ALLAN NUNEZ
COREdesign
CORE
Edesign
This COREdesign portfolio to display my collection of start of design1 through d individual projects and co
o functions as a catalyst f projects built from the design3. As well as other ollaborations.
ALLAN NUNEZ
10818 ROUNDVIEW LANE TA M PA , F L 3 3 6 2 4 813-420-5639 allan1@mail.usf.edu
TAB LE OF CON T E N T DESIGN 2 P RO F. SHANNO N B ASS ETT SP RING 2012
MATERIA LS+METHO DS CA R LOS MOL NER SP RING 2012
DETA IL MA KING PR OF. GIANCAR LO G IUST I FA LL 2012
DESIGN 3 P RO F. VIK A S MEHTA FA LL 2012
92 DESIGN 1 P ROF. S TEV E CO OK E FA LL 2011
82
136 32 12
07
INSPIRATION DESIGN IS PRECISE, INTENTIONAL, AND DISTINCTIIVE. ACTION AND ENERGY ARE IMPLIED IN THE DESIGN PROCESS WHICH OFFER A FOCAL POINT FOR A CREATIVE EXPERIENCE.
COREd
design 1
11
DESIGN BEGINS WITH DEFINING A NEED AND CONSIDERING THE POSSIBLE WAYS TO MEET THAT NEED. IDEAS BECOME SKETCHES THAT BECOME PROTOTYPES.
PROFESSOR STEVE COOKE
SPACE INTO PLACE
13
SAVANNAH, GA 3 WEEKS
SPACE AND PLACE
WAS A HABITATION PROJECT IN SAVANNAH, GA TO COMMEMORATE AND HONOR THE CONTRIBUTIONS OF AFRICAN AMERICANS TO THE CULTURAL, SOCIAL, EDUCATIONAL,ECONOMIC AND SPIRTUAL LIFE OF THE SAVANNAH COMMUNITY. THE CONSTRUCT SHOWN BELOW WAS THE GENERATOR FOR THIS PROJECT WHICH WAS A MATERIALIITY STUDY, AS WELL AS, THE DIFFERRENT CONNECTIONS.
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D1 FINA L US F RIV ERF RO NT PA RK 4 W E E KS
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R E C R E AT I O N A L L O D G E
WAS A FOUR WEEK P R O J E C T W H E R E O U R S I T E W A S L O C AT E D O N T H E U S F R I V E R F R O N T PA R K . T H E P R O J E C T WA S T O B U I L D I N G A M U LT I P U R P O S E R E C R E AT I O N A L L O D G E F O R T H E U S E O F GROUPS TO UP 24 PEOPLE. THE PURPOSE FOR THIS R E T R E AT W A S T O P R O V I D E A R E L A X E D S E T T I N G W H E R E INTELLECTUAL, PHYSICAL, AND SPIRITUAL CONNECTIONS T H AT G E N E R AT E A W A R E N E S S A N D P O S S I B L I T I E S . B Y TA K I N G A W AY S O M E S E N S O R Y A W AY T H R O U G H T H E D AT U M W A L L P R O V I D E D L E AV E S T H E U S E R A W A R E THROUGH THE HINTS OR REVEALS THROUGHOUT THE LODGE.
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COREd
esign 2
29 FORM FOLLOWS FUNCTION
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THE CORNER PROFESSOR SHANNON BASSETT 2 WEEKS
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THE C ORNER
WAS A T WO WEEK S P R OJ EC T B A S E D ON T HE C ONS T R U C T I ON AND C ONNEC T I ON O F D IF F E R ENT S Y S T EMS C OMP OS ED OF A J OI NT, S T R U CT UR E, S K I N, AND MAT ER I ALS . ALS O TAK I NG IN T O CO N S I DER AT I ON T HE VAR I OU S ELEMENT S OF E XPE R IE NC E AND R ELAT I ONS HI P S B ET WEEN T HES E S YS T E M S . S U C H AS , G R OU ND WALL, G R OU ND F L O O R , F LOOR WALL, WALL R OOF, R OOF S K Y, AND T H E R E L AT I ONS HI P B ET WEEN T HE I NT ER I OR WOR LD VS T H E EX T ER I OR WOR LD.
