Australian National Maritime Museum Annual Report 2010-2011 by Australian National Maritime Museum

annual report 2010-2011

Our vision To explore and m anage m aritim e heritage in ways that enlighten, inspire and delight people everywhere

australian national maritime museum annual report 2010-2011

* 0

A u s tr a l ia n N a t io n a l m a r itim e Museum

© Commonwealth of Australia 2011 ISSN 1034-5019 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process without prior permission from the Australian National Maritime Museum. Australian National Maritime Museum The Australian National Maritime Museum (ANMM) at Darling Harbour, Sydney, opens 9.30 a m -5 pm every day (9.30 a m -6 pm in January). Closed 25 December. Entry at 30 June 2011 Museum Ticket (galleries, special exhibitions, lighthouse and Wharf 7) - FREE Big Ticket (includes Vampire, Onslow, Kids Deck, Wetworld, James Craig OR Endeavour) - adult $32, child/concession $17, family $70 Navy Ticket (includes Vampire, Onslow) adult $20, child/concession $10, family $42 Endeavour Ticket adult $18, child/concession $9,

front cover: Four-year-old Stewart Lee, pictured on

family $38 James Cra/gTicket adult $12, child/concession $7, family $26

SS Strathnaver in 1955, was

Mailing address

Australia, Southern Rhodesia and New Zealand alone under

one of nearly 110,000 British child migrants sent to Canada,

2 Murray Street Darling Harbour NSW 2000 Australia

schemes that operated until the 1960s. From our exhibition

Ph (02) 9298 3777 Fax (02) 9298 3780

On their own - Britain’s child migrants.

Website (including this annual report) www.anmm.gov.au Contact officer For enquiries about this report please contact the editor Phone (02) 9298 3647 Fax (02) 9298 3670

Mixed Sources

sO " FSC

Staff photographer Andrew Frolows/ANMM Graphic designer Austen Kaupe Printed in Australia by Blue Star

Endeavour replica’s renewed standing rigging - a mouse, built up of layers of servings and pointed over with decorative weaving. Its job is to position the spindle eye, a loop in the end of

Email jmellefont@anmm.gov.au Editor Jeffrey Mellefon1/ANMM Assistant editor Penny Crino/ANMM

title page: A part of the

Printed on Mega Silk, a 5 0 % recycled paper

the stay.

stock manufactured using IS014001 certified Environmental Management Systems and Elemental Chlorine Free (ECF) pulps, sourced

opposite: Chairman Mr Peter Dexter am at the opening of the

only from Forest Stewardship Council (FSC) accredited forests.

exhibition Scott’s last expedition in June 2011.

Chairman's message

It gives me great pleasure to present the Australian National Maritime Museum’s annual report, for the period 1 July 2010 to 30 June 2011. It reports on the second year of the organisation’s Strategic Plan 2009-2012, which was developed and tabled in accordance with the Australian National Maritime Museum Act 1990. In the first full year of my tenure as chairman of the Australian National Maritime Museum it is encouraging to observe strong achievements measured against the outcomes and programs of the departmental portfolio budget statements for the year, and the goals and performance indicators of the museum's strategic plan. The results are all the more pleasing when considered against the volatile economic climate that has continued this financial year, with its widely reported levels of uncertainty, soft retail results and a tourism market impacted by exchange rates. In this respect the maintenance of high visitor numbers and revenues in the museum’s commercial operations are commendable. The year has been most notable for the beginning of the ambitious Australian circumnavigation of the museum’s flagship, the replica of James Cook’s HM Bark Endeavour. Also notable is the completion, on time and budget, of Stage 1 of the Eastern Works

program of major improvements to the museum building. The year’s schedule of new and travelling exhibitions, and of visitor events and programs, were rich and diverse. It has been rewarding to meet and to work with the museum's dedicated team of management, staff and volunteers who serve the Australian community in the field of preserving and interpreting its maritime history and heritage. I would like to acknowledge, too, the support of the Australian Government through its various heritage and cultural programs, and that of the museum’s many sponsors, donors and supporters, who make our work possible. Our director Mary-Louise Williams retires this year after a 23-year association with the museum, 11 as director. Without question her commitment and professionalism have contributed greatly to making this the nationally and internationally recognised institution it is today. We will miss her and she goes with our profound thanks.

Peter Dexter am fa ic d Chairman Australian National Maritime Museum Council

Contents

Our vision

Contact officer

Chairman’s message

Our mission, values and methodology

■

01 The year in review

Highlights 2010-2011

Director’s overview

Outreach

Collaboration and partnerships

Exhibitions: temporary, travelling and floating

Statutory information requirements

Performance information; Corporate governance; Privacy legislation; Freedom of information; Judicial decisions and reviews by outside bodies; Effects of ministerial directions; Indemnities and insurance; Occupational health and safety; Environment protection and biodiversity

02 Programs and outcomes Key result area 1 Programs Strategic directions and key performance indicators Visitors and interactions; Major visitor revenue sources; HM Bark Endeavour replica; Public programs & Education; Vaughan Evans Library; The Store; Sydney By Sail

Key result area 2 Collections Strategic directions and key performance indicators

Curatorial sections; USA Gallery; Design; Maritime archaeology; Australian Register of Historic Vessels (ARHV); Registration; Conservation; Fleet Key result area 3 Partnerships Strategic directions and key performance indicators Customer feedback; Members; The Welcome Wall; Media; Marketing; Venue hire and catering; Sponsorship;

Online and audience engagement; Volunteers Key result area 4 Resources Strategic directions and key performance indicators Capital works; Facilities and support services; Security; Information services (ICT, Online services and Records management); Human resources

03 Financial statements

Statement by council members and chief financial officer

Independent auditorâ&#x20AC;&#x2122;s report

Statement of comprehensive income

Balance sheet

Statement of changes in equity

Cash flow statement

Schedule of commitments

Schedule of asset additions

Notes

04 Appendixes

2010-2011 MMAPSS grants and internships

Visitor and Member programs

Selected acquisitions to the National Maritime Collection

105

Donors to the National Maritime Collection

108

AN MM publications

115

Staff publications and exhibitions

116

Staff conference papers, lectures and talks

119

Staff media appearances

122

Staff professional appointments

125

10 Staff overseas travel

127

11 Organisation chart at 30 June 2011

128

12 APS staff at 30 June 2011

129

13 Council members

133

14 Council meetings and committees

136

15 Australian National Maritime Foundation

137

16 Sponsors, patrons and supporters at 30 June 2011

138

17 Corporate and Supporting Members

139

18 Volunteers 2010-2011

140

19 Consultants

146

Functions and powers of the Minister

148

Functions and powers of the museum

149

List of Acts administered

150

Director's statement

150

Photographic credits

151

Key to compliance

152

Index

153

Our mission

To promote a broad interpretation of maritime heritage and culture; to preserve it and to bring it to life by ■

developing and managing the National Maritime Collection through research, acquisition, conservation and interpretation

top: Scott’s Antarctic medal, displayed in exhibition Scott's last expedition. 6

■

exhibiting the National Maritime Collection and other historical material in our care

■

presenting maritime heritage information through public and educational programs, events, the internet and publications

■

expanding our sponsorship, marketing and other commercial revenue sources

above: Oprah Winfrey’s

above: Australian aquatic star

entourage on Endeavour replica off the Opera House.

Beatrice Kerr in silver fish-scale suit, c 1906. AN MM collection

Our values

Our methodology

As an organisation and as individuals we rem ain committed to

The key to the successful pursuit of our vision is

honesty, integrity and ethical practice innovation, application and achievement

PEOPLE

Programs that are wide-ranging, innovative, appealing and accessible Engagement with scholarly activities, traditional

exemplary service standards

maritime practices and contemporary issues Outreach to culturally diverse, remote, regional and Indigenous audiences Partnerships and collaborative ventures that will enable us to do more and reach further Lateral approaches to the introduction of new technologies Enhancement of our site, our facilities, our systems and our cost-effectiveness

top: Stepped hydroplane

above: View of Sydney

Nautilus II, an early example of Australian powerboat

1803 from Baudin's Voyage de Decouvertes aux Terres Australes. AN MM collection

technology. AN MM collection

Robert Falcon Scott writing in his cubicle in the 1910-12 expeditionâ&#x20AC;&#x2122;s hut, from the exhibition Scottâ&#x20AC;&#x2122;s last expedition. Photograph H Ponting, Pennell collection, Canterbury Museum, New Zealand

Highlights 2 0 10 -2 0 11 Achieved attendance of 461,302 visitors to the museum and Endeavour replica on tour

Staged the 2010 Classic & Wooden Boat Festival with the theme ‘Old is New - recycle, restore, reuse'

Attracted 2,740,624 interactions by the public (target 2.5 million), including more than 5% increase in virtual interactions

Acquired the de Freycinet Atlases recording Nicolas Baudin’s Australian expedition (1801-04)

Earned $9,969 million in self-generated revenue (target $9,155 million) - including an estimated volunteer labour value of $1.8 million

Completed the transfer of remaining Australian Netherlands Committee on Old Dutch Shipwrecks (ANCODS) material from ANMM to Western Australian Maritime Museum

Doubled the total value of sponsorship received and committed, and more than tripled cash sponsorship

Increased entries on the Australian Register of Historic Vessels by 35 vessels, awarded 206 owner certificates

Secured the Oprah Winfrey ShoWs only on-water event in Sydney, on the museum’s H M B Endeavour replica

Digitised 5,007 object records of National Maritime Collection items for eMuseum and other online applications

Renewed the rigging of the HMB Endeavour replica and commenced a one-year circumnavigation of Australia, completing four east-coast passages

Published Oskar Speck 50,000 kilometres by kayak, an epic seven-year voyage from Germany to Australia in the 1930s

Exhibited: • Scott's Last Expedition • Planet Shark - Predator or Prey - The Exhibition • On their o w n - Britain's child migrants

Unveiled 1,505 new names on four new panels of The Welcome Wall, our tribute to migrant Australians, in two unveiling ceremonies attended by 3,600 visitors

• Sons of Sindbad - the photographs of Alan Villiers • Quest for the South Magnetic Pole • Macquarie’s Light

Welcomed a record 9,500 school visitors to the museum for our education programs in term 3

• Tayenebe - Tasmanian Aboriginal women’s fibrework • Intertwined Journeys - Tu Do and the Lu family • Freshwater Saltwater - prints from the Australian National Maritime Museum Collection • N A ID O C - The works of Billy Missi • Surf & Snapper - photographs of Jeff Carter • David Moore - portrait of a shipping company Toured exhibitions: • Exposed! The story of swimwear • Little Shipmates - seafaring pets • Steel Beach - ship breaking in Bangladesh • Joseph Banks and the flora of the Australian east coast

Launched a new portal-style catalogue interface for the Vaughan Evans Library Awarded $115,000 to 20 heritage projects around Australia under the Maritime Museums of Australia Project Support Scheme (MMAPSS) Completed on time and on budget Stage 1 of Eastern Works project (Yots Restaurant, Waterside Studio and Ben Lexcen Terrace); Wharf 7 Northern Annex; new marina and South Wharf pontoon Developed new natural resource consumption reduction initiatives and targets

• Sons of Sindbad - the photographs of Alan Villiers Received support from the National Collecting Institutions Touring and Outreach (NCITO) Program

Named as Venue of the Month on SUVA (Sydney’s Unique Venues Association) website in March, April and May

01 the year in review highlights 2010-2011

centre left: Promotional image for Planet Shark - Predator

top: Four quarto volumes and folio atlas of Nicolas Baudinâ&#x20AC;&#x2122;s

or Prey - The Exhibition

Voyage de Decouvertes aux Terres Australes. AN M M

by Grande Exhibitions.

collection

bottom: Recently redeveloped Ben Lexcen Terrace, part of the Eastern Works program

right: Endeavour replica sails on Australian circumnavigation with

to improve museum facilities.

renewed standing rigging.

Director's overview

This reporting period has seen us undertaking two of the most vital and important projects that we have embraced in recent years - the major site redevelopment known as the Eastern Works, and a historic circumnavigation of Australia by our replica of James Cook’s HM Bark Endeavour. For much of the year part of the site has been wrapped in hoardings; both staff and the public have at times had to put up with the sounds of demolition and construction on the Eastern Works, a project that is revitalising the fagade of the museum looking across Darling Harbour to the Sydney CBD - the aspect that all those city workers see when they look towards us. This redevelopment is providing greatly enhanced facilities for some of our most important public interactions. At the end of the financial year Stage 1 had reached practical completion, with Yots restaurant, the adjacent Waterside Studio and above it the Ben Lexcen Terrace ready to open. The facilities will expand our capacity for conferences, educational programs, hospitality and venue hire. Clever design has opened up some of the museum’s most under used locations, and in the case of the Ben Lexcen Terrace provided a facility of unequalled capacity and prestige with dazzling city and harbour views. Stage 2 of the project, redeveloping the museum foyer, main entrances and associated services closest to Pyrmont Bridge, was ready to get underway on schedule. In addition this year

a number of other key infrastructure projects were completed or progressed. They included the new Northern Annex on the Wharf 7 Maritime Heritage Centre and an upgrade of the underlying wharf structure; replacement of the fleet marina and installation of a new South Wharf pontoon. In addition we embarked upon very substantial capital investment on upgrades to information and communications technology. The Australian National Maritime Museum is located in a precinct of Sydney - Darling Harbour and Pyrmont - that has reinvented itself completely over the nearly two decades that we’ve been open to the public. That process is continuing, too. Billions are being spent on a huge makeover for Star City casino, there’s a massive development under way that’s adding major new performance, convention and exhibition facilities to Darling Harbour, while the Sydney Aquarium, which expanded in the past decade to include a zoo, will be opening a branch of Madame Tussaud’s. It’s vital that this museum is able to keep up with this dynamic growth, ensuring that our facilities are not just looking good but working as well as they can. Agreements on this sort of capital expenditure come from the Australian Government, and we depend on its support for the kinds of upgrades mentioned above that are essential to keep us competitive. In view of the fairly high impact that construction had on our public spaces this year it’s perhaps not surprising that we experienced a slight decline in our on-site

above: Director Mary-Louise Williams with Tim Winton, author, surfer and marine conservation advocate, who opened the museum’s successful summer attraction Planet Shark.

01 the year in review director’s overview

visitation, although this is just one component of the continually growing interactions with our public through outreach programs around the country. (Outreach is the subject of a separate section of this report, see page 18.) Possibly also contributing to reduced on-site visitation was the amount of time that our acclaimed replica of James Cook’s HM Bark Endeavour was away from our wharves - but that too was a by-product of one of our most ambitious outreach programs ever: the 2011-12 Australian circumnavigation that is bringing the most famous ship in Australian history to new audiences in 15 ports around the nation. We have been working with communities and other museums to maximise the number of Australians who have the chance to enjoy Endeavour, both in its museum display mode alongside, and experiencing 18th-century seafaring on the passages between ports. From the moment that the Hon Peter Garrett am mp, then Minister for Environment Protection, Heritage and the Arts, announced the historic circumnavigation on 28 July 2010, we knew we had a massive undertaking on our hands that has called upon the skills and resolve of many sections and staff. First, the ship underwent major maintenance and engineering works that included, for the first time since its launching in Fremantle in 1993, a complete renewal of the ship’s standing rigging. This in itself was a fascinating exercise in maritime scholarship and the preservation of traditional techniques, starting with sourcing materials from the 17th-century ropewalk

above right: Indigenous elder Max Eulo and Endeavour replica’s above left: Completed Eastern Works Phase 1: Harbourside

Captain Ross Mattson at a traditional smoking ceremony

Studio, Yots restaurant and the Ben Lexcen Terrace.

as the ship departed on her Australian circumnavigation.

at England’s Chatham Dockyard. An article on the theory and practicalities of that era of rigging by our leadinghand rigger in our journal Signals and on the museum’s blog site was highly praised from many quarters, demonstrating how we communicate and share our work with communities around the world. The logistics of promoting, recruiting, supporting the ship and managing its port visits from afar were indeed huge and called for great teamwork. Part of that was encouraging the support of a broad range of sponsors from diverse sectors, who have come on board in record numbers to generously support the circumnavigation. One very important voyage partnership, as the replica initially retraces Cook's track up the east coast of Australia in 1770, has been to offer 39 berths across various voyage legs to young Aboriginal and Torres Strait Islander people from remote and regional communities. The aim is to help them develop new skills that will result in employment opportunities, particularly in the marine sector. As well as that, our intention is to encourage mutual understanding of our shared though sometimes contested history. We thank the Australian Government’s Department of Education, Employment and Workplace Relations for its support of this program. It’s not exaggerating to say that Cook’s voyage on the Endeavour was the 18th-century equivalent of modern-day voyages into space to discover more about our universe. By coincidence, our Endeavour circumnavigation corresponded with the final launch and

01 the year in review director's overview

mission of NASA’s space shuttle Endeavour in 2011. Both captains found common ground. Our Captain Ross Mattson wrote to NASA’s Captain Mark Kelly: ‘Our two vessels share more than just a name. Our respective Endeavours also represent opportunities for learning and furthering our understanding of the future and the past.’ Captain Kelly replied: ‘We both believe in the human imperative to explore ... We are proud that our space shuttle shares its name with your sailing vessel and all that it represents.’ For visitors who may be missing Endeavour in Darling Flarbour, in its place we have put another great Fremantle-built replica - that of the little Dutch VOC scout ship Duyfken, which in 1606 under Willem Janszoon made the first recorded charts of and landfall on an Australian coast. We welcomed back the Classic & Wooden Boat Festival, a spring weekend carnival that’s popular both with boating communities and family visitors. Those and the other high-quality attractions we offered to our audiences in 2010-11 are recorded in more detail on pages 26-34 and in Appendix 2 Their diversity of subject matter was admirable, and so too were the collaborations with leading institutions that they represent: the National Maritime Museum, Greenwich, UK, for Sons of Sindbad - the photographs of Alan Villiers exploring that amazing Australian documenter of the sea and seafarers; our longstanding work with National Museums Liverpool, UK, to produce the poignant On their own - Britain’s child migrants; and the recently opened Scott’s last expedition,

opposite: Manilla fibres at Chatham Dockyard, UK, being

above left: The Stoner family's yacht Weene turned 100 at the

spun into the ropes used in the Endeavour replica re-rigging.

2010 Classic & Wooden Boat Festival.

a collaboration with partners the Natural History Museum, London; Canterbury Museum, Christchurch, New Zealand; and the New Zealand Antarctic Heritage Trust. We were awed by the determination and resilience of Canterbury Museum after the devastation of the Christchurch earthquake, and welcomed its director, Anthony Wright, as our special guest at the opening. It’s a great satisfaction that each of these exhibitions goes on to further venues after opening here, extending our reach to audiences elsewhere. Our international profile is by no means limited to exhibition developments, as I think a selection of examples from this year demonstrate. I joined the President of the International Congress of Maritime Museums and representatives from several museums around the world to celebrate the opening of the new and impressive China Maritime Museum in Pudong, Shanghai. Our own staff had on several occasions over the years advised planning groups from the Shanghai museum on key issues for maritime museums, developing important relationships for this, the Asian century. The bold and distinctive new museum, designed by German architect Meinhard von Gerkan, covers nearly 47,000 square metres with exhibition and display areas of 21,000 square metres. In early 2011 we launched the Ambassador Bill Lane USA Gallery Fellowship, our initiative to encourage research into Australian and American shared maritime heritage. The fellowship honours the memory of the late L W ‘Bill’ Lane Jr ao, the US Ambassador to Australia from

above right: Former child migrant Stewart Lee, whose photograph (left) appeared in the exhibition logo, with curators Kim Tao and Daina Fletcher. 15

1985 to 1989, a great friend of the museum who was personally behind the establishment of the museum’s USA Gallery with a multimillion dollar benefaction from the US Senate on the occasion of Australia’s Bicentenary celebrations in 1988. Ambassador Lane, who was immensely proud to have received his Order of Australia in recognition of this achievement, died in 2010. The launch was a glittering event with many old friends from political, diplomatic and cultural circles. The Ambassador Bill Lane USA Gallery Fellowship builds on two decades of fruitful relations with American museums and maritime historians. Among many fascinating seminars and lectures that we organised during the year, listed in Appendix 2, we co-hosted an important symposium on the health of our oceans and signs of climate change in association with the Institute Cervantes, the Spanish Consulate and the Spanish National Research Council. The occasion was a visit by scientists and crew of the Spanish oceanographic research vessel Hesperides, which has been undertaking its ‘Malaspina expedition’ (named after Alessandro Malaspina, the late-18thcentury leader of Spain’s first scientific expedition circumnavigating the globe). The ship was then on its last leg home to Spain. A partnership closer to home was our longstanding one with the Royal Australian Navy. This year we combined with the RAN to mark its approaching centenary - 100 years since 10 July 1911 when King George V granted the title ‘Royal’ to the 10-year-old Commonwealth Naval Forces, allowing its vessels to be known as ‘His Majesty’s Australian Ships’.

above left: Launching the Ambassador Bill Lane USA Gallery Fellowship: senior curator Paul Hundley, 16

We contributed chapters on preserving naval heritage to the RAN’s official publication 100 Years of the Royal Australian Navy, and in June we held a Navy Family and Community Day that included spectacular demonstrations in the air and water by RAN personnel, RAN ceremonies, lectures and a seminar. Global financial uncertainty together with the large number of major museum initiatives requiring additional support created a challenging environment in which to secure new partners. Despite this, the council, myself and our commercial management remained focused on expanding corporate and stakeholder engagement, and the museum experienced strong growth in sponsorship revenue. In the coming financial year we will celebrate a milestone that will be a theme for our activities and an opportunity to review and flag our achievements as an important participant in the nation’s cultural and heritage affairs. On 31 November 2011 it will be exactly 20 years since the public opening of the museum by the then Prime Minister Bob Hawke, whose government had announced its support for a national maritime museum in the mid-1980s, and funded its construction and early development over the five years to 1991. During the year under review we passed two important milestone anniversaries that were precursors to this museum's public opening. In October 2010 it was 20 years since our first eight volunteers began donating their time and services to work for the museum, recruited after we held our first public education program with the adult education organisation WEA, formerly Workers Education Australia. Some of those

above right: Aerial display during director Mary-Louise Williams, US Ambassador Jeffrey Bleich, chairman Peter Dexter.

the Navy Family and Community Day celebrating 100 years of the Royal Australian Navy.

01 the year in review director’s overview

fill

first volunteers are still donating their time and skills. The volunteer corps, though, has grown from eight to well over 800, helping us in many different areas of work both public and behind the scenes. They are a vital and much-appreciated sector of our organisation. It was also 20 years since the museum held its first-ever exhibition, in the spring of 1990. Delays we had experienced with the completion of the museum building at Darling Harbour led us to preview a selection of the collection that staff had been assembling. The exhibition was called Painted Ships, Painted Oceans art and artefacts from the Australian National Maritime Museum, and it was held at the National Trust’s S H Ervin Gallery on Sydney’s Observatory Hill. The outlook for the coming year, while offering our usual very fine selection of exhibitions and programs, will include some very difficult budgetary decisions. We will have to deal with the compounding impact of the annual efficiency dividend which will be increased by an additional .25%. Appropriations have not kept up with inflation and we are entering a period where substantial costs in energy prices are certain. We are not alone in this context and like other cultural organisations we will have to make some significant decisions about how we spend our financial resources. We will try to avoid reducing the programs offered to the public, and avoid the redundancies that some agencies are offering. On a positive note, however, the year ended with approval being signalled for the museum’s Enterprise Agreement 2011-2014, the first to take place under the Fair Work Act (2009), with all parties agreeing on its terms and conditions.

I will conclude this overview on a personal note. The Australia Day honours list this year saw Jan Mclnnies, the museum's receptionist since 1989, awarded the Public Service Medal. Jan, with her unrivalled knowledge of the organisation, is at the very front line of the museum, the first museum staff member that countless thousands of official visitors or anonymous members of the public encounter when they arrive in person or make an enquiry by phone. In many ways Jan is the best-known public face of the museum - but she’s also indispensable to staff too, known to all and all-knowing! And as a footnote, this is the last annual report to which I will put my name. With the approach of the museum’s 20th anniversary of being open to the public, I have decided to retire soon and the recruitment process for a new director to lead the Australian National Maritime Museum into its third decade has begun as we go to press. It’s more than 23 years since I first joined the museum as its senior curator, in May 1988, and at the time of its opening I was assistant director (Programs Branch). After heading the Collections and Exhibitions Branch for some years I became director in 2000. My time here has been immensely satisfying and enjoyable, but there always comes a time to move on. Mary-Louise Williams Director Australian National Maritime Museum

above right: Ambassador of the above left: Members enjoy Australia Day 2011 harbour

Kingdom of the Netherlands Willem Andrae and director

festivities on board heritage ferry MV Radar (right).

Mary-Louise Williams inspect Dutch shipwreck artefacts. 17

Outreach encompasses a wide range of activities including (but not limited to) print and electronic publishing, public and schools programs, communitybased projects, travelling exhibitions, web-based programs, advisory services to remote and regional Australia, on-site visits, grant programs, building

The Australian National Maritime Museum continues to develop a w ider reach and to extend its services to communities outside Sydney and across Australia.

collaborative relationships and access through voyages of the museum’s HM Bark Endeavour replica. Outreach activities during 2010-11 are recorded both by program type and by museum sectional activities.

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01 the year in review outreach

MM APRS grants to regional and community organisations

Sail Away and travelling exhibition program

usually community-based and run by volunteers, to fund restoration, conservation, collection management and exhibition development projects.

Sail Away is a program of travelling exhibitions available to two tiers of museums - those with a museumstandard environment and those close to it. It uses specially designed, easily managed and installed modules of hanging artworks and photographs. We also tour more complex exhibitions. During the reporting period the program toured or prepared exhibitions Exposed! the story of swimwear, On their own - Britain’s child migrants-, Joseph Banks and the flora of the Australian east coast; Little Shipmates - seafaring pets; Freshwater Saltwater - Aboriginal and Torres

The scheme was initiated in 1995 and since then 230 projects across all Australian states and most of its

Strait Islander prints; Steel Beach - ship breaking in Bangladesh and Sons of Sindbad - the photographs

territories have been supported. This year we awarded $115,000 to 20 heritage projects. Details of these appear in Appendix 1.

of Alan Villiers. Their destinations are listed in the Temporary, floating and travelling exhibitions’ section of this report pages 26-34.

internship program

HM Bark Endeavour replica

Volunteers from regional and remote maritime museums receive financial support to work at AN M M for a period, gathering skills and making important professional contacts. Recent interns have included:

The 13-month circumnavigation of Australia by H MB Endeavour is the largest, most ambitious national outreach program ever undertaken by the museum. The voyage includes every state plus the Northern Territory, every state capital city, with visits to 12 regional ports and opening to visitors in nine

One of the museum’s most important cultural outreach programs is the Maritime Museums of Australia Project Support Scheme (M MAPSS), which we administer with funding from the Australian Government through the Office for the Arts, Department of the Prime Minister and Cabinet. Grants of up to $10,000 are awarded to non-profit maritime museums and historical societies,

• Ron Creber, Ballina Naval Museum, Ballina, NSW • Jennifer Gilbert, Queensdiffe Maritime Museum, VIC.

of those ports.

opposite: James Cook re-enactor Rick Ashcroft of

above left: A M MAPSS grant

the Cooktown Re-enactment

allowed the South Australian Maritime Museum to explore

Association during the Endeavour replica’s visit in

the history of the steam tug Nelcebee, which survives in

June 2011.

Port Adelaide.

above right: Sydney Heritage Fleet’s 1874 iron barque James Craig outside the Wharf 7 Maritime Heritage Centre. 19

Sydney Heritage Fleet

Curatorial

This community-based non-profit organisation formerly known as the Sydney Maritime Museum began in 1965

Curatorial and other museum staff delivered or published lectures papers or articles, or appeared in various media, to a variety of external audiences listed in Appendixes 6, 7 and 8.

and specialises in restoring and operating heritage steam and sailing vessels. The Australian National Maritime Museum provides a high level of support to SHF and its large volunteer base by donating extensive office, collection storage and workshop accommodation and services, plus berthing for its major asset the barque James Craig at our Wharf 7 Maritime Heritage Centre.

Conservation Caroline Whitley, senior conservator, paper and photographic materials, presented three workshops to staff and volunteers, and advised on storage and handling of paper-based collection materials, Norfolk Island Museum.

The Australian Register of Historic Vessels The Australian Register of Historic Vessels is an online database (www.anmm.gov.au/arhv) building a national picture of historic vessels and their designers, builders and owners. ARHV is extending its national reach with award ceremonies being held to recognise owners in NSW, Tasmania and South Australia.

eMuseum The eMuseum project (www.anmm.gov.au/emuseum) is digitising the National Maritime Collection for access by people who cannot visit the museum. At the end of the reporting period, another 5,007 objects had been made available for public access.

above left: Owners of heritage vessels from around Australia received certificates and pennants after listing their craft in the Australian Register of Historic Vessels. 20

above right: Murray River paddle steamer Alexander Arbuthnot, still operational at the Port of Echuca, was listed on the Australian Register of Historic Vessels.

Registration The section contributed digital object records to internet image reseach portals Trove and Picture, and advised the River Canoe Club on registration-related issues.

Fleet Staff of the museum section responsible for floating vessel management and maintenance promoted the museum and its Endeavour replica circumnavigation cruise while in Goolwa, SA, for the Wooden Boat Festival.

01 the year in review outreach

tflcols & Magazines |

i Registers oi Shipping

Place o' Publication Publisher Date

Publication Publisher Date

Signals

**?

Sydney Sydney: R. Dey t920 -1924

Sydney Motor Yacht Club of New South Wales 1925 -1930

Signals: Quarterly Magazine of The Australian National Maritime Museum Place of Publication Sydney Publisher Australian National Maritime Museum Date 1986-2008

Education

Welcome Wall

Education staff recruited and coordinated school visits in ports around the country for the Endeavour circumnavigation of Australia, developing online education resources and a virtual Endeavour tour for primary students. Staff developed and presented a workshop titled Whales and Tall Ships for Liverpool

The Welcome Wall is the museum’s tribute to migrants, and encourages people to recall and record their

Regional Museum to complement their exhibition on whaling, and education kits to accompany the Sail Away and travelling exhibition programs.

pictures and further details about their stories and in doing so create a monumental and practical account of migration to Australia.

Members

Volunteers

Video recording of seminar and lectures are available online to be accessed by even more people - 67 videos are now live.

During the financial year, the museum placed six students for work experience. Volunteer outreach included the recruitment of national volunteers in support of HMB Endeavour replica’s circumnavigation

Vaughan Evans Library

2011-12, for visits to ports around Australia.

The museum’s public research facility, named for the maritime historian whose personal library became the core of its now unrivalled maritime history collection, provides personalised research enquiry services to people unable to visit in person. This year it assisted 1,918 external enquiries. The library’s online research resources include extensive indexes of ship illustrations, and digitised periodicals. Staff assisted the Naval Historical Society to develop a collection management system.

above left: Museum’s public research facility the Vaughan Evans Library offers online research resources to distant audiences.

above right: The May 2011 unveiling of new names on The Welcome Wall brought family and friends from far and wide.

stories of coming to live in Australia. Its online database makes these stories available to family historians and researchers everywhere. Registrants and the public can search for relatives and friends online, submit

Venue hire and catering The section’s educational outreach initiative provides TAFE NSW Event Management students with experience of the museum’s venue operations, by site inspection and forum.

Collaboration and partnerships

Director and executive

ARC Linkage

The museum has wide and strong connections with museums in Australia and overseas. The director and members of the executive are actively involved in peak bodies such as the International Congress of Maritime Museums, the Council of the Australasian Museum Directors, the Council of American Maritime Museums, the Council of the Humanities and Social Sciences, the US-based Foundation for the Preservation of Captain Cook’s Ships, the Rhode Island Maritime Archaeology Project and Ausheritage to name a few. Through these organisations senior museum staff have contributed to the development of policies and programs of joint value in Australia and overseas. The museum has also worked with several local embassies this year such as the Royal Netherlands Embassy with whom they collaborated on the return of shipwreck artefacts to Australia and an ongoing program to acknowledge shared histories.

■ The Australian historic shipwreck protection project: The in situ preservation and reburial of a colonial

HM Bark Endeavour replica The museum has worked with port authorities, local government, state museums and a multitude of community and corporate organisations who are supplying cash and in-kind support for the Endeavour circumnavigation (listed under Sponsorship page 24). A key partnership is with the Department of Education, Employment and Workplace Relations, described in the Director’s Overview section on page 13.

trader Clarence (1850). Administered by The Australian National University and partnering with Department of Sustainability, Environment, Water, Population and Communities; Department of the Chief Minister, Northern Territory; NSW Department of Planning; Norfolk Island Museum; Tasmanian Parks and Wildlife Service; Queensland Department of Environment and Resource Management; The Australasian Institute for Maritime Archaeology; Department of Planning and Community Development; and the Western Australian Museum. ■ Cultures of Coast and Sea: Maritime environmental, cultural and ethnographic histories of north-east Australia, 1770-2010. Administered by The University of Sydney and partnering with Queensland Museum, Silentworld Foundation and Australia India Council.

Other curatorial partnerships A national Indigenous watercraft conference is being planned with partners the Australian Museum, National Museum of Australia, Queensland Museum, South Australian Museum, Western Australian Museum, Tasmanian Museum & Art Gallery, Tribal Warrior Association, National Parks & Wildlife Services of NSW. Exhibition on child migration: National Museums Liverpool; Forgotten Australians and Consultative Forum;

01 the year in review collaboration and partnerships

and Department of Families, Housing, Community Services and Indigenous Affairs (FaHCSIA). Exhibition Hood’s Harbour with Sydney Harbour Federation Trust, for Cockatoo Island in 2012. Additional partnerships over a range of programs with Australian National Data Service; Museums Australia; Centre for International Activities, Leiden; Historical Naval Ships Association; Naval Historical Society of Australia; and Western Australian Maritime Museum.

Conservation DISNSW - a cross-organisation group working to facilitate cooperation in the event of damage occurring to cultural heritage collections in the greater Sydney area; AICCM (Australian Institute for the Conservation of Cultural Material) - professional organisation of conservators comprising AICCM Taskforce on environmental guidelines for museum, gallery, library or archive collections.

Registration

Maritime archaeology Collaborations with Silentworld Foundation, University of Sydney, NSW Heritage Office (Department of Planning), Department of Sustainability, Environment, Water, Population and Communities, Flinders University, Maritime Archaeology Associations of Queensland & Victoria, Oceania Maritime, Australasian Institute for Marine Archaeology.

Worked with Museum MetaData Exchange project, Museum Studies Unit, University of Sydney; the Australian Dress Register; and the National Library of Australia’s Picture Australia and Trove data sharing initiatives.

Fleet Staff of the museum section responsible for floating

Australian Register of Historic Vessels A national steering committee makes this a collaborative project with the South Australian Maritime Museum, Western Australian Maritime Museum, Sydney Heritage Fleet and Sydney company Sydney Harbour Wooden Boats. The ARHV curator works with the International

vessel management and maintenance continued an association with the RAN, assisting with the training of Navy divers, and with the Australian Army assisting with bomb training. Fleet worked with the Boating Industry Association and shipwrights in private and government shipyards showcasing the Endeavour replica refit.

Congress of Maritime Museums' Historic and Traditional Ships Panel.

opposite: Opening of the new China Maritime Museum in Shanghai: signalling a growing partnership with Asia’s powerhouse.

above left: Partnerships with Australian Maritime Safety

Above right: Ongoing

Authority Cape included a project to return Cape Wickham

collaborations with the Silent World Foundation, academic and

lighthouse lens to King Island, aided by AM SA’s Lyndon

heritage organisations support major archaeological projects

O’Grady.

like this one at Wreck Reefs. 23

A u s t r a l i a n N a t io n a l

Design 3D designer Johanna Nettleton was seconded to the National Maritime Museum Greenwich in 2010 to study the permanent exhibitions and innovative installations in the new Sammy Ofer wing, and visited the Merseyside Maritime Museum in Liverpool. Her research included sustainable design, immersive experiences, interactive displays and new media in exhibitions.

Vaughan Evans Library Collaboration with library partners Smedia adding over 16,000 pages of content to the Vaughan Evans Digital Archive. A long-term collaboration with the National Library of Australia and Libraries Australia/ Trove contributes to greater discovery of the library’s resources and relevant historical resources online.

Public programs and education Longstanding strong partnership with WEA (Workers Education Association) for a series of courses and lectures. Worked with Playgroups NSW to host The Worlds’ Biggest Playgroup Day. With the Centre for Learning Innovation (NSW Department of Education & Training) staff developed an online virtual tour of H M B Endeavour for primary students. We ran joint programs with Sydney Aquarium (Planet Shark - Predator or Prey - The Exhibition) and Imax Theatre (Scott’s last expedition) as a member of Darling Harbour Education Network. Participated in the annual Teachers Open Day; internships with UTS; loaned swimming costumes

above left: Working with Playgroups NSW to fill the museum with mothers and

with the Maritime Union of Australia on World Maritime Day

infants for an event called The World’s Biggest Playgroup Day.

honours the sacrifices of merchant mariners during wartime.

above right: Annual partnership

from the Education Collection to Historic Houses Trust; worked with maritime industry and training professionals for our annual Maritime Careers Day for senior students. A seminar on oceanic research and global warming was a collaboration with Institute Cervantes, the Spanish Consulate and the Spanish National Research Council. We partner each year with the Maritime Union of Australia to mark International Seafarers Day and remember Australian merchant mariners lost during wartime, and with the Z Special Forces and Commando Associations to hold a Remembrance Day service.

Sponsorship Thirteen voyage partners are supporting the Endeavour voyage around Australia: Austereo, Australian Maritime Safety Authority, Caltex, Carnival, Channel 9, DMS Maritime, The History Channel, NSW Maritime, Perth 2 0 1 V I S A F , Taronga Zoo, The West Australian, Toshiba. Long-term friends of the museum Blackmores, Lloyd’s Register and Tenix continued to support our exhibitions, as did Nine Entertainment, Austereo and APN Outdoor.

Welcome Wail The museum re-energised its partnership with media sponsor SBS for a summer TV marketing campaign. The Department of Immigration and Citizenship enabled the registration of 87 British child migrants.

01 the year in review collaboration and partnerships

Members

Venue hire and catering

Members section collaborated with many organisations to stage events, lectures and seminars including: Captain Cook Cruises; NSW Primary Industries Fisheries Management; Historic Houses Trust; Cruise Passenger magazine-, National Museum of Australia; Naval Historical Society of Australia; Royal Australian Navy; Seapower Centre; Village Roadshow; IMAX; State Library of NSW; Heritage Office, NSW Department

Involvement with industry associations to strengthen alliances and business relations, including Meetings & Events Australia, Sydney’s Unique Venues Association (SUVA) and the Sydney Harbour Foreshore Authority (SHFA). The venues unit introduces a valuable network of corporate and government contacts. This year they included: iOmniscient (International Internship Program), University of Adelaide, The Informed Tourist, PRIA (Public

of Planning; Sydney Heritage Fleet; Australian War Memorial; Montevideo Maru Association; Rodney Fox Research Foundation; Surf Life Saving NSW; Sydney Harbour Wooden Boats; and The Plastiki Project.

Relations Institute of Australia), Embassy of the Kingdom of the Netherlands, Commonwealth & State Facilities Managers of Cultural Institutions; Australian Government Leadership Network, Channel Ten, Department of Premier & Cabinet, CFO (Chief Finance Officers) Forum, Instituto Cervantes, Australian Antarctic Division.

Human resources Collaboration with the Human Resources Directors Forum for Cultural Agencies (a forum of all APS cultural agencies on developing issues, HR approaches and methodologies); The ACT Small Agencies Forum; The Workplace Relations Network considering APS industrial issues; and the ECONet Forum (APS ethics and discipline issues, responses to government changes to policy and procedure).

The Store The Store and AN MM hosted the 2011 Museum Shops Association of Australia (MSAA) national conference of retail and merchandise managers from museums and other cultural institutions from all around Australia and New Zealand. The retail and merchandise manager is currently the president of the MSAA and presented seminars and workshops throughout the conference.

Security Collaboration with federal and state agencies including Army, Navy and police in training exercises and providing operational facilities, encouraging closer ties with these agencies when important events take place at the museum. Partnership with Business Risk International to provide security services.

above: NSW Department

above right: The Boating Industry Association and the museum’s

of Primary Industry (Fisheries Management) collaborated in a fishing clinic for youngsters on

Fleet section organised an inspection of the Endeavour replica refit for NSW shipwrights

the museum’s own waterfront.

and marine writers. 25

Temporary exhibitions

David Moore - Portraits o f a shipping company

Intertwined journeys Tu Do and the Lu family

Sons o f Sindbad the photographs o f Alan Villiers

World-renowned Australian photographer David Moore was commissioned by Columbus Line to create photographic portraits of their shipping activities. The company began operations between North America and Australia/New Zealand in 1959, the first regularly scheduled container shipping service.

The remarkable story of the Lu family, who arrived in Australia in 1977 on the Vietnamese refugee boat Tu Do, is documented in 14 photographs by Michael Jensen and Andrew Frolows. The museum acquired Tu Do - meaning Freedom - in 1990 and has worked closely with the Lu family to record their experiences and restore the boat.

Alan Villiersâ&#x20AC;&#x2122; photographs of his

Team leader Niki Mortimer Curator Paul Hundley Designer Slingshot Design Sarah Drury Registration Will Mather Conservation Jonathan London Marketing Susan Bridie Venue USA Gallery Dates From 13 May 2010 Visitors 219,363 (from 1 July 2010)

Team leader Niki Mortimer Curator Kim Tao Designer Daniel Ormella Registration Anupa Shah Conservation Sue Frost Venue Tasman Gallery Dates 16 June-14 November 2010 Visitors 74,276 (from 1 July 2010)

voyages aboard Arabian dhows in 1938-39 capture age-old Indian Ocean sailing traditions, the great skills and hardships endured by sailors and pearl divers, and what Villiers thought were the last days of sailâ&#x20AC;&#x2122; in the Red Sea, the Persian Gulf and the coasts of Arabia and east Africa. Produced in collaboration with the National Maritime Museum, Greenwich, UK, with the assistance of William Facey and Grace Pundyk. Team leader Niki Mortimer Curator Niki Mortimer Designers Aaron Maestri, Heidi Riederer Registration Will Mather Conservation Jonathan London Marketing Susan Bridie Venue South Gallery Dates 24 June-17 October 2010 Visitors 62,795 (from 1 July 2010)

g k A u stralian G overnm en t f4* National Collecting Institutions Touring & Outreach Program

01 the year in review temporary exhibitions

Quest for the South Magnetic Pole For over 150 years, explorers risked their lives in one of the planet's most hostile environments - the desolate Antarctic - to search for the South Magnetic Pole. Australians were involved at every stage and it was an Australian scientist who eventually came closest to reaching it in 2000. The exhibition revealed the science of magnetism, the extreme conditions endured by daring polar adventurers and one of history’s most bizarre and protracted quests. Team leader Mariea Fisher Designers Aaron Maestri, Adrienne Kabos Registration Will Mather Conservation Victoria Bramwell-Davis Public Programs Marina Comino, Lauris Harper Marketing Susan Bridie Venue Gallery One Dates 2 July-17 October 2010 Visitors 67,760

Macquarie’s Light 2010 marked the 200th anniversary of Lachlan Macquarie becoming fifth Governor of New South Wales. This exhibition explores the history of the Macquarie Lighthouse, from the original 1818 design commissioned by Macquarie, to the present design built by the NSW Colonial Government in 1883, with fascinating views of the changing landscape in which it is set. Team leader Niki Mortimer Curator Peter Gesner Designers Aaron Maestri, Adrienne Kabos Registration Cameron Mclean Conservation Caroline Whitley Public Programs Dallas Bicknell Marketing Karen Worsfold Venue North Gallery Dates 18 August-7 November 2010 Visitors 49,970

On their own Britain’s child migrants From the 1860s until the 1970s more than 100,000 British children were sent to Australia, Canada and other Commonwealth countries through child migration schemes. Few were orphans, though most embarked on the long ocean voyage alone. The lives of these children changed dramatically and their fortunes varied: some forged new futures, others suffered lonely, brutal childhoods. This exhibition created the opportunity for some of them to reunite.

