Just Before the War with the Eskimos by Aaron Holloway-Nahum

Just Before the War with the Eskimos [2014]

Aaron Holloway-Nahum

This piece was commissioned by Laurence Osborn as a continuation of his LSO Soundhub Change Ringing project, with funds from Arts Council England.

Duration: c. 8 minutes

Instrumentation Two Violins Double Bass Percussionist with two bells, two milk frothers, wooden brushes, hard and soft beater The instruments may be amplified if desired. Please aim for as natural a sound as possible in the amplification.

Performance Notes Glissandi and/or ‘falls’ from a note start immediately and happen evenly for the full duration indicated. The important thing about the ‘wide, slow vibrato’ moments is that the vibrato is very wide (up to 1/4 tone in each direction) and that it occurs irregularly and is not ever coordinated with the other parts. Whenever a microtone notation is present, NB that I am not asking for specific/precise quarter-tones, but rather deviations of a not precisely determined size, which may reach a maximum of a quarter-tone. The important thing is that the altered pitch is audibly recognisable as an altered pitch. In passages where the quarter is moving in ‘unison’ the size of the deviations should be matched between players. In all other passages the deviations are free.

The bow is placed very near the bridge (msp), the left hand makes as many oscillations over the indicated distance as possible throughout the full duration of the indicated note. The bracketed note indicates the duration the eﬀect continues. [cf Sciarrino, Capricci N. 4 per violino]

Overpressure of the bow causes the sound to distort, eventually becoming a ‘scratch’ tone. This eﬀect comes on gradually. The player should aim for the ‘scratch’ sound to be fully established about 3/4 through the notated duration.

Just Before the War with the Eskimos This work was composed while in residence at Copland House, Cortland Manor, New York, as a recipient of the Aaron Copland Award.

Aaron Holloway-Nahum 2014 BELL #6

with wood brushes rolls are always unmeasured

q = 69 Bold and Passionate

4 /4

Percussion

Violin 1

3 4

∑

ô with practice mute > ° 4 ≥ ≥ ≈ œ œ # & 4 #œ. #œ. œj nœ œ b>œ > n œœ #œ œ > > > "f" soloistic

æ œ-æ

ææj ‰ Œ œ—

3 4 #œ-

> j nœ

"ff"

æ ˙æ—

#˙

4 4

"ff"

molto sul pont. (msp) with practice mute gliss. q

" 4 ≈ b œ & 4 nœ œ ' >

Violin 2

3 4

∑

4 4

∑

"f"

Double Bass

on bridge a few pitched sounds

? 4i ¢ 4

3 4

∑

4 4

Œ Y -Y "mf"

Perc.

4 /4Œ

j ≈ œæ—™ Ó

∑

j Œ œæ œææ— 43

(f)

nat. (sub.) I molto sul pont (msp) II

Vln. 1

>(trem.) œ œ™ bœ n-œ #-œnœbæœ æ ææ -> 3 3

> ° 4 #>-œ -œ œbœbœœœbœœœnœ nœ & 4 nœ nœ ™™ œ b>œ bœ œn œ nœ œ > 5 3 > > "f"

bœ 3 ææ 4 "ff"

ord. gliss.

>» ‰ ≈ œR Œ

cut oﬀ suddenly (w/Db)

arco

pizz.

Vln. 2

4 &4 Œ

≈ bœ

Œ bœ '

sffz

Db.

? 4 "h ¢ 4 YY

‰

j Oœ œO œO œO œO œO œO œO - - - - >"f"

∑

-Oœ

fall

-Oœ sim... bb -Oœ b Oœ J Œ Ó

ff "f"

3 4

"ff"

>-O œ Ó

3 4

ææj Œ œ—

3 /4

Perc.

