Official Festival catalog 2017 by Festival Animanima

5-9. septembar 2017. Dom kulture Čačak, SRBIJA

2017, September 5-9 Cultural Center Cacak, SERBIA

5-9. septembar 2017. Dom kulture Čačak, SRBIJA 2017, September 5-9th Cultural Center Cacak, SERBIA

www.animanima.org

Sadržaj / Contents

Uvod / Introduction................................................................................................................4 Žiriji / Juries.............................................................................................................................6 Glavni takmičarski program / Main Competition Programme................................... 10 Posebni program / Special programme Od crtkarija do piksela: Više od jednog veka španske animacije / From Doodles to Pixels: Over a Hundred Years of Spanish Animation.........................36 Posebne projekcije / Special Screenings Portret animatora: Bruno Boceto / A Portrait of an Animator: Bruno Bozzetto...............52 Dugometražni dokumentarni film: Bozzetto Non Troppo / Feature documentary film: Bozzetto Non Troppo............................................................. 54 Škola animacije: Akademija umetnosti i dizajna Besalel / Animation School: Bezalel Academy of Arts and Design...............................................56 Kamera je na pauzi: Stiven Vološin / Camera Takes Five: Steven Woloshen.............. 58 Savremena animacija Grčke / Greek contemporary animation...................................60 Blago arhiva: Srpska animacija 1925-1968 / Treasure of Archives: Serbian Animation 1925-1968..................................................... 62 STASH THIS!........................................................................................................................... 64 Animanima za decu / Animanima for Children Takmičenje filmova za decu / Films for Children Competition..................................... 66 Grozomorne rime / Revolting Rhymes............................................................................. 78 Svetska panorama / World Panorama ...........................................................................80 Dugi metar / Feature Films Crvena kornjača / The Red Turtle...................................................................................... 88 Psihonauti, zaboravljena deca / Psychonauts, the Forgotten Children......................90 Moj život kao Tikvica / My Life as a Zucchini................................................................... 92 Predavanja i prezentacije / Lectures & Presentations...............................................94 Radionice / Workshops.....................................................................................................96 Prateći programi / Side events Izložbe / Exibitions..............................................................................................................98 Koncert / Concert.............................................................................................................. 101 Indeks / Index....................................................................................................................102 Podrška / Support.............................................................................................................. 114

ANIMANIMA 2017

Uvod

ANIMANIMA BROJ 11: SVI SMO TU! Animacija je sveprisutna slikovna forma modernog doba, reći će poznati teoretičar i estetičar Pol Vels. I dodaće: animacija je svuda oko nas. Animanima nas svaki put podseća na to. I u svom 11. izdanju, glavni takmičarski program sa svojih četrdesetak filmova autora iz 24 zemlje ponudiće iskristalisani presek savremene svetske scene.

Milen Alempijević, umetnički direktor / art director

Specijalni program koji će obeležiti ovogodišnju Animanimu zasigurno je Od crtkarija do piksela: Više od jednog veka španske animacije. Osam projekcija, od najranijih radova, Zlatnog pauka iz 1908. godine Segunda de Ćomona, do savremenih autora, poput Đosija Malisa i njegovog Bendito Machine. Kustoskinja ovog programa kog je prošlog septembra videla i publika u Muzeju modernih umetnosti u Njujorku (MoMA), Karolina Lopes Kabalero iz Barselone, predstaviće svoj značajni projekat i predvoditi Animanimin međunarodni žiri. Iz Kanade nam stiže Stiven Vološin, znalac ručnih i analognih filmskih tehnika, autor brojnih filmova nastalih direktnim intervencijama na filmskoj traci. Master klas i radionica ovog autora koji već godinama daje svoj osoben ritam svetskoj nezavisnoj sceni su nešto što ne smete propustiti. Po prvi put na Animanimi predstavljamo specijalni program posvećen savremenoj animaciji Grčke, a u okviru programa Škola u gostima, sa velikim zadovoljstvom prikazaćemo filmove talentovanih diplomaca najprestižnije izraelske umetničke akademije Besalel iz Jerusalima. Animanima ove godine u programu Portret animatora odaje počast italijanskom doajenu za koga je Dajana Dizni rekla da je legenda poput njenog oca, Brunu Bocetu. Osim izbora iz bogatog opusa, gledaćemo i dokumentarni film Marka Bonfantija o ovom poznatom evropskom i svetskom animatoru, Bozzetto non troppo. Dugometražni program, prava poslastica, filmovi Psihonauti, zaboravljena deca Španaca Alberta Vaskeza i Pedra Rivera, remek-delo Mihaela Dudoka de Vita Crvena kornjača, kao i predivni Moj život kao tikvica, za najmlađe gledaoce. Za tu novu, buduću vernu publiku pripremili smo i Grozomorne rime, animirani film iz dva dela londonskog studija Magic Light Pictures, nastao po istoimenoj knjizi bajki omiljenog pisca Roalda Dala. Neizostavno, tu su i radionice animacije, izložbe, kao i koncert, ovog puta nešto zaista posebno za ljubitelje modernog džeza. Ako ste prethodnih deset godina bili stalni posetilac Animanimih programa, verujemo da će vas i 11. festivalsko izdanje jednako motivisati i privući animiranim ostvarenjima zbog kojih Animanimini septembarski dani ostaju uvek poseban datum u toku godine. Ako umetnost animiranog filma tek otkrivate, s radoznalošću i zadivljenošću nekoga pred kim se otvaraju neobični svetovi, Animanima je pravo mesto za vas. Dakle, svi smo tu!

Introduction

ANIMANIMA 2017

ANIMANIMA No 11: WE’RE ALL HERE! Animation is an omnipresent pictorial form of the modern time, says the distinguished theorist Paul Wells, adding that animation is everywhere around us. Of this fact we are constantly reminded by Animanima. In its 11th edition, the main competition programme and its forty-or-so films by authors from 24 countries are bound to offer a crystal-clear cross-section of the contemporary global scene. The special programme which will mark this year’s edition of Animanima will no doubt be From doodles to pixels: over a century of Spanish animation. With its eight collections, from the earliest works such as L’Araignée d’or (Golden Spider) from 1908, a film by Segundo de Chomon, to the contemporary artists such as Jossie Malis and his Bendito Machine. The curator of this programme, which was seen last September by the audience in the Museum of Modern Art in New York (MoMA), Carolina López Caballero from Barcelona, will present her major project and also be a head of the International Jury of the Animanima festival. Steven Woloshen, coming from Canada, is the expert of manual and analogue film techniques, author of numerous films made through a direct impact on the film stock. The master-class and the workshop held by this author, who for many years now has contributed his unique rhythm to the global independent scene, are a must-see for everyone. For the first time at Animanima, we have a pleasure of presenting the special programme dedicated to the contemporary animation of Greece, while our Visiting School programme will present us with an opportunity to see films by talented graduates of the most prestigious Israeli art school – the Bezalel Academy from Jerusalem. In this year’s Portrait of an Animator, Animanima honours the Italian doyen Bruno Bozzetto, whose legendary status was acknowledged by Diana Disney, who compared him to her father. In addition to selected pieces from his rich opus, we will have an opportunity to see Bozzetto non troppo a Marco Bonfanti’s documentary about this European and world famous animator. The programme of feature films is a real treat, including works such as Psychonauts, the Forgotten Children by the Spanish authors Alberto Vázquez and Pedro Rivero, a master-piece of Michael Dudok de Wit, The Red Turtle, as well as the beautiful My Life as a Zucchini, for the youngest viewers. For these future Animanima loyal audience, we have also prepared Revolting Rhymes, animated film by the London-based Magic Light Pictures studio, inspired by the fairy tale of the same title, written by children’s favourite writer, Roald Dahl. And this is not all, there are the inevitable animation workshops, exhibitions and the concert – this time something really special for the lovers of modern jazz. If you are one of our regular visitors who have come to Animanima for the past ten years, we believe that our 11th edition will be equally motivating, offering attractive animated releases which make the September days of Animanima a truly special event of the year. If you happen to be making your first steps in the world of animation, spurred by the curiosity to explore wonderful new worlds, Animanima is the right place. So, we’re all here!

ANIMANIMA 2017

Žiri / Jury

Glavni program / Main programme

Carolina López Caballero Španija / Spain

Karolina je direktor Animac LLeida, međunarodne smotre animacije u Kataloniji, i bioskopa Xcèntric u Centra za savremenu kulturu u Barseloni (CCCB). Završila je studije slikarstva na Univerzitetu u Barseloni, a studije animacije na koledžu Vest Sari u Engleskoj. Osnovala je 1993. Anima't, odeljak za animaciju festivala Sitges u Kataloniji. Radila je za MTV u Majamiju, izrađivala sopstvene kratke animirane filmove i režirala reklame. Uređivala je filmski program Muzeja savremene umetnosti u Barseloni i Gugenhajm muzeja u Bilbau. Bila je kustos izložbe Metamorphosis, the Fantastic Visions of Starewitch, Švankmajer and the Quay Brothers, u produkciji CCCB i La Casa Encendida (Madrid), i filmskog serijala Od crtkarija do piksela: više od jednog veka španske animacije (uključujući i DVD izdanje), prikazanog na festivalu u Ansiju (Francuska) i u Muzeju moderne umetnosti (MoMA) u Njujorku. Carolina is director of Animac LLeida, the International Animation Show of Catalonia, and Xcèntric, the cinema of Centre of Contemporary Culture of Barcelona (CCCB). She graduated Fine Arts at the University of Barcelona and animation at West Surrey College in England. In 1993 she created Anima’t, the animation section of the Sitges film festival of Catalonia. She has worked for MTV in Miami, produced her own shorts and directed commercials. She has programmed film content for Museum of Contemporary Art of Barcelona and Guggenheim Museum in Bilbao. Carolina has curated an exhibition Metamorphosis, the Fantastic Visions of Starewitch, Švankmajer and the Quay Brothers produced by CCCB and La Casa Encendida (Madrid) and the film series From Doodles to Pixels. Over a Hundred Years of Spanish Animation (also the DVD-book edition) screened at the Annecy Festival (France) and MoMA (NY, USA).

ANIMANIMA 2017

Žiri / Jury

Tal Gadon

Vassilis Kroustallis

Izrael / Israel

Grčka / Greece

Tal Gadon (1973) je šef katedre za animaciju na Odseku za ekranske umetnosti akademije Besalel u Jerusalemu, Izrael. Tal Gadon je jedan od najpoznatijih izaelskih reditelja animacije i animatora. Radeći u tehnikama tradicionalne i cut-out animacije, Tal je učestvovao u izradi poznatih animiranih filmova poput Valcer sa Baširom (Waltz with Bashir) kao glavni animator, Kongres (The Congress), i mnogim drugim animiranim serijama, kratkim animiranim filmovima i reklamama. Kao viši predavač na akademiji Besalel, Tal je podučavao generacije studenata, od sticanja osnova u samostalnoj animaciji, do diplomskih radova.

Novinar u oblasti animiranog filma, nezavisni autor i predavač. Nakon studija klasične filozofije u Grčkoj i Velikoj Britaniji, završio je postdiplomske studije u oblasti filmskog žurnalizma na univerzitetu u Glazgovu, Škotska. U sklopu svog istraživačkog rada objavljivao je stručne i naučne radove o filmu i animaciji. Od 2011. godine, Vasilis je glavni urednik portala Zippy Frames posvećenog evropskoj i nezavisnoj aimaciji. Pored angažovanja na mestu umetničkog direktora festivala animacije Be there! na Krfu (6. izdanje: april 2017.), nastupao je kao član žirija na mnogim međunarodnim fetivalima animacije i obavlja funkciju grčkog ambasadora za Evropske nagrade za animaciju. Trenuto završava doktorski rad na temu savremene evropske dugometražne animacije (Univerzitet Ionian, Grčka) i radi na produkciji novog kratkog animiranog filma The Sea-Tranced Isle rediteljke Efi Papa.

Tal Gadon (born 1973) is a Head of animation studies at the screen-based arts department, Bezalal academy Jerusalem, Israel. Tal Gadon is a leading Israeli animation director and animator. Focusing in traditional and cut-out animation, Tal had taken part in famous animation films such as Waltz with Bashir (lead animator), The congress, and in many other animation series, shorts and commercials. As a senior lecturer at the Bezalel academy, Tal had tutored generations of students, from the medium’s fundamentals to their graduation films.

Animation journalist, professional and scholar. His classical and philosophical studies in Greece and UK were supplemented by a Postgraduate Certificate in Film Journalism from University of Glasgow (UK). His research activities include scholarly articles about film and animation. Since 2011, he has been the Head editor of Zippy Frames, an animation portal on European and independent animation. He is the artistic director of Be there! Corfu Animation Festival (6th edition: April 2017), and has served as jury member in many international animation festival. He serves as the Greek Ambassador at the European Animation Awards, and also currently writing his PhD thesis on contemporary European feature animation (Ionian University, Greece). He is producing the upcoming animated short The Sea-Tranced Isle (directed by Effie Pappa).

ANIMANIMA 2017

Žiri / Jury

Filmovi za decu / Films for Children

Olga Bobrowska Poljska / Poland

Olga Bobrovska (rođena 1987. godine) je na doktorskim studijama u oblasti filmskih studija na Jagelonskom univerzitetu u Krakovu, sa specijalizacijom u oblasti klasičnog kineskog animiranog filma. Pored toga, Olga je autor akademskih radova na temu poljske i kineske animacije i angažovana je kao direktor StopTrik International Film Festival (Slovenija/Poljska), festivala posevećenog stop motion animaciji, kustos programa animacije koji se prezentuju na festivalima u Poljskoj, Sloveniji i Hrvatskoj, a isto tako i saradnik festivala Animateka (Ljubljana) i Etiuda&Anima (Krakov). Godine 2016. bila je jedan od uredniika monografije Opsesija. Perverzija. Pobuna. Uvrnuti snovi animacije Centralne Evrope. Olga Bobrowska was born in 1987. She is a Ph.D. candidate in Film Studies at Jagiellonian University, Kraków, specialized in classic Chinese animated film and an author of academic articles on the subjects of Polish and Chinese animation. She is the festival director of StopTrik International Film Festival (Slovenia/Poland), a festival dedicated to stop motion animation, the curator of animation programmes presented at festivals in Poland, Slovenia and Croatia and a collaborator of the festivals Animateka (Ljubljana) and Etiuda&Anima (Kraków). In 2016 she co-edited the monograph Obsession Perversion Rebellion. Twisted Dreams of Central European Animation.

ANIMANIMA 2017

Žiri / Jury

Timon Leder

Milan Milosavljević

Slovenija / Slovenia

Srbija / Serbia

Timon radi kao animator i pedagog. Akademsko znanje animacije unapredio je u francuskoj školi za režiju animacije La Poudriere. Njegov studentski rad, kratki animirani film Work (u saradnji sa Urbanom Breznikom), videla je publika na više od 30 festivala širom sveta, dok se Weasel, njegov debitantski animirani film, upravo prikazuje na međunarodnoj sceni. Tokom studija, izradio je veliki broj animiranih filmova i učestvovao u kao animator u izradi drugih. Pored toga, autor je diplomskog rada na temu dečje percepcije filmskog jezika i saradnik na izradi prvog priručnika za animaciju za škole i obdaništa. Trenutno predaje 2D animaciju na Umetničkoj akademiji u Novoj Gorici, dok je od 2011. godine održao veliki broj radionica, u ukupnom trajanju od gotovo 20 sedmica.

Rođen u Rumi, 1980. godine. Diplomirao arheologiju na Filozofskom fakultetu Univerziteta u Beogradu. Zajedno sa Draganom Cakićem, osnovao je 2005. godine Nezavisni filmski centar Vorki Tim, u znak sećanja na čuvenog filmskog umetnika Slavka Vorkapića. Od 2009. uređuje i organizuje programe Akademskog filmskog centra Doma kulture „Studentski grad“ u Beogradu. Zadužen je za produkciju i organizaciju Evropskog festivala animiranog filma Balkanima i festivala Alternative Film/Video. Autor je kratkih igranih, eksperimentalnih i dokumentarnih filmova.

Timon works in animation and pedagogy. He upgraded his academic knowledge at animation direction school in France La Poudriere. His student animated short Work (with Urban Breznik) circled the world in more than 30 festivals, his debutant short film Weasel is circling the world now. During his studies, he created many animated shorts and animated many others, wrote a degree on children’s comprehension of film language, and cooperated on creation of the first manual on animation for schools and kindergardens. Currently he teaches 2d animation at the Academy of art in Nova Gorica, and since 2011 mentored almost 20 week-long animation workshops.

Born in Ruma, Serbia in 1980. Graduated Archaeology at Faculty of Philosophy, University of Belgrade. In 2005, together with Dragan Cakic, established Independent Film Center “Vorky Team”, dedicated to the memory of a famous film artist Slavko Vorkapich. Since 2009 works as a program director and organizer at the Academic Film Center (AFC) of Cultural Center “Studentski grad” in Belgrade. In charge of production and organization of European Animated Film Festival Balkanima and Alternative Film/Video Festival. Author of short fiction, experimental and documentary films.

ANIMANIMA 2017

Takmičenje 01 / Competition 01

Takmičenje 01 / Competition 01 Sreda, 6.9.2017, Velika sala, 18:00 / Wednesday, 6.9.2017, Grand Hall, 6:00 pm

Darel Darrel

9 načina da nacrtate nekog 9 Ways to Draw a Person

Razmena pogleda u metrou. Koliko prilika si do sada propustio? Darel će dati sve od sebe da mu ova ne izmakne...

Kombinujući apstrakciju, kolaž i crtanu animaciju, autor nas poziva u spontano i nesistematično istraživanje mogućnosti animacije i vodi nas u svet neobuzdane mašte.

Exchange of glances in the metro. How many opportunities have you let slip? Darrel will do everything possible to not let escape this one...

By mixing abstraction, collage, drawing animation the author invites us into a spontaneous and unsystematic research of potential of the animation and leads us into the world of irrepressible imagination.

Španija / Spain, 2016, 3:00

Rusija / Russia, 2016, 6:29

3D kompjuter / 3D Computer

2D kompjuter, kombinovana tehnika / 2D Computer, Mixed technique

Režija / Direction: Marc Briones, Alan Carabantes Scenario / Script: Marc Briones, Alan Carabantes Animacija / Animation: Marc Briones, Alan Carabantes, Nacho Conesa, Raúl Aguilar, Alejandro Ruz, David

Cordero, Nacho Maure, Rafael Cano Montaža / Editing: Marc Briones, Alan Carabantes Dizajn zvuka / Sound design: Marc Briones, Alan Carabantes Produkcija / Production: Daniel Martínez Marc Briones www.promofest.org/films/darrel info@promofest.org

Izvorni naslov / Original title: 9 sposobov narisovaty cheloveka Režija / Direction: Sasha Svirsky Scenario / Script: Sasha Svirsky Animacija / Animation:

Sasha Svirsky Montaža / Editing: Sasha Svirsky Dizajn zvuka / Sound design: Alexey Prosvirnin Produkcija / Production: Nadezhda Svirskaia Nadezhda Svirskaia www.sashasvirsky.ru tanzonk@gmail.com

ANIMANIMA 2017

Takmičenje 01 / Competition 01

Napraviti vatru To Build a Fire

Životni ciklus Life Cycles

Obeležavajući sto godina od smrti Džeka Londona, autor Fx Goby je adaptirao “Napraviti vatru”, poznatu priču američkog pisca, u animirani film, donoseći tragičnu pripovest o čoveku i njegovom psu koji pokušavaju da prežive u divljoj prirodi Jukona.

Posmatračko istraživanje rutine, monotonije, pažnje i rasejanosti. Hoćemo li nastaviti da dopuštamo događajima da prolaze pored nas neometano, ili ćemo odlučiti da prekinemo ciklus?

To commemorate the 100th anniversary of Jack London’s death, filmmaker Fx Goby adapts “To Build a Fire”, the famous novel of the American author in an animated short telling the tragic tale of a man and his dog trying to survive in the hostile nature of the Yukon Territory.

An observational exploration of routine, monotony, attention and distraction. Will we continue to let events pass us by uncontested, or will we decide to break the cycle?

Francuska / France, 2016, 13:00

Škotska / Scotland, 2016, 4:17

2D kompjuter / 2D Computer

Crtež, slika / Drawing, painting

Režija / Direction: Goby Fx Scenario / Script: Fx Goby from Jack London’s novel Animacija / Animation: Christian Boving Andersen

Montaža / Editing: Goby Fx Dizajn zvuka / Sound design: Barnaby Templer Produkcija / Production: Composite Films

Samuel François-Steininger sfs@compositefilms.fr

Režija / Direction: Ross Hogg Animacija / Animation: Ross Hogg Dizajn zvuka / Sound design: Keith Duncan

Produkcija / Production: Ross Hogg

Ross Hogg www.rosshogg.com ross@rosshogg.com

ANIMANIMA 2017

Takmičenje 01 / Competition 01

Ćelava budućnost The Bald Future

Lutke ne plaču Dolls Don’t Cry

Biti ćelav muškarac je loše. Znati da ćeš postati jedan od njih, još je gore.

Muškarac i žena rade na animiranom film. On animira danju, ona pravi i popravlja pribor noću. Iza scene, jedna žena čeka svoj ulazak.

Being a bald man sucks. Knowing you’ll become one is worse.

A man and a woman are involved in the production of an animated film. He animates by day, she makes and repairs the accessories at night. Behind the scenes, a woman is waiting for her entrance.

Francuska / France, 2016, 5:30

Kanada / Canada, 2017, 20:00

2D kompjuter / 2D Computer

Lutke / Puppets

Izvorni naslov / Original title: Le futur sera chauve Režija / Direction: Paul Cabon Scenario / Script: Paul Cabon Animacija / Animation: Paul Cabon Montaža / Editing: Paul Cabon

Dizajn zvuka / Sound design: Kevin Feildel, Bertrand Boudaud, Jeremy Clousier, Yann Legay Produkcija / Production: Wag Prod

Yann Legay www.wagprod.fr production@wagprod.com

Izvorni naslov / Original title: Toutes les poupées ne pleurent pas Režija / Direction: Frédérick Tremblay Scenario / Script: Frédérick Tremblay Animacija / Animation: Frédérick Tremblay

Montaža / Editing: Frédérick Tremblay Dizajn zvuka / Sound design: Frédérick Tremblay, Bruno Bélanger Produkcija / Production: Pierre Lesage

Frédérick Tremblay chlingbing@gmail.com

ANIMANIMA 2017

Takmičenje 01 / Competition 01

Čandranov kafe Chandran’s Cafe

Bio dvaput jedan kralj Twice Upon a Time

Dobro došli u Čandranov kafe, koji vode Meri i njen muž Čandran... na Mesecu.

Priča o kralju koji ima podvojenu ličnosti i živi u podvojenom vremenu. Jedna polovina predstavlja Kralja Pesnika, poetičnog vođu, dok druga pripada Kralju Ratniku, neustrašivom borcu. Oni dele istu svest, ali očajnički pokušavaju da se reše jedan drugoga. Dualna prirodi stvari i kraljeva i o tome kako su nastale karte.

Welcome to Chandran’s café, run by Mary and her husband Chandran... on the Moon.

A fairy tale about a king with split personality, split time and a split screen. One half of the King represents a crude but fearless warrior, while the other half of his is a poet of graceful manners. They share their conscience, but desperately want to get rid of each other. Dual nature of kings and things and how playing cards came to be. Francuska / France, 2016, 4:13

Srbija / Serbia, 2017, 14:10

Crtež / Drawing

3D kompjuter / 3D Computer

Režija / Direction: Krishna Chandran A. Nair Montaža / Editing: Myriam Copier Dizajn zvuka / Sound design: Christine Webster

Produkcija / Production: La Poudrière - École du Film d'Animation

Véronique Fournier-VItali www.poudriera.eu assist.direction@poudriere.eu

Izvorni naslov / Original title: Bio dvaput jedan kralj Režija / Direction: Vojin Vasović Scenario / Script: Vojin Vasović Animacija / Animation: Vojin Vasovic, NIkola Stepkovic, Snezana Cubrilovic, Mladen Nikolic

Montaža / Editing: Vojin Vasović Dizajn zvuka / Sound design: Vladimir Kerkez Produkcija / Production: To Blink Studio, Plan 9

Vojin Vasović www.toblinkanimation.com vojin@toblinkanimation.com

ANIMANIMA 2017

Takmičenje 02 / Competition 02

Takmičenje 02 / Competition 02 Sreda, 6.9.2017, Velika sala, 21:00 / Wednesday, 6.9.2017, Grand Hall, 9:00 pm

Stanje duha Mind Frame

Umetnik i huligani Artist and Hooligans

Frajd radi sa tušem, belilom i kafom stvarajući halucinantne prizore, preoblikujući i snimajući slike iznova i iznova da bi kreirao animaciju koja izvitoperuje svest dok nastaje suludom brzinom.

