‘Dreams’ at the Old Biscuit Factory
Index 1. Milo Max Mafloku 2. Hsin-Chin Hung Boho Day & Age 3. Camille Van de Velde Carmellia Indrawati 4. Isobel Cortese Ceridwen Raynor 5. Angela Tulloch Yasmin Nicholas 6. Sena Appeah Heejoh Lee 7. Yilan Wang Mara Girone 8. Benjamin Arthur Melitta Nemeth 9. Christine Warrington RCA Eleanor McLean 10. Naomi Jacques Beatrice Dina
11. Jasmine De Silva Elise Mendelle 12. Kayleigh Reed Jane Walker 13. Marta Bonaventura Brian Hanson 14. MoyLin Ho Knit Chong Zhuohui Li 15. Sophie Anne Wyth Chris Monokrousos 16. Caroline Elliott Sara Arruga 17. Terry Silvester Wang Weiye 18. S.A.D.O Emma Irma Johansen 19. K. Tarek James Oliver
This piece is based on my recent thoughts, dreams, (or nightmares) after returning back to the hustle bustle of Londons’ competitive and capitalistic streets. I encourage people to think about their happiness while they are here on earth and no matter how much money they earn or what material goods they possess, they won’t take these to the grave. It is our experiences and our memories which we will remember when our loved ones are gone. The underlying theme for this series ‘Seven Deadly Sins’ looks at religion, how it was perceived then and how it is perceived now. Perhaps encouraging one to think back to a time when there was less information, less technology and more privacy. The piece is called ‘Greed’ and the six other works can be seen here: https://www.milomax.co.uk
www.milomax.co.uk instagram: @whoismilomax / milomaxartist info@millomax.co.uk
Milo Max
I could describe in detail the shades of pink of that which doesn’t even exist… The dissonance between active and ideal states overwhelms perception. Truth does not exempt us from the principles of our own design, panicked by the sound of a closing door unconscious of our walk in the wind. What is the nature of dreams, of an apparently unstructured mess, of beauty in imperfection, of what inspires us in that pause between days but makes us wake up in the mornings? The objective of my work is to board this profound realization through innocence. Ever since I have had use of memory I’ve known the texture of the trees and the sound of all the leaves in this forest that sporadically captures some of which I am a permanent resident who through this medium sends some post cards.
instagram: @mafloku facebook: /mafloku website: mafloku.com mafloku@gmail.com
Mafloku 1
Hsin-Chin enjoys creating sculptures that often include found discarded objects. She experiments with these different materials and combines them with various media’s to create varieties of textures and colours. Some sculptures are more abstract where the choice of materials included are often inspired by early memories of observations of the artists surroundings in her home country of Taiwan. Other works are perhaps slightly more conceptual and surreal, with forms having unusual juxtapositions. Whilst these still contain experimentation with materials, they are influenced by surrealists work, particularly stories and illustrations from Japanese mangas that Hsin-Chin has read from a very young age.
Hsin-Chin Hung http://www.hsinchinhung.com/ gypsophila@live.co.uk
What is a dream catcher nowadays? A traditional charm of the native American population or a contemporary dĂŠcor for your house? Neither of them. Society, globalisation, industrialisation have all contributed to the development of a new meaning to it. We start believing that a dream catcher can bring us luck, that it may bring some happiness in our homes and, maybe, make our dreams come true.
Boho Day & Age Etsy BohoDayAndAge Instagram boho.day.and.age Facebook Boho Day & Age Pinterest Boho Day & Age
2
This work explores our Consciousness and Unconsciousness and how both phenomena affect each other but also have meaningful encounters in the dream state and through art. I think our minds create much of the world we live in and our unconscious mind shape us more than we know (as documented by C.J. Yung through dream analysis and therapy.) On a macroscopic scale it relates to the Collective Unconsciousness and reflects the world we have created today with its sometimes overwhelming issues. Shedding light on these binary aspects of our selves is my main source of interest with these drawings.
Camille Van de Velde camillevdv@yahoo.com facebook.com/cvdvprojects Insta: cvdvcvdv
In the drawings the abstract marks embody the unconscious unconditioned, non-delineated part of ourselves, whereas the figure represents a conditioned, identified and defined mind/self. The encounter of these two realms means a dialogue takes place through which closed doors can open, engendering change and transformation. Hopefully both of these ‘opposite’ human forces interact on paper creating a story in the viewer’s mind that he/she can relate to.
