Architecture And Interiors International Panorama Jan-Mar 2020 Edition

Volume 9 • Number 1 • January - March 2020

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RC ITECTURE AND INTERIORS INTERNATIONAL PANORAMA v Furniture v Tiles & Ceramics v Decorative Lighting v Bath & Sanitation v Floor & Wall Coverings v Home Automation v Kitchen Technologies v Landscape

India’s Leading Architecture & Interiors Magazine

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News

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New Collection

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Kitchen Designs

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New Launch

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Rugs

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Fairs

Distribution

Export Furniture Exhibition Kuala Lumpur, Malaysia Indonesia International Furniture Expo Jakarta, Indonesia Coverings New Orleans, Louisiana USA

CONTENTS Editorial

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News

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Construction Industry : Nigeria New Collection Editor-in-Chief K. Vikram Rastogi

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Victorian Inspired Heritage Collections

Editors ELITE

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Top of the Range Kitchen Design

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Kitchen Design Vikrant Vikram Rastogi

Jayesh Vikram Rastogi

Editorial Board A. Ahmed A. Shah Babulal Jain M. Arora Editorial Team Jaywant Mehta Upendra Sharma

Project

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Table Talk New Launch

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H2R Designcreates New Haven For Coffee Lovers At Brew

Director, Marketing Vikrant Vikram Rastogi

Maishaa Launches the Alexis Collection by Nya Nordiska

Director, Circulation Jayesh Vikram Rastogi Turkish Representative Mehmet OZMEN

Rugs

ARCHITECTURE & INTERIORS INTERNATIONAL PANORAMA A Quarterly Publication Annual Subscription India : Rs. 150 (Single Issue) Rs. 550 (Annual) Director, Design & Layout Paras Bhansali

Graphic Design Kunj Bihari Sharma

Administrative Office STONE INFOTECH SERVICES Rastogi House, Lower Level 1, B 9 Vivekanand Marg Jaipur 302001, India Phones: +91-141-237 6171, 237 9653 Fax: +91-141-236 5232 info@aipanorama.com • info@stonetec.org www.aipanorama.com • www.stonetec.org

Printed by Smt. Jaya Vikram Rastogi, Published by Smt. Jaya Vikram Rastogi on behalf of Smt. Jaya Vikram Rastogi and printed at Kamla Art Printers, Add: Jhalaniyon Ka Rasta, Kishanpole Bazar, Jaipur - 302 001 and published at Rastogi House, B 9, Vivekanand Marg, C-Scheme, Jaipur 302001.

Editor - K. Vikram Rastogi. The editors do their utmost to verify information published. They do not accept responsibility for its absolute accuracy.

Opinion expressed in the articles are of the authors and do not necessarily reflect those of the editors or publishers. All disputes are subject to the exclusive jurisdiction of competent courts and forums in Jaipur city only.

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Jaipur Rugs Through The Camera Lens

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Thailand Lighting Fair 2019 Mabel, Moscow, Russia Fairs

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MTC Hits High Note with Expo Success Dutch Design Week 2019 is a Wrap!

Cologne is Creative Join US for a Greater Home / Office Furniture & a Cluster of Malaysian Furniture Brands Maison&Objet Kicks Off the Brand New Decade with an Edition that Packs A Real Punch Upcoming Events

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Advertiser's Index

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EDITORIAL

The sector that is under severe stress is the electronics industry. A significant share of inputs required in electronics components manufacturing has traditionally been sourced from China. As fresh cases of COVID-19 raise fears of a global pandemic, the impact for the shutdown across China has started to hit Indian businesses, some very severely.

With the province of Hubei and eastern parts of China taking a big hit, key industries in India that depend on imports, are coming to a halt.

The story is not that bad for India's exports to China, but imports to several industries are feeling strain. According to Crisil, about 18% of India's merchandise imports are from China. India had a trade deficit of $159 billion as of calendar year 2019 and it remains a net importer from China (including Hong Kong) of $56 billion. In this backdrop, the worst hit are industries in electronics, consumer durables, auto components and pharma.

The crisis is now across the value chain. There are thousands of electronics manufacturing services manufacturers bought from India, and now their supply chain is, in turn, affected. from mobile phone to PCs to set-top boxes and inverters are being affected.

Another sector that has massive levels of 'essential Imports' is the leather goods manufacturing sector. There are many global buyers who strictly adopt the practice of nominating China based suppliers for their final orders that are made here in India. So such orders will be negatively impacted.

If dwindling imports have led to a crisis situation across many sectors, some in exports are expected to benefit. India will now be looked upon as a short to long term option. India is poised to gear up for production in the short-term with the low-end and medium-end products are expected to benefit well. Carpets benefit and so will furniture and handicraft categories. If the situation continues this way, India's exports to see a 10-15% growth next year.

India’s furniture imports stood at $603 million 2018-19. Out of this, from China ; it was $311 million in the financial year.

The other main exporters to India include Malaysia, Germany, Italy and Singapore . China is the largest exporter of different kind of furniture in the world. According to estimates, China’s exports to India stood at around $1 billion. The government is likely to impose restrictions on imports of furniture with a view to boost domestic manufacturing and reduce inbound shipments of non essential items.

K.Vikram Rastogi 8 | Architecture & Interiors International Panorama

January - March 2020

NEWS

Construction Industry : Nigeria The construction industry in Nigeria is rapidly changing due to investments from foreign countries like China, USA for the infrastructure and construction sectors. Nigeria is one of the biggest economics of Africa. China has helped to rebuild rail lines, roads and bridges in Nigeria. Also China has offered $60 billion for the development across Africa. The prominent infrastructure projects in Nigeria are Lekki Free Trade Zone, Lagos, Abuja Centenary City, Abuja World Trade Centre, Eko Atlantic City , Lagos etc. The foreign direct investment is boosting the Nigerian construction industry.