Zločeste manipulacije sa slikama umetnika Vojtehovskog. Mischievous manipulations with the artist’s Voitsekhovsky paintings.

Fried works with ink, white-out and coffee to generate hallucinatory vistas, modifying and shooting the images over and over to create a mind-bending animation that evolves at a frenzied pace.

SAD / USA, 2016, 1:00

Rusija / Russia, 2016, 11:33

Ručno crtana animacija tušem, belilom i kafom / Hand-drawn animation with ink, white-out and coffee

Isečci / Cut-outs

Režija / Direction: Jake Fried Scenario / Script: Jake Fried Animacija / Animation: Jake Fried

Dizajn zvuka / Sound design: Jake Fried Produkcija / Production: Jake Fried

Jake Fried www.inkwood.net jakejfried@gmail.com

Izvorni naslov / Original title: Khudozhnik i khuligany Režija / Direction: Ivan Maximov Scenario / Script: Ivan Maximov, Anna Romanova Animacija / Animation: Ivan Maximov, Svetlana Razgu-

lyaeva, Liza Skvortsova, Roman Efremov, Svetlana Matrosova Montaža / Editing: Ivan Maximov Dizajn zvuka / Sound design: Marat Faizullin Produkcija / Production: School-Studio "SHAR" Anna Ostalskaya www.sharstudio.com sharstudia@gmail.com

ANIMANIMA 2017

Takmičenje 02 / Competition 02

Ježeva kuća Hedgehog’s Home

Trubač Trumpet Man

Ježeva nepokolebljiva odanost svome domu nervira nezasite zveri koje kreću u pohod ka njegovoj kući gde dolazi do uzbudljivog obračuna. Snimljena prema klasičnoj poemi Branka Ćopića, Ježeva kuća je topla priča za mlade i stare koja nas podseća da uistinu nema mesta kao što je dom.

Iz gramofona je izašla žena po imenu Avokado. Njen instinct stvorio je muškarca poi imenu Duša. Iznenadna strast spaja ih i njiše u raspoloženju trube...

Hedgehog’s unwavering devotion to his home annoys a quartet of insatiable beasts. They march off towards Hedgehog’s home and spark a tense standoff. Based on the classic story by Branko Ćopić, Hedgehog’s Home is a warm tale for young and old that reminds us there truly is no place like home.

A turntable springs out a woman named Avocado, out of Avocado’s instinct creates a man called Soul. A sudden passion joins and swings them in a trumpet mood...

Kanada / Canada, 2017, 10:00

Hong Kong / Hong Kong, 2016, 14:00

Stop motion, lutka / Stop motion, puppets

Stop motion

Izvorni naslov / Original title: Ježeva kuća Režija / Direction: Eva Cvijanović Scenario / Script: Eva Cvijanović Animacija / Animation: Ivana Bošnjak, Thomas Johnson, Eva Cvijanović

Montaža / Editing: Eva Cvijanović, Iva Kraljević Dizajn zvuka / Sound design: Olivier Calvert Produkcija / Production: National Film Board of Canada

Vanja Andrijevic www.bonobostudio.hr vanja@bonobostudio.hr

Režija / Direction: Emily Wong Scenario / Script: Emily Wong Animacija / Animation: Emily Wong

Produkcija / Production: Raoul Brand & Peter Warnock

David M. Lorenz www.augohr.de david@augohr.de

ANIMANIMA 2017

Takmičenje 02 / Competition 02

Tok govora Float talk

Praznina The Gap

U uglu parka nalazi se prostor sa nula gravitacijom, zvani “rupa”. Jednog dana Hivu poziva Touko, njena prijateljica iz detinjstva da dođe do “rupe”. Kada su bile deca, njihov odnos je bio dobar, ali sada, one se udaljavaju jedna od druge.

Čovek je kockasta figura koja ispravlja sve grbe i neravnine da bi svoj pusti svet održao ravnim. Njegovo sučeljavanje sa crvenom lopticom koja obožava da pravi gigantske rupe, poremetiće njegov ideal savršeno ispravnog sveta.

The corner of the park, there is a space of zero gravity, called the “hole”. One day, Hiwa is called before the “hole” by Touko who is childhood friend. When they were children, their relationship was good, but now, distance is born between them.

Man is a cubical shaped figure who rectifies all bumps and humps in order to keep his desolate world flat. His confrontation with a little red ball, that loves to create gigantic holes, messes up his ideal of a perfect straight world.

Japan / Japan, 2016, 13:58

Belgija / Belgium, 2016, 14:41

2D, isečci, kombinovana tehnika / 2D, cut outs, mixed technique

3D kompjuter / 3D Computer

Režija / Direction: Kiyoko Nakai Scenario / Script: Kiyoko Nakai Animacija / Animation: Kesyuroom203

Režija / Direction: Patrick Vandebroeck Scenario / Script: Patrick Vandebroeck, Raf Wathion Animacija / Animation: Sam Verschraegen, Marie-Laure Guisset, Maarten Van Rooy

Montaža / Editing: Minami Nakai Dizajn zvuka / Sound design: Keiichi Tominaga, Akira Masuko, Ryo Oshima Produkcija / Production: Kesyuroom203 Kiyoko Nakai www.facebook.com/kesyuroom203 mail@kesyuroom203.com

Montaža / Editing: Patrick Vandebroeck, Raf Wathion Dizajn zvuka / Sound design: Wart Wamsteker Produkcija / Production: Vivi Film

Ursula van den Heuvel www.klik.amsterdam ursula@klik.amsterdam

ANIMANIMA 2017

Takmičenje 03 / Competition 03

Takmičenje 03 / Competition 03 Četvrtak, 7.9.2017, Velika sala, 18:00 / Thursday, 7.9.2017, Grand Hall, 6:00 pm

Zov umiljatosti Call of Cuteness

Široko Sirocco

Dok na sigurnom gledamo unosne kompilacije sa mačjim nevoljama, sve ono što je nevidljivo vratiće nam se u ovoj konzumerističkoj noćnoj mori. Na globalnom igralištu bez granica mačje telo je proždrano, eksploatisano i pod kontrolom. Njen strah od bola jači je i od njene čežnje za slobodom.

Negde na obali Sicilije, porodica se okuplja da proslavi rođendan starog mafijaškog kuma. Nažalost, vetar počinje da duva...

Whilst we remain safe and sound, watching the highest grossing cat fail compilation, all that is kept out of sight gets back to us in this consumerist nightmare. On a global playground, without bounds, the cat’s body is devoured, exploited and controlled – its fear of pain being stronger than its longing for freedom.

At the edge of the Sicilian coast, a family gathers to celebrate the birthday of an ancestral godfather. Unfortunately, the wind rises...

Nemačka / Germany, 2017, 4:00

Francuska / France, 2016, 5:04

Rotoskopija, crtež na papiru, 2D kompjuter, stop motion / Rotoscoping, Drawing on Paper, 2D Computer, Stop Motion

3D kompjuter / 3D Computer

Režija / Direction: Brenda Lien Scenario / Script: Brenda Lien Animacija / Animation: Brenda Lien

Montaža / Editing: Brenda Lien Dizajn zvuka / Sound design: Oliver Rossol Produkcija / Production: Brenda Lien David M. Lorenz www.augohr.de david@augohr.de

Realizacija / Realisation: Avril Hug, Lauren Madec, Kevin Tarpinian, Thomas Lopez, Romain Garcia

Produkcija / Production: École MoPA

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Takmičenje 03 / Competition 03

Poslednji izazov The Last Quest

Kap po kap Drop by Drop

Pet odvažnih junaka. Tri podsticajna patuljka. Jedna primamljiva nagrada. Pohlepa, taština i žudnja u takmičenju do samoga kraja. Ko bi mogao biti dostojan nagrade?

Poslednji stanovnici sela odbijaju da potonu u zaborav. U svetu u kome je izgleda ideja o progresu iznad svega, ovi domovi plutaju.

Five brave heroes. Three incentive dwarfs. One tempting prize. Greed, vanity and lust in the contest until the very end. Who is worthy of the prize?

The last habitants of a village refuse to let themselves sink into oblivion. In a world where the idea of progress appears to be above all, this home floats.

Hrvatska / Croatia, 2017, 15:57

Portugal / Portugal, 2017, 9:15

Lutka stop motion / Puppet stop-motion

2D kompjuter, gravura, digitalno slikanje / 2D Computer, Engraving, Digital Paiting

Izvorni naslov / Original title: Posljednji izazov Režija / Direction: Božidar Trkulja Scenario / Script: Božidar Trkulja Animacija / Animation: Antonija Veljačić, Pavao Stanojević, Antonija Begušić

Montaža / Editing: Božidar Trkulja Dizajn zvuka / Sound design: Vladimir Sokačić Produkcija / Production: Zagreb Film

Sanja Borčić www.zagrebfilm.hr sanja.borcic@zagrebfilm.hr

Izvorni naslov / Original title: Água mole Režija / Direction: Laura Gonçalves, Xá Scenario / Script: Carolina Freitas, Laura Gonçalves, Xá Animacija / Animation: Cátia Vidinhas, Inês Teixeira, Pedro de

Almeida, Laura Gonçalves, Xá Montaža / Editing: Alexandra Ramires (Xá), Laura Gonçalves Dizajn zvuka / Sound design: Pedro Marinho, Pedro Ribeiro Produkcija / Production: Bando à parte Salette Ramalho www.curtas.pt/agencia agencia@curtas.pt

ANIMANIMA 2017

Takmičenje 03 / Competition 03

Širkoa Schirkoa

Ptice Birdz

U gradu kesoglavaca, član senata se suočava sa teškim izborom između političke karijere i bordela i ljubavi prema zagonetnoj ženi. Izbor koji će izmeniti njegov život i grad na nezamislive načine.

Ljudi koji izgledaju i ponašaju se kao ptice pokušavaju da prežive surovost prirode.

In the city of Bag-heads, a senate member faces a tough choice between political career, brothels and love for a mysterious woman. A choice that will transform his life and the city in unimaginable ways.

People that look and behave like birds, try to survive the cruelness of nature.

Indija / India, 2016, 3:31

Francuska / France, 2016, 11:20

3D kompjuter / 3D Computer

Režija / Direction: Ishan Shukla Scenario / Script: Ishan Shukla Animacija / Animation: Ishan Shukla, Lim Yiming, Nicolas Agatha, Milan Padhiyar

Montaža / Editing: Ishan Shukla Dizajn zvuka / Sound design: Nicolas Titeux Produkcija / Production: Sharad Varma

Ishan Shukla www.ishanshukla.com red.cigarette@gmail.com

Režija / Direction: Emilien Davaud Scenario / Script: Emilien Davaud Animacija / Animation: Valerie Juillard, Michael Cotton-Russell

Montaža / Editing: Emilien Davaud Dizajn zvuka / Sound design: Jerome Vittoz Produkcija / Production: Hélium Films

Claude Barras www.heliumfilms.ch festivals@heliumfilms.ch

ANIMANIMA 2017

Takmičenje 03 / Competition 03

Poslednji poziv Final Call

Nokturno Nocturne

Ovo je ljubavna priča o Katarini (mački) koja naleti na staru strast Dioga (pas) na aerodromskoj bezbednosnoj proveri, gde shvate da su napravili veliku grešku azhvaljujući jednom još većem nesporazumu.

Noću, šumska stvorenja se okupljaju da bi se kockala, stavljajući najvrednije kao ulog.

This is a love story about Catarina (who is a cat) who bumps in to her old flame Diogo (who is a dog) at airport security where they realise that they made a big mistake due to an even greater misunderstanding.

At night the forest creatures gather to gamble, putting their innermost at stake.

Portugal / Portugal, 2017, 11:30

Nemačka / Germany, 2016, 5:19

2D kompjuter / 2D Computer

Stop motion / Stop motion

Izvorni naslov / Original title: Última chamada Režija / Direction: Sara Barbas Scenario / Script: Sara Barbas Animacija / Animation: Anne Birk Petersen, Anne Hoberg Overgård, Corentin Monnier, João Ferreira,

Laura Büchert Schjødt, Osvaldo Medina, Rachel Schmieg, Sara Naves Montaža / Editing: Luís Canau Dizajn zvuka / Sound design: Jan Meinema Produkcija / Production: ANIMANOSTRA Salette Ramalho www.curtas.pt/agencia agencia@curtas.pt

Izvorni naslov / Original title: Nachtstück Režija / Direction: Anne Breymann Scenario / Script: Anne Breymann Animacija / Animation:

Anne Breymann Montaža / Editing: Anne Breymann Dizajn zvuka / Sound design: Michal Krajczok Produkcija / Production: Anne Breymann Anne Breymann www. annebreymann.de mail@annebreymann.de

ANIMANIMA 2017

Takmičenje 04 / Competition 04

Takmičenje 04 / Competition 04 Četvrtak, 7.9.2017, Velika sala, 21:00 / Thursday, 7.9.2017, Grand Hall, 9:00 pm

Rutavi Poilus

Moja mama je luckasta My Mom’s Bonkers

U francuskim rovovima tišina vlada. “Rutavi” iščekuju izlazak na bojno polje. Među njima, Ferdinand, mladi zec, svira usnu harmoniku. Čuje se pištaljka, napad počinje...

Moja mama je luckasta. Jednim okom plače Pučinija, drugim me grdi.

In the French trenches, calm reigns. The “Poilus” are waiting to leave for the battlefield. Among them, Ferdinand, a young hare, is playing the harmonica. A whistling signal is given, the attack begins...

My mum’s bonkers. Out of one eye she cries Puccini, out of the other she reprimands me.

Francuska / France, 2016, 4:32

Južnoafrička Republika / South Africa, 2017, 3:36

3D kompjuter / 3D Computer

Pesak / Sand

Izvorni naslov / Original title: Poilus Realizacija / Realisation: Guillaume Auberval, Léa Dozoul, Simon Gomez, Timothé Hek, Hugo Lagrange, Antoine Laroye, David Lashcari

Produkcija / Production: Isart Digital

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Izvorni naslov / Original title: My Mamma Is Bossies Režija / Direction: Naomi van Niekerk Scenario / Script: Jeanne Goosen Animacija / Animation:

Naomi van Niekerk Montaža / Editing: Naomi van Niekerk Dizajn zvuka / Sound design: Arnaud van Vliet Produkcija / Production: Naomi van Niekerk Wouter Jansen www.someshorts.com info@someshorts.com

ANIMANIMA 2017

Takmičenje 04 / Competition 04

Aeronauti The Aeronauts

Pogrešan kraj štapa The Wrong End of the Stick

Pleme preživljava u srcu pustinje od oskudnih berbi na besplodnoj zemlji. Soo´goh, najslabiji član klana će savladati sve prepreke i doći do zelenih rajskih pašnjaka za kojim svi žude.

Malkolm Fečer je neurotični, sredovečni učitelj izgubljen u dosadnom braku sa ženom Beverli dvadeset godina. Pošto se suočava sa sveopštom krizom identiteta, njegov brak se raspada, i on je prinuđen da izrazi svoju duboku, skrivenu žudnju...

A tribe survives in the middle of the desert on the meagre pickings of a barren landscape. Soo´goh, the weakest member of the clan, seeks to overcome all obstacles and to reach the green pastures of the paradise that they all yearn for.

Malcolm Fetcher is a neurotic, middle-aged teacher lost in a dull marriage with his wife of twenty years, Beverly. As he faces an all-consuming identity crisis, their marriage disintegrates and he is forced to express a deep, hidden desire...

Meksiko / Mexico, 2016, 11:00

Velika Britanija / UK, 2016, 9:40

Stop motion

2D ručno crtana animacija preko live action pozadina / 2D hand-drawn animation over live action backgrounds

Izvorni naslov / Original title: Los aeronautas Režija / Direction: León Fernández Scenario / Script: Rita Basulto Animacija / Animation:

Salvador Delgadillo Montaža / Editing: León Fernández Dizajn zvuka / Sound design: Odín Acosta Produkcija / Production: Instituto Mexicano de Cinematografía (IMCINE) Lariza Preciado internacional@imcine.gob.mx

Režija / Direction: Terri Matthews Scenario / Script: Chris Cornwell Animacija / Animation: Terri Matthews, Adam M. Watts, Bram Donders, Tom Lucas, Reg Isaac

Montaža / Editing: Dennis Mabry Dizajn zvuka / Sound design: Max Davey Produkcija / Production: National Film and Television School Terri Matthews terrimatthews@outlook.com

ANIMANIMA 2017

Takmičenje 04 / Competition 04

Manivald Manivald

Noćna ptica Nighthawk

Lisac Manivald puni 33 godine. Previše obrazovan, nezaposlen i generalno nezainteresovan, on živi sa svojom dominantnom, penzionisanom majkom. To je lagodan život, ali ne i dobar...

Jazavac leži nepokretan na lokalnom drumu. Policijska patrola prilazi telu u mraku. Teško je reći da je mrtav, možda pre – mrtav pijan. Kada pokušaju da ga odvuku s puta, jazavac se probudi i stvari krenu u neočekivanom smeru.

Manivald, a fox, is turning 33. Overeducated, unemployed and generally uninspired, he lives with his overbearing, retired mother. It is an easy life, but not a good one...

A badger lies motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.

Estonija / Estonia, 2017, 13:00

Slovenija / Slovenia, 2016, 8:50

Ručno crtana animacija / Hand-drawn animation

Isečci / Cut out

Režija / Direction: Chintis Lundgren Scenario / Script: Chintis Lundgren, Draško Ivezić Animacija / Animation: Chintis Lundgren Montaža / Editing:

Izvorni naslov / Original title: Nočna ptica Režija / Direction: Špela Čadež Scenario / Script: Gregor Zorc, Špela Čadež Animacija / Animation:

Chintis Lundgren, Draško Ivezić, Jelena Popović Dizajn zvuka / Sound design: Pierre Yves Drapeau Produkcija / Production: Chintis Lundgreni Animatsioonistuudio Chintis Lundgren www.chintislundgren.com chintis.lundgren@gmail.com

Zarja Menart, Špela Čadež, Matej Lavrenčić Montaža / Editing: Iva Kraljević Dizajn zvuka / Sound design: Johanna Wienert Produkcija / Production: Finta Film Vanja Andrijevic www.bonobostudio.hr vanja@bonobostudio.hr

ANIMANIMA 2017

Takmičenje 04 / Competition 04

Vrtna zabava Garden Party

Nemoguće figure i druge priče II Impossible Figures and Other Stories II

U napuštenoj bogataškoj kući, par vodozemaca istražuje okolinu i sledi sopstvene primalne instinkte.

Jedna žena posrće i pada dok trči oko kuće. Ustaje, i otkriva da njen dom izgleda drugačije: sagrađen je od paradoksa, ispunjen iluzijama, prekriven obrascima.

In a deserted rich house, a couple of amphibians explore their surroundings and follow their primal instincts.

A woman trips and falls, while rushing around the house. She gets up, only to discover, that her home has unusual features – it is built from paradoxes, filled with illusions and covered with patterns.

Francuska / France, 2016, 7:25

Poljska / Poland, 2016, 15:00

3D kompjuter / 3D Computer

Crtež / Drawing

Realizacija / Realisation: Théophile Dufresne, Florian Babikian, Gabriel Grapperon, Lucas Navarro, Vincent Bayoux, Victor Claire

Produkcija / Production: École MoPA

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Izvorni naslov / Original title: Figury niemozliwe i inne historie II Režija / Direction: Marta Pajek Scenario / Script: Marta Pajek

Animacija / Animation: Marta Pajek Montaža / Editing: Marta Pajek Produkcija / Production: Animoon

Zofia Jaroszuk www.animoon.pl jaroszuk@animoon.pl

ANIMANIMA 2017

Takmičenje 05 / Competition 05

Takmičenje 05 / Competition 05 Petak, 8.9.2017, Velika sala, 18:00 / Friday, 8.9.2017, Grand Hall, 6:00 pm

Šuma od papira The Forest Paper

Vreme za metak Bullet Time

Ptičica želi da sagradi gnezo od slamki, ali se izgubi u gradu od papira u kome je svakom stalo samo do tehnologije, i zaboravlja da misli o Majci Prirodi.

Pusta ulica u jednom malom selu na Starom Zapadu. Dva kauboja se susreću u staromodnom dvoboju.

Little bird wants to build her nest with straw, but she get lost in the city made of paper in which everybody cares only about technologies, forgetting to think about our Mother Nature.

A desolate street in a small village in the Old West. Two cowboys face each other in a good-old-fashioned shootout!

Tajland / Thailand, 2016, 4:12

Holandija / Netherlands, 2016, 5:30

3D kompjuter / 3D Computer

2D/3D kompjuter, tuš na papiru / 2D/3D computer animation, ink on paper

Režija / Direction: Sipparpad Krongraksa Scenario / Script: Sipparpad Krongraksa Animacija / Animation: Sipparpad Krongraksa

Montaža / Editing: Sipparpad Krongraksa Dizajn zvuka / Sound design: Sipparpad Krongraksa Produkcija / Production: Rangsit University

Sipparpad Krongraksa www.theforestpaper.com yeesipp@gmail.com

Režija / Direction: Frodo Kuipers Scenario / Script: Merlijn Passier, Frodo Kuipers, Rudi Brekelmans Animacija / Animation: Frodo Kuipers, Elian van der Heiden,

Peter Schop Dizajn zvuka / Sound design: Jeroen Nadorp, Robin van der Heiden Produkcija / Production: Merlijn Passier Productions

Ursula van den Heuvel www.klik.amsterdam ursula@klik.amsterdam

ANIMANIMA 2017

Takmičenje 05 / Competition 05

Psihodelično uže The Psychedelic Rope

Crvenkapica Redux Red Riding Hood Redux

U drevnoj Kini, po završetku jednog surovog rata, grad je obnovljen. Mladi čarobnjak se vraća u grad, i ulazi u Guan Gon hram, koji je bio razrušen. Prošlost se pojavljuje u njegovom pogledu.

Crvenkapica je na putu prema bakinoj šumskoj kolibi. Skreće sa staze i ulazi u zgradu napuštene fabrike. U praznom betonskom lavirintu otkriva crni zid pokriven svežim grafitom, velikim belim cvetom. Izlazi iz fabrike, nastavlja put, ulazi u mračnu šumu. Zaustavlja je Vuk...

In ancient China, after a long cruel war, the city renewed. A young magician is back to the city and walk into Guan Gon Temple which was ruined.The past emerge in his sight.

Little Red Riding Hood is on her way to her grandmother’s cottage. She diverts the road and enters an abandoned factory building. In an empty concrete labyrinth, she discovers a black wall covered with a freshly painted graffiti, a large white flower. She exits the factory, proceeds on her way entering the dark forest. A Wolf halts her...

Kina / China, 2016, 10:00

Hrvatska / Croatia, 2017, 11:53

2D kompjuter, isečci / 2D computer animation, cut-out

Rotoskopija / Rotoscopy

Režija / Direction: Gaoxiang Liu Scenario / Script: Gaoxiang Liu Animacija / Animation: Gaoxiang Liu

Režija / Direction: Danijel Žeželj Scenario / Script: Danijel Žeželj Animacija / Animation: Danijel Žeželj

Dizajn zvuka / Sound design: Gaoxiang Liu Produkcija / Production: Beijing Mount Up Culture Communication Co.Ltd

Gaoxiang Liu 190081992@qq.com

Montaža / Editing: Dubravka Turić Dizajn zvuka / Sound design: Hrvoje Štefotić Produkcija / Production: Zagreb Film

Sanja Borčić www.zagrebfilm.hr sanja.borcic@zagrebfilm.hr

ANIMANIMA 2017

Takmičenje 05 / Competition 05

Dan za supu Bloomsday

Svet Slepih The World of Blind

Glavni lik je u stanju anabioze već duže vreme. On živi pognute glave, previše mlitav da bi išta promenio. A onda, magija iz sna procuri u realnost kroz muziku i on ostavlja svoju debelu, ružnu ženu jednom zauvek.

U svetu u kome žive stvorenja bez očiju, vlada odmereni red. Ali kada jednom stvorenja dobiju priliku da vide...

Main character stayed in anabiosis for a long time. He lived with its head low, flaked-out to change something. And once wizardry from the dream leaked to the reality through the music and he left his fat ugly wife for a glorious faraway.

In the world, where creatures without eyes live, reigned a measured order. But once these creatures have got an opportunity to see...