My artwork is based on the mental and physical sensation of day dreaming. The shapes, lines and colours used portray the way our mind is able to guide our body into a state of bliss amidst the jolts of distraction and chaos that exists arounds us. The progression and conclusion of one dream can lead and influence the next, even though they may not seem to do so at first. My paintings, Sueños Friolenta and Sueños Cálido , is a reflection of a blissful day dream.
Carmellia Indrawati
carmelliaindrawati@gmail.com Instagram: @chilimarini Website: w ww.chilimarini.com
3
Fascinated by the way life in miniature evokes feelings of wonder and enchantment, I like to create scenes replicating daily life but with a dark twist. This current work exploring the dream world, captures a snapshot of the unconscious mind. Staged inside an apothecary bottle, we can see how understanding our dreams can be beneficial, like a medicine. If we can interpret their deeper meaning, we can use them to gain wisdom and find solutions to our current problems. Most of the scenes depicted are ones that we may encounter in our nightmares. Exaggerated fears, anxieties, feelings of helplessness and death.
Isobel Cortese facebook.com/isobelcortese instagram.com/isobelcortese twitter.com/isobelcortese isobelcortese@gmail.com
Peacefully they sleep on a sea of soft pastel tulle, lost in a world of enchanted dreams. I am a fine art photographer and my work recreates the innocence and mystique of childhood stories. I blend texture and colour adapting or replacing elements using Photoshop to enhance the cinematic feel. Drawing from fairy tales, history, myth and fantasy I create images evocative of another time and place. My shoots typically take place outdoors using natural locations to create atmospheric backdrops. My work is influenced by the pre-Raphaelites and their depictions of sensual beauty.
https://ceridwenimages.com/ https://www.instagram.com/ceridwenimages/ https://www.facebook.com/CeridwenImages/ https://twitter.com/CeridwenImages
Ceridwen Raynor
4
I create because I want to draw the viewer into a story that provides an escape from day to day reality. I want them to lose themselves for a moment in a world where if they wish hard enough maybe dreams can come true‌
When we fall off to sleep, we usually dream, which is based on the subconscious mind trying to tell us something. Dream therapy has hidden secrets which are drawn out in our sleep. I know that my painting is allowing my subconscious to go on a much deeper level, to express and to assert my being. Allowing me to touch every color in my soul. Each layers of color revealed to me are left on the canvas. When I mix the colors together this is the power that it creates. Not just black and white. There are so many different facets to my soul that it enables my rays to shine, to vibrate on this vibration. In my dream form I am setting my soul free to fly beyond my physical body, my abilities and creation. To turn my self inside out. Which is very powerful, yet there is a sense of vulnerability in being completely open.
Angela Tulloch angela_tulloch@yahoo.co.uk Instagram - angela_tulloch angela_tulloch@yahoo.co.uk
‘Sequence to a Dream’ revolves around a person’s conscience; a cross between dream and reality and a deep look into identity and subconsciously exploring it. The poem created and narrated by artist Yasmin Nicholas as well as the film, explains the artist’s want to explore the diaspora and her heritage and the 3 ancestors who decide to visit to create understanding for who the artist is and eventually leads back to the importance of herself as the spirits grant her gifts. This particular project consisted around the dresses in contrast to dreary urban London, the brightness of how knowledge and culture can change oneself.
Yasmin Nicholas yasminnicholas@hotmail.co.uk instagram: @whatyasmindoes
5
“And life expands...” is an oil painting birthed from spontaneity and completed automatically without sketches or planning. Each element is intricately painted on a small scale, to encourage intimate viewing. The piece seeks to embody the dream-world whose nature is uncanny, chaotic, beautiful, nostalgic and cryptically rich. The piece may be viewed as a photo of the subconscious mind through time and is one of many ‘mindscapes’ or ‘imaginary landscapes’ the artist paints. It is part of a body of surreal work and shares motifs of: nature, abstract freeform, mythology and fragmented dreams.
