌﻨﻮﺭﺓ ﺍﻷﺩﰊ‪ ،‬ﻭﻗﺪ ﺳﻌﺪﺕ ﺑﻠﻘﺎﺋﻪ ﻓﻴﻪ ﺣﻴﺚ ﺍﺳﺘﻀﺎﻓﲏ ﰲ‬ ‫ﺃﻣﺴﻴﺔ ﺷﻌﺮﻳﺔ ﰲ ﻳﻨﺎﻳﺮ ‪ ،1978‬ﻭﺭﺣﺐ ﰊ ﻭﺃﻛﺮﻣﲏ‪ ،‬ﻭﻟﺬﻟﻚ ﻗﺼﺔ ﻻ ﺗﺴﺮﺩ ﻫﻨﺎ‪ ،‬ﻭﻛﺎﻥ‬ ‫ﻋﻀﻮ ﺍﻟﻠﺠﻨﺔ ﺍﳌﺮﻛﺰﻳﺔ ﻟﻠﺤﻔﺎﻅ ﻋﻠﻰ ﺍﻵﺛﺎﺭ ﺑﺎﳌﺪﻳﻨﺔ‪ ،‬ﻭﺭﺋﻴﺲ ﺍﻟﻠﺠﻨﺔ ﺍﻟﺜﻘﺎﻓﻴﺔ ﺑﻔﺮﻉ ﺍﳉﻤﻌﻴﺔ‬

‫ﺍﻟﻌﺮﺑﻴﺔ ﻟﻠﺜﻘﺎﻓﺔ ﻭﺍﻟﻔﻨﻮﻥ ﺑﺎﳌﺪﻳﻨﺔ‪ .‬ﻭﻟﻪ ﻧﺸﺎﻁ ﺇﻋﻼﻣﻲ ﻛﺒﲑ‪ ،‬ﻭﻣﺸﺎﺭﻛﺎﺕ ﰲ ﺍﳌﻬﺮﺟﺎﻧﺎﺕ‬

‫ﻭﺍﻷﻣﺴﻴﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ ﺩﺍﺧﻞ ﺍﳌﻤﻠﻜﺔ ﻭﺧﺎﺭﺟﻬﺎ‪ ،‬ﻭﻟﻪ ﲨﻠﺔ ﺩﻭﺍﻭﻳﻦ‪ ،‬ﻣﻨﻬﺎ‪ :‬ﻏﻨﺎﺀ ﺍﳉﺮﺡ‪/‬‬ ‫ﳘﺴﺎﺕ ﰲ ﺃﺫﻥ ﺍﻟﻠﻴﻞ‪ /‬ﺣﺮﻭﻑ ﻣﻦ ﺩﻓﺘﺮ ﺍﻷﺷﻮﺍﻕ‪ /‬ﺗﻔﺎﺻﻴﻞ ﰲ ﺧﺎﺭﻃﺔ ﺍﻟﻄﻘﺲ‪ /‬ﺇﱃ ﺟﺎﻧﺐ‬ ‫ﻣﻠﺤﻤﺔ ﻋﻦ ﺣﻴﺎﺓ ﺍﳌﻠﻚ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺑﻌﻨﻮﺍﻥ ﺃﳎﺎﺩ ﺍﻟﺮﻳﺎﺽ‪ .‬ﻛﻤﺎ ﺃﻥ ﻟﻪ ﲨﻠﺔ ﻣﺆﻟﻔﺎﺕ ﻣﻨﻬﺎ‪:‬‬ ‫ﺷﻌﺮﺍﺀ ﻣﻦ ﺃﺭﺽ ﻋﺒﻘﺮ‪ ،‬ﻭﺷﻌﺮ ﺍﳊﺮﺏ ﰲ ﺍﳉﺎﻫﻠﻴﺔ ﺑﲔ ﺍﻷﻭﺱ ﻭﺍﳋﺰﺭﺝ‪.‬‬ ‫ﺃﻧﺎ ﰲ ﻃﻴﺒ ٍﺔ ﺃﺗﻴﻪ ﻋﻠﻰ ﺍﻟﺪﻫﺮ‬ ‫‪190‬‬

‫ﻭﺃﻣﺸﻲ ﻋﻠﻰ ﺭﺅﻭﺱ ﺍﻟﻠﻴﺎﱄ‬

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‫ﺣﺎﻣﻠﹰﺎ ﻣﺸﻌﻞ ﺍﻟﻔﺨﺎﺭ ﺃﻏﲏ‬

‫ﺑﺸﻤﻮﺥ ﰲ ﻣﻮﻛﺐ ﺍﻵﻣﺎﻝ‬

‫ﻫﺎﻣﱵ ﰲ ﺍﻟﻌﻼ ﺗﺒﺎﻫﻲ ﺍﻟﺜﺮﻳﺎ‬

‫ﻭﻳﺪﻱ ﺗﺴﺘﺒﻴﺢ ﺩﻧﻴﺎ ﺍﶈﺎﻝ‬

‫ﻋﻦ ﳝﻴﲏ ﺍﻟﺸﻤﻮﺱ ﲤﻀﻲ ﻧﺸﺎﻭﻯ‬

‫ﻭﺍﻟﺒﺪﻭﺭ ﺍﻟﻮﺿﺎﺀ ﺣﺬﻭ ﴰﺎﱄ‬

‫ﻭﻫﺮﻗﻞ ﻳﺴﲑ ﻣﻦ ﺧﻠﻒ ﻛﺴﺮﻯ‬

‫ﻋﺠﺒ‪‬ﺎ ﻣﻦ ﻣﻬﺎﺑﱵ ﻭﺟﻼﱄ‬

‫ﻳﺴﺄﻻﻥ ﺍﻷﻋﺮﺍﺏ ﻋﻦ ﺳﺮ ﻓﺨﺮﻱ‬

‫ﻭﻃﻤﻮﺣﻲ ﻭﺭﻭﻋﱵ ﰲ ﺍﳌﻘﺎﻝ‬

‫ﻓﺘﺮﺩ ﺍﻷﻳﺎﻡ ‪ ..‬ﻫﺬﺍ ﻓﺨﻮﺭ‬

‫ﺑﺘﺮﺍﺙ ﺍﻟﺮﺟﺎﻝ ﺇﺛﺮ ﺍﻟﺮﺟﺎﻝ‬

‫ﺇﻧﻪ ﺷﺎﻋﺮ ﺑﺄﲪﺪ ﻳﺸﺪﻭ‬

‫ﻭﺑﺄﺻﺤﺎﺑﻪ ﺑﻨﺎﺓ ﺍﳌﻌﺎﱄ‬

‫ﻻ ﺗﻠﻮﻣﺎﻩ ﺇﻥ ﺗﺒﺎﻫﻰ ﻭﻏﲎ‬

‫ﰲ ﲪﻰ ﻃﻴﺒﺔ ﳊﻮﻥ ﺍﳉﻤﺎﻝ‬

‫ﲑ ﺍﳌﻨﺬ ‪‬ﺭ‬ ‫ﻭﻟﺪ ﺍﻟﺒﺸ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﳏﻤﺪ ﺍﻟﺰﻟﻴﺘﲏ‬ ‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﻴﺦ ﳏﻤﺪ ﳏﻤﺪ ﻣﺴﻌﻮﺩ ﺍﻟﺰﻟﻴﺘﲎ‪1937 ،‬ﻡ‬ ‫ﰲ ﺻﻌﻴﺪ ﻣﺼﺮ‪ ،‬ﲣﺮﺝ ﻣﻦ ﻗﺴﻢ ﺍﻟﻌﻘﻴﺪﺓ ﻭﺍﻟﻔﻠﺴﻔﺔ‬ ‫ﺑﺎﻟﻜﻠﻴﺔ ﻋﺎﻡ ‪1965‬ﻡ‪ ،‬ﻭﻋﲔ ﺇﻣﺎ ‪‬ﻣﺎ ﻭﺧﻄﻴ‪‬ﺒﺎ ﻭﻣﺪﺭ ‪‬ﺳﺎ‬ ‫ﺑﻮﺯﺍﺭﺓﺍﻷﻭﻗﺎﻑ‪ ،‬ﺑﻌﺪﻫﺎ ﺳﺎﻓﺮ ﺇﱃ ﺩﻭﻟﺔ ﺍﻟﻜﻮﻳﺖ ﻟﻠﻌﻤﻞ‬

‫ﺇﻣﺎ ‪‬ﻣﺎ ﻭﺧﻄﻴ‪‬ﺒﺎ‪ ،‬ﰒ ﺳﺎﻓﺮ ﺇﱃ ﺩﰊ ﻭﺍﻋﻈﹰﺎ‪ ،‬ﻭﻛﺎﻥ ﻋﻀ ‪‬ﻮﺍ ﰱ‬ ‫ﳉﻨﺔ ﺍﻟﻔﺘﻮﻯ ﺑﺪﺍﺋﺮﺓ ﺍﻷﻭﻗﺎﻑ ﺑﺪﰊ‪ .‬ﻟﻪ ﺩﻳﻮﺍﻥ ﺷﻌﺮ ﻣﻦ‬ ‫ﺛﻼﺛﺔ ﺃﺟﺰﺍﺀ ﺗﻨﺎﻭﻝ ﻓﻴﻪ ﺃﻏﺮﺍﺿ‪‬ﺎ ﺷﻌﺮﻳﺔ ﻣﻨﻮﻋﺔ‪..‬‬ ‫ﺍﻷﺭﺽ ﺗﺼﺪﺡ ﻭﺍﻟﺴﻤﺎﺀ ﺗﻜﺒ‪‬ﺮ **** ﻭﺧﻮﺍﺭﻕ ﺍﻵﻳﺎﺕ ﺑﺸﺮﻯ ﺗﻈﻬﺮ‬ ‫ﻭﺍﻟﻔﺮﺣﺔ ﺍﻟﻌﺬﺭﺍﺀ ﻧﻀ‪‬ﺮ ﺳﺤﺮﻫﺎ **** ﻭﺟﻪ ﺍﳊﻴﺎﺓ ﻋﻠﻰ ﺍﻟﻮﺟﻮﺩ ﺗﺴﻴﻄﺮ‬ ‫ﻭﺑﺸﺎﺷﺔ ﺍﳌﻴﻼﺩ ﻓﻴﺾ ﻋﺒﲑﻫﺎ **** ﻳﻐﺮﻯ ﺑﺮﻭﻋﺘﻪ ﺍﻟﻨﻔﻮﺱ ﻭﻳﺴﻜﺮ‬ ‫ﰲ ﻟﻴﻠﺔ ﺍﻻﺛﻨﲔ ﻭﺍﳌﺨﺘﺎﺭ ﻣﻦ **** ﺧﻠﻒ ﺍﻟﻌﻮﺍﱂ ﺳﺮﻩ ﻳﺘﺤﺪ‪‬ﺭ‬ ‫ﻭﺍﻟﻌﺎﱂ ﺍﻟﻼﻫﻲ ﻳﺸﻖ ﻇﻼﻣﻪ **** ﻓﺠﺮ‪ ‬ﻳﻀﻲﺀ ﺣﻴﺎﺗﻪ‪ ..‬ﻭﻳﻨﻮ‪‬ﺭ‬ ‫ﻭﺿﻼﻟﺔ ﺍﻟﺪﻧﻴﺎ ﻳﻄﺎﺭﺩ ﻟﻴﻠﻬﺎ **** ﻭﻗﹶﺘﺎﻣﻬﺎ ﺻﺒﺢ ﺍﻟﻴﻘﲔ ﺍﳌﺴﻔﺮ‬ ‫ﻭﻟﺪ ﺍﻟﺬﻱ ﺍﻟﺘﻮﺭﺍﺓ ﲢﻤﻞ ﻧﻌﺘﻪ **** ﻭﺑﻪ ﺍﺑﻦ ﻣﺮﱘ ﰲ ﺍﻟﻜﺘﺎﺏ ﻳﺒﺸ‪‬ﺮ‬ ‫ﻭﻟﺪ ﺍﳍﺪﻯ ﻃﻪ ﺍﳊﺒﻴﺐ ﳏﻤﺪ **** ﻭﺃﺗﻰ ﺇﱃ ﺍﻟﺪﻧﻴﺎ ﺍﻟﺒﺸﲑ ﺍﳌﻨﺬﺭ‬ ‫ﻳﺎ ﻫﺬﻩ ﺍﻟﺪﻧﻴﺎ ﺍﻓﺮﺣﻰ ﺑﻠﻘﺎﺋﻪ **** ﻫﻮ ﺟﻨﺔ ﺍﻟﺪﻧﻴﺎ ﻟﻨﺎ‪ ..‬ﻭﺍﻟﻜﻮﺛﺮ‬ ‫ﻫﺬﺍ ﺃﻣﲔ ﺍﻷﺭﺽ ﺗﺸﺮﻕ ﴰﺴﻪ **** ﻓﻴﻬﺎ‪ ..‬ﻭﺃﻋﻼﻡ ﺍﳍﺪﺍﻳﺔ ﺗ‪‬ﻨﺸ‪‬ﺮ‬ ‫ﻫﺬﺍ ﻣ‪‬ﻔﻴﺾ ﺍﳋﲑ ﻳﻐﺮﺱ ﺭﻭﺿﺔ **** ﻏﻨ‪‬ﺎﺀ ﰲ ‪‬ﺟﺪ‪‬ﺏ ﺍﻟﻘﻠﻮﺏ ﻭﻳﺒﺬﺭ‬ ‫ﱐ ﻣﻌﺴﺮ‬ ‫ﻫﺬﺍ ﺳﺒﻴﻞ ﺍﻟﱪ ﺟﺎﺀ ﻣ‪‬ﻘﺮ‪‬ﺭﺍ **** ﺣ ‪‬ﻖ ﺍﻟﻔﻘﲑ‪ ..‬ﻓﻠﻦ ﻳﻌﺎ ﹶ‬ ‫ﻒ ﻭﻳﻨﺼﺮ‬ ‫ﻫﺬﺍ ﻣ‪‬ﻘﻴﻢ ﺍﻟﻌﺪﻝ ﺟﺎﺀ ﺑﻌﺪﻟﻪ **** ﳛﻤﻲ ﺣِﻤﻰ ﺍﳊﻖ ﺍﻟﻀﻌﻴ ِ‬

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‫ﻫﺬﺍ ﻣ‪‬ﺸﻴﻊ ﺍﳊﺐ ﺟﺎﺀ ﻣﺆﺍﺧﻴ‪‬ﺎ **** ﺑﲔ ﺍﻟﻌﺒﺎﺩ‪ ..‬ﻭﺫ ﱠﻝ ﻣﻦ ﻳﺴﺘﻜﱪ‬ ‫ﻫﺬﺍ ﻣﺰﻛﻲ ﺍﻟﻌﻘ ِﻞ ﺟﺎﺀ ﳐﺎﻃﺒﺎ **** ﻟﻠﻌﻘﻞ ﻟﻮ ﺃﻥ ﺍﻟﻌﻘﻮﻝ ﺗﻔﻜﺮ‬ ‫ﻫﺬﺍ ﻣ‪‬ﻌﲔ ﺍﻟﻌﻠﻢ ﺟﺎﺀ ﻣﻌﻠﱢﻤﺎ **** ﻳﺘﻠﻮ ﺍﻟﻜﺘﺎﺏ؛ ﻓﺄﻳﻦ ﻣﻦ ﻳﺘﺪﺑ‪‬ﺮ؟‬ ‫ﱪﺀًﺍ **** ﻣﻦ ﻛﻞ ﺷﺎﺋﺒﺔ‪ ..‬ﻓﻬﻞ ﻧﺘﻄﻬ‪‬ﺮ؟‬ ‫ﻫﺬﺍ ﻧﻘﺎﺀ ﺍﻟﻄﻬﺮ ﺟﺎﺀ ﻣ ‪‬‬ ‫ﻫﺬﺍ ﺯﻋﻴﻢ ﻛﺮﺍﻣﺔ ﺍﻹﻧﺴﺎﻥ ﺣ‪‬ﺮ **** ﺭ ﻓﻜﺮﻩ ﻭﺿﻤﲑﻩ؛ ﻟﻮ ﺃﺑﺼﺮﻭﺍ‬ ‫ﻫﺬﺍ ﺭﺳﻮﻝ ﺍﷲ ﺟﺎﺀ ﺑﺸِﺮﻋﺔ ﺍﻹ **** ﺳﻼﻡ‪ ..‬ﻭﻫﻰ ﺳﻌﺎﺩﺓ ﻭﲢﺮ‪‬ﺭ‬ ‫ﰲ ﻛﻔﱢﻪ ﺍﻟﺘﱰﻳﻞ ﺣﺠ ﹸﺔ ﺭﺑﻪ **** ﻭﺍﻟﺴﻴﻒ ﺇ ﹾﻥ ﹶﻓﺠ‪‬ﺮ ﺍﻟﻄﻐﺎﺓ ﻭﺃﻧﻜﺮﻭﺍ‬ ‫ﻳﺎ ﺳﻴ‪‬ﺪ ﺍﻟﺪﻧﻴﺎ ﻭﺃﻋﻈﻢ ﻣﺮﺳﻞ **** ﻳﺎ ﻧﻌﻤﺔ ﺍﷲ ﺍﻟﱴ ﻻ ﺗ‪‬ﻜﻔﺮ‬ ‫ﻳﺎ ﻧﻘﻄﺔ ﺍﻷﺳﺮﺍﺭ ﰲ ﺯﺧ‪‬ﺎﺭِﻫﺎ **** ﹸﻓﻠﹾﻚ ﺍﳌﻌﺎﺭﻑ ﻛ ﱠﻞ ﻳﻮﻡ ﺗ‪‬ﺒﺤِﺮ‬ ‫ﻳﺎ ﻗﻤﺔ ﺍ ﹸﳌﺜﹸﻞ ﺍﻟﺮﻓﻴﻌﺔ ﻣﻦ ﲰﺎ **** ﺀ ﲰﻮ‪‬ﻫﺎ ﻛ ﹸﻞ ﺍﻟﻔﻀﺎﺋﻞ ﺗﻘﻄﹸﺮ‬ ‫ﻳﺎ ﺩﻭﺣﺔ ﺍﻷﺧﻼﻕ ﻣ ‪‬ﺪ ﻇﻼﻟﹶﻬﺎ **** ﻃﺒﻊ ﻛﺮﱘ ﻳﺴﺘﺠﻴﺐ ﻭﻳﻐﻔﺮ‬ ‫ﻳﺎ ﺩﳝﺔ ﺍﻟﻌﺎﻓﲔ ﻏﺎﻣ ‪‬ﺮ ﻓﻀﻠﻬﺎ **** ﻋ ‪‬ﻢ ﺍﻟﻮﺭﻯ ﰱ ﻛﻞ ﺃﺭﺽ ﺗ‪‬ﻤﻄﺮ‬ ‫ﻳﺎ ﻗﺒﻠﺔ ﺍﻷﺑﺮﺍﺭ ﺃﻳﻦ ﺗﻮﺟﻬﻮﺍ **** ﻓﺈﱃ ﺭﺣﺎﺑﻚ ﻛ ﱡﻞ ﻋﲔ ﺗﻨﻈﺮ‬ ‫ﻳﺎ ﺩﻭﻟﺔ ﺍﻟﻌﺰ ﺍﳌﻨﻴﻊ ﻭﺩﻭ‪‬ﺎ **** ﻳﺘﻬﺎﻓﺖ ﺍﻟﺴ‪‬ﻔﻪ ﺍﳊﻘﻮﺩ ﻭﻳ‪‬ﺤﻘﹶﺮ‬ ‫ﺖ ﰲ ‪‬ﻋﻤ‪‬ﻪ ﺍﳊﻴﺎﺓ ﺿﻴﺎﺀَﻫﺎ **** ﻓﺈﺫﺍ ﺍﳊﻴﺎﺓ ﻋﻠﻰ ﺿﻴﺎﺋﻚ ﺗ‪‬ﺒﺼﺮ‬ ‫ﻭﻃﻠﻌ ‪‬‬ ‫ﺙ ﺃﺗﻴﺖ ﺗﻘﻴﻢ ﺩﻱ **** ﻥ ﺍﳊﻖ ﺑﺎﻟﻨﻬﺞ ﺍﳊﻜﻴﻢ ﻭﺗﻨﺸﺮ‬ ‫ﲑ ﻣﺒﻌﻮ ٍ‬ ‫ﻳﺎ ﺧ ‪‬‬ ‫ﺍﳌﺴﻠﻤﻮﻥ ﺍﻵﻥ ﺟﺮﺡ ﻛﺮﺍﻣﺔ **** ﻭﺩﻡ‪ ‬ﺑﻼ ﲦﻦ ﻳﺮﺍﻕ ﻭﻳ‪‬ﻬﺪﺭ‬ ‫ﻋﺎﺷﻮﺍ ﺑﻐﲑ ﻫﺪﺍﻙ ﳛﻜﻤﻬﻢ ﻫﻮ‪‬ﻯ **** ﻣﺘﺄﱢﻟﻪ‪ ..‬ﻭﻣﻄﺎﻣﻊ ﺗﺴﺘﺄﺛﺮ‬ ‫ﺍﻟﺴ‪‬ﻨﺔ ﺍﻟﺒﻴﻀﺎﺀ ﺧﻠﻒ ﻇﻬﻮﺭﻫﻢ **** ﻭﺍﻟﺸﺮﻋﺔ ﺍﻟﺴﻤﺤﺎ ﻛﺘﺎﺏ ﻳﻬﺠﺮ‬ ‫ﻭﺣﻴﺎ‪‬ﻢ ﻓﻮﺿﻲ ﲤﻮﺝ ﻣﺂﺳﻴﺎ **** ﻋﺒﺚ ﺍﻟﻔﺴﺎﺩ ‪‬ﺎ ﻭﺷﺎﻉ ﺍﳌﻨﻜﺮ‬ ‫ﻭﻭﺟﻮﺩﻫﻢ ﺑﲔ ﺍﻷﻧﺎﻡ ﻣﻌﺮ‪‬ﺓ **** ﻭﺟﻬﺎﻟﺔ‪ ..‬ﻭﲣﻠﻒ‪ ..‬ﻭﺗﺄﺧﺮ‬ ‫ﻳ‪‬ﺤﻴ‪‬ﻮﻥ ﰲ ﺍﻟﺪﻧﻴﺎ ﻓﺮﻳﺴﺔ ﻏﺎﺻﺐ **** ﻣﺴﺘﺤﻮﺫ ﲝﻘﻮﻗﻬﻢ ﻳﺴﺘﻬﺘﺮ‬

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‫ﳝﺤﻮ ﻣﻌﺎﳌﻬﻢ ﻭﻳﻄﻤﺲ ﳎﺪﻫﻢ‬

‫ﻂ ﻣﻦ ﺃﻗﺪﺍﺭﻫﻢ ﻭﻳ‪‬ﺤﻘﱢﺮ‬ ‫ﺤﱡ‬ ‫ﻭ‪‬ﻳ ‪‬‬

‫ﻭﻳ‪‬ﻬﲔ ﻛﻞ ﻛﺮﺍﻣﺔ‪ ..‬ﻭﺍﳌﺴﻠﻤﻮ**** ﻥ ‪‬ﺩﻣ‪‬ﻲ‪ ..‬ﻓﻼ ﺃﺣﺪ ﻳ‪‬ﺤﺲ ﻭﻳﺸﻌﺮ‬ ‫ﻭﻟﻮ ﺍ‪‬ﻢ ﻋﻤﻠﻮﺍ ‪‬ﺪﻳﻚ ﺩﺍﻧﺖ ﺍﻟﺪ **** ﻧﻴﺎ ﳍﻢ‪ ..‬ﻭﺍﺳﺘﺴﻠﻢ ﺍﳌﺘﺠﺒ‪‬ﺮ‬ ‫ﻭﺗﺼﺪﺭﻭﺍ ﺭﻛﺐ ﺍﳊﻴﺎﺓ ﻭﻣﺎ ﻣﺸ‪‬ﻮﺍ **** ﺧﻠﻒ ﺍﳌﻮﺍﻛﺐ ﺃﻣﺔ ﺗﺘﻌﺜﺮ‬ ‫ﺖ ﻭﺻﻔﹰﺎ ﻣﺎ ﺍﺳﺘﻄﻌﺖ ﺃﻋﺒ‪‬ﺮ‬ ‫ﻳﺎ ﺳﻴﺪﻱ ﻭﺍﻟﺴﻴﻞ ﻗﺪ ﺑﻠﻎ ﺍﻟﺰﰉ **** ﻟﻮ ﺷﺌ ‪‬‬ ‫ﻗﹾﺪﺳﻲ ﺗﺪﺍﺱ ﻭﺣﻮﳍﺎ ﻓﻠﹾﺬﺍﺕ ﺃﻙ **** ﺑﺎﺩﻱ ﺗ‪‬ﻘﺘ‪‬ﻞ‪ ..‬ﻭﺍﻟﺪﻳﺎﺭ ﺗﺪﻣ‪‬ﺮ‬ ‫ﻭﺑﻨﻮ ﺍﻷﻓﺎﻋﻲ ﺍﳊﺎﻗﺪﻭﻥ ﻳﻌﺮﺑﺪﻭ**** ﻥ ‪‬ﺎ‪ ..‬ﻭﺃﺣﻔﺎﺩ ﺍﻟﻘﺮﻭﺩ ﺗﻨﻤﺮﻭﺍ‬ ‫ﻭﻗﻮﻯ ﺍﻟﺘﺴﻠﻂ ﺧﻠﻔﻬﻢ ﺑﺎﻟﻨﺎﺭ ﺗﺢ **** ﻣﻴﻬﻢ ﻟﻜﻞ ﺣﻘﻮﻗﻨﺎ ﺗﺘﻨﻜﺮ‬ ‫ﻭﺍﻟﻌﺎﱂ ﺍﳌﺄﺯﻭﻡ ﻣﺎﺕ ﺿﻤﲑﻩ **** ﻻ ﻳﺪﻓﻊ ﺍﻟﻌﺪﻭﺍﻥ ﻻ ﻳﺴﺘﻨﻜﺮ‬ ‫ﻭﻛﺄﻧﻪ ﻻ ﻣﺴﻠﻤﻮﻥ! ﻓﺄﻳﻦ ﺃﺱ **** ﺩ ﺍﳊﻖ ﰲ ﻭﺟﻪ ﺍﻟﻄﻐﺎﺓ ﺗﺰﳎﺮ؟‬ ‫ﻳﺎ ‪‬ﺠﺔ ﺍﻟﺪﻧﻴﺎ ﻭﺑﺴﻤﺔ ﻋﺰﻫﺎ **** ﰲ ﻳﻮﻣﻚ ﺍﻟﻐﺎﱄ ﻭﻗﻔﺖ ﺃﺫﻛﺮ‬ ‫ﺃﺗﻠﻮ ﺃﻧﺎﺷﻴﺪ ﺍﻟﻮﻻﺀ ﻭﺃﺿﻠﻌﻲ **** ﳑﺎ ﺗﻌﺎﻧﻴﻪ ﺷﻌﻮﺑﻚ ﺗﻌﺼﺮ‬ ‫ﺃﺩﻋﻮ ﺇﱃ ﺑﺬﻝ ﺍﻟﻨﻔﻮﺱ ﺳﺨﻴﺔ **** ﻭﻣﻦ ﺍﳌﻼﻋﲔ ﺍﻟﻴﻬﻮﺩ ﺃﺣﺬﺭ‬ ‫ﺃﻧﺖ ﺍﳌﻼﺫ ﻟﻨﺎ ﺇﺫﺍ ﺩﻫﺖ ﺍﳋﻄﻮ**** ﺏ ﻭﺃﻧﺖ ﻟﻠﺮﻭﺡ ﺍﳌﻨﺎﺿﻞ ﻣﺼﺪﺭ‬ ‫ﺳﺘﻈﻞ ﺑﲔ ﺿﻠﻮﻉ ﻛﻞ ﻣﻮﺣ‪‬ﺪ **** ﲢﻴﺎ ﻭﻓﻮﻕ ﻗﻠﻮﺑﻨﺎ ﺗﺘﺒﺨﺘﺮ‬ ‫ﻒ ﺍﻟﻜﺴﲑ ﻭ‪‬ﺗﺠ‪‬ﱪ‬ ‫ﲢﻴﻲ ﻋﺰﺍﺋﻤﻨﺎ ﻭﺗﻨﻬﺾ ﺣﺎﻟﻨﺎ **** ﻭﺗﻮﺣ‪‬ﺪ ﺍﻟﺼ ‪‬‬ ‫ﻭﺗﻌﻴﺪ ﻟﻺﺳﻼﻡ ﻏﺎﺑﺮ ﻋﺰﻩ **** ﻭﺗﺼﺪ ﺑﻄﺸﺔ ﻣﻦ ﺑﻐ‪‬ﻮﺍ ﻭﲡﺒ‪‬ﺮﻭﺍ‬ ‫ﻓﺈﺫﺍ ﲜﻨﺪ ﺍﷲ ﺗﺼﻬﻞ ﺧﻴﻠﻬﺎ **** ﻭﺍﳌﺴﺠﺪ ﺍﻷﻗﺼﻰ ﺍﻟﺴﻠﻴﺐ ﳏﺮﺭ‬

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‫ﻭﻗﺪ ﲡﺐ ﺍﻟﺸﻔﺎﻋﺔ ﻟﻠﻮﰲ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻣﻐﺮﰊ ﻣﻜﻲ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﺼﺮﻱ ﳏﻤﺪ ﻣﻐﺮﰊ ﳏﻤﺪ ﻣﻜﻲ‪ ،‬ﻭﻟﺪ ﻋﺎﻡ‬

‫‪ 1945‬ﰲ ﳏﺎﻓﻈﺔ ﻗﻨﺎ ﺑﺼﻌﻴﺪ ﻣﺼﺮ‪ ،‬ﺣﺎﺻﻞ ﻋﻠﻰ ﻟﻴﺴﺎﻧﺲ‬ ‫ﺍﻵﺩﺍﺏ ‪ -‬ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ‪ ،1976 -‬ﻭﺩﺑﻠﻮﻡ ﻋﺎﻡ ﰲ‬ ‫ﺍﻟﺘﺮﺑﻴﺔ ‪ ،1988‬ﻭﻣﺎﺟﺴﺘﲑ ﰲ ﺍﻷﺩﺏ ﺍﻟﻌﺮﰊ ﻣﻦ ﺁﺩﺍﺏ‬

‫ﺍﻟﻘﺎﻫﺮﺓ ‪ ،1993‬ﻭﻋﻤﻞ ﻣﻮﺟ ‪‬ﻬﺎ ﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺈﺩﺍﺭﺓ ﻗﻔﻂ‬

‫ﺍﻟﺘﻌﻠﻴﻤﻴﺔ ﳏﺎﻓﻈﺔ ﻗﻨﺎ‪.‬‬ ‫ﻓﺎﺯ ﰲ ﺟﺎﺋﺰﺓ ﺍﻟﱪﺩﺓ ﻣﺮﺗﲔ‪ ،‬ﺇﺣﺪﺍﳘﺎ ﺑﺎﻟﻘﺼﻴﺪﺓ ﺍﻟﺘﺎﻟﻴﺔ‪ ،‬ﻭﻟﻪ ﺩﻳﻮﺍﻥ‪ :‬ﻣﻨﻤﻨﻤﺎﺕ ﻋﻠﻰ ﺟﺪﺍﺭ‬ ‫ﺍﻟﻌﻼﻗﺔ‪ ..‬ﻭﺁﺧﺮ ﲢﺖ ﺍﻟﻄﺒﻊ‪.‬‬ ‫ﻋﺎﻡ ‪ 1995‬ﻡ ﺣﺼﻞ ﻋﻦ ﳎﻤﻮﻋﺔ ﺷﻌﺮﻳﺔ ﻋﻠﻰ ﺍﳌﺮﻛﺰ ﺍﻟﺜﺎﻟﺚ ﻋﻠﻰ ﻣﺴﺘﻮﻯ ﺍﳉﻤﻬﻮﺭﻳﺔ‪،‬‬ ‫ﰲ ﻣﺴﺎﺑﻘﺔ ﺍ‪‬ﻠﺲ ﺍﻷﻋﻠﻰ ﻟﻠﺸﺒﺎﺏ ﻭﺍﻟﺮﻳﺎﺿﺔ ﻟﻺﺑﺪﺍﻉ ﺍﻟﺸﻌﺮﻱ ﻟﻠﻘﺎﺩﺓ‪ ،‬ﻭﰲ ﻋﺎﻡ ‪1996‬‬

‫ﺣﺼﻞ ﻋﻦ ﳎﻤﻮﻋﺔ ﺃﺧﺮﻯ ﻋﻠﻰ ﺍﳌﺮﻛﺰ ﺍﻷﻭﻝ ﻋﻠﻰ ﻣﺴﺘﻮﻯ ﺍﳉﻤﻬﻮﺭﻳﺔ ﰱ ﻧﻔﺲ ﺍﳌﺴﺎﺑﻘﺔ‪.‬‬ ‫ﻋﺎﻡ ‪ 2001‬ﻡ ﺍﺧﺘﲑﺕ ﻗﺼﻴﺪﺗﻪ "ﺃﻧﺎ ﻭﻫﻰ ﻭﺍﻟﺸﻌﺮ" ﺿﻤﻦ ﺃﻓﻀﻞ ﻋﺸﺮﻳﻦ ﻗﺼﻴﺪﺓ ﻗﺪﻣﺖ‬ ‫ﺇﱃ ﻣﺴﺎﺑﻘﺔ ﻣﺆﺳﺴﺔ ﺍﻟﺒﺎﺑﻄﲔ ﻟﻺﺑﺪﺍﻉ ﺍﻟﺸﻌﺮﻯ‪ ،‬ﻭﻧﺸﺮﺕ ﰱ ﺩﻳﻮﺍﻥ ﳎﻤﻮﻉ ﺻﺪﺭ ﲟﻨﺎﺳﺒﺔ‬ ‫ﺍﺧﺘﻴﺎﺭ ﺍﻟﻜﻮﻳﺖ ﺍﻟﻌﺎﺻﻤﺔ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻟﻠﻌﺎﱂ ﺍﻟﻌﺮﰉ ﻋﺎﻡ ‪ 2001‬ﻡ‪.‬‬ ‫ﻭﻟﻪ ﰱ ﳎﺎﻝ ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﲑﺓ‪ :‬ﳎﻤﻮﻋﺔ ﻗﺼﺼﻴﺔ )ﲢﺖ ﺍﻟﻄﺒﻊ( ﺑﻌﻨﻮﺍﻥ "ﺍﻟﺮﺟﺎﻝ ﻭﺃﺷﻴﺎﺀ‬

‫ﺃﺧﺮﻯ" ﻭﻓﺎﺯﺕ ﻗﺼﺘﻪ ﺍﻟﻘﺼﲑﺓ "ﺃﻣﺎ ﻗﺒﻞ‪ ،‬ﻭﺃﻣﺎ ﺑﻌﺪ" ﺑﺎﳌﺮﻛﺰ ﺍﻷﻭﻝ ﰱ ﻣﺴﺎﺑﻘﺔ ﻣﻮﻗﻊ‬ ‫"ﻃﻤﻮﺡ" ﺿﻤﻦ ﻓﻌﺎﻟﻴﺎﺕ ﺍﳌﺴﺎﺑﻘﺔ ﺍﻟﻜﱪﻯ "ﻋﺮﻑ ﺍﻟﻨﺎﺱ ﺑﻨﺒﻴﻚ ﺍﻟﻜﺮﱘ"‪.‬‬ ‫ﺃﺩﻣﻊ ﰲ ﺍﻟﻐﺪﺍﺓ ﻭﰲ ﺍﻟﻌﺸﻲ‬ ‫‪195‬‬

‫ﳊﺎﻙ ﺍﷲ ﻣﻦ ﻛﻬﻞ ﺻﱯ‬

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‫ﺃﻇﻨﻚ ﻋﺎﺷﻘﹰﺎ ﻳﻨﺂﺩ ﻭﺟﺪ‪‬ﺍ‬

‫ﻭﻳﻀﻨﻴﻪ ﳍﻴﺐ ﻫﻮﻯ ﻓﱵ‬

‫ﺑﺄﺣﺰﺍﻥ ‪‬ﺪ ﺍﻟﺮﻭﺡ ﻫ ‪‬ﺪﺍ‬

‫ﻭﺃﺳﻘﺎﻡ ﲤﻬﺪ ﻟﻠﻨﻌﻲ‬

‫ﺃﻓﻖ ﻳﺎ ﺻﺎﺡ ﺇﻥ ﺍﻟﻌﻤﺮ ﻭﱃ‬

‫ﻭﺗﺐ ﻓﺎﻟﻌﻮﺩ ﺃﻭﱃ ﺑﺎﻟﻘﺼﻲ‬

‫ﻓﻤﺎ ﰲ ﺍﻟﻌﻤﺮ ﺑﻘﻴﺎ ﻟﻠﺘﺼﺎﰊ‬

‫ﻭﻻ ﰲ ﺍﳊﺐ ﺧﲑ ﻟﻠﺘﻘﻲ‬

‫ﻳﻠﻮﻡ ﻭﻟﻴﺲ ﻳﺪﺭﻙ ﻣﺎ ﺑﻘﻠﱯ‬

‫ﺃﻻ ﻭﻳﻞ ﺍﻟﺸﺠﻲ ﻣﻦ ﺍﳋﻠﻲ‬

‫ﻳﻈﻦ ﰉ ﺍﻟﻈﻨﻮﻥ ﺑﻐﲑ ﺣﻖ‬

‫ﱄ‬ ‫ﻱ ﹼ‬ ‫ﻭﻳﻠﻮﻱ ﺍﻟﻘﻮﻝ ﻋﲏ ﺃ ‪‬‬

‫ﻭﻟﺴﺖ ﺃﻧﺎ ﺍﻟﻘﺘﻴﻞ ﲝﺐ ﻟﻴﻠﻰ‬

‫ﻭﻻ ﺍﻟﺼﺎﰊ ﺇﱃ ﻫﻨﺪ ﻭﻣﻲ‬

‫ﻧﻌﻢ ﺃﻧﺎ ﻋﺎﺷﻖ ﻟﻜﻦ ﺣﱯ‬

‫ﻃﻬﻮﺭ ﻛﺎﳌﺴﺎﺀ ﺍﳌﺮﳝﻰ‬

‫ﻧﻌﻢ ﺃﻧﺎ ﻋﺎﺷﻖ ﺃﺳﻠﻤﺖ ﻗﻠﱯ‬

‫ﻫﻨﺎﻙ ﻟﺪﻯ ﺍﳊﺒﻴﺐ ﺍﻟﻴﺜﺮﰊ‬

‫ﻋﻠﻰ ﺃﻋﺘﺎﺑﻪ ﺃﻟﻘﻴﺖ ﻧﻔﺴﻲ‬

‫ﻭﺃﺫﻟﻠﺖ ﺍﻟﻌﺼﻲ ﻣﻦ ﺍﻷﰊ‬

‫ﻓﻠﻢ ﺃﺭ ﺗﺎﺋﺒ‪‬ﺎ ﻳﺒﻜﻲ ﺑﻜﺎﺋﻲ‬

‫ﻭﱂ ﺃﺭ ﻋﺎﺷﻘﹰﺎ ﻳﻔﺮﻱ ﻓﺮﻳﻲ‬

‫ﺭﺳﻮﻝ ﺍﷲ‪ :‬ﺟﺌﺖ ﺍﻟﺒﺎﺏ ﺣﺒﻮ‪‬ﺍ‬

‫ﻭﰊ ﻣﺎ ﰊ ﻣﻦ ﺍﻟﻨﺪﻡ ﺍﻟﻌﱵ‬

‫ﻳﻘﻴﺪﱐ ﺍﳊﻴﺎﺀ ﻋﻦ ﺍﻟﺘﺪﺍﱐ‬

‫ﻭﻳﺪﻓﻌﲏ ﺍﳊﻨﲔ ﺇﱃ ﺍﳌﻀﻲ‬

‫ﻓﺄﲨﻊ ﺟﺎﻫﺪ‪‬ﺍ ﺃﺷﻼﺀ ﺭﻭﺣﻲ‬

‫ﻭﺃﺧﻄﻮ ﰲ ﺍﻟﻀﻴﺎﺀ ﺍﻟﺴﺮﻣﺪﻱ‬

‫ﻭﹸﺃﻗﺪﻡ ﻏﲑ ﻫﻴﺎﺏ ﻷﱐ‬

‫ﺃﻟﻮﺫ ﲞﲑ ﻣﻀﻴﺎﻑ‪ ..‬ﺳﺨﻲ‬

‫ﺃﻗﺪﻡ ﺗﻮﺑﺔ ﻭﺃﺭﻳﻖ ﺩﻣﻌ‪‬ﺎ‬

‫ﻭﺃﻏﺴﻞ ﻗﻠﺐ ﺧﻄﺎﺀ ﺷﻘﻲ‬

‫ﻓﺨﺬ ﺑﻴﺪﻱ ﻭﻻ ﺗﻘﻄﻊ ﺭﺟﺎﺋﻲ‬

‫ﻭﻛﻦ ﻳﺎ ﺧﲑ ﻣﺒﻌﻮﺙ ﻭﻟﻴﻲ‬

‫ﺃﺑﺎ ﺍﻟﺰﻫﺮﺍﺀ ﻳﺎ ﻧﻮﺭ ﺍﻟﺪﻳﺎﺟﻰ‬

‫ﻭﻳﺎ ﺑﺸﺮﻯ ﺃﺗﺖ ﺑﻌﺪ ﺍﻟﻨﻌﻲ‬

‫ﻭﻳﺎ ﺳﺮ ﺍﳉﻤﺎﻝ ﺇﺫﺍ ﺗﺴﺎﻣﻰ‬

‫ﻭﻳﺎ ﺭﻣﺰ ﺍﻟﻜﻤﺎﻝ ﺍﻷﺩﻣﻰ‬

‫ﺃﺣﺒﻚ ﻣﻦ ﺭﺁﻙ ﻭﻗﺮ ﻋﻴ‪‬ﻨﺎ‬

‫ﺑﻘﺮﺏ ﻣﻨﻚ ﻣﻮﺻﻮﻝ ﺷﻬﻲ‬

‫ﻭﺫﺍﺏ ﺍﻟﻼﺣﻘﻮﻥ ﺇﻟﻴﻚ ﺷﻮﻗﹰﺎ‬

‫ﻭﺫﺍﻗﻮﺍ ﻧﺸﻮﺓ ﺍﳊﺐ ﺍﻟﺰﻛﻲ‬

‫ﻭﻓﺎﺽ ﺍﻟﻮﺟﺪ ﺑﺎﻷﺣﺒﺎﺏ ﺣﱴ‬

‫ﺭﺁﻙ ﺍﻟﺒﻌﺾ ﰲ ﺍﻟﻨﻮﻡ ﺍﳍﲏ‬

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‫ﴰﺎﺋﻞ ﻻ ﳛﻴﻂ ‪‬ﺎ ﺑﻴﺎﻥ‬

‫ﻭﻗﺪﺭ ﻓﻮﻕ ﻭﻫﻢ ﺍﻟﻌﺒﻘﺮﻱ‬

‫ﺃﺭﺩﺕ ﻷﻣﺪﺡ ﺍﳍﺎﺩﻱ ﺑﺸﻌﺮﻱ‬

‫ﻓﻌﺪﺕ ﻋﻠﻰ ﺍﻟﻔﺼﺎﺣﺔ ﻛﺎﻟﻌﻴﻲ‬

‫ﻓﻤﻦ ﱄ ﺑﺎﻟﺒﻼﻏﺔ ﻭﺍﳌﻌﺎﱐ‬

‫ﻭﻣﻦ ﱄ ﺑﺎﻟﲑﺍﻉ ﺍﻷﳌﻌﻲ‬

‫ﻭﻣﻦ ﺃﻳﻦ ﺍﳊﺮﻭﻑ ﻣﻌﻄﺮﺍﺕ‬

‫ﲤﺞ ﺍﳌﺴﻚ ﰲ ﻧﺸﺮ ﻭﻃﻲ‬

‫ﻓﻜﻴﻒ ﺃﺻﻮﻍ ﻣﺪ ‪‬ﺣﺎ ﰲ ﻧﱯ‬

‫ﺣﺒﺎﻩ ﺍﷲ ﺑﺎﻟﺬﻛﺮ ﺍﻟﻌﻠﻲ!؟‬

‫ﺃﻗﻤﺖ ﻋﻠﻰ ﳏﺒﺘﻜﻢ ﻭﻓ‪‬ﻴﺎ‬

‫ﻭﻗﺪ ﲡﺐ ﺍﻟﺸﻔﺎﻋﺔ ﻟﻠﻮﰲ‬

‫ﻣﻊ ﺍﳍﺠﺮﺓ ﻋﻠﻰ ﻣﺸﺎﺭﻑ ﺍﻟﻘﺮﻥ ﺍﳋﺎﻣﺲ ﻋﺸﺮ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻣﻨﺬﺭ ﻟﻄﻔﻲ‬

‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻌﻘﻴﺪ ﺍﻟﺮﻛﻦ ﺍﻟﻄﻴﺎﺭ ﳏﻤﺪ‬ ‫ﻣﻨﺬﺭ ﻟﻄﻔﻲ ﲝﻤﺎﺓ ﻋﺎﻡ ‪ 1935‬ﻭﺩﺭﺱ ﻓﻴﻬﺎ‪،‬‬ ‫ﰒ ﺍﻟﺘﺤﻖ ﺑﺎﻟﻜﻠﻴﺔ ﺍﳉﻮﻳﺔ ﻭﲣﺮﺝ ﻣﻨﻬﺎ ﺿﺎﺑ ﹰﻄﺎ‬ ‫ﻃﻴﺎ ‪‬ﺭﺍ‪...‬‬ ‫ﺭﺋﻴﺲ ﻓﺮﻉ ﺍﲢﺎﺩ ﺍﻟﻜﺘﺎﺏ ﺍﻟﻌﺮﺏ ﲝﻤﺎﺓ‪،‬‬ ‫ﻭﻋﻀﻮ ﳎﻠﺲ ﺍﻻﲢﺎﺩ ﺑﺪﻣﺸﻖ‪ ،‬ﻭﻋﻀﻮ ﲨﻌﻴﺔ ﺍﻟﺸﻌﺮ‪ .‬ﺗﺮﲨﺖ ﺑﻌﺾ ﻗﺼﺎﺋﺪﻩ ﺇﱃ ﻋﺪﺓ ﻟﻐﺎﺕ‪،‬‬ ‫ﻭﻓﺎﺯ ﺃﻛﺜﺮ ﻣﻦ ﻣﺮﺓ ﺑﺎﳉﺎﺋﺰﺓ ﺍﻷﻭﱃ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﳌﺴﺎﺑﻘﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻟﱵ ﺃﺟﺮﻳﺖ ﻗﻄﺮ‪‬ﻳﺎ‬ ‫ﻭﻋﺮﺑ‪‬ﻴﺎ‪.‬‬ ‫ﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ ﻟﻠﻜﺒﺎﺭ‪ :‬ﺃﻏﻨﻴﺔ ﺇﱃ ﺣﺒﻴﱯ‪ /‬ﻣﻦ ﺃﻏﺎﱐ ﺍﳌﻄﺮ‪ /‬ﺑﺎﺑﻞ ﻭﺍﻟﻀﻮﺀ ﺍﳉﺪﻳﺪ‪ /‬ﺣﻮﺍﺭ ﻣﻊ‬ ‫ﺍﳌﻬﺪﻱ ﺍﳌﻨﺘﻈﺮ‪ /‬ﺃﻣﻄﺎﺭ ﺍﻟﺮﺑﻴﻊ ﺍﻟﺪﺍﻓﺌﺔ‪ /‬ﺍﳌﻮﺕ ﰲ ﺷﺒﺎﺏ ﺍﻟﻨﻬﺎﺭ‪ /‬ﲨﻴﻠﺔ ﻫﻲ ﺍﳊﻴﺎﺓ‪ ،‬ﻭﻏﲑﻫﺎ‪.‬‬ ‫ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ ﻟﻠﺼﻐﺎﺭ‪ :‬ﺍﻟﺸﺒﺎﺏ ﺍﻟﻌﺎﺋﺪ‪ /‬ﻣﻦ ﺭﺃﻯ ﺍﻟﻌﻤﺎﻝ‪ /‬ﺍﳊﻘﻞ ﺍﻟﺴﻌﻴﺪ‪ /‬ﻭﺳﺎﻡ ﺍﻟﺘﻌﺎﻭﻥ‪/‬‬ ‫ﺍﻟﻘﻤﺮ ﻳﻐﲏ ﻟﻸﻃﻔﺎﻝ‪ ،‬ﻭﻏﲑﻫﺎ‪ ..‬ﻳﻘﻮﻝ ﰲ ﻗﺼﻴﺪﺗﻪ‪:‬‬ ‫ﳒﻤﺎﻥ ﻣﻦ ﻏﺮﺭ ﺍﻷﺻﻮﻝ‪ ..‬ﳒﻢ ﺍﻟﺮﺳﺎﻟﺔ‪ ..‬ﻭﺍﻟﺮﺳﻮﻝ‬ ‫ﻫﺬﺍ ﺷﻔﺎﺀ ﻟﻠﻨﻔﻮﺱ‪ ..‬ﻭﺫﺍﻙ ﻫﺪﻱ ﻟﻠﻌﻘﻮﻝ‬

‫ﻗﺪ ﻛﺎﻥ ﰲ »ﺃﻡ ﺍﻟﻘﺮﻯ« ﻟﻴﻼﻥ‪ ..‬ﻇﻠﻬﻤﺎ ﺛﻘﻴﻞ‬ ‫ﺷﺮﻙ ﻭﺟﻬﻞ ﻣﻄﺒﻘﺎﻥ‪ ..‬ﻓﻬﻞ ﺇﱃ ﺑﺮﺀ ﺳﺒﻴﻞ؟‬ ‫ﺣﱴ ﲡﻠﻰ ﺍﻟﻨﲑﺍﻥ‪ ..‬ﻓﺄﺯﻫﺮ ﺍﻟﻠﻴﻞ ﺍﻟﻄﻮﻳﻞ‬

‫ﻳﺎ ﻣﻮﺳﻢ ﺍﻟﻔﺠﺮ ﺍﻟﻨﺪﻱ‪ ..‬ﻭﻣﻮﺳﻢ ﺍﻟﺼﺒﺢ ﺍﳋﻀﻴﻞ‬ ‫ﻣﺎ ﺃﻧﺘﻤﺎ ﺇﻻ ﺍﻟﺸﺮﻭﻕ‪ ..‬ﺃﻃ ﹼﻞ ﳚﺘﺎﺡ ﺍﻷﻓﻮﻝ‬ ‫‪198‬‬

‫ﻣﺎ ﺃﻧﺘﻤﺎ ﺇﻻ ﺍﳋﻤﻴﻞ‪ ..‬ﺃﻇﻞ ﺻﺤﺮﺍﺀ ﺍﻟﻄﻠﻮﻝ‬ ‫ﻣﺎ ﺃﻧﺘﻤﺎ ﺇﻻ ﺍﻟﺸﺒﺎﺏ‪ ..‬ﻳﻀﻮﻉ ﰲ ﻛﻞ ﺍﻟﻔﺼﻮﻝ‬ ‫ﻣﺎ ﺃﻧﺘﻤﺎ ﰲ »ﻣﻜﺔ« ﺇﻻ ﺍﻟﺮﺳﺎﻟﺔ ﻭﺍﻟﺮﺳﻮﻝ‬ ‫ﻳﺎ ﻣﻦ ﺃﺿﺎﺀ ﺩﺟﻰ ﺍﻟﺪﺭﻭﺏ‪ ..‬ﻓﺄﺷﺮﻗﺖ ﻛﻞ ﺍﻟﺪﺭﻭﺏ‬ ‫ﺍﳊﻖ ﺷﺮﻋﻚ ﻓﺎﻣﺾ ﻓﻴﻪ‪ ..‬ﻓﺄﻧﺖ ﺭﺍﺋﺪﻧﺎ ﺍﳊﺒﻴﺐ‬ ‫ﻋﻤﻴﺖ ﻋﻘﻮﻝ ﺍﻟﻨﺎﺱ ﺩﻫ ‪‬ﺮﺍ‪ ..‬ﻭﺍﻟﻀﻤﺎﺋﺮ ﻭﺍﻟﻘﻠﻮﺏ‬ ‫ﺍﻧﺸﺮ ﻣﺼﺎﺑﻴﺢ ﺍﻟﻀﻴﺎﺀ‪ ..‬ﻋﻠﻰ ﺍﳌﺪﺍﺋﻦ ﻭﺍﻟﺸﻌﻮﺏ‬

‫ﺿﺎﻗﺖ »ﻗﺮﻳﺶ« ﺑﻨﻮﺭﻙ ﺍﻟﻮﺿﺎﺀ ﺑﺎﻟﺪﻭﺡ ﺍﻟﺮﻃﻴﺐ‬ ‫ﻓﻤﻀﺖ ﺗﺪﺑﺮ ﰲ ﺍﳋﻔﺎﺀ ﻭﰲ ﺍﻟﻀﺤﻰ ﺃﻣ ‪‬ﺮﺍ ﻋﺼﻴﺐ‬ ‫ﻟﻜ ‪‬ﻦ ‪‬ﻣﻦ ﺣ ِﻔﻆ ﺍﻹﻟﻪ‪ ..‬ﻓﻠﻴﺲ ﺗﺪﺭﻛﻪ ﺍﳋﻄﻮﺏ‬ ‫»ﻓﺎﺻﺪﻉ ﲟﺎ ﺗﺆﻣﺮ« ﻭﻫﺎﺟﺮ‪ ..‬ﺇﻥ ﻣﻮﻻﻙ »ﺍﳊﺴﻴﺐ«‬ ‫ﺧﺮﺝ »ﺍﻟﺮﺳﻮﻝ« ﻭﺭﺍﺡ ﳛﺴﻮ ﺍﻟﺘﺮﺏ ﰲ ﻛﻞ ﺍﻟﻌﻴﻮﻥ‬ ‫ﻭﳝﺮ‪ ..‬ﻓﺎﳊﺮﺍﺱ ﰲ ِﺳﻨﺔ ﻋﻦ ﺍﻟﻜﱰ ﺍﻟﺜﻤﲔ‬ ‫ﺣﱴ ﺇﺫﺍ ﻃﻠﻊ ﺍﻟﺼﺒﺎﺡ ‪ ..‬ﻭﻭﺷﺢ ﺍﻟﺒﻴﺖ ﺍﳊﺰﻳﻦ‬

‫ﺩﺧﻠﺖ »ﻗﺮﻳﺶ« ﻓﻬﺎﳍﺎ »ﺍﻟﻼ ﺷﻲﺀ« ﻭﺍﻟﺼﻤﺖ ﺍﳌﺒﲔ‬ ‫ﱂ ﺗﻠﻖ ﰲ ﺍﻟﺒﻴﺖ ﺍﻟﺮﺳﻮﻝ‪ ..‬ﻭﱂ ﲡﺪ ﺇﻻ ﺍﳋﺪﻳﻦ‬ ‫ﺣﺎﺭﺕ ﻭﺣﺎﺭ ﺩﻟﻴﻠﻬﺎ ﺍﻷﺷﻘﻰ ﻭﺣﺎﺩﻳﻬﺎ ﺍﻟﻠﻌﲔ‬ ‫ﺣﱴ ﺇﺫﺍ ﻻﺣﺖ ﻟﻪ ﺁﺛﺎﺭ ﺃﻗﺪﺍﻡ »ﺍﻷﻣﲔ«‬ ‫ﺛﺎﺭﺕ ﺣﻔﻴﻈﺘﻪ‪ ..‬ﻭﺭﺍﺡ ﻳﺪﻕ ﻧﺎﻗﻮﺱ ﺍﳌﻨﻮﻥ‬ ‫ﻗﺼﺪ ﺍﻟﺮﺳﻮﻝ »ﺍﻟﻐﺎﺭ« ﻭ»ﺍﻟﺼﺪﻳﻖ« ﰲ ﺟﻨﺢ ﺍﻟﻈﻼﻡ‬

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‫ﻭﺍﻟﻘﻮﻡ ‪ -‬ﻳﺎ ﻟﻠﻘﻮﻡ ‪ -‬ﻛﺎﻧﻮﺍ ﻏﺎﺭﻗﲔ ﻣﻊ ﺍﻟﻨﻴﺎﻡ‬ ‫ﻭ‪‬ﺑﻨﻴﺔﹲ ﲰﺮﺍﺀ ﻳﻌﻤﺮ ﻗﻠﺒﻬﺎ ﺍﻟﻨﻮﺭ ﺍﻟﺘﻤﺎﻡ‬ ‫ﺭﺍﺣﺖ ﺗﺸﻖ ﻧﻄﺎﻗﻬﺎ‪ ..‬ﲣﻔﻲ ﻋﻦ ﺍﻟﻘﻮﻡ ﺍﻟﻄﻌﺎﻡ‬ ‫ﺗﺴﻌﻰ ﺇﱃ ﺍﻟﻐﺎﺭ ﺍﻟﺬﻱ ﻗﺪ ﺿﻢ ﺁﻣﺎﻝ ﺍﻷﻧﺎﻡ‬ ‫ﻧﺴﺠﺖ ﻋﻨﺎﻛﺒﻪ ﺍﳋﻴﻮﻁ‪ ..‬ﻭﺑﺎﺽ ﺑﺎﻟﺒﺎﺏ ﺍﳊﻤﺎﻡ‬ ‫ﺣﱴ ﺇﺫﺍ ﻭﺻﻠﺖ »ﻗﺮﻳﺶ« ﺍﻟﻐﺎﺭ‪ ..‬ﻭﺍﺣﺘﺪﻡ ﺍﻟﻜﻼﻡ‬ ‫ﺃﻭﺣﻰ ﺇﻟﻴﻪ ﺍﷲ ﺃﻥ ﺍﻟﻘﻮﻡ ﻗﺪ ﺿﻠﻮﺍ ﺍﳌﺮﺍﻡ‬ ‫ﻓﺮﻧﺎ ﺇﱃ »ﺍﻟﺼﺪﻳﻖ« ﰲ ﺑﺸﺮ ﻳﺰﻑ ﻟﻪ ﺍﻟﺴﻼﻡ‬ ‫ﻭﻳﻘﻮﻝ‪ :‬ﺇﻥ ﺍﷲ ﺛﺎﻟﺜﻨﺎ‪ ..‬ﻓﻼ ﲣﺶ ﺍﻟﻠﺌﺎﻡ‬ ‫ﻣﺮﺕ ﺛﻼﺙ ﰒ ﳌﺎ ﺃﻋﻘﺐ ﺍﻟﻠﻴﻞ‪ ..‬ﺍﻟﻨﻬﺎﺭ‬ ‫ﺣﻀﺮ ﺍﻟﻐﻼﻡ ﻳﻘﻮﺩ ﺭﺍﺣﻠﺔ‪ ..‬ﻓﻀﺎﺀ ﺍﻻﻧﺘﻈﺎﺭ‬ ‫ﻫﻴﺎ‪ ..‬ﻭﺭﺍﺣﺎ ﻳﻨﻬﺒﺎﻥ ﺍﻟﺴﻬﻞ ﻭﺍﻟﺒﻴﺪ ﺍﻟﻘﻔﺎﺭ‬ ‫ﻭﻣﻀﺖ »ﻗﺮﻳﺶ« ﺑﺒﺤﺜﻬﺎ ﺍﶈﻤﻮﻡ ﺗﺴﺄﻝ ﻛﻞ ﺩﺍﺭ‬ ‫ﻫﺬﺍ ﺍﻟﻜﻤﻲ »ﺳﺮﺍﻗﺔ« ﺃﻏﺮﺗﻪ ﺟﺎﺋﺰﺓ ﺍﳊﺮﺍﺭ‬ ‫ﻟﻜ ‪‬ﻦ ﻣﻦ ﺣﻔﻆ ﺍﻹﻟﻪ ﻓﻠﻴﺲ ﻳﺪﺭﻛﻪ ﺍﻟﻌﺜﺎﺭ‬ ‫ﺣﱴ ﺇﺫﺍ ﻻﺣﺖ ﳍﻢ ﻭﺍﺣﺎﺕ »ﻳﺜﺮﺏ« ﻭﺍﳉﺪﺍﺭ‬ ‫ﺭﺍﺣﺖ ﻣﻮﺍﻛﺒﻬﺎ ﲤﻮﺝ‪ ..‬ﻭﺯﻳﻦ ﺍﻟﻠﻘﻴﺎ ﺍﻧﺘﺼﺎﺭ‬ ‫ﻭﻃﻠﻌﺖ ﺑﺪ ‪‬ﺭﺍ »ﻣﻦ ﺛﻨﻴﺎﺕ ﺍﻟﻮﺩﺍﻉ« ﻋﻠﻰ ﺍﻟﺪﻳﺎﺭ‬ ‫‪200‬‬

‫ﻣﻦ ﻛﻞ ﻣﺜﻠﻚ ﻳﺎ »ﳏﻤﺪ« ﻟﻦ ﻳﻀﻞ ﻭﻟﻦ ﳜﻴﺐ‬ ‫ﻣﺎ ﻛﺎﻥ ﺃﺣﻮﺟﻨﺎ ﺇﻟﻴﻚ‪ ..‬ﻭﻗﺪ ﺗﻜﺎﺛﺮﺕ ﺍﳋﻄﻮﺏ‬ ‫ﻣﺎ ﻛﺎﻥ ﺃﺣﻮﺟﻨﺎ ﳌﻦ ﻧﺸﺮ ﺍﻷﺧﻮﺓ ﰲ ﺍﻟﺸﻌﻮﺏ‬ ‫ﻻ ﻓﺮﻕ ﰲ ﺟﻨﺲ ﻭﰲ ﻟﻮﻥ‪ ..‬ﻭﰲ ﺣﺴﺐ ﻗﺮﻳﺐ‬ ‫ﺍﻟﻔﺮﻕ ﺑﺎﻷﻋﻤﺎﻝ‪ ..‬ﻓﺎﺻﻨﻊ ﺩﻭﻟﺔ ﺗﺄﰉ ﺍﻟﻐﺮﻭﺏ‬ ‫ﺇﻥ ﺻﻮ‪‬ﺣﺖ ﺟﻨﺎ‪‬ﺎ‪ ..‬ﻓﻐ ‪‬ﺪﺍ ‪‬ﺗﻤﺎﻭﺝ ﺑﺎﻟﻄﻴﻮﺏ‬ ‫ﻭﻟﺌﻦ ﺧﺒﺖ ﻧﲑﺍ‪‬ﺎ‪ ..‬ﻓﻐ ‪‬ﺪﺍ ﻳﺒﺎﺭﻛﻨﺎ ﺍﻟﻠﻬﻴﺐ‬ ‫ﺃﻛﱪﺕ ﺷﺮﻋﻚ ﺃﻥ ﻳﻐِّﻴﺒﻪ ﺯﻣﺎﻥ ﺃﻭ ﻳﻐﻴﺐ‬ ‫ﺃﻛﱪﺗﻪ‪ ..‬ﺃﻛﱪﺕ ﻣﻜﺔ‪ ،‬ﻭﺍﳌﺪﻳﻨﺔ‪ ،‬ﻭﺍﳊﺒﻴﺐ‬ ‫ﺃﺩﻋﻮ ﺍﻹﻟﻪ ﺑﺄﻥ ﺗﻜﻮﻥ ﱄ ﺍﻟﺸﻔﻴﻊ ﻣﻦ ﺍﻟﺬﻧﻮﺏ‬ ‫ﺃﺩﻋﻮﻩ ﻭﻫﻮ ﻫﻮ ﺍﻟﺴﻤﻴﻊ‪ ..‬ﻫﻮ ﺍﻟﻐﻔﻮﺭ‪ ..‬ﻫﻮ ﺍ‪‬ﻴﺐ‬

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‫ﺤﻤ‪‬ﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫‪‬ﻣ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﻮﺩ ﺍﻟﺪﻟﻴﻤﻲ‬

‫ﻭﻟﺪ ﺍﳌﻬﻨﺪﺱ ﺍﳌﺪﱐ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻌﺮﺍﻗﻲ ﺍﳌﻤﻴﺰ ﳏﻤﻮﺩ ﳏﻤﺪ‬ ‫ﺳﻠﻴﻤﺎﻥ ﺍﻟﺪﻟﻴﻤﻲ ‪ ،1962‬ﻟﻪ ﻣﺸﺎﺭﻛﺎﺕ ﺷﻌﺮﻳﺔ ﻭﺍﺳﻌﺔ‪ ،‬ﺣﺼﺪ‬ ‫ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳉﻮﺍﺋﺰ ﺍﻷﺩﺑﻴﺔ‪ ،‬ﻭﻣﻨﻬﺎ‪ :‬ﺟﺎﺋﺰﺓ ﺍﻟﱪﺩﺓ‪ ،‬ﻭﻧﺎﻝ ﻫﻨﺎﻟﻚ‬

‫ﻟﻘﺐ‪ :‬ﺷﺎﻋﺮ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ ،‬ﻭﺟﺎﺋﺰﺓ ﻧﺎﺩﻱ‬ ‫ﺗﺮﺍﺙ ﺍﻹﻣﺎﺭﺍﰐ‪ .‬ﻭﻓﺎﺯﺕ ﻗﺼﻴﺪﺗﻪ‪ :‬ﻃﻠﻞ‪ ،‬ﺑﻠﻘﺐ ﻣﻌﻠﻘﺔ ﻋﻜﺎﻅ‬

‫ﻋﺎﻡ ‪ ،2004‬ﻭﺍﳉﺎﺋﺰﺓ ﺍﻷﻭﱃ ﳉﺎﺋﺰﺓ ﺩﰊ ﻟﻠﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ‪ ،‬ﻭﻋﺪﺩ ﻣﻦ ﺍﳉﻮﺍﺋﺰ‪ ،‬ﻭﻟﻪ ﺍﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫ﺍﻷﻧﺎﺷﻴﺪ ﺍﻟﻮﻃﻨﻴﺔ ﻭﺍﻹﺳﻼﻣﻴﺔ‪.‬‬ ‫ﻭﺻﺪﺭﺕ ﻟﻪ ﻋﻦ ﺍﲢﺎﺩ ﺍﻟﻜﺘﺎﺏ ﺍﻟﻌﺮﺏ ﳎﻤﻮﻋﺔ ﺷﻌﺮﻳﺔ ﺑﻌﻨﻮﺍﻥ‪ :‬ﺑﺎﻧﻮﺭﺍﻣﺎ ﺍﻟﻄﻮﻓﺎﻥ‪ ،‬ﻭﻟﻪ‬

‫ﻛﺬﻟﻚ‪ :‬ﺣﺪﺍﺀ ﻭﻗﻮﺍﺭﻳﺮ‪ ،‬ﻭﳑﺎ ﺗﺒﻘﻰ‪ ،‬ﻭﺟﺬﻭﺓ ﻣﻦ ﺣﺮﻳﻖ‪ ،‬ﻭﻓﺮﺍﺷﺎﺕ ﻗﻮﺱ ﻗﺰﺡ )ﻟﻸﻃﻔﺎﻝ(‪.‬‬

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‫ﺻﻔﹶﺎِﺗ ‪‬ﻪ‬ ‫ﹶﺃ ِﻋﻨ‪‬ﻲ ﺑﺎﳋﹶﻴﺎ ِﻝ ﻋﻠﻰ ِ‬

‫ﻕ ﺍﻟﻜﹶﻼ ‪‬ﻡ ِﺑﻤ‪‬ﻔ ‪‬ﺮﺩ‪‬ﺍِﺗ ‪‬ﻪ‬ ‫ﹶﻓﻘﹶﺪ ﺿﺎ ‪‬‬

‫ﻑ ﻓﹸﺆﺍﺩﻱ‬ ‫ﻋﻠﻰ ﺃﱐ ﻣﱴ ﺃﹶﻗ ِﺬ ‪‬‬

‫ﺐ ﺳﺎﻛِﻨﺎِﺗ ‪‬ﻪ‬ ‫ﻚ ﹸﺃ ِﳍ ‪‬‬ ‫ِﺑﺒ‪‬ﺤ ٍﺮ ﻣﻨ ‪‬‬

‫ﺦ ﻇﹶﻬ ‪‬ﺮﺍ‬ ‫ﺖ ﹶﻃﺮ‪‬ﺍِﺋ ‪‬ﻖ ﺍﻟﺘﺎﺭﻳ ِ‬ ‫‪‬ﺭﻛِﺒ ‪‬‬

‫ﺖ ﻋ‪‬ﻠﻰ ﻓﹶﺮﺍِﺋ ِﺪ ﻣ‪‬ﻤﻠﹶﻜﺎِﺗ ‪‬ﻪ‬ ‫‪‬ﻭﻃﹸﻔ ‪‬‬

‫ﺖ ِﺑ ﹶﻔﻤِﻲ ﺍﻟﻘﹶﻮﺍﻓِﻲ‬ ‫ﺡ ﻓﺄﹸﺧ ِﺮ ‪‬ﺳ ِ‬ ‫ﻭﻻ ‪‬‬

‫ﹶﻛ ‪‬ﻤ ‪‬ﻦ ﹶﻟ ‪‬ﻢ ﻳ‪‬ﻠ ‪‬ﻖ ﺣ‪‬ﺴ‪‬ﻨﺎ ﰲ ‪‬ﺣﻴ‪‬ﺎِﺗ ‪‬ﻪ‬

‫ﺸ ِﺔ ﻧﺎ ِﻇﺮ‪‬ﻳ ِﻪ‬ ‫ﻛﹶﺄﻋﻤﻰ ﻣِﻞ َﺀ ﺩ‪‬ﻫ ‪‬‬

‫ﺗ‪‬ﻔﺎ ‪‬ﺟﹶﺄ ﺑﺎﳉِﻨﺎ ِﻥ ﻣ‪‬ﻀﺎ ِﺣﻜﹶﺎِﺗ ‪‬ﻪ‬

‫ﻁ ﹸﻛ ﱠﻞ ﺍﳊﹸﺴ ِﻦ ‪‬ﺣﺘ‪‬ﻰ‬ ‫ﺤ ‪‬ﻤﺪ‪ "‬ﺣﺎ ﹶ‬ ‫"ﻣ‪ ‬‬

‫ﺴﻤ‪‬ﻴﺎِﺗ ‪‬ﻪ‬ ‫ﺴﻤ‪‬ﺎ ‪‬ﻩ ِﺑ ﹸﻜ ﱢﻞ ﻣ‪ ‬‬ ‫‪‬ﺗ ‪‬‬

‫ﺤ ‪‬ﻤﺪ‪ "‬ﺃﹶﺣ ‪‬ﺮﻑ‪ ‬ﹸﻗ‪‬ﺒﻞﹲ ﺷِﻔﺎﻫِﻲ‬ ‫"ﻣ‪ ‬‬

‫ﳍﺎ ﻗﹶﻠﺒِﻲ ِﺑ ﹸﻜ ﱢﻞ ‪‬ﺗ‪‬ﻨﻬ‪‬ﺪﺍِﺗ ‪‬ﻪ‬

‫ﹸﺃ ِﺩ ﱡﻝ ِﺑﺤ‪‬ﺒ ِﻪ ﹶﺃﻧ‪‬ﺎ‪ ..‬ﻻ ‪‬ﻋﻠﹶﻴ ِﻪ‬

‫‪‬ﻋ ﹶﻠ ‪‬ﻲ؛ ﻓﺈﻧ‪‬ﻤﺎ ﺃﻧﺎ ﻣﻦ ﻫِﺒﺎِﺗ ‪‬ﻪ‬

‫‪‬ﺗﻠﹶﻤ ِﻠ ‪‬ﻤﻨِﻲ ﺍﻟﺼ‪‬ﻼ ﹸﺓ ‪‬ﻋﻠﹶﻴ ِﻪ ﻗﹶﻠ‪‬ﺒﺎ‬

‫ﲔ ‪‬ﻳﺪ‪‬ﻱ ﺻ‪‬ﻼِﺗ ‪‬ﻪ‬ ‫ﺸﻈﱠﻰ ﻭ‪‬ﻫﻮ ‪‬ﺑ ‪‬‬ ‫‪‬ﺗ ‪‬‬

‫ﺻ ﱢﻠ ‪‬ﻲ ﻓِﻲ ﺻ‪‬ﻼﺗِﻲ‬ ‫ﺻﻠﱢﻲ ﻛﹶﻲ ﺃﹸ ‪‬‬ ‫ﹸﺃ ‪‬‬

‫ﱯ ﻭﺍﻟﺘِﻔﺎِﺗ ‪‬ﻪ‬ ‫‪‬ﻋﻠﹶﻴ ِﻪ‪ ..‬ﹶﻓﻴ‪‬ﺎ ﹶﻟﻘﹶﻠ ‪‬‬

‫ﺤ‪‬ﺒﺘ‪‬ﻪ‪ ‬ﹶﻗﻮ‪‬ﺍ ‪‬ﻡ ﺣﻴﺎ ِﺓ ﻗﻠﱯ‬ ‫‪‬ﻣ ‪‬‬

‫ﺃ ‪‬ﺟ ﹾﻞ‪ ..‬ﻣ‪‬ﺎ ﻗﹶﺎ ‪‬ﻡ ﻟﹶﻮﻻﻫﺎ ِﺑﺬﹶﺍِﺗ ‪‬ﻪ‬

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‫ﱯ ﻭ‪‬ﻫﻮ ﻳ‪‬ﻨﺒﺾ‪ ‬ﺃﹸﻣﻨِﻴﺎﺗِﻲ‬ ‫ﹶﻓﻘﹶﻠ ‪‬‬

‫ﺾ ﺃﹸﻣﻨِﻴﺎِﺗ ‪‬ﻪ‬ ‫ﻳ‪‬ﺨﺎِﺗﻠﹸِﻨﻲ ِﻟﻴ‪‬ﻨﺒ ‪‬‬

‫ﻑ ﻃﹶﺮﻓِﻲ‬ ‫‪‬ﻭﻣِﻦ ﻗﹶﺒ ِﻞ ﺍﺭﺗِﺪﺍ ِﺩ ﺍﻟﻄﱠﺮ ِ‬

‫‪‬ﻳﻜﹸﻮ ﹸﻥ ِﺑ ﹶﻜ ﱢﻔ ِﻪ ﹶﻟﻮ ﻗﹶﺎ ﹶﻝ‪ :‬ﻫﺎِﺗ ‪‬ﻪ‬

‫ﺐ ‪‬ﺣﺘ‪‬ﻰ‬ ‫ﺤ ‪‬ﻤ ‪‬ﺪﺍ ‪‬ﻭﺃﹸ ِﺣ ‪‬‬ ‫ﺐ ﻣ‪ ‬‬ ‫ﹸﺃ ِﺣ ‪‬‬

‫ِﺑ ِﻪ ﻣ‪‬ﻦ ﻗﹶﺪ ﻳ‪‬ﺮﺍﻧِﻲ ﻣِﻦ ﻋ‪‬ﺪﺍِﺗ ‪‬ﻪ‬

‫ﺖ‬ ‫ﺠ ‪‬ﺰﺓﹲ ﺧ‪‬ﻼِﺋﻘﹸﻪ‪ ‬ﺗﻤ‪‬ﺎ ‪‬ﻫ ‪‬‬ ‫‪‬ﻭﻣ‪‬ﻌ ِ‬

‫ﺠﺰ‪‬ﺍِﺗ ‪‬ﻪ‬ ‫ﺏ ‪‬ﻭﻣ‪‬ﻌ ِ‬ ‫ﺕ ﺍﻟﻜِﺘﺎ ِ‬ ‫ﺑِﺂﻳﺎ ِ‬

‫‪‬ﺷﻤ‪‬ﺎِﺋﻞﹸ ﺭ‪‬ﻭ ‪‬ﻋ ﹶﺔ ﺍﻟﻘﺮﺁ ِﻥ‪ ..‬ﻓﹶﺎﻧ ﹸﻈ ‪‬ﺮ‬

‫ِﻟﻤ‪‬ﺤ ﹶﻜﻤِﻬﺎ ‪‬ﺗﺠِﺪﻫﺎ ﻣ‪‬ﺤﻜﹶﻤﺎِﺗ ‪‬ﻪ‬

‫ﺕ‬ ‫ﻑ ﺍﻟﻀ‪‬ﺎ ِﺩ ﺿ‪‬ﺎ َﺀ ‪‬‬ ‫‪‬ﻭﻓِﻲ ﹶﻓ ِﻤ ِﻪ ﺣ‪‬ﺮﻭ ‪‬‬

‫ﻕ ﰲ ﹶﻟﻬ‪‬ﺎِﺗ ‪‬ﻪ‬ ‫ﺲ ﺗ‪‬ﺸ ِﺮ ‪‬‬ ‫ﻛﺄ ﱠﻥ ﺍﻟﺸ‪‬ﻤ ‪‬‬

‫ﺕ ﺗ‪‬ﻤﻀِﻲ‬ ‫ﺛﹶﻮﺍ ِﻛ ﹶﻞ ﻧ‪‬ﻔﺴِﻬﺎ ﺍﻟﺴ‪‬ﺎﻋﺎ ‪‬‬

‫ﺖ ﺛﺎﻛِﻼِﺗ ‪‬ﻪ‬ ‫‪‬ﻭﻟﹶﻢ ﺗ‪‬ﺬﻛﹸﺮﻩ‪ ..‬ﻟﹶﻴﺴ ‪‬‬

‫ﹶﻓﻮ‪‬ﻗﺖ‪ ‬ﻻ ‪‬ﻳ ‪‬ﻤ ‪‬ﺮ ِﺑ ِﻪ ﻣ‪‬ﻮﺍﺕ‪‬‬

‫ﺖ ﺍﻟﺪ‪‬ﻗﺎﺋ ‪‬ﻖ ﻣِﻦ ﺭ‪‬ﻓﺎِﺗ ِﻪ‬ ‫‪‬ﺗﻨ‪‬ﺎﺗ‪‬ﻨ ِ‬

‫ﺼ ﱢﻞ ‪‬ﻋﻠﹶﻴ ِﻪ ﺷ‪‬ﺆﻡ‪‬‬ ‫‪‬ﻭﺃﹶﺭﺽ‪ ‬ﻟﹶﻢ ‪‬ﺗ ‪‬‬

‫ﻆ ﻣِﻨﻬﺎ ﺭ‪‬ﺍﺣِﻼِﺗ ‪‬ﻪ‬ ‫ﳊﱡ‬ ‫‪‬ﻳ ‪‬ﺰ ‪‬ﻡ ﺍ ﹶ‬

‫ﺝ‬ ‫ﹶﺃﺗ‪‬ﻰ ﻭﺍﻟﻜﹶﻮ ﹸﻥ ﻛﹶﻬﻒ‪ ‬ﻣِﻦ ﺩ‪‬ﻳﺎ ٍ‬

‫‪‬ﺭﻗﹶﺪ ﹶﻥ ﻋﻠﻰ ﺻ‪‬ﺨﻮ ِﺭ ﺗ‪‬ﻨﺎﻗﹸﻀﺎِﺗ ‪‬ﻪ‬

‫‪‬ﻭﺃﹸﻓﻖ‪ ‬ﺳﺎﺋﻖ‪ ‬ﹶﺃ ‪‬ﻣ ﹰﻠﺎ ﻷﻓ ٍﻖ‬

‫ﻳ‪‬ﺴﻴﻞﹸ ﺳ‪‬ﺮﺍﺑ‪‬ﻪ‪ِ ‬ﺑﺤ‪‬ﺪﺍ ﺣ‪‬ﺪﺍِﺗ ‪‬ﻪ‬

‫ﻉ‬ ‫‪‬ﻭ"ﺇِﺑﺮﺍﻫﻴ ‪‬ﻢ" ﺑﺎ ﹶﻥ ﺳﻮﻯ ﺷ‪‬ﻌﺎ ٍ‬

‫ﻒ ﺇﱃ ﻫ‪‬ﺪﺍِﺗ ‪‬ﻪ‬ ‫‪‬ﻳﻘﹸﻮ ‪‬ﺩ ‪‬ﻳ ‪‬ﺪ ﺍﳊﹶﻨﻴ ِ‬

‫ﻱ ﻧ‪‬ﺠ ٍﻢ‬ ‫ﺕ ﺍﻟﺴ‪‬ﻤﺎ ُﺀ ﹶﻓﹶﺄ ‪‬‬ ‫‪‬ﻭﺯ‪ ‬ﻭ ‪‬ﺭ ِ‬

‫ﺸ ﱠﻜﻚ‪ ‬ﰲ ﺛﹶﺒﺎِﺗ ‪‬ﻪ‬ ‫ﻳ‪‬ﺸﺎ ‪‬ﺭ ﹶﻟﻪ‪ ‬ﻳ‪ ‬‬

‫ﺸﻜﹼﻰ‬ ‫ﹶﺃﺗ‪‬ﻰ ﻭﺍﻟﻜﹶﻌ‪‬ﺒﺔﹸ ﺍﻟﻄﱡﻬﺮﻯ ‪‬ﺗ ‪‬‬

‫ﻆ ﻳ‪‬ﺪﻣ‪‬ﻰ ﻣِﻦ ﻗﹶﺬﺍِﺗ ‪‬ﻪ‬ ‫ﺷ‪‬ﻜﺎﻳﺎ ﺍﻟﻠﹼﺤ ِ‬

‫ﺛﹶﺂﻟﻴ ﹰﻠﺎ ﻋﻠﻰ ﻭ‪‬ﺟ ٍﻪ ‪‬ﻧ ِﻘ ‪‬ﻲ‬

‫ﺠ ‪‬ﺮﺩ‪ ‬ﻣِﻦ ‪‬ﺣﺼ‪‬ﺎِﺗ ‪‬ﻪ‬ ‫ﺨ ‪‬ﺮ ﻟﹶﻬﺎ ﺍﳌﹸ ‪‬‬ ‫‪‬ﻳ ِ‬

‫ﻱ ﻓﻴﻬﺎ ﺫﺍ ﻣ‪‬ﻜﺎ ٍﺀ‬ ‫ﻑ ﺍﻟﻌ‪‬ﺮ ‪‬‬ ‫‪‬ﻳﻄﹸﻮ ‪‬‬

‫‪‬ﻭﺗ‪‬ﺼﺪِﻳ ٍﺔ‪ ..‬ﹶﻓﺘ‪‬ﻐﻀِﻲ ﻋ‪‬ﻦ ‪‬ﻫﻨ‪‬ﺎِﺗ ‪‬ﻪ‬

‫ﺏ ﺭ‪‬ﻭ ‪‬ﺣﺎ‬ ‫ﳊﻴ‪‬ﺎ ﹸﺓ ﹶﻓ ‪‬ﺪ ‪‬‬ ‫ﺕﺍﹶ‬ ‫ﺠ ‪‬ﺮ ِ‬ ‫ﺤ‪‬‬ ‫‪‬ﺗ ‪‬‬

‫ﺾ ﹸﻛ ﱠﻞ ﺷ‪‬ﻲ ٍﺀ ﻣﻦ ﺳ‪‬ﺒﺎِﺗ ‪‬ﻪ‬ ‫ِﻟﻴ‪‬ﻨ ِﻬ ‪‬‬

‫ﻉ ﻓﹶﺄﺿﺤﻰ‬ ‫ﲑ ﺫِﻱ ﺯ‪‬ﺭ ٍ‬ ‫ﺑِﻮﺍ ٍﺩ ﹶﻏ ِ‬

‫ﺶ ‪‬ﻋﻠﹶﻰ ﻧ‪‬ﺒﺎِﺗ ‪‬ﻪ‬ ‫ﻭﺃﺟﻴﺎﻝﹲ ‪‬ﺗﻌِﻴ ‪‬‬

‫‪‬ﻣﺸِﻴﺌ ﹸﺔ ﻣ‪‬ﻦ ﻣ‪‬ﺸﻴﹶﺌﺘ‪‬ﻪ‪ ‬ﻧ‪‬ﻔﺎﺫﹲ‬

‫ﺸ ‪‬ﻖ ﻋﻠﻰ ﺍﳌﹸﺤﺎ ِﻝ ﻣ‪‬ﻌﺴ ﹶﻜﺮ‪‬ﺍِﺗ ‪‬ﻪ‬ ‫‪‬ﻳ ‪‬‬

‫‪‬ﻭﺃﹶﻳ ٍﺪ ﺇ ﹾﻥ ﹶﻗﻀ‪‬ﺖ ﺇﻋﻼ َﺀ ﺩِﻳ ٍﻦ‬

‫ﻋ‪‬ﻼ ‪‬ﺣﺘ‪‬ﻰ ﺑﺄﻳ ٍﺪ ﺷﺎﻧِﺌﺎِﺗ ‪‬ﻪ‬

‫ﺴ ‪‬ﺪﺍ ‪‬ﻭﺭ‪‬ﻭ ‪‬ﺣﺎ‬ ‫ﻕ ﺍﻟﻌ‪‬ﻼ ‪‬ﺟ ‪‬‬ ‫ﻋ‪‬ﻼ ﻓﹶﻮ ‪‬‬

‫ﻕ ‪‬ﺭ ﱠﻛ ‪‬ﺰ ﺧ‪‬ﺎﻓﻘﺎِﺗ ‪‬ﻪ‬ ‫ﻕ ﺍﻟﻔﹶﻮ ِ‬ ‫ﻭ‪‬ﻓﻮ ‪‬‬

‫‪‬ﻭﻃﹶﺎ ‪‬ﺭ ِﻟﺴِﺪ ‪‬ﺭ ٍﺓ ﹶﻟﻮ ﻟﹶﻢ ‪‬ﻳ ﹸﻄﻠﹾﻬﺎ‬

‫ﻫﻮﺕ ﺷﻮ ﹰﻗﺎ ﺇﻟﻴﻪ ﰲ ﻓﻼﺗﻪ‬

‫ﺖ ﺍﻟ ﹶﻔﻀ‪‬ﺎﺋﻞﹸ ﻓِﻴ ِﻪ ﺣﺘ‪‬ﻰ‬ ‫ﺴ ِ‬ ‫‪‬ﺗﻨ‪‬ﺎ ﹶﻓ ‪‬‬

‫ﺖ ﺍﳌﹶﺨﺎ ﹶﻓ ﹶﺔ ﻣﻦ ﹶﻓﻮ‪‬ﺍِﺗ ‪‬ﻪ‬ ‫ﺗ‪‬ﻘﺎ ‪‬ﺳ ‪‬ﻤ ِ‬

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‫ﺖ ﻓﻴﻪ ﺍﻟ ﹶﻘﻮ‪‬ﺍﻓِﻲ‬ ‫‪‬ﻭﻣ‪‬ﻬﻤﺎ ﺑ‪‬ﺎﹶﻟ ‪‬ﻐ ‪‬‬