Rusija / Russia, 2017, 9:26

Rusija / Russia, 2016, 6:16

2D kompjuter / 2D computer

2D crtež / 2D drawing

Izvorni naslov / Original title: Supny den Režija / Direction: Vova Kompotik Scenario / Script: Vova Kompotik Animacija / Animation: Roman Efremov, Natalia Skryabina, Kristina Paltseva, Khatuna Tatuashvili, Sergey Sofiyak, Valeria Podborsky, Vladimir

Zakharov, Anastasia Godunova, Larisa Kondratieva Montaža / Editing: Vova Kompotik Dizajn zvuka / Sound design: Artem Mostovoy, Max Andruh Produkcija / Production: Guberniya Foundation Vova Kompotik zhu.shi.ko@gmail.com

Izvorni naslov / Original title: Mir Slepykh Režija / Direction: Valya Karnavalova Scenario / Script: Valya Karnavalova Animacija / Animation: Alexandra Krivolutskaya, Valya Karnavalova, Eugeniy Fadeyev, Veronika Pekker, Salavat Konurbayev, Alexander Panov,

Darya Dementyeva, Olga Shishkina, Maxim Novikov, Ksenia Nikitina Montaža / Editing: Valya Karnavalova Dizajn zvuka / Sound design: Valya Karnavalova Produkcija / Production: Nikolay Khitruk Anna Ostalskaya www.sharstudio.com sharstudia@gmail.com

ANIMANIMA 2017

Takmičenje 05 / Competition 05

Ferdinand, seoski pacov u rovovima Ferdinand, a Country Rat in the Trenches

Alfons se gubi Alphonse Gets Lost

Nevoljno postavši uzbunjivač u slučaju napada otrovnim gasovima, jedan seoski pacov priča o svom svakodnevnom životu u rovovima Velikog rata.

U školskom hodniku devojka gubi svest pred Alfonsom. On glupavo pokušava da je poljubi, kada nailazi Marko koji mu se ruga. Šest meseci kasnije, leto je, i Alfons je uzbuđen zbog ideje da avgust provede sam, bez svog cimera.

Unwittingly promoted to whistleblower in case of toxic gas attacks, a country rat tells about his daily life in the trenches during the Great War.

In a school corridor, Alphonse catches up with a girl who suddenly faints in front of him. He tries to kiss her stupidly, but Marco shows up and makes a fool out of him. 6 months later, it’s summer. Alphonse is excited at the idea of spending the month of August alone, without his roommate.

Francuska / France, 2016, 9:04

Francuska / France, 2016, 14:00

Crtež na papiru / Drawing on paper

Isečci / Cut outs

Izvorni naslov / Original title: Ferdinand, rat des champs de bataille Režija / Direction: Jean-Jacques Prunès Scenario / Script: Jean-Jacques Prunès

Animacija / Animation: Jean-Jacques Prunès Produkcija / Production: Les Films de l'Arlequin

Leichtmann Carole www.filmsdelarlequin.com carole.arlequin@gmail.com

Izvorni naslov / Original title: Alphonse s’égare Režija / Direction: Jean-Luc Greco, Catherine Buffat Scenario / Script: Jean-Luc Greco, Catherine Buffat Animacija / Animation:

Jean-Luc Greco, Catherine Buffat Montaža / Editing: Hervé Guichard Dizajn zvuka / Sound design: Jean-Luc Greco, Catherine Buffat Produkcija / Production: Les films à carreaux Laurent Pouvaret formation@poudriere.eu

ANIMANIMA 2017

Takmičenje 06 / Competition 06

Takmičenje 06 / Competition 06 Petak, 8.9.2017, Velika sala, 21:00 / Friday, 8.9.2017, Grand Hall, 9:00 pm

Bauk The Ogre

O, majko! Oh Mother!

Pun kompleksa zbog svoje veličine, div prestaje da jede prestravljen idejom otkrivanja svoje zastrašujuće prirode čime bi ugrozio svoje mesto u društvu. Tokom poslovnog ručka, njegova prava priroda biće stavljena na probu.

Majka i sin neprestano menjaju uloge: čas je majka odrasla, čas sin, koji se stara o svojoj iznenadnoj majci-detetu. Ovo deluje sve dok dečak ne odluči da pobegne ispod suknje previše zaštitničke majke i započne samostalan život.

Full of complexes because of his size, a giant holds on eating terrified at the idea of revealing his ogresque self and so compromising his place in the society. During a business banquet, his true nature will be put to the test.

Mother and son are changing places and roles constantly: once, the mother is an adult, sometimes son matures and takes care of suddenly childish mother. The arrangement works fine, until the boy decides to escape from under the skirt of the overprotective mother and start an independent life.

Francuska / France, 2016, 9:41

Francuska / France, 2017, 12:15

2D/3D kompjuter / 2D/3D computer

2D kompjuter / 2D computer

Izvorni naslov / Original title: L’Ogre Režija / Direction: Laurène Braibant Scenario / Script: Laurène Braibant Animacija / Animation: Gilles Cuvelier, Gabriel Jacquel, Marine Blin, Claire Trollé, Thomas

Machart, Laurène Braibant Montaža / Editing: Gabriel Jacquel, Sarah Van den Boom Dizajn zvuka / Sound design: Pierre Caillet Produkcija / Production: Papy3D Productions Richard Van Den Boom www.papy3d.com festivals@papy3d.com

Izvorni naslov / Original title: O Matko! Režija / Direction: Paulina Ziolkowska Scenario / Script: Paulina Ziolkowska Animacija / Animation: Paulina Ziolkowska, Natalia Krawczuk, Barbara Rupik, Karolina Specht, Aleksandra Wit, Artur Hanaj, Aleksandra Kucwaj,

Zofia Skorka, Beata Strzelecka, Wojciech Wojtkowski Montaža / Editing: Wojciech Janas Dizajn zvuka / Sound design: Piotr Mejran Produkcija / Production: FUMI Studio Anna Waszczuk www.fumistudio.com festiwale@fumistudio.com

ANIMANIMA 2017

Takmičenje 06 / Competition 06

Negativni prostor Negative Space

Ništa se ne događa Nothing Happens

Otac me je naučio kako da se spakujem.

Svi čekamo da se nešto dogodi. Ali se ništa ne događa. Okupili smo se da prisustvujemo događaju. Da učestvujemo u tome da budemo viđeni. Spektakl posmatranja i biti posmatran.

My dad taught me how to pack.

We are all waiting for something to happen. But nothing does. We have gathered to witness an event. To participate in being seen. The spectacle of watching and being watched.

Francuska / France, 2017, 5:30

Danska, Francuska / Denmark, France, 2017, 12:00

Stop-motion / Stop-motion

Crtež na pairu, 2D i 3D kompjuter, rotoskopija / Drawing on paper, 2D & 3D Computer, Rotoscopy

Režija / Direction: Max Porter & Ru Kuwahata Scenario / Script: Max Porter & Ru Kuwahata Animacija / Animation: Sylvain Derosne, Éric Montchaud, Ru Kuwahata

Montaža / Editing: Max Porter Dizajn zvuka / Sound design: Bram Meindersma Produkcija / Production: Ikki Films

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Režija / Direction: Uri Kranot, Michelle Kranot Scenario / Script: Uri Kranot, Michelle Kranot Animacija / Animation: Marine Duchet, Juliette Viger,

Michelle Kranot Dizajn zvuka / Sound design: Uri Kranot Produkcija / Production: Dansk Tegnefilms / Miyu Productions Anais Colpin www.manifest.pictures anais@manifest.pictures

ANIMANIMA 2017

Takmičenje 06 / Competition 06

Vila s borovima The Pine Tree Villa

Darvinova pećina Darwin’s Cave

Lav i Ptica provale u napuštenu vilu ne bi li saznali zašto ona ne stari. Čim uđu, osete moć koja vilu održava u životu.

Prenos znanja između majki i ćerki je ogromni zagrljaj sećanja na iskustvo, koji se prenosi uz ruke u ruku i daje duboki smisao koji nam dozvoljava da se krećemo napred, da živimo i volimo.

Lion and Bird break into an uninhabited villa to find out about the reason why it is not aging. Immediately they feel the power that keeps the villa alive.

The transmission of knowledge between mothers and daughters is the enormous embrace given by the memory of an experience which hands over the baton and gives us that deep sense that allows us to move forward, live and love.

Nemačka / Germany, 2017, 12:58

Portugal / Portugal, 2017, 13:00

Rotoskopija, vodene boje, crtež, 3D kompjuter / Rotoscopy, watercolor painting, drawn, 3D computer

Crtež / Drawing

Izvorni naslov / Original title: Eine Villa mit Pinien Režija / Direction: Jan Koester Scenario / Script: Jan Koester Animacija / Animation: Jan Koester Montaža / Editing: Jan Koester

Dizajn zvuka / Sound design: Michal Krajczok Produkcija / Production: Hauptfilm Produktion

David M. Lorenz www.augohr.de david@augohr.de

Izvorni naslov / Original title: A Gruta de Darwin Režija / Direction: Joana Toste Scenario / Script: Joana Toste Animacija / Animation:

João Lopes da Silva Montaža / Editing: Sara Félix, Joana Toste Dizajn zvuka / Sound design: Daniel Camalhão Produkcija / Production: Sardinha em Lata Salette Ramalho www.curtas.pt/agencia agencia@curtas.pt

ANIMANIMA 2017

Takmičenje 06 / Competition 06

Dete Child

Sto The Table

Dete mora da napusti udobnu kolibu da bi sakupilo drva za vatru koja se ugasila. Izrastajući u tinejdžera, on susreće usamljeno drvo i poželi ga za potpalu. On iščupa drvo i tako postane muškarac koga u sebe uvlači šuma svuda oko njega.

Stolar sa perfekcionističkom crtom opsednut je idejom o kreaciji savršenog predmeta.

A child has to leave its cozy hut to collect wood for the fire that went out. Growing into a teenager, he encounters a singular tree that he wants to turn into fire wood. He tears the tree out and thus becomes a man who is drawn to the woods that emerge around him.

A woodworker with a perfectionist streak is obsessed by the idea of creating the perfect object.

Nemačka / Germany, 2016, 9:00

Francuska / France, 2016, 4:15

3D kompjuter / 3D computer

Isečci / Cut-out

Režija / Direction: Iring Freytag, Viktor Stickel, Linus Stetter Scenario / Script: Iring Freytag, Viktor Stickel, Linus Stetter Animacija / Animation:

Iring Freytag, Viktor Stickel Montaža / Editing: Robert Stuprich Dizajn zvuka / Sound design: Marc Fragstein, Marvin Keil Produkcija / Production: Filmakademie Baden-Württemberg David M. Lorenz www.augohr.de david@augohr.de

Izvorni naslov / Original title: La table Režija / Direction: Eugène Boitsov Scenario / Script: Eugène Boitsov Animacija / Animation:

Eugène Boitsov Montaža / Editing: Myriam Copier Dizajn zvuka / Sound design: Pierre Sauze Produkcija / Production: La Poudrière Véronique Fournier-VItali www.poudriera.eu assist.direction@poudriere.eu

ANIMANIMA 2017

Od crtkarija do piksela

OD CRTKARIJA DO PIKSELA Više od jednog veka španske animacije Karolina Lopes Kabalero kustos Emilio de la Rosa saradnik Andres Hispano saradnik Alfons Moline konsultant

Od crtkarija do piksela: Više od jednog veka španske animacije predstavlja izraz želje da se oživi deo jedne malo poznate istorije – istorije španskog animiranog filma. Iako su filmovi kao što su Ćiko i Rita (Havijer Mariskal, Fernando Trueba, Tono Erando, 2010), Avanture Tadea Džonsa (Enrike Gato, 2012) ili Posednut (Sam, 2014) obezbedili španskoj animaciji mesto na karti sveta, oni su samo vrh ledenog brega talenta i godina predanog rada na stvaranju kako umetnosti, tako i čitave industrije, proces koji se često poprimao sasvim neverovatne obrte. Ova zaokružena celina predstavlja rezultat istraživanja, pregleda i otkrića istorijskih materijala, ostvarenog kroz dijalog sa radovima iz savremenog doba. Projekat Od crtkarija do piksela realizovan je u koprodukciji CCCB-a i AC/E, i objedinjuje filmove nastale primenom raznovrsnih tehnika, kao svojevrsno svedočanstvo burnih vremena, od početka XX veka, do danas. U ovoj selekciji zastupljene su teme koje se oduvek javljaju, kao što su veze sa svetom stripa, odblesci političkih nedoumica i dijalog sa vizuelnim umetnostima. To je priča s puno praznina, usamljenih međaša (prvi evropski dugometražni animirani film u boji je Garbansito od Manče) i filmova prepuštenih zaboravu; godinama se činilo da španska animacija gotovo i da ne postoji. Ovaj program dokazuje upravo suprotno. Pažljivim odabirom pokušali smo da dođemo do radova koji će predstaviti svaku od različitih epoha i različite trendove, naglašavajući pritom idiosinkratičnost Španije, sa svom njenom kulturnom raznovrsnošću.

01 CRTKARIJE str. 36

02 POD JARMOM OKUPACIJE str. 38

03 MODERNA VREMENA str. 40

04 MASIJAN, MAESTRO str. 42

05 TRAG UMETNIKA str. 44

06 HUMOR I POKOLJ str. 46

07 DO HOLIVUDA (I DALJE) str. 48

08 SLEDEĆA GENERACIJA str. 50

ANIMANIMA 2017

From Doodles to Pixels

FROM DOODLES TO PIXELS Over a Hundred Years of Spanish Animation From Doodles to Pixels: Over One Hundred Years of Spanish Animation is a response to the desire to showcase a little known history – that of Spanish animation cinema. Films like Chico & Rita (Javier Mariscal, Fernando Trueba, Tono Errando, 2010), Las aventuras de Tadeo Jones (Enrique Gato, 2012) or Pos Eso (Sam, 2014) have put Spanish animation on the international map, but these examples are just the tip of the iceberg of the talent and years of hard work involved in creating art and industry, in some cases against all the odds. This cycle is the result of a task of research, revision and recovery of historical material in dialogue with more recent works. From Doodles to Pixels is a coproduction of the CCCB and AC/E that brings together a selection of films animated using diverse techniques that represent turbulent times ranging from the early twentieth century to the present day. It features recurring themes such as links with the world of comic books, reflections of political concerns and dialogue with the visual arts. It’s a story with lots of gaps and isolated landmarks (Europe’s first animated colour feature was Garbancito de la Mancha), dotted with forgotten works; for years, it seemed as though Spanish animation hardly existed. This programme shows that nothing could be further from the truth. Great care has been taken to choose works representing each time period and trend, as well as highlighting Spain’s idiosyncrasy with all its cultural diversity.

01 DOODLES pg. 37

02 UNDER THE YOKE pg. 39

03 MODERN TIMES pg. 41

04 MACIÁN, THE MAESTRO pg. 43

05 THE ARTIST’S TRACE pg. 45

06 HUMOR AND CARNAGE pg. 47

07 DESTINO HOLLYWOOD (AND BEYOND) pg. 49

08 NEXT GENERATION pg. 51

Carolina López Caballero Curator Emilio de la Rosa Advisor Andrés Hispano Advisor Alfons Moliné Consultant

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 1. CRTKARIJE Utorak, 5.9.2017, Velika sala, 16:00 Program otpočinje kratkim filmom Segunda de Ćomona, sjajnog pionira animacije koji je stvarao u Španiji, Francuskoj i Italiji. Film pod nazivom Zlatni pauk predstavlja jedno od najblistavijh dela u njegovom opusu, sa zadivljujućom animacijom koja u pojedinim sekvencama ide ispred svog vremena. Za ovu priliku pronađeni su i neki od starih promotivnih spotova na nitratnoj filmskoj traci, poput Radio RCA (oko 1935. godine), Enrikea Ferana, koji su nastali u Barseloni tokom Druge španske republike. Tu je još nekoliko restauriranih reklama čiji je autor produktivni Sera i Masana, kao i dela nekih nepoznatih satiričnih autora, La bronca i Cambo i l'autonomia (oko 1918. godine). Ovi filmovi demonstriraju snagu grafičkog humora na ekranu. I K-Hito (En los pasillos del congreso, 1932), i Hoze Eskobar (El fakir Gonzalez) bili su i pisci i reditelji. Tokom ovog perioda, jedini kanal za izražavanje protesta bili su stripovi sa politčkim i socijalnim izrazom. Nešto kasnije se pojavljuju i Havijer Mariskal (Ćiko i Rita) i Kalpurnio Pizon, dvojica popularnih savremenih autora koji počinju sa izradom animiranih filmova u kojima nastupaju njihovi poznati likovi, Los Garriris i Cuttlas.

ANIMANIMA 2017

From Doodles to Pixels

Session 1. DOODLES Tuesday, 5.9.2017, Grand Hall, 4:00 pm The programme starts out with a short by Segundo de Chomon, the illustrious pioneer who worked in Spain, France and Italy. His short The Gold Spider is one of the most admirable pieces in his filmography with some stunning animation sequences for the time. Some vintage promotional spots using nitrate film were collected for this event, like Radio RCA (around 1935) by Enrique Ferran, created in Barcelona during the Second Spanish Republic. A few ads by the productive Mr. Serra I Massana and other more satirical unknown artists, La bronca and Cambo i l’autonomia (around 1918), were also restored. These films demonstrate the strength of on-screen graphic humour. K-Hito (En los pasillos del congreso, 1932) and Jose Escobar (El fakir Gonzalez) were both writers and directors. During this period, political, social comics were all the rage. Later, Javier Mariscal (Chico & Rita) and Calpurnio Pison, two other popular contemporary cartoonists, started making animation films based on their trademark characters Los Garriris and Cuttlas.

L’Araignée d’or (The Gold Spider) Segundo de Chomon 1908, 8:40 (A film from the Lobster Collection)

En los pasillos del congreso (Down the Hallways of the Congress) K-Hito (Ricardo Garcia) 1932, 2:00

Alimentos de régimen Santiveri (Santiveri Diet Food commercial) Josep Serra i Massana 1932-1935, 2:11

Tabú, colorete en polvo (Tabu Powder Blush commercial) Josep Serra i Massana 1933, 1:08

Radio RCA Enrique Ferran circa 1935, 2:00

El fakir González buscador de oro (Fakir Gonzalez, the Gold Digger) Joaquim Muntanola 1942, 8:12

Juanito va de caza (Little Johnny Goes Hunting) Salvador Mestres 1942, 8:00

El cascabel de Zapirón (A Bell for Zapirón) Josep Escobar 1943, 8:00

Don Cleque flautista (Don Cleque the flautist) Jaume Baguna 1944, 8:12

Garabatos: Manolete (Doodles: Manolete) Jaume Baguna y Manuel Diaz 1943-44, 8:00

Los tambores de Fu-Aguarrás (The Drums of Fu-Aguarrás) Jaume Baguna 1945, 9:10

El bueno de Cuttlas (Good Old Cuttlas) Calpurnio Pison 1991, 8:48

Amarillo verano (Yellow Summer) Javier Mariscal 2013, 4:40

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 2. POD JARMOM OKUPACIJE Utorak, 5.9.2017, Velika sala, 18:00 01

Garbancito de la Mancha (Knight Garbancito) Arturo Moreno Spain, 1945, 68:00

Da bi realizovao ovaj projekat, studio Balet y Blay je angažovao autora crtanih filmova Artura Morena i predao rukopis Hulijanu Pemartinu, autoru filma Teoria de la Falange. Garbansito je katoličko siroče koje živi u ambaru sa svojom kozom Peregrinom. Nakon štto jednoga dana čudovišni ljudožder Karavaka otme njegove prijatelje, Garbansito odvažno kreće na put da ih spase, baš poput Don Kihota. Iako pod uticajem braće Flajšer i Diznijevih Silly Symphonies, muzika za film koju je komponovao Hasinto Guerero filmu daje poseban španski prizvuk. Film je postao popularan i pre nego što je počeo da se prikazuje u bioskopima, zahvaljujući priči koju su napisala ova dva autora. Takođe, za film je odobren veći budžet od onoga koji su u to vreme dobijali igrani filmovi, a ulaganje se brzo otplatilo od prihoda prodaje čitavog asortimana pratećih proizvoda. Nakon što je snimljen u Barseloni sa timom profesionalaca koji su usput učili trikove zanata, film je poslat u London na montažu. Nakon toga, filmske trake su još jednom krenule na put avionom iznad ratnih požara i krvoprolića Evrope, izbegavši bombardovanja, da bi film bio prikazan u bioskopima 1945. godine.

From Doodles to Pixels

Session 2. UNDER THE YOKE Tuesday, 5.9.2017, Grand Hall, 6:00 pm To carry out this project, the Balet y Blay studios brought in cartoonist Arturo Moreno and handed over the script to Julian Pemartin, author of Teoria de la Falange. Garbancito is a young Catholic orphan boy who lives in a barn with his goat Peregrina. One day, the ogre Caravaca kidnaps his friends and just like Don Quixote, he courageously sets off to save them. Even though the film is influenced by the Fleischer brothers and Disneyâ&#x20AC;&#x2122;s Silly Symphonies, the soundtrack composed by Jacinto Guerrero gives it a typically Spanish edge. The film was popular before it even hit the screens, due to the tale written by the same two authors. It was also given a higher budget than live action films made at the time, which was quickly recouped through its range of by-products. Shot in Barcelona with a crew of professionals who were learning as they went along, the film was sent to London for editing. The rolls of film then flew over the blood and fires of Europe one more time, escaping the bombardments, and the feature was released in theatres in 1945.

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 3. MODERNA VREMENA Sreda, 6.9.2017, Velika sala, 16:00 Uporedo sa razvojem industrije i stvaranjem širokih slojeva srednje klase, otpočeo je procvat reklame, koja je u animaciji prepoznala sredstvo komunikacije koje je moglo da privuče ove nove potrošače. Kao kompanija zadužena za reklamne filmove u Španiji, iz madridskog Estudios Moro potekle su na hiljade animiranih i igranih filmova, među čijim su autorima bila i poznata imena poput Pabla Nunjeza, Paula Kazalinija, Marsela Breja i Fanciska Masijana. Iako su pratili neprikosnoveni uzor poznatijih severnoameričkih ostvarenja, ovi filmovi su često poprimali stilski doteran, moderan, jazzy izgled, poput radova iz UPA studija. Ilustrator Hoze Luis Moro i njegov brat, producent Santjago, najbolji su primer ovog trenda. Radeći zajedno, njih dvojica su ispisala neke od najuzbudljivijih stranica popularne kulture Španije. Ovaj program sadrži neke od najboljih radova Morovih, od reklama ovenčanih međunarodnom slavom, do nezaboravnog Vamos a la cama (1965). Fokus ostalih radova je na kasnijim decenijama i filmovima Roberta Balsera, Hulija Taltavula i, još bliže španskim gledaocima, Izabele Ergere, Adrijane Navaro, Karlesa Porta i Migela Galjarda.

ANIMANIMA 2017

From Doodles to Pixels

Session 3. MODERN TIMES Wednesday, 6.9.2017, Grand Hall, 4:00 pm Together with industrial development and the expanding middle class, advertising began to flourish and found a language in animation that was able to attract these new consumers. Estudios Moro, based in Madrid, became THE company for advertising films in Spain, producing thousands of animated and live action commercials, created by such names as Pablo Nunez, Paul Casalini, Marcel Breuil and Francisco Macian. A North American treatment was the order of the day, but was given a more stylish, modern and jazzy look, similar to that of the UPA studio. The illustrator Jose Luis Moro and his producer brother, Santiago, best reflect this trend, and together wrote one of the most exciting pages of Spain’s popular culture. Some of the best work to come out of Moro highlights this programme, whether from its stock of internationally acclaimed commercials or the unforgettable Vamos a la cama (1965). Other work focuses on ensuing decades with films by Robert Balser, Julio Taltavull, and, closer to home, Isabel Herguera, Adriana Navarro, Carles Porta and Miguel Gallardo.

Estudios Moro commercials 1954-1964, 16:29

Vamos a la cama (Let’s Go to Bed) Jose Luis Moro 1965, 36:00

El sombrero Robert Balser 1964, 8:15

La doncella guerrera (The Warrior Maiden) Julio Taltavull 1974, 11:39

William Wilson Jorge Dayas 1999, 10:28

La gallina ciega (Blind Man’s Bluff) Isabel Herguera 2005, 7:17

Las vidas ejemplares (The Exemplary Lives) Carles Porta 2008, 11:24

El viaje de María (Maria’s Journey) Miguel Gallardo 2010, 5:42

Vía Tango Adriana Navarro 2013, 3:21

Onemoretime Jose Gonzalez, Tonet Calabuig, Elisa Martinez 2014, 4:33

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 4. MASIJAN, MAESTRO Četvrtak, 7.9.2017, Velika sala, 16:00 Istaknuti španski animator, Fransisko Masijan (Barselona, 1929-1976.) osnovao je sopstveni studio u Barseloni 1955. godine, u kome je izrađivao reklame za madridski Estudios Moro. Godine 1966, Fransisko režira svoj prvi dugometražni film: El mago de los suenos (Čarobnjak snova), inspirisan Andersenovom bajkom Ole Luk-oje. Ova priča i likovi koji se u njoj pojavljuju - La Familia Telerin - stekli su populanost u Španiji zahvaljujući promotivnom filmu Vamos a la cama (1965) napravljen za špansku nacionanu televiziju (TVE, Television Espanola). Uz obilje asocijacija na svet Diznijevih junaka, Masijanov film crpi snagu iz rada umetnika kao što su Salvador Mestres, Đaume Vila, Đordi Him, Albert Rue i Karmelo Garmendia i Vikar (koji je autor lika Čarobnjaka), kao i savremenih i prepoznatljivih kreacija likova Hozea Luisa Mora. Pored dečjih glasova, u muzici za film učestvuju i savremeni umetnici poput Los 3 Sudamericanos, Ćiko Gordiljo, Enio Sanđusto i Los de la Torre. Autor muzike je Đosep Sola: iako je ovo njegova prva opera, i uprkos tehničkim poteškoćama na koje su nailazili tokom produkcije, konačno ostvarenje nastavlja da traje kao jedno od najboljih i najomiljenijih muzičkih ostvarenja u istoriji španskog animiranog filma. Pre projekcije filma, biće prikazane dve reklame koje je Masijan izradio tokom pedesetih godina prošlog veka.