∑

Œ Œ œææ—

∑

mf gliss. 3

Vln. 1

° 3 ‰ >j j & 4 #œ nœ ˙

> j nœ

æ > > > j . #œæ iss j  gl j n ˙  bœbœ n œ œ bœ nœ#œ nœ œ œ œ

gliss. >

æ j nœ- œ #œ-æ nœ-

j #œ

n˙ ™

("ff") gliss. ord. (non harm)(harm) 3 gliss.

msp 3

3 &4

Vln. 2

∑

‰ Œ

Œ Œ

b>œ ™ "ff"

"mf"

> ‰ #œJ ˙

Œ # O n Or ≈‰ Œ #>œ #>œO >œO œO nn œO # œ- n œ. >

"ffp"

"f"

ord. rapid

molto sul pont. (msp)

b >œ ™ Db.

?3 ¢ 4

gliss gliss up

∑

‰ Œ ff

ææj ææ ≈ / œ ™ œ—

ææj œ

‰

æ ˙æ

4 4

æ wæ

3 4

æ ˙æ™ f

> 3 ° # œ j œ œ # œ  b œ n œ & œ >œ œ- œ-bœ- b œ œ b>œbœ ˙ > > >œ >

4 4˙

3 4 ∑

r ≈‰ Œ œ

"ff "

Vln. 2

OÆ R ≈‰ Œ 4 Œ 4 bœ œr ≈‰ Œ

"mf"

"ff"

. lis s

Œ g

"ff"

oI > – œ pizz. ≈ R ‰ Œ

∑

138 (double time) 16 qj = take frother ææ ‰ milk 4 Œ Œ œ— 4 ff

bœ. 44 ™ œœ b œ n œ n œ œ œ . . b œ. œ. . . - . . "f"

œ & R ≈‰ Œ

Oœ bbOœ ™™ ≈ ææJ

(p)

Vln. 1

∑

Perc.

∑

Db.

¢ f:sfz

3 4 ∑

∑

4 4

r 3 ¿¿ ≈‰ 4 ∑

∑

4 4

("ff")

"h arco (on bridge)

Œ 44 Œ Y Y o

Perc.

4 /4

∑

2 4

(no pause) Vln. 1

° 4 > œ™ œ . . œ. #œ. #-œ œ. œ. >œ œ œ#œ. #œ. nœ. œ. œ. #>œ œ >œ#œ œ ˙ bœ œ <n>œ &4 œ

2 4 # œ œ œ b œ. œ. œ. >. #œ. >. nœ

arco pizz. Vln. 2

Db.

4 &4

?4 ¢ 4

≤ ≈ Oj™ Œ Ó œ™ o "f" >Oœ ™™ fall ≈J Œ Ó

‰

>œ» J Œ

glissando 3

sffz pizz.

+ j ‰ Ó œ—

f f

Oœ BBœO BbBbœO O Ó > > > > > >œ

2 4

"ff"

∑

2 4

with milk frother

ææj 2 ≈ / 4 œ™

Perc.

æ œæ

21 q = 69 (Tempo I) 4 wææ 4

æ wæ

p sempre

Vln. 1

>œ. nœ#œ. œ œ -œj #œ -œj œ -j œ - - nœ ˙ b œ 5 dolce # . ° 2 . >. #œ#œ. #œ nœ#œ >œ 4 # œ & 4 #œ 4 > >œb>œbœ w "f" >

œ bœ ™ œ #œnœ œ bœ > > > > >œ œ tasto

msp

"q Vln. 2

gliss.

2 j & 4 ≈#œ ™ >

4 4

∑

æ b˙-æ

œ- b œ ‰ Œ

"ff" "f"

"p"

Db.

?2 ¢ 4

4 4

∑

"p"

∑

æ / wæ

Perc.

Vln. 1

æ wæ

° &

æ wæ 3

O œ -O >- "p" >

O >-

˙™

j œ œ

O™

g lis

œ -O œ œ "ff" "p" sub.

"f" sub. sub.

O "f"

ord. III

> o – arco œ ‰ J ‰ œ ™ gliss. j œ œ 3

pizz.

