CERTIFICATE PROGRAM

E AT U D RA G ST PO

LIC RES BLI GN GN LIC SIGN SIG BLI EST LIC BLIC RES BLI IGN IGN BLIC SIG SIG BLI EST BLIC BLIC RES BLIC IGN IGN BLIC SIGN SIGN IGN PUB C INTE GN PU DESI DESI PUB ST DE ST DE IGN PU INTER PUB N PU C INTE GN PU T DES T DES N PU ST DE ST DE GN PU INTER N PU N PU C INTE N PU ST DES ST DES N PU ST DE ST DE T DES UBLIC I I T T N E E N IG I I S S G E E I C G IG I IG E E G E E S P UBL T DES TERES TERES DESIG INTER INTER ST DES PUBLIC DESIG T DES PUBL T DES NTERE NTERE DESI INTER INTER T DES PUBLI DESI T DES PUBL T DES INTER INTER DESI INTER INTER NTERE SIGN EREST T S I E T S S I I T T S S N E S ERE LIC IN LIC I EREST UBLIC PUBLICINTER SIGN EREST TERE ESIGN NTERE UBLIC UBLIC TERES PUBLICPUBLIC NTERE SIGN TERES TERE ESIGN TERE UBLIC UBLIC TERES UBLICPUBLIC BLIC EST D LIC IN ESIGN N U E P N D P B T D N T I I I R N P P I E I N N B P P P D I U I C N I N E T T D PU N P LIC I SIGN SIGN UBLI EST LIC I BLIC RES BLIC IGN IGN LIC SIGN SIGN BLIC EST LIC BLIC RES BLIC IGN IGN BLIC SIGN SIGN IGN INT N PUB 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INTER N PU EST D BLIC I DESIG INTERE N PUB EST D LIC IN ESIGN NTERE PUB ST DE LIC IN SIGN NTERE T DES ST DES IC INT REST EREST NTERE PUB IC INT IC INT SIGN N UBL TE P ST LIC ESIG TER PU ST IC SIG TER PUB T D IC I IGN ERE UB DE IC I RES ERE BL TE INT IC I IGN BL UBL DE IC G I ES N P IC IN SIGN TERE PUB ST D IC IN IGN TERE PUBL T DE IC IN IGN ERES UBL DES C INT GN P REST UBL INTE INT N PU IC IN LIC UBL DES N PU N P REST PUBL C G L B P T E L S G E T P T I I E P G L E S L ESI N PUB REST D LIC IN ESIGN INTER PUB EST DE BLIC IN SIGN TERE PUB ST DES LIC IN SIGN TERES PUBL ST DES IC INT SIGN UBLIC PUBLI DESI PUB N PU SIGN TERES DESIG DESI IC INT SIGN UBLIC N E P N T B E E P G E T E L N T N N D E I N I E B E L G I R U S ESI IC INT GN PU REST UBLIC DESIG INTE IGN P REST D BLIC DESIG INTER N PU REST D BLIC I ESIGN INTER N PUB REST D SIGN ESIGN TERES DESIG T DES REST D BLIC TERES TERE PUB REST D SIGN ESIGN P U E D E E I N C U T G N S E L N D U E T T I S E P E C I E I S I I N C G D D D S T PUB ST DE LIC IN ESIGN TERES PUBL ST DE IC INT SIGN TERES PUBLI T DES IC INT IGN P EREST PUBLI T DESI IC INT REST EREST BLIC TERE INTERE IC INT IGN P BLIC UBLIC DESIG IC INT REST EREST UBLIC L P U ERE PUB EST D LIC IN ESIGN INTERE PUBL ST DE LIC IN SIGN TERES PUBL ST DES IC INT SIGN TERES PUBL C INTE IC INT GN P LIC IN BLIC PUBL ST DES GN PU GN P EREST PUB C INTE IC INT IGN BLIC N TER UB T D IC IGN ERE PUB DE C IN IGN RE UBL DE IN IGN BLI BL ESI PUB PU IGN RE ESI ESI INT IGN BLI BL DES PU N G I ES IC IN GN P RES PUBL DES INT IGN REST BLI DES INTE N P REST BLIC DES PU N PU ST D GN IGN DES INTE ST D ST D LIC DES PU N PU EST IGN ESIG L SI TE T IC S E PU T C IG E U T N G E SI ES T IC E E B ST N IG R ES D PUB ST DE LIC IN ESIGN TERES PUBL ST DE IC INT SIGN TERES PUBLI T DES IC INT IGN P TERES DESIGT DESI INTER ST DE EST D TERES PUBL INTER INTER N PU TERE DESIG T DES C INTE EST D REST UBLIC E N D B ER PU EST LIC I ESIGN INTERE PUBL ST DE LIC IN SIGN TERES PUBL ST DES LIC IN EREST TERES UBLIC NTERE INTER LIC IN SIGN UBLIC UBLIC DESIGBLIC IN EREST TERES PUBLI INTER C INTE GN P EREST N RE UB E IN N E UB T N P I C UB DE P P T U NT IN C I I T GN ER B D ESI IC INT GN PU REST PUBLIC DESIG INTE IGN P REST D BLIC DESIG INTER IGN P BLIC IN BLIC I SIGN UBLIC PUBLI IGN P REST SIGN SIGN TERES IGN P BLIC I BLIC ESIGN PUBLI PUBL T DES LIC IN EREST U E E E I E C U N P D E U L T E S T I I S U S U C N ES UB T S P D S T P D D PUB ST DE LIC IN ESIGN TERES PUBL ST DE IC INT SIGN TERES PUBLI ST DE IGN P IGN P REST SIGN ESIGN ST DE IC INT REST REST BLIC EST DE IGN P IGN EREST ESIGN DESIG INTER IGN P LIC IN UBLIC L E E U S E E L E N E B D N E E D S S E T D S B P R S TER N PU REST BLIC I DESIGN INTER N PUB EST D BLIC I ESIGN INTER ST DE EST DE IC INT REST D REST INTER N PUB IC INT IC INT IGN P INTE ST DE EST DE LIC IN REST EREST UBLIC ST DE GN PU SIGN EREST E T P E I C E E C G E C E R U L ESI IC INT GN PU REST PUBLIC DESIG INTE IGN P REST D PUBLI INTER INTER PUBLC INTE IC INT PUBLI DESIG PUBL PUB ST DES PUBLI INTER INTER PUB IC INT LIC IN IGN INTER T DES ST DE IC INT REST E N I C I L T C S C S RE BL E N L N E E N T L I C B C T S C I G S I L I S I B T I S B L R G N G G B N E PU ST DE LIC IN ESIGN TERE PUB ST D IC IN ESIGN PUBL PUBL DESI PUB PU ESIG TERE DESI DESI INTE ESIG PUBL PUBL DES PU N PU ST DE PUBLI NTERE INTE N PU IC INT TERES I IC G L N E L D T N G E E B D N T N N D IN T T C D TER N PU REST BLIC I DESIGN INTER N PUB REST ESIGN ESIGN TERES DESIG DESIG EREST BLIC TERES TERES PUBLI EREST ESIGN ESIGN TERES DESIG DESI INTER ESIGN UBLIC PUBL DESI PUB BLIC I UBLIC E T E P T D G N U D C D U P D T T T D I C I T ES IC INT GN P REST PUBLI DESIG IC INT REST REST LIC IN EREST ERES IC IN GN P LIC IN LIC IN SIGN IC IN REST REST BLIC ERES TERES UBLI REST IGN SIGN TERES ESIGN GN PU IGN EREST I S I E D I L T P E T S L E L B B B L E E E E N T T E N E T U S S S PU ST D PUB C INT C INT N P IC IN LIC I IGN C INT ST DE EST D LIC I REST T DE ST D IC INT EST PUB ST DE LIC IN ESIGN TERES N PUB IC INT IC INT GN PU LIC IN LIC IN N PUB ST DE GN PU GN ARCHEWORKS L B RE GN LI BLI SIG BL UB ES LI RE ER UB TE ES RE BL TER I L E I I I E B D N G B G TER N PU REST BLIC I T DESI N PUB N PUB T DES N PU GN PU T DESI INTER T DES T DES C INTE T DESI N PUB N PU ST DE GN PUIGN P EST D N PUB INTE IC INT GN P LIC IN INTER C INTE GN PU IC IN BLIC C L S I S S I G E I G ESI IC INT GN PU TERES DESIG DESIG NTERE DESI T DESI TERES UBLIC NTERE NTERE PUBL TERES DESIG DESIG NTERE T DESI T DES INTER DESIG PUBLI PUBL T DES PUB UBLIC PUBL T DESI PUB N PU EST D I P P I T I I S N L S IN T T I S S IN S N G R S ES C T IN T T PUB ST DE BLIC TERES TERES UBLIC TERE TERE BLIC SIGN UBLIC UBLIC ESIGN BLIC TERES TERES UBLIC TERE NTER PUBLI TERES ESIGN ESIGN NTERE DESIG ESIGN ESIGN NTERE DESIG DESI INTE ESIGN E AT C FI TI ER C

M RA G O PR

POSTGRADUATE CERTIFICATE IN

PUBLIC INTEREST DESIGN

CHICAGO 2016 / 2017

2016 / 2017

ARCHEWORKS IS A CHICAGO-BASED DESIGN LAB AND EDUCATOR. OUR MISSION IS TO USE DESIGN AS AN AGENT OF CHANGE IN THE PUBLIC INTEREST. WE DRIVE DIALOGUE, POLICY, AND CITY DESIGN. WE INSPIRE A COLLABORATIVE PROCESS WHILE INVENTING AND TESTING INNOVATIVE PROTOTYPES THAT SHAPE THE FUTURE OF OUR CITY.

STUDIO Archeworks conducts and oversees research in many capacities. This multidisciplinary research thinktank engages areas beyond design that influence the social climate that we design within: education, policy, media, technology, waste streams, energy. This team deepens the focus, precision and impact potential for our projects.

SCHOOL Archeworks offers a postgraduate certificate that focuses on the skills, techniques and implementation of Public Interest Design: identifying opportunity, engaging a collective audience, convincing and testing ideas, and making design an agent of change. Through a vast network of industry experts, civic leaders, award winning practitioners and successful social entrepreneurs, students are given the tools and access to make a difference in the world, and the accountability to do so.

CAMPUS Archeworks operates Chicago Complex, a satellite campus for national and international universities.

This academic consortium for advanced urban studies utilizes the Chicago metropolitan area as a laboratory for contemporary cultural production. Students from diverse areas, nationalities and backgrounds bring a balanced and unbiased dialogue around some of Chicago’s most pressing social dilemmas, often exposing latent challenges and finding promising solutions.

ARCHEWORKS

2016 / 2017

“As designers, with the extraordinary power that we have developed to invent and present new sustainable ways of living, we have the ethical imperative to make our businesses align with this practice and potential. As citizens, we have the ethical imperative to make our governments develop and embrace this new way of being in the world. As individuals we have the ethical imperative to everything we can do to contribute to this way of working, with the greatest possible urgency to overcome the challenges that we face.�

BRUCE MAU NOW THAT WE CAN DO ANYTHING, WHAT WILL WE DO? ARCHEWORKS PAPERS VOL 1, NUMBER FIVE, 2008

ARCHEWORKS

PROGRAM

ARCHEWORKS

POSTGRADUATE CERTIFICATE IN PUBLIC INTEREST DESIGN

Archeworks is committed to a definition of Public Interest Design that is action-oriented, simultaneously tactical and spontaneous, community building and self-sustaining. Through a vast network of industry experts, civic leaders, award winning practitioners and successful social entrepreneurs, Archeworks students are given the tools and access to make a difference in the world, and the accountability to do so. Over the course of the Certificate Program, Archeworks students have incubated prototype solutions, brought products to market, organized community festivals and developed strategies for community and institutional growth. Our Alumni have gone on as entrepreneurs to start social impact businesses, receive advanced degrees in design and policy, lead communities and cities forward and exhibit their work throughout the world.

In the Postgraduate Certificate in Public Interest Design program, students collaborate with leaders in the public and private sector, ranging from global leaders in practice to local government to the local community, to address real world problems through an innovative design project. The Certificate Program builds core competencies inherent to successful designers and encompasses field-based research, participatory design that engages stakeholders, and rigorous experimentation and prototyping to refine concepts, proposals and interventions. Students gain theoretical and practical experience in socially responsible design while making an impact in urban communities. Our faculty of leading designers, urbanists, artists and policy makers from Chicago and beyond, provide students with creative guidance and personal mentoring.

