عمارة السكن الجماعي

324

October 2017 / Volume 37

Collective Housing Architecture ‫ﻋﻤﺎرة اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬

‫ ﻫـ‬١٤٣٩ ‫ ﻣﺤﺮم‬/ ٣٧ ‫اﻟﺴﻨﺔ‬

٣٢٤

‫اﻟﻤﺤﺘﻮﻳﺎت‬ ‫ا ﻓﺘﺘﺎﺣﻴﺔ‬ ‫« ‪≥≤¥ œbF « ¨5Łö¦ «Ë WFÐU « WM‬‬ ‫ ×‪ ≤∞±∑ dÐu² ¬ Ø?¼ ±¥≥π Âd‬‬ ‫« ‪d¹dײ « fOz—Ë dýUM‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ ”bMN‬‬ ‫«*‪ÂUF « d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž e¹eF « b³Ž ”bMN‬‬ ‫«*‪ÍcOHM² « d¹b‬‬ ‫ ×‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ bL‬‬ ‫ ‪W U)« «—«b ù« …d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ …u u WÝbMN‬‬ ‫«‪wMH « ëdšù‬‬ ‫ ‪WO½«dLF « ÊËRAK ¡UM³ « WK−‬‬ ‫«‪∫l¹“u² «Ë U «d²ýô‬‬ ‫’ ‪±±¥≤± ÷U¹d « μ≤≤ » Æ‬‬ ‫«*‪W¹œuF « WOÐdF « WJKL‬‬ ‫« ‪¥∂μ ? π∑¥π ¨ ¥∂¥ ? ≤μμ∂ ÷U¹d‬‬ ‫ ‪¥∂¥ ? ∂≥¥∏ f U‬‬ ‫‪info@albenaamag.com‬‬ ‫‪ÆÊ«bK³ « q w «bM² *« q sŽ WþuH× dAM « ‚uIŠ‬‬ ‫«‪ ôUI*UÐ …œ—«u « UDD *«Ë —u?B «Ë U uKF*«Ë ¡«—ü‬‬ ‫‪WK−*« ÁcNÐ WHK² *« UŽËd?A*«Ë U?Ý«—b «Ë Àu׳ «Ë‬‬ ‫‪¨UÎ OK Ë√ UÎ Ozeł U¼d?A½ …œUŽ≈ Ë√ ¨UNM ”U³² ôUÐ `L? ¹ ô‬‬ ‫√‪vKŽ ‰uB(« bFÐ ô≈ ¨X½U U?LN WI¹dÞ ÍQÐ U?NM¹e ð Ë‬‬ ‫ ‪Æd¹dײ « fOz— s WOÐU² WI «u‬‬

‫‪∫…bŠ«u « W M « dFÝ‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ ¹œuFÝ ô‬‬ ‫«*‪≥∞ W¹œuF « WOÐdF « WJKL‬‬ ‫‪w²¹u —UM¹œ ≤[μ‬‬ ‫« ‪X¹uJ‬‬ ‫‪WOM¹d×Ð dO½U½œ‬‬ ‫‪π‬‬ ‫« ‪s¹d׳‬‬ ‫‪UÎ Oð«—U ≈ UÎ L¼—œ‬‬ ‫‪≥∞ WOÐdF « «—U ù« W Ëœ‬‬ ‫—‪Î U¹‬‬ ‫‪ÎU¹dD ô‬‬ ‫∞≥‬ ‫ ‪dD‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ O½ULŽÔ ô‬‬ ‫‪π‬‬ ‫‪ÊULŽÔ‬‬ ‫‪UÎ ¹dB UÎ NOMł‬‬ ‫∞∂‬ ‫ ‪dB‬‬ ‫‪—ôËœ‬‬ ‫∏‬ ‫ ‪ÊUM³‬‬ ‫‪w½œ—√ —UM¹œ‬‬ ‫≤‬ ‫«_—‪Êœ‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫√*‪UO½U‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫ ‪U ½d‬‬ ‫‪wMO d²Ý« tOMł‬‬ ‫∂‬ ‫«‪«d²K$‬‬ ‫« ‪—ôËœ ∏ Èdš_« ‰Ëb « lOLłË …bײ*« U¹ôu‬‬ ‫‪ISSN: 1319 - 206 X‬‬ ‫∞∞ « ‪¡UM³‬‬

‫‪00 Albenaa‬‬

‫اﻟﻬﻮﻳﺔ اﻟﻤﻌﻤﺎرﻳﺔ ‪ ..‬ﺑﻴﻦ ﺳﻄﺤﻴﺔ اﻟﻌﻤﺎرة اﻟﻤﺤﻠﻴﺔ وﺗﻘﻨﻴﺔ اﻟﻌﻤﺎرة اﻟﻌﺎﻟﻤﻴﺔ‬

‫‪±¥‬‬

‫أﺧﺒﺎر اﻟﻤﺸﺎرﻳﻊ‬ ‫ﻣﺸﺎرﻳﻊ ﻣﺤﻠﻴﺔ و ﻋﺎﻟﻤﻴﺔ ﺣﺪﻳﺜﺔ‬ ‫اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﺸﺮﻛﺔ ﺑﻠﻮﻣﺒﻴﺮج ـ ﻟﻨﺪن‬ ‫اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﺸﺮﻛﺔ ‪ MOL‬ـ اﻟﻤﺠﺮ‬

‫∂‪±‬‬ ‫‪≤¥‬‬ ‫∏≤‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫‪≥¥‬‬ ‫∂≥‬

‫أﺑﻮاب ‪RollMatic‬‬ ‫ﻛﺎﺷﻒ ﻟﻠﺤﺮﻛﺔ ﺗﻠﻘﺎﺋﻲ‬

‫ﻣﺸﺮوﻋﺎت ﺳﻌﻮدﻳﺔ‬ ‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ ﻋﺒﺪ ا‪M‬ﻟﻪ اﻟﻤﻬﻨﺎ ـ ﻣﺨﻄﻄﻮن ـ ﻣﻌﻤﺎرﻳﻮن ـ ﻣﻬﻨﺪﺳﻮن‬ ‫ﻣﻦ أﻋﻤﺎل ﻣﺆﺳﺴﺔ إم ﺟﻲ ﺗﺘﺸﻴﺰ‬

‫ﻋﻤﺎرة اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫ﻣﻌﺎﻳﻴﺮ ﺟﺪﻳﺪة ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫أﺑﺮاج ذات ﻛﺜﺎﻓﺔ ﺳﻜﺎﻧﻴﺔ ﻋﺎﻟﻴﺔ‬ ‫ﻣﻜﻌﺒﺎت ﺳﻜﻨﻴﺔ‬ ‫ﻏﺎﺑﺎت ﺳﻜﻨﻴﺔ رأﺳﻴﺔ‬ ‫‪ 70‬ﻣﺴﻜﻦ ﺟﻤﺎﻋﻲ ـ ﺑﻴﺠﻞ ـ ﻓﺮﻧﺴﺎ‬ ‫‪ 40‬ﺷﻘﺔ ﻓﻲ ﺑﺎرﻳﺲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ﺗﺸﻜﻴﻼت ﺳﻜﻨﻴﺔ ﻣﺘﺸﺎﺑﻜﺔ‬ ‫ﻣﺠﻤﻊ ﺷﻘﻖ ﺳﻜﻨﻴﺔ‬

‫∞‪¥‬‬ ‫∂‪¥‬‬

‫)ﻗﺴﻢ ﺧﺎص ﺑﺎﻟﻤﺸﺘﺮﻛﻴﻦ(‬

‫‪μ¥‬‬ ‫∏‪μ‬‬ ‫∞∑‬ ‫∏∑‬ ‫‪∏¥‬‬ ‫∞‪π‬‬ ‫∏‪π‬‬ ‫≤∞‪±‬‬

‫ﻣﺸﺎرﻳﻊ ﺣﺪﻳﺜﺔ‬ ‫ﻣﻘﺮ ﺷﺮﻛﺔ ﻟﻴﺠﻮ ـ اﻟﺪﻧﻤﺎرك‬ ‫اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﻠﺠﻨﺔ ا*وﻟﻤﺒﻴﺔ ـ ﺳﻮﻳﺴﺮا‬

‫≤‪±±‬‬ ‫∂‪±±‬‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺪﻳﻜﻮر‬ ‫ﺳﻠﺔ ﻣﻬﻤﻼت ﻣﻄﻮرة‬ ‫أﻃﺒﺎق ﻟﺘﺤﺪﻳﺪ ﻣﺪة ﺻﻼﺣﻴﺔ ا*ﻃﻌﻤﺔ‬ ‫ﻣﺼﺒﺎح ﻋﻠﻰ ﺷﻜﻞ زﻫﺮة اﻟﺨﺰاﻣﻰ‬

‫∞≤‪±‬‬ ‫≤≤‪±‬‬ ‫‪±≤¥‬‬

‫ﻣﻠﺤﻖ اﻟﺒﻨﺎء‬ ‫ﻣﻘﺎﻻت ﻋﻦ أﺣﺪث ﻣﻨﺘﺠﺎت وﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺎت‬

‫∂≤‪±‬‬

WOŠU²² ù«

Architectural Identity Amid Local and International Architecture During the 60’s international architecture theories predominated around the world. But after a while many started to criticise this kind of architecture as it did not consider local, social, cultural, and environmental requirements but rather it did force its way over the local one with the pretext that it expresses modernity and civilisation. In the 70’s, however, a new local architecture concept began to materialise and took into consideration the local identity. This had played a role in minimising any intervention from international architectural firms. And, we began to perceive the work of many local architects that prevailed over the international architecture.

However, with the emergence of sustainability principles and the importance to find solutions to face environmental problems and preserving natural resource, International architectural firms seized on that new opportunity to have another go on local markets and enter it under the sustainability motif that encompasses both local and international requirements.

These international firms, with their technical capabilities, manifested itself on the local scenes, resulting in confining local architects.

However, even after the work of these international firms became visible, with all its amazing shapes and technologies, these firms still lack that ability to express the ambitions of local societies and achieve architecture with local identity that can satisfy local societies’ needs.

We believe that even with achieving sustainable standards in international firms’ work, still they failed to achieve locality from an economical point of view, as they did offer very expensive environmental solutions, as well as social and cultural sides where they came up with outlandish architecture that do not preserve local identities and societies. it is true, history repeats itself, but the problem is that we don’t envisage any local architectural firms able to achieve contemporary local architecture as they did back in the 70’s. That is cynical, but it stands unless we find new solutions for this problem.

Editor’n Chief

‫اﻟﻬﻮﻳﺔ اﻟﻤﻌﻤﺎرﻳﺔ‬ ‫ﺑﻴﻦ ﺳﻄﺤﻴﺔ اﻟﻌﻤﺎرة اﻟﻤﺤﻠﻴﺔ‬ ‫وﺗﻘﻨﻴﺔ اﻟﻌﻤﺎرة اﻟﻌﺎﻟﻤﻴﺔ‬ ¡U×½√ w WO*UF « …—ULF « U¹dE½ dA²½√ W¹œöO*« UOMO² « …d² w tOłuð - U ÊUŽd?ÝË Îö¹uÞ Âb¹ r d _« «c¼ Ê√ ô≈ r UF « s W?HK² U³KD²*« w?Ž«d¹ ô w*UF « Í—U?LF*« “«dD « Êu? …—ULF « ÁcN b?IM « Êu¹—ULF*« t{dH¹ “«dÞ ÊU qÐ ¨WO¾O³ «Ë WO UI¦ «Ë WOŽUL²łù« W?OK;« dCײ « q¦1 ÊU t½_ Îôu?³I p – ÊU Ë WOK;« “dD « vKŽ Êu?O*UF « WOK;« …—ULF « u¼ b¹bł ÂuNH dNþ W¹œöO*« UOMOF³ « w Æ WŁ«b(«Ë ‰ËU×¹Ë w*UF « “«dD « ÂËUI¹ ÂuNH u¼Ë WOK;« U³KD²*« wŽ«dð w² « VðUJ*« öšbð s b(« v ≈ Èœ√ Íc « d _« WOK;« W¹uN « vKŽ k U×¹Ë r UF « ¡U×½√ s 5OK× 5¹—ULF ‰ULŽ√ sŽ √dI½Ë lL ½ U½√bÐË ¨WO*UF « ÆWOK;« ‚«uÝ_« w WO*UF « VðUJ*« qšbð s b(« rN ULŽ√ XŽUD²?Ý« q U?A*« WNł«u* ‰uKŠ sŽ Y׳ « …—Ëd{ l Ë …d?Oš_« W³I(« w? Ë w*UŽ √b³ u¼Ë W «b²?Ýù« √b³ dNþ ¨WOFO³D « œ«—u*« W¹ULŠË W?O¾O³ « tðbL²Ž√Ë r UF « ‰Ëœ 5?Ð XFLł WO*UŽ «d?9R w tOKŽ ‚U?Hðù« qšb²¹ wK× Ë w½u √b³ u¼ W «b²Ýù« √b³ Æ¡UM¦²?Ý≈ ÊËbÐ ‰Ëb « q

U³KD²*« o?OI% v ≈ W U{ùUÐ v?M³²¹Ë WHK² *« ÊU? ½ù« ÊËR?ý w U³KD²*« oOI% WO¾O³ «Ë WOŽUL²łù«Ë W¹œUB² ù« W «b²?Ýû WO½uJ « …œuFK W×½U?Ý W d WO*UF « W¹—ULF*« VðUJ*« √— bI Ë ÆUNM WOK;« oOI% u¼ b¹bł —UFý X% …d*« Ác¼ sJ Ë WOK;« ‚«u?Ýú b¹bł s Ác¼ XŽUD²?Ý«Ë ÆWOK;«Ë WO*UF « U³KD²*« q wDGð w² « W «b²?Ýù« l¹—U?A*« q bBŠË WOK;« ‚«u?Ý_« v ≈ b¹bł s qšbð Ê√ V?ðUJ*« qLŽ —U? ×½≈ v ≈ p – l œË UN?Ý—U9 w² « WO UF « WOMI² « rJ×Ð W UN « ¡UN²½≈Ë l «u « ÷—√ v?KŽ UNF¹—U?A —uNþ l Ë sJ ÆWOK;« V?ðUJ*« WO*UF « W¹—ULF*« ‰U?LŽ_« Ác¼ Ê√ b?¹bł s Ë UNF dNE¹ √b?Ð U?¼cOHMð UFKDð s?Ž dO³F² « v?KŽ …—œU? dOž X? «“U WÎ ?OMIðË ÎöJ?ý …d?N³*« Ê√ sJ1 WOK× W¹u¼ «– …—ULŽ oOI% Ë UNO XLO √ w?² « UFL²−*« Ê√ UM¹√— w Ë Æ …d UF*« UNðUłUO²Š≈ UNO X?OMÐ w² « UFL²−LK oI% iFÐ W'UF w X×$ Ê≈Ë ‰ULŽ_« Ác?¼ w XII% w² « W «b²?Ýù« YOŠ s WOK;« oOI% w XK?A UN½√ ô≈ UNK fO Ë WO¾O³ « V½«u'« UL ¨WHKJ² « WFHðd WO¾OÐ ‰u?KŠ X b UN½√ YOŠ W¹œUB² ù« w?Š«uM « W³¹dž …—ULFÐ ¡UłË WO UI¦ « ôË W?OŽUL²łù« wŠ«uM « wŽ«dð r U?N½√ ÊU «–≈Ë Æ WOK× W?¹u¼ Í√ s WO Uš ÊuJð œUJðË U?FL²−*« Ác¼ s?Ž VðUJ Èd½ ô X u « fH½ w UM½√ ô≈ t? H½ bOF¹ ? Èd½ UL ? a¹—U² « w qBŠ UL WFMI Ë …d UF WOK× oI% Ê√ lOD²? ð …dO¦ WOK× ‰ËU×½ r U ‰ƒUH² « ÂbŽ v ≈ uŽb¹ b Íc « d _« Æ q³ s UOMOF³ « Æ WKJA*« ÁcN ‰uKŠ sŽ Y׳ « d¹dײ « fOz— 14 Albenaa

¡UM³ « ±¥

‫√‪l¹—UA*« —U³š‬‬

‫ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات‬ ‫اﻟﻌﺎﻣﺔ ﺗﺴﺘﻌﺪ‬ ‫‪c‬ﻃﻼق ﺷﺮﻛﺔ‬ ‫»رؤى اﻟﺤﺮم اﻟﻤﻜﻲ«‬ ‫• ﺗﻬﺪف اﻟﺸﺮﻛﺔ إﻟﻰ اﻻرﺗﻘﺎء ﺑﻤﻌﺎﻳﻴﺮ‬ ‫اﻟﺘﻄﻮﻳﺮ ﻓﻲ ﻣﻨﻄﻘﺔ اﻟﻤﺴﺠﺪ اﻟﺤﺮام‬ ‫• ﺳﺘﺮﺗﻘﻲ اﻟﻤﺸﺎرﻳﻊ ﺑﺎﻟﻄﺎﻗﺔ اﻻﺳﺘﻴﻌﺎﺑﻴﺔ‬ ‫ﻻﺳﺘﻘﺒﺎل ﺿﻴﻮف اﻟﺮﺣﻤﻦ واﺛﺮاء رﺣﻠﺘﻬﻢ‬ ‫اﻟﺪﻳﻨﻴﺔ وﺗﺠﺮﺑﺘﻬﻢ اﻟﺜﻘﺎﻓﻴﺔ‬

‫أﻋﻠﻦ ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ اﻧﻪ ﺑﺼﺪد‬ ‫ﺗﺄﺳﻴﺲ ﺷﺮﻛﺔ »رؤى اﻟﺤﺮم اﻟﻤﻜﻲ«‪ ،‬واﻟﺘﻲ‬ ‫ﺗﻬﺪف إﻟﻰ ﺗﻄﻮﻳﺮ ﻣﺸﺎرﻳﻊ ﺗﺴﺎﻫﻢ ﻓﻲ‬ ‫رﻓﻊ اﻟﻄﺎﻗﺔ اﻻﺳﺘﻴﻌﺎﺑﻴﺔ ﻻﺳﺘﻀﺎﻓﺔ ا‪9‬ﻋﺪاد‬ ‫اﻟﻤﺘﺰاﻳﺪة ﻣﻦ اﻟﺰوار اﻟﻘﺎدﻣﻴﻦ ﻟﻠﻤﻤﻠﻜﺔ ‪9‬داء‬ ‫ﻣﻨﺎﺳﻚ اﻟﺤﺞ واﻟﻌﻤﺮة‪ ،‬واﻟﻌﻤﻞ ﻛﻤﺤﺮك‬ ‫رﺋﻴﺲ ﻓﻲ ﺗﻄﻮﻳﺮ ﻣﻨﻄﻘﺔ اﻟﻤﺴﺠﺪ اﻟﺤﺮام‪،‬‬ ‫واﻟﻨﻬﻮض ﺑﻤﺴﺘﻮى ﻗﻄﺎع اﻟﻀﻴﺎﻓﺔ وﺟﻮدة‬ ‫اﻟﺨﺪﻣﺎت اﻟﻤﻘﺪﻣﺔ وﻓﻘﺎ ‪9‬ﻓﻀﻞ اﻟﻤﻌﺎﻳﻴﺮ‬ ‫اﻟﻌﺎﻟﻤﻴﺔ‪ .‬ﻳﺄﺗﻲ ﺗﺄﺳﻴﺲ اﻟﺸﺮﻛﺔ ﺗﻤﺎﺷﻴ‪ J‬ﻣﻊ‬ ‫رؤﻳﺔ اﻟﻤﻤﻠﻜﺔ ‪ ٢٠٣٠‬اﻟﺮاﻣﻴﺔ إﻟﻰ رﻓﻊ اﻟﻄﺎﻗﺔ‬ ‫اﻻﺳﺘﻴﻌﺎﺑﻴﺔ ﻻﺳﺘﻘﺒﺎل ﺿﻴﻮف اﻟﺮﺣﻤﻦ‬ ‫واﺛﺮاء رﺣﻠﺘﻬﻢ اﻟﺪﻳﻨﻴﺔ وﺗﺠﺮﺑﺘﻬﻢ اﻟﺜﻘﺎﻓﻴﺔ‪،‬‬ ‫وإﺗﺎﺣﺔ اﻟﻔﺮﺻﺔ ‪9‬ﻛﺒﺮ ﻋﺪد ﻟﺰﻳﺎرة اﻟﻤﺴﺠﺪ‬ ‫اﻟﺤﺮام وأداء ﺷﻌﺎﺋﺮ اﻟﺤﺞ واﻟﻌﻤﺮة ﺣﻴﺚ ﻣﻦ‬ ‫اﻟﻤﺘﻮﻗﻊ أن ﻳﺘﺠﺎوز ﻋﺪداﻟﺰوار ‪ ٣٠‬ﻣﻠﻴﻮن زاﺋﺮ‬ ‫ﺳﻨﻮﻳ‪ J‬ﺑﺤﻠﻮل ‪٢٠٣٠‬م‪ .‬وﺳﻴﺘﻢ ﺗﻨﻔﻴﺬ اﻟﻤﺮﺣﻠﺔ‬ ‫ا‪9‬وﻟﻰ ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ ٨٥٤‬أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ ﺗﻘﻊ‬ ‫ﺷﻤﺎل اﻟﻤﺴﺠﺪ اﻟﺤﺮام‪ ،‬وﺗﻬﺪف إﻟﻰ ﺗﻄﻮﻳﺮ‬ ‫‪ ١١٥‬ﻣﺒﻨﻰ ﺗﺘﺴﻢ ﺑﺘﺼﺎﻣﻴﻢ ﻋﻤﺮاﻧﻴﺔ ﺗﺤﺎﻛﻲ‬ ‫اﻟﻄﺮاز اﻟﻤﻜﻲ وﺑﻄﺎﻗﺔ اﺳﺘﻴﻌﺎﺑﻴﺔ ﻓﻨﺪﻗﻴﺔ‬ ‫ﺗﻘﺪر ﺑﺤﻮاﻟﻲ ‪ ٣١٠‬أﻟﻒ ﻧﺰﻳﻞ ﻟﻠﻴﻮم اﻟﻮاﺣﺪ‬ ‫ﻓﻲ ﺣﻮاﻟﻲ ‪ ٧٠‬أﻟﻒ ﻏﺮﻓﺔ‪ .‬وﻣﻦ اﻟﻤﺘﻮﻗﻊ‬ ‫أن ﺗﺴﺎﻫﻢ اﻟﻤﺮﺣﻠﺔ ا‪9‬وﻟﻰ ﻓﻲ ﺗﻮﻓﻴﺮ ‪٩‬‬ ‫آﻻف وﺣﺪة ﺳﻜﻨﻴﺔ‪ ،‬وﻣﺎ ﻳﻘﺪر ‪ ٣٦٠‬أﻟﻒ ﻣﺘﺮ‬ ‫ﻣﺮﺑﻊ ﻣﻦ اﻟﻤﺴﺎﺣﺎت اﻟﺘﺠﺎرﻳﺔ‪ ،‬ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫ﻣﺴﺎﺣﺎت ﺳﺘﺨﺼﺺ ﻟﻠﺼﻼة ﺗﺘﺴﻊ ‪9‬ﻛﺜﺮ‬ ‫ﻣﺼﻞ‪ .‬ﻋﻠﻤ‪ J‬ﺑﺄن أﺑﻌﺪ ﻧﻘﻄﺔ‬ ‫ﻣﻦ ‪ ٤٠٠‬أﻟﻒ‬ ‫ٍ‬ ‫ﻓﻲ اﻟﻤﺸﺮوع ﺗﺒﻌﺪ ﻋﻦ اﻟﻜﻌﺒﺔ اﻟﻤﺸﺮﻓﺔ‬ ‫ﻣﺴﺎﻓﺔ ‪ ١٫٤٣٠‬ﻣﺘﺮ ﻓﻘﻂ‪ .‬وﺗﺨﻄﻂ ﺷﺮﻛﺔ‬ ‫»رؤى اﻟﺤﺮم اﻟﻤﻜﻲ« ﻟﺮﻓﻊ ﻣﺴﺘﻮى اﻟﺘﻄﻮﻳﺮ‬ ‫اﻟﻌﻤﺮاﻧﻲ ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺴﺠﺪ‬ ‫اﻟﺤﺮام ﻟﻴﺼﺒﺢ ﻣﻦ أﻓﻀﻞ ﻧﻤﺎذج اﻟﺘﻄﻮﻳﺮ‬ ‫اﻟﻌﺎﻟﻤﻴﺔ‪ ،‬ﻫﺬا ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ إﺳﻬﺎﻣﻬﺎ ﻓﻲ‬ ‫ﺗﻮﻟﻴﺪ اﻟﻮﻇﺎﺋﻒ وﺟﺬب اﻻﺳﺘﺜﻤﺎرات‪ ،‬ﺣﻴﺚ‬ ‫ﻳﺆﻣﻞ ﻟﻠﻤﺸﺮوع أن ﻳﻮﻓﺮ ﻓﺮص ﻋﻤﻞ ﺗﺰﻳﺪ‬ ‫ﻋﻦ ‪ ١٦٠‬أﻟﻒ وﻇﻴﻔﺔ ﺑﺤﻠﻮل ﻋﺎم ‪٢٠٣٠‬م‪ ،‬ﻛﻤﺎ‬ ‫ﺗﺸﻴﺮ اﻟﺘﻘﺪﻳﺮات ا‪9‬وﻟﻴﺔ إﻟﻰ أن ﻣﺴﺎﻫﻤﺔ‬ ‫ﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺔ ﻓﻲ اﻟﻨﺎﺗﺞ اﻟﻤﺤﻠﻲ ﺗﻘﺪر‬ ‫ﺑﺤﻮاﻟﻲ ـ‪ ٨‬ﻣﻠﻴﺎرات رﻳﺎل ﺳﻨﻮﻳ‪ .J‬وﻳﺠﺮي‬ ‫اﻟﻌﻤﻞ ﻋﻠﻰ وﺿﻊ ﺣﺠﺮ ا‪9‬ﺳﺎس واﻟﺒﺪء‬ ‫ﺑﺄﻋﻤﺎل ﺗﻄﻮﻳﺮ اﻟﺒﻨﻴﺔ اﻟﺘﺤﺘﻴﺔ ﺧﻼل اﻟﻌﺎم‬ ‫‪٢٠١٨‬م ﺑﺈذن ا‪ ،u‬ﺑﻴﻨﻤﺎ ﺳﻴﺘﻢ ﺗﺸﻐﻴﻞ‬ ‫اﻟﻤﺸﺮوع ﻋﺎم ‪٢٠٢٤‬م‪.‬‬

‫∂‪¡UM³ « ±‬‬

‫‪16 Albenaa‬‬

‫ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ ﺑﺼﺪد إﻃﻼق ﺷﺮﻛﺔ »رؤى اﻟﻤﺪﻳﻨﺔ«‬ ‫• ﺳﺘﻌﺰز اﻟﺸﺮﻛﺔ ﻣﻦ ﺟﺎﻫﺰﻳﺔ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﻛﻮﺟﻬﺔ إﺳﻼﻣﻴﺔ ﻋﺎﻟﻤﻴﺔ‬ ‫• ﺳﺘﺮﺗﻘﻲ اﻟﻤﺸﺎرﻳﻊ ﺑﺎﻟﻄﺎﻗﺔ اﻻﺳﺘﻴﻌﺎﺑﻴﺔ ﻻﺳﺘﻘﺒﺎل ﺿﻴﻮف اﻟﺮﺣﻤﻦ واﺛﺮاء رﺣﻠﺘﻬﻢ اﻟﺪﻳﻨﻴﺔ وﺗﺠﺮﺑﺘﻬﻢ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫أﻋﻠﻦ ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات‬ ‫اﻟﻌﺎﻣﺔ ﻋﻦ اﻟﻌﻤﻞ ﻋﻠﻰ ﺗﺄﺳﻴﺲ‬ ‫ﺷﺮﻛﺔ »رؤى اﻟﻤﺪﻳﻨﺔ«‪ ،‬وﻫﻲ‬ ‫ﺷﺮﻛﺔ ﺗﻄﻮﻳﺮ ﻋﻤﺮاﻧﻲ ﺗﻬﺪف إﻟﻰ‬ ‫ﺗﻌﺰﻳﺰ ﺟﺎﻫﺰﻳﺔ ﻣﻨﻄﻘﺔ اﻟﻤﺴﺠﺪ‬ ‫اﻟﻨﺒﻮي ﻻﺳﺘﻀﺎﻓﺔ ﻋﺪد أﻛﺒﺮ ﻣﻦ‬ ‫اﻟﺰوار وإﺛﺮاء ﺗﺠﺮﺑﺔ اﻟﺰﻳﺎرة اﻟﺪﻳﻨﻴﺔ‬ ‫واﻟﺜﻘﺎﻓﻴﺔ ﻓﻲ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‪.‬‬ ‫ﻳﺄﺗﻲ ﺗﺄﺳﻴﺲ اﻟﺸﺮﻛﺔ ﺗﻤﺎﺷﻴ‪J‬‬ ‫ﻣﻊ رؤﻳﺔ اﻟﻤﻤﻠﻜﺔ ‪ ٢٠٣٠‬اﻟﺮاﻣﻴﺔ‬ ‫إﻟﻰ رﻓﻊ اﻟﻄﺎﻗﺔ اﻻﺳﺘﻴﻌﺎﺑﻴﺔ‬ ‫ﻻﺳﺘﻘﺒﺎل ﺿﻴﻮف اﻟﺮﺣﻤﻦ واﺛﺮاء‬ ‫رﺣﻠﺘﻬﻢ اﻟﺪﻳﻨﻴﺔ وﺗﺠﺮﺑﺘﻬﻢ‬ ‫اﻟﺜﻘﺎﻓﻴﺔ‪ ،‬وإﺗﺎﺣﺔ اﻟﻔﺮﺻﺔ ‪9‬ﻛﺒﺮ‬ ‫ﻋﺪد ﻟﺰﻳﺎرة اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي‬ ‫اﻟﺸﺮﻳﻒ ﺣﻴﺚ ﺗﻮﺿﺢ اﻟﺘﻘﺪﻳﺮات‬ ‫ا‪9‬وﻟﻴﺔ أﻧﻪ ﻣﻦ اﻟﻤﺘﻮﻗﻊ أن ﻳﺼﻞ‬ ‫إﺟﻤﺎﻟﻲ اﻟﺰوار إﻟﻰ ‪ ٢٣‬ﻣﻠﻴﻮن‬ ‫زاﺋﺮ ﺳﻨﻮﻳ‪ J‬ﺑﺤﻠﻮل اﻟﻌﺎم ‪٢٠٣٠‬م‪.‬‬

‫وﺗﻬﺪف اﻟﺸﺮﻛﺔ ﻋﺒﺮ ﺗﻄﻮﻳﺮ‬ ‫ﻣﻨﻄﻘﺔ ﺷﺮق اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي‪،‬‬ ‫واﻟﺒﺎﻟﻎ ﻣﺴﺎﺣﺘﻬﺎ ‪ ١٫٣‬ﻣﻠﻴﻮن‬ ‫ﻣﺘﺮ ﻣﺮﺑﻊ‪ ،‬إﻟﻰ إﺿﺎﻓﺔ ﻃﺎﻗﺔ‬ ‫اﺳﺘﻴﻌﺎﺑﻴﺔ ﻓﻨﺪﻗﻴﺔ ﺗﻘﺪر ﺑـ ‪٢٤٠‬‬ ‫أﻟﻒ ﻧﺰﻳﻞ ﻟﻠﻴﻮم اﻟﻮاﺣﺪ ﻓﻲ‬ ‫ﺣﻮاﻟﻲ ‪ ٨٠‬أﻟﻒ ﻏﺮﻓﺔ ﻓﻨﺪﻗﻴﺔ‬ ‫وﺗﻮﻓﻴﺮ ﺣﻮاﻟﻲ ‪ ٥٠٠‬وﺣﺪة ﺳﻜﻨﻴﺔ‪،‬‬ ‫ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ ﻣﺴﺎﺣﺎت ﺳﺘﺨﺼﺺ‬ ‫ﻟﻠﺼﻼة ﺗﺘﺴﻊ ‪9‬ﻛﺜﺮ ﻣﻦ ‪ ٢٠٠‬أﻟﻒ‬ ‫ﻣﺼﻞ‪ .‬ﻋﻠﻤﺎ ﺑﺄن أﺑﻌﺪ ﻧﻘﻄﺔ ﻓﻲ‬ ‫ٍ‬ ‫اﻟﻤﺸﺮوع ﻻ ﺗﺘﻌﺪى ﻣﺴﺎﻓﺔ ‪١٫٠٠٠‬‬ ‫ﻣﺘﺮ ﻓﻘﻂ ﻋﻦ اﻟﺠﻨﺎح اﻟﺸﺮﻗﻲ‬ ‫ﻟﻠﻤﺴﺠﺪ اﻟﻨﺒﻮي اﻟﺸﺮﻳﻒ‪.‬‬ ‫وﺗﺸﻤﻞ أﻋﻤﺎل اﻟﺸﺮﻛﺔ ﺗﻄﻮﻳﺮ‬ ‫ﻣﻨﻈﻮﻣﺔ ﻣﺘﻜﺎﻣﻠﺔ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ‬ ‫اﻟﻔﻨﺪﻗﻴﺔ واﻟﺘﺠﺎرﻳﺔ واﻟﺴﻜﻨﻴﺔ‪ ،‬و‬ ‫ﺗﻄﻮﻳﺮ وﺗﻬﻴﺌﺔ اﻟﻤﺮاﻛﺰ واﻟﻤﺘﺎﺣﻒ‬ ‫ﻟﺘﻌﺰﻳﺰ اﻟﻨﻮاﺣﻲ اﻟﺪﻳﻨﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ‬

‫واﻟﺘﺎرﻳﺨﻴﺔ واﻟﻤﺤﺘﻮى اﻟﻤﺤﻠﻲ‬ ‫ﻟﻠﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‪ .‬و ﺑﻨﺎء ﺷﺮاﻛﺎت‬ ‫إﺳﺘﺮاﺗﻴﺠﻴﺔ وﺗﻮﻓﻴﺮ ﻓﺮص‬ ‫اﺳﺘﺜﻤﺎرﻳﺔ ﻣﺠﺪﻳﺔ ﻟﻤﺸﺎرﻛﺔ‬ ‫اﻟﻤﺴﺘﺜﻤﺮﻳﻦ واﻟﻘﻄﺎع اﻟﺨﺎص‪.‬‬ ‫ﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ ﻣﺮاﻋﺎة‬ ‫ﻗﺪﺳﻴﺔ اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي وإﻳﺠﺎد‬ ‫ﻣﻨﻈﻮﻣﺔ ﻟﻤﺴﺎرات اﻟﻤﺸﺎة‬ ‫ﻣﻔﺼﻮﻟﺔ ﻋﻦ ﺣﺮﻛﺔ اﻟﻤﺮﻛﺒﺎت‬ ‫واﺳﺘﺤﺪاث ﻣﺤﻄﺎت ﻟﻠﻨﻘﻞ اﻟﻌﺎم‬ ‫ﺗﻘﻊ ﻋﻠﻰ ﻧﻬﺎﻳﺔ ﻣﻤﺮات اﻟﻤﺸﺎة‪.‬‬ ‫وﺳﻴﺴﺎﻫﻢ ﻓﻲ ﺗﻮﻓﻴﺮ ﻓﺮص‬ ‫ﻋﻤﻞ ﺗﺼﻞ إﻟﻰ ‪ ٢٠٠‬أﻟﻒ وﻇﻴﻔﺔ‪،‬‬ ‫وإﺿﺎﻓﺔ ﻣﺎ ﻳﻘﺪر ﺑـ ‪ ٧‬ﻣﻠﻴﺎر رﻳﺎل‬ ‫إﻟﻰ اﻟﻨﺎﺗﺞ اﻟﻤﺤﻠﻲ ﺳﻨﻮﻳ‪ .J‬وﻳﺠﺮي‬ ‫اﻟﺘﺨﻄﻴﻂ ﻟﻮﺿﻊ ﺣﺠﺮ أﺳﺎس‬ ‫واﻟﺒﺪء ﺑﺘﻨﻔﻴﺬ اﻟﺒﻨﻴﺔ اﻟﺘﺤﺘﻴﺔ‬ ‫ﺧﻼل اﻟﻌﺎم ‪٢٠١٨‬م ﺑﺈذن ا‪،u‬‬ ‫وﺳﻴﺒﺪأ اﻟﺘﺸﻐﻴﻞ ﻓﻲ ﻋﺎم ‪٢٠٢٣‬م‪.‬‬

‫ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ ﻳﻘﻮد ﻣﺸﺮوع ﺗﻄﻮﻳﺮ‬ ‫»ﺟﺪة داون ﺗﺎون اﻟﺠﺪﻳﺪة«‬ ‫أﻋﻠﻦ ﺻﻨﺪوق اﻻﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ‬ ‫ﻋﻦ ﻣﺸﺮوع إﻋﺎدة ﺗﻄﻮﻳﺮ اﻟﻮاﺟﻬﺔ‬ ‫اﻟﺒﺤﺮﻳﺔ ﻓﻲ وﺳﻂ ﻛﻮرﻧﻴﺶ‬ ‫ﻣﺪﻳﻨﺔ ﺟﺪة‪ ،‬ﺑﻬﺪف ﺗﺤﻮﻳﻠﻬﺎ إﻟﻰ‬ ‫ﻣﻨﻄﻘﺔ ﺣﻴﻮﻳﺔ ووﺟﻬﺔ ﺳﻴﺎﺣﻴﺔ‬ ‫وﺳﻜﻨﻴﺔ وﺗﺠﺎرﻳﺔ ﻓﺮﻳﺪة ﻟﺘﺼﺒﺢ‬ ‫»ﺟﺪة داون ﺗﺎون اﻟﺠﺪﻳﺪة«‪.‬‬ ‫وﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ ﺗﻬﻴﺌﺔ‬ ‫ﺑﻴﺌﺔ ﺟﺎذﺑﺔ وﻣﺘﻤﻴﺰة ﺗﺴﻬﻢ‬ ‫ﻓﻲ ﺗﻄﻮﻳﺮ ﻣﺪﻳﻨﺔ ﺟﺪة ودﻋﻢ‬ ‫ﻃﻤﻮﺣﺎﺗﻬﺎ ﻟﺘﺼﺒﺢ ﺿﻤﻦ أﻓﻀﻞ‬ ‫‪ ١٠٠‬ﻣﺪﻳﻨﺔ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻌﺎﻟﻢ‪،‬‬ ‫ﺣﻴﺚ ﺳﻴﺴﺎﻫﻢ اﻟﻤﺸﺮوع ﻓﻲ‬ ‫ﺗﻄﻮﻳﺮ ﻣﻨﻄﻘﺔ ﺣﻴﻮﻳﺔ ﻣﻨﺎﺳﺒﺔ‬ ‫ﻟﻠﺘﺮوﻳﺢ ﻋﻦ اﻟﻨﻔﺲ واﻟﺘﺮﻓﻴﻪ‬ ‫واﻟﺘﺴﻮق‪ ،‬ﻣﻤﺎ ﺳﻴﺠﻌﻠﻬﺎ وﺟﻬﺔ‬ ‫ﻓﺮﻳﺪة ﻟﻤﺨﺘﻠﻒ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ ﻣﻦ‬ ‫اﻟﺴﻜﺎن واﻟﺰاﺋﺮﻳﻦ ‪.‬‬ ‫وﺗﻘﺪر إﺟﻤﺎﻟﻲ ﻣﺴﻄﺤﺎت اﻟﺒﻨﺎء‬ ‫ﻓﻲ اﻟﻤﺸﺮوع ﺑﺄﻛﺜﺮ ﻣﻦ ‪ ٥‬ﻣﻼﻳﻴﻦ‬ ‫ﻣﺘﺮ ﻣﺮﺑﻊ‪ ،‬ﺗﺘﺴﻊ ‪9‬ﻛﺜﺮ ﻣﻦ ‪٥٨‬‬

‫أﻟﻒ ﻧﺴﻤﺔ‪ .‬وﺗﺘﻮزع ﻣﺴﺎﺣﺔ‬ ‫اﻟﻤﺸﺮوع ﻋﻠﻰ ﻋﺪة ﻣﻨﺎﻃﻖ‬ ‫ﺗﺸﻤﻞ اﻟﻤﻨﻄﻘﺔ اﻟﺴﻜﻨﻴﺔ‪ ،‬اﻟﺘﻲ‬ ‫ﺳﺘﺤﺘﻮي ﻋﻠﻰ أﻛﺜﺮ ﻣﻦ ‪ ١٢‬أﻟﻒ‬ ‫وﺣﺪة ﺳﻜﻨﻴﺔ ﺗﻤﺜﻞ ﺣﻮاﻟﻲ ‪٪٤٢‬‬ ‫ﻣﻦ ﻣﺴﺎﺣﺔ اﻟﻤﺸﺮوع‪ ،‬وﻛﺬﻟﻚ‬ ‫ﻣﻨﺎﻃﻖ اﻟﺘﺠﺰﺋﺔ واﻟﺘﺮﻓﻴﻪ‪،‬‬ ‫اﻟﺘﻲ ﺗﻤﺜﻞ ﺣﻮاﻟﻲ ‪ ،٪٣٥‬ﺑﻴﻨﻤﺎ‬ ‫ﺗﻐﻄﻲ ﻣﻨﻄﻘﺔ اﻟﻤﻜﺎﺗﺐ ‪،٪١٢‬‬ ‫وﺗﻐﻄﻲ ﻣﻨﻄﻘﺔ اﻟﻀﻴﺎﻓﺔ ‪ ٪١١‬ﻣﻦ‬ ‫ﻣﺴﺎﺣﺔ اﻟﻤﺸﺮوع‪ .‬وﺗﺸﻤﻞ ﺧﻄﺔ‬ ‫اﻟﻤﺸﺮوع ﺗﻄﻮﻳﺮ ﻣﻨﺎﻃﻖ رﺋﻴﺴﻴﺔ‬ ‫ﺗﻀﻢ ﻣﻨﻄﻘﺔ ﻣﺘﺎﺣﻒ وﻣﺮاﻛﺰ‬ ‫ﻟ}ﻧﺸﻄﺔ اﻟﺜﻘﺎﻓﻴﺔ واﻻﺟﺘﻤﺎﻋﻴﺔ‪،‬‬ ‫وﻣﻨﻄﻘﺔ ﻣﺮﻛﺰﻳﺔ ‪9‬ﻧﺸﻄﺔ ا‪9‬ﻋﻤﺎل‬ ‫واﻻﺑﺘﻜﺎر‪ ،‬وﻣﻨﻄﻘﺔ ﻟﻠﻨﺸﺎﻃﺎت‬ ‫اﻟﺘﺠﺎرﻳﺔ واﻟﺘﺴﻮق‪ ،‬وﻣﻨﻄﻘﺔ‬ ‫اﻟﺤﺪاﺋﻖ واﻟﻤﺘﻨﺰﻫﺎت اﻟﺘﺮﻓﻴﻬﻴﺔ‬ ‫واﻟﻨﺸﺎﻃﺎت اﻟﺮﻳﺎﺿﻴﺔ‪ ،‬وﻣﻨﻄﻘﺔ‬ ‫ﻟﻠﻀﻴﺎﻓﺔ واﻟﻔﻨﺎدق واﻟﻤﻨﺘﺠﻌﺎت‪،‬‬ ‫ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ ﻣﻨﻄﻘﺔ اﻟﺸﺎﻃﺊ‬

‫واﻟﻨﺸﺎﻃﺎت اﻟﺒﺤﺮﻳﺔ واﻟﺘﻨﺰه‬ ‫وﻣﺮﺳﻰ ﻟﻠﻘﻮارب واﻟﻴﺨﻮت‬ ‫اﻟﺨﺎﺻﺔ‪ .‬وﻳﺠﺮي ﺣﺎﻟﻴ‪ J‬اﻟﺘﺨﻄﻴﻂ‬ ‫ﻟﻮﺿﻊ ﺣﺠﺮ ا‪9‬ﺳﺎس ﻟﻠﻤﺸﺮوع‬ ‫ﺧﻼل اﻟﺮﺑﻊ ا‪9‬ول ﻟﻠﻌﺎم ‪ ٢٠١٩‬م‪،‬‬ ‫وﻣﻦ اﻟﻤﺰﻣﻊ اﻓﺘﺘﺎح اﻟﻤﺮﺣﻠﺔ ا‪9‬وﻟﻰ‬ ‫ﻓﻲ اﻟﺮﺑﻊ ا‪9‬ﺧﻴﺮ ﻣﻦ اﻟﻌﺎم ‪٢٠٢٢‬م‪.‬‬ ‫وﻳﺘﻮﻗﻊ أن ﻳﺒﻠﻎ إﺟﻤﺎﻟﻲ ﻗﻴﻤﺔ‬ ‫اﻻﺳﺘﺜﻤﺎر ﺑﺎﻟﻤﺸﺮوع ﺣﻮاﻟﻲ ‪١٨‬‬ ‫ﻣﻠﻴﺎر رﻳﺎل ﻋﻠﻰ ﻣﺪى ‪ ١٠‬ﺳﻨﻮات‪،‬‬ ‫وأن ﻳﺴﻬﻢ ﻓﻲ إﻳﺠﺎد أﻛﺜﺮ‬ ‫ﻣﻦ ‪ ٣٦‬أﻟﻒ ﻓﺮﺻﺔ ﻋﻤﻞ‪ .‬وﻳﺄﺗﻲ‬ ‫اﻟﻤﺸﺮوع ﺗﻤﺎﺷﻴ‪ J‬ﻣﻊ رؤﻳﺔ‬ ‫اﻟﻤﻤﻠﻜﺔ ‪ ٢٠٣٠‬ﻟﺘﻄﻮﻳﺮ ﻣﻮاﻗﻊ‬ ‫ﺳﻴﺎﺣﻴﺔ وﻓﻘ‪9 J‬ﻋﻠﻰ اﻟﻤﻌﺎﻳﻴﺮ‬ ‫اﻟﻌﺎﻟﻤﻴﺔ وﺗﻮﻓﻴﺮ ﻓﺮص اﺳﺘﺜﻤﺎرﻳﺔ‬ ‫ﺗﺴﺎﻫﻢ ﻓﻲ ﺗﻨﻤﻴﺔ اﻟﻘﻄﺎع‬ ‫اﻟﺨﺎص‪ ،‬واﻟﺠﺬب اﻟﺴﻴﺎﺣﻲ ‪،‬‬ ‫وﺗﻌﺰﻳﺰ ﺗﻨﻤﻴﺔ ﻗﻄﺎع اﻟﺴﻴﺎﺣﺔ‬ ‫واﻟﻀﻴﺎﻓﺔ واﻟﺘﺮﻓﻴﻪ‪.‬‬ ‫اﻟﻤﺼﺪر‪ :‬واس‬

l¹—UA*« —U³š√

‫ﻣﺤﻤﺪ ﺑﻦ راﺷﺪ وﻣﺤﻤﺪ ﺑﻦ زاﻳﺪ ﻳﻄﻠﻘﺎن ﻣﺸﺮوع ﻣﺪﻳﻨﺔ اﻟﻤﺮﻳﺦ اﻟﻌﻠﻤﻴﺔ‬

VP, Abu Dhabi Crown Prince Launch AED 500mn Mars Science City at UAE Government Annual Meetings Sheikh Mohammed bin Rashid Al Maktoum, and His Highness Sheikh Mohamed bin Zayed Al Nahyan, have launched the Mars Science City project.

The AED 500 million-City will cover 1.9 million square feet, making it the largest space stimulation city ever built and will provide a viable and realistic model to simulate living on the surface of Mars.

The project encompasses laboratories for food, energy and water, as well as agricultural testing and studies about food security in the future. The science city will also boast a museum that displays humanity’s greatest space achievements, including educational areas meant to engage young citizens with space, and inspire in them a passion for exploration and discovery.

The walls of the museum will

be 3D printed, using sand from the Emirati desert.

This project will include advanced laboratories that stimulate the red planet’s terrain and harsh environment through advanced 3D printing technology and heat and radiation insulation. It seeks to attract the best scientific minds from around the world in a collaborative contribution in the UAE to human development and the improvement of life. It also seeks to address global challenges such as food, water and energy security on earth.

The plan for the Mars Science City project include an experiential element which will involve a team living in the stimulated red planet city for one year. It is hoped the experience will form an important reference model for future innovation around

sustaining life in a hostile planetary environment. A range of experiments are to be devised which will lead to innovation around selfsufficiency in energy, water and food.

The Mars Science City structure will be the most sophisticated building the world, and will incorporate a realistic simulation environment replicating the conditions on the surface of Mars.

The city will consist of several domes, with innovative construction techniques providing support for the structures. A team of Emirati scientists, engineers and designers, led by a team from the Mohammed bin Rashid Space Centre and Dubai Municipality, will carry out the project, in cooperation with internationally renowned architects Bjarke Ingels.

‫أﻃﻠﻖ ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﺸﻴﺦ ﻣﺤﻤﺪ ﺑﻦ‬ ‫راﺷﺪ آل ﻣﻜﺘﻮم ﻧﺎﺋﺐ وﺻﺎﺣﺐ اﻟﺴﻤﻮ‬ ‫اﻟﺸﻴﺦ ﻣﺤﻤﺪ ﺑﻦ زاﻳﺪ آل ﻧﻬﻴﺎن ﻣﺸﺮوع‬ ‫ﺑﻨﺎء اﻟﻤﺪﻳﻨﺔ اﻟﻔﻀﺎﺋﻴﺔ ا*وﻟﻰ ﻣﻦ ﻧﻮﻋﻬﺎ‬ ‫اﻟﺘﻲ ﺳﺘﺘﺨﺬ ﻣﻦ داﺧﻞ ﺣﺪﻳﻘﺔ ﻣﺸﺮف‬ ‫ ﻣﻠﻴﻮن درﻫﻢ‬٥٠٠ ‫ﺑﺪﺑﻲ ﻣﻘﺮا ﻟﻬﺎ ﺑﺘﻜﻠﻔﺔ‬ ‫ أﻟﻒ‬٩٠٠‫ﻋﻠﻰ ﻣﺴﺎﺣﺔ أرض ﺗﺒﻠﻎ ﻣﻠﻴﻮن و‬ ‫ﻗﺪم ﻣﺮﺑﻊ ﻟﺘﺸﻜﻞ ﺑﺬﻟﻚ أﻛﺒﺮ ﻣﺪﻳﻨﺔ‬ ‫ﻓﻀﺎﺋﻴﺔ ﻳﺘﻢ ﺑﻨﺎؤﻫﺎ ﻋﻠﻰ ا*رض وﻧﻤﻮذﺟﺎ‬ ‫ﻋﻤﻠﻴﺎ ﺻﺎﻟﺤﺎ ﻟﻠﺘﻄﺒﻴﻖ ﻋﻠﻰ ﻛﻮﻛﺐ‬ ‫ وﻳﺘﻀﻤﻦ اﻟﻤﺸﺮوع اﻟﺬي ﺗﺒﻠﻎ‬.‫اﻟﻤﺮﻳﺦ‬ ‫ أﻟﻒ ﻗﺪم ﻣﺮﺑﻊ ﻣﺨﺘﺒﺮات‬٥٠٠ ‫ﻣﺴﺎﺣﺘﻪ‬ ‫ﻟﻠﻐﺬاء واﻟﻄﺎﻗﺔ واﻟﻤﻴﺎه وﺗﺘﻀﻤﻦ‬ ‫إﺟﺮاء اﺧﺘﺒﺎرات زراﻋﻴﺔ ﻣﺘﻨﻮﻋﺔ ﺗﻠﺒﻲ‬ ‫اﺣﺘﻴﺎﺟﺎت اﻟﺪوﻟﺔ اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻓﻲ ا*ﻣﻦ‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﻣﺘﺤﻒ ﻋﺎﻟﻤﻲ‬T‫ ﺑﺎ‬،‫اﻟﻐﺬاﺋﻲ‬ ‫ﻳﻌﺮض أﺑﺮز إﻧﺠﺎزات اﻟﺒﺸﺮﻳﺔ ﻓﻲ ﻣﺠﺎل‬ ‫ ﻛﻤﺎ ﻳﺘﻀﻤﻦ ﻣﻨﺎﻃﻖ ﻣﺒﺘﻜﺮة‬. ‫اﻟﻔﻀﺎء‬ ‫ﻟﻠﺘﻌﻠﻴﻢ ﺗﻬﺪف إﻟﻰ اﻟﻤﺴﺎﻫﻤﺔ ﻓﻲ‬ ‫إﻧﺸﺎء ﺟﻴﻞ ﻳﻘﻮده اﻟﺸﻐﻒ ﻧﺤﻮ اﻟﻌﻠﻢ‬ ‫ وﻣﻦ اﻟﻤﻘﺮر‬،‫واﻟﻔﻀﺎء واﻻﺳﺘﻜﺸﺎف‬ ‫أن ﺗﻄﺒﻊ ﺟﺪران اﻟﻤﺘﺤﻒ ﺑﺘﻘﻨﻴﺔ ﺛﻼﺛﻴﺔ‬ ‫ا*ﺑﻌﺎد ﺑﺎﺳﺘﺨﺪام رﻣﺎل ﻣﻦ ﺻﺤﺮاء‬ ‫ وﻳﺘﻀﻤﻦ اﻟﻤﺸﺮوع أﻳﻀﺎ‬.‫ﻣﺎرات‬T‫ا‬ ‫ﻣﺨﺘﺒﺮات ﻣﺘﻄﻮرة ﺗﺤﺎﻛﻲ ﺗﻀﺎرﻳﺲ‬ ‫ وﺳﻴﺘﻢ‬،‫اﻟﻜﻮﻛﺐ ا*ﺣﻤﺮ وﺑﻴﺌﺘﻪ اﻟﻘﺎﺳﻴﺔ‬ ‫ﺗﻨﻔﻴﺬه ﺑﺎﺳﺘﺨﺪام ﺗﻘﻨﻴﺎت ﻣﻄﻮرة‬ ‫ﻟﻠﻄﺒﺎﻋﺔ ﺛﻼﺛﻴﺔ ا*ﺑﻌﺎد وﻋﺰل ا*ﺷﻌﺔ‬ ‫ وﺳﻴﻌﻤﻞ ﻋﻠﻰ اﺳﺘﻘﻄﺎب‬،‫واﻟﺤﺮارة‬ ‫أﻓﻀﻞ اﻟﻌﻠﻤﺎء واﻟﺘﺠﺎرب اﻟﻌﻠﻤﻴﺔ ﻣﻦ‬ ‫ﻣﺎرات ﻟﺘﻠﺒﻴﺔ‬T‫ﺣﻮل اﻟﻌﺎﻟﻢ إﻟﻰ دوﻟﺔ ا‬ ،‫اﺣﺘﻴﺎﺟﺎت اﻟﺪوﻟﺔ اﻟﻌﻠﻤﻴﺔ اﻟﻤﺴﺘﻘﺒﻠﻴﺔ‬ ‫وﺗﻄﺒﻴﻖ اﻟﺪراﺳﺎت ﺑﺸﻜﻞ ﻳﺴﺎﻫﻢ‬ ‫ﻓﻲ ﺗﻄﻮﻳﺮ وﺗﺤﺴﻴﻦ اﻟﺤﻴﺎة اﻟﺒﺸﺮﻳﺔ‬ ‫واﻟﺘﺼﺪي ﻟﺘﺤﺪﻳﺎت أﻣﻦ اﻟﻐﺬاء واﻟﻤﻴﺎه‬ ‫ ﻛﻤﺎ ﺗﺸﻤﻞ‬.‫واﻟﻄﺎﻗﺔ ﻋﻠﻰ ﻛﻮﻛﺐ ا*رض‬ ‫ﺧﻄﻂ إﻧﺸﺎء اﻟﻤﺪﻳﻨﺔ ا*وﻟﻰ وا*ﻛﺒﺮ‬ ‫ﻋﺎﻟﻤﻴﺎ ﻓﻲ ﻣﺠﺎل اﻟﻔﻀﺎء ﺗﺠﺮﺑﺔ ﻧﻮﻋﻴﺔ‬ ‫ﺷﺮاك ﻓﺮﻳﻖ ﺑﺸﺮي ﻣﺨﺘﺺ ﺳﻴﻌﻴﺶ‬T ‫داﺧﻠﻬﺎ ﻟﻤﺪة ﻋﺎم واﺣﺪ وﺳﻂ ﻇﺮوف‬ ‫ﺑﻴﺌﻴﺔ وﺣﻴﺎﺗﻴﺔ ﺗﺤﺎﻛﻲ ﻇﺮوف اﻟﻜﻮﻛﺐ‬ ‫ ﻣﻊ إﺟﺮاء اﻟﺪراﺳﺎت اﻟﺴﻠﻮﻛﻴﺔ‬،‫ا*ﺣﻤﺮ‬ ‫اﻟﻤﻄﻠﻮﺑﺔ ﻟﻤﺘﺎﺑﻌﺔ اﻟﻨﺘﺎﺋﺞ اﻟﻌﻠﻤﻴﺔ‬ ‫ ﻓﻲ ﻣﺠﺎل رﺣﻼت‬g‫واﻻﺳﺘﻔﺎدة ﻣﻨﻬﺎ ﻻﺣﻘ‬ ‫ وﻣﻦ اﻟﻤﻘﺮر أن ﻳﻘﻮم‬.‫اﺳﺘﻜﺸﺎف اﻟﻔﻀﺎء‬ ‫اﻟﻔﺮﻳﻖ ﺑﺈﺟﺮاء ﺗﺠﺎرب ﻟﺘﺤﻘﻴﻖ اﻻﻛﺘﻔﺎء‬ .‫اﻟﺬاﺗﻲ ﻣﻦ اﻟﻄﺎﻗﺔ واﻟﻤﻴﺎه واﻟﻐﺬاء‬ ‫وﺳﺘﺘﻜﻮن اﻟﻤﺪﻳﻨﺔ ﻣﻦ اﻟﺨﺎرج ﻣﻦ ﻋﺪة‬ ‫ ﻣﺎ ﻳﺘﻄﻠﺐ‬،‫ﻗﺒﺐ ﻻ ﺗﺮﺗﻜﺰ ﻋﻠﻰ أﻋﻤﺪة‬ ‫اﺑﺘﻜﺎر ﺗﻘﻨﻴﺎت ﺟﺪﻳﺪة ﻟﻀﻤﺎن ﺛﺒﺎﺗﻬﺎ‬ ‫ ﻟﺘﺸﻜﻞ ﻫﺬه اﻟﻘﺒﺎب اﻟﺴﻘﻒ‬،‫وﺳﻼﻣﺘﻬﺎ‬ .‫ ﺑﺪون أﻋﻤﺪة‬g‫ا*ﻛﺒﺮ ﻋﺎﻟﻤﻴ‬ ‫ﻣﺎراﺗﻴﺔ‬T‫ وﻛﺎﻟﺔ ا*ﻧﺒﺎء ا‬:‫اﻟﻤﺼﺪر‬

18 Albenaa

¡UM³ « ±∏

l¹—UA*« —U³š√

‫ﺳﻄﺢ ﺧﺮﺳﺎﻧﻲ رﻗﻴﻖ‬ ‫ﺑﺎﻟﺘﺴﺎوي ﺑﻴﻦ اﻟﻜﺎﺑﻼت‬ ‫وﺗﺤﺪﻳﺪ ﻛﻤﻴﺔ اﻟﺨﺮﺳﺎﻧﺔ‬ ‫ ﻋﻨﺪ‬. ‫اﻟﻤﻄﻠﻮﺑﺔ ﻓﻲ اﻟﺒﻨﺎء‬ ‫ﺗﻄﺒﻴﻖ اﻟﺨﺮﺳﺎﻧﺔ ﻣﻦ ﺧﻼل‬ ‫رﺷﻬﺎ ﻋﻠﻰ اﻟﻬﻴﻜﻞ ﻓﺈﻧﻪ‬ ‫ﻣﻦ اﻟﻤﻤﻜﻦ إزاﻟﺔ اﻟﻜﺎﺑﻼت‬ ‫وﺗﻔﻜﻴﻜﻬﺎ وإﻋﺎدة اﺳﺘﺨﺪاﻣﻬﺎ‬ .‫وﺗﺸﻜﻴﻠﻬﺎ‬ ‫ﺳﺘﺨﺪاﻣﻪ‬S ‫ﺻﻤﻢ ﻫﺬا اﻟﺴﻘﻒ‬ (Hilo) ‫ﻓﻲ اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ‬ ‫اﻟﺘﻲ ﺳﻴﺘﻢ ﺑﻨﺎءﻫﺎ ﻓﻲ اﻟﻌﺎم‬ ‫ و ﺗﻘﻊ ﻓﻲ أﻋﻠﻰ‬، ‫اﻟﻤﻘﺒﻞ‬ .‫ ﻓﻲ زﻳﻮرخ‬NEST ‫ﻣﺒﻨﻰ ﻣﺨﺘﺒﺮ‬ ‫اﺳﺘﺨﺪم ﻫﺬا اﻟﺘﺼﻤﻴﻢ ﻟﺘﻌﺰﻳﺰ‬ ‫أﻫﺪاف اﻟﻤﺴﻜﻦ ﻓﻲ ﺗﺤﻘﻴﻖ‬ ‫ﻣﻌﺎﻳﻴﺮ اﻟﺘﻮﻓﻴﺮ ﻓﻲ اﻟﻄﺎﻗﺔ‬ ‫ﺣﻴﺚ ﺗﻢ ﺗﺰوﻳﺪ اﻟﺴﻘﻒ ﺑﻠﻔﺎﺋﻒ‬ ‫ﻟﻠﻌﺰل واﻟﺘﺒﺮﻳﺪ واﻟﺘﺪﻓﺌﺔ ﺑﻴﻦ‬ ‫ﻃﺒﻘﺘﻴﻦ ﻣﻦ اﻟﺨﺮﺳﺎﻧﺔ اﻟﺘﻲ‬ ‫ﻟﻮاح‬d‫ﻏﻄﻴﺖ ﺑﻄﺒﻘﺔ ﻣﻦ ا‬ .‫اﻟﻀﻮﺋﻴﺔ اﻟﺮﻗﻴﻘﺔ‬

‫ﻃﻮر ﻣﻬﻨﺪﺳﻮن ﻣﻦ ﺟﺎﻣﻌﺔ‬ ‫ ﻃﺮﻳﻘﺔ أﻛﺜﺮ‬ETH ‫اﻟﺘﻘﻨﻴﺔ ﻓﻲ زﻳﻮرخ‬ ‫ﻛﻔﺎءة ﻟﻠﺒﻨﺎء ﺑﺎﻟﺨﺮﺳﺎﻧﺔ ﻣﻦ‬ ‫ﺧﻼل ﺗﺼﻤﻴﻢ ﺳﻘﻒ ﺧﺮﺳﺎﻧﻲ‬ ‫ ﻣﻨﺤﻨﻲ ﻳﻤﻜﻦ أن‬1‫رﻗﻴﻖ ﺟﺪ‬ ‫ ﺳﻢ وﻳﻌﻤﻞ‬٥ ‫ﻳﺼﻞ ﺳﻤﻜﻪ إﻟﻰ‬ ‫ﻟﺘﻌﺰﻳﺰ أﻧﻈﻤﺔ اﻟﺘﻮﻓﻴﺮ ﻓﻲ‬ ‫ ﻗﺎم اﻟﻔﺮﻳﻖ‬.‫اﻟﻄﺎﻗﺔ ﻓﻲ اﻟﻤﺒﺎﻧﻲ‬ ‫ﺑﺘﺼﻤﻴﻢ ﺳﻘﻒ ﺗﺒﻠﻎ ﻣﺴﺎﺣﺔ‬ ‫ وﻳﻐﻄﻲ ﻣﺴﺎﺣﺔ‬٢‫م‬١٦٠ ‫اﻟﺴﻘﻒ‬ ‫ﺳﻢ‬١٢ ‫ وﻳﺼﻞ ﺳﻤﻜﻪ إﻟﻰ‬،٢‫م‬١٢٠ .‫ ﺳﻢ ﻓﻲ أﻃﺮاﻓﻪ‬٣ ‫وﺗﻘﻞ ﺣﺘﻰ‬ ‫اﺳﺘﺨﺪم اﻟﻤﻬﻨﺪﺳﻮن ﻓﻲ‬ ،‫ﺻﻨﺎﻋﺔ اﻟﺴﻘﻒ ﺗﻘﻨﻴﺎت ﺟﺪﻳﺪة‬ ‫ﺣﻴﺚ ﺗﻢ اﺳﺘﺨﺪام ﺷﺒﻜﺔ‬ ‫ﻣﻦ اﻟﻜﺎﺑﻼت اﻟﻤﺼﻨﻮﻋﺔ ﻣﻦ‬ ،‫اﻟﻔﻮﻻذ ﻟﺒﻨﺎء اﻟﺸﻜﻞ اﻟﻤﻄﻠﻮب‬ ‫وﻣﻦ ﺛﻢ ﺗﻢ ﺗﻐﻄﻴﺘﻬﺎ ﺑﻄﺒﻘﺔ‬ ‫ﻧﺸﺎء‬S ‫ﻣﻦ ﻧﺴﻴﺞ ﺑﻮﻟﻴﻤﻴﺮ‬ ‫ وﻗﺪ اﺳﺘﺨﺪﻣﺖ‬،‫ﻫﻴﻜﻞ ﻣﺮن‬ ‫ﺧﻮارزﻣﻴﺎت ﻟﺘﻮزﻳﻊ اﻟﻘﻮى‬

Ultra-Thin Curved Prototype Concrete Roof Engineers at ETH Zurich have developed a more efficient method for building with the material, erecting an ultrathin, curved prototype roof that’s 5 cm thick on average, and designed to support energy-saving systems in the building. The prototype stood 7.5 cm tall and was ultrathin, measuring 12 cm at its thickest and just 3 cm at the edges. It had a surface area of 160 m2 and covered an area of 120 m2. Instead of using custom-built, single-use wooden or foam scaffolding, the engineers tested a new technique of their own design. A net of steel cables was stretched into the desired shape, and a polymer textile was laid over the top to create a flexible formwork.

The shape was controlled by

algorithms that distribute the force evenly between the cables and determined just how much concrete needed to be applied to each section.

Afterwards, the cable net can be dismantled, reused and reshaped as needed.

The prototype concrete shell was designed to cover a residential rooftop apartment called HiLo, which will be built next year on the top floor of the NEST lab in Dübendorf, Zurich, Switzerland.

The roof is designed to help out with HiLo’s energyneutral goals: inside the ultra-thin covering, insulation and heating and cooling coils were sandwiched between two layers of concrete, and that’s capped off with thinfilm photovoltaic solar cells.