Sena Appeah sendsenaqueries@gmail.com www.senaappeah.com www.instagram.com/senaappeah_art/
Even if we live in an impersonal world focusing on their careers and own lives, we all dream of a life filled with belonging and love. We sometimes watch romantic movies or read romance novels and dream of someone to love, share emotions or lean on. Therefore, I express belonging and love which we always want but, are easily forgotten or not readily felt by people in the contemporary society. Also, through my artworks, I suggest people to give attention to the others around them, rather than just focusing on themselves. In the works, I describe ideas in terms of sharing emotions and communicating with others by combining the figures. Therefore, some part of faces and bodies from different person are linked together. One lump of the linked human bodies in my work describes the fact that people are not actually individual and they want to belong to someone else.
Heejoh Lee hjrhee1020@gmail.com instagram: @he_joli
6
Artwork theme: I interviewed few Vitiligo patients to talk about the impact of skin diseases on mental health issues and let them describe a dream that they had which might be affected by the mental stress or the insecurity caused by Vitiligo, and how these negative influences showing up in their dreams. ‘Dreams’ are a form caused by the subconscious, these dreams are kind related to people’s mental illness, psychological pressure caused by skin diseases. Including these interviews, I created few monster characters to represent all the insecurities and made these characters into fabric toys, I want people to hug these little monsters, it is like facing our mental stress and insecurities, in the dream, we are fighting with the darkness and hugging our biggest insecurity!
yilanwangart@gmail.com www.yilanwangart.squarespace.com www.instagram.com/yilanwang_illustrator_art/
Yilan Wang
I deal with thousands of new ideas that like dreams knock at the door of my brain to become real and tangible art. Those ideas, once they are alive, are pieces of art, unique, with a very personal character. Fabrics, threads and colours are in front of me like raw materials, tools that need my help to transform my dreams in a tale to be told, in a new adventure to be lived. My aim is to create emotions, to inspire feelings through the representation of what has inspired me and through the process I followed to get to the final piece. The combination of illustration and handembroidery in an oneiric atmosphere permeate every inch of my work creating fantastic, whimsical and almost impossible realities.
Mara Girone Simple Sophistication
hello@maragirone.com www.instagram.com/maragirone www.facebook.com/MaraGironeSS www.maragirone.etsy.com 7
Out of many definitions of what ‘Dreams’ represent, it is described as “...a cherished aspiration, ambition or ideal” or “indulgence in daydreams or fantasies about something greatly desired”, yet for over a decade I have suffered with a condition that can be described as a living nightmare. My indulgence in the fantasyland is laced within constant voices in and outside of head as well as horrifically graphic delusions depicting self harm and suicide, which all feels real to the senses. ‘The Ashbel’ represents my dream of locking this eternal-like misery away behind a glass screen, to liberate myself from the mania I experience on a day-to-day basis. The dream is to separate myself completely from this derangement that lives within my mind. I want to dream of a normal life away from the fear of psychosis, to finally dream how so many others do.
Benjamin Arthur
artist.benjaminarthur@gmail.com benjaminarthurosborne.com instagram.com/artist.benjaminarthur instagram.com/Bennie0sb0rne
I created Bare memory 1 and 2 in 2016 using photographs I made in my hometown, Budapest. They were taken from the cupola of a church and include a large part of the city with several buildings. The idea of using cityscapes of Budapest came from a couple of dreams I had connected to the place. My aim was to create multi layered paintings and utilize the versatility of acrylic paint by making it transparent. I used details of the city photographs in the first layers as prints. In the upper layers I used the silhouettes of trees from my other photographs in order to deconstruct the cityscapes. Eventually the buildings can only be seen clearly in the silhouettes while their geometric rhythm creates a contrast with the simple curved lines of the other layer. Thus the trees as metaphors of time become the most striking shapes of the paintings.
Melitta Nemeth
christinewarrington2@yahoo.co.uk melittanemeth.blogspot.com instagram.com/melitta_nemeth londonsartistquarter.org/artist-hub/users/melitta-nemeth/profile 8
This sculpture evolved as a seminal piece to accompany a body of work around the notion of loss, pain, fear and death. When verbal language fails to properly articulate the dreams and nightmares around the notion of death, visual images and sculptures enable our understanding to be processed and confronted. Through my working life as an artist and an intensive care nurse I witnessed the human primordial fears and suffering that is usually manifested in dreams and nightmares. These were my lived realities. Now retired from nursing, my art work continues to address the same contemporary issues.
