Design for the Home and Garden auction, July 26, 2020 by andrewjonesauctions

DESIGN FOR THE HOME AND GARDEN July 26, 2020

Design for the Home and Garden Sunday, July 26th, 2020, 11:00am

Andrew Jones Auctions 2221 S. Main Street Los Angeles, CA. 90007 andrewjonesauctions.com

Inquiries Andrew Jones andrew@andrewjonesauctions.com 213.212.6835

Preview Due to Covid-19, Andrew Jones Auctions are currently subject to government restrictions. If possible and in accordance with government guidelines, lots will be made available for in-person viewing by appointment only on the following dates: Friday, July 24 Saturday, July 25 Please contact us directly to make an appointment PRIOR to visiting our premises.

Jennifer Kurtz jennifer@andrewjonesauctions.com 213.212.6831

Bids (213) 748-8008 (213) 748-8018 fax accounts@andrewjonesauctions.com Sale number: 2000 Lots 1-261 Special collection notice to buyers for this sale: All lots from this sale must be collected (following payment in full) by Monday, August 10th at 5pm (Pacific Time). Lots not collected by this date will be sent to off-site storage at the buyerâ&#x20AC;&#x2122;s expense.

Aileen Ward aileen@andrewjonesauctions.com 213.212.6832 Ry Fillman ry@andrewjonesauctions.com 213.212.6837

Illustrations Front cover: Lot 72 Inside front cover: Lot 258 Session page: Lot 139 Inside back cover: Lot 32 Back cover: Lot 202 Catalog Design: Bryan Stoughton

Design for the Home and Garden July 26 | Lots 1 - 261 Life has changed quite a bit in 2020. As a result, we have adapted for the times to protect our staff and clients by having online exclusive sales which are smaller in quantity but more frequent which allows us to curate and refine each auction. Our wildly successful Collections Curated by Designers of Distinction in February saw interest return to quality works with important provenance. This upcoming auction offers property of comparable caliber with a different aesthetic twist. Our first Design for the Home and Garden auction of the year will be led by property from the collection of Mary and Lou Silver of Indian Wells, California which encompasses a host of genres with standout works including a spectacular oil on canvas Still life with flowers and fruit painted by a master of color and composition, Nicolai Fechin, circa 1925 (lot 258). Another fine work is a gouache on paper abstract composition by Serge Poliakoff (lot 209). The collection also offers pieces by Louis-Ernest’s Barrias Rosa Bonheur, Émile-Antoine Bourdelle, John George Brown, Claire Jeanne Roberte Colinet, Edgar Degas, George Fuller, François-Raoul Larche, Ernest Lawson, Reginald Marsh, Louis Charles Moeller, Jane Peterson, Helen Maria Turner and Emmanuel Villanis as well as a selection of animalier bronzes after Antoine Louis Bayre, Isadore Bonheur, Hippolyte Joseph Cuvelier, Pierre-Jules Mêne and Leonid Vladimirovich Pozen. The Silvers developed a love of the intricacies and subtleties of the art of Italian micro mosaics and their collection includes a spectacular panel of a peasant woman in a country landscape attributed to Luigi Tarantoni (lot 69) and an impressive table top centering St. Peter’s Square, almost certainly by Cesare Roccheggiani (lot 72). Art glass from the Silver collection includes a Dale Chihuly blown and applied glass Venetian vase, 1996 (lot 139) and two works by Murano Maestro Lino Tagliapietra, four works by Dino Rosin as well as a Marc Lalique Cactus table. The remaining art, furniture and important fine jewelry from the Collection of Mary and Lou Silver will be offered in auctions this September. English antiques and decorative arts will be led by a selection from a Northern California estate that includes a fine late 18th century George III gilt bronze and jasperware mounted fall front secretary in the manner of Thomas Sheraton (Lot 208), a Regency mahogany cellarette in the manner of Thomas Hope (Lot 88), and two early tall case clocks: a walnut example by Joseph Knibb apprentice Brounker Watts, and a floral marquetry example by Christopher Gould (lots 86 & 87). Additional clocks from this source include a sculptural Louis XVI figural mantel clock by Jean Baptiste Dutertre (lot 249) and an allegorical Empire example by Angevin, Paris (lot 248). A Thomire gilt bronze tazza (lot 233) and a pair of Louis XVI grey painted fauteuils, circa 1785, by menuisier Nicolas Delaisement (lot 255) come from the same collection. Also on offer will be a selection of fine carpets and beautiful chandeliers. Also from the Northern California estate is a selection of early British Britannia and sterling silver, including a collection of tumbler cups from London makers, as well as provincial silversmiths, a Charles II porringer, candlesticks, coffee pots, tankards and other table wares. Fine silver from the estate of Ruth Harvey features a pair of substantial Regency tea trays by Paul Storr (lots 3 & 4) and a Storr silver tea urn originally owned by Richard Alexander Oswald of Oswald Hall, Ayrshire, Scotland (lot 2). The silver offerings also include pieces by the Georg Jensen Silversmithy and a striking pair of Viennese silver-gilt figural six-light candelabra (lot 31). Additional highlights include two vintage Louis Vuitton travel trunks that belonged to Oscar winning director Orson Welles and his wife, Contessa di Gerfalco, Paola Mori from the estate of Orson Welles (Lots 33 & 34) and garden appointments as impressive as a pair of French bronze mounted iron jardinières by the Val d’Osne foundry (Lot 163), vintage Catalina tile bird panels (Lots 122-124) and a number of lots of patio furniture by Walter Lamb for Brown Jordan (lots 155-158), as well as marble sculpture and an impressive 19th century marble fountain (Lot 165). Whilst we may not be able to see you in person this time, we look forward to hearing from you. Stay safe and well. -Andrew Jones

Design for Home and Garden Lots 1 â&#x20AC;&#x201C; 261

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1 A pair of William IV sterling silver soup plates Paul Storr, London 1835 Each engraved with elaborate impaled coat-of-arms and heraldic crests. diameter 9 5/8in (24.5cm); total weight approximately 37oz troy $1,500-2,000 Provenance: With Argentum, San Francisco, California, 28 September 1989. Property from a Northern California Estate. Footnote: The engraved armorial bearings are those of the family of Mostyn impaling Scott. These armorial bearings undoubtedly commemorate the marriage of The Honourable Edward Lloyd Mostyn (1805-1884), of Mostyn Hall, Mostyn in the County of Flintshire and Lady Harriet Margaret Scott (d.1891). Edward and Harriet were married by License at the Parish Church of St George, Hanover Square in the County of Middlesex on the 20th June 1827. Edward was the eldest son of Sir Edward Pryce Lloyd, the 1st Baron Mostyn and his wife, Elizabeth Mostyn, whilst Harriet was the eldest daughter of Thomas Scott, the 2nd Earl of Clonmell and his wife, Lady Henrietta Louisa Greville. Upon the death of his father, Edward succeeded as the 2nd Baron Mostyn and the 3rd Baronet of Pengwern in the County of Flintshire on the 3rd April 1854. 2 A George III sterling silver hot water urn Paul Storr, London 1806 The lid engraved with a heraldic crest and motto SEQUAMUR, the body engraved with a coat-of-arms within a scrolled surround. height 15 1/2in (39.5cm); width over handles 14 1/2in (37cm); depth 15in (38cm): gross weight approximately 183oz troy $6,000-8,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. Footnote: The crest and motto for Oswald of Auchincruive (renamed Oswald Hall in 1927), Ayrshire, Scotland. The arms are those of Oswald impaling those of Johnston. Richard Alexander Oswald (1771 – 1841) inherited Auchincruive in 1819. He married a celebrated beauty, Louisa, daughter of Wynne Johnston, in 1793. She was admired by Robert Burns, who made her the subject for his verse “O Wat Ye Wha’s in Yon Town”. He was a Scottish Liberal Party politician who sat in the House of Commons from 1832 to 1835. 2 | ANDREW JONES AUCTIONS

3 A Regency sterling silver two handled footed tray Paul Storr, London 1814 Centrally engraved with a heraldic crest above an elaborate coat-of-arms within a scrolled surround, en suite with the following lot. length over handles 28 1/2in (72.5cm); weight approximately 170oz troy $5,000-7,000 Provenance: With David Orgell, Los Angeles, California. Property from the Estate of Ruth Harvey, Bel Air, California.

4 A Regency sterling silver two handled footed tray Paul Storr, London 1814 Centrally engraved with a heraldic crest above an elaborate coat-of-arms within a scrolled surround, en suite with the previous lot. length over handles 28 3/4in (73cm); weight approximately 169oz troy $5,000-7,000 Provenance: With David Orgell, Los Angeles, California. Property from the Estate of Ruth Harvey, Bel Air, California. DESIGN FOR THE HOME AND GARDEN | 3

5 A nine piece collection of Georgian silver serving flatware various makers 18th century Hanoverian pattern: a Britannia standard hash spoon, London, 1712; a stuffing spoon, Edward Pocock, London, 1736; a basting spoon, possibly John Locker, Dublin, 1773; a shell bowl soup ladle, Ebenezer Coker, London, 1757; a pair of hash spoons, Philip Roker II, London, 1750; a pair of hash spoons, Thomas & William Chawner, London, third quarter 18th century and an Old English pattern salad serving fork, Richard Crossley, London, 1790, all with various heraldic engraving. length of longest 16in (41cm); total weight approximately 42oz troy $600-800 5

Provenance: The ladle with The Leopardâ&#x20AC;&#x2122;s Head, San Francisco, California, 10 July 1985. Property from a Northern California Estate.

6 A George II sterling silver racing trophy tumbler cup Probably Humphrey Payne, London 1748 Engraved with two horses and jockeys to one side and a heraldic crest opposite. height 2in (5cm); diameter 2 3/8in (6cm); weight approximately 2oz troy $400-600 Provenance: With Spink & Son, Ltd., London, 21 December 1967. Property from a Northern California Estate.

7 A Charles II sterling silver porringer makerâ&#x20AC;&#x2122;s mark EN or EV under a crown above a mullet, London 1682 Sides chased with flowers and foliage, one side further chased with a lion, the other with a unicorn, with two bead and scroll handles, later engraved with a crest. height 4in (10cm); width over handles 7 1/2in (19cm); depth 5in (12.5cm); weight approximately 9.2oz troy $1,000-1,500 7

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Provenance: With Spink & Son, Ltd., London, 18 March 1968. Property from a Northern California Estate.

8 An assembled Georgian sterling silver Hanoverian pattern flatware service for twelve various makers 18th century Comprising 12 table forks, 12 table spoons, 12 pistol handle table knives, 12 dessert forks, 12 pistol handle dessert knives, 12 dessert spoons, 12 breakfast forks, 11 pistol handle breakfast knives, variously engraved. (95) total weighable silver approximately 80oz troy $1,500-2,000 Provenance: With the Leopardâ&#x20AC;&#x2122;s Head, San Francisco, California, 1985. Property from a Northern California Estate.

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9 A Louis XV silver tumbler cup marks rubbed, second quarter 18th century Engraved with a coat-of-arms within a Rococo surround surmounted by a coronet, underside with monogram -L-H-A-. height 2 1/4in (5.5cm); diameter 2 3/4in (7cm); weight approximately 2.3oz troy $300-500

Provenance: With Thomas Lumley, Ltd., London, 15 August 1972. Property from a Northern California Estate.

10 A George II sterling silver sugar bowl and cover Thomas Gilpin, London 1747 Bowl and cover engraved with matching elaborate coat-of-arms within a Rococo cartouche. overall height 4in (10cm); diameter 4 3/4in (12cm); total weight approximately 14.5oz troy $600-800 Provenance: With Frank Partridge & Sons, Ltd., London, 13 December 1967. Property from a Northern California Estate.

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11 A George I Britannia standard silver milk jug Edmund Holaday, London 1717 height 6 1/4in (16cm); length over handle 4 3/4in (12cm); gross weight approximately 7oz troy $400-600 Provenance: With Frank Partridge & Sons, Ltd., London, 13 December 1967. Property from a Northern California Estate.

12 A George III sterling silver tumbler cup Richard Richardson III, Chester 1768 height 2in (5cm); diameter 2 1/4in (5.5cm); weight approximately 2.1oz troy $400-600 Provenance: With Spink & Son., Ltd., London, 13 October 1967. Property from a Northern California Estate.

13 A Scottish George III sterling silver teapot and stand or waiter James Welsh, Edinburgh 1773 Each engraved with matching heraldic crest. the teapot height 7 1/2in (19cm); length over handle 10in (25.5cm); diameter of stand 7in (18cm); total gross weight approximately 29oz troy $800-1,200 Provenance: With Argentum, San Francisco, California, 28 September 1989. Property from a Northern California Estate. 13 6 | ANDREW JONES AUCTIONS

14 A Queen Anne Britannia standard silver tankard David Williams, London 1705 With later engraved monogram. height 7in (18cm); length over handle 8in (20cm); weight approximately 27oz troy $1,500-2,000 Provenance: Property from a Northern California Estate.

15 A large George III sterling silver tumbler cup makerâ&#x20AC;&#x2122;s mark I*M, London 1768 Inscribed Will Mason made this cup a present to Saml. Morris/ Armourer of the Burrowes for his Bravery & Activity/in quelling a Dangerous Insurrection on board said Ship/on Coast of Africa 1774. height 2 1/2in (6.5cm); diameter 3in (8cm); weight approximately 3.5oz troy $600-800 15

Provenance: With Thomas Lumley, Ltd., London, 6 November 1979. Property from a Northern California Estate.

16 A Victorian sterling silver oinochoe form jug Reily & Storer, London 1851 #480, inscribed to underside To Thomas Fox Esq re/from his affectionate Nephew/Joseph Gudry/as a slight token of his great regard/1854 height 7 1/2in (19cm); length over handle 6in (15cm); width 5 1/2in (14cm); approximate weight 26oz troy $1,000-1,500 Provenance: Property from a Northern California Estate. 16

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17 A George II sterling silver tumbler cup maker’s mark rubbed, London, 1728 Engraved with a heraldic crest within a Baroque surround, monogram to underside H*T. height 2in (5cm); diameter 2 1/2in (6.5cm); weight approximately 2.5oz troy $400-600 Provenance: With Thomas Lumley, Ltd., London, 4 July 1978. Property from a Northern California Estate.

