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106 pages

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ALEXANDRA ODDIE Repetitive processes and the regular reproduction of sculptural forms are the dominant factors of Alexandra’s practice. Site-specific exhibition is common in finalizing her project briefs. The works scale and presence is important in making a visual impression. By utilizing a wide variety of media and material throughout her practice it is based upon the principles of experimentation and manipulation.

The body of work present, requires engagement and interaction from the public leading to and involving collaborative elements.

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ALEXANDRA ODDIE Repetitive processes and the regular reproduction of sculptural forms are the dominant factors of Alexandra’s practice. Site-specific exhibition is common in finalizing her project briefs. The works scale and presence is important in making a visual impression. By utilizing a wide variety of media and material throughout her practice it is based upon the principles of experimentation and manipulation.

The body of work present, requires engagement and interaction from the public leading to and involving collaborative elements.

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ALEXANDRA ODDIE Repetitive processes and the regular reproduction of sculptural forms are the dominant factors of Alexandra’s practice. Site-specific exhibition is common in finalizing her project briefs. The works scale and presence is important in making a visual impression. By utilizing a wide variety of media and material throughout her practice it is based upon the principles of experimentation and manipulation.

The body of work present, requires engagement and interaction from the public leading to and involving collaborative elements.

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ALEXANDRA ODDIE Repetitive processes and the regular reproduction of sculptural forms are the dominant factors of Alexandra’s practice. Site-specific exhibition is common in finalizing her project briefs. The works scale and presence is important in making a visual impression. By utilizing a wide variety of media and material throughout her practice it is based upon the principles of experimentation and manipulation.

The body of work present, requires engagement and interaction from the public leading to and involving collaborative elements.

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AMY CLAYTON Attempting to inject humour into mundane situations whilst addressing the issues of modern life.

Decorating everyday surfaces with the colour and pattern, making my mark on life, as life leaves it’s mark upon me. Giving a sense of meaning and order whilst satisfying the curiosty of my identity and both my personal and professional roles, as both a mother and a designer.

email address contact number

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AMY CLAYTON Attempting to inject humour into mundane situations whilst addressing the issues of modern life.

Decorating everyday surfaces with the colour and pattern, making my mark on life, as life leaves it’s mark upon me. Giving a sense of meaning and order whilst satisfying the curiosty of my identity and both my personal and professional roles, as both a mother and a designer.

email address contact number

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AMY CLAYTON Attempting to inject humour into mundane situations whilst addressing the issues of modern life.

Decorating everyday surfaces with the colour and pattern, making my mark on life, as life leaves it’s mark upon me. Giving a sense of meaning and order whilst satisfying the curiosty of my identity and both my personal and professional roles, as both a mother and a designer.

email address contact number

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AMY CLAYTON Attempting to inject humour into mundane situations whilst addressing the issues of modern life.

Decorating everyday surfaces with the colour and pattern, making my mark on life, as life leaves it’s mark upon me. Giving a sense of meaning and order whilst satisfying the curiosty of my identity and both my personal and professional roles, as both a mother and a designer.

email address contact number

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BETH WOLLERTON Exploring communication through sound and senses.

Expressing sound through visual representation.

Creating a language that constantly changes, contradicting the intended purpose of a language – to coherently communicate a message - but still communicating an interpretation of a sound nevertheless.

Questioning the impact of impaired senses on our perceptions and addressing how the loss of a sense can enrich our viewing experience. email address contact number

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BETH WOLLERTON Exploring communication through sound and senses.

Expressing sound through visual representation.

Creating a language that constantly changes, contradicting the intended purpose of a language – to coherently communicate a message - but still communicating an interpretation of a sound nevertheless.

Questioning the impact of impaired senses on our perceptions and addressing how the loss of a sense can enrich our viewing experience. email address contact number

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BETH WOLLERTON Exploring communication through sound and senses.

Expressing sound through visual representation.

Creating a language that constantly changes, contradicting the intended purpose of a language – to coherently communicate a message - but still communicating an interpretation of a sound nevertheless.

Questioning the impact of impaired senses on our perceptions and addressing how the loss of a sense can enrich our viewing experience. email address contact number

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BETH WOLLERTON Exploring communication through sound and senses.