20 Albenaa

¡UM³ « ≤∞

l¹—UA*« —U³š√

OMA and FABRICations Win Competition to Transform Former Prison Complex in Amsterdam The team of OMA and FABRICations in collaboration with LOLA landscape architects has been selected as the winners of a competition to transform a former prison complex in Amsterdam into a 135,000-square-meter mixeduse development. Located in southeastern Amsterdam, Bijlmerbajes has been seen as a distant landmark for the city since its construction in the 1970s. But with recent expansions, the once peripheral site has moved to the center of new urban development, making the property prime location for redevelopment. The 7.5 hectare site will undergo a reorganization following a master plan that preserves the “island character” of the existing complex yet links the renovated and new structures through a series of pedestrian and cycle bridges. The “Bajes Kwartier,” as it will be known, has been envisioned as a primarily car-free environment. The development will offer approximately 1,350 residential units, ranging from rentals to luxury condominiums, with 30 percent designated as affordable housing.

Five of the six prison towers will be demolished and replaced – the remaining will be preserved as a ‘green tower’ containing a vertical park and urban farming plots. The former central prison building will also be retained as a central design and arts center. Other spaces include a restaurant, a health center, a school, a series of parks and water features, and an underground parking lot. All buildings in the new district are designed to be completely energy-neutral, utilizing high r-value insulation and producing energy through solar panels, wind turbines and an organic waste decomposition system. In addition, the plan calls for the reuse or recycling of 98 percent of existing building material, manifested in some unique design solutions.

‫ﺗﺤﻮﻳﻞ ﻣﺠﻤﻊ ﺳﺠﻦ ﺳﺎﺑﻖ إﻟﻰ ﻣﺠﻤﻊ ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‬ OMA : ‫اﻟﻤﺼﻤﻢ‬ ‫ﺳﻮف ﻳﻀﻢ اﻟﻤﺸﺮوع ﻋﻨﺪ ا ﻧﺘﻬﺎء‬ ‫ ﺷﻘﺔ‬١٣٥٠ ‫ﻣﻦ ﺗﻨﻔﻴﺬه ﻣﺎ ﻳﻘﺎرب‬ ‫ ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﺈﻋﺎدة‬.‫ﺳﻜﻨﻴﺔ‬ ‫اﺳﺘﺨﺪام اﻟﻤﻮاد ﻣﻦ اﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﻘﺪﻳﻤﺔ ﻣﺜﻞ اﻟﺨﺮﺳﺎﻧﺔ واﻟﻌﻨﺎﺻﺮ‬ ‫اﻟﺠﺎﻫﺰة اﻟﻤﺰدوﺟﺔ اﻟﺘﻲ ﺳﻴﺘﻢ‬ ‫اﺳﺘﺨﺪاﻣﻬﺎ ﻓﻲ ﻛﺴﻮة اﻟﻤﺒﺎﻧﻲ‬ ‫ ﻛﻤﺎ ﺳﻴﺘﻢ‬. ‫اﻟﺴﻜﻨﻴﺔ اﻟﺠﺪﻳﺪة‬ ‫إﻋﺎدة اﺳﺘﺨﺪام ﻗﻀﺒﺎن اﻟﺴﺠﻦ‬ ‫ وأﺑﻮاب اﻟﺰﻧﺰاﻧﺔ ﻛﺤﻮاف‬،‫ﻛﺪراﺑﺰﻳﻦ‬ ‫ ﻛﻤﺎ ﺳﻴﺘﻢ‬.‫ﻟﺠﺴﻮر اﻟﻤﺸﺎة اﻟﺠﺪﻳﺪة‬ ‫ﻋﻤﻞ ﻧﻈﺎم إﻋﺎدة ﺗﺪوﻳﺮ اﻟﻨﻔﺎﻳﺎت‬ ‫ وﺳﻴﺘﻢ ﺗﺰوﻳﺪ‬،‫اﻟﻌﻀﻮﻳﺔ ﻓﻲ اﻟﺘﺮﺑﺔ‬ ‫اﻟﻤﺸﺮوع ﺑﺎﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺤﺪاﺋﻖ‬ . ‫وﻣﻨﺎﻃﻖ ﻟﻠﻴﺎﻗﺔ اﻟﺒﺪﻧﻴﺔ‬

‫ وﻣﻊ‬،‫ ﻟﻤﺪﻳﻨﺔ اﻣﺴﺘﺮدام‬V‫ﻣﻌﻠﻤ‬ ‫اﻟﺘﻮﺳﻊ اﻟﺤﻀﺮي ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬ V‫أﺻﺒﺢ ﻣﻮﻗﻊ اﻟﺴﺠﻦ ﻣﻮﻗﻌ‬ .‫ ﻟﺘﻄﻮﻳﺮ اﻣﺴﺘﺮدام‬V‫ ﻫﺎﻣ‬V‫ﻋﻤﺮاﻧﻴ‬ ‫ﻳﻘﻮم اﻟﺘﺼﻤﻴﻢ اﻟﺠﺪﻳﺪ ﺑﺈﻋﺎدة‬ ‫ﺗﺸﻜﻴﻞ اﻟﻤﻮﻗﻊ إﻟﻰ أرﺑﻊ‬ ‫ﻣﺠﻤﻮﻋﺎت ﻟﻜﻞ ﻣﻨﻬﺎ ﺻﻔﺎﺗﻬﺎ‬ ‫ﺣﻴﺚ ﺗﺤﺘﻮي ﻋﻠﻰ ﺑﺮاﻣﺞ ﻣﺘﻌﺪدة‬ ‫وﺗﺮﺗﺒﻂ ﺟﻤﻴﻌﻬﺎ ﺑﻤﻤﺮ ﻣﺮﻛﺰي‬ ‫ ﻛﻤﺎ ﺳﻴﺘﻢ ﺗﺤﻮﻳﻞ أﺣﺪ‬.‫ﻟﻠﻤﺸﺎة‬ ‫ﺑﺮاج اﻟﺴﺘﺔ إﻟﻰ ﺣﺪﻳﻘﺔ ﻋﺎﻣﻮدﻳﺔ‬Q‫ا‬ . (Green Tower) ‫ﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ اﻟﺘﻘﻠﻴﻞ‬ ‫ﻣﻦ اﺳﺘﺨﺪام اﻟﺴﻴﺎرات ﻣﻦ ﺧﻼل‬ .‫إﻧﺸﺎء اﻟﺤﺪاﺋﻖ وﻣﻤﺮات ﻟﻠﻤﺸﺎة‬

‫ ﻓﻲ‬OMA ‫ﻓﺎز اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ‬ ‫ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ ﻋﺎدة ﺗﺼﻤﻴﻢ‬ ‫ﻣﺠﻤﻊ ﺳﺠﻦ ﻓﻲ ﻣﺪﻳﻨﺔ اﻣﺴﺘﺮدام‬ ٢‫ أﻟﻒ م‬١٣٥ ‫اﻟﺬي ﻳﻘﻊ ﻋﻠﻰ ﻣﺴﺎﺣﺔ‬ ‫وإﻧﺸﺎء ﻣﺠﻤﻊ ﻣﺘﻜﺎﻣﻞ ﻣﺘﻌﺪد‬ ‫ ﻳﻌﻮد ﺑﻨﺎء اﻟﺴﺠﻦ‬. ‫اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫م وﻫﻮ ﻳﻘﻊ ﻋﻠﻰ ﺟﺰﻳﺮة‬١٩٧٠ ‫ﻟﻌﺎم‬ ‫ﺗﺤﻴﻂ ﺑﻬﺎ أﺳﻮار ﺧﺮﺳﺎﻧﻴﺔ‬ ‫ ﺗﺘﺼﻞ‬،‫واﻟﻤﻴﺎه ﻣﻦ ﺟﻤﻴﻊ اﻟﺠﻬﺎت‬ ‫اﻟﺠﺰﻳﺮة ﻣﻊ اﻟﻤﻨﺎﻃﻖ اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬ ‫ﻣﻦ ﺧﻼل ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﻤﺮات‬ ٦ ‫ ﻳﺘﻜﻮن اﻟﺴﺠﻦ ﻣﻦ‬.‫واﻟﺠﺴﻮر‬ ‫أﺑﺮاج وﻣﺒﻨﻰ إداري وﻳﺤﺘﻮي ﻋﻠﻰ‬ ‫ﻓﻨﻴﺔ واﻟﺤﺪاﺋﻖ‬Q‫ﻣﺠﻤﻮﻋﺔ ﻣﻦ ا‬ ‫ ﻛﺎﻧﺖ أﺑﺮاج اﻟﺴﺠﻦ ﺗﻌﺪ‬.‫اﻟﻤﺘﻔﺮﻗﺔ‬

22 Albenaa

¡UM³ « ≤≤

‫اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﺸﺮﻛﺔ ﺑﻠﻮﻣﺒﻴﺮج‬ ‫‪Bloomberg‘s New European HQ‬‬ ‫اﻟﻤﺼﻤﻢ ‪Foster + Partners :‬‬ ‫اﻟﻤﻮﻗﻊ‪ :‬ﻟﻨﺪن‬ ‫ﻳﻌﺪ اﻟﻤﻘﺮ اﻟﺮﺋﻴﺲ اﻟﺠﺪﻳﺪ ﻟﺸﺮﻛﺔ ‪Bloomberg‬‬ ‫ا"وروﺑﻴﺔ ﻣﻦ أﻛﺜﺮ اﻟﻤﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﻴﺔ اﺳﺘﺪاﻣﺔ‬ ‫ﻓﻲ اﻟﻌﺎﻟﻢ‪ ،‬ﺣﻴﺚ ﺳﺠﻞ ﻧﺴﺒﺔ ‪ ٪٩٨٫٥‬ﻓﻲ‬ ‫ﺗﺼﻨﻴﻒ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺴﺘﺪاﻣﺔ و ﺣﺎز ﻋﻠﻰ‬ ‫ﺗﺼﻨﻴﻒ اﻟﺘﻤﻴﺰ ﺣﺴﺐ ﻣﻌﺎﻳﻴﺮ ‪Breeam‬‬ ‫ا;ﻧﺠﻠﻴﺰي ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﺎ;ﺑﺘﻜﺎر واﻻﺳﺘﺪاﻣﺔ‬ ‫ﻣﻦ ﺧﻼل ﺗﺼﻤﻴﻤﻪ اﻟﻬﻨﺪﺳﻲ وا;ﻧﺸﺎﺋﻲ‬ ‫وإﺳﺘﺨﺪاﻣﺎﺗﻪ‪ .‬ﻳﻮﻓﺮ اﻟﻤﺒﻨﻰ ﻣﺎ ﻳﻘﺎرب ‪ ٪٧٣‬ﻣﻦ‬ ‫إﺳﺘﻬﻼك اﻟﻤﻴﺎه و ‪ ٪٣٥‬ﻣﻦ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‬ ‫وﻣﺎ ﻳﺮﺗﺒﻂ ﺑﻬﺎ ﻣﻦ اﻧﺒﻌﺎﺛﺎت ﺛﺎﻧﻲ أﻛﺴﻴﺪ‬ ‫اﻟﻜﺮﺑﻮن‪ ،‬ﺣﻴﺚ ﺗﻢ اﺳﺘﺨﺪام اﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫ا"ﻧﻈﻤﺔ اﻟﺘﻲ ﺗﺴﺎﻋﺪ ﻋﻠﻰ اﻟﺤﻔﺎظ ﻋﻠﻰ اﻟﻄﺎﻗﺔ‬ ‫ﻣﺜﻞ اﻟﻄﺎﻗﺔ اﻟﻤﺒﺘﻜﺮة‪ ،‬ا;ﺿﺎءة‪ ،‬وأﻧﻈﻤﺔ اﻟﻤﻴﺎه‬ ‫واﻟﺘﻬﻮﻳﺔ‪ ،‬ﺑﺎ;ﺿﺎﻓﺔ إﻟﻰ أﻧﻈﻤﺔ ﻟﺘﺤﻮﻳﻞ اﻟﻐﺎز‬ ‫إﻟﻰ ﻃﺎﻗﺔ وا;ﺳﺘﻔﺎدة ﻣﻦ اﻟﺤﺮارة اﻟﻨﺎﺗﺠﺔ ﻋﻦ‬ ‫ﻫﺬا اﻟﺘﺤﻮﻳﻞ ﻓﻲ ﺗﺴﺨﻴﻦ اﻟﻤﻴﺎه وأﻧﻈﻤﺔ‬ ‫اﻟﺘﺪﻓﺌﺔ‪ .‬ﺗﻌﻤﻞ أﻧﻈﻤﺔ اﻟﻤﻴﺎه ﻋﻠﻰ ﺗﻮﻓﻴﺮ ‪٢٥‬‬ ‫ﻣﻠﻴﻮن ﻟﺘﺮ ﻣﻦ اﻟﻤﻴﺎه ﻛﻞ ﻋﺎم ﻣﻦ ﺧﻼل إﻋﺎدة‬ ‫ﺗﺪوﻳﺮ ﻣﻴﺎه ا"ﻣﻄﺎر واﻟﻤﻴﺎه اﻟﺮﻣﺎدﻳﺔ ﺣﻴﺚ‬ ‫ﻳﺘﻢ ﻣﻌﺎﻟﺠﺘﻬﺎ وإﻋﺎدة اﺳﺘﺨﺪاﻣﻬﺎ ﻓﻲ ﻣﻴﺎه‬ ‫اﻟﻤﺮاﺣﻴﺾ ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺒﻨﻰ ﺑﺘﺼﻤﻴﻢ ﻣﺒﺘﻜﺮ‬ ‫ﻟﻠﺴﻘﻒ‪ ،‬ﺣﻴﺚ ﻳﺘﻜﻮن ﻣﻦ أﻟﻮاح ﻣﻌﺪﻧﻴﺔ ﻋﻠﻰ‬ ‫ﺷﻜﻞ ﺑﺘﻼت زﻫﻮر ﺻﻐﻴﺮة‪ ،‬ﺗﺤﺘﻮي ﻋﻠﻰ ‪٥٠٠‬‬ ‫أﻟﻒ ﻣﺼﺒﺎح ‪ LED‬و ﺗﻮﻓﺮ اﻟﻤﺼﺎﺑﻴﺢ ﻣﺎ ﻳﻘﺎرب‬ ‫‪ ٪ ٤٠‬ﻣﻦ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪ ،‬وﻳﺠﻤﻊ اﻟﺴﻘﻒ‬ ‫ﺑﻴﻦ أﻧﻈﻤﺔ اﻟﺘﺪﻓﺌﺔ واﻟﺘﺒﺮﻳﺪ وا;ﺿﺎءة ﻛﻌﺎزل‬ ‫ﺻﻮﺗﻲ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﻤﻮﻗﻌﻪ‪ ،‬ﻓﺎﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﻤﺠﺎورة ﺗﻘﻮم ﺑﺘﻈﻠﻴﻠﻪ ﻛﻤﺎ ﺗﻢ اﺳﺘﺨﺪام‬ ‫ﺷﺮاﺋﺢ ﻛﺒﻴﺮة ﺑﺮوﻧﺰﻳﺔ اﻟﻠﻮن ﻟﻠﺤﺪ ﻣﻦ أﺷﻌﺔ‬ ‫اﻟﺸﻤﺲ ‪ ،‬وﺗﺘﻤﺰ ﻫﺬه اﻟﺸﺮاﺋﺢ ﺑﺄﻧﻬﺎ ﺗﻨﻔﺘﺢ‬ ‫وﺗﻨﻐﻠﻖ ﻋﻨﺪ اﻋﺘﺪال اﻟﻈﺮوف اﻟﺠﻮﻳﺔ ﻣﻤﺎ ﻳﺴﻤﺢ‬ ‫ﺑﺘﻬﻮﻳﺔ اﻟﻤﺒﻨﻰ ﻃﺒﻴﻌﻴ‪ .k‬ﻛﻤﺎ ﻳﺴﻤﺢ اﻟﺘﺼﻤﻴﻢ‬ ‫ﺑﺘﺪﻓﻖ اﻟﻬﻮاء إﻟﻰ داﺧﻞ اﻟﻤﺒﻨﻰ ﻣﻦ ﺧﻼل‬ ‫ﻓﺘﺤﺎت ﺟﺎﻧﺒﻴﺔ إﻟﻰ أن ﻳﺼﻞ إﻟﻰ ردﻫﺔ اﻟﻤﺒﻨﻰ‬ ‫ﺛﻢ ﻳﺮﺗﻔﻊ ﻣﻨﻬﺎ ﻟ‪n‬ﻋﻠﻰ وﻳﺨﺮج ﻋﺒﺮ ﻓﺘﺤﺎت ﻓﻲ‬ ‫اﻟﺴﻘﻒ‪ .‬ﻳﻀﻢ اﻟﻤﺒﻨﻰ أﻧﻈﻤﺔ ذﻛﻴﺔ ;ﺳﺘﺸﻌﺎر‬ ‫ﻛﻤﻴﺔ ﺛﺎﻧﻲ أﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن ﻓﻲ اﻟﻬﻮاء ﺣﻴﺚ‬ ‫ﺗﺴﻤﺢ ﺑﺘﻮزﻳﻊ اﻟﻬﻮاء اﻟﻤﻼﺋﻢ ﻟﻌﺪد ا"ﺷﺨﺎص‬ ‫اﻟﺬﻳﻦ ﻳﺸﻐﻠﻮن أي ﺣﻴﺰ ﻣﻦ اﻟﻤﺒﻨﻰ‪.‬‬

‫‪¡UM³ « ≤¥‬‬

‫‪24 Albenaa‬‬

‫ ‪Íuł —uEM‬‬

‫—‪vM³*« qš«œ ¡«uN « o bð WOKLF w×O{uð rÝ‬‬

Bloomberg’s new European headquarters is the world’s most sustainable office building, as designed, ever built. The development scored 98.5% against the latest BREEAM sustainability rating scheme, achieving an ‘Outstanding’ rating. This is the highest design-stage score ever achieved by any major office development in the world. Innovation in sustainability is at the heart of the Bloomberg building’s design, from its engineering to its construction and intended use. Compared to a typical office building, its environmental strategies deliver a 73% saving in water consumption3 and a 35% saving in energy consumption and associated CO² emissions. The main contributors to energy saving are the building’s innovative power, lighting, water and ventilation systems. Unlike standard office lighting, the bespoke ceiling panels at Bloomberg’s new London building combine heating, cooling, lighting and acoustic functions in an innovative petal leaf design. Approximately 4,000 modular, bespoke ceiling panels combine 2.5 million metal ‘petals’ with 0.5 million LED lights and a first-of-akind integrated cooling system. The large surface area of the metal petals, together with their high heat-transfer efficiency, allows the use of elevated chilled water temperatures to reduce energy use. LED lights create an overall energy saving of 40% compared to a typical office lighting system.

Natural gas is converted to power and the waste heat generated in the process is also used in the building either for heating and hot water, or to generate cooling, via an absorption chiller for Bloomberg’s technical facilities.

…¡U{ù«Ë b¹d³² «Ë W¾ b² « WLE½√ rC¹Ë vM³*« nIÝ

W «b²Ýû W b ² *« WLE½ú w×O{uð rÝ—

fLA « WFý√ s W¹UL(« vKŽ qLFð w² « W¹e½Ëd³ « `z«dA « dNEðË ŸËdA*« UNł«Ë 26 Albenaa

¡UM³ « ≤∂

‫ﻣﻘﺮ ﺟﺪﻳﺪﻟﺸﺮﻛﺔ ‪MOL‬‬ ‫‪New MOL Campus‬‬ ‫اﻟﻤﺼﻤﻢ ‪Foster + Partners :‬‬ ‫اﻟﻤﻮﻗﻊ‪ :‬اﻟﻤﺠﺮ‬

‫ ‪WOł—U)« WŠU « s —uEM‬‬

‫∏≤ « ‪¡UM³‬‬

‫‪28 Albenaa‬‬

‫ ‪Íuł —uEM‬‬

‫‪© All Photos by Foster + Partners‬‬

‫ﻳﻘﻊ اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﺸﺮﻛﺔ ‪ MOL‬ﻟﻠﻨﻔﻂ واﻟﻐﺎز‬ ‫ﻓﻲ ﻣﺪﻳﻨﺔ ﺑﻮداﺑﺴﺖ ﻓﻲ اﻟﻤﺠﺮ‪ ،‬وﻳﻬﺪف‬ ‫إﻟﻰ إﻧﺸﺎء ﻣﺒﻨﻰ ﻣﻜﺘﺒﻲ ﻳﻌﺒﺮ ﻋﻦ اﻟﺮؤﻳﺔ‬ ‫اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﻠﻤﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﻴﺔ ‪ ،‬وﻳﺄﺧﺬ ﻓﻲ‬ ‫اﻟﺤﺴﺒﺎن اﺳﺘﺪاﻣﺔ اﻟﻤﺸﺮوع ‪ .‬ﻳﺘﻜﻮن اﻟﻤﺸﺮوع‬ ‫ﻣﻦ ﺟﺰﺋﻴﻦ ‪ :‬اﻟﺠﺰء ا‪9‬ول ﻫﻮ اﻟﺒﺮج اﻟﻤﻜﻮن ﻣﻦ‬ ‫‪ ٢٨‬ﻃﺎﺑﻘ‪ B‬وﻫﻮ ﻳﺮﺗﺒﻂ ﻣﺒﺎﺷﺮة ﻣﻊ اﻟﺠﺰء اﻟﺜﺎﻧﻲ‬ ‫اﻟﻘﺎﻋﺪة ﺣﻴﺚ ﻳﺸﻜﻼن ﻛﺘﻠﺔ واﺣﺪة‪ .‬ﻳﺘﻤﻴﺰ‬ ‫اﻟﻤﺸﺮوع ﺑﻮاﺟﻬﺎﺗﻪ ذات ا‪K‬ﻧﺤﻨﺎءات اﻟﺨﻔﻴﻔﺔ‬ ‫اﻟﺘﻲ ﺗﻢ ﺗﻐﻄﻴﺘﻬﺎ ﺑﺎﻟﻜﺎﻣﻞ ﺑﺎﻟﺰﺟﺎج ﻟﺘﻮﻓﻴﺮ‬ ‫إﺿﺎءة ﻣﺜﺎﻟﻴﺔ داﺧﻞ اﻟﻤﺒﻨﻰ‪ ،‬ﻛﻤﺎ ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع‬ ‫ﺑﻤﺴﺎﺣﺎت ﺧﻀﺮاء ﺗﻤﺘﺪ ﻣﻦ اﻟﺪور ا‪9‬رﺿﻲ ﺣﺘﻰ‬ ‫أﻋﻠﻰ اﻟﺒﺮج ‪ .‬ﺗﻢ ﺣﺬف اﻟﺨﺪﻣﺎت واﻟﻤﺮاﻓﻖ ﻣﺜﻞ‬ ‫اﻟﻤﺼﺎﻋﺪ واﻟﺴﻼﻟﻢ ﻣﻦ وﺳﻂ اﻟﻤﺒﻨﻰ ﻛﻤﺎ ﻫﻮ‬ ‫اﻟﺤﺎل ﻓﻲ ا‪9‬ﺑﺮاج اﻟﺘﻘﻠﻴﺪﻳﺔ ‪K‬ﻧﺸﺎء ﻣﺴﺎﺣﺎت‬ ‫ﻣﺮﻧﺔ ﻣﻔﺘﻮﺣﺔ ﻟﺘﺸﺠﻴﻊ اﻟﻌﻤﻞ اﻟﺠﻤﺎﻋﻲ وإﻧﺸﺎء‬ ‫ﺑﻴﺌﺔ ﻋﻤﻞ ﻣﺜﺎﻟﻴﺔ‪ .‬ﻳﺤﺎول اﻟﻤﺸﺮوع اﻟﺤﻔﺎظ‬ ‫ﻋﻠﻰ اﻟﻌﻼﻗﺔ ﺑﻴﻦ اﻟﻌﻤﻞ واﻟﺤﻴﺎة ﻓﻲ إﻃﺎر ﺑﻴﺌﺔ‬ ‫ﺣﻀﺮﻳﺔ وﻳﺮﺗﺒﻂ ﺑﺎﻟﺒﻴﺌﺔ اﻟﺨﺎرﺟﻴﺔ اﻟﺘﻲ ﺗﻮﻓﺮ‬ ‫اﻟﻬﻮاء اﻟﻨﻘﻲ وا‪K‬ﺿﺎءة واﻟﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ ‪.‬‬

From Architect Report: Designs for MOL Campus, the new headquarters for the MOL Group, a global oil and gas company based in Hungary were revealed today. The new building is a vision for the workplace of the future that places sustainability at the heart of the campus. Located in southern Budapest, it is set to be the tallest building in the city, consolidating the company’s Budapest operations in a single location.

An evolutionary response to the traditional two-part tower-podium typology, the building’s unique form integrates a 28-storey tower with a podium a single form to create a unified campus. Its glazed façade sweeps up in a smooth curve from the entrance to the top of the tower, infusing the entire building with a sense of interconnectivity.

Greenery follows the same trajectory, travelling through the heart of the building, from the central atrium on the ground floor, linked with skygardens throughout the tower, and culminating in a public garden at the top of the building. These green spaces also act as a social catalyst throughout the building, encouraging collaboration, relaxation and inspiration by bringing nature closer to the workplace.

Offset service cores create large flexible areas that further encourage collaborative patterns of working.

Using cutting edge technology to control light levels, temperature and views these workspaces are finely calibrated to create the perfect working environment, a light filled inspirational space for people to work in.

Setting a new benchmark both for Budapest and Hungary, the design of the building makes the most of its urban context to drive a sustainable response. The MOL Campus seeks to preserve live-work relationships as part of the urban experience, where people are able to walk or cycle to work. All occupants have a direct connection to the external environment providing fresh air, daylight and views, and the building utilises low and zero carbon energy sources, such as photovoltaics, also featuring rainwater harvesting and storage facilities.

Ãd³ « 5ÐË UNMOÐ jЫd² « `{uð …bŽUI « qš«œ s WDI

…bŽUI « qšb* WDI 30 Albenaa

¡UM³ « ≥∞

¡UM³ « w b¹b'«

‫أﺑﻮاب‬ RollMatic ‫( ﻣﻦ‬RollMatic) ‫أﺑﻮاب اﻟﻤﺮآب‬ ‫ ا ﻟﻤﺎﻧﻴﺔ‬Hoermann ‫ﺷﺮﻛﺔ‬ ‫ﺗﺘﻤﻴﺰ ﺑﺘﻮﻓﻴﺮﻫﺎ ﻟﻠﻤﺴﺎﺣﺔ ﻣﻦ‬ -Roll ‫ أﺑﻮاب‬.‫أﻣﺎم وداﺧﻞ اﻟﻤﺮآب‬ ‫ ﻣﺼﻨﻮﻋﺔ ﻣﻦ ا ﻟﻮﻣﻨﻴﻮم‬Matic ‫ﺑﺠﻮدة ﻋﺎﻟﻴﺔ ﻣﻘﺎوﻣﺔ ﻟﻠﺘﺂﻛﻞ‬ ‫وﻳﺘﻢ ﺗﺸﻐﻴﻠﻪ ﻣﻦ ﺧﻼل ﻣﺤﺮك‬ ‫ وﻳﺘﻤﻴﺰ‬،‫ﺑﺘﻜﻨﻮﻟﻮﺟﻴﺎ ﺣﺪﻳﺜﺔ‬ ‫اﻟﻤﺤﺮك ﺑﺴﻬﻮﻟﺔ اﺳﺘﺨﺪاﻣﻪ‬ ‫ وﺗﺤﺘﻮي ا ﺑﻮاب ﻋﻠﻰ‬.‫ﻋﻦ ﺑﻌﺪ‬ ‫أوﺗﺎر ﻓﻲ ﺟﺎﻧﺒﻴﻬﺎ ﺗﻌﻤﻞ ﻋﻠﻰ‬ ‫ﺗﺤﺴﻴﻦ أداء اﻟﻤﺤﺮك ﻋﻨﺪ ﻓﺘﺢ‬ ‫وإﻏﻼق اﻟﺒﺎب وﻫﺬا ﻳﻌﻤﻞ ﻋﻠﻰ‬ ‫ وﻓﻲ ﺣﺎﻻت‬،‫ﺣﻤﺎﻳﺔ اﻟﻤﺤﺮك‬ ‫اﻟﻄﻮارئ ﺗﺴﺎﻋﺪ ﻫﺬه ا وﺗﺎر‬ .O‫ﻋﻠﻰ ﻓﺘﺢ اﻟﺒﺎب ﻳﺪوﻳ‬ RollMatic »«uÐ√

RollMatic Garage Doors The RollMatic garage door from Hörmann provides plenty of space in front of and inside the garage. You can drive directly up to the door for parking and the ceiling area of the garage remains available. Made of high-quality corrosion-free aluminium, the RollMatic door profile is equipped with modern Hörmann operator technology as standard.

The operator is located outside the support bracket for trouble-free maintenance. Start and stop of the RollMatic door are particularly soft and silent, preserving the door. An internal push button and garage illumination are already integrated in the control housing.

The tested tension spring assembly supports the operator during the opening and closing of the door. This protects the operator mechanism and in case of an emergency, the door can be easily opened by hand.

www.hoermann.ae

»«uÐ_« qOGA² bFÐ sŽ rJײ « “UNł

W¦¹bŠ UOłu uMJ²Ð „d× ‰öš s »«uÐ_« qOGAð

34 Albenaa

¡UM³ « ≥¥

¡UM³ « w b¹b'«

‫ﻛﺎﺷﻒ ﻟﻠﺤﺮﻛﺔ ﺗﻠﻘﺎﺋﻲ‬

wzUIK² « W d(« nýU “UN' ÖU/

‫ ﻟﺘﺸﻐﻴﻞ‬The Luxa P ‫ﻛﺎﺷﻒ ﻟﻠﺤﺮﻛﺔ اﻟﺘﻠﻘﺎﺋﻲ‬ ‫اﻻﺿﺎﺋﺔ اﻟﺨﺎرﺟﻴﺔ ﻟﻠﻤﺒﺎﻧﻲ ﻳﻬﺪف اﻟﺤﺪ ﻣﻦ‬ ‫ ﻳﻘﻮم اﻟﻜﺎﺷﻒ ﺑﺘﺸﻐﻴﻞ‬.‫اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‬ ‫وإﻏﻼق اﻻﺿﺎءة اﻟﺨﺎرﺟﻴﺔ وﻓﻘﺎ ﻟﻠﺤﺮﻛﺔ اﻟﺘﻲ ﺗﺤﺪث‬ ‫ ﻳﺘﻤﻴﺰ اﻟﻜﺎﺷﻒ ﺑﺘﻐﻄﻴﺘﻪ ﻟﻠﻤﻨﻄﻘﺔ‬.‫ﻓﻲ ﻧﻄﺎﻗﻪ‬ ‫ م أﻣﺎم اﻟﻜﺎﺷﻒ وﻳﻤﻜﻨﻪ اﻟﺪوران‬16 ‫ اﻟﻰ‬12 ‫ﻣﺎﺑﻴﻦ‬ ‫ درﺟﺔ اﻟﻰ اﻟﻴﻤﻴﻦ واﻟﻴﺴﺎر ﻟﺘﺘﻐﻄﻴﺔ اﻟﻤﻨﻄﻘﺔ‬90 ‫ ﻛﻤﺎ ﻳﺘﻤﻴﺰ اﻟﻜﺎﺷﻒ ﺑﺘﺼﻤﻴﻤﻪ‬.‫ﻣﻦ ﻛﻞ اﻻﺗﺠﺎﻫﺎت‬ :‫واﻧﻮاﻋﻪ واﻟﺘﻲ ﻣﻦ أﻫﻤﻬﺎ‬ ‫ ﻳﺴﺘﺨﺪم ﻓﻲ اﻟﻤﻨﺎﻃﻖ‬:‫ــ اﻟﻜﺎﺷﻒ اﻟﻘﻴﺎﺳﻲ‬ ‫اﻟﺨﺎرﺟﻴﺔ اﻟﺨﺎﺻﺔ ﻣﺜﻞ ﻣﺪاﺧﻞ وﻣﻤﺮات وﻣﺨﺎزن‬ ‫ درﺟﺔ أو‬X 150 ‫م‬12 ‫اﻟﻤﻨﺎزل وﺗﺼﻞ ﺗﻐﻄﻴﺘﻪ اﻟﻰ‬ ‫ درﺟﺔ‬X 360 ‫م‬16 ‫ ﻳﺴﺘﺨﺪم ﻓﻲ اﻟﻤﻨﺎﻃﻖ‬:‫ــ اﻟﻜﺎﺷﻒ اﻟﻤﺜﺎﻟﻲ‬ ‫اﻟﺨﺎرﺟﻴﺔ اﻟﻌﺎﻣﺔ ﻣﺜﻞ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺠﺎرﻳﺔ‬ ‫واﻟﻤﻜﺘﺒﻴﺔ واﻟﻔﻨﺎدق وﻣﻮاﻗﻒ اﻟﺴﻴﺎرات‬ ‫ وﺗﺼﻞ ﻣﻨﻄﻘﺔ اﻟﻜﺸﻒ اﻟﻰ‬.‫واﻟﻤﺴﺘﻮدﻋﺎت‬ ‫ درﺟﺔ‬300 ‫ او‬X 220 ‫م‬16 ‫وﻳﺤﺘﻮي اﻟﻜﺎﺷﻒ ﻋﻠﻰ ﻧﻈﺎم ﻟﺘﺤﺪﻳﺪ وﻗﺖ‬ .‫ﺿﺎءة وﻣﺪة ﺗﺸﻐﻴﻠﻬﺎ‬X‫اﻟﺒﺪأ ﻓﻲ ﺗﺸﻐﻴﻞ ا‬

The New Theben The Luxa Motion Detector

WODG²K …œbF² UŠU

wM e « X R*« ÂUE½

Wł—œ 30 „dײ « vKŽ nýUJ « …—b

q UJ UÐ WIDM*« WODG² Wł—œ 90 nýUJ « Ê«—Ëœ WO½UJ ≈

The Luxa motion detector standard range already exists. Now Theben is following up with the theLuxa Performance devices and is completing the range of motion detectors for automatic and energy-efficient outdoor lighting control. All devices have the same attractive, unified design. The most important characteristics and functions compared: Fields of application theLuxa Standard: External areas in private properties such as entrances to family homes, long driveways, back and side doors, carports or bicycle storerooms theLuxa Performance: External areas of commercial properties such as administration buildings, hotels, schools, underground car parks or warehouses. theLuxa P300 KNX for integration into building automation. Detection area theLuxa Standard: Up to 12 m at 150° (theLuxa S150), 180° (theLuxa S180) or 16 m and 360° (theLuxa S360) theLuxa Performance: Up to 16 m at 220° (theLuxa P220) or 300° (theLuxa P300) www.theben.de

36 Albenaa

¡UM³ « ≥∂

‰Ë_« —Ëb « jI 41 Albenaa

¡UM³ « ¥±

w{—_« —Ëb « jI

тАля╗гя╗ж ╪гя╗Ля╗дя║О┘Д я╗гя╗Ья║Шя║РтАм тАля╗Ля║Тя║к ╪з я╗Яя╗к ╪зя╗Яя╗дя╗мя╗ия║ОтАм

тАл)я╗гя║ия╗Дя╗Дя╗о┘Ж ┘А┘А я╗гя╗Мя╗дя║О╪▒я╗│я╗о┘Ж ┘А┘А я╗гя╗мя╗ия║кя║│я╗о┘Ж(тАм

тАля║Чя║оя╗Ыя╗▓ я║│я╗Ья╗оя╗│я║отАм тАл╪зя╗Яя╗дя║Оя╗Яя╗Ъ тАк :тАмя║╖я║оя╗Ыя║Ф ╪▓я╗│я╗о┘Б я╗Я я║│я║Шя║Ья╗дя║О╪▒ ┘И╪зя╗Яя║Шя╗Дя╗оя╗│я║о ╪зя╗Яя╗Мя╗Шя║О╪▒┘КтАм тАля╗гя║╝я╗дя╗в ╪зя╗Яя╗дя║╕я║о┘И╪╣ тАк :тАмя╗Ля║Тя║к ╪з я╗Яя╗к ╪зя╗Яя╗дя╗мя╗ия║ОтАм тАл)я╗гя║ия╗Дя╗Дя╗о┘Ж ┘А┘А я╗гя╗Мя╗дя║О╪▒я╗│я╗о┘Ж ┘А┘А я╗гя╗мя╗ия║кя║│я╗о┘Ж(тАм тАля╗гя╗Шя║О┘И┘Д ╪зя╗Яя╗дя║╕я║о┘И╪╣ тАк :тАмя╗гя║Жя║│я║┤я║Ф ╪▓я╗│я╗о┘Б я╗Яя╗ая╗дя╗Шя║О┘Ия╗╗╪ктАм тАл╪зя╗Яя╗дя╗оя╗Чя╗К тАк :тАмя║Чя╗Шя║Оя╗Гя╗К я╗Гя║оя╗│я╗Ц я║зя║оя╗│я║║ я╗гя╗К ╪зя╗╗я╗гя╗┤я║о я║Чя║оя╗Ыя╗▓ ╪зтАк,тАм┘И┘Д ┘А┘АтАм тАля║гя╗▓ ╪г┘Е ╪зя╗Яя║дя╗дя║О┘Е ╪зя╗Яя║╕я║оя╗Чя╗┤я║Ф ┘А┘А я╗гя║кя╗│я╗ия║Ф ╪зя╗Яя║оя╗│я║О╪╢тАм тАля╗гя║┤я║Оя║гя║Ф ╪зя╗Яя╗дя╗оя╗Чя╗К тАк2753 :тАм┘ЕтАк2тАмтАм тАля╗гя║┤я╗Дя║дя║О╪к ╪зя╗Яя║Тя╗ия║О╪бтАк 7400 :тАм┘ЕтАк2тАмтАм тАля╗Ля║к╪п ╪зтАк%тАм╪п┘И╪з╪▒ тАк :тАм╪п┘И╪▒ ╪г╪▒я║┐я╗▓ тАк ╪МтАм╪п┘И╪▒ ╪г┘И┘Д тАк ╪МтАм╪п┘И╪▒ я╗гя╗ая║дя╗Ц я╗Ля╗ая╗о┘КтАк ╪МтАм╪п┘И╪▒тАм тАля╗Чя║Тя╗о тАк ╪МтАмя╗гя╗о╪зя╗Чя╗Т я║│я╗┤я║О╪▒╪з╪ктАм

тАл┘И╪зя║гя║Ф я╗Ыя╗╝я║│я╗┤я╗Ья╗┤я║Ф я╗гя╗ж ┘Ия║гя╗▓ ╪зя╗Яя║┤я║Оя║гя║О╪к ╪зя╗╗┘И╪▒┘Ия║Ся╗┤я║ФтАм тАл╪зя║│я║Шя╗ая╗мя╗в ╪зя╗Яя║Шя║╝я╗дя╗┤я╗в я╗гя╗ж ┘Ия║гя╗▓ ╪зя╗Яя║┤я║Оя║гя║О╪к ╪зя╗Яя╗Фя║оя╗зя║┤я╗┤я║ФтАм тАл┘И╪з я╗│я╗Дя║Оя╗Яя╗┤я║Ф ╪зя╗Яя╗дя╗Фя╗Мя╗дя║Ф я║Ся║Оя╗Яя║дя╗┤я║О╪й ┘И╪зтАк,тАмя╗зя║╕я╗Дя║Ф ╪зя╗Яя║Шя║ая║О╪▒я╗│я║ФтАм тАл┘Ия║Яя╗ая║┤я║О╪к ╪зя╗Яя╗дя╗Дя║Оя╗Ля╗в ┘И╪зя╗Яя╗дя╗Шя║Оя╗ля╗▓ я╗гя╗ж я║зя╗╝┘Д я║Чя║╝я╗дя╗┤я╗втАм тАля╗Ыя╗╝я║│я╗┤я╗Ья╗▓ я╗гя╗Дя╗о╪▒ я║Чя╗в ╪зя╗Яя║Шя║Дя╗Ыя╗┤я║к я╗Уя╗┤я╗к я╗Ля╗ая╗░ ╪зя╗Яя╗дя╗Фя║о╪п╪з╪ктАм тАл╪зя╗Яя╗Ья╗╝я║│я╗┤я╗Ья╗┤я║Ф я║Ся║кя╗Чя║Шя╗мя║О ┘Ия║Чя╗Фя║Оя║╗я╗┤я╗ая╗мя║О ╪зя╗Яя║о╪зя╗Чя╗┤я║Ф я╗гя╗жтАм тАля║зя╗╝┘Д я║╗я╗┤я║Оя╗Пя║Ф ╪пя╗│я╗ия║Оя╗гя╗┤я╗Ья╗┤я║Ф я╗гя╗Мя║Оя║╗я║о╪й я║Чя║Тя╗Мя║Ъ я╗Уя╗▓ ╪▓┘И╪з╪▒┘ЗтАм тАля╗гя╗Мя║Оя╗зя╗▓ ╪зя╗Яя║Тя╗мя║ая║Ф ┘И╪зя╗Яя║дя╗┤я║О╪й ┘И╪зя╗Яя║Шя╗▓ я║Чя╗Мя║к я╗гя╗ж ╪гя║Ся║о╪▓ ╪зтАк,тАмя╗ля║к╪з┘БтАм тАл╪зя╗Яя║Шя║╝я╗дя╗┤я╗дя╗┤я║Ф ╪зя╗Яя║Шя╗▓ я║│я╗Мя╗░ ╪зя╗Яя╗дя║╝я╗дя╗в ╪ея╗Яя╗░ я║Чя║дя╗Шя╗┤я╗Шя╗мя║О я╗Яя║Шя║Ья║о┘КтАм тАля╗гя╗ж я║Чя║ая║оя║Ся║Ф ╪▓┘И╪з╪▒ ╪зя╗Яя╗дя║╕я║о┘И╪╣ ┘Ия║Чя║ая╗Мя╗Ю я╗гя╗ж ╪▓я╗│я║О╪▒╪й ╪зя╗Яя╗дя╗Ья║О┘Ж я║Чя║ая║оя║Ся╗ктАм тАля╗Уя║оя╗│я║к╪й ┘Ия╗гя╗дя║Шя╗Мя║Ф я║Ся║Шя╗ия╗оя╗Ля╗мя║О ┘Ия║Ыя║о╪з╪бя╗ля║О ┘Ия║Чя╗Фя║Оя║╗я╗┤я╗ая╗мя║О ╪зя╗Яя╗дя║Шя╗ия╗оя╗Ля║ФтАм тАлтАк .тАмя╗Ыя╗дя║О я╗Ля╗дя║к ╪зя╗Яя╗дя║╝я╗дя╗в ╪ея╗Яя╗░ я║Чя╗о╪▓я╗│я╗К я╗гя║ая╗дя╗оя╗Ля║Ф я╗гя╗ж ╪зтАк,тАмя║Ся║о╪з╪мтАм тАл╪зя╗Яя╗Ья╗╝я║│я╗┤я╗Ья╗┤я║Ф ╪зя╗Яя║оя╗гя║░я╗│я║Ф я╗Яя║Шя╗Ья╗о┘Ж я║Ся╗дя║Ья║Оя║Ся║Ф я╗Ля╗╝я╗гя║О╪к я║Ся║╝я║оя╗│я║ФтАм тАля║Ся║Д╪▒я╗Ыя║О┘Ж ╪зя╗Яя╗дя║╕я║о┘И╪╣ ╪зтАк,тАмя║│я║Оя║│я╗┤я║Ф я╗Яя║Шя║Жя╗Ыя║к я╗Ля╗ая╗░ ╪зя╗Яя╗дя║╕я║о┘И╪╣ ┘Ия║Чя║░я╗│я║ктАм тАля╗гя╗ж ╪гя╗ля╗дя╗┤я║Шя╗к ┘Ия║Чя║Шя╗Ья║Оя╗гя╗Ю я╗гя╗К я╗гя╗оя╗Чя╗Мя╗к ╪зя╗Яя╗Фя║оя╗│я║к ╪зя╗Яя╗о╪зя╗Чя╗К я╗Ля╗ая╗░тАм тАля║Чя╗Шя║Оя╗Гя╗К я║╖я║оя╗│я║Оя╗зя╗┤я╗ж ╪▒я║Ля╗┤я║┤я╗┤я╗┤я╗ж я╗гя╗ж ╪гя╗ля╗в я║╖я║о╪зя╗│я╗┤я╗ж ╪зя╗Яя║дя║оя╗Ыя║ФтАм тАля║Ся╗дя║кя╗│я╗ия║Ф ╪зя╗Яя║оя╗│я║О╪╢ тАк.тАмтАм тАл╪зя╗Яя╗дя║╝я║к╪▒ тАк :тАмя║Чя╗Шя║оя╗│я║о ╪зя╗Яя╗дя║╝я╗дя╗втАм

тАлтИЮтАк┬бUM┬│ ┬л ┬етАмтАм

тАлтАк40 AlbenaaтАмтАм

wJOÝöJ « rOLB² « d UMŽ lL²& YO×Ð ‘uIM «Ë WHK² *« nIÝ_«Ë Ê«—b'« ‰öš s p –Ë dBI « «c¼ WLÝ W U H « rLB*« qFł

47 Albenaa

¡UM³ « ¥∑

+966 539211192 mjtouches@gmail.com @mjtouches Kingdom of Saudi Arabia, Riyadh, Exit 2

MJ Touches is a specialised company in architectural and interior design & decoration.

The company enjoys an extensive experience that span over 25 years in the design field as it employs highly experienced team that delivers all the design requirements to satisfy all the needs of each client.MJ Touches has acquired a pioneering position with innovative architectural, interior, and decoration designs. It reached that position through the belief of the importance of expressing all the clients needs through the design and through the motivation of exchange ideas and delivering projects that transcends the clients requirements. The successes MJ Touches enjoyed over the years is a result of its complete one stop shop strategy, as it offer, in addition to the design services, execution and consulting services from the start to the delivery on all projects it implement.

‫ﻣﻦ أﻋﻤﺎل ﻣﺆﺳﺴﺔ‬ ‫إم ﺟﻲ ﺗﺘﺸﻴﺰ‬ MJ Touches Design Work ‫إم ﺟﻲ ﺗﺘﺸﻴﺰ ﻫﻲ ﻣﺆﺳﺴﺔ ﻣﺘﺨﺼﺼﺔ ﻓﻲ‬ ‫ﻣﺠﺎل اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري واﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ‬ ‫ وﺗﺘﻤﺘﻊ إم ﺟﻲ ﺗﺘﺸﻴﺰ ﺑﺨﺒﺮة ﺗﺰﻳﺪ‬،‫واﻟﺪﻳﻜﻮرات‬ ‫ ﺣﻴﺚ ﻳﻌﻤﻞ‬،‫ﻋﺎﻣﺎ ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل‬ ً 25 ‫ﻋﻠﻰ‬ ‫ﺑﻬﺎ ﻓﺮﻳﻖ ﻋﻤﻞ ﻣﻤﻴﺰ ﻳﻮﻓﺮ ﻛﺎﻓﺔ اﻟﻤﺘﻄﻠﺒﺎت‬ ‫اﻟﺘﺼﻤﻴﻤﻴﺔ ﻟﻠﻌﻤﻞ ﻟﺘﻠﺒﻲ ﺟﻤﻴﻊ اﻻﺣﺘﻴﺎﺟﺎت اﻟﺘﻲ‬ ‫ وﺗﺤﺘﻞ ام ﺟﻲ ﺗﺘﺸﻴﺰ ﻣﻜﺎﻧﺔ‬.‫ﻳﺮﻏﺒﻬﺎ ﻛﻞ ﻋﻤﻴﻞ‬ ‫ﻣﺮﻣﻮﻗﺔ ورﻳﺎدﻳﺔ ﻓﻲ ﻣﺠﺎل اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري‬ ‫ وﻗﺪ وﺻﻠﺖ ﻟﻬﺬه اﻟﻤﻜﺎﻧﺔ‬،‫واﻟﺪاﺧﻠﻲ واﻟﺪﻳﻜﻮرات‬ ‫ﻳﻤﺎﻧﻬﺎ ﺑﺄﻫﻤﻴﺔ اﻟﺘﻮاﺻﻞ واﻟﺘﻌﺒﻴﺮ ﻋﻦ اﺣﺘﻴﺎﺟﺎت‬F ‫ وﻟﻮﺟﻮد اﻟﺤﺎﻓﺰ‬،‫اﻟﻌﻤﻼء ﻣﻦ ﺧﻼل اﻟﺘﺼﻤﻴﻢ‬ ‫ﻓﻜﺎر وﺗﻘﺪﻳﻢ اﻻﻋﻤﺎل اﻟﺘﻲ‬J‫ﻟﻠﻤﺸﺎرﻛﺔ ﻓﻲ ﺗﺒﺎدل ا‬ ‫ وﻳﻜﻤﻦ ﺳﺮ ﻧﺠﺎح‬.‫ﺗﺘﺨﻄﻰ ﻣﺘﻠﻄﺒﺎت اﻟﻌﻤﻼء‬ ‫إم ﺟﻲ ﺗﺘﺸﻴﺰ ﻓﻲ ﺗﻜﺎﻣﻞ اﻟﻌﻤﻞ ﻣﻦ ﺑﺪاﻳﺔ‬ ‫ ﺣﻴﺚ‬،‫أﻋﻤﺎل اﻟﺘﺼﻤﻴﻢ وﺣﺘﻰ ﺗﺴﻠﻴﻢ اﻟﻤﺸﺮوع‬ ‫ان إم ﺟﻲ ﺗﺘﺸﻴﺰ ﺗﻘﻮم ﺑﺎﻋﻤﺎل اﻟﺘﻨﻔﻴﺬ واﻻﺷﺮاف‬ ‫ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﺸﺎرﻳﻊ اﻟﺘﻲ ﺗﻘﻮم ﺑﺘﻨﻔﻴﺬﻫﺎ‬ .‫ﺑﺎﻻﺿﺎﻓﺔ إﻟﻰ اﻋﻤﺎل اﻟﺘﺼﻤﻴﻢ‬

WIO½√ U LKÐ WOJOÝöJ «

46 Albenaa

¡UM³ « ¥∂

49 Albenaa

¡UM³ « ¥π

‫ﻳﻤﺘﺪ ﻫﺬا اﻟﺼﺎﻟﻮن ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ 200‬م‪ ، 2‬ﺣﻴﺚ‬ ‫ﺗﻢ ﻋﻤﻞ اﻟﺘﺼﻤﻴﻢ ﺑﻄﺮﻳﻘﺔ ﻣﺒﺘﻜﺮة ﻣﻦ ﺧﻼل‬ ‫إﺳﺘﺨﺪام ﻣﻮاد ﻣﺨﺘﻠﻔﺔ ﻟﻤﻌﺎﻟﺠﺔ اﻟﺠﺪران ﻣﺜﻞ‬ ‫اﻟﺠﻠﺪ واﻟﺨﺸﺐ واﻟﺰﺟﺎج واﻟﻤﺮاﻳﺎ ﻟﺘﻨﻔﻴﺬ أﻓﻜﺎر‬ ‫ﻣﺘﻌﺪدة ﻟﻠﺠﺪران ﻣﻊ ﺗﻮﺣﻴﺪ اﻟﻠﻮن ‪.‬‬

‫∏‪¡UM³ « ¥‬‬

‫‪48 Albenaa‬‬

51 Albenaa

¡UM³ « μ±

+966 539211192 mjtouches@gmail.com @mjtouches Kingdom of Saudi Arabia, Riyadh, Exit 2

‫ﺑﻌﺾ ﻣﻦ ا ﻋﻤﺎل اﻟﻤﻤﻴﺰة اﻟﺘﻲ ﻗﺎﻣﺖ ﺑﺘﻨﻔﻴﺬﻫﺎ‬ ‫ﻣﺆﺳﺴﺔ إم ﺟﻲ ﺗﺘﺸﻴﺰ‬

50 Albenaa

¡UM³ « μ∞

‫ﻳﻔﻀﻞ اﻟﻤﺨﻄﻄﻮن اﻟﻘﺎﺋﻤﻮن ﻋﻠﻰ ﻋﻤﺮان اﻟﻤﺪن اﻟﺴﻜﻦ‬ ‫اﻟﺠﻤﺎﻋﻲ ذي اﻟﻜﺜﺎﻓﺔ اﻟﻌﺎﻟﻴﺔ ﻋﻠﻰ اﻟﺴﻜﻦ اﻟﻔﺮدي ذي‬ ‫اﻟﻜﺜﺎﻓﺔ اﻟﻤﻨﺨﻔﻀﺔ )ﺑﺎﻟﺮﻏﻢ ﻣﻦ أن اﻟﻤﺴﻜﻦ اﻟﻔﺮدي ﻣﺎزال‬ ‫ﻳﻤﺜﻞ اﻟﻤﺴﻜﻦ اﻟﻤﻔﻀﻞ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻌﻤﻮم اﻟﻨﺎس(‪ .‬ا‪,‬ﻣﺮ‬ ‫اﻟﺬي دﻓﻊ إﻟﻰ إﻫﺘﻤﺎم اﻟﻤﻄﻮرﻳﻦ اﻟﻌﻘﺎرﻳﻴﻦ ﺑﺘﻄﻮﻳﺮ اﻟﺴﻜﻦ‬ ‫اﻟﺠﻤﺎﻋﻲ وﺑﺎﻟﻤﻌﻤﺎرﻳﻴﻦ إﻟﻰ إﻇﻬﺎره ﺑﺸﻜﻞ ﻳﺮﻏﺐ ﺑﺎﻟﻌﻴﺶ‬ ‫ﻓﻴﻪ وﺗﺤﻘﻴﻘﻪ ﻟ‪F‬ﻋﺘﺒﺎرات ا‪D‬ﻗﺘﺼﺎدﻳﺔ واﻻﺟﺘﻤﺎﻋﻴﺔ واﻟﺒﻴﺌﻴﺔ‬ ‫واﻟﺜﻘﺎﻓﻴﺔ‪ ،‬ﻣﻊ إﺳﺘﺨﺪام أﺣﺪث اﻟﺘﻘﻨﻴﺎت ﻓﻲ ﺑﻨﺎﺋﻪ‪ .‬ﻓﻲ ﻫﺬا‬ ‫اﻟﻌﺪد ﻧﺴﺘﻌﺮض ﻣﺠﻤﻮﻋﺔ ﻣﻦ ﻣﺸﺮوﻋﺎت اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫ﻓﻲ ﻣﺤﺎوﻟﺔ ﻟﻠﺘﻌﺮف إﻟﻰ أي ﻣﺪى وﺻﻠﺖ اﻟﻴﻪ ﻋﻤﺎرﺗﻪ ‪.‬‬ ‫وﻟ‪F‬ﺟﺎﺑﺔ ﻋﻠﻰ ذﻟﻚ ﻳﺠﺐ ﻓﻲ اﻟﺒﺪاﻳﺔ اﻟﺘﻌﺮف ﻋﻠﻰ أﺳﺒﺎب‬ ‫ﻫﺬا اﻟﺘﻔﻀﻴﻞ ﻣﻦ وﺟﻬﺔ اﻟﻨﻈﺮ اﻟﻌﻤﺮاﻧﻴﺔ ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫واﻟﻤﻌﺎﻳﻴﺮ اﻟﺘﺼﻤﻴﻤﻴﺔ اﻟﺠﺪﻳﺪة‪.‬‬ ‫ﻟﻤﺎذا ﻳﻔﻀﻞ اﻟﻤﺨﻄﻄﻮن اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫ﻋﻠﻰ اﻟﺴﻜﻦ اﻟﻔﺮدي ‪:‬‬ ‫ﻣﻦ اﻟﻨﻮاﺣﻲ اﻟﺒﻴﺌﻴﺔ ﻓﺈن اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ ﺗﺤﺘﺎج إﻟﻰ‬ ‫ﻣﺴﺎﺣﺎت ﻛﺒﻴﺮة ﻣﻦ ا‪,‬راﺿﻲ ‪ ،‬وﺗﺪﻓﻊ إﻟﻰ ﺗﻮﺳﻊ اﻟﻌﻤﺮان‬ ‫واﻟﻘﻀﺎء ﻋﻠﻰ ﻣﺴﺎﺣﺎت ﺷﺎﺳﻌﺔ ﻣﻦ أراﺿﻲ اﻟﺒﻴﺌﺔ‬ ‫اﻟﻄﺒﻴﻌﻴﺔ ﺑﻤﺎ ﻓﻲ ذﻟﻚ ا‪,‬راﺿﻲ اﻟﺰراﻋﻴﺔ واﻟﻘﻀﺎء ﻋﻠﻰ‬ ‫ﻗﺸﺮة ا‪,‬رض اﻟﻄﺒﻴﻌﻴﺔ وا‪,‬ﻧﻈﻤﺔ اﻟﺒﻴﺌﻴﺔ اﻟﺘﻲ ﺗﺤﺘﻮﻳﻬﺎ ‪،‬‬ ‫ﻛﻤﺎ أن ﺗﻐﻄﻴﺔ ا‪,‬راﺿﻲ اﻟﻄﺒﻴﻌﻴﺔ ﺑﻤﻮاد اﻟﺒﻨﺎء اﻟﺼﻨﺎﻋﻴﺔ‬ ‫ﻳﻘﻠﻞ ﻣﻦ ﻧﻔﺎذﻳﺘﻬﺎ ﻟﻠﻤﺎء ا‪,‬ﻣﺮ اﻟﺬي ﻳﺠﻌﻞ ﻣﻴﺎه ا‪,‬ﻣﻄﺎر‬ ‫ﺗﺘﺠﻤﻊ و ﺗﺴﻴﻞ وﺗﺘﻌﺮض ﺧﻼل ﺳﻴﻼﻧﻬﺎ إﻟﻰ اﻟﺘﻠﻮث ﻗﺒﻞ‬ ‫أن ﺗﺼﻞ إﻟﻰ اﻟﻤﻴﺎه اﻟﺠﻮﻓﻴﺔ ‪ .‬ﻛﻤﺎ ﻳﺪﻓﻊ ﺗﻮﺳﻊ اﻟﻌﻤﺮان إﻟﻰ‬ ‫زﻳﺎدة ﺣﺮﻛﺔ اﻟﻨﻘﻞ واﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ا‪,‬ﻣﺮ اﻟﺬي ﻳﺆدي إﻟﻰ‬ ‫زﻳﺎدة اﻧﺒﻌﺎﺛﺎت ﺛﺎﻧﻲ أﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن ‪.‬‬ ‫ﻣﻦ اﻟﻨﻮاﺣﻲ ا‪D‬ﻗﺘﺼﺎدﻳﺔ ﻓﺈن اﻟﻤﺠﺘﻤﻌﺎت اﻟﻤﻌﺎﺻﺮة ﻓﻲ‬ ‫ﻣﺤﺎوﻻﺗﻬﺎ ‪D‬ﺧﺘﺼﺎر اﻟﻮﻗﺖ )وﻗﺖ اﻻﻧﺘﻘﺎل واﻟﺴﻔﺮ( ﻣﻦ ﻣﻜﺎن‬ ‫إﻟﻰ آﺧﺮ ﺳﺎﻫﻤﺖ ﻓﻲ ﺑﻨﺎء اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ و اﻟﺘﻮﺳﻊ‬ ‫اﻟﻌﻤﺮاﻧﻲ ﻟﻠﻤﺪن ﻧﺘﻴﺠﺔ ‪D‬ﺳﺘﺨﺪام وﺳﺎﺋﻞ اﻟﻨﻘﻞ اﻟﺴﺮﻳﻊ‬ ‫) اﻟﺴﻴﺎرة ‪ ،‬اﻟﻘﻄﺎرات اﻟﺴﺮﻳﻌﺔ ‪… ،‬اﻟﺦ ( اﻟﺘﻲ ﺟﻌﻠﺖ ﻣﻦ‬ ‫اﻟﺴﻬﻮﻟﺔ ﺑﻤﻜﺎن أن ﻳﺬﻫﺐ اﻟﺴﻜﺎن ﺑﻌﻴﺪ‪ g‬ﺧﺎرج ﻣﺮاﻛﺰ‬ ‫اﻟﻤﺪن ﻟﻠﺤﺼﻮل ﻋﻠﻰ اراﺿﻲ رﺧﻴﺼﺔ ﺗﻤﻜﻨﻬﻢ ﻣﻦ ﺑﻨﺎء‬ ‫ﻣﺴﺎﻛﻦ ﻓﺮدﻳﺔ ﻋﻠﻴﻬﺎ ‪ ،‬و ﺗﻈﻬﺮ اﻟﺪراﺳﺎت أن اﺳﺘﻬﻼك‬ ‫اﻟﻄﺎﻗﺔ ﻓﻲ اﻟﻨﻘﻞ ﻳﺰﻳﺪ ﻓﻲ اﻟﺪول اﻟﺘﻲ ﺗﻔﻀﻞ اﻟﻌﻴﺶ‬ ‫ﻓﻲ اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ ‪ .‬ﻋﻠﻰ أن إﺳﺘﺨﺪام وﺳﺎﺋﻞ اﻟﻨﻘﻞ‬ ‫ﻟﻴﺲ اﻟﺴﺒﺐ اﻟﻮﺣﻴﺪ ﻓﻲ إﺳﺘﻬﻼﻛﻨﺎ ﻟﻠﻄﺎﻗﺔ ‪ ،‬اﻟﻴﻮم ﻫﻨﺎك‬ ‫اﻋﺘﺒﺎرات ﺗﺼﻤﻴﻤﻴﺔ ﺗﺤﺪد ﻛﻔﺎءة اﻟﻄﺎﻗﺔ ﻋﻠﻰ ﻣﺴﺘﻮى ﻛﻞ‬ ‫ﻣﻦ اﻟﻤﺪﻳﻨﺔ واﻟﺤﻲ واﻟﻤﺒﻨﻰ ‪ ،‬وﺗﺘﻤﺜﻞ ﻓﻲ ﺑﻨﻴﺔ اﻟﻤﺒﺎﻧﻲ‬ ‫ﺣﻴﺚ ﻳﺠﻤﻊ ﻏﺎﻟﺒﻴﺔ اﻟﺒﺎﺣﺜﻴﻦ ﻓﻲ ﺷﺄن اﻟﻤﺪن ﻋﻠﻰ أن ﻛﻤﻴﺔ‬ ‫اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ﺗﻘﻞ ﻛﻠﻤﺎ زادت درﺟﺔ ا‪D‬ﻛﺘﻨﺎز ﻓﻲ ﺑﻨﻴﺔ‬ ‫اﻟﻤﺒﺎﻧﻲ وﺗﺮاﺻﻬﺎ ﺑﻴﻦ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ و اﻟﺘﻲ ﻳﺘﻢ ﺗﺤﺪﻳﺪﻫﺎ‬ ‫ﻣﻦ ﺧﻼل اﻟﻌﻼﻗﺔ ﺑﻴﻦ ﺣﺠﻢ اﻟﻤﺒﻨﻰ اﻟﻮاﺣﺪ أو ﺣﺠﻢ‬