‫‪‬ﺗ ﹶﻈ ﱡﻞ ﻋﻠﻰ ‪‬ﺳﻮ‪‬ﺍ ِﺣ ِﻞ ﻣ‪‬ﻌﺠِﺰﺍِﺗ ‪‬ﻪ‬

‫ﺖ‬ ‫ﺸ ﱠﻄ ‪‬‬ ‫ﺸﺮ‪ ‬ﹶﻟ ‪‬‬ ‫ﻓﹶﻠﻮﻻ ﹶﺃ‪‬ﻧﻪ‪ ‬ﺑ ‪‬‬

‫ﻂ ﺍﻟﺴ‪‬ﻠﻴ ِﻢ ِﺑﻬ‪‬ﻠﻮ‪‬ﺳﺎِﺗ ‪‬ﻪ‬ ‫ِﺑ ِﻪ ‪‬ﺷ ﹶﻄ ﹶ‬

‫ﺱ ﺇﺷﻔﺎ ﹰﻗﺎ ﻭﺣ‪‬ﺒﺎ‬ ‫‪‬ﺳﻌ‪‬ﻰ ﻟﻠﻨﺎ ِ‬

‫ﹶﻛﻤ‪‬ﺎ ﻳ‪‬ﺴﻌ‪‬ﻰ ﺍﻟﻐ‪‬ﺮﻳ ‪‬ﻖ ﺇﱃ ‪‬ﻧﺠ‪‬ﺎِﺗ ‪‬ﻪ‬

‫ﲪ ﹰﺔ ﻟِﻠﺨﻠ ِﻖ‪ ..‬ﺃﹶﻭﻟﹶﻰ‬ ‫‪‬ﻭﺃﹸﺭ ِﺳ ﹶﻞ ‪‬ﺭ ‪‬‬

‫ِﺑﻤ‪‬ﺮ ٍﺀ ﻣِﻦ ﺑ‪‬ﻨﻴ ِﻪ ‪‬ﻭﻣِﻦ ﺑ‪‬ﻨﺎِﺗ ‪‬ﻪ‬

‫ﻉ‬ ‫ﻉ ﺍﻷﻣ ‪‬ﻦ ﺣﺘ‪‬ﻰ ﻧ‪‬ﺎ ‪‬ﻡ ﺭ‪‬ﺍ ٍ‬ ‫ﹶﺃﺷ‪‬ﺎ ‪‬‬

‫ﺐ ﺷ‪‬ﺎِﺗ ‪‬ﻪ‬ ‫ﺐ ﻛﹶﻠﺐ‪ ‬ﺟ‪‬ﻨ ‪‬‬ ‫ﻛﹶﺄ ﱠﻥ ﺍﻟﺬﱢﺋ ‪‬‬

‫ﻃﹶﺒﻴ‪‬ﺒﺎ ﺿ‪‬ﺎ ِﻣ‪‬ﻨﺎ ﻟِﻠﺤ‪‬ﺸ ِﺮ ﻳ‪‬ﺒﻘﹶﻰ‬

‫ﺷِﻔﺎ ًﺀ ﻟﻠﻮﺟﻮ ِﺩ ‪‬ﻭﻣ‪‬ﺸﻜِﻼِﺗ ‪‬ﻪ‬

‫ﺐ ﻭﻟﻜﻦ‬ ‫‪‬ﻫﻮ ﺍﻷ ‪‬ﻣ ‪‬ﻲ ﻟﹶﻢ ﻳ‪‬ﻜ‪‬ﺘ ‪‬‬

‫ﺑِﺤﺎﺭ‪ ‬ﺍﻟﻌِﻠ ِﻢ ﺗ‪‬ﻐ ِﺮﻑ‪ ‬ﻣِﻦ ‪‬ﺩﻭ‪‬ﺍِﺗ ‪‬ﻪ‬

‫‪‬ﺑﻨ‪‬ﻰ ﺍﻹﻧﺴﺎ ﹶﻥ ‪‬ﺑﻨ‪‬ﺎ ًﺀ‪ ..‬ﺧﺮ‪‬ﺍﺏ‪‬‬

‫ﺏ ﺇﱃ ‪‬ﺑﻨﺎِﺗ ‪‬ﻪ‬ ‫ﳋﺮ‪‬ﺍ ‪‬‬ ‫ﺐﺍ ﹶ‬ ‫ﺴ ‪‬‬ ‫ِﻟﻤ‪‬ﻦ ‪‬ﻧ ‪‬‬

‫ﺺ ﺍﻟﻜﹶﻤﺎﻝﹸ ‪‬ﻋﻠﹶﻴ ِﻪ ﻣ‪‬ﺮ ﹶﻗ ‪‬ﻰ‬ ‫ﻣ‪‬ﻦ ﺍﺳﺘ‪‬ﻌ ‪‬‬

‫ﻳ‪‬ﻐﺎ ِﻝ ِﺑ ﹶﺬ ‪‬ﻡ ﺭ‪‬ﺍ ِﻓ ِﻊ ‪‬ﺳﻠﱠﻤﺎِﺗ ‪‬ﻪ‬

‫ﲔ ‪‬ﺣﺘ‪‬ﻰ‬ ‫ﺃﻳ‪‬ﺎ ﻋ‪‬ﺼ ‪‬ﺮﺍ ﻋ‪‬ﻼ ﺑﺎﻟ ﱢﻄ ِ‬

‫ﺡ ﺃﹶﺳ ﹶﻔ ﹶﻞ ﺳ‪‬ﺎﻓﻼِﺗ ‪‬ﻪ‬ ‫‪‬ﺭﻣ‪‬ﻰ ﺑﺎﻟﺮ‪‬ﻭ ِ‬

‫ﺏ ﻧ‪‬ﻔ‪‬ﻴﺎ‬ ‫‪‬ﺭﻣ‪‬ﺘﻬﺎ ﺫ ‪‬ﻣ ﹸﺔ ﺍﳊﺎﺳ‪‬ﻮ ِ‬

‫ﺴ ﱠﻠ ِﺔ ﻣ‪‬ﻬﻤ‪‬ﻼِﺗ ‪‬ﻪ‬ ‫ﺱ ِﺑ ‪‬‬ ‫ﹶﻛﻔﹶﲑﻭ ٍ‬

‫‪‬ﻳ ‪‬ﻤ ‪‬ﺮ ﻭ‪‬ﻻ ﻳ‪‬ﺪﻳ ‪‬ﻦ ﺳِﻮﻯ ﺩِﻣﺎﻧﺎ‬

‫ﺕ ِﺑ ِﻬ ‪‬ﻦ ‪‬ﺧﻄﹶﻰ ﻏﹸﺰﺍِﺗ ‪‬ﻪ‬ ‫ﺇﺫﺍ ‪‬ﻋﹶﺜ ‪‬ﺮ ‪‬‬

‫ﺐ‬ ‫ﺗ‪‬ﺄ ‪‬ﻣ ﹾﻞ ﺳِﲑ ﹶﺓ ﺍﳍﺎﺩِﻱ ‪‬ﻭ ﹶﻗ ﱢﻠ ‪‬‬

‫ﺦ ﺍﻟﻨ‪‬ﻘﺎ ِﺀ ‪‬ﻭﺫِﻛﺮ‪‬ﻳﺎِﺗ ‪‬ﻪ‬ ‫ﺑِﺘﺎﺭِﻳ ِ‬

‫ﺻﺒ‪‬ﻮﺍ‬ ‫ِﺑ ‪‬ﻤ ‪‬ﻦ ‪‬ﺭ ِﻛﺒ‪‬ﻮﺍ ﺍ ﹶﳌﺪ‪‬ﻯ ﺟ‪‬ﺮ ‪‬ﺩﺍ ‪‬ﻭ ‪‬‬

‫ﺕ ﺍﻟﻀ‪‬ﻴﺎ ِﺀ ‪‬ﻋﻠﹶﻰ ﺟِﻬﺎِﺗ ‪‬ﻪ‬ ‫ﻋ‪‬ﺼﺎﺭﺍ ِ‬

‫ﺶ "ﺃﲪ ‪‬ﺪ" ﹸﻛ ﱠﻞ ﺃﹸﻓ ٍﻖ‬ ‫‪‬ﻭ ‪‬ﺳ ﹾﻞ ﻋ‪‬ﻦ ﺟ‪‬ﻴ ِ‬

‫ﻚ ﹶﺛﻨ‪‬ﺎﺅ‪‬ﻩ ﰲ ﻣِﺌﺬﹶﻧﺎِﺗ ‪‬ﻪ‬ ‫‪‬ﻳﺠِﺒ ‪‬‬

‫ﲑﺍ‬ ‫ﻒ ﺍﳌِﺪﺍﺩ‪ِ ‬ﺑ ِﻪ ﺑ‪‬ﺸ ‪‬‬ ‫ﹶﻟﻘﹶﺪ ‪‬ﺟ ‪‬‬

‫ﺨﺮ‪‬ﺻﺎِﺗ ‪‬ﻪ‬ ‫ﱰ ‪‬ﺗ ‪‬‬ ‫ﻉ ﺯ‪‬ﻭ ‪‬ﺭﺍ ‪‬ﺗ ﱡ‬ ‫ﹶﻓ ‪‬ﺪ ‪‬‬

‫ﺕ ﻛﹶﻌﺐ‬ ‫ﺃﻧﺎ ﺻﻮ ‪‬‬ ‫ﳏﻤﺪ ﻗﺎﺳﻢ ﺍﻟﺒﻐﺪﺍﺩﻱ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻌﺮﺍﻗﻲ ﳏﻤﺪ ﻗﺎﺳﻢ ﳎﻴﺪ‬ ‫ﺍﻟﺒﻐﺪﺍﺩﻱ ﻣﻦ ﻣﻮﺍﻟﻴﺪ ‪ ،1972‬ﺷﺎﻋﺮ ﻭﻗﺎﺹ‪،‬‬ ‫ﻛﺎﻥ ﻳﺸﻐﻞ ﻣﻨﺼﺐ ﻧﺎﺋﺐ ﺭﺋﻴﺲ ﺭﺍﺑﻄﺔ‬

‫ﺍﻟﺸﻌﺮﺍﺀ ﺍﻟﺸﺒﺎﺏ ﰲ ﺍﻟﻌﺮﺍﻕ‪ ،‬ﻭﻫﻮﺃﺣﺪ‬ ‫ﺍﻟﺸﻌﺮﺍﺀ ﺍﳌﻮﻗﻌﲔ ﻋﻠﻰ ﺑﻴﺎﻥ ﻗﺼﻴﺪﺓ ﺍﻟﺸﻌﺮ‪.‬‬ ‫ﻓﺎﺯﺕ ﳎﻤﻮﻋﺔ "ﻳﻨﺘﻤﻲ ﺍﳌﻮﺕ ﻟﻠﻌﺒﺚ"‬

‫ﻭﻫﻲ ﺍ‪‬ﻤﻮﻋﺔ ﺍﻟﻘﺼﺼﻴﺔ ﺍﻷﻭﱃ ﻟﻪ ﲜﺎﺋﺰﺓ‬ ‫ﺩﻣﺸﻖ ﻋﺎﺻﻤﺔ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﻌﺮﺑﻴﺔ ‪ ،2008‬ﻛﻤﺎ‬ ‫ﻓﺎﺯﺕ ﻗﺼﻴﺪﺗﻪ "ﻋﻴﻮﻥ ﻃﻔﻞ" ﲜﺎﺋﺰﺓ ﺍﲢﺎﺩ‬

‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﻌﺮﺏ‪ /‬ﻓﺮﻉ ﺩﻣﺸﻖ ﻋﺎﻡ ‪.2005‬‬ ‫ﻭﰲ ﳎﺎﻝ ﺍﳌﺴﺮﺡ ﻓﺎﺯ ﺑﺎﳉﺎﺋﺰﺓ ﺍﻷﻭﱃ ﻣﻦ‬ ‫ﺟﻮﺍﺋﺰ ﺍﻟﺸﺎﺭﻗﺔ ﻟﻸﺩﺏ ﺍﳌﻜﺘﱯ ﻭﺍﻹﺑﺪﺍﻉ ﺍﻟﻌﺮﰊ‪ ،‬ﻋﻦ ﻣﺴﺮﺣﻴﺘﻪ ﺣﺎﺭﺱ ﺛﻼﺟﺔ ﺍﳌﻮﺗﻰ‪.‬‬ ‫ﺣﺎﺻﻞ ﻋﻠﻰ ﻟﻘﺐ )ﺷﺎﻋﺮ ﺍﻟﻌﺮﺍﻕ ﺍﻷﻭﻝ ﻣﻦ ﺍﻟﺸﺒﺎﺏ( ﻋﺎﻡ ‪ ،1999‬ﻭﺷﺎﺭﻙ ﰲ ﻋﺪﺩ ﻛﺒﲑ ﻣﻦ‬

‫ﺍﳌﻬﺮﺟﺎﻧﺎﺕ ﻭﺍﻷﻣﺎﺳﻲ ﺍﻟﺸﻌﺮﻳﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﰲ ﺍﻟﻌﺮﺍﻕ ﻭﺳﻮﺭﻳﺎ‪ ،‬ﺍﻟﱵ ﻳﻘﻴﻢ ‪‬ﺎ ﻣﻨﺬ ﻋﺎﻡ ‪.2002‬‬ ‫ﻭﻗﺪ ﺃﺻﺪﺭ ﺍﲢﺎﺩ ﺍﻟﻜﺘﺎﺏ ﺍﻟﻌﺮﺏ ﳎﻤﻮﻋﺘﻪ ﺍﻟﺸﻌﺮﻳﺔ ﺍﻷﻭﱃ "ﻣﺎ ﱂ ﻳﻜﻦ ﳑﻜ‪‬ﻨﺎ" ﻋﺎﻡ ‪.2004‬‬ ‫ﻳﻘﻮﻝ ﰲ ﻗﺼﻴﺪﺗﻪ‪:‬‬ ‫ﻚ ﺍﻟﻔﹶﻀ ﹸﻞ ﺇ ﹾﻥ ِﺟ ﹾﺌﺖ‪ ‬ﺻﺎﺩِﺣﺎ *** ‪‬ﻭﻳ‪‬ﻤ ‪‬ﺪﺣ‪‬ﲏ‪ :‬ﺃﻧ‪‬ﻲ ﺃﺗ‪‬ﻴﺘ‪‬ﻚ‪ ..‬ﻣ‪‬ﺎﺩِﺣﺎ‬ ‫‪‬ﻳﺆ‪‬ﻭ ﹸﻝ ﺇﻟﻴ ‪‬‬ ‫ﺏ ﺍﳉﻮﺍﻧﺢِ‪ ..‬ﺟ‪‬ﺎ ِﻣﺤ‪‬ﺎ‬ ‫ﻚ ﻣ‪‬ﺸﺪ‪‬ﻭﺩ‪‬ﺍ ﺑِﺤﺒ ِﻠﻚ‪ ..‬ﻏﺎ ِﺭﻗﹰﺎ *** ِﺑﺒ‪‬ﺤ ِﺮﻙ‪ ..‬ﻣ‪‬ﺸﺒﻮ ‪‬‬ ‫ﺃﺗﻴﺘ‪ ‬‬ ‫ﺱ ﺍﻟﻄﱠﻮﺍﻟِﺤﺎ‬ ‫ﲑ ﺍﻟﺪ‪‬ﻳﺎﺟِﻲ ﻭ‪‬ﺍﻟ‪‬ﻨﻔﹸﻮ ‪‬‬ ‫ﺕ ﻧ‪‬ﺤﻮ ﺍﻟﻨ‪‬ﻮﺭِ‪ ..‬ﻧ‪‬ﻮ ِﺭ ﻧ‪‬ﺒ‪ ‬ﻮ ٍﺓ *** ﺗ‪‬ﻨ ‪‬‬ ‫ﻭ‪‬ﻫﺎﺟ‪‬ﺮ ‪‬‬ ‫ﻷﻗ ‪‬ﺮﹶﺃ ﻗﹸﺮﺁ ﹶﻥ ﺍﶈ‪‬ﺒﺔِ‪ ..‬ﻫﺎِﺋﻤ‪‬ﺎ *** ﺑِﺂﻳﺎِﺗﻪِ‪ ..‬ﻣ‪‬ﺴﺘ‪‬ﻠ ِﻬﻤ‪‬ﺎ ﻣِﻨﻪ‪ ..‬ﻣ‪‬ﺎِﺗﺤ‪‬ﺎ‬ ‫ﺖ ‪‬ﻧﻔﹾﺴ ‪‬ﻲ ﻣﺎﻧِﺤﺎ‬ ‫ﻚ ﻣ‪‬ﺎﻧِﺤﻲ *** ﺭِﺿﺎ ‪‬ﻙ ﺇﺫﺍ ﻣ‪‬ﺎ ﹸﻛ ‪‬ﻨ ‪‬‬ ‫ﺤ ‪‬ﺪﺛﹸﲏ ‪‬ﻧ ﹾﻔﺴِﻲ ﺑِﺄ‪‬ﻧ ‪‬‬ ‫‪‬ﺗ ‪‬‬ ‫‪205‬‬

‫ﺤ ‪‬ﻤﺪ‪ ..‬ﻳﺎ ‪‬ﺧ ‪‬ﻴ ‪‬ﺮ ﺍﻟ‪‬ﺒ ِﺮ‪‬ﻳﺔِ‪ ..‬ﻳ‪‬ﺎ ﺍﻟﺬِﻱ *** ِﺑﺴ‪‬ﻨِﺘ ِﻪ ﺍﻟ ‪‬ﻐﺮ‪‬ﺍ ِﺀ ﺃ ﹾﺫﻛﹶﻰ ﺍﻟﻘﹶﺮﺍِﺋﺤ‪‬ﺎ‬ ‫ﻣ‪ ‬‬ ‫ﻒ ﻳ‪‬ﺰﺟﻲ ﺍﳌﹶﺪﺍﺋِﺤﺎ‬ ‫ﲑﻩ‪ *** ‬ﻭ‪‬ﻋ ﱢﻠ ‪‬ﻢ ﻟِﺴﺎﱐ ﻛﹶﻴ ‪‬‬ ‫ﻚ ﹶﻟ ِﻘﻨ‪‬ﻲ ِﻣ ‪‬ﻦ ﺍﻟﻘﹶﻮ ِﻝ ‪‬ﺧ ‪‬‬ ‫ﺳ‪‬ﺄﻟﺘ‪ ‬‬ ‫ﻚ ‪‬ﻣﻔﹶﺎﺗِﺤﺎ‬ ‫ﺖ *** ﻣ‪‬ﻐﺎﻟِﻴﻘﹸﻬﺎ ﻓﺎ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩ ‪‬ﻳﺪ‪‬ﻳ ‪‬‬ ‫ﺠ ‪‬‬ ‫ﻑ ‪‬ﻭﺃﹸﺭِﺗ ‪‬‬ ‫ﳊﺮ‪‬ﻭ ‪‬‬ ‫ﺕ ﺩ‪‬ﻭﻧِﻲ ﺍ ﹸ‬ ‫ﺻ ‪‬ﺪ ‪‬‬ ‫ﻭ‪‬ﺇ ﹾﻥ ﺃﹸﻭ ِ‬ ‫ﻚ ‪‬ﻭﻣ‪‬ﺎ ‪‬ﻣﺤ‪‬ﺎ‬ ‫ﻂ ﻓِﻴ ‪‬‬ ‫ﺨ ﹾﺬ ِﻣ ‪‬ﻦ ﺩ‪‬ﻣﻲ ﻣﺎ ‪‬ﺧ ﱠ‬ ‫ﻚ ﻣ‪‬ﺮ‪‬ﺑﻜﹰﺎ *** ﹶﻓ ‪‬‬ ‫ﺲ ﺟِﺌ‪‬ﺘ ‪‬‬ ‫‪‬ﻭﻳ‪‬ﺎ ﻣ‪‬ﻄ ‪‬ﻤِﺌ ‪‬ﻦ ﺍﻟﻨ‪‬ﻔ ِ‬ ‫ﻚ ﻗﹶﻮﹸﻟ ‪‬ﻪ *** ‪‬ﻭﻃﹸﻮﺑ‪‬ﻰ ِﻟ ِﻤ ﹾﺜﻠِﻲ ﺃ ﹾﻥ ‪‬ﺗﻜﹸﻮ ﹶﻥ ﺍﳌﹸﺴﺎﻣِﺤﺎ‬ ‫ﺢ ﻳ‪‬ﺮﺍﻋِﻲ ﺇ ﹾﻥ ﻛﺒ‪‬ﺎ ﻓِﻴ ‪‬‬ ‫ﻭ‪‬ﺳﺎ ِﻣ ‪‬‬ ‫ﻚ ﻃﺎﻓِﺤﺎ‬ ‫ﺠ ‪‬ﺮ ﻓِﻴﻬﺎ ‪‬ﻧ ‪‬ﺒﻊ‪ ‬ﺣ‪‬ﺒ ‪‬‬ ‫ﺖ ‪‬ﻣ ‪‬ﻦ *** ‪‬ﺗ ﹶﻔ ‪‬‬ ‫ﺕ ﻭ‪‬ﺃﻧ ‪‬‬ ‫ﺃﻧﺎ ﺍﺑ ‪‬ﻦ ﺍﻟﻘﹶﻮﺍﻓِﻲ ﺍﻟﻈﱠﺎﻣِﺌﺎ ِ‬ ‫ﺖ ﺟ‪‬ﻬﺎﹶﻟﺘِﻲ *** ‪‬ﻭﻏﹶﻔ ﹶﻠ ِﺔ ﻗﹶﻠﱯ ﻭ‪‬ﺍﺭﺗِﻴﺎِﺑ ‪‬ﻲ ﺭﺍﺯِﺣﺎ‬ ‫ﺖ ﺗ‪‬ﺤ ‪‬‬ ‫ﺃ ِﺟ ‪‬ﺮﻧِﻲ‪ ..‬ﻓﹶﺈﻧ‪‬ﻲ ﻛﹸﻨ ‪‬‬ ‫ﺴﺮ‪‬ﻯ‪ ..‬ﺯ‪‬ﻳﺘ‪‬ﻬﺎ ﻣِﻦ ﺟ‪‬ﻮﺍﻧِﺤﻲ *** ﻭ‪‬ﺇﻳﻮﺍﻧ‪‬ﻪ‪ِ ‬ﻣﻨ‪‬ﻬﺎ‪ ..‬ﻓﹶﻼ ﺗ‪ ‬ﺒ ِﻖ ﺟ‪‬ﺎﳓﺎ‬ ‫ﺃﻧﺎ ﻧ‪‬ﺎ ‪‬ﺭ ِﻛ ‪‬‬ ‫ﲔ ﺑِﺈﻳﻼﰲ ﺍﻟﺮ‪‬ﰉ ﻭ‪‬ﺍﻷﺑﺎﻃِﺤﺎ‬ ‫ﳉ ‪‬ﺒﺖ‪ ‬ﻭ‪‬ﺍﻟﻄﱠﺎﻏﹸﻮﺕ‪ ‬ﻭ‪‬ﺍﻟﻐ‪‬ﺪ ‪‬ﺭ ﻭ‪‬ﺍﻟﺮ‪‬ﺑﺎ *** ﺃﺷ ‪‬‬ ‫ﺃﻧﺎ ﺍ ِ‬ ‫ﺻ ‪‬ﻢ ﺍﻟﺼ‪‬ﻔﺎ ﻭ‪‬ﺍﻟﺼ‪‬ﻔﺎﺋِﺤﺎ‬ ‫ﺃﻧﺎ ﹸﺃ ‪‬ﻣﺔﹲ‪ ..‬ﺗ‪‬ﻐﺰ‪‬ﻭ ‪‬ﺑﻨِﻴﻬﺎ‪ِ ..‬ﺑﺨ‪‬ﻴﻠِﻬﺎ *** ‪‬ﻭﺗ‪‬ﺴ ِﻠﻤ‪‬ﻬ‪ ‬ﻢ ‪‬‬ ‫ﺕ ﺍﻟﻨ‪‬ﻮﺍِﺋﺤ‪‬ﺎ‬ ‫ﺸ ‪‬ﻦ ﹸﻛ ‪‬ﻦ ﺍﻟﺜﱠﺎﻛﻼ ِ‬ ‫‪‬ﺑﻨ‪‬ﺎِﺗ ‪‬ﻲ ﻟِﻠ ‪‬ﻮﹾﺃ ِﺩ ﺍﻟ ‪‬ﻌﻘِﻴ ِﻢ ‪‬ﻭﻟِﻠ ‪‬ﺮﺩ‪‬ﻯ *** ﻭ‪‬ﺇ ﹾﻥ ِﻋ ‪‬‬ ‫ﲑ ﺍﳌﻄﺎ ِﻣ ِﻊ ﻃﺎﻣِﺤﺎ‬ ‫ﺖ ﺇﱃ ﹶﻏ ِ‬ ‫ﺃﻧﺎ ﹸﺃ ‪‬ﺣﺪ‪ ..‬ﻗﺪ ِﺟ ﹾﺌﺖ‪ ‬ﺣ‪‬ﻤ ‪‬ﺰ ﹶﺓ ﺭ‪‬ﺍﳏ‪‬ﺎ *** ‪‬ﻭﻟﹶﺴ ‪‬‬ ‫ﻚ ِﺷﺮ‪‬ﰐ *** ﹶﺃ ِﺯ ﹾﻝ ﻋﻦ ﻓﹸﺆﺍﺩِﻱ ﺍﳌﺴ‪‬ﺘِﺒ ‪‬ﺪ ﺍﻟﻘﹶﺒﺎﺋِﺤﺎ‬ ‫ﺴ ‪‬ﺮ ِﺑ ‪‬ﻬ ‪‬ﺪِﻳ ‪‬‬ ‫ﺻ‪‬ﻨﻢ‪ ‬ﻓﺎﻛ ِ‬ ‫ﺃﻧﺎ ‪‬‬ ‫ﲏ ﺻﺎﳊﺎ‬ ‫ﺠﺪ‪ِ ‬ﻛ ﹾﺬﺏ‪ ..‬ﺃﹸﻗﻴ ‪‬ﻢ ﻋﻠﻰ ‪‬ﺷﻔﹰﺎ *** ِﻣ ‪‬ﻦ ﺍﻟﻨ‪‬ﺎﺭِ‪ ..‬ﻓﺎﻫ ِﺪﻣ‪‬ﲏ ﻟِﺘﺒ ‪‬‬ ‫ﺃﻧﺎ ﻣ‪‬ﺴ ِ‬ ‫ﺖ ﻫِﺪﺍ‪‬ﻳﺔﹲ *** ‪‬ﻭ ‪‬ﻫ ﹾﻞ ﻳ‪‬ﺴﺘ‪‬ﻮﻱ ﺍﻟﺒ‪‬ﺤﺮﺍﻥِ‪ ..‬ﻋ‪‬ﺬﺑ‪‬ﺎ ‪‬ﻭﻣ‪‬ﺎﻟِﺤﺎ‬ ‫ﺃﻧﺎ ﺟﺎ ِﻫ ِﻠﻴ‪‬ﺎﺕ‪ ..‬ﻭ‪‬ﺃ‪‬ﻧ ‪‬‬ ‫ﺃﻧﺎ ﺧ‪‬ﻴ‪‬ﺒﺮ‪ ‬ﻗﹶﻠﺒِﻲ ﺍﻟﻀ‪‬ﻼﻟ ﹸﺔ ﹸﻛﻠﱡﻬﺎ *** ﹶﻓ ﹸﻜ ‪‬ﻦ ﻫﺎ ِﺩﻳ‪‬ﺎ ﺭ‪‬ﻭﺣِﻲ‪ ..‬ﻭ ﹸﻛ ‪‬ﻦ ِﻟ ‪‬ﻲ ﻓﹶﺎﺗِﺤﺎ‬ ‫ﲑ ﻟِﻲ *** ﺇﱃ ﺍﳊ ‪‬ﻖ ﹶﻛ ‪‬ﻲ ‪‬ﻳ ‪‬ﻐﺪ‪‬ﻭ ﺻِﺮﺍ ِﻃ ‪‬ﻲ ﻭ‪‬ﺍﺿِﺤﺎ‬ ‫‪‬ﻭ ﹸﻛ ‪‬ﻦ ﻟِﻲ ﺳِﺮﺍﺟ‪‬ﺎ‪ ..‬ﻳ‪‬ﺎ ﺑ‪‬ﺸﲑ‪ ..‬ﻳ‪‬ﺸ ‪‬‬ ‫ﻑ ﺃﺭ ِﺟﻊ‪ ‬ﺭ‪‬ﺍﺑِﺤﺎ‬ ‫ﻚ ﺍﻟﻴ‪‬ﻮ ‪‬ﻡ ﺗ‪‬ﺎﺋﺒ‪‬ﺎ *** ﻭ‪‬ﺃﺯﻋ‪‬ﻢ‪ ‬ﺃﻧ‪‬ﻲ ﺳ‪‬ﻮ ‪‬‬ ‫ﺐ ِﺟ ﹾﺌﺘ‪ ‬‬ ‫ﺕ ﻛﹶﻌ ٍ‬ ‫ﺃﻧﺎ ﺻ‪‬ﻮ ‪‬‬ ‫ﺠ ‪‬ﺪ ﻛﻔ‪‬ﺎ ﻣ‪‬ﺼﺎﻓِﺤﺎ‬ ‫ﱄ ﺍ ﹶﳌ ‪‬‬ ‫ﺲ ﺍﻟﺸ‪‬ﻌ ‪‬ﺮ ﺑ‪ ‬ﺮ ‪‬ﺩ ﹰﺓ *** ‪‬ﺗ ‪‬ﻤ ‪‬ﺪ ﺇ ﱠ‬ ‫ﺖ ﺍﻟﺬِﻱ ﻗﹶﺪ ﺃﻟ‪‬ﺒ ‪‬‬ ‫ﻓﹶﺄ‪‬ﻧ ‪‬‬ ‫ﺻﺤ‪‬ﺎ ‪‬ﻣﺘ‪‬ﺴﺎﻣِﺤﺎ‬ ‫ﻚ ﺍﱠﻟﺬِﻱ ﺍﺹ *** ﹶﻃﻔﹶﺎ ‪‬ﻙ ‪‬ﺭﺳ‪‬ﻮﻟﹰﺎ ﻧﺎ ِ‬ ‫ﺖ ﺍﻟﻌ‪‬ﻈﻴﻢ‪ ‬ﺍﳋﹸ ﹾﻠ ِﻖ ﻳ‪‬ﻤ ‪‬ﺪﺣ‪ ‬‬ ‫ﻭﺃﻧ ‪‬‬ ‫ﻯ ‪‬ﻭﻣِﻌﺮﺍﺟ‪‬ﺎ‪ ..‬ﻭﻋ‪‬ﺒﺪ‪‬ﺍ ﻭ‪‬ﺳﺎﺋِﺤﺎ‬ ‫ﱰﻟﹰﺎ *** ﻭ‪‬ﻣﺴ ‪‬ﺮ ‪‬‬ ‫ﺖ ‪‬ﻣ ِ‬ ‫ﱯ ﺍﳊ ‪‬ﻖ ﺑ‪‬ﻮ ِﺭ ﹾﻛ ‪‬‬ ‫ﺖ ﺍﻟ‪‬ﻨ ‪‬‬ ‫ﻭ‪‬ﺃﻧ ‪‬‬ ‫ﺴ‪‬ﻴ ‪‬ﺪ ﺍﻟﱠﺬﻱ *** ﺇﺫﺍ ﺍﻟﻌ‪‬ﻘ ﹸﻞ ﱂ ﻳ‪‬ﻌ ِﺮ ﹾﻓﻪ‪ ‬ﹶﻟ ‪‬ﻢ ‪‬ﻳﻚ‪ ‬ﺭﺍﺟِﺤﺎ‬ ‫ﺖ ﺍﻹﻣﺎ ‪‬ﻡ ﺍﻟﻌ‪‬ﺪ ﹸﻝ ﻭ‪‬ﺍﻟ ‪‬‬ ‫ﻭ‪‬ﺃﻧ ‪‬‬ ‫ﺳ‪‬ﺄﻫﺠ‪‬ﺮ‪ ‬ﻧ‪‬ﻔﺴِﻲ ﰲ ‪‬ﻫﻮ‪‬ﺍﻙ‪ ،‬ﻭﻭ‪‬ﺍﻟِﺪﻱ *** ‪‬ﻭﹸﺃﻣ‪‬ﻲ‪ ،‬ﻭ ‪‬ﻣ ‪‬ﻦ ﻗﹶﺪ ﻻ ‪‬ﻣﻨِﻲ‪ ،‬ﻭ‪‬ﺍﻟ ﹶﻜﻮ‪‬ﺍﺷِﺤﺎ‬ ‫‪206‬‬

‫ﺕ ﻣ‪‬ﻼ ِﻣﺤ‪‬ﺎ‬ ‫ﺕ ﺍﻟ ﱠﻄﻴ‪‬ﺒﺎ ‪‬‬ ‫ﺕ *** ‪‬ﻋﻠﹶﻴ ِﻪ ﺍﻟﺼ‪‬ﻔﺎ ‪‬‬ ‫ﺃﹸ‪‬ﻳ ‪‬ﻤﻢ‪ ‬ﻭ‪‬ﺟﻬﻲ ﻧ‪‬ﺤﻮ ﻭ‪‬ﺟ ٍﻪ ﺗ‪‬ﻸﻷ ‪‬‬ ‫ﻒ ِﺑ ِﻪ ﺻ‪‬ﺤﺐ‪ ‬ﳒﻮﻡ‪ ..‬ﺻ‪‬ﺤﺎِﺋﺢ‪ِ *** ‬ﺑﻔِﻄ ‪‬ﺮِﺗﻬِﻢ‪ ..‬ﺑﺰ‪‬ﻭﺍ ﺍﻟ‪‬ﻨﺠ‪‬ﻮ ‪‬ﻡ ﺍﻟﺼ‪‬ﺤﺎِﺋﺤ‪‬ﺎ‬ ‫ﻳ‪‬ﺤ ‪‬‬ ‫ﺏ ﺍﻟ ﹶﻔﻮ‪‬ﺍ ِﺩﺣ‪‬ﺎ‬ ‫ﳋﻄﹸﻮ ‪‬‬ ‫ﺻ ‪‬ﺪﻗﹸﻮﺍ ﻓﻴ ِﻪ ﺍ ﹸ‬ ‫‪‬ﻭﻣ‪‬ﺎ ﹶﺃ ‪‬ﺧ ﹶﺬ‪‬ﺗﻬ‪‬ﻢ ﻓﻴ ِﻪ ﻟﹶﻮ ‪‬ﻣﺔﹸ ﻻِﺋ ٍﻢ *** ﻭ‪‬ﻻ ‪‬‬ ‫ﺱ ﺷ‪‬ﺤﻴﺤ‪‬ﺔ *** ﻋﻠﻰ ﺍﻟ ﱡﺬﻝﱢ‪ ..‬ﻟ ِﻜ ‪‬ﻦ ﻟﹶﻢ ‪‬ﻳ ﹸﻜ ‪‬ﻦ ﺷ‪‬ﺤﺎِﺋﺤ‪‬ﺎ‬ ‫‪‬ﻭ ﹶﻓﺪ‪‬ﻭ ‪‬ﻩ ﺑِﺎﻷ ﹾﻏﻠﹶﻰ‪ :‬ﻧﻔﹸﻮ ٍ‬ ‫ﻓﹶﻄﺎﺑ‪‬ﻮﺍ ﺃﺭ‪‬ﻭﻣ‪‬ﺎﺕٍ‪ ..‬ﻭﻃﹶﺎﺑ‪‬ﻮﺍ ‪‬ﻣﻨ‪‬ﺎﻛِﺤﺎ *** ﻭ‪‬ﻃﺎﺑ‪‬ﻮﺍ ﻣ‪‬ﻘﺎﻣ‪‬ﺎﺕٍ‪ ..‬ﻭﻃﹶﺎﺑ‪‬ﻮﺍ ﺿ‪‬ﺮﺍِﺋﺤ‪‬ﺎ‬ ‫ﺼﺤ‪‬ﲏ ﹶﻓﺪ‪‬ﻳﺘ‪‬ﻚ ﻧﺎﺻِﺤﺎ‬ ‫ﹶﻓﻴ‪‬ﺎ ‪‬ﺳ‪‬ﻴ ‪‬ﺪ ﺍﻷﻛﻮﺍ ِﻥ ‪‬ﺧ ﹾﺬ ِﺑ‪‬ﻴﺪِﻱ ﺇﱃ *** ‪‬ﺟﻨ‪‬ﺎ ِﺣﻚ‪ ،‬ﻭ‪‬ﺍ‪‬ﻧ ‪‬‬ ‫ﻚ ﻣﺎ ِﺩﺣ‪‬ﺎ‬ ‫ﺿ ﹶﻠ ﹾﻠﺖ‪ ‬ﹶﻓ ‪‬ﺰ ‪‬ﻣ ﹾﻠﻨِﻲ ِﺑﺒ‪‬ﺮ ِﺩﻙ‪ِ ..‬ﺇ‪‬ﻧﻨِﻲ *** ‪‬ﺳﻴ‪‬ﻤ ‪‬ﺪ ‪‬ﺣﻨِﻲ ﺃﻧ‪‬ﻲ ﺃﺗ‪‬ﻴﺘ‪ ‬‬ ‫‪‬‬

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‫ﺧﺎﰎ ﺍﻟﺮﺳﻞ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﳏﻤﺪ ﳒﻴﺐ ﺑﻠﺤﺎﺝ ﺣﺴﲔ‬

‫ﺷﺎﻋﺮ ﺗﻮﻧﺴﻲ ﻣﻦ ﻗﺮﻳﺔ ﺍﳌﻴﺪﺓ‪ ،‬ﻣﻦ ﻭﻻﻳﺔ ﻧﺎﺑﻞ‬ ‫)ﺍﻟﻮﻃﻦ ﺍﻟﻘﺒﻠﻲ( ﻣﻦ ﻣﻮﺍﻟﻴﺪ ‪1953‬ﻡ‪.‬‬ ‫ﻳﺸﻐﻞ ﺣﺎﻟ‪‬ﻴﺎ ﺧﻄﺔ ﻣﺴﺎﻋﺪ ﺑﻴﺪﺍﻏﻮﺟﻲ ﺑﺘﻮﻧﺲ‬

‫)ﻣﺴﺎﻋﺪ ﻣﻮﺟ‪‬ﻪ ﻟﻠﺘﻌﻠﻴﻢ ﺍﻹﺑﺘﺪﺍﺋﻲ( ﻭﻫﻮ ﻋﻀﻮ ﰲ ﺍﲢﺎﺩ‬ ‫ﺍﻟﻜﺘﺎﺏ ﺍﻟﺘﻮﻧﺴﻴﲔ‪ ،‬ﻭﻣﺴﺆﻭﻝ ﰲ ﻓﺮﻉ ﻭﻻﻳﺔ ﻧﺎﺑﻞ‪،‬‬ ‫ﻭﺇﻣﺎﻡ ﻭﺧﻄﻴﺐ ﲨﻌﺔ‪.‬‬ ‫ﺃﺻﺪﺭ ﳎﻤﻮﻋﺘﲔ ﺷﻌﺮﻳﺘﲔ‪ :‬ﻗﺼﺎﺋﺪ‪ ‬ﻛﺘﺒﺘﲏ‪ ،‬ﻭﻗﺼﺎﺋﺪ‬ ‫ﺃﺭﻫﻘﺘﲏ‬

‫ﻳﻜﺘﺐ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﳌﻮﺍﻗﻊ ﺍﻷﺩﺑﻴﺔ ﻣﻨﻬﺎ‪ :‬ﺍﳌﻨﺎﺑﺮ‬

‫ﺍﻟﺜﻘﺎﻓﻴﺔ‪ ،‬ﻭﺳﺎﺣﺎﺕ ﺃﻗﻼﻣﻨﺎ‪ ،‬ﻭﺍﳌﻌﻬﺪ ﺍﻟﻌﺮﰊ ﻟﻠﺒﺤﻮﺙ ﻭﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻻﺳﺘﺮﺍﺗﻴﺠﻴﺔ‪ ،‬ﻭﻣﻨﺘﺪﻯ‬ ‫ﺍﻟﻘﺼﻴﺪﺓ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﻏﲑﻫﺎ‪ .‬ﻳﻘﻮﻝ ﻋﻦ ﺳﻴﺪ ﺍﻟﺮﺳﻞ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﻋﻠﻰ ﺁﻟﻪ ﻭﺻﺤﺒﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﺨ‪‬ﺘِﺒ ِﻞ‬ ‫ﺾ ﻣ‪ ‬‬ ‫ﺾ ‪‬ﺭ ﹾﻛ ‪‬‬ ‫ﻚ‪..‬ﻭ‪‬ﺍ ‪‬ﺭ ﹸﻛ ‪‬‬ ‫ﺝ ِﺣﺼ‪‬ﺎ‪‬ﻧ ‪‬‬ ‫‪‬ﺳ ‪‬ﺮ ‪‬‬

‫ﺴﺒ‪ِ ‬ﻞ‬ ‫ﻕ‪ ..‬ﰲ ﺍﻟ ‪‬‬ ‫ﹶﻛ ‪‬ﻲ ‪‬ﺗ ‪‬ﻤ‪‬ﻨ ‪‬ﻊ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ﻭ‪‬ﺍ ِﻹ ‪‬ﺷﺮ‪‬ﺍ ‪‬‬

‫ﺱ ﹸﺃ ‪‬ﻣِﺘﻨ‪‬ﺎ‬ ‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮ ِﺀ‪ ..‬ﻋ ‪‬ﻦ ِْﻧ ‪‬ﺒﺮ‪‬ﺍ ِ‬

‫ﻕ ﻭ‪‬ﺍﹾﻟﻤ‪‬ﺜﹸ ِﻞ‬ ‫ﻼِ‬ ‫‪‬ﻣ ‪‬ﻦ ﺟ‪‬ﺎ َﺀ ‪‬ﻳ ‪‬ﺪﻋ‪‬ﻮ ِﺇﻟﹶﻰ ﺍ َﻷ ‪‬ﺧ ﹶ‬

‫ﺸﺮ‪‬‬ ‫ﺤ ‪‬ﻖ ﻣ‪ ‬ﻨ‪‬ﺘ ِ‬ ‫ﹸﻗ ﹾﻞ ﻣ‪‬ﺎ ﺗ‪‬ﺸﺎﺀُ‪ ..‬ﹶﻓِﺈ ﱠﻥ ﺍﹾﻟ ‪‬‬

‫ﺤ ‪‬ﻖ ﻣ‪‬ﺎ ‪‬ﺗ ﹾﻠﻘِﻴ ِﻪ ِﻣ ‪‬ﻦ ‪‬ﺩ ‪‬ﺟ ِﻞ‬ ‫ﹶﻻ ‪‬ﻳ ﹾﻄ ِﻤﺲ‪ ‬ﺍﹾﻟ ‪‬‬

‫ﷲ ‪‬ﻋ ‪‬ﻦ ﺧ‪‬ﻠﹸ ٍﻖ‬ ‫ﺻ ﹶﻄﻔﹶﺎ ‪‬ﻩ ﺍ ُ‬ ‫ﺐﺍ ‪‬‬ ‫ﺤﺒِﻴ ‪‬‬ ‫‪‬ﻫﺬﹶﺍ ﺍﹾﻟ ‪‬‬

‫ﺼ ِﻦ ﻭ‪‬ﺍﻷُﺻ‪ِ ‬ﻞ‬ ‫ﺨ ‪‬ﻲ‪ ..‬ﺑﺪِﻳ ِﻊ ﺍﹾﻟ ‪‬ﻐ ‪‬‬ ‫ﺢ ‪‬ﺳ ِ‬ ‫‪‬ﺳ ‪‬ﻤ ِ‬

‫ﹶﻗ ‪‬ﺪ ﺟ‪‬ﺎ َﺀ ‪‬ﻳ ‪‬ﻨﻬِﻲ ‪‬ﻋﻬ‪‬ﻮ ‪‬ﺩ ﺍﻟ ﱡﻈ ﹾﻠ ِﻢ‪ ..‬ﻓِﻲ ‪‬ﺯ ‪‬ﻣ ٍﻦ‬

‫ﻼ ‪‬ﺧ ﹶﻠ ِﻞ‬ ‫ﺕ ‪‬ﺗ ‪‬ﻨﻈِﻴﻤ‪‬ﺎ ِﺑ ﹶ‬ ‫ﺠﻬ‪‬ﺎ ﹶﻻ ِ‬ ‫‪‬ﻋ ‪‬ﺪ ﺍﹾﻟ ‪‬‬

‫ﺠ ‪‬ﻌ ﹸﻠﻬ‪‬ﺎ‬ ‫ﺏ ِﺇﻟﹶﻰ ﺍ ِﻹﳝ‪‬ﺎ ِﻥ‪ ..‬ﻳ ‪‬‬ ‫‪‬ﻳ ‪‬ﻬﺪِﻱ ﺍﹾﻟ ﹸﻘﻠﹸﻮ ‪‬‬

‫ﻸ ‪‬ﺯﻟِﻲ‬ ‫ﺸ ِﻖ ﻟﻠ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ِﻦ‪ِ ..‬ﻟ َ‬ ‫ﻓِﻲ ِﻗ ‪‬ﻤ ِﺔ ﺍﹾﻟ ِﻌ ‪‬‬

‫ﻼ ِﻣ‪‬ﻨ ٍﻦ‬ ‫ﺤﻠِﻴ ‪‬ﻢ ﺍﹼﻟﺬِﻱ ‪‬ﻳ ‪‬ﻌﻔﹸﻮ‪ِ ..‬ﺑ ﹶ‬ ‫ﻛﹶﺎ ﹶﻥ ﺍﹾﻟ ‪‬‬

‫ﻼ ‪‬ﻣ ﹶﻠ ِﻞ‬ ‫ﻛﹶﺎ ﹶﻥ ﺍﹾﻟ ﹶﻜ ِﺮ ‪‬ﱘ ﺍﹼﻟﺬِﻱ ‪‬ﻳ ‪‬ﻌﻄِﻲ‪ِ ..‬ﺑ ﹶ‬

‫ﻼ ‪‬ﺭ ﹶﻏ ٍﻢ‬ ‫ﺱ ﹶﺃ ﹾﻓﻮ‪‬ﺍﺟ‪‬ﺎ‪ِ ..‬ﺑ ﹶ‬ ‫ﹶﻗ ‪‬ﺪ ﺟ‪‬ﺎ َﺀﻩ‪ ‬ﺍﻟﻨ‪‬ﺎ ‪‬‬

‫ﷲ‪ :‬ﹶﻻ ِﺇ ﹾﻛﺮ‪‬ﺍ ‪‬ﻩ ﻓِﻲ ﺍﹾﻟ ِﻤ ﹶﻠ ِﻞ‬ ‫ﹶﺃ ‪‬ﻭﺣ‪‬ﻰ ﹶﻟﻪ‪ ‬ﺍ ُ‬

‫ﺖ‬ ‫ﻗﹶﺎ ‪‬ﺩ ﺍﹾﻟ ﹶﻘﺒ‪‬ﺎِﺋ ﹶﻞ ﺑِﺎﻟ‪‬ﺘ ‪‬ﻮﺣِﻴ ِﺪ‪ ..‬ﻓﹶﺎ‪‬ﻧ ﹶﻄ ﹶﻠ ﹶﻘ ‪‬‬

‫ﺕ‪ ..‬ﻟِﻠ‪‬ﺘ ‪‬ﻌﻠِﻴ ِﻢ ﻭ‪‬ﺍﹾﻟ ‪‬ﻌ ‪‬ﻤ ِﻞ‬ ‫‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ﺍﹾﻟ ‪‬ﻐﺒ‪‬ﺎﻭ‪‬ﺍ ِ‬

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‫ﺠ ‪‬ﺪ ‪‬ﻳ ‪‬ﺪﺭِﻱ ِﺑﹶﺄ ﱠﻥ ﺍﹾﻟﻬ‪‬ﺎ ِﺷ ِﻤ ‪‬ﻲ ﹶﻟﻪ‪‬‬ ‫ﺍﹾﻟ ‪‬ﻤ ‪‬‬

‫ﺠ ‪‬ﺪ ِﻝ‬ ‫ﻕ ِﻟ ﹾﻠ ‪‬‬ ‫ﻼ ‪‬ﻳ ‪‬ﻨﺴ‪‬ﺎ ‪‬‬ ‫ِﺇ ﹾﻛﻠِﻴ ﹸﻞ ﻧ‪‬ﻮ ٍﺭ‪ ..‬ﹶﻓ ﹶ‬

‫ﺤ ‪‬ﻖ! ﻣ‪‬ﺎ ﹶﺃ ﹾﻏﺒ‪‬ﻰ ‪‬ﺑﺼ‪‬ﺎِﺋ ‪‬ﺮﻛﹸ ‪‬ﻢ!‬ ‫ﺢ ﺍﹾﻟ ‪‬‬ ‫ﺿ‪‬‬ ‫ﻣ‪‬ﺎ ﹶﺃ ‪‬ﻭ ‪‬‬

‫ﺠ‪‬ﺒﻞِ؟‬ ‫ﺼ ‪‬ﻌﺪ‪ ‬ﺍﹾﻟﻤ‪‬ﺎﺀُ‪ ،‬ﻣ ‪‬ﻨﺴ‪‬ﺎﺑ‪‬ﺎ‪ِ ،‬ﺇﻟﹶﻰ ﺍﹾﻟ ‪‬‬ ‫‪‬ﻫ ﹾﻞ ‪‬ﻳ ‪‬‬

‫ﺼ ِﺮﻓﹰﺎ‬ ‫ﺦ‪ ..‬ﻣ ‪‬ﻨ ‪‬‬ ‫ﺖ ِﺇﻟﹶﻰ ﺍﻟﺘ‪‬ﺎﺭِﻳ ِ‬ ‫ﻼ ‪‬ﺭ ‪‬ﺟ ‪‬ﻌ ‪‬‬ ‫‪‬ﻫ ﱠ‬

‫ﺼﻞِ؟‬ ‫ﺐ ‪‬ﻣ‪‬ﺘ ِ‬ ‫ﺤ ‪‬‬ ‫ﺼ ‪‬ﺪ ٍﺭ‪ ..‬ﺑِﺎﹾﻟ ‪‬‬ ‫ﺚ ‪‬ﻋ ‪‬ﻦ ‪‬ﻣ ‪‬‬ ‫ﺤ ِ‬ ‫ِﻟ ﹾﻠ‪‬ﺒ ‪‬‬

‫ﺐ‬ ‫ﻼ ‪‬ﺳ‪‬ﺒ ٍ‬ ‫ﺖ ‪‬ﻋ ‪‬ﻦ ‪‬ﻭﹾﺃ ٍﺩ‪ِ ..‬ﺑ ﹶ‬ ‫ﺴﹶﺄ ِﻝ ﺍﹾﻟِﺒ ‪‬ﻨ ‪‬‬ ‫ﹶﻓ ﹾﻠ‪‬ﺘ ‪‬‬

‫ﺴﹶﺄ ِﻝ ﺍﹾﻟ ‪‬ﻌ ‪‬ﺒ ‪‬ﺪ‪ ..‬ﻋ ‪‬ﻤ ‪‬ﻦ ﺟ‪‬ﺎ َﺀ ﺑِﺎ َﻷ ‪‬ﻣ ِﻞ‬ ‫‪‬ﻭﹾﻟ‪‬ﺘ ‪‬‬

‫ﻼ ‪‬ﻣ ‪‬ﻌﻪ‪‬‬ ‫ﺴﹶﺄ ِﻝ ﺍﹾﻟ ‪‬ﻌ ‪‬ﺪ ﹶﻝ‪ ..‬ﻋ ‪‬ﻦ ‪‬ﻋ ‪‬ﻬ ٍﺪ ‪‬ﻋ ﹶ‬ ‫‪‬ﻭﹾﻟ‪‬ﺘ ‪‬‬

‫ﺸ ِﻞ‬ ‫ﺴﹶﺄ ِﻝ ﺍﻟ ﱡﻈ ﹾﻠ ‪‬ﻢ ‪‬ﻋ ‪‬ﻦ ‪‬ﻋ ‪‬ﻬ ٍﺪ‪ِ ..‬ﻣ ‪‬ﻦ ﺍﹾﻟ ﹶﻔ ‪‬‬ ‫‪‬ﻭﹾﻟ‪‬ﺘ ‪‬‬

‫ﺱ‪ ..‬ﻏﹶﺎ‪‬ﻳﺘ‪‬ﻪ‪‬‬ ‫ﺸﲑ‪ِ ‬ﻟ ﹸﻜ ﱢﻞ ﺍﻟﻨ‪‬ﺎ ِ‬ ‫‪‬ﻫ ﱠﻞ ﺍﹾﻟ‪‬ﺒ ِ‬

‫ﺱ ِﻣ ‪‬ﻦ ‪‬ﺟ ‪‬ﻮ ٍﺭ‪ ..‬ﻭ ِﻣ ‪‬ﻦ ‪‬ﺯﹶﻟ ِﻞ‬ ‫ﺤ ِﻤ ‪‬ﻲ ﺍﻟﻨ‪‬ﺎ ‪‬‬ ‫ﹶﺃ ﹾﻥ ‪‬ﻳ ‪‬‬

‫ﻺ‪‬ﻧﺴ‪‬ﺎ ِﻥ‪ ..‬ﹶﻛ ‪‬ﺮ ‪‬ﻣﻪ‪‬‬ ‫ﹶﺃﹾﻟﻐ‪‬ﻰ ﺍﹾﻟ ‪‬ﻤﻬ‪‬ﺎ‪‬ﻧ ﹶﺔ ِﻟ ِ‬

‫ﺢ ِﺑﻤ‪ ‬ﻌ‪‬ﺘ ﹶﻘ ِﻞ‬ ‫ﺴ ‪‬ﻤ ‪‬‬ ‫ﺠﻨ‪‬ﺎ‪ ..‬ﻭﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬ﺒ ِﻦ ِﺳ ‪‬‬

‫ﺸ ‪‬ﺮ ‪‬ﻋِﺘ ِﻪ‬ ‫ﻼِﺋ ِﻖ‪ِ ..‬ﺇ ‪‬ﺧﻮ‪‬ﺍﻥﹲ‪ِ ..‬ﺑ ِ‬ ‫ﺨﹶ‬ ‫ﹸﻛ ﱡﻞ ﺍﹾﻟ ‪‬‬

‫ﷲ ِﻣ ‪‬ﻦ ‪‬ﺑ ‪‬ﺪ ِﻝ‬ ‫ﺡ‪ِ ..‬ﻟ‪‬ﺘ ﹾﻘﻮ‪‬ﻯ ﺍ ِ‬ ‫ﻼِ‬ ‫ﻣ‪‬ﺎ ﻓِﻲ ﺍﹾﻟ ﹶﻔ ﹶ‬

‫ﺤ ‪‬ﻖ‪ ..‬ﻳ ‪‬ﻨ ِﻘ ﹸﺬﻧ‪‬ﺎ‬ ‫ﺸﲑ‪ِ ‬ﺑ ‪‬ﻮ ‪‬ﺣ ِﻲ ﺍﹾﻟ ‪‬‬ ‫ﺟ‪‬ﺎ َﺀ ﺍﹾﻟ‪‬ﺒ ِ‬

‫ﺠ ‪‬ﻬ ِﻞ‪ ..‬ﻭ‪‬ﺍ َﻷ ‪‬ﺳﻘﹶﺎ ِﻡ ﻭ‪‬ﺍﹾﻟ ِﻌﻠﹶﻞ‬ ‫ِﻣ ‪‬ﻦ ﻇﹸ ﹾﻠ ‪‬ﻤ ِﺔ ﺍﹾﻟ ‪‬‬

‫ﹶﻗ ‪‬ﺪ ‪‬ﺣ ‪‬ﺮ ‪‬ﺭ ﺍﹾﻟ ‪‬ﻌ ﹾﻘ ﹶﻞ ﻭ‪‬ﺍﹾﻟ ِﻮ ‪‬ﺟﺪ‪‬ﺍ ﹶﻥ‪ِ ..‬ﻣ ‪‬ﻦ ِﻓ‪‬ﺘ ٍﻦ‬

‫ﺴ ﹶﻔ ِﻞ‬ ‫ﺕ ِﺇﻟﹶﻰ ﺍﻟ ‪‬‬ ‫ﺕ ِﺇﻟﹶﻰ ﺍﹾﻟ ‪‬ﻬ ‪‬ﻢ‪ ..‬ﻓﹶﺎ‪‬ﻧﻘﹶﺎ ‪‬ﺩ ‪‬‬ ‫ﻗﹶﺎ ‪‬ﺩ ‪‬‬

‫ﹶﻟﻮ ﺭ‪‬ﺍ ‪‬ﻡ ‪‬ﺳ ‪‬ﺒﻴ‪‬ﺎ ﹶﻟﺼ‪‬ﺎ ‪‬ﺭ ﺍﹾﻟ ﹶﻜ ‪‬ﻮ ﹸﻥ ‪‬ﺩ ‪‬ﻭﹶﻟ‪‬ﺘﻪ‪‬‬

‫ﺤ ‪‬ﻖ ﹶﻟ ‪‬ﻢ ‪‬ﻳ ِﻜ ِﻞ‬ ‫ﻣ‪‬ﺎ ﺧ‪‬ﺎ ﹶﻥ ‪‬ﻋ ‪‬ﻬﺪ‪‬ﺍ‪ِ ..‬ﺑ ‪‬ﻐ ‪‬ﻴ ِﺮ ﺍﹾﻟ ‪‬‬

‫ﻼﻡ‪ ‬ﻋﻠﹶﻰ ‪‬ﻣ ‪‬ﻦ ﻗﹶﺎ ‪‬ﺩ ﹸﺃ ‪‬ﻣ‪‬ﺘﻨ‪‬ﺎ‬ ‫ﺴﹶ‬ ‫ﺻﻠﱠﻰ ﺍﻟ ‪‬‬ ‫‪‬‬

‫ﺼ ِﻞ‬ ‫ﺤﻮ ﺍﹾﻟ ‪‬ﻤﻌ‪‬ﺎﻟِﻲ‪ ..‬ﻭﹶﻟ ‪‬ﻮ ﹶﻻ ﺍﻟﺪ‪‬ﻳ ‪‬ﻦ ﹶﻟ ‪‬ﻢ ‪‬ﺗ ِ‬ ‫‪‬ﻧ ‪‬‬

‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮ ِﺀ‪ ..‬ﹶﻟﻮ ‪‬ﺗ ‪‬ﺮﻗﹶﻰ ِﻟ ‪‬ﺮ ‪‬ﻭ ‪‬ﻋِﺘ ِﻪ‬

‫ﻚ ِﻣ ‪‬ﻦ ِﺣ ﹾﻘ ٍﺪ‪ ..‬ﻭ ِﻣ ‪‬ﻦ ‪‬ﻭ ‪‬ﺣ ِﻞ‬ ‫ﺴ ‪‬‬ ‫‪‬ﺗ ‪‬ﻨﺠ‪‬ﻮ ِﺑ‪‬ﻨ ﹾﻔ ِ‬

‫ﺠ ‪‬ﺪ ﹰﺓ ‪‬ﺗ ﹾﻠﻘﹶﻰ‬ ‫ﺏ ‪‬ﺳ ‪‬‬ ‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮ ِﺀ‪ ..‬ﺟ ‪‬ﺮ ‪‬‬

‫ﺠ ﹶﻠ ِﻞ‬ ‫ﻕ‪ ..‬ﹶﻛﻤ‪‬ﺎ ﹶﻝ ﺍﹾﻟﺨ‪‬ﺎِﻟ ِﻖ ﺍﹾﻟ ‪‬‬ ‫ﺼ ‪‬ﺪ ٍ‬ ‫ﻓِﻴﻬ‪‬ﺎ ِﺑ ِ‬

‫ﺏ‬ ‫ﺐ ِﻣ ‪‬ﻦ ﹶﻛ ‪‬ﺮ ٍ‬ ‫ﺢ ﺍﹾﻟ ﹶﻘ ﹾﻠ ‪‬‬ ‫ﺏ ‪‬ﺩﻋ‪‬ﺎ ًﺀ ‪‬ﻳﺮِﻳ ‪‬‬ ‫‪‬ﺟ ‪‬ﺮ ‪‬‬

‫ﷲ ﻓِﻲ ﺍ َﻷ ‪‬ﺟ ِﻞ‬ ‫ﻒﺍ ِ‬ ‫ﺏ ‪‬ﻳﻘِﻴﻨ‪‬ﺎ‪ِ ..‬ﺑ ‪‬ﻌ ﹾﻄ ِ‬ ‫‪‬ﺟ ‪‬ﺮ ‪‬‬

‫ﺴﻨ‪‬ﺎ ﹶﺃ ‪‬ﻫ ﹶﻞ ﹶﻏ ﹾﻄ ‪‬ﺮ ‪‬ﺳ ٍﺔ‬ ‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮ ِﺀ‪ ..‬ﹶﻟ ‪‬‬

‫ﺤ‪‬ﺘ ‪‬ﻤ ِﻞ‬ ‫ﲔ‪ ..‬ﹶﻏ ‪‬ﻴﺮ‪ ‬ﻣ‪ ‬‬ ‫ﺻِﺒ ‪‬‬ ‫ﹶﻟ ِﻜ ‪‬ﻦ ﹶﻗ ‪‬ﻬ ‪‬ﺮ ﺍﹾﻟﻐ‪‬ﺎ ِ‬

‫ﺕ ﻧ‪‬ﺎ ِﺳ ﹶﻔ ﹰﺔ‬ ‫ﺱ ‪‬ﺗ ‪‬ﻬﻮِﻱ ِﺳﻬ‪‬ﺎ ‪‬ﻡ ﺍﹾﻟ ‪‬ﻤ ‪‬ﻮ ِ‬ ‫ﻓِﻲ ﺍﹾﻟ ﹸﻘ ‪‬ﺪ ِ‬

‫ﹶﻗ ‪‬ﻮﻣ‪‬ﺎ ِﺟﻴ‪‬ﺎﻋ‪‬ﺎ‪ ..‬ﻋﻠﹶﻰ ‪‬ﻣ ‪‬ﺮﺃﻯ ِﻣ ‪‬ﻦ ﺍﻟ ‪‬ﺪ ‪‬ﻭ ِﻝ‬

‫ﺖ ِﺇﻟﹶﻰ ‪‬ﻭ ‪‬ﺟ ٍﻊ‬ ‫ﻕ ﹶﻓ ﹶﻘ ‪‬ﺪ ﺁﹶﻟ ‪‬‬ ‫ﹶﺃﻣ‪‬ﺎ ﺍﹾﻟ ِﻌﺮ‪‬ﺍ ‪‬‬

‫ﺞ ﺍﻟ ‪‬ﺪ ‪‬ﻣ ‪‬ﻊ ﻓِﻲ ﺍﹾﻟﻤ‪ ‬ﹶﻘ ِﻞ‬ ‫ﺏ‪ ..‬ﻳﻬِﻴ ‪‬‬ ‫‪‬ﻳ ‪‬ﺪﻣِﻲ ﺍﹾﻟ ﹸﻘﻠﹸﻮ ‪‬‬

‫ﺤﻒ‪‬‬ ‫ﻑ ِﺀ ﻣ‪ ‬ﹾﻠ‪‬ﺘ ِ‬ ‫ﹶﻻ ‪‬ﻳ ﹾﻔ ‪‬ﻬﻢ‪ ‬ﺍﹾﻟ‪‬ﺒ ‪‬ﺮ ‪‬ﺩ ‪‬ﻣ ‪‬ﻦ ﺑِﺎﻟ ‪‬ﺪ ‪‬‬

‫ﺨﺘ‪‬ﺎ ﹸﻝ ﻓِﻲ ﺍﻟ ﱡﻈ ﹶﻠ ِﻞ‬ ‫ﺤ ‪‬ﺮ ‪‬ﻣ ‪‬ﻦ ‪‬ﻳ ‪‬‬ ‫ﹶﻻ ‪‬ﻳ ﹾﻔ ‪‬ﻬﻢ‪ ‬ﺍﹾﻟ ‪‬‬

‫ﺖ‪ِ ..‬ﻣ ‪‬ﻦ ‪‬ﻣﻀ‪‬ﺎ ِﺟ ِﻌﻬ‪‬ﺎ‬ ‫ﺏ ﺍ ‪‬ﺳ‪‬ﺘﻔﹶﺎ ﹶﻗ ‪‬‬ ‫ﺸﻌ‪‬ﻮ ِ‬ ‫ﹸﻛ ﱡﻞ ﺍﻟ ‪‬‬

‫ﺸ ﹶﻠ ِﻞ‬ ‫ﺏ ﻧ‪‬ﺎﻣ‪‬ﻮﺍ‪ ..‬ﹶﻓﹶﺄﺩ‪‬ﻯ ﺍﻟ‪‬ﻨ ‪‬ﻮ ‪‬ﻡ ﻟِﻠ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ‪‬ﻌ ‪‬ﺮ ‪‬‬

‫ﺸﻘﹶﺎﻗﹰﺎ ﻓِﻲ ‪‬ﺗ ‪‬ﻮ ‪‬ﺣ ِﺪ ِﻫ ‪‬ﻢ‬ ‫ﺚ ﺍ َﻷﻋ‪‬ﺎﺩِﻱ ﺍ‪‬ﻧ ِ‬ ‫‪‬ﺑ ﱠ‬

‫ﺼ ِﻞ‬ ‫ﺖ ﺍﻟ ‪‬ﺮ ‪‬ﻣ ِﻞ‪ ..‬ﻣ‪ ‬ﻨ ﹶﻔ ِ‬ ‫ﺤﻮ‪‬ﺍ ‪‬ﺷﺘ‪‬ﺎﺗ‪‬ﺎ ﹶﻛ‪‬ﻨ ‪‬ﺒ ِ‬ ‫ﺿ‪‬‬ ‫ﹶﺃ ‪‬‬

‫ﻼ ‪‬ﻭ ﹶﻃ ٍﻦ‬ ‫ﻼ ﻣ‪‬ﺎ ٍﻝ‪ِ ..‬ﺑ ﹶ‬ ‫ﺾ ‪‬ﺟ ‪‬ﻮﻋ‪‬ﻰ‪ِ ..‬ﺑ ﹶ‬ ‫ﻓﹶﺎﹾﻟ‪‬ﺒ ‪‬ﻌ ‪‬‬

‫ﻂ‪ ..‬ﻓِﻲ ‪‬ﻫ‪‬ﺒ ِﻞ‬ ‫ﺾ ﺻ‪‬ﺎﺭ‪‬ﻭﺍ ِﺑﻤ‪‬ﺎ ِﻝ ﺍﻟ‪‬ﻨ ﹾﻔ ِ‬ ‫ﻭ‪‬ﺍﹾﻟ‪‬ﺒ ‪‬ﻌ ‪‬‬

‫ﷲ ‪‬ﻣ ‪‬ﻨ ِﺰﹶﻟﺔﹲ‬ ‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮ ِﺀ‪ ..‬ﺩِﻳ ‪‬ﻦ ﺍ ِ‬

‫ﺡ‪ ..‬ﺑِﺎ ِﻹﳝ‪‬ﺎ ِﻥ ﻭ‪‬ﺍﹾﻟ ‪‬ﻮ ‪‬ﺟ ِﻞ‬ ‫‪‬ﺗ ‪‬ﺮﻗﹶﻰ ﹶﻟﻬ‪‬ﺎ ﺍﻟﺮ‪‬ﻭ ‪‬‬

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‫ﺴﱡﻠ ﹶﻘﻬ‪‬ﺎ‪ ..‬ﺗ ﹾﻠ ‪‬ﻖ ِﺑﻬ‪‬ﺎ ‪‬ﺭ ‪‬ﺟﻠﹰﺎ‬ ‫ﺣ‪‬ﺎ ِﻭ ﹾﻝ ‪‬ﺗ ‪‬‬

‫ﺸﺮِﻳﻔﹰﺎ‪ ..‬ﹶﻛﺬﹶﺍ ﺍﻟ ‪‬ﺮﺟ‪ِ ‬ﻞ‬ ‫ﺱ ‪‬ﺗ ‪‬‬ ‫ﻑ ﺍﻟﻨ‪‬ﺎ ‪‬‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬ﻌ ِﺮ ِ‬

‫ﺐ‬ ‫ﺼ ٍ‬ ‫ﻳ‪‬ﺎ ﻗﹶﺎِﺋ ﹶﻞ ﺍﻟﺴ‪‬ﻮﺀِ‪ ،‬ﹸﻗ ﹾﻞ ﺳ‪‬ﻮﺀًﺍ ِﻟﻤ‪ ‬ﻐ‪‬ﺘ ِ‬

‫ﺤ‪‬ﻴ ِﻞ‬ ‫ﺴ ‪‬ﺪ ﺍﹾﻟ ﹶﻜ ‪‬ﻮ ﹶﻥ‪ ..‬ﺑِﺎﻟ‪‬ﺘ ﹾﻠﻔِﻴ ِﻖ‪ ..‬ﻭ‪‬ﺍﹾﻟ ِ‬ ‫ﹶﻗ ‪‬ﺪ ﹶﺃ ﹾﻓ ‪‬‬

‫ﺏ ﺍﹾﻟ ﹶﻜ ‪‬ﻮ ِﻥ ‪‬ﺧ ﱠﻠ ‪‬ﺪﻩ‪‬‬ ‫ﺐ‪ ..‬ﹶﻓ ‪‬ﺮ ‪‬‬ ‫ﺤﺒِﻴ ‪‬‬ ‫ﹶﺃﻣ‪‬ﺎ ﺍﹾﻟ ‪‬‬

‫ﺻ ﹶﻄﻔﹶﺎ ‪‬ﻩ ‪‬ﺭﺳ‪‬ﻮﻟﹰﺎ‪ ..‬ﺧ‪‬ﺎ‪‬ﺗ ‪‬ﻢ ﺍﻟ ‪‬ﺮﺳ‪ِ ‬ﻞ‬ ‫ﲔﺍ ‪‬‬ ‫ِﺣ ‪‬‬

‫ﻫﺬﺍﻥ ﺃﻧﺖ‬

‫ﺍﻟﺸﺎﻋﺮ ﻣﺼﻄﻔﻰ ﻋﻜﺮﻣﺔ‬ ‫ﻭﻟﺪ ﺍﻹﻋﻼﻣﻲ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻱ ﻣﺼﻄﻔﻰ ﳏﻤﺪ ﻋﺪﻧﺎﻥ‬ ‫ﻋﻜﺮﻣﺔ ﻋﺎﻡ ‪ 1943‬ﰲ ﺍﻟﻼﺫﻗﻴﺔ‪ .‬ﻭﲣﺮﺝ ﻣﻦ ﺍﻟﺜﺎﻧﻮﻳﺔ‬ ‫ﺍﻟﺼﻨﺎﻋﻴﺔ ‪‬ﺎ ‪ .1962‬ﻭﺍﻟﺘﺤﻖ ﺑﺪﻭﺭﺓ ﰲ ﺑﺮﻳﻄﺎﻧﻴﺎ ‪ 1965‬ﻡ‬

‫ﲑﺍ ﻓﻨ‪‬ﻴﺎ ﰲ ﺍﻹﺭﺳﺎﻝ ﺍﻟﺘﻠﻔﺰﻳﻮﱐ‪،‬‬ ‫ﳌﺪﺓ ﺳﺘﺔ ﺃﺷﻬﺮ ﻭﺃﺻﺒﺢ ﺧﺒ ‪‬‬ ‫ﻭﻋﻤﻞ ﻟﺪﻯ ﺍﻟﺘﻠﻔﺰﻳﻮﻥ ﺍﻟﺴﻮﺭﻱ ‪ ،1962 - 1993‬ﰒ‬ ‫ﺍﻧﺘﻘﻞ ﺇﱃ ﺩﺍﺋﺮﺓ ﺑﺮﺍﻣﺞ ﺍﻷﻃﻔﺎﻝ ‪ 1995 - 1993‬ﻡ‪.‬‬ ‫ﺑﺪﺃ ﻛﺘﺎﺑﺔ ﺍﻟﺸﻌﺮ ﰲ ﺍﳌﺮﺣﻠﺔ ﺍﻹﻋﺪﺍﺩﻳﺔ ﻣﻨﺬ ﻋﺎﻡ‬ ‫‪ ،1958‬ﻭﻧﺸﺮ ﺷﻌﺮﻩ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﺼﺤﻒ ﻭﺍ‪‬ﻼﺕ‪ .‬ﻭﻛﺘﺐ ﻋﺪ ‪‬ﺩﺍ ﻣﻦ ﺍﳌﺴﻠﺴﻼﺕ‬ ‫ﺍﻹﺫﺍﻋﻴﺔ ﺍﻟﻄﻮﻳﻠﺔ‪ ،‬ﻛﻤﺎ ﻛﺘﺐ ﺣﻮﺍﱄ ‪ 500‬ﺣﻠﻘﺔ ﻣﻦ ﺑﺮﻧﺎﻣﺞ ﲤﺜﻴﻠﻲ ﺇﺫﺍﻋﻲ )ﺃﻭﻟﺌﻚ ﺃﺑﻨﺎﺋﻲ(‬

‫ﻭﻋﻠﻢ ﻭﻋﻤﻞ ﻹﺫﺍﻋﺔ ﺟﺪﺓ ﻭﺣﻮﺍﱄ ‪ 150‬ﺣﻠﻘﺔ ﻣﻦ )ﺗﺴﺒﻴﺢ ﺭﰊ( ﻹﺫﺍﻋﺔ ﺍﻟﺮﻳﺎﺽ‪ .‬ﻭﻛﺘﺐ‬ ‫‪ 30‬ﺣﻠﻘﺔ ﻣﻦ ﺑﺮﻧﺎﻣﺞ ﺗﻠﻔﺰﻳﻮﱐ ﻟﻠﺪﻋﻮﺓ ﺍﻹﺳﻼﻣﻴﺔ ﺑﺎﺳﻢ )ﺩﺭﻭﺏ ﺍﻟﻨﻮﺭ( ﻭﻓﻴﻪ ‪ 72‬ﻧﺸﻴﺪ ﻭﺑﺚ‬ ‫ﻀﺎ ﻛﺘﺐ ﻣﻌﻈﻢ ﺃﻏﻨﻴﺎﺕ‬ ‫ﻣﺮﺍ ‪‬ﺭﺍ ﻋﻠﻰ ﻛﺜﲑ ﻣﻦ ﺍﶈﻄﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺗﺮﺟﻢ ﺇﱃ ﻋﺪﺓ ﻟﻐﺎﺕ ﻭﺃﻳ ‪‬‬ ‫ﺑﺮﻧﺎﻣﺞ ﺍﻷﻃﻔﺎﻝ ﺍﻟﺘﻠﻔﺰﻳﻮﱐ ﺍﳌﺸﻬﻮﺭ )ﺍﻓﺘﺢ ﻳﺎ ﲰﺴﻢ(‪ ،‬ﻭﺑﺮﻧﺎﳎﺎ ﺗﻠﻔﺰﻳﻮﻧ‪‬ﻴﺎ ﳉﻤﻌﻴﺔ ﺍﻟﺪﻋﻮﺓ‬

‫ﺍﻹﺳﻼﻣﻴﺔ ﺍﻟﻌﺎﳌﻴﺔ ﰲ ﻃﺮﺍﺑﻠﺲ ﻣﺆﻟ ﹰﻔﺎ ﻣﻦ ﺛﻼﺛﲔ ﺣﻠﻘﺔ ﻣﺴﺘﻘﻠﺔ‪ ،‬ﻭﰲ ﻛﻞ ﺣﻠﻘﺔ ﻗﺼﻴﺪﺗﺎﻥ‪.‬‬

‫ﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ ﻛﺜﲑﺓ ﻣﻨﻬﺎ‪ :‬ﻓﱴ ﺍﻹﺳﻼﻡ‪ /‬ﺣﱴ ﺗﺮﺿﻰ‪ /‬ﻳﺎ ﺑﻠﺪﻱ‪ /‬ﳏﻤﺪﻳﺎﺕ‪ /‬ﻭﻟﻸﻃﻔﺎﻝ‬ ‫ﳎﻤﻮﻋﺔ ﺗﻀﻢ ﺍﺛﻨﱵ ﻋﺸﺮﺓ ﻗﺼﺔ ﺷﻌﺮﻳﺔ ﻣﺼﻮﺭﺓ‪ /‬ﺃﲨﻞ ﻣﺎ ﻏﲎ ﺍﻷﻃﻔﺎﻝ‪ /‬ﻭﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ‬ ‫ﺑﻌﻨﻮﺍﻥ‪ :‬ﺟﻨﺪ ﺍﻟﻜﺮﺍﻣﺔ ﻃﺒﻌﺖ ﻋﺪﺓ ﻣﺮﺍﺕ‪.‬‬ ‫ﻛﻤﺎ ﻧﺸﺮ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﳌﻘﺎﻻﺕ ﺍﻷﺩﺑﻴﺔ ﻭﺍﻟﺪﺭﺍﺳﺎﺕ ﰲ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﻟﺪﻭﺭﻳﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ‪،‬‬

