PORTFOLIO NOV 2016

A L E J A N D R O Q U I N T O

UNDERGRADUATED P O R T F O L I O

2

0

1

6

aq

Alejandro Quinto

email alejandro.quinto@aol.com phone 639 25 34 55 skype address San Vicente Ferrer 32, Crevillent 03330 Spain

education

exhibitions

mention)

(Alicante)

2016 Learning from Sella. Projects of 2004-2010 IES Canonigo Manchon. Secondary education (honorable urban regeneration of areas in Sella Antonio Abellán y José Carrasco

2010-2017 University of Alicante (current). Architecture degree JAN-JUL 2015 Hogeschool van Amsterdam (Holanda). Bachelor

2016 Photography of architecture.

Exhibition at the city hall of San Vicente del Raspeig

competitions

2014 Hotel Shabby Shabby Mannheim. Recycling. Recycling. Proposal for an outdoor room hotel 2014 Collaboration with Tomas Amat.

Production of Bocopa muckup with the group CMD3Dprint. Winner 2016 Kolo competition Design of a public bathroom in Kolo (Poland)

degree, erasmus programme

2016 Florence cultural centre. Design competition in Florence (Italy)

JAN-JUL 2016 Wroclaw university of technology (Polonia). Bachelor

degree, erasmus programme

language Spanish mothertongue

others

Inglés. FCE certificate (Cambridge)

2013. Assistent to SOU FUJIMOTO lecture in circulo de Bellas Artes in

Valenciano. Mitjá level

2011-2013. Member of the group CMD+3D print specialized in 3D print.

Madrid “Evolving ideas: the primitive future”

2014. Assistent to a lectures programme at Academy of Architecture in Amsterdam.

curriculum work exp.

JUL-SEPT 2009-2015 CafeterĂ­a Antonio (Guardamar del Segura). Waiter JUN-OCT 2016 Solis Betancourt & Sherrill (Washington dc) Intern.

Support with 3D model tools and visualitzation. Collaboration with the design team.

workshops

software

2013 .GH Thinking grasshopper.

Windows OS Apple

2014. Tabarca, legendary cartographies. Related with the architectural

Microsoft Office

Introduction to the parametric design

school course

2015 Vertical city (Amsterdam).

Project: splating city

2016 The agraph method. Proffessional visualitzation in architecture

Autocad 2015 Photoshop CC 2015 Illustrator CC 2015 Indesign CC 2015 Rhinceros 5 + vray Grasshopper 3DMAX

I have been always fascinated for the world, what it is around me. How the idea of one person, or some, can be reflected in many ways.

And how architecture give shape to that. How life can be designed, but also can be unpredictable because of the people. That's what is magic about architecture.

LIFE is about PEOPLE. And people needs architecture to live. People needs spaces to be adapted to themselves. But there will never be two same solutions, a constant exercise of learning and discussing how life should be lived.

works S

M

L

11

13

01

16

07

Bocopa. Collaboration of Bocopa wines factory with Tomas

Amat architecture

15

Domestic leisure. Research about the living habits. Design of artefacts.

prof. Jaime Sepulcre and Andres Silanes

29

Product design and visualitzation. Design of architecture elements and visualitzation collaboration with Solis Betancourt & Sherrill firm

Disorder. Public bathroom competition in Plock (Poland)

Legendary cartographies.

Research of historical background of Alicante

Little Wroclaw Research and proposal about residence in Poland.

prof. Francisco Leiva (Aranea group)

Triathre. Laboratory of architecture design at Wroclaw University of technology.

17

20

25

23

Regeneration. Development of a new urban district in Wroclaw.

Moved through blue and green prof. Maciej Hawrylak Rabita y Fonteta.

Development of a archaeological museum on the dunes in Guardamar del Segura with prefabricated techonology.

Learning from Sella Research historical and socially of Sella and creation of new paradigms Reed.ph. Rethinking the historical elements of a village.

Design of a new urban paradigm.

L

Little Wroclaw

2016 Urban laboratory with Alvaro

Jimenez and Guillaume Clech

01

02

L

2016 Urban laboratory with Alvaro

Jimenez and Guillaume Clech

03

04 The project is an approach to social housing in Wroclaw (Poland). Avoiding the modernistic block, the project tries to go back to the historical city, by mixing both strategies, indi-

vidual housing and colective housing.

The urban strategies used in the old town can be found here creating a friendly enviroment

where its inhabitants create their community. The main point is giving them a blank canvas, in the shape of a house that they will make theirs by modifying it.

L

2016 Urban laboratory with Alvaro

Jimenez and Guillaume Clech

05

06 The environment is shown like a game, where sorrounded by modernistic rigid typologies the people create their own space, tresspassing limits between private and public, offering

multiculturality in a most young approach to the life and social community.

All the housing are facing south to profit sunlight at the time

that in north face housing are projecting their own limits as a structure for the public spaces to also create spaces of relation.

L

2016 Project course. Concert halls

07

design

Thriatre viewpoint grades for gathering lobby access

outdoor auditorium

auditorium

space for artists

different highs

08 the main aim of this auditorium is to use the roof as a usable space. At this way, the concept is growing with two triangles which create a path going up and allowing to people to enjoy the weather. The techincal area is located under the auditorium, allowing the artists and trucks for materials/scenario getting into the building with facilitie.

The auditorium it’s also provid-

ed with some offices and meeting rooms which can be used to discus the development of the plays or maybe just rented for workshops or rehearsal.