‫ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﺒﺎﻧﻲ و ﻣﺴﺎﺣﺔ ﻏﻼﻓﻬﺎ اﻟﺨﺎرﺟﻲ ‪ ،‬وﻳﻤﻜﻦ‬ ‫ﺗﻌﺮﻳﻔﻬﺎ ﺑﺎ‪D‬ﻛﺘﻨﺎزﻳﺔ ‪ .‬ﻛﻤﺎ ﺗﻌﻨﻲ ا‪D‬ﻛﺘﻨﺎزﻳﺔ ﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫اﻟﻤﺪن ﺟﻤﻊ اﻟﺴﻜﻦ وا‪,‬ﻧﺸﻄﺔ ﻗﺮﻳﺒﺔ ﻣﻦ اﻟﻤﺮاﻛﺰ اﻟﺤﻴﻮﻳﺔ‬ ‫اﻟﺘﻲ ﺗﺤﺘﻮي ﻋﻠﻰ اﻟﺨﺪﻣﺎت اﻟﻤﺨﺘﻠﻔﺔ ) ﺣﻜﻮﻣﻴﺔ أو ﺧﺎﺻﺔ (‬ ‫اﻟﺘﻲ ﻳﺤﺘﺎﺟﻬﺎ اﻟﺴﻜﺎن ﻣﻤﺎ ﻳﻘﻠﻞ ﻣﻦ ﺣﺮﻛﺔ اﻟﻨﻘﻞ ‪.‬‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻓﺈن ا‪D‬ﻛﺘﻨﺎزﻳﺔ ﺗﻘﻠﻞ ﻣﻦ ﺗﻌﺮض اﻟﻤﺒﺎﻧﻲ‬ ‫ﻻﺷﻌﺔ اﻟﺸﻤﺲ )وﻫﻮ ﻋﻨﺼﺮ ﻳﻌﺘﺒﺮ اﻳﺠﺎﺑﻴ‪ l‬ﻓﻲ اﻟﺒﻼد‬ ‫اﻟﺤﺎرة وﺳﻠﺒﻴ‪ l‬ﻓﻲ اﻟﺒﻼد اﻟﺒﺎردة( ﻛﻤﺎ أﻧﻬﺎ ﺗﺰﻳﺪ ﻣﻦ‬ ‫اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﺎﻧﻴﺔ ا‪,‬ﻣﺮ اﻟﺬي ﻳﺴﺎﻋﺪ ﻋﻠﻰ زﻳﺎدة ا‪,‬ﻧﺸﻄﺔ‬ ‫ا‪D‬ﻧﺴﺎﻧﻴﺔ اﻟﻤﺨﺘﻠﻔﺔ وﺣﻴﻮﻳﺔ اﻟﻔﻀﺎءت اﻟﻌﺎﻣﺔ وﻫﻮ ﻛﺬﻟﻚ‬ ‫أﻣﺮ ﻣﺮﻏﻮب إﻗﺘﺼﺎدﻳﺎ ‪.‬‬ ‫ﻣﻦ اﻟﻨﻮاﺣﻲ ا‪D‬ﺟﺘﻤﺎﻋﻴﺔ ﻓﺈن اﻟﻤﺴﻜﻦ اﻟﻔﺮدي‬ ‫ﻳﺸﺠﻊ ﻋﻠﻰ ﺗﻘﺴﻴﻢ اﻟﺴﻜﺎن إﻟﻰ ﻓﺌﺎت وﻳﻔﺼﻞ‬ ‫ﺑﻴﻦ ﻃﺒﻘﺎﺗﻬﻢ اﻟﻤﺨﺘﻠﻔﺔ ﻛﻤﺎ أﻧﻪ ﻳﻘﻠﻞ ﻣﻦ اﻟﻜﺜﺎﻓﺔ‬ ‫اﻟﺴﻜﺎﻧﻴﺔ إﻟﻰ درﺟﺔ ﺗﻘﻠﻞ ﻣﻦ ﺣﻴﻮﻳﺔ اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ‬ ‫اﻟﺘﻲ ﺗﺤﺘﺎﺟﻬﺎ ﻫﺬه اﻟﻔﻀﺎءات ﻟﺠﺬب اﻟﺴﻜﺎن إﻟﻴﻬﺎ‬ ‫وﺣﺪوث اﻟﺘﻮاﺻﻞ ﻓﻴﻤﺎ ﺑﻴﻨﻬﻢ ‪.‬‬ ‫ﻣﻦ اﻟﻨﻮاﺣﻲ اﻟﻤﻌﻤﺎرﻳﺔ ﻓﺈن ﻋﻤﺎرة اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ ﻻ‬ ‫ﺗﺤﺎﻓﻆ ﻋﺎدة ﻋﻠﻰ ﻗﻮاﺳﻢ ﺗﻨﺎﺳﻘﻴﺔ أو ﻣﻌﻤﺎرﻳﺔ ﻣﺸﺘﺮﻛﺔ‬ ‫ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ‪ ،‬ﻓﻌﻨﺪ ﺗﺠﻮﻟﻨﺎ ﻓﻲ ا‪,‬ﺣﻴﺎء ذات اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ‬ ‫ﺳﻨﻼﺣﻆ إﻣﺎ ﺗﻜﺮار ﻣﻤﻠﻞ ﻓﻲ ﻋﻤﺎراﺗﻬﺎ ) ﻣﺠﻤﻌﺎت ﺳﻜﻨﻴﺔ‬ ‫‪ ( Compound‬أو ﺗﻨﺎﻓﺮ ﺻﺮﻳﺢ وﻋﺪم ﺗﻨﺎﻏﻢ ﻣﻌﻤﺎري واﺿﺢ‬ ‫)ﻛﻞ ﻣﺴﻜﻦ ﻳﺘﺒﻊ ذوق ﺳﻜﺎﻧﻪ و ﺗﺼﻤﻴﻢ ﻣﻌﻤﺎري ﻣﺨﺘﻠﻒ (‬ ‫ا‪,‬ﻣﺮ اﻟﺬي ﻳﺆﺛﺮ ﻋﻠﻰ اﻟﻘﻴﻤﺔ اﻟﺠﻤﺎﻟﻴﺔ ﻟﻠﻤﺪن واﺣﻴﺎﺋﻬﺎ ‪.‬‬ ‫اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ‪:‬‬ ‫وإذا ﻛﺎن اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻫﻮ أﺣﺪ ﻣﻈﺎﻫﺮ ا‪D‬ﻛﺘﻨﺎزﻳﺔ اﻟﺘﻲ‬ ‫ﺗﺤﺎﻓﻆ ﻋﻠﻰ اﻟﻤﻮارد اﻟﻄﺒﻴﻌﻴﺔ وﺗﻘﻠﻞ ﻣﻦ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‬ ‫وﺗﺰﻳﺪ ﻣﻦ ﺣﻴﻮﻳﺔ اﻟﻔﻀﺎءت اﻟﻌﺎﻣﺔ وﺗﺪﻋﻢ اﻟﺘﻄﻮر ا‪D‬ﻗﺘﺼﺎدي‬ ‫وﺗﻘﻮي اﻟﻌﻼﻗﺎت اﻻﺟﺘﻤﺎﻋﻴﺔ ‪ .‬ﻓﺈن ﻟﻪ ﻋﻴﻮب‪ ،‬ﻓﻬﻮ ﻟﻴﺲ ﺳﻜﻦ‬ ‫ﻧﺎﺷﺊ ﺑﻞ ﻫﻮ ﺳﻜﻦ ﻟﻪ ﺗﺎرﻳﺦ ﻃﻮﻳﻞ ﻣﻦ اﻟﺘﺠﺎرب اﻋﺘﺒﺮ ﺑﻌﻀﻬﺎ‬ ‫ﺗﺠﺎرب ﻧﺎﺟﺤﺔ وأﺧﺮى ﻓﺎﺷﻠﺔ‪ ،‬ﻣﻦ اﻟﺘﺠﺎرب اﻟﻨﺎﺟﺤﺔ اﻟﻤﺴﺎﻛﻦ‬ ‫اﻟﺠﻤﺎﻋﻴﺔ اﻟﺘﻲ ﺑﻨﻴﺖ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ اﻟﻤﻴﻼدي ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫ﺑﺎرﻳﺲ إﺑﺎن أﻋﻤﺎل إﻋﺎدة ﺗﺠﺪﻳﺪ ﺑﺎرﻳﺲ ﻋﻠﻰ ﻳﺪ اﻟﺒﺎرون‬ ‫ﻫﻮﺳﻤﺎن رﺋﻴﺲ ﺑﻠﺪﻳﺘﻬﺎ ﻓﻲ اﻟﻔﺘﺮة ﻣﻦ ‪ ١٨٥٢‬اﻟﻲ ‪١٨٧٠‬م‪ ،‬ﻓﻲ‬ ‫ﻋﻬﺪ ﻧﺎﺑﻠﻴﻮن اﻟﺜﺎﻟﺚ ‪ .‬وﻫﻲ ﻋﻤﺎرة ذات ﻣﻤﻴﺰات إﺳﺘﺪاﻣﻴﺔ‬ ‫ﻣﻌﺎﺻﺮة وذات ﺗﺼﺎﻣﻴﻢ ﻣﻜﺘﻨﺰة )اﻟﺒﻨﺎء ﻳﺸﻐﻞ ﻛﺎﻓﺔ ﻣﺴﺎﺣﺔ‬ ‫ا‪,‬رض وﻻ ﺗﻮﺟﺪ ﻣﺴﺎﺣﺎت ﺿﺎﺋﻌﺔ( ‪ ،‬وﻫﻮ ﺑﻨﺎء إﻗﺘﺼﺎدي‬ ‫‪,‬ﻧﻪ ﻳﺮﻓﻊ ﻣﻦ ﻧﺴﺒﺔ ﺣﺠﻢ اﻟﺒﻨﺎء إﻟﻰ ﻣﺴﺎﺣﺔ ا‪,‬رض ‪ ،‬و ﻫﻲ‬ ‫ﻣﺒﺎﻧﻲ ﺗﺮﺗﺒﻂ ادوارﻫﺎ اﻟﺘﺤﺘﻴﺔ ) ا‪,‬رﺿﻲ واﻟﻤﻴﺰاﻧﻴﻦ ( ﺑﺎﻟﻔﻀﺎء‬ ‫اﻟﻌﺎم ﻛﻤﺤﻼت ﺗﺠﺎرﻳﺔ أو ﻣﻜﺘﺒﻴﺔ‪ ،‬أﻣﺎ ﺷﻘﻘﻬﺎ اﻟﺴﻜﻨﻴﺔ‬ ‫ﻓﻬﻲ ذات ﺗﺼﻤﻴﻢ ﻣﺮن و ارﺗﻔﺎﻋﺎت و أﺣﺠﺎم ﻣﺘﻨﻮﻋﺔ ﺗﻨﺎﺳﺐ‬ ‫ﻃﺒﻘﺎت اﻟﻤﺠﺘﻤﻊ اﻟﻤﺨﺘﻠﻔﺔ وإن ﻛﺎﻧﺖ ﺑﻨﻴﺖ ﺧﺼﻴﺼﺎ ﻟﻠﻄﺒﻘﺔ‬ ‫اﻟﺒﺮﺟﻮازﻳﺔ ) اﻟﻄﺒﻘﺔ اﻟﻤﺘﻮﺳﻄﺔ ( ‪.‬‬

‫‪¡UM³ « μμ‬‬

‫‪55 Albenaa‬‬

‫ﻣﻌﺎﻳﻴﺮ ﺟﺪﻳﺪة ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬ ‫إﻋﺪاد ‪ :‬اﻟﻤﻬﻨﺪس إﺑﺮاﻫﻴﻢ ﻋﺒﺪ ا‪ R‬أﺑﺎ اﻟﺨﻴﻞ‬

‫اﻟﻤﻘﺪﻣﺔ ‪:‬‬

‫‪54‬‬

‫ــ ﻟﻤﺎذا ﻳﻔﻀﻞ اﻟﻤﺨﻄﻄﻮن اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻋﻠﻰ اﻟﺴﻜﻦ اﻟﻔﺮدي ‪.‬‬ ‫ــ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ‪.‬‬ ‫ــ ﻣﻌﺎﻳﻴﺮ ﺣﺪﻳﺜﺔ ﻟﺘﺼﻤﻴﻢ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‬

‫اﻟﻤﺸﺎرﻳﻊ ‪:‬‬ ‫أﺑﺮاج ذات ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ ‪Daegu Wolbae IPARK‬‬ ‫اﻟﻤﺼﻤﻢ ‪UNStudio :‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬داﻳﺠﻮ ـ ﻛﻮرﻳﺎ‬

‫ﻣﻜﻌﺒﺎت ﺳﻜﻨﻴﺔ ‪Cubic House‬‬ ‫اﻟﻤﺼﻤﻢ ‪ADEPT :‬‬

‫‪70‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﻛﻮﺑﻨﻬﺎﺟﻦ ـ اﻟﺪﻧﻤﺎرك‬

‫ﻏﺎﺑﺎت ﺳﻜﻨﻴﺔ رأﺳﻴﺔ ‪Vertical Forest‬‬ ‫اﻟﻤﺼﻤﻢ ‪BoeriStudio :‬‬

‫اﻟﻤﺼﻤﻢ ‪LAN Architects :‬‬

‫اﻟﻤﺼﻤﻢ ‪LAN Architects :‬‬

‫‪90‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﺑﺎرﻳﺲ ـ ﻓﺮﻧﺴﺎ‬

‫ﺗﺸﻜﻴﻼت ﺳﻜﻨﻴﺔ ﻣﺘﺸﺎﺑﻜﺔ ‪The Interlace‬‬ ‫اﻟﻤﺼﻤﻢ ‪OMA /Ole Sheeren :‬‬

‫‪84‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﺑﻮردو ـ ﻓﺮﻧﺴﺎ‬

‫‪ 40‬ﺷﻘﺔ ﻓﻲ ﺑﺎرﻳﺲ اﻟﺘﺎرﻳﺨﻴﺔ ‪40 Housing Units‬‬

‫‪98‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﺳﻨﻐﺎﻓﻮرة‬

‫ﻣﺠﻤﻊ ﺷﻘﻖ ﺳﻜﻨﻴﺔ ‪New’R Building‬‬ ‫اﻟﻤﺼﻤﻢ ‪Harmonic+Masson & Associes :‬‬

‫‪54 Albenaa‬‬

‫‪78‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﻴﻼﻧﻮ ـ إﻳﻄﺎﻟﻴﺎ‬

‫‪ ٧٠‬ﻣﺴﻜﻦ ﺟﻤﺎﻋﻲ ﺑﻴﺠﻞ ‪ ،‬ﻓﺮﻧﺴﺎ ‪70 Logements Collectifs , Bègles‬‬

‫‪¡UM³ « μ¥‬‬

‫‪58‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﻧﺎﻧﺖ ـ ﻓﺮﻧﺴﺎ‬

‫‪102‬‬

New Design Standards for Collective Housing Arch. Ibrahim Abaalkhail Urban planners prefer collective housing over individual ones for environmental, economical, social and architectural reasons. This motivated both developers to develop new collective housing to achieve these factors, and architects to design these housing projects to be desired, using new technologies. In this issue we feature several collective housing projects that illustrates the new trends in collective housing architecture. From an environmental point of view, individual houses consume more footprints and causes urban expansion thus increasing energy consumption and pollution. Economically, new design criteria that reduces energy consumption through morphology compactness increases density by congregating housings with vibrant centres and many essential services to residents. This increases human activities and makes public spaces more lively, harmonious, and increases economical activities. Socially speaking, individual housing fragments the society and increases social segregation.

And in architecture, individual houses do not achieve unified urban architecture. Despite this argument, collective housing faced mixed results in the past. The success of Haussmann in Paris achieved compact morphology with sustainable architecture and without waisting land area as well as connecting the lower levels with public spaces while leaving the upper levels for residents. However, after the extensive demolitions in cities during WWII, we resorted to collective housing with over exaggerated compactness because of the urge to build houses for people. These collective houses did not consider future needs of its residents nor it did congregate services within its areas thus having negative impacts on public spaces and creating less harmony with more repetitiveness of dull architecture for collective housing. These negative results culminated in calls for new standards and initiatives for collective housing designs. With standards centred around compact morphology, it calls for proximity between houses and workplaces and encourages walking and reduce car usage. Also, It calls for achieving moderate density and for reducing repetition in shape and avoiding dull architecture while having more harmonious buildings conducive to future expansions and residents’ requirements.

The projects we feature in this issue highlights these new compactness criteria. In IPARK project, designed by UNStudio, it offers a new design for humanising the public space by using colour contrasts for the towers facades and reduce the impact of high density. In Cubic Houses by ADEPT, the design applies compactness by giving the project a more human scale and varied architectural shapes. Boeri Studio with Bosco Verticale project in Milan attempt to increase the green space in the city by transforming the towers to green vertical forests. Then there is LAN office who comes with two projects. The Begles towers in Bordeaux increase collective housing efficiency through its ability for future expansion. In addition, it achieves this with low cost. In Paris, LAN comes up with the 40 Housing units project with its architecture that is inspired by historic buildings and achieve compactness flexibility. The Interlace, designed by OMA & Ole Sheeren, presents a new pattern by dividing it into 31 buildings in hexagonal shape around green courts put in different elevations merging the residences with green spaces and other amenities like swimming pools and landscapes. The last project is the New’R project

by Hamonic & Mason. This collective housing project comes with freedom in staggered design to reduce the volume size while having shared public spaces and achieving harmony with its surroundings.

57 Albenaa

¡UM³ « μ∑

.‫واﻟﺪاﻛﻨﺔ ﻓﻲ إﻋﺎدة ﺗﺸﻜﻴﻞ اﻟﻮاﺟﻬﺎت ﺑﻄﺮﻳﻘﺔ ﻓﻨﻴﺔ ﺟﻤﺎﻟﻴﺔ‬ ‫اﻟﻤﺸﺮوع اﻟﺜﺎﻧﻲ ﻫﻮ ﻣﺸﺮوع ﻣﻜﻌﺒﺎت ﺳﻜﻨﻴﺔ وﻫﻮ ﺳﻜﻦ‬ ‫ﺟﻤﺎﻋﻲ ﻳﻘﻊ ﻓﻲ ﻛﻮﺑﻨﻬﺎﺟﻦ ﺑﺎﻟﺪﻧﻤﺎرك ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ‬ ‫ وﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ ﻣﻌﺎﻟﺠﺔ ﺿﺨﺎﻣﺔ اﻟﻜﺘﻠﺔ‬، ADEPT ‫اﻟﺴﻜﻨﻴﺔ ﻟﻠﻤﺸﺮوع ﺑﺘﻘﺴﻴﻤﻬﺎ إﻟﻰ ﻛﺘﻞ ﻣﻜﻌﺒﺔ ﺗﺤﺘﻮي ﻛﻞ‬ ‫ ا;ﻣﺮ‬،‫ أدوار ﺗﻢ رﺻﻬﺎ ﻓﻮق ﺑﻌﻀﻬﺎ ﺑﻄﺮﻳﻘﺔ ﺣﺮة‬5 ‫ﻣﻨﻬﺎ ﻋﻠﻰ‬ ‫ وﺗﺸﻜﻴﻼت ﻣﻌﻤﺎرﻳﺔ‬C‫ إﻧﺴﺎﻧﻴ‬C‫اﻟﺬي أﻋﻄﻰ اﻟﻤﺸﺮوع ﻣﻘﻴﺎﺳ‬ .‫ﻣﺘﻨﻮﻋﺔ ﻏﻴﺮ ﻣﻤﻠﺔ‬ ‫اﻟﻤﺸﺮوع اﻟﺜﺎﻟﺚ وﻫﻮ ﻋﺒﺎرة ﻋﻦ ﻏﺎﺑﺎت ﺳﻜﻨﻴﺔ رأﺳﻴﺔ‬ ‫وﻳﺘﻜﻮن ﻣﻦ ﺑﺮﺟﻴﻦ ﺳﻜﻨﻴﻴﻦ ﻓﻲ ﻣﻴﻼﻧﻮ ــ إﻳﻄﺎﻟﻴﺎ ﻣﻦ‬ ‫ وﻫﻮ أﺣﺪ اﻟﻤﻌﻤﺎرﻳﻴﻦ‬BoeriStudio ‫ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ‬ ،‫ا;وروﺑﻴﻴﻦ اﻟﻤﺘﺨﺼﺼﻴﻦ ﻓﻲ ﻋﻤﺎرة اﻟﻮاﺟﻬﺎت اﻟﺨﻀﺮاء‬ ‫ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ زﻳﺎدة اﻟﺮﻗﻌﺔ اﻟﺨﻀﺮاء داﺧﻞ اﻟﻤﺪﻳﻨﺔ‬ .‫ﻣﻦ ﺧﻼل ﺗﺤﻮﻳﻞ اﻟﺒﺮﺟﻴﻦ إﻟﻰ ﻏﺎﺑﺎت ﺧﻀﺮاء رأﺳﻴﺔ‬ ‫ ﻣﺴﻜﻦ ﺟﻤﺎﻋﻲ( ﻓﻲ ﺑﻴﺠﻞ ــ‬٧٠) ‫أﻣﺎ اﻟﻤﺸﺮوﻋﺎن اﻟﺮاﺑﻊ‬ ‫ ﻓﻬﻤﺎ ﻣﻦ‬،‫ ﺷﻘﺔ( ﻓﻲ ﺑﺎرﻳﺲ اﻟﺘﺎرﻳﺨﻴﺔ‬40) ‫ واﻟﺨﺎﻣﺲ‬،‫ﻓﺮﻧﺴﺎ‬ ‫ اﻟﻤﺸﺮوع ا;ول وﻫﻮ ﻋﺒﺎرة‬، ‫ اﻟﻔﺮﻧﺴﻲ‬LAN ‫ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ‬ ‫ﻋﻦ ﻣﺒﻨﻴﻴﻦ ﺳﻜﻨﻴﻴﻦ ﺿﻤﻦ ﻣﺨﻄﻂ ﺳﻜﻨﻲ ﻛﺒﻴﺮ ﺗﺎﺑﻊ‬ ‫ ﻳﺤﺎول اﻟﻤﺼﻤﻢ ﻓﻲ ﻫﺬا اﻟﻤﺸﺮوع‬،‫ﻟﻤﺪﻳﻨﺔ ﺑﻮردو اﻟﻔﺮﻧﺴﻴﺔ‬ ‫رﻓﻊ ﻛﻔﺎءة اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻣﻦ ﺣﻴﺚ اﻟﻤﺮوﻧﺔ وإﻣﻜﺎﻧﻴﺎت اﻟﺘﻮﺳﻊ‬ ‫ ﻛﻤﺎ أﻧﻪ ﻣﺸﺮوع ذو ﺗﻜﻠﻔﺔ ﻣﻨﺨﻔﻀﺔ إذ ﺗﺒﻠﻎ ﺗﻜﻠﻔﺔ‬،‫ﻓﻲ اﻟﺴﻜﻦ‬ ‫ ﻳﻮرو وﻫﻲ ﺗﻜﻠﻔﺔ ﻣﻨﺨﻔﻀﺔ ﺑﺎﻟﻤﻘﺎرﻧﺔ‬1000 ‫اﻟﻤﺘﺮ اﻟﻤﺮﺑﻊ اﻟﻮاﺣﺪ‬ ‫ أﻣﺎ اﻟﻤﺸﺮوع اﻟﺜﺎﻧﻲ ﻓﻬﻮ ﻋﺒﺎرة‬.‫ﺑﺎ;ﺳﻌﺎر اﻟﻤﻌﻤﻮل ﺑﻬﺎ ﻓﻲ ﻓﺮﻧﺴﺎ‬ ‫ ﺷﻘﺔ ﻓﻲ وﺳﻂ أﺣﻴﺎء ﻣﺪﻳﻨﺔ‬40 ‫ﻋﻦ ﻣﺒﻨﻰ ﺳﻜﻨﻲ ﻳﺤﺘﻮي ﻋﻠﻰ‬ .‫ﺑﺎرﻳﺲ ذات اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ اﻟﺘﻲ أﻧﺸﺌﺖ ﻓﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ‬ ‫اﻟﺘﺼﻤﻴﻢ ﻳﺴﺘﻠﻬﻢ ﻋﻤﺎرﺗﻪ ﻣﻦ ﻋﻤﺎرة ﻫﺬه اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ ذات‬ .‫ وﻟﻜﻦ ﺑﻤﻈﻬﺮ ﺣﺪﻳﺚ‬.‫ا`ﻳﺠﺎﺑﻴﺎت اﻟﻜﺜﻴﺮة‬ ‫أﻣﺎ اﻟﻤﺸﺮوع اﻟﺴﺎدس ﻓﺠﺎء ﻋﻠﻰ ﻫﻴﺌﺔ ﺗﺸﻜﻴﻼت ﺳﻜﻨﻴﺔ‬ ‫ﻣﺘﺸﺎﺑﻜﺔ وﻫﻮ ﻣﺸﺮوع ﺳﻜﻨﻲ ﻛﺒﻴﺮ ﻳﻘﻊ ﻓﻲ ﺳﻨﻐﺎﻓﻮرة‬ ‫ ﺷﻘﺔ وﻫﻮ ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ‬1000 ‫وﻳﺤﺘﻮي ﻋﻠﻰ ﻣﺎ ﻳﺰﻳﺪ ﻋﻦ‬ ‫ ﻳﺤﺎول اﻟﻤﺸﺮوع أن ﻳﻘﺪم ﻧﻤﻮذج‬، OMA /Ole Sheeren ‫ﺟﺪﻳﺪ ﻳﺨﺘﻠﻒ ﻋﻦ ﻋﻤﺎرة ا;ﺑﺮاج اﻟﺴﻜﻨﻴﺔ اﻟﻤﻨﻔﺮدة اﻟﻤﻨﺘﺸﺮة‬ ‫ اﻟﺘﺼﻤﻴﻢ اﻟﺠﺪﻳﺪ ﻳﻘﺴﻢ اﻟﻤﺴﺎﻛﻦ إﻟﻰ‬.‫ﻓﻲ ﺳﻨﻐﺎﻓﻮرة‬ ‫ أدوار رﺻﺖ ﺑﻄﺮﻳﻘﺔ ﻫﻨﺪﺳﻴﺔ‬6 ‫ ﺑﻨﺎﻳﺔ ﺳﻜﻨﻴﺔ ﺑﺎرﺗﻔﺎع‬3‫ا‬ ،‫ﺳﺪاﺳﻴﺔ ﺣﻮل أﻓﻨﻴﺔ ﺧﻀﺮاء وﺿﻌﺖ ﻋﻠﻰ إرﺗﻔﺎﻋﺎت ﻣﺨﺘﻠﻔﺔ‬ ‫اﻟﺘﺼﻤﻴﻢ ﻳﺪﻣﺞ ﺑﻴﻦ اﻟﺴﻜﻦ واﻟﻔﻀﺎءات اﻟﺨﻀﺮاء ﺑﺸﻜﻞ‬ .‫ﺟﺪﻳﺪ وﺑﺘﻨﺴﻴﻖ ﻣﻮاﻗﻊ راﺋﻊ وﻣﺴﺎﺑﺢ وﻣﺴﺎﺣﺎت ﻣﺎﺋﻴﺔ‬ ‫اﻟﻤﺸﺮوع اﻟﺴﺎﺑﻊ ﻣﺸﺮوع ﻣﺠﻤﻊ ﺷﻘﻖ ﺳﻜﻨﻴﺔ ﻋﺒﺎرة ﻋﻦ‬ ‫ﺳﻜﻦ ﺟﻤﺎﻋﻲ ذو ﻋﻤﺎرة ﺷﺮﻓﺎت ذات ﺗﺼﻤﻴﻢ ﺣﺮ إﻻ أن‬ ‫ وﻛﻤﺎ ﻧﻈﻤﺖ اﻟﺸﻘﻖ‬، ‫اﻟﺤﻮاﺋﻂ اﻟﺪاﺧﻠﻴﺔ ﺑﻘﻴﺖ ﻣﺴﺘﻘﻴﻤﺔ‬ ‫اﻟﺴﻜﻨﻴﺔ ﺑﺸﻜﻞ ﻣﺘﺪرج ﻟﻠﺘﻘﻠﻴﻞ ﻣﻦ ﺿﺨﺎﻣﺔ اﻟﻜﺘﻠﺔ‬ ‫ ﺑﻴﻨﻤﺎ اﺳﺘﺨﺪﻣﺖ أﺳﻄﺢ اﻟﻤﺪرﺟﺎت‬،‫اﻟﺴﻜﻨﻴﺔ ﻟﻠﻤﺸﺮوع‬ ‫ﻛﻔﻀﺎءات ﺗﺮﻓﻴﻬﻴﺔ واﺟﺘﻤﺎﻋﻴﺔ ﻳﺘﻮاﺻﻞ ﻓﻴﻬﺎ اﻟﺴﻜﺎن‬ . ‫ﺑﻴﻦ ﺑﻌﻀﻬﻢ اﻟﺒﻌﺾ‬

‫ﻟﻘﺪ ﺟﺎء ﺗﺼﻤﻴﻢ واﺟﻬﺎﺗﻬﺎ وﻧﻮاﻓﺬﻫﺎ اﻟﻜﺒﻴﺮة ﻟﺘﻮﻓﺮ‬ ‫إﺿﺎءة وﺗﻬﻮﻳﺔ ﻃﺒﻴﻌﻴﺔ ﻋﺎﻟﻴﺔ ﺣﻴﺚ ﺗﻢ ﺗﻮزﻳﻌﻬﺎ ﻋﻠﻰ‬ ‫اﻟﻮاﺟﻬﺎت ﺑﺈﻳﻘﺎع ﻣﺘﻜﺮر ﺳﻤﺢ ﺑﺎﻟﺘﻐﻴﺮ ﻓﻲ اﻟﺘﻮزﻳﻊ اﻟﺪاﺧﻠﻲ‬ ‫دون اﻟﻤﺴﺎس ﺑﺎﻟﺸﻜﻞ اﻟﺨﺎرﺟﻲ‪ .‬وﻟﺬﻟﻚ أﻣﻜﻦ إﺳﺘﺨﺪام‬ ‫ﻣﺒﺎﻧﻴﻬﺎ ﻛﻤﺴﺎﻛﻦ أو ﻣﻜﺎﺗﺐ أو ﻣﺪارس …إﻟﺦ ﻓﻴﻤﺎ ﺑﻌﺪ‪.‬‬ ‫و ﻫﻲ ﻣﺎزاﻟﺖ ﺑﻌﺪ أﻛﺜﺮ ﻣﻦ ‪ ١٥٠‬ﻋﺎﻣ‪ E‬ﻋﻠﻰ إﻧﺸﺎﺋﻬﺎ ﺗﺆدي‬ ‫دور‪ N‬ﻋﻤﺮاﻧﻴ‪ E‬ﻣﻌﺎﺻﺮ‪ . N‬إﻻ أن اﺳﺘﻤﺮار ﺗﻄﺒﻴﻖ ﻣﻌﺎﻳﻴﺮ ﻫﺬا‬ ‫اﻟﻨﻤﻮذج ﻣﻦ اﻟﺴﻜﻦ ﺗﻮﻗﻒ ﺑﻌﺪ اﻟﺤﺮﺑﻴﻦ اﻟﻌﺎﻟﻤﻴﺘﻴﻦ اﻟﺘﻲ‬ ‫ﺗﺴﺒﺒﺖ ﻓﻲ ﻫﺪم اﻟﻤﺪن واﻟﻤﺴﺎﻛﻦ ﻓﻲ أﻏﻠﺐ اﻟﻤﺪن‬ ‫ا‪Z‬وروﺑﻴﺔ ‪ .‬ا‪Z‬ﻣﺮ اﻟﺬي أدى ﺑﻌﺪ اﻧﺘﻬﺎء ﻫﺬه اﻟﺤﺮوب إﻟﻰ‬ ‫إﻋﺎدة ﺑﻨﺎء اﻟﻤﺪن واﻻﺳﺮاع ﻓﻲ إﻳﻮاء اﻟﺴﻜﺎن اﻟﺬﻳﻦ ﺗﻬﺪﻣﺖ‬ ‫ﻣﺴﺎﻛﻨﻬﻢ ‪ ،‬وﻛﺎن ﻣﻦ اﻟﻄﺒﻴﻌﻲ اﻟﻠﺠﻮء إﻟﻰ اﻟﺴﻜﻦ‬ ‫اﻟﺠﻤﺎﻋﻲ إﻻ أن ﺗﺼﻤﻴﻢ ﻫﺬه اﻟﻤﺴﺎﻛﻦ ﺟﺎء ﺑﺈﻛﺘﻨﺎزﻳﺔ ﻋﺎﻟﻴﺔ‬ ‫ﻣﺒﺎﻟﻎ ﻓﻴﻬﺎ ﻧﺘﻴﺠﺔ ﻟﻠﺤﺎﺟﺔ إﻟﻰ ا^ﻗﺘﺼﺎد ﻓﻲ اﻟﺘﻜﻠﻔﺔ ﻟﺘﻠﺒﻴﺔ‬ ‫اﻟﻄﻠﺐ اﻟﻜﺒﻴﺮ ﻋﻠﻰ اﻟﺴﻜﻦ‪ ،‬ﺗﻤﺜﻠﺖ ﻓﻲ ا^ﻗﺘﺼﺎد اﻟﺸﺪﻳﺪ‬ ‫ﻓﻲ ﻣﺴﺎﺣﺔ اﻟﻤﺴﺎﻛﻦ ) اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ( وﻋﺪم ﺗﻮﻓﻴﺮ‬ ‫ﻓﺮص ﻟﺘﻮﺳﻊ أو ﻣﺮوﻧﺔ أﻧﻈﻤﺔ اﻟﺒﻨﺎء وﻣﺴﺎﺣﺎت اﻟﺸﻘﻖ‬ ‫اﻟﺴﻜﻨﻴﺔ ﻟﻤﻮاﻛﺒﺔ ﺗﻄﻮر ﺣﺎﺟﺎت اﻟﺴﻜﺎن‪ .‬ﻛﻤﺎ وزﻋﺖ‬ ‫اﻟﺸﻘﻖ ﻋﻠﻰ ﻣﺠﻤﻌﺎت ﺳﻜﻨﻴﺔ ذات ﺗﺼﺎﻣﻴﻢ ﺗﻜﺮارﻳﺔ ﺗﺒﻌﺚ‬ ‫ﻋﻠﻰ اﻟﻤﻠﻞ وﺗﻜﺘﻆ ﺑﺎﻟﺴﻜﺎن ﻋﻠﻰ ﺷﻜﻞ ﺑﻨﺎﻳﺎت ﻣﻤﺘﺪة‬ ‫وأﺑﺮاج ﺷﺎﻫﻘﺔ ذات ﻣﻘﺎﻳﻴﺲ ﻋﻤﺮاﻧﻴﺔ ﻏﻴﺮ إﻧﺴﺎﻧﻴﺔ‪ ،‬ﻛﻤﺎ ﺗﻢ‬ ‫ﺗﻄﺒﻴﻖ ﻧﻤﺎذج ﺗﺨﻄﻴﻄﻴﺔ أﺑﻌﺪت اﻟﺨﺪﻣﺎت ﻋﻦ اﻟﺴﻜﺎن‬ ‫وأﻓﻘﺪت اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ ﺣﻴﻮﻳﺘﻬﺎ وﻟﻢ ﺗﻨﺘﺒﻪ إﻟﻰ اﻟﺘﻘﻠﻴﻞ‬ ‫ﻣﻦ ﺣﺮﻛﺔ اﻟﻨﻘﻞ وا^ﻗﺘﺼﺎد ﻓﻲ اﻟﻄﺎﻗﺔ وﺳﺎﻋﺪت ﻋﻠﻰ‬ ‫ا^ﻋﺘﻤﺎد ﻋﻠﻰ اﻟﺴﻴﺎرة وزادت ﻣﻦ اﻟﺘﻠﻮث اﻟﺒﻴﺌﻲ ‪ .‬ﻫﺬه‬ ‫اﻟﻨﻤﺎذج أﺻﺒﺤﺖ اﻟﻤﺜﺎل ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ وإﻧﺘﺸﺮت ﻓﻲ‬ ‫أﻧﺤﺎء ﻣﺨﺘﻠﻔﺔ ﻣﻦ اﻟﻌﺎﻟﻢ ‪ ،‬ﻣﻊ ﻇﻬﻮر اﻟﻘﻠﻴﻞ ﻣﻦ اﻟﺘﺠﺎرب‬ ‫اﻟﺴﻜﻨﻴﺔ ﻫﻨﺎ وﻫﻨﺎك ﻛﺎﻧﺖ ﺗﺨﺘﻠﻒ ﻋﻦ ﻫﺬه اﻟﻨﻤﺎذج ﻓﻲ‬ ‫ﻣﺤﺎوﻻت ﻟﺘﺤﻘﻴﻖ ﻣﺴﺎﻛﻦ ﺟﻤﺎﻋﻴﺔ ذات ﻣﻌﺎﻳﻴﺮ أﻛﺜﺮ إﻧﺴﺎﻧﻴﺔ‬ ‫إﻻ أن ذﻟﻚ ﻟﻢ ﻳﻐﻴﺮ اﻟﻜﺜﻴﺮ ﻓﻲ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ اﻟﺬي ﻇﻬﺮ ﺑﻌﺪ‬ ‫اﻟﺤﺮب اﻟﻌﺎﻟﻤﻴﺔ ) ﻛﻮن أن ﻫﺬا اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻛﺎن ﻓﻲ ﻛﺜﻴﺮ‬ ‫ﻣﻦ ا‪Z‬ﺣﻴﺎن ﻟﺬوي اﻟﺪﺧﻞ اﻟﻤﺤﺪود( ‪ .‬ﺣﺘﻰ ﻇﻬﺮت ﻓﻲ اﻟﺜﻤﺎﻧﻴﻨﺎت‬ ‫ﻣﻦ اﻟﻘﺮن اﻟﻌﺸﺮﻳﻦ اﻟﻤﺸﺎﻛﻞ اﻟﺒﻴﺌﻴﺔ وﺿﺮورة ا^ﻗﺘﺼﺎد ﻓﻲ‬ ‫اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ واﻟﺤﺪ ﻣﻦ اﻧﺒﻌﺎﺛﺎت اﻟﻐﺎزات اﻟﺪﻓﻴﺌﺔ واﻟﺤﺪ‬ ‫ﻣﻦ ﺗﻮﺳﻊ ﻋﻤﺮان اﻟﻤﺪن‪ ،‬ا‪Z‬ﻣﺮ اﻟﺬي أدى إﻟﻰ إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ‬ ‫ﺗﺼﻤﻴﻢ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ )ﻛﻮن اﻟﻤﺸﺎﻛﻞ اﻟﺒﻴﺌﻴﺔ واﻻﻗﺘﺼﺎد ﻓﻲ‬ ‫اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ اﻣﺮ ﻻ ﻳﻤﺲ ﻓﻘﻂ ذوي اﻟﺪﺧﻞ اﻟﻤﺤﺪود ﺑﻞ ﻛﻞ‬ ‫ﻃﺒﻘﺎت اﻟﻤﺠﺘﻤﻊ ( ‪.‬‬ ‫ﻣﻌﺎﻳﻴﺮ ﺣﺪﻳﺜﺔ ﻟﺘﺼﻤﻴﻢ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ‪:‬‬ ‫ﺗﻬﺪف إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﺑﺸﻜﻞ‬ ‫ﻋﺎم إﻟﻰ اﻟﺤﺪ ﻣﻦ ﺗﻮﺳﻊ ﻋﻤﺮان اﻟﻤﺪن ﻣﻦ ﺧﻼل ﺗﻄﺒﻴﻖ‬ ‫ﻣﺒﺎديء وﻣﻌﺎﻳﻴﺮ ﺗﺼﻤﻴﻤﻴﺔ ﺟﺪﻳﺪة ﻣﻦ أﻫﻤﻬﺎ ﺗﻄﺒﻴﻖ ﻣﺒﺪأ‬ ‫ا^ﻛﺘﻨﺎزﻳﺔ وذﻟﻚ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻤﺪﻳﻨﺔ واﻟﺤﻲ ﺑﺎﻟﺘﻘﺮﻳﺐ ﺑﻴﻦ‬

‫∂‪¡UM³ « μ‬‬

‫‪56 Albenaa‬‬

‫اﻟﺴﻜﻦ واﻟﻌﻤﻞ واﻟﺨﺪﻣﺎت اﻟﻤﺨﺘﻠﻔﺔ واﻟﺘﺸﺠﻴﻊ ﻋﻠﻰ ﺣﺮﻛﺔ‬ ‫اﻟﻤﺸﺎة داﺧﻞ اﻟﻤﺪﻳﻨﺔ واﻟﺘﻘﻠﻴﻞ ﻣﻦ إﺳﺘﺨﺪام اﻟﺴﻴﺎرات‬ ‫ﻓﻲ اﻟﺘﻨﻘﻞ ‪ .‬ﻛﻤﺎ ﻳﺠﺐ أن ﺗﺮاﻋﻲ ا^ﻛﺘﻨﺎزﻳﺔ اﻟﺒﻨﻴﺔ اﻟﺴﻜﻨﻴﺔ‬ ‫ﻣﻦ ﺣﻴﺚ ﺗﺤﻘﻴﻖ ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻣﻌﺘﺪﻟﺔ وﻣﺪى ﺗﻌﺮض أو‬ ‫ﻋﺪم ﺗﻌﺮض اﻟﻤﺒﺎﻧﻲ ‪Z‬ﺷﻌﺔ اﻟﺸﻤﺲ ‪ .‬ﻛﻤﺎ ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ‬ ‫اﻟﺠﺪﻳﺪ ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ إﻟﻰ ﻣﻌﺎﻟﺠﺔ ﺳﻠﺒﻴﺎت ﺗﺠﺎرﺑﻪ‬ ‫اﻟﺴﺎﺑﻘﺔ ﻣﻦ ﻋﺪم اﻟﺘﻜﺮار ﻓﻲ اﻟﺸﻜﻞ وﺗﺠﻨﺐ اﻟﻌﻤﺎرة ذات‬ ‫اﻟﻤﻘﺎﻳﻴﺲ اﻟﻼﻧﺴﺎﻧﻴﺔ واﻟﺤﺎﺟﺔ إﻟﻰ ﻧﻤﺎذج ﺗﺼﻤﻴﻤﻴﺔ وأﻧﻈﻤﺔ‬ ‫إﻧﺸﺎﺋﻴﺔ ﻣﺮﻧﺔ وﻗﺎﺑﻠﺔ ﻟﻠﺘﻮﺳﻊ ﺗﻮاﻛﺐ اﻟﺘﻄﻮر اﻟﻤﺴﺘﻘﺒﻠﻲ‬ ‫^ﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن واﻟﺘﻨﻮﻳﻊ ﻓﻲ ﺗﺼﺎﻣﻴﻤﻬﺎ ﻟﺘﻨﺎﺳﺐ اﻟﻔﺌﺎت‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﻤﺨﺘﻠﻔﺔ ‪ .‬ﻋﻠﻰ أن إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ ﺗﺼﻤﻴﻢ‬ ‫اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻳﺠﺐ أن ﻳﺴﺒﻘﻪ إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ ﻗﻮاﻧﻴﻦ‬ ‫وأﻧﻈﻤﺔ اﻟﺒﻨﺎء ‪ ،‬ﻓﻔﻲ ﺑﻌﺾ اﻟﻤﺪن ﻳﺘﻢ ﺗﻘﺴﻴﻢ اﺳﺘﻌﻤﻼت‬ ‫ا‪Z‬راﺿﻲ ﻋﻠﻰ أﺳﺎس اﻟﻔﺼﻞ ﺑﻴﻦ اﻟﻮﻇﺎﺋﻒ ) اﻟﺴﻜﻨﻴﺔ‬ ‫واﻟﺘﺠﺎرﻳﺔ أو ﺑﻴﻦ اﻟﺴﻜﻦ واﻟﻌﻤﻞ( ‪ ،‬ﻣﻤﺎ ﻳﺰﻳﺪ ﻣﻦ ﺣﺮﻛﺔ‬ ‫اﻟﻨﻘﻞ وﻣﺎ ﻳﺘﺮﺗﺐ ﻋﻠﻴﻪ ﻣﻦ ﺳﻠﺒﻴﺎت ‪ .‬ﻛﻤﺎ ﻳﺠﺐ اﻟﻌﻤﻞ ﻋﻠﻰ‬ ‫اﻟﺘﻮﻋﻴﺔ واﻟﺘﻌﺮﻳﻒ ﺑﻤﻤﻴﺰات ا^ﻛﺘﻨﺎزﻳﺔ ﻣﻦ ﻣﺤﺎﻓﻈﺔ ﻋﻠﻰ‬ ‫اﻟﺒﻴﺌﺔ وا^ﻗﺘﺼﺎد ﻓﻲ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ‪… .‬اﻟﺦ ‪.‬‬ ‫أﺣﺪ اﻟﻤﻌﺎﻳﻴﺮ اﻟﺠﺪﻳﺪة ﻟﺘﺼﻤﻴﻢ اﻟﻤﺴﺎﻛﻦ ﺑﺸﻜﻞ ﻋﺎم‬ ‫ﻫﻲ رﻓﻊ اﻟﻘﻴﻤﺔ ا^ﺳﺘﺜﻤﺎرﻳﺔ ﻟﻠﻤﺴﺎﻛﻦ ‪ ،‬ﻓﺎﻟﻤﺴﻜﻦ ﻻ‬ ‫ﻳﺠﺐ أن ﻳﻜﻮن ﻣﻨﺘﺞ إﺳﺘﻬﻼﻛﻲ ﻣﺜﻞ اﻟﺴﻴﺎرة ‪ ،‬ﻓﻤﻊ ﻣﺮور‬ ‫اﻟﺰﻣﻦ ﺗﺘﻨﺎﻗﺺ ﻗﻴﻤﺔ اﻟﺴﻴﺎرة ﺑﻴﻨﻤﺎ اﻟﻤﺴﻜﻦ ﻳﺠﺐ أن‬ ‫ﺗﺮﺗﻔﻊ ﻗﻴﻤﺘﻪ ‪ .‬ا‪Z‬ﻣﺮ اﻟﺬي ﻳﺠﺐ أن ﻳﺪﻓﻊ إﻟﻰ رﻓﻊ ﻣﺴﺘﻮى‬ ‫ﺗﺼﻤﻴﻢ اﻟﻤﺴﺎﻛﻦ ﻣﻦ ﺣﻴﺚ ﺗﻮﻓﻴﺮ اﻟﻤﺮوﻧﺔ واﻟﺘﻮﺳﻊ‬ ‫اﻟﻤﺴﺘﻘﺒﻠﻲ وﺗﺤﻘﻴﻖ ﻋﻤﺎرة ﺳﻜﻨﻴﺔ ذات ﻗﻴﻢ ﺟﻤﺎﻟﻴﺔ‬ ‫وﻣﻌﻨﻮﻳﺔ وﺗﺤﺴﻴﻦ ﻣﺴﺘﻮى ﺧﺪﻣﺎﺗﻬﺎ وﺗﺰوﻳﺪﻫﺎ ﺑﺨﺪﻣﺎت‬ ‫ﺟﺪﻳﺪة ﺗﺮﻓﻴﻬﻴﺔ وﺛﻘﺎﻓﻴﺔ ) ﻣﻼﻋﺐ رﻳﺎﺿﻴﺔ وﻣﻜﺘﺒﺎت …إﻟﺦ (‬ ‫ﺑﺎ^ﺿﺎﻓﺔ إﻟﻰ اﻟﺨﺪﻣﺎت ا‪Z‬ﺳﺎﺳﻴﺔ ) ﺻﺤﻴﺔ ‪ ،‬ﺗﻌﻠﻴﻤﻴﺔ ‪ ،‬ﺗﺠﺎرﻳﺔ (‬ ‫اﻟﺘﻲ ﺗﺮﻓﻊ ﻣﻦ اﻟﻘﻴﻤﺔ ا^ﺳﺘﺜﻤﺎرﻳﺔ ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ‪ ،‬ﺧﺎﺻﺔ‬ ‫ﺑﺎﻟﻨﺴﺒﺔ ﻟﺬوي اﻟﺪﺧﻞ اﻟﻤﺤﺪود ﻓﺘﺤﺴﻴﻦ ﻣﺴﺘﻮى اﻟﺴﻜﻦ‬ ‫ﻓﻲ اﻟﻤﺪن ﻟﻢ ﻳﻌﺪ ﺣﻜﺮ‪ N‬ﻋﻠﻰ اﻟﻄﺒﻘﺎت اﻟﻐﻨﻴﺔ ﻣﻦ اﻟﻤﺠﺘﻤﻊ‪.‬‬ ‫ﻣﺸﺮوﻋﺎت اﻟﻌﺪد ‪:‬‬ ‫اﻟﻤﺸﺮوﻋﺎت اﻟﺘﻲ ﻧﺴﺘﻌﺮﺿﻬﺎ ﻓﻲ ﻫﺬا اﻟﻌﺪد ﻫﻲ‬ ‫ﻣﺸﺮوﻋﺎت ﺳﻜﻦ ﺟﻤﺎﻋﻲ ﻟﻠﻄﺒﻘﺔ اﻟﻤﺘﻮﺳﻄﺔ وذوي اﻟﺪﺧﻞ‬ ‫اﻟﻤﺤﺪود وذﻟﻚ ﺣﺴﺐ اﻟﺪول اﻟﺘﻲ ﺗﻘﻊ ﻓﻴﻬﺎ ‪ .‬أوﻟﻰ ﻫﺬه‬ ‫اﻟﻤﺸﺮوﻋﺎت ﻣﺸﺮوع أﺑﺮاج ذات ﻛﺜﺎﻓﺔ ﺳﻜﺎﻧﻴﺔ ﻋﺎﻟﻴﺔ وﻫﻮ‬ ‫ﻣﺸﺮوع ﺳﻜﻨﻲ ﻛﺒﻴﺮ ﻓﻲ ﻛﻮرﻳﺎ اﻟﺠﻨﻮﺑﻴﺔ ﻳﺘﻜﻮن ﻣﻦ‬ ‫ﻣﺠﻤﻌﻴﻦ ﺳﻜﻨﻴﻴﻦ ﺗﺤﺘﻮي ﻋﻠﻰ أﺑﺮاج ﺳﻜﻨﻴﺔ ﺷﺎﻫﻘﺔ‬ ‫ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ ‪ ، UNStudio‬إﻧﺤﺼﺮ دور اﻟﻤﺼﻤﻢ ﻓﻲ‬ ‫إﻋﺎدة ﺗﺼﻤﻴﻢ اﻟﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ وﺗﻨﺴﻴﻖ اﻟﻤﻮاﻗﻊ ‪ .‬ﻓﻲ‬ ‫ﻫﺬا اﻟﻤﺸﺮوع ﺣﺎول اﻟﻤﺼﻤﻢ أن ﻳﻐﻴﺮ ﻣﻦ ﺳﻠﺒﻴﺎت ا‪Z‬ﺑﺮاج‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﺸﺎﻫﻘﺔ واﻗﺘﺮاح ﺗﺼﻤﻴﻢ ﺟﺪﻳﺪ ﻟﻠﻔﻀﺎءات اﻟﻌﺎﻣﺔ‬ ‫وﺑﻬﺪف أﻧﺴﻨﺔ ﻫﺬه ا‪Z‬ﺑﺮاج اﺳﺘﺨﺪم اﻟﻤﺼﻤﻢ ا‪Z‬ﻟﻮان اﻟﺰاﻫﻴﺔ‬

‫‪Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace‬‬

‫اﻟﻤﺼﻤﻢ ‪Architect : UNStudio :‬‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ :‬اﻟﻤﺠﻤﻊ اﻟﺴﻜﻨﻲ اﻻول ‪199908‬م‪2‬‬ ‫اﻟﻤﺠﻤﻊ اﻟﺴﻜﻨﻲ اﻟﺜﺎﻧﻲ ‪2319193‬م‪2‬‬ ‫اﻻﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ‪ :‬ﺑﻠﻮك )‪2015 (1‬م ـ ﺑﻠﻮك )‪2016 (2‬م‬

‫أﺑﺮاج ذات ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ‬ ‫داﻳﺠﻮ ـ ﻛﻮرﻳﺎ‬

‫‪Daegu Wolbae IPARK‬‬

‫ﻫﻨﺪﺳﻴﺔ ﻣﻘﺴﻤﺔ إﻟﻰ وﺣﺪات ﺻﻐﻴﺮة ﻛﻮﺣﺪات ﺷﺎﺷﺎت‬ ‫اﻟﻜﻤﺒﻴﻮﺗﺮ )‪ (Pixels‬ﺗﺒﺪو ﻛﺘﻘﻴﺴﻤﺎت ﺧﻴﻮط اﻟﻤﻨﺴﻮﺟﺎت‬ ‫أو اﻟﺸﺎﺷﺎت ا‪2‬ﻋﻼﻣﻴﺔ‪ .‬وﺗﺨﻔﻲ ﺑﺼﺮﻳ' ﻣﻦ ﺧﻠﻔﻬﺎ ﺗﻘﺴﻴﻤﺎت‬ ‫ا‪:‬دوار ا‪:‬ﻓﻘﻴﺔ واﻟﺮأﺳﻴﺔ ﻟﻠﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ‪ ،‬وﺗﺠﻤﻊ ﺑﻴﻨﻬﺎ ﻓﻲ‬ ‫ﺗﺸﻜﻴﻞ ﻓﻨﻲ ﺟﻤﺎﻟﻲ ﻳﺼﺒﻎ ﻛﻞ ﻣﺠﻤﻮﻋﺔ أﺑﺮاج ﺑﺸﺨﺼﻴﺔ‬ ‫ﻣﻨﻔﺮدة ‪ .‬ﻋﻠﻰ اﻟﻤﺴﺘﻮى اﻻﺟﺘﻤﺎﻋﻲ ﻫﺬه اﻟﺘﺸﻜﻴﻼت اﻟﻔﻨﻴﺔ‬ ‫اﻟﺠﻤﺎﻟﻴﺔ ﻻ ﺗﻘﻮي اﻟﻬﻮﻳﺔ اﻟﺸﺨﺼﻴﺔ ﻟﻜﻞ ﻣﺠﻤﻮﻋﺔ ﺳﻜﻨﻴﺔ‬ ‫ﻓﺤﺴﺐ ‪ ،‬وﻟﻜﻨﻬﺎ ﺗﻘﻮي ﻓﻲ ﻧﻔﺲ اﻟﻮﻗﺖ ﺷﻌﻮر اﻟﺴﻜﺎن‬ ‫ﺑﺎ‪2‬ﻧﺘﻤﺎء ﻓﻴﻤﺎ ﺑﻴﻨﻬﻢ و ﺑﻤﺠﻤﻮﻋﺘﻬﻢ اﻟﺴﻜﻨﻴﺔ وﺗﺴﺎﻋﺪ‬ ‫ﻋﻠﻰ اﻻﺳﺘﺮﺷﺎد وﺗﺤﺪد اﻟﻤﺪاﺧﻞ وﺗﻌﻄﻲ ﺻﺒﻐﺔ ﺧﺎرﺟﻴﺔ‬ ‫ﻣﻨﻔﺮدة ﻟﻜﻞ ﺷﻘﺔ ﺗﺴﻤﺢ ﻟﺴﻜﺎﻧﻬﺎ ﻣﻦ اﻟﺘﻌﺮف ﻋﻠﻴﻬﺎ ‪ ،‬ﻛﻤﺎ‬ ‫ﺗﺤﺪد اﻟﻌﻼﻗﺎت اﻟﻔﻀﺎﺋﻴﺔ ﺑﻴﻦ ﻣﺎ ﻫﻮ داﺧﻞ اﻟﻤﺒﺎﻧﻲ وﻣﺎ ﻫﻮ‬

‫ﺧﺎرﺟﻬﺎ ‪ .‬رﺗﺒﺖ ا‪:‬ﺑﺮاج اﻟﻤﻜﻮﻧﺔ ﻟﻠﻤﺠﻤﻮﻋﺔ اﻟﺴﻜﻨﻴﺔ اﻟﻮاﺣﺪة‬ ‫ﻟﺘﺸﻜﻞ ﻓﻲ وﺳﻄﻬﺎ ﻓﻨﺎء ﻛﺒﻴﺮ ﻳﻤﺜﻞ ﻓﻀﺎء‪ T‬ﻋﺎﻣ' ﻣﺸﺘﺮﻛ'‬ ‫ﻳﻤﺎرس ﻓﻴﻪ اﻟﺴﻜﺎن أﻧﺸﻄﺔ ﺟﻤﺎﻋﻴﺔ و ﻓﺮدﻳﺔ اﺟﺘﻤﺎﻋﻴﺔ‬ ‫ورﻳﺎﺿﻴﺔ ﻣﺘﻨﻮﻋﺔ ﺗﺘﻨﺎﺳﺐ ﻣﻊ ﻛﺎﻓﺔ ا‪:‬ﻋﻤﺎر‪ ،‬ﻛﻤﺎ ﻳﺘﻤﻴﺰ‬ ‫اﻟﻔﻨﺎء ﺑﺤﺪاﺋﻖ ﻣﻦ ا‪:‬ﺷﺠﺎر واﻟﻤﺰروﻋﺎت ﺗﻀﻔﻲ ﺧﺼﻮﺻﻴﺔ‬ ‫وﺑﺼﺮﻳﺔ ﻟﺴﻜﺎن اﻟﺸﻘﻖ ﻓﻲ ا‪:‬دوار اﻟﺘﺤﺘﻴﺔ‪ .‬ﻛﻤﺎ ﻳﺮﺗﺒﻂ‬ ‫ﺑﺎﻟﻔﻨﺎء ﺑﻤﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺨﺪﻣﺎت ﻣﺜﻞ اﻟﻤﻜﺘﺒﺔ واﻟﻤﺴﺒﺢ‬ ‫اﻟﻌﺎم واﻟﻤﺤﻼت اﻟﺘﺠﺎرﻳﺔ وﻣﺮاﻛﺰ اﺟﺘﻤﺎﻋﻴﺔ ورﻳﺎﺿﻴﺔ‬ ‫وﻣﻼﻋﺐ ﻣﻐﻄﺎة داﺧﻠﻴﺔ و آﻣﻨﺔ‪ ،‬وﻳﻤﻜﻦ ﻟﻠﺴﻜﺎن اﻟﻮﺻﻮل‬ ‫ﺑﺴﻴﺎرﺗﻬﻢ إﻟﻰ ﻣﺪاﺧﻞ اﻻﺑﺮاج ﻣﺒﺎﺷﺮة او اﻟﺘﻮﺟﻪ إﻟﻰ ﻣﻮاﻗﻒ‬ ‫اﻟﺴﻴﺎرت ﺛﻢ ﻋﺒﻮر اﻟﻔﻨﺎء واﻟﺘﻨﺰه ﻓﻲ ﺣﺪﻳﻘﺘﻪ ﻟﻠﻮﺻﻮل‬ ‫ﻣﺸﻴﺎ ﻋﻠﻲ اﻻﻗﺪام اﻟﻲ اﻻﺑﺮاج ورﺑﻤﺎ اﻟﺘﻮاﺻﻞ ﻣﻊ ﺟﻴﺮاﻧﻬﻢ ‪.‬‬ ‫‪¡UM³ « ∂±‬‬

‫‪61 Albenaa‬‬

‫‪Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace‬‬

‫ ‪w½U¦ « wMJ « lL−LK —uEM‬‬

‫‪Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Courtesy of Hyundai‬‬

‫ ‪‰Ë_« wMJ « lL−LK —uEM‬‬

‫‪Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace‬‬

‫«*‪…—uB « jÝË w w½U¦ « wMJ « lL−*«Ë …—uB « vKŽ√ ‰Ë_« wMJ « lL−‬‬

‫ﺗﻌﺘﺒﺮ اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ اﻟﻨﻤﻮذج اﻟﺴﻜﻨﻲ ا ﻛﺜﺮ إﻧﺘﺸﺎر ‬ ‫ﻓﻲ ﻛﻮرﻳﺎ اﻟﺠﻨﻮﺑﻴﺔ ‪ .‬وﻳﺄﺗﻲ ﻫﺬا اﻟﻤﺸﺮوع اﻟﺬي ﻳﺘﻜﻮن ﻣﻦ‬ ‫ﻣﺠﻤﻌﻴﻦ ﺳﻜﻨﻴﻴﻦ )ﻛﻞ ﻣﺠﻤﻊ ﻳﻀﻢ ﻋﺪد ﻣﻦ اﻻﺑﺮاج ذات‬ ‫اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ ( ﻧﺘﻴﺠﺔ ﻟﻠﻨﻤﻮ اﻟﻤﺘﺴﺎرع ﻟﻠﻄﺒﻘﺔ اﻟﻜﻮرﻳﺔ‬ ‫اﻟﺠﻨﻮﺑﻴﺔ اﻟﻤﺘﻮﺳﻄﺔ وزﻳﺎدة اﻟﻄﻠﺐ ﻋﻠﻰ ﺑﻨﺎء ﻣﺠﻤﻌﺎت اﻟﺸﻘﻖ‬ ‫اﻟﺴﻜﻨﻴﺔ ﻟﻬﺎ‪ .‬ﻫﺬه اﻟﻤﺠﻤﻌﺎت ﺗﺄﺗﻲ ﻋﺎدة ﻋﻠﻰ ﺷﻜﻞ أﺑﺮاج‬ ‫ﺳﻜﻨﻴﺔ ﻣﻨﻔﺮدة ذات ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ وﻛﺘﻞ ﻣﻌﻤﺎرﻳﺔ‬ ‫ﺿﺨﻤﺔ وﺗﻜﺮار ﻓﻲ اﻟﺘﺼﻤﻴﻢ ﻳﺆﺛﺮ ﺳﻠﺒﻴﺎ ﻋﻠﻰ ﻣﻈﻬﺮﻫﺎ‪.‬‬ ‫ﻓﻲ ﻋﺎم ‪٢٠١٢‬م ﺗﻢ دﻋﻮة اﻟﻤﺼﻤﻢ ﻟﺘﻘﺪﻳﻢ ﻣﻘﺘﺮﺣﺎت ﻣﻌﻤﺎرﻳﺔ‬ ‫ﻟﺘﻄﻮﻳﺮ وﺗﺠﻤﻴﻞ اﻟﺸﻜﻞ اﻟﺨﺎرﺟﻲ ﻟﻠﻤﺸﺮوﻋﺎت اﻟﺴﻜﻨﻴﺔ‬ ‫اﻟﺤﺪﻳﺜﺔ ﻓﻲ ﻣﺪﻳﻨﺔ داﻳﺠﻮ ﻓﻲ ﻛﻮرﻳﺎ اﻟﺠﻨﻮﺑﻴﺔ ﻟﺼﺎﻟﺢ ﺷﺮﻛﺔ‬ ‫ﻫﻴﻮﻧﺪاي ﻟﻠﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري ‪ ،‬ووﺿﻊ ﺣﻠﻮل ﺟﺪﻳﺪة ﻟﺘﻄﻮﻳﺮ‬ ‫∞∂ « ‪¡UM³‬‬

‫‪60 Albenaa‬‬

‫اﻟﻨﻤﻂ اﻟﻤﻌﻤﺎري اﻟﺤﺎﻟﻲ واﻗﺘﺮاح ﺗﺼﺎﻣﻴﻢ ﻣﻌﻤﺎرﻳﺔ ﺗﻤﻴﺰ‬ ‫ا ﺑﺮاج ﻋﻦ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ وﺗﻜﺴﺮ ﺣﺪة اﻟﺘﻜﺮار اﻟﻤﻤﻞ‬ ‫ﻟﻌﻤﺎرة ﻫﺬه اﻻﺑﺮاج ‪ .‬وﺟﺎءت ا‪Z‬ﻗﺘﺮاﺣﺎت ﺑﺤﻠﻮل ﻗﺪ ﺗﻜﻮن‬ ‫ﻣﺜﻴﺮة ﻟﻠﺠﺪل وﻟﻜﻨﻬﺎ إﻗﺘﺼﺎدﻳﺔ وﺗﻜﺴﺮ اﻟﻤﻠﻞ اﻟﺒﺼﺮي‬ ‫ﻟ\ﺑﺮاج وﺗﺼﺒﻎ اﻟﻤﺸﺮوع ﺑﻬﻮﻳﺔ ﺗﻤﻴﺰه ﻋﻦ ا ﺑﺮاج اﻟﻤﺤﻴﻄﺔ ‪،‬‬ ‫وﺗﺘﺤﺮر ﻣﻦ اﻟﺘﺼﻤﻴﻢ اﻟﺘﻘﻠﻴﺪي ﻟ\ﺑﺮاج اﻟﺴﻜﻨﻴﺔ ‪.‬‬ ‫داﻳﺠﻮ ﻫﻲ اﻟﻤﺪﻳﻨﺔ اﻟﺮاﺑﻌﺔ ﻓﻲ ﻛﻮرﻳﺎ اﻟﺠﻨﻮﺑﻴﺔ ﻣﻦ‬ ‫ﺣﻴﺚ ا ﻫﻤﻴﺔ وﻋﺎدة ﻳﻨﻈﺮ إﻟﻴﻬﺎ ﻋﻠﻰ أﻧﻬﺎ ﻣﺪﻳﻨﺔ ﺻﻨﺎﻋﺔ‬ ‫اﻟﻤﻨﺴﻮﺟﺎت واﻟﻤﻠﺒﻮﺳﺎت وﻋﺎﺻﻤﺔ ﻟ\زﻳﺎء ‪ ،‬ﻓﻬﻲ ﺗﺴﺘﻘﺒﻞ‬ ‫ﺳﻨﻮﻳ` ﻋﺪد ﻣﻦ ﻣﻌﺎرض ا زﻳﺎء واﻟﻤﻨﺴﻮﺟﺎت ‪ .‬ﻓﻲ ﻫﺬا‬ ‫اﻟﻤﺸﺮوع ﺗﻢ ﺻﺒﻎ اﻟﻮاﺟﻬﺎت ﺑﺄﻟﻮان ﻣﺨﺘﻠﻔﺔ ﻓﻲ ﺗﺸﻜﻴﻠﻴﻦ‬ ‫ﻓﻨﻴﻴﻦ ﻣﺨﺘﻠﻔﻴﻦ رﺗﺒﺖ ﺑﺘﻨﺎﺳﻖ ﺟﻤﺎﻟﻲ ﻋﻠﻰ ﺷﺒﻜﺔ‬

From the Architect Report: Creating identity on an urban and a human scale - Following its implementation as a result of the rapid urbanisation of the booming middle class in South Korea, apartment living continues to be the most popular type of housing in the country. In cities across South Korea this type of housing can be found stacked in identical, densely packed, utilitarian blocks.

In 2012 UNStudio was invited by the Hyundai Development Company to propose a design intervention for two new residential developments in Daegu Wolbae which would counteract this prevailing utilitarian approach and instead create distinct identities across multiple scales. The result was a provocative yet investigative, affordable and healthfocused proposal to break the impersonal homogeneity and the traditions of high density living in South Korea.

Daegu is the fourth largest city in South Korea and is often referred to as ‘Textile City’, due to its rich history of manufacturing textiles and clothing. As a ‘Fashion Capital’, Daegu is host to a number of annual fashion and textile fairs.However, within the city mega-blocks dominate the urban scale, presenting repetitive silhouettes with little individual identity. In both IPARK developments (Block 1 and Block 2) a pointillist framework of colour in two distinct designs - similar to the texture of a fabric or a media screen - is used to connect and dissolve the individual apartment towers into one consolidated mega-block, whilst creating distinct identities for each development within the Daegu cityscape. On the urban scale, this use of colour zoning not only reinforces identity, it also establishes community, reveals principal access points and communicates the relationship between the inside and outside of the two mega-blocks. On the neighbourhood scale, the façades transform from a typical grid of windows into a textured and articulated field of colour. In Block 1 the façade construction receives a matrix of options for additional layers that respond differently to each opening and balcony. All together, they form a system of horizontal bands that extrude over the face of the wall, offering the desired depth and shadow effect. Every apartment becomes unique, reinforcing a sense of identity and ownership for its residents. In Block 2 a diagonal pixilation of colour blocking is applied to achieve the same results.The IPARK developments are organised around large, programmed communal courtyards.

Conceived as urban interiors, these courtyards become a shared space for all residents and cater for a wide variety of collective and solo activities. A healthy lifestyle for all ages is supported by a verdant landscape of trees and vegetation, while a forest zone creates a buffer between the personal scale and the surrounding buildings and provides privacy for the apartments on the lower levels. The intent of the landscape design is to create a flexible web of areas that either link to the shared amenities of the development - for example the library, swimming pool, retail outlets, community and fitness centres - or provide safe areas for playing, relaxing and gathering. Residents arriving by car can choose to either retreat (go directly to their apartment through their dedicated lobby), or engage (stroll through the landscaped areas and meet with neighbours). As such personal time, space and experience can become valuable assets not only at home, but also in shared spaces and in direct association with nature.

63 Albenaa

¡UM³ « ∂≥

w½U¦ « lL−*«

5FL−*« w …UA*« «d2Ë oz«b(«Ë l «u*« oO Mð WÝ«—œ

‰Ë_« lL−*«

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Edmon Leong w½U¦ « lL−*«

‰Ë_« lL−*«

5OM³LK ÂUF « jD *«

‰Ë_« wMJ « lL−*« w oz«b×K WHK² WDI 62 Albenaa

¡UM³ « ∂≤

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Edmon Leong

—U−ý_« UNÐ dNEðË ‰Ë_« wMJ « lL−*« oz«bŠ

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

w½U¦ « wMJ « lL−*« w ‰UHÞ_« VŽö

65 Albenaa

¡UM³ « ∂μ Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

w½U¦ « wMJ « lL−*« w ‰UHÞ_« VŽö

w½U¦ « wMJ « lL−*« w qš«b*« bŠ√

5FL−*« UNł«Ë vKŽ Ê«u _« l¹“uð WÝ«—œ

WOł—U)« UNł«uK lMB « WI³ *« «bŠu « ¡UA½≈Ë rOLBð 64 Albenaa

¡UM³ « ∂¥

67 Albenaa

¡UM³ « ∂∑

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Edmon Leong

‰Ë_« wMJ « lL−*« UNł«u WHK² UDI

66 Albenaa

¡UM³ « ∂∂

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Edmon Leong

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Courtesy of Hyundai

Daegu Wolbe IPARK Block 1 - 2012-2015 - UNStudio © Edmon Leong

w½U¦ « wMJ « lL−*« UNł«u WHK² UDI

69 Albenaa

¡UM³ « ∂π

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

68 Albenaa

¡UM³ « ∂∏

Daegu Wolbe IPARK Block 2 - 2012-2016 - UNStudio © Rohspace

‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : ADEPT‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2017 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻛﻮﺑﻨﻬﺎﺟﻦ ـ اﻟﺪﻧﻤﺎرك‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 8000 :‬م‪2‬‬

‫‪© COAST Studio‬‬

‫«*‪ÂUF « l u‬‬ ‫‪¡UM³ « μÂ‬‬

‫‪S5 Albenaa‬‬

‫ﻣﻜﻌﺒﺎت ﺳﻜﻨﻴﺔ‬ Cubic House

S4 Albenaa

¡UM³ « ¥Â

From the Architect Report: Playful design breaks down scale in a new residential complex by ADEPT. Crisp new pictures of ADEPTs recently finished Cubic Houses in Copenhagen, DK shows a playful residential complex that breaks down the scale of a large building volume while offering a generous variation to the in-progress development of a new neighbourhood.

