Artists, Sculptors and Designers of Porcelain.The Robert Burke Collection

Artists, Sculptors & Designers of Porcelain THE ROBERT BURKE COLLECTION Auction • 19 & 20 February 2024

Specialists Single-Owner Auctions Paul Sumner 0412 337 827 Sandy Bruce 0421 920 387 Chinese and Asian Arts Paul Sumner 0412 337 827 Allan Rae 0414 280 919 Indigenous Australian Art Shaun Dennison 0410 501 857 Arts of the Middle East Dr Susan Scollay 0418 175 694 design + decoration & Interior Decorator Auctions Amanda Swanson 0414 592 234

Regional Representatives Western Australia Julie Smetana 0427 921 756

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For all email enquiries please email mail@artvisory.com.au

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South Australia Judith Quigley 0417 841 355

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ACT Phillip Jones 0414 788 681

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IIIIIII IVIC IIIIIII 3141 Auction Artvisory 310 Toorak Road, South Hawksburn Yarra IIIII Station

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Artists, Sculptors & Designers of Porcelain THE ROBERT BURKE COLLECTION

AUCTION

Part 1 Monday 19 February 2024, 6pm (Lots 1–127) Part 2 Tuesday 20 February 2024, 6pm (Lots 128–331)

VIEWING

COLLECTIONS

Thursday 15 February

11am–5pm

Friday 16 February

11am–5pm

Saturday 17 February

11am–5pm

Sunday 18 February

11am–5pm

Wednesday 21 February

11am–5pm

Thursday 22 February

11am–5pm

Friday 23 February

11am–5pm

ADDRESS

Artvisory 310 Toorak Road, South Yarra VIC 3141

ONLINE

View catalogue and bid online at www.artvisory.com.au

ENQUIRIES

Specialist Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au

Auction administration enquiries: Amanda Swanson 0414 592 234 amanda@artvisory.com.au

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2023 AUCTION YEAR IN REVIEW 2023 was a memorable year for our company with Artvisory extremely busy with large and complex single-owner auctions, where we acted for vendors in three different states, bringing our national buyer database to each event.

Single-Owner Auctions

We started the year in country Victoria with the memorable auction at the vast Yaloak Estate – for Polo legend Mr Peter Yunghanns. A record-breaking auction result was achieved for a small oil painting

by A.H. Fullwood, which sold for a multiple estimate $151,680 inc. BP, and it was one of the great art discovery stories of the

year. The painting had for decades been overlooked and undervalued, until Artvisory, with the help of academic Dr Gary Wersky, researched the work and were then able to reveal the picture’s importance within the broader context of the history of Australian art. This fabulous story was covered in detail by the Australian Financial review.

ABOVE

Albert Henry Fullwood (1863-1930) An Australian River Sold for $151,680.00 inc. BP

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BELOW

Andy Warhol (American, 1928-1987) Mao #92. Sold for $79,608.00 inc. BP MIDDLE

A very impressive and finely carved Carrara marble bust of Mars, The God of War, on very tall stone Tuscan form column, Italian 18th/19th century.

Sold for $30,020.00 inc. BP TOP RIGHT

A fine carved George III mahogany pie-crust wine table, English, circa 1765. Sold for $35,280.00 inc. BP BOTTOM RIGHT

A Steinway of Hamburg ebonised grand piano.

Sold for $52,920.00 inc. BP

We then headed off to Sydney for the auction for respected business identities Ann Sherry AO and Michael Hogan in their spectacular Sydney Mansion – The Abbey, where we sold their art and antiques collections, led by the sale of an Andy Warhol edition of Mao for AUD$79,608.00 inc. BP.

Unquestionably the strongest result of the year for any antiques-based auction, was for the traditional antiques collection formed by the late Bruce and Judith Terry at their magnificent home, Teychel in Moule Avenue, Brighton. Sales for the Terry family by Artvisory ended up at close to AUD$1.2 million inc. BP.

Gaining coverage in the UK based Antique Trade Gazette, this auction produced some spectacular prices for English Georgian furniture, and it’s been a while since Georgian furniture has made auction headlines.

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Then in October in Sydney and Woy-Woy, we presented to market the massive and complex collection, in two parts, of the late Bruce Kerr, acting under instructions from his wife and fellow-collector Janet Matthews.

This was one of the largest collections we have ever seen of Australian Colonial antiques and European antiques and its result, being close to AUD$1.2 million in sales, would make it one of the top overall results ever for this category.

Later in October it was good to re-kindle our relationships with our strong Tasmanian clientele, when we held the auction for Dr Robert Fisher in a spectacular venue.

We thank Penny Clive for being our gracious host for the time we spent in Hobart cataloguing, photographing and then displaying, and ultimately auctioning and dispatching Dr Fisher’s antiques collection.

We were also pleased to end the calendar year posting the two highest grossing single-owner auctions held in Australia in 2023.

First and foremost, Artvisory are single-owner auction specialists, and we already have two very major collections contracted for 2024.

LEFT

An important early Colonial cedar double-end sofa, Tasmanian, circa 1825.

Sold for $31,440.00 inc. BP RIGHT

An important Tasmanian Muskwood and specimen-wood exhibition table, Australian, circa 1835.

Sold for $41,920.00 inc BP

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Chinese and Asian Arts

In the field of Chinese and Asian art, Artvisory further cemented its position as the auction house of choice, especially for the sale of Chinese ceramics and works of art. Two auctions were held this last year with world-class fully illustrated catalogues.

The December auction featured a private collection consigned from Japan and this was a great vote of confidence not only in the Australian market for Chinese arts, but in our company as well and we were pleased to see some very good results for this vendor.

TOP LEFT

A Chinese iron red dragon dish, Guangxu six-character underglaze mark and of the period (1874-1908).

Sold for $21,420.00 inc. BP BOTTOM LEFT

A fine Chinese white jade-carved vase, Qianlong Period (1736-1795). Sold for $63,000 inc. BP RIGHT

A rare and fine pair of famille-rose 'landscape' panels by Wang Yeting (1884-1942).

Sold for $205,440.00 inc. BP

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Australian and International Art

Artvisory had a very strong year for Art sales with some very significant results that are worth reflecting on.

As well as the AH Fullwood discovery, already covered here, (sold for AUD$151,860.00 inc.

BP). Artvisory also auctioned Andy Warhol’s iconic image of Mick Jagger in September for $150,000 inc. BP, and Keith Haring’s Pop Shop IV series for 150,000 inc. BP.

The last two results being posted within the very successful new category 'Exceptional in Australia' which proved itself a very good showcase for the best of the best, not only for applied arts, but also for Australian and International Art.

LEFT

ANDY WARHOL (American, 1928-1987) Mick Jagger (F. & S. II.140) Sold for $144,900.00 inc. BP RIGHT

KEITH HARING (American, 1958-1990) Pop Shop IV Series Sold for $142,380.00 inc. BP

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Exceptional in Australia

2023 saw Artvisory launch a new and exciting category called 'Exceptional in Australia'. Filling the gap for vendors who want to sell the best of what is available in Australia to an International market, where very fine and rare art and antiques are carefully researched and catalogued by recognised experts and where the auction catalogue is not lessened by lower value and lesser quality items.

Sales of close to AUD$1 million were achieved by only 35 lots.

Every item had at least a full-page illustration and fully researched essays, and in many cases, double-page spreads and the concept was a resounding success and will be repeated in 2024.

LEFT

A stunning Kaitag embroidery, Daghestan, Caucasus, 18th century. Sold for $20,160.00 inc. BP

TOP MIDDLE

A very rare pair of ‘battlement’ border tiles with reciprocal trefoil design, Ottoman-era Damascus, circa 1575. Sold for $19,650.00 inc. BP TOP RIGHT

A very rare and superb solid malachite and gilt-bronze embellished centre table, Russian, mid 19th century.

Sold for $88,200.00 inc. BP BOTTOM RIGHT

A superb George III inlaid mahogany serpentinesided partners-desk, attributable to Thomas Shearer, English, circa 1780. Sold for $55,440.00 inc. BP

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Welcome to 2024 and what a way to start the new calendar year with this the Robert Burke porcelain collection. A truly remarkable collection it is and an auction that will stand out Internationally, as it is rare to see such a collection come to the market anywhere in the world.

Paul recalls that it was the accountant at Sotheby’s Australia, Brenda Sheedy, who first struck up a friendship with Robert Burke and it was through Brenda that Paul first come across Robert, back in the early 1990s, some thirty years ago now.

Robert Burke kept his collection private in Australia and many in the antiques business didn’t know him. But some of the world’s top English ceramics dealers, would visit Australia and vanish off to see him, with an air of mystery. Who was this major buyer that they came to see from so far away?

To some Robert was known only as the Tamworth pharmacist who was believed to have a good collection.

Boy did he have a good collection!

When Paul made his first visit to see Robert’s collection, he simply could not believe what he was seeing, within the multitude of antique china-display cabinets that Bob housed his collection within.

Robert Burke lent a number of pieces from his collection to the National Gallery of Victoria for their significant 1984/5 exhibition: Flowers and Fables, A survey of Chelsea porcelain, 1745-1769, wouldn’t it be great to see some of these pieces find their way into our permanent national collections. One thing we are sure of, is that this idea would have brought great delight to Robert.

This really is a remarkable opportunity for everyone, especially those interested in the history of ceramics, to visit and preview this collection, the like of which we have never seen in person in this country.

We are extremely honoured to have been instructed to handle Robert Burke's collection on behalf of his family and we welcome everyone to come and marvel at this most wonderful collection.

Paul Sumner and Amanda Swanson Directors

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Robert Francis (RF) Burke 10 October 1932 – 22 March 2022

Affectionately known as Bob or Bobby. Bob Burke was a revered, wellknown identity in the Tamworth (NSW) area, recognised as a remarkable Pharmacist, long serving Rotarian, state tennis representative, outstanding footballer, a distinguished academic and local philanthropist, as President of Treloar Park Tennis Club with over 40 years of service to the club. Bob was known to have an international reputation for his fine porcelain.

Bob was the middle child of five of Joe and Ivy Burke. He had two sisters and along with his two brothers was educated at Christian Brothers College, Tamworth. In 1947 he received an NSW Education Bursary for his secondary education and went on to become Dux of CBC College.

Bob had successfully completed Latin in the Leaving Certificate after progressing his secondary education in an accelerated program for his age. In those days a pharmacist needed to have a pass in Latin in the High School Leaving Certificate standard as doctors wrote all prescriptions in coded Latin. After completing his secondary education Bob went on to obtain a Ph.C. (Pharmaceutical Chemist) award, or a B. Pharm. (Bachelor of Pharmacy) degree at the University of Sydney at only 18 years of age.

Topping the Sydney University course again before he turned 18, was an outstanding feat, but more so as Bob also attained 100/100 in his final examinations and was duly decorated with the Chancellor’s Medal for Dux in that year and for outstanding academic excellence. Bob received a letter of congratulations from the then Federated Pharmaceutical Services Guild (now Pharmacy Guild of Australia) which read ‘Bob you are now in a position to name where you would like to practice Pharmacy’.

Though at 18 there was still one obstacle to overcome. Bob needed to be ‘apprenticed’ and indentured to a practising registered pharmacist

(usually for one year) before he could solely be registered at 21 years of age. He was the youngest pharmacist to ever graduate at the age of 18 and was indentured for 3 years.

In 1950 Bob worked at Mussons Pharmacy on Macquarie Street, Sydney for the prescribed indentured period before returning to Tamworth and working for Cyrill Cahill, of Cahills Chemist. Mussons provided Bob many opportunities to experience compounding ointments especially working on prescriptions for the nearby Sydney Eye Hospital. Developing ointments became a passion for Bob and this experience provided him skills to identify many skin irritations and suitable topical ointments which he became known for. Bob was recognised for his own mixtures of Koflin, Ilma wax, Cabolic Oil tincture, ‘Pink ointment’ amongst many other sought-after products Bob developed.

As well as being competent in his academic studies, Bob was an accomplished tennis player who went on to play tennis at the NSW Country Championships. Whilst studying at university Bob played tennis for clubs at Crow’s Nest and further on Sydney’s North Shore often winning the championship tournaments. He was also a very good footballer alongside the Burke brothers.

Cyrill Cahill of Cahills Tamworth had been a pharmacist for forty years.

In 1962, he sold his pharmacy business to Bob. Bob had worked for Cyrill Cahill as a fully qualified pharmacist for the previous nine years and continued to trade as “Cahill’s Great Northern Pharmacy on the corner of Brisbane and Peel Street Tamworth. Bob purchased his own premises in 1971, returning to Cyril Cahill’s original shop at 305 Peel Street where Cahills is still operating today.

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In the 36 years Cyrill Cahill operated his pharmacy, it was a store recognised for what used to be an appealing feature of old-time pharmacies - the huge glass containers of varying shapes, filled with coloured water within the timber lined store. When acquiring Cyrill Cahill’s business, Bob became the custodian of many vintage apothecary pharmacy porcelain jars and bottles, and he relished the opportunity to collect. Hence began Bob’s interest in lidded jars with waisted bodies, domed lids, finials decorated with medicinal plants and inscriptions and a love for their production, design and history which would launch Bob on a path of collecting porcelain.

Bob decorated his pharmacy windows with these large bottles and apothecary porcelain chemist jars. He was known for pouring many hours into his decorating, curating displays, and beautifully arranging gondalas. Australian pharmacies had now become more like American ‘drug stores’ than British ‘chemist shops’ whereas the British pharmacists tended to sell only medicines and the like, the Americans and Australians began stocking all sorts of other products as well, including cosmetics, photographic materials, and confectionery. Bob toyed with these options over time, and he led the way by stocking every reputable cosmetic brand including Innoxa, Helena Rubenstein, Revlon and Elizabeth Arden. He was always the businessman looking for ideas where he could develop and diversify his business. In September 1965 he was the first NSW Pharmacist to introduce a digital cash register ready for the introduction of decimal currency. With the opportunity to travel, Bob often returned to Tamworth with grand plans and new-found knowledge from abroad. Bob at one time incorporated many concept shops within his pharmacies. He had an on-site Kodak 1- hour developing lab, carried various jewellery labels including George Jenssen and Taka and when Darrell Lea stores closed in 2012, Bob incorporated Darrell Lea into his repertoire of products. ‘If you can’t have the chocolate, you love… buy a slice of the company’ was Bob’s answer.

Key to pinpointing where he found his love of antiques, are the many handwritten letters on lightweight, air mail paper from friends he made on those trips to the United Kingdom and other European countries.

Many he corresponded with for decades who introduced him to the American Ceramic Circle and the English Ceramic Circle. Through these acquaintances, Bob became familiar with Worcester and Chelsea and the preferred pieces that would ‘complement’ a collection primarily because of the provenance of the piece. These letters were written by like-minded people Bob befriended who opened his world to the production of porcelain from the 1700 and 1800’s and the special ‘finds’ these friends wrote about that truly gave him a taste and appetite.

On the home front, when Tamworth Council granted land to the Tamworth Tennis Club at Treloar Park, Bob as Club President, and an avid player and member together with his builder friend, Johann “John” Dunst, worked tirelessly to realise the initial plan to build a tennis centre with 12 courts and a clubhouse. In all this work, the Club used its own money without grants and without the need to borrow under Bob’s leadership. He personally, financed many aspects of construction along with John as builder. On the court and in the clubhouse, John and Bob were a formidable team. John, originally from Austria coerced Bob to travel, rest and ‘live’. In doing so travel provided Bob many opportunities to explore the culture, history, and art world of Europe.

When the Treloar Tennis Club was due to be opened, it was on one such visit to Austria where Bob and John had the opportunity to travel to Kitzbuhel, to meet with the then, very young Yvonne Goolagong and Margaret Court whom Bob invited to travel to Tamworth for an exhibition game at Treloar Park. This cemented Treloar Park to be recognised as only second at the time, to White City in Sydney, as an outstanding tennis centre running a well patronized Easter tennis tournament.

Before he died in March 2022, Bob was back in contact with Goolagong Cawley and Court to again invite them back to Tamworth for the launch of the current refurbished Treloar Park, the new acquisition by Tamworth West Leagues Club.

As a pharmacist, often Bob worked very full retail hours up until Christmas then took the opportunity to travel from Boxing Day for a few weeks to visit the UK and some other European destinations and to personally explore the porcelain world. He regularly did this up until 1988.

By this time, he had connected with Robert and Judy Jones of R & J Jones Antiques and the Woollahra Trading Company. Robert shared his knowledge of dealers in surrounding areas and together they would road trip. Initially, Bob would collect period furniture and have them sent in a container via sea which took months to arrive in Tamworth. Bob recorded his purchases in a carbon copy invoice book to acquit information for BADA and VAT claims.

Bob followed the purchase history of who was acquiring ‘what’ pieces.

He subscribed to receive many, many catalogues and hardcover books referencing Worcester and Chelsea. He prided himself on purchasing very special pieces that due to the colour, design, the artist or in the case of James Giles, the London Atelier, the exquisite ‘marks’ on the pieces.

It was the provenance that made the purchase desirable and the fact he curated purchases which complemented the porcelain sets within his 16 extraordinary cabinets. He was often affectionately referred to as ‘Bob, aka James Giles’. His handwritten notes record his efforts drawing the Giles’ marks and other distinguishable antique feature symbols for his own recall.

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Bob felt he was in the position to acquire very special pieces and he never quibbled at what was required to lock in certain pieces. Mrs Anne George, and later Mark Law, of Albert Amor, St James, London were dealers who looked after Bob. As well, over the years he dealt with Robyn Robb, Robert Jones, Roy Twigg, Pat Daniels, Russell Brookes and Paul Sumner and many other Australian and internationally based auction houses and dealers represented in the catalogue.

If Bob, returned to the pharmacy late at night with the intention of tweaking the displays and turning on the shop lights; it was primarily the time he called London dealers to just keep abreast of what pieces were on the market and express interest in pieces he had received photos of via Her Majesty’s Royal Mail. With the advent of the internet, it hastened the whole purchase process for him. Bob was not averse to trapping someone into pulling up a website and scrolling what was available and printing copies for him to peruse.

The collection was Bob’s escape. He dusted, polished, and re-arranged the cabinets and staggered the pieces to the best advantage. It was a very special night to be included in a soiree, for an intimate viewing of Bob’s Collection as an invited guest. Together Bob hosted gatherings in the Burke family home in Tamworth that boasted an exquisite setting, purposefully arranged, separate to the family living areas. Bob’s mother and sister who still occupied the home, together with his two other siblings and their respective partners, availed guests, who enjoyed a night of beautiful hospitality, awe inspiring antique history talks, prepared by Bob. He poured over every aspect of each (new) piece. One night was never enough and many felt enchanted at the opportunity to do it all over again. As Bob remained a bachelor all his life, for the younger nieces and nephews, a 20-minute visit lasted 3 hours as he incessantly wanted all to partake in the love of his porcelain and the stories they told.

If Bob heard of anyone travelling to London, he was very keen and blasé about them collecting a piece of porcelain and bringing it back to Tamworth for him. ‘Merely’ he said, ‘just put it in your carry-on’. Many proudly felt they had the honour of being a ‘antique mule’ for Bob Burke.

