ANDREW GARL Architectural Designer
Introduction
Professional Resume High End Residential, Branded Environments and Construction Management Los Angeles Area , 2008-2016 List of additional works with a significant role in design and production.
Personal Bio Family, Environment , Design Thousand Oaks CA 2016 Goals and motivations in the new creative design world Project I
Industrial Energies Coherence of Energy Production Vernon, CA 2016 Senior Project: Industrial Architecture Studio Project II
Media Monastery Monument to the Control of Media Times Square, New York City, 2015 Topic Studio: The Heresy of Function, Architectural Prosthetics
Project III
Urban Mixing West Hollywood Mixed Use Hospitality, Entertainment, Retail Los Angeles, CA 2015 Urban Design Studio, Joint Design With Landscape Architecture and Urban Design Students Project IV
Outdoor Elementary Open Space for Young Education Los Angeles, CA 2015 Integrated Systems Studio, Structural and MEP Systems Integration in Design Project V
Wildlife Outpost Rural Formal Mission Viejo, CA 2013 Schematic Stuctural Systems Implementation in Design, Formal Exploration in the Rural Setting
ANDREW GARL Introduction
Family
Lacey and I recently were married on July 9th 2016, We are so excited to be starting our life together. My motivations for becoming a successful designer have grown from her support and love over the past 7 years. We make a great team and look forward to a future family and careers that allow us to enjoy our time together.
Hobbies
I take every opportunity I have to get outdoors. I enjoy camping hiking, days at the beach or any lake participating in any number of water sports. I am an avid Mountain Bike enthusiast. I use these opportunities as avenues to experience what little wild land we have left and to do, and teach everyone I am with to do no harm to the environment while enjoying still enjoying the natural space.
Environment
Through past experiences and study, the value of sustaining and enhancing individual settings and ecosystems is central to my beliefs. Creating and choosing the best design and the best solutions for our world so we humans can benefit forever from our surroundings, This is a principle of RESILIENCE, as the renowned environmentalist John Tillman Lyle would agree with.
Design Philosophy
Design for place. Attributing decisions to real environmental responses to attain beauty, comfort, lasting and appropriate design. Solutions not only for technical problems but for addressing the needs of the eye, the heart and the soul. Places to live, work and play that let go of traditional notions, and use contemporary methods materials and forms to achieve efficient and special works. Not only for the client’s demands, but for the responsibility of an architect or designer to act in the present. It is our duty to learn from the present, and to address human desires and necessities with actual Architecture of a contemporary nature.
ANDREW GARL Architectural Designer Reach Me @ 805 415 7164
andrewjames.garl@gmail.com
Young Designer Seeks Mentor Firm with True Collaboration I am a passionate and inspired recent grad who has worked hard academically and professionally to initiate my career as designer, with enough experience to get me ahead of the curve, and the foresight to know I have much to learn, I am excited to find a team who excels in conceptual design, ground breaking architecture, is highly collaborative and has multiple areas of expertise and the opportunity to design in a multitude of sectors.
Experience Marmol Radziner Architecture and Construction, Intern, 2015 (9 months) Assisted in design build process for all phases of development for high-end residential architecture. Produced construction documents and schematic design drawings. Produced hand drawn renderings for the client. Developed material and fixture specifications. Designed custom, interior and exterior details. Assisted in construction administration. Assisted in coordination of structural, M.E.P. and specialty consultants. D.L.English Design Studio, Intern, 2014 (7 months) Design-Build delivery with design and detailing of large retail and branded environments. Assisted in schematic design and design development of restaurant and bar in prime downtown Los Angeles location. Commercial retial space layouts for large brand centric corporation. Developed material specifications, material presentation boards, custom finish and construction