September Issue

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THE BEST OF HAUTE COUTURE FALL 2020 HOTELS WITH THE MOST SPECTACULAR GARDENS

In The Saddle with

JESSICA SPRINGSTEEN

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After

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CONTENT FEATURED

INTERIORS

10 In the Saddle with Jessica Springsteen

44 Alessia Mainardi, Elegance Never Goes out of Fashion

AUTOMOBILES

ART

16 Ferrari SF90 Stradale, Turning a New Leaf

52 Sherree Valentine Daines, Portrait Artist to Royalty and the Stars

PROFILE 20 Jean Shafiroff Captures Moments in Time 62 Sandra Vlock, Design Inspired by Nature FASHION + BEAUTY 24 The Best of Haute Couture Fall 2020 36 Sassi Holford, British Fashion and Bridal Designer 40 Gold Star Razor JEWELRY 42 Bvlgari, Barocko High Jewelry Collection

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HOTELS 66 Hotels with the Most Spectacular Gardens - Ashford Castle, Ireland - Boath House, Scotland - Como Castello del Nero, Italy - Grantley Hall, United Kingdom - La Mamounia, Morocco - La Reserve Ramatuelle, St. Tropez, France - Monastero Santa Rosa Hotel & Spa, Italy - Palacio Tangara, Brazil - Templeton House, United Kingdom - The Orient Private Hotel, South Africa

TIMEPIECES 80 Grand Seiko Elegance Collection YACHT 82 Benetti Luminosity, A Moving Palace of Glass TRAVEL 87 What’s New! - Le Relais de Chambord, Loire Valley, France - Les Sources de Cheverny, Loire Valley, France - Sayari Camp, Serengeti National Park, Tanzania CHEFS 92 Executive Chefs, Joseph Hickey and Greg Smith, Noble Rot’s Talented Culinary Duo

Fall is around the corner and the beautiful Jessica Springsteen grace the Cover of our Fall issue. Her love for horses and the sport of equestrian showjumping is an incredible journey which she shares with us. Turn to page 10 and enjoy her story.

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CONTRIBUTORS

Heléne Ramackers, Jarone Ashkenazi, Tim Cotroneo, Barbara Palumbo, Angela Sara West,Tracy Beard, Raj Gill, Debbi K. Hickham, Rebecca Underwood, Adam Jacot De Boinod, Anthony DeMarco, Archana Pandey, Niyoshi Shah, Christopher Kanal, David Danzig, Deve Sanford, Felicity Carter, Jyoti Balani, Fran Miller, Gerard Vallecello, Karen Berlinier, Kevin Pilley, Leslie Royal, Nikita Pawar, Scott Huntington, Pamela & Gary Baker, Priscilla Pilon.

Copyright 2020 Upscale Living Magazine. All rights reserved. No part of this publication may be reproduced without the written permission of Upscale Living Magazine and ALP Publishing Inc. The Publisher will be held responsible for any errors found in the magazine. The Publisher accept no liability for the accuracy of statements made by advertisers. Ads in this publication are not intended as an offer where prohibited by state laws. www.upscalelivingmag.com

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FLY SAFE FEEL SECURE

Have a healthy journey with all precautions taken to the finest detail for your in-flight safety.

Please visit turkishairlines.com to learn more about our travel standards and other details.

F EATU R E

ESSICA JSPRINGSTEEN In The Saddle with

| BY HELéNE RAMACKERS | PHOTOS BY CHANTELLE DOSSER

With a love for horses starting at a young age, Jessica Springsteen credits the patience and determination she has as a person to her cherished sport of equestrian showjumping.

She spoke exclusively to Upscale Living magazine about how she has kept busy during the global pandemic, what impact horses have had on her life, and shares her Olympic dreams for 2021.

Jessica, tell us a bit about yourself.

I grew up in New Jersey and when I was about thirteen, we moved full- time to our farm. We were always surrounded by animals as kids, which was really nice. We had chickens, cows, pigs - you name it! I started riding when I was about 4 or 5. My parents always said I was competitive straight away, but I just loved to be around horses. I never wanted to miss a lesson; I was committed and took it very seriously from a young age.

Do you have a specific horse you favor above the others?

There are so many different things I love about each of my horses. They all have their own personalities so I could never choose a favorite.

Equestrian Sport doesn’t come without mishaps - Have you ever broken something?

I actually just broke my collar bone six weeks ago! It’s normal to have a fall here and there but this was my first bad one. Luckily, my horse and I were both okay - I think every sport comes with a bit of risk. I was nervous coming back - but it’s important not to have

fear when you’re in the ring as it translates to your horse. After that fall, I have been wearing a protective vest, which has given me a sense of security.

to different products, and there’s so much out there now. It’s easy to want to pile on a million different serums, but I try to keep it simple and stick to what works for me.

What is the routine to prepare for an event?

Apart from horses, what is your passion in life?

It varies from horse to horse, and which event. I try to focus on areas that my horse and I are weaker at to try and give us confidence for the competition. Sometimes there is a certain exercise that works well with a specific horse. I always try to think about where we can improve and give more attention to that - but I also make sure my horse is feeling their best physically before a competition.

I suppose patience is a virtue, even in the elite show-jumping world. Do you agree?

Yes! I always say that is something that this sport has taught me the most. Working with animals, you have to be incredibly patient.

This sport requires you to be in tune to your horses and the signals they give you.

I studied developmental psychology when I was at Duke, and I think if I wasn’t riding, I would have pursued a career in that. I loved working with kids and learning the way the human mind works.

You have traveled for business and pleasure. Which places have left a lasting impression and why?

Rome and Paris are my two favorite cities. We are so lucky to compete all over the world, and to be able to ride in some of the most beautiful places.

Where is home?

How do you stay in such incredible shape?

Right now, home I am living in Belgium, but New Jersey always feels like home to me.

Riding! I try to be healthy to give my body the fuel it needs to ride all day. I also love to run, and I try to do certain exercises that help me stay strong in the saddle.

You are an ASPCA Equine Welfare Ambassador, and have your own adorable dogs.

What made you decide to get behind this cause?

Your beauty regimen is on point. Flawless skin - What are your beauty secrets?

Animals do so much for us, in my sport especially. Horses are really giving their all and putting their heart into it, and there is a mutual trust. It is heartbreaking to learn about the horse and animal abuse that continues to this day, and it’s important for us to be their voice and put an end to it.

I am outside all day, so I really try to cover myself from the sun, but it’s not easy. I wear a lot of sunscreen, and always wash my face the second I get home. I use a lot of moisturizer. I’m learning now to stick to what works for you, everyone’s skin responds differently

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How are you, as American, dealing with

F EATU R E

Photo Assistant: OLIVIER COLAIRO Stylist: SOPHIE GOODWIN Fashion Assistant: LYDIE HARRISON Hair by: TOBIAS SAGNER @Callisté Make-up: AYA FUJITA @Callisté Location: DOMAINE DE CHANTILLY Cavalier: ELODIE JACQUET Fashion: RALPH LAUREN

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F EATU R E

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F EATU R E

Photo Assistant: OLIVIER COLAIRO Stylist: SOPHIE GOODWIN Fashion Assistant: LYDIE HARRISON Hair by: TOBIAS SAGNER @Callisté Make-up: AYA FUJITA @Callisté Location: DOMAINE DE CHANTILLY Cavalier: ELODIE JACQUET Fashion: RALPH LAUREN 13 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

F EATU R E

being abroad during this time?

I’m used to traveling back to America often, and having my family coming to visit, so it definitely has been an adjustment. My parents love the sport and I love having them at the competitions, but I’m happy that they are staying safe at home. Everyone is adjusting to the new normal right now.

It certainly has been a very unique year around the globe. What have been your coping mechanisms?

For me, I am lucky that I was able to continue to ride during these times. Riding has always helped me stay grounded; your mind is completely focused on what you’re doing and it’s nice to have that escape. Keeping in close contact with family and friends, even if you can’t see each other, has also really helped.

How have you been keeping busy?

In the very beginning of quarantine, I was addicted to puzzles! Now competitions have begun again, so it’s been nice to get back in the ring. Even though we had a break, we always kept the horses moving. It was nice for them to have some time away from the competition schedule, but we always kept working.

The 2020 Olympics in Tokyo was on your radar this year. It must be a grueling process to prepare for such an event. What was the training schedule like for you before the postponement because of the worldwide pandemic?

At the time, we were working towards making the short list for the Olympics by staying consistent with our results. I was aiming towards certain events with my horse, without overdoing it, so I could have her peaking this summer. Of course, plans have changed, and we’ve had to adjust, but for us our routine is always pretty consistent.

It must have been hard to receive the news that the Olympics got moved and the effect it has had on sports in a broader sense?

It was, but everyone’s safety is the top priority. What is unique about our sport is that there is no age limit, there is always another Olympics or championship that you can aim for, so we are lucky in that sense. Right now, all we can do is hope for the best and try to keep myself motivated.

What does the future of sports look like for you specifically?

I am really enjoying where I am right now, but there is a lot I still want to achieve. I think it’s difficult to say what the future will look like, but I absolutely always want to have horses in my life.  https://www.instagram.com/jessicaspringsteen/ 14 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

Photo Assistant: OLIVIER COLAIRO Stylist : SONIA BEDERE Assistant stylist: LEA DE SAINT PIERRE Make-up: VINCENT OQUANDO @Thewallgroup Hair: REBEKAH FOREST @Thewallgroup

F EATU R E

Photo Assistant: OLIVIER COLAIRO Stylist: SOPHIE GOODWIN Fashion Assistant: LYDIE HARRISON Hair by: TOBIAS SAGNER @Callisté Make-up: AYA FUJITA @Callisté Location: DOMAINE DE CHANTILLY Cavalier: ELODIE JACQUET Fashion: RALPH LAUREN

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AUTOMOBILES

FERRARI SF90 STRADALE Turning a new Leaf | BY SOMNATH CHATTERJEE

S

hock and horror. Ferrari has built an EV. Well, that’s not entirely true and that’s not a lie as well. In all honesty the Ferrari SF90 Stradale is a plug-in hybrid- a first for the famed Italian car-maker. So yes, you can trundle along in the cramped urban jungle in electric power only up-to 84 mph and you cruise around doing that in your bright Italian supercar for 16 miles also. However that’s way better than waking up your entire neighbor-hood with a V12 and also less anti-social when driving around in our cities.

Let’s face it: owners of the SF90 Stradale will hardly every track their cars so these credentials are important. It is also crucial at this juncture to talk about the positioning of the SF90. It is not a LaFerrari replacement and nor is it a limited edition special designed to kept in a temperature controlled garage as this is a regular production car which you can walk into any Ferrari dealership and buy one. Just like a Portofino.

However at a snip under $ 600,000, it is pricier than a 812 but a bargain in front of the mighty LaFerrari. Just like the Roma that we earlier spoke about; the SF90 Stradale is about Ferrari expanding its horizons and also embracing its ‘greener’ side a bit more.

However before the Tifosi make an angry protest towards the gates at Maranello, a cursory glance at the performance figures reveals the astonishing capabilities of this supercar. It will eat an 812 Superfast alive and pretty much every other supercar. That is not all as it might even out-run the mighty LaFerrari at Ferrari’s testing ground too. Unlike the LaFerrari which only used electricity to nudge its horsepower output even more; the SF90 digs deeper into the magical

allure of electricity. You get a V8 and three electric motors where there are two each at the front wheels and one at the rear. It is all-wheel drive and the combined forced of an internal combustion engine and the electric motors give it 986 bhp. The base of this magical figure is the award winning twin-turbocharged V8 which has been increase up-to 3990cc and develops 786 bhp.

There are two versions on offer and there is a harder edged ‘Fiorano’ package which is even lighter, faster and wears sticker tires. The performance figures are so biblical that it makes you wonder whether the SF90 will actually take off the runway. It will dispatch 0-62mph in just 2.5sec- faster before you can even spell out its full name. Plus provided you do have a good explanation ready for the cops: a top speed of 212 mph. To harness all this complex technology and horse-power, Ferrari has ditched the earlier 7-speed dual clutch gearbox in favour of a new, lighter 8-speed one.

Thus while the performance is extra-ordinary the mid-engined lay-out and the long list of complex systems gives it immense levels of grip. However this is a supercar and not a physics lesson. The SF90 is incredibly complex but not to drive since all you have to do is select one of the four drive modes and you’re off.

You do get a steering wheel which is festooned with buttons and everything is designed for the driver to indulge in the serious business of going fast or rattle the egos of other super-car drivers. You can actually operate nearly all of the

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AUTOMOBILES

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AUTOMOBILES

functions without moving your eyes across the dash. Gone are the days of the F40 when only a thin steering wheel and a few dials is all what you would get as now the SF90 Stradale takes Ferrari right up-to the top of the in-car interface and experience. There is a new digital 16 inch curved instrument cluster which serves up the majority of the in-car functions. Other tech that’s been grafted in is a heads-up display and a new key-less entry- something we spoke about in the new Roma as well. Amongst all this an old-school metal gated gear selectordesigned to mimic the old gated Ferrari manuals of yore, looks a bit out of place. That said it is decently roomy and luxurious to boot.

