目前状态：人在奥地利，Skype面试，税前4万-5万人民币每月 姓名：Geoffrey 年龄：40岁 工作经验：13年 语言：法文，英文，中文 毕业时间：2007年毕业于美国哈佛大学 学位：建筑学硕士 设计领域：建筑设计 擅长领域：方案设计 可工作地点：上海，北美，澳洲，英国，欧洲，东南亚 Geoffrey先生2007年硕士毕业于哈佛大学建筑系，擅长建筑方案设计。其在2008-2015年至间 在中国北京和深圳工作过，在中国的项目有北京汽车博物馆、西双版纳旅游学院、北京太庙 艺术博物馆、蒙古乌兰巴托住宅规划、重庆Zhongye会所等。
Current Status: In Austria, Skype interview Name: Geoffrey Age: 40 years old Working Experience: 13 years Language(s): French, English, Mandarin Year of graduation: Graduated in 2007 from Harvard University, USA Degree: Master of Architecture Design area: Architectural design Field of specialization: Concept design Cities to work in: Shanghai, North America, Australia, UK, Europe, Southeast Asia Mr Geoffrey graduated in 2007 from Harvard University with Master of Architecture, He was working in Shenzhen and Beijing, China from 2008-2015. His projects in China include Beijing Indigo Car Museum, Sishuangbanna Tourism College, Beijing Taimiao Art Museum, Ulaanbaatar Rising Sun Residential planning, Chongqing Zhongye Club.
education
geoffrey hughes
Harvard University Graduate School of Design | Cambridge, Massachusetts Master of Architecture, June 2007 Awarded Chair’s commendation for academic excellence, 2007 Awarded grade of Distinction in three classes: “Architecture Theory Since 1968”, “Markets and Market Failures” and “Digital Media” Teaching assistant in history / theory, fall 2003—spring 2005 Teaching assistant in digital design, spring 2004 Yale University | New Haven, Connecticut Bachelor of Arts in anthropology, June 1998 Postgraduate student in anthropology and architecture, fall 1998—spring 1999 Additional courses in organismal biology and comparative religion Awarded Bates fellowship for travel and study in Canada, 1997
skills
University of California, Berkeley Architecture options studio, summer 2001 Cultural and physical anthropology courses, summer 1995
Design: Form-finding through non-standard geometric, theoretical, circulational or programmatic methods; structural, economic and constructional rationalization Project Management: Client relations; consultant coordination; management of design teams of up to twelve Primary Software: Rhino, 3D Studio Max, Maxwell, AutoCAD, Adobe Illustrator, InDesign and Photoshop, Microsoft PowerPoint, Excel and Word Additional Familiarity: Grasshopper, RhinoScript, Maya, Revit, SolidWorks, Multiframe, SketchUp, Ecotect, Adobe ImageReady and Premiere CAD–CAM / Rapid Prototyping: 3D printing, laser and plasma cutting, 3D routing Language: native English, working knowledge of spoken and written Mandarin Chinese and French, intermediate German and Japanese, basic Hindi and Urdu Nationality: dual – United Kingdom and United States
2
of 18
experience
geoffrey hughes
MetaDesign | Beijing, China Design Director, February 2014—September 2015 Design director for Indigo car museum and flagship: primary responsibility for client interaction and integration of architecture, interiors, exhibits, furniture and signage, from concept design through aesthetic supervision of construction. Graft | Beijing, China Project Architect, May 2012—December 2013 Project manager for Pinggu mixed-use conceptual masterplan, Beijing. Lead designer for Lingshui Bay masterplan, Hainan Island; Luxe Lake Boulevard North, Chengdu; and Xishuangbanna tourism academy, Yunnan. CC: Limited | Beijing, China Associate Partner, September 2011—May 2012 Joint founder of small practice for independent commissions, including Namaskar hotel, spa and monastery in Terelj, Mongolia and Rising Sun mixed-use development in Ulaanbaatar, Mongolia. Studio Pei-Zhu | Beijing, China Project Architect, May 2010—September 2011 Project manager for four projects including Taimiao art museum, Beijing, through schematic design, and Baidu towers, Shenzhen, competition. Lead designer for Guangming government center competition, Shenzhen and Changping elementary and middle schools, Beijing, concept design. Designer for National Museum of China competition, Beijing. Human resources manager for international staff. Made | Make Architects | Shenzhen, China Senior Designer, September 2008—April 2010 Lead designer for two competitions and sixteen projects up to design development, including Zhongye client center, Chongqing; Zhongjiao ribboned retail competition, Chongqing; and Shuibei exhibition center, Shenzhen. Kohn Pedersen Fox Associates | New York, New York Designer, August 2007—September 2008 Intern, November 2005—February 2006 Associate designer for MGM Atlantic City casino for schematic design and design development, and concept design of New Songdo City central hotel complex.
3
of 18
experience continued
geoffrey hughes
Bernard Khoury Architects / DW5 | Beirut, Lebanon Designer, February—August 2006 Lead designer for New Silk Road exhibition center competition. Senior designer for Mina 1335 downtown Beirut hotel/commercial building through concept and schematic design. SZHoop Architects | Shenzhen, China Designer, June—September 2005 Lead designer for concept and schematic design of four projects, including Yangzhou art gallery and teahouse and Ningbo tesselated-townhouse urban design. Center for Design Informatics | Cambridge, Massachusetts Designer, June—August 2003 and June—August 2004 Co–designer of Shockwave realtime rendering interface; created renderings and manual for Gund Hall prototype electronic teaching infrastructure.
lectures + workshops
exhibitions + publications
Stein Mani Chowfla Architects | Delhi, India Intern, January—June 2000 Associate designer and oversaw construction administration for Rayy residence, Delhi; draftsman for Indian Institute of Management, Kozhikode.
“Retail Landscapes / Blank Types: Retail Morphologies in the UK” | November 2006 Student group exhibition, Venice Biennale | Farshid Moussavi, advisor Whitney Architecture Newsletter | Spring 2005 Publication | Michael Hays, advisor Polity: Crossroads of Geography and History | March 2004 Solo student exhibition, Harvard University
“Advanced Rhino Modeling” and “Non–Orthogonal Form” | March 2011 Two–part workshop, Studio Pei-Zhu, Beijing, China “New York <> Guiyang” | December 2009 Lecture, “9 Stories” conference, sponsored by Zhongtian Urban Development Group, Guiyang, China “Architecture Through Early Modernism” | November 2008 Three-part lecture, Made | Make lecture series, Shenzhen, China
4
of 18
indigo car museum, beijing
while discretized exterior louvers and ceiling light strips negotiated the two formal vocabularies. MetaDesign offered integrated design for the project, including not only architecture and interiors but also exhibitions, furniture and signage. I joined during architectural schematic design, and from concept through aesthetic supervision of the other fields; as design director, as well as overseeing the design I was the primary client and consultant contact.
circulation + program
interior
exterior
metadesign, 2014—2015 type: commission, through construction administration role: design director 80 weeks / team of 12
The 22,000m² Indigo project integrates a flagship for a major car brand with a museum and experience center. Its greatest challenge was the reconciliation of expansive, fluid exhibition zones and optimized showroom and service spaces, and the differing budget and client expectations created by these two programs. Our response was an organic knot at the atrium, radiating out into orthogonal galleries. The programs were unified with a double-helical circulation system,
Museum 博物馆 Flagship 旗舰店 Service 售后服务 Back-of-House 后台
|
5
of 18
|
2
of 14
interior construction
exterior construction
lingshui master plan, hainan
overall ærial
graft, 2012—2013 type: commission, through concept design role: co-lead designer 40 weeks / team of 7
Lingshui Bay has been designated a next-generation special economic zone. The client planned to purchase only the 20km² offshore shallow-water zone as the development’s central business district, luxury highrise and resort hotel area. Our key challenge for this project was the transformation of the potential liability of the island site into an asset for the central business district. We responded by emphasizing each building’s access
either to bay views or to a central pedestrian park walk, and directly juxtaposing urban concentration with beaches and dense forest canyons. We also focused on several key landmarks at the urban design and building scale. The project’s climax is the nose of the CBD island, reached by a series of cascading plazas. The cluster’s innovation is the hybridization of visual and formal qualities from the Sydney Opera House with the skyscraper typology.
