音樂憶像—臺灣旅日音樂人手稿文物特展

Musical Recollections in Taiwan

An Exhibition on Taiwanese Musicians’ Journey to and Beyond Japan

2019.11.11 - 2020.01.22 臺灣音 樂 館 3F Taiwan Music Institute 3F 週二至週日 10:00-18:00 臺北市士林區文林路751號

2020.03.26 - 04.19

ヒルサイドフォーラム Hillside Forum 月曜日から日曜日 11:00-19:00 東京都渋谷区猿楽町18− 8

目 錄 Contents 01

策展理念 Curator's Remarks

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臺日音樂文化交流區 Culture Exchange Between Taiwan and Japan

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旅日音樂人區 Taiwanese Musicians' Journey to and Beyond Japan

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族群音樂影音區 Music of Different Ethnic Groups in Taiwan

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音樂人書房 The Musician's Studio

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活動 Events

展區說明 Exhibition Map B.旅日音樂人區

D.音樂人書房

B.旅日音樂人區

互動牆區

族群音樂影音區

C.

臺日音樂文化交流區

A.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

策展理念 Curator's Remarks 臺灣近代音樂深受日本的影響，自 日治時期起，即有音樂人赴日求學 或拜師學藝，所培養的藝能與累積 的經驗、成就，孕育出今日多元的 豐碩的成果，更成為臺灣音樂重要 資產。

Taiwanese music in modern times is closely connected with Japan. Since the Japanese colonial period, Taiwanese musicians have travelled to Japan to study music in college or with private tutors. The musical legacies they left behind are now important cultural properties.

本次「音樂憶像 — 臺灣旅日音樂人 Spanning from the colonial period to the 統籌指導： 陳濟民 post-war years, Musical Recollections in 手稿文物特展」，將聚焦在臺日音樂 行政指導： Taiwan 朱瑞皓 is an exhibition on 15 musicians’ 文 化 交 流， 並 以 日 治 時 期 至 戰 後 personal development in Japan and 製作統籌： 翁誌聰 年間為主軸，含括藝術、通俗音樂 their ensuing music careers. With 執行製作： precious 黃馨瑩、葉娟礽、施禹彤、王俊凱 items such as manuscripts, 領域 15 位旅日音樂人為主題，藉由 scores, photos, letters, recordings and 珍貴的手稿、樂譜、照片、書信、 執行協力： 蕭啟村、張翔雲、黃予祈、陳可豫、蕭歌珊 trophies, it showcases the musical 高子媛、李祖卉 唱片及獎座等文物，鏈結臺灣音樂 connection between Taiwan and Japan, 宣傳協力： and 許淑慧、歐美蓉、石芷瑄、閻令琬、蔡惠茵 歷史的發展，感受那段臺灣音樂的 celebrates a golden age of music in Taiwan. 黃金年代。 文案策劃： 陳峙維 英文譯稿： 陳峙維

此外，佐以日治時期民族音樂學者、 A general introduction to musical cultures of various ethnic groups in Taiwan, and 唱片公司在臺的活動簡介、音樂人 activities of Japanese scholars and 指導單位： 書房，以及臺灣族群音樂影像精華， institutions in colonial Taiwan are also presented to engage the viewers in 主辦單位： 一同描繪、重建臺灣音樂史的重要 historical and cultural context. 歷史文化。 協辦單位： 國立臺灣文學館、臺南市文化局 華風文化事業有限公司 執行團隊： 百思極台灣分公司 粟田経弘、曾詠絮、吳月鳳、任明芬 劉靜怡、高珮珊 執行顧問： 劉國煒、粟田政憲 特別感謝： 林本博、邱正人、何立心、紀露霞、徐玫玲 徐登芳、陳冠州、莊永明、顏綠芬 （ 依筆劃順序排列 ）

協力單位：

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音樂憶像 - 臺灣旅日音樂人手稿文物特展

臺日音樂文化交流區 Culture Exchange Between Taiwan and Japan 本展區聚焦於「日治時代」，並透 過旅日音樂人赴日重大事件年表， 進而對這些音樂人生平及事蹟有一 概括性介紹。而這些音樂人在日本 音樂界不論是入學、得獎或是站上 重要舞台等傑出表現及榮耀，皆可 足以作為後代音樂人學習的典範與 借鏡。 臺灣音樂的發展在日治時期有許多 重要的里程碑，諸如 : 日商在臺設立 唱片公司、錄製臺灣音樂並且發行 唱片、簽約專屬音樂詞曲人與歌手， 將現代音樂產業模式引進臺灣。 在學術方面，日本及臺灣的學者和 音樂人接連進行區域性或大規模的 音樂採集、田野調查，他們留下的 珍貴文獻與錄音，對今日重建臺灣 音樂史更是意義非凡。

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This section highlights the colonial period by displaying a timeline of musicians’ major life events, either in school, or on stage, or at award-wining moments in the music sphere in Japan, as a tribute to their musical achievements.

The timeline also shows when the music industry began in colonial Taiwan and when Japanese record companies were established to make and release recordings of Taiwanese music, and to sign up songwriters and artists.

Furthermore, it introduces both Japanese scholars’ and Taiwanese musicians’ fieldwork documentations and sound recordings from local areas or throughout the island. These are all precious sources of great significance for reconstructing the history of Taiwanese music.

臺灣第一位留學日本的音樂家 張福興，其《水社化蕃ノ歌》 一書為目前漢人從事原住民 音樂採集最早的紀錄。 CHANG Fu-Hsing, the first Taiwanese musician to study in Japan, compiled Songs of the Indigenous from Shuishe, the earliest transcriptions of indigenous music made by the Han Chinese.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

旅日音樂人區 Taiwanese Musicians' Journey to and Beyond Japan 在交通不便、資訊不發達的年代裡， 旅日音樂人懷抱著對音樂的憧憬， 不論赴日求學、拜師學藝，又或者 企圖在日本音樂市場闖出一片天， 其過程皆是十分艱辛，而支持他們 走下去的即是對音樂的熱愛。 透過當年留下的樂譜、手稿、照片、 書信、錄音、節目冊、剪報等各類 文物，呈現今日臺灣音樂多元深厚 的底蘊，看見音樂人彼此間的惺惺 相惜，聽見生活歷練中交織的動人 旋律。展場內設置由資深歌手詮釋 這些作曲家的精彩之作，化身樂迷， 以參與演唱會的心情，一起哼唱首 首經典名曲。

In a time when travelling abroad was hard and information from abroad was scarce, it was the great passion for music that drove Taiwanese musicians to make every effort to study music in Japan, either in school or with private tutors, or to develop a music career there.

