Breaking News!!! ATIM Editor in Chief Viviana Puello Awarded Grand Medal of Honor and Honorary Membership by NAFA (National Association of Fine Arts in Brazil) for her relevant contribution to fine arts and culture worldwide through her work with ArtTour International Magazine, ATIM Web TV and the Vivid Arts Network. Written by Jonathan Xuereb ArtTour International Magazine is very proud to announce the recent and welldeserved accomplishment of our Editor in Chief, Viviana Puello. The awarding institution is none other than the National Fine Art Association (NAFA), the most authoritative organization for the arts in Brazil. NAFA is a non-profit institution dedicated to promoting fine arts through the various activities it organizes. The association, in recognizing Puello's outstanding contribution to the arts, is celebrating her by awarding her its Grand Medal of Honor as well as the prestigious title of Honorary Member, which were bestowed by the Association's President Mr. Edilson E. Barbosa. He stated that the award was to recognize Puello "for her relevant contribution to fine arts and culture" through her work with ArtTour International Magazine, ATIM Web TV and the Vivid Arts Network. There can be no doubt that this award was well earned by Puello, when one considers just how passionate her contributions to fine arts and culture have been, not to mention her energetic drive to do even more in the present and future. The positive impact achieved by Viviana Puello in this field has mainly been through her multifaceted role as founder, director, artist and activist for the arts. She has founded ArtTour International magazine, ATIM Web TV as well as the Vivid Arts Network, demonstrating her serious commitment to the arts, which she strives to express in as many ways as possible. While celebrating Puello's individual achievement is more than due, ArtTour International Magazine is very proud to have played a significant role in aiding Puello's promotion of
the arts throughout the world. One of the many virtues of the magazine is that it provides an excellent platform for individual artists to express themselves and further their contributions to the arts by reaching out to other art enthusiasts across the globe. With over two million readers and an ever-growing presence on the international market, ArtTour International Magazine is appreciated by critics, collectors and art lovers alike. It is immensely satisfying when hard work and effort pay off, making one strive to work even harder in the interests of art and culture. Quite apart from the award deservedly bestowed upon her, there is no doubt that Puello's qualities make her an excellent example for other art enthusiasts who wish to contribute in their own way to this industry. Awards given by respected bodies such as the NAFA are a very welcome and laudable incentive, which further encourage art enthusiasts to participate actively in this field, so one hopes that other organizations will also act in a similar way. Having one's efforts recognized is always a highly rewarding experience. Once again, on behalf of everyone at ArtTour International Magazine: Congratulations, Viviana!
5FTUJNPOJBMT TESTIMONIALS
What they’re saying about us!
“My thanks to ArtTour International!! Your presentation of my art in your magazine has been incredible. Not only have you featured me on your covers, but also in several articles. The printing quality of the magazine is excellent, with perfect reproductions of my work (which is very crucial to an artist) on glossy heavy weight paper. But, quality reproduction is only a small part of all your support. Your magazine has mastered the internet and social media in ways that are remarkable. As a result of the high internet presence that you have created for me, I am constantly getting new international fans on my Facebook fan page, everywhere from Kansas to Sri Lanka! I truly can't thank you enough for the excellent articles, international exposure and genuine appreciation that you have given my art. You are a class act in every way." - Chris Dellorco, USA
“As an international artist who has exhibited my work through North America and Europe I’m thrilled to have been selected to bef eatured in ATIM on several occasions over the past few years. The magazine is by far one of the best produced in the industry with regards to editorial content, publishing,and paper quality. Thank you ATIM for all you do in showcasing today’s contemporary artists!." - Joyce Fournier - Toronto, Canada.
“Been chosen by the magazine ArtTour Internacional Magazine has been a turning point experience in my life and career. When I was called to participate in its competition for the selection of the ATIM’s Top 60 Masters of Contemporary Art in 2014, and I saw the extraordinary quality of the selected artists in previous years , I felt very encouraged by this award that marks a before and after on my way to my best development. Viviana and Alan, the Editors are extremely serious and conscious people with deep knowledge of the art industry. I'm happy to have met and work with them. publishers, promotores and exceptional human beings." - Cristina Bergoglio, Argentina.
“Thank you so much, It's an honor for me to see my works in your magazine. All my friends and family love it so much, and ArtTour International Magazine is great for giving artists the opportunity to feature their works". - Jamal Kiwan, Nazareth.
“Must read for all having interest in the art. Let me keep my eyes open on what is going on in the modern art and gives me opportunity to introduce myself as an artist." - Olga Volodina, Russia.
“Felicidades Viviana!!! Es una gran experiencia trabajar contigo!!! Felicidades a ti y a todo tu equipo!!! (Congrats Viviana, it is a great experience to work with you and the whole ATIM team!).” Christina Lapa, Grecia.
“Normalmente amo leggere i libri e sfogliare le riviste, ma ArtTour International ho amato leggerla come un libro! (I normally love to read books and flip through magazines but ATIM is the only magazine I get to read like a book!)." - Elckjaer Franco Bono, Italy.