What about the styling? We have waxed lyrical about the Roma in these pages some-time back as it was Ferrari returning to old-school

GT style design but the SF90 Stradale is very much a space-age design that blurs the line between a GT and a hardcore supercar. The design is probably the most futuristic Ferrari yet and also somehow manages to hold onto the theatre that a mid-engined Prancing horse should exude. The front is characterized by a complex hierarchy of lines and a slim headlamp treatment (Matrix LEDs) while the high-set rear tail-lamps and the wide stance of the rear has a whiff of the lairy wide-hipped Testarossa. This being Ferrari of today, there is a lot of aero and a lot of science that has gone into those lines but overall the SF90 Stradale is indeed a proper jaw-dropping supercar- if not in the same mould that we have always expected from a new Ferrari.

As said earlier, the SF90 Stradale brings up a lot of firsts for Ferrari and the fact that you

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can plug it in for charging is probably the biggest indicator of the change that’s brewing in Maranello. It is not the exotic all carbon tub LaFerrari as it has more aluminum in its architecture and it is more affordable, greener, quieter, more comfortable and the sort of Ferrari that makes loving and owing supercars in today’s age more than acceptable. This is Ferrari at its adapting best and behaving like the market leader that it is. The V12s and the slinky shapes plus the astronomical price-tags will still be there but the SF90 Stradale is Ferrari thinking out of the box yet still keeping the family values close at heart. We approve.

PROFILE

JEAN SHAFIROFF Captures Moments in Time | BY RAJ GILL

P

hilanthropist Jean Shafiroff is currently living with six people and five rescue dogs, having her family at home with her is what is getting her through the pandemic. She took time out of her busy home life and fundraising schedule to talk to Journalist Raj Gill.

Tell me a little about yourself.

My name is Jean Shafiroff. I am a philanthropist, advocate, author, and T.V. host.

In addition, I am a mother and wife - a family woman who loves people. I am fairly easygoing, and love being social, I tend to be a bit of a workaholic.

What inspired your philanthropic journey?

It is my belief that those who have resources have an obligation to give back.

What values and principles have led to your success?

My education and upbringing played a major role. I attended 12 years of Catholic School, where the nuns taught us the importance of helping the underserved. My higher education, a BS in Physical Therapy from Columbia University and then an MBA from the Graduate School of Business at Columbia University, was also extremely helpful.

My father was a music teacher. He truly cared about the education and future of his students - and he cared about his family and what he taught us. My parents both believed it was important to help those that have less than us.

They were good role models.

What do you hope to achieve with your philanthropy?

Simply to help others and to be useful to society.

What, aside from donating, are the top three things a western woman could do to improve her situation and help the world beyond herself?

We can all give our time, knowledge, and compassion to those in need. However, for those that have resources, I believe we have an obligation to give available resources.

Another great philanthropist Melinda Gates said: “Great wealth can be very confusing.

It can inflate and distort your sense of self.”

Have you ever found it did that for you?

No, but I do not have the great wealth that the Gates have. However, I am fortunate. I grew up very middle class, and I have never forgotten my roots. We come into this world with nothing, and we leave with nothing. We must always remember this.

What made you want to write the book?

I wrote my book, "Successful Philanthropy: How to Make a Life By What You Give," to inspire others to learn about the great pleasure of giving. I wanted to motivate others - and then to help people realize that we all have something to offer. When you give - you feel rewarded. It is personally rewarding. The premise of my book is that anyone can be a philanthropist, and it is done by giving time, knowledge, and available resources.

Now I have a T.V. show based on the book.

The show is called Successful Philanthropy.

As the host and producer, I interview philanthropic leaders about the work they do. This show airs 4 times a week on LTV in Easthampton, NY. You can watch it by going to LT.V.’s You-tube channel. The show is very successful - and I love hosting and producing it!

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In addition, I use my social media platforms to promote philanthropy. Anyone can follow me on Instagram, Facebook, and Twitter @ jeanshafiroff. I am happy to say I have about 500,000 Instagram followers - who all seem interested in learning more about philanthropy!

How do you think about where you put your resources?

I try to give where the need is greatest - and to those causes that I am most passionate about.

What are some of the issues you’ve been focusing on?

I have specifically focused on health care, women’s rights, underserved populations, and animal rights.

There are some people in the world with the view that there’s too much concentration of wealth in the hands of too few. What do you think about when you see the gap between the haves and the have-nots in the U.S.?

Those who have wealth have an obligation to help the underserved. This is very important.

A strong society needs a strong middle class.

We must make opportunities for everyone to be able to achieve success. Education opens all doors, and we must make a good education accessible to everyone. Social programs must always be maintained. Racial justice must be achieved.

Even though your daughters are surrounded by privilege, how do you instill the values of being grounded, responsible, and kind?

Children must be raised with good values.

My youngest daughter is the co-founder of the charity Global Strays. She spends her full day working as a volunteer on the work of her

PROFILE

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PROFILE

Melinda and Bill Gates for sure. Warren Buffet, Mother Teresa and many others.

What person has had the most influence on you and your life?

I believe that rather than a person, it was my religious upbringing that had the most influence. I am a Catholic, however, all religions teach the importance of giving back. My parents and teachers also had great influence.

charity that sends funds to animal rescue groups into countries where there is great need.

Right now, her charity is helping animal rescue groups in Central American countries. I am proud of her work - and honored to see that she has chosen a life of philanthropy. Before the pandemic began, my oldest daughter was doing a tremendous amount of volunteer work with foster children. She loves this work. Once the pandemic is under control, and it is safe to go back to this work, she will resume her work with foster children. Both my daughters believe in philanthropy and are young philanthropists.

Do you feel there are areas where you made mistakes that you regret now or that have helped inform how you’ve gone forward?

We can always do more and achieve more. My advice to everyone is that we must accept our mistakes and learn from them. We must not make them again.

How involved do you get in politics? There are lines around what can be philanthropy and what can be advocacy. What’s your strategy?

I believe that advocating for the rights of all living beings is important. In the United States, charities (or 501(c)3 non-profits) are not allowed to be political. But we can advocate for the rights of the people - and the rights of animals and then we can advocate to save the environment.

I also believe that philanthropy is something that should be taught at school.

Do you have any philanthropic role models?

for those who live at or below the poverty level.

5. Racial justice - No one should be treated differently because of the color of his/her skin If you could volunteer full time – what would you do?

I spend a great deal of my time volunteering so maybe I would not change anything.

Which of your philanthropic endeavors are you most proud of?

We are living in the time of COVID-19 pandemic, how has this affected your philanthropic endeavors? and going forward, how will it shape your philanthropic endeavors?

Whenever we can help another being, we improve this world. I have done a great deal of volunteer fundraising - and giving. I am proud of that fundraising work, and I am happy to give to good causes.

My husband and I have focused on donating to many COVID-19 funds. During times of extreme hardship, it is important to help where help is needed the most. We will continue to do this.

Did you feel like philanthropy was an obligation?

During the COVID-19 pandemic; I have done a great deal of advocating on national T.V. and radio for food pantries, animal rights, and racial justice. I now have a T.V. show titled Successful Philanthropy, where I interview leaders of philanthropic causes. n the show, the pandemic is always mentioned, and how we can help.

I enjoy the volunteer philanthropic work I do. It is the obligation of mankind to help the underserved. We are not put on this earth only to consume and just to make life better for ourselves and our families. Rather, we must help those who we may never meet but who are in great need of help.

I love philanthropy, and feel honored to be engaged in it. Since I live a good life, I feel obliged to help out. It is a great honor and privilege to be able to help.

What’s been your best giving experience?

Serving others, and making them happy What’s been your worst?

There are times that people are very impolite.

As a volunteer fundraiser, and someone who gives away my time without a salary; I find it difficult to respect those that are rude to volunteers.

What are your top 3 philanthropic interests and why?

I actually have five 1.Women’s rights - Women’s equality is very important to me. Women are equal to men but not all cultures believe this. This type of thinking has to change.

2. Health care - Everyone should be able to receive health care when sick.

3. Animal rights - Every animal should be treated fairly.

4. Underserved populations - We must provide

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In addition, my social media platforms are used to help my followers cope and learn how they can be helpful to others during this terrible time.

Regarding all the charities I am involved with, our big fundraising galas have now been canceled, and have been replaced with virtual fundraisers, or matching fund campaigns. I am involved with these new ways of fundraising.

Moving forward, I expect my philanthropic work to increase in scope.

What is your take on the future for philanthropy? What’s next for you personally?

Philanthropy will become more global. For the world to move forward, it must become a priority of all groups. There will need to be more concern for the underserved - we are moving in that direction each day. Our reporter Raj Gill’s thoughts on Jean: Jean is clearly abundantly wealthy and easy on the eye! A dynamite combination. Beyond that, she is also engaging and articulate. I found her to be deeply religious, and very humble. Jean took the time to be interviewed in the hope that it would inspire others to give. She was delightful to interview, and I look forward to hearing about her continued success.

PROFILE

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FASHION

The Best of

HAUTE COUTURE Fall 2020 | BY GERARD VALLECELLO

The social distancing measures and travel restrictions caused by the pandemic have prompted industry leaders to re-evaluate how the fashion world operates. Putting on a digital show has resulted in the use of new creative mediums and yielded insights about design and collections.

W

hat is normally hailed as a heavenly and exclusive experience, Paris Haute Couture shows were showcased in a more public format as they were streamed to the online. Their nature is a recurring motif, as is the human desire to get out into it. It may be irrational exuberance on its part, but it is exuberance, which is better than its opposite, and after months of restrictions, this kind of pleasure-seeking is hardly a surprise.

Paris’s digital shows were part of a broader industry transition to recreate the fashion show online through partnerships with digital platforms like YouTube, Google, Instagram, and Chinese agency Hylink through,

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which it will team up with WeChat, Weibo, and Little Red Book. With the majority of household names participating such as Chanel, Dior, and Valentino.

“It’s not a substitute, it’s something new,” said Pascal Morand, executive president of the Fédération de la Haute Couture et de la Mode.

With that in mind, we dive into the Best of Haute Couture Fall 2020, one definitely for the books.

FASHION

Dreamful at Giambatista Valli Gimba as he is often referred to decided to uphold his aesthetic made of volumed pieces with detailed embroideries, focusing on the longing of an outdoor world. (courtesy of Giambatista)

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FASHION

Alexander Vauthier The best vision of a housewife. (courtesy of Alexander Vauthier)

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FASHION

The fairytale at Christian Dior Many designers can trace their design inclination to childhood doll garment making. This was a toast to their imagination. The presentation was two-fold: The 37-look line was first unveiled through a short film directed by Matteo Garrone and then was miniaturized on small mannequins arranged within a trunk fashioned to look like Dior’s Avenue Montaigne headquarters, that will then travel across the globe. (courtesy of Christian Dior) 27 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

FASHION

Georges Chakra A delicate fusion of practicability and glamour. (courtesy of Georges Chakra)

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FASHION

RDVK Ronald van der Kemp presented a series of short films from past collections and while this collection was colorfully intoxicating and whimsical as a trip to the circus and elegant in the core. (courtesy of RDVK)

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FASHION

From NY with love at Schiaparelli It’s very important to keep the momentum and while grounded and accidentally in lockdown in NYC, Daniel Roseberry sketched the story of a collection that could’ve been. There’s this beautiful poignant admission that they didn’t have the resources to function as usual. And so, unusual times called for unusual measures. The resulting sketches were presented, and the looks will be offered made in Paris on a made-to-order basis. (courtesy of Schiaparelli) 30 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

FASHION

Chanel If Princesses wanted to play royal rebel they would wear Chanel. (courtesy of Chanel)

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Balmain Bringing renaissance to the world “Sur Seine” (courtesy of Balmain)

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FASHION

Valentino Things were Larger than life! No, the images were not photo-shopped. The gowns were 16 feet high. Pierpaolo Piccioli’s vision for these trying times meant to go big or go home. With an apparent ode to Sala Bianca 945, an “all-white collection” featured throughout the house’s trajectory. The collection was presented in a collaboration with fluid film titan Nick Knight. (courtesy of Valentino) 33 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

FASHION

Ralph & Russo Coveted pieces for the collector's heaven. Every piece, every detail, committed to innovation, exclusivity, quality and individuality. (courtesy of Ralph & Russo)

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FASHION

SASSI HOLFORD British Fashion and Bridal Designer | BY JYOTI BALANI

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assi Holford is recognized as one of Britain’s most established dress designers. Celebrated for her couture bridal designs and red-carpet creations, Sassi has been dressing women for almost 40 years. It all began in 1981 when Sassi offered to design and make a wedding dress for an old school friend who had no budget. Requests for further wedding dresses came in, and Sassi began designing from a small studio in North Devon later that year.

In 1992 Sassi moved to Taunton, and set up a studio above a store; two years later, that store became Sassi’s first shop. Her designs were picked up by buyers and stocked at Liberty, Harrods, and Tatters on Fulham Road, one of Diana, Princess of Wales’ favorite stores.

