Brafa Art Fair by Masterart

2024

BRAFA © Jessica Hilltout

HAROLD T’KINT DE ROODENBEKE, CHAIRMAN OF BRAFA BRAFA is once again the first major art event of the year. From Sunday, January 28th to Sunday, February 4th, 2024 at Brussels Expo, the Fair will stimulate and dazzle collectors and art lovers alike. For 8 days, 132 leading exhibitors are meeting in Brussels to unveil the treasures they have patiently gathered for your pleasure. More than ever, we have built an interesting selection of high-level quality galleries from 14 countries with a beautiful balance between all the specialities. Antiques, Old Masters, Asian and African art, ancient Islamic arts and Indian miniatures, furniture, paintings, sculptures from all periods, jewellery, antique books, contemporary glass, ancient and modern ceramics, ancient and modern textiles and tapestries & carpets, contemporary design..., this 69th edition of BRAFA promises a real voyage through time and space, from one era to another, from one style to the next, all subtly arranged to create openness and dialogue between the objects on display. BRAFA is a very welcoming meeting place. Visitors can ask advice to the passionate exhibitors, who are always ready to tell the story behind each work on their stand. The Fair also offers daily BRAFA Art Talks; lectures and debates on topical art-related subjects, as well as various guided tours. Through time, BRAFA has welcomed prestigious guests of honour ranging from major national cultural institutions such as the Museums of the City of Liege in 2010, the Mayer van den Bergh Museum from Antwerp in 2011 or the Royal Opera

House La Monnaie – De Munt in Brussels in 2013 to internationally renowned artists such as Julio le Parc in 2017, Christo in 2018 or the Gilbert & George duo in 2019. This year, our guest of honour is the Paul Delvaux Foundation, to mark the 30th anniversary of the great Belgian painter’s death. A dedicated space will present an overview of the artist’s career, a real voyage into Paul Delvaux’s world and imagination. In a more general context, 2024 is also the anniversary of the official birth of Surrealism, marking 100 years since the publication of André Breton’s manifesto. It’s an opportunity to brighten up our space with unexpected Surrealist touches that are unique to our Belgian culture! We put all our energy into making each edition a success. Quality, beauty, emotion, exchange, conviviality and love of art are all the ingredients that make up this Fair. It succeeds in bringing together all generations for different purposes. Each visitor comes with a different goal but with one common denominator: the desire to discover. We look forward to welcoming you at BRAFA 2024.

Harold t’Kint de Roodenbeke, Chairman of BRAFA

Delen Private Bank & BRAFA, partners in fine arts A shared passion Art inspires. That is why Delen Private Bank aims to share its passion for art and design. At Delen Private Bank, every confidential conversation starts in a familiar setting. Our clients immediately feel at home in our cosy, comfortable office interiors. Each office has a distinguished Delen look, with carefully selected vintage design pieces that blend perfectly with the bank’s collection of post-war abstract Belgian art. Delen Private Bank seeks to protect, promote and develop the rich and diverse heritage of Belgian art and design. In BRAFA we find a dedicated and dynamic ally to convey that message. A bank with a personal touch Delen Private Bank focuses on discretionary asset management and estate planning. Our mission? To ensure the prudent and carefully planned management of our clients’ assets, focusing on balanced growth and a smooth transfer of assets to future generations. A personal approach is of the utmost importance to us. Besides the investment portfolio, Delen offers insight into all asset components: a house, insurance, art, you name it. At the same time, important documents are neatly arranged in a digital archive. Through simulations, the client can see how his assets will evolve, and what measures he can take to improve his financial future. And clients who appreciate ease of use and efficiency, can rely on secure digital applications like the Delen app and Delen OnLine.

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HONORARY COMMITTEE Anne Adriaens-Pannier

Véronique Carpiaux

Honorary Curator of the Royal Museums of Fine Arts of Belgium, Brussels

Curator of the Félicien Rops Museum, Namur

Prof. Dr. Werner Adriaenssens Curator of 20th century Collections at the Art & History Museum, Brussels Professor Decorative Arts at the Free University Brussels (VUB)

Dominique Allard Honorary Director of the King Baudouin Foundation, Vice-Chairman of the Archaeological Society of Namur

Julie Almau Gonzalez General Director of the ATOMIUM & Design Museum Brussels

Claire Baisier Policy Officer Collections Museums Antwerp and Curator of the City Hall Collection at Stad Antwerpen

Guido Creemers Curator of the Gallo-Roman Museum, Tongeren

Lieven Daenens Honorary Director of the Design Museum Gent, Ghent

Bart De Baere General and Artistic Director of the M HKA, Museum of Contemporary Art, Antwerp

Anne De Breuck Head of Heritage & Culture of the King Baudouin Foundation, Brussels

Isabelle De Jaegere Honorary Director Municipal Museums Kortrijk

Peter Bary

Carl Depauw

General Director of the M - Museum Leuven

Director of the Museum Mayer van den Bergh, Antwerp

Goedele Bartholomeeusen

Baron François Duesberg

Director of MDD / Museum Dhondt-Dhaenens, Deurle

Founder and General Curator of the François Duesberg Museum of Decorative Arts, Mons

Thomas Bayet Curator of the Museum of History and Decorative Arts, Tournai

Philippe Blondin President of the Jewish Museum of Belgium, Brussels

Ward Bohé

Julien Foucart Curator of the Museum of Fine Arts, Tournai

Denis Gielen Director General of the MACS (Museum of Contemporary Arts) at Grand-Hornu

Curator of the City Museum SteM, Sint-Niklaas

Fabrice Giot

Pieter Boons

Director-Curator of the Museum of Decorative Arts, Namur

Curator of the Middelheim Museum, Antwerp

Marjolaine Hanssens

Till-Holger Borchert

Director-Curator of the Domaine du Château de Seneffe

Director of the Suermondt-Ludwig-Museum, Aachen

Daan van Heesch

Corinne Boulangier

Head of Prints and Drawings at the Royal Library of Belgium (KBR), Brussels

Chairman of the Cultural Heritage Fund of the King Baudouin Foundation, Brussels

Johan van Heesch

Camille Brasseur

Emeritus Professor with formal duties at KU Leuven

Director of the Foundation Paul Delvaux Museum, Koksijde

Sara Lammens

François de Callataÿ Royal Academy of Belgium, Francqui Prize 2007, Brussels

General Director at Royal Library of Belgium General Director a.i. at the Royal Museums of Fine Arts of Belgium, Brussels

Xavier Canonne

Wim Lammertijn

Director of the Museum of Photography, Charleroi

Director of mudel - Museum of Deinze and the Leie Region, Deinze

Katrien Laporte

Manfred Sellink

Director of the Design Museum Gent, Ghent

Director of the Museum of Fine Arts (MSK), Ghent

Claire Leblanc Conservator-Director of the Museum of Ixelles

Jérémie Leroy Director of the King Baudouin Foundation, Brussels

Thomas Leysen

Christophe Slagmuylder CEO and Artistic Director of Bozar, Brussels

Kristl Strubbe General Director of the Hof van Busleyden Museum, Mechelen

Chairman of Mediahuis

Maartje Stubbe

Isabel Lowyck

Director of the FoMu (Museum of Photography), Antwerp

Director of the Gaasbeek Castle

Peter Thoelen

Manon Magotteaux

Director of the Hendrik Conscience Heritage Library, Antwerp

Curator of the van Buuren Museum & Gardens, Brussels

Clémence Mathieu

Grégory Van Aelbrouck Director-curator of the Hannon House, Brussels

Director of the MICM, Binche

Michel Moortgat Chairman of the Cultural Heritage Fund of the King Baudouin Foundation, Brussels

Jonathan Nowakowski Managing Director of Musea Brugge, Bruges

Wim Nys Head of Collections and Research at DIVA, Antwerp Home of Diamonds, Antwerp

Anne van Oosterwijk Director of Collection of Musea Brugge, Bruges

Bart Ouvry Director General of the AfricaMuseum, Tervuren

Marie Pok

Philippe Van Cauteren Artistic Director of the S.M.A.K., Ghent

Sanne Vandamme Director of Museums and Exhibitions Kortrijk

Hildegard Van de Velde Curator of the Snijders&Rockoxhuis Museum, Antwerp

Geertrui Van Kerkhoven Director of the MOU - Museum Oudenaarde and the Flemish Ardennes, Oudenaarde

Els Veraverbeke Curator of the In Flanders Fields Museum, Yper Museum and Merghelynck Museum

Director of CID - centre d'innovation et de design at Grand-Hornu, Hornu

Cathérine Verleysen

Fanny Rodwell

Head of Collections and Research at the Museum of Fine Arts (MSK), Ghent

Director of the Hergé Museum, Louvain-la-Neuve

Alexandra Rolland Director of the Autrique House, Schaerbeek

Richard Veymiers Director of the Domaine and Royal Museum of Mariemont

Louma Salamé

Bert Watteeuw

General Director of the Boghossian Foundation, Brussels

Director of the Rubens House – Rubenianum, Antwerp

Dominique Savelkoul Director of Mu.ZEE and the Permeke Museum, Ostend

Zahava Seewald Director of Municipal Museums, Monuments and Sites Department, Curator of the Erasmus House & Beguinage, Brussels

Carmen Willems General Director of the KMSKA, Antwerp

Benjamin Zurstrassen Curator of the Horta Museum, Saint-Gilles/Sint-Gillis

GUEST OF HONOUR @ BRAFA 2024 THE PAUL DELVAUX FOUNDATION

The Paul Delvaux Foundation was created about 45 years ago. Established during the artist's lifetime, its aim was to protect, disseminate and promote the painter's work. Keen to share his art, Delvaux bequeathed part of his estate to a charitable foundation bearing the royal seal. Princess Paola, later Queen Paola, regularly attended the private views that showcased the master's work. Delvaux rose to international prominence as one of the leading exponents of Belgian art abroad. Although he did not care about “isms” and other labels, he became along with René Magritte one of the representatives of Surrealism. Books and encyclopaedias bear witness to this. Delvaux's late fame did not change him in the slightest. He had never aspired to being famous. On the contrary, recognition - the feeling that his art was somewhat understood - was in his view the best plaudit. His modest nature did not prevent him from enjoying the many honours he received. His appointment as stationmaster of Ottignies-Louvain-la-Neuve in 1984 was probably his most delightfull distinction. At the age of 87, this painter of trains and stations fulfilled a childhood dream. As time went by, Delvaux lived through and witnessed the profound changes that marked the twentieth century, not without a nostalgia. And then came July 20th 1994, the summer’s day on which he breathed his last. It will soon be 30 years ago... Whilst some may disappear from our memories, others remain alive because we are careful to keep the flame of remembrance alive. Delvaux helped us in this by leaving us his most precious legacy: his work. Much of it is now scattered around the world: in prestigious museums (Art Institute Chicago, The Tate Modern, Guggenheim Venice, Royal Museums of Fine Arts of Belgium and others) as well as major private collections. The Foundation remains the artist's foremost repository of his oeuvre. It has the world's largest collection of his work, including paintings, drawings, sketches, prints, as well as personal objects and a rich archive (correspondence, handwritten notes, photographs, video and audio documents). This collection is the bedrock of the Foundation. It provides the input for the scientific work that allows us to perpetuate and deepen our knowledge of the great master’s work.

Paul Delvaux, Le Grand Musée Spiztner, ca. 1932, graphite and charcoal on paper, 39 x 34 cm, private collection on deposit at the Paul Delvaux Museum

As the Foundation embarks on a new stage of its development, it aims to be the reference institute where art lovers, collectors and museums can seek advice and share their own treasures. In bringing together all the information relating to the life and work of Delvaux, the Foundation emerges as an indispensable key player, actively participating in furthering our knowledge and understanding of one of the major artists of the twentieth century. Let's not forget that Delvaux was part of the minority of artists that met with admiration and success during their lifetime. The painter owes these blessed marks of distinction to the originality of his pictorial universe and, to a certain extent, to his association with Surrealism. As 2024 celebrates the 100th anniversary of André Breton's first Surrealist Manifesto, we have an opportunity to qualify this limiting classification. Although he was indebted to the Surrealists -

Paul Delvaux, La Vénus endormie, 1932, oil on canvas, 100 x 100 cm, private collection on deposit at the Paul Delvaux Museum

Paul Delvaux, Coiffeur pour dames, 1933, oil on canvas, 207 x 258,4 cm, private collection on deposit at the Paul Delvaux Museum

in particular De Chirico and Magritte - Delvaux adhered neither to the ideas nor to the collective dimension of the movement. For him, art was never a political issue, nor a means of subversion. As a loner, Delvaux forged a world in the image of his daydreams without ever trying to explain them. His link with Surrealism lies in strangeness of atmospheres and the association of anachronistic, sometimes incongruous elements, resulting in a visual shock of a poetic nature. Breton summed up this process in his book Le Surréalisme et la Peinture when he said: “Delvaux has turned the whole universe into a single realm in which one woman, always the same woman, reigns over the great suburbs of the heart, where the ancient windmills of Flanders spin a string of pearls in a light of ore.” (Éditions Gallimard, 1965, p.81) Delvaux succeeded in infusing his canvases with a timeless dimension that allows the work to transcend ephemeral trends that are quickly overtaken by events. His work lies beyond, in a forever elusive space/time. Painting offers itself as an escape from reality, allowing him to travel to the heart of a dream world where memories and desires mingle. The woman is the central and inescapable axis. In this world, she is eternally beautiful and young. Although her nudity is open to contemplation, her black, lifeless gaze

Paul Delvaux, La Danse des squelettes, ca 1934, ink and watercolor on paper, 25 x 30 cm, private collection on deposit at the Paul Delvaux Museum

Paul Delvaux, Le Récitant, 1937, oil on canvas, 70 x 80 cm, collection Foundation Paul Delvaux

makes her inaccessible. She wanders through the work, multiplying herself over and over again. Many of these women take on the appearance of twin sisters, similar yet always a little different. Alone, reclining on a chaise longue, she evokes the iconic theme of La Vénus endormie. As for Chrysis, absorbed in her thoughts, a candle in her hand, she seems to have wandered into an in-between space, while a train moves past in the distance. The railway environment is one of the artist's recurring imaginary projections. Stations and trains conjure up an imaginary sense of escape, which he doesn't hesitate to transpose to the middle of an enchanted forest, soberly entitled La Gare forestière. The intriguing environment of this majestic painting is a far cry from the so-called skeleton paintings that caused such a sensation. Delvaux was the first to be surprised by the strong reactions they provoked. For him, the skeleton is undoubtedly the most epitomised painted figure, in the sense that its exposure and the structure of the body reflect our common humanity. By integrating skeletons into biblical scenes, the artist sought to illustrate the life of Christ, accentuating its dramatic character.

Paul Delvaux, La Robe mauve, 1946, ink and watercolor on paper, 62 x 77 cm, private collection on deposit at Paul Delvaux Museum

This brief overview of a long artistic career shows just how prolific Delvaux's work is. It includes more than 400 paintings, whilst its graphic extension seems unquantifiable. Will it ever be?

Paul Delvaux, La Gare forestière, 1960, oil on canvas, 160 x 220 cm, collection Foundation Paul Delvaux

In 1966, Suzanne Houbart-Wilkin, who pulled together the catalogue raisonné of Delvaux's painted work, wrote that Delvaux drew as he breathed. As the director of the library of the Royal Museums of Fine Arts in Brussels, she stopped compiling data in 1975, the year this reference work was published. Work is now continuing to update it and add missing elements. These obviously relate to work produced after 1975, but also to a number of items from the little-known 1920-1930 period. Today this has been made possible thanks to the passion of a couple of collectors who brought together various scattered pieces in the largest privately held Delvaux collection. A collaboration between them and the Foundation has started up, reinforcing the principle that synergies are essential. After all, it's clear that collaboration between the various stakeholders in the cultural world is essential if a work of art is to survive. BRAFA is shaping up to be a key moment in the dialogue between institutions, museums, collectors and dealers... We have no doubt that this art fair will be a key opportunity to encourage contacts and exchanges with the general public and informed collectors. We could even bet that certain nuggets may resurface before our astonished eyes and that, in retrospect, we will be able to testify that all these encounters were milestones in bringing Delvaux fully into the twentyfirst century! Camille Brasseur Director of the Paul Delvaux Foundation

For all works by Paul Delvaux : © Foundation Paul Delvaux, Belgium/SABAM, 2024 / Photo Vincent Everarts

Paul Delvaux, La Mise au tombeau, 1957, oil on canvas, 130 x 120 cm, collection Foundation Paul Delvaux

Paul Delvaux, Chrysis, 1967, oil on canvas, 160 x 140 cm, collection Foundation Paul Delvaux

AMBASSADORS OF BRAFA 2024

The BRAFA would like to thank all Ambassadors for their active participation in BRAFA 2024. Their readiness to spend time sharing their knowledge, passion and favourite artworks with Museum Friends and foreign and Belgian cultural groups is sincerely appreciated by all.

Anne Adriaens-Pannier

Lionel Colin Van Lint

Honorary Curator of the Royal Museums of Fine Art of Belgium, Brussels

President of the Louis Van Lint Institute

Prof. Dr. Werner Adriaenssens

Christophe Decarpentrie

Curator Collections 20th century at the Art & History Museum, Brussels

Interior Designer

Jean Philippe Altenloh

Eric De Keuleneer

Actor

Managing Director of the University Foundation

Renaud Bentégeat

Patricia De Peuter

Chairman CCI France International

Art Advisor – Art Curator

Luc Bertrand

Dr. Alexandra De Poorter

Chairman of the Board of Directors of Ackermans & van Haaren

Head of Publications at the Art & History Museum, Brussels

Henry Bounameaux

Laurence-Anne Doetsch

Art Expert

Art Enthusiast

Arnaud Bozzini

Christophe Dosogne

Director of the Design Museum Brussels

Editor in chief, COLLECT Arts Antiques Auctions

Stéphanie Breydel de Groeninghe

Bernard de Gerlache de Gomery

Art Asset Management & Advisory

Chairman of Demeures Historiques & Jardins de Belgique

François de Callataÿ

Eric Hemeleers

Royal Academy of Belgium, Francqui Prize 2007, Brussels

CEO Eeckman Art & Insurance

Xavier Canonne

Diane Hennebert

Director of the Museum of Photography, Charleroi

Managing Director, Out of the Box

Yves de Caritat

Isabelle Henricot

Lawyer – Art Enthusiast

Interior Designer

Yadira Castellanos Estrabao

Patrice le Hodey

Global Head Scientific Committee of Arcadia Foundation

Acting Chairman IPM – RGP

BRAFA - Club Days © Fabrice Debatty

Paul Huvenne

Bart Suys

Former Director of the KMSKA Antwerp

Graduate in African and Oceanic Art

Olivier de Jamblinne de Meux

Luc et Valérie de Tillesse

Former Banker, Art Enthusiast

Art Collectors

Claire Leblanc

Liliana Turoiu

Conservator-Director of the Museum of Ixelles

Director Romanian Cultural Institute Brussels Diplomate Ministry of Foreign Affairs Romania

Ernest Loumaye Co-Founder, CEO of ObsEva Art Enthusiast

Hubert d’Ursel Director ‘The Fine Art Group’

Barbara de Muyser Lantwyck

Axel Van der Stappen

Vice-President of the Association Royale Dynastie & Patrimoine Culturel

Author, Historian

Pierre-Emmanuel Noel Head of Benelux of the European Investment Bank Professor Sciences Po Paris

Benedikt Van der Vorst Art Collector

Guy van Wassenhove

Olivier Onghena ‘t Hooft

Curator of the Baillet Latour Fund

Founder & Executive Chairman, GINPI, YL-IM, Forbidden Colours, and Author

Gérald Watelet Interior Designer

Marie Pok Director of CID - centre d'innovation et de design at Grand-Hornu, Hornu

Carole Schuermans Art and Cultural Manager

Louis de Strijcker Art Enthusiast

Christiane Struyven Speaker on 20th century Art 15

The King Baudouin Foundation and its patrons help preserve our heritage ! The King Baudouin Foundation is committed to the preservation, protection, accessibility and promotion of Belgian heritage through its Heritage Fund. Over the past 37 years, the Fund has acquired many works of art, as well as documents and objects of our cultural heritage. These have been entrusted to museums and other public institutions so that they are accessible to the general public, as well as being preserved in the best conditions. Patrons also rely on the King Baudouin Foundation to perpetuate their collections and implement their philanthropic projects. Today, the Heritage Fund thus manages more than 185 philanthropic funds active in the field of culture and set up by private individuals or organisations.

Our grateful thanks go to the BRAFA Art Fair and to the generous patrons who have given us the opportunity to share these fine treasures with all heritage lovers. We look forward to welcoming you at stand 137! FOR FURTHER INFORMATION

King Baudouin Foundation: www.kbs-frb.be Field of action ‘Heritage & Culture’: www.heritage-kbf.be

At BRAFA, the King Baudouin Foundation is presenting some of its recent acquisitions, including donations and several works purchased with the help of philanthropic funds.

In 2023, multiple works of art of the King Baudouin Foundation’s collection were labelled ‘masterpieces’ by the Government of Flanders. These included a unique 17th-century golden cluster ring with diamonds and a portrait miniature, purchased in 2020 by the Christian Bauwens Fund and entrusted to DIVA in Antwerp.

‘La Dame au Pantin’, a stunning work by Félicien Rops of which four different versions exist, was recently acquired by the Charles Vreeken Fund. The watercolour marks a turning point in Rops’s oeuvre and is replete with symbolic and mythological motifs. In 1997, the Foundation had already acquired one of the other versions of the work. The second drawing was in private hands, but had been exhibited at the Rops Museum for years. The Foundation’s purchase allows both versions to continue to be displayed at the museum in Namur.

This absolute gem of a religious sculpture was acquired in 2023 for the Museum Hof van Busleyden in Mechelen. Purchased by the Léon Courtin-Marcelle Bouché Fund, this rare piece was sculpted in the 17th century by Maria Faydherbe. She is the first known female sculptor in European art history whose work has been preserved to this day. Faydherbe’s oeuvre is internationally acclaimed; and this ‘Virgin with child’ is the artist’s only dated work.

This year, BRAFA is focusing on surrealism and the work of Paul Delvaux. To reflect this theme, the King Baudouin Foundation is screening the short film ‘Nocturnal Butterflies’. Created by legendary animation filmmaker Raoul Servais, the film was based on work by Delvaux. In late 2019, Raoul Servais – who passed away on 17 March 2023 – donated a large number of his graphic works to the King Baudouin Foundation, to preserve his archive and make it available to the general public.

Last but not least, the Foundation will showcase one of the most significant works by the famous Belgian symbolist Fernand Khnopff: the ‘Portrait of Marguerite’ (1887). Its purchase by the Heritage Fund in 1991 meant that the work could be returned from America to Belgium. Since then, it has been exhibited at the Royal Museums of Fine Arts of Belgium in Brussels. After more than 30 years, the painting can now be admired at BRAFA for the first time, after which the work will occupy a prominent place in the Surrealism exhibition at the Royal Museums of Fine Arts.

V O L U M E Architecture Nicolas de Liedekerke I Daniel Culot Designers of the BRAFA Art Fair since 2004

www.volume-archi.be

Supporting Fine Arts Art inspires, connects and enchants. Delen Private Bank aims to share its passion for art with every art lover. For over fifteen years, Brafa and Delen have stood side by side to promote art in all its forms.

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EXHIBITORS BRAFA 2024 BY NAME

Galeries AB & BA P. 36

Galerie AB - Agnès Aittouarès 14 Rue de la Grange Batelière FR-75006 Paris t +33 (0)1 45 23 41 16 m +33 (0)6 14 42 96 83 galerieab@gmail.com www.galerie-ab.com 5 Rue Jacques Callot FR-75006 Paris Galerie Berthet Aittouarès Odile Aittouarès 14 & 29 Rue de Seine FR-75006 Paris t +33 (0)1 43 26 53 09 m +33 (0)6 15 12 20 10 contact@galerie-ba.com www.galerie-ba.com Stand n° 73

Franck Anelli Fine Art P. 38

Hôtel de Fond-Marin 2 Chemin de la Terrière FR-60800 Crépy-en-Valois m +33 (0)6 08 65 18 06 m +33 (0)6 86 67 88 44 franckanellifineart@gmail.com www.franckanelli-fineart.com Stand n° 78

Ars Antiqua P. 40

Via Carlo Pisacane 55 & 57 IT-20129 Milan t +39 02 295 290 57 m +39 347 97 35 757 m +39 347 82 18 229 galleria@arsantiquasrl.info www.arsantiquasrl.com Stand n° 57

d’Arschot & Cie P. 42

Philippe d’Arschot Avenue Louise 192 BE-1050 Brussels t +32 (0)2 649 56 21 m +32 (0)475 78 35 05 pdarschot@gmail.com www.darschot.com Stand n° 71

Art et Patrimoine Laurence Lenne P. 44

Chaussée de Bruxelles 344 BE-7800 Ath m +32 (0)476 54 26 36 artetpatrimoine@skynet.be www.artetpatrimoine.be Stand n° 60

Artimo Fine Arts P. 46

Rue Lebeau 55 BE-1000 Brussels t +32 (0)2 512 62 42 m +32 (0)476 42 18 33 m +32 (0)475 29 10 49 info@artimobrussels.com www.artimobrussels.com Stand n° 136

Galerie Ary Jan P. 48

32 Avenue Marceau FR-75008 Paris t +33 (0)1 42 61 42 10 m +33 (0)6 07 88 75 84 contact@galeriearyjan.com www.galeriearyjan.com Stand n° 1

Bailly Gallery P. 50

10 Rue de l’Hôtel de Ville CH-1204 Geneva 19 Place de Longemalle CH-1204 Geneva t +41 (0)22 827 24 24 m +41 (0)79 410 9176 info@baillygallery.com www.baillygallery.com Stand n° 106

Helene Bailly P. 52

71 Rue du Faubourg Saint-Honoré FR-75008 Paris t +33 (0)1 44 51 51 51 m +33 (0)6 60 82 45 03 helene@helenebailly.com www.helenebailly.com Stand n° 88

Baronian P. 54

Rue Isidore Verheyden 2 BE-1050 Brussels t +32 (0)2 512 92 95 info@baronian.eu www.baronian.eu Rue de la Concorde 33 BE-1050 Brussels Zeedijk 731 BE-8300 Knokke-Zoute Stand n° 93

Barbara Bassi P. 56

Corso Campi 22 IT-26100 Cremona m +39 339 266 58 30 barbara.bassi.gioielli@gmail.com Stand n° 55

F. Baulme Fine Arts P. 58

1 Quai Voltaire FR-75007 Paris t +33 (0)1 42 60 73 10 m +33 (0)6 19 94 92 78 fb@fbaulme-finearts.com www.fbaulme-finearts.com Stand n° 65

Galerie de la Béraudière P. 60

Rue Jacques Jordaens 6 BE-1000 Brussels t +32 (0)2 646 92 15 m +32 (0)478 82 30 13 galerie@delaberaudiere.com www.delaberaudiere.com Stand n° 86

Galerie Berès P. 62

Anisabelle Berès-Montanari & Florence Montanari-Berès 25 Quai Voltaire FR-75007 Paris t +33 (0)1 42 61 27 91 m +33 (0)6 07 01 50 41 beres@galerieberes.com www.galerieberes.com Stand n° 66

Galerie Boulakia P. 72

Jean Bernier & Marina Eliades 11 Eptachalkou Street GR-11851 Athens t +30 21 0341 3935 bernier@bernier-eliades.com www.bernier-eliades.com Rue du Châtelain 46 BE-1050 Brussels t +32 (0)2 640 55 04 brussels@bernier-eliades.com Stand n° 11

