ACE UPDATE - FEBRUARY 2020

MAHENG/2011/38968

Vol 10 Issue 1 • Pages 100 • February 1, 2020 • `200/- • ISSN 2456-7965

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A perspective on modern India's architecture and construction landscape by renowned architects, designers, consultants, EPC contractors and industry professionals of the soil

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ACE Update

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CONTENTS

ARCHITECT SPEAKS

32 Defining Indian Architecture is not an easy task

Ar. Dikshu C Kukreja Managing Principal, CP Kukreja Architects, New Delhi

36 The landmark project in traditional Indian architecture is the

Indian Parliament

Renu Khanna, Principal Architect, Renu Khanna & Associates

42 The definition of Indian architecture is contextual Himanshu Patel, Principal Architect, d6thD design studio

48 Our projects always include a level of ‘Indianness’ 32

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Sabina Reddy, Director, M Moser Associates

50 Architecture responds to the culture and climate of a region Ar. Sudiksha Parekh, Founder, Imprints Architects

52 Indian Architecture offers much to learn and explore Prem Nath, Principle Architect, Prem Nath & Associates

54 The syntax of architectural expression in India is vast Ranjeet Mukherjee, Principal Architect, The Vrindavan Project

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56 Indian architecture is a response mechanism to numerous

parameters

Shilpa Jain Balvally, Principal Architect, Studio Osmosis

60 Architecture in general should respond to the contemporary

needs

Ar. Riya Patel, Architect, Pei Cobb Freed and Partners, New York

62 Present day architecture is already governed by technology 54

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Ar. Yatin Patel, Founder& Principal- DSP Design Associates| Education Design Architects (EDA)

INDUSTRY SPEAKS

74 Skora’s brand value by 2025 is pegged at `50 crore Naresh Sharma, CEO, Skora Paints

76 Different lifting solutions for different needs

Surender Kumar, Managing Director, Flying Machine Elevator Ind.

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77 Resikon has products for new construction, repair and

rehabilitation of old structures

R. Ravi Shankar,Sr. VP & Business Head - Construction Chemicals Division

84 HiKoki is the leader in introducing user-friendly tools Dattatraya Joshi, Executive Director & Secretary, HiKoki Power Tools

90 In India, Kobelco excavators are the preferred choice in most 77

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common applications

SK Jaruhar, Advisor – Support Services Kobelco Construction Equipment India Pvt Ltd

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Celebrating diversity which is Incredibly Indian.................10 EPC PROJECT PROFILE

16 Coliseum in the land of the Gods

In god’s own land amidst the beauty of the hills and temples, Shapoorji Pallonji has created an avenue for the gentleman’s game to flourish.

20 Enabling Indian infrastructure using global tech 16

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The role of GVK in building Indian infrastructure has been very profound and across different sectors, using innovation and technology as the key parameters GVK continues to create modern hallmarks that are incredibly Indian.

24 Patel Infra – Using innovative technologies to build the nation Passing through the textile district of Sangrur and Barnala, the land blessed with holy shrines the Sangrur Bypass and Dhanoula Bypass is one of the latest projects executed by Patel Infra.

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TECHNOLOGY

28 The Bridge on the River Chenab

Trimble’s latest project Chenab Bridge is one of the tallest and longest-spanning railway bridges of its kind in the world and it part of the new Baramulla— Srinagar—Udhampur railway in Northern India.

GREEN ZONE

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68 Embracing urbanisation the sustainable way

As an increasing percentage of Asia and Pacific population is fostering the growth of urbanisation, it needs to propagate in a sustainable way.

70 Architecting a sustainable future

Architects must team with developers and building science professionals in order to infuse sustainability in the projects they create.

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UPDATE

78 Ramco Cements – Reaching New Heights 80 Duravit teams up with Sieger design for new product range 82 Nilesh Alumino–Leaders in manufacturing windows and doors 83 Redefine luxury with AluPure 85 Adding value to interiors 82

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86 Enjoy sound-proof doors with 60-min fire rating

EDITORIAL Celebrating 9 years of excellence!

Dear Readers, ARCHITECTURE

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www.aceupdate.com

With insightful reminiscences, we celebrate the 9th Anniversary of ACE Update on February 1.

I-Tech Media Pvt Ltd, 604, 6th Floor, Surya House, Station Road, Vidyavihar East, Mumbai - 400077 (India) Tel.: +91-22-25018601

On reaching this milestone, we would like to extend our heartfelt gratitude to all of you who stood by us through thick and thin, supporting us achieve another actionpacked and successful year.

This joyful occasion brings forth the opportunity to review our journey in all these years. The previous year’s anniversary edition ‘The Great Indian Smart City challenge’ marked the presence of participants talking about providing core infrastructure, clean and sustainable environment and application of smart solutions to implement smart city projects across India.

ASSOCIATE EDITOR* Vikas Bhadra editor@aceupdate.com EDITORIAL Dhaval Mehta Chetan Kirdat

As we grow as a nation, the infrastructural and housing needs of the country keeps on ramping up. To be able to address such needs it is necessary to utilise best available practices in the industry and ensure projects are completed on time. At the same time the challenge is to ensure that the end product can confirm with our unique Indian identities. Hence this year we have decided to focus on vital developments of the built environment which have utilized global technology and innovative practices to design projects which are Incredibly Indian.

ADVERTISING Vaibhav Koli Email: vaibhav@itmgroupmedia.com Call: +91-9930900016 SUBSCRIPTION Swati Mistry subscribe@aceupdate.com Tel.: +91-022-67169502

We hope you enjoy going through every page of this landmark issue!

*responsible for selection of news under PRB Act

Your feedback is precious to us. You can send your comments on the edition to editor@aceupdate.com . You can also reach out to us on Facebook and Twitter.

COVER CREDIT Machhindranath Pawar

Printed and published by Mr Prasad Kumar Nair on behalf of I-Tech Media Pvt Ltd and printed at Print Process Offset Printers, B-23, Royal Industrial Estate, 5-B, Wadala, Mumbai-400031 and published at I-Tech Media Pvt Ltd, 604, Surya House, Road No 7, Vidyavihar East, Mumbai - 400077. Editor: Mr. Prasad Kumar Nair.

Printed and published by Mr Prasad Kumar Nair on behalf of I-Tech Media Pvt Ltd and printed at Print Process Offset Printers, B-23, Royal Industrial Estate, 5-B, Wadala, Mumbai-400031 and published at I-Tech Media Pvt Ltd, 604, Surya House, Road No 7, Vidyavihar East, Mumbai - 400077. Editor: Mr. Prasad Kumar Nair.

All rights reserved. While all efforts are made to ensure that the information published is correct, ACE Update holds no responsibility for any unlikely errors that might occur. The information on products and services / technology on offer is being provided for the reference of readers. However, readers are cautioned to make inquiries and take their decisions on purchase or investment after consulting experts on the subject. ACE Update holds no responsibility for any decision taken by readers on the basis of information provided herein. Tel.: +91-22-25018601, +91-9821667357

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Cover Story

Celebrating diversity which is Incredibly Indian When we speak about diversity subconsciously we limit it to social and cultural interactions alone. But the mechanism of a diverse thought process impacts the larger schemes of our existence which includes infrastructure, architecture and design.

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ndia has always been considered as one of the culturally diverse nations, a diversity which has infused itself in every walk of our life. This diversity alone is also one of the major reasons which allow us to be intensely democratic in our thoughts and actions.

It is perhaps this diversity which allows a Telangana based company like GVK to execute a hallmark project like T2 Terminal at the Chattrapati Shivaji Maharaj International Airport in Mumbai, Gujarat based Patel Infra to enable seamless connectivity in Punjab and Mumbai based Shapoorji and Pallonji Engineering & Construction company to create a sports venue in the hilly areas of Uttarakhand.

Using new age technologies of engineering and construction India has witnessed developments in the infrastructure, transportation and allied areas which includes roads, bridges, highways, airports, monorail and the metro. From the cantilever bridge in Howrah to the cable-stayed Bandra–Worli Sea Link in Mumbai, from the Kolkata Metro which initiated operations in 1984 to Mumbai Metro which commenced operations in 2014; the changes in the infrastructure and transportation segments have been constant and they have consistently redefined our collective identity as Indians. As time goes by we consistently remain open to embrace emerging technologies to create landmarks which are incredibly Indian.

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While we are witnessing the dance of democracy in the technological sense, what is Indian architecture up to? Are we in the danger of losing our identity?

Indian architecture is itself is so profound, that it has made itself visible along the length and the breadth of the country. Not only has it evoked an element of interest in the West but we as Indians too continue to remain in awe of the architectural marvels it has given rise to.

The successive kingdoms which governed India left their traces in the built environment, some remain and some were lost in the sands of time. The era of successive monarchs made Indiamulti-ethnic in nature. This ethnicity has made quite an impact in form, function and architecture of India. So much so more that the idea of Indian architecture remains open to debate.

Ranjeet Mukherjee, Principal Architect, The Vrindavan Project points out “To define an ‘Indian’ architecture under any integrated descriptive umbrella would be a narrow simplification to say the least. Contextually appropriate architectural responses to any given site condition would be best defined by a responsible use of locally available, naturally occurring resources; while incorporating traditional wisdom of local craftsmanship and artisans at every level of design.”

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Cover Story “To define an ‘Indian’ architecture under any integrated descriptive umbrella would be a narrow simplification to say the least.”

Ranjeet Mukherjee, Principal Architect, The Vrindavan Project

“Indian architecture has always been about responsiveness to the Indian family lifestyle and way of living and culture.”

Shilpa Jain Balavally, Principal Architect, Studio Osmosis

“Majority of India has been built using natural materials such as mud, brick, wood, stone, bamboo, lime.”

Himanshu Patel, Principal Architect, d6thD design studio

“One may say there has been a bit of identity crisis in the overall real estate industry, however there have been many architectural practices, including ours, which have remained unfazed by such waves of trends.”

Prem Nath, Principle Architect, Prem Nath & Associates

“Perhaps it is time for us to abandon the argument of defining what is “Indian”, learn to embrace our past as an integral part of who we are.”

Ar. Dikshu C Kukreja, Managing Principal, CP Kukreja Architects

Apart from contextual realities Indian architecture has also played an important role in community building. Shilpa Jain Balavally, Principal Architect, Studio Osmosis points out “Indian architecture has always been about responsiveness to the Indian family lifestyle and way of living and culture, the climate and varied geography across the states, surroundings, materials and cost as well as use of the local skilled work. This being the guideline and also being sensitive to the art and culture as well as the celebration of life in India”.

Architecture is a time-bound exercise. It can be argued that the new technologies and

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construction methods addresses the growing needs of the nation in a time bound manner.

Something that tenets of Indian architecture may not be able to keep up with, however Himanshu Patel, Principal Architect, d6thD design studio “Majority of India has been built using natural materials such as mud, brick, wood, stone, bamboo, lime. Most of us do not know these materials have been used in India since our textbooks do not cover these aspects. Hence, we use steel, glass, concrete etc., since they are being used worldwide or because the manufacturers want us to do so.”

Patel says that our urban areas are blindly following the western language of office-building and there is a lot we can learn from countries like Japan and Sri Lanka. Japan and Sri Lanka are two prime examples of countries that have their distinct style of work. “Japan’s sensitivity to minimalistic, austere architecture, use of tatami mats and Zen gardens reflect their philosophy. As for Sri Lankan architecture, it is a true response to their warm and humid tropical climate.”

Even though the onset of globalisation has altered the way architects put their expertise to work, the essence of Indian architecture will continue to guide the path for many architects. Prem Nath & Associates. Prem Nath, Principle Architect, Prem Nath & Associates points out “One may say there has been a bit of identity crisis in the overall real estate industry, however there have been many architectural practices, including ours, which have remained unfazed by such waves of trends and have always followed the simple and basic principles of planning – and what better than to follow Indian principals of planning which have always been ahead of time and sustainable.”

The identity of Indian architecture will continue to be debated, not because it is unique but because it is a huge volume of efficient practices derived under the rule of each successive monarch who catapulted India to fame. In this scenario Architect Dikshu C Kukreja Managing Principal, CP Kukreja Architects, New Delhi has the last word “Perhaps it is time for us to abandon the argument of defining what is “Indian”, learn to embrace our past as an integral part of who we are, and look to the future as we continue on this journey of evolution and re-evolution.

To me, the future of Indian architecture is not about imbibing an identity that is only skin deep. It is about architecture that is sensitive to the needs of its context- social, political, economic, and geographic. It is about creating a meaningful dialogue between the tangible and intangible aspects of the built form, and giving up superfluity for spaces that have a true impact on its surroundings.”

EPC II Incredibly Indian

Coliseum in the land of the Gods In god’s own land amidst the beauty of the hills and temples, Shapoorji Pallonji has created an avenue for the gentleman’s game to flourish.

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he Rajiv Gandhi International Cricket Stadium and Sports Complex at Dehradun is the first cricket stadium to meet international standards in the newly-formed state of Uttarakhand. With the commissioning of this stadium in mid-2016, the young cricketers of Uttarakhand state can now seek cricketing opportunities within theirown state rather than in other states. Armed with the Board of Control for Cricket in India (BCCI) affiliation, the Uttarakhand cricket team would be able to compete in the Ranji trophy and other domestic tournaments.

Shapoorji Pallonji Engineering & Construction was appointed as the EPC Contractor by the Rajiv Gandhi International Cricket Stadium and Sports Complex Society for the design and construction of an international cricket stadium of 25,000 seating capacity and comprising of corporate boxes, pavilions, general stands, utility block with plant rooms, ancillary buildings, a fully-equipped club housewith various modern indoor sports facilities, external development, landscaping, etc.

A 23 acre sports marvel The sports complex has been designed and built by Shapoorji Pallonji Engineering & Construction on a 23 acre land parcel as a multi‐use stadium as per International Cricket Council (ICC) guidelines and capable of hosting international Test cricket, international One Day cricket, international 20‐20 cricket as well as major concerts, events and ceremonies and serve the community at large. The salient features of the stadium incude :-

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• • • • • • • •

Two-bowl seating High-masts for sports flood lighting Sustainable turf with sub-soil drainage system LED video score boards Five main pitches and five practice pitches Swimming pool meeting FINA standards Clubhouse, Auditorium Dedicated vehicular and pedestraian accesses and parking facilities

For the design delivery, Shapoorji Pallonji Engineering & Construction constituted a team comprising of its most experienced architects and designers at its design centre in Mumbai.

The Pavilions The stadium consists of four pavilions viz., East, West, North and South spread over a combined built-up Area of 35,000 sqm that includes the club house.The new stadium complex design meets therequirements of all applicable National Building Codes and Standards as well as the United Kingdom’s Guide to Safety of Sports Grounds (The Green guide) as published

by HMSO. The North Pavilion is a G+4 structure majorly focusing on three significant masses such as press, players and VVIPs. The space is designed to cater to all the related ancillary requirements specific to these masses such as press conference room, VVIP lounge and Player Gymnasium etc.The South Pavilionis a G+2 structure majorly focusing on the sports facility of the clubhouse.

EPC II Incredibly Indian The seating area and design specifics The Seating Bowl has been configured to provide a variety of seating types around the circular ground, consisting of a combination of general admission seating, members seating, VVIP private boxes, dine and view seating and press seating.

The seats inside the stadium have been arranged in a manner that it gives a look of Aipan, a traditional Kumaoni art. Facilities provided include seating for people with disabilities within each seating category and distributed at various locations within the seating bowl. Shapoorji Pallonji Engineering & Construction’s design team delivered an efficient design to address critical parameters of crowd management and emergency evacuation.

The tensile fabric and polycarbonate sheet roof is designed to be an architectural statement that reflects the aspirations of modern design whilst providing an economical, lightweight structure that covers Premium spectators. The facade design entailsuse of sandstone materials and double glazed windows.

The landscape design approach segregates the vehicular and pedestrian movement. It is also designed to maximize area for spill out zone/ plaza with planting of native trees. Adequate public toilets are provided throughout the stadium evenly distributed off the public concourses located behind the seating tiers.

The signage and graphics used in the facility are comprehensive, visible, readable, flexible and effective. The finishes adopted for the floors, walls and ceilings are contemporary and elegant. The RGICS stadium employs green building design principles and has already secured IGBC LEED Gold certification.

Addressing the challenges The Shapoorji Pallonji Engineering & Construction design build team who executed this prestigious project faced many challenges during the execution phase of the project. The stadium complex is located in the Garhwal region against the backdrop of the Himalayas in very picturesque surroundings. This poses certain logistical challenges. Although a robust plan was developed for the design development, procurement and construction, the design approvals and the building permits and sanctions required to commence construction took more time than anticipated thus impacting the construction schedule.

In order to expedite the construction of the stadium, Shapoorji Pallonji Engineering & Construction decided to use precast bleachers instead of using in-situ concrete. Similarly, the

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raker beams were designed and built using preengineered structural steel instead of RCC. A total of 2,592 precast bleachers were cast in the project using about 1800 cum of concrete.

A precasting yard was set up at the site for this operation. Upon casting and curing, the bleachers were then erected in a sequence over the raker beams. The fabrication for the raker beams itself was done in the vendor’s facility located at Daman & Diu. The pre-fabricated elements were then transported by road to the site in Dehradun for erection. A high degree of planning and precision went into the precasting and fabrication operations.