When Tatters closed in 2003, the owner, Missie, offered Sassi the lease, which became her second store.

Today, Sassi’s designs attract clients from across the globe, developing the brand into an influential fashion business. Alongside winning multiple awards, including three times British Bridal wear Designer of the Year, Sassi has also hit the spotlight for dressing A-list celebrities and royalty alike.

The launch of Sassi’s ready-to-wear fashion collection in August this year has been an organic addition to the brand, and was born from requests by her stylish brides wanting beautifully cut, timeless pieces. Designed at Sassi’s Somerset atelier, the collection features transeasonal dresses, tailoring and separates. The color base is neutral with highlights of flame, aubergine, and indigo blue. Soft to statement silhouettes encompass the foundations of Sassi’s selftaught, award-winning pattern cutting.

Dresses are belted, or slip style, pleated skirts in foil georgette, and devoré silk can be worn with strappy silk camisoles or silk blouses.

Palazzo trousers in Italian crepe are teamed with delicate lace tops or cotton shirting for any occasion. Tailoring is structured with matching tapered tuxedo trousers or a color-matched skirt for a relaxed look. ‘Inspired by the confidence I see my evening and couture bridal dresses give to women, I have realized my vision of launching ready-to-wear. Every piece is ageless with details that define a woman’s individual style,” says the designer.

The collection will be available via made-to-order in keeping with Sassi Holford’s sustainable initiatives from Sassi’s website, and the Chelsea store. All fabrics are ethically sourced, and packaging is environmentally friendly.

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FASHION What made you decide to start a career in bridal design?

I’ve always had a love for design, but it wasn’t a conscious decision to start my own label. In fact, it all began after I agreed to make a wedding dress for a friend in need, and requests for more dresses quickly followed.

How long have you been a designer?

It will be forty years next year! Where did the time go?! I can’t wait to see what comes next now that we have launched ready-to-wear.

Why did you decide to launch a ready-towear fashion collection?

I have designed bespoke pieces for my clients for years and always had requests from my stylish brides and their mothers. They asked for a beautifully cut, ageless pieces that make their wardrobe work for them, and that’s what has driven the launch of my ready-to-wear fashion collection.

How would you define the style your readyto-wear collection exemplifies?

I am passionate about designing beautifully cut, ageless pieces that can take a woman from coffee to cocktails effortlessly. Designed for the discerning, stylish woman, it’s a collection that evolves with you and will work in harmony with the rest of your wardrobe and enhance your individual style.

Tell me a little about yourself. Where are you from? What’s your educational background? What are your general professional and non- professional interests?

I was born in East London but spent much of my childhood moving around the country due to my mother’s job. We settled in North Devon when I was 15, but originating from a bustling city, I was soon devising how to go back. Designing allowed me to get my fix for the city, even more so when I opened our Chelsea store. I try and do as much as I can to slow my pace down when I’m not working. Cooking feasts for friends (when we can), walking, reading, and yoga – everything to balance out my hectic working day.

How would you define your personal style?

My style is built on sartorial staples that can carry me through every season. You’ll always find a well-fitted white shirt, wide-leg trousers, and statement shoes in my wardrobe. My current favorites are my Chloé Rylee cut out leather ankle boots; they go brilliantly with any outfit.

Who are some of your favorite designers?

Do you consider yourself an artist?

Alexander McQueen – his tailoring, detail, and innovation continues to be my inspiration. I have also always been drawn to the femininity and confident silhouettes that Dior showcases season after season.

To me, an artist is someone who produces something pure like a painting. I see myself as a creative using garment technology to express my vision.

How long does it usually take you to construct a piece?

I’m passionate about making sure that the cut and fit is perfect. We’ll spend a week refining every element, producing 2 -3 toiles per each piece before carrying out wear tests and then finally signing off for production. None of it would be possible without my talented and dedicated team who work at my Somerset atelier – many of whom have been with me for more than ten years.

What’s your favorite part about conceptualizing a design?

I love designing pieces that showcase the cut, fit, and craftsmanship that goes into producing timeless, high-quality pieces. If you look close enough, you will see the details that refine a woman’s effortless style.

Where do you find your inspiration?

I believe life should be inspiring! From the dynamic women I work with to the beautiful architecture we have here in the UK, and around the world.

What are your favorite fabrics and colors to work with, and why?

I adore working with Boucle tweed and crepes.

They handle beautifully and have been part of some of my favorite pieces I’ve ever designed.

Color is dependent on my mood, but right now, I love flame and primrose. I prefer a much richer palette of bottle green and aubergine for winter.

Where do you source your fabrics and other materials?

We source most of our fabrics from Italy and some in the UK. We have worked with the same family-run suppliers for years. We’re always on the lookout for new, innovative fabric technology, as I believe every design starts with the fabric.

What do you believe makes a good quality article of clothing?

Without a doubt, every great garment starts with the quality of the fabric. As a designer, you cut the pattern that brings out its beauty.

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Having started the business myself, I have learned garment technology skills that allow me to bring my ideas to life and use fabrics that compliment them.

Where can readers find out more about you and your work?

My website! It’s full of articles on my business as well as lifestyle and fashion, plus you can shop the collection. We’ve recently launched a brand-new Instagram account for our readyto-wear (@sassiholfordrtw) Where can readers buy your collections?

You can buy my ready-to-wear fashion from my website www.sasssiholford.com as well as in my Chelsea store. My bridal collections are available from my Chelsea and Taunton stores by appointment and our independent stockists.

BEAUTY

Gold Star Razor | BY KEVIN PILLEY

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ompetition is hotting up in front of the mirrors of locker rooms, gentlemen’s clubs, and Ivory League frat houses. Who’s got the best razor? ULM’s roving shaving correspondent conducted his own luxury shave off.

Meissen is the oldest porcelain manufacture in Europe. Perfect for those who aspire to precision-engineered features. Also, heft a Karelian Masu wood ( harvested when ground frozen) Fusion, and you’ll know what the feel of a quality razor is all about. | www.muehle-shaving.co.uk

Bolin Webb X1 Carbon Fibre Razor with stands ($400) Claims to be the pinnacle of luxurious contemporary shaving.

Engineered and made in England, the razor is constructed with premium carbon fiber from “Reverie” – the leading supplier to luxury sports cars in the UK. The Prestige Range, a luxury collection of designer razors in smoked plated chrome, 24ct gold, and carbon, each is offering an outstanding celebration of contemporary design and shavingoneupmanship. Leaves a very satisfying affluent afterglow. | www.bolinwebb.com

Truefitt & Hill Sheffield Double-Edged Razor ($180) The English taught the world to shave. Those with taste display a T&H monogram. Having been handcrafting shaving accessories since 1805, Truefitt & Hill’s significantly weighted and ergonomically hand-crafted 140mm beauty handles smoothly, safely, and sublimely even in the fog.

When the mirror mists up. Finished in polished stainless steel, it oozes class, proving that not all Englishmen are chinless wonders. You must have the pre-oil and West Indian or Apsley aftershave balms to complete the coddling. Perhaps the sandalwood luxury shaving soap bowl too. All will up your shave game and influence people.

Merkur Futur Gold Safety Razor ($190) It pays to splurge on a razor if shaving is to be a status-enhancing ritual and a socially uplifting experience, rather than a tedious chore. This flashy double-sided, German 14ct gold-plated objet d’art offers minimal abrasion with plenty of bling. And social cachet guaranteed to turn the heads of inferior shaving paraphernalia owners. Futur’s adjustable safety razor is 4-inches long. Its handle is knurled so great if you have big hands and large pretensions. Being seen to be a Merkur of Solingen man will win you admirers. | www.dovo.com

Taylor of Old Bond Street Fusion Razor with Birch Wood Handle ($180) Established in 1854 by Jeremiah Taylor on London’s fashionable Bond Street, Taylor of Old Bond Street is one of the oldest and most respected barbershops in the world. Its Fusion Razor, made from birch wood and chrome, is sophisticated and stylish and won’t look out of place in an oil sheik’s bathroom or aboard a Russian oligarch’s yacht. You have to have the Tobacco Leaf balm to go with it and make sure you leave in a conspicuous place the $200 Victorian Leaf satin-lined gift box with shaving cream bowl, super Badger brush and Victorian faux horn Mach3 replacement razor. Invest too in a $200 freestanding rose gold shaving mirror. No stropping required. Being caught stropping in a public place isn’t cool. If you are going to shave in front of others make the most of the opportunity, Shaving without one of the world’s luxury razors is like not using one of Taylor of Old Bond Street’s $200 large natural shoehorn to put your shoes on. | www.tayloroldbondst.com

Muhle Meissen Fusion ($720).

Made by the Muller family in Stutzengrun. Saxony, its price echoes impressively in crowded, male-dominated areas. It will stop onlookers in the tracks in the same way as a Lamborghini. It’s just as maneuverable too and forgiving around sharp, tight corners. With a Muhle in your hands, you can get to hard to reach places quicker than most. The hand-painted Ming Dragon motif symbolizes power and good fortune.

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JEWELRY

BVLGARI

BAROCKO HIGH JEWELRY COLLECTION | BY JARONE ASHKENAZI

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he pomp and circumstance around the unveiling of the new House of Bulgari line of jewelry, was tamed due to Covid-19, but Barocko shines through. Although the normally high-brow and stunning display lacked tangible penosh, it certainty didn’t disappoint.

defining architecture and grandeur, was the impotence for Bvlgari’s Barocko line, crafted in the jeweler’s workshops in Rome. Under the watchful eye of creative director Lucia Silvestri, skilled jewelers create, set and polish each design to ensure standards of perfection are met.

This year’s high-jewelry collection under the name of Barocko, may have lacked the launch of predecessors which celebrated the brand’s rich roots, but was launched digitally via a dedicated app. Through the Barocko app, potential buyers (or those dreaming jewelry fanatics) are able to immerse themselves in the Bvlgari with its ‘try on’ feature and 360-degree images of each piece.

Comprised of three categories: Light, Color and Wonder, each present an alluring and bold style, unique to Bvlgari. The daring and bold collection includes a line of rings, necklaces and earrings, one more opulent then the other. The pieces are broken up into two molds, one of either geometric design (with square and cushion cuts) or that of curved (with fan shapes and twists) masterpieces. Another accomplishment by Silvestri and team is the “en tremblant” setting – an extremely technical process - where stunningly, the pieces actually move while the wearer does.

Taking inspiration from the city of Rome and the Baroque style, the line of jewelry elevates high class jewelry to new heights. This lavish era with

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Barocko features a multitude of stones throughout its pieces, showing the breadth and depth of understanding of Bvlgari. The mesmerizing Lady Arabesque Necklace is a beautiful necklace with bright and expertly placed gemstones while also bringing classics like ruby, sapphire and emerald to many other pieces. Although some of these other pieces may lack the initial wow factor like the Lady Arabesque Necklace, each piece takes months and years to create as expert jewelers must pick the perfectly shaped, sized and colored stone for each piece.

While Barocko is the brand’s most extensive yet limited high-jewelry collections yet to be released, Bvlgari only will disclose prices to qualified buyers.

JEWELRY

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INTERIORS

ALESSIA MAINARDI Elegance Never Goes Out of Fashion

| B Y H E L É N E R A M AC K E R S

P H O T O G R A P H S C O U RT E S Y O F A L E S S IA M A I NA R D I

B

orn in the fashion capital of the world, Alessia Mainardi integrates her Milanese roots into her exquisite interior design projects. Creating beautiful bespoke interiors for clients, Upscale Living magazine got the inside scoop on what it takes to create a timeless design.

Alessia, tell us a bit about yourself.

Back in the late 90’s, I studied Jewelry Design at IED in Milan, an inspiring institute, which gave me the tremendous opportunity of learning from Lecturers such as Elio Fiorucci and Carla Sozzani.

Studying to create jewelry, at a time when CAD had not been adapted, meant that all design, from technical drawings to renders, was done by hand.

My family has a travel business and were initially reluctant to encourage my love of jewelry design. So, for a few years, I followed in my family’s footsteps and entered the family travel business. As a perk of the business, I was able to visit exquisite destinations, appreciate different cultures, and local cuisine and stay at a vast array of hotels. This experience gave fuel to my desire in design, how places such as hotels can transform the living experience and be such an inspiration to people’s own homes!

How did you move from travel to design?

My jewelry design background, together with my travel experience, naturally brought me to interior design. Visiting beautiful hotels and appreciating

how their design created a wonderland for its clients, made me realize my appreciation and love for interior design. I took this love a step further and studied Interior Design at KLC London.

Once I graduated, I gained a role in a design studio, mainly working on commercial projects such as hotels and cruise ships. After only a year of working in the studio, I set up my own company and gained my first project designing a restaurant.

Your connection with Interior Design started at a young age.