Furthermore, easy availability of raw materials and the cost of labour and work force in Nigeria is much less, which are other factors to drive construction market within the country.

According to world Bank data, Nigeria accounts for about half of west Africa’s population with approximately 195 million people and one of the largest populations of youth in the world. The graph of population in Nigeria is an upward trajectory which is growing day by day. Due to growing

January - March 2020

population, the need for residential spaces would be increased resulting into the growth of construction. The commercial building sector in Nigeria is expected to witness enormous growth across the world over the forecast period.

This growth is attributed to the increased construction of commercial complexes and hospitality buildings within the country. Also the growing urbanisation will rapidly expand the housing demand.

Green buildings are environmental friendly negative impact on natural resources and environment during the design, construction and operation process of building. In Nigeria is construction industry, green building development is practised at slow pace due to insufficient resources, slow adoption, scarcity of infrastructure and inefficient energy.

The African construction equipment market is changes rapidly and has huge potential growth. According to Global Construction Perfective Nigeria is a huge market for building and construction industry.

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NEW COLLECTION

VICTORIAN INSPIRED HERITAGE COLLECTIONS According to Karandean Design flooring, there will be rise in interest in abstract floor designs as more and more home owners look to add pattern in the home. This follows the launch of its new Victorian Inspired Heritage Collection and the latest update to its geometric Kaleidoscope range.

Karndean’s Heritage collection reinvents historical style with all the benefit of luxury vinyl tiles, offering a practical choice for an on-trend modern floor.

Kaleidoscope recently welcomed two new designs inspired by traditional Moroccan and medieval Spanish architecture.

According to the company, whereas previously home decorators and renovators have looked to the walls or accessories to introduce pattern, they are now going to floor.

Instead of relying on pops of pattern in cushions or fabrics, a patterned floor can make small spaces feel bigger and create a statement in larger areas. Likewise patterned floors can be used to zone out areas of the home or divide separate living areas to cater for multi-generation and co-living spaces.

Heritage has been really popular with customers looking to achieve the original character of elegant period interiors or for creating a contemporary statement look.

Perfect for busy rooms where highly durable flooring is required, 10 | Architecture & Interiors International Panorama

January - March 2020

NEW COLLECTION The Casablanca and Marrakesh tiles are inspired by the artistic techniques of traditional Moroccan architecture, brought to the Iberian Peninsula during the 8th century.

One creative design, available in two subtle yet striking colourways, offers a modern interpretation of these iconic patterns with a non-uniform, patch work arrangement that incorporates a stylish combination of geometric forms, curves and crests.

Casablanca shows off this quirky design in a monochrome palette of grey shades to create a contemporary statement while Marrakesh uses a mix of natural earthy colour tones for a warmer, more playful look.

January - March 2020

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ELITE

TOP OF THE RANGE

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January - March 2020

ELITE

Breasley’s partnership with Brook+Wilde to produce the brand’s go-to best quality Elite range has begun.

The leading UK bed manufacturer has teamed with the award winning start-up as exclusive supplier of the high end collection for bricks and mortar retailers. The range is available in single, double, king and super king sizes and three comfort levels, soft, medium and firm.

Elite mattresses consist of eight layers which work together to provide its levels of functionality, comfort and support.

These include a removable washable cover and memory foam protector. There is a thermo-regulating top layer and a refreshing natural balm to aid deeper, more restful sleep. It also provides a higher level of moisture evaporation to keep the sleeper cool and comfortable.

Advanced wave technology supports shoulder and hip alignment and pocket springs support the individual movement of the sleeper. The mattress does not require rotation and comes with a 10-years guarantee and 100-night trail.

January - March 2020

Brook+wilde says the Elite mattress is the most premium mattress available in the bed in a box sector, in line with the brand’s objective of being the default luxury mattress within the rolled mattress sector.

The collection is available with a choice of head boards and bed bases from Breasley’s Salus collection. This includes Breasley’s new ottoman storage bases with optional storage options and choice of plush fabrics.

Brook+Wilde is an exciting addition to our higher end rolled mattress collection and delivers an exceptional level of comfort and choice. The Elite range comes in as the highest quality option at the luxury end of the sector and the company looks forward to working with Brook+Wilde as it goes from strength to strength.

Brook+Wilde also supports reforestation, planting a tree for every mattress sold. In addition, the company operates a zero landfill policy.

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KITCHEN DESIGN

Kitchen Design In today’s busy households, the contemporary kitchen has the clear advantage. With there seamless and stylish lines, sleek contemporary spaces make it a cinch to stow small appliances and other clutter behind doors, for a tidy look that Mario Kondo would surely approve of.

If you are hunting for a kitchen, stroll over to Eggersmann Toronto. Now in its sixth year, the Summerhill-area shop is the oldest German Kitchen company you have never heard of, unless you have never heard of, unless you have spent time in Europe or are a design aficionado.

The shop has outfitted kitchens for everything from condos in the city to cottages in Muskoka and mansions in Quebec.

The designer Victoria Shaw says that the high-gloss showstopper demo kitchen in the showroom as an example.

It was installed six years ago and visitors have handled it regularly since then, but it still looks as spectacular as the day it went in. The magic is in its manufacture. The lacquers are labour intensive. Both products may be made in a factory, but they are not being churned out willy-nilly.

Which is why if you go for one of Eggersmann’s exquisite kitchens, you can expect the highest level of individual service. The company sometimes spends months with other clients designing the kitchen.