The tensile fabric and polycarbonate sheet roof was erected over a height of 40m from the ground, covering an area of about 17000 sqm. The field of play admeasuring 17,500 sqm was another critical activity amongst the 25 specialist works that were handled by the SP Engineering and Construction - E&C design build team as part of the project. Dehradun being a remote location, a lot of coordination and monitoring effort was required on part of Shapoorji Pallonji Engineering & Construction to ensure timely delivery of materials by the key subcontractors, most of whom were based in Delhi and other major cities.

Although Shapoorji Pallonji Engineering & Construction has built cricket stadiums in the past, an EPC Contract for an international standard cricket stadium and sports complex of this nature did pose some new challenges and involved a lot of contractual and execution risk.

However, the robust risk management mechanisms practiced within Shapoorji Pallonji Engineering and Construction and the teamwork exhibited by the design build team members made it possible for Shapoorji Pallonji Engineering & Construction to overcome such challenges. The fasttracking of the construction schedule was achieved through technology-led solutions.

The successful completion of the Dehradun cricket stadium is not only a testament of Shapoorji Pallonji Engineering & Construction’s rich legacy and resources-capability but also a perfect demonstration of its modern project management skills, state-of-the–art technology and the ideals of innovation and customer satisfaction.

For more details, contact: Kshitij Bhaskar, Director, Business Development, SP Engineering & Construction

EPC II Incredibly Indian

Enabling Indian infrastructure using global tech The role of GVK in building Indian infrastructure has been very profound and across different sectors, using innovation and technology as the key parameters. GVK continues to create modern hallmarks that are incredibly Indian.

GVK – Building the Nation Since 1992 Since its inception in 1992, GVK has successfully implemented projects in record time. GVK set up India’s first Independent Power Project (IPP) in the private sector at Jegurupadu, Andhra Pradesh to generate 217 MW power and added another 228 MW in the second phase. GVK commissioned another power plant, Gautami at Kakinada, Andhra Pradesh, to generate 464 MW power.

GVK is responsible for operation and modernisation of Mumbai’s Chhatrapati Shivaji Maharaj International Airport, which has been termed as one of the most challenging infrastructure projects in the world. GVK CSIA’s new integrated Terminal 2 which has bagged many awards and accolades and attained an iconic status across the globe for integrating a world-class design, infrastructure and operational efficiency.

GVK has successfully executed India’s first six-lane expressway connecting Jaipur to Kishangarh in the state of Rajasthan. GVK has also developed a four-lane road project between Deoli and Kota in Rajasthan. GVK has developed and commissioned a 330 MW hydro power project in the state of Uttarakhand and a 540 MW thermal power project in the state of Punjab.

GVK also took over the management of

In the hospitality sector, GVK has built some of the finest luxury hotels in Hyderabad, Chandigarh, Chennai and Mumbai. GVK currently owns seven 5-star hotels. GVK has set up GVK one, a mega retail mall spread over 7,10,000 sq ft in Hyderabad. GVK’s Mumbai International Airport Ltd will be developing and managing the Greenfield 60 million passengers per annum capacity Navi Mumbai International Airport. Work has begun in earnest and GVK has appointed world renowned architects M/s. Zaha Hadid to design the Central Terminal Complex.

Modernising the Airports in Mumbai and Bengaluru

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EPC II Incredibly Indian

Kempegowda International Airport (KIA), Bengaluru and developed the infrastructure to meet the growing air traffic. The new terminal at KIA was brought on par with the best in the world with enhanced design and facilities to elevate passengers’ travel experience. Work has also begun on a new Terminal 2 and a second runway. However, GVK divested its entire shareholding to Fairfax India Holdings Corporation in July 2017.

The Mumbai challenge The first challenge that GVK had to overcome for the Mumbai Airport project was the land constraint at CSMIA while enduring that T2 sets an example in being a highly efficient airport terminal in terms of its overall capacity of managing passenger traffic. This had to be done keeping in mind the complexity of building the new terminal without hindering the operations of the existing airport. Land had been the biggest challenge for GVK while building T2. In order to make space for constructing the new terminal, the old one had to be demolished in stages so that T2 can be built. GVK, during the first few years, had to first demolish existing properties rather than start building the terminal. The various land challenges were amicably sorted over a period of four years of discussions with various stakeholders. During execution of T2, there was limited access to the site and no space for construction related activities. A unique innovative technology was developed for executing the Headhouse Roof Structural Steel Trusses and Pods.

Infusing design elements inspired by local culture Just as the terminal celebrates a new global, high-tech identity for Mumbai, the structure is imbued with responses to the local setting, history, art and culture. Gracious curbside drop-off zones designed for large parties of accompanying well-wishers accommodate traditional Indian arrival and departure ceremonies. Regional patterns and textures are

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subtly integrated into the terminal’s architecture at all scales. From the articulated coffered treatment on the head house columns and roof surfaces to the intricate jali window screens that filter dappled light into the concourses, Terminal 2 demonstrates the potential for a modern airport to view tradition anew. The project also makes a significant positive contribution to the local fabric. By integrating into the existing transportation fabric and by furthering connectivity through the simultaneous development of a new road network to service the airport, the terminal helps knit together the historic heart of Mumbai to the south with the city’s burgeoning peripheries to the east and north.

Energy efficiency Terminal 2 uses a high-performance glazing system with a custom frit pattern to achieve optimal thermal performance and mitigate glare. Perforated metal panels on the terminal’s curtain wall filter the low western and eastern sun angles, creating a comfortable day-lit space for waiting passengers, and responsive daylight controls balance outdoor and indoor light levels for optimal energy savings. Strategically-placed skylights throughout the check-in hall will reduce the terminal’s energy usage by 23 per cent.

At Terminal 2, modern materials and technologies are used to powerful effect. But while cuttingedge strategies set a new standard for sustainable, modern airport design, the terminal is as much a showpiece of the history and traditions of India and Mumbai as it is an unprecedented structural and technological achievement. Rising from the Mumbai cityscape, International Airport celebrates both India’s rich cultural heritage and the country’s increasingly global future.

For more details, contact: Dr. GVK Reddy, Principal Architect & Designer, Designers Group

EPC II Incredibly Indian

Patel Infra – Using innovative technologies to build the nation Passing through the textile district of Sangrur and Barnala, the land is blessed with holy shrines; Sangrur Bypass and Dhanoula Bypass is one of the latest projects executed by Patel Infra.

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atel Infra was founded in 1972 by the late Vithalbhai Gobarbhai Patel and it was earlier known as Patel Construction Company. Patel Infra is an established construction, development and maintenance service company mainly involved in the business framework of construction of roads and highways, bridges, irrigation and mining projects, construction of commercial buildings, and other ancillary services like toll collection, operation and maintenance of highways.

Sangrur Bypass and Dhanoula Bypass Cutting through the heart of Punjab The latest project undertaken by the group was the four laning of Sangrur Bypass and Dhanoula Bypass (Patiala- Sangrur- Barnala- Bathinda section) of NH 64 from Km 110.720 to Km 123.900 (existing chainage from Km. 106.170 to Km.116.950) Sangrur Bypass and from Km. 144.900 to Km.149.960 (existing chainage from Km 138.030 to Km. 142.950) Dhanoula Bypass on Engineering Procurement and Construction (EPC) mode. The project was commissioned by the Ministry of Road Transport and Highways (MoRTH). The project was worth Rs 256.51 crore.

The proposed 4-Lane Sangrur bypass starts from Km 106.170 to Km 116.950 and proposed bypass Dhanaula stars from Km 138.030 to Km 142.950 of NH-64 in the state of Punjab under NHDP Phase IVA on EPC Mode. The Project Road is located in the district of Sangrur and Barnala. In general, the terrain is plain. Further, the project

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stretch has a virgin alignment, which means the project is constructed on greenfield land where entire land was acquired for construction of this highway. The pavement type all along project corridor is rigid. The Project Road has one RailRoad level crossing and numerous irrigation canal crossings. This Project Road passes through the districts of Sangrur and Barnala of Punjab State.

Structural specifics The project stretch was passing through sensitive zones like army cantonments, canals and densely populated parts of the city. To carry out construction work in such areas was indeed a challenging for us. Also, The scope includes construction of One number of Rail Over bridge having span arrangement “2x19.5m PSC Girder” and “1x50m Steel Composite Girder”, One number of Major Bridge having span greater than 21.45 meters, Eight numbers of Vehicular Underpass Structure and to construct these structures by diverting heavy traffic was a critical activity. Omitting all the challenges, the company managed to finish the project timely by proper Project planning and monitoring.

To have such a challenging project and to accomplish them timely is a matter of privilege for us.

Use of innovative Wirtgen machines and mega concrete production batching plants The pavement proposed to develop this project

EPC II Incredibly Indian

was rigid type, which is made up with pavement controlled concrete (high grade concrete), which we laid with fully automatic ultra-modern slip-form type SP-94 paver make of Wirtgen technologies (imported specially from Germany), The era of this project is in very beginning of time where Ministry of Road Transport and Highways adopted Rigid Pavements to National Highway Development, And we are proud by saying that we were part of this monumental achievement.

Also, to cater the concrete production, mega concrete production batching plants were installed with the capacity to produce 254 cum concrete within an hour. The pavement is made up of high-grade concrete, which comprises high-grade materials to sustain heavy traffic conditions and extreme weather.

Use of sustainable methods for construction In the said project various sustainable construction techniques were used for instance,

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rain water harvesting system, solid waste management, slope turfing, environmental protection by planting trees on road sides and road landscaping were done as per guidelines provided in IRC: SP 21 2009 and all the aspects of pollution control were kept in mind during construction. The company also took various permissions from the local and state administration to establish its plants and adopt required measures as per state guidelines related to safety and the environment clearances. During the construction of the project, various diversions were constructed according to the provisions of IRC Codes for the smooth and safe movement of road users in dense, foggy weather. To ensure safety, the project site was periodically visited by external safety and environment auditors appointed by the Authority. Further total 23,350 trees were planted in the median of the road and total 22,000 at the edge of the project highway to compensate for the de-vegetation that occurred during the development of this highway.

For more details, contact: Shreyas Patel, Deputy Manager (BD), Patel Infrastructure Ltd

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The Bridge on the River Chenab Trimble’s latest project Chenab Bridge is one of the tallest and longest-spanning railway bridges of its kind in the world and it part of the new Baramulla—Srinagar—Udhampur railway in Northern India.

T

rimble has provided its solutions to many complex and landmark structures around the world, including India. Among the various ongoing projects, the construction of Chenab Bridge in Jammu and Kashmir is one of the most pioneering projects employing Trimble’s technology. Chenab Bridge is part of the new Baramulla—Srinagar—Udhampur railway in Northern India, crossing the river Chenab in Kashmir valley. It is one of the tallest and longest-spanning railway bridges of its kind in the world.

Chenab Bridge - Rising from the bedrock of the Himalayas The bridge is constructed 320 meters above the surface of river Chenab, and it stretches to a total length of 1,315 meters. The main arch of the Chenab Bridge spans across a spectacular 467 meters, making it one of the longest arch railway bridges in the world, and the deck, designed for two rail tracks, is 13.5 meters wide.

Erected on Himalayan bedrock with foundations approximately 40 meters high and 50 meters wide, the arch and piers of the bridge are masses of steel trusses, while the foundations and the approach vi aduct piers are made of concrete.

The arch is erected with a cableway crane, after which the deck is then launched into placed and joints assembled with a total of 600,000 bolts.

The Kashmir valley is one of the most isolated regions in India, and the mountainous and rough Himalayan terrain lacks a proper road network.

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The railway, and Chenab Bridge as part of it, is expected to remarkably affect the development of the region, improving accessibility and transportation for the local population. As one of the highest and largest railway bridges in the world, the bridge is also expected to become a popular tourist attraction, with footpaths and cycle trails to be built alongside it.

The Tekla intervention Trimble’s flagship product Tekla Structures was effectively put to use from the beginning of this project. Given the tremendous scale and complexity involved in the construction, all structures, temporary cables, and related anchoring towers have been designed using Constructible Building Information Modeling (BIM). Data available in the constructible process extended the value of BIM beyond visualisation and into production which immensely benefited the onsite construction team.

Constructible BIM was also used for erection sequence planning, geometry and quality control on site. The workshop drawings and CNC data were sourced directly from the BIM model. The contractor for the project used the BIM models in close co-operation with the designer, while the third-party inspector made use of these models in the reviewing process.

Use of constructible BIM also facilitated the organization of the plate material for better logistics in the difficult terrain. Further, the 3D visual models created in Tekla Structures

Technology

facilitated quick and timely approvals. The project efficiency also increased, as the 3D models generated handy reports for material quantity take-off, assembly dimensions and ‘center of gravity’ for lifting and transportation.

The high level of development (LOD) and accuracy of the model allowed it to be used for fabrication in the temporary workshops erected onsite.

The Chenab Bridge is set to be completed by December 2021 and we are glad that through this project we have clearly demonstrated that Constructible BIM can make even a highly intricate project less complex to design, plan and construct.

Challenges and Solutions As the world’s leading technology solutions provider, we have developed a unique lifecycle approach to ensure our customers are able to realise the benefits of Constructible BIM and automate construction effectively and entirely.

And we successfully applied this approach to Chenab Bridge project too. In consideration of the harsh and mountainous terrain and severe climate in the region, the construction team had to remain single-mindedly committed to schedule compliance, technical excellence and logistical management. Beyond the obvious geographical challenges, the project contained approximately 25,000 tons of steel detailing; the management of which was a hugely demanding task.

When we deal with such complex and largescale projects, collaboration amongst different stakeholders is often a challenge. With Tekla software, we enabled efficient collaboration between all parties, as well as allowed the steel structures to be modelled accurately and drawings to be easily printed directly from the model for the fabrication team.

The teams involved produced tens of thousands

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of drawings, with members of the various parties using it daily to run files for production, management and flame cutting. The contractor on the project, Chenab Bridge Project Undertaking (CBPU), had many BIM users working on the project, and the site management used Tekla BIMsight, a professional tool for collaboration, for reviewing the model on site.

Because of this, our software was able to streamline the processes, as the entire construction workflow could combine models, check for conflicts and share information using the same easy to use BIM environment.

Project participants were able to identify and

solve issues already in the design phase before construction. A lot of time usually spent on identifying and rectifying the issues on site was saved due to this.

Using Tekla Structures for the Chenab Railway Bridge construction eventually made assessing information at every stage of the design project possible, while improving efficiency and productivity, and minimising the need for rework. Throughout the bridge construction process, constructible BIM proved its capabilities in various ways.

For more details, contact: Harsh Pareek, Regional Sales Director, India and SAARC, Trimble Solutions

Architect II Incredibly Indian

Defining Indian Architecture is not an easy task The very idea of finding our “true” style is complex because if we had to go back into our origins, we would have to revive the Indus valley civilization, which predates the colonial era, Mughal age and even the Aryan Invasion.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

It is very difficult to define what “Indian Architecture” really is. India is a melting pot of cultures and different climatological influences, subsequently an advent of myriad of architectural design and understanding.

The very idea of finding our “true” style is therefore complex, because if we had to go back into our origins, we would have to revive the Indus valley civilization, which predates the colonial era, Mughal age and even the Aryan Invasion. Perhaps it is time for us to abandon the argument of defining what is “Indian”, learn to embrace our past as an integral part of who we are, and look to the future as we continue on this journey of evolution and re-evolution.

Ar. Dikshu C Kukreja Managing Principal, CP Kukreja Architects, New Delhi

To me, the future of Indian architecture is not about imbibing an identity that is only skin deep. It is about architecture that is sensitive to the needs of its context- social, political, economic, and geographic. It is about creating a meaningful dialogue between the tangible and intangible aspects of the built form, and

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giving up superfluity for spaces that have a true impact on its surroundings.

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

India has a remarkable history of sustainable, vernacular architecture, particularly in the rural areas. These structures use passive design, local materials and respond to the site context. It is in the urban areas, unfortunately, that we see insensitivity to the environment. It has become

Architect II INCREDIBLY INDIAN

a trend in cities to senselessly use glass, concrete and steel. However, we are slowly coming to a time where there is an increasing awareness about sustainable design. The country also seems to be witnessing exciting times with the plethora of opportunities waiting to be explored in its design and development sectors.

The availability of large development areas like new cities, towns, etc. make the scope of growth through green practices an achievable feat.

Additionally, this also is the perfect time to be learning through the design and development practices already implemented across the world and customise and formulate them to suit the country’s requirements in order for us to benefit the best out of them.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

The India International Convention Centre at Dwarka is Asia’s second largest state-of-theart Convention Centre and third largest in the world being designed to host the G20 Summit and other such mega International events in India along with international conferences, exhibitions and trade shows. The design is a representation of an integration between traditional architectural elements like Jaalis, stepped wells, green open spaces, a lotus motif embossed on the retractable roof of the Indoor Arena, to name a few, projected with a contemporary outlook through forms and spaces at the site. The design has been conceptualised, on the whole, in a manner which would help develop the region in the long run, making sustainable development on such a scale a successful feat.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

Our project - Gautam Buddha University (GBU) represents a significant turning point in the practice of the firm, not only because of its sheer scale but also for the ideology that was embodied in its design. GBU is a 500 acre campus in Greater Noida that underlined the importance

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of a harmonious coexistence between man and his natural surroundings. Believing this relationship as the key to fostering intellect, creativity and the dissemination of ideas, our aim was to create a “Centre of Learning” that embraces Mother Nature. The very understanding and realisation of “Enlightenment” propagated by Gautam Buddha, the “Enlightened One,” and Buddhist teachings such as the Middle Path stress on the importance of a marriage between binaries like Dhatu (matter/ solid) and Shunya (antimatter/void), existence and non-existence, Bhog (consumption) and Tyag (detachment) to maintain a balance that keeps the wheel of life turning.

To imagine an environment of learning, wisdom, and creativity that would infuse a sense of cultural ethics and ecological harmony with a respect for history, it was necessary to base the design of the campus in philosophies stemming from different cultures, all of which teach humans ‘simple living and high thinking.’ The essence of this design philosophy lay in respecting both continuity and change, allying it with teaching and learning practices within the university.

How much say will technology have in the future of architecture?

The science of technology will always continue to evolve. With passing time, each new invention brings with it new challenges and ideas for architectural design, many a times leading to creation of pioneering and iconic landmarks.

As Architects, it is our responsibility to see how it can be incorporated and utilised for mutually benefitting our designs and its users.

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Architect II Incredibly Indian

The landmark project in traditional Indian architecture is the Indian Parliament

The building was inspired from 11th century Chausath Yogini Temple at Morena, Madhya Pradesh. We call it Lutyens architecture but we forget to give credit to that architect who designed the temple.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian architecture and design?

Indian architecture and design is that architecture which uplifts its end users from finite to infinite realm in the pursuit of bringing happiness by increasing the connectedness to the self essentially through the use of Panchtatva i.e. five elements of nature.

Renu Khanna, Principal Architect, Renu Khanna & Associates

Be it the Rajasthani jharokhas, monumental spacious gopurams or Indo-Islamic domes and fountains, they all strive to connect with nature i.e. earth water, fire, air and space.

Most of Indian architecture is lost to natural calamities and destruction by foreign invaders and is yet to be discovered just like Dwarka under the Arabian Sea. Dating back from 2600 BC; Indus valley civilisation to Gupta’s, Jains, temple architecture, Indo-Islamic influence and then the colonial influence, many external influences came but they all mingled with the Indian architectural language and thus created

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a healthy fusion which kept intact the spirit of Indian architecture i.e. to uplift mankind from finite to infinite.

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

I disagree with the argument that we are losing identity as we get globalised day by day. There are many Indian architects who are still keeping the soul of Indian architecture and identity going and yet designing buildings which

Architect II INCREDIBLY INDIAN tibbas (sand dunes) on the other thinking that the Sikhs would lose the war. Banda Bahadur climbed the highest mound and saw the enemy line up and decided his winning war strategy. To highlight the strategy and the then circumstances, we decided to recreate the landscape that existed in 1710, which Wazir Khan thought would be a hindrance but Banda Bahadur’s strategy made them win the war. He envisioned that the sandy tibbas will not allow the cannon balls to blast, the chappar pond will make the horses fall in water and facing chiri bushes the soldiers will have to get down from their horses then these Sikh soldiers did guerrilla attacks hiding behind the tibbas and won the war. belong to the present time. Our basic culture of common courtyards was highly promoted by Charles Correa and has also reflected in many of my designs too. In fact, the JK Indian architect of the year award which I won in 1999 revolves around the socially interactive spaces where 16 low income group families live like one big family bringing climate friendly solar passive architecture and socially interactive spaces where people shared their joys and sorrows for physical and mental well-being.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

The landmark project in traditional Indian architecture is the Indian parliament building which was inspired from 11th century Chausath Yogini Temple at Morena, Madhya Pradesh. We call it Lutyens architecture but we forget to give credit to that architect who designed the temple. Konark temple is another such example of a landmark project where the first ray of sun is made to fall on the deity. It was built in 13th century Sun Chariot temple with its 12 wheels and 7 horses was damaged in 1568 AD by a general of Sultan.

The original temple had a main sanctum sanctorum (vimana), which is estimated to have been 229 feet (70m) tall.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

Chappar Chiri War Memorial, Mohali is one such example which reflects the inherent indianness in the present timeline.

Here the architectural concept has evolved out of the pages of history. The memorial had been constructed on the land where the battle had been fought. On May 11, 1710 AD, Baba Banda Singh Bahadur defeated Wazir Khan who’d killed four sons of Guru Gobind Singh ji. Wazir Khan chose a site for war which was plain on one side and had rough terrain of chappar (pond), chiri (bushes) and

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We designed the pond in the low lying area of site and designed all our buildings under RCC domes to make them look like tibbas and created landscaping above with the statues of generals on top. On the other side, where Mughal forces were positioned we planned a 328 feet high landmark victory tower called Fateh Burj. This Fateh Burj has three levels of victory walks dedicated to two smaller victories which led to the third final victory.

This landmark project has a contemporary touch yet has Indianness about it. The uplifting of visitors mind starts from the entrance where there’s a small gate in a much bigger gate as it used to be there in 1710 then the arched view of magnificent Fateh Burj captures the eye. In the complex no buildings are visible it’s just landscaping uniting the five elements of nature. Air moving between the tibbas and the cross ventilation within the victory tower arches like the Rajasthani jharokhas and monumental space of the gopurams in the victory tower all these work together to capture the mind and transport the visitor from finite to infinite, from 21st century to 18th century and fill the visitor with pride, happiness and amazement.

How much say will technology have in the future of architecture?

Indian architects have always been trying to strive for the best while remaining within the limited resources. Here in Fateh Burj, we used Hybrid technology i.e. precast and prefab. The central core is having lifts, staircase and shafts was done with slip form shuttering in just 40 days time we reached as high as 270 feet then used steel columns , beams , girder and deck sheet we created the first slab at 70 feet height without any shuttering and saved time and money. Then all wall panels and staircases were precast and the final dome was fabricated on the ground floor and lifted up. With this great technology we finished this project from jungle to landscaping in just 11 months time.

Technology will always have a say in future of architecture.

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Architect II INCREDIBLY INDIAN

The definition of Indian architecture is contextual Right definition of Indian architecture and design would be an architecture or design through which we celebrate Indian traditions in its context.

It should not only act as a shelter or form for many functions but also gives a sense of completeness to the idea of Indian culture.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

India is a vast and a complex country with a pluralistic society and range of religious, geographic, ethnic and climatic diversity. Right definition of Indian architecture and design would be an architecture or design through which we celebrate Indian traditions in its context. It should not only act as a shelter or form for many functions but also gives a sense of completeness to the idea of Indian culture. It should be the very embodiment of spirit of Indian life. Indian architecture should have a sense of pride and identity.

Himanshu Patel, Principal Architect, d6thD Design Studio

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However, most of us have not understood the architecture of India, as we call it- neither from our traditional architecture, nor in terms of its construction processes. The materials we use today-concrete, steel and glass – are the ones we see and these are the materials we are the most familiar with nowadays. However, a majority of India has been built using natural materials such as mud, brick, wood, stone, bamboo, lime. Most of us do not know these materials have been used in India since our textbooks do not cover these

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aspects. Hence, we use steel, glass, concrete etc., since they are being used worldwide or because the manufacturers want us to do so.

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Architect II INCREDIBLY INDIAN

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

In today’s world, due to easy access to information, we learn of developments across the globe instantaneously. Most of the modern development in the cities look very similar, whether it is Singapore, Shanghai or New York. We can see Indian architecture heading in the same direction.

Our urban areas are blindly following the western language of office-building-first creating glass box, then closing it with curtain and blinds to avoid glare on the monitors, then switching on all the lights and pumping more energy for the so called 5star rating AC to reduce heat gain through the glass. This is a criminal waste of resources. We need to look at it from the local/regional perspective, responding to our climate, the technology available, the context and culture. On a larger scale, what we generally see are glass buildings that are cropping up with no relevance to the context and surroundings they are built in.

Japan and Sri Lanka are two prime examples of countries that have their distinct style of work. Japan’s sensitivity to minimalistic, austere architecture, use of tatami mats and Zen gardens reflect their philosophy. As for Sri Lankan architecture, it is a true response to their warm and humid tropical climate.

When every city is unique in its own way and should evolve in a way which preserves that uniqueness, our role model cannot be Shanghai or Hong Kong or else every city in the world would begin to look the same! Architecture must be evolved with the reference of the social, political, economical and cultural context rather globally.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

Any village house built without help of an architect would be a landmark project in my opinion. That village house is not merely a style but it is an attitude

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which carries holistic lifestyle. Village settlements in India often take on the shape and form that is dictated by the climate they are in, or the sociocultural norms that they are designed to preserve and protect. For example, village settlements in Uttarakhand are often characterised by houses of stone, timber and mud mortar on slopes, with thick stone walls of coursed rubble masonry designed to ward off cold, with a shelter for animals below the main house (the heat given off by mulch animals heats the house above further). In Kerala, village houses are slope-roofed with Mangalore tiles and thatch to draw off and channel rain. In Assam, the same houses are often built on stilts, the better to counter the often damp ground. In Punjab, whitewash on the outside walls helps to cool down the summer heat. The list could go on, but in each case we see that villages in India’s diverse regions has evolved a unique way of responding to the climate and the environment that is sustainable, shows an intelligent approach to the problems of climate, and is a delicate balance of social and cultural factors through spatial vocabulary such as walls, courtyards, floors and semi-private and private spaces.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

There are many but Jawahar Kala Kendra by Charles Correa is one of my favourites.

How much say will technology have in the future of architecture?

Technology is good only if we use it wisely.

Looking at the climate change issues, sustainable architecture is the need of current time. One challenge to India’s acceptance of sustainable architecture is the gap between technology and economic condition. There is little sense in spending millions on the best technology to create the greenest of green buildings if very few Indians can associate with them and even fewer can afford. By limiting itself to sustainability that is dependent on technology for solutions, sustainable architecture in India fails to incorporate the critical dimension of social and cultural sustainability without which it may not work in the Indian context. To be environmentally sustainable, architecture would need to also register the social, political, economical and cultural context of India and offer solutions that are sensitive to its particularities. By the use of technology, we should research on our old buildings and learn from it.

Architect II Incredibly Indian

Photo courtesy: Purnesh Dev Nikhanj

Our projects always include a level of ‘Indianness’ In workspace design, we strongly believe that employees need to be able to relate to their office space. The local culture is still influencing the colour choices, material selections, space allocation and privacy levels as well.

In your words, what exactly is workspace design all about?

In India, or anywhere else in the world for that matter, Workplace design should be considered as a tool to enhance how people work in order to meet the company’s objectives in terms of business, work culture, space and brand.

Keeping these objectives in mind, considering the local culture is a necessity.

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

It is true that, amongst other factors, giant global IT firms have highly influenced the workplace expectations in India. We need to look at this positively; offices in the country have become more human-centered, more sustainable and importance is now given to employees’ wellbeing.

Sabina Reddy, Director, M Moser Associates

This doesn’t mean that local culture should be ignored. We strongly believe that employees need to be able to relate to their office space.

The local culture is still influencing the color choices, material selections, space allocation and privacy levels as well

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

Our most recent projects take into consideration local traditions and culture but don’t fit in the traditional India design category.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

Our projects always include a level of ‘Indianness’. Our Booking.com office project in Mumbai, had for main objective to encourage social interaction in the workplace, which was achieved by capturing the essence of the local culture.

M Moser’s conceptual approach involved the formation of distinct themes representative of Mumbai culture, and staging them within a spatial context. Out of this was formed an imaginative journey showcasing a day in the life of a “Mumbaikar”, reminding end-users of the rich, multi-layered ethos that thrives within their global city.

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CAPEx and Municipalika is a unique shared platform for a smart and sustainable India focusing on urban reforms, water and wastewater, sanitation and sewerage, solid waste management, urban transport and mobility, pollution control, Housing for all, energy efficiency, safety and security, GIS/GPS, ICT and e-governance.

www.capex.co.in Exhibition & partnership enquiries Nitin +91 98207 69219 l nitin@fairfest.in

Speaking opportunities Deepti +91 99696 71197 l deepti.t@fairfest.in

Conference & Delegate Registration Abhinav +91 96197 51909 l abhinav@fairfest.in

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Architect II Incredibly Indian 46 f

Our projects always include a level of ‘Indianness’

destinations, echoing the spirit of exploration and adventure.

Weaving together this visual tapestry, are the impactful “Grunge” super graphics of Bollywood and cricket stars are dispersed throughout the office to resonate “larger than life”, a phrase commonly associated with movie and sports celebrities in India. The graphics also tie together an organic collage that represents the multifaceted culture of Mumbai, using emblems such as prominent architectural relics and the Hindi alphabet as an art form.

Photo courtesy: Purnesh Dev Nikhanj

A sequential journey begins from the common areas of the reception, which showcases a typical street market highlighted by authentic novelties such as an ornamented auto rickshaw and a bespoke cut chai glass chandelier in the cafeteria.

Towards the interior, the hard spaces utilise re-purposed shipping containers, inspired by the new Mumbai high-rises using these containers to resolve high-density population housing in the city. Materials have been localised wherever possible, presenting raw finishes and a tactile patina.

Photo courtesy : Eric Laignel

The smaller meeting rooms are furnished with magnified photographs highlighting the destinations visited by Booking.com’s employees. These unique features add a personal touch to the space, as well as blurring the line between work and passion.

The built-up areas around the open office including the meeting rooms and individual offices draw inspiration from popular holiday

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How much say will technology have in the future of architecture?

Technology is already an integral part of workplace architecture. It supports collaboration and productivity. Technology is also being used to empower staff to take control of their workplace experience and their own wellbeing.

We often work with our clients and tech partners to develop their own “office App”.

These applications enable employees to book seats and view availability of meeting rooms in real-time, access an internal way finding system, order beverages and adjust temperature and lighting in enclosed spaces, etc.

Nowadays, employees are looking for autonomy and more choices when it comes to styles of working. Workplace mobility can only be achieved via the integration of technology; people used to be restricted by the supporting infrastructure such as power, data and connectivity. Now, solutions like the mobile battery technology under floor power used in M Moser’s New York office are beginning to untether people from their proximity to the nearest socket.

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Architect II Incredibly Indian

Architecture responds to the culture and climate of a region What in your opinion is the right definition for Indian Architecture and Design?

Since India is a vast country with varied topography, climate and cultures, Indian architecture should be defined by its organic growth and cannot be characterised by a set of style or principal. In India depending on the geography you have the presence of deserts, mountains, sea, beaches, backwaters and tea gardens. Each of these unique geographies are entrenched in a culture of their own. Architecture too has emerged as a response to the climate and the culture prevalent in each of these areas. In doing so it has also created a sense of belonging for its end users whose lifestyles too are influenced by the climate and culture.

In the modern age, technology should aid the essence of Indian architecture by addressing its organic nature. It should respond to the climate as it has to survive in and cater to the functional needs of the end user.

Ar. Sudiksha Parekh, Founder, Imprints Architects

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

As Indian architecture and design are organic in nature, no matter whatever be the impact of globalisation or technology, its presence and proliferation can never be in crisis.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

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At Imprints Architect we believe in organic growth of design and architecture, for us the “bhungas” of Kutch are extremely unique solutions to their climate, culture as well as the topography and represents the perfect example of traditional Indian architecture.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

The ‘Gufa’s of Ahmedabad’ by BV Doshi, which merge with its landscape and the, ‘Gandhi ashram’ on the banks of the Sabarmati river by Charles Correa which borrows its elements from the old buildings around but yet has adapted to new materials and technology is a master art reflecting ‘Indianness’ How much say will technology have in the future of architecture?

In the modern age, technology should aid the essence of Indian architecture by addressing its organic nature. It should help in creationof organically developed buildings which merge with the soil it is made in.It should respond to the climate it has to survive in and cater to the functional needs of the end user.

Architect II Incredibly Indian

Indian Architecture offers much to learn and explore The “VidhanSoudha” at Bengaluru and the “The OberoiUdaivilas” at Udaipur reflect the grandeur and functionality of traditional Indian architecture.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

The history of Indian architecture is vast – It leads back to the Indus Valley timeline and beyond. Even today, people are in awe of Indian palaces and forts, which were designed ages ago in the absence of modern technology. Indian temples too is an exposition of the diverse architectural syntax. It varies a state and to quite an extent is defined bythe religious belief which existed. Indian Architecture cannot be defined in a few words and offers much to learn and explore, in its own scientific, geographic and mathematical ways.

Prem Nath, Principle Architect, Prem Nath & Associates

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

While the world is getting smaller, day by day, and a lot of design trends, materials, methods, etc. are being influenced and introduced by the global market – one is sure to get a bit diverted and divulged from the basics; there was a time in India when all the structures aspired to be ‘modern’ looking and adopted

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all western designs, to the extent of going a bit overboard. Then came the time the western countries started becoming conscious about sustainability, giving birth to the trend of going green. Thus one may say there has been a bit of identity crisis in the overall real estate industry, however there have been many architectural practices, including ours, which have remained unfazed by such waves of trends and have always followed the simple and basic principles of planning – and what better than to follow Indian principals of planning which have always been ahead of time and sustainable.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

A lot many projects in India do justice to ‘traditional indian architecture’, however to my best knowledge and personal liking are the “VidhanSoudha” at Bengaluru and the “The OberoiUdaivilas” at Udaipur. Both these structures not only serve the purpose for which they are built, but also portray the best of traditional architecture in its interiors and exteriors.

INCREDIBLY INDIAN II Architect When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

The word contemporary itself has many meaning, one being ‘modern’, other being ‘current’, ‘fashionable’ and so on – so if we go by what is being built today and has been built in recent times, I feel the ‘Lotus Temple’ at Delhi is one such development which is modern in construction and yet espouses the Indianness in the contemporary times.

How much say will technology have in the future of architecture?

Over the past decade the infusion of technology in our life has been predominant. It has influenced and become a part of one’s everyday requirements and habits. Today it is imperative that one uses technology at every stage of the development of any project. Technology is used to develop the design – though the design is conceived in one’s mind, but technology enables us to present our ideas with apt clarity, technology helps us to develop drawings, details and simulations.

Technology is used for construction – thanks to the technological advancements in the construction industry and machineries, not only are the structures built much safer and faster but are also built very safely and economically.

Technology within the project – each building, be it a residential or a commercial or a hotel or a hospital, etc.

all of them have the technology inculcated within them – be it the CCTV Systems, IBMS Systems, IPTV or IP Phones, wi-fi, lux intensity meters and many more – today these systems are being incorporated as part of the project and their advantages too are much appreciated; Technological advancements is an ongoing process always and its evolution will not stop. And I believe that a precise balance of the basic principles of architecture with these modern techniques will lead to the genesis of a development which is not just modern but also timeless.

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Architect II INCREDIBLY INDIAN

The syntax of architectural expression in India is vast Architectural tradition in India has had many forms of expression over the ages, based on the mass migrations, settlements, invasions and population explosions over the centuries.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian architecture and design?

The vastness of architectural expression in India mirrors the variety and diversity of climates, terrains, vegetation, water bodies and cultures across the sub-continent. To define an “Indian” architecture under any integrated descriptive umbrella would be a narrow simplification to say the least. Contextually appropriate architectural responses to any given site condition would be best defined by a responsible use of locally available, naturally occurring resources; while incorporating traditional wisdom of local craftsmanship and artisans at every level of design.

Ranjeet Mukherjee, Principal Architect, The Vrindavan Project

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

It is true that the vast majority of experienced built spaces, in contemporary Indian urban and sub-urban environments have been homogenised by standardisation with modular mass-scale prefabrication and industrial construction practices driven by corporate profiteering. This multi-

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national global (lowest common denominator) ‘advertising driven’ aesthetic, has certainly caused a large scale identity crisis, where the general population is bewildered into consumption of brand identities, as the only form of acceptable social / cultural ritualistic experiences.

INCREDIBLY INDIAN II Architect When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

Architectural tradition in India has had many forms of expression over the ages, based on the mass migrations, settlements, invasions and population explosions over the centuries. When zooming out, one could almost look at all construction ever undertaken in the Indian sub-continent as a singular swarm like transfiguration, of a growing and evolving organism; that is the Indian civilization. I suspect that as a country, we are on the cusp of witnessing truly historic landmark projects emerge in the near future as our dynamic democracy matures further with time.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianess’ in the present timeline?

The Vrindavan Project - Architecture and Interior Design firm’s Bhatia Farm Residence is a landmark example of truly “Indian” contemporary architectural expression. This project has been created by me and my wife Shreenu, who happens to be an interior designer as well.

Together we embarked on a journey to explore ecologically sensitive and contextually appropriate design and construction techniques. Having collaborated on a number of sustainable projects in the South, we moved to a mango orchard in rural Maharashtra to spend two years on site, while creating a rammed earth farm home for the Bhatia family.

All load bearing walls for the building were created using compressed earth, just as in the foundation. A wall panel of 8ft x 8ft and 9” in thickness can be rammed in a single day. Since this entire operation requires only human energy, and basic raw materials, such a method is naturally low in carbon footprint, as well as economically feasible. The building is a load bearing structure and the entire roof of this home is supported by these earth walls alone. Where concrete slabs are necessary in the roof, inverted terracotta pots have been cast into the slab. These create hollow fillers in a normal slab thickness, minimising concrete content.

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Architect II INCREDIBLY INDIAN

Indian architecture is a response mechanism to numerous parameters

Indian architecture has always been about responsiveness to the Indian family lifestyle and way of living and culture, the climate and varied geography across the states, surroundings, materials and cost as well as use of the local skilled work.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

Historically, the Indian culture, textiles, and art and handicrafts have been prominent influencers in architecture and design over time be it traditional or even modern. It has always promoted community living, where the people are not separated from one another, rather they are one with the space. It is functional yet aesthetic, which shows the care that has been put to create each space. Indian architecture has always been about responsiveness to the Indian family lifestyle and way of living and culture, the climate and varied geography across the states, surroundings, materials and cost as well as use of the local skilled work. This being the guideline and also being sensitive to the art and culture as well as the celebration of life in India.

Shilpa Jain Balvally, Principal Architect, Studio Osmosis

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

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Many a time in the process of globalisation, the essence of the design is lost as we are moving towards mass production rather than embracing our culture. Another factor affecting this is the increasing population with less availability of land and rising real estate costs leading to lesser design thoughts and relevance sometimes.

INCREDIBLY INDIAN II Architect On the contrary, in a lot of realms and areas, it is also prominently seen that the Indian values, learnings of architecture and design, colours and the culture is now being imbibed in a relevant contemporary way in Architecture in many smaller areas or two and three tier cities also reviving the art and handicraft and skilled labour works in India. The influences are reaching globally across Europe and other places.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

Rani ki Vav (Queen’s stepwell), located in Gujarat is a landmark project for traditional Indian architecture. It is both, utilitarian, as well as includes significant architectural embellishments. It was mainly constructed to collect rainwater during seasonal monsoons, and was a community architectural space. It reflects the mastery of the complex technique of stepwell construction and the beauty of detail and proportions.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

Jawahar Kala Kendra, located in Jaipur by Ar. Charles Correa is a great example of contemporary architecture which revolves around ‘Indianness’. Its concept is based on an archaic notion of the Cosmos and Mandala. Laurie Baker’s conscientious and pragmatic works, Joseph Stein’s careful responses to climatic conditions and landscape, Nari Gandhi’s integration of material and surroundings, and Ranjit Sabikhi’s creative use of courtyards are all inspiring Indian contemporary Indianness.

How much say will technology have in the future of architecture?

Architecture will revolve around technology in the future, as the world is collectively moving towards faster and more sustainable methods of construction. With the increasing demand in spaces, it is important that the construction keeps up with this pace. Technology also helps to break the constraints of construction and brings elaborate designs and spaces to life. Technology sometimes helps in combining the revival of old with the new with more ease and lesser costs and time.

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luminaire efficacy (lumens/ per watt) is much above 100 for all luminaires. Varied optical options for lighting distribution and correlated color temperature (CCT) for cool white, neutral white or warm white are available to suit specific requirements.

K-LITE Industries an ISO company, manufacturing indoor and outdoor luminaires have launched a new series of LED Architectural Lighting. Being the trend setters in outdoor lighting and inspired by the “Make in India� vision, K-LITE, through their innovative outlook, have showcased an all new product portfolio under Architectural Lighting. The application includes Facade Lighting, Pathway Lighting, In-ground Luminaire, Uplighter, Up-down Lighting, Billboard Lighting, Vertical Light Bars, Wall Washers, Area Lighting poles and above all popular sleek polar lighting solutions.

The outstanding item of the series viz., the Sleek Polar Lighting Solutions is a contemporary design that is both timeless and unique in its impression. Compact without visible mounting equipment and optimised integration, Polar Lighting is in perfect continuity with the geometric lines of the square column. These assemblies are ideal for surroundings of contemporary architectural constructions.

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INCREDIBLY INDIAN II Architect 55 f

The syntax of architectural expression in India is vast

These earthen pots are standard locally available sizes, which are retained in the ceiling, visible from below. This method creates a waffle effect in the slab that is aesthetically unique, and drastically reduces the dead load of the structure, as embodied concrete quantity is minimal.

The primary volume of this home has omitted the use of concrete altogether, by spanning a brick vault, which removes steel from the equation while reducing cement content to create a stable roof.

Apart from the natural beauty of such a form, this vault provides for ventilation and illumination of the space. Owing to the thickness of the vault section; contained spaces are naturally cooler, reducing electricity consumption over time.

All doors, windows and load bearing columns are sourced as recycled materials, salvaged from demolished mansions at the Karaikudi town of Tamil Nadu. A swimming pool made primarily of local stone has been built with buttress walls, retaining water just as in vernacular step wells. The large surface area of the tank harvests vast amounts of rainfall, while serving as a farming water reservoir for dry spells. Overflow of this pool fills the house moat, and feeds plantations thereafter, using only gravity for circulation.

How much say will technology have in the future of architecture?

Technology in the modern world is manifesting as a multitude of typologies, to serve various needs for human civilisation’s adaptable flexibility as we evolve further into the future. Habitat however is something that has not altered all that much in terms of anthropocentric and ergonomic requirements. Human beings still have the same needs for shelter, comfort, utility, maintenance and beauty as they did centuries ago.

Though lifestyles may have mildly shifted, general living patterns of eating, sleeping, entertaining and exercising have not. So when it comes to the built environment, it is advisable to look towards tried and tested ancient construction technologies that deploy materials available to us since the beginning of time. Using earth, brick, terracotta, natural stone, wood, metal, glass and fabric etc; one cannot go wrong. Anything built using techniques that have survived millennia of testing would naturally be healthy environments. Detecting ‘beauty’ is simply a human eye’s way of welcoming the intricate complexity of natural textures in any given place.

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Architect II INCREDIBLY INDIAN

Architecture in general should respond to the contemporary needs

I’ve worked on projects in Jerusalem, New York and Mumbai and I’ve seen firsthand the way our projects are sensitive to different contexts, climates and cultures.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

I believe that architecture, in general should be designed to respond to the current needs of the people, economy and culture, to reflect the aspirations of the society and create activated spaces for engaging with the community. India has a vibrant culture which celebrates it’s diversity and inclusiveness. We have a great depth of historic layers which leave an impression, a residue on sites across the country. We have an extremely youthful population which we, in all possibility, must leverage. I believe that Indian architecture today should leverage the regional, historic layers embedded in each site, be respectful of context and planning, respond to climatic conditions, be able to adapt to changing programmatic demands and define spaces that encourage public interaction. Material selection offers great scope in achieving contextual design ambitions while locally sourced materials can help retain the

Riya Patel, Architect, Pei Cobb Freed and Partners, New York

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desired monumentality combined with great performance.

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

On one hand, globalisation can lead to a standardisation of architecture, which is based on the glass box model of design thinking, with little integration into the nature of design or fabric of the city. However, if we look at the other end of the spectrum, globalisation enables sharing of information, utilising new technologies and borrowing ideas and precedents that have been proven to work well in other parts of the world.

Having said that, it’s important for one to recognise the contextual nuances which are crucial to the success of a project. I practice architecture in the United States and through my work I recognise the importance of understanding how spaces are going to be used by the inhabitants and this can vary dramatically even across different cities! I’ve

INCREDIBLY INDIAN II Architect worked on projects in Jerusalem, New York and Mumbai and seen firsthand the way our projects are sensitive to different contexts, climates and cultures. For instance, for a residential tower we have worked on in Jerusalem, we have incorporated Jerusalem Stone (limestone) into the façade design so that the building retains the material qualities of its surroundings.

Globally, sustainability is an extremely crucial problem that will have unique solutions based on geographical, cultural differences.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

The Indian step wells such as the Chand Baori in Abhaneri, a traditional Indian landmark project. The excavation went all the way to the water table to provide water for drinking, washing, bathing and irrigation. The design consists of 3,500 symmetrical narrow steps on three sides, with the fourth side consisting of a three-story pavilion with Jarokhas, galleries and balconies meant for the royal families.

It’s not just the monumentality of the form which makes me consider it a landmark project. But it’s the performative aspect of the project which made it extremely successful in bringing people together and integrating itself into daily life at the time. The structure responded to the climate by acting as a cistern to store water in the monsoon. It was a gathering space for community events. Functionally, it provided water for daily activities. It was built in an era where water was worshipped as a life-giving resource, and the architecture celebrates the ideology of the time.

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianess’ in the present timeline?

I think the design for Chhatrapati Shivaji Maharaj International Airport Terminal 2 is a good example of how contemporary architecture can recontextualise and reinterpret traditional architectural elements by using modern fabrication techniques and modern aesthetics.

construction and design. A lot is also usually lost in the quest of adopting newer advances and technological applications which must be accompanied by a conscious effort in addressing to also promote and push forward existing methodologies. Sophistication in visualisation and precision in design decisions has by far been greatly leveraged through fabrication technologies like 3D printing and robotics, laser cutting, CNCing and shall continue to aid architectural deliberations. Big Data has made its foray into architecture and promises to help architects and designers deliver spaces that are responsive to the context and inhabitant needs.

Climate responsive architecture is greatly informed by data and technological integrations in high performance building design. In my opinion, technology is unarguably a tool that enables architects the flexibility to explore the design potential of a certain project while also lending a minimal error decision making capability.

Technology, today, is an indivisible part of building science and shall only add more relevance to spatial complexities that we attempt to solve through architectural interventions.

The terminal celebrates a global, high-tech identity for Mumbai while being responsive to the local setting, history and culture.

Formally, the roof of the concourse references traditional Indian Pavilions. At all scales, the terminal’s architecture incorporates regional patterns and textures. The monumental spaces created beneath the thirty mushrooming columns reminisce airy pavilions and interior courtyards of traditional regional architecture.

Articulated coffered treatment on the headhouse columns and roof surfaces, intricate jali window screens that filter dappled light into the concourses, show how Terminal 2 demonstrates the potential for a modern airport to reference traditional architectural elements. Functionally too, the airport design bears the context in consideration since it provides a gracious curbside drop-off zones designed for large parties of accompanying well-wishers accommodate traditional Indian arrival and departure ceremonies.

How much say will technology have in the future of architecture?

Technology has always been an integral part of the built environment. Legendary Architect Mies van der Rohe had said, “Technology is rooted in the past. It dominates the present and tends into the future.”Technological innovations broaden the spectrum of using alternative, sustainable materials for building

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Architect II INCREDIBLY INDIAN

Present day architecture is already governed by technology

Technology to a vast extent has accelerated real estate transformations and enhanced the role of architects as visionaries to urban planning.

Considering India in itself has a vast syntax of architecture and design, what in your opinion is the right definition for Indian Architecture and Design?

India as a land of socio-cultural diversity has always been witnessing organic growth in terms of the evolution of Architecture. Committing the versality and contextual diversity to a standard definition may not deliver justice to the practice. Needless to mention, globalisation has set in newer norms to building design in the country and added to the existing gamut of architectural styles that the skylines of Indian cities have witnessed.

Ar. Yatin Patel, Founder & Principal- DSP Design Associates| Education Design Architects (EDA)

Contextual response in architecture is the key to cater to diverse environmental/geographical factors across the country. Materiality and sustainable planning are key approaches to achieving an architectural solution to a contextual challenge in the manner that the building shall respond to occupant’s needs and its immediate wider environment. The tale of art and architecture dominated by the use of

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unconventional materiality continues to hold its relevance across the spectrum and more so in the Indian context!

This quote by the sculptor Henry Moore, holds true for architecture as a form of art as well, which goes to say: “…one of the first principles of art so clearly

INCREDIBLY INDIAN II Architect “I wanted to develop a system by which the buildings at IIM Bangalore disappear and spaces in between them dominate the experience of the place…I thought the most important things [were] the rasa, which is the subtle experience of the space that makes the space memorable. It extends the associations and enriches imagination.”

How much say will technology have in the future of architecture?

Present day architecture is already governed by technology which makes it imperative for technology to continue to mark an inherent role through building design. Technology to a vast extent has accelerated real estate transformations and enhanced the role of architects as visionaries to urban planning. Computational design has enabled us as architects to decipher and anticipate the performance of a building design in the context that it is being built and aid in highly optimised design decisions from the planning phase itself.

UAVs (unmanned aerial vehicle) and data analysis programs can optimize the efficiency levels for complex building projects.

seen in primitive work is truth to material; the artist shows an instinctive understanding of his material, its right use and possibilities.”

As we get globalised day by day, are we in the midst of an identity crisis in the architecture and design sense?

It’s an evolution that we’re going through as we are stepping into the future and identity crisis could be a grave misinterpretation of the phenomenon. While globalisation has enveloped the world, our role as architects has been to bring about spatial transformations capitalizing on the technological advancements and data science that globalization has allowed access to. Designing spaces that offer contextual relevance, contribute their share of iconism/ monumentality to the location and yet be suited most empathetically to an unmatched inhabitant experience is what the endeavour seems like today!

With the advent of cloud computing, it is only more cost effective to enable data driven practices that seamlessly integrate work flows to industry design software; we also have the benefit of drone data technologies for intelligence to be fed into the systems real-time.

Virtual Reality (VR) and Augmented Reality (AR) haven’t found reliance in their entirety within the Indian Architecture and Design domain but will continue to be on a rise. The intersection of art and architecture can also be met with much better application and precision through the use of automation tools and robotics, which also are gaining precedence in India.

When it comes to traditional Indian architecture, which project in your opinion is a landmark project?

Gandhi memorial museum designed by Charles Correa in Ahmedabad. The project delivers an incredible essence of architecture in the Indian context while designed to depict openness yet scalability, adaptive yet simple, and of course with human experience at the heart of it all!

When it comes to contemporary architecture, which project in your opinion reflects the inherent ‘Indianness’ in the present timeline?

There are quite a few projects that reflect an inherent Indianness in design. IIM Bangalore by BV Doshi has made its mark as a heritage for modern architecture in India. I’d like to draw the readers back to a quote by BV Doshi that beautifully conveyed his thought towards the project:

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Adhai Din ka Jhonpra, Rajasthan

Green Zone

Indian architecture is the result of socio-economic and geographical conditions. It has always been based on some scientific techniques and methodologies.

Indian architecture is in a state of flux

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rom caves, temples and mosques to palaces and stupas, India boasts an architectural diversity like no other country in the world.

This incredibly rich heritage has developed over nearly 4,000 years, during which time India absorbed many different political, religious and artistic influences. Being one of the most enduring achievements of Indian civilization, Indian architecture is the result of socioeconomic and geographical conditions. Indian architecture has persevered as a response to its culture and climate creating spaces intangibly connected to form a building complex. The amalgamation of segregated spaces is a typical feature observed in different languages of Indian architecture.

Indian architects have always prevailed a very good connect with the directions, wind pressure, sun path and other basic elements while designing buildings. It was present in our ancient architecture as well as in contemporary times. The architecture of Charles Correa and AP Kanvinde considers all these elements and cosmic energies.

Traditional Architecture Indian architecture has always been based on some scientific techniques and methodologies.

Sun temple and shore temple may form as relevant exemplars to justify the same. Incorporating numerous scientific techniques, our traditional

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ancient architecture has always been a perfect portrayal of a glistening example of religious buildings rather than any other institutional or other landmark buildings. The masterminds behind these spectacles are the global pioneers of the architectural domain and have paved a formidable path to follow and ponder upon.

Nalanda inscription For instance, although we have only read about Nalanda university or Nalanda Mahavihara, the first university of Bharatvarsh (known as India/ Bharat today), it was regarded as an architectural masterpiece.In ancient days, this monastic and scholastic institution was located in the kingdom of Magadha, which is now the modern state of Bihar. Enveloped by a lofty wall and a huge gate, the institution comprised of several temples, viharas (educational and residential buildings), compounds, stupas, classrooms and meditation halls. Parks and lakes also adorned the institution’s grounds. The excavated ruins of the institution indicate that bright red bricks were used in its construction. One of the highlights of Nalanda was its well-equipped and colossal library housed in three large multi-storied buildings called the Ratnasagara (Ocean of Jewels), the Ratnaranjaka (Jewel-adorned), and the Ratnodadhi (Sea of Jewels). Ratnodadhi was where the most sacred manuscripts of the institution were kept, and this building was nine stories high. Some other architectural instances with scientific innovation

Green Zone include religious buildings in the eastern and southern part of India like Meenakshi temple which exemplifies iconic elegance.

Nawalgarh- Abode of Tigers Nawalgarh Fort in the Shekhawati region of Rajasthan is one landmark project. It is situated in a region famous for art and architecture particularly exquisitely painted haveli. This sprawling fort is home to numerous Havelis that are famous worldwide for their stunning architecture of the highest variety. The architecture of Nawalgarh Fort is renowned for some of the finest frescoes in the region. A cluster of Havelis to the west of the fort is known as Aath Havelis. Further, visitors can see the European influence on the frescoes and murals displayed here. The majority of paintings here may not be in the prime state, but they still give a peek into the transition in the traditional painting of the region. The Nawalgarh Fort may look largely disfigured today due to the time span of centuries they continue to evoke the romance of the glorious medieval era. At present, the fort is a site to bank branches and other modern attractions.

Islamic architecture - Trajectory of time With traversing trajectory of time, we started losing our identity back in the 15th century when the Mughal arena established. The overall architecture then was turned towards Islamic architecture and we lost the scientific connect that was initially the ethos of Indian architecture.

Further with globalisation, the design language constantly traversed and eventually turned contemporary. While geographical conditions direct the design identity in India, globalization has also been a prevalent baseline that extracts the essence of an identity and causes epidemic which inhibits architecture to respond to its culture and creates an appropriate semblance.

The Path Ahead The future directs us in doing an intricate study of all the statistical data and other parameters which has been in practice since earlier times before modern architecture came into being. In today’s world, it is a responsibility of future architects to examine all the aspects while designing a building. To conclude, Indian architecture is in a state of flux where we have everything—explorations, opportunities, experiments and evolved sensibilities—and a step in the right direction could yield great results and maybe help in re-discovering what we have lost. The need of the hour is to not be carried away with what is happening around us, but to understand our needs, our expectations, our roots and work towards an architecture that adapts to changing lifestyles but stays true to its values and identity; that communicates to people and shapes our society; that helps in building memories and gives us buildings and spaces that can sustain till posterity.

For more details, contact: Kapil Mehta, Principal Architect, Kapil Mehta & Associates

Konark Sun Temple, Odisha

India International Centre - Reflecting inherent “Indianness” in the present timeline The ‘India International Centre’ at New Delhi by Architect

Joseph Allen Stein is another masterpiece which reflects the inherent “Indianness” in the present timeline. The IIC is a unique non-official organisation that serves purely as a meeting place for a myriad cultural and intellectual gathering the city has to offer. While the building is very low key and understated in its elegance, it was ahead of its time and remains relevant even today. Built at a time where air-conditioning was rare, the building uses age-old time-tested principles of shading devises; ‘Jaali’ screens and cross ventilation to keep the interiors pleasant.

Climate and building technology-related issues, that we attempt to deal with today, were elegantly addressed decades ago. The building plan is oriented to respect the Lodhi Domes in the vicinity and borrow the lush landscape visually for itself.

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Design II Incredibly Indian

The campus is spread across 75,000 sq ft.

The design boost of high levels of sustainability.

The Hexaware campus is a lead IGBC certified projects.

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II INCREDIBLYIndustry INDIAN II Speaks Design

The design of Hexaware Campus has been guided by the climate, its surrounding landscape, effective use of daylight and multiple functions.

Arunjot Singh Bhalla, Managing Director, RSP Design Consultants (India) Pvt Ltd

Project description: Hexaware Campus is spread across 23.8 acres in the outskirts of Pune, India. The design of Hexaware campus creates a landmark in a setting with limited architectural references and is representative of a strong brand identity. The five-story structure integrates 75,000 sq. ft. of flexible workspaces, training centers, recreational facilities and other support amenities. The design of this project was guided by the climate, its surrounding landscape, effective use of daylight and multiple functions that this building is set to host.

Campus vibes The project is planned around the idea of ‘campus within a campus’. This development is split into four phases of construction. The design of every phase aims to be resilient and unaffected by the operation of the next. Although functioning independently, the various units are connected through pedestrian linkages and sky bridges.

Scenic background: As a response to the contours on site, the master plan of the first phase is divided into two linear wings oriented to minimise heat gain and maximise on daylight. At the heart of this complex is a large central courtyard that provides a visual connection to all floors, and acts as the hub for socializing. The built mass is deconstructed to form several classical courtyards that foster interaction and collaboration. The interplay of volumes and voids ensure a visual tie with the hills running west of the project, besides creating several shaded outdoor spaces.

Splayed rooms on the split-wings offer panoramic views

of the hillside. Porosity in planning and form allows a continuous movement of breeze with wind tunnels creating a venturi effect.

Design inspiration The design derives inspiration from the vernacular architecture and is expressed in a distinctly contemporary language. The façade design is a rendition of the traditional jali work in clean modern lines, blocking harsh sunlight on the southern front and creating an interesting play of light and shadow. Complimenting a largely sandstone-clad exterior is a floating glass monolith, that functions as a meeting room, providing views of the hills on one end and views of the central courtyard on the other. A metallic circular frame binds the traditional and modern elements into a singular entity, in turn, enhancing the dialogue between the two styles.

The design boasts of high levels of sustainability, having received a platinum rating from LEED IGBC. The project achieves 32.39 percent savings over the ASHRAE base case and an overall saving of 49.66 per cent generating onsite renewable energy of 334kWp. Use of water-efficient fixtures and reuse of treated water reduces water wastage by 56.24 per cent. Extensive studies on day lighting and shading ensure ample day lighting and reduction in the use of artificial lighting. Orientation and façade design minimizes heat gain, thus reducing the load on artificial cooling. Further, Installation of a 334kWp capacity of onsite solar panels offsets 23.26 per cent of total energy costs.

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Green Zone

Embracing urbanisation the sustainable way As an increasing percentage of Asia and Pacific population is fostering the growth of urbanisation, it needs to propagate in a sustainable way.

Sustainable Infrastructure It is a world-wide phenomenon including in our own country that the population concentration is tilting towards urban centers, and that too quite rapidly. This process is irreversible because of the way economic activities, and hence the employment opportunities are converging to only select few cities. As per ADB report (2018), about 55 per cent of Asia and Pacific’s population already resides in urban area, as the world’s fastest urbanisation region.

Therefore the city Infrastructure need not only to support the living conditions, but also foster the commercial activity; absorb all the changes in economic, social and ecological changes on sustainable basis over the period of time.

Macro and policy level scenario At macro level, the challenge is largely related to policy framework, resource availability, and operational models. Government has been trying multiple approaches in different time-frames and planning-periods to get the desired result. We have seen major policy level shifts over last two decades. After experimenting with various arrangements, Public Private Partnership (PPP) has been found to be most suitable mode to address the challenge of financing projects and ensuring the sustainability. However, the rolling out of PPP projects have not been without hurdles.

Department of Economic Affairs (GOI) in their guidelines for the ‘Indian Infrastructure

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Development Fund’ have distinctly identified the challenges. Some of the important concern areas are highlighted as – policy and regulatory gaps; lack of long term financing (10 years +); capacity gap in public institutions; shortage of technical manpower in private sector; lack of bankable projects and lesser acceptance of PPP by the public at large.

If you look at few components of infrastructure, such as Roads and Highways, the PPP model is working rather fine and the sustainability is ensured by the ‘user pay principles’. However, it is not the same case all across the other infrastructure facilities and civic amenities

Green Zone such as water supply and sewerage; primary healthcare facilities, housing etc. In the affordable housing segments, the government is moving on similar lines and the results are visible. This is absolutely necessary in achieving the objective of ‘Housing for All by 2022’.

The introduction of REITS (Real Estate Investment Trusts) and National Urban Rental Housing policy will bridge more gaps in this sphere.

To plug in the gap of technical know-how within the government and local-bodies set-up, the authorities are more proactively engaging consultants and transaction advisors to ensure the quality of projects. Still there is no sufficient availability of technical expertise in the private sphere to meet the demand completely. We have come across the incidences where the PMC for Smart Cities could not attract enough bidders from private consultancy firms.

Sustainability in Smart City context We have seen that the development of Smart Cities are following the same fundamental principle that focuses on sustainability- be it related to city infrastructure, livability, environment or commercial activities.

Despite the unique plan and design for each city, these guidelines are uniformly adhered across locations.

Every smart city plan is prominently incorporating the components of natural resource management, biodiversity, green buildings, water treatment and recycling, solid waste management, green space, public health and safety, water and air quality, etc.

The city planning takes into account, how the employment and growth opportunities can be fostered by provisioning the adequate space for commercial activities, incubation centers, skill development centers etc. Also, the sustainability, inter alia, contains inclusion and social development factors.

The very first project that is undertaken in any smart city is the formation of Central Command and Control System. In the time to come, this is going to play a pivotal role in ensuring city sustainability. The ICT enabled digitised integration of all the data facilitates in quickly readdressing the problems and prompting the corrective measures on real time basis. Besides, the city plan is entirely futuristic taking into consideration all the anticipated changes in demographics as well economic activities.

Role of technology in infrastructure sustainability Application of technology in the infrastructure projects is going to play a decisive role. The government should just not show acceptability, but proactively demand and encourage the application of latest technology that can address complexity and hence contribute meaningfully in sustainability of infrastructure projects. Globally the technology like BIM (Building Information Modelling) is being applied on large infrastructure project to ensure timeliness of delivery, quality adherence and controlling the project cost by avoiding conflicts in

design, scheduling and implementation. With proper policy framework, the government can incentivise the use of green technology. Also, while calculating the returns from a large-scale project, the unquantifiable ‘green-benefit’ can be taken into account and properly factored in the viability analysis.

The way ahead in Indian context To ensure sustainability of infrastructure projects, the government needs to encourage greater participation of private players. This engagement can be accelerated by creating a pool of financially viable and bankable projects to make it profitable for the private players.

Projects cannot have unpredictable revenue streams.

The sudden shifts in policy-framework should not adversely impact the on-going and assigned projects, which is a major reason for many large scale projects hung in the middle of implementation. The participants incur huge loss, as the exit barrier for such projects is just too high. Simultaneously, the operational hurdles such as delay in land acquisition, environmental clearances and absence of single-window approval systems need to be taken care of, without any further delay.

And most importantly, the sustainability of infrastructure, especially the city infrastructure depends on the participation of the citizen. We need to create awareness through advocacy measures for the willingness of people to pay reasonable fee for using the infrastructure services that goes in maintenance and enhancements.

For more details, contact: Pradeep Misra, Infrastructure Expert and CMD, REPL

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Green Zone

Architecting a sustainable future Architects must team with developers and building science professionals in order to infuse sustainability in the projects they create.

Understanding sustainability in new light The capacity for the biosphere and human civilization to coexist is the basic fundamental of sustainability. Modern use of the term is comprehensive and tough to define precisely. Formerly, sustainability meant making only such use of natural, renewable resources that people can continue to rely on their yields in the long term. The idea is to make sure that the utilization of presently available resources doesn’t have any detrimental effects to our collective well-being or making it impossible to get resources for other applications in the long run.

A conscious approach is mandatory to save energy and ecological conservation in the design of the built environment.

Energy Efficiency – The key to achieving sustainability One of the most important goals in achieving sustainability in architecture is energy efficiency over the lifetime of a building. This means implementing both passive and active techniques to reduce the building’s energy needs and enhance their ability to capture or even generate their own energy. The possibilities of exploiting local environmental resources are one among the critical things to contemplate when carrying out initial site inspections. Sustainable architecture seeks to attenuate the negative environmental impact of buildings by efficiency and moderation within the use of materials, energy, and development space and therefore the ecosystem at large. Individuals employed as sustainable architects focus on building design and construction that lessens the impact of urban development on the environment. They create buildings that require less land development, use more environmentally friendly materials and are more energy efficient.

in order that the structure works as a system. The heat/cool calculations for the sort of exterior shell, windows and doors and number of occupants.

Selection of the best location and orientation as per the landscape and solar power generation for the total electrical demands of the operational structure. Maybe have enough porch area for raised bed gardening. Endurable architecture means being able to satisfy consumers’ requests, taking the time and natural resources needed into consideration from the very early stages of the project, entering the context in the most viable way possible, planning ahead by making the space and materials employed completely reusable.

Demand for sustainable buildings is increasing and high demand is the best motivation for any business. Architects have an obligation to ensure that their designs improve the environment around them. Sustainable designs have many ecological benefits, including waste and emissions reduction, water conservation, temperature moderation, storm water management. There is no better way for architects to become purveyors of social change than to embrace sustainable designs. Adapting to shifting demand and taking advantage of new technologies will pay dividends. The benefits not only apply to society at large, but also to individuals and businesses that make a conscious decision to embrace it. An exemplary example of a stalwart structure by Aum Architects, is the Anvaya, which delves into an individual the sense of enormity and volume.

Devised in a simplistic approach, this structure is bound to pose for its iconic ambiance and subtle play of the color palette. The grandiose that the structure imposes is a delight to the eye.

For more details, contact:

What can an architect do?

Architects must team with developers and building science professionals

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Manish Dikshit, Principal Architect, AUM Architects

Promotional Feature

Bonton Technomake introduces new seating systems easier. The solidity and high quality of the materials, along with the wide range of finishes create a variety of simple yet sophisticated seating solutions.

BT 4000 is the product of many years of design and project experience in building and supplying furniture for teaching applications.

BT 900 BT 900 armchair is for auditoriums and conference halls, characterised by a rigorous, essential design that is clearly orientated towards ergonomics and functionality.

Qualified by a patented synchronous closing system for the seat and back, which accentuates the firmness while reducing the volume so as to allow greater freedom of movement and provide a snugger, more comfortable seat.

The flexibility of the structural system allows installation on horizontal flooring and on steps, in straight or curved rows. It is available in wide range of colours in fabric or leather coverings. The backrest can be full padded.

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eticulously created to address specific needs - BT 4000 and BT 900 are ergonomically and functionally inclined BT 4000 is a new system of seats and tables for university lecture theaters, conference halls, auditoriums, convention centres and training facilities. The clean, essential and neutral lines express the minimalist ethos of the range to enhance any environment.

The accessories include row and seat numbering, writing tablet with anti-panic movement, folding in the side.

Dual Desk Bonton knock down class-room Dual Desk is specially designed for rugged use. The desks are made of press formed steel and CRCA tube fitted with either pre-laminated or post formed top, seat and back. It has the provision of shelf for keeping books and hanger for water-bottle.

The choice of different powder coating and laminates shade and high in aesthetics. Every desk comes packed in flat box and easy to assemble.

