ATIM WINTER 2024 - ANNIVERSARY ISSUE

YEAR 2024 WINTER ISSUE www.arttourinternational.com

DISCOVER THE WINNERS Of The Cover Art Contest!

“Canned Koi Cosmology” by Andrea Berthel

AI ART: AI ASCENDANCY:

CREATIVE BREAKTHROUGH THE CRITICAL WAKE-UP OR PLAGIARISM PITFALL CALL FOR VISUAL ARTISTS

"Compassion" Oil on Canvas by Irina Howard

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INTERVIEWS

The ArtTour International Show Thursday Afternoon Well Spent

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CEO/EDITOR-IN-CHIEF VIVIANA PUELLO www.vivianapuello.com Email: viviana@arttourinternational.com COO/GRAPHIC DIRECTOR ALAN GRIMANDI www.alangrimandi.com Email: alan.grimandi@arttourinternational.com GRAPHIC DESIGN Jannina Mejia Diaz Email: graphics@arttourinternational.com WEB DESIGN: Humberto Jose Orozco CUSTOMER SUPPORT: Email: admin@arttourinternational.com Tel: 1 800 807-1167 ADVERTISING: To place an Ad contact: info@arttourinternational.com

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ON THE COVER “Canned Koi Cosmology” by Andrea Berthel

MARKETING: www.mediakit.art PODCAST “The Winner’s Journey” www.vivianapuello.com/podcast ArtTour International TV Show https://www.arttourinternational.com/atim-tv-show/ Tune in on Thursdays at 5:30 PM EST In New York, Tune in to MNN-HD Ch. 1993 in Manhattan (TWC/SPECTRUM). Outside of New York watch the live streaming of our show at MNN.ORG FOUNDATIONS: CREATE 4 PEACE www.create4peace.org ARTISTS FOR A GREEN PLANET www.artistsforagreenplanet.org GET FEATURED! If you’re an artist looking for a platform to expose your art, share your message and expand your network, contact info@arttourinternational.com for to find out how to get featured in our magazine.

ATTENTION: Help us protect visual artists rights. The copyrights of all published artworks are retained by the artists. Magazine published by ArtTour International Publications, Inc. 45 Rockefeller Plaza, 20th Floor, New York, NY 10111. Copyright © 2024 Reproduction of any published content without the written permission of the magazine’s publisher is prohibited by law.

www.arttourinternational.com

A Message From Our Editor-in-Chief Dear ArtTour International Family, As I begin writing this letter for our 13th-anniversary issue, I feel an overwhelming sense of gratitude and amazement. Thirteen years ago, Alan Grimandi and I started a shared dream that grew into ArtTour International, which now has a reach of over 10 million art enthusiasts worldwide.

This journey has been a beautiful mosaic of love, creativity, and resilience.

Every challenge and achievement has been a crucial part of building a global platform for artists. From our humble beginnings to becoming a leading voice in the art industry, our commitment to showcasing diverse and vibrant art has remained steadfast.

When I look back on our journey, I am reminded of the power of dreams and the strength of partnership. Alan’s unwavering support and our mutual love for art have been the bedrock of our success. Together, we have seen the magazine evolve, embracing digital innovation and advocating for social and environmental causes. Initiatives like Create 4 Peace and Artists For A Green Planet reaffirm our belief in the transformative power of art.

As we embark on a new era of transformation, we are excited to adopt our new mantra, “Dare To Create.” We are committed to supporting and elevating the voices of artists and change-makers.

This year marks an exciting expansion with our “Illuminate” Billboard Exhibitions and the launch of our Vivid Arts Network TV Channel, now available on platforms like Roku, Amazon Fire, Apple TV, and Google Play. The premiere of our original series “Art Titans” Documentaries is a significant leap forward in our quest to innovate and provide the most advanced platform for artists worldwide. Stay tuned for amazing things!

Thank you for joining us on this incredible journey. Your support, art, and passion are the lifeblood of ArtTour International. Here’s to advancing our journey together and creating a world where art is not just seen but deeply felt.

With gratitude and love.

STAY INSPIRED Viviana Puello CEO/Founder ArtTour International Publications Inc

INDEX WINTER 2024 • ALEKSANDRA CIĄŻYŃSKA ...... Page 36

• GRADY T. ZEEMAN ...... Page 44

• ANASTASIIA KOZLOVA ...... Page 49

• GEORGE CAMILLE ...... Page 66

•ANA INGHAM ...... Page 114

• HÉLÈNE DESERRES ...... Page 108

• ANDREA BERTHEL ...... Page 38

• HELEN KAGAN HEALINGARTS ...... Page 68

•BRUCE M.SCHUETTINGER ...... Page 40 PA-AIC ISFD

• HOLLIE ROSS ...... Page 70 • IRINA HOWARD ...... Page 71

AND MOSART, INC

• JEAN-JACQUES PORRET ...... Page 72

• CHARLES WHITING ...... Page 45

• JOSH VOYNICK ...... Page 74

• CELESTE FRIESEN ...... Page 42

• JOHN NIEMAN ...... Page 28

• CHRISTINE LAUBACH ...... Page 46

• KAREN SAFER ...... Page 75

• CHRISTOPHE SZPAJDEL ...... Page 48

• KUSHLANI JAYASINHA ...... Page 116

• CLEO MITCHEL ...... Page 43

• LETICIA HERRERA ...... Page 76

• DAN MCCORMACK ...... Page 50

• LON LEVIN ...... Page 78

•DERWIN LEIVA ...... Page 111 •DIDA ANDR ...... Page 53 • DEBORAH FRIEDMAN ...... Page 52 • ERNIE BENTON ...... Page 54

• LINDSEY MCTAVISH ...... Page 79 • MEMs ACRYLIC PAINTINGS ...... Page 80 PAINTING ARTIST MARILYN MILLER

• ERICK MOTA ...... Page 56 • FRANK “CHIP” MAYES ...... Page 58 • FRANK HOEFFLER ...... Page 20 • FRANS FRENGEN ...... Page 60 • GAYLE PRINTZ ...... Page 24 FRANK HOEFFLER Page 20

TRACEY CHAYKIN Page 16

• MARTHA R. LANG ...... Page 82 • MONIKA ANNA KOVATSCH ...... Page 84 • MONIKA BENDNER ...... Page 85 • NEELA PUSHPARAJ ...... Page 32 • OENONE HAMMERSLEY ...... Page 86 • PATRICIA GAGIC ...... Page 110 AI ART: CREATIVE BREAKTHROUGH OR PLAGIARISM PITFALL - Page 122

ARTISTS TOGETHER FOR PEACE Page 62

CONGRATULATIONS TO OUR COVER ART CONTEST WINNERS!

PHIL DYNAN Page 88

ANDREA BERTHEL Page 38

• PETER VAN GIESEN ...... Page 87 • PHIL DYNAN ...... Page 88 • QIURUI DU ...... Page 90 • RAYMOND QUENNEVILLE ...... Page 92 • RIC CONN ...... Page 106 • ROBERT M. DESCHENES ...... Page 93 • ROD CUSIC ...... Page 94

ART2024.NYC Page 118

• SILK POP ART ...... Page 95

NEELA PUSHPARAJ Page 32

• SOUAD HADDAD ...... Page 96 •SUZANNE L. CROSS, PhD ...... Page 112 • SYLWIA HERBST ...... Page 98 • THERESE BOISCLAIR ...... Page 99 • TINA PUCKETT ...... Page 100 • TOTI CUESTA ...... Page 102 • TRACEY CHAYKIN ...... Page 16 •WENDY COHEN ...... Page 107 • ZOOOOOZ ...... Page 104 AI ASCENDANCY: THE CRITICAL WAKE-UP CALL FOR VISUAL ARTISTS - Page 124

JOHN NIEMAN Page 28

GAYLE PRINTZ Page 24

Aleksandra Ciążyńska

Avadka Colez

Barbara Tyler Ahlfield

Aase Birkhaug ICA

Dida Andr

Andrea Berthel

Berta Jayo

Mary Di Iorio

Federico Uribe

ATIM COVER CONTEST

Frank Hoeffler

Gayle Faulkner

Gunilla Klemendz

Gemma Gylling

Stephen Mimms

Jan Lowe

Gyuhye Yeon

Geraldine Simmons

Hollie Ross

Suzanne Cross

Irina Howard

John Nieman

Josie Gearhart

Jim Fitzpatrick

Josef Weidner

Dan McCormack

Rich DiSilvio

Layla Fanucci

Kathleen Kilchenmann

Rosalyn Kahn

ANNIVERSARY ISSUE

Lindsey Mctavish

Neela Pushparaj

Masaki Hirokawa

Oenone Hammersley

Sylwia Herbst

Wendy Cohen

Paul Gilbertson

Patrick Joosten

Phil Dynan

Tony Seker

Ramón Rivas

Rod Cusic

Ricard Recio Ponce

Susan Zatt

Subodh Maheshwari

ATIM COVER CONTEST

Thaarunika Thiyagarajan

Tammy Novak

Tracey Chaykin

Varda Breger

Wendy Burr

HONORABLE MENTION

Masaki Hirokawa We are thrilled to announce that Masaki Hirokawa is the winner of the interior back cover with a piece that eloquently captures the essence of birthplace and destiny. Hirokawa’s art transcends mere imagery, evoking a sense of the cosmic ocean - a metaphor for the beauty and serenity of their birthplace. This piece is not just a visual journey, but a spiritual odyssey, representing the ultimate return to one’s roots. Unfortunately, the melodies and voices of the past may fade, but Hirokawa masterfully keeps them alive through art. This winning piece is a poignant rem ind er of the journey towards Nirvana, symbolized by the midnight smoke rising into the sky- a representation of the soul’s ascension and liberation. Congratulations to Maski Hirokawa for this deeply moving and beautifully executed work.

HONORABLE MENTION

Gemma Gylling We are proud to announce an Honorable Mention for artist Gemma Gylling for her photographic work “Reflecting On Family.” Captured during a unique experience at the Mashatu Game Reserve in Botswana, this piece is the result of Gylling’s time spent in an underground photographic hide adjacent to a waterhole in prime elephant habitat. Her work offers a fascinating insight into the world of elephant families, highlighting the playful and intimate moments, especially those involving baby elephants. The composition and artwork stem from a photo taken by Gylling during these engaging photography sessions, showcasing not just her photographic talent but also her deep appreciation for the natural world and its inhabitants. Congratulations to Gemma Gylling for this beautifully crafted and insightful portrayal of wildlife.

HONORABLE MENTION

Berta Jayo We are delighted to award an Honorable Mention to artist Berta Jayo for her thought-provoking piece featuring a topless Statue of Liberty. This bold reinterpretation of an iconic symbol stands as a profound statement on female empowerment, freedom, and liberty. Jayo’s work challenges conventional representations and invites viewers to contemplate the deeper meanings of liberty and equality, particularly in the context of women’s rights and empowerment.

Her courageous approach to blending historical symbolism with contemporary issues not only sparks conversation but also highlights the ongoing struggle for gender equality. Berta Jayo’s artistic expression serves as a powerful reminder of the strength and resilience inherent in the pursuit of freedom and equality for all.

HONORABLE MENTION

Tracey Chaykin We are pleased to announce Tracey Chaykin as the recipient of an Honorable Mention as a Master Artist for her intriguing mixed media piece, “Invisible.” Measuring 11x14, this artwork captivatingly portrays a bull Elk concealed in the brush, embodying the universal desire to be unseen at times. Chaykin’s skillful use of mixed media brings to life the concept of seeking refuge in plain sight, resonating with the deep-seated human longing for moments of invisibility. This piece stands out for its creative expression and emotional depth, making Tracey Chaykin a deserving honoree in this category. Congratulations to Tracey Chaykin for this exceptional work!

HONORABLE MENTION

Layla Fanucci We are excited to present Layla Fanucci with an Honorable Mention for her vivid cityscape of Central Park, NY. Internationally renowned for her unique painting style, Fanucci layers cities with bursts of color, creating captivating visuals. Her artwork has graced prominent galleries around the world. This specific piece brilliantly captures the dynamic spirit of New York City, showcasing her artistic talent and vision. Congratulations to Layala Fanucci on this outstanding and visually striking representation of urban life.

INTERIOR BACK COVER WINNER

Subodh Maheshwari We proudly announce Subodh Maheshwari as the winner for the interior cover with her painting “Cyclon” from “Treasure Under the Sea.” This acrylic and gold leaf creation aligns perfectly with ArtTour International’s environmental awareness mission, depicting a vibrant coral reef ecosystem. Initiated during the COVID-19 lockdown, this series represents a journey of personal resilience and emotional healing, especially poignant as Maheshwari coped with her son’s illness. Her work not only highlights her artistic talent but also emphasizes the importance of ocean preservation, making a significant contribution to environmental awareness through the power of art. Congratulations to Subodh Maheshwari on this impactful achievement.

www.subodhfineartstudio.com

INTERIOR COVER WINNER

Irina Howard We are proud to announce Irina Howard as the Interior Cover Winner for her evocative artwork “Compassion,” a testament to peace and awareness. Irina’s work, deeply rooted in her belief in the power of heartfelt art to touch lives, beautifully combines aesthetic grace with profound creative meaning. Her art, influenced by classical ideals and modern human values, reflects her commitment to themes of peace, hope, and spirituality. Through her artistic journey, akin to a traveler’s quest for understanding, Irina explores the struggles and triumphs of life, aiming to inspire hope and positivity. Her piece “Compassion” is not just a visual feast but a call to unity and transformation, embodying her vision of art as a catalyst for positive change and a deeper connection among people.

Congratulations to Irina Howard for this inspiring and soulstirring masterpiece.

www.irinahoward.com

BACK COVER WINNER

Phil Dynan Phil Dynan’s latest series of triptych paintings is a remarkable exploration of Transcontinental Migration, a topic that he portrays with both depth and sensitivity. The piece depicting the journey from Guatemala to New York, in particular, stands out for its profound resonance and emotional depth. This painting transcends the boundaries of traditional art, evolving into a narrative that vividly captures the realities of migration, a theme that echoes the experiences of many. Alongside this powerful depiction, his work on the migration from Africa to London is equally impactful. Phil Dynan’s exceptional ability to merge artistic talent with meaningful social messages is brilliantly showcased in these pieces, with the Guatemala to New York painting being especially noteworthy for its authentic and heartfelt portrayal of the migrant experience.

www.phildynan.com www.newperspective.studio

FRONT COVER WINNER

Andrea Berthel We are excited to announce Andrea Berthel as the distinguished winner for the Front Cover of the anniversary issue of ArtTour International Magazine. Andrea Berthel has captivated the art world with her innovative “Canned Koi Cosmology” series, initiated in 2019, where she intriguingly encapsulates entire worlds within a fish can. Her vibrant use of Pop Art colors combined with whimsical fish illustrations skillfully masks the profound political, philosophical, social, and environmental messages inherent in her work. A standout piece in this series is “Canned Koi Cannon,” which features koi fishes energetically leaping from a can, amidst exploding cannons - a metaphor rich in meaning and interpretation. Congratulations to Andrea Berthel for this creative and thought-provoking contribution to contemporary art.

www.andrea-berthel.de

“Gadwall Haven” Colored Pencil on Pastelmat, 10” x 7”

TRACEY CHAYKIN:

A VIVID PALETTE FOR ENVIRONMENTAL CONSCIOUSNESS www.traceychaykin.com

“Winter Break” Mixed Media on Pastelmat, 8.5” x 6”

“Mysterie” Colored Pencil on Tinted paper, 14” x 11”

By Viviana Puello

T

racey Chaykin is a masterful artist who has found a unique way to blend the beauty of art with the power of environmental conservation. Her vibrant and detailed

colored pencil drawings are visually stunning and serve as a voice for change. Chaykin's message of conservation and environmental stewardship through her artwork is clear and powerful.