Unlike decades ago, when the aproned lady of the house prepped a roast in a tucked-away room, today’s lifestyles have evolved, and so has the kitchen. Often open to the rest of the house, the kitchen serves as a gathering place, a hub to do homework or a spot to entertain friends over cocktails and canapés. As such, its functionality is essential. And since it is out in the open it better look ravishing too.

How a person uses the kitchen is germane to its design. The excitement of building a new home gets lost when you get into the nuts and bolts of where everything goes.

And never assume. It seems like a no-brainer that the client’s 14 | Architecture & Interiors International Panorama

coffeemaker should be in the kitchen. Not so as it depends on how you use your home. Luxury homes often have beautiful wings. The clients get up in the morning and they don’t necessary want to go to the kitchen.

Storage is not necessarily on everyone’s wish list. The kitchen is not a storage facility. It is a place to cook and should not be filled on every wall with storage. People love islands because there aren’t cabinets over their heads.

January - March 2020

PROJECT

TABLE TALK Helmed by British architect Marc Webb and Japanese interior designer Naoko Takenouchi, the dynamic duo are the creative minds behind some of the most memorable dining venues in Singapore, the practice also scooped up the Design Project of the Year accolade for the Straits Clan project at the Tatler Design Award, 2019.

It is hard to pick out a specific element that distinguishes a Takenouchi Webb project. But that also exemplifies the firm’s award-winning approach to design, which has resulted in timeless, elegant interior spaces that are unique to each site.

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From a restaurant-bar in a 1940s chapel (The White Rabbit) to a members’ club (Straits Clan) situated in a conservation shophouse, the firm is a practiced hand at melding each project historic significance with contemporary accents. The studio’s most recent projects include the Shang Social at the Jewel, the first standalone restaurant for the Shangri-La Group, as well as other restaurant projects in the region.

In an interview given to a magazine Marc Webb has spoken about his work:We like to describe ourselves as an integrated design firm as January - March 2020

PROJECT we develop architectural and interior environments on all scales, from the architecture to the smallest detail. Whatever the scale or brief, we always approach each project the same way, as a carefully considered combination of materials, detailing and precision combined with practical problem solving.

The White Rabbit is probably the most significant project for us as it was our first completed project in Singapore. It started our long-running relationship with The Lo & Behold Group, with whom we have done many more projects over the years. It is also where Naoko and I get married.

We are still a relatively small office, with 10 of us in total. This is a big change from when we started, Naoko and I used to work from the spare room in our apartment. We are still totally involved in every project that goes through our office. We are not only able to do this due to the size of our office, but we feel this maintains the quality and consistency of our work.

From a culinary perspective, there is certainly a continuing trend of natural and organic produce. From an operational perspective, restaurants are looking more towards using technology to achieve this.

With the rise of social media, there seems to be a greater desire for restaurants and bars to make a quick visual impact. This can sometimes detract from the overall design as clients look for that Instagram moment.

We try to avoid this and always look at the design holistically and as something that will be long-standing.

January - March 2020

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NEW LAUNCH

H2R Designcreates New Haven For Coffee Lovers At Brew H2R DESIGN,the award-winningdesign studio creating renowned commercial and hospitality spaces,designed the café Brew, for a client who is passionate about coffee. The firm was tasked to develop an environment that is natural and casual and where patrons can get an introduction to special blends of coffee.

Inspired by its location, close to the sea with a relaxed beach vibe, H2R Design created a fresh and homey space through the use of natural tones, pops of colour, and a careful selection of materials and textures.

H2R Design aimed to produce a space that would draw passers-by in, and to meet the owner, to discover his love for the process of coffee making and demonstrating how fine specialty coffee can be an art form. To achieve this, a focus was placed on using materials that added warmth, allowing light to pass through gently, resulting in a revitalized space mixed with textured painted walls and wooden furniture.

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NEW LAUNCH

When presented with the limited size of this new build (95sqm)and the requirement to incorporate a full kitchen and two washrooms,the method of linearity design was developed. This was a key design technique to expand the dimensions. A line that follows all through the floor, tables, counter and wall was strategically placed to offset the symmetry yet keep the perspective balanced.

The decor follows the natural theme with light surfaces and notable in its clean minimalist interior. There are intriguing meeting points of materialssuch as the tile and paint with the wood and concrete.

When presented with the limited size of this new build (95sqm)and the requirement to incorporate a full kitchen and two washrooms,the method of linearity design was developed. This was a key design technique to expand the dimensions. A line that follows all through the floor, tables, counter and wall was strategically placed to offset the symmetry yet keep the perspective balanced.

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January - March 2020

NEW LAUNCH The wall logo is covered in glossy undulated handmade tiles from Spain matching the counter table.Achieving the right tile level from the wall and counter was a challenge for the team. To manage this, only one person worked on placing up the tiles to ensure right spacing.

The flooring is a mixture of wood and cork, where the cork gives off the impression of a rug.Both elements offered a homey and vibrant energy.

“One significant use of material is the cork on floor. The best thing about this material is how soft and yielding it feels. It is something completely different and it is a good insulator which reduce noise from being transmitted throughout the café,” explained Husain Room, Co-Founder of H2R Design.

Other design features include a ribbed wooden kitchen door and ceiling lights above counter table that have spiral pendants painted on the wall creating a quirky look.

“Brew has been a very personal and soulful project for us.We had the opportunity to make all the decisions from the minute to large scale changes which impassioned us to create a remarkable spacethat we’re very proud of,”commented Hasan Room, Co-Founder of H2R Design.

