John Dunn Antiques, Artvisory Melbourne 28 August 2022 Auction Catalogue

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The Entire Stock in Trade of John Dunn Antiques Auction • Sunday 28 August 2022




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Specialists Single-Owner Auctions Paul Sumner Sandy Bruce

Indigenous Australian Art Shaun Dennison Arts of the Middle East Dr Susan Scollay

Chinese and Asian Arts Luke Guan Ray Tregaskis Victoria Tregaskis Allan Rae

design + decoration & Interior Decorator Auctions Amanda Swanson

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Viewing John Dunn Antiques 1431 Malvern Rd, Malvern VIC 3144

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The Entire Stock in Trade of John Dunn Antiques AUCTION

Sunday 28 August 2022, 11.00am Artvisory 310 Toorak Road, South Yarra VIC 3141

VIEWING

Sunday 21 – Saturday 27 August, 11am–5pm each day John Dunn Antiques 1431 Malvern Road, Malvern VIC 3144

COLLECTIONS

Monday 29 August

11am–5pm

Tuesday 30 August

11am–5pm

Wednesday 31 August

11am–5pm

John Dunn Antiques 1431 Malvern Road, Malvern VIC 3144 ONLINE

View catalogue and bid online at www.artvisory.com.au

SPECIALIST ENQUIRIES

Paul Sumner 0412 337 827 paul@artvisory.com.au

ADMINISTRATION ENQUIRIES

Amanda Swanson 0414 592 234 amanda@artvisory.com.au


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How to Bid at our Auctions Catalogues and Viewing

Buyers Premium

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Artvisory charges a Buyers Premium of 24% plus GST on the hammer price of all Auction items unless otherwise stipulated.

If a printed catalogue has been produced for an Auction, it will be available complimentary at Artvisory, 310 Toorak Road, South Yarra 3141.

Bidding

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am-5pm at the advertised location/s in the Auction catalogue.

Live Bidding

Artvisory offers four options for bidding at our Auctions:

The Lot/ Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

If this is your first-time bidding with Artvisory you will be required to register with us, and we suggest that you arrive at the Auction with your pre-filled registration form (available to download and print from our website) and you will then receive your bidding number at the Auction. To facilitate this please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Estimates

Please make sure you register in the name you want your final invoice to be made out to as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

Lot Descriptions

The estimate accompanies each lot in the printed and online catalogue. This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory, however many lots are sold without a reserve.

Condition Reports Condition reports supplement the lot/ catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com

Symbols Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item. Please refer to the Terms and Conditions for specific symbol meanings and information.

Online Bidding Online bidding via Invaluable.com allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction. Please register for this service with Invaluable.com at least 24 hours prior to the Auction to ensure you do not miss your lot. Invaluable.com charges a 5% fee on any successful lots purchased which will be added to your final invoice. Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a deposit may be required before you can bid. Please note Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.


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Telephone Bidding

Payment and Collection

Complimentary telephone bidding is available at all our live Auctions, and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

If you are successful with your bid/s your invoice will be emailed to you immediately after the Auction finishes.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come first served basis, as the number of phone lines available are limited. See our website to download and complete a telephone bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Absentee Bidding Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget. An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus buyers premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence. Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received. See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

You will pay the hammer price, plus the Buyers Premium of 24% plus GST on each lot, together with any additional charges such as GST on hammer or the Artist Resale Royalty if applicable. As per our terms and conditions, payments must be made in full by three (3) days after the Auction as printed in the catalogue. Personal, Company and Bank cheques are not accepted unless prior approval has been sought. We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.5% inc GST for Visa, Mastercard and American Express) Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt. All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder. All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Packing and Delivery Artvisory recommends Pack and Send for all packing and interstate and international deliveries and we are happy to help co-ordinate this for you with Pack and Send. Regarding larger items such as furniture and large artworks, we have a list of recommended specialist carriers for local, interstate and international deliveries that we can provide to buyers and this will be sent to you with your invoice if you are successful at the auction.


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“ Look at the colour, at the patination, rub your fingers across the surface, I tell you there is something sensuous about wood” John Dunn, 1985

Preface John Dunn started his work life as a messenger boy for The Herald, a Melbourne newspaper, but found he preferred reading art books in their library to bringing back share reports from the stock exchange to the office. When noted artist of the day and antiques dealer Cyril Lander advertised for someone to apprentice and learn about antiques in his Toorak village shop, a young John Dunn applied and got the job. John Dunn then lived in Williamstown with his family and it was quite a hike to and from Toorak in those days. However, the environment was an extraordinary one for an enquiring mind and surrounded by not only the antiques themselves, John Dunn found himself in a great meeting place of luminary collectors of the day, such as Sir Keith Murdoch and Sir Arthur Streeton to name just two. After this apprenticeship John Dunn worked for the Connoisseur Store in South Yarra, itself a very well regarded antiques establishment frequented by the leading collectors of the day. In 1958 John Dunn moved into his first shop in Malvern Road, Malvern, where the business has remained to this day. John Dunn always credited his wife Eileen as key to the success of the business and in time both of their sons entered the antiques trade. Peter Dunn set up Prinny’s Antiques just down the road on Malvern Road and Francis entered the family business in 1967 working with and learning from his father and his mother Eileen.

John Dunn Antiques built an extraordinary reputation for handling the finest furniture and works-of-art from Europe. “ It came from John Dunn” was very much a badge-of-honour for collectors, not only in Melbourne and Sydney, but right around Australia. Those who were in Sydney during the 1980s will remember the amazing collaborations between John and Francis Dunn and Robert Haines of David Jones Art Gallery, where furniture and works-of-art from John Dunn Antiques would be surrounded by artworks by Rodin, Bonnard, Degas and Modigliani! In more recent times many will recall the fabulous displays that Francis Dunn created at the Sydney and Melbourne Australian Antique Dealers Association fairs. More like theatre sets with Francis Dunn and Ken Wharton as the stage masters, collectors knew to make a beeline to this stand on opening night and many of the biggest sales of the openings would happen there to the well-heeled and well-informed. It is with a degree of sadness that we present to the market this amazing collection, knowing that this is something of a swan-song for Francis and his family, but at the same time, we should be very thankful to the Dunn family over two generations who have done so much for promoting exceptional antiques in this country. Paul Sumner August 2022


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1 A fabulous trio of Japanese bronze cranes, Meiji Period (1868-1912) 220cm, 210cm and 120cm high $10,000–15,000

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2 A fabulous painted carved wood model of a bull, Spanish, circa 1800 32cm on base, 52cm wide $3,000–5,000

3 A very good richly patinated walnut side table, Spanish, circa 1680 133cm wide, 65cm deep, 80cm high $6,000–9,000

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An outstanding and large carved walnut stretcher table, Spanish, circa 1660 256cm wide, 80cm high, 67cm deep

An impressive walnut and iron mounted cassone, Spanish, circa 1660 165cm long, 70cm deep, 56cm high

$15,000–25,000

$3,000–5,000

An exceptional Louis XV period ivory inlaid, kingwood,burr-wood and walnut bureau-dedame, in the manner of Jean-Francois Hache, French, circa 1770 98cm wide, 93cm high, 54cm deep

Illustrated online at www.artvisory.com.au

5 An oak joint stool, English, circa 1660 58cm high, 46cm wide, 27cm deep $2,000–4,000 Illustrated online at www.artvisory.com.au

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$8,000–12,000

A classic Tuscan walnut trestle-table of great colour and simplicity, Italian, circa 1680 180cm long, 83cm high, 71cm wide $8,000–12,000 Illustrated online at www.artvisory.com.au

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A stunning pair of gilt-gesso and polychrome painted carved wood heraldic candle-sconces, Spanish, circa 1730 70cm high, 65cm wide

An exceptional pair of inlaid walnut console tables, Italian, circa 1700 133cm wide, 60cm deep, 88cm high

$6,000–9,000

$12,000–18,000


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11 A Museum quality brass inlaid ebony and polychrome painted connoisseurs cabinet-on-stand, Flemish, circa 1680 166cm high, 104cm wide, 50cm deep $40,000–60,000

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12 A wonderful gilded, painted bone inlaid, ironwork and walnut Vargueno, Spanish, circa 1660 157cm high, 114cm wide, 51cm deep $15,000–20,000

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13 A very impressive Tuscan gilt and polychrome painted Neo-Classical mirror, Italian, circa 1760 168cm high, 130cm wide $8,000–12,000