OUR STUDENTS CONFRONT THE CHALLENGES FACING 21ST CENTURY CITIES, BECOME LEADERS COMMITTED TO SOCIAL CHANGE,

WORK WITH DESIGN LEADERS AND CHANGE

MAKERS, BUILD PORTFOLIOS AND GAIN EXPERIENCE IN SOCIALLY RELEVANT

PROJECTS, GAIN CRITICAL AND

TECHNICAL DESIGN SKILLS, AND ADVANCE PERSONALLY AND PROFESSIONALLY... ALL WHILE MAKING A MEASURABLE IMPACT IN CHICAGO’S COMMUNITIES. 2016 / 2017

SUMMARY

WHAT IS PUBLIC INTEREST DESIGN? Acting as a catalyst for social change, Public Interest Design addresses complex social problems that disproportionately impact under-served communities. It is guided by the belief that design should enhance quality of life for all, not just the privileged few.

IDENTIFY

Identify the problem and define the design challenge. Explore social, cultural and environmental problems that are multifaceted and complex, embody competing interests and institutionalized ways of thinking, and disproportionately affect disadvantaged members of society. Consider the ethical dimensions of design by exploring the research and design process in relation to personal values, the context of the problem, interest of stakeholders and decision makers, and larger societal issues.

ENGAGE

Engage stakeholders, decision makers and the wider public to understand the relationship of ideas to meaningful impact through collective action. Explore the responsibility of design to engage stakeholders at all levels, facilitate dialogue and encourage meaningful ownership, so that strategies are actionable and public interest translates into public impact. Achieve meaningful engagement and impact through methods of public discourse, group interaction and intentional collaboration in support of mutually beneficial agendas.

CONVINCE

Develop and test ideas against real world constraints and opportunities, finding strategies towards realization and implementation. Supported by deep research into the social and ethical dimensions of the design problem, produce generative insights and develop design solutions to evaluate within an iterative process. Consider messaging, representation and presentation to develop a coherent project narrative and convey the intent of design proposals to partners, stakeholders and allies.

MAKE

Learn design and prototyping skills to create mock-ups and explore bringing ideas to realization.

Refine creative thinking styles, strategies and methods for developing a design concept and translating it into an iterative material process. Develop skill working directly with material to advance a design agenda and use human-centered design to create change.

ARCHEWORKS

POSTGRADUATE CERTIFICATE IN PUBLIC INTEREST DESIGN

SCHEDULE 12 WEEKS — PROGRAMS OFFERED IN THE FALL AND SPRING DESIGN STUDIO — TUESDAYS 6:00-9:30 pm WORKSHOP / LECTURE — WEDNESDAYS 6:00-8:00 pm

Evening studios sessions are complimented by elective workshops and lectures designed to provide opportunities for skill building, networking, community engagement and public discourse. Throughout the duration of the studio, students have access to mentors who are leaders in architecture, design, planning, non-profits, and policy making, gaining exposure to current trends in practice and direction for next career steps. A design review is held at the end of the program and will include community members, experts in related fields, and professional designers

DELIVERABLES AND OUTCOMES Final deliverables include design concepts and strategies supported by drawings and articulated in writing, incorporated into a final project publication (print and/or digital). Process deliverables may include documentation drawings, photographs, and/or video; transcripts from interviews; and visual presentations. The work from the studio is incorporated in a published document and made accessible online. Students have opportunities to participate in public presentations, panels, and other events over the course of the Certificate Program.

TUITION AND FEES The program tuition is $3,100. The Archeworks Board reserves the right to revise tuition rates as necessary. If tuition is a determent in your ability to enroll, please contact the Archeworks office for scholarship information.

FINANCIAL AID/SCHOLARSHIPS

Archeworks has limited funding to distribute for financial assistance in the form of work-study scholarships. To help us understand your need for financial aid, please submit complete and submit our Financial Assistance form with your application for admission, or after acceptance. Merit scholarships may be available on a case-by-case basis FELLOWSHIP PROGRAM

Archeworks has a fellowship program for employees of select Chicago-based design firms and other organizations. If you have been recommended by your employer for a fellowship, please complete the Certificate Program Fellowship form.

2016 / 2017

SUMMARY

ADMISSIONS Archeworks welcomes students from a broad range of disciplines, both design-related fields and otherwise. Each class is structured to include a diversity of backgrounds, skills and aptitudes. We seek students who embrace the Archeworks philosophy of creating design solutions that benefit society and the environment.

LOCATION Archeworks is located in the heart of River North, Chicago’s cultural arts district. Our open warehousestyle workspace encourages the cross-breeding of ideas among teams and is equipped with a workshop to create models and prototypes.

APPLY WWW.ARCHEWORKS.ORG/CERT-PROG-ADMISSIONS

FOR MORE INFORMATION WWW.ARCHEWORKS.ORG INFO@ARCHEWORKS.ORG FB /ARCHEWORKS TWITTER @ARCHEWORKS

ARCHEWORKS IS COMMITTED TO A DEFINITION OF PUBLIC INTEREST DESIGN THAT IS ACTION-ORIENTED, SIMULTANEOUSLY

TACTICAL

AND

SPONTANEOUS,

COMMUNITY-BUILDING AND SELF-SUSTAINING. THROUGH A VAST NETWORK OF INDUSTRY EXPERTS, CIVIC LEADERS, AWARD-WINNING

PRACTITIONERS

AND

SUCCESSFUL

SOCIAL ENTREPRENEURS, STUDENTS ARE GIVEN THE TOOLS AND ACCESS TO MAKE A DIFFERENCE IN THE WORLD, AND THE ACCOUNTABILITY TO DO SO. ARCHEWORKS

FALL SESSION

SEP

POSTGRADUATE CERTIFICATE PROGRAM STUDIO SCHEDULE : 12 WEEKS, 20 SEP—13 DEC 2016 FINAL PRESENTATION/EXHIBITION : 17 JAN 2017

CONCEPT DEFINITION

OCT RESEARCH & ANALYZE

NOV DEVELOP & TEST

DEC

DESIGN STUDIO: TUE 6:00-9:30PM WKSHP/LECTURE WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT THUR: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

PROJECT SYNTHESIS

PRODUCE & DOCUMENT

JAN FINAL PRESENTATION

WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE

SPRING SESSION

JAN

POSTGRADUATE CERTIFICATE PROGRAM STUDIO SCHEDULE : 12 WEEKS, 31 JAN—18 APR 2017 FINAL PRESENTATION/EXHIBITION : MAY 9 2017

FEB

CONCEPT DEFINITION

MAR

RESEARCH & ANALYZE

DEVELOP & TEST

APR

DESIGN STUDIO: TUE 6:00-9:30PM WKSHP/LECTURE WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT THUR: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:30-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

DESIGN STUDIO: TUE 6:00-9:30PM ELECTIVE EVENT WED: 6:00-8:00PM

IN STUDIO

PROJECT SYNTHESIS PRODUCE & DOCUMENT

MAY FINAL PRESENTATION

WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE WORKSHOP / LECTURE

2016 / 2017

ARCHITECTURE, ENGINEERING, URBAN PLANNING, INTERIOR DESIGN, LANDSCAPE ARCHITECTURE SKIDMORE, OWINGS & MERRILL PERKINS+WILL CANNONDESIGN GENSLER GREC ARCHITECTS VON WEISE ASSOCIATES BARKER / NESTOR ARCHITECTS AMY CASSELL ATELIER PORT URBANISM GOETTSCH HOK LATENT DESIGN VOA ASSOCIATES INC. JAHN ARCHITECTS DLR GROUP ECKENHOFF SAUNDERS SOLOMON CORDWELL BUENZ VALERIO DEWALT TRAIN ROSS BARNEY ARCHITECTS INDUSTRIAL DESIGN / PRODUCT & STRATEGY DESIGNHOUSE CHICAGO IDEO TEAMS DESIGN GRAVITYTANK THE GREATER GOOD STUDIO DSCOU MINIMAL (MNML) LUNAR CHICAGO TEAMS DESIGN BEYOND DESIGN CRAIGHTON BERMAN STUDIO INSIGHT PRODUCT DEVELOPMENT RADIUS PRODUCT DESIGN & DEVELOPMENT FORCADE ASSOCIATES DESIGN CONCEPTS FORCADE ASSOCIATES DESIGN CONCEPTS SC JOHNSON BJORKSTEN UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PURDUE COLUMBIA COLLEGE MEDIA / ADVOCACY BUILTWORLDS AIA-CHICAGO CHICAGO ARCHITECTURE FOUNDATION AMERICAN PLANNING ASSOCIATION GOVERNMENT / NPO / NGO UNITED STATES ENVIRONMENTAL PROTECTION AGENCY CITY OF CHICAGO MAYOR’S OFFICE COOK COUNTY DEPARTMENT OF ENV. CONTROL CHICAGO DEPT OF PLANNING AND URBAN DEVELOPMENT SUSTAINABILITY OFFICE OF THE MAYOR DEPT OF WATER MGMT, STREETS AND SANITATION ALDERMAN FROM MULTIPLE WARDS DELTA INSTITUTE REBUILDING EXCHANGE BUILDING MATERIALS REUSE ASSOCIATION THE PLANT NPF EVANSTON REBUILDING WAREHOUSE METROPOLITAN PLANNING COUNCIL UNITED STATES GREEN BUILDING COUNCIL CHICAGO METROPOLITAN AGENCY OF PLANNING CITIZENS UTILITY BOARD ELEVATE ENERGY FAITH IN PLACE CHICAGO PUBLIC SCHOOLS GROWING POWER CHICAGO REHABILITATION INSTITUTE OF CHICAGO CHICAGO BOTANIC GARDEN SEGAL DESIGN INSTITUTE AT NORTHWESTERN UNIVERSITY ARCHITECTURE FOR HUMANITY DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS CHICAGO INTERNATIONAL CHARTER SCHOOL UNIVERSITY OF ILLINOIS AT CHICAGO REGIONAL TRANSPORTATION AUTHORITY NEIGHBORSPACE ENLACE CHICAGO DEVELOPERS / CONSTRUCTION / CONTRACTORS NEW CASTLE REAL ESTATE NOVAK CONSTRUCTION GRAYCOR FLATS CHICAGO / CEDAR PROPERTIES DIRTT ARCHEWORKS ARCHEWORKS

OFFICES WE WORK WITH

ARCHITECTURE, ENGINEERING, URBAN PLANNING, INTERIOR DESIGN, LANDSCAPE ARCHITECTURE

SKIDMORE, OWINGS & MERRILL PERKINS+WILL CANNONDESIGN GENSLER GREC ARCHITECTS VON WEISE ASSOCIATES BARKER / NESTOR ARCHITECTS AMY CASSELL ATELIER PORT URBANISM GOETTSCH HOK LATENT DESIGN VOA ASSOCIATES INC. JAHN ARCHITECTS DLR GROUP ECKENHOFF SAUNDERS SOLOMON CORDWELL BUENZ VALERIO DEWALT TRAIN ROSS BARNEY ARCHITECTS LANDON BONE BAKER INDUSTRIAL DESIGN / PRODUCT & STRATEGY

DESIGNHOUSE CHICAGO IDEO TEAMS DESIGN GRAVITYTANK THE GREATER GOOD STUDIO DSCOUT MINIMAL (MNML) LUNAR CHICAGO TEAMS DESIGN BEYOND DESIGN CRAIGHTON BERMAN STUDIO INSIGHT PRODUCT DEVELOPMENT RADIUS PRODUCT DESIGN & DEVELOPMENT FORCADE ASSOCIATES DESIGN CONCEPTS FORCADE ASSOCIATES DESIGN CONCEPTS SC JOHNSON BJORKSTEN UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PURDUE COLUMBIA COLLEGE 2016 / 2017