36
39
FLOOR+CEILING 2 WEEKS
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FLOOR+CEILING
WA S A T W O W E E K PR O JE CT W IT H T H E PU R P OS E OF EXPLORI NG A ND THE D E F IN IN G T H E Q U A L IT IE S O F F L O O R A N D CEI LI NG . EXPOSI N G THEI R POTENT IA L F O R S PAT IA L D E F IN IT IO N , T E CT O N IC, M AT ER I AL EXPRESSI ON , A N D I N H A B IT IO N . T H E R E Q U IR E M E N T S W E R E B A S E D ON A FOUR PERSON MA X OCCU PA N CY.
“ I HAV E A S PE CIA L F EEL IN G F OR T H E F L O O R : W H E N S IT T IN G O N T H E FLO OR TH E BO D Y AND TH E FLOOR AR E A LWAYS T OU CH IN G ON E A N O T H E R A N D T H E R E F OR E T H E FLO OR BE CO M E S T HE MO ST I MPOR TANT E L E M EN T OF T H E A R CH IT ECT U R E F O R M E . W E O NLY T OU CH WAL L S S O M E TI ME S B U T WE AR E ALWAYS T IED T O T H E F L OOR . ’ -KE N GO KU M A
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THE WALL+SKIN 2 WEEKS
16th ave
4
7th street
3 2 1 WA LL_SKIN_FA CA DE
WA S A T W O WEEK P R OJ EC T E XPL O R IN G T H E D IF F E R E N T CO N D IT IO N S OF ENC LOS U R E, L IGH T PR O T E CT IO N , CIR CU L AT IO N , A S W E LL AS , S PAC ES F O R R E F L E CT IO N A N D R E A D IN G. T H E S IT E OF T HE P R OJ EC T WA S O N 1 6 T H AVE N U E A N D 7 T H S T IN YB OR C I T Y, TAMPA, FL O T H E R FA CT O R S T H AT W E R E CO N S ID E R E D; T HE U R B AN S U R R O U N D IN G CO N T E XT, A N D S T R U CT U R E.
53
INITIA L C ONCEP TIA L ST UDIES WEEK 1
FA CA DE CONDITION ON 16t h AV ENUE
“THE SKIN IS A MU LT I LAYE R E D , MU LT I PU R POS E D OR G A N LUBRIC ATED T O D R Y, A CR OS S T H E LA N D S CA PE OF T H E SUBSTA NCES T H AT MOD U LAT E T H E ME A N I N G ,FU N CT I ON
THAT SH IF T S FR O M T HICK TO THIN, TIG HT TO LOOSE, BODY. ” M A N UFA C T UR E D S K INS AR E R ICHLY RESP ONSIVE A ND D IM EN S I O N O F THING .”
- E L L E N L UPTON
57
DOOR+WINDOW 2 WEEKS
58
DOOR+ WINDOW THIS PROJECT CHALLENGE THE INVESITIGATION OF MATERIALITY AND THE MEANING OF DOOR AND WINDOW. THE SCENARIO WAS TO DESIGN FOR A CLIENT WHO HAPPENS TO BE A ART COLLECTOR/ WRITER. IT WAS A SMALL WAREHOUSE THAT WAS TO BE CONVERTED INTO A RETREAT FOR HERSELF. MY CONCEPT ON APPROACHING THIS NEED WAS TO DESIGN THE DOOR, WINDOW AND SPACES TO THE CLIENT’S PROPORTIONS. STUDYING CORBUSIER’S MODULOR MAN DESIGNING TO THE PORPORTIONS OF MAN. FROM WHICH I FOUND MY OWN TWIST AND DID IT TO THE PROPORTIONS OF A FEMALE WITH ONE ARM RAISED.
D2 FINAL_SOBE WORK+LIVE PLACE 4 WEEKS MIAMI BEACH, FL
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D2 FINAL_SOBE WORK+LIVE PLACE week 1 process work
69
D2 FINAL_SOBE WORK+LIVE PLACE EVOLUTIONARY PROCESS MODELS
70
SOBE LIVE+WORK PLACE
WAS A FOUR WEEK P R O J E C T W H E R E T H E S I T E I S L O C AT E D I N M I A M I B E A C H , F L O N C O L L I N S A V E A N D 1 4 T H S T R E E T. W E H A D T O D E S I G N A W O R K / L I V E PLACE FOR A MUSICIAN OR FELLOW FROM THE NEW WORLD SYMP H O N Y, A S W E L L A S , F O R O N E O F T H E S TA F F M E M B E R S . P R O G R A M I N C L U D E S A G A L L E R Y, C A F E , R E C O R D I N G S T U D I O W I T H T H E L I V I N G QUARTERS AS WELL. THE MAIN CONCEPT DRIVER FOR THIS PROJE C T W A S S I N C E O F T H E S I T E ’ S R E S T R I C T E D S Q U A R E - F O O TA G E , T O H AV E A D AT U M S P I L I T T H E P U B L I C A N D P R I VAT E S E C T O R S I N T O TWO SIDES. THIS WAY THE MUSICIAN CAN EXPOSE HIMSELF TO THE P U B L I C , B U T R E TA I N H I S P R I V A C Y.
