ive, t c e ll o c t r a d Jakarta base ries a d n u o b o n s it ha ching, r a e s e r , g in r f sha in the case o ideas. e h t g in k r o nd w developing a
Now, becoming an artist is no longer have the question of a beauty. Nor criticize or just a cultural observer with a position that is above society. Because art, is no longer enough to do a critique of political behavior, cultural life of the community, the collapse of social morality. Society has now face to face with a television drama that is always present difficulties of life to silence their lives. Performative actions are no longer enough to surprise the public, because now in action initiatives have now become public property. We see how performative people commit suicide by crashing into electric trains.
Installation art is now as good as buildings belonging to semi-permanent living homeless and living under the bridge. Art is now supposed to be part of the society, without any attempt to distinguish itself as a form of the idea of ‘valuable’ difficult to understand. The idea presented in the exhibition are now no longer borrow some abstract form of a la Plato’s idea but takes the form existing in the society
Cut and Rescue WORKS ACROSS MEDIUMS, from a collage of images and text, sound and video pieces, as well as experimental and performative action. The name of the group CUT AND SAVE, Cut and Rescue retrieve, copy, and SAVE CULTURAL ARTIFACTS intertwined around the community, which had been considered banal and low, such as newspapers headlines. In the context of art, Cut and Rescue has participated in several art activities such as: Jakarta 32 O C 2012 (5 Best Work), Jakarta Biennale 2013, and appeared in several music festivals. Cut And Rescue are ADITYA FACHRIZAL HAFIZ, ANGGA CIPTA , RAFSAN YUONO, and SYAIFUL ARDIANTO , also managed by. GESYA NAMORA. cutandrescue@gmail.com http://cutandrescue.org | http://cutandrescue.tumblr.com/ @cutandrescue
Exhibition: 2012 | Jakarta 32°C, Indonesian National Gallery, Jakarta
open submission project, interpretating Jakarta with audio (mixtape)
2013 | Pelicin - Jakarta Biennale 2013, Salihara Gallery, Jakarta
Cut and Rescue work with theme of urban mythology; supernatural money. The money here, is mystification, and it can be intersect of some of the community. Taking stories collected from respondents also some print media and convert into various works such as: audio, video, comics, film posters and banners. Still using the cut-up method, Cut and Rescue processing multiple data sources with different aesthetics but still evoke collective memory of the themes raised.
2014 | Kaos Chaos, RK Gallery, Jakarta t-shirt exhibition
2014 | Jakarta 32°C Showcase, Library of Bank Indonesia, Surabaya
Jakarta 32°C Showcase is an activity that displays best visual works from the event Jakarta 32°C, a forum between college students in Jakarta and major biennial exhibition for the visual works of students in Jakarta. Held since 2004, Jakarta 32°C aims to foster critical dialogue of the students and introduce the best of their works to a wider public. Jakarta 32°C has a program of exhibitions, discussions, workshops, film screenings, musical performances and a bazaar. Its management involves the process of curatorial experimentation by young artists, writings, and organizing exhibitions performed by students and young artists in Jakarta.
2014 | Manifesto, Mencandra Keseharian, National Gallery Indonesia
The basic idea in this work is a cockroach, or have properties of very resistant to a nuclear of radiation and a complication of modern human mental which is called Alienation. This audio discussing a fictional profession that is “The Insects Trainer�, where the artist thinks the profession is very promising in the future.
2014 | Local Fest, Grand Indonesia Talking about local issues, Cut and Rescue interested in discussing local food products produced in the home (home industries). Visual and logos are made very attractive, also if the terms of the foods that contain harmful substances but still be addictive and enjoyable. Acculturation also be an ornamental visually displayed, because this cottage industry products is carried from generation to generation from the various tribes and races that exist in Indonesia, especially Java. Collage works are printed in a banner to the media which represent forms of distribution and promotion is usually done by a cottage industry
2014 | Hai Day - Regeneration, Parkir Timur Senayan, Jakarta
2014 | Pasar Seni ITB, Bandung
In this interactive work we try to invite visitors to play at once nostalgic. Games that will be presented is the game that was once contained in the Regional market or school. Games that had been designed in such a way by the dealer so that the player is difficult to win this game. it is closely related to people age children up to teenagers in the era of 80-90s. We tried to bring up the collective memory of the visitors on this point. The game is; pair of images, pull the thread, candy lottery lizard, and a bonus in the form of the zodiac forecasts. We also insert visuals are used to create these games on any instrument and play a playlist of songs that support the atmosphere of the game.