Bob’s interests went beyond pharmacy and his antique collection. He was President of the Rotary Club of Tamworth North from 1974-1975 and was also recognised as a Paul Harris Fellow. The highest award in Rotary is the Paul Harris Award. It is given to a Rotarian or a member of the community that has made an outstanding contribution to the community. Bob was extremely proud to be acknowledged with this award in esteemed company of many other Tamworth businessmen.

Bob went on to open a second Pharmacy with his sister Janet under the brand banner of Thrift Chemist, Kmart Plaza in 1981. Prior to the rise of discount pharmacies, he was the only registered pharmacist to own two pharmacies in NSW. Together with Janet his sister, who was a Women’s

International Hockey Umpire and Technical delegate, nominated as an official at the Seoul Olympics of 1988; they contributed to the construction of Tamworth Hockey Association’s synthetic turf fields in Tamworth. Bob stood steadfast to his mother Ivy until her death in 1991 and again was Janet’s carer as her health prematurely declined. Through those years he remained in Tamworth and had very few trips overseas.

The preparation undertaken to sell the RF Burke Collection has been monumental. As a family we honour the importance this collection held to Bob. It is a measure of many things in his life. The success he had as a distinguished businessman in Tamworth, the love of fine things and the beauty, skill and craftsmanship and the joy of the occasion where this lifestyle was enjoyed.

Bob was a man of service to his customers and the general community at large. He was generous of heart and showed dignity to all he encompassed. Many benefitted from his kindness and generosity.

This catalogue is a final salute to Robert Francis Burke. We celebrate the man who was a son, brother, uncle, friend, and colleague. The RF Burke Collection here is realised for the first time and offered in its entirety under the label that Bob would be immensely proud of.

We extend an invitation for those with a similar love to that of Bob, who appreciate how significant this collection is, to warmly share a part of Bob’s life that this collection embodies, in what will always be precious memories, significant in our Burke Family story.

‘His antiques carried no dust; those memories will last forever.’ Although some people think that ‘winning solves everything, you still have to put in that effort to become someone of distinction. That was Bob. But more so, he was one to live by the motto ‘work hard in silence, let success be your noise’.

Quote adapted from Mary Lou Retton an American retired gymnast.

‘A trophy carries no dust. Memories last forever.’

‘It doesn’t matter how many awards or accolades you have accumulated throughout your lifetime. It is the memories you share with your loved ones, friends, colleagues, and fans who supported your journey. The experience of winning titles and basking in the glory is all part of life’ – Mary Lou Retton Susan Fittler – Bob’s niece, on behalf of the Burke family.

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How to bid at our Auctions Catalogues and Viewing

Bidding

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Artvisory offers four options for bidding at our Auctions:

Printed catalogues will be available complimentary at the auction viewing and can be express posted (within Australia) prior to the viewing for $20AUD.

If this is your first-time bidding in person at an Artvisory auction you will be required to register with us, which requires you to fill out a buyer registration form in person at the viewing.

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am–5pm at the advertised location/s in the Auction catalogue.

To facilitate this, please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Lot Descriptions

Please make sure you register in the name you want your final invoice to be made out to, as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

The Lot/Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

Estimates The estimate accompanies each lot in the printed and online catalogue.

This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory.

Condition Reports

Live Bidding

Online Bidding Online bidding via the Invaluable.com platform allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction. You have two options to register for this service: •

Register via the Artvisory website and an Invaluable.com online bidding fee of 2% of the hammer price is added

•

Register direct with Invaluable.com and an online bidding fee of 5% of the hammer price is added

Please make sure you register for online bidding at least 24 hours prior to the Auction to ensure you do not miss your lot.

Condition reports supplement the lot/catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com or can be requested from Artvisory directly.

Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a bidding deposit (20% of the low estimate of each Lot you wish to bid on) may be required before you can bid.

Symbols

Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.

Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item.

Please refer to the Terms and Conditions for specific symbol meanings and information.

Buyers Premium Artvisory charges a Buyers Premium of 26% plus GST on the hammer price of all Auction items unless otherwise stipulated.

Bidding Deposits Artvisory reserves the right to request a deposit for any buyer wanting to register for the auction, and this must be received in cleared funds 24 hours prior to the commencement of the auction. If the buyer is not successful, then it will be refunded in full by the third day after the auction.

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Telephone Bidding

Payment and Collection

Complimentary telephone bidding is available at all of our live Auctions and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

If you are successful with your bid/s, your invoice will be emailed to you immediately after the Auction finishes.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come, first served basis, as the number of phone lines available are limited.

See our website to download and complete a telephone bidding form and please note that if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid. A bidding deposit (20% of the low estimate of each Lot you wish to bid on) may be required before you can bid.

Artvisory reserves the right to request a deposit for any buyer wanting to register for the auction, and this must be received in cleared funds 24 hours prior to the commencement of the auction. If the buyer is not successful, then it will be refunded in full by the third day after the auction.

You will pay the hammer price, plus the Buyers Premium of 26% plus GST on each lot, together with any additional charges such as the Invaluable. com online bidding fee, GST on hammer, or the Artist Resale Royalty if applicable.

As per our terms and conditions, payments must be made in full by three (3) days after the Auction has been completed as printed in the catalogue.

We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.43% inc GST for Visa, Mastercard and American Express) If you wish to pay “over the telephone“ with a credit card you must request a secure payment link by emailing accounts@artvisory.com.au and the secure link will be emailed to you, note the Merchant name on your transaction is KK Partners Group- the Company Trust Account.

Absentee Bidding

Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt.

Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget.

Personal, Company and Bank cheques are not accepted. All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder.

An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus Buyers Premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence.

All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received.

Artvisory has a list of recommended carriers specific to each auction that will be sent to you if you are a successful buyer.

See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Packing and Delivery

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ARTISTS, SCULPTORS & DESIGNERS OF PORCELAIN: THE ROBERT BURKE COLLECTION

Part 1 Monday 19 February 2024, 6pm

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A fine and rare Chelsea branch moulded baluster shaped tea-cup and saucer, painted in 'Hans Sloane' style with butterflies and insects, a caterpillar and a dragonfly, in the manner of J.G. Klinger of Meissen, English, circa 1755 under-shadow painting style, red anchor mark 6.5cm high, 8cm long across the handle, 12cm diameter PROVENANCE

Robyn Robb, England, 08/06/2015 Robert Burke Collection, no. 114 $4,000–6,000

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A finely decorated large Chelsea porcelain baluster mug, painted in Hans Sloane style with an owl, birds butterflies and insects, English, circa 1755-60 under-shadow style painting, red anchor mark 14cm high, 13.2cm wide across the handle, base diameter 8cm PROVENANCE

Robert Burke Collection $5,000–7,000

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A very rare Chelsea porcelain large baluster vase, painted in Hans Sloane manner with a large bird of paradise perched on a flowering shrub and scattered butterflies, a snail, a caterpillar and insects, English, circa 1755 21cm high, diameter 16cm at its widest, base diameter 8cm PROVENANCE

D.M and P Manheim New York Albert Amor Ltd, London, Autumn Exhibition 2013, cat. no. 20, illustrated inside front cover Robert Burke Collection, no. 193 $4,000–6,000

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17

4

A rare Worcester porcelain botanical baluster mug, painted with apple-blossom most likely by James Rogers, English, circa 1758/60 8.7cm wide across the handle, 9cm high PROVENANCE

Sir Peter & Lady Crossman, England EXHIBITED

Albert Amor Exhibition, Worcester Porcelain 1751-1784, 1973, cat. no. 28 Robyn Robb, England, 16/06/2010 Robert Burke Collection, no. 143 $4,000–6,000

4

18

5

A fine and rare Chelsea porcelain tea-bowl and saucer, beautifully painted in Meissen botanical style, with butterflies and insects, English, circa 1755 painted in under-shadow style red anchor mark, brown dressed rims saucer 12.3cm diameter, teabowl 7cm diameter, 4cm high PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 116 REFERENCE

For a teapot stand that is similarly decorated see: Chelsea Porcelain by Elizabeth Adams, 2001 edition, fig. 8.27, 8.28 $4,000–6,000

5

19

6

A very fine Chelsea porcelain lobed circular finger-bowl, painted in Meissen botanical style, with a dragonfly, butterflies and insects, English, circa 1755 painted in under-shadow style red anchor mark 6.5cm high, 8cm diameter PROVENANCE

Albert Amor Ltd, London, 03/04/2013 Robert Burke Collection, no. 115 REFERENCE

For a teapot stand that is similarly decorated see: Chelsea Porcelain by Elizabeth Adams, 2001 edition, fig. 8.27, 8.28 A pair of similar bowls sold in the collection of Peggy and David Rockefeller, Christie’s, NYC, 10 May 2018, lot 650 $5,000–8,000

6

20

7

A fine and rare Chelsea porcelain 'Hans Sloane' type shaped circular plate, painted with Acacia Americana botanicals, butterflies and insects, English, circa 1755/56 20.7cm diameter PROVENANCE

Robyn Robb, England, 17/06/2009 Robert Burke Collection, no. 130

7

The decoration on this plate is adapted from an illustration in 'Figures of the Most Beautiful, Useful and Uncommon Plants' described in the Gardeners Dictionary' by Phillip Miller, plate V. Although the plant was described then as "Acacia Americana' it is now called 'Callandra Houstonia'. The engraving it was based on was signed by G D Ehret dated March 1755. $6,000–8,000

21

8

A Chelsea porcelain 'Hans Sloane' type lobed circular brown edged plate, painted with botanicals (Achillea), a butterfly and an insect, English, circa 1755/56 20.6cm diameter PROVENANCE

Robyn Robb, England, 17/08/2009 Robert Burke Collection, no. 130 The decoration on this plate is adapted from plate IX in Phillipe Miller's 'Figure of Plants' and was dated April 1755 $6,000–8,000

8

22

9

23

9

A rare pair of Chelsea strawberry-leaf shaped dishes, painted one painted with vegetables, the other with fruit, English, circa 1756/57 red anchor mark 23.1cm long, 20.3cm wide PROVENANCE

Robert Burke Collection, no. 150 Robyn Robb, England, 30/04/2001 $4,000–6,000

9

24

10

25

10

A large and impressive pair of Chelsea porcelain 'Hans Sloane' type oval serving dishes, painted with fruit, butterflies and insects, English, circa 1758/60 red anchor mark 39.5cm long, 31.5cm wide

PROVENANCE

Albert Amor Ltd, London, 07/05/2019 Robert Burke Collection REFERENCE

Amor notes that these dishes must be amongst the largest pieces produced by Chelsea at this period $7,000–10,000

10

26

11

27

11

12

A very rare Chelsea porcelain lobed circular dish, painted with two horses in landscape by Jefferyes Hamett O'Neale, English, circa 1750/52

A rare octagonal Chelsea porcelain octagonal brown-rimmed tea-bowl painted by Jefferyes Hamett O'Neale with the fable of the Lion and the Mice, English, circa 1750

raised anchor mark 11.3cm wide, 3.4cm deep

raised anchor period 7.5cm wide, 6.5cm high

PROVENANCE

PROVENANCE

Simon Spero Exhibition 1993, item 3 The Billie Pain Collection, sold Bonhams, London, 26 November 2003, lot 29 Robyn Robb, England, 22/9/2004 Robert Burke Collection, no. 237

Albert Amor Ltd, London Robert Burke Collection, no. 5

REFERENCE

$4,000–6,000

This shape does not seem to have been accompanied by a tea-bowl or beaker and is always found painted with a pair of animals.

REFERENCE

Albert Amor Ltd, London, 1995, no. 9513 for another beaker painted

by J. H. O'Neale with the fable of the Cock and the Fox.

$7,000–10,000

12

28

13

14

A very rare Chelsea lobed circular cup, finely painted in puce camaieu by Jefferyes Hamett O'Neale in Vincennes style with fishermen in landscape, English, circa 1752/53

A rare small Chelsea porcelain oval leaf-moulded silvershaped dish, painted with a fisherman in a landscape in puce monochrome by Jefferyes Hamett O'Neale in Vincennes style, English, circa 1752/53

red anchor mark 7.7cm diameter, 6cm high PROVENANCE

Private Collection acquired from Brian Haughton Gallery, London Albert Amor Ltd, London, 22/09/2019 Robert Burke Collection, no. 7 REFERENCE

A similar example sold Christie's, London, 8 November 1999, lot 37 $5,000–8,000

red anchor mark 21cm long, 16.5cm high PROVENANCE

American Private Collection Brian Haughton Gallery, London A Private Collection Chelsea and other porcelain, pg. 21 Albert Amor Ltd, London, 22/09/2013 Robert Burke Collection $5,000–7,000

13

29

14

30

15

A very rare Chelsea porcelain Meissen-style fluted rectangular dish painted by Jefferyes Hamett O'Neale, with figures and an inscribed obelisk in two landscapes, English, circa 1752/53 red anchor mark 20.5cm long, 17.5cm wide PROVENANCE

Bought from Winifred Williams, London, May 1982 Sold Christie's, London, 14 May 2003, lot 245 Robyn Robb, England, 2005 exhibition, 16/06/2005, no. 19 Robert Burke Collection, no. 10 REFERENCE

Illustrated in English Ceramic Club Transactions, vol. 3, Pt. 4, pl. 86c, 1955.

A related dish formerly in the Parkinson Collection sold Albert Amor Ltd, London, Treasures from Toronto II, 1994, pl. 30.

There also exists a dish of the same form and similar decoration where J.H. Hamett O'Neale has disguised his own name within the script on the obelisk. $10,000–15,000

31

15

32

16

A superb and rare large Chelsea Aesop's Fables oval silvershaped serving dish painted by Jefferyes Hamett O'Neale, with 'The lamb brought up by the goat', English, circa 1752 38.5cm wide, 31cm high PROVENANCE

American Private Collection Albert Amor Ltd, London, Recent Acquisitions, Autumn 2020, 18/05/2020 Robert Burke Collection REFERENCE

Sotheby's London, The Selwyn Parkinson Collection, 21 June 1966, lot 116, for a Chelsea small dish painted by Jefferyes Hamett O'Neale with this fable, but with the composition reversed. No larger Chelsea Fable dish by O'Neale of this form appears to be recorded. The moral of this fable is to trust your parents over your enemy.

A dish of the same model painted with a different fable sold Christie's, London, 14 May 2003, Lot 244 $20,000–30,000

33

16

34

17

An unrecorded Chelsea porcelain Meissen style gilt and moulded sugar cup and cover, painted by Jefferyes Hamett O'Neale with Classical landscapes, English, circa 1758 gold anchor mark 11.5cm high, 7cm wide, 13cm long over the handles PROVENANCE

Parkside Antiques (Pat Daniels), Melbourne, 1989 Robert Burke Collection, no. 6 EXHIBITED

Flowers and Fables, A survey of Chelsea porcelain, 1745-1769, National Gallery of Victoria, Melbourne, no. 145, illustrated in the accompanying publication by the NGV page.71. $6,000–8,000

17

35

18

A rare and exceptional Chelsea porcelain 'Goat and Bee' moulded cream-jug, probably modelled by Nicholas Sprimont, English, circa 1745-47 painted with flowers and insects incised triangle mark 11cm high, 8cm long over the handle 4cm wide PROVENANCE

Bonhams, London, 09/09/2009, lot 44a Robert Burke Collection, no. 8 REFERENCE

Coloured Goat and Bee jugs are much rarer than white glazed versions.

An example that relates to this example was exhibited at the National Gallery of Victoria, Flowers and Fables, 1984/85, pg. 25, fig. 3, although this example is both brighter and finer in its modelling.

Dr F.Severne MacKenna Collection of English Porcelain Part 1 (1972), pg. 60, fig. 19 John C.Austin, Chelsea Porcelain at Williamsburg (1977), pg. 24, fig. 6 $10,000–15,000

18

36

19

20

A very rare Chelsea porcelain figure of Pierrot from the Commedia Dell' Arte, series after a Meissen original, English, circa 1755

A rare Chelsea porcelain flower encrusted and gilt figure of Dr Boloardo from the Commedia Dell'Arte series probably modelled by Joseph Willems after a Meissen original by Peter Reinicke (and probably Kändler), English, circa 1755

red anchor mark 16.5cm high, 9.7cm wide, base 5.8cm wide PROVENANCE

red anchor mark 14.5cm high, 10cm wide, base 6cm wide

L A Harrison Collection Robyn Robb, England, 14/06/2002 Robert Burke Collection, no. 136

Robyn Robb, England, 31/12/2002 Robert Burke Collection, no. 170

PROVENANCE

REFERENCE

REFERENCE

Illustrated in the 'Cheyne Book of Chelsea, China & Pottery', no. 161

For the Meissen prototype modelled by Reinicke and Kändler for the Duke of Weissenfels in 1744, see Dr. Reinhard Jansen, Commedia Dell'Arte exhibition catalogue (Berlin) 2001, no. 35, pg. 54. This model is likely to have featured in the collection of Meissen figures loaned to the Chelsea factory by Sir Charles Hanbury Williams in 1751. The Chelsea version was probably modelled by Joseph Willems and is slightly larger than the Meissen prototype

$7,000–10,000

$4,000–6,000

19

20

37

21

A very rare Chelsea porcelain figure of Tyrolean dancers, modelled by Joseph Willems, after the Meissen original

by J.F. Eberlein, English, circa 1752 red anchor mark 18.5cm high, 15.5cm wide base, 7.8cm wide PROVENANCE

Oscar Dusendsohn Collection, sold Sotheby's, December 6 1960, lot 41 Parkside Antiques Melbourne, (Pat Daniels), 23/03/1989 Robert Burke Collection, no. 120 EXHIBITED

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 70. Illustrated full page in colour in the NGV publication, written by Margaret Legge that was published for the exhibition page 41.

REFERENCE

This group is copied from the Meissen model of Harlequin and Columbine Dancing, modelled by J J Kändler in 1743. A Meissen example was probably one of those lent by Sir Charles Hanbury Williams to Sir Everard Fawkener for Chelsea to make copies.

Variously known as the 'Dutch Dancers', 'Tyrolean Dancers' and 'Polish Dancers', it was copied in Chinese Export porcelain, at Chelsea and at Bow. Meissen, Chelsea and Chinese versions are illustrated by Rosalie Wise Sharp, Ceramics, Ethics and Scandal (2002), pp. 150-152, and another, slightly later, Bow example

by Peter Bradshaw, Bow Porcelain Figures (1992), p. 143. $7,000–10,000

21

38

22

23

A fine and rare Chelsea porcelain two-handled pedestal bottle cooler, painted with pairs of birds and shrubs, English, circa 1755

A fine Chelsea porcelain bottle-cooler, finely painted with flowers and with naturalistic stem handles, English, circa 1755

red anchor mark 13cm high, 17.5cm wide across the handles, 14.3cm diameter

red anchor mark 13.2cm high, 14.2cm diameter, 17.5cm wide across the handles

PROVENANCE

PROVENANCE

English Private Collection Albert Amor Ltd, London, 18/01/2020 Robert Burke Collection, no. 2

Mellor Cobham Collection, no. 10 Albert Amor Ltd, London, 22/09/2019 $2,000–3,000

$2,000–3,000

22

23

39

24

A very fine and large Chelsea porcelain moulded oval dish, in Warren Hastings service manner, painted with panels of European landscapes and flowers and three large green leaves, English, circa 1760 red anchor mark, labelled: painted by Paul Ferg 43cm long, 34cm wide PROVENANCE

Robert Burke Collection, no. 175 $4,000–6,000

24

40

25

41

25

26

A fabulous and large Chelsea porcelain oval trellis and foliate moulded oval dish, painted to the border with reserved panels with Fables subjects, most likely by Jefferyes Hamett O'Neale, English, circa 1752

A fine and possibly unique Chelsea strawberry leaf-moulded gravy boat, very finely and spatially painted with a basket of flowers and insects, English, circa 1750/52

red anchor mark 42.3cm wide, 33cm high PROVENANCE

Parkside Antiques (Pat Daniels), Melbourne, 28/05/1990 Robert Burke Collection, no. 106 EXHIBITED

Flowers and Fables. A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 93. $7,000–10,000

raised anchor mark 17.3cm wide by 12.4cm, 12cm high PROVENANCE

English Private Collection Albert Amor Ltd, London, 23/09/2021 Robert Burke Collection, no. 254 No record of another raised anchor marked example of this famous Chelsea model would appear to exist.