Christine Warrington RCA
christinewarrington2@yahoo.co.uk
Pillows, PVA glue, ceramic rose petals. The two pillows suspended at different heights refer not only to a dream-like state but intend to suggest a sense of imbalance and a physical and emotional distance from the perspective of a relationship, visually suggesting weighing scales. The artist is interested in exploring the dynamics of relationships within a domestic space, displaying through materiality, the complexity of modern human relationships, intimacy and false intimacy. The piece of work also refers to an idea of escapism and psychological space which challenges morals and social limitations whilst exploring the lacanian concept of desire which refers to the need for absence for satisfaction.
mclean.eleanor8@gmail.com www.eleanormclean.wordpress.com instagram.com/eleanormcleanstudio
Eleanor McLean
9
Specialising in advanced kiln-formed glass techniques, a unique way of working has been developed by this glass artist as she creates individual delicate glass sculptures. Through a deep desire to investigate and capture fragility and strength, she constantly strives to incorporate these feelings through her work-inspired initially by her experiences through life. Naomi’s work and process have developed and grown from broken and shattered to finding inner strength and that life can be beautiful and radiant. Lightness comes from darkness. It may take time, it may take many attempts, but it’s the dreaming and determination that gets you there.
Naomi Jacques
naomi@naomijacques.co.uk www.naomijacques.co.uk/about-1 www.facebook.com/naomijacquesartist/ www.instagram.com/n_jacques_artist/ twitter.com/naomi_jacques
If in this life we are rarely allowed to be who we are, to love who we want, can we learn from our dreams how to become free in reality? Is our subconscious mind the window to our innermost identities? The series “Dreams of stolen grief ’ is not only a visual journey of dreams and awakenings after the traumatic loss of a beloved one, but also part of a wider research about human connections as the most significant factors effecting our emotions, thinking processes, health, values and desires.
Beatrice Dina beatrice.dina@gmail.com www.beatricedina.com www.instagram.com/beatricedina/
10
How to Build Your Human is a video and photo series, focusing upon the cosmetic construction of humans. The story aims to evoke the sense of a repetitive and limitless cycle, where humans obsessively reconstruct themselves in an exhaustive attempt to achieve a level of perfection that doesn’t exist. We tend to disregard what is already beautiful. The commitment we show towards physically altering ourselves, without consideration of the consequences, is where my fascination lies. The film was Inspired by 1950s instructional videos of how to be the perfect housewife, and videos of doll manufacturing warehouses, merged with todays hyper-energetic makeup YouTube tutorials.
Jasmine De Silva jasminedesilva.photography@gmail.com www.jasminedesilva.com https://www.instagram.com/jasmine_desilva/
Art is about capturing a moment and expanding upon it; I want viewers to look beyond my paintings, to explore and anticipate the thoughts, feelings and emotions that come next. My series fits nicely into the theme of Dreams, each painting has a faraway look and feel, a fleeting perspective where if you blink, you could miss it. My portraits even take on a dream sequence, where you’re not sure if what you see is real or imagined. I am inspired by beautiful people; a face has more than meets the eye. I paint straight to canvas and have been experimenting with different coloured backgrounds and using paint sparingly to express more.
impressionsbyelise@gmail.com impressionsbyelise.co.uk instagram.com/impressionsbyelise www.facebook.com/impressionsbyelise/
I am continuously progressing and achieving more and more with my art. I absolutely love taking part in art exhibitions, two most recently in.
Elise Mendelle 11
I am a sculptor who focuses in the medium of plaster. I am interested in the relationship between the body and objects and how these interactions create moments. Within sculpture I explore both the ideas of being strong and fragile, soft and solid, to create spaces of both comfort and anxiousness. This current series of work is focused on the object of a pillow. We use them not only to sleep on but used to absorb our emotional struggles and to comfort us when we are ill. The pillow represents the space we go when we need to release, recharge and regain perspective on difficult situations.
