Design X 3, June 2018

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JUNE 7-10 AND 14-17 / JACKSON’S GRANT, CARMEL

THE LARGEST, MOST RECOGNIZED FULL-SERVICE DESIGN STUDIO IN INDIANA. OVER 43 SHOW HOMES 10 INDIANAPOLIS MONTHLY DREAM HOMES FEATURED IN OVER 40 PUBLICATIONS

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kittle’s DESIGN STUDIO KITTLE’S CASTLETON 8600 ALLISONVILLE RD 317.849.5300 w w w. k i t t l e s . c o m

CONGRATULATIONS THOMAS & PETER ON THE BEAUTIFUL INTERIORS FOR DESIGN X3

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PRESIDENT AND PUBLISHER

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G A R Y N A N C E D E S I G N .C O M 317. 710 . 0 9 3 9 | G N A N C E @ G A R Y N A N C E D E S I G N .C O M

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DESIGN X THREE

CONTENTS 6 // EVENT DETAILS 7 // EASY AS ONE, TWO, THREE Custom builder John McKenzie teamed up with Gary Nance Design and Kittle’s to create three townhomes with similar footprints but completely unique styles.

BY LOUISE LLEDU

14 // ONCE IN A LIFETIME

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With a presidential history and beautiful natural design, Jackson’s Grant is a unique property in the heart of Carmel.

BY JULIE YOUNG

19 // THE NEW STANDARD Traditional design elements updated with hints of a contemporary vibe result in a home that is at once familiar and refreshing.

BY LORI D . ROBERTS

29 // MAKING THE TRANSITION

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Designers combined architectural and design elements from both traditional and modern styles to create a timeless home.

BY JULIE YOUNG

39 // TITANS OF INDUSTRY Exposed metal, salvaged wood, and clean lines define this modern home.

BY LOUISE LLEDU

46 // A WAY WITH WORDS

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Proceeds from Design x Three help the Dyslexia Institute of Indiana teach kids how to cope with specific language disabilities.

BY LORI D . ROBERTS

48 // DESIGN X THREE VENDOR LIST

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DESIGN X THREE

EVENT DETAILS HOURS

PARKING AND DIRECTIONS

Noon to 7 p.m. daily, Thursday, June 7–Sunday, June 10 and Thursday, June 14–Sunday, June 17

From 116th St., head north on Spring Mill Rd. The entrance is the first one on your left. From W. Main St., head south on Spring Mill Rd., after you pass Jackson Grant Blvd., take the next entrance on your right. Parking will be provided onsite.

7–10 p.m. Wednesday, June 6. Tickets are $75 and include cocktails and hors d’oeuvres. Ticket quantities are limited; buy online at indymonthlytix.com.

FOR MORE INFORMATION IndianapolisMonthly.com/designx3

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MAIN ST. TOWNE RD.

PREVIEW PART Y

136TH ST.

JACKSON’S GRANT

116 TH ST.

106 TH ST.

136TH ST. MAIN ST.

116 TH ST.

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106 TH ST.

KEYSTONE PKWY.

$15 if purchased in advance at indymonthlytix.com, $20 at the door. All proceeds benefit the Dyslexia Institute of Indiana.

SPRING MILL RD.

TICKETS

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EASY AS ONE, TWO, THREE

BY LOUISE LLEDU

CUSTOM BUILDER JOHN MCKENZIE TEAMED UP WITH GARY NANCE DESIGN AND KIT TLE’S DESIGN STUDIO TO CREATE THREE TOWNHOMES WITH SIMIL AR FOOTPRINTS BUT COMPLE TELY UNIQUE ST YLES.

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FOUNDED IN 1993, McKenzie Collection builds custom homes and communities around Indianapolis. Past developments include The Willows, a Zionsville neighborhood with cottages set among the woods; Lake Stonebridge, a resort-style community built around a golf course in Fishers; and Oakhaven, a Castleton-area collection of homes with ravines and creeks. The latest project is a hamlet of townhomes at Jackson’s Grant on a tract of land once owned by President Andrew Jackson.

With 44 homes planned in this neighborhood, homeowners can find a layout that suits their tastes without bringing a list of outdoor chores and maintenance issues. Each home may be similar on the outside, down to the Gary Nance Design coach lamps outside each front door, but the floor plans are flexible and

open. Buyers who want a Lincoln Park–feel but don’t want to deal with Chicago’s traffic and property taxes might find themselves at home here.

John McKenzie, owner and president of McKenzie Collection, is excited to bring a new flavor to Indy’s burgeoning home market. “There really isn’t anything out there that’s like this,” he says.

In the past, McKenzie has drawn inspiration for developments from a variety of architectural and style sources—from the English countryside to Southern Living magazine.

For this project, he partnered with Gary Nance Design and Tom Myers and Peter Whitten of Kittle’s Design Studio to bring the flavor of Park Slope in Brooklyn or Chicago’s Lincoln Park to the north suburbs of Indianapolis. The planners even traveled up I-65 and hopped on planes to the big apple for inspiration.

The neighborhood features high density, low maintenance townhomes that don’t sacrifice style and quality in their custom options even as they make the most of their square footage, and guests on this home tour will be treated to an upclose look at three

McKenzie Collection (left): Jill McKenzie, John McKenzie, Craig Miles, and Kate Stahley.