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14 A fine and beautifully decorated Japanese lacquer chest-on-stand, 18th century, on English giltwood stand 141cm high, 94cm wide, 55cm deep $12,000–18,000

15 A rare German brass alms dish, Nuremburg, circa 1540 embossed with tulips and Gothic script 44cm diameter $2,000–3,000 Illustrated online at www.artvisory.com.au

16 A Classic Louis XV period fruitwood fauteuil, French, circa 1770 96cm high, 69cm wide, 60cm deep $2,000–3,000 Illustrated online at www.artvisory.com.au

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17 A large and impressive wrought iron cresset set (Ecclesiastical Candlestand), Spanish, 18th century 183cm high, 140cm long, 58cm deep $2,000–4,000

18 A beautiful ivory inlaid ebony veneered collectors table cabinet, Milan region, circa 1650 40cm high, 41cm wide, 27cm deep PROVENANCE

By repute Castle Leslie Nr Glasslough County Monaghan Ireland. H.L Visser Colllection $7,000–10,000

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19 An Important and fine Henry II period carved walnut buffet-a-deaux-corps, French, circa 1600 Brilliantly carved with panels depicting the seasons. All original iron handles and key escutcheons For comparisons see Jacqueline Boccador Le Mobilier Francais Du Moyen Age A La Renaissance, Plate 157/158 pages 210-211 230cm high, 158cm wide, 60cm deep $20,000–30,000

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19 (Detail)


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A Hispano-Moresque copper lustre bowl, Spanish, circa 1700 40cm diameter

A large and beautiful pair of silvered-gesso and carved wood torcheres, Italian, circa 1700 114cm high

An unusual marquetry and carved poplar chest, Spanish, circa 1660 95cm wide, 35cm deep, 35cm high

$2,000–3,000

$3,000–5,000

$3,000–5,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

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A finely cast Japanese bronze of an elephant with two tigers, signed, Meiji period (1868-1912) on wood stand 41cm high, 43cm wide, with stand 45cm high, 50cm wide

A fabulous Japanese coral red lacquer and gilt metal mounted nagamochi (Trunk), Meiji Period (1868-1912) 152cm wide, 78cm high, 65cm deep

An early and large Louis XIV walnut armchair, French, circa 1700 140cm high, 80cm wide, 42cm deep

$4,000–6,000

Illustrated online at www.artvisory.com.au

$3,000–5,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

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26 (Detail)

$2,500–3,500


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26 A Magnificent ivory inlaid walnut, ebonised and bronze mounted inverted breakfront commode, Padua region, 17th century 104cm high, 163cm wide, 80cm deep $20,000–30,000

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27 A Large and very beautiful Chinoiserie Aubusson Verdure tapestry, signed M.R.D'Aubusson, French, circa 1740 The mark MR D'Aubusson was used at the Aubusson tapestry workshops from the 16th to the 18th century and is recorded in Tapestry, Mirror of History by F.B.Thomson. The source of this series of Chinese tapestries was Fischer von Erlach's Entwurffeiner Historischem Architektur, 1721. 427 x 255cm $15,000–25,000

28 A pair of heavy cast turned brass and iron candlesticks, Dutch, circa 1700 56cm high $2,500–3,500 Illustrated online at www.artvisory.com.au

29 EUROPEAN SCHOOL, CIRCA 1820

Portrait of Carl Johan Von Tormerstedt oil on canvas 43 x 33cm $3,000–4,000 Illustrated online at www.artvisory.com.au


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A large Louis XIV period turned walnut and pictorial tapestry armchair, French, circa 1700 120cm high, 64cm wide, 69cm deep

A tall square section wrought iron floor candle-stand, Spanish, circa 1780 140cm high

A massive cast iron mortar, French, 18th century 45cm wide, 43cm high

$3,000–5,000

$2,000–4,000

$2,000–3,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

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A rare and richly patinated and finely turned European cedar-wood armchair, Italian, circa 1700 120cm high, 70cm wide, 62cm deep

A set of four of Louis XIV turned walnut fully upholstered chairs, French, circa 1700 112cm high, 53cm wide, 47cm deep

$3,000–5,000

A well cast Japanese bronze of an elephant with two tigers, Meiji period (1868-1912) on wood stand 20cm high, 28cm long, with stand 28cm high, 32cm long

Illustrated online at www.artvisory.com.au

$2,000–3,000 Illustrated online at www.artvisory.com.au

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36 (Detail)

$2,000–4,000 Illustrated online at www.artvisory.com.au


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36 An outstanding and exceptionally rare walnut bureau-cabinet, Dresden region, German, circa 1750 228cm high, 110cm wide, 60cm deep $25,000–35,000

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37 A pair of Sicilian painted tole, wood and glass pole lanterns, Italian, 18th century 245cm high $2,500–4,000

38 A large painted parchment armorial, Italian, 18th century 260cm high, 185cm wide $1,000–2,000

39 A rare and very decorative polychrome painted figure of a Neopolitan fisherman, Italian, circa 1750 75cm high, 55cm long $6,000–8,000

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40 A superb Regence period gilt-bronze mounted bow-fronted kingwood commode, French, circa 1715 117cm wide, 83cm high, 60cm deep $25,000–35,000

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An unusual walnut shaped rectangular top stretcher table, Italian, circa 1720 120cm wide, 71cm deep, 80cm high

A small faux bois painted commode, Italian, circa 1770 60cm high, 73cm wide, 38cm deep

A rare Piedmontese walnut two-door cupboard, Italian, circa 1680 200cm high, 79cm wide, 47cm deep

$3,000–5,000

$2,500–3,500

$4,000–6,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

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A good rectangular single-drawer walnut table, Spanish, circa 1680 160cm long, 81cm high, 67cm deep

A large and impressive pair of silver-gilt candle-brackets, Italian, circa 1680 approximately 66cm wide, 75cm high

$4,000–6,000

$3,000–5,000

An unusual walnut stretcher table with curvilinear walnut stretchers, Spanish, 17th century 166cm wide, 87cm deep, 83cm high

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

$3,000–5,000 Illustrated online at www.artvisory.com.au

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47 (Detail)


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47 An exceptional and very rare walnut and marble and ebony inlaid buffet-a-deaux-corps, Ile-de-France, circa 1600 182cm high, 100cm wide, 48cm deep PROVENANCE

Perpitch Collection. This piece is illustrated: Le Mobilier Francais Du Moyen Age A La Renaissance, Jacqueline Boccador Page 248 Plate 187 $15,000–25,000

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48 A large polychrome painted and carved lindenwood figure of a male saint, South German, 16th century velvet covered base 101cm high $7,000–10,000

49 A large walnut two-drawer centre table, Spanish, circa 1640 141cm wide, 82cm high, 71cm deep $6,000–9,000 Illustrated online at www.artvisory.com.au

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50 A very unusual and highly decorative parcel-gilt and coral-red lacquer cabinet-on-stand, Austrian, circa 1780 with a central carved figure of Hermes 210cm high, 140cm wide, 72cm deep $8,000–12,000

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51 NORTH ITALIAN SCHOOL, EARLY 17TH CENTURY

The Wedding at Cana oil on board inscribed Joan, 2 to one chequer stone floor tile 96 x 138cm $12,000–18,000

52 A very unusual, highly decorative inlaid walnut and faux marble topped serpentine fronted console table, Italian, late 18th century 78cm high, 80cm wide, 42.5cm deep $4,000–6,000

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53 A highly decorative wallpaper panel of Hotel-de-Ville and Val-de-Grace Paris, by Dufour of Paris, French, circa 1820 196 x 184cm $6,000–9,000


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A very good polychrome painted and gesso figure of a cherub, Spanish, circa 1760 65cm high

A crisply carved Louis XV walnut fauteuil, French, circa 1760 covered in cotton gingham 95cm high, 67cm wide, 60cm deep

A stunning foliate carved walnut side table, Spanish, circa 1640 192cm wide, 80cm high, 62cm deep

$4,000–6,000

$8,000–12,000

$1,500–2,500

55 A painted iron and copper weather vane, Dutch, 18th century 82cm high, 71cm wide $1,000–2,000

57 A rare brass and iron fladistorio (Bronze seat) covered in rose silk velvet, Italian, 18th century 71cm wide, 54cm deep, 91cm high $4,000–6,000

59 A large and finely carved walnut rectangular wall mirror, Italian, 19th century 175cm high, 130cm wide, 18cm deep $3,000–5,000 Illustrated online at www.artvisory.com.au