18 A Louis XV silver taste vin probably François Auger, Tours third quarter 18th century Impressed Francois Gouineau to rim. height 1in (2.5cm); length over handle 4in (10cm); weight approximately 2.9oz troy $300-500 Provenance: With The Leopard’s Head, San Francisco, California, 21 June 1990. Property from a Northern California Estate. 19 A George I sterling silver tumbler cup Thomas Robinson, Chester 1716 Underside with monogram: W/I*I. height 1 7/8in (5cm); weight approximately 2.1oz troy $400-600

Provenance: With Spink & Son, Ltd., London, 12 September 1977. Property from a Northern California Estate. 20 A set of four George II sterling silver tumbler cups Edward Feline, London 1745 Each later engraved with matching heraldic crest. height 1 3/4in (4.5cm); diameter 2 1/2in (6.5cm) $3,000-5,000 Provenance: Two with Spink & Son, Ltd., London, 11 March 1970. Two with Brand Inglis, Ltd., London, 2 January 1985. Property from a Northern California Estate. 21 A set of six George III weighted sterling silver candlesticks probably John Carter, London 1772 Engraved with a heraldic crest and coat-of-arms. height 14 1/4in (36cm); width 5 1/4in (13.5cm) square $3,000-5,000

Provenance: With Frank Partridge & Sons, Ltd., London, 4 January 1968. Property from a Northern California Estate. Footnote: The engraved armorial bearings are those of the family of Alexander impaling Craufurd.

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22 A George I sterling silver coffee pot Probably Richard Bayley, London 1723 Engraved with a coat-of-arms within a Rococo cartouche. height 9in (23cm); length over handle 8in (20cm); gross weight approximately 18oz troy $800-1,200 Provenance: With Frank Partridge & Sons, Ltd., London, 12 October 1967. Property from a Northern California Estate. Footnote: The engraved arms are those of the family of Fermor of Easton Neston in the County of Northamptonshire.

23 A George III sterling silver oval two handled footed tray George Smith II & Thomas Hayter, London 1801 Centrally engraved with a crest and coat-of-arms within a wreath. length over handles 24 1/4in (61.5cm); weight approximately 85oz troy $1,500-2,000 Provenance: With Spink & Son, Ltd., London, 28 September 1967. Property from a Northern California Estate. Footnote: The engraved arms are those of the family of Crowe of Swaffhan and Bilney in the County of Norfolk.

24 A George II sterling silver cake basket Henry Nutting & Robert Hennell II, London 1801 With later engraved crest and coat of arms to center. height 4 1/4in (11cm); 12 3/4in (32.5cm); 9 3/4in (25cm); weight approximately 31.5oz troy $1,200-1,800

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Provenance: With Argentum, San Francisco, 2 December 1989. Property from a Northern California Estate. Footnote: The engraved armorial bearings are those of the family of Adderley impaling Fransham.

25 A Queen Anne Britannia standard silver coffee pot John Fawdrey, London 1701 Later engraved with a coat-of-arms and motto DEO PATRIA within a Baroque surround. height 10in (25.5cm); width over handle 7in (18cm); length over spout 6 1/2in (16.5cm); gross weight approximately 27oz troy $2,000-3,000 Provenance: With Argentum, San Francisco, California, 21 January 2008. Property from a Northern California Estate. Footnote: The engraved arms are those of the family of Granville. There were branches found in the West Country at Bideford in the County of Devon and Stow in the County of Cornwall, as well as at Calwich Abbey in the County of Staffordshire. Members of the family were also created Earls of Bath in 1661 (extinct 1711) and Barons Lansdowne in 1712 (extinct 1734).

25 26 An International Silver sterling silver Richelieu flatware service for twelve 20th century Comprising 12 forks, 12 knives, 12 salad/dessert forks, 12 soup spoons, 12 butter spreaders, 12 cocktail forks, 12 teaspoons and 7 serving pieces. (91) together with a walnut cabinet canteen. total weighable silver approximately 119oz troy; the cabinet height 40in (102cm); width 23in (59cm); depth 17 1/2in (44.5cm) $1,200-1,800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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27 An assembled George III sterling silver and cut glass Warwick cruet most pieces marked for Alexander Johnston, London 1765 The stand and three casters engraved with matching coat-ofarms, the two bottles engraved with a heraldic crest. (6) height 10in (25.5cm); width 7 1/2in (19cm); depth 7in (18cm); total silver weight approximately 42oz troy $2,000-3,000 Provenance: With The Leopardâ&#x20AC;&#x2122;s Head, San Francisco, California, 22 April 1991. Property from a Northern California Estate. 27 DESIGN FOR THE HOME AND GARDEN | 11

28 A George I Britannia standard silver tankard William Pearson, London 1714 Later engraved with a coat-of-arms height 7 1/2in (19cm); length over handle 7 1/2in (19cm); weight approximately 26.5oz troy $1,500-2,000 Provenance: With The Leopardâ&#x20AC;&#x2122;s Head, San Francisco, California, 11 July 1988. Property from a Northern California Estate.

29 A pair of George II sterling silver tumbler cups Richard Richardson II, Chester, 1753 height 1 1/2in (4cm); diameter 2in (5cm); total weight approximately 4.2oz troy $1,200-1,800 Provenance: With Spink & Son., Ltd., London, 11 March 1970. Property from a Northern California Estate.

30 A Continental Neoclassical style 800 silver mounted mother of pearl desk timepiece probably Swiss late 19th/early 20th century The circular enamel dial with visual escapement and slow/fast, lever. height 5 1/2in (14cm); width 2 3/8in (6cm) $1,000-1,500 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

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31 A pair of Austrian Neoclassical style silver gilt six light figural candelabra A.D. Hauptmann & Co., Vienna late 19th/early 20th century height 26 3/4in (68cm); diameter 13in (33cm); total gross weight approximately 230oz troy $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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(Detail)

32 An Indian Colonial silver five piece tea and coffee service probably Kutch second half 19th century Comprising a kettle-on-stand, a teapot, a coffee pot, a cream jug and an open sugar bowl, engraved with a heraldic crest. the kettle height 17in (43cm); length 11 1/2in (29cm); width 9in (23cm); total weight approximately 260oz troy. $6,000-8,000 Provenance: Property from a Private Collector, Pacific Palisades, California. Footnote: Engraved with the armorial bearings of the family of Bushby, of Wormleybury, Broxbourne in the County of Hertfordshire. The family of Bushby stemmed from a William Bushby (d.1830), of Kempleton, Kirkmichael in the County of Dumfriesshire. He was in the service of the Honourable East India Company. William married Maria Camac, the daughter of John Camac, of Greenmount in the County of Louth on the 8th July 1788 at the Parish Church of St Marylebone in the County of Middlesex. Many of William and Mariaâ&#x20AC;&#x2122;s sons served in the civil service in the Bombay, Bengal and Madras Presidencies of British India as well as officers in the Madras Army. Williamâ&#x20AC;&#x2122;s grandson, Henry Jeffreys Bushby (1820-1903), of Wormleybury obtained a grant of armorial bearings from the Kings of Arms at The College of Arms in the City of London in 1861.

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33 A Louis Vuitton monogram canvas steamer trunk first half 20th century Numbered 773694. height 23 1/2in (59.5cm); width 43 1/2in (110.5cm); width 22 1/2in (57cm) $4,000-6,000 Provenance: Property from the Estate of Orson Welles. 34 A Louis Vuitton monogram canvas wardrobe trunk first half 20th century Numbered 737460. height 44in (112cm); width 22in (56cm); depth 21 1/2in (54.5cm) $4,000-6,000 Provenance: Property from the Estate of Orson Welles.

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35 Frederick Arthur Bridgman (American, 1847-1928) Portrait of a red headed woman, late 1890s oil on canvas signed lower left FA Bridgman 18 x 14in (46 x 35.5cm) $3,000-5,000 Provenance: Property from the Collection of Dr. Ben Pinsky and Terry Oâ&#x20AC;&#x2122;Neill Pinsky. Footnote: It appears that the model is wearing a diaphanous, antique-style gown suggestive of a chiton fastened by small buttons along the arms. The surface treatment is thinly painted in terms of the attire with quick, short brushwork of the leaves and bush background in the upper right quadrant. Given also that Bridgman focused primarily on themes from antiquity beginning in the late 1890s, a time when he was also experimenting with several different paint handlings, differing especially from the tight handling from his early years of academic training.

From his early years in France and throughout the nineteenth-century, Bridgman loved depicting attractive women with auburn and red hair. The pose of this unidentified woman is also characteristic of Bridgman as he often posed his models with tilted heads and at least one arm angled up to their heads, emphasizing a casualness. He also depicted several women playing with their hair as this red-head is doing. We thank Dr. Ilene Susan Fort for her expertise and assistance in cataloguing this work and preparing the accompanying comments. 36 A Levantine shell, bone and silvered metal inlaid tall chest of drawers late 19th century Surmounted by a marble top, having porcelain pulls. height 52 3/4in (134cm); width 47 1/4in (120cm); depth 22 1/2in (57cm) $2,500-3,500

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37 Gustave Jean Jacquet (French, 1846-1909) Portrait of a young woman oil on canvas signed lower left G Jacquet 11 1/4 x 9 1/4in (28.5 x 23.5cm) $2,000-3,000 Provenance: Property from the Collection of Dr. Ben Pinsky and Terry Oâ&#x20AC;&#x2122;Neill Pinsky.

38 A Levantine shell, bone and silvered metal inlaid tall chest of drawers late 19th century Surmounted by a marble top, having porcelain pulls. height 53 1/4in (135cm); width 44 3/4in (113.5cm); depth 20in (51cm) $2,500-3,500

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39 Leopold Schmutzler (Austrian, 1864-1941) Portrait of a young woman holding daisies oil on board signed L. Schmutzler upper right, inscribed to the reverse Prof. Dr. G. Korkhaus, Bonn 37 3/4 x 27 1/4in (96 x 69cm) $3,000-5,000 Provenance: Property from Donna Livingston Design, Los Angeles, California. Footnote: Featured in Architectural Digest, “Designers’ Own Homes”, September 2002, pages 250-257.

40 A diminutive George II walnut collector’s cabinet on stand mid 18th century Fitted with one long and nine short drawers. height 45in (104.5cm); width 19 1/2in (49.5cm); depth 12 1/2in (31.5cm) $1,500-2,000

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41 Manner of Anders Zorn (Swedish, 1860-1920) A bather at the rocks oil on canvas with signature ‘Zorn’ (lower left) 60 1/2 x 40 1/2in (153.5 x 103cm) $2,000-2,500 Provenance: Property from a Private Collector, Newport Beach, California. Sold Christie’s South Kensington, 9 October 2003, lot 706.

42 A George III carved mahogany chest on chest late 18th century height 73 1/4in (186cm); width 48in (122cm); depth 22 1/2in (57cm) $1,500-2,000 Provenance: Property from a Private London Collector.

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43 A Lavar Kerman carpet South Central Persia dimensions approximately 11ft 1in x 8ft 7in (338 x 262cm) $3,000-5,000

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44 A Serapi carpet Northwest Persia dimensions approximately 15ft 1in x 11ft 3in (459.75 x 342cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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45 A pair of Louis XVI style gilt bronze mounted white marble four light candelabra late 19th/early 20th century height 21 1/4in (54cm); diameter 13in (33cm) $1,500-2,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

46 Robert Godefroy (French, b. 1928) Savana patinated bronze signed R Godefroy, titled and numbered 3/8 height 11 1/2in (29.25cm); length 19in (48.26cm) $1,500-2,000

47 An English brass bound calamander stationery box mid 19th century The hinged doors with lock engraved LARNER & Co PIMLICO LONDON, each centered by a shield engraved with a heraldic crest, opening to reveal a fitted satinwood interior with a removable ink pot caddy above removable implement fittings above a secret spring release document box, an erasable double sided writing board and document slots over a drawer, inset handles to sides. height 15 3/4in (40cm); width 19in (48cm); depth 13 3/4in (35cm) $500-700 47

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Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

48 A pair of Empire gilt and patinated bronze figural two light candelabra early 19th century height 13in (33cm); width 6 1/2in (16.5cm) $600-800

49 Robert Godefroy (French, b. 1928) Les Sources du Nile patinated bronze signed R Godefroy, titled and numbered 4/8 height 10 1/4in (26cm); length 18in (45.75cm) $1,500-2,000 49

50 A French gilt bronze mounted carved Japanese lacquer table box late 19th century height 5 1/2in (14cm); width 7in (18cm); depth 6 1/4in (16cm) $600-800 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. 50

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51 A Louis XV style gilt metal and cut glass eighteen light chandelier post 1950 height approximately 60in (152cm); diameter approximately 36in (91.5cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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52 A Louis XV style gilt metal and cut glass eighteen light chandelier post 1950 height approximately 60in (152cm); diameter approximately 40in (101.5cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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53 A French gilt bronze figural group of putti Charlotte Monginot (1872-1962) circa 1900 Signed C.H. Monginot and with HK Vrai Bronze Paris pastille, on an onyx base. height 10 1/2in (27cm); width 10 1/2in (27cm); depth 7in (18cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

54 A Franco Flemish cut brass, pewter and copper inlaid ebonized table box 19th century height 8in (20.5cm); width 23in (58.5cm); depth 18 1/2in (47cm) $1,500-2,000 54

55 A pair of Louis XV gilt bronze figural chenets mid 18th century Each scrolling base surmounted by a â&#x20AC;&#x2DC;Chinoiserieâ&#x20AC;&#x2122; figure. height 13 1/2in (34cm); width 13in (33cm) $800-1,200

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Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

56 A French gilt bronze and Fleur de PĂŞcher marble figure: Enfant Jouant avec un Bateau after the model by Emmanuel Villanis (18581914) late 19th/early 20th century Incised Villanis. height 9in (23cm); length 15in (38cm); depth 7 1/2in (19cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 56

57 A diminutive Flemish Baroque style marquetry and parquetry inlaid parcel ebonized oak coffer incorporating antique and later elements height 15 1/4in (38.5cm); width 25 1/2in (64.5cm); depth 15 3/4in (40cm) $1,000-1,500

58 A pair of Louis XVI style gilt bronze chenets late 19th century height 18 1/2in (47cm); length 14 1/2in (37cm) $1,500-2,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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59 Ernest Lawson (American, 1873-1939) Blue Hill, Maine oil on canvas signed lower right E. Lawson 15 1/4 x 18 1/4in (39 x 46.5cm) $10,000-15,000 Provenance: With Newhouse Galleries, New York, New York. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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60 Helen Maria Turner (American, 1858-1958) Meditating by the Window oil on canvas signed lower left Helen M Turner 16 1/2 x 12 1/2in (42 x 32cm) $7,000-9,000 Provenance: With Vose Galleries, Boston, Massachusetts. Acquired directly from the above in 1987. Property from the Collection of Mary and Lou Silver, Indian Wells, California. DESIGN FOR THE HOME AND GARDEN | 29

61 A pair of Louis XVI style gilt bronze five branch wall lights 20th century height 43in (109cm); width 16in (40.5cm); depth 8 1/2in (21.5cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

62 A Baltic inlaid mahogany writing table probably Russian 19th century height 30 1/4in (77cm); width 34in (86.5cm); depth 19in (48cm) $1,000-1,500 Provenance: Property of Edward McCarthy, San Francisco, California.