South Australian Maritime Museum travelling exhibition developed with South Australian

Team leader Mariea Fisher Curators Daina Fletcher, Kim Tao, Lindl Lawton, Sally Hone Designers Johanna Nettleton, Daniel Ormella Registration Anupa Shah Conservation Jonathan London Public Programs Marina Comino, Jeff Fletcher, Lauris Harper Marketing Karen Worsfold Venue South Gallery Dates 10 November 2010-15 May

Museum and supported by Visions of Australia.

Visitors 132,659

2011

A collaboration between theAN M M and A u stralian G overnm en t ”

National Museums Liverpool, UK.

: Visions o f A u stralia

A u stralian G overnm ent National Collecting Institutions Touring & Outreach Program

Freshwater Saltwater Aboriginal and Torres Strait Islander prints This selection of 10 prints from our Sail Away travelling exhibition program reflects the deep spiritual and cultural significance of water for Aboriginal and Torres Strait Islanders. Vivid representations of marine life and environments celebrate Indigenous culture and the struggle of these communities for justice and land and sea rights. Team leader Niki Mortimer Curator Niki Mortimer Designers Slade Smith contract designer Registration Will Mather Conservation Caroline Whitley Public Programs Jeff Fletcher Marketing Karen Worsfold Venue Tasman Gallery Dates 17 November 201020 February 2011 Visitors 91,450

A u stralian G o vern m en t National Collecting Institutions Touring & Outreach Program

Planet Shark - Predator or Prey - The Exhibition

Surf and snapper photographs of Jeff Carter

Sharks have been predators in our oceans for more than 450 million years and they are one of the most successful yet misunderstood creatures on earth. Today there are more than 350 species and for the first time they are under threat. Featuring full-scale specimen models, fossils, real teeth and jaws, items from the 1975 blockbuster movie Jaws and interviews with shark attack survivors.

Sixteen evocative photographs show the Sicilian fishing community

Team leader Mariea Fisher Curator AN MM Stephen Gapps Designers ANMM Aaron Maestri, Heidi Riederer Registration Will Mather Conservation Rebecca Dallwitz Public Programs Sue-Anne Muller Marketing Susan Bridie, Karen Worsfold Venue Gallery Gallery One, North Gallery Dates 26 November 201027 February 2011 Visitors 97,674 Exhibition made available by Grande Exhibitions of Australia.

RLANETSHARK § G R A N D E •••-.❖.V

| O N S

in Ulladulla (NSW) long-line fishing for snapper, alongside more iconic images of Australian beach culture - swimming, surfing and sun baking. Team leader Niki Mortimer Curator Alexandra Wiber, Museum Studies intern Designers Adrienne Kabos Registration Anupa Shah Conservation Sue Frost Venue Tasman Gallery Dates 23 February-19 June 2011 Visitors 41,987

01 the year in review temporary exhibitions

Tayenebe - Tasmanian Aboriginal women’s fibre work A group of 35 Tasmanian Aboriginal women and girls aged from eight to 77 years have revitalised the fibre skills of their ancestors. Tayenebe showcases the unique connections that Tasmanian Aboriginal people have with the land and sea, and provides an insight into the significance of traditional fibre skills and practices. Team leader Niki Mortimer Designers Stephen Hain, Adrienne Kabos Registration Georgia Cunningham Conservation Caroline Whitley Public Programs Jeff Fletcher Marketing Carli Collins Venue North Gallery Dates 26 March-8 May 2011 Visitors 18,589 A Tasmanian Museum and Art Gallery travelling exhibition.

A u stralian G o vernm en t Visions o f A u stralia

Scott’s last expedition When Captain Robert Falcon Scott set out on his second expedition - the British Antarctic Expedition 1910 - he could not have predicted it would be his last. He died on the return journey from the South Pole two years later. Public perceptions of Scott have varied greatly over the years, from national hero to flawed leader, and discussions of what really happened on that ill-fated journey still captivate our imagination. Commemorating the expedition’s centenary, this exhibition goes beyond the struggle for survival and tragic outcome to explore the expedition from new angles and celebrate its achievements. Team leader Mariea Fisher Curator ANMM Lindsey Shaw Designers ANMM Johanna Nettleton, Daniel Ormella Registration Will Mather Conservation Sue Frost Public Programs Lauris Harper Marketing Susan Bridie, Karen Worsfold, Jackie Bonner (contract) Venue Gallery One, North Gallery and South Gallery Dates 17 June-16 October 2011 Visitors 5,879 (to 30 June 2011) In collaboration with the Natural History Museum, London; Canterbury Museum, Christchurch, New Zealand; and the New Zealand Antarctic Heritage Trust.

NAIDOC 2011 the works of Billy Missi In celebration of NAIDOC Week, eight lino prints by Billy Missi, a Torres Strait Islander artist, were on display. Through his artwork Billy expresses the importance of his cultural heritage and kinship, and demonstrates how the teaching of the elders has sustained his people to survive for many generations in the Torres Strait. Team leader Niki Mortimer Curator Lindsey Shaw Designer Adrienne Kabos Registration Anupa Shah Conservation Sue Frost Venue Tasman Gallery Dates 22 June-18 September 2011 Visitors 3,680 (to 30 June 2011)

Travelling exhibitions

Exposed! The story of swimwear

On their own Britainâ&#x20AC;&#x2122;s child migrants

Movie sirens, aquatic stars, bathing beauties, athletes, swimmers and designers have all played their part in the evolution of the modern swimsuit. This exhibition places Australian swimwear in a global context of design, swimming history and popular culture.

From the 1860s until the 1970s more than 100,000 British children were sent to Australia, Canada and other Commonwealth countries through child migration schemes. Few were orphans, though most embarked on the long ocean voyage alone. The lives of these children

Touring November 2009-February 2011 (5 venues)

changed dramatically and their fortunes varied: some forged new

Team leader Mariea Fisher Curators Daina Fletcher, Penny Cuthbert Designers Cameron Krone, Heidi Riederer Registration Anupa Shah Conservation Sue Frost Public Programs Anita Toft Marketing Susan Bridie Venue Queensland Museum South Bank Brisbane Dates 22 May-8 August 2010 Visitors 53,586 (from 1 July 2010) Venue Museum of the Riverina Wagga Wagga NSW Dates 21 August-7 November 2010 Visitors 11,139 Total visitors 64,725 (from 1 July 2010)

A u stralian G overnm ent

futures, others suffered lonely, brutal childhoods. This exhibition created the opportunity for some of them to reunite. Touring June 2011-August 2012 (4 venues) Team leader Mariea Fisher Curators Daina Fletcher, Kim Tao, Lindl Lawton, Sally Hone Designers Johanna Nettleton, Daniel Ormella Registration Anupa Shah Conservation Jonathan London Public Programs Marina Comino, Jeff Fletcher, Lauris Harper Marketing Karen Worsfold Venue Migration Museum SA Dates 18 June-24 September 2011 Visitors 5,500 (to 30 June 2011) A collaboration between the ANMM and National Museums Liverpool, UK.

V isions o f A ustralia

A u stralian G overnm en t National Collecting Institutions Touring & Outreach Program

01 the year in review travelling exhibitions

Sail Away AN MM travelling exhibition program Joseph Banks and the flora of the Australian east coast It took more than two centuries to publish the exquisite botanical watercolours of artist Sydney Parkinson, engaged by Joseph Banks for James Cookâ&#x20AC;&#x2122;s first Pacific voyage (1768-1770). The museum's copies of these wonderful coloured engravings from Banksâ&#x20AC;&#x2122; Florilegium have recently toured the country. Touring April 2008-February 2011 (10 venues) Team leader Niki Mortimer Curator Lindsey Shaw Designers Johanna Nettleton, Slade Smith contract designer Registration Anupa Shah Conservation Jonathan London Public Programs Marina Comino Access Programs Lauren Parker, Museum Studies intern Marketing Andrew Finlay

Venue Western Plains Cultural Centre Dubbo, NSW Dates 24 April-25 July 2010 Visitors 4,175 (from 1 July 2010) Venue Lake Macquarie City Art Gallery NSW Dates 6 August-19 September 2010 Visitors 4,852 Venue Gold Coast City Art Gallery NSW Dates 25 September-7 November 2010

Visitors 4,986 Venue Redcliffe Museum QLD Dates 8 December 2010-27 February 2011

Visitors 2,777 Venue Manning Regional Art Gallery Taree NSW Dates 16 March-17 April 2011 Visitors 1,148 Total visitors 17,938 (from 1 July 2010)

Little Shipmates seafaring pets Cats, dogs, monkeys and birds these delightful images of onboard pets taken by Sydney photographer Samuel Flood over a period of 50 years show their special place in seafaring history. Touring December 2009September 2011 (6 venues) Team leader Niki Mortimer Curator Patricia Miles/Megan Trehame Designer Daniel Ormella Registration Anupa Shah Conservation Sue Frost Public Programs Dallas Bicknell Marketing Karen Worsfold Venue Parkes Shire Library NSW Dates 30 April-25 August 2010 Visitors 7,828 (from 1 July 2010) Venue Museum of the Riverina Wagga Wagga NSW Dates 2 September-11 October 2010 Visitors 1,339 Venue Eden Killer Whale Museum NSW Dates 16 October 2010-23 January 2011

Visitors 15,751 Venue Flagstaff Hill Maritime Museum Warrnambool VIC Dates 1 February-1 May 2011 Visitors 10,838 Venue name or location Venue Address or location line 2 22 September - 13 December 2009

Total visitors 35,756 (from 1 July 2010) A u stralian G overnm en t National Collecting Institutions Touring & Outreach Program

Freshwater Saltwater Aboriginal and Torres Strait Islander prints

Steel Beach ship breaking in Bangladesh

Sons o f Sindbad the photographs o f Alan Villiers

Photographer Andrew Bell captured

Vivid representations of marine life and environments celebrate the survival of Indigenous culture and communities, and their struggle for justice and land and sea rights.

dramatic images of oil tankers and passenger liners beached on the wide mud flats of Sitakunda on the Bay of Bengal - the skeletons of half-scrapped ships, people labouring in a dangerous environment, and items ranging from giant cogs to kitchen sinks waiting to be recycled.

Alan Villiersâ&#x20AC;&#x2122; photographs of his voyages aboard Arabian dhows in 1938-39 capture age-old Indian Ocean sailing traditions, the great skills and hardships endured by sailors and pearl divers, and what Villiers thought were the last days

Touring August 2010-0ctober 2012 (7 venues) Team leader Niki Mortimer Curator Niki Mortimer Designer Slade Smith contract designer Registration Will Mather Conservation Caroline Whitley Public Programs Cathy McCabe Marketing Karen Worsfold Venue South Australian Maritime Museum Dates 21 August-24 October 2010 Visitors 3,793 Venue Maitland Regional Art Gallery NSW Dates 11 March-1 May 2011 Visitors 8,860 Venue Tweed River Art Gallery NSW Dates 6 May-7 August 2011 Visitors 9,161 (to 30 June 2011) Total visitors 21,814 (from 1 July 2010 not including Tweed River)

A u stralian G overnm en t Institutions Touring & Outreach Program

Team leader Niki Mortimer Curator Mariea Fisher Designer Slingshot Design Sarah Drury Registration Anupa Shah Conservation Caroline Whitley Venue Museum of the Riverina, Wagga Wagga, NSW Dates 2 September-11 October 2010 Visitors 1,339

of sailâ&#x20AC;&#x2122; in the Red Sea, the Persian Gulf and the coasts of Arabia and east Africa. Produced in collaboration with the National Maritime Museum, Greenwich, UK, with the assistance of William Facey and Grace Pundyk. Touring 27 January-2 October 2011 (2 venues) Team leader Niki Mortimer Curator Niki Mortimer Designers Aaron Maestri, Heidi Riederer Registration Will Mather Conservation Jonathan London Public Programs Sue-Anne Muller Marketing Susan Bridie Venue Carnegie Gallery Hobart (organised by Maritime Museum of Tasmania) Dates 27 January-27 February 2011 Visitors 3,328

A u stralian G overnm en t National Collecting Institutions Touring & Outreach Program

01 the year in review floating exhibitions

Floating exhibitions

Replica of HM Bark Endeavour

VOCjacht Duyfken

Barque James Craig

The magnificent replica of this

Inspect the replica of Duyfken (Little Dove), the Dutch East India Company ship that made the first recorded European visit to the Australian continent, making landfall on the west coast of Cape York

Sydney Heritage Fleetâ&#x20AC;&#x2122;s magnificent 1874 iron-hulled barque James

famous vessel of discovery, on which Cook made his first circumnavigation (1768-71), is open for inspection at the museum or when visiting other ports. Meticulously researched recreations of the cabins, living and working areas of officers and crew are fitted out with props and replicas, allowing the visitor to

in April 1606. The little scout ship or jacht was commanded by Willem Janszoon, who also made the first chart of mainland Australia. The Duyfken replica was built

experience the conditions and lives of 18th-century seafarers.

in Western Australia and launched in 1999, and has since re-enacted

In April 2011, HMB Endeavour embarked on a historic 13-month circumnavigation of Australia, opening to the public during port visits. The vessel was closed to visitors from 26 January in preparation for the voyage. Visitors 7,461 at the museum, 21,188 in port Voyage crew/berths 136

Janszoonâ&#x20AC;&#x2122;s original voyage of discovery. It is on display at the museum while HMB Endeavour is circumnavigating Australia. Visitors 12,138

Craig was recommissioned in 2000 after an epic, award-winning, 30-year restoration - one of only four such vessels in the world that are still sailing. Venue Wharf 7 Maritime Heritage Centre Joint ticketing with the Sydney Heritage Fleet

Statutory information requirements

Performance information for departmental outputs The Key Performance Indicators of the Portfolio Budget Statement (PBS) for financial year 2010-11 are given below. They relate to the single outcome: Outcome 1: Increased knowledge, appreciation and enjoyment of Australia’s maritime heritage by managing the National Maritime Collection and staging programs, exhibitions and events. PBS Key Performance Indicators 2010-2011 The AN M M’s targets for the 2010-11 budget year are a variety of educational and entertaining programs, exhibitions and events focusing on Australia’s maritime heritage and related matters: • Over 2.5 million interactions, including a 5% increase in virtual interactions Result: 2,740,624 interactions • 450,000 site visitors to the museum Result: 440,114 site visitors • 2,500 collection objects digitised for eMuseum and other online applications Result: 5,007 National Maritime Collection items digitised • A relative 2.5% increase in National Maritime Collection objects on display in core exhibitions Result: 3% increase (1,800 objects) • An increased number of national and international collaborations Result: 5% increase in collaborations • A 5% reduction in water usage and energy consumption Result: 3% reduction in water use and 8% reduction in energy consumption Corporate governance The museum is a statutory authority within the portfolio of Prime Minister and Cabinet. Its enabling legislation, the Australian National Maritime Museum Act 1990, established a governing Council to ensure the proper and efficient performance of its functions. At 30 June 2011, the Council comprised eleven members including the museum’s director and a representative of the Royal Australian Navy.

The full Council met four times during the reporting period. Business is facilitated through five committees detailed in Appendix 13. They meet in advance of each full Council meeting, and additionally if required, providing advice on the matters identified in their respective charters. Each committee comprises the director and at least two other councillors, one of whom acts as chair. All councillors are welcome to attend any committee meeting in an ex-officio capacity. The Council operates under a governance policy and undergoes periodic self-assessment. A number of councillors are members of the Australian Institute of Company Directors and subject to its code of conduct. All councillors are aware of the need to comply with both the letter and the spirit of relevant legislation. Operations are informed by the highest museological standards and codes of practice and all staff are bound by Australian Public Service values and code of conduct. The museum prepares triennial strategic plans and annual operating plans for ministerial approval in accordance with the ANMM Act. In addition, an annual charter of operations is also prepared and published in response to the Government’s New Directions for the Arts policy. The Minister receives reports on governance and strategic matters, and the chairman and director meet with the Minister as required to review these. A senior departmental representative attends all Council meetings as an observer. The museum is also subject to the Commonwealth Authorities and Companies Act 1997 (CAC Act) and in addition to its regular annual reporting obligations to the Minister and the parliament, also lodges a CAC Act compliance report with its portfolio Minister and the Minister for Finance and Deregulation. All museum staff are aware of the importance of good governance, and governance is a standing item on the agenda for the executive management group’s fortnightly meetings. Privacy legislation The museum provides information as required to the Privacy Commissioner for inclusion in the Personal Information Digest. No reports by the Privacy Commissioner under Section 30 of the Privacy Act 1988 were received during 2010-11. Freedom of information There were no requests under the Freedom of Information Act 1982. The museum’s FOI officer is Russell Smylie, phone 02 9298 3619, email rsmylie@anmm.gov.au

01 the year in review statutory information requirements

Judicial decisions and reviews by outside bodies There were no judicial decisions that affected the museum during the period under review. There were also no reports on museum operations by the Auditor-General, a parliamentary committee or the Commonwealth Ombudsman. Effects of ministerial directions The museum received no formal notification or ministerial directions during the reporting period. The National Code of Practice for the Construction Industry, the Commonwealth Procurement and Cost Recovery Guidelines, and the Foreign Exchange Policy continue to apply to the museum by virtue of notices issued in preceding reporting periods. Indemnities and insurance premiums for officers No current or former officer has been given any indemnity and there are no agreements to give any. Normal directors and officers insurance is carried through Comcover and the annual premium was $3,696. Occupational health and safety The museum has comprehensive and compliant health and safety management arrangements affirming its commitment to provide and maintain a working environment that is safe for employees, is without risk to their health and provides adequate facilities for their welfare at work. This commitment also extends to the museum’s volunteers, contractors and visitors. The OH&S Committee met six times. The committee includes elected staff representatives from three designated work areas and all have received appropriate training. Regular workplace inspections occurred and staff have access to ergonomic assessments as well as free screen-based vision testing and influenza shots. Outdoor staff are provided with protective clothing, sunglasses and sunscreen, and workshop staff are given biannual hearing tests. OH&S is included in the site induction given to all new employees, volunteers and contractors. Online hazard identification and accident and incident databases have been established to facilitate notification and remedial action. There were no incidents reportable under section 68 of the Occupational Health and Safety Act 1991. There were two claims for compensation by staff and 1.4 staff days were lost due to injury.

Environment protection and biodiversity The museum’s environmental management policy expresses its commitment to minimising the environmental impact of its operations, with environmental issues considered an integrated part of our land- and water-based operations. The museum is also fully committed to sustainable development with all current and proposed site developments to comply with the Environmental Protection and Biodiversity Conservation Act 1999. The environmental management system was subjected to a full audit during the reporting period and was recertified as AS/ NZ ISO 14001:2004 compliant. Targets relating to waste streams and reduced consumption of water and electricity were achieved. Further details appear in the report on the major building infrastructure by the facilities and support services section on page 62. The registration section conducted a survey of the collection to identify objects that contained asbestos or that were potentially flammable, and rendered all objects identified safe. The conservation section recycled waste materials by arranging suitable waste to be used in educational workshops held at the museum. Our exhibition design team specifies LED lights for long life and reduced electricity consumption, and when dismantling exhibitions, recycles as many components as possible. In the area of information services, new multifunction printing, scanning, copying and faxing devices are being rolled, built of 100% recycled and plant plastic. A large amount of e-waste is being recycled through the City of Sydney E-Waste Program, while all fax, copy and print toners are recycled through Close the Loop program. New data centre upgrades provide dynamic power and cooling and along with the ICT Infrastructure Upgrade Project will reduce energy consumption. Environment protection measures by the managers of the historic fleet included letting a contract to remove hazardous materials from patrol boat H MAS Advance; upgrading spill protection within the fleet basin and spill kits around the AN MM; and holding environmental drills to ensure compliance. The museum also supported environmental initiatives in its programs. We hosted the recycled vessel Piastiki and its organisers’ media campaign to raise awareness of the perils of plastic waste. The theme of this year’s Classic & wooden Boat Festival was ‘Old is New - recycle, restore, reuse'.

programs and outcomes

. 1

•:

- » J •»

Key result area i Programs

We aim to increase the awareness and use of our program s across Australia

Strategic directions â&#x2013; We will get to know our existing and potential audiences better â&#x2013; We will create a wide range of programs that will appeal to and engage these audiences - particularly remote, regional, disadvantaged, Indigenous and other culturally diverse communities â&#x2013; We will embrace new technologies to provide stimulating new teaching, communication and learning experiences. Our programs will include reference to contemporary issues

Key performance indicators KPI

Strategic Plan target

1.1

450,000 site visitors

2010-2011 result Achieved a total 461,302 visitors (museum site visitors 440,114)

1.2

10% increase on 2009-10 in unique

Achieved

website users 1.3

An overall visitor/user satisfaction rating of 95%

Satisfaction rating of 93% achieved; shortfall associated with site works noise, disruption

1.4

120 paying crew and 16,000 visitors for the first stages of the Endeavour circumnavigation

Achieved

1.5

Education/new technology: four new comprehensive online education resource packages

3 online resource packages developed; Metadata exchange program in collaboration with ANDS

02 programs and outcomes key resuit area 1 programs

HM Bark Endeavour replica The unit has successfully planned and is currently undertaking the Endeavour replica's circumnavigation of Australia - the largest, most ambitious national outreach program ever undertaken by the museum. The itinerary includes every state plus the Northern Territory, every state capital city, with visits to 12 regional ports. Endeavour departed Sydney on 15 April 2011 and has completed four legs of the voyage, opening to visitors in Brisbane, Gladstone, Townsville and Cairns. Of the 21,188 people who visited the ship in these ports

to 30 June 2011,3,769 were school students and their teachers. The majority of the voyage at the end of the reporting period had been completed under sail. The Department of Education, Employment and Workplace Relations has funded 39 berths on HMB Endeavour for Indigenous people on most of the 20 legs of the voyage. This is part of a pre-employment program for indigenous people that is being run nationally. The circumnavigation is being documented on a number of social media websites, including Twitter, Facebook, Flickr and a dedicated blog.

HM Bark Endeavour replica 2008-09

2009-10

2010-11

78,728

122,935

28,649

Voyage crew berths filled

196

1504

136

Number of days voyaging

224

263

309

Visitors in all ports

Number of days open to public

1 includes 389 passengers on overnight and half-day sails, 104 voyage crew and 11 supernumeraries on offshore voyages

2 includes half-day sails, overnight sails and offshore voyages Visitors and interactions 2008-03

2009-10

2010-11

436,484

503,778

440,114

n/a

21,188

Total visitors

436,484

503,778

461,302

Visitors to travelling exhibitions

151,543

122,935

161,690

2,451,653

3,432,349

12,740,624

Visitors

museum (Darling Harbour) H MB Endeavour circumnavigation

Interactions

1 In 20 1 0 -1 1 the method for calculating web interactions changed, moving to Google Analytics; using the previous method the number of interactions would be 4,255,501

opposite: An Antarctic staple, displayed in exhibition Scottâ&#x20AC;&#x2122;s last expedition.

above right: Young visitors above left: Voyage crew aloft on H M Bark Endeavour replica.

on museumâ&#x20AC;&#x2122;s Daring class destroyer H MAS Vampire,

Major visitor revenue sources Entry revenue

museum (Darling Harbour)

2008-09

2009-10

2010-11

$1,657,320

$1,784,715

$1,558,617

n/a

$212,040

$1,657,320

$1,784,715

$1,770,657

$791,074

$785,348

$701,098

n/a

$38,272

Total merchandise revenue

$791,074

$785,348

$739,370

Public programs revenue

$269,575

$292,987

$245,148

HMB Endeavour voyage crew and charter fees

$290,127

$174,606

$370,681

$3,008,096

$3,037,656

$3,125,856

2008-09

2009-10

2010-11

15,535

15,817

17,024

Secondary students

9,661

11,515

9,271

Adult students

1,518

968

703

Teachers

3,589

3,896

3,566

Vacation care

1,961

1,671

1,896

Mini Mariners

2,468

15,225

24,072

Other groups

3,483

2,917

3,258

HMB Endeavour circumnavigation Total visitor entry revenue Merchandise revenue

The Store (gross revenue) HMB Endeavour circumnavigation

Total revenue

Public program/education attendances ' Primary students

n/a

3,693

Sub-total booked groups

38,215

42,009

43,483

Kids on Deck

12,516

13,395

9,468

All programs total

50,731

55,404

52,951

Students on HMB Endeavour circumnavigation

1 includes Playgroups Association of NSW (3,346) 2 includes Playgroups Association of NSW (2,896)

Education groups 2008-09

2009-10

2010-11

Primary schools

273

324

*389

Secondary schools

339

353

*253

671

726

674

Tertiary/adult groups Education groups total 1 Primary and Secondary schools during HMB Endeavour circumnavigation included

02 programs and outcomes key result area i programs

Schools booked with teacher-guides* Schools booked on tours

2008-09

2009-10

2010-11

Navigators gallery/Early explorers

Transport

Museum highlights

122

129

*â&#x2013; 59

357

289

246

HMB Endeavour replica Other tours (including temporary exhibitions) Total schools on tours

* ANM M teacher-guides conduct education programs based on our permanent and temporary exhibitions. Schools can also book self-guided tours to explore the museum galleries and destroyer Vampire 1 Endeavour only at ANMM as no teacher-guides on circumnavigation

Schools booked for workshops Archaeology-junior (including Primary Shipwrecks)

2008-03

2009-10

2010-11

Archaeology - senior

Science and the sea

Life aboard a tall ship (James Craig)

Pirate school (James Craig) Pirate school (without James Craig)

Shipwrecks, conservation and corrosion (HSC)

Technology of gold

What is history? Pyrmont walk

Other workshops (including temporary exhibitions)

Total schools in workshops

236

258

241

Schools booked on vessels

2008-09

2009-10

2010-11

Schools on cruises

Schools on submarine Onslow (including workshops)

177

200

178

Barque James Craig (including Life aboard a tall ship,

157

129

Sleuths, and Pirate school) Schools on HMB Endeavour replica Schools on Endeavour circumnavigation Total schools booked on vessels (except Vampire)

n/a

402

404

402

Other program visitor numbers >3

2009-10

2010-11

Teacher previews of exhibitions and Darling Harbour Education Network

255

103

210

Marine Careers Day - senior students

263

123

103

Public programs - WEA program

282

354

444

Public programs - other adult programs

175

155

Family programs - character tours

n/a

2,400

Family programs - theatre

346

2,518

Youth/Family workshops

n/a

190

Other

n/a

Total

1,287

1,340

5,995

2008-09

2009-10

2010-11

519

634

573

Vaughan Evans Library Monographs/AV titles accessioned Internal loans processed

192

327

393

Inter-library loans processed

126

220

240

Researchers in person

519

715

584

External research requests

2,458

2,293

1,918

Total research requests

2,977

3,008

2,502

606

720

695

$3,495

$2,854

$3,236

Items catalogued Revenue

Public programs and education Programs, activities and events for visitors add depth to a museum visit, and were developed in conjunction with all the year's exhibitions, in association with visiting vessels, or as stand-alone events. Appendix 2 provides a complete catalogue of the number and diversity of all our visitor programs. The biennial Classic & Wooden Boat Festival returned in October 2010 with the theme â&#x20AC;&#x2DC;Old is New recycle, restore, reuseâ&#x20AC;&#x2122;. The festival featured a quartet of tall ships - Soren Larsen, Southern Swan, James Craig and HMB Endeavour - a s well as Gaiasdream, the large red two-hulled yacht inspired by the flying proas of Micronesia. The circumnavigation of H MB Endeavour is a major project for the public programs and education staff who coordinated school visits in ports around the country. Online education resources focus on areas of study relating to life aboard a ship, navigation of the sea, shipwrecked and recording events. A partnership with 42

the Centre for Learning Innovation to create a virtual tour of the HMB Endeavour replica is an invaluable addition to these resources. On Remembrance Day 2010, Amaroo High School students from Canberra joined in the ceremony and spoke to Horrie Young, the last survivor of the World War II Krait commando operation in Singapore Harbour. A number of visiting vessels appeared at the museum including the Armenia. More than 2,000 people from the Sydney Armenian community including their archdeacon and local politicians welcomed the vessel and crew. The Plastiki- a catamaran built from reused plastic water bottles - berthed at the museum after crossing the Pacific Ocean to raise awareness on the perils of plastic waste. An open day organised to coincide with the visit brought more than 800 people to the museum. The education team developed programs, online resources and activity trails for the major temporary and travelling exhibitions. For the visiting Duyfken replica

02 programs and outcomes key result area 1 programs

they created tours and a link to the Navigators exhibition as a special school program. Special events included exhibition teacher previews for Scott’s last expedition, and the 13th annual Maritime Careers Forum. The Education Collection is now entered the museum's TMS collection management database, which has allowed for the creation of new touch-trolley programs. In Term 3 a record 9,500 school visitors came to the museum for our education programs.

Vaughan Evans Library The museum’s public research facility launched a new portal-style catalogue interface that incorporates Google book-covers and online content, feeds from ANMM social media, and gives catalogue users access to popular collections and important information the latest books, auction catalogues and electronic resources by topic. We also introduced deep linking between the National Library of Australia’s Trove service and the Vaughan Evans Library catalogue. Major print acquisitions include a complete run of the periodical Naval Science (1872-1875), an important work on Chinese armorial porcelain and Shipboard life and organisation by Brian Lavery. We also made important additions to the library’s electronic resources, with two Australian Informit databases: the Illustrated London News archive online and Ancestry library edition. The impact of Trove and its ready adoption by Australians has seen a lessening of some types of enquiry but also an increase in the number of requests for diaries and oral history material from the library collection. Although public enquiries were slightly down on the previous year, the majority are now

above left: Krait veteran Horrie Young with students of Amaroo

above right: Environmental campaign featured recycled

school on Remembrance Day.

yacht Plastiki.

detailed research enquiries. Enquirers were appreciative of staff taking time to research on their behalf and to answer complex questions, and donations for research increased.

The Store The Store continues to grow as a business and employs a team of experienced staff. It offers unique merchandise that is sourced from around the world. This year the retail and merchandise section surpassed its targeted profit surplus, despite a downturn in sales due to the economic climate. It sourced and developed a range of merchandise for our major exhibitions as well as Duyfken replica products. The wholesale arm of The Store supplied merchandise to accompany the museums’ travelling exhibitions. Staff selected and designed the range of merchandise for the H MB Endeavour replica circumnavigation, which has delivered strong sales.

Sydney By Sail Sydney By Sail is a successful commercial enterprise operated from the museum waterfront by former Olympian Matt Hayes. His yacht charter company is highly regarded in the tourism industry and offers short sails on the harbour and overnight cruises as well as sailing courses and corporate sailing. It benefits the museum not just by its commercial return, but by giving our visitors the opportunity to extend their museum experience onto the water, so that the museum becomes their gateway to the experience of sail and Sydney Harbour.

Key result area 2

We aim to foster the care

Collections

and research of Australia's maritime heritage and m aterial culture, particularly through the m anagem ent of our collections Strategic directions R Our collections are central to our scholarship and programs. Their accessibility is critical to our own goals and to the interests of our users and other stakeholders ■ Preservation of our unique historic fleet is also a priority. Since resources preclude expanding the in-water collection, we will increase accessibility to all vessels, particularly HM Bark Endeavour replica ■ We will continue to fulfil our charter obligation to acquire items for the National Maritime Collection (NMC) and to care for other historical material in our custody ■ We will continue to be involved in a variety of scholarly maritime heritage activities

Key performance indicators KPl

Strategic Plan target

2010-2011 result

2.1

Complete three new vessel management plans (for Akarana, Carpentaria and John Louis)

EndeavourVMP completed and nominated VMPs are nearly complete

2.2

Revised Design, Library, Valuation, and Deaccession and Disposal policies prepared and ratified

Revised De-accession and Disposal Policy, Loans Policy, Collection Development Policy, Hazardous Substances and Dangerous Goods Policy completed. Design, Library, and Valuation policies deferred and progressing

2.3

2500 NMC items digitised

2500 items digitised, 5,007 object records added

2.4

2.5% increase in number of NMC items on display

1,800 objects including archive items

02 programs and outcomes key resuit area 2 collections

Curatorial sections The work of the curatorial sections in developing exhibitions, researching and acquiring additions to the National Maritime Collection, providing professional services and advice, and partnering with a diverse range of organisations, is reflected in many sections of this annual report particularly in Section 1: The Year in Review, which includes a catalogue of the year’s exhibitions. They obtained funding from the Australian Government’s National Collecting Institutions Touring and Outreach (NCITO) Program to tour On their own - Britain’s child migrants to regional venues in South Australia, Victoria and Western Australia. The list of selected acquisitions to the NMC that appears in Appendix 3, and the list of donors to the collection in Appendix 4, reveal the diversity of the subjects covered by our holdings. Publications, lectures, and media appearances by members of the curatorial sections are listed in Appendixes 6, 7 and 8. The curatorial section working with colleagues in the registration section contributed 51 entries to the Museum Metadata Exchange (MME), a digital initiative that will map new pathways for discovery and collaboration between museums and academic researchers. It is a joint project of the Council of Australasian Museum Directors (CAMD) and Museums Australia which has been set up with support from the Australian National Data Service (ANDS). The MME is an aggregator service for the contributing museums and organisations. It provides data in a standard format (RIF-CS) and transports this data to the Australian Research Data Commons (ARDC). opposite: Indigenous watercraft

above left: Recently acquired

from the National Maritime Collection: Borroioola dugout; Yanyuwa bark canoe.

Sydney Transport Montage, 1948, by Reginal Fizelie (1891-1964).

A significant curatorial milestone was the appointment and convening of a national steering committee to manage the first national conference on Indigenous watercraft, to be held at ANMM in 2012. It aims to address the paucity of typological studies and the lack of any national survey in this important area representing over 40,000 years of maritime history. Collection material disposed of this year comprised skeletal remains from the Batavia shipwreck returned to the Western Australian Maritime Museum; eight unstable marine distress flares from the trans-Tasman kayak Lot 41 destroyed; and a generator set from Swan Island, containing asbestos, destroyed.

USA Gallery The USA Gallery is the legacy of a generous endowment by the USA to Australia in the Bicentennial year 1988. Its purpose is to highlight the longstanding maritime relations between the two countries on either side of the Pacific Rim. Key to the establishment of the Bicentennial Gift was then US Ambassador Bill Lane a o , who died this year. The Director’s Overview reports (on page 15-16) the move to honour his enthusiasm and long term friendship with the museum by announcing the Ambassador Bill Lane USA Gallery Fellowship. In November-December 2010 an independent external review of the USA Gallery was undertaken by American museum consultant and former Mystic Seaport exhibitions manager, Stuart Parnes. The observations and recommendations of this review will guide the upcoming redevelopment and refurbishment of the USA Gallery.

above right: AN MM’S Anthony Longhurst splices Endeavour’s new main shroud. 45

Design The design section shaped exhibitions, public programs and their promotional material into informative and engaging experiences for the public. Design now looks after lighting for the museum exhibition travelling and core galleries. Most of these are reflected in Section 1, Temporary, travelling and floating exhibitions'. Staff also produced working drawings ready for the tender process for the Wharf 7 foyer refurbishment, and structural changes to the top of the Gallery One ramp to improve access. Every new project offers the opportunity to look for new and innovative ways of presenting the subject matter and to embrace new technologies, materials or production techniques. Contributions to environment protection are noted in Section 1 Statutory information requirements on page 35.

Maritime archaeology The museum continued its successful partnership with the Silentworld Foundation (part of Silentworld Ltd, an Australian-based shipping company) to undertake maritime archaeological and marine biological surveys. Archaeological staff completed the final report on the 2009 ANMM Silentworld Wreck Reefs Project and analysed Wreck Reefs artefacts. The first reconnaissance expedition of a new ANMM/Silentworld project was completed 30 September-10 October 2010. This was at Frederick Reef in preparation for searching for the Royal Charlotte, lost in 1825. The second stage of the expedition is expected in late 2012. The museum's archaeological team took part in filming for the UK series Tony Robinson Explores Australia, a segment on the Dunbar wreck. The team undertook dives on wrecks in Sydney Harbour, often in collaboration with the NSW Heritage Office, Department

of Planning. Closer to home the team also carried out underwater inspections of the museum’s floating pontoons as well as the hull conditions of the vessels, including assessing the Endeavour replica hull prior to its circumnavigation. Preliminary work took place in this period on a proposed Centre for Maritime Research, to provide strategic direction for archaeological projects, collaborative programs with universities both here and abroad, conferences, training, publications, workshops, exhibitions and other forms of interpretative media.

Australian Register of Historic Vessels (ARHV) The Australian Register of Historic Vessels is an online database (www.anmm.gov.au/arhv) coordinated and operated by the museum that is building a national picture of historic vessels and their designers, builders and owners. This collaborative project is steered by a council representing a variety of museums, associations and experts. This year the number of heritage entries documented on the register increased by 64 vessels to a total of 380. Six audio-visual items were added to the ARHV website, and 13 reference pages. Three award ceremonies have been held, in NSW, Tasmania and South Australia, to hand out ARHV certificates and burgees to participants. The ARHV curator has coordinated four vessel management plans for the museum’s own historic fleet, and has provided major input into the Indigenous watercraft conference scheduled for 2012. A number of these craft held in collections around Australia have been incorporated into the ARHV. Importantly, the work of the ARHV is becoming acknowledged in the international heritage vessel community. The ARHV curator has been invited to become a member of the International Congress of Maritime Museums’ Historic and Traditional Ships Panel.

Curatorial section Number of enquiries assisted Section Maritime technology Maritime communities USA Gallery Indigenous Total

Public/private 2008-^09 2009-10 527 628 151 7 1,313

563 712 142 5 1,422

2010-11 547 576 178 0 1,301

Organisations 2008-09 2009-10 139 123 201 223 180 168 2 3 523 516

2010-11 118 2,260 145 0 2,523

02 programs and outcomes key resuit area 2 collections

Project profile

Temporary exhibitions {% staff time) Section

2008-09

2009-10

2010-11

Maritime technology

Maritime communities

USA Gallery

Maritime communities

USA Gallery

Maritime technology

Maritime communities

USA Gallery

Maritime technology

Maritime communities

Core exhibitions (% staff time) Section Maritime technology

Public programs, media relations, outreach (% staff time) Section

Maritime archaeology (% staff time) Section Maritime technology Maritime communities USA Gallery

Acquisitions (purchases) to National Maritime Collection Section

USA Gallery Indigenous

Maritime technology

Maritime communities

USA Gallery

Indigenous

134

Total

Donations to National Maritime Collection Section

Total

Acquisition funding - by revenue Section Maritime technology Maritime communities USA Gallery Indigenous

2008-09

2009-10

2010-11

$54,034

$633,642

2$119,187

1$911,090

$50,151

3$15,045

$6,030

$1,782

$10,416

$971,154

$685,575

$144,648

2008-09

2009-10

2010-11

Maritime technology

Maritime communities

$2,303

$31,038

$98,752

$2,303

$31,038

$98,752

2008-09

2009-10

2010-11

1,194

1,644

2,260

179

218

206

2,570

2,036

2,047

Total 1 $870,327 from Director’s Fund 2 $47,966 from Director’s Fund 3 $7,200 from Director’s Fund

Acquisition funding - by trust fund Section

USA Gallery Indigenous Total

Registration Objects registered (National Maritime Collection) Collections registered Collections remaining unregistered Objects on display in core exhibitions (NMC, loans) Objects on temporary display

618

734

531

Objects borrowed

494

454

180

Objects loaned (including ANMM travelling exhibitions)

164

160

321

395

134

Registration photographs

2,000

6,837

8,599

Other photographic services

5,000

2,521

3,365

1-26 series

144

243 series

434

160

139

Photographs

151

Tools and equipment

Institutions borrowing from NMC Core exhibition objects changed over (NMC, loans) Collections donated

Objects registered Documents Clothing and accessories

559

653

Models and model parts

Vessels, vessel parts and accessories

590

702

1,233

Other 1:3,770 archive items 2:2,968 archive items 48

02 programs and outcomes key result area 2 collections

Registration

Conservation

• Finalised harvesting tool to contribute records to Picture Australia and Trove. • Restored 44,732 donor, vendor or provenance names to archive item records in collection database

• Undertook desalination of Wreck Reef and Mermaid objects, and research into and analysis of the

using SQL scripting. These names were missing from ^archive item records due to the way in which data was kept in the previous database. • Cleaned 7,000 ship name terms attached to 14,000 object records to reduce spelling and typographical errors and duplication, making these terms much more useful for searching in the database. • Object names are being refined and standardised to improve searching capacity in TMS, the collection management database. We have reduced the variety of object names by 200 to improve consistency in data. • Extracted object dimension data from the description fields of 1,146 archive item records and entered this into the correct dimension fields in each record. This process can be replicated to clean other

Sirius anchor. • Worked with 750 textile objects as part of the textile storage project to improve quality of storage and to identify items requiring further treatment. • Completed Lot 41 kayak condition report as well as cleaned and stabilised associated components. • Completed management plan for Cape Bowling Green lighthouse. • Completed condition report and developed treatment proposal for speedboat Chromepiate, planned for future display in Watermarks gallery. • Completed complex treatment and mounted for storage and display five newly acquired John Allcot watercolours. • Completed rehousing of a series of oversized boat plans (Miss Nyiex). • Completed photographing and rehousing over 100 recently acquired printed silk regatta programs.

similar records. • Continue to reduce the backlog of unregistered collections. It now stands at less than 0.8% of total acquisitions. • With conservation section, worked on returning ANCODS artefacts - Dutch shipwreck material - to Western Australia and commenced registration, photography and rehousing of this large collection.

Conservation Conservation hours (preparation, examination, treatments) Preventative conservation hours Collection objects examined, treated Loan objects examined, treated

2008-09

2009-10

2010-11

6,433

6,339

37,100

350

705

873

41,089

i 724

2376

5407

630

6750

Maritime archaeology project hours Public enquiries serviced Special projects (textiles - CDAB-funded) High school student workshop hours (maritime archaeology, shipwrecks and salvage) 1 includes 619 objects as part of incoming exhibitions 2 includes 200 objects as part of incoming exhibitions 3 includes additional hours funded by Collection Development and Acquisition Budget (CDAB) 4 includes preparation of large quantity of AN COD S material for return to WA 5 not included in ‘Collection objects examined, treated’ 6 includes 200 objects as part of incoming exhibitions

Fleet Far from being static displays, the museum’s historic vessels continue to be an active part of the life of Sydney Harbour. Ex-RAN patrol boat H MAS Advance was used for a sponsors’ cruise to farewell the HMB Endeavour replica on its circumnavigation, and as the starting-boatforthe annual RANSA regatta. Our famous WWII commando raider Krait is the focus of the annual Armistice Day service held every year at the museum on 11 November, attended by veterans of Z Special Unit and commando associations. Our shipkeepers and fleet staff, together with volunteers and members of the HMAS Vampire Association, work throughout the year to preserve these vessels and have them open for the public. This year was marked by very large-scale work, notably the refit of HMB Endeavour replica for her Australian circumnavigation, including replacement of the standing

rigging noted in the Director’s Overview. Staff completed another periodical major slipping of Daring class destroyer HMAS Vampire at Garden Island dockyard. The exhaust stack of H MAS Advance was removed for work. We took delivery of a new fleet workboat to assist with the section’s tasks. The new fleet marina was completed in August 2010 and commissioned in time for the Classic & Wooden Boat Festival on the weekend of 16-17 October, for which the fleet section provides major services setting up the marinas, supervising the arrival, mooring and departure of the exhibitors’ vessels. Later in the period, staff assisted in the setup of the visiting Duyfken replica as a museum attraction.