ANIMANIMA 2017

From Doodles to Pixels

Session 4. MACIÁN, THE MAESTRO Thursday, 7.9.2017, Grand Hall, 4:00 pm A distinguished Spanish animator, Francisco Macian (Barcelona, 1929-1976) created his own studio in Barcelona in 1955 where he created commercials for Estudios Moro. In 1966 he directed his first feature: El mago de los suenos (The Dream Wizard), inspired by Andersen’s fairy tale Ole Lukoje. This story and its characters La Familia Telerin became popular in Spain thanks to a promotional film Vamos a la cama (1965) for TVE (Television Espanola). Macian’s film, full of Disney references, was driven by the work of Salvador Mestres, Jaume Vila, Jordi Gim, Albert Rue and Carmelo Garmendia y Vicar (also the creator of the El mago character), as well as the modern and identifiable character designs by Jose Luis Moro. The soundtrack features children’s voices as well as artists from the era like Los 3 Sudamericanos, Chicho Gordillo, Ennio Sangiusto and Los de la Torre. Josep Sola wrote the music and despite the fact that this was his first opera and considering the technical difficulties they ran into during production, it’s some of the most well-loved music from Spanish animation history. Two of Macian’s commercials from the ‘50s will be screened before the film.

Buena mesa: Aceite Koipe (Good Cooking: Aceito oil commercial) Francisco Macian 1955-57, 1:08

Sinfonía escarlata - Tomate Corchero (Symphony in Scarlet) Francisco Macian 1958, 1:10

El mago de los sueños (The Wizard of Dreams) Francisco Macian 1966, 70:00

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 5 TRAG UMETNIKA Petak, 8.9.2017, Velika sala, 16:00 Tokom sedamdesetih godina proteklog veka, jedna industrija počinje da se razvija, sve više izlazeći u susret potrebama sadržaja malog ekrana, i premda je određeni broj umetnika prednost davao umetničkoj sceni, mnogi su prepoznali fantastične mogućnosti animacijje kao medija koji bi mogao da ujedni različite vrste umetnosti. Nema sumnje da je Španija već tada imala nekoliciju renomiranih umetnika u ovoj oblasti, uključujući Ivana Zuluetu (ključnu figuru španskog andergraund filmskog stvaralaštva), Hosea Antonija Sistiagu i Rafaela Ruisa Balerdija (njih dvojica su 1966. godine bili među osnivačima grupe Gaur modernih umetnika Baskije), Frederika Amata (čiji je film Estela izrađen posebno za ovaj filmski program), Marcel-li Antunes (jedan od osnivača pozorišne grupe La Fura dels Baus) i dua video umetnika, Davida Bestue i Marka Vivesa. Ovde treba pomenuti i film Minotauromaquia (2004), vanserijski rad u tehnici plastelina kao svojevrsnu interpretaciju univerzuma jednog od najvećih umetnika Španije, Pabla Pikasa. Tu je zatim i nova generacija umetnika-animatora kao što su Izibene Onedera, Alberto Vaskez i Laura Hines koji, kao i Huan Pablo Ečeverija i Mercedes Gaspar, imaju bogat autorski opus u oblasti likovnih umetnosti.

ANIMANIMA 2017

From Doodles to Pixels

Session 5. THE ARTIST’S TRACE Friday, 8.9.2017, Grand Hall, 4:00 pm During the 1970s, an industry began to get off the ground by answering to the needs of content for the small screen, although some creatives were more attracted to the art scene, seeing a fantastic medium for bringing all the arts together in animation. Spain certainly had a few big names working in the field including Ivan Zulueta (a key figure in Spain’s underground filmmaking scene), Jose Antonio Sistiaga and Rafael Ruiz Balerdi (two of the founding members of the Gaur group of Basque modern artists, created in 1966), Frederic Amat (whose film Estela was made especially for this programme of films), Marcel-li Antunez (founding member of La Fura dels Baus theatre troupe) and the tandem of video artists David Bestue and Marc Vives. And not forgetting Minotauromaquia (2004), the extraordinary plasticine interpretation of the universe of one of Spain’s greatest artists, Picasso, as well as the new generation of artistanimators such as Izibene Onederra, Alberto Vazquez and Laura Gines who, like Juan Pablo Etcheverry or Mercedes Gaspar, come from the prolific Fine Arts background.

Get Back Ivan Zulueta 1969, 5:20

Homenaje a Tarzán (Homage to Tarzan) Rafael Ruiz Balerdi 1970, 4:41

No sé (I Don’t Know) Niseforo Ortiz 1985, 5:35

Impresiones en la alta atmósfera (Impressions from the Upper Atmosphere) Hose Antonio Sistiaga 1988-89, 6:32

20 días de amor (20 Days of Love) Etxegaraico Goti (Jose Felix Gonzalez Placer) 1991, 4:08

Las partes de mí que te aman son seres vacíos (The Parts of Me that You Love Are Empty Beings) Mercedes Gaspar 1995, 8:55

Geroztik ere... (And since then...) Begona Vicario 1999, 1:55

Minotauromaquia: Pablo en el Laberinto (Minotauromachy: Pablo in the Labyrinth) Juan Pablo Etcheverry 2004, 9:14

Estado de cambio (State of Change) David Betsue y Vives 2010, 6:35

Cromo Marcel-li Antunez 2013, 3:54

Hotzanak (For Your Own Safety) Izibene Onederra 2013, 5:24

Sangre de unicornio (Unicorn Blood) Alberto Vazquez 2013, 8:17

Tengo miedo (I’m Afraid) Laura Gines 2014 3:30

Estela Frederic Amat 2015, 1:53

ANIMANIMA 2017

Od crtkarija do piksela

Session 6. HUMOR I POKOLJ Subota, 9.9.2017, Velika sala, 16:00 Časopis El Papus izradio je prvi animirani dugometažni film za odrasle 1979. godine, pod nazivom Historias de amor y masacre. Film se sastoji od kratkih animiranih filmova najeksplozivnijih umetnika iz ove epohe, Oskar, Gila, Ive, Periča, Čamija Čumeza i Đordija Amorosa, koji ih i je objedinio na zajedničkom projektu. Ovaj program predstavlja najmanje politički korektnu i istovremeno najagresivniju komponentu ovog ciklusa. Kako tokom tranzicije u demokratiju nije nestalo sve što je negativno, uključili smo i kasnije radove političke ili socijalne konotacije, kao i neke koji se bave paranoičnom teorijom zavere u tretiranju nekih od kontroverznih tema kao što su imigracija, nasilje u porodici i zloupotreba vlasti. Da bi smo dodatno podstakli apetit gledalaca, tu su i dva od najstarijih kratkih animiranih filmova koji se bave političkim temama na satirični način: La bronca i Cambo i l’autonomia, još sa početka dvadesetog veka. Ovo će isto tako biti i prilika da se uživa u Samovim filmovima iz perioda pre filma Possessed, kao i u nekim veoma svežim ostvarenjima, kao što je ikonoklastični Amor de mono madridskog tima Trimono.

ANIMANIMA 2017

From Doodles to Pixels

Session 6. HUMOR AND CARNAGE Saturday, 9.9.2017, Grand Hall, 4:00 pm El Papus Magazine produced the first animated feature for adults in 1979, Historias de amor y masacre, made up of shorts by the most caustic artists of their time – Oscar, Gila, Iva, Perich, Chumy Chumez and Jordi Amoros (JA) – joined together by the latter. This is the least politically correct and the most aggressive programme in the cycle. As all the bad did not disappear during the democratic transition, we’ve included later works that are political or social in nature and some reflecting conspiracy theory paranoia, on controversial subjects like immigration, consumerism, domestic violence or abuse of power. To whet your appetite, we’ve included two of the oldest shorts in the programme dealing with political themes in a satirical manner: La bronca and Cambo i l’autonomia, dating back to the early twentieth century. You can also enjoy the work of Sam before Possessed and films as recent as the iconoclast Amor de mono from the collective from Madrid, Trimono.

La bronca (The Scolding) Anonimo 1917, 1:23

Cambó i l’autonomia (Cambó and self-government) Anonimo 1918, 40:00

La edad de piedra (The Stone Age) Gabriel Blanco con dibujos de Chumy Chumez 1965, 11:09

Pasión siega (Blind Passion) (excerpt from Historias de amor y masacre) Jordi Amoros 1979, 13:00

Caracol, col, col (Snail Tale) Pablo Llorens 1995, 12:00

Cirugía (Surgery) Alberto Gonzalez Vazquez 2006, 2:20

Vicenta Sam 2010, 22:13

Amor de mono Trimono 2015, 4:00

ANIMANIMA 2017

Od crtkarija do piksela

Sesija br. 7. DO HOLIVUDA (I DALJE) Subota, 9.9.2017, Velika sala, 18:00 01

The Metamorphosis Part 1 Charlie Ramos 1998, 7:50

Top Gum Victor Vinyals 2001, 2:20

How to Cope With Death Ignacio Ferreras 2002, 3:02

Tadeo Jones Enrique Gato 2004, 10:00

The Tell-Tale Heart Raul Garcia Spain-USA, 2005, 10:00

Alma Rodrigo Blaas Spain-USA, 2009, 5:21

Doomed: A Biological Cartoon! Guillermo Garcia Carsi 2011, 10:25

Historias de Éste (Story of Him) Pascual Perez 2011, 7:00

Strange Oaks Headless Studio 2013, 1:09

Poslovično vešt u pronalaženju najtalentovanijih među umetnicma, Dizni je četrdesetih godina prošlog veka pozvao Dalija da skicira film koji će se realizovati tek mnogo godina kasnije, pod nazivom Destino (2003). Tokom godina, veliki inostrani studiji su se uvek oslanjali na rad španskh umetnika i drugih profesionalaca koji su davali svoj doprinos u različitim ograncima animacije: Amblimation (Raul Garsija), Disney (Karlos Baena, Lorelaj Bove), Pixar (Rodrigo Blas, Čarli Ramos), DreamWorks (Grangel Studio, Viktor Vinials) i Aardman (Paskual Peres). Sakupili smo i radove iz ličnog opusa Giljerma Garsije Karsija, autora inovativne serije Pocoyo, koju sa zanimanjem prate milioni mališana širom sveta; prvi kratki animirani film Čarlija Ramosa u vreme kada je radio za studio Piksar (Pixar) za njega je bio tek običan san; otkačena kvazi-reklama Adrija Garsije i Viktora Maldonada (sada šefa studija Headless), nakon filma Nocturna (2007); prvi kratki animirani film Enrikea Gata, u kome oživljava njegov eponimni heroj, Tadeo Jones (2004); a tu je i Kako se izboriti sa smrću (How to Cope With Death, 2002) Ignasija Fererasa, čije je stvaralaštvo sada upotpunjeno i prvim dugometražnim animiranim filmom Wrinkles (2011), po motivima stripa čiji je autor Pako Roka.

From Doodles to Pixels

ANIMANIMA 2017

Session 7. DESTINO HOLLYWOOD (AND BEYOND) Saturday, 9.9.2017, Grand Hall, 6:00 pm Adept for spotting the most talented artists, Disney called on Salvador Dali in the 1940s to draw up a film that would be made much later, Destino (2003). Over the years big studios abroad have counted on Spanish artists and other professionals in various animation sectors: Amblimation (Raul Garcia), Disney (Carlos Baena, Lorelai Bove), Pixar (Rodrigo Blaas, Charlie Ramos), DreamWorks (Grangel Studio, Victor Vinyals) and Aardman (Pascual Perez). Weâ&#x20AC;&#x2122;ve also assembled the personal work of Guillermo Garia Carsi, the creator of Pocoyo, the innovative series watched by millions of little ones all over the world; the first short that Charlie Ramos made at the time when working at Pixar was only a dream to him; a silly fake commercial by Adria Garcia and Victor Maldonado (now at the head of Headless Studio), after Nocturna (2007); Enrique Gatoâ&#x20AC;&#x2122;s first short where his eponymous hero came to life, Tadeo Jones (2004); as well as How to Cope With Death (2002) by Ignacio Ferreras, who gained the recognition he needed to make his first feature, Wrinkles (2011), based on the graphic novel by Paco Roca.

ANIMANIMA 2017

Od crtkarija do piksela

Session 8. SLEDEĆA GENERACIJA Subota, 9.9.2017, Velika sala, 19:30 Ovaj program predstavlja kolekciju kratkih animiranih filmova nastalih u Španiji tokom protekle decenije, a autori nekih od ovih filmova su mladi španski umetnici koji su već stekli svetsku slavu, poput Rosija Alvaresa, Dvein, Blanka Font, Busta i Nikolaja Trošinskog. Uvereni smo da će filmovi iz ove selekcije biti pravo uživanje za gledaoce: pored I Come by Every Day (2004) Raula Aroja, tu su i drugi vredni kratki filmovi kao što je Twin Girls of Sunset Street (2010), stop-motion urađen po motivima istinitih strašnih događaja u Barseloni sa početka 20. veka; peti nastavak filma Bendito Machine (2014) Đosija Malisa; Zepo (2014), tragična priča ispričana kroz animaciju peskom; Džin (2012), poetična priča o očinstvu; konačno, tu je i film Princesa china (2014), Tomasa Basesa, jednog od naših najtalentovanijih 3D animatora.

ANIMANIMA 2017

From Doodles to Pixels

Session 8. NEXT GENERATION Saturday, 9.9.2017, Grand Hall, 7:30 pm This programme is a collection of shorts that were produced in Spain over the past ten years, some of them young Spanish filmmakers who are already known worldwide like Rocio Alvarez, Dvein, Blanca Font, Busto and Nicolai Troshinsky. Selected for your viewing pleasure: Raul Arroyo’s film I Come by Every Day (2004) and other noteworthy shorts like the stop-motion based on horrifying true events that took place at the beginning of the 20th century in Barcelona, The Twin Girls of Sunset Street (2010); the fifth part of Jossie Malis’s Bendito Machine (2014); Zepo (2014), the tragic story told through sand animation which is also in competition this year; The Giant, a poetic tale about fatherhood; and finally Princesa china (2014) by Thomas Bases, one of our most talented filmmakers working in 3D.

Cada día paso por aquí (I Pass by Here Every Day) Raul Arroyo 2004, 8:38

Les bessones del carrer de Ponent (The Twin Girls of Sunset Street) Anna Solanas and Marc Riba 2010, 13

Crik-Crak Rocio Alvarez 2011, 1:22

O Xigante (The Giant) Julio Vanzeler and Luis da Matta 2012, 10:35

Astigmatismo (Astigmatism) Nicolai Troshinsky 2012, 4:00

The Vein ‘Magma’ Dvein 2013, 1:28

The Day I Killed my Best Friend Blanca Font and Busto Algarin 2013, 6:10

Zepo Cesar Diaz Melendez 2014, 3:08

Bendito Machine V Jossie Malis 2014, 11:54

Princesa china (Chinese Princess) Tomas Bases 2014, 4:56

ANIMANIMA 2017

Tapum! Istorija oružja 1958, 11:07

Dva zamka 1963, 3:35

Život u konzervi 1967, 6:15

Opera 1973, 10:28

Bebina priča 1978, 10:23

Sigmund 1983, 2:03

Gospodin Tao 1988, 2:38

Skakavac Cavallette, 1990, 8:24

Kap 1993, 3:26

Evropa i Italija 1999, 6:26

Neuro 2004, 2:40

Posebne projekcije

Portret animatora: Bruno Boceto Sreda 6.9.2017, Mala sala, 18:00 Prvi animirani film, Tapum, the history of weapons, Bruno Boceto (Milano, Italija, 1938) napravio je još 1958. godine. Nakon što je prikazan na festivalu u Kanu, ovaj kratki animirani film je izazvao interesovanje kritičara i publike, i zahvaljujući njemu Bocetu se ukazala prilika da se upozna sa Normanom Meklarenom i Džonom Halasom, poznatim britanskim producentom, sa kojim je uskoro započeo saradnju. U Milanu 1960. godine osniva vlastitu filmsu kompaniju, a iste godine kreirao je i svog prvog čuvenog junaka, Gospodina Rosija, oličenje predstavnika srednje klase, čija popularnost traje do naših dana, zahvaljujući uvek aktuelnim problemima italijanskog društva. U najpoznatije dugometražne filmove Bruna Boceta spadaju West and Soda (1967), Vip my brother superman (1968) i Allegro non Troppo (1976), koji su kritičari proglasili za italijanski pandan čuvenoj Fantaziji Volta Diznija, koji je tokom čitave karijere nastavio da inspiriše Boceta. Za svoje kratke animirane flmove Boceto je dobio mnoga priznanja i nagrade, uključujući četiri ittalijanske Srebrne trake, deset NSF Career nagrada, Zlatnog medveda za film Mr Tao na filmskom fesivalu u Berlinu i nominaciju za Oskara za film Grasshoppers iz 1991. godine. Godine 1995, njegov animirani film Help! uključen je u projekat What a cartoon! produkcijske kuće Hanna & Barbera. Od 2000. godine Bruno je posvećen 2D kompjuterskoj animaciji, stvorivši značajan broj kratkih filmova namenjenih internetu, a prvi među njima, Evropa i Italija, postigao je veliki uspeh širom sveta. Danas ovaj majstor animacije uz punu podršku sopstvenog studija i produkcije u Milanu radi na više 2D i 3D projekata.

ANIMANIMA 2017

Special screenings

Tapum! The Weapons History 1958, 11:07

Two Castles 1963, 3:35

A life in a Tin 1967, 6:15

Opera 1973, 10:28

Baby Story 1978, 10:23

Sigmund 1983, 2:03

Mister Tao 1988, 2:38

Grashoppers Cavallette, 1990, 8:24

Drop 1993, 3:26

Europe & Italy 1999, 6:26

Neuro 2004, 2:40

A Portrait of an Animator: Bruno Bozzetto Wednesday, 6.9.2017, Conference Room, 6:00 pm Bruno Bozzetto (Milan, Italy, 1938) created his first animated short Tapum, the history of weapons back in 1958. This animated short was screened at Cannes and sparked interest amongst the audience as well as the critics, making it possible for him to meet Norman McLaren and John Halas, a very famous British film producer who offered him the chance of collaborating. In 1960 the Bruno Bozzetto Film Company was established in Milan. Thatâ&#x20AC;&#x2122;s when Bruno gave life to his very first and timeless character, Mr Rossi, still very popular today since he embodies the qualities of a middle class man bound to face the evergreen problems of Italian society. Bozzetoâ&#x20AC;&#x2122;s renowned feature films are West and Soda (1967), Vip my brother superman (1968) and Allegro non Troppo (1976), the latter regarded by the critique as the Italian answer to illustrious Fantasia by Walt Disney, who strongly inspired Bruno throughout his career. For the most noteworthy short films, Bozzeto received much recognition as well as many awards including four Italian Silver Ribbons, ten Career Awards, The Golden Bear Award for Mr Tao at the Berlin Film Festival and an Oscar Nomination for Grasshoppers in 1991. In 1995 Help! became part to the project What a cartoon! by Hanna& Barbera. Since 2000 Bruno has been devoting himself to 2D computer animation, creating a significant number of short films, destined to the Internet, the very first of which Europe and Italy gained great success worldwide. Today, Bruno Bozzetto with the full support of his own Studio of Production, Studio Bozzetto & Co., based in Milan, has been working on several 2D and 3D projects.

ANIMANIMA 2017

Posebne projekcije

Dugometražni dokumentarni film: Bozzetto Non Troppo Subota, 9.9.2017, Velika sala, 14:00 Scenariio i režija: Marko Bonfanti, Italija, 2016, 74’ Produkcija Zagora i Istituto Luce-Cinecittà, sa Sky Arte HD Titlovano na engleskom

Protagonista ovog filma to radi više od 50 godina: načinio je više od 300 dugometražnih, kratkih animiranih filmova i animacija za televiziju i Internet, pri čemu nastavlja da radi s nesmanjenim žarom, uz oduševljenu podršku miliona gledalaca širom sveta. Dobitnik je Zlatnog medveda i nominacije za Oskara, uz mnoge nagrade i priznanja širom sveta. Na međunarodnoj sceni važi za genija animacije, rame uz rame sa Mijazakijem, Džonom Laseterom iz Piksara, Nikom Parkom i autorom Simpsonovih, Metom Groningom (od kojih neki izričito navode uticaj koji je na njih izvršio). Kada su u pitanju nagrade i priznanja, on je poslovično uzdržan, što je svakako jedan od razloga zbog čega mnoge iznenadi kada otkriju svu veličinu njegovog majstorstva, ili – kako to neki vole da kažu jednostavno – legende. On je Italijan, i njegovo ime je Bruno Boceto. Sa svojim protagonistom kao vodičem, Bozzetto Non Troppo nas vodi u njegov svet, dom i kancelariju. Upoznaje nas sa svojim ljubimcima, čanovima porodice, prijateljima i saradnicima: Bruno Boceto je naš domaćin – kako u svom autu, tako i, sa olovkom u ruci, u svojim snovima.

ANIMANIMA 2017

Special screenings

Feature documentary film: Bozzetto Non Troppo Saturday, 9.9.2017, Grand Hall, 2:00 pm Written and directed by: Marco Bonfanti, Italy, 2016, 74’ Produced by: Zagora and Istituto Luce-Cinecittà with Sky Arte HD Subtitled in English

It’s something the protagonist of this film has been doing for over 50 years: he has made more than 300 feature films, short films and animations for television and the web, and he is still at it, loved by millions of viewers around the world. He has received a Golden Bear, an Oscar nomination, and prizes and tributes from all over the world, and he is internationally considered a genius of animation, his name standing beside those of Miyazaki, John Lasseter of Pixar, Nick Park and Matt Groening of The Simpsons (some of whom cite him explicitly as an influence). He is rather reserved when it comes to all the rewards and glories, though, which is another reason why it’s always a surprise to discover that he really is a maestro – what some people simply call a legend. He is an Italian, and his name is Bruno Bozzetto. With its protagonist as our guide, Bozzetto Non Troppo takes us into his world, his home and his office. He introduces us to his animals, his family, friends and co-workers: Bruno Bozzetto is our host – both in his car and, pencil in hand, in his dreams.

ANIMANIMA 2017

Eli Sagi Alter & Reut Elad 2014, 7:30

Drugim rečima Tal Kantor 2015, 5:55

Ovako počinje Shahaf Ram 2014, 6:55

Svakodnevna hronika Inbal Bentzur & Itan De-Botton 2016, 08:55

Topli sneg Ira Elshansky 2014, 5:23

Luma Carmel Ben Ami & Sohini Tal 2014, 8:32

Glava Stav Levi 2015, 4:20

Leteći Puci Ido Behar 2016, 05:58

Način postojanja Kobi Vogman 2014, 5:45

Ogledala Yali Herbet, Lee Dror 2015, 6:47

Ptice selice Daphna Awadish 2015, 9:09

Posebne projekcije

Škola u gostima: Akademija za umetnost i dizajn Besalel (Izrael) Sreda, 6.9.2017, Velika sala, 19:30 Akademija za umetnost i dizajn Besalel sa ponosom predstavlja selekciju kratkih animiranih filmova nastalih tokom prethodnih pet godina na Odseku za ekranske umetnosti. Pored visokog nivoa umešnosti u različitim tehnikama animacije, filmovi demonstriraju i impresivnu sposobnost stvaranja efikasnog filmskog doživljaja primenom narativa, strukture i humora. Nastali na najprominentnijoj izraelskoj školi animacije, pod mentorstvom i vođstvom prefinjenih animatora i medijskih stvaralaca, ovi filmski radovi van svake sumnje predstavljaju pravi praznik kreativnosti i originalnosti mladih filmskih umetnika savremenog Izraela. Program će predstaviti Tal Gadon, viši predavač na Odseku za ekranske umetnosti Akademije za umetnost i dizajn Besalel.