details. Assisted with conceptual design for tenant improvement and new construction retail spaces of more than 100,000 S.F. Coordinated design development phase with design director. Shop drawings for inhouse manufacturing of design elements. University Planning, Design and Construction - Cal Poly Pomona, Project Management Assistant, 2011(2.5 Years) Assistance in construction management of 118,000 S.F. Student recreation complex. Construction observation and coordination with the project manager As-built data collection at all phases of construction. GIS data collection. Assisted in owner-architect meetings during the construction phase. Life-cycle building analysis using bim. GIS integration with Revit for post-occupancy building analysis and maintenance. Management of record drawings and a database of cad drawings. Coordination with architects, engineers, and contractors for transmittal of records. Autocad and Revit drawing, As-built plans for institutional and academic buildings. Assistance in programming phase of new student housing building. Schematic design documents for interior renovation of Facilities oďŹƒce space. FV Drafting Services, Drafter, Fillmore, Ca 2010 (5 months) Department of Planning, Building and Safety, Intern, Fillmore, Ca 2010 (3 months)
Professional Skills Self-Motivation, Teamwork, Communication, Time Management, Construction Details, Project Coordination, Design Development. Software: Rhinoceros 3D,Photoshop, Revit, Illustrator, AutoCAD, InDesign, ArcGIS, SketchUp, 3ds Max Production: 3D Modeling, Drafting, Rendering, CNC Milling, Laser Cutting, Woodworking, Photography Leadership Roles American Institute of Architecture Students Elected ENV Council Representative, 2013-14 AIAS Vice President - Ventura College, 2011-12 Sustainable Planning and Action Committee, Cal Poly Pomona, 2011-12 Extra Curricular Activities Tau Sigma Delta Honor Society , Cal Poly Pomona Student Lounge Renovation Committee Ventura College 2010 Design Village, Temporary Housing Competition. Cal Poly San Luis Obisbo, 2010
Education California State Polytechnic University, Pomona Bachelor of Architecture 2016 Minor in Regenerative Studies 2016
Awards Graduated Magna Cum Laude AIA Certificate of Merit 2016 HMC Architects High Performance Design Award 2016 Simpson Student Leadership Scholarship 2014 Deans List / Presidents Honor List, 2011-2016 James V. & Idah W. Ili Memorial Scholarship
PROJECT I
Industrial Energies Coherence of Energy Production Vernon, CA 2016
Senior Project Industrial Architecture Studio Studio Professor: Axel Schmitzberger Key Design Focus: Reinterpretation of Industrial Architecture Location Vernon, California Program Area: Major Program: Waste to Energy Conversion Construction Type: Type I, Steel Construction Heavy Industrial Key Features: Waste Collection, Incineration, Power Generation, and Process Education. Additional Program: Management OďŹƒces, Maintenance Space. Software Used: Rhinoceros 3D, qGIS, Adobe Photoshop, Illustrator and Indesign Awards: HMC Architects High Performance Design Award
Site Map, Vernon Industrial Linkages
INDUSTRIAL ENERGIES PROJECT I |10
PROJECT I INDUSTRIAL
ENERGIES 11|
Industrial Process, Architecture and Machine
INDUSTRIAL ENERGIES PROJECT I |12
Section, Incinerator
PROJECT I INDUSTRIAL
ENERGIES 13|
FINAL PROGRAM REQUIRMENTS CATEGORY
SPACE
FUNCTION
DELIVERY
DRIVEWAY
TRUCK ENTRY
TIPPING FLOOR
UNLOADING TRUCK
SCALE
WIEGH TRUCK
GATE HOUSE
INCINERATION
GENERATION
WASTE PIT
NET SF GROS SF 5977
7770.1
RECEIVING OPS
1100
1430
REFUSE STORAGE
1272
0 0
1653.6
INCINERATOR
FURNACE
453
588.9
AIR HANDLER/EQ
FORCED AIR
819
1064.7
HOPPER
WASTE LOADING
199
258.7
BIOLER
STEAM GENERATION
497
646.1
TURBINE
STEAM CONVERSION
315
409.5
CHASE
STEAM CONVEYANCE
100
130
GENERATOR
ELECTRICAL GENERATION
310
403
FUMES FILTER
619
804.7
EMISSIONS CONTROESP
1062
1380.6
SENSOR CONTROL MONITORING EQUIPM
BAG HOUSE
392
509.6
HEAT RECOVERY
PARTICLE FILTRAION
200
260
180
234
4092
5319.6
1618
2103.4
ECONMIIZING EXCHANGE
VISITORS
CONNFERENCE
ADMINISTRATION
SYSTEMS CONTROLSYSTEMS OPS
LECTURE/TOUR
OFFICE
GENERAL ADMIN
5100
SERVICE SPACE
RR/STORAGE
3100
4030
625
812.5
OBSERVATION DECKPROCESS OBSERVATION
6630
0 OTHER
CIRCULATION PARKING PEDESTRIAN TUNNEL
9000
11700
11300
14690
3450
4485 0 0
TOTAL
INDUSTRIAL ENERGIES PROJECT I |14
Floor Plan, Level One
51780
67314 SF
Floor Plan, Level Two
PROJECT I INDUSTRIAL
ENERGIES 15|