About H2R Design H2R Design is an award-winning London and Dubai based design firm founded by Hasan and Husain Roomi; a pair of young dynamic UK born brothers with Middle Eastern background. The founders have been designing some of the most renowned commercial and hospitality spaces across continents. Supported by a team with broad global experience, H2R Design maintains a diverse commercial portfolio with primary focuses in the hospitality, F&B and retail sectors. As the various disciplines of design often overlap and integrate, H2R Design endeavors to offer a total concept; including branding and identity design, bespoke furniture and fitting, salvaging and appropriation and even sourcing site locations. The resultsare unique and customized spaces that respond to client briefs. www.h2rdesign.com January - March 2020

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NEW LAUNCH

MAISHAA LAUNCHES THE ALEXIS COLLECTION BY NYA NORDISKA Luxury home furnishings brand, Maishaa, known for producing superior quality fabrics for home décor, and also for introducing international textiles brands in India, haslaunched a new collection of sensational fabrics, Alexis, by the famous textiles brand Nya Nordiska.

Renowned for their distinctive design signature – simplicity, innovative thinking and Scandinavian design – the German brand Nya Nordiska has been designing and distributing premium decorative and upholstery fabrics for both the residential and contract sector worldwide since 1964.

Their latest launch, Alexis is an elegant, soft floating decorative fabric with a wonderful touch and a flowy fall. It is available in two versions – Alexis Night enchants with widespread, interlaced shapes and a fascinating interplay of opaqueness and transparency. Alexis Day is the transparent equivalent in tender white nuances.

The entire collection features subdued shades that infuse the interiors with a wonderfully diffused light and a soft hue. The airy, floating fabric is 310 centimetres wide and thus perfect 22 | Architecture & Interiors International Panorama

January - March 2020

NEW LAUNCH for large applications.With a 25 per cent viscose and 75 per cent polyester, the Alexis fabrics are light and flowy, and are great for curtains, panel curtains and roller blinds.

About Maishaa With a commitment to offering their customers furnishing textiles created with love and passion, Maishaa brings fabrics across from the world. With a belief that the merit of a product is functionality while beauty is enchantment, they innovate and producetextilesthat turn ordinary things like home linen and furnishing fabrics intoelements of ultimate luxury and good living.

All collections of Maishaaare designed by a pool of international designers and manufactured at their state-of-the-art facilities.

Available At: Select home stop and home centre stores across India.

A.K. Retail Inc. (Maishaa) PP-103 (Ground Floor), Maurya Enclave, Pitam Pura, Delhi – 110088, Ph: +91 11 27322036 / 37 | Mobile: +91 98110 18779 For further information please contact – Deep Gupta 9311120208

January - March 2020

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RUGS

JAIPUR RUGS

At the September 2019 edition of Maison et Objet in Paris, India-based Jaipur Rugs and Italian designer Matteo Cibic their latest collaboration, a collection of 24 rugs called Jaipur Wunderkammer.

Inspired by Cibic's 2018 visit to Jaipur in Rajasthan, the collection takes cues from the city's architecture, colors and miniature paintings, and also plays on the culture and beauty of the historic city. In this pop, graphic and colorful 24 | Architecture & Interiors International Panorama

collection, the designer depicts a "phantasmagorical India" through the artistry of rug weaving.

The Mirage rug's design is inspired by the iconic Jalmahal and its reflection in its surrounding water. The design, which brings the magic of the serene setting to life, is offered in two colorways.

Cibic mixes geometric and decorative patterns together in this bold, contemporary collection, and uses the many January - March 2020

RUGS shades of pink, rose, orange and peach that are typical to its namesake city. He creates bold motifs using iconic figures such the Rajasthani mustachioed soldier, the monkeys, the triangular flag, and iconic views of Jaipur's buildings and monuments.

The collection is named after Wunderkammer, the "cabinets of curiosities" that came into existence in the mid-16th century in Europe. These roomlike cabinets were repositories for all types of wondrous and exotic objects, just as the Jaipur Wunderkammer brings the wonder and exocticism of Rajasthan to interior furnishings. The initial samples are handtufted of wool and viscose, but handknotted versions may be ordered.

THE COLLECTION The motifs of colorful traditional drawings called rangolis, a standard feature in many Rajasthani homes, are the inspiration for the Pink Haze rug from the Matteo Cibic Jaipur Wunderkammer collection for Jaipur Rugs.

The captivating elegance of the ancient architecture of Jaipur is well expressed through The Pink Building rug, which is designed to transcend time and recreate the beauty of the city's past.

The Jaipur Dance rug is inspired by the ornamented feet of Rajasthani women, its design and color a celebration of the people and their culture.

Inspired by architectural heritage of India, the Pink Perspective rug's unique shape and design are a tribute to the vibrant play of shadows and lights at the city's famous sundial.

The Mr. Mucho and the Monkey rug takes its inspiration from the topography of the city of Jaipur with a melting pot of images typical to the city from wild monkeys, to a triangular flag found on top of temples, and the typical face of a king found in medieval

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RUGS miniature paintings.

Inspired by the archetypical Jharokas (typical balconies and arches) of Jaipur, the Royal Patio rug mirrors the rich history of its havelies and forts.

The face on the Mucho Rhapsody no2 rug is a representation of the historic royalty and glamour of the iconic state of Rajasthan.

Step-wells in India, characterized by intricate designs gracing their subterranean architecture, are celebrated in Stair Maze design from Jaipur Rugs.

Inspired by the floral motifs used in the 'Pink City' on garrison walls, paintings and fabric, the Floral Canvas rug from Matteo Cibic's Jaipur Wunderkammer collection for Jaipur rugs is a classic design of timeless beauty.

The Pink Illusion rug is inspired by the architectonical Sundial, the Jantar Mantra, built in the 18th century in Jaipur.

The face of a Rajput King from a traditional Rajasthani miniature painting is the central motif on the Mucho Rhapsody n1 rug, woven in a color scheme inspired by the history and culture of Jaipur.

Jaipur Rugs will also showcase contemporary designs by in-house designer Kavi and celebrity designer Gauri Khan at the show.