& Ó

Vln. 2

œ>O >BB>œO > >BbBb>œO Œ

œ #O

O œO œO bœO

"ff" "p" dolce "f"

∑

Db.

30 æ wæ

æ / wæ

Perc.

Vln. 1

æ wæ

O ° R ≈‰ &

. #œ ‰ #œ#œ ≈ J

Œ œ b œ n œ # œ.

"ff"

>œ. #œ ≈ ‰ Ó #œ R

œ ## Oœ #-Oœglisbs.nOœ Oœ #-œ œ Œ 3

"mf"

"f" (dolce)

sffz

msp q

>œ " # Æ Œ s. #œ ≈ lis

& bœOn#œO nœOµµœO##œO Œ ≈ >- >- > > >.

Vln. 2

ord.

# œg

"ff"

"f"

r‰ Ó ‰ ≈ œ œ œnœ#œ#œ. # œ "p" >. sffz arco

? Db.

∑

Œ &

≈ #œj™ ˙ p dolce

4 31

Perc.

Vln. 1

æ / wæ

æ wæ

3 Ær #>œ œ n -œ œ -œ > ° bœ œ bœ œ #œ#œ œ œ & #œ œ œ >. >. nœJ R

æ ˙æ

Uæ ˙æ

U j ≈ ^ Ó ‰ œ œ œ #œ- ˙ ˙ #œ- #œ >. œ # œ nœ. > > # œ > sfz >. "f"

≈ ‰ ≈

"ff" sffz

Vln. 2

& Ó

Œ nœ#œ ‰ >. >.

U Ó ‰ #œ#œnœ ≈≈#œ ˙ Ó >. >. >.

‰ ‰Œ œ b œ n œ # œ. œnœ#œ#œ.

"f"

Db.

"f"

¢& w

"ff"

wide, slow vib.

(wide, slow vib.)

¯¯¯¯¯¯¯¯¯¯¯¯¯ (ord) ˙ œ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ (ord) œ ˙ œœ œ

U ˙ ˙

(non cresc.)

Perc.

35 æ / wæ

Vln. 1

° Ó &

æ ˙æ™

3 4 ≥ ≥ nbœœ. <b>b>œ. œ ‰ >

4 4

3 4 Œ

4 j 4 #œ

‰

"ff" ("f") tasto

msp

≥ ≥

3 3

gliss.

Vln. 2

œ µœ œ µœ

& #œ ˜œ #œ ˜œ "ff"

Db.

#œ ˜œ œ µœ œœ # œ ˜ >œ >œ µ >œ >

"f"

"ff"

¢& ˙ ™

r œ ≈‰ œ '

3 4

4 4

≈ # œ. ˜ œ. > >

j #œ

˜ œ œ µ >œ # œ œ µ œ # œ > > "f" soloistic and passionate

sff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 3 ˙™ 4 4 4

#>œ œ ™™ ff p sub.

Perc.

4 /4

Vln. 1

° 4 &4

æ wæ

3 4

æ ˙æ™

4 4

3 4

≈ œ '

j #œ >

˜œ

Vln. 2

œ '

senza vib. 4 Db. & 4 ˙ ¢ mf

µœ

4 4

3 4

≈ j #œ >

4 4

œ ## œ-O # œ-O # œ-O œO > ˜˜ œO >

>œ > #>œ ˙ 3

4 &4

œ ## œ-O # œ-O # œ-O # œ-O œO > µµ œO >

>œ > #>œ ˙ 5

œ µœ- ˜œ- µœ f

3 4 #œ œ ™™ >

gliss.

p sub.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 4 ˙ 4 poco

5 39

Perc.

4 æ / 4 wæ

æ wæ msp

tasto Vln. 1

° 4 &4

r ≈ ‰ ˜ O # œ ˜ œ ™™ ˜ œ ˜ >œ n œ œ # œ ˜ œ œ > > >

Ó n˙ ˙

tasto

msp tasto 5

Vln. 2

Db.