ANIMANIMA 2017

Special screenings

Eli Sagi Alter & Reut Elad 2014, 7:30

In Other Words Tal Kantor 2015, 5:55

Visiting School: Bezalel Academy of Art & Design (Israel) Wednesday, 6.9.2017, Grand Hall, 7:30 pm

This is How it Starts Shahaf Ram 2014, 6:55

The Bezalel Academy of Art & Design is proud to present a selection of short animated films produced in the Screen Based Arts Department over the past five years.

Everyday Chronicle Inbal Bentzur & Itan De-Botton 2016, 08:55

The films, apart from showing a high degree of mastery of the various animation techniques also demonstrate an impressive ability to form effective cinematic experiences by use of narrative, structures and humor.

Warm Snow Ira Elshansky 2014, 5:23

Made in the most prominent animation school in Israel, mentored and guided by highly skilled animators and media people, these cinematic works is certainly a celebration of creativity and originality by young Israeli filmmakers today.

Luma Carmel Ben Ami & Sohini Tal 2014, 8:32

Head Stav Levi 2015, 4:20

Flying Putzi Ido Behar 2016, 05:58

A Way of Being Kobi Vogman 2014, 5:45

Mirrors Yali Herbet, Lee Dror 2015, 6:47

Journey Birds Daphna Awadish 2015, 9:09

The program will be introduced by Tal Gadon, a senior lecturer at the Bezalel Academy Screen Based Arts Department.

ANIMANIMA 2017

Posebne projekcije

Kamera je na pauzi: Stiven Vološin Četvrtak, 7.9.2017, Velika sala, 19:30 01

Free Speech Sound, experimental 2012, 00:20

Playtime Sound, animation 2009, 2:44

The Babble On Palms Sound, animation 2002, 4:00

The Curse of the Voodoo Child Sound, animation 2005, 3:20

Fiesta Brava Sound, animation 2011, 3:30

Chronicle Reconstructions Sound, experimental 2008, 3:00

Bru Ha Ha! Sound, animation 2002, 2:00

1000 Plateaus (2004-2014) Sound, animation 2014, 3:21

SNIP Sound, animation 2004, 1:30

Rebuttal Sound, animation 2005, 2:00

The Rosetta Stone Sound, experimental 2010, 5:03

The Homestead Act Sound/silent, experimental 2009, 8:00

Stiven Wološin rođen je u kanadskom gradu Lavalu 1960. godine. Tokom više od 30 godina, s puno posvećenosti, načinio je više od 50 nagrađivanih apstraktnih filmova i vremenskih instalacija za festivale, galerije i muzeje. Pored dvostruke nominacije za nagradu koju dodeljuje Generalni guverner Kanade, Stiven je dobitnik i brojnih donacija za podsticaj istraživačkom i kreativnom stvaralaštvu. Među najnovijim priznanjima su dve nagrade za životno delo: nagrada René Jodoin koju je dobio 2016. godine, kao i nagrada na festivalu u Visbadenu, iz 2015. godine. Vološin je predavač, konzervator filma, animator, vešt zanatlija i autor dve knjige: Recepti za rekonstrukciju: Kuvar za štedljivog filmskog radnika (2010), praktičnog priručnika za propadanje, obnovu i druge ručne, analogne filmske tehnike, i knjige Scratch, Crackle & Pop! Integralni pristup izradi filma bez kamere (2015). Pod sopstvenim brendom Scratchatopia, Vološin je prezentovao dve samostalne retrospektive i održao veliki broj radionica i stručnih predavanja u oblasti manuelnih tehnika izrade filma u Argentini, Maroku, SAD, Sloveniji, Australiji, Francuskoj, Velikoj Britaniji, Grčkoj, Portugalu, Španiji, Slovačkoj, Poljskoj, Meksiku, kao i širom Kanade.

ANIMANIMA 2017

Special screenings

Camera Takes Five: Steven Woloshen Thursday, 7.9.2017, Grand Hall, 7:30 pm 13

Ditty Dot Comma Sound, animation 2001, 3:00

Casino Sound, animation 2016, 3:45

National Tapestry Silent, experimental 2015, 2:00

Changing Evan Sound, animation 2006, 1:15

Minuet Sound, animation 2003, 1:00

When the Sun Turns into Juice Sound, animation 2011, 2:00

Two Eastern Hair Lines Sound, animation 2004, 4:00

Shimmer Box Drive Sound, animation 2007, 3:45

Crossing Victoria Sound, experimental animation 2013, 4:00

Pepper Steak Sound, animation 1984, 3:00

Cameras Take Five Sound, animation 2003, 3:00

Steven Woloshen was born in Laval, Canada in 1960. For more than 30 years, he has passionately created over 50 award-winning, abstract films and time-based installations for festivals, galleries and museums. Twice nominated for Canada’s Governor General’s award, he has received numerous research and creation grants and, most recently, was awarded the 2016 René Jodoin lifetime achievement award, and 2015 Wiesbaden Lifetime Achievement Award. Woloshen is a teacher, film conservationist, animator, craftsman and the author of two books, Recipes for Reconstruction: The Cookbook for the Frugal Filmmaker (2010), a hands-on manual for decay, renewal and other handmade, analogue film techniques, and Scratch, Crackle & Pop! A Whole Grains Approach to Making Films without a Camera (2015). Under his own banner, Scratchatopia, Woloshen has hosted solo retrospectives and taught handmade filmmaking techniques at workshops and master classes in Argentina, Morocco, USA, Slovenia, Australia, France, Great Britain, Greece, Portugal, Spain, Slovakia, Poland, Mexico as well as across Canada.

ANIMANIMA 2017

Nebo Faidra Derizioti 2015, 5:16

Sigurno mesto Angelos Roditakis 2014, 1:54

Ethnofobija Joan Zhonga 2016, 14:21

The Fountain of Youth Panagiotis Rappas 2011, 15:45

Apodemija Katerina Athanasopoulou 2012, 5:03

List topole Irini Vianelli 2015, 3:48

Selo Stelios Polychronakis 2010, 14:24

Moja punjena baka Effie Pappa 2014, 9:34

Posebne projekcije

Savremena grčka animacija: Portreti jedne zemlje Petak, 8.9.2017, Velika sala, 19:30 Animacija u Grčkoj ima svoje autorske forme (među čijim začetnicima su umetnici poput Žorža Sifianosa, Stratosa Stasinosa, Jordana Ananiadisa), kao i forme namenjene emitovanju, odnosno urađene po narudžbini (Artoon, Magicon, TimeLapse Pictures, Kounoupi) čiji je uticaj, uprkos neospornog kvaliteta, ostao mahom ograničen na lokalnu scenu. Možda je krivac za to i državno finansiranje umetničkih projekata ove vrste, koje nikada nije omogućavalo dobro organizovanu i stabilnu dugoročnu produkciju. Uprkos ovome, grčka kriza (od 2009. godine, do danas) kao da je udahnula neku novu vitalnost u nezavisnu animaciju u Grčkoj. Naime, grčki umetnici – i to mahom oni koji žive i rade van granica zemlje – pomerili su granice balkanske satire, stvorivši kompleksne portrete u trećem liicu, angažovane koliko i obaveštene, raznovrsne figure jedne zemlje u raspadu. Nakon dugih godina odsustva sa glavne scene, Grčka je 2010. godine ponovo imala svog predstavnika, stop motion elegiju Selo (The Village) Steliosa Polihronakisa u takmičarskom programu festivala u Ansiju. Nasos Vakalis izazvao je poplavu šoka svojim političkim hororom Večera za nekolicinu (Dinner for few, 2014), dok je Efi Papa nastupila sa gorko-slatkom atinskom satirom Moja punjena baka (My Stuffed Granny). Sada su tu i novi talenti (I. Vianeli, A. Roditakis), prisutni na sceni zajedno sa priznatim profesionalcima (P. Rapas, K. Atanasopolu, J. Zonga). Festivali animacije u periodu nakon 2005. godine (Animfest u Atini, Animasiros na Sirosu, Be there! na Krfu, Solunski festival animacije), kao i obnovljena inicijativa 'ASIFA Hellas' u znak proslave 70 godina grčke animacije (2015.), iznenada su uneli živost u grčku animaciju. I dok se na jednoj strani priprema novi zakon o međunarodnoj koprodukciji, nadareni autori – radeći nezavisno – pripremaju mnoštvo novih portreta jedne zemlje. Držimo im palčeve. Vasilis Kroustalis, Glavni urednik, Zippy Frames Umetnički direktor, Be there! Corfu Animation Festival, Ambasador Grčke za Evropske nagrade za animaciju

ANIMANIMA 2017

Special screenings

Ciel Faidra Derizioti 2015, 5:16

Safe Place Angelos Roditakis 2014, 1:54

Ethnophobia Joan Zhonga 2016, 14:21

The Fountain of Youth Panagiotis Rappas 2011, 15:45

Apodemy Katerina Athanasopoulou 2012, 5:03

The Leaf of the Poplar Irini Vianelli 2015, 3:48

The Village Stelios Polychronakis 2010, 14:24

My Stuffed Granny Effie Pappa 2014, 9:34

Contemporary Greek Animation: Portraits of A Country Friday, 8.9.2017, Grand Hall, 7:30 pm Animation in Greece in both its auteurist (Georges Sifianos, Stratos Stasinos, Jordan Ananiadis among the pioneers) and broadcast/commissioned forms (Artoon, Magicon, TimeLapse Pictures, Kounoupi companies) tended to be a fine but mainly a home-grown affair. Blame it to the Greek State funding, which never allowed for a scheduled and safe animation production timeline. Still, the Greek Crisis (2009-present) brought forward a renewed vitality of Greek independent animation. Greek artists â&#x20AC;&#x201C;mostly outside Greece â&#x20AC;&#x201C; moved beyond Balkan satire to create complex, third-person, but informed and engaged, varied portraits of a country torn apart. After many years of Greek absence, the stop-motion elegy The Village by Stelios Polychronakis competed at the 2010 Annecy festival (official competition). Nassos Vakalis created shock waves with his political horror Dinner for few (2014), while Effie Pappa offered a bittersweet Athenian satire in My Stuffed Granny. New talents (I. Vianelli, A. Roditakis) now present along with established professionals (P. Rappas, K. Athanassopoulou, J. Zhonga). Animation festivals after 2005 (Animfest Athens, Animasyros, Be there! Corfu, Thessaloniki Animation Festival), and a renewed ASIFA Hellas iniatitive to celebrate the 70 years of Greek animation (2015) made the Greek animation scene suddenly happier. A new law regarding international co-productions is currently under negotiation, and more portraits of a country are now being independently prepared. Cross your fingers. Vassilis Kroustallis, Head Editor, Zippy Frames artistic director, Be there! Corfu Animation Festival, European Animation Awards Ambassador for Greece

ANIMANIMA 2017

Ovde traži pa ćeš naći! Milijon! Ernest Bošnjak Boer film, 1925, 2:06

Blago arhiva: Srpski animirani film 1925-1968

Reklama za cipele „Tasić- Đonović“, 1928–30, 1:33

Petak, 8.9.2017, Mala sala, 18:00

Pecaroš i ribica Miroljub Stošić Studio Stošić, 1940–44, 0:34

Pionir i dvojka Vera i Ljubiša Jocić Avala film, 1949, 15:07

Dečak i zmaj Vera i Ljubiša Jocić Avala film, 1954, 9:54

„Kraš“ revija Marijan Vajda Filmsko odeljenje Biroa za organizaciju i unapređenje trgovinske mreže NR Srbije, 1953, 2:36

Rok Divna Jovanović Kino klub Beograd, 1961, 2:23

Čovek od krede Nikola Majdak Avala film, 1963, 3:18

Solista Nikola Majdak Avala film, 1963, 9:56

Avantura Slavko Marjanac Avala film, 1963, 8:52

Rondo Divna Jovanović Dunav film, 1963, 3:50

Rampa Ivo Kušanić Studio animiranog filma Kulturnog centra, Beograd, 1966, 6:54

Pardon Nikola Majdak, Kurt Linda Dunav film/Linda film, 1966, 6:42

Konfekcija Ivo Kušanić Studio animiranog filma Kulturnog centra, Beograd, 1967, 7:37

Zaljubljen u tri kolača Nikola Majdak Neoplanta film, 1967, 6:38

Analiza Borislav Šajtinac Neoplanta film, 1968, 2:16

Posebne projekcije

Program SRPSKI ANIMIRANI FILM 1925-1968 bazira se na DVD izdanju SRPSKI ANIMIRANI FILM 1 objavljenom 2016. u Beogradu. Svi filmovi iz ove kolekcije telekinirani su sa 35mm filmske trake u Arhivu jugoslovenske kinoteke i predstavljaju prvi deo retrospektive srpske animacije, koji obuhvata period od najstarijih pronađenih animiranih materijala u Srbiji do 1968. Najraniji materijal potiče iz 1925. godine, i reč je o onovremenoj reklami za lutriju, pod nazivom Ovde traži pa ćeš naći! Milijon!, Ernesta Bošnjaka. Na listi je i minijatura Pecaroš i ribica, fotografa iz Niša Miroljuba Stošića, koja se smatra prvi srpskim crtanim filmom. Neizostavna su imena Vere i Ljubiše Jocić, čiji je film iz 1949. Pionir i dvojka označio početke srpske animacije i prvu značajnu nagradu, Zlatnog lava na festivalu u Veneciji, 1951. godine. Početak šezdesetih svedoči prvim srpskim profesionalnim ostvarenjima, Čovek od krede i Solista, a oba potpisuje autor velikog entuzijazma i kreativne energije, Nikola Majdak. Film Pardon Majdak radi zajedno sa Nemcem Kurtom Lindom, u koprodukciji Dunav filma i Linda filma iz Minhena, glavni crtež potpisuje Borislav Šajtinac, što je bio i debi ovog autora u animiranom filmu, čije ostvarenje iz 1968. godine Analiza i zatvara ovaj program. Izdavači: CEBEF-63. Beogradski festival dokumentarnog i kratkometražnog filma, Jugoslovenska kinoteka i Avala Film Way, pod pokroviteljstvom Ministarstva kulture i informisanja Republike Srbije i Filmskog centra Srbije

ANIMANIMA 2017

Special screenings

Search Here And You’ll Find! A Million! Ernest Bošnjak Boer film, 1925, 2:06

Treasure of Archives: Serbian Animated Film 1925-1968

“Tasić–Đonović” Footwear Commercial 1928–30, 1:33

Friday, 8.9.2017, Conference room, 6:00 pm

The Fisherman And The Little Fish Miroljub Stošić Studio Stošić, 1940–44, 0:34

Pupil And A Bad Mark Vera & Ljubiša Jocić Avala film, 1949, 15:07

The Boy And the Kite Vera & Ljubiša Jocić, Avala film, 1954, 9:54

“Kraš” Show Marijan Vajda Filmsko odeljenje Biroa za organizaciju i unapređenje trgovinske mreže NR Srbije, 1953, 2:36

The Deadline Divna Jovanović Kino klub Beograd, 1961, 2:23

The Chalk Man Nikola Majdak Avala film, 1963, 3:18

The Soloist Nikola Majdak Avala film, 1963, 9:56

The Adventure Slavko Marjanac Avala film, 1963, 8:52

Rondo Divna Jovanović Dunav film, 1963, 3:50

The Railroad Barrier Ivo Kušanić Studio animiranog filma Kulturnog centra, Beograd, 1966, 6:54

Pardon Nikola Majdak, Kurt Linda Dunav film/Linda film, 1966, 6:42

Clothing Industry Ivo Kušanić Studio animiranog filma Kulturnog centra, Beograd, 1967, 7:37

In Love With Three Cakes Nikola Majdak Neoplanta film, 1967, 6:38

The Analysis Borislav Šajtinac Neoplanta film, 1968, 2:16

The programme SERBIAN ANIMATED FILM 1925-1968 is based on the DVD edition SERBIAN ANIMATED FILM 1, published in 2016 in Belgrade. All of the films from this collection have been taken from the 35 mm film stock, courtesy of the Yugoslav Film Archive, as the first part of the retrospective of the Serbian animation, from the earliest discovered works, to 1968. The oldest material dates back to 1925: it is a advertisement of the time for lottery, titled Search Here And You’ll Find! A Million! made by Ernest Bošnjak. The list includes The Fisherman and the Little Fish made by Miroljub Stošić, a photographer from Niš, a miniature which is considered to be the first Serbian animated film. The list contains the key names of Vera and Ljubiša Jocić, whose 1949 Pupil And A Bad Mark signified the beginning of Serbian animation, as well as its first major recognition, the Golden Lion at the Venice Festival in 1951. Early 1960s witnessed the first Serbian professional releases, The Chalk Man and The Soloist both signed by Nikola Majdak, an author of enormous enthusiasm and creative energy. He made his film Pardon in collaboration with the German author Kurt Linda, a co-production of Dunav film and the Linda Film from Munich, with Borislav Šajtinac making his animated debut as the main drawing artist; a film by the same artist, Analysis, from 1968, closes this programme. Publishers: CEBEF-63. Belgrade Festival of Documentary and Short Film, Yugoslav Film Archive and Avala Film Way, under auspices of the Ministry of Culture and Information of the Republic of Serbia and the Film Center of Serbia.

ANIMANIMA 2017

Lil Dicky: "Pillow Talking" Feat. Brain Reditelj: Tony Yacenda Produkcija: Giant Propeller 10:54

Pohlepni bacil Reditelj: Fang Yu Hsu, Cheng Hao Chen 4:55

Sreda sa Godarom Reditelj: Nicolas Ménard 4:30

M.A.M.O.N. Monitor protiv Meksikanaca širom nacije Reditelj: Alejandro Damiani Produkcija: Aparato 5:55

Manje od ljudskog bića Reditelj: Steffen Bang Lindholm Produkcija: The Animation Workshop 6:09

Druga polovina Reditelj: Ben West Produkcija: Framestore Pictures 9:45

Nepoznata planeta Reditelj: Shawn Wang 9:15

Putnik Reditelj: Loïc Magar 9:49

Gresi Reditelj: Blinkmybrain 3:53

Gospođa Metro Reditelj: Aggelos Papantoniou 4:23

Coldplay "Up&Up" Reditelji: Vania Heymann, Gal Muggia Produkcija: Prettybird UK 4:10

Obmotani Reditelj/Animatori: Roman Kaelin, Falko Paeper, Florian Wittmann 4:06

Posebne projekcije

Specijalna projekcija: STASH THIS! Petak, 8.9.2017, Velika sala, 22:30 Festival ANIMANIMA još jednom pozdravlja kreativni tim portala STASH TV iz Toronta! Podsećamo: STASH TV je najveća svetska onlajn videoteka animacije, specijalnih efekata i moušn dizajna, čiji je sastavni deo i mnoštvo posebnih sadržaja koji se odnose na unapređenje znanja u oblasti struke. Filmovi, muzički i advertajzing klipovi, ekesperimentalni video, podaci o produkciji, making-of, foto material... Ali-Babina pećina za sve one koji su ili profesionalno, ili kao pasionirani i dobro obavešteni gledaoci, okrenuti oblasti animacije i specijalnih efekata (VFX). Revija filmova odabranih za specijalni program 11. izdanja Animanime će pokazati kako se ponaša trampoidni “transformers” u obračunu sa Meksikancima, kako izgleda šaputanje na jastuku sa mozgom, a kako sreda sa Godarom, i šta vam je činiti kad vas jedna polovina tela i doslovno napusti, a šta ako biste da intervjuišete zombija. Bizarno? Uvrnuto? Neodoljivo? Vrhunska animacija & VFX? Sve to i mnogo više od toga!

ANIMANIMA 2017

Special screenings

Lil Dicky: "Pillow Talking" Feat. Brain Director: Tony Yacenda Production: Giant Propeller 10:54

Greedy Germ Directors: Fang Yu Hsu, Cheng Hao Chen 4:55

Wednesday With Goddard Director: Nicolas Ménard 4:30

M.A.M.O.N. Monitor Against Mexicans Over Nationwide Director: Alejandro Damiani Production: Aparato 5:55

Less Than Human Director: Steffen Bang Lindholm Production: The Animation Workshop 6:09

Otherhalf Director: Ben West Production: Framestore Pictures 9:45

Planet Unknown Director: Shawn Wang 9:15

Voyager Director: Loïc Magar 9:49

Sins Director: Blinkmybrain 3:53

Mrs. Metro Director: Aggelos Papantoniou 4:23

Coldplay "Up&Up" Directors: Vania Heymann, Gal Muggia Production: Prettybird UK 4:10

Wrapped Directors/Animators: Roman Kaelin, Falko Paeper, Florian Wittmann 4:06

Special screening: STASH THIS! Friday, 8.9.2017, Grand Hall, 10:30 pm The ANIMANIMA Festival once again welcomes the creative team of the STASH TV portal from Toronto! It is worth noting here that STASH TV is the world’s largest video collection of online animation, special effects and motion design, comprising a host of special contents related to advancement of knowledge in the profession. Films, musical and advertising videos, experimental videos, information about production, making-of, photo material... an Ali-Baba’s cave for all of those who are either professionals or simply passionately well-informed lovers of animation and VFX. The review of films chosen for the special programme of 11th Animanima will show the behavior of the trumpoid “Transformers” in a fight with Mexicans, pillow talk with the brain, a Wednesday with Godar, as well as what to do when a half of your body literally walks out on you, or what to do if one had to interview a zombie. Bizarre? Weird? Irresistible? Superlative animation & VFX? All of this, and much more!

ANIMANIMA 2017

Takmičenje filmova za decu 01 / Films for Chldren Competition 01

Takmičenje filmova za decu 01 / Films for Chldren Competition 01 Sreda, 6.9.2017, Velika sala, 12:00 / Wednesday, 6.9.2017, Grand Hall, 12:00 am

Selfimačka SelfieCat

Hamlet. Komedija. Hamlet. Comedy.

U nadi da bi mogla da pobedi na takmičenju, četrnaestogodišnja Viktorija očajnički pokušava da napravi selfi sa svojim debelim mačkom Kolačićem. Jedini problem je što Kolačić hitno mora u “toalet”.

Deca sa strogom učiteljicom dolaze u pozorište, a na sceni je “Hamlet”. Deci je dosadno, počinju da se smeju i da prave lom...

Victoire, a 14 year old girl, tries desperately to take a selfie with her obese cat, Cupcake, in the hopes of winning a contest. The problem is, Cupcake urgently needs to get to his litter box.

Children with their strict teacher came to the theater, where was a play “Hamlet” performed. Children are bored and start laugh and vandalize...

Francuska / France, 2016, 3:15

Rusija / Russia, 2016, 5:00

3D kompjuter / 3D Computer

Crtež, isečci, 2D kompjuter / drawing, cut-outs, 2D computer

Režija / Direction: Geoffrey Assie, Emeline Bernard, Elsa Divet

Produkcija / Production: ArtFX

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Izvorni naslov / Original title: Gamlet. Komedia. Režija / Direction: Eugeniy Fadeyev Scenario / Script: Eugeniy Fadeyev Animacija / Animation:

Eugeniy Fadeyev Montaža / Editing: Eugeniy Fadeyev Dizajn zvuka / Sound design: Nikolay Khitruk Produkcija / Production: School-Studio "SHAR" Anna Ostalskaya www.sharstudio.com sharstudia@gmail.com

ANIMANIMA 2017

Takmičenje filmova za decu 01 / Films for Chldren Competition 01

Požuri, Herolde! Hurry up, Herold!

Šrapnel The Shrapnel

Herold je super heroj i tata u kostimu Supermena pred izazovnim zadatkom: stići na vreme na ćerkinu rođendansku zabavu, ruku punih poklona, naravno.

Vojnik je ranjen u ratu i vratio se kući. Tamo ga čeka njegova majka...

Herold is a superhero and a dad, wears a superman unitard, facing a particularly challenging task: his daughter Ursel demands his presence at her birthday party, on time and bearing gifts, of course.

A soldier had been wounded at war and returned home. His mother was waiting for him there...

Nemačka / Germany, 2017, 8:00

Rusija / Russia, 2016, 4:10

2D kompjuter / 2D computer

Crtež, isečci, slikanje na staklu / Drawing, cut-outs, paint on glass

Izvorni naslov / Original title: Höchste Zeit, Herold! Režija / Direction: Francie Liebschner Scenario / Script: Anke Kuhl Animacija / Animation:

Jörg Halsema, Olaf Ulbricht Montaža / Editing: Stefan Urlass Dizajn zvuka / Sound design: Frieder Zimmermann Produkcija / Production: Balance Film Francie Liebschner www.balancefilm.de francie.liebschner@balancefilm.de

Izvorni naslov / Original title: Oskolok Režija / Direction: Dmitry Ivanov Scenario / Script: Dmitry Ivanov Animacija / Animation:

Dmitry Ivanov Montaža / Editing: Dmitry Ivanov Dizajn zvuka / Sound design: Nikolay Khitruk Produkcija / Production: School-Studio "SHAR" Anna Ostalskaya www.sharstudio.com sharstudia@gmail.com

ANIMANIMA 2017

Takmičenje filmova za decu 01 / Films for Chldren Competition 01

Rodžer Roger

Niko Nobody

Rodžer igra glavnu ulogu u stop-motion animiranoj seriji. On doživi nesreću na setu i bude izbačen iz serije. Sve je izgubljeno, dok nešto neočekivano ne promeni njegovu sudbinu.