AGENCIES WE ENGAGE WITH

MEDIA / ADVOCACY

BUILTWORLDS AIA-CHICAGO CHICAGO ARCHITECTURE FOUNDATION AMERICAN PLANNING ASSOCIATION GOVERNMENT / NPO / NGO

UNITED STATES ENVIRONMENTAL PROTECTION AGENCY CITY OF CHICAGO MAYOR’S OFFICE COOK COUNTY DEPARTMENT OF ENVIRONMENTAL CONTROL CHICAGO DEPT OF PLANNING AND URBAN DEVELOPMENT SUSTAINABILITY OFFICE OF THE MAYOR DEPT OF WATER MGMT, STREETS AND SANITATION ALDERMAN FROM MULTIPLE WARDS DELTA INSTITUTE REBUILDING EXCHANGE BUILDING MATERIALS REUSE ASSOCIATION THE PLANT NPF EVANSTON REBUILDING WAREHOUSE METROPOLITAN PLANNING COUNCIL UNITED STATES GREEN BUILDING COUNCIL CHICAGO METROPOLITAN AGENCY OF PLANNING CITIZENS UTILITY BOARD ELEVATE ENERGY NATIONAL PUBLIC HOUSING MUSEUM CHICAGO PUBLIC SCHOOLS GROWING POWER CHICAGO REHABILITATION INSTITUTE OF CHICAGO CHICAGO BOTANIC GARDEN SEGAL DESIGN INSTITUTE AT NORTHWESTERN UNIVERSITY ARCHITECTURE FOR HUMANITY DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS CHICAGO INTERNATIONAL CHARTER SCHOOL UNIVERSITY OF ILLINOIS AT CHICAGO REGIONAL TRANSPORTATION AUTHORITY NEIGHBORSPACE ENLACE CHICAGO DEVELOPERS / CONSTRUCTION / CONTRACTORS

NEW CASTLE REAL ESTATE NOVAK CONSTRUCTION GRAYCOR FLATS CHICAGO / CEDAR PROPERTIES DIRTT LAKESHORE RECYCLING ARCHEWORKS

LEADERSHIP + FACULTY ANDREW BALSTER Andrew is a Chicago-based leader operating in the fields of architecture, urbanism, public policy, sociology, and academia. Working closely with influential leaders in the public and private sector, ranging from architects and planners to government officials and social activists, he creates research platforms to explore many forms of cultural production. He received an MScAAD and an MArch w/distinction from the University of Edinburgh in the UK. Andrew joined Archeworks as Executive Director in February 2015.

HILARY GABEL As Managing Director of Archeworks, Hilary oversees operations, communications, and marketing for educational programs and urban design initiatives. Prior to joining Archeworks, Hilary directed the Early College Program, a high school program in art and design at the School of the Art Institute of Chicago. She also has held positions in college admissions and possesses a wealth of experience in student recruitment and advising. She earned her BFA from Illinois Wesleyan University and completed graduate coursework in art education at the School of the Art Institute of Chicago.

JODY ZIMMER Jody is the Senior Designer at Archeworks and manages all aspects of design operations as the studio head of R&D projects and our internal think-tank. He has worked previously as a research analyst and project designer on several urban design initiatives in Chicago and New York. He holds a Bachelor of Science in Architecture from the University of Utah and a Master of Architecture from the University of Michigan.

PAOLA AGUIRRE Paola is an architect and urban designer from Northern Mexico. Paola’s personal experience and professional career is influenced by her transnational background, which feeds her understanding of simultaneity, flow, and exchange through a multidisciplinary approach to place and design. Before joining Place Lab, Arts + Public Life at the University of Chicago, she worked at Skidmore, Owings & Merrill for over 3 years, served as the coordinator of the Master Plan for Chihuahua 2040, worked at the Office of Strategic Assessment, Planning & Design at NYU. Paola received her M.Arch in Urban Design from Harvard’s GSD.

JULKA ALMQUIST Julka is a researcher, designer, and trend/futures analyst. Her work has been largely focused on cultural and civic institutions exploring how design and thoughtful visions of the future, can empower individuals and communities. She has worked as a design researcher at IDEO and the Mayo Clinic, and teaches design students at the School of the Art Institute of Chicago. She holds an interdisciplinary PhD at the intersection of anthropology and design from the University of California, Irvine.

CHARLES CHAMBERS A practicing architect in the Midwest, Charles discovers design opportunities in the latent culture of the middleclass. Not one to accept the traditional confines of contemporary academic & professional hierarchies or highbrow rhetoric, Charles’ wide-eyed optimism lies within the creativity of everyday Americans. His careerlong thesis aims to run a national workshop to educate micro-regions throughout the country through social & cultural programs, emphasizing the importance of considered design in everyday life, and as a means to institute meaningful community growth. Charles is from CLE, OH.

ODILE COMPAGNON Odile is an architect and a professor at the School of the Art Institute of Chicago. She brought to Chicago, 18 years ago, her experience of 15 years, facilitating public workshops, designing public buildings, planning urban developments in Central France. For her, a vital aspect of sustainable design involves weaving a network of knowledge, experience, and connections, so that endeavors in one arena become sources of creative solutions in another. Her work with theaters has permeated her architecture practice, which she sees as a collaborative effort, allowing for many voices to be heard, leaving some space and time for the unpredictable.

2016 / 2017

PAM DANIELS Pam is a practicing product designer and an instructor at Northwestern University. Her work experience includes roles as a Director at IDEO, a global design & innovation consultancy, and previously as a Senior Vice President at Starcom MediaVest Group in the media communications field. She has a passion for developing creative leaders of all ages, and inspiring fresh thinking to address problems that matter. She is a founding partner of DesignHouse Chicago, an organization dedicated to growing local manufacturing through design.

KATHERINE DARNSTADT Architect and educator Katherine Darnstadt is the founder and principal of Latent Design. Katherine brings innovative design to those in resource and budget limited environments through a holistic, creative approach to design driven by community needs that leverages other partners and assets to address project challenges.

Since founding her practice in 2010, Katherine and her firm have been recognized as an emerging leader in the architecture profession and have been published, exhibited and featured widely, most notably at the International Venice Biennale, Core 77 Design Awards, Architizer A+ Awards, Chicago Ideas Week, NPR, and as the 2013 American Institute of Architects Young Architects Honor Award winner.

NATASHA KROL Natasha works on increasing economic empowerment through collaborative innovation across sectors. She is the Managing Director of the Stanford College Transition Collaborative. Natasha previously worked at McKinsey and as the Director of Chicago’s Plan for Economic Growth and Jobs, with organizations in the US, Africa, and Asia. Natasha is a Chicago Council on Global Affairs Emerging Leader and was a Chicago Mayoral Fellow. Natasha holds a Bachelors of Arts in Neuroscience from the University of Pennsylvania and a Masters of Architecture from the University of Michigan.

LUIS MONTERRUBIO Luis works in Chicago’s government in the urban planning public sector focusing on land use, economic development and zoning policies as key elements that shape the fabric and livability of cities. He is a believer in creative interdisciplinary participation as the way to resolve pressing dilemmas like access to transit, housing affordability and employment creation of the urban arena. Luis holds a Bachelor of Architecture from the Universidad Autonomoma Metropolitana in Mexico City and a Masters of Urban Planning and Policy from the University of Illinois at Chicago.

RYAN PAUL NESTOR Ryan is the co-founder of Barker Nestor Architecture + Design - a leading hospitality design firm based in Chicago with a 20 year portfolio of hundreds of highly-regarded restaurant, bar, hotel, and entertainment design projects spanning the US. Awarded baccalaureates of architecture and science in environmental design from Ball State University, Ryan later diversified his education at the Chicago-Kent College of Law at the Illinois Institute of Technology. There, he was a member of both the Law Review and the nationally-recognized Trial Advocacy Team. Ryan sits as a guest jury critic and guest lectures at numerous Chicago area universities, and is a Visiting Instructor at TU Delft in the Netherlands.

ANNE NICKLIN Anne serves as the executive Director of the Building Materials Reuse Association, a national non-profit organization dedicated to the recovery and reuse of building materials. Anne has led the development of the first nationwide training curriculum and credentialing of deconstruction workers, and is actively collaborating with organizations around the country to expand its reach. In addition, Anne oversees the daily operations of the organization, has expanded the BMRA’s online directory, and brought about the continued expansion of the BMRA’s outreach.

TIM SWANSON Tim is an innovative designer, urban strategist and thought leader whose international portfolio of work explores the specificity of place and the prospect inherent in culture. He is part of the United Nations Habitat’s Placemaking Leadership Council, the Chicago Loop Alliance Placemaking Committee and is a former adjunct lecturer at the Harris School of Public Policy and Principal Mentor for the IIC Fellowship program, both at the University of Chicago. Tim is currently the Practice Leader at CannonDesign in Chicago.

ARCHEWORKS

POSTGRADUATE CERTIFICATE

22 YEARS

74

FACILITATORS

341 ALUMNI

61

PARTNERS

83

PROJECTS

2016 / 2017

PAST FACULTY MIKE NEWMAN, ARCHITECT 1996 – KERRIE MISTRY, ARCHITECT, URBAN DESIGNER 2014 – 2015 LISA KORPAN, ARCHITECT, PHOTOGRAPHER 2014 – 2015 NILAY MISTRY, LANDSCAPE ARCHITECT, URBAN DESIGNER, 2014 – 2015 IKER GIL, ARCHITECT, CHICAGO EXPANDER CO-DIRECTOR 2012 – 2014 ANTONIO PETROV, CHICAGO EXPANDER CO-DIRECTOR 2012 – 2014 KARA KOTWAS, CREATIVE DIRECTOR/DESIGNER, 2013 – 2014 KEVIN KAEMPF, ARTIST, SOCIAL AND COLLABORATIVE PRACTICE 2013 – 2014 LORA LODE, ARTIST, SCULPTURE AND INSTALLATION 2013 – 2014 KAREESHMA ALI, ARCHITECT, (FELLOW 2013 – 2014) ANDREW CLARK, EXPERIENCE DESIGNER, (DESIGN RESOURCE 2013 – 2014) SMITA MODI, DESIGNER, (DESIGN RESOURCE 2013 – 2014) ROD VICKROY, DESIGNER, (DESIGN RESOURCE 2013 – 2014) CHESNEY FLOYD, ARCHITECT, 2011 – 2013 JANE SLOSS, ARCHITECT, 2011 – 2013 PATRICK C. CUNNINGHAM, PRODUCER, 2011 – 2012 (FELLOW 2012 – 2013) DENISE ARNOLD, (DESIGN RESOURCE 2012 – 2013) RYAN WILSON, LANDSCAPE ARCHITECT, 2010 – 2012 SUSAN KING, ARCHITECT, (DESIGN RESOURCE 2011 – 2013) ANTHONY PRINCE, WAYFINDER, (DESIGN RESOURCE 2011 – 2013) FERESHTEH TOOSI, MULTIMEDIA ARTIST (FELLOW 2011 – 2012) STEVE DILLON, ARCHITECT, 2010 – 2011 CATHERINE MULLER, ARCHITECT (FELLOW 2010 – 2011) MASON PRITCHETT, ARCHITECT, 2008 – 2011 ANDREW VESSELINOVITCH, URBAN DESIGNER & PLANNER, 2008 – 2011 GILES A. JACKNAIN, BUSINESS CONSULTANT, 2003 – 2010 KEES LOKMAN, LANDSCAPE ARCHITECT, DESIGNER 2008 – 2010 JESSE VOGLER, ARCHITECT, DESIGNER 2008 – 2010 CORNELIA ANN BAILEY, WEB DIRECTOR, DESIGNER 2007 – 2008 MARK BUCHALTER, CREATIVE DIRECTOR 2007 – 2008 SAMAR HECHAIME, DESIGNER, PROJECT MANAGER 2005 – 2008 NANCE KLEHM, ECOLOGICAL DESIGNER 2007 – 2008, 2012 – 2013 ELVA RUBIO, ARCHITECT, DESIGNER 2007 – 2008 DAVID WOODHOUSE, ARCHITECT 2006 – 2008 LEE BEY, ARCHITECTURE CRITIC, BA 2006 – 2007 SARAH DUNN, ARCHITECT, M ARCH 2006 – 2007 MARTIN FELSEN, AIA ARCHITECT, M ARCH 2006 – 2007 CÉSAR NUÑEZ, COMMUNITY ORGANIZER 2006 – 2007 ELLEN GRIMES, MBA, M ARCH 2005 – 2006 EDWARD KEEGAN, B ARCH 2005 – 2006 RANDY KOBER, ARCHITECT, M ARCH 2004 – 2007 PAT SALDANA NATKE, ARCHITECT, M ARCH 2003 – 2006 DANIEL TOWLER WEESE, M ARCH 2005 – 2006 LISA KULISEK, ARCHITECT, M ARCH 2004 – 2005 CLARE LYSTER, ARCHITECT, M ARCH 2003 – 2004 AMMAR ELOUEINI, ARCHITECT, M ARCH 2000 – 2004 KERL LAJEUNE, ARCHITECT, B ARCH 2002 – 2004 JEANNE GANG, ARCHITECT, M ARCH 2002 – 2004 JASON PICKLEMAN, GRAPHIC DESIGNER, 2002 – 2005 BRAD LYNCH, ARCHITECT, B ARCH 2002 – 2005 DOUGLAS GAROFALO, ARCHITECT, M ARCH 1994 – 2002 MICHAEL NEWMAN, ARCHITECT, M ARCH 1995 – 2002 BEN NICHOLSON, ARCHITECT, M ARCH 1995 – 1996, 2001 – 2002 CHARLES SMITH, ARCHITECT, B ARCH 2001 – 2002 ANNA KANIA, ARCHITECT, B ARCH 2001 – 2002 MAURA CRISHAM, ARCHITECT, M ARCH 2000 – 2001 MONICA CHADHA, ARCHITECT, B ARCH 1999 – 2001 KENT LAWSON, INDUSTRIAL DESIGNER, BA 1999 – 2000 RICHARD WALTHERS, ARCHITECT, MA 1999 – 2000 FRANCES WHITEHEAD, ARTIST, MFA 1999 – 2000 DIAN LOVE, ARCHITECT, MFA, M ARCH 1995 – 1997 SUE RYDER, INDUSTRIAL DESIGNER, BFA 1996 – 1999 EILEEN JONES, INTERIOR DESIGNER, BFA 1998 – 1999 ANDREA (ARSENAULT) REYNDERS, ARTIST, BFA 1996 – 1998 LILY ZAND, ARCHITECT, B ARCH 1994 – 1995 ROBERT SOMOL, EDUCATOR, JD, PHD 1994 – 1997 EVA MADDOX 1994 – 2004 STANLEY TIGERMAN 1994 – 2004