P. 74

P. 76

Boon Gallery P. 68

Jos & Christophe Boon Kustlaan 197 BE-8300 Knokke-Zoute m +32 (0)475 45 49 63 m +32 (0)476 83 80 14 boongallery@hotmail.com www.boongallery.com Stand n° 26

Bernard Bouisset P. 70

20 Rue du 4 Septembre FR-34500 Béziers t +33 (0)4 67 28 71 86 m +33 (0)6 07 10 28 81 m +33 (0)6 85 40 38 50 bernardbouisset@wanadoo.fr www.bernardbouisset.com Stand n° 58

205 Rue du Faubourg SaintHonoré FR-75008 Paris t +33 (0)1 42 61 31 47 m +33 (0)6 08 70 44 83 gnb@galeriesnicolasbourriaud.com www.galerienicolasbourriaud.com 1 Quai Voltaire FR-75007 Paris t +33 (0)1 42 33 66 72 Stand n° 61

68 Boulevard Malesherbes FR-75008 Paris t +33 (0)1 45 22 16 89 contact@bramelorenceau.com www.bramelorenceau.com Stand n° 28

Galerie Van den Bruinhorst

Dr. Lennart Booij Fine Art & Rare Items Prinsengracht 1 NL-1015 DK Amsterdam m +31 (0)6 55 86 28 62 info@booij-arts.com www.booij-arts.com Stand n° 74

P. 84

Voorstraat 46 NL-8261 HS Kampen t +31 (0)38 332 36 74 m +31 (0)6 15 66 85 04 info@vandenbruinhorst.com www.vandenbruinhorst.com Stand n° 125

P. 86

Twaalfmaandenstraat 1 BE-2000 Antwerp m +32 (0)475 26 76 85 info@silverobjects.be www.silverobjects.be Stand n° 81

Giammarco Cappuzzo Fine Art P. 82

17 Wigmore Street UK-London W1U 1PQ By appointment m +44 (0)7775 635 468 gmcfineartlondon@gmail.com www.giammarcocappuzzo.com Stand n° 49

Place du Grand Sablon 31 BE-1000 Brussels t +32 (0)2 514 56 33 m +32 (0)475 30 02 50 m +32 (0)477 50 54 41 centoanni@gmail.com galeriecentoanni.blogspot.com 3 Rue du Miromesnil FR-75008 Paris m +33 (0)6 08 36 80 83 Stand n° 121

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Belgische Beroepskamer van Antiquaren (BBA) P. 88

Cabinet of Curiosities Honourable Silver Objects P. 80

8 Rue Sainte-Anastase FR-75003 Paris t +33 (0)1 48 04 06 92 m +33 (0)6 03 79 76 26 m +33 (0)7 68 66 57 68 jfc@galeriejfcazeau.com www.galeriejfcazeau.com Stand n° 41

Galerie Cento Anni

Brame & Lorenceau

P. 78

P. 66

Galerie Jean-François Cazeau

Galerie Nicolas Bourriaud

Bernier/Eliades Gallery P. 64

41 Dover Street UK-London W1S 4NS t +44 (0)207 629 15 55 m +44 (0)7557 534 491 daniel@boulakia.gallery www.boulakia.gallery Stand n° 47

President: Pierre Coumans Galerie Bortier 8 BE-1000 Brussels t +32 (0)2 514 22 10 pierrecoumansbooks@gmail.com Secretariat: Brigitte Harcq Rue Saint-Jean 31 BE-1000 Brussels m +32 (0)476 80 40 83 clam-bba@hotmail.com www.clam-bba.be www.ilab.org Stand n° 116

Claes Gallery P. 92

Rue de l’Abbaye 14 BE-1050 Brussels t +32 (0)2 414 19 29 contact@didierclaes.com www.didierclaes.art Stand n° 35

Collectors Gallery P. 94

Betty De Stefano Rue des Minimes 12 BE-1000 Brussels t +32 (0)2 511 46 13 m +32 (0)475 36 79 91 info@collectors-gallery.com www.collectors-gallery.com Stand n° 10

Nicolás Cortés Gallery P. 96

Nicolás Cortés Calle de Justiniano 3 ES-28004 Madrid t +34 913 10 05 82 contact@nicolascortes.com www.nicolascortes.com Stand n° 89

Cortesi Gallery P. 98

Via Nassa 62 CH-6900 Lugano t +41 (0)91 921 40 00 info@cortesigallery.com www.cortesigallery.com Via Morigi 8 IT-20123 Milan t +39 02 36 517 547 Stand n° 99

Costermans & Pelgrims de Bigard P. 100

Arnaud Jaspar & Cédric Pelgrims de Bigard Place du Grand Sablon 5 BE-1000 Brussels t +32 (0)2 512 21 33 m +32 (0)475 58 56 71 m +32 (0)476 27 06 50 info@costermans-antiques.com www.costermans-antiques.com Stand n° 17

De Jonckheere P. 108

Galerie Bernard De Leye P. 110

Tomaso & Gerolamo Vigorelli Via Borgonuovo 5 IT-20121 Milan t +39 02 890 96 173 m +39 347 469 87 45 m +39 338 108 65 40 info@daltonsomare.com www.daltonsomare.com Stand n° 7

P. 112

Zeedijk 758 BE-8300 Knokke t +32 (0)50 62 13 09 m +32 (0)494 36 35 65 info@debrockgallery.com www.debrockgallery.com Strandstraat 11 BE-8300 Knokke Stand n° 33

P. 114

Alessandra Bardi & Giulia Ponti Rue Watteeu 12 BE-1000 Brussels m +32 (0)476 74 05 57 deibardiart@gmail.com www.deibardiart.com Stand n° 9

P. 124

Avenue Hamoir 41 BE-1180 Brussels t +32 (0)2 514 34 77 m +32 (0)475 46 54 41 info@bernarddeleye.be www.orfevrerie.eu Stand n° 42

Bodenbroekstraat 8A BE-1000 Brussels m +32 (0)479 07 74 28 info@thomasdeprezfinearts.com www.thomasdeprezfinearts.com Stand n° 117

Tom & Tobias Desmet Regentschapsstraat 17 BE-1000 Brussels t +32 (0)2 514 98 88 m +32 (0)475 37 60 50 m +32 (0)486 02 16 09 info@gallerydesmet.com www.gallerydesmet.com Stand n° 31

P. 116

Latemstraat 20 BE-9830 Sint-Martens-Latem t +32 (0)9 281 11 70 m +32 (0)475 24 62 62 info@oscardevos.be www.oscardevos.be Stand n° 97

Refugie Abdij van Tongerlo Schoutetstraat 7 BE-2800 Mechelen t +32 (0)15 20 29 05 info@dewit.be www.dewit.be Stand n° 21

De Zutter Art Gallery P. 120

Michael De Zutter Kustlaan 149 BE-8300 Knokke-Zoute t +32 (0)50 60 63 99 m +32 (0)486 89 54 43 info@dezutterartgallery.com www.dezutterartgallery.com Stand n° 16

Mr E.J.M. Douwes Senior and Junior Johannes Vermeerstraat 15-HS NL-1071 DK Amsterdam t +31 (0)20 664 63 62 m +31 (0)6 54 24 24 29 info@douwesfineart.com www.douwesfineart.com Douwes Fine Art Ltd., London t +31 (0)20 664 63 62 Stand n° 59

Epoque Fine Jewels P. 126

Overbekeplein 33 BE-8500 Kortrijk m +32 (0)475 61 68 31 info@epoquefinejewels.com www.epoquefinejewels.com Stand n° 70

Finch & Co P. 128

Suite 744, 2 Old Brompton Road UK-London SW7 3DQ m +44 (0)7768 236 921 enquiries@finch-and-co.co.uk www.finchandco.art Rue Ernest Allard 32 BE-1000 Brussels m +32 (0)470 64 46 51 Stand n° 27

Galerie Flak P. 130

De Wit Fine Tapestries P. 118

Grüneburgweg 123 DE-60323 Frankfurt am Main t +49 (0)69 971 47 10 m +49 (0)171 81 33 125 info@die-galerie.com www.die-galerie.com Stand n° 80

Douwes Fine Art b.v.

Galerie Oscar De Vos

Dei Bardi Art P. 106

P. 122

Gallery Desmet

De Brock P. 104

DIE GALERIE

Thomas Deprez Fine Arts

Dalton Somaré P. 102

Georges & François De Jonckheere 7 Rue de l’Hôtel-de-Ville CH-1204 Geneva t +41 (0)22 310 80 80 geneve@dejonckheere-gallery.com www.dejonckheere-gallery.com Stand n° 30

8 Rue des Beaux-Arts FR-75006 Paris t +33 (0)1 46 33 77 77 m +33 (0)6 84 52 81 36 julien@galerieflak.com www.galerieflak.com Stand n° 92

A&R Fleury P. 132

36 Avenue Matignon FR-75008 Paris t +33 (0)1 42 89 42 29 m +33 (0)6 52 06 11 18 info@arfleury.com www.arfleury.com Stand n° 45

Galerie La Forest Divonne P. 134

Rue de l'Hôtel des Monnaies 66 BE-1060 Brussels t +32 (0)2 544 16 73 m +32 (0)471 89 71 46 brussels@galerielaforestdivonne.com www.galerielaforestdivonne.com 12 Rue des Beaux-Arts FR-75006 Paris t +33 (0)1 40 29 97 52 paris@galerielaforestdivonne.com Stand n° 131

Galerie Christophe Gaillard P. 136

Quai du Commerce 50 BE-1000 Brussels t +32 (0)2 647 99 72 m +32 (0)474 85 16 40 sophie@galerie-gaillard.com www.galeriegaillard.com 5 Rue Chapon FR-75003 Paris t +33 (0)1 42 78 49 16 contact@galerie-gaillard.com Stand n° 101

Gokelaere & Robinson P. 144

Galerie Hadjer P. 146

13 Rue des Saints-Pères FR-75006 Paris t +33 (0)1 40 15 00 15 m +33 (0)6 14 41 26 93 galerie.des.modernes@orange.fr www.galeriedesmodernes.art Stand n° 84

P. 148

Ralph Gierhards Königsallee 52 DE-40212 Düsseldorf t +49 (0)211 32 04 64 m +49 (0)173 282 75 27 info@gierhards.com www.gierhards.com Stand n° 63

P. 150

74 Heath Street Hampstead UK-London NW3 1DN t +44 (0)2074 353 340 m +44 (0)7796 966 999 info@gildensarts.com www.gildensarts.com Stand n° 120

P. 156

Joost Heutink Ahnemstraat 21 NL-8043 RE Zwolle t +31 (0)38 465 95 24 m +31 (0)6 22 74 04 04 m +31 (0)6 46 18 38 31 info@heutinkikonen.nl www.heutinkikonen.nl Stand n° 119

P. 152

7 Rue de Phalsbourg FR-75017 Paris t +33 (0)1 53 30 09 65 m +33 (0)6 99 66 88 16 m +33 (0)6 64 89 76 20 info@galeriehioco.com www.galeriehioco.com www.plaisirdesthete.com Stand n° 39

P. 158

Alain Huberty & Marc Breyne Place du Châtelain 33 BE-1050 Brussels t +32 (0)2 893 90 30 m +32 (0)478 31 92 82 contact@hubertybreyne.com www.hubertybreyne.com 36 Avenue Matignon FR-75001 Paris t +33 (0)1 40 28 04 71 19-21 Rue Chapon FR-75003 Paris t +33 (0)1 71 32 51 98 Stand n° 54

Cockerillkaai 16 BE-2000 Antwerp m +32 (0)477 33 74 61 jos.jamar@pandora.be www.galeriejamar.be Stand n° 95

rodolphe janssen P. 160

Rue de Livourne 35 & 32 BE-1050 Brussels t +32 (0)2 538 08 18 info@rodolphejanssen.com www.rodolphejanssen.com Stand n° 36

Francis Janssens van der Maelen P. 162

Rue Bodenbroek 22 Box 8 BE-1000 Brussels t +32 (0)2 502 71 80 m +32 (0)475 48 62 00 jvdm@fineartsilver.com www.fineartsilver.com Stand n° 91

Galerie Kaléidoscope P. 164

19 Rue Mazarine FR-75006 Paris m +33 (0)6 65 15 64 24 contact@galeriekaleidoscope.com www.galeriekaleidoscope.com Stand n° 133

Kunsthaus Kende P. 166

Huberty & Breyne P. 154

Le Gray d’Albion 17 La Croisette FR-06400 Cannes t +33 (0)4 93 39 86 84 m +33 (0)6 09 94 14 72 info@hurtebize.net www.galerie-hurtebize.com Stand n° 115

Galerie Jamar

Galerie Hioco

Gilden's Art Gallery P. 142

Graaf van Egmontstraat 1 BE-2000 Antwerp m +32 (0)478 28 03 08 info@marcheiremans.com www.marcheiremans.com Stand n° 90

Heutink Ikonen

Ralph Gierhards Antiques / Fine Art P. 140

102 Rue du Faubourg Saint-Honoré FR-75008 Paris t +33 (0)1 42 66 61 13 m +33 (0)6 99 57 86 86 contact@hadjer.fr www.hadjer.fr Stand n° 132

Galerie Hurtebize

Marc Heiremans

Galerie des Modernes P. 138

Golvenstraat 6 BE-8300 Knokke-Zoute t +32 (0)50 65 83 88 info@gokelaererobinson.com www.gokelaererobinson.com 34 Rue de Penthièvre FR-75008 Paris t +33 (0)1 44 07 04 56 paris@gokelaererobinson.com Stand n° 37

Christopher Kende Bei der Fruchtschranne 10 DE-72070 Tübingen t +49 (0)163 26 79 746 info@kunsthaus-kende.de www.kunsthaus-kende.de Stand n° 129

Galerie Kevorkian P. 168

21 Quai Malaquais FR-75006 Paris t +33 (0)1 42 60 72 91 contact@galeriekevorkian.com www.galeriekevorkian.com Stand n° 34

Harold t’Kint de Roodenbeke P. 170

MARUANI MERCIER P. 184

Rue Ernest Allard 31 BE-1000 Brussels m +32 (0)475 34 01 11 h.k@skynet.be www.haroldtkint.com Stand n° 32

Florian Kolhammer P. 172

Plankengasse 7 AT-1010 Vienna t +43 1 513 32 69 m +43 676 770 80 70 info@floriankolhammer.com www.floriankolhammer.com Stand n° 135

Alexis Lartigue Fine Art P. 174

32 Avenue Matignon FR-75008 Paris m +33 (0)6 17 90 16 88 galerie@alexislartigue.com www.alexislartigue.com Stand n° 124

17 Rue des Saints-Pères FR-75006 Paris t +33 (0)1 42 60 21 63 m +33 (0)6 07 16 76 77 bertrand.de.lavergne@wanadoo.fr www.bertranddelavergne.com Stand n° 5

P. 186

Jean Lemaire @ Costermans Place du Grand Sablon 5 BE-1000 Brussels t +32 (0)2 511 05 13 m +32 (0)496 61 41 56 lemairesa@skynet.be www.lemairesa.com Stand n° 44

P. 188

Hotel Falligan - 1st Floor Kouter 172 BE-9000 Ghent t +32 (0)9 233 09 93 m +32 (0)475 69 23 05 info@francismaerefinearts.be www.francismaerefinearts.be Stand n° 40

P. 190

75 Rue des Rosiers FR-93400 Saint-Ouen sur Seine m +33 (0)6 60 62 61 90 m +33 (0)6 60 91 64 40 marcmaison@gmail.com www.marcmaison.com www.marcmaison.art Stand n° 94

Via Cesare Fani 10 IT-06122 Perugia m +39 329 85 14 055 mearinifineart@gmail.com www.mearinifineart.com Corso Vannucci 10 IT-06121 Perugia Stand n° 75

Olivier Meessen Rue de l’Abbaye 2A BE-1000 Brussels t +32 (0)2 644 34 54 m +32 (0)473 52 49 19 info@meessendeclercq.be www.meessendeclercq.be Stand n° 22

Montagut Gallery P. 192

Galerie Marc Maison P. 182

Céline & Fabien Mathivet 6 Rue Bonaparte FR-75006 Paris t +33 (0)1 43 54 19 00 m +33 (0)6 07 50 38 13 galeriemathivet@gmail.com www.galeriemathivet.com Stand n° 3

Calle Enrique Granados 49 ES-08008 Barcelona t +34 93 141 43 19 info@galeriamontagut.com www.galeriamontagut.com Stand n° 103

Galerie Montanari P. 194

8 Rue de Miromesnil FR-75008 Paris t +33 (0)1 49 24 07 52 m +33 (0)6 80 24 50 82 galerie@montanaricadres.com www.montanaricadres.com Stand n° 72

Burgstraat 24 BE-9000 Ghent m +32 (0)496 26 33 24 info@janmullerantiques.com www.janmullerantiques.com Stand n° 12

Klaas Muller P. 198

Minimenstraat 32 BE-1000 Brussels m +32 (0)478 38 18 29 muller.antiques@skynet.be www.klaasmuller.com Stand n° 4

Gioielleria Nardi P. 200

Piazza San Marco 69 IT-30124 Venice t +39 041 52 25 733 m +39 348 2727 910 info@nardi-venezia.com www.nardi-venezia.com Stand n° 43

New Hope Gallery P. 202

Rue Américaine 26-28 BE-1060 Brussels m +32 (0)477 55 90 02 info@new-hope.be www.new-hope.be Stand n° 82

Nosbaum Reding P. 204

Meessen De Clercq

Francis Maere Fine Arts P. 180

P. 196

Mearini Fine Art

Lemaire P. 178

Jan Muller Antiques

Galerie Mathivet

Galerie Bertrand de Lavergne P. 176

Avenue Louise 430 BE-1050 Brussels t +32 (0)2 512 50 10 m +32 (0)473 97 72 36 m +32 (0)475 25 16 75 serge@maruanimercier.com www.maruanimercier.com Kustlaan 90 BE-8300 Knokke-Zoute Zeedijk-Het Zoute 759 BE-8300 Knokke-Zoute m +32 (0)473 97 72 36 serge@maruanimercier.com THE WAREHOUSE by MARUANI MERCIER Lambroekstraat 5 (next to Hoekplein) BE-1930 Zaventem t +32 (0)2 512 50 10 desk@maruanimercier.com Stand n° 104

Rue de la Concorde 60 BE-1050 Brussels t +32 (0)2 411 11 85 m +352 621 461 517 (Alex Reding) m +32 (0)479 57 03 27 (Louis Buysse) reding@nosbaumreding.com www.nosbaumreding.com 2+4 Rue Wiltheim LU-2733 Luxembourg t +352 28 11 251 Stand n° 127

Dr. Nöth kunsthandel + galerie P. 206

Michael Nöth Hoechstetterstraße 16 DE-91522 Ansbach By appointment only t +49 (0)981 156 33 noeth-ansbach@t-online.de www.artnoeth.de Humboldtstraße 4 DE-14467 Potsdam t +49 (0)331 201 530 60 galerie@artnoeth.de Stand n° 109

Opera Gallery P. 208

10-12 Place Longemalle CH-1204 Geneva t +41 (0)22 318 57 70 m +41 (0)79 379 55 11 geneve@operagallery.com www.operagallery.com Stand n° 107

Guy Pieters Gallery P. 220

Osborne Samuel Gallery P. 210

23 Dering Street UK-London W1S 1AW t +44 (0)207 493 79 39 m +44 (0)7831 407 120 m +44 (0)7946 873 192 info@osbornesamuel.com www.osbornesamuel.com Stand n° 6

Gallery de Potter d’Indoye P. 222

Galeria Jordi Pascual P. 212

C/ Enric Granados 47 ES-08008 Barcelona t +34 93 272 02 09 m +34 607 89 55 86 galeria@jordipascual.com www.galeriajordipascual.net Stand n° 102

La Patinoire Royale I Galerie Valérie Bach P. 214

Valérie Bach Rue Veydt 15 BE-1060 Brussels t +32 (0)2 533 03 90 m +32 (0)495 23 60 70 valerie@prvbgallery.com www.prvbgallery.com Stand n° 48

Pauline Janssen By appointment only m +32 (0)478 87 93 52 info@paulinesjewellerybox.com www.paulinesjewellerybox.com Stand n° 62

Galerie Alexis Pentcheff P. 218

Pavillon de la Reine Jeanne 10 Chemin du Génie FR-13007 Marseille t +33 (0)4 91 42 81 33 m +33 (0)6 82 72 95 79 m +33 (0)6 08 28 58 85 a.pentcheff@gmail.com www.galeriepentcheff.fr Stand n° 83

Kasteel van Melle Brusselsesteenweg 190 BE-9090 Melle m +32 (0)475 75 30 00 m +1 310 424 0771 edpi@skynet.be www.depotterdindoye.eu Stand n° 134

Repetto Gallery P. 232

P. 224

P. 234

P. 226

Zeedijk 720 BE-8300 Knokke-Zoute m +32 (0)474 19 72 64 info@qg-gallery.com www.qg-gallery.com Rue Saint-Georges 13 BE-1050 Brussels Stand n° 130

Maison Rapin P. 228

7 Quai de Conti FR-75006 Paris t +33 (0)1 42 61 24 21 m +33 (0)6 44 75 12 38 contact@maison-rapin.com www.maison-rapin.com Stand n° 15

Brienner Straße 25 DE-80333 Munich t +49 (0)89 29 97 58 info@roebbig.de www.roebbig.de Stand n° 50

robertaebasta P. 236

90 Rue du Faubourg Saint-Honoré FR-75008 Paris t +33 (0)1 42 65 49 60 m +33 (0)6 03 90 58 31 contact@presidence.fr www.presidence.fr Stand n° 23

QG Gallery

Via Clemente Maraini 24 CH-6900 Lugano t +41 (0)76 685 88 55 info@repettogallery.ch www.repettogallery.ch Stand n° 85

Röbbig München

Galerie de la Présidence

Pauline’s Jewellery Box P. 216

Albertplein 15 BE-8300 Knokke-Zoute t +32 (0)50 80 00 10 t +32 (0)50 61 28 00 m +32 (0)495 22 62 26 info@guypietersgallery.com www.guypietersgallery.com Zeedijk 753 BE-8300 Knokke-Zoute t +32 (0)50 62 33 80 m +32 (0)484 13 34 68 Zeedijk 755 BE-8300 Knokke-Zoute t +32 (0)50 80 00 15 m +32 (0)484 13 34 68 Stand n° 98

Via Fiori Chiari 2 IT-20121 Milan t +39 02 861 593 m +39 335 62 01 596 m +39 335 54 54 467 info@robertaebasta.com www.robertaebasta.com robertaebasta London 85 Pimlico Road UK-London SW1W 8PH m +44 (0)7438 117 037 london@robertaebasta.com Via Fiori Chiari 3 IT-20121 Milan robertaebasta Design Via Formentini 4/6 IT-20121 Milan Via Solferino Opposite 3 IT-20121 Milan Stand n° 122

Romigioli Antichità P. 238

Viale Toselli 68 IT-20025 Legnano m +39 348 41 28 148 m +39 348 01 17 005 romigioli@romigioli.it www.romigioli.it Stand n° 46

Rueb Modern and Contemporary Art P. 240

Banstraat 4 NL-1071 JZ Amsterdam t +31 (0)20 67 67 566 m +31 (0)6 22 80 59 62 info@rueb.nl www.rueb.nl Stand n° 128

Stéphane Renard Fine Art P. 230

78 Avenue Mozart FR-75016 Paris m +33 (0)6 14 63 15 34 srenard@stephanerenard-fineart.com www.stephanerenard-fineart.com Stand n° 112

Richard Saltoun Gallery P. 242

41 Dover Street UK-London W1S 4NS t +44 (0)207 637 12 25 m +44 (0)7798 676 954 info@richardsaltoun.com www.richardsaltoun.com Via Margutta 48a-48b IT-00187 Rome t +39 06 86678 388 rome@richardsaltoun.com Stand n° 76

Studio 2000 Art Gallery P. 256

Galerie Taménaga P. 258

Galerie Sophie Scheidecker P. 244

14 bis Rue des Minimes FR-75003 Paris t +33 (0)1 42 74 26 94 m +33 (0)6 17 84 01 04 info@sophiescheidecker.com www.galerie-sophiescheidecker.com Stand n° 67

Serge Schoffel – Art Premier P. 246

Rue Watteeu 14 BE-1000 Brussels m +32 (0)473 56 32 33 contact@sergeschoffel.com www.sergeschoffel.com Stand n° 24

Secher Fine Art & Design P. 248

Bredgade 25 DK-1260 Copenhagen K t +45 (0)24 27 70 38 m +45 (0)28 14 29 90 info@secherfineart.com www.secherfineart.com Stand n° 64

83 Rue des Rosiers – Galleries 17/18 FR-93400 Saint-Ouen sur Seine m +33 (0)6 71 62 45 95 contact@segourafineart.com www.segourafineart.com Stand n° 108

P. 260

Watteeustraat 27 BE-1000 Brussels m +32 (0)475 46 75 46 info@herwigsimons.be www.herwigsimons.be Stand n° 96

Stern Pissarro Gallery P. 254

David Stern & Lélia Pissarro 66 St. James’s Street UK-London SW1A 1NE t +44 (0)207 629 6662 stern@pissarro.com www.pissarro.art Stand n° 19

Rue de la Régence 21 BE-1000 Brussels t +32 (0)2 511 59 11 m +32 (0)475 61 07 25 m +32 (0)475 59 22 60 theunissen.gallery@gmail.com www.theunissengallery.com Stand n° 8

Univers du Bronze P. 266

Michel Poletti & Alain Richarme 27-29 Rue de Penthièvre FR-75008 Paris t +33 (0)1 42 56 50 30 m +33 (0)6 82 58 13 83 website@universdubronze.com www.universdubronze.com Stand n° 69

Gallery Sofie Van de Velde P. 268

Nieuw Zuid Léon Stynenstraat 21 BE-2000 Antwerp m +32 (0)486 79 19 93 sofie@sofievandevelde.be www.sofievandevelde.be Zuid Vlaamsekaai 74-75 BE-2000 Antwerp Stand n° 111

Van Herck-Eykelberg P. 270

Kardinaal Mercierlei 11 BE-2600 Antwerp m +32 (0)491 16 65 22 contact@van-herck.com www.van-herck.com Stand n° 123

Samuel Vanhoegaerden Gallery P. 272

Zeedijk 785 BE-8300 Knokke-Zoute m +32 (0)477 51 09 89 info@svhgallery.be www.svhgallery.be Stand n° 114

Galerie Raf Van Severen Tobogan Antiques P. 262

Herwig Simons Fine Arts P. 252

18 Avenue Matignon FR-75008 Paris t +33 (0)1 42 66 61 94 galerie@tamenaga.fr www.tamenaga.com 7-5-4 Ginza Chuo-Ku JP-104-0061 Tokyo t +81 (0)3 3573 5368 gal@tamenaga.com 1-4-1 Shiromi Chuo-Ku Hotel New Otani Arcade JP-T-510-0001 Osaka t +81 (0)6 6949 3434 gto@tamenaga.com 265-7 Kamihoritsumecho Higashiyama Ward JP-605-09 Kyoto t +81 755 32 3001 gtk@tamenaga.com Stand n° 87

Galerie Theunissen & de Ghellinck

Segoura Fine Art P. 250

Dorpsstraat 9 BC NL-1261 ES Blaricum t +31 (0)35 640 94 32 m +31 (0)6 51 49 02 57 blaricum@studio2000.nl www.studio2000.nl Stand n° 77