‫ﻭﻓﺎﺯ ﺑﺎﳉﺎﺋﺰﺓ ﺍﻷﻭﱃ ﻭﻧﺼﻒ ﺍﳉﺎﺋﺰﺓ ﺍﻟﺜﺎﻧﻴﺔ ﰲ ﻣﺴﺎﺑﻘﺔ ﺍﳌﺴﺮﺡ ﺍﳌﺪﺭﺳﻲ ﺑﺴﻮﺭﻳﺔ ﲟﺴﺮﺣﻴﺘﲔ‪،‬‬

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‫ﺍﻷﻭﱃ‪ :‬ﺟﻨﺪ ﺍﻟﻜﺮﺍﻣﺔ‪ :‬ﺗﺮﺑﻮﻳﺔ ﺷﻌﺮﻳﺔ ﻟﻠﻔﺘﻴﺎﻥ‪ ،‬ﻭﺍﻟﺜﺎﻧﻴﺔ‪ :‬ﳏﺎﻛﻤﺔ ﺍﳊﺴﺎﺏ‪ :‬ﻭﻫﻲ ﺗﺮﺑﻮﻳﺔ‬ ‫ﺼﺎ ﻣﺴﺮﺣ‪‬ﻴﺎ ﺇﻟﺰﺍﻣﻴ‪‬ﺎ ﰲ ﲨﻴﻊ ﻣﺪﺍﺭﺱ ﺳﻮﺭﻳﺎ‪ ..‬ﻳﻘﻮﻝ‪:‬‬ ‫ﻫﺎﺩﻓﺔ‪ ،‬ﻭﻗﺪ ﻋﻤﻤﺘﺎ ﻧ ‪‬‬

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‫ﺿﻤﻨﺖ ﻟﻠﺤﻖ ﻋﻤﺮ ﺍﻟﺪﻫﺮ ﻣﺎ ﳚﺐ‬

‫ﻳﺎ ﻣﻦ ﺑﻚ ﺍﳊﻖ ﻳﺰﻫﻰ ﺣﲔ ﻳﻨﺘﺴﺐ‬

‫ﻭﻋﺸﺖ ﻟﻠﺤﻖ ﻻ ﺗﺮﺿﻰ ﺑﻪ ﺑﺪﹰﻟﺎ‬

‫ﻭﺇﻥ ﺃﺻﺎﺑﺘﻚ ﰲ ﺗﺄﻳﻴﺪﻩ ﺍﻟﻨﻮﺏ‬

‫ﻣﺎ ﺍﺛﺎﻗﻠﺖ ﻧﻔﺴﻚ ﺍﳌﺜﻠﻰ ﺑﻔﻄﺮ‪‬ﺎ‬

‫ﻭﻻ ﺻﺒﻮﺕ ﳌﺎ ﱂ ﻳﺮﺗﺾ ﺍﻷﺩﺏ‬

‫ﻋﺮﻓﺖ ﺭﺑﻚ ﻗﺒﻞ ﺍﻟﻮﺣﻲ ﰲ ﺧﻠﺪ‬

‫ﻣﺎ ﺩﺍﺧ ﹶﻠﺘﻪ‪ ،‬ﻭﻻ ﻣﺮﺕ ﺑﻪ ﺍﻟﺮﻳﺐ‬

‫ﻓﻜﻨﺖ ﺃﻛﻤ ﹶﻞ ﻣﻦ ﲤﺖ ﺧﻼﺋﻘﻪ‬

‫ﻭﻋﺰ ﰲ ﻣﺜﻠﻬﺎ ﺃﻥ ﺗﻔﺨﺮ ﺍﻟﻌﺮﺏ‬

‫ﻫﺬﺍﻥ ﺃﻧﺖ‪ ..‬ﻗﺒﻴﻞ ﺍﻟﻮﺣﻲ ﺧﲑ ﻓﱴ‬

‫ﻭﻳﻮﻡ ﺃﺭﺳﻠﺖ ﻧﺎﻟﺖ ﻋﺰﻫﺎ ﺍﳊﻘﺐ‬

‫ﺩﻋﻮﺕ ﻗﻮﻣﻚ ﻟﻠﺘﻮﺣﻴﺪ ﻳﻌﺼﻤﻬﻢ‬

‫ﻓﻤﺎ ﺍﺳﺘﺠﺎﺑﻮﺍ؛ ﻭﻟﻜﻦ ﺭﺃﺳﻬﻢ ﺭﻛﺒﻮﺍ‬

‫ﺃﻧﺖ ﺍﳊﺮﻳﺺ ﻋﻠﻴﻬﻢ ﻭﺍﻟﺮﺅﻭﻑ ‪‬ﻢ‬

‫ﻭﻣﺎ ﻳﺰﺍﻝ ﺭﺣﻴ ‪‬ﻤﺎ ﻗﻠﺒﻚ ﺍﳊﺪﺏ‬

‫ﻳﺰﺩﺍﺩ ﺣﻠﻤﻚ ﻓﻴﻬﻢ ﻋﻨﺪ ﻛﻞ ﺃﺫﻯ‬

‫ﻓﺄﻧﺖ ﺃﻡ ﳍﻢ‪ ،‬ﺭﻏﻢ ﺍﻷﺫﻯ ﻭﺃﺏ‬

‫ﻭﺃﻧﺖ ﻭﺣﺪﻙ ﰲ ﺇﻧﻘﺎﺫﻫﻢ ﺳﺒﺐ‬

‫ﻭﻛﻲ ﻳﺰﻳﻠﻮﻙ ﻛﻞ ﻋﻨﺪﻩ ﺳﺒﺐ‬

‫ﺃﻏﺮﻭﻙ ﺑﺎﳌﺎﻝ‪ ،‬ﺑﺎﻟﺪﻧﻴﺎ‪ ،‬ﲟﺎ ﻣﻠﻜﺖ‬

‫ﻳﺪ ﺍﻟﺰﻣﺎﻥ‪ ..‬ﻭﻛﺎﻥ ﺍﳌﻮﻗﻒ ﺍﻟﻌﺠﺐ‬

‫ﷲ ﻛﻮﻛﺒﺔ ﻗﺪ ﺁﻣﻨﺖ ﺭﻏ‪‬ﺒﺎ‬

‫ﻭﻳﺎ ﻟﻪ ﺭﻏ‪‬ﺒﺎ‪ ..‬ﻣﺎ ﻣﺜﻠﻪ ﺭﻏﺐ!‬

‫ﲰﻮﺍ ‪‬ﺪﻳﻚ ﻋﻤﺎ ﻧﺎﳍﻢ‪ ..‬ﻭﺭﺃﻭﺍ‬ ‫‪‬‬

‫ﺟﻨﺎﺕ ﺭﺑﻚ ﺗﺪﻋﻮﻫﻢ‪ ،‬ﻭﺗﻘﺘﺮﺏ‬

‫ﻫﻢ ﺍﳌﺸﻮﻗﻮﻥ‪ ..‬ﻭﻫﻲ ﺍﻟﺸﻮﻕ ﺑ ‪‬ﺮﺣﻬﺎ‬

‫ﻣﺎ ﺿﺮ ﻣﻦ ﺃﺟﻠﻬﺎ ﻟﻮ ﺃ‪‬ﻢ ﺻﻠﺒﻮﺍ‬

‫ﻋﺬ‪‬ﺑﺎ ﺭﺃﻭﺍ ﻛﻞ ﺗﻌﺬﻳﺐ‪ ،‬ﻭﻛﻢ ﺻﱪﻭﺍ‬

‫ﻭﺯﺍﺩ ﻣﺎ ﻋﺬﺑﻮﺍ ﺍﻹﳝﺎﻥ ﻭﺍﻟﺪﺃﺏ‬

‫ﺍﻟﺼﺪﻕ ﺇﻥ ﻋﺎﻫﺪﻭﺍ ﻳﺰﻫﻰ ﻭﺇﻥ ﺑﺬﻟﻮﺍ‬

‫ﺣﺴﺒﺖ ﺃﻥ ﺃﻳﺎﺩﻳﻬﻢ ﻫﻲ ﺍﻟﺴﺤﺐ‬

‫ﻳﺴﺘﻜﺜﺮ ﺍﻟﻨﺎﺱ ﻣﻨﻬﻢ ﺑﻌﺾ ﻣﺎ ﻭﻫﺒﻮﺍ‬

‫ﻭﻫﻢ ﻳﺮﻭﻥ ﻗﻠﻴ ﹰﻠﺎ ﻛ ﱠﻞ ﻣﺎ ﻭﻫﺒﻮﺍ‬

‫ﺟﻴﻞ ﺳﻴﺒﻘﻰ ﻓﺮﻳ ‪‬ﺪﺍ ﰲ ﻋﻘﻴﺪﺗﻪ‬

‫ﻭﺃﻋﺠﺐ ﺍﻷﻣﺮ ﻣﺎ ﰲ ﺃﻣﺮﻫﻢ ﻛﺬﺏ‬

‫ﻉ‬ ‫ﻫﻞ ﻛﺎﻥ ﻣﺜﻞ )ﺃﰊ ﺑﻜﺮ( ﺃﺧﺎ ﻭﺭ ٍ‬

‫ﻭﺃﻳﻦ ﻣﻦ ﺑﺄﺳﻪ ﺇﻣﺎ ﺩﻫﺖ ﻧﻮﺏ!‬

‫ﻭﺃﻳﻦ ﻣﻦ )ﻋﻤ ٍﺮ( ﻋﺪﻻ؟! ﻭﺃﻳﻦ ﺗﺮﻯ‬

‫ﰲ ﺍﻟﺰﻫﺪ ﻣﺜﻞ )ﺃﰊ ﺫﺭ( ﺇﺫﺍ ﻧﺴﺒﻮﺍ‬

‫ﻭﺃﻳﻦ ﻣﺜﻞ )ﺑﻼﻝ( ﰲ ﺍﻟﺜﺒﺎﺕ؟! ﻭﻫﻞ‬

‫ﱪﺍ ﺗﻌﺮﻑ ﺍﻟﻜﺘﺐ!‬ ‫)ﻛﺂﻝ ﻳﺎﺳﺮ( ﺻ ‪‬‬

‫ﷲ ﺃﻧﺖ‪ ..‬ﻭﷲ ﺍﻟﺬﻱ ﻓﻌﻠﺖ‬

‫ﺁﻳﺎﺕ ﺭﺑﻚ ﻓﻴﻬﻢ ﺣﻴﺜﻤﺎ ﻃﻠﺒﻮﺍ!‬

‫ﺑﻮﺭﻛﺖ ﻗﺎﺋﺪﻫﻢ‪ ..‬ﺑﻮﺭﻛﺖ ﺻﺎﺣﺒﻬﻢ‬

‫ﻭﺑﻮﺭﻛﻮﺍ ﺻﺤﺒﺔ ﻭﻓﻮﺍ ﳌﻦ ﺻﺤﺒﻮﺍ‬

‫ﺃﺩﱏ ﺍﻷﻗﺎﺭﺏ ﺻﺎﺭ ﺍﻷﺑﻌﺪﻭﻥ‪ ،‬ﻭﻣﺎ‬

‫ﺃﻏﲎ ﻣﻊ ﺍﻟﻜﻔﺮ ﻻ ﻗﺮﺏ ﻭﻻ ﻧﺴﺐ‬

‫ﻳﺪﺍ )ﺃﰊ ﳍﺐ( ﺗﺒﺖ‪ ،‬ﻭﺗﺐ ‪‬ﺎ‬

‫ﻭﺍﻟﺰﻭﺝ ﺗﺒﺖ‪ ،‬ﻭﺗﺐ ﺍﳌﺎﻝ ﻭﺍﳊﻄﺐ‬

‫ﻣﺎ ﻛﺎﻥ ﺃﻏﻨﺎﻩ ﻭﻫﻮ ﺍﻟﻌﻢ ﻟﻮ ﳌﺴﺖ‬

‫ﻛﻒ ﺍﳍﺪﻯ ﻗﻠﺒﻪ‪ ..‬ﻭﺍﺳﺘﱪﺩ ﺍﻟﻠﻬﺐ‬

‫ﺿﺎﻗﺖ ﻗﻮﻯ ﺍﻟﺸﺮ ﺑﺎﳊﻖ ﺍﻟﺬﻱ ﻇﻬﺮﺕ‬

‫ﺁﻳﺎﺗﻪ‪ ..‬ﻭﺗﱰﻯ ﺍﳊﻘﺪ ﻭﺍﻟﻐﻀﺐ‬

‫ﻭﺃﲨﻌﻮﺍ ﺍﻷﻣﺮ ﰲ ﺳﺮ‪ ،‬ﻭﻗﺪ ﺟﻌﻠﻮﺍ‬

‫ﻟﻘﺎﺗﻠﻴﻚ ﻧﻴﺎ ﹰﻗﺎ ﺩﻭ‪‬ﺎ ﺍﻟﺬﻫﺐ‬

‫ﰲ ﻛﻞ ﻧﻔﺲ ﺃﺛﺎﺭﻭﺍ ﺍﳊﻘﺪ ﻓﺎﺭﺗﻔﻌﺖ‬

‫ﻛﻞ ﺍﻟﺴﻴﻮﻑ‪ ،‬ﻭﺃﻧﺖ ﺍﻟﻘﺼﺪ ﻭﺍﻟﻄﻠﺐ‬

‫ﲡﻤﻌﻮﺍ ﺯﻣ ‪‬ﺮﺍ ﺑﺎﻟﺒﺎﺏ ﻭﺍﺣﺘﺸﺪﻭﺍ‬

‫ﻣﺪﺟﺠﲔ‪ ..‬ﻭﻣﻮﺝ ﺍﳊﻘﺪ ﻳﺼﻄﺨﺐ‬

‫ﻭﻇﻞ ﺭﻭﺣﻚ ﰲ ﻗﺪﺳﻲ ﺭﻓﺮﻓﺔ‬

‫ﻭﺃﻧﺖ ﺗﺒﺴﻢ‪ ..‬ﻻ ﺣﻘﺪ ﻭﻻ ﺭﻫﺐ‬

‫ﻣﺎ ﻛﺎﻥ ﳘﻚ ﺇﻻ ﺃﻥ ﺗﺮﺩ ﳍﻢ‬

‫ﻣﺎ ﺃﻣﻨﻮﻙ ﻋﻠﻴﻪ‪ ..‬ﺭﻏﻢ ﻣﺎ ﺍﺭﺗﻜﺒﻮﺍ‬

‫ﻫﺬﺍ ﻫﻮ ﺍﻟﺪﻳﻦ‪ ..‬ﻫﺬﺍ ﻣﺎ ﺑﻌﺜﺖ ﺑﻪ‬

‫ﻭﺗﻠﻚ ﺃﺧﻼﻕ ﻣﻦ ﻋﻦ ﺩﻳﻨﻬﻢ ﺭﻏﺒﻮﺍ‬

‫ﺃﻭﺣﻰ ﻟﻚ ﺍﷲ ﻫﺎﺟ ‪‬ﺮ ﻟﻸﱃ ﺻﺪﻗﻮﺍ‬

‫ﻓﺎﳌﺆﻣﻨﻮﻥ ﻫﻢ ﺍﻷﻭﻃﺎﻥ ﻭﺍﻟﻨﺴﺐ‬

‫ﻭﻻ ﺗﺮﻋﻚ ﺣﺸﻮﺩ ﺍﻷﺭﺽ ﺃﲨﻌﻬﺎ‬

‫ﻓﺈﳕﺎ ﺍﻷﻣﺮ ﺑﻌﺪ ﺍﻟﺼﱪ ﻳﻨﻘﻠﺐ‬

‫ﺧﺮﺟﺖ ﻣﻦ ﺑﻌﺪ ﺃﻥ ﺃﺑﻘﻴﺖ ﻣﺆﲤ‪‬ﻨﺎ‬

‫ﻋﻠﻰ ﻭﺩﺍﺋﻌﻬﻢ‪ ..‬ﺗﻌﻄﻰ ﻣﱴ ﻃﻠﺒﻮﺍ‬

‫ﺃﻗﺎﻡ ﺭﺑﻚ ﺳ ‪‬ﺪﺍ ﻓﻮﻕ ﺃﻋﻴﻨﻬﻢ‬

‫ﻭﻗﺪ ﺃﺣﺴﻮﺍ‪ ..‬ﻭﻛﻞ ﺭﺃﺳﻪ ﺗ ِﺮﺏ‬

‫ﺷﺎﻫﺖ ﻭﺟﻮﻩ ﻭﻟﻮﻻ ﻣﺎ ﺩﻋﻮﺕ ﳌﺎ‬

‫ﺷﺎﻫﺖ‪ ..‬ﻓﺄﺣﻘﺎﺩﻫﻢ ﰲ ﻭﺟﻬﻬﻢ ﺗﺜﺐ‬

‫ﺗﺮﻛﺖ )ﻣﻜﺔ( ﺧﲑ ﺍﻷﺭﺽ ﻗﺎﻃﺒﺔ‬

‫ﻭﺭﺣﺖ ﻋﻨﻬﺎ ﺑﺮﺏ ﺍﻟﺒﻴﺖ ﲢﺘﺴﺐ‬

‫ﺐ‬ ‫ﺸ ٍ‬ ‫ﺖ ﺇﱃ ﺃﻫﻞ‪ ..‬ﻭﻻ ﻧ ‪‬‬ ‫ﻭﻣﺎ ﺍﻟﺘﻔ ‪‬‬

‫ﻓﺪﻭﻥ ﻣﺎ ﺗﺒﺘﻐﻴﻪ ﺍﻷﻫﻞ‪ ..‬ﻭﺍﻟﻨﺸﺐ‬

‫ﺻﺎﺣﺒﺖ ﰲ ﺍﻟﺮﺣﻠﺔ ﺍﻟﻜﱪﻯ ﺃﺧﺎ ﺛﻘﺔ‬

‫ﻣﻦ ﻣﺜﻞ ﺻﺎﺣﺒﻚ )ﺍﻟﺼﺪﻳﻖ( ﻳﺼﻄﺤﺐ!؟‬

‫ﺃﻗﻤﺖ ﰲ )ﺍﻟﻐﺎﺭ( ﺃﻳﺎ ‪‬ﻣﺎ ﻋﻠﻰ ﺳﻐﺐ‬

‫ﻭﰲ ﺭﺿﺎ ﺍﷲ ﻛﻢ ﳛﻠﻮ ﻟﻚ ﺍﻟﺴﻐﺐ‬

‫ﻣﻦ ﻗﺎﺏ ﻗﻮﺳﲔ ﺃﻭ ﺃﺩﱏ ﻗﺪ ﺍﻗﺘﺮﺑﻮﺍ‬

‫ﻭﻣﺎ ﺭﺃﻭﻙ‪ ..‬ﻭﻣﻨﻚ ﺍﻟﻨﻮﺭ ﻳﻨﻜﺴﺐ‬

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‫ﺇﺭﺍﺩﺓ ﺍﷲ ﺃﻋﻤﺘﻬﻢ‪ ..‬ﻭﻧﻠﺖ ‪‬ﺎ‬

‫ﺑﺮﺩ ﺍﻟﻴﻘﲔ‪ ،‬ﻭﻋﺎﻧﻮﺍ ﺍﻟﺬﻝ ﻭﺍﻧﺴﺤﺒﻮﺍ‬

‫ﻃﻠﻌﺖ ﻣﻦ ﻏﺎﺭﻙ ﺍﶈﺮﻭﺱ ﴰﺲ ﺿﺤﻰ‬

‫ﻭﺍﻟﻜﻮﻥ ﺻﻌﺪ ﺷﻜ ‪‬ﺮﺍ ﻗﻠﺒﻪ ﺍﻟﻄﺮﺏ‬

‫ﻣﻦ ﺫﺍ ﺍﻟﺬﻱ ﻫﺐ ﻣﺜﻞ ﺍﻟﺮﻳﺢ ﻳﺴﺒﻘﻪ‬

‫ﺣﻘﺪ‪ ..‬ﻭﳛﻤﻠﻪ ﻣﻦ ﻗﻮﻣﻪ ﺍﻟﻐﻀﺐ؟!‬

‫ﻫﺬﺍ )ﺳﺮﺍﻗﺔ( ﻳﺮﺟﻮ ﻧﻴﻞ ﻣﺎ ﻭﻋﺪﻭﺍ‬

‫ﻭﻛﺎﺩ ﻳﻈﻔﺮ ﻟﻮﻻ )ﻏﺎﺭﺕ ﺍﻟﺮﻛﺐ(‬

‫ﻭﻋﺪﺗﻪ ﺑﺴﻮﺍﺭ ﺍﳌﻠﻚ ﻳﻠﺒﺴﻪ‬

‫ﺃﻣﻠﻚ ﻛﺴﺮﻯ ﻭﺃﻧﺖ ﺍﻟﻼﺋﺬ ﺍﻟﺘﻌﺐ؟!‬

‫ﻭﺍﺭﺗﺪ ﻋﻨﻚ ﻛﻤﻦ ﺑﺎﻟﻜﻒ ﳝﺴﻜﻪ‬

‫ﺣﱴ ﺑﻮﻋﺪﻙ ﻫﺬﺍ‪ ..‬ﺩﻭﻧﻚ ﺍﻟﻜﺬﺏ‬

‫ﻳﺎ ﺷﻮﻕ )ﻃﻴﺒﺔ( ﻭﺍﻟﺒﺸﺮﻯ ﺗﻈﻠﻠﻬﺎ‬

‫ﻣﺎ ﻣﺜﻞ ﻣﺎ ﺍﺭﺗﻘﺒﺖ ﰲ ﺍﻟﺪﻫﺮ ﻣﺮﺗﻘﺐ‬

‫ﺑﺪﺭ ﺑﺪﺍ ﻣﻦ )ﺛﻨﻴﺎﺕ ﺍﻟﻮﺩﺍﻉ( ﳍﺎ‬

‫ﺇﻻ ﻟﻪ ﻻ ﻳﻠﻴﻖ ﺍﻟﺸﻮﻕ ﻭﺍﻟﻄﺮﺏ‬

‫ﱪﺍ ﻗﺪ ﺍﻧﻘﻠﺒﺖ‬ ‫ﻛﺄﻥ ﺗﺮﺑﺘﻬﺎ ﺗ ‪‬‬

‫ﻛﺄﳕﺎ ﰲ ﺛﺮﺍﻫﺎ ﺃﻣﺴﺖ ﺍﻟﺸﻬﺐ‬

‫ﻫﻲ ﺍﳉﻨﺎﻥ‪ ..‬ﻭﺃﻫﻠﻮﻫﺎ ﻣﻼﺋﻜﺔ‬

‫ﻟﻮ ﻛﺎﻥ ﰲ ﺍﻷﺭﺽ ﺃﻣﻼﻙ ﳍﺎ ﺍﻧﺘﺴﺒﻮﺍ‬

‫ﺍﳌﺎﻝ‪ ،‬ﻭﺍﻟﻨﻔﺲ‪ ،‬ﻭﺍﻷﻫﻠﻮﻥ ﺇﻥ ﻃﻠﺒﺖ‬

‫ﻓﺪﺍﺀ ﺩﻳﻦ ﺍﻟﺬﻱ ﻣﺎ ﻛﺎﻥ ﻣﻨﺴﺤﺐ‬

‫ﺍﻟﺪﻳﻦ ﲤﻤﺖ ﺍﻷﻧﺼﺎﺭ ﻧﺼﺮﺗﻪ‬

‫ﻭﱂ ﳛﻞ ﺩﻭ‪‬ﺎ ﺑﺬﻝ ﻭﻻ ﺗﻌﺐ‬

‫ﻭﻛﻞ ﺷﺮﻙ ﺗﻮﱃ‪ ،‬ﻭﺍﳏﻰ‪ ،‬ﻭﻏﺪﺕ‬

‫ﺭﺍﻳﺎﺕ ﺟﻨﺪﻙ ﺗﻌﻠﻮ‪ ..‬ﺃﻳﻨﻤﺎ ﺭﻛﺒﻮﺍ‬

‫ﻭﻋﺪﺕ ﻟﻠﺒﻴﺖ ﻋﻮ ‪‬ﺩﺍ ﻻ ﺃﻋﺰ‪ ،‬ﻭﻫﺎ‬

‫ﺃﻧﺖ ﺍﻟﻘﺪﻳﺮ ﻋﻠﻴﻬﻢ ﺃﻳﻨﻤﺎ ﺫﻫﺒﻮﺍ‬

‫ﻭﺟﺎﺀﻙ ﺍﻟﻘﻮﻡ ﰲ ﺫﻝ‪ ،‬ﻭﻗﺪ ﻧﻜﺴﻮﺍ‬

‫ﺭﺅﻭﺳﻬﻢ‪ ..‬ﻭﻋﻠﻴﻬﻢ ﺳﻴﻄﺮ ﺍﻟﺮﻋﺐ‬

‫)ﻣﺎﺫﺍ ﺗﻈﻨﻮﻥ ﺃﱐ ﻓﺎﻋﻞ ﺑﻜ ‪‬ﻢ(؟‬

‫ﺳﺎﺀﻟﺘﻬﻢ‪ ..‬ﻭﻗﻠﻮﺏ ﺍﻟﻘﻮﻡ ﺗﻀﻄﺮﺏ‬

‫ﻯ ﻣﻨﻬﻢ ﺃﺗﺎﻙ ﺇﺫﺍ‬ ‫ﻗﺎﻟﻮﺍ‪ :‬ﻭﺃﺩﱏ ﺃﺫ ‪‬‬

‫ﻋﺪﻟﺖ ﻓﻴﻬﻢ ﺃﺑﻴﺪﻭﺍ‪ ..‬ﺑﻌﺪ ﺃﻥ ﻏﻠﺒﻮﺍ‬

‫ﺃﺥ ﻛﺮﱘ ﻋﻠﻴﻨﺎ ﺃﻧﺖ‪ ..‬ﻭﺍﺑﻦ ﺃﺥ‬

‫ﻭﺭﺍﻥ ﺻﻤﺖ‪ ..‬ﻭﻛ ﱞﻞ ﻗﻠﺒﻪ ﳚﺐ‬

‫ﻗﻠﺖ‪ :‬ﺍﺫﻫﺒﻮﺍ‪ ،‬ﺃﻧﺘﻢ ﺍﻟﻄﹼﻠﻘﺎﺀ‪ ،‬ﻓﺎﻧﻘﻠﺒﻮﺍ‬

‫ﻟﻜﻦ ﻋﻠﻰ ﻣﺎ ﻣﻀﻰ ﻣﻨﻬﻢ ﻗﺪ ﺍﻧﻘﻠﺒﻮﺍ‬

‫ﻗﻠﺖ ﺍﺫﻫﺒﻮﺍ؟! ﻳﺎ ﻟﻪ ﺍﻟﺮﲪﻦ ﻣﻦ ﺧﻠﻖ‬

‫ﻫﻮ ﺍﻟﺮﺳﺎﻟﺔ ‪‬ﺷﻘﺖ ﺩﻭ‪‬ﺎ ﺍﳊﺠﺐ!‬

‫ﻭﺟﺎﺀﻙ ﺍﻟﻨﺼﺮ ﻧﺼﺮ ﺍﷲ‪ ..‬ﻭﺍﻛﺘﻤﻠﺖ‬

‫ﺑﻚ ﺍﻟﺮﺳﺎﻻﺕ‪ ..‬ﻭﺍﻧﻘﺎﺩﺕ ﻟﻚ ﺍﳊﻘﺐ‬

‫ﻳﺎ ﺃﻛﻤﻞ ﺍﻟﻨﺎﺱ ﰲ ﻗﻮﻝ‪ ،‬ﻭﰲ ﻋﻤﻞ‬

‫ﺃﻣﺴﻰ ﳍﺠﺮﺗﻚ ﺍﻟﺘﺎﺭﻳﺦ ﻳﻨﺘﺴﺐ‬

‫ﲤﻀﻲ ﺍﻟﻘﺮﻭﻥ ﻭﺗﺒﻘﻰ ﺃﻧﺖ ﻗﺪﻭ‪‬ﺎ‬

‫ﻓﺄﻧﺖ ﻣﻦ ‪‬ﺪﺍﻩ ﲤﺖ ﺍﻟﻜﺘﺐ‬

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‫ِﻣ ‪‬ﻦ ﳔﹾﻠ ِﺔ ﺍﻟﺸﻌ ِﺮ‬

‫ﺍﻟﻘﺎﺿﻲ ﻭﻟﺪ ﳏﻤﺪ ﻋﻴﻨﲔ‬

‫ﺷﺎﻋﺮ ﺷﻨﻘﻴﻄﻲ )ﻣﻮﺭﻳﺘﺎﱐ(‬

‫ﻱ‬ ‫ِﻣ ‪‬ﻦ ﳔﹾﻠ ِﺔ ﺍﻟﺸﻌ ِﺮ ﻫﺬﺍ ﹶﻃ ﹾﻠﻊ‪ ‬ﺗ ‪‬ﻐﺮِﻳﺪ ِ‬

‫ﺡ ﺍﻷﻧﺎﺷِﻴ ِﺪ‬ ‫ﻑ ﹶﻓ ‪‬ﻮّﺍ ‪‬‬ ‫ﺑِﺪﻭ‪‬ﺣ ِﺔ ﺍﳊ ‪‬ﺮ ِ‬

‫ﻫ ﹾﻞ ﺗﻘﺒﻠ ّ‪‬ﻦ ﺩﻗﻴ ‪‬ﻖ ﺍﻟﻄ ﹾﻠ ِﻊ ِﻣ ‪‬ﻦ ﹶﻛﻠِﻤ ِﻲ‬

‫ﺢ ﰲ ﻋ‪‬ﻮﺩﻱِ؟‬ ‫ﲔ ﺍﻟﺮﻳ ِ‬ ‫ﺃﻭ ﺗﺴ‪‬ﻤ ‪‬ﻌ ّ‪‬ﻦ ﺭﻧ ‪‬‬

‫ﻱ‬ ‫ﻕ ﰲ ﻛﹶﺒﺪ ِ‬ ‫ﹶﺃ ‪‬ﻡ ﻫ ﹾﻞ ﺗ‪‬ﻘ ّ‪‬ﺮ ﺭِﻣﺎﺡ‪ ‬ﺍﻟﺸﻮ ِ‬

‫ﻚ ﺃ ‪‬ﻡ ﺗ‪‬ﺮﻭﻯ ﺑ‪‬ﺘ ‪‬ﻮﺭِﻳﺪﻱِ؟‬ ‫ﺿ ‪‬‬ ‫‪‬ﻋﻄﹾﺸ ‪‬ﻰ ﳊ ‪‬ﻮ ِ‬

‫ﻳﺎ ﺟ‪ ‬ﹾﺬ ‪‬ﻭ ﹶﺓ ﺍﳊ ِّﻖ ﻋﱪ ﺍﻟﺪﻫ ِﺮ ﺳ‪‬ﺎﲝ ﹰﺔ‬

‫ﻱ‬ ‫ﺢ ﻋﻠﻰ ﺍﳉﹸﻮﺩ ِ‬ ‫ﺴﺒِﻴ ٍ‬ ‫ﺕ ﺑ‪‬ﺘ ‪‬‬ ‫ﺣّ‪‬ﺘﻰ ﺍ ‪‬ﺳ‪‬ﺘ ﹶﻘ ّ‪‬ﺮ ‪‬‬

‫ﻚ ﺍﻟﺮﺳ ِﻞ ﻣ‪ ‬ﻌِﺒ ﹶﻘ ﹰﺔ‬ ‫ﺴ ِ‬ ‫ﺕﲟ ‪‬‬ ‫ﰒ ﺍ ‪‬ﺳﺘ‪‬ﻤ ّ‪‬ﺮ ‪‬‬

‫ﻛﺎﻟﺴ ِّﺮ ‪‬ﻳ ‪‬ﺰ ‪‬ﺣﻒ‪ ‬ﰲ ﺗﺮ‪‬ﻛﻴ‪‬ﺒ ِﺔ ﺍﻟﻌ‪‬ﻮ ِﺩ‬

‫ﺖ ﻧﺴﻤِﺘ ِﻪ‬ ‫ﺖ ﺍﻟﺮﺑﻴ ‪‬ﻊ ﺍﻟﺬﻱ ِﻣ ‪‬ﻦ ﲢ ِ‬ ‫ﺃﻧ ‪‬‬

‫ﲑ ﳏ‪‬ﺪﻭ ِﺩ‬ ‫ﻏ‪‬ﻨّﻰ ﺍﻟﺰﻣﺎ ﹸﻥ‪ِ ..‬ﺑِﺒ ٍّﺮ ﻏ ِ‬

‫ﺽ ﺳﲑ‪‬ﺗ ‪‬ﻪ‬ ‫‪‬ﺩ ‪‬ﻭﺡ‪ ‬ﺗ‪‬ﻌ ِّﻄ ‪‬ﺮ ﺯﻫ ‪‬ﺮ ﺍﻷﺭ ِ‬

‫ﺹ ﲟﻘﺼﻮ ٍﺭ ﻭ ‪‬ﻣ ‪‬ﻤﺪ‪‬ﻭ ِﺩ‬ ‫ﺣ‪‬ﺘّﻰ ﺗﻐﻮ ‪‬‬

‫ﺲ‪ ..‬ﳑﺘ ‪‬ﺪّﺍ ﺑﺄ‪‬ﻧﺴ‪ِ ‬ﻤ ِﻪ‬ ‫ﺻ ‪‬ﺒﺢ‪ ‬ﺗﻨ ّﹶﻔ ‪‬‬ ‫‪‬‬

‫ﺢ ِﻣ ‪‬ﻦ ﺳﺎ ٍﻡ ﻭ ‪‬ﳏﻤ‪‬ﻮ ِﺩ‬ ‫ﻳ‪‬ﺒﻌِﺜﺮ‪ ‬ﺍﻟﻨﻔ ‪‬‬

‫ﺑﺪﺭ‪ ‬ﺑﻌ‪ ‬ﻤ ِﺮ ‪‬ﻙ ﻣ ّ‪‬ﺪ ﺍﻟﺪﻫ ‪‬ﺮ ﺃﺫﺭ‪ ‬ﻋﻪ‪‬‬

‫ﺏ ﺍﻟﻔﺮ‪‬ﺍﻗِﻴ ِﺪ‬ ‫ﻕ ﺍﻟﻐ‪‬ﻴﻮ ِﻡ ﻋﻠﻰ ‪‬ﺩ ‪‬ﺭ ِ‬ ‫ﻓﻮ ‪‬‬

‫ﺣ‪‬ﺘّﻰ ﲡ ّﹶﺬ ‪‬ﺭ ﰲ ﳓ ِﺮ ﺍﻟﺰﻣﺎ ِﻥ ﺑ ِﻪ‬

‫ﻧﺒ ‪‬ﻊ ﺍﻟﻄﻬﺎ ‪‬ﺭ ِﺓ ِﻣ ‪‬ﻦ ﹶﺃ ‪‬ﺭﺣ‪‬ﺎ ِﻡ ﹾﲡﺪِﻳ ِﺪ‬

‫ﻕ ﺍﻟﻐﻴ ِﻢ ‪‬ﻣﻌ‪‬ﺘِﻨ ﹰﻘﺎ‬ ‫ﻳﺎ ﻗﺎﺋ ‪‬ﺪ ﺍﻟﻐ ِّﺮ ﻓﻮ ‪‬‬

‫ﺢ ﺍﻟﺸﻔﺎﻋ ِﺔ ﰲ ‪‬ﺗ ‪‬ﺮﺳ‪‬ﺎﻧ ِﺔ ﺍﳉﻮ ِﺩ‬ ‫ﻧ ﹾﻔ ‪‬‬

‫ﺖ ﺍﳉﻮ ‪‬ﺩ ِﻣ ‪‬ﻦ ‪‬ﻳ ِﺪ ِﻩ‬ ‫ﺟﺎ ‪‬ﺩ ﺍﻹﻟ ‪‬ﻪ ﻭﺃ‪‬ﻧ ‪‬‬

‫ﺴﺪِﻳ ِﺪ‬ ‫ﻟﺴﺎِﺋ ِﺮ ﺍﻟﻜ ‪‬ﻮ ِﻥ ﹶﻛ ‪‬ﻲ ﳛ‪‬ﻈ ‪‬ﻰ ﺑ‪‬ﺘ ‪‬‬

‫ﻑ ﺑﻨ ‪‬ﺒ ِﻊ ﺍﻟﻀﻮ ِﺀ ِﻣ ‪‬ﻦ ‪‬ﻋﺘ‪‬ﻤ ِﻲ‬ ‫ﺃﻧﺎ ﺍﻟﺸﻐﻮ ‪‬‬

‫ﻱ‬ ‫ﻕ ﺍﻟﻨﻮﺭ ﻣﺮﺻﻮﺩ ِ‬ ‫‪‬ﻣ ‪‬ﻨ ﹸﺬ ﺍﻟﻘﺪ ِﱘ ﻭﻃ ‪‬ﻮ ‪‬‬

‫ﻗﻮ‪‬ﺳﻲ ﺗﻌّ‪‬ﺘ ‪‬ﻖ ﰲ ﻛ ّﹶﻔ ّ‪‬ﻲ ﻓﺎﻧ ‪‬ﺪ ﹶﻓﻌ‪‬ﺖ‬

‫ﻯ‬ ‫ﺏ ‪‬ﺗ ‪‬ﻮﺣِﻴﺪ ِ‬ ‫ﺻ ‪‬ﻮ ‪‬‬ ‫ﺴﻌ ‪‬ﻰ ‪‬‬ ‫ِﻣ ‪‬ﻨﻪ‪ ‬ﺍﻟﻀﻼﻟ ﹸﺔ ‪‬ﺗ ‪‬‬

‫ﲏ‬ ‫ﺖ ﺍﳌﺎ ِﺀ ﺗﺮﻗﹸﺒ ِ‬ ‫ﻃﻴﲏ ﲣ‪‬ﺒّﺄ ﲢ ‪‬‬

‫ﲑ ﻣﻮ‪‬ﺻﻮ ِﺩ‬ ‫ﺏ ﹶﻏ ِ‬ ‫ﺲ ﺍﻟ ‪‬ﻌ ﹸﻠ ‪‬ﻮ‪ ..‬ﺑﺒﺎ ٍ‬ ‫ﴰ ‪‬‬

‫ﲏ‬ ‫ﻚ ﻛﺎﳌﻜﺴﻮ ِﺭ ِﻣ ‪‬ﻦ ‪‬ﻭ ‪‬ﻫ ِ‬ ‫ﹶﺃﺳ‪‬ﻌﻰ ﺑﺪ ‪‬ﺭِﺑ ‪‬‬

‫ﻱ‬ ‫‪‬ﻭﺭِﺟ ﹸﻞ ﻛﺴ‪‬ﺮﻱ ﻋﻠﻰ ﺃﺷﻔﺎ ِﺭ ﺃﹸ ‪‬ﺧﺪ‪‬ﻭﺩ ِ‬

‫ﺤﺘِﻬﺎ‬ ‫ﺴ‪‬‬ ‫ﺖ ﺣﺸﺎﺷ ﹸﺔ ﻭﺟﺪﻱ ﺭﻏﻢ ﻓﹸ ‪‬‬ ‫ﺿﺎﻗ ‪‬‬

‫ﻱ‬ ‫ﲑ ﰲ ﺗﻮﺟﻴ ِﻪ ‪‬ﻣﻌ‪‬ﺒﻮﺩ ِ‬ ‫ِﻣ ‪‬ﻦ ﻫﺎﺯ ِﻝ ﺍﻟﺴ ِ‬

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‫ﲏ‬ ‫ﻓﻬ ﹾﻞ ﺗ‪‬ﺮﺍﻫﺎ ِﺷﺒﺎﻛﻲ ﺍﻵ ﹶﻥ ﲡ ‪‬ﻌﻠﹸ ِ‬

‫ﻱ ﺍﻟﺘﻘﺎﻟﻴﺪِ؟‬ ‫ﲔ ﻋﻠﻰ ﹶﺃﻳ‪‬ﺪ ِ‬ ‫ﺃﻧﺎ ﺍﻟﺴﺠ ‪‬‬

‫ﻱ‬ ‫ﺕ ﻣﻦ ‪‬ﻋﻤ‪‬ﺮ ِ‬ ‫ﻒ ﹶﺃ ‪‬ﺣﻀ‪‬ﻦ‪ ‬ﻣﺎ ﻗﺪ ﻓﺎ ‪‬‬ ‫ﻭ ﹶﻛ ‪‬ﻴ ‪‬‬

‫ﹶﺫ ‪‬ﺭّﺍ ﻋﻠﻰ ﺍﳌﺎ ِﺀ‪ ..‬ﺗ‪‬ﻴﺎ ‪‬ﻩ ﺍﻟﺰﻏﹶﺎﺭِﻳﺪِ؟‬

‫ﻚ ﻋﻠﻰ ‪‬ﻭﺟ‪‬ﻬ ِﻲ ﹸﺃ ‪‬ﺳ ّ‪‬ﺮ ‪‬ﺎ‬ ‫ﺍ ‪‬ﺟ ‪‬ﻌ ﹾﻞ ‪‬ﻳ ‪‬ﺪ‪‬ﻳ ‪‬‬

‫ﻭﻳ ‪‬ﺒ ‪‬ﻌ ‪‬ﺪ ﺍﳍ ّ‪‬ﻢ ﻋﻦ ﹶﺃﺩ‪‬ﱏ ﲡﺎﻋِﻴﺪِﻱ‬

‫ﺻ ﹶﻔ ٍﺔ‬ ‫ﻒ ﻋﺎ ِ‬ ‫ﻒ ﻫﺎ ‪‬ﻣﺘِﻨﺎ ﰲ ﻛ ِّ‬ ‫ﻳﺎ ﹶﻛ ‪‬ﻬ ‪‬‬

‫ﻆ ﻣ‪ ‬ﻨ ﹶﻔ ِﺮ ٍﺩ ﰲ ِﻓ ‪‬ﻌ ِﻞ ‪‬ﺗﺮ‪‬ﺩﻳ ِﺪ‬ ‫ﻭﻟ ﹾﻔ ﹶ‬

‫ﺕ ﻣ‪ ‬ﻐ ِﺪ ِﻗ ِﻪ‬ ‫ﺖ ‪‬ﺯ ‪‬ﺧّﺎ ‪‬‬ ‫ﻳﺎ ﹶﻏ ‪‬ﻴﻢ‪ ‬ﻗﺪ ﹶ‪ ‬ﹶﻠ ‪‬‬

‫ﺏ ﻭﺁﺻ‪‬ﺎ ﹸﻝ ﺍﻟﻌﻨﺎﻗِﻴ ِﺪ‬ ‫ﺏ ﺍﻟﻘﹸﻠﻮ ِ‬ ‫‪‬ﺗ ‪‬ﺮ ‪‬‬

‫ﺖ ﺍﻟﻨﺴﻴ ‪‬ﻢ ﺍﻟﺬﻱ ﻣﺎ ﺯ‪‬ﺍ ﹶﻝ ﻳ‪ ‬ﻨ ِﻌﺸ‪‬ﻨﺎ‬ ‫ﺃﻧ ‪‬‬

‫ِﻣ ‪‬ﻦ ﻟﻴ‪‬ﻠ ِﺔ ﺍﻟﻌﻴ ِﺪ ﺣﱴ ﻟﻴﻠ ِﺔ ﺍﻟﻌﻴ ِﺪ‬

‫ﺖ ﺯ‪‬ﺍ ِﺭﻋ‪‬ﻬﺎ‬ ‫‪‬ﺗﻨ‪‬ﻤﻮ ﻋﻠﻰ ﺍﻟﻠﻴﻞ ‪‬ﺷ ‪‬ﻬﺐ‪ ‬ﺃﻧ ‪‬‬

‫ﺴﻄﹸﻮ ﻋﻠﻰ ﺍﻟ ‪‬ﻌ‪‬ﺘ ِﻢ ﺍﻟﹸﻤﺴ‪‬ﺠ ‪‬ﻰ ﺑ‪‬ﺘﺒ‪‬ﺪﻳ ِﺪ‬ ‫‪‬ﺗ ‪‬‬

‫ﻱ ﺍﻟﺮﺅﻯ ‪‬ﺳ‪‬ﺒﻠﹰﺎ‬ ‫ﺍﻟﻀﻮ ُﺀ ﻳﺪ ‪‬ﺧ ﹸﻞ ﻣﻦ ﻫ ‪‬ﺪ ِ‬

‫ﺖ ﻋِﺘﺎﻣ‪‬ﺎ ﻋﻠﻰ ﹶﺃ‪‬ﻧﻔﹶﺎﻗِﻬﺎ ﺍﻟﺴﻮ ِﺩ‬ ‫ﻇ ّﹶﻠ ‪‬‬

‫ﺖ ‪‬ﺑ ﹾﺬ ‪‬ﺭ‪‬ﺗﻪ‪‬؟‬ ‫ﺤ ﹾﻠ ‪‬ﻢ ﻣﺎ ﹶﺃ ‪‬ﻭ ‪‬ﺩ ‪‬ﻋ ‪‬‬ ‫ﻫﻞ ‪‬ﻳ ‪‬ﻌ ﹶﻠﻢ‪ ‬ﺍﹾﻟ ِ‬

‫ﺷ‪‬ﻬﺪ‪‬ﺍ ﻋﻠﻰ ﺍﻟﺸ ‪‬ﻬ ِﺪ ﻻ ﹸﻇ ﹾﻠﻤ‪‬ﺎ ﺑ‪‬ﺘﻬ‪‬ﺪﻳ ِﺪ‬

‫ﺝ ﺍﳉ ِّﻦ ‪‬ﻳ ‪‬ﻬﻔﹸﻮ ﹾﳓﻮ ﻣ‪ ‬ﺮ ِﺷ ِﺪ ِﻩ‬ ‫ِﻣ ‪‬ﻦ ﻣﺎ ِﺭ ِ‬

‫ﲔ ﻣﻮﺭﻭ ِﺩ‬ ‫ﺇﱃ ﺍﻟﱪﺍ َﺀ ِﺓ ‪‬ﺗﺴ‪‬ﻘ ِﻲ ﻃ ‪‬‬

‫ﺢ ﻣﺎ‬ ‫ﺴ ّﹶﻠ ِ‬ ‫ﺖ ِﻣ ‪‬ﻦ ‪‬ﺟﺪ‪‬ﺭ ﺍﻟﻌ ‪‬ﺪ ِﻝ ﺍﳌ ‪‬‬ ‫ﹶﺃ ﹶﻗ ‪‬ﻤ ‪‬‬

‫ﺲ ﻭ‪‬ﺗﺸ‪‬ﻴﻴ ِﺪ‬ ‫ﺡ ﺑﺘﺄﺳﻴ ٍ‬ ‫ﻕ ﺍﻟﺼﺮ‪‬ﻭ ‪‬‬ ‫ﻓﺎ ‪‬‬

‫ﻚ ﻭﺍﻹ ﹾﻛﺮ‪‬ﺍ ‪‬ﻡ ‪‬ﻣ ‪‬ﻨ‪‬ﺒﺘ‪‬ﻪ‪‬‬ ‫ﺍﻟﻌ ﹾﻔﻮ ِﻇ ﹼﻠ ‪‬‬

‫ﻚ‪ِ ..‬ﻣ ‪‬ﻦ ﻗﺒ ِﻞ ﺍﳌﻮ‪‬ﺍﻟﻴ ِﺪ‬ ‫ﻭﺍ ﹾ‪ ‬ﺪ ﺃﺻﻠﹸ ‪‬‬

‫ﻭﻣﻦ ﻣﺪﺍﺋﺤﻪ ﻛﺬﻟﻚ‪:‬‬

‫ﺃﺳﺲ ﺍﻟﺒﻮﺡ‬ ‫ﺡ ﺍﻟﺸ ‪‬ﻌ ِﺮ ‪‬ﺗﺴ‪‬ﻌ ‪‬ﻰ ‪‬ﺎ ﻧﻔﹾﺴ ِﻲ‬ ‫ﲑ ﺑ ‪‬ﻮ ِ‬ ‫ﻣ‪‬ﻀﺎﻣ ‪‬‬

‫ﺐ ﺍﻟ ﹸﻘﺪ‪‬ﺳ ِﻲ‬ ‫ﻼ ِﻡ ﺑﺎﳌﻮ‪‬ﻛ ِ‬ ‫ﺇﱃ ‪‬ﻣﻮ‪‬ﻃ ِﻦ ﺍﻷ ‪‬ﺣ ﹶ‬

‫ﺖ‬ ‫ﺕ ﺟِﺒﺎ ﹶﻝ ﺍﻟ ﹶﻘﻮ‪‬ﻝ ﺣﺘ‪‬ﻰ ﺗﺘﺎ‪‬ﺑ ‪‬ﻌ ‪‬‬ ‫ﺻ‪‬ﻌ ‪‬ﺪ ‪‬‬

‫ﰲ ﺍﳌﻨ‪‬ﺴ ِﻲ‬ ‫ﺣ‪‬ﺸﺎﺷﺎﺗ‪‬ﻬﺎ ﹾ‪‬ﻮِﻱ ﻋﻠﻰ ِﻣﻌ‪‬ﺰ ِ‬

‫ﺐ ﺍﳍﻮ‪‬ﻯ‬ ‫ﺏ ِﺇ ﹾﺫ ﺗﺮﻛ ‪‬‬ ‫ﻓﻬﻞ ﻇﻤﹸﺄ ﺍﻷﻋ‪‬ﺼﺎ ِ‬

‫ﺴﻲِ؟‬ ‫ﻳ‪‬ﺮﻯ ﹶﺃﳒﹸﻤﺎ ﺗ‪‬ﻌﻠﻮ ﳍﺎ ‪‬ﻳ ‪‬ﺮﺗ‪‬ﻘﻰ ﺣ ‪‬‬

‫ﺐ ﰲ ﻃ ‪‬ﻲ ِﺳ ﹾﻔﺮِﻫﺎ‬ ‫ﹶﺃ ‪‬ﺟ ‪‬ﺮ ‪‬ﺳﻄﹸﻮ ‪‬ﺭ ﺍﻟﺬ‪‬ﻧ ِ‬

‫ﺲ‬ ‫ﺖ ِﻣ ‪‬ﻦ ‪‬ﻣ ‪‬ﻮ ِﻗ ِﻊ ﺍﳍ ‪‬ﻤ ِ‬ ‫ﺗ‪‬ﻨﺎﺩﻱ ﺭ‪‬ﻓﻴ ‪‬ﻊ ﺍﻟﺼﻴ ِ‬

‫ﺏ ﺃﻭﺗﺎ ‪‬ﺭ ﻟﻮﻋﱵ‬ ‫ﻭﺇ ﹾﻥ ‪‬ﺭ ‪‬ﺳ ‪‬ﻢ ﺍﳌﻜﺘﻮ ‪‬‬

‫ﺱ‬ ‫ﺉ ﺍﻟﻐ ‪‬ﺮ ِ‬ ‫‪‬ﺷﺘ‪‬ﻮﹰﻟﺎ ﻣﻦ ﺍﻷﺯﻫﺎ ِﺭ ﰲ ﺑﺎﺩ ِ‬

‫ﻑ‬ ‫‪‬ﻳ ‪‬ﻬ ‪‬ﺰ ﻟﻪ ﺍﻟﺘﻐﺮﻳ ‪‬ﺪ ﺃﺭﻛﺎ ﹶﻥ ﺃﺣﺮ‪ٍ ‬‬

‫ﺲ‬ ‫ﺠ ‪‬‬ ‫ﺽ ﺍﹾﻟ ‪‬‬ ‫ﻆ ﰲ ﻣﻌ‪‬ﺮ ِ‬ ‫ﲔ ﺍﻟﻠﻔ ِ‬ ‫ﺗﺮﺍﻋﻲ ﲰ ‪‬‬

‫ﳊ ‪‬ﺒ ِﺮ ﲡﻠﻮ ﻟﻪ ﺍﻟﻨﺪ‪‬ﻯ‬ ‫ﻳﺪﺍﻱ ﲝ ‪‬ﺪ ﺍ ِ‬

‫ﺱ‬ ‫ﺱ ﺍﻟﺮﹾﺃ ِ‬ ‫ﺫﻛﺎ ﹰﺓ ﻟﻨﺎﺭ ﺍﻟﺸﻮﻕ ﰲ ﺳ‪ ‬ﻨﺪ‪ِ ‬‬

‫ﰊ‬ ‫ﺤﻤ‪‬ﻮ ِﺩ ‪‬ﺣ ‪‬ﻤ ﹾﻠﺖ‪ ‬ﻣﺸ‪‬ﺮ ِ‬ ‫ﻋﻠﻰ ‪‬ﺧﻠﹸﻖ ﺍﻟﹾﻤ ‪‬‬

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‫ﺲ‬ ‫ﺤ ِ‬ ‫ﲑ ﺍﻟﺴﻌ ِﺪ ﻋﻦ ﻃﺎِﺋ ِﺮ ﺍﻟﻨ ‪‬‬ ‫ﺖﻃ‪‬‬ ‫ﻭﻓﺮ‪‬ﻗ ‪‬‬

‫ﺕ ﺩ‪‬ﻣﻌﱵ‬ ‫ﻼ ِﻝ ﺳﺎﺣﺎ ‪‬‬ ‫ﺗ‪‬ﻀﻴﻖ‪ ‬ﻋﻦ ﺍﻹ ‪‬ﺟ ﹶ‬

‫ﺱ‬ ‫ﺻﻮ‪‬ﻟ ِﺔ ﺍ ُﻷ ‪‬‬ ‫ﺲ ﻣﻦ ‪‬‬ ‫ﻒ ﺍﻟﺘﺄﹾﺳﻴ ‪‬‬ ‫ﻭﻗﺪ ﻳﻀ ‪‬ﻌ ‪‬‬

‫ﻕ ﺇﻋﻼ َﺀ ﹶﻗﺪ‪‬ﺭ ِﻩ‬ ‫ﹶﺃﻣ‪‬ﺎ ﻛﹶﺘﺐ ﺍﻹﺷﺮﺍ ‪‬‬

‫ﺱ!؟‬ ‫ﻼﺕ‪ ‬ﻣﻦ ﻏﺎﺑ ِﺔ ﺍﻟ‪‬ﻴ ﹾﺄ ِ‬ ‫ﺕ ﺑﻪ ﺍﻟ ِﻌ ﱠ‬ ‫ﻓﻼ ﹶﺫ ‪‬‬

‫ﻭ ِﻋ ﹾﻄﺮ‪ ‬ﻭ‪‬ﺭﻭﺩ ﺍﻟﺮﺳ ِﻞ ﰲ ‪‬ﺭﻋ‪‬ﺸ ِﺔ ﺍﻟﺼﺪﻯ‬

‫ﺲ‬ ‫ﺡ ﺑﺎﳉ ‪‬ﻦ ﻭﺍﻹ‪‬ﻧ ِ‬ ‫ﻕ ﻟﻪ ﺍﻷﺭﻭﺍ ‪‬‬ ‫ﺗﺘﻮ ‪‬‬

‫ﻀ ‪‬ﺮ ِﻓ ‪‬ﻌ ﹸﻠﻬ‪‬ﺎ‬ ‫ﺨ ‪‬‬ ‫ﺞ ﺍﹾﻟ ‪‬ﻬﺪ‪‬ﻱ ‪‬ﻳ ‪‬‬ ‫ﺳِﻬﺎﻡ‪ ‬ﺃﺭﻳ ِ‬

‫ﺱ‬ ‫ﻭﺗ ﹾﻘﻮﻯ ﻓِﻌﺎﻝ ﺍﻟﺴﻬﻢ ﻣﻦ ﺟﻮﺩﺓ ﺍﻟ‪‬ﺘ ‪‬ﺮ ِ‬

‫ﺕ ﻧﻠﹾﻘﻰ ﺑﻔﻮ ِﺣ ِﻪ‬ ‫ﺐ ﺍﻟﺴﺎﻋﺎ ِ‬ ‫ﻋﻠﻰ ﺣ‪‬ﺠ‪ِ ‬‬

‫ﺲ‬ ‫ﺐ ﰲ ﻣ ‪‬ﺮﺗ‪‬ﻊ ﺍﻷُ‪‬ﻧ ِ‬ ‫ﺻ‪‬ﻔﺎ ًﺀ ﻳﻘﻮ ‪‬ﺩ ﺍﻟﻘ ﹾﻠ ‪‬‬

‫ﻀﻨ‪‬ﻨﺎ ﺍﻷ‪‬ﺎ ‪‬ﺭ ﺣﱴ ‪‬ﺗ ‪‬ﻌﻤ‪‬ﻨﺎ‬ ‫ﻭﲢ ‪‬‬

‫ﺲ‬ ‫ﺾ ﺍﷲ‪ ..‬ﺑﺎﻷ‪‬ﻧﻬ‪ِ ‬ﺮ ﺍﳋ ‪‬ﻤ ِ‬ ‫ﺑ‪‬ﻼﺳﻢ‪ ‬ﹶﻓ ‪‬ﻴ ِ‬

‫ﺠ ِﻪ‬ ‫ﺏ ﺍﻟﺸﻤﺲ ﺳﺎﺭﺕ ﺑﻨﻬ ِ‬ ‫ﻋ‪‬ﻘﻮ ﹸﻝ ﺭِﻛﺎ ِ‬

‫ﺱ‬ ‫ﻀ ‪‬ﺮ ِ‬ ‫ﲑ ِﻣﻘﹾﻼ ‪‬ﻋ ﹶﺔ ﺍﻟ ‪‬‬ ‫‪‬ﻭﹸﺃ ‪‬ﺧﺮ‪‬ﻯ ﺗﺮﻯ ﰲ ﺍﻟﺴ ِ‬

‫ﺡ ‪‬ﻳﻨ‪‬ﺴﺎﻕ‪ ‬ﺑ‪‬ﻌﺪﻩ‬ ‫ﺲ ﺍﻹﺻﺒﺎ ِ‬ ‫ﺃﺭﻯ ‪‬ﻧ ﹶﻔ ‪‬‬

‫ﺲ‬ ‫ﻭﺇ ﱠﻥ ﺑﻘﺎ َﺀ ﺍﻟﻨﻮ ِﻡ ﺿ ‪‬ﺮﺏ‪ ‬ﻣﻦ ﺍﳌ ‪‬‬

‫ﺉ ﺍﻷﻭﻫﺎ ِﻡ ﰲ ‪‬ﻋﺘ‪‬ﻤ ِﺔ ﺍﻷﻧﺎ‬ ‫ﻓﻬﻞ ‪‬ﻣﻘﹾﺮ ‪‬‬

‫ﻳ‪‬ﻐﻄﱢﻰ ﺻﻔﺎ َﺀ ﺍﻟﺮﻭﺡ ﻋﻦ ‪‬ﺭﻭ‪‬ﻋ ِﺔ ﺍﻟﺪ ‪‬ﺭﺱِ؟‬

‫ﺖ ﺃﳔﺎﺏ ِﻋﻄﹾﺮﻫﺎ‬ ‫ﺗ‪‬ﺮﻳ ‪‬ﻖ ﺟِﺮﺍ ‪‬ﺭ ﺍﻟﺼ ‪‬ﻤ ِ‬

‫ﺲ‬ ‫ﻀ ‪‬ﺮ ِﺓ ﺫ ﹾﻛ ِﺮ ﺍﻟﻨﻮ ِﺭ ﻣﻦ ﻓﺎﺋِﻖ ﺍﻟﺸ ‪‬ﻤ ِ‬ ‫ﲝ ‪‬‬

‫ﺡ ﰲ ِﻇ ﱢﻞ ﺣ‪‬ﺮﻓِﻪ‬ ‫ﻛﺄ ﱠﻥ ﻣﻘﺎ ‪‬ﻡ ﺍﻟﺮﻭ ِ‬

‫ﺲ‬ ‫ﻍ ﺍﻟﻴﻮ ‪‬ﻡ ﻣﻦ ﺟﻨﺔ ﺍﻷ ‪‬ﻣ ِ‬ ‫ﺣ‪‬ﻤﺎﻡ‪ ‬ﻳﺼﻮ ﹸ‬

‫ﻀ ﹸﻞ ﻋ‪‬ﺒﺎﺏ ﺍﳋﺘ ِﻢ ﻏﻄﱠﻲ ﺣﻀﻮﺭ‪‬ﻧﺎ‬ ‫ﻓﻔ ‪‬‬

‫ﺱ‬ ‫ﺦ ﺃﻏﻄﻴ ﹶﺔ ﺍﻟﺒ‪ ‬ﺆ ِ‬ ‫‪‬ﻣﺰِﳛﺎ ﻋ ِﻦ ﺍﻟﺘﺎﺭﻳ ِ‬

‫ﺕ ﻣِﲏ ﻭﺗ ‪‬ﻨﺘ‪‬ﺸﻲ‬ ‫ﺳﺘ ‪‬ﻤﺪﺣ‪‬ﻪ ﺍﻟﺬﺭ‪‬ﺍ ‪‬‬

‫ﺲ‬ ‫ﺻﻬ‪‬ﻮ ِﺓ ﺍﻟﺰﺭ‪‬ﻗﺎ ِﺀ ﺃﻭ ‪‬ﻣ ﹾﻜ ‪‬ﻤ ِﻦ ﺍﻟﺮ ‪‬ﻣ ِ‬ ‫ﻋﻠﻰ ‪‬‬

‫ﳊﻨ‪‬ﻬﺎ‬ ‫ﺏ ‪‬ﻳﻨ‪‬ﺴﺎﻕ‪ ‬ﹾ‬ ‫ﲑ ﲢﺪ‪‬ﻱ ﺍﳉ ‪‬ﺪ ِ‬ ‫ﻛﻄ ِ‬

‫ﺏ ﺍﻟﻜﻮ ِﻥ ﺩ ‪‬ﺭ ‪‬ﺳﺎ ‪ ‬ﺪِﻳ ِﻪ‬ ‫ﲣﺎ ﹸﻝ ﺭﺣﺎ ‪‬‬

‫ﻉ ﺍﻟﻠﻴ ِﻞ ﺑﻌﺪ ﺍﳒِﻼﺋﻪ‬ ‫ﺼ ‪‬ﺪ ‪‬ﺭﺟ‪‬ﻮ ‪‬‬ ‫‪‬ﻳ ‪‬‬

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‫ﺱ‬ ‫ﹶﻓ‪‬ﺘ ‪‬ﺒﺪ‪‬ﻭ ِﺑ ِﻪ ﺍﹾﻟﻐ‪‬ﺎﺑ‪‬ﺎﺕ ‪‬ﻣﺰ‪‬ﺩﺍﻧ ﹶﺔ ﺍﻟﻌ‪ ‬ﺮ ِ‬

‫ﺲ‬ ‫ﺡ ﻣﻦ ﻣﻨﻄ ِﻖ ﺍﻟ ﹼﻠ ‪‬ﺒ ِ‬ ‫ﻳ‪‬ﻔ ‪‬ﺮ ﺇﱃ ﺍﻹﻓﹾﺼﺎ ِ‬

‫ﺲ‬ ‫ﺏ ﺍﻟﻜﻮ ِﻥ ﻣﻦ ﻣﻮﺣ ِﻞ ﺍﻟﺮ ‪‬ﺟ ِ‬ ‫ﻭﳛﻤﻲ ﺩ‪‬ﺭﻭ ‪‬‬

‫ﻣﻨﻄﻘﻲ‬

‫ﺷﺎﻋﺮ ﺍﻟﻌﺎﻣﻴﺔ ﻫﺸﺎﻡ ﺍﳉﺦ‬ ‫ﺭﻏﻢ ﺃﻥ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺑﺄﻗﺴﺎﻣﻪ‬ ‫ﺍﳋﻤﺴﺔ ﻛﺘﺎﺏ ﻟﺸﻌﺮ ﺍﻟﻔﺼﺤﻰ‪،‬‬ ‫ﺇﻻ ﺃﻧﲏ ﺃﺣﻴﺎﻧ‪‬ﺎ ﺃﺳﺘﻤﻠﺢ ﻣﻦ‬ ‫ﺍﻟﻌﺎﻣﻴﺔ ﳕﺎﺫﺝ ﺃﻇﻨﻬﺎ ﺟﺪﻳﺮﺓ‬

‫ﺑﺎﻟﺘﻮﻗﻒ ﺃﻣﺎﻣﻬﺎ‪ ،‬ﻭﻣﻨﻬﺎ ﻫﺬﺍ‬ ‫ﺍﻟﻌﻤﻞ ﺍﳌﻜﺘﻮﺏ ﺑﺎﻟﻌﺎﻣﻴﺔ ﺍﳌﺼﺮﻳﺔ‬ ‫ﻟﺸﺎﻋﺮﻫﺎ ﺍﳌﻌﺮﻭﻑ ﻫﺸﺎﻡ ﻛﺎﻣﻞ‬ ‫ﻋﺒﺎﺱ ﳏﻤﻮﺩ ﺍﳉﺦ‪ ..‬ﺍﳌﻮﻟﻮﺩ ﻋﺎﻡ ‪ 1978‬ﻡ ﻷﺳﺮﻩ ﺻﻌﻴﺪﻳﺔ‪ ،‬ﻭﺍﻟﺬﻱ ﲣﺮﺝ ﰲ ﻛﻠﻴﺔ ﺍﻟﺘﺠﺎﺭﺓ‬

‫ﲜﺎﻣﻌﺔ ﻋﲔ ﴰﺲ ﺳﻨﺔ ‪ ،2003‬ﰒ ﻋﲔ ﰲ ﺍﳉﺎﻣﻌﺔ ﻣﺴﺆﻭﹰﻟﺎ ﻋﻦ ﺍﳌﺮﻛﺰ ﺍﻟﺜﻘﺎﰲ ﰲ ﻧﻔﺲ ﺳﻨﺔ‬ ‫ﺍﻟﺘﺨﺮﺝ ﻭﺍﺳﺘﻘﺎﻝ ﻣﻦ ﻭﻇﻴﻔﺘﻪ ﻋﺎﻡ ‪ ،2009‬ﻟﻌﺪﻡ ﺗﻮﺍﺅﻣﻪ ﻣﻊ ﺍﻟﺮﻭﺗﲔ ﺍﻟﻮﻇﻴﻔﻲ‪ ،‬ﻟﻴﺸﺘﻐﻞ ﰲ‬ ‫ﳎﺎﻝ ﺍﻟﺘﺼﻤﻴﻤﺎﺕ ﻭﺍﳉﺮﺍﻓﻴﻚ ﻭﺍﻟﻄﺒﺎﻋﺔ‪..‬‬ ‫ﺍﺳﺘﻀﻴﻒ ﻫﺸﺎﻡ ﺍﳉﺦ ﰲ ﻋﺪﺩ ﻣﻦ ﺍﻟﱪﺍﻣﺞ ﻋﻠﻰ ﺍﻟﻘﻨﻮﺍﺕ ﺍﻟﻔﻀﺎﺋﻴﺔ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻭﺣﺼﻞ ﻋﻠﻰ‬ ‫ﻟﻘﺐ ﺃﺣﺴﻦ ﺷﺎﻋﺮ ﻋﺎﻣﻴﺔ ﻣﻦ ﺍﲢﺎﺩ ﺍﻟﻜﺘﺎﺏ ﺍﳌﺼﺮﻱ ﺳﻨﺔ ‪ ..2008‬ﻳﺘﻤﻴﺰ ﺑﺈﻟﻘﺎﺋﻪ ﺍﻟﺼﻌﻴﺪﻱ‬

‫ﻭﻟﻜﻨﺘﻪ ﺍﳌﻤﻴﺰﺓ‪ ،‬ﻭﺇﻟﻘﺎﺋﻪ ﺍﻟﺬﻱ ﻳﻌﻄﻴﻪ ﻗﺒﻮﹰﻟﺎ ﲨﺎﻫﲑﻳ‪‬ﺎ‪ ..‬ﻭﻗﺪ ﻛﺘﺐ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﺍﳌﻨﻄﻘﻴﺔ ﺩﻓﺎﻋ‪‬ﺎ‬ ‫ﻋﻦ ﺳﻴﺪﻱ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬ ‫ﻣﻨﻄﻘﻲ‬ ‫ﳌﺎ ِﻳﺒ ﹶﻘﻰ ﻳﺘﻴ ‪‬ﻢ ﻭﺃﻣﻲ‬ ‫ﻭﻳﺒﻘﻰ ِﺳﻴ ِﺪ ﺍﻟﻌﺎﳌﲔ‬ ‫ﻣﻨﻄﻘﻲ ﺍﳊﺴﺎﺩ ‪‬ﻫِﺘ ﹾﻜﺘﺮ‪ ..‬ﻭﺍﻟ ِﻌﺪﺍ ﻭﺍﻟﻜﺎﺭﻫﲔ‬

‫ﻭﺍﻟﻠﻲ ﻫ ‪‬ﻴ ﹸﻘﻮﹼﻟﻚ ﺩﻩ ﺷﺎﻋﺮ‬

‫ﻭﺍﻟﻠﻲ ﻫ ‪‬ﻴ ﹸﻘﻮﹼﻟﻚ ﺩﻩ ﺳﺎﺣﺮ‬ ‫‪218‬‬

‫ﻭﺍﻟﻠﻲ ﻫ ‪‬ﻴ ﹸﻘﻮﹼﻟﻚ ﺩﻩ ﻛﺎﻓﺮ‬ ‫ﻭﺍﻟﻠﻲ ﻳﻜِﺘﺐ‪ ..‬ﻭﺍﻟﻠﻲ ﻳﺮ ِﺳﻢ‬ ‫ﻭﺍﻟﻠﻲ ﻳﻜ ِﺪﺏ‪ ..‬ﻭﺍﻟﻠﻲ ﻳﺸِﺘﻢ‬ ‫ﻣﻨﻄﻘﻲ‬

‫ﻫﻲ ِﻏﲑﺓ‪ ..‬ﻫﻲ ﻏﲑﺓ‬ ‫ﺯﻱ ِﻏﲑ ِﺓ ﺍﻟﻮﻟﻴ ِﺪ ﺑﻦ ﺍﳌﻐﲑﺓ‬ ‫ﺴ ِﻠﻢ؟‬ ‫ﻣﺶ ﻛﺎﻥ ‪‬ﻫِﻴ ‪‬‬ ‫ﺑﺲ ﺣﺎﺟﺔ ﻑ ﻧﻔﺴﻪ ﺣ ِﻜّﺖ‬ ‫ﺴﻪ ﺷ ِﻜّﺖ‬ ‫ِﻛ ‪‬ﺒ ‪‬ﺮﻩ ﺧﻠﻰ ﻧﻔ ‪‬‬

‫ﱪ ﺩﺍ ﺃﻛﱪ ﺧﻄﺮ‬ ‫ﺃﺻﻞ ﺩﺍ ﺍﻟ ِﻜ ِ‬

‫ﺑﺲ ﻳﻌﲏ ﺍﳉﻨﺔ ِﺗﻌ ‪‬ﻤﺮ ﻭﺣﺪﻫﺎ؟!‬ ‫‪‬ﺣﺒﺔ ﰲ ﺍﳉﻨﺔ ﻭﻧﻌﻴﻤﻬﺎ‬ ‫ﻭﺣﺒﺔ ﻑ ﺳﻘﺮ‬ ‫ﻣﻨﻄﻘﻲ‬

‫ﻭﻣﻨﻄﻘﻲ ﳌﺎ ﻳﺒﻘﻮﺍ ﺍﳌﺴﻠﻤﲔ ﺣﺎﹾﻟ ‪‬ﻬﻢ ﻛﺪﺍ‬

‫ﺗﻄﻠﻊ ﺿﻮﺍﻓﺮ ﻟﻠﻌﺪﺍ‬ ‫ﺶ ﺯﺍ ِﺭﻉ ﺑﺈﻳ ‪‬ﺪﻙ ﹶﻏ ِّﻠ‪‬ﺘﻚ‬ ‫ﻣﺎ ﺩﻣﺖ ِﻣ ‪‬‬ ‫ﻭﺍﳉﻮﻉ ﹶﻗ ‪‬ﺮﺹ ﻋﻠﻰ ‪‬ﻣﻌ ‪‬ﺪﺗﻚ‪ ..‬ﹶﻓ ﹶﺬِّﻟ‪‬ﺘﻚ‬ ‫ﺸﺘﺖ ﻭﺗﺎﻳﻪ ﰲ ﺍﻟﻜﻼﻡ‬ ‫ﻣﺎ ﺩﻣﺖ ِﻣ ‪‬ﺘ ‪‬‬

‫ﻓﲔ ﺍﻟﻮﺩﺍﻥ ﺍﻟﻠﻲ ﻫﺘﺴﻤﻊ ﻛﻠﻤﺘﻚ؟‬ ‫ﺤ ‪‬ﻤﻖ ﻭ ﹼﻻ ﺗﻐﻀﺐ‬ ‫ﺵ ِﺗ ‪‬‬ ‫ﻭﻣﻨﲔ ﳚﻴﻠﻚ ِﻭ ‪‬‬ ‫ﻭ ﹼﻻ ِﺗﺮﻓﻊ ﺷﻜﻮﺗﻚ؟‬ ‫ﳘﺎ ﻣﺶ ﻗﺎﺻﺪﻳﻦ ِﻳﻬﻴﻨﻮﺍ ﺍﳌﺼﻄﻔﻰ ﲝِّﺒﺔ ﺻﻮﺭ‬ ‫‪219‬‬

‫ﳘﺎ ﻋﺎﺭﻓﲔ ﺍﻥ ‪‬ﺳﻴ‪‬ﺪﻧﺎ ﺍﻟﻨﱯ ِﺳﻴﺪ ﺍﻟﺒﺸﺮ‬ ‫ﳘﺎ ﻗﺎﺻﺪﻳﻨﻚ ﻭﻗﺎﺻﺪﻳ‪‬ﻨﻲ‬ ‫ﻭﻗﺎﺻﺪﻳﻦ ﻛ ﹼﻞ ﺟﻴﻠﻨﺎ‬

‫ﻭﻃﻮﻝ ﻣﺎ ﻧﺘﺸﺘﺖ ﻭﻧﺘﻔﺮﻕ ﻭِﺑ ‪‬ﻨﺪﺍﺭﻱ ﺍﳊﻘﺎﻳﻖ‬ ‫ﺡ ﳚﻴﻠﻨﺎ‬ ‫ﻟﺴﻪ ﻳﺎ ﻣﺎ ﺭﺍ ‪‬‬ ‫ﺃﻣﺎ ‪‬ﺳ‪‬ﻴﺪﻧﺎ ﺍﻟﻨﱮ ﺭ‪‬ﺑﻪ ﻛﺎﻓﻴﻪ‬ ‫ﻳﺴﺘﻬﺰﻗﻮﺍ ِﻣِﻨّﻴﻨﺎ ﺇﺣﻨﺎ‬ ‫ﺃﻣﺎ ﻫﻮ ‪‬ﺭ‪‬ﺑّﻪ ﺻﺎﻳﻨﻪ ﻭ ِﻣﺼﻄﻔﻴﻪ‬ ‫ﻟﻮ ﻛﺎﻧﻮﺍ ﺣﻀﺮﻭﻩ ﻛﺎﻧﻮﺍ ﻋﺮﻓﻮﺍ ﻳﺮﲰﻮﻩ!‬

‫ﻛﺎﻧﻮﺍ ﻫﻴﺴﻤﻮﻩ ﺑﻌﺪﻟﻪ!‬ ‫ﻭﺑﺴﻤﺎﺣﺘﻪ! ﻭ‪‬ﺪﻭﺅﻩ!‬

‫ﻛﺎﻧﻮﺍ ﺷﺎﻓﻮﺍ ﺇﻥ ﺍﻟﺼﺤﺎﺑﺔ‬ ‫ﺑﺘﻠﺤﻖ ﺍﳌﻴﻪ ﺍﻟﻠﻰ ﻧﺎﺯﻟﻪ ﻣﻦ ﻭﺿﻮﺅﻩ!‬ ‫ﻟﻮ ﻛﺎﻧﻮﺍ ﺣﻀﺮﻭﻩ ﻛﺎﻧﻮﺍ ِﻋﺮ ﹸﻓﻢ ﻳﺮﲰﻮﻩ!‬ ‫ﺍﺣﻨﺎ ﻣﺎﺭﲰﻨﺎﺵ ‪‬ﻧِﺒﻴﻨﺎ ﰲ ﺍﻟﻌﻴﻮﻥ‬ ‫ﺍﺣﻨﺎ ﻓﻬ‪‬ﻤﻨﺎﻫﻢ ﺍﻥ ﺍﻟﺪﻳ ‪‬ﻦ ﺑﺘﺎﻋﻨﺎ‬ ‫ﺏ‪ ..‬ﻭﻻ ﻓﻴﻪ ﻋﻤﻞ‬ ‫ﻻ ﻓﻴﻪ ﺃﺩ ‪‬‬ ‫ﻭﻻ ﻓﻴﻪ ﻋﻠﻮﻡ‪ ..‬ﻭﻻ ﻓﻴﻪ ﻓﻨﻮﻥ‬ ‫ﺍﺗﻠﻬﻴﻨﺎ ﰲ ﺍﺣﻨﺎ ﻛﻨﺎ‪ ..‬ﻭﺍﺣﻨﺎ ﻛﻨﺎ‬

‫ﺡ ﻳﻜﻮﻥ‬ ‫ﻭِﻧﻤﻨﺎ ﰲ ﺍﻟﻠﻲ ﺭﺍ ‪‬‬ ‫ﺑﺲ ﺍﺣﻨﺎ ﹸﻓ ﹾﻘﻨﺎ‬ ‫ﺍﺣﻨﺎ ﻓﻘﻨﺎ ﲜﺪ ﺁﺳﻔﲔ ﻟﻚ‬

‫ﺍﺣﻨﺎ ﻓﻘﻨﺎ ﲜ ‪‬ﺪ‪ ..‬ﺁﺳﻔﲔ ﻟﻚ‪ ..‬ﻭﺭﺍﺟﻌﲔ ﻟﻚ‬ ‫‪220‬‬

‫ﺷﻌﺒﻚ ﻧﺸﻴﻂ ﻋﺎﻣﻞ‪ ..‬ﻭﺻﺎﰲ ﻭﺗﻘﻲ‬ ‫ﺯﻳﻚ ﻳﺎ ‪‬ﺳِّﻴﺪﻧﺎ ﺍﻟﻨﱯ‪ ..‬ﻳﺎ ﺑﻮ ﻗﻠﺐ ﻃﺎﻫﺮ ﻧﻘﻲ‬ ‫ﺃﻣﺎ ﺍﻟﻠﻲ ﻭﺍﻛﻼﻫﻢ ﻏﲑ‪‬ﻢ‬

‫ﻓﺪﺍ ﻣﻨﻄﻘﻲ‬

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‫ﺭﺳﻮﻝ ﺍﻟﻌﻼ ﻭﺍﻟﻔﻀﻞ ﻭﺍﳋﲑ ﻭﺍﳍﺪﻯ‬ ‫ﺍﻟﺸﻴﺦ ﻭﻟﻴﺪ ﺍﻷﻋﻈﻤﻲ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﳋﻄﺎﻁ ﺍﻷﺩﻳﺐ ﺍﻟﺒﺎﺣﺚ ﻭﻟﻴﺪ ﻋﺒﺪ ﺍﻟﻜﺮﱘ‬

‫ﺇﺑﺮﺍﻫﻴﻢ ﺍﻷﻋﻈﻤﻲ‪ ،‬ﻳﻨﺘﻤﻲ ﻟﻘﺒﻴﻠﺔ ﺍﻟﻌﺒﻴﺪ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻟﻘﺤﻄﺎﻧﻴﺔ‬

‫ﺍﳊﻤﲑﻳﺔ‪ ،‬ﺃﺩﻳﺐ ﻭﺷﺎﻋﺮ ﻭﺧﻄﺎﻁ ﻭﻣﺆﺭﺥ ﻭﻛﺎﺗﺐ ﺇﺳﻼﻣﻲ‬ ‫ﻣﺸﻬﻮﺭ‪ ،‬ﲣﺮﺝ ﰲ ﻣﻌﻬﺪ ﺍﻟﻔﻨﻮﻥ ﺍﳉﻤﻴﻠﺔ ﺑﺒﻐﺪﺍﺩ ﻣﻦ ﻗﺴﻢ‬ ‫ﺍﳋﻂ ﺍﻟﻌﺮﰊ ﻭﺍﻟﺰﺧﺮﻓﺔ ﺍﻹﺳﻼﻣﻴﺔ‪.‬‬ ‫ﺗﻌﻠﻢ ﻓﻦ ﺍﻟﺘﺮﻛﻴﺐ ﰲ ﺍﳋﻂ ﺍﻟﻌﺮﰊ ﻋﻠﻰ ﺍﳋﻄﺎﻁ ﺍﻟﺘﺮﻛﻲ‬