Beli mačak neprestano pokušava da dođe do hrane, ali niko se ne obazire na njega. Sve dok mu u tihom očaju, jer je i sama prošla kroz isto, mala bela ptičica ne pomogne.

Roger plays the leading role in an stop motion animation series. He suffers an accident on set that leaves him out of the series. All is lost for him, until something unexpected will change his fate.

A white cat that makes many attempts to get food, but no one pays attention to him. Until in quiet desperation, a small white bird as if it had gone through the same steps, helps the cat.

Španija / Spain, 2016, 7:00

Iran / Iran, 2016, 10:00

Stop motion

2D kompjuter / 2D Computer

Režija / Direction: Ingrid Masarnau Amorós (Foto a Foco) Scenario, animacija, montaža, / Script, Animation, Editing: Ingrid Masarnau Amorós, Sonia Cendón Quireza, Sara Esteban

Riera, Arnau Gòdia Montesinos, Martí Montañola Vilet (Foto a Foco) Dizajn zvuka / Sound design: Thiago Rocha Produkcija / Production: 2 Mentes Films

Foto a Foco www.promofest.org/films/roger info@promofest.org

Izvorni naslov / Original title: Hichkas Režija / Direction: Elham Toroghi Scenario / Script: Elham Toroghi Animacija / Animation:

Elham Toroghi Montaža / Editing: Elham Toroghi Dizajn zvuka / Sound design: Farshid Jalili, Mohammad Abbasi Produkcija / Production: Elham Toroghi Yousef Kargar www.festivals.fidanfilm.ir yusef.kargar@gmail.com

ANIMANIMA 2017

Takmičenje filmova za decu 01 / Films for Chldren Competition 01

Jubilej Jubilee

Mali tango argentino Tanguito Argentino

Život nije tako miran za kraljevsko pseto i kraljevsku stražu.

Dve ulične lampe plešu pod mesečinom uz divne zvuke tanga. Uske uličice Buenos Airesa postaju mistična scena u kojoj neki momci izvode jedno od remek dela Astora Pjacole “Fuga y Misterio”.

Life is not that quiet for the royal dog and a royal guard.

Two post lights dancing under the moonlight by the beautiful sound of tango. The streets of “el caminito” in Buenos Aires become the mystic scenery where some fellows will perform one of Astor Piazzolla´s master pieces “Fuga y Misterio”.

Francuska / France, 2016, 7:27

Argentina / Argentina, 2017, 8:00

3D kompjuter / 3D Computer

Režija / Direction: Coralie Soudet, Charlotte Piogé, Marion Duvert, Marie El Kadiri, Agathe Marmion

Produkcija / Production: MOPA

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Režija / Direction: Joaquin Braga Scenario / Script: Joaquin Braga Animacija / Animation: Joaquin Braga

Montaža / Editing: Joaquin Braga Dizajn zvuka / Sound design: Marcos Braga Produkcija / Production: Animac Joaquin Braga

Joaquin Braga webmaster@animac3d.com.ar

ANIMANIMA 2017

Takmičenje filmova za decu 02 / Films for Chldren Competition 02

Takmičenje filmova za decu 02 / Films for Chldren Competition 02 Četvrtak, 7.9.2017, Velika sala, 12:00 / Thursday, 7.9.2017, Grand Hall, 12:00 am

Gospodin Noć ima slobodan dan Mr Night Has a Day Off

Čarlijevi prednji zubi Charlie’s Buck Teeth

Zašto noć smenjuje dan? Pa, ako ti se nešto ne sviđa, ti ga promeniš.

Čarli, dečak sa ružnim velikim zubima, uvek se krije iza marame da bi izbegao izrugivanje drugova iz razreda. Ali jednog dana, marama mu odleti u šumu, on krene za njom, i tako otpočne jedno čarobno putovanje.

Why is the night changing the day? Well, when you don’t like something, you change it.

Charlie, a little boy with ridiculous big teeth, always hides behind his scarf to avoid the teasing from his classmates. But one day, his scarf flies away into the forest, force him to look for it... and also push him to start on a magical journey.

Litvanija / Lithuania, 2016, 2:00

Francuska / France, 2016, 6:13

Digitalni isečci, stop motion / Digital cut-out, Stop-motion

3D kompjuter / 3D Computer

Režija / Direction: Ignas Meilunas Scenario / Script: Ignas Meilunas Animacija / Animation: Ignas Meilunas

Izvorni naslov / Original title: Charlie et ses grandes dents Režija / Direction: Esther Lalanne Scenario / Script: Esther Lalanne, Xing Yao, Valentin Sabin, Camille Verninas Animacija / Animation: Esther

Montaža / Editing: Ignas Meilunas Dizajn zvuka / Sound design: Kipras Dominas Produkcija / Production: Ignas Meilunas

Ignas Meilunas vimeo.com/ignas.meilunas ignas.meilunas@gmail.com

Lalanne, Xing Yao, Valentin Sabin, Camille Verninas, Chao-Hao Yang Montaža / Editing: Valentin Sabin Dizajn zvuka / Sound design: Sonia Mokhtari Produkcija / Production: Supinfocom Rubika Azad Lusbaronian www.rubika-edu.com contact@rubika-edu.fr

ANIMANIMA 2017

Takmičenje filmova za decu 02 / Films for Chldren Competition 02

Iza knjiga Beyond the Books

Servis za dostavu 3 male nindže: Damica u nevolji 3 Little Ninjas Delivery Service: Damsel in Distress

Otkrićete beskraj ogromne biblioteke očima starog bibliotekara, sve dok jedan nepredviđen događaj njegov život ne okrene naglavce kao nikada to tada...

Kada jedan ne tako šarmantan Princ sredi zmaja koji je čuvao Princezu iz bajke, ona smesta naručuje novog od Tri Male Nindže. A oni dostavljaju štagod, gdegod, kadgod...

You will discover the immensity of a giant library through the eyes of an old librarian, until an unforeseen event which will turn his life upside down, as never before...

When a not so charming Prince slays the dragon guarding a fairy tale Princess, she promptly orders a new one with the Three Little Ninjas Delivery Service. They deliver whatever, wherever, whenever...

Francuska / France, 2016, 6:38

Belgija / Belgium, 2016, 11:38

3D kompjuter / 3D Computer

2D i 3D kompjuter / 2D & 3D Computer

Režija / Direction: Jerome Battistelli, Mathilde Cartigny, Nicolas Evain, Maena Paillet, Robin Pelissier, Judith Wahler

Produkcija / Production: École MoPA

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Režija / Direction: Kim Claeys & Karim Rhellam Scenario / Script: Kim Claeys & Karim Rhellam Animacija / Animation: Bart Bossaert, Koen Vanschoelant, Sam Verschraegen, Timo Vermeulen

Montaža / Editing: Kim Claeys & Karim Rhellam Dizajn zvuka / Sound design: Gregory Caron Produkcija / Production: Creative Conspiracy

Karim Rhellam www.cc.be karim.r@cc.be

ANIMANIMA 2017

Takmičenje filmova za decu 02 / Films for Chldren Competition 02

Stena Roc’h

Ispremeštan Scrambled

U unutrašnjosti Bretanje skakavac se predaje čudnom ritualu milujući kamenje. Ubrzo će probuditi druga za igru.

Zakasnivši na voz, devetnaestogodišnja Ezra ubija vreme igrajući igricu na smartfonu, a starinska Rubikova kocka iskušava njenu pažnju.

In the Breton countryside, a grasshopper makes a strange rite by caressing stones. Soon, she wakes a playfellow.

When 19-year old Esra misses her train and kills time playing a fast-paced, flashy game on her smartphone, a vintage Rubik’s Cube challenges her attention.

Francuska / France, 2017, 2:40

Holandija / Netherlands, 2017, 6:28

2D kompjuter / 2D Computer

3D kompjuter / 3D Computer

Režija / Direction: Julie Rembauville Scenario / Script: Guillaume Crampette Animacija / Animation: Julie Rembauville

Montaža / Editing: Julie Rembauville Dizajn zvuka / Sound design: Julie Rembauville Produkcija / Production: Prototypes Productions

Julie Rembauville films@festival-prototype.com

Režija / Direction: Bastiaan Schravendeel Scenario / Script: Bastiaan Schravendeel Animacija / Animation: Veronyka Jelinek, Quentin Haberham, Bastiaan Schravendeel

Dizajn zvuka / Sound design: Jeroen Nadorp, Robin van der Heiden Produkcija / Production: Tünde Animation

Ursula van den Heuvel www.klik.amsterdam ursula@klik.amsterdam

ANIMANIMA 2017

Takmičenje filmova za decu 02 / Films for Chldren Competition 02

Jednorog The Unicorn

Naša čudesna priroda: Obični kameleon Our Wonderful Nature: The Common Chameleon

Jednog dana maleni kralj je šetao kroz šumu u svom malom kraljevstvu i spazio jedno posve neobično biće, belo kao sneg i brzo kao vetar... Zasnovano na knjizi “Jednorog” Martine Bure.

Do sada neviđene navike ishrane običnog kameleona. The feeding habits of the common cameleon as never seen before.

One day, a little king was walking in the forest of his little kingdom and spied an extraordinary creature, white as snow and fast as the wind... Based on the book “La Licorne” by Martine Bourre.

Francuska / France, 2016, 13:00

Nemačka / Germany, 2016, 3:30

2D kompjuter / 2D Computer

3D kompjuter / 3D Computer

Izvorni naslov / Original title: La Licorne Režija / Direction: Remi Durin Scenario / Script: Arnaud Demuynck, Remi Durin Animacija / Animation: Constantin Beine, Paul Jadoul, Koen De

Koninck, Pierre Mousquet Montaža / Editing: Remi Durin Dizajn zvuka / Sound design: Remi Durin Produkcija / Production: Les Films du Nord Arnaud Demuynck info@lesfilmsdunord.com

Režija / Direction: Tomer Eshed Scenario / Script: Tomer Eshed Animacija / Animation: Lars Kruger

Dizajn zvuka / Sound design: Michal Krajczok Produkcija / Production: Tomer Eshed

David M. Lorenz www.augohr.de david@augohr.de

ANIMANIMA 2017

Takmičenje filmova za decu 03 / Films for Chldren Competition 03

Takmičenje filmova za decu 03 / Films for Chldren Competition 03 Petak, 8.9.2017, Velika sala, 12:00 / Friday, 9.2017, Grand Hall, 12:00 am

Keiro Keiro

Oblak i kit The Cloud and the Whale

Devojčica putuje sa džinovskim bićem koje je prati sve do njenog odrastanja.

Dirljiva priča o prijateljstvu između malog Oblaka i velikog Kita.

A little girl travels with a gigantic creature which goes with her until she reaches adulthood.

A touching story about the friendship between small Cloud and big Whale.

Francuska / France, 2016, 5:12

Rusija / Russia, 2016, 3:34

3D kompjuter / 3D Computer

Crtež / Drawing

Režija / Direction: Tatiana Juskewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, Charlotte Poncin

Produkcija / Production: ARTFX

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Izvorni naslov / Original title: Tuchka i kit Režija / Direction: Alyona Tomilova Scenario / Script: Alyona Tomilova

Animacija / Animation: Yurij Tomilov Dizajn zvuka / Sound design: Nadezhda Shestakova Produkcija / Production: Pchela studio

Alyona Tomilova tomilovs.post@gmail.com

ANIMANIMA 2017

Takmičenje filmova za decu 03 / Films for Chldren Competition 03

Žablja pesma Frog’s Song

Ptičica i gusenica The Little Bird and the Caterpillar

U Lujzijani, kad padne noć, i svi spavaju, žaba počinje da peva u dubinama zaliva.

Ptičica uživa u miru i tišini visoko na svom drvetu, sve dok se ne pojavi neočekivani gost: gusenica bi da proždre zeleno lišće o kome se ptičica brižljivo stara.

In Louisiana, at nightfall, when everybody is falling asleep, a frog has started singing in the depths of the bayou.

The little bird has plenty of peace and quiet high up in its tree, at least until an unexpected guest shows up: the brash caterpillar’s keen on devouring the green leaves that the little bird has cared for so tenderly.

Francuska / France, 2016, 10:38

Švajcarska / Switzerland, 2017, 4:00

Lutke / Puppets

2D kompjuter / 2D Computer

Izvorni naslov / Original title: Le Chant des Grenouilles Režija / Direction: Violaine Pasquet Scenario / Script: Violaine Pasquet, Christophe Fustini Animacija / Animation: Cédric Mer-

cier, Julien Laval, Violaine Pasquet Montaža / Editing: Violaine Pasquet Dizajn zvuka / Sound design: Jérémie Halbert Produkcija / Production: Studio La Fabule Laure Goasguen www.sevefims.com laure@sevefilmc.com

Izvorni naslov / Original title: Der kleine Vogel und die Raupe Režija / Direction: Lena von Döhren Scenario / Script: Lena von Döhren Animacija / Animation:

Lena von Döhren, Nils Hedinger Montaža / Editing: Fee Liechti Dizajn zvuka / Sound design: Christof Steinmann Produkcija / Production: Schattenkabinet Lena von Döhren www.lenalena.org mail@lenalena.org

ANIMANIMA 2017

Takmičenje filmova za decu 03 / Films for Chldren Competition 03

Čika, keruša iz geta Chika, the Dog in the Ghetto

A priori A Priori

Keruša Čika i petogodišnji Mikaš su junaci ove priče smeštene u jevrejski geto u neimenovanom poljskom gradu. Za vreme Drugog svetskog rata Jevrejima je bilo zabranjeno da imaju kućne ljubimce. Jednog dana stiže naređenje da predaju sve pse. Mikaš odbija poslušnost...

Da bi zaštitio svoje knjige, Albert, mladi bibliotekar, mora ostaviti predrasude po strani i sklopiti prijateljstvo sa slepim mišem.

Chika the dog and the five-year old Mikasch are the heroes of this story which is set in a Jewish ghetto in an unnamed Polish city. During World War II it was forbidden for Jews to keep their pets. One day the official orders decreed that Jews have to deliver all dogs. Mikasch refuses to obey this command...

To protect his books, Albert, the young librarian, must put his prejudice aside and make friends with a bat.

Nemačka / Germany, 2016, 16:20

Nemačka / Germany, 2017, 5:40

Stop motion / Stop motion

2D kompjuter / 2D Computer

Izvorni naslov / Original title: Chika, die hündin im ghetto Režija / Direction: Sandra Schiessel Scenario / Script: Carmen Blazejewski Animacija / Animation:

Sandra Schiessel Montaža / Editing: Sandra Schiesl, Bjorn Magsig Dizajn zvuka / Sound design: Thomas Knop Produkcija / Production: Bjorn Magsig, Marion Heinsen David M. Lorenz www.augohr.de david@augohr.de

Režija / Direction: Maïté Schmitt Scenario / Script: Maïté Schmitt Animacija / Animation: Maike Koller, Sion Kim, Emilia Reich, Maïté Schmitt

Montaža / Editing: Yuan Wang Dizajn zvuka / Sound design: Stephan Dominikus Wehrle Produkcija / Production: Filmakademie Baden-Württemberg

Maïté Schmitt maite.schmitt@gmail.com

ANIMANIMA 2017

Takmičenje filmova za decu 03 / Films for Chldren Competition 03

Užina Casse-croûte

Nos(i) Kleopatri! Nobody Nose Cleopatra

Mala šetnja kroz šumu punu stvorenja koja traže neku zakusku.

Niko ne može da nacrta Kleopatrin nos a da se njoj svidi. Hodnici odzvanjaju krikovima onih koji su je razočarali! Ahmesu, negdašnjem robu, slikarskom šegrtu, rečeno je da odnese majstorovo platno kraljici. U palati, njegove nevolje počinju.

A little journey through a forest full of creatures looking for a snack.

Nobody can draw Cleopatra’s nose to her satisfaction. The corridors resound with the screams of those who have disappointed her! Ahmes, an apprentice painter used to menial chores, is asked to take the master’s painting to the queen. At the palace, his troubles begin.

Francuska / France, 2016, 1:00

Francuska / France, 2016, 5:53

3D kompjuter / 3D Computer

Režija / Direction: Burcu Sankur & Geoffrey Godet Scenario / Script: Burcu Sankur & Geoffrey Godet Animacija / Animation: Geoffrey Godet Montaža / Editing:

Burcu Sankur & Geoffrey Godet Dizajn zvuka / Sound design: Burcu Sankur & Geoffrey Godet Produkcija / Production: Burcu & Geoffrey

Burcu Sankur www.vimeo.com/burcugeoffrey bsankur@gmail.com

Izvorni naslov / Original title: Nez en moins disait Cléopâtre Režija / Direction: Chams Chitou, Charlotte Lebreton, Lucie Loiseau, Mikahel Meah, Maxime Monier, Marc Razafindralambo,

Aymeric Rondol, Jonathan Salvi, Anthony Trefleze Produkcija / Production: ISART Digital

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Animanima za decu

Grozomorne rime Utorak, 5.9.2017, Velika sala, 20:00 Po motivima knjige Roalda Dala Režija: Jan Lachauer, Jakob Schuh i Bin-Han To Produkcija: Magic Light Pictures Velika Britanija, 2016, 2 x 30 min

Ratni pilot, izumitelj, špijun – život Roalda Dala bio je često poput života junaka nekog avanturističkog romana. Od pada aviona u Africi, do prijateljstava sa zvezdama Holivuda i susretima sa poznatim ličnostima, od Volta Diznija do predsednika Ruzvelta, njegov život je direktna inspiracija za priče o velikim avanturama, i odslikava se u njegovim najpoznatiji knjigama, od Čarlija i fabrike čokolade, do Matilde. Grozomorne rime predstavlja zbirku njegove poezije objavljene 1982. godine (sa ilustracijama Kventina Blejka). Uovoj parodiji u stihu na tradicionalne narodne priče, Dal daje svoju verziju poznatih bajki, koje se kod njega završavaju na drugačiji i iznenađujući način, umesto poznatih srećnih završetaka. Sada njegova zbirka Grozomorne rime ponovo oživljava na čudesan način u animiranom filmu, genijalno protkanim najpoznatijim stihovima Roalda Dala. Deo prvi: Snežana i Crvenkapa postaju najbolje prijateljice, nakon što Snežana dobija moći Zle kraljice, a Crvenkapu pozivaju kući da se obračuna sa dva gladna vuka, jednim koji je progutao njenu baku i obukao njenu odeću, i drugog, koji bez prestanka guta nesmotrene prasiće. Deo drugi: Dok Džek odrasta, njegova simpatija je Sindi, devojčica iz susedstva. Nju privlači jedan dostojni princ, koga upoznaje na balu, a Džeka ometa džinovski pasulj koji raste u dnu njegove bašte. Da li će oni pronaći put ka pravoj ljubavi?

ANIMANIMA 2017

Animanima for Children

Revolting Rhymes Tuesday, 5.9.2017, Grand Hall, 8:00 pm Based on book by Roald Dahl Directed by: Jan Lachauer, Jakob Schuh and Bin-Han To Produced by: Magic Light Pictures UK, 2016, 2 x 30 min

Fighter pilot, inventor, spy - the life of Roald Dahl is often stranger than fiction. From crashing his plane over Africa to hobnobbing in Hollywood, and his remarkable encounters with everyone from Walt Disney to President Roosevelt – his life is the story of greatest adventures, and how real-life escapades find expression in his most famous books, from Charlie and the Chocolate Factory to Matilda. Revolting Rhymes is a collection of his poems published in 1982 (illustrated by Quentin Blake). In this parody of traditional folk tales in verse, Dahl gives a re-interpretation of well-known fairy tales, featuring surprise endings in place of the traditional happily-ever-after finishes. Now Revolting Rhymes is brought wondrously to life in an animated film, in which ingeniously interweaves five of Roald Dahl’s most famous rhymes. Part One: Snow White and Red Riding Hood become lifelong friends as Snow White takes on the might of the wicked Queen, while Red is called home to deal with a pair of hungry wolves, one who has eaten her grandma and then dressed in her clothes, and another who can’t stop himself from eating some unsuspecting pigs. Part Two: Jack grows up with his heart set on next-door neighbour Cindy. She has her eye turned by the eligible prince at the ball, and Jack gets distracted by a giant beanstalk at the bottom of his garden. Will they find true love?

ANIMANIMA 2017

Svetska panorama / World Panorama

Gde je nestalo cveće Where Have the Flowers Gone Kina / China, 2016, 6:22 Režija / Direction: Sin-Hong Chan

Svetska panorama 01 Velika sala / 6.9.2017. / 14:00 Grand Hall / 6.9.2017 / 14:00 11

Svetska panorama 02 Velika sala / 7.9.2017. / 14:00 Grand Hall / 7.9.2017 / 14:00 21

David M. Lorenz www.augohr.de david@augohr.de

Svetska panorama 03 Velika sala / 8.9.2017. / 14:00 Grand Hall / 8.9.2017 / 14:00

Otpor Resistance Francuska / France, 2016, 7:13 Izvorni naslov / Original title: Résistance Režija / Direction: Alex Chauvet & team

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Svetska panorama / World Panorama

Jaletova Venera Venus of Jale

Beneov horizont Bene’s Horizon

Srbija / Serbia, 2016, 4:56

Francuska / France, 2016, 12:53

Režija / Direction: Igor Kekeljević

Igor Kekeljević www.igor.kekeljevic.com igor.kekeljevic@gmail.com

Izvorni naslov / Original title: L’Horizon de Bene Režija / Direction: Jumi Yoon, Eloic Gimenez

Fabrice Dugast www.3xplus.com fabrik@3xplus.com

Optužen Framed

Lupus Lupus

Italija / Italy, 2017, 7:00

Francuska / France, 2016, 10:38

Režija / Direction: Marco Jemolo

Lights On Lights On www.lightsonfilm.com lightsonteam@gmail.com

Režija / Direction: Carlos Gomez Salamanca

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Svetska panorama / World Panorama

Žar-ptica Firebird

The Junction - Chilly Gonzales & Peaches

Bugarska / Bulgaria, 2016, 7:07

Kanada / Canada, 2016, 4:42

Izvorni naslov / Original title: Zhar Ptitsa Režija / Direction: Velislava Gospodinova

Velislava Gospodinova www.velislavagospodinova.com v_gospodinova@yahoo.com

Režija / Direction: Patrick Doyon

Patrick Doyon www.doiion.com doiion@hotmail.com

Pozorište privida Rodžera Balena Roger Ballen’s Theatre of Apparitions

Krug zla Vicious Cycle

Velika Britanija / UK, 2016, 5:00

Španija / Spain, 2017, 3:00

Režija / Direction: Emma Calder & Ged Haney

Emma & Ged Calder & Haney www.pearlyoyster.com emma@pearlyoyster.com

Režija / Direction: Michael Marczewski

Michael Marczewski www.promofest.org info@promofest.org

ANIMANIMA 2017

Svetska panorama / World Panorama

Projekcija na sofi Projection on Sofa

Biti drvo To be a Tree

Belgija / Belgium, 2016, 6:35

Nemačka / Germany, 2017, 6:14

Izvorni naslov / Original title: Projection sur canapé Režija / Direction: Violette Delvoye

ENSAV - LA CAMBRE www.lacambre.be lacambre@lacambre.be

Režija / Direction: Xin Sun

Xin Sun sunxinanimation@hotmail.com

Most preko reke The Bridge over the River

Na zemlji Grounded

Švajcarska / Switzerland, 2016, 5:45

Francuska / France, 2016, 4:10

Izvorni naslov / Original title: Die Brücke über den Fluss Režija / Direction: Jadwiga Kowalska

David M. Lorenz www.augohr.de david@augohr.de

Režija / Direction: Lucas Durkheim

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Svetska panorama / World Panorama

Tišina Silence

Moje istraživanje My Research

Liban / Lebanon, 2016, 15:00

Francuska / France, 2017, 3:22

Izvorni naslov / Original title: Samt Režija / Direction: Chadi Aoun

Režija / Direction: Charlie Mars, Kazy Uscley

Chadi Aoun www.yelostudio.com chadi@yelostudio.com

Charlie Mars www.charlie-mars.com charlimars@gmail.com

Tantal Tantalus

Grad duhova Ghost Town

Argentina / Argentina, 2016, 5:20

Hrvatska / Croatia, 2017, 12:11

Izvorni naslov / Original title: Tántalo Režija / Direction: Juan Facundo Ayerbe, Christian Krieghoff