14 Avenue Matignon FR-75008 Paris t +33 (0)1 42 86 89 99 m +33 (0)6 09 47 13 74 contact@toboganantiques.com www.toboganantiques.com Stand n° 118

Galerie Patrice Trigano P. 264

P. 274

4 bis Rue des Beaux-Arts FR-75006 Paris t +33 (0)1 46 34 15 01 contact@galeriepatricetrigano.com www.galeriepatricetrigano.com Stand n° 105

Godefriduskaai 52 BE-2000 Antwerp m +32 (0)495 54 14 11 raf.vanseveren@skynet.be www.rafvanseveren.com Minderbroedersrui 61 BE-2000 Antwerp Stand n° 100

Maurice Verbaet Gallery P. 276

Zeedijk 738 BE-8300 Knokke-Zoute m +32 (0)479 88 10 31 knokke@verbaet.com www.verbaet.com Stand n° 13

Galerie von Vertes P. 278

Bahnhofstraße 16 CH-8001 Zurich t +41 (0)44 211 12 13 m +41 (0)76 261 66 83 qverlinde@vonvertes.com info@vonvertes.com www.vonvertes.com Kantonsstraße 1 CH-8807 Freienbach Stand n° 2

Floris van Wanroij Fine Art P. 290

Victor Werner P. 292

Axel Vervoordt P. 280

Stokerijstraat 19 BE-2110 Antwerp t +32 (0)3 355 33 00 info@axel-vervoordt.com www.axel-vervoordt.com Stand n° 29

Galerie Dina Vierny 36 Rue Jacob FR-75006 Paris t +33 (0)1 42 60 23 18 contact@galeriedinavierny.fr www.galeriedinavierny.fr Stand n° 20

VKD Jewels P. 284

Aimée & Fleur van Kranendonk Duffels By appointment IT-Milan NL-Amsterdam m +39 335 626 22 52 m +44 (0)7595 245 819O info@vkdjewels.com www.vkdjewels.com Stand n° 113

Galerie Florence de Voldère P. 286

34 Avenue Matignon FR-75008 Paris t +33 (0)1 40 15 93 26 m +33 (0)6 80 38 85 37 fdevoldere@orange.fr www.florencedevoldere.com 134 Rue du Faubourg Saint-Honoré FR-75008 Paris Stand n° 25

N. Vrouyr P. 288

Komedieplaats 4-8 BE-2000 Antwerp t +32 (0)3 232 36 87 m +32 (0)475 66 89 62 info@vrouyr.com www.vrouyr.com Stand n° 68

Schuttershofstraat 21 BE-2000 Antwerp m +32 (0)486 67 79 68 info@victorwerner.be www.victorwerner.be Stand n° 56

Whitford Fine Art P. 294

P. 282

Bergstraat 52 NL-5551 AX Dommelen t +31 (0)40 20 40 596 m +31 (0)6 27 42 04 06 info@floris-art.com www.floris-art.com Stand n° 18

Adrian Mibus By appointment only Cadogan Square UK-London SW1X 0HY t +44 (0)207 930 93 32 m +44 (0)7771 98 36 55 m +44 (0)7798 77 82 50 info@whitfordfineart.com www.whitfordfineart.com Stand n° 79

Willow Gallery P. 296

40-41 Duke Street, St James’s UK-London SW1Y 6DF t +44 (0)207 968 18 30 m +44 (0)7973 64 21 40 m +44 (0)7967 02 88 79 enquiries@willowgallery.com www.willowgallery.com Stand n° 14

Zebregs&Röell Fine Art and Antiques P. 298

Keizersgracht 543 NL-1017 DP Amsterdam t +31 (0)6 20 74 36 71 gallery@zebregsroell.com www.zebregsroell.com Tongersestraat 2 NL-6211 LN Maastricht t +31 (0)6 53 21 16 49 Stand n° 110

Zidoun-Bossuyt Gallery P. 300

6 Rue Saint-Ulric LU-2651 Luxembourg t +352 2629 6449 contact@zidoun-bossuyt.com www.zidoun-bossuyt.com 796 Jumeirah Street Umm Suqeim, Jumeirah 3 AE-Dubai t +971 48 923 115 51 Rue de Seine FR-75006 Paris t +33 (0)1 87 44 78 81 Stand n° 126

BOARD OF DIRECTORS

H.H. Prince de Ligne Honorary Chairman

Harold t’Kint de Roodenbeke Chairman

Didier Claes Vice-Chairman Non-European

Francis Maere Vice-Chairman Modern & Contemporary

Klaas Muller Vice-Chairman Antiques & Old Masters

Christian Vrouyr General Secretary

Jean Lemaire Treasurer

Olivier Theunissen Administrator

MANAGEMENT

Beatrix Bourdon Managing Director

Kristine Calcoen Executive Project Coordinator

Vanessa Polo Friz Head of Press & Communication

Patricia Simonart Press & PR Associate

Bernadette Beeckmans de West-Meerbeeck PR Manager

Paul Michielssen Coordinator VIP

Sophie Stijnen Accounting

SELECTED ARTWORKS @ BRAFA 2024

GALERIES AB & BA Galerie AB - Agnès Aittouarès 14 Rue de la Grange-Batelière • FR-75009 Paris 5 Rue Jacques Callot • FR-75006 Paris t +33 (0)1 45 23 41 16 • m +33 (0)6 14 42 96 83 galerieab@gmail.com • www.galerie-ab.com Galerie Berthet Aittouarès - Odile Aittouarès 14 & 29 Rue de Seine • FR-75006 Paris t +33 (0)1 43 26 53 09 • m +33 (0)6 15 12 20 10 contact@galerie-ba.com • www.galerie-ba.com

Jean-Michel Atlan (Constantine 1913-1960 Paris) Untitled, 1959 Oil on canvas 54 x 81 cm Signed and dated lower right Listed in the catalogue raisonné of painted works, n° 752 Provenance: private collection 36

Gérard Schlosser (Lille 1931-2022 Paris) Il ne parlera jamais, 1986 Acrylic on sandblasted canvas 162 x 130 cm Signed, dated and titled on the back Literature: Alain Jouffroy, Gérard Schlosser, Paris, Éditions Frédéric Loeb, 1993, p. 256 (ill.)

FRANCK ANELLI FINE ART Hôtel de Fond-Marin • 2 Chemin de la Terrière • FR-60800 Crépy-en-Valois m +33 (0)6 08 65 18 06 • m +33 (0)6 86 67 88 44 franckanellifineart@gmail.com • www.franckanelli-fineart.com

Charles Topino (France, 1742-1803) Oval writing table with white marble top Table in quatrefoil marquetry with rosewood surrounds, opens with a drawer and a sliding shelf, resting on curved uprights joined by a notched brace; white marble top with gallery Louis XVI period Stamped by Charles Topino, a cabinetmaker who became a master in 1773 H 72 x W 60 x D 41 cm Provenance: Neuilly sale, étude Ionesco, 7 July 1993, lot 63 Literature: this model is reproduced in Sylvain Barbier Sainte Marie, p. 57, fig 26

Jacob Van Hulsdonck (Antwerp, 1582-1647) Still life with peaches and grapes Oil on panel 64 x 50 cm Provenance: collection Grasset Exhibitions: Brueghel to Canaletto, European Masterpieces from the Grasset Collection at the San Diego Museum of Art, San Diego. 2 April-2 August 2016; A Feast for the Eyes: European Masterpieces from the Grasset Collection at the Museum of Fine Arts, St Petersburg, Florida, 23 March-2 September 2019

ARS ANTIQUA Via Carlo Pisacane 55 & 57 • IT-20129 Milan t +39 02 295 290 57 • m +39 347 97 35 757 • m +39 347 82 18 229 galleria@arsantiquasrl.info • www.arsantiquasrl.com

Adriaen Van Utrecht (Antwerp, 1599-1653) Farmyard, 1647 Oil on canvas 115 x 161 cm Signed and dated in the center: Adriaen Van Utrecht/fec an 1647 Provenance: Angerstein collection (according to a letter from Carlo Sestieri); Carlo Sestieri, Rome, 1961 40

Bartolomeo Mendozzi (Leonessa, circa 1600-after 1644) Christ crowned with thorns and mocked Oil on canvas 98 x 128 cm Expertise by Prof Massimo Pulini

D'ARSCHOT & CIE Philippe d’Arschot Avenue Louise 192 • BE-1050 Brussels t +32 (0)2 649 56 21 • m +32 (0)475 78 35 05 pdarschot@gmail.com • www.darschot.com

Coffee pot Chiselled and engraved silver Namur, 1737 Maker’s mark Nicolas Wodon H 37.5 cm Weight 1.414 gr. Provenance: Walter van Dievoet’s collection Literature: Walter van Dievoet, Orfèvres de l’ancien régime au poinçon de Namur, 2020, pp. 62-64 with repr.

Covered beaker Engraved silver and partial silver-gilt Nuremberg, 1630 Maker’s mark: a prancing unicorn with a star, attributed to Marx Burmeister H 12 cm Weight 142 gr. Literature: Nürnberger Goldschmiedekunst 1541-1868, 2007, vol. I, n° 1058 42

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ART ET PATRIMOINE LAURENCE LENNE Chaussée de Bruxelles 344 • BE-7800 Ath m +32 (0)476 54 26 36 artetpatrimoine@skynet.be • www.artetpatrimoine.be

Large ceremonial covered vase Castelli, first half of the 18th century Polychrome tin-glazed earthenware H 52.5 cm It depicts an animated landscape representing a camp of Roman soldiers Literature: Fernando Filipponi, Aurelio Anselmo Grue. La Maiolica nel Settecento fra Castelli e Atri, Ed. Verdone, 2015; Luciana Arbace, Francesco Antonio Saverio Grue (1686-1746). L'attivita del Dottore maiolicaro da Castelli a Napoli, Ed. Andromeda, 2005

Large horned flask Nevers earthenware, 1660-1670 Decoration with a rider on his mount and soldiers in a landscape H 42 cm Literature: Jean Rosen, La faïence de Nevers 1585-1900, Tome 2. L'Age d'or du XVIIème siècle, Ed. Faton, 2009 44

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ARTIMO FINE ARTS Rue Lebeau 55 • BE-1000 Brussels t +32 (0)2 512 62 42 • m +32 (0)476 42 18 33 • m +32 (0)475 29 10 49 info@artimobrussels.com • www.artimobrussels.com

Alphons Joseph Strymans (Belgium, 1866-1959) Le Vin, 1901 White Carrara marble H 130 cm Signed and dated: A. Jef. Strymans 1901 Provenance: 2001, Artimo Fine Arts Gallery; 2004, private collection, Belgium; 2021, Artimo Fine Arts Gallery Literature: Bénézit E. (1999), Dictionnaire des peintres, sculpteurs et graveurs (J. Buysse, Ed.) (nouvelle édition entièrement refondue). Gründ. p. 322; Engelen, C., & Marx, M. (2006). La Sculpture en Belgique à partir de 1830 (Tome VI), Louvain: Engelen-Marx. pp. 3328-3331; Joseph, Prof. Dr. D. (1897). Die Elfenbeinplastik auf des Brüsseler Weltausstellung von 1897. Zeitschrift für Bildende Kunst, 8, 281-288; Scherer, C. (n.d.). Monographien des Kunstgewerbes, Vol. 8, Elfenbeinplastik seit der Renaissance. pp. 122-141; Thieme, U., & Becker, F. (1999). Allgemeines lexicon der bildenden künstler von der antike bis zur gegenwart (Vol. 31/32). E.A. Seemann. p. 222

Enrico Astorri (Italy, 1859-1921) Saltimbanca, circa 1900 White Carrara marble H 122.5 cm (sculpture), total height with original column in Serpentine marble: 212 cm Signed Astorri E. co./Milano 47

GALERIE ARY JAN 32 Avenue Marceau • FR-75008 Paris t +33 (0)1 42 61 42 10 • m +33 (0)6 07 88 75 84 contact@galeriearyjan.com • www.galeriearyjan.com

 Fernand Toussaint (Brussels, 1873-1956) The bouquet of roses, circa 1930 Oil on canvas 131 x 100 cm Signed lower right Literature: Patrick and Viviane Berko and Stéphane Rey, Fernand Toussaint: 18731956, Brussels, 1986, p. 82, ill. 83, also ill. on the cover

Léon Spilliaert (Ostend 1881-1946 Brussels) Tree in the winter, 1943 Ink drawing 51.2 x 35.2 cm Signed lower right and dated lower left Provenance: Madeleine Spilliaert, sister of the artist and in her family by descent

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BAILLY GALLERY 10 Rue de l'Hôtel de Ville • CH-1204 Geneva 19 Place Longemalle • CH-1204 Geneva t +41 (0)22 827 24 24 • m +41 (0)79 410 91 76 info@baillygallery.com • www.baillygallery.com

 François-Xavier Lalanne (Agen 1927-2008 Ury) Grand échassier Designed circa 1991, cast in 2016 Patinated copper and bronze, polished glass H 61 x W 68 x D 36.5 cm Monogrammed, stamped, numbered and dated on the tail: FxL, Lalanne, 1/30, 2016 Ed. 1/30 pcs

Henri Le Sidaner (Maurice, Port Louis 1862-1939 Paris) Petite place au soleil couchant, 1901 Oil on canvas 57 x 80 cm Signed lower left: Le Sidaner Certificate of authenticity issued by Yann Farinaux-Le Sidaner, dated January 10th, 2023

HELENE BAILLY 71 Rue du Faubourg Saint-Honoré • FR-75008 Paris t +33 (0)1 44 51 51 51 • m +33 (0)6 60 82 45 03 helene@helenebailly.com • www.helenebailly.com

Marc Chagall (Vitebsk 1887-1985 Saint-Paul de Vence) Au Cirque (Clown à la trompette), 1959-1968 Oil and gouache on paper mounted on canvas 63 x 47.5 cm Signed lower left: Marc Chagall and countersigned on reverse Certificate of authenticity issued by the Comité Marc Chagall Provenance: former Galerie Alex Maguy collection, label on reverse

Pablo Picasso (Malaga 1881-1973 Mougins) Le Peintre (Mousquetaire aux 2 visages), 1967 Oil on canvas 100 x 81 cm Signed: Picasso and dated: 21/2/67 at the top left Provenance: Louise Leiris Gallery; Galerie Taménaga (label on reverse); former Pierre and Jeannine Consten collection Literature: Christian Zervos, Pablo Picasso vol. 25 - oeuvres de 1965 et 1967, Editions Cahiers d'Art, Paris, 1972, n° 281, repr. in black and white pl. 126; Catalogue Exposition Internationale du Figuratif, 1971, ed. Tokyo ado banku, repr. in colour; Alan Wofsy, The Picasso's Project, Paintings, Watercolors, Drawings and Sculpture, The Sixties, Part II, 1964-1967, enlarged second edition, San Francisco, 2023, p. 302, n° 67-075

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BARONIAN Rue Isidore Verheyden 2 • BE-1050 Brussels t +32 (0)2 512 92 95 info@baronian.eu • www.baronian.eu Rue de la Concorde 33 • BE-1050 Brussels Zeedijk 731 • 8300 Knokke-Zoute

David Nash (Esher, 1945) Red Slices, 2020 Redwood H 68 x W 66 x D 18 cm Exhibition: David Nash, 5 August10 September 2023, Baronian, Knokke

Giorgio Griffa (Turin, 1936) Segni orizzontali, 1976 Acrylic on jute 52 x 122 cm Exhibition: Da Torino: Giorgio Griffa, Giulio Paolini, Gilberto Zorio, 7 September10 November 2023, Baronian, Brussels 55

BARBARA BASSI Corso Campi 22 • IT-26100 Cremona m +39 339 266 58 30 barbara.bassi.gioielli@gmail.com

Bulgari choker necklace Tubogas 3 colours Gold Italy, 1970-1980 Marina B choker necklace and bracelet Natural stones and diamonds Italy, 1980

Arman (Nice 1928-2005 New York) Bracelet, 2001 Gold and sapphires Pol Bury (La Louvière 1922-2005 Paris) Brooch/pendant, 2005 White gold and ring silver

Karel Appel (Amsterdam 1921-2006 Zurich) Brooch/pendant, 1980 Yellow 18 kt gold and enamels Afro Basaldella (Udine 1912-1976 Zurich) Moon earrings, 1960s Yellow 18 kt gold and diamonds

Yoko Ono (Japan, 1933) Imagine Ring, 2004 Gold 57

F. BAULME FINE ARTS 1 Quai Voltaire • FR-75007 Paris t +33 (0)1 42 60 73 10 • m +33 (0)6 19 94 92 78 fb@fbaulme-finearts.com • www.fbaulme-finearts.com

Ermanno Stroiffi (Padua 1616-1693 Venice) Saint Peter and Saint John in adoration in front of the infant Jesus Oil on slate 48.5 x 26 cm Provenance: collection Lars Ericsson; Galerie Canesso, Paris

Nicolas Bertin (Paris, 1668-1736) Achilles entrusted by Thetis to the centaur Chiron, circa 1725 Oil on canvas 62 x 79.5 cm Provenance: private collection, Paris Literature: Thierry Lefrançois, Nicolas Bertin, 1668-1736, Paris, 1981 59

GALERIE DE LA BÉRAUDIÈRE Rue Jacques Jordaens 6 • BE-1000 Brussels t +32 (0)2 646 92 15 • m +32 (0)478 82 30 13 galerie@delaberaudiere.com • www.delaberaudiere.com

Germaine Richier (Grans 1902-1959 Montpellier) L'Ogre, 1949 Bronze with black patina H 81.2 x W 45 x D 40.3 cm Signed and stamped on the base: G Richier, C. Valsuani cire perdue Foundry: Claude Valsuani, Paris, conceived in 1949, cast in 1962 Edition of 12 (1/8 – 8/8 + 4 AP ) Original certificate of authenticity by Francoise Guiter, dated 5 March 2014 Provenance: Galerie Creuzevault, Paris (1962); Galerie Odermatt, Paris; Sale Prescheteau-Badin, Paris, 20 March 2006; private collection Literature: on request

Pablo Picasso (Malaga 1881-1973 Mougins) Le Bandillero, 1959 Colour linocut on Arches wove paper 53.4 x 66.3 cm Printed by Arnéra, Vallauris, published by Galerie Louise Leiris, Paris 1960 Signed in pencil lower right: Picasso Numbered lower left: 40/50, edition 40/50 Provenance: Galerie Michael Hertz, Bremen; private collection, North Rhine-Westphalia, Germany (until 2013); private collection, Germany (since 2013, inherited from the

above); Ketterer Kunst, June 12, 2022, lot 469; private collection, Belgium Literature: Enrique Mallen, ed., Online Picasso Project, Sam Houston State University, 19972023, OPP.59:076; Bernhard Geiser, Brigitte Baer, Picasso peintre graveur, Catalogue raisonné de l'oeuvre gravé et des monotypes, Berne, Kornfeld, 1986-1994, n° 1225 IV B a; Georges Bloch, Pablo Picasso, catalogue de l'oeuvre gravé et lithographié, 4 vol., Berne, Kornfeld and Klipstein, 1968-1979, n° 940 (titré Les Banderilles)

GALERIE BERÈS Anisabelle Berès-Montanari & Florence Montanari-Berès 25 Quai Voltaire • FR-75007 Paris t +33 (0)1 42 61 27 91 • m +33 (0)6 07 01 50 41 beres@galerieberes.com • www.galerieberes.com

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Vaillance d’un Gantois à la bataille de Gaure, 1957 Oil on paper 25 x 50 cm Signed and dated lower right: Mathieu 57 Certificate dated May 30th 2022, by Marc Ottavi, vice-president of the Archives JeanMarie Cusinberche on Georges Mathieu; this work is referenced in the Maurice d’Arquian Archives under n° 12 62

Provenance: galerie Helios Art, Brussels; collection Nyst, and thence by descent; Clavé Fine Art, Paris Literature: G. Mathieu, Cycle des Grands Ducs d'Occident, galerie Helios Art, Brussels, 8-30 November 1957, n° 12 Exhibition: G. Mathieu, Cycle des Grands Ducs d'Occident, galerie Helios Art, Brussels, 8-30 November 1957

Sam Szafran (Paris 1934-2019 Malakoff) Philodendrons en pots, circa 1987 Watercolour and pencil on paper 75 x 48 cm Signed lower center: Szafran To be included in the Sam Szafran catalogue raisonné by Julia Droste, requested early 2023

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BERNIER/ELIADES GALLERY Jean Bernier & Marina Eliades 11 Eptachalkou Street • GR-11851 Athens t +30 21 0341 3935 bernier@bernier-eliades.com • www.bernier-eliades.com Rue du Châtelain 46 • BE-1050 Brussels t +32 (0)2 640 55 04 brussels@bernier-eliades.com

Cameron Jamie (USA, 1969) Fuzz's Second Dream, 2023 Oil paint, flashe, acrylic polymer, pastel, oil pastel on linen H 195 x W 130 cm Framed: H 197.5 x W 132 x D 4.5 cm

Tony Oursler (New York, 1957)  ReVer, 2020 Inkjet print on canvas, wood, lcd screen and media player H 163.195 x W 109.22 x D 9.525 cm 64

DR. LENNART BOOIJ FINE ART & RARE ITEMS Prinsengracht 1 • NL-1015 DK Amsterdam m +31 (0)6 55 86 28 62 info@booij-arts.com • www.booij-arts.com

René Lalique (Ay 1860-1945 Paris) Carafe Sirènes et Grenouilles, circa 1911 Blown glass with pressed air with stopper, decorated with four frog fountainheads and four cartouches with swimming mermaids H 39.5 cm Signed: Lalique Provenance: private collection, France Literature: Félix Marcilhac, René LaliqueCatalogue Raisonné de l'Œuvre de Verre, Les Éditions de l'Amateur, Paris, 2011, n° 3150

Pablo Picasso (Malaga 1881-1973 Mougins) Bull in the Arena plate, 1948 White earthenware with engobes H 32 x W 39 cm Edition Picasso Madoura, from the unnumbered edition of 450 Provenance: private collection, France Literature: A. Ramié, Picasso, Catalogue of the edited ceramic works 1947-1971, p. 52, n° 80 67

BOON GALLERY Jos & Christophe Boon Kustlaan 197 • BE-8300 Knokke-Zoute m +32 (0)475 45 49 63 • m +32 (0)476 83 80 14 boongallery@hotmail.com • www.boongallery.com

 Kim Tschang-Yeul (South Korea, Maengsan 19292021 Seoul) Water Drops, 1973 Oil and air brush on canvas 50 x 50 cm Signed lower right Certificate of authenticity by the Kim Tschang Yeul Estate, Paris, 2023

Fernando Botero (Medellin 1932-2023 Monaco) Dancing Couple, 2019 Watercolour, pencil and charcoal on canvas 142 x 99 cm Signed lower right Certificate of authenticity by artist Fernando Botero Provenance: acquired directly from the artist

Exhibition: Thot Gallery, Kim Tschang Yeul, Avignon, 1973 69

BERNARD BOUISSET 20 Rue du 4 Septembre • FR-34500 Béziers t +33 (0)4 67 28 71 86 • m +33 (0)6 07 10 28 81 • m +33 (0)6 85 40 38 50 bernardbouisset@wanadoo.fr • www.bernardbouisset.com

Suzanne Belperron (Saint-Claude 1900-1983 Paris) Platinum band ring Central 7.17 carat diamond (Olivier Baroin certificate) France, circa 1935

Gold and platinum necklace entirely set with diamonds 'Antique Cut' (35 carats) Circa 1900

GALERIE BOULAKIA 41 Dover Street • UK-London W1S 4NS t +44 (0)207 629 15 55 • m +44 (0)7557 534 491 daniel@boulakia.gallery • www.boulakia.gallery

Karel Appel (Amsterdam 1921-2006 Zurich) Untitled, 1960 Oil on canvas 81 x 116 cm Signed and dated lower right Written confirmation of the work's authenticity Provenance: private collection 72

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Louis VII épouse Eléonore d'Aquitaine, 1958 Oil on canvas 97 x 162 cm Signed lower left Work accompanied with a certificate of authenticity Provenance: Galerie Europe, Paris 73

GALERIE NICOLAS BOURRIAUD 205 Rue du Faubourg Saint-Honoré • FR-75008 Paris t +33 (0)1 42 61 31 47 • m +33 (0)6 08 70 44 83 gnb@galeriesnicolasbourriaud.com • www.galerienicolasbourriaud.com 1 Quai Voltaire • FR-75007 Paris t +33 (0)1 42 33 66 72

 Auguste Rodin (Paris 1840-1917 Meudon) L'homme au nez cassé, masque - type II 2e modèle (1903) Bronze with black-green patina H 25.5 x W 20 x D 21.5 cm Total height with onyx pedestal: 37.5 cm Signed: A. Rodin and marked: A. Rodin in relief on the inside Cast by Alexis Rudier, bears the founder's signature, circa 1926

Pierre-Alfred Noël Cazaubon (Pau, 1885-1979) Orphée, circa 1940 Bronze with shaded brown-green patina H 2.70 m Bears the artist's monogram Cast by Attilio Valsuani, bears the founder's stamp 75

BRAME & LORENCEAU 68 Boulevard Malesherbes • FR-75008 Paris t +33 (0)1 45 22 16 89 contact@bramelorenceau.com • www.bramelorenceau.com

Sol LeWitt (Hartford 1928-2007 New York) Asymmetrical pyramids, 1985 Gouache on paper 55.4 x 74.8 cm Signed and dated on the lower right: S. LEWITT 1985 Provenance: private collection, Oslo; Jörg Maass Kunsthandel, Berlin; private collection, USA; private collection, Paris 76

Maurice Estève (Culan, 1904-2001) Composition, 1968 Pastel and charcoal on paper 33.9 x 25.1 cm Signed and dated in the lower right: Esteve 68 Provenance: Galerie Claude Bernard, Paris; private collection, Paris; private collection, France 77

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GALERIE VAN DEN BRUINHORST Voorstraat 46 • NL-8261 HS Kampen t +31 (0)38 332 36 74 • m +31 (0)6 15 66 85 04 info@vandenbruinhorst.com • www.vandenbruinhorst.com

William Hendrik Gispen (Amsterdam 1890-1981 The Hague) Saturnuslamp, Giso n° 2055, 1931 Executed by N.V. Gispen, Culemborg The Netherlands, 1945-1957 Matte brass nickel-plated pendant with an opal glass sphere and two frosted glass discs with bright edges H 105 x Ø 60 cm William Hendrik Gispen was a Dutch designer and manufacturer of modernist furniture and lighting. He was an important representative of the functionalist movement, promoting and selling modern interior designs at the beginning of the 20th century through his salesrooms in Amsterdam, Rotterdam, Brussels, Paris, London and Nottingham. This design was introduced in his lightingcatalogue 29 as n° 66 in 1931. It changed to no. 2055 in 1936, and later on the pendant was called ‘Saturnuslamp’ which means ‘Saturn-lamp’. The possibility to move around the world at high speed in cars, planes, trains but also rockets and space traveling were an inspiration for designers creating futuristic designs at the beginning of the 20th century. W.H. Gispen designed a lamp with two glass disks around an opal glass sphere that looks like the planet Saturn. Lighting by W.H. Gispen is part of the permanent collections of The Rijksmuseum Amsterdam, Museum Boijmans van Beuningen Rotterdam, Stedelijk Museum Amsterdam, V&A Museum London, The MOMA in New York and the MFAH in Houston, USA.