‫ﺍﻟﺸﻬﲑ ﻣﺎﺟﺪ ﺑﻚ ﺍﻟﺰﻫﺪﻱ‪ ،‬ﻭﺭﺍﻓﻖ ﺍﳋﻄﺎﻁ ﺍﳌﺸﻬﻮﺭ ﻫﺎﺷﻢ ﳏﻤﺪ ﺍﻟﺒﻐﺪﺍﺩﻱ ﻋﺸﺮﻳﻦ ﻋﺎ ‪‬ﻣﺎ‪،‬‬ ‫ﻭﺗﻌﻠﻢ ﻣﻨﻪ ﺍﻟﻜﺜﲑ ﻣﻦ ﻓﻨﻮﻥ ﺍﳋﻂ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﻧﺎﻝ ﺇﺟﺎﺯﺓ ﰲ ﺍﳋﻂ ﺍﻟﻌﺮﰊ ﻣﻦ ﺍﻟﺸﻴﺦ ﳏﻤﺪ ﻃﺎﻫﺮ‬ ‫ﺍﻟﻜﺮﺩﻱ ﺍﳌﻜﻲ )ﺧﻄﺎﻁ ﻣﺼﺤﻒ ﻣﻜﺔ ﺍﳌﻜﺮﻣﺔ(‪ ،‬ﻭﺃﺧﺮﻯ ﻣﻦ ﺍﳋﻄﺎﻁ ﺍﳌﺼﺮﻱ ﺍﻟﺸﻬﲑ ﳏﻤﺪ‬ ‫ﺇﺑﺮﺍﻫﻴﻢ ﺍﻟﱪﻧﺲ )ﺧﻄﺎﻁ ﺍﳌﺴﺠﺪ ﺍﳊﺮﺍﻡ ﲟﻜﺔ(‪ .‬ﻭﺛﺎﻟﺜﺔ ﻣﻦ ﺍﻟﺸﻴﺦ ﻋﺒﺪ ﺍﻟﺮﺣﻴﻢ ﺃﻣﲔ ﺍﻟﺒﺨﺎﺭﻱ‬ ‫)ﺧﻄﺎﻁ ﻛﺴﻮﺓ ﺍﻟﻜﻌﺒﺔ ﺍﳌﺸﺮﻓﺔ(‪.‬‬ ‫ﺴﺎ‬ ‫ﻛﺎﻥ ﻋﻀ ‪‬ﻮﺍ ﻣﺆﺳﺲ ﰲ ﺍﳊﺰﺏ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺮﺍﻗﻲ ﺳﻨﺔ ‪1960‬ﻡ‪ .‬ﻭﻋﻀ ‪‬ﻮﺍ ﻣﺆﺳ ‪‬‬ ‫ﺴﺎ ﳉﻤﻌﻴﺔ ﺍﳋﻄﺎﻃﲔ ﺍﻟﻌﺮﺍﻗﻴﲔ‪،‬‬ ‫ﳉﻤﻌﻴﺔ ﺍﳌﺆﻟﻔﲔ ﻭﺍﻟﻜﺘﺎﺏ ﺍﻟﻌﺮﺍﻗﻴﲔ‪ ،‬ﻭﻋﻀ ‪‬ﻮﺍ ﻣﺆﺳ ‪‬‬ ‫ﺴﺎ ﳉﻤﻌﻴﺔ ﻣﻨﺘﺪﻯ ﺍﻹﻣﺎﻡ ﺃﰊ ﺣﻨﻴﻔﺔ ﰲ ﺍﻷﻋﻈﻤﻴﺔ‪.‬‬ ‫ﻭﻋﻀﻮﻣﺆﺳ ‪‬‬ ‫ﲑﺍ ﰲ ﻓﻦ ﺍﳋﻂ‬ ‫ﲑﺍ ﰲ ﺷﺆﻭﻥ ﺍﳌﺼﺎﺣﻒ ﰲ ﻭﺯﺍﺭﺓ ﺍﻷﻭﻗﺎﻑ ﺍﻟﻌﺮﺍﻗﻴﺔ‪ ،‬ﻭﺧﺒ ‪‬‬ ‫ﺍﻧﺘﺪﺏ ﺧﺒ ‪‬‬

‫ﺍﻟﻌﺮﰊ ﻭﺗﺎﺭﳜﻪ ﰲ ﻭﺯﺍﺭﺓ ﺍﻷﻋﻼﻡ ﻭﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﻌﺮﺍﻗﻴﺔ‪ .‬ﻛﻤﺎ ﺍﺷﺘﻐﻞ ﺧﻄﺎ ﹰﻃﺎ ﰲ ﺍ‪‬ﻤﻊ ﺍﻟﻌﻠﻤﻲ‬ ‫ﺤﺎ ﰲ ﻣﻄﺒﻌﺘﻬﺎ ﳌﺪﺓ ﻋﺸﺮﻳﻦ ﺳﻨﺔ‪.‬‬ ‫ﺍﻟﻌﺮﺍﻗﻲ‪ ،‬ﻭﻣﺼﺤ ‪‬‬

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‫ﻧﺸﺮ ﺍﻟﻜﺜﲑ ﻣﻦ ﺍﻟﻜﺘﺐ ﻭﺍﳌﻘﺎﻻﺕ ﻭﺍﻟﻘﺼﺎﺋﺪ ﺍﻟﺸﻌﺮﻳﺔ ﻭﺍﻟﺒﺤﻮﺙ ﰲ ﺍﻟﻨﻘﺪ ﺍﻷﺩﰊ ﻭﺍﻟﻠﻐﺔ‬ ‫ﻭﺍﻟﺘﺎﺭﻳﺦ ﻭﺍﻟﻔﻦ ﰲ ﻋﺪﺩ ﻣﻦ ﺍ‪‬ﻼﺕ ﺍﻟﻌﺮﺑﻴﺔ‪.‬‬ ‫ﻭﺗﻮﰲ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ ﻋﺎﻡ ‪2004‬ﻡ‪ ،‬ﻭﺷﻴﻊ ﲟﻮﻛﺐ ﻣﻬﻴﺐ ﺣﻀﺮ ‪‬ﻩ ﺍﻟﻌﻠﻤﺎﺀ ﻭﺍﻷﺩﺑﺎﺀ‪،‬‬ ‫ﻭﺻﻠﻲ ﻋﻠﻴﻪ ﰲ ﺟﺎﻣﻊ ﺍﻹﻣﺎﻡ ﺍﻷﻋﻈﻢ‪ ،‬ﰒ ﺩﻓﻦ ﰲ ﻣﻘﱪﺓ ﺍﳋﻴﺰﺭﺍﻥ ﰲ ﺍﻷﻋﻈﻤﻴﺔ‪.‬‬ ‫ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﺗﺮﺍﺟﻢ ﺧﻄﺎﻃﻲ ﺑﻐﺪﺍﺩ ﺍﳌﻌﺎﺻﺮﻳﻦ‪ /‬ﺩﻳﻮﺍﻥ ﺍﻟﺰﻭﺍﺑﻊ‪ /‬ﺩﻳﻮﺍﻥ ﺍﻟﺸﻌﺎﻉ‪ /‬ﻧﻔﺤﺎﺕ‬

‫ﻗﻠﺐ‪ /‬ﺷﺎﻋﺮ ﺍﻹﺳﻼﻡ – ﺣﺴﺎﻥ ﺑﻦ ﺛﺎﺑﺖ‪ /‬ﻣﺪﺭﺳﺔ ﺍﻹﻣﺎﻡ ﺃﰊ ﺣﻨﻴﻔﺔ ﻭﺗﺮﺍﺟﻢ ﺷﻴﻮﺧﻬﺎ‬

‫ﻭﻣﺪﺭﺳﻴﻬﺎﺩﻳﻮﺍﻥ ﺍﻷﺧﺮﺱ‪ /‬ﺍﻟﺴﻴﻒ ﺍﻟﻴﻤﺎﱐ ﰲ ﳓﺮ ﺍﻷﺻﻔﻬﺎﱐ ﺻﺎﺣﺐ ﺍﻷﻏﺎﱐ‪ /‬ﺗﺄﺭﻳﺦ‬

‫ﺍﻷﻋﻈﻤﻴﺔ‪ /‬ﺷﻌﺮﺍﺀ ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ /‬ﺍﳌﻌﺠﺰﺍﺕ ﺍﶈﻤﺪﻳﺔ‪ /‬ﺳﻠﺴﻠﺔ ﺃﺑﻄﺎﻝ‬ ‫ﺍﻷﻧﺼﺎﺭ‪ /‬ﺃﻋﻴﺎﻥ ﺍﻟﺰﻣﺎﻥ ﻭﺟﲑﺍﻥ ﺍﻟﻨﻌﻤﺎﻥ ﰲ ﻣﻘﱪﺓ ﺍﳋﻴﺰﺭﺍﻥ‪ /‬ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﰲ ﻗﻠﻮﺏ ﺃﺻﺤﺎﺑﻪ‪ /‬ﲨﻬﺮﺓ ﺍﳋﻄﺎﻃﲔ ﺍﻟﺒﻐﺪﺍﺩﻳﲔ‪ ..‬ﻭﻏﲑﻫﺎ‪.‬‬

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‫ﺭﺳﻮﻝ ﺍﻟﻌﻠﻰ ﻭﺍﻟﻔﻀﻞ ﻭﺍﳋﲑ ﻭﺍﳍﺪﻯ‬

‫ﻟﻜﻞ ﺳﻄﻮﺭ ﺍ‪‬ﺪ ﺍﲰﻚ ﻣﺒﺘﺪﺍ‬

‫ﻭﱄ ﰲ ﻣﻌﺎﻧﻴﻚ ﺍﳊﺴﺎﻥ ﺗﺄﻣﻞ‬

‫ﲰﻌﺖ ﺑﻪ ﻗﻠﱯ ﻳﻘﻮﻝ‪ :‬ﳏﻤﺪﺍ‬

‫ﻭﻳﻬﺘﺰ ﻟﻠﺬﻛﺮﻯ ﺣﻨﻴ‪‬ﻨﺎ ﻭﺣﺮﻗﺔ‬

‫ﻓﻴﻬﺘﺎﺟﻪ ﺍﻟﺸﻮﻕ ﺍﻟﺬﻱ ﺟﺎﻭﺯ ﺍﳌﺪﻯ‬

‫ﻭﻳﻌﻤﺮﻩ ﻓﻴﺾ ﻣﻦ ﺍﻟﻮﺟﺪ ﺳﺎﺑﻎ‬

‫ﻳﻀﻮﻉ ﺑﻪ ﻗﻠﱯ ﺃﺭ ‪‬ﳚﺎ ﻣﻮ ‪‬ﺭﺩﺍ‬

‫ﻭﻳﻮﻡ ﺑﻪ ﻧﺎﺩﺕ ﻗﺮﻳﺶ ﲜﻤﻌﻬﺎ‬

‫ﻭﺃﺑﺪﺕ ﻣﻦ ﺍﳊﻖ ﺍﻟﺼﺮﺍﺡ ﲤﺮﺩﺍ‬

‫ﻭﺳﺎﺭﺕ ﺑﻨﺎﺭ ﺍﻟﻜﻔﺮ ﺗﻐﻠﻲ ﻭﺣﻘﺪﻫﺎ‬

‫ﻳﻔﻮﺭ ﺍﻋﺘﺪﺍﺀ ﺻﺎﺭ ‪‬ﺧﺎ ﻭﺗﻌﻨﺪﺍ‬

‫ﻟﺘﻘﻀﻲ ﻋﻠﻰ ﺍﻟﺪﻳﻦ ﺍﻟﺬﻱ ﺷﻊ ﻧﻮﺭﻩ‬

‫ﺳﻼ ‪‬ﻣﺎ ﻭﺇﳝﺎ‪‬ﻧﺎ ﻭﻋﺪﹰﻟﺎ ﻣﻮ ﹼﻃﺪﺍ‬

‫ﺃﺗﻄﻔﺊ ﻧﻮﺭ ﺍﷲ ﻧﻔﺨ ﹸﺔ ﻛﺎﻓﺮ‬

‫ﺗﻌﺎﱃ ﺍﻟﺬﻱ ﺑﺎﻟﻜﱪﻳﺎﺀ ﺗﻔﺮﺩﺍ‬

‫ﺇﺫﺍ ﺟﻠﺠﻠﺖ ﺍﷲ ﺃﻛﱪ ﰲ ﺍﻟﻮﻏﻰ‬

‫ﲣﺎﺫﻟﺖ ﺍﻷﺻﻮﺍﺕ ﻋﻦ ﺫﻟﻚ ﺍﻟﻨﺪﺍ‬

‫ﻫﻨﺎﻙ ﺍﻟﺘﻘﻰ ﺍﳉﻤﻌﺎﻥ‪ :‬ﲨﻊ ﻳﻘﻮﺩﻩ‬

‫ﻏﺮﻭﺭ ﺃﰊ ﺟﻬﻞ ﻛﻬ ٍّﺮ ﺗﺄﺳﺪﺍ‬

‫ﻭﲨﻊ‪ ‬ﻋﻠﻴﻪ ﻣﻦ ﻫﺪﺍﻩ ﻣﻬﺎﺑﺔ‬

‫ﻭﺣﺎﺩﻳﻪ ﺑﺎﻵﻳﺎﺕ ﰲ ﺍﻟﺼﱪ ﻗﺪ ﺣﺪﺍ‬

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‫ﻭﴰﺮ ﺧﲑ ﺍﳋﻠﻖ ﻋﻦ ﺳﺎﻋﺪ ﺍﻟﻔﺪﺍ‬

‫ﻭﻫﺰ ﻋﻠﻰ ﺭﺃﺱ ﺍﻟﻄﻐﺎﺓ ﺍﳌﻬﻨﺪﺍ‬

‫ﻭﺟﱪﻳﻞ ﰲ ﺍﻷﻓﻖ ﺍﻟﻘﺮﻳﺐ ﻣﻜﱪ‬

‫ﻟﻴﻠﻘﻲ ﺍﻟﻮﱏ ﻭﺍﻟﺮﻋﺐ ﰲ ﺃﻧﻔﺲ ﺍﻟﻌﺪﻯ‬

‫ﻭﺳﺮﻋﺎﻥ ﻣﺎ ﻓﺮﺕ ﻗﺮﻳﺶ ﲜﻤﻌﻬﺎ‬

‫ﻭﻋﺎﻓﺖ ﺃﺑﺎ ﺟﻬﻞ ﻫﻨﺎﻙ ﳑﺪﺩﺍ‬

‫ﻣﻨﻜﺴﺔ ﺍﻟﺮﺍﻳﺎﺕ ﻣﻔﻠﻮﻟﺔ ﺍﻟﻌﺮﻯ‬

‫ﺟﺮﳛﺔ ﻛﱪ ﻗﺪ ﻃﻐﻰ ﻓﺘﺒﺪﺩﺍ‬

‫ﻳﻨﻮﺀ ‪‬ﺎ ﺛﻘﻞ ﺍﳍﻮﺍﻥ ﻭﳘﺔ‬

‫ﻭﺗﻔﻀﺤﻬﺎ ﺃﺳﺮﻯ ﺗﺮﻳﺪ ﳍﺎ ﺍﻟﻔﺪﺍ‬

‫ﻭﺃﻧﻒ ﺃﰊ ﺟﻬﻞ ﲤﺮﻍ ﰲ ﺍﻟﺜﺮﻯ‬

‫ﻭﺩﺍﺳﺘﻪ ﺃﻗﺪﺍﻡ ﺍﳊﻔﺎﺓ ﲟﺎ ﺍﻋﺘﺪﻯ‬

‫ﻭﻣﻦ ﺧﺎﺻﻢ ﺍﻟﺮﲪﻦ ﺧﺎﺑﺖ ﺟﻬﻮﺩﻩ‬

‫ﻭﺿﺎﻋﺖ ﻣﺴﺎﻋﻴﻪ ﻭﺃﺗﻌﺎﺑﻪ ﺳﺪﻯ‬

‫ﻭﻛﻴﻒ ﻳﻘﻮﻡ ﺍﻟﻈﻠﻢ ﰲ ﻭﺟﻪ ﺷﺮﻋﺔ‬

‫ﺗﺴﺎﻣﺖ ﻋﻠﻰ ﻛﻞ ﺍﻟﺸﺮﺍﺋﻊ ﻣﻘﺼﺪﺍ‬

‫ﲰﺎﻭﻳﺔ ﺍﻷﻏﺮﺍﺽ ﺳﺎﻭﺕ ﺑﻨﻬﺠﻬﺎ‬

‫ﲨﻴﻊ ﺑﲏ ﺍﻟﺪﻧﻴﺎ ﻣﺴﻮ ‪‬ﺩﺍ ﻭﺳﻴﺪﺍ‬

‫ﻭﺃﻟﻐﺖ ﻓﺮﻭﻕ ﺍﻟﻌﺮﻕ ﻭﺍﻟﻠﻮﻥ ﰲ ﺍﻟﻮﺭﻯ‬

‫ﻀﺎ ﺣﺎﺑﺖ ﻟﺘﺒﺨﺲ ﺃﺳﻮﺩﺍ‬ ‫ﻓﻼ ﺃﺑﻴ ‪‬‬

‫ﻭﻻ ﻓﻀﻠﺖ ﻗﻮ ‪‬ﻣﺎ ﻟﺘﺤﻘﺮ ﻏﲑﻫﻢ‬

‫ﻭﻻ ﺟﺤﺪﺕ ﺣ ‪‬ﻘﺎ ﻭﻻ ﺃﻧﻜﺮﺕ ﻳﺪﺍ‬

‫ﺗﺮﻳﺪ ﺍﳍﺪﻯ ﻟﻠﻨﺎﺱ ﺩﺃ‪‬ﻢ‬

‫ﻳﻌﺎﺩﻭﻥ ﻣﻦ ﻳﺪﻋﻮ ﺇﱃ ﺍﳋﲑ ﻭﺍﳍﺪﻯ‬

‫ﻭﻟﻴﺲ ﺟﺪﻳ ‪‬ﺪﺍ ﻣﺎ ﻧﺮﻯ ﻣﻦ ﺗﺼﺎﺭﻉ‬

‫ﻫﻮ ﺍﻟﺒﻐﻲ ﻟﻜﻦ ﺑﺎﻷﺳﺎﻣﻲ ﲡﺪﺩﺍ‬

‫ﻭﺃﺻﺒﺢ ﺃﺣﺰﺍ‪‬ﺑﺎ ﺗﻨﺎﺣ ‪‬ﺮ ﺑﻴﻨﻬﺎ‬

‫ﻭﺗﺒﺪﻭ ﺑﻮﺟﻪ ﺍﻟﺪﻳﻦ ﺻ ‪‬ﻔﺎ ﻣﻮﺣﺪﺍ‬

‫ﺭﺳﻮﻝ ﺍﳍﺪﻯ ﻣﺴﺮﺍﻙ ﺑﺎﺕ ﻣﻬﺪﺩﺍ‬

‫ﻭﺃﻭﺷﻚ ﺑﻴﺖ ﺍﻟﻘﺪﺱ ﺃﻥ ﻳﺘﻬﻮﺩﺍ‬

‫ﻭﻗﻮﻣ ‪‬ﻲ ﻻ ﻳﺴﺘﻨﻔﺮﻭﻥ ﳊﻘﻬﻢ‬

‫ﺟﻴﻮ ‪‬ﺷﺎ ﺗﺼﻮﻥ ﺍﳊﻖ ﺃﻥ ﻳﺘﺒﺪﺩﺍ‬

‫ﺃﺑﻦ ﺃﻳﻬﺎ ﺍﻟﺘﺎﺭﻳﺦ ﻭﺟﻪ ﳏﻤﺪ‬

‫ﻟﻴﺒﺼﺮﻩ ﺍﻟﻌﺎﻣﻮﻥ ﻋﻨﻪ ﺗﻌﻤﺪﺍ‬

‫ﺇﺫﺍ ﻗﺎﻣﺖ ﺍﻟﺪﻧﻴﺎ ﺗﻌﺪ ﻣﻔﺎﺧ ‪‬ﺮﺍ‬

‫ﻓﺘﺎﺭﳜﻨﺎ ﺍﻟﻮﺿﺎﺡ ﻣﻦ ﺑﺪ ٍﺭ ﺍﺑﺘﺪﺍ‬

‫ﻭﻳﺒﻘﻰ ﺻﺪﻯ ﺑﺪﺭ ﻳﺮﻥ ﺑﺄﻓﻘﻨﺎ‬

‫ﻫﺘﺎ ﹰﻓﺎ ﻋﻠﻰ ﲰﻊ ﺍﻟﺰﻣﺎﻥ ﻣﺮﺩﺩﺍ‬

‫ﺑﻼﺩ ﺃﻋﺰ‪‬ﺎ ﺳﻴﻮﻑ ﳏﻤﺪ‬

‫ﻓﻤﺎ ﻋﺬﺭﻫﺎ ﺃﻻ ﺗﻌﺰ ﳏﻤﺪﺍ!‬

‫ﺭﺳﻮﻝ ﺍﻟﻌﻠﻰ ﱄ ﰲ ﻣﺪﳛﻚ ﻭﻗﻔﺔ‬

‫ﲑﺍ ﻟﺪﻯ ﻣﻮﻗﻔﻲ ﻏﺪﺍ‬ ‫ﺃﺭ ‪‬ﺟﻲ ‪‬ﺎ ﺧ ‪‬‬

‫ﻟﺴﺎﱐ ﱂ ﻳﻨﻄﻖ ﺣﺮﺍ ‪‬ﻣﺎ ﻭﻻ ﻫﻮﻯ‬

‫ﻭﺷﻌﺮﻱ ﱂ ﻳﻀﻤﻢ ﻛﻼ ‪‬ﻣﺎ ﻣﻔﻨﺪﺍ‬

‫ﻭﱂ ﺃﺗﻠﻮﻥ ﻛﺎﻟﺬﻳﻦ ﺗﻠﻮﻧﻮﺍ‬

‫ﻭﺯﺍﻏﻮﺍ ﻭﺭﺍﻏﻮﺍ‪ ..‬ﺧﺴﺔ ﻭﺗﺼﻴﺪﺍ‬

‫ﻭﺣﺴﱯ ﻣﻦ ﺍﻟﺸﻌﺮ ﺍﳊﻼﻝ ﻗﺼﺎﺋﺪ‬

‫ﻧﻄﻘﺖ ‪‬ﺎ ﺗﺒﻘﻰ ﺇﺫﺍ ﻟﻔﲏ ﺍﻟﺮﺩﻯ‬

‫ﻭﻟﻠﺸﻴﺦ ﺍﻟﺸﺎﻋﺮ ﻭﻟﻴﺪ ﺍﻷﻋﻈﻤﻲ ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ ﺃﻳﻀ‪‬ﺎ ﻣﺪﺣﺔ ﺃﺧﺮﻯ‪ ،‬ﻋﻨﻮﺍ‪‬ﺎ‪ :‬ﻧﱯ ﺍﳍﺪﻱ‬ ‫ﻫﺰﱐ ﺫﻛﺮﻛﻢ‪ ،‬ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪:‬‬

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‫ﺭﺑﻴﻌﻚ ﻟﻠﺮﻭﺡ ﻛﺎﻟﺒﻠﺴﻢ‬

‫‪‬ﻴﺞ ﺍﻟﻀﺤﻰ ﺭﺍﺋﻖ ﺍﳌﺒﺴﻢ‬

‫ﳛﺮﻙ ﰲ ﺍﻟﻨﻔﺲ ﻭﺟﺪﺍ‪‬ﺎ‬

‫ﻭﻳﻄﻠﻘﻬﺎ ﻣﻦ ﺇﺳﺎﺭ ﺍﻟﺪﻡ‬

‫ﻭﻳﺒﻌﺜﻬﺎ ﺣﺮﺓ ﻻ ﺗﻀﻲ‬

‫ﻕ ﺑﻜﻴﺪ ﺍﻟﻌﻮﺍﺫﻝ ﻭﺍﻟﻠﻮﻡ‬

‫ﻭﻳﺮﻓﻌﻬﺎ ﻣﻦ ﺣﻀﻴﺾ ﺍﻟﺘﺮﺍ‬

‫ﺏ ﺇﱃ ﺍﻷﻓﻖ ﺍﻷﺭﺣﺐ ﺍﻷﻛﺮﻡ‬

‫ﻭﻳﻐﻤﺮﻫﺎ ﲝﻨﺎﻥ ﺍﻟﺴﻤﺎ‬

‫ﺀ ﻭﳝﻨﺤﻬﺎ ﻫﻴﺒﺔ ﺍﳌﺴﻠﻢ‬

‫ﻓﺘﺸﺮﻕ ﰲ ﺍﻟﻘﻠﺐ ﺃﻧﻮﺍﺭﻩ‬

‫ﻭﻳﻨﺒﺾ ﺑﺎﳊﻤﺪ ﻟﻠﻤﻨﻌﻢ‬

‫ﻭﳝﺸﻲ ﺳﻮ‪‬ﻳﺎ ﻋﻠﻰ ﻣﻨﻬﺞ‬

‫ﺳﻠﻴﻢ ﻳﺆﺩﻱ ﺇﱃ ﺃﺳﻠﻢ‬

‫ﻭﻳﻌﺒﻖ ﻓﻴﻪ ﺃﺭﻳﺞ ﺍﳍﺪﻯ‬

‫ﺯﻛ‪‬ﻴﺎ ﻳﻄﻮﻝ ﻋﻠﻰ ﺍﳌﻮﺳﻢ‬

‫ﺃﺭﻕ ﻭﺃﻧﺪﻯ ﻣﻦ ﺍﻟﻴﺎﺳﻢ‬

‫ﻳﻦ ﻭﺃ‪‬ﻰ ﲨﺎ ﹰﻻ ﻣﻦ ﺍﻟﱪﻋﻢ‬

‫ﺭﺑﻴﻌﻚ ﻳﺎ ﺳﻴﺪ ﺍﻟﻜﺎﺋﻨﺎ‬

‫ﺕ ﺳﻨﺎﻩ ﻳﻨﲑ ﺍﻟﻘﻠﻮﺏ ﺍﻟ ‪‬ﻌﻤﻲ‬

‫ﻭﻳﺮﻭﻱ ﻏﻠﻴﻞ ﺍﻟﻌﻄﺎﺵ ﺍﻟﺬﻱ‬

‫ﻥ ﻳﺮﻭﻥ ﺍﻟﺴﺮﺍﺏ ﻛﺴﻴﻞ ﻃﻤﻲ‬

‫ﻧﱯ ﺍﳍﺪﻯ ﻫﺰﱐ ﺫﻛﺮﻛﻢ‬

‫ﻓﺮﺣﺖ ﺃﻋﲏ ﺑﺸﻮﻕ ﻇﻤﻲ‬

‫ﻭﺃﺷﺪﻭ ﺑﻔﻀﻠﻚ ﺑﲔ ﺍﻟﺮﺟﺎ‬

‫ﻝ ﺟﻬﺎ ‪‬ﺭﺍ ‪‬ﺎ ‪‬ﺭﺍ ﲟﻞﺀ ﺍﻟﻔﻢ‬

‫ﻭﺃﺩﻋﻮ ﺍﻷﻧﺎﻡ ﳌﻨﻬﺎﺟﻜﻢ‬

‫ﻭﻣﻨﻬﺎﺟﻜﻢ ﻏﺎﻳﺔ ﺍﳌﻐﻨﻢ‬

‫ﻭﺭﻭﺡ ﺍﻟﺴﻼﻡ ﻟﻜﻞ ﺍﻷﻧﺎ‬

‫ﻡ ﻓﻼ ﻋﺮﰊ ﻭﻻ ﺃﻋﺠﻤﻲ‬

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‫ﺧﻠﺖ ﺑﺪﻋﺔ ﺍﳉﺎﻫﻠﲔ ﺍﳉﻔﺎﺓ‬

‫ﻭﻭﻟﺖ ﻣﻊ ﺍﻟﺒﺎﻃﻞ ﺍﳌﺮﻏﻢ‬

‫ﻭﻣﺎﺕ ﺍﻟﺘﻔﺎﺧﺮ ﻭﺍﻟﻜﱪﻳﺎ‬

‫ﺀ ﻓﻜﻞ ﺍﻟﱪﻳﺔ ﻣﻦ ﺁﺩﻡ‬

‫ﻭﺣﻞ ﺍﻟﺘﻔﺎﺿﻞ ﺑﺎﻟﺼﺎﳊﺎ‬

‫ﺕ ﳏﻞ ﺍﻟﺘﻌﺎﻇﻢ ﺑﺎﻷﻋﻈﻢ‬

‫ﻓﻤﺎ ﺃﺑﺮﻡ ﺍﷲ ﱂ ﻳﻨﺘﻘﺾ‬

‫ﻭﻣﺎ ﻧﻘﺾ ﺍﷲ ﱂ ﻳﱪﻡ‬

‫ﻓﻠﻴﺲ ﺳﻮﺍﺀ ﻧﻈﺎﻡ ﻭﺿﻴﻊ‬

‫ﻭ‪‬ﺞ ﻣﻦ ﺍﳋﺎﻟﻖ ﺍﳌﻨﻌﻢ‬

‫ﻭﻫﻞ ﻳﺴﺘﻮﻱ ﺑﺸﺮ ﻳﺪﻋﻲ‬

‫ﻋﻠﻮ ‪‬ﻣﺎ ﻣﻊ ﺍﳋﺎﻟﻖ ﺍﻷﻋﻠﻢ‬

‫ﻭﻛﻴﻒ ﺑﺮﺑﻚ ﺗﺮﺿﻰ ﺑﺬﺍ‬

‫ﻭﺃﻧﺖ ﲢﻦ ﺇﱃ ﺍﻷﻗﻮﻡ‬

‫ﺃﻟﺴﺖ ﲣﺎﻟﻔﻬﺎ ﻓﻄﺮﺓ‬

‫ﻓﻄﺮﺕ ﻋﻠﻴﻬﺎ ﻣﻦ ﺍﻷﺭﺣﻢ!؟‬

‫ﻓﺤﻘﻖ ﻟﻨﻔﺴﻚ ﻣﺎ ﺗﺸﺘﻬﻲ‬

‫ﻣﻦ ﺍﻟﻄﻴﺒﺎﺕ‪ ..‬ﻭﻻ ﺗﺮﰎ‬

‫ﲟﺎ ﻳﺘﻨﺎﰱ ﻣﻊ ﺍﳌﱰﻻ‬

‫ﺕ ﻣﻦ ﺍﳋﺎﻟﻖ ﺍﻟﺒﺎﺭﺉ ﺍﻷﻋﻈﻢ‬

‫ﻭﺣﺴﱯ ﻭﺣﺴﺒﻚ ﻣﺎ ﻗﺪ ﻧﺮﻯ‬

‫ﻭﻧﻠﻤﺲ ﻣﻦ ﺩﺍﺋﻨﺎ ﺍﳌﺆﱂ‬

‫ﻧﺼﻴﺢ ﻭﻻ ﻣﻦ ﲰﻴﻊ ﳎﻲ‬

‫ﺏ ﻭﻧﺼﺮﺥ ﰲ ﻣﻬﻤﻪ ﻣﺒﻬﻢ‬

‫ﻭﻳﺒﺼﺮ ﺃﻋﺪﺍﺅﻧﺎ ﻣﺎ ﺑﻨﺎ‬

‫ﻭﺳﺮ ﺍﻟﺘﺄﺧﺮ ﱂ ﻳﻜﺘﻢ‬

‫ﺤﺎ‬ ‫ﻭﺑﺘﻨﺎ ﳍﻢ ﻫﺪ ﹰﻓﺎ ﻭﺍﺿ ‪‬‬

‫ﳚﺮ ﺑﻨﺎ ﻣﻦ ﻳﺮﻳﺪ ﺍﻟﺮﻣﻲ‬

‫ﻓﻴﺄﻳﻬﺎ ﺍﻟﻜﻮﻥ ﻣﲏ ﺍﺳﺘﻤﻊ‬

‫ﻭﻳﺎ ﺃﺫﻥ ﺍﻟﺪﻫﺮ ﻋﲏ ﺍﻓﻬﻤﻲ‬

‫ﻓﺈﱐ ﺻﺮﻳﺢ ﻛﻤﺎ ﺗﻌﻠﻤﻲ‬

‫ﻥ ﺣﺮﻳﺺ ﻋﻠﻰ ﻣﺒﺪﺋﻲ ﺍﻟﻘﻴﻢ‬

‫ﻭﻣﻬﻤﺎ ﺗﻌﺪﺩﺕ ﺍﻟﻮﺍﺟﻬﺎ‬

‫ﺕ ﻓﻠﺴﺖ ﺇﱃ ﻭﺟﻬﺔ ﺃﻧﺘﻤﻲ‬

‫ﺳﻮﻯ ﻗﺒﻠﺔ ﺍﳌﺼﻄﻔﻰ ﻭﺍﳌﻘﺎ‬

‫ﻡ ﻷﺭﻭﻱ ﺍﳊﺸﺎﺷﺔ ﻣﻦ ﺯﻣﺰﻡ‬

‫ﻭﺃﺷﻬﺪ ﻣﻦ ﺩﺏ ﻓﻮﻕ ﺍﻟﺜﺮﻯ‬

‫ﻭﲢﺖ ﺍﻟﺴﻤﺎ ﻋﺰﺓ ﺍﳌﺴﻠﻢ‬

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‫ﺃﻏﺎﺭ ﻋﻠﻰ ﺃﻣﱵ ﺃﻥ ﺗﺘﻴﻪ‬

‫‪‬ﻮﺝ ﺍﻟﻌﻮﺍﺻﻒ ﰲ ﺍﻟﻌﻴﻠﻢ‬

‫ﺃﻏﺎﺭ ﻋﻠﻰ ﺃﻣﱵ ﺃﻥ ﺗﻀﻞ‬

‫ﺳﺒﻴﻞ ﺍﻟﻨﺠﺎﺓ ﻭﱂ ﺗﺴﻠﻢ‬

‫ﺃﻏﺎﺭ ﻋﻠﻰ ﺃﻣﱵ ﺃﻥ ﺗﺪﻭﺥ‬

‫ﻭﱂ ﺗﺘﻤﻜﻦ ﻣﻦ ﺍﻟﺴﻠﻢ‬

‫ﻓﺘﻘﻌﺪ ﺻﻤﺎﺀ ﻣﻀﺮﻭﺭﺓ‬

‫ﺗﻄ ِّﺮ‪‬ﺎ ﻟﻐﺔ ﺍﻷﺑﻜﻢ‬

‫ﻭﺗﺸﻐﻠﻬﺎ ﺳﻔﺴﻔﺎﺕ ﺍﻷﻣﻮﺭ‬

‫ﻋﻦ ﺍﻟﻔﺮﺽ ﻭﺍﻟﻮﺍﺟﺐ ﺍﻷﻗﺪﻡ‬

‫ﻭﺗﺪﻓﻦ ﺁﻣﺎﳍﺎ ﺑﺎﻟﻀﺤﻰ‬

‫ﻭﲤﺴﻲ ﻭﺗﺼﺒﺢ ﰲ ﻣﺄﰎ‬

‫ﺗﻘﻮﻡ ﻭﺗﻘﻌﺪ ﻣﻦ ﳘﻬﺎ‬

‫ﻭﻣﺎﺀ ﺍﳌﺪﺍﻣﻊ ﻳﻬﻤﻲ ﳘﻲ‬

‫ﺗﻨﺎﺷﺪ ﺃﺑﻨﺎﺀﻫﺎ ﻋﺮﻭﺓ‬

‫ﻣﻦ ﺍﻟﺪﻳﻦ ﻭﺍﳊﻖ ﱂ ﺗﻔﺼﻢ‬

‫ﳘﺎ‬ ‫ﻭﺗﺮﺟﻮ ﻟﻌﻼ‪‬ﺎ ﻣﺮ ﹰ‬

‫ﻭﻟﻴﺲ ﺳﻮﻯ ﺍﻟﺪﻳﻦ ﻣﻦ ﻣﺮﻫﻢ‬

‫ﺃﺧﻲ ﻻ ﺗﻠﻦ ﻓﺎﻷﱃ ﻗﺪﻭﺓ‬

‫ﳌﺜﻠﻲ ﻭﻣﺜﻠﻚ ﰲ ﺍﳌﺄﺯﻡ‬

‫ﻭﻛﺎﻧﻮﺍ ﺇﺫﺍ ﻣﺎ ﺍﺩﳍﻢ ﺍﻟﺰﻣﺎ‬

‫ﻥ ﺟ ﹶﻠﻮﻩ ﺑﻌﺰﻡ ﻓﱵ ﲰﻲ‬

‫ﳍﻢ ﻗﺪﺭﻫﻢ ﺑﺎﻋﺘﺒﺎﺭ ﺍﻟﺮﺟﺎ‬

‫ﻝ ﻭﲰﻌﺘﻬﻢ ﰲ ﺫﺭﻯ ﺍﻷﳒﻢ‬

‫ﺗﻘﺪﻡ ﻓﺄﻧﺖ ﺍﻷﰊ ﺍﻟﺸﺞ‬

‫ﺍﻉ ﻭﻻ ﺗﺘﻬﻴﺐ ﻭﻻ ﲢﺠﻢ‬

‫ﻋﻠﻴﻚ ‪‬ﺪﻱ ﺍﻟﺮﺳﻮﻝ ﺍﻟﻜﺮﻱ‬

‫ﻡ ﻭﻣﻨﻬﺎﺝ ﻗﺮﺁﻧﻚ ﺍﶈﻜﻢ‬

‫ﻓﻼ ﺗﺘﻨﺎﺯﻝ ﻭﻻ ﺗﻨﺤﺮﻑ‬

‫ﻭﻻ ﺗﺘﺸﺎﺀﻡ ﻭﻻ ﺗﺴﺄﻡ‬

‫ﺗﻘﺪﻡ ﻓﻤﺎ ﰲ ﺣﻴﺎﺓ ﺍﻟﻮﺭﻯ‬

‫ﻣﻜﺎﻥ ﳌﺴﺘﻀﻌﻒ ﻣﻌﺪﻡ‬

‫ﻭﺟﺮﺩ ﺑﻮﺟﻪ ﺍﳋﺼﻮﻡ ﺍﻟﻠﺌﺎ‬

‫ﻡ ﺳﻼﺣﻚ ﻻ ﻋﻔﺔ ﺍﶈﺮﻡ‬

‫ﻟﺘﻤﺴﺢ ﰲ ﺍﻟﻘﺪﺱ ﻣﻦ ﺃﻫﻠﻬﺎ‬

‫ﺩﻣﻮﻉ ﺍﻷﺭﺍﻣﻞ ﻭﺍﻟﻴﺘﻢ‬

‫ﻓﻠﻴﺲ ﻣﻦ ﺍﳊﺰﻡ ﺃﻥ ﺗﻨﺜﲏ‬

‫ﺑﻴﻮﻡ ﺍﻟﻜﻔﺎﺡ ﻭﱂ ﺗﻘﺪﻡ‬

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‫ﻭﻟﻴﺲ ﻣﻦ ﺍﻟﻌﺰﻡ ﺃﻥ ﻳﻨﻄﻔﻲ‬

‫ﳍﻴﺐ ﺍﻟﻔﺪﺍﺀ ﻭﱂ ﻳﻀﺮﻡ‬

‫ﲢﺮﻙ ﻓﺄﻧﺖ ﺍﻟﻌﺰﻳﺰ ﺍﻟﻜﺮﻱ‬

‫ﻡ ﻭﻟﻮ ﺃﺛﺮ ﺍﻟﻘﻴﺪ ﰲ ﺍﳌﻌﺼﻢ‬

‫ﻭﻻ ﺗﺒﺘﺌﺲ ﻣﻦ ﲰﻮﻡ ﺍﻟﺼﻼ‬

‫ﻝ ﻭﻻ ﲣﺶ ﻣﻦ ‪‬ﺸﺔ ﺍﻷﺭﻗﻢ‬

‫ﻭﺧﻀﻬﺎ ﻛﻤﺎ ﺧﺎﺿﻬﺎ ﺍﻷﻗﺪﻣﻮ‬

‫ﻥ ﲝﺎ ‪‬ﺭﺍ ﲤﻮﺝ ﺑﻘﺎﱐ ﺍﻟﺪﻡ‬

‫ﻭﻻ ﺗﻚ ﻣﻦ ﻣﻌﺸﺮ ﺗﺎﻓﻪ‬

‫ﻳﻘﻴﺲ ﺍﻟﺴﻌﺎﺩﺓ ﺑﺎﻟﺪﺭﻫﻢ‬

‫ﻭﻳﻨﻈﺮ ﻟﻠﻜﻮﻥ ﻣﻦ ﻛﻮﺓ‬

‫ﺗﻄﻞ ﻋﻠﻰ ﻋﺎﱂ ﻣﻈﻠﻢ‬

‫ﻳﻌﻴﺶ ﻭﻟﻴﺲ ﻟﻪ ﻏﺎﻳﺔ‬

‫ﺳﻮﻯ ﻣﺸﺮﺏ ﻭﺳﻮﻯ ﻣﻄﻌﻢ‬

‫ﻭﳓﺮﻱ ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ﺩﺭﻉ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺑﺸﲑ ﺣﺎﺝ ﳛﲕ‬

‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻮﺭﻱ ﳛﲕ ﺑﺸﲑ ﺣﺎﺝ ﳛﲕ‪ ،‬ﻋﺎﻡ ‪ 1945‬ﰲ‬

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‫ﺟﺴﺮ ﺍﻟﺸﻐﻮﺭ ﺑﺸﻤﺎﱄ ﺳﻮﺭﻳﺔ‪ .‬ﻭﺩﺭﺱ ﰲ ﺟﺎﻣﻌﺔ ﺣﻠﺐ ﻟﻴﻨﺎﻝ‬

‫ﺇﺟﺎﺯﺓ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ‪ .1970‬ﻳﻌﻤﻞ ﻣﺪﺭ ‪‬ﺳﺎ ﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻣﻨﺬ‬ ‫‪ 1970‬ﻣﺘﻨﻘ ﹰﻠﺎ ﺑﲔ ﺳﻮﺭﻳﺔ ﻭﺍﻷﺭﺩﻥ ﻭﺍﻟﺴﻌﻮﺩﻳﺔ‪.‬‬

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‫ﻋﻀﻮ ﺭﺍﺑﻄﺔ ﺍﻷﺩﺏ ﺍﻹﺳﻼﻣﻲ ﺍﻟﻌﺎﳌﻴﺔ ﻣﻨﺬ ‪.1984‬‬

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‫ﺃﰎ ﺩﻳﻮﺍﻧﻪ ﺍﻷﻭﻝ ﻭﻫﻮ ﻃﺎﻟﺐ ﲜﺎﻣﻌﺔ ﺣﻠﺐ‪ ،‬ﻭﺷﺎﺭﻙ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻷﻣﺴﻴﺎﺕ ﺍﻟﺸﻌﺮﻳﺔ‪،‬‬ ‫ﻭﻧﺸﺮ ﺷﻌﺮﻩ ﰲ ﺍﻟﺪﻭﺭﻳﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ‪ .‬ﻭﻳﻜﺘﺐ ‪ -‬ﺇﱃ ﺟﺎﻧﺐ ﺍﻟﺸﻌﺮ ‪ -‬ﺍﳌﻘﺎﻟﺔ‪ ،‬ﻭﺍﻟﻘﺼﺔ‪،‬‬ ‫ﻭﺍﻟﻨﻘﺪ ﺍﻷﺩﰊ‪.‬‬

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‫ﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ :‬ﰲ ﻇﻼﻝ ﺍﳌﺼﻄﻔﻰ‪ /‬ﺃﻧﺎﺷﻴﺪ ﺍﻟﻄﻔﻮﻟﺔ‪/‬ﻋﻠﻰ ﺃﺑﻮﺍﺏ ﻛﺎﺑﻞ‪ /‬ﻭﺳﻠﺴﻠﺔ‬ ‫ﺣﻜﺎﻳﺎﺕ ﺷﻌﺮﻳﺔ ﻟﻸﻃﻔﺎﻝ‪ /‬ﻭﻣﺴﺮﺣﻴﺎﺕ ﺷﻌﺮﻳﺔ ﻟﻠﻨﺎﺷﺌﲔ‪.‬‬

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‫ﻭﻣﻦ ﺃﻋﻤﺎﻟﻪ ﺍﻹﺑﺪﺍﻋﻴﺔ ﺍﻷﺧﺮﻯ‪ :‬ﺃﲰﻌﲏ ﺣﻜﺎﻳﺔ )ﻗﺼﺺ ﻟﻸﻃﻔﺎﻝ ﰲ ﲬﺴﺔ ﺃﺟﺰﺍﺀ( ﻗﺎﺿﻲ‬ ‫ﺍﳉﲑﺍﻥ ﻭﺣﻜﺎﻳﺎﺕ ﺃﺧﺮﻯ )ﻗﺼﺺ ﻟﻸﻃﻔﺎﻝ(‪ /‬ﺣﺒﺘﺎﻥ )ﻗﺼﺔ ﻟﻸﻃﻔﺎﻝ(‪.‬‬

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‫ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﺩﻟﻴﻞ ﺍﻟﻘﺼﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳌﻌﺎﺻﺮﺓ‪ /‬ﺍﳌﺮﺷﺪ ﺇﱃ ﺍﻟﻘﺼﺺ ﺍﳍﺎﺩﻑ‪ /‬ﺍﳌﺮﺃﺓ‬ ‫ﻭﻗﻀﺎﻳﺎ ﺍﳊﻴﺎﺓ ﰲ ﺍﻟﻘﺼﺔ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳌﻌﺎﺻﺮﺓ‪ /‬ﺣﺮﻭﻑ ﻋﻠﻰ ﺩﺭﺏ ﺍﳋﻠﻮﺩ‪.‬‬ ‫ﺻﻠﹼﻰ ﻭﺻ‪‬ﺎﻣﺎ *** ﻭ‪‬ﻳ ‪‬ﻬﺰ‪‬ﺃ ﺑﺎﻟﺬﻱ ﺃﺭ‪‬ﺳﻰ ﺍﻟﺴﻼﻣﺎ‬ ‫ﲑ ‪‬ﻣ ‪‬ﻦ ‪‬‬ ‫ﺸ‪‬ﺘﻢ‪ ‬ﺧ ‪‬‬ ‫ﺃﻳ‪ ‬‬ ‫ﺽ *** ﻣ‪‬ﺴﺎﻭﺍ ﹰﺓ ﻭ ‪‬ﻋ ‪‬ﺪﻟﹰﺎ ﻭﺍ ‪‬ﻋﺘِﺼﺎﻣﺎ‬ ‫ﻕ ‪‬ﻫﺪ‪‬ﻳ ‪‬ﻪ ﰲ ﹸﻛ ﱢﻞ ﺃﺭ ٍ‬ ‫ﻭﺃ ‪‬ﻭ ‪‬ﺭ ‪‬‬ ‫ﺕ ﺳِﻮﺍﻩ‪ ‬ﳍﺎ ﺇِﻣﺎﻣﺎ‬ ‫ﻑ ﹶﻟﻪ‪ ‬ﺍﻟﺪ‪‬ﻧﻴﺎ ‪‬ﻣﺜِﻴﻠﹰﺎ *** ‪‬ﻭﻣ‪‬ﺎ ﺍ ﹶﲣ ﹶﺬ ‪‬‬ ‫ﻭﱂ ‪‬ﺗ ‪‬ﻌ ِﺮ ‪‬‬ ‫ﺕ ﺍ َﻷﻧ‪‬ﺎﻣﺎ‬ ‫ﺖ ﻓﹶﺄ‪‬ﻧ ﹶﻘ ﹶﺬ ِ‬ ‫ﻭ ‪‬ﺩ ‪‬ﻋ ‪‬ﻮﺗ‪‬ﻪ‪ ‬ﺗ‪ ‬ﹶﻈ ﱢﻠﻞﹸ ﹸﻛ ﱠﻞ ﺣ ‪‬ﻲ *** ‪‬ﻭ ﹶﻗ ‪‬ﺪ ‪‬ﻋ ‪‬ﺪﹶﻟ ‪‬‬ ‫ﷲ ﻗﺎﻣﺎ!؟‬ ‫ﻀﺒ‪‬ﻨﺎ *** ِﻟ ِﺮ ﹾﻓ ‪‬ﻌ ِﺔ ﻣ‪‬ﻦ ﺑِﺪﻳ ِﻦ ﺍ ِ‬ ‫ﻚ ﺇ ﹾﻥ ﹶﻏ ِ‬ ‫ﺠﺐ‪ ‬ﺑﻌ ‪‬ﺪ ﺫﻟ ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ‪‬ﻌ ‪‬‬ ‫ﺻ‪‬ﻨ ٍﻢ ﻟﺒ‪‬ﻮﺫﺍ ﻛﺎﻟﻴﺘﺎﻣﻰ‬ ‫ﻭﺃﻧﺘﻢ ‪‬ﺗ ﹾﺬﺭِﻓﻮ ﹶﻥ ﺍﻟﺪﻣ ‪‬ﻊ ﺯ‪‬ﻭﺭ‪‬ﺍ *** ﻋﻠﻰ ‪‬‬

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‫ﻚ ﺍﳊﹶﺮﺍﻣﺎ‬ ‫ﻒ ‪‬ﻫ‪‬ﺘ ‪‬‬ ‫ﻭﺁ ﹶﺫ‪‬ﻳﺘ‪‬ﻢ ﺭﺳﻮ ﹶﻝ ﺍﻟ ﹼﻠ ِﻪ ﻓِﻴﻨﺎ *** ِﺑ ‪‬ﺮ ‪‬ﺳ ٍﻢ ﺯﺍﺋ ٍ‬ ‫ﺱ ِﻣ ‪‬ﻦ ﺑ ‪‬ﻌ ِﺪ ﻫ‪‬ﺬﺍ *** ﺗ‪‬ﻘﻴﻢ ﻟﻪ ﺍﻟﺒ‪‬ﺮﺍﻳﺎ ﺍﻻﺣﺘﺮﺍﻣﺎ‬ ‫ﻱ ﻣ‪ ‬ﹶﻘ ‪‬ﺪ ٍ‬ ‫ﻓﺄ ‪‬‬ ‫ﹶﻓ‪‬ﻨﺤ‪‬ﺮﻱ ‪ -‬ﻳﺎ ﺭﺳﻮﻝ ﺍﷲ ‪ِ -‬ﺩ ‪‬ﺭﻉ‪ *** ‬ﺗ‪‬ﻘﻲ‪ ،‬ﻭ‪‬ﺗ ‪‬ﺮ ‪‬ﺩ ‪‬ﻣ ‪‬ﻦ ﺭﺍ ‪‬ﻡ ﺍ ﹾﻗﺘِﺤﺎﻣﺎ‬ ‫ﻑ ﻭ ‪‬ﻋ ‪‬ﺪ ٍﻝ ﻻ ‪‬ﻳﺴ‪‬ﺎﻣ‪‬ﻰ‬ ‫ﺖ ﺃﻓﻀ ﹶﻞ ‪‬ﻣ ‪‬ﻦ ﺩﻋﺎﻧﺎ *** ﻹﻧﺼﺎ ٍ‬ ‫ﺕ ﻓﻜﻨ ‪‬‬ ‫ﹶﺃ ‪‬ﻣ ‪‬ﺮ ‪‬‬ ‫ﺽ ﺍﳌﹶﻈﺎِﻟ ‪‬ﻢ ﻭﺍﻟﻈﱠﻼﻣﺎ‬ ‫ﻑ ﺍﻟﻌﺪ ِﻝ ﺩِﻳﻨ‪‬ﺎ *** ﻭﱂ ‪‬ﻧ ‪‬ﺮ ‪‬‬ ‫ﹶﺃ ‪‬ﺭﻳ‪‬ﻨﺎﻫ‪‬ﻢ ﺻ‪‬ﻨﻮ ‪‬‬ ‫ﺼﻔﹾﻨﺎ ﺑ‪‬ﲏ ﺍﻷﺩﻳﺎ ِﻥ ﹸﻃﺮ‪‬ﺍ *** ﻭﺳﺎ ‪‬ﻣﺤ‪‬ﻨﺎ‪ ..‬ﻭﺳﺎﹶﻟﻤ‪‬ﻨﺎ ﻛِﺮﺍﻣﺎ‬ ‫ﻭﺃ‪‬ﻧ ‪‬‬ ‫ﺕ ﺣ‪‬ﻄﺎﻣﺎ‬ ‫ﺖ ‪‬ﺯﻣ‪‬ﺎﻧ‪‬ﺎ *** ﻭﻟﻮﻻ ‪‬ﻋﺪ‪‬ﻟﻨﺎ ﺻﺎ ‪‬ﺭ ‪‬‬ ‫ﺏ ﻛﹶﻨﻴﺴ ٍﺔ ﻋﺎ ‪‬ﺷ ‪‬‬ ‫ﻭ ‪‬ﺭ ‪‬‬ ‫ﺨ ِﻔ ‪‬ﺮ ﳍﻢ ﻳﻮﻣ‪‬ﺎ ﺫِﻣﺎﻣﺎ‬ ‫ﺖ ﺭ‪‬ﲪ ﹸﺔ ﺍﻹﺳﻼ ِﻡ ﻓﻴﻬﻢ *** ﻭﱂ ‪‬ﻧ ‪‬‬ ‫ﻭ‪‬ﻋ ‪‬ﻤ ‪‬‬ ‫ﳊﺴ‪‬ﲎ ‪ -‬ﻭﱂ ‪‬ﻧ ﹾﻜ ِﺮ ‪‬ﻩ ﺷ‪‬ﻌﻮﺑ‪‬ﺎ ‪ *** -‬ﺩ ‪‬ﻋﻮ‪‬ﻧﺎﻫﻢ ﻟﺪِﻳ ٍﻦ ﻗ ‪‬ﺪ ﺗ‪‬ﺴﺎﻣ‪‬ﻰ‬ ‫ﻭﺑﺎ ﹸ‬ ‫ﹶﻓ ﹶﻠﺴ‪‬ﻨﺎ ‪‬ﻧ ‪‬ﺮﺗ‪‬ﻀﻲ ﺍﻹﻛﺮﺍ ‪‬ﻩ ﺩِﻳﻨ‪‬ﺎ *** ﳌﺨﻠﻮﻕٍ‪ ..‬ﻭﺇ ﹾﻥ ﻓﻴﻨﺎ ﺃﹶﻗﺎﻣﺎ‬ ‫ﺏ *** ﻭ ِﺯ ‪‬ﺩ‪‬ﺗ ‪‬ﻢ ﻧﺎ ‪‬ﺭ ِﻓ ‪‬ﺘ‪‬ﻨِﺘﻜﹸ ‪‬ﻢ ﺿِﺮﺍﻣﺎ‬ ‫ﺤ‪‬ﺘ ‪‬ﻢ ﻟﻠﻌﺪﺍﻭ ِﺓ ﺷ ‪‬ﺮ ﺑﺎ ٍ‬ ‫ﹶﻓ‪‬ﺘ ‪‬‬ ‫ﺏ ﺃ ‪‬ﺭ ‪‬ﺳ ‪‬ﻴ‪‬ﺘ ‪‬ﻢ ﻧِﻈﺎﻣﺎ‬ ‫ﻭﺑﺎﻟﺘ‪‬ﻬﺪﻳﺪ ﺃﺧ ‪‬ﺮ ‪‬ﺳﺘ‪‬ﻢ ﺷ‪‬ﻌﻮﺑ‪‬ﺎ *** ﻭﻟﻺﺭﻫﺎ ِ‬ ‫ﺭﺳﻮ ﹸﻝ ﺍﷲ ﺃﻧ‪‬ﺼﻔﹶﻜﻢ ﺑِﻌﺪ ٍﻝ *** ﻭﱂ ﻳ‪‬ﺸﻬ ‪‬ﺮ ِﺑ ‪‬ﻮ ‪‬ﺟ ِﻬﻜﹸﻢ‪ ‬ﺍﳊﹸﺴﺎﻣﺎ‬ ‫ﳊﻤ‪‬ﺎﻣ‪‬ﺎ‬ ‫ﺼ ‪‬ﺮِﺗ ِﻪ ﺍ ِ‬ ‫ﺖ ﻟﻨ‪ ‬‬ ‫ﺲ *** ﻭﻟﻮ ﺫﺍ ﹶﻗ ‪‬‬ ‫ﺳﻴﺒﻘﻰ ﺧﺎﻟﺪﺍ ًﰲ ﹸﻛ ﱢﻞ ﻧﻔ ٍ‬

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‫ﰲ ﻣﺪﺡ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‬ ‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺗﻮﻓﻴﻖ ﺣﺴﻦ‬

‫ﳍﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﺣﻜﺎﻳﺔ‪ ،‬ﻓﻘﺪ ﻛﺘﺒﻬﺎ ﺻﺎﺣﺒﻬﺎ ﻣﻨﺬ ﳓﻮ ‪20‬‬

‫ﺳﻨﺔ‪ ،‬ﻭﺍﺧﺘﺎﺭﻫﺎ ﺍﻷﺳﺘﺎﺫ ﺃﲪﺪ ﺍﳉﺪﻉ ﻭﺍﺣﺪﺓ ﻣﻦ )ﺃﲨﻞ ﻣﺎﺋﺔ‬ ‫ﻗﺼﻴﺪﺓ ﰲ ﺍﻟﺸﻌﺮ ﺍﻹﺳﻼﻣﻲ ﺍﳌﻌﺎﺻﺮ( ﰲ ﻛﺘﺎﺑﻪ ﺍﳌﺴﻤﻰ‬ ‫ﺑﺬﻟﻚ‪ ،‬ﻋﻠﻰ ﺃ‪‬ﺎ ﻟﻠﺸﺎﻋﺮ ﺍﳌﺘﻤﺮﺩ ﻧﺰﺍﺭ ﻗﺒﺎﱐ! ﻭﺍﻧﺘﺸﺮﺕ‬ ‫ﺍﻧﺘﺸﺎﺭ‪‬ﺍ ﻭﺍﺳﻌ‪‬ﺎ ﻋﻠﻰ ﺍﻹﻧﺘﺮﻧﺖ ﻋﻠﻰ ﺃ‪‬ﺎ ﻟﻪ‪ ،‬ﻭﻫﺬﺍ ﻣﻦ‬ ‫ﻏﺮﺍﺋﺐ ﺃﻫﻞ ﺍﻟﻨﺖ‪ ،‬ﻭﺳﻄﺤﻴﺔ ﻛﺜﲑ ﻣﻨﻬﻢ‪ ،‬ﻭﻋﺎﻃﻔﻴﺘﻬﻢ!‬ ‫ﻭﻗﺪ ﺃﻧﻜﺮﺕ ﻧﺴﺒﺘﻬﺎ ﻣﺒﺎﺷﺮﺓ ﺣﲔ ﺭﺃﻳﺘﻬﺎ‪ ،‬ﻭﺗﻌﺠﺒﺖ ﻣﻦ ﻧﺴﺒﺔ ﺍﻷﺳﺘﺎﺫ ﺍﳉﺪﻉ ﺇﻳﺎﻫﺎ ﻟﱰﺍﺭ‪،‬‬ ‫ﻭﺗﻌﺠﺒﺖ ﺃﻛﺜﺮ ﻣﻦ ﺍﻗﺘﻨﺎﻉ ﺍﻟﺸﻴﺦ ﻋﺎﻳﺾ ﺍﻟﻘﺮﱐ ﻛﺬﻟﻚ ﻭﻏﲑﻩ ﺑﺄ‪‬ﺎ ﻟﻪ؛ ﻓﻬﻲ ‪ -‬ﲟﻔﺮﺩﺍ‪‬ﺎ‬ ‫ﻭﺻﻮﺭﻫﺎ ﻭﻣﻮﺿﻮﻋﺎ‪‬ﺎ ﻭﺍﻧﻔﻌﺎﻻ‪‬ﺎ ‪ -‬ﻻ ﺗﻨﺴﺠﻢ ﺃﺑﺪ‪‬ﺍ ﻣﻦ ﺑﺪﺍﻳﺎﺕ ﻧﺰﺍﺭ ﻭﻻ ‪‬ﺎﻳﺎﺗﻪ‪ ،‬ﻭﻻ ﺭﺳﺎﻟﺘﻪ‬ ‫ﺍﻟﱵ ﺗﺒﻨﺎﻫﺎ ﻃﻮﺍﻝ ﺣﻴﺎﺗﻪ! ﰒ ﺑﺎﻟﺘﻨﻘﻴﺐ ﻭﺟﺪﺕ ﻣﺎ ﻳﺼﺪﻕ ﺣﺪﺳﻲ‪ ،‬ﻭﻳﺮﺩ ﺍﻟﻘﺼﻴﺪﺓ ﻟﻜﺎﺗﺒﻬﺎ‬ ‫ﺍﳊﻘﻴﻘﻲ‪:‬‬ ‫ﻓﻘﺪ ﻛﺘﺐ ﺍﻷﺳﺘﺎﺫ ﳏﻤﺪ ﺻﺎﺩﻕ ﺩﻳﺎﺏ‪ ،‬ﰲ ﺍﻟﺸﺮﻕ ﺍﻷﻭﺳﻂ )‪2006/12/3‬ﻡ( ﺑﻌﻨﻮﺍﻥ‬ ‫ﺍﻟﻘﺼﻴﺪﺓ ﺍﻟﻠﻐﺰ ﺑﲔ ﻧﺰﺍﺭ ﻭﺗﻮﻓﻴﻖ‪:‬‬ ‫‪....‬ﺍﻟﻘﺼﻴﺪﺓ ﺯﺍﺧﺮﺓ ﺑﺎﻻﺑﺘﻬﺎﻝ ﻭﺍﻹﻧﺎﺑﺔ ﻭﺍﻟﺘﻮﺑﺔ ﻭﺍﻟﺮﺟﻮﻉ ﺇﱃ ﺍﷲ‪ ،‬ﺣﱴ ﺇ‪‬ﺎ ﻟﻔﺘﺖ ﻧﻈﺮ‬ ‫ﺍﻟﺪﺍﻋﻴﺔ ﺍﻟﺴﻌﻮﺩﻱ ﺍﳌﻌﺮﻭﻑ ﺍﻟﺸﻴﺦ ﻋﺎﺋﺾ ﺍﻟﻘﺮﱐ‪ ،‬ﻓﺄﺛﲎ ﻋﻠﻴﻬﺎ ﺣﻴﻨﻤﺎ ﻗﺮﺃﻫﺎ ﰲ ﻣﻮﻗﻊ ﺍﻟﺸﺎﻋﺮ‬ ‫ﻧﺰﺍﺭ ﻗﺒﺎﱐ! ﻭﻛﺬﻟﻚ ﻓﻌﻞ ﻏﲑﻩ ﳑﻦ ﻗﺎﻟﻮﺍ‪» :‬ﺇﻧﻪ ﺑﺮﻏﻢ ﻛﻞ ﻣﺎ ﻛﺘﺒﻪ ﻧﺰﺍﺭ ﺭﲪﻪ ﺍﷲ ﻛﺎﻥ ﻗﻠﺒﻪ‬

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‫ﳑﺘﻠﹰﺌﺎ ﺑﺎﻹﳝﺎﻥ! ﻭﺍﻟﺪﻟﻴﻞ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﺍﻟﱵ ﻭﺿﻌﻬﺎ ﺍﻟﺒﻌﺾ ﻋﻠﻰ ﺍﻟﺸﺒﻜﺔ ﺍﻟﻌﻨﻜﺒﻮﺗﻴﺔ ﰲ ﻣﻮﻗﻊ‬ ‫ﻧﺰﺍﺭ!‬ ‫ﻭﰲ ﻏﻤﺮﺓ ﺍﻟﻀﺠﺔ ﺍﻟﱵ ﺃﺛﺎﺭ‪‬ﺎ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﻇﻬﺮ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺴﻌﻮﺩﻱ ﺍﳌﻌﺮﻭﻑ ﳛﲕ‬ ‫ﺗﻮﻓﻴﻖ ﺣﺴﻦ ﻟﻴﻘﻮﻝ ﻟﻠﺠﻤﻴﻊ ﺇﻥ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﻗﺼﻴﺪﺗﻪ‪ ،‬ﻭﺇ‪‬ﺎ ﻣﻮﺟﻮﺩﺓ ﰲ ﺩﻭﺍﻭﻳﻨﻪ ﻣﻨﺬ ‪13‬‬

‫ﺳﻨﺔ‪ ،‬ﻛﻤﺎ ﺃ‪‬ﺎ ﻧﺸﺮﺕ ﻣﺮﺍﺕ ﰲ ﺃﻛﺜﺮ ﻣﻦ ﺻﺤﻴﻔﺔ ﺳﻌﻮﺩﻳﺔ ﺩﻭﻥ ﺃﻥ ﻳﻠﺘﻔﺖ ﺇﻟﻴﻬﺎ ﺃﺣﺪ‪.‬‬ ‫ﻭﻗﺪ ﺃﺣﺰﻥ ﺍﻷﻣﺮ ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺗﻮﻓﻴﻖ ﻷﻥ ﺃﻭﻟﺌﻚ ﺍﻟﺬﻳﻦ ﻇﻠﻮﺍ ﻃﻮﻳ ﹰﻠﺎ ﻳﺘﺸﻜﻜﻮﻥ ﰲ‬ ‫ﺷﺎﻋﺮﻳﺘﻪ ﻳﻜﻴﻠﻮﻥ ﺍﳌﺪﻳﺢ ﺍﻟﻴﻮﻡ ﺑﺴﺨﺎﺀ ﻟﻘﺼﻴﺪﺓ ﻣﻦ ﻗﺼﺎﺋﺪﻩ؛ ‪‬ﺮﺩ ﺃ‪‬ﺎ ﻧﺴﺒﺖ ﺇﱃ ﺍﻟﺸﺎﻋﺮ‬ ‫ﺍﻟﻜﺒﲑ ﻧﺰﺍﺭ ﻗﺒﺎﱐ‪ ،‬ﻭﺇﻥ ﻛﻨﺖ ﺃﻇﻦ ﺃﻥ ﻋﻠﻰ ﺗﻮﻓﻴﻖ ﺃﻥ ﻳﺸﻌﺮ ﺑﺎﻻﻧﺘﺼﺎﺭ‪ ،‬ﺑﻌﺪ ﺃﻥ ﺗﺄﻛﺪ ﻟﻪ ﺃﻥ‬ ‫ﺍﻟﻨﺎﺱ ‪ -‬ﲟﺎ ﻓﻴﻬﻢ ﺑﻌﺾ ﺍﻷﺩﺑﺎﺀ ‪ -‬ﻳﻘﻌﻮﻥ ﲢﺖ ﺗﺄﺛﲑ ﺍﺳﺘﻬﻮﺍﺀ ﺍﻷﲰﺎﺀ‪ ،‬ﻭﺃﻥ ﻟﻠﻨﺠﻮﻣﻴﺔ ﺍﻟﻜﺒﲑﺓ‬ ‫ﺟ ‪‬ﺪﺍ ﻛﻨﺠﻮﻣﻴﺔ ﻧﺰﺍﺭ ﻗﺪﺭ‪‬ﺎ ﺍﻹﳛﺎﺋﻴﺔ ﺍﻟﺘﺄﺛﲑﻳﺔ ﻋﻠﻰ ﺍﳌﺘﻠﻘﻲ‪.‬‬ ‫ﺫﺍﺕ ﻳﻮﻡ ﳉﺄ ﺍﳌﻮﺳﻴﻘﻲ ﺍﻷﳌﺎﱐ ﻛﺎﺭﻝ ﻣﺎﺭﻳﺎ ﻓﻴﱪ ﺇﱃ ﺇﻋﻼﻥ ﻭﻓﺎﺗﻪ ﺑﻌﺪ ﺃﻥ ﺗﻌﺮﺽ ﳍﺠﻤﺎﺕ‬ ‫ﺷﺮﺳﺔ ﻣﻦ ﻗﺒﻞ ﺍﻟﻨﻘﺎﺩ ﻭﺍﻟﺼﺤﺎﻓﻴﲔ‪ ،‬ﻭﺣﻴﻨﻤﺎ ﺗﺴﺎﺑﻖ ﺍﳉﻤﻴﻊ ﻟﻺﺷﺎﺩﺓ ﺑﻪ ﻇﻬﺮ ﻣﻦ ﺟﺪﻳﺪ ﻟﻴﻘﻮﻝ‬ ‫ﳍﻢ‪» :‬ﱂ ﻳﻌﺪ ﺑﻮﺳﻌﻜﻢ ﺍﻟﻴﻮﻡ ﺃﻥ ﺗﻘﻮﻟﻮﺍ ﺷﻴﹰﺌﺎ ﺳﻠﺒ‪‬ﻴﺎ ﻋﲏ«‪ ،‬ﻭﻗﺪ ﻛﻔﻰ ﻧﺰﺍﺭ ﺍﻟﺸﺎﻋﺮ ﺗﻮﻓﻴ ﹰﻘﺎ ﻣﻦ‬ ‫ﺍﻟﻠﺠﻮﺀ ﳌﺜﻞ ﺫﻟﻚ‪ ،‬ﻓﺒﺈﻣﻜﺎﻧﻪ ﺍﻟﻴﻮﻡ ﺃﻥ ﻳﻘﻮﻝ ﻟﻜﻞ ﺍﻟﺬﻳﻦ ﲡﺎﻫﻠﻮﻩ ﺷﺎﻋ ‪‬ﺮﺍ‪» :‬ﻟﻦ ﻳﻜﻮﻥ ﺑﻮﺳﻌﻜﻢ‬ ‫ﺑﻌﺪ ﺍﻟﻴﻮﻡ ﺃﻥ ﺗﻘﻮﻟﻮﺍ ﺷﻴﹰﺌﺎ ﺳﻠﺒ‪‬ﻴﺎ ﻋﻦ ﻗﺼﺎﺋﺪﻱ«‪.‬‬ ‫ﻭﺍﻷﺳﺘﺎﺫ ﳛﲕ ﺗﻮﻓﻴﻖ ﺣﺴﻦ ﺷﺎﻋﺮ ﺳﻌﻮﺩﻱ‪ ،‬ﻭﻟﺪ ﻋﺎﻡ ‪ 1929‬ﰲ ﺟﺪﺓ‪ ،‬ﺣﺎﺻﻞ ﻋﻠﻰ ﺩﺑﻠﻮﻡ‬ ‫ﰲ ﺍﻟﻠﻐﺔ ﺍﻹﳒﻠﻴﺰﻳﺔ‪ ،‬ﻭﺃ‪‬ﻰ ﺩﺭﺍﺳﺔ ﺑﺮﺍﻣﺞ ﻣﺘﻌﺪﺩﺓ ﰲ ﺑﺮﻳﻄﺎﻧﻴﺎ ﰲ ﺇﺩﺍﺭﺓ ﺍﻷﻋﻤﺎﻝ‪ ،‬ﻭﺍﻟﺒﻴﻊ‪،‬‬ ‫ﻭﺍﻟﻌﻼﻗﺎﺕ ﺍﻟﻌﺎﻣﺔ ﺑﲔ ﻋﺎﻣﻲ ‪ 58‬ﻭ‪ .1965‬ﻭﻫﻮﻋﻀﻮﳎﻠﺲ ﺇﺩﺍﺭﺓ ﺍﻟﻨﺎﺩﻱ ﺍﻷﺩﰊ ﺍﻟﺜﻘﺎﰲ‬

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‫ﲜﺪﺓ‪ .‬ﻭﺩﻭﺍﻭﻳﻨﻪ ﺍﻟﺸﻌﺮﻳﺔ‪ :‬ﺃﻭﺩﻳﺔ ﺍﻟﻀﻴﺎﻉ‪ /‬ﲰﺮﺍﺀ‪ /‬ﻭﺍﻓﺘﺮﻗﻨﺎ ﻳﺎ ﺯﻣﻦ‪ /‬ﻣﺎ ﺑﻌﺪ ﺍﻟﺮﺣﻴﻞ‪ .‬ﻭﻫﻨﺎﻙ‬ ‫ﺭﺳﺎﻟﺘﺎ ﻣﺎﺟﺴﺘﲑ ﻛﺘﺒﺘﺎ ﻋﻦ ﺷﻌﺮﻩ ﲜﺎﻣﻌﺔ ﺍﳌﻠﻚ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ‪ ..‬ﻭﻫﺬﻩ ﻫﻲ ﺍﻟﻘﺼﻴﺪﺓ‪:‬‬

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‫ﻋﺰ ﺍﻟﻮﺭﻭﺩ‪ ..‬ﻭﻃﺎﻝ ﻓﻴﻚ ﺃﻭﺍﻡ‬

‫ﻭﺃﺭﻗﺖ ﻭﺣﺪﻱ‪ ..‬ﻭﺍﻷﻧﺎﻡ ﻧﻴﺎﻡ‬

‫ﻭﺭﺩ ﺍﳉﻤﻴﻊ ﻭﻣﻦ ﺳﻨﺎﻙ ﺗﺰﻭﺩﻭﺍ‬

‫ﻭﻃﺮﺩﺕ ﻋﻦ ﻧﺒﻊ ﺍﻟﺴﲎ ﻭﺃﻗﺎﻣﻮﺍ‬

‫ﻭﻣﻨﻌﺖ ﺣﱴ ﺃﻥ ﺃﺣﻮﻡ‪ ..‬ﻭﱂ ﺃﻛﺪ‬

‫ﻭﺗﻘﻄﻌﺖ ﻧﻔﺴﻲ ﻋﻠﻴﻚ‪ ..‬ﻭﺣﺎﻣﻮﺍ‬

‫ﻗﺼﺪﻭﻙ ﻭﺍﻣﺘﺪﺣﻮﺍ‪ ،‬ﻭﺩﻭﱐ ﺃﻏﻠﻘﺖ‬

‫ﺃﺑﻮﺍﺏ ﻣﺪﺣﻚ‪ ..‬ﻓﺎﳊﺮﻭﻑ ﻋﻘﺎﻡ‬

‫ﺃﺩﻧﻮ ﻓﺄﺫﻛﺮ ﻣﺎ ﺟﻨﻴﺖ ﻓﺄﻧﺜﲏ‬

‫ﺧﺠ ﹰﻠﺎ‪ ..‬ﺗﻀﻴﻖ ﲝﻤﻠﻲ ﺍﻷﻗﺪﺍﻡ‬

‫ﺴﺎ ﻟﻠﺬﺭﻯ؟‬ ‫ﺃﻣﻦ ﺍﳊﻀﻴﺾ ﺃﺭﻳﺪ ﳌ ‪‬‬

‫ﺟﻞ ﺍﳌﻘﺎﻡ‪ ..‬ﻓﻼ ﻳﻄﺎﻝ ﻣﻘﺎﻡ!‬

‫ﻭﺯﺭﻱ ﻳﻜﺒﻠﲏ‪ ..‬ﻭ‪‬ﻳﺨﺮﺳﲏ ﺍﻷﺳﻰ‬

‫ﻓﻴﻤﻮﺕ ﰲ ﻃﺮﻑ ﺍﻟﻠﺴﺎﻥ ﻛﻼﻡ‬

‫ﳝﻤﺖ ﳓﻮﻙ ﻳﺎ ﺣﺒﻴﺐ ﺍﷲ ﰲ‬

‫ﺷﻮﻕ‪ ..‬ﺗﻘﺾ ﻣﻀﺎﺟﻌﻲ ﺍﻵﺛﺎﻡ‬

‫ﺃﺭﺟﻮ ﺍﻟﻮﺻﻮﻝ؛ ﻓﻠﻴﻞ ﻋﻤﺮﻱ ﻏﺎﺑﺔ‬

‫ﺃﺷﻮﺍﻛﻬﺎ ﺍﻷﻭﺯﺍﺭ‪ ..‬ﻭﺍﻵﻻﻡ‬

‫ﻳﺎ ﻣﻦ ﻭﻟﺪﺕ ﻓﺄﺷﺮﻗﺖ ﺑﺮﺑﻮﻋﻨﺎ‬

‫ﻧﻔﺤﺎﺕ ﻧﻮﺭﻙ‪ ..‬ﻭﺍﳒﻠﻰ ﺍﻹﻇﻼﻡ‬

‫ﺃﺃﻋﻮﺩ ﻇﻤﺂ‪‬ﻧﺎ‪ ..‬ﻭﻏﲑﻱ ﻳﺮﺗﻮﻱ‬

‫ﺃﻳﺮﺩ ﻋﻦ ﺣﻮﺽ ﺍﻟﻨﱯ ‪‬ﻫﻴﺎﻡ!؟‬

‫ﻛﻴﻒ ﺍﻟﺪﺧﻮﻝ ﺇﱃ ﺭﺣﺎﺏ ﺍﳌﺼﻄﻔﻰ‬

‫ﻭﺍﻟﻨﻔﺲ ﺣﲑﻯ ﻭﺍﻟﺬﻧﻮﺏ ﺟﺴﺎﻡ؟‬

‫ﺃﻭﻛﻠﻤﺎ ﺣﺎﻭﻟﺖ ﺇﳌﺎ ‪‬ﻣﺎ ﺑﻪ‬

‫ﺃﺯﻑ ﺍﻟﺒﻼﺀ ﻓﻴﺼﻌﺐ ﺍﻹﳌﺎﻡ‬

‫ﻣﺎﺫﺍ ﺃﻗﻮﻝ ﻭﺃﻟﻒ ﺃﻟﻒ ﻗﺼﻴﺪﺓ‬

‫ﻋﺼﻤﺎﺀ ﻗﺒﻠﻲ ‪‬ﺳﻄﺮﺕ ﺃﻗﻼﻡ!؟‬

‫ﻣﺪﺣﻮﻙ ﻣﺎ ﺑﻠﻐﻮﺍ ﺑﺮﻏﻢ ﻭﻻﺋﻬﻢ‬

‫ﺃﺳﻮﺍﺭ ﳎﺪﻙ‪ ..‬ﻓﺎﻟﺪﻧﻮ ﳌﺎﻡ‬

‫ﲑﺍ ﻻ ﺃﺭﻯ‬ ‫ﻭﺩﻧﻮﺕ ﻣﺬﻫﻮﹰﻟﺎ‪ ..‬ﺃﺳ ‪‬‬

‫ﺣﲑﺍﻥ ﻳﻠﺠﻢ ﺷﻌﺮﻱ ﺍﻹﺣﺠﺎﻡ‬

‫ﻭﲤﺰﻗﺖ ﻧﻔﺴﻲ ﻛﻄﻔﻞ ﺣﺎﺋﺮ‬

‫ﻗﺪ ﻋﺎﻗﻪ ﻋﻤﻦ ﳛﺐ ﺯﺣﺎﻡ‬

‫ﺣﱴ ﻭﻗﻔﺖ ﺃﻣﺎﻡ ﻗﱪﻙ ﺑﺎﻛ‪‬ﻴﺎ‬

‫ﻓﺘﺪﻓﻖ ﺍﻹﺣﺴﺎﺱ‪ ..‬ﻭﺍﻹﳍﺎﻡ‬

‫ﻭﺗﻮﺍﻟﺖ ﺍﻟﺼﻮﺭ ﺍﳌﻀﻴﺌﺔ ﻛﺎﻟﺮﺅﻯ‬

‫ﻭﻃﻮﻯ ﺍﻟﻔﺆﺍﺩ ﺳﻜﻴﻨﺔ ﻭﺳﻼﻡ‬

‫ﻳﺎ ﻣﻞﺀ ﺭﻭﺣﻲ‪ :‬ﻭﻫﺞ ﺣﺒﻚ ﰲ ﺩﻣﻲ‬

‫ﻗﺒﺲ ﻳﻀﻲﺀ ﺳﺮﻳﺮﰐ‪ ..‬ﻭﺯﻣﺎﻡ‬

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‫ﺃﻧﺖ ﺍﳊﺒﻴﺐ ﻭﺃﻧﺖ ﻣﻦ ﺃﺭﻭﻯ ﻟﻨﺎ‬