Through a range of historical items, this section presents how the rapport among musicians and life experiences are woven into their works, which have become a solid foundation for today’s music scene in Taiwan. Recordings of some classics made by established artists are also provided to be sung along, as everyone would do in live concerts.

〈桃花泣血記〉發行搭配電影宣傳，成為臺灣 當時大賣的音樂唱片。 ‘The Peach Girl’, the promotional song for the film of the same name performed by Sûnsûn, became a massive hit.

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展出音樂人

臺灣流行音樂是當前華語世界中重要的流行文化象徵與指標之一， 其根基起源於日治時期後期。尤其是 1932 年，由栢野正次郎主導 的「臺灣日蓄」成立文藝部，讓音樂人的作品、音樂產業找到創作、 鏈結的模式，也帶動赴日拜師學藝或發展風氣，包括更早之前的 鄧雨賢、吳晉淮，以及之後的楊三郎、許石、文夏、洪一峰、紀利男 等人，為臺灣流行音樂留下大量經典作品。而音樂產業的逐漸 成熟，加上傳播媒體的推波助瀾，日本影視音樂文化的發達，帶動 了另一波嚮往國際舞台的音樂人，諸如：林沖、陳芬蘭、鄧麗君、 翁倩玉、歐陽菲菲等人，皆曾在日本音樂舞台佔有一席地位，也帶 動後代音樂人與日本的頻繁交流。 Taiwanese popular music has long been a focal point in the Sinophone world.

Popular music industry in Taiwan began in the Japanese colonial period, particularly in 1932 a decisive year when KAYANO Masajiro set up the A&R department in Taiwan Columbia Records, which gave a further boost to the production of popular songs. Many songwriters such as DENG Yu-Shian, WU Jin-Huai, YANG San-Lang, HSU Shih, WEN Hsia, HUNG Yi-Feng and CHI Li-Nan to name a few, once studied music or performed in Japan and have left behind a great number of classic works. Since the end of World War II Japanese music and audio-visual contents have been well-received in Taiwan, which steered more artists, such as Jimmy LIN, CHEN Fen-Lan, Teresa TENG, Judy ONGG and OU-YANG Fei-Fei, to foray into the Japanese music scene, and promote further musical exchange between Taiwan and Japan.

音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

01 鄧雨賢 畢業於臺北師範學校，曾經任教於 日新公學校的鄧雨賢，因追求音樂 夢想，1929 年辭教職短暫赴日學習 作曲。返臺後，適逢唱片、廣播等 新媒體在臺灣蓬勃發展時刻，加入 文聲曲盤公司之後，創作了〈大稻埕 行進曲〉，音樂生涯就此展開。 1933 年加入古倫美亞唱片專職作曲 後，陸續創作〈望春風〉、〈月夜愁〉、 〈雨夜花〉、〈滿面春風〉、〈春宵吟〉 等經典歌曲。畢生創作近百曲，實 踐他認為藝術不應只是白領階級的 娛樂，而是貼近大眾的理念。1939 年再度赴日本尋求發展，不久即因 女兒病逝返臺，從此之後，便在芎林 公學校任教，直到病逝。

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1906-1944

DENG Yu-Shian DENG taught at a primary school before he went to Japan to study music in 1929.

After returning to Taiwan, with the rise of recording and broadcasting industries in colonial Taiwan, he started his music composition career in Bunseng Records where he wrote ‘Twatutia March’.

He became a full-time songwriter in Columbia in 1933 and wrote the famous ‘Longing for Spring Breeze’, ‘Moonlit Night Sorrow’, ‘Rainy Night Flower’, ‘Shining with Happiness’ and ‘Momentary Pleasure in Verse’. With almost 100 songs left behind, he contended that artists should create works for the general public. During the Sino-Japanese War he went to Japan again in 1939 to seek better opportunities, but returned to Taiwan soon because of his daughter’s decease.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

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1.〈四季紅〉 ‘Red Throughout Four Seasons’ 2.〈月夜愁〉 ‘Moonlit Night Sorrow’ 3.〈望春風〉 ‘Longing for the Spring Breeze’ 4.〈雨夜花〉 ‘Rainy Night Flowers’

四月望雨黑膠唱片 一生創作近百首的鄧雨賢，經典代表臺語歌謠 〈四季紅〉、〈月夜愁〉、〈望春風〉、〈雨夜花〉， 合稱「四月望雨」。 The 'Four-Moon-Longing-Rain'on shellacs Deng’s four classic songs ‘Red Throughout Four Seasons’, ‘Moonlit Night Sorrow’, ‘Longing for the Spring Breeze’ and ‘Rainy Night Flowers’, dubbed as the ‘Four-Moon-Longing-Rain’, on shellacs.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

02 吳晉淮

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1916-1991

WU Jin-Huai

吳晉淮自小就喜愛音樂。12 歲時， 不顧家人反對，與友人冒險赴日本 學習音樂，原本考上日本慶應大學 醫學院的他，最終選擇放棄學業， 改進入日本歌謠學院就讀，並師事 日本歌謠界代表性人物古賀政男， 習得一手精湛的吉他技法。

WU Jin-Huai had shown a penchant for music since childhood. Against his family’s wishes, he moved to Japan to study music at 12 years of age, and later even withdrew from medical school at Keio University. In pursuit of a music career, he studied with KOGA Masao at Japan Academy of Songcraft and developed an awesome guitar technique.