A message from our Editor in Chief It has been a busy, eventful time for ATIM; the world is constantly changing, shifting, introducing us all to new cultures, inspirations and opportunities – and our creative team has been seizing every chance they can to become motivated, so that we may bring you all the freshest, most unique pieces of work from the most inspiring masters operating in the world today! This is a pursuit that has taken us around the world, which goes to show that we truly are dedicated to bringing about awareness of international, contemporary artwork, to spread the love and passion which we feel for it, to the entire globe. This issue of ATIM is full of articles that focus on artists who bring us their art and their stories of success, featuring exclusive content, including “Art 2 Heart” interviews, event video presentations and much more. For our cover story Rafael Amargo “Poetry in Motion”, an article full of mesmerizing images featuring exclusive content with great Andalusian Flamenco dancer, choreographer, and film maker Rafael Amargo. And don’t forget to visit iTunes and download our magazine, visit the links for our exclusive “Art 2 Heart” interview which includes exclusive footage, clips and behind-the-camera scenes, brought to you by ATIM Web T.V. As the magazine enters into its fourth year, I am both awed at how far it has come, and curious to see how much farther it will continue to go. We are at 2.1 million+ readers online alone, and the numbers only continue to grow! It is an incredible feeling, to be at the forefront of such an amazing journey, surrounded by talented individuals who care for the realm of art as deeply as I do. I am so honored to be a part of this, and I count it as a blessing on a daily basis. We are also proud to reveal that June 10th is the date for the launch of our ATIM’s Top 60 Masters of Contemporary Art, this sought-after, muchanticipated catalogue, which amasses sixty modern artists and provides interviews, biographies and essays on their works and achievements will be available at all Barnes & Noble Stores and our independent stores and newsstands, accompany by an amazing video production which includes rare video interviews, clips of the exhibitions, and behind the scenes glimpses of the artists in action, exclusively brought to you by ATIM!
Coming up June 10th! 2014 Medal of Honor Winner at the National Academy of Fine Arts in Brazil Our highly-anticipated and ground-breaking publication!
ATIM’s Top 60 Masters of Contemporary Art
Readers, please support our artists and help contemporary art flourish. At Arttour International Magazine, we want to create the magazine you want to read, so please, send us your feedback, story ideas, etc. If you are interested in becoming a contributing writer send us an email to vp@arttourinternational.com We look forward to continue with this multicultural celebration of art for many years to come! Viviana Puello Editor in Chief Arttour International Magazine
Featuring 60 incredible artists bringing to light the best of the best in the contemporary art world showcasing works by master artists like Hessam Abrishami, Fabian Perez, and Vladimir Volegov among others. The publication that spotlights top talent from a vast array of artistic forms with some of the most talented and inspiring artists operating in the world today.
CONTRIBUTORS EDITOR IN CHIEF
PHOTOGRAPHY
Viviana Puello
On this issue: Alan Grimandi Ivan Hidalgo
Founder & Art Director of the ATIM and also the creator of the ATIM TV Channel and the "ART 2 HEART" Interviews.
She directs the operations together with Executive Director Alan Grimandi and with the help of our team. Viviana is the person who supervises the content of our magazine to make sure we meet our standards. She also directs all marketing strategies with the help of our publicists, marketing managers, advertisers and social media managers. Contact via email vp@arttourinternational.com. Phone (800) 807–1167 Ext 107 EXECUTIVE DIRECTOR/VIDEO-GRAPHIC DIRECTOR Alan Grimandi As our Executive Director, Alan is the person to approve all negotiations with partners and collaborators. Alan makes sure everything looks fantastic and keeps on top of the latest technology for our videos to make sure they look professional and with the best quality. Responsible for ATIM TV Alan travels with our video team to produce our "Art 2 Heart" Interviews to artists and personalities and for all our event coverage. Contact grimandi@arttourinternational.com Phone (800) 807–1167 Ext 108
CONTRIBUTING WRITERS AND EDITORS: Cody LaVada Alan Goodwin Samuel Moore Andrew Kroll Chris Salinas MARKETING & ADVERTISING Arttour International Publications CAREERS: We have the best, and most creative talent in the media industry — a team of young creators who produce our world-class content, design our state of the art magazine and produce amazing videos for our ATIM WEB T.V. using the latest technologies. If you are interested in getting involved with ATIM, working with us or becoming our partner please contact: info@arttourinternational.com
.
WEB DEVELOPER Humberto José Orozco Web Developer, Graphic Designer.