Context Narrative Waste is transported 200 miles to a landfill in the desert. Industries use energy to make and process combustible products, and then use more energy to send the waste to bury it in the sand. This practical problem can be mitigated transforming the waste matter to transmittable energy. Through industrial waste to energy process we can recover the waste lost to the system, transferring the energy of matter back to the city. In order to frame justification for a Waste to Energy Facility, we must assume there are roles to be played in the future energy politics within the City of Vernon. In the construction of these roles, we analyze the current trends within the city, and apply solutions and explorations to a future resolution. Architectural, programmatic and also political changes will be realized through the role playing. The City, in an e ort to hedge the cost of energy production with the increasing cost of diesel fuel, over extended its contractual capacity to acquire cheap fuel. The result was an increase in cost to rate payers, indefinitely increasing per year. Historically one of the key mechanisms to support industry in the city, future increases in cost of energy will reduce the appeal for businesses to occupy the city. A crisis. Analysis of the monopoly, and current crisis of
INDUSTRIAL ENERGIES PROJECT I |16
the energy supply within the City of Vernon, as an “independent power operator”, reveals a necessity for future reliability of cost and supply for electricity. While new technologies in emissions control will allow an ultra efficient attenuation of the waste stream into power production, political and economic forces of Vernon’s historically inexpensive power supply will allow competition to take hold. Site Narrative The Waste to energy facility will serve as competition to the City of Vernon’s municipal power supply, but also recover energy lost, both in the disposal and transport of waste to the Southwestern California desert. In this practical way the problem of stopping energy flows from the city and reembodying that energy in the city becomes a competitive solution. From here, the architectural and programmatic arrangements seek to reinforce the linear nature of the waste to energy stream. The program for the facility is decomposed into several “energy” flows; Electrical Generation, Municipal Solid Waste, Workers, Visitors, Transportation and Emissions Control. Components necessary for production of electricity and handling of waste are arranged in a sequence of linear processes, The ancillary programs of offices, visitor areas, as well as arrivals and departures of materials are plotted along similar paths.
PROJECT I INDUSTRIAL AL
ENERGIES 17|
Texture Diagram, Application for Industrial Essence
INDUSTRIAL ENERGIES PROJECT I |18
Program Diagram. Flow of Process
Diagram. Industrial Process
PROJECT I INDUSTRIAL
ENERGIES 19|
INDUSTRIAL ENERGIES PROJECT I |20
As matter transforms phases it releases energy into an entropic condition. This condition is defined by disorder where we can not explain, even though they exist, the vast relationships in place; from atomic particles to global systems. Energy flows from an ordered state to a disordered state. When changing phase the matter releases embodied energy to another system, only to be embodied in more matter, oscillating between states. The matter dissipates its embodied energy to a field of the infinite, yet we can use that energy to produce something new, reinstating energy into matter. The problem is to relate a change of matter to energy, of energy to an industrial architecture. An architectural energy of an object can inform the matter in a field condition, as if the objects infused with energy and begin to change states. Stan Allen writes “ field conditions can be added onto without substantial morphological transformationâ€?, but if objects in the field are intelligent , and coherent, then they in fact change the relata to become more alike. The coherent relationships of objects in the field can explore how matter changes state into energy when waste is combusted. Introducing a thematic problem to the City of Vernon draws out a need for specific relata to address the formal characteristics of the proposed strategy. In establishing that the proposal will reinvest potential energy for the city as a whole, the energy of the architecture will reinvest in itself. A coherent architecture is one where communication both programmatic