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January - March 2020

THROUGH THE CAMERA LENS

THROUGH THE CAMERA LENS

THAILAND LIGHTING FAIR 2019

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January - March 2020

THROUGH THE CAMERA LENS

MABEL, MOSCOW, RUSSIA

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FAIRS

MTC HITS HIGH NOTE WITH EXPO SUCCESS With sales of about RM140 million, Malaysian Timber Council adds another feather to its illustrious cap with the debut of its Malaysian Wood Expo 2019, an international wood and woodworking machinery event It was an all-round success for the Malaysian Timber Council as it chalked up sales of about RM140 million when it had only targeted RM25 million at its inaugural exhibition – the Malaysian Wood Expo (MWE) 2019.

Held at the Putra World Trade Centre from 19-21 November, MWE was the first international wood and woodworking machinery event organised by MTC in partnership with Panels & Furniture Group. The three-day expo attracted 135 renowned exhibitors from 22 countries and over 3,000 visitors.

The expo served as a pivotal convergence point for every segment of players from the timber industry.

Spanning across 8,000 square metres, the exhibitors showcased a wide range of products such as tropical hardwoods, temperate softwoods, wooden flooring, sawntimber, wooden pallets, door and door frames, cutting tools, abrasives, adhesives, coatings, combined machines, dust collecting equipment, edge banding materials and machines, handling equipment as well as timber, woodworking and furniture production softwares. Most of the exhibitors were from Germany, Italy, Australia, France, Belgium, Gabon, China, Chile, New Zealand, Taiwan and Singapore while the trade visitors were from France, New Zealand, South Africa, India, Singapore and Maldives.

“We are extremely happy with the outcome of the Malaysian Wood Expo. It was a commercial success with brisk sales, literally. The expo was well-attended by a broad spectrum of visitors and buyers from day one. And to our great surprise, our sales far exceeded the initial target of RM25 million,” said MTC Chairman Dato’ Low Kian Chuan. To boost business at MWE, MTC had organised two business matching sessions – the Overseas Suppliers-Malaysian Importers/Manufacturers Exchange Programme and the Incoming Buying Mission (IBM).

MTC also offered special incentives for the purchase of machinery under its Financial Incentive for Purchase of Machinery Programme (FIPM) as well as importation of raw materials under its Import Assistance Programme (IAP).

The Overseas Suppliers-Malaysian Importers/Manufacturers Exchange Programme facilitated the augmentation of raw materials from nine countries - New Zealand, Chile, Gabon, France, Romania, Sweden, Ukraine, Canada and the United States. A total of 55 companies placed their orders worth of RM6.10 million of raw materials under this programme. As for the IBM, which was conducted in collaboration with the Malaysia External Trade Development Corporation (MATRADE) and MTC’s regional offices, it generated an 30 | Architecture & Interiors International Panorama

estimated sale of RM118.93 million. MTC had only targeted a sale of RM3 million from IBM, however, the interest for Malaysian-made products and the reputation of Malaysian timber-based manufacturers who are well-known to supply high-grade products promptly has held them in good stead once again. A total of 64 foreign buyers from 14 countries had over 470 meetings with 93 Malaysian suppliers during the IBM. “Despite the rather sluggish economy, the Incoming Buying Mission has demonstrated that there are many strong investment plans in the timber sectors overseas and this creating a huge demand for our Malaysian timber-based products,” added Low. MTC’s FIPM programme also served as a major boost for buyers as 86 Malaysian companies purchased machinery worth RM20.77 million. Most of the machinery exhibitors were also pleasantly taken aback by the sales they had garnered even on the first day of the expo.

“We are actually amazed by the volume of business we have generated. We have sold all our machinery that were brought to MWE,” said Wood-Mizer Asia Manufacturing Co. Ltd Regional Director-Asia Robert Moxham. MWE was officiated by the Minister of Primary Industries YB Pn Teresa Kok on 19 November 2019. Also present at the opening ceremony was the Secretary-General of the Ministry of Primary Industries Dato’ Dr Tan Yew Chong, MTC Chairman Dato’ Low Kian Chuan, MTC Board of Trustees and MTC CEO Mr Richard Yu. Among the dignitaries who also visited the expo was Deputy Minister of Primary Industries YB Datuk Seri Shamsul Iskandar Hj Mohd Akin.

“I applaud MTC for organising this expo as it is a holistic exhibition which showcases not only products made from tropical hardwoods but also what we can do with temperate hardwoods and softwoods. We can use these foreign timber species to produce furniture and other timber-based products which will increase the value of our exports. This will also reduce our reliance on local raw materials,” said Kok, adding that the exhibits at the woodworking machinery and tools sections were impressive.

MTC had also organised a series of pocket talks where industry experts shared their insights to a full house on market trends, e-trade, timber products and timber grading rules, among others. The Council also launched its e-guidebook titled Schedule of Maintenance for Timber in Construction. The ebook is a manual on how to care and preserve timber-based materials used for construction purposes for both indoor and outdoor use.

January - March 2020

FAIRS

DUTCH DESIGN WEEK 2019 IS A WRAP! The positive conclusion of almost ten days of Dutch Design Week (DDW) is that the future knows its challenges but also that a big group of people will not throw in the towel and roll up their sleeves instead. The many (inter)national visitors from various backgrounds are engaged in a debate with those on the creative leading edge. Martijn Paulen: “Important seeds are being planted to ensure that the future is one full of innovative, imaginative ideas, for products, services and materials that truly help the world move forward.”

During DDW19 national and international designers, presented not only smart solutions for the major social issues of our times. They presented conceptual and technological innovations, new alternative materials, and innovations in crafts and systems, in addition to a new aesthetic and user culture. DDW19 with a lot of exhibitions, lectures, tours and labs, drew in 350.000 visitors, this year more professional and international.