63 A Turkish Hereke silk rug With inscription panels. dimensions approximately 5ft 4in x 3ft 5in (163 x 104cm) $1,200-1,800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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64 A pair of Louis XV style gilt bronze seven branch wall lights late 19th/early 20th century height 18 1/2in (47cm); width 19in (48cm); depth 15in (38cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

65 An Italian Grand Tour style patinated bronze AthĂŠnienne early 20th century height 36in (91.5cm); diameter 21in (53cm) $1,000-2,000

66 A Qum rug Central Persia dimensions approximately 5ft 1in x 3ft 5in (155 x 105cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

66 DESIGN FOR THE HOME AND GARDEN | 31

We would like to extend our thanks to Jeanette Hanisee Gabriel for her expert assistance in cataloguing lots 67-72 and for her scholarly essay contributions.

67 An Italian micromosaic panel of the Roman Colosseum possibly by Cesare Roccheggiani, Rome second half 19th century the panel 10 1/4 x 14 1/4in (26 x 36cm) $4,000/6,000 Provenance: With G. Petochi, Rome, 1987. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: Cesare Roccheggiani (fl. 1860) hailed from a line of renowned Vatican mosaicists including Antonio Roccheggiani, who participated in the International Exhibitions of London in 1851 and Paris in 1855 and Lorenzo and Nicola Roccheggiani. He was believed to have been apprenticed to maestro Michaelangelo Barberi (1787-1867) and refined his composition skill by copying many of Barberiâ&#x20AC;&#x2122;s designs. Cesare Roccheggiani became the leading supplier of micromosaic works to American and North European visitors on the Grand Tour. This view of the Colosseum includes the ruins of a conical fountain called the Meta Sudans. Several other versions of the Colosseum are in the books Jeanette Hanisee Gabriel, Micromosaics: The Gilbert Collection, 2000, no. 16 p. 68; no. 58 p. 117), and Jeanette Hanisee Gabriel, Micromosaics: Private Collections, 2016 (no. 34, p.72). A circular example, with distinctive malachite border, featuring the same scene characteristics, bearing embossed Roccheggiani atelier inscription was sold Christieâ&#x20AC;&#x2122;s London, 23 February 2006, lot 135.

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68 An Italian micromosaic panel of St. Peter’s Square late 19th century In a gilt bronze frame. the panel height 7in (17.5cm); width 8 3/4in (22cm) $4,000/6,000 Provenance: Sold The Collection of Gianni Versace, Sotheby’s New York, 5-7 April 2001, lot 122. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: The color variations in the plaza foreground, the foliage and the distant hills and delicate cloud formations suggest this was executed by a master mosaicist. Saint Peter’s Square is surrounded by the arms of Bernini’s colonnade, with fountains by Bernini and Maderno and an Egyptian obelisk formerly in the Circus of Nero (see Jeanette Hanisee Gabriel, Micromosaics: The Gilbert Collection, 2000, no. 92, p. 160 and Jeanette Hanisee Gabriel, Micromosaics: Private Collections, 2016, no. 114, p. 152).

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69 An Italian micromosaic panel of a peasant woman in a country landscape attributed to Luigi Tarantoni, Rome circa 1885 With plaque to back. the panel 21 1/2 x 14 1/2in (54.5 x 37cm) $8,000-12,000 Provenance: With G. Petochi, Rome, 1987. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: Luigi Tarantoni worked for the Vatican and had a private workshop. He used a variety of signatures, or none, sometimes only RFSP (Vatican workshop). Many of his works were after paintings by Enrico Tarenghi (1848-1938) of cavaliers or peasants on a country road, probably the Appian Way. Examples by Tarantoni are in the Gilbert Collection (see Jeanette Hanisee Gabriel, Micromosaics: The Gilbert Collection, 2000, no. 65 p. 114; no. 66 p. 125). Several examples of his cavaliers are found in private collections (see Jeanette Hanisee Gabriel, Micromosaics: Private Collections, 2016 (nos. 48-51, pp. 91-97). A female figure similar to the present mosaic, signed by Tarantoni was offered Sotheby’s New York, 29 October 2014, lot 189. Another related example sold Venduehaus, Hague, 15 May 2012, lot 378. A matched pair depicting peasant men, each bearing Tarantoni’s signature sold Sotheby’s New York, 20 April 2009, lot 57. A fine example is in the Savelli collection (see M. G. Branchetti, Mosaici minuti romani: Collezione Savelli, Ganglemi, Rome, 2004). 34 | ANDREW JONES AUCTIONS

70 An Italian micromosaic panel of three birds within a flower filled basket late 19th century the panel height 9in (23cm); width 11 1/2in (29cm) $5,000/8,000 Provenance: Sold The Collection of Gianni Versace, Sothebyâ&#x20AC;&#x2122;s New York, 5-7 April 2001, lot 139. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: This subject is inspired by an ancient Roman floor mosaic now in the Vatican Museum. Doves are frequently used in micromosaics as symbols of love and fidelity. A table top with this subject is found in the Gilbert Collection (see Jeanette Hanisee Gabriel, Micromosaics: The Gilbert Collection, 2000, no.71, p. 133) and on a brooch in a private collection (Jeanette Hanisee Gabriel, Micromosaics; Private Collections, 2016, no. 125, p. 215).

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71 An Italian micromosaic panel of a peasant couple with a goat after an engraving by Bartolomeo Pinelli fourth quarter 19th century the panel 8 1/2 x 7in (22 x 18cm) $2,000/3,000 Provenance: With G. Petochi, Rome, 1987. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: Nineteenth century micromosaics proliferate with images of peasants in regional costumes of Italy. These were copied from the multiple volumes of colored engravings by Bartolomeo Pinelli (1781-1835), such as La raccolta di cinquanta costumi pittoreschi, 1804 (see Jeanette Hanisee Gabriel, Micromosaics: Private Collections, 2016, p. 15). This vignette is a version of The Goatherd of Tivoli (see Fogg Museum, M93; Le Bl. 6, d. R. 32, Harvard Art Museums, Cambridge, Massachusetts).

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72 A fine Italian micromosaic table top possibly Cesare Roccheggiani, Rome second half 19th century Centrally depicting St. Peter’s Square, surrounded by depictions of Roman landmarks including the Pantheon; the Arch of Titus; the Campidoglio; the Forum; the Colosseum; the Temple of Hercules Victor; Castel Sant’Angelo and the Tomb of Cecilia Metalla, within a giltwood frame. diameter of 24in (61cm) $20,000/30,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: The attribution of this table top to Roccheggiani can be made based not only on the subject matter but the refined execution and his signature detail of the trompe l’oeil Greek key border within two malachite bands. However, Roccheggiani’s Greek key borders were usually colored, leaving open the possibility that this tabletop came from Barberi’s atelier (see Jeanette Hanisee Gabriel, Micromosaics: Private Collections, 2016, p. 312). A smaller table top, decorated with the same scenes and displaying the same characteristic border is recorded in a private collection (see Grieco & Gambino, Roman mosaic, l’arte del micromosaico, fra 700 e 800, 2001, p. 184). A top of slightly larger size centered by a scene of Romulus and Remus and the same surrounding scenes, bearing the label of Roccheggiani, was sold Christie’s New York, 28 April-7 May 2020, lot 157.

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73 An Italian Neoclassical giltwood sixteen light chandelier early 19th century height approximately 72in (183cm); diameter approximately 45in (114.5cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 74 An Italian Baroque scagliola and carved fruitwood center table 18th century height 27 1/2in (70cm); diameter 30 1/4in (77cm) $3,000-5,000 73

Provenance: Property from the Estate of Dr. Hugo and Anna Gottlieb, New York, New York. 75 Follower of John Michael Wright (English, 1617-1694) Double portrait of a noble boy and girl with a dog and lamb oil on canvas 40 1/4 x 50in (102 x 127cm) $6,000-8,000 76 A George III brass mounted inlaid mahogany serpentine sideboard circa 1770 With fitted drawers and door to side. height 36 1/4in (92cm); width 72in (183cm); depth 30in (76cm); height of gallery 51 1/2in (131cm) $2,000-4,000 Provenance: Property from the Nelson Family Estate, Jackson Hole, Wyoming.

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77 George Fuller (American, 1822-1884) Paul and Virginia oil on canvas signed lower left G. Fuller, in a Stanford White style giltwood frame 22 x 16in (56 x 41cm) $2,000-3,000 Provenance: Acquired from the artist. With Macbeth Galleries, New York, New York. Charles T. Davies, Wyomissing, Pennsylvania. Property from the Collection of Mary and Lou Silver, Indian Wells, California. 78 Lorser Feitelson (American, 1898-1978) The Judgment of Paris oil on canvas signed lower left Feitelson 16 x 23in (40.5 x 59cm) $10,000-15,000 Provenance: Property from a Santa Barbara, California collector. Exhibition: Focus on the Figure: Southern California Painters 1850-1950, Santa Barbara Museum of Art, August-November 2001. 77

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79 Circle of Gilbert Stuart (American, 1755-1828) Portrait of a young girl, believed to be Elizabeth Nash oval oil on panel 24 x 20in (61 x 51cm) $1,500-2,500 Provenance: with Newhouse Galleries, New York, New York. Property from the Collection of Mary and Lou Silver, Indian Wells, California. 80 Mary Herrick Paxton Ross (American, 1856-1935) Devendoff Park, Carmel by the Sea, California oil on canvas, laid down to board signed lower right Mary Herrick Ross 24 3/4 x 33 1/2in (63 x 85cm) $3,000-4,000 Provenance: Property from a Santa Barbara, California Collector. Literature: Maurine St. Gaudens, Emerging From the Shadows: California Women Artistsâ&#x20AC;&#x2122; Works 1860-1960, Los Angeles, CA., 2012. 79

80 DESIGN FOR THE HOME AND GARDEN | 41

81 Reginald Marsh (American, 1898-1954) Woman with red cape; Seated male nude (2) first oil on Masonite; second tempera on Masonite Each signed lower right Marsh 4 3/4 x 4in and 5 x 4in (12 x 10cm and 12.5 x 10cm) $1,000-1,500 Provenance: Sold Sothebyâ&#x20AC;&#x2122;s Arcade, New York, 23 June 1987, Lot 404. Property from the Collection of Mary and Lou Silver, Indian Wells, California. 82 American School (early 20th century) Portrait of a young woman oil on canvas 24 1/4 x 18 1/4in (61.5 x 46.5cm) $1,500-2,000

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83 Reginald Marsh (American, 1898-1954) Two women on a pier, 1951 oil on panel signed lower right Marsh and dated 51 10 1/2 x 7 1/2in (26.5 x 19cm) $2,000-3,000 Provenance: Sold Sothebyâ&#x20AC;&#x2122;s Arcade, New York, 23 June 1987, Lot 406. Property from the Collection of Mary and Lou Silver, Indian Wells, California. 84 Jane Peterson (American, 1876-1965) View of Notre Dame, Paris gouache, pencil and watercolor on paper signed lower right JANE PETERSON 23 x 17 1/2in (58.5 x 44.5cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 85 Jane Peterson (American, 1876-1965) Pansies in a Yellow Vase oil on canvas signed lower left JANE PETERSON 24 x 18in (61 x 46cm) $2,000-3,000

Provenance: With Comenos Fine Arts, Boston, Massachusetts. Acquired directly from the above in 1988. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

85 DESIGN FOR THE HOME AND GARDEN | 43

86 A George I walnut and burl walnut tall case clock Brounker Watts, London first quarter 18th century The 12in square brass dial with Roman hours and Arabic minutes, having a subsidiary seconds dial and date aperture, inscribed Brounker Watts LONDON to the matte center, the twin train movement with five ringed pillars, striking on a bell. height 86in (218.5cm); width 19 1/4in (49cm); depth 9 3/4in (25cm) $8,000-12,000 Provenance: Property from a Northern California Estate. Footnote: Brounker Watts was apprenticed to Joseph Knibb from 1684 to 1691. He was Free of the Clockmakersâ&#x20AC;&#x2122; Company in 1693 and subsequently worked on Fleet Street. Watts died in 1719.