This model is normally associated with the red anchor period, so the discovery of this earlier marked example is an important addition to Chelsea scholarship. $5,000–8,000

26

42

27

A very rare and Important pair of Chelsea porcelain Boar Hunt and Leopard Hunt bocage candlesticks, English, circa 1760/5 gold anchor mark 32cm high, 20cm wide and 32cm high, 22cm wide PROVENANCE

Robert Burke Collection, no. 71 EXHIBITED

Ceramic Collectors Society Exhibition, Sydney, 1979, no. 3 Flowers and Fables, A survey of Chelsea Porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1984/5, no. 147. Illustrated full page colour in the accompanying catalogue published by the NGV page 69 REFERENCE

A pair of similar examples sold Christie's, New York, 10 May 2018 $10,000–15,000

43

27

44

28

A finely painted Chelsea porcelain squared mallet-form bottle vase, painted with roses, tulips and other flowers, English, circa 1755 19cm high, 7.5cm wide PROVENANCE

James A Lewis & Son Inc, New York City The Lorenz B Knouff Collection Robyn Robb, England, 16/3/1998 Robert Burke Collection, no. 18 REFERENCE

Illustrated in Dr F Severne MacKenna's 'Chelsea Porcelain – The Red Anchor Wares' pl. 17, fig. 35 and description p. 88 $4,000–6,000

28

45

29

A rare and large Chelsea porcelain floral painted and gilt edged shell moulded oval silver-shaped dish, English, circa 1760 gold anchor mark 36.5cm wide, 28.2cm high PROVENANCE

Parkside Antiques Melbourne (Pat Daniels), 18/09/1990 Robert Burke Collection, no. 72 EXHIBITED

Ceramic Collectors Society, Sydney, 1979, no. 21 $2,500–3,500

29

46

30

A rare Chelsea shell-moulded oval silver-shaped dish, painted with insects and a butterfly on a bouquet of flowers, English, circa 1750/52 raised anchor mark 24.5cm long, 19cm wide PROVENANCE

Robyn Robb, England, 16/06/2000 Robert Burke Collection, no. 147 $2,500–3,500

30

47

31

A large Chelsea porcelain circular tureen and cover with vegetable finial, finely painted with European flowers, English, circa 1760 26cm wide, 20cm diameter, 18cm high PROVENANCE

Barry Byrne Collection, Sydney, sold Christie's, Sydney, 15/16 July 1992 Robert Burke Collection, no. 22 $2,000–3,000

31

48

32

A fine pair of Chelsea strawberry-leaf moulded gravy boats, painted with floral sprigs and encrusted with flowers, English, circa 1755 red anchor mark 16.6cm long, 10.5cm wide PROVENANCE

Robert Burke Collection, no. 107 $2,500–3,500

32

49

33

A very rare large Chelsea porcelain 'Hans Sloane' type botanical bell-shaped mug, decorated with sprigs of flowers, English, circa 1755 red anchor mark 10.5cm diameter at the mouth, 10.5cm high PROVENANCE

Albert Amor Ltd, London, 04/06/2019 Robert Burke Collection REFERENCE

Amor notes that this exaggerated baluster form, which relates to a German stoneware shape of the early 18th century, appears to be unrecorded in the Chelsea literature. $1,500–2,500

33

50

34

35

A rare Chelsea porcelain figure of peasant dancing, modelled by Joseph Willems after a Meissen original, English, circa 1755

A rare Chelsea porcelain Commedia Dell-Arte figure, Il Capitano, modelled by Joseph Willems, English, circa 1755-56

red anchor mark 16cm high, 9.5cm wide, base 6.5cm wide

16.5cm high, 6.5cm wide

PROVENANCE

Robert and Judy Jones, London, 28/01/2003 Robert Burke Collection, no. 4

Albert Amor Ltd, London, 11/12/2018 Robert Burke Collection, no. 73 REFERENCE

The Triangle and Raised Anchor Wares, by Dr. F Severne McKenna, pl. 79 This figure is copied from a Meissen figure of a Dancing Peasant modelled by Kändler in 1740, see Len and Yvonne Adams, Meissen Portrait Figures (1987), p. 57. $2,500–3,500

PROVENANCE

EXHIBITED

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 60. Illustrated in the NGV publication, written by Margaret Legge that was published for the exhibition Page 38.

REFERENCE

C. Louise Avery, Masterpieces of European Porcelain, New York, 1949, no. 54.

Y. Hackenbroch, Chelsea and Other English Porcelain Pottery and Enamel in the Irwin Untermyer Collection, Cambridge, MA, 1957, pl. 24, fig. 30. $4,000–6,000

34

35

51

36

A rare pair of Chelsea porcelain figures of Ranelagh masqueraders Toper and Masked lady, English, circa 1760 gold anchor mark 20 and 20.5cm high, bases 5.6cm diameter PROVENANCE

Private Collection Melbourne Robert Burke Collection, no. 43 EXHIBITED

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 138. Illustrated full page in the NGV publication, written by Margaret Legge that was published for the exhibition Page 66.

REFERENCE

See a figure of a masquerader playing a violin sold by Bonhams, London, 6 June 2007, lot 216; also a pair with foliate costumes sold by Bonhams, London, 3 October 2012, lot 62; and a pair with the same male figure sold by Bonhams, 18 May 2016, lot 319 This figure belongs to a group traditionally said to portray characters from the masquerade held at the Ranelagh Gardens to celebrate the birthday of Frederick Prince of Wales on 24 May 1759, although none correspond exactly with prints issued at the time by Bowles after Maurer. Horace Walpole wrote of a previous Masquerade at Ranelagh in a letter to Horace Mann sent from Strawberry Hill on 3 May 1749: 'In one quarter, was a May-pole dressed with garlands and people dancing round it to a tabor and pipe and rustic music, all masqued, as were all the various bands of music that were disposed in different parts of the garden; some like huntsmen with French horns, some like peasants, and a troop of harlequins and scaramouches in the little open temple on the mount... All round the outside of the amphitheatre were shops, filled with Dresden china, Japan, &c., and all the shopkeepers in mask' $4,000–6,000

36

52

37

A rare Chelsea porcelain figure of a cook with a roast chicken on a plate, modelled by Joseph Willems, English, circa 1760 gold anchor mark 21.5cm high, base 8cm wide PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 95 REFERENCE

The same model sold Bonhams London, November 14 2018, lot 352 $4,000–6,000

37

53

38

A rare pair of Chelsea pale blue and pink edged shell moulded silver-shaped dishes painted with exotic birds, English, circa 1762 gold anchor marks 24.5cm wide, 19.5cm high PROVENANCE

English Private Collection Albert Amor Ltd, London, 09/09/2020 Robert Burke Collection REFERENCE

A pair of similar dishes sold Christie's London, 2 November 1998, lot 84 $3,000–5,000

38

54

39

A large and finely painted Chelsea porcelain pierced oval lattice-work two-handled basket, painted with butterflies, insects and cherries, English, circa 1765 27cm long, 21.5cm wide, 12cm high PROVENANCE

Robert Burke Collection, no. 90 EXHIBITED

Ceramic Collectors Society Exhibition, Sydney, 1979, no. 9 $2,000–3,000

39

55

40

41

A rare and fine Chelsea porcelain figure of a shepherdess and a sheep, English, circa 1755

A finely painted Chelsea porcelain figure of a shepherd with bag-pipes and with a dog at his feet, English, circa 1760

red anchor mark 23.3cm high, base 10.4cm wide

gold anchor mark 25cm high, base 10cm wide

PROVENANCE

PROVENANCE

Robert and Judy Jones, London, 07/01/1993 Robert Burke Collection, no. 77

Butler Collection, acquired prior to 1960 Albert Amor Ltd, London, 26/01/2022 Robert Burke Collection

REFERENCE

This rare model was re-issued in a Gold Anchor Period version, see Frank Stoner, Chelsea, Bow and Derby Porcelain Figures (1955), pl. 35

$1,500–2,000

$2,500–3,500

40

41

56

42

A very rare Chelsea porcelain artichoke form bowl and cover with bird finial, English, circa 1755 red anchor mark 12.75cm high, 10cm diameter PROVENANCE

The Antique Porcelain Company, New York Mrs Susan S. Dillion Collection, USA Albert Amor Ltd, London, 09/11/2020 Robert Burke Collection REFERENCE

Patrick Synge-Hutchinson, The Connoisseur, August 1954, "Some Chelsea Porcelain of Her Majesty Queen Elizabeth the Queen Mother at Clarence House".

Also see R Blunt, The Cheyne Book of Chelsea china, p. 15, no. 305 A pair sold Christie's, 22 October 2010, lot 35.

A slightly smaller pair of tureens belonging to Doris Duke were sold Christie's, New York, 3-4 June 2004, lot 638.

Also see the pair sold Sotheby's, New York, 16 October 2008, lot 18 and the pair illustrated in Reginald Blunt, ed., The Cheyne Book of Chelsea China and Pottery, Boston, 1925, pl. 15, no. 305. $5,000–8,000

42

57

43

An unrecorded Chelsea porcelain figure of a Chinese woman, the modelling attributed to Joseph Willems, English, circa 1754/5 red anchor mark 21.5cm high, base 6.2cm wide PROVENANCE

Albert Amor Ltd, London, 01/05/2015 Robert Burke Collection, no. 103 REFERENCE

Yvonne Hackenbroch, The Irwin Untermeyer Collection, figure 39, plates 29.3 for a figure of a Chinese boy relating to this figure his robes similarly painted to this figure. The distinctive scroll base to this figure is also unrecorded.

This figure is not recorded in the literature but fits well within a small group of Chelsea red anchor figures modelled in the Chinese style by Joseph Willems. The group includes two similar models of three Chinese musicians attended by a boy, one in the Victoria and Albert Museum (Museum Number C.40-1974) and the other illustrated by Yvonne Hackenbroch, The Irwin Untermyer Collection (1957), fig 39, pls. 29-3.

The outer garment of one of the three adult musicians on the Untermyer example is painted with florets which are very similar to those on the dress of the present lot. Other figures within the group include a pair of Chinese boy musicians on tree stumps, illustrated by Elizabeth Adams, Chelsea Porcelain (2001), fig 9.1, p. 119, another Chinese boy musician from the same series sold Bonhams, London, 6 June 2007, lot 211, and a perhaps slightly earlier pair of a Chinaman and a man wearing a Chinese mask, illustrated by Peter Bradshaw, 18th Century English Porcelain Figures (1981), p. 106. The present lot is the only figure in the group to exhibit the distinctive scrolled base. $5,000–8,000

43

58

44

A fine and large Chelsea porcelain butterfly, insect and botanical decorated and moulded canted rectangular dish, English, circa 1750/52 raised anchor mark now missing (by the time of the Mackenna auction sale in 1957 when it was missing) 31.5cm long, 22cm wide PROVENANCE

Wallace Elliott Collection Frank Hurlbutt Collection, no. 2204, where it is described with a raised anchor mark R.D.M Burrows Collection F.Severne Mackenna Collection, sold Sotheby's, 12 March 1957, acquired by Albert Amor

44

Robyn Robb, England, 16/06/2000 Robert Burke Collection, no. 172 EXHIBITED

Cheltenham Art Gallery and Museum, April 1947 REFERENCE

The same plate is illustrated in Chelsea Porcelain by Elizabeth Adams 2001 edition, fig. 7.23, pg. 85 F.Severne MacKenna, Chelsea Porcelain, The Triangle and Anchor wares, fig. 59.

ILLUSTRATED

Apollo Annual, 1949 $5,000–7,000

59

45

A rare Worcester porcelain teapot and cover, painted with an unusual puce sunburst border and flowers and butterflies, English, circa 1760 unmarked 12cm high, 18.8cm wide across the faceted spout and handle, diameter 12cm at its widest PROVENANCE

The Shand Kidd Collection, sold Sotheby's, London, 15 November 1994, lot 201.

The R. David Butti Collection, no. 184 sold Bonham's London, 10 May 2006, lot 56 Albert Amor Ltd, London 08/05/2021 Robert Burke Collection REFERENCE

A similar example with plain knop sold Albert Amor, Autumn 2013, no. 53. $3,000–5,000

45

60

46

A very rare Chelsea porcelain naturalistic rose-box and cover, English, circa 1755 7.5cm diameter, 7cm high PROVENANCE

Robert Burke Collection, no. 41 REFERENCE

A Rose-box sold by Albert Amor Ltd, London, Autumn 2004 exhibition, cat. no. 5.

Rose boxes are recorded in the 1755 Chelsea sale catalogue: Lot 80 "Four fine roses and four leaves to ditto for desart" A pair sold Christie's, New York, The Anne and Gordon Getty Collection, 25 October 2022, lot 1412 $2,000–3,000

46

61

47

A rare Chelsea yellow-ground and pink flower-painted tea-cup and saucer, English, circa 1760 gold anchor mark saucer 13.5cm diameter, cup 7.2cm high, 11.5cm wide PROVENANCE

Robert Burke Collection, no. 51 EXHIBITED

Ceramic Collectors Society Exhibition, Sydney, 1979, no 5 Flowers and Fables, A Survey of Chelsea Porcelain 1745-1769, National Gallery of Victoria, 1984/1985, no. 159. Illustrated in the accompanying catalogue published by the NGV page 72. $2,000–3,000

47

62

48

A very rare Chelsea porcelain Commedia Dell-Arte figure Isabella, in a gilt sprigged white dress, modelled by Joseph Willems, English, circa 1756 red anchor mark 15.4cm high, 9.5cm wide PROVENANCE

Robert and Judy Jones, London, 25/11/1996 Robert Burke Collection, no. 28 EXHIBITED

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 59. Illustrated full page and in colour in the NGV publication, written by Margaret Legge that was published for the exhibition page 40.

REFERENCE

Chelsea Porcelain by Elizabeth Adams, 2001 edition, for the same figure but referred to as a “Polish Lady”, figure 9.19, pg. 132 C. Louise Avery, Masterpieces of European Porcelain, New York, 1949, no. 54.

Y. Hackenbroch, Chelsea and Other English Porcelain Pottery and Enamel in the Irwin Untermyer Collection, Cambridge, MA, 1957, pl. 24, fig.30. $5,000–8,000

48

63

49

A rare and fine Chelsea porcelain gilt-ground and massed bird and flower decorated beaker shaped bowl, English, circa 1760 gold anchor mark 9.5cm high, 10.5cm diameter, foot-rim 5cm diameter PROVENANCE

Private American Collection Albert Amor Ltd, London, 22/03/2020 Robert Burke Collection REFERENCE

For a Chelsea beaker with similar decoration see: Chelsea Porcelain by Elizabeth Adams, 2001 edition, plates 12.2 and 12.3, pg. 174 $4,000–6,000

49

64

50

A rare and fine Chelsea Royal-blue scale and gilt twin-handled ecuelle, cover and stand, painted in the Meissen style with pairs of children playing musical instruments in landscapes, English, circa 1760 gold anchor mark 17cm wide across PROVENANCE

Probably Sir Henry Hope Edwardes Bt Wootton Hall, Derbyshire, & sold from his estate Christie's, 25 April 1901, lot 192 and presumably re-acquired by Lieutenant Colonel Herbert James Hope Edwardes, Netley Hall Shropshire, & then by family descent Literature T. Cox, Inventory of the Contents of Netley Hall Shropshire, and thence by family descent.

Lady More (née Hope Edwardes formerly, Coldwell), Netley Hall, and subsequently Linley Hall, Shropshire, and by descent Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection, Part 4, Shape and Form, 2019, cat. no. 22.

Acquired 07/05/2019 Robert Burke Collection $7,000–10,000

50

65

51

A very rare and fine Chelsea porcelain Royal-blue scale and gilt twin-handled cup and cover, finely painted in the Meissen style with Turkish figures and birds in landscapes, English, circa 1762 gold anchor mark 15cm high, 15cm wide across PROVENANCE

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection, Part 4, Shape and Form, 21/05/2019, no. 13. Illustrated on the catalogue front cover Robert Burke Collection REFERENCE

See Flowers & Fables Exhibition, National Gallery of Victoria, 1984, no. 184, for a cup of this form, but lacking its cover. $4,000–6,000

51

66

52

52

67

52

A rare set of four Chelsea porcelain figures, emblematic of the seasons, English, circa 1754-5

EXHIBITED

British Antique Dealers Association Art Treasures Exhibition, 1958, no. 292 REFERENCE

the figure of winter with red anchor mark 13cm-14.5cm high

See Peter Bradshaw, 18th Century English Porcelain Figures (1981), pl. 38, pg. 110 for the full set Yvonne Hackenbroch, Chelsea and other English porcelain in the Irwin Untermeyer Collection, fig. no. 29 for a similar set formerly in the Bellamy Gardner Collection.

D. Fennimore et al., The David and Peggy Rockefeller Collection: Decorative Arts, New York, 1992, vol.IV, pp. 42-43, no. 16.

PROVENANCE

Christie's, New York The Peggy and David Rockefeller Collection, lot no. 658 Albert Amor Ltd, London, 13/6/2018 Robert Burke Collection, no. 173

$7,000–10,000

52

52

68

53

A very fine and rare Chelsea porcelain gilded pink peacockfeather decorated ovoid teapot and cover, painted with pairs of birds and flowering shrubs, English, circa 1760 gold anchor mark 15.5cm high, 20cm wide across the handle and spout PROVENANCE

Albert Amor Ltd, 2019 Robert Burke Collection

EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 20.

REFERENCE

See: 'Chelsea Porcelain', Elizabeth Adams, pl. 121, for a milk jug and cover in this service in the Museum of London and also two cups and saucers: 'Chelsea Porcelain at Williamsburg' John Austin no. 96. $3,000–5,000

53

69

54

A fine and rare Chelsea porcelain moulded and shaped circular plate painted with a central bird (Brambling) and sprigs of flowers, English, circa 1755 red anchor and numeral 5 mark 24cm diameter PROVENANCE

Albert Amor Ltd, London Robyn Robb, England, 14/3/2018 Robert Burke Collection, no. 17 $3,000–5,000

54

70

55

A extremely fine Chelsea porcelain pink-ground and gilt ecuelle, cover and stand, superbly painted with flowers, English, circa 1765 gold anchor marks 17cm wide across the handles, 12.5cm high, 11.5cm diameter, stand 18cm diameter PROVENANCE

Sir Bernard Eckstein, sold Sotheby's, London, March 29 1949, lot 102 Albert Amor Ltd, London, 26/02/2019 Robert Burke Collection EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 21.

