ARTE E TECNICHE DELL’INSTALLAZIONE Parte Prima: L’installazione prima dell’avvento del mezzo video
L’INSTALLAZIONE (anni 60-70) • Confronto tra spazio estetico e spazio sociale. • Superamento della concezione dell’opera come forma costruita, autocentrata e sostanzialmente autonoma dal contesto • Il centro è occupato dal pubblico: il ruolo attivo dello spettatore nel tempo e nello spazio. • Non indica una tecnica o un medium espressivo, ma il rapporto tra opere realizzate con diversi media e lo spazio destinato ad accoglierle, sia esso la galleria o un ambiente esterno.
• Attraversa quasi tutte le correnti e i movimenti moderni e contemporanei dell’arte. • Site specific
Gesamtkunstwerk
L’opera totale
BAUHAUS 1919-1925 Weimar 1925-1932 Dessau 1932-1933 Berlino
Walter Gropius
sede Dessau
OSCAR SCHLEMMER l'azione teatrale come la "pratica" dell'equazione tra attore e spazio
Figure in Space with Plane Geometry and Spatial Delineations.
Schlemmer's stage diagram for Gesture Dance,Bauhaus, 1926
Brecht. "Mother Courage" 1939
Mayakovsky's BANYA "Bathhouse" 1930
Le futurisme 20 febbraio del 1909 primo manifesto teorico del futurismo, fatto pubblicare da Filippo Tommaso Marinetti in Le Figaro – prima pagina
’Cabaret Voltaire’ in Zurich February 1916.
Two poster poems, 1918 by Raoul Hausmann
Typographic poem "L’inconnu" from the year 1918 by Raoul Hausmann
CLUB DADA founded in Berlin (1918 - 1923)
Invitation to an exhibition of works of the French Dada artist Francis Pacabia, 1920
Kurt Schwitter’s "Gesetztes Bildgedicht/Arranged Picture Poem", created in 1922
Typographic photomontage, 1922
"Die Scheuche", a joint work of Kurt Schwitters, Käte Steinitz and Theo von Doesburg Lajos Kassak, „Geräusche/Sounds“, 1920
"Dada-Rundschau" by Hannah Höch, photomontage, 1920
Kurt Schwitters, the critic, 1921
Raoul Hausmann The Art Critic 1919-20
"Dada-Cino" 1920 in Geneva by Raoul Hausmann,
Hannah Hoch, Cut with the Kitchen Knife Through the First Epoch of the Weimar Beer-Belly Culture, 1919.
Kurt Schwitters, Merzbau, 1924-37
Ready-made
Marcel Duchamp, Bottle Rack (1914).
Marcel Duchamp's Fountain, 1917
Man Ray Il Detournment ovvero il metodo dello staniamento surrealista
Cast iron and nails 1921
L'Enigme d'Isidore Ducasse 1920
VĂŠnus restaurĂŠe 1936
Spazialismo 1947 Lucio Fontana
L’informale materico Alberto Burri 1949 SZ1
Il Grande Cretto Alberto Burri. Gibellina 1968
Yves Klein, "Le Vide," Galerie Iris Clert, Paris, 1958
ARMAN Le Plein, 1960
Image Credit: © Marcel Duchamp, Mile of String, 1942, New York In 1942, Andre Breton organised a retrospective exhibition of Surrealist art in New York: First Papers of Surrealism. For the vernissage Marcel Duchamp created this installation – a gigantic web – called the Mile of String. He and Breton furthermore arranged for a number of children to ball in the room thereby making it very difficult for the guests to see the paintings.
LO SPAZIO MINIMALISTA
Morris: untitled L-beams, 1965 (stainless steel, each 96 x 96 x 24") with work by Sol LeWitt on the walls
Sol Lewitt: Cube Structure based on Nine Modules (Floor/wall piece #9), 1976-7
Judd: untitled, 1969 (stainless steel and blue plexiglass, ten units, total 172 x 40 x 31")
Sol Lewitt
DONALD JUDD, UNTITLED (1972).
Judd Untitled 1976
NUOVO REALISMO E LAND ART L’inizio dell’arte SITE SPECIFIC
Christo - Le diable 1963
materiali vari, cm 122x100x66 Mart, collezione Ileana Sonnabend, Rovereto
Robert Smithson, Spiral Jetty (Great Salt Lake, Utah, 1970).
Richard Serra, Tilted Arc (1981-9).
Running Fence Christo sculpture 1972-76 (Earthwork)
Christo, Surrounded Islands Project (collage, 1981).
Christo, Project for Wrapped Reichstag (collage, 1994).
Wrapped Reichstag, Berlin, 1971-95
POP ART: LA SOCIETA’ DEL CONSUMO OGGETTO D’ARTE
Andy Warhol Sleep 1963
Perfomance & Happening
Yves Klein, International Klein Blue (IKB), 1958
Jim Dine The Crash #2 1960
Jim Dine The Crash #5 1960
Jim Dine The End of the Crash 1960
Gutai Bijutsu Kyokai (Gutai Art Association) formed in 1954 in Osaka by Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo, Shimamoto Shozo
Performance art
Joseph Beuys From the Eurasien Staff 1973
Gilbert & George A Portrait of the Artists as Young Men 1970
Bruce Nauman a 1970
FLUXUS: L’ARTE COME IMPEGNO SOCIALE IMPORTARE L’ARTE NELLA VITA SOCIALE Vs La VITA REALE NELL’ARTE DEL MOVIMENTO POP
1963
Fluxus Street Theatre by George Maciunas, Copyright: Š 2007 Gilbert and Lila Silverman Fluxus Collection Foundation, Detroit.
George Maciunas: The Dream of Fluxus
Joseph Beuys: The Pack
Allan Kaprow: Push and Pull
Nam Jun Paik: TV Cello
Wolf Vostell: Decollage
Portapak
Sony CV-2400 Video Rover
1967
Guy Debord ÂťIch liebe meine Kamera, weil ich es liebe zu lebenÂŤ