Milan is renowned for being the style capital of the world, and I was born into this! It is the place to be not only in furniture but in fashion too. Being Milanese, and spending most of my life in Milan, my designs and inspirations reflect my heritage and upbringing. I am inspired by the timeless Milanese design styles from the era of Gio Ponti to the 80’s. Milan has been the place of expression of many great designers Gio Ponti, Gae Aulenti, Luigi Caccia Dominioni, the Castiglioni brothers, to name a few, every step into the city of Milan is the reflection of their creativity and an inspiration for me. One of my parents’ family friends owned a furniture store, showcasing pieces from Cassina, Poltrona Frau, De Padova, these were and still are considered some of the finest furniture designers. Their timeless pieces can still be found in many Italian homes, dating back to the early 80’s. At a young age, when the store was closed, I could play there, an interior designer’s dream! A doll’s house but on a 1:1 scale!

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My parents’ love of finely designed furniture was an early influence too. At home, we had a formal living room with leather sofas from Poltrona Frau and silk padded walls. A mixture of contemporary and vintage furniture mixed in with some pieces that they had collected during their travels. It was magical. A style, combined with nostalgia, sophisticated touches, and travel memories.

You started out studying jewelry design in Milan, and then Interior Design at a later stage. Do these two principles go hand-in-hand?

Jewelry design requires not only the passion for design but the skills of extreme attention to detail. Everything is drawn on a 1:1 scale, so the designs require extreme accuracy. One learns how to mix both aesthetics and technicality as well as how to seek inspiration to create a piece both visually stunning and something unique. Most of my inspiration came from nature, but I was also very fond of Art Deco Jewelry. The skills which I learned are also applicable to interior design. Having the ability to work with various technical tools and materials allows me to create beautiful bespoke interiors for our clients.

When and why did you start your own company Alessia Mainardi?

Upon making the decision to leave my managerial position at my family business and having graduated from KLC London, I started my company in 2013. My experience in the daily management of my family company, as well as knowing how to deal with demanding clients, placed me in a unique and strong position. Understanding the financial aspect of running a business also helped me. This change placed me at ground zero. At first, it was both not economically nor professionally rewarding. But my creative drive and business experience provided me with confidence and placed me in a unique position to take on my first project, a commercial restaurant, and then this was followed by my first residential property, a large home in Notting Hill.

The first two years were spent working out of my living room. My home was taken over by samples and project mood boards. As my business grew and expanded, and once I felt I was economically stable to expand, I decided to rent an office, which would allow me to better organize myself and all my materials. The first office space I decided to share with a friend, Caroline, who herself was starting her own fashion company, SKIIM. Now, years on, we both have moved on to our own office spaces, but we still keep our tradition of sharing a Christmas lunch with both our teams.

Where or what do you draw inspiration from?

Our clients are my biggest source of inspiration. London is such a melting pot of cultures, experiences, and ideas. I work with clients from all over the world, and some have homes in various countries.

From my time in travel, I am fascinated by different cultures, and I always try to combine my knowledge and personal style with my client’s dreams, philosophy, and aesthetics.

What, in your opinion, sets you apart from other Interior Designers?

I deal with all aspects of the project; I love visiting the building sites and being very hands-on with every level of the project. My partner and I have incorporated our own construction company. Everyone that works with us understands my designs and creative vision. They know what to wish and expect. This differentiates us from my other interior designers, as it allows a natural flow from creative to the building site. Our interiors are mostly bespoke; our furnishings are designed specifically for our client’s homes. We also collaborate with exclusive and specialized brands that we select for their philosophy, quality, and 48 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

INTERIORS

design. We only work with the best artisans, especially from Italy, who are committed to exquisite workmanship in time-honored fashion, allowing us to create truly unique artistic spaces for each individual client. Our service is turn-key; we provide a personal touch, on completion our clients enter a beautifully designed and finished home, complete to all the smallest luxurious details. All that they need to do is sit back, open a bottle of wine, and enjoy their new home.

ent, and I provide them with the best solution for their home, combining their desires and my design skills.

Clients love the confidence I have; they place their trust in my design.

How do you go about creating a timeless design?

Communication is one of the most important but yet challenging areas. Since our projects take us to various countries, we need to work with some local contractors and suppliers. Having the ability to speak four languages helps break down this barrier. Trust is also a priceless commodity and sometimes having to work with people that one has not worked with before, it takes time to build the necessary confidence to create the trust, espe-

We like to say, we aim to deliver timeless, sophisticated interiors, elegance never goes out of fashion. Italians, of course, know fine design so well; we invest in the best materials and fabrics in the right color palettes to stand the test of time! I love to say my approach to design is “problem, solving.” I look at the space, I study my cli-

You have completed some amazing projects recently Pembridge Villas in London, Verbier in Switzerland, and two properties in Ibiza. What were the most challenging aspects of these projects?

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INTERIORS

cially when we are not able to be on-site all the time and manage parts of the project from our base in London. Furthermore, working in different countries, especially Switzerland, brings its own challenges. Each country has its own regulations and requirements, and if these are not adhered to, fines can be imposed, and projects can get delayed. So, this comes back to the trust aspect; with trust, all these challenges are eased, and with that, the project runs smoother, and ultimately the client is happier.

And the most rewarding?

The most rewarding is also the most simple to define our clients’ happiness. It sounds like a cliché, but in the end, our job is to provide our clients with a home that they have been dreaming of, and they love to live in and spend time in. Furthermore, with our clients’ happiness comes a friendship. Most of our clients become our friends, and we get the unique experience of seeing how our completed projects come to life and truly become a home once the family moves in and begins to enjoy our hard work.

Did you have a hand in designing your own interiors?

Yes, absolutely, just last year we completed our London home, and this year we are starting the design aspect of our home in Milan, which we hope to start work on next year. I am a true homebody at heart. Our home is very relaxing and is in a great location, allowing me to design even when I am home. During the recent lockdown, I filled our home with plants and flowers, soaking our space with great energy to design.

My partner and I love to live in an extremely tidy and decluttered space. With this in mind, I designed our home in a manner to have everything in its own place; only a few items are left out; for us, this gives us a peaceful and tranquil space to live and recently work in too. There 50 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

have been some comments that our home doesn’t look lived in, but as with all our projects, our home was designed to fit our needs and desires.

What is your favorite room in your house, and why?

I love the open-plan kitchen and living room space. When designing our home, I wanted to make most of the beautiful views of our communal garden. Since most of our time is spent in the open-plan kitchen and living room, I have managed to achieve my goal. It does not feel like we live in central London as it is so quiet and peaceful.

You have traveled for business, and hopefully, for pleasure too.

Which destinations have left a lasting impression, and why?

From an architectural and interior design aspect, Palm Springs in California has left me with the most lasting impression. I love the timeless beauty and the repetitive nature of the homes. The city is planned perfectly; everything was built within a few decades, so no area looks unkept or untidy, and furthermore, the historical aspect of the timeless design intrigues me.

Throughout my childhood, I traveled a lot, and when I joined my family’s travel business, I traveled even more extensively both for business as well as pleasure. During my travels, I became fascinated by the Far East, countries such as Burma, Thailand, and Indonesia. Having returned to these countries just a few years ago, I was saddened as to how much they had changed and became less authentic and far more commercial. Now, when I do not travel for business, I travel to visit friends around the world, and I am glad to have the experiences and memories of all the places I have visited globally.

I love your motto, "Elegance never goes out of fashion".

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When I look back at eras past, both in interior design and in fashion, what people most remember and tend to gravitate to are the most simple and elegant. Trends come and go, but timeless elegance is here forever…

Any exciting projects on the horizon?

We are currently starting work on a country house in Tuscany and soon on our home in Milan. This is the first time that I will be working on projects in my home country. As with any of our projects, these will bring their own challenges, I hope they will be easier, but I may have underestimated the challenge … only time will tell, but nevertheless, both are super exciting. www.alessiamainardi.com

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ART

SHERREE VALENTINE DAINES Portrait Artist to Royalty & the Stars | BY ANGELA SARA WEST

credit www.clarendonfineart.com, www.whitewallgalleries.com and photographer Stephen Pover www.stephenpoverphotography.com

S

he’s known as ‘The Face of Modern British Impressionism,’ with 2020 seeing her celebrating four decades at the forefront of her field.

Angela Sara West talks to the UK’s leading modern Impressionist Sherree Valentine Daines, about her passion for painting, capturing famous faces and high-society events on canvas, collaborating with Bollinger Champagne, recreating Royal Ascot in her quintessentially English garden, and her royal and celebrity commissions, which have seen her paint portraits of A-listers, nobility, and Her Majesty The Queen.

Summer, sunshine, and high society… From the glamor of Royal Ascot’s and Goodwood Revival’s races, and impeccably-dressed socialites at the Henley Regatta, to live portraits of famous faces and the sun-kissed memories of our childhoods, the wonderful works of Sherree Valentine Daines flawlessly captivate timelessness.

Both the critic’s choice and the people’s choice, British artist Sherree’s exquisite creations prove phenomenally popular with art buyers all around the world, and she also boasts high-profile awards aplenty. A familiar face on TV screens, she has appeared in programs rang-

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ing from famous interior designer Laurence Llewlyn-Bowen’s ‘To the Manor Bowen’ on Living TV and multi-award-winning lifestyle show ‘This Morning,’ to documentaries such as Channel 4’s ‘How The Rich Get Hitched,’ seeing the celebrated artist paint a £75,000 commission of a society bride during the glamorous goings-on at Knightsbridge bespoke wedding boutique, Caroline Castigliano, the internationally-renowned designer of luxury designer bridal gowns and wedding dresses.

Unparalleled portrait painter, figurative and royal artist, Sherree’s second-to-none skills have seen her become a firm favorite with many a

ART

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ART

celebrity collector, including the British Royal Family. She’s also been the subject of a 10-page feature in ‘Hello! Magazine,’ during the week of her Cheltenham Gold Cup exhibition, and has been featured in luxury titles galore, such as ‘Tatler,’ ‘Country Life’, and ‘The English Home Magazine.’

Exhibited at prolific prestigious venues, including London’s Tate Gallery, the Barbican, the Royal Society of British Artists, and the Royal Institute of Oil Painters, the unmatched modern impressionist’s oil-painted masterpieces, magnificent pure bronze statues and other delightful works, are also displayed in the Lord’s Museum, the Royal Watercolor Society, the Laing Art Gallery, the Royal Institute of

Painters in Watercolors, and the New English Art Club, alongside being held in countless private collections worldwide.

How does it feel to have been officially voted the UK’s leading modern Impressionist?

It’s very kind that people selected me, and I’m very grateful for this honor.

As a portrait artist to the Royal Family, how was your experience of painting an intimate double portrait of the Queen and the Duke of Edinburgh in Windsor’s Home Park for Her Majesty’s 90th birthday gift?

It was a great honor to be commissioned to

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paint for the Queen’s 90th birthday, and very special to present the portrait to Her Majesty personally at a private reception at Windsor Castle. It was lovely to paint Prince Philip, the Duke of Edinburgh, and the Queen’s favorite horse, Carltonlima Emma, too. I also painted Dame Vera Lynn for her 100th birthday celebration, and feel very lucky to have met such amazing, wonderful, inspiring ladies.

Painting a commemorative 100th birthday portrait of “The Forces’ Sweetheart” Dame Vera Lynn in aid of her children’s charity must have been particularly poignant…

Yes, Dame Vera was very special, especially as my parents were with me and they sang togeth-

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er. My father was in the Fleet Air Arm in the 2nd World War and saw Dame Vera at the Kit Kat Club in London during the war.

We celebrated VJ Day (celebrating 75 years of peace since WW2) on 15th August this year with my parents. My dad was in the Pacific when Ceasefire was declared in Japan, (Victory in Japan) and we have a special photo of Dad with the plane he flew in as Rear Gunner in the Swordfish for the Fleet Air Arm. You’ve not only visited the Queen at Windsor Castle but also at Buckingham Palace for another birthday tea party, while last year saw you appointed Artist in Residence to Cunard’s Three Queens, the prestigious ocean

liners Queen Elizabeth, Queen Victoria and Queen Mary 2.

Yes, and I have been onboard Cunard to paint the Commodore of the Fleet and Captains of the Cunard and had a fantastic experience demonstrating the painting process, with huge audiences.

You’ve also painted portraits of numerous names in showbusiness, and famous faces from the world of sport, including Sir Michael Parkinson, Fern Britton, Jon Culshaw, John Sessions, Anna Chancellor, David Ireland, Claire Sweeney, Penny Smith, legendary British explorer Sir Ranulph Fiennes, rugby stars Martin Johnson and Jonny Wilkinson,

along with Lord Sebastian Coe. And you’re now planning the portrait of a former Prime Minister, Sir John Major.

I am fascinated by meeting people who have overcome huge odds and hearing their stories.

Often, sportsmen and sportswomen have great tales to tell. I admire the determination of so many people from varied walks of life. I thought it very funny when asking Sir Michael Parkinson about his most memorable guest, who was Muhammed Ali, and about their little verbal spat, and on returning to the dressing room, his father said, “Son, you should have punched him” (in jest, of course!).

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You've also painted a portrait of much-loved celebrity chef Rick Stein in an exclusive livepainting demonstration at a ‘money-can’tbuy’ charity auction in aid of the Corn-wall Air Ambulance, attended by Paralym-pian Stephanie Millward and sponsored by Champagne Bollinger, Ferrari Maranello, and Comitti Boats UK & Caribbean (www. comittiboatsuk.com).