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An iron signalling cannon, English, 18th century with wooden carriage and iron wheels 30cm high, 54cm long

A George II oak and mahogany cross-banded dresser base, English, circa 1730 190cm long, 84cm high, 50cm deep

$1,500–2,500

$4,000–6,000

A stunning Japanese gilt-paper and painted water bird and prunus tree six fold screen, Meiji period (1868-1912) with finely engraved gilt-metal corner and side fitments and silk borders 180cm high, 372cm wide

61 A rare pictorially painted octagonal top wine table, Dutch, circa 1760 72cm high, 61cm wide

$4,000–6,000

$3,000–5,000

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A rare pair of carved giltwood biblical panels, Italian, circa 1650 63cm high, 42cm wide

A rare carved walnut two drawer writing table, Basque region, Spanish, circa 1660 160cm wide, 65cm deep, 84cm high

A well patinated antique Oliphant horn, African, 19th century or earlier 74cm long

$3,000–5,000

$5,000–8,000

$2,000–4,000 Illustrated online at www.artvisory.com.au

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A very impressive walnut and marquetry commode, Italian, circa 1760 116cm high, 145cm wide, 66cm deep

A very impressive walnut serving cabinet, called a Dressoir, French, circa 1680 the drawers with original iron drop handles 108cm high, 124cm wide, 50cm deep

$5,000–8,000

$8,000–12,000

69 A very rare dark walnut and iron bound strong chest, Basque region, Spanish, circa 1640 108cm wide, 55cm deep, 51cm high $3,000–5,000 Illustrated online at www.artvisory.com.au

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70 A fine specimen marble pedestal chess table, French, 19th century 72cm high, 74cm wide $4,000–6,000

71 A fabulous large ebonised fruitwood mirror, Flemish 19th century, 120cm high, 98cm wide $4,000–6,000

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72 A fabulous black and silvered decorated leaf carved folding lectern stand, Venice region, Italian, early 17th century 140cm high, 50cm wide $4,000–6,000

73 A good heavy oak joint stool, English, circa 1680 struck with the initials N.I 55cm high, 50cm long, 30cm wide $2,500–3,500 Illustrated online at www.artvisory.com.au

74 A very rare and early iron floor standing pricket candle-stand, Low Countries, 15th century 124cm high $2,500–3,500 Illustrated online at www.artvisory.com.au

75 A finely made ivory and sandalwood chess set and board, Vizagapatam, Indian, circa 1840 The board closed as a box being 46cm wide, 23cm deep, 10cm high $4,000–6,000 Illustrated online at www.artvisory.com.au

76 A rare German brass alms dish, Nuremburg, circa 1540 embossed with Adam and Eve 42cm diameter $2,000–3,000 Illustrated online at www.artvisory.com.au

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An appealing Conta and Boehme porcelain pug-form jar and cover, German, circa 1900 20cm high

A very pretty burr-walnut veneered serpentine fronted lowboy, Dutch, circa 1780 192cm wide, 61cm deep, 80cm high

$800–1,200

$3,000–5,000

A fine quality gilt-bronze six branch ceiling light of Louis XIV style, French, circa 1880 124cm high including chain and ceiling boss, 74cm wide across the arms $4,000–6,000

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A polychrome painted terracotta figure of a mastif, French, 19th century 13cm high, 16cm wide

An impressive Tuscan walnut and marquetry cassapanca, Italian, circa 1660 182.5cm wide, 90cm high, 55cm deep

$500–700

$6,000–9,000

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An elegant carved walnut armchair, Italian, circa 1740 108cm high, 72cm wide, 51cm deep

A small bronze Gothic style ceiling light, French 18th/19th century 60cm high, 50cm wide

$3,000–5,000

$2,000–3,000

Illustrated online at www.artvisory.com.au

84 A rare Louis XIV period walnut oval centre table, stamped LF, French, circa 1680 123cm wide, 73cm deep, 73cm high $3,000–5,000 Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

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85 A large and very decorative painted wallpaper panel on canvas, of a hunting scene in India, French, 19th century 180cm high, 250cm wide $2,000–4,000

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86 A pair of large walnut and tapestry armchairs, Italian, circa 1700 122cm high, 74cm wide, 67cm deep $3,000–5,000

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A very handsome and large walnut centre table, Spanish, circa 1700 197cm wide, 85cm high, 80cm deep

An unusual marquetry and walnut centre table with bronze handles, Italian, circa 1700 78cm high, 140cm wide, 68cm deep

A large Louis XIV period armchair, in yellow striped fabric, French, circa 1680 110cm high, 60cm wide, 50cm deep

$12,000–18,000

$4,000–6,000

$2,000–3,000

Illustrated online at www.artvisory.com.au

88 An Ancient Chinese large and impressive Lingbi scholars rock on carved hardwood stand imitating waves stone 42cm high, 41cm wide, overall 54cm high on stand $2,000–4,000 Illustrated online at www.artvisory.com.au

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90 A Louis XIV period walnut armchair, French, circa 1700 113cm high, 66cm wide, 66cm deep $2,000–3,000

92 A large and unusual cherrywood farmhouse dresser, French provincial, 18th century 170cm wide, 100cm high, 40cm deep $3,000–5,000


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93 A pair of fabulous carved and giltwood rampant lions, Italian, 17th century 77cm high, 55cm wide $6,000–9,000

94 A fabulous pair of very well-carved gilt and white throne chairs in Empire style, French, 19th century 98cm high, 65cm wide, 60cm deep $6,000–8,000

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96

95 A finely carved giltwood overmantel mirror, French, circa 1840 140cm high, 100cm wide $2,500–4,000

96 An outstanding pair of Neo-Classical Sienna marble, bronze and gilt-bronze pedestal urns, French, circa 1830 35.5cm high, 32cm wide $5,000–8,000

97 A very handsome and well-carved giltwood rouge marble top centre table, Louis Phillipe period, French, circa 1835 144cm wide, 82cm wide, 82cm high $6,000–9,000 97


62

98

100

102

A very fine pair of carved limewood and gilt-gesso torcheres, Italian, circa 1780 112cm high

A striking kingfisher-blue glazed earthenware floor-vase, Japanese, circa 1970 79cm high, 58cm diameter

A Louis XVI period giltwood mirror, French, circa 1780 102cm high, 64cm wide

$3,000–5,000

$1,500–2,000

$1,800–2,500

Illustrated online at www.artvisory.com.au

99 A very fine pair of carved limewood and gilt-gesso torcheres, Italian, circa 1780 115cm high $3,000–5,000

103

101 A beautiful Regence period gilt gesso mirror, French, circa 173 110cm high, 60cm wide $3,000–5,000

98

99

An impressive Rococo giltwood marble top console table, Italian, 18th century 137cm wide, 97cm high, 69cm deep $5,000–8,000


63

101

102

103


64

104

106

105


65

104

106

108

A set of four painted and gilt-gesso candlesticks, Italian, circa 1820 49cm high

A large and very impressive walnut and oak centre table, Spanish, circa 1680 222cm wide, 68cm deep, 79cm high

A painted iron wall candle bracket, French, early 17th century 50cm wide, 39cm high

$2,000–3,000

$8,000–12,000

$1,000–2,000 Illustrated online at www.artvisory.com.au

105

107

A large carved oak figure of a cherub, English, circa 1690 on fabric covered box base 57cm high, 66cm high with base

A fine Tuscan walnut octagonal table, Italian, circa 1680 108cm wide, 78cm high

$3,000–5,000

$7,000–10,000

109 A very rare carved and incise decorated Cyprus wood bureau shaped table box, Italian, circa 1700 with fitted interior and secret drawers 22cm high, 33cm wide, 21cm deep $1,000–1,500 Illustrated online at www.artvisory.com.au

107


66

110 A large and impressive pair of Japanese stoneware wakashishi (lions), 19th century with inscription 45cm high $2,000–3,000

111 A small Empire period grained walnut marble-top console table, French, circa 1830 83cm high, 77cm wide, 43.5cm deep $2,000–3,000

112 A rare miniature walnut trestle table, Spanish, circa 1680 30cm high, 54cm long, 39cm wide $1,500–2,500 Illustrated online at www.artvisory.com.au

