Fabricademy Bootcamp FabLab Kamp-Lintfort + 3D Kompetenzzentrum

FABLAB Kamp-Lintfort

FABRICADEMY BOOTCAMP APPLICATIONS AND IMPLICATIONS OF DIGITAL FABRICATION

FabLab Kamp-Lintfort + 3D Kompetenzzentrum Online streaming from Fab Lab Barcelona Fab Tex + Waag Society + Textile Lab Amsterdam |Circular fashion|3D modelling-Computational couture | Parametric design |E-textiles | |Bio-Fabrics Bio composites bacteria dyes | |Digital human and future Scenarios | 20 – 24 February 2017 | Intensive 5 days course http://fablab.hochschule-rhein-waal.de fablab@hochschule-rhein-waal.de

Sponsored by: Hochschule Rhein-Waal Friedrich-Heinrich-Allee 25 Fakultät Kommunikation und Umwelt 47475 Kamp-Lintfort

BOOTCAMP FabLab Kamp-Lintfort + 3D Kompetenzzentrum Online streaming from Fab Lab Barcelona Fab Tex + Waag Society + Textile Lab Amsterdam

This is an intensive certificated course of 40 hours with hands on training and digital fabrication regarding new materials, textiles, fashion design, and its sustainable production.

During the course, participants explored new possibilities and alternatives to current textile and clothing manufacturing systems. The course was guided by technologists, textile and fashion designers, computational experts and other specialists in the field from all over the world.

We offered this event with the local instructor at FabLab Kamp-Lintfort, Adriana Cabrera and the specialists from composites and computational design, from 3D Kompetenzzentrum Niederrhein.

Live-feeds were carried out from FabLab Barcelona and other nodes in Brazil, Chile, Miami and Paris, among others. In addition, there was a transmitted presentation by Neil Gershenfeld, director of the Center for Bits and Atoms, of the Massachusetts Institute of Technology in Boston.

FabLab Kamp-Lintfort is the first Lab in Germany to offer this bootcamp.

This was a preparation course of the global Fabricademy, as part of the official courses of the ACADEMANY, directed also from the Center of Bits and Atoms, MIT, which covers the “digital fabrication principles in almost everything�. The first edition of the global Textile Academy will take place in September 2017 in different FabLabs around the world. https://texbootcampgermany.wordpress.com/ http://textile-academy.org/textile-academy-bootcamp-wrapup/

FABLAB Kamp-Lintfort

Participants LOCAL INSTRUCTORS: Coordination and e.textiles:

Adriana Cabrera 3D Kompetenzzentrum

Practices in Bio-lab:

Prof. Daniele Lud Faculty Communication and

Composites:

Thomas Kropp 3D Kompetenzzentrum,

3D Rhinoceros and Clay :

Marc Kohlen 3D Kompetenzzentrum

CNC milling 3D printing:

Daniele Ingrassia Faculty Communication and

Scientific assistant Industrial, Media and Surface Design.

Environment, Professor of Environmental Assessment and Environ mental Rehabilitation Scientific assistant Industrial Design.

Scientific assistant.

Environment, Scientific assistant.

PARTICIPANTS Berkenbusch, Jana-Lina Faculty Communication and Environment Research Assistant, Communication Design

Prof.Dr. Blitgen-Heinecke, Petra, Process engineering, regional material flows sustainably

Prof. Marion Ellwanger-Mohr Hochschule Niederrhein Design theory, textile design and collection development with the emphasis on textile printing and weaving

Nur Hamdan. PhD candidate RWTH Aachen human Computer Interaction Thi Yen Thu Nguyen Faculty Communication and Environment, Student Assistant FabLab Kamp Lintfort Communication Engineering.

Marcello Tania Faculty Technology and Bionic studying Mechatronics system Luede, Jenny Faculty Communication and Environment Student Communication Design

Semeleer, Wilbert Student faculty Technology and Bionic studying Bioengineering

FABLAB Kamp-Lintfort

FABLAB

FabLab Kamp-Lintfort The FabLab Kamp-Lintfort is an institution of the Faculty of Communication and Environment at Rhine-Waal University and the zdi-Zentrum Kamp-Lintfort. On 600 square metres it offers a unique environment for makers providing extensive, state-of-the-art professional hardware, software and tools. It serves as a drop-in centre for multidisciplinary collaboration, and the university’s broad range of technical topics is an excellent basis for inspiration. Its mission is to manifest digital fabrication at all levels of education and training.