The design of the Cubic Houses aims to balance the client’s wish for a large amount of square meters with the envisioned character of urban life in the area. The result is a residential complex that breaks down the building volume into several individual ‘cubes’ - stacked and shifted on top of each other. The configuration of cubes reflects the rhythm of a human scale and works against long stretches of street with no variation or human activity. The design adapts to the overall urban scale of the neighbourhood, yet contributes to a varied and lively small scale atmosphere along the central canal. In its basic concept, Cubic Houses is a regular building slap with spacious and simple apartment layouts. Maintaining the vertical stairways, the eight brick cubes shift in relation to each other, both at the ground floor and higher up. The shifting of volumes breaks eventual turbulence and adapts the building to local microclimatic conditions.

© COAST Studio

‫ﻳﻌﺘﺒﺮ ﻫﺬا اﻟﻤﺸﺮوع ﻣﻦ أﺣﺪث اﻟﻤﺸﺎرﻳﻊ اﻟﺴﻜﻨﻴﺔ‬ ‫ﻋﻼن ﻋﻦ إﻧﺘﻬﺎﺋﻪ ﻓﻲ ﺷﻬﺮ أﻏﺴﻄﺲ‬,‫اﻟﺘﻲ ﺗﻢ ا‬ ‫ ﺣﻴﺚ ﻳﺘﻤﻴﺰ‬،‫م واﻟﺘﻲ ﻧﺴﺘﻌﺮﺿﻬﺎ ﻓﻲ ﻫﺬا اﻟﻌﺪد‬2017 ‫اﻟﻤﺸﺮوع ﺑﺘﺸﻜﻴﻞ ﻫﻨﺪﺳﻲ ﻳﻌﺎﻟﺞ اﻟﺘﺄﺛﻴﺮ اﻟﺒﺼﺮي‬ ‫اﻟﺴﻠﺒﻲ اﻟﻐﻴﺮ إﻧﺴﺎﻧﻲ ﻟﻠﻤﺒﺎﻧﻲ اﻟﺴﻜﻨﻴﺔ اﻟﻀﺨﻤﺔ ذات‬ ‫اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ اﻟﻌﺎﻟﻴﺔ وذﻟﻚ ﺑﺘﺠﺰﻳﺊ اﻟﻜﺘﻞ اﻟﺒﻨﺎﺋﻴﺔ‬ ‫اﻟﻀﺨﻤﺔ إﻟﻰ ﻛﺘﻞ ﺻﻐﻴﺮة ذات ﻣﻘﻴﺎس إﻧﺴﺎﻧﻲ ﻣﻘﺒﻮل‬ ‫ﻋﻠﻰ ﺷﻜﻞ ﻣﻜﻌﺒﺎت ﺑﻴﻨﻤﺎ ﻳﻮﻓﺮ ﻓﻀﺎءات ﺧﺎرﺟﻴﺔ رﺣﺒﺔ‬ .‫ ﻳﺤﺘﻮي ﻛﻞ ﻣﻜﻌﺐ ﻋﻠﻰ ﺧﻤﺴﺔ أدوار‬، ‫ﺑﻴﻦ اﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﺘﺼﻤﻴﻢ ﻳﺤﺎول اﻟﺘﻮﻓﻴﻖ ﺑﻴﻦ ﻣﺘﻄﻠﺒﺎت اﻟﻤﺎﻟﻚ ﻣﻦ‬ ‫ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ و ﻣﺘﻄﻠﺒﺎت اﻟﺘﺼﻤﻴﻢ اﻟﻌﻤﺮاﻧﻲ‬ ‫ﺣﻴﺎء اﻟﺴﻜﻨﻴﺔ اﻟﺤﺪﻳﺜﺔ ﻓﺎﻟﺘﺸﻜﻴﻞ ﻣﻜﻮن ﻣﻦ ﻛﺘﻞ‬Z‫ﻟ‬ ‫ﻣﻜﻌﺒﺔ ﺗﻢ رﺻﻬﺎ ﻓﻮق ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ ﺑﻄﺮﻳﻘﺔ ﻏﻴﺮ‬ ‫ ﻟﺘﻔﺴﺢ اﻟﻤﺠﺎل إﻟﻰ ﺗﺸﻜﻴﻞ ﻓﺮاﻏﺎت ﺑﻴﻦ‬،‫ﻣﻨﺘﻈﻤﺔ‬ ‫اﻟﻜﺘﻞ ﺗﺴﻤﺢ ﺑﺮﺣﺎﺑﺔ اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ واﻟﺘﻘﻠﻴﻞ ﻣﻦ‬ ‫ﻛﺘﻨﺎزﻳﺔ اﻟﻌﺎﻟﻴﺔ وﺳﻬﻮﻟﺔ ﺗﻤﻴﻴﺰ‬,‫اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ وا‬ ‫ ﻛﻤﺎ ﺟﺎء ﺗﺼﻤﻴﻢ اﻟﺸﻘﻖ‬. ‫اﻟﻜﺘﻞ ﻋﻦ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ‬ ‫ وﻳﻮﻓﺮ إﺿﺎءة وﺗﻬﻮﻳﺔ ﻋﺎﺑﺮة ﻃﺒﻴﻌﻴﺔ‬b‫ وﺑﺴﻴﻄ‬b‫رﺣﺒ‬ ‫ وزودت اﻟﺸﻘﻖ ﺑﺸﺮﻓﺎت‬،‫ﺟﻴﺪة ﻟﻜﺎﻓﺔ اﻟﻐﺮف اﻟﺮﺋﻴﺴﺔ‬ ‫ ﻋﻠﻰ اﻟﻮاﺟﻬﺎت وﻣﻮزﻋﺔ ﺑﻄﺮﻳﻘﺔ‬b‫ﺧﺎرﺟﻴﺔ ﻣﻌﻠﻘﺔ إﻧﺸﺎﺋﻴ‬ ‫ ﺗﻢ اﻟﺘﻨﻮﻳﻊ ﻓﻲ درﺟﺎت‬.‫ﺣﺮة ﻓﻲ اﻟﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ‬ ‫اﻟﻠﻮن ﻓﻲ اﻟﺘﻐﻄﻴﺔ اﻟﺨﺎرﺟﻴﺔ ﻟﻠﻮاﺟﻬﺎت ﻟﺴﻬﻮﻟﺔ‬ ‫ ﺑﻴﻨﻤﺎ ﺗﻮﺟﺪ ﻣﺪاﺧﻞ اﻟﻤﺒﻨﻰ‬، ‫اﻟﺘﻤﻴﻴﺰ ﺑﻴﻦ اﻟﻜﺘﻞ‬ . ‫ﻋﻠﻰ ﺟﻬﺘﻲ اﻟﻤﺸﺮوع‬

WHK² *« oIA « U dýË i³F « UNCFÐ 5Ð q²J « qš«bð

WOÐdG « WNł«u «

w½U³*« 5Ð WOł—U)« «¡UCH « `{u¹ w uÞ ŸUD 73 Albenaa

¡UM³ « ∑≥

fOzd « o¹dD « vKŽ WKD*« WOÐdG « WNł«u «

f U)« —Ëb « jI

w{—_« —Ëb « jI

ÂUF « l u*« 72 Albenaa

¡UM³ « ∑≤

© COAST Studio

qJA « W³FJ*« WOMJ « q²JK WOLOEM² « …dJH «

75 Albenaa

¡UM³ « ∑μ

© COAST Studio

WOÐdG « WNł«u « s V½Uł

W UŽ WŠUÝ vKŽ WKD*« WOÐdG «Ë WO ULA « WNł«u « 74 Albenaa

¡UM³ « ∑¥

© COAST Studio

WNł«u « …—ULŽ qO UHð U³FJ*« ’— ÂUE½Ë WOÐuM'« iF³ « UNCFÐ 5Ð

77 Albenaa

¡UM³ « ∑∑

© COAST Studio

© COAST Studio © COAST Studio

WOMJ « W U¦J « s qOKI²K s U *« 5Ð Už«dH « …œU¹eÐ `L ² U³FJ*« ’— ÂUE½ ¡Uł

q²J « 5Ð Už«dH « qO UHð iFÐ ÊU×{uð ÊU²DI 76 Albenaa

¡UM³ « ∑∂

«¡UCH «Ë 5łd³ « `{u¹ ÂUŽ —uEM WDO;« WIDM*UÐ ŸËdA*« W öŽË WO{—_«

‫ﻏﺎﺑﺎت ﺳﻜﻨﻴﺔ رأﺳﻴﺔ‬ ‫‪Vertical Forest‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : BoeriStudio‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2014 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﻴﻼﻧﻮ ـ اﻳﻄﺎﻟﻴﺎ‬

‫ﺗﻜﻠﻔﺔ ا ﻧﺸﺎء ‪55 :‬ﻣﻠﻴﻮن ﻳﻮرو‬ ‫اﻟﻤﺴﺎﺣﺔ اﻟﺴﻜﻨﻴﺔ ‪ :‬ﻣﺎ ﻳﻌﺎدل ‪ 75000‬م‪2‬‬ ‫ﻳﺘﻜﻮن ﻫﺬا اﻟﻤﺸﺮوع ﻣﻦ ﺑﺮﺟﻴﻦ ﺳﻜﻨﻴﻴﻦ ﺑﺈرﺗﻔﺎع ‪ ١١٦‬م‬ ‫و‪٨٥‬م ﻋﻠﻰ اﻟﺘﻮاﻟﻲ ﻛﻤﺎ ﻳﻀﻢ ﻓﻀﺎءات ﻋﺎﻣﺔ ﺧﻀﺮاء ﻓﻲ‬ ‫اﻟﻤﺴﺘﻮي ا@رﺿﻲ ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﺰراﻋﺔ ﺷﺮﻓﺎت اﻟﺒﺮﺟﻴﻦ‬ ‫ﻟﺘﺒﺪو ﻛﻐﺎﺑﺘﻴﻦ رأﺳﻴﺘﻴﻦ ‪ ،‬ﺣﻴﺚ ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ‬ ‫ﺗﺤﺴﻴﻦ أوﺿﺎع اﻟﺒﻴﺌﺔ اﻟﻄﺒﻴﻌﻴﺔ واﻟﺒﻴﺌﺔ اﻟﻤﺒﻨﻴﺔ ﻓﻲ اﻟﻤﺪن‬ ‫وﺗﺤﻘﻴﻖ ﻣﺪن ذات ﺗﺼﺎﻣﻴﻢ ﻣﻜﺘﻨﺰة )اﺑﺮاج ﺳﻜﻦ ﺟﻤﺎﻋﻲ ( ‪.‬‬ ‫ا@ﻣﺮ اﻟﺬي ﻳﺤﺪ ﻣﻦ ﺗﻮﺳﻊ ﻋﻤﺮان اﻟﻤﺪن ‪.‬‬ ‫ﻓﺎﻟﺒﺮﺟﻴﻦ اﻟﺴﻜﻨﻴﻴﻦ ﻳﻤﺜﻼن أﻧﻤﻮذﺟ‪ X‬ﻟﺰﻳﺎدة ﻛﺜﺎﻓﺔ اﻟﺒﻴﺌﺔ‬ ‫اﻟﺨﻀﺮاء داﺧﻞ اﻟﻨﺴﻴﺞ اﻟﻌﻤﺮاﻧﻲ ﻟﻠﻤﺪن ﺑﺪون ﺗﺄﺛﻴﺮ ﻛﺒﻴﺮ‬ ‫ﻋﻠﻰ زﻳﺎدة رﻗﻌﺘﻬﺎ اﻟﻤﺴﺎﺣﻴﺔ ﻛﻤﺎ ﻳﻌﺎﻟﺞ ﻋﻤﺎرة ا@ﺑﺮاج‬ ‫اﻟﺸﺎﻫﻘﺔ اﻟﻼإﻧﺴﺎﻧﻴﺔ ﺑﺈﺳﺘﺨﺪام ﻋﻨﺼﺮ اﻟﻄﺒﻴﻌﺔ اﻟﺨﻀﺮاء‪.‬‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ وﺳﻂ ﻣﺪﻳﻨﺔ ﻣﻴﻼﻧﻮ وﻳﺤﺘﻮي ﻋﻠﻰ ‪٧٠٠‬‬ ‫ﺷﺠﺮة ﺗﺘﺮاوح ارﺗﻔﺎﻋﻬﺎ ﻣﺎ ﺑﻴﻦ ‪ ٣‬إﻟﻰ ‪ ٩‬اﻣﺘﺎر ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫‪ ٢٠٠٠٠‬ﺷﺠﻴﺮة ﺗﺘﺄﻟﻒ ﻣﻦ ﻧﺒﺎﺗﺎت وزﻫﻮر ﻣﺨﺘﻠﻔﺔ ﻣﻮزﻋﺔ‬ ‫ﻋﻠﻰ ﻃﻮل إرﺗﻔﺎع اﻟﻮاﺟﻬﺎت ﺑﻄﺮﻳﻘﺔ ﺗﺘﻼﺋﻢ وﺣﺎﺟﺔ اﻟﻨﺒﺎﺗﺎت‬ ‫ﻟﺘﻌﺮﻳﻀﻬﺎ @ﺷﻌﺔ اﻟﺸﻤﺲ ‪ ،‬ﺗﻌﺎدل اﻟﻤﺴﺎﺣﺎت اﻟﺨﻀﺮاء‬ ‫اﻟﺮأﺳﻴﺔ ﻣﺎ ﻳﻌﺪل ‪ ٢٠‬اﻟﻒ م‪ 2‬ﻣﻦ اﻟﻤﺴﺎﺣﺎت ا@رﺿﻴﺔ‬ ‫اﻟﺨﻀﺮاء ‪ ،‬ﺑﻴﻨﻤﺎ ﺗﻐﻄﻲ اﻟﻤﺴﺎﺣﺔ ا‪c‬ﺟﻤﺎﻟﻴﺔ ﻟﻠﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ ﻣﻦ ﺣﻴﺚ اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ ‪ ٧٥‬اﻟﻒ م‪ . 2‬ﻣﻦ‬ ‫ﻧﺎﺣﻴﺔ اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﺒﻴﺌﺔ ﺗﻤﺘﺺ ﻫﺬه اﻟﻤﺴﺎﺣﺎت‬ ‫اﻟﺨﻀﺮاء اﻟﺮأﺳﻴﺔ ﻣﻦ اﻟﻬﻮاء ﻣﺎ ﻳﻌﺎدل ‪ ١٩‬اﻟﻒ ﻛﻴﻠﻮ‪ /‬ﺳﻨﺔ‬ ‫ﻣﻦ ﻏﺎز ﺛﺎﻧﻲ أﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن وﺗﻨﺘﺞ ﻣﺎ ﻳﻌﺎدل ‪ ١٨، ٨٥٠‬أﻟﻒ‬ ‫ﻛﻴﻠﻮ‪/‬ﺳﻨﺔ ﻣﻦ ا@وﻛﺴﻴﺠﻴﻦ ‪ ،‬ﻛﻤﺎ ﺗﻘﻠﻞ ﻣﻦ ﻧﺴﺒﺔ ﺟﺰﻳﺌﺎت‬ ‫اﻟﻐﺒﺎر اﻟﺘﻲ ﻳﺤﺘﻮﻳﻬﺎ اﻟﻬﻮاء ‪.‬‬

‫«*‪ÂUF « l u‬‬ ‫∏∑ « ‪¡UM³‬‬

‫‪78 Albenaa‬‬

WHK² UðU³½Ë «dO−ýË —U−ý√ s W½uJ ¡«dCš WÐUž ëdÐ_« wDGð

From the Architect Report: Vertical Forest is a model for a sustainable residential building, a project for metropolitan reforestation that contributes to the regeneration of the environment and urban biodiversity without the implication of expanding the city upon the territory.

It is a model of vertical densification of nature within the city that operates in relation to policies for reforestation and naturalization of large urban and metropolitan borders.

The Vertical Forest is composed of two residential towers of 116 and 85 mt height, it is constructed in the centre of Milan, on the edge of the Isola neighbourhood, and hosts 700 trees (each measuring 3, 6 or 9 meters tall) and over 20.000 plants from a wide range of shrubs and floral plants that are distributed in relation to the façade’s position towards the sun. On flat land, the towers are equals, in amount of trees, to an area of 20.000 sqm of forest. In terms of urban density they are the equivalent of an area of single family dwellings of nearly 75.000 sqm. The vegetal system of the Vertical Forest aids in the construction of a microclimate, produces humidity, absorbs CO2 and dust particles.

81 Albenaa

¡UM³ « ∏±

UNł«u « w U dA « qO UHð

WO ULý WNł«Ë

—dJ²*« —Ëb « jI

ÂUŽ ŸUD

5łd³ « bŠ_ w{—_« —Ëb « jI 80 Albenaa

¡UM³ « ∏∞

¡«dC)« 5łd³ « …—ULF WOł—Uš qO UHð 83 Albenaa

¡UM³ « ∏≥

82 Albenaa

¡UM³ « ∏≤

‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : LAN Architects‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2015 :‬م‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﺑﻮردو ـ ﻓﺮﻧﺴﺎ‬

‫اﻟﻤﺴﺎﺣﺔ ‪٦٩٨٠:‬م‪2‬‬ ‫اﻟﺘﻜﻠﻔﺔ ‪ ٨ :‬ﻣﻠﻴﻮن ﻳﻮرو ﻏﻴﺮ ﺷﺎﻣﻞ ﻟﻠﻀﺮاﺋﺐ‬

‫‪© LAN Architecture - Photographed by Julien Lanoo, 2015‬‬

‫‪wŽUL'« sJ K 5OM³ s ŸËdA*« ÊuJ²¹‬‬

‫ﺑﻠﻎ ﺳﻌﺮ ﺑﻨﺎء اﻟﻤﺸﺮوع‪ ١٠٠٠‬ﻳﻮرو ﻓﻲ اﻟﻤﺘﺮ اﻟﻤﺮﺑﻊ اﻟﻮاﺣﺪ‬ ‫وﻫﻮ أﻗﻞ ﻣﻦ اﻟﺴﻌﺮ اﻟﻤﺘﻌﺎرف ﻋﻠﻴﻪ‪ ،‬وﻟﻜﻨﻪ ﻳﻀﻢ ﻣﺴﺎﺣﺎت‬ ‫إﺿﺎﻓﻴﺔ ‪ .‬ﺟﺎء اﻟﺘﻮﻓﻴﺮ ﻓﻲ اﻟﺴﻌﺮ ﻣﻦ ﺧﻼل اﻟﺘﺼﻨﻴﻊ اﻟﺠﺎﻫﺰ‬ ‫ﻟﻤﻜﻮﻧﺎت اﻟﻤﺸﺮوع واﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري اﻟﻤﻘﺘﺼﺪ‪ ،‬واﻟﺘﻌﺎﻣﻞ‬ ‫اﻟﻤﺒﺎﺷﺮ ﺑﻴﻦ اﻟﺠﻬﺔ ﺻﺎﺣﺒﺔ اﻟﻤﺸﺮوع واﻟﻤﺼﻨﻌﻴﻦ دون‬ ‫اﻟﻠﺠﻮء ﻟﻠﻤﺘﻌﻬﺪﻳﻦ و ﻣﻘﺎوﻟﻲ اﻟﺒﺎﻃﻦ ‪ .‬ﺗﻢ ﺑﻨﺎء اﻟﻬﻴﻜﻞ ﻣﻦ‬ ‫اﻟﺨﺮﺳﺎﻧﺔ ) ﺑﻼﻃﺎت وأﻋﻤﺪة( ‪ ،‬ﻛﻤﺎ ﺻﻤﻤﺖ اﻟﺤﻮاﺋﻂ اﻟﺨﺎرﺟﻴﺔ‬ ‫ﻧﻈﺮ‪W X‬ﻧﻬﺎ ﻏﻴﺮ ﺣﺎﻣﻠﺔ ﻟﻜﻲ ﺗﻮﻓﺮ اﻟﻌﺰل واﻟﺨﺼﻮﺻﻴﺔ وﺗﺘﻜﻮن‬ ‫ﻣﻦ ﺣﺎﺋﻄﻴﻦ؛ ﺣﺎﺋﻂ ﺧﺎرﺟﻲ ﻣﻦ أﻟﻮاح اﻟﺼﺎج اﻟﺨﻔﻴﻒ اﻟﻤﺜﻘﺐ‬ ‫ﻳﻤﻜﻦ ﺗﺤﺮﻳﻚ ﺑﻌﻀﻬﺎ ﻟﺘﻮﻓﻴﺮ اﻟﺨﺼﻮﺻﻴﺔ وﺣﺎﺋﻂ ﺛﺎﺑﺖ ﻳﻮﻓﺮ‬ ‫اﻟﻌﺰل اﻟﺤﺮاري وﻳﻀﻢ ﻓﺘﺤﺎت اﻟﻨﻮاﻓﺬ‪.‬‬ ‫ﻣﻦ اﻟﻨﺎﺣﻴﺔ اﻟﺒﻴﺌﻴﺔ ﻓﺈن ﻋﺮض اﻟﻤﺴﺎﻛﻦ ﻫﻮ ‪٧‬م ‪ ،‬وﻫﻲ ﺗﻄﻞ‬ ‫ﻋﻠﻰ اﻟﺨﺎرج ﻣﻦ ﺟﻬﺔ ﺧﺎرﺟﻴﺔ ‪ ،‬ﻣﻦ اﻟﺠﻬﺔ اﻟﺪاﺧﻠﻴﺔ ﺗﻄﻞ‬ ‫ﻋﻠﻰ ﻓﻨﺎء وﺳﻄﻲ ﻣﻤﺎ ﻳﺴﺎﻋﺪ ﻋﻠﻲ ﺗﻮﻓﻴﺮ ﺗﻬﻮﻳﺔ ﻋﺎﺑﺮة‬ ‫ﻣﺒﺎﺷﺮة‪ ،‬ﺑﺎ‪i‬ﺿﺎﻓﺔ إﻟﻰ أﻟﻮاح اﻟﺼﺎج اﻟﻤﺘﺤﺮﻛﺔ اﻟﺘﻲ ﺗﺴﺘﺨﺪم‬ ‫ﻛﻜﺎﺳﺮات ﺷﻤﺲ ﻋﻨﺪ اﻟﻠﺰوم ‪.‬‬

‫ ‪ŸËdA*« l u‬‬ ‫‪¡UM³ « ∏μ‬‬

‫‪85 Albenaa‬‬

‫‪ ٧٠‬ﻣﺴﻜﻦ ﺟﻤﺎﻋﻲ ـ ﺑﻴﺠﻞ ‪ ،‬ﻓﺮﻧﺴﺎ‬ ‫‪70 Logements Collectifs, Bègles‬‬

‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﻣﺒﻨﻴﻴﻦ ﻳﺤﺘﻮﻳﺎن ﻋﻠﻰ ‪ ٧٢‬ﻣﺴﻜﻦ‬ ‫ﺑﺎ‪-‬ﺿﺎﻓﺔ إﻟﻰ ﻣﺴﺎﺣﺎت ﺗﺠﺎرﻳﺔ‪ ،‬وﻫﻮ ﺟﺰء ﻣﻦ ﺗﻄﻮﻳﺮ ﻋﻘﺎري‬ ‫ﺳﻜﻨﻲ ﺟﺪﻳﺪ ﺟﺎء ﻟﻴﺤﻞ ﻣﺤﻞ ﻣﺒﺎﻧﻲ ﺳﻜﻨﻴﺔ ﺗﻢ ﻫﺪﻣﻬﺎ ‪.‬‬ ‫ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ ﺗﺤﻘﻴﻖ ‪ ٥‬ﻣﻌﺎﻳﻴﺮ ﺗﺨﻄﻴﻄﻴﺔ وﻣﻌﻤﺎرﻳﺔ‬ ‫ﺟﺪﻳﺪة وﻫﻲ ‪:‬‬ ‫‪ - ١‬زﻳﺎدة اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ ﻟ‪C‬ﻗﺘﺼﺎد ﻓﻲ اﺳﺘﻌﻤﺎل ا?راﺿﻲ‬ ‫واﻟﺤﺪ ﻣﻦ ﺗﻮﺳﻊ اﻟﻌﻤﺮان ‪.‬‬ ‫‪ - ٢‬ﺗﻮﻓﻴﺮ ﻣﺴﺎﻛﻦ ﺗﺴﻤﺢ ﺑﺎﻟﺘﻮﺳﻊ ﻓﻲ اﻟﻤﺴﺎﺣﺎت‬ ‫اﻟﺴﻜﻨﻴﺔ )ﺣﺘﻰ وإن ﻛﺎﻧﺖ ﺳﻜﻦ ﺟﻤﺎﻋﻲ( ﺑﺤﻴﺚ ﺗﻮاﻛﺐ‬ ‫إﺣﺘﻴﺎﺟﺎت وﺗﻄﻮر ا?ﺳﺮ وزﻳﺎدة ﻋﺪد اﻓﺮادﻫﺎ ‪.‬‬ ‫‪ -٣‬إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ وإﺑﺘﻜﺎر‬ ‫ﺣﻠﻮل ﺟﺪﻳﺪة ﺗﺠﻤﻊ ﺑﻴﻦ ﺧﺼﻮﺻﻴﺔ اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ‬ ‫واﻟﺘﻘﺎرب ا‪-‬ﺟﺘﻤﺎﻋﻲ ﺑﻴﻦ اﻟﺴﻜﺎن‪.‬‬ ‫‪ - ٤‬إﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ أﺳﻌﺎر اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻣﻦ ﺧﻼل‬ ‫ﺗﻘﻠﻴﻞ ﻋﺪد اﻟﻤﺘﻌﻬﺪﻳﻦ واﻟﺘﻌﺎﻣﻞ ﻣﺒﺎﺷﺮة ﻣﻊ اﻟﻤﺼﻨﻌﻴﻦ ‪.‬‬ ‫‪ - ٥‬اﻟﺒﺤﺚ ﻋﻦ ﺣﻠﻮل ﺑﻴﺌﻴﺔ ﺗﻨﺒﻊ ﻣﻦ اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري‬ ‫‪¡UM³ « ∏¥‬‬

‫‪84 Albenaa‬‬

‫ﺑﺤﻴﺚ ﻻ ﺗﻜﺘﻔﻲ ﺑﺄن ﺗﻜﻮن ﻓﻘﻂ ﺗﻄﺒﻴﻖ ?ﻧﻈﻤﺔ اﻟﺒﻨﺎء ‪.‬‬ ‫ﻳﻌﺘﺒﺮ اﻟﻤﺼﻤﻢ أن ﻣﺸﺮوﻋﻪ ﻏﻴﺮ ﻣﻨﺘﻬﻲ ﺑﻨﺎﺋﻴ_ ?ن ﺗﺼﻤﻴﻤﻪ‬ ‫ﻗﺎﺑﻞ ﻟﻠﺘﻄﻮﻳﺮ واﻟﺘﻮﺳﻊ اﻟﻤﺴﺘﻤﺮ ﺣﻴﺚ ﺗﻢ ﺗﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت‬ ‫ﺧﺎرﺟﻴﺔ ﻳﻤﻜﻦ ﺗﺤﻮﻳﻠﻬﺎ إﻟﻰ ﻏﺮف إﺿﺎﻓﻴﺔ ‪.‬‬ ‫أﻧﺸﺌﺖ اﻟﺤﻮاﺋﻂ اﻟﺨﺎرﺟﻴﺔ ﻣﻦ اﻟﺒﻨﺎء اﻟﺨﻔﻴﻒ ﺑﺤﻴﺚ ﻳﻤﻜﻦ‬ ‫إذا ﺗﻢ إﺿﺎﻓﺔ ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة إﻟﻰ اﻟﻤﺸﺮوع إزاﻟﺘﻬﺎ‪ .‬ﺑﺎ‪-‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﺗﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت ﺧﺎرﺟﻴﺔ ‪ .‬ﺻﻤﻤﺖ اﻟﺸﻘﻖ ﺑﺤﻴﺚ ﻻ‬ ‫ﺗﺘﺸﺎرك ﻓﻲ ﺣﻮاﺋﻄﻬﺎ اﻟﺨﺎرﺟﻴﺔ ﻛﻤﺎ ﻓﻲ اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ‬ ‫ﻟﺘﺤﺎﻓﻆ ﻋﻠﻰ ﺧﺼﻮﺻﻴﺘﻬﺎ ‪ .‬إن ﻓﻜﺮة ﺗﻮﻓﻴﺮ اﻟﺴﻜﻦ‬ ‫اﻟﺠﻤﺎﻋﻲ ﺑﻤﻤﻴﺰات اﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ ﻳﻮﻓﺮ ﻓﻲ ﺗﻤﺪﻳﺪات‬ ‫اﻟﺸﺒﻜﺎت اﻟﺘﻘﻨﻴﺔ اﻟﻤﺨﺘﻠﻔﺔ ‪ .‬ﻛﻤﺎ ﻳﻘﻠﻞ ﻣﻦ اﻟﺘﻠﻮث اﻟﺒﺼﺮي‬ ‫اﻟﻤﻌﻤﺎري ﻟﻠﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ اﻟﺘﻲ ﺗﺒﻨﻰ ﺣﺴﺐ ا?ذواق‬ ‫اﻟﻤﺨﺘﻠﻔﺔ ?ﺻﺤﺎﺑﻬﺎ ‪ .‬ﻛﻤﺎ أﻧﻪ ﻧﻈﺮ‪ h‬ﻟﻜﺜﺎﻓﺘﻬﺎ اﻟﺴﻜﻨﻴﺔ‬ ‫اﻟﻌﺎﻟﻴﺔ ﻓﻬﻲ ﺗﺴﺘﻬﻠﻚ أﻗﻞ ﻣﺴﺎﺣﺔ أرﺿﻴﺔ وﺗﻘﻠﻞ ﻣﻦ‬ ‫ﺗﻮﺳﻊ اﻟﻌﻤﺮان ﻣﻤﺎ ﻳﻘﻠﻞ ﻣﻦ ﻣﺴﺎﻓﺎت وﺣﺮﻛﺔ اﻟﻨﻘﻞ‬ ‫واﻟﺘﻠﻮث اﻟﻨﺎﺗﺞ ﻋﻨﻬﺎ ‪.‬‬

© LAN Architecture - Photographed by Julien Lanoo, 2015

ŸËdALK WO³½Uł WNł«Ë

5DzUŠ s ÊuJ²¹ Íc « wł—U)« ·öG «Ë wzUA½ù« qJON « `{u¹ rÝ—

6 modules used for the facades

lMB « WI³ *« ·öGK wKš«b « jzU(« «bŠË ÖU/

87 Albenaa

¡UM³ « ∏∑

© LAN Architecture - Photographed by Julien Lanoo, 2015

© LAN Architecture - Photographed by Julien Lanoo, 2015

UNł«u « qO UHðË wDÝu « dL*«

WOł—U)« UŠU *«Ë oIA « öOJAð

oIA « w UÐ sŽ WOł—U)« UNDz«u×Ð WIý q œdHMð

wK³I² *« lÝu² « Už«d Ë oIA « rOLBð `{u¹Ë w½U³*« bŠ√ jI

UNO lÝu² « sJ1 Už«dHÐ `L ð YO×Ð oIAK ’— s ÊuJ²¹ ÂUF « qOJA² «

86 Albenaa

¡UM³ « ∏∂

© LAN Architecture - Photographed by Julien Lanoo, 2015

From the Architect Report: LAN architecture agency has announced the completion of “Carré Lumière” in Bègles, suburb of Bordeaux, in South West France. The 72 apartments commissioned by Ataraxia, a property management company, follows the demolition of the previously idle towers of the “Terre Neuve” district.

As part of this urban project supervised by the SAEMCIB (Société Anonyme d’Economie Mixte de Construction Immobilière de Bègles) and driven by the local government, the objectives were to “exemplify” community housing with the intention to explore new propositions within the industry.

This request was guided by 4 main principles: 1. Reinvent community housing, or at least consider intermediary forms of habitats that combine the need for privacy with the enjoyment of sociability - The “Carré Lumière” has the same qualities as a single-family home (the sense of privacy, individual exterior spaces, independence, and easily accessible outdoor space) without the disadvantages in terms of environmental impact (stretching networks, visual and atmospheric pollution, excessive consumption of ground).

2. To enable people to live in a place that can evolve with them - Bègles is a semi-unfinished project, it is rather a “form in movement”. It is a malleable envelope that has the potential to double in its size tomorrow, and thus, double its capacity. Each apartment can swap its winter garden for an interior space in order to increase its living area. In response to the growth of a family, inhabitants can add a room within the framework that has already been constructed, and why not, they can always remove it once the kids have left home.

3. Give an example of “economical sobriety” - Bègles was built at a cost of 1,000 € per m², a price far below the current price in this region, and double the surface area. This result was possible thanks to the work of streamlining, of control and management budget, of architectural sobriety.

The fact that LAN cut out all the middle men also helped simplify the real-estate transactions.

4. Picture a climatic model specific and sustainable The formalised part, the urban planning requirements, allowed LAN to use a hybrid climatic model that complements the climate in this part of France. The bio-climatic design is halfway between a heavily insulated Nordic model and a Mediterranean patiostyle design. It’s based on the principle of variable compactness, which introduces the notion of the housing’s adaptability both on a large scale to rhythm of the seasons and to the minute climate changes on any given day. Everyone has the option to use their outdoor space as a windbreak, a greenhouse, or, to the contrary, as a cooling unit. This is called interseasonal architecture.

The two buildings are very distant from the actual standards of housing production: the building is only seven metres in depth, built like a parking lot and ornamented with industrial motifs. Despite some of the radical aspects of this project, it quickly became a fundamental part of the identity of this new district.

wKš«b « ¡UMH «

w{—_« —Ëb « w W¹—U−² « ö;« WEŠö sJ1Ë WOł—U)« UNł«u « s V½Uł 89 Albenaa

¡UM³ « ∏π

© LAN Architecture - Photographed by Julien Lanoo, 2015

UNO lÝu² « sJ1 w² «Ë oIA « 5Ð Už«dH «

wKš«b « ¡UMH «

wł—U)« ·öGK qO UHð

lЫd « —Ëb « jI

w½U¦ « —Ëb « jI

¡UMH « vKŽ ŸUD

‰Ë_« —Ëb « jI

w{—_« —Ëb « jI

5OM³*« vKŽ ŸUD 88 Albenaa

¡UM³ « ∏∏

‫‪ ٤٠‬ﺷﻘﺔ ﻓﻲ ﺑﺎرﻳﺲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫‪40 Housing Units‬‬ ‫اﻟﻤﺸﺮوع ﻫﻮ ﻋﻤﺎرة ﺳﻜﻨﻴﺔ ﺗﻀﻢ ‪ ٤٠‬ﺷﻘﺔ ﺳﻜﻨﻴﺔ ﻣﻮزﻋﺔ‬ ‫ﻋﻠﻲ ‪ 6‬أدوار ﺑﺎ)ﺿﺎﻓﺔ إﻟﻰ ﻣﻴﺰاﻧﻴﻦ ودور ارﺿﻲ ﺗﺠﺎري‬ ‫وﻳﻤﻜﻦ أن ﺗﺘﻮﺳﻊ اﻟﻤﺤﻼت اﻟﺘﺠﺎرﻳﺔ ﻓﻲ دور اﻟﻤﻴﺰاﻧﻴﻦ ‪.‬‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ أﺣﺪ أﺣﻴﺎء ﺑﺎرﻳﺲ ذات اﻟﻄﺎﺑﻊ اﻟﺘﺎرﻳﺨﻲ‬ ‫اﻟﺘﻲ ﺷﻴﺪت ﻓﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ اﻟﻤﻴﻼدي إﺑﺎن أﻋﻤﺎل‬ ‫إﻋﺎدة ﺗﺠﺪﻳﺪ ﺑﺎرﻳﺲ ﻋﻠﻰ ﻳﺪ اﻟﺒﺎرون ﻫﻮﺳﻤﺎن رﺋﻴﺲ‬ ‫ﺑﻠﺪﻳﺘﻬﺎ ﻓﻲ اﻟﻔﺘﺮة ﻣﻦ ‪ ١٨٥٢‬اﻟﻲ ‪١٨٧٠‬م‪ ،‬ﻓﻲ ﻋﻬﺪ ﻧﺎﺑﻠﻴﻮن‬ ‫اﻟﺜﺎﻟﺚ ‪ .‬اﻟﺘﺼﻤﻴﻢ ﻳﺴﺘﻠﻬﻢ ﻓﻜﺮﺗﻪ ﻣﻦ ﻋﻤﺎرة ﺣﻘﺒﺔ‬ ‫ﻫﻮﺳﻤﺎن اﻟﺘﻲ ﻳﺮي اﻟﻤﺼﻤﻢ أﻧﻬﺎ ﻋﻤﺎرة ذات ﻣﻤﻴﺰات‬ ‫إﺳﺘﺪاﻣﻴﺔ ﻣﻌﺎﺻﺮة ﻓﻬﻲ ﻋﻤﺎرة ذات ﺗﺼﻤﻴﻢ ﻣﻜﺘﻨﺰ‬ ‫)اﻟﺒﻨﺎء ﻳﺸﻐﻞ ﻛﺎﻓﺔ ﻣﺴﺎﺣﺔ ا‪S‬رض وﻻ ﺗﻮﺟﺪ ﻣﺴﺎﺣﺎت‬ ‫ﺿﺎﺋﻌﺔ( ‪ ،‬وﻫﻮ ﺑﻨﺎء إﻗﺘﺼﺎدي ‪S‬ﻧﻪ ﻳﺮﻓﻊ ﻣﻦ ﻧﺴﺒﺔ ﻛﺜﺎﻓﺔ‬ ‫اﻟﺒﻨﺎء إﻟﻰ ﻣﺴﺎﺣﺔ اﻻرض ‪ .‬ﻛﻤﺎ ان ﻓﺮاﻏﺎﺗﻬﺎ ﻣﺮﻧﺔ وأدوارﻫﺎ‬ ‫ذات ارﺗﻔﺎﻋﺎت ﻣﺘﻨﻮﻋﺔ‪ ،‬وﺗﺮﺗﺒﻂ أدوارﻫﺎ اﻟﺘﺤﺘﻴﺔ ) ا‪S‬رﺿﻲ‬ ‫واﻟﻤﻴﺰﻧﻴﻦ ( ﺑﺎﻟﻔﻀﺎء اﻟﻌﺎم ﻛﻤﺤﻼت ﺗﺠﺎرﻳﺔ أو ﻣﻜﺘﺒﻴﺔ‪،‬‬ ‫أﻣﺎ ﺷﻘﻘﻬﺎ اﻟﺴﻜﻨﻴﺔ ﻓﻲ ا‪S‬دوار اﻟﺒﺎﻗﻴﺔ ﻓﻬﻲ ذات أﺣﺠﺎم‬ ‫ﻣﺘﻨﻮﻋﺔ ﺗﻨﺎﺳﺐ ﻃﺒﻘﺎت اﻟﻤﺠﺘﻤﻊ اﻟﻤﺨﺘﻠﻔﺔ وإن ﻛﺎﻧﺖ‬ ‫ﺑﻨﻴﺖ ﻣﺒﺎﻧﻴﻬﺎ ﺧﺼﻴﺼﺎ ﻟﻠﻄﺒﻘﺔ اﻟﺒﺮﺟﻮازﻳﺔ ) اﻟﻄﺒﻘﺔ‬ ‫اﻟﻤﺘﻮﺳﻄﺔ ( ‪ .‬وﻟﻘﺪ ﺟﺎء ﺗﺼﻤﻴﻢ واﺟﻬﺎﺗﻬﺎ وﻧﻮاﻓﺬﻫﺎ‬ ‫اﻟﻜﺒﻴﺮة ﻟﺘﻮﻓﺮ إﺿﺎءة وﺗﻬﻮﻳﺔ ﻃﺒﻴﻌﻴﺔ ﻋﺎﻟﻴﺔ ﺣﻴﺚ ﺗﻢ‬ ‫ﺗﻮزﻳﻌﻬﺎ ﻋﻠﻲ اﻟﻮاﺟﻬﺎت ﺑﺈﻳﻘﺎع ﻣﺘﻜﺮر ﺳﻤﺢ ﻓﻴﻤﺎ ﺑﻌﺪ‬ ‫ﺑﺈﻋﺎدة اﻟﺘﻮزﻳﻊ اﻟﺪاﺧﻠﻲ دون اﻟﻤﺴﺎس ﺑﺎﻟﺸﻜﻞ اﻟﺨﺎرﺟﻲ‪.‬‬ ‫وﻟﺬﻟﻚ أﻣﻜﻦ إﺳﺘﺨﺪام ﻣﺒﺎﻧﻴﻬﺎ ﻛﻤﺴﺎﻛﻦ أو ﻣﻜﺎﺗﺐ او‬ ‫ﻣﺪارس …إﻟﺦ ‪ .‬و ﻫﻲ ﻣﺎزاﻟﺖ ﺑﻌﺪ أﻛﺜﺮ ﻣﻦ ‪ ١٥٠‬ﻋﺎﻣﺎ ﻋﻠﻰ‬ ‫إﻧﺸﺎﺋﻬﺎ ﺗﺆدي دور‪ f‬ﻋﻤﺮاﻧﻴ‪ g‬ﻣﻌﺎﺻﺮ‪. f‬‬

‫وﻳﺮي اﻟﻤﺼﻤﻢ أن اﻟﻤﺸﺮوع ﻳﻌﺘﺒﺮ ﺣﻠﻘﺔ وﺻﻞ ﺑﻴﻦ اﻟﻌﻤﺎرة‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ واﻟﻌﻤﺎرة اﻟﺤﺪﻳﺜﺔ ﻟﺒﺎرﻳﺲ ﻓﻬﻮ إن ﻛﺎن ﻣﺴﺘﻠﻬﻢ‬ ‫ﻣﻦ اﻟﺘﺎرﻳﺦ إﻻ أﻧﻪ ﻋﻤﺎرة ﺣﺪﻳﺜﺔ ‪ .‬ﺻﻤﻤﺖ اﻟﻤﺴﺎﻗﻂ ﻋﻠﻲ‬ ‫ﺷﺒﻜﺔ ﻣﻘﺴﻤﺔ إﻟﻰ وﺣﺪات ﺑﻄﻮل ‪١،٣٥‬م )وﻫﻲ اﻟﻮﺣﺪات‬ ‫اﻟﺘﻲ ﺗﺼﻤﻢ ﻋﻠﻴﻬﺎ اﻟﻤﺴﺎﺣﺎت اﻟﻤﻜﺘﺒﻴﺔ ﻓﻲ ﻓﺮﻧﺴﺎ( أﻣﺎ‬ ‫اﻟﻮاﺟﻬﺎت ﻓﺼﻤﻤﺖ ﺑﻄﺮﻳﻘﺔ ﻧﻤﻄﻴﺔ ﺗﺘﻜﻮن ﻣﻦ وﺣﺪة‬ ‫ﻛﺤﺎﺋﻂ إﻧﺸﺎﺋﻲ و وﺣﺪاﺗﻴﻦ ﻟﻔﺘﺤﺔ اﻟﻨﺎﻓﺬة وﺑﺤﻴﺚ ﺗﺒﺪو‬ ‫اﻟﻮاﺟﻬﺎت ﻣﻘﺴﻤﺔ ﺑﺘﻌﺎﻣﺪ ﻋﻠﻲ ﻓﺘﺤﺎت ﻣﺮﺑﻌﺔ وإذا ﻛﺎﻧﺖ‬ ‫اﻟﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ ذات ﺗﺼﻤﻴﻢ ﻣﺘﻜﺮر إﻻ أﻧﻬﺎ ﺗﺨﺘﻠﻒ‬ ‫ﻣﻦ ﺣﻴﺚ ﻣﻮاﺿﻊ اﻟﻨﻮاﻓﺬاﻟﺰﺟﺎﺟﻴﺔ اﻟﺨﺎرﺟﻴﺔ ﻓﻔﻲ اﻟﻮاﺟﻬﺔ‬ ‫اﻟﺸﻤﺎﻟﻴﺔ ﺟﺎءت اﻟﻨﻮاﻓﺬ ﻋﻠﻲ اﻟﺤﺪ اﻟﺨﺎرﺟﻲ ﻟﻠﻮاﺟﻬﺔ ﺑﻴﻨﻤﺎ‬ ‫ﻓﻲ اﻟﺠﻬﺔ اﻟﺠﻨﻮﺑﻴﺔ ارﺗﺪت اﻟﻨﻮاﻓﺬ إﻟﻰ اﻟﺪاﺧﻞ ﺑﺤﻴﺚ‬ ‫ﺗﻈﻠﻠﻬﺎ ﺳﻤﺎﻛﺔ اﻟﺤﻮاﺋﻂ اﻟﺨﺎرﺟﻴﺔ ‪ ،‬ﻛﻤﺎ ارﺗﺪت اﻟﻨﻮاﻓﺬ إﻟﻰ‬ ‫ﻋﻤﻖ اﻟﻤﺒﻨﻰ ﻟﺘﺸﻜﻞ ﺷﺮﻓﺎت ﻛﺈﻣﺘﺪادات ﺧﺎرﺟﻴﺔ ﻟﻠﺸﻘﻖ‪،‬‬ ‫ﻛﻤﺎ ﺗﻢ ﻋﻤﻞ ﺧﻄﻮط ﻓﻲ اﻟﻮاﺟﻬﺎت ﺗﺤﺪد اﻟﺪور اﻻرﺿﻲ‬ ‫ودور اﻟﻤﻴﺰاﻧﻴﻦ ﻟﺘﺘﻤﺎﺷﻰ اﻟﺘﻘﺎﺳﻴﻢ اﻟﺨﺎرﺟﻴﺔ ﻣﻊ اﻟﻌﻤﺎرة‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ اﻟﺘﻲ ﻛﺎﻧﺖ ﺗﺤﺪد ﻓﺎﺻﻞ ﺑﻴﻦ اﻟﺪور ا‪S‬رﺿﻲ ودور‬ ‫اﻟﻤﻴﺰاﻧﻴﻦ ‪ .‬ﻓﻲ اﻟﺪاﺧﻞ وﺿﻌﺖ ﻛﻞ اﻻﺳﺘﻌﻤﻼت اﻟﺮﺋﻴﺴﺔ‬ ‫ﻋﻠﻲ اﻟﻤﺤﻴﻂ اﻟﺨﺎرﺟﻲ ﻓﻲ أدوار اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ ﺑﻴﻨﻤﺎ‬ ‫ﺟﻤﻌﺖ اﻟﻤﺮاﻓﻖ واﻟﻤﺼﺎﻋﺪ واﻟﺴﻼم ﻓﻲ وﺳﻂ اﻟﻤﺒﻨﻲ ‪.‬‬ ‫ﻳﺴﻤﺢ ﻫﺬا اﻟﺘﻮزﻳﻊ ﺑﺈﻋﺎدة ﺗﺼﻤﻴﻢ اﻻﺳﺘﻌﻤﺎل اﻟﺪاﺧﻠﻲ‬ ‫ﻟﻴﺼﺒﺢ ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ دون اﻟﻤﺴﺎس ﺑﺎﻟﺘﻮزﻳﻊ اﻟﻌﺎم‬ ‫اواﻟﺘﺼﻤﻴﻢ اﻟﺨﺎرﺟﻲ ﻟﻠﻮاﺟﻬﺎت ‪ .‬ﻳﻌﺘﻤﺪ اﻟﻬﻴﻜﻞ‬ ‫ا)ﻧﺸﺎﺋﻲ ﻋﻠﻰ اﻟﻤﺮﻛﺰ اﻟﻮﺳﻄﻲ ﻟﻠﻤﺮاﻓﻖ‬ ‫وﻋﻠﻰ اﻟﻮﺣﺪات ا)ﻧﺸﺎﺋﻲ ﻓﻲ اﻟﺤﻮاﺋﻂ اﻟﺨﺎرﺟﻴﺔ ‪.‬‬

‫‪© LAN Architecture - Photographed by Julien Lanoo, 2014‬‬

‫‪¡UM³ « μÂ‬‬

‫‪S5 Albenaa‬‬

‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : LAN‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2014 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺑﺎرﻳﺲ ـ ﻓﺮﻧﺴﺎ‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 2900 :‬م‪2‬‬ ‫اﻟﺘﻜﻠﻔﺔ ∫ ‪ ٥،٤‬ﻣﻠﻴﻮن ﻳﻮرو ﺑﺪون ﺿﺮاﺋﺐ‬

‫‪¡UM³ « ¥Â‬‬

‫‪S4 Albenaa‬‬

wMJÝ wKš«œ l¹“uð

© LAN Architecture - Photographed by Julien Lanoo, 2014

ŸËdALK w³²J wKš«œ l¹“uð

WO ¹—U² « f¹—UÐ s U —ËU−¹ ŸËdA*« 93 Albenaa

¡UM³ « π≥

© LAN Architecture - Photographed by Julien Lanoo, 2014

WOł—U)« c «uM «Ë U dA « —UO²š« l «u Ë UNł«u « rOLBð WJ³ý `{uð ŸËdALK WOÐdG « WNł«u «

ŸËdA*« w ŸUD l¹uMð WO½UJ ≈ `{u¹Ë WOKš«b « ôULF²Ýô« wNO dðË wMJÝ 5Ð Í—U&Ë w³²J Ë

vM³ w ŸUDI Öu/ w WO ¹—U² « s U *« bŠ√ w{—_« —Ëb « ¨ f¹—UÐ ö×LK Âb ² ¹ —«Ëœ_« ULMOÐ VðUJ*«Ë Ëb³¹Ë ¨sJ K w¼ WO U³ « ¨ UŽUHð—ù« ·ö²š« w{—_« ‚u —Ëb U t½_ Î UŽUHð≈ d¦ _« d³²F¹ h UM²ð rŁ ¨W U d¦ _« v²Š —«Ëœ_« UŽUHð—« q _« dOš_« —Ëb « Âb K hB *«Ë Î UŽUHð—« Æ»eF « W³KD «Ë

92 Albenaa

¡UM³ « π≤

From the Architect Report: The project renders homage to Paris and the 19th century architecture of the Haussmann building. It seeks to preserve the “intrinsic intelligence of this form,” which has allowed the buildings constructed during the Haussmann period to survive many changes and grow with the city, providing multiple, often very different uses of the same building. The Haussmann building was designed originally as a place of residence for the bourgeoisie, but it revealed itself to be an extraordinarily open architecture capable of incorporating other uses besides habitation: offices, stores, workshops, schools, etc. There are common characteristics in all these architectures that lie at the base of this flexibility: a clear structure, a ground floor that is accessible from the street and which can extend to include the mezzanine, a wealth and variety of door and window openings to allow for the construction of all kinds of plans, variable heights in the floors, adequate thickness, and a high level of compactness. We consider these values as the great heritage of the Parisian building, and we have sought to translate them into an architecture that forms part of the city’s current logic, but which also offers solutions to current and future challenges. The design of the façade for Lot 4.2 uses a structural pattern similar to the office buildings (1.35 meters). It alternates one full module with two empty ones, which correspond to the window openings. Together with the core of the circulation, this ensures the building’s structure. The height between floors is 3.2 meters, halfway between the standard height for residential housing (2.8 meters) and that for office buildings (3.5 meters).

The commercial ground floor includes part of the 1st floor; its slightly different treatment indicates its urban character. The ornamentation borrows various elements from the Haussmann style, especially the horizontal stretchers that mark the piano nobile, as well as the proportion of fullness and emptiness.

The volume is a perfect extrusion of the triangular parcel which fully exploits all the plot’s spatial possibilities. Through its flexibility, the project introduces the notion that by emptying an architecture of its program, a building generates potential that will accompany the evolutions in urban development and allow it to respond more readily to changes in use. The rue de Saussure building seeks to anticipate needs and changes by proposing a full reversibility between a residential and an office building. At the same time, this sense of openness gives each residence a very particular quality. The apartments have a lot of windows and are very well lit and spacious. They are all set up around a loggia, an extension of the interior living space towards the exterior. This type of patio also has a thermal function, introducing a new orientation in the building that helps ventilate the housing during the summer months. The size and regularity of the door and window openings, which are identical on the three façades, create a general image of the building without specifically denoting its use. A series of architectural distinctions on the façades compensates for the different levels of thermal comfort required on the northern and southern sides. The variations play out in the size of the openings – French doors which open fully to the south versus half-height windows to the north – in the position of the windows in relation to the façade, which use its thickness to create an interior projected shadow, in the position of the stores, inside and outside, as well as in the materiality of the railing, which is made of glass or stainless steel mesh.

The materials favor a certain sobriety and are limited in number: polished concrete tinted black for the prefabricated panels for the façade, black lacquered aluminum for the concealed opening frames, glass for the windows, both for the half-height windows and the railings, stainless steel mesh, etc.

95 Albenaa

¡UM³ « πμ

w{—_« —Ëb « jI

lЫd « Ë w½U¦ « —Ëb « jI

f U)«Ë Y U¦ « —Ëb « jI

© LAN Architecture - Photographed by Julien Lanoo, 2014

WOÐuM'«Ë WO dA « WNł«u «

WOÐuM'« WOHK)« WNł«u «

w{dŽ ŸUD

WO ULA « W Ozd « WNł«u «

w uÞ ŸUD 94 Albenaa

¡UM³ « π¥

© LAN Architecture - Photographed by Julien Lanoo, 2014

WOÐdG «Ë WOÐuM'« WNł«u «

97 Albenaa

¡UM³ « π∑

© LAN Architecture - Photographed by Julien Lanoo, 2014

ŸËdA*« oIý ÈbŠ≈ qš«œ WDI

WOł—U)« UNł«u « UNM n Q²ð w² « «bŠu « ¡UMÐ ÂUE½

96 Albenaa

¡UM³ « π∂

© LAN Architecture - Photographed by Julien Lanoo, 2014

rOLBð 5Ð ‚dH « WEŠö sJ1Ë ŸËdALK ÂUŽ —uEM t …—ËU−*« l¹—UA*«Ë ŸËdA*« «c¼

‫ﺗﺸﻜﻴﻼت ﺳﻜﻨﻴﺔ‬ ‫ﻣﺘﺸﺎﺑﻜﺔ‬ ‫‪The Interlace‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : OMA / Ole Sheeren‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2013 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺳﻨﻐﺎﻓﻮرا‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 170٫000 :‬م‪2‬‬

‫∏‪¡UM³ « π‬‬

‫‪98 Albenaa‬‬

‫‪© OMA/Büro Ole Scheeren photographed by Iwan Baan‬‬

‫ﻳﻘﺪم ﻫﺬا اﻟﻤﺸﺮوع اﻟﺬي ﻳﻌﺘﺒﺮ ﻣﻦ أﻛﺒﺮ ﻣﺸﺮوﻋﺎت‬ ‫اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ ﻓﻲ ﺳﻨﻐﺎﻓﻮرا ﺣﻠﻮﻻ ﻣﺒﺘﻜﺮة‬ ‫وﺟﺪﻳﺪة ﻟﻠﻌﻤﺎرة اﻟﺴﻜﻨﻴﺔ ﻓﻲ اﻟﺒﻴﺌﺎت ا‪-‬ﺳﺘﻮاﺋﻴﺔ ‪ .‬ﻓﺒﺪﻻ‬ ‫ﻣﻦ ان ﻳﻘﺪم اﻟﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﻋﻠﻰ ﺷﻜﻞ أﺑﺮاج ﺳﻜﻨﻴﺔ‬ ‫ﻋﺎدﻳﺔ ﻣﻨﻌﺰﻟﺔ ﻋﻦ ﺑﻌﻀﻬﺎ واﻟﺘﻲ ﻇﻬﺮت ﺳﻠﺒﻴﺎﺗﻬﺎ‬ ‫اﻟﻤﻌﻤﺎرﻳﺔ و ا‪-‬ﺟﺘﻤﺎﻋﻴﺔ ﻓﻲ اﻧﺤﺎء اﻟﻌﺎﻟﻢ ‪ ،‬ﻳﺤﺎول اﻟﻤﺼﻤﻢ‬ ‫أن ﻳﺒﺘﻜﺮ ﺗﺼﻤﻴﻤﺎ ﺟﺪﻳﺪا ﻟﻠﺴﻜﻦ اﻟﺠﻤﺎﻋﻲ ﺗﻨﺪﻣﺞ ﻓﻴﻪ‬ ‫اﻟﻔﻀﺎءات اﻟﻤﻌﻴﺸﻴﺔ اﻟﺴﻜﻨﻴﺔ ﺑﺎﻟﻔﻀﺎءات ا‪-‬ﺟﺘﻤﺎﻋﻴﺔ ﻓﻲ‬ ‫إﻃﺎر ﺑﻴﺌﺔ ﻃﺒﻴﻌﻴﺔ ﻣﻨﺴﻘﺔ ﺑﺈﺗﻘﺎن وﺗﻨﺴﻴﻖ ﻓﻨﻲ راﺋﻊ ‪.‬‬ ‫ﻳﺘﺄﻟﻒ اﻟﻤﺸﺮوع ﻣﻦ ﻋﺪد ‪ ٣١‬ﺑﻠﻮك ذو ﺷﻘﻖ ﺳﻜﻨﻴﺔ ﻛﻞ‬ ‫ﺑﻠﻮك ﻳﺘﻜﻮن ﻣﻦ ‪ ٦‬ادوار ‪ ،‬ﺻﻤﻤﺖ اﻟﺒﻠﻮﻛﺎت ﺑﺸﻜﻞ ﻣﻮﺣﺪ‬ ‫وﻣﻘﺎﻳﻴﺲ ﻣﻮﺣﺪة ﻋﻠﻲ ﻫﻴﺌﺔ ﻣﺘﻮازي اﺿﻼع ‪ ،‬ﺛﻢ رﺻﺖ‬ ‫اﻟﺒﻠﻮﻛﺎت ﻓﻮق ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ و ﺑﺤﻴﺚ ﺗﺘﻘﺎﻃﻊ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ‬ ‫ﺣﻮل ﺛﻤﺎﻧﻴﺔ أﻓﻨﻴﺔ ﻣﻔﺘﻮﺣﺔ ﻛﺒﻴﺮة ذات ﺗﺸﻜﻴﻼت ﻫﻨﺪﺳﻴﺔ‬ ‫ﺳﺪاﺳﻴﺔ ﻏﻴﺮ ﻣﻨﺘﻈﻤﺔ‪ .‬ﺗﻤﺜﻞ اﻟﻤﺠﻤﻮﻋﺎت اﻟﺴﻜﻨﻴﺔ اﻟﻨﺎﺗﺠﺔ‬ ‫ﻋﻦ ﻫﺬا اﻟﺘﺼﻤﻴﻢ ﻗﺮى رأﺳﻴﺔ ذات ﻓﻀﺎءات ﺧﺎرﺟﻴﺔ ﺑﻌﻀﻬﺎ‬ ‫ﻣﺸﺘﺮك ﺑﻴﻦ اﻟﺴﻜﺎن وأﺧﺮى ﺧﺎﺻﺔ وﻣﻮزﻋﺔ ﻋﻠﻲ إرﺗﻔﺎﻋﺎت‬ ‫ﻣﺨﺘﻠﻔﺔ ‪ .‬ﻳﻘﻊ اﻟﻤﺸﺮوع ﻋﻠﻰ أرض ﺗﺒﻠﻎ ﻣﺴﺎﺣﺘﻬﺎ ‪ ٨‬ﻫﻜﺘﺎر‬ ‫ﻓﻲ ﻣﻨﻄﻘﺔ اﻟﺤﺰام ا‪n‬ﺧﻀﺮ ﺟﻨﻮب اﻟﻤﺪﻳﻨﺔ ‪.‬‬ ‫زود اﻟﻤﺸﺮوع ﺑﺨﺪﻣﺎت ﻣﺨﺘﻠﻔﺔ داﺧﻞ ﻓﻀﺎءاﺗﻪ اﻟﻌﺎﻣﺔ‬ ‫ﺗﺪﻋﻢ ﺗﻮاﺻﻞ اﻟﺴﻜﺎن إﺟﺘﻤﺎﻋﻴﺎ ‪ .‬ﻳﺤﺘﻮي اﻟﻤﺸﺮوع ﻋﻠﻰ‬ ‫ﻣﺎ ﻳﺰﻳﺪ ﻋﻦ ‪ ١٠٠٠‬ﺷﻘﺔ ﺑﺄﺣﺠﺎم ﻣﺘﻨﻮﻋﺔ ﻛﻠﻬﺎ ﻟﻬﺎ إﻃﻼﻟﺔ‬ ‫ﻋﻠﻰ اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ ﻟﻠﻤﺸﺮوع وﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ واﻟﺒﺤﺮ‪.‬‬ ‫راﻋﻰ اﻟﺘﺼﻤﻴﻢ ﻣﻌﺎﻳﻴﺮ إﺳﺘﺪاﻣﻴﺔ وﺑﻴﺌﻴﺔ ﻣﺜﻞ دراﺳﺔ‬ ‫ﺗﻌﺮض اﻟﻤﺴﺎﻛﻦ ﻻﺷﻌﺔ اﻟﺸﻤﺲ واﻟﺮﻳﺎح اﻟﺴﺎﺋﺪة واﻟﺒﻴﺌﺔ‬ ‫اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻤﺸﺮوع وإﺳﺘﺨﺪام اﺳﺘﺮاﺗﻴﺠﻴﺔ ‪-‬ﺳﺘﺨﺪام‬ ‫اﻟﻄﺎﻗﺔ ﺳﻠﺒﻴﺔ‪ .‬ﻳﻌﺰز اﻟﺘﺼﻤﻴﻢ اﻟﻌﺎم ﻟﻠﻤﺸﺮوع إﻧﺘﻤﺎء‬ ‫اﻟﺴﻜﺎن ﻟﻠﺤﻲ اﻟﺴﻜﻨﻲ ﻣﻦ ﺧﻼل ﺗﻮﻓﻴﺮ ﺳﻜﻦ ﻫﺎدئ‬ ‫ﺟﻤﻴﻞ وﻣﻨﺴﻖ ﻳﻮﻓﺮ اﻟﺨﺼﻮﺻﻴﺔ ﻟﻠﺴﻜﺎن ﻣﻦ ﺣﻴﺚ رﺣﺎﺑﺔ‬ ‫اﻟﻔﻀﺎءت اﻟﻌﺎﻣﺔ وﺗﻨﺴﻴﻖ اﻟﻤﻮاﻗﻊ رﻏﻢ ﻛﻮﻧﻪ ﺳﻜﻦ ﺟﻤﺎﻋﻲ‬ ‫ذو ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ ‪.‬‬

© OMA/Büro Ole Scheeren photographed by Iwan Baan

From the Architect Report: The Interlace, one of the largest and most ambitious residential developments in Singapore, presents a radically new approach to contemporary living in a tropical environment. Instead of creating a cluster of isolated, vertical towers – the default typology of residential developments in Singapore – the design proposes an intricate network of living and social spaces integrated with the natural environment.

Thirty-one apartment blocks, each six stories tall and identical in length, are stacked in a hexagonal arrangement around eight large-scale open and permeable courtyards.

The interlocking blocks create a vertical village of both shared and private outdoor spaces on multiple levels.

While maintaining the privacy of the individual apartments through the generous spacing of the building blocks, The Interlace creates an interactive network of outdoor spaces oriented around the focal points of the courtyards, reflecting and extending the natural surroundings.

The project is located on an eight-hectare site in the verdant Southern Ridges and will complete a nine-kilometer green belt of parks and recreational facilities. Extensive residential amenities and facilities are interwoven into the lush vegetation and offer opportunities for social interaction.

With 170,000m2 of built floor area, the development will provide over 1,000 residential units of varying sizes, each with unobstructed and varying views over the parks, the city, and the sea. Sustainability features are incorporated throughout the project through careful environmental analysis of sun, wind, and micro-climate conditions and the integration of low-impact passive energy strategies.

The project generates ample spaces and opportunities for social interaction and shared activities while also providing intimate spaces of privacy and quietness – simultaneously fostering a sense of community and maintaining individuality and identity.