and formal in nature establish feedback. Programed spaces of the facility have an immediate eect on the placement within the site. Incineration process components delineate the culture of flows, giving them specific placement according to sequence of energetic process. With a set arrangement, the form which contains energetic process will be articulated by the specific equipment requirements with a language unique to that component, the articulation creates a coherent relationships with architecture and process. Programmatic and semi programmatic linkages can give coherence to one another in the form of Grafting , draping , pulling and puncturing . The language of surface modulation , shifting and breaking, grafted upon a form which emanates , as does its energy resource produced , to imbue the city with the nature and function of its architecture . Images, Physical Model
PROJECT I INDUSTRIAL
ENERGIES 21|
Project II
Media Monastery Monument to the Control of Media Times Square , New York City 2015
Topic Studio: The Heresy of Function, Architectural Prosthetics Studio Professor: Frank Clemente, Rios Clement Hale Studios Key Design Focus: Inhabiting ands re-purposeing the monument for mass media culture Program Area: ~100,000 S.F. Major Program: Monastery: Chapter House, Monk Cells, Refectory, Library, Chapel, Facade Advertisements Area Construction Type: Suspension Structures Key Features: Massive cells arrayed in the airspace of Time square, in which monks inhabit with the various programs of a Monastery. Additional Program: Signage and messages created upon the array of cells in which the monks live. Software Used: Rhinoceros 3D, qGIS, Adobe Photoshop, Illustrator and Indesign
MEDIA MONASTERY PROJECT II |22
“Useless buildings and pointless landscapes, you know: monuments and plazas. Through a series of experiments we will develop architectural prosthetics to apply function to existing civic or sacred structures. These augmentations will create a complete, if however incongruous, symbiosis of function and meaning.� Frank Clemente Extraction from Course Synopsis
PROJECT II MEDIA
MONASTERY 23|
Media-Monastery for Monument of Times Square Control Of Media Public Message Center of the Media World Focused as the crossroads of consumer media, Times Square is a stage for positive cohabitation of consumer media and profound message. The consistent holders of information, monks script messages for literate and illiterate, operating cooperatively on a media landscape. The media monks construct their monastery in the sky, creating messages for those below. The form is at once pixels and dwelling cells are canvas for co-opting manuscripts for the masses. Arranged by multiple perspective opportunities pixel grids flock to programmatic elements of the media monastery. Projecting, drawing and expanding images in public view, monks string this new landscape high above the city floor, seeking to transcend material media. Times Square is the international monument of mass media, marketing and consumerism. While the eect on a wide range of demographics cannot be predicted, the eectiveness of delivery premises a prime location for the corroboration of meaning through political, religious and moral message. The studio focuses on the re-purposing of a monument to a higher or dierent sense than its acquired or imbued symbolic nature. The media monument becomes a media monastery where the program for a monastery translates into a network of suspension cables inhabiting the space between skyscrapers. Arrayed in a grid the programmatic spaces of a monastery create screens where monks living in and traversing the monastery create their own message through physical and digital means.Their messages inhabit the skyline in the same nature which jumbotron screens and mass marketing campaigns fill the facades of neighboring skylines.
MEDIA MONASTERY PROJECT II |24
Concepts, Thought Sequence Sketches
PROJECT II MEDIA
MONASTERY 25|
MEDIA MONASTERY PROJECT II |26
Site Plan Aerial Suspensions
Section, Aerial Suspension of the Monastery Chapter House
PROJECT II MEDIA
MONASTERY 27|
MEDIA MONASTERY PROJECT II |28
Media Real Estate, Ground for Graphics
Message Real Estate , Ground for Graphics
PROJECT II MEDIA
MONASTERY 29|
MEDIA MONASTERY PROJECT II |30
Floor Plans: 1. Chapel, 2. Chapter Room, 3. School 4. Abbots Residence 5. Refectory 6. Guest Chapter Room 6. Library 7. Guest Sleeping Room, with monk cells below.