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87 A William and Mary walnut and floral marquetry tall case clock Christopher Gould, London late 17th/early 18th century The 12 1/2in square brass dial with Roman hours and Arabic minutes, having subsidiary seconds dial, date aperture to the matte center, inscribed Chr Gould Londini Fecit, the twin train movement with four ringed pillars striking on a bell. height 84 1/2in (215cm); width 19in (48.5cm); depth 10in (25.5cm) $8,000-12,000 Provenance: Property from a Northern California Estate. Footnote: Christopher Gould was a renowned maker who was admitted to the Clockmakersâ&#x20AC;&#x2122; Company as a Free Brother in 1682. He is best known for intricate marquetry inlaid cases. Related marquetry cases of Gould clocks are illustrated P. G. Dawson, C. B. Drover, D. W. Parkes, Early English Clocks, pp. 296-297, pl., 418-420. DESIGN FOR THE HOME AND GARDEN | 45

88 A Regency bronze mounted and brass inlaid mahogany cellarette in the manner of Thomas Hope early 19th century The hinged coffer top above an inlaid brass and ebonized Vitruvian scroll frieze, opening to original lead lined divided well, above paw feet resting on plinths. height 27in (68.5cm); width 29in (73.5cm); depth 19in (48.5cm) $5,000-7,000 Provenance: With Jeremy, Ltd., London. Property from a Northern California Estate. 89 A George II carved giltwood mirror second quarter 18th century height 55in (139.5cm); width 25 1/4in (64cm) $2,500-3,500

90 A fine George III mahogany serpentine serving table in the manner of Ince & Mayhew circa 1775 height 35 1/2in (90cm); width 72in (183cm); depth 28in (71cm) $2,000-4,000 Provenance: With Kentshire Galleries, New York, New York. Property from a Private Collector, New York, New York. Footnote: The illustrious design partnership of Ince & Mayew operated in London from 1759-1804. The firm’s volume of engraved designs The Universal System of Household Furniture, dedicated to the Duke of Marlborough, 1759-63, was issued in rivalry with Thomas Chippendale’s The Gentleman and Cabinet-Maker’s Director. William Ince was principally responsible for the designs, while John Mayhew worked on the accounts, capital and marketing aspects of the business. Ince & Mayhew boasted an illustrious clientele which included George Coventry, 6th Earl of Coventry as well as a number of Robert Adam’s patrons such as the Earl of Kerry, the Duchess of Northumberland and Sir John Whitwell. A related table by Ince & Mayhew with a serpentine top and fluted frieze, of somewhat larger scale, sold Christie’s London, 19 November 2015, lot 531.

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91 A George IV carved mahogany oval wine cooler second quarter 19th century On casters. height 17in (43cm); width 28 1/4in (71.5cm); depth 21 1/2in(54.5cm) $1,000-2,000 Provenance: Property from the Nelson Family Estate, Jackson Hole, Wyoming. 92 A Regency cane paneled mahogany ‘Ashburnham’ library bergère attributed to Gillows circa 1810 height 38in (96,5cm); width 26in (66cm); depth of seat 25in (63.4cm) $1,500-2,500 91

Provenance: Property from a Private Collector, New York, New York. Footnote: Messrs Gillow, in their Estimate Sketch Book for 31 March 1803, no. 1721 refer to this form of bergère as Ashburnham, while by 1807 it is referred to as an Uxbridge chair after one supplied to Henry Bayly, 1st Earl of Uxbridge in their Estimate Sketch Book, 1807, no. 1960-1962 (see S. Stuart, Gillows of Lancaster and London: 1730-1840, Vol. II, Appendix A, p. 174 and p. 193). 93 A fine George III carved mahogany open armchair in the manner of Paul Saunders circa 1760 height 38 1/2in (98cm); width 29 1/2in (75cm) depth of seat 21in (53cm) $2,000-3,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

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Footnote: The downswept arms and cabriole legs ending in scroll toes of this open armchair relate to a design for a ‘French Chair’ pattern published by Thomas Chippendale in the third edition of his Gentleman and Cabinet-Maker’s Director, 1762, pl. XIX. The leg design closely relates to a suite of seat furniture supplied in 1757 by cabinet-maker and upholsterer Paul Saunders for Holkham Hall, Norfolk. Saunders provided a set of twelve side chairs, six armchairs and two settees, described on a 11 June 1757 invoice by Messrs. Saunders and Bradshaw (A. Coleridge, Chippendale Furniture, London, 1968, p. 211, figs. 378-379). The wavy outlines of the frame match a pair of chairs in the manner of Paul Saunders, formerly in the collection of Sir William Garthwaite, Bt, sold Christie’s London, 3 November 2011, lot 60.

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94 A Louis XV style gilt bronze mounted marquetry inlaid mahogany and bois satiné meuble d’appui L. Cueunières, Jeune, Paris third quarter 19th century Surmounted by a green and red brèche marble top, stamped twice underneath the marble, L. CUEUNIERES JNE ÉBÉNISTE. height 47 1/2in (120.5cm); width 58 1/2in (148.5cm); depth 19 3/4in (50cm) $2,500-3,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: L. Cueunières was an ebéniste, specializing in 18th century style cabinet making, active in Paris from circa 1870. He had his own stand at the Paris Exposition Internationale Universelle of 1900 where he was awarded the Silver medal. He produced work regularly for the prestigious firm of l’Escalier de Cristal in Paris. 94

95 A Louis XV style gilt bronze mounted inlaid mahogany table à écrire L. Cueunières, Jeune, Paris third quarter 19th century The frieze fitted with a writing slide and single drawer, stamped twice to the underside, L. CUEUNIERES JNE ÉBÉNISTE. height 28 1/2in (72.5cm); width 25 3/4in (65.5cm); depth 17 1/4in (43.5cm) $1,200-1,800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: The form of writing table offered here is closely related to the documented oeuvre of Jean-François Oeben. A closely related table à écrire attributed to Oeben was sold from the Collection of the Late Andre Meyer, Christie’s New York, 26 October 2001, lot 65.

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96 A French gilt and patinated bronze figural group: Gloria Victis after a model by Marius-Jean-Antonin MerciĂŠ (French, 1845-1916) F. Barbedienne foundry, Paris late 19th century Raised on an associated marble pedestal. height of bronze 36 1/2in (92.7cm); height of pedestal 38in (96.5cm) $10,000-15,000 DESIGN FOR THE HOME AND GARDEN | 51

97 A French gilt bronze model of a nymph: Joueuse de boules after the model by Jean-Léon Gérôme (1824-1904), Siot foundry, Paris early 20th century Incised J. L. GEROME and with foundry mark and numbered 154 F. height 21in (53.5cm) $2,500-3,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

97 98 A French gilt bronze figural group: Vanette aux Deux Fillettes François-Raoul Larche (French, 1860-1912) Siot foundry, Paris late 19th/early 20th century Incised RAOUL LARCHE and SIOT A PARIS. height 5 3/4in (14.5cm); width 10in (25.5cm); depth 6in (15cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

99 A French gilt bronze figural table basket François-Raoul Larche (French, 18601912) Colin foundry, Paris late 19th/early 20th century Incised RAOUL LARCHE and with Colin foundry pastille. height 7in (18cm); length 19in (48cm); depth 9in (23cm) $2,000-3,000 99

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Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

100 A French gilt and patinated bronze figure: Nature Revealing Herself Before Science after the model by Louis-Ernest Barrias (1841-1905) Susse FrĂ¨res foundry, Paris early 20th century Incised E. Barrias and further Susse Frer Edtrs, impressed foundry seal above P. height 29in (74cm); width 15in (38cm); depth 7 1/2in (19cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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101 A pair of gilt metal and pressed glass parrot form twin branch wall lights attributed to Maison Baguès mid 20th century height 15 1/2in (39.5cm); width 11 1/2in (29cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

101

102 A suite of three gilt metal and pressed glass parrot form wall lights Maison Baguès mid 20th century Comprising a pair of single branch with Baguès/ Paris labels to backs and one twin branch. the largest 15 1/2in (39.5cm); width 11in (28cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 102

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103 A pair of gilt metal and pressed glass parrot form twin branch wall lights attributed to Maison BaguĂ¨s mid 20th century height 16in (40.5cm); width 11in (29cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

103

104 A pair of gilt metal and pressed glass parrot form twin branch wall lights attributed to Maison BaguĂ¨s mid 20th century height 16in (40.5cm); width 11in (29cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

104

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105 A Daum Nancy acid etched and internally decorated glass dragon vase early 20th century Incised DAUM NANCY FRANCE with the Croix de Lorraine. height 12 1/8in (31cm) $800-1,200 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

105

106 A Daum pĂ˘te de verre vase: Les Figues Etched Daum France. height 8in (20cm); diameter 12 1/2in (32cm) $1,000-1,500

106

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107

108

107 A Daum Nancy blue and green cameo glass trumpet vase: Lilies Foot incised DAUM NANCY with the Croix de Lorraine. height 9 3/4in (25cm); diameter 3 1/2in (9cm) $400-600 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 108 A GallĂŠ enamel decorated cameo glass vase circa 1900 Decorated with insects and wheat sheafs, signed Galle in the cameo. height 4 3/4in (12cm) $400-600 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. 109 An early GallĂŠ enamel decorated glass vase circa 1890 Decorated with a butterfly amongst berried and flowering foliage, signed Cristallerie Emile Galle Nancy. height 6 3/4in (17cm) $600-800 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

109

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110 A Tiffany Studios leaded glass pomegranate lamp shade circa 1910 Stamped TIFFANY STUDIOS NEW YORK 1561, on an associated patinated metal base. the shade height 6in (15cm); diameter 14in (35.5cm) $1,500-2,000

110

111 A Tiffany Studios patinated bronze harp table lamp circa 1900 Underside of base stamped TIFFANY STUDIOS / NEW YORK / 419, with associated etched iridescent glass shade. height 13 1/2in (34cm); width 9 1/4in (23.5cm) $1,500-2,000

111

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112

112 A Charles Noke for Royal Doulton Flambé glazed Sung Ware vase second quarter 20th century Decorated with fish amongst seaweed, printed factory mark to base, impressed 1378 and numbered 792085.E. height 13in (33cm); diameter 10in (25.5cm) $1,000-1,500

113

Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. 113 A Schneider wrought iron mounted blown glass vase: Epines 1922-1924 Etched Schneider France. height 20 3/4in (52.5cm) $600-800 114 A Charles Catteau for Boch Frères Grès Keramis glazed stoneware vase Belgium early 20th century Circular red stamp, incised Grès Keramis, signed Ch. Catteau/D.935, impressed 907/C, decorated with stylized falcons. height 11in (28cm); diameter 6 1/2in (16.5cm) $500-700 Provenance: Property from a Private Bel Air Collection.

114

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115 A Thomas Webb & Sons ivory cameo glass vase circa 1880 Decorated with scrolling foliate ornament against a stippled ground, flanked by mask handles, apparently unsigned. height 6 1/2in (16.5cm) $600-800 Literature: See Ray & Lee Grover, English Cameo Glass, for a line drawing illustration of this pattern in the George Woodall sketch book labeled as I.569.

115

116 Two English cameo glass scent bottles late 19th century heights 2 1/2 and 3 1/8 and (6.4 and 8cm) $400-600

116

117 An English cameo glass scent bottle with sterling mount and a three-color cameo glass vase height of scent bottle 4in (10cm); height of vase 6 3/4in (17cm) $600-800 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

117

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118 A Stevens & Williams Silveria ewer circa 1900 Signed S.W. to underside. height 7 1/2in (19cm) $600-800 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

118

119 A Stevens & Williams Silveria vase circa 1900 Signed S.W. to underside. height 8 3/4in (22.2cm) $800-1,200 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

119

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120 A pair of Art Moderne style patinated bronze mounted ebonized armchairs in the manner of AndrĂŠ Arbus Each upholstered in French white cowhide. height 37 1/4in (94.5cm); width 34in (86.5cm); depth of seat 24 1/4in (62cm) $2,000-3,000 Provenance: Property from the Collection of Craig Wright. 121 An oak desk and chair design attributed to Frank Lloyd Wright designed circa 1940 the desk height 29 in (74cm); width 76 3/4in (195cm); depth 35in (89cm) $5,000-7,000

120

Footnote: This desk and chair were possibly designed for the Theodore Baird Residence, Amherst, Massachusetts.

121

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122

123

122 A Catalina glazed ceramic tile Parakeet panel In original iron mount. height 23in (58.5cm); width 17in (43cm) $800-1,200 Provenance: Property from a Private Bel Air Collection. 123 A Catalina glazed ceramic tile Green Macaw panel In original iron mount. height 23in (58.5cm); width 17in (43cm) $800-1,200 Provenance: Property from a Private Bel Air Collection. 124 A Catalina glazed ceramic tile Toucan panel 20th century In original iron mount. height 23in (58.5cm); width 17in (43cm) $1,000-1,500 Provenance: Property from a Private Bel Air Collection.

124

DESIGN FOR THE HOME AND GARDEN | 63

125 A Georg Jensen sterling silver pitcher, #385 A Copenhagen circa 1915-1930 height 7in (18cm); length over handle 6 1/2in (16.5cm); gross weight approximately 19oz troy $800-1,200 Provenance: Property from a Private Beverly Hills, California Collection.

125

126 A nine piece collection of Hector Aguilar sterling silver and hardwood serving flatware Taxco circa 1955-62 Comprising in a variation of the Aztec pattern: four serving spoons, a two piece salad serving set, a pastry server and an all 940 silver sauce ladle and sugar spoon with trefid capped handles. length of salad spoon 10in (25.5cm) $1,000-1,500 Provenance: Property from a Northern California Estate.

126

127 An International Silver sterling silver Royal Danish pattern six piece coffee and tea service mid 20th century Comprising a coffee pot, a teapot, a sugar bowl, a cream jug, a waste bowl and a cracker dish. height of coffee pot 9in (23cm); length of tray 13in (33cm); total weight approximately 106oz troy $1,200-1,800 Provenance: Property from a Private Beverly Hills, California Collection. 127

64 | ANDREW JONES AUCTIONS

128 An assembled set of four Johan Rohde for Georg Jensen sterling silver footed bowls, #17 A Copenhagen circa 1933-post 1945 height 4in (10cm); diameter 4 1/4in (11cm); total weight approximately 23oz troy $1,200-1,800 Provenance: Property from a Private Beverly Hills, California Collection. 128

129 A cased Georg Jensen sterling silver Acorn pattern eight piece serving set Copenhagen post 1945 Comprising a two piece salad set, a vegetable spoon, a vegetable fork, a pastry server, a casserole spoon, a jam spoon and a cake knife. length of longest 9in (23cm); total weighable silver approximately 12.5oz troy $600-800 Provenance: Property from a Private Beverly Hills, California Collection.

129

130 A cased Georg Jensen sterling silver ornamental three piece serving set Copenhagen post 1945 Comprising spoons #21 and #141 and a pair of tongs. longer spoon 8in (20cm); total weight approximately 6oz troy $400-600 Provenance: Property from a Private Beverly Hills, California Collection.

130 DESIGN FOR THE HOME AND GARDEN | 65

131 Lita Albuquerque (American, b. 1946) Particle Memory, 2009 gold leaf and acrylic with convex mirror on canvas on panel signed and dated Lita Albuquerque 2009 on the reverse 28 x 144in (71.1 x 365.8cm) $10,000-15,000 Provenance: Acquired directly from the artist through Ellen Grinstein, Los Angeles, 2009. Property from a Private Collection.

66 | ANDREW JONES AUCTIONS

DESIGN FOR THE HOME AND GARDEN | 67

132

132 Bernard Lorjou (French, 1908-1986) The gipsy, 1977-1980 gouache on paper signed lower left Lorjou 20 x 28in (51 x 71cm) $3,000-5,000 Provenance: Property from a United States Private Collection. 133 Bernard Lorjou (French, 1908-1986) The red tree, 1981 oil and acrylic on canvas signed lower left Lorjou 58 x 48in (147 x 122cm) $4,000-6,000 Provenance: Property from a United States Private Collection.

133 68 | ANDREW JONES AUCTIONS

134 Robert Graham (American, 1938-2008) Frieze Figure III-E, 1988 bronze with unique patina with impressed RG oval seal, from the edition of 3 height 59in (150cm) $10,000-15,000

135 Robert Graham (American, 1938-2008) Frieze Figure II-C, 1989 bronze with unique patina with impressed RG oval seal, from the edition of 3 height 59in (150cm) $10,000-15,000

136 Robert Graham (American, 1938-2008) Frieze Figure I-A, 1988 bronze with unique patina with impressed RG oval seal, from the edition of 3 height 59in (150cm) $10,000-15,000

Provenance: Property from the Estate of Pat and Jerry Epstein residences decorated by James Lumsden.

DESIGN FOR THE HOME AND GARDEN | 69

137

137 Bernard Lorjou (French, 1908-1986) Circus Lion, 1974-1977 acrylic on canvas height 32in (81cm); width 39in (99cm) $4,000-6,000 Provenance: Property from a United States Private Collection. 138 Bernard Lorjou (French, 1908-1986) Looking through the window, 1970 oil on canvas signed lower left Lorjou 58 x 45in (147.5 x 114.5cm) $6,000-8,000 Provenance: Property from a United States Private Collection.

138 70 | ANDREW JONES AUCTIONS

139 A Dale Chihuly blown and applied glass â&#x20AC;&#x2DC;Venetianâ&#x20AC;&#x2122; vase 1996 Signed Chihuly and dated 96. height 32 1/2in (82.5cm); diameter 15 1/2in (39.5cm) $8,000-12,000 Provenance: With Imago Galleries, Palm Desert, California, 2000. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

DESIGN FOR THE HOME AND GARDEN | 71

140

141 An Erte limited edition etched glass vase: Swept Away Etched signature and ©Sevenarts Ltd. and numbered AP.30/30. height 13 3/4in (35cm) $600-800

141

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142 Frank Beanland (British, b. 1936) Rose, Blue, Green oil on canvas titled, signed and dated to reverse, Rose, Blue, Greenâ&#x20AC;&#x2122; 30 x 30/Dec 1969 Frostenden/ Frank Beanland 30 x 30in (76 x 76cm) $800-1,200

142

143 Bernard Lorjou (French, 1908-1986) Circus horse on hind legs, 1974-1977 acrylic on canvas signed lower left Lorjou 36 1/2 x 29in (93 x 73.5cm) $3,500-4,500 Provenance: Property from a United States Private Collection.

143 DESIGN FOR THE HOME AND GARDEN | 73

144 Dino Rosin (Italian, b. 1948) Triple Sassi glass 36 x 10in (91.5 x 25.5cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

144

145 Dino Rosin (Italian, b. 1948) Twins glass 41 x 13in (104 x 33cm) $1,500-2,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

145 74 | ANDREW JONES AUCTIONS

146 Dino Rosin (Italian, b. 1948) Double Ribbon glass 38 1/2 x 7in (98 x 18cm) $1,000-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

146

147 Dino Rosin (Italian, b. 1948) Balancing Rocks glass 26 x 10 x 5in (66 x 25.5 x 12.5cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

147

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148 Steven Rolfe Powell (American, 1951-2018) Dusk Mummy Smith, 1991 blown glass vase signed Steven Powell 1991 height 32 3/4in (83cm); width 14 1/2in (37cm) $2,000-3,000 Provenance: With Kirvan / Bartoszewicz Gallery, Palm Springs, California, 1991. Property from a Northern California Estate.

148

149 Lino Tagliapietra (Italian, b. 1934) Riverstone, 1998 blown and engraved glass signed to underside Lino Tagliapietra and dated 1998 14 1/2 x 16 x 6in (37 x 40.5 x 15cm) $4,000-6,000 Provenance: With Riley Hawk Galleries, Kirkland, Washington. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

149

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150 Lino Tagliapietra (Italian, b. 1934) Bilbao, 2002 Clear and colored glass, hand-blown cane-work, and wheel-cut battuto signed to underside Lino Tagliapietra 2002 height 28in (71cm) $6,000-8,000 Provenance: with Imago Galleries, Palm Desert, California, 2010. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

DESIGN FOR THE HOME AND GARDEN | 77

151 A Lalique frosted glass relief plaque: Masque de Femme With original chromed stand and reflecting back panel, loss to lower right corner. 12 1/2in (32cm) square $1,500-2,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

151

152 A R. Lalique blue tinted glass scent bottle: Epines circa 1920 Molded R. LALIQUE and etched R. Lalique France 325/3. height 4 1/4in (11cm) $600-800 Provenance: Property from a Private Beverly Hills, California Collection. 152

153 A pair of Lalique frosted and clear glass swans: Cygne tête droite and Cygne tête penchée Etched Lalique® France. height of tallest 9 3/4in (24.5cm); width 7 1/2in (19cm); length 12 1/4in (31cm) $1,500-2,000 153

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Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

154 A Marc Lalique glass ‘Cactus’ center table design introduced in 1951 Etched Lalique France. height 28 9/16 (72.3cm); diameter 60in (152.4cm) $20,000-30,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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Living in Hawaii in the second quarter of the 20th century, designer Walter Lambâ&#x20AC;&#x2122;s work was ahead of its time utilizing scavenged bronze and copper piping from sunken naval ships after the bombing of Pearl Harbor. He formed from these recovered materials what has become his signature series of outdoor furniture and a paradigm of mid-20th century California design.

155 A set of four Walter Lamb for Brown Jordan patinated bronze armchairs post 1950 height 32 1/4in (82cm); width 21 1/2in (54.5cm); depth of seat 17in (43cm) $1,500-2,000 Provenance: Property from a Private San Francisco, California Collector.

156 A Walter Lamb for Brown Jordan patinated bronze and glass rectangular table post 1950 height 28 1/2in (72.5cm); width 61in (155cm); depth 26 1/2in (67cm) $1,000-1,500 Provenance: Property from a Private San Francisco, California Collector.

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157 A set of four Walter Lamb for Brown Jordan patinated bronze side chairs and an ottoman post 1950 (5) the chairs height 32in (81.5cm); width 15 1/2in (39.5cm); depth of seat 18 1/2in (47cm) $1,500-2,000 Provenance: Property from a Private San Francisco, California Collector.

158 A Walter Lamb for Brown Jordan patinated bronze and glass square occasional table post 1950 height 22in (56cm); width 25 1/2in (65cm) square $400-600 Provenance: Property from a Private San Francisco, California Collector.

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159 Joanne Duby (American, 20th/21st century) Snowbird, 1999 yule marble and blue granite bottom of sculpture signed Joanne Duby â&#x20AC;&#x2DC;99 height 87in (221cm); width 28 1/2in (72.4cm); depth 20in (51cm) $1,000-1,500 Provenance: Acquired directly from the artist, 2003. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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160

161

160 A pair of Neoclassical marble spheres on turned socles with octagonal bases 19th/20th century diameter of spheres 11 1/4in (28.5cm); height overall 19in (48.5cm); $1,500-2,000 161 A white marble demilune overdoor portrait bust relief panel mid 19th century height 18 3/4in (47.5cm); width 31 1/2in (80cm); depth 6 3/4in (17cm) $600-800 162 An imposing Neoclassical carved marble door surround 18th/19th century height excluding plinth bases 84 1/2in (215cm); width 70in (178cm); depth 9in (23cm) $1,500-2,500 Provenance: Sold Bonhams Los Angeles, 10 June 2013, lot 4308.

162

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163 A pair of French gilt bronze, cast iron jardinières Société Anonyme Des Hauts-Fourneaux & Fonderies Du Val D’Osne late 19th century One twice marked Val d’Osne, 58 Bd Voltaire, Paris, fitted with metal liners. height 29 1/2in (75cm); width 55in (140cm); depth 15 1/2in (39.5cm) $8,000-12,000 Provenance: Sold Christie’s New York, April 30, 1994, lot 211. Sold Property from the Collection of Lord and Lady White of Hull, Christie’s New York, April 30, 1997, lot 209. Property from a Private London Collector. Footnote: Founded by Jean Pierre Victor André in 1835 and based at the Val d’Osne, in the Haute-Marne, the company took over rivals such as Barbezat and Ducel. The firm exhibited at the Great Exhibitions of 1851 and 1862 as well as the Chicago Great Exhibition of 1893.

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164 A set of four carved limestone busts of the four seasons 18th /19th century On later cream painted wood pedestals. height of busts 33in (83cm); height of pedestal 49 1/2in (125cm) $10,000-15,000

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165 A French Rouge Royal marble fountain late 18th/early 19th century height 85in (216cm); width 47in (119cm); depth 25in (63.5cm) $3,000-5,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

DESIGN FOR THE HOME AND GARDEN | 87

166

166 Manner of Claude Lorraine (French, 1600-1682) A view of the Temple of Minerva oil on canvas also a companion painting, a pair, inscribed on label verso July 19, 1809 the above pair of paintings was sold to the Duc dâ&#x20AC;&#x2122;Orleans for the sum of ten thousand francs George Hammond 29 1/2 x 39 3/4in (75 x 100cm) $4,000-6,000 167 A Continental Rococo style pewter strung inlaid mahogany bureau plat 19th century height 29 3/4in (75.5cm); width 67in (170cm); depth 34in (86cm) $2,000-3,000

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166

167

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168 Claire Jeanne Roberte Colinet (French, 1880-1950) Solveig bronze with brown patina back incised Cl. J.R. Colinet, and with foundry mark CIRE PERDUE CIE ETLING PARIS (on her back) and further incised Made in France 1ere Epreuve (along the bottom edge of the reverse) 32 x 19 x 18in (81.3 x 48.3 x 45.7cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Exhibition: Paris, Société des Artistes Français, 139 Exposition Officielle des Beaux-Arts, Le Salon 1926, no. 3229, plaster cast illustrated in the exhibition catalogue.

168

169 Émile-Antoine Bourdelle (French, 1861-1929) Main de Guerrier mourant, fragment de Monument aux Morts, aux Combattants et Serviteurs du Tarn-et-Garonne, 1893-1900 bronze with dark brown patina Incised © by Bourdelle and with the foundry mark Cire Perdue A. Valsuani and numbered III (along the wrist) 14 1/8 x 8 _ x 7 1/2in (35.9 x 21.6 x 19.1cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Exhibition: Montauban, Musée Ingres, De bruit et de fureur : Bourdelle sculpteur et photographe, 27 October 2016 - 29 January 2017, another example illustrated in the exhibition catalogue. Literature: M. Dufet & I. Jianou, Bourdelle, Third Edition, Paris, 1984, no. 182. 169

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170 A large Roman carved marble bust of a barbarian possibly Ancient Raised on an iron stand. height 26 1/4in (66.5cm); width 15 1/2in (39.5cm); depth 16 1/2in (42cm) $15,000-20,000 Provenance: Property from a Private London Collector. Footnote: The term “barbarian” originates from an ancient Greek word meaning babbler. In ancient Roman society it came to refer to anyone outside the bounds of the empire - Germanics, Celts, Gauls, Iberians, Thracians, Illyrians, Berbers, and Sarmatians. In art, they are depicted as feral, with unruly hair and intense faces to emphasize their perceived lack of civility, their ‘otherness’, as a form of imperial propaganda.

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171 Edgar Degas (French, 1834-1917) Tête, étude pour le portrait de Madame S. (Mathilde Salle) bronze with dark brown patina stamped Degas and with the foundry mark Cire Perdue A.A. Hebrard and numbered 27/E (on the reverse) 10 x 7 _ x 9in (25.4 x 18.4 x 22.9cm) $15,000-20,000 Provenance: Sold, Sotheby’s, New York, 26 February 1990, lot 6. Acquired from the above sale by the previous owner. Acquired directly from the above in 2002. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Literature: John Rewald, Degas: Works in Sculpture, A Complete Catalogue, New York, 1944, no. 30, another cast illustrated p. 23 John Rewald, Degas Sculpture: The Complete Works, New York, 1957, no. 30, fig. 10, another cast illustrated p. 147 Charles W. Millard, The Sculpture of Edgar Degas, Princeton, 1976, fig. 117, another cast illustrated pp. 10-11 Anne Pingeot, Degas: Sculptures, Paris, 1991, no. 70, another cast illustrated p. 186 Sara Campbell, “A Catalogue of Degas’ Bronzes”, in Apollo, vol. CXLII, no. 402, London, August 1995, no. 27, fig. 27, another cast illustrated p. 24 Joseph S. Czestochowski and Anne Pingeot, Degas Sculptures: Catalogue Raisonné of the Bronzes, Memphis, 2002, no. 27, another cast illustrated pp. 174175 Sara Campbell, Richard kendall, Daphne S. Barbour & Shelly G. Sturman, Degas in the Norton Simon Museum, vol. II, Pasadena, 2009, no. 102, another cast illustrated p. 490. Footnote: Conceived circa 1892 and cast in bronze after 1919 in an edition of 20 numbered A to T, plus 2 casts reserved for the Degas heirs and foundry, by the A.A. Hebrard foundry, Paris.

92 | ANDREW JONES AUCTIONS

DESIGN FOR THE HOME AND GARDEN | 93

172 Circle of Frederick Goodall (English, 1822-1904) Figures on the banks of the Nile with the Pyramids of Giza in the distance, 1863 oil on canvas signed with artistâ&#x20AC;&#x2122;s monogram and dated 1863 15 x 25 3/4in (38 x 65cm) $3,000-5,000 Provenance: Property from the Collection of Dr. Ben Pinsky and Terry Oâ&#x20AC;&#x2122;Neill Pinsky.

173 Manner of William Merritt Chase (American, 1849-1916) Portrait of a woman in a red hat oil on canvas 27 x 23in (68.5 x 58.5cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 94 | ANDREW JONES AUCTIONS

174 Marc Aldine (French, 1912-1972) View of the Grand Canal, Venice, with the Doge’s Palace in the foreground oil on canvas signed lower left Marc Aldine 20 x 26in (51 x 66cm) $4,000-6,000 Provenance: Property from the Collection of Dr. Ben Pinsky and Terry O’Neill Pinsky.

175 Adolphe Alexandre Lesrel (French, 1839-1929) The Standard Bearer oil on cradled panel signed and dated lower left A A Lesrel 1881 17 3/4 x 10 3/4in (45 x 27.5cm) $2,000-3,000 Provenance: Property from the Collection of Dr. Ben Pinsky and Terry O’Neill Pinsky. DESIGN FOR THE HOME AND GARDEN | 95

176 Arseny Semenov (Russian, 1911-1992) Ostrovsky Square, Saint Petersburg, 1955 oil on canvas signed in Cyrillic (lower left) and inscribed in Cyrillic and dated 1955 (on the reverse) 21 1/4 x 26 3/4in (55 x 68cm) $800-1,200 Provenance: Property of Edward McCarthy, San Francisco, California.

177 Jean Vollet (French, b. 1935) Velars sur Ouche oil on canvas signed Jean Vollet (lower right) and signed again and titled (on the reverse) 10 3/4 x 14in (27.5 x 35.5cm) $400-600 Provenance: With Wally Findlay Galleries, Beverly Hills, California. Property from a Private Collector, Newport Beach, California. 96 | ANDREW JONES AUCTIONS

178 Edward Hopper (American, 1882-1967) Evening Wind, 1921 etching on wove paper signed in pencil, with margins, framed. image 6 7/8 x 8 1/4in (17.46 x 20.95cm); sheet 9 x 10 1/8in (22.86 x 25.71cm) $20,000-30,000 Provenance: Property from a Private Beverly Hills, California Collection.

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179 Louis Charles Moeller (American, 1855-1930) The Document, A Point of Law oil on canvas signed lower right Louis Moeller 18 x 24in (46 x 61cm) $2,000-3,000 Provenance: With Newhouse Galleries, New York, New York. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

180 French School (19th century) Fête champêtre oil on panel 13 1/2 x 10 3/4in (34.5 x 27.5cm) $600-800 98 | ANDREW JONES AUCTIONS

181 Attributed to Louis Valtat (French, 1869-1952) A day at the beach oil on canvas signed L.V. lower left 8 1/2 x 9 1/2in (21.5 x 24cm) $2,000-3,000 Provenance: With Galerie J. Le Chapelin, Paris. Property from the Estate of Ruth Harvey, Bel Air, California.

182 Andrew Peters (American, b. 1954) Barnyard oil on canvas signed lower right ANDREW PETERS, titled on stretcher bar to the reverse 48 x 96in (122 x 244cm) $6,000-8,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. DESIGN FOR THE HOME AND GARDEN | 99

183 A Russian patinated bronze model of a cow after the model Leonid Vladimirovich Pozen (1849-1921), cast by Woerffel circa 1880 Inscribed SCULP. POSEN. and FABR. C.F. WOERFFEL. height 8in (20cm); length 12in (30.5cm); depth 6 1/2in (16.5cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

183

184 A Louis XV style gilt bronze mounted stained walnut jardinière late 19th century height 12 1/2in (32cm); width 13in (33cm) square $700-900 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

184

185 A French patinated bronze group of a horse and jockey: Jockey à Cheval after Pierre-Jules Mêne (1810–1879) late 19th/early 20th century Incised P.J. MENE. height 17in (43cm); length 17in (43cm); width 5in (13cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

185 100 | ANDREW JONES AUCTIONS

186 A Christofle & Cie silverplated bronze presentation group of a bull, a cow and a calf Paris 1870 Incised Christofle & Cie on a rouge royale marble base with a gilt bronze plinth and feet, with an inscription plaque inscribed MINISTERE DE Lâ&#x20AC;&#x2122;AGRICULTURE / ET DU COMMERCE /1870. overall height 14in (35.5cm); width 16in (41cm); depth 11in (28cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

186

187 A German Jugendstil gilt bronze pitcher Hans Stoltenberg-Lerche (1867-1920) Louchet foundry, Paris circa 1900 Incised H. St. Lerche and with Louchet pastille. height 10in (25.5cm); length over handle 5 1/4in (13cm) $400-600 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

187

188 A patinated bronze model of a race horse after Hippolyte Joseph Cuvelier (French, 1803-1876) late 19th/early 20th century Incised J. CUVELIER. height 14 3/4in (37.5cm); length 16in (40.5cm); width 4 3/4in (12cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

188 DESIGN FOR THE HOME AND GARDEN | 101

189 A French patinated bronze model of a bull and dog after Isadore Bonheur (French, 1827-1901) late 19th/early 20th century Incised I. BONHEUR. height 12 1/4in (31cm); length 24 3/4in (63cm); width 7in (18cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 189

190 Rosa Bonheur (French, 1822-1899) Bull study pencil on paper signed lower right Rosa Bonheur, with wax studio sale stamp 7 1/2 x 10 3/4in (19 x 27cm) $400-600 Provenance: Rosa Bonheur Studio Sale, May & June 1900. Property from the Collection of Mary and Lou Silver, Indian Wells, California.

190

191 A French patinated bronze model of a recumbent cow after a model by Antoine Louis Bayre (French, 1795-1875) F. Barbedienne foundry, Paris early 20th century Incised BAYRE and F. BARBEDIENNE FONDEUR PARIS. height 4 1/2in (11.5cm); length 9 1/4in (23.5cm); depth 5 1/4in (13.5cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 191 102 | ANDREW JONES AUCTIONS

192 John George Brown (American, 1831-1913) Two Shoeshine boys and a dog oil on canvas signed lower left Copyright / J. G. Brown, N. A. 25 x 30in (63.5 x 76cm) $8,000-12,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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193 English School (17th century) Portrait of a gentleman oil on canvas 30 x 19 1/2in (76 x 49.5cm) $1,000-1,500 194 A pair of Chinese export carved hardwood console tables mid 19th century height 35 3/4in (91cm); width 47in (119.5cm); depth 24 3/4in (63cm) $3,000-5,000

193

194

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195 Pierre Dupuis (French, 1833-1915) Portrait dâ&#x20AC;&#x2122;homme en habit oil on canvas signed and dated 1881 lower right 53 1/2 x 39 1/2in (136 x 100.5cm) $4,000-6,000 Provenance: Property from a Private London Collector. 196 A pair of Italian patinated bronze and marble console tables with seated hound form supports height 36in (91.5cm); width 52 1/2in (133.5cm); depth 21 1/2in (54.5cm) $3,000-5,000

195

196

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197 (Detail)

197

197 A Japanese cloisonnĂŠ enamel vase Kinunken, Meiji period Decorated with wisteria, signed on a silver tablet Kinunken zo. height 7 1/2in (19cm) $800-1,200 Provenance: Property of an English Gentleman 198 A Japanese patinated bronze model of a bison 20th century On hardwood stand. the bronze height 10 1/2in (27cm); length 17 1/2in (44.5cm); width 7in (18cm) $400-600 198

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Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

199 (Detail)

199

199 A Japanese bronze and mixed metal vase Murikama, Meiji Period Decorated in relief with cranes amidst branches and lily pads, inscribed to underside Murikama zo. height 9in (23cm) $1,000-1,500 Provenance: Property of an English Gentleman 200 Seiji Kunishima (Japanese, b. 1937) Stone Work stone and iron 6 1/2 x 12 1/2 x 13in (16.5x 37.75 x 33cm) $1,500-2,000

200

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201 A Japanese lacquer document or paper box / ryoshibako probably Meiji Period With removable interior tray. height 6 1/2in (16.5cm); length 16in (40.5cm); depth 13 1/4in (33.5cm) $800-1,200 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

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202 A Japanese lacquered writing box / suzuribako probably Meiji Period The interior fitted with inkstone, implement rests and water dropper. height 1 1/2in (4cm); length 9in (23cm); depth 8 1/2in (21.5cm) $800-1,200 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

DESIGN FOR THE HOME AND GARDEN | 109

203 A Spanish Baroque iron mounted walnut vargueĂąo on associated table late 17th/early 18th century height of vargueĂąo 23 1/4in (59cm); width 40 1/4in (112cm); depth 15 1/4in (38.5cm); height of table 31 3/4in (80.5cm); width 46 1/2in (118cm); depth 25 1/2in (65cm) $3,000-5,000 Provenance: Property from the Estate of Orson Welles.

203

204 A needlework carpet 20th century dimensions approximately 17ft x 13ft 6in (518 x 412cm) $1,000-1,500 Provenance: With Signature Collection, Los Angeles, April 30, 1997. Property from a Private London Collector. 205 A large Tabriz carpet Northwest Persia dimensions approximately 20ft 11in x 13ft 4in (638 x 406cm) $5,000-7,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

204

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205 DESIGN FOR THE HOME AND GARDEN | 111

206 A Steinway model M black lacquered grand piano 1997 Serial # 540351; together with an ebonized adjustable bench with tufted leather seat and a black cotton piano cover. (3) length 66in (168cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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207 An Émile Gallé mixed wood marquetry Japonisme étagère circa 1900 Signed in marquetry to top Gallé. height 43 1/2in (110cm); width 28 1/2in (72.4cm); depth 14in (35.5cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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208 A fine George III gilt bronze and jasperware mounted inlaid mahogany, kingwood, satinwood and yewwood fall front secretary in the manner of Thomas Sheraton late 18th century The grey bardiglio marble top with three quarter gallery above a frieze drawer over a fall front centered by a blue and white jasperware plaque reversing to a green leather lined writing surface opening to a configuration of pigeonholes and drawers above a stand with central drawer over square tapering legs. height 51 1/2in (131cm); width 25in 3/4in (65.5cm); depth 14in (35.5cm) $10,000-20,000 Provenance: With Jeremy, Ltd., London, 13 December 1967. Property from a Northern California Estate. Exhibition: By repute, International Art Treasures Exhibition, Bath, Somerset, 1958. Literature: R. Fastnedge, Sheraton Furniture. Antique Collectorâ&#x20AC;&#x2122;s Club, Woodbridge, 1983, p. 210, pl. 82.

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209 Serge Poliakoff (Russian/French, 1900-1969) Composition abstraite Gouache on paper mounted to canvas signed bottom center SERGE POLIAKOFF 24 x 18in (61 x 46cm) $30,000-50,000 Provenance: With Georges Elgozy, Paris. With Esther Saunders (since 1967). Property from the Collection of Mary and Lou Silver, Indian Wells, California. Literature: A. Poliakoff, Serge Poliakoff: Catalogue RaisonnĂŠ, No 59-94, p. 102. Footnote: This work is registered in the Serge Poliakoff Archive under no. 858026.

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210

211

210 A Meissen porcelain figure of a shepherdess late 19th century Underglaze blue crossed swords, incised model F. 68, impressed 44 and red painted 66. height 7in (17.7cm) $300-500 211 A Meissen porcelain figural group: Abduction of Proserpine by Pluto late 19th/early 20th century After a model by J.J. Kandler, underglaze blue crossed swords, incised model 1448, impressed 95. height 10 1/4in (26cm) $1,000-1,500 212 A Berlin (K.P.M.) porcelain plaque late 19th century Depicting a young maiden with flowers accompanied by Cupid, signed C. Mlt, impressed scepter above K.P.M. and H, incised 13-15, framed. the plaque 15 1/2 x 13 1/2in (39.5 x 34.3cm) $2,000-3,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

212 116 | ANDREW JONES AUCTIONS

213 A Vienna style porcelain cabinet plate: Winter retailed by Ernst Wahliss, Vienna late 19th century After the painting by Wilhelm Kray (German, 1828-1889), underglaze blue beehive, black painted title and gilt painted retailer’s mark. diameter 9 3/4in (24.7cm) $400-600 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: By the late 1880s, Ernst Wahliss was one of Europe’s leading retailers for high quality porcelain and ceramics. First opening shop in Vienna in 1863, his rapid success enabled him to soon open shops in Paris and London. At the time of his death in 1900, his London showrooms at 88 Oxford Street housed five floors of porcelain, pottery and glassware.

213

214 Two Sèvres style porcelain cabinet plates late 19th century Each depicting a couple in a pastoral landscape, pseudo blue interlaced Ls mark, one enclosing U, the other enclosing L above S. diameters 9 3/4 and 9 7/8in (24.7 and 25cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

214

215 A Vienna style porcelain cabinet plate: Rös’chen late 19th century Signed Wagner, underglaze blue beehive, black painted title and paper retailer’s label inscribed Sacks Antiques, Inc. 3560. diameter 9 5/8in (24.5cm) $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

215 DESIGN FOR THE HOME AND GARDEN | 117

216 An impressive pair of Louis XV giltwood console tables mid 18th century Each surmounted by an Lumachella di Frascati marble top. height 35 1/2in (90cm); width 60in (152.5cm); depth 21 1/2in (54.5cm) $8,000-12,000 Provenance: Property from Private Beverly Hills Collection, curated by Hendrix Allardyce.

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217 Paul Joseph Constantin GabriĂŤl (Dutch, 1828-1903) A large castellated ruin landscape with peasant girl and chickens oil on panel signed to the lower right, PJC GabriĂŤl panel 17 7/8 x 24 5/8in (45.5 x 62.5cm) $2,500-3,500 Provenance: Property from a Private Collector, Pasadena, California.

217

218 A pair of Art Deco style Egyptian Revival parcel gilt green paint decorated side chairs post 1950 height 31in (79cm); width 28 1/2in (72.5cm); depth of seat 21 1/2in (54.5cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

218

219 A George III inlaid mahogany serving table North Counties circa 1800 height 36 1/2in (93cm); width 60in (152.5cm); depth 27 1/4in (69cm) $1,000-2,000 Provenance: Property of the Nelson Family Estate, Jackson Hole, Wyoming. 219

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220 Circle of Jan Josefsz van Goyen (Dutch, 1596-1656) Figures on a beach with the tower of Egmond in the distance oil on panel signed with initials and dated â&#x20AC;&#x2DC;35 lower right 9 7/8 x 12in (25 x 30.5cm) $2,000-3,000

220

221 A Louis XV Provincial walnut daybed second half 18th century height 39 1/2in (100.5cm); width 30 1/2 (77.5cm); length 79in (201cm) $1,000-1,500 Provenance: Property from a Northern California Estate.

221

222 An English brass bound oak gun case on later green painted stand J. Purdey, London early 20th century With printed manufacturerâ&#x20AC;&#x2122;s label to reverse of lid and Brahmah lock. overall height 15 1/2in (39.5cm); width 35in (89cm); depth 12 1/2in (32cm) $600-800 Provenance: Property of a Private Collector, New York, New York. 222

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223

224

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225

223 A pair of Belle Époque gilt and patinated bronze and porcelain mounted pier mirrors first half 20th century height 62 1/2in (159cm); width 27 1/2in (70cm); depth 4 1/2in (11.5cm) $3,000-5,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 224 An Italian scagliola table top post 1950 Decorated with birds, scrolling foliage and flowers on a bronze and steel base. height 15in (38cm); width 78 1/2in (220cm); depth 39in (100cm) $1,000-1,500

225 A five piece suite of Louis XV style carved parcel gilt and tapestry upholstered seat furniture circa 1900 Comprising a canapé and four fauteuils. height of canapé 46 1/4in (117.5cm); width 70 3/4in (180cm); depth of seat 26 1/4in (66.5cm); height of fauteuils 43 1/2in (110.5cm); width 28 3/4in (73cm); depth of seat 22 1/2in (57cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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226 A pair of Louis XV style gilt bronze mounted and brĂ¨che marble four light candelabra early 20th century height 30 3/4in (78cm); width 17in (43cm); depth 16in (40.5cm) $4,000-6,000

226

227 A German enamel and gilt metal singing bird box mid 20th century Impressed EB in an oval and MADE IN WESTERN GERMANY. height 1 3/4in (4.5cm); width 4in (10cm); depth 3 1/2in (6.5cm) $1,000-1,500

227

228 A pair of French gilt bronze and faience three light candelabra lamps 20th century, the faience possibly earlier height 25 1/2in (65cm); diameter 12 1/2in (32cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

228

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229 A pair of Louis XVI style gilt bronze mounted Cippolino marble urns, now as table lamps late 19th/early 20th century Each raised on a small ebonized plinth. height excluding electrical fittings 26in (66cm); height to top of finial 41in (104cm); width across handle 11 1/4in (28.5cm); depth 10in (25.5cm) $4,000-6,000

229 230 Three Royal Copenhagen porcelain Flora Danica serving dishes date codes for 1964-74 Comprising a triangular salad bowl, circular salad bowl and circular tray; each with black painted title, green printed factory mark above blue wave mark, painted pattern and shape numbers 20/3509, 20/3505 and 20/3566. width of triangular bowl 11in (28cm); diameter of salad bowl 10in (25.5cm) $1,200-1,500 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

230

231 A pair of French gilt bronze and glass five light girandoles circa 1900 height 31 1/4in (79.5cm); width 19 1/4in (49cm); depth 14in (35.5cm) $2,000-3,000 Provenance: Property from the Collection of John and Cathy Lynch, Rancho Santa Fe, California.

231

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233

232

232 A pair of Continental Neoclassical style gilt metal and cut glass hanging lanterns late 19th century height 35 1/2in (90cm); width 9 1/2in (24cm) square $600-800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 233 An Empire gilt bronze tazza Pierre Philippe Thomire, Paris circa 1810 Base stamped THOMIRE A PARIS. height 19 1/4in (49cm); diameter 10 1/2in (27cm) $2,500-3,500 Provenance: Property from a Northern California Estate. 234 An Oushak carpet West Anatolia dimensions approximately 9ft 8in x 7ft (297 x 211cm) $500-1,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

234

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235 236 235 A Louis XVI style white marble figure pendule Ă cercles tournant late 19th century Modelled as the Three Graces before an urn on pedestal, the enamel chapter rings with Roman and Arabic numerals, the twin train movement with outside countwheel striking on a bell, the backplate with S. Marti & Cie pastille. height 32in (81.25cm); width 14in (35.5cm); depth 10 1/2in (26.5cm) $1,500-2,000 236 A RĂŠgence giltwood and gilt gesso mirror first quarter 18th century height 61in (155cm); width 32in (81.5cm) $800-1,200 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. 237 An Oushak carpet West Anatolia dimensions approximately 9ft x 11ft (274cm x 335cm) $1,200-1,800 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. 237

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238 238 A set of nine George III inlaid mahogany dining chairs attributed to Thomas Sheraton, after a design by George Hepplewhite late 18th century Comprising two armchairs and seven side chairs. the armchairs height 36in (91.5cm); width 23 1/4in (59cm); depth of seat 18 1/2in (47cm); side chairs width of seat 21in (53cm); depth of seat 17 1/2in (44.5cm) $1,500-2,000 Provenance: With Florian Papp, New York, New York. Property from a Private Collector, New York, New York. Footnote: The distinctive decoration of the Prince of Wales plume, carved in perspectival relief on the crestrails of this suite, was popularized by George Hepplewhite in the late 1780s (see G. Hepplewhite, The Cabinet-Maker and Upholstererâ&#x20AC;&#x2122;s Guide, 1794, p. 1b for a related design). A single chair similar in form to the set offered here also has the tapering vasiform splat of an example by Thomas Sheraton in the collection of the Victoria and Albert Museum, (see R. Fastnedge, Sheraton Furniture. Antique Collectorâ&#x20AC;&#x2122;s Club, Woodbridge, 1983, p. 138, pl. 10). 239 A Kerman carpet South Central Persia dimensions approximately 12ft 8in x 9ft (386 x 275cm) $2,000-4,000 Provenance: Property from a Northern California Estate. 239

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240 A George III mahogany breakfront bookcase attributed to Gillows late 18th century height 101in (257cm); width 120in (305cm); depth; 18in (46cm) $3,000-5,000 Provenance: With Kentshire Galleries, New York, New York. Property from a Private Collector, New York, New York.

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241 Frederic Schiller Cozzens (American, 1846-1928) 26 Plates, from American yachts, their clubs and races, 1884 chromolithographs in colors on wove paper board support. with publisher’s label on the verso, published by Charles Scribner’s Sons., with full margins, framed. each image 14 1/4 x 20 1/2in (36.19 x 52.07); paper board 21 x 27in (53.34 x 68.58cm) $15,000-20,000 Provenance: Sold Christie’s New York, 31 July 2001, lot 141. Property from the Estate Francis A. Martin III, San Francisco, California, curated by Steven Volpe.

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242

242 A set of four volumes of Italian carved plaster intaglios Giovanni Liberotti 19th century The spine of each tooled LIBEROTTI IMPRONTE comprising Museo Sommariva, Opere di Canova, Opere di Thorvaldsen and Uomini Illustri. each volume height 10 1/2in (27cm); width 6 1/2in (16.5cm); depth 2in (5cm) $1,200-1,800 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California. 243 A pair of French faience models of seated lions 18th century height 24in (61cm); width 8 1/4in (21cm); depth 12 1/2in (32cm) $2,000-4,000 Provenance: With Le Foyer Ancien, Paris, 15 December 1967. Property from a Northern California Estate.

243

244 A large French Neoclassical style gilt bronze tazza after Ferdinand Levillian (1837-1905), cast by Ferdinand Barbedienne (1810-1892) late 19th century Center with relief of Dionysus and incised F. LEVILLIAN, handle incised F. BARBEDIENNE. height 5 3/4in (14.5cm); width over handles 27 1/4in (69cm) $1,200-1,800 Provenance: Property from the collection of Jacqueline Balliu. 245 A French gilt and patinated bronze and cut glass figure centerpiece possibly Baccarat, Paris late 19th century height 20in (51cm); width16in (40.5cm); depth 9in (23cm) $3,000-5,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

244

246 A Louis XV style gilt bronze mounted inlaid walnut and exotic hardwood bureau plat second half 19th century The top inset with a tooled leather writing panel surmounted by a serrepapiers. height 40 1/4in (102cm); width 65 1/2in (166.5cm); depth 35 3/4in (91cm) $4,000-6,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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245

246

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247 A French Neoclassical gilt bronze mounted malachite mantel clock probably for the Russian market second quarter 19th century The twin train movement with silk suspension and outside countwheel striking on a bell, stamped with Pons MEDAILLE Dâ&#x20AC;&#x2122;ARGENT 1823 pastille. height 25in (63.5cm); width 12 1/2in (32cm); depth 5in (12.5cm) $3,000-5,000 Provenance: Property from a Northern California Estate.

247

248 An Empire gilt bronze figural mantel clock: Oracle dâ&#x20AC;&#x2122;Amour Angevin (fl. 1806-1840), Paris first quarter 19th century The circular enamel dial signed ANGEVIN A PARIS, the twin train movement with silk suspension and outside countwheel striking on a bell. height 21 1/2in (54.5cm); width 17in (43cm); depth 6 1/4in (16cm) $4,000-6,000 Provenance: Property from a Northern California Estate.

248

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249 A fine Louis XVI gilt bronze and verde antico marble figural mantel clock Jean Baptiste Dutertre, Paris circa 1770 The dial with subsidiary calendar signed J Bte Dutertre/Paris, the twin train movement with silk suspension and outside countwheel striking on a bell signed JB Dutertre. height 22 1/4in (56.5cm); width 18 1/2in (47cm); depth 8in (20cm) $6,000-8,000 Provenance: Property from a Northern California Estate.

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250 A set of three Continental painted panels in giltwood frames Depicting elegant figures in a wooded landscape. framed dimensions 73 1/2 x 25 1/2in (187 x 65cm) $4,000-6,000 Provenance: Property from the Collection of John and Cathy Lynch, Rancho Santa Fe, California.

251 A near pair of William IV gilt brass and bronze fire fenders circa 1835 height 20in (51cm); width of one 51 1/2in (131cm); other 55in in (140cm) $2,000-3,000 Provenance: Sold Christieâ&#x20AC;&#x2122;s South Kensington, March 17, 1998, lot 43. Property from a Private London Collector. 136 | ANDREW JONES AUCTIONS

252 A George IV brass inlaid hardwood tilt-top breakfast table circa 1825 height 28in (71cm); diameter 48 1/4in (122.5cm) $2,000-3,000 Provenance: With Florian Papp, New York, New York. Property from a Private Collector, New York, New York. DESIGN FOR THE HOME AND GARDEN | 137

253

253 A Flemish Baroque Biblical tapestry late 16th/early 17th century dimensions approximately 6ft 10in x 10ft 1in (208.5 x 307.5cm) $5,000-7,000 Provenance: Property from the Collection of John and Cathy Lynch, Rancho Santa Fe, California. 254 A Tabriz carpet Northwest Persia dimensions approximately 11ft 11in x 8ft 6in (363 x 259cm) $800-1,200 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

254 138 | ANDREW JONES AUCTIONS

255

255 A pair of Louis XVI grey painted fauteuils Nicolas Denis Delaisement late 18th century Underside of one stamped DELAISEMENT height 37 1/2in (95cm); width 26 1/2in (67cm); depth of seat 20in (51cm) $4,000-6,000 Provenance: Property from a Northern California Estate. Footnote: Nicolas Delaisement maĂŽtre 18 October 1776. 256 An Oushak carpet West Anatolia dimensions approximately 14 x 17ft (426.75 x 510cm) $1,500-2,500 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California.

256

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257 A fine Louis XV style gilt bronze and cut glass eighteen light chandelier late 19th century height approximately 44in (112cm); diameter approximately 34in (86.5cm) $8,000-12,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

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258 Nicolai Fechin (Russian, 1881-1955) Still life with flowers and fruit, circa 1925 oil on canvas signed lower right N. Fechin 20 x 24in (51 x 61cm) $70,000-100,000 Provenance: Acquired directly from the artist, circa 1927. An American estate. With Newhouse Galleries, New York, New York. Property from the Collection of Mary and Lou Silver, Indian Wells, California. Footnote: Nicolai Fechin was a painter whose mastery of color and composition and blending of realism, impressionism and abstraction influenced generations of artists. After graduating with the highest marks from the Imperial Academy of Arts in St. Petersburg and traveling in Europe under a Prix de Rome, Fechin returned to his native Kazan, where he taught and painted. He exhibited his first work in the United States in 1910 in an international exhibition in Pittsburgh, PA. After immigrating with his family to New York in 1923 and working there for a few years, Fechin developed tuberculosis and moved West for a drier climate. In 1927 Fechin eventually settled with his family in Taos, NM, which was developing as an arts center. He had great affection for Taos and became a naturalized American citizen while living there. At an early age, Fechin had learned carving from his father. As an adult, he produced impressionistic sculpture, primarily from wood. His sculptor’s eye made possible the depth and dimensionality of the elements in his still life works, while pursuing a more abstracted, modernist style with his palette-knife technique. The artist’s estate has recognized this work as a fine example of Fechin’s oeuvre. DESIGN FOR THE HOME AND GARDEN | 141

259 Benjamin Vautier, the Elder (Swiss, 1829-1898) The dance lesson oil on canvas signed lower right Vautier 20 x 26in (51 x 66cm) $2,000-3,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

260 A pair of George III style tulipwood banded satinwood and marquetry demilune pier tables 19th century height 33 3/4in (85.5cm); width 47in (119.5cm); depth 19 1/4in (49cm) $3,000-5,000 Provenance: Acquired from an estate, Gorringes, East Sussex.