W UF « «¡UCH « w …UA*« «d2

© OMA/Büro Ole Scheeren photographed by Iwan Baan

WOMJÝ …—ULFÐ …œdHM*« WOMJ « ëdÐ_« …—ULŽ ‰«b³²Ý≈ ∫ W¹—ULF*« …dJH « ¡«dC)« W UF « «¡UCH UÐ sJ « Z bð WJÐUA²

ŸËdALK W¹uKŽ …—u 101 Albenaa

¡UM³ « ±∞±

WOMJ « oIA « U uK³ WЫcł WOzUC öOJAð

© OMA/Büro Ole Scheeren photographed by Iwan Baan

WOMJ « oIA « U uKÐ 5Ð wÝbM¼ pÐUAð

lz«— l u oO Mð «– W UŽ «¡UC

100 Albenaa

¡UM³ « ±∞∞

© OMA/Büro Ole Scheeren photographed by Iwan Baan

‫ﻣﺠﻤﻊ ﺷﻘﻖ ﺳﻜﻨﻴﺔ‬ ‫‪New’R Building‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Harmonic+Masson & Associes‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2017 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻧﺎﻧﺖ ـ ﻓﺮﻧﺴﺎ‬

‫ﺗﻜﻠﻔﺔ ا ﻧﺸﺎء ‪ 13,5 :‬ﻣﻠﻴﻮن ﻳﻮرو‬ ‫اﻟﻤﺴﺎﺣﺔ ‪10350 :‬م‪2‬‬ ‫ﻳﺘﺴﻢ ﻫﺬا اﻟﻤﺠﻤﻊ اﻟﺴﻜﻨﻲ ا ﺟﺘﻤﺎﻋﻲ ﺑﺘﺼﻤﻴﻢ ﺧﺎرﺟﻲ ﺣﺮ ‪ ،‬ﻓﺎﻟﻤﺒﺎﻧﻲ ﺗﺤﻴﻄﻬﺎ‬ ‫ﺗﻤﺎﻣﺎ ﺷﺮﻓﺎت ﺷﺒﻪ داﺋﺮﻳﺔ ذات اﺣﻮاض زراﻋﻴﺔ ‪ ،‬ﺗﺬﻛﺮﻧﺎ ﺑﺄﻋﻤﺎل اﻟﻤﻌﻤﺎري اﻟﺒﺮازﻳﻠﻲ‬ ‫اوﺳﻜﺎر ﻧﻴﻤﺎﻳﺮ أو ﺑﺎﻟﻌﻤﺎرة اﻟﺴﻴﺎﺣﻴﺔ ﻟﻠﺴﻮاﺣﻞ اﻟﺒﺤﺮﻳﺔ ﻓﻲ اﻟﺴﺒﻌﻴﻨﻴﺎت اﻟﻤﺎﺿﻴﺔ‪،‬‬ ‫ا@ﻣﺮ اﻟﺬي ﻳﻤﻴﺰ ﻋﻤﺎرة ﻫﺬا اﻟﻤﺠﻤﻊ ﻋﻦ ﺑﺎﻗﻲ اﻟﻤﺒﺎﻧﻲ ﻣﻦ ﺣﻮﻟﻪ وﻳﺤﻘﻖ ﻟﻪ ﻗﻴﻤﺔ‬ ‫إﺳﺘﺜﻤﺎرﻳﺔ إﺿﺎﻓﻴﺔ ﻟﻪ‪ .‬ﻳﺒﻠﻎ ارﺗﻔﺎع اﻟﻤﺠﻤﻊ ‪٥٥‬م وﻳﺘﻜﻮن ﻣﻦ ‪ ١٩‬ﻃﺎﺑﻖ ﺑﺎ ﺿﺎﻓﺔ‬ ‫إﻟﻰ اﻟﺴﻄﺢ اﻟﻌﻠﻮي ‪ ،‬اﻟﻄﻮاﺑﻖ ﻣﻘﺴﻤﺔ إﻟﻰ ﻃﺎﺑﻖ أرﺿﻲ ﻣﻔﺘﻮح ﻋﻠﻰ اﻟﻔﻀﺎء‬ ‫اﻟﻌﺎم ﻣﻦ ﺣﻮﻟﻪ وﻳﺤﺘﻮي ﻋﻠﻲ ﻣﺴﺎﺣﺎت ﺗﺠﺎرﻳﺔ و ﻣﻜﺘﺒﻴﺔ و‪ ١٨‬ﻃﺎﺑﻖ ﺳﻜﻨﻲ‬ ‫ﺗﺤﺘﻮي ﻋﻠﻲ‪ ١٥٦‬وﺣﺪة ﺳﻜﻨﻴﺔ ذات ‪ ٤٠‬ﻧﻤﻮذج ﺗﺼﻤﻴﻤﻲ ﻣﺨﺘﻠﻒ‪ ،‬ﻛﻤﺎ ﺗﺨﺘﻠﻒ‬ ‫ﻣﺴﺎﺣﺎت اﻟﻄﻮاﺑﻖ وﺗﻘﻞ ﻛﻠﻤﺎ ارﺗﻔﻌﻨﺎ ﻟﺘﻌﻄﻲ ﻟﻠﻤﺠﻤﻊ ﺗﻨﻮع ﺷﻜﻠﻲ وﻛﺘﻞ‬ ‫ﻣﺘﺪرﺟﺔ وﺗﻤﻴﺰه ﻋﻦ اﻟﻤﺒﺎﻧﻲ ﻣﻦ ﺣﻮﻟﻪ‪.‬‬ ‫ﻳﻮﻓﺮ اﻟﺘﺪرج أﺳﻄﺢ ﺗﻢ اﺳﺘﻐﻼﻟﻬﺎ ﻛﻔﻀﺎءات ﻋﺎﻣﺔ ﺧﺎرﺟﻴﺔ ﻟﻤﻤﺎرﺳﺔ أﻧﺸﻄﺔ‬ ‫ﺟﻤﺎﻋﻴﺔ ﻣﺜﻞ اﻟﺰراﻋﺔ داﺧﻞ اﻟﺒﻴﻮت اﻟﻤﺤﻤﻴﺔ وورش ﺣﺮﻓﻴﺔ وﻣﺴﺎﺣﺎت ﻣﻔﺘﻮﺣﺔ‬ ‫ﻟ‪a‬ﻟﺘﻘﺎء ﺑﻴﻦ اﻟﺴﻜﺎن ﺗﻮﻓﺮ ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ إﻃﻼﻻت ﻣﻤﻴﺰة ﺗﻌﺮف اﻟﺴﻜﺎن‬ ‫ﺑﺎ@ﺣﻴﺎء اﻟﻤﺨﺘﻠﻔﺔ ﻟﻠﻤﺪﻳﻨﺔ ﻛﻠﻤﺎ زاد ارﺗﻔﺎع اﻟﻤﺠﻤﻊ ‪ .‬ﻫﺬا وﻗﺪ زود ﻣﻮﻗﻊ اﻟﻤﺠﻤﻊ‬ ‫ﺑﺤﺪاﺋﻖ أرﺿﻴﺔ وﻣﻮاﻗﻒ ﺳﻴﺎرات ﺗﺤﺖ أرﺿﻴﺔ ﻛﺎﻓﻴﺔ‪.‬‬

‫‪© All Photos by Takuji Shimmura‬‬

‫«*‪ÂUF « l u‬‬

‫≥∞‪¡UM³ « ±‬‬

‫‪103 Albenaa‬‬

ÂUF « l u*« 102 Albenaa

¡UM³ « ±∞≤

From the Architect Report: Composed of curved angles and surrounded by undulating balconies, New’R pays homage to Oscar Niemeyer as well as to the architecture of the 1970s French Riviera, (André Minangoy and Michel Marot’s “Marina Baie des Anges”, for example) and finally the hedonistic fantasy of Miami Beach! Sensual and multidirectional, the building is located at a pivotal point between the ‘Mail Picasso’ and the new neighbourhood currently being developed alongside the rail infrastructure. Framing and capturing the existing location, New’R embraces the site and forms a new landscape. The building’s volume compliments the surrounding scales through its sculpted effect. The construction of intermediate landings creates a sequence within the volume and the piston-like morphology facilitates a graduated system of high-rise living. Its strategic position and impact on the site offer a range of interpretations depending on one’s proximity to the building, evoking multiple responses and sensations. A range of detail on the skyline creates variation in form and invites a number of uses of the various roof terraces. This enables neighbouring local residents to appreciate the building’s different scales from a distance whilst also providing diversity and variety for the inhabitants. The design plays on the idea of movement, backgrounds and multiplicity.

The question of public space and its extension through the project was a prerequisite and is a condition that will not only invite different activities and interactions, but also establish a strong link between the shared, public space of the road and the building.

The city’s flow of pedestrians, cars and bicycles and the mixed programme (parking, retail, office space and housing) interweave and embellish the ground floor, creating a “pedestrian level volume.” The building’s transparency, depth and various perspectives engender a dynamism and liveliness around the perimeter of the project, consequently enriching the surrounding environment.

Housing constitutes 80% of the city. It’s a bit like water for the human body. We must therefore make this 80% exceptional, as the life and richness of a city are its inhabitants. We have provided diversity within the collective by creating multiple exterior spaces and apartments with a range of typologies.

There are forty differing typologies for 156 apartments, meaning the repetition inherently found in housing projects is offset by the tower’s uniqueness, which seeks to provide a sense of belonging and identity. Plant containers are built into the balcony railings of the apartments situated on the lower floors. These flowering baskets allow dwellers to tend aromatic plants and flowers of their choice, whilst the higher floors, above any obstructed views, have balconies that become large panoramic screens. Conviviality must be present in order to ensure optimum living conditions. Two shared terraces have been designed to allow neighbours the possibility to come together and create a shared future.

For example a vegetable garden and a greenhouse are integrated into the 10th floor terrace. The organisation ‘BioT-full’ provide around thirty workshops offering residents the opportunity to participate in group activities, such as the planting and growing of crops. Furthermore, a vast solarium on the sixteenth floor allows residents to organise birthday parties, soirées and other events.

105 Albenaa

¡UM³ « ±∞μ

W¹dz«b « U dAK ÂUF « qJA «

¨WO UF « WOMJ « W U¦J « ¨W¹“UM² ù« ∫…œbF² WOLOLBð dO¹UF rOLB² « wŽ«d¹ fLA « WFý_ vM³*« i¹dFð ¨w½U ½ù« ”UOI*«

WLOI² jz«u×Ð oIA « rOLBð ¡Uł ULMOÐ …dŠ WI¹dDÐ U dA « rOLBð ¡Uł

ŸËdA*UÐ jO% w² « WOł—U)« W UF « «¡UCH «Ë ÂUF « qJA « ŸËdA*« qš«œ UNCFÐ lI¹ ULMOÐ 104 Albenaa

¡UM³ « ±∞¥

WOHK)« WNł«u « 107 Albenaa

¡UM³ « ±∞∑

w{—_« —Ëb « jI

lЫd « —Ëb « jI

w{dŽ ŸUD

dýUF « —Ëb « jI

106 Albenaa

¡UM³ « ±∞∂

WOzUA½≈ qO UHð

qš«b «Ë ×U)« s w{—_« —ËbK ÊU²DI 108 Albenaa

¡UM³ « ±∞∏

© All Drawings by OMA

ÂUF « l u*«

ROOFSCAPE

GALLERIES LEVEL

`D « jI

÷dF*« —Ëœ jI

113 Albenaa

¡UM³ « ±±≥

‫ﻣﻘﺮ ﺷﺮﻛﺔ ﻟﻴﺠﻮ‬ ‫اﻟﺪﻧﻤﺎرك‬ ‫‪Lego House‬‬ ‫اﻟﻤﺼﻤﻢ ‪BIG :‬‬

‫« ‪UOKF « —«Ëœ_« v ≈ W¹œR*« r ö‬‬

‫‪© All Photos by Iwan Baan‬‬

‫ﻣﺸﺮوع ﻟﻴﺠﻮ )‪ (Lego House‬ﻳﺤﺎول أن ﻳﻌﺒﺮ ﻋﻦ‬ ‫ا‪%‬ﻣﻜﺎﻧﻴﺎت اﻟﻼﻧﻬﺎﺋﻴﺔ ﻟﺘﺮﻛﻴﺐ ﻗﻄﻊ ﻟﻌﺒﺔ ﻟﻴﺠﻮ اﻟﺘﻲ‬ ‫ﻳﺘﻤﻜﻦ ا‪-‬ﻃﻔﺎل ﻣﻦ ﻣﺨﺘﻠﻒ ا‪-‬ﻋﻤﺎر ﻣﻦ إﻧﺸﺎء ﻋﺎﻟﻤﻬﻢ‬ ‫اﻟﺨﺎص‪ ،‬ﺣﻴﺚ ﺗﺠﺘﻤﻊ اﻟﻬﻨﺪﺳﺔ اﻟﻤﻌﻤﺎرﻳﺔ واﻟﻠﻌﺒﺔ ﻋﻠﻰ‬ ‫اﻟﺨﻴﺎل ‪%‬ﻧﺸﺎء ﻋﺎﻟﻢ ﺟﺪﻳﺪ‪ .‬ﻗﺎم ﻓﺮﻳﻖ اﻟﻌﻤﻞ اﻟﻤﻜﻮن ﻣﻦ‬ ‫اﻟﻤﻜﺘﺐ اﻟﻌﻤﺎري ‪ BIG‬وﺷﺮﻛﺔ ‪ Lego‬ﺑﺘﺤﻮﻳﻞ ﻗﻴﺎﺳﺎت‬ ‫ﺑﻠﻮﻛﺎت ﻟﻌﺒﺔ ﻟﻴﺠﻮ إﻟﻰ ﻗﻴﺎﺳﺎت ﺑﻠﻮك اﻟﺒﻨﺎء ‪%‬ﺳﺘﺨﺪاﻣﻬﺎ‬ ‫ﻓﻲ ﺑﻨﺎء اﻟﻤﺸﺮوع‪.‬‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ وﺳﻂ ﻣﺪﻳﻨﺔ ﺑﻴﻠﻮﻧﺪ ﺑﺎﻟﺪﻧﻤﺎرك ‪ ،‬وﻳﺮﺗﻔﻊ‬ ‫اﻟﻤﺒﻨﻰ ‪ 23‬م‪ .‬ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ‪ 21‬ﺑﻠﻮك وزﻋﺖ ﺣﻮل‬ ‫ﺳﺎﺣﺔ ﻣﺮﻛﺰﻳﺔ ﻣﺮﺑﻌﺔ ورﺻﺖ ﻓﻮق ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ‬ ‫ﻟﺘﺴﻤﺢ ﺑﺘﺸﻜﻴﻞ ﻓﺮاﻏﺎت ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ ﺗﻮﻓﺮ ا‪%‬ﺿﺎءة‬ ‫اﻟﻄﺒﻴﻌﻴﺔ داﺧﻞ اﻟﻤﺸﺮوع ‪ .‬ﺗﻈﻬﺮ اﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ‬ ‫ﻛﺄﻧﻬﺎ ﻛﻬﻒ دون أﻋﻤﺪة و ﺗﺴﻤﺢ ﻟﻠﺰوار ﺑﺎﻟﺘﻨﻘﻞ ﺑﻴﻦ‬ ‫أﻗﺴﺎم اﻟﻤﺒﻨﻰ ﺑﺴﻬﻮﻟﺔ ‪ .‬وﻳﻤﻴﺰ اﻟﺴﺎﺣﺔ ﻃﺎﺑﻊ ﺣﻀﺮي‬ ‫ﻳﺮﺣﺐ ﺑﺎﻟﺰوار ‪ ،‬وﻳﻔﺘﺢ ﻋﻠﻴﻬﺎ ﻣﻘﻬﻰ‪ ،‬وﻣﻄﻌﻢ‪ ،‬وﻣﺘﺠﺮ‬ ‫‪ ،Lego‬وﻏﺮﻓﺔ ﻟﻠﻤﺆﺗﻤﺮات‪.‬‬ ‫ﻗﺴﻢ اﻟﻤﺸﺮوع إﻟﻰ أرﺑﻌﺔ أﻗﺴﺎم رﺗﺒﺖ وﻟﻮﻧﺖ ﺑﺎ‪-‬ﻟﻮان‬ ‫ا‪-‬ﺳﺎﺳﻴﺔ ﻟﺸﺮﻛﺔ ‪) Lego‬ا‪-‬ﺻﻔﺮ‪ ،‬ا‪-‬ﺣﻤﺮ ‪ ،‬ا‪-‬زرق وا‪-‬ﺧﻀﺮ( و‬ ‫ﻧﻈﻤﺖ ا‪-‬ﺟﺰاء اﻟﺪاﺧﻠﻴﺔ ﻣﻦ اﻟﻄﺎﺑﻖ ا‪-‬ول واﻟﺜﺎﻧﻲ ﻟﺘﻜﻮن‬ ‫ﻣﻨﺎﻃﻖ ﻟﻠﻌﺐ ا‪-‬ﻃﻔﺎل وﺻﻨﻔﺖ ﺣﺴﺐ أﻟﻮان ا‪-‬ﻗﺴﺎم ﺣﻴﺚ‬ ‫وﺿﻊ ﻟﻜﻞ ﺑﺮﻧﺎﻣﺞ ﻟﻮن‪ ،‬ﻓﺎ‪-‬ﺻﻔﺮ ﻳﻌﺒﺮ ﻋﻦ اﻟﻌﺎﻃﻔﺔ وا‪-‬ﺣﻤﺮ‬ ‫ﻳﻌﺒﺮ ﻋﻦ ا‪%‬ﺑﺘﻜﺎر وا‪-‬زرق ﻳﻌﺒﺮ ﻋﻦ اﻟﺘﻌﺎرف وا‪-‬ﺧﻀﺮ ﻳﻌﺒﺮ‬ ‫ﻋﻦ اﻟﻨﻮاﺣﻲ اﻻﺟﺘﻤﺎﻋﻴﺔ‪ .‬ﻓﻲ أﻋﻠﻰ اﻟﻤﺒﻨﻰ ﻳﻮﺟﺪ ﻣﻌﺮض‬ ‫ﻟﻠﺘﺤﻒ ﻣﻜﻮن ﻣﻦ ﻣﺠﻤﻮﻋﺔ ﻣﻦ إﺑﺪاﻋﺎت ﻣﺤﺒﻲ ﻟﻌﺒﺔ‬ ‫‪ ،Lego‬ﻳﺤﺘﻮي اﻟﺴﻄﺢ ﻋﻠﻰ ﺳﺎﺣﺎت ﺧﺎرﺟﻴﺔ ﺗﺘﻴﺢ ﻟﻠﺰوار‬ ‫ﺑﺈﻃﻼﻟﺔ ﺑﺎﻧﻮراﻣﻴﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‪.‬‬

‫ ‪ŸËdALK WOKš«œ WDI‬‬

‫‪GROUND LEVEL CHILDREN’S SQUARE‬‬

‫ ‪‰Ë_« —Ëb « jI‬‬

‫≤‪¡UM³ « ±±‬‬

‫‪112 Albenaa‬‬

W¹e d*« WŠU «

nײK ÷dF

© All Photos by Iwan Baan

From the Architect Report: “LEGO house is a literal manifestation of the infinite possibilities of the LEGO brick. Through systematic creativity children of all ages are empowered with the tools to create their own worlds and to inhabit them through play. At its finest – that is what architecture – and LEGO play – is all about: enabling people to imagine new worlds that are more exciting and expressive than the status quo – and to provide them with the skills to make them reality. This is what children do every day with LEGO bricks – and this is what we have done today at LEGO House with actual bricks, taking Billund a step closer towards becoming the Capital for Children.” Bjarke Ingels, Founding Partner, BIG. BIG and LEGO bring the toy scale of the classic LEGO brick to architectural scale with LEGO House, forming vast exhibition spaces and public squares that embody the culture and values at the heart of all LEGO experiences.

Due to its central location in the heart of Billund, the 23 m tall LEGO House is conceived as an urban space as much as an experience center. 21 overlapping blocks are placed like individual buildings, framing a 2,000 m2 LEGO square that is illuminated through the cracks and gaps between the volumes. The plaza appears like an urban cave without any visible columns and is publicly accessible, allowing visitors and citizens of Billund to shortcut through the building.

The LEGO square is energized by an urban character, welcoming locals and visitors to the café, restaurant, LEGO store and conference facilities. Above the square, a cluster of galleries overlap to create a continuous sequence of exhibitions. Each gallery is color-coded in LEGO’s primary colors so wayfinding through the exhibitions becomes a journey through the color spectrum.

The first and second floors include four play zones arranged by color and programmed with activities that represent a certain aspect of a child’s learning: red is creative, blue is cognitive, green is social, and yellow is emotional. Guests of all ages can have an immersive and interactive experience, express their imagination, and not least be challenged by meeting other builders from all over the world.

The top of the building is crowned by the Masterpiece Gallery, a collection of LEGO fans’ beloved creations that pay tribute to the LEGO community. The Masterpiece Gallery is made of the iconic 2x4 LEGO brick and showcases art beneath eight circular skylights that resemble the studs of the brick. Like the golden ratio, the proportions of the brick are nested in the geometries of everything man-made in the building, from the glazed ceramic tiles in the steps and walls to the overall 21 block scheme.

Atop the Masterpiece Gallery, citizens and visitors can get a 360° panoramic view of the city. Some of the rooftops can be accessed via pixelated public staircases that double as informal auditoria for people watching or seating for performances. The History Collection at the lower level is where visitors can experience an archival immersion into the LEGO company and brand’s story.

The Vault – located underneath LEGO Square – is where children and AFoLs (Adult Fans of LEGO) can witness the first edition of almost every LEGO set ever manufactured, including the new 774-piece, 197-step kit replicating the stacked-block formation of the LEGO House.

ŸËdALK Íuł —uEM 115 Albenaa

¡UM³ « ±±μ

© All Drawings by OMA

ŸËdALK WOł—Uš WDI

ŸËdA*« …dJH WO×O{uð U uÝ— 114 Albenaa

¡UM³ « ±±¥

117 Albenaa

¡UM³ « ±±∑

© IOC - Luca Delachaux

From the Architect Report: In 2014 3XN won the competition to design IOC’s new headquarters, Olympic House. The HQ is designed around three key values/objectives: movement, flexibility and sustainability. Its interior is designed with as few structural constraints as possible, and has a eightmeter column free zone from the façade into the building.

A transparent double glass façade is the hallmark of the design for Olympic House. Comprising a straight inner layer and a curving, faceted outer layer, the result is a dynamic form that evokes the movement of an Olympic athlete. By optimizing the ‘façade to floor plate’ ratio and creating a fully glazed façade from floor to ceiling, 3XN’s design draws daylight deep into the building. The inner layer features an integrated sunscreen, which enables the outer later to maintain its fully glazed and transparent appearance.

As there is a highway close to the building’s north side, the double façade also provides noise reduction for the interiors. A cavity between the façade layers enables easy maintenance while allowing for the dynamic and elegant skin. The aim for the design has been to minimize the environmental footprint while not compromising the quality of the working environment. Through the green roof, terraces and fitness center, the building and natural environment is rich with the opportunity for employees to participate in sport and leisure activities in order to energize themselves throughout the day. Sustainable features such as low-flow taps, toilets, and ‘rainwater harvesting significantly reduce the building’s use of water; while the solar panels located on the roof reduce the need for electricity from the grid.

© 3XN - Forbes Massie

‫ ﻋﻦ ﺗﺼﻤﻴﻢ اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ‬3XN ‫ﻛﺸﻒ اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ‬ ‫ ﺣﻴﺚ ﻓﺎز اﻟﻤﺸﺮوع ﺑﻤﺴﺎﺑﻘﺔ‬،‫ﻟﻠﺠﻨﺔ ا(وﻟﻤﺒﻴﺔ ﻓﻲ ﺳﻮﻳﺴﺮا‬ :‫ ﻣﺤﺎور رﺋﻴﺴﺔ ﻫﻲ‬3 ‫ ﺻﻤﻢ اﻟﻤﺸﺮوع ﺣﻮل‬.‫م‬2014 ‫ﺗﺼﻤﻴﻤﻪ ﻋﺎم‬ ‫ وﺗﻤﻴﺰ ﻣﻦ اﻟﺪاﺧﻞ ﺑﺎﻟﺘﻘﻠﻴﻞ ﻣﻦ‬.‫ اﻟﺤﺮﻛﺔ واﻻﺳﺘﺪاﻣﺔ‬،‫اﻟﻤﺮوﻧﺔ‬ ‫ ﺣﻴﺚ ﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ‬،‫ﻧﺸﺎﺋﻴﺔ ﻗﺪر اﻟﻤﺴﺘﻄﺎع‬D‫اﻟﻌﻨﺎﺻﺮ ا‬ ‫إﻧﺸﺎء ﺑﻴﺌﺔ ﻣﻔﺘﻮﺣﺔ وﻣﺮﻧﺔ ﻗﺎدرة ﻋﻠﻰ اﻟﺘﻜﻴﻒ ﻣﻊ ﻣﺨﺘﻠﻒ‬ ‫ ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ واﺟﻬﺔ زﺟﺎﺟﻴﺔ ﺗﺤﻴﻂ‬.‫اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫ﺑﺎﻟﻤﺒﻨﻰ وﺗﻤﺘﺪ ﻣﻦ ا(رض إﻟﻰ اﻟﺴﻘﻒ وﻫﻲ ﺗﻌﺪ اﻟﺴﻤﺔ اﻟﻤﻤﻴﺰة‬ ‫ وﺗﺘﺄﻟﻒ اﻟﻮاﺟﻬﺔ ﻣﻦ واﺟﻬﺔ داﺧﻠﻴﺔ ﻣﻦ ا(ﻟﻮاح‬.‫ﻓﻲ اﻟﺘﺼﻤﻴﻢ‬ ‫ وﻫﻲ ﺗﻬﺪف إﻟﻰ اﻟﺤﻤﺎﻳﺔ‬،‫اﻟﺰﺟﺎﺟﻴﺔ ﺛﺒﺘﺖ ﺑﺸﻜﻞ ﻣﺴﺘﻘﻴﻢ‬ .‫ﻣﻦ أﺷﻌﺔ اﻟﺸﻤﺲ وﺗﺤﺎﻓﻆ ﻋﻠﻰ اﻟﻤﻈﻬﺮ اﻟﺨﺎرﺟﻲ ﻟﻠﻤﺒﻨﻰ‬ ‫أﻣﺎ اﻟﻮاﺟﻬﺔ اﻟﺨﺎرﺟﻴﺔ ﻓﻬﻲ أﻳﻀﺎ ﻣﻦ اﻟﺰﺟﺎج وﻟﻜﻦ ﺗﻢ ﺗﺜﺒﻴﺘﻬﺎ‬ .‫ﺑﺸﻜﻞ ﻣﺎﺋﻞ ﻟﻠﺘﻌﺒﻴﺮ ﻋﻦ ﺣﺮﻛﺔ اﻟﺮﻳﺎﺿﻴﻴﻦ ﻓﻲ ا(ﻟﻌﺎب ا(وﻟﻤﺒﻴﺔ‬ ‫ﺿﺎءة‬D‫ﺗﺴﻤﺢ اﻟﻮاﺟﻬﺔ اﻟﺰﺟﺎﺟﻴﺔ ﺑﺪﺧﻮل ﻛﻤﻴﺔ ﻛﺒﻴﺮة ﻣﻦ ا‬ ‫ وﺗﻌﻤﻞ ﻛﻌﺎزل ﺻﻮﺗﻲ ﻟﻠﺤﺪ‬،‫اﻟﻄﺒﻴﻌﻴﺔ إﻟﻰ داﺧﻞ اﻟﻤﺒﻨﻰ‬ ‫ ﺣﻴﺚ ﻳﻘﻊ اﻟﻤﺒﻨﻰ ﻋﻠﻰ ﻃﺮﻳﻖ ﺳﺮﻳﻊ ﻗﺮﻳﺐ ﻣﻦ‬،‫ﻣﻦ اﻟﻀﻮﺿﺎء‬ ‫ ﻛﻤﺎ ﺗﺤﺘﻮي اﻟﻮاﺟﻬﺔ ﻋﻠﻰ ﺗﺠﻮﻳﻒ ﺑﻴﻦ‬،‫اﻟﺠﻬﺔ اﻟﺸﻤﺎﻟﻴﺔ ﻟﻠﻤﺒﻨﻰ‬ ‫ اﻟﻤﻘﺮ‬.‫اﻟﻮاﺟﻬﺘﻴﻦ اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ ﻟﺘﺴﻬﻴﻞ ﻋﻤﻠﻴﺔ اﻟﺼﻴﺎﻧﺔ‬ ‫اﻟﺠﺪﻳﺪ ﻟﻠﺠﻨﺔ ا(وﻟﻤﺒﻴﺔ ﺳﻴﻜﻮن ﻣﻦ أﻛﺜﺮ اﻟﻤﺒﺎﻧﻲ اﻟﺰﺟﺎﺟﻴﺔ اﻟﺘﻲ‬ ‫ﺗﻬﺪف إﻟﻰ ﺗﺤﻘﻴﻖ أﻋﻠﻰ ﻣﻌﺎﻳﻴﺮ اﻻﺳﺘﺪاﻣﺔ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام‬ ‫ا(ﻟﻮاح اﻟﺸﻤﺴﻴﺔ ﻓﻮق اﻟﺴﻄﺢ واﻟﺘﻲ ﺳﺘﻨﺘﺞ ﻃﺎﻗﺔ ﺗﻌﺎدل‬ ‫ وﻳﺴﻤﺢ ﻫﺬا اﻟﻤﻘﺪار ﻣﻦ اﻟﻄﺎﻗﺔ ﺑﺠﻌﻞ‬،‫ ﻣﺴﻜﻦ‬60 ‫اﺳﺘﻬﻼك‬ ‫ ﻓﻲ ﺗﺸﻐﻴﻞ أﻧﻈﻤﺔ اﻟﺘﻬﻮﻳﺔ واﻟﺘﺒﺮﻳﺪ‬k‫اﻟﻤﺒﻨﻰ ﻣﻜﺘﻔﻲ ذاﺗﻴ‬ .‫وأﻧﻈﻤﺔ ﺗﺴﺨﻴﻦ اﻟﻤﻴﺎه‬

тАл╪зя╗Яя╗дя╗Шя║о ╪зя╗Яя║ая║кя╗│я║ктАм тАля╗Яя╗ая║ая╗ия║Ф ╪з ┘Ия╗Яя╗дя║Тя╗┤я║ФтАм тАля║│я╗оя╗│я║┤я║о╪зтАм Olympic House : тАл╪зя╗Яя╗дя║╝я╗дя╗втАм Architect : 3XN Architects

├ВU┼╜ тАФuEM

┼╕├ЛdA*┬л ┬бUM├Р ┬бUM┼БтИЪ WOzUA┬╜├╣┬л тА░UL┼╜├║ ┬аUDI 116 Albenaa

┬бUM┬│ ┬л ┬▒┬▒тИВ

‫«'‪—uJ¹b « w b¹b‬‬

‫ﺳﻠﺔ ﻣﻬﻤﻼت ﻣﻄﻮرة‬ ‫اﺑﺘﻜﺎر ﺟﺪﻳﺪ ﻟﺴﻠﺔ ﻣﻬﻤﻼت ذﻛﻴﺔ ‪ Titan‬ﺣﺎﺋﺰة ﻋﻠﻰ ﺑﺮاءة‬ ‫اﺧﺘﺮاع‪ ،‬ﺗﻌﻤﻞ ﺑﻨﻈﺎم اﻟﻨﻈﺎﻓﺔ اﻟﺼﺤﻴﺔ ﺣﻴﺚ ﺗﻌﻤﻞ ﻋﻠﻰ‬ ‫ﺿﻐﻂ اﻟﻨﻔﺎﻳﺎت داﺧﻞ اﻟﺴﻠﺔ ﻣﻤﺎ ﻳﺴﻤﺢ ﺑﺘﺤﻤﻞ ‪ ٣‬أﺿﻌﺎف‬ ‫ﻛﻤﻴﺔ اﻟﻨﻔﺎﻳﺎت ﻣﻦ اﻟﺴﻠﺔ اﻟﺘﻘﻠﻴﺪﻳﺔ‪ ،‬ﻓﻌﻤﻠﻴﺔ ﺿﻐﻂ‬ ‫اﻟﻨﻔﺎﻳﺎت ﻳﻌﻤﻞ ﻋﻠﻰ اﻟﺤﺪ ﻣﻦ اﺳﺘﻬﻼك أﻛﻴﺎس اﻟﻨﻔﺎﻳﺎت ‪.‬‬ ‫وﺗﺘﻤﻴﺰ ﻫﺬه اﻟﺴﻠﺔ ﺑﺎﺣﺘﻮاﺋﻬﺎ ﻋﻠﻰ ﻓﻠﺘﺮ ﻟﻠﺤﺪ ﻣﻦ اﻧﺒﻌﺎث‬ ‫اﻟﺮواﺋﺢ اﻟﻜﺮﻳﻬﺔ اﻟﺘﻲ ﺗﺼﺪرﻫﺎ اﻟﻨﻔﺎﻳﺎت‪ .‬وﺗﺴﺘﺨﺪم ﺳﻠﺔ‬ ‫اﻟﻤﻬﻤﻼت ‪ Titan‬أﻛﻴﺎس ﺧﺎﺻﺔ ﻳﺘﻢ ﺗﺜﺒﻴﺘﻬﺎ داﺧﻞ ﺻﻨﺪوق‬ ‫اﻟﺴﻠﺔ اﻟﻤﻌﺪﻧﻲ ﺑﻄﺮﻳﻘﺔ ﺳﻬﻠﺔ وﻫﺬه ا‪K‬ﻛﻴﺎس ﺗﺤﺘﻮي ﻋﻠﻰ‬ ‫ﺷﺮﻳﻂ ﻟﺮﺑﻂ اﻟﻜﻴﺲ ﻋﻨﺪ اﻣﺘﻼﺋﻪ‪ ،‬وﺗﺘﻤﻴﺰ ﺑﻤﺘﺎﻧﺘﻬﺎ وﻗﻮة‬ ‫ﺗﺤﻤﻠﻬﺎ‪ .‬وﺗﺘﻢ ﻋﻤﻠﻴﺔ اﻟﻀﻐﻂ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام ﻣﻘﺒﺾ‬ ‫ﻳﺮﻓﻊ ﻳﺪوﻳﺎ وﺿﻐﻄﻪ إﻟﻰ أﺳﻔﻞ ﺻﻨﺪوق ﺳﻠﺔ اﻟﻤﻬﻤﻼت‪.‬‬ ‫وﺗﺤﺘﻮي ﺳﻠﺔ اﻟﻤﻬﻤﻼت ﻋﻠﻰ ﻏﻄﺎء ﻣﻦ اﻟﺴﺘﻴﻨﻠﺲ ﺳﺘﻴﻞ‬ ‫ﻳﻔﺘﺢ ﻣﻦ ﺧﻼل اﻟﻀﻐﻂ ﻋﻠﻰ دواﺳﺔ ﻣﻦ اﻟﺴﺘﻴﻞ اﻟﺼﻠﺐ‪.‬‬

‫‪Titan Trash Compactor‬‬ ‫‪Titan is an innovative waste solution with a patented,‬‬ ‫‪hygienic compaction system. This allows it to hold up‬‬ ‫‪to three times more than a similar-sized household bin.‬‬ ‫‪Compacting your rubbish means you empty your bin less‬‬ ‫‪often and use fewer liners. Titan also features an anti‬‬‫‪tear design that won’t stretch or pinch the liner and a‬‬ ‫‪replaceable odour filter to neutralise any unpleasant smells.‬‬ ‫‪www.josephjoseph.com‬‬

‫∞≤‪¡UM³ « ±‬‬

‫‪120 Albenaa‬‬

—uJ¹b « w b¹b'«

‫أﻃﺒﺎق ﻟﺘﺤﺪﻳﺪ ﻣﺪة‬ ‫ﺻﻼﺣﻴﺔ ا ﻃﻌﻤﺔ‬ ‫ وﻫﻲ أﻃﺒﺎق ﺑﻌﺪة‬،‫أﻃﺒﺎق ﻟﺘﺤﺪﻳﺪ ﻣﺪة ﺻﻼﺣﻴﺔ ا ﻃﻌﻤﺔ‬ ‫ وﺗﺘﻜﻮن ﻣﻦ ﻏﻄﺎء‬،‫أﺣﺠﺎم ﻳﺘﻢ ﺗﺨﺰﻳﻦ اﻟﻄﻌﺎم ﻓﻴﻬﺎ‬ ‫ﻳﺤﺘﻮي ﻋﻠﻰ أرﻗﺎم ﻟﺘﺤﺪﻳﺪ ﺗﺎرﻳﺦ ووﻗﺖ ﺑﺪاﻳﺔ اﻟﺘﺨﺰﻳﻦ‬ ‫ وﻫﻲ ﻣﻨﺎﺳﺒﺔ ﻟﺤﻔﻆ اﻟﻠﺤﻮم‬،‫ﺑﻄﺮﻳﻘﺔ ﺳﻬﻠﺔ وﻣﺒﺘﻜﺮة‬ ‫ ﻫﺬه ا ﻃﺒﺎق ﻣﻨﺎﺳﺒﺔ ﻟﺘﺨﺰﻳﻦ‬.‫واﻟﻔﻮاﻛﻪ واﻟﺨﻀﺮوات‬ ‫ا ﻃﻌﻤﺔ داﺧﻞ اﻟﺜﻼﺟﺔ وﻫﻲ آﻣﻨﺔ ﻋﻨﺪ اﺳﺘﺨﺪاﻣﻬﺎ‬ ‫ﻟﺘﺴﺨﻴﻦ ا ﻃﻌﻤﺔ داﺧﻞ أﺟﻬﺰة اﻟﻤﻴﻜﺮووﻳﻒ وﻳﻤﻜﻦ‬ .‫ ﻓﻲ آﻟﺔ ﻏﺴﻞ ا ﻃﺒﺎق‬I‫ﻏﺴﻠﻬﺎ أﻳﻀ‬

The Dial food storage The Dial food storage range lets you keep track of those all-important use by dates with a dateable lid; simply turn the dial clockwise to set the month and anti-clockwise to set the day.

Perfect for leftover meals, opened meats, veg and fruit, these BPA-free containers are available in a range of shapes and sizes. The stackable sets are ideal for use in the fridge or freezer and are microwave and dishwasher safe. www.josephjoseph.com

122 Albenaa

¡UM³ « ±≤≤

—uJ¹b « w b¹b'«

‫ﻣﺼﺒﺎح ﻋﻠﻰ ﺷﻜﻞ‬ ‫زﻫﺮة اﻟﺨﺰاﻣﻰ‬ ‫( ﺗﺘﻤﻴﺰ‬Tulip) ‫إﺿﺎءة ﺑﺘﺼﻤﻴﻢ ﻣﺴﺘﻮﺣﺎة ﻣﻦ زﻫﺮة اﻟﺨﺰاﻣﻰ‬ ‫( وﻫﻲ‬Tulip) ‫ وﺗﻌﻨﻲ ﻛﻠﻤﺔ‬.‫ﺑﻴﻦ اﻟﺘﻘﻨﻴﺔ واﻟﺘﺼﻤﻴﻢ اﻟﺮاﻗﻲ‬ ‫ ﻛﻤﺎ ﺗﻌﻨﻲ‬،‫ﻣﻦ أﺻﻞ ﻋﺜﻤﺎﻧﻲ )اﻟﺸﺎش( أو اﻟﻨﺴﻴﺞ اﻟﻘﻄﻨﻲ‬ ‫ ﻣﺼﺒﺎح إﺿﺎءة‬Pierre Cabrera ‫ ﺻﻤﻢ اﻟﻤﺼﻤﻢ‬. ‫اﻟﻌﻤﺎﻣﺔ‬ ‫ وﻫﻲ ﻣﺎدة‬HI - MACS ‫ﺑﺸﻜﻞ زﻫﺮة اﻟﺨﺰاﻣﻰ ﻣﻦ ﻣﺎدة‬ ‫ ﻳﺘﻮﻓﺮ اﻟﻤﺼﺒﺎح‬. ‫ﺻﻠﺒﺔ ﻣﻘﺎوﻣﺔ ﻟﻠﺨﺪوش واﻟﺤﺮاﺋﻖ واﻟﺒﻜﺘﻴﺮﻳﺎ‬ Tulip 20 , Tulip 40, Tulip 50 , Tulip 60, ‫ﺑﻌﺪة ﻗﻴﺎﺳﺎت‬ .‫ ﻟﺘﺘﻨﺎﺳﺐ ﻣﻊ ﻛﺎﻓﺔ اﻻﺳﺘﺨﺪاﻣﺎت‬Tulip 80

The “Tulip” lamp Like a graceful, fine and timeless flower of light, this HI-MACS tulip-shaped lamp enhances emotion, technology and highend materials. The beauty and grace of the tulip have made this flower a symbol of sincere and powerful love. The English word “tulip” stems from Ottoman Turkish, meaning “muslin, gauze,” and also “turban.” For designer Pierre Cabrera, HIMACS proved to be the ideal material to create his project while respecting its essence. Tulip subtly combines complexity and simplicity, craftsmanship and industrial production. Starting off as a sketch, <Tulip> was then made in paper in order to find the right balance of its curves. Each lamp is designed by a laser and comes in different sizes: ‘Tulip’20, ‘Tulip’30, ‘Tulip’40, ‘Tulip’50 and ‘Tulip’60 for large spaces. http://pierre-cabrera.fr

124 Albenaa

¡UM³ « ±≤¥

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫ﺷﺮﻛﺔ ﻣﺼﻨﻊ ا ﺑﺮاج اﻟﻤﺘﺨﺼﺼﺔ ـ ﺗﻮﺳﻤﺎك‬ ‫ا ﺳﺘﺎذ رﺷﻴﺪ ﻣﺤﻤﻮد اﻟﺒﻮرﻳﻨﻲ ـ اﻟﻤﺪﻳﺮ اﻟﺘﻨﻔﻴﺬي‬

‫ﺗﺄﺳﺴﺖ ﺷﺮﻛﺔ ﻣﺼﻨﻊ ا ﺑﺮاج اﻟﻤﺤﺪودة ﻋﺎم ‪ ٢٠٠٤‬م ﺑﺎﻟﺘﻌﺎون ﻣﻊ اﻟﻤﻜﺘﺐ‬ ‫اﻟﻬﻨﺪﺳﻲ ﻟﻠﺘﺼﻤﻴﻢ واﻻﺳﺘﺸﺎرة ـ ﺧﺒﺮاء ا ﺑﺮاج وﻫﻮ ﻣﻦ ﻃﻠﻴﻌﺔ اﻟﻤﻜﺎﺗﺐ‬ ‫اﻟﻬﻨﺪﺳﻴﺔ اﻻﺳﺘﺸﺎرﻳﺔ واﻟﻤﺘﺨﺼﺼﺔ ﺑﺎ=ﺗﺼﺎﻻت‪ ،‬وﻫﺬا اﻟﺘﻌﺎون اﻟﻤﺜﻤﺮ أﻋﻄﻰ‬ ‫دﻋﻤ‪ D‬ﻛﺒﻴﺮ‪ ، C‬ﺣﻴﺚ أن اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ ﻟﻠﺘﺼﻤﻴﻢ واﻻﺳﺘﺸﺎرة ﻳﻘﻮم‬ ‫ﺑﺎﻟﺘﺼﻤﻴﻢ اﻟﻜﺎﻣﻞ واﻟﺘﻔﺼﻴﻠﻲ ﻟﻤﺤﻄﺎت ا=ﺗﺼﺎﻻت وﻫﻲ ﻛﺎﻟﺘﺎﻟﻲ ‪ :‬ا ﻋﻤﺎل‬ ‫ا=ﻧﺸﺎﺋﻴﺔ واﻟﻤﺪﻧﻴﺔ واﻟﻜﻬﺮﺑﺎﺋﻴﺔ واﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ‪.‬ا ﻋﻤﺎل اﻟﻤﺴﺎﺣﻴﺔ واﻟﺰﻳﺎرات‬ ‫اﻟﻤﻴﺪاﻧﻴﺔ ﻟﻠﻤﻮاﻗﻊ‪ .‬ﺗﺤﻠﻴﻞ ا ﺑﺮاج‪ .‬ﺗﺼﻤﻴﻢ ا ﺑﺮاج‪.‬إﻋﺪاد اﻟﻤﺨﻄﻄﺎت اﻟﺘﻨﻔﻴﺬﻳﺔ‬ ‫واﻟﺘﺤﻀﻴﺮﻳﺔ‪ .‬ﺗﺼﻨﻴﻊ ا ﺑﺮاج وﻣﻼﺋﻤﺘﻬﺎ ﻟﻠﻤﻮاﻗﻊ‪ .‬وﻗﺪ ﺗﻢ ﺗﺄﺳﻴﺲ ﻣﺼﻨﻊ ا ﺑﺮاج‬ ‫اﻟﻤﺘﺨﺼﺼﺔ ﺑﺎﻟﺘﻌﺎون ﻣﻊ ﻛﺒﺎر اﻟﻤﺼﺎﻧﻊ ا وروﺑﻴﺔ ﻓﻲ ﻧﻈﺎم اﻟﻤﺎﻛﻴﻨﺎت اﻟﻤﺘﺨﺼﺼﺔ‬ ‫ﺑﺎ ﺑﺮاج‪ .‬واﻟﻬﺪف اﻟﺮﺋﻴﺲ ﻟﻠﻤﺼﻨﻊ ﻫﻮ اﻟﻤﺴﺎﻋﺪة ﻓﻲ ﻧﻤﻮ ﻋﺎﻟﻢ ا=ﺗﺼﺎﻻت وﺗﻄﻮره‬ ‫ﺑﻄﺮق ﺻﻨﺎﻋﻴﺔ ﻣﺘﻘﺪﻣﺔ ﻓﻲ اﻟﻤﻤﻠﻜﺔ واﻟﺪول اﻟﻌﺮﺑﻴﺔ‪ .‬وﻗﺪ ﺟﻌﻠﻨﺎ ﻓﻲ ﺷﺮﻛﺔ‬ ‫ﻣﺼﻨﻊ ا ﺑﺮاج ﺻﻨﺎﻋﺔ ا ﺑﺮاج أﻛﺜﺮ دﻗﺔ وﺟﻮدة ﺑﺎﺳﺘﺨﺪام اﻟﻨﻈﺎم اﻟﻤﺘﻜﺎﻣﻞ‬ ‫ﻟﻤﻌﺪات وأﺟﻬﺰة ‪ CNC‬ا=ﻟﻜﺘﺮوﻧﻴﺔ واﻟﺘﻲ ﺗﺪار ﺑﻮاﺳﻄﺔ اﻟﻜﻤﺒﻴﻮﺗﺮ واﻻﻧﺘﺮﻧﺖ‬ ‫ﺑﺎﺳﺘﺨﺪام ﺑﺮاﻣﺞ ﻛﻤﺒﻴﻮﺗﺮ ﻣﺘﻄﻮرة واﻟﺨﻂ ا=ﻧﺘﺎﺟﻲ ﻟﻠﻤﺼﻨﻊ ﻛﺎ‪Y‬ﺗﻲ ‪:‬‬ ‫ـ ﺗﺼﻤﻴﻢ وﺗﺼﻨﻴﻊ ا ﺑﺮاج اﻟﺤﺪﻳﺪﻳﺔ‪.‬‬ ‫ـ ﺗﺼﻨﻴﻊ ﺟﻤﻴﻊ ا ﻋﻤﺎل اﻟﺤﺪﻳﺪﻳﺔ‪.‬‬ ‫ـ أﻋﻤﺪة ا=ﻧﺎرة وا ﺑﺮاج اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‪.‬‬ ‫ـ أﻋﻤﺪة ﻣﻮﻧﺒﻮل ‪ ٣٦‬م ‪.‬‬ ‫ـ رش اﻟﻤﻮاﺳﻴﺮ اﻟﺤﺪﻳﺪﻳﺔ ﺑﻤﺎدة اﻟﺮﻣﻞ ﻟﺘﻘﻮﻳﺔ أﻋﻤﺎل اﻟﺠﻠﻔﻨﺔ‪.‬‬ ‫ـ رش ﺑﺎودر ﻛﻮﺗﻨﺞ ﺑﻤﺨﺘﻠﻒ أﻟﻮاﻧﻪ‪.‬‬ ‫اﻟﺤﺼﻮل ﻋﻠﻰ ا ﻳﺰو‬ ‫ﻋﻠﻤ‪ D‬ﺑﺄن اﻟﻤﺼﻨﻊ ﺳﺒﻖ ﻟﻪ اﻟﺤﺼﻮل ﻋﻠﻰ ﺷﻬﺎدة اﻟﺠﻮدة اﻟﻌﺎﻟﻤﻴﺔ أﻳﺰو‬ ‫‪ ٢٠٠٨‬ـــ ‪ 2008 ٩٠٠١‬ـــ ‪ BSEN Iso 9001‬واﻟﺘﻲ ﺗﻢ ﺗﺠﺪﻳﺪﻫﺎ ﺣﺘﻰ ﺗﺎرﻳﺦ‬ ‫‪٢٠١٨ / ٩ / ١٤‬م‪ .‬وﺟﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ أن اﻟﻤﺼﻨﻊ ﻗﺪ ﺗﻢ اﻋﺘﻤﺎده ﻟﺪى ﺷﺮﻛﺔ أراﻣﻜﻮ‬ ‫وﻛﺬﻟﻚ ﺳﻜﻴﻜﻮ وأﺑﺮاج ﻣﻮﺑﺎﻳﻠﻲ واﻟﺤﺮس اﻟﻮﻃﻨﻲ‪.‬‬ ‫أﻧﻮاع ﻣﻨﺘﺠﺎت اﻟﻤﺼﻨﻊ‬ ‫ا ﺑﺮاج‪:‬‬ ‫ﻣﻦ ‪٦‬م إﻟﻰ ‪ ١٢٠‬م‪.‬‬ ‫ﻋﻘﻮد ﻋﺎم ‪ ٢٠١٨‬ـــ ‪ ٢٠١٩‬م‬ ‫‪ ١‬ـ ﻋﻘﺪ اﻻﺗﺼﺎﻻت اﻟﺴﻌﻮدﻳﺔ )أﺑﺮاج ـ ﺑﺎﻳﻠﻮن(‪.‬‬ ‫‪ ٢‬ـ ﻋﻘﺪ أرﻳﻜﺴﻮن ) أﺑﺮاج ـ ﺑﺎﻳﻠﻮن(‪.‬‬ ‫‪ ٣‬ـ ﻋﻘﺪ ﺷﺮﻛﺔ ﻧﻮﻛﻴﺎ ) أﺑﺮاج ـ ﺑﺎﻳﻠﻮن(‪.‬‬ ‫‪ ٤‬ـ ﻋﻘﺪ ﺷﺮﻛﺔ ﻫﻮاوي ) أﺑﺮاج ـ ﺑﺎﻳﻠﻮن(‪.‬‬ ‫‪ ٥‬ـ ﻋﻘﻮد ﻣﺘﻨﻮﻋﺔ ﻣﻊ ﺑﺎﻗﻲ اﻟﻤﻘﺎوﻟﻴﻦ‪.‬‬ ‫‪ ٦‬ـ ﺷﺮﻛﺔ ‪ ITC‬ﻟ‪o‬ﺗﺼﺎﻻت ‪.‬‬ ‫اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﻠﻤﺼﻨﻊ‬ ‫ﺗﻢ ﺗﺪﺷﻴﻦ اﻟﻤﻘﺮ اﻟﺠﺪﻳﺪ ﻟﻠﻤﺼﻨﻊ ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻟﺜﺔ ﺑﺎﻟﺮﻳﺎض‪ ،‬ﻟﻴﺼﺒﺢ ﺻﺮﺣ‪D‬‬ ‫ﺻﻨﺎﻋﻴ‪ D‬ﻳﺴﻬﻢ ﻓﻲ اﻟﻨﻬﻀﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺘﻲ ﺗﺸﻬﺪﻫﺎ اﻟﻤﻤﻠﻜﺔ‪.‬‬

‫‪١٠٠‬م‬

‫‪ ٧٠‬م‬

‫‪ ٦٠‬م‬

‫ﺟﺎﻣﻌﺔ اﻟﻘﺼﻴﻢ‬

‫اﻟﺨﺰف اﻟﺴﻌﻮدي‬

‫ﻣﻮﺑﺎﻳﻠﻲ‬

‫ﻣﻘﺮ اﻟﻤﺼﻨﻊ اﻟﺠﺪﻳﺪ ـ اﻟﻤﺪﻳﻨﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻟﺜﺔ ـ ﻣﺨﺮج ‪ ١٣‬ﻗﺒﻞ ﺗﻘﺎﻃﻊ ﻃﺮﻳ‪$‬ﻖ اﻟﺨﺮج اﻟﺠﺪﻳﺪ ﻣﻊ اﻟﻘﺪﻳﻢ‬

‫∂≤‪¡UM³ « ±‬‬

‫‪126 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫رواد ﻓﻲ ﺻﻨﺎﻋﺔ ا ﻗﻔﺎل اﻟﺬﻛﻴﺔ وﺟﻤﻴﻊ إﻛﺴﺴﻮارات ا ﺑﻮاب اﻟﺨﺸﺒﻴﺔ‬ ‫ﺷﺮﻛﺔ أﻛﺎدا ﻟﻠﺘﺠﺎرة‬ ‫ﺗﻌﻤﻞ ﺷـــﺮﻛﺔ أﻛﺎدا ﻓﻲ ﺻﻨﺎﻋـــﺔ ا ﻗﻔﺎل اﻟﺬﻛﻴﺔ‬ ‫ﻣﻨـــﺬ ﻋـــﺎم ‪١٩٩٨‬م ‪ ،‬وﻫـــﻲ ﺗﻘـــﺪم ﻣﻨﺘﺠﺎﺗﻬـــﺎ‬ ‫وﺣﻠﻮﻟﻬﺎ ﻟﻘﻄﺎﻋﺎت اﻟﻔﻨﺎدق واﻟﺸﻘﻖ واﻟﻤﻜﺎﺗﺐ‬ ‫واﻟﻤﺮاﻓﻖ اﻟﺘﺮﻓﻴﻬﻴﺔ ﻋﻠﻰ اﻟﻤﺴﺘﻮﻳﻴﻦ اﻟﻤﺤﻠﻲ‬ ‫واﻟﺪوﻟﻲ‪.‬‬ ‫ﻳﻘـــﻊ ﻣﻘﺮ اﻟﺸـــﺮﻛﺔ اﻟﺮﺋﻴﺲ ﻓﻲ ﺗﻮﻧـــﺞ ﺟﺎﻧﺞ ﻓﻲ‬ ‫ﻣﺪﻳﻨـــﺔ وﻳﻨـــﺰو ﻋﻠـــﻰ ﻣﺴـــﺎﺣﺔ ‪ ١٠٫٠٠٠‬ﻣﺘـــﺮ ﻣﺮﺑـــﻊ ‪،‬‬ ‫وﺗﺴـــﻌﻰ اﻟﺸـــﺮﻛﺔ ‪G‬ﻧﺘـــﺎج أﻓﻀﻞ ا ﻗﻔـــﺎل اﻟﺘﻲ‬ ‫ﻳﻤﻜـــﻦ اﻻﻋﺘﻤـــﺎد ﻋﻠﻴﻬـــﺎ ﺣﻴـــﺚ ﻃـــﻮرت ﺧﻄﻮط‬ ‫إﻧﺘـــﺎج ﻣﺘﻜﺎﻣﻠـــﺔ وﺑﻬﺎ ﻣﺮﻛـــﺰ ﻟﻠﺒﺤـــﺚ واﻟﺘﻄﻮﻳﺮ‬ ‫واﻟﺘﺠﻤﻴﻊ واﻟﺨﺪﻣﺎت اﻟﻠﻮﺟﺴﺘﻴﺔ‪ .‬وﻟﺪى اﻟﺸﺮﻛﺔ‬ ‫‪ ٣٠٠‬ﻣﻮﻇﻒ ﻋﻠﻰ ﻗـــﺪر ﻋﺎﻟﻲ ﻣﻦ اﻟﻤﻬﺎرة واﻟﺪراﻳﺔ‬ ‫واﻟﺘﻘﻨﻴـــﺔ ﻣﻤـــﺎ ﻳﺴـــﺎﻋﺪﻫﻢ ﻋﻠﻰ ﺗﻘﺪﻳـــﻢ ﺟﻤﻴﻊ‬ ‫اﻟﺨﺪﻣـــﺎت ﻣﻦ ﺗﺴـــﻮق وﻣﺮﻛـــﺰ ﻟﺨﺪﻣـــﺎت ﻣﺎ ﺑﻌﺪ‬ ‫اﻟﺒﻴﻊ ﻟﺘﺤﻘﻴﻖ اﻟﺮﺿﺎ اﻟﺘﺎم ﻟﺪى اﻟﻌﻤﻼء‪.‬‬ ‫وﺗﺤﻈـــﻰ أﻛﺎدا ﺑﺎﻟﺴـــﻤﻌﺔ اﻟﺠﻴـــﺪة ﻓﻲ اﻟﺴـــﻮق‬ ‫اﻟﻌﺎﻟﻤـــﻲ ﺣﻴﺚ وﻗـــﺮت اﻟﺸـــﺮﻛﺔ ﻣﻨﺘﺠﺎﺗﻬﺎ ﻛﺜﺮ‬ ‫ﻣﻦ ‪ ١٠٫٠٠٠‬ﻓﻨﺪق وأﺑﻨﻴﺔ ﺗﺠﺎرﻳﺔ ﺑﺎﻟﻮﻗﺖ اﻟﻤﻨﺎﺳـــﺐ‬ ‫وﻣﻨﺘﺠﺎﺗﻬـــﺎ ﻳﻤﻜـــﻦ اﻻﻋﺘﻤـــﺎد ﻋﻠﻴﻬـــﺎ ‪ ،‬وﺗﺘﻮﻓـــﺮ‬ ‫ﻣﻨﺘﺠـــﺎت أﻛﺎدا ﻓﻲ أﻛﺜﺮ ﻣـــﻦ ‪ ٥٠‬دوﻟﺔ ﻓﻲ أﻣﺮﻳﻜﺎ‬ ‫اﻟﺸـــﻤﺎﻟﻴﺔ ‪ ،‬أوروﺑـــﺎ ‪ ،‬ﺟﻨـــﻮب أﺳـــﻴﺎ‪ ،‬واﻟﺸـــﺮق‬ ‫ا وﺳﻂ‪.‬‬

‫‪Since 1998 AKADA have been in smart‬‬ ‫‪lock industry for nearly 16 years and now‬‬ ‫‪we offer both products and solutions to‬‬ ‫‪hotels, apartment, offices, facilities and‬‬ ‫‪leisure, facilities at domestic and oversea‬‬ ‫‪market.‬‬ ‫‪We settled at LongGang. WenZhou with‬‬ ‫‪10000M production base. We wish to‬‬ ‫‪produce the most reliable lock to clients,‬‬ ‫‪and with this wish, we have developed‬‬ ‫‪a complete and mature production line,‬‬ ‫‪including the R&D, molding, punching,‬‬ ‫‪dieing, assembling testing and logistics.‬‬ ‫‪Allied with 300 intelligent employees,‬‬ ‫‪and our department of R&D, production,‬‬ ‫‪marketing and after - sale center, we can‬‬ ‫‪secure customer and overall satisfaction‬‬ ‫‪purchase experience.‬‬ ‫‪AKADA have maintained the strong‬‬ ‫‪position and served more than 10,000‬‬ ‫‪hotel clients. With the right time, reliable‬‬ ‫‪producing ability, diversified range of‬‬ ‫‪products, AKADA products had been sold‬‬ ‫‪to more than 50 countries and regions, in‬‬ ‫‪North America,Europe, southeast Asia,‬‬ ‫‪the Middle East and other places, with a‬‬ ‫‪large number of overseas users.‬‬

‫∏≤‪¡UM³ « ±‬‬

‫‪128 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺗﺮﺷﻴﺪ ا ﺳﺘﻬﻼك ﻓﻲ اﻟﻄﺎﻗﺔ‬ ‫اﻟﻤﻬﻨﺪس ﻓﺮﻳﺪ ﻋﺒﺪ اﻟﺴﺘﺎر اﻟﻤﻴﻤﻨﻲ‬

‫إن أﻫﻤﻴﺔ ﺗﺮﺷﻴﺪ اﻟﻄﺎﻗﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ أﺻﺒﺤﺖ ﻫﺎﺟﺴ ﻟﻜﻞ اﻟﻤﻬﺘﻤﻴﻦ‬ ‫ﻣﺴــﺌﻮﻟﻴﻦ وﻣﻮاﻃﻨﻴﻦ ﺣﺘﻰ اﻧﻄﻠــﻖ اﻟﺒﺮﻧﺎﻣﺞ اﻟﻮﻃﻨﻲ ‪-‬دارة وﺗﺮﺷــﻴﺪ اﻟﻄﺎﻗﺔ )ﺑﺮﻧﺎﻣﺞ‬ ‫ﻛﻔﺎءة اﻟﻄﺎﻗﺔ( وﻛﻮد اﻟﺒﻨﺎء اﻟﺴﻌﻮدي وﻧﻈﺎم ا‪-‬ﻟﺰام ﺑﺎﻟﻌﺰل اﻟﺤﺮاري ﻟﻠﻤﺒﺎﻧﻲ‪ ،‬ودورﻫﻤﺎ‬ ‫ﻓــﻲ ﺗﺨﻔﻴﺾ اﺳــﺘﻬﻼك اﻟﻜﻬﺮﺑﺎء ﺑﺮﻋﺎﻳــﺔ ﻣﻠﻜﻴﺔ ﻛﺮﻳﻤــﺔ ﻟﻠﺤﺪ ﻣﻦ اﺳــﺘﻨﺰاف اﻟﻄﺎﻗﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ واﻟﺘﻲ ﻳﺴــﺘﻬﻠﻚ اﻟﺘﻜﻴﻴﻒ ﻣﻨﻬﺎ ﺳــﺘﻮن ﺑﺎﻟﻤﺎﺋﺔ ‪ .‬ﻛﻤﺎ أن ﺗﻄﺒﻴﻖ وﺗﻨﻔﻴﺬ‬ ‫اﻟﻌــﺰل اﻟﺤﺮاري ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻤﻤﻠﻜﺔ أﺻﺒﺢ إﻟﺰاﻣﻴ ﻓﻲ ﺿﻮء اﻟﻘﺮار اﻟﺴــﺎﻣﻲ‬ ‫رﻗﻢ ‪ 6927‬م ب‪ ،‬وﺗﺎرﻳﺦ ‪ ،22/9/1431‬اﻟﻘﺎﺿﻲ ﺑﺎﻟﻤﻮاﻓﻘﺔ ﻋﻠﻰ ﺗﻄﺒﻴﻖ اﻟﻌﺰل اﻟﺤﺮاري ﺑﺸﻜﻞ‬ ‫إﻟﺰاﻣﻲ ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﺒﺎﻧﻲ اﻟﺠﺪﻳﺪة‪ ،‬ﺳــﻮاء اﻟﺴــﻜﻨﻴﺔ أو اﻟﺘﺠﺎرﻳﺔ‪ ،‬أو أﻳﺔ ﻣﻨﺸﺂت أﺧﺮى‬ ‫أﺳﻮة ﺑﺎﻟﻤﻨﺸﺂت اﻟﺤﻜﻮﻣﻴﺔ ﻓﻲ اﻟﻤﺪن اﻟﺮﺋﻴﺴﻴﺔ ﺑﻤﻨﺎﻃﻖ اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫اﻟﻤﻬﻨﺪس ‪ /‬ﻓﺮﻳﺪ ﻋﺒﺪ اﻟﺴﺘﺎر اﻟﻤﻴﻤﻨﻲ‬

‫ﻟﻘـــﺪ ﺳـــﻌﺪﻧﺎ ﺑﺈﺻـــﺪار اﻟﻘﻮاﻧﻴـــﻦ اﻟﺘـــﻲ‬ ‫ﺗﻬـــﺪف إﻟﻰ ﺗﺮﺷـــﻴﺪ اﻟﻄﺎﻗـــﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ‬ ‫ﻣﻤـــﺎ ﺳـــﻴﻜﻮن ﻟـــﻪ ﺑﺎﻟـــﻎ ا‪$‬ﺛـــﺮ ﻓـــﻲ‬ ‫ﺗﺨﻔﻴـــﺾ ا‪$‬ﺣﻤﺎل اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ و ﺗﻮﻓﻴﺮ‬ ‫اﻟﺒﺘـــﺮول اﻟﻤﺴـــﺘﺨﺪم ﻟﺘﻮﻟﻴـــﺪ اﻟﻄﺎﻗـــﺔ‬ ‫وﺑﺎﻟﺘﺎﻟﻲ ﺗﺨﻔﻴﺾ ا‪$‬ﻋﺒـــﺎء اﻟﻤﺎﻟﻴﺔ ﻋﻠﻰ‬ ‫اﻟﻤﻮاﻃﻨﻴﻦ واﻟﺪوﻟـــﺔ و ذﻟﻚ ﺑﺘﺨﻔﻴﺾ‬ ‫اﻟﻄﺎﻗـــﺔ اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓـــﻲ اﻟﻤﺒﺎﻧـــﻲ‬ ‫اﻟﺴـــﻜﻨﻴﺔ ﺑﺎﺳـــﺘﺨﺪام اﻟﻌـــﺎزل اﻟﺤﺮاري‬ ‫ﻓﻲ اﻟﺠﺪران اﻟﺨﺎرﺟﻴﺔ وأﺳـــﻘﻒ اﻟﻤﺒﺎﻧﻲ‬ ‫و اﻟﺘﻲ ﺗﻢ وﺿﻊ ﻗﻴﻢ ﻟﻠﻤﻘﺎوﻣﺔ اﻟﺤﺮارﻳﺔ‬ ‫ﺑﻜـــﻮد اﻟﺒﻨﺎء اﻟﺴـــﻌﻮدي‪ .‬و ﻫﺬه اﻟﻘﻴﻢ‬ ‫ﻛﻔﻴﻠـــﺔ ﺑﺘﺨﻔﻴـــﺾ ﻣـــﺎ ﻧﺴـــﺒﺘﻪ أﻛﺜـــﺮ‬ ‫ﻣـــﻦ ‪ ٪٥٠‬ﻣﻦ ﻓﺎﺗـــﻮرة اﻟﻜﻬﺮﺑـــﺎء اﻟﺤﺎﻟﻴﺔ‬ ‫وﻟﻜﻦ ﻋﻨـــﺪ ﺗﻨﻔﻴﺬ اﻟﺘﻌﻠﻴﻤـــﺎت اﻟﺨﺎﺻﺔ‬ ‫ﺑﻬـــﺬه اﻟﻤﻮاﺻﻔـــﺎت ﻛﺎن ﻟﻨـــﺎ اﻟﻌﺪﻳـــﺪ‬ ‫ﻣـــﻦ اﻟﻤﻼﺣﻈـــﺎت اﻟﺘـــﻲ ﺗﻬـــﺪد ﺑﻌـــﺪم‬ ‫ﺗﺤﻘﻴـــﻖ أﻫﺪاف اﻟﻤﺸـــﺮوع اﻟﺮاﺋـــﺪ اﻟﺬي‬ ‫ﻳﻘـــﻮده ﺻﺎﺣﺐ اﻟﺴـــﻤﻮ اﻟﻤﻠﻜـــﻲ ا‪$‬ﻣﻴﺮ‬ ‫ﻋﺒﺪاﻟﻌﺰﻳـــﺰ ﺑﻦ ﺳـــﻠﻤﺎن ﺑـــﻦ ﻋﺒﺪاﻟﻌﺰﻳﺰ‬ ‫وﻫﺬه اﻟﻤﻼﺣﻈﺎت ﻛﺎﻟﺘﺎﻟﻲ‪ :‬ــ‬ ‫• اﺳـــﺘﺨﺪام اﻟﻄﻮب ا‪$‬ﺳـــﻤﻨﺘﻲ اﻟﻤﺤﺸﻮ‬ ‫ﺑﺎﻟﺒﻮﻟﻴﺴﺘﺮﻳﻦ ‪.‬‬ ‫• اﺳﺘﺨﺪام اﻟﻄﻮب اﻟﺒﺮﻛﺎﻧﻲ ‪.‬‬ ‫• اﺳـــﺘﺨﺪام ﻃﻮب اﻟﺴﻴﺒﻮرﻛﺲ وﺑﻨﺎؤه‪.‬‬ ‫ﺑﺨﻠﻄـــﺔ اﺳـــﻤﻨﺘﻴﺔ ﻳﺴـــﺒﺐ اﻟﺠﺴـــﻮر‬ ‫اﻟﺤﺮاري‪.‬‬