REFERENCE

A similar ecuelle sold by Lewes, East Sussex, 18/05/2020, lot 103, but with a different finial.

Sotheby's, New York, October 26 2002, lot 1580 $4,000–6,000

71

55

72

56

73

56

A rare pair of Chelsea porcelain Chinoiserie octagonal plates, painted in bright enamels with exotic birds peonies and other flowers and rock-work, English, circa 1752/5 23.5cm wide PROVENANCE

Robyn Robb, 22/10/2010 Robert Burke Collection, no. 192 $6,000–9,000

56

74

57

A rare Worcester porcelain Aesop's Fables lobed circular Royal blue ground and gilt plate painted by Jefferyes Hamett O'Neale, with the Fable of the crow and the sheep, English, circa 1768 19.3cm diameter PROVENANCE

Albert Amor Ltd, London, Spring 1986 exhibition, cat. no. 8615, illus. $7,000–10,000

57

75

58

A rare Worcester porcelain Aesop's Fables lobed circular Royalblue ground and gilt plate painted by Jefferyes Hamett O'Neale, with the story of the 'Tygre and fox', English, circa 1768 underglaze blue fret mark 19.4cm diameter PROVENANCE

Wills Collection Albert Amor, London, 30/10/1984, no. 62 Robert Burke Collection, no. 159 REFERENCE

Marshall illus. pl. 14, pg.57, no. 28 $7,000–10,000

58

76

59

A rare and very fine Chelsea Royal-blue ground and gilt ecuelle and cover, painted in the Meissen style with birds in reserved landscapes, English, circa 1760 gold anchor mark 13cm high, 18cm wide across the handles, 12cm diameter PROVENANCE

Albert Amor Ltd, London, Autumn Collection, 2019, no. 22, 22/09/2019 Robert Burke Collection $2,000–3,000

59

77

60

A pair of very rare small Vauxhall porcelain Royal-blue and gilt baluster vases, painted in the London atelier of James Giles with reserved panels of exotic birds and landscapes, English, circa 1765/70 12cm high, 7cm wide PROVENANCE

Robyn Robb, England, 2007, Exhibition International Ceramics Fair, London, no. 8. acquired 17/07/2007 invoiced then as Vauxhall by Robyn Robb Robert Burke Collection, no. 205

REFERENCE

See a similar pair of Bow vases (Giles decorated) sold at Albert Amor Ltd, London, Spring 1986 no. 8625 A pair of very similar vases (maybe the same ones) described as probably Bow after a Sevres model. Property from the collection of Hanns and Elisabeth Weinberg, Sotheby's, New York, 11 November 2006, lot 374 There is a Vauxhall vase illustrated by Bernard Watney in ECC Transactions (1989) vol. 13, part 3, pl. 203 (c) and (d) $6,000–8,000

60

78

61

An Important pair of Worcester blue-scale ground and gilt and bird painted Lady Mary Montagu pattern hexagonal vases and covers, attributed to the London atelier of James Giles, English, circa 1765/70 39cm high approximate PROVENANCE

Anthony Wood Collection Possibly the pair sold Sotheby's, New York, 21 October 2000, lot 339 Robyn Robb, London, 11/06/2003 Robert Burke Collection, no. 194 EXHIBITED

The International Ceramics Fair, London, 2003 A pair of vases described as "a pair of hexagonal jars mazareen blue ground richly ornamented with burnished and chased gold and painted with birds' is listed in the catalogue of the sale of James Giles stock by Mr Christie in Pall Mall in 1774, reproduced both in Gerald Coke 'In Search of James Giles', p. 136 Appendix G, Fourth day's sale no. 42.

Robyn Robb notes these vases appear to be the only vases of this type in this pattern and suggest that they are in fact these same vases listed above in the sale by James Christie.

H.R.Marshall, Coloured Worcester Porcelain of the First Period, pl. 38, no. 822 $20,000–30,000

79

61

80

62

81

62

An exceptional pair of Worcester blue-scale ground and gilt bough pots, painted in the London atelier of James Giles with panels of pheasants, insects and shrubs, English, circa 1770 underglaze blue fret mark 22cm wide, 17cm high, 15cm deep PROVENANCE

Robert Burke Collection, no. 206 REFERENCE

For a bough pot of this design but with floral decoration, see Albert Amor Ltd, London, 1993, exhibition cat. no. 9309 $5,000–8,000

62

82

63

A fine and large Worcester blue- scale and gilt lobed circular bowl, decorated with butterflies and insects and exotic birds in panels, English, circa 1768/70 underglaze blue fret mark 25cm diameter

PROVENANCE

English Private Collection, acquired from Winifred Williams, circa 1966 Albert Amor Ltd, London, 16/11/2015 Robert Burke Collection, no. 166 $1,500–2,500

63

83

64

A rare Worcester blue-ground twin-handled vase and cover, finely painted with cherubs and landscapes in panels, English, circa 1768-70 underglaze blue fret mark 22.5cm high, 15.5cm wide across the handles PROVENANCE

D'Arcy E Taylor Collection Sold Sotheby's, 9 April 1957, lot 39 Gladys L. Robertson Collection, Galt Ontario, no. 46 Albert Amor Ltd, London, 1993, Treasures from Toronto, 18th century English Porcelain, no. 37 acquired 18/05/1995 Robert Burke Collection, no. 123 REFERENCE

The painting on the vase was previously attributed to John Donaldson, but it is now felt the hand is much more likely to be that of Fidele Duvivier.

Sandon. pl 83 Palmer and Chilton, p. 43 Barrett pl. 76 Compare a pair in the Dyson Perrins, Museum Worcester, illustrated E.C.C Exhibition catalogue 1948, no. 425/426 EXHIBITED

George Gardiner Museum of Art, Toronto, 1986, A Taste of Elegance, cat. no. 80. $6,000–8,000

64

84

65

A fine pair of Worcester gilt scale-blue lobed circular plates, painted in the London atelier of James Giles with exotic birds and flowers in panels, English, circa 1770 underglaze blue fret marks 23.2cm diameter PROVENANCE

Robert Burke Collection, no. 109 $2,000–3,000

65

85

66

A fine garniture of three Worcester porcelain Royal-blue ground Chinese shaped vases, finely painted with panels of exotic birds and flowering shrubs, English, circa 1770 underglaze blue fret mark large vase and cover 26cm high, 12cm diameter at its widest and 6.5cm at its base, pair of Gu shaped vases 15cm high, 9.5cm diameter PROVENANCE

Sotheby's, London, The D'Arcy Taylor Collection, April 9 1957, lot 30 Robert Burke Collection, no. 111 EXHIBITED

Ceramic Collectors Society, The Second Exhibition of Worcester Porcelain, Sydney, 1978, cat. illus. pg.16. no. 60. $3,000–5,000

66

86

67

87

67

A very fine pair of Worcester porcelain floral-painted royal-blue ground and gilt bordered twin handled champagne coolers, English, circa 1770 19cm high, 26cm wide over the handles PROVENANCE

Albert Amor, London, Autumn exhibition, 22/09/2019 Robert Burke Collection FOOTNOTE

Worcester wine coolers of this impressive form, which are based on Serves originals, are extremely rare. Another pair from the Zorensky Collection, were sold Bonham's London, 23 February 2005, lot 173. $7,000–10,000

67

88

68

A rare and fine pair of Chelsea porcelain Royal-blue ground and gilt castors and covers, from the Mecklenburg Strelitz service, finely painted with exotic birds and shrubs, English, circa 1760 gold anchor marks 19cm high, 8.5cm diameter PROVENANCE

From the celebrated service commissioned by King George III and Queen Charlotte and presented in 1764 to the Queens brother Adolphus Frederick IV Duke of Mecklenburg Strelitz (1738-1794) Mrs John Ravensky, Sotheby's, New York, 26 January 1957, lot 514 Albert Amor Ltd, London Robert Burke Collection, no. 158

68

EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 36 REFERENCE

In the Royal Collection are 137 pieces from this service, presented to HM Queen Elizabeth II in 1947 by James Oakes to celebrate the Queens Silver Wedding Anniversary. $3,000–5,000

89

69

A rare Worcester porcelain Aesop's fables decorated oval tureen, cover and stand, possibly painted with 'The three red foxes' and 'The fox and the hedgehog' by by Jefferyes Hamett O'Neale, also painted with Cupid’s bow and arrow, fruit and insects, English, circa 1775/80 underglaze blue open crescent mark 12.5cm high, 18cm wide over the handles PROVENANCE

Albert Amor Ltd, London Robert Drane Collection, no. 671 Albert Amor Ltd, London, 19/06/1997 Robert Burke Collection, no. 152 REFERENCE

A similar tureen, cover and stand in the H.R Marshall Collection is illustrated in Coloured Worcester Porcelain pl. 27, no. 597 with its companion in the Marshall Collection at the Ashmolean Museum, Oxford. $4,000–6,000

69

69

90

70

A very fine pair of Worcester apple-green and gilt baluster vases, painted with exotic birds in panels, some in landscape, English, circa 1765/70 12cm high, 6.5cm diameter at this widest, bases 4.5cm diameter, neck rims 7cm PROVENANCE

Private English Collection Dyson Perrins Collection no. 205 Albert Amor Ltd, London, The Golden Age Masterpieces of 18th Century English porcelain, 1980, cat. no. 38 Dr F. Curnow Jones, Melbourne Parkside Antiques (Pat Daniels), 12/12/1995 Robert Burke Collection, no. 146, acquired 12/11/1995 EXHIBITED

Parkside Antiques Melbourne, 'A Reflection' Exhibition, December 1984 $6,000–8,000

91

70

92

71

72

A rare Worcester porcelain apple-green bordered sparrow-beak milk jug and cover, painted with fruit and insects, English, circa 1765-70

A Worcester porcelain apple-green ground tankard painted and gilt with exotic birds, English, circa 1770 11.5cm high, 12cm wide over the handle

14cm high, 11cm wide over the handle

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 74

Albert Amor Ltd, London, 19/01/1987 Robert Burke Collection, no. 231 $1,500–2,000

REFERENCE

Two similar mugs sold at Albert Amor Ltd, London: 1. Sidders Collection, 1985, cat. no. 56 2. Treasures from Toronto, 1993 cat. no. 36 $1,000–1,500

71

72

93

73

A rare Worcester apple-green bordered and gilt lined cup and saucer, painted in the London atelier of James Giles with flowers, English, circa 1763-68 underglaze-blue crossed swords and numeral 9 mark saucer 13cm diameter, 10cm wide over the handle PROVENANCE

Albert Amor Ltd, London, Treasures from Toronto II, 1994 exhibition Acquired 03/03/2021 Robert Burke Collection REFERENCE

Stephen Hanscombe, James Giles, China and Glass Painter, figure 14, for a similarly decorated sucrier and cover $1,500–2,500

73

94

74

74

75

75

95

74

A rare Worcester porcelain apple-green and gilt oval tureen cover and stand, decorated in the so-called Marchioness of Huntley pattern with flowers, English, circa 1765/70 tureen 12cm high, 18cm wide over the handles, stand 21cm by 16.5cm PROVENANCE

Robert Burke Collection, no. 140 REFERENCE

A similar tureen cover and stand with artichoke finial, like like the following lot, sold Albert Amor Ltd, London 1987, pl. no. 8718.

See Worcester Porcelain, Dinah Reynolds, page 59. pl. 25, no. 433 for a similar tureen, cover and stand with ladle.

Marshall, op. cit., pl. 34, no. 737 $2,500–3,500

75

A rare Worcester porcelain apple-green and gilt fruit and flower-painted oval tureen cover and stand, English, circa 1765/70 22.5cm long, 16.5cm wide PROVENANCE

The Wills Collection Albert Amor Ltd, London, The Wills Collection of Worcester porcelain, 1984 exhibition Acquired 30/05/1989 Robert Burke Collection, no. 141 $2,500–3,500

76

A fine and rare Worcester apple-green ground and finely gilt twin-handled vase, painted with exotic birds in panels, some in landscape, English, circa 1770/75 unmarked 19.5cm high, 15.5cm wide across the handles PROVENANCE

Albert Amor Ltd, London, 18/05/1995 Robert Burke Collection, no. 142 REFERENCE

A larger covered vase in the British Museum catalogue of the Frank Lloyd collection pl. 48, no. 233. $3,000–5,000

76

96

77

A very rare Worcester porcelain gilt and yellow bordered tea-cup and saucer, painted in the London atelier of James Giles with colourful birds and branches, English, circa 1768 underglaze blue crossed swords and numeral 9 mark teacup 10cm wide across the handles, saucer 13cm diameter PROVENANCE

Robyn Robb, England, 03/7/2013 Robert Burke Collection, no. 151 REFERENCE

James Giles China and Glass Painter (1718-1780),

by Stephen Hanscombe, item 71 for an example by the same hand. $4,000–6,000

77

97

78

A very rare Worcester yellow-scale and gilt ground tea-cup and saucer painted with exotic birds and insects reserved in panels, English, circa 1768/70 underglaze blue crossed swords and numeral 9 mark cup 8.1cm diameter and 10cm wide across the handle, saucer 13.1cm diameter PROVENANCE

Mrs G C Stephens Collection Robyn Robb, England, 08/11/2006 Robert Burke Collection, no. 137 REFERENCE

Worcester Porcelain 1751-1790, Simon Spero and John Sandon. The Zorensky Collection fig. no. 267 for a tea-bowl and saucer of the same pattern $3,000–5,000

78

98

79

A very rare Worcester porcelain trio; tea-bowl, coffee cup and saucer, painted in the London atelier of James Giles with black-eyed yellow birds and branches, English, circa 1765/68 cup 9cm wide across the handle, tea-bowl 7.6cm diameter, saucer 12cm diameter PROVENANCE

Kate Foster, London Robert Burke Collection, no. 132 REFERENCE

James Giles China and Glass Painter (1718-1780),

by Stephen Hanscombe, item 68 for the same trio A tea-bowl and saucer from the same service sold Albert Amor Ltd, London, Treasures from Toronto II, pl. 54 $3,000–5,000

79

99

80

A very rare Worcester porcelain yellow-scale ground and gilt trio of coffee cup, tea-cup and saucer, painted with exotic birds and insects reserved in panels, English, circa 1770 underglaze blue crossed swords and numeral 9 mark tea-cup 10cm wide across the handle and 5cm PROVENANCE

W.H Pitts Collection Robyn Robb, England Robert Burke Collection, no. 138 $1,500–2,500

80

100

81

A rare and finely painted Worcester porcelain flower encrusted yellow-back circular basket, painted with bouquets of flowers, English, circa 1765 18cm diameter, 5.5cm high PROVENANCE

Robert Burke Collection, no. 39 $1,500–2,500

81

101

82

A rare pair of Worcester yellow-ground lobed circular porcelain plates, painted with fruit and flowers in the London atelier of James Giles, English, circa 1770 21cm diameter PROVENANCE

Lady Ludlow Collection no. 224 Robert Burke Collection, no. 45 REFERENCE

For a yellow-ground plate of the same shape, but painted with flowers only see: James Giles, China Painter Albert Amor Ltd, London, 1977, pl. 67 $1,500–2,500

82

102

83

A rare Worcester porcelain puce-camaieu and yellow-ground bell-shaped mug, painted with Chinoiserie landscapes flowers and gilt, English, circa 1758-62 unmarked 11.8cm high, 11cm wide across the handle, diameter 8.2cm PROVENANCE

James A Lewis, New York Simon Spero, 1993 Exhibition, no. 26 Albert Amor Ltd, London, 03/03/2021 Robert Burke Collection, no. 1 REFERENCE

A pair of similar mugs from the Lady Charlotte Schreiber Collection are in the Victoria and Albert Museum London.

Another Simon Spero, Worcester Porcelain The Klepser Collection, colour pl. 27, no. 94 $2,000–3,000

83

103

84

A rare Worcester shaped circular porcelain pale-yellow ground ozier-moulded bowl, painted with insects and flowers, English, circa 1760 22.8cm diameter, 5cm high PROVENANCE

The Selwyn Parkinson Collection, Sold Sotheby’s London, 11 October 1966, lot 337 Robyn Robb, England, 28/04/2015 REFERENCE

Marshall, Coloured Worcester Porcelain, pl. 29, fig. 649 and Mackenna Worcester Porcelain pl. 52, no. 106 For a very similar bowl see Albert Amor Ltd, 1988, exhibition cat. no. 8821. illus. and another in their 1985 exhibition cat. no. 8514 illus. $6,000–8,000

84

104

85

A Worcester porcelain pierced pink and yellow and ozier-moulded shaped oval dish, painted with flowers, English, circa 1760 26.6cm wide, 22.2cm high

REFERENCE

See Worcester Porcelain, 1751-1790, Simon Spero and John Sandon, The Zorensky Collection, no. 256 for another Worcester yellow ground dish of this form, but with central bird decoration. $1,500–2,500

PROVENANCE

Albert Amor Ltd, London, 17/06/2016 Robert Burke Collection, no. 210

85

105

86

A large and fine Worcester porcelain yellow-ground cabbage leaf moulded jug, painted in puce cameiu with Chinoiserie landscapes, English, circa 1760 unmarked 23cm high PROVENANCE

Mrs R.M Robertson Collection Albert Amor Ltd, London, 'Treasures from Toronto', 1993, no. 10 acquired 24/05/2017 Robert Burke Collection, no. 223

REFERENCE

See Albert Amor Limited, 18th Century English Porcelain from Renowned Collections, 2000, no. 18, for a similar slightly larger jug from the Rous Lench Collection.

A similar jug is in the Schreiber collection at the Victoria and Albert Museum cat. no. 508 $4,000–6,000

86

106

87

A large and impressive Worcester porcelain leaf-moulded jug, most likely decorated by James Rogers, with an extensive landscape of figures fishing by a bridge and other buildings, English, circa 1765/70 27cm high, 20cm wide PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 197 $5,000–8,000

87

107

88

A pair of large Worcester porcelain gilt and moulded circular bowls, painted in the London atelier of James Giles with fruit and flowers, English, circa 1768/70 25cm diameter PROVENANCE

Robyn Robb, 16/06/2011 Robert Burke Collection, no. 198 $6,000–8,000

88

108

89

A rare Worcester porcelain turquoise-blue bordered and gilt pierced lattice-work two handled basket, decorated in the atelier of James Giles with fruit and flowers, English, circa 1765/70 18cm long over the handles, 15cm wide, 8cm high PROVENANCE

Albert Amor Ltd, London, 1/6/1996 Robert Burke Collection, no. 177 $2,000–3,000

90

89

109

90

91

A very rare Worcester porcelain sea-green ground tea-cup, decorated in the London atelier of James Giles with panels of birds and gilt tendrils, English, circa 1765-70

A fine Worcester porcelain turquoise-blue ground shaped circular plate, decorated in the atelier of James Giles with fruit and flowers and a gilt cornucopia border, English, circa 1760

underglaze blue crossed swords and numeral 9 mark 10cm wide across the handle, 4.8cm high

22.7cm diameter

PROVENANCE

Robert Burke Collection, no. 19

Albert Amor Ltd, London, 23/08/2021 Robert Burke Collection, no. 253 REFERENCE

See: Stephen Hanscombe, James Giles, China & Glass Painter, figures 72 & 74 for two tea cups & a saucer in this very rare pattern. See also Gerald Coke, In Search of James Giles, colour plate XII, for a bowl, teapot, cover and stand in this pattern. A coffee cup in this pattern is in the Marshall Collection, Ashmolean Museum. This is amongst the rarest of Giles ground colours.