‫ﺣﱴ ﺃﺿﺎﺀ ﻗﻠﻮﺑﻨﺎ ﺍﻹﺳﻼﻡ‬

‫ﺣﻮﺭﺑﺖ ﱂ ﲣﻀﻊ ﻭﱂ ﲣﺶ ﺍﻟﻌﺪﻯ‬

‫ﻣﻦ ﳛﻤﻪ ﺍﻟﺮﲪﻦ ﻛﻴﻒ ﻳﻀﺎﻡ!؟‬

‫ﻭﻣﻸﺕ ﻫﺬﺍ ﺍﻟﻜﻮﻥ ﻧﻮ ‪‬ﺭﺍ ﻓﺎﺧﺘﻔﺖ‬

‫ﺻﻮﺭ ﺍﻟﻈﻼﻡ‪ ..‬ﻭﻗﻮﺿﺖ ﺃﺻﻨﺎﻡ‬

‫ﺍﳊﺰﻥ ﳝﻸ ﻳﺎ ﺣﺒﻴﺐ ﺟﻮﺍﺭﺣﻲ‬

‫ﻓﺎﳌﺴﻠﻤﻮﻥ ﻋﻦ ﺍﻟﻄﺮﻳﻖ ﺗﻌﺎﻣﻮﺍ‬

‫ﻭﺍﻟﺬﻝ ﺧﻴﻢ‪ ..‬ﻓﺎﻟﻨﻔﻮﺱ ﻛﺌﻴﺒﺔ‬

‫ﻭﻋﻠﻰ ﺍﻟﻜﺒﺎﺭ ﺗﻄﺎﻭﻝ ﺍﻷﻗﺰﺍﻡ‬

‫ﺍﳊﺰﻥ ﺃﺻﺒﺢ ﺧﺒﺰﻧﺎ‪ ..‬ﻓﻤﺴﺎﺅﻧﺎ‬

‫ﺷﺠﻦ‪ ..‬ﻭﻃﻌﻢ ﺻﺒﺎﺣﻨﺎ ﺃﺳﻘﺎﻡ‬

‫ﻭﺍﻟﻴﺄﺱ ﺃﻟﻘﻰ ﻇﻠﻪ ﺑﻨﻔﻮﺳﻨﺎ‬

‫ﻓﻜﺄﻥ ﻭﺟﻪ ﺍﻟﻨﲑﻳﻦ ﻇﻼﻡ‬

‫ﺃﱏ ﺍﲡﻬﺖ ﻓﻔﻲ ﺍﻟﻌﻴﻮﻥ ﻏﺸﺎﻭﺓ‬

‫ﻭﻋﻠﻰ ﺍﻟﻘﻠﻮﺏ ﻣﻦ ﺍﻟﻈﻼﻡ ﺭﻛﺎﻡ‬

‫ﺍﻟﻜﺮﺏ ﺃﺭﻗﻨﺎ‪ ..‬ﻭﺳ ‪‬ﻬﺪ ﻟﻴﻠﻨﺎ‬

‫‪‬ﻣﻦ ﻣﻬ ‪‬ﺪﻩ ﺍﻷﺷﻮﺍﻙ ﻛﻴﻒ ﻳﻨﺎﻡ!؟‬

‫ﻳﺎ ﻃﻴﺒﺔ ﺍﳋﲑﺍﺕ ﺫﻝ ﺍﳌﺴﻠﻤﻮ‬

‫ﺿﻴﻌﺖ ﺃﺣﻼﻡ‬ ‫ﻥ‪ ..‬ﻭﻻ ﳎﲑ‪ ..‬ﻭ ‪‬‬

‫ﻳﻐﻀﻮﻥ ﺃﻥ ﺳﻠﺐ ﺍﻟﻐﺮﻳﺐ ﺩﻳﺎﺭﻫﻢ‬

‫ﻭﻋﻠﻰ ﺍﻟﻘﺮﻳﺐ ﺷﺬﻯ ﺍﻟﺘﺮﺍﺏ ﺣﺮﺍﻡ‬

‫ﺑﺎﺗﻮﺍ ﺃﺳﺎﺭﻯ ﺣﲑﺓ ﻭﲤﺰﻗﻮﺍ‬

‫ﻓﻜﺄ‪‬ﻢ ﺑﲔ ﺍﻟﻮﺭﻯ ﺃﻏﻨﺎﻡ‬

‫ﻧﺎﻣﻮﺍ ﻓﻨﺎﻡ ﺍﻟﺬﻝ ﻓﻮﻕ ﺟﻔﻮ‪‬ﻢ‬

‫ﻻ ﻏﺮﻭ‪ ..‬ﺿﺎﻉ ﺍﳊﺰﻡ ﻭﺍﻹﻗﺪﺍﻡ‬

‫ﻳﺎ ﻫﺎﺩﻱ ﺍﻟﺜﻘﻠﲔ ﻫﻞ ﻣﻦ ﺩﻋﻮﺓ‬

‫ﺗﺪﻋﻰ‪ ..‬ﺎ ﻳﺴﺘﻴﻘﻆ ﺍﻟﻨﻮﺍﻡ!؟‬

‫ﻟﻮﺍﻋﺞ ﺍﻟﺸﻮﻕ‬

‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺍﳊﻤﺎﺩﻱ‬ ‫ﺷﺎﻋﺮ ﳝﲏ ﺷﺎﺏ‪ ،‬ﻋﻀﻮ ﻣﻨﺘﺪﻯ ﻭﺣﻲ ﺍﻷﺩﰊ‪،‬‬ ‫ﻭﺃﻛﺎﺩﳝﻴﺔ ﺍﻟﻔﻴﻨﻴﻖ ﻟﻸﺩﺏ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﻣﻨﺘﺪﻳﺎﺕ ﲡﻤﻊ‬ ‫ﺷﻌﺮﺍﺀ ﺑﻼ ﺣﺪﻭﺩ‪.‬‬

‫ﺣﺼﻞ ﻋﻠﻰ ﺍﳌﺮﻛﺰ ﺍﻷﻭﻝ ﰲ ﺍﳌﺴﺎﺑﻘﺔ ﺍﻟﺜﻘﺎﻓﻴﺔ‬

‫ﺍﻟﻜﱪﻯ ﳉﺎﻣﻌﺘ‪‬ﻲ ﺻﻨﻌﺎﺀ ﻭﻋﻤﺮﺍﻥ‪ ،‬ﻭﺟﺎﺋﺰﺓ ﻋﺒﺪ‬ ‫ﺍﻟﻌﺰﻳﺰ ﺍﳌﻘﺎﱀ )‪ (2012‬ﻋﻦ ﺩﻳﻮﺍﻧﻪ ﺭﻏﻮﺓ ﺍﳉﻤﺮ‪،‬‬ ‫ﻭﺍﺣﺘﻔﻞ ﻣﺮﻛﺰ ﺍﻟﺪﺭﺍﺳﺎﺕ ﻭﺍﻟﺒﺤﻮﺙ ﺍﻟﻴﻤﲏ ﺑﺼﻨﻌﺎﺀ‬ ‫ﺑﺒﺎﻛﻮﺭﺓ ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﺎﺏ ﳛﲕ ﺍﳊﻤﺎﺩﻱ ﺍﻟﺼﺎﺩﺭ‬

‫ﻣﺆﺧ ‪‬ﺮﺍ ﲢﺖ ﻋﻨﻮﺍﻥ "ﻋﺎﻡ ﺍﳋﻴﺎﻡ"‪..‬‬

‫ﻗﺎﻝ ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﳌﻘﺎﱀ ﰲ ﺗﺼﺮﻳﺢ ﻟﻪ‪ ،‬ﻣ‪‬ﻌﻠ ﹰﻘﺎ ﻋﻠﻰ ﺻﺪﻭﺭ ﺩﻳﻮﺍﻥ "ﻋﺎﻡ ﺍﳋﻴﺎﻡ‬ ‫ﲑﺍ ﺃﻥ ﰲ ﺳﺎﺣﺎﺕ ﺍﳊﺮﻳﺔ ﻭﺍﳌﻴﺎﺩﻳﻦ ﺷﻌﺮﺍﺀ ﻛﺜﲑﻳﻦ ﳍﻢ ﺩﻭﺭﻫﻢ‬ ‫"ﻟﻠﺤﻤﺎﺩﻱ" ﺃﻋﺘﺮﻑ ﻛﺜ ‪‬‬ ‫ﺍﻟﺜﻮﺭﻱ ﺍﻟﻔﺎﻋﻞ‪ ،‬ﻭﺃﺻﻮﺍ‪‬ﻢ ﺍﻟﺸﻌﺮﻳﺔ ﺍﳌﺘﻤﻴﺰﺓ؛ ﺇﻻ ﺃﻧﲏ ﺁﻣﻞ ﺃﻥ ﻳﺴﻤﺤﻮﺍ ﱄ ﺑﺎﻟﻘﻮﻝ‬ ‫ﺑﺄﻥ ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺍﳊﻤﺎﺩﻱ‪ ،‬ﻫﻮ ﺷﺎﻋﺮ ﺍﻟﺴﺎﺣﺔ ﺍﻷﻭﻝ ‪ -‬ﺩﻭﻥ ﻣﻨﺎﺯﻉ ‪ -‬ﰲ ﺍﻟﻴﻤﻦ!‬

‫ﻭﰲ ﺗﻌﻠﻴﻘﻪ ﻋﻠﻰ ﺩﻳﻮﺍﻥ "ﻋﺎﻡ ﺍﳋﻴﺎﻡ" ﻗﺎﻝ ﺍﻟﺪﻛﺘﻮﺭ ﺍﳌﻘﺎﱀ‪ :‬ﺃﻋﺘﺮﻑ ﺃﻧﲏ ﺃﺣﺒﺒﺖ ﻫﺬﺍ‬

‫ﺍﻟﺸﺎﻋﺮ‪ ،‬ﻭﺃﹸﻋﺠﺒﺖ ﲟﻮﻫﺒﺘﻪ ﺍﻟﻌﺎﻟﻴﺔ‪ ،‬ﻭﺍﻟﱪﻫﺎﻥ ﻋﻠﻰ ﻫﺬﻩ ﺍﶈﺒﺔ ﻭﻫﺬﺍ ﺍﻹﻋﺠﺎﺏ ﺃﻥ‬ ‫ﻫﺬﻩ ﺍﳌﻘﺪﻣﺔ ﻫﻲ ﺍﻟﺜﺎﻟﺜﺔ ﺍﻟﱵ ﺃﻛﺘﺒﻬﺎ؛ ﺍﺣﺘﻔﺎ ًﺀ ﺑﺈﺑﺪﺍﻋﻪ ﺍﻟﻐﺰﻳﺮ ﻭﺍﳌﺘﲔ‪......‬‬ ‫ﺏ ﻭﺍﺩﻳ ِﻪ‬ ‫ﺲ ﻟﻴﻠﹰﺎ ﺻ‪‬ﻮ ‪‬‬ ‫ﻱ ﺍﻟﻌِﻴ ِ‬ ‫ﻳﺎ ﺣ‪‬ﺎﺩ ‪‬‬

‫ﷲ‪ ..‬ﻗﹶﻠﱯ ﺃﻳ ‪‬ﻦ ﺣﺎﺩِﻳ ِﻪ!؟‬ ‫ﻚﺍ َ‬ ‫ﻧﺎﺷ‪‬ﺪﺗ‪ ‬‬

‫ﲔ ﹶﻓﺬﹶﺍ‬ ‫ﺖ ﺍﳊﹶﻨ ‪‬‬ ‫ﺿﺮ‪‬ﻣ ‪‬‬ ‫ﺲ ﹶﺃ ‪‬‬ ‫ﻱ ﺍﻟﻌِﻴ ِ‬ ‫ﻳﺎ ﺣ‪‬ﺎﺩ ‪‬‬

‫ﻗﹶﻠﱯ ﺑِﻜﻔﹼﻴﻚ‪ ،‬ﻃﻪ ﹸﻛ ﱡﻞ ﻣﺎ ﻓﻴ ِﻪ‬

‫ﺠﺪ‪‬ﺕ‬ ‫ﺧ‪‬ﺬﱐ ﻟِﻄﻪ‪ ..‬ﻓِﺈﻧ‪‬ﻲ ﻭﺍﻟﺬﻱ ‪‬ﺳ ‪‬‬

‫ﻟ ‪‬ﻪ ﺍﳉِﺒﺎﻩ‪ ‬ﹶﻟﺮ‪‬ﻫ ‪‬ﻦ ﺍﻵ ِﻩ ﻭﺍﻹِﻳ ِﻪ‬

‫ﺧ‪‬ﺬﱐ ﻟِﻄﻪ‪ ،‬ﻭﺧ‪‬ﺬ ‪‬ﺳ ‪‬ﻤﻌِﻲ‪ ،‬ﻭﺧ‪‬ﺬ ‪‬ﺑﺼ‪‬ﺮﻱ‬

‫ﻭﺧ‪‬ﺬ ﻓﺆﺍﺩﻱ‪ ،‬ﻭﻗِﻒ ﰊ ﻛﹶﻲ ﺃﻧﺎﺟﻴ ِﻪ‬

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‫ﺕ ﰲ ‪‬ﺳﻔﹶﺮﻱ‬ ‫ﺧ‪‬ﺬﱐ ﻟِﻄﻪ‪ ..‬ﻭﻻ ﹶﺃﺧ‪‬ﺮ ‪‬‬

‫ﱐ ﻳ‪‬ﻬﻤﻲ ﻣِﻦ ﻣ‪‬ﺂﻗﻴ ِﻪ‬ ‫ﺐ ﺍﻟﻴﻤﺎ ﱢ‬ ‫ﻗﻠ ‪‬‬

‫ﺏ ﺧ‪‬ﺬ ِﺑﻴ‪‬ﺪﻱ‬ ‫ﺲ ﺑﺎﻷﺣﺒﺎ ِ‬ ‫ﻱ ﺍﻟﻌِﻴ ِ‬ ‫ﻳﺎ ﺣﺎﺩ ‪‬‬

‫ﷲ‪ ..‬ﺇﻧ‪‬ﻲ ﻣِﻦ ﻣ‪‬ﺤﺒﻴ ِﻪ‬ ‫ﷲ‪ ..‬ﻭﺍ ِ‬ ‫ﻭﺍ ِ‬

‫ﺿﺠ‪‬ﺖ ﻛﻞ ﺟﺎﺭﺣ ٍﺔ‬ ‫ﻃﻪ ﺣﺒﻴﱯ؛ ﻭ ‪‬‬

‫‪‬ﺗﺰ‪‬ﻣ ِﺰﻡ‪ ‬ﺍﻟﺪﻣ ‪‬ﻊ ﻣِﻦ ‪‬ﺧﺪ‪‬ﻱ ﻭﺗ‪‬ﺠﺮﻳ ِﻪ‬

‫ﻃﻪ ﺣﺒﻴﱯ؛ ﻭ ‪‬ﺳﺤ‪‬ﺖ ﻛﻞ ‪‬ﻣﺜﻘﻠ ٍﺔ‬

‫ﺐ ﺁﺗﻴ ِﻪ‬ ‫ﺷﻮﻗﹰﺎ ﻟِﻄﻪ‪ ..‬ﻭﻃﻪ ﻃ ‪‬‬

‫ﻒ ﺃﹶﻛ‪‬ﺘ ‪‬ﻤ ‪‬ﻪ‬ ‫ﺽ ﺷﻮﻗﻲ ﻛﻴ ‪‬‬ ‫ﻱ ﺍﻷﺭ ِ‬ ‫ﻳﺎ ﻃﺎﻭ ‪‬‬

‫ﻱ ﻳ‪‬ﺒﺪﻳ ِﻪ!؟‬ ‫ﺿﺢ‪ ‬ﺍﳊﺐ ﰲ ﺧ ‪‬ﺪ ‪‬‬ ‫ﻭﻓﺎ ِ‬

‫ﻭﻛﻴﻒ ﺃﹸﺧﻔﻲ ﺩﻣﻮﻋﻲ ﻭﺍﳍﻮﻯ ﹶﻗ ‪‬ﺪﺭ‪!‬؟‬

‫ﺐ ﺇ ﹼﻻ ﺣِﲔ ﺃﹸﺧﻔﻴ ِﻪ‬ ‫ﱰﻑ‪ ‬ﺍﳊ ‪‬‬ ‫ﻻﻳِ‬

‫ﺥ ﰲ ﻛﺒﺪﻱ‬ ‫ﺻﱯ‪ ‬ﺷﺎ ‪‬‬ ‫ﺷﻮﻗﻲ ﻟِﻄﻪ ‪‬‬

‫ﻣ‪‬ﻦ ﻳ‪‬ﺮﺣﻢ ﺍﻟﻜﹶﻬ ﹶﻞ ﰲ ﺻﺪﺭﻱ ﻭﻳ‪‬ﺼﺒﻴ ِﻪ‬

‫ﻕ ﰲ ﺻﺪﺭﻱ ﻭﻳ‪‬ﻄﻔﺌﲏ‬ ‫ﻣ‪‬ﻦ ﻳ‪‬ﺨ ِﻤ ‪‬ﺪ ﺍﻟﺸﻮ ‪‬‬

‫ﷲ‪ ..‬ﻛﻢ ﺷﻮﻗﹰﺎ ﺃﹸﻋﺎﻧﻴ ِﻪ!؟‬ ‫ﷲ‪ ..‬ﺍ َ‬ ‫ﺍَ‬

‫ﺟ‪‬ﺮﺣﻲ ﻋﻤﻴﻖ‪ ‬ﻳﻜﺎ ‪‬ﺩ ﺍﳉﹸﺮﺡ ﻳ‪‬ﻐﺮﻗﹸﲏ‬

‫ﻭﻟﻴﺲ ﺇ ﹼﻻ ‪‬ﻩ ‪ -‬ﻃﻪ ‪ -‬ﻣ‪‬ﻦ ﻳ‪‬ﺪﺍﻭﻳ ِﻪ‬

‫ﺖ ﻣِﻦ ﺟﺴﺪﻱ‬ ‫ﺲ ﻣﺎ ﺃﹶﺑﻘﻴ ‪‬‬ ‫ﻱ ﺍﻟﻌِﻴ ِ‬ ‫ﻳﺎ ﺣﺎﺩ ‪‬‬

‫ﺇ ﹼﻻ ﺍﺷﺘﻴﺎﻗﻲ‪ ،‬ﹶﻓﺨ‪‬ﺬ ﻣﺎ ﺃﻧﺖ ﻣ‪‬ﺒﻘﻴ ِﻪ‬

‫ﺖ ﺑﺎﻟﺼﱪ ﺃﺷﻮﺍﻗﻲ ﻓﻤﺎ ‪‬ﺳﻜﹶﻨﺖ‬ ‫ﺩﺍﺭﻳ ‪‬‬

‫ﺞ ﺍﻟﺸﻮﻕ ﺃﻋﱴ ﻣِﻦ ‪‬ﻣﺪﺍﺭﻳ ِﻪ‬ ‫ﻭﻻ ِﻋ ‪‬‬

‫ﻛﻢ ﺃﻭﻗ ‪‬ﺪ ﺍﻟﻠﻴ ﹸﻞ ﻣِﻦ ﺻﺪﺭﻱ ﻛﻮﺍ ِﻛ‪‬ﺒﻪ‪‬‬

‫ﺞ ﺍﻟﺸ‪‬ﻌ ‪‬ﺮ ﰲ ﺻﺪﺭﻱ ﻗﻮﺍﻓﻴ ِﻪ‬ ‫ﻀ‪‬‬ ‫ﻭﺃﹶﻧ ‪‬‬

‫ﺖ ﺍﳉﻤﺎ ‪‬ﺩ ﻭﻛﻢ‬ ‫ﺡ ﺃﺑﻜﻴ ‪‬‬ ‫ﻭﻛﻢ ﻣﻦ ﺍﻟﻨ‪‬ﻮ ِ‬

‫ﻒ ﺍﻟﺪ‪‬ﻫ ِﺮ ﺗ‪‬ﻄﻮﻳ ِﻪ!‬ ‫ﺕ ﺣ‪‬ﺒﻠﻲ ﻭ ﹶﻛ ‪‬‬ ‫‪‬ﻣﺪ‪‬ﺩ ‪‬‬

‫ﺖ ﻟﻮ ﺃﹶﺭﺳﻮ ﻋﻠﻰ ‪‬ﺟﺪ‪‬ﺛﻲ‬ ‫ﻭﻛﻢ ‪‬ﺗ ‪‬ﻤﻨ‪‬ﻴ ‪‬‬

‫ﺐ ‪‬ﺗ ‪‬ﻤﻨ‪‬ﻲ ﺍﳌﻮﺕ ‪‬ﻳﺤ‪‬ﻴﻴ ِﻪ‬ ‫ﺻ ‪‬‬ ‫ﺏ ‪‬‬ ‫ﻭ ‪‬ﺭ ‪‬‬

‫ﺐ ﺍﻟﻘﹸ‪‬ﺒ ِﺔ ﺍﳋﻀﺮﺍﺀ‪ :‬ﻇﺎﻣﺌﺔﹲ‬ ‫ﻳﺎ ﺻﺎﺣ ‪‬‬

‫ﻕ ﻳ‪‬ﻌﻤﻴ ِﻪ‬ ‫ﺭﻭﺣﻲ‪ ..‬ﻭﻗﻠﱯ ﻳﻜﺎ ‪‬ﺩ ﺍﻟﺸﻮ ‪‬‬

‫ﺤﺒ‪‬ﻮﻥ ﻣِﻦ ﺣ‪‬ﻮﱄ ﻭﺃ ‪‬ﺭﻗﹶﲏ‬ ‫ﻧﺎ ‪‬ﻡ ﺍ ﹸﳌ ِ‬

‫ﻗﻠﺐ‪ِ ‬ﻟﻠﹸﻘﻴﺎﻙ ﻳ‪‬ﺒﻜﻴﲏ‪ ..‬ﻭﺃﹶﺑﻜﻴ ِﻪ‬

‫ﻣﱴ ﺳ‪‬ﺄﻟﻘﺎﻙ ﻳﺎ ﺫﺧﺮﻱ ﻭﻳﺎ ﺳﻨﺪﻱ‬

‫ﺐ ﺑِﻘﻠﱯ ﻛﻢ ﺃﹸﺻﻠﱢﻴ ِﻪ‬ ‫ﺽ ‪‬ﺣ ‪‬‬ ‫ﻳﺎ ﻓﹶﺮ ‪‬‬

‫ﻚ ﻳﺎ‬ ‫ﷲ ﻣﺎ ﺑ‪‬ﻴﲏ ﻭﺑﻴ‪‬ﻨ ‪‬‬ ‫ﻻ ﺑﺎ ‪‬ﻋ ‪‬ﺪ ﺍ ُ‬

‫ﺐ ﺍﻟﺘﺂﻭﻳ ِﻪ‬ ‫ﲔ‪ ..‬ﻳﺎ ِﻃ ‪‬‬ ‫ﱰ ﺍﳌﺴﺎﻛ ِ‬ ‫ﻛﹶ‬

‫ﲑ ﻣ‪‬ﻦ ‪‬ﺣ ‪‬ﻤﻠﹶﺖ ﺃﹸﻧﺜﻰ ﻭﺃﻛﺮ ‪‬ﻡ ﻣ‪‬ﻦ‬ ‫ﻳﺎ ﺧ ‪‬‬

‫ﺱ ‪ -‬ﺑﺎﺭﻳ ِﻪ‬ ‫ﺃﺗﻰ ِﺑ ِﻪ ‪ -‬ﺭﲪ ﹰﺔ ﻟﻠﻨﺎ ِ‬

‫ﻕ ﰲ ‪‬ﻳ ِﺪ ِﻩ‬ ‫ﺐ ﺍﻷﺷﻮﺍ ‪‬‬ ‫ﲑ ﻣ‪‬ﻦ ﺗ‪‬ﺴ ﹶﻜ ‪‬‬ ‫ﻳﺎ ‪‬ﺧ ‪‬‬

‫ﺤﺮ‪ ‬ﺍﻵﻣﺎﻝ ﻣِﻦ ﻓِﻴ ِﻪ‬ ‫ﲑ ﻣ‪‬ﻦ ﺗ‪‬ﺒ ِ‬ ‫ﻭﺧ ‪‬‬

‫ﺐ ﻣِﻦ ﺑﻠﺪﻱ‬ ‫ﻕ ﻃﻪ‪ ،‬ﻭﺳﺎ ‪‬ﺭ ﺍﻟﺮ‪‬ﻛ ‪‬‬ ‫ﻳﺎ ﺷﻮ ‪‬‬

‫ﻕ ﺍﻟﻌﻤﺮ ﺃﻓﺪﻳ ِﻪ‬ ‫ﻭ ‪‬ﺧﻠﱠﻔﻮﱐ ﺑِﺸﻮ ِ‬

‫ﳉ ‪‬ﻢ ﺯِﺩﱐ ‪‬ﻋ ﱠﻞ ﻣ‪‬ﻦ ‪‬ﻧﻄﹶﻘﺖ‬ ‫ﻳﺎ ‪‬ﺣ‪‬ﺒ ‪‬ﻪ ﺍ ﹶ‬

‫ِﺑ ِﻪ ﺍﻟﺸ‪‬ﻔﺎ ‪‬ﻩ ﻳ‪‬ﻮﺍﰲ‪ ..‬ﺃﻭ ﺃﹸﻭﺍﻓِﻴ ِﻪ‬

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‫ﺽ ﻣِﻦ ﺟِﻬ ٍﺔ‬ ‫ﱪ ﻃﻪ‪ ،‬ﻭﻣﺎ ﰲ ﺍﻷﺭ ِ‬ ‫ﻳﺎ ﹶﻗ ‪‬‬

‫ﺖ ﺣﺎﻭﻳ ِﻪ‬ ‫ﺲ ِﻣّﻤﻦ ﺃﻧ ‪‬‬ ‫ﺃﺷﻬﻰ ﺇﱃ ﺍﻟﻨﻔ ِ‬

‫ﺖ ﺃﹸ ِﳒﺰ‪‬ﻩ‪‬‬ ‫ﻃﻪ‪ ،‬ﻭ ‪‬ﺣﺒ‪‬ﻚ ﺩ‪‬ﻳﻦ‪ ‬ﺟِﺌ ‪‬‬

‫ﻻ ﻳ‪‬ﻌ ﹶﻠﻢ‪ ‬ﺍﻟﻨﺎﺱ ﺃﱐ ﻣﻨﻚ ﺃﹸﻋﻄﻴ ِﻪ‬

‫ﷲ ﻟﻴﻠﹰﺎ ﻭﺍﻟﺴ‪‬ﻤﺎ ُﺀ ‪‬ﻳﺪ‪‬‬ ‫ﻚﺍ ُ‬ ‫ﺃﺳﺮﻯ ِﺑ ‪‬‬

‫ﺤﻴ‪‬ﻴ ِﻪ‬ ‫ﲤ‪‬ﺘ ‪‬ﺪ ﺷﻮﻗﹰﺎ ﻟِﻄﻪ ﻛﹶﻲ ‪‬ﺗ ‪‬‬

‫ﻚ ﺍﹾﻣ‪‬ﺘﹶﺜﻠﹸﻮﺍ‬ ‫ﻭﺍﻷﻧﺒﻴﺎ ُﺀ ﺻ‪‬ﻔﻮﻑ‪ ‬ﺧ‪‬ﻠﻔ ‪‬‬

‫ﺖ ﺷﺎﺩﻳ ِﻪ‬ ‫ﺐ ﳊﻦ‪ ‬ﺃﻧ ‪‬‬ ‫ﺠ ‪‬ﺪ ﺍﻟﻘﻠ ‪‬‬ ‫ﻭﺍﳌﹶﺴ ِ‬

‫ﺖ‪ :‬ﺍﻟﺴ‪‬ﻼ ‪‬ﻡ‪ ،‬ﻭ ‪‬ﻣﺪ‪‬ﺕ ﻟﻠﺴ‪‬ﻼ ِﻡ ‪‬ﻳﺪ‪‬‬ ‫ﻗﹸﻠ ‪‬‬

‫ﺑ‪‬ﻌ ‪‬ﺪ ﺍﻟﺼ‪‬ﻼ ِﺓ ﺇﱃ ﺍﳌِﻌﺮﺍﺝ ﺗ‪‬ﻬﺪﻳ ِﻪ‬

‫ﲔ ﻧ‪‬ﺤﻮ ﺍﷲ ﻛﹸﻨﺖ‪ ..‬ﺃﹶﻻ‬ ‫ﱐ ﺍﺛﻨ ِ‬ ‫ﻭﺛﺎ ﹶ‬

‫ﲑ ﻣ‪‬ﻦ ﺟﺎ َﺀﻩ‪ ..‬ﻭﺍﻟﺮ‪‬ﻭﺡ ﺛﺎﻧﻴ ِﻪ‬ ‫ﻳﺎ ‪‬ﺧ ‪‬‬

‫ﲑ ﻣ‪‬ﻦ ﹸﻓ‪‬ﺘﺤ‪‬ﺖ ﺳ‪‬ﺒﻊ‪ ‬ﹶﻟﻪ‪ ‬ﻭ ‪‬ﺩ‪‬ﻧﺎ‬ ‫ﻳﺎ ‪‬ﺧ ‪‬‬

‫ﺵ ﻳ‪‬ﺪﻧﻴ ِﻪ‬ ‫ﺏ ﺍﻟﻌﺮ ِ‬ ‫ﲔ ‪‬ﺭ ‪‬‬ ‫ﺏ ﻗﹶﻮﺳ ِ‬ ‫ﻣِﻦ ﻗﺎ ِ‬

‫ﻭﻛﺎ ﹶﻥ ﻣﺎ ﻛﺎ ﹶﻥ‪ِ ..‬ﻣﻤ‪‬ﺎ ﻻ ﺃﹸ ‪‬ﺷ‪‬ﺒﻬ‪‬ﻪ‪‬‬

‫ﻒ ﻭﺗ‪‬ﺸﺒﻴ ِﻪ‬ ‫ﺱ ﺍﷲ ﻋﻦ ﻭ‪‬ﺻ ٍ‬ ‫‪‬ﺗ ﹶﻘ ‪‬ﺪ ‪‬‬

‫ﻚ ﻛﺎﻧﺖ ﻣﻨﻚ ﰲ ﹶﻗ ﹶﻠ ٍﻖ‬ ‫ﺽ ﺧ‪‬ﻠ ﹶﻔ ‪‬‬ ‫ﻭﺍﻷﺭ ‪‬‬

‫ﻒ‪ :‬ﺃﻳ ‪‬ﻦ ﺍﻟﺮ‪‬ﻭﺡ ﻳ‪‬ﻘﺼﻴﻪِ؟!‬ ‫ﺗ‪ ‬ﹶﻘ ﱢﻠﺐ‪ ‬ﺍﻟ ﹶﻜ ‪‬‬

‫ﺥ ﻳﺎ ﺟﱪﻳﻴﻴﻴﻴﻞ‪ ،‬ﺗ‪‬ﺘﺒ ‪‬ﻌ ‪‬ﻪ‬ ‫ﺗ‪‬ﻜﺎﺩ‪ ‬ﺗ‪‬ﺼ ‪‬ﺮ ‪‬‬

‫ﻣِﻦ ﺧﻮﻓِﻬﺎ ﺃ ﱠﻥ ﺟﱪﻳﻠﹰﺎ ﻣ‪‬ﻮﺍﺭِﻳ ِﻪ‬

‫ﻛﺎﻧﺖ ﺗ‪‬ﻨﺎﺩﻳ ِﻪ ﻛﺎ ُﻷ ‪‬ﻡ ﺍﻟﱵ ‪‬ﺳ ِﻠﺒ‪‬ﺖ‬

‫‪‬ﻭﺣِﻴﺪ‪‬ﻫﺎ‪ ..‬ﻭﺍ‪‬ﻧ‪‬ﺒﺮ‪‬ﺕ ﰲ ﺍﻟﺮﻳﺢ ﺗ‪‬ﻨﻌِﻴ ِﻪ‬

‫ﺐ ﻳ‪‬ﺮﻧﻮ ﻭﻫﻮ ‪‬ﻣ‪‬ﺘ ِﻘﺪ‪‬‬ ‫ﺠ ‪‬ﺪ ﺍﻟﻘﻠ ‪‬‬ ‫ﻭﺍﳌﺴ ِ‬

‫ﺑﺸﻮ ِﻗ ِﻪ‪ ..‬ﻭﻳ‪‬ﻜﺎﺩ‪ ‬ﺍﻟﺸﻮﻕ ﻳ‪‬ﺸﻮﻳ ِﻪ‬

‫ﺐ‪ ..‬ﻳﺎ ﻃﻪ ‪‬ﻭ ﹶﺫ ﱠﻛﺮ‪‬ﱐ‬ ‫ﺍﳌﺴﺠ ‪‬ﺪ ﺍﻟﻘﻠ ‪‬‬

‫ِﺑﺠ‪‬ﺮ ِﺣ ِﻪ ﻭ)ﻳ‪‬ﻬﻮﺩ‪ (‬ﺍﻟﻴﻮﻡ ﺗ‪‬ﺪﻣﻴ ِﻪ‬

‫ﺍﳌﺴﺠ ‪‬ﺪ ﺍﳉﺮﺡ ﻳﺎ ﺣ‪‬ﺰﱐ ﻋﻠﻴ ِﻪ ﻭﻳﺎ‬

‫ﺣ‪‬ﺰﱐ ِﻟﻤ‪‬ﺴﺮﺍﻙ ﻛﻢ ﻧﺎﺩﻯ ﻣ‪‬ﻨﺎﺩﻳ ِﻪ‬

‫ﺫﺍﻙ ﻳﻮﻡ ﻭﻟﺪﺕ ﻓﻴﻪ‬

‫ﺍﻟﺸﺎﻋﺮ ﻳﻮﺳﻒ ﺣﺴﲔ ﺍﳊﻤﻮﺩ‬ ‫ﺷﺎﻋﺮ ﺳﻮﺭﻱ‪ ،‬ﻓﺎﺯ ‪‬ﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﰲ ﻣﺴﺎﺑﻘﺔ ﺍﻟﱪﺩﺓ ﺍﻟﱵ ﺗﻌﻘﺪ ﺳﻨﻮ ﻳ‪‬ﺎ ﰲ ﺍﻹﻣﺎﺭﺍﺕ‬ ‫ﺍﻟﻌﺮﺑﻴﺔ ﺍﳌﺘﺤﺪﺓ‪ ،‬ﻭﱂ ﺃﺟﺪ ﺗﻔﺎﺻﻴﻞ ﻛﺜﲑﺓ ﻋﻨﻪ‪ ،‬ﻫﺎﺗﻔ ﻪ ﺍﶈﻤﻮﻝ ‪:‬‬ ‫ﺑﺮﻳﺪ ﻩ ﺍ ﻹ ﻟﻜ ﺘﺮﻭﱐ ‪:‬‬

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‫‪/ 00971 50 4934925‬‬

‫‪yosufhammoud@yahoo.com‬‬

‫ﻣﺼﻄﻔﻰ‪ ،‬ﹸﻗ ﹾﻞ ﺗﺒﺎﺭﻙ ﺍﻹﺻﻄﻔﺎ ُﺀ‬

‫ﺑﺸﺮ‪ ..‬ﻏﲑ ﺃﻧ‪‬ﻪ ﺍﺳﺘﺜﻨﺎ ُﺀ‬

‫ﻣﺮﺳﻞﹲ ﻻ ﻣﺮﺍﺀ ﻓﻴﻪ‪ ،‬ﻭﻟﻜﻦ‬

‫ﺁﻓﺔ ﺍﻹﻧﺲ ﰲ ﺍﻟﻌﻘﻮﻝ ﺍﳌﺮﺍ ُﺀ‬

‫ﻕ‬ ‫ﺟﺪﻝﹲ ﰲ ﺳﻼﻟﺔ ﺍﻟﻄﲔ ﺑﺎ ٍ‬

‫ﺃﻭﺭﺛﺘﻪ ﺍﻷﺟﺪﺍﺩ ﻭﺍﻵﺑﺎﺀ‬

‫ﻟﺒﻨﻴﻬﺎ‪ ،‬ﺇﻻ ﺍﻟﺬﻳﻦ ﳍﻢ ﰲ‬

‫ﺳﻴﺪ ﺍﳋﻠﻖ ﺃﹸﺳﻮﺓﹲ ﻭﺍﻗﺘﺪﺍﺀ‬

‫ﰊ ﰲ ﺃﺻﻠﻪ ﻗﺮﺷ ‪‬ﻲ‬ ‫ﻋﺮ ‪‬‬

‫ﻭﻳﺘﻴﻢ ﻣﻦ ﻛﺎﻓﻠﻴﻪ ﺍﻟﺴﻤﺎﺀ‬

‫ﻫﻮ ﻳﻮﻡ ﺃﻏ ‪‬ﺮ ﻳ ﹾﻘﺪ‪‬ﻡ ﺃﻫﻠﹰﺎ‬

‫ﺏ ﺫﻛﺮﻯ ﳒﺎ ُﺀ‬ ‫ﻭﻫﻮ ﺫﻛﺮﻯ ﻭ ‪‬ﺭ ‪‬‬

‫ﻣﺴﺘﻌﺎﺩ ﻣﻦ ﺍﻟﺰﻣﺎﻥ ﻓﺮﻳﺪ‬

‫ﻭﻛﺜﲑ ﻣﻦ ﺍﻟﺰﻣﺎﻥ ﺳﻮﺍ ُﺀ‬

‫ﻓﻴﻪ ﺃﺭﺟﺎﺀ ﻣﻜﺔ ﺫﺍﺕ ﺣﻆ‬

‫ﱂ ﺗﻨﻞ ﻣﺜﻞ ﺣﻈﻬﺎ ﺃﺭﺟﺎﺀ‬

‫ﻫﻮ ﻭﻋﺪ‪ ‬ﺃﺟ ﹼﻞ ﺃﺑﻠﺞ ﺃﺟﻠﻰ‬

‫ﺭﺍﻗﺒﺘﻪ ﺍﻟﺮﻫﺒﺎﻥ ﻭﺍﳊﻨﻔﺎ ُﺀ‬

‫ﺕ ﻓﻴﻪ"‪ ،‬ﻟﹶﻴﻮﻡ‬ ‫"ﺫﺍﻙ ﻳﻮﻡ ﻭﻟﺪ ‪‬‬

‫ﺣﻔﹼﻪ ﺍﻟﻨﻮﺭ ﻭﺍﻟﺴﻨﺎ ﻭﺍﻟﻀﻴﺎﺀ‬

‫ﺃﻓﻤﺎ ﳛﺘﻔﻰ ﺑﻴﻮﻡ ﻛﻬﺬﺍ‬

‫ﻓﺒﻤﺎﺫﺍ ﺇﺫﻥ ﻫﻮ ﺍﻻﺣﺘﻔﺎﺀ؟‬

‫ﻣﻮﻟ ‪‬ﺪ ﺍﻟﺸﺎﻫﺪ ﺍﻟﺒﺸﲑ ﺃﻗﻴﻤﺖ‬

‫ﺑﻪ ﻟﻠﻨﺎﺱ ﻣﻠﺔﹲ ﻋﻮﺟﺎ ُﺀ‬

‫ﺭﺍﻍ ﻟﻠﻐﺎﺭ ﺁﻧﻔﹰﺎ ﻣﻦ ﺿﻼﻝ‬

‫ﻭﻗﻀﻰ ﺍﷲ ﺃﻥ ﻳﻜﻮﻥ ﺣﺮﺍﺀ‬

‫ﻗﻴﻞ "ﺇﻗﺮﺃ" ﺳﺒﺤﺎﻥ ﻣﻦ ﺃﻗﺮﺃ ﺍﻝ‬

‫ﺃﻣ ‪‬ﻲ ﺫﻛﺮ‪‬ﺍ‪ ..‬ﻟﻴﻘﺮﺃ ﺍﻟ ﹸﻘ ‪‬ﺮﺍﺀ‬

‫ﺯﻋﻤﻮﺍ "ﺷﺎﻋﺮ" ﺿﻼﻟﹰﺎ ﻭﺯﻭﺭ‪‬ﺍ‬

‫ﺃﻓﻤﺎ ﻛﺎﻥ ﺑﻴﻨﻬﻢ ﺷﻌﺮﺍﺀ!؟‬

‫ﻭﺍﺩﻋﻮﺍ "ﺳﺎﺣﺮ!" ﻭﻗﺎﺋﻞ ﻫﺬﺍ‬

‫ﺃﻋﻠﻢ ﺍﻟﻨﺎﺱ ﺃﻧﻪ ﺍﻻﻓﺘﺮﺍﺀ‬

‫ﺑﻠﹼﻎ ﺍﳊﻖ ﻣﻨﺬﺭ‪‬ﺍ ﻭﺑﺸﲑ‪‬ﺍ‬

‫ﺑﺒﻼﻍ ﺣﺎﺭﺕ ﺑﻪ ﺍﻟﺒﻠﻐﺎﺀ‬

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‫ﺭﲪﺔ ﺍﻟﻌﺎﳌﲔ‪ ،‬ﺻﻠﻰ ﻋﻠﻴﻪ ﺍﻝ‬

‫ﻟﻪ‪ ..‬ﺻﻠﻰ ﻭﺭﺍﺀﻩ ﺍﻷﻧﺒﻴﺎﺀ‬

‫ﻣﻦ ﻛﺮﱘ ﺍﻟﺘﻜﻮﻳﻦ ﺣ ‪‬ﻦ ﺇﻟﻴﻪ‬

‫ﺍﳉﺬﻉ‪ ..‬ﻭﺍﺯﺩﺍﺩ ﰲ ﻳﺪﻳﻪ ﺍﳌﺎﺀ‬

‫ﺑﻪ ﻋﻤ‪‬ﺖ ﺷﺮﻳﻌﺔ ﺍﳊﻖ ﺩﻧﻴﺎ‬

‫ﻣﻸ‪‬ﺎ ﺍﻟﺸﺮﺍﺋﻊ ﺍﻟﺒﺘﺮﺍﺀ‬

‫ﻟﺴﺖ ﺃﻃﺮﻳﻪ ﻭﻫﻮ ﻋﻦ ﺫﺍﻙ ﺃﻏﲎ‬

‫ﺃﻳﻦ ﻣﻨﻪ ﺍﻹﻛﺒﺎﺭ ﻭﺍﻹﻃﺮﺍﺀ!؟‬

‫ﻣﻨﻬﺞ ﻭﺍﺿﺢ‪ ،‬ﺻﺮﺍﻁ ﻗﻮﱘ‬

‫ﻭﺳﺒﻴﻞ ﻣﺎ ﺷﺎﺑ ‪‬ﻪ ﺍﻹﻟﺘﻮﺍﺀ‬

‫ﻂ ﻟﻠﻘﻴﺎﺩﺓ ‪‬ﺠ‪‬ﺎ‬ ‫ﻗﺎﺋﺪ ﺧ ﹼ‬

‫ﻗﻠﹼﺪﺗﻪ ﺍﻟﻘﻮﺍﺩ ﻭﺍﻟﺰﻋﻤﺎﺀ‬

‫ﻓﺒﻤﺎ ﺭﲪﺔ ﻣﻦ ﺍﷲ ﻛﺎﻧﺖ‬

‫ﻟﻪ ﺗﻠﻚ ﺍﻟﺸﻤﺎﺋﻞ ﺍﻟﺴﻤﺤﺎﺀ‬

‫ﺟﺎﺀ ﺑﺎﻟﻨﻮﺭ ﻭﺍﶈﺒﺔ‪ ،‬ﻟﻜﻦ‬

‫ﰲ ﻧﻔﻮﺱ ﺃﺣﻘﺎﺩﻫﺎ ﺍﻟﺴﻮﺩﺍﺀ‬

‫ﻣﻦ ﻗﺮﻭﻥ‪ ،‬ﻭﰲ ﺍﻟﻘﻠﻮﺏ ﺑﻼﺀ‬

‫ﻣﺴﺘﺪﱘ‪ ..‬ﻭﰲ ﺍﻟﻌﻘﻮﻝ ﺧﻮﺍﺀ‬

‫ﺴ ‪‬ﻤﺎﺋﺔ ﻋﺎﻡ‬ ‫ﺑﻌﺪ ﺃﻟﻒ ﻭﲬ ِ‬

‫ﻫﺠﻤﺔ ﺍﻟﺸﺮﻙ ﻫﺠﻤﺔ ﺷﻌﻮﺍﺀ‬

‫ﻫﻮ ﺍﻹﻧﺴﺎﻥ ﺫﺍﺗﻪ ﻣﻦ ﺩﻫﻮﺭ‬

‫ﻛﻦ‪ ،‬ﺿﺎﻗﺖ ﺑﻜﻔﺮﻩ ﺍﻟﻐﱪﺍﺀ‬

‫ﻭﻛﺜﲑ ﻣﻦ ﺭﺃﻳﻪ ﰲ ﻓﺴﺎﺩ‬

‫ﻭﺃﻗﻞ ﺍﻟﻘﻠﻴﻞ ﻓﻴﻪ ﺍﳊﻴﺎﺀ‬

‫ﺩﺍﺧﺖ ﺍﻷﺭﺽ ﻣﻦ ﺿﻼﻝ ﺑﻨﻴﻬﺎ‬

‫ﻭﻋﺮ‪‬ﺎ ﺍﳌﺼﺎﺋﺐ ﺍﻟﺪﻫﻴﺎﺀ‬

‫ﻓﻺﺑﻠﻴﺲ ﺃﻟﺴﻦ‪ ‬ﻣﻦ ﺃﻧﺎﺱ‬

‫ﻭﻹﺑﻠﻴﺲ ﻣﻨﻬ ‪‬ﻢ ﺃﻧﺴﺒﺎﺀ‬

‫ﰲ ﺭﺩﺍﺀ ﺍﻟﻜﻬﺎﻥ ﻳﻨﻔﺚ ﺣﻘﺪ‪‬ﺍ‬

‫ﻟﻴﺲ ﲣﻔﻴﻪ ﻫﻴﺌﺔ ﻭﺭﺩﺍﺀ‬

‫ﺃﻛﻠﺖ ﻗﻠ‪‬ﺒﻪ ﻣﻄﺎﻣﻊ ﺷﱴ‬

‫ﻭﺍﺳﺘﺒﺪﺕ ﺑﻌﻘﻠﻪ ﺍﻷﻫﻮﺍﺀ‬

‫ﻗﺎﻝ ﻛﻔﺮ‪‬ﺍ ﻭﻻ ﻏﺮﺍﺑﺔ‪ ،‬ﻓﺎﻋﻠﻢ‬

‫ﻧﻀﺢ ﺍﳊﻘﺪ ﻣﺎ ﺣﻮﺍﻩ ﺍﻹﻧﺎﺀ‬

‫ﻛﻨﺖ ﺃﻗﺬﻋﺖ ﰲ ﻫﺠﺎﺋﻴﻪ ﻟﻮﻻ‬

‫ﺃﻥ ﺭﺃﻱ ﺍﻟﺴﻔﻴﻪ ﻓﻴﻪ ﻫﺠﺎﺀ‬

‫ﻟﻠﺴﻔﻴﻪ‪ ،‬ﺍﻛﺘﻔﻴﺖ ﺑﺎﻟﻘﻮﻝ ﺃﱐ‬

‫ﻻ ﺃﺑﺎﱄ ﲟﺎ ﺭﺃﻯ ﺍﻟﺴﻔﻬﺎﺀ‬

‫ﺃﲪﻖ ﺍﳊﻤﻖ ﺃﻥ ﺗﻨﺎﻝ ﺑﺴﻮﺀ‬

‫ﻣﻨﺒﺌﹰﺎ‪ ..‬ﺻﺪﻗﺖ ﺑﻪ ﺍﻷﻧﺒﺎﺀ‬

‫ﻳﺎ ﺃﺑﺎ ﺍﻟﻘﺎﺳﻢ ﺍﳌﺸﻔﻊ ﻓﻴﻨﺎ‬

‫ﻳﻮﻡ ﻻ ﻳﺮﲡﻰ ﻟﻨﺎ ﺷﻔﻌﺎﺀ‬

‫ﻳﺎ ﲪﻴﺪ ﺍﻷﲰﺎﺀ ﺃﻧﺖ ﻣﺴﻤﻰ‬

‫ﺑﻪ ﺗﺰﻫﻮ ﺃﻥ ﺗﻘﺮﻥ ﺍﻷﲰﺎﺀ‬

‫ﻳﺎ ﺇﻣﺎﻡ ﺍﳍﺪﻯ ﻋﻠﻴﻚ ﺳﻼﻡ ﺍﻝ‬

‫ﻑ ﻟﻠﻬﺪﺍﺓ ﻟﻮﺍﺀ‬ ‫ﻟﻪ ﻣﺎ ﺭ ‪‬‬

‫ﺃﺑﺸﻌﺮ ﺃﺫﻭﺩ ﻋﻤ‪‬ﻦ ﻛﻔﺎ‬

‫ﻩ ﺭﺑﻪ ﺍﳍﺎﺯﺋﲔ ﺣﲔ ﺃﺳﺎﺅﻭﺍ‬

‫ﺣﺴﺒﻪ ﺍﷲ ﺣﺎﻓﻈﹰﺎ ﻭﻣﻌﻴﺬﹰﺍ‬

‫ﺣﺴﺒﻪ ﺍﷲ ﻣﺎ ﻟﻪ ﺃﻛﻔﺎﺀ‬

‫ﻓﺎﻟﻖ ﺍﳊﺐ ﻭﺍﻟﻨﻮﻯ ﻟﻴﺲ ﳜﻔﻰ‬

‫ﻑ ﻭﻛﻴﻒ ﻋﻨﻪ ﺧﻔﺎﺀ؟‬ ‫ﻋﻨﻪ ﺧﺎ ٍ‬

‫ﻗﻞ ﻫﻮ ﺍﷲ ﻻ ﺇﻟﻪ ﺳﻮﺍﻩ‬

‫ﻟﻴﺲ ﷲ – ﻟﻮ ﻭﻋﻮﺍ ‪ -‬ﺷﺮﻛﺎﺀ‬

‫ﺇﳕﺎ ﻗﻮﻟﻪ ﻟﺸﻲﺀ ﺇﺫﺍ ﻣﺎ‬

‫ﺷﺎﺀﻩ ﻛﻦ ﻳﻜﻮﻥ ﻛﻴﻒ ﻳﺸﺎﺀ‬

‫ﻭﻟﻴﻮﺳﻒ ﺣﺴﲔ ﺍﳊﻤﻮﺩ ﺃﻳﻀ‪‬ﺎ ﻗﺼﻴﺪﺓ ﺳﺒﺤﺎﻧﻪ ﻣﻦ ﺃﻗﺮﺃ ﺍﻷﻣﻲ ﺍﻟﻔﺎﺋﺰﺓ ﰲ ﻣﺴﺎﺑﻘﺔ ﺍﻟﱪﺩﺓ‪:‬‬

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‫ﻛﻢ ﰲ ﺍﻟﻘﺮﻳﺾ ﳍﺎﺋﻢ ﻣﻦ ﻭﺍ ِﺩ‬

‫ﻭﳏﺎﻓ ٍﻞ ﻭﺣﻮﺍﺿ ٍﺮ ﻭﺑﻮﺍ ِﺩ‬

‫ﻭﻣﻄﺎﺭﺡ ﻭﻣﺴﺎﺭﺡ ﻭﻣﻮﺍﺳﻢ‬

‫ﻭﻣﻨﺎﺑﺮ ﻭﻧﻮﺍﺩﺭ ﻭﻧﻮﺍ ِﺩ‬

‫ﺣﺴﻦ ﺍﻟﻮﺟﻮﻩ ﺃﻃﺎﺭ ﺃﻟﺒﺎﺏ ﺍﻷﱃ‬

‫ﺻﺎﻏﻮﺍ ﺍﻟﻘﺮﻳﺾ ﺣﺸﺎﺷﺔ ﺍﻷﻛﺒﺎﺩ‬

‫ﻓﺘﺮﳕﻮﺍ‪ ..‬ﻭﺗﺄﳌﻮﺍ‪ ..‬ﻭﺗﻘﻄﻌﺖ‬

‫ﺃﻧﻔﺎﺳﻬﻢ ﰲ ﺣﲑﺓ ﻭﲤﺎﺩ‬

‫ﺃﳍﺎﻫ ‪‬ﻢ ﺳﺤﺮ ﺍﳉﻔﻮﻥ ﻭﺷ ﹼﻔﻬﻢ‬

‫ﺗﻴﻪ ﺍﻟﻘﺪﻭﺩ‪ ..‬ﻭﻛﻞ ﺫﻱ ﻣﻴﺎﺩ‬

‫ﻓﻤﻀﻮﺍ ﻋﻠﻰ ﺳﺒﻞ ﺍﳌﺘﺎﻩ ﻭﻣﺎ ﺩﺭﻭﺍ‬

‫ﺃﺑﺪ‪‬ﺍ ﳍﺎ ﰲ ﺁﺧﺮ ﺍﻵﺑﺎﺩ‬

‫ﺕ‪ ..‬ﻣﻊ‬ ‫ﻣﺎ ﺑﲔ ﻣﻨﻘﻄ ٍﻊ ﻟﻠﺬﺍ ِ‬

‫ﺐ ﺷﺎﺩ ٍﻥ ﺃﻭﺷﺎﺩ‬ ‫ﳊ ‪‬‬ ‫ﻒ ِ‬ ‫ﺗﻜ ٍ‬

‫ﺃﻭ ﻣﺪﻧﻒ ﺻﺐ ﻋﻠﻰ ﺁﺛﺎﺭ ﻣﺮ‬

‫ﲢﻞ ﻭﻣﻨﺘﻈﺮ ﻗﻔﻮﻝ ﺍﻟﻐﺎﺩﻱ‬

‫ﺃﻭ ﺟﺎﺋﺮ ﻳﺸﻜﻮﺍﻟﻀﲎ ﻭﻣﻮﺩﻉ‬

‫ﻣﺘﻮﺟﻊ ﲟﻜﺮ‪‬ﺭ‪ ..‬ﻭﻣ‪‬ﻌﺎ ِﺩ‬

‫ﻭﻣﻼﺯﻡ ﻇﻌﻨ‪‬ﺎ ﻳﻄﻴﻞ ﺣﺪﺍﺀﻩ‬

‫ﺧﺎﺏ ﺍﳊﺪﺍﺀ ﳍﺎ ﻭﺧﺎﺏ ﺍﳊﺎﺩﻱ‬

‫ﻭﻣ‪‬ﺴﺎﺋﻞ ﻃﻠﻠﹰﺎ ﲡﻴﺐ ﺳﺆﺍﻟﻪ‬

‫ﺢ ﺍﻟﻔﻨﺎﺀ ﻭﺭﺟﻌﻬﺎ ﺍﳌﺘﺼﺎﺩﻱ‬ ‫ﺭﻳ ‪‬‬

‫ﻭﻣﻘﺪ‪‬ﺱ ﳌﺪﻧ‪‬ﺲ‪ ..‬ﻭﻣ‪‬ﻜﻠﱢﻢ‬

‫‪‬ﺑ ﹾﻜﻤ‪‬ﺎ‪ ..‬ﻭﻣﺄﺧﻮﺫ ﺑﻜﻮﻡ ﺭﻣﺎﺩ‬

‫ﺿﻠﹼﺖ ‪‬ﻢ ﺳﺒﻞ ﺍﻟﺒﻴﺎﻥ ﻭ ‪‬ﺳﻮﺣﻪ‬

‫ﺇﻻ ﺍﻟﺬﻳﻦ ﻋﻠﻰ ﺻﺮﺍﻁ ﺍﳍﺎﺩﻱ‬

‫ﺑﺮﺋﺖ ﺇﻟﻴﻪ ﻗﺼﻴﺪﰐ ﻣﻦ ﺗﺎﺑﻊ‬

‫ﻏﺎﻭ ﺇﺫﺍ ﺃﻏﻮﺕ‪ ،‬ﻭﻣﻦ ﺇﻧﺸﺎﺩﻱ‬

‫ﻭﺑﺮﺋﺖ ﻣﻨﻬﺎ ﺃﻥ ﻳﺮﺍﺩ ‪‬ﺎ ﺳﻮﻯ‬

‫ﺑﻮﺡ ﺗﻘﺮ ﺑﻪ ﺷﺆﻭﻥ ﻓﻮﺍﺩﻱ‬

‫ﺑﺎﻧﺖ ﺳﻌﺎﺩ ﻓﻤﺎ ﺍﻛﺘﺮﺛﺖ ﻟﺒﻴﻨﻬﺎ‬

‫ﰲ ﻏﲑ ﻭﺻﻞ ﻣﻦ ﺳﻌﺎ ‪‬ﺩ ﺳﻌﺎﺩﻱ‬

‫ﻋﻦ ﺳ‪‬ﻮﺭﺓ ﺍﻟﺸﻌﺮﺍﺀ ﺃﻏﻨﺎﱐ ﺃﻧﺎ‬

‫ﻣﻦ ﺳ‪‬ﻮﺭﺓ ﺍﻟﺸﻌﺮﺍﺀ ﺁﻱ‪ ‬ﻫﺎﺩ‬

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‫ﺳﺒﺤﺎﻧﻪ ﻣﻦ ﺃﻗﺮﺃ ﺍﻷﻣﻲ ﻣﺎ‬

‫ﻃﺐ ﺍﻟﻌﻠﻴﻞ ﺑﻪ‪ ..‬ﻭﺭﻱ ﺍﻟﺼﺎﺩﻱ‬

‫ﻫﻞ ﺃﻋﺠﺰ ﺍﻟﺒﻠﻐﺎﺀ ﺇﻻ ﺁﻳ‪‬ﻪ‬

‫ﻭﻟﻘﺪ ﺃﺗﻮﺍ ﻣﻦ ﻗﺒﻞ ﻛﻞ ﻣﺮﺍﺩ‬

‫ﺧﺘﻤﺖ ﺭﺳﺎﻻﺕ ﺍﻟﺴﻤﺎﺀ ﺑﻪ ﻭﺇﻥ‬

‫ﺑﺪﺋﺖ ﺑﻪ ﺩﻧﻴﺎ ﻣﻦ ﺍﻷﳎﺎﺩ‬

‫ﰲ ﻣﻮﻟﺪ ﺍﳌﺨﺘﺎﺭ ﻣﻮﻟﺪ ﺃﻣﺔ‬

‫ﺑﻌﺜﺖ ﻭﺗﺒﻌﺚ ﺑﻌﺪ ﻃﻮﻝ ﺭﻗﺎﺩ‬

‫ﻳﻮﻡ ﺃﻏﺮ ﻣﻦ ﺍﻟﺰﻣﺎﻥ ﻛﺄﻧﻪ‬

‫ﺑﺸﺮﻯ ‪‬ﺗﻌﻄﺮ ﺷﺎﺳﻊ ﺍﻵﻣﺎﺩ‬

‫ﰲ ﻣﻜ ٍﺔ ﻣﻬﺪ ﺍﳍﺪﻯ ﻭﻣﻬﺎﺩﻩ‬

‫ﻛﺮﻣﺖ ﻭﻃﺎﺑﺖ ﺗﻠﻚ ﺧﲑ ﻣﻬﺎﺩ‬

‫ﻳﺎ ﺃﲪﺪ ﺍﳋﻠﻖ ﺍﳊﺒﻴﺐ ﺍﳌﺼﻄﻔﻰ ﺍﻝ‬

‫ﳐﺘﺎﺭ ﻋﺬﺭ‪‬ﺍ ﻻﳓﺒﺎﺱ ﻣﺪﺍﺩﻱ‬

‫ﻳﺎ ﺧﺎﰎ ﺍﻟﺮﺳﻞ ﺍﻟﺒﺸﲑ ﺍ‪‬ﺘﱮ‬

‫ﻳﺎ ﻧﺎﻃﻘﹰﺎ ﺑﺎﻟﻀﺎﺩ‪ ..‬ﺧﲑ ﺍﻟﻀﺎﺩ‬

‫ﺟﺌﺖ ﺍﻟﻮﺟﻮﺩ ﻭﻟﻠﻀﻼﻝ ﺳﻴﺎﺩﺓ‬

‫ﻭﻟﻜﻞ ﻏ ‪‬ﻲ ﰲ ﺍﻟﺒﻼﺩ ﻣﻨﺎﺩ‬

‫ﻭﻟﻜﻞ ﻃﺎﻏﻮﺕ ﺟﻴﻮﺵ ﲨﺔ‬

‫ﻋﺎﺛﺖ ﻓﺴﺎﺩ‪‬ﺍ ﻭﺍﻋﺘﺪﺕ ﺑﻔﺴﺎﺩ‬

‫ﻭﺍﻟﻨﺎﺱ ﻣﻦ ﻭﻫﻢ ﺇﱃ ﻭﻫﻢ ﻭﻣﻦ‬

‫ﻭﺛﻦ ﺇﱃ ﻭﺛﻦ‪ ..‬ﻋﺒﻴﺪ ﲨﺎﺩ‬

‫ﻻﻫﻮﻥ ﰲ ﺷﺮﻙ‪ :‬ﻓﻤﻦ ‪‬ﻋﺰﻯ ﺇﱃ‬

‫ﺕ‪ ..‬ﻭﺯﺍﺩﺕ ﺗﻠﻚ ﻋﻦ ﺗﻌﺪﺍﺩ‬ ‫ﻻ ٍ‬

‫ﻋﻜﻔﻮﺍ ﳍﺎ ﻣﺘﺘﺒﻌﲔ ﻋﻠﻰ ﺧﻄﻰ‬

‫ﺁﺑﺎﺋﻬﻢ ﰲ ﺍﻟﻜﻔﺮ ﻭﺍﻷﺟﺪﺍﺩ‬

‫ﰲ ﻏﻔﻠﺔ ﻣﻦ ﺃﻣﺮﻫﻢ ﺷﻐﻠﺘﻬ ‪‬ﻢ‬

‫ﺑﺎﳌﺎﻝ ﻭﺍﻷﺣﺴﺎﺏ ﻭﺍﻷﺣﻘﺎﺩ‬

‫ﺻ ‪‬ﻢ ﻋﻦ ﺍﳊﻖ ﺍﻟﺼﺮﺍﺡ ﻭﻗﺪ ﺩﻋﺎ‬

‫ﻉ‪ ..‬ﻭﻋﻤﻲ ﻋﻦ ﺷﻌﺎﻉ ﺑﺎﺩ‬ ‫ﺩﺍ ٍ‬

‫ﻓﺼﺪﻋﺖ ﺑﺎﻟﺘﻮﺣﻴﺪ ﺃﻛﺮﻡ ﻣﺮﺳﻞ‬

‫ﻓﺎﳒﺎﺏ ﻟﻴﻞ ﺍﻟﺸﺮﻙ ﺑﻌﺪ ﻋﻨﺎﺩ‬

‫ﺃﺷﻬﺪ‪‬ﻢ ﺳﺒﻞ ﺍﻟﺮﺷﺎﺩ ﻓﺂﻣﻨﻮﺍ‬

‫ﺃﻛﺮﻡ ﺑﻨﻬﺠﻚ ﻧﲑ ﺍﻹﺷﻬﺎﺩ‬

‫ﺷﻬﺪﻭﺍ ﺟﻬﺎﺭ‪‬ﺍ ﻻ ﺇﻟﻪ ﺳﻮﻯ ﺍﻟﺬﻱ‬

‫ﺁﺗﺎﻙ ﺑﺎﻹﺳﻼﻡ ﺩﻳﻦ ﺭﺷﺎﺩ‬

‫ﺩﺍﻧﺖ ﳍﻢ ﺩﻧﻴﺎ ﻓﻤﺎ ﺣﻔﻠﻮﺍ ‪‬ﺎ‬

‫ﻭﻣﻀﻮﺍ ﺟﻬﺎﺩ‪‬ﺍ ﺗﺎﻟﻴ‪‬ﺎ ﳉﻬﺎﺩ‬

‫ﻓﺘﺢ ﻋﻠﻰ ﻓﺘﺢ‪ ..‬ﻭﻧﻮﺭ ﻏﺎﻣﺮ‬

‫ﻭﺟﻴﺎﺩ ﺣﻖ ﺗﻘﺘﺪﻱ ﲜﻴﺎﺩ‬

‫ﺍﷲ ﺃﻛﱪ ﺻﻴﺤﺔ ﺩﻭﺕ ﳍﺎ‬

‫ﰲ ﻛﻞ ﺃﻓﻖ ﺃﻃﻴﺐ ﺍﻟﺘﺮﺩﺍﺩ‬

‫ﻣﺬ ﻗﺎﻝ ﺭﺑﻚ ﻟﻠﻤﻼﺋﻜﺔ ﺍﺳﺠﺪﻭﺍ‬

‫ﻛﺘﺐ ﺍﻟﻔﻼﺡ ﻟﻌﺒﺪﻩ ﺍﻟﺴﺠ‪‬ﺎﺩ‬

‫ﰲ ﺫﻛﺮﻯ ﻣﻮﻟﺪ ﺍﻟﺮﺳﻮﻝ ﺍﻟﻌﺮﰊ ﺍﻟﻜﺮﱘ‬ ‫ﻣﺜﻞ ﺍﻹﻧﺴﺎﻥ ﺍﻷﻋﻠﻰ ﻋﻠﻰ ﻣ ‪‬ﺮ ﺍﻟﻌﺼﻮﺭ‬ ‫ﺍﻟﺸﺎﻋﺮ ﻳﻮﺳﻒ ﺍﳋﻄﻴﺐ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﺍﻷﺳﺘﺎﺫ ﻋﺎﻡ ‪ 1931‬ﰲ‬

‫ﺩﻭﺭﺓ ﺍﳋﻠﻴﻞ‪ /‬ﻓﻠﺴﻄﲔ‪ ،‬ﻭﺃ‪‬ﻰ ﺩﺭﺍﺳﺘﻪ‬ ‫ﺍﻟﺜﺎﻧﻮﻳﺔ ﰲ ﺍﳋﻠﻴﻞ‪ ،‬ﰒ ﺩﺭﺱ ﰲ ﻛﻠﻴﺔ‬ ‫ﺍﳊﻘﻮﻕ ﺑﺪﻣﺸﻖ‬

‫ﻭﲣﺮﺝ ﻓﻴﻬﺎ ﻋﺎﻡ‬

‫‪.1955‬‬ ‫ﻋﻤﻞ ﰲ ﻣﻨﺎﺻﺐ ﳐﺘﻠﻔﺔ ﰲ‬ ‫ﺍﺫﺍﻋﺎﺕ‪ :‬ﺩﻣﺸﻖ‪ ،‬ﻓﻠﺴﻄﲔ‪ ،‬ﺍﻟﺮﻳﺎﺽ‪،‬‬ ‫ﺻﻮﺕ ﺍﻟﻌﺮﺏ‪ ،‬ﺍﻟﻘﺎﻫﺮﺓ‪ ،‬ﺍﻟﻜﻮﻳﺖ‪ ،‬ﺑﻐﺪﺍﺩ‪ ،‬ﺇﺫﺍﻋﺔ ﻫﻮﻟﻨﺪﺍ ﺍﻟﻌﺮﺑﻴﺔ‪ .‬ﻭﺷﻐﻞ ﻣﻨﺼﺐ ﺍﳌﺪﻳﺮ ﺍﻟﻌﺎﻡ‬ ‫ﳍﻴﺌﺔ ﺍﻹﺫﺍﻋﺔ ﻭﺍﻟﺘﻠﻔﺰﻳﻮﻥ ﰲ ﺳﻮﺭﻳﺔ ﻋﺎﻡ ‪ ،1965‬ﻭﺍﻧﺘﺨﺐ ﻧﺎﺋﺒ‪‬ﺎ ﻟﻸﻣﲔ ﺍﻟﻌﺎﻡ ﻟﻼﲢﺎﺩ ﺍﻟﻜﺘﺎﺏ‬ ‫ﻭﺍﻟﺼﺤﻔﻴﲔ ﺍﻟﻔﻠﺴﻄﻴﻨﻴﲔ‪.‬‬ ‫ﺃﺳﺲ ﻋﺎﻡ ‪ 1965‬ﺩﺍﺭ ﻓﻠﺴﻄﲔ ﻟﻺﻋﻼﻡ‪ ،‬ﻭﻫﻮ ﻋﻀﻮ ﺍ‪‬ﻠﺲ ﺍﻟﻮﻃﲏ ﺍﻟﻔﻠﺴﻄﻴﲏ‪ .‬ﻭﻋﻀﻮ‬ ‫ﲨﻌﻴﺔ ﺍﻟﺸﻌﺮ‪ ،‬ﻭﻣﻦ ﻣﺆﻟﻔﺎﺗﻪ‪ :‬ﺩﻭﺍﻭﻳﻦ‪ :‬ﺍﻟﻌﻴﻮﻥ ﺍﻟﻈﻤﺎﺀ ﻟﻠﻨﻮﺭ‪ /‬ﻋﺎﺋﺪﻭﻥ‪ /‬ﻭﺍﺣﺔ ﺍﳉﺤﻴﻢ‪ /‬ﳎﻨﻮﻥ‬ ‫ﻓﻠﺴﻄﲔ! ﻭﻟﻪ ﻛﺬﻟﻚ‪ :‬ﻋﻨﺎﺻﺮ ﻫﺪﺍﻣﺔ‪ ،‬ﻗﺼﺺ‪ /‬ﺩﻳﻮﺍﻥ ﺍﻟﻮﻃﻦ ﺍﶈﺘﻞ‪ -‬ﺩﺭﺍﺳﺔ ﻭﳐﺘﺎﺭﺍﺕ‪..‬‬

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‫ﺇﱐ ﳊﺎﺳﺮ ﺭﺃﺳﻲ‪ ،‬ﻏﲑ ﻣﻨﺘﻌﻞ‬

‫ﺣﺎ ٍﺩ ﻟﻚ ﺍﻟﺘﻮﻕ‪ ،‬ﱂ ﺃﺭﺟﻊ‪ ،‬ﻭﱂ ﺃﺻﻞ‬

‫ﻣﺴﺎﻓﺮ ﻓﻴﻚ‪ ،‬ﻏﺎ ٍﺩ ﻋﻨﻚ ﰲ ﺳﻔﺮ‬

‫ﺣﻠﹼﻲ ﻟﺪﻳﻚ‪ ،‬ﻋﻠﻰ ﺍﻵﻓﺎﻕ‪ ،‬ﻣﺮﲢﻠﻲ‬

‫ﻣﻄﻴﱵ ﺧﻴﻞ ﺃﺣﻼﻣﻲ ﺃﺳﺎﺑﻘﻬﺎ‬

‫ﻭﺻﺎﺣﺒﺎﻱ ﺯﻣﲑ ﺍﻟﺮﻳﺢ ﰲ ﺍﻷﺳﻞ‬

‫ﺃﺩﱐ ﺇﱃ ﺍﻷﺭﺽ ﺃﺫﱐ‪ ،‬ﺃﻗﺘﻔﻲ ﺃﺛ ‪‬ﺮﺍ‬

‫ﻟﻮ ﻳﺼﻬﻞ ﺍﻟﺮﻣﻞ ﺑﺎﳋﻴﺎﻟﺔ ﺍﻷﻭﻝ‬

‫ﻟﻜﻨﲏ ﺍﺟﺘﺜﹼﲏ ﺍﻟﺘﺎﺭﻳﺦ ﻧﺎﺣﻴﺔ‬

‫ﳌﺎ ﻋﻘﺪﺕ ﺯﺅﺍﻥ ﺍﻟﺼﻴﻒ ﰲ ﺍﻟﺴ‪‬ﺒﻞ‬

‫ﻓﻬﺎ ﺃﻧﺎ‪ ،‬ﻣﻴﺖ ﺣﻲ‪ ،‬ﺗﻨﺎﺯﻋﲏ‬

‫ﻳﺪﻱ ﺇﻟﻴﻚ‪ ،‬ﻭﺃﻳﺪ ﲨﺔ ﺍﻟﻐﻴﻞ‬

‫ﺖ ﺟﺬﺭﻱ ﺑﺄﺳﺒﺎﺏ ﺇﱃ ﺣﺠﺮ‬ ‫ﻣﺬ ﻣ ‪‬‬

‫ﻓﺎﻧﺒﺖ‪ ،‬ﺧﺬﱐ ﺇﱃ ﺑﺴﺘﺎﻧﻚ ﺍﳋﻀﻞ‬

‫ﺇﱐ ﳊﺎﺳﺮ ﺭﺃﺳﻲ‪ ،‬ﻏﲑ ﻣﻨﺘﻌﻞ‬

‫ﺣﺎﺩ ﻟﻚ ﺍﻟﺘﻮﻕ‪ ،‬ﱂ ﺃﺭﺟﻊ‪ ،‬ﻭﱂ ﺃﺻﻞ‬

‫ﺁﻧﺴﺖ ﻧﺎﺭﻙ ﰲ ﺍﻟﻈﻠﻤﺎﺀ ﺁ ﹶﻥ ﺧﺒﺖ‬

‫ﻋﻠﻰ ﻣﺪﺍﺭ ﺍﻟﺪﺟﻰ‪ ..‬ﻛﺬﺍﺑﺔ ﺍﻟﺸﻌﻞ‬

‫ﺃﻫﻠﻲ ﻋﻠﻰ ﺟﺒﻞ ﺍﻟﺰﻳﺘﻮﻥ ﻣﻄﻔﺄﺓ‬

‫ﺟﺮﺍﺣﻬﻢ‪ ،‬ﻣﻦ ﺃﺿﺄﻥ ﺍﻟﻜﻮﻥ ﻣﻦ ﺟﺒﻞ‬

‫ﺯﻳﺘﻮﻧﺔ ﺍﷲ ﺣﺴﱯ ﺩﻭﻥ ﺷﻌﻠﺘﻬﺎ‬

‫ﻟﻮ ﺣﻠﻢ ﻣﺸﻜﺎ‪‬ﺎ ﰲ ﺟﻔﲏ ﺍﻟﺴ‪‬ﻤﻞ‬

‫ﺁﺗﻴﻚ ﺃﻧﺖ‪ ،‬ﺃﻧﺎﺩﻱ ﺧﻠﻒ ﺃﺯﻣﻨﺔ‬

‫ﻑ ﻭﻋﺮﺓ ﺍﻟﺴﺒﻞ‬ ‫ﻣﺎ ﺑﻴﻨﻨﺎ‪ ..‬ﻭﺳﻮﺍ ٍ‬

‫ﻭﺭﺍﺋ ‪‬ﻲ ﺍﻟﺸﻤﺲ ﻟﻴﻞ ﰲ ﻫﺠﲑ‪‬ﺎ‬

‫ﻭﺳﺪﺕ ﺍﻷﺭﺽ‪ ،‬ﻣﻦ ﺧﻠﻔﻲ‪ ،‬ﻭﻣﻦ ﻗﺒﻠﻲ‬

‫ﻭﺟﺰﺕ ﺃﻫﻠﻲ ﺑﺄﺭﺽ ﺍﻟﻄﻮﺭ‪ ..‬ﺃﻋﻴﻨﻬﻢ‬

‫ﻣﻘﺮﻭﺣﺔ ﰲ ﺩﺧﺎﻥ ﺍﳉﻦ ﻭﺍﳋﺒﻞ‬

‫ﺧﻠﹼﻔﺖ ﺟﻠﺪﺓ ﻭﺟﻬﻲ ﻓﻮﻕ ﻋﻮﺳﺠﺔ‬

‫ﻭﺭﺍﻳﱵ ﰲ ﻋﺠﺎﺝ ﺍﻟﺮﻣﻞ‪ ،‬ﻭﺍﻟﺮ‪‬ﻣﻞ‬

‫ﻭﻋﺎﺭﺽ ﱄ ﺑﺎﻷﺣﻘﺎﻑ ﺧﺎﺗﻠﲏ‬

‫ﻋﻦ ﻭﺍﺑﻞ ﺍﻷﻓﻖ‪ ،‬ﰲ ﺃﻓﻖ ﻣﻦ ﺍﻟﻮﺑﻞ‬

‫ﻣﺰﻗﺖ ﰲ ﺍﻟﻼﺕ ﺻﺪﺭﻱ ﺃﺳﺘﻐﻴﺚ ﺑﻪ‬

‫ﻓﻤﺎ ﺗﻐﻴ‪‬ﺜﺖ ﻣﻦ ﻻﺕ ﻭﻻ ﻫﺒﻞ‬

‫ﻭﻻ ﺍﻟﻐﺮﺍﻧﻴﻖ ﺃﻏﻨﺘﻬﺎ ﺷﻔﺎﻋﺘﻬﺎ‬

‫ﰲ ﻳﻮﻡ ﺃﺑﺮﻫﺔ‪ ،‬ﻋﻨﻬﺎ‪ ،‬ﻓﺘﺸﻔﻊ ﱄ‬

‫ﺻﻤﺎﺀ‪ ،‬ﻣﻌﻮﺟﺔ ﺃﻧ ﹰﻔﺎ‪ ،‬ﻭﺃﻋﺮﻓﻬﺎ‬

‫ﺼﺐ ﻭﺍﻷﺯﻻﻡ ﺇﻥ ﺃﻗﻞ‬ ‫ﻭﺍﻏﲑﺓ ﺍﻟ‪‬ﻨ ‪‬‬

‫ﺑﻠﻰ ﺃﻗﻮﻝ‪ ..‬ﺇﻟﻪ ﺍﻟﺘﻤﺮ ﺃﻟﻌﻨﻪ‬

‫ﻭﺍﻟﻨﺎﻓﺤﲔ ﲞﻮﺭ ﺍﻟﻘﺎﺕ ﻭﺍﻟﺒﺼﻞ‬

‫ﺃﻋﻠﻰ ﺍﻟﻌﻠﻴﲔ ﻣﻦ ﻓﻴﻬﻢ‪ ،‬ﻓﺄﻧﺒﺌﻪ‬

‫ﺃﺣ ‪‬ﻖ ﻭﺍﷲ ﰲ ﺟﻨﺒﻴﻚ ﺳﻴﻒ ﻋﻠﻲ‬

‫ﻫﻢ ﺃﻣﻨﻊ ﺍﻟﺼﺨﺮ ﺃﻥ ﺗﻨﺪﻯ ﺟﺒﺎﻫﻬ ‪‬ﻢ‬

‫ﻭﺃﻃﻴﻊ ﺍﻟﻌﲑ ﻣﱳ ﺍﻟﻌﺎﺭ‪ ،‬ﻭﺍﻟﺬﹼﻟﻞ‬

‫ﻣﻦ ﺃﻋﻄﻮﺍ ﺍﻟﺬﺋﺐ ﺳﻠﻄﺎﻧﺎ ﻭﻣﻘﺪﺭﺓ‬

‫ﻓﺎﻧﻈﺮ ﻗﺮﻭ‪ ‬ﻢ ﰲ ﺭﺑﻘﹼﺔ ﺍﳊﻤﻞ‬

‫ﺁﺗﻴﻚ ﺃﻧﺖ‪ ،‬ﻭﻣﺎ ﺧﻠﻴﺖ ﻣﻦ ﺃﻓﻖ‬

‫ﺇﻻ ﺍﺳﺘﻄﺎﻟﺖ ﻋﻠﻴﻪ ﺭﺍﻳﺔ ﺍﻟﻔﺸﻞ‬

‫ﺁﺗﻴﻚ‪ ،‬ﺃﳘﺰ ﺧﻴ ﹰﻠﺎ ﻏﲑ ﻣﺴﺮﺟﺔ‬

‫ﳌﺎ ﺗﻌﻠﻴﺖ ﺁﻻﻣﻲ ﺇﱃ ﺃﻣﻠﻲ‬

‫ﻛﻦ ﻋﻮﺩﰐ ﰲ ﺧﻴﺎﻡ ﺍﳊﺰﻥ ﺃﻧﺸﺮﻫﺎ‬

‫ﲪﺮﺍﺀ ﺃﻟﻮﻳﺔ ﺧﻔﺎﻗﺔ ﺍﳉﺬﻝ‬

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‫ﻛﻦ ﺷﻌﻠﱵ ﰲ ﺿﻠﻮﻉ ﺍﻟﻠﻴﻞ ﺃﻏﻤﺪﻫﺎ‬