深受古賀政男影響的他，回臺後， 不但成了紅極一時的臺語歌手，也 是位著名製作人、作曲家，並捧紅 黃乙玲等多位歌手。畢生創作二百 多首歌曲，臺語、日語各半，包括 〈關仔嶺之戀〉、〈暗淡的月〉、 〈可愛的花蕊〉、〈愛情的力量〉、 〈恰想也是你一人〉、〈五月花〉、 〈講什麼山盟海誓〉、〈不想伊〉 等歌曲。

Inspired by KOGA , he became a celebrated Taiwanese singer, as well as a songwriter and producer who led many talents to success, such as HUANG Yee-Ling. WU had wrote more than 200 songs, half in Taiwanese and half in Japanese, including ‘Love in Guanziling’, ‘Gloomy Moon’, ‘Lovely Flowers’, ‘May Flowers’, ‘The Power of Love’, ‘All I Think About Is You’, ‘Dismissing Him’ and ‘Unrequited Vows’.

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Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

吳晉淮首次回臺演出節目單 The programme of WU Jin-Huai’s first concert after he returned to Taiwan

吳晉淮與兩位友人組成擅長拉丁音樂的三人團體在日本巡演 WU Jin-Huai founded a trio specialising in Latin music with two friends and toured around Japan

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

03 許

石

因為喜愛音樂之故，許石 1938 年 進入大村能章的日本歌謠學院學習 作曲與聲樂。1946 年回臺後，他組 團巡演，發表了風靡全臺的〈南都 之夜〉，接著展開全島音樂探訪， 採 集 福 佬、 客 家、 原 住 民 民 謠。 1959 年起每隔十年舉辦臺灣鄉土 民謠作曲發表會。 經典歌曲〈鑼聲若響〉 、 〈夜半路燈〉、 〈安平追想曲〉都是他的名作。除 創作之外，為推廣鄉土民謠與自己 作品，1952 年成立中國唱片公司， 1969 年 以 五 位 女 兒 為 班 底， 成 立 「許氏中國民謠合唱團」，在海內 外演出。此外，也教授歌唱，並帶 著學生巡迴演唱，知名歌手如鍾瑛、 顏華、劉福助、林秀珠及林沖都曾 跟他學習。

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1919-1980

HSU Shih HSU began studying composition and singing at Japan Academy of Songcraft founded by ŌMURA Nōshō. After returning to Taiwan in 1946, he embarked on a concert tour, performing the massive hit ‘Night in the City Tainan’, and then conducted a series of fieldwork to collect folk music of Holo, Hakka and indigenous ethnicities in Taiwan.

From 1959 onwards, he organised concerts once every decade to present musical works, among which ‘Anping Melody’, ‘When the Gong Sounds’ and ‘Street Lamps at Midnight’ are the most famous. He founded China Records in 1952 to promote his own works, and the Hsu Family Chinese Folk Group with five daughters in 1969 to perform both at home and abroad. In addition, he offered singing course, ZHONG Ying, YAN Hua, LIU Jui-Teng, LIN Hsiu-Tzu and Jimmy LIN were several of his famous students.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

池真理子寫給許石的信 因長年在日本巡演而與日本流行樂界有著良好的互動，1968 年時，哥倫比亞專屬歌手 池真理子便受許石之邀，前來臺灣公演及錄音，兩人並有書信的互動。 The letter to HSU Shih from IKE Mariko IKE Mariko, an artist signed to Nippon Columbia who had a good rapport and maintained correspondence with HSU Shih, was invited by him to stage a concert tour and make recordings in Taiwan in 1968.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

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楊三郎

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1919-1989

YANG San-Lang

自小因在學校軍樂隊擔任小喇叭 手，而喜愛上音樂的楊三郎，1937 年赴日向清水茂雄學習作曲，後來 轉赴滿洲國夜總會、舞廳擔任樂師。 日後與好友那卡諾、白明華所組的 「 黑 貓 歌 舞 團 」， 即 是 受 到 日 本 「松竹歌舞團」的啟發，開啟臺灣 歌舞團輝煌時代的序幕。

YANG had developed a penchant for music since playing the trumpet in primary and secondary school bands.

After leaving school he performed in a club for a while and move to Japan to learn composition with SHIMIZU Shigeo in 1937. He moved to Manchukuo in 1941 where he worked as a band member in dance halls and night clubs until the end of World War II.

自日本返臺後，創作了許多精彩作 品。例如〈望你早歸〉，就是組樂 隊於臺灣廣播電台（日後中國廣播 公司）演出時所寫，〈港都夜雨〉 原是在基隆美軍聯誼社擔任樂師時 所創作的器樂曲〈雨的布魯斯〉。 此外，與周添旺合作的〈孤戀花〉、 〈秋風夜雨〉也是膾炙人口的經典 作品。

Following the example of the well-known Shochiku Song-and-Dance Troupe in Japan, YANG established the Black Cat Song-and-Dance Troupe in 1952 to promote original works, which ushered in the golden era of song and dance shows.

‘Awaiting Your Early Return’, ‘Night Rain in the Harbour’, ‘Lone Flower’ and ‘Autumn Wind Midnight Rain’ are several of his best works.

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Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

楊三郎〈望你早歸〉手稿 楊三郎受呂泉生的鼓勵，遂以當時政治氛圍中， 臺灣社會充滿期待家人平安為靈感，譜寫出經典 名曲〈望你早歸〉。 The manuscript of YANG San-Lang's ‘Awaiting for Your Early Return’ Encourage by LÜ Quan-Sheng, YANG San-Lang wrote the classic ‘Awaiting for Your Early Return’ in response to the general public’s calls for peace amid harsh political climate.

楊三郎雕塑 YANG San-Lang's Sculpture

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

05 紀利男 從小愛唱歌的紀利男，經知名歌手 紀露霞引薦，拜楊三郎為師，學習 唱 歌 與 編 曲， 同 時 在 其 經 營 的 「金貓歌舞團」演出。1971 年前往 新加坡海燕歌劇院擔任音樂總監 及節目策劃，創下人生事業高峰。 1978 年成為日本作曲家協會首位 外國人會員，隔年獲得日本「古賀 賞作曲大賽銀賞獎」。紀利男作品 風格多元，創作國、臺、日語流行 歌曲 700 多首，包括：寫給鄧麗君 的〈 後 悔 愛 上 你 〉、 余 天 演 唱 的 〈汪洋中的一條船〉、〈又是黃昏〉 等知名歌曲。1992 年製作《楊三郎 臺灣民謠交響樂章》，由陳芬蘭與 大型管弦樂團合作演唱多首楊三郎 名曲，獲得金鼎獎「唱片出版獎」。

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1940-2016

CHI Li-Nan Introduced by the celebrated singer CHI Lu-Shyia, CHI Li-Nan began taking lessons with YANG San-Lang in singing and arranging, and performed in the YANG’s Golden Cat Song-and-Dance Troupe. In 1971, CHI was engaged as Music Director and Programme Planner in Haiyen Theatre in Singapore, which was the peak of his career.