‫∞≥‪¡UM³ « ±‬‬

‫‪130 Albenaa‬‬

‫• اﺳـــﺘﺨﺪام اﻟـــﻮاح اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ ﻟﻠﻌﺰل‬ ‫اﻟﺤﺮاري‬ ‫و ﻓـــﻲ اﻟﺜﻼﺛﺔ ﺑﻨﻮد ا‪$‬وﻟﻰ ﻳﻮﺟﺪ ﻛﺜﻴﺮ ﻣﻦ‬ ‫اﻟﻜﺒـــﺎري اﻟﺤﺮارﻳـــﺔ واﻟﺘـــﻲ ﺗـــﺆدي ﻟﻔﻘﺪان‬ ‫ﻗﻴﻤـــﺔ اﻟﻤﻘﺎوﻣﺔ اﻟﺤﺮارﻳﺔ ﻟﻠﺠﺪران وﺗﺼﺒﺢ‬ ‫ﻋﺪﻳﻤﺔ اﻟﺠﺪوى واﻟﻔﺎﺋﺪة‪.‬‬ ‫اﻣـــﺎ ﻓـــﻲ اﻟﺒﻨﺪ اﻟﺮاﺑـــﻊ ﻓﺈن اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ‬ ‫و اﻟﻤـــﻮاد اﻟﺒﻴﺘﺮوﻛﻴﻤﻴﺎﺋﻴـــﺔ ﺑﺼﻔـــﺔ ﻋﺎﻣﺔ‬ ‫ﻣـــﻮاد ﻗﺎﺑﻠـــﺔ ﻟﻼﺷـــﺘﻌﺎل و ﻫـــﺬا ﻳﺘﻨﺎﻓـــﻰ‬ ‫ﻣـــﻊ ﻣﻮاﺻﻔـــﺎت اﻟﺒﻨـــﺎء ﻓـــﻲ ﺟﻤﻴـــﻊ دول‬ ‫اﻟﻌﺎﻟـــﻢ وﺑﺨﺎﺻـــﺔ اﻟﺨﻠﻴﺠﻴﺔ ﻓﻘـــﺪ ﻣﻨﻌﺖ‬ ‫اﺳـــﺘﺨﺪاﻣﻪ دوﻟﺔ ﻗﻄﺮ ﻣﻨﺬ ﻋﺪة ﺳـــﻨﻮات‬ ‫وﺻـــﺪرت ﻣﻮاﺻﻔـــﺎت اﻟﺒﻨـــﺎء ﺑﺎ‪b‬ﻣـــﺎرات‬ ‫اﻟﻌﺮﺑﻴـــﺔ اﻟﻤﺘﺤـــﺪة ﺗﻤﻨﻊ اﺳـــﺘﺨﺪام ﻣﺜﻞ‬ ‫ﻫـــﺬه اﻟﻤﻮاد اﻟﺘﻲ ﺗﺴـــﺒﺒﺖ ﻓـــﻲ اﻟﻌﺪﻳﺪ‬ ‫ﻣـــﻦ اﻟﺤﺮاﺋﻖ ﺑﺎﻟﻤﺒﺎﻧﻲ ﻧﺎﻃﺤﺎت اﻟﺴـــﺤﺐ‪.‬‬ ‫و ﻟﻘـــﺪ ﺣﺮﺻـــﺖ إدارة اﻟﺪﻓـــﺎع اﻟﻤﺪﻧـــﻲ‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ ﺑﺈﺻﺪار ﻗﺮار ﺑﺎﻟﻤﻮاد اﻟﺘﻲ ﻳﻤﻨﻊ‬ ‫اﺳـــﺘﺨﺪاﻣﻬﺎ ﻓﻲ إﻧﺸـــﺎء اﻟﻤﺴﺘﺸـــﻔﻴﺎت‬ ‫وﻫﻲ اﻟﻤﻮاد اﻟﻘﺎﺑﻠﺔ ﻟﻼﺣﺘﺮاق ﺳـــﻮاء ﻛﺎن‬ ‫داﺧﻠﻴـــﺎ أو ﺧﺎرﺟﻴـــﺎ أو ﻇﺎﻫـــﺮ أو ﻏﻴﺮ ذﻟﻚ‪.‬‬ ‫اﻣﺎ اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ اﻟﻤﻤﺪد و اﻟﺬي ﻻﺣﻈﻨﺎ‬ ‫اﺳـــﺘﺨﺪاﻣﻪ ﻓـــﻲ اﻟﻜﺜﻴـــﺮ ﻣـــﻦ اﻟﻤﺒﺎﻧـــﻲ‬ ‫ﻓﺒﺎ‪b‬ﺿﺎﻓـــﺔ ﻟﻘﺎﺑﻠﻴﺘـــﻪ ﻟﻼﺷـــﺘﻌﺎل ﻓﺈﻧـــﻪ‬ ‫ﻳﺘﻘﻠـــﺺ ﺑﻌـــﺪ ﻓﺘﺮة ﻗﺼﻴـــﺮة ﻣـــﻦ اﻟﺰﻣﻦ‬ ‫وﻳﺼﺒﺢ ﺑﻼ ﻓﺎﺋﺪة ﺑﺎﻟﻌﺰل اﻟﺤﺮاري‪.‬‬ ‫ﻣﻤﺎ ﺳـــﺒﻖ و ﺣﺮﺻﺎ ﻋﻠﻰ ﺗﻄﺒﻴﻖ اﻟﻘﺮارات‬

‫ا‪b‬ﻟﺰاﻣﻴـــﺔ و اﻻﺳـــﺘﻔﺎدة اﻟﻘﺼـــﻮى ﻣـــﻦ‬ ‫اﻟﻤﺠﻬـــﻮد اﻟﻤﺒـــﺬول ﻓـــﻲ ﻫـــﺬا اﻟﺠﺎﻧـــﺐ‬ ‫ﻛﺎن ﻟﺰاﻣـــﺎ ﻋﻠﻴﻨﺎ ان ﻧﻀـــﻊ ﻣﻼﺣﻈﺎﺗﻨﺎ ﺑﻴﻦ‬ ‫اﻳﺪﻳﻜﻢ ﻟﻠﺼﺎﻟﺢ اﻟﻌﺎم ﻟﺘﺘﺨﺬوا ا‪b‬ﺟﺮاءات‬ ‫اﻟﻜﻔﻴﻠـــﺔ ﺑﻨﺠﺎح ﻣﺸـــﺮوع ﻛﻔـــﺎءة ‪ ،‬وﺗﺒﻠﻎ‬ ‫اﻟﻤﻜﺎﺗـــﺐ اﻟﻬﻨﺪﺳـــﻴﺔ وأﻣﺎﻧـــﺎت وﺑﻠﺪﻳﺎت‬ ‫اﻟﻤـــﺪن ﺑﺎﻟﺘﻌﻠﻴﻤـــﺎت واﻟﻤـــﻮاد اﻟﺼﺤﻴﺤـــﺔ‬ ‫ا‪l‬ﻣﻨﺔ ﻟﻠﻌﺰل اﻟﺤﺮاري ‪.‬‬ ‫وﻳﺸـــﻜﻞ اﺳـــﺘﻬﻼك اﻟﺘﻜﻴﻴـــﻒ ﻓﻲ ﺗﻠﻚ‬ ‫اﻟﻤﺒﺎﻧـــﻲ ‪ ،٪ ٧٠‬وﻣـــﻦ ﻫﻨـــﺎ ﺗﺄﺗـــﻲ أﻫﻤﻴـــﺔ‬ ‫ﺗﻄﺒﻴـــﻖ اﺷـــﺘﺮاﻃﺎت اﻟﻌﺰل اﻟﺤـــﺮاري ﻋﻠﻰ‬ ‫ﺟﻤﻴـــﻊ اﻟﻤﺒﺎﻧـــﻲ واﻟﺬي ﻳﻮﻓـــﺮ ‪ ٪ ٤٠-٣٠‬ﻣﻦ‬ ‫أﺣﻤـــﺎل اﻟﺘﻜﻴﻴﻒ‪ ،‬ﻣﻊ أﻫﻤﻴـــﺔ ﻣﻼﺣﻈﺔ أن‬ ‫ﺗﻜﻠﻴﻒ اﻟﻌﺰل اﻟﺠـــﺮاري ﻻ ﺗﻤﺜﻞ ﻓﻲ أﻋﻠﻰ‬ ‫ا‪$‬ﺣـــﻮال أﻛﺜﺮ ﻣﻦ ‪ ٪ ٥‬ﻣﻦ ﺗﻜﺎﻟﻴﻒ إﻧﺸـــﺎء‬ ‫اﻟﻤﺒﻨـــﻰ‪ ،‬وﻳﻤﻜﻦ أن ﺗﺴـــﺘﺮد ﺧﻼل ﻣﺪة ﻻ‬ ‫ﺗﺘﺠﺎوز ﺧﻤﺲ ﺳﻨﻮات ﻧﺘﻴﺠﺔ ﻟﻠﺘﻮﻓﻴﺮ ﻓﻲ‬ ‫ﻓﺎﺗﻮرة اﻟﻜﻬﺮﺑﺎء‪.‬‬ ‫وﺗﺠﺪر ا‪b‬ﺷﺎرة إﻟﻰ أن اﻟﺠﻬﻮد اﻟﺤﺎﻟﻴﺔ اﻟﺘﻲ‬ ‫ﻳﻨﻔﺬﻫﺎ اﻟﻤﺮﻛﺰ اﻟﺴﻌﻮدي ﻟﻜﻔﺎءة اﻟﻄﺎﻗﺔ‬ ‫ﻟﺮﻓﻊ ﻛﻔﺎءة اﺳـــﺘﺨﺪام اﻟﻄﺎﻗﺔ ﻓﻲ ﺟﺎﻧﺐ‬ ‫اﻟﻄﻠـــﺐ‪ ،‬وﺗﺤﺪﻳـــﺚ وإﻳﺠـــﺎد اﻟﺘﺸـــﺮﻳﻌﺎت‬ ‫اﻟﺨﺎﺻـــﺔ ﺑﺤﺴـــﻦ اﺳـــﺘﺨﺪاﻣﻬﺎ‪ ،‬واﻟﻌﻤـــﻞ‬ ‫ﻋﻠﻰ ﺗﻄﺒﻴﻘﻬﺎ‪ ،‬واﻟﺘﺤﻘﻖ ﻣﻦ اﻻﻟﺘﺰام ﺑﻬﺎ‪،‬‬ ‫إﺿﺎﻓﺔ إﻟﻰ اﻟﺠﻬﻮد اﻟﺘﻲ ﺗﻨﻔﺬﻫﺎ اﻟﺸﺮﻛﺔ‬ ‫ﻓﻲ ﺟﺎﻧﺐ ا‪b‬ﻣﺪاد‪ ،‬ﺳﺘﺴـــﻬﻢ ﻓﻲ ﺗﺤﻘﻴﻖ‬ ‫ﻧﺘﺎﺋﺞ ﺟﻴﺪة ﺧﻼل ا‪$‬ﻋﻮام اﻟـ‪١٠‬اﻟﻤﻘﺒﻠﺔ‪.‬‬

‫ﻣﺸــﺎرﻛﺔ ﻣﺘﻤﻴــﺰة ﻟﺪﻫﺎﻧــﺎت ﺳــﻴﻠﻜﻮت اﻟﺘﺮﻛﻴــﺔ‬ ‫ﻓــﻲ ﻣﺸــﺎرﻳﻊ ﺣﺪﻳﺜــﺔ ﺑﺎﻟﻤﻤﻠﻜــﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴــﻌﻮدﻳﺔ‬

‫ﺗﻌﺘﺒﺮ ﻣﺆﺳﺴﺔ ﻋﻴﺴﻰ ﻋﺒﺪ اﻟﻌﺰﻳﺰ اﻟﺮاﺑﻐﻲ‬ ‫اﻟﺘﺠﺎرﻳﺔ ﻫﻲ اﻟﻮﻛﻴﻞ اﻟﺤﺼﺮي ﻓﻲ اﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ واﻟﺒﺤﺮﻳﻦ ﻟﻤﻨﺘﺠﺎت ﺷﺮﻛﺔ‬ ‫ﺳﻴﻠﻜﻮت اﻟﺘﺮﻛﻴﺔ واﻟﺘﻲ ﺗﺄﺳﺴﺖ ﺳﻨﺔ ‪١٩٩٣‬م‬ ‫واﻟﻨﺎﺷﻄﺔ ﻓﻲ ﻫﻴﻜﻠﺔ اﻟﻤﺠﻤﻮﻋﺔ ﺷﺮﻛﺔ ﻣﺼﺪرة‬ ‫ﻟـ ‪ ٥٢‬دوﻟﺔ وذﻟﻚ ﺑﺈﺿﺎﻓﺔ أﺻﺒﺎغ اﻟﺘﻈﻠﻴﻞ ﻟﻠﺠﺪار‬ ‫اﻟﺪاﺧﻠﻲ وا‪A‬وراق اﻟﺠﺪارﻳﺔ اﻟﻤﺰﺧﺮﻓﺔ ﻟﻠﺠﺪار‬

‫اﻟﺨﺎرﺟﻲ واﻟﻮرﻧﻴﺶ وا‪A‬ﺻﺒﺎغ اﻻﺻﻄﻨﺎﻋﻴﺔ‬ ‫وا‪A‬ﺻﺒﺎغ اﻟﺒﻨﺎﺋﻴﺔ واﻟﺠﺺ اﻟﻤﻌﺪﻧﻲ وﻧﻈﺎم‬ ‫ﺳﻴﻠﻜﻮﺗﺮم اﻟﻌﺎزل اﻟﺤﺮاري ﻟﻠﺠﺪار اﻟﺨﺎرﺟﻲ إﻟﻰ‬ ‫ﻧﺸﺎﻃﻬﺎ اﻟﺘﻲ ﺑﺪأت ﻣﻨﻬﺎ ﺑﺄول ﺧﻄﻮة ﻓﻲ إﻧﺘﺎج‬ ‫اﻟﺠﺺ اﻟﺤﺮﻳﺮي ‪ ،‬ﺣﻴﺚ ﺗﺴﺘﻤﺮ ﺳﻴﻠﻜﻮن اﻟﻴﻮم‬ ‫ﺑﺈﻧﺘﺎج ﻣﻨﺘﺠﺎت ﻋﺎﻟﻴﺔ اﻟﺠﻮدة وﺗﻄﺮﺣﻬﺎ ﻓﻲ‬ ‫ﺳﻮق ا‪A‬ﺻﺒﺎغ اﻟﻌﺎﻟﻤﻴﺔ ﻣﻦ ﺧﻼل ﻣﻨﺸﺄﺗﻬﺎ ﻓﻲ‬ ‫اﺳﻄﻨﺒﻮل وأوزﺑﻜﻴﺴﺘﺎن وﻃﺎﺟﻴﻜﺴﺘﺎن‪.‬‬ ‫وﺗﺘﻤﺮﻛﺰ رؤﻳﺔ اﻟﺸﺮﻛﺔ وﺗﻮﺟﻬﻬﺎ ﻋﻠﻰ اﻟﺠﻮدة‬ ‫اﻟﻌﺎﻟﻴﺔ ﻟﻠﻤﻨﺘﺠﺎت واﻟﺨﺪﻣﺎت اﻟﻤﺼﺎﺣﺒﺔ ﻟﻬﺎ‬ ‫ﻛﺴﺒﻴﻞ ﻟﺘﻮﻓﻴﺮ اﻟﺜﻘﺔ ﻟﻠﻌﻤﻴﻞ‪.‬‬ ‫وﺗﺘﻠﺨﺺ أﻫﺪاف اﻟﺸﺮﻛﺔ ﻓﻲ اﻟﺘﻌﺮف ﻋﻠﻰ‬ ‫اﺣﺘﻴﺎﺟﺎت وﻣﺘﻄﻠﺒﺎت اﻟﻌﻤﻼء ورﻏﺒﺎﺗﻬﺎ وﻣﺮاﺟﻌﺔ‬ ‫وﺗﺤﻠﻴﻞ أداء أﻋﻤﺎﻟﻬﺎ ﺑﺼﻔﺔ ﻣﺴﺘﻤﺮة وإﻳﺠﺎد‬ ‫اﻟﺴﺒﻞ ]ﻧﺠﺎزﻫﺎ ﺑﺸﻜﻞ ﻣﺤﺘﺮف ‪ ،‬واﻟﻤﺴﺎﻫﻤﺔ‬ ‫ﻓﻲ إﻳﺠﺎد ﺑﻴﺌﺔ وﺛﻘﺎﻓﺔ ﺟﺪﻳﺪة ﺗﺠﺬب ﻓﺮﻳﻖ‬ ‫اﻟﻌﻤﻞ ﻟﻴﺴﺎﻫﻢ ﻓﻲ ﺗﻄﻮﻳﺮ ا‪A‬داء وﻓﻘ‪A d‬رﻓﻊ‬ ‫اﻟﻤﺴﺘﻮﻳﺎت‪.‬‬ ‫وﺗﺒﺮز ﻗﻴﻢ اﻟﺸﺮﻛﺔ ﻓﻲ أﻧﻬﺎ ﺗﻌﻤﻞ ﺑﺤﻤﺎس‬ ‫وإدراك ﻋﻤﻴﻖ ‪A‬ﻫﻤﻴﺔ ﻣﺎ ﺗﻘﻮم ﺑﻪ ﻟﺘﺤﺪث أﺛﺮ‪h‬‬ ‫ﻧﻮﻋﻴ‪ d‬ﺑﻤﺎ ﻓﻴﻪ ﻣﺼﻠﺤﺔ اﻟﺠﻤﻴﻊ ﻣﻦ ﺧﻼل اﻟﻌﻤﻞ‬ ‫ﺑﺮوح اﻟﻔﺮﻳﻖ اﻟﻮاﺣﺪ‪ ،‬ﻣﺘﺄزرﻳﻦ ﻧﺤﻮ ﺗﺤﻘﻴﻖ اﻟﻨﺠﺎح‬ ‫واﻟﻨﻤﻮ‪.‬‬

‫وﺗﺒﺮز رﺳﺎﻟﺔ اﻟﺸﺮﻛﺔ ﻣﻦ ﺧﻼل إﺿﺎﻓﺔ اﻟﻘﻴﻤﺔ‬ ‫ﻟﻤﻨﺘﺠﺎﺗﻬﺎ ﻋﺒﺮ اﻻﺣﺘﺮاﻓﻴﺔ وأن ﻋﻤﻠﻬﺎ ﻫﻮ ﻋﻤﻞ‬ ‫ﻳﻬﺘﻢ ﺑﺎﻟﻨﺎس ورﻏﺒﺎﺗﻬﻢ وﻛﺬﻟﻚ اﻟﻤﺤﺎﻓﻈﺔ‬ ‫ﻋﻠﻰ اﻟﻌﻼﻗﺎت اﻻﺳﺘﺜﻨﺎﺋﻴﺔ ﻣﻊ ﺟﻤﻴﻊ ﺷﺮﻛﺎﺋﻬﺎ‪.‬‬ ‫وﺗﻘﻮم ﻣﺒﺎدئ وأﺳﺲ ﺟﻮدة أﺻﺒﺎغ ﺳﻠﻴﻜﻮت‬ ‫ﻋﻠﻰ ﺗﻠﺒﻴﺔ ﻃﻠﺒﺎت اﻟﺰﺑﺎﺋﻦ ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫ﻛﻤﺎ أﻧﻬﺎ ﺗﻘﺪم ﻟﻬﻢ ﻣﻨﺘﺠﺎت ﻣﺼﻨﻌﺔ وﻓﻖ‬ ‫اﻟﻤﻌﺎﻳﻴﺮ اﻟﻘﻴﺎﺳﻴﺔ واﻟﻮﻃﻨﻴﺔ واﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫وﺗﻘﻮم ﻓﻠﺴﻔﺔ اﻟﺠﻮدة ﻟﺪى اﻟﺸﺮﻛﺔ ﺑﺘﻨﻔﻴﺬ‬ ‫وﺗﻠﺒﻴﺔ اﻻﺣﺘﻴﺎﺟﺎت واﻟﻄﻠﺒﺎت وﺗﻬﺪف داﺋﻤ‪d‬‬ ‫إﻟﻰ ﺗﻘﺪﻳﻢ أﺟﻮد اﻟﻤﻨﺘﺠﺎت وﺗﺤﺘﺮم اﻟﺒﻴﺌﺔ‬ ‫واﻟﻄﺒﻴﻌﺔ‪ .‬وﺗﻄﺒﻖ اﻟﺸﺮﻛﺔ أﺣﺪث أﻧﻈﻤﺔ ﺿﻤﺎن‬ ‫اﻟﺠﻮدة ﺑﻤﺎ ﺗﺘﻮاﻓﻖ ﻣﻊ اﻟﺘﺸﺮﻳﻌﺎت اﻟﻘﺎﻧﻮﻧﻴﺔ‬ ‫ﺑﺠﺎﻧﺐ إﺟﺮاء اﻟﻔﺤﻮﺻﺎت ﻋﻠﻰ اﻟﻤﻨﺘﺠﺎت‪ ،‬ﺑﺄﺣﺪث‬ ‫ﻣﺎ ﺗﻮﺻﻠﺖ إﻟﻴﻪ اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ اﻟﺤﺪﻳﺜﺔ ‪.‬‬

‫≥≥‪¡UM³ « ±‬‬

‫‪133 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻋﺎزل ﻟﻠﺼﻮف اﻟﺼﺨﺮي اﻟﻌﺎزل ﻳﺤﺼﻞ ﻋﻠﻰ‬ ‫ﺷﻬﺎدة ﻋﺎﻟﻤﻴﺔ ﻣﻦ ﻣﻌﻬﺪ )‪ (UL‬ا ﻣﺮﻳﻜﻲ‬

‫‪10‬‬ ‫ﺍﳉﺪﺍﺭ ﺍﳌﺰﺩﻭﺝ ﺍﳌﻌﺰﻭﻝ ﺍﳌﻄﺎﺑﻖ‬ ‫ﻟﻜﻮﺩ ﺍﻟﺒﻨﺎﺀ ﺍﻟﺴﻌﻮﺩﻱ‬

‫ﺣﺼﻞ ﻣﺼﻨﻊ ﻋﺎزل ﻟﻠﺼﻮف اﻟﺼﺨﺮي‬ ‫اﻟﻌﺎزل اﺣﺪ ﻣﺸﺎرﻳﻊ ﻣﺠﻤﻮﻋﺔ اﻟﻤﻴﻤﻨﻲ‬ ‫اﻟﻘﺎﺑﻀﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫ﻋﻠﻰ أﻋﻠﻰ ﺷﻬﺎدة ﻣﻦ ﻣﻌﻬﺪ )‪(UL‬‬ ‫ا‪1‬ﻣﺮﻳﻜﻲ ﻓﻲ ﻣﺠﺎل ﻣﻘﺎوﻣﺔ اﻟﺤﺮﻳﻖ ﻟﻜﺎﻓﺔ‬ ‫ﻣﻨﺘﺠﺎت اﻟﺼﻮف اﻟﺼﺨﺮي اﻟﻌﺎزل اﻟﻤﻨﺘﺠﺔ‬ ‫ﺑﺎﻟﻤﺼﻨﻊ ﻛﻤﻨﺘﺞ ﻣﻘﺎوم ﻟﻠﺤﺮﻳﻖ ‪.‬‬ ‫وﺗﻌﺪ ﻫﺬه اﻟﺸﻬﺎدة ﻣﻦ أﻋﻠﻰ اﻟﺸﻬﺎدات‬ ‫اﻟﺘﻲ ﺗﻤﻨﺢ ﻟﻠﻤﻨﺘﺠﺎت وﺧﺎﺻﺔ ﻟﻤﻮاد‬ ‫اﻟﺒﻨﺎء اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ ‪ .‬وﻳﻘﻮم ﻣﺼﻨﻊ‬ ‫ﻋﺎزل ﻟﻠﺼﻮف اﻟﺼﺨﺮي اﻟﻌﺎزل ﺑﺘﻮرﻳﺪ‬ ‫ﻣﻨﺘﺠﺎﺗﻪ اﻟﻌﺎزﻟﺔ ﻟﻠﺤﺮارة واﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ اﻟﺮاﺋﺪة ﺑﺎﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ وﺑﺪول ﻣﺠﻠﺲ‬ ‫اﻟﺘﻌﺎون اﻟﺨﻠﻴﺠﻲ وﻣﻨﻬﺎ ﻣﺸﺎرﻳﻊ ﺗﻮﺳﻌﺔ‬

‫اﻟﺤﺮﻣﻴﻦ اﻟﺸﺮﻳﻔﻴﻦ ﺑﻤﻜﺔ اﻟﻤﻜﺮﻣﺔ‬ ‫واﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة وﻣﺸﺎرﻳﻊ اﻟﺒﺘﺮول واﻟﻐﺎز‬ ‫واﻟﺒﺘﺮوﻛﻴﻤﺎوﻳﺎت واﻟﻤﺼﺎﻧﻊ وﻣﺸﺮوع‬ ‫ﻗﻄـﺎر اﻟﺤﺮﻣﻴﻦ وﻣﻄﺎرات ﺟﺪة واﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة واﻟﻤﺴﺘﺸﻔﻴﺎت واﻟﻤﺪارس‬ ‫وﻣﺸﺎرﻳﻊ اﻻﺳﻜﺎن وﻣﺸﺎرﻳﻊ اﻟﺤﺮس‬ ‫اﻟﻮﻃﻨﻲ وﻣﺸﺎرﻳﻊ اﻟﺠﺎﻣﻌﺎت اﻟﺤﻜﻮﻣﻴﺔ‬ ‫واﻟﺨﺎﺻﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ ‪.‬‬

‫اﻟﻮاح‬

‫≤≥‪¡UM³ « ±‬‬

‫‪132 Albenaa‬‬

‫ﻟﺤﻒ‬

‫ﻟﻔﺎﺋﻒ‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫ﻣﺼﻨﻊ ا ﺑﺘﻜﺎرات اﻟﻤﻌﻤﺎرﻳﺔ ﻟ ﻟﻮﻣﻨﻴﻮم )ﻛﺮﻳﺘﻔﺎل(‬ ‫اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ اﻟﻤﺘﺤﺮﻛﺔ ﻋﻤﻮدﻳ_‬

‫ﻗﺎﻣـــﺖ ﺷـــﺮﻛﺔ ﻛﺮﻳﺘﻔـــﺎل ﺑﺎﻟﺤﺼـــﻮل ﻋﻠﻰ وﻛﺎﻟـــﺔ ﻣﻦ ﺷـــﺮﻛﺔ ‪EMRE‬‬ ‫اﻟﺘﺮﻛﻴـــﺔ ﻟﺘﺼﻨﻴـــﻊ وﺗﺮﻛﻴﺐ اﻟﻮاﺟﻬـــﺎت اﻟﺰﺟﺎﺟﻴﺔ اﻟﺴـــﺤﺎﺑﺔ اﻟﻌﺎﻣﻮدﻳﺔ‬ ‫أﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ اﻟﺤﺮﻛـــﺔ ‪ ،‬وﻛﺬﻟـــﻚ ﻧﻈـــﺎم ﺷـــﺒﻚ اﻟﺤﺸـــﺮات اﻟﻤﺘﺤـــﺮك‬ ‫أﺗﻮﻣﺎﺗﻴـــﻚ وﺑﺸـــﻜﻞ ﻋﺎﻣـــﻮدي إﻟـــﻰ ا‪7‬ﻋﻠـــﻰ وا‪7‬ﺳـــﻔﻞ ) ‪(ROLL UP‬‬ ‫وﺑﺄﺣﺠـــﺎم ﻛﺒﻴـــﺮه ﺑﺎﻟﻌـــﺮض واﻻرﺗﻔـــﺎع ‪ ،‬وﻛﺬﻟـــﻚ ا‪7‬ﺑـــﻮاب اﻟﺴـــﺤﺎب‬ ‫ا‪7‬ﻓﻘﻴـــﻪ ذات اﻟﺨﻤﺴـــﺔ ﺿﻠـــﻒ ‪ FIVE RALL SLIDING DOOR‬وﻗﺪ‬ ‫ﻗﺎﻣـــﺖ اﻟﺸـــﺮﻛﺔ ﺑﺘﻄﻮﻳـــﺮ اﻟﺘﺠﻬﻴـــﺰات اﻟﻼزﻣـــﺔ ﻓـــﻲ اﻟﻤﺼﻨـــﻊ وﺗﺪرﻳﺐ‬ ‫اﻟﻤﻬﻨﺪﺳـــﻴﻦ واﻟﻔﻨﻴﻴﻦ ﻓﻲ ﻗﺴﻢ اﻻﻧﺘﺎج وﻗﺴﻢ اﻟﺘﺮﻛﻴﺐ ﻋﻠﻰ ﻫﺬه‬ ‫ا‪7‬ﻧـــﻮاع ﻣـــﻦ أﻧﻈﻤﺔ ا‪7‬ﻟﻤﻨﻴﻮم ‪ .‬وﻛﺬﻟﻚ ﻗﺎﻣﺖ اﻟﺸـــﺮﻛﺔ ﺑﺈدﺧﺎل أﻧﻈﻤﺔ‬ ‫ﺗﻐﻠﻴـــﻒ اﻟﻤﺒﺎﻧـــﻲ ﺑﺎﻟﺘﺮاﻛﻮﺗﺎ ‪ TERRACOTTA‬ﺣﻴـــﺚ ﺗﻘﻮم ﺑﺘﺼﻨﻴﻊ‬ ‫وﺗﺮﻛﻴـــﺐ ﺗﻠﻚ ا‪7‬ﻧﻈﻤﺔ ﻓﻲ اﻟﻤﺸـــﺎرﻳﻊ اﻟﻤﺨﺘﻠﻔﻪ وﻗﺪ ﻗﺎﻣﺖ اﻟﺸـــﺮﻛﺔ‬ ‫ﺑﺘﻐﻠﻴـــﻒ ﻣﺒﻨﻰ ﻓﻨﺪق ردﻳﺴـــﻮن ﺑﻠﻮ ﻓـــﻲ ﺣﻲ اﻟﺴـــﻔﺎرات ﺑﺎﻟﺘﺮاﻛﻮﺗﺎ ‪.‬‬

‫ﻛﻤﺎ أن اﻟﺸـــﺮﻛﺔ وﻛﻴـــﻞ ﺣﺼﺮي ﻣﻌﺘﻤﺪ ﻟﺘﺼﻨﻴـــﻊ وﺗﺮﻛﻴﺐ أﻧﻈﻤﺔ‬ ‫أﻟﻤﻨﻴـــﻮم ﻛﻠﻴﻤـــﺎ ﻓﻠﻴﻜـــﺲ )‪ ( Klima Flex‬ا‪7‬ﻟﻤﺎﻧﻴـــﺔ ‪ ،‬وﻗﺪ ﻗﺎﻣﺖ‬ ‫اﻟﺸﺮﻛﺔ ﺑﺘﻨﻔﻴﺬ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ ﺑﺎﺳﺘﺨﺪام أﺑﻮاب ﻗﺎﺑﻠﺔ ﻟﻠﻄﻲ‬ ‫‪ ، Folding door KF – 50‬أﺑـــﻮاب ﺳـــﺤﺎب ﻣﻊ ﺣﺮﻛﺔ ﻣﺤﻮرﻳﺔ ﻗﺎﺑﻠﺔ‬ ‫ﻟﻠﻄﻲ ‪ ، Steakable Door KF – 30‬أﺑﻮاب أﻟﻤﻨﻴﻮم ﺳـــﺤﺎﺑﺔ ﻗﺎﺑﻠﺔ‬ ‫ﻟﻠﺪوران ‪ ، KF – 28‬وأﺑﻮاب ﺳﺤﺎﺑﺔ ﻓﺮﻳﻤﻠﻴﺲ ﻗﺎﺑﻠﺔ ﻟﻠﺪوران ‪KF – 25‬‬ ‫وﺟﻤﻴﻊ ﻫﺬه اﻟﻤﻨﺘﺠﺎت ﺗﺴـــﺘﺨﺪم ﻓـــﻲ اﻟﻘﺼﻮر ﻟﻠﻮاﺟﻬﺎت اﻟﻤﻄﻠﺔ‬ ‫ﻋﻠﻰ اﻟﺤﺪاﺋﻖ ‪ ،‬وﻗﺪ ﻗﺎﻣﺖ اﻟﺸـــﺮﻛﺔ ﺧﻼل اﻟﻌﺎم اﻟﻤﻨﺼﺮم ﺑﺘﺼﻨﻴﻊ‬ ‫وﺗﺮﻛﻴﺐ ﻫﺬه ا‪7‬ﻧﻈﻤﺔ ﻟﻌﺪد ﻣﻦ اﻟﻘﺼﻮر واﻟﻔﻠﻞ وﻣﻘﺮات اﻟﺸﺮﻛﺎت‬ ‫ﻛﻤﺎ ﻗﺎﻣﺖ اﻟﺸـــﺮﻛﺔ ﻣﺆﺧﺮ ُا ﺑﺘﻨﻔﻴﺬ أﻋﻤﺎل ا‪7‬ﻟﻤﻨﻴﻮم اﻟﺘﻲ ﺗﺸـــﻤﻞ‬ ‫اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ اﻟﻌﺎدﻳﺔ واﻟﺴﺘﺮﻛﺸﺮ ﺟﻼس ‪ ،‬اﻟﻘﺒﺐ اﻟﺴﻤﺎوﻳﺔ‬

‫‪¡UM³ « ±≥¥‬‬

‫‪134 Albenaa‬‬

‫واﻟﻤﻈــــﻼت ‪ ،‬اﻟﻜﻼدﻳﻨــــﺞ ‪7‬ﻋﻤــــﺪة اﻟﺴــــﺘﺎﻧﻠﺲ اﺳــــﺘﻴﻞ وﻛﻼدﻳﻨــــﺞ ا‪7‬ﻟﻤﻨﻴــــﻮم‬ ‫ﺑﺎﻻﺿﺎﻓﺔ اﻟﻰ اﻟﻨﻮاﻓﺬ واﻻﺑﻮاب ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﻤﺸــــﺎرﻳﻊ ﺗﺤﺖ اﻟﺘﻨﻔﻴﺬ ﻣﻦ أﻫﻤﻬﺎ‬ ‫) ﻣﺒﻨــــﻰ ﻓﻨــــﺪق ردﻳﺴــــﻮن ﺑﻠــــﻮ ﻓــــﻲ ﺣــــﻲ اﻟﺴــــﻔﺎرات ‪ ،‬ﺑﺎﻟﺮﻳــــﺎض ــــــ ﻣﺮﻛــــﺰ أﺑﺎن‬ ‫اﻟﺘﺠــــﺎري ــــــ ﺣــــﻲ اﻟﻐﺪﻳــــﺮ ‪ ،‬وﺟــــﺎري اﻟﻌﻤــــﻞ ﻓــــﻲ ﻣﺠﻤــــﻊ وﻣﻄﺎﻋــــﻢ ﺗﺮﻛــــﻲ‬ ‫ﺳــــﻜﻮﻳﺮ وﺑــــﺮج ﻣﻌــــﺎذ ــــــ اﻟﺮﻳــــﺎض ﻃﺮﻳــــﻖ اﻟﻘﺼﻴــــﻢ ‪ ،‬وﻗﺼــــﺮ اﻟﻤﺮﺟــــﺎن ــــــ ﺟﺪة‪،‬‬ ‫وﻓﻨــــﺪق اﻟﺰﻳﺘﻮﻧــــﺔ ‪ ،‬ﻓــــﻲ ﻣﻜــــﺔ اﻟﻤﻜﺮﻣــــﺔ – وﻣﺒﻨــــﻰ ﻣﺨﺘﺒــــﺮ اﻟﻐــــﺬاء واﻟــــﺪواء‪،‬‬ ‫ﻓــــﻲ اﻟﺮﻳــــﺎض ــــــ ﻣﺒﻨــــﻰ ﻣﺮﻛــــﺰ اﻟﻤﻌﻠﻮﻣــــﺎت ﻟﺒﻨــــﻚ اﻟﺮﻳــــﺎض ‪ ،‬ﻓــــﻲ اﻟﺮﻳــــﺎض ( ‪.‬‬ ‫ﻛﻤــــﺎ ﺗــــﻢ ﺗﻨﻔﻴــــﺬ ﻗﺒﺐ ﺳــــﻤﺎوﻳﺔ وواﺟﻬــــﺎت زﺟﺎﺟﻴﺔ ﺑﻨﻈــــﺎم ﺳــــﺒﺎﻳﺪر وﻗﻀﺒﺎن‬ ‫اﺳــــﺘﺎﻧﻠﺲ ﺳــــﺘﻴﻞ ﻣﺸــــﺪودة ‪،Stainless Steel Tension Rod With Spider‬‬ ‫وذﻟــــﻚ ﻟﻤﺘﺤــــﻒ اﻟﺸــــﻴﺦ ﻣﺤﻤــــﺪ ﺑــــﻦ ﻋﺒﺪاﻟﻮﻫــــﺎب ‪ ،‬ﻓــــﻲ اﻟﺪرﻋﻴــــﺔ اﻟﺮﻳــــﺎض ‪،‬‬

‫ﺑﺎﻻﺿﺎﻓــــﺔ اﻟﻰ اﻟﻌﺪﻳﺪ ﻣــــﻦ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺠﺎرﻳــــﺔ واﻟﻘﺼﻮر واﻟﻔﻠــــﻞ اﻟﻤﻤﻴﺰة‬ ‫وﻗــــﺪ أﻧﻬــــﺖ اﻟﺸــــﺮﻛﺔ ﺗﻨﻔﻴــــﺬ أﻋﻤــــﺎل ا‪7‬ﻟﻤﻨﻴــــﻮم ﻟﻤﺸــــﺮوع ﺟﺎﻣﻌــــﺔ‬ ‫اﻟﻘﺼﻴــــﻢ ﻟﻠﺒﻨــــﺎت ﻣﺒﺎﻧــــﻲ ﻛﻠﻴﺔ اﻟﻌﻠــــﻮم وﻣﺒﺎﻧــــﻲ ﻛﻠﻴﺔ ا‪a‬ﻗﺘﺼــــﺎد ‪ ،‬ﺑﻤﺎ‬ ‫ﻓﻴﻬــــﺎ ﻣــــﻦ ﺷــــﺒﺎﺑﻴﻚ وأﺑــــﻮاب وواﺟﻬــــﺎت وﻗﺒــــﺐ ﺳــــﻤﺎوﻳﺔ ﺑﺈﺳــــﺘﺨﺪام‬ ‫ﻣﺼﻨــــﻊ ﻣﻌﺘﻤــــﺪ ‪7‬ﻧﻈﻤﺔ‬ ‫أﻧﻈﻤــــﺔ ﺗﻜﻨــــﺎل اﻟﻔﺮﻧﺴــــﻴﺔ ﻋﻠﻤــــ_ أن اﻟﺸــــﺮﻛﺔ ّ‬ ‫ﺗﻜﻨــــﺎل اﻟﻔﺮﻧﺴــــﻴﺔ ‪ ،‬ﻧﻌﻤﻞ داﺋﻤ_ ﻋﻠــــﻰ إرﺿﺎء ﻋﻤﻼﺋﻨﺎ ﺑﺠﻮدﺗﻨــــﺎ اﻟﻌﺎﻟﻴﺔ ‪.‬‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫اﻟﺸﺮﻛﺔ اﻟﺴﻌﻮدﻳﺔ ا ردﻧﻴﺔ ﻟﻠﺰﺟﺎج ‪SAJO‬‬ ‫ﺧﻴﺎﻻﺗﻜﻢ ﻧﺒﺪﻋﻬﺎ ﻓﻲ زﺟﺎج‬

‫ﻣﻨﺬ ﺗﺄﺳﺴﺖ اﻟﺸﺮﻛﺔ اﻟﺴﻌﻮدﻳﺔ ا ردﻧﻴﺔ‬ ‫ﻟﻠﺰﺟﺎج ‪ SAJO‬وﺿﻌﺖ ا‪$‬دارة ﻧﺼﺐ أﻋﻴﻨﻬﺎ ﻫﺪﻓ ‬ ‫اﺳﺘﺮاﺗﻴﺠﻴ أﺳﺎﺳﻴ ﺛﻢ اﺗﺨﺬت ا‪$‬ﺟﺮاءات واﻟﺘﺪاﺑﻴﺮ‬ ‫اﻟﻼزﻣﺔ ﻧﺤﻮ ﺗﺤﻘﻴﻘﻪ‪ .‬ﺗﻤﺜﻞ ﻫﺬا اﻟﻬﺪف ﻓﻲ ﺗﻘﺪﻳﻢ‬ ‫ﻣﻨﺘﺠﺎت ذات ﺟﻮدة ﻋﺎﻟﻴﺔ وﺑﺄﺳﻌﺎر ﻣﻨﺎﺳﺒﺔ ‪ ،‬ﻓﻀ ًﻼ‬ ‫ﻋﻦ اﻟﺨﺪﻣﺎت اﻟﻤﺘﻤﻴﺰة اﻟﺘﻲ ﺗﺘﻌﻠﻖ ﺑﺎﻟﺘﺮﻛﻴﺐ‬ ‫واﻟﺘﻨﻔﻴﺬ ‪،‬‬ ‫ﻛﺎن اﻟﺤﺮص ﻋﻠﻰ ﺗﺤﻘﻴﻖ ﻫﺬا اﻟﻬﺪف داﻓﻌ ‬ ‫ﻻﺳﺘﺨﺪام أﻓﻀﻞ اﻟﺨﺎﻣﺎت وأﺣﺪث اﻟﻤﻌﺪات‬ ‫ﺑﻮاﺳﻄﺔ ﻓﻨﻴﻴﻦ ذوي ﺧﺒﺮة وﻣﻬﺎرة ﻋﺎﻟﻴﺔ‪.‬‬ ‫وﺗﺘﻨﻮع ﻣﻨﺘﺠﺎت اﻟﺸﺮﻛﺔ ﻟﺘﺸﻤﻞ ﻛﻞ ﻣﺎ ﻳﻠﺒﻲ‬ ‫اﺣﺘﻴﺎﺟﺎت وﺗﻄﻠﻌﺎت اﻟﻌﻤﻼء وﻣﻨﻬﺎ ‪:‬‬ ‫‪ ١‬ـ اﻟﻤﺮاﻳﺎ ‪ :‬ﻧﻨﺘﺞ اﻟﻤﺮاﻳﺎ واﻟﻔﺮﻳﻤﺎت اﻟﺨﺎﺻﺔ ﺑﻬﺎ ﺳﻮاء‬ ‫ﻣﻦ ا ﻟﻤﻨﻴﻮم أو اﻻﺳﺘﺎﻧﻠﺲ ﺳﺘﻴﻞ ﻣﻦ أﺟﻮد أﻧﻮاع‬ ‫اﻟﻤﺮاﻳﺎ‪ :‬اﻟﻔﻀﻲ‪ ،‬اﻟﺒﺮوﻧﺰ ‪ ،‬ا ﺳﻮد‪ ،‬اﻟﺬﻫﺒﻲ واﻟﻤﻌﺘﻖ‬ ‫واﻟﻤﺤﻔﻮر واﻟﻤﺰﺧﺮف ﺣﺴﺐ اﻟﻄﻠﺐ‪ .‬ﺑﺎ‪$‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫ﻓﻨﻮن اﻟﺸﻄﻒ واﻟﺮﺳﻢ ﻋﻠﻰ اﻟﻤﺮاﻳﺎ‪.‬‬ ‫‪ ٢‬ـ زﺟﺎج اﻟﺪﻳﻜﻮر ) ووﺗﺮ ﺟﻼس ‪( Water Glass‬‬ ‫ﺣﻴﺚ ﺗﻤﺘﻠﻚ اﻟﺸﺮﻛﺔ ﺧﻂ إﻧﺘﺎج ﺣﺪﻳﺚ ﻟﻠﺰﺟﺎج‬

‫∂≥‪¡UM³ « ±‬‬

‫‪136 Albenaa‬‬

‫اﻟﻤﻌﺎﻟﺞ ﺑﺎﻟﻮوﺗﺮ ﺟﻼس ﺿﺪ اﻟﺒﺼﻤﺔ وﺑﻌﺪة‬ ‫ﻣﻮدﻳﻼت وﻧﻘﺸﺎت وزﺧﺎرف ﺣﺴﺐ ﻃﻠﺐ‬ ‫اﻟﻌﻤﻴﻞ‪.‬‬ ‫‪ ٣‬ـ اﻟﺰﺟﺎج اﻟﻤﻄﺒﻮع ‪Fussion Glass‬‬ ‫ﺑﺎﺳﺘﺨﺪام أﻓﺮان ﻋﺎﻟﻴﺔ اﻟﺪﻗﺔ ﻫﻲ ا ﻛﺒﺮ ﻓﻲ‬ ‫اﻟﻤﻤﻠﻜﺔ‪ ،‬ﺣﻴﺚ ﻋﻨﺪ درﺟﺔ ﺣﺮارة ‪ ٨٥٠‬درﺟﺔ‬ ‫ﻣﺌﻮﻳﺔ ﻳﺘﻢ اﻟﺘﺤﻜﻢ ﻓﻲ اﻟﺘﺼﺎﻣﻴﻢ واﻟﺰﺧﺎرف‬ ‫اﻟﺮاﺋﻌﺔ ﺣﺴﺐ ﻃﻠﺐ اﻟﻌﻤﻴﻞ‪ .‬ﺑﺈﺳﺘﺨﺪام‬ ‫ﺗﻘﻨﻴﺔ ﻗﻮاﻟﺐ اﻟﺴﻴﺮاﻣﻴﻚ ﺛﻨﺎﺋﻲ وﺛﻼﺛﻲ ا ﺑﻌﺎد‬ ‫وﺗﻘﻨﻴﺔ أﻟﻮاح اﻟﺴﻴﺮاﻣﻴﻚ ﻓﺎﻳﺒﺮ ﺑﺴﻤﺎﻛﺎت‬ ‫ﻣﺨﺘﻠﻔﺔ‪ ،‬وﻓﻲ ﺗﻠﻚ ا ﻓﺮان ﻳﻤﻜﻦ إﺣﺪاث اﻟﺒﺮوز‬ ‫واﻟﺘﻌﺮﺟﺎت واﻟﺘﻤﻮﺟﺎت واﻟﺘﻠﻮﻳﻦ‪.‬‬ ‫وﻳﺴﺘﺨﺪم ﻫﺬا اﻟﻤﻨﺘﺞ ﻓﻲ ﻣﺪاﺧﻞ اﻟﻔﻨﺎدق‬ ‫واﻟﻘﺼﻮر واﻟﻔﻠﻞ واﻟﺸﺮﻛﺎت اﻟﻜﺒﺮى‪ ،‬ﺑﺎ‪$‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﻛﺒﺎﺋﻦ اﻟﺸﺎور واﻟﻔﻮاﺻﻞ وا ﺑﻮاب واﻟﻨﻮاﻓﺬ‪.‬‬ ‫‪ ٤‬ـ اﻟﺰﺟﺎج اﻟﺠﻴﻼﺗﻴﻨﻲ ‪Laminated glass‬‬ ‫ﺑﺎﺳﺘﺨﺪام ﺗﻘﻨﻴﺔ أﻓﻼم ا‪$‬ﻳﻔﺎﺳﻴﻒ‬ ‫)‪ Bridgestone Evasfe‬اﻟﻴﺎﺑﺎﻧﻴﺔ وﻏﻴﺮﻫﺎ‪،‬‬ ‫ﻣﻊ إدﺧﺎل رﻗﺎﺋﻖ داﺧﻠﻴﺔ وأﻗﻤﺸﺔ ورﺳﻮﻣﺎت‬

‫وأﻋﻤﺎل ﻣﺨﺘﻠﻔﺔ إﺑﺪاﻋﻴﺔ‪ .‬وﺗﺴﺘﺨﺪم ﻛﻔﻮاﺻﻞ‬ ‫ﺟﺪارﻳﺔ وأﺳﻘﻒ وﻗﺒﺐ ﺳﻤﺎوﻳﺔ ﺣﺴﺐ ﻃﻠﺐ‬ ‫اﻟﻌﻤﻴﻞ‪.‬‬ ‫‪ ٥‬ـ اﻟﺰﺟﺎج اﻟﻤﻄﻠﻲ ﻣﻦ اﻟﻈﻬﺮ‬ ‫‪Back Painted Glass‬‬ ‫ﺣﻴﺚ ﺗﺴﺘﺨﺪم ﺗﻘﻨﻴﺎت ﻋﺎﻟﻴﺔ وﻣﺘﻘﺪﻣﺔ‪،‬‬ ‫ودﻫﺎﻧﺎت وﻣﺜﺒﺘﺘﺎت ﻓﺎﺋﻘﺔ اﻟﺠﻮدة ﻟﺘﻼﺋﻢ ﺟﻤﻴﻊ‬ ‫ﻣﺘﻄﻠﺒﺎت اﻟﻌﻤﻼء‪.‬‬ ‫‪ ٦‬ـ اﻟﺰﺟﺎج اﻟﻤﻌﺸﻖ ﺑﺎﻟﺮﺻﺎص ‪Stained Glass‬‬ ‫ﺑﺎﺳﺘﺨﺪام أﺣﺪث اﻟﻤﺎﻛﻴﻨﺎت ﻳﺘﻢ اﻟﺤﺼﻮل‬ ‫ﻋﻠﻰ أروع ا ﻋﻤﺎل اﻟﻔﻨﻴﺔ ﻣﻦ اﻟﺰﺟﺎج اﻟﻤﻠﻮن‬ ‫واﻟﻤﻌﺸﻖ ﺑﺎﻟﺮﺻﺎص‪ .‬ﻳﺴﺘﺨﺪم ﻟﻠﻘﺒﺐ‬ ‫واﻟﺸﺒﺎﺑﻴﻚ واﻟﻔﻮاﺻﻞ‪.‬‬ ‫‪ ٧‬ـ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﻨﺘﺠﺎت ا ﺧﺮى ﻣﺜﻞ ‪ :‬اﻟﺒﻠﻮك‬ ‫اﻟﺰﺟﺎﺟﻲ ) ‪ ، (Glass Block‬ﻓﺴﻴﻔﺴﺎء اﻟﺰﺟﺎج‬ ‫) ‪ ، (Glass Mosaic‬ﻣﺴﺎﻗﻂ اﻟﻤﺎء ) ‪Water‬‬ ‫‪ ، (Falls‬اﻟﺰﺟﺎج اﻟﺬﻛﻲ )‪ ، (Smart Glass‬اﻟﺰﺟﺎج‬ ‫اﻟﻤﻘﺎوم ﻟﻠﺤﺮﻳﻖ )‪(Fier Rated Glass‬وﻏﻴﺮﻫﺎ‬ ‫ﻣﻦ اﻟﻤﻨﺘﺠﺎت ا ﺧﺮى ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺆﺳﺴﺔ وردة اﻟﻤﺒﺎﻧﻲ ﻟﻠﻤﻘﺎوﻻت‬

‫ﻣﺘﺨﺼﺼﻮن ﻓﻲ ﻣﺠﺎل ﺻﻨﺎﻋﺔ أﻧﻈﻤﺔ اﻟﻘﺒﺐ واﻟﻤﻨﺎور اﻟﺴﻤﺎوﻳﺔ واﻟﺰﺟﺎج اﻟﻤﻌﺸﻖ‬

‫« ‪w «— ØbO « ¨©o¹u ² « d¹b ® qOKš qz«Ë ØbO‬‬ ‫‪qOKš bO Ë ØbO « ¨©l¹—UA*« d¹b ® qOKš‬‬ ‫® ‪©lOMB² « d¹b‬‬ ‫ﻣﻊ اﻟﺘﺤﺪﻳﺎت اﻟﺘﻘﻨﻴﺔ اﻟﻜﺒﻴﺮة اﻟﺘﻲ ﺗﺸﻬﺪﻫﺎ‬ ‫اﻟﺼﻨﺎﻋﺎت اﻟﻤﺨﺘﻠﻔﺔ‪ ،‬ﻛﺎن ﻟﺰاﻣ ﻋﻠﻰ ﻣﺆﺳﺴﺔ‬ ‫وردة اﻟﻤﺒﺎﻧﻲ ﻟﻠﻤﻘﺎوﻻت ﻣﻮاﺟﻬﺔ ﻫﺬا اﻟﺘﺤﺪي‬ ‫وﻣﻮاﻛﺒﺔ اﻟﺘﻄﻮرات اﻟﻬﺎﺋﻠﺔ ﻓﻲ ﻣﺠﺎل ﺻﻨﺎﻋﺔ‬ ‫أﻧﻈﻤﺔ اﻟﻘﺒﺐ واﻟﻤﻨﺎور اﻟﺴﻤﺎوﻳﺔ واﻟﺰﺟﺎج‬ ‫اﻟﻤﻌﺸﻖ ‪ .‬ﻓﻘﺪ ﺣﺮﺻﺖ اﻟﻤﺆﺳﺴﺔ ﻣﻨﺬ‬ ‫ﻧﺸﺄﺗﻬﺎ ﻋﻠﻰ اﻟﺒﺤﺚ ﻋﻦ ﻛﻞ ﺟﺪﻳﺪ وﺟﺬاب‬ ‫وﻣﻨﺎﺳﺐ ﻟﺘﻠﺒﻴﺔ ﺗﻄﻠﻌﺎت ﻋﻤﻼﺋﻬﺎ اﻟﺬﻳﻦ‬ ‫ﻳﺘﻤﺘﻌﻮن ﺑﺄذواق رﻓﻴﻌﺔ ﻟﺘﻘﺪم ﻟﻬﻢ ﺗﺼﺎﻣﻴﻢ‬ ‫وإﺑﺪاﻋﺎت ﺑﺘﻘﻨﻴﺎت ﻣﺘﻘﺪﻣﺔ وإﻣﻜﺎﻧﺎت‬ ‫ﻓﻨﻴﺔ ﻋﺎﻟﻴﺔ ‪.‬‬ ‫ﻟﻘﺪ ﺳﻌﺖ اﻟﻤﺆﺳﺴﺔ ﻣﻨﺬ ﻧﺸﺄﺗﻬﺎ ﻋﻠﻰ‬ ‫اﻛﺘﺴﺎب ﺛﻘﺔ اﻟﻌﻤﻼء ﻣﻦ ﺧﻼل ﺗﻘﺪﻳﻢ اﻟﺨﺪﻣﺎت‬ ‫اﻟﻔﻨﻴﺔ اﻟﻼزﻣﺔ وﺗﻮﻓﻴﺮ اﻟﻤﻮاد ﻋﺎﻟﻴﺔ اﻟﺠﻮدة‬ ‫واﻟﺘﺼﺎﻣﻴﻢ ﻓﺎﺋﻘﺔ اﻟﺠﻤﺎل ﻓﻀ ً‬ ‫ﻼ ﻋﻦ اﻟﺘﻨﻔﻴﺬ‬ ‫ﻋﺎﻟﻲ اﻟﺪﻗﺔ واﻟﻜﻔﺎءة ‪ .‬ﻓﻘﺪ ﺣﺮﺻﺖ اﻟﻤﺆﺳﺴﺔ‬ ‫ﻋﻠﻰ اﺳﺘﻴﺮاد اﻟﺰﺟﺎج وﻣﻮاد اﻟﻌﺰل ﻣﻦ أﻋﺮق‬ ‫اﻟﺸﺮﻛﺎت واﻟﻤﺼﺎﻧﻊ ا‪T‬ﻣﺮﻳﻜﻴﺔ ﻓﺼﺮﻧﺎ ﻧﺘﻤﻴﺰ‬ ‫ﺑﺘﻘﺪﻳﻢ أﻋﻠﻰ اﻟﻤﻮاﺻﻔﺎت ﻓﻲ ﻋﺎﻟﻢ اﻟﺰﺟﺎج‬ ‫اﻟﻤﻌﺸﻖ واﻟﻤﻠﻮن وﻛﻞ ﻣﺎ ﻳﺨﺺ أﻋﻤﺎل اﻟﻘﺒﺎب‬ ‫واﻟﻤﻨﺎور اﻟﺴﻤﺎوﻳﺔ‪.‬‬ ‫وﺳﻌﻴ ﻣﻦ اﻟﻤﺆﺳﺴﺔ ﻓﻲ إﻛﻤﺎل ﻣﻨﻈﻮﻣﺔ‬ ‫ﺧﺪﻣﺎﺗﻬﺎ اﻟﻤﻘﺪﻣﺔ ﻟﻠﻌﻤﻼء ﻓﻘﺪ ﺣﺮﺻﺖ أﻳﻀ ‬ ‫ﻋﻠﻰ أن ﻳﻜﻮن ﻛﻞ ﻓﺮﻳﻖ اﻟﻌﻤﻞ ﻣﻦ إدارﻳﻴﻦ‬ ‫وﻓﻨﻴﻴﻦ ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى ﻣﻦ اﻟﻜﻔﺎءة‬ ‫واﻟﻤﻬﺎرة ‪.‬‬ ‫وﻻ ﺗﺄل ا‪X‬دارة ﺟﻬﺪ‪ W‬ﻓﻲ اﻟﺴﻌﻰ إﻟﻰ اﻟﺘﻄﻮﻳﺮ‬ ‫واﻟﺘﺤﺪﻳﺚ ﻋﻠﻰ ﻛﻞ اﻟﻤﺴﺘﻮﻳﺎت ﻟﻠﻤﺤﺎﻓﻈﺔ‬ ‫ﻋﻠﻰ ﺛﻘﺔ اﻟﻌﻤﻼء وﺗﻮﺳﻴﻊ ﻧﻄﺎﻗﻬﺎ ‪X‬ﻛﺘﺴﺎب‬ ‫ﻋﻤﻼء ﺟﺪد‪.‬‬ ‫ودﻋﻮﺗﻨﺎ ﻣﺴﺘﻤﺮة ﻟﻠﻜﺎﻓﺔ ﺑﺰﻳﺎرﺗﻨﺎ ﻟﻠﻮﻗﻮف‬ ‫ﻋﻠﻰ ﻣﺼﺪاﻗﻴﺘﻨﺎ وﺟﻮدة إﻧﺘﺎﺟﻨﺎ‪ ،‬وﺳﻴﺠﺪون‬ ‫ﺑﺎﺳﺘﻘﺒﺎﻟﻬﻢ ﻓﺮﻳﻘ ﻗﺎدر‪ W‬ﻋﻠﻰ ﺗﺤﻮﻳﻞ‬ ‫ﻃﻤﻮﺣﺎﺗﻬﻢ إﻟﻰ واﻗﻊ ﻣﻠﻤﻮس‪.‬‬

‫∏≥‪¡UM³ « ±‬‬

‫‪138 Albenaa‬‬

WO½ÜŽâ&#x2030;&#x2C6; â&#x20AC;ŚĹ&#x201C;U

ÂĄUMÂł ÂŤ oĂ&#x2014;K

٢٠٥٧ â&#x20AC;Ťďş&#x;ďş&#x17D;ďş&#x2039;ďş°ŘŠ ا ďş&#x2018;ďş&#x2DC;ďť&#x153;ďş&#x17D;Řą ďť&#x;ďť&#x152;ďş&#x17D;Ů&#x2026;â&#x20AC;Ź â&#x20AC;Ť Ů&#x20AC; ďş&#x2018;ďş&#x17D;عﺲâ&#x20AC;ŹŮ˘Ů ٥٧ â&#x20AC;ŤŘ§ďť&#x;ďť&#x152;ﺎ؜ اďť&#x;ďť&#x152;ďş&#x17D;ďť&#x; ďť&#x;ďť ďş&#x2019;ďş&#x17D;ŘĄ Ů&#x2C6;اďť&#x;ďş&#x2DC;ﺸﺪâ&#x20AC;Ź â&#x20AC;Ťďť§ďť&#x2C6; اďť&#x;ďť&#x152;ﺎ؜ اďť&#x;ďť&#x152;ďş&#x17D;ďť&#x; ďť&#x;ďť ďş&#x2019;ďş&#x17D;ŘĄâ&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;اďť&#x;ďş&#x2DC;ﺸﺪ ďş&#x;اďş&#x2039;ďş° ďť&#x;)ďş&#x2018;ďş&#x2DC;ďť&#x153;ďş&#x17D;Řą ďş&#x2014;ﺸďť&#x17E;â&#x20AC;Ź : â&#x20AC;ŤŘ§ďť&#x;ﺤďş&#x17D;Ů&#x2C6;Řą اďť&#x;ﺎďş&#x2039;ďť´ďş´ďş&#x201D; اďť&#x;ďş&#x153;ďťźďş&#x203A;ďş&#x201D; ďť&#x;ďť ďť¤ďť&#x152;ﺎ؜â&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;Ů&#x201E; Ů&#x2C6; اďť&#x;اد ا ﺸďş&#x17D;ďş&#x2039;ďť´ďş&#x201D;â&#x20AC;Ź4â&#x20AC;ŤŘ§ďť&#x;ﺤع اâ&#x20AC;Ź â&#x20AC;Ť( اďť&#x;ďş&#x2DC;ﺨﺟﺟďş&#x201D; ďť&#x201C;â&#x20AC;ŹBatimat) â&#x20AC;Ťďť&#x2014;ďť&#x201E;ďş&#x17D;Řš اďť&#x;ďş&#x2019;ďş&#x17D;ŘĄ Ů&#x2C6;اďť&#x;ďş&#x2DC;ﺎďť&#x203A;ďť´ďş&#x2019;ďş&#x17D;ŘŞ اďť&#x;ďşŞŘ§ďş§ďť ďť´ďş&#x201D;â&#x20AC;Ź â&#x20AC;ŤŘŻŮ&#x2C6;اتâ&#x20AC;Ź4â&#x20AC;ŤŮ&#x2C6;اďť&#x;ﺨďş&#x17D;Řąďş&#x;ďť´ďş&#x201D; Ů&#x2C6;اďť&#x;ďť&#x152;ﺪات Ů&#x2C6;اâ&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;ďş&#x2014;ďť&#x153;ďť&#x;ďş&#x;ďť´ďş&#x17D; اďť&#x;ďť&#x152;ďť ďťŽďťŁďş&#x17D;ŘŞ ďť&#x;ﺨﺪďş&#x201D;â&#x20AC;Ź . â&#x20AC;Ťďť&#x2039;ďş&#x17D;Ů&#x201E;â&#x20AC;Ź4â&#x20AC;ŤŘ§ďť&#x;ﺪﺳ Ů&#x2C6;Řąďş&#x;ďş&#x17D;Ů&#x201E; اâ&#x20AC;Ź â&#x20AC;ŤŘ§ďť&#x;ﺤع اďť&#x;ďş&#x153;ďş&#x17D; Ů&#x2C6; اďť&#x;ďş&#x2DC;ďť&#x153;ďť´ďť´ďť&#x2019;â&#x20AC;Ź (Interclima +Elec) â&#x20AC;ŤŮ&#x2C6;اďť&#x;ďť&#x153;ﺎďş&#x2018;ďş&#x17D;ŘĄâ&#x20AC;Ź â&#x20AC;Ťďť§ďť&#x2C6;ďş&#x201D; اďť&#x;ďş&#x2DC;ﺪďť&#x201C;ďş&#x152;ďş&#x201D;â&#x20AC;Ź4 â&#x20AC;ŤŮ&#x2C6; ﺨﺟﺺâ&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;اďť&#x;ďş&#x2DC;ďş&#x2019;ﺎﺪ Ů&#x2C6;اďť&#x;ďş&#x2DC;ďş&#x201D; Ů&#x2C6;ﺳﺨďş&#x17D;ďş&#x17D;ŘŞ اďť&#x;ďş&#x17D;Ů&#x2021;â&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;أďť&#x2C6;ďş&#x201D; ďť&#x201C;ďş&#x201D; Ů&#x2C6;ďť&#x20AC;ﺨďş&#x17D;ŘŞ Ů&#x2C6;ďş&#x2014;ﺪﺪاتâ&#x20AC;Ź â&#x20AC;Ť أďş&#x17D; اďť&#x;ﺤعâ&#x20AC;Ź.â&#x20AC;ŤŮ&#x2C6;ďşŁďť ďťŽŮ&#x201E; ďť&#x;ďť ďş&#x2019;ت اďť&#x;ﺏďť&#x203A;ďť´ďş&#x201D;â&#x20AC;Ź (Ideobain) â&#x20AC;ŤŘ§ďť&#x;ďş&#x153;ďş&#x17D;ďť&#x;ďş&#x161; ďť&#x201C; اďť&#x;ﺤďş&#x17D;ďş&#x17D;ŘŞâ&#x20AC;Ź â&#x20AC;ŤŘŻŮ&#x2C6;ات اďť&#x;ﺟﺤďş&#x201D;â&#x20AC;Ź4â&#x20AC;ŤŮ&#x2C6; ﺧďş&#x17D;Řľ ďş&#x2018;ďş&#x17D;â&#x20AC;Ź â&#x20AC;ŤŮ&#x2C6;اﺳďş&#x2DC;ﺤďş&#x17D;Ů&#x2026; Ů&#x2C6;ŘŁďş&#x203A;ďş&#x17D;ŘŤ اďť&#x;ﺤďş&#x17D;ďş&#x17D;ŘŞâ&#x20AC;Ź .â&#x20AC;ŤŮ&#x2C6;اďť&#x;ﺟďş&#x17D;ďş&#x2018;ﺎ Ů&#x2C6;ďş&#x2014;ďş ďťŹďť´ďş°Ř§ŘŞ أﺧﺎŮ&#x2030;â&#x20AC;Ź â&#x20AC;Ť ŘŁďť&#x2014;ďş´ďş&#x17D;Ů&#x2026;â&#x20AC;ŹŮŚ â&#x20AC;ŤŮ&#x2C6;ďş&#x2014;ďť&#x2DC;ﺴ اďť&#x;ďş ďťŽŘ§ďş&#x2039;ďş° ŘĽďť&#x;ďť°â&#x20AC;Ź :â&#x20AC;ŤďťŤďť¤ďť´ďş&#x201D;â&#x20AC;Ź4â&#x20AC;Ť ﺎاďť&#x203A;ďş° ﺣﺴďş? اâ&#x20AC;ŹŮŁ â&#x20AC;Ťďť&#x;ďť&#x153;ďť&#x17E; ďť&#x2014;ﺴâ&#x20AC;Ź .â&#x20AC;Ť Ů&#x20AC; أďť&#x2C6;ďş&#x201D; Ů&#x2C6;اد ďş&#x2018;ďş&#x17D;ŘĄâ&#x20AC;ŹŮĄ .â&#x20AC;Ť Ů&#x20AC; ŘŁŘŻŮ&#x2C6;اتâ&#x20AC;ŹŮ˘ .â&#x20AC;Ť Ů&#x20AC; ďş&#x2014;ﺎďť&#x203A;ďť´ďş&#x2019;ďş&#x17D;ŘŞ ŘŻŘ§ďş§ďť ďť´ďş&#x201D;â&#x20AC;ŹŮŁ .â&#x20AC;Ť Ů&#x20AC; ďş&#x2014;ﺎďť&#x203A;ďť´ďş&#x2019;ďş&#x17D;ŘŞ ﺧďş&#x17D;Řąďş&#x;ďť´ďş&#x201D;â&#x20AC;ŹŮ¤ .â&#x20AC;Ť Ů&#x20AC; ďť&#x152;ﺪات Ů&#x2C6;آت ďť&#x;ďť ďť¤ďťŽďť&#x2014;ďť&#x160;â&#x20AC;ŹŮĽ .â&#x20AC;Ť Ů&#x20AC; ďş&#x2018;ﺎاďş&#x17E; Ů&#x2C6;ďş&#x2014;ďť&#x2DC;ďş&#x17D;ŘŞâ&#x20AC;ŹŮŚ .â&#x20AC;Ť Ů&#x20AC; اďť&#x;ďş&#x2DC;ďť&#x153;ďť´ďť´ďť&#x2019;â&#x20AC;ŹŮ§ .â&#x20AC;Ť Ů&#x20AC; أďť&#x2C6;ďş&#x201D; اďť&#x;ďť&#x201E;ďş&#x17D;ďť&#x2014;ďş&#x201D; اďť&#x;ďş&#x2DC;ďş ďşŞŘŻŘŠâ&#x20AC;ŹŮ¨ .â&#x20AC;Ť Ů&#x20AC; اďť&#x;ﺤďş&#x17D;ďş&#x17D;ŘŞâ&#x20AC;ŹŮŠ â&#x20AC;ŤŮ&#x2C6;ďťłďş&#x2DC;ﺰا ďť&#x2039;ﺎ؜ ﺏŮ&#x2021; ا ďş&#x2018;ďş&#x2DC;ďť&#x153;ďş&#x17D;عات ﺧŮ&#x201E;â&#x20AC;Ź â&#x20AC;Ťďť&#x201C;ďş&#x2DC;ﺎ؊ اďť&#x;ďť&#x152;ﺎ؜ اďť&#x;ﺏŮ&#x160; ﺳďť&#x152;ďť&#x2DC;ﺪ ﺧŮ&#x201E;â&#x20AC;Ź . â&#x20AC;ŤŮ&#x2026;â&#x20AC;ŹŮ˘Ů ٥٧ / ŮĄŮ â&#x20AC;Ť Ů&#x20AC;â&#x20AC;ŹŮŚ â&#x20AC;ŤďşˇďťŹďşŽ ďť&#x201C;ďş&#x2019;ﺎâ&#x20AC;Ź

Le Mondial du Batimat 2017 - Paris The results are in from the Grand Jury of the Innovation Awards organised by Le Mondial du Bâtiment 2017 and its trade shows INTERCLIMA+ELECHB, IDĂ&#x2030;OBAIN and BATIMAT in partnership with ADEME. The wide range of winners represents the innovative spirit of todayâ&#x20AC;&#x2122;s construction industry.