Expressing sound through visual representation.

Creating a language that constantly changes, contradicting the intended purpose of a language – to coherently communicate a message - but still communicating an interpretation of a sound nevertheless.

Questioning the impact of impaired senses on our perceptions and addressing how the loss of a sense can enrich our viewing experience. email address contact number

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BEVERLY COTTRELL Paper Lab emanates a playful twist which challenges the worlds of fact and fiction. The creations are finished with a light-hearted touch, where the majority of the materials used are mundane however combined with hand drawn illustrations and objects that are out of the ordinary, such as equipment existing from a science laboratory. Presenting ‘experiments’ as visual translations of objects and images as a method of recapping and educating fundamental science knowledge to the individual, which presents itself as the nostalgia of learning...

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BEVERLY COTTRELL Paper Lab emanates a playful twist which challenges the worlds of fact and fiction. The creations are finished with a light-hearted touch, where the majority of the materials used are mundane however combined with hand drawn illustrations and objects that are out of the ordinary, such as equipment existing from a science laboratory. Presenting ‘experiments’ as visual translations of objects and images as a method of recapping and educating fundamental science knowledge to the individual, which presents itself as the nostalgia of learning...

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BEVERLY COTTRELL Paper Lab emanates a playful twist which challenges the worlds of fact and fiction. The creations are finished with a light-hearted touch, where the majority of the materials used are mundane however combined with hand drawn illustrations and objects that are out of the ordinary, such as equipment existing from a science laboratory. Presenting ‘experiments’ as visual translations of objects and images as a method of recapping and educating fundamental science knowledge to the individual, which presents itself as the nostalgia of learning...

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BEVERLY COTTRELL Paper Lab emanates a playful twist which challenges the worlds of fact and fiction. The creations are finished with a light-hearted touch, where the majority of the materials used are mundane however combined with hand drawn illustrations and objects that are out of the ordinary, such as equipment existing from a science laboratory. Presenting ‘experiments’ as visual translations of objects and images as a method of recapping and educating fundamental science knowledge to the individual, which presents itself as the nostalgia of learning...

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BRAD HODGSON Exploring the relationship of man and environment, whilst investigating the notion of the landscape as a medium itself. Representing the issues of mans destructive influence and natures own devastation on the repercussions of alteration and the conceptual consequences they convey. Documented in a manner that questions as much as it understands. www.bradhodgson.co.uk

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BRAD HODGSON Exploring the relationship of man and environment, whilst investigating the notion of the landscape as a medium itself. Representing the issues of mans destructive influence and natures own devastation on the repercussions of alteration and the conceptual consequences they convey. Documented in a manner that questions as much as it understands. www.bradhodgson.co.uk

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BRAD HODGSON Exploring the relationship of man and environment, whilst investigating the notion of the landscape as a medium itself. Representing the issues of mans destructive influence and natures own devastation on the repercussions of alteration and the conceptual consequences they convey. Documented in a manner that questions as much as it understands. www.bradhodgson.co.uk

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BRAD HODGSON Exploring the relationship of man and environment, whilst investigating the notion of the landscape as a medium itself. Representing the issues of mans destructive influence and natures own devastation on the repercussions of alteration and the conceptual consequences they convey. Documented in a manner that questions as much as it understands. www.bradhodgson.co.uk

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COLLETTE REID Exploring sculptural forms and the cross over to body adornment. Predominantly a materials based artist, intrigued by the transformative process of discarded items from everyday life. Challenging and manipulating to give a new sense of purpose.

Scale is always considered, often using multiples in this way to create impact. www.colette-reid.co.uk www.colettereid.tumblr.com

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COLLETTE REID Exploring sculptural forms and the cross over to body adornment. Predominantly a materials based artist, intrigued by the transformative process of discarded items from everyday life. Challenging and manipulating to give a new sense of purpose.

Scale is always considered, often using multiples in this way to create impact. www.colette-reid.co.uk www.colettereid.tumblr.com

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COLLETTE REID Exploring sculptural forms and the cross over to body adornment. Predominantly a materials based artist, intrigued by the transformative process of discarded items from everyday life. Challenging and manipulating to give a new sense of purpose.