2014 | Kesedihan (Solo Exhibition), Ruru Gallery, Jakarta
The theme of “Kesedihan” (Sadness) raised in this exhibition originated from a conversation between Cut and Rescue with the curator of the exhibition, Iswanto Hartono. They talked of memories derived from products of popular culture past and its comparison with the entertainment industry today. There is a continuity that is always present in our mass culture production, which the entertainment industry, pop culture and national mass media continues to produce ‘sadness’ as a commodity which is presented to an urban society. Sadness, also misery, present in various forms as the main condiment popular culture products to be ‘fine dining’ favorite city residents. Seasoning “sadness” can be found in the melancholy drama movies, romance novels a la Mira W to hack writer, pop songs breakup until dangdut song lamenting the fate. Television programs ranging from crime news, reality shows, soap opera melodrama that never ended, celebrity gossip, until the call of religion all contribute to show sadness. Ironically, the sad story has become its own recipe for the success of the products of popular culture and entertainment program, which was produced continuously for urban consumption.
2015 | DAYDREAM PLAYGROUND, Green Skate Park TMII, Jakarta Game of Skate, Collaborative Showcase by Recording & Visual Artists
2015 | UGLY “PALMISTRY�, ART DEPT ID at THE GOODS DEPT, Jakarta In 2015 UGLY (fashion products) commemorates the anniversary-3, as a small celebration they create a collaborative exhibition that invites friends artists with the title of palmistry. Palmistry is the essence of the theme of the mystery of the future. Each artist is invited to get a bag that can be customized, but we did not do anything in the bag. We sell these bags to a person and the proceeds of our conversion into a marriage dowry. Mahar be a representation of the extension of the bag as an object commodity changing hands.
2015 | OK Video - Orde Baru, Indonesia Media Arts Festival National Gallery Indonesia
The crowd of the opening and a performance of Cut and Rescue (IDN) in collaboration with Genta Surya Choir The media arts festival known as OK Video returns this year with Orde Baru (New Order) as its central theme. Orde Baru, of course, refers to the period during the Soeharto Regime’s hold over Indonesia (1965-1998), and 2015 marks the 50th anniversary of Orde Baru. As you will read in OK Video’s explanation below, the use of analog technology used to control information, and the use of digital technology in providing a new perspective toward the beliefs that have been established during that era. We make a choir performance in collaboration with Genta Surya Choir sang national songs were very popular in the New Order era as the closing song of the television broadcast TVRI (Televisi Republik Indonesia).
2015 | XERO-FEST 2at THE GOODS DEPT, Jakarta The annual photocopy art event by Art Department of The Goods Dept. Signed editions of twenty-five from each participating artist .
2016 | TAHUN TANAH, Jatiwangi Art Factory, Majalengka, and SALIAN Art Space, Bandung
Cut And Rescue collaborate with Sedulur JAF Radio multimedia show presented AFTER RENDERING REGIME, with the play: “Tikus di Bawah Pabrik Genteng� (Rats Under Tile Factory). Tahun Tanah (The Earth Year) is a festival that was held by Jatiwangi Art Factory as a birthday celebration. Located in the town of Majalengka, which became the largest tile producer in Indonesia. The theme of the future Jatiwangi are beginning to lose some tile factories were closed due to bankruptcy. There is also the issue of urbanization due to be built International Airport that will indirectly change Jatiwangi into urban areas.
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
do not clean. will be used Cut And Rescue’s artwork.
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU