目前状态：人在台湾，目前1万1每月 姓名：Alice 年龄：32岁 工作经验：5年 语言：中文，英文 毕业时间：2011年毕业于美国旧金山艺术大学 学位：艺术/平面设计硕士 设计领域：平面设计 可工作地点：都可以
Current Status: In Taiwan, currently 11k RMB/month Name: Alice Age: 32 years old Working Experience: 5 years Language(s): Mandarin, English Year of graduation: Graduated in 2011 from Academy of Art University, USA Degree: Master in Fine Art/ Graphic Design Design area: Graphic design Cities to work in: Any city
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ALICE HSU
CONTENTS
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ARCHITECTURE REBORN
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BEHIND THE DOOR
ADAPTIVE REUSE PROJECT
A TUNNEL BOOK OF BLUEBE ARD
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102
GLAMOROUS MASQUERADE
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DANCING RONDO
RE- BR ANDING OF MA X FACTOR
AN INSPIR ATION FROM JA Z Z
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GUMBY LOVES GUMS
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NO FAIR—ALL FAIR
THE SPECIAL OF GUMBY BIRTHDAY
A PROMOTION OF FAIR TR ADE
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A MEMORY BURNED ONTO FILMS
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MIDNIGHT JOURNEY
A WALTER SELL AS FILM FESTIVAL
THE UNSEEN AROUND US
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13 6
KNOCK ABOUT SENSES
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THESIS: MEAT THE TRUTH
A SCIENTIFIC MAGA ZINE OF FIVE SENSES
A DVOCATE FOR HUMA NELY R AISED
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FOOD A NIMALS 152
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ARCHITECTURE REBORN
01 ARCHITECTURE REBORN A DA P T I V E REUSE PRO JEC T
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P R O J E C T_ 01/10
C O U R S E _ E X P E R I M E N TA L T Y P O G R A P H Y
INSTRUC TOR _ ARIEL GREY
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ARCHITECTURE REBORN
OVERVIEW_ I created a conference for adaptive reuse, which is a term that refers to finding new applications or uses for older structures that are not connected with the original functions of those structures. Sometimes known as building recycling or structure repurposing, this approach calls for reworking the interior layout of the structure as a means of making it suitable for some new purpose. In some cases, adaptive reuse also calls for altering or adapting the façade of the building to bring it more into line with its new function.
PROCESS_ My concept is reassembling structures and materials along with combinations of old and new style of typography. I wanted to focus on the geometry of my typography explorations and combine the type setting with the materials and architecture in my layout. To express the combination of old and new architecture, I chose Whitney for my serif and Univers for my sans serif. I used neutral colors and high contrast image style to differentiate between before and after the transformation of reuse. To emphasize architectural feeling, I used many geometric graphic elements and composed the bars in the text.
Old will have been integrated with new. RESULT_ A book to introduce some great examples of adaptive reused architecture from different countries, including the beauty and benefit of it; Two posters of the conference: front and back side. The Front side is the main introduction for this conference, and the backside shows the detail information, such as map, building guide, hotel, restaurant, and traffic; Reassembling Architecture” collectable cards.
PROJECT TITLE_ WHAT’S OLD IS NEW AGAIN DATE_ 2011 SPRING CL ASS _ EXPERIMENTAL T YPOGRAPHY INSTRUCTOR _ ARIEL GREY AUDIENCE_ DESIGNERS T YPEFACE_ BEMBO & UNIVERS
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A CHEIM T EOCRY T U REENRG E BROAV R NE D ARM
8 5째
93 f t. 8 in.
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M YS T E RY O F M A X FAC T O R
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GLAMOROUS MASQUERADE R E - BR A N D I N G O F M A X FAC TO R
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COURSE_
THE NATURE OF IDENTITY
INSTRUC TOR _ HUNTER WIMMER
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M YS T E R O F M A X FAC T O R
OVERVIEW_ This is a rebranding for Max Factor. “The masquerade” is my concept for the design. Max Factor has been redefined from their former style. I wanted to give it a luxurious, dramatic, couture style, with a hint of fantasy and mystique. I find the concept of masks interesting as people have a different “masks“ for different roles in life.
PROCESS_ Max Factor’s makeover is inspired by the concept pf European Masquerade. The redesign is glamorous and filled with mystery. I chose a Venetian-inspired masquerade, very glamorous and filled with mystery. The type chosen for this book is a fashion-inspired serif typeface for the title and sans serif for the content. The identity logo combines with organic shapes to show elegance, glamour, and feminine. The shape of the logo was inspired by feathers on a Venetian mask. Deep purple and vibrant pink are the colors for mystery and female, which also appear well in black and some dark colors in this book.
RESULT_ The identity system: a logo, stationery, a brand book, and packaging design.
Max Factor will have been transformed.
PROJECT TITLE _ MYSTERY OF MA X FACTOR DATE _ 20 0 9 FALL CL ASS _ THE NATURE OF IDENTIT Y INSTRUCTOR _ HUNTER WIMMER CATEGORY BR ANDING T YPEFACE _ SERIFA & FUTUR A
P R O J E C T_ 0 2 /10
C O U R S E _ I N T E G R AT E D C O M M U N I C AT I O N L A B
INSTRUC TOR _ HUNTER WIMMWE
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P R O J E C T_ 0 2 /10
C O U R S E _ THE NATURE OF IDENTITY
INSTRUC TOR _ HUNTER WIMMER
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M YS T E RY O F M A X FAC T O R
Max Factor & Company 560.654.0266 21355 Pacific Coast Highway Suite 200 Malibu, CA 90265 www.maxfactor.com
MAX
FA CT OR
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G U M BY G U M
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GUMBY LOVES GUM SPECI A L EDIT ION PACK AGING
P R O J E C T_ 0 3 /10
C O U R S E _ T Y P E SYS T E M S
INSTRUC TOR _ JENNIFER STERLING
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G U M BY G U M
OVERVIEW_ In this project, the objective was to coordinate a brand with a project that was previously not associated with that brand. The challenge of this project was to make the brand correspond with the product no matter now different the two ideas.
PROCESS_ The brand I worked with was Gumby. The product was gum. Gumby is such a fun character to play with. Gum and Gumby actually work very well together because they share smooth shape and color possibilities. I created a large format poster along with a set of postcards. The concept was to promote an interesting and passionate lifestyle. The deliverables projected this idea using the lively character— Gumby, conjures out a lot of fun to people. It includes collectable toys, packages, and gum, which are limited editions.
RESULT_ A poster, a set of postcards, and a CD case
Bubble gum will have welcomed Gumby
PROJECT TITLE _ GUMBY GUM DATE _ 20 0 8 SUMMER CL ASS _ T YPE SYSTEMS INSTRUCTOR _ JENNIFER STERLING CATEGORY PRINT CAMPAIGN T YPEFACE _ DOGMA
P R O J E C T_ 0 3 /10
C O U R S E _ T Y P E SYS T E M S
INSTRUC TOR _ JENNIFER STERLING
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COURSE_ JENNIFER STERLING
INSTRUC TOR _ JENNIFER STERLING
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PA R T I DA
04 A MEMORY BURNED ONTO FILMS A WA LT ER S A L L ES ’ FIL M FES T I VA L 0 02
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PA R T I DA
OVERVIEW_ The Walter Salles’ “Partida” film festival has been held in several different locations for five years since his “Diarios de motocicleta” ( The Motorcycle Diaries) was released in many countries to critical acclaim. His films present the rich South American culture and landscape, with scenes of nature in which the characters stand out. Partida means “so long” in Portuguese. Most of Walter Salles’ films speaks about journeys; both physical and emotional journeys. The characters are trying to find themselves and realize their life goals during these journeys. Walter Salles manage to connect with the audience throughout these journeys. The films shown in this festival are: Central Station, The Motorcycle Diaries, Linha de Passe, and Behind the Sun.
PROCESS_ Because Walter’s films are all about the journey of love, loss, and innocence, I wanted to create a series of design which sparks memories. Patterns and rich hues inspired by Brazilian arts are used throughout the design. The images shown beautiful landscape. Everything including paper choice, stationery, and merchandise, is textured to emphasize the original rough feeling from the concept.
A new journey will have started.
RESULT_ Festival collateral included a poster, a catalog, merchandising with package design, a brochure for schedule, a soundtrack album, and a set of DVD’s.
PROJECT TITLE _ PARTIDA DATE _ 20 0 9 SPRING CL ASS _ INTEGR ATED COMMUNICATION INSTRUCTOR _ TROY ALDERS CATEGORY PRINT, PACK AGE DESIGN T YPEFACE _ HELVETICA NEUE
P R O J E C T_ 0 3 /10
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S E N S E M AG A Z I N E
05 KNOCK ABOUT SENSES A SCIEN T IFIC M AG A ZINE OF FI V E SENSES
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P R O J E C T_ 0 5 /10
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INSTRUC TOR _ MICHAEL KILGORE
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S E N S E M AG A Z I N E
OVERVIEW_ SENSE is issued every two months. It’s a magazine of a scientific journey with six senses: hearing, taste, touch, sight, smell, and the special. The issue of this month is a discovery of communication and attraction by smelling. We discover all creatures’ pheromones which are working on each other and explain how they are important to our lives. In recent years, scientists have been homing in on a previously undiscovered sensory system that performs its work quietly and is responsible for our most basic human reactions and interactions. This system is triggered by the mysterious messengers we now know as pheromones.