Scale is always considered, often using multiples in this way to create impact. www.colette-reid.co.uk www.colettereid.tumblr.com

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COLLETTE REID Exploring sculptural forms and the cross over to body adornment. Predominantly a materials based artist, intrigued by the transformative process of discarded items from everyday life. Challenging and manipulating to give a new sense of purpose.

Scale is always considered, often using multiples in this way to create impact. www.colette-reid.co.uk www.colettereid.tumblr.com

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CRAIG WILSON Identity plays a large role within his work and there is particular interest in the way the media exploits it.

Fashion and clothing are his chosen medium, research into fashion has led him to the use of clothing as a means of moulding ones identity.

His work invites the audience to attain a new perspective on clothing and in particular the affect fashion and non-fashion has on their identity.

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CRAIG WILSON Identity plays a large role within his work and there is particular interest in the way the media exploits it.

Fashion and clothing are his chosen medium, research into fashion has led him to the use of clothing as a means of moulding ones identity.

His work invites the audience to attain a new perspective on clothing and in particular the affect fashion and non-fashion has on their identity.

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CRAIG WILSON Identity plays a large role within his work and there is particular interest in the way the media exploits it.

Fashion and clothing are his chosen medium, research into fashion has led him to the use of clothing as a means of moulding ones identity.

His work invites the audience to attain a new perspective on clothing and in particular the affect fashion and non-fashion has on their identity.

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CRAIG WILSON Identity plays a large role within his work and there is particular interest in the way the media exploits it.

Fashion and clothing are his chosen medium, research into fashion has led him to the use of clothing as a means of moulding ones identity.

His work invites the audience to attain a new perspective on clothing and in particular the affect fashion and non-fashion has on their identity.

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ELLIE WELSH The incessant deterioration of one substance induced the desire to learn more, documenting the fermenting specimens using various methods of recording produces scope for a continually altering visual. Mould as a material, once born, becomes difficult to control; the spores constantly multiply, to maintain this state becomes a task of persistent citation. Growing the substance within a site allows for the combination and the interlocking of the mould within the environment.

email address contact number

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ELLIE WELSH The incessant deterioration of one substance induced the desire to learn more, documenting the fermenting specimens using various methods of recording produces scope for a continually altering visual. Mould as a material, once born, becomes difficult to control; the spores constantly multiply, to maintain this state becomes a task of persistent citation. Growing the substance within a site allows for the combination and the interlocking of the mould within the environment.

email address contact number

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ELLIE WELSH The incessant deterioration of one substance induced the desire to learn more, documenting the fermenting specimens using various methods of recording produces scope for a continually altering visual. Mould as a material, once born, becomes difficult to control; the spores constantly multiply, to maintain this state becomes a task of persistent citation. Growing the substance within a site allows for the combination and the interlocking of the mould within the environment.

email address contact number

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ELLIE WELSH The incessant deterioration of one substance induced the desire to learn more, documenting the fermenting specimens using various methods of recording produces scope for a continually altering visual. Mould as a material, once born, becomes difficult to control; the spores constantly multiply, to maintain this state becomes a task of persistent citation. Growing the substance within a site allows for the combination and the interlocking of the mould within the environment.

email address contact number

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GEORGINA BALMER Photography influenced by surroundings, particularly the constantly changing urban landscape.

Heavily influenced by the countryside and her childhood roots, finding the constant diversity of city life fascinating and inspired by its photographic potential. Images document the ever-changing locations seen throughout the day, capturing the people who inhabit them.

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GEORGINA BALMER Photography influenced by surroundings, particularly the constantly changing urban landscape.

Heavily influenced by the countryside and her childhood roots, finding the constant diversity of city life fascinating and inspired by its photographic potential. Images document the ever-changing locations seen throughout the day, capturing the people who inhabit them.

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GEORGINA BALMER Photography influenced by surroundings, particularly the constantly changing urban landscape.

Heavily influenced by the countryside and her childhood roots, finding the constant diversity of city life fascinating and inspired by its photographic potential. Images document the ever-changing locations seen throughout the day, capturing the people who inhabit them.