All components have been simplified and made more efficient to ensure they are practical, hard-wearing and long-lasting, adapting to all technological and multimedia functionality.

The flexible assembly of the system means it can be adapted to shapes of any space and size and installation and maintenance are also

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Design II INCREDIBLY INDIAN

The cottages were designed to grow around the trees, and integrate them in the built environment.

Use of locally available sandstone and brickwork in its naked form gives a very earthy feel.

Photo Courtesy: Inclined Studio

In built sit out at foyer along with twisted sandstone column below roof adds drama into the welcoming gesture.

Inside view of the cottage.

Terracotta tiled roof forms a distinctive presence yet blended into the landscape.

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Glass bottles have been reused for one of the bathroom wall

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INCREDIBLY INDIAN II Design

“Aaranya” an agriculture farmstay is located in rural settings at the edge of Sasan Gir Lion Sanctuary, Gujarat utilises overt principles of vernacular architecture.

Himanshu Patel, Principal Architect, “d6thD” design studio

A

aryana is an exposition of vernacular architecture which banks heavily on the use of local materials and yet makes quite an impact to the contemporary senses. The longer surface of these cottages have been aligned in the north south direction in order to minimise heat gain and maximise cross ventilation and allow the flow of air from the adjoining agricultural field. Considering the structure has been built in an area prone to earthquakes the scale of the building has been kept so grounded. The twin cottage plan with hip roof is intended to help offset the heavy rainfall in monsoon and heat in summer, native to this region.

At a glance from front, the sloping roof looks like it unites the earth and sky. Externally, the elongatedtiled roof forms a distinctive presence yet blends into thelandscape.

Internallyit shelters the entrance foyer and secures the visual privacy of bedroom. In the near future, the entire roof will be covered in creeping plants emerging from the punctured roof and spread on the tiled roof. When the roof will be fully vegetated, the building will virtually disappear.

The cottages were carefully designed, so much so more that they seem to have been planted among the existing mango trees.

The front yard which consist of natural bio fences courtesy the existing shrubs acts as a transition space between the private cottage bedroom and the open farm area. Adding an element of drama in the seating area in the foyer under the roof are twisted sand stone columns. This space is apt for silent contemplation or gaze at the natural surroundings

The building form allows one to instinctively experience the psychological assurance of security on the one hand and the exhilaration of exposure and proximity to the nature on the other. Once inside the cottage, it welcomes you with a feeling whichis tectonic concoctionof coziness and protection.

The bathroom has dry and wet area separated with a small buffer space having stained colored glass panel on one side and waste glass bottle wall on other side. Vivid coloured day light appears in bathroom through that buffer andfills up the space with joy and excitement. The natural skylight from dome above; lights up the shower space and that makes the bathing experience more refreshing.

The old construction techniques using rubble stone packed foundation, load bearing exposed natural sand stone walls, brick dome with china mosaic on top and clay tiled roof are not only cost effective and time tested but architect’s methodology to create job for local villagers as a beginning step of social sustainability and shared happiness. Every effort has been made to ensure that the cottages remains true to its context and testifies itself to the norms of vernacular architecture.

There is an element of vulnerability certainly during an evening spent on local wooden charpai (bedstead) under the stars, listening to the wind rustling in the mango trees and the distant call of a roaring lion but more than that, it brings a humbling awareness of one’s place in the world and harmony with the earth. This can happen only when we are able to connect to our roots to Mother Nature.

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Paints II INDUSTRY SPEAKS

Skora’s brand value by 2025 is pegged at `50 crore

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Skora Paints is in the industry for the long haul and wants to grow as a niche player.

ndian Paints industry is having big expectations from Skora, a vast range of smart paints powered by the Smart Paintz Quantz technology. Naresh Sharma, CEO, Skora Paints, in this interview talks about range of issues and is quite confident about Skora making a mark in the industry and is targeting `50 crore brand value by 2025.

Naresh Sharma, CEO, Skora Paints

What is your take on Indian Paint Industry’s evolution over the past few years?

The paint industry has undergone a massive change and it has transformed from consumer durables to consumer product. If we talk about per capita consumption of paint; it is 20 kg in US compared to 4 kg in India, so there is a huge scope for growth. I have never seen a drop for demand in paint in India and despite current economic slowdown, it is performing quite well. The `50,000 crore paint industry is growing at 12 per cent per year and is set to touch ` 1,00,000 crore by 2026.

Could you talk us about the new trends in the industry?

For 50 years or so, there used to be only three categories of paint – enamel, distemper

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and cement paint. But, over the past 20 years, emulsions and acrylics have changed the dynamics of the paint industry. Also, technology has played a huge role and emulsions have brought in many advantages such as it is leak proof, heat resistant, dust or dirt resistant and so forth. The industry is moving towards premiumisation and paint companies are having margins of 14 per cent today as compared to six per cent earlier.

INDUSTRY SPEAKS II Paints

What kind of new technology is Skora Paints using?

With Skora, we bring to the forefront a revolutionary offering - our state-of-the-art Smart Quartz paint. This Smart Quartz paint technology has been developed by us through rigorous research and development that finally resulted in a coating system that possesses a unique set of attributes like no other in the industry.

Our Smart Quartz paint also extends to the shades that have been formulated to be our smart colours. Owing to our Smart Quartz paint technology these Smart colours reflect harmful IR radiation from the sun. IR radiation absorption causes surfaces to heat up which, in case of painted surfaces, causes paint to crack, flake and eventually chip off the surface. Our Smart Quartz paint technology prevents this by reflecting IR rays keeping the substrate cool, preventing cracking.

Our Smart Quartz paint technology thus, also prevents UV radiation from causing the smart colours to fade as UV rays penetrate paint coatings through cracks in the surface. With the substrate kept cool and safe from cracking, UV radiation too cannot harm the paint quality over time.

What is Skora Paints’ price range?

Skora is able to provide same paint for same price as our competitor and that too with a longer guarantee period. It is due to not having distributors, contractors and dealers and with that company is saving on dealer and contractor margins.

How is Skora planning to grow as a niche player?

We want to build a customer friendly service and want to earn their trust. Skora is the first company to provide finishing consultants to meet customer demand and that will also help us in referral system.

What are your expansion plans?

My franchise plan for 2020 is ready and Skora will have 30 franchises across 30 cities besides we want them on board as equity partners. As one of the leading niche players, Skora’s brand value by 2025 is pegged at `50 crore.

It’s time for the paint to become smart as well. Skora is that smart Quartz paint. It’s the Smart Quartz paint that the smart new world deserves – one that offers more than just beautiful structures, exceptional protection and long lasting colour. A Smart Quartz paint technology that cares about delivering quality coatings that last a lifetime.

What sets your company apart from the competition?

We have made a conscious effort to stay away from the crowd and planning to grow as a niche player. Unlike white container of paints, we have red packaging for exteriors, white for ancillaries and purple for interiors.

We are also using direct marketing methods to reach out to customers.

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Industry Speaks

Different lifting solutions for different needs of elevator hoist ways needed for your building, increasing rentable space for other utilisation.

The high-speed lift running system frees architects to design buildings with maximum floors. Its design is specially developed for India.

Tell us something about your company Incepted in the year 2014, in Noida (Uttar Pradesh, India), “Flying Machine Elevator Industries” is one of the leading manufacturer and supplier of enhanced quality hydraulic lifts, home lifts, passenger lifts, hospital lifts, goods lift, dumbwaiter etc. In addition to that, we also supply and provide installation, testing & commissioning, repair & maintenance services of these products.

Established in 2014, Flying Machine Elevator Ind has emerged as one of the promising lift and elevator solution providers with its varied product portfolio.

The products are manufactured by making use of optimum grade material with the help of advanced techniques in compliance with set industry norms. These products are widely used for lifting passenger and heavy material in various places. Flying Machine Elevator Ind offers customised version of these products to different clients as per their specifications and necessities. Moreover, these products are checked for their quality on series of quality parameters before being supplied to our clients assuring their flawlessness at user’s end. Some of the core features which makes us our clients favorite include rugged construction, high load bearing ability, smooth functioning, easy to install and durability.

Surender Kumar, Managing Director, Flying Machine Elevator Ind.

What are your specific solutions for high rises?

High-rise system is available in a range of speeds, duties and rises to support any high-rise project. The lift running speed with high end technology configuration reduces the number

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In the digital age what are internet enabled solutions you offer to the Indian market?

We offer Flying Machine Elevator Ind Cloud Lift Control System via Internet. The salient features of this system include • Remote monitoring of lifts • Remote diagnostics, live viewof controller status screens [AREM] • Remote control of the lift [emergency call, floor locking, park mood, holding on stand-by, etc...]

• Error notifications [by SMS and e-mail].

Onmobile devices, route descriptions to thebuilding using the default navigation app.

• Statistical reports • Historical travel logs • Easy access to electrical diagrams of the lift.

What are some of the accolades you have won along the way?

In 2018, one of the best reputed magazine in India recognised us as one of 20 most promising Lift and elevator solution providers. We have also received a certificate of appreciation from ARKEL (Arkel is one of big tech brand in lift controller technology in world). Our esteemed include Uttar Pradesh Rajkiya Nirman Nigam, Canon India Pvt Ltd, Samsung India, Mahindra & Mahindra Ltd, Noida Authority and many more.

At Flying Machine Elevator Ind, we engage in continuous innovation to ensure that we stay at the top of our game.

What is your upcoming product launch in India?

We are going to launch lift landing door and car doors system with Turkey based technology.

The brief details will be shared during the product launch. Door System will be very suitable for Indian market as we are going to provide economical and premium series for all type of client requirements. The production unit set up is almost in its final stage and will be launched in May 2020 under the brand name ‘FLYMAC’.

Industry Speaks II Construction Chemical

Resikon has products for new construction, repair and rehabilitation of old structures application methodologies, timely maintenance and good work practices.

Resikon’s range of products is useful from the excavation stage to the finishing stage of any construction.

R. Ravi Shankar, Sr. VP & Business Head Construction Chemicals Division

In the age of skyrises what are some of your most preferred products which can improve the lifecycle of the housing units internally and the building externally?

The Resikon range has products for new construction as well as for repair and rehabilitation purposes. Our select range of products is useful from the excavation stage to the finishing stage of any construction.

We also have specialised products for silent demolition of concrete, rock etc and products to protect concrete and extend its life. Resikon range is ideally suited for housing, infra, roads, bridges, dams, power plants, archeologically important structures, airports, metro rails, tunnels etc.

What is your view on the chemicals and coatings market in India?

Several survey reports indicate that the Indian construction chemical market was valued at USD 1,119 million in 2018, and it is anticipated to reach USD 1800 million by 2024, at an estimated CAGR of 8.27 per cent over the forecast period 2019-2024. Despite the economic slowdown and impact on the construction industry there is a strong potential for growth in the construction chemical business.

What strategies are you adopting to increase your market share?

Resikon in its two plus decades of existence has earned a special respect and loyalty amongst the professionals of the industry across the country and is approved by several government institutions. Our focus is to continue to strengthen and to build upon this trust factor created by our founders who are technocrats with doctorates in chemistry. We have recently upgraded our R&D and testing facility to international standards with a large investment.

This growth is due to large investments in construction of dwellings and infrastructure projects. This anticipated growth necessitates newer concepts and technology for the large number of youths with disposable incomes. We also expect the midsize and compact dwellings to be growth drivers for the coming decade. The government has also laid plans for expanding road networks and opening smaller airports in tier II and tier III cities with huge investments.

How can awareness of the right products improve the market dynamics?

Over the years the awareness in India for construction chemicals has grown but not in its true professional sense. The growth has been price driven rather than being driven by the correct solution/ technology.

It is the responsibility of the brands to consciously educate the stake holders in the civil engineering industry to understand the cause and need, selection of products, right

We have also tied up with European and Australian brands to bring into India novel and unique products suitable for concrete protection, facade protection, impregnated waterproofing systems, fast track repairs and silent demolition. These strategic tie-ups will help us consolidate in the Indian market as well as reach into the SAARC, Gulf and other international markets.

We have also expanded our team, distributor/ applicator networks to register a robust growth in the next five years during which time we also expect the Indian economy and construction industry to bounce back to its full health, with the current economic slowdown behind us.

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Stacker & Reclaimer

Ramco Cements – Reaching New Heights The Ramco Cements Limited is set to surpass 20 MTPA cement capacity in 2020

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he Ramco Cements Limited (‘the Company’) which currently has a cement capacity of 16.69 MTPA is in the process of adding new cement capacity of 6.15 MTPA which will increase its aggregate cement capacity to 22.84 MTPA by the year 2020. Further its brand Ramco enjoys the status of being the largest brand in the Southern Region besides being increasingly popular in the eastern markets. The company has railway siding facilities in all its plants, captive thermal power capacity of 175 MW and wind power capacity of 165.79 MW. Cement plants At present, the company has ten cement plants in operation, comprising five integrated cement plants and five grinding units, with an aggregate clinker capacity of 10.11 MTPA and cement capacity of 16.69 MTPA. Its cement plants are located mainly in four States, namely: Andhra Pradesh, Karnataka, Tamil Nadu and West Bengal.

In addition, the company’s four integrated cement plants are well equipped with railway siding facilities and coal based captive thermal power plants with an aggregate capacity of 175 MW. It also has 165.79 MW wind power capacity including its wind farm owned by its subsidiary company, Ramco Windfarms Limited.

Captive power plants To ensure uninterrupted power supply at an

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economical price, the Company has installed captive power plants (CPPs) at its four integrated cement plants which have a total power generation capacity of 175 MW. The company installed its first CPP at Alathiyur Cement Plant with a capacity of 36 MW (2x18 MW) in 2005. Later in 2017, a new capacity of 6 MW was added increasing the total CPP capacity of Alathiyur Plant to 42 MW. In the year of 2007-08, the company had installed its second CPP with a capacity of 36 MW at its Jayanthipuram Cement Plant. Further, in December 20017, a new capacity of 6 MW was added which has increased its CPP capacity to 42 MW. At Ariyalur Cement Plant, the company had set up two CPPs with a combined capacity of 60 MW. The first CPP with a capacity of 40 MW was commissioned in 2010-11 while the second in 2012-13 with 20 MW. Further in 2015-16, a new 6 MW capacity was added, and with this, Ariyalur’s total CPP capacity has increased to 66 MW. In 2012-13, the company had set up a 25 MW CPP at Ramasamy Raja Nagar Cement Plant.

Grinding units To economise the transportation costs and to

Update service the markets better, the Company opted for grinding units near fly ash availability areas or closer to major cement consumption areas. The company has set up five grinding units with an aggregate capacity of 4.20 MTPA.

Alathiyur Plant

Of the five grinding units, two are located in Tamilnadu, one near Chengalpet in Uthiramerur taluk in Kancheepuram district and other at Singipuram village, Valapadi taluk, Salem district. Both these units were commissioned in 2009, each with a capacity of 0.50 MTPA. Later in 2012, the Salem unit’s capacity was increased to 1.6 MTPA. At present, the Chengalpet Grinding Unit and Salem Grinding Unit have a capacity of 0.50 MTPA and 1.60 MTPA, respectively.

The Company’s third grinding unit is located at Kolaghat in Purba Medinipur district of West Bengal. It was commissioned in January 2010 with a capacity of 0.95 MTPA. After that, the Company has set up its fourth grinding unit off the NH 5, which is located in between Yellamanchilli and Anakapally, near Visakhapatnam.

In March 2018 the company acquired a cement grinding unit from its Group company viz., Ramco Industries Limited which has now became, its fifth grinding unit and second in West Bengal. Located at Kharagpur, this grinding unit was commissioned in 2006. Currently it has a cement capacity of 0.20 MTPA. Wind energy The Company entered into wind energy sector by installing its first windmill in the year 1993. Initially the company set up 4 MW capacity (16 x 250 kW) wind farm at Muppandal in Tamil Nadu. Encouraged by the success, the company gradually increased its total wind power capacity to 153.19 MW in Tamil Nadu by locating the windmills at Muppandal, Oothumalai and Poolavadi.

The company has also set up a 6 MW wind farm in Karnataka during the period 2004- 2006, to meet the energy needs of its Mathodu Cement Plant. With this, the company’s total wind electric generators (WEGs) are increased to 229 and the wind power capacity to 159.19 MW.

In the year 2017-18, the company’s subsidiary – Ramco Windfarms Limited has generated 436 lakh units of power as compare to 451 lakh units of power in the previous year. The revenue and profit of the subsidiary company was `17.45 crore and `4.54 crore compare to `17.81 crore and `4.35 crore respectively of the previous year.

Solar power The Company is gradually entering into solar power too.

At present, the company has 7 KW solar power at its Alathiyur Plant in Tamilnadu and 160 W at Mathodu plant in Karnataka.

Ramco R&D centre The Company is one of the few cement companies, which have their own R&D Unit, known as Ramco Research Development Centre (RRDC). Located in Chennai, RRDC conducts tests in cement and concrete. The RRDC is responsible for finding the suitability of waste/reject material used in the cement industry and contributing substantially for sustainable development. Apart from routine tests, RRDC is involved in finding solutions to concrete challenges faced by various customers and projects.

Surface Miner

Commissioned in March 2015, the Visakhapatnam Grinding Unit has a capacity of 0.95 MTPA. It is in the close proximity of the Vizag Steel Plant, Vizag Port, Gangavaram Port and NTPC Simhadri Super Thermal Power Plant.