Guillaume Loizeaud, Director

of Le Mondial du Bâtiment, was delighted with the number of businesses that entered, 217, up 10% on 2015.

These products will be on display during the 5 days of Le Mondial du Bâtiment.

At Innovation Areas at the trade shows - Visitors to Le Mondial du Bâtiment will be able to discover, handle and make their

own minds up about the winning products from the 2017 Innovation Awards.

Three new Innovation Areas will be located at the heart of INTERCLIMA+ELECHB, IDĂ&#x2030;OBAIN and BATIMAT where there will be daily demonstrations of the innovations exhibited to promote their performance and boost their distribution and use.

The Innovation Categories: 1. Structure & Enveloppe 2. Joinery & Fenestration 3. Indoor Fittings 4. Outdoor Fittings 5. Worksite Equipment & Tool 6. Digital, Bim & New Technology 7. HVAC 8. Renewable Energies System 9. Bathroom Products The Exhibition will start on 6 to10 of November 2017.

140 Albenaa

ÂĄUMÂł ÂŤ ¹¼â&#x2C6;&#x17E;

тАл тАкWO┬╜├╢┼╜тЙИ тАж┼УU ┬бUM┬│ ┬л o├ЧKтАмтАм

тАля╗гя║╝я╗ия╗К ╪зя╗Яя║Шя╗Ья║Оя╗гя╗Ю я╗Яя╗дя╗Мя║к╪з╪к ╪зя╗Яя║Тя╗ия║О╪бтАм

тАл╪зя╗Яя║Шя╗дя╗┤я║░ я╗Уя╗▓ я╗гя║ая║О┘Д я╗гя╗Мя║к╪з╪к ┘Ия║зя║кя╗гя║О╪к ╪зя╗Яя║Тя╗ия║О╪бтАм

тАля╗гя╗ия║м я╗зя║╕я║Д╪й ╪зя╗Яя╗дя║╝я╗ия╗К я║│я╗ия║Ф тАк┘б┘й┘й┘гтАм┘Е тАк ╪МтАмя║гя║оя║╗я║Ц ╪з ╪п╪з╪▒╪йтАм тАля╗Ля╗ая╗░ ╪зя╗Яя║┤я╗Мя╗▓ я╗Яя╗Ья╗▓ я╗│я║╝я║Тя║в я║╗я║оя║г я╗гя╗ж я║╗я║о┘И╪нтАм тАля║╗я╗ия║Оя╗Ля║Ф я╗гя╗Мя║к╪з╪к ╪зя╗Яя║Тя╗ия║О╪б я╗Уя╗▓ ╪зя╗Яя╗дя╗дя╗ая╗Ья║Ф ┘И╪зя╗Яя║╕я║о┘ВтАм тАл╪з<┘Ия║│я╗ВтАк .тАм┘Ия║Ся║Оя╗Яя╗Фя╗Мя╗Ю я╗Уя╗Шя║к я║Чя╗Ая║Оя╗Уя║о╪к я║Яя╗мя╗о╪п ╪з ╪п╪з╪▒╪йтАм тАля╗гя╗К я╗гя║ая╗дя╗оя╗Ля║Ф я╗гя╗ж ╪░┘И┘К ╪зя╗Яя║ия║Тя║о╪з╪к ╪зя╗Яя╗Ья║Тя╗┤я║о╪й я╗Уя╗▓тАм тАля╗ля║м╪з ╪зя╗Яя╗дя║ая║О┘ДтАк ╪МтАм┘Ия╗гя╗ж я║Ыя╗в я║Чя║дя╗Шя╗Ц ╪зя╗Яя╗мя║к┘Б ╪зя╗Яя╗дя╗ия║╕я╗о╪птАм тАля║Ся╗Фя╗Ая╗Ю я╗гя╗ж ╪зтАк LтАмя╗Уя║Дя║╗я║Тя║в ╪зя╗Яя╗дя║╝я╗ия╗К ┘И╪зя║гя║ктАк KтАмя╗гя╗ж ╪гя╗Ыя║Тя║отАм тАл╪зя╗Яя╗дя║╝я║Оя╗зя╗К ╪зя╗Яя╗дя║Шя║ия║╝я║╝я║Ф я╗Уя╗▓ я║Чя║Дя║│я╗┤я║▓ ┘Ия║Чя║ая╗мя╗┤я║░тАм тАля╗гя║╝я║Оя╗зя╗К ╪зя╗Яя║Тя╗ая╗о┘Г ┘И╪зя╗Яя║ия║оя║│я║Оя╗зя║Ф ╪зя╗Яя║ая║Оя╗ля║░╪йтАк .тАм┘Ия╗╗╪▓╪зя╗Яя║ЦтАм тАл╪з ╪п╪з╪▒╪й я║Чя╗Мя╗дя╗Ю я║Ся║╕я╗Ья╗Ю ╪п╪б┘И╪и я╗Ля╗ая╗░ я║Чя╗Шя║кя╗│я╗втАм тАля╗гя╗ия║Шя║ая║Оя║Чя╗мя║О ╪зя╗Яя╗дя║Тя║Шя╗Ья║о╪й ╪зя╗Яя║Шя╗▓ я║Чя║оя╗Чя╗░ ╪ея╗Яя╗░ я║Чя╗Дя╗ая╗Мя║О╪ктАм тАл╪зя╗Яя╗Мя╗дя╗╝╪б ┘Ия║Чя║┤я║Шя║ая╗┤я║Р <я╗ля║к╪зя╗Уя╗мя╗в ┘Ия╗Гя╗дя╗оя║гя║Оя║Чя╗мя╗втАк.тАмтАм тАл╪зя╗Яя║о╪дя╗│я║Ф ┘И╪зя╗Яя╗дя╗мя╗дя║ФтАм тАля╗Ыя║Оя╗зя║Ц ╪зя╗Яя║о╪дя╗│я║Ф ╪з<┘Ия╗Яя╗┤я║Ф ┘Ия╗╗╪▓╪зя╗Яя║Ц я╗ля╗▓ ╪г┘Ж я╗│я║Шя║Тя╗о╪гтАм тАл╪зя╗Яя╗дя║╝я╗ия╗К ╪зя╗Яя║╝я║к╪з╪▒╪й я╗Ыя║Дя║гя║к ╪зя╗Яя║о┘И╪з╪п я╗Уя╗▓ я╗гя║ая║Оя╗Яя╗к я║│я╗о╪з╪бтАм тАля╗Уя╗▓ ╪зя╗Яя╗дя╗дя╗ая╗Ья║Ф ╪г┘И я║│я║Оя║Ля║о ╪п┘И┘Д ╪зя╗Яя║╕я║о┘В ╪з<┘Ия║│я╗В тАк .тАм╪гя╗гя║ОтАм тАля╗гя╗мя╗дя║Ф ╪зя╗Яя╗дя║╝я╗ия╗К я╗Уя╗мя╗▓ ╪зя╗Яя╗оя╗Уя║О╪б я║Ся║Оя║гя║Шя╗┤я║Оя║Яя║О╪к я╗Ля╗дя╗╝я║Ля╗ктАм тАл╪зя╗Яя╗Ья║о╪з┘Е ┘Ия║Чя║дя╗Шя╗┤я╗Ц ╪гя╗ля║к╪зя╗Уя╗мя╗в тАк ╪МтАмя║Ся╗Ю ┘И╪зя╗Яя╗Мя╗дя╗Ю я╗Ля╗ая╗░тАм тАля║Чя║ая║О┘И╪▓ я║Чя╗оя╗Чя╗Мя║Оя║Чя╗мя╗в я╗гя╗ж я║зя╗╝┘Д я║Чя╗Шя║кя╗│я╗в я╗гя╗ия║Шя║ая║О╪ктАм тАл┘Ия║зя║кя╗гя║О╪к я║╗я╗ия║Оя╗Ля╗┤я║Ф я╗гя║Тя║Шя╗Ья║о╪йтАк.тАмтАм тАл╪зя╗Яя╗Шя╗┤я╗в ╪з я║│я║Оя║│я╗┤я║ФтАм тАл┘Ия║┐я╗Мя║Ц ╪з ╪п╪з╪▒╪й я╗зя║╝я║Р ╪гя╗Ля╗┤я╗ия╗мя║О я╗Ля║к╪птАк KтАмя╗гя╗ж ╪зя╗Яя╗Шя╗┤я╗втАм тАл╪з<я║│я║Оя║│я╗┤я║Ф ╪зя╗Яя║Шя╗▓ я╗Ыя║Оя╗зя║Ц ┘Ия╗╗я║Чя║░╪з┘Д я╗гя╗ия╗Дя╗ая╗Ш я╗Яя╗Мя╗дя╗ая╗мя║ОтАк.тАмтАм тАл┘Ия╗ля╗▓ )я║Ыя╗Шя║Ф ╪зя╗Яя╗Мя╗дя╗╝╪б ┘А ╪з я║Ся║Шя╗Ья║О╪▒ ┘А ╪зя╗Яя║Шя╗ия╗дя╗┤я║Ф ┘А ╪зя╗Яя╗Мя╗дя╗ЮтАм тАл╪зя╗Яя║ая╗дя║Оя╗Ля╗▓ ┘А ╪зя╗Яя╗ия║░╪зя╗ля║Ф ┘А ╪зя╗Яя║Шя╗дя╗┤я║░(тАк.тАмтАм тАля╗Уя╗Ья║О┘Ж ╪зя╗Яя╗дя║дя║о┘Г ╪з<я║│я║О╪│ я╗Яя╗Мя║ая╗ая║Ф ╪зя╗Яя╗Мя╗дя╗Ю я║Ся║Оя╗Яя╗дя║╝я╗ия╗КтАм тАля╗ля╗о ╪зя╗Яя║дя║о╪╡ я╗Ля╗ая╗░ я╗Ыя║┤я║Р я║Ыя╗Шя║Ф ╪зя╗Яя╗Мя╗дя╗╝╪бтАк ╪МтАм┘И╪зя║Ся║Шя╗Ья║О╪▒тАм

тАлтЙдтАк┬бUM┬│ ┬л ┬▒┬етАмтАм

тАлтАк142 AlbenaaтАмтАм

тАл┘Ия║Чя║дя║кя╗│я║Ъ я╗гя╗ия╗Ия╗оя╗гя║Ф ╪зя╗Яя╗Мя╗дя╗Ю ┘И╪зя╗Яя╗дя╗ия║Шя║ая║О╪к я╗Яя║Шя║дя╗Шя╗┤я╗ЦтАм тАл╪гя╗ля║к╪з┘Б ╪зя╗Яя╗дя║╝я╗ия╗К ┘И╪зя╗Яя╗Мя╗дя╗╝╪б я╗Уя╗▓ ╪в┘Ж ┘И╪зя║гя║ктАк╪МтАмтАм тАл┘Ия║Чя╗ия╗дя╗┤я║Ф ┘Ия║Чя╗Дя╗оя╗│я║о ╪г╪п╪з╪б ╪зя╗Яя╗Мя║Оя╗гя╗Ю ╪зя╗Яя║Тя║╕я║о┘К я╗Уя╗мя╗▓тАм тАл╪гя╗Пя╗ая╗░ я╗гя║О я╗│я╗дя╗ая╗Ъ ╪зя╗Яя╗дя║╝я╗ия╗К тАк ╪МтАмя╗Уя╗А ┘ЛтАм тАля╗╝ я╗Ля╗ж ╪зя╗Яя╗Мя╗дя╗ЮтАм тАля║Ся║о┘И╪н ╪зя╗Яя║ая╗дя║Оя╗Ля║Ф я║Ся║дя╗┤я║Ъ я╗│я╗Мя╗дя╗Ю ╪зя╗Яя║ая╗дя╗┤я╗К я╗Ыя╗Фя║оя╗│я╗ЦтАм тАл┘И╪зя║гя║к я╗гя║Шя║╕я║О╪▒┘Г я╗Уя╗▓ я║╗я╗ия║Оя╗Ля║Ф ╪зя╗Яя╗Шя║о╪з╪▒ тАк ╪МтАмя║Ся║О я║┐я║Оя╗Уя║ФтАм тАл╪ея╗Яя╗░ ╪зя╗Яя╗ия║░╪зя╗ля║Ф ╪зя╗Яя║Шя╗▓ я║Чя║Жя╗Гя║о я╗ля║м┘З ╪зя╗Яя╗Шя╗┤я╗в я╗Яя║Шя║дя╗Шя╗┤я╗ЦтАм тАля║│я╗дя╗Мя║Ф я╗Гя╗┤я║Тя║Ф я║Ыя╗в ╪зя╗Яя║дя╗Фя║О╪╕ я╗Ля╗ая╗┤я╗мя║О тАк ╪МтАм┘И╪гя║зя╗┤я║отАк KтАм╪зя╗Яя║Шя╗дя╗┤я║░тАм тАл╪зя╗Яя║м┘К я╗зя║┤я╗Мя╗░ я╗гя╗ж я║зя╗╝я╗Яя╗к ╪ея╗Яя╗░ я║Чя║дя╗Шя╗┤я╗Ц ╪зя╗Яя╗Дя╗дя╗о╪нтАм тАл╪зя╗Яя╗дя║Тя║кя║Ля╗▓ я╗Яя╗ая╗дя║╝я╗ия╗К ┘Ия╗ля╗▓ я╗гя╗оя╗Чя╗К ╪зя╗Яя║╝я║к╪з╪▒╪йтАк.тАмтАм тАл╪з я╗ля║к╪з┘БтАм тАл┘Ия║┐я╗Мя║Ц ╪з ╪п╪з╪▒╪й ╪гя╗ля║к╪зя╗У ╪гя║│я║Оя║│я╗┤я║Ф я║Ыя╗в ╪гя║зя║м╪ктАм тАля║Чя║┤я╗Мя╗░ я╗Яя║Шя║дя╗Шя╗┤я╗Шя╗мя║О тАк ╪МтАм┘Ия╗гя╗ж я╗ля║м┘З ╪з<я╗ля║к╪з┘Б я╗гя║ОтАм тАля╗ля╗о я║гя║Оя╗Яя╗▓ ┘Ия╗гя╗ия╗мя║О я╗гя║Оя╗ля╗о я║Ся╗Мя╗┤я║к ╪зя╗Яя╗дя║к┘ЙтАк .тАмя╗Уя║Дя╗гя║ОтАм тАл╪з<я╗ля║к╪з┘Б ╪зя╗Яя║дя║Оя╗Яя╗┤я║Ф я╗Уя║Шя║Шя╗дя║Ья╗Ю я╗Уя╗▓ я║Чя║╝я╗ия╗┤я╗К я╗гя╗Мя║к╪з╪ктАм тАл╪зя╗Яя║Тя╗ия║О╪б ┘Ия║Чя║┤я╗оя╗│я╗Шя╗мя║О ╪п╪зя║зя╗Ю ┘Ия║зя║О╪▒╪м ╪зя╗Яя╗дя╗дя╗ая╗Ья║ФтАм тАля║Ся║ая╗о╪п╪й я║Чя║оя║┐я╗▓ я╗Ыя║Оя╗Уя║Ф ╪зя╗Яя╗Мя╗дя╗╝╪б тАк ╪МтАм┘И╪зя╗Яя╗Мя╗дя╗Ю я╗Ля╗ая╗░тАм тАля║Чя╗Мя║░я╗│я║░ ╪зя╗Яя╗Шя║к╪▒╪з╪к ╪зя╗Яя║Шя╗Дя╗оя╗│я║оя╗│я║Ф ┘Ия║Чя╗оя╗Уя╗┤я║о я║зя║кя╗гя║ФтАм тАля╗гя╗дя╗┤я║░╪й я╗Яя╗Мя╗дя╗╝я║Ля╗ия║О тАк ╪МтАм┘И╪гя║зя╗┤я║отАк KтАмя║Чя║Тя╗о╪д ╪зя╗Яя╗дя╗ия║░я╗Яя║Ф ╪з<┘Ия╗Яя╗░тАм тАля╗Уя╗▓ я╗ля║м╪з ╪зя╗Яя╗дя║ая║О┘Д тАк.тАмтАм тАл┘И╪гя╗гя║О ╪зя╗Яя╗мя║к┘Б я║Ся╗Мя╗┤я║к ╪зя╗Яя╗дя║к┘Й я╗Уя╗мя╗о ╪г┘Ж я╗зя║Шя╗дя║Оя║╖я╗░тАм тАля╗гя╗К я║Чя╗оя║Яя╗мя║О╪к я╗ля║м┘З ╪зя╗Яя║╝я╗ия║Оя╗Ля║Ф я╗Уя╗▓ я║Чя╗оя╗Уя╗┤я║о я║зя║кя╗гя║ФтАм тАля╗гя╗Ья║Шя╗дя╗ая║Ф ┘Ия╗Уя╗о╪▒я╗│я║Ф я╗Ля║Тя║о ╪зя╗Яя║░я╗│я║О╪▒╪з╪к ╪зя╗Яя╗дя╗┤я║к╪зя╗зя╗┤я║Ф тАк╪МтАмтАм тАл┘Ия║Чя╗Шя║кя╗│я╗в ╪зя╗Яя║кя╗Ля╗в ╪зя╗Яя╗Фя╗ия╗▓ я╗гя╗ж я║зя╗╝┘Д ╪зя╗Яя╗мя║Оя║Чя╗Т ╪г┘ИтАм тАл╪зя╗╗я╗зя║Шя║оя╗зя║Ц я╗Уя╗А ┘ЛтАм тАля╗╝ я╗Ля╗ж ╪зя╗Яя╗Дя╗дя╗о╪н <┘Ж я╗зя║╝я║Тя║в ╪зя╗Яя╗дя╗о╪▒╪птАм тАл╪з<я║Ся║о╪▓ я╗Яя╗ая╗дя╗Мя║к╪з╪к ┘И╪зя╗Яя║ия║кя╗гя║О╪к ╪зя╗Яя║╝я╗ия║Оя╗Ля╗┤я║Ф я╗Уя╗▓тАм тАля╗гя║ая║О┘Д я╗гя╗Мя║к╪з╪к ╪зя╗Яя║Тя╗ия║О╪б тАк.тАмтАм

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ـ اﻟﺪﻣﺎم‬ ‫ﺗﻜﻨﻮﻟﻮﺟﻴﺎ ﻣﺘﻄﻮرة ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﺼﻠﺐ ا‪+‬ﻧﺸﺎﺋﻲ ﺑﺠﻮدة ﻋﺎﻟﻴﺔ‬

‫‪Saudi National Steel‬‬ ‫‪Factory, Dammam‬‬

‫ﻳﺴـــﺘﺨﺪم اﻟﺼﻠـــﺐ ﻛﻤـــﺎدة أﺳﺎﺳـــﻴﺔ ﻓـــﻲ‬ ‫ا‪+‬ﻧﺸـــﺎءات وﻣﻄﻠﻮﺑﺔ ﺧﻼل ﻣﺮﺣﻠﺔ ﻧﻤﻮ اﻟﺒﻨﻰ‬ ‫اﻟﺘﺤﺘﻴـــﺔ ‪2‬ي اﻗﺘﺼـــﺎد وﻃﻨـــﻲ‪ ،‬وﻣـــﻊ ﺳـــﻌﻲ‬ ‫اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ﻧﺤـــﻮ ﺗﻌﺰﻳـــﺰ‬ ‫ﻗﺎﻋـــﺪة اﻟﺘﺼﻨﻴﻊ ﺑﻬﺎ‪ ،‬ﻓﺴـــﺘﺤﺘﺎج إﻟﻰ اﻟﻜﺜﻴﺮ‬ ‫ﻣﻦ اﻟﺼﻠﺐ‪ .‬وﻣﻦ ﻫﺬا اﻟﻤﻨﻄﻠﻖ ﺗﻢ ﺗﺄﺳﻴﺲ‬ ‫ﻣﺼﻨﻊ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ‬ ‫اﻟﺪﻣﺎم ﻟﺘﺰوﻳﺪ اﻟﺒﻼد ﺑﺎﻟﺨﺪﻣﺔ اﻟﻤﻄﻠﻮﺑﺔ‪.‬‬ ‫ﻳﻠﺘـــﺰم ﻣﺼﻨـــﻊ ﺷـــﺮﻛﺔ اﻟﺤﺪﻳـــﺪ اﻟﻮﻃﻨـــﻲ‬ ‫اﻟﺴـــﻌﻮدي ﺑﺘﻘﺪﻳـــﻢ ﻣﻨﺘﺠـــﺎت اﻟﺼﻠـــﺐ‬ ‫ا‪+‬ﻧﺸـــﺎﺋﻴﺔ ذات اﻟﺠـــﻮدة اﻟﻌﺎﻟﻴـــﺔ ﻟﻠﺴـــﻮق‬ ‫اﻟﻤﺘﻨﺎﻣﻲ ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴـــﻌﻮدﻳﺔ‪،‬‬ ‫ﻛﻤـــﺎ أن ﺑﻪ ﻓﺮﻳﻖ ﻣﺘﺨﺼﺺ ﻣـــﻦ اﻟﻤﺤﺘﺮﻓﻴﻦ‬ ‫ذوي اﻟﺨﺒﺮة وﻣﻌـــﺪات ﻋﺎﻟﻴﺔ اﻟﺠﻮدة ﻟﺘﺤﻘﻴﻖ‬ ‫أﻫﺪاﻓﻪ اﻟﻤﺮﺟﻮة‪ ،‬وﻗﺪ ﺑﺪأ إﻧﺘﺎج ﻣﺼﻨﻊ ﺷﺮﻛﺔ‬ ‫اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ إﺑﺮﻳﻞ ‪.2017‬‬ ‫ﻳﻨﺘـــﺞ اﻟﻤﺼﻨﻊ ﻛﺘـــﻞ اﻟﺼﻠﺐ ﻋﺎﻟﻴـــﺔ اﻟﺠﻮدة‬ ‫ﻓﻲ ورﺷـــﺔ ﺻﻬﺮ اﻟﺼﻠـــﺐ اﻟﺤﺪﻳﺜﺔ ﺑﺎﻟﻤﺼﻨﻊ‬ ‫ﺑﺎﺳـــﺘﺨﺪام ﻣﻌﺎدن ﺧﺮدة ﻣﺘﺎﺣـــﺔ ﻣﺤﻠﻴ‪ ،S‬ﺛﻢ‬ ‫ﻳﺘـــﻢ ﻟﻒ ﻋﺮوق اﻟﺼﻠﺐ ﻓﻲ آﻟﺔ درﻓﻠﺔ اﻟﺼﻠﺐ‬ ‫ﺣﺴـــﺐ ا‪2‬ﻗﺴـــﺎم وا‪2‬ﺣﺠـــﺎم اﻟﺘـــﻲ ﻳﺮﻳﺪﻫـــﺎ‬ ‫اﻟﻌﻤﻴـــﻞ‪ ،‬ﺣﻴﺚ ﻳﺘـــﻢ اﺳـــﺘﺨﺪام ﺗﻜﻨﻮﻟﻮﺟﻴﺎ‬

‫‪¡UM³ « ±¥¥‬‬

‫‪144 Albenaa‬‬

‫اﻟﻤﻌﺎﻟﺠـــﺔ اﻟﺤﺮارﻳـــﺔ اﻟﻤﻴﻜﺎﻧﻴﻜﻴـــﺔ ﻟﻀﻤـــﺎن‬ ‫اﻟﺼﻼﺑﺔ ﻣﻊ اﻟﻘﻮة ﻓـــﻲ ﻣﻨﺘﺠﺎت اﻟﻤﺼﻨﻊ ﻣﻦ‬ ‫اﻟﺼﻠـــﺐ ﺣﺘﻰ ﻳﺘـــﻢ ﺗﻮﻓﻴـــﺮ اﻟﻤﻨﺘﺠـــﺎت اﻟﺘﻲ‬ ‫ﺗﻄﺎﺑﻖ اﻟﻤﻮاﺻﻔﺎت اﻟﻘﻴﺎﺳﻴﺔ اﻟﺪوﻟﻴﺔ‪.‬‬ ‫ﺗﺘﺮﻛـــﺰ ﻣﺠﻤﻮﻋـــﺔ ﻣﻨﺘﺠـــﺎت ﺷـــﺮﻛﺔ اﻟﺤﺪﻳـــﺪ‬ ‫اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ ﻣﺎ ﻳﻠﻲ‪:‬‬ ‫• ﻗﻨـــﻮات اﻟﺼﻠـــﺐ – ‪ 50×100‬ﻣﻠﻢ و ‪40×75‬‬ ‫ﻣﻠﻢ‪ ،‬ﻣﺘﻮﺳﻂ‪.‬‬ ‫• زواﻳﺎ اﻟﺼﻠﺐ – ‪ 65×65‬ﻣﻠﻢ و ‪ 60×60‬ﻣﻠﻢ‪،‬‬ ‫ﻣﺘﻮﺳﻂ‪.‬‬ ‫• ﻗﻀﺒﺎن اﻟﺼﻠﺐ اﻟﻤﺴﻠﺢ – اﻟﺤﺠﻢ‪ :‬ﻣﻦ ‪8‬‬ ‫إﻟﻰ ‪ 32‬ﻣﻠﻢ‪ ،‬اﻟﺪرﺟﺔ ‪.60‬‬ ‫اﻟﺸـــﺮﻛﺔ ﻣﻌﺘﻤـــﺪة وﻓﻘـــ‪ S‬ﻟﻤﻮاﺻﻔـــﺔ اﻟﺠﻮدة‬ ‫اﻟﺪوﻟﻴﺔ ا‪2‬ﻳﺰو ‪9001:2015‬‬ ‫ﺗﻨﺘﺞ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ‪150.000‬‬ ‫ﻃﻦ ﻣـــﻦ ﻗﻀﺒـــﺎن اﻟﺼﻠـــﺐ ﺳـــﻨﻮﻳ‪ ،S‬ﻛﻤـــﺎ ﺗﺘﻤﻴﺰ‬ ‫اﻟﺸﺮﻛﺔ ﺑﺎﻻﺳـــﺘﺠﺎﺑﺔ اﻟﻌﺎﻟﻴﺔ واﻟﻮﻓﺎء ﺑﺎﻟﺘﺰاﻣﺎﺗﻬﺎ‬ ‫ﻓﻲ اﻟﻮﻗﺖ اﻟﻤﻄﻠﻮب‪ .‬ﻧﺤﻦ ﻧﺆﻣﻦ ﺑﺄﻧﻨﺎ ﺳـــﻨﻜﻮن‬ ‫ﺷﺮﻳﻜ‪ S‬ﺟﺪﻳﺮ‪ a‬ﺑﺎﻟﺜﻘﺔ ﻟﻌﻤﻼﺋﻨﺎ وﻧﺘﻄﻠﻊ إﻟﻰ اﻟﻮﻓﺎء‬ ‫ﺑﺎﻻﻟﺘﺰاﻣﺎت ﻣـــﻦ أﺻﺤﺎب اﻟﻤﺼﻠﺤﺔ‪ ،‬ﻛﻤﺎ ﻧﺘﻮﻗﻊ أن‬ ‫ﺗﺸـــﻬﺪ ﻋﻼﻗﺎﺗﻨﺎ ﻧﻤﻮ‪ a‬ﻗﻮﻳ‪ S‬ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﺴﻌﻮدﻳﺔ ﻓﻲ ا‪2‬ﻳﺎم اﻟﻘﺎدﻣﺔ‪.‬‬

‫‪Steel is a basic construction material‬‬ ‫‪which is required during Infra‬‬‫‪structure growth phase of any National‬‬ ‫‪economy. As Saudi Arabia ramps up its‬‬ ‫‪manufacturing base, it will need a lot‬‬ ‫‪of steel. It is with this understanding‬‬ ‫‪that Saudi National Steel Factory was‬‬ ‫‪established in Dammam to provide‬‬ ‫‪yeoman service to the country.‬‬ ‫)‪Saudi National Steel Factory (SNS‬‬ ‫‪is committed to provide quality‬‬ ‫‪construction steel products for the‬‬ ‫‪growing market of Saudi Arabia. It‬‬ ‫‪has a dedicated experienced team of‬‬ ‫‪professionals and quality equipment to‬‬ ‫‪meet its stated objectives. SNS started‬‬ ‫‪production in April 2017.‬‬ ‫‪SNS makes high quality steel billets at‬‬ ‫‪its modern Steel Melting Shop using‬‬ ‫‪locally available scrap metal. It then‬‬ ‫‪rolls the billets in its Rolling Mill into‬‬ ‫‪customer desired sections & sizes. It‬‬ ‫‪uses the thermo-mechanical treatment‬‬ ‫‪technology to ensure toughness‬‬ ‫‪with strength in its steel products‬‬ ‫‪to provide products specified to‬‬ ‫‪International standards.‬‬ ‫‪SNS has a product range focused on:‬‬ ‫& ‪i) Steel Channels -100x50 mm‬‬ ‫‪75x40 mm, medium.‬‬ ‫‪ii) Steel Angles -65x65 mm & 60x60‬‬ ‫‪mm, medium.‬‬ ‫‪iii) Reinforced Steel Bars - 8 mm to 32‬‬ ‫‪mm size, Grade 60.‬‬ ‫‪The company is certified for the‬‬ ‫‪International Quality Standard of ISO‬‬ ‫‪9001:2015.‬‬ ‫‪SNS is capable of producing 150,000‬‬ ‫‪tons of steel bars per annum. SNS is a‬‬ ‫‪highly responsive company and delivers‬‬ ‫‪to its time commitments. We believe‬‬ ‫‪in being a trusted partner for our‬‬ ‫‪customers and look forward to repeat‬‬ ‫‪commitments from both stakeholders.‬‬ ‫‪We envision a strong growth in our‬‬ ‫‪relationships in Saudi Arabia in the‬‬ ‫‪days ahead.‬‬

‫اﻟﺴﻘﺎﻟﺔ ا ﺗﻮﻣﺎﺗﻴﻜﻴﺔ آر ‪ 2000‬ذات )اﻟﻘﻠﻌﺘﻴﻦ(‬ ‫أو اﻟﺮأﺳﻴﻦ ‪:‬‬ ‫ـ ﻳﺘﻢ ﺗﻌﻴﻴﻦ اﻟﻄﻮل وﻓﻘ ﻟﻠﺤﺎﺟﺔ ) ﺑﺤﺪ أﻗﺼﻰ ‪ 30‬م(‪.‬‬ ‫ـ ﻳﻮﺟﺪ ﻓﺮاﻏﺎت وﺗﻀﺎرﻳﺲ &ﺗﺎﺣﺔ إﻣﻜﺎﻧﻴﺔ اﻟﺘﻤﺪﻳﺪ‬ ‫واﻟﺘﻮﺳﻴﻊ ‪.‬‬ ‫ـ ﻳﻤﻜـــﻦ ﻟـ ‪ 4‬أﻓـــﺮاد ﺳـــﻬﻮﻟﺔ إﺗﻤﺎم ﻋﻤﻠﻴـــﺔ اﻟﺒﻨﺎء‬ ‫واﻟﺘﺮﻛﻴـــﺐ ﻓـــﻲ ﺑـــﺮج ﺑﺈرﺗﻔـــﺎع ‪25‬م ﻋﻠـــﻰ ﻣـــﺪار‬ ‫ﺳﺎﻋﺘﻴﻦ ﻓﻘﻂ ‪.‬‬ ‫ـ اﻟﺤﺎﻣـــﻼت واﻟﻤﺼﺎﻋـــﺪ اﻟﻤﺰدوﺟـــﺔ ﺗﺤﺘـــﻮي ﻋﻠـــﻰ‬ ‫ﻣﻨﺼﺔ ﻋﻤﻞ واﺳـــﻌﺔ اﻟﻨﻄﺎق ﻟﻠﻐﺎﻳﺔ ﻣﻦ اﻟﺠﻮاﻧﺐ‬ ‫وﻣﻔﻴـــﺪة ﺟـــﺪ‪ P‬ﻟﻠﻤﺸـــﺎرﻳﻊ اﻟﻌﻈﻴﻤـــﺔ واﻟﻜﺒﻴﺮة ‪،‬‬ ‫ﺳـــﻮف ﺗﻮﻓﺮ ﻟﻚ اﻟﻤﺼﺎﻋﺪ اﻟﻤﺰودﺟـــﺔ ﺗﻮﻓﻴﺮ أﻛﺒﺮ‬ ‫ﻗـــﺪر ﻣﻤﻜـــﻦ ﻣﻦ اﻟﻌﻤـــﻞ وﻓﻲ وﻗﺖ أﻗـــﻞ ﺑﻜﺜﻴﺮ‬ ‫ﻓﺘﻮﻓﺮ اﻟﺠﻬﺪ واﻟﻮﻗﺖ ﻣﻌ ‪.‬‬ ‫ـ ﺟﻤﻴـــﻊ ﻧﻤـــﺎذج ا‪V‬ﻻت اﻟﻤﺼﻤﻤـــﺔ واﻟﻤﺎﻛﻴﻨـــﺎت‬ ‫اﻟﻤﺼﻤﻤـــﺔ ﺗﺘﻤﺘـــﻊ ﺑﺠﻤﻴـــﻊ ﺧﺼﺎﺋـــﺺ ا‪Y‬ﻣـــﺎن ‪،‬‬ ‫وﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺷﻬﺎدات اﻟﺠﻮدة وا‪Y‬ﻳﺰو رﻗﻢ‬ ‫‪. 9001 : 2008‬‬

‫اﻟﻤﻨﺘﺠﺎت اﻟﻤﺴﺘﻌﻤﻠﺔ‬ ‫ﻳﻮﺟﺪ ﻟﺪى ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ أﻳﻀ ﻣﺼﺎﻧﻊ وأﻣﺎﻛﻦ‬ ‫ﺑﻴﻊ اﻟﻤﻨﺘﺠﺎت واﻟﻘﻄﻊ اﻟﻤﺴﺘﻌﻤﻠﺔ وذﻟﻚ ﻟﺘﻮﻓﻴﺮ‬ ‫اﻟﺮاﺣﺔ وا‪Y‬ﻣـــﺎن ﻟﻌﻤﻼﺋﻨﺎ اﻟﺮاﻏﺒﻴـــﻦ ﻓﻲ اﻟﺤﺼﻮل‬ ‫ﻋﻠﻰ ﻣﻨﺘﺠﺎت ﻣﺴــــﺘﻌﻤﻠﺔ ﻣﻦ ﻗﺒﻞ ﻟﺘﻜﻮن أﻗﻞ‬ ‫ﻓﻲ اﻟﺘﻜﻠﻔﺔ ‪.‬‬ ‫ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ ﺗﻀﻊ ﻣﻦ أوﻟﻮﻳﺎﺗﻬﺎ داﺋﻤ ﺗﻮﻓﻴﺮ‬ ‫اﻟﺮاﺣــــﺔ وا‪Y‬ﻣﺎن ﻟﻌﻤﻼﺋﻬﺎ ‪ ،‬ﻟﺬﻟﻚ ﺗﻌﻤﻞ اﻟﺸــــﺮﻛﺔ‬ ‫ﻋﻠــــﻰ ﺗﻮﻓﻴﺮ ﺟﻤﻴﻊ اﻟﺨﻴﺎرات ﻣﻦ ﻣﻨﺘﺠﺎت ﺟﺪﻳﺪة‬ ‫وﻣﺴﺘﻌﻤﻠﺔ ﻟﻌﻤﻼﺋﻬﺎ اﻟﻜﺮام ‪.‬‬ ‫وﺗﻘﻮم ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ ﺑﺘﻘﺪﻳﻢ ا‪V‬ﺗﻲ ﻟﻌﻤﻼﺋﻬﺎ ‪:‬‬ ‫ـ ﺿﻤﺎن ﻟﻤـــﺪة ﻋﺎم )ﻳﺘﺤﻤﻞ اﻟﻀﻤﺎن ﺟﻤﻴﻊ ﻋﻴﻮب‬ ‫اﻟﻤﺎﻛﻴﻨـــﺎت وا‪Y‬ﺟﻬـــﺰة اﻟﺘﻲ ﺗﺨﺮب ﻣـــﻦ ﻋﻴﺐ ﻓﻲ‬ ‫اﻟﻤﻮاﺻﻔﺎت ا‪Y‬ﻓﻨﻴﺔ ﻟ‪i‬ﺟﻬﺰة(‪.‬‬ ‫ـ ﺗﻘﺪم اﻟﺸﺮﻛﺔ ﺧﺪﻣﺎﺗﻬﺎ ﻋﻠﻰ ﻣﺪار ‪ 24‬ﻓﻲ ﺟﻤﻴﻊ‬ ‫أﻳﺎم اﻻﺳﺒﻮع )‪ 7‬أﻳﺎم(‪.‬‬ ‫ـ ﺷـــﺮوط وﻃﺮﻳﻘﺔ اﻟﺪﻓﻊ وا‪Y‬ﺳـــﻌﺎر ﻣﻨﺎﺳـــﺒﺔ ﺟﺪ‪P‬‬ ‫وﺗﻨﺎﺳـــﺐ ﺟﻤﻴـــﻊ اﻟﻔﺌﺎت ﻟﺸـــﺮاء ﺟﻤﻴـــﻊ ﻣﻨﺘﺠﺎت‬ ‫ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ ‪.‬‬

‫ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ‬ ‫اﻟﻀﻤﺎن ‪ :‬ﺟﻤﻴﻊ ﻣﻨﺘﺠﺎت ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ وﺟﻤﻴﻊ‬ ‫أﺟﻬﺰﺗﻬﺎ ﺗﺤﺖ اﻟﻀﻤﺎن ﺣﺘﻰ ﺿﺪ اﻟﻌﻴﻮب اﻟﻨﺎﺗﺠﺔ‬ ‫ﻣﻦ اﻟﺘﺴـــﻠﻴﻢ أو ﻋﻴﻮب اﻟﺘﺮﻛﻴـــﺐ أو ﻗﻄﻊ اﻟﻐﻴﺎر‬ ‫اﻟﻤﻜﺴـــﻮرة أو اﻟﻤﻌﻴﻮﺑـــﺔ‪ ..‬إﻟـــﺦ‪ .‬ﺟﻤﻴـــﻊ ﻣﺘﺠـــﺎت‬ ‫رﻳﻮﻟﻴﻔـــﺖ ﻳﺘـــﻢ ﺗﺴـــﻠﻴﻤﻬﺎ ع اﻟﻀﻤـــﺎن ﺑﺎﻟﻨﺴـــﺒﺔ‬ ‫ﻟﺸـــﺮوط اﻟﻀﻤﺎن ﺗﺴـــﺘﻄﻴﻊ ا&ﻃـــﻼع ﻋﻠﻴﻬﺎ ﻣﻦ‬ ‫ﺧﻼل ﻗﺮاءة وﺗﺼﻔﺢ اﻟﻜﺘﻴﺐ اﻟﻤﺮﻓﻖ ﻣﻊ اﻟﻤﻨﺘﺞ‪.‬‬ ‫اﻟﺘﺴﻠﻴﻢ ‪ :‬ﻣﺘﻮﻓﺮ ﻟﺠﻤﻴﻊ اﻟﻤﻨﺘﺠﺎت اﻟﺘﻲ ﺗﺘﻄﻠﺐ‬ ‫ﻋﻤـــﻞ ﺗﺮﻛﻴﺐ وﻣﻮﻧﺘﺎج ﻟﻬـــﺎ ﻣﻮﻇﻔﻮن ﻣﺨﺘﺼﻮن‬ ‫ﺑﺎﻟﺘﺮﻛﻴـــﺐ‪ ،‬وﻟﻜـــﻦ ﻳﺠـــﺐ اﻟﻤﻮاﻓﻘـــﺔ ﻋﻠـــﻰ ﻃﻠﺐ‬ ‫اﻟﺘﺮﻛﻴـــﺐ ﻋﻨـــﺪ ﻃﻠـــﺐ اﻟﻤﻨﺘـــﺞ وﻋﻠﻰ أن رﺳـــﻮم‬ ‫اﻟﺘﺮﻛﻴﺐ ﻳﺘﻢ دﻓﻬﺎ ﺑﺎﻟﺰﻳﺎدة ﻋﻠﻰ ﺳﻌﺮ اﻟﻤﻨﺘﺞ‪.‬‬ ‫اﻟﺘﺮﻛﻴـــﺐ ‪ :‬ﺑﻌـــﺪ اﻟﻤﻮاﻓﻘـــﺔ ﻋﻠـــﻰ دﻓـــﻊ رﺳـــﻮم‬ ‫اﻟﺘﺮﻛﻴﺐ ﺳـــﻴﺘﻢ إرﺳﺎل ﻣﻮﻇﻒ اﻟﺘﺮﻛﻴﺐ اﻟﺨﺒﺮاء‬ ‫ﻣﻦ ﻗﺒﻞ اﻟﺸـــﺮﻛﺔ &ﺟﺮاء ﻋﻤﻠﻴﺔ اﻟﺘﺮﻛﻴﺐ ﻟﻠﻤﻨﺘﺞ‬ ‫اﻟﻤﻄﻠﻮب ‪ ،‬وﺳﻮف ﺗﺘﻢ ﻋﻤﻠﻴﺔ اﻟﺘﺮﻛﻴﺐ ﻣﻦ ﻗﺒﻞ‬ ‫ﻣﻮﻇﻔﻴﻦ ﺧﺒﺮاء ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل‪.‬‬ ‫اﻟﻨﻘـــﻞ ‪ :‬ﻋﻤﻠﻴـــﺔ ﻧﻘـــﻞ اﻟﻤﻨﺘـــﺞ وﺣﻤﻠـــﻪ وﺗﺮﻛﻴﺒﻪ‬ ‫وﻓﻜﻪ ﻳﺘﻢ ﻣﻦ ﻗﺒﻞ ﻣﻮﻇﻔﻴﻦ ﺧﺒﺮاء ﻓﻲ ﻋﻤﻠﻴﺎت‬ ‫اﻟﻨﻘـــﻞ واﻟﻔـــﻚ واﻟﺘﺮﻛﻴﺐ ﺑﻌﺪ دﻓﻊ رﺳـــﻮم ﻫﺬه‬ ‫اﻟﺨﺪﻣﺔ ﻣﻦ ﻗﺒﻞ اﻟﻌﻤﻴﻞ ‪.‬‬

‫∑‪¡UM³ « ±¥‬‬

‫‪147 Albenaa‬‬

‫ﻣﺠﻤﻮﻋﺔ اﻟﺸﺮﻳﻒ رأﻓﺖ ﻣﻮﺳﻰ ﻟﻠﻤﻨﺘﺠﺎت اﻟﺼﻨﺎﻋﻴﺔ‬ ‫ﺳﻘﺎﻻت ﺗﻮﻓﺮ ا ﻣﻦ وا ﻣﺎن‬

‫رؤﻳﺔ اﻟﺸﺮﻛﺔ ‪:‬‬ ‫ﺗﻮﻓﻴــــﺮ ا ﻣــــﻦ واﻟﺴــــﻼﻣﺔ ﻟ ﻓــــﺮاد واﻟﺤـــﺮص ﻋﻠـــﻰ‬ ‫ﺳـــﻼﻣﺘﻬﻢ ﺑﺘﻘﺪﻳﻢ ﻣﻨﺘﺠـــﺎت ﺗﻌﺰز ذﻟـــﻚ أﻣﺮ ﺿﺮوري‬ ‫وﻫـــﺎم ‪ ،‬وﻫـــﻮ ﻣـــﺎ ﺗﺴـــﻌﻰ إﻟﻴـــﻪ اﻟﺸـــﺮﻛﺎت وﺗﺄﺧﺬه‬ ‫ﻓـــﻲ ﻋﻴﻦ ا@ﻋﺘﺒﺎر ‪ ،‬وﻫﺬا أﻳﻀ= ﻣﺎﺳـــﻌﺖ إﻟﻴﻪ ﺷـــﺮﻛﺔ‬ ‫رﻳﻮﻟﻴﻔﺖ ﻣﻨﺬ ﻧﺸـــﺄﺗﻬﺎ وﺗﻀﻌﻪ ﻓﻲ أوﻟﻮﻳﺎﺗﻬﺎ‪ .‬وﺑﻨﺎء‪B‬‬ ‫ﻋﻠﻰ ذﻟﻚ زادت اﻟﻨﺠﺎﺣﺎت ﻟﺸﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ وﺗﻮﺳﻌﺖ‬ ‫ﻓﻲ اﻟﺴـــﻨﻮات ا ﺧﻴﺮة وزادت ﻣﻌﻬﺎ اﻟﺴـــﻤﻌﺔ اﻟﻄﻴﺒﺔ‬ ‫ﺑﻴﻦ اﻟﻌﻤـــﻼء وﺑﻴﻦ ﻣﻮﻇﻔﻴﻬﺎ ﺟﻴ ًﻼ ﺑﻌﺪ ﺟﻴﻞ‪ .‬وﺑﻬﺬا‬ ‫اﻟﺸـــﻌﺎر ﺗﺘﻘـــﺪم ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ داﺋﻤ= إﻟـــﻰ ا ﻣﺎم‬ ‫وﺗﺘﻘﺪم ﻣﻌﻬﺎ ﺟﻮدة ﻣﻨﺘﺠﺎﺗﻬﺎ‪.‬‬ ‫ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ ﻟﺪﻳﻬـــﺎ اﻟﺨﺒـــﺮة اﻟﻜﺎﻓﻴـــﺔ اﻟﺘـــﻲ‬ ‫ﺗﺆﻫﻠﻬـــﺎ ﻓـــﻲ أن ﺗﻜﺒـــﺮ و ﺗﺘﻮﺳـــﻊ ﻋـــﻦ ﻃﺮﻳـــﻖ‬ ‫ﻣﻮﻇﻔﻴﻬـــﺎ ﻋﻠﻰ ﻣـــﺪار اﻟﺴـــﻨﻮات وﻋﻤﻠﻬﺎ اﻟﻤﻤﻴﺰ‬ ‫ﺑﻴﻦ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﺸﺮﻛﺎت‪ .‬ﻓﻘﺪ زادت ﻗﻴﻤﺔ اﻟﺤﻴﺎة‬ ‫ﺑﻨﺎء ﻋﻠﻰ ﺟﻮدة ﻣﻨﺘﺠﺎﺗﻬﺎ‪.‬‬ ‫اﻟﻌﻤﻠﻴﺔ ﻋﺎم ﺑﻌﺪ ﻋﺎم ً‬ ‫وﻟﻬـــﺬا اﻟﺴـــﺒﺐ داﺋﻤ= ﻣﺎ ﺗﻬﺪف ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ‬ ‫@ﻧﺘـــﺎج أﻓﻀﻞ اﻟﻤﻨﺘﺠـــﺎت ﺑﺠﻮدة ﻋﺎﻟﻴﺔ وإرﺳـــﺎﻟﻬﺎ‬ ‫إﻟـــﻰ ﻋﻤﻼﺋﻬـــﺎ اﻟﻜـــﺮام ﻓـــﻲ وﻗـــﺖ وﺟﻴـــﺰ‪ .‬وﻫـــﻲ‬ ‫ﻛﺸـــﺮﻛﺔ ﺗﺮﻛﻴﺔ ﺗﻬﺪف إﻟﻰ أن ﻳﺮﻓﺮف ﻋﻠﻢ ﺑﻠﺪﻫﺎ‬ ‫ﻋﺎﻟﻴ= وذﻟﻚ ﺑﺘﺼﺪﻳـــﺮ ﻣﻨﺘﺠﺎﺗﻬﺎ وأﺟﻬﺰﺗﻬﺎ‪ ،‬ﻓﻬﻲ‬ ‫ﺗﻬـــﺪف إﻟﻰ زﻳﺎدة اﻗﺘﺼﺎد ﺑﻠﺪﻫـــﺎ ﺑﺘﺼﺪﻳﺮ أﺟﻬﺰة‬ ‫وﻣﻨﺘﺠﺎت ﻋﺎﻟﻴﺔ اﻟﺠﻮدة إﻟﻰ اﻟﻌﺎﻟﻢ ‪.‬‬

‫∂‪¡UM³ « ±¥‬‬

‫‪146 Albenaa‬‬

‫ﻣﻬﻤﺔ اﻟﺸﺮﻛﺔ ‪:‬‬ ‫ﺗﻄﻤﺢ ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ داﺋﻤ= إﻟـــﻰ أن ﺗﻨﺎل وﺗﺤﻮز‬ ‫ﻋﻠـــﻰ رﺿﺎ ﻋﻤﻼﺋﻬﺎ اﻟﻜـــﺮام ﻓﻲ اﻟﻌﻤـــﻞ و اﻟﺘﺠﺎرة ‪.‬‬ ‫وذﻟﻚ ﻣـــﻦ ﺧﻼل ﺗﻮﻓﻴـــﺮ ا ﻣﻦ وا ﻣـــﺎن واﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﺘﻲ ﺗﻮاﻛﺐ اﻟﻌﺼﺮ ﻓﻲ أﻣﺎﻛﻦ اﻟﻌﻤﻞ وﺧﺎﺻﺔ ﻓﻲ‬ ‫ﻣﺠﺎل ا@ﻧﺸﺎءات واﻟﺘﺠﺎرة‪.‬‬ ‫ﺗﻬﺪف ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ داﺋﻤ= إﻟـــﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫وأﺣـــﺪث اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺎ إﻟـــﻰ ﻋﻤﻼﺋﻬـــﺎ ﻋـــﻦ ﻃﺮﻳـــﻖ‬ ‫زﻳﺎدة ﻗﻴﻤﺔ اﻟﻤﻨﺘﺠﺎت وﺗﻮﺳـــﻴﻊ ﺷﺮﻛﺘﻬﺎ واﻟﺘﻘﺪم‬ ‫ﺑﺎﻟﺨﻄـــﻮات إﻟـــﻰ ا ﻓﻀـــﻞ ‪ .‬وﻟﺬﻟـــﻚ ﺗﻘـــﻮم ﺷـــﺮﻛﺔ‬ ‫رﻳﻮﻟﻴﻔﺖ ﻗﺒﻞ إﻧﺘﺎج ﻣﻨﺘﺠﺎﺗﻬﺎ ﺑﺎﻟﺘﻌﺎﻣﻞ ﻣﻊ ﻣﺮاﻛﺰ‬ ‫اﻟﺒﺤـــﻮث واﻟﺘﻄﻮﻳـــﺮ ﻟﻤﺘﺎﺑﻌﺔ أﺣـــﺪث اﻟﺘﻘﻨﻴﺎت ﻓﻲ‬ ‫إﻧﺘﺎج وﺗﺼﻨﻴﻊ ﻣﻨﺘﺠﺎﺗﻬـــﺎ وﺗﻘﺪﻳﻢ أﻓﻀﻞ ا ﺟﻬﺰة‬ ‫ا‪b‬ﻣﻨـــﺔ ﻟﻌﻤﻼﺋﻬﺎ‪ .‬ﻟﺪى ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ رؤﻳﺔ ﺧﺎﺻﺔ‬ ‫ﻟﻠﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري وﺗﺸـــﻜﻴﻞ ﺣﻴﺎة اﻟﻤﺪﻳﻨﺔ اﻟﺮاﻗﻴﺔ‬ ‫ﻛﻤـــﺎ ﺗﻌﻤـــﻞ ﻋﻠـــﻰ ﺗﻄﻮﻳﺮ ﺑﻨﻴـــﺔ ﻋﻤﻼﺋﻬﺎ وﻛﺴـــﺐ‬ ‫ﺛﻘﺘﻬﻢ وزﻳﺎدة ﻧﺴـــﺒﺔ اﻟﻌﻤـــﻼء اﻟﺨﺎﺻﺔ ﺑﻬﻢ‪ ..‬ﻛﻤﺎ‬ ‫ﻳﻮﺟـــﺪ ﻟـــﺪى اﻟﺸـــﺮﻛﺔ رؤﻳـــﺔ ﻟﺘﻄﻮﻳـــﺮ أﻋﻤﺎﻟﻬﺎ ﻋﻦ‬ ‫ﻃﺮﻳـــﻖ اﻟﺘﻌﻠﻢ ﻟﻤـــﺎ ﺗﻤﻠﻜﻪ ﻣﻦ ﺗﺠﺮﺑﺔ ﺳـــﺎﺑﻘﺔ ﻓﻲ‬ ‫اﻟﺼﻨﺎﻋﺎت اﻟﺨﻔﻴﻔﺔ ‪ .‬ﻣﻦ ﻣﻬﻤﺘﻬﺎ ﻛﺬﻟﻚ اﺳﺘﻐﻼل‬ ‫ﻫـــﺬه اﻟﺘﺠﺎرب ﺑﺼﻮرة إﻳﺠﺎﺑﻴﺔ و ﺳـــﻮف ﺗﻌﻤﻞ ﻋﻠﻰ‬ ‫ﺻﻨـــﻊ ﻟﻤﺴـــﺎت اﻟﺤﻴﺎة ﺑﻨﻔـــﺲ اﻟﻄﺎﻗـــﺔ واﻟﻘﻮة ﻋﻦ‬ ‫ﻃﺮﻳﻖ ﺗﺼﻨﻴﻊ أﻧﻈﻤﺔ اﻟﺴﻘﺎﻻت اﻟﺘﻠﻘﺎﺋﻴﺔ‪.‬‬

‫اﻟﺴﻘﺎﻟﺔ ا ﺗﻮﻣﺎﺗﻴﻜﻴﺔ آر ‪ 1000‬ذات )اﻟﻘﻠﻌﺔ(‬ ‫أو اﻟﺮأس اﻟﻮاﺣﺪة ‪:‬‬ ‫ـ ﻳﺘﻢ ﺗﻌﻴﻴﻦ اﻟﻄﻮل وﻓﻘ= ﻟﻠﺤﺎﺟﺔ ﺣﺘﻰ )‪10.3‬م(‪.‬‬ ‫ـ ﻳﻮﺟــــﺪ ﻓﺮاﻏــــﺎت وﺗﻀﺎرﻳــــﺲ @ﺗﺎﺣــــﺔ إﻣﻜﺎﻧﻴــــﺔ‬ ‫اﻟﺘﻤﺪﻳﺪ واﻟﺘﻮﺳﻴﻊ ‪.‬‬ ‫ـ ﻳﻤﻜـــﻦ ﻟﺸـــﺨﺼﻴﻦ ﺳـــﻬﻮﻟﺔ إﺗﻤـــﺎم ﻋﻤﻠﻴـــﺔ‬ ‫اﻟﺒﻨـــﺎء واﻟﺘﺮﻛﻴﺐ ﻓـــﻲ ﺑﺮج ﺑﺈرﺗﻔـــﺎع ‪25‬م ﻋﻠﻰ‬ ‫ﻣﺪار ﺳﺎﻋﺘﻴﻦ ﻓﻘﻂ ‪.‬‬ ‫ـ ﻫـــﺬه اﻟﻤﺎﻛﻴﻨـــﺔ ﺗﻌﺘﺒـــﺮ ﻫـــﻲ اﻟﻮﺣﻴـــﺪة اﻟﺘﻲ‬ ‫ﻳﻤﻜـــﻦ أن ﺗﺴـــﺘﺨﺪﻣﻬﺎ ﺑﺮاﺣـــﺔ وأﻣـــﺎن ﻟﻤـــﺎ‬ ‫ﺗﺘﻤﺘـــﻊ ﺑـــﻪ ﻣـــﻦ ﻣﺰاﻳـــﺎ وﺧﺼﺎﺋـــﺺ ﻣﺘﻌـــﺪدة ‪،‬‬ ‫ﻓﻴﻤﻜﻦ اﺳـــﺘﺨﺪام ﻫـــﺬه اﻟﻤﺎﻛﻴﻨﺔ ﻓﻲ ﺟﻤﻴﻊ‬ ‫أﻋﻤـــﺎل اﻟﺒﻨﺎء وا@ﻧﺸـــﺎءات ﻣﺜﻞ أﻋﻤـــﺎل اﻟﺰﺟﺎج‬ ‫وا ﻟﻮﻣﻨﻴﻮم‪ ،‬وأﻋﻤﺎل ﻛﺴـــﻮة وﺗﻐﻄﻴﺔ اﻟﺒﻨﺎء‪،‬‬ ‫وأﻋﻤـــﺎل اﻟﻄـــﻼء‪ ،‬وأﻋﻤـــﺎل اﻟﺠـــﺺ‪ ،‬وﺗﺮﻛﻴـــﺐ‬ ‫وﺗﻐﻄﻴـــﺔ اﻟﺮﺧـــﺎم ﺑﺠﻤﻴـــﻊ أﻧﻮاﻋـــﻪ اﻟﻤﺨﺘﻠﻔـــﺔ‪،‬‬ ‫وﻳﻤﻜـــﻦ اﺳـــﺘﺨﺪاﻣﻬﺎ أﻳﻀ= ﻓـــﻲ ﺟﻤﻴﻊ أﻋﻤﺎل‬ ‫اﻟﺒﻨﺎء ﻟﻠﻄﺒﻘﺎت واﻟﺘﺼﻤﻴﻤﺎت اﻟﺨﺎرﺟﻴﺔ ‪.‬‬ ‫ـ ﺟﻤﻴـــﻊ ﻧﻤـــﺎذج ا‪b‬ﻻت اﻟﻤﺼﻤﻤـــﺔ واﻟﻤﺎﻛﻴﻨـــﺎت‬ ‫اﻟﻤﺼﻤﻤـــﺔ ﺗﺘﻤﺘـــﻊ ﺑﺠﻤﻴـــﻊ ﺧﺼﺎﺋـــﺺ ا ﻣـــﺎن ‪،‬‬ ‫وﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺷﻬﺎدات اﻟﺠﻮدة وا ﻳﺰو رﻗﻢ‬ ‫‪. 9001 : 2008‬‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫ﻣﻌﺎرض اﻟﺠﻌﻴﺐ‬

‫ﺗﺼﺎﻣﻴﻢ ﻋﺼﺮﻳﺔ ﺣﺪﻳﺜﺔ و ﻛﻼﺳﻴﻜﻴﺔ‬

‫ﻓﻲ ﻋﺎم ‪١٩٧٩‬م ﺗﺄﺳﺴﺖ ﻣﻌﺎرض اﻟﺠﻌﻴﺐ )ﻣﻄﺎﺑﺦ‪ ،‬ﺧﺰاﺋﻦ اﻟﻤﻼﺑﺲ‪ ،‬ﻣﻐﺎﺳﻞ( وﻫﻲ إﺣﺪى ﺷﺮﻛﺎت ﻣﺠﻤﻮﻋﺔ اﻟﺠﻌﻴﺐ اﻟﺮاﺋﺪة‬ ‫ﻓﻲ ﻣﺠﺎل اﻟﺼﻨﺎﻋﺔ واﻟﺘﺠﺎرة ﻓﻲ اﻟﺸــــﺮق ا‪G‬وﺳــــﻂ‪ .‬ﻓﺈﻟﻰ ﺟﺎﻧﺐ ﻣﻨﺘﺠﺎت اﻟﺸــــﺮﻛﺔ اﻟﻤﺼﻨﻮﻋﺔ ﻣﺤﻠﻴ; ‪ ،‬ﺗﻔﺨﺮ اﻟﺠﻌﻴﺐ ﺑﺘﻤﺜﻴﻠﻬﺎ‬ ‫اﻟﺤﺼــــﺮي ‪G‬رﻗــــﻰ اﻟﻌﻼﻣــــﺎت اﻟﺘﺠﺎرﻳﺔ اﻟﻌﺎﻟﻤﻴﺔ ﻣﺜﻞ ﺧﺰاﺋــــﻦ ﻣﻼﺑﺲ ﻧﻮﺗﺒﻮن اﻟﻬﻮﻟﻨﺪﻳــــﺔ ‪ ،‬ﻣﻄﺎﺑﺦ ﺗﻮرﺷــــﻴﺘﻲ ا‪K‬ﻳﻄﺎﻟﻴﺔ‪ ،‬ﻣﻄﺎﺑﺦ‬ ‫ﺑﺎوﻓﻮرﻣﺎت ا‪G‬ﻟﻤﺎﻧﻴﺔ‪ ،‬ﻣﻄﺎﺑﺦ ﺑﺮﻗﺮ ا‪G‬ﻟﻤﺎﻧﻴﺔ‪ ،‬وﻣﻐﺎﺳﻞ ﺑﺎدﻳﺎ ا‪G‬ﻟﻤﺎﻧﻴﺔ‪.‬‬ ‫إﺳﺘﻄﺎﻋﺖ ﻣﺠﻤﻮﻋﺔ اﻟﺠﻌﻴﺐ ﻣﻦ ﺧﻼل رﺣﻠﺘﻬﺎ أن ﺗﻀﻊ ﻟﻨﻔﺴﻬﺎ ﺑﺼﻤﺔ ﻗﻴﺎﺳﻴﺔ ﻓﻲ أﺳﻮاق اﻟﻤﺸﺎرﻳﻊ اﻟﺴﻜﻨﻴﺔ وﻣﻌﺎرﺿﻬﺎ‬ ‫اﻟﺘﺠﺎرﻳﺔ ﺳــــﻮاء ﻣﻦ ﺧﻼل ﻣﻨﺘﺠﻬﺎ اﻟﻤﺤﻠﻲ أو اﻟﻌﺎﻟﻤﻲ ﻟﺘﺨﺪم ﺑﻨﺠﺎح اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ وﺷﺒﻪ اﻟﺤﻜﻮﻣﻴﺔ وأﻳﻀ; اﻟﻘﻄﺎﻋﺎت‬ ‫اﻟﺨﺎﺻﺔ ﻓﻲ ﺟﻤﻴﻊ أﻧﺤﺎء اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴــــﻌﻮدﻳﺔ‪ ،‬ﻛﻤﺎ إﺳــــﺘﻄﺎﻋﺖ ﻣﺠﻤﻮﻋﺔ اﻟﺠﻌﻴﺐ أن ﺗﻜﺴــــﺐ ﺛﻘﺔ ﻋﻤﻼﺋﻬﺎ وﺗﺤﺎﻓﻆ‬ ‫ﻋﻠﻰ وﻻﺋﻬﻢ ﻣﻦ ﺧﻼل ﺗﻘﺪﻳﻢ ﻣﻨﺘﺠﺎت ذات ﺟﻮدة ﻋﺎﻟﻴﺔ ﺗﻮرد ﻓﻲ اﻟﻮﻗﺖ اﻟﻤﺤﺪد ﻣﻊ ﺧﺪﻣﺎت ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ‪.‬‬ ‫ﻣﻌﺎرض اﻟﺠﻌﻴﺐ ﺗﺠﻌﻞ ﺣﻠﻢ ﻣﻄﺒﺨﻚ وﺧﺰاﻧﺔ اﻟﻤﻼﺑﺲ واﻟﻤﻐﺎﺳﻞ واﻗﻊ‪ ،‬ﻓﻠﺪﻳﻨﺎ ﺗﺸﻜﻴﻠﺔ واﺳﻌﺔ ﻣﻦ ا‪G‬ﻟﻮان واﻟﻤﻮاد ﺗﻤﻜﻨﻚ‬ ‫ﻣﻦ إﺑﺘﻜﺎر اﺧﺘﻴﺎرات ﺗﻼﻣﺲ ذوﻗﻚ اﻟﺮﻓﻴﻊ ورﻏﺒﺎﺗﻚ اﻟﺸﺨﺼﻴﺔ‪ ،‬وﻋﻼوة ﻋﻠﻰ ذﻟﻚ وﺑﻌﻤﻞ ﻓﻨﻲ ﻣﺤﻜﻢ ﻧﻘﺪم أﻳﻀ; ﻣﺨﺘﻠﻒ اﻟﺘﺼﺎﻣﻴﻢ‬ ‫اﻟﻌﺼﺮﻳﺔ اﻟﺤﺪﻳﺜﺔ واﻟﻜﻼﺳﻴﻜﻴﺔ واﻟﺘﻲ ﺗﻮﻓﺮ ﻟﻚ اﻟﺘﻮﻇﻴﻒ اﻟﻤﻤﺘﺎز واﻟﻤﺘﻄﻮر ﻓﻲ إﺳﺘﻐﻼل اﻟﻤﺴﺎﺣﺎت وﺑﺸﻜﻞ ﻣﺮﻳﺢ ‪.‬‬