110

111


67

113 A turned walnut and tapestry covered stool, Italian, circa 1680 51cm high, 43cm wide, 32cm deep $2,000–4,000

114 A small walnut stretcher table, Spanish, 17th century 79cm high, 118cm long, 73.5cm deep $3,000–5,000

115 A Chinese Ming style cast iron censer in the form of a Buddhistic lion, Qing dynasty, 18th century 18cm high $800–1,200 Illustrated online at www.artvisory.com.au

113

114


68

116

118

A stunning Louis XV period carved walnut bombé commode, French, mid 18th century 90cm high, 60cm deep, 120cm wide

A set of six Japanese graduated unfired clay kitchen gods (Hotei San), circa 1900 22–50cm high

$8,000–14,000

$1,000–1,500 Illustrated online at www.artvisory.com.au

117 A very decorative Japanese bronze Mizubachi (water container), early Meiji period (1868-1912) 52cm high, 44cm wide $1,000–1,500

119 A red lacquered leather and wood drum Kotsuzumi, Japanese, 20th century 25cm high, 20cm diameter $200–400

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

116


69

120

122

A pair of very impressive carved and turned walnut armchairs, Italian, 17th century 136cm high, 82cm wide, 66cm deep

A rare metal-bound velvet covered domed top casket, Spanish, circa 1660 20cm high, 25cm wide, 14cm deep

$4,000–6,000

$2,000–3,000 Illustrated online at www.artvisory.com.au

121 A very decorative painted metal pub sign of Gulliver in Lilliput, English, 19th century 94cm high, 68cm wide $1,500–2,000 Illustrated online at www.artvisory.com.au

123 An oak joint stool, English, circa 1660 56cm high, 46cm long, 27cm wide $2,000–3,000 Illustrated online at www.artvisory.com.au

120


70

124

125


71

126

124 An impressive polychrome painted gesso and carved wood figure of St Elizabeth, Spanish, early 18th century 121cm high $6,000–9,000

126 ITALIAN SCHOOL, 17TH CENTURY

St Catherine at prayer oil on canvas 130 x 100cm $4,000–6,000

127

128 An oak joint stool, English, circa 1660 incised with a makers mark of a cross to one apron 54cm high, 46cm wide, 30cm deep $1,500–2,500 Illustrated online at www.artvisory.com.au

125 A very rare and beautiful painted gesso and carved limewood figure of the Madonna and Child, Flemish, circa 1600 117cm high, 45cm wide $7,000–10,000

127 DUTCH SCHOOL, 17TH CENTURY

Portrait of a young boy with a birds nest oil on canvas 76 x 62cm $3,000–5,000


72

129

131

133

A pair of rare walnut console tables, Italian, circa 1760 107cm wide, 50cm deep, 73cm high

A gilt-bronze sculpture of a squirrel holding a nut, French, circa 1880 8cm high, 9cm wide

A turned walnut octagonal stool, Italian, 18th century 50cm high, 44cm wide, 32cm deep

$8,000–12,000

$200–400

$1,500–2,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

132

134

A large Tabriz carpet, North West Persian, circa 1920 480 x 345cm

A large weathered Carrara marble mortar, French, 17th century 20cm high, 41cm wide

$1,000–1,500

$600–1,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

130 A small fruitwood child's chair, French, mid 19th century with rush seat 70cm high, 36cm wide $200–300 Illustrated online at www.artvisory.com.au

129


73

135

136

A Staffordshire pottery flat back figure of a lamb lying next to a lion, English, 19th century after the story of Isaac Van Amburgh an American lion tamer who in his performance made a lion lie down with a sheep 10cm high

A small Kashan turquoise glazed vessel, Iraq, circa 13th century 13cm high $200–300 Illustrated online at www.artvisory.com.au

$200–300 Illustrated online at www.artvisory.com.au

129


74


75

137 A pair of large and very well carved walnut and parcel-gilt armchairs, Italian, 19th century with gilt-gesso foliate carved capitals 131cm high, 66cm wide, 62cm deep $2,500–4,000

137

138 An impressive mahogany serpentinefronted marble topped commode, French, 18th century 133cm wide, 68cm deep, 84cm high $4,000–6,000

138


76

139 An imposing pair of polychrome painted barley-twist columns, Italian, 18th century 199cm high, bases 40cm square $3,000–5,000

140 A beautiful Chinese red-lacquer casket, Qing dynasty, 19th century 40cm long, 19cm high, 23cm deep $800–1,200 Illustrated online at www.artvisory.com.au

141 A very good painted black and gilt tole-ware tea-kettle on stand, English, circa 1820 30cm high, 26cm diameter $400–600 Illustrated online at www.artvisory.com.au

142 A natural rootwood basket, Japanese, circa 1900 or earlier together with some shells 55cm wide, 42cm high $600–800 Illustrated online at www.artvisory.com.au

143 A Japanese black and red lacquer domestic altar table, Meiji period (1868-1911) 12cm high, 55cm wide $300–500 Illustrated online at www.artvisory.com.au

144 A pair of very decorative and large porcelain figures of cranes, Japanese, circa 1900 41cm high $600–1,000 Illustrated online at www.artvisory.com.au

145 A reverse glass painting of St Francois, Central European, 19th century 30cm high, 25cm wide $200–300 Illustrated online at www.artvisory.com.au

139


77

146 A very decorative pictorially painted bow-front corner cabinet, Netherlands, circa 1720 89cm high, 59cm wide, 36cm deep $2,500–4,000

147 A fabulous octagonal walnut centre table, Bologna region, Italian, circa 1640 78cm high, 114cm wide $8,000–12,000

148 An embossed metal circular rose water bowl, Dutch, circa 1730 41cm diameter $600–800 Illustrated online at www.artvisory.com.au

149 A George II mahogany kettle stand, English, circa 1750 and later 55cm high, 28cm wide $800–1,200 Illustrated online at www.artvisory.com.au

150

146

A Medieval revival repousse silvered metal shield, French, 19th century approx 58cm diameter $1,000–1,500 Illustrated online at www.artvisory.com.au

151 A large and appealing mountain cedar frog,signed, Japanese, early 20th century 48cm long, 26cm high $500–800 Illustrated online at www.artvisory.com.au

152 A silvered copper and wrought iron Lavabo, Spanish, circa 1780 80cm high, 35cm diameter $1,000–1,500 Illustrated online at www.artvisory.com.au

147


78

153 A fine ormolu mounted small bombé commode, Italian, 18th century 79cm high, 74cm wide, 48cm deep $4,000–6,000

154 A good Tuscan dark walnut upright chest with original bronze handles, Italian, circa 1700 with lion mask ring drop handles and figured walnut drawer fronts 100cm high, 90cm wide, 37cm deep $4,000–6,000

155 A Neo-classical dark walnut single-door cabinet, Italian, 17th century 111cm high, 116cm wide, 35cm deep $4,000–6,000

153

154 155


79


80


81

157 156

156 An exceptional carved walnut Bambocci table top cabinet, Italian, circa 1600 with carved standing figures on three sides and original bronze handles 65cm high, 70cm wide, 36cm deep $7,000–10,000

157 A superb terracotta lion, French, 18th century 70cm high, 75cm long, 38cm deep $6,000–9,000

158 A very impressive walnut buffet, Bologna, Italian, circa 1680 177cm wide, 108cm high, 64cm deep $8,000–12,000

158


82

159

160

159 ENGLISH SCHOOL, EARLY 19TH CENTURY

The Rat-catcher oil on canvas 34 x 42.5cm $1,000–1,500

160 ATTRIBUTED TO STEPHEN ELMER ARA (1714-1796)

Still life, Rabbits and Pheasant in a landscape oil on panel 23 x 29cm $600–900

161 GH BRITISH SCHOOL

Rabbits eating lettuce out of their hutch 161

oil on panel initialled GH lower right, in frame labelled H East 29 x 39cm $1,500–2,000


83

162 A fine quality marquetry and mellowed walnut writing table, German, in the French manner, circa 1840 97cm wide, 74cm high, 48cm deep $6,000–8,000

162


84

163

164

165

A fabulous pair of cast iron Neo-Classical pedestal urns, French, 19th century 140cm high, 65cm diameter

A pair of carved giltwood urns, Italian, mid 18th century 23cm high, 18cm wide

A well carved walnut high back chair in the William and Mary style, English, 19th century 125cm high, 53cm wide, 43cm deep

$4,000–6,000

$400–600

$600–800

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

163


85


86

166

168

167


87

166

168

A carved and silvered gesso lectern, Italian, circa 1720 38cm high, 50cm wide

A fine carved dark walnut cassone, Italian, circa 1640 with central coat of arms 172cm long, 69cm high, 54cm deep