Kamp-Lintfort

‘Digital Fabrication’ is well on its way to revolutionising our world and the global economy. But what about here in the Lower Rhine? Our “zdiFabLab @ school” project is focused on just that, namely making new fabrication technologies like 3D printing, 3D scanning or laser cutting available in our region. To that end, the Faculty of Communication and Environment at Rhine-Waal University of Applied Sciences and its zdi Centre Kamp-Lintfort have adapted a globally-connected concept that was originally developed by the Massachusetts Insitute of Technology (MIT): the FabLab. http://fablab.hochschule-rhein-waal.de

3D-Kompetenzzentum

Niederrhein

Centre of Excellence for 3D Manufacturing

Digital manufacturing technologies are widely considered to be a prelude to the next industrial revolution. To prepare students for the future of manufacturing and cement these technologies as integral parts of the region, three Lower Rhine universities – Rhine-Waal University of Applied Sciences, Ruhr-West University of Applied Sciences and RWTH Aachen University – have joined together in an ambitious project based on the ‘FabLab’, a pioneering concept developed by the Massachusetts Institute of Technology (MIT) that is rapidly taking hold around the world.

The FabLabs themselves are only the first step in the project. The next step is the establishment of the 3D-Kompetenzzentrum Niederrhein, a central hub for encouraging and coordinating the initiatives and production capabilities of the individual participating FabLabs.

Central project aims include anchoring digital manufacturing firmly in the curricula of project partners’ degree programmes and participating in the Fab Academy and looking forward to integrate programs offered in the ACADEMANY

Fabricademy & Soft-fabrication

FABLAB Kamp-Lintfort

Surfaces and new materials meet digital fabrication Are new surfaces emerging in FabLab? Soft fabrication meets the Hochschule Rhein-Waal :) The possibilities to conduct experimental research in an open laboratory gives the physical and mental space for innovative re-thinking and reframing of today’s realities, offering the resources for visions to be materialised, tested, developed and make an active impact in people’s life, not as a linear process, but as a spiral iteration and implementation in the reality.

Through the program of the Academy, we are developing and implementing a new approach on how to create, produce and distribute textile, materials, and applications of soft prototyping in different fields, mechanics, by using distributed manufacturing infrastructures and knowledge networks.

Along with experts from the field, the participants will investigate how the textile and surfaces and materials industry can benefit from new technologies, processes and business models.

We are experimenting with the human body, culture and mindset by recycling, hacking and sensing it, creating feedback loops with project development, where materials, aesthetics, sustainability and customisation play equal and important roles. The Academy offers a cross-disciplinary education and research platform, where production and culture through advanced technologies are making impact in the way we think and act towards the textile industry and all of its application fields.Working locally, while creating connected communities globally.

Textile Academy Coordination

The topics covered in this Academy range from design to craft and digital technologies. Each topic will be taught by a leading expert in the field, providing access to the latest research and advancements in this exciting area.

Digital Human. Digitizing the self, Circular Fashion, open source , upcycling , zero waste clothes, reconfigurable fashion, hacking the fashion industry, + The Textile scaffold: textiles for composites, polymerisation, UV solidification, concrete casting, crystallization. + Biocomposites Biofabrics, E-textiles and wearables + Open source hardware and new tools for the industry and subversive techniques, + Computational couture, Implications and Applications: Health, prosthetics, wearables for space, sports, energy harvesting fabrics, + haute couture, performative arts, embodied interaction, E-textiles and wearables: inputs and outputs, + The Digital Craftsman, + Soft robotics and inflatables, Printed and Flexible electronics, Next Human, on Singularity

FABLAB

Praparing the LAB

Kamp-Lintfort

Local Materials and Exploring the roles of the digital craftsman To understand the potential of the digital craftsman, and the individualization through digital fabrication, we prepared two body forms, one from cardboard and another from styropor and clay, for the composites assignment.

Both models were generated with the digital tools. Using a grasshopper definition and rhinoceros we could take the measurements of the body in a similar way as a dressmaker does. Having a digital model, we could proceed to slice the 3D model. For both models we had the help of rhinoceros and solidworks to slice it.

Picture 1, 2 . Basis form for stiropor module, Thomas Kropp adjusting the model to be covered.

To edit, and with help of digital tools we cut the basis for the models in as the pictures show.