Gerrit Thomas Rietveld (Utrecht, 1888-1964) Metz & Co sideboard ‘r54', 1936 Executed in The Netherlands, circa 1941 White laquered beech wood and plywood, metal and wire glass H 93 x W 200 x D 51.5 cm Provenance: Mr and Mrs MontagneVan Lommel, Rotterdam 1941; Mrs. H.H. Van Domisse-Van Lommel, 1947 the Hague; Mrs. Foss-Montagne 1991; Sotheby’s Amsterdam 1995; private collection, Amsterdam

Commissioned by the avant-garde department store Metz & Co in Amsterdam, the Dutch architect Gerrit Rietveld designed a small sideboard in 1932 consisting of wire glass sliding doors on a chromed steel base that could be combined with a separate drawer unit. With this design as a starting point he created sideboard r54 in 1936 which is a combination of the small sideboard and the drawer unit in one piece. The first owners bought this sideboard in 1941.

Exhibition: Bas van Pelt, The Netherlands, The Hague, 1960

CABINET OF CURIOSITIES HONOURABLE SILVER OBJECTS By appointment only Twaalfmaandenstraat 1 • BE-2000 Antwerp m +32 (0)475 26 76 85 info@silverobjects.be • www.silverobjects.be

Bracelet, circa 1960 Signed Cartier Paris, n° 114069 Stamped with French assay marks 18K yellow and white gold, designed with 13 carved fluted round lapis lazuli beads, on a slightly flexible gold shaft, terminating with a hook clasp set with 22 single and full-cut round diamonds, approximately 0.90 ct Provenance: private collection, The Netherlands Ladybird brooch Circa 1930, signed Cartier Paris, n° 07544, stamped with French assay marks, platinum, designed with a head in enamel and a red coral body set with 8 full-cut round diamonds 22 x 19 x 11 mm Provenance: private collection, London Literature: N. Coleno, Etourdissant Cartier (Paris: Editions du Regards, 2008), pp. 44-45, 81

Pair of Art Deco silver ice buckets Marked at the bottom LEYSEN & FRERES in rectangle and silver mark A800 in oval (silvermarks for Leysen: before 1942) Brussels, circa 1930 H 14 x 16 Ø (top) x 13.5 cm Ø (bottom base) Provenance: private collection, Belgium Literature: R. Steel & W. Nijs, Art Deco Zilver. Antwerp-Brussels-Ghent, Sterckshof Studies 3 (1996), pp. 176-177, 282, n° M38

GIAMMARCO CAPPUZZO FINE ART By appointment • 17 Wigmore Street • UK-London W1U 1PQ t +44 (0)7775 635 468 gmcfineartlondon@gmail.com • www.giammarcocappuzzo.com

 Willem Eversdijck (Dutch, circa 1620-1671) Unknown Zeeland family, circa 1665 Oil on canvas 138 x 194 cm Provenance: Horace Buttery, London; Christie's London, 20 November 1925, lot 97, bought by Frank Partridge London; (probably) Lady Bertha Schaul Baron (1899-1981); property of a Lady, Christie's London, 10 May 1935, lot 46, bought by W. Sabin, London; Christie's London, 24 February 1939, lot. 57, bought by Berendt; Christie's London, 17 March 1939, lot 23, bought by Suttle; Viorel Virgil Tilea C.B.E. (1896-1972) at Sotheby's London, 28 November 1951, lot 147; Antonio Roque' Rivero (1918-2015), Barcelona Literature: F. van der Ploeg, C.E. ZonnevylleHeyning, Brave koppen en gladde aangesigten, Middelburg, 1999, pp. 112-114 & p. 136, n° WE5, ill. n° 107

Giuseppe Vermiglio (Milan, circa 1587-circa 1635/1636) The sacrifice of Isaac, circa 1610-1618 Oil on canvas 132 x 162 cm Provenance: private collection, Italy Literature: Alessandro Morandotti, Gli anni romani di Giuseppe Vermiglio, in Giuseppe Vermiglio. Un pittore caravaggesco tra Roma e la Lombardia, exhibition catalogue Campione d’Italia, Galleria Civica, 10 September-3 December 2000, ed. by D. Pescarmona, Milan 2000, p. 45, fig. 23; Ferdinando Bologna, Tre note caravaggesche, Prospettiva, 33-36, 1983-1984 (Studi in onore di Luigi Grassi), pp. 204-207, fig. 5; Mina Gregori, Il Sacrificio di Isacco: un inedito e considerazioni su una fase savoldesca del Caravaggio, Artibus et Historiae, X, 1989, p. 141, note 16

GALERIE JEAN-FRANÇOIS CAZEAU 8 Rue Sainte-Anastase • FR-75003 Paris t +33 (0)1 48 04 06 92 • m +33 (0)6 03 79 76 26 • m +33 (0)7 68 66 57 68 jfc@galeriejfcazeau.com • www.galeriejfcazeau.com

Serge Charchoune (Russia 1888-1975 France) La Chute de l'ange, 1954 Oil on canvas 50 x 61 cm Signed and dated: Charchoune IV 54 Certificate of authenticity and inclusion in the catalogue raisonné established by Mr. Pierre Guénégan, on June 1, 2023. With the alternate title 'The Flying Dutchman,' Charchoune was inspired to create this work by listening to Wagner's opera 'Der fliegende Holländer' (completed in Paris in 1841 and premiered in Dresden in 1843), and more particularly by the third and ﬁnal act of the ﬁrst of Wagner's great dramas. On the back, it bears the inscription by the artist 'Trio piano, flûte, violoncelle' Provenance: the artist’s studio; Galerie Raymond Creuze; Galerie Thessa Hérold, 2007; private collection, France; acquired from the former Literature: Charchouniana, Raymond Creuze, 1989, Paris, repr. p. 105 Exhibitions: Serge Charchoune, Le Soleil russe, 2007, exhibition catalogue, Galerie Thessa Herold, Paris, n° 28, p. 79

Auguste Herbin (Quiévy 1882-1960 Paris) Le Vieux Pont à Bruges, 1906 Oil on canvas 46 x 55 cm Signed lower left Provenance: the artist’s studio; M. Rheims, Paris; Malborough Fine Art Ltd., London; private collection, Basel Exhibitions: 1914, Exposition Auguste Herbin, Galerie Clovis Sagot, 2 March–17 March 1914, n° 3; Bern 1963, Auguste Herbin, Kunsthalle

Bern, 16 February–24 March 1963, n° 1 (ill.); Amsterdam 1963, Herbin, Stedelijk Museum, 7 June–22 July 1963, n° 2 (ill.); Zurich 1965, Auguste Herbin, City Galerie Bruno Bischofberger, 2 April–30 April 1965, n° 2; Paris 1975/76, Le Bateau-Lavoir, Musée Jacquemart-André, 31 October 197531 November 1976 (label on the back) Literature: Geneviève Claisse: Herbin. Catalogue raisonné de l'oeuvre peint, Paris 1993, p. 291, n° 70 (ill.)

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GALERIE CENTO ANNI Place du Grand Sablon 31 • BE-1000 Brussels t +32 (0)2 514 56 33 • m +32 (0)475 30 02 50 • m +32 (0)477 50 54 41 centoanni@gmail.com • galeriecentoanni.blogspot.com 3 Rue de Miromesnil • FR-75008 Paris m +33 (0)6 08 36 80 83

 André (Andrei Mikhaïlovitch) Lanskoy (Moscow 1902-1976 Paris) 'VOUS DITES BIENTÔT', 1965 Oil on canvas 73 x 60 cm Provenance: private collection, France

Philippe Wolfers (Brussels, 1858-1929) Eternelle idylle, circa 1911 Sketch in patinated bronze on a burgundy marble base H 30 cm Signed Philippe Wolfers with monogram Lost wax, Foundry Ateliers Wolfers Provenance: private collection, Belgium Literature: La Dynastie Wolfers, Ed. Pandora, p. 394 Exhibitions: Brussels 1911, n° 3; Milan 1926, n° 42; Brussels 1928, n° 31, Antwerp 1929, n° 30; Brussels 1972, n° 69 87

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CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERNE (CLAM) BELGISCHE BEROEPSKAMER VAN ANTIQUAREN (BBA) President: Pierre Coumans Galerie Bortier 8 • BE-1000 Brussels t +32 (0)2 514 22 10 pierrecoumansbooks@gmail.com Secretariat: Brigitte Harcq Rue Saint-Jean 31 • BE-1000 Brussels m +32 (0)476 80 40 83 clam-bba@hotmail.com • www.clam-bba.be • www.ilab.org

The Belgian Antiquarian Booksellers’ Association (CLAM-BBA) is composed of 30 antiquarian booksellers from Antwerp, Bruges, Brussels, Comines, Ghent, Hasselt, Hatrival, Liege, Mechelen, Mouscron and Ulbeek, as well as foreign associated members. The CLAM-BBA members are specialised in buying and selling rare and precious books, prints, autographs, old and modern manuscripts. A selection will be on display at BRAFA.

List of CLAM-BBA-affiliated exhibitors sharing a stand at BRAFA 2024 L’ABAC

Gilles Wolles Rue Blaes 176-176A • BE-1000 Brussels m +32 (0)495 54 40 28 oldbooks@labac.be

LIBRAIRIE CALLIOPE

Xavier Libon Rue Marcel Demeulemeester 10 • BE-7700 Mouscron m +32 (0)474 53 06 05 xavier.libon@hotmail.com

ARTS & BOOKS GALLERY DRAULANS

Abdijstraat 28 • BE-2260 Westerlo m +32 (0)495 26 53 74 info@artsandbooks.be • www.artsandbooks.be

INGERT

Guillaume Ingert 28 Cours Albert 1er • FR-75008 Paris t +33 (0)1 45 31 98 38 info@ingert.fr • www.ingert.fr

LIBRAIRIE LARDANCHET

Bertrand & Thierry Meaudre 100 Rue du Faubourg Saint-Honoré • FR-75008 Paris t +33 (0)1 42 66 68 32 bertrand@lardanchet.fr • www.lardanchet.fr

GALERIE LE TOUT VENANT

Brigitte Harcq & Guillaume Choveaux Rue Saint Jean 31 • BE-1000 Brussels m +32 (0)476 80 40 83 letoutvenant@hotmail.com • www.letoutvenant.com

LEX ANTIQUA

Rob Camp Beursstraat 46 • BE-3832 Wellen t +32 (0)11 59 63 38 rob.camp@lex-antiqua.be • www.lex-antiqua.be

LIBRAIRIE LHOMME

Rue des Carmes 9 • BE-4000 Liege t +32 (0)4 223 24 63 librairie@michel-lhomme.com • www.michel-lhomme.com

PASCAL DE SADELEER

Avenue Milcamps 65 • BE-1030 Brussels t +32 (0)2 513 26 48 • m +32 (0)475 49 80 30 pascal.desadeleer@skynet.be

MARC VAN DE WIELE

Sint-Salvatorkerkhof 7 • BE-8000 Bruges t +32 (0)50 33 63 17 • m +32 (0)474 38 55 85 van.de.wiele@skynet.be • www.marcvandewiele.com

Pieter Bruegel the Elder (Brussels, 1525-1569) Invidia, Envy, one of the seven vices, circa 1558 Engraving by Pieter van der Heyden (1530-1572) Published by Hiëronymus Cock (Antwerp, 1518-1570) 90

29.7 x 22.6 cm References: New Hollstein Dutch 26 1(2), first state Lex Antiqua, Antiquarian Bookseller

Jean Clair, Considérations sur l’état des beaux-arts. Critique de la modernité. Paris, Gallimard, 16 février 1983, 8to, semi-flexible bluish-grey calf boards with sanded flower (found as such) with sharp edges in head and tail and bordered at edge with a strip in black elephant skin. Relief strip at the joints of the same calf skin, printed with the burnt vein of a pine board, attached with stainless steel eyelets. Board on two thongs of black elephant skin. Grey faux lizard spine cover, natural edges (J. de Gonet, dated 1984) First edition This essay by Jean Clair (Paris, 1940) is the first true critique of artistic modernity. There was no large paper edition. The copy is dedicated by the author to the aesthete and music lover Claude Bernard (1939-2022): Pour Claude Bernard, Ces Essais, au Prince des perversions, à l’aimable tyran des peintres et au dernier des grands mécènes, dont le règne s’étend de la Rue à l’empire des Beaux-Arts, en espérant qu’ils affirmeront son pouvoir, et en hommage très cordial Jean Clair 17 juil. LXXXIII And with a watercolour by Sam Szafran (1934-2019), signed and dedicated to Claude Bernard, with whom he exhibited for the first time in 1965, an event organised by Jacques Kerchache (1942-2001). His encounters with Kerchache, Jean Clair and Claude Bernard profoundly influenced his life as a painter. Claude Bernard seemed to enjoy bookbinding and commissioned works to Jean de Gonet and Monique Mathieu Watercolour: 203 x 197 mm Provenance: Claude Bernard, Paris Literature: Le Bars (F.), Jean de Gonet. Catalogue raisonné, t. II, 1983-1993, 0379 (from which the description of the binding was borrowed) Librairie Lardanchet, Antiquarian bookseller

CLAES GALLERY Rue de l'Abbaye 14 • BE-1050 Brussels t +32 (0)2 414 19 29 contact@didierclaes.com • www.didierclaes.art

 Vitshois Mwilambwe Bondo (Kinshasa, 1981) African Prinsess II, 2021 Acrylic et collage on canvas, wooden frame, ebony polished 50 x 50 cm

Kota reliquary Gabon, end of 19th century Wood, plates and copper strip H 53 cm Literature: Auction catalogue Sotheby’s Paris, 18 June 2013, n° 102, p. 85 93

COLLECTORS GALLERY Betty De Stefano Rue des Minimes 12 • BE-1000 Brussels t +32 (0)2 511 46 13 • m +32 (0)475 36 79 91 info@collectors-gallery.com • www.collectors-gallery.com

Claude Wesel (Belgium, 1942-2014) For Maison Fernand Demaret Necklace in 18ct gold and coral, 1968 Unique piece

Ettore Sottsass (Innsbruck 1917-2007 Milan) 'Scalinata' limited edition, 1983 18ct gold and diamonds (3.5 carats) Prototype Provenance: personal friend of the artist 95

NICOLÁS CORTÉS GALLERY Nicolás Cortés Calle de Justiniano 3 • ES-28004 Madrid t +34 913 10 05 82 contact@nicolascortes.com • www.nicolascortes.com

Francisco de Zurbarán (Fuente de Cantos, Badajoz 1598-1664 Madrid) Still Life of Lent Oil on canvas 62.5 x 82.5 cm Provenance: private collection, Madrid, Spain; collection of Cardinal Despuig (1745-1813), Palacio de Montenegro, Palma de Mallorca [inv. n° 71]; Truyols collection (from 1972), Palma de Mallorca 96

Blas José Rodríguez (Guatemala, 1685-circa 1762) Virgin of Carmel, Mid-18th century Carved, polychromed and gilded wood H 43 cm Provenance: private collection, Spain

CORTESI GALLERY Via Nassa 62 • CH-6900 Lugano t +41 (0)91 921 40 00 info@cortesigallery.com • www.cortesigallery.com Via Morigi 8 • IT-20123 Milan t +39 02 36 517 547

 Piero Dorazio (Rome 1927-2005 Perugia) Miss Kayenta, 1964 Oil on canvas 149.5 x 196 cm Signed, dated and titled on the stretcher 'Piero Dorazio/Miss Kayent/1964' Certificate of authenticity Archivio Dorazio, Milano, n° 1964-0007368E90 Provenance: Marlborough Galleria d’Arte, Rome, Italy; Benito Storni collection, Florence, Italy; Galleria La Piramide, Florence, Italy; Galleria Tornabuoni, Florence, Italy; private collection, Italy Exhibitions: 1964-Piero Dorazio, Marlborough Galleria d’Arte, Rome, Italy, (ill., unpaged); 1965-Piero Dorazio, Marlborough-Gerson Gallery, New York, USA, n° 2 (ill., unpaged); 1968-Pasmore, Marcarelli, Dorazio, Arts & Crafts Center, Pittsburgh, USA; 196869-Art Actuel en Italie; Piero Dorazio, Haus am Waldsee, Berlin, Germany, n° 2. This exhibition later travelled to Brussels, Palais des Beaux-Arts de Brussels; 1970-Dix maîtres de la Peinture Italienne, Château-Musée, Cagnes-sur-Mer, France; 1983-84-Piero Dorazio, Galleria Nazionale d’Arte Moderna, Roma, Italy, n° 41 (ill., p. 58); 2017-Walter Leblanc e la Neo-avanguardia Europea, curated by Francesca Pola, 13 September-21 October, Cortesi Gallery, Milano, Italy Literature: Piero Dorazio, MarlboroughGerson, New York, 1965 (ill., n° 3); M. Fagiolo dell’Arco, Dorazio dal modulo al segnopersonaggio, in Avanti, Rome 1966, n° 60 (ill., p. 49); P. Dorazio, M. Mendes, Piero Dorazio contesta cinco preguntas de Murilo Mendes, in Amaru, Lima, June-September 1968, n° 16 (ill., p. 56); M. Volpi Orlandini, Dorazio, Venice 1977, n° 736 (ill., non. pag); Galleria d’Arte Moderna, Dorazio, Rome 1983, p. 58 (ill.); M. Mattioli, Rigando dritto. Piero Dorazio scritti 1945-2004, Milano 2015, p. 186 (ill., attached image); F. Pola, 2021 SPACES OF LIGHT. Piero Dorazio and the International ZERO Movement, Cortesi; Gallery Milano, Skira editore, Milano 2021, p. 130

Herman de Vries (The Netherlands, Alkmaar, 1931) The Return of Beauty, 2003 Artefacts mounted on paper 36 x 26 cm, overall 105 x 150 cm Titled, dated, signed: the return of beauty - artefacts collected around eschenau/2003/herman de vries Provenance: the artist's studio Literature: herman de vries. all this here; natur: werkgruppen und installationen, (Stiftung Museum Schloss Moyland: Bedburg Hau 2009), image pp. 102103; herman de vries. es ist da, (form + zweck: Berlin 2010), catalogue of the solo exhibition at the Mies van der Rohe Haus, 3 July-26 September, Berlin, 2010 Exhibitions: on request

COSTERMANS & PELGRIMS DE BIGARD Arnaud Jaspar & Cédric Pelgrims de Bigard Place du Grand Sablon 5 • BE-1000 Brussels t +32 (0)2 512 21 33 • m +32 (0)475 58 56 71 • m +32 (0)476 27 06 50 info@costermans-antiques.com • www.costermans-antiques.com

Ernest Louis Jean Cremer (France, 1731-1793) Mahogany quartet table, circa 1780 Louis XVI period H 74.5 x W 53.5 x D 38 cm Stamped by Cremer, received Master on July 13, 1777 Literature: P. Kjellberg, Le Mobilier français du XVIIIe siècle, Les Editions de l'Amateur 2008, p. 218 100

Abel Grimmer (Antwerp circa 1570–circa 1619) 'Fête champêtre' in front of a moated castle, circa 1610 Oil on panel 18 x 25 cm

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DALTON SOMARÉ Tomaso & Gerolamo Vigorelli Via Borgonuovo 5 • IT-20121 Milan t +39 02 890 96 173 • m +39 347 469 87 45 • m +39 338 108 65 40 info@daltonsomare.com • www.daltonsomare.com

Guardian Head Tsogho, Gabon Wood, metal H 23 cm Provenance: Georges Vidal collection, Paris; Alain Bovis, Paris; private collection, Paris Literature: Tsogho. Les icônes du Bwiti, Paris, 2016, n° 178, p. 212; Art primitif, LoudmerPoulain, Paris, 21 juin 1976, lot 182; Statuaire de l'Afrique Noire, ABC Collection, 1979, p. 16

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Androgynous figure with twins Dogon, Mali, 1406-1512 AD (C14 tested) Wood H 48 cm Provenance: Henri Kamer, Paris; René Rasmussen, Paris; Merton Simpson, New York; Reginald Groux, Paris; private collection, France; private collection, Brussels Literature: Les Mondes Dogon, ed. M. Konaté and M. Le Bris, 2002, p. 167

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DE BROCK Zeedijk 758 • BE-8300 Knokke-Zoute t +32 (0)50 62 13 09 • m +32 (0)494 36 35 65 info@debrockgallery.com • www.debrockgallery.com

Serge Poliakoff (Moscow 1900-1969 Paris) Composition Abstraite, 1968 Oil on canvas 161.9 x 129.9 cm Signed lower center: Serge Poliakoff Provenance: the artist's studio, Paris, France; collection Doctor Bachmann, Teufen, Switzerland; Galerie Malingue, Paris, France; private collection, Italy; Connaught Brown, London, UK; private collection, Belgium; De Brock, Knokke, Belgium Literature: Programme des concerts du domaine musical de la ville de Paris, Saison 1969-1970 (ill. in colour); Plaisir de France, nº 372, p. 34, November 1969 (ill. in colour); Giuseppe Marchiori, Serge Poliakoff, Paris, Les Presses de la Connaissance, p. 107, 1976; Françoise Brütsch, Serge Poliakoff, Neuchâtel, Ides et Calendes, p. 144, 1993 (ill. in colour); La Collection T, une collection privée suisse, Zurich, J & P Fine Art, nº 15, p. 31, 2003 (ill. in colour); Marie Victoire Poliakoff, Serge Poliakoff, mon grand-père, Paris, Éditions du Chêne, p. 82, 2011 (ill. in colour); Beaux-Arts Éditions, hors série, p. 41, 2013 (ill. in colour); Connaissance des Arts, hors série, nº 601, p. 32, October 2013 (ill. in colour)

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Antoni Tàpies (Barcelona 1923-2012) Ocre Amb Cinc Entallats, 1964 Marble dust and oil on canvas 162 x 130 cm Signed and dated on the reverse: Tàpies 1964 Provenance: the artist's studio, Barcelona, Spain; Galerie Stadler, Paris, France; private collection, Madrid, Spain; Josep Suñol Soler collection, Barcelona, Spain; Christie’s, London, UK; private collection; De Brock, Knokke, Belgium Literature: A. Cirici, Tàpies: Witness of Silence, Barcelona, 1972, p. 273, n° 268 (ill. and titled 'Ochre with five incisions'); A. Agustí, ed., Antoni Tàpies: The Complete Works, vol. 2, 1961-1968, Barcelona, 1996, p. 211, n° 1301 (ill. in colour); Fundació Josep Suñol, Col·lecció Josep Suñol Catàleg raonat, Barcelona, 2004, p. 110, n° 736 (ill. in colour); Fundació Josep Suñol, Col·lecció Josep Suñol Les Escales, Barcelona, 2004, pp. 79 and 164 (installation view ill. in colour) Exhibitions: Cannes, Galerie Jacques Verrière, Tàpies. Oeuvres récentes, September 1966, n° 6; Barcelona, Fundació Antoni Tàpies; Valencia, Institut Valencià d’art Modern Centro Julio González; London, Serpentine Gallery, Tàpies. Comunicació sobre el mur, January-August 1992; Barcelona, Fundació Suñol, Col·lecció Josep Suñol 1915-1995, May 2007-January 2008

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DEI BARDI ART Alessandra Bardi & Giulia Ponti Rue Watteeu 12 • BE-1000 Brussels m +32 (0)476 74 05 57 deibardiart@gmail.com • www.deibardiart.com

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A pierced Gothic Flamboyant canopy North of France, 15th century Limestone H 30 x W 32 x D 35 cm

 Relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta H 91 x W 85 x D 11.5 cm Provenance: private collection, Italy 107

DE JONCKHEERE Georges & François De Jonckheere 7 Rue de l’Hôtel-de-Ville • CH-1204 Geneva t +41 (0)22 310 80 80 geneve@dejonckheere-gallery.com • www.dejonckheere-gallery.com

Jan Brueghel The Younger (Antwerp, 1601-1678) Bouquet of flowers in a Wan-Li porcelain vase, late 1620s Oil on panel 56 x 40.5 cm Certificate from Dr. Klaus Ertz Provenance: De Jonckheere, 1985; private collection

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Denijs van Alsloot (Mechelen 1568-1625 Brussels) Wooded Landscape opening onto a Mountain Range With the participation of the workshop of Jan Brueghel The Elder (Brussels 1568-1625 Antwerp) for the figures First decade of the 17th century Oil on panel 117 x 173 cm

Provenance: Fournier Art Gallery, Rouen, 1984; Heim Gallery; De Jonckheere, 1984; private collection Literature: S. van Sprang, Denijs Van Alsloot (vers 1568 – 1625/26). Peintre paysagiste au service de la cour des archiducs Albert et Isabelle, Turnhout, Brepols, 2014, p. 104, ill. 25, repr.

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GALERIE BERNARD DE LEYE Avenue Hamoir 41 • BE-1180 Brussels t +32 (0)2 514 34 77 • m +32 (0)475 46 54 41 info@bernarddeleye.be • www.orfevrerie.eu

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 Head of Saint Janvier known as San Gennaro Naples, (Italy), 18th century Silver gilt H 15 x W 11.8 cm - Weight: 696 gr.

