australian n a t io h a f maritime museum
>
annual report 2006-2007 >
A N
u s t r a lia n
a t io n a l
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Ma r itim
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australian national maritime museum > annual report 2006-2007 >
OUT V is io n >
to be dynam ic and innovative in m anaging and exploring Australia’s maritime heritage in ways that inspire, delight and enlighten >
Š Commonwealth of Australia 2007 ISSN 1034-5019 This work is copyright. Apart from any use permitted underthe Copyright Act 1968, no part may be reproduced by any process without prior permission from the Australian National Maritime Museum. Australian National Maritim e Museum
The Australian National Maritime Museum (ANMM) at Darling Harbour, Sydney, opens 9.30 am -5 .0 0 pm everyday (open 9 .3 0am -6 .00 pm January). Closed 25 December.
Entry at 30 June 2007
Mailing address
Museum Ticket (including museum galleries, special exhibitions, lighthouse and Wharf 7) FREE
GPO Box 5131 Sydney NSW 2001 Australia telephone (02) 9298 3777 facsimile (02) 9298 3780
Big Ticket (including Vampire, Onslow, James Craig, Endeavour and audio guide) - adult $30, child/concession $16, family $65 Big Ticket (including Vampire, Onslow and EITHER James Craig or Endeavour and audio guide) adult $25, child/concession $13, family $55 Navy Ticket (includes Onslow) - adult $10,
website (including this annual report) www.anmm.gov.au
child/concession $6, family $24 Navy Ticket (includes Vampire, Onslow and audio guide) - adult $18, child/concession $9, family $40 James Craig Ticket - adult $10, child/concession $6, family $20 Endeavour Ticket - adult $15, child/concession $8, family $30 Executive, commercial and visitor services, building services: 2 Murray Street Darling Harbour NSW 200 0
Vaughan Evans Library, curators, registration, conservation, fleet, design, volunteers and ANMM administration, Sydney Heritage Fleet: W harf 7 Maritim e Heritage Centre Pyrmont NSW 200 9
Contact officer
For enquiries about this report contact the editor telephone (02) 9298 3647 facsimile (02) 9298 3670 emailjmellefont@anmm.gov.au Editor Jeffrey
Mellefont ANMM Macarthur ANMM Staff photographer Andrew Frolows ANMM Graphic designer Jeremy Austen Layout and production Vanda Graphics
Assistant editor Antonia
Printed in Australia
by PIRION
3
chairman’s > message > This is my final opportunity to present the Australian
The near-record visitation for the year continues
National Maritime Museum’s annual report, for the
to vindicate the museum’s commitment to free public
period 1 July 2006 to 30 June 2007.
entry into the museum’s galleries. This initiative was one
My tenure as chairman of the museum’s governing
of the notable features of the period during which I have
council came to an end on 29 June 2007 and I would
been chairman. It was a bold move by the museum's
like to record that it was a pleasure to be associated
executive and has been vindicated by results. This has
with such an innovative and lively organisation. This
been a significant contributor to maximising public
very positive annual report is in keeping with the high
access to this, the nation's leading maritime heritage
standards of planning and achievement that have
resource.
been evident from the museum’s staff, volunteers
Again in 2006-2007 the museum has mounted
and my colleagues on council, duringthe period of my
a variety of fine exhibitions and expanded its touring
chairmanship.
exhibition program. Together with the many and diverse
This is the first annual report to address the
educational programs and public events that are
museum’s current strategic plan for 2006-2009, which
reported here, these uphold the museum’s reputation
was developed and tabled in 2006 in accordance with
for continually renewing, expanding and elaborating the
the Australian National Maritime Museum Act 1991. 1
concepts of maritime history and heritage.
am pleased to observe a satisfactory start to achieving
Some of the year's project-management challenges,
the goals and outcomes that the museum set for itself
like the major slipping of our Daring class destroyer from
for this three-year planning period.
the 1950s, ex-HMAS Vampire, orvoyagingthe replica of James Cook’s HM Bark Endeavour to ports as distant as Hobart, are on a scale that few museums could undertake. My thanks go to all whose enthusiasm, support and hard work make the Australian National Maritime Museum one of this nation’s finest cultural institutions: the Australian Government and the Ministers for the Arts and Sport, Senatorthe Hon Rod Kemp followed by Senator the Hon George Brandis SC; corporate and individual sponsors, donors and supporters; my fellow council members; and a dedicated management, staff and volunteers.
Mark Bethwaite, Chairman Australian National Maritime Museum
4
contents > Vision statement
1
Contact officer
2
Chairman’s message
3
Mission statement
6
Values
7
2 > performance reporting > Key Result Area 1 > Engaging our audiences >
30
> Strategies and performance reporting > HM Bark Endeavour replica; Travelling and temporary exhibitions; Customer services; Public and community programs; Education
1 > year in review >
for all ages; Vaughan Evans Library; Venue
Highlights at a glance
10
Director's overview
12
hire and catering; The Store; Sydney by Sail Key Result Area 2 > Maritime heritage >
Travelling and temporary exhibitions, major events
18
> Strategies and performance reporting
Statutory Reporting Requirements >
25
> Acquisitions; Maritime heritage programs;
> Corporate governance; Occupational
38
Marine archaeology program; USA Gallery;
health and safety; Freedom of information;
Indigenous affairs; Conservation and
Judicial decisions and reviews by outside
registration; Fleet
bodies; Effects of ministerial directions; Insurance and indemnity; Environment
Key Result Area 3 >
protection and biodiversity
Infrastructure development >
48
> Strategies and performance reporting > Capital works and building services; Security; Communications and information management services; Human resource management; Staffing; Workplace diversity; Key Result Area 4 > Reputation and recognition >
w hol
> Strategies and performance reporting
HfAMR IN m l
> Marketing; Media; Publications; The Welcome Wall; Sponsorship; Members; Volunteers; Design
lefts’ Cover of Haivorsert holiday brochure, ANMM collection, reproduced courtesy Halvorsen Boats Pty Ltd
54
5
3 > financial statements > Statement by council members
63
Independent audit report
64
Income statement
66
Balance sheet
67
Statement of cashflows
68
Statement of changes in equity
69
Schedule of commitments and contingencies
70
Notes
71
4 > appendixes > 01 > MMAPSS grants and internships
96
02 > Visitor and Member programs
98
03 > Selected acquisitions
05 > ANMM publications
111
06 > Staff publications
112
07 > Staff conference papers, lectures, talks
114
08 > Staff media appearances
117
qrulser to/aijtweieh route to: Sydney's Royal Easter Show, 1933. Photographer unknown, ANMM Collection right > Detail from plan for 43-ft (13.11-m) express cruiser by Lars Halvorsen, 1933. ANMM collection
119
10 > Staff overseas travel
120
11 > Organisation chart at 30 June 2007
121
12 > APS staff at 30 June 2007
122
13 > Council members
126
14 > Council meetings and committees
129
15 > Australian National Maritime Foundation 130 16 > Sponsors, patrons and supporters
131
17 > Corporate and supporting Members
132
18 > Taipan project and miscellaneous donors 133 19 > Volunteers
134
20 > Volunteer speakers panel
138
21 > Consultants
139
22 > Customer service charter
140
23 > Functions and powers of the minister
142
24 > Functions and powers of the museum
143
25 > List of Acts administered
144
26 > Director's statement
145
27 > Index
146
103
04 > Donors to the National Maritime Collection 107
above > Bridge-deck Matvorsen
09 > Staff professional appointments
6
OUT mission
>
To bring maritime heritage to life and preserve it for future generations, through >
> exhibitions, programs and events that are creative, inclusive, enjoyable and memorable > development and management of the National Maritime Collection > research, acquisition, conservation, interpretation, scholarship, publication, outreach and education > national leadership and the provision of supportand encouragement to local, regional and community museums which value maritime heritage > national and international cooperation and collaboration with museums and other organisations > fostering traditional skills and practices
7
our values >
we >
> promote a broad interpretation of maritime heritage and culture > recognise and celebrate cultural diversity > regard engagement, innovation and creativity as the keystones of our work > focus on people as the core of our exhibitions, programs and events > respect commitment, application and achievement > encourage partnership and collaboration > strive for the highest standards of service > champion integrity and ethical practice
Dragon boat racer Carlos Ung with Chinese-made dragon figurehead, one of a series of dragon-boat artefacts that he has donated to the museum. A Frolows
the year in review >
Museum volunteer guides Chris Harry, Barbara Stein and Ken Raven, who featured in a recruitment campaign during National Volunteer Week in May 2007. J Mellefont
10
highlights >2006-2007 > > Achieved 2,219,916 interactions
> Collaborated on an international
(including 451,422 visitors to the
touring exhibition Mythic Creatures -
museum and 106,213 visitors to our
dragons, unicorns and mermaids, with a
travelling exhibitions), and raised $6.8M
consortium of North American museums
in addition to government appropriations
led by the American Museum of Natural
(target $5.87M)
History
> Voyaged HM Bark Endeavour replica
> Staged Irish photographer Bill Doyle’s
to the Australian Wooden Boat Show,
first showing in Australia of Currach Folk,
Tasmania, and along the NSW coast, a
images depicting Gaelic life on the Aran
total of seven offshore passages
Islands
> Inaugurated the Australian Register of
> Hosted an exhibition from the National
Historic Vessels, an invaluable national
Museum of Australia, Between the Flags:
heritage resource and online database,
100 years of surf lifesaving (including 28
and published its first newsletter
ANMM collection items)
> Developed a major travelling exhibition
> Sent our record-breaking exhibition
The River - life on the Murray-Darling
Vikings to Auckland Museum, New
with the South Australian Maritime
Zealand
Museum, funded by Visions of Australia, for regional Australia
> Launched a revitalised, national travelling exhibition program called
> Opened exhibition Dreamboats and
Sail Away, touring ANMM art and
Workboats - the Halvorsen Story about
photographic shows
this notable Norwegian-Australian boatbuilding dynasty
> Redeveloped a major thematic exhibition Eora - first people, exploring Indigenous cultures’ engagement with marine environments > Ensured a successful summer season with the popular family activity programs Pirates! and Wetworld
speaks about his migration experience at the 17th unveiling of new names on The Welcome Wall. S Aththas
WELCOME WALL
right > Museum’s Daring class destroyer, ex-HMAS Vampire, in dry dock at Garden Island. J Mellefont
1 > the year in review > highlights > 2006-2007 >
> Welcomed Gipsy Moth IV, in which Sir Francis Chichester single-handedly circumnavigated the globe 1966-67 > Commenced restoration of Ben Lexcen’s revolutionary 1959 18-foot skiff Taipan after a successful public appeal > Became a research partner in two
for funds
Australian Research Council Linkage > Carried out a major survey, docking,
Project grants for historical studies with
hull repairs and painting of Vampire, our
Australian National University and the
Daring class destroyer built at Cockatoo
University of Sydney
Island in the 1950s > Hosted Dymocks Golden Paws award > Published Cook, the Discoverer, No 6
for children's artworks of endangered
of the Australian Maritime Series (with
maritime species, exhibiting 600 finalists
Flordern House); and proceedings of our
from 7,657 entries
national symposium Dutch Connections - 400years of Australian-Dutch
> Launched a redeveloped museum
maritime links
website featuring improved interactivity and business functionality, online
> Awarded
a record 26 Maritime
commerce and registrations
Museums of Australia Project Support Scheme grants worth a total of $79,855,
> Built the new Heritage Pontoon
including two museum internships
finger pier as part of the museum’s comprehensive Site Master Plan
> Inaugurated a museum research strategy to increase the organisation’s profile and achievements in the field of maritime history scholarship > Announced a new research fellowship, the $30,000 Australian National Maritime Museum USA Gallery Fellowship
above > Voyage crew member takes a trick at the helm of the HM Bark Endeavour replica. R Mattson
above right > Donated rare book The Elements and Practice of Rigging and Seamanship by David Steel, 1794. A Frolows right > Volunteer lifesavers helped us to launch the visiting exhibition Between the flags: 100 Years of Surf Lifesaving. A Frolows
11
director’s > overview > > networks and collaborations
and maritime history, and one that’s collaborating ever
On 30 November of the year in review, the Australian
year in which the museum made some very substantial
National Maritime Museum reached a modest
steps towards meeting its goals of finding new ways to
more widely on a growing variety of projects. It was a
milestone: we had been open to the public for exactly 15
interact with major audiences across the nation and
years. Not that there’s anything particularly significant
world, of servicing visitors both actual and virtual, and of
about that number. Unlike the occasion of our 10th
widening our net of influence.
birthday, we didn’t bother to throw a party; w ejustgot
The launch of our Australian Register of Historic
on with the business of preparing for another very busy
Vessels (ARHV) was a real milestone for us, the
summer season.
culmination of years of research, consultation and
We're conscious, of course, that some of
preparation. The register aims to build a national picture
the collecting and exhibiting institutions in the
of all of Australia’s historic vessels, publicly or privately
metropolitan environment in which we operate - both
owned, and to encourage their continued use and
as collaborators and, in some senses, as competitors -
preservation, it's an online resource using software
have collections, practices and traditions that began in
that was developed in tandem with our new collection
the 19th century. That, naturally, has some bearing on
management system, and it includes specifications,
the operations and priorities that we all set ourselves as
images and a wealth of information related to the
institutions.
vessels' operation and the people and communities
Yet when I look at some of this 15-year-old museum’s
associated with them. The project has been developed
activities and achievements over the past year, there's
in close association with Sydney Heritage Fleet, and
a real sense of an organisation that is maturing and
offers exciting opportunities for collaborations with
finding a growing degree of confidence. It's an institution
many other Australian maritime heritage organisations.
that’s increasingly influential in the world of museums
The historic vessels register became a major new knowledge component of our totally redesigned website, another big project which also came on line this year. Along with the new website’s improved interactivity, accessibility and business functions, it provides special
left > At a book launch with (L to R) museum co-publisher Derek McDonnell, director of Hordern House; chairman Mark Bethwaite; director Mary-Louise Williams; German ambassador Martin Lutz. J Mellefont right > Princess Anne gets afloat on visiting Gipsy Moth IV. M Lamble far right > Sir James Hardy’s Nerida at launch of Australian Register of Historic Vessels. J Mellefont
1 > the year in review > director’s > overview >
facilities for both our Members and volunteers. With
In order to place research-related activities on
many different sectors of the museum now engaged in
a more systematic long-term footing, this year we
the website’s continuing development, it provides us
commissioned a museum research strategy which
with an important platform for increasing the delivery of
is examining the role of research in this still-young
services and knowledge to expanding audiences. The area of research is receiving special attention
institution. We are looking at ways of encouraging, assessing, coordinating and funding research initiatives
as we undertake several initiatives to increase the
that are of high quality and build on the museum's
organisation’s profile and achievements in the field
strategic aims, and at ways of ensuring that the means
of scholarship relating to maritime history and allied
of dissemination of that research are in place. National
disciplines. This year we announced a new research
and international partnerships will naturally feature
fellowship, the $30,000 Australian National Maritime
strongly.
Museum USA Gallery Fellowship. The USA Gallery was funded by the US Government as a gift for our 1988
This year we more than doubled the number of grants that we awarded under the museum’s most
Bicentenary of European settlement, and celebrates
important outreach program, the Maritime Museums
the extensive maritime links between ourtwo culturally-
of Australia Project Support Scheme (MMAPSS),
related Pacific-rim nations. The fellowship will support
established in 1995. The scheme is jointly funded by
the continuing evolution of the USA Gallery and will
the museum and the Department of Communications,
strengthen relationships between the museum and
Information Technology and the Arts. This year we
American institutions.
received a record 59 applications and disbursed a
The museum has received two grants in the area of
record 26 grants (including two internships) to non
historical studies under the Australian Research Council
profit maritime museums and historical societies,
Linkage Project grants scheme, which encourages
most of them community-based and volunteer-run, for
innovative partnerships between universities and other
restoration, conservation, collection management and
organisations. One is a four-year, multimedia research
exhibition development projects. They are detailed on
collaboration with the Australian National University,
page 96.
Seeing change: science, culture and technology in the Antipodes from the age of Darwin. The other, with the University of Sydney over five years, is Rethinking timelines: a new methodology for describing and communicating history.
13
14
> Historic vessels
experience. Our project team achieved all priority
Returning to the topic of historic vessels - core
and some doubling of underwater plates to ensure
business for many maritime museums but for us just
watertight integrity, as well as a comprehensive hull
one of very many different focuses for our work - some
and structure survey (including a stability test and a
repairs, with extensive hull blasting, repainting
activities on vastly differing scales were noteworthy
hazardous material register). This provides us for the
this year.
first time with the basis for a long-term maintenance
One was the restoration of the revolutionary 18-foot
and conservation plan. This is critical for such a
skiff Taipan - one of the first items this museum ever
popular attraction, which was initially provided to us by
acquired, albeit in a run-down and much-modified
the RAN on a shortto-medium term basis but is now
condition. Restoring it to sail again in its 1960
seen as an important heritage asset to preserve.
specification was conceived as a tribute to its talented, eccentric designer Ben Lexcen (1935-1988) who
In its second year under museum management the acclaimed, Australian-built replica of James Cook's
made huge contributions to Australian yachting. To
HM Bark Endeavour was a majorfocus. For so many
fund the extensive research, documentation and
Australians it’s a powerful symbol of their history,
shipwrighting required, we ran a successful appeal
and the replica’s value as a history resource is clear.
aimed largely at the yachting community. The work
The replica was transferred to the museum in 2005,
has proceeded as a close collaboration between our
with support from the Australian Government for its
own staff and community members such as Olympian
management here, when the foundation which had
and champion yachtsman Carl Ryves, one of Taipan’s
operated it since launching it in 1993 disbanded.
successful skippers, and specialist heritage yacht
Fulfilling the museum’s commitment to keep the ship
restorer Simon Sadubin. It will be completed in the
in sailing condition, the replica completed five voyages
spring of 2007.
including a visit to Hobart for the popular biennial
The six-week dry docking of our Daring class
Australian Wooden Boat Festival. Endeavour has
destroyer Vampire was a turning point in the half-
participated in various events on Sydney Harbour and
century old warship’s life as a museum exhibit, and
was also chartered for a television documentary.
was a project on a scale that few museums will ever
Turning from the massive to the miniature, it was our pleasure to endow a brand new prize for ship model making while we were at the Australian Wooden Boat Festival. This was, we think, an Australian first. There are two prizes, one for working models (won by Grahame Seabrook for his steam tender Oscar) and the other for non-floating scale models (Wen Nermut, harbour pinnace Emilie.). It’s wonderful to be able
left > Endeavour replica moored at museum’s north wharf, CBD backdrop. J Mellefont right > Sirius, 14-ft Island-class racing dinghy, now on the new Australian Register of Historic Vessels. ANMM collection. A Frolows opposite page left > New deck laid during restoration of Ben Lexcen’s 1959.18-footer Taipan. B Richards
1 > the year in review > director’s > overview >
to recognise and encourage this exacting, highly-
an important collection, donated by Halvorsen family
skilled maritime art. Ship-modelling traditions go
members over recent years, that documents their
back centuries and have played an important role in
vast output in original plans and photographs, tools
documenting maritime history.
and memorabilia.
> Collections and exhibitions
and we now have more exhibitions on the road than ever
Our national travelling exhibition program has grown before, taking our collections to ever-wider audiences The next section of this report (pages 18 to 24)
under a revitalised program we call Sail Away. They are
demonstrates at a glance the depth and variety of
Patriotism Persuasion Propaganda - American War
our program of new exhibitions. Along with our varied
Posters; Australian Fishes - illustrations by Walter
menu of visitor activities and programs, they were
Stackpool; and Antarctic Views by Hurley and Ponting.
responsible for keeping our annual visitation at record
Working with the South Australian Maritime Museum we
levels - just short of last year's total when we mounted
developed a major travelling exhibition, The River - life
the highly successful Vikings exhibition. This year the
on the Murray Darling, funded by Visions of Australia,
Vikingtreasures, which had been selected from leading
which has commenced its tour of the Murray Darling
European collections by our own curators, travelled to
basin of regional Australia. This has fulfilled a longÂ
the Auckland Museum, New Zealand.
standing determination on our part to present this
The long-running Dreamboats and Workboats
important facet of maritime history that encompasses
- the Halvorsen Story attracted a great deal of
another great realm of Australian historical experience,
attention from a community that clearly remembers
the outback.
the work of this notable Norwegian-Australian boatbuilding dynasty with both fondness and
This year also provided opportunities to showcase the growing strength of the museum's collection of
nostalgia - particularly the happy holiday memories
Indigenous artworks and artefacts. The major gallery
of Halvorsen hire boats on the Hawkesbury River.
space that is always devoted to themes of Aboriginal
The exhibition enabled us to reveal the richness of
and Torres Strait Islanders, and their powerful connections to their waterways and the sea, was completely redeveloped. Titled Eora - first people out of respect for the first inhabitants of the land on which it stands, it uses artworks to highlight a number of communities in northern Australia and Tasmania. And it was with great satisfaction that we have once again displayed our most important Indigenous art collection, Saltwater - Yirrkala bark paintings of Sea Country. This is the unique suite of 84 bark paintings by Yolngu artists from north-eastern Arnhem land
Co-curator of The River, ANMM’s Michelle Linder, with a 37-kilogram Murray cod nicknamed Muzza. Murray-Darling Basin Commission collection. A Frolows
15
that explains the spiritual and legal basis of their
> Infrastructure, outlook and issues
community’s claim to land and sea rights. We first sent the exhibition to a regional gallery, before
This year we built another floating finger wharf, the
installing it once again in our largest temporary
Heritage Pontoon. Since the Endeavour replica arrived
exhibition space, Gallery One.
in 2005, berthing space at our wharves has been at a
The new acquisitions listed in the Appendixes show the continued diversity of our collecting activities. Items
premium. The new pontoon will allow more access for visiting vessels and it will provide invaluable additional
range from a rare first-edition copy of an 18th-century
berthing during regular events such as our biennial
seamanship manual, found while a donor was cleaning
Classic & Wooden Boat Festival. It enlivens our site
out her bookshelves, to an early convict love token from
while enabling us to get the maximum value from assets
1795, an Anglesey penny engraved with the lovers’
we already own - in this case, the floating pontoons
names, roses, hearts and an arrow. One particularly
themselves, which we are pleased to say are being
intriguing addition is a large 19th-century charcoal
recycled from a previous project.
drawing on linen, The Gospel Ship, that once hung in a Hobart pub showing its sailor patrons the way to
Along with Heritage Pontoon we embarked on the installation of cathodic protection for wharves and
salvation. It shows a three-masted sailing ship with
pilings, implemented an Environmental Management
biblical messages on every sail, on its hull and in the
System and worked on improved climate control in
surrounding seascape. Sailing‘To Glory’, it appeals for
stores and major exhibition spaces.
passengers with promises of ‘Eternity’, ‘Berths Secure’ and ‘Insurance - They shall never perish’.
These are components of an ambitious long term program of major capital works, our Site Master Plan, which aims to maximise the use of our very high-profile harbourside location, and deliver better services to our public. There is no doubt that we are the most visible national cultural institution in Sydney. Our unique CBD, harbourside location delivers unequalled flows of domestic and international tourists. No other Australian museum occupies such a high-profile, prestigious location. It becomes a focus of international attention at times such as the 2000 Sydney Olympic Games and will again in September when the APEC conference takes over Darling Harbour. The museum has capitalised on its location to enhance its international reputation. It is essential, however, that we are able to continue developing our site within its quite compact footprint if we are to continue to respond to new opportunities and deliver the best possible services. For this we will need financial
left > Musician Anton Aktila entertains guests at a Welcome Wall unveiling ceremony. A Aththas right > Summer show Arrrgghhh! the musical featured Michael Cullen, Lucy Chesterton and Brett Blewitt. A Frolows
1 > the year in review > director’s > overview >
and moral support from the Australian Government,
and the Southern Seas. Coming to us from overseas will
which is critical to both the funding and approvals
be the playful Bateau Jouets - French toy boats 1850-
processes, and we will need to explore alternative
1950 from Paris; while with Iceman - the story of Otzi
sources of support as well.
we dip ourtoe into a different stream altogether to learn
We will be re-evaluating our Site Master Plan and In
about the neolithic hunter preserved for 5,300 years
the coming year we will undertakea number of stand
in an Italian glacier. And there are two major festivals
alone site projects.
on the horizon. In September we’ll have our fourth food
The museum’s strategy of making entry to
festival, Pacific on a Plate, coinciding with the APEC
the galleries free of charge will continue to be the
leaders' meeting and looking at seafood from all around
cornerstone of our marketing. We were the first of
the Pacific. In March our latest Classic & Wooden Boat
Sydney’s major museums to take this step in 2003,
Festival will create another family heritage weekend - a
as a way of making our outstanding attractions more
proven success and a fixture on every boatie's calendar.
accessible than ever before. The increased patronage has offset the loss of ticket revenue and we continue to fund the full range of attractions and services. The comingyearwill see another lively range of
Finally, we will enter the second year of our 20062009 Strategic Plan with a new chairman of the museum’s council at the helm. Welcome to Mr Peter Sinclair AM CSC, whose distinguished career in the
offerings to attract our public. They will include new
Royal Australian Navy includes service as commander
exhibitions of our own, among them a fascinating foray
of HMAS Otway, an Oberon Class submarine just like
into natural history with Jellyfish - nature inspires art; a
one of the museum’s most popular attractions, the
dalliance with literature in Joseph Conrad and Australia-,
ex-HMAS Onslow. He succeeds Mr Mark Bethwaite,
and a return to the bush when The River - life on the
a Sydney businessman and international yachtsman
Murray-Darling comes back home to us. From other
whose wide-ranging connections were assets that any
Australian museums we’ll be borrowing that fabulous
organisation such as ours would welcome. It’s been a
tale of daring Irish Fenians, Escape! - Fremantle to
pleasure having Mark on board here at the museum,
Freedom (a must for Irish-Australians), and more
where he’ll be remembered for his warmth and
shipwreck drama in South Australia's Wrecked! Tragedy
humour on a personal level.
left > Members toured Tasmania led by curator Dr Nigel Erskine (bottom row left); Cradle Mountain, Unnamed right > Retired seaman Bill Langlois lays wreath to commemorate merchant seamen lost during wartime. J Mellefont
17
18
exhibitions > Beaches and Beyond -
Dreamboats and Workboats
Children’s Book Illustrations
The Halvorsen Story
Eighteen original illustrations for
This Norwegian-Australian family of
children’s picture books represent
boatbuilders and champion sailors had a
leading contemporary artists from
passion for boating that has touched the
around Australia; from the private
lives of many Australians. The Halvorsens
collection of Albert Ullin, bookseller
designed and built a wide range of
and advocate for Australian writers and
recreational and work boats, including
illustrators.
motor cruisers that are now collectors’
> Team leader > Bliss Jensen
items. The exhibition pays tribute to their
> Designer > Heidi Riederer
achievements as boatbuilders, designers
> Tasman Light
and champion yacht sailors.
>21 March-3 July 2006
> Team leader > Daina Fletcher
> Visitors from 1 July > 3,443
> Curator > Penny Cuthbert > Designers > Johanna Nettleton,
Clipper Ships - Greyhounds of the Sea During the 1840s and 1850s, American
Adrienne Kabos > North Gallery > 1 July 2006-27 May 2007 > Visitors > 396,488
shipbuilders developed a new breed of sailing ships that were the admiration and envy of the world. Hundreds of Yankee clippers roamed the globe carrying passengers and freight. This
HALVORSEN STC
exhibition brings to life the experiences of
Paragraph style:
...................... ,j - i j
the crews and passengers of these great ships, and their impact on the Australian
HWAOB8EI/I
colonies. > Curator/ coordinator > Paul Hundley > Designers > Carola Salazar, Sarah Drury Slingshot Design > USA Gallery > 25 May 2006-24 June 2007 > Visitors 435,483 above > Clipper ship Red Jacket, lithograph Currier & Ives. ANMM collection left > Beaches and Beyond Children’s Book Illustrations. A Frolows right > Model of luxury cruiser Minocqua lent for Halvorsen exhibition by Andrew Cannon Australian Yacht Squadron. J Mellefont
1 >theyear in review > exhibitions >
Displaced Persons
Pirates!
In this work the artists use 20 white
Fact, fiction and fantasy weave together
handkerchiefs - traditionally used to
in a swashbuckling adventure land.
wipe away tears and wave farewell - to
Families could explore a Spanish
explore the migration stories of their
galleon, wanderthrough Execution
families. Each handkerchief features
Dock, search for treasure in a looters’
montages of family photos and
cave, meet history’s pirates and
documents with embroidered words that
modern-day ones, and enjoy live
evoke a migrant's physical and emotional
entertainment, games and fun.
journey.
> Team leader > Michael Hedger
> Team leader > Mariea Fisher
> Designers > Johanna Nettleton, Sharne
> Curator > Lindl Lawton
Fielder
> Designer > Heidi Riederer
> Gallery One
> Tasman Light
> 14 September 2006-
> 5 July-5 November 2006 > Visitors > 138,100
4 February 2007 > Visitors > 214,299
UnderView The vibrant underwater images of photographer Glen Cowans are an expose of the beauty, complexityand especially the colours of the underwater world. The photographs reveal the mystery and creativity of nature, provoking questions such as: what is colour? Do fish see the same colours that we do? > Team leader > Mariea Fisher > Curator > Lindsey Shaw > Designer > Sharne Fielder > South Gallery > 28 August-5 November 2006 > Visitors > 80,749
above > Anemone fish at Rowley Shoals, Western Australia. G Cowans left > foreign/foreigner, photomontage on embroidered cotton by Anne Zahalka and Sue Saxon. ANMM collection
19
20
Dymocks Golden Paw Awards
HMAS Sydney - triumph then
2006
tragedy
Featuring 600 entries painted by NSW
Marking 65 years since the tragic loss of
primary schoolchildren on this year’s
the light cruiser HMAS Sydney in battle
theme of threatened Australian species
against the World War II German raider
living in or near water, selected from
HSK Kormoran, off Western Australia
thousands of entrants. The Golden
in 1941. Photographs from the Samuel
Paw Awards is run by the Foundation
J Hood Studio show HMAS Sydney in
for National Parks and Wildlife and
happier times, returning victorious after
Dymocks.
long, hard service in the Mediterranean
> Team leader > Osanna Moir
and welcomed into Sydney Harbour on
> 25 September-15 October 2006
10 February 1941 by thousands lining
> Visitors > 33,892
the foreshores. > Team leader > Laetitia Thibault
Spanish expeditions to the South Pacific in the 16th-18th centuries It’s 400 years since Luis Vez de Torres
> Curator > Lindsey Shaw > Designer > Adrienne Kabos > Tasman Light > 7 November 2006-27 February 2007 > Visitors > 162,637
became the first European to thread the reef-strewn passage separating Australia and New Guinea, now Torres Strait, while Pedro Fernandez de Quiros was searchingforthe mythical Terra Australis Incognita believed to connect the tip of South America to New Guinea. Find out why, for almost three centuries, the Pacific Ocean was known as ‘the Spanish Lake’. A travelling exhibition from the State Corporation for Spanish Cultural Action Abroad. > Team leader > Mariea Fisher > Curator > State Corporation for Spanish Cultural Action Abroad > ANMM curator > Dr Nigel Erskine
Wetworld Back by popular demand was our interactive wet-laboratory where children explore and enjoy the properties of water, playing and learning as they complete experiments, hold river races, climb onto a boat and get very wet in the Super Soaker Action Zone. Especially geared for ages 3 -9 . > Team leader > Scott Andrew > Designer > Johanna Nettleton > North Wharf > 29 December 2006-28 January 2007 > Visitors > 22,440
> ANMM designer > Sharne Fielder > South Gallery > 1 December 2006-4 March 2007 > Visitors > 216,380
top > HMAS Sydney on Sydney Harbour, 1941. Postcard, ANMM collection above > Jordan Smylie, 6, of Berowra Heights and his sister, Charlotte, 4, visit Wetworld. S Andrew left > Detail from Pacific Ocean (Theatrum Orbis Terrarum) by Abraham Ortelius, 1589. The Spanish Army Geographical Centre, Madrid, Spain far left > Gastric Brooding Frog by Georgia Backhouse, 7, overall winner of Dymocks Golden Paws Awards
1 > the year in review > exhibitions >
Currach folk - photographs by
Sydney Harbour Bridge
Bill Doyle
The year 2007 marks the 75th anniversary of the opening of the Sydney
These mid-1960s images of Gaelic
Flarbour Bridge, the dominant feature
fishingand farming folk off Ireland's
of Sydney Harbourthat’s been a symbol
isolated west coast capture a lost world
of the city ever since it was built. We
celebrated by Joyce, Yeats and Synge.
marked the occasion with an exhibition
The award-winning photographer’s
of memorabilia from the bridge’s opening
studies of the Aran Islanders’ lives,
on 19 March 1932, a festive landmark in
landscape and their boats reveal the
Sydney’s memory.
dignity, humanity and hardship of lives
> Team leader > Niki Mortimer
shaped by the sea.
> Curator > Patricia Miles
> Team leader > Niki Mortimer
> Designer > Heidi Riederer
> Curator > Penny Cuthbert
> Tasman Light
> Designers > Johanna Nettleton, Sarah
> 1 March-24 June 2007
Drury Slingshot Design
> Visitors > 91,773
> Tasman Light > 16 March-30 September 2007
Between the flags: 100 years of
above > Fishermen waiting
> Visitors > 102,887
for the tide, Inis Oirr (Inisheer) 1964. Bill Doyle
su rf lifesaving
below > Positioning main bearing for Sydney Harbour Bridge, glass plate negative, Samuel J Hood Studio.
A National Museum of Australia travelling exhibition commemoratingthe centenary of surf lifesavingin Australia, this
ANMM collection
exhibition provides an insight into the community of dedicated surf lifesavers whose bravery has helped save over 500,000 lives in the past 100 years.
i-
Between the flags was developed in collaboration with Surf Life Saving Australia, and supported by Visions of Australia, an Australian Government program providing funding assistance to develop touring exhibitions taking cultural material across Australia. > Team leader > Mariea Fisher > ANMM curator > Penny Cuthbert > ANMM designer > Sharne Fielder > Gallery One > 7 March-29 April 2007 > Visitors > 60,086
. 11 ' 1
I .
■ ;
..........................
MH
,
■
' " ' - V '
'
21
22
> on the water Gipsy Moth IV
James Craig
Gipsy Moth IV, in which Sir Francis
Sydney Heritage Fleet’s magnificent
Chichester single-handedly
1874 barque James Craig was
circumnavigated the globe in 1966-67,
recommissioned in 2000 after her epic
returned to Sydney and opened for
30-year restoration and is sailing again
inspection with crew and volunteers on
- one of onlyfoursuch barques in the
board to interpret the vessel. An indoor
world that are still sailing.*
display in the new acquisitions showcase
> Wharf 7 Maritime Heritage Centre
featured clothing and personal effects
> Visitors > 48,583 (joint ticketing with
from the original voyage, diaries,
Sydney Heritage Fleet)
commemorative items and objects from ANMM’s collection. > Showcase 11 Ju ly -27 September 2006 > Yacht on display 14-16 July 2006 > Visitors >4,871
Replica of HM Bark Endeavour The magnificent replica of this famous vessel of discovery, on which Cook made his first circumnavigation (1768-71), is open for inspection at the museum or when visiting other ports. Meticulously researched recreations of the cabins, living and working areas of officers
above > Sydney Heritage Fleet’s
and crew are fitted out with props
* The museum provides berthing for
and replicas, allowing the visitorto
James Craig and accommodation
experience the conditions and lives of
for Sydney Heritage Fleet staff and
18th-century seafarers.
collections, free of charge, in the
> Hobart Wooden Boat Show
Wharf 7 Maritime Heritage Centre.