Gary Nance Design (lower left): Gary Nance.

Kittle’s Design Studio (below): Peter Whitten and Tom Myers.

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unique versions of these new brownstones— a design to fit almost any taste. The homes are perfect for young adults unencumbered by families or parents whose kids have all left the house. The smaller square footage and choice to add patios instead of yards means less maintenance and more time spent enjoying the home.

“Over the last 10 years, I’ve had people come to us and say: ‘Do the next step for us,’” McKenzie says. “They were interested in a home with zero maintenance—a quality condo or townhome.”

Even without traditional yards, each home features outdoor space in addition to Jackson Grant’s trails, parks, and bucolic setting.

Environmental landscapers have helped preserve and enhance the natural beauty of the land that features wooded areas and William’s Creek, whose banks can be enjoyed by all of the development’s residents.

To make these residences more userfriendly, McKenzie and architectural designer Gary Nance decided to put the garage, master bedroom, and common areas all on the first floor, shaking up the typical townhouse design which often puts parking on the first floor and bedrooms on a second floor, requiring homeowners to use one or two flights of stairs on a daily basis. A housing market without other options made downsizing to smaller homes with no-maintenance outdoor spaces for older adults who value accessibility impossible. Until now.

“I’ve always wanted to do townhouses.

The market has never done them right,” says Nance.

CLASSIC AND TIMELESS The townhomes are also designed with the high-quality amenities and finishes custom homebuyers expect. “The designs are classic and timeless,” says Nance. “These terms are overused, but that’s what we’re going for.”

Again, inspired by urban brownstones, the exteriors feature brown bricks sourced from North Carolina that come in three different colors buyers can choose from. The homes also have flat roofs with parapets, and some of the homes use that space for a roof-top patio.

“It’s a cool architectural detail that you don’t see often,” McKenzie says.

The traditional kitchen (top) features cabinets with more millwork and curves, while the transitional one (middle) simplifies it a bit. The industrial kitchen (bottom), with open shelving, strikes a much more modern note.

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Distinctive coach lanterns illuminate the hamlet. Each of the interiors features a wide staircase in the front room leading to the second story. “The wider stairway makes a big impact,” Nance says. “It’s for that grand, old townhouse feel.”

Each home has a master suite, complete with a his-and-hers bathroom and walk-in closet on the first floor. The kitchens connect seamlessly to the dining and living areas on the ground floor. Each also incorporates outdoor space suitable for al fresco dining or entertaining. The second floor offers rooms for guests, media, exercise, and office space.

DÉCOR DETAILS

Symmetry reigns supreme in the traditional media room’s (top) layout. The transitional media room (middle) combines traditional leather chairs with the clean lines of a modern coffee table, and the industrial one (bottom) used a faux-cement wall to set the stage.

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The first three homes being showcased on this tour feature three unique design styles: traditional, transitional, and industrial. From the more ornate elements of traditional design to the sleek, raw vibes of industrialism, homeowners of any age and style can find a place here.

Traditional design is rooted in the 18thcentury English and French countryside.

Bronze accents, luxe drapes, detailed millwork, rich woods, and symmetry all contribute to the style’s warm, inviting interiors.

Furniture includes a tufted Chesterfield style sofa and an oversized coffee table. Look for architectural finishes like wood panels, a spindled staircase, and the glitzy chandeliers with glass baubles hanging from the soaring second-story ceiling. Designer Tom Myers incorporated different shades of blue throughout the house, including eye-popping floral wallpaper in the downstairs powder room and blue tiles in the walk-in master shower.

An elevator provides access to a rooftop terrace—which McKenzie calls a “showstopper”—with outdoor entertainment features, such as a fireplace, outdoor television, and bar. A second story offers a media area, guest bedroom, combined study and exercise room, and another bath. Overall, the vibe is warm and inviting.

The industrial home takes a sharp turn from the traditional. This design creatively displays many of the building materials that other styles conceal, adding a raw, unfinished look to the space. Think exposed brick walls, visible ductwork and pipes, and unfinished ARTWORK

© RUSSELL YOUNG

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The wider stairway makes a big impact. It’s for that grand, old townhouse feel.

GARY NANCE GARY NANCE DESIGN

Clockwise from top-left: While the spindles and runner create a traditional look, the transitional home combined a standard staircase with a metal railing. For the industrial home, McKenzie and Nance chose a oating staircase with a metal-and-cable rail.

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The traditional great room achieves its look using paneled walls, luxe chandeliers, and dark accents like the coffee table.

wood pieces. Bold artwork from Long-Sharp Gallery catches the eye and defines the vibe of this avant garde space.

Where Myers and Whitten chose plush stools or botanical-themed wallpaper in the other homes, you’ll find simple metal barstools and concrete walls here. Even the architectural details like window frames, baseboards, and kitchen cabinet hardware is sleek and clean-lined.

In the transitional townhome, contemporary meets traditional to create a timeless interior. Look for elements like a lavish light fixture balanced by clean lines and cool metal, or a textured rug atop sleek wood floors.

The master bath features opulent marble counters and a stand-alone soaking tub, while

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We can design the inside to whatever your lifestyle is.

We’re creating spaces so that you don’t have to sacrifice when you move into a house like this.