Crucifix Spain, circa 1550 Silver gilt and rock crystal, the Christ in silver gilt with polychrome cold paint H 41 x W base 19.5 x W cross 22 cm 111

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THOMAS DEPREZ FINE ARTS Bodenbroekstraat 8A • BE-1000 Brussels m +32 (0)479 07 74 28 info@thomasdeprezfinearts.com • www.thomasdeprezfinearts.com

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Emile Fabry (Verviers 1865-1966 Brussels) A monumental triptych, including: Le péché originel, Les Déesses de la Vie and Prométhée & Pygmalion, circa 1896 Oil on canvas 246 x 138 cm | 249 x 205.5 cm | 245 x 140 cm All canvases waxed and retouched The middle panel carrying a certificate by Edmond Delescluze, the artist's son-in-law, dated April 6th 1990 Provenance: by descent in the family of the artist, after his death in 1966; former collection Suzanne Fabry and Edmond Delescluze, the artist’s daughter and son-inlaw; triptych dismantled and sold separately, with different provenances on request; United again for the first time under single ownership, 2023 Literature: a list of contemporary press critiques available on request; Jacqueline Guisset, Emile Fabry 1865-1966, Brussels, Fonds du Patrimoine de Woluwe-Saint-Pierre, 2000, ill. pp. 75, 77 & 78; Sébastien Clerbois, L’Esotérisme et le Symbolisme belge, Anvers, Pandora Publishers, 2012, ill. p. 104 Exhibitions: Exposition du Cercle Pour l'Art, Brussels, 1896; Retrospective Emile Fabry, Woluwe-Saint-Pierre, Centre culturel, 2000

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GALLERY DESMET Tom & Tobias Desmet Regentschapsstraat 17 • BE-1000 Brussels t +32 (0)2 514 98 88 • m +32 (0)475 37 60 50 • m +32 (0)486 02 16 09 info@gallerydesmet.com • www.gallerydesmet.com

Richard James Wyatt (London, 1795-1850) A nymph entering the bath, circa 1830 White marble H 155 cm Provenance: private collection

Seated Venus with sandal  Marble Hellenistic, circa 1st century BC H 21.5 x W 10 x D 13.5 cm Certificat d'un bien culturel (France): 216730 Accompanied by Art Loss Register certificate S000786578 Provenance: Simone de Monbrison, Paris (1970s); collection Pierre Moussa (1922-2019), Paris; public auction, France, 2019 114

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GALERIE OSCAR DE VOS Latemstraat 20 • BE-9830 Sint-Martens-Latem t +32 (0)9 281 11 70 • m +32 (0)475 24 62 62 info@oscardevos.be • www.oscardevos.be

Emile Claus (Sint-Eloois-Vijve 1849-1924 Astene) Return from school/Girls in the field, 1892 Oil on canvas 132 x 99 cm Signed lower left: Emile Claus Provenance: collection Mrs. G.C., Brussels; Galerie Georges Giroux, Brussels, 1929, n° 28; collection Mrs. F. Soethoudt, Brussels; auction Guillaume Campo, Antwerp, 1982, n° 25; Galerie Oscar De Vos, Sint-Martens-Latem; private collection, Belgium Literature: G. Giroux, Catalogue de la collection de Madame G.C. (Brussels: Galerie Georges Giroux, 1929), n° 28, ill. n° 12 (ill.); P. Eeckhout, Retrospectieve tentoonstelling Emile Claus 1849-1924, cat. (Gent: MSK, 1974), p. 49, n° 49; R. Bombeke, e.a., Schilders van het Leieland, cat. (Deinze: MuDeL, 1991), n° 144; P. Boyens, Sint-Martens-Latem. Kunstenaarsdorp in Vlaanderen (Tielt: Lannoo, 1992), 535 (ill.); M. Ruyters, Campo 1897-1997 (Antwerpen: Stefan Campo, 1997), p. 85, n° 11 (ill.); J. De Smet, e.a., Emile Claus en het landleven, cat. (Gent: MSL, 2009), p. 145, p. 93 (ill.); R. Hoozee, e.a., Lights of Flanders. Images of a beautiful Belgian village, cat. (Tokyo: The Mainichi Newspapers, 2010), p. 71, n° 36 (ill.); J. De Smet, e.a., Emile Claus and Belgian Impressionism, cat. (Kobe: The Kobe Shimbun, 2013), p. 46, n° 6 (ill.) Exhibitions: 1929, Brussels, Galerie George Giroux, n° 28; 1974, Ghent, Museum voor Schone Kunsten, Retrospective Exhibition Emile Claus 1849-1924, n° 49; 1982, Antwerp, Guillaume Campo, 1982, n° 25; 1991, Deinze, Museum van Deinze en de Leiestreek, Schilders van het Leieland, n° 144; 2009, Ghent, Museum voor Schone Kunsten, Emile Claus and Rural Life, n° 93; 2010-2011, Himeji, City Museum of Art; Tokyo, The Bunkamura Museum of Art; Miyoshi, Okuda Genso Museum, Light of Flanders. Images of a beautiful Belgian village, n° 36; 2013, Himeji, City Museum of Art; Tokyo, Station Gallery; Ishikawa, Prefectural Museum of Art; Hekinan, City Tatsukichi Fuji Museum of Contemporary Art, Emile Claus and Belgian Impressionism, n° 6; 2021, Mechelen, Heilige Geestkapel, Het Kunstuur 116

Gustave De Smet (Ghent 1877-1944 Deurle) Landscape with church, 1930 Oil on canvas 66 x 81 cm Signed lower left: Gust. De Smet Provenance: Galerie Le Centaure, 1932, lot 76, bought by Théo Bogaerts for Mr. Nijkerk; collection M.B.B. Nijkerk, Amsterdam; collection Dr. K. Nijkerk, Amsterdam; private collection, Brussels Literature: Haesaerts, Gustave De Smet (1936), n° 115; Langui, Gustaaf De Smet. De mensch en zijn werk (1945), p. 239, n° 432; Van Hecke & Langui, Gustave De Smet. Sa vie et son oeuvre (1945), p. 249, n° 428; Vanbeselaere, Gustave De Smet. Retrospectieve tentoonstelling, cat. (1961), p. 75, n° 147; Kikkert, Gustave De Smet 18771943, cat. (1978), n° 32; Milo, Vie et survie

du Centaure (1980), p. 105, n° 76; Boyens, Retrospectieve Gust. De Smet (1989), p. 166, n° 120 (ill.); Boyens, Gust. De Smet (1989), p. 229, p. 399, n° 846 (ill.); DenningerSchreuder, Vlaamse expressionisten (1993), p. 31 (ill.); Boyens e.a., De maat der dingen (2003), p. 30 (ill.) Exhibitions: 1936, Brussels, Palais des Beaux-Arts, Gustave De Smet, n° 115; 1961, Antwerp, KMSKA, Gust. De Smet Retrospectieve, n° 147; 1973, Sint-MartensLatem, Gemeentehuis, Latemse kunstenaars in Nederlandse verzamelingen, n° 13; 1978, Warmenhuizen, Oude Ursulakerk, Gustave De Smet, n° 32; 1989, Ostend, PMMK, Retrospectieve Gust. De Smet, n° 120; 1993, Kortenhoef, Kunst aan de dijk, Vlaamse expressionisten, 31; 2003, Deinze, MuDeL, De maat der dingen, n° 39

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DE WIT FINE TAPESTRIES Schoutetstraat 7 • Refugie Abdij van Tongerlo • BE-2800 Mechelen t +32 (0)15 20 29 05 info@dewit.be • www.dewit.be

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 Court Scene Southern Netherlands, probably Brussels, early 16th century Wool & silk 259 x 228 cm

Richard Mortensen (Copenhagen, 1910-1993) Venise, 1963 Wool Tabard workshop, frères et sœurs, tapestry Aubusson, France For the Galerie Denise René H 288 x W 234 cm Signed lower left 119

DE ZUTTER ART GALLERY Michael De Zutter Kustlaan 149 • BE-8300 Knokke-Zoute t +32 (0)50 60 63 99 • m +32 (0)486 89 54 43 info@dezutterartgallery.com • www.dezutterartgallery.com

Herman Nitsch (Vienna 1938-2022 Mistelbach) 64. Malaktion, Rovereto, 2012 Acryl on canvas and collage of shirt 200 x 300 cm

Heinz Mack (Lollar, Germany 1931) Chromatische Konstellation, 1960 Oil on canvas 115 x 87 cm Provenance: collection of the artist Literature: Heinz Mack Zero-malerie catalogue raisonné 1956-1968

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DIE GALERIE Grüneburgweg 123 • DE-60323 Frankfurt am Main t +49 (0)69 971 47 10 • m +49 (0)171 81 33 125 info@die-galerie.com • www.die-galerie.com

Pierre Alechinsky (Brussels, 1927) Niveau d'eau VI, 2013-2014 Acrylic and etching on handmade paper on canvas 143 x 74 cm Signed, titled and dated Provenance: the artist's studio

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Max Ernst (Brühl 1891-1976 Paris) Corps enseignant pour une école de tueurs, 1967/2020 1967 - ensemble of sculptures in limestone (roche dure de Vilhonneur) 2020 - ensemble of sculptures in bronze Bronze, Susse Fondeur Paris Ex. 8/8 Ensemble consisting of: Big Brother, H 150 x W 100 x D 94 cm (without plinth)

Séraphin le néophyte, H 198 x W 75 x D 75 cm (figure without eyes) Séraphine-Cherubin, H 200 x W 80 x D 75 cm (figure with eyes) Provenance: estate Max Ernst Literature: Werner Spies, Max ErnstSkulpturen, Häuser, Landschaften, Köln, 1998, p. 192, p. 210ff, p. 273; Jürgen Pech. Max Ernst. Plastische Werke, Köln, 2005, p. 194-201

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DOUWES FINE ART B.V. Mr E.J.M. Douwes Senior and Junior Johannes Vermeerstraat 15-HS • NL-1071 DK Amsterdam t +31 (0)20 664 63 62 • m +31 (0)6 54 24 24 29 info@douwesfineart.com • www.douwesfineart.com Douwes Fine Art Ltd., London t +31 (0)20 664 63 62

Jan van Goyen (Leiden 1596-1656 The Hague) View of the beach at Scheveningen, 1641 Oil on canvas 72 x 107 cm Monnogrammed and dated lower left: VG 1641 Provenance: collection Simon Emil Oppenheim, Germany; Heberle, Cologne, 1883 lot 37; Kunsthandel Walter Paech, Amsterdam before 1940; collection 124

A. Laan, Aerdenhout, the Netherlands, 1944; private collection, Sweden; Douwes Fine Art, Amsterdam, 1984; private collection, Switzerland; thence by descent to the current owner Literature: H.U. Beck, Jan van Goyen, vol. II, S. 419, n° 937, ill. Exhibition: Nationalmusei Stockholm, 1967, cat. n° 57

Jean-Pierre Cassigneul (Paris, 1935) Les deux amies, circa 1990 Oil on canvas 130 x 88.5 cm Signed lower left: Cassigneul Certificate of authenticity by Jean-Pierre Cassigneul Provenance: Ader-Picard-Tajan, Paris, 1990, lot 106; private collection, France; Sotheby’s, London; private collection, The Netherlands

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EPOQUE FINE JEWELS Overbekeplein 33 • BE-8500 Kortrijk m +32 (0)475 61 68 31 info@epoquefinejewels.com • www.epoquefinejewels.com

René Lalique (Ay 1860-1945 Paris) Art Nouveau nymph pendant/brooch Designed as a winged nymph, part female, part butterfly, the naked nymph decorated with skin colour enamel, the outstretched wings in pale green ‘plique-à-jour’ enamel, edged with a dark green ‘plique-à-jour’ border, highlighted with old mine cut and rose cut diamonds, mounted in 18 karat gold. Greenish ‘contre-émail’ on the reverse. 126

The nymph can also be worn as a pendant. With detachable brooch fitting. Paris, circa 1900 8.3 x 4.1 cm Signed Lalique and Lalique maker's mark In fitted box marked R. LALIQUE, 40 Cours-La-Reine, Paris A similar nymph by Lalique is part of the collection of the Lalique Museum in Hakone, Japan

Cartier Garland style diamond feather brooch In the shape of an ostrich feather with a bow, set with approx. 23 carats of diamonds, mounted in platinum with 'mille grains' finish. Several joints along the frame give flexibility to the feather. With detachable brooch fitting Paris, 1914 11.7 x 6.8 cm

Signed CARTIER PARIS LONDRES NEW YORK with maker's mark of Henri Lavabre According to the Cartier archives, this brooch was a special order, designed in the 'Style Guirlande' at the request of the buyer, even though Art Deco had already made its appearance at Cartier by that time

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FINCH & CO Suite 744, 2 Old Brompton Road • UK-London SW7 3DQ m +44 (0)7768 236 921 enquiries@finch-and-co.co.uk • www.finchandco.art Rue Ernest Allard 32 • BE-1000 Brussels m +32 (0)470 64 46 51

Head of Atlas Grey schist India, Gandhara, 3rd-4th centuries AD H 19 x W 11 x D 12.5 cm Provenance: Simon Ray Indian and Islamic Works of Art, London, 2007; private collection

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Workshop of Georg Pfründt (Germany, 1603-1663) Goblet and support raised upon a turned pear-wood base Narwhal, wood South Germany, 17th century H 16.5 cm Provenance: London art market 1960s; private collection Georg Pfründt (1603-1663), born in Franconia, trained under one of the greatest ivory carvers of the Renaissance, Leonard Kern (1588-1662). Moving to Strasbourg in 1639, Pfründt worked in the service of Charles Ludwig, Elector Palatine, and Duke Eberhard VIII of Würtemberg. The goblet is carved in the same style as the equally celebrated 'Nef' favoured by princely courts for their kunstkammer (the 17th century art chamber) developed out of a medieval treasury which in turn became the Renaissance studiolo. The use of narwhal in this cup adds to the sense of rarity and exotica

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GALERIE FLAK 8 Rue des Beaux-Arts • FR-75006 Paris t +33 (0)1 46 33 77 77 • m +33 (0)6 84 52 81 36 julien@galerieflak.com • www.galerieflak.com

Ritual figure, Ngbaka or neighbouring cultures Ubangi, Democratic Republic of the Congo, early 20th century Carved wood, beads and metal H 32 cm Provenance: collection David Henrion, Brussels; collection Didier Claes, Brussels; collection Richard Carchon, private collection, California Literature: Claes. Premium Art from Black Africa/Art premier d’Afrique Noire, Didier Claes, Bruxelles, 2005; Ubangi. Art and Cultures from the African Heartland, Grootaers, Bruxelles, Fonds Mercator, 2007, p. 121, #3.13; African Impressions. Tribal Art and Currents of Life/Empreintes d’Afrique. L’art tribal au fil des fleuves, B. Von Lintig & H. Dubois, 5 Continents, 2011, pp. 82-83, #31 Exhibition: Ubangi. Art and Cultures from the African Heartland, Afrika Museum, Berg en Dal, The Netherlands, 13 October 2007–31 March 2008

Shalako Mana Katsina-Butterfly Maiden Kachina doll Hopi Arizona, USA, prior to 1900 Carved wood (cottonwood) with natural pigments H 39 cm Provenance: collection Robert 'Trader Bob' Bayuk; Bonhams San Francisco, June 3, 2013, lot 5012; private collection, Nice, France 130

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A&R FLEURY 36 Avenue Matignon • FR-75008 Paris t +33 (0)1 42 89 42 29 • m +33 (0)6 52 06 11 18 info@arfleury.com • www.arfleury.com

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 Jean-Paul Riopelle (Montreal 1923-2002 Saint-Antoine-de-l'Isle-aux-Grues) C’est rocheux, 1974 Oil on canvas 81 x 100 cm This work is included in the catalogue raisonné of Jean-Paul Riopelle under n°1974.050H.1974 Provenance: Galerie Maeght, Paris

Alicia Penalba (Argentina, San Pedro 1913-1982 SaintGeours-de-Maremne, France) Sacadée, 1970 Bronze H 22 x W 29 x D 19 cm

Signed and numbered: APENALBA 7/8, edition of eight plus one artist's proof Stamped with the foundry mark 'A. Valsuani Cire Perdue', circa 1972 This work is included in the catalogue raisonné of Alicia Penalba under n° 56 133

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GALERIE LA FOREST DIVONNE Rue de l'Hôtel des Monnaies 66 • BE-1060 Brussels t +32 (0)2 544 16 73 • m +32 (0)471 89 71 46 brussels@galerielaforestdivonne.com • www.galerielaforestdivonne.com 12 Rue des Beaux-Arts • FR-75006 Paris t +33 (0)1 40 29 97 52 paris@galerielaforestdivonne.com

Alexandre Hollan (Budapest, 1933) Le Garde de Saint-Jean d'Aumières, 2021-2022 Acrylic on canvas 130 x 195 cm Provenance: the artist's studio 134

Jeff Kowatch (USA, Los Angeles 1965) Green Run, 2013 Oil on canvas 181 x 200 cm Provenance: the artist's studio

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GALERIE CHRISTOPHE GAILLARD Quai du Commerce 50 • BE-1000 Brussels t +32 (0)2 647 99 72 • m +32 (0)474 85 16 40 sophie@galerie-gaillard.com • www.galeriegaillard.com 5 Rue Chapon • FR-75003 Paris t +33 (0)1 42 78 49 16 contact@galerie-gaillard.com

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 Stéphane Couturier (Neuilly-sur-Seine, 1957) Angers - Chant de l'Apocalypse n° 1, 2022 Tapestry: mixed technique - rag, wool, cotton, hemp, linen, acrylic, string, onion and citrus threads, sewing thread, nylon thread, sequins... 205 x 277 cm Edition of 3

Philippe Vandenberg (Ghent 1952-2009 Brussels) Untitled, circa 2007 Oil and pastel on canvas 56 x 91 cm Provenance: estate Philippe Vandenberg; Galerie Christophe Gaillard

Provenance: the artist's studio; Galerie Christophe Gaillard

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GALERIE DES MODERNES 13 Rue des Saints-Pères • FR-75006 Paris t +33 (0)1 40 15 00 15 • m +33 (0)6 14 41 26 93 galerie.des.modernes@orange.fr • www.galeriedesmodernes.art

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 Serge Poliakoff (Moscow 1900-1969 Paris) Abstract composition, 1960 Gouache on paper 50 x 65.5 cm Signed lower left: SErgE PoliakoFF Provenance: private collection, Switzerland Literature: Catalogue raisonné de l’œuvre de Serge Poliakoff by Alexis Poliakoff, vol. III, 1959-1962, desc. and repr. in colour on p. 226, n° 60-202

Jacques Doucet (Boulogne-Billancourt 1924-1994 Paris) Untitled, 1955-1957 Oil on canvas 100 x 50 cm Signed lower right: doucet Dated and numbered on the reverse: CLXV-197 Provenance: Galerie Ariel, Paris; private collection, Paris Literature: Jacques Doucet Parcours 19601976, Catalogue raisonné, tome II, Additif aux œuvres du tome I, by Andrée Doucet, ed. Galilée, Paris, 1998, desc. p. 207 and repr. p. 13 under n° 258

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RALPH GIERHARDS ANTIQUES / FINE ART Ralph Gierhards Königsallee 52 • DE-40212 Düsseldorf t +49 (0)211 32 04 64 • m +49 (0)173 282 75 27 info@gierhards.com • www.gierhards.com

Marie Tassaert (Antwerp, 1642-after 1665) A garland of fruit surrounding a bust of Bacchus in a stone niche, 17th century Oil on canvas within a carved giltwood frame 85 x 69.5 cm Provenance: private collection, Namur (Belgium)

A pietre dure cabinet Pietre dure: Florence, late 17th century Cabinet and stand: England, late 18th century Pietre dure, pietre tenere, ebonised oak, mahogany, brass, gilt metal Cabinet: H 65.1 x W 76.5 x D 41.9 cm Table: H 82.6 x W 81.3 x D 41.9 cm Provenance: Partridge Fine Arts, London 1985; This cabinet belonged to The Gilbert Collection, Victoria and Albert Museum, London 1991; private collection, Italy Literature: This cabinet is illustrated in Anna Maria Massinelli, The Gilbert CollectionHardstones, Philip Wilson Publishers in association with The Gilbert Collection, fig. 5; Baldini, Giusti and Pampaloni Martelli 1979, fig. 164; Kreisel 1970, fig. 186; Kunsthistorisches Museum 1987, p. 33 Exhibition: Los Angeles (USA), 1991 140

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GILDEN'S ART GALLERY 74 Heath Street • Hampstead • UK-London NW3 1DN t +44 (0)2074 353 340 • m +44 (0)7796 966 999 info@gildensarts.com • www.gildensarts.com

Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled SF73-287 (Tokyo), 1973 Acrylic and gouache on wove paper 37.4 x 55.2 cm Signed, dated and inscribed Archive n° SF73-287 Provenance: Kornfeld und Klipstein, Bern, Switzerland; Irving Galleries, Palm Beach, Florida; acquired from the above in 1987; private collection, United States of America 142

Alexander Calder (Lawnton 1898-1976 New York) Eclipse, 1961 Gouache on wove paper 55 x 74.5 cm Signed and dated lower right: Calder 61 This work is registered in the archive of the Calder Foundation with the application n° A11010 Provenance: Nicholas Guppy (19252012); acquired directly from the artist; Sotheby's Parke Barnet, 3 December 1981, lot 535; Renton Family, Thaxted, Essex, United Kingdom (after 1981) Exhibition: Calder, 12 July-10 August 1980, Kettle's Yard, Cambridge, cat. n° 17 (incorrectly titled Red moon)

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GOKELAERE & ROBINSON Golvenstraat 6 • BE-8300 Knokke-Zoute t +32 (0)50 65 83 88 info@gokelaererobinson.com • www.gokelaererobinson.com 34 Rue de Penthièvre • FR-75008 Paris t +33 (0)1 44 07 04 56 paris@gokelaererobinson.com

Hans Christian Hansen & Viggo Jørgensen (Denmark, 1901-1978 & 1902-1981) Pair of armchairs, 1936 Oak and fabric H 92 x W 80 x D 80 cm Manufactured by Johannes Hansen, Denmark Exhibition: Cabinetmaker Guild, Copenhague, 1936; Exposition Universelle, Paris, 1937 144

Hans Wegner (Denmark, 1914-2007) A set of eight armchairs 'The Chair', 1949 Oak and leather H 76 x W 48 x D 62 cm (each) Manufactured by Johannes Andersen

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GALERIE HADJER 102 Rue du Faubourg Saint-Honoré • FR-75008 Paris t +33 (0)1 42 66 61 13 • m +33 (0)6 99 57 86 86 contact@hadjer.fr • www.hadjer.fr

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 Victor Vasarely (Pecs 1908-1997 Paris) Vega-Fel, 1971 Wool Tabard workshop, Tapestry Aubusson, France Unique piece H 263 x W 260 cm Signed lower centre right: Vasarely Provenance: Victor Vasarely, Paris; Galerie Denise René, Paris; private collection, UK Literature: P. Benavides & M. Vasarely, Victor Vasarely, Catalogue raisonné 2, Multiples: Spatials and Remarkable Works, Venezuela, 2019, pp. 161-163, n° 2177

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Shell composition Conceived in 1938, realised in 1965 Wool Workshop Gisèle Glaudin-Brivet, Tapestry Aubusson/Savonnerie, Aubusson, France Fernand Leger on the back, bolduc workshop Unique piece H 262 x W 220 cm Certificate from the Comité Leger Provenance: private collection, USA

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MARC HEIREMANS Graaf van Egmontstraat 1 • BE-2000 Antwerp m +32 (0)478 28 03 08 info@marcheiremans.com • www.marcheiremans.com

Ann Van Hoey (Mechelen, 1956) Ruby series, 2023 Moulded cut and hand-formed stoneware, glazed H 19 x W 27 cm and H 25 x W 26 cm Provenance: the artist's workshop 148

Fulvio Bianconi (Padua 1915-1996 Milan) Pezzame (aka Spicchi) vase for Venini, Murano, 1951 Free-blown and hand-formed colourless glass with applied fused glass pieces H 22.5 x W 20.5 cm Provenance: private collection, Sweden Literature: Domus 272, August 1952; Bossaglia R. I vetri di Fulvio Bianconi, Allemandi 1993, n° 36; Heiremans M. Art glass from Murano 1910-1970; Arnoldsche 1993, n° 221 p. 268; Deboni F. Venini glass, Allemandi 1996, n° 109; Barovier M./Sonego C. Fulvio Bianconi at Venini, Skira 2015, p. 178 Exhibitions: IX Triennale di Milano in 1951; XXIV Biennale di Venezia 1952; Fulvio Bianconi at Venini, Venice 2015

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HEUTINK IKONEN Joost Heutink Ahnemstraat 21 • NL-8043 RE Zwolle t +31 (0)38 465 95 24 • m +31 (0)6 22 74 04 04 • m +31 (0)6 46 18 38 31 info@heutinkikonen.nl • www.heutinkikonen.nl

The Ladder of Divine Ascent Russia (Vyg), circa 1800 Egg tempera with gold leaf on a wooden panel surfaced with gesso and linen 35 x 31 cm This rare iconography is based on the work 'The Ladder of Divine Ascent' by the hermit John Climacus, who lived in the Sinai Desert in the seventh century. The work was a major influence on Orthodox Christianity, comparable to 'The Following of Christ' by Thomas à Kempis in Roman Catholicism. The icon shows how monks may get closer to Christ through several stages of asceticism (steps on the ladder) and ultimately reach heaven. Angels encourage the monks and pray for succour, while to the left of the ladder demons are attempting to lure the monks into succumbing to earthly temptations. The steadfast monk who reaches the top of the ladder is welcomed with open arms by Christ in heaven. The monks who surrender to the temptations of the world fall into the devil's wide-open mouth. The icon was probably meant as a reminder and encouragement for monastics to live a virtuous life.

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Ascension of Christ Russia (Yaroslavl), 17th century Egg tempera with gold leaf on a wooden panel surfaced with gesso and linen 72 x 48.5 cm This monumental icon shows an unusual division of planes. In the upper register, Christ is depicted in a green mandorla that is carried to heaven by two angels. The footprints in the earth beneath the mandorla show how Christ was still standing on the earth shortly before. The disciples left beneath gaze and point upwards

in wonder. Noticeably, the disciples are standing before the openings of a cave, a reminder of Christ's resurrection from the grave. Directly below Christ, the Mother of God is depicted, flanked by radiant white angels. She bows her head slightly and raises her hands in prayer and reception - a pose reminiscent of the Annunciation. Just as Mary received her divine child at that time, she now leaves him to return to his heavenly father.