Yes, the event raised over £70,000, and the highlight was painting Rick Stein, who also has strong ties to Cornwall. I then presented the portrait to Rick as a gift.

Alongside your original paintings and limited editions, you have also released a beautiful, highly-illustrated fine art hard-back book, ‘Your Days, My Days’ (now in its second edition), dedicated to your life and work, as well as a series of stunning bronze sculptures, which have become highly-desir-able collectors’ items.

lived in. It’s beautifully traditional – in fact, I don’t think it has changed at all over the years… they’ve kept it as true today as it was when she was alive. We had amazing dinners there, and were tasting different Champagnes, with some dating back hundreds of years, so we really were spoilt. We had a tour of the cellars and heard the stories of the 2nd World War and how they had hidden part of the cellar to keep it safe. Truly fascinating.

You’re hugely inspired by the French Impressionists and Stanhope Forbes - which other artists have influenced your style?

I love the freshness of Sir Alfred James Munnings (one of England’s finest painters of horses), Walter Sickert, Augustus John, The Newlyn School, Michelangelo Caravaggio, Pierre Bonnard, Edgar Degas, John Singer Sargent, and the Scottish Impressionists as well as the French… the list is huge!

Do any contemporary artists inspire you?

I know my work is in several private collec- Any emerging talent we should look out for? tions. I don’t always know who buys them, though!

If you go to any art schools and see the talent emerging, it is very inspiring. I am also really You have a long-standing relationship with excited by my children - Bunty (Rowbotham), Royal Ascot and released your ‘A Day at the Felicity (Rowbotham), and Charlie (RowbothRaces’ collection, a heartfelt tribute to the am) - who are now professional artists. beauty, heritage, and pageantry of one of your favourite social occasions, a few years ago, Does our home county of Surrey serve as along with a pair of pure bronze sculp-tures a source of inspiration for your amazing of horses which were previewed at the highartwork? society event. With so many of these highlyanticipated occasions in the social season’s Surrey has been a huge source of inspiration calendar sadly canceled this year, how have for my painting. Before children, I would paint you still been involved with them? at least five days a week in the Surrey Hills en plein air, alongside running a small, weekly I painted live on Instagram to celebrate the life class. We are a very close family, and we Virtual Chelsea Flower Show 2020, and went walk and cycle all over the stunning Surrey live for Royal Ascot week, too. I love the Hills… I particularly walk a lot on beautiful incredibly-vibrant colors and scenes from both Box Hill. Walks across the fields and the lanes events. It’s everything from the scenery to the nearby with our wonderful dog, Celery, make clothes that people are wearing… they’re such you appreciate what’s on our doorstep even happy scenes and it’s a pleasure to capture them. more… places like Ranmore and Leith Hill…

Obviously, this year was very differ-ent, so I re- I so enjoy walking the lovely Surrey Hills… all imagined both events in my own garden! Two of have wonderful viewpoints, and I particularly enjoy the fact that I can get a cup of tea and my daughters – Fliss and Bunty – were my models, whether that was picking flowers in the cakes at each beauty spot! My parents are also garden or dressing up in full Royal Ascot regalia! local, and they love Newlands Corner – again, a wonderful viewpoint with a great café with You were commissioned by Champagne very pleasant staff as well! I’m so lucky that we Bollinger a few years ago to create a tribute live in such a beautiful part of the countryside to Royal Ascot, with your painting becoming here in Mickleham. the centrepiece of their 2016 campaign. How was your visit to the Bollinger Champagne Do you have any favorite art galleries? house and vineyards in the charming French town of Ay, which Bollinger then invited you We enjoy visiting the galleries in London, to? especially when there is an artist we admire.

The last one-man-show was Joaquín Sorolla Mark and I were invited for a long weekend in at The Royal Academy of Arts, in the heart of north-eastern France, and it was truly inspiraLondon. tional to see the house that Madame Bollinger

So, your own work is exhibited in selected galleries in London’s affluent Mayfair and all across the UK. And it’s available in high-end boutique sister galleries Clarendon Fine Art and Whitewall Galleries here in Surrey…

That’s right. I attend the Clarendon exhibitions, and when asked to paint for charity events, I usually paint a portrait, sometimes a celebrity sitter or a subject that relates to the charity, and at the end of the event, the painting is auctioned to the audience for fundraising.

Tell me a little about the star-studded gala event at the Royal Horticultural Halls in London to raise funds for the Born Free Foundation (www.bornfree.org.uk), seeing you paint in front of a live audience of co-founders Virginia McKenna OBE and Will Travers OBE, celebrity patrons, and special guests, including Joanna Lumley OBE, Martin Clunes, Rula Lenska, Lily Travers, Ruth Wilson, Katie Cleary, Lauren St John, Simon Cowell’s ex-girlfriend Jackie St Clair, and classical soprano sensation Margaret Keys. I understand you painted an amazing picture of an elephant in just half an hour!

I have been a fan of Born Free for nearly 30 years. The work that Virginia, Will, and the team do for the survival of threatened species, their efforts to protect animals against cruelty, and the kindness they have shown is a real inspiration to me. I’m so proud to be able to support their work. I always have an open-ended relationship with the foundation, and whenever they have events, I will always paint live so that we can auction it off.

The Born Free Foundation boasts bountiful famous trustees and patrons, including Jenny Seagrove, Mollie King, Nicky Campbell OBE, Nick Knowles, Dan Richardson, James Lewis, and Helen Worth, and the popular 1966 ‘Born Free’ movie, starring Virginia McKenna and late husband Bill Travers as Joy and George Adamson, a real-life couple who raised orphaned lion cub, Elsa the Lioness, to adulthood before releasing her into the wilderness of Kenya, has been described

by President Obama as “the most influential film of his youth.” You and Lettice graced the red carpet as glamorous guests of Virginia McKenna at The Odeon in London’s Tottenham Court Road for Virginia’s return to the big screen in 2016.

Yes, it was for the premiere of British heist movie ‘Golden Years,’ made 50 years after the ‘Born Free’ movie, with an all-star cast, including Simon Callow, Alun Armstrong, Sue Johnston, Bernard Hill, Una Stubbs, Ellen Thomas, Brad Moore, Phil Davis and Mark Williams,

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alongside Virginia and her granddaughter, model-turned-actress Lily Travers.

You’ve also painted live for a charity auction at Box Hill School in Mickleham, in aid of restoration work at nearby FSC Juniper Hall, a beautiful 17th-century manor house for field studies, with a Victorian ice house, butterfly garden and lawns, and for The Not Forgotten Association, a British Armed Forces charity, whose Patron is HRH The Princess Royal, Princess Anne.

That’s right. The event was presented by ‘Homes Under The Hammer’ and ‘I’m a Celebrity… Get Me Out Of Here!’ star Martin Roberts, and the evening saw a supporting lecture from Colonel Piers Storie-Pugh OBE. And you recently raised over £20,000 at NHS Rainbow Charity Auction in aid of the Royal Surrey Hospital, for which both you and your husband donated pieces…

Yes, I donated a £25,000 painting in aid of the National Health Service to help fight covid-19.

The auction was run by famous Ewbank’s Auctioneers. We have collaborated with a large range of local charities. This week was for Cherry Trees, a week ago for a charity raising equipment for Epsom Hospital, the week before I gave an image to a charity for injured service men to make a puzzle, and also recently donated to a charity called Navy Wings. It is so varied, and I can never turn a request down.

I’m asked on a regular basis and am really happy to help all the charities that ask me.

You’ve always been an active member of your local community, supporting charities and working for the promotion of the arts, and for the last few years, you’ve been a patron of Surrey’s Mole Valley Arts Alive Festival…

That’s right, and I’m also a supporter of halow in Guildford, which helps young adults with special needs to be involved in a social life, which is often very difficult for them, and to empower creative spirits.

Perfectly blending beautifully-dappled scenery with high-end events in the society calendar, which opulent Surrey occasions do you enjoy capturing on canvas?

I love to capture local village fêtes, county shows, boating on the river, local cricket matches… I’m currently painting a canvas for Dorking Rugby Club for fundraising.

You live very close to the stunning Denbies vineyard. Does Denbies inspire you?

Denbies is a favorite place to visit… for the

café, restaurant, to cycle and walk, and to shop.

I have painted the vineyard, too. It is absolutely beautiful and a great asset to our area.

paddling pool out! I also enjoyed painting the garden and our vegetable plot, and plan to do more time-lapse videos of me working on site.

Any other favorite Surrey spots for sketching or setting up your easel for a stipple?

Your beautiful 17th-century rectory house and garden offer such a stunning setting for your work. Tell me a little about what you love about your property and how your historic home serves as a source of inspiration to you.

I have painted all over Surrey, often at Polesden Lacey. I just drive around and find a spot to stop and set up my paints. Abinger Hammer is very picturesque to paint, especially when the cricket is on.

I often have my paints to hand, and always a sketch book.

You paint a lot of idyllic summer childhood scenes. Are these captivating collections inspired by your own childhood in the county?

Every season has something special for me. I love the changes throughout the year, and feel lucky that we experience the seasons in the UK. I had a happy childhood in Surrey and don’t think you have to step very far from home to find something to paint; things that remind me of my childhood, my mother’s vegetable patch, her hanging out the washing, picnics… just life as it is.

So, you’re a very close family and also a very creative family.

That’s right! My husband is a fabulous painter and beautiful colorist, my son, Charlie, paints lots of wonderful cafés and street scenes, while my eldest daughter, Lettice, trained as a classical violinist, performing and writing her own music, and she reached the final of ITV’s Britain’s Got Talent a few years ago, and has played for Prince Charles at Buckingham Palace. Bunty is a sculptress and paints, too, and our youngest, Felicity, who has just graduated in Fine Art, is also a sculptress and painter.

And you were all living together during lockdown, during which Lettice gave birth to a baby daughter called Peaches (nicknamed ‘Pebbles’). Did this time together inspire you?

Yes, lockdown was great fun with 10 of us, including our three grandchildren! Our days consisted of family time together. My perfect day is in the garden digging, planting and playing games in the evening after enjoying a family supper. We got through huge amounts of food, and two of our son-in-laws, Tom Howe and Joe Morris, are professional rugby players, so my husband had them digging up the garden for training. It was a very happy and positive time with the young and grandchildren around. And with all the lovely weather, much time was spent in the garden. Luckily, we had a

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It is a very well-built house, and we think about maintaining the property for posterity, as it has some lovely features as well as a happy atmosphere.

How would you describe your home studio?

I use one of the bedrooms, which faces south and west, so ‘very bright!’

Have any famous faces visited your stunning home for a sitting?

I have had a few famous sitters at home, although I usually visit them to paint as most are very busy, so I try to make life as easy as possible. Virginia McKenna, whose portrait I have painted, lives in Surrey, and I do so admire her and the work that the Born Free Foundation do – she’s a truly beautiful and amazing lady.

Is there anyone you would particularly love to paint?

Hollywood actors Sir Patrick Stewart and Dame Maggie Smith. I would also love to have painted Marlon Brando. What a strong, beautiful face.

When it’s time to put down the paintbrush and palette for a painting break, how do you like to relax at home?

I love eating, walking, cycling, dancing and talking, but most of all being with the young, the grandchildren and my elderly parents, who live nearby.

And where do you like to head for a holiday?

I am not greatly traveled, as life is so full just with family and work, but am just as happy at home, or holidaying in the UK, in places like Cornwall.

Where inspires you overseas? Any particularly beautiful places you love to capture on canvas?

I absolutely adore France. I love their way of life and the people. They really have everything! From the Riviera to the beautiful mountains, rivers and lakes… such lovely,

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varied landscapes to paint. And the light, particularly in the south, is spectacular. We visit friends’ properties in France and are particularly inspired when staying at one in Sainte-Maxime on the Côte d’Azur, with views across the bay to St. Tropez. We’ve frequently stayed there and also with friends who own a beautiful townhouse in Monflanquin, a gorgeous medieval town in the Lot-et-Garonne in south-western France.

We also have a very good friend who owns a castle-style villa in Mallorca, Spain. I particularly love and am inspired by the island’s capital, Palma.

And I understand you and Lettice were reunited with ‘Britain’s Got Talent’ judge, singer and actress Amanda Holden during a trip to Monaco a few years ago, where you also met Prince Albert of Monaco?

That’s right! That was a fantastic evening, again raising money for the Born Free Foundation. Amanda is such fun, and so open and down-to-earth. It was a real treat, and we had a great time for a great cause.

What artwork can we look forward to from you which will be launching across Clarendon and Whitewall Galleries over the coming months?

Works from my garden over the last few months will feature, and I have been doing many portraits.

I had an exhibition booked at the estate of Lord Spencer (the younger brother of Diana, Princess of Wales) in September, but this is postponed for now.

Finally, how are you celebrating 40 years as the nation’s foremost modern Impressionist, and your life in art?

By trying to paint even better and work more from life, with people sitting for me and painting in the landscape. I am really enjoying going back to painting from life since lockdown, but am sure my agent will have a few things up her sleeve for the near future!