Another caracteristic point of the auditorium is the restaurant located just on the top of the entrance, into the highest point of the building. The main foyer pretends also be an

open space with rotating doors connected with the exterior and stairs connected with the restaurant and the corridors located on the sides of the auditorium, which have views to the landscape and where it will be located smalls tables for take a coffee or just talk in the breaks of the play.

L

2016 Project course. Concert halls design

09

10

L

Bocopa

2016 Collaboration with Tomas Amat architecture (with CM3Dprint group)

11

12

Rehabilitation of the facade of wines bocopa’s factory.

Mockup made with 3d impression pieces creating sinuous shape made materialized by the structure and the panels.

L

2016 Competition public bathroom

13

in Plock

dis order NEW CONCEPT

MAIN HOUSING TIPOLOGY IN POLAND

water collector

sun and rain protection

gathering

informal seating

14

The dominacy of the multy-family housing buildings on the sorroundings create an environment that dont allow have a comfortable place to just meet.

The concept is generated by the transformation of these totalitarian blocks.

The principle to the design is simple and critical with the sorroundigns. Also openings trying to take the people through the building, being not just a toilet but a place to meet.

domestic

L

2013 Project course. Experimental domestic study of life

15

16

L

territorial

2013 Project course. Experimental cartographies representation

L

2016 Development of a new urban district in Wroclaw.

17

Regeneration AXONOMETRIC master plan

One of the main axis for traffic is located too close to the city center of the city of Wroclaw. The city is becoming important and needs that area for living and leisure. The proposal creates a new transport system giving more importance to public transport, creating new green spaces connected and bringing people to the river. A waterfront with several activities availables during the entire year is VIEW created.

WROCLAW CITY ON THE WATER Ă lvaro JimĂŠnez_Omar Paez_Alejandro Quinto_Miriam Sanchez_Jan Simon

12

18

UHVLGHQWLDO

KRWHO

WHUUDFHV UHVWDXUDQWV

WHUUDFHV UHVWDXUDQWV

PDUNHW

FRQFHUWV

SRVVLEOH URDG DFFHVV

SDUW\

ƂVKLQJ

KDUERXU

FDQRH

ZDONLQJ

QDXWLF PXVHXP

JUXQGZDOVNL EULGJH

ƂVKLQJ

GULQN

UXQQLQJ

VXQEDWKH

JUXQGZDOVNL EULGJH

PHHWLQJ SRLQW

WHUUDFHV FRIIHH

YLHZ SRLQW VHUYLFH URDG

the individual work is based in the development of the riverbank as like as the connection with the island and the source of activities are develped there. The most significances points in the space are the ending of the ‘wild arm’ which provide a space with views to Grundwalski bridge and the different green spaces to be lost in. The space try to be savage, like fighting for a nice space, nature and vegetation around the industrialized city.

A part of this, the ‘arm’ is provided with some caffeterias and and a swimming pool with a space for sunbathing and relax.

VZLPPLQJ

VXQEDWKH

DUWLƂFLDO EHDFK VZLPPLQJ

VXQEDWKH

DUWLƂFLDO EHDFK

Regeneration of the water

Alejandro Quinto Sho

p 60s

qm

Caf qm

eter ia 70s

Sho

p/C

afet

eria

Shop/Ca

80s

feteria

qm Sho

afet

eria

72sqm

Shop 72sqm Shop 72sqm

p/C

Shop 72sqm

150

sqm

Shop 72sqm

Shop 72sqm Shop 72sqm

Shop 72sqm

Sho

p/C

afet

eria

150

sqm

Sho

p/C

afet

eria

150

sqm

A

A’

Regeneration of the water

Alejandro Quinto

L

Regeneration of the water

the visualitzation try to show the view from the grades generated to connect both levels. At this way we can enjoy both views (Grundalwski and the new riverbank), enjoying the weather when it’s possible and also covering ourselves under the trees or into the small restaurant.

2016 Development of a new urban district in Wroclaw.

19

Alejandro Quinto

20

Learning from Sella

Sella is a small village of Alicante. The population decreased last decades because people is moving to bigger cities like Alicante or Benidorm. Although, Sella is a city with big historical background and located in a privilegious mountain landscape, visited for many people every week. The historical knoledwge and process of Sella, their habitants and natural landscapes has been studied, proposing new ways to use the space through simple interventions, pacts and designs creating a new connection between the urban and the landscape scale.

L

2016 Learning from Sella. Research of

historical and social background.

21

22

L

reed. ph

Some decades ago, half of the population of Crevillente lived in caves. Still some do.

The village has grown from that caves at the bottom of Sierra of Crevillente.

Unfortunately the neigborhood in which are located most of the caves is poor and isolated in the cucurrent city life. The intervention tries to give to the area a new urban dimension connected with a new iconic building, designed mainly as a primary school of the area and giving a deserved importance and a new atmospher to the history of Crevillente and their caves.

2013 Project course. Intervention into personal legends

23

24

L

2014 Construction course. Archaeological museum on the dunes.

Rabita y Fonteta

We bet for some pure geometries, disponsed in a disperse way but with an structurated lineal programme which give uses to the requeriments of the project. A clear geometry, honest, non random and in favour of an expositive programme.

It is established a design related with their sorroundings and supported by the technology with the purpose to give the best functional and constructive solution. The design try to be kind with the sorroundings being a transition on the way through the archaeology site.

25

26

L

2014 Construction course. Archaeological museum on the dunes.

27

28

L

2016 Collaboration with Solis Betancourt & Sherrill.

29

30

Photography

THANK YOUR

ALL

YOU

THE

FOR TIME

BEST