ALUMNI 2016 DANIELLE CACIOPPO, INTERIOR DESIGN ROB CALVEY, ARCHITECTURE CHARLES CHAMBERS, ARCHITECTURE EMMA CUCIUREAN-ZAPAN, ARCHITECTURE OWEN DALTON, ELECTRICAL ENGINEER / LIGHT DESIGNER MARC DEHEEGER, ARCHITECTURE KEVIN DUNPHY, ARCHITECTURE / URBAN PLANNING ZEINA HAWA, ENVIRONMENTAL ENGINEERING LEANNA HUMPHREY, ARCHITECTURE MICHAEL JIVIDEN, ARCHITECTURE AARON KALFEN, ARCHITECTURE IAN KAMINSKI-COUGHLIN, ARCHITECTURE CHELSEA KILBURN, ARCHITECTURE JOHN KNUTESON, ARCHITECTURE RACHEL LEVEN, COMMUNICATIONS YAN LI, ARCHITECTURE ANDREW LIONIKIS, ARCHITECTURE TAU MA, ARCHITECTURE KAREN MACKAY, DESIGNER MARIA PALENCIA, ARCHITECTURE DAWVEED SCULLY, ARCHITECTURE GILRYONG SONG, ARCHITECTURE NICOLETTE STOSUR-BASSETT, PROGRAM SUPPORT NICOLE WIZNITZER, ARCHITECTURE 2015 SHARON AURELIO, ARCHITECTURE LUCIE HERMAN, ARCHITECTURE URBA MANDREKAR, PSYCHOLOGY / BIOLOGY ROBYN PAPROCKI, GRAPHIC DESIGN RACHEL PERRINE, GRAPHIC DESIGN COLLEEN MCGINNIS, ARCHITECTURE MICHELLE VILLARREAL, LANDSCAPE ARCHITECTURE 2014 NICOLE MALCOLM, ARCHITECTURE SHIVA RASHIDIANFAR, MARKETING WHITNEY RICHARDSON, INTERNATIONAL STUDIES LIAN SZE, LIBRARY & INFORMATION SCIENCE ALICIA VIRANI, ARCHITECTURE MICHELLE WILLIAMS, SOCIOLOGY / LANDSCAPE ARCH 2013 AZMINA ALIMOHD, URBAN PLANNING MEREDITH BLAKE, HISTORY / WOMEN & GENDER STUDIES BONNIE EWALD, MATHEMATICS / GEOGRAPHY ELIZABETH GAFFRON, OCCUPATIONAL THERAPY FATIMA KANCHWALA, ARCHITECTURE RICARDO LOPEZ, SOCIOLOGY JOY RAY, REHABILITATION EDUCATION 2012 ALICIA BIRD, WORKPLACE DESIGN JOHANNA BRANDT, ARCHITECTURE WILLIAM CWIK, ECONOMICS TIMOTHY DIONNE, OCCUPATIONAL THERAPY BARBARA DWYER, MATHEMATICS EDUCATION MEGAN GALLAGHER, ARCHITECTURE GRANT PENFIELD, HAUGEN INTERNATIONAL STUDIES MARIA HEWETT, VISUAL ARTS NATHAN MARTEL, GRAPHIC DESIGN JENNIFER DARBY MORRIS, ANTHROPOLOGY CLEO NGIAM, FINE ARTS / WRITING MARSHELLE SAMUELS, HUMAN RESOURCES ELIZABETH SZURPICKI, ARCHITECTURE 2011 LINDSAY BANKS, URBAN PLANNING YAEL BREIMER, URBAN DESIGN CAITLIN BRICE, SPEECH LANGUAGE PATHOLOGY JEFF BURANDT, ARCHITECTURE MADHOOLICA DEAR, INTERIOR AND TEXTILE DESIGN LUIS GARCIA, FINE ART GRAHAM GIOVAGNOLI, BUSINESS / URBAN DESIGN ERIC HEINEMAN, SUSTAINABILITY ADVISING LIZ KRAMER, ENGINEERING / ORGANIZING JARED LAURIDSEN, PRODUCT DESIGN ALLIE O’NEILL, ARCHITECTURE MICHELLE RUIZ, FILM / INTERACTIVE MEDIA BARRY SCHAYE, CONTRACTING / BUSINESS JAMIE SEBOLD, GRAPHIC DESIGN PHILIP SYVERTSEN, ARCHITECTURE FERESHTEH TOOSI, INTERDISCIPLINARY ART MEREDITH VLAHAKIS, ARCHITECTURE / SOCIAL WORK BOB WALSH, ORTHOPEDIC SURGERY 2010 KAREESHMA ALI, ARCHITECTURE / URBAN PLANNING RACHEL BELANGER, ENVIRONMENTAL STUDIES SHAFAQ CHOUDRY, ARCHITECTURE CATHERINE FERRARI, HISTORY KATHLEEN JOHNSON, ARCHITECTURE MARIA KULESA, INTERIOR DESIGN DEREK LAYES, MUSIC ADAM PANZA, ENVIRONMENTAL SCIENCE MIG ROD, ARCHITECTURE GEOFFREY SALVATORE, ARCHITECTURE JENNIFER SCULLEY, INTERIOR DESIGN CRAIG STEVENSON, FINE ARTS 2009 DANIELLE AHERN, MEDIA PRODUCTION JENNY BABCOCK, GREEN BUILDING SUPPLY SALES KRISTIN DELAP, INTERIOR DESIGN AARON DRAKE, SAILMAKING KADI FRANSON, FINE ARTS

DANIELLE GHARST, INTERIOR ARCHITECTURE SHANNON MANGIAMELI, CONSTRUCTION MANAGEMENT STACY PETERSON, GRAPHIC DESIGN BRAD RIEMANN, ARCHITECTURE KENDRA ROBINSON, AIRCRAFT INTERIOR DESIGN RACHAEL RODECK, INTERIOR DESIGN ANN MARIE SCHNEIDER, FINE ARTS / TECHNICAL CONSULTING MICHAEL SULLIVAN, ENVIRONMENTAL ENGINEERING LYNDON VALICENTI, ENVIRONMENTAL POLICY CHRIS VANDENBRINK, ARCHITECTURE PREETHI VENKATARAMANUJAM, CIVIL-STRUCTURAL ENG TED BAXTER, ACCOUNTING AND INVESTMENT BENJAMIN BILOW, GRAPHIC DESIGNER 2008 ANITA BIRSA, MARKETING MICHAEL FINN, ARTS ADMINISTRATION TARA FLIPPIN, ECONOMICS / INTERIOR DESIGN DAN GOFFMAN, HISTORY PROFESSOR DAWN HEITSCH, INTERIOR DESIGN CHARLENE JONES, TRAINING CONSULTANT MARIELLA MONTERRUBIO, REAL ESTATE T. ANNIE NGUYEN, COMMUNICATIONS / STUDIO ART SAM PORETTA, ART DIRECTOR / THEATER AMANDA ROELLE, ARCHITECTURE KURT SCHLEICHER, ENGLISH / ART HELEN SCHNEIDER, ARCHITECTURE MICHELLE VONDIZIANO, ART HISTORY 2007 EDIE BABBITT, SPEECH AND LANGUAGE PATHOLOGIST CORNELIA ANN BAILEY, WEB DESIGN / IT MANAGEMENT LISA DEWEY-MATTIA, ART HISTORY SAM MANGEN, EXHIBITION PREPARATION JAN NOVAK, REAL ESTATE ZOE PERKINS, FINE ARTS JYOTIKA PURWAR, DESIGN - INDIA ANDREW RIZZUTO, IT MANAGEMENT MEGAN SATHER, INTERIOR DESIGN RUTH SCHMIDT, INTERFACE DESIGNER EVAN SHARP, BUSINESS CONSULTANT DAN SHEETZ, WEB PRODUCER RYAN WILSON, LANDSCAPE DESIGNER REBEKAH ZUNIGA, INTERIOR DESIGN 2006 SELENA ANDERS, ART HISTORY ANTHROPOLOGY - USA SARAH BACK, INTERIOR DESIGN PHILOSOPHY - USA BRIGETTE BORDERS, ART HISTORY / ARCHITECTURE - USA LAURA CARTER, GEOGRAPHY / SPANISH - USA ERIKA DEVONES, INSTRUCTIONAL DESIGN - USA ELMARIE GULA, ARCHITECTURE - USA ALICIA GWINN, INTERIOR ARCHITECTURE - USA KARL HAKKEN, INSTRUCTIONAL TECHNOLOGY - USA KATIE HART, ARCHITECTURE - USA JASMINE LEE, INTERIOR ARCHITECTURE - USA ASHLEE MCLAUGHLIN, ART / ENVIRONMENTAL STUDIES - USA TAL LEVIN, BIOPSYCHOLOGY / NEUROSCIENCE - USA BILLIE SCOTT, ART - USA ERIKA SCHULTZ, ENGLISH LITERATURE / ADVERTISING - USA PAMELA STEINER, INTERIOR ARCHITECTURE - USA 2005 TRACEY ARIGA, INTERIOR ARCHITECTURE - USA LANN BRUMLIK, ARCHITECTURE - USA ANDREW BUHAYAR, MARKETING / INDUSTRIAL DESIGN - USA LISA FIINK, ENGINEERING - USA PETER GIANNOPOULOS, PHILOSOPHY - USA LIZ KNOWLES-O’HARE, MUSIC / APPLIED SCIENCE - USA MICHAEL LACOSTE, ART HISTORY - USA KATHLEEN MCCARTHY, SCULPTURE - USA ERIK NEWMAN, PRODUCT DESIGN - USA ANN POSPISHIL, INTERIOR DESIGN - USA JILL PULEO, FILM - USA CLEMENCE ROGER, ARCHITECTURE - FRANCE SUZANNA SANTOSTEFANO, STUDIO ART - USA CAROLINE SHILLITO, INTERIOR DESIGN - USA LARS SODERKVIST, STUDIO ART / EDITING - USA TIMOTHY SOLA, ACCOUNTING - USA MARTIN SYVERTSEN, POLITICAL SCIENCE - USA JESSICA THURK, SOCIOLOGY - USA SARAH VOGEL, HUMANITIES - USA 2004 WILLIAM BOUVEL, GEOGRAPHY - USA TAMMY CHU, INDUSTRIAL DESIGN / WOMEN’S STUDIES - USA MEG CUMMINS, ARCHITECTURE - USA PATRICE EBY BURKE, POLITICAL SCIENCE / MARKETING - USA KRISTIAN ESPINOSA, GRAPHIC DESIGN / ART HISTORY - USA AMY FERGUSON, CIVIL ENGINEERING - USA JO ANN GRAY-MURRAY, URBAN PLANNING - USA AMY GREENWOOD, EDUCATION - USA KARA KOTWAS, ART & DESIGN - USA KIM LOVELY, GRAPHIC DESIGN - USA JANEEN MUSSELMAN, INTERIOR DESIGN - USA LAURIE PRICE SOCIAL, SERVICE ADMIN. - USA LAURA SMITH, ENVIRONMENTAL DESIGN - USA LUKE VOILAND, GEOGRAPHY / DESIGN - USA 2003 JENNIFER RAE BAKER, INTERIOR DESIGN - USA DAWN BALBUS, MARKETING / DESIGN - USA ERIKA CAREY, INTERIOR DESIGN - USA TAMMY DOBREZ, MARKETING / INTERIOR DESIGN - USA SAGE FERGUSON, MARKETING - USA BRENT FOSTER, ARCHITECTURE - USA