The 2019 ambassadors Studio Drift, Jalila Essaïdi, Alice New ambassadors DDW20 DDF is proud to announce that the baton for DDW20, from 17 to 25 October, will be received by Lidewij Edelkoort, Sabine Marcelis and Sean Carney. Edelkoort has held the position of the world’s most important and leading trend #DDW20 ambassador Sean Carney forecaster for decades and she will share her ambassador title for DDW20 with designer Marcelis, who took the design world by storm, and Carney who is responsible for the Healthcare Transformation Services at Philips. “These ambassadors embody the design paradigm from completely different disciplines and backgrounds, in a way that inspires people and teaches them to look at things differently”, director Paulen elaborates on his choice for DDW20.

Lidewij Edelkoort is curator, award winning former director of DAE (1998–2008), and above all one of the world’s most renowned trend forecasters. She travels the globe to identify social-cultural trends and apply this knowledge for international clients. Trend Union (Edelkoort’s Paris based agency) also creates trend books for various international brands like Armani and Prada. Lidewij Edelkoort is dean of Hybrid Design Studies and founder of the MFA Textiles Masters January - March 2020

Rawsthorn and Stefano Boeri have made a contribution to this success. On Sunday 27 October Paulen thanked them for their indispensable efforts during the exclusive closing event at which the new ambassadors were announced.

#DDW20 ambassadors Lidewij Edelkoort and Sabine Marcelis with DDF director Martijn Paulen Simone Frank

at Parsons in New York. She also founded New York Textile Month, that takes place every September. "I hope it will be a fertile collaboration, where we can advance with the changes that have become so clear this year. Maybe it should still radicalise somehow. I think the most important thing is to connect the local design community with the international design community. Create more togetherness. There already are so many good things, there is not that much we need to do."

Sabine Marcelis, who graduated from the DAE in 2011, is a designer with a fascination for materials like marble, epoxy resin, neon and glass and for the way in which things are made.

She had this to say about her new role as ambassador: “I would like to use the year to create a large-scale travelling installation with which to inspire others. I would also like to show how I constantly develop and realise new possibilities within production processes. As an ambassador, I hope to use the year to do this on a major scale and at a higher level.”

Sean Carney has great ambitions as Chief Design Officer & Head of Healthcare Transformation Services within multinational Philips and is on the brink of important developments within the healthcare industry. With an increasing and ageing population, there are countless challenges that require solutions of an entirely new calibre.

Carney: “We need to bring together the best and smartest minds, from our creative industry, multidisciplinary teams to redefine and transform the future of healthcare. I am looking forward to demonstrating the strength of experience design through making healthcare more accessible and sustainable.”

31 | Architecture & Interiors International Panorama

FAIRS

COLOGNE IS CREATIVE In January, Cologne is the centre of the design scene. From 13 to 19 January, 2020, interior professionals and design-savvy consumers come to the Interior Business Event imm cologne in search of inspiration on the theme of home living and design – and to visit around 200 exhibitions in different locations around the city.

“Cologne Design Week is a team event. We, as the organisers of the imm cologne trade fair, are among the large number of people in the city who contribute towards the success of what is probably one of the most interesting design events in Europe. Cologne is the centre of the international design scene right at the start of the year. You can sense it in the fairgrounds and feel it in every pore of the city. In combination with the hospitality of its people and its many places of interest, Cologne is worth the journey for many business people from the interiors sector,” says Gerald Böse, President and Chief Executive Officer of Koelnmesse GmbH. “Cologne is creative – this is also demonstrated by the people of Cologne, who not only take up our traditional offer of a weekend visit to the trade fair on the so-called public days, but also go to see the many exhibitions and installations on the themes of design and home living that are held in the city centre.”

From the PASSAGEN and the Design Post to the MAKK and on to a prospering design scene In January 2020, as Germany’s largest design event, the PASSAGEN will once again open the international design season with exhibitions and installations from the crème de la crème of the international design scene and, as usual, reveal its entire breadth in the design location that is Cologne. Key players include classic solo figures and young networks, universities, newcomers, institutions, architects and platforms. For one week, they’ll all take up residence just doors away from one another, all pearls strung closely together along a trail through Cologne’s city centre, along its ring road as well as in the Rheinauhafen, Südstadt and Deutz districts, not to mention the creative Belgian quarter and Ehrenfeld. They’re here once again to offer 360 degrees of design, with the whole city becoming a stage for design, atmosphere and inspiration.

“In January, Cologne really is like the mecca of the international design scene,” says Sabine Voggenreiter, founder of the PASSAGEN programme, now in its 31st edition, which is organised from her office. “The interplay of imm cologne and the decentralised exhibition programme works so well, because the trade fair is close to the city and the over 190 PASSAGEN exhibitions from Südstadt to the Belgian quarter and the furniture mile on the ring road through to the creative quarter of Ehrenfeld give the Interior Design Week a completely unique character.”

To coincide with imm cologne 2020, the Museum of Applied 32 | Architecture & Interiors International Panorama

Arts Cologne (MAKK) has worked with the Pentagon Design Group – 35 years after it was founded – to show its first museum installation featuring solely the work of Cologne’s Pentagon group (1985–1991), which was one of the key players in the “Neues deutsches Design” (new German design) movement. “The MAKK isn’t just the only art and design museum in Cologne, it also opens a large design exhibition with spectacular installations every year during imm cologne.

This makes it the first port of call for all design professionals and enthusiasts once they’ve been around the trade fair, and it serves as a link to the PASSAGEN design trail. The design-based season-opener in the museum’s exhibition series has been effective in strengthening Cologne as a design location and making a visit to the Cologne furniture fair a special experience,” explains Museum Director, Petra Hesse.