Chaykin's art is a fusion of technique and passion for the natural world. Her drawings capture the essence of the subjects she portrays, often wildlife and natural landscapes, and tell a story beyond what is seen on the surface. Her commitment to conservation goes beyond her art, as she actively collaborates with organizations like the IUCN/SSC Otter Specialist Group and Artists for a Green Planet. She also donates a portion of her sales to The Ocean Conservancy, an organization working to protect our ocean ecosystems.

Chaykin's art has earned her well-deserved recognition and accolades, including being named one of ArtTour International Magazine's Top 60 Masters for 2022 and 2023. Her influence in the art world is apparent, and her message of environmental awareness has been featured in high-profile locations such as Times Square and respected publications. Looking ahead, Chaykin's mission of blending art with environmental activism will only grow stronger. Her future projects will delve deeper into the themes of nature and conservation, inviting viewers to appreciate the beauty of her work and reflect on their role in protecting our planet.

“Dillion” Colored Pencil on Pastelmat, 8” x 10”

In conclusion, Tracey Chaykin's artwork is a powerful tool for environmental consciousness. Her art challenges us to see the world differently, to appreciate its beauty, and to take action to preserve it for future generations. With her unique blend of technique and passion, Chaykin's work is a shining example of the role art can play in driving positive change.

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“Sanctuary” Colored Pencil on Pastelmat, 12” x 9”

“Each piece of Colored Pencil art is an opportunity to make an impact in the world with a mission to bring awareness to the conservation of our planet and all that exists on it. I create realistic and detailed drawings to inspire others to take action and help save the planet. I strive to make a difference, to evoke emotion and inspire the smallest of changes, through art, articles, and actions so that everyone can participate in helping our planet, and all that exists on it, flourish and thrive.”

Organizations such as ArtTour International Magazine, an online magazine that showcases contemporary visual artists and their artwork, the IUCN/SSC Otter Specialist Group to create awareness

In our day and age with the increasing effects of Climate Change on environments around the world, I am committed to using my art to promote conservation and have the honor of working with many organizations and initiatives to spread the message.

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“Hawaiian Love” Mixed Media on Black Paper, 7” x 5”

“Connected” Colored Pencil on Plastic Film, 11” x 14”

“Colorful Eats” Colored Pencil on Pastelmat, 14” x 11”

of otter conservation through art, ABUN - Artists and Biologists Unite for Nature, a group of scientists and artists who are devoted to creating positive change for nature conservation, and Artist for a Green Planet, a platform that connects and celebrates artists who are working to create a more sustainable future. All of these

“Hopeful” Mixed Media on Paper, 5” x 7”

collaborations have helped my work reach a wider audience and spread my message of conservation even further.

By sharing these works with your friends and family, you can also help spread awareness of the important cause that this work supports. Every bit helps when it comes to protecting our planet and all that exists on it. With my continued commitment to the environment and with the help of others, we can positively impact the environment and create a healthier world for future generations!”

“The Chase” Colored Pencil on Pastelmat, 7” x 5”

“Red Roof Barn” Oil on Canvas 20”x16”

FRANK HOEFFLER www.frank-hoeffler.pixels.com

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“Phalaenopsis” Oil on Canvas 18”x24”

“Banquet Bouquet” Oil on Canvas 16”x20”

“Sea of Wheat” OIl on Canvas 30”x24”

A

native of Wisconsin, Frank Hoeffler began painting at an early age. He is a classically trained professional artist who graduated from The University of Wisconsin Milwaukee Peck School of the Arts.

His formal training included advanced studios and multiple artistic mediums. His style varies from realism, impressionism, expressionism, and nonrepresentational to abstraction.

Frank Hoefflcr is one of ATIM’s sixty International Master Artists for 2022 and 2023. He received a very prestigious award from Arttour International Magazine at a redcarpet, black-tie Gala in Manhattan, New York, in June 2022 and 2023.

Frank Hoefflcr has been Invited, over the years, to exhibit in a multitude of national and international juried shows in major art museums and galleries across the country and in Europe since 1982.

Frank has judged and juried many art shows for artist guilds and art galleries. He is often asked to critique, demonstrate painting, and provide workshops as an instructor in and around the Milwaukee, WI, area. He also provides painting classes for adults throughout the winter months.

“Orchid in a Red Clay Pot” Oil on Canvas 16”x20”

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“The Last of the Apples” Oil on Canvas 24”x18”

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“Reclining Female Nude” Oil on Canvas 20”x16”

“Cows in the Pasture” Oil on Canvas 20”x16”

“Blossom” Oil on Canvas 30”x40”

“Eau De” Oil on Canvas 24”x36”

WINTER 24 | 23

GAYLE PRINTZ

COPPER ©2021 An Eight-Time Award Winning Acrylic on Canvas Painting 20” High x 24” Wide x 1.5” Deep

A WORLD MASTER ARTIST Https://www.GaylePrintz.com

A

lthough it seems impossible to anyone who has seen her artwork, American Abstract painter Gayle Printz picked up her first paintbrush in May of 2020 to reflect upon the beauty remaining in a world interrupted by the pandemic. In August 2020, her paintings were on exhibit in Europe, and by November, Gayle’s artwork was on Permanent Exhibit in France at Musée de Peinture de Saint-Frajou. A renowned World Master Artist, Gayle Printz is now one of the most important contemporary artists of our time. Printz continuously creates artworks that captivate the viewer’s attention—provoking the imagination to capture the personal and universal significance that lies beneath. An unparalleled abstract talent, Printz exhibits a uniquely recognizable style and unmatched artistic ability that has established Printz paintings as a reference for the international Contemporary Art Community. Her ground-breaking abstract artworks are beautifully composed, boldly expressive, balanced, inventive, passionate, inspiring, and already worth a fortune.

Breaking what seem to be established artistic rules, Printz paintings are said to possess a ground-breaking style defined by the liberal use of unconventional colors, a threedimensionality that allows new imagery and meaning to appear as you change the angle of your gaze, the deliberate yet unrestrained, movement of brushstrokes within the

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GOBBLE ©2023 A Five-Time Award Winning Acrylic on Canvas Painting 28” High x 22” Wide x 1.5” Deep

SEEKING ©2023 A Ten-Time Award Winning Acrylic on Canvas Painting 30” High x 24” Wide x 1.5” Deep

painting to convey abstract concepts, and a palpable sense of artistic freedom.

Unlike anything yet seen, Printz paintings freely cross artistic genres, revealing what art critics refer to as “influences,” ranging from abstract, geometric, modernistic, expressionistic, and postimpressionistic to paintings reminiscent of the 19th Century Masters. Asked

HIDING ©2021 A Sixteen-Time Award Winning Acrylic on Canvas Painting 40” High x 30” Wide x 1.5” Deep

how she is able to do this, Printz admits to being an “unintentional artistic rulebreaker.” Unintentional? Yes. “As an artist without training, I am unaware of the rules. And in a world without rules, the artistic possibilities are endless.”

Gayle Printz is a World Master Contemporary Artist, one of Sixty

World Master Artists, a Contemporary Celebrity Master, and An Artist To Watch. Of the eighty global media publications containing her work, Printz’s artwork has been on the cover of twenty, including, most recently, Current Masters 6 (California, U.S.A.), Spotlight Contemporary Art Magazine (Lyon, France), Contemporary Art Collectors Book (U.K.), Contemporary Art Explore (Palermo, Italy), and Contemporary Celebrity Masters V (Rome, Italy).

Printz paintings have traveled the World: (1) In physical exhibitions: (Miami Art Week, ArtExpo New York, Art San Diego, and the Tokyo Tower Art Fair); (2) In year-long solo exhibitions: The MoCA (Los Angeles, California), Circle Foundation For The Arts (Lyon, France), and Contemporary Art Awards (Queensland, Australia); (3) Winning countless International Art Prizes: Harmony For Humanity -The Global Consciousness Art Prize (England and Wales), The International Voices of Tomorrow Art Prize (Barcelona, Spain), The Faces of Peace Art Prize (U.K.), The International Art For Peace Prize (U.K. and Barcelona, Spain), The World’s Best Artist Prize (Palermo, Italy), The 2023 Exhibizone Grand Prize (Vancouver, B.C.), The Fifth International Prize Leonardo da Vinci (Milan, Italy), and The Gallerium International Art Prize (Vancouver, B.C.); and, (4) Winning

GOLD & SILVER ©2020 A Seven-Time Award Winning Acrylic on Canvas Painting 14” High x 18”Wide

WINTER 24 | 25

BLACK & SILVER ©2020 A Sixteen-Time Award Winning Acrylic on Canvas Painting 11” High x 14” Wide

distinguished International Awards: The Biafarin Award (Toronto, Canada), The Art Diamond Museum Artist Award (Rome, Italy), The Art Collector’s Choice Award (New York, NY) and, an additional 1500 merit awards in juried international art competitions.

Having accomplished this since May of 2020, Gayle Printz is nothing short of extraordinary. It is also remarkable that every Printz painting is an international award winner.

When asked which accomplishment she values most, Gayle Printz replies without hesitation, “The greatest prize of all is when collectors return for more because my work has touched them so powerfully.” Gayle’s patrons include actors, musicians, physicians, professionals, art collectors, investors, businesses, and art lovers—all of whom have purchased more than one Printz painting! Printz Paintings rank among the most sought-after Art Investments in the World.

CASCADE ©2023 A Twelve-Time Award Winning Acrylic on Canvas Painting 48” High x 24” Wide x 1.8” Deep

POP ©2023 A Nine-Time Award Winning Acrylic on Canvas Painting 28” High x 22” Wide x 1.5” Deep

SWAN ©2023 A Fourteen-Time Award Winning Acrylic on Canvas Painting 28” High x 22” Wide x 1.5” Deep

THE BLUES ©2020 A Twelve-Time Award Winning Acrylic on Canvas Painting 11” High x 14” Wide

Art has the potential to inspire change and contemplation. In the case of Gayle Printz, change and contemplation inspired art. Printz paintings result from a life-changing pandemic shared by People around the World. Because of this, Gayle sees art as a universal language; it allows us to find meaning

ANGUISH ©2022 A Thirteen-Time Award Winning Acrylic on Canvas Painting 20” High x 16” Wide

and experience the World as one. In this case, by translating the colors of her World into the universal language of art, Gayle Printz hopes to promote unity and inspire all People to celebrate the beauty in life.

WHY ©2023 A Five-Time Award Winning Acrylic on Canvas Painting 12” High x 12” Wide

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“Tubes” Pastel, 32”x26”

JOHN NIEMAN www.johnnieman.com

A

fter several decades as an international creative director for Ad Agencies, John Nieman decided to reinvent his life and devote it to art. His first forays were pastels and watercolor paintings. He was quickly invited to many shows in the U.S. and the U.K. Japan, Canada, Paris, Italy, Ireland, and Thailand –including more than a dozen solo art shows. Lately, he has progressed to more elaborate installations. He likes to create art that has an immediate impact and a residual mental tickle—either through words or subject matter.

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“Chained Butterfly” Pastel 26”x23” www.arttourinternational.com

“The Great Second Banana” Watercolor, 26”x23”

John Nieman is an exceptional artist who has mastered the art of storytelling through his captivating artwork. He combines watercolor and pastels to create immersive pieces that invite viewers to experience his unique perspective. John's vibrant colors and powerful words stir emotions within viewers, making them feel connected to the art. His artwork is personal and thought-provoking, encouraging introspection and reflection.

John's artwork is easily recognizable for its distinctive style and engaging themes. He combines traditional mediums with a contemporary twist, adding text to his pieces to create an interactive experience.

John's works are highly interactive, inviting viewers to become part of the story he tells. By seamlessly blending pictures

“Making Whoopie” Watercolor 32”x22”

“Cactus Bubbles” Pastel, 16”x10”

and words, he creates visually striking images that engage the eyes, heart, and sense of humor.

His masterful incorporation of text into his paintings sets John apart from other artists. His innovative approach to storytelling through art has earned him worldwide recognition, and his work has been exhibited in galleries across the United States and Europe.

For John, the creative process starts with a concept. He draws inspiration from current events, American culture, world icons, and other artists to create unique pieces of art. He combines English words and slang with images to create an immersive experience.

John's choice of medium is also an essential part of his creative process.

He primarily works with watercolor and pastels, allowing him to create fluid and vibrant pieces that evoke emotion and tell a story.

One of John's most notable installations, "Milk Cartons," features world icons representing the absent qualities in our society today. The installation profoundly impacts viewers, highlighting the qualities we should strive for as a

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“Flower Power” Pastel, 20”x16”

society. Each milk carton features a world icon with a word representing their qualities, such as "Compassion" beside Mahatma Gandhi's image or "Courage" beside Nelson Mandela's image.

John's artwork is a fusion of visuals and words that create an interactive art experience. His famous installations inspire people worldwide to reflect on

the emotions and values that define our humanity. John's art is a testament to his creativity, skill, and unique perspective.

John Nieman is highly acclaimed and has won numerous awards for his unique style, making him one of the most sought-after artists in today's art world.

His passion and dedication to art have made him a successful artist, and his talent for combining pictures and words

www.arttourinternational.com

“Wait Til Next Year” Watercolor, 30”x23”

has also made him a master storyteller through his artwork.

John draws inspiration from current events, American culture, world icons, and other artists. Once he has an idea, he explores different ways to express it through his art. One of the unique aspects of his work is the interplay of English words and slang with images.

One of John's notable installations, "Milk Cartons," portrays the old milk

cartons that police once used to exhibit missing persons. However, instead of missing people, John's artwork displays the absent qualities in our society today.

Each milk carton in the installation features a world icon representing those qualities.

The installation profoundly impacts the viewers, and the accompanying words enhance the narrative, emphasizing the qualities we should strive for as a society.

and a unique fusion of visuals and words that create an interactive art experience.

His famous installations, such as "Milk Cartons" and "Big Apple," continue to inspire people worldwide to reflect on the emotions and values that define our humanity. Overall, John's creative process is a balance of traditional techniques in a modern style, resulting in mesmerizing works of art that tell a story and engage the viewer.

John Nieman's art is visually pleasing “In One Basket” Watercolor, 20”x10”

“Come Walk in my Garden” Watercolor On Paper

NEELA PUSHPARAJ

A SYMPHONY OF COLORS AND EMOTIONS www.watercolorsbyneela.com

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“Floral Arrangement” Watercolor On Paper

“Girasol” Watercolor On Paper

By Viviana Puello

O

bserving Neela Pushparaj's work is like embarking on a vivid journey through a garden of emotions and colors. Her paintings, mainly her floral watercolors, are a cascade of hues and textures that speak directly to the soul.

Pushparaj's art, deeply ingrained in a world of vibrant color and delicate form, reflects a profound understanding of the natural world.

Floral Fantasies: A Testament to Nature's Beauty The floral themes prevalent in Pushparaj's work are not just representations of nature's beauty but profound explorations of life itself. Each brush stroke in her paintings encapsulates the fragility and resilience of nature. Her vibrant colors and the unique technique of negative painting bring out the ethereal quality of flowers, making each artwork a celebration of nature's fleeting yet enduring beauty.

Artistic Recognition and Influence Pushparaj's journey in the art world, marked by exhibitions in prestigious venues and recognition as a featured artist, speaks volumes of her impact. Her transition from a successful pathologist to an artist featured in prominent art biennales and galleries is a testament to her artistic prowess and the universal appeal of her work.

“Blue Poppy” Watercolor On Paper

“Tropical Blossoms” Watercolor On Paper

Teaching and Social Contributions: Extending the Artistic Dialogue Pushparaj's foray into teaching watercolor painting is not merely a transfer of skills but an extension of her artistic dialogue. Through teaching, she fosters a community of learners and enthusiasts, spreading art's joy and therapeutic benefits. Her involvement in social projects further illustrates her belief in art as a medium for positive change and community building.

“Roses Do Ramble” Watercolor On Paper

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“Floral Quilt” Watercolor On Paper, 15”x22”

“Three Roses” Watercolor On Paper

A Floral Ode to Life's Vibrancy Neela Pushparaj's art is a vivid ode to life's vibrancy, an exploration of the emotive power of color, and a celebration of nature's fleeting beauty. Her work is a reminder of the transformative power of art and its ability to bridge the gap between science and emotions. Pushparaj's paintings are not just visual treats but invitations to delve deeper into nature, beauty, and human emotions. Her artistic journey and contributions extend beyond the canvas, influencing not only the art world but also the broader community through her teachings and social engagements.

“Maiden Hair” Watercolor On Paper

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ALEKSANDRA CIĄŻYŃSKA

“Secret garden VI” Mix Media on Canvas 35”x35”

www.ciazynska.pl

A

leksandra was born in 1987 in Poland. She is a graduate of the University of Warsaw. She loved to paint since she was a child. She participated in classes conducted by prof Paweł Lewandowski-Palle for many years. She loves the world's diversity, and it is from this diversity that she draws inspiration. This is why her paintings are so diverse in terms of themes and techniques.

Aleksandra took part in many exhibitions. Among others, her paintings have been in New York, Rome, Venice, Barcelona, Munich, Sanremo, Valetta, Paris, and Ciechocinek. She received many awards, e.g., the Woman Art Award 2022 in Paris, ATIM's Top 60 Masters in New York, the Career Art Award in Sanremo, and the Leonardo da Vinci Prize in Milan. Her paintings have also appeared in many publications.

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“Secret garden IV” Mix Media on Canvas 35”x35”

“Secret garden VII” Mix Media on Canvas 35”x35”

For me, art is one of the forms of communicating with people, speaking without words. Image is a universal language for me. Through painting, I can convey my thoughts, my way of perceiving the world, and everything in my heart. The world is so colorful and diverse, yet we humans are more connected than it seems. We live in different places and speak other languages but have the same feelings and emotions. In my paintings, I want to show what unites us: the beauty of nature, the beauty of dreams, the beauty of gestures, traditions, and people. Because very often words are not needed, a picture can express everything.

“Secret garden VIII” Mix Media on Canvas 35”x35”

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“Koi Genie in a Bottle” Oil on Canvas, 2023, 39”X39”

ANDREA BERTHEL www.andrea-berthel.de

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A

ndrea Berthel is the creator of the Canned Koi Cosmology, showing the world in a fish can. Bright PopArt colors and humorous fish portrayals hide political, philosophical, social, or environmental themes. She paints hyper-realistically in oil, sometimes adding other media, like a metal leaf, paper, acrylics, or ink. Andrea Berthel is selftaught. She learned by copying the outstanding Renaissance and baroque painters like Caravaggio, Tiepolo, Veronese, and Jan Davidz de Heem. You can see their influence in her use of light and shadow, how she defines volume, and her hyperrealistic style.

She was born 06.01.1958 in Santiago/Chile, has lived in South Africa, France, Switzerland, the Hague, and various German towns, and currently resides in Baden-Baden/Germany.

“Canned Koi Celebration” Oil on Canvas, 2020, 39”X39”

Having experienced various places and their societies around the globe has widened her view of the world and taught her to find her way of expressing herself.

“Within the Square of my canvas, I show the world in a fish can.

My artwork is message-oriented. Vibrant colors, humor, and the joy of telling stories lure the observer into a world of its own. My koi express their feelings and minds but still keep their fishy appearance.

My artwork draws you in and challenges you to think about society, politics, and culture, our values, and how we implement them. I do not want to scare observers off with negativity, but I attract their interest with humor and vibrant colors and let them discover what I am trying to express.

The initial idea runs like an undercurrent through my subconscious

until it has matured and can be put down in a rough sketch to determine formal design, light, and shadow. I start filling in the details, elaborating on fish portrayals, often including funny eyecatchers. The process is fluid, and new ideas are included. I paint in oils and cover the canvas with one first layer, deciding upon color and illumination. Then, the long process of putting on more thin layers of paint, thus intensifying color and volume, begins. My work is a constant search to express my ideas about my world, the statement oscillating in the polarity between joy, laughter, anger, and sadness.”

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BRUCE M.SCHUETTINGER PA-AIC ISFD AND MOSART, INC www.mosartfurniture.com

M

r. Schuettinger’s love of art started at an early age and began to blossom in college as a fine art major, graduating with honors in art in 1978. In college, he was inspired by his painting, sculpture, and color theory professors, who encouraged him to think outside the box. He was fascinated with wood as a sculptural medium and began to design and produce furniture as a functional expression. He won first place in the senior art show with his chair and ottoman inspired by Wendell Castle and Ludwig Mies van der Rohe.

This blending of the two worlds has enabled Bruce Schuettinger and MosArt to create truly unique and fascinatinglytitled, one-of-a-kind works of functional art that will stand the test of time and become tomorrow’s cherished heirlooms.

MosArt is inspired by the beauty and complexity that lie in nature and by the great artists and craftsmen from many cultures and throughout history. They include such notable artists as Piet Mondrian, Gerrit Rietveld, Ludwig Mies van der Rohe, and Wassily Kandinsky, along with the fine art movements

After college, he continued working in wood and then became interested in the furniture of the 18th and 19th centuries, where he shifted gears and became, at first, a personal property appraiser and restorer and then a furniture conservator. This intense interest in furniture prompted him to become a furniture scholar, lecturer, and teacher. Now, after more than 30 years, he is putting all that he has learned and experienced into producing his fine art furniture.

MosArt is a direct reflection of the dynamic union between the worlds of historic preservation, cultural scholarship, and artistic expression.

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“Wild Blue” (detail) Credenza A Variety of Hardwoods and Metal 48.75” Length x 18.5” Width x 30.25” height

“Beautiful Survivor” Coffee Table Live Edge Mottled Redwood and Copper Leaf on a Baltic Birch Substrate, Old stock wood for additional materials. 27.5” Wide, 22”-23.75” Height, and 80.25’ Long

they were a part of that included Neo-Plasticism, Abstract Expressionism, and Constructivism. The notably important craftsmen that have inspired Bruce and MosArt include Andre Charles Boulle, Abraham and David Roentgens, Emile-Jacques Ruhlmann, and Wendell Castle. MosArt is motivated to instill in our current culture that furniture is a medium of functional art that, like architecture, should be viewed as an art form that not only is beautiful and fulfilling to look at but also a joy to use.

MosArt is compelled in the design, material usage, and production of its furniture to practice green, sustainable, and renewable practices while also abiding by LEED certification guidelines. We typically utilize “old stock” wood and lumber from naturally downed trees as well as reclaimed wood and other natural materials in the production of our furniture.

“Convergence” Center Table A Variety of Hardwoods, Richlite Black Diamond and Silver Leaf 40.5” Diameter and 30.5” Height

“Angular Tension” Side Cabinet Richlite Gold, Silver, Platinum, and Specialty Metal Leaf Lenth Richlite Black Diamond Compressed Recycled Paper for Additional Materials. 36”, Width 18”, Height 29.25”

“Calder Meets Kandinsky” Dining Table A Variety of Hardwoods and Metal, Gemstones for additional materials. 48” in Diameter and 30” Tall

CELESTE FRIESEN celeste-friesen.fineartamerica.com

“I

I love to “push paint around” to experiment and improvise with color, shape, technique, and texture.

Most of my work is created intuitively or from memory, without specific reference material or preconceived notions of the final result. However, I must admit to being constantly aware of and influenced by the natural world, particularly the wild and magnificent scenery surrounding me here at the northeastern tip of Cape Breton Island, Nova Scotia.

Each of my paintings becomes an exploration using different approaches, techniques, and materials. These include ink, paint, collage, sand, oils, or whatever I think will best express

“Spring Ice Break” Acrylic on Canvas 20”x24”

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“For Ukraine” Acrylic on Canvas 16”x20”

the effect I am trying to accomplish. I enjoy painting spontaneously, especially when using large palette knives and thick layers of paint, swiping the canvas, and mixing the colors as I go along. This results in unexpected colors, shapes, and textures otherwise unachievable, which may surprise me and delight the viewer!

Because I also love variety, I frequently change techniques or painting styles as inspiration dictates. Creating this way is exciting and challenging for me, e.g., alternating between large or smaller works, heavily textured or light and transparent. Viewing my collection, you will see this range of styles and expressions rather than a single method.”

“Nothing Beats the Beach!” Acrylic on Canvas 20”x30”

CLEO MITCHEL cleobob44@yahoo.com

“M

other Earth is the most giving planet in existence; she gives us all the elements to sustain our human life.

Her love is endless, and she asks for nothing in return.

Her beauty is customized for you, wherever you are positioned on the planet. She provides humans and all wildlife with an endless garden of surprises. Mother Earth is the biggest inspiration for all of my art creations."

“Many Faces” Acrylic 12”x12”

“Space Monster” Acrylic 12”x12”

“Chelsea Lu” Acrylic 11"x14"

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“Divine Luminosity XXVl” Oil on Canvas, 27”x 39”

GRADY T ZEEMAN

“M

y preferred medium is oil, though I start with a thin layer of acrylic, which creates a translucency, allowing the texture of the canvas through. By combining mediums and creating texture, I convey the hardship of being human. The very reason why we need to visit places of worship.

The color palette I use is mostly connected to spiritual energy, as colors are used symbolically in all religions.

As I have found great significance in the symbolism of the square in all religions, I have decided to use it as a feature in this body of work. Since antiquity, the square symbolized the four corners

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“Divine Luminosity Xlll” Oil on Canvas, 27”x 27”

www.gradyzart.co.za

of the earth, the four directions. This symbolism can be found in most contemporary religions, too.

Therefore, for me, the square represents humanity, the Divine creation, which I use to frame the Divine frequency of 963HZ. Luminosity is described as the relative quantity of light, which is how I experience the Divine. I have always been deeply spiritual, and though I am a devout Anglican, I have been fascinated by all religions, and by visiting places of worship, have created this body of work.”

“Divine Luminosity XXXl” Oil on Canvas, 27”x 27”

“Elk Creek at Evening Twilight” Digital Photograph, Multiple Print Styles and Sizes Supported

CHARLES WHITING www.charleswhitingphotography.com

“P

hotography is the medium that allows me to share my love of nature with others. For me, photography has been a lifelong study in learning how to see, and how to capture faithfully that which I am capable of seeing.”

“Spearhead Mesa” Digital Photograph, Multiple Print Styles and Sizes Supported

“Big Thompson River” Digital Photograph, Multiple Print Styles and Sizes Supported

“Ruby Range with Hawk” Digital Photograph, Multiple Print Styles and Sizes Supported

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“Fleeting moments and I” Mixed media on Canvas 36” x 36”x 2”

CHRISTINE LAUBACH www.christinelaubach.com

C

hristine is a passionate painter from the U.S. Eastern Shore of Maryland. She was born in Washington, DC, and has always been deeply connected with art. As the youngest of 7, she was influenced by the Artists and Scientists in her family. She fell in love with ice skating and spent countless hours creating magical patterns on the ice. Now, as a visual artist, she paints intricate patterns, reconnecting with that sense of magic and wonder.

Driven by compassion, she pursued a career as a Trauma Operating Room Nurse and plastics, reconstructive, and craniofacial specialist, where she witnessed the resilience of the human spirit firsthand. Painting became a bridge that allowed her to express her creativity and bring healing to those who have experienced trauma, including herself.

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“Precipitating Marine Species” Mixed media on Canvas 48”x 60”x 2”

Education was received at the School of Fine Art at Maryland University and Maryland Institute College of Art, where she honed in on skills to develop a unique artistic style. She also holds a B.S. in Nursing from The Catholic University of America, Washington, D.C. Inspired by the beauty of nature, she has traveled the world, seeking inspiration in every corner. Among many expeditions, she skied the serene Swiss and Austrian Alps, ice skating at the base of the Matterhorn, and explored exotic terrain from Alaska to Turkey and Bulgaria to South America.

“Sunset Beach Blaze” Electric Guitar 39”x 14” x1.5”

Christine exhibits in the U.S. and internationally. Her award-winning work has been recognized and published in various magazines.

She is passionate about being involved with charities that support and uplift individuals, such as the Warrior Music Foundation, Lymphoma Leukemia Society, and Breast Cancer benefit events.

She has incorporated art into a healing modality using tattooing to camouflage scars and create 3-D areolas for breast cancer survivors,

helping them reclaim their bodies and find beauty in their journey. Christine strives to share its meditative, transformative powers through her art to create meaningful connections, evoke emotions, and inspire others to embrace their creativity. This ultimately brings joy to both the creator and the viewer.

“Day in the Garden” Mixed media on canvas 36” x 36” x 2”

“Feeling Daylight” Mixed Media on Canvas 20” x 32” x 2”

CHRISTOPHE SZPAJDEL www.lordofthelogos.com

by Andy Wyldstone

A

llow me to fill you in on some background of my good friend, “The Lord Of The Logos”

Mr. Szpajdel (pronounced Sh-pie-dul for those who've wandered!) was born on the 29th of September 1970 in Gembloux, Belgium, and grew up in Louvain-la-Neuve, where he also attended the Université Catholique de Louvain, gaining a degree in forestry engineering.

But well before his University days Christophe had already taken a particular interest in Heavy Metal art, especially logos.

This passion for logos soon became his vocation, specializing right from the start in pencil topped by ink, keeping his work mobile, which he took full advantage of.

The only thing that can rival Christophe's obsession with art is his love of Heavy Metal, especially the Black and death Metal sub-genres. The two passions combined have taken him all over the world, having spent much time in Greece, New Zealand, Austria, Italy, Poland & America, plus living in Belgium, Portugal, France & the UK, where he now resides.

Throughout his travels, he has taken on influence from all over the world, developing various styles of art whilst meeting & working with bands, developing his reputation as one of the world's leading heavy metal logo artists.

Christophe's work first came to wider international attention in the mid-90s off of the back of logos for Emperor, Old Mans’s Child, Enthroned, Borknagar, Moonspell & Covenant (now Kovenant). Since then, he has continued to make a significant contribution to the extreme metal scene, having drawn for literally 100's of bands, including Melechesh, Falkenbach, Aborted, Abigail Williams, Bloodshot Dawn, Kampfar, Impiety, Behexen, Dystopian Wrath, Verdelet, Tsjuder, Lord Belial, Cryostorm, Graveland, De Profundis & Wolves In The Throne Room to name but a few with the vast majority still being used to this day, in some cases 20 years since their creation!