MEGAN HEMMERLE, INTERIOR DESIGN - USA JOHN JEFFERY, ARCHITECTURE - UNITED KINGDOM HEIDI LUBIN, HISTORY / GLOBALIZATION - USA CHRISTOPHER MACK, ART & DESIGN - USA VIJAY PATEL, ARCHITECTURE - UNITED KINGDOM GREGORY THORPE, SCULPTURE / INT. ARCHITECTURE - USA MATTHEW UTLEY, ARCHITECTURE / ENVIRON. DESIGN - USA SARA VICKERS, BIOLOGY / FURNITURE DESIGN - USA KARI VISTE, ARCHITECTURE - USA 2002 ANAHITA ANANDAM, ARCHITECTURE - USA JENNIFER BAKER, COMM. / ADVERTISING - USA MARY DAVIS, ENGLISH / CREATIVE WRITING - USA SEVRA DAVIS, ARCHITECTURE - USA OWEN GERST, MARKETING - USA LUC GEHANT, FILM AND VIDEO - USA ROSMA GUTIERREZ, INDUSTRIAL DESIGN - BOLIVIA DAVID HARRELL, BIOLOGY - USA CHRISTINA HOXIE, ARCHITECTURE / INTERIOR DESIGN - USA GUNDA MAURER, ARCHITECTURE - AUSTRIA SANTINO MEDINA, ARCHITECTURE - USA YASHA MOREHOUSE AMBER, BIOLOGY / PSYCHOLOGY - USA LYN PAYTON, ARCHITECTURE - USA DONNA PIACENZA, INDUSTRIAL DESIGN - USA JOSHUA ROBERTS, ARCHITECTURE - USA JENNIFER SCHAAP, INDUSTRIAL DESIGN - USA KIMBERLY THOMAS, INTERIOR DESIGN - USA 2001 JANE CATALANO, INTERIOR DESIGN - USA JAMIE HIBBERT, INTERIOR DESIGN - USA JANNA KIMEL, THEATER - USA FRANCIS KMIECIK, FINE ARTS - USA ANN PANOPIO, ENVIRON. DESIGN / ARCHITECTURE - USA NICHOLAS STOCKING, REAL ESTATE DEVELOPMENT - USA TIM WALL, FINE ARTS - USA 2000 LAURA FALLACE, INTERIOR DESIGN - UNITED KINGDOM KEVIN FENNEL, BIOLOGY - USA PEDER GULBRANDSEN, INDUSTRIAL DESIGN - USA MARGOT HODGSON, MATHEMATICS / INTERIOR DESIGN - USA JUDY JACOBSON, ELECTRONIC ENGINEERING - USA SIDSEL JUST, ARCHITECTURE - DENMARK STEVEN MARX, BUSINESS - USA ANN MELICHAR, INTERIOR DESIGN - USA ADAM SEMEL, HUMANITIES - USA BONNIE SHERWOOD, ARCHITECTURE - USA EWOUT VANDERWEGHE, ARCHITECTURE - BELGIUM NELSON WHITE, PRESERVATION / URBAN PLANNING - USA 1999 TOM CHISARI, ARCHITECTURE - USA KATIE FLOWERS, ART - USA NIKI HUNT, ART - USA ANAND KATARIA, ARCHITECTURE - INDIA MAREN NELSON, DESIGN HISTORY - USA DAVID PINDEL, ARCHITECTURE - USA EMILY PUGH, ART HISTORY - USA MICHAEL SCHUMACHER, ARCHITECTURE - USA KEVIN STEPHENS, ART / GRAPHIC DESIGN - USA 1998 COLLEEN CASEY, REAL ESTATE - USA ELIZABETH CHENG, LAW - USA DELORES CHIANG, INTERIOR DESIGN - CANADA SHARVEY DONGDE, ARCHITECTURE - INDIA ANDRENE JOHNSON, ART - USA JOHN LABUSHANGNE, SOLDIER OF FORTUNE - SOUTH AFRICA STEVEN OBENDORF, STUDIO ART - USA 1997 SHELLY WOZNIAK, GRAPHIC DESIGN - USA MONICA CHADHA, ARCHITECTURE - CANADA DIANE DENNA, PUBLIC ADMINISTRATION - USA UNA MOON, CREATIVE WRITING - USA LAURA RAMIREZ, ARCHITECTURE - COLUMBIA OSCAR ROMMENS, ARCHITECTURE - BELGIUM RACHEL SCHEU, INDUSTRIAL DESIGN - USA DONNA SCHMIDT, INDUSTRIAL DESIGN - USA ALEX SEXSMITH, ART HISTORY - USA INGRID SWENSON, ART HISTORY - USA 1996 CAROLYN ANSELMINI, STORE PLANNER - USA CHRISTOPHER CARVIN, ARCHITECTURE - USA KATHERINE GEHRING, ART HISTORY - USA LYDIA GOUVEIA, ARCHITECTURE - USA JULIE FLOHR, ARCHITECTURE - FRANCE INAKI ARCHANCO, ARCHITECTURE - SPAIN KATHRYN HARTIGAN, PASTORAL STUDIES - USA SUSANNA MATTHEWS, GOVERNMENT - USA CHRISTOPHER NIGRO, ARCHITECTURE - USA SUSAN RYDER, INDUSTRIAL DESIGN - USA JORIS VAN REUSEL, ARCHITICTURE - BELGIUM 1995 MAURA BRAUN, INTERIOR DESIGN - USA MARION BROWN, INDUSTRIAL DESIGN - USA PHIL COTTON, GRAPHIC DESIGN - USA PIERRE GEORGES, ARCHITECTURE - WEST INDIES ANNA KANIA, ARCHITECTURE - USA LAURENCE KASIMOW, POLITICAL SCIENCE - USA REBECCA KRENGEL, INTERIOR DESIGN - USA MICHELLE ROSENBERG, ARCHITECTURE - USA

ARCHEWORKS

2016-2017 PROJECTS

ARCHEWORKS

POSTGRADUATE CERTIFICATE

SELF <> CITY

2016-2017 PARTNERS: LATENT DESIGN AND CHICAGO DEPARTMENT OF TRANSPORTATION Archeworks is partnering with Latent Design and the Chicago Department of Transportation on Activate! Chicago, a new citywide initiative to transform underutilized public plazas into cultural and economic catalysts. Students enrolled in Archeworksâ&#x20AC;&#x2122; Postgraduate Certificate in Public Interest Design program will collaborate with private, public and community members to develop design concepts and installations to revitalize plaza sites located in the Woodlawn and Little Village neighborhoods. Using participatory and human-centered design methods, Archeworks will facilitate place-based community development that will be integrated into public space design systems and prototyped on the sites. The Certificate Program studio will begin in Fall 2016 and will be led by Katherine Darnstadt, Founder and Principal Architect of Latent Design.

2016 / 2017

CURRENT PROJECTS

SOCIAL CONSTRUCTION

2016-2017 PARTNERS: THE NATIONAL PUBLIC HOUSING MUSEUM Archeworks is partnering with the National Public Housing Museum (NPHM) on a design/build project that explores the conditions of urban disinvestment resulting in housing foreclosures, building demolitions, loss of jobs, crime and violence. The complex landscapes and histories connecting public housing to prisons and policies of mass incarceration will be investigated through primary research and participatory design with public housing residents and the formerly incarcerated. Using deconstructed materials recovered from the Jane Addams Homes, the first public housing project built in Chicago and future site of the NPHM, the Archeworks team will co-create architectural constructs and design installations that amplify the experiences of the people who lived there. The project will result in functional prototypes that contribute to the NPHMâ&#x20AC;&#x2122;s collections, exhibitions and community engagement outcomes, culminating in the Museumâ&#x20AC;&#x2122;s preview phase opening during the 2017 Chicago Architectural Biennial.

ARCHEWORKS

PUBLIC LECTURES

POSTGRADUATE CERTIFICATE THE COMPLEXITY OF THE CONTEMPORARY CITY REQUIRES ARCHITECTS AND DESIGNERS TO DISCOVER AND DEFINE NEW METHODS, TACTICS, TOOLS AND APPROACHES TO PROJECTS. THE PROFESSION AND THE ACADEMY BOTH SUFFER FROM THE LACK OF OPPORTUNITY, OR WILLINGNESS, TO ENGAGE IN THIS COMPLEX ENVIRONMENT. THE REALITY IS THAT DESIGN, AT ALL SCALES, INVOLVES A VAST ARRAY OF PEOPLE FROM THE PUBLIC AND PRIVATE SECTOR: DECISION MAKERS, STAKEHOLDERS, CONSULTANTS, SPECIALISTS, AND THE END USER. ARCHEWORKS’ SPRING LECTURE SERIES FEATURED ARCHITECTS AND DESIGNERS THAT CHALLENGE THE TRADITIONAL, NOSTALGIC AND DOMINANT WAYS OF PRACTICE IN THE INTEREST OF THE PUBLIC GOOD. XAVIER WRONA, FOUNDER OF EST-CE AINSI, PARIS The articulation of architectural thinking to the production of reality has historically taken many forms. It is fairly recent that its applications drastically shrank down and were limited to the sole production of buildings. Such production is currently under the massive influence of dystopian neoliberal mechanisms, to the point that they nullify any attempt of its reform, whether they rise out of architecture schools or architecture firms. If we seriously wish to articulate architecture to the “changing” of reality, as Marx famously coined it, we propose to apply architectural thinking to the means of production of reality themselves. Buildings will then follow.

MAARTEN GIELEN, FOUNDER ROTORDB, BRUSSELS Founded in 2005, Rotor is a collective of people with a common interest in the material flows in industry and construction. On a practical level, Rotor handles the conception and realization of design and architectural projects. On a theoretical level, Rotor develops critical positions on design, material resources, and waste through research, exhibitions, writings and conferences.

CLEMENT BLANCHET, FOUNDER OF CLEMENT BLANCHET ARCHITECTURE, PARIS The near future is driven towards a certain type of resistance. To simply generate progress, we should resist several phenomenon’s: To resist nostalgia, to resist politics, to resist nature, to resist utopia, to resist egos, to resist beauty, to resist options, to resist consensus, to resist planification, to resist technologies, to resist graphics, to resist speed, to resist medias, to resist publicity.

Architecture should generate a new sign of endurance, potentially the only option to reveal future sources of optimism. Architecture should not always be extra ordinary. What if architecture could help to reconsider a certain type of hope?

ANDREW MODDRELL, CO-FOUNDER OF PORT URBANISM, CHICAGO PORT is a leading edge urban design and public realm consultancy based in Chicago that specializes in the analysis, visioning, design and implementation of new forms of collective urban space. The practice synthesizes disciplinary expertise in urban design, architecture, landscape architecture, ecology and urban planning in order to provide the hybrid model of design services necessary to negotiate today’s increasingly complex public realm challenges. Established by Christopher Marcinkoski and Andrew Moddrell in 2010, PORT has evolved into one of the most innovative public realm design practices operating in the U.S. today.