4 &4

#œ œ œ bœ œ œ œ b œ n œ #œ ™ œ # œ µ œ ™™ œ µ >œO n œ œ # œ µ œ œ >- >µ œ n œ œ # œ™ > > > > > > "ff" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ senza vib. 4 œ #œ ™ w ¢& 4 ˙ ™ mp

Perc.

æ / wæ

Vln. 1

° Ó &

2 æ 4 ˙æ

4 wææ 4

2 œ. bb>œ. œ >œ. œ >œ. œbœnnœœr ≈ ‰ 4 > >. >.

4 4

∑

"ff" msp solo, rubato ord.

3 3

gliss.

Vln. 2

#œ ˜œ œ µœ œœ # œ ˜ >œ >œ µ >œ >

œ µœ œµ œ

& œ ˜œ œ ˜œ

"f"

Db.

"ff"

r œ ≈ ‰ 42 œ '

4 4

∑

j #O œ"f"

j ## œ-O

j #O # œ-

- -

# œ µ œ µ œ µ œ # œ˜ œ µ œ

sff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ senza vib. 2 4 w 4˙ 4 ¢& w ff

p sub.

46 q = 56 Slower. Calm and serene

Uæ œæ

Perc.

æ / wæ

æ ˙æ™

æj ‰[InŒ Time] œ— Ó

∑

molto tasto, ﬂautando Vln. 1

° Ó &

Œ #œ >

˜˙

"f"

U j‰ Œ œ

∑

˙™

j nœ -

fast. j  nœ -

#œ ˙

#˙

"p"

"ff" IV

Vln. 2

& ˙ # œ µ œ- ˜ œ- µ œ

U ‰ j Œ œ

∑

molto tasto, ﬂautando j nœ

œ nœ- #˙ >

"p"

"ff" 3

Db.

¢& ˙ #>œ

>œ >œ ˙

j‰ U œ Œ

∑

? #~ w

Oœ#--Oœ Oœ Oœ O˙™™ 3

f sub. p sub.

6 wooden brushes (l.v.) 50

∑

Perc.

∑

Ó (gliss string III only) (III)

f msp

(IV)

Vln. 1

° & œ œnœ-j #œ ˙

æ œæ—

3 3

j nœ >

j nœ -

#œ ˜œ- n˙ >

˜œ œ œ- œ- œ- œ œ œ >>> œœœœœ > n œ- œ- œ"f"

gliss.

#˙

f sub. p sub.

(gliss string III only) (III)

msp

(IV) 3

œ nœ-j #œ œ

& nœ #œ

Vln. 2

j nœ >

#œ µœ-nœ-j n˙ >

µ˙

gliss.

#˙

œ- œ- œ- œ- œ- œ œ œ œ œ n>>>> œœœœ œ "f" ,

f sub. p sub.

? ~w

Oœ #-Oœ -Oœ -Oœ >Oœ >Oœ -Oœ -Oœ -Oœ ~w

O˙

Db.

¢ 3

Perc.

53 /

p non cresc.

take milk frother

æ wæ

∑

æ ˙æ

pp sempre

Ó o

˜˙

milk frother

j ≈ œæ™ œææ 42 p at tip

molto sul tasto, ﬂautando Vln. 1

° & ˙

ord. j nœ > "p"

œ œ- œ> >

"p"

j ‰ Œ œ o

#œ

j #œ -

œ >-

æ æ 2 œ ˜œæ™ œæ 4

"f sub."

"p"

at tip molto sul tasto, ﬂautando ord. 3

Vln. 2

& ˙ ˙

gliss.

n˙ œœ œœ œœ >- >-

˙™

#œ

gliss.

µ˙

æ æ 2 œ œæ™ œæ 4

˙˙

"p"

"pp"

"f"

"p"

molto sul tasto, ﬂautando ord. Db.