Juan Facundo Ayerbe www.facebook.com/tantaloshortfilm tantaloshortfilm@gmail.com

Režija / Direction: Marko Dješka

Sanja Borčić www.zagrebfilm.hr sanja.borcic@zagrebfilm.hr

ANIMANIMA 2017

Svetska panorama / World Panorama

Hromozomska draga Chromosome Sweetheart

More Sea

Japan / Japan, 2017, 4:55

Belorusija / Belarus, 2017, 6:49

Izvorni naslov / Original title: Sensyokutai no Koibito Režija / Direction: Honami Yano

Honami Yano www.honamiyano773.wordpress.com beansb773.g@gmail.com

Režija / Direction: Marharita Tsikhanovich

Marharita Tsikhanovich ritabardak@gmail.com

Fliposkop Fliposcope

Sluga The Servant

Srbija / Serbia, 2017, 4:50

Iran / Iran, 2017, 9:00

Režija / Direction: Krunoslav Jović

Krunoslav Jović www.krunoslavjovic.com krunoslavjovic@gmail.com

Izvorni naslov / Original title: Pishkhedmat Režija / Direction: Farnoush Abedi

Farnoush Abedi farnoosh.abedi@yahoo.com

ANIMANIMA 2017

Svetska panorama / World Panorama

Muslum Müslüm

Tikvice otpora Resistance Zucchinis

Turska / Turkey, 2017, 4:13

Francuska / France, 2016, 6:17

Izvorni naslov / Original title: Müslüm Režija / Direction: Gökhan Okur

Gökhan Okur hello@koffanimation.com

Izvorni naslov / Original title: Les Courgettes De La Résistance Režija / Direction: Mélissa Idri

Azad Lusbaronian www.rubika-edu.com contact@rubika-edu.fr

Preston Preston

Život je bezveze (ali makar imam laktove) Life Sucks (But at least i’ve got elbows)

Francuska / France, 2016, 4:31

Italija / Italy, 2016, 10:00

Režija / Direction: Gabriel Amar, Louis Doucerain, Joseph Heu, William Marcere, Terence Tieu, Morgane Vaast

Laure Goasguen www.sevefims.com laure@sevefilmc.com

Režija / Direction: Nicola Piovesan

Adam Selo elenfantdistribution@gmail.com

ANIMANIMA 2017

Svetska panorama / World Panorama

Malgren Debote Malgrin Debotté

Gamer Girl Gamer Girl

Francuska / France, 2016, 6:08

Hrvatska / Croatia, 2016, 9:26

Režija / Direction: Morgane Marinos

Azad Lusbaronian www.rubika-edu.com contact@rubika-edu.fr

Režija / Direction: Irena Jukić Pranjić

Maša Udovičić www.lumafilm.hr mashaudovicic@gmail.com

Lokus Locus

Minu Minou

Poljska / Poland, 2016, 10:09

Francuska / France, 2016, 5:41

Režija / Direction: Anita Kwiatkowska- Naqvi

Wojciech Leszczynski www.wjt.com.pl wojtek@wjt.com.pl

Režija / Direction: Laura Joy Jourdan, Mathilde Marion, Laura Trouche, Laura Feraud, Margaux Lanusse-Cazalé, Agathe Trébosc

Laure Goasguen www.sevefims.com laure@sevefilmc.com

ANIMANIMA 2017

Dugi metar

Crvena kornjača Sreda, 6.9.2017, Velika sala, 22:30 Izvorni naslov: La tortue rouge Režija: Michaël Dudok de Wit Francuska, Belgija, Japan, 2016, 80:00

Crvena kornjača je priča o čoveku nasukanom na pustom tropskom ostrvu, nastanjenom samo kornjačama, ljuskarima i pticama. Svaki njegov pokušaj odlaska na sklepanom splavu osujećuje misteriozna crvena kornjača... Bez izgovorene rečenice i dijaloga, ova animirana alegorija na vrlo emotivan i jednostavan način pripoveda o stvaranju života vrednog življenja, ispunjenog ljubavlju i uvažavanjem. Film Crvena kornjača je osvojio veliki broj nagrada, među njima specijalnu nagradu žirija u kategoriji Un Certain Regard na filmskom festivalu u Kanu, i Kristal za najbolji animirani dugometražni film na festivalu u Ansiju. Michaël Dudok de Wit (1953, Utreht, Holandija) animator, reditelj i ilustrator. Diplomirao je 1978. na Koledžu umetnosti West Surrey u Velikoj Britaniji. Živi u Londonu, režira i kreira animacije za reklame za televiziju i film, od kojih su mnoge osvojile nagrade. Njegov kratki film Monah i riba (1994) nominovan je za Oskara i dobio je brojne nagrade, među kojima nagradu Cezar za najbolji kratki film i Cartoon d'Or. Njegov najpoznatiji film Otac i kćer (2000) dobio je Oskara, nagradu BAFTA, Gran pri u Ansiju i na desetine drugih značajnih nagrada. Crvena kornjača je njegov prvi dugometražni film.

ANIMANIMA 2016

Feature Films

The Red Turtle Wednesday, 6.9.2017, Grand Hall, 10:30 pm Original title: La tortue rouge Direction: Michaël Dudok de Wit France, Belgium, Japan 2016, 80:00

The Red Turtle is a story of a castaway on a tropical desert island populated only by turtles, crabs and birds. His every attempt to escape on makeshift raft is obstructed by a mysterious red turtle... Without a single sentence of a dialogue, this animated allegory tells a simple, yet highly emotional story of creating a life worth living, filled with love and respect. The Red Turtle is the winner of numerous awards, including the special award of the jury in the category Un Certain Regard at the Cannes film festival, as well as the Crystal for the best animated feature at the film festival in Annecy. Michaël Dudok de Wit (1953, Utrecht, Holland) is an animator, director and illustrator. He graduated at the West Surrey Art College in Great Britain in 1978. He lives in London where he directs and creates animation for advertisements, television and film, many of which have received awards and recognitions. His animated short The Monk and the Fish (1994) was nominated for Oscar and won numerous awards, including Caesar for the best animated short and Cartoon d’Or. His most famous film, Father and Daughter (2000) was awarded and Oscar, as well as the BAFTA award, the Annecy Grand Prix, and dozens of other important awards. The Red Turtle is his first animated feature.

ANIMANIMA 2017

Dugi metar

Psihonauti, zaboravljena deca Četvrtak, 7.9.2017, Velika sala, 22:30 Izvorni naslov: Psiconautas, los niños olvidados Režija: Alberto Vázquez i Pedro Rivero Glavne uloge: Andrea Alzuri (Dinki), Eba Ojanguren (Sandra), Josu Cubero (Zorrito) Španija, 2015, 75:00 Titl na engleskom

Vázquez i Rivero su i ranije uspešno sarađivali, i svakako vredi spomenuti njihov film Birdboy iz 2011. godine, koji im je doneo nagradu Goya, a koji bi se sada mogao posmatrati kao dvanaestominutni prolog podjednako impresivnom dugometražnom filmu. Nakon kratkog osvrta na događaje opisane u pomenutm kratkom animiranom filmu (industrijska katastrofa ubija najveći deo populacije na zabačenom ostrvu, dok se nekolicina preživelih bori sa očajanjem, nasiljem i siromaštvom u svom razorenom okruženju), u Psihonautima pronalazimo iste likove nakon nekoliko godina, gde umesto dece zatičemo adolescente ophrvane nedaćama. Birdboy i Dinki su odlučili da se spasu sa ostrva razorenog ekološkom katastrofom: I dok se Birdboy zatvara i izoluje od spoljašnjeg sveta, Dinki kreće na opasno putovanje, u nadi da će joj se Birdboy priružiti. ALBERTO VASKEZ (Korunja, 1980). Reditelj animacije, ilustrator i crtač stripova. Njegove knjige i stripovi objavljivani su u Španiji, Francuskoj, Italiji, Brazilu, Koreji i drugim zemljama. Napisao je scenario i režirao kratke animarane filmove Birdboy i Unicorn Blood, bazirane na svojim stripovima. PEDRO RIVERO (Bilbao, 1969). Producent, reditelj i scenarista. Za film Goomer dobio je nagradu Goja za najbolji španski dugometražni animirani film u 1999. godini. Producirao je, režirao i napisao scenario za Krizu mesoždera (2007), prvi španski dugometražni animirani film u tehnici fleš animacije za bioskope.

ANIMANIMA 2016

Feature Films

Psychonauts, the Forgotten Children Thursday, 7.9.2017, Grand Hall, 10:30 pm Original title: Psiconautas, los niños olvidados Direction: Alberto Vázquez & Pedro Rivero Main Voices Andrea Alzuri (Dinki), Eba Ojanguren (Sandra), Josu Cubero (Zorrito) Spain, 2015, 75:00

Vázquez and Rivero have collaborated before, notably on 2011’s Goya-winning Birdboy, which can now stand as a 12-minute prologue to the equally impressive feature. After recapping that short’s events briefly (an industrial catastrophe kills much of an isolated island’s population, reducing the survivors to various forms of desperation, violence, and poverty in their devastated environment), Psychonauts finds the same characters several years along, no longer children but angsty adolescents. Birdboy and Dinki have decided to escape from an island devastated by ecological catastrophe: Birdboy by shutting himself off from the world, Dinki by setting out on a dangerous voyage in the hope that Birdboy will accompany her. ALBERTO VÁZQUEZ (A Coruña, 1980) is an animation director, illustrator and cartoonist. His books and comics have been published in Spain, France, Italy, Brazil, Korea and other countries. He has written and directed short animation Birdboy and Unicorn blood based on his comics. PEDRO RIVERO (Bilbao, 1969) is a producer, director and screenwriter. His feature film Goomer, Goya Award for the Best Spanish Animated Feature Film 1999. Producer, director and screenwriter of La Crisis Carnívora (2007), the first Spanish feature film in Flash animation for theatres.

ANIMANIMA 2017

Dugi metar

Moj život kao Tikvica Subota, 9.9.2017, Velika sala, 12:00 Izvorni naslov: Ma vie de courgette Režija: Klod Baras Uloge: Vuk Bulatović, Marko Vukomanović, Marija Simović, Ivan Pavličić, Dimitrije Nikolić, Ivona Ilić, Katarina Kovačević, Dragan Vujić Vujke, Dušica Novaković Švajcarska, Francuska, 2016, 66:00 Sinhronizovan

Devetogodišnji Ikar ostaje bez majke nakon čega sirotište postaje njegov novi dom. Kao novajlija sa neobičnim nadimkom “Tikvica”, on postaje laka meta dežurnog dečaka siledžije u domu. Iako mu je od majke alkoholičarke ostao samo nadimak, a detinjstvo obeleženo tragedijom i samoćom, “Tikvica” nije klonuo duhom. On saznaje da su i druga deca u domu doživela slična traumatična iskustva, tako da će on i njegovi novi drugovi naučiti da nesreća ne mora konačno da definiše nečiji život, što postaje i neophodna poruka za sve nas. Klod Baras (1973), reditelj iz Švajcarske, studirao je ilustraciju i kompjutersku grafiku u školi „Emil Kol“ u Lionu. Studirao je i kompjutersku grafiku u Kantonalnoj školi umetnosti u Lozani i radio kao slobodni umetnik-ilustrator u Ženevi. Baras je režirao nekoliko kratkih filmova, među kojima su Stigmates (2002), Le génie de la boîte de raviolis (2006), Sainte barbe (2007), Au Pays des têtes (2009), i Chambre 69 (2012). Film Le génie de la boîte de raviolis dobio je brojne nagrade na filmskim festivalima širom sveta. Moj život kao tikvica (2016) je Barasov prvi dugometražni animirani film.

ANIMANIMA 2016

Feature Films

My Life as a Zucchini Saturday, 9.9.2017, Grand Hall, 12:00 am Original title: Ma vie de courgette Direction: Claude Barras Switzerland, France 2016, 66:00

Nine-year old Ikar loses his mother and the orphanage becomes his new home. As a newcomer with an unusual nickname ‘Zucchini’, he becomes an easy prey for the local bully in the orphanage. Although his alcoholic mother had left him only the nickname, and despite his childhood overshadowed with tragedy and loneliness, Zucchini never lost his spirits. He will soon learn that the other children in the orphanage had had similar traumatic experiences, but this will eventually help himself and his friends realise that misfortune does not have to be an ultimate definition of a lifetime, and this message inevitably applies to all of us. Claude Barras (born 1973) is a Swiss director. Barras studied illustration and computer graphics at École Emile Cohl in Lyon. He also studied computer graphics at ECAL (École Cantonale d’Art de Lausanne) and worked as a freelance illustrator in Geneva, where he currently resides. Barras has directed several shorts including Stigmates (2002), Le génie de la boîte de raviolis (The Genie in a Ravioli Can, 2006), Sainte barbe (2007), Au Pays des tetes (Land of the Heads, 2009), and Chambre 69 (2012). Le génie de la boîte de raviolis received numerous awards in film festivals around the world. My Life as a Courgette (2016) is Barras’ first full-length animated feature.

ANIMANIMA 2017

Predavanja i prezentacije

Predavanja i prezentacije Subota, 9.9.2017, Mala sala 12:00-13:00

Master klas: Scratch, Crackle & Pop Animacija & apstrakcija. Neobične animacijske tehnike. Inspiracija i umetnički kredo. Promišljanja i pristupi poznatog autora čiji je osobeni rad dao pečat svetskoj indi sceni. Govori: Stiven Vološin (Kanada)

13:10-13:45

Prezentacija: Akademija umetnosti i dizajna Besalel O umetničkim dosezima studenata animacije na prestižnoj izraleskoj akademiji govori profesor te akademije i vodeći izraelski animator. Govori: Tal Gadon (Izrael)

13:55-14:30

Prezentacija: Od crtkarija do piksela - više od veka španske animacije Antologijski projekat, jedinstven po istorijskom, tematskom i estetičkom obuhvatu, koji na najbolji mogući način predstavlja vek španskog animiranog filma. Govori: Karolina Lopes Kabalero (Španija)

14:40-15:15

Prezentacija: Portal za nezavisnu i evropsku animaciju Zippy Frames Koliko je nezavisna animacija zaista nezavisna? Vidljivi i nevidljivi tokovi informacija u digitalnom dobu. Govori: Vasilis Krustalis (Grčka / Estonija)

15:25-16:00

Predstavljanje knjige: “Opsesija. Perverzija. Pobuna. Uvrnuti snovi animacije u centralnoj Evropi.” Šta se krije iza zagonetnog i provokativnog naslova knjige koja je okupila niz autorskih imena iz više evropskih zemalja? Govore: Olga i Mihal Bobrovski (Poljska)

ANIMANIMA 2016

Lectures and presentations

Lectures And Presentations Saturday, 9.9.2017, Conference Hall 12:00-13:00

Master Class: Scratch, Crackle & Pop Animation and abstraction. Extraordinary animation techniques. Inspiration and artistic principle. Contemplation and approach of an author whose unique work marks the global Indi scene. Speaker: Steven Woloshen (Canada)

13:10-13:45

Presentation: Bezalel Academy of Arts And Design Artistic attainments of the animation students from the prestigious Israeli art academy, a seen by its professor and a leading Israeli animator. Speaker: Tal Gadon (Israel)

13:55-14:30

Presentation: From Doodles to Pixels - Over a Hundred Years of Spanish Animation Anthological project, unique by its historic, thematic and esthetic insight, presenting in the best possible way the century of Spanish animation. Speaker: Carolina LĂłpez Caballero (Spain)

14:40-15:15

Presentation: Zippy Frames, Portal for Independent and European Animation How truly independent is the independent animation? The visible and invisible flows of informations in the digital era. Speaker: Vassilis Kroustallis (Greece/Estonia)

15:25-16:00

Presentation Of A Book: Obsession. Perversion. Rebellion. Twisted Dreams of Central European Animation. What is hidden behind the mysterious and provocative title of a book which brings together a number of authors from several European countries? Speakers: Olga and MichaĹ&#x201A; Bobrowski (Poland)

ANIMANIMA 2017

Radionice

Radionice Radionica animacije: Stiven Vološin Četvrtak, 7.9.2017, Mala sala, 12:00-18:00 Ukoliko želite da stvarate kao slikar ili autor filma, ovo je sjajna prilika da napravite sopstveni animirani ili eksperimentalni film na traci od 35 mm, a da pri tom ne morate da koristite kameru ili da radite na obradi filma. I Norman Meklaren i Len Laj su tokom 30-ih godina prošlog veka istraživali ovu tehniku, i do danas, nakon više od 80 godina, ona ne prestaje da iznenađuje gledaoce. U radionici koju će voditi Stiven Vološin, istražujemo različite tehnike izrade filma bez kamere, usput otkrivajući nove mogućnosti. Učesnici biraju materijale i alate koji su podesni za rad, a zatim izvode različite postupke grebanja, bojenja i postavljanja kolaža na bezbojnu podlogu, crnu podlogu ili podlogu sa prethodno nanetim snimkom. Takođe, bavićemo se i popularnim metodima digitalizovanje filmova ručne izrade.

Radionica piksilacije za decu Subota, 9.9.2017, Gornji hol, 10:00-12:00 Kreativna radionica u oblasti piksilacije kao tehnike animacije brzo uvodi decu u magični svet animacije. Deca sama glume i snimaju animirane materijale, koji se pojavljuju na ekranu svega nekoliko trenutaka nakon snimanja. Mentor: Timon Leder (Slovenija).

ANIMANIMA 2016

Workshops

Workshops Animation Workshop: Steven Woloshen Thursday, 7.9.2017, Conference room, 12:00-6:00 pm If you want to create like a painter and a filmmaker, here's a great opportunity to make your own 35mm animated or experimental film without a camera and without processing film. Both Norman McLaren and Len Lye explored this technique in the 1930s and almost 80 years later, it still continuously surprises audiences. In this workshop led by Steven Woloshen, we explore the multiple techniques of camera-less filmmaking and discover new ones along the way. Participants are encouraged to choose materials and tools that work effectively, then scratch, paint and collage directly on to the surface of clear leader, black leader or previously shot material. We also look at popular methods of digitizing hand made films too.

Pixilation Workshop for Children Saturday, 9.9.2017, Upper Lobby, 10:00-12:00 am A creative workshop in the animation technique of pixilation quickly introduces children into the magic of animation. Children will act and film animation themselves, seeing the resulting magic just a moment after filming it with a photo camera. Mentor: Timon Leder (Slovenia).

ANIMANIMA 2017

Izložba

Stripovi Aleksanda Zolotića 5-12. septembar, Likovni salon Doma kulture Aleksandar Zolotić je diplomirao na Fakultetu primenjenih umetnosti u Beogradu, na odseku za ilustraciju i animaciju. Ilustrovao je knjige vodećih srpskih izdavača dečijih knjiga, poput Kreativnog centra, a saradnja za ilustratorskom agencijom sa sedištem u Londonu, pružila mu je šansu da radi i sa američkim i engleskim kućama. Fleksibilnost stila omogućila mu je da radi i na stripovima i sarađuje sa poznatim srpskim scenaristima, kao i na video igrama. Radio je kao ilustrator grafike u uspešnom beogradskom studiju za razvoj igara Mad Head Games. Izložbom stripova Aleksandra Zolotića Animanima predstavlja važan doprinos ovog autora domaćoj sceni, koja obiluje kvalitetnim strip umetnicima. Izložene table iz strip albuma Korporativni pandemonijum (Besna kobila, 2014), nastalog u saradnji sa scenaristom Zoranom Penevskim, kao i table rađene za treći i peti album strip serijala Linije fronta prema scenarijima Pavla Zelića i Milana Jovanovića, predstaviće Zolotićeve težnje da se kroz strip izrazi u širem, narativnom, kao i u kratkom, epizodnom formatu. Svet Korporativnog pandemonijuma nastao je iz neobjavljenog serijala ilustracija, s namerom da kroz originalne karaktere i okruženje inspirisano autorima anti-utopijskog filmskog i književnog žanra, oblikuje lične stavove o društvenim mehanizmima koji nas okružuju. Album je 2014. nagrađen plaketom ULUPUDS-a za najbolji strip na Beogradskom sajmu knjiga. Strip serijal Linije fronta pružio je priliku da Zolotić stane rame uz rame sa istaknutim imenima domaćeg stripa.

ANIMANIMA 2016

Exibition

Comics by Aleksandar Zolotić September 5-12th, Cultural Center Art Gallery Having graduated from the Faculty of Applied Arts in Belgrade, department for Illustration and Animation, Aleksandar Zolotić went on to illustrate children’s books by the leading Serbian publishers in this area, such as Kreativni Centar. Through his engagement with a London-based the illustration agency, he was given an opportunity to work with both American and English publishers. Owing to his flexible style, he was in a position to work on comic books and collaborate with the leading Serbian screen-writers, as well as video games publishers. In addition to this, he worked as a graphic illustrator for the successful Belgradebased games development studio, the Mad Head Games. The exhibition of comic art by Aleksandar Zolotić, Animanima presents an important contribution of this author to the national art scene and its wealth of quality comic artists. The exhibited panels from the comic Corporate Pandemonium (Besna kobila, 2014.), which was made in collaboration with the screenwriter Zoran Penevski, as well as panels made for the third and fifth comic album from the series Lines of Front, based on the screenplay by Pavle Zelić and Milan Jovanović. The exhibition aims to present Zolotić’s desire to use comics as a platform for a wider expression in terms of narrative, as well as a more immediate one, defined by the sequel format. The world of the Corporate Pandemonium originates from unpublished series of illustrations, reflecting the original intention to formulate a personal attitude to social mechanisms around us, by the means of original characters and an environment inspired by authors of the anti-utopian film and literary genre. In 2014, the album received an award from the ULUPUDS, as the best comic at the Belgrade Book Fair. The comic serial Lines of Front presented Zolotić with an opportunity to join the circle of the most prominent national comic artists.

100

ANIMANIMA 2017

Izložba / Exhibition

Timon Leder - LASICA 5-12. septembar, Pokretna galerija na spratu Doma kulture Profesionalni animirani film Lasica autora Timona Ledera namenjen je najmlađim gledaocima. Kao mladi režiser animacije i mentor, Timon nas uvodi u proces stvaranja, od nacrta osnovne zamisli, do finalne animacije. Čeka vas jedna inspirativna izložba o Lasici i njenim animiranim drugarima. Biografija Timona Ledera nalazi se na stranici 9.

Timon Leder - WEASEL September 5-12th, Cultural Center 1st Floor Mobile Art Gallery The animated short Weasel is a professional film by Timon Leder, made for children. As a young animation director and mentor, he introduces you to the process of creation, from idea sketches to finished animation. An inspiring exhibition of Weasel and its animated companions awaits you. For Timon’s bio see page 9.

ANIMANIMA 2016

Koncert / Concert

101

Animanima Koncert: SCHIME TRIO Subota, 9.9.2017, Velika sala, 22:00 Schime Trio je bend koji izvodi autorski džez. Osnovan je 2015. godine u Beogradu, a čine ga Predrag Milutinović, bubnjevi, Boris Šainović, kontrabas i Luka Ignjatović, saksofon. Od samog početka sastav se fokusirao na izvođenje originalnih kompozicija saksofoniste benda, Luke Ignjatovića. Pored izvođenja originalne muzike, koja je pod uticajem savremenog i tradicionalnog džeza kao i klasične muzike, Schime Trio veliku pažnju posvećuje kolektivnoj improvizaciji i interakciji. Bend je izdao svoj prvi album Do You Really Wanna Play? 2016. godine za izdavačku kuću Metropolis Music Company. Nakon objavljivanja ovog izdanja stigao je poziv za nastup na Beogradskom džez festivalu (BJF). Schime Trio je na BJF-u privukao veliku pažnju domaćih, ali i stranih kritičara, i usledio je vrlo afirmativan prikaz nastupa u Downbeat Magazinu, najpoznatijem svetskom časopisu posvećenom džezu, bluzu i improvizovanoj muzici. Schime Trio priprema drugi album koji će se pojaviti u 2017 godini.

Animanima Concert: SCHIME TRIO Subota, 9.9.2017, Velika sala, 22:00 The Schime Trio is a band performing auteur jazz music. The band was founded in Belgrade in 2015, by Predrag Milutinović on the drums, Boris Šainović, double bass and Luka Ignjatović, saxophone. From the very start, the band focused on performing original pieces by their saxophone player, Luka Ignjatović. In addition to the original music influenced by modern and traditional jazz, as well as classical music, the Schime Trio pays a lot of attention to collective improvisation and interaction. In 2016, the band recorded their first album Do You Really Wanna Play? for the Metropolis Music Company. After the publication of this album, they received an invitation to perform at the Belgrade Jazz Festival (BJF), where they attracted the attention of the critics from the country and abroad, which was followed by an affirmative account of their festival performance in the Downbeat Magazine, the world’s most famous magazine dealing with jazz, blues and improvised music. The Schime Trio are working on their new album, which is expected for release in 2017.