For this part we combined one of the assignments of the first Textile Academy, using Laser Cutting and cardboard to generate a mannequin, understanding the first approach from the own body by digitalizing it.

Integration practices from FabLab to Microbiology Lab In this time we want to include practices in sustainability, dying textiles, such as silk, with bacteria. Dyeing textiles is one of the processes that most contaminates the water sources. We could set up the whole process with the help of Dr. Daniela Lud, Professor of Environmental Assessment and Environmental Rehabilitation.

Picture 3, 4. Marc Kohlen covering the styropor form with clay to smooth the surface of the model.

You can see extended information in the following links: http://archive.fabacademy.org/archives/2016/fablabkamplintfort/students/124/ 13composites.html http://textileacademy.eu/adriana-cabrera/2017/01/23/bacteria-pattern/

Picture 5, 6. Assembling the cardboard pieces of the mannequin.

Day 1

FABLAB Kamp-Lintfort

FABRICADEMY A new textile academy

In the first day, Adriana, the on-site host, introduced the participants to the Textile Academy goals and aims. The schedule of the bootcamp was demonstrated by example artifacts which Adriana had created beforehand as part of her participation in the first full Textile Academy in TextileLab Amsterdam. Six participants with backgrounds in digital design, computer science, and biology came from Kamp-Lintfort, Krefeld, and Aachen in Germany to take part in this event.

Experts, streamed from FabLab Barcelona, talked about current issues in the fashion industry and a wave of new designers who are coming up with alternative methods and materials to design clothing.

Picture 7, 8. Presentation Circular Fashion Design and introduction of the Fabricademy

The key in cutting and engraving with the laser cutter is to test different settings when one is using a new type of material in order to find out the most suitable set of configurations. For example, the speed, power and frequency of the laser pointer should be such that the textile is fully cut through but not burnt, or the engraved part is smooth and of the right depth.

The assignment for the day was to design 2D interlocking patterns that can be useful later for our final project. We are allowed to use any 2D design software of choice, but Adriana also did a tutorial in Rhinoceros and showed participants how to send the design from Rhino to the laser cutter for cutting or engraving.

At the end of the day, Dagmar Grote and Caroline Bronkers participants of the Textile Academy 2016 , who are working on their research project in bacteria dying at the Waag Society - Amsterdam, payed a visit and also showed participants some of their beautiful work pieces.

You can see extended information in the following links: http://waag.org/en/project/textilelab-amsterdam www.fabtextiles.org http://docs.academany.org/softacademy-handbook/_book/ http://textileacademy.eu/adriana-cabrera/2016/11/13/laser-cutter-manipulation/

Picture 9, 10,11,12 Dagmar Grote and Caroline Bronker sharing the experinces about Dyeng with bacteria during theos final project in the Textile academy 2016 at Waag Society Amsterdam

Day 2

FABLAB Kamp-Lintfort

New Materials & Processes Dying with Bacteria The day started off with a lecture from Cecilia Raspanti, one of the main figures of Waag Society Amsterdam, on using microbes for dying.

It turns out that the bacteria called Janthinobacterium gives the violet dye color that we saw the day before. As Professor Daniela Lud - one of the participants - explains, while growing, this bacteria produces the same pigment that can be found in the Pansy flower. The culture medium for the bacteria is a mixture of glycerin, broth powder and water. When growing the bacteria in the lab, although it is a safety level 1 bacteria, care must be taken to keep all tools and material sterilised so that we only favour the growing of this bacteria but not other bacteria in the surroundings. As such, participants were not able to carry out the bacteria dying experiment by themselves but Professor Lud and Adriana prepared them in the University’s Bio Lab instead.

Making composites Next, participants had a workshop on making composites (a material made from two or more materials with different physical or chemical properties that, when combined, produce a material with characteristics different from the individual parts) by Thomas Kropp, an employee here in HSRW Kamp-Lintfort.

Biomaterials

Afterwards, participants attended a talk about the chemicals and waste that result from the use of non-biodegradable materials in the fashion industry pipeline: from making clothes, to dying them, and then packaging them. We were then introduced to three alternative biomaterials: 1. growing fabric in Kombucha tea, 2.making bio-plastic using simple home ingredients, 3. dying fabric with spices, fruits and vegetables, and harmless (safety level 1) bacteria. Other creative and sustainable materials include, fish, fruits, Tempeh, and Mycelium leathers.