> > œ -œ -œ

? ¢ ˙ (p)

Vln. 1

2 æ / 4 ˙æ ° 2 &4

œ ‰ Œ J o

58 4 wææ 4

Perc.

O˙

Oœ 2 æ 4

ffp

æ wæ

n œj

I II

Oœ #Oœ ™™ ææ

æ wæ

4 ˜>œ#œ ™™ ˙ 4

æ ˙æ

at tip

- -b-Oœ -BBbOœ n#-Oœ Oœ O˙

œ œ œ œ ™™ ˙˙™™ ˜œ #œ œ œ œ œ œ ™™˜>œ >>> >

non cresc.

sub "f"

"p"

"f"sub

"ff" "p" sub.

sub. "fp" -j

Vln. 2

 4 µ>œ nœ ™™ œ œn œ œ œ 4

2 æ & 4 ˙æ

Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 j  µœ-- -#˙ nœ µœ #œ œ œ#œ œ œ œ nœ œ œ> # œ- œ- œ>

sub. "fp" "ffp"

sub "ff"

"ffp"non cresc.

(ord) Db.

? 2 Oœ & #œ œ 4 w 4 ¢ 4 ææJ > 3

"p"

64 61

Perc.

æ / wæ

Vln. 1

° ˙ & ˙

3 4

æ ˙æ™

4 wææ 4

æ wæ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # Ÿœ ™™ œ œ ˙™ 3 4 ˜>œ 4 4

gliss.

∑

˜˙ >

"ff" "ff" sub. "ffp" msp ord. 3

Vln. 2

3 4 ˙™ ˙™

µœ nœ Bœ #œ ˙ µ œ n œ B - >- - - >- - - >œ- -#>œ- ˙

4 4

gliss.

∑

µ˙ >

"ff" "ff"

"ffp"

Db.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ senza vib. 4w œ #˙ ™ 4

3 4 ˙™

¢& w

p sub.

Perc.

æ wæ

Vln. 1

-O # -O # -O -O O ## -Oœ # -Oœ -Oœ n œ œ œ œ œ œ

° #˙ &

"p" 5

"pp"

Oœ Oœ >œ #>œ > - - - #œ œ #˙ ™

>j œ

"f"

poco

n˙ Vln. 2

3 -j -j Oœ n -Oœ b -Oœ -Oœ - - #-O O#>œ > >œ  > œ œ œ 5 ™™ n œ œ œ œ # œ œ #œ > > œ #œ œ - - - - µœ 3 3

- œ n -Oœ b Oœ Oœ

& "pp" "p"

non cresc.

"f" "p" sub. sub.

poco

Db.

¢& w

¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙™ mf

Perc.

Vln. 1

æ / wæ

æ wæ

° ˙ &

œ ‰ J

2 4

æ ˙æ

msp > > > œ œ œ >œ >œ > > > b œ œ œ œ >œ > µ>œ > #œ œ nœ œ œ 2 œ >œ >œ >œ >œ #œ œ 4 #œ œ œ œ œ œ œ œ œ #œ ˜œ

‰

"ff" 3 3 3

3 3

(non harm)

Vln. 2

ferocious msp ord.

œ #>œ #>œ #>œ œ #>œœ >µµ>œœ > >nn>œœ >BB>œœ #>œ ˙ #œ œ &

msp 3

gliss.

b˙˙

2 œœ 4

3 3

"f"

"ff" ferocious

molto legato Db.

¯¯¯ vib. ord. ¢& ˙ gliss.

µ˙ f

gliss.

#˙

gliss.

˜˙

gliss.

2 4 #œ- œ> > ff

#œ µœ œ>œ >œœ >œœ >œœ #>œ µ >œ > > >

µœ gliss.

q = 112 Double Time, Bold and Powerful Strokes

71 /

Perc.