At the Design Post, right next door to the fairgrounds, they’re also ready for Cologne Design Week. With over 30 interiors brands – some of which can also be found at imm cologne – the Design Post is an inspiring “must-visit” event in Cologne’s most attractive living room on the “Schäl Sick” (as Cologne natives call the right bank of the Rhine). “Cologne has always been an exciting city when it comes to interior design. There is an extraordinary density and wealth of institutions, showrooms, designers, retailers and service providers in Cologne and the local area. Of course, the uniquely close physical link between the fairgrounds and the inner city – which are separated by just one bridge – provides a very special appeal in this interrelationship. This becomes especially evident during Cologne Design Week – when imm cologne, PASSAGEN and year-round players like us come together to form one big, coherent happening. This all-in-one package has made the week of the trade fair a brilliant start to the interiors year for us for almost 15 years!” enthuses host Volker Streckel from the Design Post, adding: “And where else can you cross paths with the Carnival Prince in the midst of top-class interior design?”

The city of Cologne: a location for culture and the creative industry at the same time “Koelnmesse plays an important economic role for Cologne as a business location,” says Annett Polster, Director of Stadtmarketing Köln, which promotes the interests of the city’s businesses. “With its ‘Messe goes City’ initiative, the trade fair is a recurring theme in the city, making it something that local people, guests and tourists can experience throughout Cologne. imm cologne in particular attracts an international audience, which, in addition to what’s on show in the exhibition halls, appreciates the city and its extensive design scene. For Cologne, the week of the trade fair is a fantastic opportunity to present the city’s great diversity as a location for art, design and culture.”

January - March 2020

FAIRS

“JOIN US FOR A GREATER HOME / OFFICE FURNITURE & A CLUSTER OF MALAYSIAN FURNITURE BRANDS.” Connecting you with international buyers and join us for greater prosperity, great partnerships and opportunities.

Bigger and Better, the annual Export Furniture Exhibition (EFE) is already creating an air of excitement and buzz among exhibitors as they will be amongst the first to showcase their latest, innovative and creative products to global buyers when the trade show kicks off the Asia 2020 international furniture exhibition circuit.

System SdnBhd，Classic Chair System SdnBhd，Wysen

EFE 2020 returns with the same dates from 9 – 12 March at the newly expanded venue of Kuala Lumpur Convention Centre (KLCC), Malaysia’s preferred exhibition venue, in the heart of the Malaysia’s capital city.

Woodworking Machinery –Towards Industry 4.0, driving the industry towards new heights.

Bigger and better, the show has taken a big step forward with its expansion made available by KLCC’s newly expanded venue space. EFE 2020 is 28.0% bigger as compared to last year’s event (35,000 sqm). Over 400 suppliers from Malaysia and the region will occupy 45,000 sqm trading floor to welcome quality buyers from over 140 countries and regions attending every year. International buyers to EFE last year was 8,639 (10% increase over 2018) and local visitors was 5,198 (15% increase). Overall, there was an increase of 15% to EFE 2019.

However, EFE 2020 is expected to attract more buyers and visitors. The stage is set for yet another successful trade event.

Industry SdnBhd，Apex Office Furniture Exporter SdnBhd, Wintech Metal Processing SdnBhd, FlexofficeSdnBhd are participating, just to name a few. It is a must-visit hall for office furniture sourcing professionals.

As the leading one-stop shopping platform for residential and office furniture in Asia, Malaysia actively promotes industrial upgrading and continues to develop for the benefit of the entire industry chain. In conjunction to the above, EFE2020 will also actively promote the wood, woodworking machinery and accessories event. The Woodworking machinery sector is important to the furniture industry and with the progression to Industry 4.0, industry players will be enlightened with the latest machinery and technology in the manufacture of furniture. The machinery section carries an aim of industrial upgrade in the furniture industry and focuses on innovation of materials, techniques and manufacture towards a higher international level.

As one of the leading furniture fairs in Southeast Asia, it has also provided local manufacturers with the opportunity to participate in an international exhibition and do export including providing a successful route to new markets in other parts of the world.

EFE 2020 will showcase a comprehensive range of furniture with the latest display of top quality and contemporary furniture where the latest designs for bedrooms, living areas, kitchen, children, office, outdoor living, hotel lounges including furniture accessories. All the main Malaysian and many international brands will be here to give buyers and visitors a complete in-depth representation of what’s available in the furniture and furnishings industry today.

OfficeFurniture Hall –Your Exclusive Procurement Centre!

Malaysia has always been known for both its solid wood and office furniture and has a competitive edge locally and in the international market. With KLCC’s expansion, EFE is now able to occupy a larger exhibition space and for the first time has introduced “The Office Furniture Hall” with products made in Malaysia. The response from the industry players was overwhelming and greeted with much enthusiasm. Big office players including VersalinkMarketing SdnBhd, Nexus Office January - March 2020

33 | Architecture & Interiors International Panorama

FAIRS

MAISON&OBJET KICKS OFF THE BRAND NEW DECADEWITH AN EDITION THAT PACKS A REAL PUNCH

France’s strained social climate had everyone fearing the worst. But Maison&Object, which has been constantly reinventing itself for the past 25 years, managed to retain its magnetic attraction. Marking the event’s quarter century, this particular edition of the international trade fair for the decoration, design and lifestyle sector, which ran from January 17th to 21st at the Villepinte Exhibition Centre in Paris, demonstrated outstanding resilience, recording only a slight decrease in the number of attendees (-3.5%), and an increase in the number of exhibitors (2736), which included 609 new firms.