> 10-23 February 2007 > Visitors > 2,475 > Devonport, Tasmania > 3 -7 March 2007 > Visitors > 1,158
magnificent 133-year-old barque James Craig. SHF photograph below > Gipsy Moth IV, the yacht that took Francis Chichester round the world and earned him a knighthood. UK Sailing Academy below left > Endeavour replica’s mess deck where voyaging crew sling their hammocks and dine.
1 > the year in review > on the water > travelling exhibition program >
23
> travelling exhibition program Vikings Treasures of the Viking world from
The River - life on the Murray-Darling
leading European collections were
Indigenous communities, European
assembled by ANMM curators and
explorers, farmers, paddle-steamer
appeared in Australia for the first
workers, soldier settlers, irrigators,
time ever, before this record-breaking
immigrants and tourists are all part of
exhibition was toured to New Zealand.
this vast inland river basin that crosses
> Team leader > Mariea Fisher
several states. Their stories are told in
> Curators > Patricia Miles, Bliss Jensen
this unique history.
> Designers Tanguy Le Moing, Cameron
> Team leader > Mariea Fisher
Krone, Heidi Riederer > Auckland Museum, New Zealand > 21 Ju ly-8 October 2006 > Visitors > 38,788
> Curators > Michelle Linder, John Waight, Bill Seager (SAMM) > Designers Cameron Krone, Heidi Riederer > South Australian Maritime Museum,
Saltwater: Yirrkaia bark paintings o f Sea Country
Adelaide SA > 27 October 2006-12 February 2007 > Visitors 14,835
This unique collection of bark paintings
' > Morgan Museum, Morgan SA
explains the spiritual and legal basis of
> 17 February-30 May 2007
the Yolngu community’s claim to land
> Visitors > 1,932
and sea rights in their north-east Arnhem Land country. The paintings represent sacred knowledge about fresh, tidal and saltwater areas, mystical snakes, animals and ancestral beings. Purchased by the Australian National Maritime Museum with the assistance of Stephen Grant of the GrantPirrie Gallery > Team leader > Niki Mortimer > Designers > Johanna Nettleton, Daniel
L IF E O N T H E M U R R A Y - D A R L I I V H
Ormella > Lake Macquarie City Art Gallery, Booragul NSW > 20 April-3 June 2007 > Visitors > 3,665
top > Viking-made chess pieces, probably 12th century, lent for our exhibition by National Museums of Scotland. above > Exhibition graphic identity. left > Bark painting Gumatj Monuk by Gaymala Yunupingu, 1998, from ANMM’s Saltwater collection of sacred Yolngu art.
> Sail Away travelling exhibition program Patriotism Persuasion Propaganda - American War Posters When America went to war in 1942 after Pearl Harbor, posters played a critical role in mobilising public support. The striking images and messages they contain provide a glimpse of the war effort on a wider front, and the money, labour and personal sacrifices that were required. Touring May 2006-August 2008 > Team leaders > Niki Mortimer, Mariea Fisher > Curator > Paul Hundley > Designer > Daniel Ormella > Wyndham Cultural Centre, Werribee VIC > 5 M ay-16July 2006 > Visitors (from 1 July) > 370
> Curator > Lindsey Shaw > Designer > Daniel Ormella > Lady Denman Maritime Museum, Huskisson NSW > 13 Jun e-4 September 2006 > Visitors >794 (from 1 July) > Eden Killer Whale Museum NSW > 8 September-28 November 2006 > Visitors > 10,874 > Redcliffe Museum QLD > 5 December 2006-4 March 2007 > Visitors >2,796 > Australian Fossil and Mineral Museum, Bathurst NSW >16 March-21 May 2007 > Visitors > 4,029 > Manning Regional Art Gallery, Taree NSW > 31 M a y-1 June 2007 > Visitors > 653
> National Archives of Australia, Canberra ACT > August-October 2006
Antarctic views by Hurley and Ponting
> Visitors > 4,479 > Bundaberg Arts Centre QLD
This vivid photographic exhibition
> 3 February-11 March 2007
by two of the most noted Antarctic
> Visitors > 1,304
photographers, Frank Hurley and
> Redcliffe Museum QLD
Herbert Ponting, has stunning images
> 1 M ay-23 July 2007
of Shackleton’s Endurance expedition
> Visitors (to 30 June 2007) > 1,100
1914-1917 and Scott’s Terra Nova expedition 1910-1912.
Australian Fishes - illustrations by Waiter Stackpool Fifty-two vibrant watercolour paintings of Australian fish species by versatile Australian illustrator Walter Stackpool (1915-1998) with background information about the artist, the peculiar difficulties offish illustration and the process from sketch to published work. Touring December 2005-December 2007 > Team leaders > Niki Mortimer, Mariea Fisher
Touring December 2006-January 2009 > Team leader > Niki Mortimer > Curator > Lindsey Shaw > Designer > Adrienne Kabos > Eden Killer Whale Museum NSW > 1 December 2006-25 February 2007 > Visitors > 15,311 > National Archives of Australia, Canberra ACT >2 March-2 July 2007 > Visitors (to 30 June 2007) > 5,283
1 > the year in review > sail away travelling exhibition program > statutory information requirements >
statutory information requirements > > Corporate governance
The museum prepares triennial strategic plans and annual operating plans for ministerial approval in
The museum is a statutory authority within the
accordance with the ANMM Act. In addition, annual
Communications, Information Technology and the Arts
statements of intent are now prepared and published
portfolio. Its enabling legislation, the Australian National
in response to ministerial statements of expectation.
Maritime Museum Act 1990, established a governing
The chairman and the director have biannual meetings
council to ensure the proper and efficient performance
with the minister to review governance and strategic
of its functions. Council currently comprises 10
issues; a senior departmental representative attends
members including the museum’s director and a
all council meetings as an observer; and copies of both
representative of the Royal Australian Navy.
draft and final minutes are forwarded to the minister
The full council met four times during the reporting
and the department.
period and business is facilitated through five committees (finance and audit; major capital works; collections development and exhibitions; marketing, programs and sponsorship; fleet). They meet in advance of each full council meeting, and additionally if required, to advise council and management. Each committee comprises the director and a minimum of two other councillors; one of whom acts as chair. All councillors are welcome to attend any committee meeting in an ex officio capacity. (Refer Appendix 15.) The council submits to a regular self-assessment process. A number of councillors are members of the Australian Institute of Company Directors and subject to its code of conduct. All councillors are aware of the need to comply with both the letter and the spirit of relevant legislation. Operations are informed by the highest museological standards and codes of practice and all staff are bound to Australian Public Service values and code of conduct.
above > Visiting the museum is the group of amateur scuba divers who discovered the missing Japanese midget submarine M24 in November 2006. They are Phillip Hendrie, Anthony Hay, Alan Simon, Greg Kearns, David Arnold, David Muir and Paul Baggott. J Mellefont
opposite page > Dolphin, pilchard and Australian salmon by Walter Stackpool; US Government Printing Office 1942; Ice Cave by Herbert Ponting 1910-1911. ANMM collection right > On Chile’s sail-training ship CS Esmeralda (L to R): director MaryLouise Williams, SA senator Grant Chapman, foreign affairs minister Alexander Downer, Esmeralda's captain Umberto Ramirez Navarro, Matine Letts of the Lowy Institute for International Policy. Captain Jorge Rodriguez CN.
25
26
The museum is also subject to the Commonwealth Authorities and Companies Act 1997 (CAC Act) and in addition to its normal annual reporting obligations to the minister and the parliament is now required to lodge a
> Judicial decisions and reviews by outside bodies There were no judicial decisions that affected the
CAC Act compliance report with both the Minister for the
museum during the period under review. There
Arts and Sport and the Minister for Finance.
were also no reports on museum operations by the
All museum staff are aware of the importance of good
Auditor-General, a parliamentary committee or the
governance and governance is a standing item on
Commonwealth Ombudsman.
the agenda for the executive management group’s fortnightly meetings.
> Effects of ministerial directions The museum received no formal notification or
> Freedom of information
ministerial directions from the minister apart from
There were no requests under the Freedom of
the Council appointment notifications, and received
Information Act 1982. The museum’s FOI officer is
one ministerial direction from the Finance Minister
Russell Smylie, phone 02 9298 3619
requiring the museum to provide a compliance report
email rsmylie@anmm.gov.au.
during 2006-2007. The minister was not notified of any significant events pursuant to the CAC Act. The National Code of Practice for the Construction Industry applies to the museum by virtue of a notice issued by the Minister for Employment and Workplace Relations pursuant to S28 of the CAC Act.
> Indemnities and insurance premiums for officers No current or former officer has been given any indemnity and there are no agreements to give any. Normal directors and officers insurance is carried through Comcover and the annual premium was $7,246.83.
left > Tributes laid on museum’s memorial to merchant mariners lost in wartime, World Maritime Day 29 September 2006.
right > Visitors inspect the twin V-16 Paxman diesels in engine room of museum’s Attack class patrol boat ex-HMAS Advance. far right > Museum’s 1874 Cape Bowling Green lighthouse illuminated, for a function by venue clients Philips SSL and Lightsmart Solutions. Photographs J Mellefont
1 > the year in review > statutory information requirements
> Occupational health and safety
> Environment protection and biodiversity
An updated occupational health and safety (OH&S)
The museum does not administer any legislation nor
policy and agreement was formalised with staff
has any appropriations directly related to the principles
and their union during the reporting period. Both
of ecologically sustainable development. However,
documents reinforce the pre-existing commitment to
its sole budgeted outcome is increased knowledge,
provide and maintain a working environment that is
appreciation and enjoyment of Australia’s relationship
safe for employees, is without risk to their health and
with its waterways and the sea, which carries
provides adequate facilities for their welfare at work.
environmental implications. Environmental issues are
The museum’s commitment to OH&S also extends to its
now considered a natural and integrated part of the land
volunteers, contractors and visitors.
and water-based operations of the museum.
The OH&S committee met six times. The committee
The museum’s environmental management policy
includes elected staff representatives from three
expresses its commitment to minimising the
designated work areas; both they and their deputies
environmental impact of its operations. It has now
have received appropriate training. Regular workplace
implemented a comprehensive environmental
inspections occurred and staff have access to
management system to achieve improvements in
ergonomic assessments as well as free screen-based
environmental management and performance. Targets
vision testing and influenza shots. Outdoor staff
relating to waste streams and conservation of natural
are provided with sunglasses and sunscreen while
resources are being established and the system is
workshop staff are given biannual hearing tests. OH&S is included in the site induction given to all new
in the process of gaining AS/NZ ISO 14001:2004 accreditation.
employees, volunteers and contractors. Online hazard
The museum is also fully committed to sustainable
identification and accident and incident databases have
development, and proposed site developments currently
been established to facilitate notification and remedial
in the planning stage will ultimately comply with the
action. An influenza pandemic response plan was also
Environmental Protection and Biodiversity Conservation
prepared during the reporting period.
Act 1999.
There were no incidents reportable under Section 68 of the Occupational Health and Safety (Commonwealth Employment Act) 1991. There were seven claims for compensation, six by staff and one by a volunteer, and 26.45 staff days were lost due to injury.
21
performance reporting >
The Halvorsen style on board luxury cruiser Penelope, 1938. At right is Margit Elise Halvorsen (1922-2002), daughter, sister, aunt and grandmother of four generations of Halvorsen-family boatbuilders. Her friend is Gwen Mills. Photographer unknown, ANMM collection
key result area 1 > engaging communities >
strategic objective >
strategies >
increase aw areness and use
> provide a range of appealing
of our programs and services throughout Australia
programs and services for diverse communities > improve and extend our website and its use > promote and develop our outreach programs > engage culturally diverse communities and new museum users with our programs and services
left > Volunteer Victor Chaing makes special packing and storage containers for a variety of collection objects. A Frolows right > Endeavour replica parades with RAN sail trainer Young Endeavour on Australia Day 2007. J Mellefont
2 > key result area 1 > engaging communities >
> Visitors and interactions
Visitors to the museum
2005-06
411,350
468,445
451,422
13,700
33,396
106,213
1,602,315
2,085,966
2,219,916
Travelling exhibitions Interactions
2006-07 1
2004-05
> HM Bark Endeavour replica 2006-07 I
2004-05
2005-06
Visitors in all ports
n/a
53,845
54,579
Voyage crew berths filled
n/a
120
136
Number of days voyaging
n/a
16
48
Number of days open to public
n/a
256
265
> HM Bark Endeavour replica Endeavour’s second year at the museum has been an action-packed, exciting time. Fulfilling the museum’s commitment to keep the ship sailing, and as part of its outreach program, the ship’s master Ross Mattson and crew have completed five voyages. In February the ship voyaged to Tasmania with a full complement where she led the Parade of Sails to officially open the Australian Wooden Boat Festival. While open to the public in Hobart 2,472 people visited over five days, and in Devonport 1,158 visited over four days. The return voyage of 11 days brought the ship back in time for the 75th anniversary of the Sydney Harbour Bridge on 18 March, to lead another parade of sail. In April Endeavour set sail again for a five day return voyage via Broken Bay, before voyaging to Botany Bayforthe anniversary of James Cook’s landing on 29 April 1770. Here the captain and crew attended the Meeting of Two Cultures ceremony. Essential maintenance saw the ship laid up in October 2006 and March-April 2007 for work on the masts and yards, rigging, fungus treatment in the men’s locker room, painting and display artefacts maintenance. Planning is currently underway for drydocking in September, with voyages to Newcastle and a rig refit in late October 2007.
During the year Endeavour participated in various events on Sydney Harbour - Boxing Day, Australia Day, five public half-day sails selling 175 tickets, and one school charter. The ship was chartered during her stay in Tasmania by Cook Films for three days sailing and four days alongside to film a television documentary Looking for Captain Cook.
31
32
Interest in Endeavour continues to grow, with 12 film enquiries, five to attend festivals, 27 from professional crew and 1,256 from people wanting to sail as voyage crew. The challenge to sail, maintain and display Australia's 18th-century replica involves all of the museum staff. The captain and crew of Endeavour are dedicated to fostering traditional skills in orderto ensure that the ship maintains her historical authenticity, while the museum ensures that this large and complex attraction meets museum standards and practices to ensure visitors a safe and rewarding experience.
> Travelling and temporary exhibitions ANMM travelling exhibitions provided opportunities for our maritime heritage to reach audiences around
a picnic day was organised for a disability support
Australia. The River - Life on the Murray-Darling,
group, welcoming over 200 clients from the Psychiatric
developed with the South Australian Maritime Museum,
Rehabilitation Association. Staff helped the visitors to
was launched in Port Adelaide in October and is being
explore museum vessels. Also in October, the museum
shown at venues in the Murray-Darling basin with funding
was visited by over 20 members of a support group for
from Visions of Australia. It includes many artefacts from
people with vision impairment, for an organised tour of
regional collections which tell local stories of the river.
the museum and Wharf 7 vessels.
Our Sa/7Away program of small touring exhibitions of drawings, posters and photographs from theANM M ’s
> Public and community programs
collection, listed on page 24, were presented at museums, galleries and libraries. Saltwater - Yirrkala
This year we welcomed back one of our most enduring
Bark Paintings of Sea Country, the museum’s unique
shows, Pirates! - a major family attraction which
collection documenting Indigenous sea rights, travelled
was redeveloped and reinvigorated as a children’s
to Lake Macquarie City Art Gallery in June and our
adventureland of fact and fiction, with puppet shows,
successful Vikings exhibition was taken to New Zealand
roaming pirate characters and guided craft activities.
to be shown at the Auckland Museum. The manager and coordinator of temporary and travelling exhibitions also managed incoming exhibitions
Opening in September 2006 as a primarily weekend and pre-school activity, Pirates! came into its own in the summer holiday period when over 18,000 children
from the National Museum of Australia and the State
enrolled in Pirate School. Atroupe of versatile actors
Corporation for Spanish Cultural Action Abroad.
was employed to enliven the space and they also performed an interactive family show, Arrrgghhh!
> Customer services
the musical in our theatre. Devised by the actors and directed by staff member Ali Gordon, the show played
The position of visitor services officer (VSO) increases
three times daily during the holidays, with over 14,000
our focus on service delivery, communications and
people enjoying the performances.
the logistics of front-of-house operations. The VSO
Wetworld took over the marquee on the North Wharf
leads the Customer Service Taskforce that monitors
for the sixth time, with a host of water-based activities
concerns raised in the museum through visitor and staff
and learning experiences for children aged 3 -9 years.
comments, complaints and suggestions. The taskforce has been involved in improving physical access to the
Welcoming Sir Francis Chichester’s famous yacht Gypsy Moth IVm June during her 40th-anniversary
museum foyer, way-finding signage in the museum and a redesign and reprint of the Customer Service Charter. Again this year initiatives were explored to make the museum more accessible to all community members. To commemorate World Mental Health Day in October
Sculpture of a Murray river cod (Pondi), artist Yvonne Kooimatrie, 2001- Ngarrindjeri community, South Australia. ANMM collection. A Frolows
2 > key result area 1 > engaging communities >
> Major visitor revenue sources
Visitor entry revenue
2004-05
2005-06
$1,340,950
$1,529,680
$1,670,684
$577,033
$750,930
$778,059
$84,236
$173,801
$174,080
The Store gross revenue The Store net revenue
2006-07 1
Yots Cafe rental revenue
$104,749
$92,526
$94,019
Visitor services revenue
$230,996
$270,399
$255,679
$2,327,972
$2,643,709
$2,970,922
Total
round-the-world commemoration voyage, the museum
programs to our exhibitions and collections has
provided this famous history-making boat with a berth
proved so successful that education officer Jeff
while she opened to the public. One prominent visitor
Fletcher travelled to Whyalla Maritime Museum in
was HRH Princess Anne, patron of the voyage.
South Australia in March, to advise on building school
Always looking for opportunities to support and collaborate with different organisations and
programs around their collection and facilities. For this summer’s mounting of Pirates! a special
communities, the museum celebrated International Day
preview for 60 primary teachers helped boost the
of People with a Disability working with Junction House
core program, Pirate School, which was nearly booked
(a community centre for adults with a mild intellectual
out. The art exhibition Displaced Persons provided
disability) on a recreational art project in December,
the opportunity to focus on migration journeys,
using the museum and its exhibitions as inspiration.
and an education program called The Journey was
The resulting collaborative artwork, entitled Swimming
developed for Stage 6 (Year 12). A museum teacher
through the water, was displayed in the main foyer.
guide introduced the exhibition and explained how
To raise awareness of the museum as an affordable
history can be used as supplementary material for their
local family venue, museum staff also participated in
English studies. In a collaboration with The Sydney
our neighbourhood ‘UPtown Ultimo-Pyrmont Festival’.
Jewish Museum we gave students the chance to hear
Co-coordinating its annual Classic Ferry &Workboat
the artists (Anne Zahalka and Sue Saxon) speak about
Challenge with the 75th anniversary of the opening of the
their work. And our school program offered activities
Sydney Harbour Bridge, the museum sailed its historic
for Refugee Week (see next section under ‘Maritime
vessels Epic Lass, Bareki and HM Bark Endeavour replica
heritage programs’).
in the Parade by Decade on Sydney Harbour. In association with Surf Lifesaving NSW and the visiting exhibition Between the flags, a beach-themed
We are active within the industry partner group Darling Harbour Education Network (DHEN), formed to attract schools to venues in Darling Harbour. Its first open
family day was held featuring sand scuIpting workshops,
day for teachers was on 25 March, with the museum
mechanical surfboard rides and outdoor craft activities,
showcasing its schools program and facilities to over
with Surf Lifesaving NSW performing mock sea rescues
450 teachers and their families. During the year we also
in the museum’s display basin. And collaborating
hosted a number of events including the eighth annual
again with MusicFest, the Australian version of the
Marine Careers Forum in June, combining trade stalls,
international festival Fete de la Musique which yearly
lectures and discussion groups on maritime vocations.
celebrates the solstice with music performances in
This year 19 professional maritime career presenters and
public places, we hosted a diverse multicultural program
280 senior students and teachers attended.
of free music in the forecourt.
New talks, tours, films and cruises were developed for our adult education program, many with the adult
> Education for all ages
and further education organisation WEA. These include the successful Cruise Forums which move between the
The museum continued to engage both schools and
museum and relevant sites on the harbour, by ferry, with
the wider community by means of wide-ranging,
specialist lecturers in their respective fields.
imaginative learning programs. Linking education
> Education groups 2004-05
2005-06
Primary schools
296
343
326
Secondary schools
372
470
359
61
104
78
729
917
763
2004-05
2005-06
2006-07
Vacation care
n/a
n/a
109
Adult booked groups
n/a
n/a
95
Booked parties
n/a
n/a
29
Special hosted visits
n/a
n/a
4
Other groups total
n/a
n/a
237
2004-05
2005-06
2006-07
Primary students
14,634
14,956
15,544
Secondary students
12,106
16,952
10,878
Adult students
1,244
1,680
1,146
Teachers
4,004
4,176
4,273
Vacation care
2,909
2,580
2,431
Other groups
2,257
2,854
3,171
Groups total
37,154
43,198
37,443
9,928
12,131
*31,479
47,082
55,329
68,922
Tertiary/adult groups Education groups total
2006-07 1
> Other groups
> Visitor numbers
Kids Deck All programs total
* Includes individual clients doing children's activities, previous years show booked groups only
> Schools booked with teacher guides 2004-05
2005-06
2006-07
Navigators gallery/early explorers
53
57
48
Transport
36
63
44
Museum highlight
56
48
32
Dipping into history
12
14
10
Endeavour
n/a
78
100
HSC English
n/a
n/a
14
Other tours
53
125
8
220
385
256
Tours
Total schools on tours
2 > key result area 1 > engaging communities >
2006-07 1
2004-05
2005-06
Archaeology-junior
12
15
8
Archaeology - senior
9
8
16
Science & the sea
5
4
10
25
20
5
23
23
51
n/a
n/a
56
99
94
103
Technology of gold workshop
15
13
8
What is history?
12
16
5
Pyrmont walk
43
51
50
1 Workshops
Ship Shape & Life aboard a tall ship (James Craig) Pirate School (James Craig) Pirate School workshop (no James Craig) Shipwreck, conservation & corrosion - HSC
Splash workshop
12
8
6
Other workshops
15
41
16
Total schools in workshops
360
293
334
1Schools booked on vessels
2004-05
2005-06
2006-07
20
43
31
208
328
285
57
53
63
Schools on cruises Schools on Onslow (including
I
workshops) James Craig (includes Ship Shape and Sleuths programs) 51
91
112
Schools on Tu Do & First Lady
n/a
n/a
3
Total schools on vessels (except
336
515
494
Schools on Endeavour
Vampire)
2006-07 1
2004-05
2005-06
Teachers' previews of exhibitions
185
183
457
Marine careers day - senior
313
189
280
Public programs - Cruise forums
136
198
138
Public programs - WEA program
77
93
29
Public programs - Night in the Navy
n/a
78
40
Displaced Persons - senior English
n/a
n/a
220
711
741
1,094
1 Other
students
seminar Total
35
36
> Vaughan Evans Library 2004-05
2005-06
2006-07 1
Monographs/AV titles accessioned
816
1,488
555
Internal loans processed
128
155
355
Inter-library loans processed
327
281
297
Researchers in person
783
698
795
External research requests
3,356
2,723
2,039
Total research requests
4,139
3,421
3,457
Items catalogued
1,089
778
734
$5,253
$4,570
$4,553
Revenue
> Vaughan Evans Library Large systems-related projects dominated the library’s workload throughout the year. They included the library system SydneyPlus; collection maintenance and backlog documentation projects particularly in the area of oral histories; the new content management system (Unity) and the creation of metadata and A -Z index for the website and initial usertraining. The museum’s new website went live on 14 November and a part-time library website coordinator position was established to train staff, develop user guides and procedures. In
no doubt reflects the increase in family-history web resources. These include our own pathfinder guides, and the National Library’s picture portal PictureAustralia that harvests images from the museum's painting collection (and many other Australian collections). The redesigning of the museum’s website research enquiry form has also enabled more efficient handling of research enquiries. We offer help and guidance to other museums, maritime museums and maritime-related organisations, state and public libraries and archives. We received over 250 letters of thanks this year.
conjunction with support from website team members, IT consultants and feedback from the public, a program of enhancements to the website and the content management system has begun, and an evaluation process has commenced. The librarian and technicalservices librarian continued working in the Australian Register of Historic Vessels and the museum website development teams. Major acquisitions this year were several early volumes of Lloyd's Register and the Mercantile Navy List, and another five-year instalment of the Daily Commercial News on microfilm. The library contributes to the National Bibliographic database Libraries Australia, this year bringing the total to 16,352 titles. We add holdings for rare books held as part of the museum’s collection. Inter-library loans remain at levels similar to previous years. A regular and well-received program of library tours for museum staff and volunteers commenced during the year and the team also hosted outside visits including family history groups and librarianship students. The public enquiry service has experienced more in-depth enquiries, especially in relation to passenger lists. This
> Venue hiringand catering Despite increasing competition it’s been another busy, successful year, helped by a new, ongoing direct marketing campaign that has taken us in new directions. A successful family-day event for PricewaterhouseCoopers included a selection of activities for all ages with tours and workshops run by the museum’s visitor programs staff. A focus on wedding marketing has the museum listed on several new wedding websites and magazines. Together with extended hours site visits the number of bookings has increased 50%. We have also had the museum’s first wedding ceremony aboard HM Bark Endeavour replica. Good service has ensured that much of the venues business is from repeat clients. The Department of Defence had a three-day conference in March and
2 > key result area 1 > engaging communities >
> Venue hire performance 2004-05 Number of functions
2005-06
2006-07 1
252
272
240
40,531
33,625
32,524
Turnover
*$894,994
$928,115
$833,938
Net revenue
*$625,812
$601,555
TBC
Guests
♦Includes 2005 Global Challenge Yacht Race revenue $62,664
a number of smaller day seminars. Sydney Morning
Duringtheyeara mobile retail unit for off-site
Herald held its fourth Christmas party in the Terrace
sales was designed and new shop display fittings were
Room and Suttons City Holden held theirs in the
acquired. Museum volunteers are now employed in
marquee for the second year running. There has also
administration and back-of-house duties. The manager
been an increase in the number of bookings as a
is currently president of the Museum Shops Association
location for film and television advertisements.
of Australia, and in this capacity he runs their annual
The section has a strong relationship with the
conference and advice seminars for delegates.
events industry, in particular Sydney’s Unique Venues Association (SUVA), where the museum’s venue
> Sydney By Sail
manager has served, in a marketing capacity, for the past three years. A focus has been placed on increasing
Sydney By Sail is a successful commercial enterprise
opportunities with local associations and businesses
operated from the museum waterfront by former
including a referral system established with Accor
Olympian Matt Hayes. His yacht charter company is
Group and Star City. Co-exhibition with Sydney Harbour
highly regarded in the tourism industry and offers short
Foreshore Authority at Australian Events Expo, and
sails on the harbour and overnight cruises as well as
on our own at RSVP, has ensured a continually strong
sailing courses and corporate sailing. It benefits the
market presence.
museum not just by its commercial return but by giving our visitors the opportunity to extend their museum
> The Store
experience onto the water, so that the museum
Once again the Store has broken its own record with the
Sydney Harbour.
becomes their gateway to the experience of sail and highest-ever yearly sales figures. The launch of our first online shopping site on the museum’s website has helped increase sales, and it is regularly in the top three visited locations on the site. Sales of themed merchandise during the summer Pirates! program generated over $145,000 and off-site sales at the Australian Wooden Boat Festival in Tasmania during HM Bark Endeavour replica’s visit exceeded $11,000 for nine days trading. Product development continues to grow and a new range of postcards has been developed featuring images from the museum’s collection and exhibitions, while other new products have been sourced in the USA and Europe. The wholesale arm continues to grow, selling museum products and publications to other organisations, and supporting the museum’s touring exhibition program by providing related merchandise to host venues.
37
key result area 2 > maritime heritage >
strategic objective >
strategies >
foster the care and research
> manage and develop the
of Australia’s maritime heritage and material
Australian National Maritime Collection and other historical material in our care
culture > encourage research into maritime heritage and material culture > promote and foster traditional maritime skills > increase the educational and commercial use of our fleet
above > Heritage harbour ferry Lithgow carries Members and guests on many excursions. A Frolows right > Curator Lindl Lawton with matchstick Titanic sculpted by Geelong artist Christian Den Besten. A Frolows
2 > key result area 2 > maritime heritage >
> Curatorial section > totals of enquiries assisted Public/private
Organisations
2004-05
2005-06
2006-07
2004-05
2005-06
2006-07
Technology
523
498
514
121
109
137
Communities
480
650
580
130
200
180
USA Gallery
152
167
125
103
121
177
Indigenous
120
0
5
70
80
85
1,275
1,315
1,224
424
510
579
Section
Total
Acquisitions >
of commercial sail. Their large, fore-and-aft gaff sails
The museum’s collection continues to be enriched
to operate square-riggers, enabling them to haul bulk
by the research, experience and judgement of our
cargos such as coal economically. These 17 glass plate
could be handled by smaller crews than were needed
curators. The list of selected acquisitions to the National
negatives are thought to have been taken by a Sydney
Maritime Collection that appears in Appendix 2, and the
Morning Herald photographer shortly before the ship
list of donors to the collection appearing in Appendix
was broken up in 1932.
3, reveals the diversity of the areas covered by our holdings.
Turningto social history, a notable acquisition was the donation of hand-crafted hand puppets,
The museum’s fine collection of scrimshaw has been
string puppets and props used by Lois Carrington
enlarged by five significant purchases this year: a walrus
for teaching English on migrant ships and in migrant
tusk with images of the 1853 clipper ship Flying Scud
camps in Australia in the 1950s and 1960s. They were
that voyaged to Melbourne; a large sperm whale tooth of
used in Situational English lessons in Benalla, Greta
1870 engraved with ships and Pacific whaling scenes;
and Bonegilla migrant camps and during shipboard
and three works by the French whaler Louis Gauvin who
classes on the migrant liner Toscana between Italy and
settled around 1870 atTambo, Queensland, after being
Australia. The museum has very little relating to the
shipwrecked. Unusually, Gauvin put his name, place and
experience of post World War II migrants in Australia’s
date on his pieces, which are all elaborately engraved
migrant reception centres, which this collection helps
with ships, birds, banners, slogans and Masonic
redress.
symbols. After purchasing one powder horn, two more examples of his work coincidentally turned up at auction in London. Adding further to our knowledge of early 20thcentury sailing vessels was an important photographic record of the Helen B Sterling, one of only two sixmasted American schooners to have operated in Australian waters. These giants, built in the US states of Oregon and Maine, came right at the end of the era
Refugee boat by Kate Durham, illustrated the Refugee Council of Austral ia’s invitation to Refugee Week event at the museum
39
> Maritime heritage programs After many years of research, consultation and preparation, the Australian Register of Historic Vessels (ARHV), developed by the museum in close association with the Sydney Heritage Fleet, was formally launched at the museum in early 2007. This new database on the museum’s website has more than 100 Australian boats of historic interest already listed with specifications, images and plans and contextual information. The program aims to build a national picture of all of Australia’s historic vessels whether in public or private ownership, and to promote and encourage their continued use and preservation. Unique vessels and stories have already surfaced. The register was also introduced to audiences at the Australian Wooden Boat Festival in Hobart, by senior curator Daina Fletcher and ARHV curator David Payne. Under the Australian Research Council Linkage
Elsewhere we continued our policy of collaborative
Project grants scheme the museum received two grants
fieldwork, surveying shipwrecks and maritime
awarded in the area of historical studies. The museum
infrastructure at Port Arlington, Queenscliff and Port
will collaborate with the Australian National University
Phillip Bay, with Heritage Victoria in November 2006.
on a project titled Seeing change: science, culture and
The team was the successful tenderer for a pre
technology in the Antipodes from the age of Darwin, a
disturbance archaeological survey of the Western
multimedia research collaboration of $361,056 over
Channel Pile Beacon in Sydney Harbour, undertaken for
four years. With the University of Sydney the project is
Sydney Ports Corporation. Constructed in 1924 to assist
Rethinking timelines: a new methodology for describing
shipping, the beacon is of listed heritage significance.
and communicating history, with funding of $364,486
In September 2006 the team - museum shipwright Lee
over five years.
Graham, contract photographer Mike Meyer, and staff
The museum project to restore our Vietnamese
curators Paul Hundley, Nigel Erskine and Kieran Hosty
refugee boat Tu Do continued this year and the vessel
- carried out the assessment combining an underwater
featured in Refugee Week, an annual event organised by
visual and remote sensing survey of thatarea and of the
the Refugee Council of Australia and various agencies.
proposed relocation area.
On board, young Vietnamese guides who arrived in Australia as refugees when they were infants captivated
The museum has provided expertise and archaeological support for documenting and
visiting students with their stories, a true living history
m anagingthe WWII Japanese midget submarine
experience. Tu Do is proving a powerful link to our ongoing
M24, missing since its 1942 raid on Sydney Harbour
commitment to telling refugee history in the museum.
and discovered off Sydney’s northern beaches in
> Maritime archaeology
the attack, raised from the harbour bed in 1942 and
late 2006. M24’s two sisterships were destroyed during are now displayed at the Australian War Memorial and This has been a busy and productive year, with our
Garden Island. In December we hosted a meeting that
archaeology program making a significant input into
included the amateur divers who located the wreck,
the National Maritime Heritage Strategy, which is
representatives of the Commonwealth Department of
coordinated through the Commonwealth Department of Environment and Heritage. The team continued monthly dives on wrecks in Sydney Harbour, frequently in collaboration with Heritage NSW (now the Heritage Office NSW). Dive sites included the Royal Shepherd, Dunbar, Edward Lombe, Centurion and Centennial.
above > Puppets donated by Lois Carrington, who used them as teaching aids at post-war migrant camps and on migrant ship Toscana. ANMM collection
2 > key result area 2 > maritime heritage >
Environment and Heritage and the Heritage Office of the
> Indigenous affairs
NSW Department of Planning (which administers the Historic Shipwrecks Act 1976 for NSW waters). The program’s equipment base was strengthened by the addition of an underwater communication
The museum gallery devoted to Aboriginal and Torres Strait Islander people underwent a major redevelopment to highlight the growing strength of the museum's
system, new buoyancy compensator jackets, high and
collection of Indigenous artworks and artefacts. This
low pressure air compressors and a dive umbilical. The
thematic exhibition exploring Indigenous cultures’
latter will be most useful in work around the museum
engagement with marine environments was renamed
wharves - hull inspections, wharf infrastructure surveys
Eora - first people, to pay respect to the people who first
and the almost weekly search for mobile phones and
owned the land on which the museum is built. Its displays
cameras that visitors lose overboard!
on Northern Territory and Tasmanian communities include a screen-based interactive interpreting our
> USA Gallery
most important Indigenous art collection, Saltwater Yirrkala bark paintings of Sea Country. The interactive
The USA Gallery is the enduring legacy of a generous
was developed forthe gallery in conjunction with the
endowment which was the USA’s bicentennial gift to
Centre for Cross-Cultural Research, Australian National
Australia. Its purpose is to showcase the longstanding
University and other industry partners in an Australian
maritime links between the two culturally-related
Research Council linkage grant.
nations on either side of the Pacific rim. The gallery occupies a unique place in the international museum
This grant also enabled further collaborative work on the project Indigenous Knowledge and Western
world as a gallery in a national museum funded by
Science: A Comparative Analysis in collaboration
another nation. The gallery’s major temporary exhibition
with the Centre for Cross-Cultural Research, the NSW
forthe period was Clipper Ships - Greyhounds of the
Department of Education and Training’s Aboriginal
sea, looking at the famous Yankee clipper, a new breed
Programs Unit, the Yirrkala community education group
of sailing ship developed by American shipbuilders in
and the Buku-Larrngay Mulka arts organisation, both
the 1840s and 1850s.
based in Arnhem Land.