PROVENANCE

REFERENCE

A turquoise cornucopia ground plate: Simon Spero, Worcester Porcelain, The Klepser Collection, colour pl. 42, no. 151 $2,500–3,500

$1,500–2,000

91

110

92

A rare and finely painted Worcester porcelain gilt-edged bowl with painted with continuous landscape with figures in the Teniers style, English, circa 1768 underglaze blue crossed swords mark 16cm diameter, 7.8cm high PROVENANCE

Albert Amor Ltd, London Robyn Robb, England Robert Burke Collection, no. 235 $1,500–2,500

92

111

93

A rare Worcester porcelain turquoise tea-cup and saucer, painted in the London atelier of James Giles with fruit and flowers in panels, English, circa 1770 underglaze blue crossed swords mark with numeral 9 tea-cup 8cm wide over the handle, 6.7cm high, saucer 13cm diameter PROVENANCE

Anthony Wood Collection Robyn Robb, England, 2003 exhibition, no. 14, 11/06/2003 Robert Burke Collection, no. 104 $3,000–5,000

93

112

94

A rare Worcester porcelain multi-coloured bordered gilt decorated lobed circular plate, from the Mrs Arthur James service, decorated with exotic birds and insects, English, circa 1775/78 22cm diameter PROVENANCE

Mrs R.M. Robertson Collection Albert Amor Ltd, London, Treasures from Toronto II, 1994, illus. pl. 68 The Robert Burke Collection, no. 36

94

REFERENCE

Another plate from this service exhibited at Albert Amor Ltd, London, Worcester Porcelain 1751-1784, cat. no. 77 Also Albert Amor Ltd, London, 1988 exhibition cat. no. 8823. illus.

Marshall, op. cit., plate 31, no 690.

See also the following lot in this catalogue for an oval dish in the same pattern. $2,500–3,500

113

95

A fine and rare Worcester porcelain pink, blue and purple bordered and finely gilt lobed-oval dish, from the Mrs Arthur James Service, painted with exotic birds in landscape and insects, English, circa 1775/78 unmarked 26.2cm long, 22cm PROVENANCE

Albert Amor Ltd, London, 10/02/2020 Robert Burke Collection

REFERENCE

A plate from this service exhibited at Albert Amor Ltd, London Worcester Porcelain 1751-1784 cat. no. 77 where they stated it is believed that only one dessert service was made in this lavish pattern.

See also the preceding lot in this catalogue for a circular plate in the same pattern, Marshall, op. cit., pl. 31, no. 690 Worcester Porcelain Dinah Reynolds, pl. 27, no. 931, pg.63 for a similar oval dish $2,500–3,500

EXHIBITED

Dyson Perrins Exhibition, 1995, no. 139, Dreweatt Neate England

95

114

96

115

96

A rare and fine pair of Worcester porcelain yellow backed pierced oval gilt twin-handled baskets, finely painted with flowers, English, circa 1770 unusual red, yellow and purple rope handles and gilt 21.5cm wide, 18cm long, 10.5cm high PROVENANCE

Robert and Judy Jones, London, 07/1/1993 Robert Burke Collection, no. 145 $3,000–5,000

96

116

97

A pair of very rare and finely decorated Worcester blue-scale and gilt lobed circular plates, superbly painted in the London atelier of James Giles with baskets of flowers and sprigs reserved in panels, English, circa 1768 underglaze blue fret mark 19.5cm diameter PROVENANCE

Robyn Robb, England, 2007 Exhibition, no. 5, 17/07/2007 Robert Burke Collection, no. 96 $4,000–6,000

97

117

98

A fine Worcester blue-scale ovoid teapot and cover, decorated in the ‘Lady Mary Wortley Montagu’ pattern, version no. 7, in the London atelier of James Giles with exotic birds and insects in panels, English, circa 1770 underglaze blue W script mark 17cm high, 20cm wide across the handle and spout PROVENANCE

Robert Burke Collection REFERENCE

Gerald Coke 'In Search of James Giles'. pg.164.

Also the tea-pot in the Dyson Perrins Museum, illus. Marshall pl. 8, no. 141, (but with different handle and cover) and in the same book a pot of identical shape pl. 39, no. 831.

A similar example with a different spout in this collection lot no. 200 $2,500–3,500

98

118

99

119

99

A pair of Worcester porcelain pierced flower encrusted oval baskets, painted with fruit and flowers, English, circa 1765/70 slight differences to the foot-rims 21cm long across the handles, 10.4cm high, 18.5cm wide PROVENANCE

Robert Burke Collection, no. 124 $3,000–5,000

99

120

100

A very rare Worcester pink-peacock feather banded and gilt cup and saucer, painted in the London atelier of James Giles with fruit and flowers, English, circa 1770 6.8cm high, 8cm wide across the handle, saucer 12.8cm diameter PROVENANCE

Dr R Severne MacKenna Collection, no. 45 Anthony Wood Collection Gladys L.Robertson Collection, Galt Ontario, no. 45 Albert Amor Ltd, London, Treasures from Toronto, 1993, exhibition cat. no. 49.

Acquired from Robyn Robb, London, 14/06/2002 Robert Burke Collection, no. 113 REFERENCE

Illustrated in Worcester Porcelain by Dr F Severne Mackenna, pl. 40, fig. 82 and also Dr F.Severne MacKenna, 18th century English Porcelain, pl. 76 EXHIBITED

'A Taste of Elegance', George R Gardiner Museum of Ceramic Art, Toronto, 1986 $3,000–5,000

100

121

101

A rare Worcester porcelain pink peacock-feather banded and gilt oval lattice-work twin-handled basket, painted in the London atelier of James Giles with fruit, sliced nuts and flowers, English, circa 1770 23cm long across the handles, 19cm wide, 10cm high PROVENANCE

Rous Lench Collection Worcester, no. 507 Albert Amor Ltd, London, 17/05/1995 Robert Burke Collection, no. 110 REFERENCE

Worcester Porcelain, Dinah Reynolds, pl. 30, pg. 69, no. 51 for a very similar basket with the same pink border $2,000–3,000

101

122

102

A very fine and rare Worcester porcelain turquoise and gilt edged shaped circular plate, from the Duke of Gloucester service, painted with fruit, insects and butterflies, English, circa 1768/70 gilt crescent mark 22.6cm diameter PROVENANCE

Robert Burke Collection, no. 59 Another plate from this service with gold crescent mark sold Albert Amor Ltd, London, 1993, pl. 9316 and another 1987, pl. 8720.

102

REFERENCE

Another plate from this service with gold crescent mark sold Albert Amor Ltd, London, 1993, pl. 9316 and another 1987, pl. 8720 This service was by repute made for William Henry Duke of Gloucester (1753-1805) third son of Frederick, Prince of Wales and brother of George III. See: Franklin Barrett, 'Worcester Porcelain", pl. 54, for a fluted dish from this service. $3,000–4,000

123

103

A very rare Worcester porcelain gilt and turquoise bordered shaped rectangular serving plate, from the Duke of Gloucester service, painted with fruit, insects and butterflies, English, circa 1768/70 gilt crescent mark 25.5cm long, 18cm wide PROVENANCE

The Norman Collection, no. 100 The Hepburn Collection.

Albert Amor Ltd, London, 3/9/1996 Robert Burke Collection, no. 24

EXHIBITED

Albert Amor Ltd, London, 1973, cat. no. 76 REFERENCE

This service was by repute made for William Henry Duke of Gloucester (1753-1805) third son of Frederick, Prince of Wales and brother of George III. See: Franklin Barrett, 'Worcester Porcelain" pl. 54, for a fluted dish from this service. $5,000–7,000

103

124

104

A fine and rare Worcester sea-green and gilt banded heartshaped dish painted with an extensive landscape bordered with birds and fruit, in the Lord Henry Thynne pattern, English, circa 1770 25.5cm wide, 19cm high PROVENANCE

Albert Amor Ltd, circa 1990 Robert Burke Collection, no. 30

104

REFERENCE

Marshall Collection, pl. 9a A similar heart shaped dish, Simon Spero, Worcester Porcelain, The Klepser collection, colour plate 37, no. 140 A related dish from the Inman collection, sold Albert Amor Ltd, London, in their Golden Age exhibition Another in the S.M.Clarke collection at Colonial Williamsburg, USA $1,500–2,500

125

105

106

A finely-painted Worcester porcelain lobed and gilt circular sucrier and cover decorated with landscape panels, fruit and insects (Earl Dalhousie pattern type), English, circa 1780

A very fine Worcester porcelain mask jug, painted with landscape panels, butterflies, insects and flowers (Earl Dalhousie pattern type), English, circa 1780

underglaze blue open crescent mark 12cm high, cover 12cm diameter

underglaze blue open crescent mark 19cm high, 15.6cm wide over the handle

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 93

Robert Burke Collection, no. 98

$1,000–1,500

REFERENCE

Franklin A. Barrett: op. cit. pl. 55 Worcester Porcelain, The Kelpser Collection, Simon Spero, for a cider jug of the same form $1,500–2,500

105

106

126

107

A fine and rare Worcester porcelain shaped square dish, most likely painted by Jefferyes Hamett O'Neale with an Aesop's fable panel, surrounded by fruit and birds in a variant of the Lord Henry Thynne pattern, English, circa 1780 bordered with fruit, birds and gilt blue edging, open underglaze blue crescent mark 22cm square, 4.5cm high PROVENANCE

Robert Burke Collection, no. 81 $2,500–3,500

107

127

108

A Worcester porcelain heart-shaped serving dish painted in the Lord Henry Thynne pattern with a landscape and ruins, fruit and exotic birds and a gilt blue border, English, circa 1780 underglaze blue open crescent mark 26.5cm long, 20cm wide PROVENANCE

Tim Olney Collection, no. 66 English Private Collection Albert Amor Ltd, London, 24/02/2023 $800–1,200

108

128

109

A fine and rare Worcester pink peacock feather bordered and gilt floral decorated shaped circular plate, English, circa 1770 22.5cm diameter PROVENANCE

Mr and Mrs D.H Sidders Worcester Collection Albert Amor Ltd, London, The Sidders collection of Worcester porcelain, 1985 exhibition Robert Burke Collection, no. 35

109

REFERENCE

This rare pattern is derived from Meissen and is more often found with a scale border.

For examples see Albert Amor, A Celebration of 250 years of Worcester Porcelain, March 2001 number 52 and their 2002 Autumn Exhibition no. 65. Also 2013 exhibition cat. no. 51. illus. $2,000–3,000

129

110

A fine Worcester pink peacock feather and gilt bordered and flower and fruit painted shaped circular plate, English, circa 1770 22cm diameter PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 37 $2,000–3,000

110

130

111

A Worcester porcelain blue-scale circular sucrier and cover, painted in the London atelier of James Giles with version 7 of the Lady Mary Wortley Montagu pattern, English, circa 1770 underglaze blue fret mark 12cm high, 11.7cm diameter PROVENANCE

Albert Amor Ltd, London, 13/02/1996 Robert Burke Collection, no. 49 REFERENCE

Ann George, in a letter to Robert Burke notes that this sucrier and cover is from the same set as the teapot (lot 98 in this auction) as it is painted in the same hand and with matching gilding with the same floral finial. $1,500–2,500

111

131

112

A very rare and fine Worcester Royal-blue and gilt tea-bowl and saucer finely painted in the Lord Dudley service pattern, in the London atelier of James Giles with figures of musicians, insects and women in panels, English, circa 1768/70 tea-bowl 7.2cm diameter, 4cm high, saucer 11.7cm diameter PROVENANCE

Dr F.Severne Mackenna Collection, no. 83, sold Sotheby's, London, 12 March 1957, lot 18 H. W. Hughes Collection Albert Amor, London Anthony Wood Collection Robyn Robb, England, 2003 exhibition, no. 7, 11/06/2003 Robert Burke Collection, no. 48 REFERENCE

Illustrated F.Severne MacKenna Collection of English Porcelain, no 83, p. 128 and Worcester Porcelain, fig. 97, pl. 48 Part of this service was in the Collection of the Earl of Dudley and was sold in the Dudley estate sale on 19 May 1924. $6,000–8,000

112

132

113

114

A fine and very rare Worcester porcelain spherical teapot and cover, finely painted with butterflies, a dragonfly and flowers, English, circa 1760

A fine and rare pair of Chelsea porcelain gilt and pierce-work circular baskets, delicately painted with birds in flight and flowers, English, circa 1756/58

unmarked 14cm high, 18.5cm long over the handle and spout

17cm diameter, 7cm high

PROVENANCE

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection, Part Three; Shape & Colour, number 4, 22/02/2019 Robert Burke Collection, no. 211

Albert Amor Ltd, London, 31/7/2020 Robert Burke Collection, no. 131

PROVENANCE

REFERENCE

REFERENCE

Amor notes no other comparable piece in their archive and draws comparison to a London decorated Derby piece in the Marshall Collection at the Ashmolean Museum, Oxford, but does not say what that piece might be.

A related example without a dragonfly sold Robyn Robb, 2005, exhibition catalogue, no. 9.

Amor notes they can find no record of this model in their archives

$2,000–3,000

113

$3,000–5,000

133

114

114

134

115

A fine and rare Worcester porcelain shaped-oval green and gilt bordered dish, painted with fruit, butterflies and insects, English, circa 1770 gold filled crescent mark 25.5cm long, 19cm wide PROVENANCE

Brian Haughton Antiques, London Robert Burke Collection, no. 2 EXHIBITED

Dreweatt Neate Dyson Perrins Exhibition 1995, no. 140 The International Ceramics Fair and Seminar, 1999, loan exhibition no. 92 $1,500–2,500

115

135

116

A very rare Worcester porcelain shaped circular gilt-edged plate painted in the atelier of James Giles with two men fishing a castle and figures in a river landscape, English, circa 1770 22.5cm diameter PROVENANCE

Marcel Steiglitz Collection Nina Weil Collection, no. 95 Robyn Robb, 1/12/2016 Robert Burke Collection, no. 63

REFERENCE

A very similar plate and painting seen in James Giles China and Glass Painter, by Stephen Hanscombe, plate 112 ILLUSTRATED

The Steiglitz Collection of Dr Wall, Worcester Porcelain, The Art Institute of Chicago, 1947, no. 105 A similar plate sold: James Giles China Painter, Albert Amor Ltd, London, 1977, no 7. $3,000–5,000

116

136

117

A very rare Worcester porcelain claret-ground and gilt shaped circular plate, from the Hope Edwardes service, painted in the London atelier of James Giles with a radish and flowers and fruit, English, circa 1770

REFERENCE

See Gerald Coke, In search of James Giles. pl. 52b and c Also Ralph Hobson, Worcester Porcelain col. pl. LX The Hope Edwardes service was sold at Christie's, London, 25 April 1901 $6,000–8,000

22.6cm diameter PROVENANCE

Sir Henry Hope-Edwardes, Wootton Hall, Derbyshire Litchfield's, The Porcelain Galleries, London Acquired Albert Amor, Ltd, London 14/02/1995 Robert Burke Collection, no. 125

117

137

118

A very rare Worcester claret-ground and gilt shaped circular plate from the Hope Edwards service, painted in the London atelier of James Giles with flowers, berries and nuts, English, circa 1770 22.3cm diameter

REFERENCE

See Gerald Coke, In search of James Giles. pl. 52b and c Also Ralph Hobson, Worcester Porcelain, col. pl. LX The Hope Edwardes service was at Christie's, London, 25 April 1901 $6,000–8,000

PROVENANCE

Gerald Coke Collection Albert Amor Ltd, London, The Elegant porcelain of James Giles, 1983 exhibition, no. 36.

Albert Amor Ltd, London, Treasures from Toronto, 1993, no. 46a Acquired 06/03/1994 Robert Burke Collection, no. 125

118

138

119

A fine and rare Worcester porcelain claret-ground and gilt floral decorated spherical teapot and cover, painted in the London atelier of James Giles, English, circa 1770 unmarked 14cm high, 19.5cm long across the handle and spout PROVENANCE

Dr Harold Schenberg Collection, Australia Mellor Cobham Collection, no 21 Albert Amor Ltd, London, Autumn 2001 exhibition, cat. no. 39 Acquired 22/07/2019 Robert Burke Collection

119

EXHIBITED

Albert Amor Limited, A Celebration of 250 Years of Worcester Porcelain, Exhibition Catalogue, 2001, number 51, for a teacup & saucer from this service.

REFERENCE

See Gerald Coke colour plate XIII for a coffee cup and saucer in this pattern. A teacup and saucer from this pattern exhibited at Albert Amor Ltd, London, 250th Anniversary exhibition, 2001, cat. no. 51 It is believed that majority of this service was destroyed in a pan-technician crash. $3,000–5,000

139

120

A very rare and fine Worcester porcelain claret- ground and gilt, exotic bird and fruit decorated circular sucrier and cover, painted in the London atelier of James Giles, English, circa 1768-70 12cm high, 12.5cm diameter PROVENANCE

Stockspring Antiques, England, James Giles Exhibition, 2005 no. 62 Stephen Hanscombe Collection, no. FB13 Robyn Robb, England, 2007, Exhibition no. 2 Robert Burke Collection, no. 12 $7,000–10,000

121

A very rare Worcester claret-ground and gilt decorated teabowl and saucer, painted with exotic birds and fruit in the London atelier of James Giles, English, circa 1770 unmarked saucer 11.8cm diameter, teabowl 7.2cm diameter PROVENANCE

Albert Amor Ltd, London, 17/06/2016 Robert Burke Collection, no. 13 REFERENCE

Gerald Coke 'In Search of James Giles' colour plate XIV for another tea bowl and saucer from this service. Another was exhibited at Albert Amor Ltd, A Celebration 250 Years of Worcester Porcelain, 2001, no. 50 Another in the Anthony Wood Collection sold Robyn Robb, London, 2003, Exhibition no. 1.