Fleet projects profile (% staff time)

2008-09

2009-10

2010-11

Maintenance/conservation

General tasks/shipkeeping

Routine vessel operations

Special events (vessels)

Public enquiries serviced

above left: The museum’s blog site provides commentary on

above right: The museum’s Fleet staff during slipping of the Daring class destroyer Vampire

many museum activities, from conservation to shipkeeping.

at Sydney’s Garden Island dockyard, July 2010.

opposite: Macquarie Light by an unknown artist, displayed in an exhibition marking the 200th anniversary of Governor Lachlan Macquarie’s arrival in the colony.

02 programs and outcomes key resuit area 2 collections

key result area 3 Partnerships

We aim to build partnerships to assist us to maintain our reputation as a pre-eminent and innovative cultural institution Strategic directions ■ We will capitalise on our unique programs, assets and expertise to establish partnerships that will enable us to achieve more and reach new and diverse audiences ■ We will enter more collaborative ventures with research, educational and cultural institutions at international, national, state and local levels ■ We will expand our relationships with the tourism industry and the broader commercial sector

Key performance indicators for Key result area 3 - Partnerships KPI

Strategic Plan target

Indicators 2010-2011

3.1

5% increase in the number of partnerships

Achieved

3.2

5% increase in academic and practice forum participation

Achieved

3.3

10% increase in the value of sponsorships and commercial engagements

Achieved

02 programs and outcomes key result area 3 partnerships

Customer feedback Visitor comments book

2008-09

2009-10

2010-11

1,095

896

1,077

Complimentary or positive

90%

93%

91%

Criticism/suggested improvements

10%

Number of entries

Members The disruption and noise from the construction of the new program and visitor spaces made it difficult to recruit new Members; however, the museum has maintained a reasonable base of 6,942 Members. Comprehensive surveys of existing and lapsed Members has provided invaluable information for a new recruitment and retention strategy that will be implemented in 2011-12. Program highlights included three major symposiums that were sell-outs: The History of P&O Cruise ships

with cruise ship historian Robert Henderson; Matthew Flinders 200th anniversary symposium with Prof Robert Clancy, Paul Brunton and Miriam Estensen; and Sydney Sea Pilots. The 9th Phil Renouf Memorial Lecture in association with Sydney Heritage Fleet featured solo yachtswoman Jessica Watson as guest speaker. Other noted speakers included authors and media personalities Peter Fitzsimmons and Mike Carlton. John Perryman CSM, senior Naval Historian with the Sea Power Centre, delivered the first of an ongoing program of lectures to mark centenaries of the Royal Australian Navy.

Members profile 2008-09

2009-10

2010-11

Memberships at 30 June

3,088

3,003

2,726

Members at 30 June

8,086

7,977

6,942

Percentage renewing

70%

73%

71%

$349,600

$308,132

$289,947

$14,726

$8,821

$7,932

3,312

2,877

3,638

16,728

15,172

Corporate memberships Gross revenue including donations Donations Members events and functions held Members attending functions Members and guests visiting museum opposite: Taronga Conservation

above left: Members visited

above right: On the Hawkesbury

Society partnered with the Endeavour replica voyage.

floating villages on Cambodiaâ&#x20AC;&#x2122;s lakes and rivers.

River postal route with museum Members. 53

Welcome Wall performance Number of new panels unveiled Number of names registered Number of names unveiled Guests at unveiling ceremonies

Ever popular on-water activities included cruises to farewell HMB Endeavour, greet Queen Elizabeth and Queen Mary 2, join the Hawkesbury Riverboat Postman ferry and get aboard visiting tall ships, historic steamers and a maxi yacht racer. The floating world of Cambodia’, a 16-day Asian cultural tour with a unique maritime theme, led by the museum's Jeffrey Mellefont, was a sell-out with five of 15 guests being repeat customers from the museum’s earlier tours of maritime Indonesia and southern India. These tours deepen our Members’ understanding of the maritime and cultural heritage of our region. A list of all 2010-11 Members programs can be found in Appendix 02.

The Welcome Wall The Welcome Wall is the museum’s tribute to the over six million people who have crossed the world to make Australia their home. The bronze panels, stretching over 100 metres along our northern harbour front, have now been engraved with more than 24,500 migrants’ names. Their personal stories, recorded on an online database, contribute to Australia’s culture and identity and are a resource for the growing number of Australians searching for their genealogical roots. The Welcome Wall provides a focal point for relatives to reunite and connects families to the museum over generations. Two ceremonies, in September 2010 and May 2011, unveiled 1,505 names in front of 3,600 guests. Guest speakers, respected journalist George Negus and celebrity chef and Vietnamese migrant Luke Nguyen, along with registrant speakers, shared insights on what it means to be Australian. This year, the museum re-energised its partnership with media sponsor SBS to secure in-kind television advertising for a summer marketing campaign. Key projects included the Welcome Wall refurbishment project, with the conservation review and tender process completed. We also established a new online social community and redeveloped the database for Welcome Wall registrant families. 54

2008-09

2009-10

2010-11

n/a

1,692

1,227

n/a

2,311

1,505

2,500

3,500

3,600

Media The museum had a bumper year of media coverage with 1,143 recorded stories, up from 841 in 2009-10. This increase was led by the announcement of the Endeavour replica's voyage around Australia in July 2010, the launch of the voyage in April 2011, and the subsequent port visits. More than 40% of recorded media stories during this period relate to Endeavour. The partnership with the Department of Education, Employment and Workplace Relations to place Indigenous participants on various legs of the Endeavour circumnavigation has also generated significant media coverage in Indigenous media, a medium that traditionally has been hard to secure. Favourable coverage of the museum’s replica of Cook’s ship included a one-page feature in the National Indigenous Times, and coverage on National Indigenous Television and SBS Television’s Living Black program. The museum’s exhibition program has also generated national and international media coverage. On their own - Britain’s child migrants was covered across Australia and in the UK. Scott's last expedition drew significant international attention, with its New Zealand contributor having to deal with the Christchurch earthquake. Media stories were secured on NZTV News, in the UK Independent and the Scottish Sunday Mail. National and international media also peaked in July with more than 90 media stories when Plastiki, a boat made of recycled plastic bottles, berthed at the museum to raise awareness of the perils of plastic waste. The museum featured heavily in the six-part series Tony Robinson Explores Australia where the UK personality filmed four segments at the museum, airing on Foxtel’s History Channel and on the BBC in the U K and in Canada. Other high points include stories or segments on Channel 9’s Getaway travel program, Channel 7’s national breakfast program Sunrise, Channel 9’s Today show weather crosses. Appendix 8 lists the media appearances made by staff in the year under review.

02 programs and outcomes key resuit area 3 partnerships

Venue hire performance Number of functions Number of guests Turnover

Marketing The museum met many significant challenges head-on this year with both revenue and overallvisitation coming in over budget. Thanks to the concerted efforts of museum staff, and a focus on ensuring the best possible visitor experience, the impacts of major construction and demolition work reported in the director’s overview were largely overcome. Other challenges included extreme weather in January and February causing vessels to be closed for part of the peak summer period, and the H MB Endeavour replica being out of port from December 2010 in preparation for the circumnavigation. National and international awareness levels of the museum and its vessels increased this year, largely due to the Endeavour replica’s activities. The museum successfully bid to have the vessel used for The Oprah Winfrey ShoWs only on-water event in Sydney this year, hosting approximately 70 of Oprah’s ‘Ultimate Viewers’. FI MB Endeavour's circumnavigation of Australia is showcasing the magnificent replica vessel to thousands of Australians living in capital cities and regional areas. In April, the museum oversaw a seamless transition to a new front-of-house contract and contractors. Following front-of-house staff undertaking sales training for the first time, the conversion rate of visitors to the museum taking up vessel tickets grew from 28% to 42%, significantly increasing the spend per visitor.

Venue hire and catering These business units also operated under challenging circumstances with three key venues not in operation: North Wharf end-of-year marquee, Yots Cafe and Wharf 7 conference room. Despite this we significantly exceeded the previous year’s revenue. Through proactive liaison with clients and builders, and a ‘business as usual’ attitude, no function was cancelled and customer satisfaction was maintained at a high level. Stage 2 will also make the Terrace Room unavailable from July to October 2011, affecting a number of events booked in the period under report. Again, clients were accommodated, by relocating

2008-09

2009-10

182

167

2010-11 155

27,037

21,342

19,777

$743,912

$568,912

$617,562

existing bookings to the new Yots. In March 2011, the museum's contract with Bayleaf Caterers ended and following a tender process in April 2011, a new awarded caterer, Laissez-faire Catering, commenced. An online venues booking request system for internal meetings was implemented to streamline staff bookings of venue facilities, with staff training in its use provided. Our venues were also named as Venue of the Month on the SUVA (Sydney’s Unique Venues Association) website in March, April, and May.

Sponsorship Strong growth in sponsorship revenue was achieved notwithstanding global financial uncertainty and short lead times for major initiatives. We forged 14 new significant cash and in-kind sponsorships (contributions of $10,000+), taking the number of significant sponsors to 24. We more than tripled the cash sponsorship revenue compared with the previous year, and doubled the total value of sponsorship received and committed compared with the previous year. The $2.2million in received and committed sponsorship revenue was an increase of 110%. The ambitious voyage of the HMB Endeavour replica around Australia offered significant opportunities to engage with new sponsors nationally. Thirteen voyage partners were brought on board, including major corporations Toshiba Australia as technology supplier, and Caltex Australia generously covering a share of fuel costs. The History Channel created television promotions for the voyage, port visits and sale of berths, in addition to financial support. The Australian Maritime Safety Authority contributed to the development of the online education program. Voyage partner Carnival Cruises supported the circumnavigation and assisted in spreading Endeavour’s news through their passenger database. Defence Maritime Services facilitated safe access into ports around the country. An important new cross-promotion and education partnership was formed with the Taronga Conservation Society, and The West Australian worked with us to drive business and public awareness in the west.

Sponsorship performance 2008-09

2009-10

2010-11

124

$52,560

2$184,800

In-kind sponsorships

$329,049

$598,452

$802,400

Received in financial year (cash and in-kind)

$381,609

$650,912

$987,200

Number of new and renewed sponsorships Cash sponsorships

$92,160

$94,600

$192,700

In-kind commitments

$109,700

$305,000

$1,030,000

Committed in financial year (cash and in-kind)

$201,860

$399,600

$1,222,700

Total value received and committed (cash and in-kind)

$583,489

$1,050,512

$2,209,900

1 Does not include various additional ports and other regional contributors to HMB 2 Includes GST

Endeavour replicaâ&#x20AC;&#x2122;s circumnavigation

Cash commitments

W eb visitation Number of unique visitors

2008-09

2009-10

2010-11

698,868

345,480

2420,399

i _

1,401,4211

31,514,877

Number of page views Number of visits to blogs

26,000

36,018

64,639

Number of Flickr visits

<5,800

381,498

4217,931

1,430

60,292

158,093

<4,000

12,723

19,194

Number of Flickr: The Commons views Number of YouTube views Number of Vimeo views

2,490

Number of Facebook post views

5639,191

Number of Facebook post feedback

6 3,583

Number of Twitter followers

72,299

Number of Tweets (since Nov 2010)

8 7,366

12,342

ANMM Endeavour voyages 1 Pre-2009-10 figures generated using a different statistics package 2 includes 25,938 visits for Endeavour circumnavigation (separate reporting from 15/03/11) 3 from Google Analytics 4 = 141,832 (Flickr) + 76,099 (Endeavour) 5 = 4 42,5 04 (museum Facebook) +1 96,687 (Endeavour Facebook) 6 = 2,132 (museum Facebook) + 1,451 (Endeavour Facebook) 7 = 1,587 (museum followers) + 712 (Endeavourfollowers) 8 = 5,087 (museum Tweets) + 2,279 (EndeavourTweets)

02 programs and outcomes key result area 3 partnerships

At the museum, long-term friends of the museum Blackmores, Lloyd’s Register and Tenix continued to provide support for our exhibitions and galleries. Nine Entertainment signed a three-year agreement to provide commercial airtime and TVC production assistance for marketing the museum and its programs. Austereo also recommitted its generous support by producing multiple radio advertisements and prime time broadcasting spots for our exhibitions and programs. APN Outdoor supported our summer exhibition Planet Shark - Predator or Prey via highly visible transport advertising.

Volunteers

Online and Audience engagement

HMAS Vampire and Cape Bowling Green lighthouse, and the Navy Family & Community Day on 12 June. They commenced public tours of visiting Dutch vessel the Duyfken replica in March 2011.

A new unit was created within the Audience branch to develop new online programs and more engaging interactive multimedia and other experiences in museum exhibitions and programs. The unit researches and evaluates opportunities for existing and emerging technologies and advocates for greater audience understanding in creating these experiences. It assists project teams to prepare briefs for individual projects, including audience impact and estimated costs, and manages their evaluation, delivery, installation and commissioning. It also is responsible for management of the museum’s copyright protocols and procedures. The unit’s first projects included the replacement of the Spirit of Australia audio-visual display device to enable visitors to experience larger, clearer moving images and sound. The online projects have centred on substantial new web presences for the circumnavigation of Australia by the HMB Endeavour replica and greatly increased the number of social media projects. This online networking is an important tool for achieving our outreach objectives and allows for a two-way conversation with our audiences, encouraging them to contribute to the development and distribution of online information. The HMB Endeavour circumnavigation project uses social media, GPS tracking and blogging to engage with our audiences. Through them, people across the globe have connected with the project, the ship and its crew as well as the museum, on a daily basis. We have used these technologies to develop a community that has become an integral part of the circumnavigation. Schools across Australia have also engaged with the voyage using these technologies.

Our volunteers are invaluable partners who contributed across a broad range of museum activities, from guided tours of galleries and vessels, to ship maintenance, conservation and restoration, and those recurring mail-outs and office duties. An internal audit review of volunteer resources management was conducted by Todd Dewey from Oakton Assurance and Risk Management Consulting. Volunteers assisted with the two Welcome Wall unveiling ceremonies, the 2010 Classic & Wooden Boat Festival, Australia Day 2011 tours of H MB Endeavour,

Her Excellency The Governor-General launched the International Year of Volunteering + 10 at Kirribilli House, North Sydney, on 14 February 2011. Seven ANMM volunteers were invited and attended this event. Volunteers celebrated National Volunteer Week 9 -15 May 2011. The 19th annual volunteers party and award presentation were held on 23 November 2010 at the Sydney Convention and Exhibition Centre’s Bayside Gallery.

Volunteers service summary 2008-09

2009-10

2010-11

Number of Sydney volunteers at 30 June

525

516

500

Number of regional volunteers at 30 June

361

352

645

Total volunteers at 30 June

886

868

1,145

Volunteer hours for year (Sydney)

68,191

68,306

69,564

Volunteer hours for year (regional)

3,767

4,397

71,958

68,314

73,961

General museum tours rostered

2,436

2,151

1,427

Visitors taking general museum tour

8,278

6,694

5,091

Destroyer Vampire tours rostered

3,222

2,955

2,773

19,762

19,120

16,968

Wharf 7 tours rostered

Visitors taking Wharf 7 tour

649

770

567

20,244

26,685

17,273

Biackmores First Lady tours rostered

1,071

1,094

930

Visitors taking Biackmores First Lady tour

4,425

5,634

5,014

2008-09

2009-10

2010- 11.

Guides1

73.4

73.6

74.4

Fleet2

10.8

10.1

10.3

Members

4.7

4.8

4.7

Others3

3.9

3.6

3.0

Public programs

2.1

2,3

2.2

Volunteer office

1.2

0.8

1.0

Conservation

1.1

1.2

Registration

1.7

2.0

1.9

Marketing/External relations

0.9

Curatorial

0.2

0.7

0.4

Total volunteer hours

Visitors taking Vampire tour

Lighthouse tours rostered Visitors taking lighthouse tour

Volunteers service profile (% service time)

1 includes regional volunteers statistics 2 includes HMB Endeavour replica 3 includes library, records, design, secretariat and miscellaneous task hours

opposite: Fleet volunteer Bob Bright at the 2010 Classic & Wooden Boat Festival, demonstrating an antique marine engine. 58

02 programs and outcomes key resuit area 3 partnerships

Key result area 4 Resources

We aim to ensure that all of our

resources are the bes t they can be

Strategic directions ■ We will tread lightly on the earth in providing and managing assets and

that encourages professionalism, and

systems to facilitate our work, to provide

involve our people in processes to identify,

appropriate conditions for the storage, care,

develop and implement continuous system

maintenance and exhibition of the National

improvements

Maritime Collection, and to meet the future needs and expectations of our audiences m We will continue our program of site

■ We will continue to develop our people to ensure they have the knowledge and skills required to perform our statutory functions and

improvement capital works and also pursue

to implement and achieve the objectives of this

government support and additional funding

strategic plan

for a new exhibition building. Development will be sustainable and compliant. We will also seek to reduce our existing impact on the environment by consuming less energy and water and by reducing, recycling or reusing our waste

■ We will foster a vibrant working environment

■ We will improve our Information and Communications Technology (ICT) systems to ensure that the public can readily access the museum and its services online, and provide our people with the technologies they need to do their work efficiently

02 programs and outcomes key result area 4 resources

Key performance indicators KPI

Strategic Plan target

Indicators 2010-2011

4.1

Site improvement projects completed on time and on budget

Achieved

4.2

New consumption reduction initiatives for energy and water

Achieved. Consumption reduction initiatives developed for new site and ICT infrastructure

4.3

Expenditure on training to be not iess than 2% of the salaries budget ($195,000)

Not achieved. Workload demands reduced staff availability for training

4.4

Implement a new integrated and strategically aligned ICT infrastructure

Implementation will not be complete until the end of calendar year

Capital works Stage 1 of the Eastern Works project was completed, including construction of the new Ben Lexcen Terrace, Yots restaurant and the Waterside Studio. New accommodations for fleet maintenance staff and a new volunteers tea room were also completed as

and additional storage for objects, and the Lobby Infill project, providing new office spaces for the finance and human resources sections.

well as construction of the museum’s new commercial kitchen. At 30 June, Stage 2 of the Eastern Works were on track to be completed by the end of October 2011. These works will provide the museum with an extended terrace at the southern end of the exhibition building and a new kiosk. Several projects at the Wharf 7 Maritime Heritage Centre, identified in the Site Master Plan to maximize the footprint of the building, were completed. In particular, construction of the Northern Annex, (excluding fit out), to provide additional working spaces for museum staff

The museum maintains and presents its built assets at the highest possible standard to ensure that the National Maritime Collection is exhibited and stored under stable environmental conditions, to provide a safe environment for staff to work in and to maximise visitors' appreciation and enjoyment of Australia’s maritime heritage. The section formerly known as building services was renamed facilities and support services and moved from its former location in the exhibition building to Wharf 7, with a change in focus to provide expertise in major works and refurbishment.

opposite: Endeavour’s new main

above right: Yots restaurant

lower shroud fitted with a metal cable stocking that allows a weight to be attached for pre stretching.

above left: Hoardings for stage 1 of the Eastern Works were erected and decorated as summer 2010 approached.

Facilities and support services

can now be extended into the Waterside Studio to maximise its versatility as a function venue.

Capital works, facilities and support services Capital works

2008-09

2009-10

2010-11

*$7,608,444

2$3,195,083

3$11,907,022

$713,414

$661,662

$673,620

Maintenance and minor works Energy costs

$614,262

$685,684

$640,769

Energy (kilowatt hours)

5,580,057

5,251,752

4,788,566

1 From a total capital expenditure of $8,711,833 including building works, computer software and hardware, audio-visual equipment, vehicles, furniture and fittings, machinery and plant, and $1,103,389 spent on collection development, acquisition and conservation of heritage assets 2 From a total capital expenditure of $4,827,826 including building works, computer software and hardware, audio-visual equipment, vehicles, furniture and fittings, machinery and plant, and $1,632,083 spent on collection development, acquisition and conservation of heritage assets 3 From a total capital expenditure of $14,407,755 including building works, computer software and hardware, audio-visual equipment, vehicles, furniture and fittings, machinery and plant, and $2,500,733 spent on collection development, acquisition and conservation of heritage assets

The air conditioning systems, critical to maintaining environmental conditions for the collection, continue to be upgraded, with the replacement of three chillers by a further two high-efficiency machines. The installation of a hot water generator is in progress. This will enhance humidity and temperature control throughout the exhibition building. Air handling units, pipe work and control systems are also being upgraded to improve the functionality of the entire air conditioning system in both the exhibition building and Wharf 7. Having one new chiller functioning over the last 12 months has reduced the impact on the sea water temperature, with a decreased difference between entering and leaving that is now in line with EPA

A reduction in energy consumption has been brought about by the new chiller system mentioned above. It requires less energy both in start-up and run modes resulting in an 8% reduction in energy consumption

Guidelines. The impact of noise levels from the main plant room has been reduced significantly by the implementation of new technology, to less than 70 Db. This is significant for this populated area.

contributed to a higher usage.

- critical, since network charges have increased significantly. Improvements to waste management have reduced waste generated by 14.95 tonnes, with 46.75 tonnes of waste (70%) being diverted from landfill and recycled. All waste (machine) oil collected is sent for recycling, further improving the sustainability of the museum and its collection. Water consumption was reduced by 46 kilolitres (a 3% reduction) in this period of major concrete construction works that would have

IT service desk Service requests Infrastructure change orders Incidents

2008-09

2009-10

2010-11

694

565

1,076

1n/a

491

393

1n/a

2008-09

2009-10

2010-11

10,555

7,326

8,579

1,588

1,302

1,762

223

376

173

1The museum is currently ina transitional phase between service request systems

Records management Files moved Files created Staff trained on museum record-keeping Documents created

02 programs and outcomes key resuit area 4 resources

Security

Salary rates as at 30 June 201.1

A new three-year contract was let for the provision of security and front of house services to the museum. The successful tenderer, Business Risk International,

Classification

Pay point

APS Level 1 ....

commenced delivery of services on site on 18 April 2011 with no significant impact on the museum's operations during the transition phase. Security staff conducted successful evacuation exercises twice within

1.1

$35,978

1.2

$37,188

1.3

$38,195

1.4

$39,765

1.5

$40,560

2.1

$40,717

Information services (ICT, Online services and Records management)

2.2

$41,840

2.3

$42,940

The Server Rooms Upgrade project commenced with an anticipated completion in July 2011. The ICT Infrastructure Upgrade project was approved by the Minister and commenced in March 2011 with

2.4

$44,054

2.5

$45,154

2.6

$46,056

the reporting period.

completion scheduled in January 2012. Phase 1 of the Electronic Document and Records Management System (EDRMS) project was completed by June 2011, with digitisation and data cleansing of existing physical records for migration commencing. Phase 2 should be complete by January 2012. An offsite storage facility was selected to comply with the National Archives of Australia Standard for Physical Storage of Commonwealth Records. New websites and features were built for museum programs including the Endeavour replica circumnavigation and an online message board for On their own: Britain's child migrants. A new content management system was chosen and migration of the existing website commenced. Website page visitation increased by 4% to 1,514,877 page views (Google Analytics); blog readership increased by 42% to 51,069. The number of interactions increased by more than 5%.

APS Level 2

APS Level 3

APS Level 4

APS Level 5

APS Level 6

Communications upgrades included Tl PT Vol P phone implementation, while rollout of smartphones has increased worker mobility and mobile communications.

Human resources At 30 June 2011, the number of APS employees covered by an Enterprise Agreement was SES 0, non-SES 127. The number of staff covered by

Executive Level 1

an AWA was SES 0, non-SES 21.

Salary rates and benefits The salary rates available for APS employees by classification structure (as at 30 June 2011) are as follows:

Executive Level 2

3.1

$46,380

3.2

$47,583

3.3

$48,793

3.4

$50,058

3.5

$51,061

4.1

$51,691

4.2

$53,335

4.3

$54,723

4.4

$56,124

4.5

$57,245

5.1

$57,655

5.2

$59,462

5.3

$61,136

5.4

$62,236

6.1

$62,270

6.2

$63,821

6.3

$65,569

6.4

$68,864

6.5

$71,530

6.6

$72,962

1.1

$79,828

1.2

$86,200

1.3

$87,925

2.1

$92,071

2.2

$97,132

2.3

$104,384

The range of non-salary benefits provided by the agency to employees include: • Access to confidential professional counselling service through Employee Assistance Program • Reimbursement of costs for APS staff for vaccinations • Bulk influenza vaccinations on site for staff • Eyesight testing for APS staff and reimbursement for cost of spectacles • Provision of prescription sunglasses to employees who work regularly outdoors • Access to salary sacrifice, laptop computers, additional superannuation, novated motor vehicle leases for staff • Study assistance for ongoing APS staff • Access to relevant training for APS staff, including training for First Aid Officer, Fire Warden, Occupational Health & Safety Representative, Flarassment Contact Officer, IT training and specialised training in Word, Excel and PowerPoint • Access to purchased leave scheme for ongoing APS staff • Flexible working hours and a range of family friendly initiatives, such as working from home and payment of child care fees if staff are required to travel away from home for museum business The aggregate performance bonus payment for the agency as a whole in 2010-11 was $837.06.

Effectiveness in managing human resources The staff turnover rate was 16.82% in 2010-11 compared to 9.0% the previous year.

Key training and development initiatives Staff undertook a range of training activities, including work-related training activities, courses, seminars and

Commonwealth Disability Strategy The AN MM Disability Action Plan 2008-2011 was implemented in 2008, with staff training and information sessions held in 2009 to raise the profile of disability and accessibility in the ANMM. It seeks to ensure that the museum will, as far as practical, be accessible to all people regardless of any disability.

Assessment of achievement in terms of Australian Government policy Human resource management policies have been developed and implemented to meet workforce requirements, including Government redeployment policy.

The Enterprise Agreement The Draft Enterprise Agreement 2011-2014 was submitted to the APSC and Minister for approval. Its main features were: • to define working conditions and allowances for staff • pay increase of 4% per annum for three years • 20 days personal leave • to define the consultative process and terms of representation • to ensure the agreement accorded with National Employment Standards

Industrial democracy The museum’s Joint Consultative Committee, consisting of three employee-elected representatives and three management representatives met three times to discuss a range of issues, including meaningful consultation, financial and human resource planning, workplace diversity, occupational health and safety, work organisation and structures, and other employee issues.

conferences.

Workplace diversity policy

Productivity gains

Silver membership of Australian Network on Disability.

Productivity gains flowed from improvement in information technologies, upgrade to Aurion version 10 and implementation of the E-recruitment system.

Staffing overview As at 30 June 2011, the number of staff employed under the Public Service Act 1999 totalled 127 (91 ongoing full-time, 16 ongoing part-time, 14 non-ongoing full-time, 4 non-ongoing part-time and 2 non-ongoing casual).

02 programs and outcomes key resuit area 4 resources

Staffing Staff years (actual)

2008-09

2009-10

2010-11

112.52

116.39

123.61

Staff by gender 2008-09 male female Senior management (EL 2)

2009-10 male female 3

2010-11 male

female

Middle management

Other

Total

Branch staff 2008-09 Executive

2009-10

2010-11

Collections and Exhibitions

Commercial and Visitor Services (ceased 23 May 2010)

n/a

Audience (new branch)

n/a

Commercial Services (new branch)

n/a

Operations

120

132

127

Total

Salaries 2008-09

2009-10

2010-11

Executive

$1,126,664

$1,066,422

$1,140,694

Collections and Exhibitions

$3,186,354

$3,212,289

$3,543,593

Commercial and Visitor Sen/ices (ceased 23 May 2010)

$1,655,396

$1,570,545

n/a

Audience (new branch)

n/a

$143,989

$1,402,189

Commercial Services (new branch)

n/a

$76,924

$818,151

$2,577,533

$2,819,902

$3,021,517

$8,545,947

$8,890,071

$9,926,144

Operations Total

financial statements

Young visitors to our summer spectacular Planet Shark Predator or Prey - The Exhibition inspect a life-size replica of Bruce the Great White shark who was tagged to record his oceanic travels. Exhibition and image from Grande Exhibitions

Australian National Maritime Museum Statement by Council Members and Chief Financial Officer

In our opinion, the attached financial statements for the year ended 30 June 2011 are based on properly maintained financial records and give a true and fair view of the matters required by Finance Minister's Orders made under the Commonwealth Authorities and Companies Act 1997, as amended. In our opinion, at the date of this statement, there are reasonable grounds to believe that the Australian National Maritime Museum will be able to pay its debts as and when they become due and payable. This statement is made in accordance with a resolution of Council members.

Signed Peter Dexter am Chairman 29 September 2011

Mary-Louise Williams Director 29 September 2011

Joan Miller Chief Financial Officer 29 September 2011

Australian National

Audit Office INDEPENDENT AUDITOR’S REPORT To the Minister for the Arts I have audited the accompanying financial statements of the Australian National Maritime Museum for the year ended 30 June 2011, which comprise: a Statement by Council Members and Chief Financial Officer; Statement of Comprehensive Income; Balance Sheet; Statement of Changes in Equity; Cash Flow Statement; Schedule of Commitments; Schedule o f Asset Additions; and Notes to and forming part of the Financial Statements, including a Summary o f Significant Accounting Policies. Council Members’ Responsibility fo r the Financial Statements The council members of the Australian National Maritime Museum are responsible for the preparation of the financial statements that give a true and fair view in accordance with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act 1997, including the Australian Accounting Standards, and for such internal control as the council members determine is necessary to enable the preparation of the financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility My responsibility is to express an opinion on the financial statements based on my audit. I have conducted my audit in accordance with the Australian National Audit Office Auditing Standards, which incoiporate the Australian Auditing Standards. These auditing standards require that I comply with relevant ethical requirements relating to audit engagements and plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditor’s judgement, including the assessment o f the risks of material misstatement o f the financial statements, whether due to fraud or error. In making those risk assessments, the auditor considers internal control relevant to the Australian National Maritime Museum’s preparation of the financial statements that give a true and fair view in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness o f the Australian National Maritime Museum’s internal control. An audit also includes evaluating the appropriateness of the accounting policies used and the reasonableness o f accounting estimates made by the council members, as well as evaluating the overall presentation of the financial statements.

GPO Box 707 CANBERRA AC T 2601 19 National Circuit BARTON AC T 2600 Phone (02) 6203 7300 Fax (02) 6203 7777 68

1 believe that the audit evidence 1 have obtained is sufficient and appropriate to provide a basis for my audit opinion. Independence In conducting my audit, I have followed the independence requirements of the Australian National Audit Office, which incorporate the requirements of the Australian accounting profession.

Opinion In my opinion, the financial statements o f the Australian National Maritime Museum: (a) have been prepared in accordance with the Finance Ministerâ&#x20AC;&#x2122;s Orders made under the Commonwealth Authorities und Companies Act 1997, including the Australian Accounting Standards; and (b) give a true and fair view of the matters required by the Finance Ministerâ&#x20AC;&#x2122;s Orders including the Australian National Maritime Museumâ&#x20AC;&#x2122;s financial position as at 30 June 2011 and of its financial performance and cash flows for the year then ended,

Australian National Audit Office

Audit Principal Delegate of the Auditor-General Canberra

29 September 2011

Australian National Maritime Museum Statement of comprehensive income for the period ended 30 June 2011 Notes

2011 $000

2010 $â&#x20AC;&#x2122;000

EXPENSES Employee benefits

12,383

11,285

Supplier expenses Depreciation and amortisation Write-down and impairment of assets Losses from asset sales Grants

3B 3C 3D 3E 3F

11,788 9,662 119 126

11,622 9,475 337 117 97

34,078

32,933

4A 4B

5,533 1,272 6,805

7,522 908 8,430

3E 4C

10 3,154 3,164

2,878 2,878

9,969 24,109

11,308 21,625

21,551

21,647

(2,558)

(34) (34)

(2,677) (2,677)

(2,592)

(2,655)

Total expenses

LESS: OWN-SOURCE INCOME Own-source revenue

Sale of goods and rendering of services Interest Total own-source revenue Gains

Sale of assets Other Total gains Total own-source income N et cost o f services

Revenue from Government Surplus (deficit) attributable to the Australian Government OTHER COMPREHENSIVE INCOME Changes in asset revaluation reserves Total other comprehensive income Total comprehensive income(deficit) attributable to the Australian Government

The above statement should be read in conjunction with the accompanying notes.

03 financial statements

Australian National Maritime Museum Balance sheet as at 30 June 2011 Notes

2011 $000

2010 $â&#x20AC;&#x2122;000

5A 5B

25,985 1,246 27,231

30,549 658 31,207

6A,E 6B,E 6C,E 6D,E 6F 6G

190,656 9,554 65,970 1,078 135 156 267,549

190,878 7,177 63,517 913 139 461 263,085

ASSETS Financial assets

Cash and cash equivalents Trade and other receivables Total financial assets N on-financial assets

Land and buildings Infrastructure, plant and equipment Heritage and cultural assets Intangibles Inventories Other Total non-financial assets Assets held for sale

Infrastructure, plant and equipment

Total assets held for sale

â&#x2013; -

215 215

294,780

294,507

8A 8B

2,849 1,762 4,611

1,389 1,990 3,379

Total provisions

2,305 2,305

2,310 2,310

Total Liabilities

6,916

5,689

Net Assets

287,864

288,818

EQUITY Contributed equity Reserves Retained surplus Total Equity

5,364 221,369 61,131 287,864

3,726 221,403 63,689 288,818

Total Assets LIABILITIES Payables

Suppliers Other Total payables Provisions

Employee provisions

The above statement should be read in conjunction with the accompanying notes.

Australian National Maritime Museum Statement of changes in equity for the period ended 30 June 2011 A s s e t R evaluation Reserve

R etained E arnings 2011 $000 63,6 89

2010 $’000 63,667

Surplus (deficit) for the period Other comprehensive income

(2 ,5 5 8 )

Total comprehensive income

(2 ,5 5 8 )

Opening balance Comprehensive income

201 1 $ ’000 221,403

2010 $’000 224,080

(3 4 )

(2,677) (2,677)

1,63 8

(3 4 )

Equity injection

Closing balance at 30 June

61,1 31

63,689

2011 $000 3 ,72 6

2010 $’000 2,118

Total Equity

2011 $000 2 88 ,81 8 (2 ,5 5 8 )

Contribution by owners Total contribution by owners

C ontributed Equ ity / Capital

221,369

221,403

(3 4 ) 286,226

2010 $’000 289,865 22 (2,677) (2,655)

1,608 1,608

1,63 8

1,608 1,608

5,36 4

3,726

2 87,864

288,818

The above statement should be read in conjunction with the accompanying notes.

03 financial statements

Australian National Maritime Museum Cash flow statement for the year ended 30 June 2011 Notes

2011 $000

2010 $â&#x20AC;&#x2122;000

5,143 21,551 1,273 1,759 551 30,277

9,801 21,647 853 1,110 630 34,041

(10,588) (11,188) (126) (21,902) 8,375

(9,585) (12,068) (97) (21,750) 12,291

39 39

56 56

(11,336) (2,606) (674) (14,616) (14,577)

(2,744) (1,633) (450) (4,827) (4,772)

1.638 1.638 1.638

1,608 1,608 1,608

(4,564) 30,549

9,127 21,422

25,985

30,549

OPERATING ACTIVITIES Cash received

Goods and services Receipts from Government Interest Net GST received Other Total cash received Cash used

Employees Suppliers Other Total cash used Net cash from operating activities

INVESTING ACTIVITIES Cash received

Proceeds from sales of plant & equipment Total cash received Cash used

Purchase of property, plant and equipment Purchase of heritage and cultural items Purchase of intangibles Total cash used N et cash (used by) investing activities

FINANCING ACTIVITIES Cash received

Contributed equity Total cash received Net cash from financing activities Net increase (decrease) in cash held

Cash at the beginning of the reporting period Cash a t the end o f the reporting period

The above statement should be read in conjunction with the accompanying notes.

Australian National Maritime Museum Schedule of commitments as at 30 June 2011 2011 $â&#x20AC;&#x2122;000

2010 $'000

(590) (59) (649)

(743) (74) (817)

3,234 1,230 81 4,545

2,820

BY TYPE Com m itm ents (receivable)

Lease rental income GST recoverable Total com mitments (receivable) Com mitm ents payable C apital com mitments

Land and buildings Infrastructure, plant and equipment Heritage and cultural assets

(1)

Total capital com mitments

287 3,107

Other com mitments

Operating leases Other commitments Total other com mitments Net commitments

(2)

153 153 4,049

148 279 427 2,717

(129) (520) (649)

(168) (649) (817)

4,545 4,545

3,107 3,107

153 153

148 148

BY MATURITY Com mitm ents (receivable)

Operating lease income One year or less From one to five years Total operating lease income C apital com mitments

One year or less Total capital commitments Operating lease commitments

One year or less Total operating lease com mitments Other commitments

One year or less Total other commitments N et com mitments by m aturity

4,049

NB: Commitments are GST inclusive where relevant. 1. 2.

Capital com m itm en ts include c on tra cts in re s p e c t o f th e m u se u m 's capital w orks program O peratin g le a se com m itm en ts include a le a se fo r sto ra g e fa cilitie s on w hich th ere are no c on tin g en t rentals

Schedule of contingencies as at 30 June 2011

There were no quantifiable contingent losses or gains as at 30 June 2011 (2010: nil). The above schedule should be read in conjunction with the accompanying notes.

279 279 2,717

03 financial statements

Australian National Maritime Museum Schedule of asset additions for the period ended 30 June 2011

The following non-financial non-current assets were added in 2010-11: Other property, plant & equipment $000

Intangibles

Total

$000

Heritage & cultural assets $000

$ â&#x20AC;&#x2122;000

By purchase - Government funding

7,419

2,606

3,916

674

14,615

Total additions

7,419

2,60 6

3,916

674

1 4,6 15

Land & buildings

Australian National Maritime Museum Notes to and forming part of the financial statements for the year ended 30 June 2011 Note

Description

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19

Summary of Significant Accounting Policies Economic Dependency Expenses Income Financial Assets Non-Financial Assets Assets Held for Sale Payables Provisions Cash Flow Reconciliation Remuneration of Council Members Related Party Disclosures Executive Remuneration Remuneration of Auditors Financial Instruments Assets Held in Trust Reporting of Outcomes The Australian National Maritime Foundation Comprehensive Income (Deficit) Attributable to the Australian Government

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES

Objectives The Australian National Maritime Museum is an Australian Government controlled entity. The role of the museum is to promote a broad interpretation of maritime heritage and culture, to preserve it and to bring it to life. The museum is structured to meet one outcome, being increased knowledge, appreciation and enjoyment of Australia's maritime heritage by managing the National Maritime Collection and staging programs, exhibitions and events. 1.1 Basis of Preparation of the Financial Statements The Financial Statements and notes are required by clause 1(b) of Schedule 1 to the Commonwealth Authorities and Companies Act 1997 (CAC Act) and are a General Purpose Financial Report. The Financial Statements and notes have been prepared in accordance with: â&#x20AC;˘ Finance Minister's Orders (or FMOs) for reporting period ending on or after 1 July 2010; and â&#x20AC;˘ Australian Accounting Standards and Interpretations issued by the Australian Accounting Standards Board (AASB) that apply for the reporting period. The Financial Statements have been prepared on an accrual basis and in accordance with historical cost convention, except for certain assets at fair value. Except where stated, no allowance is made for the effect of changing prices on the results or the financial position. The Financial Statements are presented in Australian dollars and values are rounded to the nearest thousand dollars unless otherwise specified (see note 1.21). Assets and liabilities are recognised in the Balance Sheet when and only when it is probable that future economic benefits will flow and the amounts of the assets or liabilities can be reliably measured. However, assets and liabilities arising under agreements equally proportionately unperformed are not recognised unless required by an Accounting Standard. Liabilities and assets that are unrealised are reported in the Schedule of Commitments and the Schedule of Contingencies. Revenues and expenses are recognised in the Income Statement when and only when the flow, consumption or loss of economic benefit has occurred and can be reliably measured. Consolidation and associated company The Financial Statements show information for the economic entity only; this reflects the consolidated results for the parent entity, the Australian National Maritime Museum, and its wholly-owned controlled entity, The Australian National Maritime Foundation. The results of the parent entity do not differ materially from the economic entity and have therefore not been separately disclosed. The Australian National Maritime Foundation is a company limited by guarantee. See note 18. The accounting policies of The Australian National Maritime Foundation are consistent with those of the museum and its assets, liabilities and results have been consolidated with the parent entity accounts in accordance with the Accounting Standards. All internal transactions and balances have been eliminated on consolidation.

Notes to and forming part of the financial statements for the year ended 30 June 2011

1.2 Significant Accounting Judgement and Estimates In applying the accounting policies listed in this note, judgement has been made as to the fair value that has significant impact on the amounts recorded in the financial statements. The fair value of land has been taken to be the market value of similar properties. The buildings are purpose built and were independently valued. The fair value of heritage and cultural assets has been taken to be the book value or the market value as determined by independent valuers. No accounting assumptions or estimates have been identified that have a significant risk of causing a material adjustment to carrying amounts of assets and liabilities within the next accounting period. 1.3 New Accounting Standards Adoption of new Australian Accounting Standard Requirements No accounting standard has been adopted earlier than the application date as stated in the standard. No new accounting standards, amendments to standards and interpretations issued by the Australian Accounting Standards Board that are applicable in the current period have had a material financial affect on the Australian National Maritime Museum. Future Australian Accounting Standard Requirements New standards, amendments to standards, and interpretations that are applicable to future periods have been issued by the Australian Accounting Standards Board. It is estimated that adopting these pronouncements, when effective, will have no material impact on future reporting periods. 1.4 Revenue Revenue from Government Funding received or receivable from agencies (appropriated to the agency as a CAC Act body payment item for payment to the Australian National Maritime Museum) is recognised as Revenue from Government unless they are in the nature of equity injections. Other Types of Revenue Revenue from the sale of goods is recognised upon the delivery of goods to customers. Revenue from the rendering of a service is recognised by reference to the stage of completion of the contract to provide the service. The stage of completion is determined according to the proportion that costs incurred to date bear to the estimated total costs of the transaction. Receivables for goods and services are recognised at the nominal amounts due less any provision for bad and doubtful debts. Collection of debts is reviewed at balance date. Provisions are made when collection of the debt is no longer probable. 1.5

Gains

Sale of Assets Gain from disposal of non-current assets is recognised when control of the asset has passed to the buyer.

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

Resources Received Free of Charge Resources received free of charge are recognised as gains when and only when a fair value can be reliably determined and the services would have been purchased if they had not been donated. Use of those resources is recognised as an expense. Contributions of assets at no cost of acquisition or for nominal consideration are recognised as gains at their fair value when the asset qualifies for recognition. 1.6 Transactions by the Government as Owner Equity Injections Amounts appropriated which are designated as â&#x20AC;&#x2DC;equity injectionsâ&#x20AC;&#x2122; for a year, less any formal reductions, are recognised directly in Contributed Equity in that year (2011: $1,638 and 2010: $1,608). 1.7 Employee Benefits Benefits Liabilities for services rendered by employees are recognised at the reporting date to the extent that they have not been settled. Liabilities for short-term employee benefits (as defined in AASB 119) and termination benefits due within 12 months of balance date are measured at their nominal amounts. The nominal amount is calculated with regard to the rates expected to be paid on settlement of the liability. All other employee benefit liabilities are measured at the present value of the estimated future cash outflows to be made in respect of services provided by employees up to the reporting date. Leave The liability for employee benefits includes provision for annual leave and long service leave. No provision has been made for sick leave as all sick leave is non-vesting and the average sick leave taken in future years by employees is estimated to be less than the annual entitlement for sick leave. The leave liabilities are calculated on the basis of employeesâ&#x20AC;&#x2122; remuneration, including employer superannuation contribution rates to the extent that the leave is likely to be taken during service rather than paid out on termination. The non-current portion of the liability for long service leave is recognised and measured at the present value of the estimated future cash flows to be made in respect of all employees at 30 June 2011. In determining the present value of the liability, the museum has taken into account attrition rates and pay increases through promotion and inflation. Superannuation Staff of the museum are members of the Commonwealth Superannuation Scheme (CSS), the Public Sector Superannuation Scheme (PSS) or the PSS accumulation plan (PSSap). The CSS and PSS are defined benefit schemes and the PSSap is a defined contributions scheme. The liability for defined benefits is recognised in the financial statements of the Australian Government and is settled by the Australian Government in due course.

Notes to and forming part of the financial statements for the year ended 30 June 2011

The museum makes employer contributions to the employee superannuation schemes at rates determined by an actuary to be sufficient to meet the cost to the Government of the superannuation entitlements of the museumâ&#x20AC;&#x2122;s employees. The museum accounts for the contributions as if they were contributions to defined contribution plans. 1.8 Leases A distinction is made between finance leases, which effectively transfer from the lessor to the lessee substantially all the risks and benefits incidental to ownership of leased non-current assets, and operating leases, under which the lessor effectively retains substantially all such risks and benefits. The museum has no finance leases. Operating lease payments are expensed on a basis that is representative of the pattern of benefits derived from the leased assets. 1.9 Grants The museum recognises grant liabilities as follows. Most grant agreements require the grantee to perform services or provide facilities, or to meet eligibility criteria. In these cases, liabilities are recognised only to the extent that the services required have been performed or the eligibility criteria have been satisfied by the grantee. In cases where grant agreements are made without conditions to be monitored, liabilities are recognised on signing of the agreement. 1.10 Cash Cash and cash equivalents include notes and coins held and any deposits in bank accounts with an original maturity of 3 months or less, which are readily convertible to known amounts of cash and subject to insignificant risk of changes in value. Cash is recognised at its nominal amount. 1.11 Financial Assets Classification of financial assets depends on the nature and purpose of the financial assets and is determined at the time of recognition. The museum classifies its financial assets as loans and receivables. Trade receivables, loans and other receivables that have fixed or determinable payments that are not quoted in an active market are classified as loans and receivables and are included in current assets. Loans and receivables are measured at nominal cost less impairment. The museum has no loans. 1.12 Financial Liabilities The museum classifies its financial liabilities as other financial liabilities. Suppliers and other payables are classified as other financial liabilities and are recognised at their nominal amounts, being the amounts at which the liabilities will be settled. Liabilities are recognised to the extent that the goods and services have been received and irrespective of having been invoiced. 1.13 Contingent Liabilities and Contingent Assets Contingent liabilities and contingent assets are not recognised in the balance sheet but are reported in the relevant schedules and notes. They may arise from uncertainty as to the existence of a liability or asset or represent an asset or liability in respect of which the amount cannot be reliably measured. Contingent assets are disclosed when settlement is probable but not virtually certain and contingent liabilities are disclosed when settlement is greater than remote.

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

1.14 Acquisition of Assets Assets are recorded at cost on acquisition except as stated below. The cost of acquisition includes the fair value of assets transferred in exchange and liabilities undertaken. Financial assets are initially measured at their fair value plus transaction costs where appropriate. Assets acquired at no cost, or for nominal consideration, are initially recognised as assets and revenues, at their fair value at the date of acquisition. 1.15 Property (Land and Buildings), and Infrastructure, Plant and Equipment /Asset Recognition Threshold Purchases of property, infrastructure, plant and equipment are recognised initially at cost in the Balance Sheet, except for purchases costing less than $2,000, which are expensed in the year of acquisition other than where they form part of a group of similar items which are significant in total. Revaluations Land, buildings, plant and equipment are carried at fair value, being revalued with sufficient frequency such that the carrying amount of each asset is not materially different, at reporting date, from its fair value. The regularity of independent valuations depends upon the volatility of movements in market values for the relevant assets. Valuations undertaken in each year are at 30 June. Fair values for each class of assets are determined as shown below. Asset Class Land Buildings Infrastructure, Plant & Equipment Heritage and Cultural Assets

Fair Value Measured at Market appraisal Market appraisal Market appraisal Market appraisal

Revaluation adjustments are made on a class basis. Any revaluation increment is credited to equity under the heading of asset revaluation reserve except to the extent that it reverses a previous revaluation decrement of the same asset class that was previously recognised through operating result. Revaluation decrements for a class of assets are recognised directly through operating result except to the extent that they reverse a previous revaluation increment for that class. Any accumulated depreciation as at the revaluation date is eliminated against the gross carrying amount of the asset and the asset restated to the relevant amount. Under fair value, assets which are surplus to requirements are measured at their net realisable value. Depreciation and Amortisation Depreciable property, plant and equipment assets are written off to their estimated residual values over their estimated useful lives using, in all cases, the straight line method of depreciation. Depreciation and amortisation rates, residual values and methods are reviewed at each reporting date and necessary adjustments are recognised in the current, or current and future reporting periods, as appropriate.

Notes to and forming part of the financial statements for the year ended 30 June 2011

Depreciation and amortisation rates applying to each class of depreciable asset are based on the following useful lives: Leasehold land Buildings Infrastructure, Plant & Equipment

2011

2010

105 years 22 years 3-20 years

All Heritage and Cultural Assets are restored and conserved and are subject to a Collection and Preservation Plan and related policies designed to ensure that the assets will be preserved indefinitely. In accordance with Australian Implementation Guidance which accompanies AASB 116, the museum has determined that Heritage and Cultural Assets will not be depreciated as they will have indefinite useful lives as long as the museum complies with its Collection and Preservation Plan and related policies. These assets are independently valued with sufficient frequency such that the carrying amount of the assets are not materially different, at reporting date, from fair value and are subject to ongoing impairment testing. At 30 June 2011, independent valuations supported the total carrying value of Heritage and Cultural Assets. Impairment All assets were assessed for impairment at 30 June 2011. Where indications of impairment exist, the asset's recoverable amount is estimated and impairment adjustment made if the asset’s recoverable amount is less than its carrying amount (2011: $ 153 and 2010: $2,677). The recoverable amount of an asset is the higher of its fair value less costs to sell and its value in use. Value in use is the present value of the future cash flows expected to be derived from the asset. Where the future economic benefit of an asset is not primarily dependant on the asset’s ability to generate future cash flows, and the asset would be replaced if the museum were deprived of the asset, its value in use is taken at market appraisal. 1.16 Intangibles Intangibles comprise software for internal use and are carried at cost less accumulated amortisation. Software is amortised on a straight-line basis over its anticipated useful life. The useful lives of the museum’s software are 5-10 years (2010: 5-10 years). 1.17 Inventories Inventories held for resale by the museum store are valued at the lower of cost and net realisable value. 1.18 Taxation The museum is exempt from all forms of taxation except Fringe Benefits Tax and the Goods and Services Tax (GST). Revenues, expenses and assets are recognised net of GST: • except where the amount of GST incurred is not recoverable from the Australian Taxation Office (ATO); and • except for receivables and payables. 1.19 Foreign Currency Transactions denominated in a foreign currency are converted at the exchange rate at the date of the transaction. Foreign currency receivables and payables (if any) are translated at the exchange rates current as at balance date. Associated currency gains and losses are not material.

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

1.20 Comparative Figures Comparative figures have been adjusted to conform to changes in presentation in these financial statements where required. 1.21 Rounding Amounts are rounded to the nearest $1,000 except in relation to: • remuneration of Council members (note 11); • remuneration of senior executives (note 13); • remuneration of auditors (note 14); • assets held in trust (note 16); and • Australian National Maritime Foundation (note 18). 2.

ECONOMIC DEPENDENCY

The Australian National Maritime Museum is controlled by the Commonwealth of Australia and is dependent on revenues from Government for its continued existence and ability to carry out its normal activities.

2011 $000

2010 $’000

7,123

6,183

534 671 1,198 1,800 1,057 12,383

389 733 1,210 1,650 1,120 11,285

1,152 3,481 2,129 320 4,484 11,566

1,180 3,957 1,987 367 3,919 11,410

1,030 10,536 11,566

1,606 9,804 11,410

135 87 222 11,788

134 78 212 11,622

EXPENSES

3A: Employee Benefits Wages and salaries Superannuation: Defined contribution plans Defined benefit plans Leave and other entitlements Volunteer resources, free of charge Other employee expenses Total employee benefits 3B: Suppliers Goods and Services

Consultants Contractors Partnerships and programs Cost of goods sold Other Total goods and services

Goods and services are made up of: Goods and services - related entities Goods and services - external parties Total goods and services

Other supplier expenses Operating lease rentals Workers compensation expenses Total other supplier expenses Total supplier expenses

Notes to and forming part of the financial statements for the year ended 30 June 2011

2011 $000

2010 $'000

7,383 1,513 8,896

7,207 1,665 8,872

257 509 766 9,662

261 342 603 9,475

3C: Depreciation and Amortisation Depreciation: Buildings Infrastructure, plant and equipment Total depreciation

Amortisation: Leasehold land Intangibles - Computer software Total am ortisation Total depreciation and am ortisation

3D: Write-Down and Impairment of Assets Asset write-down and impairments from: Infrastructure, plant and equipment Heritage and cultural assets Intangibles Total write-down and im pairm ent o f assets

308 119 119

29 337

39 29 10

56 173 (117)

126 126

97 97

1,612 1,612

1,388 1,388

3E: Gains (losses) from asset sales Property, plant and equipment: Proceeds from sale Carrying value of assets sold N et gains (losses) from sales o f assets

3F: Grants Expense Non-profit institutions Total grants expense

3G: Operating Expenditure for Heritage and Cultural Assets Operating expenditure Total

Operating expenditure is a representation of expenditure relating to heritage and cultural assets and is contained in the statement of comprehensive income.

INCOME

REVENUE 4A: Sales of Goods and Rendering of Services Provision of goods - external parties Rendering of services - related entities Rendering of services - external parties Settlement received Total sales o f goods and rendering o f services

713 42 4,778 5,533

787 6 4,629 2,100 7,522

The museum received $2,100 in the year ending 30 June 2010 in respect to the Settlement and Release of a legal matter commenced in prior years.

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

2011 $’000

2010 $’000

1,272 1,272

908 908

1,800 803 179 235 137 3,154

1,650 598 68 376 186 2,878

4B: Interest Deposits Total interest

GAINS 4C: Other Gains Volunteer resources, free of charge Sponsorship in kind Industry contributions Grants Other Total other gains

Other gains include service-related donations-in-kind from a range of donors. REVENUE FROM GOVERNMENT 4D: Revenue from Government Department of Prime Minister and Cabinet (2010: Department of Environment, Water, Heritage and the Arts): CAC Act body payment item Total revenue from Government

21,551 21,551

21,647 21,647

1,835 24,150 25,985

2,358 28,191 30,549

18 74 92

22 71 93

932 101 121 1,154 1,246

421 101 43 565 658

FINANCIAL ASSETS

5A: Cash and Cash Eauivalents Cash at bank and on hand Deposits at call Total cash and cash equivalents

5B: Trade and Other Receivables Goods and Services

Goods and services - related entities Goods and services - external parties Total receivables for goods and services Other receivables:

■ GST receivable from the ATO Interest Other Total other receivables Total trade and other receivables (net)

Notes to and forming part of the financial statements for the year ended 30 June 2011

2011 $000

2010 $'000

1,223

621

18 2

2 8

3 1,246

27 658

80,706 (257) 80,449

80,706

Buildings Fair value Accumulated depreciation Total buildings on leasehold land

131,229 (21,022) 110,207

123,810 (13,638) 110,172

Total land and buildings (non-current)

190,656

190,878

31,132 (21,578)

27,291 (20,114)

9,554

7,177

65,970 65,970

63,517 63,517

Receivables are aged as follows: Not overdue Overdue by: 0 to 30 days 31 to 60 days 61 to 90 days More than 90 days Total receivables (gross)

All receivables are current assets. 6:

NON-FINANCIAL ASSETS

6A: Land and Buildings Leasehold land Fair value Accumulated amortisation Total leasehold land

80,706

6B: Infrastructure. Plant and Equipment Infrastructure, plant and equipment Fair value Accumulated depreciation Total infrastructure, plant and equipment (non-current)

6C: Heritage and Cultural Assets Heritage and cultural assets - at fair value Total heritage and cultural assets (non-current)

The Museum received approval to re-classify certain heritage assets from Infrastructure, Plant & Equipment to Heritage & Cultural Assets at their net book value at 1 July 2009 (2011 and 2010: $20,491) 6D: Intangibles Computer software -

in use accumulated amortisation

Total intangibles (non-current)

2,591 (1,513) 1,078

1,982 (1,069) 913

Notes to and forming part of the financial statements for the year ended 30 June 2011 6E: Reconciliation of the opening and closing balances of Property. Plant and Equipment (2010-11)

Land $ ’000s

Buildings $ ’000s

Total Land & Buildings $ ’000s

Heritage & Cultural Assets $ ’000s

Infrastructure, Plant & Equipment $ ’000s

Intangibles $ ’000s

Total $'0 00 s

As at 1 July 2010

Gross book value Accumulated depreciation / amortisation

80,706 80,706

Additions By purchase Net revaluation adjustment Depreciation / amortisation expense Disposals Other disposals

(257)

63,517

1,982 (1,069) 913

297,306 (34,821) 262,485

123,810 (13,638) 110,172

204,516 (13,638) 190,878

27,291 (20,114) 7,177

7,419

3,916

(7,383)

(7,640)

(1,513)

(509)

1 4,615 (1 5 3 ) (9 ,6 6 2 )

(29)

(2 9 )

63,517

2,606 (153)

674

As at 30 June 2 01 1

Gross book value Accumulated depreciation / amortisation

8 0,7 06 (2 5 7 )

1 31 ,22 9 (2 1 ,0 2 2 )

2 11 ,93 5 (2 1 ,2 7 9 )

3 1,1 32 (2 1 ,5 7 8 )

6 5,9 70

2 ,5 9 1 (1 ,5 1 3 )

3 11 ,62 8 (4 4 ,3 7 0 )

Net book value

80,4 49

1 10 ,20 7

1 9 0 ,6 5 6

9,55 4

65,9 70

1,07 8

2 67 ,25 8

Notes to and forming part of the financial statements for the year ended 30 June 2010

6E (Cont’d): Reconciliation of the opening and closing balances of Property. Plant and Equipment (2009-10)

Land $ ’000s

Buildings $ ’000s

Total Land & Buildings $ ’000s

Infrastructure, Plant & Equipment $ ’000s

Heritage and Cultural Assets $ ’000s

Intangibles $ ’000s

Total $ ’000s

As at 1 July 2009

Gross book value Accumulated depreciation / amortisation

Additions By purchase Asset Transfer Impairment Adjustment Depreciation / amortisation expense Disposals Other disposals

83,500 (261) 83,239

123,789 (6,952) 116,837

207,289 (7,213) 200,076

69,690 (41,673) 28,017

1,230

1,514 (20,491)

(405) (7,207)

(2,677) (7,468)

(283)

8 0,7 06

(2,272) (261)

41,393 -

41,393

1,633 20,491

1,561 (728) 834

319,933 (49,614) 270,320

450

4,82 7

(1,665)

(342)

(2 ,6 7 7 ) (9 ,4 7 5 )

(283)

(198)

(29)

(5 1 0 )

1 23 ,81 0 (1 3 ,6 3 8 )

2 04 ,51 6 (1 3 ,6 3 8 )

27,2 91 (2 0 ,1 1 4 )

63,517 -

1 ,98 2 (1 ,0 6 9 )

2 97,306 (3 4 ,8 2 1 )

1 10 ,17 2

1 90 ,87 8

7,177

6 3,5 17

913

2 62 ,48 5

As at 30 June 201 0

Gross book value Accumulated depreciation / amortisation Net book value

8 0,7 06

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

2011 $â&#x20AC;&#x2122;000

2010 $â&#x20AC;&#x2122;000

135 135

139 139

156 156

461 461

6F: Inventories Inventories held at cost Total inventories

All inventories are current assets. 6G: Other Non-Financial Assets Pre-payments Total other non-financial assets

All other non-financial assets are current. No indicators of impairment were found for other non-financial assets. 7. ASSETS HELD FOR SALE Infrastructure, plant and equipment

Total assets held for sale

215 215

2,849 2,849

1,389 1,389

214 1,439 109 1,762

82 1,855 53 1,990

2,305 2,305

2,310 2,310

1,225 1,080 2,305

1,050 1,260 2,310

PAYABLES

8A: SuDDliers Trade creditors and accruals Total supplier payables

All supplier payable are current. 8B: Other navables Salaries and wages Deferred revenue Other Total other payables

All other payables are current. 9:

PROVISIONS

9A: Eirmlovee Provisions Leave Total employee provisions

Employee provisions expected to be settled in: No more than 12 months More than 12 months Total employee provisions

Notes to and forming part of the financial statements for the year ended 30 June 2011

10:

2011 $â&#x20AC;&#x2122;000

2010 $'000

25.985 25.985

30.549 30.549

24,109 21,551 (2,558)

21,625 21,647 22

9,662 119 (10)

9,474 337 117

(587) 3 305 (5) 1,446 8,375

598 9 171 100 1,463 12,291

CASH FLOW RECONCILIATION

10A: Reconciliation of cash and cash equivalents as per Balance Sheet to Cash Flow Statement

Cash and cash flow equivalents as per:

Cash flow statement Balance sheet Difference

10B: Reconciliation of net cost of services in net cash from onerating activities: Net cost of services Add revenue from Government Operating surplus(deficit) Adjustm ents for non-cash items

Depreciation/amortisation Net write down of non-financial assets (Gain)/loss on disposal of assets Changes in assets/liabilities

(lncrease)/decrease in net receivables (lncrease)/decrease in inventories (Increase)decrease in other assets lncrease/(decrease) in employee provisions lncrease/(decrease) in payables Net cash from operating activities

2011

2010

11: COUNCIL MEMBERS REMUNERATION The number of non-executive Council Members of the museum included in these figures is shown below in the relevant remuneration bands. $Nil - $29,999 8 $30,000 - $59,999 0 To ta l 8

8 1 9

Total remuneration received or due and receivable by non-executive Council Members $ $ Short-term benefits - salary 110,746 128,852 Superannuation Total

17,055 127,801

13,981 142,833

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

12: RELATED PARTY DISCLOSURES There were no related party disclosures during the reporting period. 13: SENIOR EXECUTIVE REMUNERATION FOR THE REPORTING PERIOD 2010 0 2 1 1 4

2011 The number of senior executives who received: 1 Less than $150,000 4 $150,000 to $179,999 $180,000 to $209,999 1 $240,000 - $269,999 $270,000 - $284,999 6 Total Total expense recognised in relation to senior executive employment Short-term benefits: $ 850,424 Salary (including annual leave taken)

$ 602,690

Performance bonus Other Total short-term benefits Superannuation Total

53,063 25,437 681,190 87,106 768,296

44,165 894,589 107,665 1,002,254

Average annualised salary packages for senior executives 2011 Base Salary

Bonus

Total package

Total remuneration: $150,000 to $179,999

1 6 3 ,0 6 3

$240,000 to $269,000

2 4 4 ,9 2 2

Total

2010 Total remuneration: $150,000 to $179,999 $240,000 to $269,000 $270,000 to $284,999

Base Salary 169,492

Bonus 20,544

Total package 190,036

257,761

22,890

280,651

Total

Notes: 1. Excludes acting arrangements and part-year service. 2 . During the reporting period, there were no employees whose salary plus performance bonus were $150,000 or more. 3. Non-salary elements available to senior executives: Includes motor vehicle Includes superannuation Excludes discretionary performance bonus

Notes to and forming part of the financial statements for the year ended 30 June 2011

14: REMUNERATION OF AUDITORS Remuneration to the Auditor-General for auditing the financial statements for the reporting period

2011 $

2010 $

42,000

48,500

No other services were provided by the auditors of the financial statements. $000

$â&#x20AC;&#x2122;000

Financial Assets Loans and receivables financial assets Cash at bank and on hand Deposits at call Receivables for goods and services Interest receivable Receivable from associated entities Carrying amount of financial assets

1,835 24,150 199 101 14 26,299

2,358 28,191 114 101 22 30,786

Financial Liabilities Other financial liabilities Trade creditors Carrying amount of financial liabilities

2,849 2,849

1,389 1,389

1,272 1,272

908 908

15: FINANCIAL INSTRUMENTS 15A: Categories of Financial Instruments

15B: Net Income and Expense from Financial Assets Loan and Receivables Interest revenue Net gain loans and receivables 15C: Net Income and Expense from Financial Liabilities There is no net interest income or expense from financial liabilities not at fair value through profit or loss in the year ending 30 June 2011. (2010: nil) 15D: Fair Value of Financial Instruments The carrying amounts of the financial instruments approximate their fair values. 15E: Credit Risk The museum is exposed to minimum credit risk as the majority of the loans and receivables are cash and deposits at call. The maximum exposure to credit risk is the risk that arises from potential default of a trade debtor. This amount is equal to the total receivable for goods and services (2011: $74,410 and 2010: $72,434). The museum has no significant exposures to any concentrations of credit risk and has policies and procedures which outline debt recovery techniques. The ageing of financial assets that are past due but not impaired is equal to the ageing of receivables and is stated in note 5B. 15F: Liquidity Risk The majority of the museumâ&#x20AC;&#x2122;s financial liabilities are trade creditors and prepayments received. The exposure to liquidity risk is based on the probability that the museum will encounter difficulty in meeting its obligations associated with financial liabilities. This risk is minimal due to appropriation funding and internal policies and procedures which ensure that there are appropriate resources to meet financial obligations.

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

15G: Market Risk The museum holds basic financial instruments that do not expose the museum to ‘currency risk' or ‘other price risk’. The museum is exposed to 'interest rate risk’ which arises from the investment in short term cash and deposits with fixed and floating interest rates. This amount is equal to the total of cash at bank and deposits at call (2011: $25,985,251 and 2010: $30,548,796). 16.

ASSETS HELD IN TRUST

The museum has established a number of Trust accounts which are detailed below. Donations and bequests are received for specified purposes and moneys received are placed in a special bank account and expended on the specified projects in accordance with the terms of the trusts. These moneys are not available for other purposes of the museum and are not recognised in the financial statements. 2011 $

2010 $

16A: USA Bicentennial Gift Fund A gift was received to develop and maintain the USA Gallery at the museum and upon completion of the fitout, the assets were transferred to the museum. The residual of the gift is held in trust and the financial position of the Fund is as follows: Opening balance at 1 July Receipts: Distributions/Interest

5,430,769

5,259,516

306,288 5,737,057

239,547 5,499,063

99,404 30,657

31,038 37,255

Closing balance at 30 June

5,606,996

5,430,769

Represented by: Cash at Bank Distributions/Interest receivable (Liability) to the museum

5,713,693 36,583 (143,280)

5,436,615 7,373 (13,219)

5,606,996

5,430,769

Less payments: Acquisitions Other expenses

16B: NZ Bicentennial Gift Fund A fund was created in respect to the yacht Akarana. The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest Closing balance at 30 June

69,095 3,314 72,409

66,664 2,430 69,095

Represented by investment

72,409

69,095

16C: Maritime Museum Bequest Fund A fund was created to accommodate non-specific bequests made to the museum. The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest Closing balance at 30 June

170,095 8,159 178,254

164,112 5,983 170,095

Represented by investment

178,254

170,095

Notes to and forming part of the financial statements for the year ended 30 June 2011

2011 $

2010 $

16D: Louis Vuitton Fund A fund was created to set up the Louis Vuitton Collection and for the acquisition of materials relating to the maritime association between France and Australia. The financial position of the Fund is as follows: Opening balance at 1 July Receipts: Interest Closing balance at 30 June

19,151 919 20,070

18,477 674 19,151

Represented by investment

20,070

19,151

$000

$â&#x20AC;&#x2122;000

34,068 34,068

32,933 32,933

5,491 5,491

7,516 7,516

42 1,272 2,603 179 235 137 4,468 4,468 24,109

6 908 2,248 68 376 186 3,792 3,792 21,625

17. REPORTING OF OUTCOMES 17A: Net Cost of Outcome Delivery Expenses Departmental expenses Total expenses

Costs recovered from provision of goods and services to the nongovernment sector Departmental Total costs recovered

Other external revenues Departmental Sale of goods and services - to related entities Interest Donation and bequests Industry contributions Grants Other Total Departmental Total other external revenues

Net cost of outcome 17B: Departmental Revenues and Expense by Output Group

Outc ome 1 Out put 1 Departmental expenses Employees Suppliers Grants Depreciation and amortisation Write-down of assets Losses on disposal of assets Total departm ental expenses

Funded by: Revenues from Government Sale of goods and services Interest Donations and bequests Industry contributions Grants Other Total departm ental revenues

12,383 11,788 126 9,662 119 34,078

11,285 11,622 98 9,474 337 117 32,933

21,551 5,533 1,272 2,603 179 235 147 31,520

21,647 7,522 908 2,248 68 376 186 32,955

03 financial statements

Notes to and forming part of the financial statements for the year ended 30 June 2011

17C: Outcomes of the museum The museum is structured to meet one outcome as described in Note 1. Only one Output Group is identified for the Outcome and all the museum’s revenues, expenses, assets and liabilities are attributable to that Output Group. 18.

THE AUSTRALIAN NATIONAL MARITIME FOUNDATION

The Australian National Maritime Foundation is a Company Limited by Guarantee and is controlled by the Council of the Australian National Maritime Museum. The Foundation’s objectives are to create a capital fund, through gifts, bequests and fund-raising activities, for the purposes of: • Acquiring major additional items or collections of items to develop the National Maritime Collection; • Conserving the National Maritime Collection; and • Other activities which enhance the National Maritime Collection. The financial position of the Foundation is as follows:

2011 $

2010 $

Opening balance at 1 July Revenues: Interest Revenues: Donations

443,916 6,324 100 450,340

443,139 3,796 10 446,946

Less expenses: Suppliers Closing balance at 30 June

4,539 445,801

3,030 443,916

451,542 1,018 (6,759) 445,801

447,801 605 (4,490) 443,916

Represented by: Cash at bank Receivables Payables 19.

COMPREHENSIVE INCOME (DEFICIT) ATTRIBUTABLE TO THE AUSTRALIAN GOVERNMENT $000

$’000

(2,592)

(2,655)

1,650

1,473

(942)

(1,182)

Total comprehensive income(deficit) attributable to the Australian Government Total comprehensive income Plus: non-appropriated expenses Depreciation and amortisation expenses Total comprehensive income(deficit) attributable to the Australian Government

appendixes

A deep-sea trading dhow known as a baggala undergoing hull maintenance at Kwale Island off the coast of Tanganyika (Tanzania) from the exhibition Sons o f Sindbad - the photographs o f Alan Villiers, showing the work of this Australian-born maritime writer and photographer. Collection of National Maritime Museum, UK

Appendix i M M A P SS grants and internships

MMAPSS grants awarded in 2010-2011 Krawarree Project Inc, Mudgeeraba QLD $8,500 For a conservation assessment of the historic army hospital vessel Krawarree AH1733. (NB this project did not proceed, and the funds were transferred to the Queensland Maritime Museum to assist with condition reports subsequent to the floods of early 2011.)

The Maritime Trust of Australia, Castlemaine VIC $8,000 For the restoration of the 27-foot Montague whaler wooden pulling boat King Island Historical Society, Currie TAS $6,589 To transport the Cape Wickham Lighthouse Lens from Melbourne to King Island, and towards the refurbishment of the lens' display room

Albury City Council, Albury NSW $6,000 For The Murray River Experience research and heritage interpretation project

Maritime Museum of Tasmania, Hobart TAS $8,000 Towards the restoration of the doghouse and companionway of the historic yacht Westward

Lady Denman Heritage Complex, Huskisson NSW $8,000 For the restoration of the forward saloon of the historic ferry Lady Denman

Wooden Boat Guild of Tasmania Inc, Battery Point TAS $6,400 For the project Tasmanian Piners Punts-History, Design and Heritage

Museum of the Riverina, Wagga Wagga NSW $5,225 To conserve the lifesaving reel and menâ&#x20AC;&#x2122;s one-piece Speedo swimsuit from the Wagga Wagga Surf Life Saving Club collection

Spring Bay Maritime & Discovery Centre, Triabunna TAS $2,500 For conservation treatment of convict boat pieces

Narooma Lighthouse Museum, Narooma NSW $8,000 For the Narooma Lighthouse Museum upgrade

National Trust SA Willunga Branch, Willunga SA $2,565 To upgrade the exhibition of relics from the Star of Greece shipwreck

Norah Head Lighthouse Reserve Trust, Toukley NSW $8,000 For the restoration and conservation of semaphore flags including archival storage

South Australian Maritime Museum, Port Adelaide SA

Norfolk Island Museum, Norfolk Island NSW $6,400 For the high-priority conservation of objects from First Fleet flagship HMS Sirius

For an oral historian to identify interviewees linked to the Neicebee's history, compile a list of relevant questions in consultation with curators at SAM M and conduct and record 15 interviews

Port Stephens Historical Society, Nelson Bay NSW $1,700 To remount and reframe photographs for the Inner Light Museum Make-over project

Carnarvon Heritage Group Inc, Carnarvon WA $9,740 For a shelter structure to aid the preservation of the historic vessel Little Dirk

Shoalhaven Historical Society, Nowra NSW $957 To conserve a pocket compass

Internships

Echuca Historical Society Inc, Echuca VIC $5,390 For a preservation needs-assessment and preservation/ disaster planning workshops Port Albert Maritime Museum Inc, Gippsland Regional Maritime Museum, Port Albert VIC $2,231 To digitise and copy two significant books Queenscliffe Maritime Museum, Queenscliff VIC $4,871 For a significance assessment of the museumâ&#x20AC;&#x2122;s collection to aid participation in the Museum Accreditation Program

$6,000

Jennifer Gilbert, Queenscliffe Maritime Museum: 2-day introduction to conservation, 02/11 Ron Creber, Ballina Naval Museum, Ballina, NSW: 1-day introduction to conservation, 02/11

Appendix 2 Visitor and Member programs

Member programs ‘Quest for the South Magnetic Pole’-, introductory talk and preview with curator Lyndyl Lawton (South Australian Maritime Museum) (01/07/11)

‘Cruise on Waratah’-. a cruise up the Parramatta River on Sydney Heritage Fleet’s coal-fired tug Waratah, the oldest tug in working order in Australia, with historian and author Greg Blaxall (04/09/10)

‘Cruise on Lady Hopetouri: cruise on Sydney Heritage Fleet’s classic vessel (10/07/11)

‘Double bill: Secrets of the Tasman and the Pacific': talk by authors Neville Peat {The Tasman: A Biography of an Ocean) and Patrick Lindsey (The Coast Watchers) (19/09/10)

‘Fishing for Kids!’: a workshop teaching children responsible fishing practices, supported by the NSW Department of Primary Industries and the Recreational Fishing Trust (14/07/10,2 sessions)

‘Maritime museums of the world’: illustrated talk by museum director Mary-Louise Williams about her visit to iconic US museums and the opening of the China Maritime Museum in Shanghai (22/09/11)

‘Annual HMAS Vampire wardroom naval mess dinner’: annual black-tie dinner celebrating Vampire’s RAN service, with dinner president Capt Paul Martin r a n (Rtd) and vice-president CM DR Warren Smith r a n r (17/07/10)

‘Pirate, pizza and pyjama night!’: after-dark torchlight tour of HMAS Vampire and HMB Endeavour led by our resident pirate Grognose Johnny, plus a viewing of the movie Peter Pan (02/10/10)

‘Spectacle Island naval heritage tour’: behind-the-scenes guided tour with RAN museums director CM DR Shane Moore (22/07/10)

‘Antarctic adventures’: a farewell to our Quest for the South Magnetic Pole exhibition with talks by author and intrepid traveller Tim Bowden and polar explorer Tim Jarvis (10/10/10)

‘Sons ofSindbad - the photographs of Alan Villiers’: talk by Villiers’ biographer Kate Lance, giving insights into these fascinating photographs lent by the National Maritime Museum, Greenwich (25/07/10) ‘Cruiser: The life and loss of HMAS Perth’: talk by author and media personality Mike Carlton about his new book telling the tragic story of this ship (29/07/10)

‘Garden Island naval heritage tour’: a behind-thescenes guided tour of the island’s heritage precinct with representatives of the Naval Historical Society of Australia (14/10/10)

The Plastiki project’: talk and viewing of the Plastiki, a vessel built from 12,500 recycled plastic bottles that berthed at our wharves after its extraordinary voyage across the Pacific Ocean (30/07/10)

‘Captain Bligh’s mutiny - navigators, mariners and adventurers’: a special Classic & Wooden Boat Festival presentation by Australian adventurer Don McIntyre and ANMM curator Dr Nigel Erskine, on Don’s 2010 recreation of Bligh’s seven-week sea voyage after the mutiny (17/10/10)

‘Documents that shaped Australia: Records of a nation's heritage'-, talk by author John Thompson about his anthology of 100 snapshots of Australia’s maritime and colonial history (08/08/10)

‘Spring, spray and jacaranda cruise': a leisurely cruise up the Lane Cove River on historic ferry Lithgow, with commentary by award-winning gardener and assistant editor of Better Homes and Gardens, Adam Woodhams (24/10/10)

‘After-dark ships & museum torchlight tour': a night of ghoulish adventure with resident museum caretaker Spanka Boom, including an after-dark torchlight tour of HMAS Vampire and HMB Endeavour (14/08/10)

‘Flinders' return - 200th anniversary’: a special seminar on the life, work and legacy of Matthew Flinders, with Paul Brunton (Mitchell Library), map collector Emeritus Professor Robert Clancy a m and biographer Miriam Estensen, introduced by her Excellency Professor Marie Bashir a c cvo (31/10/10)

‘Macquarie's Light: lunchtime curator talk and guided tour of this exhibition with ANMM curator Peter Gesner (17/08/10) ‘A history of Australian P&O cruise ships’: illustrated talk by P&O archivist Robert Henderson, with classic images from his personal collection and P&O Orient archives (22/08/10)

‘Hawkesbury Riverboat Postman cruise’: cruise up the Hawkesbury River by traditional timber ferry with lunch at Dangar Island (07/11/10)

04 appendixes 2 visitor and Member programs

‘What lies beneath - the Gallipoli shipwrecks’: illustrated talk by Tim Smith, expedition leader of the first underwater survey of ANZAC Cove, Gallipoli, and professional underwater photographer Dr Mark Spencer (14/11/10)

‘Fishing for Kids!’: a workshop teaching children responsible fishing practices, including a segment on sharks and sustainability, and the fish that live in Darling Harbour (25/01/H, 2 sessions)

The floating world of Cambodia’: Members tour exploring the temples of Angkor and Cambodian maritime traditions, led by museum Asian specialist Jeffrey Mellefont (19/11-05/12/10)

‘Australia Day luxury cruise’: cruise on luxury cruiser MV Bennelongto view all the Australia Day harbour festivities (26/01/H)

‘Childhood voyages: ships, sea-spray & recollections of children at sea’: special illustrated seminar exploring the story of British child migrants, with author Alan Gill, author and maritime historian Peter Plowman, and former child migrants Eric Leonard, Peter Bennett, Shirley Ronge and Phillip Simpson (21/11/10) ‘Wharf 7 Heritage Centre behind-the-scenes tour’: viewing of National Maritime Collection storage areas not usually accessible to the public, with a talk by ANMM conservation manager Jonathan London (24/11/10) ‘Planet Shark - Predator or Prey - The Exhibition': introductory talk by AN MM curator Dr Stephen Gapps followed by a guided tour (25/11/10) ‘19th Members anniversary lunch’: annual Members lunch with special guest speaker, author and journalist Peter Fitzsimons (28/11/H) ‘Cruise on Waratah’: a cruise up the Parramatta River on Sydney Heritage Fleet’s coal-fired tug Waratah, with commentary by historian and author Greg Blaxall (12/12/10)

‘Champagne shopping night and kids' tour’: special Members discount Christmas shopping evening at The Store, including after-hours access to our exhibitions and a ‘Merritime message in a bottle’ tour for the kids with Stormy Grey the Stowaway (12/12/10) ‘Xmas sail on tall ship One &AII: a sunset cruise on this classic tall ship during one of its rare visits to Sydney (22/ 12/10)

‘Sydney-Hobart race-start ferry cruise’: Boxing Day cruise to farewell the Sydney-Hobart yacht fleet on board luxury ferry MV Seivadis (26/12/10) ‘Sharks, pizza and pyjama night!’: kids’ tour of our ghostly ships HMAS Vampire and HMB Endeavour led by museum caretaker Spanka Boom, including shark-themed activities and a viewing of the movie Shark Tale (13/01/H) ‘Exploration & Endeavour at the National Museum of Australia’: a day tourto the NMA in Canberra to view unique treasures from 18th- and 19th-century South Seas voyages of discovery (16/01/10) ‘Cruise on Lady Hopetoun’: a cruise on this classic Sydney Heritage Fleet vessel (once the NSW Government’s VIP launch), with a talk about her history and restoration by SHF members (22/01/11,2 cruises)

100

‘Australia Day family ferry cruise’: a family-friendly cruise on MV Radarto view the on-water activities, with an onboard entertainer for the kids (26/01/H) ‘Australia Day family fireworks’: viewing of the Darling Harbour fireworks from the museum forecourt or the decks of HMAS Vampire, with entertainment by a roving jazz band (26/01/H) ‘Planet Shark - Predator or Pre/: talks by experts from the Rodney Fox Shark Research Foundation, Surf Life Saving NSW and NSW Fisheries on the myths and latest research about sharks (06/02/11) ‘Chowder Bay Boatshed, Mosman’: tour of Sydney Harbour Wooden Boats’ shipyard with shipwright Simon Sadubin, who restored the museum’s Taipan, the 18-foot skiff designed by a young Ben Lexcen (12/02/11) The sinking of Montevideo Maru - Australia’s worst maritime disaster’: talk by Rod Miller from the Rabaul and Montevideo Maru Foundation, relating this tragic story and the shocking reasons why it is so little known (20/02/11) ‘Royal rendezvous ferry cruise - Queen Elizabeth & Queen Mary 2’: early morning cruise to view the rendezvous of these two luxury passenger liners (22/02/11) ‘Royal Departure ferry cruise - Queen Elizabeth & Queen Mary 2’: cruise to farewell Queen Elizabeth as she departs Sydney Harbour, view Queen Mary 2 docked at Garden Island, and welcome the cruise ship Balmoral (23/02/11) ‘Dampier’s Monkey: The south seas voyages of William Dampiertalk by author Adrian Mitchell about the adventures of this buccaneer mariner, introduced by ANMM curator of exploration Dr Nigel Erskine (27/02/11) ‘9th Phil Renouf Memorial Lecture': 16-year-old solo sailor Jessica Watson was guest speaker at this year’s annual memorial lecture, organised jointly by the museum and Sydney Heritage Fleet (03/03/11) ‘A history of Sydney sea pilots': a special seminar exploring the history of our sea pilots, with former pilots John Biffin, Ted Liley and Joe Crumlin, current sea pilot Captain Rowan Brownette, and Harry Hignett from the UK (13/03/11) ‘The floating world of Cambodia’: illustrated talk on the 17-day Members tourto Cambodia in November 2010 by tour leader Jeffrey Mellefont (17/03/11) ‘Wharf 7 collection behind-the-scenes’: tour of National Maritime Collection storage areas not usually open to the public, with a talk by AN MM conservation manager Jonathan London (25/03/11)

04 appendixes 2 visitor and Member programs

‘Day tourto National Museum of Australia and Australian War Memorial, Canberra’: curator-led tour of the NMA exhibition Notjust Ned: A true history of the Irish in Australia, followed by a visit to the Australian War Memorial’s Anzac Hall Gallery (03/04/11) 'Fishing for Kids!’: a workshop teaching children about responsible fishing practices and the fish that live in Darling Harbour, supported by the NSW Department of Primary Industries and the Recreational Fishing Trust (12/04/11,2 sessions) ‘Eora and tayenebe: ancient arts and Indigenous collections’: an introductory talk and guided tour of tayenebe: Tasmanian Aboriginal women’s fibre work with Tasmanian Museum and Art Gallery curator Julie Gough, plus a viewing of our own Indigenous collection in the Eora gallery with ANMM curator Lindsey Shaw (13/04/11) ‘HMB Endeavour farewell cruise’: special early morning champagne cruise on the harbour to farewell HMB Endeavour on her 15-month circumnavigation of Australia (16/04/11) ‘Ghosts, pizza and pyjama night!': kids’ tour of our ghostly ships HMAS Vampire and HMB Endeavour led by long-time museum caretaker Spanka Boom, with ghostthemed activities and a viewing of The Addams Family movie (21/04/11) ‘Garden Island naval heritage tour’: a behind-the-scenes guided tour of Garden Island heritage precinct with representatives of the Naval Historical Society of Australia (28/04/11)

historical officer at the RAN Sea Power Centre, on ‘The genesis of the RAN’ (12/06/11) ‘Preview of Scott's last expedition’: a special introduction to this outstanding exhibition with ANMM senior curator Lindsey Shaw (15/06/11) ‘The De Freycinet atlases - Nicolas Baudin’s Australian expedition, 1801-1804’: ANMM curator Dr Nigel Erskine tells the story of this important French voyage of exploration, and conservation manager Jonathan London speaks about the preservation of these significant atlases, recently acquired by the museum (26/06/11) ‘John Oxley and heritage shipyard’: cruise to view the restoration work on Sydney Heritage Fleet vessel John Oxley with SHF representatives (30/06/11)

Public programs - adult program ‘Mystery and misadventure on Flora and Wreck Reefs’: an illustrative lecture based on the two historic Queensland shipwrecks (HMS Porpo/seand Cato) located by ANMM divers, followed by a viewing of the film Shipwrecks of the Pacific and Tasman Sea (03/06/10) ‘The art of Peruvian craft - celebrating a timeless tradition’: a festival showcasing music, dance, food, craft, lectures, photography and entertainment, including guest alpacas (20/06/10)