This year a five-year master plan was finalised, to
This year we employed a contract curator, Dominique
provide for the continuing evolution of the USA Gallery
Sweeney, to conduct fieldwork to research and
and to strengthen the relationships between this
document another extraordinary Indigenous collection,
museum and American institutions. As an important
comprising over 100 ceremonial sculptures called iima
component of this, we announced the creation of a new
which were made by the artist Roy Wiggan, a Bardi
research fellowship, the Australian National Maritime
man of Western Australia’s Kimberley region. These
Museum USA Gallery Fellowship. Its aim is to foster
polychrome mixed-media works, featuring coloured
professional relationships with key American cultural
yarns adorning wooden frames, are used in Bardi
institutions, and to develop synergies between the
ceremonies and were initially collected by the British
National Maritime Collection and maritime collections
peer Lord Alistair McAlpine who pioneered the tourist
in the United States. The fellowship is open to scholars
redevelopment of the old Kimberley pearling town
and museum professionals with a proven record of
Broome in the 1980s.
high achievement and will be awarded for up to three months. It provides up to A$30,000 for airfares, a stipend and assistance with accommodation costs. USA Gallery curator Paul Hundley assisted the Essential Viewing Group, a documentary production house, with their documentary film on the American whaler Catalpa and its role in the 1876 escape of Irish Fenian convicts from Fremantle prison; worked with the Royal Australian Navy on the centennial celebrations of the American Great White Fleet visit of 1908; and continued consultations with the Mosrman Art Gallery and Primrose Paper Gallery regarding their whaling exhibition.
> Project profile > tem porary exhibitions (% sta ff tim e) 2004-05
2005-06
Technology
40
55
60
Communities
55
50
30
Section
2006-07 1
USA Gallery
25
50
55
Indigenous
35
40
45
> Project profile > core exhibitions (% staff time) 2006-07 1
2004-05
2005-06
Technology
30
25
15
Communities
25
20
35
USA Gallery
60
25
30
Indigenous
30
15
30
Section
> Project profile > public programs, media relations, outreach (% staff time) 2006-07 1
2004-05
2005-06
Technology
15
10
10
Communities
20
30
18
USA Gallery
10
20
10
Indigenous
15
15
10
1 Section
> Project profile > maritime archaeology (% staff time) 2006-07 1
2004-05
2005-06
15
10
15
Communities
0
0
0
USA Gallery
5
5
5
Indigenous
0
0
0
1 Section Technology
2 > key result area 2 > maritime heritage >
> Acquisitions to National Maritime Collection 2004-05
2005-06
2006-07
Technology
Section
60
49
102
Communities
75
10
26
USA Gallery
5
3
5
Indigenous
28
5
23
168
67
156
2005-06
2006-07
123
31
56
57
308
79
USA Gallery
0
1
1
Indigenous
0
0
0
180
340
136
2004-05
2005-06
2006-07
Technology
$44,691
$46,360
$69,689
Communities
$61,762
$40,416
$70,007
USA Gallery
0
$74,004
0
Indigenous
$14,746
$4,969
$36,786
$121,199
$165,749
$176,482
2004-05
2005-06
2006-07 1
Technology
0
0
0
Communities
0
0
0
USA Gallery
$13,661
$13,750
$111,426
Indigenous
0
0
0
$13,750
$111,426
Total
> Donations to National Maritime Collection Section
2004-05
Technology Communities
Total
> Acquisition funding - by appropriation Section
Total
> Acquisition funding - by trust fund Section
Total
$13,661
43
44
> Objects registered 2004-05 148
Documents
2005-06 76 series1
2006-07 1 320 series2
Clothing and accessories
114
111
61
Photographs
495
880
1,500
Tools and equipment
643
16
1,120
0
60
8
Vessels, vessel parts and accessories
155
0
10
Other
146
248
226
Models and model parts
117,618 archive items 22,841 archive items
> Conservation and registration
continues. TMS is now available to most museum staff on their desktops and has proved invaluable to the
The conservation and registration sections work behind
collections and exhibitions staff for managing data on
the scenes atthe museum, making huge contributions
the collections and exhibitions, incoming and outgoing
to all our regular and travelling exhibitions (including a
loans programs, and forthe new Australian Register of
changeover schedule as items are rotated on and off
Historical Vessels.
display), preparing material for loan to other institutions
During the year the department serviced the
and managing incoming loans, while monitoring,
photographic requirements of the museum's new
tracking and treating our own ever-growing collections.
website, including resizing existing digital images and
This year conservation project work has included
original photography of objects. We completed the
providing storage and travelling crates for four oversized
registration, digitisation and re-housing of 6,888 original
paintings and the scoping and design of textile storage
negatives in the Sam Hood Studio collection, a major
furniture requirements. By way of illustrating the
resource that documents maritime life and work on
nature and variety of work, we began stabilisation
Sydney Harbour and in nearby ports over the first half of
treatment of food cans that went around the world with
the 20th century. We also completed similar treatment
the yachtswoman KayCottee in 1987-88 in heryacht
of the Graeme Andrews collection of powerboat images
Blackmores First Lady, which is a centrepiece of our
and archives gathered during Mr Andrews’ long career
Watermarks exhibition. The cans' contents are removed
as a mariner, ferry captain, maritime writer and editor.
for preservation and health and safety reasons, but
Every three years the valuation and inventory of the
need to look intact on display. In addition we carried
collection is conducted for audit purposes and this was
out a condition report and cleaning of one of our iconic
completed together with stage one of the customisation
collection objects, the jet-powered world water speed
of eMuseum, software designed to publish collection
record holder Spirit of Australia. The conservation
data from our collection management system, TMS, to
volunteers attend three days per week and make a
the internet.
valuable contribution to the work of the section, for example by building specialised collection storage boxes for rare books and other holdings, or by cleaning photographic negatives. Shipment of exhibitions and transport arrangements are a large part of the registration section's work. The section has continued to work on the new collection information management system known as The Museum System (TMS), which has been working successfully since December 2005. Data clean-up
2 > key result area 2 > maritime heritage >
> Registration
Objects registered (NMC)
2004-05
2005-06
1,707
1,381
3,285
95
45
157
Collections registered
2006-07 1
135
132
158
2,583
2,662
2,585
Objects on temporary display
655
491
394
Objects borrowed
202
379
75
Objects loaned (includes ANMM travelling exhibitions)
104
115
206
10
10
5
100
n/a*
208
Collections remaining unregistered Objects on display in core exhibitions (NMC, loans)
Institutions borrowing from NMC Core exhibition objects changed over (NMC, loans)
87
42
83
1,707
1,381
5,808
204
290
229
2004-05
2005-06
2006-07
4,493
5,977
5,931
Preventative conservation hours
356
440
350
Collection objects examined, treated
773
1,174
556*
Loan objects examined, treated
920
439
310*
Collections donated Registration photographs Other photographic services
* Figure not available this year due to new data system.
> Conservation
Conservation hours (preparation, examination, treatments)
0
0
0
Public enquiries serviced
28
20
18
Special projects (textiles)
644
500
350
25
11
12
Maritime archaeology project hours
High school student workshop hours (maritime archaeology, shipwrecks & salvage)
* Figures taken from new collection information management system (TMS) database. This is the first year that TMS has been utilised to produce these figures.
45
> Fleet projects profile (% s ta ff tim e) 2004-05
2005-06
Maintenance/conservation
64
62
64
General tasks/shipkeeping
28
28
28
Routine vessel operations
2
4
4
Special events (vessels)
3
4
4
Other Public enquiries serviced
> Fleet
2006-07 1
3
2
0
50
60
65
refugee vessel TuDo included restoration of the hull, wheelhouse and engine. Repair and replacement of the
The Australian National Maritime Museum has one of the
main deck on the Broome pearling lugger John Louis was
world’s largest and most diverse museum fleets. Most
necessary. On the gaff ketch Kathleen Gillett we worked
of its historic vessels are in operating condition and sail
on both masts to address rotand damage with redesigned
regularly as part of a monthly Fleet Week, crewed by staff
mast bands fitted. All blocks were overhauled and new
and volunteers. This assists in their conservation and
mast bands were made from timber.
helps to maintain traditional skills. Although all watercraft
A plan has been prepared to see all vessels in
are designed to have a finite useful life, the authenticity
survey with the NSW Maritime Authority, and nine were
and significance of the museum’s vessels are preserved
slipped duringthe yearfor hull inspection, maintenance
as skilled museum staff repair or replicate the work of the
and antifouling. Re-rigging of the museum’s historic,
original shipwrights.
ex-Garden Island signal mast included the serving of all
This year’s major conservation event was the
wire splices, an inspection of the spars, replacement of
docking, survey, repair and repainting of our Daring
all bocks and halyards, and the removal of some braces
class destroyer Vampire last December at the Thales
to allow more scope to fly flags.
(formerly ADI) Shipyard, Garden Island, overseen by
Our volunteers and staff continue to keep the
museum assistant director (corporate services) Peter
museum fleet sailing. The 109-year-old gaff cutter
Rout and fleet section manager Steven Adams. Based
Akarana and early 20th-century Victorian fishingsloop
upon a hull and structure survey, the work included
(or ‘couta boat) Thistle participated in the Balmain
repair to corroded and wasted areas of hull plating in
Regatta. The lightship CLS4 Carpentaria and wooden
the four main machinery spaces and transom, and to
harbour tug boat Bareki supported the Australia Day
decks, tank tops and cabin margins. All main machinery
Procession and display in Cockle Bay. Bareki also
spaces bilges were cleaned using high pressure water.
started the annual Classic Ferry & Workboat Challenge
Ultra-high-pressure water blasting was used to strip off
and participated in the Sydney Harbour Bridge 75th
years of degraded paint systems from the forecastle and
Anniversary celebrations. Fleet staff continue to provide
quarter decks, topsides and transom. Most steelwork
guidance to visitors, members of the public and other
repairs required the removal of zinc chromate paint
museums on vessel conservation and operation.
systems and in some cases asbestos. The investigation, removal and monitoring of hazardous materials was compiled in a comprehensive report. Full paint systems were applied to all areas including an overall coat to the superstructure, masts and funnels. In addition, a comprehensive hull and structural survey was completed on Advance, and a repair specification for the three-yearly slipping due in late 2007 was drawn up. Steelwork repairs have been completed on the foredeck back to the wheelhouse. Conservation of the Vietnamese
48
key result area 3 > developing facilities and systems >
strategic objective >
strategies >
provide facilities and system s
> maintain and improve facilities
to enable the efficient delivery of programs and services
forthe care and preservation of the maritime historical material in our care > manage our human and financial resources and support systems efficiently > implement an approved site master plan > generate more revenue
left > Volunteer Roy Freere brings his professional skills in microscopy to the conservation laboratory, to construct a textiles data base. A Frolows right > Museum photographer Andrew Frolows takes to the air to get a new angle on Vampire for a museum publication. J Mellefont
2 > key result area 3 > developing facilities and systems >
> Capital works and building services
Capital works
2004-2005
2005-2006
2006-07 1
$3,047,970
$2,082,820
$4,238,055
Maintenance and minor works
$834,699
$648,810
$757,452
Energy costs
$368,075
$481,175
$502,932
5,339,453
5,971,624
6,540,775
Energy (kilowatt hours)
> Capital works and building services
> Security
Capital works planning and investment play a vital role in
This section supports the activities of all branches,
meeting the museum’s strategic future needs. Deloitte
providing security advice for all planned new exhibitions
Touche Tohmatsu has performed an internal audit of
whether permanent, temporary or travelling;
capital works in accordance with the Australian Auditing
and undertaking day-to-day security and first aid
Standard AUS 110. A number of good governance
responsibilities to staff and our visitors.
practices were observed, and initiatives were noted such as preparing a draft asset management policy,
This year a full evacuation of the museum including staff, guests and visitors was conducted successfully
and updating the existing asset management costing
in February, showing the success of the regular training
report and the software tool (Mainet) to improve asset
given to security staff and selected staff members.
management and reporting. Some opportunities were
Security volunteers are included in the training and
identified for improving controls and managing risks.
escort their tour groups to designated assembly points.
Its conclusion was that the museum has maintained
The section has also been involved in training exercises
effective processes and controls for capital works.
for various federal and state exercises.
As noted in the director’s overview in Section 1 we undertook construction of the new Heritage Pontoon as
The security manager, currently the chair of Museums Australia's special interest group on security,
part of the museum’s comprehensive Site Master Plan.
conducted a security workshop for regional museums at
We also commenced installation of impressed-current
the annual Museums Australia conference in Canberra.
cathodic protection for wharves and pilings of the north
It was attended by representatives from as far away as
and south wharves, which have suffered corrosion to
Western Australia and East Timor. He also conducted a
reinforcings in the two decades since their construction.
security and safety workshop for the regional museums
In April a 10-week construction program commenced,
in the Hunter Valley, and further workshops are now
to upgrade vehicular access to the south of the Wharf 7
planned forthe area.
Maritime Heritage Centre. Addressing a longstanding need to ameliorate the effects of vessel wake on the museum’s moored historic vessels, wharves and pontoons, several designs are being investigated by laboratory testing and desktop assessments. Fabrication and testing of a new 3D model was underway at the end of the period. The work involved the testing of diffraction and reflection within the entrance channel from multiple wave attacks, testing of wave attenuation and seiching within the basin, and data analysis.
49
50
> Communications & information management services (CIMS) For every successful exhibition and museum event the skills and experience of our information technology staff are deployed. This year they supplied, installed and maintained display devices/speakers; produced audiovisuals delivered by the media and venue management system (MVMS); and plotted, installed, set, focused and maintained exhibition lighting. Technical advice was provided forthe Australian Register of Historic Vessels (ARHV) database and the new museum website, as part of both development teams. Records management created 1,279 files and expedited 8,361 file movements. Section personnel assisted with 302 service requests, expedited 197 change orders and resolved
> Human resource management
326 incidents. Other achievements were: • Implemented Argent monitoring and alerting system
At 30 June there were 108 APS employees covered by a
allowing for 24-hour monitoring of file servers and
union collective agreement and AWAs. The salary ranges
network devices, generation of system alerts to
available for APS employees covered by union collective
key ICT personnel, and the automatic correction of
agreement, by classification structure (at 30 June 2007)
issues where applicable.
are as follows:
• Upgraded WebMarshal and MailMarshal SMTP
APS Level 1
$32,935-37,129
2006 including the introduction of web-based Spam
APS Level 2
$37,272-42,160
Quarantine Management for end users.
APS Level 3
$42,457-46,741
• Upgraded CA AntiVirus and CA Pest Patrol to CA
APS Level 4
$47,318-52,402
eTrust Integrated Threat Management v8.1.1
APS Level 5
$52,778-56,971
allowing a single cross-platform product to protect
APS Level 6
$57,002-66,789
against viruses and malware.
Executive Level 1
$73,075-80,487
Executive Level 2
$84,282-95,553
• Completed the final conversion of the library catalogue system (SydneyPLUS) to the Microsoft SQL Server platform. • Installed a new Windows 2003 server to provide a single platform for network utilities, ServiceDesk and email and web monitoring applications. • Completed phase two of the exhibition lighting control system upgrade including establishment of a C-Bus cabling network, programming and storing lighting scenes in SchedulePlus, and progressively bringing new C-Bus units and SolutionCool dimmers on line.
The range of non-salary benefits provided by the agency to employees include: • Access to a confidential professional counselling service through Employee Assistance Program. • Access to childcare advisory service through Lady Gowrie Child Centre, Sydney. • Reimbursement of costs to APS staff for vaccinations. • Eyesight testing for APS staff and reimbursement for spectacles. • Provision of sunglasses to employees who regularly work outdoors.
above > Conservator Caroline Whitely (left) with Donna Abbati, a volunteer at Port Kembla Heritage Park who completed an ANMM internship in collection management. A Frolows
2 > key result area 3 > developing facilities and systems >
• Access to salary sacrifice - laptop computers for APS staff; • Access to salary sacrifice - superannuation fund for APS staff.
Changes to workers compensation provisions have been implemented. Management has been regularly provided with human resource management advice and data, so that
• Studies assistance to ongoing APS staff.
they can assess workforce requirements and apply
• Access to a purchased leave scheme for ongoing APS
workforce planning strategies.
staff. • Flexible working hours and a range of family-friendly
> Key training and development initiatives
initiatives such as provision to work from home and payment of childcare fees if staff are required to
Secondment of an ANMM staff member to the National
travel away from home for museum business.
Maritime Museum in Greenwich, UK, was organised.
The negotiation of ANMM Union Collective
APS staff and managers attended the Aurion
Agreement 2007-2009 has been finalised. The
Employee Self Service training sessions conducted by
museum's union collective agreement workplace
an Aurion Consultant at the museum.
bargaining team had met on 22 occasions to complete
A number of staff attended an in-house
the new agreement. The draft agreement was lodged
superannuation seminar conducted by Commonwealth
on 25 June 2007 and a pay rise for APS staff covered by
Financial Planning.
this agreement was effective from that date. Proformas for Australian Workplace Agreements (AWAs) were developed. AWAs have been introduced and negotiated with a number of staff. All Australian
Selected staff attended a half-day automatic external defibrillation training session conducted by a St John First Aid instructor at the museum. Training conducted for ANMM volunteers included
Workplace Agreements offered at the museum link pay
training for general tours, customer service training,
to performance. At 30 June 2007 the aggregate bonus
touring techniques, training for Onslow (submarine) and
payment for the agency was $64,897. Some information
Endeavour replica training.
on performance pay - for example the number of APS employees at each classification level who received
A number of staff had undertaken work-related training courses/seminars.
performance pay; aggregated amount of payments at each classification level; and average and range of
> Productivity gains
bonus payments at each classification level - is not published as this information would allow amounts paid
Productivity gains flowed from the implementation of the
to Individuals to be identified.
Aurion Employee Self Service to all APS staff. This facility allows staff to submit leave applications online as well
> Effectiveness in managing human resources The turnover rate was 7% in the 2006-07 financial year compared to 16.67 % in the previous year. The museum performance scheme completed its fourth year and its procedures have been further improved for 2006-07. Furtherfunctionsofthe Aurion Employee Self Service software have been introduced; they include maintaining the employee’s personal and payroll details, and access to an online leave submission facility. Two new policies that were developed and implemented are ‘Miscellaneous leave-without-pay guidelines’ and ‘Guidelines on working from home’. Four HR policies that were updated are ‘Recruitment and selection policy and guidelines’, ‘ANMM child protection policy’, ‘Volunteers program policy’ and ‘Draft volunteers program guidelines’.
as some other self service functionalities. Other gains included: • continued improvement of the Museum Performance Scheme; • streamlined work practices and procedures; • improvements in the use of information technology; ■ commitment to obtain lowest airfares when travelling on ANMM business.
> The Disability Action Plan
> Workplace diversity policy
The measures of the Disability Action Plan 2004-07
To assist staff to ba la nee work and fa mi ly
have been reviewed and monitored continuously, and
responsibilities, meeting times have been scheduled
meet the requirements of Australian Government policy
after 9.30 am and have been usually concluded by
standards. The plan will be evaluated and reviewed by
5 pm. The museum has nine staff who can speak
an external consultant before its expiration in 2007.
languages other than English, i.e. 8.26% of the APS
The targets met this year include a hearing loop
staff in the last financial year. This figure has again
installed in some of the museum’s public places such as
exceeded the performance indicator target, Objective 3
a conference room, theatre and front of house. The rear
of the ANMM 2003-06 Workplace Diversity Program:
entrance doorto the main museum foyer was replaced and
‘Increase the percentage of staff from non-English
a sensor light was installed above the door for easy access.
speaking background to 4%’. The implementation of this
The museum’s website has been continuously monitored
policy is ongoing and has again been closely monitored
to ensure that Australian standards are met. Human
during the last financial year. The Workplace Diversity
resource management policies have been developed
Committee of two management representatives and
to meet workforce requirements, while the complaints
two staff representatives met four times to discuss
handling process has been improved. The revised
workplace diversity, including cultural, disability and
Customer Service Charter has been completed for printing.
access issues at the museum.
> Industrial democracy The museum’s Joint Consultative Council of three management representatives and three employee-elected representatives met on four occasions in the last financial year to discuss a wide range of issues including financial and human resource planning, workplace diversity, occupational health and safety, work organiation and structures, and general employee issues. The museum’s Volunteer Representatives Committee of three management representatives and four volunteer-elected representatives met four times to discuss a diverse range of issues relating to the Volunteers Program. Volunteer Forums are held biannually as information sessions and an opportunity for volunteers to raise issues. All volunteers are invited to attend and two forums were held.
2 > key result area 3 > developing facilities and systems >
> Staffing 1 Staff years (actual)
2004-05
2005-06
102.65
104.90
2006-07 1 102.75
> Staffing overview As at 30 June 2007, staff employed under the Public Service Act 1999 totalled 108 (85 ongoing full-time, 15 ongoing part-time, five non-ongoingfull-time and three non-ongoing part-time).
Staff by gender
2004--05 male
2005--06
female
male
2006-â– 07
female
male
j
female
Senior management (EL 2)
4
0
4
0
4
0
Middle management
10
14
12
11
13
13
Others
38
47
36
43
32
46
Totals
52
61
52
54
49
59
> Branch staff 2004-05
2005-06
2006-07
Executive
18
9
9
Collections & exhibitions
48
45
49
Commercial & visitor services
26
22
22
Corporate & operations
21
30
28
113
106
108
Total
> Salaries 2004-05
2005-06
2006-07
Executive
$1,383,627
$1,010,096
$1,107,950
Collections & exhibitions
$2,665,152
$2,732,623
$2,785,542
Commercial & visitor services
$1,319,140
$1,641,729
$1,461,536
Corporate & operations
$1,456,100
$2,031,237
$1,934,379
Total
$6,824,019
$7,415,685
$7,289,407
53
54
key result area 4 > extending profile and partnerships >
strategic objective >
strategies >
be acknow ledged as a
> implement an innovative
pre-eminent and innovative cultural institution
marketing and promotion plan > encourage wider involvement by members, volunteers, interest groups and others > collaborate with research centres, universities and other cultural institutions > extend and enhance the museum’s corporate and government relationships and partnerships
left > The replica of James Cook’s HM Bark Endeavour voyaging in Bass Strait. R Mattson right > Senior curator Daina Fletcher and Carl Ryves, sailing champion, Olympic yachtsman and former Taipan skipper, discuss the historic 18-footer’s restoration. B Richards
2 > key result area 4 > extending profile and partnerships >
> Customer feedback 2004-05
2005-06
2006-07 1
1,499
1,244
1,018
91%
91%
89%
9%
9%
11%
220
432
729
11
12
8
Visitor comments book Number of entries Complimentary or positive Criticism/suggested improvements Letters & emails Complimentary Complaint
> Marketing
the opportunity to promote his exhibition titled Currach Folk to several important niche markets including the
On the basis of previous experience, we recognised that
Irish community and photography enthusiasts through
Pirates! could once more place the museum among
magazines and print media. One of these magnificent
the top family attractions in Sydney for the summer of
images was used forthe popular promotional Avant Card
2006-07. The synergy between Pirates! and our other
postcards distributed to cafes, galleries and cinemas.
big summer attraction for kids, Wetworld, allowed us to
It won considerable praise and needed to be reprinted
promote the activities as a great family package right in
due to high demand.
the heart of the city. The release of the film Pirates of the Caribbean gave timely support for our show. The marketing emphasis was placed on high-
A strongly branded advertising campaign heralded the arrival of HM Bark Endeavour replica at the Australian Wooden Boat Festival in Hobart, and
profile media and included a child-friendly pirate TV
later her visit to Devonport. This followed a series of
commercial aimed at children's programs, and a
advertisements seeking crew and locally recruited
saturation campaign of Metrolite poster display ads
volunteers to support the ship's visits.
in the city and inner suburbs. They featured alternate images of Pirates! and the Wetworld cartoon characters. This was supported by advertising in popular children’s publications includingthe program for Carols in the Domain. Cooperative promotion was undertaken with local precinct partners includingSydney Harbour Foreshore Authority and the Aquarium. Brochures were distributed to libraries, vacation care centres, hotel concierges and to grandparents in retirement centres to give ideas for entertaining grandchildren. Award-winning photographer Bill Doyle’s images capturing the magic and mystery of rural Ireland gave
55
> Media The museum attracted wide attention in press, radio and television across Australia, with 818 stories monitored - an increase of some 2% over the previous year. While the number of stories in magazines and newspapers declined slightly, the number on television jumped by more than 100%, from 22 to 46, as a result of intense interest in the visit by Princess Anne when the historic British yacht Gipsy Moth IV called at the museum on 13 July 2006. Grant Denyer, weatherman on Channel 7’s breakfast show Sunrise, presented six live crosses from the museum on 13 September, to give Endeavour and the museum’s Pirates! adventureland exposure on national television. Further national coverage followed when celebrity chef lain Flewitson presented three half-hour programs from the museum, with interviews, on the Network 10 series Huey's Cooking Adventures. An intensive media campaign drew attention to the museum’s Australian Register of Historic Vessels, officially launched at a ceremony on Sydney Heritage Fleet’s tall ship James Craig at Darling Harbour on 1 February. Media kits containing news releases and images were sent widely to press, radio and television. More than 30 stories appeared in national magazines and in regional and local media from Cairns to Hobart. The replica of James Cook's HMB Endeavour continued to make news, particularly when it ventured out from Sydney on voyages to Hobart in FebruaryMarch and to Broken Bay and Botany Bay in April. Special thanks are due to the journalists who joined the crew and covered the voyages, and particularly to Roger Coombs (The Daily Telegraph, Sydney) and Chris Smith (The Age, Melbourne). Encfeavourfeatured in 78 stories across Australia duringtheyear. The museum developed a new, more comprehensive travelling exhibition media kit to accompany its touring show The River - Life on the Murray-Darling. This kit is being used progressively by the eight regional venues where the exhibition is appearing. It will serve as a model to promote future touring exhibitions.
> Publications We welcomed the appearance of No 6 of the Australian Maritime Series of luxury, limited-edition facsimiles of important out-of-print titles, which we have produced in association with rare book specialist Hordern House since the museum opened in 1991. The latest was the 1787 work Cook, der Entdecker (Cook, the Discoverer) by the German naturalist Georg Forster, who with his father Johann accompanied Cook on his second world voyage (1772-1775). As well as a facsimile of the original German, the volume included the first English translation of this work which provides a close personal insight into the qualities of Cook as seaman and leader. Dr Nigel Erskine, the museum’s curator of exploration, wrote the introductory essay. To celebrate 400 years of maritime links with the Dutch, the museum published 12 papers given at a symposium, Dutch Connections - 400years of Australian-Dutch maritime links 1606-2006, held at the museum in May 2006. This beautifully-produced limited edition of the same title, finely illustrated and in a handsome slip case, was edited by museum curator Lindsey Shaw and Dr Wendy Wilkins. The symposium and publication were produced with the assistance of the Shell Companies of Australia.
above > Winner of our ‘Halvorsen memories' competition Phil Gorrel, and shipmate Rod Channon. J Mellefont
2 > key result area 4 > extending profile and partnerships >
> Members program 2004-05
2005-06
Memberships at 30 June
3,083
3,219
3,441
Members at 30 June
8,391
8,705
9,790
Percentage renewing
73%
67%
70%
28
26
23
Gross revenue
$293,458
$444,244
$371,518
Net revenue
$153,813
$211,079
$212,361
$16,873
$16,784
$8,244
54
67
69
3,145
3,320
3,345
15,739
17,210
17,931
Corporate memberships
Donations Exclusive Members functions held* Members attendingfunctions Members & guests visiting museum
2006-07 1
♦Listed in Appendix 1
Other publications this year included The River,
> Members
life on the Murray-Darling to support our travelling exhibition of the same name. And together with Exisle
Another successful year with a 12.5% increase in
Publishing we co-published the delightful Mrs Cook’s
membership to 9,790, the highest since June 2003.
Book of Recipes for mariners in distant seas by eminent
The take-up of a three-year membership option is now
New Zealand historian John Dunmore, which combined
running at 21%. Strategies had included increased
James Cook’s widow’s recollections of her husband with
promotion of membership within the museum and
recipes both actual and whimsical.
aggressive promotion of the Members events program.
Regular section tasks include producing the
Other factors in the increase included the introduction of
annual report and our quarterly colour journal Signals,
entry fees on programs such as Pirates! and Wetworld,
the museum’s ‘flagship’ publication, both edited
and the redevelopment of the museum website enabling
by publications manager Jeffrey Mellefont. Signals
Members to join and renew their membership online.
communicates our diverse activities, programs and
The new website features a Members exclusive portal
research to our Members and other readers, who
which includes picture galleries of past and annual
include our colleagues working in maritime museums
events; archived Signals stories back to 1986; useful
and heritage organisations around Australia and
web-links; transcripts and audio files of past Members
the world. The section manager is part of the team
lectures and talks; and a space for feedback and
developing, maintaining, updating and creating new
Members stories.
content for the museum’s new website, which provided major challenges in the lead-up to its launch in
On-the-water events remained popular. They included the first HM Bark Endeavour ‘Scurvy Dog
November 2006. The section also deals with the ever-
Dinner' in the 18th-century mess, breakfast in the great
increasing number of requests to reproduce or publish
cabin, dinner during the ship's visit to Hobart; a black-tie
museum images, processing 136 enquiries this year.
wardroom dinner on HMAS Vampire in April to mark the anniversary of the RAN’s handover of the vessel to the museum, and film screenings on Vampire’s deck. There were special tours of visiting ships includingthe US Coast Guard icebreaker Polar Sea, the Mexican navy sail training ship ARM Cuauhtemoc and the four-masted Chilean barquentine Esmeralda. The historic meeting
58
of the liners Queen Mary 2 and Queen Elizabeth 2
advertisements in SMH Good Living, Spectrum,
in Sydney Harbour in February was one of the most
Weekend Australian, Probus Magazine and Rotary
memorable events of the year, when approximately 450
Down Under. An external agency was commissioned to
Members were taken on ferry cruises to see QM2 enter
design a graphic forthe museum’s new home webpage.
the harbour and pass QE2 departing at sunrise, and again to see QM2 depart in the evening.
> Volunteers
To highlight Endeavour's presence at the museum and explore its historical context, we held a one-day
Volunteers help deliver the museum’s services in
seminar in June called Cook & Endeavour: journeys
many ways, working with most museum sections as
through time which was a sell-out event. Speakers were
the table shows. ANMM volunteer guides are very
Professor Greg Denning, Professor Fred Watson, the
highly commended - by the visiting public, infrequent
National Library’s Martin Terry and ANMM curator of
feedback given in our visitor comments book, by phone,
exploration Dr Nigel Erskine. In February a successful
email and conversation - for their devotion, skills and
eight-day tour of Tasmania for 20 Members was led by
friendliness. Equally valued are the many volunteers
Dr Nigel Erskine to coincide with the Australian Wooden
who assist behind the scenes in a diverse range of tasks
Boat Festival in Hobart. Members conducted collaborative events with the
in many sections of the museum, from mailoutsand office duties to assistance with research, conservation
State Library of New South Wales, National Museum
and ship maintenance. Many of our volunteers have
of Australia, Sydney Heritage Fleet, Surf Lifesaving
been working with us since the museum opened.
Australia, Historic Houses Trust of New South Wales,
At 30 June 2007, the 485 registered volunteers at
Sydney Harbour Foreshore Authority, Sydney Harbour
the museum and 165 regional volunteers (total 650)
Federation Trust, Captain Cook Society, Ships
had contributed 67,932 hours. This is 1,405 hours
Association, Ferry Society, Association of Maritime
more than for the same period last year and 23.5%
History, Royal Australian Navy and the Naval Historical
above the museum’s target of 55,000 hours. Altogether,
Society of Australia.
since the museum's volunteer program began, volunteers have contributed 555,790 hours.
> The Welcome Wall
The regional volunteer program is flourishing as HM Bark Endeavour replica continues her national
Every year we see further growth in the Welcome Wall
voyaging program. New volunteers signed up in
- the museum’s lastingtributetothesix million people
Tasmania to support the ship during the Australian
who have migrated across the seas to make their homes
Wooden Boat Show in Hobart and her coastal voyages,
in Australia. It now totals 44 panels stretching along
ensuring that visitors enjoy the experience of this
our northern harbour front. Two unveiling ceremonies
working museum-ship.
were held this year, adding three new panels and 1,071
This year an ANMM volunteers policy was submitted
names. The Welcome Wall names now total 16,753
to museum management and approved; volunteer
from 132 countries of origin. The top 10 countries
operational guidelines were drafted; ongoingtraining
registered were England, Italy, Ireland (including
of volunteers for temporary and permanent exhibitions
Northern Ireland), Scotland, the Netherlands, Germany,
carried out and guide manuals and operational
Greece, Poland, Malta and Hungary. At the first ceremony BrankoCuiina, coaching director of NSW Soccer Federation, unveiled 585 names at a special event in November 2006. The theme was ‘Journeys’ and
information was updated to the volunteers section on the museum’s new website. In addition, the section is asked to assist with work experience placements. During this financial year the
entertainment for some 1,100 guests was provided by the
museum received 21 applications from high school
Bosnian Women’s Choir from Sydney. The second ceremony
students, placing two students; and from tertiary
in May 2007, themed ‘Music, the language of the world’,
students the museum received 20 applications and
featured well-known singer Kamahl as guest speaker,
placed six.
unveiling 294 names. The 900 guests were entertained by father and son duo Anton and Labib Aktila. Promotional activities included a three-week Daily Telegraph feature supplement on origins, and media
2 > key result area 4 > extending profile and partnerships >
> Volunteers figures
No. of Sydney volunteers at 30 June
2004-05
2005-06
335
403
No. of regional volunteers at 30 June Total volunteers at 30 June Volunteer hours for year (Sydney)
52,070
Volunteer hours for year (regional) Total volunteer hours
2006-07 1 485
91
165
494
650
65,005
66,410
3,397
1,522
68,402
67,932
General museum tours rostered
2,524
2,417
2,483
Visitors taking general museum tour
9,930
6,518
8,102
Vampire tours rostered
3,222
3,353
2,838
22,166
21,457
18,357
Wharf 7 tours rostered
255
191
76
Visitors taking Wharf 7 tour
440
214
80
Visitors taking Vampire tour
Lighthouse tours rostered Visitors taking lighthouse tour Biackmores First Lady tours rostered Visitors to Biackmores First Lady
591
600
668
14,052
10,241
14,731
403
1,234
1,338
3,565
12,402
14,739
> Volunteers service profile (% service time) 2004-05
2005-06
Guides
68.5
74.9
73.111
Fleet
2006-07 1
10.6
8.9
11.5s
Members
6.6
5.1
5.2
Others3
4.5
2.5
2.3
Public programs
3.0
2.2
1.9
Volunteer office
0.9
1.7
1.6
Conservation
1.4
1.1
1.1
Registration
2.0
1.6
1.5
Marketing/External relations
2.5
2.0
1.8
Curatorial
0.0
0.0
0.0
1 includes regional volunteers statistics 2 includes Endeavour replica 3 includes library, records, design, secretariat and miscellaneous task hours
59
60
2 > key result area 4 > extending profile and partnerships
> Current volunteer guide manuals
> Design
Touring techniques
Design services play a key role in the presentation of
HMAS Onslow guide manual
virtually all museum products, from entire exhibitions to
HMAS Vampire - a guide's guide
the graphics of publications and signage for programs
Onslow Narrowcasters audio production - children's text
and events. Design thus makes a large contribution
Onslow Narrowcasters audio production - adults'text
to museum profile and image. Design staff have been
Vampire Narrowcasters audio production
active in preparing designs and drawings for a range of
Vampire & Onslow audio tour system summary
core, temporary and travelling exhibitions identified in
ANMM volunteer general guides 'manual
this report, or managing consultant designers engaged
Cape Bowling Green lighthouse manual
to meet very considerable workloads.