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FACTBOX Sherree’s originals, limited-edition prints and sculptures are available from www.clarendonfineart.com and www. whitewallgalleries.com, where you can also find out more about her and her work, along with her upcoming exhibitions. For further information, visit Sherree’s website: www.sherreevalentinedaines.com © Angela Sara West 2020 www.angelasarawest.com

ARCHITEC TUR AL PL ANNING J . A r m a n d o L e y va 2 5 3.6 5 3.6 8 1 5

PROFILE

SANDRA VLOCK Design Inspired by Nature

| B Y H E L É N E R A M AC K E R S

P H O T O G R A P H S C O U RT E S Y O F S T U D I O V L O C K

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nspired by stories through nature and context, Sandra Vlock has created designs that have stood the test of time. Upscale Living magazine spoke to her about what motivates her to transition from sketch to real-life masterpieces.

Tell us about yourself.

I am an East Coast girl from Connecticut. I attended Cornell University as an undergraduate and studied at the University of Pennsylvania for my Masters in Architecture.

My family’s involvement with all things Yale and New Haven was enormously influential throughout my life. As a kid in the late 1960s, my father, as building committee chair for a HUD housing project in New Haven, interviewed and selected Charles Moore to be the architect. Moore was the newly appointed Dean of the Yale School of Architecture—well known in California for the iconic Sea Ranch; a brilliant synthesis of vernacular architecture, ecology, climate and history.

‘Chuck’ would become a close family friend, childhood mentor, and professional collaborator.

I would later marry Glenn Arbonies, his junior partner at Moore Grover Harper, now Centerbrook Architects. Glenn and I launched our own architectural practice in 1990. Our first major commission was for the Palmer Museum of Art at Penn State in collaboration with Charles Moore.

Collaboration. Public engagement. The importance of context, history and landscape. Design inspired by nature. Delight and discovery.

Your designs are certainly eye-catching to put it mildly. I believe in creating them, the imagery is story-like for you.

The imagery reflects an unstudied version of how I see things. The story is inspired by nature and context. Often the imagery includes references to a particular family or community; telling their story.

Talk us through your design process.

Process is the most important aspect of design.

I am constantly sketching and keeping a visual diary wherever I am. There’s an immediacy and richness to the sketch—those first impressions and observations are foundational to my work and provide the through-thread of the design process; from concept to installation.

As an architect, I learned how to listen and find the essence of things; creating a strong sense of place and choreographing the experience to be memorable. This is my thought process now designing sculptural installations and functional fine art pieces.

Where do you find your inspiration?

You initially started out as an Architect of Contemporary Architectural Design. Why the transition to artist? or was it a natural progression?

From nature and my own imagination.

Charles Moore’s influence on how I practice architecture is fundamental to my work as an artist.

While the sketch is the foundation for everything, I’ll make paper mock-ups or maquettes to explore

Do you create prototypes or work directly from sketch?

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an idea and to refine the details. This is a key part of the process and there is always a better way to do something well. I often develop prototypes to scale with various materials so that I can really see potential opportunities that the sketch won’t reveal.

Which piece of art took the longest to produce, and was the most labor intensive?

of the home. My focus is to engage people in a shared experience, and I ensured each area of the home would be uniquely redesigned and choreographed for activity. In collaboration with Michael J. Houde / Builder, Breakfast Woodworks, and David Weeks Lighting, I completed construction, the design and build of custom bookshelves and the installation of lighting to achieve the structure that stands today: a beachy, traditional exterior with Tuscan columns and a modern interior.

My first Fireball. The 58” diameter mooring buoy sat in my backyard for close to 2 years! The commitment to cut away at its hulking steel shell was intimidating. Unlike discarding designs on tracing paper, it would be hard to dispose of this well-intentioned effort!

Which is your favorite space in your home?

The drawing alone for this large-scale piece was 18 linear feet. What took even more time was engineering the design to literally hold together and be structurally sound under the weight of the steel. The design was hand-drawn on the buoy, using my sketch as a guide, and then hand cut using a plasma cutter.

Any exciting projects on the horizon?

Since then, I’ve developed techniques to streamline the process of transferring the design and minimizing production time.

What has been your favorite piece of art to date? and the most popular?

That’s a tough question. I simply enjoy taking something that has a merely functional purpose and reimagining it to become functional fine art: Fireballs (fire pit), Fire Totems (patio heater), shade structures, fire screens, garden gates and architectural screens, …the ‘favorite’ list continues!

The ceilings. My home is a sculptural experience with its high spaces intersecting cross dormers, and natural light.

I am currently working as architect, artist and client on a fabulous project to restore and transform one of the last remaining equestrian ranches in the Coachella Valley. The reimagined property is to become the Desert Dreams Ranch; a destination for private gatherings and family retreats. This really is the whole package: collaboration, architecture, and functional/sculptural work of my own design that will be integrated throughout the property and connect with the natural environment of the desert. www.studiovlock.com

The Fireballs received a lot of press immediately. However, I’ve been designing many other sculptural pieces to elevate outdoor living and these are gaining traction. Gathering and social connection have taken on renewed importance in our post-COVID-19 environment.

People are seeking new ways to carve out their own fresh-air havens and private outdoor space—patio, garden, or fully landscaped backyard.

Integrating art and architectural elements into the landscape—art that you live with—has always been my focus. That time has surely come.

You have a beautiful home with a wonderful transformation story to it. How much of your art have you incorporated into it?

My home, the studio (a repurposed garage), and shared garden space are all opportunities to incorporate my work. I have certainly maxed out on available wall space to hang framed sketches. My garden is a perfect opportunity for various sculptural installations including two Fireballs and sweeping 15 linear foot garden screens.

Do you also have a hand in designing your home?

I purchased my Connecticut home in 1989 with my husband. At the time, it was one of the worst houses in town; with perseverance and a design vision we transformed this single-gable home into a classic dwelling. Built in 1900, the home has 3 bedrooms, 2.5 baths and is 3,142 square feet. Today it is three-stories featuring an open floor plan for the first floor living and dining spaces. The second-floor kitchen is bright and spacious, displaying maple cabinets my husband and I chose together. The third floor living quarters, with high ceilings, offer natural light and space for my two children, two dogs and myself.

In 2013, my husband passed unexpectedly. The following year, the encouragement from my son Adam spurred a second transfiguration 65 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

HOTELS

hotels with the most spectacular

gardens | BY HELÉNE RAMACKERS

A

garden is much more than a lush place that houses immaculate lawns, fragrant fauna and flora; it’s an escape to enjoy the beautiful outdoors, often combined with sunshine and blue skies. Upscale Living magazine takes you on a journey showcasing hotels with the most spectacular gardens, where you will want to linger longer.

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HOTELS

ASHFORD CASTLE, IRELAND Ashford Castle, the 13th-century 5-star castle hotel in western Ireland, boasts beautifully intricate gardens on its estate. Now called The Tollman Garden, this land was originally part of the Victorian pleasure gardens laid out by the Guinness family in the 19th century, when they owned the estate. More specifically, Lady Ardilaun was responsible for laying out the existing structure of Terraces and Walks which so define the gardens at Ashford today.

In 2016, as part of the restoration of the estate led by the Tollman Family and the Red

Carnation Hotel Collection, the gardens were fully restored and embellished. The embellishments entailed the addition of a fountain, pebble mosaic work and a ring of stone seats, a contemporary interpretation of ancient standing stone circles found around the Irish countryside.

Spout stones are carved with a single syllable, making a short poem that is deliberately cryptic, and intended to make the visitor walk around the pond more than once to decipher its riddle. The re-imagined garden and foun-

tain create an atmosphere of quiet contemplation to encourage visitors to linger and enjoy The Tollman Garden’s sights and sounds.

Today the gardens are amongst the finest of the many beautiful country house gardens to be found in Ireland. https://www.ashfordcastle.com/activities/estate-gardens

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HOTELS

BOATH HOUSE, SCOTTISH HIGHLANDS One of Luxury Scotland’s properties, luxury country house Boath House on the Moray Firth coast in the majestic Scottish Highlands boasts the most beautiful gardens. This beautiful historic Regency House has been in the Matheson family since the early 1990’s and offers a five-star restaurant and nine unique rooms, including two cottages in the ground for even more privacy.

Boath House is surrounded by 22 acres of lawns, wildflower meadow, woodland and streams - home to swans, wild geese, ducks

and various types of Scottish native birdlife.

Beehives and hens can be seen in the walled garden along with an orchard, vegetable potager, herb parterres, glass housing and herbaceous borders. The 2-acre ornamental lake is stocked with trout and the bog garden produces large amounts of pond life including newts, frogs, toads and dragonflies.

Boath House’s restaurant and café have strong connections to the gardens with most of the herbs and micro veg being grown year- round in the glasshouses and polytunnels. The ethos

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of local, seasonal and fresh with minimal food miles are key to their menu selections. From spring until early winter Boath House’s guests can wander the gardens and find flowers, herbs and leaves to be seen on their plate. www.boath-house.com

HOTELS

COMO CASTELLO DEL NERO, ITALY Hidden in the rolling hills of Tuscany, COMO Castello Del Nero takes the form of a twelfth-century castle – and the hotel garden is a sprawling, historic 740-acre estate.

Surrounded by quintessential Tuscan vistas, the terraced gardens harbor a heated outdoor swimming pool, alfresco dining areas, two tennis courts and access to trails that thread through the estate.

roam. Guests can rub shoulders with the resident wildlife, including hares, deer and wild boar, before harvesting fresh herbs and spices from the kitchen garden, used to prepare the traditional Tuscan dishes served in Michelin-starred La Torre. The estate’s vineyard, olive groves and beehives are still in active use, and supply COMO Castello Del Nero’s kitchen with quality Chianti produce.

Hike or cycle through forests and olive groves, by glistening lakes and towering vistas of vineyards – this entire 740-acres is free to

Adventurous travelers can even get a birds eye view of the estate on helicopter or hot air balloon rides, or practice yoga with panoram-

ic views over the hillside. Sustainability and Community Involvement is a core ingredient at COMO Hotels and Resorts, and recognition is given to the community by a commitment to celebrating the local culture, supporting the domestic economy and minimizing the impact on the environment. https://www.comohotels.com/en/castellodelnero

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HOTELS

GRANTLEY HALL, UNITED KINGDOM Grantley Hall, Ripon has a landscape park associated with a 17th century country house with 18th and 20th century additions. Features include parkland, a river with cascades, the remains of an Italianate terrace, a small concrete pond with an island (20th century) and a Japanese rock garden dated to around 1910. The Japanese garden was one of the first English Heritage gardens of its kind and the rocks used to create the garden were taken from nearby Brimham Rocks.

Following the path of the River Skell, past mature woods and a lake, the property will leave

you in awe. The stately manor house, with its honey-hued stone, immediately exudes an aura of serenity. From the rooms, a feeling of majesty will take hold as you gaze out over the surroundings. The view from the bath in the Royal Suite gives onto vast parkland and the estate’s beautiful gardens is magical.

For a pastoral stroll, could anything be better than the Yorkshire Dales. Amid hills covered with heather moors, each of the valleys has its own charm, its own flowered stream, with its own dry stone walls. The rose garden is still surrounded by the original beach hedge and

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other than a new fountain, it remains very much unchanged in over 120 years. https://www.grantleyhall.co.uk/

HOTELS

LA MAMOUNIA, MOROCCO Located in the heart of Marrakech, Morocco, just a stone’s throw from the famous Jemaa el-Fnaa Square, La Mamounia first opened its doors in 1923 and has long hosted the “who’s who” of international royalty, politicians, celebrities and the jet set. Steeped in history, symbolic of traditional Moroccan hospitality and a classic example of the great age of grand hotels, La Mamounia is globally regarded as one of the most notable and desirable hotels in the world.

The gardens of La Mamounia are unique and wonderfully natural, having been crafted by

the hands of passionate gardeners for almost a century. 700 orange trees, 5,000 rose bushes, 21 cactus species, 6 palm trees species and 200 olive trees – impressive numbers, but together they combine to create a myriad of colors, fragrances, shapes and textures. Lemon trees, jacarandas, bougainvillea, amaranth, agaves, prickly pear trees and more.

perfectly straight lines. Here and there, cactuses of all shapes and sizes bask in the sun. Take a stroll through the gardens with their flower beds and copses. https://www.mamounia.com/en/

The majestic central alley is lined with ancient olive trees and two thousand rose bushes.

The Menzeh Pavilion offers a peaceful setting in which to relax and let your mind wander.

Dozens of orange and lemon trees stand in 71 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

HOTELS

LA RÉSERVE RAMATUELLE, ST. TROPEZ, FRANCE Only six miles from St. Tropez, La Réserve Ramatuelle features a 28-room hotel (19 suites) and 14 private cliffside villas, giving guests the opportunity to enjoy the coast in complete privacy. With views of the Mediterranean, the property also features expansive gardens. For wellness-minded guests, La Réserve Ramatuelle hosts Nescens retreats that incorporate the outdoors with hikes along the coastline.