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Sanitary

Duravit teams up with Sieger design for new product range Subtly rounded contours, handle-free fronts, low material thicknesses, and optional interior lighting for the pull-out compartments and drawers on the bathroom furniture are highlights of the contemporary elegance of the series. Storage options are provided by console washbasin vanity units, which come in four widths. Small, practical racks in the door of the semi-tall cabinets, which are available in two sizes, ensure perfect order in the interior.

Individual style collections can be created with a total of eleven carcass surfaces to choose from: quality wood, or matt, yet practical surfaces in light and dark shades. The Graphite Super Matt variant also comes with an anti-fingerprint coating. Happy D.2 Plus affords even greater customisation options: the console panel can be selected from a range of six finishes, enabling a range of different, expressive combinations – monochrome, harmonious tone-in-tone or contrasting.

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ith Happy D.2 Plus, Duravit has teamed up with Sieger design to realize current trends in colors, design, and finishes. The archetypical open oval of the Happy D. design classic also runs through the elements of this new, supplementary range.

Above-counter wash bowls with precise lines, stand-alone consoles and matching semi-tall cabinets as well as circular mirrors combine to create perfectly harmonized washing areas.

The new range enables elegant, expressive style collections to be individually designed with a darker or lighter basic mood.

The above-counter washbasins with their narrow, characteristically flattened rim are available in three widths, of which two have an incorporated tap platform. Their striking individuality comes from the new color variants in Anthracite Matt or a two-tone contrast, with glossy White on the inside and Anthracite Matt on the outside. The consistent color concept of Happy D.2 Plus also extends to toilets and bidets, with the interior of the toilets finished in glossy Anthracite for optimum hygiene. All ceramic parts are also available in glossy White.

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The circular mirrors in two colors also lend an air of expressive elegance. The all-round mirror lighting strips come in two finishes: graphic-radiating (“Radial”) or bionic-geometric (“Organic”). For maximum comfort there are the models fitted with a sensor switch, featuring dimmable light and optional mirror heating. The variant with icon control on the mirror surface also has mirror heating and the ambient light mode and switching function for colored light: At a luminosity of more than 300 lux, the light color can be continuously adjusted from 2,700 (warm light) to 6,500 kelvin (cold light). With the set of two, the respective mirror functions for each side are synchronised via innovative wireless technology that is preset at the factory.

This impressive elegance is also reflected when it comes to bathing: the bathtubs made from glossy acrylic are optionally available in Graphite Super Matt with seamless paneling.

Thanks to the compact external dimensions, the various models - back-to-wall, corner right or left as well as the free-standing version - enable a high level of flexibility in room planning. The generously proportioned, ergonomic interior of all bathtub models and the optional whirl system offer pure relaxation and relaxing comfort.

For more details contact: www.duravit.in

Doors & Windows

Nilesh Alumino–Leaders in manufacturing windows and doors Alumino SS Railing & ALU Railing.

Nilesh Alumino is specialized in SS and ALU glass railings to meet the need of today’s modern architecture. This new railing system is totally frame less without a visual obstruction to offer crystal clear view.

Advantages of Nilesh Alumino Economical Low thermal conductivity, Alumino windows are designed to minimize the electrical loss Airtight Excellence of Alumino windows can be proven by the high degree of air tightness due to its in built punching system.

Chemical Resistant Best suited to use in the coastal areas and industrial complexes because it is not corroded or transformed by the sea breeze, salt, noxious gas and acid rain.

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ilesh Alumino–Leaders in manufacturing windows and doors Nilesh Alumino Futuristic Design are pioneers in the field of design, manufacture, installation and precision - engineered. Our windows and doors can instantly give any room a face-lift. They not only look great but they also provide insulation against noise, dust, rain, pollution and rising energy costs making them ideal for Indian living conditions. They are also easy to install and can be used to change the character of any space.

The company has managed to harness a deep knowledge of the Indian market and global technologies to produce and install over numerous windows. Furthermore, the diverse capabilities of Nilesh Alumino has launched distinctly innovative product series. Establishing itself as among the leader in India’s windows and doors, AGS has a presence in more than 150 cities in India, and also abroad.

According to Nilesh Alumino, the Indian market at current position is very good. It will grow at an average pace of 9 to 14 per cent considering the overall condition and parallel to Indian GDP. Considering the current government, which is more focused on housing development and also looking at the spending power of people , the future seems to be good.

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Watertight Alumino windows are outstanding for water tightness so it is much safer from heavy rains.

Soundproof Though maximizing the soundproof effect with an excellent profile design, Alumino doors & windows thoroughly absorb sounds of traffic, airport and construction sites.

WindLoad In many cases breakage of windows is the result of low quality material. Therefore, while choosing a window manufacturer, it is strongly recommended to verify the supplier’s technical capability, history & reputation to secure the safety.

Durable Alumino doors and windows do not shrink and expand with extreme change of weather in summer and winter seasons as they are manufacture dout of specially processed and homogenized aluminum inverts and billets.

Smooth Alumino windows are so designed that it overcomes all the weakness of rigidity and noise while opening and closing operations.

For more details, contact: Mob: +91-9324234647 E-Mail: nileshalumino@rediffmail.com

profile II Doors & Windows

Redefine luxury with AluPure

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cent recyclable. Thanks to their high stability and load bearing capacity, these elements can be produced in extraordinary sizes and with various glass options. They fulfill virtually all architectural challenges affecting colour, shape and sizes.

rofine India Window Technology Pvt Ltd has introduced its aluminium range of products under AluPure Aluminium Window and Door Systems for the Indian market. The objective behind the launch is to offer international quality, state-of-the-art window & door systems and manifold colour options that can compete with any international brand. The systems are produced in India under the stringent international quality parameters and specifications that ensure 100 per cent functional efficiency and durability.

These window and door systems can be installed at home, high rise buildings, offices, hotels, institutions and make a perfect combination to the modern architecture.

These aluminium elements have excellent fitness for use even under extreme loads, and assured perfect functionality at all times.

Owing to weather resistance, they are durable for long term and require low maintenance.

AluPure systems are available for casement and sliding window and door systems with the highest level of quality and security. The profiles are extremely durable, and require only low maintenance over their long service lives. Moreover, AluPure aluminium elements are non-flammable, colourfast, and 100 per

For more information, visit: www.alupure.co.in

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Industry Speaks

HiKoki is the leader in introducing user-friendly tools Hitachi Koki Power Tools India Pvt Limited to HiKoki Power tools India Pvt Ltd and rebranded our power tools and accessories from Hitachi to HiKoki. The trust we have built with our customers and channel partner has helped us to sail smoothly through this transition period and establish HiKoki brand maintaining its growth.

What does India mean to you as a market?

The power tools market is growing rapidly at seven per cent and is projected to grow at a steady pace for the next 10 years. There is also a growing demand for quality and world-class tools which can enable India to compete globally. Keeping this demand in mind, we are strengthening our business and customising our offerings for the Indian market and its unique requirements.

HiKoki India is the largest and fastest growing subsidiary in Asia (except Japan) and has registered steady growth over the last 20 years with CAGR of 16 per cent.

HiKoki Global is very optimistic about the Indian market and they are investing in India operation to strengthen manufacturing facility and want to manufacture more models in India. Presently, we are manufacturing fast moving models which account more than 50 per cent of our sales in India (by volume) and we have plans to increase the tools manufacturing from 50 per cent to 67 per cent and localised components from 50 per cent to 80 per cent in the next two years.

Dattatraya Joshi, Executive Director & Secretary, HiKoki Power Tools

How has your performance been in the Indian market so far?

HiKoki India is the largest and fastest growing subsidiary in Asia (except Japan) and has registered steady growth over the last 20 years with CAGR of 16 per cent. In October 2018 due to change in ownership, we changed our company name from

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What are your core strategies to drive sales in the current phase of economic slowdown?

To drive our sales in the current phase, we are working aggressively to expand our reach to untapped markets. India is witnessing rapid urbanisation and we foresee growth shifting to tier II and tier III cities. We want to strengthen base in this area and increase our market share. We have developed and introduced cost effective tools and accessories with focus to capture the Indian market, which is dominated by Chinese products.

How are your products technologically superior than the existing options available in the market?

HiKoki is the leader in introducing userfriendly tools with latest technologies, innovative designs. Our latest cutting-edge technological offering to the power tools industry is MultiVolt, which is a powerful 36-volt LI-Ion battery platform and it offers the most advanced state of the art battery technology. MultiVolt systems deliver the next generation of high-powered cordless power tools using high output Lithium cells and are fitted with smart auto switching between 36 V high powered cordless tools as well as powering the existing 18V gear.

The MultiVolt series is characterised by being a compact and light cordless tool that has power equivalent of AC products.

We will also be marketing and promoting Metabo brand (HiKoki Group company from Germany) tools for the niche and upper segment market and special applications.

Promotional Feature

Adding value to interiors Leminex is a resilient, flexible product that has unlimited potential in surface décor

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eminex laminates offers some of finest high pressure and compact laminates.

And is a pioneer of luxury laminates in the world especially Europe and Asia. It was started in 1978 and was founded on the idea that a laminate is much more than an invisible background. It is a resilient, flexible product that has unlimited potential in surface décor.

It features rich, luxurious designs that add aesthetic value to interiors.

Leminex Exterior Cladding: Leminex High Pressure laminate (HPL) panels have a decorative surface that is suitable for exteriors. The special quality resins provide extremely effective weather protection to external facades.

The various properties of Leminex is that it is resistant to weathering as per EN ISO 438‐2 and EN ISO 4892‐2 and also it is mechanically sturdy having high Flexural tensile strength as‐per EN ISO 178.

Special Properties Ageing performance and Weather Resistance Leminex Exterior Cladding panels can be

exposed to combined action of sunlight and atmospheric agents such as rain, hail and wind deposits.

It exhausts fumes and acid rain can have mild effect on surface. Also it is not affected by thermal shock and maintains its physical and mechanical properties.

Dimensional Stability: With due conditioning of site, moderate dimensional variation due to the effect of atmosphere; it contracts in low humidity and expands in high humidity environments. The compactness of Leminex Exterior cladding panels provides excellent mechanical propertes such as flexural, tensile, compressive and impact strength.

• • • • • • • • •

Advantages • Easy to install • Scratch resistant • Graffiti resistant • Non porous and easy to clean • Solvent and chemical resistant • Extremely UV and weather resistant • Double sided balanced panel

• • • •

Impact resistant to EN ISO 178 Strongest warranty in the industry Double hardened 115 standard colors and decors Custom Graphics (Individualdecor) 4 Innovative surface textures 5 Large panel sixes up to 161”x73” High flatness and flexural strength Extrem temperature Resisitance” -112F to +356F Warranted for vertical and horizontal applications Class A fire rated ICC ESR #3340 report Easily available at Delhi and Bangalore depots and with 140 dealers across India.

Mod Scaff – Scaffolding & Formwork Systems Mod Scaff today works alongside some of the industry’s biggest contractors. Regular company appraisals are carried out to ensure the service being offered is always first class and unrivalled.

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od Scaff Pvt Ltd is one of the leading formworks and scaffolding system manufacturer in India and it was founded by Manoj Sachdeva in 2000.

Mod Scaff has been serving the construction industry since last 20 years and it is operating from Delhi/NCR. The company serves clients pan India in building and Infrastructure industry.

Mod Scaff manufactures metal formwork and has been instrumental in shaping modern India’s infrastructure and realty projects by providing

In conformity with national safety standards and regulations, Mod Scaff offers suitable solution for any kind of construction project with its design team striving to provide best economical formwork, staging and access solutions to its customers for their varied construction projects - dam, bridge, metro rail, industrial building, high-rise building etc.

Keeping in pace with the ever evolving and growing needs of the construction industry, the company has created infrastructure for manufacturing, spread across two modern plants located at IMT Faridabad and Palwal.

The plants are equipped with latest machinery backed by experienced and qualified engineers, technicians and skilled labours, who are committed to fulfil the requirements of the customers.

quality formwork and scaffolding solutions.

The company consistently strives to offer its clientele with reliable and exceptional customer service. Mod Scaff’s core values have ensured that the client receives timely support, within the defined budget without compromising on the quality. This has allowed the company to garner immense credibility grow exponentially.

The company has an extensive and impressive Unit- 2 portfolio of completed projects.

For more information, visit: www.modscaff.com

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Doors

Enjoy sound-proof doors with 60-min fire rating provide privacy of sight only, the door fails to provide privacy of sound, which is a matter that needs correction by builders and architects.

Sauerland have up-scaled the technology for the Indian door industry to introduce fire protection cum acoustic doors with cores in several configurations and options for up to 44 dBs sound reduction and fire rating up to 60 minutes. The door sets need to be provided with perimeter seals and drop seals for achieving the privacy of sound.

Sauerland cores when used in a main door with their acoustic and fire properties provide sound reduction of 34dB and act as a fire containment door for 60 minutes without using any inorganic material like Gypsum board, Cement board or Calcium Silicate or Fiberglass to achieve 60 minutes fire rating as per BS 476: Part 22: 1987 or as per IS 3614 Part 2 (1992).

The acoustical features benefit on daily basis by keeping out or keeping in the sounds, restricting the noise pollution to a great extent whereas the fire performance of a door set is a passive protection in case of an eventuality or an accident.

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auerland Spanplatte Germany, world’s largest component supplier to the door industry has partnered with several door manufacturers in India to provide you a dual performance Door-set.

Keep the noise out on daily basis and provide passive fire protection for 60 minutes for the main door in case of any fire accident. What a big advantage to the home owner!

Ever thought to expect such features from the door? Sauerland Spanplatte with their vast experience of more than six decades and spanning exports to 90 countries have been active in the Indian door industry since 2008. They have introduced the ecofriendly tubular core option to timber infill successfully. Last year, more than 8 lakh doors were made in India using the tubular boards technology.

But the door constructions are still primitive.

The basic purpose of the door is to provide privacy - privacy of sight and privacy of sound. While the present door systems

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Now, door manufacturers in India can offer the builders and architects a triple acting door set which provides sound proofing and much necessary fire protection of 60 minutes clubbed with smoke containment technology.

Sauerland Cores are having very low formaldehyde level of E1, which means they are safe for internal use in residential buildings.

To learn more about Sauerland Acoustic + Fire Rated Cores and drop-down seals, contact Sleek Boards Marketing Services LLP at sleekboards@ gmail.com or Call on +912025463471/ 25421021.

Promotional feature

Admixtures: Adding value to cements

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some advocated the use of water repelling compounds in the concrete so that water falling on the concrete got repelled and did not enter the concrete so no leakages. And others advocated the use of air-entraining agents, to entrain three to four per cent air in the concrete so that the capillaries did not progress in the cement matrix.

One per cent entrainment of air causes six per cent drop in compressive strength. This was an expensive proposition as it required extra cement for getting the same strength.

einforced cement concrete has come to stay as an indispensable building material for the modern construction industry.

Concrete used in various structures has different requirements with respect to functioning as an end product and also functional requirements vary with respect to its placement conditions, ambient temperature, distance it is required to travel before it is finally placed and compacted etc. There are different types of admixtures divided on their functionality and they are as follows: • • • • • • • •

Water reducing Admixtures As the requirement of higher strength in concrete increased one could go up to a limit, as cement content higher than 525 kgs per cubic meter of concrete produced shrinkage cracks. The need of good workability for better compaction and reduction of water cement ratio for better strength at work sites demanded water reducing admixtures. Based on the chemical composition the water reducing admixtures which are supplied in liquid form can be divided into four categories: • Admixtures based on Ligno Sulphonates • Admixtures based on Sulphonated naphthalene formaldehyde condensate • Admistures based on Sulphonated melamine formaldehyde condensate • Admixtures based on Poly Carboxylic ethers

Waterproofing Admixtures Water-reducing Admixtures Air Entraining Admixtures Super Plasticizing Admixtures Set Retarding Admixtures Accelerating Admixtures Corrosion Inhibiting Admixtures Slump Retention Admixtures.

Waterproofing Admixtures When cement concrete was adopted after the lime concrete and lime mortar era, the first problem faced by the construction engineers in comparison to the lime mortar/concrete was the shrinkage cracks and the leakages. Various laboratories studied this behaviour of cement concrete and put forward various solutions to get over this problem of shrinkage cracks and leakages. The suggestions of early stages are as follows:

Ligno sulphonates The first admixtures which in concrete for water reduction were based on Lingo suphonates, which is simply referred to as lingo based admixtures.

These admixtures are from natural sources and

Some advocated the use of lesser water or maintaining water cement ratio at 0.43. While

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Promotional Feature have some reducing sugars associated with them. They have a tendency to entrain 1-2 per cent air in the concrete and cause slight retardation in concrete.

Suphonated Naphthalene Formaldehyde Condensate This range of admixtures, are synthetic inorganic ones in the form of dark brown liquids. They have slight accelerating property by nature and detrain air from the concrete.

However retarding admixtures can also be made out by incorporating retarding elements.

Their performance or water reducing property is proportional to their molecular weight. Their molecular weight ranges from 2000 to 30000 units.

Sulphonated Melamine Formaldehyde Condensate This range of admixtures are more or less like naphthalene ones except that they are clear liquids. Such water reducing admixtures are quite useful in paver block and paver tile industry which uses white cement and pigments.