Tropical City Bay 热带城市海湾
Creative Industries & Campuses 创意文化基地
Opera House 歌剧院
Grand Canal 大运河
Sports Center 运动中心
Marina Towers 海港码头酒店
Bayview Residences 湾景住宅
Central Bay District 中心海湾区域
plan, sections, concept
Riverfront Resort Islands 河口度假小岛
BAY ISLANDS PROMENADE 海湾散步长廊
Harbor Village 港口村落 City Beach 城市海滩
Cultural Park 文化公园 Creative Industries & Campuses 创意文化基地
Wetlands 湿地景观
Marina Towers 海港码头酒店
Opera House 歌剧院
Sports Center & Marina 运动中心、码头 Grand Canal 大运河
Park View Towers 公园景观塔楼
Bayview Residences 湾景住宅 Riverfront Resort Islands 河口度假小岛
Central Bay District 中心海湾区域
|
7
of 18
boundary / landscape / traffic / zoning
Program Legend / 项目图例 Office 办公室
Hotel 酒店
Retail / Commercial 零售 / 商店
Support Facilities 配套设施
SOHO soho
Green / Open Space 公园
Beach 沙滩
cbd design
Residential 住宅
|
8
of 18
tourism academy, xishuangbanna
synthetic concept
graft, 2013 type: urban design for land bid role: lead designer 1 week / team of 2
During a 2km² masterplan commission for Xishuangbanna, a new land purchase was annexed to the site and Graft was asked to produce a design for the site. I was required to design this project in one week with one renderer. The project’s key concept is the integration of local building strategies with modernist and green principles. The cascading, deeply overhung roof and clerestories of traditional Dai architecture is adapted as a complex-
curvature, solar-paneled surface. Similarly, porous walls and the open ground floor are recast in modernist language as louvered curtain walls and piloti structure. This initial strategy was then adapted to the various typologies — classroom, dormitory, administration, villa — of the program and complex topography of the site.
roof system: ○○ solar paneling ○○ deep overhang ○○ maximal south coverage ○○ clerestory fenestration
views + plan
key ○○ indigenous design principle ○○ green design principle
architectural system: ○○ louvered fenestration ○○ open ground floor
|
9
of 18
taimiao art museum, beijing
the potentially conflicting demands of a rigorous contemporary language and adherence to deepest principles of the Chinese sensibility in order to do justice to the extremely sensitive site. For similar reasons we studied making the entire building demountable, and transportation and maintenance methods for artwork in the heritage complex.
plan + circulation (with guggenheim)
exterior
studio pei-zhu, 2010—2011 type: commission, through schematic design role: project manager 16 weeks / team of 8
Beijing’s Taimiao ancestral temple has been repurposed as the “People’s Cultural Palace” since the revolution. I was project manager for this study on updating the complex’s cultural mission, in collaboration with Arup and Thomas Krens of the Guggenheim Museum. In addition to museum-fitting the main temples, our main intervention was the addition of three contemporary museum buildings in the wing courtyards. Throughout the process we negotiated
|
10
of 18
namoc museum, beijing
enables fluidity and programmatic mixing between gallery and public space; the zone between skin and white–box gallery provides an opportunity for semi– enclosed art spaces. In addition to concept, design and presentation work, I coordinated structural, mechanical and environmental consultation with Arup Beijing.