2016 / 2017

SPRING 2016 LECTURE SERIES

ARCHITECTURING THE MEANS OF PRODUCTION OF REALITY

ROTOR

THE ARTICULATION OF ARCHITECTURAL THINKING TO THE PRODUCTION OF REALITY HAS HISTORICALLY TAKEN MANY FORMS. IT IS FAIRLY RECENT THAT ITS APPLICATIONS DRASTICALLY SHRANK DOWN AND WERE LIMITED TO THE SOLE PRODUCTION OF BUILDINGS. SUCH PRODUCTION IS CURRENTLY UNDER THE MASSIVE INFLUENCE OF DYSTOPIAN NEOLIBERAL MECHANISMS, TO THE POINT THAT THEY NULLIFY ANY ATTEMPT OF ITS REFORM, WHETHER THEY RISE OUT OF ARCHITECTURE SCHOOLS OR ARCHITECTURE FIRMS. IF WE SERIOUSLY WISH TO ARTICULATE ARCHITECTURE TO THE "CHANGING" OF REALITY, AS MARX FAMOUSLY COINED IT, WE PROPOSE TO APPLY ARCHITECTURAL THINKING TO THE MEANS OF PRODUCTION OF REALITY THEMSELVES. BUILDINGS WILL THEN FOLLOW.

FOUNDED IN 2005, ROTOR IS A COLLECTIVE OF PEOPLE WITH A COMMON INTEREST IN THE MATERIAL FLOWS IN INDUSTRY AND CONSTRUCTION. ON A PRACTICAL LEVEL, ROTOR HANDLES THE CONCEPTION AND REALIZATION OF DESIGN AND ARCHITECTURAL PROJECTS. ON A THEORETICAL LEVEL, ROTOR DEVELOPS CRITICAL POSITIONS ON DESIGN, MATERIAL RESOURCES, AND WASTE THROUGH RESEARCH, EXHIBITIONS, WRITINGS AND CONFERENCES.

FEBRUARY 16, 2016 6:30 @ ARCHEWORKS

MARCH 2, 2016 6:30 @ ARCHEWORKS

XAVIER WRONA Est-ce ainsi FRANCE

MAARTEN GIELEN ROTOR BELGIUM

Xavier Wrona is the founder of the architecture office Est-ce ainsi, a structure working to refocus the architectural practice on its political consequences and its possible participation in the reform of “vivre ensemble.” Est-ce ainsi articulates a critical reading of the figure of the architect throughout history to the production of inordinately minimum architectures with a particular attention to the means of production of the built environment.

Maarten Gielen is a founding member of the collective Rotor where he currently works as designer, manager and researcher. Founded in 2005, Rotor is a group of architects, designers and other professionals interested in material flows in industry and construction, particularly in relation to resources, waste, use and reuse. Rotor disseminates creative strategies for salvage and waste reduction through workshops, publications, and exhibitions. They represented Belgium at the 12th International Architecture Exhibition of the Venice Biennial in 2010, exhibited at the Fondazione Prada in Milan, and partnered with OMA at the Progress Barbican Art Gallery in London.

Architect DPLG, Xavier Wrona is a graduate of the Ecole Nationale Supérieure d’Architecture de Paris La Villette and of the Georgia Institute of Technology in Atlanta, GA. He taught from 2002-2010 for the FrancoAmerican studio for the Georgia Tech Paris Program at the ENSAPLV in Paris, at the ENSAPBX in Bordeaux and is now associate professor at the Ecole Nationale Supérieure d’Architecture de Saint-Etienne, France. Est-ce ainsi was awarded the Young Architects and Landscape Architects prize by the french Ministry of Culture in 2010.

PRESENTED BY

“OPINIÂTRETÉ” OBSTINACY

PRESENTED BY

PORT URBANISM

THE NEAR FUTURE IS DRIVEN TOWARDS A CERTAIN TYPE OF RESISTANCE. TO SIMPLY GENERATE PROGRESS, WE SHOULD RESIST SEVERAL PHENOMENON’S: TO RESIST NOSTALGIA, TO RESIST POLITICS, TO RESIST NATURE, TO RESIST UTOPIA, TO RESIST EGOS, TO RESIST

PORT IS A LEADING EDGE URBAN DESIGN AND PUBLIC REALM CONSULTANCY BASED IN CHICAGO THAT SPECIALIZES

BEAUTY, TO RESIST OPTIONS, TO RESIST CONSENSUS, TO RESIST PLANIFICATION, TO RESIST TECHNOLOGIES, TO

IN THE ANALYSIS, VISIONING, DESIGN AND IMPLEMENTATION OF NEW FORMS OF COLLECTIVE URBAN SPACE.

RESIST GRAPHICS, TO RESIST SPEED, TO RESIST MEDIAS, TO RESIST PUBLICITY. THE PRACTICE SYNTHESIZES DISCIPLINARY EXPERTISE IN URBAN DESIGN, ARCHITECTURE, LANDSCAPE ARCHITECTURE SHOULD GENERATE A NEW SIGN OF ENDURANCE, POTENTIALLY THE ONLY OPTION TO REVEAL FUTURE

ARCHITECTURE, ECOLOGY AND URBAN PLANNING IN ORDER TO PROVIDE THE HYBRID MODEL OF DESIGN SERVICES

SOURCES OF OPTIMISM. ARCHITECTURE SHOULD NOT ALWAYS BE EXTRA ORDINARY. IT SHOULD RECONSIDER ITS

NECESSARY TO NEGOTIATE TODAY’S INCREASINGLY COMPLEX PUBLIC REALM CHALLENGES. ESTABLISHED BY

ABILITY TO BE ORDINARY WITHIN A NEW TYPE OF COLLECTIVISM, SOURCE OF AN EXTRA ORDINARY URBANISM.

CHRISTOPHER MARCINKOSKI AND ANDREW MODDRELL IN 2010, PORT HAS EVOLVED INTO ONE OF THE MOST

WHAT IF ARCHITECTURE COULD HELP TO RECONSIDER A CERTAIN TYPE OF HOPE?

INNOVATIVE PUBLIC REALM DESIGN PRACTICES OPERATING IN THE U.S. TODAY.

MARCH 10, 2016 6:30 @ ARCHEWORKS

MARCH 23, 2016 6:30 @ ARCHEWORKS

CLEMENT BLANCHET CLEMENT BLANCHET ARCHITECTURE FRANCE

ANDREW MODDRELL PORT URBANISM USA

Clément Blanchet is a French architect, teacher and critic, actively practicing in the fields of architectural theory, urbanism, and cultural investigations.

Andrew Moddrell is a founding director of PORT, a leading urban design and public realm consultancy based in Chicago that specializes in the analysis, visioning, design and implementation of new forms of collective urban space. He is currently leading a diverse range of PORT’s public realm design projects including the design and construction of a 3-acre civic venue in Denver’s Paco Sanchez Park; a visioning study for Chicago’s Goose Island; and a collaborative process with Theaster Gates and the University of Chicago Place Lab that defines opportunities to catalyze urban transformation throughout the Greater Grand Crossing and Washington Park neighborhoods on Chicago’s Southside.

Clément Blanchet is an ex -Associate of the Office for Metropolitan Architecture, where he joined in 2004. In 2011, Blanchet was appointed Director of OMA France.During his 10 years collaborating with Rem Koolhaas, he has contributed to the development of OMA in France and led several winning project for the firm, including the construction of Serpentine Gallery in London, the design and construction of Caen Library (Completion 2016) in France, the design and development of winning entries like the Convention and exhibition Centre in Toulouse, the Engineering school of Centrale, master plans in Saclay and in Bordeaux, and lately the bridge JJ Bosc over the Garonne in Bordeaux.

In May 2014, CLEMENT BLANCHET ARCHITECTURE is founded in Paris. The practice is structured as a laboratory, researching, informing and generating architecture / urbanism in all its forms.

From a selection of projects, CBA developped competitions like the redesign of a Ferry Boat Terminal in Toronto, a museum in Berlin, office headquarters in Toulouse and is currently designing a high rise in Nice, the extension of Nice train station, the extension of Polytechnique school in Saclay as well as continuing the finalization of Caen library in collaboration with OMA. He graduated with high honours from the Architectural school of Versailles and has been an invited critic to Architectural schools in France, England, Holland, Denmark & Sweden. He currently teaches at Paris Val de Seine Architectural School and ESA. Clément Blanchet divides his time between this firm in Paris and the United States where he also teaches at the University of Michigan and Rice University.

PRESENTED BY

PRESENTED BY

ARCHEWORKS

POSTGRADUATE CERTIFICATE

REINIER DE GRAAF, OMA / AMO — ROTTERDAM The 20th century taught us that utopian thinking can have precarious consequences, wagering the fate of mankind on the uncertain outcome of grand intellectual speculations. But, if the course of history is dialectic, what follows? Does the 21st century mark the absence of utopias? Isn’t that equally dangerous, if not more? What are the risks of realism? What ensues in the wake of an almost universal realization that what is good and what works are not necessarily the same? What are the dangers of a world that embraces a definitive divorce between what is just and what is effective?

KEES KAAN, KAAN ARCHITECTEN — ROTTERDAM Architectural innovation in itself serves no purpose unless a proper balance between private interest and common values is established. Kaan’s lecture will critically reflect on the contextual narrative as the driver of the architectural concept to generate a self-evident relation between city, building, construction and detail.

VISHAAN CHAKRABARTI, P-AU — NEW YORK Vishaan Chakrabarti’s recent book, A Country of Cities: A Manifesto for an Urban America (Metropolis Books, 2013), argues that a more urban United States would result in a more prosperous and socially mobile nation. Of the book the Toronto Globe and Mail wrote: “In the world of urbanism and planning, there’s been a barrage of recent books on similar themes, but Mr. Chakrabarti has written maybe the most useful one, a polemic in favor of city living that makes the stakes clear.”

BRIAN LEE, SOM — CHICAGO WORK – The Search for Authenticity. In the search for design solutions to the pressing issues of our times – environmental sustainability, intelligent urbanism, quality of life for all, meaningful experiences - do innovations and new concepts become universally applicable? Can buildings designed for the ideal be considered appropriate to a place? Do buildings, if powerful enough, become the place? WORK is a reflection on a professional practice that values understanding context, the tectonics of integrated high performance, and striving for shared meaning in architecture.

MITESH DIXIT, DOMAIN — NEW YORK Dixit’s lecture will begin by retracing the historical accounts of human values given in the Western philosophical tradition. At the centre of the discussion will be the concept of freedom and philosophers pursuit to define it. Perhaps no two philosophers have influenced our notion of freedom and its manifestation into our political structure more than Kant & Mill. The lecture will conclude with perhaps the most important german philosopher of the 19th Century and his fundamental critique of Kant’s notion of freedom and human values which leads to the foundation for the emergence of critical thought in the 20th Century.