PROCESS_ “Smell” is one of the six sense resorts and also the theme of this issue of my magazine. So the concept is “odor.” A smooth, soft, flowing style and graphic elements are what I created for SENSE. The color and image style transform in different chapters.
RESULT_ A book, website and a package design for perfume
Pheromone will have led us to the unknown
PROJECT TITLE _ SENSE MAGA ZINE DATE _ 2010 SPRING CL ASS _ CONNECTING THE DOTS INSTRUCTOR _ MICHAEL KILGORE CATEGORY SCIENTIFIC MAGA ZINE T YPEFACE _ BLENDER & FUTUR A
P R O J E C T_ 0 5 /10
COURSE _ CONNECTING THE DOTS
INSTRUC TOR _ MICHAEL KILGORE
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(Z) -7-dodecen-1-yl acetate
CH3
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SENSE The Five Fii ve Sensee M aagazine g a zin ga zine
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B LU E B E A R D ’ S C L O S E T
06 BEHIND THE DOOR A T UN NEL BOOK OF BLUEBE A RD
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B LU E B E A R D ’ S C L O S E T
OVERVIEW_ “Bluebeard”, ( French: La Barbe bleue) a French literary folktale, tells the story of young Marie- Catherine, child bride to an aristo cratic ogre with a reputation for murdering his wives. The challenges for me are to figure out what kind of format and materials increase the readers interests more and feel different from the other Bluebeard, and also illustrated all characters by myself.
PROCESS_ To create the mystical feeling of the main scene — Bluebeard’s closet, design the book as the “tunnel book” is very applicable. The 3 - dimensional tunnel presents the scary dark closet and creates a scene as a movie as well. Therefore, I combined two formats to this book: perfect binding at the beginning and tunnel book in the end.
RESULT_ A tunnel story book
The secret will have been discovered
PROJECT TITLE _ BLUEBE ARD’S CLOSET DATE _ 20 0 8 SPRING CL ASS _ BOOK ARTS INSTRUCTOR _ MACY CHADWICK CATEGORY PRINT T YPEFACE _ GOUDY
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B LU E B E A R D ’ S C L O S E T
P R O J E C T_ 0 6 /10
COURSE_ BOOK ARTS
I N S T R U C T O R _ M AC Y C H A DW I C K
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BLUEBEARD’S CLOSET
P R O J E C T_ 0 6 /10
COURSE_ BOOK ARTS
I N S T R U C T O R _ M AC Y C H A DW I C K
113
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DA N C I N G R O N D O
07 DANCING RONDO A N I N S P IR AT I O N FRO M JA Z Z
P R O J E C T_
0 7/10
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TYPE EXPERIMENTS
I N S T R U C T O R _ S TA N Z I E N K A
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DA N C I N G R O N D O
OVERVIEW_ I designed this music poster based on photos taken from an experiment. I chose Blue Bondo’s A La Turk by Dave Brubek.
PROCESS_ Blue Bondo A La Turk is a jazz song which simulates happiness. It’s like hearing a live show every time, and the rhythm and the melody just make me feel like I am relaxing in a bar with fine wine. I printed out words, photos and graphic elements that are related to the song on transparency sheets, projected them to a wall and play around with composition. I took photos of the composition and design a poster for Blue Bondo A La Turk.
RESULT_ A poster
Brubeck will have performed tonight
PROJECT TITLE_ DANCING RONDO DATE_ 2009 SPRING CL ASS_ T YPE EXPERIMENTS INSTRUCTOR _ STAN ZIENK A CATEGORY PRINT T YPEFACE_ K ABEL & ROTIS SERIF
P R O J E C T_ 0 7/10
COURSE_ TYPE EXPERIMENTS
I N S T R U C T O R _ S TA N Z I E N K A
11 7
118
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DA N C I N G R O N D O
P R O J E C T_ 0 7/10
COURSE_ TYPE EXPERIMENTS
I N S T R U C T O R _ S TA N Z I E N K A
119
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DA N C I N G R O N D O
P R O J E C T_ 0 7/10
COURSE_
I N T E G R AT E D C O M M U N I C AT I O N L A B
I N S T R U C T O R _ S TA N Z I E N K A
121
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N O FA I R A L L FA I R
08 ALL FAIR窶年O FAIR A P RO M OT I O N O F FA IR T R A D E
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P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
123
124
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N O FA I R A L L FA I R
OVERVIEW_ Farmers and workers at the beginning of the chain don’t always get a fair share of the benefits of trade. Fair trade enables consumers to put this right. This is a project to help a new corporate image which could lead new directions for the company. Students were asked to explore the problems with a company’s image and come up with a promotional idea. The challenge of this project was to create an original idea and think outside the box.