model
renders
studio pei-zhu, 2010—2011 type: invited competition role: designer, engineering coordinator 12 weeks / team of 7
As with the Taimiao museum, our National Art Museum of China competition entry attempted to reconcile contemporary and classical Chinese æsthetics, here through the concept of the cloud. The massive 130,000m² program is made to feel scaleless and weightless through lift: placing the permanent galleries in the sky, supported by a cantilevered truss, and raising the pedestrian ground to sink the remaining functions below them. Complex torque in the atrium space
|
11
of 18
plans
A
餐厅 restaurant
B
B
临时陈列/公众休息 temporarydisplay/restarea 馆藏精品陈列IV collections displayofbest
1000人开幕式/临时展览 /
开拓性实验性展览 experimental exhibition
活动展 rotary atrium
艺术品 art dock
工作场 workshop
艺术品卸货区 loading area
A
0
5
10
大巴停车场 bus parking
section + circulation
车库 parking
艺术工作室/临时陈列 artstudio/temporarydisplay
餐厅 restaurant
临时陈列/公众休息 temporarydisplay/restarea 馆藏精品陈列IV collections displayofbest 中庭 atrium 1000人开幕式/临时展览 /
门厅 lobby
开拓性实验性展览 experimental exhibition
工作场 workshop
活动展览中庭 rotary exhibition atrium
艺术品 art dock
报告厅 auditorium
艺术品卸货区 loading area
艺术工作室/临时陈列 artstudio/temporarydisplay
馆藏精品陈列 displayofbestcollections
中庭 atri
大巴停车场 bus parking
艺术品卸货区 loading area
学术研究 II research II
structure + sustainability (with arup)
车库 parking
活动展览中庭 rotary exhibition atrium
|
12
of 18
terelj resort, mongolia
key to religious buildings, explored here in its tension between orientation and placeholder for transcendence, paralleling religious space’s tension between authenticity and drama. Daylight enters through three main shears, which torque the building to mark off the space as sacred; the triple division also resonates with the Buddhist gamkyil. The main hall cut is then subdivided to illuminate different walls throughout the day, organically manifesting the passage of time.
exterior + interior
cc: studio, 2011—2012 type: commission, through concept design role: associate partner 4 weeks / team of 3
With two partners, I undertook this commission for a 5000m² luxury resort in Terelj National Park, comprising hotel villas, a service center and attached Buddhist monastery. We provided full coordination of the hotel, SMEP (Buro Happold), and geotechnical consultants. The monastery was the most unusual program in the brief. It was required to serve as a gathering space, collective meditation area, temporary housing for itinerant Tibetan Buddhist monks. Light is often the
terelj_monastery_option terelj_monastery_option terelj_monastery_option 2 2 2
monastery_gankyil option_plans option_plans option_plans scale_1monastery_gankyil scale_1 : 150 monastery_gankyil scale_1 : 150 : 150 n
n
n
plans
level 1 (+0.00 level 1/ (+0.00 -1.19) level 1/ (+0.00 -1.19) / -1.19)
skylt abv
skylt abv guest baths
skylt abv guest baths
level 2 (+2.38) level 2 (+2.38) level 2 (+2.38)
guest baths +2.38
public public meditation meditation meditation living / living / living / +0.00 +0.00 +0.00 meditation meditation meditation -1.19
-1.19 public
-1.19
stor
form + light
skylt abv
skylt abv
roof level roof level roof level
stor
stor
skylt abv
ground floor ground plan floor ground (+0.00 plan floor / (+0.00 -1.19) plan/ (+0.00 -1.19) / -1.19)
+2.38
sleeping
monk baths + showers
sleeping
+2.38
sleeping open to below
monk monk baths + kitchen baths + kitchen showers showers stor
open to below
open to below
kitchen stor
first floor first plan floor (+2.35) first plan floor (+2.35) plan (+2.35)
stor
roof planroof planroof plan
|
13
of 18
rising sun, ulaanbaatar
cold climate. The original option, shown here, was designed in only two weeks. It is a typological mutation of the courtyard (Barcelona) grid plan: tapering, rotating and shearing create unexpected adjacencies of fabric, from dense low-rise to superblock. The scheme uses sunlight and setback requirements to create single-loaded southeast- / southwest-facing bars.