'HMAS Toowoomba, a year in deployment': a talk by the ANZAC-Class guided-missile frigate’s commanding officer Ivan Ingham ra n , giving an insight into life on board during the ship’s 12-month deployment to the Middle East (01/05/11)

Celebrating International Lighthouse Week: ‘Cruise Forum - Macquarie Lighthouse and the lighthouses of Sydney Harbour’: an illustrative lecture with ANMM curator Peter Gesner discussing the history of Australia’s first lighthouse; and Dr Ian Hoskins talking about the harbour’s other lighthouses, followed by a heritage ferry cruise to view Robertson Point lighthouse and a picnic at Cremorne Reserve (19/08/10)

‘Australian cruising history’: illustrated talk by Peter Plowman about the history and future of cruising, with images from Peter’s private collection (08/05/11)

Celebrating International Lighthouse Day: performances of The Keeper - A gothic tale of dark and light, a haunting theatre piece for solo actor (19 & 20/08/10)

‘Autumn leaves annual garden cruise’: a leisurely cruise up the Lane Cove River aboard historic ferry Lithgow, with commentary by award-winning gardener and assistant editor of Better Homes and Gardens, Adam Woodhams (15/05/11)

Celebrating History Week: ‘Who do you think you are?!’: a gallery tour looking at the changing faces of those who have shaped our maritime and migrant history, and showing how dress and hairstyles have changed overtime (06/09/10)

‘Double bill: The Forgotten Children and Gold: a talk by author David Hill about his book Forgotten Children (exposing the betrayal of British child migrants), and his latest book Gold, the fever that forever changed Australia (21/05/11)

‘Cruise Forum - Macquarie’s Sydney from the Harbour to Hyde Park’: lecture, cruise and guided walk with Dr Ian Hoskins and Maureen Fry exploring Sydney Harbour, the Botanic Gardens and the buildings along Macquarie Street (09/09/10)

‘Vintage model skiff race’: viewing by ferry as Dennis and Harry McGoogan and friends compete with their 2-foot racing model skiffs - or Balmain bugs - off Rodd Island in Sydney’s Iron Cove (29/05/11)

‘Quest for the South Magnetic Pole’: an illustrated lecture with State Library of NSW curator Stephen Martin discussing the extreme conditions of Antarctic exploration, and Diana Patterson describing her year in Antarctica in charge of the Mawson Research Base (16/09/10)

‘RAN centenary lecture and sunset ceremony’: part of Navy Day at the museum celebrating the centenary of the RAN, a special lecture by John Perryman csm , senior naval

‘The Leaving of Liverpool - Britain's child migrants’: talks by historian Professor Geoffrey Sherington discussing the background to British child migration schemes; journalist

04 appendixes 2 visitor and Member programs

Alan Gill describing his research methods and case studies; and former child migrant Peter Bennett recalling his early years at Fairbridge Farm, Molong, followed by a guided tour of On their own - Britain’s child migrants (25/11/10) 'Sharks - predator or prey?’: Amy Wilkes (Sydney Aquarium) and Professor Robert Harcourt (Macquarie University) discuss the behaviour and ecology of sharks in Australian waters (09/12/10) ‘Researching your family history’: illustrative lecture by genealogist Heather Garnsey with a maritime approach on how to trace your family’s past, followed by a guided tour of On their own - Britain’s child migrants (24/02/11) The islands of Sydney Harbour’: talk by archaeologist Wayne Johnson exploring the rich history of Sydney Harbour’s islands, followed by a cruise and picnic at Cockatoo Island (10/03/11) Celebrating Seniors Week: ‘On their own - Britain’s child migrants': a guided tour with ANMM senior curator Daina Fletcher, followed by morning tea (21/03/11) Celebrating Heritage Week: ‘tayenebe - an ancient art reinvigorated’: viewing of this weaving exhibition from Tasmania with TMAG curator Julie Gough, followed by a tour of the ANMM Eora Gallery with senior curator Lindsey Shaw, including a hands-on experience with Indigenous educational material (13/04/11) The Pyrmont Peninsula’: an illustrative lecture by archaeologist Wayne Johnson on the history of Pyrmont, followed by a walking tour of the area with ANMM teacher-guides (05/05/11) ‘History of the Navy and Garden Island’: an illustrative talk on 100 years of naval history by AN MM senior curator Lindsey Shaw, followed by a cruise to Garden Island and a tour of the Heritage Centre (11/05/2011)

Events program Celebrating International Lighthouse Day: performances of The Keeper - A gothic tale of dark and light (a haunting theatre piece for solo actor) and an after-dark torchlight tour with a performance of Flotsam & Jetsam (20 & 21/08/10) ‘Welcome Wall unveiling ceremony No. 24': unveiling of names on the latest panels on our Welcome Wall, featuring guest speakers and entertainment (19/09/11) Celebrating World Maritime Day: annual event commemorating the wartime sacrifices of merchant seafarers, including a march across Pyrmont Bridge to the museum by Australian Maritime Union members (28/09/10) ‘Classic & Wooden Boat Festival’: A biennial festival to celebrate and educate the community about Australia's living maritime heritage, with maritime demonstrations, vessel displays, education programs, food stalls and entertainment (16-17/10/10)

Commemorating Remembrance Day: a ceremony to mark Remembrance Day at the museum, with commandoes of MV Kraits 'Operation Jaywick’ (11/11/10) Celebrating International Day of People with Disability: ‘Flags Ahoyf: a two-week display at the museum of artworks painted on flags by members of community and disability groups from around New South Wales (30/11-10/12/10) ‘Planet Shark' character tours: scripted character tours of the exhibition Planet Shark - Predator or Prey (05-30/01/H) 'Stencil art workshop’: workshop to create a maritimethemed stencil art mural on the Stage 1 construction hoardings in the museum forecourt (19-20/01/H) Celebrating Australia Day: reduced vessel entry tickets and performances to celebrate our national day (26/01/11) ‘On Their Own morning tea’: morning tea for former child migrants featured in the exhibition On Their Own - Britain's child migrants (17/02/11) ‘World’s Biggest Playgroup Day’: an open day for 0-5-yearolds featuring concerts, kids’ entertainment, a ‘Sing and Grow’ music space, arts and crafts, event stakeholder information stands, sport- and science-focused activities, baby play area and other playgroup activities (23/03/11) ‘Endeavour recruits’: interactive theatre show for 5-12-year-olds based on the search for new crew members for HMB Endeavour (10-14/04/11) ‘Cargo circus shoW: interactive theatre show for 5-12-year-olds featuring aerial performance based on a maritime theme (18-22/04/11) ‘Armenia yacht arrival’: arrival at the museum of this yacht as part of its world circumnavigation, attended by the local Armenian community (30/04/11) ‘Welcome Wall unveiling ceremony No. 25’: unveiling of names on the latest panels on our Welcome Wall, featuring guest speakers and entertainment (22/05/11) Celebrating the Centenary of the RAN: ‘Navy Family and Community Day’: focusing on Navy activities, including Sea King helicopter and dive tank displays, a flight simulator, Navy band and drill and flag displays, and a ceremonial sunset (12/06/11) ‘Scott of the Antarctic movie screening': outdoor evening screening of this classic 1948 movie (22/06/11)

Family movie program Mawson: Life and death in Antarctica (07/11) Mawson, The Bell Rock Lighthouse, Rogue nation (08/10) Rogue nation, Amazing Aussies (09/10) Amazing Aussies, Around Cape Horn, Rogue nation (10/10) The Leaving of Liverpool (11/10) The Leaving of Liverpool, Sharkwater, Street sharks (12/10)

04 appendixes 2 visitor and Member programs

Captain Cook - Obsession and Discovery (18-29/0:1/11)

'Kids on Deck: Shipboard games' (28/11/10)

Finding Nemo (Sundays, 02/11-03/11)

‘Mini Mariners end-of-year concert’: Captain Bandanna's Ahoy there! show featuring Captain Bandanna and her friend Splash (07/12/10)

The Reef (10,17, 24/04/11) Storm boy (15-16,22/04/11) Horrible histories (15/5/11) Storm boy (1,8 , 22,3/05/11,05/06/11) Hunt for HMAS Sydney (12,19, 2/06/11)

Children’s, youth and family programs 'Kids on Deck: Antarctic adventures': holiday activities and play inspired by Quest for the South Magnetic Pole (04-18/07/10) 'Wearable weaves': NAI DOC Week youth workshop in Indigenous weaving with artists from Bolarng Nangamai Aboriginal Art and Culture Centre (05-06/07/10) ‘Questacon science squad: the climate change shoW: experimental science performance program inspired by Quest for the South Magnetic Pole (12-13/07/10) ‘Younginventors': youth workshop in kinetic sculpture and science inspired by Quest for the South Magnetic Pole (15-16/07/10) ‘Family fun Sundays’: activities themed on our temporary exhibition Quest for the South Magnetic Pole (25/07-12/09/10) and on International Talk Like a Pirate Day (19/09/10) ‘Mini Mariners’: interactive themed program for pre schoolers every Tuesday during term (two sessions) on the themes: Captain's Crew (07/10), Under the Sea (08/10) and Boats on the Harbour (09/10) ‘Kids on Deck: Henna hand-painting (26/09/10)

‘Family fun Sundays’: activities themed on ourtemporary exhibition Planet Shark - Predator or Prey (19-26/12/10) ‘Shark Files activity trail’: activity booklet leading young visitors through the Planet Shark - Predator or Prey exhibition (20/12/10-6/03/11) ‘Kids on Deck: Sharkzone’: holiday activities and play inspired by Planet Shark - Predator or Prey (27/12/10-25/01/H) ‘Photography on HMAS Vampire’: youth photography workshop inspired by museum destroyer HMAS Vampire (03 & 07/01/U) ‘TV Presenting with NI DA - Planet Shark - Predator or Prey-. Youth workshop facilitated by NI DA Open Program (05-06/01/11) ‘Shark Stories’ and ‘Freshwater Saltwater’ Stories: storytelling program in connection with Planet Shark Predator or Prey and Eora exhibitions (Monday, Tuesday, Saturday, 10-29/01/H) ‘Adventures with NIDA - Planet Shark-Predator or Prey-. two-day drama workshop facilitated by NIDA Open Program (13/01/H) ‘Out on the waterfront stencil art workshops': a youth workshop with stencil artists Mini Graf and Jumbo to decorate the construction hoardings outside the museum (18-19/01/H) ‘Family Fun Sundays’: activities themed on our temporary exhibition Planet Shark (06/02-03/04/2011)

‘Kids on Deck: Sailing with Sindbad: holiday activities and play inspired by Sons of Sindbad - the photographs of Alan Villiers (27/09-10/10/10)

‘Mini Mariners’: interactive themed program for pre-schoolers each Tuesday during term (two sessions) - themes: Under the Sea (02/11), Sail Around the World (03/11), Boats on the Harbour (04/11)

‘Arabian nights workshops’: drop-in workshops (music, drumming, story telling, mosaics, box architecture, belly-dancing) themed on our temporary exhibition Sons of Sindbad (27/09-01/10/10)

‘Kids on Deck: Re-imagine, re-use, re-cycle, createf: holiday activities and play inspired by the Tayenebe -Tasmanian Aboriginal women's fibre work exhibition and marine ecology (10-24/04/11)

‘Youth photography’: workshops presented by Spitting Image and inspired by our temporary exhibition Sons of Sindbad (08/10/10)

‘tayenebe weaving workshops': workshops in Indigenous weaving facilitated by artists from the tayenebe exhibition (14/04/11)

‘Kids on Deck at the Classic & Wooden Boat Festival’: activities themed on our temporary exhibition Sons of Sindbad (16 & 17/10/10)

‘Illustration fixation’: youth workshop in zine-making, drawing and illustration inspired by the museum’s core galleries (14-15/04/11)

‘Family fun Sundays’: activities themed on our temporary exhibition Sons of Sindbad (17/10-12/12/10)

‘Big Top skills’: youth workshop in circus arts facilitated by Cargo Circus (18-22/04/11)

‘Mini Mariners’: interactive themed program for pre schoolers every Tuesday during term (two sessions) - themes: Sail around the world (10/10), By the seashore (11/10)

‘Family Fun Sundays': activities themed around marine ecology and weaving, and around the Navy centenary (01/05-26/06/2011)

04 appendixes 2 visitor and Member programs

‘Mini Mariners’: interactive themed program for pre schoolers every Tuesday during term (two sessions) - themes: Pirates ahoy! (05/11), Fun in the sun (06/11) ‘Navy Day Kids on Deck: Sailor styling (12/06/10) Face-painting (12/06/11)

Education programs for visiting schools New permanent programs ‘Immigration’ - Year 6 tour and Year 10 tour and workshop ‘Ways of watching weather’ - Years 6 -8 tour and workshop ‘Fyrmont’ - Year 10 Site History Study - workshop Redeveloped programs or add-ons to existing programs ‘Highlights' - primary ‘Transport’ - primary 'What is history?’ - Year 7 History ‘Shipwrecks, corrosion and conservation’ - resource dealing with specific corrosion and conservation issues related to HMAS Vampire and HMAS Onslow Temporary and special programs (linked to temporary exhibitions) Scott’s last expedition: Online resource kits for general use, primary use, Stage 4/5 Geography and Science, Stage 5 History. Tour and workshop (in development) for Stage 5 History Quest for the South Magnetic Pole: Guided tours of the exhibition focusing on the science of magnetism and life and work in Antarctica, education resources, activity space within the exhibition. Years 3-10 and public Primary tour On their own - Britain’s child migrants: Guided tours of the exhibition focusing on immigration to Australia and heritage links, education resources, developed an immigration workshop. Years 5-10. Online Education Resource kit to go with the exhibition Sons ofSinbad - the photographs Alan Villiers: Guided tours of the exhibition focusing on photography, education resources. Years 7-12. Travelling art kit tayenebe - Tasmanian Aboriginal women's fibre work: Guided tours of the exhibition with a visual arts focus, coordinated programs in conjunction with Public Programs and Members, presented objects from the Education Collection. Years 7-12 and public Endeavour Education Kit Duyfken - primary tour

Permanent programs 'Splash!': features a tour of the Watermarks exhibition, a workshop that focuses on leisure activities on, in, under and nearthe sea, and a themed creative arts activity. Years K-2 ‘Transport’: students identify various types of water transport, their propulsion methods and uses. A harbour cruise can be added to this tour. Years K-2 ‘Pirate school’: transposes school subjects into piratical equivalents as students earn their own pirate licence. Includes a treasure hunt and optional visit to James Craig. Years K-4 ‘Navigators/Endeavour’: a special package featuring tours of both exhibits, and investigating early European exploration and contact with the Australian continent. Years 3-10 'My special place’: looks at how Indigenous artists use symbols to express meaning in the Saltwater bark paintings plus a viewing of some paintings in our Eora gallery. Students also create works using their own symbols. Years 5-10 ‘Maritime archaeology’: students examine objects from shipwrecks and visit museum displays to learn how historians use material culture to reconstruct the past. Years 5-12 ‘Science and the sea’: a workshop examining corrosion, buoyancy, navigation and communication, followed by a tour of the museum looking at scientific principles in action. Years 6-8 ‘Pyrmont walk’: students walk the streets of Pyrmont examining the changing nature and demographics of the suburb. Suitable as a site study for geography and history. An inner-harbour cruise may be added to this tour. Years 7-12 ‘Shipwrecks, corrosion and conservation’: students look at the chemistry behind corrosion and the conservation of metals from shipwrecks through a series of experiments and a museum tour. Years 11-12 ‘Highlights tour’: general museum tour that can be themed to particular areas of interest. Tours catering especially for English language students are also available. Years K-12 and adult students Special program DHEN Teachers Open Day: a special day where teachers visit any venue in the Darling Harbour Education Network (DHEN) and learn about their school programs

Appendix 3 Selected acquisitions to the National Maritime Collection

Artworks, prints, photographs and posters Six iinocuts by Torres Strait artist Billy Missi 2006-2008 1. Links - an expression in trade, language and intermarriage between Papua New Guinea, Australia and Torres Strait; 2. Zagan GudAladhi (Star Constellation) - little fish that come around at a particular time of the year; 3. Kulba Yadail (Old Lyrics) - teaching how to read the stars, the moon and the sea; 4. GainauAu Kubi (Flock of Torres Strait Pigeons) - a seasonal time frame as told by the sighting of these birds; 5. Thadaral Sinik (Spear Fishing) - teaching boys the skills of fishing, how, when and where; 6. Mudhaw Warul (Sheltered Turtles Behind the Reef) - turtle hunting based on time and tides. Oil painting, Aurora, Dundee, 1884 Made famous as a result of its associations with several Antarctic expeditions, the Aurora was originally built to serve in the Arctic whaling fleet sailing annually from Dundee to Canada. The portrait was commissioned by the vessel's captain James Fairweather in 1884 and shows the Aurora off the entrance to Dundee. HMAS Australia at anchor, Sydney Harbour, watercolour by Fred Elliott, 1913 Featuring the first flagship of the Royal Australian Navy with harbour launches and ferries moving past the ship taking passengers for a closer view; other naval vessels and a three-masted sailing ship are featured to the left and right of Australia. This may be a representation of the Royal Australian Navy’s Fleet Entry in October 1913, although none of the ships appears to be dressed. The Great White Fleet entering Sydney Harbour, c. 1908 A monumental painting of the Great White Fleet’s entrance to Sydney Harbour in 1908, showing the significant impact it had on Australian society, politics and defence. Two Chinese oil paintings, c. 1850s Chinese School view of USS Kentucky in Hong Kong Harbour and Whampoa anchorage by Youqua. Photographs of US Great White Fleet, 1908 Five silver gelatin photographs of the arrival of the US naval fleet into Sydney Harbour in 1908, mounted on archival linen backing. Prints include two views of battleships entering Sydney Heads, a view of Martin Place, a view of the Sydney Showground and a panorama of the vessels on Sydney Harbour.

Map of Sydney: Fish Surnames, Kate Sweetapple, 2010 Limited edition print signed by the artist. This map of Sydney represents the residential location of an individual, couple or family living in Sydney with a fish surname. There are 846 such households. Together the shape forms a school of fish. This map explores the poetic potential of conventional quantitative and cartographic data and in doing so raises questions about visual representation of information and the tension between the scientific and the aesthetic. SS Maitland, William James Forster Oil painting of the SS Maitland, a well-appointed passengercargo coastal steamer that foundered near Gosford in 1898. Remnants of the wreckage of the Maitland remain on the shoreline at what is now called Maitland Bay. William James Forster (1851-1891) was a ship portraitist and maritime painter based in New Zealand in the 1870s, and in Sydney and Newcastle in the 1880s. With paintings characterised by fine and delicate brush strokes and high quality techniques, he was one of the better Australian ship portraitists of the late 19th century. H Searle Professional Champion Sculler of the World Colour lithograph. Henry Searle (1866-1889), known as the Clarence Comet, was born on Elk Island in NSW and became Champion Sculler of the World in 1889. He won huge prize money in America and England, capturing world headlines as the ‘invincible oarsman’. When he died from typhoid aged 23, over 100,000 mourners followed his coffin through Sydney’s streets. A memorial was erected near Henley Point on the Parramatta River and is still used as a landmark for rowing regattas. This caricature by Spy (Sir Leslie Ward), Vanity Fair, 7 September 1889, reflects the popularity of professional sculling in the 1880s. Scrimshawed whale teeth A matching pair of sperm whale teeth with naive scrimshaw work, in excellent condition. One tooth shows an image possibly of a Polynesian male, the other shows a prone figure beneath a palm tree. The teeth were in the Richards family possession for generations and were believed to be made by a family member. Several generations of the Richards family were recorded as mariners or crew during the 19th century. It appears the scrimshawed teeth refer to Mark Richards’ connection with the 1840 season on the French whaler Asia before employment with the Hagen whaling fishery from 1844 to 1846.

04 appendixes 3 selected acquisitions to the National Maritime Collection

Documents, manuscripts and publications

Trophies, medals, stamps and coins

Voyage aux Terres Australes (Voyage to Terra Australis), five volumes, 1812 The complete voyage account of Nicolas Baudin's expedition between 1801 and 1803 and charting of the Australian coastline. The account provides a parallel source of information to Matthew Flinders’ surveys and publications made over the same period. After Baudin’s death, responsibility for publishing the results of the expedition fell to Louis de Freycinet and zoologist Frangois Peron.

Transport medal with China clasp to H T B Plater H T B Plater was 3rd Engineering Officer aboard SS Salamis, which departed Sydney in July 1900 with the NSW and Victorian Naval Contingents for the China War (Boxer Rebellion).

Narrative of a voyage to the Southern Atlantic Ocean in the years 1828,1829,1830 performed in HM Stoop Chanticleer under the command of the late Captain Henry Foster, from the privatejournal of W HB Webster, surgeon of the sloop, London, 1834, Volumes 1 & 2 This narrative of HMS Chanticleer's three-year voyage highlights the active role played by the Royal Navy in scientific expeditions in a variety of places around the world following the end of the Napoleonic Wars. Two plans of Cockatoo Island convict prison, 1861 A convict settlement was established on Cockatoo Island, Sydney Harbour in 1838 to provide a place of secondary punishment for convicts who reoffended after being transported to New South Wales and Van Diemen’s Land. The convicts were employed on the island cutting and working stone and constructing the FitzRoy dry-dock. These plans detail the buildings from that period. Memorandum, Tables and Outfits for a Whaling Voyage, 1880 A printed booklet listing supplies available from Swift and Allen ship chandlers of New Bedford, Massachusetts. Four Years Aboard the Whaleship, William B Whitecar Jr, 1864 Embracing cruises in the Pacific, Atlantic, Indian, and Antarctic Oceans, in the years 1855, ‘56, '57, ‘58, ‘59. J B Lippincott & Co, Philadelphia. Captain Meaburn memorabilia Captain John Elliot Meaburn was captain of the SS Wyreema when it collided with the SS Currajong on 9 March 1910. The SS Currajong sank In Sydney Harbour and is now a popular diving site. The memorabilia includes Meaburn’s binoculars with his name on both the leather case and the binoculars, his telescope, pictures of the Wyreema and of Captain Meaburn, along with a leather-bound book with photographs and signatures. The decorative leather bound book is still in its original oak box.

World War I Star Trio to Charles Frederick Taylor For service in the Royal Australian Navy Bridging Train (RANBT) and ANZAC Provost Corps; Taylor was deployed with the RANBT to Gallipoli and Suvla Bay, and to the Egyptian Theatre with the Provost Corps.

Vessels, parts and accessories Wooden, single chine, multi-stepped hydroplane Nautilus II, and its purpose-built wooden cradle Nautilus It was built in 1912 by H Maumill in Melbourne, Victoria, for the Cornwell brothers (Fred and Percy). Approximately 7.6 metres long, it is an early example of an Australian-built multi-stepped hydroplane built for motorboat racing and is likely to be the earliest surviving example in Australia. It is also the earliest surviving winner of the E C Griffith Cup, the premier motorboating event in Australasia. Nautilus II represents the origins of motorboat racing in Australia, when the Australasian Championship was a major public event and racing was the preserve of the few, most of whom were successful businessmen.

Models and model parts Model pearling lugger Mercia Hand-crafted from memory by Torres Strait Islander George Mosby, great-grandson of ‘Yankee Ned’ Mosby. Ned Mosby, a relative of American Civil War General John Singleton Mosby, arrived in Torres Strait in the 1860s and encouraged Massig (Yorke) Islanders to establish their own pearling lugger fleets. The Mosby family continued to agitate for islanders' rights in the pearling industry; Barney Mosby was prominent in the 1937 pearling industry strike in Torres Strait, still commemorated as ‘August 23 day’. George worked on pearling luggers and remembers the Mercia when it was owned by the Bowden Pearling Company before World War II.

Tools and equipment Mahogany and brass single draw telescope, c. 1750 Decagonal telescope representative of instrument-maker skills in an era when the components of telescopes were produced largely by hand and in small numbers. Illustrates part of an evolution in telescope manufacture. Aneroid barometer, mid-19th century This barometer is No. 4577 by E J Dent of Paris. Responding to changes in air pressure acting on a sealed metal chamber that moved a needle on a dial, the aneroid barometer was a robust instrument for measuring changes in air pressure. It was particularly useful for predicting changes in weather. Fanning family seals and rings Two gold seals and one silver seal of the Fanning family crest. Two mourning rings from the death of Captain Fanning.

Clothing and accessories Cole of California swimwear advertisements 1953-1955 Three black and white Cole of California Swimwear magazine advertisements entitled ‘Man Killer', 1953, ‘Two rare specimens from Cole's Female animal swimsuit collection', 1955, and ‘Esther Williams warns “Danger curves ahead"’, 1953. In 1950 champion swimmer and aquatic film star Esther Williams was signed by the American swimwear giant Cole of California to promote a range of swimsuits created by former Hollywood costume designer Margit Felligi. Williams wore the brand in the films Neptune's Daughter (1949), Skirts Ahoy! (1952) and Dangerous When Wet (1953). Australian women’s magazines were also used by the company to promote their latest swimwear fashions.

Natural history Fossilised shark teeth A collection of fossilised shark teeth and whalebone from the Portland region in Victoria. Both the teeth and whalebone are from prehistoric sharks and whales. They range in size and shape, giving an indication of the type of prehistoric animal and its size during the early period of their evolution.

Appendix 4 Donors to the National Maritime Collection

Donations 2010-11 Donations approved by the director 1 July 2010-30 June 2011, Deed of Gift returned Peg Adena Silver teapot from KGS Komet This silver-plated teapot was manufactured as a component of the ship’s silver tea ware service intended for use in the diningroom of KGS Komet by the ship’s officers and/or passengers during a voyage. Christine Andersen Discharge certificates and other ephemera A box of slides and various paper-based material including wage slips and 73 discharge certificates recording the work history of merchant seaman Brian Norman Andersen between the 1950s and 1970s. Australian Railway Historical Society Photographs of two ferries Two box brownie-type photographs of ferries, c. 1900. Dr Vivian Balmer A fly whisk with an animal hair tail This fly whisk was most probably collected by a member of the Claringbo(u)ld family during their service overseas in the Royal Navy, the Victoria Colonial Navy or the Royal Australian Navy (RAN). Malcolm J Bartsch Glass wool souvenir in presentation envelope - Japanese submarine attack May 1942 The folder contains a fragment of glass wool used as insulation between the plates of the batteries that supplied power to the motors of the Japanese midget submarines sunk in Sydney Harbour on 31 May 1942. Nicola Bethwaite Australian Olympic team sailing uniform issued to Nicola Bethwaite at the 2004 Athens Olympics This Australian Olympic sailing team uniform was issued to Nicola Bethwaite for use in competition in the Women’s 470 class at the 2004 Summer Olympics in Athens. Alison Borrowman Royal Shipwreck Relief and Humane Society certificate and associated material Certificate awarded by the Royal Shipwreck Relief and Humane Society of NSW to Howard Smith employee Stanley Bruce Greentree for using his work motor launch to save a number of persons from drowning after the capsizing of a boat in Rose Bay on 10 January 1928. Awarded 12 April

1928. Invitation to and program for the 51st annual meeting of the Royal Shipwreck Relief and Humane Society of NSW, Town Hall Sydney, 24 September 1928. Pen and ink colour cartoon drawing of Bruce Greentree towing a pint-sized steamship with his Howard Smith work launch No. 549. Ross Bray Photographs, drawings and tools relating to boat builder Fred Grove Fred Grove was a self-taught boat builder and keen sailor, active in open boat racing on Botany Bay from the 1910s. He built a series of 10ft racing skiffs called Felix and 16ft racing skiffs called Neptune, and won his first club championship with Neptune IV. He experimented with a Marconi sail and won a team’s race by more than three minutes in 1927. In 1929 he took Neptune IV and its crew (Alf Poldore, Peter Depena, Ted Nichols and Ted Collis) to Perth to compete in the Australian Championship, ensuring that NSW subsequently hosted the national titles. David Bromley Framed artwork by Adelaide-based artist David Bromley, titled The Collection' (5 of edition of 40) The work depicts child-like wooden cut-out profiles of commercial ships and several yachts painted in blue, yellow, orange and green with black pen details. Lisa Brooks Newport Surf Life Saving Club Nippers cap Cap worn by Max Brooks and rash vest by his brother Charlie Brooks during weekly training and end of season Sydney-wide competitions between 2006 and 2008. Bill Burrell Collection of breakfast, luncheon and dinner ship menus Breakfast, luncheon and dinner ship menus collected from P&O and its sister company Princess Cruises from the 1960s to 2000s. Vessels represented include Arcadia, Canberra, Himalaya, Oriana, Sea Princess, Pacific Princess and Fair Princess. Eric Bycroft Australia; A home and a future for Britain's youth This souvenir booklet titled Australia: A home and a future for Britain's youth was issued by the Australian Government to British children evacuated to Australia by the Children’s Overseas Reception Board (CORB). It contains stories and photographs documenting the evacuees' five-year stay in Australia, and information about the government’s postWorld War II assisted migration scheme.

04 appendixes 4 donors to the National Maritime Collection

Donald Cameron Oilskins Aset of oilskins comprising trousers, jacket and hat used by dock workers in Brisbane in the 1960s and on the MV Araluen. Dianne Charge Photo album of P&O Line Strathnaver 1936 Fiji cruise Photo album with photographs and ephemera from a 1936 passenger cruise to Fiji on the P&O line Strathnaver. Helen Clift Collection of papers relating to Petty Officer Douglas Ballantyne Fraser r a n Miscellaneous papers relating to the service of Royal Australian Naval Brigade Petty Officer Douglas Ballantyne Fraser, a naval reservist who served in the 1st Royal Australian Naval Bridging Train (1st RANBT) in Gallipoli (Suvla Bay), Suez Canal and Palestine, 1915-1917. Rhonda Coleman The Ron Coleman Archive Archive of paper-based material, photographs and books associated with Ron Coleman, the former state maritime archaeologist for Queensland. The archive consists of over 150 books, plans, paper-based material, photographs and field notes. Enid Copeland HMCS Wolverene photographic album This leather bound photograph album was presented to Captain G S Lindeman r n , by the midshipmen of HMCS Wolverene on 22 February 1890, as a token of their appreciation for his interest and teachings during their service in the ship. It contains 47 photographs of NSW Naval Brigade and Australia Station naval activities in Sydney over the period 1887-1890. Penny Crino An Historic Retrospect on the Occasion of the 150th Anniversary Celebrations of the Founding of Australia Produced in 1938 as part of the 150th anniversary celebrations marking the European settlement of Australia, this booklet contains a brief history of Australia. It was given to schoolchildren in NSW. Robyn Cumming Men's Manmilla Seasuit This swimsuit is typical of men's swimwear of the early 1930s and features a tank top and full modesty skirt. Before the introduction of one-piece suits with detachable tops in 1933-34, men wore one-piece tank suits. To sunbathe and tan their upper bodies men would roll down the tank top. Manmilla Seasuits were sold with racer-backs as well as with this tank top design in shades of solid maroon, black, blue and red, and retailed in Melbourne for 9 shillings and 11 pence.

lima Cunnew Women's tan-through swimwear Tan-through swimsuits were made by Piz Buin, a Swiss sunscreen manufacturer and represent a short-lived novelty in the 1970s. Sheer polyester fabric allowed the wearer to tan while still clothed. As the issue of skin damage from sun exposure emerged, cosmetic companies developed products and marketing campaigns aimed at sun protection rather that sun tanning. Tan-through swimsuits were revived in the 1990s. Railea Don Toy deckchair This toy deckchair with an adjustable frame for different sitting positions incorporates the classic folding frame and canvas seat and backrest. The flamboyant colour of the fabric is indicative of 1970s colour trends. Ken Done Sydney Sunday I & II Ken Done’s beach paintings made in the 1990s were often large canvases executed quickly and giving the impression of drawings in paint. These paintings depict dual worlds of boats sailing on the water and sunbathers in repose on the beach. Patricia Doran Photograph, three postcards and one envelope sent from Irish migrant Edward C Telford Photographs and cards sent from Victoria by Irish migrant Edward Telford to his friend John Lynch in Liverpool, England. Amanda Downes Brass telescope marked F Barker & Co A brass telescope believed to have belonged to a Burns Philp captain from the late 19th or early 20th century. Robert Drew SS Bungaree bell The ship's bell is used for marking time, signals and alarms. Luck and superstition are also associated with the bell and it is often a prized memento of the vessel. SS Bungaree was built in 1937 by the Coledon Shipbuilding and Engineering Company of Dundee, Scotland, for the Adelaide Steamship Company. The coastal cargo vessel brought coke from Gdynia, Poland, to Australia on its commissioning voyage. It served as an iron ore carrier, operating from Whyalla, South Australia, to steelworks around NSW. In 1942 SS Bungaree was requisitioned by the RAN and underwent conversion to an auxiliary minelayer during WWII. Dennis Duyker P&O work clothes Three Items relating to Dennis Duyker’s career on the waterfront: yellow Hard Yakka safety overalls, yellow and blue safety shirt with P&O corporate logo and a long-sleeved Frontier safety polo shirt, blue and green-yellow, with P&O corporate logo. Captain C D Dykes Naval photographic prints -H M S Kanimbia and HMAS Ballarat, 1940s Four black and white formal photographs of the ship’s company for HMS Kanimbia and HMAS Ballarat, 1944.

04 appendixes 4 donors to the National Maritime Collection

Captain C D Dykes Craft - Maritime History in Stamps This stamp album titled Craft -Maritime History in Stamps was assembled by Commander Frederick Ross James r a n . It contains stamps featuring vessels accompanied by handwritten descriptions of the maritime craft depicted in the stamps. The stamps depict diverse types of maritime craft from a diverse range of states and countries across the world. Katie Edwards Newport Surf Life Saving Club Nippers swimsuit This swimsuit was worn by Kristie Edwards in training and competition when she was in the under-eights and under-nines. It was worn with a cap and rash vest for sun protection. Shirley Eutrope Sinking of the RMS Tahiti photographs When the well-known and popular steamer RMS Tahiti sank on a voyage from Sydney to San Francisco in 1930, some survivors and rescuers found a ready market for their pictorial images of the sinking and rescue of the passengers and crew among New Zealand and Australian newspapers and movie houses. Malcolm Everitt Scrapbooks with news clippings relating to shipping in the 1930s and 1940s and a handwritten history of the Eastern & Australasian Line by John Brown, c. 1940 Four scrapbooks relating to shipping in the 1930s and 1940s, with several loose photographs of north-western Australian Aboriginal people c. 1940, and a handwritten history of the Eastern & Australasian Line by John Brown, c. 1940. Barry Fisher Cruise diary This small cloth-covered cruise diary from New Zealand Shipping Company liner RMS Rangitane belonged to C M Carruthers. The diary contains information about onboard accommodation, dining, embarkation procedures, passports, attire, games and tipping. It also includes a glossary of sea terms, a guide to onboard menus, packing lists for men and women, a foldout world map, and space to record expenses, sights, and autographs of the ship’s captain and new friends. Alan Fletcher Memorabilia relating to career of FD Fletcher aboard S y Aurora 1912-1913 This memorabilia highlights Frederick Douglas Fletcher’s career at sea and notably includes material relating to his service as second officer aboard the Aurora during Douglas Mawson's Australasian Antarctic Expedition of 1912-1913.

Elizabeth Follan Boy’s Speedo swimwear Boy’s swimming trunks with half skirt and elastic and drawstring waist, made by Speedo Australia, size 26, in navy blue machine knitted cotton (stockingette), 1940s. Child’s Racerback one-piece swimsuit with half skirt made by Speedo Australia, size 26 in navy blue cotton jersey, 1930s-1940s. Bryan Fraser Shaw Savill Line cabin bag This red Shaw Savill Line cabin bag belonged to Mrs D E E Fraser. It is likely to have been a complimentary travel bag provided with a ticket purchase. Donna Fraser The Walker Whisky trophy This trophy was displayed at the office of Mr John Walker, 10 Bond Street, and described in the Aquatics pages of the Sydney Morning Herald on 19 December 1896. It was presented to J McMurtrie, owner of the 22 ft skiff Effie, and N Johnson the skipper. The Walker Whisky trophy and the Four Crown Cup were presented in addition to the first prize of £30 and the ‘Courier’ trophy for the winner of the Intercolonial Sailing Carnival. Estate of Norma Dorothy Free Ephemera, telescope and paintings A collection of material relating to the manuscript diary of Captain Edwin Thomas Free, produced in manuscript form by Norma Dorothy Free c. 1975 as ‘A saga of the sea’ and held in the ANMM Vaughan Evans Library. Mary Gissing ‘There’s nothing like a Jantzen in the world’ The 1950s Jantzen Australia jingle ‘There's nothing like a Jantzen in the world', was used in a 1951 advertisement for Nylastic swimsuits. The music was composed by Wendell Adams, with lyrics written by Wendell Adams and Elizabeth Eyerly, and arranged by Eliot Wright. This four-page booklet of sheet music for the song includes music for piano, chords and lyrics. The cover image was designed by illustrator Peter Hawley. Estate of Roderick Glassford Collection of ship photographs and related ephemera, A series of scrapbooks and loose photographs of sailing ships. Photographs of recreational boating 1910s-1930s A handmade photograph album documenting the 6-metre single chine hull motor boat Katisha 1933-1934 and a photograph of the yacht Athene. Torridon Watercolour painting of the clipper ship Torridon by William Forster, annotated ‘The Ship Torridon of Aberdeen, 1502 tons, W Shepherd Commander'.

04 appendixes 4 donors to the National Maritime Collection

A collection of glass plate negatives of vessels on Sydney Harbour A collection of glass plate and nitrate negatives, some by the William Hall photographic studio. Pat Grace Ship photographs Black and white photographs of passenger ships in Sydney Harbour from 1959 to the 1970s by professional photographer Jack Richardson. LCDR Peter A F Grant r n (Rtd) HRH Edward, Prince of Wales Black and white photograph mounted on card showing HRH Edward, Prince of Wales at a military investiture in Sydney during the Royal visit of 1920 on HMS Renown, as part of a world cruise by the Prince to thank the Commonwealth countries for supporting Great Britain during World War I. John Gunson Token of service aboard HMAS Sydney (I) This token fashioned from a German 1 Mark silver coin commemorates the service of Able Seaman William Tamblin aboard HMAS Sydney during World War I. Trygve Halvorsen Plan for installation of Halvorsen C drive Trygve Halvorsen designed this pulling propeller outboard drive after making two experimental models for his own working boats. It was designed for a Taiwan-built ferry owned by Russell Slade, a Sydney businessman. The ferry operated at Kie Ta in Bougainville. RADM Simon Harrington,csc ra n Rtd Miscellaneous buttons belonging to RAN officers' uniforms Uniform buttons from various periods of the RANâ&#x20AC;&#x2122;s development, including seven examples from the Queensland colonial navy. Robyn Heggen Collection of papers from 1891 to 1917 relating to Frederick Heggen A collection of papers relating to the merchant seaman service of Frederick Heggen, a Balmain-based merchant seaman, ferry driver and Cockatoo Island painter and docker. Lola Hickey Incredible Voyage of Sir Francis Chichester souvenir poster In August 1966,64-year-old aviation pioneer and sailor Francis Chichester set off in his yacht Gypsy Moth IV from Plymouth, England, to make the fastest passage alone around the world by the clipper route. His one stopover was Sydney, where he spent seven weeks repairing his ketch. Chichester returned to Plymouth nine months after leaving. He was knighted by HRH Queen Elizabeth and died in 1972. For 40 years the yacht stood in dock at Greenwich. With a massive fundraising effort by the United Kingdom Sailing Academy, a charitable trust that takes deserving young people to sea, the yacht was restored.

Captain HM Hignett Shipping Insurance Policy Shipping cargo insurance policy. Nanette Hitchman Admiralty charts and table of courses Three Admiralty charts for the North Atlantic, South Atlantic and Indian Ocean and a table of courses to steer. HMAS Vampire Association The Bat This copper alloy 'bat' was placed on the aft funnel of HMAS Vampire by members serving in the warship. The ship's badge shows a flying vampire bat, source of the ship's nickname The Batâ&#x20AC;&#x2122;. Arlene Hope Collection of photographs of original glass plate images from the 1890s to 1930s, many from the Poulsen Studio A collection of photographic negatives of original glass plate images from the 1890s to 1930s. Many are signed P C Poulsen. Most are images taken of the 1893 Brisbane floods. Josef Lebovic Gallery Australasian Post Two copies of Australasian Postdated 24 January 1957 and 7 February 1957. Agnes Karlik The Voyage of a Migrant Ship by Gusztav Kovacs The black and white film The Voyage of a Migrant Ship documents the migration of Gusztav Kovacs and his daughter Agnes from Bremerhaven, Germany, to Fremantle, Australia, on the Swedish liner Anna Salen in 1950. Meredith Kearney Souvenirs made from timbers from HMAS Sydney (I) and HMAS Australia (I) Souvenirs fabricated from timber material taken from HMAS Australia as it was being prepared for scuttling in 1924 and from HMAS Sydney as it was being broken up for scrap at Cockatoo Island, NSW, in 1929. Memorabilia made from the remnants of these ships - timber decking, brass shells and so on - is extensive. These pieces were made from salvaged teak wood taken from the deck. Carole Edwina Kellogg Postcards Seventeen postcards from 1907 to 1908, sent by third engineer Fred Halliday to his family in England from various ports around Australia. Ian Kiernan a o o a m Bon Voyage from all of us at the Compound This watercolour was a farewell gift to Ian Kiernan from the artist Jack Earl along with clew rings from Kathleen Gillett and a bottle of cognac. It was presented to Kiernan before his departure from Sydney to Newport Rhode Island to compete in the 1986-87 B0C Solo Around Alone event with the request from Jack Earl that Kiernan cast the clew rings over the side when he reached Cape Horn and drink the cognac.

04 appendixes 4 donors to the National Maritime Collection

Rope making machine or strand former Rope winder or strand former, c. late 19th century. Jan Kuit KPM Shipping Routes Map for Dutch East Indies A cloth-backed colour map of the Dutch East Indies by the Koninklijke Paketvaart Maatschappj (Royal Packet Navigation Company) or KPM, showing the KPM’s principal shipping services. David and Barry Lewis Models of a Pacific Island water craft David Lewis (1917-2002) collected five water craft models in 1969 and 1976 during research for his work on indigenous Pacific Ocean travel and navigation. The models were constructed by indigenous people and include canoes and outriggers from various Pacific Islands. Traditionally, such models as these were used by Pacific Island peoples to teach navigation skills. Margaret Liggins Dress making ruler and T square The Burns Philp motor ship Malabar bound from Melbourne to Singapore via Sydney, was wrecked on the morning of 2 April 1931 on the northern headland of Long Bay, Sydney. There was a heavy bank of fog along the coast at the time when the vessel went ashore less than 300 metres from Miranda Point. Thousands came to see the wreck and souvenir any items that came ashore. June Lossios Commemorative glass milkjug A small green glass milk jug or creamer that is a souvenir of the visit of the Great White Fleet and is engraved To Alma from Ma/American Fleet Souvenir/18-9-08'. Robin Lucas Women’s Gantner & Matten swimsuit This swimsuit is representative of the athletic knitted swimsuits worn by women in the 1920s. Bold solid colours highlighted with contrasting trim and stripes give the swimsuit a more fashion-conscious attitude and is a departure from a move away from the more subdued colours of previous decades. It features a full skirt over shorts for modesty and is a briefer design than the one- and two-piece Canadian-style swimsuits worn by men, women and children in the 1910s. It is made from machine-knitted wool and designed to fit over the body like a sock. Bernardo Machado Timor Cup Soccer Competition memorabilia Collection of memorabilia connected with the Annual Timor Cup Soccer Competition in Australia, consisting of a jersey, a T-shirt, three medals and two caps. Terry Matthews The Lord of the Isles Watercolour painting of a vessel The Lord of the Isles with a possible remnant of a signature in the lower left corner which appears to be ‘Gregory’ in cursive script.