JOHN MCKENZIE MCKENZIE COLLECTION

someone in the bedroom lounges on the pair of French modern chairs. But perhaps the home’s kitchen is the perfect example with dark top cabinets countered by simple white ones below.

Myers and Whitten carefully chose art from the Indianapolis– and New York–based Long-Sharp Gallery to provide finishing touches on each of the three styles.

“The selection of artwork that was made

by Peter Whitten and his team reflects their mastery in design and their acutely welltrained eye for fine art,” says owner Rhonda Long-Sharp. She is excited because the home tour will provide a unique opportunity for guests to see works of this caliber integrated into home décor.

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The Industrial home (left) used a faux-sheet metal fireplace surround and simple window treatments to create an urban vibe in the great room, while the transitional great room (right) features more detailing, classic artwork, and plush furniture.

“We wouldn’t be exposed to this stuff as a community if they weren’t putting all this together,” she says. “Rarely do you get to see pieces in their natural environment.”

TO EACH HIS OWN Almost every aspect of the home can be customized, from floor plans to finishes.

One of the homes features an extra bay door and space off the side of the garage, which might appeal to a homeowner who needs a workshop or storage for recreational and hobby gear, like kayaks, bikes, or motorcycles. Another uses the same footprint to extend the master bedroom suite. The indus-

ARTWORK

trial home dedicates a room on the second floor to exercise, while the traditional home combines an office with exercise equipment that can easily be stored for a more multifunctional space.

Each of the layouts in Design x Three features a front room with a ceiling that soars to the second floor, but the design can be modified to reduce the ceiling to single story height to accommodate additional space on the second floor.

Myers sees the homes fitting a spectrum of home buyer needs, including older couples who might be looking to downsize and purge their belongings for a more streamlined lifestyle. “They don’t want to burden their kids with all of these things they’ve collected over

© ROBERT INDIANA, DALE ENOCHS, GINO MILES, AND MARY PAT WHALEN

the years,” Myers says. “This house requires a lot less.”

But the team also expects the townhomes to appeal to younger professionals and couples who enjoy the vibe of downtown but prefer or need to live north of the city. They might have a busy family or social life that doesn’t make time for yard and home maintenance. And buyers of any type shouldn’t expect to sacrifice style even as they reduce their square footage.

“We can design the inside to whatever your lifestyle is—we don’t want you to feel like you’re getting put into a box,” McKenzie says. “We’re creating spaces so that you don’t have to sacrifice when you move into a house like this.”

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WITH A PRESIDENTIAL HISTORY AND BEAUTIFUL NATURAL DESIGN, JACKSON’S GRANT IS A UNIQUE DEVELOPMENT IN THE HEART OF CARMEL.

ONCE IN A LIFETIME

BY JULIE YOUNG

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Neighboring homes in Jackson’s Grant offer a more traditional space than Design x Three’s townhomes.

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ROPERTIES LIKE JACKSON’S GRANT do not come along every day. Located along Williams Creek at 116th Street and Spring Mill Road, this 280-acre tract boasts a rich history, unique topography, and unbridled elegance at every turn. It is such a special piece of property that Republic Development COO Larry Moon said he was almost afraid to touch it.

“We were worried that we wouldn’t be able to do it justice,” he says. “It really is a gem right here in the heart of Carmel.”

The story of Jackson’s Grant begins in 1834 when President Andrew Jackson gifted much of the property to a private owner through a land grant that he personally signed. The owner held onto the homestead until the 1930s before transferring the property to another family who continued to use the land as a private estate, a working horse farm, and the site of an annual Thanksgiving Day foxhunt that was the talk of the town.

Details like the Stableside neighborhood sign (top) and renovated Hobby Horse barn (bottom) emphasize the development’s bucolic setting and history.

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“The jumps they used in those foxhunts are still out there on the trails as a lasting legacy to the past,” Moon says. “Today, we are thrilled to be partnering with the family on the development of the property, but it is hard to take something that is already great and improve upon it. You have to be thoughtful in terms of design because you don’t want to mess it up.”

In order to do that, Republic assembled a team of experts who created a plan for the property that would not only preserve the past, but also focus on the future. They invited a select group of premier builders to craft seven complementary but distinct neighborhoods that embrace every phase of life.

Bridgemont, Stableside, and Hamlet are situated east of Williams Creek and geared for those buyers who are looking for an upbeat urban abode coupled with a low-maintenance lifestyle. Westvale and Creekside, which are west of Williams Creek, feature larger lots and target the upscale family buyer. The neighborhoods of Northvale and Exmoor, also west of Williams Creek, are not under development yet.

In addition, Republic worked with environmentalists to create a sustainable ecosystem that would benefit everyone who calls Jackson’s Grant home.

“We’ll have 50–60 rain gardens on the property in addition to a nature preserve, an arboretum, green spaces, and plenty of flora and fauna,” Moon says.

Naturally, there will be no shortage of amenities. Hobby Horse Barn, an 1896 structure, is being preserved and transformed into an earthy, multi-use activity center. There will also be a community and recreation center designed by Gary Nance that will feature gathering areas, an aquatic center, and a fitness facility, in addition to outdoor sports and play places, parks, and walking trails that will attract the young and young at heart.