$1,500–2,500

$5,000–8,000

167 A stoneware patinated slag-iron lion possibly from a coat of arms, Farnley Iron Company Leeds, England, mid 19th century Farnley Iron Company was founded in 1846 and manufactured both bricks and iron, eventually becoming part of the Leeds Fireclay Company in 1889 55cm high, 53cm wide $3,000–5,000

169 A charming polychrome painted carousel horse, labelled Star Maker, English, circa 1880 75cm high, 105cm long $1,500–2,500

170 ITALIAN SCHOOL, LATE 17TH CENTURY

Portrait of Saint Giovanni although the spelling of the name on the book is Giovani Colombi it is assumed that the painting represents Blessed John (Giovanni) Colombino founder of the Apostolic Seminarians of St Jerome, or Jesuati in Siena in 1355 100 x 76cm $1,500–2,000 Illustrated online at www.artvisory.com.au

171 An extraordinary carved mother of pearl and olive-wood 3D Last Supper group, Jerusalem, circa 1880 30cm high, 34cm wide $800–1,200 Illustrated online at www.artvisory.com.au

169


88

172

173

172 A painted dummy board figure of a Dutch girl, English 18th/19th century with carved oak base 100cm high, 40cm wide $2,000–4,000

173 A rare and finely detailed gilt copper processional cross, Italian 15th century 57cm high, 35cm wide $4,000–6,000

174 A polychrome painted two-drawer commode, Southern Italian, circa 1790 119cm wide, 96cm high, 56cm deep $4,000–6,000

174


89

175

177

179

A large and fine polychrome painted and carved wood figure of a lamb, Spanish, circa 1700 with green painted box base 35cm high, 37.5cm high including the base, 73cm long

A unusual gilt and blue ground Satsuma Koi dish, Meiji period (1868-1912) Koshida company mark 15.5cm diameter

A gilt-bronze anamalier figure of a rabbit, French, circa 1880 lacquer tray stand 8cm high, 9.5cm long

$400–600

$600–800

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

178

180

A famille-rose enamel stem cup, early 20th century 9cm high, 10cm diameter

A Japanese stoneware figure of the god Hotai San, circa 1920 30cm high

$300–500

$200–300

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

$5,000–8,000

176 A pair of painted metal foliate shaped wall sconces, Italian, 18th century approx. 76cm wide, 50cm high $1,500–2,500 Illustrated online at www.artvisory.com.au

175


90

181 An exceptional giltwood and gesso mirror, French, 19th century 300cm high, 160cm wide $6,000–9,000

182 A Louis XV period walnut armchair, French, circa 1700 114cm high, 64cm wide, 68cm deep $1,800–2,400 Illustrated online at www.artvisory.com.au

183 A Louis XV walnut stool, French, circa 1770 46cm high, 60cm wide, 39cm deep $1,000–2,000 Illustrated online at www.artvisory.com.au

184 A Sawankhalok celadon glazed stoneware vase, Thai, 15th century with silver rim 20cm high $200–400 Illustrated online at www.artvisory.com.au

185 A Jun type pink splashed pale blue glazed bowl, Song style 14.5cm diameter PROVENANCE

John Kenny Collection Melbourne $400–600 Illustrated online at www.artvisory.com.au

181


91

186

188

190

A fine Kingwood and gilt-bronze mounted bureau-plat, French, circa 1865 142cm wide, 77cm deep, 77.5cm high

A large wide Asmat war shield, Papua New Guinea, 20th century 138cm high, 64cm wide

A tall Asmat war shield, Papua New Guinea, 20th century 173cm high, 30cm wide

$8,000–12,000

$700–1,000

$800–1,200

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

189

191

A large wide Asmat war shield, Papua New Guinea, 20th century 142cm high, 65cm wide

A medium sized Asmat war shield, Papua New Guinea, 20th century 121cm high, 50cm wide

$800–1,200

$800–1,200

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

187 A Louis XIV period oak throne chair, French, circa 1660 with a misericord that allowed the occupant to rest upon it whilst appearing to stand 167cm high, 73cm wide, 69cm deep $1,500–2,500 Illustrated online at www.artvisory.com.au

186


92

192

194

196

A rare oak and early Gothic linen fold cupboard, French, 16th century 121cm wide, 54cm deep, 110cm high

A large green painted iron window grille, Italian 17/18th century 192cm high, 110cm wide, 21cm deep

A pair of oak linen fold panels, English, 15/16th century 142cm high, 36cm wide

$5,000–8,000

$1,500–2,000

$1,000–2,000

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

195

197

A pair of oak linen fold panels, English, 15/16th century 156cm high, 37cm wide

A Chinoiserie lacquer sewing box with gilt metal mounts, English, circa 1830 30cm wide, 22cm deep, 9.5cm high

$1,000–2,000

$1,000–1,500

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

193 A set of twelve brass studded green leather and oak turned leg dining chairs 88cm high, 47cm wide, 46cm deep $1,000–2,000 Illustrated online at www.artvisory.com.au

192


93

198 A large and impressive carved and polychrome wood Royal Coat of Arms, British, 19th century inscribed Honi Soit Qui Mal Y Pense (Evil to him who thinks evil) and motto Dieu Et Mon Droit (God and my right) with the Rose Thistle and Shamrock celebrating the union of England, Ireland and Scotland 114cm high, 148cm wide, 23cm deep $6,000–9,000

198

199 A rare and fine quality mahogany serpentine commode, Nante region, French, 18th century 125cm wide, 85cm high, 63cm deep $6,000–9,000

199


94

200

200 A pair of powerfully and expressively carved wood heads of angels, German, circa 1680 on velvet backboards approx. 30cm high, 30cm wide $2,500–3,500

201 A richly patinated walnut centre table, Spanish, circa 1660 128cm wide, 72cm deep, 82cm high 201

$4,000–6,000


95

202

203

202 A large majolica portrait albarello (Drug jar) Caltagirone, Italian, circa 1650 29cm high $3,000–4,000

203 A large majolica landscape albarello (Drug jar) Caltagirone, Italian, circa 1650 31cm high $3,000–4,000

204 A beautifully painted Caltagironi majolica charger, Italian, early 19th century 42cm diameter $1,500–2,000

204


96


97

205 A highly decorative and finely carved Sienna and Cararra marble urn in two sections, Italian, 18th century 86cm high, approx 60cm wide $8,000–12,000

206 A Faux bois decorated straight-front chest of drawers, Central European, 19th century 101cm high, 125cm wide, 58cm deep $1,500–2,000 Illustrated online at www.artvisory.com.au

207 Three celadon glazed bowls, 15/16th century together with a brown glazed Tang style vessel 20cm, 12cm and 11cm diameter, the vessel 10cm diameter $200–300 Illustrated online at www.artvisory.com.au

208 A rare bronze portrait plaque of St Peter, Italian workshops, 17/18th century 14cm high, 12cm wide $1,000–1,500 Illustrated online at www.artvisory.com.au

209 A collection of four Negoro lacquer utensils, Japanese, late 19th/early 20th century comprising a covered rectangular box and cover two circular bowls and a covered circular food bowl box 25cm long, bowls 12 and 13cm diameter $600–900 Illustrated online at www.artvisory.com.au

210 A pair of hand-blown clear glass ribbed ewers, French, circa 1800 21 and 22cm high $400–600 Illustrated online at www.artvisory.com.au

205


98

211

213

215

A figured walnut veneered Prie-dieu, Italian, circa 1700 84cm high, 54cm wide, 44cm deep

A giltwood and gesso Louis XV wall mirror, French, first half of the 18th century 123cm high, 60cm wide

$3,000–5,000

$3,000–5,000

A fabulous pair of painted dummy boards in the form of Italian knights in armour, Italian, 18th century 206cm high, 65cm wide and 210cm high, 65cm wide

212

214

A marquetry and walnut Prie Dieu, Northern Italy, circa 1680 81cm high, 56cm wide, 46cm deep

A fine small Aubusson tapestry of a stately country house estate with noble figures and hounds, French, circa 1680 230 x 120cm

$3,000–5,000

$4,000–6,000

$5,000–8,000

216 A fine pair of Regency red lacquer and copper rimmed circular wine bottle coasters, English, circa 1810 14cm diameter, 5cm high $1,000–1,500 Illustrated online at www.artvisory.com.au