Beto as we call him is the brain behind the ATIM website! He makes sure it is up to date, it looks phenomenal and gets lots of exposure. He also does a lot of our fantastic graphic design for the magazine and marketing department. He's being with ATIM from day one. His company Humberto Orozco Publishing handles Web Designs for lots of important clients. Contact us by phone: (800) 807–1167 Editorial & Art Department Viviana Puello Tel: (800) 807–1167 Ext 107 vp@arttourinternational.com Video & Graphic Department ATIM Web TV Alan Grimandi Tel: (800) 807–1167 Ext 108 grimandi@arttourinternational.com Marketing & Advertising: info@arttourinternational.com
Front Cover : Rafael Amargo Photography: Iván Hidalgo Assistant Photography: Ricardo Lazaro Stylist: Miguel Garcia Hair & Make Up: David Daibis Photography Iván Hidalgo ArtTour International Publications © Copyright 2014 All Rights Reserved
CUSTOMER SUPPORT: Shipping & Orders Customer Support: info@arttourinternational.com or call USA: 800 807–1167 iTunes, Kindle, Newsstand Applications Customer Support: Contact customer service: via email at Click to see the E-mail or call USA: 310 359 8709 or UK: 208 196 9503. Office hours are 5:00am – 5:00pm PST Monday – Friday. DISTRIBUTION: USA & Canada Contact: +1 (800) 807–1167 Europe Contact +39 (345) 167–7704 Lebanon Contact Jeker Kerbage Bookshop, Fanar, Jdeideh, Beirut, Lebanon +961–1–896442
Published by Arttour International Publications Inc. 45 Rockefeller Plaza Suite 2000, New York, NY 10111 © Copyright 2014 Arttour International Magazine. All copyrights are reserved by the authors. The copyrights of all published artwork are retained by the artists. Reproduction of any published material without the written permission of the magazine's publisher is prohibited by law.
www.arttourinternational.com
CONTENTS
Spring 2015
ArtTour International Magazine “The Global Platform for the Artist of Today” Awarded the 2014 Medal of Honor by the National Academy of Fine Arts in Brazil
This is an interactive publication! Look for the Art 2 Heart logo: Click on it to watch the video interviews and behind the scene footage of our feature artists. For more information log on to www.atimtv.com
Page 30
• “Queen of the Arctic” by Viviana Puello – page 12 • The Art of Vladimir Volegov – by Alan Goodwin page 17 • “Cube Abstracto” The unique works of Victoria Blak by Samuel Moore – page 24 • Rafael Amargo “Poetry in Motion” by Viviana Puello page 30 • Social Pages – page 40 • “Church of the Light” Inside Tadao Ando’s Masterpiece by Andrew Kroll – page 55 • Kyōto – by Suzanne Duncan page 61 • Conchita Wurst “The Power of Followed Dreams” by Cody LaVada page 68 FEATURE ARTISTS:
Page 17
Page 12
• • • • • • • •
Rumen Sazdov – page 43 Anne D. Grandin – page 46 Anne Schlueter – page 46 Chantal Guyane – page 47 Claudia Luehti – page 47 Daniel McKinley – page 48 Deborah Bank – page 48 Detlef “Dego” Gotzens – page 49