Picture 13. Process of Dyeing with Bacteria, by Daniela Lud and Adriana Cabrera in the Biolab at Hochschule Rhein Waal.

You can see extended information in the following links: Bioplastics made from coffee and orange Materiability Material Recipes Picture 14. Lecture about Composites by Thomas Kropp, Process Bio Composites.

FABLAB

Day 3

Kamp-Lintfort

Computational Couture Disciplines as programming and electronics become highly interconnected, blurring old boundaries and merging different fields of knowledge. Fashion has been already affected by this radical change. Therefore, clothes, shoes and other accessories can now incorporate elements of hardware and software, generating a peculiar mix between fashion and computation that is incredibly fertile and inspiring. Data becomes beauty, interaction becomes emotion and as a result, a new aesthetic is emerging.

In this seminar participants explored computational design methods towards a new reinterpretation of cloths, garments and accessories for fashion design, inspired by a new digital design methodology.

3D modelling

In order to design parametric 3D models, one needs to download and install the Grasshopper plugin for Rhino software. The plugin can also be used to create unique graphical patterns. Participants received streamed tutorials from FabLab Barcelona as well as on-site tutorials. The software is not easy to use, especially the Grasshopper plugin. However, with time, one is able to create new patterns in a few steps.

Picture 15. Introduction to computational Design by Aldo Sollazzo NUMENA

Picture 16. ntroduction to 3D printing Constraints

by Daniele Ingrassia

Picture 17. Hands On Body 3D Scanning

Picture 18. 3D Printing on textile in big scale using Big Rep Printer

3D Printing Next, participants attended a Fab Academy session about 3D printing with Neil Gershenfeld from MIT. Neil compared the different printers and printing materials. FabLab Kamp-Lintfort has one of the biggest 3D printers commercially available, the Big Rep ONE. It can print up to 1 cubic meter.

This 3D printer is suitable for printing big patterns on a large area of textiles. A workshop on how to use this big printer was given, on the next day,

by Daniele.

3D scanning Following this there was a workshop on 3D scanning and editing using the Sense 3D handheld scanner and software.

You can see extended information in the following links: Aldo Sollazzo - Noumena classes/scanning_printing

FABLAB

Day 4

Kamp-Lintfort

Smart textiles, embedded electronics

To understand the power of embedding technology in materials, we, demonstrated a poster which she made by combining screening printing techniques and conductive ink (Bare Conductive Electric Paint). When she connected certain traces on the poster to the Bare Conductive touch board, plugged in a loudspeaker and loaded the program onto the board, participants could play melodies by touching some certain spots on the poster. These can all be defined in the program, it is like a big printed circuit, which makes it highly attractive and easy to interact with. Adriana also showed examples of her own work with interactive postcards.

Picture 19,20 Introduction to DiY Sensors and programming the Neopixel

The DIY Capacitive Sensor can easily be made just using copper foil, jumper cables and clear tape. One simply has to wire up the sensor to the Arduino board with a 1M Ohm resistor and experiment reading the sensor values in Arduino IDE using the Capacitive Sensor library. Therefore, it will be able to control outputs like the Arduino’s onboard LED with the sensor.

Afterwards, these sensors can be easily integrated into textiles to control different outputs devices including LEDs, servos motors, or even household electronic devices like lamps.

Thu also prepared an example in which one could control a Neopixel Ring with a pressure sensor made out of the DIY Sensor film kit by Adafruit Industries. By pressing the sensor, one was be able to switch between various light effects of the NeoPixel ring.

Online Lecture: PRODUINO & Tangible interfaces Online Lecture: Varvara Guljajeva and Mar Canet Online Lecture: Liza Stark Crafting with Attiny

(https://vimeo.com/204761446) You can see extended information in the following links: materials repository

Picture 21 Thi- Yen- Thu prototyping the first version of a midi bracelet

Picture 21 Introduction screen printing with conductive ink*

Day 5

FABLAB Kamp-Lintfort

Hans on the Final Profect

This day was booked for the participants to demonstrate their creativity and the skills they had learned. The options were overwhelming, and the time was too short, but the day was very active and full of positive energy.

Everyone was exchanging ideas and asking each other for help in adjusting the different tools. Even though the projects were individual, at the end everyone worked together.

Some of the participants explored the range of the tools, others focused on the electronics, and the rest designed functional textile objects.