Vln. 1

æær … 3 œ ≈‰ Œ 4

∑

4 4

∑

ord. ° #œ>œÆ ≈ ‰ Œ 3 r ≈ ‰ Œ Œ œ œ œ œ ≈‰ 4 Ó bœ. bœ. ≈nœ. nœ œ & R 4 bœ 4 >> > b œ. 3 3 > "p" sub "pp"

∑

Œ ‰ bœj œr ≈ ‰ Œ b œ b >œ.

sffz

"f"

("ff")

>œ. b œ 4 œ. b>œ. ≈n>œ. #œ œ œ œ ≈‰ 4 ≈ R ‰ Œ > ("ff") nœ œ ("ff")

ord.

3 & #œr ≈ ‰ Œ 4 #œ >'

Vln. 2

∑

"p" sub

∑

"pp" pizz.

Db.

r 3 ¢& #œ. ≈ ‰ Œ 4

∑

4Œ 4

∑

arco fall

» j‰ Ó nœ —

O Œ b œJ Ó

sffz

æær ≈ ‰ Œ Œ œ—

æ / ˙æ

Perc.

… Ó

3 4

4 4

∑

ææj ‰ Œ œ—

∑

p p pp poss. arco, msp Vln. 1

b-Oœ ™™ ≈ Œ Ó J

3 4

j™ b O & b œ- ™ ≈ Œ Ó

3 4

° &

pizz. œ œ 4 œ œ œ œ≈‰ Œ 4 r≈ ‰ Œ Ó œ. 3 o 3"pp" fragile

∑

ææ 3ææ nœ Œ ‰ j nœ #œ æ #œ æ o o arco, msp

pizz. Vln. 2

∑

æ ææ œæ æ Ó #œ nœ o

4 r≈ ‰ Œ Ó 4 œ. "pp" fragile

∑

arco, msp

#œ #æœ ææ æ

pizz.

3 4

∑

Db.

∑

4 j œ— ‰ Œ 4

∑

nœ Ó ææ o

83 q = 80 Meno Mosso ∑

Perc.

Vln. 1

∑

3 ° & œ #œ#œ œ œ nœ

j œ ‰ Œ œ o

"mf

œ œ œ œ œ œ≈‰ Œ

ord. 3 3

3 3

"pp" fragile

#œ œ œ. r ≈ ‰ # œ œ

bœ œ ‰ j œ bœ . nœ > sub. "f"

"p" (l.v.)

œ œ0

ord. 3

3 3

Vln. 2

∑

œ œ ≈‰ Œ œ œ œ œ o "pp" fragile

bœ ‰ nœ œ bœ œ . J

œ 3

pizz. "p"

#œ Db.

? #-Oœ ¢

fall

#-Oœ Ó J

-O œ

∑

œ.

≈ mp

‰

ææj œ —Ó

/ ‰

Perc.

æ œæ o r #œ ≈ ‰ # œ. >

Vln. 1

° ‰ &

œ. œ. #œ œ#œ. ‰ Ó "pp"

∑

p 3 3

"f" sub. "p"

≥Æ. # œ œ r œ. ≈ ‰ ‰ #œ ≈ Ó > R

"pp"

BO B œ- œ-OBBœ-O ‰ Œ >> >

O O œ. ≈ œ. œ.

‰ nœ œ Ó bœ

"f"

œ. œ. #œ œ#œ. ‰ Ó

& ‰

Vln. 2

ææj ‰ œ—

œ ‰ #œ

œŒ

"p" arco f:sffz

"f"

œ– J Œ

? ‰

Db.

¢ pp

(pizz)

ææj ‰ Œ / œ—

¯¯¯¯¯¯¯¯¯¯¯¯ gliss. #-˙

Æ. ‰ #œR ≈ Ó

o ‰ ≈ œR– Œ

f:sffz

æær ≈ ‰ Œ 4 œ— 4

Perc.