2016 / 2017

FALL 2015 LECTURE SERIES “THE PHILOSOPHERS HAVE ONLY INTERPRETED THE WORLD, IN VARIOUS WAYS. THE POINT, HOWEVER, IS TO CHANGE IT.” - K. MARX IN CHICAGO PUBLIC LECTURE SERIES REVISITS KENNETH FRAMPTON’S 1983 ESSAY ON CRITICAL REGIONALISM. FRAMPTON’S DESIRE WAS TO BRING ATTENTION TO ADVERSE EFFECTS BOTH “MODERNITY” & “POSTMODERNITY” HAD ON THE PROFESSION AT THAT MOMENT. HE STATED THAT THE PRACTICE OF ARCHITECTURE IN THE ERA OF UNIVERSAL CIVILIZATION AND WORLD CULTURE CAN ONLY BE MAINTAINED “AS ARRIÉRE-GARDE POSITION, THAT IS TO SAY, ONE WHICH DISTANCES ITSELF EQUALLY FROM THE ENLIGHTENMENT MYTH OF PROGRESS AND FROM A REACTIONARY, UNREALISTIC IMPULSE TO RETURN TO THE ARCHITECTONIC FORMS OF THE PREINDUSTRIAL PAST.” THOUGH WRITTEN MORE THAN A QUARTER OF A

CENTURY AGO, IT SEEMS EVEN MORE TRUE TODAY. THE CONTEMPORARY CULTURE AND PRODUCTION IS A LAZY COCKTAIL OF NOSTALGIA AND MODERNISM - A MIX OF MERE SUBJECTIVE REFERENCE TO THE PAST STIRRED WITH MASS-CULTURE THAT FLATTENS OUR LOCALES AND BECOMES THE UNIVERSAL FORM OF MATERIAL PRODUCTION. LIKE FRAMPTON IN 1983, WE ARE STILL LEFT WITH THE FUNDAMENTAL QUESTION: HOW TO CRITICALLY MEDIATE BETWEEN THE PARTICULAR AND UNIVERSAL? HOW TO PRACTICE ARCHITECTURE BOTH LOCALLY AND GLOBALLY, IF AT ALL? THE CITY OF CHICAGO, THE GREAT EXAMPLE OF DISCIPLINARY GRID, THE FRAME STRUCTURE, THE MARKET EXPANSION, AND THE MAIL ORDER CATALOGUE, IS PERHAPS THE PERFECT GROUNDS TO INVITE CONTEMPORARY

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ARCHEWORKS

WORKSHOPS

POSTGRADUATE CERTIFICATE PUBLIC INTEREST DESIGN METHODS

PUBLIC INTEREST DESIGN METHODS

IDENTIFY

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Our workshops are facilitated by highly accomplished Chicago-based leaders who are all designers, educators, and social entrepreneurs. Participants learn the fundamental skills of our Public Interest IDENTIFY ENGAGE CONVINCE MAKE IDENTIFY ENGAGE CONVINCE MAKE Design approach: identifying opportunity, engaging a collective audience, convincing and testing ideas,

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DESIGN SHAPES THE WAY WE LIVE. Join our Design Sprint & Field Expedition, IDENTIFY, to explore models of SEP/29/2015 research and ideation with leading designers and strategists throughout DESIGN SPRINT

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OCT/6/2015 —

SESSION LEADER

DESIGN SHAPES THE WAY WE LIVE.

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SESSION LEADER CRITICS

Natasha Krol

Managing Director Stanford College Julka Almquist Transition Collaborative Design Researcher & Lecturer SAIC–AIADO

Natasha works on increasing economic empowerment through collaborative innovation across sectors. She is currently the Managing Director of the Stanford College Transition Collaborative. Natasha previously worked at McKinsey and as the Director of Chicago’s Plan for Economic Growth and Jobs, with organizations in the US, Africa, and Southeast Asia. Natasha is a Chicago Council on Global Affairs Emerging Leader and was a Chicago Michelle Tucker Mayoral Ha Fellow.

Natasha holds a Bachelors Portfolio Director of Arts in Neuroscience from the University of IDEO Pennsylvania and a Masters of Architecture from the University of Michigan.

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DESIGN SHAPES THE WAY WE LIVE.

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SESSION LEADER CRITICS

Paola Aguirre

PLACE LAB Arts + Public Life at Tempestt Hazel University of Manager Chicago Arts Program and Curator Arts and Public Life Initiative, UChicago

Paola is an architect and urban designer from Northern Mexico. Paola’s personal experience and professional career is influenced by her transnational background, which feeds her understanding of simultaneity, flow, and exchange through a multidisciplinary approach to place and design. Before joining Place Lab, Arts + Public Life at the University of Chicago, she worked at Skidmore, Owings & Merrill for over 3 years, served as the coordinator of the Master Plan for Andrew Moddrell Chihuahua 2040, worked at the Office of Strategic Managing Director Assessment, Planning & Design at NYU. Paola Port Urbanism received her M.Arch in Urban Design from Harvard’s GSD.

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PAST PROJECTS

ARCHEWORKS

POSTGRADUATE CERTIFICATE

WA$TED MARKET

2015-2016 PARTNERS: COOK COUNTY DEPT OF ENVIRONMENTAL CONTROL The building industry in the United States is responsible for an estimated 350 million tons of construction debris flowing into landfills per year. Beyond the environmental implications of this waste stream, the lost economic benefit is staggering. Archeworks, in partnership with the Cook County Department of Environmental Control, is leading a design initiative to expand the building material reuse marketplace.

By questioning common perception and industry practice, the project will identify new pathways for increasing the use of reused building materials that are sustainable, technically feasible, and profitable.

Through a close collaboration with the Cook County Department of Environmental Control, the Building Material Reuse Association, the ReBuilding Exchange, Delta Institute, and leading design firms, this intensive research and design project explores the barriers and opportunities for reuse that exist in current design culture and public policy, and proposes expanding the reuse economy by reenvisioning architectural practice and the built environment.

Since 2015, Archeworks has developed a multifaceted approach to this project, engaging hundreds of local and international architects, strategists, stakeholders, contractors and reuse experts in the process.

In partnership with national and international universities, Archeworks is leading research teams, conducting systems analysis, developing design concepts and testing applications to foster building material reuse within our region and beyond. In addition to hosting webinars and public forums to discuss and disseminate ideas, Archeworks is producing publications to generate awareness of building material reuse and explore new ways of designing the built environment.

RECENT PRESS HTTPS://IMPACTDESIGNHUB.ORG/2016/04/06/WASTED-MARKET-SEEKS-A-NEW-ARCHITECTURE-AMID-THE-RUBBLE/ 2016 / 2017

PAST PROJECTS

PROMOTING SUSTAINABLE ENERGY USE

2014-2015 PARTNERS: CITIZENS UTILITY BOARD, ELEVATE ENERGY, FAITH IN PLACE Archeworks developed innovative campaigns and strategies to promote efficient energy use in Chicago communities, with a focus on empowering residents to realize the benefits of a modern electric grid. The design team worked with our partner organizations to develop concepts that educate about individual energy consumption, create excitement about efficiency programs and tools, and encourage residents to adopt energy-conscious behaviors in their daily lives. By highlighting the economic and environmental benefits of a modern, efficient electric grid, the project sought to influence changes in energy use behavior among residents, resulting in improved energy efficiency in Chicago neighborhoods and a more sustainable future for our city.

ARCHEWORKS

POSTGRADUATE CERTIFICATE

HEALTHY NEIGHBORHOOD SCHOOL CAMPUS

2014-2015 PARTNERS: CHICAGO PUBLIC SCHOOLS, SULLIVAN HIGH SCHOOL AND KILMER ELEMENTARY SCHOOL In fall 2014, Archeworks began a multi-year design initiative with Sullivan High School and Kilmer Elementary School to create a healthy neighborhood school campus. Separated by North Shore Avenue, these two schools are located on adjacent blocks in the dense Rogers Park neighborhood, and serve primarily low-income youth without access to outdoor recreational space. This healthy campus initiative was inspired by the success of a new school-based health center and two new principals dedicated to improving the physical and mental health of students through prevention, nutrition, and fitness. The Archeworks design team was challenged with extending ideas of health and wellness beyond the school walls by connecting the two schools, reimagining the outdoor space, and promoting healthy activity among students, staff and community.

2016 / 2017

PAST PROJECTS

BUILDING SUSTAINABLE FOOD SYSTEMS

2011-2013 PARTNERS: GROWING POWER CHICAGO, REHABILITATION INSTITUTE OF CHICAGO Archeworks embarked on a two year collaboration with Growing Power Chicago – a nationally recognized pioneer in grassroots urban food systems – to explore the relationship of design in creating accessible food systems. Our designers considered new forms of community infrastructure that foster a more participatory local food culture from the perspective of inclusivity and access. This included addressing the need for greater public awareness and participation in Chicago’s local food movement among underserved communities and resident stakeholders. The design team developed proposals for several modular, portable structures that support urban farm infrastructure, including a prototype for a multi-purpose shade canopy to prepare harvested produce and anchor community gatherings.

Informed by Growing Power’s approach to using readily-accessible, affordable materials, the team built and installed the first of these simple canopies at the entrance of a new community-managed farm at Altgeld Gardens, a public housing community on the city’s far south side. Our illustrated DIY manual guides Growing Power staff, volunteers, and other grassroots urban growers through a step-by-step construction process to install this structure at their own farm sites.

ARCHEWORKS

POSTGRADUATE CERTIFICATE

CERMAK CREATIVE INDUSTRIES DISTRICT

2011-2012 PARTNERS: DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS, CITY OF CHICAGO AND REHABILITATION INSTITUTE OF CHICAGO Archeworks engaged in a City-led effort to transform an isolated industrial corridor into a new district for the creative industries. The proposed Cermak Creative Industries District, which borders the communities of Chinatown and Pilsen, will provide a mix of work spaces and collaborative opportunities for diverse enterprises that are part of Chicago’s expanding creative industries sector. Laying important groundwork for the District’s predevelopment phase, Archeworks focused on expanding access across the District while aiding in the city’s vision to reanimate the historic District as a creative hub. The team constructed small scale physical and digital interventions to enhance the interaction between potential users of the site, current tenants, and the District.

2016 / 2017

PAST PROJECTS

INSPIRE: GARDENS FOR ALL

2010-2011 PARTNERS: CHICAGO BOTANIC GARDEN, REHABILITATION INSTITUTE OF CHICAGO, SEGAL DESIGN INSTITUTE AT NORTHWESTERN UNIVERSITY, ARCHITECTURE FOR HUMANITY CHICAGO STREET FURNITURE DESIGN COMPETITION Archeworks collaborated with the Chicago Botanic Garden and the Rehabilitation Institute of Chicago (RIC) to create a therapeutic garden accessible for people with a wide range of abilities, especially disabled and senior gardeners, in the Washington Park neighborhood on Chicago’s south side. The garden combined innovative architecture and landscape elements with programmatic ideas that address gardeners’ physical and restorative therapeutic needs. Archeworks facilitated community design workshops to elicit ideas from residents about the garden’s physical site design, and collaborated with stroke patients, occupational therapists, and therapeutic garden staff to address specific needs of disabled and senior gardeners.

The Washington Park garden is adjacent to the Chicago Botanic Garden’s Green Youth Farm, an urban agriculture and youth education program for students attending Dyett High School. The project grew to include the design, build and installation of modular structures for accessible gathering, learning and collaboration space at the Green Youth Farm at Dyett High School. Working with small teams of Dyett students, Archeworks installed seating, a table and a shade structure for the site. The units were designed to be accessible and constructed from salvaged materials.

ARCHEWORKS

POSTGRADUATE CERTIFICATE

WASTE MATTERS

2010-2011 PARTNERS: CHICAGO INTERNATIONAL CHARTER SCHOOL- IRVING PARK CAMPUS, UNIVERSITY OF ILLINOIS AT CHICAGO In partnership with the Chicago International Charter School - Irving Park Campus, Archeworks developed prototypes and programs to support the school’s “Zero Waste” plan for integrated recycling and composting systems. The team designed several composter prototypes at various scales, including a year-round medium-scale composter that processes the school’s organic compostable food scraps and other materials. To support the school’s goal of preparing youth to become life-long ecological citizens, Archeworks also created supplemental classroom curriculum that ties student learning to Zero Waste principles. The project laid important groundwork for a public education and stewardship campaign to inspire students, teachers, parents, and the surrounding neighborhood to embrace core principles of a sustainable waste system. The team’s neighborhood engagement efforts included a foodshed mapping project supported by a team of undergraduate urban planning students at the University of IllinoisChicago.

2016 / 2017

PAST PROJECTS

MOBILE FOOD COLLECTIVE

2009-2010 PARTNER: GARY COMER YOUTH CENTER FEATURED AT THE 2010 VENICE BIENNALE In response to growing public interest in the social, economic, and health benefits associated with local food production, Archeworks developed the Mobile Food Collective (MFC), a family of flexible mobile structures designed to create a more participatory food culture and inspire people to play a more active role in supporting local food production. The mission of the MFC was to develop and strengthen a system of cultural infrastructure that incorporates the themes of heritage, ownership, exchange, and connection into a new food culture and establish networks of partnerships with nonprofits, community gardens, urban farms, grocery stores, and restaurants in neighborhoods across Chicago.

The Mobile Food Collective was showcased in the U.S. Pavilion at the 12th International Architecture Exhibition of the 2010 Venice Biennale. Archeworks was among a prestigious collective of seven architectural groups from across the country participating in the exhibition, Workshopping: An American Model of Architectural Practice.