120

$3,000–5,000

121

140

122

141

122

A very fine and rare Worcester claret ground and gilt decorated, exotic bird and fruit painted cup and saucer, painted in the London atelier of James Giles, English, circa 1770 6.5cm high, 8cm wide over the handle, saucer 11.5cm diameter PROVENANCE

Robyn Robb England Robert Burke Collection, no. 14 $2,500–3,500

122

142

123

A very rare Worcester porcelain gilt-decorated figure of a Turk, English, circa 1755 13.5cm high, 6.5cm wide PROVENANCE

Christie's, Australia, 18/07/1993, lot 315 Robert Burke Collection, no. 87 REFERENCE

H.R. Marshall, pl. 20, 379/381 for related figures $1,500–2,500

123

143

124

An exceptionally rare Worcester porcelain globular teapot decorated in the London atelier of James Giles in gilt and iron-red with Japanese-koi carp, English, circa 1765 unmarked 14cm high, 21cm wide over the handle and spout PROVENANCE

English Private Collection Albert Amor Ltd, London, 5/12/2016 EXHIBITED

Albert Amor, Autumn Exhibition 2015, no. 6 English Private Collection Robert Burke Collection, no. 27 and again Autumn 2015, cat. no. 6 REFERENCE

Amor notes that no comparable Worcester teapot appears to be recorded $4,000–6,000

124

144

125

A rare pair of Derby porcelain figure of blue-tits, English, circa 1765 12.5cm high, 11cm wide PROVENANCE

William Simpson Collection Albert Amor Ltd, London, 2019, Collection, no. 42, 22/9/2019 REFERENCE

Derby Porcelain Figures 1750-1848, by Peter Bradshaw, illustrated page 124 and 125, E102 For a similar pair reference the catalogue for The Lady Ludlow Collection of English Porcelain at The Bowes Museum. $1,500–2,500

145

125

146

126

A fine Sevres porcelain turquoise-blue ribbon and floral decorated and gilt cup and saucer, French, date-letter for 1769 grey interlaced L’s marks saucer 13.2cm diameter, cup 6.4cm high, 9cm wide over the handle PROVENANCE

Litchfield's, The Sinclair Galleries, London Robert Burke Collection, no. 78 $2,500–3,500

126

147

127

A fine Sevres porcelain blue floret and gilt-rose decorated cabaret set, French, date letter for 1770 comprising two cups and saucers, teapot and cover, sucrier and cover blue interlaced L’s mark and numeral 9 marks teapot 11.5cm high, 16cm wide over the handle, dish 38.5cm wide by 26cm, sucrier 7.8cm diameter, teacups 6.7cm high PROVENANCE

Robert Burke Collection, no. 69 $8,000–12,000

127

148

149

ARTISTS, SCULPTORS & DESIGNERS OF PORCELAIN: THE ROBERT BURKE COLLECTION

Part 2 Tuesday 20 February 2024, 6pm

150

128

A rare Chelsea porcelain Sevres style floral garland and gilt feather decorated trembleuse chocolate cup and saucer, painted with floral garlands and with peacock-feather gilding, English, circa 1765 gold anchor mark cup 10.2cm high, 14cm wide PROVENANCE

Private English Collection Albert Amor Ltd, London, 15/07/2019 Robert Burke Collection, no. 213 $1,500–2,500

128

129

A rare Chelsea porcelain circular gilt edged plate, painted with scattered flowers and rock-work in puce, English, circa 1765/8 gold anchor mark 23.7cm diameter PROVENANCE

R.F Butler Collection, no. G12a Albert Amor Ltd, London Robert Burke Collection EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 19 $1,000–1,500

129

151

130

131

A fine Chelsea porcelain shaped-circular moulded and finely gilded plate, painted with flowers and insects, English, circa 1760

A fine Chelsea porcelain moulded and finely gilded shaped circular dish, painted with yellow birds around the edges and flowers, English, circa 1758/60

gold anchor mark 22.5cm diameter

gold anchor mark 22cm diameter

PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 212

PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 212

EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 9

EXHIBITED

Albert Amor Ltd. London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 10.

$1,500–2,500

$1,500–2,500

130

131

152

132

133

A very unusual Chelsea porcelain twin-handled floral encrusted and gilded vase and cover, painted in the manner of the James Giles atelier artists with birds in landscape, English, circa 1765

A Chelsea porcelain basket-shaped floral-painted and brown-edged bough pot, English, circa 1753-55

gold anchor mark 30cm high, 21cm wide over the handles PROVENANCE

Robert and Judy Jones, London, 11/02/1992 Robert Burke Collection, no. 82 $2,500–3,500

19cm wide, 12.6cm deep, 10cm high PROVENANCE

Parkside Antiques (Pat Daniels), Melbourne, 18/09/1990 Robert Burke Collection, no. 1 EXHIBITED

An Exhibition of Glass, Ceramics and furniture for the Connoisseur, Parkside Antiques, Melbourne, 8-16 September 1990, no. 26 REFERENCE

Dr.F.Severne MacKenna, Chelsea Porcelain, The Red Anchor wares, pl. 13.

Elizabeth Adams, Chelsea Porcelain pl. 95.

A Chelsea bough pot of related shape exhibited Flowers and Fables, A survey of Chelsea porcelain, 1745-1769, National Gallery of Victoria, Melbourne, no. 120, illustrated in the accompanying publication by the NGV page 58. $1,500–2,500

132

133

153

134

135

134

135

A rare Charles Gouyn St James porcelain perfume bottle in the form of a cupid with a bow and arrow, English, circa 1758

A rare Chelsea porcelain vine-leaf moulded and floral painted shaped-oval dish, English, circa 1752

7.75cm high, 2cm wide

red anchor mark 23.5cm long, 19cm wide

PROVENANCE

Robert Burke Collection REFERENCE

A Chelsea 'Girl in a Swing' example Yvonne Hackenbroch, Chelsea and other English porcelain, Untermyer Collection. pl. 73, fig.123 REFERENCE

A Chelsea 'Girl in a Swing' example Yvonne Hackenbroch, Chelsea and other English porcelain, Irwin Untermyer collection. pl. 73, fig. 123.

Note that there is a rose sprig painted to the bottom, as in this example. $1,500–2,500

PROVENANCE

Parkside Antiques (Pat Daniels), Melbourne, 30/10/1989 Robert Burke Collection, no. 3 EXHIBITED

Flowers and Fables, A survey of Chelsea porcelain, 1745-1769, National Gallery of Victoria, Melbourne, no. 123, illustrated in the accompanying publication by the NGV page 58. $2,000–3,000

154

137

136

A fine and rare Chelsea porcelain shaped circular plate, painted with an exotic bird and a pink peacock-feather border, English, circa 1760 gold anchor mark 21.5cm diameter PROVENANCE

Albert Amor Ltd, London, 22/02/2019 Robert Burke Collection REFERENCE

See lot 53 in this collection for a gold anchor teapot with a pink peacock feather border $1,000–1,500

136

155

137

138

A Chelsea porcelain ovoid teapot and cover, painted with full-blown roses and other flowers, English, circa 1755

A rare pair of Chelsea porcelain shaped circular gilt and moulded plates, painted with central groups of fruit, surrounded by flowers and butterflies and insects, English, circa 1765

14cm high, 22cm wide across the spout and handle, diameter 13cm at its widest and 7cm at its base PROVENANCE

Robert Burke Collection, no. 15 EXHIBITED

Flowers and Fables. A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 127. Illustrated in the NGV publication, written by Margaret Legge that was published for the exhibition Page 59.

gold anchor marks 22.5cm diameter PROVENANCE

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection, Part Three; Shape & Colour, 26/02/2019, no. 23 Robert Burke Collection $1,500–2,500

$2,000–3,000

138

156

139

140

A Derby porcelain figure of a shepherdess with a sheep at her feet, English, circa 1760

A rare Chelsea porcelain figure of a finch, English, circa 1755

patch marks to base 17.4cm high, 12cm wide

red anchor mark 21cm high, 10cm wide PROVENANCE

PROVENANCE

Robert Burke Collection, no. 169

Albert Amor Ltd, London Robert Burke Collection, no. 157

$2,500–3,500

$600–1,000

139

140

157

141

An unusual Chelsea porcelain pierced oval basket, sparsely painted with moths, fruit and insects, English, circa 1755 red anchor mark 27.2cm wide, 23cm deep, 6cm high PROVENANCE

Robert Burke Collection, no. 76 REFERENCE

A very similar bowl but gold anchor period and with a more sparse central decoration of fruit was sold by Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part 4 Shape and Form, cat. no. 15 $1,500–2,500

141

158

142

A rare Chelsea porcelain term figure of Bacchus, English, circa 1760 gold anchor mark, gilt details 13.5cm high 4.5cm wide PROVENANCE

Robert Burke Collection, no. 160 $1,000–1,500

143

A fine Chelsea gilt grey and blue peacock-feather bordered shaped circular plate,painted with a central floral bouquet and scattered sprigs, English, circa 1762/5 gold anchor mark 22cm diameter PROVENANCE

Albert Amor Ltd, London Robert Burke Collection EXHIBITED

Albert Amor Ltd, London, Chelsea Porcelain, A Private Collection Part Three, Shape and Colour, no. 11 $1,500–2,500

142

143

159

144

145

A fine and rare Chelsea porcelain 'Hans Sloane' type moulded and shaped circular botanical, fruit and insect decorated plate, English, circa 1755

A fine Chelsea moulded and shaped circular plate from the Warren Hastings service, painted by Jefferyes Hamett O'Neale with landscape panels and a moth and flowers, English, circa 1755

with brown dressed edge, red anchor and numeral 3 mark 24cm diameter

red anchor mark 24cm diameter

PROVENANCE

PROVENANCE

The Amos Collection, numbered CH7, Bristol and once bearing the original collector's of Margaret Davison Block sold at Sotheby's New York on 15/04/1996 Robyn Robb, England, 12/11/1996 Robert Burke Collection, no. 9

Robert Burke Collection, no. 11 EXHIBITED

Ceramic Collectors Society, Sydney, 1979, no. 4 $2,500–3,500

REFERENCE

A plate from this series painted with a mallow and red anchor and numeral 5 mark sold in The Parkinson Collection, third part sold at Sotheby's London on 11/10/1966, lot 271 $3,000–5,000

144

145

160

146

147

A rare Bow porcelain figure of “Dancing Sailor”, English, circa 1758

A very rare Chelsea porcelain figure of a fisherman with a basket of fish, English, circa 1752-56

incised circle mark to back 19.3cm high, 15.5cm wide

red anchor mark 21cm high, 12cm wide

PROVENANCE

PROVENANCE

Robert and Judy Jones, London, 06/11/1979

Robert Burke Collection, no. 16

REFERENCE

EXHIBITED

Bow Porcelain by Adams and Redstone, pg. 197, fig. 124

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 65. Illustrated in the NGV publication, written by Margaret Legge that was published for the exhibition Page 43.

A very similar figure formerly in the Nelson Rockerfeller collection, USA and sold Antique Porcelain Gallery, Sydney

$1,000–1,500

$2,000–3,000

146

147

161

148

149

A Derby porcelain gilt figure of young man playing a violin, initialled IG, English, circa 1755/60

A rare and fine Chelsea porcelain figure of a young couple dancing, English, circa 1756

marked IG in purple to base, patch marks 14cm high, 7cm wide

red anchor mark 19cm high, 13.5cm wide

PROVENANCE

PROVENANCE

Stoner and Evans, 3 King Street, St James's square, London.

Albert Amor Ltd, London Robert Burke Collection, no. 119

Robyn Robb, 20/03/1997 Robert Burke Collection, no. 21

REFERENCE

This group illustrated by Dr F Severne Mackenna in Chelsea Porcelain, the Red Anchor Wares, pl. 70. no. 139

Sotheby's, The Collection of Hanns and Elisabeth Weinberg, NY, 11 November 2006, lot 565 (sold US$3600)

REFERENCE

$3,000–5,000

REFERENCE

This figure is one of a set of musicians produced at Derby all loosely based on Meissen prototypes A similar figure is in the Metropolitan Museum of Art, New York and is also marked IG in Roman script. It has been said that this may refer to the London atelier of Jame Giles.

An example Illustrated Hackenbroch, Untermyer Collection of Chelsea, pl. 96, no. 2 $800–1,200

148

149

162

150

151

A fine and rare Chelsea floral encrusted and gilt porcelain figure of shepherdess with a sheep, English, circa 1755

A rare Chelsea porcelain figure of a dancing girl, possibly modelled by Joseph Phillips, after the Meissen original by J.J Kändler, English, circa 1755

red anchor mark 23cm high, 10.5cm wide

red anchor mark 16.5cm high, 8cm wide, base 4.7cm wide

PROVENANCE

Sir Bernard Eckstein Collection R F Butler Collection Albert Amor Ltd, London, 14/08/2017 Robert Burke Collection, no. 214

PROVENANCE

Robert and Judy Jones, London, 01/01/1987 Robert Burke Collection, no. 135 REFERENCE

REFERENCE

This rare model was re-issued in a Gold Anchor Period version, see Frank Stoner, Chelsea, Bow and Derby Porcelain Figures (1955), pl. 35.

However this version showing the figure with a shovel is even rarer. $2,000–3,000

Yvonne Hackenbroch, Chelsea and other porcelain, pottery and enamel, The Irwin Untermyer Collection, fig.12, pl. 25. $1,000–1,500

152

A rare Chelsea porcelain figure of a fruit-seller, modelled by Joseph Willems, English, circa 1755 red anchor mark 19.5cm high, 8cm wide, base 6.5cm wide PROVENANCE

Robert and Judy Jones, London, 20/12/1991 $4,000–6,000

150

151

152

163

153

154

A rare Chelsea porcelain figure of The Ballad singer, English, circa 1755

A large Chelsea porcelain figure of Flora, English, circa 1755 red anchor mark 25cm high, base 11.2cm wide, overall 11.5cm wide

red anchor mark 16cm high, 10cm wide

PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 108

PROVENANCE

Albert Amor Ltd, London, Recent Acquisitions Summer 2014, no. 13, acquired 21/03/2014 Robert Burke Collection, no. 127

REFERENCE

This is after the original Meissen figure of Smell from the Five Senses modelled by J F Eberlein in 1748. A similar figure was exhibited by Albert Amor in 2018 and is illustrated in the catalogue, Chelsea Porcelain, no. 5.

A Bow version is illustrated by Peter Bradshaw, Bow Porcelain Figures (1992), pg. 119, pl. 81 and discussed at p. 103.

REFERENCE

William King, English Porcelain Figures of the 18th Century, London, 1925, fig. 25 for a similar figure in the collection of Alfred Hutton. $3,000–5,000

$1,000–1,500

153

154

164

155

A very large pair of Chelsea porcelain figures of fruit sellers, modelled by Joseph Willems, English, circa 1755 red anchor mark 24cm and 22.5cm high, approx 23cm wide, bases 14cm and 12cm wide PROVENANCE

Robert Jones Fine Art, London, 27/03/1992 Robert Burke Collection, no. 228 REFERENCE

Chelsea and Other English Porcelain, Irwin Untermyer, colour plate 22 and 23. These figures are known with baskets of fruit or empty baskets.

Arthur Lane, English Porcelain Figures of the Eighteenth Century, pl. 14/15 Frank Stoner, Chelsea Bow and Derby Porcelain Figures, pl. 20 $2,000–3,000

155

165

156

A rare and large Chelsea porcelain figure of Flora standing beside a large urn, probably modelled by Joseph Willems, English, circa 1756/57 unmarked but red anchor period 25cm high, base 15cm wide PROVENANCE

Robyn Robb, London, 11/06/1999 Robert Burke Collection, no. 117 REFERENCE

Cheyne Book of Chelsea China and Pottery lists one example $4,000–6,000

156

166

157

158

A Bow porcelain figure of a boy with pink tunic and yellow jacket, English, circa 1765

A Bow porcelain figure of a girl with a basket of flowers, English, circa 1765

14.5cm high, base 6.1cm wide

15.5cm high

$800–1,200

PROVENANCE

Robert Burke Collection, no. 196 EXHIBITED

Ceramic Collectors Society Exhibition, Sydney, 1979, no. 7 $800–1,200

157

158

167

159

160

A small Chelsea porcelain figure of a cherub with a lyre, allegorical of music, English, circa 1755

A rare Chelsea porcelain figure of a pirate boy, English, circa 1755 red anchor mark 12.2cm high, 6.5cm wide, base 4cm wide

red anchor mark 12.5cm high, 9cm wide, base 5.8cm wide

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 171

Albert Amor Ltd, London Robert Burke Collection, no. 79

$1,000–1,500

$1,000–1,500

159

117

168

161

A very rare pair of Chelsea porcelain figural sweetmeat stands in the form of a Turkish man and lady seated holding a large scallop shell, English, circa 1755 the lady with red anchor mark 16cm and 16.5cm high, approx 14cm wide, bases 9cm wide PROVENANCE

Dr F. Severne Mackenna Collection, no. 52 Robert and Judy Jones, London, 11/02/1992 Robert Burke Collection, no. 224

161

REFERENCE

A pair of these sweetmeat figures were sold Albert Amor Ltd, London, Autumn 2004, exhibition cat. no. 8 EXHIBITED

Flowers and Fables, A Survey of Chelsea porcelain 1745-1769, National Gallery of Victoria, Melbourne, 1 November 1984-10 February 1985, Number 138. Illustrated in the NGV publication, written by Margaret Legge that was published for the exhibition, plate 71, pg. 43. $3,000–5,000

169

162

163

A rare early Bow porcelain figure of a lady playing a hurdy-gurdy, known as Columbine and originally paired with Arlecchino, English, circa 1754/5

A rare Chelsea porcelain and gilt figure of a boy and a girl eating fruit, English, circa 1756/8

11.7cm high approx. 6cm wide, base 5.6cm wide

after a Meissen original, red anchor mark 20.4cm high, 15cm wide

PROVENANCE

PROVENANCE

Robert and Judy Jones, London, 20/08/1992 Robert Burke Collection, no. 204

Alfred Hutton Collection Robyn Robb, England, 12/06/1998 Robert Burke Collection, no. 123

REFERENCE

Bow Porcelain Figures by Peter Bradshaw, pg. 115, pl. 70 Derived from the Meissen figure of 1745 by J.J Kändler $1,500–2,500

REFERENCE

Illustrated in 'The Cheyne Book of Chelsea China and Pottery', no. 147, pg. 116, which was the catalogue of an Exhibition held in June 1924 in Chelsea Town Hall. $1,500–2,500

162

163

170

164

165

A Worcester porcelain scalloped-circular plate, painted in the London atelier of James Giles with exotic birds, insects and strawberries, English, circa 1765

A Worcester porcelain scalloped-circular plate, painted in the London atelier of James Giles with exotic birds, insects and plums, English, circa 1768/70

unmarked 19.2cm diameter

red anchor mark 19cm diameter

PROVENANCE

PROVENANCE

Private English Collection Acquired from Albert Amor, circa 1995 Albert Amor Ltd, London, 27/04/2020 Robert Burke Collection

T.E. Inman Collection Barbara Leake Collection Robyn Robb, England, 25/06/2008 Robert Burke Collection

$1,500–2,500

EXHIBITED

Albert Amor, Worcester Porcelain, 1973 exhibition, cat. no. 56 Albert Amor Ltd, London, The Golden Age Masterpieces of 18th century, English Porcelain, 1980, Exhibition, cat. no. 54 $1,500–2,500

164

165

171

166

A pair of Worcester porcelain pierced circular gilt-edged latticework baskets, painted in the London atelier of James Giles with fruit and leaves, English, circa 1770 18cm diameter, 6.5cm high PROVENANCE

Robyn Robb, England, 30/04/2004 Robert Burke Collection, no. 83 $3,000–5,000

166

172

167

A rare small Worcester porcelain circular custard cup and cover, painted in the London atelier of James Giles with flowers, English, circa 1770 9.5cm high, 7.8cm wide across the handle base 4cm diameter PROVENANCE