Kayleigh Reed
kayleighrart@gmail.com www.kayleighrart.co.uk www.kayleighrart.co.uk/ Instagram - @kayleighrart
In this drawing nature, represented by a tree grows upwards. Man made structures, the city, grow down into the depths. By turning perspective upside down the smallest buildings are at the bottom. The size reduces down to infinitely small particles, dust. All mans structures end up as dust, it is also a nightmare vision of overpopulation, the end of civilization. In the middle of this drawing there is a gap between the tree and the city, it could be a peaceful river. It is partly a reference to the use of space in Chinese landscape painting, a space to wonder and dream.
jane.walker61@yahoo.co.uk www.jane-walker.co.uk
Jane Walker
12
Marta Bonaventura was born in 1982 in Venice, Italy - she begins about 13 years ago to find expression in the artistic world. Self-taught artist Marta Bonaventura has begun to show interest in Abstract, Collage and Pop Art since she was a child. Marta is a great lover of Andy Warhol , but she does not want to recreate his works or use his originality. In fact, she has a great creative gift and develops any type of message through papers, colors and different kind of paints: from acrylics to spray, from chalk to watercolors.
Marta Bonaventura for-marta@hotmail.com www.marta-bonaventura.com marta.bonaventura (Instagram)
This painting is one of many that are inspired by my vivid, detailed and exotic dreams. The elusive images of the freewheeling unconscious imagination are resistant to capture - it is a little like trying to paint a symphony. The Thinktank? - People floating in a quiet tank having a little think. The Statue Of Oputia? Well, the place is called Oputia - the statue probably refers to the mythology concerning the founding of the city - a bit like Romulus and Remus.
Brian Hanson brianhansonartist@gmail.com www.bghanson.com www.facebook.com/briangeorge.hanson Twitter: @BghArtist
One of a series of paintings exploring an Utopian imaginary world, the scenery, the culture, mores and sometimes whimsical notions of the Oputians. The default title, “Postcard From Oputia: xxxx”, allows interpretation of the dream; surreal, disingenuous, naive or comic, realised through the techniques of landscape painting, referencing traditional themes of exploration and illustration of new worlds. A dream has to be Utopian or it could become a nightmare. Couldn’t it?
13
“The Family” was created in response to a lack of familiarity in my own personal history growing up. Their homes are between the liminal and dreams, and are inspired by my own history and also the people who have carved it. Their moods change with the atmosphere they’re put in, creating this shadow of mourning of a childhood lost and reborn through my art practice. Now, I have made this new family, the dolls made by recycling dead languages. They have originated from a world of dreams and over time have expanded out from that imaginary world, and into ours in the form of these dolls. The dolls are a language in themselves, and hold chase above all language barriers, they are universal in their speaking, as each one of us has a part of their childhood they mourn wholeheartedly, some aspect they wish to carve back into their adult lives. For me, I miss the language I couldn’t develop with my family.
MoyLin Ho Knit Chong
ahmoy@live.co.uk Instagram @peach_art101 www.peachartstudios.wixsite.com/peachartstudios
Our bodies always look for the melting boundaries, attempting to extend the ‘self ’ to outer world and retrieve the long-lost sense of belonging through the extension. Therefore, the painting surface is like wavy water. It is oscillating between back and forth while colors, traces and lines are dragging one another. They are together fighting elegantly against a strong force. The interval between them yields a sense of space and interaction is made through seduction of the painting act. The need for melting boundary creates the subtle force. It is floating.
Zhuohui Li lizhuohuiveronica@gmail.com https://veronicazhuohuili.com instagram: veron_lica 14
This piece is called “Kasper lake� and is made after an imaginary place. Its soft pink and blue colours bring a dreamy and comforting quality to the piece. Its darker, potentially ominous shapes bring some unrest to the quietness of the narrative. The turmoil in the mark making, thick paint and paper stuck to the canvas also bring a sense of unrest and urgency. As a viewer you are invited to create your own interpretation and might see unintentional faces, animals or human forms in the painting. You will decide through sensation if it is a peaceful or a slightly agitated dream...
Sophie Anne Wyth sophieannewyth@gmail.com www.sophieannewyth.com Instagram: @sophieannewythartist
Chris Monokrousos lynxchris@hotmail.com
15
I am fascinated by the appearance of trees and hedgerows at night, when they take on an otherworldly appearance. My photographs are lit either by street lights, or hand held artificial lights, under a long exposure time, and they often show restlessness and movement. The results are unpredictable, and I welcome the role of chance, accidents and imperfection. I am interested in the sense of disorientation, strangeness, and sometimes pathos created by the wind moving branches, or by lights moving as the photograph takes place. By highlighting certain branches there is a sense of alienation and isolation, but also mystery or beauty. They relate to the theme of “Dreams� because they seem to portray something from the imagination, or from a different type of consciousness: a place from where dreams emerge.
