Alexander Jackson Architecture Portfolio

...strangely, familiar Characters of Everyday Aesthetics Alexander L. Jackson William M. Melhorn Scholar & Walter R. Leach II Fellow Stuart Weitzman School of Design University of Pennsylvania

Selected Academic and Research Works 04 Strangely, familiar Museum of Fake Realities 18 Life in the Circle Company HouseÂŽ 28 Synthetic Suture Eco-Infrastructure Architecture

Selected Professional Works 38 The Urban Canopy Transit Oriented Artist Incubator 38 Professional Work Samples UHS Wilson Inpatient Tower

Strangely, familiar Museum of Fake Realities

2020 Spring Architecture Integrated Options Studio - Museum Hybrid Critic: Miroslava Brooks Site: The Breuer Building (former Whitney), New York, NY Building Area: 85,700 SF in collaboration with Kevin He The Polemic & The Project Through centuries, architecture has operated between the worlds of science and the humanities with increasingly greater emphasis on the former. Historically, museums were places of authority where knowledge was collected by a few disciplinary experts, clearly categorized, and presented to the public. Such authority was often conveyed through a building’s façade via symmetry, monumentality, and historical (Western) references. Today, cultural institutions are rethinking their institutional identities to expand their audience through cross-disciplinary thinking and risk-taking programming.

The project looks at the transformation and addition to the canonical Marcel Breuer building – an icon of sculptural modernist monumentality. Currently the building’s fate is uncertain as the Metropolitan Museum of Art will vacate its premises after a five-year lease from the Whitney Museum of American Art, and the Frick Collection will temporarily move in. We will take on the challenge and speculate on its future. As Paul Goldberger, the former New York Times architecture critic, articulated: “The Breuer building is resistant to all attempts to bring it into an urban dialogue along the street, but that alone should not be a reason not to build a work of architecture that attempts, gently and powerfully, to coax it into speaking.” A site of some of the most compelling esthetic battles in recent architecture history, the Breuer building is an epitome of modernism. Reflective of modernity’s divide between nature and culture, the hermetic, anti-contextual, anti-historical, tabula-rasa approach is clearly conveyed in its bold and severe form, entirely cut off from everything around it.

The project is Strangely, familiar; the Museum of Fake Realities: an exploration of the replica through the near miss. We wanted to explore how the idea of fake realities could be explored through architecture by replicating the original Breuer on the opposite side of the site. We were interested in how elements of the Breuer can start to spin an entirely new system, like how one small piece of truth can spin many new tales of fiction. With the aperture of Breuer being the most iconic image of the project, we sought to re-present these through a spatial near miss. The apertures become large spatial voids and organizes exhibition spaces. The iconic figure of the Breuer is now radically transformed on the interior. Situated in parallel to the original Breuer, the elevational experience presents the addition on equal footing with the museum to the point where one may question which is the original.

ALIEN

ANTARCTIC NINGEN

BIGFOOT

BLOND HAIR GHOST

BODMIN BEAST

CADBOROSAURAUS

CHUPACABRA

DOGMAN

FOO FIGHTERS LIGHTS

HODAG

IGOPOGO

LOCH NESS MONSTER

MER PEOPLE

MOTHMAN

RUSSIAN YETI

SHADOW PEOPLE

SKUNK APE

TATZELWORM

THUNDERBIRD

TRUNKO

Nature’s Resolution Collection The collections represent a diptych of representations of nature. One the left, the collection is a series of cryptids.

Cryptids are folk lore creatures whose representations throw into question what is actually there. The collection on the right are drawings of 16th century animals from the new world. Here, drawings are highly detailed representations of actual creatures that exist. The collection is a showcase of resolutions. The cryptids, fake creatures, rely on low resolution to become real. The drawings, utilize high resolution to replica a real creature, but through the drawing process, become not real.

This idea is exemplified through these two emlarged images. The Loch Ness monster’s size, scale, and material, shape, is thrown into question through the low resolute picture. While, the walrus is drawn to such detail, even toenails that look like humanfeet, but becomes a fake creature.

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Generative Collage We wanted to explore how the idea of fake realities could be explored through architecture by replicating the original Breuer on the opposite sideof the site with new modifications: first with fictionalized anamorphic features, then with architectural elements. We were interested in how just one element of the Breuer can start to spin off into an entirely new system, similar to how one small piece of truth can spin many new tales of fiction.

Diptych Elevation Rendering Situated in parallel to the original Breuer, the front elevational experience presents the addition on equal footing with the museum to the point where one mayquestion which is the original. As explored later in the interiors, the new addition houses parallel exhibits to the original Breuer with the original exhibiting certain factual events/ findings. Borrowing elements from the original Breuer, the addition spins a new architecture based upon the exaggeration and reorientation of the original Breuer’s architectural elements such as the apertures and stepping that continue into the groundscape.