Page 55
• • • •
Demian – page 49 Donna Bonin – page 50 Elena Kozhevnikova – page 52
• • • •
John Nieman – page 51 Sirenes – page 53 Syena – page 50 Yi Yong-Ae page 54
Hélène DeSerres – page 51
Page 61
"SU5PVS *OUFSOBUJPOBM .BHB[JOF JT BWBJMBCMF BU #BSOFT /PCMF TUPSFT OBUJPOXJEF #BSOFT /PCMF #JSNJOHIBN "#BSOFT /PCMF -JUUMF 3PDL "3 #BSOFT /PCMF 5VDTPO "; #BSOFT /PCMF 'MBHTUBGG "; #BSOFT /PCMF 5FNQF "; #BSOFT /PCMF 1IPFOJY "; #BSOFT /PCMF .BSJOB %FM 3FZ $" #BSOFT /PCMF -PT "OHFMFT $" #BSOFT /PCMF 4BOUB .POJDB $" #BSOFT /PCMF 4BO -VJT 0CJTQP $" #BSOFT /PCMF $PSUF .BEFSB $" #BSOFT /PCMF (MFOEBMF $" #BSOFT /PCMF 4BDSBNFOUP $" #BSOFT /PCMF &NNFSZWJMMF $" #BSOFT /PCMF 8BMOVU $SFFL $" #BSOFT /PCMF 4BO +PTF $" #BSOFT /PCMF -POH #FBDI $" #BSOFT /PCMF $PTUB .FTB $" #BSOFT /PCMF &ODJOJUBT $" #BSOFT /PCMF .POUDMBJS $" #BSOFT /PCMF 1BMN %FTFSU $" #BSOFT /PCMF 4BOUB 3PTB $" #BSOFT /PCMF "MJTP 7JFKP $" #BSOFT /PCMF 0SBOHF $" #BSOFT /PCMF &M $FSSJUP $" #PPLTUBS 4UVEJP $JUZ $" #BSOFT /PCMF /FXQPSU #FBDI $" #BSOFT /PCMF 4BO .BUFP $" #BSOFT /PCMF .BOIBUUBO #FBDI $" #BSOFT /PCMF 1BMNEBMF $" #BSOFT /PCMF 4BO %JFHP $" #BSOFT /PCMF 5PSSBODF $" #BSOFT /PCMF 'SFTOP $" #BSOFT /PCMF $BMBCBTBT $" #BSOFT /PCMF #PVMEFS $0 #BSOFT /PCMF %FOWF $0
#BSOFT /PCMF %FOWFS $0 #BSOFT /PCMF (PMEFO $0 #BSOFT /PCMF 5IPSOUPO $0 #BSOFT /PCMF 8FTUQPSU $5 #BSOFT /PCMF .BODIFTUFS $5 #BSOFT /PCMF 4UBOGPSE $5 #BSOFT /PCMF %BOCVSZ $5 #BSOFT /PCMF 8FTU )BSUGPSE $5 #BSOFT /PCMF 8BTIJOHUPO %$ #PCh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
#BSOFT /PCMF $IJDBHP *#BSOFT /PCMF 0BL #SPPL *#BSOFT /PCMF (FOFWB *#BSOFT /PCMF 1FPSJB *#BSOFT /PCMF /BQFSWJMMF *#BSOFT /PCMF -FBXPPE ,4 #BSOFT /PCMF /FXQPSU ,: #BSOFT /PCMF .FUBSJF -" #BSOFT /PCMF #BUPO 3PVHF -" #BSOFT /PCMF -BGBZFUUF -" #BSOFT /PCMF .BOEFWJMMF -" #BSOFT /PCMF #BUPO 3PVHF -" #BSOFT /PCMF 'SBNJOHIBN ." #BSOFT /PCMF )BEMFZ ." #BSOFT /PCMF #VSMJOHUPO ." #BSOFT /PCMF )ZBOOJT ." #BSOFT /PCMF #PTUPO ." #BSOFT /PCMF #SBJOUSFF ." #BSOFT /PCMF 1JUUTmFME ." #BSOFT /PCMF 1FBCPEZ ." #BSOFT /PCMF )PMZPLF ." #BSOFT /PCMF 8BMQPMF ." #BSOFT /PCMF -FPNJOTUFS ." #BSOFT /PCMF #FUIFTEB .% #BSOFT /PCMF #BMUJNPSF .% #BSOFT /PCMF 5PXTPO .% #BSOFT /PCMF #BMUJNPSF .% #BSOFT /PCMF "OOBQPMJT .% #BSOFT /PCMF 'SFEFSJDL .% #BSOFT /PCMF (SPTTF 1PJOU .* #BSOFT /PCMF /PSUIWJMMF .* #BSOFT /PCMF "OO "SCPS .* #BSOFT /PCMF 3PDIFTUFS )JMMT .* #BSOFT /PCMF 1PSUBHF .* /FX )PSJ[POT #PPL 4I 3PTFWJMMF .* #BSOFT /PCMF .JOOFBQPMJT ./
#BSOFT /PCMF 3PTFWJMMF ./ #BSOFT /PCMF .JOOFUPOLB ./ #BSOFT /PCMF .JOOFBQPMJT ./ #BSOFT /PCMF &EJOB ./ #BSOFT /PCMF 4U 1BVM ./ #BSOFT /PCMF ,BOTBT $JUZ .0 #BSOFT /PCMF -B%VF .0 #BSOFT /PCMF .JTTPVMB .5 #BSOFT /PCMF (SFFOTCPSP /$ #BSOFT /PCMF "TIFWJMMF /$ #BSOFT /PCMF %VSIBN /$ #BSOFT /PCMF %VSIBN /$ #BSOFT /PCMF 0NBIB /& #BSOFT /PCMF -JODPMO /& #BSOFT /PCMF /FXJOHUPO /) #BSOFT /PCMF 1SJODFUPO /+ #BSOFT /PCMF $-JGUPO /+ #BSOFT /PCMF .PSSJT 1MBJOT /+ #BSOFT /PCMF 4QSJOHmFME /+ #BSOFT /PCMF )BDLFOTBDL /+ #BSOFT /PCMF #SJEHFXBUFS /+ #BSOFT /PCMF 1BSBNVT /+ #BSOFT /PCMF -JWJOHTUPO /+ #BSOFT /PCMF /PSUI #SVOTXJDL /+ #BSOFT /PCMF $MBSL /+ #BSOFT /PCMF "MCVRVFSRVF /. #BSOFT /PCMF -BT 7FHBT /7 #BSOFT /PCMF )FOEFSTPO /7 #BSOFT /PCMF /FX :PSL /: #BSOFT /PCMF /FX :PSL /: #BSOFT /PCMF /FX :PSL /: #BSOFT /PCMF #SPPLMZO /: #BSOFT /PCMF #SPPLMZO /: #BSOFT /PCMF /FX :PSL /: #BSOFT /PCMF /FX :PSL /: #BSOFT /PCMF /FX :PSL /:
#BSOFT /PCMF #BSOFT /PCMF ,JOHTUPO /: ,JOHTUPO /: #BSOFT /PCMF #BSOFT /PCMF .PIFHBO -BLF /: .PIFHBO -BLF /: #BSOFT /PCMF #BSOFT /PCMF "MCBOZ /: "MCBOZ /: #BSOFT /PCMF #BSOFT /PCMF :POLFST /: :POLFST /: #BSOFT /PCMF #BSOFT /PCMF $BSMF 1MBDF /: $BSMF 1MBDF /: #BSOFT /PCMF #BSOFT /PCMF *UIBDB /: *UIBDB /: #BSOFT /PCMF #BSOFT /PCMF 3PDIFTUFS /: 3PDIFTUFS /: #BSOFT /PCMF #BSOFT /PCMF 8IJUF 1MBJOT /: 8IJUF 1MBJOT /: #BSOFT /PCMF #BSOFT /PCMF "NIFSTU /: "NIFSTU /: #BSOFT /PCMF #BSOFT /PCMF .BOIBTTFU /: .BOIBTTFU /: #BSOFT /PCMF #BSOFT /PCMF 1PVHILFFQTJF /: 1PVHILFFQTJF /: #BSOFT /PCMF #BSOFT /PCMF 'PSFTU )JMMT /: 'PSFTU )JMMT /: #BSOFT /PCMF #BSOFT /PCMF 4BSBUPHB 4QSJOHT /: 4BSBUPHB 4QSJOHT /: #BSOFT /PCMF #BSOFT /PCMF XXX NJDIFMMFHJFMBO DPN /FXCVSHI /: /FXCVSHI /: #BSOFT /PCMF #BSOFT /PCMF &BTU /PSUIQPSU /: &BTU /PSUIQPSU /: #BSOFT /PCMF #BSOFT /PCMF /BOVFU /: /BOVFU /: #BSOFT /PCMF #BSOFT /PCMF $MBSFODF /: $MBSFODF /: #BSOFT /PCMF #BSOFT /PCMF $PMVNCVT 0) $PMVNCVT 0) #BSOFT /PCMF #BSOFT /PCMF %BZUPO 0) %BZUPO 0) #BSOFT /PCMF #BSOFT /PCMF $PMVNCVT 0) $PMVNCVT 0) #BSOFT /PCMF #BSOFT /PCMF 8PPENFSF 0) 8PPENFSF 0) #BSOFT /PCMF #BSOFT /PCMF $PMVNCVT 0) $PMVNCVT 0) #BSOFT /PCMF #BSOFT /PCMF 8FTUMBLF 0) 8FTUMBLF 0) #BSOFT /PCMF #BSOFT /PCMF 0LMBIPNB $JUZ 0, 0LMBIPNB $JUZ 0, #BSOFT /PCMF #BSOFT /PCMF 5VMTB 0, 5VMTB 0, #BSOFT /PCMF #BSOFT /PCMF 0LMBIPNB $JUZ 0, 0LMBIPNB $JUZ 0, #BSOFT /PCMF #BSOFT /PCMF &VHFOF 03 &VHFOF 03 #BSOFT /PCMF #BSOFT /PCMF 1PSUMBOE 03 1PSUMBOE 03 #BSOFT /PCMF #BSOFT /PCMF 1IJMBEFMQIJB 1" 1IJMBEFMQIJB 1" #BSOFT /PCMF #BSOFT /PCMF 1JUUTCVSHI 1" 1JUUTCVSHI 1" #BSOFT /PCMF #BSOFT /PCMF )PNFTUFBE 1" )PNFTUFBE 1" #BSOFT /PCMF #BSOFT /PCMF 1MZNPVUI .FFUJOH 1" 1MZNPVUI .FFUJOH 1" #BSOFT /PCMF #BSOFT /PCMF #FSXZO 1" #FSXZO 1" #BSOFT /PCMF #BSOFT /PCMF 4UBUF $PMMFHF 1" 4UBUF $PMMFHF 1" #BSOFT /PCMF #BSOFT /PCMF -BODBTUFS 1" -BODBTUFS 1" #BSOFT /PCMF #BSOFT /PCMF 8ZPNJTTJOH 1" 8ZPNJTTJOH 1"
',675,%87,21 !2):/.! $3&4$&/5 50#"$$0 4)01 o $0/(3&44 4 & $0/(3&44 45 56$40/ "; $3&4$&/5 50#"$$0 4)01 & 5"/26& 7&3%& 30"% 56$40/ "; $"-*'03/*" %& -"6&3h4 /&8445"/% 1"3, 45 "-".&%" $" o /&84#&"5 5)*3% 45 %"7*4 $" '"3-&:h4 &"45 (3"/% "7& 0",-"/% $" *446&4 4)01 (-&/ "7& 0",-"/% $" 1"3"4 /&84 45 4"/ %*&(0 $" ""3%7"3, #00,4 $)63$) 45 4"/ '3"/$*4$0 $" '"3-&:h4 8&45 5) 453&&5 4"/ '3"/$*4$0 $" % $ $"1*50- /&84 300. $0//&$5*$65 "7& / 8 8"4)*/(50/ %$ .&530 $&/5&3 /&84 ( 45 /035)8&45 8"4)*/(50/ %$ '-03*%" #0#h4 /&84 #00,4 4065) "/%3&84 "7&/6& '035 -"6%&3%"-& '- *-*/0*4 26*.#:h4 #00,4 8 /035) "7& $)*$"(0 *- $*5: /&8445"/% o $)*$"(0 / $*$&30 $)*$"(0 *- $)*$"(0 ."*/ /&8445"/% $)*$"(0 "7& &7"/450/ *-