“We worked with a number of well-regarded land planners to help us throughout the process so we could make Jackson’s Grant something cutting edge and different while still paying homage to the old themes that are part of the property’s unique history.

Great opportunities come around once in a lifetime and Jackson’s Grant could be yours,” says Moon.

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THE NEW STANDARD

BY LORI D. ROBERTS

TRADITIONAL DESIGN ELEMENTS UPDATED WITH HINTS OF A CONTEMPORARY VIBE RESULT IN A HOME THAT IS AT ONCE FAMILIAR AND REFRESHING.

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WHEN YOU WALK THROUGH THE DOOR, you’ll instantly notice the beautiful millwork, hardwood floors, and luxurious furniture— all stalwarts of traditional design. This home offers a fresh spin on that theme, taking those standard design elements and infusing them with just a hint of modern sensibility. Paneled walls, chandelier lighting, and quartz countertops attest to the traditional elements. Meanwhile, alternating stairway spindles, an open floor plan, and pops of blue and other vibrant colors wake up what could be a sleepy interior.

“Traditional is one of the most popular home styles,” says builder John McKenzie, owner of McKenzie Collection custom homebuilder. “Especially when you have an open floor plan. It feels bright and cheery and not dark and closed in. The openness might attract someone who usually leans toward something more modern or contemporary.”

SPACIOUS LIVING A two-story open living room sets the tone for the traditional home. Open the front door, and visitors are ushered into an elegant, timeless venue for entertaining guests, gathering

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The great room combines traditional elements like paneled walls, wingback chairs, and dark wood with more contemporary pieces like the squared Cheshire couch.

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A few clusters of seating arrangments create the perfect space for a cocktail party.

Guests can easily mingle while snacking on hors d’oeuvres and sipping on cocktails.

with family, or simply unwinding at the end of the evening. Creamy white panels reach up the beige walls, highlighting the 22-foot ceilings while creating a cozy space. A large crystal chandelier complements the room and is matched in stylishness by the large fireplace.

Kittle’s interior designer Tom Myers wanted the traditional home to have a broad appeal, and the living room reflects this with its toneon-tone color approach and classic furnishings. Two wingback chairs frame the fireplace, while a leather Cheshire sofa with squared-off arms give the space a slightly contemporary feel. A pair of beige, cozy

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armchairs sits at a right angle to the sofa in lieu of another couch, and a cream chaise separates the living area from the kitchen.

“There are two different furniture groupings,” Myers explains.

“They’re close enough that everything can be together, but if you want your own space, you can have it.”

Myers also opted to pull the dining area out of the kitchen, nestling a sophisticated banquette in the corner of the stairway. With seating for eight, homeowners can easily host dinner parties or family gatherings without crowding into the kitchen.

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The dining banquette tucked in stair’s corner easily accomodates up to eight people (left). Guests can use the brightly colored powder room on the first floor (top). And the wet bar utilizes the space under the staircase, an area that often goes untouched in many homes (bottom).

The beauty of the traditional home’s living room is that it can be modified to suit anyone’s taste, according to Nance.

“If someone wanted to come in and do a different finish, they could do stained woodwork or stained wooden beams and change the whole look,” he says.

The kitchen itself is outfitted in traditional elements like paneled doors and rich quartz countertops. Top-of-the-line Wolf and Sub-Zero appliances will please any cook and make even a weeknight dinner a culinary experience. Guests can get comfy and chat with the chef

while seated at the island on the upholstered blue bar stools with nail-head trim. A pair of wingback chairs and a small accent table are nestled into the kitchen’s small alcove, a perfect place to enjoy a cocktail while waiting on dinner. A convenient wet bar is tucked underneath the stairway, with room for prepping drinks and arranging appetizers.

“Having the wet bar around the corner makes you feel like you don’t have to make drinks in the kitchen,” Nance says. “It’s a special look.”

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MASTERING THE HOME The home’s first-floor master suite sets it apart from traditional townhomes where homeowners must climb stairs from the garage just to access their living space. Located behind the kitchen, the master bedroom is an easily accessible retreat.

Myers chose a four-poster mahogany kingsized bed for the room and topped it with two peaceful prints. Blue-gray accent pillows complement the bedding’s neutral tones.

Aside from the dresser, no other furniture is in the room, reinforcing the emphasis on fewer physical possessions.

“The blue makes the room flow with the rest of the house, with just those touches of color,” Myers says.

The master bath continues this theme, with its shower area tiled in blue glass tiles and a cream vanity with elegant countertops.

This particular home model opts for a third half bay in the garage area, which would suit anyone looking to store bicycles or set up a ping pong table. But the floor model allows that area to be combined with the master suite if the homeowners would like a more spacious walk-in closet or bed-and-bath area.

GOING UPSTAIRS

The master suite continues to use the neutral palette from the rest of the home and adds a hint of blue and some dramatic dark wood.

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The main stairway sums up the house with its dark stained steps, contrasted by the white paneled walls and spindles. Nance intentionally chose three different styles of spindles, just enough to be unique without completely overshadowing the traditional character. A blue and cream stair runner repeats the common thread of color throughout the home.

Upstairs, an open loft overlooking the living room has been set up as a media room.