In 1978 he became the first foreign member of the Japan Composer’s Association and in the next year he won the Silver Prize at the KOGA Composition Competition. He wrote more than 700 songs in Mandarin, Taiwanese and Japanese, including ‘Regret Falling in Love with You’ for Teresa TENG’s and ‘A Boat in the Ocean’ and ‘It’s Dusk Again’ for YU Tian. His 1992 production Taiwan Folk Music Symphony: Yang San Lang Memorial Album won the Golden Tripod Award for the best musical album.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

紀利男〈怎能忘記鄧麗君〉手稿 The manuscript of ‘How Could I Forget’ CHI Li-Nan wrote for Teresa TENG

古賀賞作曲大賽銀賞獎 紀利男除了成為日本作曲家協會會員的第一個外國人，也是首位榮獲日本古賀賞 作曲賽的外國人。尊師重道的他，特別邀請恩師楊三郎到東京參加他的受獎儀式， 傳為佳話。 The Silver Prize of the KOGA Composition Competition CHI Li-Nan was the first foreign member of the Japan Composer’s Association, and also the first foreign composer to be awarded at the KOGA Composition Competition. He invited his respected teacher YANG San-Lang to attend the award ceremony in Tokyo to share the honour with him.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

06 林 沖 1961 年林沖進入日本大學藝術學部 影劇科，因獲選演出日港合資歌舞 劇《香港》，登上東京寶塚劇場舞台， 隨即在藝能界刮起一陣旋風，參與 多部歌舞劇、電影、電視劇演出， 與 NHK、富士等五家電視台簽約， 並為哥倫比亞公司灌錄唱片。 在先天俊俏外表與後天個人努力下， 林沖成為第一位在日本成功發展的 臺灣男藝人。1968 年轉赴香港，在 夜總會演出造成轟動，進而與邵氏 電影公司簽約，拍攝《大盜歌王》 等多部歌舞片。由於親自演唱《大》 片主題歌〈鑽石〉，又有了「大盜 歌 王 」、「 鑽 石 歌 王 」 的 稱 號。 2011 年歷經罹癌、抗癌成功，重新 登上舞台至今。

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1934-

LIN, Jimmy Jimmy LIN began studying drama at Nihon University College of Art in 1961, and then took part in the musical Hong Kong produced by Tokyo-Takarazuka Theater, which pave the way for his performance in musicals, film and TV dramas in Japan.

Signed for five TV stations, including NHK and Fuji, and Nippon Columbia, he became the first Taiwanese male artist who developed a successful career in Japan.

In 1968 with his performance in night clubs taking Hong Kong by storm, LIN starred in several musical films for Shaw Brothers, including The Singing Thief, which won him the title ‘Singing Thief’ and ‘Singing King of Diamonds’ because of the theme song ‘Diamonds’ sung by himself. He was diagnosed as having cancer in 2011, but has been cured and is back on stage.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

寶塚劇團歌舞劇《香港》 大學時憑著一段槍舞，獲得寶塚歌舞《香港》大導演菊田一夫的賞識，讓林沖一夕之間 從翻譯員成了該劇主角之一，也開啟他日後在日本發展之路。 The musical Hong Kong produced by Tokyo-Takarazuka Theater Highly impressed by Jimmy LIN’s sword dance, KIKUTA Kazuo, the director of TokyoTakarazuka Theater’s production Hong Kong, engaged him as one of the main characters and thus paved the way for his performance career in Japan.

〈香港旅情〉單曲唱片封面 1964 年日本哥倫比亞唱片簽下林沖， 為其〈香港旅情〉、〈東京的夜來香〉 發行單曲，並獲得公司年度主要推薦 新人。 ‘The Weary Heart of a Traveller in Hong Kong’ on vinyl Jimmy LIN, one of the best rising talents signed up to Nippon Columbia in 1964, releasing ‘The Weary Heart of a Traveller in Hong Kong’ and ‘The Evening-Scented of Tokyo’.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

07 鄧麗君 自小學階段便活躍於校內演出以及 勞軍活動的鄧麗君，1966 年在正聲 廣播歌唱訓練班以第一名結業後， 即於歌廳駐唱。隔年加盟宇宙唱片 發行第一張個人專輯，並在中視主 持歌唱節目、演唱連續劇《晶晶》 同名主題曲、參加電影《謝謝總經理》 演出，成為影視歌三棲藝人。 1974 年赴日本發展，出道第一年即 以單曲〈空港〉獲日本唱片大獎新人 獎，還於1986 年連續三年同時榮獲 「日本有線大獎」和「全日本有 線 放 送 大 獎 」， 是 外 國 藝 人 在 日本 歌壇最輝煌的紀錄。她在歌唱演 出 之 外 亦 積 極 參 與 勞 軍 活 動， 因此 在臺灣贏得了「永遠的軍中情人」 美稱。

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1953-1995

TENG, Teresa After completing a training lesson offered

by Chengsheng Broadcasting Corp as the highest-ranking student in 1966, TENG started to perform in night clubs. She then was signed to Yeu Jow Records to release her first record, recorded the theme song for the first TV drama in Taiwan, hosted a singing programme for China Television and made her film debut.