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Vicki McAuley Equipment and provisions used by Andrew McAuley during the Tasman Solo Trans Tasman Kayak Expedition from 11 January to 9 February 2007 A selection of equipment and provisions used by the late Andrew McAuley, lost at sea nearing the completion of his Tasman Solo Trans Tasman Kayak Expedition that departed on 11 January. These objects were found in his upturned kayak off the South Island of New Zealand on 10 February 2007 by a New Zealand search and rescue team who were searching for the lone kayaker after receiving a VFIF marine radio distress call the previous evening. Marie McIntyre SS Morinda Ship portrait of SS Morinda, embroidered on painted canvas, signed by Captain William Wilding, 1931, in original gilt frame. Donald McLean Collection of embroidered pillowcases, a tablecloth and medals relating to Burns Philp Line ships in the early 1900s A collection of embroidered linen pillowcases and a tablecloth made by Annette Lewis (later MacGilvray) between 1907 and 1912, relating to Bums Philp Line ships on which Martin MacGilvray sailed, and to a voyage on the Empress of India. Also, two WWI merchant navy medals and ribbons, a Burns Philp cap badge, six postcards, one letter, one Al MPE members card, a passenger list from Empress of Ireland, a menu from Empress of China, and two flags. Mediterranean Shipping Co (Aust) Pty Limited Achille Lauro The best Italian hospitality afloat A framed and mounted poster of the renowned vessel the Achille Lauro titled ‘Achille Lauro The best Italian hospitality afloat’. Campbell Middleton Royal Volunteer Coastal Patrol Photographic Negatives A diverse range of yachts used by members of the Volunteer Coastal Patrol (VCP) during the 1940s are shown in this collection of photographs taken by professional photographer and patrol member Peter Luke. Laverna Middleton Sailings brochures The P&O Orient Line sailings brochure lists sailing schedules for Europe, the Far East, Australia and North America for vessels including Orontes, Strathnaver, Oronsay, Orsova, Arcadia, Himalaya and Orion. Patricia Miles BHP Ltd house flag BHP Company house flag presented to Captain John William Miles on his retirement as Commodore of BHP Fleet in 1963. The flag was signed by numerous seamen from different ships and other shipping industry associates.

4 appendixes 4 donors to the National Maritime Collection

Elizabeth Musgrove Half ship model of tug Theresa Ward Model of the steam tug boat Theresa Ward in a glass and wooden case. This presentation model consists of half the vessel only. A mirror on the backboard provides an illusion of the complete vessel. Chris Nixon Hood 23 Association archives Selected papers and newsletters from the Hood 23 Association archives 1970s-1980s (ir003984); two copies of the Hood Association constitution 1973-74 (ir004002). Designed by Warwick Hood in 1966, the first boats were produced by the Hood boating company in 1967. In 1973-74 the first NSW championships were held and the first National Titles were held in 1980. These papers relate to collection focus area 9 - Sport and Lifestyle - boating clubs - professional building of Australian Leisure and Sporting craft. The archives are significant in documenting the development of this Australian sailing class and the organisation of club, interclub and interstate races. Cynthia Palmer Dame Pattie crew wet weatherjacket and matching trousers Orange plastic jacket with hood and matching trousers with Dame Pattie logo made by Plastalon, Australia, 1960s. John Penrose Siebe Gorman Merlin Mark 6 twin hose SCUBA regulator/ demand valve and scuba tank When it was first manufactured in 1966 the Siebe Gorman Mark VI demand valve was at the zenith of diving equipment. Rugged and dependable it became the demand valve or air regulator of choice for the Royal Navy as well as for commercial and scientific divers such as Dr John Penrose. Leon Price Plans for fitout ofMV Kootara A series of plans and associated letters and material for the internal fitout of the MV Kootara of the Union Steam Ship Company of New Zealand Ltd with â&#x20AC;&#x2DC;special purpose tanksâ&#x20AC;&#x2122; for the carriage of sulphuric acid, dated 1967. Hans Raucamp Royal Interocean Lines flag House flag for the Royal Interocean Lines or Koninklijke Java China Paketvaart Lijnen N. V. showing a white diamond with a crown inside, surrounded by a red top section and blue below. Robin Richards Australian sailing ephemera 1930s This ephemera provides details of the organisation of interstate 18-ft sailing regattas held in Sydney and Brisbane in the 1930s. These programs, ticket and menu are mementoes of John Roy Burton, who sailed with the Royal Queensland Yacht Club and visited Sydney annually during summer to sail with the Royal Sydney Yacht Squadron.

Alison Richmond Rani Sydney to Hobart 1945 This scrapbook documents the inaugural (1945) Sydney-Hobart Yacht race and was compiled by Raymond Richmond, a crew member of the winning yacht Rani. The scrapbook includes newspaper accounts and Richmond's own observations as well as press photographs and ephemera relating to the organisation and running of the race. Bruce Robinson Kormoran survivors This postcard image captures the tension surrounding the surviving crew of the German raider Kormoran following the disappearance of HMAS Sydney in November 1941. Don Rouvray Documents relating to voyages made by Don Rouvray and his wife V Harris This collection of souvenirs, pamphlets, menus, postcards, newspaper clippings, port information booklets, magazines, photographs and deck plans relates to voyages made by Don Rouvray and his wife V Harris from the 1950s to 1970s. Shipping lines represented include Royal Rotterdam Lloyd, Royal Mail Lines, Mcllwraith McEacharn and P&O. Royal Hobart Regatta Association Hobart Regatta programs 1864-1997 Ornate silk programs detailing the equally elaborate program of events were a theatrical feature of Hobart's early regattas. This convention continued throughout the 20th century. Carolyn Smith Documents relating to the migration of John and Gladys Gill from England to Australia in 1956 This collection of personal belongings, documents, souvenirs and photographs relates to the migration of John and Gladys Gill from England to Australia in 1956. It includes documents of identity, photographs illustrating the entire voyage from Buxton to Sydney on Strathmore, souvenirs acquired en route, and a series of employment references - as requested by the Australian Government for migrants travelling under the Assisted Passage Migration Scheme. John Stanley Map of Port Jackson This fold-out map provides a snapshot of Port Jackson and associated waterways and suburbs in 1893 with details of some of the commercial and recreational users of the port as well as advertisements for local businesses and services. The map indicates navigable channels, wharves and jetties, headlands and bays as well as listing storm signals, mail steamer and company house flags and mail signals. Denise Stephens Passenger ticket for the Jervis Bay A passenger ticket issued to Mrs Smith and her 11-year-old daughter for passage on the Aberdeen and Commonwealth Line vessel the SS Jervis Bay from Sydney to Hobart in February 1933.

04 appendixes 4 donors to the National Maritime Collection

Michael Varley Royal Navy greatcoat issued to Lt Michael Varley r a n Issued to Lieutenant Michael Varley during his secondment to the Royal Navy from the Royal Australian Navy in 1950 for officer training and service. John C Vaughan Cutty Sark model This model accurately and beautifully depicts the renowned extreme clipper ship Cutty Sark which was one of the last and fastest vessels to be used in the British tea and wool trade. During the 19th century ship models were often commissioned by ship captains or owners and the fame of Cutty Sark has made it a continuing subject for model makers well into the 21st century. Peter Whitton Recreational fishing equipment from DP Whitton & Sons This fishing equipment was stocked by DP Whitton & Sons, a Sydney retailer specialising in tackle for recreational and commercial fishing. The company operated from 1922 until 2007. They were the longest serving worldwide distributer of the Norwegian fish hook manufacturer Mustad & Son. This brand was always their most popular fish hook range and was favoured for game fishing. Alan Wiles William Charles Wiles sailing memorabilia A selection of 18-ft skiff sailing memorabilia including two black and white photographs of the 18-ft skiff HC Press mid-1930s, one Chris Webb crew photograph 1930s, one crew photograph returning from international 18-ft championships in New Zealand about 1948 (possibly on board Awatea), one mounted and hand-tinted photograph of the Keriki Sailing Club 1912-1913 season, six postcards of 18-ft skiffs Mascot, Kismet, Vanity Q Westania, Colonial Eurus, Pastime, Australian and Arline sailing on Sydney Harbour, and three enamel lapel badges from Sydney Flying Squadron, 18-Foot Sailing League and Sydney Dinghy Club. Randall Wilson Three limited edition archival prints by Randall Wilson, 2003-2005 HMAS Canberra FFG.02 - 21 March 1981-10 November 2005. Signed by five officers including the commanding and executive officers. The Green Ghost Departs - HMAS Hobart DDG 39 slow astern departs Hobart for the last time. Cape Spada Action - HMAS Sydney II engaging Italian cruiser Colieoni off Crete 1940. Peter Wood ANL house flags One white and blue, and one yellow and green ANL house flag from the 1980s. Graeme Woodley Collection of lease material, ledger books and a photograph of Woodley’s Boatsheds, Berrys Bay Three slipway leases for Woodley's boatshed, Berrys Bay; five slipway ledger books for Woodley’s boatshed, Berrys Bay. Photograph of Woodley’s Boatshed, Berrys Bay, 1908.

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Appendix 5 ANMM publications

Serials

Educational resource kits

Signals, quarterly magazine of the Australian National Maritime Museum, Nos. 92-95, ISSN 1033-4688,48 pp, editor Jeffrey Mellefont, published September, December, March, June. Free to Members

On their own - Britain's child migrants

Australian National Maritime Museum Annual Report 2009-2010, ISSN 1034-5019,152 pp, editor Jeffrey Mellefont Newsletter, monthly newsletter of the Australian National Maritime Museum Volunteers, Issues 188-197,10 pp, editor Peter Wood, published monthly. Free to ANMM volunteers All Hands, magazine of the Australian National Maritime Museum Volunteers, Issues 72-75,28 pp, published quarterly. Free to ANMM volunteers

Exhibition publications Oskar Speck 50,000 Kilometres by kayak, by curator Penny Cuthbert, a booklet on the epic kayaking voyage of German Oskar Speck in the 1930s Duyfken 1606 Replica, edited by Jeffrey Mellefont, educational broadsheet on the visiting replica of the Dutch East Indian ship that put Australia on the map

Sons of Sindbad - the photographs of Alan Villiers Endeavour Circumnavigation Teacher Resources Scott's last expedition

Internet Australian National Maritime Museum website www.anmm.gov.au The Australian Register of Historic Ships www.anmm.gov.au/arhv eMuseum National Maritime Collection online www.anmm.gov.au/emuseum The Welcome Wall www.anmm.gov.au/ww all Welcome Wall registrations, including personal histories

Appendix 6 Staff publications and exhibitions

Adrian ADAM ■ ‘Message to Members', column, Signals 92 (Sep-Nov 2010): 27

Annalice CREIGHTON ■ ‘Youthful perspectives’, article, Signals 94 (Mar-May 2011): 40-41

■ ‘Message to Members’, column, Signals 93 (Dec 2010-Feb 2011): 27

■ ‘17th Biennale of Sydney: Critical discussion’, review, Das Superpaper 14 (Jul 2010): 22-25

■ ‘Message to Members’, column, Signals 94 (Mar-May 2011): 27

■ ‘APT6’, review, Das Superpaper 14 (Jul 2010): 38-41

■ ‘Message to Members’, column, Signals 95 (Jun-Aug 2011): 27 ShiraniATHTHAS ■ ‘Sons of Sindbad - photographs by Alan Villiers', article, Antiques & Art in New South Wales (Sep-Dee 2010): 38

■ ‘Tripping over the pink glass swan: Don't tell Nanna', review, Das Superpaper 15 (Oct 2010): 44-45 ■ ‘Contemporary art for contemporary kids’, review, Das Superpaper 16 (Dec 2010): 74-75 » ‘Ghost gums and pink glittered moments: Sangeeta Sandrasegar', interview, Das Superpaper 18 (Apr 2011): 35-38

• ‘Macquarie’s Light - a new exhibition on Australia’s oldest lighthouse’, article, Antiques & Art in New South Wales (Sep-Dee 2010): 39

■ ‘Ben Rak: Finding authenticity’, artist profile, Imprint Magazine 46:1 (Autumn 2011): 13

■ ‘Preparing the HM Bark Endeavour for an epic circumnavigation’, article, Antiques & Art in New South Wales (Sep-Dee 2010): 40

■ ‘5 positive affirmations for artmaking: Yes I can, no can do’, review, Das 500 (May 2011)

■ ‘On their own - Britain’s child migrants’, article, Antiques & Art in New South Wales (Dec 2010-May 2011): 37 ■ ‘Preparing the HM Bark Endeavour tor an epic circumnavigation’, article, Antiques & Art in New South Wales (Dec 2010-May 2011): 38 ■ ‘At the Australian National Maritime Museum - Scott's last expedition’, article, Antiques & Art in New South Wales (May-Sep 2011): 35 ■ ‘View the Australian coastline in French atlases at the National Maritime Museum’, article, Antiques & Art in New South Wales (May-Sep 2011): 36 ■ ‘HMB Endeavour - And the ship sails on’, article, Signals 95 (Jun-Aug 2011): 37-39 Emily BREEN ■ ‘Social media reach new and wider audiences’, article, Signals 93 (Dec 2010-Feb 2011): 25 Zara COLLINS • First & Last, Sydney Design Week event, Gaffa Gallery, Sydney, 29 Jul-3 Aug 2010 ■ The Box Project (curated J Mateus), exhibition catalogue/ blurb, (2010): 12-13 ■ The Box Project, touring exhibition, Gaffa Gallery, Sydney, 18-30 Nov 2010; The See Here Gallery, Wellington, NZ, 15 Mar-1 May, 2011; Masterworks Gallery, Auckland, NZ, 4-25 May 2011

■ ‘The begin again’, review, Das 500 (Apr 2011)

Penny CUTHBERT ■ Oskar Speck: 50,000 Kilometres by Kayak, booklet, Australian National Maritime Museum, 2011 Dr Nigel ERSKINE ■ ‘A buccaneer of literary merit’, book review (Dampier’s Monkey-The South Seas voyages of William Dampier, by Adrian Mitchell), Signals 94 (Mar-May 2011): 56 ■ 'Prestige, passion and the great game - Stories behind the printed word’, feature article, Signals 95 (Jun-Aug 2011): 12-17 ■ ‘New acquisition records Baudin’s expedition to Australia’, ANMM blog, 31/05,06/06 & 14/06/11 Daina FLETCHER ■ ‘The Australian Register of Historic Vessels connecting communities’, History (Dec 2009): 11-12 ■ ‘Beatrice Kerr, Australia’s regal water nymph’, Antiques and Art in New South Wales (May-Sep 2011): 34 ■ 'Haughton Forrest - A closer view’, Signals 95 (Jun-Aug 2011): 25 m 'Beatrice Kerr - The most graceful lady swimmer’, Signals95 (Jun-Aug 2011): 50-52 ■ ‘Conference on Indigenous watercraft in 2012’, article, Signals 95 (Jun-Aug 2011): 56 Jeffrey FLETCHER ■ ‘A new frontier in learning’, article, Signals 94 (Mar-May 2011): 38-39

04 appendixes 6 staff publications and exhibitions

Stephen GAPPS s ‘Sydney Transport Montage - Reginald Fizelle', ‘Collections' article, Signals 92 (Sep-Nov 2010): 54-55 ® ‘A strange history of shark stomachs’, feature article, Signals 93 (Dec 2010-Feb 2011): 4-13 ® ‘A pearl of maritime history’, DVD review (Australia's Deadliest Catch: The pearl shell divers of Torres Strait, produced by Garry Kerr), Signals 93 (Dec 2010-Feb 2011): 54 si ‘Sydney Flarbour reimagined’, book review (Five Bells, by Gail Jones), Signals 95 (Jun-Aug 2011): 54 ■ ‘Mr Bligh’s bad grammar’, book review (In Bligh's Hand: Surviving the Mutiny on the Bounty, by Jennifer Gall), Signals 95 (Jun-Aug 2011): 55 Peter GESNER ■ ‘Bridging troubled waters’, feature article, Signals 94 (Mar-May 2011): 14-20

Jeffrey MELLEFONT ■ editor, Signals (quarterly journal of the Australian National Maritime Museum), Nos. 92 (Sep-Nov 2010)-95 (Jun-Aug 2011) ■ editor, Australian National Maritime Museum Annual Report 2009-2010 » editor, booklet Oskar Speck 50,000 Kilometres by Kayak ■ editor, educational broadsheet Duyfken 1606 Replica ■ ‘Museum welcomes the plastic bottle yacht’, article, Signals 92 (Sep-Nov 2010): 58 * ‘HM Bark Endeavour replica to circumnavigate Australia', feature article, Signals 92 (Sep-Nov 2010): 22-24 ■ ‘Kurnell artists inspired by Endeavourarticle, Signals 92 (Sep-Nov 2010): 57 » ‘Historic circumnavigator turns 100, gains 0AM’, article, Signals 92 (Sep-Nov 2010): 59 a

Kieran HOSTY ■ ‘Maritime archaeology in Australia’, chapter, in Underwater Cultural Heritage in Oceania (ed. U Guerin, B Egger & V Penalva), UNESCO, Paris, 2010:28-33 ■ ‘The Ron and Valerie Taylor Collection’, ‘Collections’ article, Signals 93 (Dec 2010-Feb 2011): 52-53 ■ The Dunbar: A melancholy obsession’, article, in Bulletin of the Australasian institute for Maritime Archaeology 34 (2010): 57-65 Paul HUNDLEY m ‘USA Gallery revisited’, Signals 92 (Sep-Nov 2010): 44-48 Veronica KOOYMAN m 'We were a whole world apart’, Tales from the Welcome Wall article, Signals 92 (Sep-Nov 2010): 52-53 ■ ‘Here at the end of the world', Tales from the Welcome Wall article, Signals 93 (Dec 2010-Feb 2011): 50-51 ■ ‘Convict transport to colonial mansion', Tales from the Welcome Wall article, Signals 94 (Mar-May 2011): 52-53 ■ The Egyptian Diaspora', Tales from the Welcome Wall article, Signals 95 (Jun-Aug 2011): 48-49 Jonathan LONDON and Kieran HOSTY, Jeffrey FLETCHER, » ‘Conserving material from the wreck of HMCS Mermaid (1829)’, article, Science Matters 4 (Dec 2009): 12-13 Anthony L0NGHURST * ‘Renewing Endeavour's standing rigging’, article, Signals 94 (Mar-May 2011): 2-11 ■ ‘Renewing Endeavour’s standing rigging’, ANMM blog, 33/03,06/04

'H M Bark Endeavour gets a clear signal’, article, Signals 93 (Dec 2010-Feb 2011): 22-24

a 'Classic & Wooden Boat Festival’, photographic spread, Signals 93 (Dec 2010-Feb 2011): 46-47 * ‘Expanded maritime history book prize announced’, article, Signals 93 (Dec 2010-Feb 2011): 56 » ‘Dutch shipwreck artefacts transferred to Australia’, article, Signals 93 (Dec 2010-Feb 2011): 57 * 'World Maritime Day at Vernon Anchors Seafarers Memorial', article, Signals 93 (Dec 2010-Feb 2011): 58 a ‘Blue Star Line born 100 years ago’, article, Signals 93 (Dec 2010-Feb 2011): 59 » The floating world of Cambodia', feature article, Signals 94 (Mar-May 2011): 42-47 » ‘Ambassador Bill Lane USA Gallery Fellowship’, article, Signals 94 (Mar-May 2011): 57 a ‘Last word from the child migration message board’, article, Signals 94 (Mar-May 2011): 57 « Reply to ‘Montevideo Maru: letter to editor’, Signals 94 (Mar-May 2011): 58 ■ Cited in Inside Indonesia, No. 101 (Jul—Sep 2010), article ‘Rendra in Australia' * Cited in Kurt Stenross, Madurese Seafarers - prahus, timber and illegality on the margins of the Indonesian state, Asian Studies Association of Australia, 2011 « Cited in Rebecca Bilous, Re-imagining Macassan and Indigenous Australian Connections in Australian sites of memory, paper, 2011 ■ Cited in China & the Story of Macassan-Aboriginal Trade, exhibition catalogue, Melbourne Museum, 2011

04 appendixes 6 staff publications and exhibitions

David PAYNE ■ ‘Yachts, skiffs, punts and luggers’, ARHV article, Signals 92 (Sep-Nov 2010): 50-51

Mary-Louise WILLIAMS e ‘China Maritime Museum opens in Shanghai’, article, Signals 92 (Sep-Nov 2010): 42-43

■ ‘ARHV - the Australian experience’, article, Signals 93 (Dec 2010-Feb 2011): 41-42 n ‘From mini skiffs to paddlewheel riverboat’, ARHV article, Signals 93 (Dec 2010-Feb 2011): 48-49

m ‘Praise the Lord and pass the ammunition’, book review (Pirate Outrages - true stories of terror on the China Seas compiled by Douglas Sellick), Signals 92 (Sep-Nov 2010): 56

■ ‘All shapes and sizes', ARHV article, Signals 94 (Mar-May 2011): 48-51

■ ‘Bearings’, Director's column, Signals 92 (Sep-Nov 2010): 60

x ‘Nautilus II steps up’, ‘Collections’ article, Signals 94 (Mar-May 2011): 54-55

■ ‘Bearings’, Director's column, Signals 93 (Dec 2010-Feb 2011): 60

■ ‘Paddles, sails and steamers’, ARHV article, Signals 95 (Jun-Aug 2011): 46-47

■ ‘Bearings’, Director’s column, Signals 94 (Mar-May 2011): 60

Clare POWER » ‘Love, loss and lighthouses - MMAPSS 2010-11’, article, Signals94 (Mar-May 2011): 22-25

■ ‘Bearings', Director's column, Signals 95 (Jun-Aug 2011): 60 ■ ‘Director’s Column', All Hands 72 (2010): 3

Frances PRENTICE s 'Lots of Lloyd’s: shipping information for the world’, article, Signals 92 (Sep-Nov 2010): 36-41

s ‘Director’s Column’, All Hands 73 (2010): 3

Peter ROUT, w ‘The AMMC meets at Mannum’, article, Signals 95 (Jun-Aug 2011): 57

Sam WOOD si ‘On Hannibal’s Trail’, article, Current World Archaeology 43 (Sep 2010): 52-54

Holly SHALDERS

s ‘Maritime odyssey or self-indulgence?’, book review (A Nautical Odyssey - an illustrated maritime history from Cook to Shackleton, by David C Bell), Signals 93 (Dec 2010-Feb 2011): 54

ss cited in Wood, D, ‘On Hannibal’s Trail’, Cycle Magazine (Oct-Nov 2010): 23-24

Lindsey SHAW « ‘Museum ships: Historic naval assets’, 100 Years of the Royal Australian Navy (2011): 260-263 ■ ‘Preserved in perpetuity: Naval relics and artefacts’, 100 Years of the Royal Australian Navy (2011): 264-265 a ‘What was HMAS Inverell?’, ANMM blog, 15/11/10 si ‘Australian naval patrol boats’, AN MM blog, 09/02/11 « ‘Scuttling naval ships’, AN MM blog, 19/04/11 ss ‘NAIDOC Week 2011’, ANMM blog, 28/06/11 ■ ‘Antarctica at the museum’, ANMM blog, 29/06/11 Kim TA0 m ‘On their own - Britain's child migrants’, feature article, Signals 92 (Sep-Nov 2010): 2-13 ■ ‘On their own - Child migration message board’, article, Signals 93 (Dec 2010-Feb 2011): 43-45 Caroline WHITLEY m ‘Rare atlases - A conservator’s perspective’, article, Signals 95 (Jun-Aug 2011): 18-19 b cited in 2011UNESCO/Jikji Memory of the World Prize award (to NAA), for past collaborative research on the degradation and preservation of documents written in iron gall ink (an ink that includes iron salts, in use in Europe and Australia for many centuries)

s ‘Director’s Column’, All Hands 74 (2011): 3 a ‘Director’s Column’, All Hands 75 (2011): 3

cited in Pavel, C, Describing and Interpreting the Past - European and American Approaches to the Written Record of the Excavation, 2010

« cited in Wood, D, ‘On Hannibal’s Trail’, article in Electrum Magazine (Dec 2010): 6 ■ cited in 'Over to you: Wood brothers’, article in the Barcelona Metropolitan (Oct 2010): 24

Appendix 7 Staff conference papers; lectures and talks

Shirani ATHTHAS ■ ‘Communications within a government context’, guest lecture, Global Knowledge Society course, Department of Media, Music, Communication and Cultural Studies, Macquarie University, 06/04/11

■ Exposed! the story of swimwear, teacher-guide training, ANMM, 3/10/09*

Dianne CHURCHILL ■ ‘Cultural Funding Crisis’, talk to a gathering, Constitution Place, Canberra, 05/05/11

■ ‘Exposed!, speech at the exhibition opening, Western Australian Maritime Museum, Fremantle, 20/13/09*

Dr Nigel ERSKINE ■ Presented lecture on the context of Cook’s Endeavour voyage to group of invited sponsors and media on Endeavour overnight trip, Sydney Harbour, 11-12/10/10 ■ ‘Island in the stream - the changing face of the settlement at Pitcairn Island 1791-1856’, paper, 22nd Annual Symposium on Maritime Archaeology and History of Hawaii and the Pacific, Hilo, 18-23/02/11 e Members program - introduced Professor Adrian Mitchell (author of Dampier's Monkey), 27/02/11 ■ ‘Duyfken’, lecture, ANMM Members program, 23/03/11 s ‘Voyaging with Endeavour’, lecture, Queensland Museum, Brisbane, 04/05/11 ■ Maritime Industry Careers Day, four information sessions, 16/06/11 s The de Freycinet atlases - Nicolas Baudin's Australian expedition, 1801-1804’, lecture, ANMM Members program, 26/06/11 Mariea FISHER b ‘Quest for the South Magnetic Pole’, exhibition talk, Lost Ladies Group, 08/09/10 ■ ‘Quest for the South Magnetic Pole', exhibition talk, John Paul Village Group, 06/10/10 Daina FLETCHER a ‘What more can you say about the history of swimwear? The conceptual development of the Exposed! exhibition’, WEA seminar on Togs, Trunks and Bathers: the Aussie response to sun, sea and sand, ANM M, 19/08/09*

a The Harbour Baths of Sydney and the emerging swimming culture', ANMM lecture and guided tour for WEA, Harbour Baths, 23/10/09*

si ‘Maritime collecting redefined’, paper delivered at Australian Maritime Museums Conference on ‘Managing Change', Warrnambool, VIC, 22/02/10 a ‘Developing exhibitions in a changing political framework in On their own -Britain’s child migrants’, WEA talk, ANMM, 24/02/11 a ‘On their own - Britain’s child migrants’, Senior’s Week talk and tour, ANMM, 23/03/11 m 'Reinterpreting the AN MM site and Wharf 7’, Sydney Heritage Fleet and ANMM talk, ANMM, 13/04/11 and Kim TAO ■ ‘On their own - Britain's child migrants', visitor floor talks, 13/13/10 & 15/13/10 and Kim TAO s ‘On their own - Britain's child migrants’, teacher guide training, 07/02/11 * omitted from 2009-10 annual report Sue FROST ss ‘Exposure! the story of travelling a swimwear exhibition’, in Proceedings of the 4thAICCM (Australian Institute for the Conservation of Cultural Material) Textile Special Interest Group Symposium: ‘On the Body, National Gallery of Australia, Canberra, 16-18/03/11 ■ delivered conservation session for Senior Maritime Archaeology workshops, ANMM, 22/06/11 PeterGESNER a ‘Macquarie’s Light’, lecture, ANMM Members program, 17/08/10

■ The Dunera Boys', talk, Dunera Boys Association annual reunion function, Doltone House, 10/09/09*

a ‘Macquarie Lighthouse and the lighthouses of Sydney Harbour', lecture, International Lighthouse Week Cruise Forum, 19/08/10

» The Aussie cossie’s place in international swimwear history’, Members talk and exhibition tour of Exposed!, ANMM, 13/09/09*

Kieran HOSTY a ‘Old boats never die, they just get recycled’, lecture, Wooden Boat Festival, 16/10/10

a ‘Swimwear in the National Maritime Museum’, talk and exhibition tour of Exposed!for the Talk about Togs program with artist Jennie Pry, ANMM, 30/09/09*

■ ‘What is Archaeology?’, paper, History Extension Day at the Museum of Sydney, 02/13/10

a Age of Sail gallery, volunteer guide training, 08/09/10

04 appendixes 7 staff conference papers, lectures and talks

Paul HUNDLEY ■ Presentation to the Council of American Maritime Museums, Santa Barbara Maritime Museum, on the USA Gallery and the Ambassador Bill Lane USA Gallery Fellowship, 29 April 2011 ■ ‘19th Century American whaling in Australian waters’, paper to the 9th Maritime Heritage Conference, Baltimore, Maryland, USA, 15/09/10 Matt LEE ■ ‘Benchmarking - USA v Australia', Museum Shops Association of Australia National Conference, ANMM, 08/09/10

* Two-day bid workshop ‘Creating a CRC for GLAM Sector, Queensland University of Technology, 12-13/7/10 Julie O’CONNOR ■ 'Storing wearables’, article, in Proceedings of the 4th AICCM (Australian Institute for the Conservation of Cultural Material) Textile Special Interest Group Symposium: ‘On the Body, National Gallery of Australia, Canberra, 16-18/03/11 David PAYNE ■ Live commentary on events, assisting the MC, Goolwa Wooden Boat Festival, Goolwa SA, 26-27/2/11

« ‘Working The Idea Out’, Museum Shops Association of Australia National Conference, ANMM, 08/09/10

■ ARHV review and presentation of ARHV certificates and burgees, Australian Maritime Museums Council Annual Conference Mannum SA, 24/3/11

Jonathan LONDON ■ Talk to a Members ‘Wharf 7 collection behind-the-scenes' tour group, 24/11/10 & 25/03/11

■ The ARHV, the 21 Foot Restricted Class and Indigenous Watercraft, presentations at Goolwa Wooden Boat Festival, Goolwa SA, 27/2/11

• ‘A philosophically sound framework for practical conservation in small museums’, paper presented to the Australian Maritime Museums Council Annual Conference, Mannum, SA, 23-26/03/11

■ ‘Research into Indigenous Watercraft’, Rocks Discovery Museum, The Rocks, Sydney, 6/5/11

■ Talk on conservation to a visiting group of Museum Studies students from the University of Sydney, 28/04/11

Clare POWER ■ Coordinator of Sydney Chapter of Museums Australia (NSW)’s Stepping Ahead Seminar, Sydney University, 23/07/10

and Penny N0LT0N ■ Delivered two conservation sessions for Senior Maritime Archaeology workshops, ANMM, 05/05/11 & 01/04/11

■ Panel member of Museums Appreciation Society’s Careers Advisory Panel Discussion, Macquarie University, 10/08/10

Will MATHER ■ ANZMapS conference group atANMM behind-thescenes tour, 27/05/2011

■ Presentation to Museums & Galleries NSW’s Access to Funding Seminar for regional museums and galleries, Dubbo Cultural Centre, NSW, 18/03/11

« Members tours of Wharf 7 Heritage Centre, 25/11/10 & 25/03/11

■ Presentation to Museum of the Riverina’s Grant Funding Information Seminar 2011 for regional museums and galleries, Wagga Wagga Historic Council Chambers, 23/03/11

■ ‘Using Barcodes to Track Collections’, Museums & Galleries NSW Conference: ‘Can you handle it?’, ANMM, 30/07/10 Jeffrey MELLEFONT ■ ‘The floating world of Cambodia’: illustrated talk to museum Members and guests by leader of eponymous overseas tour 19 November-5 December, 17/03/11 Niki MORTIMER Sons of Sindbad - The photographs of Alan Villiers, talk to ANMM Kids on Deck staff, 22/09/10

■ presenter at ‘Small Talk’ (ANMM lunchtime series), for guest speaker Tony Brown, Senior Curator Indigenous Cultures, Tasmanian Museum and Art Gallery, 25/03/11 ■ tayenebe - Tasmanian Aboriginal women's fibre work, talk to ANMM Kids on Deck staff, 07/04/11 Penny NOLTON and Jonathon LONDON ■ Delivered two conservation sessions for Senior Maritime Archaeology workshops, ANMM, 05/05/11 & 01/04/11 Vicki NORTHEY ■ Chaired session ‘Advocacy: getting the Pitch right’, Museums Australia NSW branch Symposium, 19/4/11

■ Represented the Sydney Chapter of Museums Australia (NSW) at a Museum Professionals Peer2Peer event, consisting of an exhibition tour, peer review and networking session, 27/03/11 Frances PRENTICE » ‘Electronic resources in special libraries: a museum Library perspective’, Electronic Resources Australia Annual User Group meeting. State Library of NSW, 04/02/11 is Library tours for visiting librarians from Maritime Museum of San Diego and Peabody Essex Museum and Lindsey SHAW ■ Advice regarding library collection documentation and arrangement for Naval Historical Society of Australia, 30/11/10 Peter ROUT ■ ‘Building an audience - at a cost’ (on the HMB Endeavour replica), paper delivered at the Australian Maritime Museums Council annual conference, Mannum, SA, 25/03/11

04 appendixes 7 staff conference papers, lectures and talks

Lindsey SHAW m ‘Joseph Banks and the Florilegium’, opening address and lecture, Lake Macquarie City Art Gallery, 08/08/10 ■ The 9th Maritime Heritage Conference in Baltimore’, talk, ANMM volunteers, 15/11/10 ■ 'Maritime Egypt’, talk, ANMM Volunteers, 29/11/10 ■ ‘Joseph Banks and the flora of the Australian east coast, opening lecture, Redcliffe Museum, Queensland, 08/12/10 • Navy Gallery tours, ANMM teacher-guides, 07/02/11; ANMM Security 12/04/11 m Eora Gallery tours, ANMM Security 12/04/11; Heritage Week visitors 13/04/11; ANMM Members program 13/04/11 ■ 'A brief history of the Royal Australian Navy through the Museum’s naval collection’, lecture, WEA Cruise Forum, 11/05/11 ■ ‘Antarctic Collections at ANMM', paper, seminar on ResearchingAntarctic Exploration in the Digital Age, History House, 12/05/11 is ‘Scoff’s Last Expedition’, lecture, ANMM Members program, 15/06/11 ■ Scoff's Last Expedition, training tours and talks, AN MM volunteers, 17/06/11; ANMM teacher-guides, 17/06 & 21/06/11; front of house staff, 21/06 & 22/06/11; Kids on Deck staff, 29/06 & 30/06/11 and Frances PRENTICE « Library collection documentation and arrangement for Naval Historical Society of Australia, 30/11/10 Gillian SIMPSON * Regular program of library orientation tours for volunteers and Library students Kim TAO ■ ‘On their own - Britain's child migrants’, floor talk, 11/11/10 ■ ‘On their own - Britain’s child migrants', floor talk, 15/11/10 a ‘On their own - Britain’s child migrants’, teacher-guide training, 07/02/11 m ‘Tu Do - a fishing boat called Freedom', teacher-guide training, 07/02/11 Caroline WHITLEY s presented three workshops to staff and volunteers, consultation on storage and handling of paper-based collection materials, Norfolk Island Museum, 21-23/02/11 Mary-Louise WILLIAMS ■ Speaker and MC, opening of Quest for the South Magnetic Pole exhibition, ANM M, 02/07/10 ■ Speaker and MC, launch of Endeavour circumnavigation voyage, 28/07/10 a Speaker, The Plastiki project’, Members event, 30/07/10

* Speaker and MC, ‘A history of Australian P&O cruise ships’, Members event, ANMM, 22/08/10 ■ Delivered welcoming remarks, Museums Shops Association conference, ANMM, 8/09/10 ■ Speaker, Lloyds Register, Asia anniversary reception, ANMM, 09/09/10 * Speaker and MC, Welcome Wall unveiling ceremony, ANMM, 19/09/10 ■ Lecture, ‘Maritime museums of the world’, Members event, ANMM, 22/09/10 ■ Speaker, World Maritime Day service and unveiling of plaque at Vernon anchors for Alan Oliver, AN MM, 28/09/10 is Speaker and MC, ARHV pennant presentations, ANMM, 15/10/10 a Speaker and MC, 2010 Classic & Wooden Boat Festival events, ANMM, 16-17/10/10 * Speaker and MC, Members’ Flinders Symposium, ANMM, 31/10/10 ■ Launched With the best of intentions - stories from Dr Barnardo’s farm school at Mowbray Park, Picton, exhibition, DVD and book, The Oaks Historical Society, Wollondilly Heritage Centre, 07/11/10 m Speaker and MC, Australian and Netherlands Collection of Dutch Shipwreck Material (ANCODS) handover, ANMM, 09/11/10 * Speaker and MC, opening of On their own exhibition, ANMM, 10/11/10 ■ Reading, Krait Memorial Day Service, ANMM, 11/11/10 ® Speaker and MC, opening of Planet Shark - Predator or Prey - The Exhibition, ANMM, 07/12/10 ■ Serformed official opening, Cockatoo Island exhibition at the Royal Art Society, North Sydney, 11/02/11 * Speaker and MC, launch of the Bill Lane Fellowship, ANMM, 16/02/11 s Speaker and MC, On Their Own reunion morning tea, ANMM, 17/02/11 ® MC, 9th Phil Renouf Memorial Lecture, ANMM, 03/03/11 ss MC, Spanish Symposium, in conjunction with visit of the scientific research vessel Malaspina, ANMM, 07/04/11 b Speaker and MC, circumnavigation farewell to HMB Endeavour, ANMM, 15/04/11 ■ Speaker and MC, New Members function, ANMM 19/05/11 ■ Speaker and MC, Welcome Wall unveiling ceremony, ANMM, 22/05/11 ■ Speaker and MC, RAN Centenary commemoration events, ANMM, 12/06/11 ■ Speaker and MC, opening of Scoff's last expedition exhibition, ANMM, 16/06/11

Appendix 8 Staff m edia appearances

ShiraniATHTHAS ■ ‘Endeavour's Oprah Winfrey sail’, interview, 2SM Radio Sydney, 13/12/10 ■ ‘Endeavour circumnavigation’, interview, 4KQ Radio Brisbane, 28/04/11 ■ ‘Endeavour circumnavigation’, interview, Territory FM, 13/05/11 a ‘Endeavour circumnavigation’, interview, SEA FM Cairns, 06/06/11 Zara COLLINS ■ ‘HMB Endeavour circumnavigation - Gladstone’, interview Dr Nigel ERSKINE ■ ‘Freycinet atlas acquisition’, interview with Steve Meacham, Sydney Morning Herald, 30/03/11; SBS Radio French Language Service, 23/04/11 ■ 'HM Bark Endeavour’, filmed interviews for History Channel interstitials, 22/06/11 and Kieran HOSTY ■ ‘Maritime archaeology and shipwreck exhibitions', interview with Sarah Mich, Yale Globalist, 10/05/11 Mariea FISHER ■ Little shipmates - seafaring pets, interview with Jenny Lee, ABC South West Victoria Radio, 07/02/11 Daina FLETCHER Exposed! the story of swimwear: ■ interview, Sydney Morning Herald online, 03/7/09* ■ interview with Ross Bray, ABC Asia Pacific, 03/7/09* ■ interview, Afternoon Program and Evening News with Peter Harvey, Channel 9,03/07/09* ■ interview with Jenny Seaton, Afternoon Program, Curtin Radio, 12/11/09* ■ ‘History of the swimsuit!’, interview with Ria Reedman, Fremantle Gazette, 12/13/09* ■ interview with Emma Bergmeier, Arts & Fashion Editor, Xpress Magazine, 17/13/09* ■ interview with Steve Gordon, History Program, ABC Radio, 18/11/09* ■ interview with Jonathan Gifford, Breakfast Program, ABC Radio, 20/11/09* ■ interview with Bren McGurk, Morning Magazine, RTR FM Radio, 23/11/09*

■ interview with Graham Maybury, Nightline, 6PR Radio, 1/12/09* ■ ‘Bathers exposed!’, interview with Sarah McNeill, Subiaco Post, 12/12/09* ■ interview with Anne Whitehead, ABC radio, Adelaide, 18/02/10 » interview with Peter Kerstens, South Australian Stateline, ABC TV, 26/02/10 ■ interview, Morning Show, ABC Radio Wagga Wagga, 19/08/10 ■ interview with Alex Lassalle for feature on history of swimwear and the burquini, Alerte a Maliburqa, in French journal Causette (Mars-Avril 2011) *omitted from 2009-10 annual report Kieran HOSTY a ‘Wrecks in Sydney Harbour’, interview with David Budd, Daily Telegraph, 08/10/10 » 'Wrecks in Newcastle Harbour’, interview with David Budd, Daily Telegraph, 11/11/10 a ‘Wreck of the Dunbar', filmed interview for Tony Robinson's Australia (WTF Productions), 24/11/10 ■ ‘Wreck Reefs archaeological survey update’, interview with Ren Lanzon, Gladstone Observer, 10/02/11 a ‘First boat in the colony, The Lump’, interview, Modem Boating Magazine, 16/03/11 and Nigel ERSKINE ■ 'Maritime archaeology and shipwreck exhibitions’, interview with Sarah Mich, Yale Globalist, 10/05/11 Veronica KOOYMAN, ■ ‘The Welcome Wall', interview with Blanca Llorente, for ‘Millenium Latino’ program, 2NBC 90.1 FM, 29/03/11 Jonathan LONDON and Sue FROST, Julie O’CONNOR ■ ‘Blight at the museum; lurking pests have a limited shelf life’, interview with Harriet Vietch (about the “textile project’), Sydney Morning Herald, 24/03/11 Anthony LONGHURST • ‘Endeavour rigging refit’, interview with Ian MacNamara, ABC Radio National, 13/04/11 a

‘Endeavour rigging refit’, interview with John Huxley, Sydney Morning Herald, 02/12/10

a ‘Endeavour rigging refit’, interview with Edwina

Bartholomew, for Channel 7's Sunrise, 15/04/11

04 appendixes 8 staff media appearances

Ross MATTSON Endeavour circumnavigation:

■ interview, ABC 891,27/04/11 a interview, ABC 936, 27/04/11

« interview with Richard Glover, ABC 702 Sydney, 28/07/10

a interview, Daily News, 27/04/11

■ interview with John MacKenzie, 4CA AM Cairns, 29/07/10

■ interview, ABC 720 (Perth), 27/04/11

■ interview, Cairns Port, 29/07/10 ■ interview with Tom Holt, ABC South East NSW (Bega), 30/07/10

■ interview, Courier Mail, 27/04/11 ■ interview with Spencer Howson, ABC 612,28/04/11 ■ interview, 4KQ (Brisbane), 28/04/11 * interview, abc.net.queensland, 28/04/11 m interview, Border Mail (Albury), 30/04/11

a interview with Fiona Sewell, ABC Far North (Cairns), 03/08/10

a interview, South Cross GTS/BKN (Broken Hill), 09/08/10

a interview, Sunday Mail Brisbane, 05/05/11

■ interview with Kier Shorey, ABC Far North (Cairns), 13/08/10 a interview, Win Nine (Mount Gambier), 25/08/10

interview, 4BC (Brisbane), 02/05/11

a interview, Catholic Leader, 08/05/11

■ interview, Gladstone Observer, 19/05/11 a interview with Craig Zonca, ABC Southern Queensland