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Street Plaza and First Floor Plan

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Isometric ‘Chunk’ Model The chunk model showcases the relationship between the public plaza at the street level, the basement theaters and classrooms, and the exhibition spaces above. The addition is of steel construction with a hung stone façade, to match the existing stone on the Breuer building. The Skylight is the terminus of the structure as it opens the interior up toward the sky.

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Madison Avenue Section

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1. Hung Stone Rainscreen Facade System 2. Cold Formed Metal Studs 3. Steel I-beam, see Structural 4. Steel tube beam, see Structural 5. Rigid Insulation with Vapor Barrier 6. 1/2” Gypsum Sheathing

7. Intensive Green Roof System 8. Concrete Subfloor on Metal Decking 9. Stone Finish Flooring 10. Glazed Window with low-E Coating 11. 3/4” Metal Hat Channels 12. Interior Metal Studs

13. Linear LED Lighting Strip 14. 5/8” Gypsum Wallboard 15. Provide Acoustical Batt Insulation 16. Scheduled HVAC Ductwork 17. Cast in Place Concrete Foundation Wall 18. Threaded Steel Rod, fasten to framing

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Company House® Adaptive Reuse Live-Work Housing

2019 Fall Architecture Urban Housing Studio - Mega-Block Redux IV Critic: Kutan Ayata Site: The Round House, Moscow, Russia Building Area: 4,650 m2 - a narrative Company House® bringing a new meaning to work – life balance. Have employees feeling the burden of work? Company House® offers a variety of services to help optimize your body to keep continual workflow! That pesky eye pestering you from writing code all day?

Hands feeling weak from carpal tunnel syndrome? Company House® will replace it so you can keep working despite your bodily short-comings!

Company House® provides amenities for all your living and working needs! Our common roof deck makes sure you never need to touch the ground again. Also part of your new home is cafes and shops, all supported by the Company House®. Your home is your office!

We work, we live: Company House®

The project is an exploration in challenging the prototypical ‘unit’ based housing typologies, in which the unit drives an exterior form and shell. Instead of starting from typical unit layouts, traditional in housing typology, the project is imagined as an object.

As a formal generator, the building takes the logical of the assemblege, and mis-contrues its reading. Beyond the kit-bash, the grouping of form generate a new formal reading through close proximities, slippages, and loose fits.

Aperture patterning breaks this mass of assembleges, as the existing window pattern on the existing building, pushing through the facade to generate novel openning conditions.

The play between the orthagonal grid logic and the radial organization of the Round House shear glazing, in which dichoic glass exposes the breaching of the existing exterior wall. Heavy stucco adorns the facade relating simultaneously to precast concrete pattern language on the existing, but permitting a great degree of material weathering and surface texture.

Maintaining the common roof and green park on the roof, the project sits gently and hovers above the Round House. The cores act as connectors to and from the existing, which become extended into the project. Once the object of the building locates itself onto the roof, the existing building is renovated to create new balconies, gathering spaces, shops for residents, and theater spaces to watch the life within the circle.

View from the Street

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Isometric Building ‘Chunk’

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Isometric Building ‘Chunk’

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Looking Up

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Live | Work Interior Unit

Unique Units The interior of the apartments showcase the blending of the living and working conditions. Benches of workstations are aligned within the common spaces inside.

Shown above, this unit is an example of a dormitory style unit, housing both an electronics lab and common spaces for individuals.

Perched Above Seen in this site model, the project sits atop the Round House, offering grand views from above, as well as functioning as a tall mass to relate more contextually toward the other tower projects nearby.

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Synthetic Suture Eco-Infrastructure & the Radically Distributed Building

2020 Fall Architecture Research Studio - Saline Dreams IV Critic: Jason Payne with Caroline Morgan Site: T2-1b & T2-1 addition, Owens Lake, California Gross Area: 2,728,304 SF (62.6 acres) in collaboration with Megan York

“It is not the shape of the game piece, but the way the game piece plays. It is not the text, but the constantly updating software that manages the text. Not the object form, but the active form.�

Keller Easterling, Extrastatecraft, 21

Situated at polygons T2-1 Addition and T2-1b, the Synthetic Suture aims to establish an infrastructural system that proliferates the active engagement of artificial ecologies located at Owens Lake, California. Acting as a direct resultant of existing geological and manmade flows, the project stitches not only individual polygons together, but toward the larger ecology of the Owens Lake Valley, and the greater Los Angeles metropolitan area.