æ wæ o r 3 n œ j bœ œ. ‰ nn œœ ≈ ‰ œ bœ n œ-. >

Vln. 1

° Ó &

‰

"p" 3

> Æ >œb>œ >œb œ œ 2 œR ≈ ‰ Œ 4 4 4

sff

b œ œ 2 œÆ R ≈ ‰ Œ 44 œ œ œ œ™ 4 R #>œ >œ >œ µ œ # œ>>˜ œ- œ œ > > "ff" feroce

& œœ œ œ œ œ#œ#œ#œ œ œ œ. ‰ >>> œ œ œ . . 3 "f"

"f" sub.

Vln. 2

2 4

"p" sub.

"pp" pizz.

Db.

? œ. ¢ R ≈‰ Œ

j œ-—

‰

2 4

∑

4 4

q = 100 piu mosso 5

Perc.

90 j 4 æ / 4 œæ—™ ≈ Œ Ó

x=x

∑

Vln. 1

. . ° 4 j ≈ Œ - œ œ œ ‰ ‰ ≈bnœœ Œ Ó œœ œ œ R & 4 ##œO ™™ - o 3 3

æ ˙æ o

æ ˙æ p

#œ gliss. œ – ‰ J

3 4

æ ˙æ™

4 4

pizz.

3œ 4

gliss.

œ. ≈

>œ– #œ 4 ‰ 4

"p" ("p") "mp"

"pp"

"p" pizz.

3 5

Vln. 2

4 œ œ œ. ‰ ‰ bœ. Œ Ó & 4 # Oj™ ≈ Œ œ- ™ œœ œ œ b œ. o "p"

"mp"

arco Db.

? 4 b-Oœ ™™ ≈ Œ Œ ¢ 4 J p o

"pp" pizz.

#œ

gliss.

Ó gliss.

nœ œ œ œ ("p")

3 4 4 #œ gliss. nœ œ#œ œ œ œ 4 >œ

"p" solo arco

(release string & l.v.)

r≈ ‰ œ—

Œ Ó

Œ œ

mp p dolce

3 4œ

bœ- œ- œ

4 4

10 94

Perc.

4 /4

Vln. 1

° 4 &4

æ wæ

3 4

æ ˙æ™

3 #œ œ œnœ0 – ‰ ‰ 3 J #œ œ 4 #œ#œ œ œ 3

gliss.

#>œ 4 & 4 #œ

Vln. 2

æ ˙æ™

3 4Œ

œ #œ

œ 0 œœ– —

œœ œ #>œ -

j‰ Œ # œ # œ # œ #œ œ

gliss.

æ ˙æ™

Œ #œ

gliss.

œœ œ >œ --

gliss.

œ™ - œ

gliss.

#œ œ 5:6

Db.

?4 ¢ 4 œ bœ b˙

> #œj

34 nœ

#˙ œ-

bœ-

œ ™n>œj œ ˙ ™

gliss.

100

BELL #1

very hard beater

slowly, calm >j q = 46 (half time) very(two milk frothers) œ– ∑ ∑ ‰ œœ—–Ó™ sffz æJ o f > . senza sord. arco b# œœ remove mute -™ # J ∑ ∑ ≈ OœJ ™ Oœ ##O˙

æ / ˙æ™

Perc.

Vln. 1

° œœ & œ #>œ

3 >œ0 – 4 4#œ œ œ J ‰ Œ

p sempre sub. f:sfz senza sord. arco

"p"

"mf" gliss.

& #œ œœœœœœœœ

Vln. 2

æ wæ —

4 4

>œ. œ J

4 œ œ œ œ œ œ œ œ gliss. #-œ 4 3

remove mute

∑

3 Ó # O Oj O nn˙O œ- œ- œ

#n˙-O

sub. f:sfz p sempre

-™ 4#˙ 4

˙™ ? Db.

n>œ J

nœ

(p)

pp sub. ffp sempre

103

æ œœæ ‰ — soft beater J frother

/ Ó

Perc.