Air entraining Admixtures More often higher compressive strength is not the criteria to ensure long performance life of a concrete structure. Concrete structure which

are subjected to alternate drying and wetting spells, often disintegrate and crumble. This is experienced in most water retaining structures dams, canals and marine structures. To increase the resistance of concrete to these alternate drying and wetting conditions one needs to increase its soundness of concrete, which is achieved by entraining air. This is done by incorporating air entraining admixture in wet concrete which forms and evenly spreads micro fine air bubbles of the size of about 20 microns in the body of concrete.

Super Plasticizing Admixtures For achieving high strengths in concrete one needs to reduce water cement ratios to a great extent. Normal water reducing admixtures reduce the water cement ratio to an extent of 25 per cent for getting the same workability.

Set Retarding Admixtures When the concrete batching plant and the site of concrete pour are at a far off distance one needs concrete set retarding admixture.

These admixtures could be based on lignos, naphthalenes, melamine or even PCs. Accelerating Admixtures In cold weather when the ambient temperatures fall below 10 degree C, concrete does not easily set. In such situations one uses an accelerating

admixture. These admixtures are available in powder as well as in liquid forms.

Corrosion Inhibiting Admixtures To prevent the corrosion of steel in the RCC structures and to lengthen the life of the structure itself, steel is coated with epoxy in a process known as fusion bonding. This is feasible on large projects. On small projects this practice is impractical. Certain chemicals are known to inhibit corrosion of steel.

Slump Retention Admixtures Generally set retarding admixtures only help in maintaining the workability of concrete over long spells of time. Imbalance in the aggregate proportioning due to changing aggregates often creates problems on sites. Sands with too less fines create gap in the grading between the sizes of sands and cement. As a result of this the slurry often comes out and gets evaporated causing loss in workability. Fine aggregates with very high percentage of fines cause non setting of concrete in combination with retarding admixtures.

For more details, contact: M A Waheed, Director – Technical, Perma Construction Aids Pvt Ltd (A wholly owned subsidiary of Kansai Nerolac Paints Limited)

Wienerberger to invest `30 crore in their Karnataka factory India. The company is also strongly associated with several CSR activities like providing primary healthcare facilities and affordable housing in the vicinity of the factory.

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ienerbergerAG, the €3.3 billion global player in the construction sector has announced to invest `30 crore in their Kunigal factory, located in the Tumkur district of Karnataka. The investment will enable the company to support its expansion plans including an upgrade and an implementation of new equipment in the factory, converting to natural gas as a fuel and launch of new building solutions that will enable construction practices

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to be simplified and faster with less resource consumption.

The Kunigal factory affirms usage of stateof-the-art technology like Robotics and has extremely energy-efficient manufacturing processes. The factory is also highly equipped with a full-fledged in-house laboratory and product development facilities. Currently Wienerberger employs about 250 employees in

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The company is also constantly looking at new growth opportunities in the Indian market including the launch of new sustainable and future-ready solutions for construction.

Monnanda Appaiah, MD, Wienerberger India, adds,“In the last 10 years, despite volatility in real estate market, our plant has always run full capacity. That itself is a proof of the value that our solutions bring to our customers.

With the INR 30 Crore investment we will also be upgrading our machinery and install new equipment with latest technology that will enable us to scale up the production by up to 25 percent.” The products manufactured in Kunigal offer significant technical advantages over conventional walling materials apart from being environmentally friendly and cost effective.

Construction Equipment

In India, Kobelco excavators are the preferred choice in most common applications includes a good view of the work area and the surroundings. entry & exit comply with the relevant ISO specifications. A hammer is provided for emergency exit.

In the unlikely event of an electronic issue, there is a standby arrangement which allows the machine to be operated though relatively slowly. Standard features like operating buzzer, flashing lights, under cover for the upper chassis, etc are regular features.

What is your outlook for 2020?

2020 is likely to be a very critical year for the CE industry. There are high expectations for a substantial improvement especially after the drop last year. There have been pronouncements from the establishment on various counts like allocation of funds, new Projects, market liquidity, resolution of bottlenecks, NBFCs, etc. However, the question uppermost in the minds of most stakeholders persists – When will the results show up on the ground? When will the numbers improve?

Kobelco has a global focus on listening to the customer. The company initiated operations in India in 2007, and based on the experiences and observations, our products have undergone many changes to suit the Indian conditions.

What are your expectations from the upcoming union budget?

The Union Budget is not likely to be very dramatic, rather it may be a continuation of the various measures taken by the government to revive the economic by addressing key factors like GDP growth, fiscal deficit, inflation, etc. It should, of course, encourage revival of economic activities but the pace will be crucial.

SK Jaruhar, Advisor – Support Services Kobelco Construction Equipment India Pvt Ltd

Can you explain the operational safety benefits of your products?

Safety is one of the critical focus areas for Kobelco globally and this shows in the design of the products. The aspects covered include the safety of the operator, the excavator and its main components, and the surrounding work environment. Operator safety is ensured through the cabin design which

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There is an alert mechanism which operates in case of Hydraulic filter blockage which prevents damage to the main pump. Robust fuel, air and oil filtrations are provided to ensure longer service life of critical components.

How is Kobelco aiding the development of Indian infrastructure through its innovative solutions?

A very large number of Kobelco excavators are working at many locations on infrastructure Projects across the country (including most of the high-profile projects like the Bharatmala, the Golden Quadrilateral, the numerous Expressways, etc) directly as well as at aggregate quarries. Kobelco excavators make an extra contribution with their exceptional Fuel savings (conserving a natural resource), higher productivity, and lower carbon footprint.

Being a global company, how do you ensure that your products are best suited for the Indian market?

Kobelco has a global focus on listening to the customer. The company initiated operations in India in 2007, and based on the experiences and observations, our products have undergone many changes to suit the Indian conditions.They have become more durable and user-friendly to meet the customer’s expectations. In fact, the machines developed in India, are being exported to various countries in South, South-east and West Asia as well as some countries in Africa. In India, Kobelco excavators are the preferred choice in most common applications.

Construction Equipment

Taking Indian road and infrastructure to the next level CASE India is collaborating with Indian government and is leaving no stone unturned in executing high profile road and infrastructure projects.

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ith greater focus on roads and highways sector stated by the government this year and at the end of last year we can assume 2020 to be a successful year for the construction equipment sector. The government recently announced spending Rs 102 lakh crore of infrastructure projects that will be implemented in the next five years and shared plans for the centre and state to spend over Rs 100 trillion to further give a push to the infrastructure sector.

Building road and infrastructure projects: Road is the most important infrastructure of all public assets. With the government’s support 2020 will be a remarkable year for roads, highways and infrastructure. Some of the major road projects in limelight being Pradhan Mantri Gram Sadak Yojana for rural road connectivity, Bharatmala for urban roads and highways construction and Sagarmala project for port modernisation and new port development, port connectivity enhancement, port-linked industrialisation and coastal community development. All these projects have added to the salience of the infrastructure and road construction in India.

Executing projects with precision: CASE India is a premium manufacturer of technologically-advanced products for the construction equipment industry, has a wide range of products being used across

Connecting India through Pradhan Mantri Gram Sadak Yojana: The primary objective of this Yojana is to provide connectivity to the unconnected habitations in the rural areas. Under PMGSY, all eligible unconnected habitations with more than 500 population in plain areas, 250+ population in Special Category States (Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Sikkim, Tripura, Himachal Pradesh, Jammu and Kashmir, and Uttarakhand), the Desert areas (as identified in the District Development Programme), the Tribal (Schedule V) areas and Selected Tribal and Backward districts as identified by the Ministry of Home Affairs/NITI Aayog as per 2001 census are to be connected by all-weather road (with necessary culverts and cross drainage structures which is operable throughout the year).

the length and breadth of the country in projects like Sagarmala, Bharatamala, PMGSY and Trilateral Highway (India-MyanmarThailand highway). With the ever-increasing fleet of our superior products, the brand’s product line-up boasts a solution to meet almost every requirement of infrastructure development of the country, helping the country in creating the best infrastructure and roads for maximum utilisation.

Bharatmala project: Bharatmala is the single largest outlay for a government road construction scheme.

Under Bharatmala, a total of 83,677 km has been approved for development, further the same would be awarded for construction work. CASE India has deployed its finest road equipment in the government project to ensure quality work for the citizens of our country.

With an aim to provide world-class road connectivity, CASE India’s supreme equipment has been deployed in the project as well. CASE India is proud and honoured to be a part of schemes that are directly affecting the lives of the people and changing it for better. With its wide portfolio and best in class machinery CASE India is ready to help the government to create better India.

Importance of Sagarmala project: Sagarmala project is another great project where CASE equipment is being used. As a part of the project, more than 574 projects (Cost: Rs 6.01 Lacs Cr) have been identified for implementation, during 2015-2035, across the areas of port modernisation and new port development, port connectivity enhancement, port-linked industrialization and coastal community development. As of September 30, 2019, a total of 121 projects (cost: Rs 30,228 Cr) have been completed and 201 projects (cost: Rs 309, 048 Cr.) are under implementation.

For more details contact: Puneet Vidyarthi, Brand Leader, CASE India

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Construction Equipment

The new Sany 30 m Truck Mounted Boom Pump introduced at Excon 2019

Putzmeister and Sany delight customers with concrete solutions

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utzmeister and Sany concrete solutions delighted customers and visitors at Excon 2019 with an expanded product range, live demo and the iconic Elephant Nights. The companies recently announced that the concrete sales and service teams were being brought together to offer customers an expanded and complimentary range of products, a wider service and spares network and one face for both brands. This was the first major event where customers got to witness this in action.

The move was well received by everyone.

Product launches Three new products were introduced to customers at the stall.

Batching Plant MT 0.35: With an output capacity of 20 m3/hr, this Putzmeister/ Sany Batching Plant will cater a customer segment not addressed by either brand in the past. Designed and produced at the Putzmeister factory in Goa, the compact plant brings the answer to current and future customer requirements.

The Putzmeister/Sany batching portfolio offers our customers the best features and specifications. Customers now have a wide range of mixing options with output capacities of 20 m3/hr, 30 m3/hr, 60 m3/hr, 90 m3/hr and 120 m3/hr.

Sany SYG5180THB300C-8: Sany expanded its Truck Mounted Concrete Pump product range

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with the introduction of SYG5180THB300C-8.

This is the only 4 arm boom pumps in India offering a reach of 30 meters on a 2-axle truck.

Putzmeister BSF 47 - 5: Putzmeister introduced a new 47 m state of the art Truck Mounted Boom Pump – BSF 47 – 5 including the latest tech features Putzmeister has to

Biggest On The Road: Putzmeister BSF 47-5 Truck Mounted Boom Pump

Construction Equipment offer. The 47-5 is the biggest on the road in India and requires only a 4-axle truck.

Customers got a first look of the compact Putzmeister and Sany MT 0.35 Batching Plant at Excon 2019

Live mechanised plastering demos Putzmeister conducted live demo to showcase the benefits of mechanisation in plastering. Customers were able to see sand-cement and gypsum plastering being done with the Putzmeister MP 25 and in the traditional method side by side real time. The demo successfully established that mechanisation is the way forward for the industry.

Advanced fleet management with Putzmeister machine cockpit Putzmeister has rolled out advanced fleet management capabilities with Putzmeister Machine Cockpit to its range of concrete pumps. Customers were given a live demo of its various features including real time information on the status of pumps at the jobsite, critical status alerts, remote diagnosis capability to identify faults and implement appropriate measures, key figures for delivery rate, machine use and fuel consumption, alerts when machines are on the move and reminders for maintenance.

Elephant Nights And of course, we hosted the Elephant Nights like we do at every major event.

Local artists and DJs from Bengaluru entertained customers with energetic performances and foot thumping music.

Gulf PM premium grease Putzmeister introduced the new Gulf PM premium grease. Developed in partnership with Gulf Oil, this exclusively co-branded blue grease will help power Putzmeister Automatic Greasing Systems in its range of concrete pumps.

Construction equipment trends in India

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he Indian Construction Equipment market has been on a major upswing since 2015 with the sales of construction equipment growing by 24 per cent and crossing the 90,000 unit sales milestone for FY 2017-18, propelled by significant tailwinds with the current government’s laser-sharp focus on infrastructure development and a broad-based macroeconomic push backed by the pursuit of a favourable policy regime has led to India becoming one of the fastest infrastructure developing countries in the world with almost 27 km of highways being developed on a daily basis across the country.

The infrastructure spending level stood at 9 per cent of GDP for the 12th five year plan (FY 13-17). The latest budgetary allocations for FY 2019-2020 indicate towards a continued growth momentum with the inclusion of a 4.56 lakh crore outlay towards infrastructure development focused on railways, roads, aviation & waterways. There has been a 21 per cent year on year increase in funds allocation towards railways infrastructure development along with a strong focus on rural roads development for FY 2019-2020 which is likely to further drive the sales of construction equipment in India going forward.

Construction equipment sales in India have traditionally been dominated by earthmoving equipment led by the ubiquitous and versatile backhoe loader followed by crawler excavators. The equipment sales touched the peak of 90,000 units in FY 2017-18

with a favorable overall environment and strong push & momentum for infrastructure development. The FY 2018-19 is likely to be another record year for the industry with the reduction in GST rates on construction equipment from 28 per cent to 18 per cent in late 2017 providing a major boost to equipment sales in 2018. Near term market growth projections, too, remain robust with India to be the fastest growing economy in the world in 2019 and 2020.

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Durlum brings innovative solutions Lii 2018 to highlight smart city electrification for ceiling lighting

28, 29, 30 NOVEMBER 2019 | PALACE GROUNDS, BENGALURU

concepts in India

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major lighting exhibition under the banner Light India International 2018 (Lii 2018) is scheduled to be held in Mumbai. The exhibition will be held at the Bombay Exhibition Centre during 19-21 January 2018. This ‘mega event’ which is configured to address the smart city electrification concepts in India through seminars and product display is organised 10,000+(ISLE) with200+ by the Indian Society of Lighting Engineers event Visitors Exhibitors management by i ads & events.

protection, material science, control systems, project management and much more.

Our intention that characterised Lii 2018 by: The pooling of its capabilities creates uniqueis solutions • Innovation: Functional andnot designonly oriented will highlight the • Integration: Combination of ceiling, lighting and other room latest, but also present the requirements • Sustainability: Responsibility people futuristictowards trends inand allenvironment. segments

2,000+

300

of lighting.

Durlum is an internationally Delegates Cities active manufacturer of innovative metal Dilip Kumbhat, ceilings, lighting and daylight systems. Forurban more than 40 years, durlum President, Indian smart and sustainable Municipalika is India’s leading 360-degree platform dedicated to building spaces. has been a successful partner for architects, planners, drywall companies Society of Lighting Who exhibits: Solution providers of Water & Wastewater Treatment, Sanitation & Solid Waste Management, Recycling, Environment & Pollution Control, Green Organising Technical Cities, Conferences and Trade Shows has been a and general contractors.

Digital Cities, Urban Infrastructure, Urban Transportation Engineers & Traffic, Electric and Urban Mobility, Safety & Security, etc.

very important part of ISLE’s activities. The first such major event Who visits: Central, State & Regional Authorities, Mayors/Commissioners/CEOs, Town Planners, Architects, Engineers, MEPF Experts, Green Building & Built Realising and lighting solutions for Cities, airports is one of its core lightingunder ambience is Durlum’s field of expertise.

It isDevelopers, based was heldEnvironment in the eiling yearConsultants, 1991, the name of PRAKASH ‘91. Estate Since HVAC Engineers & Contractors, Real Plumbingceiling & Sanitation Expers, Snart/AMRUT Traffic & Road Dept Consultants, Waterwhich & Wastewater Experts, Power & Renewable Energyaim Experts, competencies.

The company’s is to Eng workUsers, with its project partners on awere diversity skills we apply and combine being given on infrastructure development by etc. the central and then, such events heldofonce every 3 to 4Consultants, years andGIS/GPS in according the & ICT www.municipalika.com on solutions that create a perfect synthesis between function to customer requirements and India continuously adapt toin market state governments.” year 2002 it was re-christened Light International Conference & Delegate Registration | Abhinav +91 96197 51909 | | Nitin +91 98207as 69219 | | Deepti +91 99696 71197 | and design.

needs.

2008 and Lii-2008 was held in New Delhi in February 2008. The We have appointed a professional event management company subsequent Lii 2011 and 2013 were held in Chennai and Lii 2015 The company’s capabilities embrace metal construction, electric, For more information, i Ads & Events, who are running events for all groups such as in Kolkata. lighting and daylighting technology, as well as acoustics, fire visit www.durlumindia.com construction, interior, architectures etc. nationally and in Dubai, Singapore, Sri Lanka etc. The technical theme for the seminar Lii 2018 will cover all segments of lighting. Commenting on is “LED & Solar- AA C sustainable the special this, Dilip Kumbhat, President of ISLE said, “Our intention is that E UPDATEdevelopment” februaryand 2020 97 emphasis will be upon smart city applications. A full-day technical Lii 2018 will not only highlight the latest, but also present the seminar on smart lighting has been organised on 20th Jan 2018. futuristic trends in all segments of lighting. The two billion A C E UPDATE october 2019 dollar lighting Industry in India is witnessing a double-digit 57

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