In 1974, the year in which she moved to Japna, her single Airport immediately won her the Best New Artist Award at the Japan Record Awards. From 1984 onwards, she was the Grand Prix winner both of All Japan Cable Broadcasting Awards and of Japan Cable Awards at the same time for three consecutive years. In addition to singing for the public, she also comforted many soldiers through frequent volunteer performances for servicemen. She was thus dubbed the ‘eternal sweetheart of the military’.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

鄧麗君與紀露霞夫婦合影 Teresa TENG with CHI Lu-Shyia and CHI’s husband

鄧麗君《晶晶》黑膠唱片 1969 年時，中國電視公司開播，邀請鄧麗君主持晚間黃金時段節目「每日一星」， 並主唱中視首部電視連續劇《晶晶》主題曲，不但電視劇紅、主題曲也傳唱大街小巷， 讓她一夕之間成了家喻戶曉的歌手。 Teresa TENG's 'Crystal Girl' on vinyl Teresa TENG hosted a prime-time singing show Star of the Day for China Television, as well as recorded the theme song for its first TV drama Crystal Girl .

The popularity of the drama and the song brought her overnight fame.

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展出音樂人

日治時期西式音樂教育的導入與發展，開啟了臺灣人對於音樂的 嚮往。然而，由於當時臺灣並未無音樂專門學校，也無相關科系， 讓這些音樂人興起赴日深造的動機。這些前輩音樂人，學習了西方 音樂藝術，接受嚴格的日式音樂訓練，卻都胸懷濃厚的民族情感， 選擇以臺灣土地作為創作的能量。如：江文也、陳泗治、呂泉生、 郭芝苑、蕭泰然等人，皆有大量歌頌臺灣的作品。而在那音樂環境 貧瘠的年代，更難能可貴的是，這些音樂人間的相互提攜，並在 創作之餘，致力於音樂教育及推廣，如：陳泗治、呂泉生、申學庸， 甚或已歸化為臺灣籍的藤田梓等人，都對臺灣音樂教育付出極大的 心力與貢獻。 With the Western-style music education introduced in colonial Taiwan, the Taiwanese developed a penchant for music. However, as there were no institutions specialising in music education, those who would like to seek further training and development had to go to Japan. Established musicians, such as JIANG Wen-Ye, CHEN Si-Zhi, LÜ Quan-Sheng, KUO Chih-Yuan and HSIAO Tyzen, who studied Western classical music in Japan, could still construct their works on a solid Taiwanese ground with tender loving care for the land and the people. Others such as CHEN Si-Zhi, LÜ Quan-Sheng and SHEN Xue-Yong, as well as Anna Azusa FUJITA who has become a naturalized citizen in Taiwan, established good rapport with one another and devoted themselves to music education and promotion in Taiwan.

音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

08 林氏好 臺南女子公學校畢業後，林氏好曾 在臺南第三公學校擔任音樂老師。 1932 年舉行個人演唱會之後，成為 古倫美亞唱片專屬歌手，隔年灌錄 〈紅鶯之鳴〉、〈一個紅蛋〉等作品， 並陸續舉行多場獨唱會。1935 年 6 月赴日，先後師事聲樂家關屋敏子、 原信子。 在日本學習期間，曾加入日蓄唱片 公司擔任輕音樂團團長，並在工廠 教唱歌曲、積極投入當地音樂活動。 也在二戰末期在滿洲國擔任「新京 交響樂團」的專屬歌手。戰爭結束 返臺，逐漸退居幕後，以多年在日本 與滿州累積的音樂經驗，持續進行 教學與推廣工作，直到 1961 年因 罹患舌癌後退出樂壇。

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1907-1991

LIN S.H. LIN S.H. once taught music at the Third Common School in Tainan. Following a successful solo recital, she was signed to Columbia Records and in the next year released ‘The Twitter of the Red Warbler’ and ‘A Red Egg. In 1935 LIN began studying with SEKIYA Toshiko and then HARA Nobuko.

During her studies in Japan, she once led a music ensemble in Nippon Phonograph Company, and offered singing lessons in factories, as an active participant in the local music scene. She sang under exclusive contract to the Shinkyo Symphony Orchestra in Manchukuo in the final years of World War II. She returned to Taiwan after the end of the War. She kept on working behind the scene, as a teacher and promoter for music until 1961 when she retired from the music scene because of tongue cancer.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

〈咱台灣〉歌單 林氏好為古倫美亞唱片第一位專屬歌手，其作品之一〈咱台灣〉歌單。 ‘Our Taiwan’ Lyric Sheet The lyric sheet of ‘Our Taiwan’ by LIN S.H. a signed artist of Taiwan Columbia Records.

林氏好與關屋敏子合影 日本知名聲樂家關屋敏子於 1935 年來臺演唱時，便極為賞識林氏好的演唱實力， 同年林氏好也隻身前往日本，成為關屋敏子的入室弟子，學習聲樂演唱技巧。 LIN S.H. with SEKIYA Toshiko During her concert tour in Taiwan in 1935, SEKIYA Toshiko was very much impressed by LIN S.H.’s singing skill. LIN began to study singing formally with SEKIYA in Japan in the same year.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

09 江文也

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1910-1983

JIANG Wen-Ye

1928 年就讀東京武藏高等工科學校 期間，江文也就曾到東京音樂學校 ( 東京藝術大學前身 ) 夜間部修習聲 樂，畢業後再進入該校學習作曲。 1932 年起因接連兩年參加日本全國 音樂比賽獲聲樂組入選，受聘於日本 著名的藤原義江歌劇團，並且兼任 哥倫比亞唱片公司歌手。

Before studying formally composition at Tokyo Music School (the predecessor of Tokyo University of the Arts), JIANG WenYe had took evening vocal lessons there in 1928 during his studies at Musashi Senior Engineering School. Awarded twice in nationwide singing competitions since 1932, he was recruited by Fujiwara Opera and engaged by Nippon Columbia as a vocalist.

1936 年 以《 臺 灣 舞 曲 》 創 作 參 加 柏林奧運會藝術競技音樂類獲獎。 1938 年再以《十六首斷章小品》在 威尼斯第四屆國際音樂節中獲獎， 自此成為國際級作曲家。雖因中日 戰爭、文化大革命而遭受到波及， 但旅日學習至中國任教期間，讓他 累 積 了 相 當 的 經 驗 與 能 量， 成 為 二十世紀傑出的作曲家。

While his Formosan Dance was awarded a medal at the Games of the XI Olympiad in 1936, the prize he won for his 16 Bagatelles at the 4th Venice International Music Festival in 1938 brought him international fame. Despite personal misfortunes after the Sino-Japanese War and in the Cultural Revolution, his compositional achievements have made him a great composer.