PROJECT II MEDIA
MONASTERY 31|
Project III
Urban Mixing
West Hollywood Mixed Use Entertainment Los Angeles, CA 2015 Urban Design Studio, Joint design with Landscape Architecture and Urban Design Students Professor: Sarah Lorenzen, Chair Cal Poly Pomona Architecture Key Design Focus: Hyper Densification of Urban Amenities, Entertainment , Office, Retial and Hotel. Program Area: +600,000 S.F. F.A.R. 5.7 Major Program: Theater, Community Park Space, Day and Night Club, Fair Style Retail, Air B&B Hotel, On Demand Office and Creative Workspace. Construction Type: Podium Style Urban Open Space and Elevated Mass Structure Key Features: Ground Level extension of grade for 100% public open space Additional Program: Hotel for Air B’n’B short term rentals, Subterranean Day Club, Pool, 600 Seat Theater, Parking Garage, Associated Service Spaces. Software Used: Rhinoceros 3D, Vray, qGIS, Adobe Photoshop, Illustrator and Indesign, Autocad,
URBAN MIXING PROJECT III |32
Diagram Evolution of the Retail Experience
Demographics Experience of West Hollywood
PROJECT III URBAN
MIXING 33|
Diagram Mixing Components
URBAN MIXING PROJECT III |34
Site Plan Mixing Environment
Diagram Mixing Moments
We have determined through investigation that the uniqueness and intrigue of West Hollywood is the conglomeration of cultures, eclectic creativity, punctuated by flamboyant and festive entertainment components. However, there is no definitive space that is built for the ownership, amplification and more importantly the experience of this lifestyle. We propose creating a large parcel of public infrastructure where community gathering, events, entertainment and curiosity exist alongside profitable retail, office space and hospitality operations. Furthermore we assert that because our design allows for experiences to be on display—at the forefront— it creates a new more engaging environment where people want to spend time and as a result, their money. We have developed our project as we understand West Hollywood: a kit of parts. The user’s experience is the project but how can this translate into form and more importantly; revenue? We have ignored the traditional approach to matte scheme architecture and created a cauldron of shared amenities whereby the users from any demographic can and will meet for exchanges of ideas, cultures and experiences. Furthermore, by implementing a kit of parts strategy we are embracing the ephemeral nature of experience. Our design encourages ownership through arrangement and exploitation of the kit of parts. If experience is the project and cultural ownership is the key, then we must have architectural form to match. We have experimented with form and function to best relate the idea of engagement and interaction. We are using concentric circulation, 360° viewing potential and ramping topography to ensure impromptu rendezvous, as well as discovery throughout the structure. We realize the authenticity of the West Hollywood. We are harnessing it, centralizing it and providing a “one-stop-shop” experience for both residents and visitors.
Diagram Mixing Moments
PROJECT III URBAN
MIXING 35|
Level -1 Entertainment Level
URBAN MIXING PROJECT III |36
Ground Level Park and Retail
Second LEvel Hotel and Office
Thrid Level Hotel and Office
Rooftop Community and Hotel
Floor Plans
Circulation Mixing Ramps
PROJECT III URBAN
MIXING 37|
URBAN MIXING PROJECT III |38
PROJECT III URBAN
MIXING 39|
URBAN MIXING PROJECT III |40
PROJECT III URBAN
MIXING 41|
Project IV
Outdoor Elementary Open Space for Young Education Western Los Angeles, CA 2013
Integrated Systems Studio Key Design Focus: Integration and Practice of Innovative Outdoor Teaching Program in Public Education Architecture, Strong Formal Narrative, Danish Influences. Program Area: 53603 S.F. Major Program: Kinder garden through 6th Grade Classrooms, Multipurpose Outdoor Areas, Administration, Library and Support Spaces Construction Type: Type 1A, Critical Buildings Key Features: Open Air Classrooms, Concentric Outdoor Circulation, Public Gathering Space Dedication, Classrooms with Individual Courtyard Spaces, Natural Light Additional Program: Play Fields, Lunch Room, Parking, OUTDOOR ELEMENTARY PROJECT IV3D,V-Ray Rendering, Photoshop, Software Used: Revit, Rhinoceros |42
PROJECT IV OUTDOOR
ELEMENTARY 43|
KOREA TOWN ELEMENTARY SCHOOL
___________________________________________________________
AN ELEMENTARY SCHOOL FOR A BLIGHTED AREA OF NORTH WESTERN LOS ANGELES. IN A STUDIO INTEGRATED WITH STRUCTURES AND ENVIRONMENTAL SYSTEMS, THIS SCHOOL CONTESTS A TYPICALLY PROGRAMMED INSTITUTION. LOOKING AT SCHOOLS IN COPENHAGEN AND JAPAN AS CASE STUDIES, EMPHASIS ON NON TRADITIONAL TEACHING, INCLUDING OUTDOOR LESSONS ARE PROGRAMMED INTO THE ARCHITECTURE. CENTERED IN AN AREA WITH LITTLE COMMUNITY SPACE, DEDICATIONS OF SPACE OPEN TO THE PUBLIC , AND AN ARCHITECTURE WITH LARGE PRESENCE IN THE NEIGHBORHOOD SEEK TO CREATE A COMMUNAL NODE.
Structural Concept Visioning
OUTDOOR ELEMENTARY PROJECT IV |44
Structural Concept Visioning
PROJECT IV OUTDOOR
ELEMENTARY 45|
11
3
2
1
7 4 8
10
6
5
5
6
9
OUTDOOR ELEMENTARY PROJECT IV |46
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19.