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GALERIE HIOCO 7 Rue de Phalsbourg • FR-75017 Paris t +33 (0)1 53 30 09 65 • m +33 (0)6 99 66 88 16 • m +33 (0)6 64 89 76 20 info@galeriehioco.com • www.galeriehioco.com • www.plaisirdesthete.com

Stele of Uma Maheshvara Northeast India, Pala period, 9th-10th century Black stone H 59 cm Provenance: private collection, USA; then Sotheby's, 1988

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Buddha head Thailand, Lopburi period, 13th-14th century Sandstone H 35 cm Provenance: Vérité collection, France

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HUBERTY & BREYNE Place du Châtelain 33 • BE-1050 Brussels t +32 (0)2 893 90 30 • m +32 (0)478 31 92 82 contact@hubertybreyne.com • www.hubertybreyne.com 36 Avenue Matignon • FR-75008 Paris t +33 (0)1 40 28 04 71 19-21 Rue Chapon • FR-75003 Paris t +33 (0)1 71 32 51 98

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 Jean-Claude Götting (Paris, 1963) Enlacement 2, 2019 Acrylic on canvas 100 x 100 cm

Philippe Geluck (Brussels, 1954) Untitled, 2023 Acrylic on canvas 100 x 100 cm Signed lower right 155

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GALERIE HURTEBIZE Le Gray d'Albion • 17 La Croisette • FR-06400 Cannes t +33 (0)4 93 39 86 84 • m +33 (0)6 09 94 14 72 info@hurtebize.net • www.galerie-hurtebize.com

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 Alfred Sisley (Paris 1839-1899 Moret-sur-Loing) Matinée d'octobre près de Port-Marly, 1876 Oil on canvas 46.5 x 54.3cm Signed lower left: Sisley Provenance: Durand-Ruel and Co. Gallery, Paris; Feder & Picq, Paris; Galerie Durand-Ruel et Cie., Paris, June 1892; Martin A. Ryerson, Chicago, August 1892; Durand-Ruel Galleries, New York, March 1893; J.M. Schley, New York, February 1899; Katherine Schley Variell, New York by descent from previous owner, August 1915; Brick Store Museum, Kennebunk, Maine by bequest of previous owner, 1960; sale, Sotheby's, London, April 24, 1963; O'Hana Gallery,

London; acquired from the latter by the family of the last owner, October 1963 Literature: F. Daulte, Alfred Sisley: Catalogue raisonné of the painted work, Lausanne, 1959, n° 224 (ill. titled Morning of October); S. Brame and F. Lorenceau, Alfred Sisley: Critical catalogue of paintings and pastels, Paris, 2021, p. 118, n° 236, ill. p. 43 Exhibitions: New York, Galeries Durand-Ruel, Works by Alfred Sisley, February-March 1899, n° 23; Waterville, Colby College Bixler Art and Music Center, 1961-62 (on extended loan); London, O'Hana Gallery, Summer Exhibition of French Paintings and Sculpture of the Nineteenth and Twentieth Centuries, June-September 1963, n° 52

Hans Hartung (Leipzig 1904-1989 Antibes) T1988-K10, 1988 Acrylic on canvas 114 x 146 cm Signed and dated onto the back Certificated by the Hartung-Bergman Foundation Provenance: private collection, Italy

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GALERIE JAMAR Cockerillkaai 16 • BE-2000 Antwerp m +32 (0)477 33 74 61 jos.jamar@pandora.be • www.galeriejamar.be

Panamarenko (Antwerp 1940-2019 Brakel) The Aeromodeller, 2019 Digital print on canvas Digital print on aluminium 159 x 100 cm Signed on the back

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Jef Geys (Leopoldsburg 1934-2018 Genk) Doll in polyester, 1966-2005 Doll yellow-red-blue on silver H 185 x W 19 cm Drawing on brown wrapping paper H 179 x W 79 cm Signed bottom right 159

RODOLPHE JANSSEN Rue de Livourne 35 & 32 • BE-1050 Brussels t +32 (0)2 538 08 18 info@rodolphejanssen.com • www.rodolphejanssen.com

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 Jason Saager (USA, AZ, Mesa 1982) Cloudy Afternoon, 2023 Monotype and oil on paper mounted over canvas on panel H 70 x W 50 x D 4.5 cm Courtesy of the artist and rodolphe janssen, Brussels

Guy Degobert (Belgium, 1914-1988) Moutarde Grey Poupon, 1974 Oil on canvas 130 x 65 cm Courtesy of rodolphe janssen, Brussels 161

FRANCIS JANSSENS VAN DER MAELEN Rue Bodenbroek 22/8 • BE-1000 Brussels t +32 (0)2 502 71 80 • m +32 (0)475 48 62 00 jvdm@fineartsilver.com • www.fineartsilver.com

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Henry van de Velde (Belgium, Antwerp 1863-1957, Oberägeri, Switzerland) Art Nouveau flat desk (detail), circa 1898 Sycamore wood, double-sided, the top is covered with black leather in its centre 129.50 x 73 cm Certificate of authenticity from Professor Klaus-Jürgen Sembach This desk is a variation of a games table that was in the collection of Villa Esche Provenance: private collection, France

Palais des Beaux-Arts, 19 December 1980-15 February 1981, p. 266 n° 143; Wolf D. Percher, Henry van de Velde-Das Gesamtwerk, Edition Factum, p. 94, ref 1318, p. 151, ref. 3406, p. 229, ref. 1317. This desk will be presented in a book about Henry van de Velde written by Bea Maybach from the Bauhaus-Museum in Weimar in Germany Exhibition: L'Art Nouveau en Belgique, Brussels, Palais des Beaux-Arts, 19 December 1980-15 February 1981

Literature: Catalogue of the exhibition L'Art Nouveau en Belgique, Brussels,

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GALERIE KALÉIDOSCOPE 19 Rue Mazarine • FR-75006 Paris m +33 (0)6 65 15 64 24 contact@galeriekaleidoscope.com • www.galeriekaleidoscope.com

Antonio Recalcati (Bresso 1938-2022 Milan) Slip, 1961 Oil on canvas 80 x 60 cm Provenance: estate Antonio Recalcati Literature: on request Exhibitions: (non exhaustive list) 1976, Paris, Centre National d'Art Contemporain/ Musée National d'Art Moderne, Recalcati, Empreintes; 1987, Milan, Palazzo Reale, Recalcati-Dall' impronta all'immagine; 1990, Milan, Galleria d'Arte Moderna Farsetti, Antonio Recalcati; 1999, La Seyne-sur-mer, Villa Tamaris, Antonio Recalcati, 1959/1999Mano a Mano; 2004, Milan, Galleria Gruppo Credit Valtellinese, Refettorio delle Stelline, Antonio Recalcati-La passione della libertà; 2018, Paris, Guttklein Fine Art, Antonio Recalcati

Jacques Grinberg (Bulgaria, Sofia 1941-2011 Paris) The Stiched Man, 1968 Oil on canvas 92 x 73 cm Provenance: private collection, Bertha Urdang, Israel; private collection, France Literature: Jacques Grinberg-ŒUVRES// WORKS, Cohen & Cohen, Paris, 2012; Jacques Grinberg | Mao To Laï | Maryan, exhibition catalogue, Galerie Kaléidoscope, Paris, 2019; Jacques Grinberg | Panorama | 1964-2010, exhibition catalogue, Galerie Kaléidoscope, Paris, 2021; Stoullig Claire, Lang Luc, Art Cruel, exhibition catalogue, Musée Jenish Vevey, Suisse, 2022 Exhibitions: Paris, 2019, Galerie Kaléidoscope, Jacques Grinberg | Mao To Laï | Maryan; Paris, 2021, Galerie Kaléidoscope, Jacques Grinberg | Panorama | 1964-2010 164

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KUNSTHAUS KENDE Christopher Kende Bei der Fruchtschranne 10 • DE-72070 Tübingen t +49 (0)163 26 79 746 info@kunsthaus-kende.de • www.kunsthaus-kende.de

Josef Hoffmann (Czech Republic, Brtnice 1870-1956 Vienna, Austria) For the Wiener Werkstätte Decorative basket in 'Cloverleaf' pattern, Vienna, 1910 900 grade silver basket H 12.1 x W 18.7 x D 12.5 cm The design drawing for the object is in the inventory of the MAK, Vienna under the number KI 12031-26. According to the calculation book of the Wiener Werkstätte, seven examples of this basket were made in 1910 Provenance: American private collection 166

Ryuhei Sako (Japan, Okayama Prefecture 1976) Mokume-gane vases, 2022 Silver, copper, shakudo, shibuichi, kuromido Small vase: H 12.8 x Ø 10.4 cm Large vase: H 20.1 x Ø 10.2 cm Provenance: the artist's property Works by Ryuhei Sako form part of the inventory of the Victoria & Albert Museum, London, as well as of the Metropolitan Museum of Art, New York

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GALERIE KEVORKIAN 21 Quai Malaquais • FR-75006 Paris t +33 (0)1 42 60 72 91 contact@galeriekevorkian.com • www.galeriekevorkian.com

Two zoomorphic finials Finial with rampant ibexes and finial with confronted ibexes and pin with a doubleheaded feline framed by antelope protomes Bronze Luristan, Iron Age II, early 1st millennium BC H 14 and H 21 cm Provenance: former collection of M. & R. Stora, Paris, before 1938; collection of Dr. C. assembled between 1960 and 1993, Paris Literature: A.U. Pope, A survey of Persian Art, vol. VII, 1938, pl. 44 C

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'Buff ware bowl' with seated figure, animals and inscriptions Persian art, Samanid dynasty Earthenware pottery, painted in black, yellow and green under a transparent glaze Eastern Iran (Khurasan), Nishapur, 10th century H 6.2 cm; Ø 18.2 cm Provenance: former collection P.M., Paris; Hôtel Drouot, 10 July 1980, lot 9

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HAROLD T'KINT DE ROODENBEKE Rue Ernest Allard 31 • BE-1000 Brussels m +32 (0)475 34 01 11 h.k@skynet.be • www.haroldtkint.com

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 Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La danse macabre, 1934 Watercolour and ink on paper 59.5 x 75 cm Signed and dated lower right: Spy 2-34 Provenance: Walter Delvaux, artist family; sale Sotheby's, 6 February 2014, lot 469; private collection Important and early composition from 1934, a key year for Delvaux's development of his surrealist world

Serge Poliakoff (Moscow 1900-1969 Paris) Abstract, 1968 Oil on canvas 81 x 65 cm Signed lower center Certificate from Alexis Poliakoff, artist's son Catalogue raisonné of the artist Provenance: Galerie Melki, Paris; Galerie Triades, Knokke; Galerie Guillebeaudon; Christian de Quai, Paris; private collection, Switzerland

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FLORIAN KOLHAMMER Plankengasse 7 • AT-1010 Vienna t +43 1 513 32 69 • m +43 676 770 80 70 info@floriankolhammer.com • www.floriankolhammer.com

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 Georg Klimt (Vienna, 1867-1931) Pair of Secessionist reliefs, circa 1900 Designed and executed by Georg Klimt, the brother of Gustav Klimt Chased and patinated copper H 48 x W 15 cm

Johann Loetz Witwe Vase Phänomen Genre 356, circa 1900 Designed and executed by Johann Loetz Witwe, Klostermühle, Bohemia Mould-blown, freeform, reduced and iridescent glass H 23.5 x Ø 14 cm Signed underneath 'Loetz Austria' Literature: A. Adlerova, E. Ploil, H. Ricke, T. Vlcek (ed.), Loetz-Böhmisches Glas 18801940, vol. II, paper pattern catalogue, Prestel, Munich 1989, paper pattern 420, p. 95 173

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ALEXIS LARTIGUE FINE ART 32 Avenue Matignon • FR-75008 Paris m +33 (0)6 17 90 16 88 galerie@alexislartigue.com • www.alexislartigue.com

Simon Hantaï (Hungary, Bia 1922-2008 Paris, France) Untitled, 1971 Watercolour on canvas 85 x 73 cm Monogrammed and dated Certificate from Daniel Hantaï Provenance: private collection, Paris

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Alexander Calder (Lawnton 1898-1976 New York) Untitled, 1967 Gouache on paper 77 x 110.5 Signed and dated N° Archive A18199 Provenance: private collection, Paris

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GALERIE BERTRAND DE LAVERGNE 17 Rue des Saints-Pères • FR-75006 Paris t +33 (0)1 42 60 21 63 • m +33 (0)6 07 16 76 77 bertrand.de.lavergne@wanadoo.fr • www.bertranddelavergne.com

Set of seven Chinese pendants for Court Ladies Turquoise, agate, amethyst, carnelian, smoked and citrinated rock crystal, jadeite and bi-colored tourmaline depicting a goddess, different animals, fruits or aquatic plants, some with their original mounts China, late Qing dynasty (1644-1912) From 4 to 5.5 cm

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Chinese Blanc de Chine porcelain group Representation of a gallant scene of Dutch characters holding glasses in their hands, seated on each side of a table on which a checkerboard is placed; their servants on both sides and in front of them, a dog, a monkey and a plant China, Dehua kilns (Fujian province), Kangxi period (1662-1722) H 14.5 x W 15.5 x D 8 cm

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LEMAIRE Jean Lemaire @ Costermans Place du Grand Sablon 5 • BE-1000 Brussels t +32 (0)2 511 05 13 • m +32 (0)496 61 41 56 lemairesa@skynet.be • www.lemairesa.com

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 Gilt-bronze mounted Meissen porcelain group Scene representing four figures involved in making perfume with still, cauldron and stove Circa 1750-1760 H 14.3 x W 12.5 x D 12.5 cm

Two Vincennes porcelain jardinières fitted with porcelain flowers France, Louis XVI period Soft paste porcelain jardinière with pink monochrome decoration holding porcelain flowers on painted metal stems H 9.3 and H 9.5 cm; overall 26.8 cm Marked with a double L in blue bearing the letter-date C for 1755-56 Marked by the painters Jean-Charles Sioux l'aîné (French, active from 1752 to 1792) and Mutel (active from 1754 to 1759). 3rd size A flower jardinière with the same decoration has been published by GWILT (J.), Vincennes and Early Sèvres Porcelain from de Belvedere Collection, V & A Publishing, 2014, p. 147 179

FRANCIS MAERE FINE ARTS Hotel Falligan - 1st Floor • Kouter 172 • BE-9000 Ghent t +32 (0)9 233 09 93 • m +32 (0)475 69 23 05 info@francismaerefinearts.be • www.francismaerefinearts.be

Fernando Botero (Medellin 1932-2023 Monaco) Lying nude, 1985 Bronze H 35 x W 60 x D 23 cm Signed and numbered: Botero 3/6 Provenance: collection Emile Veranneman, Kruishoutem; private collection, Belgium Literature: Exhibition catalogue, Botero, Emile Veranneman, Kruishoutem, 1990 Exhibition: 1990 Kruishoutem, Stichting Emile Veranneman, Fernando Botero 180

Paul Delvaux (Antheit 1879-1994 Veurne) Femmes devant la mer, 1928 Oil on canvas 80 x 100 cm Signed and dated upper right: P. DELVAUX 28 Provenance: Jean Giron, Brussels; private collection, Belgium Literature: A. Eggermont, Les arts plastiques in Le Thyrse, Brussels, March 1931, p. 104; M. Butor, J. Clair, S. Houbart-Wilkin, Paul

Delvaux-catalogue de l'oeuvre peint, Cosmos Monographies, Brussels, 1975, cat. n° 35, p. 156 Exhibitions: 1928 Brussels Galerie Manteau, Paul Delvaux et Robert Giron, 1931 Brussels Palais des Beaux-Arts, Paul Delvaux, 1969 Paris, Musée des Arts décoratifs; 1974, Sint Martens Latem, Georges Buysse Gallery, Delvaux, Spilliaert, Pérot; 1985 Paris, Centre Culturel Wallonie-Bruxelles, Hommage à Paul Delvaux

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GALERIE MARC MAISON 75 Rue des Rosiers • FR-93400 Saint-Ouen sur Seine m +33 (0)6 60 62 61 90 • m +33 (0)6 60 91 64 40 marcmaison@gmail.com • www.marcmaison.com • www.marcmaison.art

Victor Horta (Ghent 1861-1947 Brussels) Suite of three paneled rooms including two fireplaces, a pair of sideboards, a stainedglass ceiling and windows, a screen with period fabric Circa 1903 Mahogany, oak and maple, bronze, marble, american glass, fabric: moiré damask Four original gilded plaster statuettes by Pierre Braecke surmount the sideboards Surface: approximately 80 sq meters H 3.80 m Provenance: Kortrijk, Belgium

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MARUANI MERCIER Avenue Louise 430 • BE-1050 Brussels t +32 (0)2 512 50 10 • m +32 (0)473 97 72 36 • m +32 (0)475 25 16 75 serge@maruanimercier.com • www.maruanimercier.com Kustlaan 90 • BE-8300 Knokke-Zoute m +32 (0)473 97 72 36 serge@maruanimercier.com THE WAREHOUSE by MARUANI MERCIER Lambroekstraat 5 • BE-1930 Zaventem t +32 (0)2 512 50 10 desk@maruanimercier.com

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 Paul Mogensen (Los Angeles, 1941) Untitled, 2021 Cadmium orange in stand oil and ivory black gouache on canvas 183 x 183 cm

Peter Halley (New York, 1953) Unlocked, 2023 Acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas 186.7 x 161.3 cm

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GALERIE MATHIVET Céline & Fabien Mathivet 6 Rue Bonaparte • FR-75006 Paris t +33 (0)1 43 54 19 00 • m +33 (0)6 07 50 38 13 galeriemathivet@gmail.com • www.galeriemathivet.com

Maison DOMINIQUE (Paris, maison de décoration founded in 1922, closed in 1970) Chair, circa 1928 Mahogany and silvered bronze H 56 x W 45 x D 56 cm Provenance: private collection, Paris Literature: Felix Marcilhac, Dominique, Edition de l’Amateur, 2008, model repr. pp. 130, 134, 137 The same chair in pear wood is part of the collections of the Brohan-Museum in Berlin, Germany

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Carlo Bugatti (Milan 1856-1940 Molsheim) Side table, circa 1902 Parchment stool with polychrome decoration of dragonflies, enhanced with gilding and stamped copper with rectangular top. Lateral X-shaped base with a large circular lower part in copper and stamped brass H 39 x W 44 x D 44 cm Signed with the stamp: Marca depositata Bugatti Carlo

Provenance: French collection Literature: Fabbrica italiana mobili artistici-A. De Vecchi e C. (gia C. Bugatti & C.), trade catalogue, Milan, circa 1902-1905, repr. under n° 699 (n.p.); M-M Massé, Carlo Bugatti au Musée d'OrsayCatalogue sommaire illustré du fonds d'archives et des collections, Musée d'Orsay & RMN, Paris, 2001, repr. pp. 72 and 99

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MEARINI FINE ART Via Cesare Fani 10 • IT-06122 Perugia m +39 329 85 14 055 mearinifineart@gmail.com • www.mearinifineart.com Corso Vannucci 10 • IT-06121 Perugia

Pair of pseudo-Corinthian capitals with acanthus foliage and palmettes North Adriatic, second half of the 11th-first half of the 12th century White marble (possibly spolia marble) H 40 x W 40 x D 47 cm Diameter of the inferior bases 27/28 cm Condition: good, except for small losses at the tips of several leaves and larger losses on the abaci, at the corners and at certain points of the edges Provenance: private collection, Italy Literature: Full report by Prof. Guido Tigler, University of Florence

Bartolomeo di Giovanni D'Astore called Baccio da Montelupo (Montelupo Fiorentino 1469-1536 Florence) Crucifix, circa 1515 Wood, plaster and paper 81.5 x 81.5 cm Provenance: private collection, Italy Literature: David Lucidi, Baccio da Montelupo, Tau, 2022, pp. 154, 342, 343, 413, 414

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MEESSEN DE CLERCQ Olivier Meessen Rue de l’Abbaye 2A • BE-1000 Brussels t +32 (0)2 644 34 54 • m +32 (0)473 52 49 19 info@meessendeclercq.be • www.meessendeclercq.be

Namsal Siedlecki (USA, Greenfield 1986) Gandhãra, 2023 Electrodeposited copper Circa 27 x 16 x 17 cm Provenance: the artist's studio

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Thu Van Tran (Vietnam, Ho Chi Minh City 1979) Colors of grey, 2023 Linen, plaster and lime, Cd orange, ultramarine blue pigments, Co blue, neon magenta, violet, phthalo green, Cd green, Ni green, earth green, Ti white 130 x 195 cm Provenance: the artist's studio

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MONTAGUT GALLERY Calle Enrique Granados 49 • ES-08008 Barcelona t +34 93 141 43 19 info@galeriamontagut.com • www.galeriamontagut.com

Baule figure Baule people, Ivory Coast, 19th century Wood H 60 cm Provenance: André Blandin (1930-2015), France; Lucien Van de Velde, Antwerp, Belgium, end 1960s-1970; Marc Sherman, New York, acquired in 1982; Pace Gallery, New York; collection Patrick & Béatrice Caput, France, 1999; private collection, France Literature: Boyer (Alain-Michel), Miroirs de l'invisible: la statuaire baoulé. Arts d'Afrique Noire, nº 45; Exhibition catalogue: ObjetosSignos de Africa, Zaragoza, 2000: #27; François Neyt, Trésors de Côte d'Ivoire, Fonds Mercator, 2014 #174; Patrick Caput & Valentine Plisnier, Arts d'Afrique. Portraits d'une Collection, Milan: 5 Continents, 2016 Exhibition: Zaragoza, Spain: ObjetosSignos de Africa, Centro de Exposiciones y Congresos, 11 April-24 June 2000

Jukun figure Jukun people, Nigeria, 17th century Wood, metal H 96 cm Provenance: Roger Azar collection, Paris; private collection, USA; Adrian Schlag collection, Brussels; Dr. Tibor Kiss collection, Vienna Literature: Liliana Albertazzi, Roger Azar. Galeries Magazine, nº 30, April-May 1989; Kevin Conru, Anonymous Collectors, Brussels, 2007; Exhibition catalogue: Suintante, Adrian Schlag, Brussels, 2015 192

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GALERIE MONTANARI 8 Rue de Miromesnil • FR-75008 Paris t +33 (0)1 49 24 07 52 • m +33 (0)6 80 24 50 82 galerie@montanaricadres.com • www.montanaricadres.com

Antique frame Marquetry frame with original mirror Spruce core and fruitwood marquetry Italy, 17th century H 46 x W 32 cm

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Antique frame Oval frame with cherub on pediment, garland of flowers and laurels Carved wood and fine gold gilding Italy, 17th century 36.5 x 32 cm (outside)

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JAN MULLER ANTIQUES Burgstraat 24 • BE-9000 Ghent m +32 (0)496 26 33 24 info@janmullerantiques.com • www.janmullerantiques.com

Master of the Von Groote Adoration (Antwerp, active between 1500-1530) The crucifixion Oil on oak panel, original frame 88 x 59 cm - framed: 99.5 x 71.5 cm Peter van den Brink has helped for cataloging this painting Label on the back Wallraf-Richartz-Museum, Gemälde-Inventar 1927 n° 427 Provenance: legacy of Ferdinand Franz Wallraf in 1824. Gift to the city of Cologne; sale 1976. Madrid, Berkowitsch, auctioned as the Master of 1518

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Jacob Marrel (Frankenthal 1614-1681 Frankfurt am Main) Still life with a basket of fruit, sea shells and a lizard Oil on panel 74 x 49 cm Signed with monogram 'JM* f' Provenance: with Julius Böhler, Munich, 1981

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KLAAS MULLER Minimenstraat 32 • BE-1000 Brussels m +32 (0)478 38 18 29 muller.antiques@skynet.be • www.klaasmuller.com

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 Daniël Seghers (Antwerp, 1590-1661) and Cornelis Schut (Antwerp, 1597-1655) Portrait of the Virgin and Child, supported by Cherubs with a Flower Garland Oil on canvas 127 x 104 cm Provenance: collection of Willem de Blasere, Lord of Hellebus, Ghent, circa 1635, and recorded in Seghers’ inventory as n° 135; Galerie Marcus, Paris, 1970-1974; private collection, Belgium Literature: Diary of Daniel Seghers in W. Couvreur, ‘Daniel Seghers’ inventaris van door hem geschilderde bloemstukken’, in Gentse bijdragen tot de kunstgeschiedenis, vol. XX, 1967, p. 112, n° 135; M.-L. Hairs, Pour un tricentenaire, D. Seghers, in revue Belge d’archéologie et d’histoire de l’art, Liège 1960; M.-L. Hairs, Dans le sillage de Rubens, les peintres d’histoire anversois au XVIIe siècle, Liège 1977, p. 213; M.-L. Hairs, The Flemish Flower Painters in the XVIIth Century, Brussels 1985, pp. 125–29, cat. n° 33, a detail reproduced p. 130; G. Wilmers, Corneli Schut (1597–1655): a Flemish Painter of the High Baroque, Belgium 1996, pp. 172–73, cat. n° A108, repr. p. 413 (erroneously as cat. n° A110); The golden age of Flemish painting. Taichung (Taiwan), 1988, p. 151 (repr. in colour) Exhibitions: Cologne, Wallraf-RichartzMuseum, 4 September–22 November 1992; Antwerp, Koninklijk Museum voor Schone Kunsten, 12 December 1992–8 March 1993; Vienna, Kunsthistorisches Museum, 2 April– 20 June 1993, Von Bruegel bis Rubens, n° 99.1; Taichung, National Taiwan Museum of Fine Arts, The Golden Age of Flemish Painting, 1988, n° 54

Joris Van Son (Antwerp, 1623-1667) Flower and fruit garland around a cartouche Oil on canvas 65 x 50 cm Provenance: Queen Desideria of Sweden (1777-1860) 199

GIOIELLERIA NARDI Piazza San Marco 69 • IT-30124 Venice t +39 041 52 25 733 • m +39 348 2727 910 info@nardi-venezia.com • www.nardi-venezia.com

Letters from Venice ring Rose gold and 203 diamonds. The significance of this unique ring lies in the fact that it opens, containing a message. In fact it comes with two letters, one with a sentence by Virgil; Omnia Vincit Amor, whilst the second can be a personalised message by the customer

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Geisha brooch/pendant Gold, enamel, engraved turquoise, brilliants, rubies and sapphires Its central part represents a fan that opens using micro mechanisms to reveal a branch underneath, symbolising a cherry tree in blossom 201

NEW HOPE GALLERY Rue Américaine 26-28 • BE-1060 Brussels m +32 (0)477 55 90 02 info@new-hope.be • www.new-hope.be

Paul Evans (USA, 1938-1987) Sculpted front cabinet Hammered cut iron, acid patina, gold leaf, slate New Hope, USA, 1970 Signed and dated 202

George Nakashima (USA, 1905-1990) Plank daybed with one arm American black walnut, Japanese indigo textile, plywood New Hope, USA, 1958

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NOSBAUM REDING Rue de la Concorde 60 • BE-1050 Brussels t +32 (0)2 411 11 85 • m +352 621 461 517 (Alex Reding) • m +32 (0)479 57 03 27 (Louis Buysse) reding@nosbaumreding.com • www.nosbaumreding.com 2+4 Rue Wiltheim • LU-2733 Luxembourg t +352 28 11 251

Fatiha Zemmouri (Casablanca, 1966) Les tournesols, 2022 Earth and pigment on wood 152 x 81 cm Provenance: the artist's studio Exhibition: Fatiha Zemmouri, HorsSol, Nosbaum Reding Luxembourg, 8 November 2022-7 January 2023

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Manuel Ocampo (Philippines, 1965) Don't give them any puzzle, 2002 Oil on canvas 196 x 248 cm Provenance: the artist's studio Literature: Slow Paintings, ed. Markus Heinzelmann, Museum Morsbroich, Verlag für moderne Kunst Nürnberg, 2009; Manuel Ocampo. Fear of a Kitsch Existence, ed. Menene Gras Balaguer, Casa Asia, Barcelona, 2017, p. 215; Manuel Ocampo, Wunderkammer, Gesellschaft für Gegenwartskunst e. V., Augsburg, Munich, 2003, pp. 24-25 Exhibitions: Group exhibition, Slow Paintings, Museum Morsbroich, Leverkusen, Germany, 24.11.2009-7.2.2010; Solo exhibition, Sprüth Magers Projekte, Munich, Germany, 2003; Solo exhibition, Wunderkammer, Gesellschaft für Gegenwartskunst e. V., Augsburg, Germany, 7 May-15 June 2003 205

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DR. NÖTH KUNSTHANDEL + GALERIE Michael Nöth By appointment only • Hoechstetterstraße 16 • DE-91522 Ansbach t +49 (0)981 156 33 noeth-ansbach@t-online.de • www.artnoeth.de Humboldtstraße 4 • DE-14467 Potsdam t +49 (0)331 201 530 60 galerie@artnoeth.de

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 Erich Heckel (Döbeln 1883-1970 Radolfzell/Bodensee) Chinese artists, 1928 Watercolour, gouache, Indian ink, brown and grey wash on paper 54.5 x 70 cm Titled, signed and dated lower right: Chines. Artisten, Heckel 28 The Erich Heckel Foundation in Hemmenhofen has confirmed that the watercolour is authentic and has been registered in the archives of the estate. Certificate of authenticity by Hans Geissler and Renate Ebner from January 2014 Provenance: acquired directly from the artist in 1930 by Arthur Drey, Wiesbaden and Frankfurt. Drey (1890-1965) was a playwright and writer and an early collector of German Expressionism; thence by descent

Albert Marquet (Bordeaux 1875-1947 Paris) Le Jardin à l'Estaque, 1918 Oil on board 32.8 x 41 cm Signed lower left: Marquet, titled and signed on the reverse: Jardin à l'Estaque d'Albert Marquet This work is accompanied by an original attestation of inclusion from the Wildenstein Plattner Institute, and it will be included in the forthcoming Albert Marquet Digital catalogue raisonné. WPI Reference n° 21.10.14/20934, 20 January 2022

Me Antoine Ader, Me Jean-Louis Picard, Me Jacques Tajan, Palais Galliera, Paris, Tableaux Modernes, Aquarelles et Dessins modernes, November 26, 1976, n° 104; private collection, Paris; Galerie Boulakia, Paris, acquired from the above, 1988; Galerie de la Présidence, Paris; private collection, Woodside, California, acquired from the above, 1989; thence by descent to the present owner, Carmel, California Exhibition: Galerie Couleur du Temps, Paris, Marquet et quelques maîtres contemporains [Exposition inaugurale], March 21-April 15, 1944, n° 6 (as Jardin de l'Estaque)

Provenance: Galerie Druet, Paris; René Keller, Director of Galerie Druet, Paris; private collection, France, gift from the above; Galerie Couleur du Temps, Paris, circa 1944; Sale: Me Etienne Ader, 207

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OPERA GALLERY 10-12 Place Longemalle • CH-1204 Geneva t +41 (0)22 318 57 70 • m +41 (0)79 379 55 11 geneve@operagallery.com • www.operagallery.com

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 Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La Fin du Voyage, 1968 Oil on canvas 165.1 x 145 cm Signed: P. DELVAUX and dated 10-68 on the lower right; signed again, titled and dated: 1968 on the stretcher Provenance: Mr. and Mrs. Morton D. May, St. Louis, USA, by 1969; Marlborough Gallery, London; Don Bartolomé March, Madrid (until at least 1991); Christie's London, 3 February 2003, lot 168; Collection of Paul Yeou Chichong

Literature: Jerrold Lanes, New York, The Burlington Magazine, vol. CXI, n° 794, May 1969, p. 325, ill.; Michel Butor, Jean Clair, Suzanne Houbart-Wilkin, Delvaux, Catalogue de l'oeuvre peint, Brussels, 1975, n° 309, p. 271, ill.; Jacques Sojcher, Paul Delvaux ou la passion puérile, Paris, 1991, p. 78, ill.