*/%*"/" #00, $03/&3 / 8"-/65 45 #-00.*/(50/ */ ."44"$)64&554 508/ /&84 5*$,&5 "(&/$: ."4'*&-% ." 3&% -*0/ 4.0,& 4)01 8"4)*/(50/ 45 4"-&. ." /&84#3&", o 48"/4&" 35 456"354 1-";" ( " 3 )*()8": 48"/4&" ." /&84#3&", */$ 1PQFT *T /&8 #&%'03% ." 508/ /&84 5*$,&5 "(&/$: / ."*/ 45 ."/4'*&-% ." ."3:-"/% "50.*$ #00,4 o #"-5*.03& '"--4 3% #"-5*.03& .% .*$)*("/ /&8 )03*;0/4 #00,4 4)01 & .JMF 3E 3PTFWJMMF .* /$ /&8 )03*;0/4 #00,4 4) %08/508/ #00,4 /&84 o "4)&7*--& /035) -&9*/(50/ "7& "4)&7*--& /$ 3&(6-"503 #00,4)01 45 %63)". /$ /&8 :03, #&%'03% &905*$4 #&%'03% "7& #300,-:/ /: %&,"-# $0/7&/*&/$& %&,"-# "7& #300,-:/ /: 13"55 /&84 ."(";*/& .:35-& "7& #300,-:/ /: o
*O $BOBEB BWBJMBCMF BU 4UVEJP 7PHVF (BMMFSZ "WFOVF 3PBE 5PSPOUP 0OUBSJP . 3 + $BOBEB 5FM o o
:PV BMTP mOE VT BU UIF GPMMPXJOH TUPSFT BOE OFXTTUBOET
.$/"--: +"$,40/ #00,4 13*/$& 45 /&8 :03, /: 45 ."3,4 #00,4)01 & SE 4U /&8 :03, /: "306/% 5)& 803-% '"4)*0/ 16#-*$"5*0/4 8 45 /&8 :03, /: # # /&84 "7& /&8 :03, /: #068&3*& *$0/*$ ."(";*/&4 #08&3: /&8 :03, /: '*345 $)0*$& /&84 */$ #30"%8": /&8 :03, /: (&. 41" */$ "7& /&8 :03, /: (-0#"- /&84 o "7& 5) "7& /&8 :03, /: */, 0/ " "7& " /&8 :03, /: */5&3/"5*0/"- /&84 ."(";*/&4 & 45 /&8 :03, /: ."(";*/& $"3%4 4503& "7& /&8 :03, /: .6-#&33: *$0/*$ ."(";*/&4 .6-#&33: 45 /&8 :03, /: 4)".* 4.0,& ."(";*/& #30"%8": /&8 :03, /: 40)0 /&84 */5&3/"5*0/"- 13*/$& 45 /&8 :03, /: 5*.&4 426"3& /&84 8 45 /&8 :03, /: 45 ."3,4 #00,4)01 & 45 /&8 :03, /:
."(";*/& $"'& 8 45 /&8 :03, /: #+ /&8445"/% */$ -&9*/(50/ "7& /&8 :03, /: 0)*0 -*55-& 130'&4403 #00,4 o "5)&/4 4 $0635 45 "5)&/4 0) $*/$*//"5* '06/5"*/ 426"3& /&84 &"45 5) 45 $*/$*//"5* 0) #"/, /&84 $-"3, "7& $-&7&-"/% 0) 03&(0/ 3*$)h4 $*("3 4503& o 48 "-%&3 48 "-%&3 45 1035-"/% 03 1&//4:-7"/*" "73*- 4"/40. 45 1)*-"%&-1)*" 1" $)&45&3 $06/5: #00, $0 1"0-* 1*,& 8&45 $)&45&3 1" 5&9"4 """ /&84 */$ 3&4&"3$) #-7% 46*5& "645*/ 59 8*4$04*/ (3&&/'*&-% /&84 )0##: o 8&45 -":50/ "7& (3&&/'*&-% 8*
%JTUSJCVUFE JO *UBMZ CZ /BSEJOJ &EJUPSF 7JB EFMMF 7FDDIJF $BSDFSJ BMM JOUFSOP EFM DPNQMFTTP EFMMF .VSBUF 5FM %JTUSJCVUFE JO -FCBOPO CZ +FLFS ,FSCBHF #PPLTIPQ 'BOBS +EFJEFI #FJSVU -FCBOPO 5FM o o ] o o ] o o
$YDLODEOH IRU GLJLWDO GRZQORDG
*OUFSFTUFE JO EJTUSJCVUJOH "SU5PVS *OUFSOBUJPOBM .BHB[JOF JO ZPVS HBMMFSZ PS TUPSF &NBJM JOGP!BSUUPVSJOUFSOBUJPOBM DPN GPS JOGPSNBUJPO PO IPX UP CFDPNF B QBSUOFS EJTUSJCVUPS
70
:(% 7 9 7KH PRVW LQQRYDWLYH FRQFHSW LQ YLVXDO DUWV DLPLQJ WR EURDGFDVW YLD ZHEFKDQQHOV DQG RUELWDO VDWHOOLWHV DERYH WKH WHUULWRULHV RI (XURSH DQG $PHULFD WDUJHWLQJ D ODUJH DXGLHQFH 2ĆŞHULQJ D JOREDO SODWIRUP IRU DUWLVWV JDOOHULHV ĆŹOP PDNHUV DQG FUHDWLYH LQGLYLGXDOV WR H[SRVH WKHLU ZRUN RQ RXU YLUWXDO JDOOHU\ DQG SURPRWH WKHLU HYHQWV LQ D JOREDO DUWLVWLF VFHQH
“Art 2 Heart� Interview to Fabian Perez – UK $UW +HDUW ,QWHUYLHZ ZLWK )DELDQ 3HUH] IURP 8.