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Pencil, Pen and Ink on Paper

He has also donated many logos to “supporters of the cause,” such as UKEM (United Kingdom Extreme Metal), Red Beards Ship O Metal (Online Radio Show) & my own project, Wyldstone Metal (Extreme metal networking and support group).

In more recent times, Christophe has begun to take on influence from an even broader spectrum of styles such as Art Nouveau, Art Deco, Barbizon School & Classicism & even Tattoo Art. This has increased the versatility of his potential vastly, allowing him to undertake new types of commissions and work within other areas of the international artistic community, leading to requests from all kinds of clients and industries.

Christophe Szpajdel participates in this year’s DEVON OPEN STUDIOS throughout September. This year’s venue will be Leadworks in Plymouth, and seven other artists will join the venture: Ruth Sutherland, Charlotte (DreamBleed Arts), May Allerfeldt, Margit Bilicka, SprayTheNight, Sam Goodwin, Helen Ely, JoJoJames.

Christophe Szpajdel’s book Archaic Modernism is almost sold out. However, It is still possible to purchase a signed copy directly from me for £35 + postage.

Amongst all this, he is also a great friend, a keen supporter and overall really nice guy.

If you need to know more, just ask! He's happy to give time to all who show an interest!

Pencil, Pen and Ink on Paper

ANASTASIIA KOZLOVA www.thesacredgeometry.art

“M

any teachings have described Sacred Geometry as the blueprint of creation and the genesis, the origin of all forms. Sacred Geometry is considered an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of creation organizes itself. It is said that every natural pattern of growth or movement comes back to one or more geometric shapes. The molecules of our DNA, the cornea of our eye, snowflakes, flower petals, crystals, a shell. the stars, the galaxy we spiral within, the air we breathe, and all life forms are created out of geometric codes.

“Age of Aquarius” Acrylic on Canvas with glitter, 36”x36”

Through observing and contemplating sacred geometric shapes/ codes, they can reveal deep wisdom, opening up to life and the creation of the Universe itself. Certainly, they have for me, as I have explored them through my own healing and empowerment journey.”

“Torus” Acrylic on Canvas, 24”x30”

“Sri Yantra” Acrylic on Canvas, 30”x30”

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DAN MCCORMACK www.danmccormack.net

I

n this project, I am working with a single cell phone camera image of a model nude in the studio and then dividing that image nine times. Next, I reassemble those parts into a 3 x 3 GRID image.

“GRID Fragmentation Lenoir” Digital Print on Archival Paper - Photography, The print is Framed 20”X16”

“GRID Fragmentation Lenoir” Digital Print on Archival Paper - Photography, The print is Framed 20”X16”

I began to make multiple images of the nude in a grid in 1967 while starting my MFA Thesis in Photography at the School of the Art Institute of Chicago. The thesis was an exploration of Set Theory math. In grids of 5x5, 8x8, or 10 by, I found numeric rules to order the photographs, not design or composition rules.

I returned to grids in 1992 when I combined 24 images made with the Nimslo Camera.

When the shutter was released, the Nimslo camera would take four half-frame 35mm exposures. With each half-frame image being stereoscopicly offset from the others.

So, I would have four images of one instant in time, each from a different offset angle.

Again, I later created a series using a grid with the Action Tracker Camera in 1999.

This camera captured two moments in time but only a fraction of a second after the first exposure. So, I combined two different moments in time ( four images ) in a row and then three more rows of related action.

The final image had 16 images of a related action.

I have been photographing the nude for over 50 years, exploring different cameras, processes, and techniques. From the beginning of my work with the nude, I have been interested in making an image that says something, not just a pretty image.

“GRID Fragmentation Lenoir” Digital Print on Archival Paper - Photography, The print is Framed 20”X16”

“GRID Fragmentation Lenoir” Digital Print on Archival Paper - Photography, The print is Framed 20”X16”

“The idea is to see how repeating varied parts of the figure and objects the model holds would make the image unified and more interesting.”

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DEBORAH FRIEDMAN www.dlfriedman.com

D

eborah L. Friedman (b. Los Angeles, California), known professionally as D. L. Friedman, has been drawing and painting since she was young. Deborah earned a Bachelor of Fine Arts degree in printmaking from the University of Massachusetts at Amherst. Her BFA thesis project consisted of a series of lithographic portraits and pencil drawings inspired

by Dante Gabriel Rossetti and the PreRaphaelites.

She has worked and exhibited in a variety of media, including pencil, graphite, pastel, and oils. She also ran a decorative painting business with an emphasis on custom-painted furniture and floorcloths. Her subject matter has evolved over the years, with realism the one common tie among many different themes: still-lifes, large greenhouse interiors, miniature landscapes in oil, and, more recently, bird drawings and animal portraiture.

Deborah has received fellowships to several artists' colonies; it was at the MacDowell Colony in New Hampshire that she met the composer David Hoffman, also a MacDowell Fellow.

They married in 1985. She now lives with her family and two cats in Massachusetts, and when not working in her studio, she loves to be outside, garden, watch birds and nature, cook, ice dance, and travel.

Deborah credits her mother with inspiring her strong love of the natural world. Summers spent on her grandparents' wheat

“Pathways” Colored Pencil 21.25”x20”

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“Lapis Light” Colored Pencil 14”x20”

farm in the heart of Texas provided early exposure to a great variety of wildlife, including bats, armadillos, horned lizards, and rattlesnakes. "Whether it's finding the wings of a luna moth in my garden, growing vegetables in my community garden, or observing catbirds and great blue herons at the pond near my house," says Deborah, "I am constantly amazed by the natural world and strive to pass on some of this beauty and joy in my artwork."

More recently, Deborah has been interested in exploring ways of looking at stones as a subject matter. This series started with an experiment during the summer of 2009 to produce ten small drawings investigating different ways of interpreting stones. During the course of these drawings, several ideas unfolded that led to totally unexpected and new imagery, most notable being stones placed in clear glass containers and filled with water. The concepts presented by the distortion of glass, light, color, shadow, and shape continue to fascinate the artist and provide endless challenges.

“Radiance and Light” Colored Pencil 15” x 15”

"Dove of Peace with Flowers"

DIDA ANDR www.tevah.art

“D

ove of Peace with Flowers’ is a captivating, manipulated photograph that skillfully blends elements of nature to convey a profound message of harmony and tranquility.

The composition is framed by a mesmerizing sky adorned with hues of deep blue, creating a serene backdrop for the artistic portrayal.

At first glance, the silhouette of trees against the sky immediately captures the viewer's attention. The intricately arranged branches form the graceful contours of a dove in flight, symbolizing peace and freedom. The celestial dove is considered a symbol of peace, hope, and unity.

Adding to the enchantment of the scene, hyperrealistic sunflowers and roses in vivid yellow and red hues are strategically placed across the image. These flowers, meticulously integrated into the landscape, are rendered in larger-than-life proportions, enhancing the visual impact and emphasizing the beauty of peace on Earth.

The choice of blue tones for the overall color palette contributes to a sense of calm and tranquility, evoking the vast expanse of the sky. The juxtaposition of the rich blue background with the vibrant yellow sunflowers and the striking red and white roses creates a visually striking and emotionally resonant contrast.

The hyperrealistic detailing of the flowers brings forth a heightened sense of realism, allowing viewers to almost feel the texture of the petals and leaves.

Each bloom stands as a testament to the delicate yet resilient nature of peace, while the bold colors serve as a reminder of the vibrancy that comes with unity.

"Dove of Peace with Flowers" is a work of art that not only captivates the eyes but also speaks to the soul. It invites contemplation on the profound beauty that can emerge from a world unified in peace, where nature and humanity coexist harmoniously."

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“Love’s Serenade #2” Acrylic on Canvas, 30” x 40”

ERNIE BENTON

“Jazzy Piano Man” Acrylic on Canvas, 40” x 30”

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www.strictlyearnest.com strictlyearnest

Strictly Earnest Art

“A Moment In Time” Acrylic on Canvas, 30” x 24”

“A

native of Chicago, Illinois, I grew up immersed in the music and arts scene. I am a self-taught artist and have been actively involved in artistic activities since early childhood.

As a child growing up my parents and family were always encouraging, motivating, and supportive . One of my biggest inspirations and pleasures was meeting, and creating and presenting a commemorative painting for Chicago’s own Blues legend Buddy Guy. Over the years I have produced many notable pieces, including for public art projects, pieces for private events, and commission works as well.

For me, art is essential to the human experience. “A basic understanding and appreciation of the arts serves to broaden character and deepen the connections with those in our social circles” (A Passion for Jazz!™ 2007). I consider myself a contemporary artist, and through the years, I have worked to develop a unique and distinctive artistic style.

“Big Sticky Sax #2” Acrylic on Canvas, 36” x 36”

The paintings I create depict life’s sounds, flavors, colors, and vibrations. My mediums of choice are acrylics and pastels, and my palette is a mixture of earth tones, cool pastels, and vivid primary colors that focus on styles, texture, and form. In my creative process, I am inspired by passion, beauty, and the abstracts and intangibles of music, passion, thought, shapes, and form. My work mostly revolves around shapes, color, and the interaction between the abstract and the figure. Many of my pieces are evocative of the great Picasso in geometry and form yet display a distinctive approach.

My paintings are collected and displayed in fine homes and private collections across the United States and Canada.”

“Radiant Beauty #2” Acrylic on Canvas, 36” x 36”

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ERICK MOTA “I www.erickmotaart.com

“Water The Flowers In My Soul” Oil on Canvas 36” x 48”, 2022

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“Digress 2” Oil on Canvas 30” x 24”, 2020

have consistently enjoyed working mainly with oil paints because of the freedom and flow that the medium allows. My work encapsulates psychological aspects of human tendencies, the natural world, and feelings and emotions expressed in a constant search for the best way to interpret the world in which we live.

“Brain Vs. Heart: Round 1” Oil on Canvas 36” x 36”, 2022

“The Game Of Life” Oil on Canvas 48” x 36”, 2021

“Brain Vs. Heart: Round 2” Oil on Canvas 40” x 40” 2023

I’m trying to capture universal human themes such as love, death, joy, humor, spirituality, fear, birth, and the variabilities of experiences entailing altered states of consciousness or grips on reality.”

“Digress” Oil on Canvas 30” x 24”, 2019

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FRANK “CHIP” MAYES www.acmeaestheticsfrankmayesart.com 58 | WINTER 24

“The Buffalo Dreamer Dances” Oil on Canvas, 72”x48”

“Ship Rock, A Navajo Holy Place” Oil on Canvas, 30”x40”

“Lakota Black Hills Dancer” Oil on Canvas, 40”x30”

G

iving time to paint is an act of faith. To this world, it will hardly appear noble, purposeful, or praiseworthy, yet painting reincarnates in every generation. “We have but to wait— until with the mark of the Gods upon him there come among us again the Chosen — who shall continue what has gone before.” - James Whistler “We alone, of the thousands who walk this earth, we alone in this hour are doing a work which has no purpose save that we wish to do it.” - Anthem, by Ayn Rand “The artist has a triple responsibility to the non-artists: (1) He must repay the talent that he has; (2) his deeds, feelings, and thoughts, as those of every man, create a spiritual atmosphere that is either pure or poisonous. (3) These deeds and thoughts are materials for his creations, influencing the spiritual atmosphere.” - Wassily Kandinsky “I’m a world traveler, seeking knowledge and enlightenment through meeting and experiencing different cultures in my travels. I am a painter, a visual storyteller, an observer of people, places, and things.” - Frank Mayes

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“Rebuilt Space, in Broken Red and Blue” - Fumagine and Acrylic Dots and Movable Square on Canvas - 10,8”X10,8”- 2019

FRANS FRENGEN

“Rebuilt Space, Black and White with Blobs of Paint” - Fumagine and Acrylic Dots and Movable Square - 27”X27” 2019

www.allart-frengen.be

W

ith imagine, to paint with a flame, a sculptural installation of soot started in 1976, Frengen completed fighting against environmental pollution for a better planet with a recognizable, personal commitment of sensitivity, a fleeting, creamy allegation of the erosion of responsible human actions. In this unique style, he recognizes elements in the figuration that are extremely varied and contemporary. He adds movable squares, sculpts with dots of paint, even DNA, for interaction and a new touch of reality.

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“To eternity” - Fumagine and Acrylic Dots and Movable Square on Canvas 10,8”X10,8”- 2019

ARTISTS TOGETHER FOR PEACE OPENING: A NIGHT OF UNITY, INSPIRATION, AND ARTISTIC BRILLIANCE

New York's prestigious Grimandi Art Gallery recently celebrated the opening of its "Artists Together for Peace" exhibition. This gathering went beyond a mere art show to become a profound statement on peace and collaboration.

A Confluence of Creative Minds The exhibition was a dazzling showcase of art dedicated to the theme of peace, curated by Alan Grimandi, the Director of the Gallery. Grimandi, known for his visionary approach to art, brought together a tapestry of works that spoke eloquently of harmony and understanding. His curatorial expertise was evident in the way the artworks conversed with each other, creating a narrative of peace that flowed through the gallery.

Artist: Paul Foropoulos

Unity Brushed in Colors “Artists Together for Peace," curated by Alan Grimandi and co-curated by Viviana Puello, is not just a display of art; it's a profound statement on peace and collaboration.

Celebrating Art and Peace Artists Bridgette Knower, Dida Andr, Holly Liu, Paul Foropoulos, Roy Rodriguez, Simona Lyriti, and Oriana Armand were present, enriching the event with their unique artistic voices. Viviana Puello, founder of Create 4 Peace and CEO of ArtTour International, conducted interviews, adding depth to the understanding of each artwork.

The Peace Tree: A Living Symbol The Peace Tree, adorned with messages from the artists, stood outside the gallery as a living testament to the collective aspiration for a world in harmony. This symbolic centerpiece resonated with visitors, encapsulating the spirit of the exhibition and the shared dream of the artists.

Artists: Holly Liu & Viviana Puello Artist: Dida Andr

An Immersive Experience The collaborative efforts of Grimandi and Puello, along with the artists, created an immersive experience advocating for a peaceful world.

Artist: Roy Rodriguez

Meet the Visionaries Get to know the artists behind the masterpieces. Each artist brings a unique perspective to the canvas of peace: • Bridgette Knower • Chris Bush • Dan McCormack • Debranne Cingari • Dida Andr • Gustavs Filipsons • Howard Harris • Holly Liu • Joel Shapses • John Gambardella • Judith E. Stone • Lina Faroussi • Lindsey Mctavish • Marcia Raff

• Oriana Armand • Paul Foropoulos • Roy Rodriguez • Sam Dobrow • Sannie Guo • Sergio Rapetti • Silke Wolff • Simona Lyriti • Souad Haddad • Sue Lorenz • Suzanne Cross • Tammy Novak • Tracey Chaykin • Wendy Cohen

Artist: Oriana Armand

These artists, from seasoned creators to rising stars, unite under a shared dream, offering their stories and motivations in this global artistic movement.

Artists: Bridgette Knower & Viviana Puello

Join the Dialogue For a full exploration of this inspiring exhibition, visit the Grimandi Art Gallery's event page for "Artists Together for Peace". Be part of a global conversation and witness the power of creativity as a force for change.