Myers brought in more color here, with two tufted-back navy sofas and fuchsia accent pillows. The sofa’s antique brass nail-head trim

and the patterned floor rugs punctuate the traditional theme.

“I’m reintroducing those architectural details that make it traditional,” Myers says.

Down the hall from the media room, guests find the study and a guestroom, separated by the guest bathroom. The study boasts a luxurious travel vibe with built-in bookcases and a desk area decorated with old maps, paintings of foreign cities, and souvenir trinkets.

Myers took it a step further, adding a small sofa for someone who might just want a quiet retreat. The second guest room includes two seven-foot poster twin beds, perfect for visiting grandchildren or occasional guests.

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The loft, with its dark blue furniture and bright fuchsia accents, feels more relaxed than the rest of the home.

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A rooftop patio with views of the lush neighborhood tops off the home’s allure.

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HIGH ON LIFE Perhaps the most exciting part of the home sits at the very top. Homeowners can enjoy the outdoors from a rooftop patio without worrying about mowing the lawn. Home elevators have come a long way from their clunky, uber-expensive past, McKenzie says. With a price point starting around $20,000 for an elevator that goes between two floors, this solution can be a convenient option for homeowners who have trouble conquering the stairs.

“We wanted to be able to show someone who is older that it’s easy to add something to get you to the second floor if stairs make you nervous in the long term,” McKenzie says. “You can enjoy this home forever.”

The elevator opens to an enclosed vestibule. Outside, the porcelain tile flooring can handle any Indiana weather. A wet bar with storage below

The office on the second floor also doubles as the perfect hideaway or reading nook.

has been set up for entertaining, and a high-top table provides space for eating hot meals from the nearby grill.

A huge wraparound outdoor couch that seats eight is centered around a fireplace. Homeowners and their visitors can catch the game on an allweather TV, or just enjoy the outdoors under large umbrellas. Myers also included some chaise lounges for enjoying the sun—after liberally applying sunscreen, of course.

“For the summer, you have another lounging space,” Myers says.

Whether you’re looking to buy your first home or deciding to downsize from the sprawling suburban lifestyle, this home offers the space and flexibility that can’t be found elsewhere on the market.

“It can be a great living experience for someone who just can’t find a unique place on the north side of town,” Nance says. “Plus, you have all the amenities and perks of a spectacular neighborhood.”

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S P EC I A L A D V E R T I S I N G S U P P L E M E N T T O I N D I A N A P O L I S M O N T H LY

BY JULIE YOUNG

MAKING THE TRANSITION

DESIGNERS COMBINED ARCHITECTURAL AND DESIGN ELEMENTS FROM BOTH TRADITIONAL AND MODERN ST YLES TO CREATE A TIMELESS HOME.

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WITH ITS BLEND OF CLASSIC and contemporary elements and a floor plan suited to nearly every phase of life, the transitional home on the Design x Three tour offers the best of both worlds to the first-time buyer, empty nester, and a wide variety of folks in between.

Although transitional is often an overused term in the building and design industry, John McKenzie with McKenzie Collection says the transitional home combines the features of both the traditional and modern model homes in order to create a cohesive and timeless look. It may be a new twist on an old idea, including a mix of materials or the re-imagination of elements to give the space its own unique ambience and atmosphere.

“A transitional home is not one thing or another but a little bit of both,” he says. “It is a style that has broad appeal because it can grow with the people who live there. It’s the kind of home that will look good for years to come because it is flexible and comfortable without being stuffy or dated.”

A STEP UP The owners of the transitional home are active empty nesters who will move into their new abode after the tour is over. When they met with McKenzie and Gary Nance of Gary 30

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The burnt hues and gold tones in the painting above the fireplace inspired the rest of the home’s color palette.

SCULPTURE

© MARY PAT WHALEN

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Nance Design to discuss their new digs, they said they were looking for a place that would allow them to enjoy the lifestyle they’ve grown accustomed to without having to maintain a lot of square footage or a huge yard. When they saw this specific floor plan, they knew it would be a perfect way to streamline their lives a little without having to sacrifice style, quality, or design.

“The transitional home is a step up from downsizing,” Nance says. “Our homeowners

were wonderful to work with because they are both so open to everything. We showed them photos of a renovated brownstone in New York that had a contemporary edge to it, and they just beamed when they saw it. This house has a lot of interesting trims and touches that set it apart from the others on the tour and really help it to stand out.”

The transitional home has the same square footage as the other two homes on the tour and an open floor plan that features a large

eat-in kitchen, an extended main floor master suite, a second floor guest suite, and a combined office and media space capped off by a pyramid skylight.

“That skylight is really one of the highlights of the home,” says Nance. “When you look at the history of these renovated brownstones, skylights are often part of the updated design, but using this contemporary shape and making it a focal point offers a bit of stature and depth that guests can’t help but notice.”

The kitchen mixes traditional top cabinets and light fixtures with more modern bottom cabinets and a subway tile backsplash.

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DECO DÉCOR In order to capture the interior look of a 1930s pre-war New York apartment that blends with Carmel, Indiana, circa 2018, Kittle’s Design Studio’s Peter Whitten chose a palette of neutral colors in gray, taupe, and black for the main gathering areas that were inspired by a 4-by-6-foot painting that hangs above the large fireplace in the great room of the home.