Hermann Nitsch (Vienna 1938-2022 Mistelbach) BFGP_26_21, 2021 Acrylic on canvas 200 x 300 cm Provenance: acquired directly from the artist

Exhibitions: New York, Staempfli Gallery, Paul Delvaux, 1969, n° 15; Madrid, Fundacion Juan March; Barcelona, Funacio Caixa Catalunya and Florence, Pallazzo Corsini, Delvaux, 1998, n° 72, p. 113, ill. in colour

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OSBORNE SAMUEL GALLERY 23 Dering Street • UK-London W1S 1AW t +44 (0)207 493 79 39 • m +44 (0)7831 407 120 • m +44 (0)7946 873 192 info@osbornesamuel.com • www.osbornesamuel.com

Henry Moore (Castleford 1898-1986 Much Hadham) Reclining Woman N° 2, 1980 Bronze H 15 x W 29 x D 15 cm Edition of 9 + 1, cast by Morris Singer Foundry Provenance: the artist's studio; The Goodman Gallery, Johannesburg, 1981; private collection, London (acquired from the above); Osborne Samuel, London Literature: John Hedgecoe, A Monumental Vision: The Sculpture of Henry Moore, Collins & Brown, London, 1998, p. 224, cat. n° 685 (ill. col. p. 245); A Bowness (ed), Henry Moore: Volume 6 Complete Sculpture 1980-86, Lund Humphries, London, 1988, p. 40, cat. n° 811 (ill. b&w p. 41)

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Lynn Chadwick (London 1914-2003 Lypiatt Park) Maquette for Winged Figures II, 1956 Iron and composition H 42 x W 28 x D 24 cm Unique Provenance: the artist's studio; private collection, Paris, circa 1957 (acquired directly from the above); The Dina & Raphael Recanati Family Foundation; Osborne Samuel, London Literature: Dennis Farr and Eva Chadwick, Lynn Chadwick: Sculptor, With a Complete Illustrated Catalogue 1947-2003, Farnham, 2014, p. 139, cat. n° 207 (ill. b&w) Exhibition: Amsterdam, Stedelijk Museum, Hitchens and Chadwick, March-May 1957, n° 48 211

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GALERIA JORDI PASCUAL C/ Enric Granados 47 • ES-08008 Barcelona t +34 93 272 02 09 • m +34 607 89 55 86 galeria@jordipascual.com • www.galeriajordipascual.net

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 Antoni Tàpies (Barcelona 1923-2012) Cap amb paper encolat, 1987 Paint, pencil and collage on canvas 54 x 65 cm Provenance: private collection, Barcelona Literature: Agustí, Anna. Tàpies. Obra completa, vol. 6, 1986-1990, Fundació Antoni Tàpies and Edicions Polígrafa S.A, 2000, p. 153, fig. 5465

Joan Miró (Barcelona 1893-1983 Palma de Mallorca) Peinture, projet pour une tapisserie, 1973-1974 Paint, oil and wool on wood 197 x 122 cm Provenance: private collection Literature: Lelong, Daniel. Joan Miró. Catalogue raisonné. Paintings, vol. V, 1969-1975, Successió Miró, 2003; p. 238, fig. 1641 213

LA PATINOIRE ROYALE | GALERIE VALÉRIE BACH Valérie Bach Rue Veydt 15 • BE-1060 Brussels t +32 (0)2 533 03 90 • m +32 (0)486 29 68 39 valerie@prvbgallery.com • www.prvbgallery.com

Lita Albuquerque (Santa Monica, 1946) On a sliver of sun, she travels toward the moon, 2021 24kt gold leaf on resin and pigment on panel 2.10 x 2.10 m Provenance: the artist's studio Exhibitions: Lita Albuquerque: Liquid Light; Collateral Event of 59th La Biennale di Venezia, Biennale Arte 2022; Presented by bardLA, Los Angeles, California. Curated by Elizabeta Betinski and Neville Wakefield

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Michel Mouffe (Brussels, 1957) Tous les matins du monde, 2015 Mixed technique on canvas (9x) H 70 x W 43 cm, in total: H 70 x W 495 cm Provenance: the artist's studio Literature: Alphabet, 2017, Conversation Joel Benzakin and Michel Mouffe; Tous les matins du monde, exhibition catalogue, Galerie La Patinoire Royale Bach Exhibition: Michel Mouffe: Tous les matins du monde, Galerie La Patinoire Royale Bach, 2023 215

PAULINE'S JEWELLERY BOX Pauline Janssen By appointment only • BE-Brussels m +32 (0)478 87 93 52 info@paulinesjewellerybox.com • www.paulinesjewellerybox.com

Late 19th century emerald & diamond tiara

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Art Nouveau amethyst, ruby and diamond dragonfly brooch 217

GALERIE ALEXIS PENTCHEFF Pavillon de la Reine Jeanne • 10 Chemin du Génie • FR-13007 Marseille t +33 (0)4 91 42 81 33 • m +33 (0)6 82 72 95 79 • m +33 (0)6 08 28 58 85 a.pentcheff@gmail.com • www.galeriepentcheff.fr

Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La mise au tombeau, 1953 Oil, gouache, watercolour and ink on paper laid on canvas 68 x 120 cm Signed and dated lower right Certificate of authenticity issued by the Paul Delvaux Foundation dated 24 June 2017 218

Provenance: private collection, France Preparatory work for 'La mise au tombeau', kept at La Boverie, Musée des BeauxArts de Liège. A work on the same theme, La mise au tombeau, 1951, can also be found in the Musée d'Ixelles

Albert Marquet (Bordeaux 1875-1947 Paris) L'Estaque, 1918 Oil on canvas 46 x 65.5 cm Signed lower right Certificate of inclusion in the digital catalogue raisonné being prepared by the Wildenstein Plattner Institute dated 2 February 2018

Provenance: sale Champain-Lombrail, Enghien-les-Bains, November 1979; private collection, Switzerland; Galerie Pentcheff, Marseille, 2015; private collection

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GUY PIETERS GALLERY Albertplein 15 • BE-8300 Knokke-Zoute t +32 (0)50 80 00 10 • m +32 (0)50 61 28 00 • m +32 (0)495 22 62 26 info@guypietersgallery.com • www.guypietersgallery.com Zeedijk 753 • BE-8300 Knokke-Zoute t +32 (0)50 62 33 80 • m +32 (0)484 13 34 68 Zeedijk 755 • BE-8300 Knokke-Zoute t +32 (0)50 80 00 15 • m +32 (0)484 13 34 68

Alexander Calder (Lawnton 1898-1976 New York) Untitled, 1972 Gouache and ink on paper 75 x 110 cm The authenticity of this work has been confirmed by the Calder Foundation in New York with reference number A12924 in their archives 220

Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) Alésia ou les captives, 1973 Watercolour and ink on paper 67 x 100 cm Certificate of authenticity established by the Paul Delvaux Foundation, SaintIdesbald, Belgium on May, 25th, 1985 Literature: Paul Delvaux, catalogue of the Paul Delvaux exhibition in Japan (various museums) from 1 November 1989 to 13 May 1990 Exhibition: Paul Delvaux in Japan (various museums) from 1 November 1989 to 13 May 1990

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GALLERY DE POTTER D’INDOYE Kasteel van Melle • Brusselsesteenweg 190 • BE-9090 Melle m +32 (0)475 75 30 00 • m +1 310 424 0771 edpi@skynet.be • www.depotterdindoye.eu

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 Piat-Joseph Sauvage (Tournai, 17441818) and Sormany, Optician Empire oil on panel with barometer and thermometer, early 19th century Oil on panel, gilded bronze H 87 x W 112 cm Signed: Sauvage et de Sormany, Palais Égalité Provenance: collection of Hubert de Givenchy; Galerie Moatti, Paris, 1994

Jean Prevel (Paris, 18th century) A Louis XVI Ormolu, blued metal and white marble 'Pendule au temple de l’amour', circa 1780 White marble, gilded bronze, blue patinated bronze H 78.7 x Ø 34.9 cm Signed: Prevel à Paris (clock maker, Cour abbatiale, St-Germain, France) Provenance: collection of Dr. & Mrs. Constantin Mamouris 223

GALERIE DE LA PRÉSIDENCE 90 Rue du Faubourg Saint-Honoré • FR-75008 Paris t +33 (0)1 42 65 49 60 • m +33 (0)6 03 90 58 31 contact@presidence.fr • www.presidence.fr

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 Geer van Velde (Netherlands, Lisse 18981977 Cachan, France) Composition, 1960 Oil on canvas 162 x 162 cm Signed lower right with the artist's initials This work will be included in the forthcoming Geer van Velde catalogue raisonné currently being prepared by Pierre François Moget, son of Piet Moget Provenance: artist’s studio estate; private collection, France Literature: Viatte, Germain, 1989, Geer van Velde, Paris, Editions Cahiers d’Art, ill. col., p. 151 Exhibitions: on request

Victor Vasarely (Pecs 1908-1997 Paris) Dallas, 1949 Oil on panel 128 x 81 cm Signed lower right Titled, measured and dated on the reverse Certificate of Pierre Vasarely Provenance: private collection, Switzerland

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QG GALLERY Zeedijk 720 • BE-8300 Knokke-Zoute m +32 (0)474 19 72 64 info@qg-gallery.com • www.qg-gallery.com Rue Saint-Georges 13 • BE-1050 Brussels

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 Christo Javacheff (Gabrovo 1935-2020 New York) Wrapped Reichstag (Project for Deutsche Reichstag-West Berlin) Pencil, charcoal, wax crayon, map, photographs by Wolfgang Volz and glue, in artist's Plexiglas frame, in two parts H 39.4 x W 166.5 cm H 108 x W 166.5 cm Provenance: Otto Wolff von Amerongen, Germany (gifted by the artist for being instrumental in facilitating the wrapping of the Reichstag); Sotheby's London, June 2023; private collection, Belgium

Leon Polk Smith (USA, 1906-1996) Constellation black and orange, 1972 Acrylic on canvas 120 x 84 cm in two parts Provenance: Galerie Denise Renée, Paris; private collection, Switzerland (acquired from the above in 1980)

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MAISON RAPIN 7 Quai de Conti • FR-75006 Paris t +33 (0)1 42 61 24 21 • m +33 (0)6 44 75 12 38 contact@maison-rapin.com • www.maison-rapin.com

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 KAM TIN Set of Onyx Cloud tables Sculpted onyx ivory France, 2023 H 26 / 32 / 36 x W 75 x D 57 cm Signed KAM TIN & Margraf Provenance: France

Robert Goossens (Paris, 1927-2016) Heart chandelier, circa 1970 Gilded bronze structure adorned with rock crystal drops Made for Gabrielle Chanel H 92 x Ø 82 cm Signed Provenance: France 229

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STÉPHANE RENARD FINE ART 78 Avenue Mozart • FR-75016 Paris m +33 (0)6 14 63 15 34 srenard@stephanerenard-fineart.com • www.stephanerenard-fineart.com

Henri-Pierre Danloux (Paris, 1753-1809) Pair of portraits: Portrait of the Duc d'Angoulême & Portrait of the Duc de Berry Oil on canvas pasted on wood panels Duc d'Angoulême: oval canvas 25 x 21 cm framed: 35.5 x 30 cm Duc de Berry: oval canvas 26.5 x 21 cm framed: 35.5 x 30.3 cm Rectangular frames in the neoclassical style with pearl and rais-de-coeurs motif surrounding an oval medallion. 230

The frames are surmounted by cartouches reading 'Donné par S.A.R. le Mgr Le Duc d'Angoulême à Lord Adam Gordon' and 'Donné par S.A.R. le Mgr Le Duc d'Berri à Lord Adam Gordon' Signed 'HP Danloux 1797' on the portrait of the Duc d'Angoulême Provenance: gifted by the models to Lord Adam Gordon and then by family descent

Alessandro Oliverio (Bergamo or Venice, ante 1500-post 1544) Christ Carrying the Cross, 1505-1510 Oil on poplar panel H 49.5 x W 41.5 cm Provenance: collection Count Hubert Ludwig de la Fontaine and d'Harnoncourt-Unverzagt (1789-1846), from 1826 at Hrotovice Castle, Trebic, Czech Republic; purchased in 1836 with the entire collection and the castle

by Georg Simon von Sina (1783-1856); transferred around 1847 by his son Simon Sina to Mysliborice Castle, Trebic, Czech Republic; by inheritance, in 1876, to Simon's daughter Iphigenie Sina (1847-1914), Duchess of Castries, sold in 1882 to Baron Anton Dreher of Schwechat; Mysliborice Castle; Antiqua auction sale, Prague, 1921, n° 12 (Italian Master of the 16th century)

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REPETTO GALLERY Via Clemente Maraini 24 • CH-6900 Lugano t +41 (0)76 685 88 55 info@repettogallery.ch • www.repettogallery.ch

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 Bram Bogart (Delft 1921-2012 Sint Truiden) Scala, 1990 Mixed media H 68 x W 68 x D 12 cm Signed, dated and titled on the back Provenance: Galleria Glauco Cavaciuti, Milan Certificate of authenticity by Bram Bogart Foundation

Giorgio de Chirico (Greece, Volos 1898-1978 Rome, Italy) Piazza d’Italia, 1948-1972 Oil on canvas 40 x 50 cm This artwork is registered with the Fondazione Giorgio e Isa de Chirico, Rome Literature: Claudio Bruni Sakraischik, Giorgio de Chirico: Catalogo Generale, vol. VI, opere dal 1951 al 1974, Electa, Milano, n° 1007 233

RÖBBIG MÜNCHEN Brienner Straße 25 • DE-80333 Munich t +49 (0)89 29 97 58 info@roebbig.de • www.roebbig.de

Johann Joachim Kaendler (Germany, 1706-1775) A pair of swans Porcelain models circa 1748, Meissen manufacture and decoration, circa 1750-1755 H 27.5 x W 23 cm and H 26.5 x W 22 cm Cobalt blue crossed swords mark Provenance: private collection 234

Philipp Ernst Schindler (1694-1765) and Christian Friedrich Herold (1700-1779) Snuff box with river landscapes and genre scene (noblemen playing cards) Meissen, 1740s H 5.8 x W 13.6 x D 7.5 cm Provenance: private collection, Germany

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ROBERTAEBASTA Via Fiori Chiari 2 • IT-20121 Milan t +39 02 861 593 • m +39 335 62 01 596 m +39 335 54 54 467 info@robertaebasta.com • www.robertaebasta.com 85 Pimlico Road • UK-London SW1W 8PH m +44 (0)7438 117 037 london@robertaebasta.com

Via Fiori Chiari 3 • IT-20121 Milan t +39 02 861 593 Via Formentini 4/6 • IT-20121 Milan t +39 02 861 593 Via Solferino Opposite 3 • IT-20121 Milan

Lucio Fontana (Argentina, Rosario 1899-1969 Comabbio, Italy) Concetto Spaziale Natura, 1967 Artwork made of two pieces in polished brass H 26 x W 20 x D 21 cm Both signed: Lucio Fontana on the reverse and numbered 186/500, cast by Berrocal founderies Provenance: private collection, Italy 236

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Les Buches, 1952 Gouache on paper 65.7 x 49.9 cm Signed lower right: F. Léger Registered at the Comité Léger with code FL-2022-09-000384 on 23 September 2022 Provenance: private collection, Italy 237

ROMIGIOLI ANTICHITÀ Viale Toselli 68 • IT-20025 Legnano m +39 348 41 28 148 • m +39 348 01 17 005 romigioli@romigioli.it • www.romigioli.it

Giovanni Baratta (Italy, 1670-1747) Pair of cherubs, 1699 Carrara marble H 72 cm Fragment recovered from the lost high altar of Santa Trinita in Florence, studied by Francesco Freddolini Provenance: Florence, Church of Santa Trinita until 1892 Literature: Francesco Freddolini, Journal of visual art Predella n° 53, June 2023

Francesco di Girolamo dal Prato (Florence, 1516-1562) - Pupil of Francesco Salviati The Virgin and child Oil on panel 106 x 76 cm Studied by Professor Carlo Falciani. Giorgio Vasari's sources Provenance: Castelbarco Litta Albani collection in 1835, Milan; Costantino Nigro collection, Genoa; Seghezza collection, Genoa 238

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RUEB MODERN AND CONTEMPORARY ART Banstraat 4 • NL-1071 JZ Amsterdam t +31 (0)20 67 67 566 • m +31 (0)6 22 80 59 62 info@rueb.nl • www.rueb.nl

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 Bram Bogart (Delft 1921-2012 Sint Truiden) GeelBaanGroen, 1970 Cement and oil on panel H 101 x W 107 x D 12 cm Signed and dated: Juli 1970 twice

Pablo Picasso (Malaga 1881-1973 Mougins) Personnage assis dans un fauteuil, 1915 Pencil on paper 32.5 x 23.5 cm Dated and numbered 178 on verso

Provenance: private collection, The Netherlands

Provenance: studio of the artist; collection of Marina Picasso

Exhibition: Sweden, Södertälje Konsthall, 28 March-18 April 1971, cat. ill. p. 2

Literature: Christian Zervos, Pablo Picasso, vol. 29, Paris 1975, ill. n° 177 p. 78 Exhibition: Genève, with Galerie Jan Krugier, Pablo Picasso, 1986 241

RICHARD SALTOUN GALLERY 41 Dover Street • UK-London W1S 4NS t +44 (0)207 637 12 25 • m +44 (0)7798 676 954 info@richardsaltoun.com • www.richardsaltoun.com Via Margutta 48a-48b • IT-00187 Rome t +39 06 86678 388 rome@richardsaltoun.com

Jagoda Buic (Croatia, Split 1930-2022 Venice, Italy) White Reflections, 1970-1975 Wool and metallic thread 163 x 224 x 10 cm Woven signature to lower left ‘J Buic’

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GALERIE SOPHIE SCHEIDECKER 14 bis Rue des Minimes • FR-75003 Paris t +33 (0)1 42 74 26 94 • m +33 (0)6 17 84 01 04 info@sophiescheidecker.com • www.galerie-sophiescheidecker.com

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 Justine Tjallinks (Netherlands, 1984) Vision, Jeweled series, 2016 Archival Pigment Print 55 x 43 cm Ed. /7 + 2AP Signed, dated, titled and numbered on reverse

Man Ray (Philadelphia 1890-1976 Paris) The Origin of Species, 1935 Original gelatin silver print mounted on paper Print: 17.5 x 21.2 cm Original sheet: 21.5 x 22.8 cm Inscribed Stamp on the reverse of the gelatin silver print 245

SERGE SCHOFFEL ART PREMIER Rue Watteeu 14 • BE-1000 Brussels m +32 (0)473 56 32 33 contact@sergeschoffel.com • www.sergeschoffel.com

Dan mask Côte d'Ivoire, 19th century Wood H 24.5 cm Provenance: Giovanni Franco Scanzi, Italy

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Bamileke Ku n'gan society mask Cameroon, 19th-early 20th century Wood, hair, cowrie shells, St. Christopher's medal H 33 cm (with the hair: circa 110 cm) Provenance: collected in situ circa 1960 by Klaus Paysan, photographer and author from Stuttgart, Germany (1930-2011); the mask was a gift from King Fon Happi III of Bana; Boris Kegel-Konietzko, Hamburg, Germany Literature: published in Kosmos magazine, 1961

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SECHER FINE ART & DESIGN Bredgade 25 • DK-1260 Copenhagen K t +45 (0)24 27 70 38 • m +45 (0)28 14 29 90 info@secherfineart.com • www.secherfineart.dk

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 Karel Appel (Amsterdam 1921-2006 Zurich) The Cobra bird, 1950 Patinated bronze sculpture H 42 x W 51 x D 34 cm Signed and dated: K. Appel 1950 H. C. Edition of 6 plus 2 HC which this is one of the two

Pierre Alechinsky (Brussels, 1927) Russule, 1976 Acrylic on paper on canvas 100 x 154 cm Signed and dated Provenance: Lens Fine Art, Belgium

Provenance: collection Karel van Stuijvenberg, Caracas, Venezuela Literature: Karel Appel, The Complete Sculptures 1936-1990, p. 242; Exhibition catalogue, El movimiento Cobra en la colección Karel van Stuijvenberg, Museo de Arte Contemporáneo de Caracas, Venezuela, 1984, cat. n° 23 ill. pp. 44-45; Exhibition catalogue, Cobra Liège 93, Coll. Karel P. van Stuijvenberg, Musée d'Art Moderne, Liège, Belgique, 1993, ill. p. 67 Exhibitions: Cobra en la colección Karel van Stuijvenberg, 1984, Museo de Arte Contemporáneo de Caracas, Venezuela; Cobra, 9 avril-31 mai 1993, Musée d'Art Moderne, Liège, Belgique 249

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SEGOURA FINE ART 83-85 Rue des Rosiers • Galeries 17 & 18 • 93400 Saint-Ouen sur Seine t +33 (0)6 71 62 45 95 contact@segourafineart.com • www.segourafineart.com

Georges Jules Victor Clairin (France, 1843-1918) L'Epave, 1904 Oil on canvas 75.5 x 50.5 cm Signed lower right and dated on the back Provenance: private collection, France Painting donated by the artist at the tombola of the Salon des artistes français in aid of wounded Russians, April 1904

Charles Revel (France, 1829-1880)  Allégories de la Force et du Droit, circa 1872 Oil on canvas 66 x 54.5 cm Signed lower right Provenance: private collection, France With this painting, Charles Revel illustrates the words given to the German Chancellor Otto von Bismarck: 'Strength prevails over Law' 250

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HERWIG SIMONS FINE ARTS Watteeustraat 27 • BE-1000 Brussels m +32 (0)475 46 75 46 info@herwigsimons.be • www.herwigsimons.be

Pair of candlesticks Italy, 16th century Bronze H 115 cm Engraved 'O P A', the emblem of the Opera which can be translated as 'The Cathedral Works', founded by the Republic of Florence in 1296 Provenance: private collection, Belgium

Sculpture representing Emperor  Augustus of Prima Porta Italy, 19th century Bronze, roso levanto and nero Belgio marble base, smooth medal patina H 110 cm Signed by the foundry A. Röhrich Roma The original statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums 252

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STERN PISSARRO GALLERY David Stern & Lélia Pissarro 66 St. James’s Street • UK-London SW1A 1NE t +44 (0)207 629 6662 stern@pissarro.com • www.pissarro.art

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 Pierre-Auguste Renoir (Limoges 1841-1919 Cagnes-sur-Mer) La Cueillette des fruits, circa 1905 Oil on canvas 46 x 56 cm Signed lower left: Renoir This work is accompanied by letter from the Wildenstein-Plattner Institute confirming the work will be included in the forthcoming Renoir digital catalogue raisonné Provenance: Dr. Fritz and Barbara Thurneyssen, Germany, acquired from the artist; Dr. Fritz Thurneyssen, Germany; Karl Levi, Berlin, 1927; Galerie Thannhauser, Berlin, 1929, acquired from above; Henry Lévy, Strasbourg,1933, acquired from above;

Hélène Lucie Lévy, France, by descent, 1937; Bertrand-Charles Leary, France, by descent; private collection, Paris, by descent from the above Literature: Julius Meier-Graefe, Renoir, Leipzig, 1929, p. 300, n° 307; Guy-Patrice and Michel Dauberville, Renoir: Catalogue raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-1910, Vol. 4, Éditions Bernheim-Jeune, Paris, n° 3066 (ill. p. 222 as 'Vendanges (Cagnes)') Exhibitions: Berlin, Galerie Thannhauser at Berliner Künstlerhaus, Erste Sonderausstellung in Berlin, JanuaryFebruary 1927, n° 204, p. 136 (ill. 'Obsternte')

Auguste Herbin (Quiévy 1882-1960 Paris) VENUS I, 1945 Oil on canvas 100 x 81 cm Titled, signed and dated lower left, vénus-herbin 1945 Provenance: private collection, Stockholm; Galerie des Etats-Unis, S. Stoliar, Cannes; Sotheby's London, 2002; Dorval Gallery, Lille; private collection, France Literature: Geneviève Claisse, Herbin, Catalogue raisonné de l'Œuvre Peint, Paris, 1993, n° 846, (ill. in black and white p. 429) Exhibition: Cannes, Galerie des Etats-Unis, 1965, n° 29 255

STUDIO 2000 ART GALLERY Dorpsstraat 9 B - C • NL-1261 ES Blaricum t +31 (0)35 640 94 32 • m +31 (0)6 51 49 02 57 blaricum@studio2000.nl • www.studio2000.nl

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 Willem Paerels (Delft 1878-1962 Eigenbrakel) Scheveningen boulevard, 1907 Oil on canvas 70 x 70 cm Signed lower right: Paerels Provenance: private collection, The Netherlands; private collection, Belgium; Galerij Jeanne Buytaert, Antwerp; collection M. Jefferys, Brussels (before 1924) Literature: André A. Moerman, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord, Brussel [etc.] 1978, p. 21, n° 11: dated ’1907’ by the artist in his notes Exhibitions: Brussels (Palais des BeauxArts de Bruxelles), Willem Paerels, 17 September 1968-1 October 1968 and Amersfoort (Zonnehof), 5 October 19684 November 1968; Brussels (Koninklijke Musea voor Schone Kunsten van België), 3 March 1978-16 April 1978 and Laren (Singer Museum), 30 April 1978-11 June 1978, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord

Theo van Rysselberghe (Ghent 1862-1926 Saint-Clair, Var) Portrait of Mrs. H. Aubry, 1907 Oil on canvas 81 x 65 cm Signed and dated middle left with monogram 'April 07' Provenance: private collection, The Netherlands; Sotheby's, Amsterdam, 13 December 1999; Campo & Campo, Antwerpen, 18 October 1998; Me Cousin, Les Andelys, France, 9 December 1990 Literature: Ronald Feltkamp, Théo van Rysselberghe Catalogue raisonné, Editions Racine, Brussels, 2003, p. 367, n° 032 (ill.); G. Van Zype, Notice Théo van Rysselberghe, in: Annuaire de l'Académie Royale de Belgique, Bruxelles, 1932 Exhibitions: Théo van Rysselberghe, Bernheim-Jeune, Paris, 27 April-9 May 1908 257

GALERIE TAMÉNAGA 18 Avenue Matignon • FR-75008 Paris t +33 (0)1 42 66 61 94 galerie@tamenaga.fr • www.tamenaga.com 7-5-4 Ginza Chuo-Ku • JP-104-0061 Tokyo t +81 (0)3 3573 5368 gal@tamenaga.com

1-4-1 Shiromi Chuo-Ku • Hotel New Otani Arcade JP-T-510-0001 Osaka t +81 (0)6 6949 3434 gto@tamenaga.com 265-7 Kamihoritsumecho • Higashiyama Ward JP-605-09 Kyoto t +81 755 32 3001 gtk@tamenaga.com