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GEORGINA BALMER Photography influenced by surroundings, particularly the constantly changing urban landscape.

Heavily influenced by the countryside and her childhood roots, finding the constant diversity of city life fascinating and inspired by its photographic potential. Images document the ever-changing locations seen throughout the day, capturing the people who inhabit them.

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JAMES HAWKSHAW Using Comedy as a tool to explore the female role within advertisement, focused around women as a sexual object. My work satirises the rather intriguing nature of advertisement through the application of appropriate media.

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JAMES HAWKSHAW Using Comedy as a tool to explore the female role within advertisement, focused around women as a sexual object. My work satirises the rather intriguing nature of advertisement through the application of appropriate media.

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JAMES HAWKSHAW Using Comedy as a tool to explore the female role within advertisement, focused around women as a sexual object. My work satirises the rather intriguing nature of advertisement through the application of appropriate media.

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JAMES HAWKSHAW Using Comedy as a tool to explore the female role within advertisement, focused around women as a sexual object. My work satirises the rather intriguing nature of advertisement through the application of appropriate media.

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JAMIE PICTON Born 20th September 1988. Interdisciplinary artist challenging the surveillance of people in everyday life.

In today’s current surveillance society. Examining the subtle distinctions often overlooked. Capturing the minute detail and processing through a production of; Drawing, video, screen print, metal, sculpture, casting, photography.

email address contact number

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JAMIE PICTON Born 20th September 1988. Interdisciplinary artist challenging the surveillance of people in everyday life.

In today’s current surveillance society. Examining the subtle distinctions often overlooked. Capturing the minute detail and processing through a production of; Drawing, video, screen print, metal, sculpture, casting, photography. email address contact number

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JAMIE PICTON Born 20th September 1988. Interdisciplinary artist challenging the surveillance of people in everyday life.

In today’s current surveillance society. Examining the subtle distinctions often overlooked. Capturing the minute detail and processing through a production of; Drawing, video, screen print, metal, sculpture, casting, photography. email address contact number

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JAMIE PICTON Born 20th September 1988. Interdisciplinary artist challenging the surveillance of people in everyday life.

In today’s current surveillance society. Examining the subtle distinctions often overlooked. Capturing the minute detail and processing through a production of; Drawing, video, screen print, metal, sculpture, casting, photography. email address contact number

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LAUREN COOLEY Food for the heart, the mind and the soul‌ Combining eating with design, using food as a medium to challenge and re-think traditional eating rituals in western culture today. Strongly characterized by the subconscious mind and focusing on the link between food and feeling. Heavily influenced by culinary history and different cultures, considering the relationship between food and the viewer, encouraging engagement and establishing the connection between the two.

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LAUREN COOLEY Food for the heart, the mind and the soul‌ Combining eating with design, using food as a medium to challenge and re-think traditional eating rituals in western culture today. Strongly characterized by the subconscious mind and focusing on the link between food and feeling. Heavily influenced by culinary history and different cultures, considering the relationship between food and the viewer, encouraging engagement and establishing the connection between the two.

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LAUREN COOLEY Food for the heart, the mind and the soul‌ Combining eating with design, using food as a medium to challenge and re-think traditional eating rituals in western culture today. Strongly characterized by the subconscious mind and focusing on the link between food and feeling. Heavily influenced by culinary history and different cultures, considering the relationship between food and the viewer, encouraging engagement and establishing the connection between the two.

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LAUREN COOLEY Food for the heart, the mind and the soul‌ Combining eating with design, using food as a medium to challenge and re-think traditional eating rituals in western culture today. Strongly characterized by the subconscious mind and focusing on the link between food and feeling. Heavily influenced by culinary history and different cultures, considering the relationship between food and the viewer, encouraging engagement and establishing the connection between the two.

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SOPHIE ASHCROFT copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here Need better images too.

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SOPHIE ASHCROFT copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here Need better images too.

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SOPHIE ASHCROFT copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here Need better images too.

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SOPHIE ASHCROFT copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here copy to be inserted here Need better images too.

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