“We have included two gray sofas with square key arms for this modern Art Deco space, as well as a floating dining surface that doubles as an entry table but can expand to accommodate a larger dinner party. Below the staircase is a small meditation garden that features boxwoods, as well as a Mary Pat Wallen sculpture provided by LongSharp Gallery,” Whitten says.

Whitten decided to put the dining area in the great room because the kitchen was large

An expandable dining table sits in the crook of the stairs, just off the kitchen (top). The first-floor powder room features a much bolder color palette than the rest of the home (right). The TV room, which looks directly into the kitchen, blends that space and the great room together (bottom).

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enough to create not only a casual dining space, but also a family room complete with two leather-slipcovered chairs, a television, and a sofa for a comfortable gathering place that is easy to maintain.

“One of the things that makes this house different from the other two on the tour is its big, open kitchen that offers a range of possibilities,” Nance says. “Although it has the same square footage as the other two, it looks bigger because there is not a pantry, separate wet bar, or elevator taking up additional space.”

There is a lighter sensibility in this space, with soft gray walls and an aqua ceiling. We also have coupled the kingsize bed with a threepanel upholstered wall that uses a deeper aqua fabric and sets off the beautiful linens provided

by Parkside Linen.

PETER WHITTEN KITTLE’S DESIGN STUDIO

Whitten says when it comes to a transitional home, it’s important to cultivate a coordinated look, so that each space flows from one area to another with only a few pops of color for juxtaposition. For example, the powder room features Harlequin Meadow Grass wallpaper in mulberry, while the entryway offers splashes of cinnabar, but every door is painted glossy black with taupe trim and otherwise white walls to create a seamless style.

However, when it came to the master suite, Whitten wanted to craft some relief and opted for a much lighter palette of white,

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Faux French doors allow natural light to pour into the master suite (left) and also gives the homeowners a beautiful view from bed (right).

The master bath continues the light-filled, airy theme with windows and stunning Calcutta marble (bottom).

soft gray, and a spa blue-green. He wanted the homeowners to have a restful retreat where they can enjoy their Amy Kirchner Archer painting and a small seating area near the mock French doors that look out onto their garden as if it is a private oasis.

“There is a lighter sensibility in this space, with soft gray walls and an aqua ceiling. We

ARTWORK

© AMY KIRCHNER

also have coupled the king-size bed with a three-panel upholstered wall that uses a deeper aqua fabric and sets off the beautiful linens that have been provided by Shandon Whistler of Parkside Linen,” Whitten says.

Because the homeowners spend only a portion of their year in Carmel, they did not need the third bay in the garage, which allowed

them to extend the master suite and create a lavish master bath and walk-in closet space that includes light Calcutta marble, an oval soaking tub, a walk-in shower with glass doors, and his-and-her water closets.

“That was a special request, and I always say its that kind of thing that keeps a marriage together,” Whitten jokes.

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GOING UP? The second floor’s loft area features a study and media room, complete with two swivel chairs that float in the center of the room and define the separate but blended spaces. This more casual and cozy area that incorporates some of the homeowners’ more eclectic sensibilities is one of Whitten’s favorites.

“We’ve used a lot of tribal textures in this area of the home, but not in such a way that it distracts from the other elements.

We still have a lot of grays, but we have also introduced a caramel color, as well some kuba cloth pillows, a David Michael Slonim painting, and a full hide rug on the floor, generating an overall well-traveled look,” he says. “It’s perfect for a quiet evening at home or a second gathering area for family and friends, and with that skylight, it just brightens the whole place up.”

In the guest suite, Whitten let his creativity shine while continuing with the 1930s theme he used throughout the rest of the home. He opted for a USS Norman-

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DESIGN X THREE | 2018

The upstairs loft is arranged directly below a massive skylight that spans the length of the space.

dy–style steamer chair and added some wainscoting to help define the king-sized bed and create a niche for the French campaign-style dresser.

“We kept the neutrals in this space as well, but we have infused it with a shot of turquoise to give it a punch of color and an additional wow factor,” he says.

Nance says the transitional home shows how versatile the townhome floor plan can be for homeowners who are looking to customize a space to fit their individual needs, and he was excited to see what the team was able to do with it. He’s even more excited to see what future homeowners will do with their models in the Hamlet neighborhood.

“Just because you are entering a new phase of life, it does not mean that you have to move into a golf villa with a zero lot line.

There is not another townhouse in this city that offers this much flexibility, and this tour shows how you can have something really special without having to make a big sacrifice in the process,” he says. “You’re only limited by your imagination.”

A guest bedroom on the second floor provides a space for friends and family to stay and relax.

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TITANS OF INDUSTRY

BY LOUISE LLEDU

EXPOSED ME TAL, SALVAGED WOOD, AND CLEAN LINES DEFINE THIS MODERN HOME.

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PERHAPS THE MOST DISTINCTIVE of the triptych of homes, this one aims to evoke the vibe of an urban artist’s loft. Exposed brick, metal, glass, wood, and walls painted to resemble the appearance of concrete and steel create an industrial ambiance. Rather than concealing these materials and design details, the builder and designers collaborated to make them center stage. The color palette of black, white, and gray and the blonde wood floors comprise the blank canvas for brightly colored works of pop art hung prominantly throughout the home and dollops of orange accents.