‫ﻛﻦ ﻏﻴﻤﱵ ﻓﻮﻕ ﻗﺤﻂ ﺍﻟﺮﻭﺡ ﻭﺍ‪‬ﻤﻞ‬

‫ﻛﻦ ﳘﱵ ﻋﻨﺪ ﻫﻢ ﺍﳊﻖ ﺃﻃﻠﺒﻪ‬

‫ﻛﻦ ﺃﻣﱵ‪ ،‬ﺑﻌﺪ‪ ،‬ﻣﻦ ﺟﻠﺖ ﻋﻠﻰ ﺍﳉﻠﻞ‬

‫ﻛﻦ ﰲ ﺭﺑﻴﻌﻚ ﻋﻮ ‪‬ﺩﺍ ﺧﺎﻟﺪﺍ‪ ،‬ﻭﻋﻠﻰ‬

‫ﻧﻘﻊ ﺍﳌﻴﺎﺩﻳﻦ‪ ،‬ﺭﻓﺪ ﺍﻟﻨﻮﺭ ﻭﺍﻷﻣﻞ‬

‫ﺃﻡ ﺍﻟﻴﺘﻴﻢ ﻳﺘﻴﻢ ﺍﻟﺪﻫﺮ‪ ،‬ﻻ ﻋﻘﺐ‬

‫ﺭﲪﺎﻙ ﻳﺎ ﺃﻣﺔ ﻭﲪﻰ ﺑﻼ ﺣﺒﻞ‬

‫ﻭﻣﺎ ﺃﻧﺒﻴ‪‬ﻚ‪ ،‬ﻻ ﺍﻷﻗﺼﻰ ﺑﺬﻱ ﺳﺒﺐ‬

‫ﻭﻻ ﺇﱃ ﺍﳌﻸ ﺍﻷﻋﻠﻰ ﺑﺬﻱ ﺭﺳﻞ‬

‫ﺗﺒﺪﻟﺖ ﺳﺤﻦ‪ ،‬ﺃﺧﺮﻯ‪ ،‬ﺑﺴﺎﺣﺘﻪ‬

‫ﺇﻻ ﻋﻤﺎﺋﻢ ﺭﻣﺰ ﺍﻟﻨﺴﻚ ﻭﺍﻟﻮﺟﻞ‬

‫ﺇﻻ ﺍﻟﻨﻘﻮﺵ ﻋﻠﻰ ﺍﻟﺘﻴﺠﺎﻥ ﻣﻦ ﺫﻫﺐ‬

‫ﺣﺎﻝ ﺍﻟﻨﻬﺎﺭ ﻋﻠﻰ ﺍﻟﺪﻧﻴﺎ‪ ،‬ﻭﱂ ﲢﻞ‬

‫ﺣﱴ ﺍﻹﻣﺎﻡ ﻏﺪﺍ ﺑﻴ‪‬ﺎﻉ ﺍﺣﺠﺒﺔ‬

‫ﱄ ﺍﻟﻠﺺ ﺇﻥ ﺃﻛﻞ!؟‬ ‫ﺃﻟﻦ ﻳﻜﻴﻞ ﺇ ﹼ‬

‫ﻭﰲ ﺍﳌﻐﺎﺭﺓ‪ ،‬ﻃﻔﻞ ﺍﷲ ﺷﺎﺧﺼﺔ‬

‫ﻋﻴﻨﺎﻩ ﰲ ﻣﻮﻋﺪ ﺑﺎﻙ ﻋﻠﻰ ﺍﻟﻄﹼﻔﻞ‬

‫ﺃﻣ‪‬ﺎﻩ‪ ،‬ﻳﺎ ﺃﻣ‪‬ﺔ‪ ،‬ﺣ‪‬ﺒﺎ ﻭﻣﺮﲪﺔ‬

‫ﺻﻮﻏﻲ ﻟﻔﻮﺩﻳﻪ ﺗﺎﺝ ﺍﻟﺸﻤﺲ ﻭﺍﻟﻘﺒﻞ‬

‫ﻭﺍﺣﺜﻲ ﺭﻣﺎﺩﻙ ﻳﺎ ﻛﻨﻌﺎﻥ ﻧﺎﺯﻋﺔ‬

‫ﰲ ﺍﷲ ﻣﻦ ﺟﺪﻝ ﺃﻋﻠﻰ‪ ،‬ﺇﱃ ﺟﺪﻝ‬

‫ﻟﻜﻨﲏ ﻋﺪﺕ‪ ،‬ﻳﻮﺣﻨﺎ ﺑﻼ ﻭﺑﺮ‬

‫ﻒ ﻭﺍﳊﻠﻞ‬ ‫ﻋﻠﻰ ﺍﻟﺼﺤﺎﺭﻯ‪ ،‬ﻗﺸﻴﺐ ﺍﳋ ‪‬‬

‫ﺁﺗﻴﻚ ﺃﻧﺖ‪ ،‬ﺑﻼ ﺩﺭﺏ‪ ،‬ﳜﺎﺗﻠﲏ‬

‫ﻋﻨﻚ ﺍﻟﺴﺮﺍﺏ‪ ،‬ﻭﻣﻮﺝ ﺍﻟﺰﻳﻎ ﻭﺍﻟﺰﻟﻞ‬

‫ﻭﻟﻮ ﺗﻨﺎﻭﺑﺖ ﺩﺭﺏ ﺍﻟﻘﺪﺱ ﰲ ﻋﻤﺮ‬

‫ﻣﺎ ﻛﺎﻥ ﻋﺒﺪﻱ ﻗﻀﻰ ﳓ‪‬ﺒﺎ‪ ،‬ﻭﻻ ﲨﻠﻲ‬

‫ﻟﻜﻦ ﺃﳔﺖ ﺑﻮﺍﺩﻱ ﺍﻟﺼﺨﺮ ﺭﺍﺣﻠﱵ‬

‫ﻭﺍ ٍﺩ ﻣﻦ ﺍﻟﺴﻠﻒ ﺍﻷﻧﺒﺎﻁ ﻳﺮﺟﻊ ﱄ‬

‫ﺧﺰﺍﺋﲏ ﻓﻴﻪ ﺻﻮﺍﻥ‪ ..‬ﻭﺁﳍﱵ‬

‫ﺃﻫﺶ ﻣﻦ ﺭﻧﺔ ﺍﻟﻔﺨﺎﺭ ﰲ ﺍﻟﻘﻠﻞ‬

‫ﻋﺪﺕ ﺍﻟﺸﻘ ‪‬ﻲ ﻋﻠﻰ ﺭﺳﻢ ﺃﻣﺎﺣﻜﻪ‬

‫ﻭﻋﺎﺝ ﻏﲑﻱ ﻋﻠﻰ ﺯﻭ‪‬ﺍﺩﰐ ﺑﺪﱄ‬

‫ﺿﻴ‪‬ﻌﺖ ﰲ ﺇﺭﻡ ﺃﻟ ﹰﻔﺎ ﺃﺿﻴ‪‬ﻌﻬﺎ‬

‫ﺑﺮﻳﺔ ﺍﻟﺴﻤﻦ‪ ،‬ﻭﺍﻟﺘﺎﺭﻳﺦ‪ ،‬ﻭﺍﻟﻌﺴﻞ‬

‫ﺿﻴ‪‬ﻌﺖ‪ ،‬ﺿﻴ‪‬ﻌﺖ‪ ،‬ﻻ ﺃﺣﺼﻲ ﻧﺜﺎﺭ ﻳﺪﻱ‬

‫ﻃﺎﺋ ‪‬ﻲ ﻗﻔﺮ‪ ..‬ﺃﺩﺍﺭﻱ ﻗﻴﻠﺔ ﺍﻟﺒﺨﻞ‬

‫ﺿﻴ‪‬ﻌﺖ‪ ،‬ﻋﻦ ﻏﻨﻤﻲ ﺑﺎﻷﻣﺲ‪ ،‬ﺃﺩﻋﻴﱵ‬

‫ﻭﺃﳒﻤﻲ ﰲ ‪‬ﻴﻢ ﺍﻟﻠﻴﻞ‪ ،‬ﻋﻦ ﺇﺑﻠﻲ‬

‫ﰊ‪ ،‬ﺑﻌﺪ‪ ،‬ﺫﺍﻙ ﺍﻟﺬﻱ ﻫﺪ‪‬ﻣﺖ ﺧﻴﻤﺘﻪ‬

‫ﺍﻟﻮﺍﺋﺪ ﺍﻟﻨﺴﻮﺓ‪ ،‬ﺍﻟﺒﺎﻛﻲ ﻋﻠﻰ ﻇﻠﻞ‬

‫ﺍﻟﻀﺎﺋﻊ‪ ،‬ﺍﻷﺷﻌﺚ‪ ،‬ﺍﳌﻐﺒ‪‬ﺮ ﻣﻦ ﺳﻔﺮ‬

‫ﰲ ﻏﲑ ﻣﺎ ﺳﻔﺮ ﻳﻮ ‪‬ﻣﺎ‪ ،‬ﻭﻻ ﻧﺰﻝ‬

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‫ﺁﺗﻴﻚ ﺃﻧﺖ‪ ،‬ﻭﰊ ﻏﻞﹼ‪ ،‬ﻭﺃﺟﻨﺤﺔ‬

‫ﻓﺼﺎﻡ ﺣﺪ ﺍﻟﺮﺩﻯ‪ ،‬ﻭﺍﻟﺒﻌﺚ‪ ،‬ﰲ ﺭﺟﻞ‬

‫ﻭﻟﻮ ﺗﻘﺮ‪‬ﻳﺘﲏ ﺃﻟﻔﻴﺖ ﰲ ﺟﺴﺪﻱ‬

‫ﻏﲑﻱ‪ ،‬ﻭﺧﻠﺖ ﺑﺜﻐﺮﻱ ﺫﺍﺕ ﻣﻨﺘﺤﻞ‬

‫ﻣﺎ ﺃﻋﻠﻢ ﺍﻟﻨﺒﺾ ﰲ ﺻﺪﺭﻱ‪ ،‬ﺃﺩﻓﻖ ﺩﻣﻲ‬

‫ﺃﻡ ﺩﺃﺏ ﻧﺎﻋﻮﺭﺓ ﺩﻭ‪‬ﺍﺭﺓ ﺍﳌﻠﻞ‬

‫ﺗﻘﻄﹼﻌﺖ ﰊ ﻋﺮﻯ‪ ،‬ﻣﻦ ﺃﻳﻦ ﺃﻭﺻﻠﻬﺎ‬

‫ﺇﻥ ﱂ ﺃﺻﻞ ﺑﻚ ﺃﺷﻼﺋﻲ‪ ،‬ﻭﱂ ﺗﺼﻞ‬

‫ﰊ ﻣﻨﻚ‪ ،‬ﺃﻋﻠﻢ‪ ،‬ﻫﺎﻡ ﻏﲑ ﺧﺎﻓﻀﺔ‬

‫ﻓﻼ ﺗﻘﻞ ﺑﻚ ﻣﲏ ﻟﻔﺘﺔ ﺍﳋﺠﻞ‬

‫ﻳﺘﻴﻢ ﻣﻜﹼﺔ‪ ،‬ﻣﺎ ﻳﺘﻤﻲ ﺗﺮﺍﺏ ﺃﺏ‬

‫ﻳﺘﻤﻲ ﺗﺮﺍﺏ ﺍﳌﺪﻯ ﺫﻱ ﺍﻟﺴﻬﻞ ﻭﺍﳉﺒﻞ‬

‫ﺇﺧﺎﻝ ﱄ ﻭﻃﻦ ﺍﻟﺪﻧﻴﺎ ﻭﺟﻨ‪‬ﺘﻬﺎ‬

‫ﻭﻟﻴﺲ ﱄ ﻓﻴﻪ ﺣﱴ ﺣﻔﺮﺓ ﺍﻷﺟﻞ‬

‫ﻭﻣﺎ ﻋﺪﻭﺕ ﺑﻼ ﻭﺟﻪ ﻋﻠﻰ ﺃﺣﺪ‬

‫ﺣﱴ ﻋﺪﺍ ﻗﺒﻠﻲ ﺍﳌﻨﺤﻮﺕ ﰲ ﺑﻄﻞ‬

‫ﻗﺪ ﺟﺎﻧﺐ ﺍﻟﺴﻴﻒ ﳊﻤﻲ ﰲ ﺍﻟﻮﻏﻲ ﻭﺩﻣﻲ‬

‫ﻭﺣﺰﱐ ﺍﻟﺴﻴﻒ ﰲ ﺭﻭﺣﻲ ﻭﰲ ﻣﺜﻠﻲ‬

‫ﻗﻢ ﺩﺍﻭﱐ ﻛﺮﻣﺔ ﻋﻠﻮﻳ‪‬ﺔ‪ ،‬ﻭﺭﺅﻯ‬

‫ﺇﱐ ﺳﺌﻤﺖ ﺣﻮﺍﺓ ﺍﻟﺴﻴﻒ ﻭﺍﻟﻌﺬﻝ‬

‫ﳘ ‪‬ﻲ ﻟﺪﻳﻚ ﲦﺎﻻﺕ ﻣﻌﺘﻘﺔ‬

‫ﻳﺮﻋﺸﻦ ﰲ ﺟﻨﺎﻥ ﺍﻟﻐﺎﺋﺐ ﺍﻟﺜﻤﻞ‬

‫ﺃﻓﺾ ﺧﻮﺍﰊ ﺣﺮﺍﺀ ﻣﻦ ﻋﺮﺍﺋﺸﻬﺎ‬

‫ﺐ ﰲ ﺍﻟﻠﻴﻞ ﺿﻮﺀ ﺍﷲ ﰲ ﺍﳌﻘﻞ‬ ‫ﻭﺻ ‪‬‬

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‫ﰲ ﺫﻛﺮﻯ ﺍﳌﻮﻟﺪ‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻹﻣﺎﻡ ﻳﻮﺳﻒ ﺍﻟﻘﺮﺿﺎﻭﻱ‬

‫ﻟﺸﻴﺨﻲ ﺍﻟﻌﻼﻣﺔ ﺍﻟﻘﺮﺿﺎﻭﻱ ﺩﻳﻮﺍﻧﺎ ﺷﻌﺮ ﻣﻨﺸﻮﺭﺍﻥ‪ :‬ﻧﻔﺤﺎﺕ ﻭﻟﻔﺤﺎﺕ‪ ،‬ﻭ‪ :‬ﺍﳌﺴﻠﻤﻮﻥ‬ ‫ﻗﺎﺩﻣﻮﻥ‪ ،‬ﻭﻛﺘﺐ ﻗﺼﺎﺋﺪﳘﺎ ﻛﻠﻬﺎ )ﺗﻘﺮﻳﺒ‪‬ﺎ( ﻗﺒﻞ ﺗﺴﻌﻴﻨﻴﺎﺕ ﺍﻟﻘﺮﻥ ﺍﻟﻔﺎﺋﺖ‪ ،‬ﻭﺃﻛﺜﺮ ﺍﻟﻘﺼﺎﺋﺪ‬ ‫ﻛﺘﺒﺖ ﰲ ﺷﺒﺎﺑﻪ‪ ،‬ﻭﺑﻌﻀﻬﺎ ﺿﺎﻉ ﻓﻠﻢ ﳒﺪ ﻟﻪ ﺃﺛﺮ‪‬ﺍ‪ ،‬ﻛﻤﺎ ﺃﻥ ﻟﻪ ﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ ﻋﻦ ﻳﻮﺳﻒ‬ ‫ﺍﻟﺼﺪﻳﻖ ﻋﻠﻴﻪ ﺍﻟﺴﻼﻡ ﻛﺘﺒﻬﺎ ﺑﲔ ﺍﳋﺎﻣﺴﺔ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ ﻭﺍﻷﻭﻝ ﺍﻟﺜﺎﻧﻮﻱ )ﻭﱂ ﺗﻜﻦ ﻫﻨﺎﻙ ﻣﺮﺣﻠﺔ‬

‫ﺇﻋﺪﺍﺩﻳﺔ( ﺗﻜﺸﻒ ﻋﻦ ﺷﺎﻋﺮ ﻓﺤﻞ ﻣﻨﺬ ﺍﻟﺒﻮﺍﻛﲑ‪ .‬ﻭﻫﻮ ﻃﻮﻳﻞ ﺍﻟﻨﻔﺲ‪ ،‬ﺷﺪﻳﺪ ﺍﻟﺜﻘﺔ ﺑﺸﺎﻋﺮﻳﺘﻪ‪،‬‬ ‫ﻛﺎﻥ ﻛﺜﲑ‪‬ﺍ ﻣﺎ ﻳﺘﺤﺮﻯ ﺍﻟﻘﻮﺍﰲ ﺍﻟﺼﻌﺒﺔ‪ ،‬ﻭﺍﻟﺘﻌﺎﺑﲑ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﻔﻮﺍﺭﺓ‪ ،‬ﻭﺇﺛﺎﺭﺓ ﺍﳌﺸﺎﻋﺮ – ﰲ ﻣﻘﺘﺒﻞ‬ ‫ﺷﺒﺎﺑﻪ – ﰒ ﺃﻻﻥ ﺍﻟﻔﻘﻪ ﻋﻨﻔﻮﺍﻧﻪ‪ ،‬ﻓﺼﺎﺭ ﺷﻌﺮﻩ ﺷﻌﺮ ﺩﺍﻋﻴﺔ‪..‬‬ ‫ﻭﻳﺘﺠﻠﻰ ﻫﺬﺍ ﺍﳌﻌﲎ ﰲ ﻗﺼﻴﺪﺗﻪ ﻫﺬﻩ‪ ،‬ﺍﻟﱵ ﻧﻘﻠﻬﺎ ﻣﻦ ﻣﺪﺡ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺇﱃ‬ ‫ﻋﺮﺽ ﳊﺎﻝ ﺍﻷﻣﺔ‪ ،‬ﻭﻭﺍﻗﻊ ﺍﻟﺪﻧﻴﺎ‪ ،‬ﻭﺍﺳﺘﻨﻬﺎﺽ ﳍﻤﻢ ﺍﳋﻠﻖ‪ ،‬ﻭﻓﺘﺢ ﻟﻌﻴﻮ‪‬ﻢ‪ ..‬ﻭﻗﺪ ﺃﻛﺮﻣﲏ ﺍﷲ‬ ‫ﻭﻛﺘﺒﺖ ﺩﺭﺍﺳﺔ ﻋﻦ ﺷﻌﺮﻩ ﻋﺎﻡ )‪ (2007‬ﺑﻌﻨﻮﺍﻥ‪ :‬ﺍﻟﻘﺮﺿﺎﻭﻱ ﺷﺎﻋﺮ‪‬ﺍ‪ ،‬ﺳﻠﻄﺖ ﻓﻴﻬﺎ ﺍﻟﻀﻮﺀ‬

‫ﻋﻠﻰ ﺧﺼﺎﺋﺺ ﺷﻌﺮﻩ‪ ،‬ﻭﺩﻭﺍﻭﻳﻨﻪ‪ ،‬ﻭﻧﺸﺮﺕ ﺑﻌﺾ ﺍﻟﺸﻌﺮ ﺍﳌﻔﻘﻮﺩ‪ ..‬ﻭﻫﺬﻩ ﻗﺼﻴﺪﺗﻪ‪:‬‬ ‫‪246‬‬

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‫ﻫﻮ ﺍﻟﺮﺳﻮﻝ ﻓﻜﻦ ﰲ ﺍﻟﺸﻌﺮ ﺣﺴﺎﻧﺎ‬

‫ﻭﺻﻎ ﻣﻦ ﺍﻟﻘﻠﺐ ﰲ ﺫﻛﺮﺍﻩ ﺃﳊﺎﻧﺎ‬

‫ﺫﻛﺮﻯ ﺍﻟﻨﱯ ﺍﻟﺬﻱ ﺃﺣﻴﺎ ﺍﳍﺪﻯ ﻭﻛﺴﺎ‬

‫ﺑﺎﻟﻌﻠﻢ ﻭﺍﻟﻨﻮﺭ ﺷﻌﺒ‪‬ﺎ ﻛﺎﻥ ﻋﺮﻳﺎﻧﺎ‬

‫ﺃﻃ ّﹶﻞ ﻓﺠﺮ ﻫﺪﺍﻩ ﻭﺍﻟﺪﺟﻰ ﻋﻤ ‪‬ﻢ‬

‫ﺑﺎﺕ ﺍﻷﻧﺎﻡ ﻭﻇﻠﻮﺍ ﻓﻴﻪ ﻋﻤﻴﺎﻧﺎ‬

‫ﻫﺬﺍ ﻳﺼﻮﺭ ﲤﺜﺎﻟﹰﺎ ﻭﻳﻌﺒﺪﻩ‬

‫ﻭﺫﺍﻙ ﻳﻌﺒﺪ ﺃﺣﺒﺎﺭ‪‬ﺍ ﻭﻛ ‪‬ﻬّﺎﻧﺎ‬

‫ﺍﻟﻜﻮﻥ ﲝﺮ‪ ‬ﻋﻤﻴﻖ‪ ‬ﻻ ﻣﻨﺎﺭ ﺑﻪ‬

‫ﱂ ﻳﺪ ِﺭ ﻓﻴﻪ ﺑﻨﻮﺍﻹﻧﺴﺎﻥ ﺷﻄﺂﻧﺎ‬

‫ﻭﻳﻞ ﺍﻟﺼﻐﲑ ﻭﻗﺪ ﺻﺎﺭ ﺍﻟﻮﺭﻯ ﲰﻜﹰﺎ‬

‫ﻳﺴﻄﻮ ﺍﻟﻜﺒﲑ ﻋﻠﻴﻪ ﻏﲑ ﺧﺸﻴﺎﻧﺎ!‬

‫ﻓﺪﻭﻟﺔ ﺍﻟﺮﻭﻡ ﺣﻮﺕ‪ ‬ﻓﺎﻏﺮ‪ ‬ﻓﻤﻪ‬

‫ﻳﻄﻐﻰ ﻋﻠﻰ ﺗﻠﻜﹸﻢ ﺍﻷﲰﺎﻙ ﻃﻐﻴﺎﻧﺎ‬

‫ﻭﺩﻭﻟﺔ ﺍﻟﻔﺮﺱ ﺣﻮﺕ‪ ‬ﻣﺜﻠﻪ ﻛﺸﺮﺕ‬

‫ﺃﻧﻴﺎﺑﻪ ﻟﻠﻮﺭﻯ ﺑﻐﻴ‪‬ﺎ ﻭﻋﺪﻭﺍﻧﺎ‬

‫ﻭﺣﺸﻴﺔﹲ ﻋ ‪‬ﻤّﺖ ﺍﻟﺪﻧﻴﺎ ﺃﻇﺎﻓﺮﻫﺎ‬

‫ﺟﻬﺎﻟﺔﹲ ﺃﺻﻠﺖ ﺍﻷﻛﻮﺍﻥ ﻧﲑﺍﻧﺎ!‬

‫ﺍﻟﻠﻴﻞ ﻃﺎﻝ ﺃﻻ ﻓﺠﺮ ﻳﺒﺪﺩﻩ؟!‬

‫ﺭ‪‬ﺑّﺎﻩ‪ ..‬ﺃﺭﺳﻞ ﻟﻨﺎ ﻓﻠﻜﹰﺎ ﻭﺭﺑﺎﻧﺎ!‬

‫ﻫﻨﺎﻙ ﻻﺡ ﺳﻨﺎ ﺍﳌﺨﺘﺎﺭ ﻣﺆﺗﻠﻘﹰﺎ‬

‫ﻳﻬﺪﻱ ﺇﱃ ﺍﷲ ﺃﻋﺠﺎﻣ‪‬ﺎ ﻭﻋﺮﺑﺎﻧﺎ‬

‫ﻳﺘﻠﻮ ﻛﺘﺎﺏ ﻫﺪ‪‬ﻯ ﻛﺎﻥ ﺍﻹﺧﺎﺀ ﻟﻪ‬

‫ﺑﺪﺀًﺍ‪ ..‬ﻭﻛﺎﻥ ﻟﻪ ﺍﻟﺘﻮﺣﻴﺪ ﻋﻨﻮﺍﻧﺎ‬

‫ﻻ ﻛﱪ؛ ﻓﺎﻟﻨﺎﺱ ﺇﺧﻮﺍﻥ ﺳﻮﺍﺳﻴﺔ‬

‫ﻻ ﺫ ّﹶﻝ ﺇﻻ ﳌﻦ ﺳ ‪‬ﻮّﺍﻙ ﺇﻧﺴﺎﻧﺎ‬

‫ﻳﻘﻮﺩ ﺩﻋﻮﺗﻪ ﰲ ﺍﻟﻴ ِّﻢ ﺑﺎﺧﺮﺓﹲ‬

‫ﺗﻘﻞ ﻣﻦ ﺃ ‪‬ﻣّﻬﺎ ﺷﻴﺒ‪‬ﺎ‪ ..‬ﻭﺷﺒﺎﻧﺎ‬

‫ﺍﻟﺴﻠﻢ ﺭﺍﻳﺘﻬﺎ‪ ..‬ﻭﺍﷲ ﻏﺎﻳﺘﻬﺎ‬

‫ﱂ ﺗﺒﻎ ﺇﻻ ﻫﺪ‪‬ﻯ ﻣﻨﻪ ﻭﺭﺿﻮﺍﻧﺎ‬

‫ﺟﺮﺕ ﺑﺮﻛﺒﺎ‪‬ﺎ‪ ..‬ﻻ ﺍﻟﺮﻳﺢ ﺯﻟﺰﳍﺎ‬

‫ﻭﻻ ﻳﺪ ﺍﳌﻮﺝ ﻣﻬﻤﺎ ﺛﺎﺭ ﺑﺮﻛﺎﻧﺎ‬

‫ﻭﻛﻢ ﺃﺭﺍﺩ ﺍﻟﻌِﺪﺍ ﺇﺿﻼﳍﺎ ﻋﺒﺜﹰﺎ‬

‫ﻭﺣﺎﻭﻝ ﺧﺮﻗﻬﺎ ﺑﺎﻟﻌﻨﻒ ﺃﺯﻣﺎﻧﺎ‬

‫ﻭﺍﻫﺎ! ﺃﺗ‪‬ﺨﺮﻕ ﻭﺍﻟﺮﲪﻦ ﺻﺎﻧﻌﻬﺎ؟‬

‫ﻭﺍﷲ ﺣﺎﺭﺳﻬﺎ ﻣﻦ ﻛﻞ ﻣﻦ ﺧﺎﻧﺎ؟!‬

‫ﺃﻡ ﻫﻞ ﺗﻀﻞ ﺳﻔﲔ "ﺑﻴﺖ ﺇﺑﺮ‪‬ﺎ"‬

‫ﻭﺣﻲ ﻣﻦ ﺍﷲ ﻳﻬﺪﻱ ﻛﻞ ﺣﲑﺍﻧﺎ؟!‬

‫ﺃﻡ ﻛﻴﻒ ﻻ ﺗﺼﻞ ﺍﻟﺸﻄﺂﻥ ﺑﺎﺧﺮﺓﹲ‬

‫ﺭﺑﺎ‪‬ﺎ ﺧﲑ ﺧﻠﻖ ﺍﷲ ﺇﻧﺴﺎﻧﺎ؟!‬

‫ﺗﻠﻚ ﺍﻟﺮﻭﺍﻳﺔ ﻭﺍﹶﻟ ‪‬ﻬﻔِﻲ ﳑﺜﻠﺔﹲ‬

‫ﰲ ﺍﻟﻌﺎﱂ ﺍﻟﻴﻮﻡ ﰲ ﺑﻠﺪﺍﻧﻪ ﺍﻵﻧﺎ‬

‫ﺤﺪ‪‬‬ ‫ﺇﻥ ﳜﺘﻠﻒ ﺍﻻﺳﻢ ﻓﺎﳌﻮﺿﻮﻉ ﻣّ‪‬ﺘ ِ‬

‫ﻣﻬﻤﺎ ﺗﻠ ‪‬ﻮّﻧﺖ ﺍﻷﺷﺨﺎﺹ ﺃﻟﻮﺍﻧﺎ‬

‫ﻓﺎﻟﻨﺎﺱ ﻗﺪ ‪‬ﺗّﺨﺬﻭﺍ ﺍﻷﻫﻮﺍﺀ ﺁﳍ ﹰﺔ‬

‫ﺇﻥ ﻛﺎﻥ ﻗﺪ ‪‬ﺗّﺨﺬ ﺍﳌﺎﺿﻮﻥ ﺃﻭﺛﺎﻧﺎ‬

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‫ﺍﻟﺸﻌﺐ ﻳﻌﺒﺪ ﻗﻮﺍﺩ‪‬ﺍ ﺗﻀﻠﻠﻪ‬

‫ﻛﻤﺎ ﻳﻀﻠﻞ ﺫﻭ ﺍﻹﻓﻼﺱ ﺻﺒﻴﺎﻧﺎ‬

‫ﻭﺍﳊﺎﻛﻤﻮﻥ ﻏﺪﺍ ﺍﻟﻜﺮﺳ ّ‪‬ﻲ ﺭ‪ ‬ﻢ‬

‫ﻳﻘﺪﻣﻮﻥ ﻟﻪ ﺍﻷﻭﻃﺎﻥ ﻗﺮﺑﺎﻧﺎ‬

‫ﺇﻥ ﻣﺎﺗﺖ ﺍﻟﻔﺮﺱ ﻓﺎﻟﺮﻭﺳﻴﺎ ﲤﺜﻠﻬﺎ‬

‫ﺃﻣﺎ ﺳﺘﺎﻟﲔ ﻓﻬﻮ ﺍﻟﻴﻮﻡ ﻛِﺴﺮﺍﻧﺎ‬

‫ﻭﺇﻥ ﺗﺰﻝ ﺩﻭﻟﺔ ﺍﻟﺮﻭﻣﺎﻥ ﻓﺎﻟﺘﻤﺴﻮﺍ‬

‫ﰲ ﺍﻹﳒﻠﻴﺰ ﻭﰲ ﺍﻷﻣﺮﻳﻚ ﺭﻭﻣﺎﻧﺎ‬

‫ﻭﺇﻥ ﳝﺖ ﻗﻴﺼﺮ ﻓﺎﻧﻈﺮ ﻟﺼﻮﺭﺗﻪ‬

‫ﻭﺇﻥ ﻳﻜﻮﻧﻮﺍ ﻫ ‪‬ﻢ ﰲ ﺍﻟﺒﺤﺮ ﺣﻴﺘﺎﻧﺎ‬

‫ﻳﺎ ﺧﲑ ﻣﻦ ﺭﺑﺖ ﺍﻷﺑﻄﺎﻝ ﺑﻌﺜﺘﻪ‬

‫ﻭﻣﻦ ﺑﲎ ‪ ‬ﻢ ﻟﻠﺤﻖ ﺃﺭﻛﺎﻧﺎ‬

‫ﺧﻠﻔﺖ ﺟﻴﻠﹰﺎ ﻣﻦ ﺍﻷﺻﺤﺎﺏ ﺳﲑ‪‬ﻢ‬

‫ﺗﻀﻮﻉ ﺑﲔ ﺍﻟﻮﺭﻯ ﺭﻭﺣ‪‬ﺎ ﻭﺭﳛﺎﻧﺎ‬

‫ﻛﺎﻧﺖ ﻓﺘﻮﺣﻬ ‪‬ﻢ ﺑ ‪‬ﺮّﺍ ﻭﻣﺮﲪﺔ‬

‫ﻛﺎﻧﺖ ﺳﻴﺎﺳﺘﻬﻢ ﻋﺪﻟﹰﺎ ﻭﺇﺣﺴﺎﻧﺎ‬

‫ﱂ ﻳﻌﺮﻓﻮﺍ ﺍﻟﺪﻳﻦ ﺃﻭﺭﺍﺩ‪‬ﺍ ﻭﻣﺴﺒﺤ ﹰﺔ‬

‫ﺑﻞ ﺃﺷﺮﺑﻮﺍ ﺍﻟﺪﻳﻦ ﳏﺮﺍﺑ‪‬ﺎ ﻭﻣﻴﺪﺍﻧﺎ‬

‫ﻓﻘﻞ ﳌﻦ ﻇﻦ ﺃﻥ ﺍﻟﺪﻳﻦ ﻣﻨﻔﺼﻞ‬

‫ﻋﻦ ﺍﻟﺴﻴﺎﺳﺔ‪ :‬ﺧﺬ ﻳﺎ ﻏ ّ‪‬ﺮ ﺑﺮﻫﺎﻧﺎ‬

‫ﻫﻞ ﻛﺎﻥ ﺃﲪﺪ ﻳﻮﻣ‪‬ﺎ ﺣﻠﺲ ﺻﻮﻣﻌﺔ‬

‫ﺃﻭ ﻛﺎﻥ ﺃﺻﺤﺎﺑﻪ ﰲ ﺍﻟﺪﻳﺮ ﺭﻫﺒﺎﻧﺎ؟!‬

‫ﻫﻞ ﻛﺎﻥ ﻏﲑ ﻛﺘﺎﺏ ﺍﷲ ﻣﺮﺟﻌﻬﻢ‬

‫ﺃﻭ ﻛﺎﻥ ﻏﲑ ﺭﺳﻮﻝ ﺍﷲ ﺳﻠﻄﺎﻧﺎ؟!‬

‫ﻻ‪ ،‬ﺑﻞ ﻣﻀﻰ ﺍﻟﺪﻳﻦ ﺩﺳﺘﻮﺭ‪‬ﺍ ﻟﺪﻭﻟﺘﻬﻢ‬

‫ﻭﺃﺻﺒﺢ ﺍﻟﺪﻳﻦ ﻟﻸﺷﺨﺎﺹ ﻣﻴﺰﺍﻧﺎ‬

‫ﻳﺮﺿﻰ ﺍﻟﻨﱯ ﺃﺑﺎ ﺑﻜﺮ ﻟﺪﻳﻨﻬ ‪‬ﻢ‬

‫ﻓﻴﻌﻠﻦ ﺍﳉﻤﻊ‪ :‬ﻧﺮﺿﺎﻩ ﻟﺪﻧﻴﺎﻧﺎ‬

‫ﻳﺎ ﺳﻴﺪ ﺍﻟﺮﺳﻞ ﻃﺐ ﻧﻔﺴ‪‬ﺎ ﺑﻄﺎﺋﻔﺔ‬

‫ﺑﺎﻋﻮﺍ ﺇﱃ ﺍﷲ ﺃﺭﻭﺍﺣ‪‬ﺎ ﻭﺃﺑﺪﺍﻧﺎ‬

‫ﻗﺎﺩﻭﺍ ﺍﻟﺴﻔﲔ ﻓﻤﺎ ﺿﻠﻮﺍ ﻭﻻ ﻭﻗﻔﻮﺍ‬

‫ﻭﻛﻴﻒ ﻻ؛ ﻭﻗﺪ ﺍﺧﺘﺎﺭﻭﻙ ﺭ‪‬ﺑّﺎﻧﺎ؟!‬

‫ﺃﻋﻄﻮﺍ ﺿﺮﻳﺒﺘﻬﻢ ﻟﻠﺪﻳﻦ ﻣﻦ ﺩﻣﻬﻢ‬

‫ﻭﺍﻟﻨﺎﺱ ﺗﺰﻋﻢ ﻧﺼﺮ ﺍﻟﺪﻳﻦ ﳎﺎﻧﺎ‬

‫ﺃﻋﻄﻮﺍ ﺿﺮﻳﺒﺘﻬﻢ ﺻﱪ‪‬ﺍ ﻋﻠﻰ ﳏﻦ‬

‫ﺻﺎﻏﺖ ﺑﻼﻟﹰﺎ ﻭﻋﻤﺎﺭ‪‬ﺍ ﻭﺳﻠﻤﺎﻧﺎ‬

‫ﻋﺎﺷﻮﺍ ﻋﻠﻰ ﺍﳊﺐ ﺃﻓﻮﺍﻫ‪‬ﺎ ﻭﺃﻓﺌﺪ ﹰﺓ‬

‫ﺑﺎﺗﻮﺍ ﻋﻠﻰ ﺍﻟﺒﺆﺱ ﻭﺍﻟﻨﻌﻤﺎﺀ ﺇﺧﻮﺍﻧﺎ‬

‫ﺍﷲ ﻳﻌﺮﻓﻬﻢ ﺃﻧﺼﺎﺭ ﺩﻋﻮﺗﻪ‬

‫ﻭﺍﻟﻨﺎﺱ ﺗﻌﺮﻓﻬﻢ ﻟﻠﺨﲑ ﺃﻋﻮﺍﻧﺎ‬

‫ﻭﺍﻟﻠﻴﻞ ﻳﻌﺮﻓﻬﻢ ‪‬ﻋ‪‬ﺒّﺎﺩ ﻫﺠﻌﺘﻪ‬

‫ﻭﺍﳊﺮﺏ ﺗﻌﺮﻓﻬﻢ ﰲ ﺍﻟﺮﻭﻉ ﻓﺮﺳﺎﻧﺎ‬

‫ﺩﺳﺘﻮﺭﻫﻢ ﻻ ﻓﺮﻧﺴﺎ ﻗﻨﻨﺘ‪‬ﻪ‪ ..‬ﻭﻻ‬

‫ﺭﻭﻣﺎ‪ ،‬ﻭﻟﻜﻦ ﻗﺪ ﺍﺧﺘﺎﺭﻭﻩ ﻗﺮﺁﻧﺎ‬

‫ﺯﻋﻴﻤﻬﻢ ﺧﲑ ﺧﻠﻖ ﺍﷲ‪ ..‬ﻻ ﺑﺸﺮ‬

‫ﺇﻥ ‪‬ﻳﻬﺪ ﺣﻴﻨ‪‬ﺎ ﻳﻀﻞ ﺍﻟﻘﺼﺪ ﺃﺣﻴﺎﻧﺎ!‬

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‫"ﺍﷲ ﺃﻛﱪ"‪ ..‬ﻣﺎ ﺯﺍﻟﺖ ﻫﺘﺎﻓﻬ ‪‬ﻢ‬

‫ﻻ ﻳﺴﻘﻄﻮﻥ ﻭﻻ ﳛﻴﻮﻥ ﺇﻧﺴﺎﻧﺎ‬

‫ﻧﺸﻜﻮ ﺇﱃ ﺍﷲ ﺃﺣﺰﺍﺑ‪‬ﺎ ﻣﻀﻠﻠ ﹰﺔ‬

‫ﻛﻢ ﺃﻭﺳﻌﻮﻧﺎ ﺇﺷﺎﻋﺎﺕ ﻭ‪‬ﺘﺎﻧﺎ‬

‫ﻣﺎ ﺯﺍﻝ ﻓﻴﻨﺎ ﺃﻟﻮﻑ ﻣﻦ ﺃﰊ ﳍﺐ‬

‫ﻳﺆﺫﻭﻥ ﺃﻫﻞ ﺍﳍﺪﻯ ﺑﻐﻴ‪‬ﺎ ﻭﻧﻜﺮﺍﻧﺎ‬

‫ﻣﺎ ﺯﺍﻝ ﻻﺑﻦ ﺳﻠﻮﻝ ﺷﻴﻌﺔﹲ ﻛﺜﺮﻭﺍ‬

‫ﺃﺿﺤﻰ ﺍﻟﻨﻔﺎﻕ ﳍﻢ ‪‬ﻭ ‪‬ﺳﻤ‪‬ﺎ ﻭﻋﻨﻮﺍﻧﺎ‬

‫ﻳﺎ ﺭﺏ ﺇﻧﺎ ﻇﹸﻠﻤﻨﺎ ﻓﺎﻧﺘﺼﺮ‪ ،‬ﻭﺃﻧﺮ‬

‫ﻃﺮﻳﻘﻨﺎ‪ ،‬ﻭﺍﺣﺒﻨﺎ ﺑﺎﳊﻖ ﺳﻠﻄﺎﻧﺎ‬

‫ﻧﺸﻜﻮ ﺇﻟﻴﻚ ﺣﻜﻮﻣﺎﺕ ﺗﻜﻴﺪ ﻟﻨﺎ‬

‫ﻛﻴﺪ‪‬ﺍ‪ ..‬ﻭﺗﻔﺘﺢ ﻟﻠﺴﻜﺴﻮﻥ ﺃﺣﻀﺎﻧﺎ‬

‫ﺗﺒﻴﺢ ﻟﻠﻬﻮ ﺣﺎﻧﺎﺕ ﻭﺃﻧﺪﻳﺔ‬

‫ﺠّﺎﻧﺎ‬ ‫ﺗﺆﻭﻱ ﺫﻭﻱ ﺍﻟﻌﻬﺮ ‪‬ﺷ ‪‬ﺮّﺍﺑ‪‬ﺎ ﻭ ‪‬ﻣ ‪‬‬

‫ﻓﻤﺎ ﻟﺪﻭﺭ ﺍﳍﺪﻯ ﺗﺒﻘﻰ ﻣ‪‬ﻐ ﹶﻠّﻘﺔﹰ؟‬

‫ﳝﺴﻲ ﻓﺘﺎﻫﺎ ﻏﺮﻳﺐ ﺍﻟﺪﺍﺭ ﺣﲑﺍﻧﺎ‬

‫ﻳﺎ ﺭﺏ ﻧﺼﺮﻙ‪ ،‬ﻓﺎﻟﻄﺎﻏﻮﺕ ﺃﺷﻌﻠﻬﺎ‬

‫ﺣﺮﺑ‪‬ﺎ ﻋﻠﻰ ﺍﻟﺪﻳﻦ ﺇﳊﺎﺩ‪‬ﺍ ﻭﻛﻔﺮﺍﻧﺎ‬

‫ﻳﺎ ﻗﻮﻡ ﻗﺪ ﺃﻳﺪ ﺍﻟﺘﺎﺭﻳﺦ ﺣﺠﺘﻨﺎ‬

‫ﻭﺣﺼﺤﺺ ﺍﳊﻖ ﻟﻠﻤﺴﺘﺒﺼﺮ ﺍﻵﻧﺎ‬

‫ﺇﻧﺎ ﺃﻗﻤﻨﺎ ﻋﻠﻰ ﺇﺧﻼﺹ ﺩﻋﻮﺗﻨﺎ‬

‫ﻭﺻﺪﻗﻬﺎ ﺃﻟﻒ ﺑﺮﻫﺎﻥ ﻭﺑﺮﻫﺎﻧﺎ‬

‫ﻟﻘﺪ ﻧﻔﻮﻧﺎ ﻓﻘﻠﻨﺎ‪ :‬ﺍﳌﺎﺀ ﺃﻳﻦ ﺟﺮﻯ‬

‫ﳛﻴﻲ ﺍﳌﹶﻮﺍﺕ ﻭﻳﺮﻭﻱ ﻛﻞ ﻇﻤﺂﻧﺎ‬

‫ﻗﺎﻟﻮﺍ‪ :‬ﺇﱃ ﺍﻟﺴﺠﻦ‪ ،‬ﻗﻠﻨﺎ‪ :‬ﺷﻌﺒﺔﹲ ﹸﻓﺘِﺤﺖ‬

‫ﻟﻴﺠﻤﻌﻮﻧﺎ ‪‬ﺎ ﰲ ﺍﷲ ﺇﺧﻮﺍﻧﺎ‬

‫ﻗﺎﻟﻮﺍ‪ :‬ﺇﱃ ﺍﻟﻄﻮﺭ‪ ،‬ﻗﻠﻨﺎ‪ :‬ﺫﺍﻙ ﻣﺆﲤﺮ‪‬‬

‫ﻓﻴﻪ ﻧﻘ ِﺮّﺭ ﻣﺎ ﳜﺸﺎﻩ ﺃﻋﺪﺍﻧﺎ!‬

‫ﻓﻬﻮ ﺍﳌﺼ ﹶﻠّﻰ ﻧﺰ ِﻛّﻲ ﻓﻴﻪ ﺃﻧﻔﺴﻨﺎ‬

‫ﻭﻫﻮ ﺍﳌﺼﻴﻒ ﻧﻘﻮﻱ ﻓﻴﻪ ﺃﺑﺪﺍﻧﺎ‬

‫ﻣﻌﺴﻜﺮ ﺻﺎﻏﻨﺎ ﺟﻨﺪ‪‬ﺍ ﳌﻌﺮﻛﺔ‬

‫ﻭﻣﻌﻬﺪ ﺯﺍﺩﻧﺎ ﻟﻠﺤﻖ ﺗﺒﻴﺎﻧﺎ‬

‫ﻕ ﺃﺭﺑﻌ ٍﺔ‬ ‫ﻣﻦ ﺣ ‪‬ﺮّﻣﻮﺍ ﺍﳉﻤﻊ ﻣﻨﺎ ﻓﻮ ‪‬‬

‫ﺿﻤﻮﺍ ﺍﻷﻟﻮﻑ ﺑﻐﺎﺏ ﺍﻟﻄﻮﺭ ﺃﹸﺳﺪﺍﻧﺎ!‬

‫ﺭﺍﻣﻮﻩ ﻣﻨﻔﹰﻰ ﻭﺗﻀﻴﻴﻘﹰﺎ‪ ،‬ﻓﻜﺎﻥ ﻟﻨﺎ‬

‫ﺑﻨﻌﻤﺔ ﺍﳊﺐ ﻭﺍﻹﳝﺎﻥ ﺑﺴﺘﺎﻧﺎ!‬

‫ﻫﺬﺍ ﻫﻮ ﺍﻟﻄﻮﺭ ﺷﺎﺅﻭﺍ ﺃﻥ ﻧﺬﻭﺏ ﺑﻪ‬

‫ﻭﺷﺎﺀ ﺭﺑﻚ ﺃﻥ ﻧﺰﺩﺍﺩ ﺇﳝﺎﻧﺎ‬

‫ﻣﻌﻠﻘﺔ ﺍﻟﻘﺮﺍﺋﺢ ﺍﳋﻀﺮﺍﺀ‪:‬‬ ‫ﰲ ﺭﻣﻀﺎﻥ ﺍﻟﻔﺎﺋﺖ )‪ (1432‬ﺃﻃﻠﻘﺖ ﰲ ﺍﻷﺭﺩﻥ ﻣﺒﺎﺩﺭﺓ ﻗﺪﳝﺔ ﺃﻃﻮﻝ ﻣﺪﺣﺔ ﰲ ﺭﺳﻮﻝ ﺍﷲ‬

‫ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ )ﺳﺒﻌﻤﺎﺋﺔ ﻭﺳﺒﻌﺔ ﺃﺑﻴﺎﺕ( ﺷﺎﺭﻙ ﻓﻴﻬﺎ ﺭﻗﻢ ﻗﻴﺎﺳﻲ ﻣﻦ ﺍﻟﺸﻌﺮﺍﺀ )ﻣﺎﺋﺔ‬ ‫ﺷﺎﻋﺮ( ﻣﻦ ﺑﻼﺩ ﳐﺘﻠﻔﺔ‪ ،‬ﻛﻞ ﲜﻤﻠﺔ ﺃﺑﻴﺎﺕ ﺃﻋﺮﺏ ‪‬ﺎ ﻋﻦ ﺣﺒﻪ ﺭﺳﻮﻝ ﺍﷲ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ‬ ‫ﻼ ﻣﻦ ﺣﻠﻖ‪ ،‬ﻭﻣﻨﻬﻢ ﻣﻦ ﻗﺎﺭﺏ! ﻣﻨﻬﻢ ﻣﻦ‬ ‫ﻭﺳﻠﻢ‪ ،‬ﻭﺣﺎﻭﻝ ﺻﻴﺎﻏﺘﻬﺎ ﺑﺄﺑﻠﻎ ﻣﺎ ﻳﻄﻴﻖ‪ ،‬ﻭﻣﻨﻬﻢ ﻓﻌ ﹰ‬ ‫ﻗﻠﺪ ﺍﻟﱪﺩﺓ‪ ،‬ﻭﻣﻨﻬﻢ ﻣﻦ ﺍﺧﺘﺎﺭ ﺭﻭﻳﻪ ﻭﺻﻴﺎﻏﺘﻪ! ﻣﻨﻬﻢ ﻣﻦ ﻣﺪﺡ ﺑﺸﻜﻞ ﺗﻘﻠﻴﺪﻱ‪ ،‬ﻭﻣﻨﻬﻢ ﻣﻦ‬ ‫ﺷﻜﺎ ﺣﺎﻝ ﺍﻷﻣﺔ ﻭﻭﺍﻗﻌﻬﺎ‪ ،‬ﻭﻓﻴﻬﺎ ﺑﺎﻳﻊ ﺃﻛﺜﺮﻫﻢ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺻﺮﺍﺣﺔ‪ ،‬ﻭﺃﺑﺪﻯ‬

‫ﻣﻦ ﻋﻼﺋﻢ ﺍﳊﺐ ﻭﺍﻟﺘﻮﻗﲑ ﻣﺎ ﻳﻐﺒﻂ ﻋﻠﻴﻪ‪ ،‬ﻭﺍﺳﺄﻝ ﺍﷲ ﺗﻌﺎﱃ ﺃﻥ ﻳﻌﻴﻨﻬﻢ ﻋﻠﻰ ﺍﻟﻮﻓﺎﺀ ﲟﺎ ﻋﺎﻫﺪﻭﺍ‬ ‫ﺍﷲ ﻋﻠﻴﻪ‪..‬‬

‫ﻭﺳﺄﺛﺒﺖ ﻫﻨﺎ )ﺑﻌﺾ( ﻣﺎ ﻛﺘﺒﻪ ﺍﻟﺸﻌﺮﺍﺀ ﰲ ﺍﳌﺪﻳﺢ‪ ..‬ﻭﰲ ﺍﳌﺎﺩﺣﺎﺕ ﺳﺄﺛﺒﺖ ﺑﻌﺾ ﻣﺎ ﻗﺎﻟﺘﻪ‬ ‫ﺍﻟﺸﻮﺍﻋﺮ‪ ،‬ﻭﰲ ﺍﳌﻌﺎﺭﺿﺎﺕ ﺍﳌﻌﺎﺻﺮﺓ ﻟﻠﱪﺩﺓ ﺳﺄﺿﻊ ﺑﻌﺾ ﺍﻷﺑﻴﺎﺕ ﺍﻟﱵ ﻛﺘﺒﻬﺎ ﺃﺻﺤﺎ‪‬ﺎ ﻋﻠﻰ‬ ‫‪‬ﺞ ﺍﻟﱪﺩﺓ‪..‬‬ ‫ﻭﻗﺪ ﺑﺪﺕ ﻣﻌﻠﻘﺔ ﺍﻟﻘﺮﺍﺋﺢ ﺍﳋﻀﺮﺍﺀ ﲟﻘﺪﻣﺔ‪ ،‬ﻋﻠﻰ ﺃﺳﺎﺳﻬﺎ ﲡﺎﻭﺏ ﺍﻟﺸﻌﺮﺍﺀ‪ ،‬ﻭﺗﻔﺎﻋﻠﻮﺍ‬

‫ﺷﻌﺮ‪‬ﺍ ﺑﻠﻴﻐ‪‬ﺎ‪ ،‬ﻭﻗﺪ ﺭﺗﺒﺖ ﺍﻷﺑﻴﺎﺕ ﲝﺴﺐ ﺍﻟﻘﺎﻓﻴﺔ‪ ،‬ﻓﺈﻥ ﺗﺸﺎ‪‬ﺖ ﺭﺗﺒﺖ ﲝﺴﺐ ﺍﻻﺳﻢ‪ ،‬ﻭﻫﺬﺍ‬ ‫ﻧﺼﻬﺎ‪:‬‬ ‫‪‬ﻣ ‪‬ﺪ ﺍﻟﻴﻤﲔ‪ ،‬ﺭﺳﻮ ﹼﻝ ﺍﷲ ﻗﺪ ﻗﺪِﻣﻮﺍ ***** ﻣﺪ‪‬ﻭﺍ ﺍﻟﻴﻤﲔ‪ ،‬ﻭﻋﻬﺪ ﺍﳊ ‪‬ﺮ ﻣﻠﺘﺰ ‪‬ﻡ‬ ‫ﺐ ﺗﺪﻓﻌﻬ ‪‬ﻢ ***** ﰲ ﺍﻟﺪﺭﺏ ﳓﻮﻙ‪ ..‬ﻭﺍﻏﱪ‪‬ﺕ ﳍﻢ ﻗﺪ ‪‬ﻡ‬ ‫ﺧ‪‬ﻀ ‪‬ﺮ ﺍﻟﻘﺮﺍﺋﺢِ‪ ..‬ﺭﻳﺢ ﺍﳊ ‪‬‬ ‫ﻓﺎﺧﺮﺝ ﺇﻟﻴﻨﺎ ﺭﺳﻮﻝ ﺍﷲ‪ ..‬ﳓﻦ ﻫﻨﺎ ***** ﺇﻧﺎ ﺑﺒﺎﺑﻚ‪ ..‬ﻭﺍﻷﺷﻮﺍﻕ ﺗﻀﻄﺮ ‪‬ﻡ‬ ‫ﻫﺬﻱ ﺍﻟﺴﺮﻭﺝ ﻋﻠﻴﻬﺎ ﺃﻟﻒ ﻣﺮﲡ ٍﻞ ***** ﻣﻦ ﺍﻟﻘﺮﻳﺾِ‪ ..‬ﻟﻪ ﰲ ﻛﻔﻪ ﳉ ‪‬ﻢ‬

‫ﻫﺬﻱ ﺍﳍﻮﺍﺩﺝ ﻓﻴﻬﺎ ﺃﻟﻒ ﺷﺎﻋﺮ ٍﺓ ***** ﺧﻨﺴﺎﺀُ‪ ..‬ﺟﺎﺀ ‪‬ﺎ ﻳﺴﻌﻰ ﻫﻨﺎ ﺍﻟﺮ ِﺣﻢ‪‬‬ ‫ﺖ ﻫﻢ ﰲ ﺍﳌﻌﻤﻌﺎﺕ ﻫ ‪‬ﻢ‬ ‫ﻒ ﺍﻟﻌﻬﺪ ﳓﻮﻛ ‪‬ﻢ ***** ﻣﻦ ﺍﺑﻦ ﺛﺎﺑ ‪‬‬ ‫ﻭﺍﻟﺒﺎﺳﻄﻮﻥ ﺃﻛ ‪‬‬ ‫ﺲ ﻣﻨﻬﺎ ﺗﻨﻤﺤﻲ ﺍﻟ ﱡﻈ ﹶﻠﻢ‪‬‬ ‫ﺽ ﻛ ‪‬ﻲ ﺗﺆﺟ‪‬ﺠﻬ ‪‬ﻢ ***** ﻣﺜﻞ ﺍﻟﻔﻮﺍﻧﻴ ِ‬ ‫ﻕ ﺑﺒﺴﻤﺔ ﺭﺍ ٍ‬ ‫ﺃﺷﺮ ‪‬‬ ‫‪250‬‬

‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﳏﻤ‪‬ﺪ ﺗﺎﻣﺎﻟﺖ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﻭﻟﺪ ﺍﻟﺸﺎﻋﺮ ﻭﺍﻟﺼﺤﻔﻲ ﺍﳉﺰﻳﺮﺓ ﳏﻤﺪ ﺑﻦ ﺍﻟﻮﻧﺎﺱ ﺑﻦ ﻋﻠﻲ ﺑﻦ‬ ‫ﺳﻌﻴﺪ ﺑﻦ ﳏﻤﺪ ﺑﻦ ﻋﻤﺮﻭ ﺗﺎﻣﺎﻟﺖ ﰲ ﻣﺪﻳﻨﺔ ﺍﻟﻘﺼﺒﺔ ﺣﺎﺿﺮﺓ ﺍﳉﺰﺍﺋﺮ‬ ‫ﺍﻟﻌﺜﻤﺎﻧﻴﺔ ‪ ،1975‬ﻧﺸﺮﺕ ﻟﻪ ‪ -‬ﺑﻌﺪ ﻫﺠﺮﺗﻪ ﺍﻻﺿﻄﺮﺍﺭﻳﺔ ‪-‬‬

‫ﻋﺸﺮﺍﺕ ﺍﳌﻘﺎﻻﺕ ﰲ ﺍﻟﻘﺪﺱ ﺍﻟﻌﺮﰊ‪ ،‬ﻭﺍﻟﺸﺮﻕ ﺍﻷﻭﺳﻂ‪ ،‬ﻭﺍﳌﻴﺪﻝ‬ ‫ﺇﻳﺴﺖ ﺃﻭﻥ ﻻﻳﻦ‪ ،‬ﻭﺍﻟﻌﺮﺏ ﺗﺎﳝﺰ‪ ،‬ﻭﺍﻷﻫﺮﺍﻡ‪ ،‬ﻭﺇﻳﻼﻑ‪ ،‬ﻛﻤﺎ ﻋﻤﻞ‬ ‫ﻣﺮﺍﺳﻼ ﻟﻘﻨﺎﺓ ﻓﺮﺍﻧﺲ ‪ 24‬ﺍﻟﻔﺮﻧﺴﻴﺔ ﻭﻟﻪ ﻗﺼﺎﺋﺪ ﻣﻨﺸﻮﺭﺓ ﰲ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﺼﺤﻒ ﻭﺗﺮﲨﺎﺕ ﻣﻦ‬ ‫ﺍﻟﻔﺮﻧﺴﻴﺔ ﻭﺍﻹﳒﻠﻴﺰﻳﺔ ﺇﱃ ﺍﻟﻌﺮﺑﻴﺔ‪:‬‬ ‫ﺼﲑ‪ ‬ﹶﻛﻤ‪‬ﺎ ‪‬ﺗ ‪‬ﺒﻜِﻲ ﺍﳊﹸ ‪‬ﻤﻴ‪‬ﺮﺍﺀُ ***** ‪‬ﻭ ‪‬ﺟ ‪‬ﻨﺐ‪ ‬ﺃ ‪‬ﺣ ‪‬ﻤ ‪‬ﺪ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ﺍﻟﻨ‪‬ﻮ ِﻡ ‪‬ﺣ ‪‬ﻤﺮ‪‬ﺍ ُﺀ‬ ‫ﳊ ِ‬ ‫‪‬ﻳ ‪‬ﺒﻜِﻲ ﺍ ﹶ‬ ‫ﺕ ﺍﻟ ﹶﻘ ‪‬ﺰ‪ ..‬ﻣ ﹾﻠﺴ‪‬ﺎ ُﺀ‬ ‫ﺶ ‪‬ﻳ ﹶﻔ ِﺮﺷ‪‬ﻪ‪ ***** ‬ﻭ‪‬ﻟﻠ ‪‬ﻤﻠﹸﻮ ِﻙ ‪‬ﺗﺨ‪‬ﻮ ‪‬‬ ‫ﺼﲑ‪ ‬ﺍﻟ ﹶﻘ ‪‬‬ ‫ﺃﹶﻟﻠ‪‬ﻨِﺒ ‪‬ﻲ ‪‬ﺣ ِ‬ ‫ﺻﻤ‪‬ﺎ ُﺀ‬ ‫ﺻﻨ‪‬ﺎ ِﻡ ‪‬‬ ‫ﺴﺪ‪‬ﺍ ***** ﹶﺃﻣ‪‬ﺎ ﺍ ﹸﳌﻠﹸﻮ ‪‬ﻙ ﹶﻓﻜﹶﺎ َﻷ ‪‬‬ ‫ﺖ ‪‬ﺟ ‪‬‬ ‫‪‬ﻧ ‪‬ﻌ ‪‬ﻢ ﹶﻓﹶﺄ ‪‬ﺣ ‪‬ﻤﺪ‪ ‬ﺭ‪‬ﻭﺡ‪ ‬ﺷ ‪‬ﺮ ﹶﻓ ‪‬‬ ‫ﺽ ﻭ‪‬ﺍﳌﹶﺎﺀُ‬ ‫ﺏ ﺍﻷ ‪‬ﺭ ِ‬ ‫ﺡ ﻏﹶﺎِﻟ‪‬ﻴﺔﹲ ***** ﹶﺃﻣ‪‬ﺎ ‪‬ﻫ ‪‬ﻢ ﹶﻓ‪‬ﺘﺮ‪‬ﺍ ‪‬‬ ‫ﺤ ‪‬ﻤﺪ‪ ‬ﺭ‪‬ﻭﺡ‪ ‬ﺣ ‪‬ﻴﺚﹸ ﺍﻟﺮ‪‬ﻭ ‪‬‬ ‫ﻣ‪ ‬‬ ‫ﺡ ﻭﺭ‪‬ﻗﺎ ُﺀ‬ ‫ﺲ ‪‬ﺗ ﹾﻔ ‪‬ﻬﻤ‪‬ﻪ‪ ***** ‬ﺇﻻ ﹸﻗﻠﹸﻮﺏ‪ِ ‬ﻃﻬ‪‬ﺎ ‪‬ﺭ ﺍﻟﺮ‪‬ﻭ ِ‬ ‫ﲎ ﻟ ‪‬ﻴ ‪‬‬ ‫‪‬ﻧ ‪‬ﻌ ‪‬ﻢ ﹶﻓﹶﺄ ‪‬ﺣ ‪‬ﻤﺪ‪ ‬ﻣ ‪‬ﻌ ‪‬‬ ‫ﺖ ‪‬ﻧ ﹶﻈ ‪‬ﺮ ﺍﻝ ***** ﻓﹶﺎﻧِﻲ ‪‬ﻭ ‪‬ﺩﻣ‪‬ﺎ ﹸﻥ ِﻋﺸ‪‬ﻖ ﺍﳉﹶﺎ ِﻩ ﹶﺛﻨ‪‬ﺎ ُﺀ‬ ‫ﻭ‪‬ﻻ ‪‬ﺗﺮ‪‬ﻯ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ‪‬ﻋ ‪‬ﻴﻦ‪ ‬ﹼﺃ ‪‬ﺩ ‪‬ﻣ‪‬ﻨ ‪‬‬ ‫ﲑ‪‬ﺗﻪ‪ ***** ‬ﹼﺃﻣ‪‬ﺎ ﺍ ﹸﳌﻠﹸﻮ ‪‬ﻙ ﹶﻓ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﻫ ‪‬ﻢ ﺭ‪ ‬ﻣﻴ‪‬ﺼﺎﺀُ‬ ‫ﺼ‪‬‬ ‫ﺤ ‪‬ﻤﺪ‪ ‬ﺟ ‪‬ﻌ ﹶﻞ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﺣ ِ‬ ‫‪‬ﻣ ‪‬‬

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‫ﺍﻟﺸﺎﻋﺮ ﻋﻤﺮ ﺃﺑﻮ ﻏﺮﻳﺒﺔ‪ ..‬ﺍﻷﺭﺩﻥ‬ ‫ﺐ‬ ‫ﺴﺮ‪‬ﺍ ‪‬ﻙ ﻓِﻲ ‪‬ﺭ ‪‬ﺟ ِ‬ ‫ﹶﺃﺿ‪‬ﺎ َﺀ ‪‬ﻫﺬﹶﺍ ﺍﻟ ‪‬ﺪﺟ‪‬ﻰ ‪‬ﻣ ‪‬‬ ‫ﺚ ﻓِﻴﻨ‪‬ﺎ‪ ..‬ﻭ ‪‬ﺧ ‪‬ﻴ ‪‬ﺮ ‪‬ﻧﺒِﻲ‬ ‫ﻳ‪‬ﺎ ‪‬ﺧ ‪‬ﻴ ‪‬ﺮ ﻣ‪ ‬ﺒ‪‬ﺘ ‪‬ﻌ ٍ‬

‫ﺤﻮ ﺍﻟﻌ‪‬ﻼ‪ ..‬ﻭ ‪‬ﺳﻤ‪‬ﺎ‬ ‫ﻕ ِﺑ ِﻪ ‪‬ﻧ ‪‬‬ ‫ﻃﹶﺎ ‪‬ﺭ ﺍﻟ‪‬ﺒﺮ‪‬ﺍ ‪‬‬

‫ﺏ‬ ‫ﺠ ٍﻢ ‪‬ﻭ ِﻣ ‪‬ﻦ ‪‬ﻋ ‪‬ﺮ ِ‬ ‫ﳋ ﹾﻠ ِﻖ ِﻣ ‪‬ﻦ ﻋ‪ ‬‬ ‫ﺴ‪‬ﻴ ِﺪ ﺍ ﹶ‬ ‫ِﺑ ‪‬‬ ‫ﺐ‬ ‫ﺱ ﻭ‪‬ﺍﳊﹸﺠ‪ِ ‬‬ ‫ﺵ ﻭ‪‬ﺍ َﻷ ﹾﻗﺪ‪‬ﺍ ِ‬ ‫ﻕ ِﺇﻟﹶﻰ **** ﹶﺃ ﹾﻓﻨ‪‬ﺎ ِﺀ ﺫِﻱ ﺍﻟ ‪‬ﻌ ‪‬ﺮ ِ‬ ‫ﻑ ‪‬ﻳ ﹾﻄﻮِﻱ ﺍﻟ ﱢﻄﺒ‪‬ﺎ ‪‬‬ ‫ﺕ ﻓِﻲ ‪‬ﺭ ﹾﻓ ‪‬ﺮ ٍ‬ ‫‪‬ﻭ ِﺳ ‪‬ﺮ ‪‬‬ ‫ﺐ‬ ‫ﺲ ﹶﻏ ‪‬ﻴﺮ‪ ‬ﻙ ‪‬ﻳ ‪‬ﺮﻗﹶﻰ ‪‬ﻣ ‪‬ﻨ‪‬ﺘﻬ‪‬ﻰ ﺍﻟ ‪‬ﺮ‪‬ﺗ ِ‬ ‫ﻉ ِﺟ ‪‬ﺒﺮِﻳﻞﹲ ﻣ‪‬ﺮ‪‬ﺍﻓ ﹶﻘﻪ‪ **** ‬ﹶﻓ ﹶﻠ ‪‬ﻴ ‪‬‬ ‫‪‬ﻫﻨ‪‬ﺎ ‪‬ﻙ ‪‬ﻭ ‪‬ﺩ ‪‬‬ ‫ﺏ‬ ‫ﺴ ِﻦ ﺍﳋﹸ ﹾﻠ ِﻖ ﻭ‪‬ﺍ َﻷ ‪‬ﺩ ِ‬ ‫ﺏ ﺍﻟ ِﻌﺒ‪‬ﺎ ِﺩ ِﺑﺤ‪ ‬‬ ‫ﻱ **** ‪‬ﺭ ‪‬‬ ‫ﺵ ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ‪‬ﻳ ‪‬ﺪ ‪‬‬ ‫ﺤ ِﻦ ﺍﻟ ‪‬ﻌ ‪‬ﺮ ِ‬ ‫ﺼ‪‬‬ ‫ﺖ ِﺑ ‪‬‬ ‫‪‬ﺣﺘ‪‬ﻰ ‪‬ﻭ ﹶﻗ ﹾﻔ ‪‬‬ ‫ﺏ‬ ‫ﺲ ﻭ‪‬ﺍﻟﻘﹸﺮ‪ِ ‬‬ ‫ﻁ ﺍﻷُ‪‬ﻧ ِ‬ ‫ﺖ ﹶﺛ ‪‬ﻢ ِﺑﺴ‪‬ﺎ ﹶ‬ ‫ﺖ ﹶﻛﻤ‪‬ﻮﺳ‪‬ﻰ ‪‬ﻧ ‪‬ﻌ ﹶﻠﻪ‪ِ ‬ﺑ ﹸﻄﻮ‪‬ﻯ **** ‪‬ﺑ ﹾﻞ ﺩ‪ ‬ﺳ ‪‬‬ ‫ﹶﻓﻤ‪‬ﺎ ‪‬ﺧ ﹶﻠ ‪‬ﻌ ‪‬‬ ‫ﺏ‬ ‫ﺏ ﻓﹶﺎ ﹾﻗ‪‬ﺘ ِﺮ ِ‬ ‫ﺤﺒ‪‬ﻮ ‪‬‬ ‫ﺻ ﹶﻄ ﹶﻔ ‪‬ﻴﻨ‪‬ﺎ ‪‬ﻙ ﻳ‪‬ﺎ ‪‬ﻣ ‪‬‬ ‫ﺠﻮ‪‬ﻯ ‪‬ﻣﺸ‪‬ﺎ ﹶﻓ ‪‬ﻬ ﹰﺔ **** ﺇﻧ‪‬ﺎ ﺍ ‪‬‬ ‫ﻚ ﺍﷲ ﺑِﺎﻟ‪‬ﻨ ‪‬‬ ‫ﺼ ‪‬‬ ‫‪‬ﻭ ‪‬ﺧ ‪‬‬ ‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﻳﺎﺳﲔ ﺑﻦ ﻋﺒﻴﺪ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﺖ‬ ‫ﺴﻌِﻴ ‪‬ﺪ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﻣ‪‬ﺎ ﺍﹾﻟ‪‬ﺘﹶﺄ ‪‬ﻣ ‪‬‬ ‫ﹶﺃﻧ‪‬ﺎ ﺍﻟ ‪‬‬ ‫ﹶﻛ ﱠﻔﺎ ‪‬ﻙ ﻧ‪‬ﻮﺭ‪‬ﺍ ﻋﻠﻰ ﹶﻗ ﹾﻠﺒِﻲ ‪‬ﻭﻗﹶﺎ ِﻓ‪‬ﻴﺘِﻲ‬ ‫ﺱ ِﲝﻤ‪‬ﺎ ‪‬ﻙ ﺍ ﹸﳌ ﹾﻔ‪‬ﺘﺪ‪‬ﻯ ﹶﺃ‪‬ﺑﺪ‪‬ﺍ‬ ‫ﹶﻓ ‪‬ﻌ ‪‬ﺮ ‪‬‬ ‫ﺖ‬ ‫ﺼ ِﻠ ِ‬ ‫‪‬ﻭﺩ‪‬ﺍ ﹶﻓ ‪‬ﻊ ﻣ‪‬ﻮ ِﻏﻠﹰﺎ ﻓِﻴ ﹸﻜ ‪‬ﻢ ِﺑﻤ‪ ‬ﻨ ‪‬‬ ‫ﺤﺘِﻲ‬ ‫ﺐ ﹶﺃ ‪‬ﺟِﻨ ‪‬‬ ‫ﳊ ‪‬‬ ‫ﺠﻬِﻲ‪ ..‬ﻭ‪‬ﺍ ﹸ‬ ‫ﺐ ‪‬ﻣ‪‬ﺘ ‪‬‬ ‫ﳊ ‪‬‬ ‫ﺤﻤ‪‬ﺔ **** ﺍ ﹸ‬ ‫ﹸﻛﻠﱢﻲ ﺇﻟﻴ‪‬ﻚ ‪‬ﻣﻮ‪‬ﺍﺟِﻴﺪ ‪‬ﻭ ‪‬ﺣ ‪‬ﻤ ‪‬‬ ‫ﲔ ‪‬ﻣ ‪‬ﻮﻛﹸﻮﻟﹰﺎ ِﻟﻌ‪‬ﺎ ِﻃ ﹶﻔﺘِﻲ‬ ‫ﺤ‪‬ﺒ ‪‬‬ ‫ﻣ‪‬ﺎ ِﺯﹾﻟﺖ‪ ‬ﻣ‪‬ﺎ ِﺯﹾﻟﺖ‪ ‬ﹶﻟ ‪‬ﻢ ﹶﺃ ‪‬ﺳ ﹸﻜ ‪‬ﻦ ِﻟ ‪‬ﻐ ‪‬ﻴ ِﺮﻛﹸﻢ‪ **** ‬ﺑ ‪‬ﻴ ‪‬ﻦ ﺍﳌﹸ ِ‬ ‫ﺾ ﹶﺃ ‪‬ﺯ ِﻣ‪‬ﻨﺘِﻲ ﻓﹶﺎ‪‬ﻧ ﹸﻈ ‪‬ﺮ ﺇﻟﹶﻰ ِﺟ ‪‬ﻬﺘِﻲ‬ ‫ﻟِﻲ ﻓِﻲ ‪‬ﻫﻮ‪‬ﺍ ‪‬ﻙ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﻣ‪ ‬ﻨ ﹶﻔ ‪‬ﺮﺝ‪ِ **** ‬ﻣ ‪‬ﻦ ‪‬ﻋ ‪‬‬ ‫ﻚ ﹶﺃ‪‬ﻳﻤ‪‬ﺎﻧ‪‬ﺎ ‪‬ﻳ ﹶﻘ‪‬ﺒ ﹸﻠﻬ‪‬ﺎ **** ﹶﻗ ﹾﻠﺒِﻲ‪ ..‬ﹶﻓ‪‬ﻴ ﹾﻘﻮ‪‬ﻯ ‪‬ﻋﻠﹶﻰ ﻋ‪‬ﺎ ٍﺩ ‪‬ﻭﻧ‪‬ﺎِﺋ‪‬ﺒ ِﺔ‬ ‫ﻭ‪‬ﺍ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩ ‪‬ﺣﻨ‪‬ﺎ‪‬ﻧ ‪‬ﻴ ‪‬‬

‫ﺽ ﹶﺃﹾﻟ ِﻮ‪‬ﻳﺘِﻲ‬ ‫ﺿﻴ‪‬ﺎ ﹶﺃ ِﻋ ‪‬ﻴﺶ‪ِ ‬ﺑﻬ‪‬ﺎ **** ‪‬ﻭ‪‬ﻳ ‪‬ﺮ ﹶﻓﻊ‪ ‬ﺍﷲ ‪‬ﻳ ‪‬ﻮ ‪‬ﻡ ﺍﹾﻟ ‪‬ﻌ ‪‬ﺮ ِ‬ ‫ﻭ‪‬ﺍ ‪‬ﻣ‪‬ﻨ ‪‬ﻦ ِﺑ ‪‬ﺮ ‪‬ﺅﻳ‪‬ﺎ ‪‬ﻙ ‪‬ﻣ ‪‬ﺮ ِ‬

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‫ﺍﻟﺸﺎﻋﺮ ﻋﻠﻲ ﺍﳊﻮﺭﺍﱐ ‪ -‬ﺍﻷﺭﺩﻥ‬ ‫ﺐ ﹶﻗ ‪‬ﺪ ﻃﹶﻔﺤ‪‬ﺎ‬ ‫ﳊ ‪‬‬ ‫ﺼ ﹶﻄﻔﹶﻰ ﺑِﺎ ﹸ‬ ‫ﺍﻟ ﹶﻘ ﹾﻠﺐ‪ ‬ﻟﻠﻤ‪ ‬‬ ‫ﺻ ‪‬ﺪﺣ‪‬ﺎ‬ ‫ﺸ ‪‬ﻌ ‪‬ﺮ ﻣ‪‬ﺎ ‪‬‬ ‫ﹶﻟﻪ‪ ‬ﺍﻟ ﹸﻔﺆ‪‬ﺍ ‪‬ﺩ‪ ..‬ﻭ ‪‬ﻫﺬﹶﺍ ﺍﻟ ‪‬‬ ‫ﺸ ‪‬ﻊ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ﻣ‪‬ﺆ‪‬ﺗ ِﻠﻘﹶﺎ‬ ‫ﺐ‪ ..‬ﹶﻓ ‪‬‬ ‫ﳊﺒِﻴ ‪‬‬ ‫ﺟ‪‬ﺎ ‪‬ﺩ ﺍ ﹶ‬ ‫ﺸﻖ‪ ‬ﺍﻟ ﹶﻔ ‪‬ﺮﺣ‪‬ﺎ‬ ‫ﹶﺃﻋ‪‬ﺎ ‪‬ﺩ ‪‬ﺭ ‪‬ﺳ ‪‬ﻢ ِﺷﻔﹶﺎ ٍﻩ ‪‬ﺗ ‪‬ﻌ ‪‬‬ ‫ﺸ ِﺮﺣ‪‬ﺎ‬ ‫ﺸ ‪‬ﻌ ِﺮ ‪‬ﻣ ‪‬ﺒﻬ‪‬ﻮﺭ‪‬ﺍ ‪‬ﻭ ‪‬ﻣ ‪‬ﻨ ‪‬‬ ‫‪‬ﻫﺬِﻱ ‪‬ﻳﺪِﻱ ﻳ‪‬ﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﹶﺃ ‪‬ﺭ ﹶﻓ ‪‬ﻌﻬ‪‬ﺎ **** ﻓِﻲ ‪‬ﺑ ‪‬ﻴ ‪‬ﻌ ِﺔ ﺍﻟ ‪‬‬ ‫ﺨﺮ‪‬ﻭﺍ **** ﹶﻓِﺒﻨ‪‬ﺎ ‪‬ﻳﻔﹶﺎ ِﺧﺮ‪ ‬ﻳ ‪‬ﻮ ‪‬ﻡ ﺍﻟﺪ‪‬ﻳ ِﻦ ﻣ‪‬ﺎ ‪‬ﺑ ِﺮﺣ‪‬ﺎ‬ ‫‪‬ﻫﻮ ﺍﻟ‪‬ﻨِﺒ ‪‬ﻲ ِﺑ ِﻪ ‪‬ﻧ ‪‬ﺰﻫ‪‬ﻮ ﺇِﻥ ﺍ ﹾﻓ‪‬ﺘ ‪‬‬ ‫ﺱ ﻓِﻲ ‪‬ﺷ ‪‬ﺮ ِﻋ ِﻪ ﹸﻛ ﱞﻞ ‪‬ﺳﻮ‪‬ﺍﺳِﻴﺔﹲ **** ‪‬ﻣ ‪‬ﻦ ِﻣ ﹾﺜﻞﹸ ﹶﺃ ‪‬ﺣ ‪‬ﻤ ‪‬ﺪ ﻓِﻲ ﺍ َﻷ ‪‬ﺯﻣ‪‬ﺎ ِﻥ ‪‬ﻣ ‪‬ﻨ ﹶﻔِﺘﺤ‪‬ﺎ‬ ‫ﺍﻟﻨ‪‬ﺎ ‪‬‬ ‫ﺻ ﹶﻔﺤ‪‬ﺎ‬ ‫ﺽ ﺍﻟ ‪‬ﻌ ﹾﻔﻮ ﺑِﺎ ِﻹ ‪‬ﺣﺴ‪‬ﺎ ِﻥ ﺇ ﹾﺫ ‪‬‬ ‫ﺼ‪‬ﺒِﺘ ِﻪ **** ﻭﻋ ‪‬ﺮ ‪‬‬ ‫ﻒ ‪‬ﻣ ‪‬ﺰ ‪‬ﻫﻮ‪‬ﺍ ِﺑﻌ‪ ‬‬ ‫ﺴ ‪‬ﻴ ‪‬‬ ‫ﺽ ﺍﻟ ‪‬‬ ‫ﹶﻟ ‪‬ﻢ ‪‬ﻳ ‪‬ﻌ ِﺮ ِ‬ ‫ﺸﻜﹸﻮﻟﹰﺎ ‪‬ﻭﻣ‪ ‬ﹾﻘ‪‬ﺘﺮ‪‬ﺣﺎ‬ ‫ﺲ ﺍﻟ ﱡﻈ ﹾﻠ ‪‬ﻢ ‪‬ﻣ ‪‬‬ ‫ﺸﻤ‪‬ﺎِﺋ ﹸﻞ ‪‬ﺑ ‪‬ﻌﺾ‪ِ ‬ﻣ ‪‬ﻦ ‪‬ﺳﻤ‪‬ﺎ ‪‬ﺣِﺘ ِﻪ **** ﹶﻟ ‪‬ﻢ ‪‬ﻳ ﹾﻠِﺒ ِ‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫ِﺗ ﹾﻠ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺇﻗﺒﺎﻝ ﺑﻠﻮ‪ -‬ﺳﻮﺭﻳﺎ‪:‬‬ ‫ﻣ ‪‬ﺪ ﺍﻟﻴﻤﲔ ﺭﺳﻮﻝ ﺍﷲ ﺃﻟﺜﻤﻬﺎ‬ ‫ﺣﱴ ﻳﺬﻭﺏ ﻓﺆﺍﺩﻱ ﰲ ﺍﳌﺴﺎ ِﻡ ﻫﺪﻯ‬ ‫ﺐ ﻣﻦ ﺃﺿﻮﺍﺋﻬﺎ ِﻓ ﹶﻜﺮ‪‬ﺍ‬ ‫ﺃﺳﺘﻠﻬﻢ ﺍﳊ ‪‬‬ ‫ﻭﺃﺭﺷﻒ ﺍﻟﺸﻌﺮ ﻣﻦ ﺃﻓﻴﺎﺋﻬﺎ ﻣﺪﺩﺍ‬

‫ﱯ ِﻓﺪ‪‬ﺍ‬ ‫ﺃﻓﺪﻳﻚ ﺑﺎﻟﺮ‪‬ﻭﺡ ﺭﻭﺣﻲ ﺟﺪ ﻋﺎﺷﻘﺔ **** ﻳﺎ ﺳﻴﺪ ﺍﳋﻠﻖ‪ ..‬ﺭﻭﺣﻲ ﻟﻠﻨ ‪‬‬ ‫ﺃﺩﻧﻮ ﺇﻟﻴﻚ ﻭﺷﻮﻗﻲ ﺍﻟﻴﻮﻡ ﻳﺮﻫﻘﲏ **** ﻳﻌ ‪‬ﺪ ﺃﻳﺎﻡ ﻋﻤﺮﻱ‪ ..‬ﻣﻠﹼﻬﺎ ﻋﺪﺩﺍ‬ ‫ﺕ **** ﺇﱃ ﺍﳌﺪﻳﻨﺔ ﻧﻮﺭ‪‬ﺍ ‪..‬ﻭﺍﻟﺜﹼﺮﻯ ﺍﺗﻘﺪﺍ‬ ‫ﺕ ﻣﻦ ﺑﻠﺪ ﺑﺎﻟﻜﻌﺒﺔ ﺍﺯﺩﻫﺮ ‪‬‬ ‫ﻫﺎﺟﺮ ‪‬‬ ‫ﻓﻜﻨﺖ ﻓﻴﻬﻢ ﻛﻤﺎ ﺍﻹﳝﺎﻥ ﻣﻨﺒﺜﻘﹰﺎ **** ﻣﻦ ﺃﺣﺮﻑ ﺍﻟﺬﹼﻛﺮ ﺃﻭ ﻣﻦ ﺟﻨ‪‬ﺔ ﺍﻟﺸﻬﺪﺍ‬ ‫ﻓﺒﺎﻳﻌﻮﻙ ﻛﻤﺎ ﺧﻀﺮ ﺍﻟﻘﺮﺍﺋﺢ ﻗ ‪‬ﺪ **** ﻫﺒ‪‬ﻮﺍ ﺇﻟﻴﻚ ﻛﻄﲑ ﰲ ﺍﻟﺴ‪‬ﻤﺎ ِﺀ ‪‬ﺷﺪ‪‬ﺍ‬

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‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﺃﲪﺪ ﺷﻜﺎﺭﻧﺔ ‪ -‬ﻓﻠﺴﻄﲔ‪:‬‬ ‫ﺴﺪِﻱ‬ ‫ﺕ ﺇﻟﻴ‪‬ﻚ ‪‬ﻭ‪‬ﻳ ‪‬ﻬﻮِﻱ ‪‬ﺧ ﹾﻠﻔﹶﻬﺎ ‪‬ﺟ ‪‬‬ ‫ﲔ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﺇ ﹼﻥ ﻳ‪‬ﺪﻱ **** ‪‬ﻣ ‪‬ﺪ ‪‬‬ ‫‪‬ﻣ ‪‬ﺪ ﺍﻟ‪‬ﻴ ِﻤ ‪‬‬ ‫ﻀﺪِﻱ‬ ‫ﻚ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﻳ‪‬ﺎ ‪‬ﻋ ‪‬‬ ‫ﺇﻧ‪‬ﻲ ﺃﹸ ‪‬ﺟ ‪‬ﺪﺩ‪ ‬ﻋ ‪‬ﻬﺪِﻱ ﹸﻛ ﱠﻞ ﻗﹶﺎ ِﻓ‪‬ﻴ ٍﺔ **** ‪‬ﻋ ‪‬ﻬﺪِﻱ ﺇﻟ ‪‬ﻴ ‪‬‬