Robyn Robb, England, 08/12/2008 Robert Burke Collection, no. 199 $1,500–2,500

168

A Worcester porcelain lobed oval gilt-edged serving dish, painted in the London atelier of James Giles with exotic birds butterflies and fruit, English, circa 1765/70 25.5cm long, 17.5cm wide PROVENANCE

Robyn Robb, England Robert Burke Collection, no. 213 $1,500–2,000 167

168

173

169

A Worcester porcelain fluted baluster shaped coffee pot and cover, painted with flowers, English, circa 1765 25.5cm high, 17cm wide across the handle and spout, diameter 12cm at its widest and 8.7cm at its base PROVENANCE

Sir Anthony Tuke Collection Albert Amor Ltd, London, 03/17/2017 Robert Burke Collection $1,500–2,500

170

A Worcester porcelain silver-shaped circular plate, painted in the London atelier of James Giles with flowers, English, circa 1765 22.5cm diameter PROVENANCE

Robert Burke Collection $1,000–2,000

169

170

174

171

A pair of Bow porcelain painted and gilt figures of 'Boy Shepherd Piper and Dancing Shepherdess', English, circa 1765 the male figure with red anchor and dagger mark 19.5cm high, 9.5cm wide PROVENANCE

Albert Amor Ltd, London, 22/09/2019 REFERENCE

Bow Porcelain Figures by Peter Bradshaw 1748-1774, page 202, pl. 223, for a pair with a different base and fig. 239 again with different bases; also fig. 159 for an earlier pair of figures of this model with round bases $1,500–2,000

171

175

172

A pair of Bow porcelain figures of a lady with a tambourine and a man with bagpipes, English, circa 1760 red anchor and dagger marks 25cm high, 12.5cm wide PROVENANCE

Barry Byrne Collection, Passy House, Hunters Hill, Sydney Sold Christie's, Sydney, 15/16 July 1992 Robert Burke Collection, no. 32 REFERENCE

Chelsea and Other English Porcelain, Irwin Untermyer, colour plate 89, fig. 248. $1,000–1,500

172

176

173

A Worcester porcelain floral decorated and gilt leaf-shaped dish, painted with scattered sprigs of flowers, with gilt twig handle, English, circa 1765/70 21.5cm long, 20.6cm wide PROVENANCE

Robyn Robb England Robert Burke Collection, no. 219 $800–1,200

173

177

174

An early Worcester porcelain silver-shape feather-moulded ovoid baluster shaped coffee pot and cover, painted with flowers and picked out with puce lines, English, circa 1757/58 unmarked 26cm high, 19cm wide across the handles, base diameter 8.5cm PROVENANCE

Albert Amor Ltd, London, 29/11/2017 Robert Burke Collection $2,500–3,500

175

A Worcester porcelain pierced and floral encrusted lobed-oval chestnut basket, cover and stand, English, circa 1765 underglaze blue W mark and roman numerals XVIII basket 21cm wide across the handles by 14cm, 16cm high, stand 26cm by 21.5cm PROVENANCE

Robert Burke Collection, no. 226 $1,500–2,000

174

175

178

176

An exceptional pair of Worcester floral sprig and gilt lappet edged ovoid vases and covers in the French style, painted in the atelier of James Giles, English, circa 1770 26.2cm high, 12cm diameter at their widest PROVENANCE

Robyn Robb, England, 17/06/2009 Robert Burke Collection, no. 66 $4,000–6,000

176

179

177

A Worcester porcelain Sevres-style tea-cup and saucer, painted in the London atelier of James Giles with flowers between blue lines and gilt lappet edges, English, circa 1770 underglaze blue crossed swords and numeral 9 mark saucer 13.2cm diameter, cup 10cm wide across the handles PROVENANCE

Zorensky Collection no. W.204 Robert Burke Collection, no. 80 REFERENCE

Simon Spero and John Sandon, Worcester Porcelain, The Zorensky Collection, p. 335, pl. 416 Another sold Sotheby's London, 21 November 2006, lot 46 $800–1,200

177

178

A finely painted Worcester porcelain Sevres-style lobed and gilt-edged circular plate, painted with exotic birds and flowers, English, circa 1770 22.2cm diameter PROVENANCE

Robert Burke Collection, no. 155 $1,500–2,500

178

180

179

180

A Worcester porcelain gilt-edged baluster coffee pot and cover, painted with flowers, English, circa 1770

A rare pair of Worcester porcelain scalloped oval dishes, painted in the London atelier of James Giles with flowers entwined around a gilt line, English, circa 1770

24cm high, 18cm wide across the handles

26.7cm long, 18.2cm high

PROVENANCE

Parkside Antiques (Pat Daniels), Melbourne, 07/11/1987 Exhibited at the 27th Annual Antique Dealers Fair From the Ely Collection Robert Burke Collection $1,500–2,500

179

PROVENANCE

Robyn Robb, England, 10/06/2004 Robert Burke Collection, no. 97 and no. 217 $2,000–3,000

181

180

180

182

181

A Worcester porcelain Royal-blue scale ground shaped oval serving dish, finely painted with reserved panels of exotic birds and insects, English, circa 1770 29cm long, 22cm wide PROVENANCE

Private American Collection Albert Amor Ltd, London, 01/04/2020 Robert Burke Collection REFERENCE

A dish of the same design with minor differences formerly in the Parkinson Collection sold Albert Amor Ltd, London, 1985, cat. no. 9530 $1,500–2,500

181

182

A Large and finely decorated Worcester porcelain Royal-blue ground and gilt 'Kakiemon' overlapping leaf-shaped oval dish, painted with exotic birds flowers and fruit, English, circa 1770 underglaze blue fret mark 32cm wide, 24.3cm high PROVENANCE

Sir Jeremy Lever Collection Robert and Celia Morris Collection, no. 254 Albert Amor Ltd, London $1,500–2,500

182

183

183

A Worcester Royal-blue scale and baluster coffee pot and cover, painted in the London atelier of James Giles with reserved panels of exotic birds, butterflies and insects, English, circa 1770 25cm high, 19cm wide across the handles PROVENANCE

Robert Burke Collection, no. 215 $2,500–3,500

184

An extremely fine Worcester porcelain Royal-blue and gilt twohandled chocolate cup, cover and stand, painted in the London atelier of James Giles, with reserved panels of exotic birds in landscape, English, circa 1770/72 underglaze blue open crescent mark 12cm high, 14cm wide across the handles, stand 14.5cm diameter PROVENANCE

Private Scottish Collection Albert Amor Ltd, London, 12/09/2014 Robert Burke Collection, no. 202 $2,500–3,500

183

184

184

185

A Worcester porcelain tea-cup and saucer, painted in the London atelier of James Giles, with fruit and flowers, English, circa 1765/70 underglaze blue crossed swords and numeral 9 mark saucer 13cm diameter, cup 10cm wide across the handle, diameter 8.3cm, 5.1cm high PROVENANCE

Robert Burke Collection, no. 168 $1,000–1,500

185

185

186

187

A fine and rare Worcester porcelain fluted circular plate, painted in the London atelier of James Giles with three exotic birds in landscape, English, circa 1765

A fine and rare Worcester fluted circular plate, painted in the London atelier of James Giles with three exotic birds in a landscape, English, circa 1765/70

21.2cm diameter

21.5cm diameter

PROVENANCE

PROVENANCE

Albert Amor Ltd, London Robert Burke Collection

Albert Amor Ltd, London Robert Burke Collection

$1,500–2,500

$1,500–2,500

186

187

186

188

A rare Worcester porcelain pink peacock-feather bordered lobed circular plate, painted with sliced fruit and flowers, English, circa 1770 25cm diameter PROVENANCE

Robyn Robb England, 10/06/2004 Robert Burke Collection, no. 154 REFERENCE

See: Gerald Coke 'In Search of James Giles', pl. 59a for a similar plate Stephen Hansombe, James Giles, figure 40, for a similarly decorated Worcester bowl, but without the gilt edging to the scaling.

Another plate from the current service was believed to have been sold by Christie's London in 1970s $3,000–5,000

189

A large Worcester porcelain gilt-edged cup and saucer, decorated in the London atelier of James Giles with fruit, a sliced nut and flowers, English, circa 1765/70 underglaze blue crossed swords mark 7.5cm high, 9cm wide across the handle, saucer 13cm 188

PROVENANCE

Albert Amor Ltd, London, 04/07/2021 Robert Burke Collection $1,500–2,500

189

187

190

A fine and rare Worcester porcelain pink-scale ground and finely gilt spherical teapot and cover, painted with flower-heads and leaves, English, circa 1770 18cm high, 22cm wide across the handle and spout, base 7.8cm diameter PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 205 $1,500–2,500

191

A rare and unusual Worcester circular rose-water bowl and stand, painted in Rogers style with flowers, English, circa 1760/62 stand 14.5cm diameter, cup 9cm diameter, 7.5cm high PROVENANCE

Sir Seton Wills Collection Albert Amor Ltd, London, The Wills Collection of Worcester porcelain, 1984, no. 36 Acquired from Albert Amor Ltd, Spring 2005 exhibition, cat. no. 13, 23/06/2021 Robert Burke Collection, no. 252

190

REFERENCE

A similar example formerly in the Parkinson collection, sold Sotheby's, March 1966, Simon Spero, Worcester Porcelain The Klepser Collection, no. 58 $1,500–2,000

191

188

192

193

A rare pair of Worcester porcelain gilt and two-tone green and lattice moulded oval serving dishes, painted in the London atelier of James Giles with flowers and green-edged leaves, English, circa 1770

A Worcester porcelain green 'Kakiemon' leaf-moulded cream boat, English, circa 1768/70

unmarked 30cm long, 21.5cm wide

Robyn Robb, England, 2005, Exhibition no. 10 Robert Burke Collection, no. 112

PROVENANCE

Private American acquired in New York in the early 1970s Albert Amor Ltd, London, 29/08/2012 Robert Burke Collection, no. 208 $2,500–3,500

9cm high, 11.5cm wide across the handle PROVENANCE

REFERENCE

There appears to be only one service decorated in this pattern examples of which have been sold; Albert Amor, The Golden Age exhibition, 1980, cat. no. 69, also A Celebration of 250 years of Worcester Porcelain, 2001, cat. no. 41 $1,500–2,500

192

189

194

A rare Worcester porcelain apple-green and gilt ladle, painted in the so-called Marchioness of Huntley pattern with flowers, English, circa 1770 16.5cm long, bowl 5.1cm wide PROVENANCE

Robert Burke Collection REFERENCE

See: Worcester Porcelain, Dinah Reynolds, pg.59, pl. 25, no. 433 for a similar tureen, cover and stand with ladle.

194

$600–800

193

190

195

197

A Worcester porcelain leaf-shaped dish, painted in the London atelier of James Giles with flowers, English, circa 1770

A fine and large Worcester porcelain gilt-edged lobed circular bowl, painted with exotic birds and fruit and a butterfly in the London atelier of James Giles, English, circa 1770

gilt twig handle 22.5cm long, 20.6cm wide

25cm diameter, 6.5cm high

PROVENANCE

PROVENANCE

Parkinson Collection, sold Sotheby's, London, 21 June 1966, lot 197 Robyn Robb, England, 25/09/2009 Robert Burke Collection, no. 126

Robyn Robb, London, 11/06/1999

$1,500–2,000

198

196

A large Worcester porcelain lobed circular gilt-edged junket bowl, painted by the windblown flower painter, English, circa 1770

A Worcester porcelain fluted baluster coffee pot and cover, painted with flowers, English, circa 1770/72 double stem handle, underglaze blue fret mark 24.5cm high, 19cm wide across the spout and handle PROVENANCE

Sir Jeremy Lever Collection Albert Amor Ltd, London, From East To West, A Passion for Porcelain, Exhibition, 14/07/2017 Robert Burke Collection, no. 131 $1,000–1,500

$3,000–5,000

gilt edged 29cm diameter, 8.6cm high PROVENANCE

Albert Amor Ltd, London, 25/04/1997 Robert Burke Collection, no. 84 REFERENCE

See Albert Amor Ltd, London, 'Treasures from Toronto', cat. no. 42 for a plate by the same hand $1,000–1,500

195

196

191

199

A fine and large Worcester porcelain exotic bird and floral encrusted lattice-work two handled basket, painted in the London atelier of James Giles, English, circa 1765/70 26cm long across the handles, 21.5cm wide, 12.3cm high PROVENANCE

Albert Amor Ltd, London, 09/02/1998 Robert Burke Collection, no. 207 $1,500–2,500

199

197

198

192

200

A rare and fine Worcester Royal-blue scale ground and gilt ovoid teapot and cover, painted in The Lady Mary Wortley Montagu Pattern", version no. 7, in the London atelier of James Giles with exotic birds and flowers in reserved panels, English, circa 1770 underglaze blue open crescent mark, double stem handle 17cm high, 19.5cm wide across the handle and spout, base diameter 6.5cm PROVENANCE

Albert Amor Ltd, London, 09/01/1996 Robert Burke Collection, no. 129 REFERENCE

Gerald Coke 'In Search of James Giles'. pg. 164. Anne George when writing to Robert Burke notes that this teapot is both rare and very fine and that the she could only find two recordings of the moulded spout.

One on a pot in the Dyson Perrins Museum illus.

Marshall pl. 8, no. 141. (but with different handle and cover) and in the same book a pot of identical shape pl. 39, no. 831 and she comments on the extraordinary bird in flight panel on the base of the spout. $2,000–3,000 200

201

A finely decorated Worcester porcelain Royal-blue and gilt net ground tea-bowl and saucer, painted in the London atelier of James Giles with exotic birds in landscape, English, circa 1770 saucer 12.5cm diameter, tea-bowl 8cm PROVENANCE

Robert Burke Collection, no. 237 $1,000–1,500

201

193

202

A Worcester blue-scale ground and gilt lobed-circular plate, painted in the atelier of James Giles in version 4 of the Lady Mary Wortley Montagu pattern, English, circa 1770 underglaze blue fret mark 22cm diameter PROVENANCE

Samuel Clarke Collection Robyn Robb, London, 03/09/2013 Robert Burke Collection $2,500–3,500

203

A Worcester Royal-blue scale and gilt trio: tea-cup, coffee-cup and saucer, painted in the Lady Mary Wortley Montagu pattern type, English, circa 1770 underglaze blue open crescent mark tea-cup 9.7cm wide across the handle, 5cm high, coffee cup 8.4cm wide PROVENANCE

Sibyl Hermele Collection, no. 165/9 Robyn Robb, 21/09/1999 Robert Burke Collection, no. 120 $1,000–1,500

202

203

194

204

205

A small Worcester porcelain floral encrusted oval lattice-work basket, painted in the London atelier of James Giles with flowers, English, circa 1765/70

A rare Worcester herringbone-moulded baluster cream jug, painted with butterflies a caterpillar and insects, English, circa 1758/60

underglaze blue fret mark 18cm long across the handles, 15cm wide, 8.5cm high

underglaze blue workman's mark 9.2cm high, 7cm wide across the handle

PROVENANCE

PROVENANCE

Albert Amor Ltd, London, labelled Albert Amor Ltd, no. 87, Golden Age 1980 Exhibition, but the catalogue only goes up to no. 78, so it is assumed there were extra un-catalogued items in this exhibition Barbara Leake Collection Robyn Robb, England. 01/08/2008 Robert Burke Collection, no. 122

The Clifton Collection, no. 24 Albert Amor Ltd, London, 27/02/2018 Robert Burke Collection, no. 220

EXHIBITED

$800–1,200

Dyson Perrins Exhibition 1995, no. 107. Dreweatt Neate

REFERENCE

A very similar example in the Zorensky Collection, Part III, Bonhams, London, 2008

$2,000–3,000

204

205

195

206

A Worcester porcelain lobed hexagonal scale-blue and gilt ground teapot stand, English, circa 1770 underglaze blue W mark 14.5cm diameter, 2cm high PROVENANCE

Robert Burke Collection $500–800

207

A Worcester Royal blue-scale ground and gilt lobed oval dish, finely painted in the London atelier of James Giles with reserved panels of flowers and exotic birds, English, circa 1770 underglaze blue fret mark 26.5cm long, 18.5cm wide, 5cm high PROVENANCE

Albert Amor Ltd, London, 18/05/1995 Robert Burke Collection, no. 121 $1,500–2,500

206

207

196

208

A pair of fine Bow porcelain candlestick figures of a girl and boy, English, circa 1765 26cm high, 10.5cm wide PROVENANCE

Robert Burke Collection, no. 105 REFERENCE

Bow Porcelain Figures by Peter Bradshaw, pg. 149 (B105), for the same pair modelled without the candlesticks Also: page fig. 244. Dancing girl again with no candlestick Jupiter Antiques Exhibition Catalogue 2012 $2,500–3,500

208

197

209

A very rare pair of Worcester porcelain scallop-shell shaped salts, painted with butterflies and 'agitated' exotic birds, English, circa 1762/63 10cm wide, 8cm deep, 6cm high PROVENANCE

The Rous Lench Collection Albert Amor Ltd, London, Dr Wall Worcester, The Brilliant Years, 1760-1775, 1998, no. 2, acquired 15/10/1998 Robert Burke Collection, no. 148 REFERENCE

Dr Wall Worcester, 'The Brilliant Years', no. 2 Simon Spero, Worcester Porcelain, The Klepser Collection, colour pl. 22 no. 68 $3,000–5,000

209

209

198

210

211

A small Dr Wall Worcester porcelain blue and white leaf moulded low Chelsea ewer shape cream jug, decorated in the Convolvulus pattern, English, circa 1775

A Dr Wall Worcester porcelain blue and white leaf moulded tall 'Chelsea ewer' shaped cream-jug, English, circa 1775

underglaze blue open crescent mark 10.5cm wide across the handle, 6.8cm high

underglaze blue open crescent mark 11.5cm wide over the handle, 9.3cm high PROVENANCE

PROVENANCE

Robert Burke Collection, no. 237

Robert Burke Collection, no. 239

$800–1,200

REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon E 38 B $800–1,200

210

211

199

212

A Dr Wall Worcester porcelain blue and white painted lobed circular plate, painted in the Rubber Tree Plant pattern, English, circa 1775 underglaze blue Chinese characters mark 20cm diameter PROVENANCE

Robert Burke Collection, no. 235 REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon 1E 47 $500–700

213

A Dr Wall Worcester blue and white twin-handled chocolate cup and saucer, decorated in the three flowers pattern, English, circa 1775 underglaze blue W script mark saucer 15cm diameter, cup 14cm wide over the handle PROVENANCE

Robert Burke Collection, no. 238 REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon 11.C .19

212

$500–800

213

200

214

214

A Dr Wall Worcester porcelain blue and white finely moulded gravy-boat, decorated in the 'Sauce-boat peony' pattern, English, circa 1770 underglaze blue open crescent mark 16.5cm long over the handle, 9cm high at handle PROVENANCE

Robert Burke Collection, no. 240 REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon, 1 E 8 $600–1,000

215

A Worcester porcelain blue and white decorated coffee pot and cover decorated in the 'Gillyflower' pattern, English, circa 1770 underglaze blue open crescent mark 26.5cm high, 19cm wide over the handle PROVENANCE