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73
74
3 3
3
4
2 2
2
4 1 1 1
G
1. 2. 3. 4.
MI N I - AMP H I T H E AT E R G AL LE R Y C AFE LI VI N G R O O M/ K I T C H E N
2
1. 2. 3. 4.
O BSERVATI O N D ECK G ALLERY CAT WALK LI V I N G RO O M / G ALLERY RECO RD I N G STU D I O
3
1. OBSERVATION DEC K 2. STA F F BED/ BATHROOM 3. F EL L OW BED/ BATHROOM
MATERIALS
S+methods
82 MATERIALS+METHODS CANTILEVER PROJECT 2 WEEKS GROUP PROJECT: ALLAN NUNEZ, SAMUEL ALAMO, JEFFREY STEWART
THE CANTILEVER
IS A T WO WEEK G R OU P P R OJ EC T W H ER E T HE TAS K AT HAND I S T O D E S I G N AND B U I LD A FU LL S C ALE CA N T I LEV ER T HAT S HOU LD B E D E S I G N T O HOLD T HR EE S I X B Y S IX C ONC R ET E C U B ES . T HE CA N T I LEV ER I S T O EX T END T HI R T Y IN CHES OFF T HE S EC OND FLOOR B A L C ONY. ONE B LOC K WAS T O B E H ELD AT T HE END OF T HE CA N T I LEV ER AT FI FT HT EEN I NC HE S A ND T HE OT HER T WO B LOC K S PL A C ED ON T HE C ANT I LEV ER A CC OR DI NG T O OU R DES I G N IN T ENT. OU R C ANT I LEV ER WAS CO N S T R U C T ED U S I NG T HE C - N- C R O UT ER T O MAK E T HE AR MS OF T H E C ANT I LEV ER AS WELL AS T HE W O OD WAS HER MADE T O C R EAT E S E PA R AT I ON B ET WEEN T HE AR MS .
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DETAILm
making
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2012 DETAIL MAKING CLASS PROF. GIANCARLO GIUSTI CHAIR DETAIL 2 WEEKS
95 T H E C H A I R D E TA I L
T H E C H A I R D E TA I L W A S A T W O W E E K A S S I G N M E N T T H AT E N TA I L E D D E S I G N I N G A N D B U I L D I N G A C H A I R O U T O F R A W M AT E R I A L S . M Y C H A I R W A S C O M P O S E D OF WOOD AND STEEL MEMBRANES. IN ORDER TO FA B R I C AT E T H I S C H A I R T H E S T E E L W A S W AT E R J E T CUT AND THE WOOD WAS CUT THROUGH THE C-N-C R O U T E R . L A M I N AT E D T O G E T H E R A N D T R E AT E D F O R A POLISHED FINISHED AND A VERY SMOOTH SURFACE.
STEEL + CONCRETE DETAIL THE LAMP DETAIL 2 WEEKS
10 0
103
THE CONNECTION BETWEEN THE TWO CONCRETE FORMS IS THROUGH AN EMBEDDED S A M M Y A N C H O R S C R E W T H AT K E E P S T H E T W O F O R M S T O G E T H E R I N O R D E R T O M A K E A S O L I D B A S E F O R T H E L A M P.
C O N C R E T E + S T E E L D E TA I L : T H E L A M P WAS A TWO WEEK PROJECT
WHERE WE HAD TO DESIGN AND BUILD A LAMP USING CONCRETE AND STEEL. IN THE B U I L D I N G P R O C E S S I H A D A L L S T E E L W AT E R JET CUT FOR PRECISE ACCURACY AND THE TYPE OF CONCRETE USED WAS ANCHOR CEMENT FOR A SMOOTH FINISH.