‫ﺴ ‪‬ﻴ ِﺮ ﻓِﻲ ﺍﻟ ‪‬ﺮ ‪‬ﺷ ِﺪ‬ ‫ﺐ ﺍﻟ ‪‬‬ ‫ﳊﻴ‪‬ﺎ ِﺓ ِﺑﻄِﻴ ِ‬ ‫ﻚ ﺍﻟ‪‬ﻴ ‪‬ﻮ ‪‬ﻡ ﺭ‪‬ﺍ ِﺟ‪‬ﻴ ﹰﺔ**** ‪‬ﺧ ‪‬ﻴ ‪‬ﺮﺍ ﹶ‬ ‫ﻉ ﹶﺃ‪‬ﺗ ‪‬ﺘ ‪‬‬ ‫ﳉﻤ‪‬ﻮ ‪‬‬ ‫‪‬ﻫﺬِﻱ ﺍ ﹸ‬ ‫ﺴ ِﺪ‬ ‫ﳊ ‪‬ﺒ ﹶﻞ ِﻣ ‪‬ﻦ ‪‬ﻣ ‪‬‬ ‫ﻕﺍﹶ‬ ‫ﻚ ﺫﹶﺍ ‪‬‬ ‫ﺲ ﹶﻃ ‪‬ﺮ ﹶﻓ ‪‬‬ ‫ﺖ ﺳ‪‬ﻮﺭ‪ **** ‬ﻣ ‪‬ﻦ ‪‬ﻣ ‪‬‬ ‫ﺖ ﹸﺃ ‪‬ﻣﻢ‪ ‬ﻣ‪‬ﺬ ﺃﹸ‪‬ﻧ ِﺰﹶﻟ ‪‬‬ ‫ﹶﻗ ‪‬ﺪ ﹶﺃ‪‬ﻳ ﹶﻘ‪‬ﻨ ‪‬‬ ‫ﻚ ‪‬ﺧ ﹾﺬ ﺭ‪‬ﻭﺣِﻲ ‪‬ﻭ ‪‬ﺧ ﹾﺬ ‪‬ﻭﹶﻟﺪِﻱ‬ ‫ﺸ ‪‬ﻬ ِﺪ ﺍﻷُ ‪‬ﻣﻢ‪ **** ‬ﹶﺃﻧ‪‬ﻲ ﹶﻓ ‪‬ﺪ‪‬ﻳﺘ‪ ‬‬ ‫ﺇﻧ‪‬ﻲ ُﻷ ‪‬ﻋ ِﻠ‪‬ﻨﻬ‪‬ﺎ‪ ..‬ﻭﹾﻟ‪‬ﺘ ‪‬‬ ‫‪‬ﺧ ﹾﺬ ﻣ‪‬ﺎ ‪‬ﺗﺸ‪‬ﺎ ُﺀ ِﻣ ‪‬ﻦ ﺍ َﻷ ‪‬ﺟﺰ‪‬ﺍ ِﺀ ﹶﺃ ‪‬ﺟ ‪‬ﻤ ِﻌﻬ‪‬ﺎ **** ‪‬ﺧ ﹾﺬ ﻣ‪‬ﺎ َﺀ ﹶﻗ ﹾﻠﺒِﻲ ‪‬ﺧ ﹾﺬ ﺍﻟ ‪‬ﻌ ‪‬ﻴ‪‬ﻨ ‪‬ﻴ ِﻦ ‪‬ﺧ ﹾﺬ ﹶﻛِﺒﺪِﻱ‬ ‫ﻕ ﺇِﱃ ﺍ َﻷ‪‬ﺑ ِﺪ‬ ‫ﻚ ﻳ‪‬ﺎ ِﺷ ‪‬ﻌﺮِﻱ ِﻟ ‪‬ﻤ ﹾﻜﺮ‪ ‬ﻣ ٍﺔ **** ‪‬ﺣﺴ‪‬ﺎ ﹸﻥ ﺭ‪‬ﺍِﺋ ‪‬ﺪﻫ‪‬ﺎ ﺑ‪‬ﺎ ٍ‬ ‫ﺇﻧ‪‬ﻲ ‪‬ﻧ ﹶﺬ ‪‬ﺭﺗ‪ ‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺟﺮﺑﻮﻋﺔ – ﺍﳉﺰﺍﺋﺮ‬ ‫ﻣ ‪‬ﺪ ﺍﻟﻴﻤﲔ ﺭﺳﻮﻝ ﺍﷲ‪ ..‬ﻫﺎﻙ ﻳﺪﻱ‬ ‫ﺧﺬ ﲦﺮﺓ ﺍﻟﻘﻠﺐِ‪ ..‬ﺧﺬ ﻣﺎﱄ ﻭﺧﺬ ﻭﻟﺪﻱ‬ ‫ﺧﺬ ﻣﺎ ﺗﺸﺎ ُﺀ ﻣﻦ ﺍﻷﺷﻌﺎ ِﺭ ﺃﻧﺴﺠﻬﺎ‬ ‫ﺑﲔ ﺍﻟﺪﻣﺎﺀ ﻭﺑﲔ ﺍﻟﻌﻈ ِﻢ ﻭﺍﻟﻐﺪ ِﺩ‬

‫ﺻﺪﺭﻱ ﺑﺼﺪﺭﻙ ﺇﻥ ﺗﻘﺼﺪ ‪‬ﻙ ﻃﺎﺋﺸﺔﹲ **** ﻣﻦ ﺍﻟﺮﻣﺎﺡِ‪ ..‬ﺃﻧﺎ ﺃﻓﺪﻳﻚ ﺑﺎﳉﺴ ِﺪ‬ ‫ﺖ ﺍﻟﻌﻤ ‪‬ﺮ ﻣﺴﻐﺒ ﹰﺔ **** ﻓﺎﻗﻄﻊ ﺑﺮﺑﻚ ﻣﺎ ﻳﻜﻔﻴﻚ ﻣﻦ ﻛﺒﺪﻱ‬ ‫ﺇﱐ ﻋﺮﻓﺘﻚ‪ ..‬ﻋﺸ ‪‬‬ ‫ﻒ ﻣﺮﺗ ِﻌ ِﺪ‬ ‫ﺖ **** ﻣﻦ ﻧﻮﺭ ﻛﻔﹼﻚ‪ ..‬ﺃ ‪‬ﻣ ‪‬ﻦ ﻛ ‪‬‬ ‫ﻣ ‪‬ﺪ ﺍﻟﻴﻤﲔ‪ ..‬ﻓﻜﻔ ‪‬ﻲ ﻛﺎﻟﻘﻄﺎ ﺍﺭﲡﻔ ‪‬‬ ‫ﺁﺗﻴﻚ‪ ..‬ﺃﻗﺼ ‪‬ﺪ ﺑﺎﺏ ﺍﳉﺮﺡ ﺃﻭﺻﺪ ‪‬ﻩ **** ﰲ ﻭﺟﻪ ﺻﺎﺣﺒﺔ ﺍﻟﻨﲑﺍﻥ ﻭﺍﳌﺴ ِﺪ‬ ‫ﺁﺗﻴﻚ ﺃﻧﺼﺐ ﺻﻮﺏ ﺍﻟﺮﻳﺢ ﻗﺎﻓﻴﱵ **** ﺭﻭﺣﻲ ﺍﻟﻌﻤﻮﺩ‪ ..‬ﻭﻗﻠﱯ ﻭﺍﳍﻮﻯ ﻭﺗﺪﻱ‬

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‫ﺍﻟﺸﺎﻋﺮ ﲰﻴﺢ ﺍﲰﺎﻋﻴﻞ ‪ -‬ﺍﻷﺭﺩﻥ‬ ‫ﺐ ﻣ‪‬ﺎ ﹶﺃ ِﺟﺪ‪‬‬ ‫ﺐ ‪‬ﻳ ‪‬ﻐ ‪‬ﻤ ‪‬ﺮﻧِﻲ ﻳ‪‬ﺎ ﻃِﻴ ‪‬‬ ‫ﳊ ‪‬‬ ‫ﻣ‪‬ﺎﺫﹶﺍ ﹶﺃﻗﹸﻮ ﹸﻝ ‪‬ﻭ ‪‬ﺷ ‪‬ﻮﻗِﻲ ﺍﻟﻨ‪‬ﺎ ‪‬ﺭ ‪‬ﺗ‪‬ﺘ ِﻘﺪ‪ **** ‬ﻭ‪‬ﺍ ﹸ‬ ‫ﺤﺪ‪‬‬ ‫ﻚ ﹶﺃ‪‬ﺗ ِ‬ ‫ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴﺪِﻱ ﻳ‪‬ﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ‪‬ﻳ ‪‬ﻤ ِﻠ ﹸﻜﻨِﻲ **** ‪‬ﻫﻮ‪‬ﺍ ‪‬ﻙ ‪‬ﺣﺘ‪‬ﻰ ﹶﺃﺭ‪‬ﺍﻧِﻲ ﻓِﻴ ‪‬‬ ‫ﺐ ﹸﺃ ‪‬ﺳﻘﹶﺎ ‪‬ﻩ ﹶﻓﹶﺄ‪‬ﺑ‪‬ﺘ ِﺮﺩ‪‬‬ ‫ﳊ ‪‬‬ ‫ﻚ ﻳ‪‬ﺎ ﺭ‪‬ﻭﺣِﻲ ‪‬ﻭﻳ‪‬ﺎ ﹶﺃ ‪‬ﻣﻠِﻲ **** ﹶﺛ ِﻤ ﹾﻠﺖ‪ ‬ﺑِﺎ ﹸ‬ ‫ِﺇﻣ‪‬ﺎ ﹶﺫ ﹶﻛ ‪‬ﺮﺗ‪ ‬‬

‫ﻚ ‪‬ﺣﻴ‪‬ﺎﺗِﻲ ‪‬ﻣ ‪‬ﻦ ﹶﺃﻛﹸﻮ ﹸﻥ ﹶﺃﻧ‪‬ﺎ **** ِﺑ ‪‬ﻐ ‪‬ﻴ ِﺮ ‪‬ﻫﺪ‪‬ﻳﻚ‪‬؟ ﻣ‪‬ﺎ ِﺇﻟﹼﺎ ‪‬ﻙ ﻟِﻲ ‪‬ﺳ‪‬ﻨﺪ‪‬‬ ‫ﺖ ﻓِﻴ ‪‬‬ ‫ﺼ ‪‬‬ ‫ﹶﺃ ‪‬ﺭ ‪‬ﺧ ‪‬‬ ‫ﳋ ﹾﻠ ِﻖ ِﻣ ‪‬ﻦ ﹶﺃ ‪‬ﻭﺣ‪‬ﺎ ِﻝ ﻇﹸ ﹾﻠ ‪‬ﻤِﺘ ِﻬ ‪‬ﻢ **** ‪‬ﻭ ‪‬ﻣ ‪‬ﻨ ِﻬﻀ‪‬ﺎ ﹸﺃ ‪‬ﻣﻤ‪‬ﺎ ﹶﻗ ‪‬ﺪ ‪‬ﻫ ‪‬ﺪﻫ‪‬ﺎ ﺍﻟ ﱠﻠ ‪‬ﺪﺩ‪‬‬ ‫ﻳ‪‬ﺎ ﻣ‪ ‬ﻨ ِﻘ ﹶﺬ ﺍ ﹶ‬ ‫ﻚ ‪‬ﻭﹾﻟ‪‬ﻴ ﹾﻔ‪‬ﻨﻮ‪‬ﺍ ِﺑﻤ‪‬ﺎ ‪‬ﺣ ﹶﻘﺪ‪‬ﻭﺍ‬ ‫ﺤ‪‬ﺒ ‪‬‬ ‫ﺖ ‪‬ﺣ‪‬ﻨﻘﹰﺎ **** ‪‬ﻣ ‪‬ﻦ ﻻ ﻳ‪ِ ‬‬ ‫ﺖ ‪‬ﻭﹶﺃ ‪‬ﺳﻤ‪‬ﻰ ‪‬ﻭﹾﻟ‪‬ﻴ ‪‬ﻤ ‪‬‬ ‫ﹶﺃ ‪‬ﻋ ‪‬ﺰ ﹶﺃ‪‬ﻧ ‪‬‬ ‫ﻚ ‪‬ﻭ‪‬ﺗ ‪‬ﻬﻮ‪‬ﻯ ﹶﺃ‪‬ﻧﻬ‪‬ﺎ ‪‬ﺗ ِﺮﺩ‪‬‬ ‫‪‬ﺗ ﹾﻔﺪِﻱ ‪‬ﻋﺮ‪‬ﺍ ‪‬ﻙ ﹶﺃﺑ‪‬ﺎ ﺍﻟ ‪‬ﺰ ‪‬ﻫﺮ‪‬ﺍ ِﺀ ﹶﺃ ﹾﻓِﺌ ‪‬ﺪﺓﹲ **** ‪‬ﺗ ‪‬ﻬﻮِﻱ ِﺇﹶﻟ ‪‬ﻴ ‪‬‬

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‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﲰﺤﺎﻥ ‪ -‬ﺍﻷﺭﺩﻥ‬ ‫ﻁ ﺍﻟﻨ‪‬ﻮ ِﺭ ‪‬ﻣ ‪‬ﻨﻀ‪‬ﻮ ‪‬ﺩ‬ ‫ﹶﻛﹶﺄ‪‬ﻧﻪ‪ِ ‬ﺑﺨ‪‬ﻴﻮ ِ‬ ‫ﺨﻀ‪‬ﻮ ‪‬ﺩ‬ ‫ﺡ ‪‬ﻣ ‪‬‬ ‫ﻑ ﺍﻟﺮ‪‬ﻭ ِ‬ ‫َﻷ‪‬ﻧﻪ‪ِ ‬ﻣ ‪‬ﻦ ِﺷﻐ‪‬ﺎ ِ‬

‫ﺸ ‪‬ﻌ ‪‬ﺮ ‪‬ﻣ ‪‬ﺰ ‪‬ﻫﻮ‪‬ﺍ ‪‬ﻋﻠﹶﻰ ‪‬ﻭ ‪‬ﺟ ٍﻞ‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫‪‬ﺳﻤ‪‬ﺎ ﹶﻟ ‪‬‬ ‫ﻚ ﻭ‪‬ﺍﳉﹸﻮﺩ‪‬‬ ‫ﻀﻞﹸ ﻓِﻲ ﹶﻛ ﱠﻔ ‪‬ﻴ ‪‬‬ ‫ﹶﻛﻤ‪‬ﺎ ‪‬ﺳﻤ‪‬ﺎ ﺍﻟ ﹶﻔ ‪‬‬ ‫ﺾ‬ ‫ﻂ ﺍ‪‬ﻧِﺒﺴ‪‬ﺎﻁﹲ ﹶﻏ ‪‬ﻴﺮ‪ ‬ﻣ‪ ‬ﻨ ﹶﻘِﺒ ٍ‬ ‫‪‬ﻭﻓِﻲ ﺍﻟ‪‬ﺒﺴِﻴ ِ‬ ‫ﺐ ﺍﷲ ‪‬ﻣ ‪‬ﻤﺪ‪‬ﻭ ‪‬ﺩ‬ ‫ﺤﺒِﻴ ِ‬ ‫ﹶﻛﹶﺄ‪‬ﻧ ‪‬ﻪ ِﻟ ‪‬‬ ‫ﺐ ‪‬ﻣﺆ‪‬ﺗ ِﻠﻖ‪ **** ‬ﻧﻀ‪‬ﺎ ‪‬ﺭ ‪‬ﻩ ِﺑ ‪‬ﺮﺣِﻴ ِﻖ ﺍﻟ ‪‬ﻮ ‪‬ﺭ ِﺩ ‪‬ﻣ ‪‬ﻌﻘﹸﻮ ‪‬ﺩ‬ ‫ﻕ ﺍﻟ ﹶﻘ ﹾﻠ ِ‬ ‫ﺻﻊ‪ِ ‬ﺑ ‪‬ﻌﺮ‪‬ﻭ ِ‬ ‫‪‬ﻣ ‪‬ﺮ ‪‬‬ ‫ﺏ ﹶﺃ ﹾﻛ ‪‬ﺮ ِﻡ ‪‬ﺧ ﹾﻠ ِﻖ ﺍﷲ ‪‬ﻣ ‪‬ﻌﻤ‪‬ﻮ ‪‬ﺩ‬ ‫ﺝ **** ﹶﻓﺒ‪‬ﺎ ‪‬‬ ‫ﻚ ﹶﻟﻮ ﻧ‪‬ﺎﺟ‪‬ﺎ ‪‬ﻙ ِﻣ ‪‬ﻦ ‪‬ﺣ ‪‬ﺮ ٍ‬ ‫‪‬ﻭﻣ‪‬ﺎ ِﻟﺮ‪‬ﺍﺟِﻴ ‪‬‬

‫ﺸﻔﹶﺎ ‪‬ﻋ ِﺔ ‪‬ﻣ ﹾﻔﺘ‪‬ﻮﺡ‪ ‬ﻭ ‪‬ﻣ ‪‬ﻮﺭ‪‬ﻭ ‪‬ﺩ‬ ‫ﺖ ﹶﻟ ‪‬ﻬ ‪‬ﻢ **** ‪‬ﺣ ‪‬ﻮﺽ‪ ‬ﺍﻟ ‪‬‬ ‫ﺖ ﻗﹸ ﹾﻠ ‪‬‬ ‫ِﺑ ِﻪ ‪‬ﻳﻠﹸﻮ ﹸﺫ ‪‬ﺧﻄﹶﺎﺓﹲ ﹶﺃ‪‬ﻧ ‪‬‬ ‫ﺏ ‪‬ﻣ ‪‬ﻮﻟﹸﻮ ‪‬ﺩ‬ ‫ﲔ ‪‬ﻳ ‪‬ﺒﺪِﻱ ﺍﻟ‪‬ﺘ ‪‬ﻮ ‪‬‬ ‫ﺴﻦ‪ ‬ﺍﻟ ﱠﻈ ‪‬ﻦ ﻓِﻲ ‪‬ﻣﻮ‪‬ﻻ ‪‬ﻩ ﹶﺃ ‪‬ﻣ ﹶﻠﻪ‪ **** ‬ﹶﻛﹶﺄ‪‬ﻧﻪ‪ِ ‬ﺣ ‪‬‬ ‫ﺤِ‬ ‫‪‬ﻭﻣ‪ ‬‬ ‫ﺤﻤ‪‬ﻮ ‪‬ﺩ‬ ‫ﳋ ﹾﻠ ِﻖ ‪‬ﻣ ‪‬‬ ‫ﺼﻒ‪ **** ‬ﻭ ﹸﺫﻭ ﺍ ﹶﳌﻘﹶﺎ ِﻡ ﺍﹼﻟﺬِﻱ ﻓِﻲ ﺍ ﹶ‬ ‫ﳊ ‪‬ﻤ ِﺪ ‪‬ﻣ‪‬ﺘ ِ‬ ‫ﺤ ‪‬ﻤﺪ‪ ‬ﹶﺃ ‪‬ﺣ ‪‬ﻤﺪ‪ ‬ﺑِﺎ ﹶ‬ ‫‪‬ﻣ ‪‬‬ ‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺍﻟﺰ‪‬ﺑﲑ ﺩﺭﺩﻭﺥ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﺴﻠِﻴﻤ‪‬ﺎ ِﺑ ِﻪ ﹶﻗ ‪‬ﺪﺭِﻱ‬ ‫ﻚ ‪‬ﺗ ‪‬‬ ‫ﺑ‪‬ﺎ‪‬ﻳ ‪‬ﻌﺖ‪ ‬ﺣ‪‬ﺒ ‪‬‬ ‫ﺤ‪‬ﺒ ﹰﺔ ﻭ‪‬ﺍ‪‬ﻧِﺘﻤ‪‬ﺎ ًﺀ‪ ..‬ﻳ‪‬ﺎ ‪‬ﻫﻮ‪‬ﻯ ﺍﹾﻟ ‪‬ﻌ ‪‬ﻤ ِﺮ‬ ‫‪‬ﻣ ‪‬‬ ‫ﻣ‪‬ﺎ ﺍﹾﻟﻨ‪‬ﻮ ‪‬ﺭ ﹶﻟﻮ‪‬ﻻ ‪‬ﻙ ﻳ‪‬ﺎ ‪‬ﻣ ‪‬ﻌﻨ‪‬ﻰ ﺍﹾﻟ ‪‬ﻮﺟ‪‬ﻮ ِﺩ ‪‬ﻭﻳ‪‬ﺎ‬ ‫ﻀﻴ‪‬ﺎ ِﺀ ‪‬ﻭﻳ‪‬ﺎ ‪‬ﺷ ‪‬ﻤﺴِﻲ ‪‬ﻭﻳ‪‬ﺎ ﹶﻗ ‪‬ﻤﺮِﻱ‬ ‫‪‬ﻣ ‪‬ﻌﻨ‪‬ﻰ ﺍﻟ ‪‬‬ ‫ﻱ ِﺇﻟﹶﻰ ﺍﻟ‪‬ﻨ ‪‬ﻌﻤ‪‬ﺎ ِﺀ ‪‬ﻭﺍﻟ ﱠﻈ ﹶﻔ ِﺮ‬ ‫ﺼﺘِﻲ **** ‪‬ﻭﻳ‪‬ﺎ ‪‬ﻫﺪ‪‬ﺍ ‪‬‬ ‫‪‬ﻭﻳ‪‬ﺎ ‪‬ﺳﻤ‪‬ﺎ َﺀ ﻭ‪‬ﻻﺀَﺍﺗِﻲ ‪‬ﻭﺧ‪‬ﺎِﻟ ‪‬‬ ‫ﺸ ِﺮ‬ ‫ﺏ ‪‬ﺳﻤ‪‬ﺎ ﻓِﻲ ﻗﹸ ‪‬ﺪ ‪‬ﻭ ِﺓ ﺍﹾﻟ‪‬ﺒ ‪‬‬ ‫ﺏ ‪‬ﺩﻣِﻲ **** ِﺇﻟﹶﻰ ﺍ‪‬ﻧِﺘﺴ‪‬ﺎ ٍ‬ ‫‪‬ﻭ ﹸﻗ ‪‬ﺪ ‪‬ﻭﺗِﻲ ‪‬ﻭِﺇﻣ‪‬ﺎﻣِﻲ ﻭ‪‬ﺍ‪‬ﻧِﺘﺴ‪‬ﺎ ‪‬‬ ‫ﺼﺮِﻱ‬ ‫ﲑ ﹶﺓ ﹶﺃ ‪‬ﺯﻣ‪‬ﺎﻧِﻲ ‪‬ﻭﻳ‪‬ﺎ ‪‬ﺑ ‪‬‬ ‫ﺼ‪‬‬ ‫ﺻ ﹶﺔ ‪‬ﻣ ‪‬ﻦ ﺑِﺎﹾﻟ ‪‬ﻮﺣ‪‬ﻲ ﹶﻗ ‪‬ﺪ ﺑ‪ِ ‬ﻌﺜﹸﻮﺍ **** ‪‬ﻭﻳ‪‬ﺎ ‪‬ﺑ ِ‬ ‫‪‬ﻭﻳ‪‬ﺎ ﺧ‪‬ﻼ ‪‬‬

‫ﺠ ِﺮ‬ ‫ﺸ‪‬‬ ‫ﺸ ‪‬ﻌ ِﺮ ‪‬ﻫﺬِﻱ ‪‬ﺑ ‪‬ﻴ ‪‬ﻌﺔﹸ ﺍﻟ ‪‬‬ ‫‪‬ﻫﻮ ﺍﻟ ‪‬ﺮﺳ‪‬ﻮ ﹸﻝ ﺍﹼﻟﺬِﻱ ﹶﺃ ‪‬ﻫﻮ‪‬ﻯ ﹶﻓﻴ‪‬ﺎ ‪‬ﺷ ‪‬ﺮﻓِﻲ **** ﺑ‪‬ﺒ ‪‬ﻴ ‪‬ﻌ ِﺔ ﺍﻟ ‪‬‬ ‫ﺴ ﹶﻔ ِﺮ‬ ‫ﺖ ﻓِﻴﻬ‪‬ﺎ ﻏﹶﺎ‪‬ﻳﺔﹸ ﺍﻟ ‪‬‬ ‫ﺤ‪‬ﺒ ﹰﺔ ﹶﺃ‪‬ﻧ ‪‬‬ ‫ﻚ ﻓِﻲ ِﺳﺮ‪‬ﻱ ‪‬ﻭﻓِﻲ ‪‬ﻋ ﹶﻠﻨِﻲ **** ‪‬ﻣ ‪‬‬ ‫ﹶﻃ ‪‬ﻪ ﺃﹸ ِﺣ‪‬ﺒ ‪‬‬ ‫‪256‬‬

‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﳎﺪﻱ ﻳﻮﺳ‪‬ﻒ ‪ -‬ﻓﻠﺴﻄﲔ‬ ‫‪‬ﻳﹶﺄ‪‬ﻳﻬ‪‬ﺎ ﺍﹾﻟ ﹶﻘ ‪‬ﻤﺮ‪ ‬ﺍﹼﻟﺬِﻱ ‪‬ﻫﺪ‪‬ﻯ ﹶﻗ ‪‬ﻤﺮِﻱ‬ ‫ﺠ ِﺮ‬ ‫ﻭ‪‬ﺍﹾﻟ ﹶﻜ ‪‬ﻮ ﹸﻥ ﹶﺃ ‪‬ﻋﻤ‪‬ﻰ ‪‬ﻭ ‪‬ﻭ ‪‬ﺟﻪ‪ ‬ﺍﹾﻟ ﹶﻜ ‪‬ﻮ ِﻥ ِﻣ ‪‬ﻦ ‪‬ﺣ ‪‬‬ ‫ﻳ‪‬ﺎ ‪‬ﻳ ‪‬ﻮ ‪‬ﻡ ‪‬ﻣ ‪‬ﻮِﻟ ِﺪ ِﻩ‪ ...‬ﻭ‪‬ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ‪‬ﻣ ‪‬ﺪﻛِﺮ‬

‫ﻒ ‪‬ﻣ ‪‬ﻦ ﻋ‪‬ﺎﺷ‪‬ﻮﺍ ﺑِﻼ ‪‬ﺣ ﹶﺬ ِﺭ‬ ‫ﺻﺤ‪‬ﺎِﺋ ‪‬‬ ‫‪‬ﻳ ﹾﻄﻮِﻱ ‪‬‬ ‫ﺕ ‪‬ﻣ ‪‬ﻦ ﹶﺃ ‪‬ﻫﺪ‪‬ﻯ ِﺇﻟﹶﻰ ﺍﹾﻟﺤ‪ ‬ﹶﻔ ِﺮ‬ ‫ﺏ **** ‪‬ﻫ ﹾﻞ ‪‬ﻳ ‪‬ﻌ ﹶﻠﻢ‪ ‬ﺍﹾﻟ ‪‬ﻤ ‪‬ﻮ ‪‬‬ ‫ﺼﻮ‪‬ﺍ ِﺀ ﹶﻓ ﹾﻘ ‪‬ﺪ ﹶﺃ ٍ‬ ‫ِﺇﻧ‪‬ﺎ ﺍ ﹾﻓ‪‬ﺘ ﹶﻘ ‪‬ﺪﻧ‪‬ﺎ ‪‬ﻙ ﺑِﺎﹾﻟ ﹶﻘ ‪‬‬ ‫ﺴ ‪‬ﻬ ِﺮ‬ ‫ﻒ ‪‬ﻋ ِﻦ ﺍﻟ‪‬ﺘ ‪‬ﻐﺮِﻳ ِﺪ ﻭ‪‬ﺍﻟ ‪‬‬ ‫ﺡ ﻭ‪‬ﺍﻟﱠﺜ ‪‬ﻤ ِﺮ **** ﻭ‪‬ﺍﻟ‪‬ﻨ ‪‬ﻬﺮ‪ ‬ﹶﻛ ‪‬‬ ‫ﺶ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ﺍﻟ ‪‬ﺪ ‪‬ﻭ ِ‬ ‫ﺸ ‪‬‬ ‫ﻓﹶﺎﹾﻟﺒ‪‬ﻮ ‪‬ﻡ ‪‬ﻋ ‪‬‬ ‫ﺨ ِﺮ‬ ‫ﺻ‪‬‬ ‫ﺕ ِﺇﻟﹶﻰ ﺍ َﻷ ‪‬ﻭﺛﹶﺎ ِﻥ ِﻣ ‪‬ﻦ ‪‬ﺯ ‪‬ﻣ ٍﻦ **** ‪‬ﺗ ‪‬ﺒﻨِﻲ ‪‬ﻭ‪‬ﺗ ‪‬ﻌﺒ‪‬ﺪ‪ ‬ﻣ‪‬ﺎ ‪‬ﺳ ‪‬ﻮ‪‬ﺗﻪ‪ِ ‬ﻣ ‪‬ﻦ ‪‬‬ ‫ﺏ ﻋ‪‬ﺎ ‪‬ﺩ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ‪‬ﻌ ‪‬ﺮ ‪‬‬ ‫ﺨﺬﹸﻟﹸﻬ‪ ‬ﻢ **** ﻓﹶﺎﹾﻟ ﹸﻜ ﱡﻞ ﻓِﻲ ﺷ‪ ‬ﻐ ٍﻞ ‪‬ﻳ ‪‬ﻬﻔﹸﻮ ِﺇﻟﹶﻰ ﺍﻟ ‪‬ﺪ ‪‬ﺭ ِﺭ‬ ‫ﺸ ‪‬ﻴﻄﹶﺎ ِﻥ ‪‬ﻳ ‪‬‬ ‫ﲔ ﻟِﻠ ‪‬‬ ‫ﺴ ِﻄ ‪‬‬ ‫ﺑ‪‬ﺎﻋ‪‬ﻮﺍ ِﻓ ﹶﻠ ‪‬‬

‫ﺸ ِﺮ‬ ‫ﺸﻜﹸﻮ ِﺇﻟﹶﻰ ﺍﷲ ﹸﻇ ﹾﻠﻤ‪‬ﺎ ِﻣ ‪‬ﻦ ‪‬ﺑﻨِﻲ ﺍﹾﻟ‪‬ﺒ ‪‬‬ ‫ﻭ‪‬ﺍﻟﺪ‪‬ﻳ ‪‬ﻦ ﹶﺃ ‪‬ﻣﺴ‪‬ﻰ ﹶﻏﺮِﻳﺒ‪‬ﺎ ﻓِﻲ ‪‬ﻣﻨ‪‬ﺎ ِﺯِﻟﻨ‪‬ﺎ **** ‪‬ﻳ ‪‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺇﲰﺎﻋﻴﻞ ﺣﻘﻲ‪ -‬ﺍﻟﻌﺮﺍﻕ‬ ‫ﻀ ‪‬ﺮ‪‬ﺗﻬ‪‬ﺎ‬ ‫ﻀﺮ‪‬ﺍ ِﺀ ‪‬ﻧ ‪‬‬ ‫ﳋ ‪‬‬ ‫ﺨ ﹶﻠ ِﺔ ﺍ ﹶ‬ ‫ﻳ‪‬ﺎ ﺳ‪‬ﺎِﺑ ﹶﻎ ﺍﻟ‪‬ﻨ ‪‬‬ ‫ﺤ ‪‬ﻴ ِﻪ ﹶﻟﻮﹶﻟ ‪‬ﻤﺴ‪‬ﺎ‬ ‫‪‬ﻭﻛﹶﺎ ِﺳ ‪‬ﻲ ﺍﻟ ﱢﻈ ﹼﻞ ِﻣ ‪‬ﻦ ﺟ‪ ‬ﻨ ‪‬‬ ‫ﻱ ‪‬ﻭ ﹶﻗ ‪‬ﺪ‬ ‫ﺖ ‪‬ﻋﺼ‪‬ﺎ ‪‬‬ ‫ﺿ ﱠﻠ ‪‬‬ ‫ﻚ ﹶﻓﻘﹶﺪ ‪‬‬ ‫ﹸﻗ ‪‬ﺪﻧِﻲ ِﺇﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺴ ‪‬ﻴ ‪‬ﺮ ﹸﻇ‪‬ﻨﻮ ﹸﻥ ﺍﻟﻨ‪‬ﻮ ِﺭ ﻭ‪‬ﺍﹾﻟ‪‬ﺘ‪‬ﺒﺴ‪‬ﺎ‬ ‫ﹶﺃ ‪‬ﻋﻴ‪‬ﺎ ﺍ ﹶﳌ ِ‬ ‫ﺕ ‪‬ﻋﻠﹶﻰ ﹶﻛ ﱠﻔﻴ‪‬ﺎ ﹶﻗ ‪‬ﺪ ‪‬ﺟ ﹶﻠﺴ‪‬ﺎ‬ ‫‪‬ﻣ ‪‬ﻦ ﺷ‪‬ﺎ ِﻓﻌِﻲ ‪‬ﻭ ‪‬ﺩﻣِﻲ ﺍ ﹶﳌﻮ‪‬ﺗﻮﺭ‪ ‬ﻳ ‪‬ﻨ ِﺰ ﹸﻓﻨِﻲ **** ‪‬ﻭﹶﺃﹾﻟﻒ‪ ‬ﻣ ‪‬ﻮ ٍ‬ ‫ﺡ ﹶﻃ ‪‬ﻲ ‪‬ﺩﻣِﻲ **** ‪‬ﺑ ﹾﻞ ﹶﻃ ‪‬ﻲ ﹶﺃ‪‬ﻧﻔﹶﺎ ِﺳ ‪‬ﻲ ﺍﻟ ﱠﻠ ‪‬ﻮﻋ‪‬ﻰ ﹶﻓ ﹸﻜ ‪‬ﻦ ‪‬ﻧ ﹶﻔﺴ‪‬ﺎ‬ ‫ﹶﻃ ‪‬ﻲ ﺍﻟ ِﻮﺳ‪‬ﺎ ‪‬ﺩ ِﺓ ﹶﻃ ‪‬ﻲ ﺍﻟﺮ‪‬ﻭ ِ‬ ‫ﳊ ‪‬ﺰ ﹸﻥ ﻓِﻲ ﻣ‪ ‬ﹶﻘ ٍﻞ **** ‪‬ﺗ ﹶﻠ ‪‬ﻌﹶﺜ ‪‬ﻢ ﺍﻟ ‪‬ﺪ ‪‬ﻣ ‪‬ﻊ ﻓِﻴﻬ‪‬ﺎ ﻭ‪‬ﺍ‪‬ﻧ ﹶﻜﻔﹶﻰ ‪‬ﻭ ‪‬ﺭ ‪‬ﺳﺎ‬ ‫ﻒ ‪‬ﻳﻀِﻲ ُﺀ ﺍ ﹸ‬ ‫ﻱ ﹶﻛ ‪‬ﻴ ‪‬‬ ‫‪‬ﻣﻮ‪‬ﻻ ‪‬‬ ‫ﺤ‪‬ﺘِﺒﺴ‪‬ﺎ‬ ‫ﺖ ﻓِﻲ ﺍﻟﻨ‪‬ﺎ ِﺭ ﻣ‪‬ﺎ ًﺀ ﹶﻇ ﱠﻞ ‪‬ﻣ ‪‬‬ ‫ﺖ ﺍﻟ ‪‬ﺮﻣ‪‬ﺎ ِﺩ ‪‬ﻭ ‪‬ﻫ ﹾﻞ **** ‪‬ﺳ ِﻤ ‪‬ﻌ ‪‬‬ ‫ﺤ ِ‬ ‫‪‬ﻫ ﹾﻞ ‪‬ﻳ ‪‬ﻨﺒ‪‬ﻊ‪ ‬ﺍﳌﹶﺎ ُﺀ ِﻣ ‪‬ﻦ ‪‬ﺗ ‪‬‬ ‫ﺱ ِﻟ ﹾﻠ‪‬ﺒ ‪‬ﺆﺳ‪‬ﺎ‬ ‫ﺕ ﺍﻟﺒ‪‬ﺆ ِ‬ ‫ﲔ ﲰﺎ **** ﹶﻛ ‪‬ﻴﻤ‪‬ﺎ ﹶﺃﺑِﻴ ‪‬ﻊ ﹸﻓﺘ‪‬ﺎ ‪‬‬ ‫‪‬ﻫ ﹾﻞ ﺃ ‪‬ﺷ‪‬ﺘﺮِﻳﻨِﻲ ِﻟ ﹶﻠﻴ‪‬ﻞ ﺍﻟﻈﱠﺎ ِﻣِﺌ ‪‬‬

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‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﻋﻮ‪‬ﺍﺩ ﺍﻟﺸ‪‬ﻘﺎﻗﻲ ‪ -‬ﺍﻟﻌﺮﺍﻕ‬ ‫ﺕ ‪‬ﻣﺒ‪‬ﺎِﻳ ‪‬ﻌ ﹰﺔ‬ ‫ﻚ ﺍﹾﻟ ‪‬ﻮﺭ‪‬ﻯ ‪‬ﻣ ‪‬ﺪ ‪‬‬ ‫ﹶﻛﻔ‪‬ﺎ ﺇِﻟ ‪‬ﻴ ‪‬‬ ‫ﺐ ‪‬ﻣ ‪‬ﻌ‪‬ﺘ ِﻠﻘﹶﺎ‬ ‫ﺐ ﺍﻟ ﹶﻘ ﹾﻠ ِ‬ ‫‪‬ﻭ ﹶﻗ ‪‬ﺪ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩﺕ‪ ‬ﻭﺟِﻴ ‪‬‬ ‫ﺤ ‪‬ﻤﺪ‪ ‬ﻳ‪‬ﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﻳ‪‬ﺎ ﹶﺃ ‪‬ﻣﻠﹰﺎ‬ ‫‪‬ﻣ ‪‬‬

‫ﺴﻤ‪‬ﻮ ِﺑ ِﻪ ‪‬ﻫ ‪‬ﺪﻳ‪‬ﺎ ‪‬ﻭ ‪‬ﻣ ‪‬ﺮ‪‬ﺗ ﹶﻔﻘﹶﺎ‬ ‫ﺤ ‪‬ﻖ ‪‬ﻧ ‪‬‬ ‫ِﻟ ﹾﻠ ‪‬‬ ‫ﺏ ‪‬ﻣ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ٍﺔ **** ‪‬ﻭِﻟ ﹾﻠ ِﻐﻮ‪‬ﺍ‪‬ﻳ ِﺔ ‪‬ﻳ ‪‬ﻤﻀِﻲ ﺍﻟ ‪‬ﺪ ‪‬ﻫ ‪‬ﺮ ‪‬ﻣ ‪‬ﻨ ‪‬ﺰِﻟﻘﹶﺎ‬ ‫ﺻ ‪‬ﻮ ‪‬‬ ‫ﺠ ‪‬ﺪﺩ‪ ‬ﺍﹾﻟ ‪‬ﻌ ‪‬ﻬ ‪‬ﺪ ‪‬ﻧ ‪‬ﻤﻀِﻲ ‪‬‬ ‫ﻧ‪ ‬‬ ‫ﻀ ِﻞ ‪‬ﻣ ‪‬ﻨ ﹶﻔ ِﺮﻗﹶﺎ‬ ‫ﻚ ﹶﻗ ﹾﻠﺒ‪‬ﺎ ‪‬ﻳ ﹾﻠ‪‬ﺘﻈِﻲ ﹶﻓ ‪‬ﺮﻗﹰﺎ **** ‪‬ﻳﺮ‪‬ﻯ ﺍﹾﻟ ‪‬ﻬﺪ‪‬ﻯ ﻓِﻲ ‪‬ﺩﻋ‪‬ﺎ ِﺓ ﺍﹾﻟ ﹶﻔ ‪‬‬ ‫‪‬ﻭ ﹶﻗ ‪‬ﺪ ﹶﺃ‪‬ﺗ ‪‬ﻴﺘ‪ ‬‬ ‫ﺚ ﻣ‪‬ﺎ ﺍ‪‬ﻧ ﹶﻄ ﹶﻠﻘﹶﺎ‬ ‫ﺶ ‪‬ﺗ ‪‬ﻤﻀِﻲ ‪‬ﺣ ‪‬ﻴ ﹸ‬ ‫ﺴ ﱡﻔﻬ‪‬ﺎ ﺍﻟ ﱠﻄ ‪‬ﻴ ‪‬‬ ‫ﺻ ‪‬ﻤﺖ‪ِ ‬ﺑ ‪‬ﻤ ﹾﻈ ﹶﻠ ‪‬ﻤ ٍﺔ ‪‬ﻫ ‪‬ﺘﻒ‪ ‬ﻋﻠﹶﻰ ‪‬ﻣ ﹶﻠ ٍﻖ **** ‪‬ﻳ ‪‬‬ ‫‪‬‬ ‫ﺝ ِﺇ ﹾﺫ ‪‬ﻧ ِﺰﻗﹶﺎ‬ ‫ﺖ **** ِﻣ ‪‬ﻦ ﹸﻛ ﱢﻞ ﻏﹸ ﹾﻔ ٍﻞ ِﻣ ‪‬ﻦ ﺍ َﻷﻋ‪‬ﻼ ِ‬ ‫ﳊ ‪‬ﻖ ﹶﻗ ‪‬ﺪ ﻗﹸ ِﺬ ﹶﻓ ‪‬‬ ‫ﺴ ‪‬ﻬ ِﻢ ﻛﹸ ﹾﻔ ٍﺮ ‪‬ﺳﺒِﻴ ﹸﻞ ﺍ ﹶ‬ ‫ِﺑ ‪‬‬ ‫ﺨ‪‬ﺘ ‪‬ﺮﻗﹶﺎ‬ ‫ﺿ ‪‬ﺮ ‪‬ﻣ ‪‬‬ ‫ﺤﻘﹸﻪ‪ ‬ﹶﻗ ﹾﻠﺐ‪ **** ‬ﻭﺩِﻳ ‪‬ﻦ ﺍﹾﻟﻬ‪‬ﺪﻯ ﹶﻗ ‪‬ﺪ ‪‬‬ ‫ﻒ ﻻ ‪‬ﻳ ﹾﻠ‪‬ﺘﻈِﻲ ﻧ‪‬ﺎﺭ‪‬ﺍ ﹶﻓ‪‬ﺘ ‪‬ﻤ ‪‬‬ ‫‪‬ﻭ ﹶﻛ ‪‬ﻴ ‪‬‬

‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺣﺴ‪‬ﺎﻥ ﻋﺒﺎﺑﺴﺔ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴﺪِﻱ ﻳ‪‬ﺎ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ‪‬ﻣ ‪‬ﻌﺬِﺭ ﹰﺓ‬ ‫ﹶﺃ ﹾﻥ ﹶﻗ ‪‬ﺪ ﹶﺃﺗ‪‬ﺎ ‪‬ﻙ ﻓﹸﺆﺍﺩِﻱ ﺣ‪‬ﺎِﺋﺮ‪‬ﺍ ﹶﻗ ِﻠﻘﹶﺎ‬ ‫ﺇﻧ‪‬ﻲ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩﺕ‪ ‬ﻳﺪِﻱ ﹶﻛ ‪‬ﻴﻤ‪‬ﺎ ‪‬ﺗﺒ‪‬ﺎِﻳ ‪‬ﻌﻬ‪‬ﺎ‬ ‫ﻟ ِﻜ ‪‬ﻦ ﹶﻗ ﹾﻠِﺒ ‪‬ﻲ ِﻣ ‪‬ﻦ ﹶﺃ ‪‬ﺷﻮ‪‬ﺍ ِﻗ ِﻪ ‪‬ﺳ‪‬ﺒﻘﹶﺎ‬ ‫ﺸﻘﹶﺎ‬ ‫ﺍ ﹾﻏ ِﻔ ‪‬ﺮ ‪‬ﺗﻄﹶﺎﻭﹶﻟﻪ‪ ‬ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴﺪِﻱ ﹶﻓ ﹶﻠ ﹶﻘ ‪‬ﺪ **** ‪‬ﻋ ‪‬ﺮ ﹾﻓﺖ‪ ‬ﹶﻗ ﹾﻠِﺒ ‪‬ﻲ ﹶﻏ ‪‬ﻴ ‪‬ﺮ ﺍﻟﻨ‪‬ﻮ ِﺭ ﻣ‪‬ﺎ ‪‬ﻋ ِ‬ ‫ﺖ ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴﺪِﻱ ﺍ َﻷ‪‬ﻧﻮ‪‬ﺍ ‪‬ﺭ ﺃ ‪‬ﺟ ‪‬ﻤ ‪‬ﻌﻬ‪‬ﺎ **** ﻳ‪‬ﺎ ﻛﹶﺎ ِﻣ ﹶﻞ ﺍﻟ ‪‬ﻮﺻ‪‬ﻒ ﺇ ﹾﻥ ‪‬ﺧ ﹾﻠﻘﹰﺎ ﻭﺇ ﹾﻥ ‪‬ﺧﻠﹸﻘﺎ‬ ‫‪‬ﻭﹶﺃ‪‬ﻧ ‪‬‬ ‫ﺤ ‪‬ﺒ ِﻞ ﺍﻟﻮ ‪‬ﺩ ‪‬ﻣ ‪‬ﻨ ‪‬ﻌِﺘﻘﹶﺎ‬ ‫ﻚ ﻳ ﹾﺄ ِﺳﺮ‪‬ﻩ‪ **** ‬ﻭ‪‬ﻟﻴ‪‬ﺲ ﺇﻻ ِﺑ ‪‬‬ ‫ﻫ‪‬ﺬﺍ ﻓﹸﺆﺍﺩِﻱ ‪‬ﻭ ‪‬ﺣﺒ‪‬ﻲ ﻓِﻴ ‪‬‬ ‫ﻱ ِﻣ ‪‬ﻦ ﻧِﲑﺍِﻧ ِﻪ ﺍ ‪‬ﺣ‪‬ﺘ ‪‬ﺮﻗﹶﺎ‬ ‫ﺻ ‪‬ﺪ ِﺭ ‪‬‬ ‫ﺻﺪ‪‬ﺭﻱ ﹶﻟﻪ‪ ‬ﺳ ﹶﻜﻨ‪‬ﺎ **** ﹶﻟ ِﻜ ‪‬ﻦ ‪‬‬ ‫ﺨ ﹰﺬﺍ ‪‬‬ ‫ﹶﻗ ‪‬ﺪ ﻛﹶﺎ ﹶﻥ ﻣ‪‬ﺘ ِ‬

‫ﺨ‪‬ﺘِﻨﻘﹶﺎ‬ ‫ﻕ ‪‬ﻣ ‪‬‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﺖ ﺑِﺎﻟ ‪‬‬ ‫ﺼ ﹾﻠﻪ‪ ‬ﻳ ‪‬ﻤ ‪‬‬ ‫ﺤ ِﻤﻠﹸﻪ‪ **** ‬ﺇﻻ ‪‬ﺗ ِ‬ ‫ﻕ ‪‬ﻳ ‪‬‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﻫ‪‬ﺎ ﹶﻗ ‪‬ﺪ ﺃﺗ‪‬ﺎ ‪‬ﻙ ‪‬ﻭ ﹶﻃ ‪‬ﻴﺮ‪ ‬ﺍﻟ ‪‬‬

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‫ﺍﻟﺸﺎﻋﺮ ﺑﻐﺪﺍﺩ ﺳﺎﻳﺢ – ﺍﳉﺰﺍﺋﺮ‬ ‫ﺐ ﻳ‪‬ﺎ ‪‬ﻣ ‪‬ﻦ ‪‬ﺗ ‪‬ﺰ ‪‬ﺭﻉ‪ ‬ﺍ َﻷ ‪‬ﻣ ﹶﻠﺎ‬ ‫ﳊ ‪‬‬ ‫ﺤ ‪‬ﻤﺪ ﺍ ﹸ‬ ‫‪‬ﻣ ‪‬‬ ‫ﺸ ‪‬ﻌ ‪‬ﺮ ِﻣ ‪‬ﻦ ﻭ ‪‬ﺟﺪ‪‬ﺍِﻧﻨ‪‬ﺎ ‪‬ﺟﻤ‪‬ﻼ‬ ‫‪‬ﻭ‪‬ﺗ ﹾﻘ ِﻄﻒ‪ ‬ﺍﻟ ‪‬‬ ‫ﻚ ‪‬ﺗ ﹾﺄﺗِﻲ ﺍ ﹶﳌﻌ‪‬ﺎﻧِﻲ ‪‬ﻧ ‪‬ﻬ ‪‬ﺮ ﺃﹸ ‪‬ﻣِﻨ‪‬ﻴ ٍﺔ‬ ‫ِﺇﹶﻟ ‪‬ﻴ ‪‬‬

‫ﺴﺒ‪‬ﻼ‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫ﳊ ﹾﻠ ِﻢ ﻓِﻲ ﹶﺃ ‪‬ﻋﻘﹶﺎِﺑ ‪‬‬ ‫ﺸ ‪‬ﻖ ﺑِﺎ ِ‬ ‫‪‬ﻳ ‪‬‬ ‫ﺖ‬ ‫ﺴ ‪‬ﻤ ‪‬‬ ‫ﺖ ﺿ‪‬ﺎﺩ‪‬ﺍ ِﺑﻤ‪‬ﺎ ِﺀ ﺍﻟﺪ‪‬ﻳ ِﻦ ﻓﹶﺎ‪‬ﺑ‪‬ﺘ ‪‬‬ ‫‪‬ﺳ ﹶﻘ ‪‬ﻴ ‪‬‬ ‫ﺖ ﺧ‪‬ﺠﻼ‬ ‫ﻑ ﹸﺛ ‪‬ﻢ ﺍ ‪‬ﺳ‪‬ﺘ ‪‬ﻨ‪‬ﺒ‪‬ﺘ ‪‬‬ ‫ﳊ ‪‬ﺮ ِ‬ ‫‪‬ﺣﺪ‪‬ﺍِﺋ ‪‬ﻖ ﺍ ﹶ‬ ‫ﻕ ﻭ‪‬ﺍ ﹸﳌﺜﹸﻼ‬ ‫ﺠ ‪‬ﺪ ﻭ‪‬ﺍ َﻷﺧ‪‬ﻼ ‪‬‬ ‫ﻚ ﺣ‪‬ﺎِﺋ ‪‬ﺮ ﹰﺓ **** ‪‬ﺗﺴ‪‬ﺎِﺑ ‪‬ﻖ ﺍ ﹶﳌ ‪‬‬ ‫ﻭ‪‬ﻻ ‪‬ﺗﺰ‪‬ﺍ ﹸﻝ ﺍﻟ ﹶﻘﻮ‪‬ﺍﻓِﻲ ﻓِﻴ ‪‬‬ ‫ﺐ ﻓﹶﺎ ِﻹﺳ‪‬ﻼﻡ‪ ‬ﻣ‪‬ﺎ ﹶﺫﺑ‪ ‬ﹶﻠﺎ‬ ‫ﺸ ‪‬‬ ‫ﺵ ِﺑ ِﻪ **** ‪‬ﻭﻳ‪‬ﻮ ِﻗﻆﹸ ﺍﻟﻌ‪ ‬‬ ‫ﺴ‪‬ﺘ ‪‬ﻬﺪِﻱ ﺍﻟ ﹶﻔﺮ‪‬ﺍ ‪‬‬ ‫ﻚ ﺍﻟ ِﻌﻄﹾﺮ ‪‬ﻳ ‪‬‬ ‫ﹶﻛﹶﺄ‪‬ﻧ ‪‬‬

‫ﻕ ﻭ‪‬ﺍﻟ ‪‬ﺮﺳ‪‬ﻼ‬ ‫ﳋﻴ‪‬ﺮ ﻓِﻲ ﺍ َﻷ ‪‬ﺣﺪ‪‬ﺍ ِ‬ ‫ﺏ ‪‬ﻳ ﹾﺜ ِﺮِﺑﻨ‪‬ﺎ **** ﺗ‪‬ﺒ ‪‬ﺮ ِﻋﻢ‪ ‬ﺍ ﹶ‬ ‫ﺖ ‪‬ﺑ ‪‬ﺪﺭ‪‬ﺍ ‪‬ﻋﻠﹶﻰ ﹶﺃ ‪‬ﻫﺪ‪‬ﺍ ِ‬ ‫ﹶﻃ ﹶﻠ ‪‬ﻌ ‪‬‬ ‫ﺲ ﺍ َﻷﺯ‪‬ﻻ‬ ‫ﺏ ﺍﻟﻌ‪‬ﻼ ﹶﻛ ‪‬ﻲ ‪‬ﻧ ﹾﻠ‪‬ﺒ ‪‬‬ ‫ﻚ ﹶﺛ ‪‬ﻮ ‪‬‬ ‫ﲔ ‪‬ﻧ ‪‬ﺘ‪‬ﺒﻌ‪‬ﻪ‪ **** ‬ﻧﺤِﻴ ‪‬‬ ‫ﻚ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ‪‬ﺧ ‪‬ﻴﻂﹲ ِﺣ ‪‬‬ ‫ِﻟ ‪‬ﻮ ‪‬ﺟ ِﻬ ‪‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﻋﻠﻲ ﺻﺎﱀ ﺍﳉﺎﺳﻢ ‪ -‬ﺳﻮﺭﻳﺎ‬ ‫ﲔ ﺃﺟﻨﺤﱵ‬ ‫ﻚ ﻗﻠﱯ ﺑ ‪‬‬ ‫ﻫﺎ ﻗﺪ ﺃﺗﻴ‪‬ﺘ ‪‬‬ ‫ﳝ ‪‬ﺪ ﳝﻨﺎﻩ ﻗﺒﻠﻲ ﻭﻫﻮ ﻳﻀﻄﺮ ‪‬ﻡ‬ ‫ﺕ‬ ‫ﷲ ﻣﺎ ﺍﳓﺴﺮ ‪‬‬ ‫ﻚ ﺭﺳﻮ ﹶﻝ ﺍ ِ‬ ‫ﺷﻮﻗﹰﺎ ﺇﻟﻴ ‪‬‬ ‫ﻧﲑﺍ‪‬ﻧ ‪‬ﻪ ﺃﺑﺪ‪‬ﺍ ﰲ ﺍﻟﺼ‪‬ﺪﺭ ﲢﺘﺪ ‪‬ﻡ‬ ‫ﰊ ﺍﻟﻘﺪ ‪‬ﻡ‬ ‫ﺖ ‪‬‬ ‫ﷲ ﻗﺎﻃﺒ ﹰﺔ **** ‪‬ﻣ ‪‬ﻦ ﱄ ﺳﻮﺍ ‪‬ﻙ ﺇﺫﺍ ﺯﱠﻟ ‪‬‬ ‫ﻳﺎ ﺃﻛﺮ ‪‬ﻡ ﺍﳋﻠ ِﻖ ﻋﻨ ‪‬ﺪ ﺍ ِ‬ ‫ﲑ ﺍﻟﻮﺟ ِﻪ ﻳﺒﺘﺴ ‪‬ﻢ‬ ‫ﻉ ﺑﺸ ‪‬‬ ‫ﲔ ﺍﻟﻀ‪‬ﻠﻮ ِ‬ ‫ﺖ ﻧﻮﺭ‪‬ﻛ ‪‬ﻢ **** ﺑ ‪‬‬ ‫ﲔ ﻓﻘﺪ ﺁﻧﺴ ‪‬‬ ‫‪‬ﻣ ‪‬ﺪ ﺍﻟﻴﻤ ‪‬‬

‫ﺕ ﺍﻟﻈﱡﻠ ‪‬ﻢ‬ ‫ﺲ ﻣﻦ ﻷﻻﺋﻪ ﻗﺒﺴ‪‬ﺎ **** ﻛﻲ ﺃﺳﺘﻔﻲ َﺀ ﺑﻪ ﻣﺎ ﺍﺷﺘ ‪‬ﺪ ِ‬ ‫ﺖ ﺃﻗﺒ ‪‬‬ ‫ﻓﺮﺣ ‪‬‬ ‫ﻱ ﺃﻛﺮ ‪‬ﻡ ﻣﻦ ﳝﻨﺎ ‪‬ﻙ ﻳﺎ ﻋﻠ ‪‬ﻢ‬ ‫ﺖ **** ﳝﻨﺎ ‪‬‬ ‫ﷲ ﻣﺎ ﳌﺴ ‪‬‬ ‫ﲔ ﻓﻼ ﻭﺍ ِ‬ ‫ﻣ ‪‬ﺪ ﺍﻟﻴﻤ ‪‬‬ ‫ﻚ ﻗﻮﻟﹸﻬ ‪‬ﻢ‬ ‫ﺇﻧ‪‬ﺎ ﺳﻴﻮﻓﻚ ﻋﱪ ﺍﻟﺪ‪‬ﻫﺮ ﻣﺼﻠﺘ ﹰﺔ **** ﻓﻨ ‪‬ﻢ ﻗﺮﻳﺮ‪‬ﺍ‪ ،‬ﻭﻻ ﳛﺰ‪‬ﻧ ‪‬‬ ‫‪259‬‬

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‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺃﲪﺪ ﻓﺎﻝ ﺍﳌﻮﻣﻦ ‪ -‬ﺍﳌﻐﺮﺏ‬ ‫ﺖ‬ ‫ﺐ ﺍﷲ ﹶﻗ ‪‬ﺪ ﹶﻗ ِﺪ ‪‬ﻣ ‪‬‬ ‫ﲔ ‪‬ﺣﺒِﻴ ‪‬‬ ‫‪‬ﻣ ‪‬ﺪ ﺍﹾﻟ‪‬ﻴ ِﻤ ‪‬‬ ‫ﺕ ﹶﻟ ‪‬ﻬ ﹶﻔِﺘﻨ‪‬ﺎ‪ ..‬ﺗ ‪‬ﺒﻐِﻲ ِﻟﻘﹶﺎ َﺀﻛﹸﻢ‪‬‬ ‫ﹶﺃ‪‬ﺑﻴ‪‬ﺎ ‪‬‬

‫ﺖ‬ ‫ﻕ ﻓﹶﺎ‪‬ﻧ‪‬ﺒ ‪‬ﻌﹶﺜ ‪‬‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﺖ ﹶﻟﻴ‪‬ﺎﻟِﻲ ﺍﻟ ‪‬‬ ‫ﺻ ‪‬ﻤ ‪‬‬ ‫ﺖ ‪‬‬ ‫ﹶﺃ‪‬ﻳ ﹶﻘ ﹾﻈ ‪‬‬ ‫ﺸﺪ‪‬ﻭ ﺍﹾﻟ ﹶﻜﻮ‪‬ﺍ ِﻛﺐ‪ ‬ﻭ‪‬ﺍ َﻷ ﹾﻗﻤ‪‬ﺎ ‪‬ﺭ ﺑِﺎ ‪‬ﺳ ِﻤﻜﹸﻢ‪‬‬ ‫‪‬ﺗ ‪‬‬ ‫ﺕ ‪‬ﺩﻓﹶﺎِﺗﺮ‪‬ﻩ‪ **** ‬ﻳ ‪‬ﺮﻭ‪‬ﻯ ِﺑ ﹶﻘ ‪‬ﺪ ِﺭ ‪‬ﻙ ‪‬ﺣﺘ‪‬ﻰ ‪‬ﻳ ‪‬ﺮ‪‬ﺗﻮِﻱ ﺍﹾﻟ ﹶﻜ ِﻠﻢ‪‬‬ ‫ﻚ ﹶﻗ ‪‬ﺪ ‪‬ﻫ ‪‬ﺰ ‪‬‬ ‫ﺸ ‪‬ﻌ ‪‬ﺮ ﺑِﺎ ‪‬ﺳ ِﻤ ‪‬‬ ‫ﻭ‪‬ﺍﻟ ‪‬‬ ‫ﺤﻦ‪ ‬ﻧ ﹾﻠ‪‬ﺘ ِﻄﻢ‪‬‬ ‫ﻚ ‪‬ﺷ ‪‬ﻮﻗﹰﺎ ‪‬ﻧ ‪‬‬ ‫ﺸ ِﻘ ‪‬‬ ‫ﺝ ِﻋ ‪‬‬ ‫ﺖ **** ﹶﺃ ‪‬ﻣﻮ‪‬ﺍ ‪‬‬ ‫ﺤ ‪‬ﺮ ﻓِﻲ ِﺫ ﹾﻛﺮ‪‬ﺍ ‪‬ﻙ ِﺇ ﹾﺫ ‪‬ﻧ ﹶﻄ ﹶﻘ ‪‬‬ ‫ﺐ ﹶﺃ‪‬ﺑ ‪‬‬ ‫ﻭ‪‬ﺍﹾﻟ ﹶﻘ ﹾﻠ ‪‬‬ ‫ﻒ ِﻟ ﹶﻘ ‪‬ﺪ ِﺭﻛﹸﻢ‪‬‬ ‫ﺻ ٍ‬ ‫ﺕ **** ﹸﻛ ﱡﻞ ﺍﻟ ‪‬ﺪﻓﹶﺎِﺗ ِﺮ ‪‬ﻋ ‪‬ﻦ ‪‬ﻭ ‪‬‬ ‫ﺠ ‪‬ﺰ ‪‬‬ ‫ﻚ ِﺇ ﱠﻥ ﺍﹾﻟ‪‬ﻴ ‪‬ﻮ ‪‬ﻡ ﹶﻗ ‪‬ﺪ ‪‬ﻋ ‪‬‬ ‫‪‬ﻋ ﹾﺬﺭ‪‬ﺍ ِﺑ ‪‬ﺮ‪‬ﺑ ‪‬‬ ‫ﺤﻨ‪‬ﺎ **** ﻣ‪‬ﺎ ﺩ‪‬ﺍ ‪‬ﻡ ‪‬ﺗ ‪‬ﻨ ‪‬ﻬﻞﹸ ِﻣ ‪‬ﻦ ﹶﺃ‪‬ﻧ ‪‬ﻮﺍ ِﺭ ‪‬ﻙ ﺍﻷُ ‪‬ﻣﻢ‪‬‬ ‫ﲔ ِﻟ‪‬ﺘ ﹾﻔﺪ‪‬ﻯ ِﻣ ‪‬ﻦ ﹶﻗﺮ‪‬ﺍِﺋ ِ‬ ‫‪‬ﻣ ‪‬ﺪ ﺍﹾﻟ‪‬ﻴ ِﻤ ‪‬‬ ‫ﺐ ‪‬ﻳ ‪‬ﺪ ﹶﻓ ‪‬ﻌﻨ‪‬ﺎ **** ‪‬ﻧ ‪‬ﺮﺟ‪‬ﻮِﺑﻬ‪‬ﺎ ﹸﻇ ﹶﻠﻠﹰﺎ ‪‬ﺗ ‪‬ﺒﻨ‪‬ﻰ ِﺑﻘﹸ ‪‬ﺮِﺑﻜﹸﻢ‪‬‬ ‫ﺤ ‪‬‬ ‫ﻀﺮ‪‬ﺍ َﺀ ‪‬ﻧ ‪‬ﺰ ‪‬ﺭ ‪‬ﻋﻬ‪‬ﺎ ﻭ‪‬ﺍﹾﻟ ‪‬‬ ‫‪‬ﺧ ‪‬‬

‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﻣﻜﹼﻲ ﺍﻟﻨ‪‬ﺰﺍﻝ ‪ -‬ﺍﻟﻌﺮﺍﻕ‬ ‫ﺴﻢ‪‬‬ ‫ﺖ ‪‬ﻳ ‪‬ﺮ‪‬ﺗ ِ‬ ‫ﻚ ِﻋ ‪‬ﻨ ‪‬ﺪ ﺍﹾﻟ‪‬ﺒ ‪‬ﻴ ِ‬ ‫‪‬ﺭﹶﺃ‪‬ﻳﺖ‪ ‬ﻭ ‪‬ﺟ ‪‬ﻬ ‪‬‬ ‫ﺤ ‪‬ﺮﻡ‪‬‬ ‫ﺐ ﻭ‪‬ﺍﹾﻟ ‪‬‬ ‫ﺤ ِ‬ ‫ﺼ‪‬‬ ‫‪‬ﻭ ِﻋ ‪‬ﻨ ‪‬ﺪ ﻧِﻮ ِﺭ ‪‬ﻙ ‪‬ﺧ ‪‬ﻴﺮ‪ ‬ﺍﻟ ‪‬‬ ‫ﺤ ِﺰ‪‬ﻧﻨِﻲ‬ ‫ﺤ ‪‬ﻤﺪ‪ ‬ﺳ‪‬ﻴﺪِﻱ ﻻ ﺷ‪‬ﻲ َﺀ ‪‬ﻳ ‪‬‬ ‫‪‬ﻣ ‪‬‬

‫ﺴﻢ‪‬‬ ‫ﺤ ‪‬ﺰ ﹸﻥ ‪‬ﻳ ‪‬ﺒ‪‬ﺘ ِ‬ ‫ﹶﻓ ِﻌ‪‬ﻨ ‪‬ﺪ ِﺫ ﹾﻛ ِﺮ ‪‬ﻙ ‪‬ﺣﺘ‪‬ﻰ ﺍﹾﻟ ‪‬‬ ‫ﺴﺪ‪‬ﻭﺍ ﺍﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ‪‬ﻭ ‪‬ﻣ ‪‬ﻦ ﹶﻇ ﹶﻠﻤ‪‬ﻮﺍ‬ ‫ﺢ ‪‬ﻣ ‪‬ﻦ ﹶﺃ ﹾﻓ ‪‬‬ ‫‪‬ﺗﺪ‪‬ﻭ ‪‬ﺭ ﺩ‪‬ﺍِﺋ ‪‬ﺮﺓﹸ ﺍ َﻷ ‪‬ﺣﺰ‪‬ﺍ ِﻥ ﻓِﻲ ﹶﻛِﺒﺪِﻱ **** ِﺑﺮِﻳ ِ‬ ‫ﺡ ‪‬ﺗ ‪‬ﻨ‪‬ﺘ ِﻈﻢ‪‬‬ ‫ﻯ ﻓِﻲ ﺍﻟﺮ‪‬ﻭ ِ‬ ‫ﺤ ِﻤ ﹸﻠﻨِﻲ **** ِﺇﻟﹶﻰ ‪‬ﻧﺠ‪‬ﻮ ِﻡ ﻫ‪ ‬ﺪ ‪‬‬ ‫ﺨ ‪‬ﻴ ِﺮ ‪‬ﺗ ‪‬‬ ‫ﻒ ﺍﹾﻟ ‪‬‬ ‫ﺖ ‪‬ﺗ ‪‬ﻤ ‪‬ﺪ ‪‬ﺩ ﹶﻛ ‪‬‬ ‫‪‬ﻭﹶﺃ‪‬ﻧ ‪‬‬ ‫ﺡ ﹶﺃﻓﹾﻼﻛﹰﺎ ﻣ‪ ‬ﺰ ‪‬ﺧ ‪‬ﺮ ﹶﻓ ﹰﺔ **** ِﺑ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ِﺔ ﺍﷲ‪ ..‬ﺗ ‪‬ﻐﺸ‪‬ﺎ ‪‬ﻩ ﹶﻓ‪‬ﻴ ﹾﻠ‪‬ﺘِﺌﻢ‪‬‬ ‫ﺠ ‪‬ﺮ ِ‬ ‫ﻑ ﺑِﺎﹾﻟ ‪‬‬ ‫‪‬ﺗﻄﹸﻮ ‪‬‬

‫ﺴﻢ‪‬‬ ‫ﺴ ‪‬ﻤ ِﻊ ﺍﹾﻟ ﹶﻘ ‪‬‬ ‫ﺤ ‪‬ﻖ ﹶﺃ ﱠﻥ ‪‬ﺩﻣِﻲ **** ِﻓﺪ‪‬ﺍ َﺀ ﺩِﻳ ِﻦ ﺍﹾﻟ ‪‬ﻬﺪ‪‬ﻯ ﹶﻓ ﹾﻠﻴ‪ ‬‬ ‫ﺖ ﻳ‪‬ﺎ ﺻ‪‬ﺎ ِﺩﻋ‪‬ﺎ ﺑِﺎﹾﻟ ‪‬‬ ‫ﺴ ‪‬ﻤ ‪‬‬ ‫ﹶﺃ ﹾﻗ ‪‬‬ ‫ﺤ‪‬ﺘ ‪‬ﺮﻡ‪‬‬ ‫ﺖ **** ﺇِﻻ ‪‬ﻭﻧ‪‬ﻮﺭ‪ ‬ﻙ ﻓِﻲ ﺍ َﻷ ﹾﻗﻄﹶﺎ ِﺭ ﻳ‪ ‬‬ ‫ﺢ ِﺟﺮ‪‬ﺍﺣ‪‬ﺎﺗِﻲ ‪‬ﻭِﺇ ﹾﻥ ‪‬ﻋﻈﹸ ‪‬ﻤ ‪‬‬ ‫ﺴ‪‬ﺘﺮِﻳ ‪‬‬ ‫ﹶﻟ ‪‬ﻦ ‪‬ﺗ ‪‬‬

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‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﲪﻴﺪﻱ ﳏﻤﻮﺩ ‪ -‬ﺳﻮﺭﻳﺎ‬ ‫ﺍ َﻷ‪‬ﻧِﺒﻴ‪‬ﺎ ُﺀ ﹶﻛ ِﻌ ﹾﻘ ِﺪ ﺍﻟ ‪‬ﺪ ‪‬ﺭ ﻣ‪ ‬ﻨ‪‬ﺘ ِﻈﻢ‪‬‬ ‫ِﻋ ﹾﻘﺪ‪ِ ‬ﺑ ِﻪ ﺍﳉﹸﻮ ‪‬ﺩ ﻭ‪‬ﺍ ِﻹ ‪‬ﺣﺴ‪‬ﺎ ﹸﻥ ﻭﺍﻟ ﹶﻜ ‪‬ﺮﻡ‪‬‬ ‫ﺖ ﻭ‪‬ﺍ ِﺳ ﹶﻄﺔﹲ ﻟﻠ ِﻌ ﹾﻘ ِﺪ ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻨﺪِﻱ‬ ‫‪‬ﻭﺃﹶﻧ ‪‬‬

‫ﳊ ﹶﻜﻢ‪‬‬ ‫ﺐ ﻭ‪‬ﺍﻟ ﹸﻘﺮ‪‬ﺁ ﹸﻥ ﻭ‪‬ﺍ ِ‬ ‫ﳊ ‪‬‬ ‫ﻚﺍﹸ‬ ‫ﹶﺃﺧ‪‬ﻼ ﹸﻗ ‪‬‬ ‫ﻚ ﺍﻟ ﹶﻘ ﹶﻠﻢ‪‬‬ ‫ﺴﻤ‪‬ﻮ ِﺇﺫﹶﺍ ﻣ‪‬ﺎ ‪‬ﺧ ﱠﻄ ‪‬‬ ‫ﻑ ‪‬ﻳ ‪‬‬ ‫ﺻ ‪‬ﻬ ‪‬ﻮ ﹶﺓ ‪‬ﺣ ‪‬ﺮﻓِﻲ ﻓﹶﺎ‪‬ﻧﹶﺜﻨ‪‬ﻰ ﹶﻃ ‪‬ﺮﺑ‪‬ﺎ **** ‪‬ﻭ ‪‬ﺳ ‪‬ﻮ ‪‬‬ ‫ﺖ ‪‬‬ ‫ﹶﺃ ‪‬ﺳ ‪‬ﺮ ‪‬ﺟ ‪‬‬ ‫ﳊ ‪‬ﺮﻑ‪ ‬ﻭﺍﻟ ﹶﻜ ِﻠﻢ‪‬‬ ‫ﺐﺍﹶ‬ ‫ﺕ ﻓِﻴ ِﻪ ‪‬ﻳﻄِﻴ ‪‬‬ ‫ﺝ ﺍﻟ ﹶﻜﻤ‪‬ﺎ ِﻝ ِﺇﺫﹶﺍ **** ﹸﺫﻛِﺮ ‪‬‬ ‫ﺸ ‪‬ﻌ ‪‬ﺮ ِﻣ ‪‬ﻌﺮ‪‬ﺍ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬ﺒﻠﹸﻎﹸ ﺍﻟ ‪‬‬ ‫ﺤ ‪‬ﺮ ‪‬ﻳ ﹾﻠ‪‬ﺘ ِﻄﻢ‪‬‬ ‫ﺝ ﺣ‪‬ﺎِﺋ ‪‬ﺮﺓﹲ **** ﻭﺍ ﹶﳌ ‪‬ﻮﺝ‪ِ ‬ﻣ ‪‬ﻦ ‪‬ﺣ ‪‬ﻮِﻟﻬ‪‬ﺎ ﻭﺍﻟ‪‬ﺒ ‪‬‬ ‫ﺸ ‪‬ﻌ ِﺮ ﻓِﻲ ﺍ َﻷ ‪‬ﻣﻮ‪‬ﺍ ِ‬ ‫‪‬ﺳﻔِﻴ‪‬ﻨ ﹸﺔ ﺍﻟ ‪‬‬ ‫ﺕ ِﺑﻬ‪‬ﺎ ﺍﻟ ﱡﻈ ﹶﻠﻢ‪‬‬ ‫ﺐ ﻭ‪‬ﺍﻟﻨ‪‬ﻮ ِﺭ ﺇ ﹾﻥ ﹶﺃ ‪‬ﻭ ‪‬ﺩ ‪‬‬ ‫ﺤ ‪‬‬ ‫ﺖ ﺍ ﹶﳌﻨ‪‬ﺎ ‪‬ﺭﺓﹸ ‪‬ﺗ ‪‬ﻬﺪِﻳﻬ‪‬ﺎ ‪‬ﻭ‪‬ﺗ ‪‬ﺮ ِﺷ ‪‬ﺪﻫ‪‬ﺎ **** ﻟﻠ ‪‬‬ ‫ﹶﺍ‪‬ﻧ ‪‬‬ ‫ﺸ ‪‬ﻤ ﹸﻞ ‪‬ﻳ ﹾﻠ‪‬ﺘِﺌﻢ‪‬‬ ‫ﺐ ِﻣﻨ‪‬ﺎ ﺍﻟ ‪‬‬ ‫ﳊ ‪‬‬ ‫ﺾ ‪‬ﻋﺴ‪‬ﻰ **** ِﺑ‪‬ﺒ ‪‬ﻴ ‪‬ﻌ ِﺔ ﺍ ﹸ‬ ‫ﺡ ﺍﻟ ﹶﻘﺮِﻳ ِ‬ ‫ِﺇﻧ‪‬ﺎ ﻧ‪‬ﺒ‪‬ﺎﻳﻊ‪ ‬ﻓِﻲ ‪‬ﺩ ‪‬ﻭ ِ‬

‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺣﺴﲔ ﺃﲪﺪ ﺍﳊﺴﲔ ‪ -‬ﺳﻮﺭﻳﺎ‬ ‫ﻚ ﺍﷲ ِﻣ ‪‬ﻦ ﻧ‪‬ﻮ ٍﺭ ‪‬ﻭ ِﻣ ‪‬ﻦ ﹶﺃﹶﻟ ٍﻖ‬ ‫‪‬ﻭﺻ‪‬ﺎ ﹶﻏ ‪‬‬ ‫ﺸﻜﹶﺎِﺗﻬ‪‬ﺎ ﺍﻟ‪‬ﻨ ‪‬ﻌ ‪‬ﻢ‬ ‫ﺲ ﻓِﻲ ِﻣ ‪‬‬ ‫ﺸ ‪‬ﻤ ‪‬‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫‪‬ﻳﻤِﻴﻨ‪ ‬‬ ‫ﺸ ِﺮﻗﹸﻪ‬ ‫ﺤﻤ‪‬ﻮ ‪‬ﺩ ‪‬ﻣ ‪‬‬ ‫ﳊ ‪‬ﻤﺪ‪ ‬ﻳ‪‬ﺎ ‪‬ﻣ ‪‬‬ ‫ﻚﺍﹶ‬ ‫ِﺳﺮ‪‬ﺍﺟ‪ ‬‬ ‫ِﻣ ‪‬ﻦ ﻫ‪‬ﺎﹶﻟ ِﺔ ﺍﻟﻨ‪‬ﻮ ِﺭ ﺑﺎﻟ ﹸﻘﺮ‪‬ﺁ ِﻥ ‪‬ﻳ ‪‬ﻨ‪‬ﺘ ِﻈﻢ‪‬‬

‫ﳊﻜﹶﻢ‬ ‫ﺕ ‪‬ﻭﺍ ِ‬ ‫ﺠﺮ‪ ‬ﻭ‪‬ﺍﻵ‪‬ﻳﺎ ‪‬‬ ‫ﻚ ﺍﻟ ﹶﻔ ‪‬‬ ‫ﺢ ﻭ‪‬ﺍﻟ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤ ‪‬ﻦ ﹶﻃ ‪‬ﺮ ‪‬ﺯﻩ‪ِ **** ‬ﺷﻔﹶﺎﻫ‪ ‬‬ ‫ﺼ ‪‬ﺒ ‪‬‬ ‫ِﺇﺯ‪‬ﺍﺭ‪ ‬ﻙ ﺍﻟ ‪‬‬ ‫ﺿ ‪‬ﻤﻪ‪ ‬ﺍﻟ ﹶﻘ ﹶﻠﻢ‪‬‬ ‫ﻚ ‪‬ﻣ ‪‬ﻌ‪‬ﺘ ِﻜﻔﹰﺎ **** ‪‬ﻭ ﹶﻛ‪‬ﺒ ‪‬ﺮ ﺍﻟﻐ‪‬ﺎ ‪‬ﺭ ﳌﱠﺎ ‪‬‬ ‫ﺢ ﺍﻟ ﹶﻜ ‪‬ﻮﻥﹸ ﻓِﻲ ‪‬ﻋ ‪‬ﻴ‪‬ﻨ ‪‬ﻴ ‪‬‬ ‫‪‬ﻭ ‪‬ﺳ‪‬ﺒ ‪‬‬ ‫ﺼﻢ‪‬‬ ‫ﻚ ‪‬ﺗ ‪‬ﻌ‪‬ﺘ ِ‬ ‫ﺖ **** ﺭ‪‬ﻭﺍ ِﻓﺪ‪ ‬ﺍﻟ ﹶﻜ ‪‬ﻮ ِﻥ ﻓِﻲ ﹶﻛ ﱠﻔ ‪‬ﻴ ‪‬‬ ‫ﺴ ‪‬‬ ‫ﺠ‪‬‬ ‫ﺴﺮ‪‬ﺍ ‪‬ﻙ ﻭ‪‬ﺍ‪‬ﻧ‪‬ﺒ ‪‬‬ ‫ﺿﹶﺄ ﺍﻟ ﱡﻄ ‪‬ﻬ ‪‬ﺮ ﻓِﻲ ‪‬ﻣ ‪‬‬ ‫‪‬ﺗ ‪‬ﻮ ‪‬‬ ‫ﺴﻢ‪‬‬ ‫ﻕ ‪‬ﺗ ‪‬ﺒ‪‬ﺘ ِ‬ ‫ﺻﺪ‪‬ﻳﻘﹰﺎ ‪‬ﻳ ﹶﻠ ‪‬ﻤ ِﻠ ‪‬ﻤﻨ‪‬ﺎ **** ‪‬ﻭﺁ‪‬ﻳ ﹸﺔ ﺍﻟ ‪‬ﻌ ِﺪ ِﻝ ﻓِﻲ ﺍﻟﻔﹶﺎﺭ‪‬ﻭ ِ‬ ‫ﻕ ِ‬ ‫ﺼ ‪‬ﺪ ِ‬ ‫ﺖ ﺑِﺎﻟ ‪‬‬ ‫‪‬ﺑ‪‬ﻨ ‪‬ﻴ ‪‬‬ ‫‪‬ﻭﺷ‪‬ﺎ ‪‬ﺩ ‪‬ﻋ ﹾﺜﻤ‪‬ﺎ ﹸﻥ ﻟﻺﺳ‪‬ﻼ ِﻡ ِﺳ ‪‬ﺪ ‪‬ﺭ‪‬ﺗﻪ‪ **** ‬ﻭﺳ‪‬ﺎ ‪‬ﺭ ﻓِﻴﻬ‪‬ﺎ ‪‬ﻋ ِﻠ ‪‬ﻲ ‪‬ﺳ ‪‬ﻴﻔﹸﻪ‪ ‬ﺍﻟ ‪‬ﻌ ﹶﻠﻢ‪‬‬

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‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﻴﻠﻮﺩ ﺷﻮﳛﻪ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﹶﺃ ‪‬ﺧﻠﹸﻮﺍ ﺍﻟ ﱠﻄ ِﺮﻳ ‪‬ﻖ ِﺇﻟﹶﻴﻪ ِﺇ ﱠﻥ ﺑِﻲ ‪‬ﺩ‪‬ﻧ ﹰﻔﺎ‬ ‫ﺖ ‪‬ﻋ ﹶﻠ ‪‬ﻲ ‪‬ﺳﻬ‪‬ﻮ ﹸﻝ ﺍﷲ ﻭ‪‬ﺍﻟ ِﻘ ‪‬ﻤﻢ‪‬‬ ‫ﺿ‪‬ﺎ ﹶﻗ ‪‬‬ ‫ﺕ ‪‬ﻭﺑِﻲ ‪‬ﻧ ‪‬ﺪﺏ‪ِ ‬ﻣ ‪‬ﻦ ﹶﻗ ‪‬ﻴ ِﺪ ﻓﹶﺎِﺗ‪‬ﻨ ٍﺔ‬ ‫ﺁ ٍ‬