211

212


99

213

214

215


100

218

217

219 220


101

217 A pair of carved wood and painted candlesticks, Italian, circa 1780 30cm high $800–1,000

218 A very rare iron bound walnut casket, French, 17th century 31cm wide, 19cm deep, 18cm high $1,000–1,500

219 A very appealing small carved walnut chest, French or German, early 17th century carved with two panels 100cm wide, 50cm high, 39cm deep $2,000–3,000

220 A Louis XIV walnut and tapestry armchair, Flemish, circa 1680 110cm high, 63cm wide, 47cm deep $2,500–3,500

221

222

221 A gilt-gesso and carved wood arched panel of the Assumption of the Virgin, Italian, circa 1680 56cm high, 35cm wide $2,500–4,000

222 A rare pair of solid carved fruitwood torcheres, Italian, circa 1700 with traces of original gilding 60cm high $2,000–3,000

223 A large olive-wood veneered serpentine fronted commode, Italian, circa 1760 133cm wide, 81cm high, 66cm deep $3,000–5,000

223


102

224 225

226


103

224

227

229

A powerfully rendered painted gesso and wood carving of a mythical beast, Italian, 17th century approx 45cm high, 60cm long

A very rare and fabulous barley-twist centre table of exceptional form, Bologna Region, Italian, circa 1750 125cm long, 95cm wide, 81cm high

A fine large whitish celadon glazed Tokkuri, Japanese, circa 1900 43cm high, 24cm diameter

$6,000–9,000

Illustrated online at www.artvisory.com.au

$3,000–5,000

225 A very rare pair of polychrome painted and gilt-gesso figure candlesticks, Italian, circa 1740 40cm high, 21cm wide

228

$2,500–3,500

$500–800

A large Kamakura Bori Negoro lacquer bowl, circa 1920 46cm diameter Illustrated online at www.artvisory.com.au

226

$500–700

230 A Chinese Swatow type Binh Thuan cargo porcelain dish, Ming dynasty, 17th century bears Binh Thuan cargo label no 20891 41cm diameter $1,500–2,000 Illustrated online at www.artvisory.com.au

A beautifully carved walnut cassone, Italian, circa 1680 60cm high, 165cm wide, 54cm deep $6,000–9,000

227


104

231

233

235

A large and impressive Louis XV period carved beech and tapestry canape, French, circa 1780 202cm wide, 109cm high, 72cm deep

A rare German brass alms dish, Nuremburg, circa 1540 with incised Gothic script 45cm diameter

An exceptional carved and gilt-varnish over silver-leaf (Mecca) surmount, Southern Italian, circa 1740 265cm wide, 125cm high

$2,500–3,500

$5,000–8,000

$5,000–7,000

Illustrated online at www.artvisory.com.au

232 A carved wood crocodile, Bozo tribe, Mali, West Africa, late 19th century/ early 20th century 157cm long $800–1,200 Illustrated online at www.artvisory.com.au

234 A Staffordshire pottery flat back figure of the Prince of Wales, dressed as a girl on a deer, English, 19th century 17cm high, 14cm wide $150–250 Illustrated online at www.artvisory.com.au

231

236 A very good carved cypress-wood cassone, Italian, circa 1660 177cm wide, 68cm deep, 64cm high $6,000–9,000


105

235

236


106

237 A good walnut and cherrywood buffet-a-deux-corps, French, circa 1640 210cm high, 139cm wide, 60cm deep $4,000–6,000

238 A rare Louis XIV walnut and tapestry rectangular footstool, French, circa 1700 37cm high, 50cm wide, 39cm deep $1,500–2,500

239 A Louis XIV walnut and tapestry armchair, French, circa 1680 110cm high, 64cm wide $2,500–4,000

240 A pair of impressive silver-gilt armchairs, Italian, circa 1720 126cm high, 72cm wide, 61cm deep $4,000–6,000

241 A matching painted and carved armchair in yellow fabric, Italian, 18th century 122cm high, 74cm wide $2,000–4,000 Illustrated online at www.artvisory.com.au

242 A carved oak eagle, German, early 18th century 57cm high, 65cm wide $2,000–3,000 Illustrated online at www.artvisory.com.au

243 An early carved wood and painted decoy duck, French, 19th century $300–500 Illustrated online at www.artvisory.com.au

237


107

238 239

240


108

244

245

246


109

247

244

246

A pair of well carved walnut arched panels of religious scenes, French, circa 1750 85cm high, 52cm wide

A walnut barley-twist side table, French, circa 1680 74cm high, 98cm wide, 56cm deep

$2,000–4,000

$2,500–4,000

245 A large and Impressive carved walnut high back armchair, Italian, 18th century 132cm high, 73cm wide, 68cm deep $4,000–6,000

247 FOLLOWER OF JAN ANTHONIE GAREMYN, DATED 1768, DUTCH (1712-1799)

Venetian canal scene oil on canvas stencil number to verso LV313 dated above an archway Christie's London stencil to stretcher LV313 34 x 44cm $4,000–6,000


110

248 A spectacular pair of gilt and black decorated dragons, German, early 18th century possibly mounted originally on a barge 116cm wide, 55cm high $5,000–8,000

248

249 FOLLOWER OF MICHAELANGELO CARAVAGGIO (1573-1610)

The Bathing of the Stigmata oil on canvas 83 x 114cm $7,000–10,000

249


111

250 DUTCH SCHOOL, 17TH/18TH CENTURY

The Trumphant army returns oil on oak panel with label to verso attributing the work to Lees den Bybel with label to verso (see online photos) 73 x 106cm $5,000–7,000

251 A gilt-gesso and carved rectangular wall mirror, French, circa 1800 134cm high, 98cm wide $2,000–3,000 Illustrated online at www.artvisory.com.au

252 A Japanese gilt framed scroll painting, Meiji period (1868-1912) 176cm high, 61cm wide $300–500 Illustrated online at www.artvisory.com.au

253

248

A rectangular giltwood overmantle mirror, French, circa 1800 135cm high, 96cm wide $2,500–3,500 Illustrated online at www.artvisory.com.au

254 A fine Japanese gold lacquer black ground suzuribako (Calligraphy box), Meiji Period (1868-1912) with ink stone,metal rims,and silver inkwell and removable tray 23cm long, 21cm wide, 4.5cm high $1,000–1,500 Illustrated online at www.artvisory.com.au

250


112


113

255 A pair of Louis XIV period walnut rectangular form armchairs, French, circa 1700 114cm high, 66cm wide, 51cm deep $2,500–3,500

256 A small walnut chest of drawers, Italian, circa 1700 78cm high, 61cm wide, 28cm deep $4,000–6,000

257 An exceptional Louis XV period carved walnut bread cupboard (panetiére), French provincial, circa 1760 98cm high, 82cm wide, 44cm deep $4,000–6,000

255

256

257


114

258

258 A pair of Louis XV period carved beech fauteuils, French, circa 1780 90cm high, 68cm wide, 54cm deep $4,000–6,000

259 A very appealing large fruitwood centre table, Tuscan, circa 1770 162cm long, 92cm wide, 80cm high $3,000–5,000

260 A pair of Louis XIV walnut side chairs, French, circa 1680 116cm high, 58cm wide, 49cm deep $2,000–3,000 Illustrated online at www.artvisory.com.au

259


115

261 A finely carved and polychrome painted figure of The Baptism of Christ, South German, 16th century 95cm high $6,000–9,000

261 261 (detail)


116

262 AFTER PETER PAUL RUBENS, 18TH CENTURY SCHOOL

The Virgin Mary and child with Saint Elizabeth and the child John the Baptist oil on canvas 240 x 150cm $8,000–12,000

262


117

263

264

265

A very rare and beautiful olive-wood serpentine fronted commode, Italian, circa 1770 with original bronze handles and key escutcheons 119cm wide, 81cm high, 66cm deep

A pair of carved walnut portrait roundels of a Roman Senator and a General, Belgian, circa 1700 17cm square

A wrought iron cross, possibly Spanish 17th/18th century 80cm high, 49cm wide

$1,500–2,000

Illustrated online at www.artvisory.com.au

$15,000–20,000

Illustrated online at www.artvisory.com.au

$600–900

263


118

266

268

270

A rare pair of Louis XIV period walnut armchairs, French, circa 1700 119cm high, 60cm wide, 64cm deep