Museum vessels - guides’ guide
The section installed new blackout blinds into
Wharf 7 tour manual
Gallery One to improve the environmental conditions
Biackmores First Lady tour manual
and upgrade the appearance of this major temporary
Endeavour tour manual
exhibition space, with the benefit of also reducing the
Onslow two-way radio operations
heating and cooling load on the air conditioning. Draft concept designs for a suite of showcases to form part of a reusable resource for the museum is ongoing.
> Sponsorship performance 2004-05
2005-06
5
4
0
$282,800
$189,340
$107,880
Number of new sponsorships Cash committed In-kind committed
2006-07 1
$15,400
$26,800
$24,800
Received in financial year (cash & in-kind)
$430,350
$379,328
$100,700
Total
$728,550
$595,468
$233,380
> Sponsorship
maritime, sporting and social heritage. Taipan’s
This year more of our sponsor partners have been
who was one of the great characters of Australian
taking up the benefit of using the museum for their
sailing: a thinker, champion sailor and larrikin. A list of
own corporate events. Frequently, they tell us that
all who responded to the Taipan appeal appears on the
functions held at the museum are valuable in furthering
museum’s website and in Appendix 18.
restoration also commemorates the life of its designer
their marketing strategies. Through our sponsors' use
Shell Companies in Australia, sponsors of the
of museum venues for corporate hospitality, more
conference Dutch Connections - 400 years of
companies and individuals are introduced to the
Australian-Dutch Maritime Links 1606-2006, funded
museum and persuaded of its merits and of the benefits
the very handsome limited edition publication of all
of sponsorship.
the seminar papers, appearing at the end of 2006.
Our appeal for funds to restore the late Ben Lexcen’s
We are grateful forthe ongoing support given to our
revolutionary 1959-vintage 18-foot skiff Taipan was
core exhibition Navy by longstanding sponsors Tenix,
outstandingly successful. It allowed us to develop
Raytheon and Lloyd’s Register Asia.
our networks in a particular sector of the maritime community: competitive yachting enthusiasts. In return they gained insight into how museums work and the processes of research, documentation and conservation that underpin our work in preserving a vessel such as this one, as a unique part of our
Australian National Maritime Museum statement by council members In our opinion, the attached financial statements for the year ended 30 June 2007 are based on properly maintained financial records and give a true and fairview of the matters required by the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act 1997. In our opinion, at the date of this statement, there are reasonable grounds to believe that the Australian National Maritime Museum will be able to pay its debts as and when they become due and payable. This statement is made in accordance with a resolution of councillors. Signed
Signed
Peter Sinclair AM CSC, Chairman
Mary-Louise Williams, Director
19 September 2007
19 September 2007
A A u stralia n N ational
A udit Office INDEPENDENT A U D IT O R ’S REP O RT To the Minister for the Arts anil Sport Sconc W e have audited the accom panying financial statem ents o f the A ustralian National M aritim e M useum (the M useum ) for the year ended 30 June 2007. T he financial statem ents com prise: a statem ent by the C ouncil M em bers; incom e statem ent; balance sheet; statem ent o f changes in equity; cash How statem ent; schedules o f com m itm ents and contingencies; a sum m ary o f significant accounting policies, and other explanatory notes.
The Responsibility o f the Council Members f o r the Financial Statements The C ouncil M em bers o f the M useum are responsible for the preparation and fair presentation o f the financial statem ents in accordance with Finance M inister's O rders made under the C om m onw ealth A uthorities an d C om panies A ct /9 9 7 and A ustralian Accounting Standards, including A ustralian A ccounting Interpretations. This responsibility includes establishing and m aintaining internal controls relevant to the preparation and fair presentation o f the financial statem ents that are free from m aterial m isstatem ent, w hether due to fraud or error; selecting and applying appropriate accounting policies; and m aking accounting estim ates that are reasonable in the circum stances.
A uilitor’s Responsibility My responsibility is to express an opinion on the financial statem ents based on our audit. O ur audit lias been conducted in accordance with A ustralian N ational Audit Office Auditing Standards, w hich incorporate A ustralian A uditing Standards. T hese A uditing Standards require that w e com ply with relevant ethical requirem ents relating to audit engagem ents and plan and perform the audit to obtain reasonable assurance w hether the financial statem ents arc free from m aterial m isstatem ent. An audit involves perform ing procedures to obtain audit evidence about the am ounts and disclosures in the financial statem ents. The procedures selected depend on the auditor's judgem ent, including the assessm ent o f the risks o f m aterial m isstatem ent o f the financial statem ents, w hether due to fraud or error. In m aking those risk assessm ents, the auditor considers internal control relevant to the M useum 's preparation and fair presentation o f the financial statem ents to design audit procedures that are appropriate in the circum stances, but not for the purpose o f expressing an opinion on the effectiveness o f the M useum 's internal control. An audit also includes evaluating the appropriateness o f accounting policies used and the reasonableness o f accounting estim ates made by the C ouncil M em bers, as well as evaluating the overall presentation o f the financial statem ents.
PO B o x A 4 V i S yd n e y S o u th N S W ; / r ; 1 JO E liz a b e t h S treet S Y D N E Y NSW P h o n e (02) 9 3 6 7 7100 FÂŤix (02) 936 7 71C
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I believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for my audit opinion. Independence In conducting the audit, we have followed the independence requirements o f the Australian National Audit Office, which incorporate the ethical requirements of the Australian accounting profession. A u d ito r ’s O p in io n
In my opinion, the financial statements o f the Australian National Maritime Museum: (a) have been prepared in accordance with Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act 1997 and Australian Accounting Standards (including Australian Accounting Interpretations); and (b) give a true and fair view o f the matters required by the Finance Minister’s Orders including the Australian National Maritime Museum’s financial position as at 30 June 2007 and o f its financial performance and its cash flows for the year then ended, Australian National Audit Office
P Hinchey Senior Director Delegate of the Auditor-General Sydney 24 September 2007
65
SECTION 3 - FINANCIAL STATEMENTS AUSTRALIAN NATIONAL MARITIME MUSEUM INCOME STATEMENT for the year ended 30 June 2007
INCOME Revenue Revenue from Government Sale of goods and rendering of services Interest Other revenue Total revenue Gains Sale of assets Other gains Total gains TOTAL INCOME EXPENSES Expenses Employee benefits Suppliers Depreciation and amortisation Grants Write-down and impairment of assets TOTAL EXPENSES
Notes
2007 $'000
2006 $’000
3(a) 3(b) 3(c) 3(d)
23,337 5,757 673 392 30,159
23,314 5,475 232 495 29,516
3(e) 3(f)
4(a) 4(b) 4(c) 4(d) 4(e)
SURPLUS (DEFICIT)
The above statement should be read in conjunction with the accompanying notes.
1,484 1,484 31,643
6 1,509 1,515 31,031
10,292 10,362 9,127 75 57 29,913
10,199 10,435 9,610 32 4,075 34,351
1,730
(3,320)
-
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AUSTRALIAN NATIONAL MARITIME MUSEUM BALANCE SHEET as at 30 June 2007 Notes
2007 $'000
2006 $’000
5(a) 5(b)
14,263 634 14,897
7,248 576 7,824
6(a),6(e) 6(b),6(e) 6(c),6(e) 6(d),6(e) 6(f) 6(g)
149,202 33,119 36,134 671 133 515 219,774
152,956 34,468 32,764 580 113 373 221,254
234,671
229,078
7(a) 7(b)
1,421 136 1,557
710 204 914
8(a)
2,319 2,319
2,204 2,204
3,876
3,118
NET ASSETS
230,795
225,960
EQUITY Contributed equity Reserves Retained surplus TOTAL EQUITY
2,118 163,695 64,982 230,795
2,118 160,590 63,252 225,960
Current assets Non-current assets Current liabilities Non-current liabilities
15,545 219,126 2,766 1,110
8,310 220,768 1,843 1,275
ASSETS Financial assets Cash Receivables Total financial assets Non-financial assets Land and buildings Infrastructure, plant and equipment National Maritime Collection Intangibles Inventories Other Total non-financial assets TOTAL ASSETS LIABILITIES Payables Suppliers Other payables Total payables Provisions Employee provisions Total provisions TOTAL LIABILITIES
The above statement should be read in conjunction with the accompanying notes.
68
AUSTRALIAN NATIONAL MARITIME MUSEUM STATEMENT OF CASH FLOWS for the year ended 30 June 2007 Notes OPERATING ACTIVITIES Cash received Appropriations Goods and services Interest Net GST received from ATO Other Total cash received Cash used Employees Suppliers Grants Total cash used Net cash from operating activities
9(a)
2007
2006
$’000
$’000
23,337 6,028 636 1,027 392 31,420
23,314 5,879 229 867 495 30,784
(8,717) (11,421) (75) (20,213) 11,207
(8,508) (12,093) (32) (20,633) 10,151
46
10
46
10
(4,238) (4,238) (4,192)
(2,095) (2,095) (2,085)
INVESTING ACTIVITIES Cash received Proceeds from sales of property, plant & equipment Total cash received Cash used Purchase of property, plant and equipment Total cash used Net cash (used by) investing activities FINANCING ACTIVITIES Cash used Repayment of borrowings Total cash used Net cash (used by) financing activities
_____________ ____________(2,511) (2,511) (2,511) — =
Net increase in cash held Cash at the beginning of the reporting period Cash at the end of the reporting period
9(b)
The above statement should be read in conjunction with the accompanying notes.
7,015 7,248
5,555 1,693
14,263
7,248
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69
AUSTRALIAN NATIONAL MARITIME MUSEUM STATEMENT OF CHANGES in EQUITY for the year ended 30 June 2007
Asset Revaluation Reserve
Retained Surpluses
Opening balance Revaluation adjustment Net operating result Closing balance at 30 June
2007 $’000 63,252
Contributed Equity
2006 $’000 66,572
2007 $’000 160,590
2006 $'000 152,596
-
(3,320)
3,105 "
7,994
1,730 64,982
63,252
163,695
160,590
-
2007 $’000 2,118
_ 2,118
The above statement should be read in conjunction with the accompanying notes.
Total Equity
2006 $’000 2,118
2007 $’000 225,960
2006 $’000 221,286
"
3,105 1,730
7,994 (3,320)
2,118
230,795
225,960
70
AUSTRALIAN NATIONAL MARITIME MUSEUM SCHEDULES OF COMMITMENTS and CONTINGENCIES as at 30 June 2007 2007
2006
$’000
$’000
SCHEDULE OF COMMITMENTS BY TYPE Commitments Operating leases Other commitments Total commitments Commitments (receivable)
(2)
134 1,411 1,545
(3)
(1,808)
(3,114)
(263)
(3,114)
( 1)
Net commitments (receivable) BY MATURITY Operating lease commitments One year or less From one to five years Total operating lease commitments Other commitments One year or less From one to five years Total other commitments Commitments (receivable) Net commitments (receivable)
134 134
1,411 1,545 (1,808)
(3,114)
(263)
(3,114)
N.B: Commitments are GST inclusive where relevant. (1)
Operating lease commitments include a lease for storage facilities on which there are no contingent rentals
(2)
Other commitments include service contracts in respect of the Museum’s buildings
(3)
Commitments receivable under the sublease of Level 3, Wharf 7
SCHEDULE OF CONTINGENCIES There were no quantifiable contingent losses or gains as at 30 June 2007. Refer to Note 10. The above schedules should be read in conjunction with the accompanying notes.
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AUSTRALIAN NATIONAL MARITIME MUSEUM NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007
Note
Description
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
Summary of Significant Accounting Policies Economic Dependency Income Expenses Financial Assets Non-Financial Assets Payables Provisions Cash Flow Reconciliation Contingent Liabilities and Assets Remuneration of Council Members Related Party Disclosures Remuneration of Officers Remuneration of Auditors Average Staffing Levels Financial Instruments Appropriations Assets Held in Trust Reporting of Outcomes The Australian National Maritime Foundation
72
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 1.
SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES
1.1
Basis of Preparation of the Financial Statements
The Financial Statements and notes are required by clause 1(b) of Schedule 1 to the Commonwealth Authorities and Companies Act 1997 and are a General Purpose Financial Report. The Financial Statements and notes have been prepared in accordance with: • Finance Minister’s Orders (or FMOs) for reporting period ending on or after 1 July 2006; and • Australian Accounting Standards and Interpretations issued by the Australian Accounting Standards Board (AASB) that apply for the reporting period. The Financial Report has been prepared on an accrual basis and is in accordance with historical cost convention, except for certain assets at fair value. Except where stated, no allowance is made for the effect of changing prices on the results or the financial position. The Financial Report is presented in Australian dollars. Assets and liabilities are recognised in the Balance Sheet when and only when it is probable that future economic benefits will flow and the amounts of the assets or liabilities can be reliably measured. However, assets and liabilities arising under agreements equally proportionately unperformed are not recognised unless required by an Accounting Standard. Liabilities and assets that are unrealised are reported in the Schedule of Commitments and the Schedule of Contingencies. Revenues and expenses are recognised in the Income Statement when and only when the flow, consumption or loss of economic benefit has occurred and can be reliably measured. Consolidation and associated company. The Financial Statements show information forth e economic entity only; this reflects the consolidated results for the parent entity, the Australian National Maritime Museum, and its wholly owned controlled entity, The Australian National Maritime Foundation. The results of the parent entity do not differ materially from the economic entity and have therefore not been separately disclosed. The Australian National Maritime Foundation is a company limited by guarantee. See note 20. The accounting policies of The Australian National Maritime Foundation are consistent with those of the Museum and its assets, liabilities and results have been consolidated with the parent entity accounts in accordance with the Accounting Standards. All internal transactions and balances have been eliminated on consolidation. 1.2
Significant Accounting Judgement and Estimates
In the process of applying the accounting policies listed in this note, the Museum has made the judgement as to fair value that has significant impact on the amounts recorded in the financial statements. The fair value of land and buildings has been taken to be the market value of similar properties, whereas the buildings are purpose built and may in fact realise more or less in the market. No accounting assumptions or estimates have been identified that have a significant risk of causing a material adjustment to carrying amounts of assets and liabilities within the next accounting period. 1.3
Statement of Compliance
The Financial Report complies with Australian Accounting Standards, which include Australian Equivalents to International Financial Reporting Standards (AEIFRS).
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NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FORTHEYEAR ENDED 30JUNE 2007
The AASB has issued amendments to existing Standards, which are not effective at the reporting date. The Museum intends to adopt all standards upon their application date. As at the reporting date, there is no expected effect from application of these Standards. 1.4
Revenue
The revenues described in this note are revenues relating to the core operating activities of the Museum. Revenue from Government The full amount of the appropriation for departmental outputs for the year is recognised as revenue. Other Types o f Revenue Revenue from the sale of goods is recognised upon the delivery of goods to customers. Revenue from the rendering of a service is recognised by reference to the stage of completion of the contract to provide the service. The stage of completion is determined according to the proportion that costs incurred to date bear to the estimated total costs of the transaction. Interest revenue is recognised using the effective interest method as set out in AASB 139 Financial Instruments: Recognition and Measurement. Receivables for goods and services are recognised at the nominal amounts due less any provision for bad and doubtful debts. Collectability of debts is reviewed at balance date. Provisions are made when collectability of the debt is judged to be less rather than more likely. 1.5
Gains
Sale of Assets Gain from disposal of non-current assets is recognised when control of the asset has passed to the buyer. Resources Received Free of Charge Resources received free of charge are recognised as gains when and only when a fair value can be reliably determined and the services would have been purchased if they had not been donated. Use of those resources is recognised as an expense. Contributions of assets at no cost of acquisition or for nominal consideration are recognised as revenue at their fair value when the asset qualifies for recognition. 1.6 Transactions by the Government as Owner Equity Injections Amounts appropriated which are designated as ‘equity injections' for a year (less any formal reductions) are recognised directly in Contributed Equity in that year. 1.7
Employee Benefits
Benefits Liabilities for services rendered by employees are recognised at the reporting date to the extent that they have not been settled.
73
74
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 Liabilities for short-term employee benefits (as defined in AASB 119) and termination benefits due within 12 months of balance date are measured at their nominal amounts. The nominal amount is calculated with regard to the rates expected to be paid on settlement of the liability. All other employee benefit liabilities are measured at the present value of the estimated future cash outflows to be made in respect of services provided by employees up to the reporting date. Leave The liability for employee benefits includes provision for annual leave and long service leave. No provision has been made for sick leave as all sick leave is non-vesting and the average sick leave taken in future years by employees is estimated to be less than the annual entitlement for sick leave. The leave liabilities are calculated on the basis of employees’ remuneration, including employer superannuation contribution rates to the extent that the leave is likely to be taken during service rather than paid out on termination. The non-current portion of the liability for long service leave is recognised and measured at the present value of the estimated future cash flows to be made in respect of all employees at 30 June 2007. In determining the present value of the liability, the Museum has taken into account attrition rates and pay increases through promotion and inflation. Superannuation Staff of the Museum are members of the Commonwealth Superannuation Scheme (CSS), the Public Sector Superannuation Scheme (PSS) or the PSS accumulation plan (PSSap). The CSS and PSS are defined benefit schemes for the Australian government and the PSSap is a defined contributions scheme. The liability for defined benefits is recognised in the financial statements of the Australian Government and is settled by the Australian Government in due course. The Museum makes employer contributions to the Australian Government at rates determined by an actuary to be sufficient to meet the cost to the Government of the superannuation entitlements of the Museum’s employees. The Museum accounts forthe contributions as if they were contributors to defined contribution plans. 1.8
Leases
A distinction is made between finance leases, which effectively transfer from the lessor to the lessee substantially all the risks and benefits incidental to ownership of leased non-current assets, and operating leases, under which the lessor effectively retains substantially all such risks and benefits. The Museum has no finance leases. Operating lease payments are expensed on a basis that is representative of the pattern of benefits derived from the leased assets. 1.9
Grants
The Museum recognises grant liabilities as follows. Most grant agreements require the grantee to perform services or provide facilities, or to meet eligibility criteria. In these cases, liabilities are recognised only to the extent that the services required have been performed or the eligibility criteria have been satisfied by the grantee.
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NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 In cases where grant agreements are made without conditions to be monitored, liabilities are recognised on signing of the agreement. 1.10
Cash
Cash means notes and coins held and any deposits held at call with a bank or financial institution. Cash is recognised at its nominal amount. Interest is credited to revenue as it accrues. 1.11
Financial Liabilities
Suppliers and other payables are recognised at their nominal amounts, being the amounts at which the liabilities will be settled. Liabilities are recognised to the extent that the goods and services have been received (and irrespective of having been invoiced). 1.12
Acquisition of Assets
Assets are recorded at cost on acquisition except as stated below. The cost of acquisition includes the fair value of assets transferred in exchange and liabilities undertaken. Financial assets are initially measured at their fair value plus transaction costs where appropriate. Assets acquired at no cost, or for nominal consideration, are initially recognised as assets and revenues, at their fair value at the date of acquisition. 1.13
Property (Land and Buildings), and Infrastructure, Plant and Equipment
Asset Recognition Threshold Purchases of property, infrastructure, plant and equipment are recognised initially at cost in the Balance Sheet, except for purchases costing less than $2,000, which are expensed in the year of acquisition (other than where they form part of a group of similar items which are significant in total). Revaluations Land, buildings, plant and equipment are carried at fair value, being revalued with sufficient frequency such that the carrying amount of each asset is not materially different, at reporting date, from its fair value. The regularity of independent valuations depends upon the volatility of movements in market values for the relevant assets. Valuations undertaken in each year are at 30 June. Fair values for each class of assets are determined as shown below. Asset Class Land Buildings Infrastructure, Plant & Equipment National Maritime Collection
Fair Value Measured at: Market selling price Market selling price Market selling price Market selling price
Revaluation adjustments are made on a class basis. Any revaluation increment is credited to equity under the heading of asset revaluation reserve except to the extent that it reverses a previous revaluation decrement of the same asset class that was previously recognised through surplus and deficit. Revaluation decrements for a class of assets are recognised directly through surplus and deficit except to the extent that they reverse a previous revaluation increment for that class. Any accumulated depreciation as at the revaluation date is eliminated against the gross carrying amount of the asset and the asset restated to the relevant amount. Under fair value, assets which are surplus to requirements are measured at their net realisable value.
76
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 Depreciation and Amortisation Depreciable property, plant and equipment assets are written off to their estimated residual values over their estimated useful lives to the Museum using, in all cases, the straight line method of depreciation. Depreciation/amortisation rates (useful lives), residual values and methods are reviewed at each reporting date and necessary adjustments are recognised in the current, or current and future reporting periods, as appropriate. Depreciation and amortisation rates applying to each class of depreciable asset are based on the following useful lives:
Leasehold land Buildings Infrastructure, Plant & Equipment
2007 105 years 22 years 3 - 20 years
2006 105 years 22 years 3 - 20 years
The aggregate amount of depreciation allowed for each class of asset during the reporting period is disclosed in Note 4. The Collection is not depreciated because of its long term nature and the expected appreciation of its historical value. Impairment All assets were assessed for impairment at 30 June 2007. Where indications of impairment exist, the asset’s recoverable amount is estimated and impairment adjustment made if the asset's recoverable amount is less than its carrying amount. The recoverable amount of an asset is the higher of its fair value less costs to sell and its value in use. Value in use is the present value of the future cash flows expected to be derived from the asset. Where the future economic benefit of an asset is not primarily dependant on the asset’s ability to generate future cash flows, and the asset would be replaced if the Museum were deprived of the asset, its value in use is taken to be depreciated replacement cost. 1.14
Intangibles
The Museum’s intangibles comprise software for internal use and are carried at cost. Software is amortised on a straight-line basis over its anticipated useful life. The useful lives of the Museum’s software are 5 - 1 0 years (2006: 5 - 10 years). 1.15
Inventories
Inventories held for resale by the Museum store are valued at the lower of cost and net realisable value. 1.16
Taxation
The Museum is exempt from all forms of taxation except fringe benefits tax and the goods and services tax (GST). Revenues, expenses and assets are recognised net of GST: • except where the amount of GST incurred is not recoverable from the Australian Taxation Office; and • except for receivables and payables.
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NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 1.17
Foreign Currency
Transactions denominated in a foreign currency are converted at the exchange rate at the date of the transaction. Foreign currency receivables and payables (if any) are translated at the exchange rates current as at balance date. Associated currency gains and losses are not material. 1.18
Comparative Figures
Comparative figures have been adjusted to conform to changes in presentation in these financial statements where required. 1.19
Rounding
Amounts are rounded to the nearest $1,000 except in relation to: • remuneration of Council members (note 11); • remuneration of officers (note 13); • remuneration of auditors (note 14); • assets held in trust (note 18); and • Australian National Maritime Foundation (note 20). 2.
ECONOMIC DEPENDENCY
The Australian National Maritime Museum is controlled by the Commonwealth of Australia and is dependent on appropriations from the Parliament of the Commonwealth for its continued existence and ability to carry out its normal activities.
78
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 2007 $’000
2006 $’000
23,337 23,337
23,314 23,314
6 775 781
1 757 758
Rendering of services to: Related entities External entities Total rendering of services
189 4,787 4,976
175 4,542 4,717
Total sale of goods and rendering of services
5,757
5,475
673 673
232 232
222 50 120 392
319 50 126 495
46 (46) -
9 (3) 6
1,484 1,484
1,509 1,509
3.
INCOME
Revenue 3(a)
Revenue from Government
Appropriations for outputs Total revenue from government 3(b)
Sale of Goods and Rendering of Services
Provision of goods to: Related entities External entities Total sale of goods
3(c)
Interest
Interest on Deposits Total interest 3(d)
Other Revenue
Industry contributions Grants Other Total other revenue GAINS 3(e)
Sale of Assets
Proceeds from disposal Net book value of assets disposed Net gains from disposal of assets 3(f)
Other Gains
Resources received free of charges Total other gains Other gains include service-related donations-in-kind from a range of donors.
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NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007
4.
EXPENSES
4(a)
Employee Benefits
Wages and Salaries Superannuation Leave and other entitlements Other employee expenses Total employee benefits 4(b)
Total supplier expenses
5,673 934 793 2,892 10,292
5,651 917 887 2,744 10,199
782 9,423 81 76
1,670 8,587 85 93
10,362
10,435
5,055 3,786 8,841
4,942 4,445 9,387
158 128 286
158 65 223
9,127
9,610
75
32
Depreciation and Amortisation
Depreciation: Buildings Infrastructure, plant and equipment Total depreciation Amortisation: Leasehold land Intangibles - Computer software Total amortisation Total depreciation and amortisation 4(d)
2006 $’000
Suppliers
Goods and services from related entities Goods and services from external entities Operating lease rentals Workers’ compensation premiums
4(c)
2007 $’000
Grants Expense
Non-profit institutions
The Museum makes grants to support the involvement of community groups in maritime heritage projects. 4(e)
Write-down and impairment of assets
Infrastructure, plant & equipment
57
4,075
Cash at bank and on hand Deposits at call
1,345 12,918
1,486 5,762
Total cash and cash equivalents
14,263
7,248
5.
FINANCIAL ASSETS
5(a)
Cash and Cash Equivalents
80
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007
2007 $’000
2006 $’000
Goods and services Interest receivable Receivable from associated entities GST receivable from the Australian Taxation Office
126 67 99 342
122 30 163 261
Total receivables (net)
634
576
623
548
5 2 4 11
21 3 4 28
634
576
60,000 (632) 59,368
60,000 (474) 59,526
Buildings
- a t valuation - accumulated depreciation Total buildings on leasehold land
109,506 (19,672) 89,834
108,047 (14,617) 93,430
Total Land and Buildings (non - current)
149,202
152,956
71,339 (38,220)
72,392 (37,924)
33,119
34,468
5(b)
Receivables
Receivables are aged as follows: Not overdue Overdue by: Less than 30 days 30 to 60 days 60 to 90 days
Total receivables (gross) All receivables are current assets. 6.
NON-FINANCIAL ASSETS
6(a)
Land and Buildings
Leasehold land
- a t valuation - accumulated amortisation
Total leasehold land
6(b)
Infrastructure, Plant and Equipment
Infrastructure, plant and equipment - at valuation - accumulated depreciation Total Infrastructure, Plant and Equipment (non - current) 6(c)
National Maritime Collection
National Maritime Collection - at valuation
36,134
32,764
Total National Maritime Collection (non - current)
36,134
32,764
All revaluations are independent and are conducted in accordance with the revaluation policy stated in note 1.
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NOTES TO AND FORMING PARTOFTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007
2007 $’000 6(d)
2006
$’000
Intangibles
Computer software
- internally developed in progress - in use -accum ulated amortisation
Total Intangibles (non - current)
1,036 (365)
161 655 (236)
671
580
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FORTHEYEARENDED 30JUNE2007
6(e)
Analysis of Property, Plant and Equipment
Item
As at 1 July 2006 Gross book value Accumulated depreciation/amortisation Net book value Additions By purchase Net revaluation increment (decrement) Assets transferred in Depreciation/amortisation expense Disposals Other disposals As at 30 June 2007 Gross book value Accumulated depreciation/amortisation Net book value
Land
Buildings
$’000s
$’000s
Infrastructure, Plant & Equipment $’000s
Total Land & Buildings $’000s
National Maritime Collection $’000s
Intangibles
Total
$’000s
$’000s
32,764
816 (236)
274,019 (53,251)
32,764
580
220,768
2,559
246
219
4,484
-
(19)
3,124
(5,213)
(3,786)
-
(103)
-
60,000 (474)
108,047 (14,617)
168,047 (15,091)
72,392 (37,924)
59,526
93,430
152,956
34,468
-
1,459
1,459
-
-
(5,055)
|
3,105
-
(158)
-
(128)
(9,127)
(103)
60,000 (632)
109,506 (19,672)
169,506 (20,304)
71,339 (38,220)
36,134 -
1,036 (365)
278,016 (58,890)
59,368
89,834
149,202
33,119
36,134
671
219,126
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FORTHEYEAR ENDED 30JUNE 2007
Item
As at 1 July 2005 Gross book value Accumulated depreciation/amortisation Net book value Additions By purchase Net revaluation increment (decrement) Assets transferred in Depreciation/amortisation expense Disposals Other disposals As at 30 June 2006 Gross book value Accumulated depreciation/amortisation Net book value
Land
Buildings
$’000s
$'000s
Infrastructure, Plant & Equipment $'000s
Total Land & Buildings $’000s
National Maritime Collection $’000s
Intangibles
Total
$’000s
$’000s
60,000 (316)
107,211 (9,658)
167,211 (9,974)
81,729 (39,210)
24,225 -
613 (215)
273,778 (49,399)
59,684
97,553
157,237
42,519
24,225
398
224,379
436
436
1,214
165
267
2,082
8,374
-
7,994
-
-
-
(65)
(9,610)
-
(20)
(4,077)
-
-
-
-
-
(158)
383 (4,942)
383 (5,100)
(380) (383) (4,445)
-
-
-
(4,057)
60,000 (474)
108,047 (14,617)
168,047 (15,091)
72,392 (37,924)
32,764 -
816 (236)
274,019 (53,251)
59,526
93,430
152,956
34,468
32,764
580
220,768
84
NOTES TO AND FORMING PARTOFTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 2007 $'000
2006 $'000
133
113
515
373
1,421
710
47 89
59 145
136
204
Salary Leave Superannuation
59 2,058 202
54 1,977 173
Total employee provisions
2,319
2,204
Current Non-current
1,209 1,110
929 1,275
Total employee provisions
2,319
2,204
6(f)
Inventory
Store inventory held for sale - at cost All inventories are current assets. 6(g)
Other non-financial assets
Prepayments All other non-financial assets are current. 7.
PAYABLES
7(a) Suppliers Trade creditors All supplier payables are current. Settlement is usually made net 30 days. 7(b) Other Payables Deferred revenue Prepayments received Total other payables All other payables are current. 8.
PROVISIONS
8(a) Employee Provisions
3 > financial statements >
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FORTHEYEAR ENDED 30 JUNE 2007
2007
2006
$’000
$’000
1,730
(3,320)
9,127 58
9,610 4,069
(56)
(86 )
(21)
(19) (309)
9. CASH FLOW RECONCILIATION 9(a) Reconciliation of Operating Result to Net Cash from Operating Activities Operating result Non-Cash Items Depreciation and amortisation Net write down of non-current assets Changes in Assets and Liabilities (lncrease)/decrease in receivables (lncrease)/decrease in inventories (lncrease)/decrease in other assets lncrease/(decrease) in employee provisions lncrease/(decrease) in liability to suppliers and deposits Net cash from operating activities
(141) 115 395
221 (15)
11,207
10,151
9(b) Reconciliation of Cash Cash balance comprises: Cash at bank and on hand Deposits at call
1,345 1,486 12,918____________ 5,762
Balance of cash as at 30 June shown in the Statement of Cash Flows
14,263
10.
7,248
CONTINGENT LIABILITIES AND ASSETS
At 30 June 2007, an unquantifiable contingent liability exists in respect to the termination of a contract for consulting services provided to the Museum. A counter-claim will be defended should one arise. An unquantifiable contingent asset exists in respect to legal proceedings which the Museum has commenced. It is not possible to estimate the amounts of any eventual payments that may be required or received in relation to the above. 11.
REMUNERATION OF COUNCIL MEMBERS
The numbers of Council Members of the Museum included in these figures are shown below in the relevant remuneration bands. 2007 2006 $ N il- $14,999 9 9 $15,000 - $29,999 1 1 $225,000 - $239,999 1 1 Total number o f Council Members of the Museum 11 11
Remuneration received or due and receivable by Council Members of the Museum
$
$
372,313
365,734
86
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 12.
RELATED PARTY DISCLOSURES
Council Members of the Museum during the year were: Mr Mark Bethwaite (Chairman) (retired 29 June 2007) Ms Mary-Louise Williams (Director) Mr Marcus Blackmore AM (retired 21 November 2006) Mr John Simpson (retired 21 November 2006) The Hon Brian Gibson AM Ms Eda Ritchie Ms Nerolie Withnall Ms Gaye Hart AM Dr Andrew Sutherland Dr John Penrose CDRE Geoff Geraghty AM, RAN (retired 27 July 2006) Mr John Rothwell AO CDRE Peter Jones DSC AM RAN (appointed 28 July 2006) The aggregate remuneration of Council Members is disclosed in Note 11. 13.
REMUNERATION OF OFFICERS
The number of officers who received or were due to receive total remuneration of $130,000 or more: 2007 2006 $130,000-$144,999 1 1 $145,000 - $159,999 2 2 $160,000-$174,999 _____________1______________ 1 Total number of officers 4______________ 3 The aggregate amount of remuneration of officers shown above
$ 607,204
$ 432,242
The officer remuneration includes all officers concerned with or taking part in the management of the Museum except the Director. Details in relation to the Director have been incorporated into Note 11: Remuneration of Council Members. 14.
REMUNERATION OF AUDITORS
Remuneration to the Auditor-General for auditing the financial statements for the reporting period
$ $ 42,500_______39,000
No other services were provided by the Auditor-General during the reporting period. 15.
AVERAGE STAFFING LEVELS
Average staffing levels for the Museum during the year were: 103
105
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 16. FINANCIAL INSTRUMENTS 16(a) Terms, Conditions and Accounting policies Financial Notes Accounting Policies and Methods Instrument (including recognition criteria and measurement basis) Financial Assets Cash
5(a)
Receivables
5(b)
Financial Liabilities Suppliers
7(a)
Other Payables
7(b)
Nature of underlying instrument (including significant terms and conditions affecting the amount, timing and certainty of cash flows) Financial assets are recognised when control over future economic benefits is established and the amount of the benefit can be reliably measured. Deposits are recognised at their nominal amounts. Interest is Temporarily surplus funds, mainly from monthly drawdowns of credited to revenue as it accrues. appropriation, are placed on deposit at call with the ANZ Bank and the Commonwealth Bank. Interest is earned on the daily balance at the prevailing daily rate for money at call and is paid monthly. Receivables are recognised at the nominal amounts due less Credit terms are net 30 days (2005-06: 30 days) any provision for bad and doubtful debts. Provision is made when collection of the debt is judged to be unlikely. Financial liabilities are recognised when a present obligation to another party is entered into and the amount of the liability can be reliably measured. Suppliers are recognised at their nominal amounts, being the Settlement is usually made net 30 days (2005-06: 30 days) amounts at which the liabilities will be settled. Liabilities are recognised to the extent that the goods or services have been received (and irrespective of having been invoiced). Deposits for advance services are recognised at their nominal Service revenue is recognised as it is earned, at the date the amounts. service is provided.