‫ﺿﻠِﻴ ٍﻞ ﹶﻏ ‪‬ﺮﻩ‪ ‬ﺍﻟ ‪‬ﻮ ‪‬ﻫﻢ‪‬‬ ‫ﺕ ﻓﹸﺆﺍ ‪‬ﺩ ‪‬‬ ‫ﹶﺃ ﹾﻏ ‪‬ﻮ ‪‬‬ ‫ﺠ‪‬ﺘﻬ‪‬ﺎ **** ‪‬ﺗ ‪‬ﺒﻜِﻲ ‪‬ﺑﻜﹶﺎ َﺀ ﹶﺫﻟِﻴ ٍﻞ ﺳ‪‬ﺎ ﹶﻗﻪ‪ ‬ﺍﻟ‪‬ﻨ ‪‬ﺪ ‪‬ﻡ‬ ‫ﺖ ﺑِﺎﻟ ‪‬ﺪ ‪‬ﻣ ِﻊ ‪‬ﻣ ‪‬ﻬ ‪‬‬ ‫ﺴ ﹶﻠ ‪‬‬ ‫‪‬ﻫﺬِﻱ ‪‬ﻳﺪِﻱ ﹶﻏ ‪‬‬ ‫ﺖ ِﺑ ‪‬ﻐ ‪‬ﻴ ِﺮ ِﺭﺿ‪‬ﺎ ‪‬ﻙ ﺍﻟ ‪‬ﻌ ‪‬ﻴﻦ‪ ‬ﺗ ‪‬ﻨ ﹶﻔ ِﻄﻢ‪‬‬ ‫ﺴ ‪‬‬ ‫ﺍ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩ ِﺇﹶﻟ ‪‬ﻲ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﺭ‪‬ﺍ ‪‬ﺣ‪‬ﺘﻜﹸﻢ **** ﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺿ ﹶﻄ ِﺮﻡ‪‬‬ ‫ﺠ ٍﻞ ﹶﺃ ‪‬ﺧﺒ‪‬ﻮ ‪‬ﻭﹶﺃ ‪‬‬ ‫ﻫ‪‬ﺎ ﹶﻗ ‪‬ﺪ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩﺕ‪ ‬ﻳﺪِﻱ ‪‬ﺧ ﹾﺬﻧِﻲ ِﻣ ‪‬ﻦ ﺍﻟ ‪‬ﻌ ‪‬ﺪ ِﻡ **** ِﺇﻧ‪‬ﻲ ‪‬ﻋﻠﹶﻰ ‪‬ﺧ ‪‬‬ ‫ﻕ ﺍﻟ ‪‬ﻌﻠﹶﻰ ﹶﻗ ‪‬ﺪﻡ‪‬‬ ‫ﺖ ﹶﻓ ‪‬ﻮ ‪‬‬ ‫ﺖ ﻗﹶﺎِﺋﺪ‪‬ﻩ‪ **** ‬ﹶﻗ ‪‬ﻮﻡ‪ ‬ﹶﻟﻬ‪‬ﻢ ‪‬ﻭ ِﻃﹶﺌ ‪‬‬ ‫ﺖ ِﻟﻮ‪‬ﺍ ٍﺀ ﹶﺃ‪‬ﻧ ‪‬‬ ‫ﺤ ‪‬‬ ‫ﺏ ‪‬ﺗ ‪‬‬ ‫ﹶﻗ ‪‬ﺪ ﺫﹶﺍ ‪‬‬ ‫ﺖ ﹶﻟﻨ‪‬ﺎ ِﺑ ِﻬﻢ‪ ‬ﹸﻗ ‪‬ﺮﺑ‪‬ﻰ ﻭ‪‬ﻻ ‪‬ﺷ‪‬ﺒﻪ‪ **** ‬ﹶﻟ ِﻜ ‪‬ﻦ ﹶﻟﻨ‪‬ﺎ ﹶﻗ ﹶﻠﻢ‪ ‬ﻳ‪‬ﺎ ‪‬ﺳ‪‬ﻴﺪِﻱ ‪‬ﻭ ﹶﻓﻢ‪‬‬ ‫ﺴ ‪‬‬ ‫ﹶﻟ ‪‬ﻴ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻓﺘﺤﻲ ﻣﻨﺼﻮﺭﻳﻪ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﻕ ﻗﹶﺎ ِﻓ‪‬ﻴ ﹰﺔ‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﺏ ﺍﻟ ‪‬‬ ‫ﳊ ‪‬ﺮﻑ‪ ‬ﹶﻏﻨ‪‬ﻰ ِﺧﻀ‪‬ﺎ ‪‬‬ ‫ﺍﹶ‬ ‫ﻀ ﹶﻄ ِﺮﻡ‪‬‬ ‫ﻕ ‪‬ﻳ ‪‬‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﻭ‪‬ﺍﻟ ‪‬ﻌ ‪‬ﻴ ‪‬ﻦ ‪‬ﺗ ‪‬ﺪﻣِﻲ ﹶﻏﺰِﻳ ‪‬ﺮ ﺍﻟ ‪‬‬ ‫ﺕ ‪‬ﻣﻐ‪‬ﺘ ِﺮﻑ‪‬‬ ‫ﺞ ﺍﻵﻫ‪‬ﺎ ِ‬ ‫ﺠِ‬ ‫ِﺇﻧ‪‬ﻲ ‪‬ﻋﻠﹶﻰ ﻟﹸ ‪‬‬

‫ﺴ ﹶﻘﻢ‪‬‬ ‫ﺸﻬ‪‬ﻰ ‪‬ﺣ ﹾﻠﻮ‪‬ﻫﺎ ﺍﻟ ‪‬‬ ‫ﺠﻮ‪‬ﺍ ‪‬ﻙ ‪‬ﺣﺘ‪‬ﻰ ‪‬ﺗ ‪‬‬ ‫‪‬ﻧ ‪‬‬ ‫ﺼﻢ‪‬‬ ‫‪‬ﻫﺬِﻱ ِﺟﺮ‪‬ﺍﺣِﻲ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﻧ‪‬ﺎ ِﺯ ﹶﻓﺔﹲ **** ِﻣ ‪‬ﻦ ‪‬ﺣ ‪‬ﺮ ﹸﻟ ﹾﻘﻴ‪‬ﺎ ‪‬ﻙ ﻻ ﹶﻓ ‪‬ﻴﺤ‪‬ﺎ َﺀ ﹶﺃ ‪‬ﻋ‪‬ﺘ ِ‬ ‫ﻚ ﺍ َﻷ ‪‬ﺳﻤ‪‬ﻰ ﹶﻓﹶﺄﹾﻟ‪‬ﺘِﺌﻢ‪‬‬ ‫ﺤﺮ‪‬ﺍِﺑ ‪‬‬ ‫ﺤ ‪‬ﻮ ‪‬ﻙ ﻓِﻲ ﺍﻟ ‪‬ﺮ ‪‬ﻣﻀ‪‬ﺎ ِﺀ ﹶﺃ ‪‬ﺳ ﹸﻜ‪‬ﺒﻨِﻲ **** ِﻋ ﹾﻄﺮ‪‬ﺍ ِﺑ ِﻤ ‪‬‬ ‫‪‬ﺟﹶﺜ ‪‬ﻮﺕ‪ ‬ﻧ ‪‬‬ ‫ﺐ ‪‬ﻣ ‪‬ﻬ ِﻠ ﹸﻜﻨِﻲ **** ﹶﻗ ‪‬ﺪ ﻏﹶﺎ ‪‬ﺭ ‪‬ﻭ ‪‬ﺟﻬِﻲ ‪‬ﻭ ﹶﻏﻄﱠﻰ ﻋﺰ ‪‬ﻩ ﺍﻟ‪‬ﻨ ‪‬ﺪ ‪‬ﻡ‬ ‫ﻓﹶﺎ ‪‬ﺷ ﹶﻔ ‪‬ﻊ ‪‬ﺣﺒِﻴﺒِﻲ ﻓﹶﺈ ﱠﻥ ﺍﻟ ﱠﺬ‪‬ﻧ ‪‬‬ ‫ﺐ ِﻣ ‪‬ﻦ ‪‬ﻭﹶﻟ ٍﻪ **** ‪‬ﻣ ‪‬ﻦ ﻟِﻲ ِﺳﻮ‪‬ﺍ ‪‬ﻩ ِﺇﺫﹶﺍ ﹶﺃ ‪‬ﺣﺘ‪‬ﺎ ‪‬ﺭ ﹶﺃ ‪‬ﺣ‪‬ﺘ ِﻜﻢ‪‬؟‬ ‫ﺍﷲ ‪‬ﻳ ‪‬ﻌ ﹶﻠﻢ‪ ‬ﻣﺎ ﻓِﻲ ﺍﻟ ﹶﻘ ﹾﻠ ِ‬

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‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﻛﻨﻌﺎﱐ‪ -‬ﺳﻮﺭﻳﺎ‬ ‫ﻕ ‪‬ﺗ ﹾﻠ‪‬ﺘ ِﻄﻢ‪‬‬ ‫ﺠﺞ‪ ‬ﺍ َﻷ ‪‬ﺷﻮ‪‬ﺍ ِ‬ ‫ﺤﺮ‪‬ﺍ ِﺀ ‪‬ﻳ ‪‬ﺰ ‪‬ﺩ ِﺣﻢ‪ **** ‬ﻭﻓِﻲ ‪‬ﺩﻣِﻲ ﻟﹸ ‪‬‬ ‫ﺼ‪‬‬ ‫‪‬ﻋﻠﹶﻰ ﹶﻓﻤِﻲ ‪‬ﻋ‪‬ﺒﻖ‪ ‬ﺍﻟ ‪‬‬ ‫ﺴﻢ‪‬‬ ‫ﺿﻔﹶﺎ ﹸﻓﻬ‪‬ﺎ ﹶﺃ‪‬ﺑﺪ‪‬ﺍ ﺑِﺎﻟﻨ‪‬ﻮ ِﺭ ‪‬ﺗ ‪‬ﺒ‪‬ﺘ ِ‬ ‫ﺠﺘِﻲ ‪‬ﻭ ‪‬ﺩﻣِﻲ **** ِ‬ ‫ﺕ ‪‬ﻣ ‪‬ﻬ ‪‬‬ ‫ﻑ ‪‬ﻣ ﱠﻜ ﹶﺔ ﹶﺃ ﹾﻏ ‪‬ﺮ ‪‬‬ ‫ﺿﻔﹶﺎ ‪‬‬ ‫ِ‬ ‫ﳊ ﹸﻠ ‪‬ﻢ‬ ‫ﺖ ِﻋ ‪‬ﻨ ‪‬ﺪﻩ‪ ‬ﺍ َﻷ ‪‬ﺟﻔﹶﺎ ﹸﻥ ﻭ‪‬ﺍ ﹸ‬ ‫ﺠﻊ‪ **** ‬ﺗﻌ‪‬ﺎ‪‬ﻧ ﹶﻘ ‪‬‬ ‫ﻀﺮ‪‬ﺍ ِﺀ ﻣ‪ ‬ﻨ‪‬ﺘ ‪‬‬ ‫ﳋ ‪‬‬ ‫ﺿ ﱠﻔِﺘﻬ‪‬ﺎ ﺍ ﹶ‬ ‫ﻟِﻲ ِﻋ ‪‬ﻨ ‪‬ﺪ ِ‬ ‫ﺨ‪‬ﺘ‪‬ﺘﻢ‪‬‬ ‫ﺠ ِﺔ ﺍﻟ ﱠﻈ ﹾﻠﻤ‪‬ﺎ ِﺀ ﻣ‪ ‬ﻌ‪‬ﺘ ‪‬ﺮﻙ‪ **** ‬ﻭﻟِﻲ ‪‬ﻋﻠﹶﻰ ﺷ‪‬ﺎ ِﻃ ِﺊ ﺍ َﻷ‪‬ﻧﻮ‪‬ﺍ ِﺭ ﻣ‪ ‬‬ ‫‪‬ﻭﻟِﻲ ‪‬ﻋﻠﹶﻰ ﻟﹸ ‪‬‬

‫ﺡ ﻭ‪‬ﺍﻟ ﹶﻘ ﹶﻠﻢ‪‬‬ ‫ﺽ ﺍﻟ ﱠﻠ ‪‬ﻮ ‪‬‬ ‫ﻚ ﻓﹶﺎ ‪‬‬ ‫ﺡ ﺻ‪‬ﻮ ‪‬ﺭ‪‬ﺗﻬ‪‬ﺎ **** ‪‬ﻋﻠﹶﻰ ‪‬ﺭﻭ‪‬ﺍﺑِﻴ ِ‬ ‫ﺖ ﻓِﻲ ﺍﻟﺮ‪‬ﻭ ِ‬ ‫ﻳ‪‬ﺎ ﺑ‪ ‬ﹾﻘ ‪‬ﻌ ﹰﺔ ﹶﺃ ‪‬ﻭ ‪‬ﺭ ﹶﻗ ‪‬‬ ‫‪‬ﻭﻳ‪‬ﺎ ‪‬ﻧِﺒ ‪‬ﻲ ﺍ ﹸﳍﺪ‪‬ﻯ ﹶﺃ ‪‬ﺭﺧ‪‬ﻰ ﹸﺫﺅ‪‬ﺍ‪‬ﺑ‪‬ﺘﻪ‪ **** ‬ﻋﻠﹶﻰ ﺍﻟﻮﺟ‪‬ﻮ ِﺩ ﹶﻓ ‪‬ﻐﻨ‪‬ﻰ ﺧ‪‬ﺎ ِﻓﻖ‪ ‬ﻭ ﹶﻓﻢ‪‬‬ ‫ﺸِﺒﻢ‪‬‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫ﺿ ﹸﻠ ِﻌﻬ‪‬ﺎ **** ‪‬ﺣﺘ‪‬ﻰ ‪‬ﻳ ‪‬ﺮ ‪‬ﻭ‪‬ﻳﻬ‪‬ﺎ ‪‬ﻳ ‪‬ﻨﺒ‪‬ﻮ ‪‬ﻋ ‪‬‬ ‫ﺼﺤ‪‬ﺎﺭ‪‬ﻯ ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ﹶﺃ ‪‬‬ ‫ﻚ ﺍﻟ ‪‬‬ ‫ﹶﻗ ‪‬ﺪ ‪‬ﺧ‪‬ﺒﹶﺄ‪‬ﺗ ‪‬‬ ‫ﺑﺪﻳﻊ ﺭﺑﺎﺡ ‪ -‬ﺍﻷﺭﺩﻥ‬

‫ﻚ ﺍﻷُ ‪‬ﻣﻢ‪‬‬ ‫ﺕ ِﺑ ‪‬‬ ‫ﺐ ﹶﻓ ﹶﻘ ‪‬ﺪ ‪‬ﺳ ‪‬ﺮ ‪‬‬ ‫ﳊﺒِﻴ ‪‬‬ ‫ِﻧ ‪‬ﻌ ‪‬ﻢ ﺍ ﹶ‬ ‫ﺠﻢ‪‬‬ ‫ﺏ ﻭ‪‬ﺍﻟ ‪‬ﻌ ‪‬‬ ‫‪‬ﻭ ﹶﻗ ‪‬ﺪ ﹶﺃ ﹶﻗ ‪‬ﺮ ِﺑﺬﹶﺍ ‪‬ﻙ ﺍﻟ ‪‬ﻌ ‪‬ﺮ ‪‬‬ ‫ﻯ‬ ‫ﻕ ﻧ‪‬ﻮ ‪‬ﺭ ﻫ‪ ‬ﺪ ‪‬‬ ‫ﻚ ﻓِﻲ ﺍﻵﻓﹶﺎ ِ‬ ‫‪‬ﻭ ‪‬ﺷ ‪‬ﻊ ‪‬ﻫ ‪‬ﺪﻳ‪ ‬‬ ‫ﺖ ﺍﻟ ِﻘ‪‬ﻴﻢ‪‬‬ ‫‪‬ﻋ ‪‬ﻢ ﺍﻟﺴ‪‬ﻼ ‪‬ﻡ‪ ..‬ﻭﻓِﻴ ِﻪ ﺍ ‪‬ﺧﺘ‪‬ﺎﹶﻟ ِ‬ ‫‪264‬‬

‫ﺖ ﺍﻟ ﱡﻈ ﹶﻠﻢ‪‬‬ ‫ﺕ ‪‬ﻳ ‪‬ﺮ ِﺷ ‪‬ﺪﻧ‪‬ﺎ **** ‪‬ﻭ‪‬ﺑ ‪‬ﺪ ‪‬ﺩ ﺍﻟﻨ‪‬ﻮ ‪‬ﺭ ﻣ‪‬ﺎ ﹶﻗ ‪‬ﺪ ﺣ‪‬ﺎ ﹶﻛ ِ‬ ‫ﳉﻨ‪‬ﺎ ِ‬ ‫ﺖ ﻧ‪‬ﻮﺭ‪‬ﺍ ِﺇﻟﹶﻰ ﺍ ﹶ‬ ‫ﹶﻓﻜﹸ ‪‬ﻨ ‪‬‬ ‫ﺸ ‪‬ﻤ ‪‬ﻢ‬ ‫ﻚ ‪‬ﺣ ‪‬ﻴﺚﹸ ﺍﻟ ﱡﻄ ‪‬ﻬ ‪‬ﺮ ﻭ‪‬ﺍﻟ ‪‬‬ ‫ﺕ **** ﺗ‪ِ‬ﻨﲑ‪ ‬ﺑ ‪‬ﻴ‪‬ﺘ ‪‬‬ ‫ﺏ ‪‬ﺳ ‪‬ﺮ ‪‬‬ ‫ﺕ ﺍﻟ ِﻜﺘ‪‬ﺎ ِ‬ ‫‪‬ﻣ ‪‬ﻨ ﹸﺬ ﺍﻟِﺒﺪ‪‬ﺍ‪‬ﻳ ِﺔ ﺁﻳ‪‬ﺎ ‪‬‬ ‫ﺤ‪‬ﺘ ِﻜﻢ‪‬‬ ‫ﻚ ‪ -‬ﺑ ‪‬ﻌ ‪‬ﺪ ﺍﷲ ‪ -‬ﻧ ‪‬‬ ‫ﳊ ‪‬ﻤﺪ‪ ‬ﷲ ‪‬ﺣ ‪‬ﻤﺪ‪‬ﺍ ﻻ ‪‬ﺣﺪ‪‬ﻭ ‪‬ﺩ ﻟﹶﻪ **** ﺃﻧ‪‬ﺎ ِﻟ ‪‬ﻬﺪ‪‬ﻳ ‪‬‬ ‫ﻓﹶﺎ ﹶ‬

‫ﺼ‪‬ﻨﻢ‪‬‬ ‫ﺫﹶﺍ ‪‬ﻙ ﺍﹼﻟﺬِﻱ ﺟ‪‬ﺎ َﺀ ﺑِﺎﻟ ﹸﻘﺮ‪‬ﺁ ِﻥ ﹶﺃ‪‬ﻧ ﹶﻘ ﹶﺬﻧ‪‬ﺎ **** ِﻣ ‪‬ﻦ ‪‬ﺑ ‪‬ﻌ ‪‬ﺪ ﹶﺃ ﹾﻥ ﻛﹶﺎ ﹶﻥ ﻓِﻴﻨ‪‬ﺎ ﻳ‪ ‬ﻌ‪‬ﺒﺪ‪ ‬ﺍﻟ ‪‬‬ ‫ﳋ ﹾﻠ ِﻖ ‪‬ﻧ ‪‬ﻨ ﹶﻔ ِﻄﻢ‪‬‬ ‫ﺐ ‪‬ﺧ ‪‬ﻴ ِﺮ ﺍ ﹶ‬ ‫ﳋ ﹾﻠ ِﻖ ‪‬ﻧ ‪‬ﻌ ِﻠ‪‬ﻨﻬ‪‬ﺎ **** ﹶﺃﻧ‪‬ﺎ ‪‬ﻋﻠﹶﻰ ‪‬ﺣ ‪‬‬ ‫ﺇﻧ‪‬ﺎ ‪‬ﻋﻠﹶﻰ ﺍﻟ ‪‬ﻌ ‪‬ﻬ ِﺪ ‪‬ﺑ ‪‬ﻴ ‪‬ﻦ ﺍ ﹶ‬ ‫ﺍﻟﺸ‪‬ﺎﻋﺮ ﺣﺴﲔ ﺍﻷﻋﺮﺝ ‪ -‬ﺳﻮﺭﻳﺎ‬ ‫ﻕ ‪‬ﻣ ‪‬ﺮﻫ‪‬ﻮ ﹸﻥ‬ ‫ﺸ ‪‬ﻮ ِ‬ ‫ﺤﺰ‪‬ﻭ ﹸﻥ **** ﻭ‪‬ﺇ‪‬ﻧ ‪‬ﻪ ِﺑِﺒﺤ‪‬ﺎ ِﺭ ﺍﻟ ‪‬‬ ‫ﺸﻐ‪‬ﻮﻑ‪ ‬ﻭ ‪‬ﻣ ‪‬‬ ‫ﹶﻗ ﹾﻠﺒِﻲ ِﺑ ِﺬ ﹾﻛ ِﺮ ‪‬ﻙ ‪‬ﻣ ‪‬‬ ‫ﺴ ِﻜﲔ‪‬‬ ‫ﺻ ‪‬ﺪ ‪‬ﺭ ﺍﻟ ‪‬ﺰﻣ‪‬ﺎ ِﻥ ﹶﻓﻠِﻶﻻ ِﻡ ‪‬ﺗ ‪‬‬ ‫ﺲ ِﺑﻬ‪‬ﺎ **** ‪‬‬ ‫ﺴ ‪‬ﻤﺤ‪‬ﺎ َﺀ ‪‬ﺟ ‪‬‬ ‫ﻓﹶﺎ ‪‬ﻣ ‪‬ﺪ ‪‬ﺩ ﹶﻟﻪ‪ ‬ﻳ ‪‬ﺪ ‪‬ﻙ ﺍﻟ ‪‬‬ ‫ﲔ‬ ‫ﺸﺮ‪‬ﺍِﻳ ‪‬‬ ‫ﺖ ﻓِﻴ ِﻪ ﺍﻟ ‪‬‬ ‫ﺡ ِﺟ ﹾﺬ ‪‬ﻭﺗ‪‬ﻪ‪ **** ‬ﻛﹶﺄ‪‬ﻧﻤ‪‬ﺎ ﹶﺃ ‪‬ﺷ ‪‬ﺮ ﹶﻗ ‪‬‬ ‫ﺼﺒ‪‬ﺎ ِ‬ ‫ﻚ ﻛﹶﺎﹾﻟ ِﻤ ‪‬‬ ‫ﹶﺃ ﹶﻃ ﱠﻞ ‪‬ﻭ ‪‬ﺟﻬ‪ ‬‬

‫ﲔ‬ ‫ﺸﻴ‪‬ﺎ ِﻃ ‪‬‬ ‫ﺢ ﻓﹶﺎ ‪‬ﺳﺘ‪‬ﺎ َﺀ ﺍﻟ ‪‬‬ ‫ﺼ ‪‬ﺒ ‪‬‬ ‫ﻕ ﺍﻟ ‪‬‬ ‫ﺖ ﹶﻏﻴ‪‬ﺎ ِﻫﺒ‪‬ﻪ‪ **** ‬ﻭﹶﺃ ‪‬ﺷ ‪‬ﺮ ‪‬‬ ‫ﺕ ِﻟ ﱠﻠ ‪‬ﻴ ِﻞ ﻓﹶﺎ‪‬ﻧﺰ‪‬ﺍ ‪‬ﺣ ‪‬‬ ‫ﹶﺃ ‪‬ﺷ ‪‬ﺮ ‪‬‬ ‫ﲔ‬ ‫ﻀﻴ‪‬ﺎ ٍﺀ ‪‬ﺟ ﱠﻞ ﻣ‪ ‬ﺮ ِﺳﻠﹸﻪ‪ **** ‬ﻋ ‪‬ﻨﻮ‪‬ﺍ‪‬ﻧ ‪‬ﻪ ﺍﻟ ‪‬ﻌ ‪‬ﺪﻝﹸ ﻭ‪‬ﺍ ِﻹ ‪‬ﺣﺴ‪‬ﺎﻥﹸ ﻭ‪‬ﺍﻟ ﱢﻠ ‪‬‬ ‫ﹶﺃ‪‬ﺗ ‪‬ﻴ‪‬ﺘﻨ‪‬ﺎ ِﺑ ِ‬ ‫ﺸ ‪‬ﺮ ِﻙ ‪‬ﺗ ‪‬ﻤ ِﻜﲔ‪‬‬ ‫‪‬ﻧ ‪‬ﺒﻊ‪ ‬ﹶﻏﺰِﻳﺮ‪ِ ‬ﻣ ‪‬ﻦ ﺍ َﻷ ‪‬ﻭﺛﹶﺎ ِﻥ ﹶﻃ ‪‬ﻬ ‪‬ﺮﻧ‪‬ﺎ **** ﹶﻓ ﹶﻠ ‪‬ﻢ ‪‬ﻳ ‪‬ﻌ ‪‬ﺪ ِﻟﻈﹶﻼ ِﻡ ﺍﻟ ‪‬‬ ‫ﲔ‬ ‫ﺱ ﻭ‪‬ﺍ‪‬ﻧﻘﹶﺎ ‪‬ﺩ ﺍﻟﺴ‪‬ﻼ ِﻃ ‪‬‬ ‫ﺖ **** ﻭ‪‬ﺁ ‪‬ﻣ ‪‬ﻦ ﺍﻟﻨ‪‬ﺎ ‪‬‬ ‫ﺻﻨ‪‬ﺎﻡ‪ ‬ﹶﻗ ‪‬ﺪ ‪‬ﺳ ﹶﻘ ﹶﻄ ‪‬‬ ‫ﻚ ﻓﹶﺎ َﻷ ‪‬‬ ‫ﺕ ‪‬ﺳ ‪‬ﻴ ﹶﻔ ‪‬‬ ‫‪‬ﺷ ‪‬ﻬ ‪‬ﺮ ‪‬‬ ‫ﺸﺎﻋﺮ ﻧﻮﺭ ﺍﻟﺪ‪‬ﻳﻦ ﺟﺮﻳﺪﻱ ‪ -‬ﺍﳉﺰﺍﺋﺮ‬ ‫ﺍﻟ ‪‬‬ ‫ﺺ ﺍﻟ‪‬ﺒ ‪‬ﺪﺀُ ﻓِﻲ ‪‬ﺟ ﹾﻔ‪‬ﻨ ‪‬ﻲ ﻣ‪ ‬ﻨ‪‬ﺘﺸِﻴﺎ‬ ‫‪‬ﺗﺮ‪‬ﺍ ﹶﻗ ‪‬‬ ‫ﺖ ‪‬ﺗﻨ‪‬ﺎﻏِﻴﻨِﻲ‬ ‫ﻯ ﺑ‪‬ﺎ‪‬ﺗ ‪‬‬ ‫‪‬ﻭﻓِﻲ ﹸﻓﺆ‪‬ﺍﺩِﻱ ﺭ‪‬ﺅ ‪‬‬ ‫ﺖ ﺍﻟﱡﻠ ‪‬ﻐﺔﹸ ﺍﻟ ‪‬ﻌ ﹾﻄﺸ‪‬ﻰ ‪‬ﻋﻠﹶﻰ ‪‬ﺷ ﹶﻔِﺘﻲ‬ ‫‪‬ﺗﺮ‪‬ﺍ ‪‬ﻣ ِ‬ ‫ﻀﻮِﻳِﻨﻲ‬ ‫ﻕ ‪‬ﻳ ‪‬‬ ‫ﳊﺮ‪‬ﻑ ﻓِﻲ ﺍﻵﻓﹶﺎ ِ‬ ‫ﺞﺍ ﹶ‬ ‫‪‬ﺗ ‪‬ﻮ ‪‬ﻫ ‪‬‬

‫ﺴﺮِﻳﻨِﻲ‬ ‫ﺝ ‪‬ﻳ ‪‬ﻐ ‪‬ﻤ ‪‬ﺮﻧِﻲ **** ‪‬ﺷ ‪‬ﻮﻕ‪ ‬ﺇﻟﹶﻰ ِﻗ ‪‬ﻤ ِﺔ ﺍ َﻷ ‪‬ﺧﻴ‪‬ﺎ ِﺭ ‪‬ﻳ ‪‬‬ ‫‪‬ﺑ ‪‬ﺪﺀٌ ﺇﻟﹶﻰ ‪‬ﻣ ‪‬ﻨ‪‬ﺘﻬ‪‬ﻰ ﺍ ِﳌ ‪‬ﻌﺮ‪‬ﺍ ِ‬ ‫ﺴﺮ‪‬ﻯ ‪‬ﺷﺮ‪‬ﺍﻳِﻴﻨِﻲ‬ ‫ﻉ ﻏﹸ ‪‬ﺮ‪‬ﺑِﺘ ِﻪ **** ﻳ‪ ‬ﺮ‪‬ﺗﻞﹸ ﺍﻟ ﱠﻠﻴ‪‬ﻞ ﻓِﻲ ‪‬ﻣ ‪‬‬ ‫ﺠ ‪‬ﺮ ﺍﻟ‪‬ﺒ ‪‬ﺪ ُﺀ ِﻣ ‪‬ﻦ ‪‬ﻳ ‪‬ﻨﺒ‪‬ﻮ ِ‬ ‫‪‬ﺗ ﹶﻔ ‪‬‬ ‫ﺡ ‪‬ﻳ ﹾﻘﺮِﺅﻧِﻲ ﻭ‪‬ﺍﷲ ﻳ‪‬ﻮ ِﺣﻨِﲏ‬ ‫ﺨِﺘﻢ‪ ‬ﺍﻟ‪‬ﺒ ‪‬ﺪ ُﺀ ﻓِﻲ ﺍ َﻷ ﹾﻗﺼ‪‬ﻰ ِﺭﺳ‪‬ﺎﹶﻟ‪‬ﺘﻪ‪ **** ‬ﺍﻟﺮ‪‬ﻭ ‪‬‬ ‫‪‬ﻭ‪‬ﻳ ‪‬‬ ‫‪265‬‬

‫ﺐ ﻳﺲ‬ ‫ﻯ ﻓِﻲ ﹶﻗ ﹾﻠ ِ‬ ‫ﻀﻴ‪‬ﺎ ُﺀ ‪‬ﻣ ‪‬ﺪ ‪‬‬ ‫ﺴﻨِﻴ ِﻢ ﹶﻛ ‪‬ﻮﹶﺛ ِﺮﻧ‪‬ﺎ **** ﻫ‪‬ﺎ ‪‬ﻡ ﺍﻟ ‪‬‬ ‫ﻒ ِﻣ ‪‬ﻦ ‪‬ﺗ ‪‬‬ ‫ﺿﹶﺄ ﺍﻟ ﱠﻄ ‪‬ﻴ ‪‬‬ ‫‪‬ﺗ ‪‬ﻮ ‪‬‬ ‫ﺸﻮ‪‬ﻯ ﺑﺴ‪‬ﺎﺗِﻴﲏ‬ ‫ﺴ ‪‬ﻢ ﺍﻟ ‪‬ﻮ ‪‬ﺣﻲ‪ ‬ﻓِﻲ ‪‬ﻧ ‪‬‬ ‫ﺕ ِﺳ ‪‬ﺪ ‪‬ﺭِﺗ‪‬ﻨﺎ **** ‪‬ﺗ‪‬ﺒ ‪‬‬ ‫ﺠﺮ‪ِ ‬ﻣ ‪‬ﻦ ﺁﻳ‪‬ﺎ ِ‬ ‫ﺦ ﺍﻟ ﹶﻔ ‪‬‬ ‫ﻀ ‪‬ﻤ ‪‬‬ ‫‪‬ﺗ ‪‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺧﺎﻟﺪ ﻓﻮﺯﻱ ﻋﺒﺪﻭ‪ -‬ﺍﻷﺭﺩﻥ‬

‫ﺸ ‪‬ﻌ ‪‬ﺮ ﻳ‪‬ﺎ ﺧ‪‬ﺎِﻟ ‪‬ﺪ ﺍﻟ ﱢﺬ ﹾﻛﺮ‪‬ﻯ ﻭ‪‬ﻻ ﺍﻟ‪‬ﻨ ‪‬ﻐ ‪‬ﻢ‬ ‫ﻻ ﺍﻟ ‪‬‬ ‫ﺠﻮ‪‬ﻯ ﻭ‪‬ﻻ ﺍ َﻷﹶﻟﻢ‪‬‬ ‫ﻚ ﻭ‪‬ﻻ ﺍﻟ‪‬ﻨ ‪‬‬ ‫‪‬ﻳ ‪‬ﺮﻗﹶﻰ ِﺇﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺏ ﹶﻟﻬ‪‬ﺎ‬ ‫ﲔ ﻻ ِﻏﻴ‪‬ﺎ ‪‬‬ ‫ﺲ ‪‬ﺣ ‪‬ﻖ ﻣ‪ِ‬ﺒ ٍ‬ ‫ﻳ‪‬ﺎ ‪‬ﺷ ‪‬ﻤ ‪‬‬ ‫‪‬ﺗ ﹶﻈ ﱡﻞ ‪‬ﺗ ‪‬ﺮ‪‬ﺗ ‪‬ﺪ ‪‬ﻋ ‪‬ﻦ ﺇ ‪‬ﺷﺮ‪‬ﺍ ِﻗﻬ‪‬ﺎ ﺍﻟ ﱡﻈ ﹶﻠﻢ‪‬‬ ‫ﺖ ﺑِﻪ ﺍﻟ ﹶﻜﻠِﻢ‬ ‫ﻀ ‪‬‬ ‫ﺚ ‪‬ﺣﺒ‪‬ﻲ ﹶﻟﻤ‪‬ﺎ ﹶﺃ ﹾﻓ ‪‬‬ ‫ﺖ **** ِﻟ‪‬ﺒ ﱢ‬ ‫ﻑ ﺍﻟﻀ‪‬ﺎ ِﺩ ﹶﻗ ‪‬ﺪ ﻧ‪‬ﻈﹸ ‪‬ﻤ ‪‬‬ ‫ﹶﻟﻮ ﹶﺃ ﱠﻥ ﹸﻛ ﱠﻞ ‪‬ﺣﺮ‪‬ﻭ ِ‬ ‫ﺕ ﺩِﻳﻨ‪‬ﺎ ِﻟ ‪‬ﺪ‪‬ﻧﻴ‪‬ﺎ ﻓِﻲ ‪‬ﺟﻬ‪‬ﺎﹶﻟِﺘﻬ‪‬ﺎ **** ِﺑ ﹸﻜ ﱢﻞ ﻣ‪‬ﺎ ‪‬ﺣ ‪‬ﺮ ‪‬ﻡ ﺍﻟ ‪‬ﺮ ‪‬ﺣ ‪‬ﻤﻦ‪ ‬ﺗ‪‬ﺘ ‪‬ﻬﻢ‪‬‬ ‫‪‬ﺣ ‪‬ﻤ ‪‬ﺪ ‪‬‬

‫ﺖ ِﻣ ﹾﺜ ﹶﻠﻪ‪ ‬ﹶﺃﻭ ‪‬ﺷ‪‬ﺒ ‪‬ﻬﻪ‪ ‬ﺍﻷُ ‪‬ﻣﻢ‪‬‬ ‫ﺻ ‪‬ﻤ ٍﺪ **** ‪‬ﻭﻣ‪‬ﺎ ‪‬ﻭ ‪‬ﻋ ‪‬‬ ‫ﺏ ﻭ‪‬ﺍ ِﺣ ِﺪ ‪‬‬ ‫ﺩِﻳﻨ‪‬ﺎ ‪‬ﻳﻨ‪‬ﺎﺩِﻱ ِﺑ ‪‬ﺮ ‪‬‬ ‫ﺻ‪‬ﻨ ‪‬ﻢ‬ ‫ﺕ ‪‬ﺷﺮ‪‬ﺍِﺋﻌ‪‬ﻪ‪ ‬ﻫ ‪‬ﺪﻳ‪‬ﺎ ‪‬ﻭ ‪‬ﻣ ‪‬ﻮ ِﻋ ﹶﻈ ﹰﺔ **** ‪‬ﺳ ‪‬ﻤﺤ‪‬ﺎ َﺀ ﻻ ‪‬ﻭﹶﺛﻦ‪ ‬ﻓِﻴﻬ‪‬ﺎ ﻭ‪‬ﻻ ‪‬‬ ‫ﺿ‪‬ﺎ َﺀ ‪‬‬ ‫ﺨ‪‬ﺘ‪‬ﺘﻢ‪‬‬ ‫ﺕ ﺑِﺎﻹﺳ‪‬ﻼ ِﻡ ﺗ‪ ‬‬ ‫ﻸ‪‬ﻧِﺒﻴ‪‬ﺎ ِﺀ ﺍﻟ ‪‬ﻐ ‪‬ﺮ ﺧ‪‬ﺎ‪‬ﺗ ‪‬ﻤﻬ‪ ‬ﻢ **** ِﺇ ﹾﺫ ﺍﻟ ‪‬ﺪﻳ‪‬ﺎﻧ‪‬ﺎ ‪‬‬ ‫ﺕ ِﻟ َ‬ ‫ﹶﻏ ‪‬ﺪ ‪‬ﻭ ‪‬‬ ‫ﺍﻟﺸﺎﻋﺮ ﺑﺎﺳﻞ ﳏﻤﺪ ﺑﺰﺭﺍﻭﻱ ﻓﻠﺴﻄﲔ‬ ‫ﺼﻢ‪‬‬ ‫ﺏ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ‪‬ﺗ ‪‬ﻌ‪‬ﺘ ِ‬ ‫ﻚ ﺍﻟ ﹸﻘﻠﹸﻮ ‪‬‬ ‫ِﺑ ‪‬‬ ‫ﻚ ِﺩﻣ‪‬ﺎﺀٌ ‪‬ﺷ ‪‬ﻮ ﹸﻗﻬ‪‬ﺎ ِﺩ‪‬ﻳﻢ‪‬‬ ‫‪‬ﻭ‪‬ﺗ ﹾﻔ‪‬ﺘﺪِﻳ ‪‬‬ ‫ﺴ ﹸﻜ‪‬ﻨﻬ‪‬ﺎ‬ ‫ﺖ ‪‬ﺗ ‪‬‬ ‫ﺲ ‪‬ﺣﺘ‪‬ﻰ ِﺑ ‪‬‬ ‫ﻚ ﺍﻟ‪‬ﻨ ﹾﻔ ‪‬‬ ‫ﺖ ﹶﻟ ‪‬‬ ‫ﺗ‪‬ﺎ ﹶﻗ ‪‬‬ ‫ﺼﻢ‪‬‬ ‫ﺲ ‪‬ﻳ ‪‬ﻨ ﹶﻔ ِ‬ ‫ﺸﻘﹰﺎ ﹶﻟ ‪‬ﻴ ‪‬‬ ‫ﺭ‪‬ﻭﺣ‪‬ﺎ ‪‬ﻭ ‪‬ﻣ ‪‬ﻌ‪‬ﻨ ‪‬ﻰ ‪‬ﻭ ِﻋ ‪‬‬ ‫ﺖ ﺍﻟ‪‬ﻨ ‪‬ﻌ ‪‬ﻢ‬ ‫ﺿ ِ‬ ‫ﺕ ﻳ‪ ‬ﻨ ِﻌﻢ‪ ‬ﺣﺘ‪‬ﻰ ﻓﹶﺎ ‪‬‬ ‫ﻒ ﺍﻟ ‪‬ﻮﺭ‪‬ﻯ ِﻧ ‪‬ﻌﻤ‪‬ﺎ **** ﹶﻓﺒ‪‬ﺎ ‪‬‬ ‫ﺖ ﻧ‪‬ﻮ ‪‬ﺭ ﺍ ﹸﳍﺪ‪‬ﻯ ‪‬ﺣ ‪‬‬ ‫ﹶﻓﹶﺄ‪‬ﻧ ‪‬‬ ‫ﻀ ﹶﻄ ِﺮﻡ‪‬‬ ‫ﺢ ‪‬ﻭ ‪‬ﺧ ﹾﻄﺐ‪ ‬ﺍﻟ ‪‬ﺪ ‪‬ﻫ ِﺮ ‪‬ﻳ ‪‬‬ ‫ﺴ‪‬ﺘﺮِﻳ ‪‬‬ ‫ﺴﻠﹸﻮ ‪‬ﺭﺳ‪‬ﻮ ﹶﻝ ﺍﷲ ﹸﻗ ‪‬ﺪ ‪‬ﻭ‪‬ﺗﻨ‪‬ﺎ **** ‪‬ﻭ‪‬ﻧ ‪‬‬ ‫ﻒ ‪‬ﻧ ‪‬‬ ‫ﹶﻓ ﹶﻜ ‪‬ﻴ ‪‬‬ ‫ﺏ ‪‬ﺳ ‪‬ﻌ‪‬ﻴﻬ‪‬ﻢ‪ِ **** ‬ﺣ ﹾﻘﺪ‪ ‬ﺩ ِﻓﲔ‪ ‬ﻭﻓِﻲ ﹶﺃ ‪‬ﺭﻭ‪‬ﺍ ِﺣ ِﻬ ‪‬ﻢ ‪‬ﻭ ‪‬ﺭﻡ‪‬‬ ‫ﻭ‪‬ﺍﳉﹶﺎ ِﺣﺪ‪‬ﻭ ﹶﻥ ‪‬ﺑ ‪‬ﻐﻮ‪‬ﺍ ﻭ‪‬ﺍ‪‬ﻧﺘ‪‬ﺎ ‪‬‬ ‫ﻂ ﻣ‪‬ﺎ ﹶﻟ ‪‬ﻬ ‪‬ﻢ ِﺷ‪‬ﻴﻢ‪‬‬ ‫ﻓﹶﺎﻟ ‪‬ﻌ ‪‬ﻬﺪ‪ ‬ﻋ ‪‬ﻬﺪ‪ ‬ﺭﺳ‪‬ﻮ ِﻝ ﺍﷲ ‪‬ﻧ ﹾﻜﻠﹶﺆ ‪‬ﻩ **** ِﻣ ‪‬ﻦ ﺍﻟ ﱡﻄﻐ‪‬ﺎ ِﺓ ‪‬ﻭ ‪‬ﺭ ‪‬ﻫ ٍ‬

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‫ﺕ ﹶﻟﻪ‪ ‬ﺍﻷُ ‪‬ﻣﻢ‪‬‬ ‫ِﻓﺪ‪‬ﺍ ‪‬ﻙ ﹶﺃ ‪‬ﺭﻭ‪‬ﺍ ‪‬ﺣﻨ‪‬ﺎ ﻳ‪‬ﺎ ‪‬ﻣ ‪‬ﻦ ‪‬ﺗﺪِﻳ ‪‬ﻦ ﹶﻟﻪ‪ **** ‬ﹸﻛ ﱡﻞ ﺍﻟ‪‬ﺒ ِﺮ‪‬ﻳ ِﺔ ﻭ‪‬ﺍ‪‬ﻧﻘﹶﺎ ‪‬ﺩ ‪‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺎﺿﻲ ﻭﻟﺪ ﳏﻤﺪ ﻋﻴﻨﲔ ‪ -‬ﻣﻮﺭﻳﺘﺎﻧﻴﺎ‬ ‫ﺑ‪‬ﺎ‪‬ﻳ ‪‬ﻌﺖ‪ ‬ﹶﺃ ‪‬ﺣ ‪‬ﻤ ‪‬ﺪ ﻓﹶﺎ ‪‬ﺳ‪‬ﺘ ‪‬ﺮﺧ‪‬ﻰ ﺍﻟﻔﹸﺆﺍ ‪‬ﺩ ِﻟﻤ‪‬ﺎ‬ ‫ﻭ‪‬ﺍﻓﹶﺎﻩ‪ِ ‬ﻣ ‪‬ﻦ ﹶﺃﹶﻟ ٍﻖ ‪‬ﺗ ‪‬ﻌﻠﹸﻮِﺑ ِﻪ ﺍ ِﳍ ‪‬ﻤﻢ‪‬‬ ‫ﺤ ٍﺔ‬ ‫ﻳ‪‬ﺎ ‪‬ﻣ ‪‬ﺮ‪‬ﺗ ‪‬ﻊ ﺍﳊﹸﻠﹸ ِﻢ ﺍﻟﺴ‪‬ﺎﻣِﻲ ِﺑﹶﺄ ‪‬ﺟِﻨ ‪‬‬ ‫ﺴﻢ‪‬‬ ‫ِﻣ ‪‬ﻦ ﻃِﻴ‪‬ﻨ ِﺔ ﺍﻟﻨ‪‬ﻮ ِﺭ ﻭ‪‬ﺍ َﻷ ‪‬ﺭﻭ‪‬ﺍﺡ‪ ‬ﺗ ‪‬ﺒ‪‬ﺘ ِ‬ ‫ﺴﻢ‪‬‬ ‫ﻒ ‪‬ﻳ‪‬ﺘ ِ‬ ‫ﺻ ِ‬ ‫ﺾ ﺍﻟ ‪‬ﻮ ‪‬‬ ‫ﺻﻔِﻲ ﻓﹶﻼ ﹶﻛ ِﻠﻢ‪ ****‬ﻋ ‪‬ﺒ ‪‬ﺮ ﺍﻟ ﱢﻠﺴ‪‬ﺎ ِﻥ ِﺑ‪‬ﺒ ‪‬ﻌ ِ‬ ‫ﻚ ‪‬ﻋ ‪‬ﻦ ‪‬ﻭ ‪‬‬ ‫ﺖ ِﺳﻤ‪‬ﺎﺗ‪ ‬‬ ‫‪‬ﺟ ﱠﻠ ‪‬‬ ‫ﺿﺤ‪‬ﻰ ﹶﻟﻬ‪‬ﺎ ﺍﻟ ‪‬ﻌ‪‬ﺘﻢ‪‬‬ ‫ﳊﻤ‪‬ﺎِﺋ ِﻢ ﹶﻗ ‪‬ﺪ ﹶﺃ ‪‬‬ ‫ﻕﺍ ﹶ‬ ‫ﻑ ﺍﻟﻌ‪‬ﺎﻟِﻲ ‪‬ﺗ ِﻄﲑ‪ِ ‬ﺑﻬ‪‬ﺎ**** ‪‬ﻭ ‪‬ﺭ ‪‬‬ ‫ﺸ ‪‬ﺮ ِ‬ ‫ﺭ‪‬ﺍﺣِﻲ ِﺇﻟﹶﻰ ﺍﻟ ‪‬‬ ‫ﺸ ‪‬ﻤﻢ‪‬‬ ‫ﺽ ﻓِﻲ ﺣ‪‬ﺠ‪‬ﺐٍ**** ﻋ‪‬ﺎ ٍﻝ ‪‬ﻳﺪ‪‬ﻭ ‪‬ﺭ ِﺑ ‪‬ﻤ ‪‬ﻨﺤ‪‬ﻰ ِﻇ ﱢﻠ ِﻪ ﺍﻟ ‪‬‬ ‫ﺏ ﺍﻟ ‪‬ﺮ ‪‬ﻭ ِ‬ ‫ﺢ ﺗ‪ ‬ﺮ ‪‬‬ ‫‪‬ﺣﺘ‪‬ﻰ ‪‬ﺗﺼ‪‬ﺎ ِﻓ ‪‬‬ ‫ﺏ ﺍﻟﻨ‪‬ﻮ ِﺭ ﹸﻛ ﱡﻞ ﹶﻓ ٍﻢ‬ ‫ﻀ ِﻞ ‪‬ﻋﺒ‪‬ﺎ ِ‬ ‫ﹶﻏﻨ‪‬ﻰ ِﺑ ﹶﻔ ‪‬‬

‫ﻆ ﺃﹶﻭ‪‬ﻳ ‪‬ﻨﺘ‪‬ﺎﺑ‪‬ﻪ‪ ‬ﺍﻟ‪‬ﺒ ﹶﻜﻢ‪‬‬ ‫ﺤ‪‬ﺘﱡﻠﻪ‪ ‬ﺍﻟ ﱠﻠ ﹾﻔ ﹸ‬ ‫‪‬ﻳ ‪‬‬

‫ﺻ‪‬ﻨﻢ‪‬‬ ‫ﺴﺪ‪ ‬ﺃﹶﻭ ‪‬ﺭ‪‬ﺑﻪ‪ ‬‬ ‫ﺻ ‪‬ﺪﻩ‪ ‬ﺣ ‪‬‬ ‫ﺸﺢ‪ ****‬ﺃﹶﻭ ‪‬‬ ‫ﳉ ‪‬ﻬ ِﻞ ‪‬ﻣ‪‬ﺘ ِ‬ ‫ﺇﻻ ﺍﻟ ﹶﻔﺮِﻳ ‪‬ﻖ ﺍﹼﻟﺬِﻱ ﺑِﺎ ﹶ‬

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‫ﺍﻟﻔﻬﺮﺱ‬ ‫ﺍﳌﻮﺿﻮﻉ‬

‫ﺍﻟﺼﺤﻴﻔﺔ‬

‫ﺍﳌﻘﺪﻣﺔ‬

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‫ﺍﻟﺒﺎﺏ ﺍﻷﻭﻝ‪ /‬ﺍﻟﻔﺼﻞ ﺍﻷﻭﻝ‪ :‬ﻣﺪﺧﻞ ﻣﺘﻔﺎﺋﻞ‬

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‫ﻣﺪﺧﻞ‬

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‫ﺍﺳﺘﺒﺸﺎﺭ ﻭﺗﻔﺎﺅﻝ‬

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‫ﻣﻼﺣﻈﺎﺕ ﻋﻠﻰ ﺍﳌﺪﺍﺋﺢ‬

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‫ﺃﻭﻻ‪ :‬ﺗﺄﻧﻴﺚ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‬

‫‪10‬‬

‫ﺛﺎﻧﻴ‪‬ﺎ‪ :‬ﺗﺄﻟﻴﻪ ﺃﻭ ﺍﻟﻐﻠﻮ ﰲ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‬

‫‪14‬‬

‫ﺛﺎﻟﺜﹰﺎ‪ :‬ﺍﺧﺘﺮﺍﻉ ﺍﻟﻘﺼﺺ ﺣﻮﻝ ﺍﻟﺬﺍﺕ ﺍﻟﻨﺒﻮﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ‬

‫‪21‬‬

‫ﺭﺍﺑﻌ‪‬ﺎ‪ :‬ﺳﺮﺩ ﺃﺣﺪﺍﺙ ﻭﻣﻌﺎ ٍﻥ ﻏﲑ ﺻﺤﻴﺤﺔ‬

‫‪22‬‬

‫ﺧﺎﻣﺴ‪‬ﺎ‪ :‬ﺳﻄﺤﻴﺔ ﺍﻟﺼﻮﺭ‪ ،‬ﻭﺍﻟﺘﻘﺮﻳﺮﻳﺔ‪ ،‬ﻭﺍﻟﺘﺄﺭﻳﺦ ﺍﳌﺒﺎﺷﺮ‬

‫‪22‬‬

‫ﺳﺎﺩﺳ‪‬ﺎ‪ :‬ﺍﻟﺪﻭﺭﺍﻥ ﰲ ﻓﻠﻚ ﺍﻟﱪﺩﺓ ﻭﺍﺳﺘﻨﺴﺎﺧﻬﺎ‬

‫‪23‬‬

‫ﺳﺎﺑﻌ‪‬ﺎ‪ :‬ﻣﺪﺣﻪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﺃﻛﺜﺮ ﻣﻦ ﻣﺪﺡ ﺭﺏ ﺍﻟﻌﺰﺓ‬

‫‪23‬‬

‫ﺛﺎﻣﻨ‪‬ﺎ‪ :‬ﺍﳌﺘﺄﺧﺮﻭﻥ ﻣﻦ ﻏﲑ ﺍﻟﺼﻮﻓﻴﺔ ﺃﺣﺴﻦ ﺃﺩﺍﺀ‪ ،‬ﻭﺃﻛﺜﺮ ﺗﻔﻨﻨ‪‬ﺎ‬

‫‪24‬‬

‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﱐ‪ :‬ﺷﻌﺮﺍﺀ ﻧﺼﺎﺭﻯ ﻣﺪﺣﻮﺍ ﺍﻟﻨﱯ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪:‬‬

‫‪26‬‬

‫ﺷﻬﺎﺩﺍﺕ ﺍﳌﻨﺼﻔﲔ‪:‬‬

‫‪29‬‬

‫ﻭﺭﻗﺔ ﺑﻦ ﻧﻮﻓﻞ ﺃﻭﻝ ﻧﺼﺮﺍﱐ ﳏﺐ‬

‫‪31‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻷﳌﺎﱐ ﺍﻟﻜﺒﲑ‪ :‬ﻳﻮﻫﺎﻥ ﻓﻮﻟﻔﺠﺎﻧﺞ ﻓﻮﻥ ﺟﻮﺗﻪ‬

‫‪33‬‬

‫ﻻﻣﺎﺭﺗﲔ ﻣﻨﺼ ﹰﻔﺎ‬

‫‪36‬‬

‫ﺑﻌﺾ ﺍﻟﺸﻌﺮﺍﺀ ﻣﻦ ﺍﳌﺴﻴﺤﻴﲔ ﺍﻟﻌﺮﺏ‪ :‬ﺇﻟﻴﺎﺱ ﻓﺮﺣﺎﺕ‬

‫‪39‬‬

‫ﺇﻟﻴﺎﺱ ﻗﻨﺼﻞ‬

‫‪40‬‬

‫‪268‬‬

‫ﺟﺎﻙ ﺻﱪﻱ ﴰﺎﺱ‬

‫‪43‬‬

‫ﺟﻮﺭﺝ ﺳﻠﺴﱵ‬

‫‪44‬‬

‫ﺟﻮﺭﺝ ﺻﻴﺪﺡ‬

‫‪45‬‬

‫ﺣﻠﻴﻢ ﺩﻣﻮﺱ‬

‫‪47‬‬

‫ﺭﺷﻴﺪ ﺳﻠﻴﻢ ﺍﳋﻮﺭﻱ ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺮﻭﻱ‬

‫‪48‬‬

‫ﻋﺒﺪ ﺍﷲ ﻳﻮﺭﻛﻲ ﺣﻼﻕ‬

‫‪49‬‬

‫ﺩ‪.‬ﺷﺒﻠﻲ ﴰﻴﻞ‬

‫‪50‬‬

‫ﺷﺒﻠﻲ ﺍﳌﻼﻁ‬

‫‪51‬‬

‫ﻣﺎﺭﻭﻥ ﻋﺒﻮﺩ‬

‫‪52‬‬

‫ﳏﺒﻮﺏ ﺍﳋﻮﺭﻱ ﺍﻟﺸﺮﺗﻮﱐ‬

‫‪52‬‬

‫ﻭﺻﻔﻲ ﻗﺮﻧﻔﻠﻲ‬

‫‪53‬‬

‫ﻣﻴﺸﺎﻝ ﺍﳌﻐﺮﰊ‬

‫‪54‬‬

‫ﻭﻣﻦ ﺷﻌﺮﺍﺀ ﺍﻟﻨﺼﺎﺭﻱ ﺍﻟﺬﻱ ﳍﻢ ﻣﻮﺍﻗﻒ ﺧﺎﺻﺔ‪ :‬ﺟﺎﻙ ﺻﱪﻱ ﴰﺎﺱ‬

‫‪56‬‬

‫ﺧﻠﻴﻞ ﻣﻄﺮﺍﻥ‪ :‬ﺷﺎﻋﺮ ﺍﻟﻘﻄﺮﻳﻦ‬

‫‪59‬‬

‫ﺃﺑﻮ ﳏﻤﺪ ﻣﺎﺭﻭﻥ ﻋﺒﻮﺩ‬

‫‪63‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﺎﱐ‪ :‬ﺷﻌﺮﺍﺀ ﻭﺃﻋﻤﺎﻝ ﺇﺑﺪﺍﻋﻴﺔ ﺣﺪﻳﺜﺔ‪:‬‬

‫‪66‬‬

‫ﲤﻬﻴﺪ )ﺍﻟﺘﺮﺗﻴﺐ ﺃﲜﺪﻱ(‬

‫‪67‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﺃﺑﻮ ﻣﻠﺤﺔ‬

‫‪68‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﻴﺦ ﺇﺑﺮﺍﻫﻴﻢ ﻋﺰﺕ‬

‫‪73‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﲞﻴﺖ‬

‫‪78‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﺣﺴﻦ ﳏﻤﺪ ﺣﺴﻦ‬

‫‪85‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﺃﲪﺪ ﺑﻦ ﺭﺍﺷﺪ ﺑﻦ ﺳﻌﻴﺪ‬

‫‪89‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﺯﻧﱪﻛﺠﻲ‬

‫‪94‬‬

‫‪269‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﳝﻦ ﺇﺑﺮﺍﻫﻴﻢ ﺷﺤﺎﺗﻪ‬

‫‪96‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺑﺴﺎﻡ ﺩﻋﻴﺲ‬

‫‪97‬‬

‫ﺍﻟﺸﺎﻋﺮ ﲨﺎﻝ ﺍﻟﺼﻠﻴﻌﻲ‬

‫‪99‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺣﺴﺎﻡ ﻫﺮﺷﺔ‬

‫‪103‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﺣﺴﻦ ﺍﻷﻣﺮﺍﱐ‬

‫‪105‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﺣﻜﻤﺖ ﺻﺎﱀ‬

‫‪108‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﻴﺦ ﺭﺍﺋﺪ ﺻﻼﺡ‬

‫‪116‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺳﻌﻴﺪ ﺑﻨﻌﻴﺎﺩ‬

‫‪119‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻡ‪ .‬ﺻﺎﱀ ﺑﻦ ﻋﻠﻲ ﺍﻟﻌﻤﺮﻱ‬

‫‪123‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻃﻠﻌﺖ ﺍﳌﻐﺮﰊ‬

‫‪123‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﻋﺒﺎﺱ ﺍﳉﻨﺎﰊ‬

‫‪128‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﻋﺒﺪ ﺍﻟﺮﲪﻦ ﺻﺎﱀ ﺍﻟﻌﺸﻤﺎﻭﻱ‬

‫‪131‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺍﻟﺒﺴﻴﻮﱐ‬

‫‪139‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺃﻣﲔ ﺃﺑﻮ ﴰﻴﺲ‬

‫‪146‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺍﻟﱪﺩﻭﱐ‬

‫‪149‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺟﺪﻱ‬

‫‪154‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﴰﺲ ﺍﻟﺪﻳﻦ‬

‫‪156‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﷲ ﺍﻟﺸﻮﺭﲜﻲ‬

‫‪158‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﳌﻌﻄﻲ ﺍﻟﺪﺍﻻﰐ‬

‫‪160‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻏﺎﺯﻱ ﺍﳉﻤﻞ‬

‫‪162‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻓﺎﺭﻭﻕ ﺟﻮﻳﺪﺓ‬

‫‪166‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺟﺮﺑﻮﻋﺔ‬

‫‪175‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺿﻴﺎﺀ ﺍﻟﺪﻳﻦ ﺍﻟﺼﺎﺑﻮﱐ‬

‫‪182‬‬

‫‪270‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﳏﻤﺪ ﻋﻠﻲ ﺍﳌﻘﺮﻥ‬

‫‪185‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻋﺮﻳﺞ‬

‫‪187‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺩ‪ .‬ﳏﻤﺪ ﺍﻟﻌﻴﺪ ﺍﳋﻄﺮﺍﻭﻱ‬

‫‪190‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﳏﻤﺪ ﺍﻟﺰﻟﻴﺘﲏ‬

‫‪192‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻣﻐﺮﰊ ﻣﻜﻲ‬

‫‪195‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﻣﻨﺬﺭ ﻟﻄﻔﻲ‬

‫‪198‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﻮﺩ ﺍﻟﺪﻟﻴﻤﻲ‬

‫‪202‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﻮﺩ ﻗﺎﺳﻢ ﺍﻟﺒﻐﺪﺍﺩﻱ‬

‫‪205‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﳒﻴﺐ ﺑﻠﺤﺎﺝ ﺣﺴﲔ‬

‫‪208‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻣﺼﻄﻔﻰ ﻋﻜﺮﻣﺔ‬

‫‪211‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺎﺿﻲ ﻭﻟﺪ ﳏﻤﺪ ﻋﻴﻨﲔ‬

‫‪215‬‬

‫ﺷﺎﻋﺮ ﺍﻟﻌﺎﻣﻴﺔ ﻫﺸﺎﻡ ﺍﳉﺦ‬

‫‪218‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺸﻴﺦ ﻭﻟﻴﺪ ﺍﻷﻋﻈﻤﻲ‬

‫‪222‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺑﺸﲑ ﺣﺎﺝ ﳛﲕ‬

‫‪229‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺗﻮﻓﻴﻖ ﺣﺴﻦ‬

‫‪231‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳛﲕ ﺍﳊﻤﺎﺩﻱ‬

‫‪235‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻳﻮﺳﻒ ﺣﺴﲔ ﺍﳊﻤﻮﺩ‬

‫‪238‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻳﻮﺳﻒ ﺍﳋﻄﻴﺐ‬

‫‪242‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻹﻣﺎﻡ ﻳﻮﺳﻒ ﺍﻟﻘﺮﺿﺎﻭﻱ‬

‫‪246‬‬

‫ﻣﻦ ﺷﻌﺮﺍﺀ ﻣﻌﻠﻘﺔ ﺍﻟﻘﺮﺍﺋﺢ ﺍﳋﻀﺮﺍﺀ‪:‬‬

‫‪250‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺗﺎﻣﺎﻟﺖ‬

‫‪251‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﻤﺮ ﺃﺑﻮ ﻏﺮﻳﺒﺔ‬

‫‪252‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻳﺎﺳﲔ ﺑﻦ ﻋﺒﻴﺪ‬

‫‪252‬‬

‫‪271‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﻠﻲ ﺍﳊﻮﺭﺍﱐ‬

‫‪253‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺇﻗﺒﺎﻝ ﺑﻠﻮ‬

‫‪253‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﺃﲪﺪ ﺷﻜﺎﺭﻧﺔ‬

‫‪254‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﺟﺮﺑﻮﻋﺔ‬

‫‪254‬‬

‫ﺍﻟﺸﺎﻋﺮ ﲰﻴﺢ ﺇﲰﺎﻋﻴﻞ‬

‫‪255‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳏﻤﺪ ﲰﺤﺎﻥ‬

‫‪256‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﺰﺑﲑ ﺩﺭﺩﻭﺥ‬

‫‪256‬‬

‫ﺍﻟﺸﺎﻋﺮ ﳎﺪﻱ ﻳﻮﺳﻒ‬

‫‪257‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺇﲰﺎﻋﻴﻞ ﺣﻘﻲ‬

‫‪257‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﻮﺍﺩ ﺍﻟﺸﻘﺎﻗﻲ‬

‫‪258‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺣﺴﺎﻥ ﻋﺒﺎﺑﺴﺔ‬

‫‪258‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺑﻐﺪﺍﺩ ﺳﺎﻳﺢ‬

‫‪259‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﻠﻲ ﺻﺎﱀ ﺍﳉﺎﺳﻢ‬

‫‪259‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺃﲪﺪ ﻓﺎﻝ ﺍﳌﻮﻣﻦ‬

‫‪261‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻣﻜﻲ ﺍﻟﱰﺍﻝ‬

‫‪261‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺇﺑﺮﺍﻫﻴﻢ ﲪﻴﺪﻱ ﳏﻤﻮﺩ‬

‫‪262‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺣﺴﲔ ﺃﲪﺪ ﺍﳊﺴﲔ‬

‫‪262‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺍﳌﻴﻠﻮﺩ ﺷﻮﳛﺔ‬

‫‪263‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻓﺘﺤﻲ ﻣﻨﺼﻮﺭﻳﺔ‬

‫‪263‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﻛﻨﻌﺎﱐ‬

‫‪264‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺑﺪﻳﻊ ﺭﺑﺎﺡ‬

‫‪264‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺣﺴﲔ ﺍﻷﻋﺮﺝ‬

‫‪265‬‬

‫ﺍﻟﺸﺎﻋﺮ ﻧﻮﺭ ﺍﻟﺪﻳﻦ ﺟﺮﻳﺪﻱ‬

‫‪265‬‬

‫‪272‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺧﺎﻟﺪ ﻓﻮﺯﻱ ﻋﺒﺪﻭ‬

‫‪266‬‬

‫ﺍﻟﺸﺎﻋﺮ ﺑﺎﺳﻞ ﳏﻤﺪ ﺑﺰﺭﺍﻭﻱ‬

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‫ﺍﻟﺸﺎﻋﺮ ﺍﻟﻘﺎﺿﻲ ﻭﻟﺪ ﳏﻤﺪ ﻋﻴﻨﲔ‬

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‫ﺍﻟﻌﻘﻴﺪﺓ‪:‬‬

‫ﻣﻦ ﺃﻋﻤﺎﻝ ﺍﳌﺆﻟﻒ‬

‫‪ .1‬ﺍﻷﻟﻮﻫﻴﺔ ﰲ ﺍﻟﻌﻘﺎﺋﺪ ﺍﻟﺸﻌﺒﻴﺔ ﻋﻠﻰ ﺿﻮﺀ ﺍﻟﻜﺘﺎﺏ ﻭﺍﻟﺴﻨﺔ‬ ‫‪ .2‬ﻛﺘﺎﺏ ﺍﶈﺠﻮﺑﲔ ﻋﻦ ﺭﺅﻳﺔ ﺭﺏ ﺍﻟﻌﺎﳌﲔ‬ ‫‪ .3‬ﰲ ﻇﻞ ﻋﺮﺵ ﺍﻟﺮﲪﻦ ﺗﺒﺎﺭﻙ ﻭﺗﻌﺎﱃ‬ ‫‪ .4‬ﺍﻟﻨﻌﻴﻢ ﺍﳌﻌﻨﻮﻱ ﰲ ﺍﻵﺧﺮﺓ‬ ‫ﺩﻋﻮﺓ ﻭﺇﻋﻼﻡ‪:‬‬ ‫‪ .5‬ﻣﻮﺍﺟﻊ ﺩﺍﻋﻴﺔ‬ ‫‪ .6‬ﻛﺘﺎﺏ ﺍﻟﺪﻋﻮﺓ ﺍﳉﺪﻳﺪ‬ ‫‪ .7‬ﺍﻹﻋﻼﻡ ﺍﻹﺳﻼﻣﻲ ﰲ ﻣﻮﺍﺟﻬﺔ ﺍﻟﻐﺰﻭ ﺍﻹﻋﻼﻣﻲ ﺍﻟﻐﺮﰊ‬ ‫‪ .8‬ﺍﻟﺘﻠﻔﺰﻳﻮﻥ‪ :‬ﺍﻟﺴﻢ ﺍﻟﻠﺬﻳﺬ‬

‫‪ .9‬ﻣﻮﺍﺻﻔﺎﺕ ﰲ ﻣﺪ ِﺭّﺳﺔ ﺍﻟﺸﺮﻋﻴﺔ‬ ‫‪ .10‬ﺧﻄﻴﺐ ﺍﳉﻤﻌﺔ‬ ‫ﻓﻘﻪ ﺍﻟﻮﺍﻗﻊ‪:‬‬ ‫‪ .11‬ﰲ ﻓﻘﻪ ﺍﻟﻮﺍﻗﻊ‪ :‬ﺭﺳﺎﺋﻞ ﺇﱃ ﺍﻹﺳﻼﻣﻴﲔ‬ ‫‪ .12‬ﷲ ﻳﺎ ﺯﻣﺮﻱ‬

‫‪ .13‬ﺍﻟﺜﻮﺭﺓ ﻭﺍﻟﺜﻮﺭﺟﻴﺔ‬ ‫‪ .14‬ﺇﺳﻼﻣﻴﻮﻥ ﺛﻮﺍﺭ‬ ‫‪ .15‬ﺍﳊﺎﺝ ﺃﺳﺘﻴﻜﺔ‬ ‫ﺍﻷﺳﺮﺓ‪:‬‬ ‫‪ .16‬ﺍﻷﺏ ﰲ ﺛﻘﺎﻓﺎﺕ ﺍﻟﺸﻌﻮﺏ‬ ‫‪ .17‬ﻣﺎﺫﺍ ﻳﺮﻳﺪﻭﻥ ﻣﻦ ﺍﳌﺮﺃﺓ؟‬

‫‪ .18‬ﺗﻔﻜﻴﻚ ﺍﻷﺳﺮﺓ‪ :‬ﺍﳋﻄﺮ ﺍﻟﻘﺎﺩﻡ‬ ‫‪274‬‬

‫‪ .19‬ﺍﻟﻌﻨﻒ ﺍﻷﺳﺮﻱ‪ :‬ﺭﺅﻳﺔ ﺇﺳﻼﻣﻴﺔ‬ ‫‪ .20‬ﺍﳌﺴﻨﻮﻥ ﰲ ﻣﻨﻈﻮﺭ ﺍﻹﺳﻼﻡ‬ ‫‪ .21‬ﲡﻔﻴﻒ ﻣﻨﺎﺑﻊ ﺍﻷﻧﻮﺛﺔ‬

‫‪ .22‬ﺍﻟﻐﲑﺓ‪ :‬ﺧﻠﻖ ﺍﳌﺴﻠﻢ ﺍﻟﻨﺒﻴﻞ‬ ‫‪ .23‬ﺍﻟﻌﻔﺔ ﻭﺃﻫﻞ ﺍﻟﻌﻔﺎﻑ‬ ‫‪ .24‬ﻧﺴﺎﺀ ﻋﺪﳝﺎﺕ ﺍﻷﻧﻮﺛﺔ‬ ‫‪ .25‬ﺣﻜﺎﻳﺎﺕ ﺍﻟﺴﺘﺎﺕ‬ ‫‪ .26‬ﻭﻗﺎﻝ ﻧﺴﻮﺓ‬ ‫ﻓﻜﺮ ﻭﺛﻘﺎﻓﺔ‪:‬‬

‫‪ .27‬ﺍﻟﻌﻘﻼﻧﻴﺔ ﻫﺪﺍﻳﺔ ﺃﻡ ﻏﻮﺍﻳﺔ‬ ‫‪ .28‬ﻭﻫﻞ ﰲ ﺍﻹﺳﻼﻡ ﺣﺮﻳﺔ ﻟﻠﺮﺃﻱ‬ ‫‪.29‬‬

‫ﺍﻟﻴﺴﺎﺭ ﺍﻹﺳﻼﻣﻲ‪ :‬ﺧﻨﺠﺮ ﰲ ﻇﻬﺮ ﺍﻹﺳﻼﻡ‬

‫‪ .30‬ﺍﻟﺘﻌﺬﻳﺐ‪ :‬ﻋﺎﺭ ﺍﻟﻌﺼﺮ )ﳎﻤﻮﻋﺔ ﻣﻠﻔﺎﺕ(‬ ‫ﺩﺭﺍﺳﺎﺕ ﺇﺳﻼﻣﻴﺔ‪:‬‬

‫‪ .31‬ﺍﻹﻳﺜﺎﺭ ﰲ ﻋﺎﱂ ﻧﺬﻝ‬ ‫‪ .32‬ﺍﻟﺘﺒﻴﺎﻥ ‪ ...‬ﲢﻘﻴﻖ‬ ‫‪ .33‬ﻓﻘﻪ ﺍﻷﺫﺍﻥ ﻭﺍﻹﻗﺎﻣﺔ‬ ‫‪ .34‬ﻣﻠﻔﺎﺕ ﻣﻠﻐﻮﻣﺔ‬ ‫‪ .35‬ﻭﺃﺩﺭﻙ ﻋﺒﺴﻼﻡ ﺍﻟﺼﺒﺎﺡ‬

‫‪ .36‬ﷲ ﻳﺎ ﺯﻣﺮﻱ‪ /‬ﻣﻮﺍﺟﻊ ﺩﺍﻋﻴﺔ‬ ‫‪ .37‬ﰲ ﺍﳌﺮﺍﻳﺔ‬ ‫‪ .38‬ﺍﳌﻘﺎﻣﺎﺕ‬ ‫ﺗﺎﺭﻳﺦ‪:‬‬ ‫‪275‬‬

‫‪ .39‬ﺍﻷﻧﺪﻟﺴﻲ‬ ‫‪ .40‬ﻗﺎﻝ ﺍﻟﺮﺍﻭﻱ‬ ‫‪ .41‬ﺍﳌﺴﺠﺪ ﺍﻷﻗﺼﻰ ﺍﻟﺸﺮﻳﻒ‬ ‫‪ .42‬ﺯﻓﱴ ﺍﻟﱵ ﰲ ﺧﺎﻃﺮﻱ‬

‫‪ .43‬ﺗﺎﺭﻳﺦ ﺍﳌﺴﺘﻌﲔ ﺑﺎﷲ ﺍﻟﺒﺴﻴﻮﱐ‬ ‫ﺳﲑ ﻭﺗﺮﺍﺟﻢ‪:‬‬ ‫‪ .44‬ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﰲ ﺃﻋﻤﺎﻝ ﺍﺛﻨﲔ ﻣﻦ ﺍﳌﺴﺘﺸﺮﻗﲔ‬ ‫‪ .45‬ﺩﻋﺎﺓ ﻭﻣﺸﺎﻫﲑ ﻋﺮﻓﺘﻬﻢ‬ ‫‪ .46‬ﻣﺸﺎﻳﺦ ﻟﻜﻦ ﻇﺮﻓﺎﺀ‬ ‫‪ .47‬ﺭﺟﺎﻝ ﳕﺮﺓ ﻭﺍﺣﺪ‬

‫‪ .48‬ﺭﺟﺎﻝ ﺍﺧﺘﻠﻒ ﻓﻴﻬﻢ ﺍﻟﺮﺃﻱ‬ ‫ﻛﺘﺎﺑﺎﺕ ﺳﺎﺧﺮﺓ‪:‬‬ ‫‪ .49‬ﺭﺟﻞ ﺍﲰﻪ ﻧﺮﺟﺲ‬ ‫‪ .50‬ﻋﻠﻲ ﻭﻋﻠﻰ ﻗﺮﺍﺋﻲ‬

‫‪ .51‬ﺣﻘﻚ ﻭﻓﻮﻗﻪ ﺑﻮﺳﺔ‬ ‫‪ .52‬ﻧﺎﺱ ﳕﺮﺓ ﻭﺍﺣﺪ‬ ‫‪ .53‬ﻧﺴﺎﺀ ﻋﺪﳝﺎﺕ ﺍﻷﻧﻮﺛﺔ‬ ‫‪ .54‬ﻃﻤﻊ ﺇﺑﻠﻴﺲ ﰲ ﺍﳉﻨﺔ‬ ‫‪ .55‬ﺭﺟﺎﻝ ﺁﺧﺮ ﻣﺴﺨﺮﺓ‬

‫ﺍﻟﺸﻌﺮ‪ ،‬ﻭﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻷﺩﺑﻴﺔ‪:‬‬

‫‪ .56‬ﺩﻳﻮﺍﻥ ﺻﻼﺓ ﻗﻠﺐ‬ ‫‪ .57‬ﺩﻳﻮﺍﻥ‪ :‬ﻋﺬﺭ‪‬ﺍ ﻳﺎ ﺳﻴﺪ ﺧﻠﻖ ﺍﷲ‬ ‫‪ .58‬ﺩﻳﻮﺍﻥ ﻣﺮﺍﻣﻴﺎﺕ‬ ‫‪276‬‬

‫‪ .59‬ﺍﻟﺬﺋﺒﺔ ﺍﻟﺘﺎﺋﺒﺔ )ﺩﻳﻮﺍﻥ ﺷﻌﺮ(‬ ‫‪ .60‬ﻳﺎ ﺳﺎﺩﰐ )ﺩﻳﻮﺍﻥ ﺷﻌﺮ(‬ ‫‪ .61‬ﺯﻫﺮﺓ )ﺩﻳﻮﺍﻥ ﺷﻌﺮ(‬ ‫‪ .62‬ﺍﻟﻘﺮﺿﺎﻭﻱ ﺷﺎﻋﺮ‪‬ﺍ‬

‫‪ .63‬ﺃﺑﻮ ﻣﺎﺯﻥ‪ :‬ﺍﻟﺼﻮﺕ ﺍﻟﺴﺎﺣﺮ‬ ‫‪ .64‬ﺍﻟﺸﻌﺮﺍﺀ‬ ‫‪ .65‬ﺍﻟﺸﻮﺍﻋﺮ‬ ‫ﻣﺴﺮﺣﻴﺎﺕ ﺷﻌﺮﻳﺔ‪:‬‬ ‫‪ .66‬ﺍﻷﻋﻈﻢ )ﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ(‬

‫‪ .67‬ﺍﻟﻘﺮﺿﺎﻭﻱ ﺷﻬﻴﺪ‪‬ﺍ )ﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ(‬ ‫‪ .68‬ﺍﳊﺮﺍﱐ )ﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ(‬ ‫‪ .69‬ﺍﳊﺮﺑﺎﺀ )ﻣﺴﺮﺣﻴﺔ ﺷﻌﺮﻳﺔ(‬ ‫‪ .70‬ﻟﻴﻠﻰ ﺣﻠﻤﻲ )ﻣﻮﻧﻮﺩﺭﺍﻣﺎ ﺷﻌﺮﻳﺔ ﻋﺎﻣﻴﺔ(‬ ‫‪ .71‬ﺃﲪﺪ ﻳﺎ ﺳﲔ )ﻣﻠﺤﻤﺔ ﺷﻌﺮﻳﺔ ﻋﺎﻣﻴﺔ(‬ ‫‪ .72‬ﺍﳌﺴﺮﺣﻴﺔ ﺍﳉﺪﻳﺪﺓ‬ ‫ﻛﺘﺐ ﻣﺼﻮﺭﺓ‪:‬‬ ‫‪ .73‬ﻻ ﺇﻟﻪ ﺇﻻ ﺍﷲ ﰲ ﻋﻴﻮﻥ ﺍﳋﻄﺎﻃﲔ‬ ‫‪ .74‬ﺍﻟﺘﻤﺎﺛﻴﻞ ﺍﻟﺸﻌﺒﻴﺔ ﺍﻷﻭﺭﺑﻴﺔ‪ :‬ﺭﺅﻳﺔ ﳐﺘﻠﻔﺔ ﻟﻺﻧﺴﺎﻥ‬ ‫‪ .75‬ﺍﻟﺮﺳﻮﻝ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ ﰲ ﺍﻟﺮﺳﻮﻡ ﻭﺍﳌﻨﺤﻮﺗﺎﺕ ﺍﻷﻭﺭﺑﻴﺔ ﻋﱪ ﺍﻟﺘﺎﺭﻳﺦ‬ ‫‪ .76‬ﺍﻟﺘﻌﺬﻳﺐ‪ :‬ﻋﺎﺭ ﺍﳊﻀﺎﺭﺓ ﺍﳌﻌﺎﺻﺮﺓ‬

‫‪ .77‬ﺍﷲ ﺗﻌﺎﱃ ﰲ ﺛﻘﺎﻓﺎﺕ ﺍﻟﺸﻌﻮﺏ )ﺑﺎﻭﺭ ﺑﻮﻳﻨﺖ(‬ ‫‪ .78‬ﻓﻦ ﺍﳋﻂ ﺍﻟﻌﺮﰊ‪) :‬ﺑﺎﻭﺭ ﺑﻮﻳﻨﺖ(‬ ‫‪ .79‬ﺍﳋﻄﻮﻁ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺍﻟﻔﻨﻮﻥ ﺍﳌﻨﺒﺜﻘﺔ ﻋﻨﻬﺎ‪) :‬ﺑﺎﻭﺭ ﺑﻮﻳﻨﺖ(‬ ‫‪277‬‬

‫ﻛﺘﺐ ﺗﻌﻠﻴﻤﻴﺔ‪:‬‬ ‫‪ .80‬ﺃﻳﻬﺎ ﺍﳌﻬﺘﺪﻱ ﺃﺣﺒﻚ ﰲ ﺍﷲ‬ ‫‪ .81‬ﺍﳊﺞ ﻣﻦ ﺍﻷﻟﻒ ﻟﻠﻴﺎﺀ‬ ‫‪ .82‬ﺍﻟﻌﻘﻴﺪﺓ‬

‫‪ .83‬ﺍﻷﺧﻼﻕ‪....‬‬ ‫‪ .84‬ﻣﻨﻬﺞ ﺍﻟﺸﺮﻋﻴﺔ‪ ،‬ﻟﻠﺼﻒ ﺍﻷﻭﻝ ﺍﻹﻋﺪﺍﺩﻱ‪ :‬ﺍﻟﺪﺣﻴﻞ ﺍﻹﻋﺪﺍﺩﻳﺔ‬ ‫ﲢﺖ ﺍﻹﻋﺪﺍﺩ‪:‬‬ ‫‪ .85‬ﻳﺎ ﺩﻭﺣﺔ ﺭﺍﻳﺘﻚ ﺑﻴﻀﺎ‬ ‫‪ .86‬ﺃﻳﺎﻡ ﺍﳌﺪﻳﻨﺔ ﺍﻟﻄﻴﺒﺔ‬

‫‪ .87‬ﺍﳌﻌﺠﻢ ﺍﻟﻘﺮﺁﱐ ﺍﻷﻛﱪ‬ ‫‪ .88‬ﺍﻟﻘﻠﺐ‪ :‬ﺩﺭﺍﺳﺔ ﺷﺮﻋﻴﺔ‬ ‫‪ .89‬ﳏﻤﺪ ﺻﻠﻰ ﺍﷲ ﻋﻠﻴﻪ ﻭﺳﻠﻢ‪ :‬ﺭﺅﻳﺔ ﻗﺮﺁﻧﻴﺔ‬ ‫‪ .90‬ﺍﻟﻌﻘﺎﺋﺪ ﺍﳌﺼﻮﺭﺓ‬ ‫‪ .91‬ﺍﳊﻴﺎﺀ‬

‫‪ .92‬ﺣﺒﻴﺐ ﻗﻠﱯ‬

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‫ﰲ ﺍﻟﺸﻌﺮ ﺍﳌﻌﺎﺻﺮ‬ ‫ﲨﻌﻬﺎ ﻭﻗﺪﻡ ﳍﺎ ﻭﻋﻠﻖ ﻋﻠﻴﻬﺎ‬ ‫ﻋﺒﺪ ﺍﻟﺴﻼﻡ ﺍﻟﺒﺴﻴﻮﱐ‬ ‫‪279‬‬