“This home is for those who would love to live near Mass Ave but don’t want to go downtown,” says Gary Nance of Gary Nance Design, the architectural designer for each of the three spaces. “This unit is geared toward that empty nester or young person.”

PLAIN AND SIMPLE Large double front doors open to the great room with a soaring 20-foot ceiling, sparsely decorated floorplan, and modern fireplace that immediately grabs the eye. While the other homes feature more detailed millwork and flourishes, there is no panelling on the

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Many homes in this style are industrial buildings that have been converted into housing.

Since new construction lacks old building materials, the fireplace surround was painted to resemble sheet metal.

ARTWORK

© ROBERT INDIANA, DALE ENOCHS, AND GINO MILES

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The dining table (left) sits at the foot of the stairs and also looks into the bar and prep area. Once again, the powder room (top) doesn’t actually have riveted walls but rather wallpaper that looks three-dimensional. A sitting area looking into the kitchen (bottom) is a perefect place to sip on cocktails while dinner is prepared.

walls, and the windows are surrounded by sleek, clean frames—two words that describe much of the décor.

The fireplace is framed by a simple metal mantel, and the wall around it has been painted floor-to-ceiling to resemble a giant slab of sheet metal, a detail you might encounter in a renovated industrial space.

“It’s going to look like a feature that was there and had a cool look to it,” Nance says. “Those are elements that people in Indy would like to have in a home like that, but we just don’t have buildings like that here.”

Two tubular, octahedron-shaped chandeliers hang above the liv42

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ing area, which holds a sharply symmetrical layout. A pair of blocky button-tufted leather chairs face the U-shaped couch. The room flows into the kitchen and dining areas, creating the open concept sought after by many of today’s homebuyers.

The kitchen, divided by a floating wall, features two spaces. On one side, an open cooking and serving area looks into the living area. Sleek floating shelves above the sink are easily accessible for items that get frequent use. Guests can grab a seat at the cluster of metal chairs surrounding a raised bar top connected to the island, which also features an induction stovetop and dark wood cabinets, accented with shiny,

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The kitchen features a unique design with the prep and cooking area looking into the dining and living room while the storage is hidden behind a floating wall.

streamlined stainless steel hardware. Behind the wall hides the majority of the chef’s storage, pantry, and prep area. This walk-around pantry allows you to stow dirty dishes and focus on entertaining in the bar area, which is lit by stainless steel pendants in an industrial style.

“The working and the guts of the kitchen are around the corner. Out of sight, out of mind,” Nance says. “It gives you more of the feeling like you’re going to bistro bar.”

Off the kitchen and dining area is access to a small courtyard. Unlike the other two homes, the industrial design abuts another building, creating an outdoor nook that extends the entairtaining area.

“It’s a cool outdoor space that we treated a little differently in this home,” McKenzie says. “The lights we’ve strung up out here give it a little patio vibe, which is fun and unique.”

A fire feature and modern sculpture add to the cozy outdoor atmosphere, where the homeowners can dine or entertain in warmer months.

Trompe L’oeil wallpaper that depicts metallic rivets lines the downstairs powder room just off the kitchen. Black and white granite countertops and black matte fixtures offer the ambiance of a hip, high-end club.

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At the back of the house lies the master suite and ground floor garage access. The master bath features distressed white subway tile laid in a basketweave pattern, and the grout has been painted with a faux-rust look to give it a lived-in feel. Double sinks, a separate room for the toilet, and a walk-in closet round out the suite.

A laundry room tucked in the back of the home with access to the capacious two-car garage ensures that everything you need on a day-to-day basis can be found on the first floor.

SWEAT IT Back in the entryway, a metal and wood floating staircase juts out from the exposed brick wall. Candleabra wall sconces made from plumbing pipes and Edison bulbs ascend the stairway wall, and the railing made from metal and cable wires extends into the loft that overlooks the great room.

At the top of the stairs sits a glassed-in exercise room. The leather benches, perfect for cooling down, make it definitively more up44

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scale than your local gym. Five square windows let ample light into the space, and on the adjacent wall 12 interlocking square mirrors create a funky twist on the aesthetics of a traditional fitness space.

“It keeps it open, but still defines the area,” Nance explains.

Sliding glass doors open into the second floor media and entertainment area where a large projector screen hangs on a wall painted to look like a concrete masonry block wall.

The projector itself, the Sony Ultra-Short Throw 4K, is noteworthy, too. While most projectors must be hung from a ceiling a few feet from the screen, this projector sits on the console directly in front of the screen and still casts a stunning 80-inch display.

A slub velvet couch adds a touch of softness to the concrete, metal, and wood room, and directly behind the couch, Kittle’s designers Petter Whitten and Tom Myers added a narrow table and several leather stools. Dinner and a movie, anyone?

The guest bathroom and bedroom round out the second floor. While the rest of the home features small pops of orange, walls

The master bedroom (top) embraces a simple, soft color pallete, and the master bath (bottom) features a grittier design with iron fixtures, subway tile, and faux-rust grout.

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painted floor-to-celing in the persimmon hue are broken up only by the crisp white of the tub and shower and the matte black vanity.