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007
16(b) Financial Instruments: Interest Rate Risk Non-Interest Financial Notes Floating Bearing Instrument Interest Rate 05-06 06-07 05-06 06-07 $’000 $’000 $’000 $’000 Financial Assets Cash and Cash 5(a) Equivalents 5(b) Receivables Total financial assets recognised Total Assets
Total 06-07 $’000
05-06 $’000
Weighted Avg Effective Interest Rate 06-07 05-06 % %
14,263
7,248
-
-
14,263
7,248
5.65
4.85
-
-
634
576
634
576
n/a
n/a
14,263
7,248
634
576
14,897 234,425
7,824 229,078
-
-
-
-
1,421 136
710 201
1,421 136
710 204
n/a n/a
n/a n/a
1,557
914
1,557 3,876
914 3,118
263
3,114
263
3,114
n/a
n/a
263
3,114
263
3,114 n/a
n/a
Financial Liabilities Suppliers 7(a) Other Payables 7(b) Total financial liabilities recognised Total Liabilities
-
Unrecognised Instruments Other commitments
Schedule of Commitments
Total financial assets (Unrecognised) Other Schedule of commitments Commitments Total financial liabilities (Unrecognised)
-
-
-
.
.
-
-
3>finan ia! state
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 16(c)
Net Fair Values of Financial Assets and Liabilities
Financial Assets
Note
Cash and Cash Equivalents Receivables Total Financial Assets
5(a) 5(b)
Financial Liabilities (Recognised) Suppliers Other payables Total Financial Liabilities (Recognised)
7(a) 7(b)
2007 Total Aggregate carrying net fair amount value $’000 $’000 14,263 14,263 634 634 14,897 14,897
1,421 136 1,557
1,421 136 1,557
2006 Aggregate Total carrying net fair amount value $'000 $’000 7,248 7,248 576 576 7,824 7,824
710 204 914
710 204 914
Financial Assets The net fair values of cash, deposits on call and receivables approximate their carrying amounts. Financial Liabilities The net fair value of suppliers are approximated by their carrying amounts. 16(d)
Credit Risk Exposures
The Museum’s maximum exposures to credit risk at reporting date in relation to each class of recognised financial assets is the carrying amount of those assets as indicated in the Balance Sheet. The Museum has no significant exposures to any concentrations of credit risk. All figures for credit risk referred to do not take into account the value of any collateral or other security.
17.
APPROPRIATIONS
The Museum received the following appropriations for Departmental Outputs during the year out of the Consolidated Revenue Fund: 2006 2007 $’000 $’000 Balance carried forward from previous year Annual Appropriation Bill No 1 - Basic Appropriation 23,314 23,337 Total appropriations available for payments 23,314 23,337 Cash payments made during the year 23,314 23,337 Balance carried forward to next year
90
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007 18.
ASSETS HELD IN TRUST
The Museum has established a number of Trust accounts which are detailed below. Donations and bequests are received for specified purposes under formal trust arrangements. Moneys received are placed in a special bank account and expended on the specified projects in accordance with the terms of the trusts. These moneys are not available for other purposes of the Museum and are not recognised in the financial statements. 18(a)
USA Bicentennial Gift Fund
In December 1987 a gift of US$5 million was received to develop and maintain the USA Gallery at the Museum. Upon completion of the fitout the assets were transferred to the Museum and the residual of the gift is held in trust. The financial position of the Fund is as follows: 2007 2006 $ $ 4,653,346 4,103,820 Opening balance at 1 July Receipts: 188,094 158,196 Distributions/Interest 30,151 Tax Credits 4,292,167 4,841,440 Less payments: Acquisitions Other expenses Increase in value of Managed Fund Closing balance at 30 June Represented by: Cash at Bank Managed Funds Distributions/Interest receivable Tax credits receivable Liability to associated entities
18(b)
119,487 19,570
13,750 140,089
86,296
515,018
4,788,679
4,653,346
4,700,000 188,094 (99,415) 4,788,679
4,710,234 73,027 32,668 (162,584) 4,653,346
NZ Bicentennial Gift Fund
A fund was created to research and develop educational material and undertake maintenance relating to the yacht Akarana. The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest Closing balance at 30 June Represented by: Investment Interest Receivable
56,106 3,523 59,629
53,211 2,895 56,106
59,431 198 59,629
56,012 94 56,106
3 > financial statements >
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THEYEAR ENDED 30 JUNE 2007
2007 $ 18(c)
2006 $
Maritime Museum Bequest Fund
In March 2003, a fund was created to accommodate non-specific bequests made to the Museum, The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest
Represented by: Investment Interest Receivable
18(d)
138,118 8,673 146,791
130,986 7,132 138,118
146,306 485 146,791
137,889 229 138,118
Louis Vuitton Fund
In November 1988 Louis Vuitton Pty Ltd donated $30,000 to set up the Louis Vuitton Collection for the acquisition of material relating to the early French exploration voyages to the Pacific, as well as later maritime association between France and Australia. The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest
Represented by: Investment Interest Receivable
15,550 976 16,526
14,748 802 15,550
16,472 54
15,525 25
16,526
15,550
92
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 19.
REPORTING OF OUTCOMES
19(a) Outcomes of the Museum The Museum is structured to meet one outcome, being increased knowledge, appreciation and enjoyment of Australia’s relationship with its waterways and the sea. Only one Output Group is identified for the Outcome and all the Museum’s revenues, expenses, assets and liabilities are attributable to that Output Group. 19(b) Net Cost of Outcome Delivery
Expenses Departmental expenses Total expenses Costs recovered from provision of goods and services to the non government sector Departmental Total costs recovered Other external revenues Departmental Sale of goods and services - to related entities Interest Proceeds from disposal of assets Donations and bequests Industry contributions Other Total Departmental Total other external revenues Net cost of outcome
2007 $’000
2006 $’000
29,913 29,913
34,352 34,352
5,562 5,562
5,299 5,299
189 673 46 1,484 222 120 2,734 2,734 21,617
176 232 9 1,509 319 126 2,371 2,371 26,682
19(c) Departmental Revenues and Expense by Output Group Outcome 1 Output 1 Departmental expenses Employees Suppliers Grants Depreciation and amortisation Write-down of assets Total departmental expenses Funded by: Revenues from Government Sale of goods and services Interest Net gains from disposal of assets Donations and bequests Industry contributions Other Total departmental revenues
10,292 10,362 75 9,127 57 29,913
10,199 10,435 33 9,610 4,075 34,352
23,337 5,757 673
23,314 5,475 232 6 1,509 319 176 31,031
-
1,484 222 170 31,643
3 > financial statements >
NOTES TO AND FORMING PART OFTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 JUNE 2007 20.
THE AUSTRALIAN NATIONAL MARITIME FOUNDATION
The Australian National Maritime Foundation, a Company Limited by Guarantee, was established in December 2000 and is controlled by the Council of the Australian National Maritime Museum. The Foundation’s objects are to create a capital fund, through gifts, bequests and fund-raising activities, fo rth e purposes of: • Acquiring major additional items or collections of items to develop the National Maritime Collection; • Conserving the National Maritime Collection; and • Other activities which enhance the National Maritime Collection. The financial position of the Foundation is as follows: 2007 $
2006 $
Opening balance at 1 July Revenues: Interest
415,650 9,434 425,084
409,054 8,966 418,020
Less expenses: Suppliers Closing balance at 30 June
2,607 422,477
2,370 415,650
423,454 123 (1,100) 422,477
417,201 957 (2,508) 415,650
Represented by: Cash at bank Receivables Payables
ISPffiSSfT
■in
•
y : 'S
Pa
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j.iffi/J & i':* }-* ;'
appendixes >
S
’, '1 fa h -
*2
cloak by Yorta Yorta artist Treahna Hamm for travelling exhibition The RiverPossum-skin
Life on the Murray-Darling. ANMM collection
96
appendix 1 > 2006-2007 mmapss grants and internships > One of the museum's most important cultural outreach
Diamantina Fund, Queensland Maritime Museum QLD:
programs is the Maritime Museums of Australia
$3,000 will assist urgent underwater hull repairs for
Project Support Scheme (MMAPSS), administered
the River Class frigate Diamantina, built in 1943-44
by us and jointly funded by the museum and the
by Walkers of Maryborough. The ship has been floating
Australian Government through the Distributed
in the dock for eight years without a protective paint
National Collections Program of the Department of
scheme and no means of docking.
Communications, Information Technology and the Arts. The grants are awarded to non-profit maritime museums and historical societies, most are community-based and run by volunteers to fund restoration, conservation, collection management and exhibition development
Echuca Historical Society, Echuca VIC: $4,000 will employ a qualified photographic conservator to register and database, for public access, 38 photographs which are part of the museum exhibition.
projects. The scheme was initiated in 1995 and since
Eden Killer Whale Museum, Eden NSW: $726 will
then 151 projects across all Australian states and most
rescue a rare opalotype portrait of George and Sarah
of its territories have been supported. This year we
Davidson, a prominent couple in the Eden whaling
received a record 59 applications and gave 26 MMAPSS
industry and community. Opalotype was a process of
grants (including two internships), as follows:
photography made on glass with a translucent white tint,
Axel Stenross Maritime Museum, Port Lincoln SA:
popular in the 1890s and early 1900s.
$3,000 will assist in restoring the launch Rio Rita,
Flagstaff Hill Maritime Village & Museum,
a small cabin cruiser-cum-workboat owned by the
Warrnambool VIC: $4,000 will assist with the full
Finnish windjammer sailor Axel Stenross, who ran a
restoration and renovation of one of the oldest
boatyard in Boston Bay, Port Lincoln. Necessary repairs
remaining Victorian Couta boats, Viator, built by J R
will include timber work, new floorboards and seating,
Jones of Williamstown in the early 20th century. Work on
paintingand the construction of a weatherproof shelter
this nationally significant vessel will be undertaken by
over the vessel.
Flagstaff Hill Maritime Museum’s shipwright apprentice
Busselton Jetty Environment & Conservation
under the guidance of a master shipwright.
Association, Busselton WA: $5,000 will assist this
Furneaux Historical Research Association, Flinders
community organisation to design and install a cultural
Island TAS: $3,230 assisted with a special exhibition
heritage walk trail along Busselton Jetty, incorporating
accompanying the official opening of the new museum
signage and a series of brass plaques with information,
building by the Governor of Tasmania, the Hon William
stories and sketches portrayingthe jetty's rich history
Cox in December 2006.
over the past 140 years.
George Town Norfolk Pty Ltd (Bass & Flinders Centre),
Clarence River Historical Society, Grafton NSW: $1,500
George Town TAS: $5,000 will fund new interpretive
will stabilise and preserve two significant 1868 pencil
signage to The Bass and Flinders Walk within the centre.
drawings of the Clarence Riverand Port of Grafton by Robert Issel Perrott.
Gladstone Maritime History Society Inc, Gladstone QLD: $1,555 will assist with the conservation and display of
Clarence Town & District Historical Museum
several outside display items including a collection of
Association, Clarence Town NSW: $3,000 will be used
small inboard motors, and will help to recover and re-
forthe protection ofthetow n’sflood boat, a most
erect a lighthouse at the museum.
significant vessel.
4 > appendixes >
Goolwa Museum (National Trust of SA), Goolwa SA:
Port of Echuca, Echuca NSW: $4,000 will engage the
$1,500 will assist with an exhibit on the history of the
services of a qualified person to work with museum staff
River Murray shipbuilding and shipping trades. The
to catalogue and prepare a detailed inventory of their
exhibit will enhance two exhibits already installed
artefacts.
that interpret the exploration of the river prior to the commencement of trade.
Port of Yamba, Yamba NSW: $2,000 will conserve a selection of fishing reels currently on display, which are
Hervey Bay Historical Museum Inc, Pilba QLD: $2,000
representative of the angling history of Yamba between
will contribute to a permanent display Hervey Bay - A
the 1930s and 1950s.
maritime story, which highlights both the historical and contemporary maritime significance of the bay.
Surfworld Museum, Torquay VIC: $3,700 will be used to support the restoration and preservation of key
Lady Denman Heritage Complex, Huskisson NSW:
museum artefacts currently displayed in the permanent
$3,060 will assist the ongoing environmental
collection.
monitoring of temperature and humidity levels in key areas of the museum; continuing the MMAPSS grant in 2005-06. Mannum Dock Museum of River History, Mannum SA: $2,000 will fund a museum development designer for stage three of the John Weaver Collection Project. The collection contains over 250 photographs, maps, diaries, journals and records, providing a first-hand account of riverboat life along the Murray.
Whyalla Maritime Museum, SA: $1,310 will fund a visit by ANMM education officer Jeff Fletcherto inspect the facilities and collections, and advise on the development of an educational program. Wooden Boat Association of North Queensland, Townsville QLD: $3,601 will help develop a project plan between the ANMM and the Wooden Boat Association of North Queensland (WBANQ)forthe restoration of the pearl lugger Antonia. This project will provide job skills
May Queen Pty Ltd, Hobart TAS: $3,000 will fund an
forthe local Indigenous community, as well as restoring
interpretative panel for the Tasmanian trading ketch SV
the historic vessel which has both cultural and historical
May Queen, a floating exhibit of the Maritime Museum
significance to the people of the Torres Strait.
of Tasmania. Newcastle Maritime Museum, Newcastle NSW:
> Internships
$3,500 will host workshops helping volunteers to better understand, manage and interpret the collections.
Donna Abbatti, curator at Breakwater Battery Museum,
Parks Victoria Cape Nelson Light Station, Cape Nelson
in Sydney at the ANMM developing her collection
VIC: $3,000 will assist with the conservation and
management and conservation skills.
Port Kembla Heritage Park, NSW, will spend two weeks
preservation of the signal station, its signal flags and flag lockers.
Jennifer Kallie, a retired university lecturer and fisheries consultant, will photograph and catalogue the Middle
Port Fairy Lifeboat Restoration Committee, Port Fairy
Percy Island souvenirs. Her research will form the basis
VIC: $4,000 transported the Port Fairy Lifeboat to the
of a database in the ANMM public research facility the
2007 Australian Wooden Boat Festival in Hobart. Earlier
Vaughan Evans Library.
MMAPSS grants have supported the documentation and restoration of this historic 19th-century land-based lifeboat.
appendix 2 > visitor and member programs > > HM Bark Endeavour replica voyages
> Lectures and talks
29/01-09/02/07: Sydney-Hobart, 12-day voyage to
05/07/06: Dreamboats & Workboats - The
Australian Wooden Boat Show
Halvorsen Story, exhibition tour with ANMM curator
24/02-02/03/07: Hobart-Devonport, 7-day Tasmanian coastal voyage 08-18/03/07: Devonport-Sydney, 11-day voyage in Cook’s wake 18-23/04/07: Sydney-Broken Bay-Sydney, 6-day voyage in Cook’s wake 26-30/04/07: Sydney-Botany Bay-Sydney, 5-day voyage to Festival of Sail
of leisure Penny Cuthbert and Carl Halvorsen talking about his family 14/07/06: ‘Sir Francis Chichester's GipsyMoth IV' a talk and visit by David Green, global project manager and CEO of UK Sailing Academy 03/08/06: ‘Dreamboats & Workboats - The Halvorsen Story’, illustrated talk by Randi Svensen, granddaughter of Lars Halvorsen; tour of harbour boatbuilding sites by historian John McClymont. 2006 Cruise Forum 3 in association with WEA
> Seminars
19/08/06: ‘Gallipoli: The Fatal Shore - the Lone Pine Offensive' by author, film-maker Harvey Broadbent
01/07/06: Iron Ships and Steam Shipwrecks, in association with Western Australian Maritime Museum and Heritage Victoria, two-day seminar with speakers Dr John Broadwater (The USS Monitor Project); Ray
30/08/06: Members’ visit to exhibition National Treasures from Australia’s Great Libraries, in association with State Library of NSW
Sutcliffe (BBC Underwater Film Producer); Dr Mark
17/09/06: Members’ evening viewing of summer
Spencer (Australian deepwater photographer); Tim
program Pirates!
Smith (AEI submarine project); Ted Graham (chairman HMAS Sydney Search Pty Ltd)
28/09/06: Vaughan Evans Annual Memorial Lecture by ANMM director Mary-Louise Williams, on her attendance
30/07/06: The Cruise Liner - the history of pleasure
at an international museum workshop in Alexandria,
cruising, with P&O historian Robert Henderson;
Egypt, to consider an underwater museum
maritime historian and author Peter Plowman; Paul Higgins, Royal Caribbean and Celebrity Cruises
29/09/06: ‘Merchant ship losses off NSW during WWII’ by Patricia Miles, ANMM curator commercial
10/06/07: Cook and Endeavour: journeys through time,
history, for World Maritime Day, in association with
speakers Emeritus Professor Greg Denning, Centre for
Maritime Union of Australia
Cross-Cultural Research ANU; Professor Fred Watson, astronomer-in-charge of Anglo-Australian Observatory; Martin Terry, curator of exhibitions National Library of Australia; Dr Nigel Erskine, curator of exploration ANMM
01/10/06: Talk by maritime historian Gary Kerr 0AM and the launch, by former ANMM council member Bruce Stannard AM, of a new film The Last Cape Horners 22/10/06; ‘The Great Man and Trafalgar: Seapower theory and practice in the 19th and 20th centuries’, by Lieutenant Desmond Woods RAN
4 > appendixes
22/10/06: ‘The Flags of Nelson and Trafalgar, and
25/03/07: ‘All Piss and Wind' author David Salter
Young Australia', by John Vaughan, vexillologist,
discusses his sailor’s autobiography
museum foundation member and former CEO of the Royal Australian Historical Society 29/10/06: ‘1421 - fact or fiction?’ inviting public debate of Gavin Menzies' Chinese-discovery theories. Speaker Michael Ross, president of the Australian Map Circle, moderator Emeritus Professor Robert Clancy
01/04/07: ‘Cutty Sark and HMS Victory', a talk with film and images by Colin Burring, volunteer with the Cutty Sark Trust and National Maritime Museum Greenwich 02/05/07: Official book launch of No 6 in the Australian Maritime Series, Cook, the Discoverer, speakers ANMM director Mary-Louise Williams; ANMM curator of
01/11/06: Launch of ANMM/Exisle Publishing title Mrs
exploration Dr Nigel Erskine; Hordern House managing
Cook's Book of Recipes, for mariners in distant seas by
director Derek McDonnell
John Dunmore, and Scurvy Dog Dinner aboard FIM Bark Endeavour with speakers ANMM assistant director Max Dingle and Endeavour historian Antonia Macarthur 01/11/06: ‘The History of the Royal Australian Navy’, talk, cruise and inspection, Royal Australian Navy Heritage Centre, Garden Island; 2006 Cruise Forum 4 in association with WEA 16/11/06: Voyage of the Nautilus screening and talk by director Simon Nasht 10/12/06: ‘Tall Ships of Australia and New Zealand' talk by the book's author John Coombes 14/12/06: Spanish Expeditions in the South Pacific
20/05/07: ‘Duyfken 1606-2006’ and ‘A history of square-rigged sailingvessels’, talks by Duyfken replica’s master Gary Wilson 27/05/07: ‘Found, the missing WWII Japanese midget submarine M24‘ talk by Tim Smith, M24 project manager with NSW Heritage Office 13/06/07: ‘Fisher folk: an industry transformed’ talk and cruise with Dr Perry McIntyre, Sydney University and Dr Dave Pollard, former NSW Fisheries; view exhibition Currach Folk and documentary Aran Islands: a Journey through changing Times; 2007 Cruise Forum 1 in association with WEA
from the 16th to the 18th centuries, Members viewing with ANMM curator of exploration Dr Nigel Erskine 17/12/06: ‘Technology-based exhibits - creating meaningful experiences’ talk to staff and volunteers by consultant Joey Stein, Moeylnc, New York, USA 19/12/06: Bridging Sydney exhibition viewing with Historic Houses Trust curator Caroline Mackaness and guest speaker, BridgeClimb’s Paul Cave 07/03/07: Between the flags: 100 Years of Surf Lifesaving exhibition tour with visiting curator Joanne Bach of the National Museum of Australia 08/03/07: 5th Phil Renouf Memorial Lecture ‘The Sydney Harbour Bridge’ by Paul Cave, founder and chairman of BridgeClimb 14/03/07: ‘Trader sailors: barques and clippers’ speakers Paul Hundley, ANMM curator USA Gallery, and
> Tours, walks and excursions 08/08/06: Malt Shovel Brewery tour of Australia’s first brewer James Squire, one of the museum’s sponsors 23/02/07: ‘Family night in the Navy’ aboard ANMM destroyer Vampire and submarine Onslow 24/02/07: ANMM patrol boat/WvanceandSoutf) Steyne engine room inspections with ANMM fleet manager Steven Adams and South Steyne engineer Graham Curren 10/03/07: Cruise to Sydney Harbour Wooden Boats yard, Chowder Bay to view Taipan's restoration, and guided tour of Submarine Miners Depot 14/03/07: Pyrmont peninsula guided history tour for Seniors and Heritage Week
tall ship James Craig restorer Alan Edenborough; tours
24/03/07: ‘Family night in the Navy’ aboard ANMM
of exhibition Clipper Ships - Greyhounds of the sea and
destroyer Vampire and submarine Onslow
James Craig; screening Great Ships: The Clippers 22/03/07: ‘Pictures from Cook’s and Colin’s travels’ by Colin Burring, volunteer Cutty Sark Trust and National Maritime Museum Greenwich
03/05/07: Garden Island guided heritage tour in association with The Naval Historical Society of Australia
> On the water
> Members exclusive events
09/07/06: Members cruise to welcome Sir Francis
16/07/06: HM Bark Endeavour replica breakfast on
Chichester's famous vessel Gipsy Moth IV back to Sydney
north wharf followed by a guided tour
27/08/06: Members cruise to boatbuilding sites
03/09/06: Escorted day trip to Canberra exhibition
to celebrate Flalvorsen history, with historian John
Cook's Pacific Encounters. In association with National
McClymont
Museum of Australia
28/10/06: Members spring jacaranda-blossoms cruise,
23/09/06: ANMM patrol boat Advance and Manly ferry
Lane Cove River, with Adam Woodhams, assistant
South Steyne engine room inspections with ANMM fleet
gardening editor Better Homes and Gardens
manager Steven Adams and South Steyne engineer
26/12/06: Members view Sydney- Flobart yacht race start, ferry cruise on heritage ferry MV Seivadis 26/12/06: Sydney-Hobart yacht race start official sail-past on HM Bark Endeavour replica 26/01/07: Australia Day family ferry cruise on
Graham Curren 11/10/06: New Members welcome reception with ANMM director Mary-Louise Williams and chairman Mark Bethwaite 27/10/06: ANMM destroyer Vampire dry-dock tour at Garden Island, by ANMM fleet manager Steven Adams
MV Captain Cook II 26/01/07: Australia Day cruise on HM Bark Endeavour
26/11/06: Members 15th anniversary lunch, guest speaker ABC broadcaster Ian McNamara
replica 20/02/07: Members sunrise cruise on heritage ferry MV Royal to welcome Queen Mary 2 20/02/07'. Members Two Queens' evening cruise on
14/12/06: Members Christmas champagne shopping night at the museum’s store 01/02/07: Convict & bushranger ballads with folklorist Warren Fahey in association with the State Library of NSW
heritage ferries MV Proclaim and MV Royal 18/03/07: Members Sydney Harbour Bridge 75th-anniversary cruise on heritage ferry MV Proclaim 22/03-24/03/07: Half-day sails around Sydney Harbour on HMB Endeavour replica 10/04/07: ANMM destroyer Vampire wardroom dinner, presided over by Rear Admiral (Rtd) Tony Horton AO 05/05/07: Members autumn leaves annual garden & history cruise on heritage ferry Lithgow, with gardener Adam Woodhams
09-16/02/07: Members tour: Tasmania and Australian Wooden Boat Festival with ANMM curator of exploration Dr Nigel Erskine 12/04/07: New Members welcome reception with ANMM director Mary-Louise Williams and chairman Mark Bethwaite 08 & 15/05/07: ‘Knots and ropework’ lecture and demonstration by Tom Mortfrom Sydney Heritage Fleet 17 & 20/06/07: Exclusive tour of Esmeralda visiting Chilean Navy barquentine, at Garden Island
30/06/07: Members whale-watching cruise on NTW Allen
> Miscellaneous public programs > Welcome Wall ceremonies 21/09/06: Fundraiser for restoration of Ben Lexcen's 12/11/06: Welcome Wall unveiling 588 new names:
1959 18-foot skiff Taipan - Legends & Larrikins Party
themed on ‘journeys’ with guest speaker Branka Culina,
sponsored by Rag & Famish Hotel, North Sydney
coaching director NSW Soccer Federation
29/09/06: World Maritime Day, in association with
27/05/07: Welcome Wall unveiling 294 new names:
the Maritime Union of Australia - commemoration of
themed on ‘Music - the language of the world' with
merchant marine sacrifices in world wars
guest speaker Kamahl
01-08/12/06: Junction House art project display, to celebrate International Day of People with a Disability
4 > appendixes >
02/12/06: International Day of People with a Disability,
> Film program s
Pirates! family day, in association with Vision Australia 09/12/06: Fundraiserfor Sydney Children’s Hospital, farewell first unassisted trans-Tasman kayak team 18/03/07: ANMM vessels Bareki and Epic Lass joined the historic Parade by Decade, Classic Ferry & Workboat Challenge and Sydney Harbour Bridge 75th anniversary celebrations
02-16/07/06: Children’s film Round the Twist Mali Boo 23/07/06: Jason and the Argonauts with Pirates! summer activity program 01/11/06: Kathleen Comes Home 17/11/06: Heroes of Telemark and Insomnia,
21/06/07: MusicFest, the Australian edition of
Norwegian films with the exhibition Dreamboats &
international festival Fete de la Musique - live music at
Workboats - The Halvorsen Story
the museum
16/12/06: Captain Pugwash 26/12/06: Treasure Island with Pirates! exhibition
> Children & family programs 26/12/06-28/01/07: Treasure Planet, Peter Pan, 02-16/07/06:19th-century clipper ships, hourly
Pirate Islands, Treasures of the Golden Idol and Pirates
sessions activity area
of the Caribbean: Curse of the Black Pearl, with summer
02-16/07/06: Story telling, Fishy tales from the past 25/09-15/10/2006: Dymocks Golden Paw 2006 awards ceremony with Governor of New South Wales, Her Excellency Professor Marie Bashir, presenting
program Pirates! 04/02/07: Members Errol Flynn films Wake of the Bounty, Captain Blood and The Sea Hawk, the last day of summer program Pirates!
the prizes to the 12 finalists of this environmental art
11/02/07: The Last Cape Horners with exhibition
prize for NSW primary school children 1-15/10/06
Clipper Ships - Greyhounds of the sea
& 26/12/06-28/01/07: Pirates! exhibition, holiday activities Kids Deck 21/10/06: Cap’n Long John's Pillage, Members, activity centre 05/01/07: Wetworld Members family after-hours playtime
14/03/07: Screening Great Ships: The Clippers with exhibition Clipper Ships - Greyhounds of the sea 18/03/07: The Construction of the Sydney Harbour Bridge with exhibition Sydney Harbour Bridge 25/03/07: The Coolangatta Gold with exhibition
17/01/07: Pillage of Pirates! Members, activity centre
Between the flags: 100 years of surf lifesaving
03/02/07: Pirates! Farewell disco, Members, activity
01/04/07: Ryan’s Daughter with exhibition Currach folk
centre 11,18,25/03/07 & 01,08,15,22,29/04/07: Get saved! Meet a lifesaver and learn about his work 24-25/03/07: Surf lifesaving skills for children, Members event at Bronte Beach in association with Surf Lifesaving Australia31/03/07: Members family lessons on beach safety, first aid and child CPR with Surf Life Saving NSW 08-22/04/07: Between the flags:100 Years of Surf Lifesaving children’s activity area, beach-themed arts
04-05/04/07: Members film show on ANMM destroyer Vampire - Sink the Bismark and Mr Roberts 07/04/07: A Surfing Odyssey with exhibition Between the flags: 100 years of surf lifesaving 08/04/07: The Secret of Roan Inish with exhibition Currach folk 06/05/07: Aran Islands: a journey through changing times with exhibition Currach folk 18/05/07: Members film James Craig Sails Again
and craft, stories, safety tips, dress up 20/05/07: Whale Rider 15/04/07: Between the flags:100 Years of Surf Lifesaving family-day activities
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> Theatre
Shipwrecks, corrosion & conservation workshop and tour on elective senior chemistry, year 12
27/12/06-25/01/05 weekdays: Arrgghhh! The Musical, for children, supporting Pirates! summer program, a collaborative work by museum visitor services staff Ali Gordon, Scott Andrew and the cast
Journeys, uses the museum as related text to study journeys in senior English, year 12 Maritime archaeology, shipwreck objects and museum displays show how historians use material culture, years 7-1 2
> Visiting schools - permanent programs Dipping into history, an overview of 20th century Pirate school, transposes school subjects to piratical
Australian history using the museum displays,
equivalents, year K -4
years 9 -1 0
Sounds of the sea, introduces early phonetics through
Shipwreck sleuths, uses scientific principles to
museum displays, year K - l
investigate shipwrecks, years 9-10
Splash! tours the Watermarks gallery and a seasidethemed craft workshop, year K -2
> Visiting schools - temporary & special
Transport, looks at the museum’s maritime vessels,
programs
with an optional harbour cruise, year K -2
Refugee Week 18-22 June, with Sydney Jewish
Navigators, investigates early contact with the
Museum, explores child-refugee stories with reference
Australian continent, years 3 -6 HSIE
to ANMM Vietnamese refugee vessel Tu Do (Freedom) and the Passengers exhibition, primary and secondary
Tour, HMB Endeavour replica, years 3 -6 Between the flags: 100 Years of Surf Lifesaving, special Combined tour, HMB Endeavour replica and Navigators
exhibition tours, years 3 -1 0
exhibition, years 3 -6 Pirate stories, write your own pirate tale, during Pirates! Technology of gold, workshops Australia's gold mining
exhibition, years 3 -6
history, years 5 -6 Creating for kids, during Pirates! exhibition, year 11 Shipwrecks stories, tour and optional workshop on the
virtual design students
museum's wreck artefacts Migration journeys, study-day in association with Sydney Life on a tall ship, investigates how a tall ship works,
Jewish Museum, Displaced Persons exhibition, year 12
aboard the clipper ship James Craig, years 3 -6
English
Submarine adventure, workshops submarines, visits
Careers forum, marine and maritime career
museum displays and the ANMM submarine Onslow,
professionals present displays and talks, years 10-12
years 2 -6 Don't mess with the Junksons, an environmental program on waterway pollution, years 1 -6 Science and the sea, scientific experiments on buoyancy, corrosion, navigation and communication, years 5 -8 Pyrmont walk, a site-study on the changing face of this inner-city suburb, years 9 -1 2 Harbourside cruise, examines the changing inner-city waterfront combined with a Pyrmont walk, years 9 -1 2 What is history? workshops about how historians investigate the past, years 7 -8
4 > appendixes >
appendix 3 > selected acquisitions > > Artworks and prints
Two watercolours titled HMAS Townsville leaving Jervis Bay during Operation Ocean Protector and The crew
An oil painting by Valentine Delawarr about 1890, and
o f HMAS Townsville tying up under the bow of HMAS
three booklets featuring photographic panoramas of
Newcastle
Sydney Harbour 1890s-1910s The painting of an unidentified gaff-cutter rigged yacht
Two watercolours by naval artist Robert McRae, who was invited on board HMAS Townsville to record the
racing on Sydney Harbour by visiting 19th-century artist
Royal Australian Navy’s exercise Ocean Protector in
Valentine Delawarr is a rare depiction of a colonial
2006, held off Jervis Bay, NSW. Artworks such as these
sailing race. The booklets are Advance Australia Album
offer a rare glimpse into the RAN. Purchased from
of Sydney Views circa 1890, Panoramic Sydney circa
Robert McRae
1910, Beautiful Peeps circa 1890. They provide an excellent visual record of turn-of-the-century Sydney. Purchased from Frederick A Phillips One painting and two photographs of ships belonging to the Tasmanian Steam Navigation Company, 1883-1888
Sarah Sands, oil painting on canvas by Joseph Heard, 600 x 900 mm in a gilt wood frame The Sarah Sands was designed and built in 1846 for the Australia to San Francisco run. As the second screwpropeller-driven steamship in the world she was cuttingedge marine technology, and named after the wife of
Three ships from the premier shipping company on the
the mayor of Liverpool. In turn, passenger Robert Barry
Tasmanian cargo and passenger service - a gouache
chose the name for his Melbourne hotel in 1854.
watercolour of SS Flora by William Forster 1885, a black and white photographic reproduction of SS Pateena by S H Fyfe, and a black and white photograph of SS Oonah by Charles Bayliss. Purchased from Dr Algernon Aldersey Stipple engraving of Sir Edward Pellew, First Viscount Exmouth (1757-1833) by John Chapman after unknown artist, published 1801 This engraving shows a number of locations in Australia named in honour of Sir Edward Pellew, three of which were named by Matthew Flinders during his 18011803 circumnavigation of Australia - Sir Edward Pellew
Clipper ship Young America under full sail by Antonio Nicolo Gasparo Jacobsen (American, 1850-1921) oil on board The last vessel to be designed and built by the great William Webb of New York and considered his crowning achievement, Young America was launched in 1853 at the massive cost of $140,000. A watercolour painting on paper AYanke [sic] Lumberman Berrys Bay c 1920 by Charles Ephraim Smith Tindall (1863-1951)
Group of Islands, Cape Pellew, Exmouth Gulf. Purchased
This painting shows a lumber schooner unloading
from Sebra Prints
timber onto a barge in Berrys Bay. From the 1850s there
Charcoal on linen drawing of a three-masted sailing vessel with biblical messages written on the sails, hull and seascape. Known as The Gospel Ship The Gospel Ship is a fascinating intersection of Victorian religiosity with the experience of migration under sail, reflecting too the activities of the Missionary Society in Australia and the Pacific region. Purchased from Josef Lebovic Gallery
was an active timber trade between the northwest coast of the United States and New South Wales, with our hardwoods such as eucalypt and turpentine exported and softwoods such as cedar and Oregon imported.
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Three shipping posters, P&O Makes Business Travel
> Photographs
a Pleasure: India, Australia and The East, Apply to the Agents KPM, a 1950s lithograph by Jo Konig; Chandris
17 glass plate negatives of the six-masted schooner
Lines, New Flagship, RHMS Australis to UK and Europe:
Helen B Sterling, 1932
the largest one class liner in the world
This collection is a graphic record of one of only two
These three shipping posters augment the museum’s
six-masted schooners to have operated in Australian
small but rich collection of posters promoting travel
waters, with overall shots of the ship and detailed
by sea during the 20th century. Purchased from Josef
images of the riggingand deck layout, including people.
Lebovic Gallery Three Indigenous weavings from the Maningrida region of the Northern Territory
It is believed Sydney Morning Herald photographers took these images shortly before the vessel was broken up in 1932 and may be the last photographs of Helen B Sterling. Purchased from Mrs Effie Walker
The importance of Indigenous fibre objects is linked to all areas of life, not only for everyday living but also personified in ancestral events and actions reinforcing connections to land and sea. All woven works have distinct regional characteristics in the designs, dye colours, material/fibres. Woven stingray, prawn and turtle; six woven jellyfish by Jill Yirrindili; Woven sculpture, Yawkyawk (mermaid) by Dorothy Bibora.