Œ œœ æ

˙˙ – Ó æ—

∑

˙ ™– ææ

p non cresc. (p)

III

wide vib. III

Vln. 1

° &

ord. ¯¯¯¯¯¯¯¯¯ ™ O˙™ ##Oœ ~w

wide vib.

Vln. 2

III

#˙O

#œO n#œO nnœO œO - - -

˙O ™™

nnOœ

¯¯¯¯¯¯¯¯¯¯ ord. & ˙O ™™ #œ-O w~

˙O ™™

ord. ¯¯¯¯¯¯¯¯¯ -œ w ˙™

? Db.

gliss.

(like a slow, wide vib) gliss.

## œO

œO nn œO ## œO nn œO ## ˙O œ ˙™ w

™™ #œOnœO -

110 Œ ˙ææ™ wæ æo

108

˙– / ææ

Perc.

∑

accel poco a poco

æ wæ wæ æ

pp II

Vln. 1

° ~ & w

gliss.

bb~w

##œO

O œO ˙

-O O Oœ Oœ œ ˙

Oœ

O˙ bO bbOœ bœ

˙O ™™

Ÿ~~~~~~~~~~~~~~~~~ & w~ #O O ## ˙-O ˙non cresc. w w ?

Vln. 2

-O -O˙I b bbOœ b œ

n œO b˙O ™™ w

-O ˙

3 3

bO nO œO # œO œO œO b œO b œ n ˙ w

Db.

ææ w / wæ æ

ææ w wæ æ

114

Perc.

Vln. 1

-O œ

° O™ & ˙™

117 ææ w wæ æ nœ bœ bœ œ œ > bœ ™ œ Oœ ææ w wæ æ

#-Oœ ‰ -Oœ ‰ Oœ OœbbOœ nnOœ J J

n œ. b -œ R ≈‰

3 3

sub. fpp

n -œ œ b -œ œ

bœ

œbœbœ œ Œ

& œO œO

Vln. 2

-œ œ. b -œ R ≈‰

œ >œ™ œ Oœ œ. R ≈‰ œ

sub. fpp p

pp sempre

molto legato

œ #œ bœ œ œ ?

#œ

Db.

œ bœ 3 œ œ˙

œ œ™ œ >

r œ. ≈ ‰ œ-

non cresc. sub. fpp

120 ææ w Perc. wæ æ I > > O > -œ # -œ. n-œ. #-œ. ° œ œ™ œ œ œJ. ‰ œ œ #OnO O O O O nO#O O O J Œ R ≈‰ R ≈‰ Vln. 1 & ææ w / wæ æ

ææ w wæ æ

118

ææ w wæ æ œ. ≈‰ n-œ bœ. Œ R J œ-

3 3

p sub.

sub. fpp 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j O & œ #>œ ™ œ œ œ. ‰nœ-j #œ œ ##œ-O ™™ ˙O #O #œ- #œf p sub.

Vln. 2

sub. fpp

? Db.

j r r #œ-. Œ #œ-. ≈‰#œ-. ≈‰ b œr ≈‰ r ≈‰ Ó œ-. -.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ (ord) 3 ˙ ˙ œœ- œ-. ≈Œ Œ mp

r œ. ≈‰ Œ p

Œ œ -

(q = 80) 12

æ œœæ ææ

ææ™ ˙ / æ˙ ™ æ

122

Perc.

U æ œœæ ææ u

j æ 2 – 4 œœ— ‰ æJ

U ∑

Vln. 1

° & œ -

n ˙-

U ≈ ‰ r œ.

gliss.

2 ##œœ 4

œœ J

‰ o

U ∑

Vln. 2

b œ-

r ≈ ‰ œ-.

‰

U ‰

2 4 bœ-œ

j œœ

‰ o

U ∑

? Db.

≈ œ œ. p pp

r ≈ U ‰ œ. pp

2 -O 4 bœ pp

Oœ J

‰ o

U ∑