PROCESS_ I wanted to distinguish my concept from other design with serious topic, I wanted to present my idea with an outrageous and ironic concept. The company I worked with was NESTLÉ® USA, which is one of the major worldwide corporations. Therefore, it NESTLÉ should definitely take responsibility for fair-trade matters. I created a series of posters along with a package of fair-trade tea products. After working on this project, it definitely encouraged me to think differently about the impact design can have in the world.
RESULT_ A series of posters and package design
Farmers will have had fair trade.
PROJECT TITLE _ NO FAIR AlL FAIR DATE _ 2010 FALL CL ASS _ DESIGN OUTSIDE THE BOX INSTRUCTOR _ ROL AND YANG CATEGORY_ PRINT T YPEFACE _ KNOCKOUT
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
125
126
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N O FA I R A L L FA I R
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
127
128
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N O FA I R A L L FA I R
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
129
130
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N O FA I R A L L FA I R
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
131
132
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N O FA I R A L L FA I R
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
133
13 4
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N O FA I R A L L FA I R
P R O J E C T_ 0 8 /10
C O U R S E _ D E S I G N O U T S I D E T H E B OX
I N S T R U C T O R _ R O L A N D YA N G
135
13 6
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T H E S L E E P WA L K E R
09 MIDNIGHT JOURNEY IN V ISIBILIT Y: T HE UNSEEN A ROUN D US
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
137
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T H E S L E E P WA L K E R
OVERVIEW_ It is important for a designer to have the ability to tell stories with either words or images. The Sleepwalker, an image only fantasy storybook, talks about a girl who sometimes does some thing ridiculous when she is sleepwalking, but meanwhile, she is actually on her wonderful and exciting journey in her dream.
PROCESS_ This is a photo narratives book which only uses images to tell a story. The main key to succeed in this project is to find the correct angle to take photos because the perspectives of each photo represent the viewer’s point of view. Since it is a fantasy story, some parts are hard to present with only photos. Therefore, small illustrations are also another important element to make this story smooth in this book.
RESULT_ A photography book
She will have woken up with surprise.
PROJECT TITLE _ THE SLEEP WALKER DATE _ 2010 SPRING CL ASS _ PHOTO NARR ATIVES INSTRUCTOR _ BETH L ADOVE CATEGORY PHOTOGR APHY BOOK T YPEFACE _ ELOQUENT SWASH
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
139
140
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
141
14 2
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
143
14 4
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
145
146
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
147
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
149
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T H E S L E E P WA L K E R
P R O J E C T_ 0 9 /10
C O U R S E _ P H O T O N A R R AT I V E S
I N S T R U C T O R _ B E T H L A D OV E
151
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TIT TLE_
M O R A L M E AT
10 THESIS: MORAL MEAT A DVOCATE FOR HUMA NELY R AISED FOOD A NIMALS
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P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
153
154
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M O R A L M E AT
OVERVIEW_ Moral Meat is an association to make people reduce (or refuse) buying animal products from animals which were raised inhumanely, and to help people to choose better animal products. To achieve the goal, this association exposes the real meat that people usually eat and uncover the truth of inhumane farming style, point people to the right direction on where to buy good animal products, and help them to recognize labels of animal products indicating food safety and great quality.
PROCESS_ The concept of this topic and the book is to tell the truth to people with a more friendly and interesting way, to make this issue more approachable. This book was designed with comic style to soften the harsh effect of the topic, and it also help to describe this serious issue more clearly. On top of the book, there will be a campaign to make people more familiar with this topic without using gory images and scary documentaries that people tend to avoid.
RESULT_ A Book, website, a stationery system, posters, postcards, brochures, and package design
We will have concerned the meat we buy
PROJECT TITLE _ MOR AL ME AT DATE _ 2010 SFALL — 2011 SUMMER CL ASS _ DIRECTED STUDY INSTRUCTOR _ JJ HA , ARIEL GRE Y CATEGORY PRINT, WEBSITE, PACK AGING T YPEFACE _ ELEMENTA , SERIFA
P R O J E C T_ 10 /10
002
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
155
156
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M O R A L M E AT
GREENWASH I can attest that most of labels you see on the packages are lies.