> Tools and equipment 19th-century canvas deckchair with wooden frame and footstool, and one deckchair with SS Cheshire stenciled on striped canvas Deckchairs are iconic shipping line objects and immediately conjure up the era of passenger travel, providing an engaging focus of life and recreation on
The mythological figure of the yawkyawk was first
board the great passenger liners. Purchased from
depicted using weaving techniques by Lena Yarinkura,
Bonhams & Goodman
which has prompted others to follow her techniques. All purchased from Maningrida Arts & Culture
> Craft Fibre mural titled Interwoven by artist Phyllis Stewart Stewart's mural represents both traditional and modern Aboriginal culture - herfisherman-father making his spears and fishing nets; collecting bush tucker and
Two 19th century pieces of scrimshaw, comprising a large sperm whale tooth and a cattle-horn powder horn carved by Louis IVI F Gauvin atTambo Queensland, 1870
shellfish with her siblingfrom the local rocks and
Two elaborately decorated pieces include faces, ships,
beaches; travelling with her parents picking vegetables
a whaling scene, palm trees and Masonic symbols and
for a wage during the season. These activities are vividly
are unusual as they include the carver’s name, place
depicted using plant fibres from the south coast and
and date. Louis Gauvin was a French whaleman who
employing a range of fibre-based techniques. Purchased
came to Australia after being shipwrecked in 1846 and
from Boolarng Nangamai Aboriginal Art & Culture Studio
settled in Queensland. Purchased from Ian Poyitt
Four works, acrylic on canvas, titled Dugong and
Two very large scrimshaw powder horns, carved from
Turtle Hunting, Shark and Cycad Story and two titled
cow or buffalo horns by Louis M F Gauvin at Tambo,
Macassans Collecting Trepang by Nancy McDinny
Queensland around 1870
McDinny, recalling stories of the Gulf of Carpentaria
By coincidence two more examples of Gauvin’s
frontier by her father Dinny McDinny and her grandfather
work turned up at an auction in London. Few other
Jim Ross, shows the impact of pastoral capital on
scrimshaws by him are known in the public domain.
theGarrwa and Yanyuwa people. The accuracy and
Both horns are closely engraved with elaborate designs
attention to detail presents a profound vindication of
and include his name. Purchased from Bonhams
oral-sourcesfrom an Indigenous perspective, of the
Auctions, London
arrival of Europeans to Borroloola. Purchased from Indigenart
4 > appendixes >
Scrimshaw walrus tusk engraved with images of
Scale model of Royal Australian Navy Bathurst class
American clipper ship Flying Scud
corvette/minesweeper, HMAS Cessnock (1941-1946).
The American clipper ship Flying Scud, built in Maine in 1853, was on its second voyage to Melbourne when
Made by Allan D Armstrong, Australia, 1999 This scratch-built model represents one of the most
it was struck twice by lightning, knocking down most
significant RAN ship classes of World War II. Sixty of
of the men on deck. No-one was killed but the iron
them saw service in escort duties and anti-submarine
cargo became magnetised making the needles of the
patrols in all major theatres of sea warfare 1940-45.
compasses revolve rapidly.
Purchased from Bonhams & Goodman
China trade pewter teapot and tray; silver tablespoon and fruit ladle
> Trophies, medals, stamps, coins
Pewterteapot and tray bearing four stamps in the bases, Kut Hing Pewter, Swatow and three Chinese ideograms;
Two rowing and one sailing regatta trophies,
these reflect the export pewter and silverware designed
1864-1922
by the Chinese to suit western tastes.
Two silver trophies from Melbourne, the hub of 19th-
Pewter whale oil lamp clock, dated 1800-1850, with
century Australian rowing - a silver goblet 1864 and a
turned pewter column and spout-shaped lamp
sterling silver beaker 1922. The Sandridge sailing club
This handsome oil lamp clock has a glass reservoir on top, embossed with roman numbers V-XII-V. As the level of oil changed the time could be accurately read, as whale oil burned cleanly and evenly. Imari ware ceramic bowl, late 19th century
trophy was won by Watkinson’s Dolphin 1878-9 and is attributed to well-known craftsman William Edwards. Purchased from Mossgreen Auctions Commemorative medallion and postcards for the 1908 visit of the American Great White Fleet
This Japanese Imari ware bowl is from the Meiji period
A medalet in two joined pieces, top bar engraved with
(1868-1912) and is decorated inside with the image of
‘Welcome’ and lower medallion engraved with ‘Visit of
a Dutch East Indies Company (VOC) ship. These motifs
USA Naval Fleet to Australia’, flanked with date ‘1908’.
are directly related to the years when Japanese porcelain
The visit generated a series of public celebrations,
formed an important part of the rich trade from Asia to
eclipsed only by Federation, and commemorative
Europe. Purchased from Sotheby’s Australia Pty Ltd
postcards were sent around the world.
Royal Doulton loving cup depicting Captain James
A convict love token 1795
Cook. Designed by Charles Noke and Harry Fenton, 1933. Limited edition, No 309 of 350
An Anglesey penny superbly engraved on both sides to form a convict love token - with the names William
With its two flag-draped handles, one the British white
Moreton 1795 and a rose on one side, and Hannah
ensign, the other the Union Jack, this cup shows
Gold 1795 with two hearts and an arrow on the other.
Lieutenant James Cook, marines and sailors on land,
Convict love tokens were made for the whole period
while HM Bark Endeavour lies at anchor in Botany Bay.
of transportation 1788-1853, and are rare examples
Purchased from Bonhams & Goodman
of convicts’ own voices. Purchased from Downies Australian Coin Auctions
> Models & model parts Ship in a bottle of Royal Australian Navy Fremantle class patrol boat, maker unknown, Australia, 2005
Wedgwood portrait medallion of James Cook, 1997 An oval bas-relief profile portrait in white on blue jasper ground with white laurel leaf border, in original card box, produced in a limited edition of 100 in 1997 during
A whisky bottle holds a model of the Royal Australian
the first visit to England by HMB Endeavour replica.
Navy’s Fremantle class patrol boat, representing
Wedgwood’s portrait medallions of Cook were popular
a popularform of model making. Purchased from
in the 18th century and this continues today. Purchased
Bonhams & Goodman
from Gaston Renard Fine and Rare Books
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> Clothing and accessories
A Compendium of the Art o f Navigation by John E Ludlow. Commenced the 25th August 1819, Ended
Possum skin cloak painted with red and white ochres
December the 30th 1819, by Ino. Edmd. Ludlow in the
detailing the creation of the Murray River as believed by
Island of Alderney
the Yorta Yorta people of southern Australia Designed as an illustrative navigational aid for 19thPossum skin cloaks are important to the Indigenous
century sailors this folio manuscript of 160 pages covers
people of southern Australia, and prior to the mid-19th
many topics, including deducing the time by celestial
century almost every Aboriginal person living in south
observation, plane sailing, calculating a ship’s position
eastern Australia wore an animal skin cloak. Only six
from observation of a coastal feature of known height,
cloaks prior to this period are known to have survived, two
and howto maintain a log. Purchased from Flordern
in the Museum of Victoria collection, the other four held in
Flouse
collections overseas. This copy was commissioned by the museum in 2006from Treahna Hamm.
Emigrant Manuals Vol 1 -4 The British Colonies Described with advice to those who cannot obtain
Indigenous woven arm- and headbands: one woven hat,
employment at home. William H G Kingston, London,
one woven basket, four green feathered armbands, one
1851. Printed for the Society for Promoting Christian
large green feathered headband
Knowledge
Armbands and headbands are important to ceremonial
William FI G Kingston was a prolific writer of immigrant
activity throughout Indigenous Australia. These
guides to the British colonies, including Australia, and
works represent the diverse weaving techniques of
although he never visited Australia his advice was widely
Mavis Warrngina Ganambarr using traditional Yolngu
sought and used by prospective immigrants. Purchased
knowledge. All were created on Elcho Island, north-east
from Australian Book Auctions
Arnhem Land. Purchased from Bandigan Art & Craft
Chart of Lord Howe Island discovered by Lieutenant Henry Lidgbird Ball in His Majesty’s Armed Tender
> Books & charts
Supply on 17 February 1788
Voyage in search of La Perouse by Jacques
Lord Howe Island was one of the earliest European
Labillardiere, 1800
settler discoveries and this chart of the island, discovered by Lieutenant Ball en route to Norfolk Island,
A two-volume first edition English translation of the 1791
was published in July 1789. Purchased from the Antique
French expedition sent to find the explorer La Perouse,
Print Room
who in 1788 had sailed from Botany Bay and was never heard of again. Admiral Bruni D’Entrecasteaux led the expedition and these volumes include his hydrographic surveys (particularly of Tasmania), 45 engravings and a map showing the expedition route. Purchased from Flordern Flouse Chart titled Plan des lies Vanikoro, surveyed by Captain Dumont d’Urville in February and March 1828, during the expedition of the corvette Astrolabe In 1828 the French navy officer and explorer Jules Dumont d'Urville surveyed Vanikoro Island where wreckage associated with La Perouse had been found. This chart shows the track of the Astrolabe around the island, the place where wreckage was found and the site where the La Perouse monument was erected. Purchased from Cabinet of Discoveries
4 > appendixes >
appendix 4 > donors to the national maritime collection > Laurence Bell
Lance Chappie
Darwin Beer Can Regatta programs and 35 mm
Lars Halvorsen Son Pty Ltd pattern book for vessel
transparencies also relating to the Cheynes Bay whaling
fittings
station This pattern book is the official company register These programs and colour transparencies relate to the
recording the output patterns for vessel parts used
Beer Can Regattas of 1975,1976 and 1978; the 1975
by Lars Flalvorsen Sons Pty Ltd from the late 1930s
regatta was held just six months after the devastation of
to 1980. It shows the vast range of pattern types (the
Cyclone Tracy. These items provide valuable supporting
templates for metal fittings) which were installed into
memorabilia forthe museum's beer can boat
Halvorsen craft by the engineering workshop staff.
commissioned from Regatta founder Lutz Frankenfeld.
The pattern book relates to patterns, some of which
The seven slides of the whaling station at Cheynes
were made by Chappie Engineering and used by Lars
Bay, Albany, Western Australia, have great historical
Halvorsen Sons Pty Ltd, which are already in the ANMM
significance for the area.
Collection.
Peter Bennett
Liisa Cotterill
Scythe, sickle and mattock from Fairbridge Farm
Personal material including clothes, camera and
School, Molong
documents relating to the migration of the Lehepuu
The farm tools belonged to Peter Bennett who migrated
family from Estonia to Australia as displaced persons
to Australia from theUKin 1940asachild migrant with
These items help to document the experience of the
the Fairbridge Farm School scheme. The sickle was used
thousands of Estonians displaced by upheavals in their
by staff and children to cut grass and weeds around the
country between 1940 and 1950. Estonia was one of
Fairbridge village and the mattock was used for digging
the Baltic States and the Australia government actively
out rabbits from their burrows. These rustic farming
recruited ‘beautiful Balts’ in their push to populate while
tools are evocative objects capturing the children’s hard,
adhering to a White Australia Policy.
physical labour on a remote agricultural property. Donohoe family Lois Carrington Pfleuger fishing reel model number 1885 Hand-crafted hand puppets, string puppets and props used by Lois Carrington for teaching English on migrant
This American Pfleuger Interocean fishing reel was used
ships and in migrant camps in Australia (1950s-1960s)
by recreational angler Dr Cedric Victor Bowker (1876-
The puppets were made by teacher Lois Carrington to
surf fishing, a pastime that developed in Australia from
facilitate Situational English lessons in Benalla, Greta
1900 and became increasingly popular in the 1930s. Dr
1946) and is an example of a casting reel adapted for
and Bonegilla migrant camps between 1951 and 1960.
Bowker was also a lifesaver at Maroubra Beach, NSW,
She also used the puppets during shipboard classes on
and the reel is complemented by photographs of him on
the migrant liner Toscana between Italy and Australia
fishingtrips with family and friends.
(1955-56). The museum has very little relating to the experience of post-World War II migrants in Australia’s migrant reception centres, and this collection helps redress a major gap in the immigration collection.
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Dorothy Ellis
Lutz Frankenfeld
The Wife's Handbook and The Enquirer’s Oracle - two
Darwin Beer Can Regatta memorabilia including beer
books belonging to British migrant Elizabeth Moulding
can hats, sound recordings, souvenir envelopes and
The two books augment a rich collection of memorabilia previously acquired by the museum relating to the
entry forms The material documents the social significance of this
migration of Edward and Elizabeth Moulding in 1912.
unusual regatta, conceived by the donor, Northern
These books highlight a migrant woman's priorities and
Territory beer drinker Lutz Frankenfeld, as a community,
expectations for a new life in Australia.
tourist and charity fundraising event. In 1977
Peter Fay
Frankenfeld sailed a beer can boat to Singapore as a
A model of the Titanic leaving Southampton in 1912 by
on the voyage document this ‘Can-tiki’ initiative.
publicity stunt. The commemorative envelopes carried artist Christian Den Besten Den Besten has recreated the scene when Titanic departed from the UK on its maiden voyage in 1912 showing two tugs and Southampton dock constructed
Marie Freeman Three Orion promotional booklets (1935) and a map of Roylen cruise routes through the Great Barrier Reef
from matchsticks, cardboard, wire mesh and pressed
Launched in 1935, the Orion established a new
paper pulp. This work is significant as a contemporary
blueprint for passenger ship design and these exquisite
Australian response to the enduring legend of the
booklets capture this dramatic change. The promotional
sinking of the ‘unsinkable’ Titanic. John Ferguson
map shows the routes of Roylen cruises operated by Captain Tom McLean out of Mackay, Queensland. McLean was one of the first operators to promote
Collection of memorabilia relating to Oskar Speck’s
tourism on the Great Barrier Reef.
voyage to Australia by kayak 1932-39 and his life in
Beth Gibbing/S/EUX Memorial Project
Australia including pennants and flags collected en route, photographs, news clippings, postcards, diaries
Concept drawings and models for a memorial to the
and books
victims of the SIEV X maritime disaster
Oskar Speck (1905-95) was a 25-year-old German
This material, compiled from 140 high schools, shows
adventurer who paddled his kayak Sunnschien
young Australian responses to recent immigration policy,
(Sunshine) from Europe to Australia from 1925-39.
in particular to the 2001 sinking of the ‘suspected illegal
Travelling on a German passport, Speck was caught
entry vessel’ SIEVX with the loss of 360 lives. The SIEVX
up in World War II and arrested as an enemy alien on
Memorial Project was established in 2004 by author
his arrival on Thursday Island, and interned at the
and psychologist Steve Biddulph as a way of raising
Tatura internment camp in Victoria and later at Loveday
awareness among Australia’s youth.
internment camp in South Australia. This collection documents an astounding feat of sportsmanship and
Drew Ginn (Cultural Gifts Scheme)
a 1930s travel adventure which became a World War II
Men’s Australian Olympic rowing suit worn by Drew Ginn
internment and migration story.
during the Athens 2004 Olympic Games The suit, one of three issued to Drew Ginn, was made by Nike in America forthe Australian Olympic rowing team, Athens 2004 Olympic Games, and he wore it in the semi-finals of the Men’s Coxless Pairs event. Drew is a high-profile Australian rower and formerly part of the ‘Oarsome Foursome’ team that won a gold medal atthe 1996 Atlanta Olympic Games. He and rowing partner James Tomkins went on to win a gold medal in the Men’s Coxless Pairs final atthe Athens 2004 Olympic Games.
4 > appendixes >
Harvey Halvorsen
John Mayne
Halvorsen hire boat brochures and marine toilet
Two records (45 RPM) of the theme song of the Angelina
This material shows how the Halvorsens marketed their
ship’s orchestra (1964-78)
Laura 'Angelina cha-cha1composed and played by the Bobbin Head based hire fleet from the 1950s to about 2003 and reveals information on changes in the hire
Records of the liner’s theme song ‘Angelina cha-cha'
fleet organisation, charges and services. The 1950s
recorded by the ship's orchestra are unique mementos
technology of the marine toilet also relates to the
of a voyage. The theme song was composed by the
fleet’s closure, since its shallow-bilge vessels could not
orchestra and would have been played during various
economically or physically accommodate the retrofitting
entertainments. Both records are in their contemporary
of holding tanks required under more recent legislation.
sleeve covers which make them suitable for museum
Robert Hillman Passport and photograph of author Robert Hillman Robert Hill ‘escaped’ Australia as a 16-year-old aboard the ship Patris in 1965. His year-long, adventurefilled odyssey through Greece and the Middle East
display as ship souvenirs. Chris Nixon Selected papers and newsletters from the Hood 23 Association archives 1970s-80s; two copies of the Hood Association constitution 1973-74
is recounted in his award winning memoir Boy in
A selection of documents supporting the Hood 23 which
the Green Suit (2003). The objects represent the
was designed as a family sailboat by Warwick Hood in
experience shared with thousands of young Australians
October 1966. The first boats were produced by the
who voyaged overseas last century, and are linked to a
Hood Boating Company in late 1967.
published memoir of that life-changingjourney. Patrick Peter Horne Yachting and boating memorabilia including a Rechs Royal Life Saving certificates and medals awarded to Peter Horne 1940s This collection awarded to Peter Horne shows the type of qualification issued by the Royal Life Saving Society in the
pub painting on glass, 18-foot world championship trophies, photographs and test tank model of OneAustralia aus31 This pub painting with its motor cruising scene is an
1940s and highlights their role in promoting water safety
example of an unusual genre of commercial art that was
to children through learn-to-swim campaigns in Australian
generally produced as a one-off creation rather than
schools. It comprises an Intermediate Royal LifeSaving
as mass-produced works, in a campaign to improve the
Society Certificate 15.12.1942; a First Class Instructor’s
image of pubs and beer. The yachting material presents
Certificate 16.11.1943; a pair of framed Royal LifeSaving
the syndicate and corporate perspectives of competitive
Society medals consisting of a Bronze medal awarded in
sailing, and seven scrap books documenting Pat
1943 and a Silver medal awarded in 1944.
Corrigan’s sailing and sponsorship have been copied
John Keelty
showing the influence of corporate sponsorship on the America’s Cup from the 1960s-90s.
Two-way radio with wail-mounted speaker and hand held microphone made from surplus World War II Australian Army components by Vane Spindler and used on the yacht Cherana from 1959-1970 during Sydney-Hobart yacht races The radio, from Vane Spindler, was commissioned by original owner Russell Williams. It was used in the 1959 Sydney-Hobart yacht race by handicap winner Cherana and is representative of the radio technology available in the late 1950s.
109
110
Craig Stevens
Carlos Ung
Competition and training swimwear and accessories
Dragon boat paddles
worn by Australian swimmer Craig Stevens at the 2003 World Titles in Barcelona, Spain and the 2004 Olympic Games in Athens, Greece
Three painted timber paddles used for dragon boat racing in Sydney in the 1990s, made from pieces of different woods found on building sites by Carlos Ung,
Craig Stevens was propelled into the media spotlight
founder of the Chinese Youth League team and now
in 2004 after Ian Thorpe toppled from the blocks
coach of the City Dragons team. They relate to the
at the start of the 400 metres freestyle event at the
origins of the sport of dragon boat racing in Australia.
Australian Olympic swimmingtrials in Sydney. Stevens controversially gave up his spot in this event for Ian
Alex Whitworth (Cultural Gifts Scheme)
Thorpe who went on to win the gold medal. Stevens’
Yachting clothing and equipment from voyages of
competition and training costumes and accessories
Berrimilla
show the technological development in elite swimwear 2003-04 that evolved from Sydney 2000 Olympic
This collection attests to the seamanship, endurance
costumes.
and achievements of Australian ocean sailors Alex
Roy Stone Rose 18-inch model skiff1920s
Whitworth and Peter Crazier and includes film, websites and extensive media coverage. This material was used in both the ill-fated 1998 Sydney-Hobart yacht race on board the Brolga 33 yacht Berrimilla and during its
The popular recreational sport of sailing and racing
2005-6 circumnavigation which started and finished
models continued from the late-19th century to the
with Sydney-Hobart yacht races and included the 2005
1940s. Adults sailed the models, following them in
Fastnet race. In 2005 they were awarded the 2005
dinghies to reset the sails, and there was intense rivalry
Seamanship Trophy by the Royal Ocean Racing Club,
and betting on the outcome This 18-inch class model
London, for outstanding seamanship.
of Rose was one of the popular classes in the period between the wars, and it was raced with the North Shore Model Sailing Club at Berrys Bay. Coral Taylor Two sail and rigging plans related to the 18-footer Taipan These two plans are a welcome addition to the museum's collection of Ben Lexcen’s construction and design work on Taipan, the revolutionary 18-foot skiff which paved the way for the extreme planing craft of the class in the 21st century. The plans show both the impact of Lexcen's revolutionary design and his creative process, including a winged keel; Lexcen went on to design the America’s Cup winning, wing-keeled 12-Metre yacht Australia II.
4 > appendixes >
appendix 5 > anmm publications > > Books
> Educational resources
Dutch Connections: 400years of Australian-Dutch
Pirates! pirate school activity book, teacher resource
maritime links 1606-2006, editors: Lindsey Shaw,
book for Pirates! exhibition
Dr Wendy Wilkins; designer: Jeremy Austen, ISBN 0 97754710 8,175 pp Cook, The Discoverer [Cook,der Entdecker], volume 6, Australian Maritime Series, translated facsimile edition published in association with Hordern House. First
Fact and Fantasy funbook, children’s activity book, reprint for Pirates! exhibition The River - Life on the Murray-Darling, education resource kit for travelling exhibition
published in Berlin 1787 by German naturalist Georg
Antarctic Views, education resource kit for travelling
Forster (1754-1794) who sailed with Captain Cook.
exhibition
ISBN 9781875567492; ISBN 9781875567508 (deluxe edition), 276 pp Mrs Cook’s Book of Recipes for mariners in distant seas, author John Dunmore, Australian National Maritime Museum and Exisle Publishing, 2006, ISBN 0908988648, 95 pp
/Spy an Animal, children’s activity trail for Saltwater: Yirrkala bark paintings of Sea Country exhibition Marine careers forum student booklet Museums as Text - HSC English (Journeys) Four school holiday brochures 2006-07
The River - Life on the Murray-Darling, Michelle Linder and Bill Seager, 2006, ISBN 0975142852, 32 pp
> Serials
> Worldwide web Australian National Maritime Museum website http://www.anmm.gov.au
Signals, quarterly colour magazine of the Australian
Updated continually. Website visits 917,575 (556,118
National Maritime Museum, Numbers 76-79, ISSN
in 2004-05,695,806 in 2005-06)
1033-4688,48 pp, editor Jeffrey Mellefont, published
The Australian Register of Historic Vessels
September, December, March, June. Free to Members
http://www.anmm.gov.au/arhv
Australian National Maritime Museum Annual Report
Launched this yearto build a national picture of
2005-2006, ISSN 10345019,145 pp, editor Jeffrey
Australia’s historic ships, designers, builders and
Mellefont
owners.
ARHV at work, newsletter for the Australian Register of
The Welcome Wall http://www.anmm.gov.au/ww -
Historic Vessels, 4 pp, editors David Payne and Daina
searchable database of all Welcome Wall registrations
Fletcher. July Issue 1
including personal histories. Online registration for intending participants
Newsletter, monthly newsletter of the Australian National Maritime Museum Volunteers, 10 pp, editor
ANMM Image Library
Peter Wood, published monthly. Free to ANMM
http://www.a n m m .gov.a u/pics/sea rch/i ndex.cfm.
volunteers. Issues 146-157
Searchable database of selected ship images from the collection, a contribution to the national heritage
All Hands, magazine of the Australian National Maritime
portal coordinated by the National Library of Australia,
Museum Volunteers, 28 pp, published quarterly. Free to
PictureAustralia http://www.pictureaustralia.org/
ANMM volunteers. Issues 5 6-59
111
112
appendix 6 > staff publications > Shirani ATHTHAS, ‘National Maritime Museum reveals
Jeffrey FLETCHER, ‘Shiver me timbers - the pirates are
the world beneath the waves’, feature article, Antiques
back!’, article, Signals 77 2 0 0 6 -0 7 :8 -9
& Art in NSW 09-12/2006:18 Zara COLLINS, Ranamok Glass Prize 2006, exhibition catalogue, catalogue essay by Richard Perram, director Bathurst Regional Art Gallery, 2006 - Le Boudoir Secret exhibition catalogue, catalogue
Sue FROST, ‘Small things in good packages', article, Signals 78 2007:30-32 Kieran HOSTY, ‘The melancholy wreck of the Dunbar’, Signals 79 2007:34-39
essay by Lindl Lawton & Zara Collins, Jam Factory, 2007
Paul HUNDLEY, 'The reign of the clipper', essay,
- cited in ‘Yarns Spun into Gold’ Sydney Morning Herald,
Australian Sea Heritage, 08/06/2006
Genevieve Swart 18/01/2007:17-18
- ‘Clipper ships - Greyhounds of the sea', feature
- cited in ‘Third Ebeltoft Young Glass Prize’, Neus Glass,
article, Signals 75 2 006:8-11
Dan Klein 02/2007:30-35
- ‘Precious porcelain’, article, Signals 76 2006:40-41
- cited in Scafold, Sydney College of the Arts, Sydney,
- 'The Fenian who escaped from Sydney’,article, Signals
04/2007: 7
79 2007:18
Penny CUTFIBERT ‘Dreamboats & Workboats - The Halvorsen Story', feature article, Signals 75 2 0 06 :2 -6 Max DINGLE, 'Friends in Santiago', article and photographs, Friends Review, Australian Federation of Friends of Museums, August 2006 Nigel ERSKINE, ‘Cook, the Discoverer', Signals 78 2007: 38-41 - ‘Overseas...& back in time’, Signals 79 2006:30-33 - Introductory essay in Cook, the Discoverer by Georg Forster, Australian Maritime Series No 6, Hordern House 2007 Maria Jose FERNANDEZ, ‘Matchmaker,matchmaker, make me a match’, Welcome Wall feature, Signals 76 2006: 42-43 - ‘Me, you and Tucantu’, Welcome Wall feature, Signals 77 2006: 38-39
- and John WADE, ‘Gold Rush drama, on stage and off, article Australiana, vol 29:01/02/2007:5-10 Lindl LAWTON, 'Fairbridge kids and Little Brothers’ article, Signals 76 2 00 6 :2 -6 - ‘Displaced Lives’, article, Signals, 76 2006:38-39 - ‘For those who've come across the seas...', article, Signals 77 2006: 46 Michelle LINDER, ‘The River - Life on the MurrayDarling', feature article, Signals 77 2006:2-7 - and Bill SEAGER (SAMM), The River - Life on the Murray-Darling, exhibition guide 32 pp Antonia MACARTHUR, ‘Colours of the past' article, Signals 76 2006: 8 -1 2 - 'Paws for thought’, article, Signals 77 2006:40-41 - ‘Currach Folk’, article, Signals 78 2007: 33 Jeffrey MELLEFONT, ‘Andrew Duminy, Frangoise Renier
- ‘Siblings story: Lisa and Lawrence’, Welcome Wall
Duminy 1747-1811: French mariner and South African
feature, Signals 78 2006: 42-43
pioneer', book review, Kieio - A journal of historical studies from Africa, University of South Africa 38(2)
Mariea FISHER, 'Sail Away - Australian National
2006:208-209
Maritime Museum travelling exhibitions’, Signals 77
- 'Dreamboats & Workboats - The Halvorsen Story’,
2006:14-16
feature article, Antiques and Art in NSW June 2006:34
Daina FLETCHER, ‘Dragons and Drumbeats - Chinese
- 'Lou d’Alpuget, old-school newspaperman and sailor’,
dragon boat racing', article, Signals 78 2007:2-6
obituary, Afloat July 2006:36-37
- and David Payne, ‘The Australian Register of Historic
- ‘Lou d’Alpuget 1915-2006’, obituary, Australian
Vessels', feature article, Signals 78 2007:12-15
Yachting September 2006:16-17
4 > appendixes
- ‘First take your albatross, remove the feathers
05/2007: 39
article, Signals 76 2006:18-19
- and Daina Fletcher, ‘The Australian National Maritime
- ‘Tempests batter Batavia the opera’, review, Signals
Museum’s new Australian Register of Historic vessels’,
77 2006:45
article, Antiques & Art in NSW 05/2007: 36
- ‘Out in force in Flobart', note, Signals 78 2006:45 - with Randi SVENSEN: ‘Carryingthe light: the Flalvorsen mission boats’, feature article, Signals 79 2006:8-13
Peter ROUT, ‘Vampire in dry dock’, feature article, Signals 78 2007:16-20
- cited in Nick Burningham (2007) ‘Baghla, Ghanja and
Lindsey SHAW, ‘1606: an epic adventure by Evan
Kotia: Distinguishing the Baghla from the Suri Ghanja
McHugh’, book review, University of New England
and the Indian Kotia’, International Journal of Nautical
newsletter
Archaeology 36 (1), 91-111
- ‘HMAS Vampire's Garden island refit’, article, Anchor
- cited in Dr Anita Lundberg(2007), ‘Time travels
Watch, Historic Naval Ships Association
in whaling boats’, Journal of Social Archaeology
- ‘Dutch Connections - 400years ofAustralian-Dutch
Cambridge University UK 3 (3), 312-333
maritime links 1606-2006', book review, Signals 77
Patricia MILES, ‘Merchant mariners’ sacrifices’, feature article, Signals 77 2006:33-37 - ‘They went to work they went to war’, article, Maritime Unity vol 2 no 7 2006:12-13 - ‘Wharfies mural on view’, article, Signals 78 2007:46 - cited in speech to the Australian Senate by Senator Kerry O’Brien in ‘Matters of Public Interest: Maritime FHistory’, Senate Hansard, 08/11/2006 David PAYNE, ‘Walter Reeks, James Clark and the Origins of the Thursday Island Pearling Lugger’, The Great Circle Journal of the Australian Association for Maritime History, vol 28, no 2 2006 - ‘The Halvorsen Style’, article, Signals 75 2006: 7 - ‘The Halvorsen Style’, article, Antiques and Art in NSW June 2006:34
2006:42 - 'Chronicle of the Royal Netherlands Navy - Five Hundred Years of Dutch Maritime History’, book review, Signals 77:42-43 - and John Waight, ‘Eora, First People', feature article, Signals 79 2007:2-7 - and Wendy Wilkins, editors, Dutch Connections - 400 years ofAustralian-Dutch maritime links 1606-2006, ANMM 2006 John Waight, ‘Banduk Marika - in conversation’, interview, journal One Sun One Moon: Aboriginal Art in Australia, Art Gallery of New South Wales, Sydney, 2007: 78-83 - and Lindsey Shaw, ‘Eora First People', feature article, Signals 79 2007:2-7
- and Daina Fletcher, ‘The Australian Register of Historic
Dr Wendy WILKINS, ‘The poet and the sea’, feature
Vessels’, feature article, Signals 78 2007:12-15
article, Signals 76 2006:30-33
Clare POWER, 'mORE AND MORE mmapss’, feature article, Signals 78 2007: 34-37
- ‘Mr Haddad’s hatta’, Tales from the Wall regular feature, Signals 79 2007: 40-41 - and Lindsey Shaw, editors, Dutch Connections - 400
Bill RICHARDS, ‘Raising the Skull and Crossbones at
years of Australian-Dutch maritime links 1606-2006,
the National Maritime Museum', Antiques & Art in NSW
ANMM 2006
10/2006: 30 - and Paul Hundley ‘Australian National Maritime Museum acquires valuable early Sydney punch bowl', Antiques & Art in NSW, 10/2006: 58 - ‘Repairs fit fora princess’, article, Signals 76 2006:44 - ‘Onslow's Jolly Roger', feature article, Signals 77 2006:10 - ‘Dunera Boys see themselves on stage', article, Signals 77 2006:44 - ‘Raisingthe skull and crossbones atthe National Maritime Museum’, Antiques & Art in NSW 12/2006:44 - ‘Portrait of a maritime community on Ireland’s remote west coast’, feature article, Antiques & Art in NSW
Mary-Louise WILLIAMS, 'Director’s Column', Signals 76 2006:48 - ‘Director’s Column’, Signals 77 2006:48 - ‘Director’s Column’, Signals 78 2007: 48 - ‘Director’s Column’, Signals 79 2007:48
113
appendix 7 > staff conference papers, lectures & talks> Steven ADAMS, chaired session at the Historic Ships
- ‘Shipwrecks and Maritime Archaeology’, talk to Mona
2007 Conference hosted in London by the Royal
Vale Probus Club, 17/10/06
Institution of Naval Architects, 21/02/2007
- ‘Spanish Expeditions to the South Pacific’, ANMM
- ‘The Management of Floating Heritage’ talk atthe
Members’ talk and viewing of exhibition, 14/12/06
Historic Ships 2007 Conference hosted in London by the
- Members tour to Tasmania, briefing talk, 30/01/07
Royal Institution of Naval Architects, 22/02/2007
- Cook, the Discoverer book launch, speaker, 02/05/07
Zara COLLINS, Le Boudoir Secret collaborative exhibition of jewellery & objects with Katrina Freene, Jam Factory, 03-05/2007 - Young Glass 2007 international exhibition and award for contemporary glass, Ebeltoft Museum of Glass, Denmark, 06/2007
- ‘Cook and Endeavour: journeys through time’, paper presented, 10/06/07 - Navigators gallery, volunteer guide training, 24/08/06, 01/03/07 - HMB Endeavour replica, volunteer guide training, 03/06/07, 23/06/07
- New from Australia group exhibition of contemporary
Mariea FISHER, ‘No rice or confetti - Risk assessment
glass curated by Ben Sewell, Chappell Gallery New York,
and OH&S temporary & travelling exhibitions’, Museums
06/2007
Australia annual conference, 18/05/07
- 'Professional Practice’ lecture given to Enmore Design
- speaker, opening event, Patriotism Persuasion
students in conjunction with the exhibition Baubles,
Propaganda - American War Posters Australian
Bangles & Beads at Object Gallery, Sydney.