Picture 22 Marcello Tania, testing the capacitive sensing of the table lamp

Picture 23 Participants of the Textile Academy Bootcamp in the final day making their own prototypes

FABLAB

Engraved Bag

Kamp-Lintfort

Bag with engraved pattern

by Jenny LĂźde

Program: Adobe Illustrator CC Technologies: Laser cutter, 3D printer, sewing machine Materials: Creamy white felt, orange felt, black-greying fabric with a high percentage of cotton The idea was to create a bag (for daily use) that uses new technologies in design. Therefore, we created a sewing pattern and another pattern for decoration, by using Adobe Illustrator CC. The outlines were cut with the laser cutter, instead of using scissors, and the decorative patterns were engraved. For this reason we tried out, which settings were the most supportive, because if the laser settings are set for too intensive, the fabric is cut and not engraved, in other words it gets porously. The pattern was designed as vector graphic.

To create more stability and protection to the bottom, we decided to add a 3D-printing layer to print small dots on top of the felt. The orange colour as foundation for the dots created a strong contrast to the creamy white felt and the mint-green dots – which makes the look even more interesting. Additionally, the dot pattern gave more protection.

Picture 24. Result Bag with engraved pattern

Picture 25,26. 3D Printing the pattern for the bottom part in the Ultimaker 2+

FABLAB Kamp-Lintfort

The Singing Fabric, by Nur Al­huda Hamdan

The singing necklace is a wearable piece of accessory that makes soft chime sounds when it moves on the skin of the wearer. This creates a musical experience that only the wearer and people in her intimate zone can hear.

Forearm Armor The Armor is made of a body (grey leather) with fitting ends that seamlessly secures various sizes. To decorate the armor one can print stripes on the fabric with different repeated shapes (I used a half a circle and a triangle). These shapes must be spaced similarly to the cuts in the body. They are then inserted into the cuts and secured at each end on the body.

You can see extended information in the following links: Documentaton Bootcamp

Felt Lamp

FABLAB Kamp-Lintfort

by Jana-Lina Berkenbusch Program: Illustrator C6, Arduino IDE Machine: laser cutter Material: felt, 3mm, MDF balsa wood, conductive thread, conductive fabric, 4 Neopixel, LilyPad USB Procedure: We designed and built a felt lamp as a final project during the bootcamp.

We chose felt for the body of the lamp, wood to hide the lipo battery in a base and to hold the arms of the lamp´s body. Next, we used conductive thread and fabric, a Lilypad and 4 Neopixels.

First, we designed the shape of the lamp, the arm-holder and the base in InDesign, and then we used the laser cutter to cut out the elements.

In the second step we sewed two pieces of conductive fabric on one of the arms and connected the pieces with the minus and the plus pinout of the LilyPad. We also connected four neopixels with four other pinouts of the board. For the connection we used conductive thread. After building the lamp we used Arduino IDE to upload a sketch on the LilyPad. To light up the lamp or to change between the colors, you have to bring together the two pieces of the conductive fabric.

Picture 23 Assembling and sewing the pattern of the Felt Lamp with the Lilypad microcontroller and the neopixels.

Picture 26 Interlock pattern for the computer cutting design assignment Picture 24. Different status of the neopixel blinking by connecting the conductive pads..

FABLAB

Modular fabric

Kamp-Lintfort

Modular fabric with beehive patterns by: Wilbert Semeleer, 3 rd semester Bio-engineering student.

The idea was to mimic bees and use the pattern of their hives for the modular design of fabric. We designed a hexagon with both female and male ports, this way both functions can be used at the time. This minimized the use of unnecessary fabric. We picked synthetic leather because of its rigidness and ability to act as an anchor when connected. We did not use any sewing materials, nevertheless the final product holds very well and as a result it has a very fashionable.

The idea was to craft patches to personalize your clothes, which in my opinion has many possible applications.

The idea was to design a modular jacket that can be used throughout the year, having the insulating insides washed and customized every couple of days to add variety.

In the beginning, the idea was to make a lamp and add a light sensor to change color LED’s depending on the type of movement the person walking by was making.

Picture 29. Interlock modules made by synthetic leather

Picture 30. Rhinoceros graphic design of the interlocking modules

FABLAB

Table Lamp

Kamp-Lintfort

by Marcelo Tania Textile according to the Oxford Dictionary is a type of cloth or woven fabric [1], so I was thinking that interiors have a lot to do with textile which is not always wearable or cloths. At the end, and after considering the time constraint, I decided to make the table lamp with conductive fabric.