*•interview, Australian Medicine, 01/09/10

(Toowoomba), 19/05/11

■ interview with Phil Smith, ABC 612 (Brisbane), 23/02/11

■ interview, Zinc FM (Townsville), 25/02/11

a interview, ABC Capricornia (Rockhampton), 20/05/11

■ interview, SEA FM (Cairns), 25/02/11

a interview with Jacqui Mackay, ABC Capricornia

(Rockhampton), 23/05/11

■ interview, 4T0 (Townsville), 25/02/11 ■ interview, Mix 106.5 (Townsville), 25/02/11 a interview, ABC Queensland online, V03/11 ■ interview with Aaron Stevens, ABC Capricornia (Rockhampton), 01/03/11 ■ interview, Brisbane News, 13/04/11 ■ interview with Steve Price, Melbourne Talk Radio, 14/04/11 ■ interview, 2DU (Dubbo), 18/04/11 ■ interview, 4BC (Brisbane), 26/04/11 ■ interview, Sunrise, Channel 7,19/04/11

interview, Gladstone Observer, 20/05/11

a interview with Fiona Sewell, ABC Far North (Cairns), 03/06/11 a interview, SEA FM, 06/06/11

David PAYNE a ‘Model skiffs’, interview, ABC TV, Collectors, 13/06/11 a ‘The Australian Register of Historic Vessels’, interview with

Ray Tyrrell, ABC Radio Riverina NSW, 16/04/11 Lindsey SHAW Joseph Banks and the flora of the Australian east coast: a interview with ABC 1233,05/08/10

■ interview, smh.com.au, 24/04/11

Scott's last expedition:

■ interview, Sun Heraid, 24/04/11

■ interview, ABC 891,26/04/11

a interview with John Morrison for ABC Radio Statewide

Drive, 18/05/11

■ interview, 4BC (Brisbane), 26/04/11 ■ interview, ABC 666 (Canberra), 26/04/11 ■ interview, ABC 612 (Brisbane), 26/04/11

■ interview with Kathy Marks for The Independent, 16/06/11 a interview with Suzanne Hill for ABC Radio Overnights,

■ interview, ABC 702 (Sydney), 26/04/11 ■ interview, ABC 720 (Perth), 26/04/11

29/06/11 a

a interview, AAP Newswire, 26/04/11 ■ interview, news.ninemsn.com, 26/04/11 ■ interview, news.yahoo.com, 26/04/11

interview with Time Out magazine, 05/05/11

interview with Sally Prior for The Canberra Times, 29/06/11

Kim TAO On their own - Britain's child migrants:

■ interview, skynews.com, 26/04/11

interview with John Atkinson, 2NBC FM, 08/11/10

■ interview, bigpondnews.com, 26/04/11

interview with ABC Radio National, 09/11/10

■ interview, ABC 1,26/04/11

a interview with Dina Rosendorff, ABC News Breakfast,

■ interview, ABC 936,26/04/11 a interview, ABC Darwin, 26/04/11 * interview, Hot Tomato (Gold Coast), 26/04/11 ■ interview, ABC 612,27/04/11

ABC TV, 10/11/10 a interview with Rena Sarumpaet, SBS World News

Australia, SBS TV, 10/11/10 a interview with Paul Turton, ABC NSW Statewide Drive, 10/11/10

04 appendixes 8 staff media appearances

m interview with Claire McGreal, Irish Echo, 11/11/10 ■ interview with Julian Swallow, Australian Geographic, 12/ 11/10

• interview with Who Do You Think You Are? Magazine, 15/11/10 m interview with Rhiannon Sawyer, The Sunday Telegraph, 02/12/10

m interview with Carrie Hutchinson, Sunday Magazine, The Sunday Telegraph, 09/02/11 e ‘Child migrant reunion’, interview with The Daily Telegraph, 16/02/11 « interview with Chloe Longhetti, University of New South Wales, 06/06/11 Mary-Louise WILLIAMS ■ interview with Angelo Kalafatis, Greek National Television, 22/7/10 ■ ‘Endeavour circumnavigation’, interview, TV NZ News, 16/10/10 ■ ‘Endeavourcircumnavigation’, interview, One News Wellington, 16/10/10 a ‘My weekend’, interview with Elisha Murray (deputy editor) for Spectrum, Sydney Morning Herald, 06/11/10 ■ ‘MV Krait and Remembrance Day’, interview by Leon Delaney, 2SM Sydney, 11/11/10 Sam WOOD ■ ‘On Hannibal’s Trail - The Journey’, interview with Gethin Jones, BBC Radio 5 Live, 18/06/2010 ■ ‘On Hannibal’s Trail - Hitting the Road’, co-presenter and co-writer, BBC4 TV, 19/06/10 ■ ‘On Hannibal’s Trail - Premiere’, interview with Sussana Reid and Charlie Stayt, BBC Breakfast News, 19/06/2010 * ‘On Hannibal’s Trail - Barca! Barca! Barca!", co-presenter and co-writer, BBC4 TV, 26/06/10 « ‘On Hannibal’s Trail - Crossing the Rhone’, co-presenter and co-writer, BBC4 TV, 31/06/10 ■ ‘On Hannibal's Trail - Over the Alps’, co-presenter and co-writer, BBC4 TV, 06/07/10 a ‘On Hannibal’s Trail - Hannibal the Great’, co-presenter and co-writer, BBC4 TV, 13/07/10 ■ ‘Hannibal interview - Historical cycling', interview with Jonathan Hall, KJFC 89.7 FM, 22/10/2010 a ‘Travel tales', interview with Andrew West, ABC Radio National, 14/01/2011

Appendix 9 Staff professional appointm ents

Adrian ADAM, ■ NSW President, Australian Federation of Friends of Museums

Paul HUNDLEY ■ Member, USA Gallery Consultative Committee, United States Consulate, Sydney

ShiraniATHTHAS ■ Member, Public Relations Institute of Australia - NSW State Awards for Excellence Steering Committee

■ Representative, Council of American Maritime Museums

■ Member, Public Relations Institute of Australia - National Conference Advisory Committee Dianne CHURCHILL ■ CPSU section councillor - Cultural Institutions Michael CRAYFORD ■ Director, Vice chairman and Board member, AusHeritage ■ Treasurer and Board member, Council of Humanities and Social Sciences

Matt LEE ■ President, Museum Shops Association of Australia Jonathan LONDON ■ Member, National Collections Preservation Committee (NCPC) Jeffrey MELLEFONT m Australian Association for Maritime History coordinating committee for the 20011 Frank Broeze Memorial Maritime History Book Prize ■ Member, University of Sydney Indonesian Study Circle

Dr Nigel ERSKINE ■ Council member, Australian Register of Historic Vessels

LishaMULQUEENY ■ Board director, Ecotourism Australia

Daina FLETCHER ■ Council member and secretary, Australian Register of Historic Vessels (2007-present)

Vicki NORTHEY ■ Vice president, Museums Australia, NSW Branch

« Member and Convenor, Australian Register of Historic Vessels Steering Committee (2007-present)

David PAYNE, ■ Panel member, International Congress of Maritime Museums, Historic and Traditional Ships Panel

* Member and Convenor, Indigenous Watercraft Conference National Steering Committee (2011-present)

■ Member, Australian Register of Historic Vessels Steering Committee (2007-present)

Dr Stephen GAPPS ■ Executive Committee Member, Professional Historians Association NSW « Member, History Council of NSW Kieran HOSTY ■ Member, NSW Maritime Archaeology Advisory Panel ■ Article referee, Bulletin of the Australasian Institute for Maritime Archaeology

■ Member, Indigenous Watercraft Conference National Steering Committee (2011-present) Clare POWER a Committee member, Sydney Chapter of Museums Australia NSW ■ Member, Australian Maritime Museums Council a Powerhouse Museum Australian Dress Register Contributor • Assessor, Museums & Galleries VIM Grants, 2010 ■ Assessor, Powerhouse Museum Movable Cultural Fellowship 2011 ■ Judge, American Association of Museums AAM MUSE Awards 2011

04 appendixes 9 staff professional appointments

Peter ROUT * Member, Management Committee, Australian Maritime Museums Council Lindsey SHAW ■ Committee member, Naval Historical Society of Australia m Editor, The Buzz (Quarterly Newsletter of the naval Historical Society of Australia) Kim TAO ■ Member, Forgotten Australians and Former Child Migrants Consultative Forum, Department of Families, Housing, Community Services and Indigenous Affairs (FaHCSIA) Mary-Louise WILLIAMS ■ Deputy chair and acting chair, Visions of Australia Committee a Executive member, International Congress of Maritime Museums a Executive member, Council of Australasian Museum Directors ■ Board member, Foundation for the Preservation of Captain Cook’s Ships a Peer reviewer, Museum Management and Curatorship

Appendix 10 Staff overseas travel

Michael CRAYFORD Assistant director, Collections & Exhibitions ■ Amsterdam, The Netherlands, 18-29/08/10, for discussions relating to the bilateral agreement on the ANCODS collection Dr Nigel ERSKINE Curator, Exploration & European Settlement » Hilo, 18-23/02/11:22nd Annual Symposium on Maritime Archaeology and History of Hawaii and the Pacific Paul HUNDLEY Senior curator, USA Gallery ■ Baltimore, Maryland, USA, 12-24/09/10: while on recreation leave to present a paper at the 9th Maritime Heritage Congress and participate in a round-table presentation on cultural resources in marine-protected areas sponsored by the US National Oceanic and Atmospheric Administration « Washington DC, 26-27/04/11: to attend a curatorial symposium entitled ‘Flashpoints and Fault Lines: Museum Curation and Controversy’, at the Freer Gallery of Art, Smithsonian Institution and Santa Barbara Maritime Museum, 28-30/04/11: to deliver a presentation on the USA Gallery and the Ambassador Bill Lane USA Gallery Fellowship at the Council of American Maritime Museums Matt LEE Manager, Retail & Merchandise (recall to duty) ■ National Museum, Istanbul, Turkey, 22/10/10; Dubai Museum, UAE, 3/13/10; National History Museum, New Delhi, India, 10/13/10: developing retail/wholesale merchandise links ■ Birmingham, England, 07-09/02/11: attending the Spring Trade Fair at invitation of the Department of UK Trade and Industry ■ National History Museum, London, England, 14/02/11: liaising with staff on catalogue of merchandise for Scott's last expedition exhibition Jonathan LONDON Head of Conservation ■ School of Conservation of the Royal Danish Academy of Fine Arts, Copenhagen, 04-08/10/10: to attend a workshop on ‘Energy Efficient Museum Buildings’, held in association with the National Gallery of Denmark

Will MATHER Managing registrar, Collection Operations & Exhibitions a Amsterdam, Netherlands, 07-09/13/2010: VII European Registrars Conference, ‘Being Green’ Jeffrey MELLEFONT Publications manager ■ Cambodia, 15/11-5/12/2010: Led a maritime-themed tourfor ANMM Members, titled ‘The floating world of Cambodia’. Johanna NETTLETON Exhibition designer is National Maritime Museum, Greenwich, UK, 20/06/11-07/07/11: for a three-week secondment Lindsey SHAW Senior curator, Maritime Technology, Exploration & Navy a Baltimore, Maryland, USA, 15-20/09/10:9th Maritime Heritage Conference, including attending the Historical Naval Ships Association (HNSA) members’ meeting Mary-Louise WILLIAMS Director ■ Shanghai, China, 05-07/07/10, at the invitation of the China Maritime Museum, to attend the museum’s official opening ■ Quebec, Canada, and Washington DC, USA, 14-22/03/11, for meetings with representatives of ONE DROP and the Musee de la Civilization re Aqua exhibition; Australian Embassy officials re ANMM USA Gallery exhibition; representatives of the Smithsonian Institution and to attend the International Congress of Maritime Museum (ICMM) executive meeting

Appendix 11 Organisation chart at 30 June 2011

Minister for the Arts

ANMM Council

Director

Governance

External relations

Financial services

Operations division

Audience branch

Commercial services branch

USA Gallery

Information services (incl ICT, RM and OLS)

Members

Welcome Wall

Library

Fluman resources and volunteers

Online and audience engagement

Sponsorship, Foundation and USA Friends

Temporary and travelling Exhibitions

Capital works & property

Public programs and events

Venues

Curatorial

Security

Education

Marketing

Design

Fleet (incl Endeavour maintenance)

Publications

The Store

Registration

Facilities & support services

HMB Endeavour operations

FOH and Reception

Collections and exhibitions division

Conservation

128

Appendix 12 APS staff at 30 June 2011

This appendix lists only APS staff employed under the Public Service Act 1999

Collections and exhibitions division Michael Crayford

Assistant director, Collections and exhibitions

BA GradDip MA

Executive

Gemma Nardone b fa

Mary-Louise Williams ma

Director

Inger Sheil ba

Executive assistant

Project assistant, Collections and exhibitions

Temporary and travelling exhibitions Governance Russell Smylie

bbus

Mariea Fisher BA(Hons) ma

Manager, Temporary and travelling exhibitions

Nicolette Mortimer

Curator, Temporary and travelling Exhibitions

Executive officer

BA DipMusStud

Finance Joan Miller mm (Arts Management) bb aa ca

Chief financial officer

Clarity Gorolay

Senior financial accountant

James Egan

Accounts supervisor

Helen Jones b a MMusstud

Curatorial assistant

Tony Ridgway ba

Accounts officer

Sophie Moran

Curatorial assistant

Olivia Tran

Accounts officer

USA Gallery and eMuseum project

BE(Computing), ME(Software)

JP BA DipJourn DipPubAdmin

Shirani Aththas BA MA GradDipCommMgt

Senior curator, USA Gallery

Maritime communities

External relations unit Bill Richards

Paul Hundley m a

Daina Fletcher BA(Hons)

Senior curator

Stephen Gapps BA(Hons)

Curator, Environment, industry and shipping

Manager, Media and communications (on leave)

MAfAppHist) PhD(Hist) MPHA

Manager, Media and communications

BA DipMusStud

Penny Cuthbert

Curator, Sport and leisure history

Kim Tao ba ma

Curator, Post-Federation migration history

David Payne ba (id)

Curator, Australian Register of Historic Vessels

Maritime Technology, exploration and Navy Lindsey Shaw ba DipMusStud

Senior curator, Maritime technology, exploration and naval history

Nigel Erskine ba

Curator, Exploration and European settlement

Certshpbidg

CertMusStud GradDipMarArch PhD

Kieran Hosty BADipMarArch

Curator, Ship technology and maritime archaeology

Michelle Linder

Assistant curator, Special projects (on leave)

MA DipMusStud

Veronica Kooyman BA(Hons) MMusStud

Assistant Curator, Special projects

04 appendixes 12 APS staff

Design Stephen Hain AdvDipintDes

Project manager, design

BA(ProjMgt) Fl(ClerW) ScotvecCity&Guilds

Johanna Nettleton

Exhibition designer

BSc(Arch) BArch(Hons)

Conservation Jonathan London DipCon

Manager, conservation

Sue Frost AAssDipMatCon

Senior conservator

Caroline Whitley

Senior conservator, paper and photographic materials

BappSc DipArtEd

MDes DiplndDes CertCompGraph

Graphic designer/ coordinator

Julie Oâ&#x20AC;&#x2122;Connor

Daniel Ormella

Graphic designer

MSc BAppSc DipT

Graphic designer

MAppSc BSc(Hons)

Conservator, prevention conservation/mixed objects

Penelope Nolton ba BAppSci

Senior conservator, objects

Rebecca Dallwitz

Conservator, objects

Adrienne Kabos

MDes AssDipGraphDes

Heidi Riederer BindDes

Kathryn Yeates

Preparators Stephen Crane MAVisArts

Senior preparator

Kevin Bray bva GradDipVisArts

Preparatorteam leader

Adam Laerkesen BAVisArts

Preparator

Peter Buckley

CertlllStudioCeramicsPractice

Preparator

Senior conservator, Textiles

BA(Hons) MA(CultMatCon)

Frances Prentice BA(LibSc)

Manager, library services

Jan Harbison BAGradDipLib

Technical services librarian

Gillian Simpson

Public enquiry librarian

BA(LibSc) DipLib

BAVisArts DipVisArts

Karen Pymble

Library technician

DipLib AssocDipCommunityWel

Registration

Linda Moffatt ba (LibSc)

Sally Fletcher ba DipMusStud

Senior registrar

Georgia Cunningham

Managing registrar, collection database and documentation

BSc (Hons)

Will Mather BA(Hons) DipMusStud

Managing registrar, collection operations and exhibitions

Cameron McLean bfa

Registrar, collection operations

Anupa Shah BCom DipFineArts

Registrar, exhibitions

Rhondda Orchard

Registrar, information management

BA MAMusSTUD

Sabina Jaramillo Escobar MAMusStud BASocSc

Tennille Noach b s c BA(Hons)

Assistant registrar, documentation Assistant registrar, documentation

Photographic services Andrew Frolows CertPhoto

Photographer

Elizabeth Maloney

Photographic librarian

BFA DipMusStud

Merinda Campbell BFA(Hons)

130

Photographic assistant

Library technician

04 appendixes 12 APS staff

Commercial services branch

Audience branch Vicki Northey psm ba ma

Branch head

Dianne Churchill

Branch head

Marketing and visitor experience

Audience engagement BA(Hons) DipEd HistArchlll

Lisha Mulqueeny

Manager, Audience engagement

Margaret Verity

Visitor services officer

Irina Tadevosyan BCom

Marketing coordinator

Jan Mclnnies psm

Receptionist

DiplM(ArchivesAdmin)

Public programs and events Neridah Wyatt-Spratt

Programs manager

BA DipMusStud MA(AppHist) MLitt(MusStud)

Jeffrey Fletcher DipTeach

Schools coordinator

Michael Daly

Events coordinator

Lauris Harper ba DipEd

Education officer

PGradDip(Adult&lndEd) MEd

Education bookings officer

Endeavour Unit ROSS

Mattson Master IV

Ships master/Ship manager, HMB Endeavour

Trish Pascuzzo

Voyage manager

Holly Shalders

Project coordinator

Craig Lockwood

Shipkeeper

Publications Jeffrey Mellefont ba DipEd

Publications manager (on leave)

Theresa Willsteed

Publications manager

Penny Crino BSc(Arch) ba

Publications assistant

Web development Web development officer

Carli Collins

Members program Adrian Adam Claire Palmer

b b u s

b a

Zara Collins bva

Venue manager

Susannah Merkur

Assistant venue manager

Lisa Faye AssDipHospMan

Venue and marketing coordinator

Matt Lee Programs coordinator

BFA BA MArtsAdmin

Carolyn Allen ba mps

Cristiana Palmieri

Retail and Merchandising

CertlVTrg&Ass MACE

Annalice Creighton

Venues

Members manager Members services coordinator Members assistant

Manager, Retail, merchandise and product development

04 appendixes 12 APS staff

Facilities and support services

Operations division Peter Rout BE(Hons) Naval Arch MEngSci

Clare Power GradCertMktg AdvDipPR

Assistant director, Operations division Project assistant, Operations division/ MMAPSS

Information services Karen Holt MlnfoSysSec macs

Ian McKellar AssocDipConstructionMngmnt

Manager, Facilities and support services

Mark Bow CertCarpJoin

Building maintenance manager

Keith Buckman

Non-coilection assets coordinator

Frank Rossiter

Storeman

Head, Information services Capital works

Information communications and technology (ICT) services

Greg Edmondson certBusMgt

Manager, Capital works and property liaison (LWOP)

Monju Chowdhury

ICT Server support

Neil Cogavin

ICT Desktop support

Security

Sam Wood

ICT Services

Peter Haggarty jp

Manager, Security

Jason Macrae

Operations supervisor/ weekend manager

CertiV(Bus) CertlVTrg&Ass

Online services Karen Roberts BSc(inf)

Website coordinator

Richella King

Manager, Online services (on leave)

Fleet Phillip McKendrick

Manager, Fleet

Dip Eng(Mech)

Todd Maiden CertBirmkg

Records management Mechelle Walsh

Assistant records manager

BCom Dip(CorpDir)

Mel Rogers

EDRMS Implementation manager

Human resources Lea McKenzie

Assistant Human resources manager

Priya Deshvaria m com (hrm )

Human resources officer

Aisha Hamson

Assistant human resources officer

Anthony Longhurst MasterVCertBoatbidg

Leading hand, Shipwright rigger

Joseph Nales CertBirmkg

Boilermaker

Lee Graham Coxswain

Shipwright

Jim Christodoulou Certshpbidg Shipwright Thomas Kershaw

Shipwright

Jeff Hodgson

Shipwright

CertShpbldg&Boatbldg Coxswain

Vince McGuire

pkeeper

Christine Finlay

pkeeper

Peter Lightbody

Shipkeeper

Coxswain CertBirmkg

Volunteers

Noel Burgess

Shipkeeper, Navy

MAqua GradDipAqua DipMgt

Trevor Pike

Shipkeeper

DipBus DipVolMgt CertlVTrg&Ass

Warwick Thomson

Fleet huli surveyor

Kathryn Kershaw

General purpose hand

Peter Wood MasterMariner

13 2

Michael Whetters Certshpbidg Team leader, wooden vessels

CertShpbldg

Human resources manager

DipHRM CerlVHRM

Peter Dibb jp

Team leader, metal vessels

Volunteers manager

Tom Devitt

Volunteers assistant

Zara Collins bva

Volunteers assistant

Cecil Hotbake

Volunteers assistant

Greg Buddie MAEd

Volunteers assistant

Michelle Durant

Volunteers assistant

Appendix 13 Council members

Chairman

Members

Mr Peter Dexter am fa ic d (NSW) Term: 19 July 2010-18 July 2013 Attended four Council meetings Peter Dexter retired from his executive role as regional director of Wallenius Wilhelmsen Logistics, Oceania, in September 2005 to assume a range of non-executive appointments. In his executive role, Peter was a member of the Global Management Team of Wallenius Wilhelmsen Logistics, one of the world’s largest operators of roll-on roll-off vessels, serving the motor vehicle, agricultural and mining machinery and high and heavy cargo trades.

Mr John Coombs (NSW) Term: 10 March 2011-9 March 2014 Attended one Council meeting Mr Coombs was one of the architects behind the amalgamation of the Seamen’s Union of Australia and the Waterside Workers' Federation into the Maritime Union of Australia. He served as the MUA’s National Secretary from 1993 to 2000 and among other things led the Union in its 1998 industry-defining dispute with Patricks Stevedores.

His current appointments include: chairman/director of the Wilhelmsen Group companies in Australia, chairman SeaSwift Pty Ltd, director Royal Wolf Holdings Ltd, director K-P0AGS,K-NSS,KW Auto Logistics Pty Ltd. Peter also serves as the Honorary Consul-General for Norway in New South Wales and is a board member of the Australian National Maritime Museum Foundation. During his career, he has served both as a director and president of various industry associations and has extensive experience within both the private and public sectors. He is a fellow (FAICD) of the Australian Institute of Company Directors. He retains a close association with the maritime, transport, ocean towage, ports and logistics industries and his directorships have also given him exposure to manufacturing and property investment and development. Peter was awarded the Royal Norwegian Order of Merit by the King of Norway for his contribution to Norwegian/ Australian business and his work during the Tampa crisis. He was named a member (AM) in the Order of Australia for services to the development of the shipping and maritime industries through leadership roles, to international relations and to the community in 2005.

John is currently a director of Maritime Super, Maritime Financial Services, Virtual Communities Ltd, Luna Park Melbourne and the ITF Seafarers Club. He was awarded a Centenary Medal in 2001 for outstanding service to the trade union movement in Australia. Peter M Harvie (VIC) Term: 12 December 2008-11 December 2011 Attended four Council meetings Peter Harvie joined John Clemenger Advertising Melbourne in 1966 and in 1969 became a director of the company. In 1974 he founded the Clemenger Harvie advertising agency and in 1975 was appointed a director of Clemenger BBDO Limited. In 1993, he joined Village Roadshow to develop a nationwide media and radio group. In 1997 he became chairman of Austereo Ltd. He is currently a director of Southern Cross Media Group Limited, Village Roadshow Limited, the Mazda Foundation Limited, the Australian International Cultural Foundation Limited, the Commando Welfare Trust and the Australian Stockman’s Hall of Fame, Longreach. He is also a past councillor of the Museum of Victoria, a past director of Art Exhibitions Australia Limited, and was the recipient of a Centenary Medal in 2001 for services to the Media and Arts. Ms Robyn Holt (NSW) Term: 25 February 2009-24 February 2012 Attended three Council meetings Ms Holt is a senior management executive with more than 25 years’ experience injournalism, publishing, cosmetics and fashion, particularly in emerging markets and multicultural environments. A holder of the Centennial Medal for services to business, she has also served as a trustee of the Australian Museum and as a governor of the Taronga and Western Plains Zoos. She is a published author of a children's book and a Penguin Award-winning costume designer for film.

04 appendixes 13 council members

Dr Julia Horne PhD (NSW) Term: 12 December 2008-11 December 2011 Attended four Council meetings Dr Julia Horne, author of the Pursuit of Wonder: How Australia’s landscape was explored, nature discovered and tourism unleashed (Miegunyah Press, 2005), is a Sydneybased historian. Appointed as university historian at the University of Sydney in 2002, she is responsible for the university’s extensive oral history collection and historical matters relating to the university’s heritage and public history. She has worked in both country and city museums, including the Powerhouse Museum, and has taught Australian history in universities and outreach programs. She is a councillor of the Royal Australian Historical Society, and is currently writing a history of the University of Sydney. Ms Ann Sherry ao (NSW) Term: 7 September 2009-6 September 2012 Attended one Council meeting Ms Sherry is the CEO of Carnival Australia, a division of the world’s largest cruise ship operator. Prior to this she was CEO of Westpac NZ and a member of the Westpac executive team. She had a distinguished public sector career in both the Victorian and Federal Governments, her final role being first assistant secretary of the Prime Minister's Office of the Status of Women, where she was Australia’s representative to the UN forums on human rights and women’s rights. In 2001 she was awarded a Centenary Medal for her work with Indigenous and disadvantaged communities and in 2004 she was made an Officer of the Order of Australia for services to corporate governance and diversity management. She holds a number of board roles in the commercial and not-for-profit sector and chairs the Queensland Public Service Commission. Mr Shane Simpson am, l l b (Hons) Mjur (NSW) Term: 7 September 2009-6 September 2012 Attended four Council meetings Mr Simpson is a solicitor who has specialised in intellectual property, arts, entertainment, media, museums and law related to the new technologies. He was founding director of the Arts Law Centre of Australia and has served on numerous arts boards. He was also the first chair of Museums and Galleries NSW. He is the author of many books relating to law and cultural property. His current project is Collections Law: Legal issues for Australian Archives, Galleries, Libraries and Museums.

134

Ms Eva Skira Term: 16 June 2011-15 June 2014 Attended no Council meetings Eva Skira brings 17 years’ experience as a non-executive director and chairman, serving on a number of Australian boards across a range of industries, including construction, engineering, finance, infrastructure, education and health. As a director, she has chaired a number of audit, risk and compliance board committees. Eva completed her BA (1st Class Honours, Economic History) at the University of New South Wales, and obtained her Masters of Business Administration (Dux and Distinction) at the now re-badged IMD International in Switzerland. Eva has a background in banking, stockbroking and the financial markets. Her professional profile includes Western Australian chair of the Securities Institute of Australia 2003-06 and she is currently deputy chancellor of Murdoch University. Mr Neville Stevens ao (ACT) Term: 17 July 2008-16 July 2011 Attended four Council meetings Mr Stevens is chairman of Australia’s Information and Communications Technology Centre of Excellence (NICTA), chairman of Communications Alliance, chairman of AC3 and chairman of the Australian Government’s Co-operative Research Centre program. Prior to joining N ICTA, he had a distinguished public service career that culminated in three years as secretary of the Industry Department and a further eight years as secretary of the Department of Communications, Information Technology and the Arts. His contribution to public service was recognised when he was awarded a Centenary Medal in 2001 and again when he was made an Officer of the Order of Australia in the 2003 Australia Day honours list.

04 appendixes 13 council members

Ms Mary-Louise Williams ma (NSW) Term: 9 November 2000-8 November 2003 9 November 2003-8 November 2006 9 November 2006-8 November 2008 9 November 2008-24 February 2009 25 February 2009-24 February 2014 Attended four Council meetings Ms Williams began her career at the Australian National Maritime Museum as senior curator in 1988, then became assistant director (Collections and Exhibitions branch) two years later. She was appointed director in November 2000 following a 10-month period as acting director. She has played a leading role in the development of the museum's vision, its exhibitions and collections virtually from its inception. Ms Williams was previously director of the NSW branch of the Museums Association of Australia. She is a past member and then chairperson of the NSW Cultural Grants Advisory Council, a former president of the Museums Association of Australia, and was an inaugural board member then chair of Museums and Galleries NSW. She is currently deputy chair of the Visions of Australia Committee (a Commonwealth Government grant program), a member of the executives of the International Congress of Maritime Museums and the Council of Australasian Museum Directors, and a director of the Foundation for the Preservation of Captain Cookâ&#x20AC;&#x2122;s Ships, the Australian National Maritime Foundation and the American Friends of the ANMM.

Naval Member The Naval Member of the Australian National Maritime Museum holds office at the pleasure of the Chief of Navy for the duration of his/her posting as the Commander Australian Fleet. Rear Admiral Stephen Gilmore am c s c ra n Term: commenced 21 September 2007 Attended one council meeting Rear Admiral Steve Gilmore joined the RAN as a junior entry cadet midshipman in 1977. Fie is a seaman/warfare officer specialist and has held a variety of seagoing appointments including command of the ANZAC class frigate HMAS Arunta in 2000 and 2001 and on operational service as the Coalition Task Force Commander in the North Arabian Gulf during 2005. He has also served on exchange postings with the British Royal Navy and in the United States. Promoted to captain in 2001, he studied defence and strategic studies at the Australian Defence College during 2002 and graduated Master of Arts. Rear Admiral Steve Gilmore was director of Maritime Combat Development at Australian Defence Headquarters from December 2002 working on the acquisition of future ships and combat systems. Promoted to Commodore in January 2005, he was appointed Director General of Navy Strategic Policy and Futures, generating the RANâ&#x20AC;&#x2122;s 20-year strategic plan and future operating concept. He became Commander of Navy Systems Command in September 2007. He was promoted to Rear Admiral in June 2008 and became Commander Australian Fleet in October 2009. He is a Fellow of the Centre for Defence and Strategic Studies and a member of the Australian Institute of Company Directors.

Appendix 14 Council meetings and Committees

2010-2011 meetings Meeting no 100

25 August 2010

Meeting no 101

7 December 2010

Major Capital Works Committee

Collections and Exhibitions Committee

Met four times

Meeting no 102

9 March 2011

Members

Attendance

Meeting no 103

22 June 2011

Mr Peter Dexter

Mr John Coombs

Ms Robyn Holt

Mr Peter Dexter

Members

Attendance

Finance and Audit Committee

Mr John Coombs

Rear Admiral Steve Gilmore

Met four times

Mr Shane Simpson

Dr Julia Horne

Mr Neville Stevens

Mr Shane Simpson

Ms Mary-Louise Williams

Mr John Coombs

Others

Mr Peter Harvie

Ms Joan Miller, ANMM

Ms Robyn Holt

Mr Peter Rout, ANMM (secretary)

Ms Ann Sherry

Mr Russell Smylie, ANMM

Mr Neville Stevens

Members

Attendance

Mr Peter Dexter

Ms Mary-Louise Williams

Others

Others Mr Michael Crayford, ANMM (secretary)

Ms Daina Fletcher, ANMM

Mr Paul Hundley, ANMM

Marketing, Programs and Sponsorship Committee

Ms Lindsey Shaw, ANMM

Met four times

Fleet Committee

Ms Jennifer Clark (independent member)

Members

Ms Joan Miller, AN MM (secretary)

Mr John Coombs

Members

Mr Peter Rout, AN MM

Mr Peter Dexter

Mr John Coombs

Mr Peter Harvie

Mr Peter Dexter

Ms Robyn Holt

Rear Admiral Steve Gilmore

Ms Ann Sherry

Dr Julia Horne

Ms Mary-Louise Williams

Mr Russell Smylie, ANMM Mr Graham Johnson, Australian National Audit Office

4 2

Mr Paul Marsh, Oakton AA Services 1 Mr Ben Owens, Oakton AA Services 1 Mr Ron Wah, Australian National Audit Office Mr Roger Williams, Stirling International

1 1

Attendance

Met four times Attendance

Others

Others Ms Lisha Mulqueeny, ANMM

Mr Ross Mattson, ANMM

Ms Vicki Northey, AN MM

Mr Phil McKendrick, ANMM

Ms Vicki Northey, ANMM

Mr Peter Rout, ANMM

Appendix 15 Australian National Maritime Foundation

Chairman Mr Peter Dexter am fa ic d Chairman, Australian National Maritime Museum

Directors Miss Kay Cottee ao Record-making solo sailor; former Chairman, Australian National Maritime Museum Captain Trevor Haworth am Executive Chairman, Captain Cook Cruises Mr Rob Mundle Author and journalist Ms Mary-Louise Williams Director, Australian National Maritime Museum

Secretary Mr Russell Smylie Australian National Maritime Museum

Appendix 16 Sponsors, patrons and supporters at 30 June 2011

Foundation sponsor

Partners in HMB Endeavour’s circumnavigation 2011-2012

Alcatel Australia

Significant voyage partners

ANL Limited

Significant museum-wide sponsors and partners

Toshiba Australia Pty Ltd

Ansett Airfreight

The History Channel

Bovis Lend Lease

Austereo (Triple M and 2DayFM)

Perth 2011ISAF Sailing World Championships

BP Australia

ANZ

APN Outdoor Blackmores Ltd Coral Sea Wines

Founding patrons

Bruce & Joy Reid Foundation Department of Education, Employment and Workplace Relations

Doyle’s Seafood Restaurant

Voyage partners

Howard Smith Limited

Defence Maritime Services Pty Ltd Caltex Australia

James Hardie Industries

Department of Immigration & Citizenship

Carnival Australia (P&O)

National Australia Bank

Lloyd’s Register Asia

Australian Maritime Safety Authority

PG, TG & MG Kailis

Nine Entertainment

NSW Maritime

P&O Nedlloyd Ltd

SBS

DMS Maritime

Telstra

Sydney by Sail

Taronga Conservation Society Australia

Wallenius Wilhelmsen Logistics Westpac Banking Corporation

TenixPtyLtd Toshiba Australia Pty Ltd

Voyage supporters

Zim Shipping Australasia

Avis Australia Seaswift Pty Ltd

Donors

Thales Group

Donors for 2010-2011 appear in Appendixes 4 and 17

Various Australian Port Authorities Media partners Austereo Nine Entertainment The West Australian Newspaper

Appendix 17 Corporate and Supporting Members

Corporate Members at 30 June 2011

Hansen, Miss Linda

Asiaworld Shipping Services

Maltby, Mr George

$100.00

Australia Japan Cable Ltd

Margerrison, Mr & Mrs Nikolas & Judith

$300.00

Defence National Storage & Distribution Centre - RPA

McIntosh, Mr Graham

$100.00

Google Australia

Merewether, Mrs

$200.00

HMAS Creswell

Mitchelhill, Mr Phillip

$100.00

Norfor, Mr John

$135.00

Packer, Ms Valerie

$100.00

Pattison, Mr Ian Douglas

$100.00

Pickett, Mr Graham

$250.00

Rathbone, Mr Martin

$200.00

Ridler-Dutton, Mr Keith

$100.00

Roberts, Mr John

$100.00

Penrith Returned Services League

Sezemsky, Mrs Margaret

$100.00

Regimental Trust Fund, Victoria Barracks

Tooth, Dr & Mrs Richard & Marianne

$100.00

Royal Caribbean & Celebrity Cruises International

Tysoe, Mr Ross

$150.00

Svitzer Australasia

Wallis, Mr Robert

$100.00

Sydney Ports Corporation

Whaite, Mr & Mrs John & Anne

$200.00

Williams, Mr & Mrs David & Lesley

$100.00

Witten, Mr Arthur Charles

$100.00

Sanders, Mr David

$200.00

HMAS Kuttabul HMAS Newcastle HMAS Vampire Association Maritime Mining & Power Credit Union Maritime Union of Australia (NSW Branch) Maruschka Loupis & Associates