Experience La Réserve Ramatuelle Hotel-Spa & Villas’s unique take on hospitality where

impeccable taste and service set the stage for a new approach of luxury. Nestled among fragrant lavender and pine trees, the sleek lines of the hotel frame the views of the horizon-ending sea. All rooms and suites are extended by a large terrace overlooking the gardens and turquoise waters.

Unwind and rejuvenate at the 1,000 squared-meters Spa in the hands of highly trained therapists. At the restaurant discover the flavors of the south of France in a delicious concept of healthy cooking. When it’s time

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to hit the party scene, guests of La Réserve Ramatuelle have priority access to the new La Réserve à La Plage, a seasonal seaside beach club just a 10-minute ride from the resort. La Réserve Ramatuelle is highly impressive and offers an exceptional service and top design. https://www.lareserve-ramatuelle.com/en/

HOTELS

MONASTERO SANTA ROSA HOTEL & SPA, AMALFI COAST, ITALY Housed in a former monastery, Monastero Santa Rosa Hotel & Spa has become one of the most exclusive boutique hotels in Europe when it opened in May 2012, thanks to its complete renovation by Owner Bianca Sharma and dramatic cliffside location with unparalleled views of the Amalfi Coast. Guests of Monastero can enjoy its spectacular grounds, including the stunning landscaped gardens, historic herb garden, 12th century chapel and famous ‘floating’ infinity pool.

Monastero’s gardens, set over five tiers, are impeccably groomed with beautiful water fea-

tures, tactfully placed benches, and day beds for admiring the vibrant flowers and amazing cliff-side views. The hotel’s terraced gardens and extensive kitchen garden provide the team with a huge variety of fresh seasonal ingredients including the Amalfi region’s famous lemons, an extensive selection of herbs, roses, fennel, strawberries and delicate zucchini, to name but a few.

was the owner’s ‘biggest pleasant surprise’ in the entire 10-year renovation project. This enchanted Mediterranean garden with its cascading multi-levels is truly a place to experience sheer moments of delight with sweeping vistas of land, sea and sky. https://monasterosantarosa.com/

A semi-tropical paradise in the tradition of the exclusive estates and palatial Italian villas of yore, the landscape design is an architectural masterpiece. Monastero Santa Rosa’s garden 73 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

HOTELS

PALÁCIO TANGARÁ, SÂO PAULO, BRAZIL Having opened as the prestigious Oetker Collection’s first foray into the Americas in 2017, Palácio Tangará sits in an exceptional location in the built-up urban metropolis of São Paulo, and gets to call the verdant, 26 acre tropical Burle Marx Park its garden. In the late 1940’s, some of Brazil’s finest, leading creative talents were commissioned to landscape the gardens, including iconic landscape designer Roberto Burle Marx himself.

Providing a fresh contrast to the fast-growing city centre, those staying at Palácio Tangará will be able to marvel at the rich

biodiversity of the surrounding area as the park acts as a haven for over 90 species of wild animals, including the black-eared possum, the Tupinambis lizard, the kingfisher and the peacock – as well as the hotel’s namesake, the bright blue, green and yellow (like the Brazilian flag) Tangará bird.

In addition to the forest area, the park’s flora comprises landscaped areas, ranging from imperial palms to avocados and brazilwood, and the reforestation of eucalyptus. Uniquely fringed by the tropical greenery of the park, the hotel rightfully claims its Brazilian heri-

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tage, with the country’s art, natural riches and rainforests all providing a source of inspiration for the architecture and design of the masterpiece property. https://www.oetkercollection.com/hotels/palacio-tangara/

HOTELS

TEMPLETON HOUSE, UNITED KINGDOM Templeton House is one of London’s finest private residences. One of Richstone Collection’s bespoke high-end private residential properties available for select private rentals, the house is set within three acres of superbly landscaped gardens, moments away from Richmond Park. Arranged over 32,000 ft2 with eight immaculate bedroom suites, Templeton House offers the best in luxury amenities within a private setting. Visitors can spend hours walking amongst the acres of beautiful, lush green surrounding English gardens.

Spreading over 3 acres, the gardens around

Templeton House’s main house are classical and formal while those around the estate cottages, Dower House and stables reflect English country garden design. A never-ending labor or love with the principal works having been undertaken over five years from 2015 to 2020, the gardens were restored and designed by the renowned landscape architect, Todd Longstaff Gowan.

Belgium, Holland, and Germany. The 3-year loggia restoration required carefully dismantling, cataloging, and restoring over 100 pieces, a few of which were replaced in Bath Stone. The gorgeous parterre at the rear of the garden is formally laid out, providing a wonderful feature to the garden. https://www.richstone.co.uk/

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HOTELS

THE ORIENT PRIVATE HOTEL, PRETORIA, SOUTH AFRICA It is all about the extraordinary when visiting the breath-taking The Orient Private Hotel.

Hidden in the Crocodile River Valley in the lush Francolin Conservancy, it is within easy driving distance of both Johannesburg and Pretoria. Mosaic at the Orient is not only the home of the internationally acclaimed Restaurant Mosaic with one of the finest cellars in the country, but also boasts a lush and exotic oasis of gardens stretching from the hanging gardens of the Legacy Art Museum right up to the winding paths of Tienie Pritchard Museum.

Mari Dartnall wears many hats - Co-Owner and General Manager of The Orient Private Hotel, caring Maitre D’ of Mosaic, custodian of the Legacy art collection and horticulturist of the expansive beautiful gardens that was created to attract birds and bees, and a cool, quiet haven for The Orient and Restaurant Mosaic guests to enjoy. Embark on a walking trail where you will find the most beautiful and rare flowers, majestic trees and even quirky insects.

Since the inception, Restaurant Mosaic at The Orient has focused on uplifting the local com-

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munity by employing them in the vast 700 acres of the Francolin Conservancy working side by side with Mari in the veld and gardens developing both their skills and confidence. https://www.the-orient.net/

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TIMEPIECES

GRAND SEIKO Elegance Collection | BY NIKITA VIVEK PAWAR

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020 might have not been the exciting year we were looking forward to, but it isn’t the case for Japanese luxury watchmaker Grand Seiko. With a couple of skilled artisans coming together in Nagano, Japan to achieve a simple yet ambitious goal, Celebrating its 60th anniversary.

The first Grand Seiko was a major advance. The new caliber 3180 was accurate to within +12 to -3 seconds a day and offered a power reserve of 45 hours. It was the first watch in Japan to be compliant with the standard of excellence of the Bureaux Officiels de Contrôle de la Marche des Montres.

Since then the luxury watchmaker has made various accomplishments in the world of horology and luxury watchmaking. In 1967, Grand Seiko unveiled the 62GS, the first automatic Grand Seiko, followed in 1968, by the automatic 10 beat 61GS and the manual 10 beat 45GS. While the first Grand Seiko quartz watch was exceptional, it did not quench the enthusiasm of the Grand Seiko team to go further and create the ‘ideal’ quartz watch. In 1993, just five years after the arrival of the first Grand Seiko quartz watch, Caliber 9F83 was completed adding another feather to the brand’s hat. The journey of the brand has led to higher and higher expectations with every launch.

This the brand completes 60 years in the business and the number is one of the most fundamental numbers in horology, but, in Japan, it has an additional significance as a moment of new energy and re-birth – something we think the year could use! Grand Seiko thus launched an addition to its Elegance Collection seemed in its rich heritage, culture and 18k gold.

The Grand Seiko SBGW262 Elegance Collection has a sleek black dial backing made from long-lasting Urushi lacquer that comes from trees grown in and around the town of Joboji that lies under Mt. Iwate, the mountain that dominates the skyline above the Shizukuishi Watch Studio – the manufacturing sanctuary for the Grand Seiko watches.

The Urushi lacquer is a high-prized material and

rare as the sap of the tree has to be processed and refined. The material turns into a plastic-like substance when exposed to moisture and air, thus, is very durable and sturdy.

Making the watch even more exquisite is the sleek 39mm polished black dial case forged with 18k yellow gold. The simplicity and elegance of the watchmaking set it apart from others. The curved sapphire crystal across the front and the transparent back protect the face as well as the movement of the watch. The anti-reflective coating, as well as the curved nature sapphire, adds to the depth of the watch giving it a strong three-dimensional look. The dial adorns contrasting gold Arabic numerals with highlighted indices with a raised by the master of maki-e technique, Isshu Tamura.

In 1998, the creation of the 9S mechanical caliber opened a new chapter in the Grand Seiko story.

After 60 years, this watch operates on the in-house manually wound 9S64 caliber movement, that has a strong 72 hours of power reserve. The precision, power and slimness of Caliber 9SA5 are the results of the radical re-design of three key structures and some components within them for which several patents are either already granted or pending. First is the Dual Impulse Escapement, it enables the escapement wheel to transmit power directly to the balance, leading to an efficiency increase. The second key structure is new and special free-sprung balance. The 9SA5 caliber uses an overcoil, whose curve shape was decided after more than 80,000 simulations with the result that its performance is optimized in every possible position. The new caliber is 15% slimmer than the current Grand Seiko high beat caliber, thanks to the innovative horizontal layout of the barrel and gear trains.

The case back carries the lion emblem of the brand It also houses 24 jewels with a crocodile leather strap and an 18k gold buckle. The watch is not something you would want to take to your next pool party but is splash resistant. Grand Seiko collectors would be excited to own such an opulent piece of horology priced at USD 30,000.

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TIMEPIECES

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BENETTI LUMINOSITY

A Moving Palace of Glass

| BY JARONE ASHKENAZI

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ounded in 1873, Benetti is the oldest Italian shipyard who specializes in luxury yachts, each uniquely developed around its owner.

Its new hybrid giga-yacht, Luminosity, builds on its nearly 150 years of ingenuity, craftsmanship and nautical advancements to redefine oceanbased leisure. Thanks to a combination of exterior formwork by Reymond Langton Design and Zaniz Jakubowski of Zaniz Interiors and Benetti’s in-house designer, Giorgio M. Cassetta, it provides unparalleled views of every changing landscape.

Just as stunning as its façade is, the interiors provide a natural connection with visual artworks that bring the natural rhythms and energy of the organic world into the heart of the yacht’s interior.

Luminosity complies with the Passenger Yacht Code classification and can host up to 27 guests in 12 suites. Equipped with a glass elevator, a 230 square meter beach club with a counter-flow swimming pool, a plunge pool, a gym, a Hammam, a massage room, and of course, a helicopter deck, it leaves no room for imagination. Luminosity features over 800 square meters of exterior glass wrapping around the main decks, a record breaker for Benetti. “Its design with three-meterhigh windows are entirely uninterrupted, giving it a floating appearance, making it seem that you are leisurely floating across the water,” said Giovanna Vitelli, Vice President of Azimut Benetti Group.

“Those on board are provided with a seamless connection with the outside world, coupled with meticulously crafted interiors.”

The skylight at Sun Deck level fills the yacht which cascades down the 17-meter staircase that passes through five of the yacht’s six decks. Light is used as inspiration in design throughout with an incredible variety of glazed surfaces which creates a constant impression of shifting light. On

the Bridge Deck, the VIP Stateroom and lounge has its own chic identity illuminated by a 3-meter-wide white onyx moon.

The Owner’s Deck is down a corridor decorated by ten different types of marble and also is punctuated by granite details, a private massage room, an en-suite bathroom and more. On the Main Deck, three exquisite staterooms are included with each one differing in its design and materials, also with an enormous tender bay designed to accommodate custom built tenders and toys. The Lower Deck includes four guest staterooms, the in-house spa and private luxury health club, complete with elegant sauna and Turkish bath and a jaw-dropping 30-meter-square swimming pool (which can be transformed into a dance floor by raising the level of the pool bottom). Lastly, the Crew Quarters can accommodate a crew of 37 along with their own galley and large mess and includes a dedicated staircase for emergency escape.

“Luminosity afforded us to private not only a masterpiece on water, but a great technological achievement that is a lynchpin for Benetti,” said Giovanna Vitelli, Vice President of Azimut Benetti Group. “Its state-of-the-art propulsion package, expansive air conditioning system and chiller units, advanced Lutron domotics system and more, propel this yacht as a true technological and design masterpiece.”

Along with its impressive hybrid propulsion system, low emissions and other industry defining characteristics, its straight bow and its huge forward deck area bring guests a thrilling vantage point from which to cruise and relax. Sheltered and shaded by an overhang, the main deck is a step lower, offering further dining and social spaces. Above the main deck, the wheelhouse is

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secluded, with a private deck – which is a flexible space currently set up to accommodate two cars including a Rolls Royce Phantom, as well as a 24’ sailboat and two motorbikes – leading towards the certified helipad capable of accepting a Bell 429 helicopter.

Measuring 107.6 meters long with a beam of 17 meters Luminosity is constructed with a steel hull and aluminum superstructure, the yacht has a gross tonnage of 5,844. It is powered by an innovative hybrid propulsion system with diesel-electric engines and two ABB Azipods, which give a total silent output, with vibration-free navigation. As one of the greenest yachts yet to be delivered, the electricity produced by six generators feeds the consumption of the services on board, the two Azipods electric motors, while the spare electricity is also used to charge 36 tons 86 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

of batteries which are sufficient to run the vessel for 12 hours without generator power.