National Maritime Museum travelling exhibition,
- 'Ranamok Glass Prize’ artist’s talk presented in
National Archives 03/08/07
conjunction with Ranamok Glass Prize 2007 exhibition
- speaker, opening event, Australian Fishes -
at Sydney Opera House, Sydney
Illustrations by Walter Stackpool, Australian National
Michael CRAYFORD, ‘Introduction to Saltwater Yirrkala bark paintings of sea country exhibition’, Lake
Maritime Museum travelling exhibition, Eden Killer Whale Museum, 11/09/07
Macquarie Art Gallery, NSW 22/04/07
Daina FLETCHER and David Payne, Australian Register
- ‘introduction to Stackpool Fishes exhibition’, Mineral
of Historic Vessels launch 01/02/07
& Fossil Museum, Bathurst NSW, 17/03/07 Penny CUTHBERT, ‘Dreamboats & Workboats - The Halvorsen Story’ Members lecture 05/07/06 - tour of Dreamboats & Workboats - the Halvorsen Story as part of the Tour Cruise Forum 03/08/06 - Watermarks volunteer guide training 06/09/06 - Watermarks volunteer guide training 21/05/07 - ‘Presenting history in the museum context developing Dreamboats & Workboats - the Halvorsen Story’, media & methods seminar, Macquarie University, 08/05/07 Nigel ERSKINE, ‘Georg Forster and the image of Captain
- Australian Register of Historic Vessels demonstration, National Archives of Australia, Hobart Tasmania office, 11/2/07 - Australian Register of Historic Vessels demonstration, Shipwrecks Gallery, Western Australian Museum Maritime, 22/03/07 - Australian Register of Historic Vessels workshop and demonstration, Museums Australia Conference, Old Parliament House, Canberra ACT, 18/05/07 - and David Payne, Australian Register of Historic Vessels Conference with Western Australian Museum, Maritime History Department, Fremantle WA, 2 0 24/03/07
Cook’, paper presented atthe public symposium
- Museums Australia Conference, Old Parliament
Discovering Cook's Collections, National Museum of
House, Canberra ACT, 18-19/05/07
Australia, 28/07/06
4 > appendixes >
Jeffrey FLETCHER, ‘Education programs at ANMM’,
- Wharfies Mural, talk at special viewing of mural,
address to trainee teachers, Ourimbah campus,
ANMM, 16/11/07
29/8/06 - 'Introduction to the Saltwater bark paintings’, address to Kids Deck staff, 28/6/07 Kieran HOSTY, ‘HMS Pandora’, lecture to Sydney Sub aqua Club, 19/07/06 - ‘MaritimeArchaeologyatANMM’, Australian History Mysteries, 25/05/07 - Age of Sail gallery, volunteer guide training, 15/09/06 Lindl LAWTON 'Tu Do: a fishing boat called Freedom’, ANMM teacher guide training, May 2007
Joan MILLER, ‘Exhibition development - Budgeting for opportunities’, guest lecturer, University of Sydney, 18/05/07 Johanna NETTLETON, ‘How designers work with curators in visualising their ideas’, lecture to COFA students, 11/07/07 David PAYNE, Australian Register of Historic Vessels demonstration, National Archives of Australia, Hobart Tasmania office, 11/02/07 - Australian Wooden Boat Festival, Hobart Tasmania,
Matt LEE, ‘Analysis of benchmarking report on museum
Wooden Boat Guild of Tasmania, Maritime Heritage
shops in Australia and New Zealand’, atthe Museum
Forum, Australian Register of Historic Vessels
Shops of Australia Association Conference, 02/08/06
introduction, 13/02/07
Michelle LINDER, ‘The River - Life on the MurrayDarling’, opening speech, Morgan Museum, SA, 16/02/07 - ‘Displaying regional river collections upstream, downstream and farfrom home!’ paper presented at Museums Australia Annual Conference, 18/05/07 Antonia MACARTHUR, ‘Scurvy Dog Dinners’, talk
- and Daina Fletcher, Australian Register of Historic Vessels launch, 01/02/07 - and Daina Fletcher, Australian Register of Historic Vessels demonstration, Shipwrecks Gallery, Western Australian Museum - Maritime, 22/03/07 - and Daina Fletcher, Australian Register of Historic Vessels Conference with WA Museum, Maritime History Department, Fremantle WA, 20-24/03/07
aboard HMB Endeavour at launch of ANMM and
- Museums Australia Conference, Old Parliament
Exisle Publishing book Mrs Cook's Book of Recipes for
House, Canberra ACT, 18-19/05/07
mariners in distant seas by John Dunmore, 01/11/06 Ross MATTSON, 'Voyaging Endeavour', talk for museum staff and guides, ANMM, 11/05/07
- Australian Register of Historic Vessels workshop and demonstration, Museums Australia Conference, Old Parliament House, Canberra ACT, 18/05/07
- ‘HM Bark Endeavour’, talk to volunteer guides, ANMM,
Lindsey SHAW, ‘The Naval Collection atANM M ’,
14/05/07
illustrated talk to Naval Historical Society, Garden Island,
- ‘Sailing on Cook's Endeavour’, talk to staff and
15/08/06
volunteer guides, ANMM, 23/06/07
- ‘Guidingthe Guides’, paper presented at Historic
- ‘A career at sea', talk to museum school careers day,
Naval Ships Association Annual Conference, London
ANMM, 18/06/07
England, 11/10/06
Jeffrey MELLEFONT, ‘Where three seas meet - Indian maritime history' illustrated presentation to ANMM Volunteers, 24/08/06 - ‘Where three seas meet - Indian maritime history’
- 'History of the RAN’, illustrated talk to 4th Cruise Forum 2006, 01/11/06 - Navy gallery, Volunteer guide training, 07/08/06, 28/02/07
illustrated presentation to Rotary Club of Bondi Junction,
IngerSHEIL, 'Stepping out of your role: Howto really
13/03/07
shine', paper to International Quality and Productivity
Patricia MILES, ‘Australian merchant losses in World War II’, address at Merchant Seamen’s Memorial
Centre, Executive Assistant Conference, Sydney, 26/10/06
Ceremony, World Maritime Day, 29/09/06
Mary-Louise WILLIAMS, ‘Interpretation, care and
- Commerce Gallery, volunteer guide training,
access to historical maritime material', paper at joint
27/09/06, 08/11/06, 21/03/07,13/06/07
UNESCO-Egyptian Government International Workshop,
- Wharfies Mural, talk at Retired Members meeting,
Alexandria Egypt 07/07/06
Maritime Union of Australia, 14/11/06
- participant in Museums and Galleries NSW Cultural
115
116
Leadership round table session, 04/08/06
- speaker and MC, launch of Australian Register of
- speaker, Rag and Famish Taipan fundraiser, North
Historic Vessels, James Craig, Pyrmont, 01/02/07
Sydney, 21/09/06
- 'International workshop for establishment of an
- speaker and MC, Golden Paw awards, ANMM,
underwater museum in Alexandria Egypt’, address
25/09/06
to Australian National University Friends of Classics,
- ‘international workshop for establishment of an
Canberra ACT, 01/03/07
underwater museum in Alexandria Egypt’, address to
- speaker and award presenter, Sydney Harbour Week
Members, 28/09/06
Awards, James Craig, Pyrmont, 02/03/07
- speaker and MC, launch of book Terra Australis
- ‘A matter of place: History and the Australian National
Incognita by Miriam Estensen, ANMM, 13/10/06
Maritime Museum', paper at Museums Australia
- speaker and MC, Welcome Wall unveiling, ANMM,
Conference, Canberra 17/05/07
12/11/06
- ‘A new future for museums', address to Newcastle
- speaker and MC, opening exhibition Spanish
Business Association, Newcastle, 03/04/07
expedition to the South Pacific in the 16th-18th
- speaker and MC Members function book launch Cook,
centuries, ANMM, 30/12/06
the Discoverer, ANMM, 02/05/07
- ‘The Australian Register of Historic Vessels’, address
- speaker and MC, Welcome Wall unveiling, ANMM,
to Australian Maritime Museums Council meeting,
27/05/07
ANMM, 11/12/06
4 > appendixes >
appendix 8 > staff media appearances > Shirani ATHTHAS, Talk like a pirate day’ interview radio
Paul HUNDLEY, ‘Clipper ships - Greyhounds of the sea’,
WSFM, 19/09/06
interview Daily Telegraph 16/05/07
- Talk like a pirate day’ interview radio 2SM (Sydney),
- ‘US Army Small Ships’ interview ABC TV - 7:30 Report
19/09/06
15/06/07
- ‘Welcome Wall unveiling’ interview AAP, 27/05/06 Penny CUTHBERT, ‘Dreamboats & Workboats -The
Lindl LAWTON, The Lu family and Tu Do restoration' interview with Warren Powell, History Channel,
Halvorsen Story', interview with Scott Levi, radio 92.5
18/07/06
ABC Central Coast, 19/06/06
- ‘Displaced Persons’, interview with Peggy
- ‘Dreamboats & Workboats - The Halvorsen Story’,
Giakoumelos, SBS radio World View, 19/09/06
interview with John Clarke ABC local radio, 25/06/06
- ‘Refugee Week launch and Tu Do’, interview Arabic
- ‘Between the flags: 100 Years of Surf Lifesaving'
community television channel atANMM, 22/10/06
interview radio 90.1 FM, 05/03/07
- 'Refugee Week launch’, interview with Carol Climpson,
Max DINGLE, ‘Museum volunteers and friends’ interview
BFM Bankstown community radio atANMM, 19/10/06
Kaobao Singapore Chinese language newspaper
Michelle LINDER, ‘The River - Life on the Murray-
26/04/07
Darling’, interview Morgan Matters, 16/02/07
Paula EAST, ‘Endeavour and Devonport voyage’
Ross MATTSON, ‘Endeavour and Hobart voyage’
interview Burnie Advocate, 06/03/07
interview radio ABC South East (NSW), 20/11/06
- ‘Endeavour and Jervis Bay voyage’ interview with Tim
- ‘Endeavour and Hobart voyage' interview with Murray
Holt, radio ABC South East (NSW), 27/03/07
Wilton, radio 2GB (Sydney), 02/12/06
Nigel ERSKINE, ‘Spanish Expeditions to the South Pacific' interview Inner West Weekly, 30/11/06 - The Cutty Sark fire’, interviews, ABC radio Canberra, 21/05/07; 2SM Sydney, 21/05/07; ABC 702, 22/05/07; Macquarie radio, 22/05/07; ABC radio SW, 22/05/07; ABC Brisbane, 22/05/07; radio 8HA Alice Springs, 22/05/07 Kieran HOSTY, ‘Navigational and meteorological
- ‘Endeavour and traditional maritime skills' interview Channel 10, Totally Wild, 29/01/07 - ‘Endeavour and Sydney Harbour Bridge 75th birthday celebrations' interview with Ian McNamara, radio ABC, Australia All Over, 18/03/07 - ‘Endeavour and April voyages’ interview with Roger Coombs Saturday Interview Daily Telegraph, 07/04/07 - ‘Endeavour and Botany Bay voyage’ interview St George & Sutherland Shire Leader, 10/04/07
instruments’, interview The Weather Channel,
- ‘Endeavour and Botany Bay voyage' interview
27/07/06
Southern Courier, 17/04/07
- ‘Ethics of commercial salvage and RMS Titanic’, interview radio ABC Hobart, 08/09/06 - ‘Who do you think you are? Convicts in Australia', television interview SBS TV, 29/09/06, 27/10/06
John MIRANDA, ‘Special open day for prospective museum volunteers’ interview with Stuart Booking, George & Paul Show, radio 2UE Sydney, 05/05/07
- ‘Commercial use of sail-powered vessels’, interview
Niki MORTIMER, ‘Australian Fishes - Illustrations by
Sydney Morning Herald, 03/05/07
Walter Stackpool ANMM travel Iing exh ibition' interview
- ‘MidgetsubmarinesoffSydney’, television interview
radio 2BS, 14/03/07
Sky News, 18/05/07 - ‘The Cutty Sark fire’, interview Sydney Morning Herald, 22/05/07
David PAYNE, ‘Australian Register of Historic Vessels' interview with ABC radio Gippsland Victoria, Jo Spargo Breakfast Program, 31/01/07,14/02/07
117
118
- ‘Australian Register of Historic Vessels’ interview radio 2WS FM Sydney, afternoon news broadcast, 31/01/07 - ‘Australian Register of Historic Vessels' interview radio 2UE Sydney, George Moore morning show, 3/02/07 Bill RICHARDS, ‘Clipper ships - Greyhounds of the Sea’ interview with George and Paul, radio 2UE, 20/08/2006 Lindsey SHAW, ‘HMAS Syc/ney' interview radio 2UE Sydney, 04/11/06 Mary-Louise WILLIAMS, ‘ANMM a national cultural institution' interview with Diana Streak for feature article in the Canberra Times, 14/08/06 - ‘Australian Register of Historic Vessels’ interview with John Clarke, ABC radio QLD, 01/02/2007 - ‘Australian Register of Historic Vessels’ interview with Roger Coombs, Daily Telegraph, 03/02/07 - ‘Development of Newcastle Maritime Museum’ interview Channel 3 NBN news (Newcastle), 03/04/07 - ‘Australian National Maritime Museum’ interview with lain Hewitson Huey’s Cooking Adventures, 10/05/07 - ‘Welcome Wall unveiling’ interview New Tang Dynasty TV, Australian Vision, 17/06/07
4 > appendixes >
appendix 9 > staff professional appointments > Adrian ADAM, NSW State vice-president, Australian
Matt LEE, president, Museum Shops Association of
Federation of Friends of Museums
Australia
Susan BRIDIE, president, Museums Australia National Networks Friends and Volunteers, Marketing Manager’s Committee of the Darling Harbour Business Association Max DINGLE, vice-president, World Federation of
- retail consultant, Australian Centre for the Moving Image (ACMI), Melbourne VIC - retail consultant, Australian Aviation Museum, Bankstown NSW - retail consultant, Burnie Art Gallery, Burnie TAS
Friends of Museums
- retail designer and consultant, Quarantine Station,
- council member, Australian Federation of Friends of
Sydney NSW
Museums - vice-president, Friends and Volunteers Special Interest Group in Museums Australia
Edwina LOITERTON, president, Sydney’s Unique Venues Association
- board member, Darling Harbour Business Association
Jeffrey MELLEFONT, vice-president, Australian
- member, Adelaide University Research Centre for the
Association for Maritime History
History of Food and Drink
- member, University of Sydney Indonesian Study Circle
Nigel ERSKINE, member, NSW Maritime Archaeology
Lindsey SHAW, president, Australian Association for
advisory panel
Maritime History
- observer, Commonwealth Historic Shipwrecks
- newsletter editor, Australian Association for Maritime
delegates advisory panel
History
Mariea FISHER, national committee member, Museums Australia
- council member, International Commission for Maritime History
- past-president, Temporary and Travelling Exhibitions
Anita TOFT, director, Accessible Arts, Arts and Disability
Special Interest Group, Museums Australia
NSW
Paul HUNDLEY, member, Council of American Maritime
LizTOMKINSON, chairperson, Accessing The Arts Group
Museums - member, USA Gallery Consultative Committee Kieran HOSTY, council member, Australasian Institute for Maritime Archaeology - member, NSW Maritime Archaeology advisory panel - article referee, Bulletin of the Australasian Institute for Maritime Archaeology Adrienne KABOS, designed and coordinated the Walter
Dr Wendy WILKINS, editor, Friends Review newsletter of the Australian Federation of Friends of Museums Mary-Louise WILLIAMS, deputy chair, Visions of Australia Committee - vice-president, International Congress of Maritime Museums - board member, Council of Australian Museum Directors
Burley Griffin Society Inc website www.griffinsociety.org
- board member, Foundation forthe Preservation of
- recipient, 2007 National Trust Heritage Award for
Captain Cook's Ships
Interpretation and Presentation, Community Groups
- peer reviewer, Museum Management and Curatorship
Lindl LAWTON, member, Refugee Week 2006 Steering
- board member, De Quincy Company
Committee
India ZEGAN, Selection Committee, Local and
- member, Refugee Week 2007 Steering Committee
International Artist Exchange and Residency Program,
- MC, Refugee Week launch, 17/06/07
Marrickville Council (2005)
119
120
appendix 10 > staff overseas travel > Michael CRAYFORD, assistant director, Collections
Anthony LONGHURST, shipwright/rigger HMB Endeavour
and Exhibitions, negotiated exhibitions with Musee
replica: Chatham Dockyard, England, 25/08/06. Met
Nationale de la Marine, Paris France
with master rope makers to source rigging for Endeavour.
- USA, attended the American Association of Museums
- Portsmouth, England, 29/08/06. Met with shipkeeper/
National Conference, Chicago USA: discussions
curator Peter Goodwin on board HMS Victory
with museum officials at American Museum of Natural History, NY, NY Museum of Science and Industry, Chicago Field Museum, Chicago; Liberty Science Museum, NJ; Freer & Arthur Sackler Gallery, Smithsonian Institution, Washington
Dominic MACKINTOSH, manager, Education & Visitor Programs: Tokyo, Japan, 18-22/06/07. Attended the conference of Asia Pacific Network of Science & Technology Centres (ASPAC)to participate in discussions with centres, museums and other organisations that
Max DINGLE, assistant director, Commercial and Visitor
use interactive approaches to encourage excellence and
Services: Hong Kong 22 - 24/04/07. Discussions with
innovation in informal learning
Hong Kong Science Museum and Hong Kong Maritime Museum - Singapore, 24-28/04/07. Attended World Federation of Friends Council meeting. Discussions with Singapore Science Centre, Singapore National University Museum and National Museum of Singapore Mariea FISHER, manager, temporary and travelling exhibitions: Auckland New Zealand attending the opening event of Vikings exhibition
Will MATHER, managing registrar: Auckland, New Zealand, 9-10/10/06. Demounted Vikings exhibition at Auckland War Memorial Museum Lindsey SHAW, senior curator, maritime technology: UK, 09-13/10/06. Attended Historic Naval Ships Association Annual Conference to give paper on training volunteer guides for HMAS Vampire and HMAS Onslow Mary-Louise WILLIAMS, Alexandria Egypt, 03-06/07/06
-Vienna, Austria negotiations for the travelling exhibition
International workshop for studying the establishment of
Otzi - The Iceman coming to Australia and viewed the
an underwater museum in Alexandria Egypt, organised
exhibition 23-26/01/07
and funded jointly by UNESCO and the Egyptian
-Auckland, New Zealand Network of Australasian
Government. Presented paper ‘Interpretation, care and
Exhibitors meeting 15-16/03/07
access to historical maritime material’
Paul HUNDLEY, senior curator, USA Gallery: Attended the Council of American Maritime Museums annual meeting and strategic planning session in Charleston South Carolina, 13-23/04/07 - Washington DC, collected the images forthe exhibition, Voyage of the Queen Margaret from the Smithsonian Institution, 04/07
- New York USA, 16-27/10/06, co-hosted American Friends of the Australian National Maritime Museum Dinner. Mythic Creatures exhibition meetings atthe American Natural History Museum. Meetings with staff of Merseyside Maritime Museum regarding Leaving of Liverpool exhibition. Bournemouth, Museums Association Conference. Meetings with staff of National Maritime Museum, Greenwich UK to discuss collaborative projects
Matt LEE, manager, retail, merchandise & product
- Greenwich UK, 09-11/03/07 International Council
development (The Store): National Maritime Museum,
of Maritime Museums (ICMM) meeting as ICMM Vice
Greenwich UK, 05/2006. Developing retail/wholesale
President and Chair of the Congress program committee
merchandise links
- Lisbon Portugal, 12-14/03/07 at invitation of
- Whitby North Yorkshire, UK Captain Cook Museum,
Portuguese Government to determine feasibility of an
05/2006. Developing retail/wholesale merchandise links
exhibition relating to Portuguese exploration in the Pacific
- Valetta Malta, Maritime Museum of Malta, April 2006. Developing retail/wholesale merchandise links
4 > appendixes >
appendix 11 > organisation chart at30june2007 >
121
appendix 12 > aps staff at 30 june 2007 > This appendix lists only APS staff employed under the Public Service Act 1999 EXECUTIVE Mary-Louise Williams MA
Director
IngerSheil BA
Executive assistant
Russell Smylie BBus
Executive officer governance
Financial Services Joan Miller BCom ACA CPA GradCertArtsMan
Manager financial services
William Good BA
Assistant finance manager
James Egan BAEng
Accounts supervisor
Tina Lee
Accounts officer
Tony Ridgway BA
Accounts officer
External Relations Unit Bill Richards JP BA DipJourn DipPubAdmin
Media & communications manager
Shirani Aththas BA GradDipCommMgt
Promotions assistant
COLLECTIONS & EXHIBITIONS Michael Crayford MA(CuitSt&Comm) BA(VisArts) DipMusStud Assistant director, collections & exhibitions Amanda King BA/BComm GradDip (Arts Admin)
Project assistant collections & exhibitions
Special Projects Unit Mariea Fisher BA(Hons) MM
Manager temporary & travelling exhibitions
Nicolette Mortimer BA
Coordinator temporary & travelling exhibitions
Dominic Sweeney BA(Hons)
Curator
Paul Hundley MA
Senior curator USA Gallery
John Waight BASc
Indigenous curator & liaison officer (on leave)
Maritime communities Patricia Miles BA
Curator commerce
Penny Cuthbert BA DipMusStud
Senior curator
Lindl Lawton MA BA(Hons)
Curator post-Federation immigration
David Payne BA (ID)
Project officer Australian Register of Historic Vessels
Daina Fletcher BA(Hons)
Senior curator (on leave)
4 > appendixes >
Maritime Technology, Exploration & Navy Lindsey Shaw BA DipMusStud
Senior curator maritime technology, exploration & naval
Nigel Erskine PhD BA GradDipMarArch CertMusStud
Curator exploration
Kieran Hosty BA DipMarArch
Curator ship technology & maritime archaeology
Michelle Linder MA DipMusStud
Curator
history
Design Sharne Fielder BDes CertProjMgt
Design manager (on leave)
Johanna Nettleton BSc(Arch) BArch(Hons)
Manager design
Adrienne Kabos MDes DiplndDes CertCompGraph
Graphic designer & coordinator
Daniel Ormella MDes AssDipGraphDes
Graphic designer
Heidi Riederer B/ndDes
Graphic designer
Cameron Krone BCommMedia AdvDipProdDes
Exhibition designer
Rosie Cole BDes
Exhibition designer
Stephen Crane MVisArts
Senior preparator
Kevin Bray DipVisArts
Preparatorteam leader
Adam Laerkesen BAVisArts
Preparator
Peter Buckley BAVisArts DipVisArts
Preparator
Registration Sally Fletcher BA DipMusStud
Senior registrar
Denise Mackenzie MA DipMusStud
Managing registrar information management & loans
Will Mather BA(Hons) DipMusStud
Managing registrar collections operations & exhibitions
Cameron McLean, BFA
Registrar collection operations
Anupa Shah Bcom
Registrar exhibitions & loans
Alisha Halliwell BAppSc
Registrar information management
Nancy Konstantinou BA
Assistant registrar documentation
Sabina Escobar-Jaramillo MAMusStud BASocSc
Assistant registrar documentation (on leave)
India Zegan MA
Registration assistant data clean
Andrew Frolows CertPhoto
Photographer
Elizabeth Maloney BFA
Photographic librarian
Conservation Jonathan London, DipCon
Head of conservation
Sue Frost AAssDipMatCon
Senior conservator
Carolyn Whitley BAppSc
Senior conservator paper & photographic materials
Kathryn Yeates MAppSc
Conservator prevention conservation & mixed collections
Daniel Wardrop BAppSc
Conservator objects, mixed collections & metals
Library Services Frances Prentice BA(LibSc)
Manager library services
Jan Harbison BA GradDipLib
Technical services librarian
Gillian Simpson BA DipLib
Librarian
Karen Pymble DipLib AssocDipCommunityWei
Library technician
Anna Blunt DipLibTech
Library technician
Karen Roberts BSc
Librarian website coordinator
123
124
COM M ERCIAL & VISITOR SERVICES
Max Dingle
Assistant director commercial & visitor services
Helen Jones BA GradDipMusStud
Project assistant
HM Bark Endeavour Ross Mattson Master IV
Ship manager
Anthony Longhurst CertBoatbldg
Leading hand shipwright/rigger
Marketing Susan Bridie
Marketing manager
Alison Gordon BA(Hons)
Marketing services manager
Nancy White BMan
Marketing coordinator
Adrian Adam BBus
Members manager
Claire Palmer BA
Members service coordinator
Wendy Wilkins BA PhD
Corporate relations manager
Edwina Loiterton BA
Venue hire manager
Jan Mclnnies
Receptionist
Amanda Graham
Corporate relations manager (on leave)
Publications Jeffrey Mellefont BA DipEd
Publications manager
Visitor Programs Dominic Mackintosh BA(Hons)
Manager visitor services
Jeffrey Fletcher DipTeach
School programs coordinator
Dallas Bicknell BA(Hons) DipEd
Education officer
Marina Comino BA
Education officer
Carolyn Allen BA MPS
Education information officer
Scott Andrew MTeach(Hons) BA
Events coordinator
Anita Toft MA BVisArts
Visitor programs officer
LizTomkinson BCA
Programs & events officer
4 > appendixes >
CORPORATE & OPERATIONS Peter Rout BE(Hons) Naval Arch MEngSci
Assistant director corporate & Operations
Clare Power GradCertBus DipCom
Project assistant corporate & operations
Communications & Information Management Services Dianne Churchill BA(Hons) DipEd DiplM
Manager communications & information
Management Fifi Brown DipTeach Bed
Records assistant
Human Resources John Miranda BAJP
Manager human resources
Cindy Fung DipHRM
Manager personnel services
Peter Dibb JP
Personnel officer
Andrea Parish BA Bus
Assistant personnel officer
Peter Wood MasterMariner MAqua DipVolMg
Volunteers manager
Zara Collins BVisArts
Volunteers assistant
Gail Carter BVisComm
Volunteers assistant
Gillian Matthews BAppSc GradCertPubSectorMgt
Manager (on secondment)
Building Services Ray McMaster DipEngAssocDipConMaint
Manager museum services
Ian McKellar/\ssocD/pConMa/'nt
Maintenance manager
Keith Buckman
Non-collection assets coordinator
Property Liaison Greg Edmondson
Property liaison manager
Security Peter Haggarty JP
Manager security
Fleet Steven Adams BBus GC MusStud M.ICOMOS
Fleet manager
Michael Whetters CertShpbldg
Fleet foreman
Lee Graham Coxswain CertShpbldg
Shipwright
Todd Maiden CertBlrmkg
Shipwright
Matthew Dunn Cert Shpbldg
Shipwright
Jim Christodoulou CertShpbldg
Shipwright
Dean O'Malley CertBoatbldg
Shipwright (on leave)
Vince McGuire
Shipkeeper
Christine Finlay
Shipkeeper
Peter Lightbody Coxswain CertBlrmkg
Shipkeeper
Noel Burgess
Shipkeeper
Trevor Pike
Shipkeeper
125
126
appendix 13 > council members > > Chairman
The Hon Brian Gibson AM, BScF, BA, FAICD (TAS) Term: 26 June 2002-25 June 2005
Mr Mark Bethwaite BE (Civil), MBIdSc, MBA
26 June 2005-25 June 2008
Term: 30 June 2001-29 June 2004
Attended two Council meetings
30 June 2004-29 June 2007
Brian Gibson was a Liberal senator for Tasmania
Attended all Council meetings
from 1993 until February 2002. In 1996, he was
Mark Bethwaite’s last position was managing director
parliamentary secretary to the treasurer and responsible
and CEO of the leading industry organisation Australian
for corporations law and the Australian Securities
Business Limited incorporating the State Chamber of
Commission. He is a director of Australian Stem Cell
Commerce. An engineer by profession, he has been
Centre Pty Ltd, Environmental Oil Australia Pty Ltd, Mary’s
chief executive of two major listed Australian mining
Grange Inc, Mount Horsefall Holdings Pty Ltd , S D Reid
and manufacturing companies. His current non
Holdings Pty Ltd and Talent 2 International Ltd.
executive directorships, in addition to the museum, include the Reserve Bank’s Note Printing Australia Limited, Deacons - Lawyers, the Foundation for Rural and Regional Renewal, the Australia Day Council of NSW, Australian Made Campaign Ltd, Austral Gold Ltd, New South Innovations Pty Ltd, the Australian National Maritime Foundation and the Australian Institute of Management NSW & ACT Limited. As a member of the Australian yachting teams for the 1972,1976 and 1980 Olympic Games, and a world champion in a number of international classes, Mark Bethwaite has a strong affinity with Australia's maritime heritage.
Ms Gaye Hart AM, BA, MEd, DEd (honoris causa, University of Newcastle), FACE, FAICD (NSW) Term: 14 May 2003-13 May 2006 14 May 2006-14 May 2009 Attended all Council meetings Gaye Hart’s last position was director of the Hunter Institute of TAFE NSW. She is a director of the Newcastle Port Corporation, and a member of the Foreign Minister’s International aid Advisory Council and the Hunter New England Area Health Advisory Council. In June 1989 she was awarded membership of the Order of Australia (AM) for her services to the community particularly through Australia’s Bicentennial
> Members
celebrations, and in 2001 she was awarded a Centenary of Federation medal for her work in overseas aid.
Mr Marcus Blackmore AM (NSW) Term: 22 November 2000-21 November 2003 22 November 2003-21 November 2006 Attended one Council meeting Executive Chairman of Biackmores Ltd Mr Blackmore is also a member of the NSW Maritime Advisory Council, an honorary trustee of the Committee for Australian Economic Development and a director of the Heart Research Institute, the Westmead Children’s Hospital and the Young Endeavour Youth Scheme. An experienced yachtsman, Mr Blackmore’s company sponsored Kay Cottee’s solo voyage in 1988.
Emeritus Professor John Penrose AssAppSc (PTC), PhD (City, London) (WA) Term: 18 December 2003-17 December 2006 22 March 2007-21 March 2010 Attended all Council meetings Professor Penrose was the founding director of Curtin University’s Centre for Marine Science and Technology. He is currently project manager for the National Coastal Water Habitat Mapping Program of the Cooperative Research Centre for Coastal Zone, Estuary and Waterway Management. His research interests are in marine science and technology; particularly marine acoustics, oceanography, remote sensing and maritime archaeology. He is an honorary associate of the Western Australian Museum, a member of both the
4 > appendixes >
Maritime Archaeology Advisory Committee WAM and
Dr Andrew Sutherland MB, BS, FRCSC, FRACS, GradDip BA
the WA Marine Parks and Reserves Authority and was
Term: 14 May 2003-13 May 2006
the founder in 1970 of the Perth welfare association
14 May 2006-14 May 2009
volunteer task force. He has been an active diver and
Attended all Council meetings
sailor in Australian waters for over four decades. Mrs Eda Ritchie AMusA, GradDipBus (VIC) Term: 26 June 2002-25 June 2005 26 June 2005-25 June 2008 Attended three Council meetings Comingfrom a farming and business background, Mrs Ritchie has had a strong community commitment mainly through local government, the arts and as trustee of the R E Ross Philanthropic Trust. She is a member of the council of Melbourne University and a director of the Ian
Dr Andrew Sutherland is chief of the division of Surgery and head of the Orthopaedic Department atthe Adelaide Women’s and Children’s Hospital. He was educated at St Peter's College and the University of Adelaide, graduating MB, BS in 1967 and Grad Dip BA in 2000. He is a director of the Royal Australian College of Surgeons, Orthopaedics SA, Kingston Aviation Pty Ltd and a member of various medical professional associations. He is a keen amateur maritime historian and yachtsman.
Potter Museum of Art, Melbourne University, Melbourne
Ms Mary-Louise Williams MA (NSW)
University Publishing Pty Ltd and Vapold Pty Ltd. She has
Term: 9 November 2000-8 November 2003
worked in natural resource management and coastal
9 November 2003-8 November 2006
strategic planning for the Victorian government for over
November 2006- 8 November 2008
10 years.
Attended all Council meetings
Mr John Rothwell AO (WA) Term: 24 June 2004-23 June 2007 Attended three Council meetings With over 30 years’ shipbuilding experience Mr Rothwell is executive chairman and founder of Austal Ships Pty Ltd, a world leader in the construction of aluminium vessels. In January 2004 he was appointed an Officer in the General Division of the Order of Australia for service to the Australian shipbuilding industry through the development of trade links and for contributions to vocational education and training. Mr Rothwell is a member of the Bureau Veritas Asia region Advisory Committee and the Det Norske Veritas (DNV) Advisory Committee. A past chairman of both the Australian Shipbuilders Association and the State Training Board of Western Australia he is a keen sailor and diver in his leisure time and has a strong interest in maritime history. Mr John Simpson BA, MAICD, FPRIA (VIC) Term: 22 November 2000-21 November 2003 22 November 2003-21 November 2006 Attended one Council meeting Mr Simpson is director of external affairs for Shell and is a director of both Shell Australia Limited and Shell Energy Holdings (Australia) Ltd. He is also a director of several community and educational organisations. These include the Melbourne Symphony Orchestra, Scotch College Melbourne and Second Bite - Food Rescue.
Ms Williams began her career atthe Australian National Maritime Museum as senior curator in 1988, then became assistant director responsible for the Collections and Exhibitions branch two years later. She was appointed director in November 2000 following a 10-month period acting in the position. Ms Williams was previously director of the NSW branch of the Museums Association of Australia. She is a past member and then chairperson of the NSW Cultural Grants Advisory Council, former president of the Museums Association of Australia and was an inaugural board member then chair of Museums and Galleries NSW. She is currently the vice-president of the International Congress of Maritime Museums, the deputy chair of the Visions of Australia Commonwealth Government grant program, a member of the Executive of the Council of Australasian Museum Directors and a director of the De Quincey Company, the Foundation forthe Preservation of Captain Cook’s Ships, the Australian National Maritime Foundation and the American Friends of the ANMM. Mrs Nerolie Withnall BA, LLB, FAICD (QLD) Term: 26 June 2002-25 June 2005 26 June 2005-25 June 2008 Attended all Council meetings Mrs Withnall is a former partner in corporate law with Minter Ellison Lawyers. She is a past chair of the Queensland Museum board, chair of the Brisbane Institute and QM Technologies Ltd. She is a director of Alchemia Ltd, Campbell Brothers Group, Hedley Gaming & Leisure Partners Ltd, the Major Sports
127
Facilities Authority and Pan Australian Resources Ltd.
director Doctrine, Tactics and Operational Analysis
She is also a member of the Corporations and Markets
atthe Canadian Forces Maritime Warfare Centre,
Advisory Committee, the National Seniors Foundation,
commander operations in Maritime Headquarters
the Takeovers Panel and the University of Queensland
and director of Naval Strategy and Futures in Naval
Senate. Naval Member: CDRE Peter Jones DSC AM RAN Term: 28 July 2006 The naval member holds office atthe pleasure of the Chief of Navy for the duration of his posting as the Commander Australian Navy Systems Command. Commodore Jones' distinguished naval career dates back to 1974. His shore-based postings have included research officer to the Chief of Naval Staff,
Headquarters. His sea-going postings have included executive officer of HMAS Sydney, command of HMAS Melbourne, commander Australian Surface Task Group and command of the RAN Task Group in the Gulf. He has a strong interest in naval strategic and historical affairs and has contributed to Janes Fighting Ships and other publications. He holds a BA and MA and is also a graduate of the Advanced Management Program atthe Harvard Business School.