Supporting Members (>$100) at 30 June 2011

$135.00

Allsop, Mr James

$100.00

Southwell, Mr John

$100.00

Brown, Mr Raymond

$100.00

Stevens, Mr Jack Humphries

$100.00

Bryden-Brown, Mr & Mrs John & Jane

$100.00

Wallis, Mr Robert

$100.00

Burges, Mr & Mrs Kevin & Annette

$100.00

Warnock, Mr Guy

$100.00

Carritt, Mr Martin

$100.00

Williams, Mr & Mrs David & Lesley

$200.00

Chandler, Mr Rodney Stuart

$100.00

Witten, Mr Arthur Charles

$100.00

Crooke, Mr John

$100.00

David, Mrs Anne

$500.00

Frost, Mr David

$100.00

Garton, Mr Bruce

$100.00

Gibson, Mr John

$200.00

Glasson, Mr David Charles

$100.00

Grasso, Ms Margaret & Antonio

$100.00

Halvorsen, Mr Carl

$100.00

139

Appendix 18 Volunteers

Volunteers at ANMM, Darling Harbour 2010-11

Warwick Abadee

Peter J Bourke

Max Carrick

Don Coulter

John Ebner

Arnold Abicht

Sara Bowen

Marion Carter

Ken Cox

Antonia Edwards

Colin Adam

Bob Bowie

Ed Champion

Leon Cremer

Doug Edwards

Steve Adamantidis

Tim Bowra

Mary Champion

Peter Cribb

Alex Edwards

Merinda Air

Ron Bowrey

Risana Chan

Rodney Crocket

Andrew Ellis

Michael Anderson

Sheila Bowtle

Peter Chan

Pat Cullen

Ron Ellis

Geoff Anderson

Kel Boyd

Ashleigh Chance

David Cunningham

John Elphick

Ian Anstee

Colin Boyd

Lily Chau

Geoff Curphey

John Emdin

Myfanwy Appleton

Frank Boyd

Evelyn Chen

Tom Dalton

Ron Eslick

Sharon Armour

Derrick Brand

Victor Chiang

Bert Danon

Grant Eyre

Phillip Armstrong

Willem Bras

Fung Chow

Michael Davis

Ken Fair

Gwen Ashcroft

Merv Bray

Les Church

Caroline Davy

Ken Fallon

Vivian Balmer

Chris Bremner

Flelen Churven

Ken Deere

Nathan Farrow

George Bambagiotti

Bob Bright

Bob Clampett

Colin Delaney

Lotty Feakins

Juliette Banerjee

Dolores Brooker

Graeme Clark

Neyvinka DeMarchi

Jeanette Felton

Geoff Barnes

Mary Brookes

Lawrence Clarke

Jim Dennis

Diane Finlay

Colin Barnes

Greg Brooks

Geoff Clarke

Eric Deshon

Tony Fisher

Jeff Barrow

Norm Brooks

Murray Claydon

John Dickenson

Jarrah Flanagan

Lyndyl Beard

David Brooks

Helen Clift

Terry Dickson

Jerry Flavin

Keith Beattie

George Brown

John Clinch

James Dillon

Pam Forbes

Roslyn Bedford

Kevin Brown

Graham Close

Eric Dillon

Noelene Forrest

Chris Bell

Tony Brown

Barrie Cole

Dixie Dixon

Geoffrey Francis

Anthea Bell

John Buckland

Michael Collins

Patrick Dodd

Neill Francis

Bob Bellini

Greg Buddie

Alan Collins

Margaret Dolling

Peter French

Peter Bennett

Pam Burden

Michael Collyer

Joey Dong

Greg Frewer

Estelle Billing

Craig Burgess

Amanda Connolly

Vincent Dorahy

Lou Fuller

Marilyn Blackett

John L Butler

Michael Connor

Carol Dose

Les Gade

John Blanchfield

Nerida Byerley

John Connor

Richard Downer

Bobby Gallie

Peter Bleeck

Mary Alice Campbell

John C Cooper

Xavier Droulers

Brian Gallie

David Bloom

Ian Campbell

Jennifer Corkin

Peter Drummond

Aileen-Lee Gardner

Natasha Bobyreff

Graeme Campbell

Gail Corkin

John Duckworth

Noreen-Lee Gardner

Alex Books

Jonathon Cant

Robert Corkin

Michael Duffett

Allan Garrick

John Booth

Ray Carden

John Corry

Anthony Duignan

Nancy Genzola

Ian Boothroyd

Brian Carney

Barry Costa

Peter Dzubiel

John Gibbins

04 appendixes 18 volunteers

Tony Gibbs

Mai Horsfall

Laurie Larcombe

Ken McRorie

Josephine Gibbs

Harry Howell

Judith Laurence

John Mees

Janet Pagan Eugene Pamenter

Col Gibson

Bruce Howland

Rebecca Lauw

Peter Mellor

John Papenhuyzen

Warwick Gibson

Dian Huang

Jon Lawrence

Denise Mellor

Barry Parekh

Brad Golding

Peter Huber

Terri Lawrence

John Mellor

Jenny Patel

Robert Goode

Euan Huggett

Owen Laws

Ron Miller

Glenn Paulini

Taryn Gooley

Charles Hughes

John Lea

Natasha Miller

Gervase Pearce

Eddie Gordon

Don Humphrey

David Leach

Nicholas Mills

Arthur Pearce

Ted Gray

Peter Hunt

Sophie Leahy

John Minns

George Pepperall

Ron Gray

Warren Hyslop

Gillian Lewis

Maureen Mitchell

Patrick Perry-Bolt

Margaret Grimes

Greg Jackson

Derek Lewis

Byron Mitchell

Ray Peterson

Douglas Grinter

Burkhard Jaehnicke

Ersheng Li

Tony Mockler

Noel Phelan

Bob Guest

Danielle Jago

Robert Limebeer

Myles Mooney

Neale Philip

Les Gulliver

Derek James

John Lind

David H Moore

Trevor Pike

Janet Halliday

Roslyn Jan

Terry Lloyd

Elizabeth More

Paul Pisani

Kyran Hamilton

Jim Jeans

Doug Logan

John Morony

Grant Platt

Graham Hanna

Ian Jenkins

June Lossius

Brian Moules

Roger Pottie

Gordon Hannam

Peter Jennings

Bob Macoun

David Mueller

George Poularas

Shirley Hannam

Jan Jensen

Eric Maddock

Jill Mueller

Kerrie Powell

Brian Hansford

John Jewell

Paul Maile

Valda Muller

Judy Powell

Wendy Hardiman

Alf Johnson

Rex Malin

Ross Muller

Mike Powter

Peter Hardy

Heather Johnson

Hailey Mannell

Maggie Muncaster

Len Price

Dorothy Harpley

Sally Johnstone

Andrea Marconi

Peter Murphy

Jennie Pry

Malcolm Harrild

John Jones

Nik Margerrison

Hugh Murray

Keith Radford

Jane Harris

Chandra Jothy

John Martin

Alwyn Murray

Owen Ramjan

Jon Harris

Gabriella Kaldy

Stephen Martin

Janaya Mychael

Ken Raven

Chris Harry

David Kane

Christian Martin

Anna Namuren

Ron Ray

Des Kelly

June Martin

Michael Napier

Russell Rea

Aaron Haugh

Keith Kennedy

Tony Martin

Barry Nesbitt

Jim Reeves

Jim Hawkins

John Kent

Erika Martinez

Chiu Ng

Leonard Regan

David Hayes

Richard Keyes

Robert Matchett

Tony Nicholas

David Reid

Patricia Hayes

Bob Killingsworth

Casimiro Mattea

Paul Nichols

John Reid

Dudley Hartgrove

Breck Hayward

Joan Killingsworth

Jack McBurney

Frank Nimmett

Tony Reid

Jennifer Heap

John King

Phil McColl

Nik Nimpradit

Alfred Reitano

Derek Herbert

Colin Kline

Hugh McCormack

Evan Norton

Cheryl Riley

Nikki Hermanns

Lewis Klipin

Margaret McDonald

Mai Oates

Keith Rippon

Bob Hetherington

Alfred Knight

Robert McGeorge

Frank O’Dwyer

Judith Roach

Bill Hill

Jessica Knight

Frank McHale

John O'Grady

Jane Roberts

Frank Hines

Theo Koke

Lyn McHale

Clint Oliver

Jay Robertson Charles Robinson

Neil Hird

Kate Laing

Ron McJannett

Eric Olufson

Phil Hogan

John Laing

Jeanette McKenzie

Barry O’Regan

Don Robson

Henri Holekamp

David Lajoie

Ken McKenzie

Bob Osborne

Wal Robson

Justin Holmwood

Robert Lamb

Scott McKenzie

Tal Oswin

Graham Roe

Chris Hordern

Nick Lampe

John McKeown

John Oxley

Doug Rogers

Joe Horinek

Terry Lancaster

Sheila McLean

Maureen Pacewicz

Ray Rogerson

Raymond Horsey

Alex Lang

Anthony McNaughton

Marian Packer

Helen Rogerson

141

04 appendixes 18 volunteers

John Rosenblum

Max Surman-Smith

Peter Woods

Barney Ross

Ted Talbot

John Worth

Jessica Rudd

Warwick Tame

Georgia Wright

Regional volunteers as of 30 June 2011

Geoff Ruggles

Janice Taylor

Anita Wright

Shahreen Rumpa

Vera Taylor

Tom Wright

Colin Aburrow

Amelia Birnie

Jan Russell

Sheldon Teare

John York

Fay Agee

Jennifer Birt

Peter Russell

Jan Thorpe

Sisi Zhang

Jung Hyoun Ahn

Gayle Black

Terry Ryan

Bethan Tiene

Victor Zonca

Gloria Allen

Wayne Black

Robert Ryan

Eric Tilt

Lisa Allen

Janet Blacklock

Kaleb Ryan

Geoffrey Tonkin

Terry Allen

Paul Blackman

Sarah Saad

Victor Treleaven

Andrew Anastasios

Jill Blaikie

Joy Salvetti

Madilina Tresca

Milton Anders

Penny Blight

John Schattiger

GuyTuplin

Paul Andrews

Murray Blyth

Stephen Schmidt

Kelly Turner

Phillip Armstrong

Alan Bold

Trevor Schwab

Ann Usher

Michael Armytage

Karl Borth

Ross Scott

Jan van den Broek

Don Arnold

Rex Brady

Shane Scott

David van Kool

Peter Ashburn

Cate Brand

Peter Scutts

Mia Van Roosmalen

Jason Atkins

Garth Briggs

John Shaw

Frank Van Roosmalen

Andrew Attack

Stephanie Briggs

Grant Sheldon

Erica Walsh

Telani Aurora

Peter Brilliant

Narelle Sheridan

Derek Walsh

David Austin

Josh Brockbank

Ken Sherwell

Graham Walton

Janet Aveyard

Duncan Brookes

Herb Shields

James Warrand

John Aveyard

Joseph Brothers

Colleen Simms

Liz Watts

Joanna Bailey

Robert Broughton

David Simpson

Malcolm Webb

Sally Bailey

Ian Brown

Margaret Simpson

John Weekes

Barbara Baker

Susan Brown

Ron Sinclair

Denis Weekley

Leslie Baker

Tony Brown

Brian Skingsley

Reuben Wesek

Jonno Ballard

Tony Brown

Brian Smith

Jeannette Wheildon

Richard Balsillie

John Buckland

Rick Smith

Michael White

Edward Balzarolo

Pieter Buining

Ruth Smith

Bryan Wildash

Kerry Balzarolo

Greg Bullen

Kevin Smith

Eric Willcock

Howard Barker

Robyn Bulley

Ian Smith

Herman Willemsen

Peter Barker

Mandie Burgess

Ray Spinks

David E Williams

David Barnes

Rob Burgess

Ross Spirou

Peter Williamson

Robert Barnes

Barry Squires

Norman Wilson

Rodney Barnett

Dominique BurgettLeonard

Casey Standen

Bill Wilson

Roger Bartlett

Brian Burn

Royce Standish

Graeme Wilson

Stephanie Bassett

Mark Burton

Bill Starkey

Peter Wilson

Ebony Battersby

Roy Butterfield

John Steel

Tim Wilson

Tom Baurley

John Buxton-Rella

Bill Steenson

John Wilton

Nigel Beeke

Colin Campbell

Barbara Stein

Robert Winkler

Geoff Bennett

John Campbell

Heather Stevens

John Withers

Anne-Marie Bensley

Kristy Campion

Ian Stevens

Tony Wober

Ronald Bergman

Matthew Carniel

John Stevens

Ian Wood

Fiona Betts

Bernard Carr

Michael Stevens

David Wood

Peter Biggs

David Carter Tony Caruana

04 appendixes 18 volunteers

Graeme Davey

Kay England

Myriam Glorieux

Gilbert Hollamby

Bob Davies

Brian English

Stanley Glowacki

Yvette Hollings

Bianca Davis

Bruce Erwin

Peter Gonder

Gerald Holmes

Ching-Wen Chen

Diane Davis

Terry Evans

John Gorton

James Hood

Wei-Lin Chen

Jonothan Davis

Colin Fabish

Jonathon Goss

David Horne

Rodney Chiapello

Annaliese Deitch

Grahame Fallon

Joe Gough

Jill Horton

WoongSeok Choi

Warren Delaney

Loretta Fanning

John Goulstone

Diana Howard

Adrian Church

Bob Demkin

Erica Farag

Geoffrey Grant

Bruce Howland

Derek Churchill

Jenny Demkin

Erin Farley

Tania Grasbon

Alana Hulme

Raymond Clarke

Janet Dennant

Bernadette Farrell

Rhys Gray

Graham Humphreys Ching-Ho Hung

Gifford Causon Barry Chambers Peter Charlton

Suzanne ClaytonPearson

Frank Dingle

Debra Fasano

Ross Grenfell

Mo Dobbie

Julie Fedele

Christopher Griffin

Ricky Hung

Antonia Clegg

Michael Dockerty

Fiona Finke

Helen Griffin

Stanley Hutchings

Tony Clegg

Ruth Dodd

Matthew Fitzgibbon

lain Griffin

Jacqueline Hyde Peter lllidge

Michael Clementson

Michael Dowd

James Fitzsimmons

Richard Guest

Eric Coats

William Dowd

Greg Fletcher

Douglas Haack

Tammy Irvine

Robin Coblinks

Glenn Dowey

Lloyd Fletcher

Rebecca Hackett

Judith Jackson

Brian Dowse

Jim Forbes

Martin Hales

Reg Jackson Pamela Jacobs

Robert Cochrane Vanessa Codling

Joanna Dowse

Robert Fortier

Cathy Hall

Lyndon Cole

Marion Dowsett

Jan Fountain

Susan Halliwell

Brian Jacobsen

Margaret Coleman

James Doyle

Duncan Francis

Doug Hamilton

Sari Jacobsen

Elizabeth Frank

Joanne Hammond

Jalal Jazayeri Mark Jennings

Martin Coleman

Peter Drescher

Ali Colier

John Drew

Ann Fraser

Elizabeth Hanna

Kevin Colless

Judy Drummond

Thomas Fraser

Stuart Hansman

Norman Johnson

Michael Collyer

Leah Drummond

Rupert French

Peter Harding

Phillip Johnson

Rynee Drury

Richard Frith

Caroline Hayden

Roz Johnston Kingsley Joliffe

Tricia Confoy Joshua Connelly

Brett Duck

Jason Gale

Ronald Hayward

John Connors

John Dugard

Marie Galloway

Claire Heath

Bob Jones

Barry Cook

Steven Durham

Helen Gane

Robert Helleman

Christine Jones

Jane Dykstra

George Gardiner

Warren Hellwig

Daniel Jones

Allan Garrick

Anista Hely

Kylie Jones Alvina Judkins

Robert Cooke John Coombs

Purdey Eades

Harlan Cooper

Sue Earle

Ross Gates

Travis Hendrix

John Coss

Lynda Earney

Jonathon Gaul

Margaret Henry

Marian Kay Jack Keir

Laura Coulton

Mike Earnshaw

Robyn Gee

Gary Herbert

Sophie Couzos

William Edmondson

Denis George

Bob Hetherington

Des Kelly

Elaine Cozens

David Edward

Tony Gibbs

Barbara Hewitt

Pamela Kelly

Robert Craven

Adrian Edwards

Anne Gibson

Paul Heyward

Perryn Kember

Alex Edwards

Debbie Gibson

Ryan Hiley

Bryan Kendrick Phyl Kerridge

Alyson Crawford Pixie Crehan

Caitlin Edwards

Ray Gibson

Adrian Hill

Peter Cribb

Barbra Eipper

Lynette Giddings

John Hillman

Peter Kervin

Brian Crisp

Jane Elek

Matthew Gilbey

Nicole Ho

Ron Kirby

Owen Ellem

Gordon Gill

Tess Hocking

Colin Kline Roger Knowles

Dennis Croft Robert Crouch

Bill Ellemor

Kevin Gill

Christine Hodgson

Barrie Dallas

Sandie Ellsworth

Margaret Gilligan

Philip Hodson

Terrance Knowles

Aaron Darrell

Stewart Elston

Mark Gillow

Barbara Hogbin

Horst Koerner

Phil Elvery

Erin Giulieri

Tony Holbrook

Kerry Kyle-Little

Craig Davey

04 appendixes 18 volunteers

Peter Simon

Trudy Lamberton

Michael Michie

John Partington

Adrian Rhodes

Dorothy Lane

John Mill

John Parton

Mathew Richmond

Howard Sims

Gerald Latham

Donald Millar

Peter Rigby

Campbell Sinclair

John Latham

Ron Miller

Suzanne-Jo Patterson

Kingsley Riley

Dianne Skaines

Kathleen Le Feure

Austin Mills

Bill Pattinson

Wayne Rizzi

Donald Skerman

Hannah Lee

Andrew Mirtschin

Bill Paul

Christopher Roberts

Louise Slattery

Sarah Liddiard

Allan Mitchell

Tony Peace

Anne Rogan

Peter Slattery

Brian Lill

Annie Mitchell

Alan Pead

Gordon Rogers

Rachel Slatyer

Frank Linnett

Don Mitchell

Ian Pearce

Richard Rogers

Peter Small

John Livesley

Peter Moffat

Richard Pearce

Vivian Rogers

Alan Smith

Kathryn Lockier

Jeffrey Moore

Bruce Pearson

David Rollins

Cyril Smith

Roslyn Lockyer

Kerry Moore

James Pearson

Colin Rose

Graham Smith

Larry Logue

Thomas Moorhead

William Pearson

Garry Ross

Kenneth Smith

Russell Luckock

John Morfey

Frank Penistan

Neville Roth

Robert Smith

Damian Macrae

Florian Morris

Graeme Peter

Kathleen Rousseaux

Serenity Smith

Darlene Mallett

Richard Morris

Louise Phelps

David Rout

Susan Sneddon

Tony Manning

Ian Munday

Bruce Phillips

Stefan Rucinski

Martin Snook

Barry Marks

Lila Murgatroyd

Mirabai Phillips

Daphne Rudd

Bill Snooks

Ric Marley

Jean Murphy

Christine Pine

Jan Russell

Helen Sonnenburg

Tony Ruth

Colin South

Trish Ryan

John Spooner

Robyn Marsden

John Murphy

John Pinel

Anthony Marston

Kelly Needham

Julie Pinel

Peter Matanle

Des Neil

Ernest Pitts

Colin Samuels

Edwin Spriggins

Julieanne Matzkov

Robert Newbury

Louise Plug

John Sanders

George Springhall

Peter Maxwell

Ken Newton

Helen Pochojka

Kenneth Sanderson

Kathryn Spry

Malcolm Nicolson

Peter Pomi

Charles Sapsford

Adrian Stagg

Terence McCall

Christine Nimmo

Jessie Poon

Robyn Sawtell

Duncan Stalker

Bill McCarthy

Alan Nind

Robin Porte

Allison Scandurra

Jacqualine Stanger

David McCuaig

Stan Nowakowski

Robert Potter

Irene Schaffer

Robert Stanley

Andrew McGarrigle

John O’Brien

Bill Potts

Jodie Schipper

Wunjo Stardust

Julie McGilvray

Shane O’Brien

Larraine Potts

Shirley Schlesinger

Sheryl Stead

Maree McGinty

James Odium

Ian Powell

Robyn Schmidt

Tom Steele

Bernie McIntosh

Barry O’Driscoll

Lauren Powell

Garth Schmith

Mark Stephenson

Kevin McIntosh

Bryce Onions

Jim Poynter

Norman Scholes

Peter Sterling

Meg McKavanagh

Wayne Onions

Paul Price

Peter Serine

Shona McKeen

Denis O’Reilly

Reg Pugh

Debbie Seabrook

Jeanne-Marie Stevens

Rhodessa O'Rourke

Sandra Pugh

Sophie Sexton

David Stone

Susan Seymor

Jon Strachan

Michael McLean

Danielle OstarekGammon

Edward Purcell Sally Rackham

Allan Seymour

Muriel Strahm

Sheila McLean

Dennis O’Sullivan

Greg Raffin

Christopher Sharp

Brian Stronach

Ian McMaster

Vince Otto

Daniel Ralph

Peter Sharp

Russell Stuckey

Irene Meager

Christine Ouslinis

Stephanie Rawlings

Glen Shaw

Patricia Sutcliffe

Keith Mellis

George Owens

Wally Rawlings

David Shea

Shane Sutton

Steve Merson

Janet Pagan

Heather Redman

Jillian Shearman

Anthea Swann

Gary Meyers

John B Palmer

Diane Reece

Ken Sheehan

Barbara Sweet

Evelyn Michell

Nina Park

Catherine Reeves

Robin Shepperson

Stephanie Syme

Terry Michell

Craig Parker

Helen Reis

Michael Shreeve

Doug Parker

John Renney

Peter McCabe

John McLean Marilyn McLean

Melissa Tamblyn Ian Tarry

Caron Taylor

Margaret Walsh

Mike Wraith

Christine Taylor

Robert Walsh

Betty Wright

Diane Taylor

Donna-Maree Ware

Madeline Wright

Fran Taylor

Graham Waters

Marilyn Anne Wright

Frank Taylor

Rik Watson

Mark Wyborn

John Thiele

Dennis Watt

Florence Yates

Chris Thomas

Georgia Watts

Gordon Youett

John Thomas

Ian Watts

Maggie Youett

Peter Thomas

John Watts

Anne Young

Ron Thompson

Shirley Way

Antonia Zavone

Katherine Thomson

Lawrie Webb

Sonia Zhu

Allyn Thorburn

Geoffrey Weeks

Gail Thornton-Smith

Harry Wetherall

Wendy Thoront

David Wharington

Christopher Thorpe

Bob White

Lyndon Thurlow

Jenny White

Michael Todd

Michael White

Ross Tomkins

Monissa Whiteley

Yvonne Toomey

Michael Whiting

Joel Torison

Jeff Whittington

Gary Towart

Eric Whyatt

Charles Trafford

Denise Wild

Tony Trafford

Colleen Wilkie

JudyTremayne

AlastairWill

Shane Trimby

Alan Williams

Allan Trotter

Dennis Williams

Zoi Tsa Tsembelis

Elizabeth Williams

Lynette Tucker

Geoff Williams

Nazim Tuncay

Patrice Williams

Julie Twine

Rex Williams

David Twitchen

Wendy Williams

Russell Twomey

Ian Wilson

Anthony Urbani

Richard Wilson

Eddie Utberg

Robert Wilson

John van de Lustgraaf

John Winchester

Dorothy Winchester

Bob Vellacott

David Winter

Con Vervaart

James Wishart

John Villanti

Emilia Wisniewski

Nicola Vragalis

Bruce Wood

Bernie Waite

Reg Wood

Elizabeth Walker

Judy Woodlands

Kathleen Walker

Jack Woods

Ron Wall

Peter Woods

Heather Wallace

Alison Worrell

Phil Wallbank

Kevin Wotton

Appendix 19 Consultants

Consultants

Amount

Aalders Auctioneers & Valuers

$13,164

Adair Fire & Safety Consultant

$3,104

Training

Adrienne Carlson

$1,128

Valuation services

Agraphique

$4,800

Design

Allcom Networks Pty Ltd Annie Kewe Artisan Group Australia Pty Ltd Asset Technologies Pacific Austen Kaupe Australian Government Solicitor

$49,801 $1,203 $86,480 $4,260 $109,439 $88,301

Service provided Valuation services

IT services Editorial services IT services Facilities management Design Legal services

Australian Crewing Company

$5,253

Design

Australian Valuation Office

$1,250

Valuation services

Borg Architects Pty Ltd

$6,205

Design

Brewster Hjorth Architects

$13,688

Design

Captivaction Pty Ltd

$35,004

IT web services

Cardo (NSW/ACT) Pty Ltd

$13,750

Engineering

Centre for Public Management CPM Australian National Audit Office

$4,335 $55,577

HR services Audit services

Cox Architecture Pty Ltd

$287,411

Design

Corrosion Control Engineering

$26,558

Engineering

Consult Point

$58,822

IT services

Cox Inall Ridgeway

$18,498

Competency training

$56,958

Design

Crawford Architects Pty Ltd Crown cabling

$179,876

IT services

Danielle Stewart

$1,200

Editorial services

Dimension Data Learning Solutions

$8,888

IT training

Docker Smith Pty Limited Eidetic Pictures Firefly Interactive

$22,041

Engineering

$500

Audio visual

$30,195

IT and design services

Fit for Purpose Communications

$3,158

Design

Gemma Pride Styled Space

$4,950

Design

Hendry Group (NSW) Pty Ltd

$2,926

Surveying

Incoll Management Pty Ltd

$31,075

Project management

IPP Consulting Pty Ltd

$22,616

Contract evaluation

04 appendixes 19 consultants

Consultants Intelligent Business Research Services ITC Group Pty Limited

Amount

Service provided

$9,900

IT facilitation

$2,200

Engineering

Jacqui Bonner Marketing

$35,640

Marketing

Jeffrey and Katauskas Pty Ltd

$15,001

Consulting engineers

Jones Lang Lasalle (NSW) Pty Ltd

$2,750

Executive consulting

Kingsway Financial Assessments

$4,211

Contract evaluation

Meyer Photo & Video Production

$1,139

Audio visual

National Safety Council of Australia

$55,550

OH&S Services

NDY Management Pty Ltd

$36,488

Engineering

Oakton AA Services Pty Ltd

$61,345

Audit services

Object Consulting Pty Ltd

$91,067

IT services

Partridge Partners Pty Ltd

$3,531

Parsons Brinckerhoff Australia

$118,549

Parrimark Technology Pty Ltd

$99,481

Pivotal Business Technology

$4,998

Professional Advantage Randi Svensen

$68,682 $650

Design Asbestos services IT services Photographic support Accounting IT Research and editing

Root Projects Australia Pty Ltd

$4,688

Strategic planning

Slingshot Design

$2,379

Design

Slade Smith

$2,563

Design

Spatchurst Design Associates

$30,243

Design

Starfish Advertising & Design

$58,071

Design

Stuart Parnes

$14,730

Valuation services

Susan Hocking Pty Ltd

$13,800

Marketing

Tickit Systems Pty Ltd Thine Projects Australia Pty Ltd Trina Tune Tony Charters & Associates Ups Solutions Pty Ltd Upsidedown Productions Pty Ltd

$3,740 $125,260 $300 $38,572 $8,690 $102,501

OH&S software license Consulting superintendents Web editing Sponsorship planning IT services Production services

Vos Group Pty Ltd

$3,300

Engineering

Workplace Safety Australia

$1,430

OH&S services

Worley Parsons

$37,103

Engineering

Zig Zag Lane

$4,824

Audio recording

Total

$2,315,789 147

Appendix 20 Functions and powers of the Minister

The Minister for the Arts, the Hon Simon Crean MP, has been the Minister with responsibility for the Australian National Maritime Museum since 14 September 2010. The then Minister for Environment Protection, Heritage and the Arts, the Hon Peter Garrett AM, MP, was the Minister responsible from 1 July 2010 to 13 September 2010. Key ministerial powers under the Australian National Maritime Museum Act 1990 include the minister’s ability to: ■ transfer property, real or personal, held on lease or otherwise by the Commonwealth, to the museum for its use or for inclusion in the National Maritime Collection (section 8) a approve criteria and guidelines for the National Maritime Collection (section 9) * approve the disposal of material in the National Maritime Collection with value exceeding $20,000 (section 10(4) (b)) ■ give direction to the Council with respect to the performance of the functions or the exercise of the powers of the museum (section 14) ■ appoint a member to act as chairperson of the Council or appoint a member of Council (for no more than 12 months) where there is a vacancy (section 18) m approve guidelines for the leave of absence to Council members (section 19) m convene a meeting of the Council at any time (section 23) ■ approve and table in Parliament Strategic and Annual Operational Plans and variations to them (sections 25-28) ■ approve the director engaging in paid employment outside the duties of the director’s office (section 32) ■ approve leave of absence to the director on such terms or conditions as she or he determines (section 34) ■ appoint a person (not a member of Council) to act as director during a vacancy with such appointment not to exceed 12 months (section 38) ■ approve contracts exceeding $1,000,000 (section 47)

148

Appendix 21 Functions and powers of the museum

The functions and powers of the museum are specified in sections 6 and 7 of the Australian National Maritime Museum Act 1990.

Functions of the museum (section 6) ■ to exhibit, or make available for exhibition by others, in Australia or elsewhere, material included in the National Maritime Collection or maritime historical material that is otherwise in the possession of the museum ■ to cooperate with other institutions (whether public or private) in exhibiting, or in making available for exhibition, such material ■ to develop, preserve and maintain the National Maritime Collection ■ to disseminate information relating to Australian maritime history and information relating to the museum and its functions « to conduct, arrange for and assist research into matters relating to Australian maritime history ■ to develop sponsorship, marketing and other commercial activities relating to the museum’s functions

Powers of the museum (section 7) • to purchase, commission the creation of, lend, borrow or hire maritime historical material either in its own right or jointly with others a to collect material relating to Australian maritime history and dispose of that material under certain conditions a to recover or arrange for or assist in the recovery of maritime historical material from the Australian marine environment and from other areas ■ to accept gifts, devises, bequests and assignments of money or property whether as trustee or otherwise ■ to acquire and operate vessels anywhere, whether or not the vessels are maritime historical material m to disseminate information relating to Australian maritime history and sell replicas or reproductions of maritime historical material a to enter contracts, acquire, hold and dispose of real or personal property, charge fees (in addition to the charges fixed by regulation), appoint agents and attorneys and act as an agent for other persons, as well as raise money by appropriate means for the purpose of the museum

Appendix 22

Appendix 23

List of Acts administered

Director's statement

The museum was established by the Australian National Maritime Museum Act 1990 (No. 90 of 1990), where its functions and powers are set out. The Act was amended by the Arts, Sport, Environment, Tourism and Territories Legislation Amendment (No. 2) Act 1991 (No. 179 of 1991), principally to provide for a Naval member of Council. The Act was also amended in 1992 (Act No. 118); 1993 (Act No. 17); 1997 (Act No. 1,152); 1999 (Act No. 146 and 156); 2001 (Act No. 159); 2005 (Act No. 110); and 2006 (Act No. 101).

The Australian National Maritime Museum is a statutory authority established by the Australian National Maritime Museum Act 1990 and responsible to the Minister for the Arts, the Hon Simon Crean MP, has been the Minister with responsibility for the Australian National Maritime Museum since 14 September 2010. The then Minister for Environment Protection, Heritage and the Arts, the Hon Peter Garrett AM, MP, was the Minister responsible from 1 July 2010 to 13 September 2010..

The Australian National Maritime Museum Regulations (Statutory Rules 1991 No. 10) under section 54 of the Act were made by the Governor-General in Council on 29 January 1991, and notified in the Commonwealth of Australia Gazette on 5 February 1991. The regulations were amended (Statutory Rules 1991 No. 220) by the Governor-General in Council on 27 June 1991, and notified in the Commonwealth of Australia Gazette on 5 July 1991 and revised again (Statutory Rules 1991 No. 348) on 4 November 1991, and gazetted on 12 November 1991. Revised further in 1996 (No. 93) gazetted on 20 June 1996; 1999 (No.72) gazetted on 19 May 1999; 2001 (No. 337) gazetted on 21 December 2001; and 2002 (No.161) gazetted on 3 July 2002.

This annual report is a report of operations for the first financial year of the Australian National Maritime Museumâ&#x20AC;&#x2122;s 2009-2012 Strategic Plan. It has been made in accordance with a resolution of the directors of the Australian National Maritime Museum on 29 September 2011, those directors being responsible under section 9 of the Commonwealth Authorities and Companies Act 1997 for the preparation and content of the report. The report was prepared in accordance with the Commonwealth Authorities and Companies (Report of Operations) Orders 2008 made under section 48 of the Commonwealth Authorities and Companies Act 1997. Certain categories of information do not appear in full but are available to Members of Parliament and Senators on request.

______ __ Mary-Louise Williams Director

Appendix 24 Photographic credits

cover Photographer unknown, reproduced courtesy of Sydney Lee page 1 Anthony Longhursl/ANMM page 3 Andrew Frolows/ANMM page 6 Canterbury Museum New Zealand; Genelle Bailey; ANMM collection page 7 Andrew Frolows/AN MM; ANMM collection pages 8 -9 Photograph H Ponting, Pennell collection, Canterbury Museum, New Zealand page 11 Courtesy Grande Exhibitions; Andrew Frolows/ ANMM; Rasha photography; ANMM photograph page 12 Andrew Frolows/AN MM page 13 Rasha photography; Andrew Frolows/AN MM

page 29 Simon Cuthbert, Tasmanian Museum and Art Gallery; Scott Polar Research Institute, University of Cambridge; Sheltered turtles behind the reef, Billy Missi page 30 Michael Armstrong; William Claxton, courtesy Demont Photo Managment (www.demonphoto.com); courtesy State Library of Victoria page 31 Andrew Frolows/ANMM; Sydney Parkinson, ÂŠ Natural History Museum, London; Sam Hood, ANMM collection page 32 Naath (Dugong hunting platform) Dennis Nona; Andrew Bell; Alan Villiers, courtesy National Maritime Museum UK page 33 Duyfken 1606 Replica Foundation; Sydney Heritage Fleet; Jeffrey Mellefont/ANMM

page 14Andrew Frolows/ANMM

pages 36-37 Vanessa Gillen, Cooktown Re-enactment Association

page 15 Both pictures Andrew Frolows/ANMM

page 38 Courtesy of Canterbury Museum New Zealand

page IBJeffrey Mellefonl/ANMM; Lindsey Shaw/ANMM

page 39 ANMM photographs

page 17 Member Bronwyn Gault; Jeffrey MellefonVANMM

page 43 Andrew Frolows/ANMM; Jeffrey Mellefont/ANMM

page 18 Vanessa Gillen, Cooktown Re-enactment Association

page 44 Andrew Frolows/ANMM

page 19 Courtesy South Australian Maritime Museum; Jeffrey Mellefont/ANMM page 20 Andrew Frolows/AN MM; Courtesy of the Port of Echuca

page 45 ANMM collection; Anthony Longhurs1/ANMM page 50 ANMM photograph by Cristiano Ciuta page 51 Anthony Longhursl/ANMM page 52 Courtesy Taronga Zoo

page 21 Andrew Frolows/ANMM

page 53 Jeffrey Mellefonl/ANMM; Andrew Davey

page 22 Courtesy China Maritime Museum

page 59 Courtesy Mitchell Library, State Library of New South Wales

page 23 Courtesy AMSA; Xanthe Rivett sponsored by The Silentworld Foundation page 24Andrew Frolows/ANMM; Merinda Campbell/ ANMM page 25 Both pictures Jeffrey Mellefont/ANMM page 26 David Moore, courtesy of the Flamburg Sud Collection; Andrew Frolows/ANMM; Alan Villiers, courtesy National Maritime Museum UK page 27 Douglas Mawson; courtesy Mawson Collection, South Australian Museum; Jeffrey Mellefont/ANMM; Photographer unknown, reproduced courtesy of Sydney Lee page 28 Baru, Nancy Gaymala Yunupingu; Courtesy Grande Exhibitions; Jeff Carter

page 60 Anthony Longhurs1/AN MM page 61 Jeffrey Mellefont/ANMM; Rasha photography pages 66-67 Courtesy Grande Exhibitions pages 96-97 Alan Villiers, courtesy National Maritime Museum UK

Appendix 25 Key to compliance

cac act 1997, report of operations 2008 requirements

page

Audited financial statements

Schedule 1, Clause 10 (1) (d)

66-95

Australian National Audit Office

Schedule 1, Clause 11 (b)

68-69

Chair's letter of transmittal

Schedule 1, Clause

Commonwealth Ombudsman

Schedule 1, Clause 11 (b)

Corporate governance practices

Schedule 1, Clause 15 (1)

Council committees

Schedule 1, Clause 15 (2), (3)

Directorâ&#x20AC;&#x2122;s particulars

Schedule 1, Clause 14 (1) (a) (l)(b)

3 Not applicable 34-35 34,136 135

Director's review of operations and future prospects

Schedule 1, Clause 10 (1), (2)

Disability strategies

Schedule 1, Clause 18

Disclosure requirements for GBEs

Schedule 1, Clause 13

Not applicable

Enabling legislation â&#x20AC;&#x201D; objectives and functions

Schedule 1, Clause 8 (a)

Environmental performance and environmentally sustainable development

Schedule 1, Clause 17 (2)

35, 62 70-75

12-17

150

Financial results

Schedule 1, Clause 10 (1)

Freedom of information

Schedule 1, Clause 17 (1) (b)

Functions and powers

Schedule 1, Clause 8 (a)

General government policies notified by the Finance Minister

Schedule 1, Clause 12 (1) (b)

Indemnities and insurance premiums for officers

Schedule 1, clause 16

Judicial decisions and decisions of administrative tribunals

Schedule 1, Clause 11 (a)

Location of major activities and facilities

Schedule 1, Clause 9

Ministerial directions

Schedule 1, Clause 12 (l)(a)

Occupational health and safety

Schedule 1, Clause 17 (1) (b)

Organisational structure

Schedule 1, Clause 9

Outcomes (Portfolio Budget Statements)

Schedule 1, Clause 10 (1), (2)

34,38-65

Programs (Portfolio Budget Statements)

Schedule 1, Clause 10 (1), (2)

34,38-65

Performance indicators

Schedule 1, Clause 10 (1), (2)

34,38-65

Performance outcome

Schedule 1, Clause 10 (1), (2)

34,38-65,94

Performance review

Schedule 1, Clause 10 (1), (2)

10-19,45

Privacy legislation

Schedule 1, Clause 17 (1) (b)

Responsible Minister

Schedule 1, Clause 8 (b)

Review of operations and future prospects

Schedule 1, Clause 10 (1), (2)

12-17

Significant events

Schedule 1, Clause 10 (1) (c)

10-17

Statement on governance

Schedule 1, Clause 15

Strategic plan

Schedule 1, Clause 10 (1) (a) (ii)

Subsidiaries of the authority

Schedule 1, Clause 9 Schedule 1, Clause 17 (2)

34 148-149

128

34 148,150

34 3 Not applicable

Appendix 26 Index

accounting standards, 78 acquisitions, 48,105-107 Acts administered, 150 Advance, 50 Alexander Arbuthnot, 20 All Hands, 115 Ambassador Bill Lane USA Gallery Fellowship, 15-16, 16,45 annual operating plan, 34 APS staffing, 129-132 Armenia, 42 assets, 71,81-82,84,86 held for sale, 89 held in trust, 93-94 Audience Branch, 131 Australia Day 2011,17 Australian Army, 23 Australian Maritime Safety Authority, 55 Australian National Maritime Foundation, 95,137 Australian National Maritime Museum 20 year anniversary, 16-17 Australian National Maritime Museum Act 1990,34 Australian Netherlands Committee on Old Dutch Shipwrecks (ANCODS), 10 Australian Register of Historic Vessels, 10,20,23,46 balance sheet, 71 Ben Lexcen Terrace, 11,12,61 biodiversity, 35 blogs, 50, 57 Business Risk International, 25,63 Canterbury Museum, Christchurch NZ, 15 capital expenditure, 12 capital works, 61, 62,132 Carnival Cruises, 55 cash, 80,85 cash flow reconciliation, 90 cash flow statement, 73 catering, 21,25, 55 Centre for Maritime Research, 46

China Maritime Museum, 15,22 Classic and Wooden Boat Festival 2010,10,15,15,35, 42, 50 climate change, 16,24 collaborations, 15,22-25,34 collections, 44-51 Collections and Exhibitions Committee, 136 Collections and Exhibitions Division, 129 Commercial Services Branch, 131 Commonwealth Disability Strategy, 64 compensation claims, 35 conference papers, 119-121 conservation, 10,20,23,49,130 consultants, 146-147 contingent assets and liabilities, 81 contractors, 55 corporate governance, 34 corporate members, 139 Council, 34 meetings, 136 members, 133-135 remuneration of, 91 Cultures of Coast and Sea: Maritime environmental, cultural and ethnographic histories of north-east Australia, 17702010,22

curatorial section, 20,22-23,45 customer feedback, 53 David Moore - Portraits of a shipping company, 26,26 Defence Maritime Services, 55 Department of Education, Employment and Workplace Relations, 13,22,39 design, 24,46,130 digitalisation, 20,34,45, 63 director’s overview, 12-17 director’s remuneration, 91 director’s statement, 150 donations, 47 donors, 108-114,138 Dunbar wreck, 46 Duyfken, 15, 33,33,42-43, 50,115

chairman’s message, 3 153

04 appendixes 26 index

Eastern Works project, 10,11,12,13,61,61 economic dependency, 83 Education Collection, 43 education programs, 10,21, 24,40-43,104,115

functions and powers of the minister, 148 of the museum, 149 Gaiasdream, 42

efficiency dividend, 17 Electronic Document and Records Management System (EDRMS), 63 employee benefits, 79,83 employee provisions, 90 eMuseum, 10,20 Endeavour, 1, 6,11, 33, 36-37, 39 circumnavigation by, 10,19,21,33,38, 54-55,138 key performance indicators of, 39 refit of, 13,14,25, 45, 50, 51, 60 virtual tour of, 24,42 Endeavour (space shuttle), 13-15 Endeavour Unit, 131

gains, 79 Governance, 129 government policy, 64 grants, 80,84, 98

energy efficiency, 17,34,35,62 Enterprise Agreement, 64 environmental management policy, 35 equity, 71 equity injections, 79 executive, 129 executive collaborations, 22 executive remuneration, 91 exhibitions, 10 floating, 33 by staff, 116-118 temporary, 26-29,47 travelling, 10,19,45,30-32 expenses, 70,83-84 Exposed! the story of swimwear, 19,30,30 External Relations Unit, 129 Facilities and Support Services, 61-62,132 Finance, 129 Finance and Audit Committee, 136 financial assets, 80,85,92 financial instruments, 92-93 financial liabilities, 80,92 financial statements, 66-95 financing activities, 73 fishing clinic, 25 fleet, 20,23, 50,132 Fleet Committee, 136 fleet marina, 12, 50 Freedom of Information, 34 Freshwater Saltwater - Aboriginal and Torres Strait Islander prints, 19,28,28,32,32

Hesperides, 16 highlights, 10 History Channel, 55 Hood's Harbour, 23 hours of operation, 2 human resources, 25,63,132 income, 70,84-85 indemnities and insurance premiums, 35 independent auditors report, 68-69 Indigenous projects, 13,39, 54 Indigenous watercraft national conference, 45,46 industrial democracy, 64 Information Communications and Technology (ICT) Infrastructure Upgrade Project, 35,63 Information Communications and Technology (ICT) Services, 132 Information Services, 63,132 infrastructure, 12,81,86 interaction figures, 10,12-13,34,38,46,63 International Seafarersâ&#x20AC;&#x2122; Day, 24 internships, 19,98 Intertwinedjourneys - Tu Do and the Lu family, 26,26 inventories, 82,89 investing activities, 73 IT service desk, 62 James Craig, 19, 20, 33,33,42 Joint Consultative Committee, 64 Joseph Banks and the flora of the Australian east coast, 19,31,31 judicial decisions and reviews, 35 key performance indicators, 34,38,44,52,61 key to compliance, 152 Krait, 50 Laissez-faire Catering, 55 Lane, LW (Bill) Jr, 15-16,45 leases, 80

04 appendixes 26 index

lectures, 119-121 Lee, Stewart, 15 liabilities, 71 liquidity risk, 93 Little Shipmates - seafaring pets, 19,31,31 Living Black, 54 Louis Vuitton Fund, 94 Macquarie's Light, 27,27, 59 Major Capital Works Committee, 136 Malaspina expedition, 16 Maritime Careers Day, 24,43 Maritime Communities, 129 Maritime Museum Bequest Fund, 94 Maritime Museum of Australia Project Support Scheme (MMAPSS), 10,19,98 Maritime Technology, Exploration and Navy, 129 maritime archaeology, 23,23,46 marketing, 54,55 Marketing, Programs and Sponsorship Committee, 136 Marketing and Visitor Experience, 131 Matthew Finders 200th anniversary symposium, 53 Mattson, Captain Ross, 13,15 Mclnnies, Jan, 17 media appearances, 46, 54,55,122-124 members, 21, 25, 53-54, 53,139 Membersâ&#x20AC;&#x2122; Program, 99-101,131 methodology statement, 7 ministerial directions, 35 functions and powers, 148 reporting, 34 mission statement, 6 Museum Metadata Exchange, 45 NAIDOC 2011 - the works of Billy Missi, 29, 29 National Collecting Institutions Touring and Outreach (NCITO) Program, 10 National Indigenous Television, 54 National Library of Australia, 43 National Maritime Collection, 20,34,44,47 acquisitions to, 105-107 donors to, 108-114 natural history, 107 Nautilus II, 7,106 Naval Council Member, 135 Navy Family & Community Day, 16,16 Nelcebee, 19 New Zealand Antarctic Heritage Trust, 15

Newsletter, 115 non-financial assets, 86 non-salary benefits, 63-64 Northern Annex, 12,61 NZ Bicentennial Gift Fund, 94 occupational health and safety, 35 On their own - Britain's child migrants, 15,15,19,27,27, 30,45, 54 online resources, 10,21,24,34,38,43,46, 55-57, 63, 115 Online Services, 132 operations, 73,84 Operations Division, 132 Oprah event, 6,10,55 organisation chart, 128 Oskar Speck 50,000 kilometres by kayak, 10,115 outcomes, 94-95 outreach programs, 13,18-21 Painted Ships, Painted Oceans - art and artefacts from the Australian National Maritime Museum, 17 partnerships, 52-59 patrons, 138 payables, 89 Phil Renouf Memorial Lecture, 53 photographic credits, 151 photographic services, 130 Planet Shark - predator or prey, 11,24,28,28, 66-67 Plastiki, 35,42, 43, 54 powers of the museum, 149 privacy legislation, 34 productivity gains, 64 professional appointments, 125-126 programs, 24,38-43,101-104,131 property, 81,87-88 publications, 115,116-118,131 Quest for the South Magnetic Pole, 27,27 Radar, 17 records management, 62,63,132 registration, 20,23,45,48,49,130 related party disclosures, 91 Remembrance Day 2010, 24,42, 43 remuneration of auditors, 92 of Council members, 91 of senior executive, 91

04 appendixes 26 index

reporting of outcomes, 94-95 resources, 60-65 revenue, 10,40, 78,84,85 reviews by outside bodies, 35 Royal Australian Navy, 16,23 Royal Charlotte, 46 Royal Netherlands embassy, 17,22 Sail Away, 19,31 salaries, 63-64, 65 SBS, 54 schedule of asset additions, 75 schedule of commitments, 74 schedule of contingencies, 74 school programs, 40-43,104 Scoff's last expedition, 6, 8-9,15,24,29, 38,43, 54 security, 25,63,132 Signals, 115 Silent World Foundation, 23,46 social media presence, 39, 56, 57 Sons ofSinbad - the photographs ofAan Villiers, 15,19,26, 26, 32,32,96-97 Soren Larsen, 42 South Wharf pontoon, 12 Southern Swan, 42 Special Projects Unit, 129 sponsorship, 10,13,16, 22, 24, 54-57,138 staff, 47, 50, 64-65 Australian Public Service (APS), 129-132 conference papers, lectures and talks, 119-121 media appearances, 122-124 overseas travel, 127 professional appointments, 125-126 publications and exhibitions, 116-118 turnover, 64 statement of changes in equity, 72 statement of comprehensive income, 70 statutory information requirements, 34-35 Steel Beach - ship breaking in Bangladesh, 19,32,32 strategic directions, 38,44,52,60 strategic plans, 3,34 supporting members, 139 Surf and snapper - photographs of Jeff Carter, 28,28 Sydney By Sail, 43 Sydney Fleritage Fleet, 19,20 Sydney Sea Pilots, 53 Sydney Transport Montage, 45 Sydney’s Unique Venues Association (SUVA), 10,55 symposiums, 53

156

Taronga Conservation Society, 52,55 taxation, 82 Tayenebe - Tasmanian Aboriginal women’s fibre work, 29, 29 The Australian historic shipwreck protection project: The in situ preservation and reburial of a colonial trader Clarence (1850), 22 The floating world of Cambodia’, 53,54 The History of P&O Cruise ships, 53 The Store, 25,43,131 The Welcome Wall, 10,21,21,24, 54 The West Australian, 55 The World's Biggest Playgroup Day, 24 ticketing information, 2 Tony Robinson Explores Australia, 46,54 training and development, 64 travelling exhibitions, 19,30-32,45 Trove, 43 USA Bicentennial Gift Fund, 93 USA Gallery, 45,129 values statement, 7 Vampire, 39, 50, 50 Vaughan Evans Library, 10,20,21,24,42,43 venue hire, 21,25, 55 Venues, 131 vision statement, 1 visitor comments, 53 visitor numbers, 10,12-13,34,38,40-42, 55 volunteers, 16-17,19, 21, 57, 58,115,132,140-145 Voyage de Decouvertes aux Terres Australes accent, 7,11 water conservation, 35,62 Waterside Studio, 12, 61,61 Watson, Jessica, 53 Web Development, 131 web visitation, 56,63 Whales and Tall Ships, 21 Wharf 7 Maritime Heritage Centre, 61 workplace diversity, 64 workplace injuries, 35 World Maritime Day, 24 Yots restaurant, 12, 55,61, 61