“Art 2 Heart� Interview to Lilou Mace – France $UW +HDUW ,QWHUYLHZ ZLWK /LORX 0DFH IURP )UDQFH
“Art 2 Heart� Interview to Joan Figueras, Mayor of Cadaquez – Spain $UW +HDUW ,QWHUYLHZ ZLWK -RDQ )LJXHUDV 0D\RU RI &DGDTXp] 6SDLQ
“Art 2 Heart� Interview to Paulo Teixeira Lopes – Portugal $UW +HDUW ,QWHUYLHZ ZLWK 3DXOR 7HL[HLUD /RSHV IURP 3RUWXJDO
“Art 2 Heart Interview to Rafael Amargo – Spain $UW +HDUW ,QWHUYLHZ ZLWK 5DIDHO $PDUJR IURP 6SDLQ
“Art 2 Heart Interview to Roula Chreim – Lebanon $UW +HDUW ,QWHUYLHZ ZLWK 5RXOD &KUHLP IURP /HEDQRQ
/HW¡V 3OD\ RQ www.arttourinternational.com
::: $7,079 &20
October 2014
10
70
,17(59,(:6 )URP FODVVLF SDLQWLQJV IURP )DELDQ 3HUH] ƬOOHG ZLWK MR\ DQG PRWLRQ WR )HUQDQGR %RWHURoV PDVWHU FUHDWLRQV $7,0 :HE 79 EULQJV DUW DQG DUWLVWV WR WKH ZRUOG &RQWHPSRUDU\ DUW EOHQGV PDQ\ GLƪHUHQW VW\OHV LQFOXGLQJ SDLQWLQJ SKRWRJUDSK\ VFXOSWXUH LQVWDOODWLRQ GLJLWDO DUW DQG PRUH :LWK RYHU VXEVFULEHUV DQG QHDUO\ KDOI D PLOOLRQ YLHZV $7,0 :HE 7 9 LV DQ H[FHOOHQW ZD\ WR ƬQG WKH EHVW LQ FRQWHPSRUDU\ DUW ZLWK ZRUNV IURP WKH PRVW UHQRZQHG LQWHUQDWLRQDO DUWLVWV RI WRGD\o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Ʈ\ ZLQJHG GLDPRQGV LQ WKH VSDUNOLQJ VXQOLJKW DQG WKH SRZHUIXO FRORU ZRUNV E\ PRVW SUHVWLJLRXV DUWLVWV DZDLW \RX DW $7,0 :HE 79
$UW +HDUW ZLWK $QGUHZ 0RQWDJXH /RUG 0D\RU RI 'XEOLQ ,UHODQG
$UW +HDUW ,QWHUYLHZ ZLWK &DUOD )UDFFL IURP ,WDO\
7XQH LQ WR RXU FKDQQHO DQG ZDWFK WKH PRVW UHFHQW HYHQWV RI WKH LQWHUQDWLRQDO DUW ZRUOG
ZZZ DWLPWY FRP www.arttourinternational.com
October 2014
11
ARTTOUR INTERNATIONAL SPRING 2015 ARTTOUR INTERNATIONAL SPRING 2015
Rafael Amargo
Poetry in motion by Viviana Puello
Some of the greatest icons and teachers, such as Rafael Aguilar, Antonio Canales, Mario Maya, Luisillo, and Lola Flores, help formed one of the greatest dancers and choreographers of our time. As an award winning film director and world class dancer Rafael has a busy schedule with no signs of slowing down anytime soon. With nearly three decades of experience he has worked in a variety of productions and received numerous awards. His creativity, innovation, and pure genius that is evident in his choreography, films, and plays have brought the name Rafael Amargo into many households worldwide. Cont. Next Page
www.arttourinternational.com www.arttourinternational.com
SpringSpring 2015 201530
30
www.arttourinternational.com
Spring 2015
31
Your window to the world! With the most popular artists and celebrities in the creative industry, "Art 2 Heart" Interviews are an innovative concept in visual arts aiming to broadcast via web channels and orbital satellites above the territories of Europe and America targeting a large audience. Conducted by Viviana Puello, ATIM's Art Director, and Director of the Vivid Arts Network International. Offering a global platform for artists, galleries, film makers and creative individuals to expose their work on our virtual gallery, and promote their events in a global artistic scene. Whether it's Art Openings or Art Breaking News Coverage, Arttour International Channels goal is to engage Art Organizations and thousands of readers each month.
Visit the ArtArt 2 Heart Channel at Visit 2 Heart! WWW.ATIMTV.COM
4,500
500
For more information our Art 2 Heart Interviews contact us via email to ads@arttouinternational.com or call (800) 807–1167 Ext 107
Tel (800) 807–1167 If you are an artist interested Fax (347) 704–1468 Published by:
ARTTOUR INTERNATIONAL SPRING 2015
“Golf Rotation” Oil on Canvas 32” x 47”
RUMEN SAZDOV Born in Bulgaria, based in Prague. His flowing figurative geometries, with their bold tones and manipulation of depth and two-dimensionality, belong firmly to the lineage of lyrical Cubism. Sazdov assembles his arresting images with strong, thick borders around triangles, rectangles, and trapezoids of strong, sharply contrasting hues. His separation of subjects into discrete geometric parts accentuates the power of his exquisite color collisions.