Kyosuke Tchinaï (Japan, 1948) Lilies in the night light, 2023 Mixed media on washi paper mounted on panel 73 x 92 cm Provenance: the artist's studio 258

Kees van Dongen (Delftshaven 1877-1968 Monaco) Place de la Concorde, 1920 Oil on canvas 81 x 100 cm Signed lower right: van Dongen Provenance: A. Rueff; Galerie Urban, Paris; Galerie Paul Pétridès, Paris; private collection Literature: Louis Chaumeil, Van Dongen Geneva, 1967, n° 160; Jean Melas Kyriazi, Van Dongen après le Fauvime, Lausanne, 1976, p. 105, ill. in colour p. 143; New York, Galerie Taménaga, Kees Van Dongen, mai 1990, n° 9; Tokyo, Panasonic Shiodome Museum of Art, Kees Van Dongen: From Fauvism to Les Années folles, 2022, n° 37 ill. in colour p. 70

Exhibitions: Munich, Ausstellung der Secession, n.d.; Venice, XVII Esposizione Internazionale d’Arte della Citta di Venezia, 1930, n° 18; Paris, Musée National d’Art Moderne, Van Dongen, 1967, n° 106; Rotterdam, Museum Boymans-van Beuningen, Van Dongen, 1967-1968, n° 106; Paris, Grand Palais, Salon d’Automne, Van Dongen, 1972, n° 35; Geneva, Musée de l’Athénée, Van Dongen, 1976, n° 20; New York, Galerie Taménaga, Kees Van Dongen, mai 1990, n° 9; Tokyo, Panasonic Shiodome Museum of Art, Kees Van Dongen: From Fauvism to Les Années folles, 2022, n° 37

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GALERIE THEUNISSEN & DE GHELLINCK Rue de la Régence 21 • BE-1000 Brussels t +32 (0)2 511 59 11 • m +32 (0)475 61 07 25 • m +32 (0)475 59 22 60 theunissen.gallery@gmail.com • www.theunissengallery.com

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Pierre-Philippe Thomire (Paris, 1751-1843) (Attributed to) Pair of chased and gilt bronze ewers Parisian work, circa 1815-1820 Inspired by a model of the goldsmith Nicolas Delaunay H 32 cm

Tiziano Aspetti (Italy, Padua 1565-1607 Pisa) (Attributed to) A pair of bronzes representing Mars and Venus, symbolising War and Peace respectively Venetian work, early 17th century H 53 cm 261

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TOBOGAN ANTIQUES 14 Avenue Matignon • FR-75008 Paris t +33 (0)1 42 86 89 99 • m +33 (0)6 09 47 13 74 contact@toboganantiques.com • www.toboganantiques.com

Charles de Marnyhac (France, 1840-1897) 'African Venus', circa 1878 Two patina bronze figure H 168 x W 54 cm Life-size, representing a young African woman taming a snake, dressed with a feathered loincloth and a long drape in her hair, and wearing African jewels Literature: Great Exhibitions 1851-1900, Jonathan Meyer, Antique Collector’s Club, 2006, p. 241; L’Art et L’Industrie de tous les peuples à l’Exposition Universelle de 1878, Librairie Illustrée, Paris Similar model mounted as a floor lamp exhibited by Charles de Marnyhac at the World's Fair in Paris in 1878

Machauld (France, born in 1835) and Eugène Cornu (France, 1827-1899) Bust of a Greek goddess, circa 1867 Silvered and gilded bronze, enamel, red marble H 64 cm; base 22 x 21 cm Signed: Machauld et Eug. Cornu, G. Viot et Cie Fondeurs Literature: Rapport du Jury International, Exposition Universelle de 1867 à Paris, 1868, t. III, groupe III, classe XV, chapitre II, § 2, pp. 45-46; 1851-1900, Le arti decorative alle grandi esposizioni universali, Daniel Alcouffe, Marc Bascou, Anne Dion-Tenenbaum et Philippe Thiébaut, Idealibri, 1988, pp. 136-138; Les merveilles de l’Exposition de 1878, Paris, p. 561 262

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GALERIE PATRICE TRIGANO 4 bis Rue des Beaux-Arts • FR-75006 Paris t +33 (0)1 46 34 15 01 contact@galerietrigano.com • www.galeriepatricetrigano.com

Geneviève Claisse (Quiévy 1935-2018 Dreux) Grande Covalence Ternaire, 1997 Oil on canvas 195 x 114 cm

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Jean Dewasne (Lille 1921-1999 Paris) Environnement Mythia I, 1971 Glycerophthalic lacquer on panel 75 x 98 cm Signed, dated and titled

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UNIVERS DU BRONZE Michel Poletti & Alain Richarme 27-29 Rue de Penthièvre • FR-75008 Paris t +33 (0)1 42 56 50 30 • m +33 (0)6 82 58 13 83 website@universdubronze.com • www.universdubronze.com

François Pompon (Saulieu 1855-1933 Paris) Bust of André Leproust, 1904 Original plaster H 57.4 x W 22.5 x D 22.8 cm Unique piece signed 'F Pompon', dated '1904', probably the plaster exhibited at the 1904 S.A.F., under n° 3228. Circa 1904

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Umberto (Paris, 1971) Knossos, 2023 Bronze, richly shaded black patina H 82 x W 38.2 x D 30 cm Artist's example signed Umberto, numbered from the original limited edition of 12 examples, Atelier France Bronze founder seal, cast in 2023

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GALLERY SOFIE VAN DE VELDE Nieuw Zuid Léon Stynenstraat 21 • BE-2000 Antwerp m +32 (0)486 79 19 93 sofie@sofievandevelde.be • www.sofievandevelde.be Zuid Vlaamsekaai 74-75 • BE-2000 Antwerp

Pieter Jennes (Mortsel, 1990) Tumble, 2023 Oil and collage on canvas 200 x 125 cm

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Jean Brusselmans (Brussels 1884-1953 Dilbeek) Les Roses, 1948 Oil on canvas 122.5 x 112.5 cm Signed and dated lower right: Jean Brusselmans 1948 Literature: La Collection Tony Herbert, Brussel, 1957, n° 51; Robert-L Delevoy, Jean Brusselmans, ed. Laconti 1972, p. 403 n° 568 ill.; Dirk De Vos, Retrospectieve Jean Brusselmans, Groeningenmuseum, 1980;

Hans Janssen, Jean Brusselmans 1884-1953, Den Haag, 2018, p 115 ill. Exhibitions: Den Haag, Groningen, Charleroi, Oostende, Hasselt, Gent, Collection Tony Herbert, 1957; Luxemburg, Musée d’Art et d’Histoire, Collection Tony Hebert, 1963; Brussels, Paleis van Schone Kunsten, n° 53, 1979; Brugge, Groeningenmuseum, 1980, retrospectieve Jean Brusselmans, 1980; Den Haag, Jean Brusselmans 1884-1953, Gemeentemuseum Den Haag, 2018

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VAN HERCK - EYKELBERG Kardinaal Mercierlei 11 • BE-2600 Antwerp m +32 (0)491 16 65 22 contact@van-herck.com • www.van-herck.com

Walter Leblanc (Antwerp 1932-1986 Silly) Torsions, 1971 Oxidised steel H 60 x W 25.5 x D 13 cm Signed and dated on the underside Literature: Nicole Leblanc and Danielle Everaerts de Velp-Seynaeve, Walter Leblanc Catalogue Raisonné, Brussels, 1997, p. 243, n° 943

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James Ensor (Ostend, 1860-1949) Roses, tanagras and boot, 1917 Oil on canvas 46.5 x 66 cm Signed and dated lower right Literature: G. Le Roy, James Ensor, G. Van Oest, Bruxelles/Paris 1922, p. 195; F. C. Legrand, Ensor cet inconnu, La Renaissance du Livre, Bruxelles 1971, n° 238; X. Tricot, James Ensor, Catalogue

raisonné of the paintings. II, 1902-1941, Wienand, 1992 Anvers, n° 484; X. Tricot, James Ensor, Catalogue Raisonné of the paintings. Mercator, 2009, n° 495 Exhibition: XV Exposizione Internationale d’Arte della Cittá di Venezia (Venice Biennale), 1926; Partially legible label on the back: ‘XIVieme Exposition Internationale des Beaux-Arts’

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SAMUEL VANHOEGAERDEN GALLERY Zeedijk 785 • BE-8300 Knokke-Zoute m +32 (0)477 51 09 89 info@svhgallery.be • www.svhgallery.be At BRAFA 2024, Samuel Vanhoegaerden will be presenting a display exclusively devoted to Tom Wesselmann

Tom Wesselmann (Cincinnati 1931-2004 New York) Wildflower bouquet (two handled vase), 1988 Enamel on laser-cut steel H 147.5 x W 223.5 cm Signed, dated and titled on the verso Provenance: Opera Gallery, Paris; private collection, Belgium Literature: Tom Wesselmann: a Pop Art Legend, Samuel Vanhoegaerden Gallery, Knokke, 2023, ill. 272

Tom Wesselmann (Cincinnati 1931-2004 New York) Study for great American nude #90, 1966 Liquitex on paper 46.4 x 55.2 cm Signed and dated Provenance: Sidney Janis Gallery, New York; David Janis Gallery, New York; Maxwell Davidson Gallery, New York Literature: Tom Wesselmann: a Pop Art Legend, Samuel Vanhoegaerden Gallery, Knokke, 2023, ill.

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GALERIE RAF VAN SEVEREN Godefriduskaai 52 • BE-2000 Antwerp m +32 (0)495 54 14 11 raf.vanseveren@skynet.be • www.rafvanseveren.com Minderbroedersrui 61 • BE-2000 Antwerp

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Le Cordage Jaune, 1935 Oil on board 39 x 53 cm Signed and dated bottom right: F. Léger, 1935 Provenance: collection Robert Guiette; private collection, Belgium 274

Literature: Zervos, C., Fernand Léger. Cahiers d'Art, Paris, 1935, n°1-4, repr. pp. 65 and 67; Bauquier, G., Fernand Léger. Catalogue raisonné de l'œuvre peint 1932-1937, 1996, repr. pp. 870-871

Léonard Tsuguharu Foujita (Tokyo 1886-1968 Zurich) Les Deux Amies, 1920 Mixed media on canvas 46.5 x 38.5 cm Signed in the bottom right in Japanese: T. Foujita Signed and dated at the back This work will be included in the forthcoming fourth volume of the Catalogue Raisonné of Foujita's work currently being prepared by Sylvie Buisson under the n° B 20.031.H.

Literature: Lechien-Durant, F., Le musée David et Alice van Buuren. Maison de mémoire, Brussels, 1995, p. 100 (repr.) Exhibitions: 1927, Brussels, Galerie Le Centaure, n°4, Deux femmes I.; 1995, Antwerp, Campo Vlaamse Kaai, Autour de Gustave Van de Woestyne, Réserve du Musée David et Alice van Buuren

Provenance: label from Maison Manteau on the back; collection van Buuren; private collection, Belgium 275

MAURICE VERBAET GALLERY Zeedijk 738 • BE-8300 Knokke-Zoute m +32 (0)479 88 10 31 knokke@verbaet.com • www.verbaet.com

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 Walter Leblanc (Antwerp 1932-1986 Silly) Twisted Strings, 1962 Cotton threads and latex on cotton canvas 130 x 130 cm Literature: Anouck Clissen & Camille Brasseur, Connexions one, Antwerp, Pandora Publishers, 2015, p. 46; Camille Brasseur, Collection Caroline & Maurice Verbaet, Paris, Selena éditions, 2016, p. 158; Christophe Duvivier & Camille Brasseur, Abstractions. Arts non figuratifs belges après 1945, Paris, Selena éditions, 2016, p. 68

Francis Dusépulchre (Seneffe 1934-2013 La Louvière) Ondulations Spatiales, 1973 Lacquer on Masonite H 152 x W 152.10 x D 10 cm Provenance: collection Family Dusépulchre

Exhibitions: Maurice Verbaet Center, Antwerp, Private Choices n° 2, 8 September 2018; Maurice Verbaet Gallery, Knokke, Under construction, April 2019; Maurice Verbaet Gallery, Knokke, BRAFA in the galleries, 30 January-21 February 2021; Lieu d'Art et Action Contemporaine (LAAC), Dunkerque, Collection Maurice Verbaet 'Belgitudes', 2 April-9 September 2022 277

GALERIE VON VERTES Bahnhofstraße 16 • CH-8001 Zurich t +41 (0)44 211 12 13 • m +41 (0)76 261 66 83 info@vonvertes.com • www.vonvertes.com Kantonsstraße 1 • CH-8807 Freienbach

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 Pierre Soulages (Rodez, 1919-2022) Peinture 81 x 102 cm, 9 février 1987 Oil on canvas 81 x 102 cm Signed, dated and titled on verso Provenance: Galerie de France, Paris; Pierre Benveniste, Pierrefonds (acquired from the above in 1987); Sotheby's, Paris, 6 December 2022, Lot 4; private collection, Switzerland Literature: Pierre Encrevé, Soulages. L'Oeuvre Complet. Peintures, vol. III: 1979-1997, Paris 1995, p. 158, n° 933 (ill. in colour)

Yayoi Kusama (Matsumoto, 1929) Hat (ATE), 2001 Acrylic on canvas 22 x 27.3 cm Signed, dated and titled on verso Provenance: private collection, Japan; Mallet Japan, January 25, 2008, lot 92; Opera Gallery, Geneva; private collection, Geneva Literature: Certificate of authenticity from the Yayoi Kusama Studio on 7 December 2007

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AXEL VERVOORDT Stokerijstraat 19 • BE-2110 Antwerp t +32 (0)3 355 33 00 info@axel-vervoordt.com • www.axel-vervoordt.com

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Joaquim Tenreiro (Portugal, Melo 1906-1992 Itapira, Brazil) Center table, Brazil, 1960s Vinhático wood (Plathymenia foliolosa) H 28 x W 130 x D 130 cm Provenance: Ulisses Burlamaqui Collection, Rio de Janeiro, since 2007

 Pierre Alechinsky (Brussels, 1927) Mémento, 1972 Ink on paper on canvas 170 x 143 cm Provenance: Belgian private collection, acquired from Axel Vervoordt; Axel Vervoordt, 1987 281

GALERIE DINA VIERNY 36 Rue Jacob • FR-75006 Paris t +33 (0)1 42 60 23 18 contact@galeriedinavierny.fr • www.galeriedinavierny.fr

Judit Reigl (Kapuvár 1923-2020 Marcoussis) Mass Writing, 1958 Oil on canvas 80 x 114.5 cm Signed: Reigl and dated lower right: 1958 Provenance: Galerie Kléber, Paris; private collection, Paris; Galerie Dina Vierny, Paris Exhibition: Paris, Galerie Dina Vierny, Judit Reigl, Panta rhei, 2023, ill. p. 30 282

Robert Couturier (France, 1905-2008) Hommage à Millet, 1994 Bronze H 75.5 x W 27.5 x D 14.5 cm Signed: Couturier, numbered 5/6 and inscribed with the Coubertin foundry mark on the base Provenance: Galerie Dina Vierny, Paris Literature: V. Da Costa, Catalogue raisonné de l'œuvre sculpté de Robert Couturier,

vol. III, 1998, n° 422, ill. p. 383; V. Da Costa, Robert Couturier, Paris, 2000, ill. p. 182; F. Horvat, Horvat photographie Couturier, Paris, 2005, ill. p. 93 Exhibitions: L'Isle-sur-la-Sorgue, Campredon, Robert Couturier, 1996, ill. p. 62; Paris, Musée Maillol, Robert Couturier fête ses 100 ans au Musée Maillol, 2005; Saint-Tropez, Galerie Lucas Ratton; Saint-Tropez, XAIPE, 2023

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VKD JEWELS Aimée & Fleur van Kranendonk Duffels By appointment IT-Milan • NL-Amsterdam m +39 335 626 22 52 • m +44 (0)7595 245 819 info@vkdjewels.com • www.vkdjewels.com

284

 Angela Cummings (Austrian-American, 1944) Mother-of-pearl and 18k yellow gold necklace Composed of oval-shaped gold links inlaid with mother-of-pearl USA, circa 1980 Signed Angela Cummings Provenance: private collection Literature: Juliet Weir-de La Rochefoucauld, Women Jewellery Designers, pp. 134-139

Angela Cummings (Austrian-American, 1944) Pair of 18k yellow gold oval-shaped earclips inlaid with mother-of-pearl USA, circa 1980 Signed Angela Cummings Provenance: private collection

285

GALERIE FLORENCE DE VOLDÈRE 34 Avenue Matignon • FR-75008 Paris t +33 (0)1 40 15 93 26 • m +33 (0)6 80 38 85 37 fdevoldere@orange.fr • www.florencedevoldere.com 134 Rue du Faubourg Saint-Honoré • FR-75008 Paris

Anthonie Verstralen (Gorinchem 1594-1641 Amsterdam) Winter landscape with skaters Oil on panel 24.5 x 36 cm Signed and dated lower left: AVS 1626 286

Pieter Brueghel the Younger (Brussels 1564-1636 Antwerp) Wedding presents Oil on panel 43 x 58.2 cm

287

N. VROUYR Komedieplaats 4-8 • BE-2000 Antwerp t +32 (0)3 232 36 87 • m +32 (0)492 44 59 12 info@vrouyr.com • www.vrouyr.com

'Hollandse School', circa 1925 Warp and weft: cellulose, pile: wool 290 x 195 cm Marked at the back: 'Darrab' Koninklijke Vereenigde Tapijtfabriken Rotterdam, Amsterdam, Deventer, Moordrecht. The workshops were active between 1797-1978

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Jules Lismonde (Brussels 1908-2001 Linkebeek) Roi Soleil Warp and weft: cellulose, pile: wool 345 x 246 cm Handknotted in the 'Manufacture de tapis Destombes, Kortrijk' in 1973 Provenance: ex collection BNP Parisbas Amsterdam Literature: Lismonde et la tapisserie; Maison Lismonde

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FLORIS VAN WANROIJ FINE ART Bergstraat 52 • NL-5551 AX Dommelen t +31 (0)40 20 40 596 • m +31 (0)6 27 42 04 06 info@floris-art.com • www.floris-art.com

290

 Adriaen van Ostade (Haarlem, 1610-1685) Interior of a barn with peasants-An allegory of smell Oil on panel 17 x 24 cm Signed and dated middle centre: Av ostade 1637 Provenance: private collection; Floris van Wanroij Fine Art; private collection, Remscheid, Germany Literature: Krol, A.E., Musée de l’Ermitage. Peinture de l’Europe occidentale. Leningrad (Hermitage), 1981, vol. II, p. 155

Madonna and Child Malines, late Gothic, first quarter of the 16th century Walnut with original polychrome and gilding, marked with the ‘M’ mark in the front and Malines three-bar Guild mark on the reverse H 32.4 cm (incl. base) Recorded at KIK-IRPA, Brussels, object n° 11016890 Certificate of expertise by Mrs J. Zeberg, Vice-President of the Chambre Royale des Antiquaires de Belgique, dd. 1 February 1996 Provenance: J. Zeberg Antiques NV, Antwerp, TEFAF Maastricht 1996, acquired by private collection, Antwerp Literature: Exhibition catalogue 1996 TEFAF Maastricht. Den Bosch: The European Fine Art Foundation, p. 293, with ill.; F. Cayron & D. Steyaert, Made in Malines. Les statuettes malinoises ou poupées de Malines de 15001540. Étude matérielle et typologique, 2019; Brussels: KIK-IRPA, p. 150, ill. 3.55 Exhibition: TEFAF Maastricht, March 1996 291

VICTOR WERNER Schuttershofstraat 21 • BE-2000 Antwerp m +32 (0)486 67 79 68 info@victorwerner.be • www.victorwerner.be

Marcel-Louis Baugniet (Liege 1896-1995 Brussels) Marin américain, 1925 Oil on canvas 55 x 40 cm Signed and dated lower right: M-L Baugniet 1925 Two exhibition labels on reverse: (1) 'MUSÉE D'IXELLES, exposition Art déco' with name of exhibitor and title of work (2) Salon Annuel Des Amis, La Louvière Provenance: Galerie Maurice Tzwern, Antwerp; Galerie Ronny Van de Velde Antwerp; private collection Literature: ART DECO BELGIQUE 1920-1940, Editions I.P.S., 1988, ill. p. 220, n° 7 Exhibition: ART DECO BELGIQUE 1920-1940, Musée d'Ixelles, October 6, 1988-December 18, 1988; Salon Annuel Des Amis, La Louvière

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Carl Max Kruse (Berlin, 1854-1942) Messenger of Victory on Marathon, circa 1900 Life-size bronze with green patina of an athlete carrying the Olympic palm H 210 x W 120 x D 50 cm Signed Max Kruse Literature: Amtsblatt Lutherstadt Eisleben, ill. p.17; Carl-Peter Steinmann: Sonntagsspaziergänge 2. Entdeckungen in Charlottenburg, Friedrichshain, Gesundbrunnen, Grunewald, Karlshorst,

Prenzlauer Berg, Transit Verlag Berlin 2010, ISBN 978-3-88747-286-3; Fritz Stahl: Max Kruse. Wasmuth, Berlin 1924 Other examples can be found in the collection of the museum 'Alte Nationalgalerie Berlin', in Lutherstadt Eisleben (a town in the German state of Saxony-Anhalt) and at the sports facility in 'Gladbacher Straße', Krefeld (a town in the German state of North Rhine-Westphalia)

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WHITFORD FINE ART Adrian Mibus By appointment only Cadogan Square • UK-London SW1X 0HY t +44 (0)207 930 93 32 • m +44 (0)7771 98 36 55 • m +44 (0)7798 778 250 info@whitfordfineart.com • www.whitfordfineart.com

Bram Bogart (Netherlands 1921-2012 Belgium) Le Fils Perdu, 1959 Mixed media on canvas on board 151 x 55 cm Signed and dated lower right, signed, dated and titled verso Certificate of authenticity by Bram Bogart Jr. n° 42 Provenance: private collection, France

294

Joseph Lacasse (Tournai 1894-1975 Paris) Recherche, 1954-58 Oil on canvas 54 x 73 cm Signed lower left, signed and dated verso Lacasse Estate inventory dia n° 287 Certificate of authenticity by Mme Joostens-Koob Provenance: the artist's estate

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WILLOW GALLERY 40-41 Duke Street, St James’s • UK-London SW1Y 6DF t +44 (0)207 968 18 30 • m +44 (0)7973 64 21 40 • m +44 (0)7967 02 88 79 enquiries@willowgallery.com • www.willowgallery.com

296

 Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) Jour de Pluie sur la Terrasse Fleurie de Marquayrol, circa 1920 Oil on canvas 79 x 108 cm - framed: 99 x 128 cm Signed This painting is accompanied by a certificate of authenticity from Cyrille Martin Provenance: Tajan Paris, 24 March 1999, lot 17; Richard Green Gallery, London; private collection, Canada

Eugène Boudin (Honfleur 1824-1898 Deauville) Pont sur La Touques, 1890 Oil on canvas, 46 x 66 cm - framed: 64 x 84 cm Signed, dated and inscribed lower left: Touques, E Boudin 90 Provenance: collection Panhard from 1899 Literature: Robert Schmit, Catalogue raisonné de l’œuvre peint d’Eugène; Boudin, Paris, 1973, vol. III, n° 3332, ill. p. 278, incorrectly dated 1894 Exhibition: Exposition des œuvres d’Eugène Boudin, Paris, École Nationale des BeauxArts, 1899, n° 43 (label verso) 297

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ZEBREGS&RÖELL FINE ART AND ANTIQUES Keizersgracht 543 • NL-1017 DP Amsterdam t +31 (0)6 20 74 36 71 gallery@zebregsroell.com • www.zebregsroell.com Tongersestraat 2 • NL-6211 LN Maastricht t +31 (0)6 53 21 16 49

A Mammoth ivory figure of an African Amor Flanders or Southern Germany, 17th century H 17.3 cm Provenance: private collection, United Kingdom; with Peter Petrou, London This figure has many iconological meanings. With the bow and arrows, it is an Amor, but since the bow, the quiver of arrows and one single arrow are lying on the ground together with a shield, they may symbolise unsuccessful or fended-off love. The Amor playing with his penis and blowing a whirligig together may be symbols of the fickleness and transitoriness of love. The chain with a cross around his neck is a Roman Catholic symbol and may point to a Catholic country of origin, probably South Germany or Flanders.

't Blommenkabinet Dutch floral marquetry cabinet-on-stand Amsterdam, late 17th century, by Jan van Mekeren (Tiel 1658-1733 Amsterdam) H 206 x W 171 x D 61 cm Only 6 floral cabinets by Van Mekeren are known: in the Rijksmuseum, The Metropolitan Museum, the V&A Museum, in Charlecote Park, Warwickshire, and a pair in Amerongen Castle. Because of the close resemblance, this cabinet probably is the pendant of the Van Mekeren cabinet in the V&A. The pair in castle Amerongen, ordered as such, look less like each other than the present cabinet and the V&A one. Jens Wijbergen, a Dutch merchant in Copenhagen possibly ordered them, and we acquired one from probable descendants. 298

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ZIDOUN-BOSSUYT GALLERY 6 Rue Saint-Ulric • LU-2651 Luxembourg t +352 2629 6449 contact@zidoun-bossuyt.com • www.zidoun-bossuyt.com 796 Jumeirah Street • Dubai t +971 48 923 115 51 Rue de Seine • FR-75006 Paris t +33 (0)1 87 44 78 81

300

 Eddy Kamuanga (Republic Democratic of Congo, 1991) L’esthétique du chaos 3, 2023 Acrylic and oil on canvas 198 x 200 cm

Summer Wheat (USA, 1977) Kiss and Tell, 2023 Acrylic paint and gouache on aluminum mesh H 177.2 x W 243.2 x D 5.7 cm (framed) 301

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© SABAM 2024 Any reproduction, adaptation or partial modification of the SABAM repertoire's works is prohibited, unless prior authorisation from SABAM, the Belgian Society of Authors, Composers and Publishers, Tweekerkenstraat 41-43 Rue des Deux Eglises, 1000 Brussels t +32 (0)2 286 82 82 - www.sabam.be - contact@sabam.be

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TAPIES PUIG ANTONI : © Comissió Tàpies / SABAM Belgium 2024 : p.105, 212 PICASSO PABLO : © Succession Picasso / SABAM Belgium 2024 : p. 53, 61, 67, 241 MIRO FERRA JOAN : © Successió Miró / SABAM Belgium 2024 : p. 213 JAVACHEFF CHRISTO : Christo & Jeanne Claude © SABAM Belgium 2024 : p. 226 HARTUNG HANS : © Hans Hartung / SABAM Belgium 2024 : p. 157 HANTAI SIMON : © Archives Simon Hantaï / SABAM Belgium 2024 : p. 174 FRANCIS SAM : © Sam Francis Foundation, California / SABAM Belgium 2024 : p. 142 FOUJITA LEONARD TSUGUHARU : © Fondation Foujita / SABAM Belgium 2024 : p. 275 FONTANA LUCIO : © Fondation Lucio Fontana, Milano / by SIAE / SABAM Belgium 2024 : p. 236 DELVAUX PAUL : © Foundation Paul Delvaux, Brussels / SABAM Belgium 2024 : p. 8, 9, 10, 11, 12, 13, 170, 181, 208, 218, 221 CHAGALL MARC : © SABAM Belgium 2024 : p. 52 CALDER ALEXANDER : © 2024 Calder Foundation, New York / SABAM Belgium : p. 143, 175, 220 MAN RAY : © Man Ray 2015 Trust / SABAM Belgium 2024 : p. 245