105 PLAN+SECTIONS
10 8
111 TABLE DETAIL 2 WEEKS
115
T H E TA B L E D E TA I L
WAS A TWO WEEK PROJECT WHERE WE HAD TO DESIGN AND BUILD A FULL SCALE TABLE OUT OF THE MATERIALS OF OUR CHOICE. FOR MY TABLE I CHOSE WOOD, GLASS, AND STEEL. THE WOOD ELEMENTS ARE COMPOSED OF CHERRY WOOD RIBS THAT MAKE UP THE BODY OF THE TABLE WITH WALNUT WASHER THAT WORK AS SPACERS. BOTH OF THESE ELEMENTS WERE CONSTRUCTED BY THE C-N-C ROUTER. THE GLASS IS A 3/8” THICK GLASS; AT ONE END TOUCHES WOOD AND AT THE OTHER TOUCHES STEEL. THE STEEL MEMBRANES ARE THE MOSTDELICATE DUE TO THEIR SIZE, BUT BECAUSE OF THEIR NATURE THE STRONGEST AS THEY HOLD UP MOST OF THE WEIGHT ON BOTH ENDS. ESSENTIALLY THIS TABLE MAKES A CYCLE WHERE ALL THREE ELEMENTS TOUCH.
12 0
FOUND OBJECT DETAIL 2 WEEKS
12 4
FOUND IT EM BEFORE TRANFORMATION OF NEW SEAT FRAME AND LEGS.
T H E F O U N D O B J E C T D E TA I L
WAS A THREE WEEK PROJECT WHERE WE HAD TO VISIT A THRIFT STORE FIND AN OBJECT WITH POTENTIAL AND ADD OUR OWN DESIGN OR IDEA IN ORDER T O I M P R O V E T H I S O B J E C T. W H A T I FOUND WAS THIS OLD CHAIR AND SAW POTENTIAL FOR IT TO BECOME SOMETHING ELEGANT AND UNIQUE. I TRIED TO EDIT IT AS MUCH AS POSSIBLE, BUT I DID NOT WANT THE C H A I R T O L O S E I T ’ S I D E N T I T Y. T H E W A Y I A P P R O A C H T H I S M AT T E R W A S T O R E P L A C E T H E L E G S A N D T H E S E AT F R A M E A N D C R E AT E M Y O W N . W H AT MAKES THIS CHAIR SPECIAL AND UNIQUE IS THE WAY THE LEGS ARE AT TA C H E D T O T H E B A C K R E S T I N ORDER TO HAD ACCOMPLISH THIS WE H A D T O C R E AT E O U R O W N T O O L M Y WELDING AN EXTENTION POLE TO A P O W E R D R I L L S O C K E T. T H I S E X E R C I S E W A S T O E X P L O R E T H AT A S DESIGNER WE CANNOT BE ONE DIMENSIONAL, BUT BE ABLE TO IMPROVE AND FIND THE HIDDEN GEMS IN ALL OBJECTS.
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COREde
esign 3
13 4
DOWNTOWN TAMPA BOATHOUSE 8 WEEKS PROF. VIKAS MEHTA
L O C AT I O N :
TA M PA , F L THE SITE FOR THE COMMISSIONED P R O J E C T I S D O W N T O W N TA M PA , B E H I N D T H E TA M PA M U S E U M O F A R T. F A C I N G W E S T T O W A R D S T H E U N I V E R S I T Y O F TA M PA A N D T H E HILLSBOROUGH RIVER.
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8
7
6 5 6
4
1
3
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3 2
4
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3
1
9
G
1. 2. 3. 4. 5. 6. 7. 8. 9.
N ATAT O R I U M / D I V I N G P O O L SWIMMING POOL LOBBY GYM EXERCISE ROOM WOMENS LOCKEROOM MENS LOCKEROOM B O AT H O U S E / S T O R A G E L I F E G U A R D S TAT I O N
2
1. 2. 3. 4. 5. 6.
CONFERENCE ROOM MANAGER’S OFFICE OFFICE/S O B S E R VAT I O N D E C K MENS RESTROOM WOMENS RESTROOM
D O W N T O W N TA M PA B O AT H O U S E _ N ATAT O R I U M
WAS AN EIGHT W E E K P R O J E C T W H E R E T H E TA S K AT H A N D W A S T O D E S I G N A B O AT H O U S E / N ATAT O R I U M W I T H T H E P U R P O S E O F B R I N G A N E W AT M O S P H E R E T O T H E D O W N T O W N R I V E R W A L K . T H E M U L T I - P U R P O S E B U I L D I N G W A S T O S E R V E A S A T R A I N I N G F A C I L T I E S , A S W E L L A S , A B O A THOUSE TO STORE SHELLS FOR A STROLL DOWN THE RIVER. WITHIN THE PROGRAM WAS TO DESIGN SHALLOW REFLECTING POOLS. BUILDING ON THE RIVERWALK AND RE-DIRECTING THE FLOW OF HUMAN TRAFFIC,GIVES THIS BUILDING A SENSE OF HIERARCY WITHOUT OVERP O W E R I N G T H E E X I S TA N T M U S E U M . T H I S W AY T H E R E I S A V I E W I N A L L D I R E C T I O N O F T H E B O AT H O U S E , B U T T H E M U S E U M ’ S V I E W S A R E N O T B L O C K E D A S W E L L .