To learn more about the artists and their vision for peace, visit the official event page linked. www.grimandigallery.com

GEORGE CAMILLE www.georgecamille.com

“Moonlit Lover” Acrylic Paint on Canvas 39”x 47”

“M

y work probably asks more questions than it answers; I investigate, explore, and respond to life cycles and processes through my art, interrogating my modest place within the scheme of things, and in so doing, I strive to deepen my personal connection with the forces prevalent in my environment.

As an artist, printmaker, and sculptor, I am perpetually experimenting with new materials and techniques in my creative process. Acid bite etchings have become the medium for my more detailed and figurative work.

Owning my own press has allowed me to experiment with a range of intaglio print techniques, combining a variety of materials and processes to create images that have shaped the development and presentation of my personal visual alphabet.

My heavily textured collaged compositions, made from glued pieces of cut and ripped canvas and painted in acrylic to depict traditional Creole scenes sceneries, transport the viewer on an intense journey into the physical and evocative mythology of the Seychelles islands.

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“The Crown” Acrylic Paint on Canvas 47”x 37” 2023 www.arttourinternational.com

“The Head” Fibreglass Resin with Acrylic Paint on Canvas 20”x 35” 2023

Since I was born and continue to live and work in Seychelles, it is the Indian Ocean environment that permeates, drives, and informs everything that I do. I live next to the ocean, and its sounds, colors, smells, and beauty are represented through form and movement in my work. The ideas are, as I grow older, increasingly refined, simpler, yet, I hope, stronger.

I like my work to possess energy and inspire dialogue. I hope that people who see my work will be drawn to empathize as well as intuit.

“Three Little Birds” Acid Bite Etching and Watercolor 23”x15” 2022

I believe that an artist has a responsibility to send home truthful and entertaining reports from the varied topographies visited on life’s journey. I hope that my own are interesting as well as authentic, accessible as well as informative and that through them can be seen not only Seychelles in all its astonishing beauty but also traces of all of us who pass across it.”

“Salacia” Acrylic Paint on Canvas, 39”x 29” 2019

“The Rooster” Acid Bite Etching and Watercolor, 23”x 15” 2023

“Beautiful Wetlands” Series Serenity, 24”x36”

HELEN KAGAN HEALINGARTS

H

elen Kagan Ph.D, a scientist, psychologist, artist, a pioneer of creating art with intention to heal, is a creator of unique HealingArts™ for 30 years. Helen believes in art being a catalyst for healing individuals & society and in engaging Healthcare & Hospitality to encourage healing through art. As a severe PTSD survivor who dedicated her life to helping others, she synergistically integrates Fine

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“Merging” Series Sunsets & Blues, 48”x36”

“Prayer for The World” Collection 5D, 48”x48”

Art, Expressive Arts & Art of Healing. Her “HealingArts” is shown in multiple International Galleries, States, Countries, Catalogs, won awards, named “Collectible Artist”. Dr. Kagan is a bestselling Author with 2 books, “The Keys To Authenticity” is co-authored with Jack Canfield. She also has her column in 2 International Magazines, was interviewed and published in many others. She was recently nominated, awarded, and published (Passion Vista International) as one of 40 WomenLeaders world-wide.

Dr. Kagan’s current Mission is to develop her new unique venue integrating fashion, design, art & healing WearableHealingArts™ to make healing through art accessible to everyone.

In her own words – my Big Dream, Vision and Mission is to deliver new unique products of Wearable HealingArts® to everyone, especially to Healthcare and Hospitality markets to promote healing and enhance wellbeing. I envision “hospital-wear” and “hotel-wear” serving as healing agents

“Spring Is Coming!” Series Seasons, 48”x48”

“Between Heaven & Earth” Series Sunsets & Blues, 48”x36”

to experience the positive impact of my HealingArts, both as artworks on the walls, and as wearable and household items. I am grateful to offer my unique wearable HealingArts to everyone to enhance their well-being as every item is not only colorful and aesthetically appealing but has the healing properties from my original artworks.

www.HelenKagan.com www.WearableHealingArts.com

“Finding Harmony in Chaos” Collection 5D, 48”x48”

HOLLIE ROSS www.jackarthur.org/artists/ hollieross

HOLLILE’S ART ROOM

“M

y art is part of me, and in my art, I’m communicating who I am, both as an artist and a person. I love taking a blank canvas and making it come alive.

Growing up, I took a few art classes in school and dabbled a bit with watercolors, then laid down my paintbrush and got busy with life. About 9 years ago, I picked up my paintbrush and began painting again, this time in acrylics. I did several paintings, would take them to work, and my co-workers bought several, and eventually, I started doing commission work. I am very proud of the commission work I have done. To have someone entrust me with capturing their loved ones is a great honor and a compliment to my skills as an artist.

As an avid learner, I always look for ways to expand my knowledge and learn new techniques. In late 2019, I started experimenting with fluid acrylic painting. Most recently I have been working on mixed media pieces as well as experimenting with stained glass pieces. I get my inspiration from my surroundings and nature as well as the different cultures and forms of art I have experienced during my extensive travels.

“Turquoise Waters” Mixed Media 16”x20”

evokes different emotions in everyone who sees it. For some, they may be moved by the composition, others by the colors. It can evoke feelings of happiness, sadness, loneliness, wonderful memories, heal wounds. Everyone sees it from a different perspective and sees something different. It’s always fun listening to what everyone sees when looking at a painting. I truly enjoy taking something ordinary and making it extraordinary. It doesn’t matter if it’s a blank canvas or an old piece of jewelry.”

For me, life would be boring and depressing without art. Art

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“Cosmic Forest” Acrylic 20”x20”

“Chaos” Mixed Media 16”x20”

IRINA HOWARD www.irinahoward.com “Challenges” Oil on Canvas, 30” x 40”

T

hrough my art, I aim to evoke a sense of wonder and curiosity in the viewer, inviting them into a world where imagination reigns supreme and heartfelt stories encourage hope and transformation. I aspire to create a dialogue about what it means to be human, to confront our challenges and triumphs, and ultimately find solace and inspiration in the beauty and meaning we discover along the way.

In my creative process, I embrace both careful planning and spontaneous experimentation, allowing me to uncover hidden layers and meanings within each artwork. Inspired by the endless variety of natural forms and textures, I seek to capture their intricacies and transform them into visual narratives. By embracing the black-and-white contrast, speaking the universal duality in our existence - the light and the dark, the good and the evil, the joy and the sorrow - I aim to convey that life is not merely a linear, onedimensional journey but rather a complex tapestry of emotions and

experiences. This choice allows me to strip away the distractions of color and focus purely on the forms, textures, and patterns that symbolize and convey the essence of the human experience.

Through my art, I intend to create an immersive and thoughtprovoking experience with a lasting impression and inspiration to engage with the artwork on a personal level, prompting the viewers to dive into their inner landscapes and explore their own depths.

“Innocence” Oil on Canvas, 40” x 30”

“Passion” Oil on Canvas, 30” x 40”

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JEAN-JACQUES PORRET www.jjporret.com

“Vagabonde” Cast Bronze; Edition of 3; 19 1/2”

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“Temps Perdu” Cast Bronze; Edition of 5; 20”

“Sourire Intime” Cast Bronze; Edition of 3; 19 1/2”

“Ode to Joy” Cast Bronze; Edition of 5; 16”

Achieving a sense of "rightness," even in the most uncertain circumstances, is the motivating concept behind my sculpture. The work is figurative but is not about the figure. I am an expressionist, more interested in communicating an abstract feeling or idea than an actual image. I use recognizable forms to evoke emotions and stimulate sensations.

“Rencontre Nocturne II” Cast Bronze; Edition of 3; 65”

“Fille de Joie” Cast Bronze; Edition of 3; 19 1/2”

“Indigo” Sculpture, made from Mild Steel, Damascus Steel, and Copper.

50” x 18” x 30”

JOSH VOYNICK www.theconfluenceartworks.com

“I

make my abstract art to use my artistic voice to bring awareness and change to social and environmental issues.

My process also allows me to convey my story to a wider audience and give back. My artwork represents my view of the world that is driven by love and gratitude and my desire to share those feelings and inspire change. Also, while still understanding injustice and inequity, there will always be room for improvement.

I am constantly inspired by nature and wildlife. Dali and Escher’s work initially inspired me.

Living in the mountains has become a never-ending source of ideas and pathways for me to follow. Once I became comfortable forging metal, it became clear that there were few, if any, hurdles to creating an abstract art story. I prefer working with simple shapes and forms and use the grinding, patina process, and finishing to add depth to my work. My art means forming connections with people on a deeper level. There is no greater feeling than knowing my work has moved the viewer. This is what keeps me going.”

“FIRE!!!”

Sculpture, made from Claro Walnut and Damascus Steel. 16” x 16” 12”

“Love to Lahaina” Sculpture, made from Damascus Steel and Walnut burl. 12” x 12” x12”

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KAREN SAFER

www.artfocusin.com

K

aren Safer is a photographic artist, writer, and poet with a musical bent who lives at the edge of the Pacific Ocean. As a native Angelino, she was given a camera and crayons at three and exposed to dominant California motifs: light, palm trees, the ocean, music, and vernacular architecture that helped define and influence her left-handed aesthetic.

She was influenced by her dad (amateur calligrapher and photographer), who developed black & white photos in their back washroom/turned darkroom, and by her mother's love of history, language, and thirst for knowledge and travel.

Early on, she was greatly influenced by movies, music, books, plays, history, and art from the ancient Babylonians to Vermeer to Atget and Cindy Sherman. She has a master's degree in art and a career in design and architecture, exhibited in 12 solo shows, 300+ international galleries, museums, and magazines, including London, Rome, Glasgow, Budapest, Athens, Prague, Paris, Barcelona, Sao Paulo and from California to New York, winning 240+ Talent, Merit and Honorable Mention Awards and represented in private collections. She is a self-described "romantic soul" with intellectual cravings and a lover of Jazz, Rock, & Roll (the background soundtrack of her youth), basketball, and baseball.

“World Children Series: Takoradi Kids, Ghana” Photography, 20”x13”

was most recently honored with First Prizes for ABSTRACT and ARCHITECTURE photography in the prestigious 21st Julia Margaret Cameron Award and Black & White Spider Awards (Nominee), Botticelli International Prize, Florence, It. She was fortunate to begin a life of travel as a preteen that shaped her love of the exotic paired with an eye for the formal, accidental, and "unusual" while subliminally seeking the beauty that jiggled the lens/frame of her vision. She has experience and has photographed in over 230 countries/territories of the earth.

Motto: "Wherever I am in the world is my favorite place."

“Staircases: Cartier-Bresson Inspired, Melk” Photography, 24” x 32”

She is listed in Who's Who of Professional Women 2023. She “USA Series: Door to Monument Valley” Photo on Photo, 20”x17”

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“Beauty of Dawn” Oil on Canvas, 40”X30”

LETICIA HERRERA (LETA)

www.leticiaherreraart.com 76 | WINTER 24

@leticiaherreraart

HERRERA ON HER WALKERS

“I

believe we are all walkers of Life. We are all pursuers of the magic of Light, and there is a big possibility we all might be heading to the same destiny that, in the end, will unite us all. Yes, we come from different cultures and backgrounds of unique, exuberant colors and experiences.

Yet, we all are humans and belong to the same beautiful and amazing world.

In my art, I represent that trajectory through my walkers; they represent each of us in our journey of Life. They are searchers of beautiful emotions and travelers of the universe and the world through love, passion, faith, kindness, dreams, and vulnerability. They are catchers of dreams, explorers of aspirations, and searchers of unity and freedom.

My art is an encounter of human vulnerability and a truthful hope, always on a quest but never alone. In my paintings, I am trying to transport you to those places of my imagination where we often find ourselves. I want to touch your soul, open your heart, and invite you to walk always with the Light you are meant to find.”

“Hope Journey” Oil on Canvas, 24”X24”

Herrera is an awarded artist Mexican artist who seeks to explore what it means to be human in her art. Born in Mexico City and immigrated to the USA in 2007. Painting mostly with oils, she masterfully captures perspective in her pieces. She refers to the three dimensional oil impastos figures as “walkers”.

Herrera is an experienced artist with works in private collections worldwide, Herrera has her studio in Mckinney, TX.

“When there are shadows, there is light.

When there is light, we can see the path.

If we can see the path, one is not lost, And if we are not lost, we can find JOY.” - Leta

“Passageway to Light”, Oil on Canvas, 48”x36”

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LON LEVIN www.levinlandstudio.com

“M

y artwork reflects my deeply held convictions and a unique perspective that challenges the status quo. I approach each project by first sketching out ideas and gradually refining them. I bring my creations to life by employing a mix of traditional tools like pen & ink, oil sticks, pastels, oil paints, and digital image-making tools. While the projects may differ in appearance, they are connected by recurring themes and my unwavering commitment to the subject matter.

Colors play a vital role in conveying my emotions toward each subject. I carefully experiment with various color palettes until I find the perfect harmony. Occasionally, multiple versions of my art emerge, each offering an alternative interpretation.

Through my art, I aspire to inspire hope for a brighter future as I explore the realms of creativity and embrace the limitless possibilities that lie within.

“Licorice Tide” Digital Painting 48”x48”

that will adapt and survive. My ultimate goal is to celebrate the profound miracle of life and the exquisite beauty hidden within the underwater depths while focusing on the problem.

“Angry Goldfish” Oil Painting 24”x30”

In “AQUARIOSITY,” I delve into a journey of life beneath the waves, exploring its inception from the primordial soup to the emergence of more sophisticated creatures. The three submitted pieces highlight the dilemma global warming and toxic waste have caused. Many creatures living in the ocean ecosystem are either dying off or mutating into a version of themselves

As both a dedicated surfer and a California waterman, my connection with our planet runs deep. Witnessing the oceans that cradle our Earth suffering from neglect and abuse fills me with profound sorrow. Despite the warnings and impassioned efforts of scholars and activists, the world’s governments remain largely apathetic toward safeguarding their oceans and seas from the relentless onslaught of climate change and pollution. This dire situation has forced oceanic life to adapt, often in subtle yet distressing ways. The disregard for our most precious resource and the delicate ecosystems it sustains will undoubtedly wreak havoc on our planet.

By creating an immersive celebration of our waters, I invite viewers to engage with the imagery and immerse themselves “in the mix” through static, animated, and projected visuals.

Whether it’s the exhilaration of surfing, the serenity of sailing, the pure joy of bodysurfing, or the simple pleasure of splashing in the whitewater, becoming one with the waters that occupy a staggering 70% of our planet is an experience we must preserve for generations to come.”

“White Hot Coral” Digital Painting 33”x50”

LINDSEY MCTAVISH lindseym-artwork.com

L

indsey McTavish, a native of Toronto, has found her creative mooring nestled in the picturesque mountain town of Nelson, British Columbia. Her artistic career has been a tapestry of experiences, spanning formal education and a deep connection to her community. With an academic background that includes a three-year immersion in Fibre Arts at the Kootenay School of the Arts in Nelson, B.C, followed by two intensive years in the fashion design program at The International Academy of Design and Technology in Toronto, Lindsey has emerged as a dynamic artist.