Other technological features include: - Two three-and-a-half meter dishes to receive signals anywhere in the world and 5G cabling.

- Cutting edge super-fast connection never used on a yacht of this size before thanks to Cat 8 cabling.

- Two racks on board the yacht house servers for films and music, and a total of 74 top of the range televisions (70 tv + 4 cinema projectors).

- 10 intelligent mirrors on board including touch screen with multimedia and internet connection

TRAVEL

WHAT’S NEW “Bringing you the finest places around the world is what we love to do here at Upscale Living magazine. In keeping with this tradition, we are focusing on introducing you to new kids on the block or accommodation establishments with a re-looked lease on life.

Grab your travel diary as you want to get to these places as soon as possible!”

| BY HELÉNE RAMACKERS

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TRAVEL

LE RELAIS DE CHAMBORD LOIRE VALLEY, FRANCE

One of the most famous sights in France, the impossibly romantic Château de Chambord in the Loire Valley, is now the backdrop to a very special new hotel room.

The bedroom in question is on board a toue cabanée, a traditional flat-bottomed Loire River boat – originally used for fishing and carrying goods on the river when the Loire was a major commercial highway. To celebrate its re-opening this month in July 2020, Le Relais de Chambord, right next to the Château, commissioned local craftspeople to build a large toue cabanée, as an inspired floating suite for two lucky people.

Guests can book a magical night afloat for USD600, including breakfast. The boat is moored on the Cosson canal, just next to the château and its stunning French formal gardens. The Relais de Chambord is the only hotel in the château’s enormous private 5,440-hectare estate, or domaine - and at night guests staying at the hotel can go back in time – and have it all to themselves.

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Inside, the toue cabanée gives its guests the same sleek contemporary luxury as the hotel - along with all mod cons, air conditioning, heating and Wi-Fi. Designed by Stefania di Petrillo, the interior – a large bedroom, with a kitchenette and a bathroom with a shower – is elegantly dressed in wood and leather, creating an incredibly relaxing and restful atmosphere – a true private haven.

take a boat out on the waterways around the Château.

The 16th century Château de Chambord was built as a hunting lodge for King Francois 1. It stands in a private estate roughly the same size as central Paris, the largest enclosed nature reserve in Europe. A stay at Le Relais de Chambord guarantees plenty of space, fresh air and time to discover the domaine. Guests can explore the reserve with a forest guide to visit the waterways, woodland and heathland that surround the hotel and perhaps spot deer and wild boar. They can also cycle along the 4km canal or walk the 20km of newly devised paths through the grounds – or

For a very special occasion, such as a family reunion, the boat can also be taken on an exclusive basis, for a private lunch or dinner, prepared by the hotel’s chefs, for up to 12 people, subject to availability.

The butler will welcome the toue cabanée’s guests aboard for a magical night. And in the morning, after watching the sun rise gently over Renaissance turrets and chimneys, breakfast is delivered, ready and waiting on deck, with France’s most perfect château as the backdrop.

https://relaisdechambord.com/

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TRAVEL

LES SOURCES DE CHEVERNY LOIRE VALLEY, FRANCE

Imagine an exclusive space made for living, where all sense of time is lost. Here, everyone blithely reconnects with the simplest pleasures. This place is for well-being and peace of mind, to share everlasting moments with loved ones. In 1999, the very first guests have visited Les Sources de Caudalie, a warm establishment designed by Alice and Jérôme Tourbier amidst the Bordeaux vines, where every detail is inspired by true passion for grapes.

Oenotourism was slowly emerging and soon became a clear evidence for the couple, who has always shared a passion for the art of living “à la française”.

Twenty years after the opening of Les Sources de Caudalie near Bordeaux, Alice and Jérôme have drawn inspiration from their first Palace of the Vines to start the next chapter of their vineyard hotel collection.

The couple wishes to share their hospitality expertise, their passion for all things delicious and

beautiful in the region of Val de Loire, but they also wish for this new house to reflect everything the region has to offer. In other words, their idea is to create a perfect balance combining the rich historic and cultural heritage of the chateau, with a new vision: their vision of hospitality.

Les Sources de Cheverny lay amidst the forests and wetlands of Sologne. At the heart of Val de Loire, the domain belongs to a century-old place that lived through the sacred era of the Kings, their extravagant ambitions and their stunning castles.

One after another, the successive owners have shaped the domain.

Today, the overall space is a signature architecture concept by Yves Collet, together with Studio be-pôles for the interior design: the historic constructions such as the former winery, the Château de Breuil – a legacy from the 18th century – and the old farmhouses are mingled with bold modern constructions. From

above, the bird’s-eye view reveals a hamlet with constructions that stand together in harmony.

Back on land, a short walk is enough to understand that the overall space has been designed to offer an architectural amble, binding together the different elements. Each newly built dependency is consistent with the existing ones, as they have been designed based on thoughtful vernacular considerations: the materials used are specific to the region, such as zinc and natural slate. The roofs reflect those from surrounding villages, and smoothly blend in.

Every detail has been inspired by the Loire Valley heritage, Yves Collet’s vision combined with a whole host of details inspired directly by the local heritage creates a noticeably warm place. https://www.sources-cheverny. com/en/

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TRAVEL

SAYARI CAMP

SERENGETI NATIONAL PARK, TANZANIA Asilia Africa’s Sayari Camp has reopened after a complete rebuild. The newly reimagined property opened just in time for the annual wildebeest crossings of the Mara River. Sayari has the enviable location of being the closest property to the Mara River this season, meaning Sayari guests always have a front row seat for the drama of a crossing.

Sayari Camp began life as a traditional mobile camp, moving north to south through the Serengeti, following the journey of the Great Migration. In 2009, Sayari became the first permanent camp to put down roots in the northern Serengeti.

Asilia has been carbon neutral since 2009 and strives to develop practical ways to further reduce its footprint. The new Sayari continues that tradition by introducing the first solar powered microbrewery in the bush, in partnership with Wayout, a Scandinavian start-up revolutionizing the brewery 90 | UPSCALE LIVING MAGAZINE | SEPTEMBER 2020

industry. The new brewery will make beer and soft drinks on site, as well as purifying water and producing sparkling water, all using solar power. By doing so, Asilia removes the need for plastic bottles and cans in camp, not only reducing waste, but also reducing the transport carbon footprint. The brewery produces four unique beers for Asilia, the perfect drink for a safari sundowner.

The camp’s bold new look was conceptualized by designer Caline Williams-Wynn. Sayari takes its inspiration from the colorful culture of the Kuria people who call the northern Serengeti home. The spacious main area seamlessly blends inside and out, with sliding glass doors allowing for uninterrupted views of the rolling Serengeti plains. The Kuria are depicted in striking original artworks by South African photographic artist Graham Springer.

The 15 spacious tents (including a family tent sleeping up to two

adults and three children) all have views of the rolling plains ahead. Sayari is not fenced and wildlife moves freely through the camp. It is not unusual to see zebra and wildebeest moving between the tents on their journey to cross the Mara River. The tents at Sayari reflect the iconic flat topped hill, Turner Hill, in their design.

Inside, the color palette has been inspired by the patterns in the rocks that stud the grass plain landscape, with a rich copper being the key accent color. In homage to the Maasai culture of beading, cushions are decorated with delicate beading sewn by Maasai women. Spacious decks wrap around each room and the bathroom comes complete with views of the open plains. The bathroom includes a freestanding, extra-large bath with a view, as well as both an indoor and outdoor shower. https://www.asiliaafrica.com/ camps-lodges/sayari-camp/

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CHEFS

EXECUTIVE CHEFS JOSEPH HICKEY AND GREG SMITH Noble Rot‘s Talented Culinary Duo | BY TRACY BEARD

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oble Rot restaurant recently celebrated its 18th birthday in Portland, Oregon. Owners Kimberly Bernosky and Courtney Storrs teamed up together in 2002 to create a restaurant with excellent food inspired by the wines they loved. The team hires chefs that share their vision. Today, Executive Chefs Joseph Hickey and Greg Smith co-manage the kitchen.

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CHEFS

A Bit About Noble Rot The restaurant, located on the fourth floor of the Burnside Rocket Building on Eleventh and Burnside, offers a delightful panoramic view of the city, a charming outdoor terrace and a modest yet prolific rooftop garden.

Kimberly and Courtney share the responsibility of wine purchasing and consistently offer 40+ wines by the glass. Noble Rot was one of the flagship restaurants in Portland to offer wine flights paired with seasonal plates. Although the small plates and dinner options have expanded over the years, the wine program remains at the heart of each new menu. Executive Chefs Greg and Joseph change the menu every two to three weeks according to the season. Accolades speak for themselves, and in 2018 the restaurant’s

incredible wine program was nominated as a semi-finalist by the James Beard Foundation.

and foragers, and we try to keep a high level of synergy with the wine and food at Noble Rot.”

Chef Greg Smith

He explained that when the team, which includes both executive chefs and the owners, put together a menu for a special event, they taste the wines and dream about the food that will pair best with them. They take a lot of notes, let the wines sit for a day, and then review their notes again. Later, they begin making lists.

They reference their farm and kitchen lists looking at the seasons and determine what they want to cook. The process takes several weeks, and they like to let their personalities shine through.

Chef Greg lived in Illinois. At the age of 18, he ventured to Atlanta to attend culinary school and then cooked in well-known kitchens in both Atlanta and Chicago. He came to Noble Rot in 2003, left in 2007 and returned in 2019 as the co-executive chef. In 2019 Chef Greg was featured on the TV show “Chopped.”

Chef Greg likes to let the ingredients speak for themselves. He was one of the first people hired

by Kimberly and Courtney. He enjoys cooking Northwest-inspired American food. Chef Greg said, “We like to tell the story of the seasons through our farmers, winemakers, fishermen

Owner Courtney Storrs said, “Chef Greg is like a kid in a candy shop. His enthusiasm is electrifying, and his creativity is curious with

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CHEFS a profound understanding of where food comes from and how it is supposed to be used and paired with other foods and wines.”

Chef Joseph Hickey Chef Joseph came to Portland, Oregon, from Dallas, Texas, in 2009. He boasts a varied background that includes jobs as a construction worker, caterer and rock and roll drummer. In 2003 he opened his first restaurant in Texas and a second one a few years later. In 2009 it was time for a change, so he picked up and moved to Portland. The owners at Noble Rot snatched him up before anyone else had a chance.

Courtney said, “Chef Joe is a machine. He is our nuts and bolts, and he has the Midas touch with curing, brining and aging meats. These two chefs collaborate along with a talented staff to produce some of Portland’s most sought-after dishes.”

A Dinner Event at Noble Rot My friend, Laura, joined me for a fundraising dinner. Noble Rot and Argyle Winery joined forces to participate in one of the winemaker dinners for the 36th anniversary of the Classic Wines Auction. Laura and I arrived to find the banquet room suffused with light. A pink glow emanated from the sun as it leisurely set behind the city. The terrace lights created a twinkling reflection on the windows making the room warm and inviting. Wine glasses lined up on the long table stood like soldiers at attention; and as the sunlight kissed each glass, a prism of color danced throughout the room. Lively guests entered and each one received a glass of Argyle Vintage Brut 2015.

Laura and I mingled with the other guests and discovered that many were regular customers at Noble Rot. We chatted as the staff served two different tasty hors d’oeuvres: crispy beet chips topped with carrot hummus and shaved radish and crunchy golf-ball-size arancini filled with smoky brisket and warm gooey provolone capped with a dollop of remoulade.

Before each course, Noble Rot’s Chef Joseph and Chef Greg described the upcoming dish. The salad course consisted of long strips of fermented carrots, crunchy snap peas, a generous portion of luscious burrata, lemon-pepita relish, puffed wild rice and a garnish of pea greens.

Argyle’s 2014 Blanc de Blanc married nicely with the mild salad.

Chef Greg was quite excited about the pasta dish. The Dungeness crab ravioli were bathed in crab bisque and garnished with snap peas and pickled pioppini mushrooms. The Extended Tirage Brut 2008 stood up well to the pickled mushrooms without overpowering the delicious crab.

The main entrée, apple-chutney-filled lamb shoulder, was tender and succulent. A side of crispy potatoes, caramelized fennel and apple-fennel salad completed the plate. The Blanc de Noirs 2015 complemented the lamb and highlighted the fruity nuances of the apple chutney.

The finale did not disappoint. The chefs created a Basque cheesecake.

It was mild with no crust and a burnt top that mimicked the flavor of burnt sugar on crème brûlée. The fiesty Brut Rosé 2015 cut through the cheese and melded lovingly with the cheesecake. The cake rested on a bed of thick quince syrup that added a spicy yet fruity note.

Executive Chefs Greg and Joseph did a spectacular job with the winemaker dinner. They are both well-known and respected chefs in Portland’s culinary circle. If you ask the regulars, they will tell you that every dinner at Noble Rot is a delicious event. 

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