‫∏‪¡UM³ « ±¥‬‬

‫‪148 Albenaa‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﻣﺼﻨﻊ اﻟﺒﺮاك ﻟ ﺑﻮاب ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑﻮاب أوﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﺑﻤﻌﺎﻳﻴﺮ ﻋﺎﻟﻤﻴﺔ‬ ‫ﻋﻠـــﻰ ﻣﺪى أﻛﺜﺮ ﻣـــﻦ ‪ ٢٥‬ﻋﺎﻣﺎ ﻧﺠـــﺢ ﻣﺼﻨﻊ اﻟﺒﺮاك‬ ‫ﻟ‪.‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﻓـــﻲ ﺑﻨﺎء ﻣﻜﺎﻧﺔ راﺋﺪة ﻓﻲ‬ ‫ﻋﺎﻟـــﻢ ﺗﺼﻨﻴـــﻊ أﺑـــﻮاب اﻟﻜﺮاﺟـــﺎت ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ‬ ‫ﺑﺄﻧﻮاﻋﻬـــﺎ اﻟﻤﺨﺘﻠﻔـــﺔ و ﺑﻔﻀـــﻞ ﻣﺎﺗﺘﻤﻴـــﺰ ﺑـــﻪ ﻣﻦ‬ ‫ﺗﻘﺪﻳـــﻢ ﻣﻨﺘﺠـــﺎت ﻣﺼﻨﻌﻪ ﺑﺠـــﻮدة ﻋﺎﻟﻴـــﻪ وﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴـــﺮ ﻋﺎﻟﻤﻴﺔ و ﻟﺘﻌﺎوﻧﻬﺎ ﻣﻊ أﻓﻀﻞ اﻟﺸـــﺮﻛﺎت‬ ‫اﻟﻌﺎﻟﻤﻴـــﺔ ﻓـــﻲ ﻫـــﺬا اﻟﻤﺠـــﺎل ﻣﺜـــﻞ ﺷـــﺮﻛﺔ ﻛﻴﻢ‬ ‫ا‪C‬ﻳﻄﺎﻟﻴﺔ وﺷـــﺮﻛﺔ ﺟﺮﻳﻔﻜـــﻮ ا‪-‬ﻟﻤﺎﻧﻴﺔ واﻟﺸـــﺮﻛﺔ‬ ‫اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺔ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬ﺳـــﺘﺮاﻟﻴﺔ وﻏﻴﺮﻫﺎ‬ ‫ﻣﻜﺘﺴـــﺒﺔ ﺑﺬﻟﻚ ﺛﻘـــﺔ ووﻻء ﻋﻤﻼﺋﻬﺎ و ‪-‬ﺟﻞ ذﻟﻚ‬ ‫ﺣﻘﻘـــﺖ ﻧﺠﺎﺣﺎت ﺳـــﺎﻫﻤﺖ ﻓﻲ ﺗﻨﻮﻳـــﻊ ﻣﻨﺘﺠﺎﺗﻬﺎ‬ ‫ﻟﺘﺸـــﻤﻞ ا‪-‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ اﻟﺴﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﻤﻨﺰﻟﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ‪ ،‬أﺑـــﻮاب اﻟﻘﻄﻌـــﺔ اﻟﻮاﺣﺪة‪،‬‬ ‫أﺑﻮاب اﻟﺸـــﺮاﺋﺢ اﻟﻤﻌﺪﻧﻴﺔ‪ ،‬أﺑـــﻮاب ﺣﻤﺎﻳﺔ اﻟﻤﺘﺎﺟﺮ‬ ‫)اﻟﺤﺪﻳـــﺪ وا‪-‬ﻟﻤﻨﻴـــﻮم( ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ‬ ‫اﻟﺨﻔﻴﻔﻪ و ا‪-‬ﺑﻮاب اﻟﺴـــﺤﺎﺑﺔ ﻟﻠﺸـــﺮاﺋﺢ اﻟﻤﻌﺰوﻟﺔ‪،‬‬ ‫ا‪-‬ﺑﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ اﻟﻤﻌﺰوﻟﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﺴـــﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫و ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﺴـــﺤﺎﺑﺔ و ا‪-‬ﺑـــﻮاب اﻟﻤﻌﺪﻧﻴﺔ‬ ‫اﻟﻤﺠﻮﻓـــﺔ اﻟﻤﻌﺰوﻟـــﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳـــﻖ‪ ،‬ا‪-‬ﻧﻈﻤﺔ‬ ‫ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ ﻟﻔﺘﺢ اﻟﺒﻮاﺑﺎت اﻟﺴـــﺤﺎﺑﺔ و ﺑﻮاﺑﺎت‬ ‫اﻟﺪرﻓﺘﻴﻦ )ﻧﻈﺎم ا‪-‬ذرﻋﻪ ( ﻓﺘﻮﺳﻌﺖ ﻓﻲ ﻣﺨﺘﻠﻒ‬ ‫ﻣﻨﺎﻃـــﻖ اﻟﻤﻤﻠﻜـــﺔ ﻣﻠﺒﻴـــﻪ إﺣﺘﻴﺎﺟـــﺎت ﻣﺨﺘﻠـــﻒ‬ ‫اﻟﻘﻄﺎﻋـــﺎت ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ‬ ‫وﻧﻈـــﺮا ﻟﻠﺨﺒـــﺮه اﻟﻄﻮﻳﻠﻪ ﺣﺼﻠﺖ ﻋﻠـــﻰ ﺛﻘﻪ أﻛﺒﺮ‬ ‫ﻓﻲ ﻣﺨﺘﻠﻒ اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ وأﻫﻢ ﺷـــﺮﻛﺎت‬ ‫اﻟﻘﻄـــﺎع اﻟﺨـــﺎص وﺧﺼﻮﺻـــﺎ ﻓﻲ اﻟﻘﻄـــﺎع ا‪-‬ﻣﻨﻲ‬ ‫ﻟﺘﺮﻛﻴـــﺐ اﻟﻤﺼـــﺪات ا‪-‬رﺿﻴـــﻪ اﻟﻬﻴﺪروﻟﻴﻜﻴـــﺔ‬ ‫واﻟﺤﻮاﺟـــﺰ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬رﺿﻴـــﺔ اﻟﻘﺎﺑﻠﺔ ﻟﻠﻄﻲ‬ ‫وﺣﻮاﺟﺰ اﻟﻄﺮق و اﻧﻬﺎ ﻋﻠﻰ إﺳﺘﻌﺪاد ﺗﺎم ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﻤﺸـــﻮرة اﻟﻔﻨﻴﺔ ﻛﻤﺎ ﻳﺘﻮاﻓـــﺮ ﻟﺪﻳﻬﺎ ﻃﺎﻗﻢ ﻓﻨﻲ‬ ‫ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى ﻣﻦ اﻟﺘﺪرﻳﺐ و اﻟﻤﻬﺎرة وذﻟﻚ‬ ‫ﺣﺮﺻﺎ ﻣﻦ اﻟﺸﺮﻛﺔ ﻋﻠﻰ ﺗﻘﺪﻳﻢ ﺧﺪﻣﺎﺗﻬﺎ ﻟﻠﻌﻤﻼء‬ ‫ﺑﺸﻜﻞ ﻣﺘﻜﺎﻣﻞ ﺑﻤﺎ ﻳﻠﺒﻲ اﺣﺘﻴﺎﺟﺎﺗﻬﻢ‪.‬‬

‫ا ﺑﻮاب اﻟﺼﻨﺎﻋﻴﺔ اﻟﺴﺤﺎﺑﺔ اﻟﺨﻔﻴﻔﺔ‬ ‫ﻣﺼﻨﻊ اﻟﺒﺮاك ‪-‬ﺑﻮاب اﻟﻜﺮاﺟﺎت راع ﻓﻲ ﺗﺼﻤﻴﻤﻪ‬ ‫ﻟﻬﺬا اﻟﻤﻨﺘﺞ ﺳــــﻬﻮﻟﺔ اﻟﺘﺮﻛﻴــــﺐ و اﻟﺤﺪ ا‪-‬دﻧﻰ‬ ‫ﻣــــﻦ اﻟﺼﻴﺎﻧــــﻪ ﻟﻌﻤــــﺮ أﻃﻮل ﻛﻤــــﺎ ﺗﺘﻤــــﺎز ﺑﺎﻟﻘﻮه‬ ‫و ا‪-‬ﻣــــﺎن وﻳﺘﻮﻓــــﺮ ﻫــــﺬا اﻟﻄــــﺮاز ﻣــــﻦ اﻟﺸــــﺮاﺋﺢ‬ ‫اﻟﻤﻌﺰوﻟﺔ وﺑﺄﻟﻮان ﻣﺘﻌــــﺪدة ﻛﻤﺎ ﺗﻌﻤﻞ ﺑﻨﻈﺎم‬ ‫ﻳﺪوي وآﻟﻲ‪.‬‬ ‫ﺳﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ اﻟﻤﻌﺪﻧﻴﺔ اﻟﺴﺤﺎﺑﺔ‬ ‫ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﻤﻌﺪﻧﻴﺔ إﺳـــﺘﺜﻤﺎر ﻣﺜﺎﻟﻲ‬ ‫ﻟﻤﺴﺎﻫﻤﺘﻪ ﻓﻲ اﻟﻌﺰل اﻟﺤﺮاري و ﻋﺰل ا‪-‬ﺗﺮﺑﻪ‬ ‫و ا‪-‬ﻣﻄـــﺎر ﻛﻤـــﺎ ﺗﺼﻨـــﻊ ﺑﺎﺳـــﺘﺨﺪام أﻓﻀـــﻞ‬ ‫ا‪-‬ﺟـــﺰاء وﻗﻄـــﻊ اﻟﺘﺼﻨﻴـــﻊ اﻟﻤﺴـــﺘﻮردة ﻣﻦ‬ ‫اوروﺑﺎ و ﺗﺼﻨﻊ ﺣﺴـــﺐ اﻟﻤﻘﺎﺳﺎت اﻟﻤﻄﻠﻮﺑﺔ‬ ‫ﻛﻤﺎ ﻳﻤﻜﻦ ﺗﺸﻐﻠﻴﻬﺎ ﺑﻨﻈﺎم ﻳﺪوي و آﻟﻲ ‪.‬‬ ‫ا ﺑﻮاب اﻟﺴﺤﺎﺑﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﻳﻮﻓﺮ ﻣﺼﻨـــﻊ اﻟﺒﺮاك ﻟ‪.‬ﺑـــﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑـــﻮاب ﺗﺘﻮاﻓـــﻖ ﻣﻊ أﻛﺜﺮ ﻗﻴﺎﺳـــﺎت اﻟﺴـــﻼﻣﺔ‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ ﺻﻤﻤـــﺖ ﻟﻠﻐﻠـــﻖ‬ ‫أوﺗﻮﻣﺎﺗﻴﻜﻴﺎ ﻋﻨﺪ إﻧﻄﻼق ﺻﺎﻓﺮة ا‪C‬ﻧﺬار أو ﻓﻲ‬ ‫ﺣﺎﻟﺔ اﻟﺤﺮﻳﻖ ﻣﺘﻮاﻓﻘﺔ ﻣﻊ ﻣﺘﻄﻠﺒﺎت ‪،NFPA‬‬ ‫ﻋﻨﺪ اﻟﺤﺮﻳﻖ ﻳﻘﻮم اﻟﻨﻈﺎم ﺑﺎﻟﺴـــﻴﻄﺮه ﻋﻠﻰ‬ ‫إﻏـــﻼق اﻟﺒـــﺎب ﻣـــﻦ أﺟـــﻞ ﺣﻤﺎﻳﺔ أﻓﻀـــﻞ‪ ،‬ﻛﻤﺎ‬ ‫ﺗﺘﻮﻓـــﺮ ا‪-‬ﺑﻮاب اﻟﻤﻌﺪﻧﻴﺔ اﻟﻤﻌﺰوﻟﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫ﻟﻠﺤﺮﻳﻖ ﺑﻤﻮاد ﻋﺰل ﻣﺜﻞ اﻟﺒﻮﻟﻴﺮﻳﺜﻴﻦ و ﻫﻨﻲ‬ ‫ﻛﻤﺐ و اﻟﻔﻮﻻذ اﻟﻤﻘﺴـــﻰ ﻣـــﻊ اﻟﻔﺎﻳﺒﺮﺟﻼس‬ ‫أو اﻟﺼﻮف اﻟﺼﺨﺮي‪ ,‬ﻳﺘﻮﻓﺮ ﻣﻨﻬﺎ ﺗﺼﺎﻣﻴﻢ و‬ ‫أﻟﻮان ﻣﺘﻌﺪدة ا‪C‬ﺳﺘﺨﺪاﻣﺎت ‪.‬‬ ‫اﻟﻤﺼﺪات ا رﺿﻴﺔ اﻟﻬﻴﺪروﻟﻴﻜﻴﺔ‬ ‫اﻟﺠﻬــــﺎز اﻟﻬﻴﺪروﻟﻴﻜــــﻲ ﻳﻮﻓــــﺮ ﺣﻤﺎﻳــــﺔ ﻋﺎﻟﻴــــﻪ‬ ‫ﻟ‪.‬ﻣﺎﻛﻦ اﻟﺤﺴﺎﺳﺔ واﻟﺘﻲ ﺗﺘﻄﻠﺐ أﻧﻈﻤﺔ اﻣﻨﻴﺔ‬ ‫ﻋﺎﻟﻴﺔ اﻟﻜﻔﺎءة ﻛﻤﺎ ﻳﻌﻤﻞ ﺑﻨﻈﺎم ﻫﻴﺪروﻟﻴﻜﻲ‬ ‫ﻛﻬﺮﺑﺎﺋﻲ و ﻳﺪوي ﻋﻨﺪ إﻧﻘﻄﺎع اﻟﺘﻴﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ‬ ‫و ﻳﺘﻮﻓﺮ ﺑﺄﺣﺠﺎم ﻣﺨﺘﻠﻔﻪ ﺣﺴﺐ ﻃﻠﺐ اﻟﻌﻤﻴﻞ‬ ‫ﻣﻊ أﻟﻮان وأﻧﻮار ﺗﺤﺬﻳﺮﻳﻪ‪.‬‬

‫‪¡UM³ « ±μ±‬‬

‫‪151 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﺎﻧﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج‬ ‫رواد ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﺰﺟﺎج‬ ‫ﺗﻢ إﻧﺸــــﺎء ﻣﺼﻨــــﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﻋــــﺎم ‪ ٢٠٠٥‬ﻟﻤﻮاﻛﺒﺔ‬ ‫اﻟﻨﻬﻀــــﻪ اﻟﻌﻤﺮاﻧﻴــــﺔ ﻓــــﻲ اﻟﻤﻤﻠﻜــــﺔ اﻟﻌﺮﺑﻴــــﺔ‬ ‫اﻟﺴﻌﻮدﻳﺔ وﻧﺘﺎج ﻟﺠﺪارﺗﻪ وﺗﻤﻴﺰه وﺗﻌﺪد اﻣﻜﺎﻧﻴﺎﺗﻪ‬ ‫ﺑﺈﻣﺘﻼﻛــــﻪ أﺣــــﺪث اﻻﻻت و اﻟﻤﻌــــﺪات ﻓــــﻲ ﻋﺎﻟــــﻢ‬ ‫ﺻﻨﺎﻋﺔ اﻟﺰﺟﺎج‪ ،‬ﺗﻮﺳــــﻊ ﻣﺼﻨﻊ اﻟﺰﺟــــﺎج ﻓﻲ ﻣﻨﺎﻃﻖ‬ ‫إﺳــــﺘﺮاﺗﻴﺠﻴﺔ ﻣﺨﺘﻠﻔــــﺔ ﻣﺜــــﻞ ا@ﺣﺴــــﺎء واﻟﺮﻳﺎض و‬ ‫اﻟﻘﺼﻴﻢ وﺧﻤﻴﺲ ﻣﺸــــﻴﻂ و ﺟﺪة )ﺗﺤﺖ اﻻﻧﺸــــﺎء(‬ ‫ﻟﺘﺘﺠــــﺎوز اﻟﻄﺎﻗــــﺔ ا‪Q‬ﻧﺘﺎﺟﻴــــﺔ ﻓــــﻲ اﻟﻤﺼﻨــــﻊ ‪ ١٤٤‬اﻟﻒ‬ ‫ﻣﺘﺮ ﺳــــﻨﻮﻳ‪ V‬وﻛﺸــــﺮﻛﺔ راﺋــــﺪة ﻓﻲ ﻣﻌﺎﻟﺠــــﺔ اﻟﺰﺟﺎج‬ ‫ﻳﻨﺘﺞ اﻟﻤﺼﻨــــﻊ‪ :‬ا@ﺑــــﻮاب اﻟﺰﺟﺎﺟﻴــــﺔ ا@وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‪،‬‬ ‫اﻟﺰﺟــــﺎج اﻟﻤﻘﺴــــﻰ‪ ،‬اﻟﺰﺟــــﺎج اﻟﻤﺰﺧﺮف ﺑــــﺮش اﻟﺮﻣﻞ‪،‬‬ ‫اﻟﺰﺟــــﺎج اﻟﻤﺰدوج‪ ،‬اﻟﺰﺟﺎج اﻟﻤﻨﺤﻨــــﻲ‪ ،‬اﻟﺰﺟﺎج اﻟﺬﻛﻲ‪،‬‬ ‫زﺟﺎج ا@ﻣﺎن‪ ،‬اﻟﻄﺎﺑﻮق اﻟﺰﺟﺎﺟﻲ واﻟﺰﺟﺎج اﻟﻤﺴــــﻄﺢ‬ ‫ﻛﻤﺎ ﻳﻮﻓــــﺮ اﻟﻤﺼﻨﻊ اﻟﺘﻨﻮع ﻓﻲ ا@ﺣﺠﺎم وا@ﺷــــﻜﺎل‬ ‫ﺣﺴﺐ اﻟﻤﻮاﺻﻔﺎت اﻟﻤﻄﻠﻮﺑﺔ ﺗﻠﺒﻴﺔ ﻟﺤﺎﺟﺔ اﻟﺴﻮق‬ ‫اﻟﻤﺘﻨﺎﻣﻲ ﻣﻦ إﻧﺸــــﺎءات و ﺻﻨﺎﻋــــﺎت‪ ،‬ﻟﺪى اﻟﻤﺼﻨﻊ‬ ‫ﻣﺠﻤﻮﻋــــﺔ ﻛﺒﻴــــﺮة ﻣــــﻦ اﻟﻤﻬﻨﺪﺳــــﻴﻦ واﻟﻔﻨﻴﻴــــﻦ‬ ‫اﻟﻤﺘﺨﺼﺼﻴــــﻦ ذوي اﻟﺨﺒــــﺮات اﻟﻤﺘﻤﻴــــﺰه‪ ،‬وﺣﺮﺻــــﺎ‬ ‫ﻋﻠــــﻰ ﺗﻘﺪﻳﻢ ﻣﻨﺘﺠﺎت ذات ﺟــــﻮدة ﻋﺎﻟﻴﻪ‪ ،‬ﻓﺎﻟﻤﺼﻨﻊ‬ ‫ﻳﺴــــﺘﻤﺮ ﻓــــﻲ ا‪Q‬ﺳــــﺘﺜﻤﺎر ﻓــــﻲ أﺣــــﺪث ا‪i‬ﻻت‪ ،‬وﻳﻤﺘﺎز‬ ‫ﻣﺼﻨﻊ ﺑــــﺮاك ﻟﻠﺰﺟﺎج ﺑﻮﺟﻮد ﻧﻈﺎم ﻣﻌﺎﻳﻨﺔ ﺷــــﺎﻣﻞ‬ ‫ﻳﻌﻤﻞ ﻋﻠﻰ اﻟﺘﺤﻜﻢ ﻓﻲ اﻟﺠﻮدة ﻣﻦ ﺑﺪاﻳﺔ ﻣﻌﺎﻟﺠﺔ‬ ‫اﻟﺰﺟــــﺎج وﺣﺘﻰ آﺧﺮ ﺧﻄــــﻮات ا‪Q‬ﻧﺘــــﺎج وﻳﺆﻣﻦ ﻧﻈﺎم‬ ‫اﻟﻤﻌﺎﻳﻨــــﺔ اﻟﻘــــﺪرة ﻋﻠــــﻰ ﺗﺼﻨﻴــــﻊ أي ﺷــــﻜﻞ ﻣــــﻦ‬ ‫ا@ﺷــــﻜﺎل اﻟﺘــــﻲ ﻳﻤﻜــــﻦ أن ﺗﻨﻔــــﺬ ﻋﻠــــﻰ اﻟﺰﺟﺎج ﻣﻊ‬ ‫اﻟﺘﺄﻛﻴﺪ ﻋﻠﻰ اﻟﺪﻗﺔ ﻓﻲ اﻟﻌﻤﻞ وﺳــــﺮﻋﺔ اﻟﺘﺴﻠﻴﻢ‬ ‫وﻧﻈﺮا ‪Q‬ﻫﺘﻤﺎم اﻟﻤﺼﻨﻊ ﺑﺄن ﻣﻨﺘﺠﺎﺗﻪ ﺗﺘﻤﺘﻊ ﺑﺄﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴﺮ اﻟﺘﺸــــﻄﻴﺐ وا‪Q‬ﻟﺘﺰام ﺑﺘﺴــــﻠﻴﻢ اﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﻌﺎﻟﻴﺔ اﻟﺠﻮدة ﻓﻲ اﻟﻮﻗﺖ اﻟﻤﺤﺪد ﻟﻠﻌﻤﻼء‪.‬‬ ‫اﻟﺒﻮاﺑﺎت اﻟﺰﺟﺎﺟﻴﺔ اﻻوﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫ﻳﺘﻮﻓـــﺮ ﻟﺪى ﻣﺼﻨﻊ ﺑـــﺮاك ﻟﻠﺰﺟـــﺎج ﻣﺨﺘﻠﻒ أﻧﻮاع‬ ‫ا@ﺑـــﻮاب اﻟﺰﺟﺎﺟﻴﺔ واﻟﺘﻲ ﺗﺴـــﺘﺨﺪم ﻓﻲ ﻣﺨﺘﻠﻒ‬ ‫اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ واﻟﺒﻨﻮك واﻟﻤﺴﺘﺸـــﻔﻴﺎت‬ ‫واﻟﻤﺼﺎﻧـــﻊ واﻟﻤﺪاﺧـــﻞ اﻟﺘﺠﺎرﻳـــﺔ و اﻟﺒﻨﺎﻳـــﺎت‬ ‫ﺑﺄﺷـــﻜﺎل و أﺣﺠـــﺎم ﻣﺨﺘﻠﻔﺔ وﺑﺄﻧﻈﻤـــﺔ ﻣﺼﻤﻤﺔ‬ ‫ﺧﺼﻴﺼﺎ ﻛﻞ ﺣﺴﺐ إﺳﺘﺨﺪاﻣﺎﺗﻪ ﻣﻊ اﻟﻤﺴﺎﻫﻤﺔ‬ ‫ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ ﻣﻊ ﻣﺮاﻋﺎة ﺿﻐﻂ ا‪Q‬ﺳـــﺘﺨﺪام‬ ‫وﻗﺪرة ﻋﻠﻰ ﻣﻮاﺟﻬﺔ ﻣﺨﺘﻠﻒ ا@ﺣﻮال اﻟﺠﻮﻳﺔ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﻨﺤﻨﻲ‬ ‫ﻳﺘﺒـــﻊ اﻟﻤﺼﻨـــﻊ ﺗﻘﻨﻴـــﺔ ﺧﺎﺻـــﺔ ﻓﻲ ﺛﻨـــﻲ اﻟﺰﺟﺎج‬ ‫ﺗﺴـــﺎﻫﻢ ﻓـــﻲ اﻟﺘﻘﻠﻴـــﻞ ﻣـــﻦ إﻣﻜﺎﻧﻴـــﺔ ا‪Q‬ﺻﺎﺑـــﺔ‬

‫∞‪¡UM³ « ±μ‬‬

‫‪150 Albenaa‬‬

‫ﻋﻨﺪ ﻛﺴـــﺮ اﻟﺰﺟـــﺎج وﻫـــﺬا اﻟﻨﻮع ﻳﻠﺒـــﻲ ﻣﺨﺘﻠﻒ‬ ‫اﻟﻤﺘﻄﻠﺒﺎت ا‪Q‬ﻧﺸﺎﺋﻴﺔ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﺰدوج‬ ‫اﻟﺘﻘﻨﻴﺔ اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓﻲ اﻟﺰﺟﺎج اﻟﻤﺰدوج ﺗﺘﻴﺢ‬ ‫ﺧﺎﺻﻴـــﺔ اﻟﻌـــﺰل اﻟﺤـــﺮاري ﻓﻀﻼ ﻋﻦ اﻟﻤﺴـــﺎﻫﻤﺔ‬ ‫ﻓـــﻲ زﻳﺎدة اﻟﺴـــﻼﻣﺔ و ا@ﻣﺎن ﻛﻤـــﺎ ﻳﺘﻤﻴﺰ ﺑﺎﻟﻌﺰل‬ ‫اﻟﺼﻮﺗﻲ وﻳﺴـــﺎﻫﻢ ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ و ﺑﺎﻟﺘﺎﻟﻲ‬ ‫ﺗﺨﻔﻴـــﺾ اﻟﺘﻜﺎﻟﻴﻒ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ وﻫﻮ أﺣﺪ أﻫﻢ‬ ‫أﻗﺴـــﺎم ﻣﺼﻨـــﻊ اﻟﺰﺟـــﺎج و ﻳﻀﻢ ﺗﺠﻬﻴـــﺰات ﻣﻦ‬ ‫أﻫﻢ اﻟﺸـــﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ ﻛﻤـــﺎ ان ﺟﻤﻴﻊ ﻋﻤﻠﻴﺎت‬ ‫ا‪Q‬ﻧﺘـــﺎج ﺗﺘـــﻢ ﺑﺸـــﻜﻞ آﻟﻲ‪ ،‬و ﻳﻤﺘـــﺎز اﻟﺰﺟـــﺎج ﺑﺄﻧﻪ‬ ‫ﻣﺤﻜﻢ ا‪Q‬ﻏﻼق ذا أﺑﻌﺎد ﻣﺘﻄﺎﺑﻘﺔ و زواﻳﺎ ﻗﺎﺋﻤﺔ‪.‬‬ ‫زﺟﺎج ا ﻣﺎن‬ ‫زﺟـــﺎج ا@ﻣﺎن ﻫﻮ أﺣـــﺪ أﻧﻮاع اﻟﺰﺟﺎج اﻟﻤﺴـــﺘﺨﺪم‬ ‫ﻣـــﻦ اﺟـــﻞ اﻟﻤﺰﻳﺪ ﻣﻦ ا@ﻣـــﺎن و ذﻟﻚ ﻋـــﻦ ﻃﺮﻳﻖ‬ ‫اﻟﺼـــﺎق ﻃﺒﻘﺘﻴﻦ ﻣﻦ اﻟﺰﺟﺎج ﺑﻮاﺳـــﻄﺔ ﻓﻠﻢ ﻣﻦ‬ ‫اﻟﺒﻼﺳـــﺘﻴﻚ وﺑﻤﻌﺎﻟﺠﺔ ﺧﺎﺻﺔ ــ ﺑﺤﻴﺚ ﻳﺘﻤﺎﺳـــﻚ‬ ‫ﻫـــﺬا اﻟﺰﺟﺎج ﻓﻲ ﺣﺎﻟﺔ اﻟﻜﺴـــﺮ و ﻋﺪم اﻧﺸـــﻄﺎره‬ ‫ﻟﻘﻄﻊ زﺟﺎﺟﻴﺔ ﻣﺘﻨﺎﺛـــﺮة ﻛﻤﺎ ﻫﻮ اﻟﺤﺎل ﻓﻲ زﺟﺎج‬ ‫اﻟﺴـــﻴﺎرات و ﻋﺪم اﻟﺘﺴـــﺒﺐ ﻓﻲ ﺟـــﺮوح ﻟ‪w‬ﺧﺮﻳﻦ‬ ‫ـ ﺑﺤﻴـــﺚ ﻳﻜـــﻮن ا‪Q‬ﻧﻜﺴـــﺎر ﻟﻠﺰﺟـــﺎج ﻛﺎﻟﻨﺴـــﻴﺞ‬ ‫اﻟﻌﻨﻜﺒﻮﺗـــﻲ ‪ .‬وﻫﺬا اﻟﻨﻮع ﻣﻦ اﻟﺰﺟﺎج ﻟﻪ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ ا‪Q‬ﺳﺘﺨﺪاﻣﺎت ﺗﺸﻤﻞ ‪ :‬ــ‬ ‫ا@ﻣﺎﻛــــﻦ اﻟﺘﻲ ﻗﺪ ﻳﻜﻮن اﻟﺰﺟﺎج ﻣﻌﺮض ﻟﻠﺴــــﻘﻮط‬ ‫و ﻛﺬﻟﻚ اﻟﻤﺒﺎﻧــــﻲ ذات ا‪Q‬رﺗﻔﺎﻋــــﺎت اﻟﻌﺎﻟﻴﺔ اﻟﻤﺮﻛﺒﺔ‬ ‫ﺑﺎﻟﺰﺟﺎج وﻛﺬﻟﻚ زﺟﺎج اﻟﺴﻴﺎرات و اﻟﻤﻨﺎﻃﻖ اﻟﻤﻌﺮﺿﺔ‬ ‫ﻟﻠﻌﻮاﺻﻒ اﻟﺮﻋﺪﻳﺔ و ا@ﻋﺎﺻﻴﺮ‪ ،‬ﻛﻤﺎ ﻳﺴــــﺘﺨﺪم ﻓﻲ‬ ‫اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ و اﻟﺒﻠﻜﻮﻧﺎت واﻟﻨﻮاﻓﺬ‪ .‬وﻳﻤﺘﻠﻚ‬ ‫ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﺧﻂ اوﺗﻮﻣﺎﺗﻴﻜﻲ ﺧﺎص »ﻟﺰﺟﺎج‬ ‫ا@ﻣﺎن« ﻣﺰود ﺑﻐﺮﻓﺔ ﺿﻐﻂ ﻋﺎﻟﻲ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﺬﻛﻲ‬ ‫ﻫــــﺬا اﻟﻨﻮع ﻣــــﻦ اﻟﺰﺟﺎج ﻳﺘــــﻢ ﺗﺼﻨﻴﻌﻪ ﻋــــﻦ ﻃﺮﻳﻖ‬ ‫إﻟﺼــــﺎق ﻓﻠﻢ ﺧــــﺎص ﻋﻠﻰ ﺳــــﻄﺢ اﻟﺰﺟــــﺎج وإﻳﺼﺎﻟﻪ‬ ‫ﺑﺘﻴــــﺎر ﻛﻬﺮﺑﺎﺋﻲ و ﻳﺘــــﻢ ﺗﺤﺪﻳﺪ اﻟﺸــــﻔﺎﻓﻴﺔ ﻟﻠﺰﺟﺎج‬ ‫ﻋــــﻦ ﻃﺮﻳﻖ ﻣﺮور ﺗﻴﺎر ﻛﻬﺮﺑﺎﺋــــﻲ ﺑﺤﻴﺚ ﻳﺘﻴﺢ اﻟﺮؤﻳﺔ‬ ‫ﻋﺒــــﺮ اﻟﺰﺟﺎج وﻳﺴــــﻤﺢ ﺑﺪﺧــــﻮل ا‪Q‬ﺿــــﺎءة‪ ،‬وﻓﻲ ﺣﺎﻟﺔ‬ ‫إﻳﻘﺎف ﻣــــﺮور اﻟﺘﻴﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ ﻳﺼﺒــــﺢ اﻟﺰﺟﺎج ﻋﺎﺗﻢ‬ ‫ﻏﻴــــﺮ ﻣﺮﺋــــﻲ و ﻳﺴــــﺎﻋﺪ اﻟﺰﺟــــﺎج اﻟﺬﻛﻲ ﻓــــﻲ ﻋﻤﻠﻴﺔ‬ ‫ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ و اﻟﺘﻜﻴﻴﻒ‪ ،‬و ﻳﺴﺘﺨﺪم‬ ‫ﻓــــﻲ اﻟﻤﻜﺎﺗﺐ ‪Q‬ﻋﻄﺎء ﻧﻮع ﻣﻦ اﻟﺨﺼﻮﺻﻴﺔ وﻛﺬﻟﻚ‬ ‫ﻓﻲ ﺻﺎﻻت اﻟﻄﻌﺎم و اﻟﻘﻮاﻃﻊ اﻟﺰﺟﺎﺟﻴﺔ ‪.‬‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫اﻟﺸﺮﻛﺔ اﻟﻌﺮﺑﻴﺔ ﻟﺼﻨﺎﻋﺔ اﻟﺨﺰف )ﺑﻮرﺳﻠﻴﻨﺎ(‬ ‫ﺻﻨﺎﻋﺔ اﻟﻬﺪف واﻟﺴﻌﻲ ﻧﺤﻮ ﺗﺤﻘﻴﻘﻪ‬

‫ﻣﻊ ﺗﺤﺪﻳﺎت اﻟﺘﻄﻮر اﻟﺘﻘﻨﻲ ﻓﻲ‬ ‫ﻋﺎﻟﻢ ﺻﻨﻊ أﻃﻘﻢ اﻟﺤﻤﺎﻣﺎت وﻓﻲ‬ ‫ﺧﻀﻢ ﺗﺤﺪﻳﺎت اﻟﺴﻮق اﻟﻌﺎﻟﻤﻲ‬ ‫ﻟﻬﺬه اﻟﺼﻨﺎﻋﺔ ﺑﺎ‪7‬ﺿﺎﻓﺔ إﻟﻰ ﺧﺒﺮة‬ ‫ﺗﺰﻳﺪ ﻋﻦ ﺛﻼﺛﻴﻦ ﻋﺎﻣ; ﻓﻲ ﺗﺠﺎرة‬ ‫أﻃﻘﻢ اﻟﺤﻤﺎﻣﺎت ﺳﻌﺖ اﻟﺸﺮﻛﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ ﻟﺼﻨﺎﻋﺔ اﻟﺨﺰف )ﺑﻮرﺳﻠﻴﻨﺎ(‬ ‫إﻟﻰ ﻣﺪ ﺟﺴﻮر اﻟﻨﺠﺎح واﻟﺘﻌﺎون ﻣﻊ‬ ‫ﻣﺴﺘﻬﻠﻚ اﻟﺸﺮق ا‪F‬وﺳﻂ ودول‬ ‫ﻣﺠﻠﺲ اﻟﺘﻌﺎون اﻟﺨﻠﻴﺠﻲ ﻟﺘﻘﺪم ﻟﻪ‬ ‫آﺧﺮ ﺗﻄﻮرات وﺗﻘﻨﻴﺎت ﺻﻨﺎﻋﺔ اﻟﺨﺰف‬ ‫وذﻟﻚ ﻓﻲ ﻃﻘﻢ ذو ﻣﻮاﺻﻔﺎت ﻋﺎﻟﻤﻴﺔ‬ ‫وﻗﻴﺎﺳﺎت ذات ﺟﻮدة ﻋﺎﻟﻴﺔ ﺿﻤﻦ ﺳﻌﺮ‬ ‫ﻳﺘﻨﺎﺳﺐ وﻣﻴﺰاﻧﻴﺔ اﻟﻔﺮد ﻟﻬﺬه اﻟﻤﻨﻄﻘﺔ‪.‬‬ ‫دون أي ﺗﻨﺎزل ﻋﻦ ﺟﻮدة اﻟﻤﻨﺘﺞ‬ ‫ودون اﻟﺘﻨﺎزل ﻋﻦ ﺟﻮدة أﻓﻀﻞ‬ ‫اﻟﻤﻮاد ا‪F‬وﻟﻴﺔ ﺳﻌﻴﻨﺎ ﻓﻲ اﻟﺸﺮﻛﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ ﻟﺼﻨﺎﻋﺔ اﻟﺨﺰف )ﺑﻮرﺳﻠﻴﻨﺎ(‬ ‫إﻟﻰ إﻧﺘﺎج أﻓﻀﻞ وأﺟﻮد ا‪F‬ﻃﻘﻢ‬ ‫اﻟﺼﺤﻴﺔ وﺑﺴﻌﺮ ﺗﻨﺎﻓﺴﻲ ﺟﺪ‪ U‬ﻣﻤﺎ‬ ‫≤‪¡UM³ « ±μ‬‬

‫‪152 Albenaa‬‬

‫أدى ﺑﺎﻟﺘﺎﻟﻲ إﻟﻰ ﺗﻨﺎﻣﻲ اﻟﻄﻠﺐ ﻋﻠﻰ‬ ‫ﻣﻨﺘﺠﺎت اﻟﺸﺮﻛﺔ اﻟﻌﺮﺑﻴﺔ ﻟﺼﻨﺎﻋﺔ‬ ‫اﻟﺨﺰف »ﺑﻮرﺳﻠﻴﻨﺎ« أﻛﺜﺮ ﻣﻤﺎ ﻫﻮ‬ ‫ﻣﺘﻮﻗﻊ وأﻛﺜﺮ ﻣﻤﺎ ﻫﻮ ﻓﻲ ﺧﻄﻂ‬ ‫اﻟﺘﻨﻤﻴﺔ واﻟﺘﻄﻮر ‪F‬ي ﺷﺮﻛﺔ أﺧﺮى‪.‬‬ ‫إن ﺣﺮص ا‪7‬دارة اﻟﻌﺎﻣﺔ ﻣﻤﺜﻠﺔ‬

‫ﺑﻤﺪﻳﺮﻫﺎ اﻟﻌﺎم ا‪F‬ﺳﺘﺎذ اﺑﺮاﻫﻴﻢ ﻋﻠﻲ‬ ‫اﻟﺒﺎﺣﻮث ﻋﻠﻰ ﺗﻠﺒﻴﺔ ﺣﺎﺟﺔ ا‪F‬ﺳﻮاق‬ ‫وﻓﻖ ﺧﻄﺔ ﻋﻤﻞ ﻣﺪروﺳﺔ ﻣﻊ اﻟﻌﻨﺎﻳﺔ‬ ‫اﻟﺘﺎﻣﺔ واﻟﻔﺎﺋﻘﺔ ﺑﺎﻟﺠﻮدة ﻛﺎن ﻟﻪ‬ ‫ا‪F‬ﺛﺮ ا‪F‬ﻛﺒﺮ ﻓﻲ ﺗﻨﺎﻣﻲ اﻟﻄﻠﺐ ﻋﻠﻰ‬ ‫ﻣﻨﺘﺠﺎت اﻟﺸﺮﻛﺔ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت‬ ‫اﻟﺠﻮدة و اﻟﺨﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ‬

‫ﻣﻨـــﺬ ﻧﺸـــﺄة اﻟﻤﺼﻨـــﻊ وﺿﻌـــﺖ ا دارة ﻧﺼـــﺐ‬ ‫أﻋﻴﻨﻬﺎ ﻫﺪﻓ‪ .‬ﻛﺒﻴﺮ‪ +‬وﻫﻮ ا ﺳﺘﺤﻮاذ ﻋﻠﻰ ﺛﻘﺔ‬ ‫اﻟﻌﻤـــﻼء وﺗﺄﻛﻴﺪﻫـــﺎ ‪ ..‬ﻓﻮﺿﻌﺖ ﻟﺘﺤﻘﻴﻖ ﻫﺬا‬ ‫اﻟﻬـــﺪف اﺳـــﺘﺮاﺗﻴﺠﻴﺔ ﺗﻌﺘﻤﺪ ﻋﻠـــﻰ رﻛﻴﺰﺗﻴﻦ‬ ‫أﺳﺎﺳﻴﺘﻴﻦ ﻫﻤﺎ )اﻟﺠﻮدة اﻟﻌﺎﻟﻴﺔ ﻟﻠﻤﻨﺘﺠﺎت ـ‬ ‫ﺧﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ(‪.‬‬ ‫ﺟﻮدة ا ﻧﺘﺎج ‪:‬‬ ‫ﻓﻴﻤﺎ ﻳﺨﺺ ﻫﺬا اﻟﺠﺎﻧﺐ ﻓﺈﻧﻪ ﻳﺘﻢ اﺧﺘﻴﺎر اﻟﻤﻮاد‬ ‫اﻟﻼزﻣﺔ ﻟ‪G‬ﻧﺘﺎج وﻓﻖ أﻋﻠﻰ اﻟﻤﻮاﺻﻔﺎت اﻟﻌﺎﻟﻴﺔ‪،‬‬ ‫إذ ﻳﺘﻢ اﺧﺘﻴﺎر اﻟﻤﻮردﻳﻦ ﺑﻌﻨﺎﻳﺔ ﻓﺎﺋﻘﺔ وﻳﺆﻛﺬ‬ ‫ذﻟـــﻚ اﻟﺘﻌـــﺎون ﻣﻊ أﻛﺒـــﺮ اﻟﺸـــﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ‬ ‫ﻣﺜـــﻞ ﺷـــﺮﻛﺔ ﺑﺮﺷـــﻮزا اﻟﺘﺸـــﻴﻜﻴﺔ ﻟﺼﻨﺎﻋـــﺔ‬ ‫اﻟﻜﺮﻳﺴـــﺘﺎل واﻟﺰﺟﺎج اﻟﻔﺎﺧﺮ وﺗﺼﻨﻒ ﻛﻮاﺣﺪ‬ ‫ﻣﻦ أﻓﻀﻞ اﻟﺸـــﺮﻛﺎت ﻋﺎﻟﻤﻴ‪ .‬ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل‬ ‫ﺣﻴﺚ ﺣﺼﻠﺖ ﻋﻠﻰ ﺟﺎﺋﺰة ﻣﻨﻈﻤﺔ اﻟﻜﺮﻳﺴﺘﺎل‬ ‫اﻟﻌﺎﻟﻤﻴﺔ‪ ،‬وﻳﻌﺘﺒﺮ اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت‬ ‫ﻫﻮ اﻟﻮﻛﻴﻞ ﻟﺸﺮﻛﺔ ﺑﺮﺷﻮزا ﺑﺎﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫وﻳﺄﺗﻲ ﻫـــﺬا اﻟﺘﻌﺎون ﻻﺣﻘ‪ .‬ﻟﻠﺘﻌﺎون اﻟﺴـــﺎﺑﻖ‬ ‫ﺑﻴـــﻦ اﻟﻤﺼﻨـــﻊ وﺷـــﺮﻛﺔ ﺳﻮراﻓﺴـــﻜﻲ‬ ‫اﻟﻨﻤﺴـــﺎوﻳﺔ اﻟﻌﺎﻟﻤﻴﺔ ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﻜﺮﻳﺴﺘﺎل‬ ‫وأﻳﻀ‪ .‬ﺷـــﺮﻛﺔ آردﺗﻲ ا ﻳﻄﺎﻟﻴـــﺔ اﻟﻤﺘﺨﺼﺼﺔ‬ ‫ﻓـــﻲ ﺻﻨﺎﻋـــﺔ اﻟﻬﻮﻟـــﺪرات اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ‬ ‫ﺑﺎﻟﻤﻮاﺻﻔﺎت اﻟﻌﺎﻟﻤﻴﺔ ‪.‬‬

‫‪¡UM³ « ±μ¥‬‬

‫‪154 Albenaa‬‬

‫ﺧﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ ‪:‬‬ ‫ﻻ ﺗﻘــــﻞ ﺧﺪﻣــــﺔ ﻣﺎ ﺑﻌــــﺪ اﻟﺒﻴــــﻊ أﻫﻤﻴﺔ ﻋﻦ‬ ‫ﺟﻮدة ا ﻧﺘﺎج‪ ،‬ﻟﺬﻟﻚ ﺣﺮﺻﺖ إدارة اﻟﻤﺼﻨﻊ‬ ‫ﻋﻠــــﻰ اﻻﻫﺘﻤــــﺎم ﺑﻬــــﺎ واﻟﺘﺄﻛﻴــــﺪ ﻋﻠﻴﻬــــﺎ‬ ‫ﻛﺮﻛﻴــــﺰة أﺳﺎﺳــــﻴﺔ ﻟﻠﺤﻔــــﺎظ ﻋﻠــــﻰ ﺛﻘــــﺔ‬ ‫اﻟﻌﻤﻼء‪.‬‬ ‫وﻟﻌــــﻞ ﻣــــﻦ أّﻫﻢ ﻣﻈﺎﻫــــﺮ ﺧﺪﻣﺔ ﻣــــﺎ ﺑﻌﺪ‬ ‫اﻟﺒﻴــــﻊ ﻫــــﻮ ﻣﻨــــﺢ ﺿﻤــــﺎن ﻋﻠــــﻰ اﻟﻤﻨﺘﺠﺎت‬ ‫ﻳﺼــــﻞ إﻟــــﻰ ﻋﺸــــﺮ ﺳــــﻨﻮات ﻟﻠﺜﺮﻳــــﺎت ذات‬ ‫اﻟﻄﻼء اﻟﺬﻫﺒﻲ‪ ،‬وﺧﻤﺲ ﺳﻨﻮات ﻟﻠﺜﺮﻳﺎت‬ ‫ذات اﻟﻄﻼء اﻟﻔﻀﻲ )اﻟﻜﺮوم( واﻟﺒﺮوﻧﺰي‪.‬‬ ‫ﻛﻤﺎ ﺗﻨﺘﺸﺮ ﻓﺮق اﻟﺼﻴﺎﻧﺔ ﻓﻲ ﺟﻤﻴﻊ أﻧﺤﺎء‬ ‫اﻟﻤﻤﻠﻜﺔ ﻟﺘﻜﻮن ﻓﻲ ﻣﺘﻨﺎول ﻛﺎﻓﺔ ﻋﻤﻼﺋﻨﺎ‬ ‫ﻟﺘﻘﺪﻳﻢ اﻟﺨﺪﻣﺔ ﻓﻮر اﻟﻄﻠﺐ‪.‬‬ ‫ﻛﻤــــﺎ ﻻﺗﻐﻔــــﻞ ا دارة واﺟﺒﻬــــﺎ اﻟﻤﺠﺘﻤﻌﻲ‬ ‫ﻓﺤﺮﺻــــﺖ ﻋﻠــــﻰ ﺗﻘﺪﻳــــﻢ ﺧﺪﻣــــﺔ اﻟﺼﻴﺎﻧﺔ‬ ‫اﻟﻤﺠﺎﻧﻴــــﺔ ﻟﻠﻤﺴــــﺎﺟﺪ ﺧﺪﻣــــﺔ ﻟﺒﻴــــﻮت ا‪f‬‬ ‫وﻟﻠﻤﺼﻠﻴﻦ‪.‬‬ ‫إن إدارة اﻟﻤﺼﻨــــﻊ ﻻ ﺗﺄل ﺟﻬﺪ‪ +‬ﻓﻲ ﺳــــﺒﻴﻞ‬ ‫إرﺿــــﺎء اﻟﻌﻤــــﻼء اﻟﺬﻳــــﻦ ﻫــــﻢ رأس اﻟﻤــــﺎل‬ ‫اﻟﺤﻘﻴﻘﻲ ﻟﻠﻤﺼﻨﻊ وﻫﻢ ﺷــــﺮﻛﺎء ﻣﺴﻴﺮة‬ ‫ﺣﺎﻓﻠﺔ ﻣــــﻦ اﻟﻨﺠﺎح ﻋﻠﻰ ﻣﺪار ﻣﺎ ﻳﻘﺮب ﻣﻦ‬ ‫‪ ٣٥‬ﻋﺎﻣ‪..‬‬

‫اﻟﺤﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ اﻟﺠﻮدة‬ ‫ﻣﻦ ﺷﺮﻛﺔ اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻟﻠﺘﺠﺎرة‬ ‫ﻳﻌﺘﺒـــﺮ ﻣﺼﻨـــﻊ اﻟﻤﻨـــﺎرة ﻟﻠﻮﺣـــﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻣﻦ اﻟﻤﺼﺎﻧـــﻊ اﻟﺮاﺋﺪة‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ـ‬ ‫ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻧﻴﺔ ـ وﻫﻮ‬ ‫ﻣـــﻦ اﻟﺸـــﺮﻛﺎت اﻟﺘﺎﺑﻌـــﺔ ﻟﻤﺠﻤﻮﻋﺔ‬ ‫اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻟﻠﺘﺠﺎرة واﻟﺘﻲ‬ ‫ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٨٧‬م اﻟﺘﻲ ﻟﺪﻳﻬﺎ‬ ‫ﺗﻮﻛﻴﻼت ﻣﻦ ﺷـــﺮﻛﺎت ﻋﺎﻟﻤﻴﺔ ﻣﺜﻞ‬ ‫)ﻣﻔﺎﺗﻴـــﺢ وأﻓﻴـــﺎش ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ ـ‬ ‫ﻓﺮﻳﻤﻮن ا?ﻳﻄﺎﻟﻴﺔ ـ أﻋﻤﺪة ﻓﻮﻣﺠﺎﻟﻲ‬ ‫ا?ﻳﻄﺎﻟﻴـــﺔ وﺷـــﺮﻛﺔ أوﺑـــﻞ ﻟ‪A‬ﻧـــﺎرة‬ ‫اﻟﺪاﺧﻠﻴـــﺔ وﺗﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﻠﻴـــﺪ‬ ‫اﻟﺤﺪﻳﺜـــﺔ )‪ (LED‬وﻏﻴﺮﻫـــﺎ ‪.‬وﺣﺮﺻ‪D‬‬ ‫ﻣـــﻦ إدارة ﺷـــﺮﻛﺔ اﻟﻤﻨـــﺎرة ﻋﻠـــﻰ‬ ‫ﺗﻘﺪﻳـــﻢ أﻋﻠـــﻰ ﻣﺴـــﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫ﻟـــﺬا وﻗـــﻊ ا?ﺧﺘﻴـــﺎر ﻋﻠـــﻰ ﺷـــﺮﻛﺔ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﻟﻠﻘﻮاﻃـــﻊ‬ ‫وذﻟـــﻚ ﺣﺮﺻـــ‪ D‬ﻣـــﻦ ﺷـــﺮﻛﺔ اﻟﻤﻨﺎرة‬ ‫?رﺿـــﺎء ﻋﻤﻼﺋﻬـــﺎ ﻣﻦ ﺧـــﻼل اﻟﺘﻤﻴﺰ‬ ‫وﺗﻘﺪﻳﻢ أﻓﻀﻞ ﻣﺴﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫واﻟﺨﺪﻣـــﺎت ﻛﻞ ذﻟـــﻚ ﺑﺄﺳـــﻌﺎر‬ ‫ﻣﻨﺎﻓﺴـــﺔ وﻣﺮﺿﻴﺔ ﺣﻴﺚ ﻳﻌﺪ إﺳﻢ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ ﻣﻦ اﻟﻌﻼﻣـــﺎت اﻟﺘﺠﺎرﻳﺔ‬ ‫واﺳﻌﺔ ا?ﻧﺘﺸـــﺎر ﻓﻲ ﻛﻼ ﻣﻦ أﺳﻴﺎ‬ ‫وأوروﺑﺎ وأﻓﺮﻳﻘﻴﺎ وأﻣﺮﻳﻜﺎ اﻟﺠﻨﻮﺑﻴﺔ‬

‫ﺣﻴـــﺚ ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٢٣‬م أﻛﺜﺮ‬ ‫ﻣﻦ ‪ ٩٠‬ﻋﺎم ﺧﺒﺮة ﻓﻲ ﻣﺠﺎل ﺗﺼﻨﻴﻊ‬ ‫اﻟﻘﻮاﻃﻊ اﻟﺮﺋﻴﺴﻴﺔ واﻟﻔﺮﻋﻴﺔ وﻫﻲ‬ ‫راﺋﺪة ﻓﻲ ﻣﺠﺎل اﻟﺼﻨﺎﻋﺎت اﻟﻮﻗﺎﺋﻴﺔ‬ ‫وﻟﺪﻳﻬـــﺎ ﻣﺼﺎﻧﻊ ﺑـ )اﻟﻴﺎﺑﺎن ـ ﻣﺎﻟﻴﺰﻳﺎ ـ‬ ‫أﻧﺪوﻧﻴﺴﻴﺎ ـ اﻟﺼﻴﻦ‪ ..‬وﻏﻴﺮﻫﺎ( ‪.‬‬ ‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﺤـــﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫اﻟﻤﻨﺘﺠـــﺎت ﻧﻘـــﺪم ﻟﻜـــﻢ ﻣﻨﺘﺠﻨـــﺎ‬ ‫اﻟﺠﺪﻳﺪ ﻣـــﻦ ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ )ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ(‬ ‫ﻣﻊ ﻗﻮاﻃﻊ ﻣﻦ ﺷـــﺮﻛﺔ ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﺣﻴـــﺚ اﻟﺘﺼﻤﻴـــﻢ اﻟﻔﺮﻳﺪ‬ ‫واﻟﺸﻜﻞ اﻟﻌﺼﺮي‪.‬‬ ‫ﻣﻨﺘﺠﺎت ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ـ ﻟﻮﺣـــﺎت ﻧﻈـــﺎم اﻟﻘﺎﻃﻊ اﻟﺤﺴـــﺎس‬ ‫ا`وروﺑﻲ ) ﻛﻮزﻣﻮ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت اﻟﻨﻈﺎم ا`وروﺑﻲ )ﻛﻼﺳﻴﻚ(‬ ‫اﻟﻤﻘﺎس ا`ﻣﺮﻳﻜﻲ ‪.‬‬ ‫ـ ﺻﻨﺪوق اﻟﺨﺪﻣـــﺔ ﻣﺘﻌﺪد اﻟﻤﺨﺎرج‬ ‫ﻣﺘﻮﻓﺮ ﺑﺎﻟﻘﺎﻃﻊ وﺑﺪون اﻟﻘﺎﻃﻊ‪.‬‬ ‫ـ ﻋﻠﺒﺔ ﻣﻊ اﻟﻘﺎﻃﻊ )داﺧﻠﻲ ـ ﺧﺎرﺟﻲ(‬ ‫ـ ﻟﻮﺣﺎت اﻟﺘﻮزﻳﻊ اﻟﺮﺋﻴﺴـــﻴﺔ ) ﻟﻮﺣﺎت‬ ‫ﺗﺼﻨﻴﻊ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‪.‬‬

‫ﻟﻮﺣﺎت ﻛﻮزﻣﻮ‬

‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬

‫ﻟﻮﺣﺎت ﻛﻼﺳﻴﻚ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )ﺣﺴﺎس(‬

‫ﻗﻮاﻃﻊ ﻣﻦ ﺷﺮﻛﺔ ﺗﻴﺮاﺳﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴﺔ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )اﻳﺰوﻟﻴﺘﻮر(‬

‫ﺻﻨـــﺪوق ﺧﺪﻣـــﺔ ﻣﺘﻌـــﺪد اﻟﻤﺨـــﺎرج ﻣـــﻊ‬ ‫وﺑﺪون اﻟﻘﺎﻃﻊ ‪٦٥ IP‬‬

‫ﻟﻮﺣﺎت ﺗﻮزﻳﻊ رﺋﻴﺴﻴﺔ‬ ‫ﻟﻮﺣﺔ إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‬

‫∑‪¡UM³ « ±μ‬‬

‫‪157 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫أﻓﻀﻞ اﻟﺴﺒﻞ ﻟﻠﺒﻨﺎء ا ﻗﺘﺼﺎدي‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﺠﺪران اﻟﻤﻌﺰوﻟﺔ واﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬

‫ﺗﺄﺳﺴﺖ ﻣﺆﺳﺴﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﻤﻘﺎوﻻت‬ ‫ﻓﻲ ﻋﺎم ‪2008‬م ‪ ،‬و ﺧﻼل ﻫﺬه اﻟﻔﺘﺮة ﻻﺣﻈﺖ‬ ‫اﻟﺸﺮﻛﺔ اﻟﺨﻠﻞ اﻟﻘﺎﺋﻢ ﻓﻲ ﻃﺮق اﻟﺒﻨﺎء واﻟﺘﻲ‬ ‫ﺗﻜﻤﻦ ﻓﻲ ‪:‬‬ ‫ـ اﻟﻤﺒﺎﻟﻐﺔ ﻓﻲ اﺳﺘﻬﻼك ﻣﻮاد ﺑﻨﺎء ﻛﺜﻴﺮة‬ ‫ﺑﻨﻴﺔ إﻋﻄﺎء ﻗﻮة وﻣﺘﺎﻧﺔ ﻟﻠﻤﺒﻨﻰ‪.‬‬ ‫ـ ﻋﺪم وﺟﻮد ﻣﻜﺎﺗﺐ ﻫﻨﺪﺳﻴﺔ ﺗﻘﻮم‬ ‫ﺑﺎﻟﺘﺨﻄﻴﻂ اﻟﻬﻨﺪﺳﻲ اﻟﻤﻨﺎﺳﺐ ﻟ‪O‬ﺣﻤﺎل ‪.‬‬ ‫ـ ﻣﺒﺎﻟﻐﺔ اﻟﻤﻬﻨﺪﺳﻴﻦ ﻓﻲ اﻟﻤﻜﺎﺗﺐ‬ ‫اﻟﻬﻨﺪﺳﻴﺔ ﻟﻌﻮاﻣﻞ اﻟﺴﻼﻣﺔ ﻟﻠﺨﺮوج ﻣﻦ‬ ‫ﺣﺮج اﻟﻤﺴﺆوﻟﻴﺔ‪.‬‬ ‫ـ ﻋﻨﺪ ا‪R‬ﻧﺘﻬﺎء ﻣﻦ ا‪S‬ﻋﻤﺎل ا‪R‬ﻧﺸﺎﺋﻴﺔ ﻳﻜﻮن‬ ‫ﻣﺒﻠﻎ ﻛﺒﻴﺮ ﻣﻦ اﻟﻤﻴﺰاﻧﻴﺔ اﺳﺘﻬﻠﻚ‪.‬‬ ‫ـ ﻳﻨﺘﻬﻲ اﻟﻤﺒﻨﻰ ﻟﻴﻜﻮن ﻗﻠﻌﺔ اﺳﻤﻨﺘﻴﺔ‬ ‫ﻏﻴﺮ ﻣﻌﺰﻟﻪ وﻳﺼﺮف أﻗﻞ اﻟﻤﺒﺎﻟﻎ ﻓﻲ أﻋﻤﺎل‬ ‫اﻟﺘﺸﻄﻴﺐ واﻟﻌﺰل ﻟﻤﺤﺪودﻳﺔ اﻟﻤﻴﺰاﻧﻴﺔ‪.‬‬ ‫وﻗﺪ ﻫﺪﻓﺖ اﻟﺸﺮﻛﺔ إﻟﻰ ‪:‬‬ ‫ــ ﺟﻠﺐ ﻃﺮق ﻋﺎﻟﻤﻴﺔ ﺣﺪﻳﺜﺔ ﻓﻲ اﻟﺒﻨﺎء‪.‬‬ ‫ــ اﻟﺤﺮص ﻋﻠﻰ ﻣﺮاﻋﺎة اﻟﺜﻘﺎﻓﺔ اﻟﻤﺤﻠﻴﺔ اﻟﻘﺎﺋﻤﺔ‪.‬‬ ‫ــ ا‪R‬ﺳﺘﻔﺎدة ﻣﻦ اﻟﻤﻮارد اﻟﻤﺤﻠﻴﺔ واﻟﺼﻨﺎﻋﺎت‬ ‫اﻟﻘﺎﺋﻤﺔ‪.‬‬

‫∂‪¡UM³ « ±μ‬‬

‫‪156 Albenaa‬‬

‫ــ اﻟﺤﺮص ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺼﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ‪.‬‬ ‫ــ اﻟﻌﻤﻞ ﻋﻠﻰ اﻗﺘﺼﺎدﻳﺔ اﻟﺘﻨﻔﻴﺬ ﻣﻦ دون‬ ‫ا‪R‬ﺧﻼال ﺑﺎﻟﺠﻮدة اﻟﻤﺘﺎﻧﺔ‪.‬‬ ‫ﺗﺘﻤﻴﺰ ﺟﺪران ﺑﺪاﺋﻞ اﻟﻤﻌﺰوﻟﺔ ﺑﺎﻟﺘﺎﻟﻲ ‪:‬‬ ‫ــ ﻣﻜﻮﻧﺎﺗﻬﺎ ا‪S‬ﺳﺎﺳﻴﺔ ﻣﻦ اﻟﻤﻮاد‬ ‫اﻟﻤﺴﺘﺨﺪﻣﺔ ﺣﺎﻟﻴ^ ﻓﻲ اﻟﺒﻨﺎء ‪ ،‬ا‪R‬ﺳﻤﻨﺖ‬ ‫واﻟﺮﻣﻞ واﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‪.‬‬ ‫ــ ﺧﻔﺔ اﻟﻮزن ﺣﻴﺚ ﻳﺼﻞ وزﻧﻬﺎ ﻧﺼﻒ وزن‬ ‫اﻟﺒﻠﻚ ا‪R‬ﺳﻤﻨﺘﻲ‪.‬‬ ‫ــ ﺳﻬﻮﻟﺔ اﻟﺘﺮﻛﻴﺐ ﺣﻴﺚ ﺗﺼﻨﻊ ﻋﻠﻰ ﺷﻜﻞ‬ ‫أﻟﻮاح ﺑﺎرﺗﻔﺎع ‪ 3‬ﻣﺘﺮ وﻋﺮض ‪ 60‬ﺳﻢ‪.‬‬ ‫ــ ﻣﺘﻌﺪدة ا‪R‬ﺳﺘﻌﻤﺎل ﻟﺘﻌﺪد اﻟﺴﻤﺎﻛﺎت‬ ‫ــ ﻻﺗﺤﺘﺎج إﻟﻰ أﻋﻤﺎل ﻟﻴﺎﺳﺔ‪.‬‬ ‫ــ ﻗﺎﺑﻠﻴﺘﻬﺎ ﻟﺠﻤﻴﻊ أﻧﻮاع اﻟﺘﺸﻄﻴﺐ‬ ‫اﻟﻨﻬﺎﺋﻲ ﺳﻮاء ا‪S‬ﺻﺒﺎغ أو اﻟﺤﺠﺮ أو‬ ‫اﻟﺴﻴﺮاﻣﻴﻚ‪.‬‬ ‫ــ ﺧﻔﺔ اﻟﻮزن‪ ،‬ﺟﻮدة اﻟﻌﺰل‪ ،‬اﻟﻌﺰل اﻟﺼﻮﺗﻲ‪،‬‬ ‫اﻟﻌﺰل اﻟﻤﺎﺋﻲ‪ ،‬ﻣﻀﺎدة ﻟﻠﺤﺮﻳﻖ‪ ،‬ﻗﻮة‬ ‫اﻟﺘﺤﻤﻞ‪.‬‬ ‫ﻛﻤﺎ ﺗﺸﺘﻤﻞ ﻣﺠﻤﻮﻋﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻋﻠﻰ‬ ‫ﺷﺮﻛﺎت أﺧﺮى ‪:‬‬

‫ﺷﺮﻛﺔ ﺑﻠﻮر ﻟﻠﺰﺟﺎج‪:‬‬ ‫ﻫﻲ ﺷﺮﻛﺔ ﻣﺘﺨﺼﺼﺔ ﻓﻲ ﻣﻌﺎﻟﺠﺔ اﻟﺰﺟﺎج‬ ‫وﻣﻘﺮﻫﺎ ﻣﺪﻳﻨﺔ اﻟﺠﺒﻴﻞ اﻟﺼﻨﺎﻋﻴﺔ‪.‬‬ ‫ﺗﺸﺘﻤﻞ ﻣﻨﺘﺠﺎت ﺷﺮﻛﺔ ﺑﻠﻮر ﻟﻠﺰﺟﺎج ﻋﻠﻰ‬ ‫اﻟﺘﺎﻟﻲ ‪:‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﻘﺴﻰ ‪ ،‬زﺟﺎج اﻟﻮاﺟﻬﺎت ‪ ،‬زﺟﺎج‬ ‫ا‪S‬ﺑﻮاب واﻟﻨﻮاﻓﺬ ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﻌﺰول ‪ ،‬اﻟﺰﺟﺎج‬ ‫اﻟﻤﻘﺎوم ﻟﻠﺮﺻﺎص واﻻﻧﻔﺠﺎرات‪.‬‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ ﻟ ﻟﻮﻣﻨﻴﻮم‬ ‫ﻫﻲ ﻋﺒﺎرة ﻋﻦ ﺷﺮﻛﺔ ﻣﺘﺨﺼﺼﺔ ﻓﻲ‬ ‫ا‪S‬ﻟﻮﻣﻨﻴﻮم ﺣﻴﺚ ﺗﻨﺘﺞ ﺟﻤﻴﻊ اﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﺘﺎﻟﻴﺔ‪ :‬ا‪S‬ﺑﻮاب ‪ ،‬اﻟﻨﻮاﻓﺬ ‪ ،‬اﻟﻤﻄﺎﺑﺦ‪ ،‬واﺟﻬﺎت‬ ‫اﻟﻤﺒﺎﻧﻲ )ﻛﻼدﻳﻨﺞ( ‪.‬‬ ‫وﻳﻘﻊ ﻣﻘﺮ اﻟﺸﺮﻛﺔ ﺑﻤﺪﻳﻨﺔ اﻟﺠﺒﻴﻞ اﻟﺼﻨﺎﻋﻴﺔ‪.‬‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬ ‫ﺗﻨﺘﺞ ﻫﺬه اﻟﺸﺮﻛﺔ أﻟﻮاح اﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬ ‫اﻟﻌﺎزﻟﺔ اﻟﺘﻲ ﺗﺴﺘﺨﺪم ﻓﻲ أﻧﻈﻤﺔ اﻟﺒﻨﺎء‪.‬‬ ‫ﻛﻤﺎ ﺗﻨﺘﺞ أﻳﻀ^ اﻟﺪﻳﻜﻮرات ا‪R‬ﺳﻤﻨﺘﻴﺔ‬ ‫ﺑﺎ‪R‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻘﻮاﻟﺐ اﻟﺠﺎﻫﺰة ‪ .‬واﻟﺘﻲ‬ ‫ﺗﺴﺘﺨﺪم ﻓﻲ اﻟﻤﻜﻴﻔﺎت واﻟﺜﻼﺟﺎت‬ ‫واﻟﻤﻨﺘﺠﺎت ا‪S‬ﺧﺮى ‪.‬‬

WO½öŽ≈ …œU ¡UM³ « o×K

158 Albenaa

¡UM³ « ±μ∏