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Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

《臺灣舞曲》樂譜及唱片 1936 年德國柏林的奧林匹克運動會，江文也以管弦樂曲《臺灣舞曲》成為當時 唯一獲得藝文競技音樂類「特別獎」的東方作曲家，震撼日本，其管弦樂總譜也 在全世界發行。

Formosan Dance on shellac and sheet music JIANG Wen-Ye’s orchestral composition Formosan Dance made him marvellously the only one out of the five Japanese contestants who won a medal in art competitions at the Games of the XI Olympiad. The full score was then published and distributed worldwide.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

10 陳泗治 中學起接觸西方古典音樂的陳泗治， 1934 年赴日本東京神學大學就讀， 期間向東京音樂學校的木岡英三郎 學習作曲、指揮，並與江文也等留日 學生組成「鄉土訪問音樂團」回臺 巡演。1957 年赴加拿大多倫多皇家 音樂院進修作曲，回臺後雖未任教 於大專音樂科系，但以鋼琴演奏與 教學聞名，他的創作以鋼琴及宗教 合唱為主，對於臺灣的愛與基督教 信仰是他創作的動力。 他學習的是西方古典音樂的技法，但 作品卻充滿鄉土情懷，從他著名鋼琴 作品〈淡水幻想曲〉、《臺灣素描》 裡頭，即可聽見他將在地的景色與 事物，轉化為雋永樂聲。

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1911-1992

CHEN Si-Zhi Having developed an interest in Western classical music since secondary school, CHEN Si-Zhi began studying composition and conducting with KIOKA Eizabur at Tokyo Music School, during his studies at Tokyo Union Theological Seminary in 1934. With Taiwanese students in Japan such as JIANG Wen-Ye, he organised a visiting ensemble and staged a concert tour back in Taiwan. In 1957, he furthered his study in composition at the Royal Conservatory of Music in Canada. He was widely known as a pianist and educator, while holding an affection for the land and a strong faith in Christianity.

He wove local subjects into musical works with Western compositional techniques, among which Fantasia Tamsui and Taiwan Sketches are famous piano works.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

1. 《上帝的羔羊》樂譜手稿 1.

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畢業作《上帝的羔羊》清唱劇，為第一部臺語清唱劇。1943 年這首樂曲由呂泉生 擔任獨唱演出，受到熱烈讚賞。 The manuscript of Agnus Dei The thesis composition Agnus Dei is the first cantata in Taiwanese. In 1943 this highly praised work was performed with LÜ Quan-Sheng as the soloist.

2. 鋼琴組曲《臺灣素描》的樂譜封面 The title page of the piano suite Taiwan Sketches

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

11 呂泉生 高三時赴東京旅遊的一場音樂會， 開啟呂泉生學習音樂的動機。1936 年赴日進入東洋音樂學校 ( 東京音樂 大學前身 ) 鋼琴科，隔年因為手傷 改學聲樂。完成學業後的呂泉生， 在 東 寶 日 本 劇 場 與 NHK 廣 播 電 臺 演唱，並隨成田為三繼續學習作曲。 1943 年返臺後開始採集各地民謠， 〈丟丟銅仔〉、〈一隻鳥仔哮啾啾〉 等歌曲在他的譜寫後廣為傳唱。 呂泉生作品歌曲旋律與字詞聲調 相互配合，曲調優美動聽又易唱， 〈搖嬰仔歌〉、〈杯底不可飼金魚〉、 〈阮若打開心內的門窗〉都是經典 代表作。1957 年受邀擔任榮星兒童 合唱團團長兼指揮，在他帶領下讓 榮星合唱團享譽中外。

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1916-2008

LÜ Quan-Sheng A concert he attended on a high school field trip to Tokyo inspired LÜ QuanSheng to study music. He began studying the piano, but later vocal music because of hand injuries, at Toyo Conservatory of Music (the predecessor of Tokyo College of Music) in 1936. He became a member of the Tokyo-Takarazuka Chorus and concurrently a guest singer of NHK after graduating from the Conservatory, and went on studying composition with NARITA Tamezō. After returning to Taiwan in 1943, he began to collect and create transcript of folk songs, such as ‘Tiu-tiu Tang-a’ and ‘A Sobbing Bird’.

In LÜ’s vocal works, such as ‘Don’t Raise a Goldfish in a Wineglass’, ‘A Lullaby’ and ‘Open the Window to the Heart’, melodies flow with lexical tones in lyrics as smoothly as in natural speech. He was engaged as the director and conductor of the Glorystar Children’s Chorus.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

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1. 呂泉生書寫曲目清單的手稿 A handwritten repertoire list by LÜ Quan-Sheng 2. 飛快車小姐唱片 1956 年，臺灣「飛快車」開始營運，改寫了臺北到高雄的往返時間，特別是首創 的「飛快車小姐」服務生制度，更是讓旅客讚不絕口，音樂人呂泉生與畫家詩人 盧雲生兩人在親身體驗後，也合力創作這首改寫交通創舉的輕快歌謠。 'Lady Flying Express' on vinyl Taiwan Railways’ Flying Express service, with train attendants, launched in 1956 greatly reduced the travel time between Taipei and Kaohsiung. LÜ QuanSheng wrote light-hearted ‘Lady Flying Express’, with lyrics by the painter-poet LU Yun-Sheng, after travelling with this new passenger rail service.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

12 郭芝苑 1935 年郭芝苑進入東京錦城學園 中學部，因隨口琴家福島常雄學習， 開啟他的音樂之路。他先後考取東洋 音 樂 學 校 ( 東 京 音 樂 大 學 前 身 )、 日本大學、東京藝術大學，並追隨 菅原明朗、池內友次郎、矢代秋雄 等名師。回臺後，除演奏、教學與 作曲外，1973 年起專職於臺灣省立 交響樂團研究部至退休。 終生致力於音樂創作，曾榮獲國家 文藝獎、行政院文化獎、總統二等 景星勳章等重要獎項。代表作品有 《交響變奏曲 ― 以土風為主題》、 《小協奏曲 ― 為鋼琴與絃樂隊》、 交響組曲《天人師》以及臺語藝術 歌曲〈紅薔薇〉、〈淡水河畔〉等。

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1921-2013

KUO Chih-Yuan Inspired by the famous harmonica player FUKUSHIMA Tsuneo at Kinjo Gakuen High School in Tokyo, KUO Chih-Yuan developed a penchant for music and went to Toyo Conservatory of Music, Nihon University and Tokyo University of the Arts in succession, and studied with SUGAHARA Meiro, IKENOUCHI Tomojirō and YASHIRO Akio. After returning to Taiwan, in addition to performing, teaching and composing, in 1973 he was engaged as a research fellow in the National Taiwan Symphony Orchestra.