4 > appendixes >
appendix 14 > council meetings & committees > Marketing, Programs & Sponsorship Committee
2006-2007 meetings Meeting no 84
30 August 2006
Metfourtimes. Members/ attendance:
Meeting no 85
29 November 2006
Mr John Simpson / 1
Meeting no 86
7 March 2007
Ms Gaye Hart/ 4
Meeting no 87
30 May 2007
Dr Andrew Sutherland / 3
Finance & Audit Committee
Ms Mary-Louise Williams/ 4 Others/ attendance:
Met four times.* Members/ attendance:
Mr Max Dingle, ANMM (Secretary) / 4
The Hon Brian Gibson / 2
Ms Susan Bridie, ANMM / 1
Mrs Eda Ritchie/ 3
Mr Michael Hedger, ANMM / I
Ms Mary-Louise Williams/ 4 Others / attendance:
Collections & Exhibitions Committee
Ms Joan Miller, ANMM (Secretary)/4
Metfourtimes. Members/attendance:
Mr Peter Rout, ANMM / 4
Mrs Nerolie Withnall/ 4
Mr Russell Smylie, ANMM/ 4
Prof John Penrose/4
Mr Ray McMaster, ANMM / 1
Ms Mary-Louise Williams/ 3
Mr William Good, AN M M /1
Others / attendance:
Mr Graham Johnson, Australian National Audit Office/ 2
Mr Michael Crayford, ANMM (Secretary) / 4
* The committee also held one teleconference
Ms Sally Fletcher, ANMM / 1
Major Capital Works Committee
Fleet Committee
Metfourtimes. * Members/attendance:
Met three times. Members/attendance:
Mr Mark Bethwaite / 4
Mrs Eda Ritchie/ 3
Mr John Rothwell / 4
CDRE Peter Jo n e s /4
Ms Mary-Louise W illiam s/4
Dr Andrew Sutherland / 3
Mrs Nerolie Withnall / 4
Ms Mary-Louise Williams/ 4
Others / attendance:
Others/attendance:
Mr Greg Edmondson, ANMM (Secretary) / 2
Mr Peter Rout, ANMM (Secretary)/ 4
Mr Peter Rout, ANMM / 4
Mr Steven Adams, ANMM / 1
Prof John Penrose / 2
Mr Russell Smylie, ANMM / 1
Dr Andrew Sutherland / 1 Mrs Eda Ritchie/ 1 * The committee also held a number of teleconferences
129
appendix 15 > australian national maritime foundation > Chairman Mr Bill Cutbush
Mr Peter Dexter AM
Company director
Chairman, Wallenius Wilhelmsen, Region Oceania
Directors
Captain Trevor Haworth AM
Mr Mark Bethwaite
Executive chairman, Captain Cook Cruises
Company director; chairman, Australian National
MrRobMundle
Maritime Museum
Author and journalist
The Hon Peter Collins AM RFD QC
Ms Mary-Louise Williams
Chairman, Australian Institute of Health and Welfare;
Director, Australian National Maritime Museum
Commander in the Naval Reserve Miss Kay Cottee AO Record-making solo sailor; former chairman, Australian National Maritime Museum
Secretary Mr Russell Smylie Australian National Maritime Museum
4 > appendixes >
appendix 16 > sponsors, patrons & supporters > Principal Sponsor ANZ Australian Customs Service State Forest of NSW Major Sponsors Akzo Nobel Biackmores Ltd Raytheon Australia Pty Ltd Spotless Tenix Pty Ltd
Lloyd’s Register Asia Maritime Union of Australia Maxwell Optical Industries Mercantile Mutual Holdings Penrith Lakes Development Corp Philips Electronics Australia SBS Scandinavian Airlines SDV (Australia) Pty Ltd Shell Companies in Australia Sydney by Sail Visions of Australia - Commonwealth Government
Sponsors
Vincent Fairfax Family Foundation
Australian Maritime Safety Authority
Founding Patrons
Abloy Security Bill and Jean Lane BT Australasia Centenary of Federation Institution of Engineers Australia Louis Vuitton Speedo Australia Spotless Wallenius Wilhelmsen Logistics Project Sponsors 3M ABLOY Australia ANL Container Line Pty Ltd Cathay Pacific Cargo CGEA Transport Sydney Crawford Partners Architects CSIRO Department of Foreign Affairs & Trade Forrest Training Harbourside Darling Harbour
Alcatel Australia ANL Limited Ansett Airfreight Bovis Lend Lease BP Australia Bruce & Joy Reid Foundation Doyle’s Seafood Restaurant Howard Smith Limited James Hardie Industries PG.TG&M G Kailis National Australia Bank P&O Nedlloyd Telstra Westpac Banking Corporation Wallenius Wilhelmsen Logistics Zim Shipping Australasia Donors Grant Pirrie Gallery State Street Australia
131
132
appendix 17 > corporate & supporting members > Corporate Members at 30 June 07
Supporting Members (> $100)
Art Exhibitions Australia Limited
Anderson, Mr Barry
$100.00
Asiaworld Shipping Service
Bailey, Mr Peter
$100.00
Australia Japan Cable Ltd
Brown, Mr George Thomas
$100.00
DSTO - Aeronautical & Maritime Research Laboratory
Brown, Mr Raymond
$100.00
Ferris Skrzynski & Associates P/L
Bryden-Brown, Mr & Mrs John & Jane
$200.00
HMAS Kuttabul
Calmyre, Mr David
$100.00
HMAS Newcastle
Canu, Mr Frank
$100.00
HMAS Vampire Association
Chandler, Mr Rodney Stuart
$100.00
HMAS Watson Ships Fund
Chapman, Mr Ken
$100.00
Leighton Holdings P/L
Farquhar-Smith, Mr & Mrs Ian & Hilda
$150.00
LOPAC Pty Ltd
Fleming, Mr Paul
$140.00
Maritime Union of Australia CNSW Branch
Glass, Captain John Alexander
$100.00
Maritime Worker’s Credit Union
Glasson, Mr David Charles
$100.00
Middle Harbour Yacht Club
Hall, Mr Harry
$200.00
Naval Association of Australia
Hansen, Miss Linda
$140.00
Penrith Returned Services League
Henderson, Mr Bill
$100.00
Pivod Technologies Pty Ltd
Hoekstra, Rev William
$100.00
Regimental Trust Fund, Victoria Barracks
Hutton, Mr Ed & Margaret
$100.00
Royal Caribbean & Celebrity Cruises Int
Imlay, Mrs Gloria
$100.00
Svitzer Australasia
Leng, Mr John
$100.00
Sydney Pilot Service Pty Ltd
Lloyd, Mr & Mrs Ian & Alison
$200.00
Trace Personnel
Loewenthal, Ms Anne
$140.00
Zim Shipping Australasia P/L
Maltby, Mr George
$200.00
Monfries, Mr & Mrs William & Marilyn
$100.00
Norfor, Mr John
$140.00
Packer, Ms Valerie
$100.00
Pickett, Mr Graham
$200.00
Rogers, Mr & Mrs Douglas & Trudie
$100.00
Savage, Miss Greta
$100.00
Seymour, Dr John
$200.00
Sheh, Mr Clifford
$100.00
Thompson, Mr Bill
$100.00
Tysoe, Mr Ross
$100.00
Von Platen, Baron & Baroness
$175.00
Winkworth, Dr Alan C S
$200.00
Witten, Mr Arthur Charles
$100.00
4 > appendixes >
appendix 18 > taipan project and miscellaneous donations > Our appeal for funds for the restoration of the late
Max Withnall
Ben Lexcen’s revolutionary 1959 18-foot skiff Taipan
R & M Fielder
$1,000.00
has already raised much of its target of $100,000 to
RonJenyns
$100.00
$30.00
research, document and restore this important museum
Trygve Halvorsen
$500.00
collection vessel. The project will be a tribute to this
Sir James Hardy
$300.00
Australian genius of yacht design who changed the face
Anonymous
$250.00
of the Australian 18-foot skiff racing scene, and later the
Ronald Walker
America’s Cup.
Anonymous
Carl & Alysoun Ryves John Hamilton York Investment Trust Mary Bergstrom Andrew Curtin Alan Bond (Pointdale Pty Ltd) David & Janet Boult Anonymous Tony Manford Jon Simpson
$500.00 $25.00 $10,000.00 $100.00 $100.00 $25,000.00 $50.00 $10,000.00
$500.00 $100.00
Bill Peacock & Jack Summers
$ 1,000.00
RobertO Albert
$5,000.00
Paul Mulhearn
$ 1,000.00
Yvonne Lexcen
$ 1 ,000.00
James Hawkins
$1,000.00
Ian McCrossin
$1,000.00
Andrew Hunn
$ 1 ,000.00
J G & G E Bagshaw
$300.00
John Rivers
$500.00
Anonymous
$200.00
Denis O’Neil
$ 10 ,000.00
Gary Bogard
$ 1,000.00
John Blanchfield Anonymous
$50.00 $100.00
Peter McCallum
$100.00 $10,000.00 $500.00
Richard Coxon
$50.00
Joan Mellefont
$100.00
William Ferris
$500.00
Anonymous
$200.00
Mark Anderson
$200.00
Scott Kaufman
$1,000.00
Mark Peelgrane Memorial
$3,668.61
Anonymous
$1,000.00
In-kind donations (goods and services) Craig Whitworth Equipment Martin Burke Sailcloth Howard Lambourne Signwriter Jack Hamilton Sailmaker Rag and Famish Hotel North Sydney Miscellaneous cash donations W H Starkey Wollongong Sight Impaired Friends
$1,000.00 $50.00
Hay Tatura Association
$500.00
Sydney D Corser
$500.00
Jan and John Deohery
$50.00
appendix 19 > volunteers 2006-2007 > Volunteers at ANMM,
Peter Bleeck
Kian Cheng
John Dickenson
Darling Harbour
Beth Bliss
Victor Chiang
Jim Dillon
David Bliss
Fung Chow
Barry Dobson
David Bloom
Leslie Church
Patrick Dodd
Ian Boland
Helen Churven
Margaret Dolling
Alex Books
Valerie Cibej
Leonie Doorey
John Booth
Bob Clampett
Vincent Dorahy
Warwick Abadee Arnold Abicht Steve Adamantidis Don Aggar Merinda Air Ena Alcorn Jessica Allen Alan Anderson Del Anderson Geoff Anderson Ian Anstee Grant Arbuthnot Sharon Armour Matthew Ashby Gwen Ashcroft Ann Asker Barry Astle Peter Baker Vivian Balmer George Bambagiotti Colin Barnes Jeff Barrow Lucinda Bartram Chris Barwick Lyndyl Beard Keith Beattie Ian Beckett Roslyn Bedford Carey Bell Chris Bell Colin Bell David Bell Bob Bellini Peter Bennett Valerie Berg Annia Betenson Ian Betenson Estelle Billing Peter Black John Blanchfield
David Boult
Brian Clarke
Carol Dose
Colin Bowes
Edwina Clarke
Colin Douglas
Tim Bowra
Geoff Clarke
Roy Dow
Ron Bowrey
Lawrence Clarke
Harry Downie
Frank Boyd
Peter Clarke
Ron Downie
Kel Boyd
Ro Clarke
Les Draper
Doug Bradshaw
Murray Claydon
Xavier Droulers
David Brawn
Helen Clift
John Duckworth
Merv Bray
Barrie Cole
Michael Duffett
Chris Bremner
Alan Collins
Alexis Dunstan
Bob Bright
Michael Collyer
Peter Dzubiel
Jim Colvin
John Ebner
Ric Broniman Bill Brooker
Lyn Comber
Doug Edwards
Dolores Brooker
Amanda Connolly
Andrew Ellis
Mary Brookes
John Connor
Ron Ellis
Norm Brooks
Sylvia Cordiner
John Elphick
George Brown
Mary Correa
John Emdin
Tony Brown
John Corry
Rob Everett
David Bruderlin
Barry Costa
Bill Eykman
Patti Buckingham
Christine Coulter
Grant Eyre
John Buckland
Don Coulter
Ken Fair
Greg Buddie
Ken Cox
Bill Fairbanks
Pam Burden
Ron Coyle
Ken Fallon Jeanette Felton
Sue Bush
Leon Cremer
John L Butler
Rodney Crocket
Diane Finlay
Sam Calandra
Patricia Cullen
Tony Fisher
Ian Campbell
David Cunningham
Noelene Forrest
MaryAlice Campbell
Silvia Da Rocha
Brian Forster
Silvia Carbajal
Tom Dalton
Geoffrey Francis
Brian Carney
Bert Danon
Neill Francis
Max Carrick
Donna Davies
Roy Freere
Marion Carter
Michael Davis
Andrew French
Mary Champion
Caroline Davy
Peter French
Peter Chan
Ken Deere
Greg Frewer
Caroline Chao
Jim Dennis
Brian Frizell
4 > appendixes >
Lou Fuller
Harry Howell
Terry Lloyd
Ross Muller
Bobby Gallie
Warwick Howse
Les Lockyer
Valda Muller
Brian Gallie
Euan Huggett
Roslyn Lockyer
Maggie Muncaster
Aileen-Lee Gardner
Charles Hughes
June Lossius
Charles Murphy
Noreen-Lee Gardner
Don Humphrey
Bob Macoun
Alwyn Murray
Allan Garrick
Ethel Humphreys
Eric Maddock
Hugh Murray
Peter Gerrey
Peter Hunt
Paul Maile
Miranda Natecki
John Gibbins
Warren Hyslop
Rex Malin
Barry Nesbitt
Tony Gibbs
Dick Ineson
Hailey Mannell
Chiu Ng
Col Gibson
Lynne Jacobson
Erin Marden
Linh Nguyen
Belinda Gilbert
Derek James
Christian Martin
Paul Nichols
Robert Goode
Roslyn Jan
John Martin
Frank Nimmett
Eddie Gordon
Ian Jenkins
June Martin
Nik Nimpradit
James Gordon
Peter Jennings
Stephen Martin
Barbara Norton
Narelle Gould
Jan Jensen
Erika Martinez
Brian Norton
Margaret Grimes
John Jewell
Robert Matchett
Malcolm Oates
Douglas Grinter
Alf Johnson
Casimiro Mattea
Helen O'Brien
Leslie Gulliver
Heather Johnson
Jack McBurney
Clem O’Donoghue
George Hancock
Alastair Johnstone
Phil McColl
Frank O'Dwyer
Julie Hanley
John Jones
Nerida McCombie
John O’Grady
Gordon Hannam
Gabriella Kaldy
Hugh McCormack
Clint Oliver
Shirley Hannam
David Kane
Robert McCormick
Eric Olufson
Brian Hansford
Maryland Karere
Tony McCurdy
Arthur Ongley
Wendy Hardiman
Des Kelly
Robert McGeorge
Barry O’Regan
Peter Hardy
Cherie Kennedy
Frank McHale
Ron Osborn
Dorothy Harpley
Keith Kennedy
Lyn McHale
Bob Osborne John Oxley
Malcolm Harrild
John Kent
Robert Mclnally
Jane Harris
Richard Keyes
Ron McJannett
Maureen Pacewicz
Jon Harris
Bob Killingsworth
Ken McKenzie
John Palmer
Keith Harrison
Joan Killingsworth
Sheila McLean
Eugene Pamenter
Chris Harry
John King
Anthony McNaughton
John Papenhuyzen
Dudley Hartgrove
Kev King
Ken McRorie
Jenny Patel
David Hayes
Colin Kline
John Mees
Arthur Pearce
Patricia Hayes
Lewis Klipin
Peter Mellor
Gervase Pearce
Peter Hayes
Alfred Knight
Andy Michel
George Pepperall
Breck Hayward
Catherine Kyle
Harry Miller
Win Pereira
Jennifer Heap
Concettina Lagana
Natasha Miller
Patrick Perry-Bolt
Andrew Heath
Robert Lamb
Ron Miller
Ray Peterson
Bob Hetherington
Nick Lampe
Byron Mitchell
Noel Phelan
Bill Hill
Roger Langsworth
Maureen Mitchell
Graham Phillis
Frank Hines
Laurie Larcombe
Tony Mockler
Trevor Pike Lesley Pinnington
Christine Hodge
Brock Lawes
Linda Moffatt
Clive Hoffman
Jon Lawrence
Clare Moloney
Paul Pisani
Phil Hogan
Terri Lawrence
Myles Mooney
Judy Powell
Michelle Holland
Owen Laws
David C Moore
Kerrie Powell
Chris Hordern
John Lea
David H Moore
Len Price
Joe Horinek
David Leach
Elizabeth More
Ken Raven
Raymond Horsey
Paul Levin
Brian Moules
Russell Rea
Mai Horsfall
Derek Lewis
David Mueller
Leonard Regan
Ziggy Hort
Jill Li
Jill Mueller
John Reid
135
136
Tony Reid
John Steel
Eric Willcock
Alfred Reitano
Geoffrey Steer
Herman Willemsen
Diane Davis
Cheryl Riley
Narelle Steer
David Williams
Jonothan Davis
Judith Roach
Barbara Stein
David E Williams
William Dowd
Melanie Steptoe
Trish Williams
Ray Dowell
Heather Stevens
Peter Williamson
Brian Dowse
Jay Robertson
John Stevens
Bill Wilson
Joanna Dowse
Dorothy Robinson
Michael Stevens
Graeme Wilson
Marion Dowsett John Drew
Barry Robbins Mick Roberts
Kay Davies
Verlie Stevenson
Norman Wilson
Lionel Robson
Caroline Sullivan
Peter Wilson
Jane Dykstra
Helen Rodewijk
Jennifer Summers
Lee Witcombe
David Edward
Graham Roe
MaxSurman-Smith
John Withers
Bill Ellemor
Doug Rogers
Ted Talbot
David Wood
Matthew Fitzgibbon
Ab Rootliep
Harry Tallack
Ian Wood
Elizabeth Frank
John Rosenblum
Janice Taylor
John Worth
Rupert French
Barney Ross
Vera Taylor
Anita Wright
Michael Fruin
John Rudge
Jeff Thompson
Tom Wright
Jason Gale
Jan Russell
Eric Tilt
John York
Denis George
Peter Russell
Geoffrey Tonkin
Vivian Yu
Ann Gibson
Terry Ryan
Kevin Toohill
Victor Zonca
Debbie Gibson
Sue Ryerson
Carrie Towers
Peter Ryman
Peter Trace
Edward Salib
Victor Treleaven
JoySalvetti
MadilinaTresca
Stephen Schmidt
Maxine Troop
Casey Schreuder
GuyTuplin
Trevor Schwab
Margaret Urqu hart
Shane Scott
Peter van Brink
Peter Scutts
Liesl van de Weyer
John Shaw
Jan van den Broek
Michelle Shen
David van Kool
Narelle Sheridan
Frank Van Roosmalen
Ken Sherwell
Mia Van Roosmalen
Herb Shields
Imeldo Ventura
Anabela Silveira
Alf Vincent
Margaret Simpson
Riet Vroegh
Ron Sinclair
Derek Walker
Brian Skingsley
Derek Walsh
Joy Smart
Wendy Walters
Brian Smith
Graham Walton
Gerry Smith
Michael Warren
Ian Smith
Angela Watson
Kevin Smith
Elizabeth Watts
Don Robson
M. Ruth Smith
John Weekes
Rick Smith
Denis Weekley
Ray Spinks
Bryant Wendt
RossSpirou
Jeannette Wheildon
David Springbett
Berman White
Barry Squires
Des White
Bill Starkey
Bryan Wildash
LynetteGiddings Regional Volunteers Andrew Anastasios Murray Anderson Marcel Arias Janet Aveyard John Aveyard Barbara Baker Peter Barker Robert Barnes Roger Bartlett Geoff Bennett Ronald Bergman Penny Blight Alan Bold Karl Borth David Boucher Rex Brady Duncan Brookes Pieter Buining John Buxton-Rella Bernard Carr Gifford Causon Peter Chalk Barry Chambers Tricia Confoy John Coombs Dennis Croft Barrie Dallas
Margaret Gilligan Erin Giulieri Stanley Glowacki Walter Grahame Geoffrey Grant Ross Grenfell Peter Hansen Margaret Henry Barbara Hewitt Paul Heyward John Hillman Tess Hocking Diana Howard Alana Hulme Ching-Ho Hung Ricky Hung Pamela Jacobs Jalal Jazayeri Phillip Johnson Phyl Kerridge Arthur Knight Horst Koerner Trudy Lamberton Gerald Latham Kathleen Le Feure Helen Leach Hannah Lee George Lynn Robyn Marsden
4 > appendixes
Peter Matanle
Bruce Phillips
Charles Sapsford
Charles Trafford
Peter McCabe
Geoff Phillips
Irene Schaffer
JudyTremayne
Jim McIntosh
Mirabai Phillips
Shirley Schlesinger
Pam Tucker
Kevin McIntosh
John Pinel
Michael Shreeve
Nazim Tuncay
Irene Meager
Julie Pinel
Peter Slattery
Eddie Utberg
Steve Merson
Helen Pochojka
Graeme Smethurst
Bob Vellacott
Gary Meyers
Kevin Pope
Alan Smith
Con Vervaart
Ron Miller
Robin Porte
Cyril Smith
John Villanti
Austin Mills
Bill Potts
Kenneth Smith
Elizabeth Walker
Don Mitchell
Ian Powell
Bill Snooks
Keith Webb
Jeffrey Moore
Jim Poynter
Jack Spencer
David Wharington Jenny White
Sally Rackham
Mary Spencer
Robert Newbury
Daniel Ralph
John Spooner
Monissa Whiteley
Ken Newton
Stephanie Rawlings
Mark Stephenson
Jeff Whittington
Denis O’Reilly
Wally Rawlings
Jesse my Stone
Ian Wild
Danielle Ostarek-
Helen Reis
Anthea Swann
Alastair Will Elizabeth Williams
John Murphy
Gammon
John Renney
Barbara Sweet
John B Palmer
Adrian Rhodes
John Thomas
Rex Williams
John Parton
Paul Roberts
Shane Thompson
Jack Woods
Bill Paul
Richard Rogers
Rob Thornton
Marilyn Anne Wright
Ian Pearce
David Rout
Lyndon Thurlow
Gordon Youett
James Pearson
Tony Ruth
GaryTowart
Maggie Youett
137
appendix 20 > volunteer speakers panel > In the year under review the panel developed a new powerpoint presentation on the Australian Register of Historic Vessels - enabling speakers to talk on a wider range of museum topics. Two sets of colour A4 image cards were also developed for speakers who preferred not to use powerpoints/laptop. There were 21 visits in the last financial year, six less than in the previous year. Organisation
Speaker
Date
Hills Branch of National Seniors Association
Warwick Abadee
06/07/06
Cronulla RSLSub-Branch
Bob Matchett
10/07/06
National Servicemen’s Assoc - Sydney Northern Beaches
Geoff Tonkin
11/07/06
Lindfield Probus Club
Warwick Abadee
24/07/06
Rotary Club of Turramurra
Warwick Abadee
03/10/06
Sutherland U3A
Brian Skingsley
31/10/06
Caringbah View Club
Bob Matchett
01/11/06
Kareela Combined Probus Club
Bob Matchett
14/11/06
Lapid Senior Citizens Group
Warwick Abadee
04/12/06
Campbelltown Men’s Probus Club
Peter Gerrey
08/01/07
Lindfield Ladies Probus Club
David Moore
15/01/07
Caringbah Garden Club
Warwick Abadee
16/01/07 30/01/07
Moses Montefiore Retirement Home
Warwick Abadee
Berowra Rotary Club
John Blanchfield
21/02/07
Sydney Airport Club
Warwick Abadee
07/03/07
1788 Pioneer Association
Bob Matchett
09/03/07
Balgowlah Rotary Club
Brian Skingsley
03/04/07
Montefiore Retirement Village
Warwick Abadee
08/04/07
Montefiore Nursing Home - Hunters Hill
Judith Roach
12/04/07
Holroyd Family History Group
Graham Roe
06/04/07
Freshwater Probus Club
Lewis Klipin
09/06/07
4 > appendixes >
appendix 21 > consultants > 1,259 consultants, contractors and providers delivered services to the museum to a total value of $17,352,527. Of this total,77 were consultants providing services to a total value of $1,524,367. Consultants who were paid in excess of $10,000, and the areas in which they provided services, appear below. The details of consultants providing services below $10,000, a summary of the museum’s policy on the selection and engagement of consultants, and the basis of selection of consultants engaged during the year, are available on request.
Artisan Group Australia Pty Ltd
IT services
Austen Kaupe
Design
$250,401 $14,157
Australian Bureau of Statistics
Valuation
$12,705
Australian Govt Solicitor
Legal services
Australian National Audit Office
Audit services
$118,009 $37,400
Barham Computer Services
IT services
$52,978
Chimo Pty Ltd
IT services
$98,252
Cox Richardson
Design
$93,095
Crawford MGA Pty Ltd
Design
$26,188
Deloitte Touche Tohmatsu
Audit services
$36,300
Docker Smith Pty Ltd
Engineering
$68,970
Inspire Risk Management
OH&S services
$33,428
KPMG Corporate Finance
Business Planning
$28,660
Low & Hooke (Aust) Pty Ltd
Engineering
$36,658
Michel Laroche
Valuation
$15,580
Antonia Macarthur
Editorial
$26,830
Meyer Photo & Video Productions Pty Ltd
Audiovisual & IT
$77,773
NDY Management Pty Ltd
Design
$52,283
Spatchurst Design Associates
Design
$12,537
Starfish Advertising& Design
Design
$75,301
Taylor Lauder Bersten Pty Ltd
Engineering
$17,600
Ultimate Holdings Pty Ltd
Marketing services
$10,835
The University Of New South Wales
Engineering
$106,089
VOS Group P/L
Engineering
$42,845
WT Partnership
Engineering
Total
34,518 $1,379,392
139
appendix 22 > customer service charter > The Customer Service Charter is available to visitors on arrival atthe museum foyers and is available on the museum website at http://www.anmm.gov.au/site/ page.cfm?u=342. Staff and volunteers are made aware of the charter and its objectives through their induction and training.
What we provide • An accessible maritime cultural heritage resource developed and maintained to the highest professional standards. • Relevant exhibitions and programs that educate, entertain and reflect community needs and values.
Our primary focus is to our visitors and other users of the museum and we aim at all times to provide high-quality external and internal service. Who we are • We aim to be the prime cultural resource for developing the community’s knowledge, appreciation and enjoyment of Australia's relationship with its waterways and the sea. We will achieve this by: • Providingthe highest standards of service • Generating the widest understanding and enjoyment
• Services extended as widely as possible throughout Australia and abroad. Our service standards The museum is committed to providing services to all its customers, both external and internal, in a way that is courteous, equitable, prompt, professional and ethical. To the fullest extent our resources allow, we will provide: • Courteous, well-trained and knowledgeable staff at all levels • A safe, clean and accessible environment
of maritime history by creating exciting products and
• Quality services to all segments of our community
programs that inform and entertain
• Up-to-date information about our products and
• Fostering the care and research of Australia's cultural and material maritime heritage, in particular the National Maritime Collection • Enhancing the level of recognition of the museum as
services • Prompt, efficient and accurate responses to enquiries • Opening hours that reflect community needs.
a dynamic cultural institution. Tell us what you think Who are our customers? We welcome your suggestions for improving our As a national museum we serve the whole Australian
services, and provide a variety of ways for you to
community, but in particular our visitors, schools,
communicate with us. We will pass your message
researchers and historians, other cultural, government
to the person who can act on it, and aim to resolve
and commercial organisations, community groups,
any problems promptly. We are committed to regular
Members, sponsors, users of our venues and other
museum user surveys and research to ensure we are
services.
meetingyour needs.
We also represent Australia internationally, and welcome many overseas visitors. Our internal ‘customers’ include volunteers, colleagues, contractors and service providers.
Here are some of the ways you can communicate with us: • Speak to a staff member in person. All staff, including the director and senior management, take turns attending the information desk • Complete the comments book in the museum foyer which is reviewed regularly and responded to where possible • Express your views on the subjects we feature in exhibitions at a discussion point in our galleries from time to time • Fill in a formal complaint form at our information desk • Contact our customer services manager on 02 9298 3777 fax 02 9298 3780 • Write to us at GPO Box 5131 Sydney NSW 2000. We strive to reply within 14 days • Contact staff directly by phone, fax or email. Details from 02 9298 3777, or visit us at 2 Murray Street, Darling Harbour.
appendix 23 > functions and powers of the minister > The ministers responsible for the museum during
Appointa member to act as chairperson of the
2005-06 were Senator the Hon Helen Coonan, Minister
Council or appoint a member of Council (for no more
for Communications, Information Technology and the
than 12 months) where there is a vacancy (Section
Arts, and Senator the Hon Rod Kemp, Minister for the
18)
Arts and Sport.
Convene a meeting of the Council at any time
Key ministerial powers under the Australian National
(Section 23)
Maritime Museum Act 1990 include the minister’s
Approve and table in Parliament Strategic and
ability to:
Annual Operational Plans and variations to them
• Transfer property, real or personal, held on lease or
(Sections 25-28)
otherwise by the Commonwealth, to the museum
Approve leave of absence to the director on such terms
for its use or for inclusion in the National Maritime
or conditions as she or he determines (Section 34)
Collection (Section 8) Be advised in writing by the director of direct or • Approve criteria and guidelines forthe National
indirect pecuniary interest (Section 37)
Maritime Collection (Section 8) Appoint a person (not a member of Council) to act as • Approve the disposal of material in the National Maritime Collection with value exceeding $20,000
director during a vacancy with such appointment not to exceed 12 months (Section 38)
(Section 10(4)(b), amended 1991) Approve the form of the museum’s estimates and • Give direction to the Council with respecttothe
the estimates (Section 46)
performance of the functions or the exercise of the powers of the museum (Section 14)
Approve contracts exceeding $1,000,000 (Section 47, amended 1991).
4 > appendixes >
appendix 24 > functions and powers of the museum > The functions and powers of the museum are defined in Sections 6 and 7 of the Australian National Maritime Museum Act 1990. Functions of the museum (Section 6) • To exhibit, or make available for exhibition by others,
Powers of the museum (Section 7) • To purchase, commission the creation of, lend, borrow or hire maritime historical material either in its own right or jointly with others • To collect material relatingto Australian maritime
in Australia or elsewhere, material included in the
history and dispose of that material under certain
National Maritime Collection or maritime historical
conditions
material that is otherwise in the possession of the museum • To cooperate with other institutions (whether public or private) in exhibiting, or in making available for exhibition, such material • To develop, preserve and maintain the National Maritime Collection • To disseminate information relating to Australian
• To recover or arrange for or assist in the recovery of maritime historical material from the Australian marine environment and from other areas • Accept gifts, devises, bequests and assignments of money or property whether as trustee or otherwise • Acquire and operate vessels anywhere, whether or not the vessels are maritime historical material • Disseminate information relatingto Australian
maritime history and information relating to the
maritime history and sell replicas or reproductions of
museum and its functions
maritime historical material
• To conduct, arrange for and assist research into matters relating to Australian maritime history • To develop sponsorship, marketing and other
• Enter contracts, acquire, hold and dispose of real or personal property, charge fees (in addition to the charges fixed by regulation) appoint agents and
commercial activities relatingtothe museum's
attorneys and act as an agent for other persons, as
functions.
well as raise money, by appropriate means for the purpose of the museum.
143
144
appendix 25 > list of acts administered > The museum was established by the Australian National
1991, and notified in the Commonwealth of Australia
Maritime Museum Act 1990 (No 90 of 1990), where its
Gazette on 5 February 1991.
functions and powers are set out. The Act was amended in the Arts, Sport, Environment, Tourism and Territories Legislation Amendment (No 2) Act 1991 (No 179 of 1991), principally to provide fora Naval member of Council.
The regulations were amended (Statutory Rules 1991 No 220) by the Governor-General on 27 June 1991, and notified in the Commonwealth of Australia Gazette on 5 July 1991 and revised again (Statutory Rules 1991 No 348) on 4 November 1991, and
The Australian National Maritime Museum Regulations
notified in the Commonwealth of Australia Gazette on
(Statutory Rules 1991 No 10) under Section 54 of the
12 November 1991
Act were signed by the Governor-General on 29 January
4 > appendixes >
appendix 26 > director’s statement > The Australian National Maritime Museum is a Statutory
and content of the report. The report was prepared in
Authority set up under the Australian National Maritime
accordance with the Commonwealth Authorities and
Museum Act 1990 and responsible to the Minister for
Companies (Report of Operations) Orders 2002 made
the Arts and Sport Senator the Hon George Brandis SC.
under section 48 of the Commonwealth Authorities and
Within the portfolio of the Minister for Communications
Companies Act 1997.
Information Technology and the Arts (Senator the Hon Helen Coonan). The Annual Report is a report of operations for the
Certain categories of information do not appear in full but are available to Members of Parliament and Senators on request.
final financial year of the Australian National Maritime Museum’s 2006-2009 Strategic Plan. It has been made in accordance with a resolution of the directors of the Australian National Maritime Museum on 19 September 2006, those directors being responsible under Section 9 of the Commonwealth Authorities and Companies (CAC) Act 1997forthe preparation
Mary-Louise Williams Director
146
appendix 27 > index > Accounting policies 72
Corporate and operations branch 121,125
Acts administered 144
Council 126,129
Acquisitions 16,39,43,103
Council members, remuneration of 85
Admission charges 2
Customer Service Charter 140
Advance 46 Advertising 55
Design 60
APS staff 50,53,122
Director’s overview 12
Assets and liabilities 67,78
Director’s statement 144
Assets held in trust 90
Donors 107,132,133
Auditor General 26,64 Auditors, remuneration of 86
Employee benefits 50, 73
Australian Association for Maritime History 119
Endeavour replica 14,31
Australian National Maritime Foundation 93,130
Energy management 27,51
Australian Register of Historic Vessels 12,40
Environmental performance 27
Appropriations 89
Exhibitions (ANMM) 15,18
Archaeology, maritime 40
Expenses 66, 79 External relations unit 56
Balance sheet 67
External scrutiny 25
Borrowing cost expense 74,84 Building services 49
Financial assets 79
Bequest fund 90
Financial instruments 87 Financial statements 66
Calendar of events 96
Financing activities 68
Capital works 16,49
Fleet services 46
Cash flow reconciliation 85
Fraud control 28
Cash flows, statement of 68
Freedom of information 26
Chairman 3,126
Functions of the minister 142
Changes in equity, statement of 69
Functions of the museum 143
Collections and exhibitions branch 121,122 Commercial and visitor services branch 121,124
Glossary N/A
Commitments, schedule of 70
Grants 109
Committees of Council 130 Compliance with requirements 27, 72,143
Historic vessels 14
Communications and information management 50
Human resource management 50
Conservation 44 Consultants 139
Income sources 78
Contact officer 2
Income statement 66
Contingencies, schedule of 70
Independent audit report 64
Contingent liabilities 85
Industrial democracy 52
Corporate governance 28
Information technology 50
Corporate Members 131
Internal and external scrutiny 25
Corporate overview 12
Investing activities 68
Corporate relations 60
4 > appendixes >
Key result areas 30-60
Records management 50 Register of historic vessels 12,40
Louis Vuitton Fund 90
Registration 44 Reports by Auditor General 26
Maritime communities 44-45
Retail and merchandise (The Store) 33,37
Maritime technology, exploration and navy 44-45
Revenues 33, 66, 72
Market research 55
Salaries 50, 53,66
Marketing 55
Schedule of commitments 70
Media 56
Schedule of contingencies 70
Members 57
Security 49
Mission statement 6
Social justice and equity 50
MMAPSS grants 13, 96
Special projects unit 121,122 Sponsors 60,130
National Maritime Collection 5, 39,101,105
Staffing levels, average 53
New Zealand Bicentennial gift fund 90
Staff list 122
Non-financial assets 80
Staffing overview 53
Non-Government funding 33,66,68
Staffing resources summary 53
Notes (Financial Statements) 71
Statement by Council members 63 Statutory information requirements 25
Occupational health and safety 27
Sydney Heritage Fleet 12,22,40
Organisational developments 16 Operating activities 68
Trust monies 90
Operating expenses 79
Tu Do 40,46
Organisational chart 121 Outcomes 92
USA Bicentennial gift fund 13,90
Overseas travel 120 Vampire 10,14, 46, 49, 62 Patrons 130
Vaughan Evans Library 36
Performance overview 12
Venue hire 36
Personnel services 50
Vision statement 1,6
Powers of the minister 141
Visitor services 31
Powers of the museum 142
Volunteers 58,134,138
Professional appointments (staff) 119 Property liaison 49
Welcome Wall 58
Provisions 87
Wharf 7 Maritime Heritage Centre 32,49
Program performance reporting 30
Workplace Diversity 52
Publications 56
147