143 LONGITUDIAL_SECTION
CROSS_SECTION A
14 4
POOL SECT ION CUT
147 CABINET OF CUROSITIES_ NY HIGHLINE 8 WEEKS
EVOLUTIONARY PROCESS MODELS
148
THE S ITE I S LOCATED IN A LOT BELOW THE NEW YOR K H I G H LI N E I N T H E CHE L S E A DISTRICT ON THE CORNER OF 10TH STRE E T A N D 18T H AVE N U E .
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4
3
6
2
2
15 2 2
G
1
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1. LOBBY 2. HELP DESK 3. RECEPTIONIST 4. LADIES RESTROOM 5. MENS RESTROOM 6 JANITORS CLOSET
1
1
2
1 . R E S TA U R A N T 2 . E X T E R I O R PAT I O 3. WAITING AREA
3
1. EXTERIOR GALLERY 2 . O B E S E R VAT I O N D E C K
3
1
2
1
3
4
4
1. 2. 3. 4.
2
2
3
1
DIRECTOR’S OFFICE GENERAL OFFICES LADIES RESTROOM MENS RESTROOM
5
1 . F I L M T H E AT R E 2. GIFT SHOP 3. FOYER
6
1. GALLERY 2. HELP DESK 3 . O B S E R VAT I O N D E C K
153
CABINET OF CUR OSITY
WAS AN EIGHT WEEK PROJECT WHERE THE SITE IS LOCATED IN NEW YORK CITY’S HIGHLINE LOT ON THE CORNER OF 10TH STREET AND 18TH AVENUE. THE PURPOSE OF THIS PROJECT IS TO HOUSE LOCAL ART, AS WELL AS, A RESTAURANT, THEATRE, AND VISTING ART WORK. THIS PROJECT EXTENDS THROUGH SIX LEVELS. THE DIFFERENT EXTRUDED VOLUMES WORKS INCONJUNCTION TO PROVIDE A PEDESTRIAN FRIENDLY BUILDING FROM THE INTERIOR AND ON THE EXTERIOR. WITH VOLUMES EXTENDING OUT TO PROVIDE PROTECTION FROM THE ELEMENTS BY PROVIDING AN OVERHEAD CONDITION. PROVIDING A MID-LEVEL BETWEEN THE HIGHLINE AND THE STREET LEVEL OFFERS EVERYDAY COMMUTERS A CHANCE TO EXPERIENCE THE BUILDING’S RESTAURANT, AS WELL AS USING THE BUILDING AS A GATEWAY INTO THE HIGHLINE.
ACKNOWLEGDEMENTS
I WOULD LIKE TO THANK THE LORD FOR GIVING ME THIS PRIVILEDGED O P P O R T U N I T Y A N D A L L O W I N G T O R E A C H T H I S FA R I N M Y C O L L E G I AT E C A R E E R . A L S O , I WA N T T O G I V E A V E R Y S P E C I A L T H A N K S T O M Y W O N D E R F U L PA R E N T S , T H I S P O R T F O L I O I S D E D I C AT E D T O T H E M F O R A L L T H E S U P P O R T I V E A N D C A R E T H E Y H AV E G I V E N M E A L L M Y L I F E A N D S O T H E Y C A N S E E T H E I R I N V E S T M E N T PROGRESS SO FAR. I LOVE YOU GUYS. FUTHERMORE, I WOULD LIKE TO THANK G I A N C A R L O G I U S T I F O R A L L H I S I N S I P I R AT I O N A N D E N C O U R A G E M E N T T O S T R I V E FOR A HIGHER GOAL. L A S T LY , T O M Y B E S T F R I E N D , J A Z M I N , T H A N K Y O U F O R A L L Y O U R S U P P O R T A N D U N D E R S TA N D I N G S I N C E T H E B E G I N N I N G O F I N T R O 1 . I L O V E Y O U . T H I S PORTFOLIO HAPPENED BECAUSE OF ALL YOU GUYS. THANK YOU.