grid aligned to site edges > southwest- / southeast-facing blocks
tapered blocks + sunlight requirements > differential vertical + horizontal envelopes, block offsets
staggered taper > differential adjacencies, concentration of block types within site area
urban plan
derivation
exterior
cc: studio, 2011â&#x20AC;&#x201D;2012 type: commission, through concept design role: associate partner 2 weeks / team of 3
Approximately 17 km outside Ulaanbaatar, Rising Sun is designed to be a sustainable satellite city of the overtaxed Mongolian capital. Over two months we created a 300-page concept report on two options for this 200,000m² commission, working from urban grid systems down to the level of unit layouts. We collaborated closely with the client for the business plan and with Buro Happold to optimize sustainable factors, including wind, drainage and especially sunlight in the
|
14
of 18
zhongye club, chongqing
The client’s primary holdings as a steel manufacturer allowed a light steel frame, unusual in China, with lateral support provided by occasional oblique torquing of the walls. The voided wall could then be selectively perforated by backlit glass, turning it from neutral background to foreground.
interior
plan, sections, concept
exterior
made/make architects, 2008 type: invited competition award: second place role: lead designer 3 weeks / team of 2
The most salient aspect of this competition’s site was the 50m drop to the east, down to the Chongqing golf course. In a kind of wilful misreading of John Hejduk’s Wall Houses, the project builds to this view as the climax of four different visual regimes: the glass box of the atrium, followed by a three–flight continuous stair, a series of inhabitable bridges suspended over the basement pool and gym, and finally a curtain–walled restaurant and bar.
|
15
of 18
zhongjiao block, chongqing
To translate this fluid form to the vertical facades of the adjoining residential towers but minimize cost, a regular interior plan was adopted, but the desired organic silhouette was segmented and assigned to a continuously–evolving balcony system.
masterplan, section diagram
model
exterior
made/make architects, 2009 type: invited competition award: third place role: lead designer 4 weeks / team of 6
This competition called for a strip of retail as the interface between the street and the park behind; the client hoped for the atmosphere of a shopping street but asked for multi–story mall density. This conflict was resolved in plan by creating strands of retail, oriented to maximize accessibility, and in section by vertically trifurcating the pedestrian street. This peeling up tripled the ground–floor retail and created a kind of halocline between park and shopping functions.
3F 2F 1F 城市 city
建筑 + 风景
公园
park
building + landscape
1F 1F 城市 city
建筑 = 风景
1F 公园
park
building = landscape
|
16
of 18
mina 1338, beirut
dense urbanism of downtown Beirut with an interior forest. The conflict of vertical structure and glazing with compound-curved enveloped is managed with a netting skin which everts the atrium greenery onto hotel terraces and a green wall. Dialogue with the city is reâ&#x20AC;&#x201C; opened at the top floor by a club and glassâ&#x20AC;&#x201C;bottomed cantilevered swimming pool.
plans
elevations
exterior
bernard khoury, 2006 type: commission, through concept design role: designer 8 weeks / team of 4
This mixedâ&#x20AC;&#x201C;use retail / club / hotel complex was commissioned by Solidere, the redevelopment agency for central Beirut. I participated in exhaustive, iterative designs to optimize the form on a compact, sloped site which presented challenges for frontage, pedestrian access and space use. The plinth optimizes retail space and continuity from the adjacent pedestrian soukh at two levels. The hotel atrium rests on this plinth, ameliorating the
|
17 of 18
mgm grand atlantic city
design of auxiliary spaces (the core, plinth back–of– house and roof mechanical zones).
sections + plans
facade studies
kohn pederson fox, 2008 type: commission, through design development role: designer 11 months / team of 20
Designed to be the United States’ largest extra–urban tower, the MGM Grand combines a large hotel space above with a casino and entertainment plinth. I was present on the project from schematic design to design development, and aided in refining spaces and tectonics throughout the building, including visual studies of the massing and façade; space planning from the building scale to the level of individual rooms; design of the entrance and porte-cochere; and the
1
3
TOWER B WINDOWWASHING BOOM Scale: 1” = 16’-0”
|
18
of 18