Lindsey’s fiber artworks draw inspiration from various sources, most notably the captivating landscapes of Canada and the vibrant interplay of color and texture and of light and shadow surrounding her. Through her fiber artworks, she paints vivid recreations of what she sees and feels as she aims to capture the people, places, and events in her life. In her work, you’ll often find beautiful and peaceful imagery that she enjoys creating as a tool to remember to “focus on the good” during these times of chaos and unrest, and it is the intricacies woven into each artwork that serve as a testament to the healing power of creativity.

“Fall Sunset” Hand Felted and Quilted Wool & Silk 30” x 36”

In addition to her artistic endeavors, Lindsey has made her mark in fashion and design. As the driving force behind her label, Lindsey M Collections, she has masterfully crafted a successful business by offering a unique line of clothing and handbags that reflect her distinctive aesthetic. Her creations showcase her keen eye for detail, passion for craftsmanship, and appreciation for the fusion of art and functionality.

Lindsey is not just a solo artist but also a dedicated collaborator. She is a proud co-owner of the Craft Connection Gallery, a haven for art enthusiasts in Nelson, B.C, and all of its national & international visitors. This collective, comprising six female artists and designers, thoughtfully curates and exhibits an extraordinary collection of works from over 200 artists and craftspeople across Canada.

Lindsey’s contribution to this gallery underscores her commitment to fostering a thriving creative community, and her work can be found there yearround, as well as in many other shows and exhibits throughout the year across North America.

“Sunset Birch” Hand Felted and Quilted Wool & Silk 24” X 36”

Lindsey’s pieces are made by hand felting and then quilting wool and silk. She uses the process of wet felting raw, un-spun sheep wool and silk, then quilts in all of the details on an industrial sewing machine to better bring forth the foreground, midground, background, and depth of the piece. Sometimes, the more detailed items are needle-felted first and then wet-felted together with their background.

“Late November” Hand Felted and Quilted Wool & Silk 24” x 36”

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“Chaos” Acrylic Painting 31,5”x31,5”

“In point of View” Acrylic Painting 29,5”x29,5”

MEMs ACRYLIC PAINTINGS

PAINTING ARTIST MARILYN MILLER www.memsakrylmalningar.wordpress.com

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“Coherens” Acrylic Painting 20”x20”

“Now I am Free” Acrylic Painting with Structur 20”x20”

“I

was born in Los Angeles but came to Sweden at the age of five to a small village called Forsa. Creativity has always taken up much space in my life; as a child, I was always told I had a vivid imagination.

My curiosity and drive have made me dare to try many different things in life.

Sure, I have as many with me going through the tough periods in life, to manage what is happening in life, with faith and trust that it will be as it should, that it belongs to my life journey, has many times made me turn heavy and hard, to something new and exciting and awakened my curiosity on what’s waiting there in the future.

I work as a special education teacher at the high school here in Hudiksvall.

In addition, I am working one weekend in the month/daytime with a young boy; then I help the family with relief.

I love to paint and am passionate about spreading my belief that creativity and painting are healthy, the polar opposite of the stress and pressure and the constant requirement we have on us to perform.

In my painting, I am self-taught, a powerful driver that brought me into this world of colors; curiosity is a companion, and every time I paint, I see what emerges on the canvas.

Inspiration I get from our beautiful Swedish nature, experiences in life, encounters through life, all events and phases, the large and the small, the obvious and the unexpected, and from my inner feelings that often get with me in the early stages when I paint.

Something I want to convey with my paintings is a perspective on life, our part but yet smallness in this big universe, curiosity about the unknown, that we often are a little bit scared of when we do not have control over what actually controls our life journey.

I want the canvas to convey a feeling that the viewer can identify with and be able to connect my painting to something of their own lives.

Curiosity, joy, comfort, sorrow, humility, trust, hope, motivation, courage, reflection.

I strongly felt during a period earlier in my life that I needed to do something ”more” with the time I have here on earth.

I work with children and young people with various disabilities, and my friends asked if it wasn’t good enough, that it was for them that I made a difference.

But it felt like I should do something more; for a period, I was thinking of going and working as a volunteer in, for example, South Africa, but I never came to a real decision. it still felt like I should do something more, something else.

When I started painting and spreading my way of painting in my painting courses, everything became crystal clear. This is what I will do; this is what I want to be remembered for the day when my time is over here on earth.

Art has taken me out into the world in a way I really did not believe.

“Guardian Angels” Acrylic Painting with Structure 20”x16”

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“Colorful Sunset” Oil on Canvas 24”x18”

MARTHA R. LANG

www.marthalang.com “Lilly Pond in July” Oil on Canvas, 36”x24”

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“Brilliant Woods” Oil on Canvas, 29"x24"

M

artha R. Lang is a contemporary artist who works in oil, watercolor, pastel, ink and paper, copper point etching, and graphite on paper. Her passion for living is apparent in her use of bold, brilliant colors and loose brushwork. Her subject includes landscapes, seascapes, still life, portraits, and abstracts. Her love of nature, the mountains, and the sea inspires her work. Her interest influences her work outdoors.

Martha was accepted into the Copley Society. Her paintings have been in galleries in Boston, Montreal, Provincetown, Paris, and Stowe.

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“River” Acrylic on Canvas 31”x23”

“Landscape” Acrylic on Canvas 31”X31”

MONIKA ANNA KOVATSCH www.kovatsch-simplyart.com

“I

t is all about nature and atmosphere. My inspiration is capturing reflectance, light, and the mood of natural scenes.

The abstraction of reality gives me and the beholder different

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insights into my artwork. As an environmental planner, my propulsion is conserving nature and its beauty. Thus, my art shows a variety of natural highlights in an abstract way.”

“Trees” Acrylic on Canvas 27”X19”

MONIKA BENDNER

T

hrough a digital overlay and collage process, award-winning master artist Monika Bendner creates multilayered, surrealistic experiences through a combination of photographic prints and mixed media.

Her compositions, printed on various materials, create a narrative that evokes emotions and multiple responses from her viewers.

Monika Bendner's work has transformed with a background in photographic design as she's entered different phases of her growth and development as an artist over her active career. Her use of abstract lines and shapes conveys movement in their dimensionality, and her bold, rich, textured application of color emanates meaning through their saturation.

Viscerally recognizable through their intensity and layers, Bendner's work is diverse and unconventional due to her various materials, methods, and techniques. She creates her work using different alternating canvas combinations, metallic photo printing, acrylic, glass, photography, and found objects.

Her metallic photographic prints are layered and expressed

“Wege Ins Licht” Creative Photography, 11.8”x15.7”

outside of time and space. She brings hyper-real kaleidoscope imagery behind a thick acrylic/glass amalgamation. With the common motive of a figurative hand layered in most of her collections, she leaves her work open for interpretation.

www.monikabendner.wixsite.com/bendner-art

“Die Maske” Creative Photography, 15.7”x15.7”

“Torso” Creative Photography, 15.7”x15.7”

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“Ring of Fire 3” Mixed Media on Canvas, 23.5” x 33”

OENONE HAMMERSLEY www.oenonehammersley.com

“I

draw on my training and experience in theatre design to present a wonderful array of visual stimuli afforded me during extensive travels. Known for my imaginative and distinctive use of color and light, I have progressed from painting wildlife on paper to larger, more diverse images of nature in oil on canvas to fantastical depictions of water. I have perfected a method incorporating hand painting with multiple paint pouring.

My mixed media technique embraces collage as a means to create “Reflecting Wave 1” Mixed Media on Wood, 34” x 43”

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texture. The water theme is further enhanced by a resin finish that produces an incredibly lustrous effect.

I am deeply concerned about our planet, from the destruction of rainforests to pollution and overfishing of our seas. I endeavor to raise awareness through my work and donate regularly to conservation efforts.”

“Splash” Mixed Media on Wood, 25” x 38”

“Mount Baker Georgina Point Lighthouse” Acrylic on Canvas, 24”x30”

PETER VAN GIESEN

D

oing art, for me, is a mystical process, a spiritual work, a profound experience, an exercise of creativity. When I paint, it is as if the veil of the common life is momentarily lifted, allowing me to be embraced by the underlying essence of the universe. I consider my artistic expression a gift to be shared.

Naturally, I am drawn to places of mystery where I find solace in the power of the Spirit.

www.peternvangiesen.com

consciousness. My style hovers between representation, idealism, and impressionism. I attempt to reach into the fabric of the world, exploring the dynamics of tension and elasticity. Using paint, I create images based on the interplay between darkness and light, the interconnected subtle energy of the perpetual motion in the natural world.”

“Blue Mountains Coastal Range” Acrylic on Canvas 24”x24”

My art results from sporadic energy surges that percolate past my “Cherry Blossoms Back Yard” Acrylic on Canvas, 18”x24”

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“Electronica”: A Portable Gallery

PHIL DYNAN

COLLABORATIVE, INTERACTIVE ART Working from London and Northern California, international artist Phil Dynan is creating Reverse Perspective, 3D, viewer interactive wall sculptures. Having worked with London-based artist Patrick Hughes since 2017, Dynan now collaborates with a variety of artists, as well as his long-time partner and UC Davis grad, Anastasia Nelson.

Dynan and Nelson work in Birch and Oil to create their interactive wall sculptures. The interactive feature has been so effective that one gallery visitor asked for assistance, believing he was “seeing things and might have overdosed”. The sculptures often cause people to stop and wonder, then move, laugh, and eventually dance with the sculptures.

They are truly and delightfully interactive.

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One panel from the triptych “Migration:Welcome to London” Dynan believes his paintings can help raise awareness of important issues like the heartbreaking process of migration from one continent to another.

“Pop Art” is a portable gallery that is viewer interactive - it moves and morphs as the viewer moves in any direction. It features works by Dynan, which are also painted on large canvases.

“Night Galleries” is a 3D wall sculpture painted in Reverse Perspective and featuring art by Dynan, Nelson, Patrick Hughes, and “The Portrait Painter”, Stephen Bennett. This sculpture is highly interactive with the viewer.

Dynan and Nelson have created “portable galleries” that feature their work as well as work by other artists.

In the piece, Electronica, they address the issue of mobile phone use and worked with photographer Natalia Maks in developing images. Each of the paintings in the piece are also painted on canvas and have been exhibited in museums and galleries.

As a solo artist, Dynan has a “priority theme” for his work: international migration. His goal is raise public awareness.

www.phildynan.com www.newperspective.studio “The Patrick Hughes Rainbow Gallery” is painted by Dynan and Nelson and features work by London-based artist Patrick Hughes.

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QIURUI DU

“Pool Party” Acrylic on Canvas 50”x50”, 2019

duqiuru@gmail.com

Q

iurui Du attaches great importance to the narrative in his works. He observes people’s lives from his unique perspective and brings the hustle and bustle of unique experiences around him into his works. Qiurui Du constructs a virtual world through unique childhood fantasies and memories. He uses characters to form exaggerated and crazy narratives and witty theatrical sets, showing intimate and familiar resonance. The vivid colors and the narration between the characters express the inner nature of the artist’s hidden anxiety, sadness, and unease.

In the series “A Bizarre World,” he integrates his emotions into the bright colors and exaggerated expressions with his campy imagination to create various crazy, funny characters and narratives. In the series “The Adventures of Dama Wang,” he uses the Chinese aunt, an individual full of contradictions and collective memories, as a unique perspective to guide the audiences into the world of his works, and uses weird and exaggerated scenarios to satirize the seemingly reasonable yet impermanent life. For Qiurui Du, the bright colors hide the sadness in his heart. The wonderful story collision between the characters and the joyful atmosphere in his works is to satirize the impermanence of the current time.

However, in the noisy joy, he tells the fleeting doubt and gloom,

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“Let Them Eat Cakes” Acrylic on Canvas, 47” x 39” 2022

and the precise expression and character settings amplify his depiction of emotions, making the absurdity more intense and complex.

“The Train To Spring” Acrylic on Canvas, 50”x50” 2022

The “Non-Fashionable Lifestyle” series depicts “urban life” humorously. With the rapid development of cities, whether the fitness boom in recent years or the famous places where internet celebrities love to go, everyone in a big city is shrouded in the consumerist illusion of a fashionable lifestyle.

“Nuclear Family” explores the conflation of old and new ideas and the topic of modern gender relations in entertaining images that provoke us to consider modern relationships and the transformation of our sense of self. In the latest series, As Qiurui Du said, everyone is the protagonist in this world, and there is a show going on in every corner.

“The Mother Of Gossip” Acrylic on canvas, 50”x50” 2020

“The Wind Blows Your Hair Is Like The Color Of The Wind” Acrylic on Canvas,47”x39” 2023

“Lady Plastic Flower” FRP, 50”x 23”x19” 2022

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RAYMOND QUENNEVILLE

“En reveant d ailleurs” Oil on Canvas 36” x 48”

SCA, IAF, MAA, Master of Fine Arts (AIBAQ) www.raymondquenneville.qc.ca

B

orn in 1956 in TroisRivières, Quebec (Canada), Raymond Quenneville is a self-taught artist who has painted for over 40 years. In 1992, after exploring various media, he returned to oil painting and pursued his unique style of expressing landscape and light.

Raymond Quenneville accentuates contrasts and creates impressive luminous effects by playing with complementary colors. In his landscape paintings, subtle value variations almost make visible the fine consistency of the air itself and create an illusion of depth that is convincing to the eye. He likes to paint peaceful environments, expressing the serenity and tranquility of places where it is good to stop and be for a moment.

“En réflexion” Oil on Canvas 30” x 36”

Raymond Quenneville has held many solo exhibitions and participated in numerous collective exhibitions and symposia.

Winner of several national and international awards, he has received many special mentions from juries and the public.

He is a member of the Institut des arts figuratifs (IAF) of the Society of Canadian Artists (SCA) of the Mondial Art Academia (MAA). He has been nominated a Master of Fine Arts by the Académie Internationale des Beaux-arts du Québec (AIBAQ).

There is a permanent exhibition of his work in renowned art galleries distributed across Canada and the United States.

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“Western Mood” Oil on Canvas 36” x 48”

ROBERT M. DESCHENES

“Red Fox” Acrylic on board, 13”x18”

rmdartiste.com

“A

s a self-taught painter, my artistic approach is, above all, a journey of personal discovery. This exploration of myself and the world is carried through art, becoming a universal means of communication, crossing linguistic and cultural barriers.

My canvases are not just combinations of color and form; they are a window onto my deepest emotions, innermost thoughts, and perception of the world.

Nature plays a major role in my work. The rich complexity of its beauty, palpable in every work, captivates me deeply. By letting my mind wander in the immensity of natural panoramas, I find immense joy in understanding and rendering their essence on my canvas. The changing light at different times of day, the seasonal shifts in color, the diverse organic forms and complex textures I discover in the natural environment are all challenges I impose on myself and inexhaustible sources of inspiration.

I'm also passionate about naturalistic animal art. Studying animals and transcribing them onto canvas is a fascinating exercise in observation and precision. These creatures awaken in me the desire to capture their essence and the detail that will bring out their

individuality.

“American Redstart” Watercolor on Canvas, 20”x28”

My love of nature is inseparable from my deep commitment to its preservation. Beyond its aesthetic aspect, I hope that my work can raise awareness among those who discover it. If my work can provoke a feeling of empathy for our environment and an awareness of its vulnerability, then I will have achieved one of my most cherished goals.