Devoting himself to music creation as a lifelong commitment, he composed a wide range of works such as the Symphonic Variations with the Land of Taiwan as the Main Theme, the Concertino for Piano and Small String Ensemble and the symphonic suite Ś āstā devamanusyānām, as well as Taiwanese art songs ‘Red Rose’ and ‘Tamsui Riverside’. He received many national recognitions such as the National Award for Arts and the Order of Brilliant Star.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

1.

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1. 〈港の女〉手稿 46 歲的郭芝苑，三度赴日並如願考入國立東京藝術大學音樂學部作曲科外， 以〈港都之女〉（港の女）參加日本 NHK 電視臺作曲比賽而入選。 The manuscript of ‘Lady from the Harbour’ KUO Chih-Yuan began studying composition at Tokyo University of the Arts at 46 years of age. and his vocal composition ‘Lady from the Harbour’ was selected as a winning piece in an NHK programme.

2. 幼年時期的郭芝苑 ( 右 ) KUO Chih-Yuan at his childhood (Right)

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

13 申學庸 出生於中國四川的申學庸，就讀於 重 慶 師 範 學 校 音 樂 科、 成 都 藝 專 音 樂 科，1949 年 與 夫 婿 郭 錚 來 臺 蜜月旅行，因中國大陸政局變化， 就此在臺安身立命。1951 年隨夫婿 外派日本，進入東京藝術大學學習 聲樂。在日期間，曾舉行獨唱會， 演出精湛，著名音樂評論家山根銀二 特別撰寫樂評盛讚，當年的皇太子 （今德仁天皇）亦曾親臨聆賞演出。 1956 年 回 臺 任 教， 陸 續 參 與 當 時 國立藝專音樂科、文化學院音樂系 及臺南家專音樂科之創設，1981 年 任 文 化 建 設 委 員 會 藝 術 處 處 長， 1993 年 接 任 文 建 會 主 任 委 員， 是 一 位 具 有 使 命 感 的 聲 樂 家、 音 樂 教育家，更是國家文化發展的重要 推手。

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1929-

SHEN Xue-Yong Born in Sichuan, China, SHEN Xue-Yong once studied at Chongqing Normal School and Chengdu College of Arts. She came to Taiwan in 1949 with her husband and had settled down here ever since.

She began studying vocal music at Tokyo University of the Arts when she moved to Japan in 1951 with her husband, and held many vocal recitals during her studies.

Her superb performance elicited praise from the renowned music critic YAMANE Ginji, and Emperor Naruhito, the then Crown Prince, had attended her solo recital.

After returning to Taiwan in 1956, she has taught at National Taiwan Academy of Arts, College of Chinese Culture and Tainan Junior College of Home Economics. Having been serving in the Council for Cultural Affairs from 1981 onwards and becoming the chairperson in 1993, she is not just a vocalist, educator, but also a promotor for national culture.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

申學庸與日本「皇弟」三笠宮殿下夫婦合影 因隨夫婿外派日本，而在東京藝術大學學習聲樂期間，曾多回舉辦獨唱會，也因 其精湛演出，深獲好評，此為當年與昭仁天皇胞弟三笠宮殿下夫婦的合影。 A photo of SHEN Xue-Yong with Imperial Highness Prince Mikasa of Japan and his wife SHEN Xue-Yong held many vocal recitals during her studies at Tokyo University of the Arts. On one occasion she took a photo with Prince Mikasa and his wife.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

14 蕭泰然 蕭泰然自幼即沈浸於西方古典以及 教會音樂環境，五歲時由母親啟蒙 學 習 鋼 琴， 臺 灣 師 範 大 學 音 樂 系 畢業後，於1965 年赴日跟隨武藏野 音樂大學中根伸也教授學習鋼琴， 並向藤本秀夫學習作曲。 1977 年移居美國，開始整理改編臺灣 的民謠及流行歌，創作〈點心擔〉等 歌曲，蕭泰然一生致力於音樂創作， 作品多反映出對於臺灣歷史與土地 的關懷，代表作品包括有交響詩 《1947 序曲》 、《D 大調小提琴協奏曲》 ， 合 唱 管 弦 樂 曲《 玉 山 頌 》 以 及 藝術歌曲〈出外人〉、 〈嘸通嫌臺灣〉、 〈永遠的故鄉〉等，並曾獲得國家 文藝獎、行政院文化獎、傳藝金曲 獎、吳三連獎等獎項。

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1938-2015

HSIAO Tyzen HSIAO Tyzen grew up immersed in Western classical and church music, he learnt to play the piano with his mother since childhood. After graduating from National Taiwan Normal University, in 1965 he started studying the piano with NAKANE Nobue at Musashino Academia Musicae and composition with FUJIMOTO Hideo.