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
157
158
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M O R A L M E AT
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
159
160
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M O R A L M E AT
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
161
162
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M O R A L M E AT
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
163
164
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M O R A L M E AT
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
165
166
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M O R A L M E AT
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
167
P R O J E C T_ 10 /10
C O U R S E _ D I R E C T E D S T U DY
I N S T R U C T O R _ A R I E L G R E Y, J J H A
169
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Acknowledgement
This book is dedicated to my family. Pema Chou, David Hsu, Katherine Hsu, Emmanuel Jen, and Moo. Without your love and support, I would be lost. My gratitude goes out to my family, and friends: Kay Wu, I - Chen Su, Charles Yeh, Edward Lu, Grace Chen, Olive Lee, Zack Fu, Celeste Yang, Werm, Yue Cheng, Davil Holl..., and all my friends in Taiwan who always encourage me and consider my feelings. Special thanks to my instructors: Marr y Scott, Phil Hamlett, Michael Kilgore, Ariel Grey, JJ Ha, Roland Yang, Jennifer Sterling, Stan Zienka, Macy Chadwick, and Hunter Wimmer.
Copyright © 2016, Shao Chin “Alice” Hsu Phone: 0 978.627.926 E- mail : alicehsu1015 @ gmail.com All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the written permission of Shao Chin Alice Hsu.
School_ Academy of Art University School of Graphic Design 79 New Montgomer y Street, San Francisco, CA 9 4105 Work _ • frog design as a graphic designer 6 6 0 3rd St, San Francisco, CA 9 4107 • Exclaim United Corp. No.3 4 3, Sec. 5, Nanjing E. Rd., Songshan Dist., Taipei City 105, Taiwan • SwitchEasy No.50 8, Sec. 5, Zhongxiao E. Rd., Xinyi Dist., Taipei City 110, Taiwan
Photography_ Alice Hsu Tittle of Book _ Future Perfect Cover Stock _ Camel Hair 8 0 lb cover, David Board Text Stock _ Finch 10 0lb text Typography_ Hoefler, Univers Technology_ Adobe Indesign, Adobe Illustrator, Adobe Photoshop, Degital Photo Professional, Canon Power Shot
/ / / / / / / / /
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NUDE
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NUDE
Banner PROJECT TITLE_ NUDE_ PACK AGING, WEBSITE, & BANNER DATE_ 2015 SUMMER
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HELIX
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HELIX
PROJECT TITLE_ HELIX _ PACK AGING, WEBSITE, & BANNER DATE_ 2015 SPRING
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BOCKS
03 BLOCKS
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BLOCKS
Website
PROJECT TITLE_ BLOCKS _ PACK AGING, WEBSITE, & BANNER DATE_ 2015 SUMMER
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BLOCKS
PROJECT TITLE_
Packaging
BLOCKS _ PACK AGING, WEBSITE, & BANNER DATE_ 2015 SUMMER
Packaging
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FLEUR
04 FLEUR
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T I T T L E _ F L EU R
packaging
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F L EU R
PROJECT TITLE_ FLEUR _ PACK AGING, WEBSITE, & BANNER DATE_ 2016 SPRING
Website
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C OV E R B U D DY
05 COVERBUDDY
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C OV E R B U D DY
PROJECT TITLE_ COVERBUDDY_WEBSITE, & BANNER DATE_ 2016 SPRING
Website
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AERO
06
AERO
packaging
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AERO
PROJECT TITLE_ AERO_ PACK AGING, WEBSITE, & BANNER DATE_ 2016 SPRING
Website & Banner
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P L AY
07 PLAY AY
packaging & Banner
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P L AY
Website & Banner
PROJECT TITLE_ PL AY_ PACK AGING, WEBSITE, & BANNER DATE_ 2016 SPRING
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N P LU S
08 N PLUS S
packaging
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N P LU S
Packaging
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N P LU S
Your case is now smarter!
It just clicked!
Tactile "Native Touchโ ข" provide solid press feedback and easy to press.
CLICK
!
OLD NEW!
Shockproof
Laser Precise Cut
Laser cut and IMD (In-Mould Decoration) provide a precise cut to fuse dual colors and materials.
Featuring bumps on the curved defending your iPhone from drops up to 1.5m while reserve the soft touch.
Website
PROJECT TITLE_ N+_ PACK AGING, WEBSITE, & BANNER
Ultimate Protection P TPU/PET dual mat materials erials and enhance buttons cover for 360รก protection.
DATE_ 2016 SPRING
Anti-Scratch PET anti-scratch back shell which can resist normal day to day scratches from keys to coins.
0 09