For me, the artistic journey is never-ending, marked by selfdiscovery and meticulous observation of our environment. Each new achievement is an exploration, an adventure that challenges my abilities and stimulates my love of life.

“Great Blue Heron” Acrylic on canvas, 18”x24”

Finally, I must emphasize the importance of collaborations in my career. I'm always open to new opportunities to work with other artists, institutions, or groups. Each new collaboration is an opportunity to enrich my artistic practice, broaden my perspective, and deepen my commitment to the environmental cause.”

ROD CUSIC FINE ARTIST

“M

“Galactic Supercluster Merger” Multi-Media, 36” x 24”

www.rodcusic.com

any people are looking for art that’s otherworldly.

I create art inspired by Einstein, Van Gogh, and Jefferson Airplane, which will transform your walls into 4-dimensional Space-Time.

My “Cosmic Images” use Van Gogh’s “post-Impressionist techniques” to visualize Einstein’s life and thought experiments in his celebrated body of work, which ranks among the humanities’ greatest creations, according to generations of scientists who have scrutinized his work for more than a century.

“Galactic Supercluster Merger” Multi-Media, 36” x 24”

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My composition-rich art overflows with storytelling, using simple language and scientific logic, and enables followers to stretch their minds to understand Science that’s indistinguishable from Magic.”

“Observable Universe Impulse” Multi-Media, 36” x 36”

“Para Conjure Car” Digital, Acrylic Glass Aluminum,11”x17”

SILK POP ART

T

www.balthasart.com/en/artist/silke-wolff

he pop fine artist Silke Wolff opens a secret, the supernatural universe with her metaphysical graphics.

Through her widened consciousness, which she has been developing for 20 years of daily meditative practice, she can perceive this sphere of existence.

“Para Conjure Car” Digital, Acrylic Glass Aluminum,11”x17”

She catches such unique situations with oil pastel drawings in sketchbooks. From these ideas, her cycles with series arise, which she creates as digital collages, complete with texts.

“Para Conjure Car” Digital, Acrylic Glass Aluminum,11”x17”

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“Secret Garden” Acrylic on Canvas, 39”x27”

SOUAD HADDAD www.souadhaddad.com

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“Life in Gold” Acrylic on Canvas, 17”x17”

“Life in Colors” Acrylic on Canvas, 17”x17”

S

“Amazonia” Acrylic on Canvas, 59”x31”

ouad Haddad is inspired by the beauty of life and its various aspects.

She grew up in Lebanon. Her parent's house is surrounded by a huge garden filled with all types of flowers. No matter the season, there is always something in bloom. This inspired her.

She is also inspired by a late aunt who taught her how a woman can be sensitive and strong simultaneously.

“Life in Red” Acrylic on Canvas, 23”x23”

Souad loves "feminine" paintings featuring Flowers and Women as primary subjects.

Her work's flowers often represent delicate femininity and how it stands strong against adversity.

Similarly, the women she paints reflect inner beauty, strength, and elegance, embracing their femininity while being empowered.

Through her artwork, Souad captures humanity and its complexities. She conveys a powerful message of female empowerment and strength while celebrating life's softer side.

She loves painting using the impasto technique; she uses bold brushstrokes and vibrant colors to celebrate life, love, and beauty.

“Life in Pink” Acrylic on Canvas, 23”x23”

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SYLWIA HERBST www.artbysylwia.com

“Resurgence” Acrylic on Canvas, 9”x 12”

“Flourish & Prosper” Acrylic on Canvas, 20”x 24”

“I

am an American artist most known for using contemporary expressionism to create works of art that depict inspiring visions from my imagination.

I am motivated by the notion that our creativity and mental health are significantly impacted by our imagination, daydreaming, and internal reality, in contrast to the objective reality. I investigate the sensations and emotions of the human spirit in my paintings and how the wavelengths and energies of color affect our physical and emotional well-being.

I believe that through art, we may overcome despair, anger, hatred, and fear. I strive to portray a sense of freedom from these unwanted emotions and create uplifting sensations of calmness, joy, aesthetics, and serenity.”

“Forever in Hope” Mixed Media 24”x30”

THERESE BOISCLAIR www.tboisclair.com

“M

y art portrays emotional “places” that are loosely based on the idea of a landscape. It is about emotion, about reaching deep down and touching the soul through a choreographed dance of color and light of acrylic and tissue paper. The joy of

“Passion” Mixed Media 12”x24”

abstract painting lies in its energy and ability to speak differently to everyone.

For me, abstract painting is all about pure energy and emotions that find their way onto the canvas. In my paintings, it’s not what you look at that will touch you but what you see. The act of painting becomes a path of meditation, and each canvas is like a spiritual journey, a bridge to transport viewers into my world.

My work inspires people to feel or look at things a little differently.”

“Pathway” Mixed Media 12”x24”

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TINA PUCKETT www.tinasbaskets.com

“M

y woven pieces are always evolving into one-of-a-kind sculptures. This evolution is how I define myself as an artist and woman. My first dream was to become a set designer.

My creative path took a turn. It was not set design but

“Five Hands”

being a fiber artist. What I learned in set design manifested in my Woven Arts, where I found the passion for my life’s work.

The natural beauty of Bittersweet always sparks my imagination and is at the heart of almost all the pieces I weave. My imagination is very attuned to guide me to incorporate in a harmonious way that combines the vines and reeds.”

“My palette for color is very much influenced by this experience of growing up in South America. I mix my dyes and enjoy building a palette for the reeds.

My weaving technique dictates the textures, and the understanding of color theory evokes emotions into a one-of-a-kind woven art!”

“Delicate Shades of Colors” 62”H x 20”W x 20”D

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“Stranger Things” 36” H x 60” W x 14” D

“Flower Power” 30” x 30”

“Angelfish” 35”H x 35”W x 6”D

“Provocative Dancer” 36”H x 22”W x 14”D

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“I Am Mountain” Watercolor on 640 gr Paper 22”x29” “The power of Water” Watercolor on 640 gr Paper 29”x22”

TOTI CUESTA www.toticuesta.com

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“Classical Building Gran Via, Madrid” Watercolor on 640 gr Paper 20”X23”

I

am an artist specializing in surrealistic portraiture through watercolor. My work challenges conventional perceptions of the urban and natural world, inviting viewers to transcend the apparent and rethink reality. I use a vibrant palette and rich symbolism to explore the interaction between humanity, nature, and the urban landscape, highlighting our connection to the environment.

Watercolor is my preferred medium because of its ability to create translucent layers and an ethereal atmosphere that is ideally suited to my surreal aesthetic. This technique allows me to evoke dreamlike and magical sensations, fundamental to conveying the fantasy and charm central to my artwork.

My mission is to create experiences that challenge, move and transform. I seek to inspire the viewer on a journey of self-discovery and environmental awareness, encouraging an appreciation of the beauty in the fusion of the natural and the urban, creating a world where these elements coexist harmoniously.

Through my art, I aim to inspire meaningful change and a call to action to care for our planet and respect the diversity of life. Art influences our emotions and thoughts. I encourage everyone to join to create a more compassionate, sustainable, and connected future.

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“At the Bar” Acryl on Canvas 27”x39”

“Playing the Theather on Rainy Day” Acryl on Canvas 27”x39”

ZOOOOOZ www.zoooooz.de

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“Mumzy Soccer” Acryl on Canvas 27”x39”

D

on't pointless things have a place, too, in this far-fromperfect world? Remove everything pointless from an imperfect life, and it'd lose even its imperfection" (Haruki Murakami, Sputnik Sweetheart) Wasabi is a Japanese term that refers to an aesthetic view of the world. It would be 'the beauty of imperfection,' so it is usually sought in natural elements and those with an incomplete or impermanent character.

Instead of seeking perfect symmetry, one seeks asymmetry, simplicity, and naturalness. Applied to everyday life, this Japanese concept encourages us to seek beauty in life's imperfections, quietly accepting the natural cycle of growth and decay and the uniqueness that represents us.

This Japanese term in the age of globalization lends itself well to describing the work of Mumzy and Zoooooz Atelier.

Painting, using fractals and color as a propagator of existential phenomena. The essentiality of these works of art lies in the artists' intentions of honesty and truthfulness. Imperfection is a praise of the real, nature as sincere inspiration and introspection as a means to an eternal end.

Art is life, imperfect and whirling—light as birth, powerful and revelatory. In the artists' paintings, the story of the journey to the center of the world is a journey to our earth.

“Beautys Rainbow” Acryl on Canvas 11”x15”

“Mumzy Maria Uberstein with Guitar on Tour” Acryl on Canvas 27”x39”

“Mumzy Play Guitar Portrait ” Acryl on Canvas 27”x39”

RIC CONN

www.ricconn.com

“M

y work is about Gender Equality and Woman’s Empowerment. In our society, it has been far too easy for people to ignore these issues. That cannot and must not continue. I have dedicated my work to keeping these issues in the public eye, hoping that attitudes will continue to improve.

“What If She Were Your Daughter” Oil on Canvas, 36”x24”

“He’s Gone, She’ll be OK” Oil on Canvas, 36”x24”

My work is necessary, and I will keep painting until it no longer is.

Each painting concerns a particular issue in a cohesive body of work. I want my paintings to say something, to promote gender equality and women’s empowerment visually.”

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“Go Away, She Is Not Interested_” Oil on Canvas, 36”x24”

WENDY COHEN www.wendycohen.net.au @wendycohen123

“Free Fluid String Dance” Mixed Media on Wood Panel, 11.8’’x11.8’’

“Sunbeam Irradiation” Acrylic, Paper, and Ink on Canvas 18”X24”

W

endy Cohen is a Sydney-based artist who has attained a BFA and MFA Degrees. Her art practice focuses on the relationship of color, shape, line, and form with realistic components communicated in a painterly language.

By integrating shapes into a cohesive body of colors and forms in conjunction with collage elements, flowing ideas are arbitrarily manifested that bring attention to the brushstrokes, mark-making, and materiality on the surface of each painting.

However, the primary focus of her practice is to transform the static space of each painting with synchronized contrasting colors, highlighting its chemistry and resonance.

“Language of Levels” Acrylic and Oil on Canvas , 26”X33”

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“Flore Aquatique” 2023 Mix Media on Canvas, 30”x30”

HÉLÈNE DESERRES www.hdeserres.com

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“Fleurs en Folie” 2023 Mix Media on Canvas, 24”x24”

“Le Skieur de Fond” 2023 Mix Media on Canvas, 30”x30”

elene DeSerres is a dynamic artist whose work traverses various interdisciplinary ranges from photography, paintings to sculptures. From a young age, she was surrounded by an environment that nurtured creativity and imagination, where she was exposed to the beauty of nature and fascinated by the animal world. Her love for flowers, diverse culture, endangered animals, and unsuspecting organic elements combines her authentic abstract work that showcases more than the beauty of this bright planet.

Her techniques vary from abstract paintings, photo surrealism, impressionism, acrylic & watercolor painting to sculpture designs. Behind her efforts are grave concerns about climate change and all the bitter realities most endangered species are facing. Using various media, she models new and mysterious creations using textures, transparencies, and vibrant colors that elicit the mysteries of nature and narrates the surrealism of the images.

“l’ivresse des Fleurs” 2023 Mix Media on Canvas, 30”x30”

“La Pyramide” 2023 Mix Media on Canvas, 24”x24”

H

“The Deserter” Mixed Media, 30”X40”

“Avalon’s Dream” Acrylic on Canvas, 36”X48”

PATRICIA KAREN GAGIC

M

otivated by the delicate balancing of elements of the past, choices made in the present, and a powerful intention to change the future, each thought, and intuition becomes a master of the emergence of form and method in my art-making. Complexity is

a keyframe. The infinity of possible iterations of a form is a fascination intellectually and in terms of my method. It drives how I engage with materials in the search for what is luminous to the eye and transcendent in meaning to the heart. My art is intended to point to what is greater than the conventional and logic-based point of view.

The under-painting is central to how this orientation shows up in the final works. In search for the luminous and transcendental, the under-painting is an investigative yet carefully orchestrated evolution of intentional layering in which I am immersed in a process of moving with a rich flow of contemplative and clairvoyant thought. In this movement, I press in on the mark-making with brush and paint, then stand apart from it, then press it again, and so on until the idea which wants to be noticed shows itself in relationship with my intention for an image. This process is deeply personal.

It is intended to bridge to others in a way that invites them to participate in the images I make; such that well-being is magnified by an encounter with something that opens them to the intuition of a greater Whole.

There is a delicious struggle I engage in daily as I am drawn into what is “in-between” the phenomena, moments, and ideas that arise and yet practice in the actual doings of the world in order to make visible what is found in those spaces. It is my adventure to capture more truth as an artist and be less of an ego, and I sense the Ultimate Reality might be touched in the in-between spaces as both Truth and Egoless.

patriciakarengagic.com

What I continue to learn is how incredibly liberating it is to affirm and elevate emotion as the intent of a painting or photograph and to be fearless in approaching the image as a sovereign manifestation requiring my stand as one “getting to know” life, bringing forth clues for others, and trusting the process is the under-painting of the journey I have been given to fulfill.

“Silent Eighties lotus 97.7” Acrylic on Canvas, 30”X40”

DERWIN LEIVA www.derwinleiva.com Art Creations by Derwin Leiva @derwin_leiva

D

erwin Leiva was born in Cuba in 1978, where music was part of his daily life. In 1995 he moved to Miami and in 2004 to Hawaii, where he currently resides. He studied art at the Honolulu Museum of Art, Linekona School, and completed his BFA with Sculpture concentration at the University of Hawaii Manoa.

Although his work has been influenced by artists like Picasso, Boccioni, and Wifredo Lam, Cuban music has always been a constant backdrop to his work.

Through rhythm and motion in his work, he mirrors the experience of freedom found in Cuban music.

Most recently, Leiva exhibited at the 1st International Biennial of Art in the World 2021 in Palermo, and his work became part of the private collection of the US Embassy in Guatemala. In addition, He has participated in several international exhibitions, including International Biennale Barcelona, Spain, and Biennale Internazionale D’Arte Contemporanea 2019 in Mantova, Italy. His work has been displayed at the MEAN (European Museum of Modern Art) and the Diocesan Museum Francesco Gonzaga.

“The Bath” 2021 Oil On Canvas, 60”x48”

“Social Distance” 2022 Oil On Canvas, 60”x48”

Exquisite Arts Magazine has published his work, Create Magazine, Spotlight Contemporary Art Magazine, Art International Contemporary Magazine, and several books like Important Excellent Art Book, Artisti 20- Annuario Internazionale D’Arte Contemporanea, The Great Encyclopedia of International Art, Masters of Today, 100 Artist of the Future, Trends In Art: Insights For Collectors, and Top 10 Contemporary Artists.

Leiva’s work has been recognized internationally, and most recently, he received the prestigious “Collector’s Vision International Art Award,” the “Artexpo New York “Best New Exhibitor Award,” “International Caravaggio Prize - Great Master of the Art,” “The International Botticelli Award,” “The International Diego Velazquez Prize,” and “The International Michelangelo Award.”

In addition, Leiva was recognized at Mantua Art Expo as “Artist of the Year 2019;” He was also awarded “Artist of the Future” by Contemporary Art

Curator Magazine and “Artist of the Year 2020,” by World of Art Magazine for Best in Art and Creativity.