The proposal engages the lakebed in three manners: infrastructural sutures, ecological sutures, and architectural sutures. These devices become subtle interventions that nurture an active form of an environment. Focusing less on architecture as generator, large scale infrastructure elements act as key drivers for the generation and maintenance of the lakebed.

The site engages multiples audiences, from biologists and engineers that work within the lake’s environment, to visitors that come to seek understanding about the complex history of the draining of Owens Lake. Beyond human agents many nonhuman actors play an integral role in this ecosystem. Pipes and water lines that feed the shallow flooding ponds become sources for the genesis of life. Tillage generates wells for growth of native vegetation. Microbial life, salt grasses, and reoccurring wildlife now frequent the renewed lake.

Eco-engineering infrastructure proliferates the creation of this environment and sustain the project well into the future, setting forth generations of revitalization.

The building becomes BACM (Best Available Control Measures) as the lines between what is natural and artificial are blurred, creating a strange and active extra-urban architecture through the means of infrastructure and synthetic ecosystems. The Synthetic Suture stitches together the natural and the unnatural, the managed and unmanaged, and the micro and macro, through architecture, ecology, and infrastructure.

Flow Analysis and Program Diagram Looking closely at the flow analysis, the Minard Mapping studies both geological and manmade flows occurring on the site and its relationship towards the Channel Area, C-1. These flows then directly influence programmatic elements placed on the site. The project seeks to enhance the existing experimental studies occurring on both polygons. Programmed spaces are represented in black, while direct flows on the site are highlighted in gray.

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Satellite Rendering The project manifests itself as a direct translation of the existing geological and manmade flows on the site. The Polygon T2-1 Addition remains Shallow Flooding, however, has been adapted to suture itself toward vegetation ecologies and means to blur the boundary between that which is architecture and that which is ecology. For the infrastructure that generates these landscapes are the true driver of the environment.

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Isometric Building Chunk: Building as BACM The building becomes BACM as the lines between what is natural and artificial are blurred, creating a strange and active extra-urban architecture through the means of infrastructure and synthetic ecosystems. The Synthetic Suture stitches together the natural and the unnatural, the managed and unmanaged, and the micro and macro, through architecture, ecology, and infrastructure. Thank you.

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The Urban Canopy Transit Oriented, Mixed Use Artist Incubator

2020 Urban Land Institute Hines Student Competition Site: Wynwood, Miami, Florida Gross Area: 2,385,000 SF in collaboration with Brian Rawn, Lily Cheng, Margo Sulmont & Olivia Xu The Urban Canopy development looks to the future of the neighborhoods of Wynwood and Edgewater and of Miami overall. It seeks to amplify the creative culture of the surrounding area by creating an artist incubator zone, and create a new transit-oriented hub with a central green pedestrian corridor that elevates the public sphere in a way that complements the new hub while designing for resilience in preparation for the floodprone future of Miami.

We propose to center our development around two main axes: the rail, and the elevated pedestrian corridor. We seek to keep the existing warehouses that give the flavor of the neighborhood and infill on top and adjacent of these buildings, to preserve the character of the neighborhood and the residents in it.

Instead of the rail dividing the site, we view it as the connection point and center point of the site. The pedestrian corridor will connect both ends of the currently disjointed 27th Street, providing a more accessible connection from Wynwood to Edgewater for residents and visitors. At both ends of the corridor that will be the new 27th Street, we have two focal entry points to the development. The purpose of the pedestrian corridor is to elevate the public experience at a level that anticipates the future environmental conditions of Miami, while providing a green canopy that both mitigates climate risk and nurtures the creative spirit found in Wynwood. Building off of the cultural institution that is the Nader Art Museum, the corridor will be a mixed commercial and artist incubator space, with housing on the upper levels.

The phasing strategy contemplates the initial acquisition of all parcels located within the site boundary that are not currently owned. For these sites, we have assumed a purchase price at market prices reflected in recent land sales, and valued the existing land in the assemblage at the same price per ground square foot. Phase One consists of a 574 unit building in the NW corner of the site, to begin to create a larger residential presence in the neighborhood and defer the more expensive infrastructure and rail station improvements to Phase Two. Phase Two features the build out of the new train station, a new museum, two of the three office buildings on the site, and the construction of the rail station.

Because we have assumed that the museum will own its building and not pay rent to the landowner, we have credited back the cost of the building and its allocated parking costs to the project. Phase Three consists of the buildout of the remaining residential buildings and parking decks to complete the site.

The Urban Canopy seeks to further the development of Wynwood and Edgewater as an incubator of culture for the city of Miami.