Caroline Elliott c_m_elliott@hotmail.com www.carolineelliott.co.uk Instagram: @carolineelliottart
Working with other artists through portraiture helps me to unfold my inner world and work on my photography style, at the same time that helps them to materialize their needs. My photographies are directly connected with dreams, the ones I have asleep and the ones I have awake. Most of the time those moments of dream is where I meet the other artist. The land of collaboration and understanding that does not need words most of the time to explain what we both search. It is all in the dream cloud.
Sara Arruga
sara.arruga@gmail.com Instagram: @eine.symphonie www.einesymphonie.com/ 16
terrytsilvester@gmail.com www.terrysilvester.co.uk Instagram @terrysilvester
Wang Weiye alexwwyofficial@gmail.com www.wangweiye.art ins: toughc_9
Unlivingis an existential study separated into four titled acts: Minus, Moments, Intentand Stacked and Permanent. The film portrays moments of a young mans experiences of feeling alive in a modern society. The film is autobiographical and a somewhat portrait of the artists mental fragility. Structured as a fragmented narrative, the film draws on idea of the unconscious dream-like state of a detachment from reality. Silvester has a fascination with creating a discomfort; producing an uncertainty to the image and its motive leaving the viewer in a state of apprehension and unease. His work exists in this borderland between the real and the imaginary.
Terry Silvester
Reflection from the mirror is the message from the other universe. Smoking in the room is against the law in the United Kingdom, and that is the point about the title Nostalgia. However, smoking itself is not the only essential message sent from the another side; the city which allows people to burn inside is not the only important spot I miss either. Even this work is not talking about the dreams, dreams inspire the way I think about my work. It has unique logic, but people can easily accept the logic in their dreams even it is different from daily life. The mirror, the shimmering light and the message from the other side are the common elements in our dreams. I was trying to make a scene that belongs to the world of dreams to stand in the space in the real world.
17
S.a.d.o is a practising contemporary artist who’s style involves a passionate exploration of emotional intellect which is designed through her personal experiences and the fraying beliefs of Catholicism. Her style recreates her stories and words she tends not to say; in her silence she paints her sound through the use of colour , shapes and patterns. Three women are the 3 faces of what i describe as women hood, it explores the constructs of the female body, the structure of a women’s mindset and the depth of a women’s emotional dialect. In relation to dreams it represents the different layer accustomed to the dream state, one being nightmares, the other being lucidity, and the stillness and and silence in a meditative state.
S.A.D.O sarita.oseitutu@gmail.com @sado.the.strange
I experiment with different methods and materials for every new project, always trying to break the rules of the canvas. Lately I’ve explored sustainability by recycling clothing and old materials; to make something new and intriguing from something seemingly worthless. I studied fashion at college and am impassioned by the exploration of my paints mixed with fabric-manipulation. I explore various states of mind in my works, building each painting layer-upon-layer, just as our dreams are built metaphor-upon-metaphor, past, present and future intertwined. Overlaid on these dimensional layers, pieces are given a sense of perspective, drawing the viewer into a wakened dream, an escape from a structured world, even if only through a canvas on a wall. ‘Bedlam’ is based on the lyrics of a song called ‘Dreamer’. A story about wandering the streets, dreaming of finding a home within a lover’s heart – the ultimate dream of true love.
Emma Irma Johansen
emma@emmart.dk www.emmart.dk/ www.instagram.com/em_joh/ www.facebook.com/emmairma.johansen 18
I think soul knows well how to conflict. With oneself. Then suddenly soul surrenders and that’s when reality becomes dreamy. Our eyes open and we are dreaming in real sense - not a day dream. The character of my oil painting is in such a dreamy moment, Will you the be the one to say her a dreamy hello now same the way I did once upon a time? Endless time to be more accurate. It can be, in reality, anywhere, anytime. Look around. There must be someone whose soul is now conflicting just to surrender soon. Wait calmly and say hello soon. Dreams may or may not last long. We never know.
K. Tarek tarek.researcher@gmail.com fineartamerica.com/profiles/khandker-tarek.html
James Oliver www.jamesoliverart.net jamesdoliver@hotmail.co.uk
19
‘Dreams’
www.artnumber23.uk @artnumber23 100 Clements road Block F SE16 4DG London UK