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261 Sebastian Wegmayr (Austrian, 1776-1857) Floral still life with butterflies oil on canvas signed lower right S. Wegmayr 54 x 45in (137 x 114.5cm) $10,000-20,000 Provenance: Property from the Estate of Ruth Harvey, Bel Air, California. DESIGN FOR THE HOME AND GARDEN | 143

Glossary The following are examples of the terms used in this catalogue. While every reasonable effort has been made to ensure that the statements made in the catalogue are correct, all statements and terminology in this catalogue are opinions of Andrew Jones Auctions and are subject to the provisions of the Terms and Conditions of Sale. Andrew Jones Auctions and Consignors make no warranties or representations with respect to any aspect of any lot. Buyers are invited to inspect the property themselves.

Bronzes

Furniture

Silver

A George II mahogany secretary cabinet second quarter 18th century This heading, with date included, means that the piece is, in our opinion, of the period indicated with no major alterations or restorations. A George II mahogany secretary cabinet incorporating antique and later elements This heading, indicates that, in our opinion, the piece, while basically of the period, has undergone significant restoration and alteration. A George II mahogany secretary cabinet composed of antique elements This heading, indicates that, in our opinion, the piece, while basically of the period, has undergone significant restoration and alteration. A George II style mahogany secretary cabinet The inclusion of the word “style” in the heading indicates that, in our opinion, the piece was made as an intentional reproduction of an earlier style.

Ceramics A Meissen porcelain figural group fourth quarter 18th century This heading indicates that in our qualified opinion the figural group was made at the Meissen factory in the fourth quarter of the 18th century. A Meissen porcelain figural group This heading indicates that in our qualified opinion the figural group was made at the Meissen factory but does not specify when, implying the age is uncertain. A Meissen style porcelain figural group fourth quarter 19th century This heading indicates that in our qualified opinion the figural group was not made at the Meissen factory but at another factory in the fourth quarter of the 19th century.

Jean-Baptiste Carpeaux (French, 1827-1875) This heading indicates that in our qualified opinion the work has been cast with the artist’s consent or that of his estate. After a model by Jean-Baptiste Carpeaux (French, 18271875) This heading indicates that in our qualified opinion the work is a copy of the artists model and not connected in any way with the artist or his estate.

A George III sterling silver dinner plate by George Parker and Edward Wakelin, London 1770 This heading states that in our opinion, this piece was made in the workshop of the master(s) or struck with his sponsor’s mark prior to retailing and hallmarked at the London Assay Office in the assaying year stated. A George III sterling silver dinner plate apparently without maker’s mark or maker’s mark rubbed circa 1770 This heading states that in our opinion, this piece was made during the specified monarch’s reign and is unmarked, or illegibly marked. A George III sterling silver dinner plate bearing marks of George Parker and Edward Wakelin, London 1770 This heading states that in our opinion, this piece this piece was made during the specified monarch’s reign, though maker’s attribution and exact date are questionable. There are variations to the dating systems within the British Isles and in other countries. Please note the weights listed in this catalog are approximate.

Paintings Authorship (Artist) In our best judgment, is by the named artist. (No unqualified statement as to authorship is made or intended.) Attributed to (Artist) In our best judgment a work of the period and in the style of the artist; may be the work of the artist, in whole or in part, but less certainty of authorship than in the preceding category. Studio of (Artist) In our best judgment a work by an unknown hand working in the artist’s studio. Circle of (Artist) In our best judgment a work of the period of the artist and closely related to the artist’s style.

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Glossary (cont.) Follower of (Artist) In our best judgment a work by an artist working in the artistâ&#x20AC;&#x2122;s style, in his lifetime or shortly thereafter.

Title If there is a generally accepted title of the lot, that title is given at the beginning of the description. If the work does not have a title or the title is not known to us, a descriptive title is given.

with one or more of these treatment or enhancements. Therefore we would like to remind all prospective buyers that unless otherwise noted in the catalog, the buyer should assume that one or more of these treatments is present in the described gem material and may or may not be permanent or detectable. When Andrew Jones Auctions has obtained additional information from a reputable, recognized laboratory or external source, we will commonly include the findings in our catalog description as additional information to prospective buyers. Various laboratories exist for these types of reports and findings may or may not be in agreeance with each other. Therefore, Andrew Jones Auctions makes no guarantees as to the accuracy or consistency of these reports and/or findings, but rather we provide this information to our clients in order to assist them in making determinations for bidding purposes.

Signature Signed The signature is, in our opinion, the signature of the artist.

Special Notice to Prospective Watch and Timepiece Buyers:

Manner of (Artist) In our best judgment a work in the style of the artist, possibly of a later date. After (Artist) In our best judgment a copy of the known work by the artist.

Bears Signature Has a signature which, in our opinion, might be the signature of the artist. The signature, inscriptions and dates are transcribed in print as they appear.

Condition No statement is implied or intended regarding the imperfections or general condition of a work. If you have questions on the condition of a piece, we would be glad to provide an opinion for guidance only. Condition reports may not include all adaptations, alterations or faults. Our staff are not professional conservators or restorers. Condition reports are not an alternative to examining a lot in person or obtaining your own professional advice. Andrew Jones Auctions will not be liable for failure to furnish a condition report. Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Andrew Jones Auctions accepts no liability for damage or loss to frames while in storage. As stated in paragraph 7 of our Terms & Conditions of Sale, Andrew Jones Auctions is not responsible for loss damage of any kind or to frames or any other item when in the possession of a third-party shipper or any unaffiliated individual or collection service.

Special Notice to Prospective Jewelry Buyers: Prospective jewelry bidders should exercise caution. Diamonds and gemstones commonly undergo various type of treatments, including but not limited to: heat treatment, irradiation, oiling, bleaching and/or dyeing, resin and/or polymer impregnation, diffusion, fracture filling, laser drilling, high temperature high pressure (a.k.a. HTHP) and coating with wax or other compounds. These represent some of the treatments which are common in the industry and are generally considered acceptable. While Andrew Jones Auctions endeavors to disclose the most noteworthy of these, many treatments are not listed in the catalog as many gemstones are regularly treated

Prospective watch and timepiece bidders should exercise caution. While Andrew Jones Auctions offers a short description of the piece, the catalog notes and condition reports are not intended to be a complete analysis of the condition of any watch or timepiece. All watches and timepieces offered at auction are often of age and have received much wear during their lifetime. All watches and timepieces are to be sold in â&#x20AC;&#x2DC;as isâ&#x20AC;&#x2122; condition and we encourage bidders to evaluate the piece in person prior to bidding.

CITES: Some materials such as coral, shell, horn and bone (to name a few) are subject to import/export regulations in compliance with CITES. Items containing a material listed under CITES protection may require additional licenses or be banned completely from import or export to and from the US and other countries.

BURMA: In accordance with the current US restrictions, import into the US of materials which originated from Burma during the tenure of this restriction (most notably jade and ruby) is not permitted. In either of these above mentioned cases concerning CITES, Burmese or any restricted material, it is the responsibility of the buyer to obtain any necessary licenses or documentation that is required to ship any materials that fall under these legal restrictions. Failure to obtain permission or licenses to import or export items purchased at auction does not justify cancellation of sale or delay in payment settlement.

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Conditions of Sale Conditions of Sale 1. Unless otherwise indicated, Andrew Jones Auctions, is acting as an agent for the seller (consignor). 2. The ‘bid price’ refers to the highest bid acknowledged by the auctioneer. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his or her absolute discretion and in the event of any dispute between bidders to determine the successful bidder or to reoffer and resell the lot in dispute. If any dispute arises after the sale, Andrew Jones Auctions sale record shall be conclusive in all respects. 3. The ‘purchase price’ is the sum of the final bid (hammer price) plus the buyer’s premium and applicable sales tax, unless the buyer is exempt by law from such taxes. The buyer’s premium per lot is 25% on the first $500,000; 18% on the amount between $500,001 and $2,000,000; 12% on any amount above $2,000,000. Bidders using online bidding platforms will be subject to an additional 5% premium. 4. Payment must be received by Andrew Jones Auctions within three business days following the auction. We accept cash, bank wire transfers, checks and credit cards. All payments made by personal check will be subject to clearance before purchases can be collected. Buyers who have not purchased from Andrew Jones Auctions previously will be asked to provide photo identification, method of payment and/or financial references prior to the auction. Buyers outside of the United States must submit payment via wire transfer. 5. Buyers shall not take possession of any lot until all amounts due to Andrew Jones Auctions have been paid in full. After payment has cleared, packing material and loading assistance are provided free of charge. Please note that this assistance is offered as a courtesy to our clients, however, Andrew Jones Auctions will not be held liable for damage to property, regardless of cause, during this service. 6. All lots must be removed within fifteen days of the date of the auction or storage charges of $10/day will be charged for each lot, or property will be sent to offsite storage at the buyer’s expense. If property is not collected within ninety days, it will be considered abandoned and Andrew Jones Auctions reserves the right to retain any payments made and to sell the property in order to recover storage fees. 7. Andrew Jones Auctions does not have in-house shipping services; however, we can provide you with information on third-party shippers for you to contact directly. Andrew Jones Auctions is not responsible for the services provided by third-party shippers. 8. Upon fall of the hammer, title to any offered lot will immediately pass to the highest bidder, subject to compliance by the buyer with these Conditions of Sale. The buyer assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase and agrees to pay the full purchase price.

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9. We reserve the right to withdraw, postpone or cancel any lot or sale before or during the auction for any reason. 10. No lot may be transferred. 11. All property is sold AS-IS. Andrew Jones Auctions, its agents, employees and the consignor, make no warranty or guarantee of title, merchantability or fitness for a particular purpose, or other warranty or representation regarding the description, authenticity, attribution, period, culture, source, origin, provenance, age, size or condition. 12. Andrew Jones Auctions offers absentee, telephone and internet bidding as a convenience to clients and does not accept responsibility for errors or failure to execute bids for any reason. Internet bidding is offered through third-party online bidding platforms. 13. Unless otherwise stated, lots offered may be subject to a reserve. The reserve is a price that we cannot sell an item below. This price is confidential between Andrew Jones Auctions and the seller. By law, the reserve cannot exceed the low estimate of any given lot. The auctioneer will protect the reserve on behalf of the seller by opening bidding or advancing bidding until reaching the reserve. 14. The copyright on all images, illustrations, digital images and text of any catalog produced by Andrew Jones Auctions are the property of Andrew Jones Auctions. You will not reproduce such text, photographs, illustrations or digital images without our prior written consent. 15. In the event that delivery cannot be made to the buyer because of loss due to fire, theft or any other reason, or a sale cannot be completed, our liability will be limited to the purchase price. 16. Condition reports are offered as a courtesy to our clients and are a statement of opinion and should not be treated as a statement of fact. Andrew Jones Auctions is not responsible for any error or omission. The absence of a condition report on an item does not imply the lot is in perfect condition or free from typical wear or effects commensurate with age. Buyers are responsible for determining to their own satisfaction the condition of any lot prior to bidding. 17. The respective rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction shall be governed by and construed, interpreted, applied and enforced in accordance with the laws of the State of California. By bidding at auction, be it in person or by agent, absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the jurisdiction of the courts of California.

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General Notice: This auction will be conducted in accordance with Andrew Jones Auctions Conditions of Sale. Please read the COS in conjunction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price, any applicable fees and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

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By providing your email address you authorize Andrew Jones Auctions to send you news and sale announcements. Andrew Jones Auctions does not sell, share or trade email addresses. Notice to new bidders: New clients are required to provide proof of ID (i.e., driver’s license, ID card, passport), as well as proof of address (i.e., utility bill, bank or credit card statement etc.). For higher value lots you may be asked to provide a bank reference. If you do not have a purchase history with Andrew Jones Auctions, you may be required to leave a refundable deposit to bid. If you are not the high bidder your deposit will be returned within 24 hours of the sale date. *Clients with company accounts will be required to provide additional information. Notice to absentee bidders: Bids will be rounded down to the nearest increment. Andrew Jones Auctions will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids. All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not accepted form of payment for buyers outside of the United States.

Lot Number

General Bid Increments: $20-200…………………………..by 20s $200-1000………………….........by 50s $1000-2000………………...........by 100s $2000-5000………………………by 200s $5000-10,000……………………by 500s $10,000-20,000……………........by 1000s $20,000-50,000 …………...........by 2000s $50,000-100,000………………..by 5000s $100,000-200,000………………by 10,000s $200,000-500,000………………by 20,000s Above $500,000 at the auctioneer’s discretion The auctioneer has absolute discretion to split the bids at any time. Please email or fax this completed Registration form to: Email: info@andrewjonesauctions.com Fax: (213) 748-8018 Tel: (213) 748-8008

Description

Max Bid in US$ (excluding premium & tax)

By signing this form, I agree that I have read Andrew Jones Auctions Conditions of Sale and shall be legally bound by them. This affects my legal rights. Signature:

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To be offered September 15, Jewelry, Watches and Timepieces

1. Buccellati: A sapphire, diamond and 18K bi-color gold bangle

signed Buccellati; width 1in., diameter 2 1/4in. (oval); gross weight approximately 114.2 grams.

Estimate: $8,000-$12,000

2. A diamond and platinum ring

gross weight approximately 13.1 grams; size 5 Â˝

Estimate: $90,000-$125,000

3. A French Art Deco silver, enamel and agate desk timepiece retailed by Tiffany & Co., circa 1930 diameter 4 1/2in (11.5cm)

Estimate: $2,000-$3,000

Upcoming 2020 auctions, consignments now invited

INQUIRIES Aileen Ward 213.212.6832

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