“The Living Room” 2020 Oil On Canvas, 60”x48”

SUZANNE L. CROSS, PhD www.nativeamericanshawlsetc.com

“M

y bead work and shawl-making have provided me with the opportunity to create pieces representing my cultural knowledge to share with others. Art allows the possibility of moderating discussions of challenging topics such as cultural differences, health issues, loss, recovery, and renewal.

Often, I am invited to share an educational presentation in regard to my work, which frequently allows discussions that may lead to an increase in sharing and an understanding of the purpose of each piece. A second goal is to share cultural differences of the American Indian/Native American population to develop an awareness of the values and beliefs that are taught and practiced within the culture, which is reflected in various pieces of art.

Since I was young, I was able to learn from other tribal artists, which afforded me valuable life lessons from individuals of all ages. I recall the Elders sharing with my Mother that they thought I had an ‘old sole’ meaning I was more aware of life lessons than others my age. They not only taught me art, but the art of living.

I learned different methods of beadwork and shawl making, but I learned the history of our tribal nation, how to protect myself with knowledge, how to share and care, and mostly, how to be an American Indian woman.

My work represents times of joy, excitement, history, grieving, and healing. Each piece I create tells a story of the purpose of a piece and communicates what is occurring in my life at the time.

For example, I have made a Red Dress Shawl with the symbols of the American Heart Association (AHA) Red Dress design, which symbolizes and communicates to women the importance of being aware of heart health issues. However, the day I completed this particular shawl was the same day my sister-in-law died. This is an example of sharing the purpose of the shawl and the impact of a life event I experienced at that time.

Our tribal nation had a wonderful time with the AHA Red Dress event in our community. The planning committee made the decision to reverse the words to Dress Red Day. The change allowed all in the community to participate. Men, children, and women participated in the fashion show. As they walked the runway, instead of a description of the clothing they were wearing, each shared a statement of who they were walking for: someone experiencing the disease processes or someone who ‘walked on’ and died from the disease. After the fashion show, I was invited to present facts about the impact the disease has on women specifically. Also, photo panels were a display of the Healing through Culture and Art shawl collection, which I created.

This is an example of the tribal way of inclusion.

I am pleased I have been offered the opportunity to share my artwork, knowledge, and lessons I have learned about heart disease with others.”

Miigwetch (thank you)

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“MMIWG Medallion Glass Beads, Bone Beads” Leather, 6” x 24” x 0.25” The MMIWG Medallion was created to accompany the MMIWG Shawl for the MMIWG Virtual Exhibition of the Ziibiwing Culture Center on the Saginaw Chippewa Indian Reservation of Michiganfrom present until Oct. 30th. At which time the medallion may be purchased. It was created with tears for the grieving of the loss of a loved one and no mouth as words cannot express the sorrow the woman is experiencing.

“Murdered and Missing Indigenous Women & Girls Shawl” Fiber & Textile, 36” x 64” x 1”

The MMIWG shawl was created to bring awareness of the loss of Tribal Women and Girls in the US and CA. The shawl conveys the sadness families experience when they loses a family member. This shawl was 'danced in' at the 30th Hoop Dance Exhibit at the Heard Museum in Phoenix, AZ, March 2020. The plea is often "Help us find her" which is spelled out on this shawl.

Presently this shawl is in an exhibition at the Ziibiwing Culture Center on the Saginaw Chippewa Indian Reservation until Oct. 30th. Then it will be available for purchase.

“Respect & Equality Shawl” Fiber & Textile, 28” x 64” x 2 “

The Respect & Equality Shawl was created to bring attention to how the 2-spirit people are treated. While there has been an increase in equality in regard to work, education, etc. There continues to be a lack of respect in regard to how 2-spirit individuals are treated in US society. The Respect & Equality Shawl was included in the In The Spirit Exhibition at the State Historical Museum in Tacoma Washington 2019.

ANA INGHAM www.anaingham.com

“I

believe that creativity is about finding a unique synthesis between reality and abstraction. From an early age, I was driven to write and paint.

This was my way of coming to terms with the reality of life and my artistic sensibility always tended to a zone between reality and abstraction. I wanted to look closely at the reality and see it clearly, yet also stand aside and see the reality behind a hue, a mist. This duality created an emotional suspense, which is perhaps the source of poetic sensibility.

When a teenager, I wanted to do both writing and painting, but as it was difficult to focus on two different artistic expressions with the same intensity and continuity, I chose to concentrate on writing, perhaps because I wanted to be closely involved with the world and to revolt against things I didn’t like. This is more difficult with painting since modern painting is a way of standing back from reality and existing in a zone 3 sheltered from it. But the visual sensibility never left me, and good paintings continued to move me deeply. So, after writing a number of novels, short stories, poetry collections, and plays, I claimed my right to express my experiences, my emotions, and my vision in painting.

The intense and, at times, rocky (because we were both rebels) relationship between Bryan Ingham and myself must have contributed to this claim. Our relationship was based mainly on a shared sensibility; in him lingered a poet, and in me lingered a painter. After his death, my own lingering sensibility erupted with its own dynamic, and I found myself painting passionately and obsessively. I now needed more than ever before to dwell in that zone between the real and the abstract, and to shelter my artistic sensibility from the increasing harshness of the world. I think painting is very similar to falling in love. One falls in love through idealization. Love is an abstraction, and the need for abstraction seems to be inherent in the human psyche.

I am also a believer in beauty, although I am aware that artistic Beauty ought not to be beauty as defined by society and fashion.

Artistic creation is a claim for one’s own sense of beauty captured through harmony and proportion. I am trying to capture my

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feelings and thoughts towards places I have dwelled. Since I have been a driven traveler, I have become connected to different parts of the world. And I think my paintings mirror my physical, intellectual, and emotional journeys. I repeatedly painted landscapes of Cornwall and Paris because, emotionally, I responded to those places more strongly than to other places.

Yet I would like to paint many other places.

The reason why I am driven to integrate collage and painting may be related to my dual artistic identity as a writer and a painter. Collage provides a direct link to the real, whereas painting is a product of the imagination.”

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“Integrating Thoughts” Acrylic on Canvas, 30” × 40” × 1.5”

KUSHLANI JAYASINHA www.kushlanijayasinha.com

K

ushlani Jayasinha, born and raised in Sri Lanka amid turbulent social strife, is a painter whose artistic practice is informed by her Buddhist way of life and her occupational past as a Silicon Valley software engineer and a postdoctoral Physics scholar.

Kushlani’s paintings are created from a synthesis of traditional meditative processes learned from the monks in Sri Lanka, teaching her the gentle wisdom of Buddha and Western experiences of transcendent beauty. From this background, she prepares by studying the self in silence but “Love is Like Candy on a Shelf” Acrylic on Canvas, 30” x 30” × 1.5”

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“The meeting “ Acrylic on Canvas, 30” × 30” × 1.5”

paints with the sounds of Romantic music. All of these things: the deep, attentive silence of samadhi, the Romantic longing, and the wonder of natural landscapes; can bring us out of the cycle of thoughts and into a sharp, freeing living in the current moment.

The painting manifests in careful and deliberate forms that are derived from natural formations but which are abstractly rendered on her canvases: a dreamy coastal fog, a far-off city in the mist, and a peaceful body of water. The forms are unavoidably rooted in Kushlani’s conscious consideration of physical properties and the emotional truths of the moment, and the result is something curiously tangible but simultaneously dreamlike.

“Summer” Acrylic on Canvas, 48” × 24” x 0.75”

“When boundaries Disappear” Oil on Canvas, 48” × 48” × 1.5”

“The Rose” Acrylic on Canvas, 30" × 30" x 1.5"

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BRIAN ROCK

ATHINA SOULTANI

BARBARA TYLER AHLFIELD

JOSEF WEIDNER

LIZ BROWNRIGG

ANASTASIA SCHIPANOVA

MARY DI IORIO

BERTA JAYO

ART2024.NYC

CHRISTOPHE SZPAJDEL

WALDRAUT HOOL-WOLF

PATRICK WALSH

CRYSTAL DOMBROSKY

SALLY JORDON

PATRICK WALSH

CAROLE BOYD

MICHAL ADELT

ART2024.NYC

KATHERINE DUTREMBLE

TRACEY CHAYKIN

SUSAN ZATT

TRACEY CHAYKIN

SANNIE GUO

PATRICIA GAGIC

GAYLE FAULKNER

SASCHA WESTENDORP

ART2024.NYC

SANNIE GUO

NEELA PUSHPARAJ

TOSHIO ISHIKAWA

WENDY COHEN

VIGDIS ELISABETH FELDT

RIC CONN

VIGDIS ELISABETH FELDT

IGOR OSIPOV

ART2024.NYC

AI ART:

CREATIVE BREAKTHROUGH OR PLAGIARISM PITFALL

By Viviana Puello

P

lagiarism has taken on a new dimension in the age of Artificial Intelligence (AI), posing unprecedented challenges in the art world. AI’s ability to replicate and create art has blurred the lines between originality and imitation, raising serious questions about plagiarism in this new era.

With AI’s proficiency in absorbing and replicating an artist’s style, discerning the line between inspiration and outright plagiarism has become a complex issue. The case of “GAN Theft,” a project by artist Robbie Barrat, exemplifies this. Barrat trained a Generative Adversarial Network (GAN) on thousands of Vincent van Gogh’s works, resulting in AI-generated art strikingly similar to the master’s style. This led to intense debates over plagiarism and the authenticity of AI-created art.

The rise of AI Ascendancy in the arts brings to the forefront several ethical quandaries about plagiarism:

• Ownership and Attribution: Plagiarism concerns arise over who truly 'owns' AI-generated art that mirrors the style of a human artist. Is it the programmer, the AI itself, or the artist whose style was replicated?

• Inspiration versus Plagiarism: Distinguishing between genuine inspiration and plagiarism in AI-generated art is challenging, as traditional tools for plagiarism detection are ill-equipped to handle the nuances of AI creations.

• Copyright Law Relevance: The existing frameworks of copyright law, designed for human creativity, are under scrutiny. How applicable are these laws to AI-generated art, or do we need new legal guidelines to address plagiarism in this digital age?

Addressing plagiarism in the age of AI requires urgent and innovative solutions: • Transparency in AI Art: To mitigate plagiarism, there must be openness about AI's role in the creative process. This involves clearly labeling AIgenerated art and crediting the original artists whose styles were utilized.

• New Tools for New Challenges: Developing AI tools to detect plagiarism in AI-generated art is crucial. These tools can identify instances where AI has been used to copy or appropriate human artists' works unfairly.

• Legal Evolution: The legal system must evolve to address the unique challenges of AI in art. Policymakers and legal scholars are debating how to adapt copyright law to effectively tackle plagiarism in the realm of AI. Collaboration across various sectors is vital in shaping the future of art in the AI era. By promoting ethical practices, engaging in open dialogue, and crafting innovative solutions, we can ensure that AI serves as a tool for enhancing artistic expression rather than stifling it.

The potential of art in the age of AI is boundless, but it comes with significant challenges. By thoughtfully and ethically navigating these challenges, we can ensure a thriving environment for both human and AI artists.

AI, a powerful tool in the hands of artists, can be wielded for good or ill. It is our collective responsibility to determine its use in shaping the future of art, especially in the context of plagiarism.

To protect oneself from plagiarism in the AI age, several proactive measures can be taken: • Embed metadata and documentation within artworks to establish authorship.

• Register artworks with copyright registries to strengthen legal standing.

• Use watermarks or digital signatures as identifiers against plagiarism.

• Build a strong online presence to establish your unique style and presence.

If plagiarism occurs: • Contact the infringer directly to assert your copyright and seek removal of the plagiarized work.

• Publicly denounce the plagiarism on social media and art communities.

• Seek legal advice to explore further actions, including litigation.

Lastly, community action is crucial: • Advocate for ethical AI usage and transparent practices in AI art creation.

• Engage with the AI art community to foster responsible creation and attribution.

• Support legal reforms to protect artists' rights in the face of AI-generated art.

Navigating the complexities of AI and plagiarism requires vigilance, resourcefulness, and a strong support network. By staying informed and proactive, artists can continue to thrive in this new landscape.

AI ASCENDANCY:

THE CRITICAL WAKE-UP CALL FOR VISUAL ARTISTS www.arttourinternaitonal.com/AI-Ascendancy

By Viviana Puello In an era marked by AI Ascendancy, the art world stands at a pivotal crossroads. As an advocate and voice in the art community, I observe with keen interest how the surge of Artificial Intelligence reshapes the landscape of visual arts. This AI Ascendancy, while a beacon of technological advancement, also rings an alarm bell for artists everywhere.

The Deep-Seated Fears: • The Shadow of AI Overcasting Artistic Jobs: The most visceral fear is AI’s potential to automate creative tasks. This AI Ascendancy might not only change how art is made but also who makes it. The threat to traditional roles – illustrators, painters, graphic designers – is not just a distant possibility; it’s an unfolding reality.

• Plagiarism in the Age of AI: With AI’s ability to absorb and replicate artistic styles, the line between inspiration and appropriation becomes blurred. This form of AI Ascendancy raises critical ethical questions: Who holds ownership over an AIgenerated piece that echoes the style of a human artist?

to harness the power of AI, blending it with their irreplaceable human creativity.

• Collaboration Over Competition: Let’s view AI as a collaborator, not a competitor. AI can take on the mundane, giving artists more space to focus on the heart and soul of their work.

• Harnessing AI for Emotional Depth: While AI can replicate forms, it cannot replicate feelings. Artists must delve deeper into the emotional and experiential aspects of their art, areas where AI cannot tread.

• Ethical Advocacy: As part of the AI Ascendancy, artists must champion ethical practices in AI development. This includes advocating for fair use of art in training AI and ensuring diversity in AI’s learning process.

• The Soul of Art at Stake: There’s a deep-rooted fear that AI, despite its sophistication, cannot encapsulate the human soul in art. This aspect of AI Ascendancy challenges the very essence of art – the expression of human emotion and experience.

• The Flood of Mediocrity: AI democratizing art creation is a doubleedged sword. While accessibility increases, there’s a looming threat of a deluge of uninspired art. This facet of AI Ascendancy could potentially dilute the art market, making it harder for genuine talent to shine.

• Dependency Dilemma: The reliance on AI for creative inspiration could lead to a dependency that undermines the artist’s own creative instincts – a subtle yet significant impact of AI Ascendancy.

Embracing the AI Wave: Despite these fears, I urge artists to view AI Ascendancy as a call to evolve, not a signal of defeat. This is a time for artists

• Redefining Artistic Identity: In the wake of AI Ascendancy, artists have the opportunity to redefine what it means to be an artist in the 21st century. This is a chance to blend traditional artistry with cutting-edge technology.

A Call to Action with ArtTour International: In closing, I invite you to join us at ArtTour International, where we’re embracing this new era of AI Ascendancy.

Let’s explore together how AI can become a tool for artistic innovation rather than a threat. It’s time for visual artists to wake up to the potential of AI, to embrace it, and to redefine the future of art.

Conclusion: The AI Ascendancy is not just a technological shift; it’s a cultural and artistic revolution. As visual artists, our response to this wake-up call will shape the future of art. Let’s approach AI with curiosity, courage, and creativity, ensuring that the art of tomorrow reflects the best of both human and artificial brilliance.

"Cyclone" Acrylic on Canvas by Subodh Maheshwari

"From Guatemala to New York" by Phil Dynan