FINISHING TOUCHES Artwork is a focal point in the home, accentuating the edgy, urban feel. Indianapolis– and New York–based Long-Sharp Gallery provided an array of pieces from local and international artists, hand chosen by Kittle’s interior designers to match the industrial details of the architectural design.

Hoosiers might recognize the artist behind two text-based prints by Robert Indiana, born in New Castle and most celebrated for his LOVE prints and sculptures. The signed prints from his Star of Hope series compliment other pop art pieces found throughout the house, including two other text-based pieces by David Spiller and three large screen prints of Marilyn Monroe in purple, yellow, and blue by Russell Young.

“When you add art like that, it really raises the caliber of the design,” says Whitten.

The furniture throughout the industrial home showcases clean lines contrasting with raw materials and sleek surfaces. A burl wood coffee table sits in the great room, and the dining table is made from reclaimed wood.

The grid mirror and leather benches offer a modern take on a traditional gym.

To add to the ambiance, the interior of the windows on the industrial unit are black to mimic the metal-edged windows you might find in an old building. All the interior doors are painted black as well, a striking feature among the three townhomes.

“Someone is going to be attracted to this style of finish,” McKenzie says. “It’s a little bit funky, a little bit different.”

Design x Three guests will be especially intrigued and inspired by the way this modern interpretation of a the classic townhome style shows what is possible in terms of decorating the interiors of these efficient, comfortable and stylish living spaces.

“They’ll say: ‘I can’t believe we’re in Carmel!’” he says. “That will be a lot of fun for people.”

Guests find no shortage of entertainment in the media room (left) which offers dining space, a candy cart, and a top-ofthe-line projector. The guest bathroom (right) embraces orange, a hue used as accents throughout the rest of the home.

ARTWORK

© RUSSELL YOUNG

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BY LORI D. ROBERTS

A WAY WITH WORDS

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WHEN VISITORS ATTEND the Design x Three home tour, they’re supporting more than just innovative home projects and creative interior designs. All proceeds from the event go to the Dyslexia Institute of Indiana, a group committed to helping children who are diagnosed with the language learning disorder.

Some 20 percent of the population face challenges with reading, says Bill Herman, chief executive officer of Dii. Many reading 46

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PROCEEDS FROM DESIGN X THREE HELP THE DYSLEXIA INSTITUTE OF INDIANA TEACH KIDS HOW TO COPE WITH SPECIFIC L ANGUAGE DISABILITIES.

difficulties stem from dyslexia, a language learning disorder where people struggle to read or interpret letters or words. But there is hope. Herman points to success stories of children who come to the institute with a diagnosis of dyslexia. Through one-on-one tutoring, a summer camp, and other activities, many of these children catch up to their peers and avoid a lifelong struggle with reading.

“It’s a difficult process, but we have so much success,” Herman says. “The real belief is that if we catch kids early enough, by the second or third grade they’re not struggling anymore.”

The Dyslexia Institute, which celebrates its 30th anniversary next year, was founded by a group of community-minded mothers who turned to the experts to find a multisensory approach to teaching children with dyslexia. This technique, called the Orton Gillingham multi-sensory approach, uses several teaching methods to help young minds understand.

For instance, Herman says, a kindergarten

teacher might teach a letter by showing it to the students. Then she’ll instruct the students to draw the letter in the sky with their fingers. Then she might let them draw the letter in a pie pan of sand or shaving cream for a tactile experience.

“By doing all these things simultaneously and working different parts of their brain, they’re learning,” Herman says.

Dii has several different programs for children, including tutoring sessions where students get 30 one-hour appointments throughout each semester to work individually with tutors trained in the Orton Gillingham method. Over the summer, children ages 7 to 12 can attend Camp Delafield, a day camp offering academic activities in the mornings and typical camp activities, like arts and crafts, in the afternoons. The institute also offers training for parents, teachers, and other educators. Such training can enrich students with dyslexia as well as their classmates.

“We believe there are parts of our training that are good for all teachers,” Herman says.

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“All kids learn in different ways.”

These methods are effective, but they come with a price tag. An initial assessment can cost around $1,200. The individual Wells Outreach tutoring is $2,200 per semester.

Camp Delafield’s tuition is $3,500 per child.

That’s where fundraisers like Design x Three can make a difference, Herman says. The money that is raised benefits the school’s scholarship fund and teacher training. Combined with other fundraisers, such as the upcoming Driving for Dyslexia event inspired

by Dii alumnus Elliot Cox, the Design x

The screenprint Marilyn Crying, which is currently hanging in the Industrial townhome, is up for auction. Artist Russell Young and Long-Sharp Gallery donated the work, and the proceeds will benefit Dii. Head to the Dyslexia Institute’s website, diin.org, to submit your bid until 6 p.m. on Sunday, June 17.

Marilyn Monroe™; Rights of Publicity and Persona Rights: The Estate of Marilyn Monroe, LLC. Image © Russell Young.

Three tour stands to open the world of words to the next generation of young readers.

A newly passed Indiana law that mandates additional school resources for screening and teaching dyslexic students means more children may be diagnosed earlier, when the chances for success are high.

“Right now is such an excellent time to be in Indiana if you’re dealing with dyslexia,” Herman says. “Things are really looking good for our dyslexic kids.”

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DESIGN X THREE

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