Rendered Site Plan

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Programmatic Section Diagram

Mixed Use Corridor Retail Center

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Light Rail Station Perspective from Art Museum

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PENTHOUSE ROOF 106' - 0"

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30 MIL VAPOR BARRIER 3" RIGID INSULATION x 36" AT PERIMETER MECHANICAL ROOM T0002

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Professional Work Samples United Health Services Wilson Campus Tower

2019 May - 2020 - Emergency Department & Inpatient Tower HOK: John Maccallum, Principal & Lead Designer Site: Johnson City, New York Gross Area: 250,000 SF The community of Binghampton, NY has seen a growth in population as post-industrial cities in the northeastern United States reinvest in their older economic cores. Accompanying this rise is the increased need for medical services that support local communities. The project seeks to embrace the community as it re-grows. The new building is an expansion of the existing emergency department and expands its imaging and inpatient services. The building is divided into three components: The base (emergency department), the lobby block, and the tower.

Due to challenging site topography, the entire site is excavated to create a new garden and park as the site pulls down into the existing first floor. The new front door of the hospital is then lifted and relocated to the second level, featuring the lobby block. This all glazed interior provides a new lobby, respite roof garden, and future exapansion for a cafe and new surgical suite. The tower rises above it with four inpatient bed floors, able to accomadate Intensive and Critical Care units. A new helipad brings emergency services directly to the building, in place of across the street where it exists currently.

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TERRACOTTA PANEL VERTICAL ALUMINUM TRACK HORIZONTAL ALUM CLIP WITH ISOLATORS, TYP.

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Project No.:

18.121

Initial concepts for exterior envelope are initially studied and WALL SECTIONS rendered for materiality, massing, relationship to site and contextual awareness of the existing campus. From there, early diagrams of these assemblies are studied in ‘chunks’ as isolated typical instances within the project. These ideas are furthered Sheet Number through the design development of the wall system through sections and close readings of the assembly.

Sheet Title

6" INSULATION 6" COMPOSITE GIRTS @ 24" O.C.

UHS - Wilson Revitalization

DROP-OFF OVERHANG 27' - 6"

A512

© 2019 Chianis & Anderson Architects, PLLC

Jackson Portfolio / 47

Alexander Jackson aljacks@design.upenn.edu 937-572-5098

419 S 19th St. Unit 1A Philadelphia, PA

Jackson is an architectural designer with experience delivering large, complex institutional projects and unique residential works.

Education 2018 - 2021

Master of Architecture, anticipated 2021 University of Pennsylvania, Stuart Weitzman School of Design Walter R. Leach II Fellowship & William Morris Mehlhorn Scholar

2012 - 2016

B.S. in Architecture, magna cum laude, 2016 The Ohio State University, College of Engineering, Austin E. Knowlton School Architecture Honors with Research Distinction

Experience July 2020 - present

LO Design Company Philadelphia, PA Intern Architect -Delivering residential projects from concept through permitting and construction administration.

-Established design standards and marketing material to win projects and develop business.

May 2019 March 2020

HOK (Hellmuth, Obata & Kassabaum) Intern Architect & BIM Coordinator -Worked directly with senior project designers, medical planners, and architects.

-Assisted the development of an inpatient bed tower and emergency department.

-Collaborated with Architect of Record coordinating cohesive design intent.

-Supported medical planning and Health Sciences architecture studio.

March 2016 January 2019

Trinity: NAC Columbus, OH Project Associate and Designer -Managed design team of six -Coordinated architectural development of healthcare facilities, from concept through construction -Developed masterplanning and feasibility analysis for University of Pittsburgh Medical Center (UPMC) -Developed conceptual and bid/permit sets adhering to healthcare guidelines and building codes -Served on the Design Process committee

Service 2020 - present

American Institute of Architects Philadelphia Equity, Diversity & Inclusion Committee member, 2020 - present

2018 - present

University of Pennsylvania, Weitzman School of Design President of Student Council, 2019 - present Graduate and Professional Student Assembly, 2018 - present Diversity Committee Student Representative, 2018 - present Wayfinding Committee Student Representative, 2019 Architecture Department Lecture Series Committee, 2019

2012 - present

Destination Imagination Pennsylvania Scientific Challenge Master, 2020 Scientific Appraiser (Ohio, Pennsylvania, International), 2012 - present

References

Lea Litvin, Principal

Jason Payne, Studio Instructor

John Maccallum, Principal

Richard Farley, Lecturer

LO Design Co | lea@lodesignco.com | 954-559-3549 HOK | john.maccallum@hok.com | 215-940-3577

Philadelphia, PA

Hirsuta LLC | jason@hirsuta.com

University of Pennsylvania | rfarley@upenn.edu | 215-356-3418

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