“Clown In Love” Oil on Canvas 46” x 38”
“So Far, So Close” Oil on paper board 29” x 23”
“Cubistic Composition” Oil on Canvas 28” x 20”
www.rumensazdov.cz Email: sazdovmanagement@email.cz www.arttourinternational.com
Spring 2015
43
FOR MORE INFORMATION email: info@arttourinternational.com or LOG ON TO WWW.ARTTOURINTERNATIONAL.COM
www.vividartsnetwork.com
www.vividartsnetwork.com Connecting artists and art Organizations beetween Continents.!
COLLECTIVE EXHIBITIONS • SOLO EXHIBITIONS • INTERNATIONAL MARKETING CAMPAIGNS.
USA Tel +1 (917) 289–1007 Ext 107. Italy Tel +39 (345) 167–7704 email: info@arttourinternational.com New York
Miami
www.arttourinternational.com
Toronto
Firenze
Ferrara
Spring 2015
45
church of the light
Inside Tadao Ando’s Masterpiece by Andrew Kroll In the small town of Ibaraki, 25km outside of Osaka, Japan, stands one of Tadao Ando’s signature architectural works, the Church of the Light. The Church of the Light embraces Ando’s philosophical framework between nature and architecture through the way in which light can define and create new spatial perceptions equally, if not more so, as that of Completed in 1989, the his concrete structures. Church of the Light was a renovation to an existing Christian compound in Ibaraki. The new church was the first phase to a complete redesign of the site – later completed in 1999 – under Ando’s design aesthetic.
For Ando, the Church of Light is an architecture of duality – the dual nature of [co]existence – solid/void, light/dark, stark/serene. The coexisting differences
www.arttourinternational.com www.arttourinternational.com
leave the church void of any, and all, ornament creating a pure, unadorned space. The intersection of light and solid raises the occupants awareness of the spiritual and secular within themselves The employment of simplistic materials reinforces the duality of the space; the concrete structure removes any distinction of traditional Christian motifs and aesthetic. Besides an extruded cross from the east facing façade, the church is composed of a concrete shell; the concrete adds to the darkness of the church by creating a more humble, meditative place of worship. As a testament to minimalist architecture, the crosses void in the east facing wall is the only prominent religious symbol present in the church. Cont. next page
Spring 2015 Spring 2015 55
55
ARTTOUR INTERNATIONAL SPRING 2015 Interior of the Church of the Light, designed by Tadao Ando, in Ibaraki, Osaka Prefecture. Photography Sira Anamwong Š Copyright 2015 All Rights Reserved
www.arttourinternational.com www.arttourinternational.com
Spring2015 2015 Spring
56 56
ARTTOUR INTERNATIONAL SPRING 2015
Kyōto 京都
by Suzanne Duncan Photography: Suzanne Duncan © All rights reserved.
The city that once served as Japan's capital and the emperor's residence from 794 until 1868, is now the country's seventh largest city with a population of 1.4 million people and a modern face. Over the centuries, Kyoto was destroyed by many wars and fires, but due to its historic value, the city was dropped from the list of target cities for the atomic bomb and spared from air raids during World War II. Countless temples, shrines and other historically priceless structures survive in the city today.
www.arttourinternational.com www.arttourinternational.com
Spring 2015 61 Spring 2015
61
www.arttourinternational.com
Spring 2015
74
At the Sale dell’Imbarcadero of the Castello Estense (Este Castle) in Ferrara, Italy an exhibition showcasing diverse styles, expressions and techniques: a unique gallery ... coming up August 22nd – 29th 2015!
PAINTING PHOTOGRAPHY SCULPTURE INSTALLATION DANCE DIGITAL ART MUSIC POETRY
For further information email: info@vividartsnetwork.com Phone In Italy +39 345–1167–7704 In USA call (800) 807–1167 Ext 107
Click to download! livepage.apple.com
Locate A Store Near You!
livepage.apple.com
livepage.apple.com
http://www.amazon.com/gp/product/B00HQ0I9JG 5342 0707 0040 9237 Exp 1/17 http:// sec number 849
http://www.amazon.com/gp/product/B00HQ0I9JG http://www.amazon.com/gp/product/B00HQ0I9JG http://www.amazon.com/gp/product/B00HQ0I9JG http://www.amazon.com/gp/product/B00HQ0I9JG http://www.amazon.com/gp/product/B00HQ0I9JG http://
http://www.magzter.com/search/arttour%20international
5342 0707 0040 9237 Exp 1/17 sec number 849
Text http://www.magzter.com/search/arttour%20international
http://www.magzter.com/search/arttour%20international http://www.magzter.com/search/arttour%20international
http://www.magzter.com/search/arttour%20international
http://www.magzter.com/search/arttour%20international
i
i
i