He devoted himself to composition, with tender loving care for his motherland Taiwan. His works cover a variety of forms, among which the choral piece ‘The Snack Stall’, the symphonic poem 1947 Overture, Violin Concerto in D, Ode to Yu-Shan for choir with orchestra, as well as art songs ‘The Vagabond’, ‘Never Disregard Taiwan’ and ‘Eternal Homeland’ are most famous. He received many national recognitions, such as National Award for Arts and National Cultural Award.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

蕭泰然赴日為 921 震災 舉辦的音樂會 HSIAO Tyzen in a charity concert for the 921 Earthquake in Japan

〈點心擔〉手稿 The manuscript of ‘The Snack Stall’

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音樂憶像 - 臺灣旅日音樂人手稿文物特展 / 展 出 音 樂 人

15 藤田梓 藤田梓 1954 年以第一名成績畢業 於大阪音樂短期大學鋼琴科，同年 並獲得 NHK 全國音樂比賽大獎，隨 即赴英國及奧地利深造，並於學成 後回母校任教。 1960 年來臺舉行獨奏會時結識臺灣 知名音樂家鄧昌國先生，隔年結婚， 自此與臺灣結下不解之緣。長年以 來，除了與世界知名交響樂團合作 演出、擔任國際鋼琴大賽評審外， 更 致 力 於 為 音 樂 教 育、 鋼 琴 表 演 藝術的推廣。1985 年創立財團法人 蕭 邦 音 樂 基 金 會， 波 蘭 政 府 先 後 頒發「文化貢獻獎章」、「外交卓越 貢獻獎章」，表彰其貢獻。2019 年 歸化國籍取得中華民國身分證，並 受邀於雙十國慶大會領唱國歌。

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1934-

FUJITA Azusa, Anna Anna Azusa FUJITA graduated top of her class from Osaka Junior College of Music in 1954 and in the same year won an award at NHK Music Competition. She went to the UK and Austria for further study and then to her alma mater to teach.

She came to know TENG Chang-Kuo in 1960 when invited to give her first solo recital in Taiwan and then married him in the next year. She had settled down in Taiwan ever since. She established Frederic Chopin Foundation of Taipei in 1985 and has long dedicated herself to music education and the promotion of piano music. She received the Medal for Merit to Culture and the Bene Merito honorary distinction from the Polish government. In 2019 she was granted Taiwanese citizenship and invited to lead the singing of the national anthem at the year’s National Day celebration.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

藤田梓在臺灣第一場獨奏會節目單 1960 年藤田梓第一次獲邀來臺北「國際學舍」舉辦獨奏會，當晚現場爆滿，演奏成功， 她曾深感遺憾當年未保留的節目單，59 年後被本次策展團隊尋獲，並首度公開展覽。 The programme of Anna Azusa FUJITA’s first solo recital in Taiwan Anna Azusa FUJITA ’s first solo recital in Taiwan in 1960 attracted a capacity audience.

While she is always regretful for not keeping a copy of the programme, it turns up in this exhibition.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展

族群音樂影音區 Music of Different Ethnic Groups in Taiwan 從高山、平原到海洋，因地理環境 及文化的不同，臺灣各族群的器樂、 曲調、語言，甚至服裝造型特色也 不盡相同，而源自於原住民、福佬、 客家等不同族群的聲音，交會構築 今 日 臺 灣 族 群 音 樂 的 多 元 樣 貌。 透 過閱覽臺灣音樂地圖及近幾年 臺灣音樂館規劃的世代之聲與相關 影音資料及樂器展示，親身體驗這 片土地所孕育出的音樂及感動。

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The natural environment impacts human culture. Sounds of indigenous, Holo and Hakka peoples inhabiting different areas in Taiwan all contribute to cultural diversity in Taiwanese music. This section offers a unique musical experience, with a map of various musical genres from different ethnic groups in Taiwan, audio-visual materials from the ongoing project Sounds from Across Generations conducted by Taiwan Music Institute, as well as exhibits of musical instruments.

Musical Recollections in Taiwan An Exhibition on Taiwanese Musicians’Journey to and Beyond Japan

音樂人書房 The Musician's Studio 臺日音樂與文化交互激盪下，藉由 黑膠唱片、珍貴書籍、古老文物， 上演著一場極精彩的音樂跨時空 對話。觀展時來到音樂人書房，在 沒有壓力及束縛下，享受閱聽音樂 的樂趣，如同回到過往時代的記憶 中，回味日治時期以及戰後音樂人 百花齊放的美麗成果。

Sparked by musical and cultural exchanges between Taiwan and Japan, a musical conversation through time has started with vinyls, books and antiques.

Come to the Musician’s Studio to immerse yourself in the musical recollections in Taiwan in the colonial period and the post-war years, and to delight in music without pressure.

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音樂憶像 - 臺灣旅日音樂人手稿文物特展

Ev ents 音樂憶像—臺灣旅日音樂人手稿文物特展系列活動 日治～戰後時期的臺灣音樂賞析 2019 年 11 月 17 日 ( 日 ) 時間：14:30-16:30 主講：林伯杰老師 活動地點 : 臺灣音樂館 B1 視聽室

鑽石亮晶晶—鑽石歌王林沖的音樂世界講唱會 2020 年 1 月 12 日 ( 日 ) 時間：14:30-16:30 主講 / 唱：林沖先生 活動地點 : 臺灣音樂館 B1 視聽室 活動資訊

本展覽將於 2020 年 3 月 26 日移師日本東京展出。

時を紡ぐ台湾の音楽家展 時程：2020 年 3 月 26 日（木）– 2020 年 4 月 19 日（日） 地點：ヒルサイドフォーラム Hillside Forum 時間：11：00 ～ 19：00（月曜日から日曜日） 住所：〒 150-0033 東京都渋谷区猿楽町 18-8 http://hillsideterrace.com/ 40

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統籌指導： 陳濟民 行政指導： 朱瑞皓 製作統籌： 翁誌聰 執行製作： 黃馨瑩、葉娟礽、施禹彤、王俊凱 執行協力： 蕭啟村、張翔雲、黃予祈、陳可豫、蕭歌珊 高子媛、李祖卉 宣傳協力： 許淑慧、歐美蓉、石芷瑄、閻令琬、蔡惠茵 文案策劃： 陳峙維 英文譯稿： 陳峙維

指導單位： 主辦單位： 協辦單位： 國立臺灣文學館、臺南市文化局 華風文化事業有限公司 執行團隊： 百思極台灣分公司 粟田経弘、曾詠絮、吳月鳳、任明芬 劉靜怡、高珮珊 執行顧問： 劉國煒、粟田政憲 特別感謝： 林本博、邱正人、何立心、紀露霞、徐玫玲 徐登芳、陳冠州、莊永明、顏綠芬 （ 依筆劃順序排列 ）

協力單位：

指導單位

主辦單位