According to the organiser’s estimates, the retail transactions completed by industry professionals over the course of the 5day event stood at almost 2 billion euros. Maison&Objet’s impact could also be seen in the indirect economic effects it had across France. The trade fair generated pre-tax revenues of 145 million* euros - including €100 million* for Paris and the surrounding area -, secured over 21 million* euros of VAT and raised half a million euros in tourist taxes, underscoring its ability to create value.

34 | Architecture & Interiors International Panorama

Generations Y and Z under the spotlight To herald the start of the brand new decade, Maison&Objet decided to dedicate both its 25th anniversary year editions to the same inspiring topic: (RE)GENERATION! The aim? Give visitors the chance to get to grips with the consumer behaviour displayed by generations Y and Z, which is both intriguing and unsettling in equal measure. Assisted by style consultancy

Design… and action!

For this edition, Ramy Fischler, September 2018’s Designer of the Year, put together an XXL installation designed to be a forward- looking “trend incubator”. Five experienced actors spent the full five days improvising sketches that s(t)imulated day-to-day life in the various rooms of the home, using a kind of “design fiction” exercise to help conceptualise tomorrow’s behavioural trends. A dozen short films, which are currently being edited, will be shared over the coming months, inviting design specialists and the trade fair community to question or debate change within their market.

January - March 2020

FAIRS

Nelly Rodi, the January edition explored the level of engagement these new meaning-driven consumers exhibit (with a specific itinerary flagging up eco-friendly brands having already been launched last year). The September edition, meanwhile, will turn the spotlight on how these digital natives are an augmented generation, raised on a diet of the Internet and social media.

The ‘What’s New?’ exhibits staged by Elizabeth Leriche, François Bernard and François Delclaux also cleverly explored the way consumers are bringing meaning, nature and virtuous materials back into their homes - all themes close to the new generation’s heart. This shift in consumer behaviour is something that was at the forefront of absolutely everyone’s minds. Starting with the Hotel and Restaurant trade, for whom Maison&Objet had put together a dedicated itinerary taking in everything from furnishings and tableware to cookware, lighting, textiles and fragrances, all addressing that industry’s specific needs in terms of safety standards, accessibility, solidity, etc Something else that was new this time around was the opportunity for hoteliers, restaurateurs and interior designers to take part in over 300 business meetings with a selection of some hundred dedicated brands.

January - March 2020

Designer of the Year: let there be light!

“Simplicity takes a lot of hard work”. That’s how Designer of the Year 2020 Michael Anastassiades, whose lighting designs were showcased at Maison&Objet, chose to present his craft. It was actually a kind of homecoming for this Cypriot designer, as it was at Maison&Objet that he first presented his eponymous brand back in 2007, after studying engineering and graduating with a Masters in Industrial Design from the Royal College of Art in London and then going on to set up his studio there in 1994.

Young Talents in the limelight Constantly on the lookout for the global design scene’s rising stars, Maison&Objet came up trumps yet again with a carefully curated selection of six Rising Talents who, for once, all heralded from France. Hand-picked by a six-member jury, all experts in French design, Adrien Garcia, Julie Richoz, Laureline Galliot, Mathieu Peyroulet Ghilini, Natacha & Sacha andWendy Andreu were the cream of this edition’s crop, and all showcased their creations at the event.

Staying true to its deep-seated desire to promote up-andcoming designers, Maison&Objet came up with the idea of also promoting rising Qatari talent at this particular edition, 35 | Architecture & Interiors International Panorama

FAIRS marking the start of the Qatar- France Year of Culture. That same strong belief in young design also led to the creation of a

showcase a culture of hybridization to which Maison&Objet holds up a mirror as the sector’s unrivalled specialist. WORK!, a kind of trade fair within the trade fair, will not only boast its very own dedicated itinerary but will also feature an expert-led think tank and give everyone the opportunity to take part in business meetings to envisage tomorrow’s workspaces.

PROJECTS, meanwhile, will target interior designers, presenting the very best technical and bespoke solutions to address their every interior design need, covering hotel, service sector and residential projects. A veritable hotbed of inspiration, notably thanks to the “Archi Designer” itinerary that will give visitors the chance to conduct business meetings in a relaxed and informal setting.

Chinese Design Award in partnership with the Chaoshang group, the inaugural edition of which was launched on December 8th 2019 in Shenzhen. On the other side of the world, Maison&Objet, Paris Design Week and NYCxDESIGN, the permanent New York platform dedicated to design, are also getting ready to organise joint exhibitions in the spring inspired by the trade fair’s Rising Talents.

All these initiatives should continue to drive forward not only the trade fair’s digital influence, powered by 21 million social media impressions, but also its traditional media coverage, with over 9 million readers and listeners. And awaiting September, Maison&Objet will continue to bring industry players together via its digital platform, MOM (MAISON&OBJET and MORE), which now boasts over 175,000 members, generating 2.5 million unique visits per year alongside the 2 annual trade fairs.

Ready for September!: WORK!, PROJECTS & PARIS DESIGN WEEK The next dates to get in your diary as far as Maison&Objet is concerned are the year ’s second trade fair from September 4th to 8th 2020, and PARIS DESIGN WEEK from September 3rd to 12th 2020. The September edition will see the return of two key themes, which have now been officially granted fully- fledged spaces within the trade fair’s “MAISON” hub: WORK! and PROJECTS. The former will see Maison&Objet continue to observe the changes in today’s workspaces that are triggering a need for new cross-functional design solutions accommodating new combinations: well-being & wellworking, community & privacy, experience & performance, workspaces & living spaces. It will 36 | Architecture & Interiors International Panorama

January - March 2020

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Coverings 2020 New Orelans, LA, USA April 20 – 23

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Stonex 2020 Toronto, Canada May 12 – 14

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