Entry Multi- Activity Space Administration Kinder garden First Grade Classroom 2nd Grade Classroom Kitchen Courtyard Play Yard Parking Ramp Public Dedication 3rd Grade Classroom 4th Grade Classroom 5th Grade Classroom 6th Grade Classroom SDC Classroom Library Open Air Classroom Green Roof
15
14
15
18 18 14
16 19
16
17
18
12 13 12
13
0’
32’
PROJECT IV OUTDOOR
64’
ELEMENTARY 47|
Visioning Outdoor Play
OUTDOOR ELEMENTARY PROJECT IV |48
Structural Shear Wall and Diaphragm Scheme
EPDM ROOF MEMBRANE RIGID INSULATION AIR GAP 3" CONCRETE OVER METAL DECK W16 X 30 FACIA BEYOND PARAPET FLASHIN DOUBLE TOP PLATE RIGID INSULATION
CANT STRIP
WATERPROOFING
PARAPET FLASHING
GFRC PANEL
PARAPET FRAMING DOUBLE TOP PLATE
METAL STUD WATER RESISTANT CEMENT BACKING, PLASTER FINISH
GFRC PANEL TYPE 2 WATERPROOF MEMBRANE RIGID INSULATION INFILL WALL 5/8" GYPSUM WALL
GLAZING BEYOND
COUNTER FLASHING BASE FLASHING BASE PLATE DECK DRAIN
WOOD FLOORING
CONCRETE TOPPING LAYER
W14X26 TRANFER BEAM
CONCRETE OVER METAL DECK
SECOND FLOOR REGISTER
RIGID INULATION
BLOCKING PANEL BRACKET VAPOR BARRIER VAPOR BARRIER
IN FLOOR DUCT FIRST FLOOR REGISTER BEYOND
W14 X 26
W18 X 35 BEYOND
HAT CHANNEL
CMU BEARING WALL
REGLET
RIGID INSULATION
METAL PANEL SOFFIT 12" THICKENED SLAB EDGEBASE PLATE WELDED WIRE MESH # 4 BAR SOG SAND LAYER
School Data Grades K-6 Total 53603 Sf Classrooms 14 Public Dedication 4000 SF Outdoor Classroom Areas Kinder Garden 10697 SF Type Ia Construction Planning And Zoning Zoned City Of Los Angeles General Commercial Unlimited Far (.53) And Height (25’-8”)
PROJECT IV OUTDOOR
ELEMENTARY 49|
Project V
WILDLIFE OUTPOST
Open Space Preserve Wildlife Observation and Outreach Center Mission Viejo , CA 2013 Structural Sequence Course I, Schematic Structural System Development, Design, Presentation Drawing Instructor Alexander Pang Key Design Focus: Rural Inhabitation and Observation, Formal Articulation Program Area: +6000 S.F. Major Program: Viewing Deck, Stay Room, Small Theater Seating Construction Type: Type 5, Steel and Wood Construction Key Features: Placed at Trail Intersection as a Refuge for Hikers, Natural Lighting Effect, Scientific Wildlife Study Software Used: Revit, Rhinoceros 3D, Vray, Adobe Photoshop, Illustrator and Indesign, Autocad,
Wildlife Wi W ild ldlilife ldl fe O Outpost uuttp poost st PR PROJECT PRO ROJE RO JEC JEC E CT V |50 |5 50
PPROJECT PRO RO ROJEC JJEEC ECT V WI WILDLIFE W ILD LDLLIIFE FE
O OUTPOST UTTPO UT PO P OS STT 51| 5 51 1| 1|
Wildlife Outpost PROJECT V |52
PROJECT V WILDLIFE
OUTPOST 53|
Floor Plan Ground Level Plan
PUBLIC PRIVATE TR AIL
Second Level Circulation
Wildlife Outpost PROJECT V |54
First Level Circulation
Private Space Relationship
Conceptual Massing
Natural Lighting
0’
8’
16’
Floor Plan Second Level Plan
Public Circulation
Private Observation Deck
Public Observation Deck
PROJECT V WILDLIFE
OUTPOST 55|
1
2
3
4 5
6
7
8
9
10
4 A 9.1
RAFTER
11
12 13
2 A 9.1
SLOPE
OPEN LIGHT WELL
2 X 12 STRINGER AT 16 " O.C.
PUBLIC MEETING AREA
4' - 2 7/32"
8' - 1 1/32"
3' - 4 17/32"
LOCATION OF FLOOR DRAIN
11' - 0 3/16"
PUBLIC OBSERVATION
TY
P.