A Dehua figure of Guanyin, 20th century 31cm high

$4,000–6,000

John Kenny Collection Melbourne

A very decorative pair of gilt-gesso five light candelabra, Italian or Spanish, early 18th century 85cm high, 75cm wide

$200–300

$4,000–6,000

267

PROVENANCE

Illustrated online at www.artvisory.com.au

A straw-glazed pottery figure of a courtier, Tang Dynasty 14cm high $200–400 Illustrated online at www.artvisory.com.au

269 A fine miniature gold lacquer kodansu, Meiji period (1868-1912) 12cm high, 11cm wide, 8.5cm deep $600–900 Illustrated online at www.artvisory.com.au

266

271 A large and impressive walnut stretcher table, Spanish, circa 1680 164cm long, 62cm deep, 82cm high $8,000–12,000


119

270

271


120

272

274

273

275


121

272

274

276

A stunning red tortoiseshell, ebonised and ivory inlaid mirror, Flemish, circa 1700 68cm high, 60cm wide

An Impressive turned and carved walnut and parcel gilt-armchair, Italian, circa 1700 145cm high, 72cm wide, 65cm deep

A walnut drawer-front writing table, Spanish, circa 1680 139cm wide, 80cm high, 65cm deep

$3,000–5,000

$2,500–4,000

$5,000–8,000

273

275

277

A sumptuous gold-metallic thread embroidered red velvet panel, Turkish, late 17th/early 18th century woven with pomegranate and acanthus 260 x 168cm

A walnut two-drawer side table, Spanish, circa 1800 91cm wide, 79cm high, 60.5cm deep

An unusual green glazed three handled terracotta pouring vessel, Italian, 17th century 42cm high

$2,500–4,000

$1,500–2,000 Illustrated online at www.artvisory.com.au

$3,000–5,000

276


122


123

278

278

279

280

A large Directoire period painted eight-fold screen, French, late 18th century 175cm high, 420cm long fully extended

A very unusual walnut centre table, French, circa 1760 160cm wide, 72cm deep, 83cm high

A pair of large gilt white glass vase lamps, English, circa 1880 102cm high including shade. Vases 50cm high

$3,000–5,000

$5,000–7,000

$400–600 Illustrated online at www.artvisory.com.au

279

279


124

281

282

281 A turned walnut octagonal top stool, Italian, circa 1740 48cm high, 45cm wide, 33cm deep $2,000–3,000

282 A pair of large silvered and giltwood torcheres, French, circa 1800 120cm high $3,000–5,000

283 A turned walnut rectangular writing table, French, circa 1680 98cm wide, 77cm high, 62cm deep $3,000–5,000

283


125

284

286

A small painted document box, Swiss, dated 1716 with original lock handle and key escutcheon 15cm high, 46cm wide, 26cm deep

A large and very appealing faceted elm pedestal bowl, Japanese, mid 19th century 48cm high, 62cm diameter $2,000–3,000

$1,000–1,500

285 A large painted iron head of an Eagle, French, early 19th century 35cm high, 28cm wide

287 A handsome Tuscan richly patinated walnut cassone, Italian, circa 1660 168cm wide, 59cm deep, 57cm high $4,000–6,000

$2,000–3,000

285 284

286

287


126

288

288 ENGLISH SCHOOL, 18TH CENTURY

Portrait of Mrs Lewis and son oil on canvas bears label to verso: Colonel Wiseman Clarke presumably a previous owner of the picture. A reference to him can be found in an article from the Illustrated London News 20 Jan.1883 referring to the great fire in Jamaica. Indistinctly signed and dated 1731 to the right of her elbow. With impressed stamp of William Morrill, liner, who was a famous 19th century restorer to the National Gallery London. 125 x 100cm $7,000–10,000

289

289

291

A very rare and beautiful giltwood George II wall mirror, English, circa 1750 158cm high, 82cm wide

A fine and deeply carved giltwood and gesso wall mirror, Italian, circa 1740 80cm high, 74cm wide

$8,000–12,000

$4,000–6,000

290

292

A fine pair of large giltwood and gesso cartouche shaped wall brackets, Italian, circa 1700 65cm high, 34cm wide, 29cm deep

A pair of Louis XIV walnut armchairs, French, circa 1700 109cm high, 66cm wide, 51cm deep

$5,000–8,000

$4,000–6,000


127

290

291

292


128

293 A fine and rare George II parcel-gilt and walnut wall mirror, English, circa 1760 152cm high, 52cm wide $8,000–12,000

294 A cast iron fireback with the coat of arms of Charles II and the date 1666 77cm high, 94cm wide $1,500–2,000 Illustrated online at www.artvisory.com.au

295 A Japanese Kutani porcelain Buddhistic lion, circa 1920 37cm high $400–600 Illustrated online at www.artvisory.com.au

296 A pair of Chinese red and gilt lacquer circular covered food boxes, 18th century 30cm diameter $800–1,200 Illustrated online at www.artvisory.com.au

297 A pair of clear glass comports, French, early 19th century 12cm diameter, 9cm high $200–400 Illustrated online at www.artvisory.com.au

298 A faience portrait plate of Rouget De Lisle, French, dated 1792 painters monogram to verso see online photographs 24cm diameter $600–800 Illustrated online at www.artvisory.com.au

299 A classic yew-wood and elm Windsor armchair, English, mid 19th century 115cm high, 66cm wide, 47cm deep $1,500–2,500 Illustrated online at www.artvisory.com.au

293


129


130

300

301

302

303


131

300

302

304

A very pretty painted panel and gilt-wood and carved trumeau mirror, French, circa 1840 176cm high, 93cm wide

A finely carved oak and marble top centre table, French, circa 1800 76cm high, 63cm deep, 89cm wide

A very impressive large marquetry and walnut chest dated 1645, German, 17th century 190cm wide, 90cm high, 73cm deep

$2,500–4,000

$2,500–3,500

$6,000–9,000

301 ITALIAN SCHOOL, 18TH CENTURY

303

305

A small walnut rectangular table, Spanish, circa 1680 55cm wide, 89cm long, 80cm high

A Chinese finely carved and stained ivory study of a grasshopper on a lettuce leaf 19cm long

$3,000–5,000

$600–800

Bacchus in a landscape oil on canvas 175cm high, 86cm wide $2,000–3,000

Illustrated online at www.artvisory.com.au

304


132

306 A very beautiful painted wood tray, Venetian, circa 1760 with lovers on an Island lagoon in front of a stately home For a similar example see Clara Santini: Mille Mobille Veneti, Page 296 fig 534. 68cm long, 48cm wide $2,000–4,000

307 A good Louis XIV period walnut side table, French, circa 1700 103cm wide, 76cm high, 68cm deep $2,000–4,000

306

307


133

308

308

308 A fine Louis XIV period turned walnut and tapestry side-table, French, circa 1700 85cm wide, 69cm deep, 71cm high $3,000–5,000

309 A rare walnut canted front console stretcher table, Italian, 17th century 80cm high, 103cm wide, 51cm deep $4,000–6,000

310 A painted and embossed leather panel, possibly Dutch, early 19th century 42 x 29cm $200–400 Illustrated online at www.artvisory.com.au

309


134


135

311 A very decorative Louis XV period bluetoned picture of young women and men at play in a landscape, French, 18th century 297 x 214cm $7,000–10,000

311

312 A finely carved and painted marble top console table, Italian, 18th century 125cm wide, 91cm high $6,000–8,000

312


136

313

314


137

313

314

316

A pair of finely painted Castelli maiolica panels, Italian, 18th century with inscription to one and indistinctly to the other. See online photos. plaques 18 x 25cm, Flemish simulated tortoiseshell frames 36 x 43cm

A striking bird marquetry and string-inlaid oak chest, Dutch, 17th century 160cm wide, 66cm high, 62cm deep

A fine Japanese wakasa lacquer and shell inlaid stand, Meiji Period (1868-1912) 47cm wide, 7cm high

$2,500–4,000

$600–900

$2,000–3,000

Illustrated online at www.artvisory.com.au

315 A marquetry and gilt metal mounted and edged serpentine fronted commode, possibly Austrian, 18th century 127cm wide, 60cm deep, 86cm high $4,000–6,000

315


138

317

319

318


139

317 A large Louis XV walnut and tapestry fauteuil, French, circa 1740 112cm high, 73cm wide, 64cm deep $3,000–5,000

318 An exceptional carved, gilt gesso and polychrome painted reliquary bust of a Bishop, Spanish, circa 1700 resting on large carved lion paw feet 95cm high, 42cm wide $3,000–5,000