The shape of the stand of the lamp was inspired by a dinosaur called stegosaurus. What makes my lamp unique? Here is where the idea comes from, I am using the conductive fabric and make it as a capacitive sensor and then use it as a switch for the lamp.

Picture 32. 3D model in solidworks, Picture 33. Preparing the vectors polylines to be cutted in the laser cutter

Picture 31. Sketch capacitive sensing circuit, connected to an Arduino UNO

Picture 34. First Prototype Table Lamp

Wristband

FABLAB Kamp-Lintfort

Interactive musical wristband

by Thu Nguyen My final project is making an interactive wristband that plays musical notes via embedded touch sensors. This project aims to combine various machines, tools and techniques available at FabLab Kamp-Lintfort including 3D modelling, 3D printing, machine-aided sewing and embroidery processes, and electronics. Capacitive touch sensors are made with DIY using copper foil, stranded wire, clear tape and resistors. Capacitive sensors and an Neopixel are then connected to the Arduino Pro Micro board based on the schematic, and the whole circuit is powered through micro USB cable. The result is that the wristband can fit different wrist sizes thanks to the velcro loop and hook. By touching different conductive pads on the wristband, different musical notes will be played. The NeoPixel will also light up with different colors.

Picture 36. Final wristband Picture 37. Mount the electronics on the back side of the new wristband

Picture 35. Revised design of the wristband, Digital pattern to be embroidered

You can see extended information in the following links: Documentaton

Picture 35. Mounting the 3D printed patterns, Neopixel and loudspeaker onto the new wristband

FABLAB Kamp-Lintfort

This event is powered by 3D-Kompetenzzentrum Niederrhein Thank you so much to the Textile Academy team Cecilia Raspanti, Ista Boszhard, Anastasia Pistofidou und Fiore Basile, TextileLab Amsterdam - connecting explorers Fab Lab Barcelona Fabtextiles for making this event possible.

I would also like to thank the visitors from Hochschule Niederrhein Prof. Marion Ellwanger, for expressing your interest and for participating in the Bootcamp.

I hope that you continue with the textile practices and that this community grows exploring the infinite possibilities in the material and digital fabrication world!

Thanks to the collaborators: Thomas Kroop in the Composites session, Marc Kohlen in the Rhinoceros support, Daniele Ingrassia for the fab Academy sharing and CNC milling machine process, Thu for the help with neopixel tracks, and, also a special thanks to Prof. Daniela Lud, for her support in the dyeing with bacteria process, the experimentation was successful. Also, thanks to the Fab Lab team Marvin, Christian for making the nice photos and Steffen for their help in acquiring the materials.

Adriana Cabrera

Mentor Interactive Streaming Fabricademy Bootcamp Industrial design, media art and surface design Research Assistant FabLab Kamp-Lintfort 3D Competence Center Niederrhein Adriana.Cabrera@hochschule-rhein-waal.de http://fablab.hochschule-rhein-waal.de/

FABLAB Kamp-Lintfort

20 Monday

21 Tuesday

22 Wednesday

23 Thursday

24 Friday

08 09

Hands On Laser Cutter techniques

10

Reconfigurable modular systems, Seamless clothing and 2D Pattern making

11

Fab Lab Famp-Lintfort (11:45) 12 Fab Textiles Anastasia Pistofidou 13 TextileLab Amsterdam Cecilia Raspanti 14

New Materials and Processes, Grow your own Clothes

15

Hacking the Fashion Bio Composites Industry, Molding and casting 16 by Zoe Romano 2D modeling 17 tutorial Rhinoceros

Hands On CNC milling techniques

20

Wearables JAM DAY and integrated of lesson we learned electronics by Ángel Muñoz Session 1

3D Printing and Scanning

Open Source Individual Project Hardware by Varvara Guljajeva & Mar Canet Machine makinghacking tutorial

Neil Gershenfeld

3D modeling tutorial Rhinoceros

18 19

Computational Fashion

by Aldo Sollazzo Session 1

Computational couture session 2 Hands on 3D scanning

Soft sensors Presentation and sharing results wearebles integrated electronics Session 2

20 – 24 February 2017 | Intensive 5 days course http://fablab.hochschule-rhein-waal.de fablab@hochschule-rhein-waal.de

Sponsored by: Hochschule Rhein-Waal Friedrich-Heinrich-Allee 25 Fakultät Kommunikation und Umwelt 47475 Kamp-Lintfort