ARCHEWORKS

HISTORY

â&#x20AC;&#x153;In the broader view of design and rising from my fundamental belief that dimensional convergence is the new design grid, the ground is now in view as the field pattern. The dimension of the convergence is only limited by our capacities. I urge the design profession to convergence, speak to the subject, rally the cause of good design, embrace the future with excitement and passion, explore new theories for adapting design for need, shed outdated conditions for new design systems, and recognize the fluid web of interdependent relationships critical for good design. I consider design as an underutilized opportunity and system to effect change in positive ways. Optimistically, I believe that design has the power to engage, support and nurture society.â&#x20AC;?

EVA MADDOX DIMENSIONAL CONVERGENCE ARCHEWORKS PAPERS VOL 1, NUMBER ONE, 2004

ABOUT OUR FOUNDERS Archeworks was founded in 1994 by internationally known architect Stanley Tigerman, FAIA and award winning designer Eva Maddox, FIIDA. Over the past 22 years, we have collaborated with over 80 partners and completed more than 80 design projects in communities throughout Chicago. Past partners include local government, community organizations, urban farms, advocacy groups, healthcare organizations, schools, municipalities, and cultural institutions. Our collaborative design projects have addressed subjects such as universal design, public health, local food systems, inequity, tactical urbanism, waste systems, renewable energy and sustainable land-use.

STANLEY TIGERMAN, FAIA

EVA MADDOX, FIIDA, ASSOC. AIA, LEED AP

A principal in the Chicago architectural and design firm of Tigerman McCurry and a Fellow of the American Institute of Architects, Stanley Tigerman has thus far designed over 450 buildings and installations around the world throughout his 51 years in private practice. He was the founding member of “The Chicago Seven” as well as the Chicago Architectural Club. In 2008, Mr. Tigerman was named the recipient of the AIA/ACSA Topaz Medallion for Excellence in Architectural Education as well as the AIA Illinois Gold Medal in recognition of outstanding lifetime service. This year, Stanley Tigerman was honored by AIA Chicago with the 2013 Lifetime Achievement Award. The author of seven books, he recently completed an essay on “erring” for Perspecta, Yale Architecture School’s journal due out in the fall and is currently working on his next manuscript on “Aura: Unattainable Architectural Longings.”

The inaugural Chicago Architecture Biennial took its title, The State of the Art of Architecture, from a 1977 conference organized by architect Stanley Tigerman, which invited leading American designers to Chicago to discuss the current state of the field.

Eva is a pioneer in the development of brand strategy and communications through design. Founder of Eva Maddox Branded Environments, her research-based design approach identifies and integrates a client’s “DNA” into tangible experiences. Eva was named by Fast Company as one of the “change agents... designers, and dreamers who are creating your future.” She is the recipient of more than 100 awards for design excellence and garnered the prestigious Chicago Magazine 2002 Chicagoan of the Year award, the International Women’s Forum Women Who Make a Difference award and the 2000 Star Award from the International Interior Design Association (IIDA). A two-time Purpose Prize winner, Eva holds honorary doctorate degrees from the University of Cincinnati and Farris State University and has been elected to the IIDA’s College of Fellows and inducted into the Interior Design Hall of Fame. Eva is also co-founder of Archeworks, a non-profit alternative design school in Chicago and is active in the International Women’s Forum, The Chicago Network, Architectural Society of the Art Institute of Chicago and The World Future Society.

ARCHEWORKS

ARCHEWORKS : THE BRIEF HISTORY OF AN IDEA

In the spring of 1993, I was fired as director of the School of Architecture at the University of Illinois at Chicago. Earlier that year, both Eva Maddox (who significantly, I had brought to teach interior architecture at IC) and I (in our separate professional practices) collaborated on an urban design/streetscape project in Muskegon, Michigan. Some of Muskegon’s “city fathers” expressed interest in our design presentations and pointedly, the language that we used to describe the process by which these designs came about). The spokesman for the Muskegon leadership, Scott Devon, suggested that Eva and I start a Bauhaus-like school in their microregion. (There was something of a recession at that time, causing difficulties for some of the major manufacturers in the furniture industry (Knoll, Herman Miller, Steelcase, Haworth) who were situated within the region.) While we knew that our professional commitments in Chicago could not allow for such a radical move, Eva and I were also aware that we had been privy to a conversation in which something that consequential had been uttered that might just lead us to establishing a similarly derived alternative design school in Chicago. Without any further thought, I promptly resigned from my tenured professorship at the university, which, when accomplished gave me, together with Eva, the opportunity to initiate strategies for the implementation of what was eventually to become known as Archeworks. Stepping back from the outburst of emotional energy that led to our rash decision, we were well aware that while conventional architectural education had, on more than a few occasions, encouraged students to engage in “design in the context of social cause,” precious little of these concepts found their way into practice. We suspected that certain constraints (tenure, prerequisites, etc.) might be among the culprits causing some inertia, retarding the transfer of ideas from the academy into practice. Therefore, Eva and I began to envision an alternative, somewhat less rigid design-educational institution than the conventional model, in which we ourselves had been trained, that might make it easier to attain the confluence that we were seeking. Archeworks evolution from idea to reality was just that simple. We never stopped to think about what roadblocks might stand in the way of our idea for a new design school ultimately very different from the schools with which we were familiar. But—as the pop song goes—“Fools rush in where angels fear to tread.” In hindsight, it seems somehow appropriate that we began Archeworks on a wish for a whim, for that is precisely the stuff of optimism that (for me) has always informed the intrinsic nature of architecture, thus grounding it in hope. The founding of Archeworks was straightforward: We formed a small board of trustees (composed of a few supporters), we became incorporated as a public charitable trust (for IRS purposes, we became a 501 (c)(3)), and we persuaded two of my recent UIC architecture school colleagues, Doug Garofalo and Bob Somol, to assist us in thinking through some significant pedagogical issues that might have an impact on defining our new, as yet unformed, school.

It required a year of planning before classes actually began, but we used that time fruitfully by designing and distributing catalogs and posters to architecture and design schools worldwide. We also presented our conceptual initiative at a social gathering organized by our friend and supporter Judy Neisser, and we began generating focused thoughts about what might be the nature of our mission. In the fall of 1993, I was offered a visiting professorship at Yale’s architecture school, which I promptly configured as a dry run for Archeworks. Yale students who had signed up for the studio were given the opportunity to engage in projects with a social cause. Maddox, Garofalo, and Somol came to New Haven for the final review, and with the help of the students, we convened a conference of those concerned with the interdependence of both “town and gown.” Yale’s

CONVENTION CHALLENGED BY STANLEY TIGERMAN AND EVA MADDOX / 2006

president, and key faculty, and students from around the university, together with New Haven’s mayor and several alderman, came to deliberate of the topics of ethics in the context of Yale’s and New Haven’s necessarily symbiotic relationship. Back in Chicago, the newly founded institution was generously offered (rent free) a basement space in a recently converted loft building at 18th and Indiana Streets across from H. H. Richardson’s Glessner House. We brought together young, energetic faculty (we referred to them as “facilitators”) and hired an administrator, A. Brown.

In autumn 1994, we convened our first one-year, post-professional program, composed of eight students from diverse educational and vocational backgrounds, in what Bob Somol began to refer to as a “post-disciplinary” setting. It was thus that we began our adventure in alternative design education. I can’t say that these 12 years have been without missteps, but they have always been filled with an overreaching optimism that we were on the track of something that, to us, needed to be done. Over time, that optimism was ratified by a number of architecture schools moving in the same direction. Meanwhile, an expanded board of trustees has been enthusiastically supportive, many local and national foundations have opened their (fiscal) doors to us, and our donor base has expanded. We enlarged our full-time staff to include an executive director, a development officer, and a registrar/administrator. Certainly, I’m not about to boast that every project undertaken at Archeworks has had positive results, but as Eva Maddox always said, “…the new school needed to find its own voice.” Over these 12 years, and with a necessary modicum or patience by all involved, I believe that Archeworks has at least done just that. But the significance of Archeworks is more about a new idea, education that explores the “seam” between the academy and practice rather than (not so simply) in generating objects for people who need them most. Were the institution to run its course, its conceptual origins will have nonetheless been of some consequence to conventionally derived design education. Ours is a time when programs like Archeworks are, in my view, genuinely significant. It seems to me that as architects and designers, we are all obligated to give something back to society: it would be awful to think that an ethically optimistic discipline that is so bold as to make something—architecture—out of nothing would be undertaken just to pluck, like apples from a tree, commissions as a signification of success in a free-based capitalist society. Thus, the idea of this publication, at some level, was conceived more as a notation of a flawed epoch, so that an alternative design school such as ours seemed necessary as a corrective.

There are notations here by others connected with the school. The aggregate constitutes a record of a time and a city that could somehow absorb an idea like Archeworks: a modest proposal for alternative design education to conceive the best possible design for those in need of it—and then to try to distribute those products. Because of time constraints (a single academic year severely limits a great deal of accomplishment when “actualization” is the name of the game), we have always been hard pressed to consistently fulfill our stated mission. Yet, the conception process seemed to equal the product, and I can report honestly that the morale of the institution remained high throughout. And so, after a dozen years in the trenches—so to speak—we wonder what an Archeworks future holds for us. Whatever transpires, it remains clear to me that an ethical construct underpinned the concept from its beginning to date. Personally, I am thrilled that architects and designers from intrinsically optimistic disciplines came together to collectively address the problems of the day—be damned under what institutional circumstance brought them to those bold decisions. If Archeworks can, in any way, be constructed as an ethical paradigm, it is because architects and designers responded to the needs of society, professionally as well as personally.

ARCHEWORKS

625 NORTH KINGSBURY CHICAGO, IL 60654 UNITED STATES ANDREW BALSTER HILARY GABEL JODY ZIMMER NILAY MISTRY PAOLA AGUIRRE JULKA ALMQUIST KATHERINE DARNSTADT CHARLES CHAMBERS PAM DANIELS EMMA JASINSKI LISA KORPAN NATASHA KROL LUIS MONTERRUBIO CASEY RENNER MIKE NEWMAN TIM SWANSON XAVIER WRONA ODILE COMPAGNON JOHN SYVERTSEN EVA MADDOX HOWARD CONANT JR. NED CRAMER MARTIN FELSON JAMES NAGLE RYAN NESTOR ELVA RUBIO IN PARTNERSHIP & DIALOGUE WITH

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FROM THE BEGINNING OF ARCHEWORKS, DEFINING IT HAS BEEN SLIPPERY...

The core of the program is a laboratory that consists of research and development teams that constitute themselves on a per-project basis. Archeworks effectuates change by conceiving and implementing projects that are directed at areas of need. It is in this sense an ambidextrous place where thought and action combine to effect lives. Archeworks takes a critical look well beyond appearance-based ideas of design; in fact as often as not the findings review how the circumstances of the discipline (design, architecture, etc.). With courage and optimism, Archeworks attempts nothing less than a new social contract for design, raising expectations for change. Archeworks is then both a think tank and workshop from the bottom up, and as such it is not an institution for imparting knowledge but a laboratory for constructing it.

Archeworks maintains that social agendas can best be substantively addressed in a supraor post-disciplinary setting in order to promote tacticians of need responsible for curing social and community dysfunction. It is in part this detachment from conventional academia, with all its reliance on conventional structure, prerequisites, tenure, accreditation, etc., that frees Archeworks to invent new solutions according to the situation of each problem, client, community, etc. It is not the same for all projects, in fact it rarely repeats. The ability of the institution to change, to morph and reconfigure itself for the purpose of a particular issue, is one of Archeworks most distinguishing features.

DOUG GAROFALO ARCHEWORK12 YEARS OF ARCHEWORKS: AN OVERVIEW CONVENTION CHALLENGED , 2006

The Latin prefix “arche-“ means of course “chief” or “principal,” “first in authority of order” —also, significantly, “primitive,” meaning first in time. “Arche”-“ there suggests twin responsibilities — to commencement and commandment — which couple access to first things with the power of final say. The authority of “first works” issues in part from command over the relationship between the various divisions of manufacture in respect of the work as a whole; in part from privileged familiarity with the circumstances under which constructed work begins; and in part from the root principles and antecedents that connect current works with past traditions. Part of the novelty of “Archeworks” derives from its broad extension of these ideas to “design” — we could go so far as to say “first design” or even first designers.”

D.S. FRIEDMAN ETHICS WITHIN REACH ARCHEWORKS PAPERS VOL 1, NUMBER TWO, 2005

2016 / 2017

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