102

Index filmova / Index of Films

Indeks filmova / Index of films

Casse-croûte.......................................................... 77 Chandran's cafe......................................................13 Changing Evan........................................................ 59 Charlie et ses grandes dents................................ 70 Chika, die hündin im ghetto.................................. 76 Child......................................................................... 32 Chronicle Reconstructions.................................... 58 Ciel............................................................................61 Cirugía..................................................................... 47 Coldplay: "Up&Up"...................................................65 Crik-Crak...................................................................51 Cromo...................................................................... 45 Crossing Victoria.................................................... 59 Curse of the Voodoo Child, The............................. 58 Č

9 sposobov narisovaty cheloveka........................10 20 días de amor..................................................... 45 1000 Plateaus (2004-2014)................................ 58

Framed.....................................................................81 Free Speech............................................................ 58 G Gamer Girl............................................................... 87 Gamlet. Komedia.................................................... 66 Gap, The....................................................................16 Garabatos: Manolete...............................................37 Garbancito de la Mancha....................................... 38 Garden Party............................................................24 Geroztik ere….......................................................... 45 Get Back.................................................................. 45 Grad duhova............................................................ 84 Grashoppers........................................................... 53 Greedy Germ............................................................65 Grounded................................................................. 83

Čovek od krede........................................................63 H D

A A Gruta de Darwin....................................................31 Água mole................................................................18 A life in a Tin............................................................ 53 Alimentos de régimen Santiveri............................37 Alma......................................................................... 48 Alphonse s’égare.................................................... 28 Amarillo verano.......................................................37 Amor de mono........................................................ 47 Analiza......................................................................63 Apodemy..................................................................61 A priori..................................................................... 76 Astigmatismo..........................................................51 Avantura...................................................................63 A way of Being........................................................ 57 B Babble On Palms, The............................................. 58 Baby Story............................................................... 53 Bendito Machine V..................................................51 Beyond the Books...................................................71 Bio dvaput jedan kralj.............................................13 Birdz..........................................................................19 Bozzeto non troppo............................................... 55 Bru Ha Ha!............................................................... 58 Buena mesa............................................................ 43 Bullet Time.............................................................. 25 C Cada día paso por aquí...........................................51 Call Of Cuteness......................................................17 Cambó i l’autonomia.............................................. 47 Cameras Take Five................................................. 59 Caracol, col, col....................................................... 47 Casino...................................................................... 59

Darrel........................................................................10 Day I Killed my Best Friend, The............................51 Der kleine Vogel und die Raupe.............................75 Die Brücke über den Fluss.................................... 83 Ditty Dot Comma.................................................... 59 Don Cleque flautista................................................37 Doomed: A Biological Cartoon!.............................. 48 Drop......................................................................... 53

Head..........................................................................57 Hichkas.................................................................... 68 Historias de Éste.................................................... 48 Höchste Zeit, Herold!..............................................67 Homenaje a Tarzán................................................ 45 Homestead Act, The............................................... 58 Hotzanak................................................................. 45 How to Cope With Death........................................ 48 I

E Eine Villa mit Pinien................................................31 El bueno de Cuttlas.................................................37 El cascabel de Zapirón............................................37 El fakir González buscador de oro.........................37 Eli..............................................................................57 El mago de los sueńos........................................... 43 El sombrero.............................................................41 El viaje de María......................................................41 En los pasillos del congreso..................................37 Estado de cambio................................................... 45 Estela....................................................................... 45 Estudios Moro commercials..................................41 Ethnophobia............................................................61 Europe & Italy......................................................... 53 Everyday Chronicle.................................................57 F Ferdinand rat des champs de bataille................. 28 Fiesta Brava............................................................ 58 Figury niemozliwe i inne historie II.......................24 Fliposkop................................................................ 85 Float talk..................................................................16 Flying Putzi..............................................................57 Forest Paper, The.................................................... 25 Fountain of Youth, The............................................61

Impresiones en la alta atmósfera........................ 45 In Other Words.........................................................57 J Jaletova Venera.......................................................81 Ježeva kuća.............................................................15 Journey Birds..........................................................57 Juanito va de caza..................................................37 Jubilee..................................................................... 69 Junction - Chilly Gonzales & Peaches, The......... 82 K Keiro.........................................................................74 Khudozhnik i khuligany.........................................14 Konfekcija................................................................63 „Kraš“ revija.............................................................63 L La bronca................................................................ 47 La doncella guerrera...............................................41 La edad de piedra................................................... 47 La gallina ciega........................................................41 La Licorne................................................................73 L’Araignée d’or.........................................................37

103

Indeks filmova / Index of films

Las partes de mí que te aman son seres vacíos...................................................... 45 Las vidas ejemplares..............................................41 La table.................................................................... 32 Leaf of the Poplar, The.............................................61 Le Chant des Grenouilles.......................................75 Le futur sera chauve...............................................12 Les bessones del carrer de Ponent.......................51 Les Courgettes de la Résistance......................... 86 Less Than Human...................................................65 L’Horizon de Bene....................................................81 L’Ogre....................................................................... 29 Los aeronautas....................................................... 22 Los tambores de Fu-Aguarrás...............................37 Life Cycles................................................................11 Life Sucks (But at least i've got elbows)............. 86 Lil Dicky: “Pillow Talking“ Feat. Brain....................65 Locus....................................................................... 87 Luma.........................................................................57 Lupus........................................................................81 M Malgrin Debotté...................................................... 87 M.A.M.O.N. Monitor Against Mexicans Over Nationwide................................................65 Manivald...................................................................23 Ma vie de Courgette............................................... 93 Metamorphosis Part 1, The................................... 48 Mind Frame..............................................................14 Minotauromaquia: Pablo en el Laberinto............. 45 Minou....................................................................... 87 Minuet..................................................................... 59 Mirrors......................................................................57 Mir Slepykh..............................................................27 Mister Tao................................................................ 53 Mr Night Has a Day Off........................................... 70 Mrs. Metro................................................................65 Müslüm................................................................... 86 My Life As a Zucchini............................................. 93 My Mamma Is Bossies............................................21 My Research........................................................... 84 My Stuffed Granny..................................................61

Onemoretime...........................................................41 Opera....................................................................... 53 Oskolok.....................................................................67 Otherhalf..................................................................65 Ovde traži pa ćeš naći! Milijon!..............................63 Our wonderful nature: The common Chameleon..................................73 O Xigante..................................................................51 P Pardon......................................................................63 Pasión siega........................................................... 47 Pecaroš i ribica........................................................63 Pepper Steak........................................................... 59 Pionir i dvojka..........................................................63 Pishkhedmat.......................................................... 85 Planet Unknown......................................................65 Playtime.................................................................. 58 Poilus........................................................................21 Posljednji izazov.....................................................18 Preston.................................................................... 80 Princesa china.........................................................51 Projection sur canapé............................................ 83 Psiconautas, los niños olvidados......................... 91 Psychedelic Rope, The........................................... 26

O Matko!.................................................................. 29

Tabú, colorete en polvo...........................................37 Tadeo Jones............................................................ 48 Tanguito Argentino................................................. 69 Tántalo..................................................................... 84 Tapum! The Weapons History............................... 53 Tell-Tale Heart, The.................................................. 48 Tengo miedo............................................................ 45 This is how it starts.................................................57 Three Little Ninjas Delivery Service: Damsel in Distress............................................71 To be a Tree............................................................. 83 To Build a Fire...........................................................11 Top Gum................................................................... 48 Toutes les poupées ne pleurent pas.....................12 Trumpet Man............................................................15 Tuchka i kit...............................................................74 Two Castles............................................................. 53 Two Eastern Hair Lines 59 U

Radio RCA.................................................................37 Rampa......................................................................63 Rebuttal................................................................... 58 Red Riding Hood Redux......................................... 26 Red Turtle, The........................................................ 89 Reklama za cipele „Tasić- Đonović“.......................63 Résistance.............................................................. 80 Revolting Rhymes.................................................. 79 Roc’h.........................................................................72 Roger....................................................................... 68 Roger Ballen's Theatre of Apparitions.................. 82 Rok............................................................................63 Rondo.......................................................................63 Rosetta Stone, The................................................. 58

N National Tapestry................................................... 59 Negative Space....................................................... 30 Neuro....................................................................... 53 Nez en moins disait Cléopâtre............................. 77 Nocturne................................................................. 20 Nočna ptica..............................................................23 No sé........................................................................ 45 Nothing Happens................................................... 30

Sins...........................................................................65 Sirocco......................................................................17 SNIP.......................................................................... 58 Solista.......................................................................63 Strange Oaks.......................................................... 48 Supny den................................................................27

Safe Place.................................................................61 Sangre de unicornio............................................... 45 Samt........................................................................ 84 Schirkoa...................................................................19 Scrambled................................................................72 Sea........................................................................... 85 SelfieCat.................................................................. 66 Sensyokutai no Koibito.......................................... 85 Shimmer Box Drive................................................ 59 Sigmund.................................................................. 53 Sinfonía escarlata.................................................. 43

Última chamada..................................................... 20 V Vamos a la cama.....................................................41 Vein ‘Magma’, The 51 Vía Tango..................................................................41 Vicenta..................................................................... 47 Vicious Cycle........................................................... 82 Village, The...............................................................61 Voyager.....................................................................65 W Warm Snow..............................................................57 Wednesday With Goddard......................................65 When the Sun Turns into Juice............................. 59 Where have the flowers gone............................... 80 William Wilson.........................................................41 Wrapped...................................................................65 Wrong End of the Stick, The................................... 22 Z Zaljubljen u tri kolača..............................................63 Zepo..........................................................................51 Zhar Ptitsa............................................................... 82

104

ANIMANIMA 2017

Index imena / Index of Names A Abedi, Farnoush...................................................... 85 Algarin, Busto...........................................................51 Alter, Sagi..................................................................57 Alvarez, Rocio..........................................................51 Amar, Gabriel........................................................... 86 Amat, Frederic........................................................ 45 Amorós, Ingrid Masarnau...................................... 68 Amoros, Jordi.......................................................... 47 Antunez, Marcel-li.................................................. 45 Aoun, Chadi............................................................. 84 Arroyo, Raul..............................................................51 Assie, Geoffrey....................................................... 66 Athanasopoulou, Katerina......................................61 Auberval, Guillaume................................................21 Awadish, Daphna....................................................57 Ayerbe, Juan Facundo........................................... 84 B Babikian, Florian......................................................24 Baguna, Jaume........................................................37 Balerdi, Rafael Ruiz................................................ 45 Balser, Robert..........................................................41 Barbas, Sara............................................................ 20 Barras, Claude........................................................ 93 Bases, Tomas...........................................................51 Battistelli, Jérôme...................................................71 Bayoux, Vincent......................................................24 Behar, Ido.................................................................57 Ben Ami, Carmel......................................................57 Bentzur, Inbal..........................................................57 Bernard, Emeline.................................................... 66 Betsue y Vives, David............................................ 45 Blaas, Rodrigo......................................................... 48 Blanco, Gabriel........................................................ 47 Blinkmybrain.......................................................... 64 Bobrowska, Olga................................................. 8, 95 Bobrowski, Michal.................................................. 95 Boitsov, Eugène...................................................... 32 Bonfanti, Marco...................................................... 55 Bošnjak, Ernest...................................................... 62 Bozzeto, Bruno.................................................53, 55 Braga, Joaquin........................................................ 69 Braibant, Laurène.................................................. 29 Breymann, Anne.................................................... 20 Briones, Marc...........................................................10 Buffat, Catherine.................................................... 28 C Caballero, Carolina López............................6, 35, 95 Cabon, Paul..............................................................12 Calabuig, Tonet........................................................41 Calder, Emma.......................................................... 82 Carabantes, Alan.....................................................10 Carsi, Guillermo Garcia........................................... 48 Cartigny, Mathilde...................................................71 Chan, Sin-Hong....................................................... 80

Indeks imena / Index of names

Chauvet, Alex.......................................................... 80 Chen, Cheng Hao.................................................... 64 Chitou, Chams......................................................... 77 Chomon, Segundo de..............................................37 Chumez, Chumy..................................................... 47 Claeys, Kim..............................................................71 Claire, Victor.............................................................24 Cvijanović, Eva........................................................15 Č Čadež, Špela............................................................23 D Dahl, Roald.............................................................. 79 Damiani, Alejandro................................................. 64 Davaud, Emilien......................................................19 Dayas, Jorge............................................................41 De-Botton, Itan........................................................57 Delvoye, Violette..................................................... 83 Derizioti, Faidra........................................................61 Diaz, Manuel............................................................37 Divet, Elsa............................................................... 66 Dješka, Marko......................................................... 84 Dozoul, Léa..............................................................21 Döhren, Lena von....................................................75 Doucerain, Louis.................................................... 86 Doyon, Patrick........................................................ 82 Dror, Lee...................................................................57 Dufresne, Théophile................................................24 Durin, Remi..............................................................73 Durkheim, Lucas.................................................... 83 Duvert, Marion........................................................ 69 Dvein.........................................................................51 E Elad, Reut.................................................................57 El Kadiri, Marie........................................................ 69 Elshansky, Ira..........................................................57 Escobar, Josep........................................................37 Eshed, Tomer...........................................................73 Etcheverry, Juan Pablo.......................................... 45 Evain, Nicolas..........................................................71 F Fadeyev, Eugeniy................................................... 66 Feraud, Laure.......................................................... 87 Fernández, León.................................................... 22 Ferran, Enrique........................................................37 Ferran, Pascale Ferreras, Ignacio..................................................... 48 Font, Blanca.............................................................51 Foulon, Quentin...................................................... 80 Freytag, Iring.......................................................... 32 Fried, Jake................................................................14 G Gadon, Tal....................................................... 7, 57, 95 Gallardo, Miguel.......................................................41 Garcia, Raul............................................................. 48 Garcia, Ricardo.........................................................37 Garcia, Romain.........................................................17

Gaspar, Mercedes................................................... 45 Gato, Enrique.......................................................... 48 Gimenez, Eloic.........................................................81 Gines, Laura............................................................ 45 Glasse, Fabien......................................................... 80 Goby Fx.....................................................................11 Godet, Geoffrey...................................................... 77 Gomez, Simon..........................................................21 Gonçalves, Laura.....................................................18 Gonzalez, Jose........................................................41 Gospodinova, Velislava.......................................... 82 Grapperon, Gabriel...................................................24 Greco, Jean-Luc...................................................... 28 H Haney, Ged.............................................................. 82 Headless Studio...................................................... 48 Hek, Timothé............................................................21 Herbet, Yali...............................................................57 Herguera, Isabel......................................................41 Heu, Joseph............................................................ 86 Heymann, Vania..................................................... 64 Hispano, Andres..................................................... 35 Hogg, Ross...............................................................11 Hug, Avril..................................................................17 I Idri, Mélissa............................................................. 86 Ignjatović, Luka.................................................... 101 Ivanov, Dmitry.........................................................67 J Jean, Juliette.......................................................... 80 Jemolo, Marco 81 Jocić, Ljubiša.......................................................... 62 Jocić, Vera............................................................... 62 Jourdan, Laura Joy................................................ 87 Jovanović, Divna.................................................... 62 Jović, Krunoslav..................................................... 85 Juskewicz, Tatiana..................................................74 K Kaelin, Roman........................................................ 64 Kantor, Tal.................................................................57 Karnavalova, Valya..................................................27 Kekeljević, Igor........................................................81 Koester, Jan.............................................................31 Kompotik, Vova........................................................27 Kowalska, Jadwiga................................................. 83 Kranot, Michelle..................................................... 30 Kranot, Uri............................................................... 30 Krieghoff, Christian................................................ 84 Krongraksa, Sipparpad.......................................... 25 Kroustallis, Vassilis.......................................7, 61, 95 Kuipers, Frodo........................................................ 25 Kušanić, Ivo............................................................ 62 Kuwahata, Ru.......................................................... 30 Kwiatkowska-Naqvi, Anita..................................... 87 L Lachauer, Jan......................................................... 79

ANIMANIMA 2017

Indeks imena / Index of names

Lagrange, Hugo.......................................................21 Lalanne, Esther...................................................... 70 Lanusse-Cazalé, Margaux..................................... 87 Laroye, Antoine.......................................................21 Lashcari, David........................................................21 Lebreton, Charlotte................................................ 77 Le Danois, Anna...................................................... 80 Leder, Timon.....................................................9, 100 Leloup, Benoît..........................................................74 Levi, Stav..................................................................57 Liebschner, Francie.................................................67 Lien, Brenda.............................................................17 Linda, Kurt.............................................................. 62 Lindholm, Steffen Bang......................................... 64 Liu, Gaoxiang.......................................................... 26 Llorens, Pablo......................................................... 47 Loiseau, Lucie......................................................... 77 Lopez, Thomas........................................................17 Lundgren, Chintis....................................................23 M Macian, Francisco.................................................. 43 Madec, Lauren.........................................................17 Magar, Loïc.............................................................. 64 Majdak, Nikola........................................................ 62 Malis, Jossie............................................................51 Marcere, William..................................................... 86 Marczewski, Michael.............................................. 82 Marinos, Morgane................................................... 87 Marion, Mathilde..................................................... 87 Mariscal, Javier........................................................37 Marjanac, Slavko.................................................... 62 Marmion, Agathe.................................................... 69 Mars, Charlie........................................................... 84 Martinez, Elisa.........................................................41 Matta, Luis da..........................................................51 Matthews, Terri....................................................... 22 Maximov, Ivan..........................................................14 Meah, Mikahel......................................................... 77 Meilunas, Ignas...................................................... 70 Melendez, Cesar Diaz..............................................51 Ménard, Nicolas...................................................... 64 Menigoz, Franck......................................................74 Mestres, Salvador...................................................37 Milosavljević, Milan...................................................9 Milutinović, Predrag............................................. 101 Moline, Alfons......................................................... 35 Monier, Maxime...................................................... 77 Moreno, Arturo........................................................ 38 Moro, Jose Luis........................................................41 Muggia, Gal.............................................................. 64 Muntanola, Joaquim...............................................37 N Nair, Krishna Chandran A.......................................13 Nakai, Kiyoko...........................................................16 Narat, Julie.............................................................. 80 Navarro, Adriana......................................................41 Navarro, Lucas.........................................................24 Nérot, Zoé.................................................................74 Niekerk, Naomi van.................................................21 O Okur, Gökhan.......................................................... 86

Onederra, Izibene................................................... 45 Ortiz, Niceforo......................................................... 45 P Paeper, Falko........................................................... 64 Paillet, Maéna..........................................................71 Pajek, Marta.............................................................24 Papantoniou, Aggelos............................................ 64 Pappa, Effie..............................................................61 Pasquet, Violaine.....................................................75 Pelissier, Robin........................................................71 Perez, Pascual........................................................ 48 Piogé, Charlotte...................................................... 69 Piovesan, Nicola..................................................... 86 Pison, Calpurnio......................................................37 Placer, Jose Felix Gonzalez................................... 45 Polychronakis, Stelios............................................61 Poncin, Charlotte.....................................................74 Porta, Carles.............................................................41 Porter, Max.............................................................. 30 Pranjić, Irena Jukić................................................ 87 Prunès, Jean-Jacques........................................... 28 R Ram, Shahaf.............................................................57 Ramos, Charlie........................................................ 48 Rappas, Panagiotis.................................................61 Razafindralambo, Marc......................................... 77 Rembauville, Julie...................................................72 Rhellam, Karim........................................................71 Riba, Marc.................................................................51 Rivero, Pedro........................................................... 91 Roditakis, Angelos...................................................61 Rondol, Aymeric..................................................... 77 Rosa, Emilio de la................................................... 35 S Salamanca, Carlos Gomez......................................81 Salvi, Jonathan....................................................... 77 Sam.......................................................................... 47 Sankur, Burcu......................................................... 77 Schiessel, Sandra................................................... 76 Schmitt, Maïté........................................................ 76 Schravendeel, Bastiaan..........................................72 Schuh, Jakob.......................................................... 79 Serra i Massana, Josep...........................................37 Shukla, Ishan...........................................................19 Sistiaga, Jose Antonio............................................ 45 Solanas, Anna..........................................................51 Soudet, Coralie........................................................ 69 Stetter, Linus.......................................................... 32 Stickel, Viktor.......................................................... 32 Stošić, Miroljub....................................................... 62 Svirsky, Sasha.........................................................10 Sun, Xin................................................................... 83 Š Šainović, Boris...................................................... 101 Šajtinac, Borislav.................................................... 62 T Tal, Sohini.................................................................57

105

Taltavull, Julio..........................................................41 Tarpinian, Kevin.......................................................17 Tieu, Térence........................................................... 86 To, Bin-Han.............................................................. 79 Tomilova, Alyona.....................................................74 Toroghi, Elham........................................................ 68 Toste, Joana.............................................................31 Trebosc, Agathe...................................................... 87 Trefleze, Anthony.................................................... 77 Tremblay, Frédérick................................................12 Trimono.................................................................... 47 Trkulja, Božidar........................................................18 Troshinsky, Nicolai..................................................51 Trouche, Laura........................................................ 87 Tsikhanovich, Marharita........................................ 85 U Uscley, Kazy........................................................... 84 V Vaast, Morgane....................................................... 86 Vajda, Marijan..........................................................15 Vandebroeck, Patrick..............................................16 Vanzeler, Julio..........................................................51 Vasović, Vojin...........................................................13 Vázquez, Alberto..............................................45, 91 Vazquez, Alberto Gonzalez.................................... 47 Vianelli, Irini.............................................................61 Vicario, Begona....................................................... 45 Vinyals, Victor......................................................... 48 Vogman, Kobi...........................................................57 W Wahler, Judith..........................................................71 Wang, Shawn.......................................................... 64 West, Ben................................................................ 64 Wit, Michaël Dudok de........................................... 89 Wittmann, Florian.................................................. 64 Woloshen, Steven...................................... 59, 95, 97 Wong, Emily.............................................................15 X Xá..............................................................................18 Y Yacenda, Tony......................................................... 64 Yano, Honami.......................................................... 85 Yoon, Jumi................................................................81 Yu Hsu, Fang........................................................... 64 Z Zhonga, Joan...........................................................61 Ziolkowska, Paulina............................................... 29 Zolotić, Aleksandar................................................. 99 Zulueta, Ivan........................................................... 45 Ž Žeželj, Danijel......................................................... 26

STOPTRIK iff FESTIVAL OF STOP MOTION ANIMATION

Maribor (SLO): 5-8 Oct 2017

Lodz (PL): 10-12 Nov 2017

www.stoptrik.eu

INTERNATIONAL FILM FESTIVAL

Organizator / Organizer

Pokrovitelji / Under the Auspices

Република Србија

Министарство културе и информисања

Programska podrška / Programme Support

Embassy of Israel BELGRADE

FILMSKI CENTAR SRBIJE

Medijski podrška / Media Support

Web podrška / Web Support

Podrška / Support

ANIMANIMA 2017 Međunarodni festival animacije International Animation Festival Direktor festivala / Festival Director Dragojlo Jerotijević Umetnički direktor / Art Director Milen Alempijević Producent / Producer Nebojša Petrović Savet festivala / Festival Council Aleksandra Sekulić , Nenad Trifunović, Ivan Stojković, Mina Cvetinović, Miloš Gojković Saradnici / Associates Tehnička podrška / Technical Support: Ilija Damjanović Web podrška / Web Support: Aleksandar Jovanović Festivalski spot / Festival’s video Dizajn / Art Directing: Jelena Milunović Animacija / Animation: Jelena Milunović Dizajn zvuka / Sound Design: Tatjana Ščerbak Festivalski plakat / Festival Poster Jelena Milunović Adresa / Postal address ANIMANIMA Festival Dom kulture Čačak Trg narodnog ustanka 2, 32000 Čačak, SERBIA Kontakt / Contact Tel: ++381 32 341 068 Fax: ++381 32 225 073 E-mail: executive@animanima.org www.animanima.org KATALOG / CATALOG Izdavač / Publisher: Dom kulture Čačak / Cultural Center Cacak Za izdavača / For Publisher: Dragojlo Jerotijević, direktor / Director Urednik / Editor: Milen Alempijević Ilustracije / Illustration: Jelena Milunović Dizajn i grafička priprema / Design & Prepress: Ivan Kostić Štampa / Press: Štamparija Majstorović, Čačak Tiraž / Circulation: 200 Godina / Year: 2017 CIP zapis je dostupan u elektronskom katalogu Narodne biblioteke Srbije: COBISS.SR-ID 241640204 ISBN 978-86-917761-7-6

ANIMANIMA 2017 5-9. septembar 2017. Dom kulture Čačak, SRBIJA

animanima.org

ANIMANIMA 2017 2017, September 5-9 Cultural Center Cacak, SERBIA