GLAZING
OFFICE
1' - 6"
LOWER LINE OF WALL BEYOND
8' - 6 31/32"
9' - 3 7/8"
PRIVATE OBSERVATION
8' - 3 3/4"
4' - 3 3/16"
3' - 5 1/16"
3' - 9 5/32"
6 A 9.1
OPEN TO CATWALK BEYOND
9' - 9 21/32"
5 A 9.1
3' - 9 5/32"
2' - 6 13/16"
3' - 6 1/8"
2' - 10 1/8"
ROOF PL 630' - 1
LEVEL 2 FLO PLA 616' LEVEL 1 CIELIN HIEG 615' -
RETAINING WALL BEYOND
ORIGINAL GRADE
PRIVATE QUARTERS
LEVEL 1 FLO PLA 607' 2' - 6"
2' - 2 15/32"
SLAB ON GRADE
0’
4’
8’
Schematic Structural Framing Model
Wildlife Outpost PROJECT V |56
5/8" MOISTURE GYPSUM WALL BOARD 2X6 STUD 5/8" PLYWOOD
B
3" RIGID INSULATION
MEMBRANE ROOFING
2X6 PARAPET FRAMING PARAPET FLASHING
RIGID INSULATION (SLOPED)
METAL FURRING STRIP
0' - 9 7/8"
BLOCKING
VAPOR BARRIER
ANCHOR BOLT
DOUBLE TOP PLATE
ROOF PLAN 630' - 10"
RIGID INSULATION PANEL
2X10 RAFTER
TOP PLATE 629' - 8"
AIR GAP
3/4" SMOOTH PLASTER 2X6 BASPLATE METAL FLASHING 3/4" PLYWOOD SUBFLOOR 2X12 FLOOR JOIST
1X6 WOOD FLOOR FINISH WATERPROOFING MEMBRANE OVER 3/4" PLYWOOD SUBFLOOR 2X10 WOOD JOIST BETWEEN WIDE FLANGE BEAMS
3/4" GYP. BOARD LEVEL 3 627' - 4 3/32"
2 X6 CRIPPLE STUD 1 A 9.1
6 X 12 HEADER SPANNING 20 FEET
2X WOOD NAILER BOLTED AT 4’ ON CENTER
BLOCKING BLOCKING
FLASHING
GUARDRAIL WALL BEYOND
WOOD DECK SLOPED AWAY FROM BUILDING (DRAIN AT BOTTOM OF SLOPE PERPENDICULAR TO WALL) WATER PROOF MEMBRANE
1X6 WOOD PLANK DECKING FLOOR JOIST
W8X18 BLOCKING METAL FLASHING REGLET STEEL OUTRIGGER
6”
0’
3/4" PLYWOOD SUBFLOOR
BATT INSULATION
2X10 FLOOR JOIST
VAPOR BARIER AT ENCLOSURE LOCATIONS
2X10 LEDGER 12" RETAINING WALL
W10X22 6" ROUND STEEL COLUMN
FACE OF WALL OPENING BEYOND
CONCRETE RETAINING WALL
1’
LEVEL 2 FLOOR PLAN 616' - 7"
WOOD CEILING FINISH
EXTERIOR WALL BEYOND
LEVEL 1 CIELING HIEGHT 615' - 7"
CRAWL SPACE
WATER PROOF MEMBRANE
WALL AT ANGLE BEYOND
WOOD FINISH FLOORING
GRADE
ROOF DRAIN
WATER PROOF MEMBRANE PLYWOOD SUBFLOOR WATER PROFFING MEMBRANE
SWALE
2X10 RIM JOIST BEYOND
CONCRETE FOUNDATION WALL REBAR
GRAVEL DRAIN PIPE RETAINING WALL FOOTING
WELDED STEEL ROOF DRAIN/ FASC WINDOW HEAD
5/8" GYPSUM BOARD ON INTERIOR SURFACE 90° 145.
THICKENED EDGE
RUBBER GAS FULL LENGT OF END WAL
SLAB ON GRADE
1.5" DOUBLE GLAZING
LEVEL 1 FLOOR PLAN 607' - 6"
WATER PROOF MEMBRANE RIGID INSULATION PLYWOOD SUBSTRATE 2X6 STRINGER
0’
2’
4’
0’
PROJECT V WILDLIFE
6”
1’
OUTPOST 57|