319 A walnut octagonal top centre table with baluster column, Italian, circa 1750 77cm high, 100cm wide $5,000–8,000

320 Two carved gilt-gesso panels of The Virgin and Joseph, Mary and Mary Magdalene, Italian, circa 1720 approx. 63cm high, 28cm wide

320

$3,000–5,000

321 A rare pair of William and Mary beech and tapestry armchairs, English, circa 1680 112cm high, 70cm wide, 60cm deep $6,000–9,000

321


140

322

324

326

An Impressive Tuscan walnut hexagonal centre table, Italian, circa 1660 79cm high, 100cm wide

An Impressive boiserie carved-walnut panel of Salvador Mundi, Italian, early 18th century 118cm high, 103cm wide

A very decorative Thai jewelled red gesso figure of a deity, 19th century 60cm high

$6,000–9,000

$4,000–6,000

$500–800 Illustrated online at www.artvisory.com.au

323

325

A rare and beautiful carved walnut Neo-Classical architectural tabernacle mirror, Italian, 17th century 95cm wide, 85cm high, 22cm deep

A fine carved walnut cassone, North Italian, circa 1640 171cm long, 55cm high, 54cmm deep

$5,000–8,000

322

$6,000–9,000

327 An unusual George II oak birdcage action wine table, English, circa 1740 70cm diameter, 68cm high $800–1,200 Illustrated online at www.artvisory.com.au


141

323

324

325


142

328

329

328 BELGIAN SCHOOL, 18TH CENTURY

Portrait of a soldier on horse-back (Possibly Alexander the great) oil on canvas 110 x 90cm $3,000–5,000

329 J VAN HIEN, DUTCH 18TH CENTURY

Portrait of Jonas Cohen, 1776 oil on canvas signed and dated upper right 80 x 62cm $4,000–6,000 330


143

331

330 A Louis XV walnut commode of three long drawers, French, circa 1760 137cm wide, 64cm deep, 81cm high $5,000–8,000

331 DOMINIQUE MONTPELLIER, FRENCH SCHOOL

Pair of portraits of Madamoiselle Clari St Luce, dated 1760 oil on canvas 72 x 56cm $6,000–8,000

331


144

332


145

332

334

336

A beautiful pair of wrought iron gates, Italian or Spanish, circa 1780 194cm high, 63.5cm wide

A Hokkaido carved wood bear with a carp, Japanese, circa 1900 38.5cm high, 34cm wide

A Japanese black lacquered table stand, Meiji period (1868-1912) 46cm wide, 10cm high

$3,000–5,000

$400–600

$400–600

Illustrated online at www.artvisory.com.au

Illustrated online at www.artvisory.com.au

335

337

A Chinese tortoiseshell glazed pottery seated black cat 20cm high $800–1,200

A Hokkaido carved mountain-ash toad, Japanese, circa 1920 signed to base 22cm long

Illustrated online at www.artvisory.com.au

$400–600

333 A wrought-iron and parcel-gilt console table with rouge marble top, French, circa 1860 158cm wide, 91cm high $3,000–5,000

Illustrated online at www.artvisory.com.au

END OF SALE

333


The Contents of Yaloak Estate, Fiskville, Victoria

Viewing Onsite at the property Friday 14 – Sunday 16 October 11am–5pm Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au

The Property of Mr Peter Yunghanns Including Fine Australian Art, English and European Furniture, Furnishings and Books Auction • 17 October 2022

www.artvisory.com.au


An Important and Remarkable Collection of Chelsea and 18th Century English Porcelain Auction • Melbourne, March 2023

Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au www.artvisory.com.au


Exquisite Gardens & Nursery 255 Dandenong Road, Prahran VIC 3181 T 03 9530 2035 www.julianronchi.com.au


Spring 2022 Auction • Melbourne, Monday 26 September Viewing Friday 23 – Sunday 25 September 11am–5pm 310 Toorak Road, South Yarra VIC 3141 Enquiries Amanda Swanson 0414 592 234 amanda@artvisory.com.au

www.artvisory.com.au


150

Absentee Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email. We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time. If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed. Signature

Date

Bidder Number (Office Use Only)


151

Telephone Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email. We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time. If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ Telephone bids must be received by Artvisory no later than 24 hours prior to the commencement of the Auction. Once received, your bid will be confirmed by email. I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed. Signature

Date

Bidder Number (Office Use Only)


152

Terms and Conditions of Sale The terms and conditions of sale listed here contain the policies of Artvisory Pty Ltd. They are the terms on which Artvisory Pty Ltd and the Seller contract with the Buyer. They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

b)

1. Background to the Terms used in these Conditions The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot

Images are measured height by width (sight size). Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue.

“the Buyers Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Artvisory has agreed with the Seller that the lot can be sold. “Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including re-painting). “the insured value” means the amount that Artvisory in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Artvisory.)

Catalogue and other Descriptions All statements by Artvisory in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied upon as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by Artvisory of any kind. References in the catalogue entry to the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or it’s value for any other purpose. Neither Artvisory nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material.

c)

Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

2. Artvisory Auctions as Agent Except as otherwise stated Artvisory Pty Ltd acts as agent for the Seller.

4. At the Sale

The contract for the sale of the property is therefore made between the Seller and the Buyer.

a)

Refusal of Admission Artvisory reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

b)

Registration before Bidding Any prospective new buyer must complete and sign a registration form and provide photo-identification before bidding. Artvisory may request bank, trade or other financial references to substantiate this registration.

3. Before the Sale Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Artvisory nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below. The property is otherwise sold “AS IS”

Bidding as a Principal When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Artvisory before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Artvisory and that Artvisory will only look to the principal for payment.

d)

International Registrations All International clients not known to Artvisory will be required to scan through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Artvisory’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Artvisory also reserves the right to request any additional forms of identification prior to registering an overseas bid. This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 can not be charged to this card without prior arrangement. This deposit is redeemable against any auction purchase.

e)

Absentee bids Artvisory will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Artvisory after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

f)

Telephone bids Priority will be given to overseas and interstate bidders. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Artvisory accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Artvisory cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen. Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

Foreign buyers should note that all transactions are in Australian dollars so there may be a small exchange rate risk. The costs associated with acquiring a good certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

All values expressed in Artvisory Pty Ltd catalogues (in any format) are in Australian Dollars (AU$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in Australian Dollars (AU$) unless otherwise specified.

a)

c)


153

G) Online Bidding Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com. Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

5. After the Sale a)

Buyers Premium In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 24% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b)

Payment and passing of title The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

H) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. I)

J)

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received. This applies even if the buyer wishes to send items interstate or overseas. Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit). Payments can also be made by credit card in person with a 1.3% (inc GST) merchant fee for Visa and Mastercard and 2% (inc GST) for American Express. Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

Auctioneers Discretion The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive. Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account. c)

K) Indicative Bidding steps, etc. Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion: Increment Amount

Dollar Range

$20

$0–$500

$50

$500–$1,000

$100

$1,000–$2,000

$200

$2,000–$5,000

$500

$5,000–$10,000

$1,000

$10,000–$20,000

$2,000

$20,000–$50,000

$5,000

$50,000–$100,000

$10,000

$100,000–$200,000

$20,000

$200,000–$500,000

$50,000

$500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

Collection of Purchases & Insurance Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer. At the fall of the hammer, insurance is the responsibility of the purchaser.

d)

e)

Packing, Handling and shipping Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser. Cultural heritage Export Licences Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted. f)

Remedies for non-payment If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) i)

to charge interest at such a rate as we shall reasonably decide

ii)

to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii)

to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit v)

to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer. vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs. viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids. ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us. x)

to take such other action as Artvisory deem necessary or appropriate If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.


154

g)

Failure to collect purchases Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue. The warranty is subject to the following: i)

ii)

iii)

it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable. Neither the Seller nor Artvisory will be liable for

v)

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

1.

The items are exported through a Artvisory approved freight company including Australia Post

2.

The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

14. Resale Royalty Scheme

8. Severability

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions. GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate. GST is also applicable on the buyer’s premium.

was the artwork acquired after 8 June 2010?

is the sale/reserve price (including GST) $1,000 or more?

is the artist from Australia or a country listed in the Regulations to the Act?

is the artist alive, or deceased less than 70 years?

The seller: i)

acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii)

undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii)

undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL). Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.



SINGLE OWNER AUCTION SPECIALISTS 310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artivsory.com.au


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