Robert Burke Collection, no. 234 REFERENCE

215

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon, 1 E 12 $500–800

201

216

A Dr Wall Worcester blue and white transfer-decorated flower-head encrusted lattice-work circular basket, decorated in the 'pine-cone' pattern, English, circa 1775 underglaze blue open crescent mark 21.5cm diameter, 6.3cm high PROVENANCE

Robert Burke Collection, no. 236 REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon 2 C 11 $700–1,000

217

A large Dr Wall Worcester porcelain blue and white scallop-shell moulded lobed-circular bowl, transfer decorated in the 'Pine-cone' pattern, English, circa 1775 underglaze blue open, crescent mark 26cm diameter, 7.5cm high PROVENANCE

Robert Burke Collection, no. 233 REFERENCE

Worcester Blue and White Porcelain 1751-1790,

by Brandon French and Sandon, 2 C 11 $500–800 216

217

202

218

A rare pair of Worcester porcelain lobed circular gilt-edged plates, painted in the atelier of James Giles with flowers and fruit, a butterfly and insects, English, circa 1770 remains of gold marks 21cm diameter PROVENANCE

Albert Amor Ltd, London, 09/01/1996 Robert Burke Collection, no. 54/29 $2,000–3,000

218

203

219

Two rare small Worcester porcelain flowerhead encrusted pierced lattice-work circular baskets, painted with flowers, English, circa 1770 one with green flowerhead and one with orange flowerheads to the exterior 13cm diameter, 5.5cm high PROVENANCE

Robert Burke Collection, no. 38 $2,000–3,000

219

204

220

A fine Worcester porcelain lattice-work and flower-encrusted oval basket, cover and stand, painted with fruit, English, circa 1770 stand 25.5cm long over the handles, 21cm high, basket 21cm wide, 14cm high PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 44 REFERENCE

A similar example with pink flower-heads sold Albert Amor Ltd, Autumn 2013, cat. no. 57 $1,500–2,500

220

205

221

A rare Worcester porcelain gilt and jade-green ground and leaf moulded and puce decorated cream jug, English, circa 1768/70 11.5cm wide over the handle, 9cm high PROVENANCE

Anthony Wood Collection Robyn Robb, England, 2003 exhibition, no. 12 Robert Burke Collection, no. 100 REFERENCE

Marshall, no 397 pl. 17 Coke col. pl. XVI $1,500–2,000

222

A Worcester porcelain blue and turquoise banded moulded circular teapot, cover and stand, painted in the hop-trellis pattern, English, circa 1770/75 underglaze blue W script mark teapot 12cm high, 19.3cm wide across the handle, base 8.7cm diameter, stand 14.5cm wide, 2cm high

221

PROVENANCE

Newman and Newman Antiques, London Robert Burke Collection, no. 209 REFERENCE

For a teapot of this shape with a hop-trellis pattern variant see: Albert Amor Ltd, London, 1988 Exhibition, cat. no. 8825, illus. $1,500–2,000

222

206

223

224

A Worcester porcelain lobed square scale-blue and gilt serving dish, painted in the London atelier of James Giles in the Lady Montagu pattern version 2, English, circa 1770

A Worcester porcelain lobed square scale-blue and gilt serving dish, painted in the London atelier of James Giles in the Lady Montagu pattern version 2, English, circa 1770

underglaze blue fret mark 20cm square

underglaze blue fret mark 19.5cm square

PROVENANCE

PROVENANCE

Albert Amor Ltd, London, 26/07/2013 Robert Burke Collection, no. 232

Albert Amor Ltd, London, 26/07/2013 Robert Burke Collection, no. 232

REFERENCE

REFERENCE

Gerald Coke, In Search of James Giles, figure 38b for a lozenge shape dish in this pattern

Gerald Coke, In Search of James Giles, figure 38b for a lozenge shape dish in this pattern

$2,500–3,500

$2,500–3,500

223

224

207

225

A large Worcester porcelain Royal-blue and gilt decorated pierced latticework oval twin-handled basket, painted in the London atelier of James Giles in the Lady Mary Wortley Montagu pattern, with exotic birds and flowers, English, circa 1770 underglaze blue fret mark 25cm wide over the handles by 21.5cm high, 11cm high PROVENANCE

Robyn Robb, 16/06/2000 Robert Burke Collection, no. 47 $2,500–3,500

226

A fine Worcester blue-scale ground cup and saucer decorated in the London atelier of James Giles in the Lady Mary Wortley Montagu Pattern' type 1, English, circa 1770 underglaze blue open crescent mark cup 9cm wide over the handle, saucer 13cm diameter PROVENANCE

American Private Collection, acquired from Albert Amor Albert Amor Ltd, London, 24/05/2007 Robert Burke Collection, no. 52

225

$1,000–1,500

226

208

227

A Derby porcelain figure of a monk blessing a nun, English, circa 1775 12cm high, 12.5cm wide PROVENANCE

Robert Burke Collection, no. 86 REFERENCE

Bradshaw, Derby Porcelain figures 1750-1848 pg.257 Two figures (one this model) sold Sotheby's London, 2008, lot 118 Important Continental Furniture and Ceramics. $700–1,000

227

209

228

229

A pair of Chelsea porcelain candlestick figures of a young man and woman with flowers, English, circa 1765

A Derby porcelain figure of a male gardener, English, circa 1775

gold anchor mark and incised numbers 42 24.3cm and 25.5cm high, bases 11.5cm wide

incised no 3, patch marks to base 24.5cm high PROVENANCE

PROVENANCE

Robert Burke Collection, no. 179

Robert Burke Collection, no. 46

$500–800

EXHIBITED

Ceramic Collectors Society Exhibition, Sydney, 1979, no. 8 $1,500–2,500

228

229

210

230

A finely-painted Worcester scale-blue and gilt exotic butterfly and insect decorated circular sucrier and cover, English, circa 1768/70 underglaze blue fret mark 12cm high, 12.5cm diameter PROVENANCE

Albert Amor Ltd, London, 22/09/2014 Robert Burke Collection, no. 56 $800–1,200

231

A Worcester blue-scale ground tea-cup and saucer, decorated in the atelier of James Giles with gilt butterflies and exotic birds, English, circa 1770 underglaze blue fret mark saucer 13cm diameter, teabowl 8cm diameter, 5cm high PROVENANCE

Albert Amor Ltd, London Anthony Wood Collection Robyn Robb, 30/04/2005 Robert Burke Collection, no. 57

230

$1,000–1,500

231

211

232

A pair of fine Worcester lobed square gilt scale-blue ground cushion shaped dishes painted in The Lady Wortley Montagu Pattern, Version Two in the London atelier of James Giles, English, circa 1770 underglaze blue fret and open crescent marks 24cm square PROVENANCE

Albert Amor Ltd, London, Summer Exhibition 2014, 19/05/2014 Robert Burke Collection, no. 50 REFERENCE

See Gerald Coke, In search of James Giles, figure 38b, for a lozenge shaped dish in this pattern $3,000–5,000

232

212

233

234

235

A Worcester porcelain cup painted in the London atelier of James Giles in the David Teniers style with a woman seated at a well in a landscape, English, circa 1768

A Worcester cup painted in the atelier of James Giles, after David Teniers, with a man seated with a food-bowl in a landscape, English, circa 1768

A rare and finely painted Worcester cup painted in the atelier of James Giles after David Teniers, with a man playing a violin in a landscape, English, circa 1768

6.7cm high, 5.9cm diameter

6.5cm high, 8cm wide over the handle

6.5cm high, 8.2cm wide over the handle

PROVENANCE

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 232 A service in this pattern was supplied made up from Worcester and Chinese porcelain.

See the Worcester cup with Chinese saucer in the Marshall collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9.

Robyn Robb England Robert Burke Collection, no. 234

Robyn Robb, England, 19/05/2010 Robert Burke Collection, no. 85

$1,500–2,500

REFERENCE

REFERENCE

A service in this pattern was supplied made up from from Worcester and Chinese porcelain.

See the Worcester cup with Chinese saucer in the Marshall collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9.

Illustrated by Gerald Coke 'In Search of James Giles', pl. 20(b), p. 192 A service in this pattern was supplied made up from Worcester and Chinese porcelain.

See the Worcester cup with Chinese saucer in the Marshall collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9.

$1,500–2,500

$1,500–2,500

233

234

235

213

236

237

A Chinese export-ware sparrow-beak cream jug and cover, possibly London decorated in the atelier of James Giles, painted with exotic birds in landscape, the porcelain Qianlong period, 18th century

A Chinese export-ware ovoid tea canister and cover decorated in the London atelier of James Giles with exotic birds in landscape, Qianlong period, 18th century 13.5cm high, approx 6.5cm diameter

13cm high

PROVENANCE

PROVENANCE

Robert Burke Collection

Robert Burke Collection REFERENCE

It is recorded that Worcester and Chinese porcelain was supplied to clients of the James Giles London atelier.

See the Worcester cup with Chinese saucer in the Marshall Collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9.

REFERENCE

It is recorded that Worcester and Chinese porcelain was supplied to clients of the James Giles London atelier.

See the Worcester cup with Chinese saucer in the Marshall Collection, Ashmolean Museum Oxford, illustrated Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9. $500–800

$600–800

236

237

214

238

A very rare Chinese ovoid tea canister and cover painted in the London atelier of James Giles in the David Teniers style, with a woman in landscape, the porcelain Qianlong period, 18th century, the English decoration, circa 1768 13cm high, approx. 6.5cm diameter PROVENANCE

Robyn Robb, London, 16 June 2011 Robert Burke Collection, no. 236 REFERENCE

It is recorded that Worcester and Chinese porcelain was supplied to clients of the James Giles London atelier.

See the Worcester cup with Chinese saucer in the Marshall collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9. $1,500–2,500

238

239

215

239

240

A Chinese export ware gilt-edged tea-bowl and saucer, possibly London decorated in the atelier of James Giles, in the Teniers style and painted with a man playing a violin and smoking a pipe the porcelain, Qianlong period

A Chinese export porcelain European tea-bowl and saucer, possibly London decorated in the atelier of James Giles, painted after David Teniers with a woman drinking and the saucer with a man smoking a pipe, the porcelain, Qianlong period, 18th century, the English decoration, circa 1768

12cm diameter PROVENANCE

tea-bowl 7.2cm diameter, 4.2cm high, saucer 12cm diameter

Robert Burke Collection, no. 231/233

PROVENANCE

REFERENCE

Robyn Robb, London, 2011 Robert Burke Collection, no. 231 and no.233

A service in this pattern was supplied made up from Worcester and Chinese porcelain.

See the Worcester cup with Chinese saucer in the Marshall collection, Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9. $1,000–1,500

REFERENCE

A service in this pattern was supplied made up from Worcester and Chinese porcelain.

See the Worcester cup with Chinese saucer in the Marshall collection Ashmolean Museum Oxford, Marshall H Rissik, Coloured Worcester Porcelain of the First Period, 1751-1783, colour plate 9. $1,000–1,500

240

216

241

241

A small Worcester porcelain leaf moulded dish, decorated in the London atelier of James Giles with two butterflies and fruit, English, circa 1768-70 21cm long, 16cm wide PROVENANCE

Steppes Hill Farm Antiques Stephen Hanscombe Collection, no. JG 18 EXHIBITED

James Giles Exhibition, Stockspring Antiques, 2005, no. 49 Albert Amor Ltd, London, 28/08/2012 Robert Burke Collection, no. 101 $1,000–1,500

217

242

A pair of large Worcester porcelain cabbage-leaf moulded oval dishes, painted with fruit and butterflies in the London atelier of James Giles, English, circa 1765/68 32.5cm long, 24cm wide PROVENANCE

American private Collection James A Lewis and Son, New York Albert Amor Ltd, London, Summer catalogue 2012, 13/07/2012 Robert Burke Collection, no. 88 $2,500–3,500

242

218

243

A pair of fine Worcester porcelain floral-painted and giltedged lobed circular plates, painted in the London atelier of James Giles, English, circa 1765 19.5cm diameter PROVENANCE

Robyn Robb, England, 16/07/2001 Robert Burke Collection, no. 61 $1,500–2,500

243

219

244

A Worcester porcelain floral-painted lobed circular gilt-edged plate, probably decorated in the London atelier of James Giles, English, circa 1770 19cm diameter PROVENANCE

Grant Davidson Collection, no. P421 Robyn Robb, London, 13/02/2001 Robert Burke Collection, no. 171 $1,000–1,500

245

A finely painted Worcester porcelain pierced latticework oval twin-handled basket, decorated in the London atelier of James Giles, by the wind-blown flower painter with flowers, English, circa 1770 18.5cm long over the handles PROVENANCE

Robyn Robb, England, 09/04/1996 Robert Burke Collection, no. 91 $1,500–2,500

244

245

220

246

A fine Worcester porcelain pierced and flower encrusted lattice-work basket decorated in the London atelier of James Giles with Royal-blue and gilt borders and painted with a central classical urn, English, circa 1770 27cm long, 21.5cm wide, 9cm high PROVENANCE

Robert Burke Collection, no. 99 EXHIBITED

The Ceramic Collectors Society, Sydney, Second Exhibition of Worcester Porcelain, 1978, illustrated front cover $1,500–2,500

246

247

247

221

247

249

A fine Worcester porcelain gilt Royal-blue edged two-handled chocolate cup, cover and stand, painted with bouquets and garlands of flowers, English, circa 1770

A Worcester porcelain tea-canister and cover printed in black-transfer by Robert Hancock with 'Ice Skaters' and 'Lady dancing to a horn', English, circa 1765

underglaze blue script W mark 13cm high, 13.5cm wide over the handles, stand 14.8cm diameter

unmarked 17cm high, 9cm diameter at its widest, 5.6cm diameter at its base

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 64

Simon Spero, 2000, Exhibition, no. 27 Albert Amor Ltd, London, 02/03/2018 Robert Burke Collection, no. 122

$800–1,200

248

REFERENCE

A fine Worcester gilt and Royal-blue bordered lobed-oval serving dish, painted with exotic birds in a detailed landscape, English, circa 1770/72

Joseph Handley, Simon Spero, 18th century English Transfer Printed Porcelain and Enamels, pg. 101, where this tea-canister and cover is illustrated NOTE

underglaze blue open crescent mark 30cm long, 21cm deep

These prints are not illustrated in either The Life and Work of Robert Hancock or in the later supplement by Cyril Cook

PROVENANCE

$500–800

Albert Amor Ltd, London, 2016 Robert Burke Collection, no. 203 REFERENCE

The Admiral Rodney service: John Sandon, The Dictionary of Worcester Porcelain, pg. 288/289 $1,500–2,500

248

249

222

250

251

A Worcester porcelain floral and gilt-line decorated silvershaped circular plate, painted in the atelier of James Giles, English, circa 1765

A Worcester porcelain puce-decorated Classical landscape painted shaped-circular gilt-edged plate, English, circa 1770

22.3cm diameter PROVENANCE

English Private Collection, acquired from Albert Amor Limited, circa 1995 Robyn Robb, England, 27/04/2020 Robert Burke Collection, no. 68 $1,500–2,000

22.4cm diameter PROVENANCE

Robyn Robb England Robert Burke Collection, no. 181 REFERENCE

A similar plate illustrated Worcester Porcelain Dinah Reynolds, pl. 30, pg. 69 $1,000–1,500

250

251

223

252

A Worcester porcelain floral painted silver-shaped circular gilt-edged plate, the painting attributed to the windblown flower painter at the London atelier of James Giles, English, circa 1765-70 gilt dressed rim, unmarked 22.2cm diameter PROVENANCE

Robert Burke Collection REFERENCE

Gerald Coke 'In Search of James Giles', pl. 1a $1,500–2,500

253

A Worcester porcelain lobed oval gilt-edged dish, painted in the London atelier of James Giles with flowers, English, circa 1765/70 26cm long, 18.5cm wide PROVENANCE

Dr Elverson Collection, Bermuda Albert Amor Ltd, London, 07/10/1993 Robert Burke Collection, no. 65 $1,500–2,500 252

253

224

254

A fine Worcester porcelain silver-shaped plate, decorated in the London atelier of James Giles with the Calmady arms (Captain Warwick Calmady, Cornwall), English, circa 1772 holly wreath and gilt lappet-edged borders 22.4cm diameter PROVENANCE

Dundacher Collection Robert and Judy Jones, London, 21/08/1992 Robert Burke Collection REFERENCE

The arms probably refer to Captain Warwick Calmady (1711-88), or possibly his son of the same name, born in 1753. The tea set and a matching dessert service remained in the possession of the Calmady family until 1985, when the remains of this service was sold at Bearne's Torquay, UK. $800–1,200

254

225

255

A large pierced lattice-work circular basket, painted with butterflies fruit and flowers in the London atelier of James Giles, English, circa 1765 unmarked 27cm diameter, 7.8cm high PROVENANCE

Albert Amor Ltd, London, 30/10/2020 Robert Burke Collection $1,000–1,500

256

A rare and unusual Worcester porcelain heart-shaped dish finely painted in the atelier of James Giles with turquoise-blue and gilt puce trellis bands and flowers, English, circa 1770 26cm wide, 19.5cm high PROVENANCE

Robert and Judy Jones, London, 23/06/1993 Robert Burke Collection, no. 102 $1,000–2,000

255

256

226

257

A rare pair of Worcester porcelain scale-blue and gilt shaped circular plates, decorated in the London atelier of James Giles with birds and flowers in reserved panels, English, circa 1770 22.5cm diameter PROVENANCE

Robyn Robb, England, 2007 exhibition, no. 6, 17/7/2007 Robert Burke Collection, no. 121 and no. 167 $3,000–5,000

257

227

258

259

A Worcester blue scale and gilt, floral decorated scallopedcircular plate, decorated in the London atelier of James Giles, English, circa 1770

A fine Worcester porcelain powder-blue and gilt circular dish, finely painted with flowers, English, circa 1770

underglaze blue fret mark 18cm diameter

18cm diameter PROVENANCE

Dr F. Severne MacKenna Collection, no. 35 Robert Burke Collection

PROVENANCE

Elizabeth E. Stewart Collection Robyn Robb, England, 13/02/2001 Robert Burke Collection, no. 119

$800–1,200

$600–800

258

259

228

260

261

A fine Worcester porcelain silver-shaped plate painted in the London atelier of James Giles with a pink and yellow tulip and European flowers, English, circa 1765

A fine Worcester porcelain silver-shaped plate painted in the London atelier of James Giles with flowers, English, circa 1765

gilt dressed rim 22cm diameter

brown dressed rim 22.2cm diameter PROVENANCE

PROVENANCE

Robert Burke Collection, no. 20

Albert Amor Ltd, London, 14/02/1995 Robert Burke Collection, no. 25

$1,000–2,000

$2,000–3,000

260

261

229

262

A rare Worcester porcelain apple-green trellis bordered and pink garland decorated lobed circular plate, painted with a central exotic bird in a landscape, English, circa 1770 21cm diameter PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 55 $2,000–3,000

263

A Worcester pierced and flowerhead encrusted fruit and butterfly painted lattice-work oval two-handled basket, decorated in the London atelier of James Giles, English, circa 1765 22cm long over the handles, 19cm wide, 10cm high PROVENANCE

Robyn Robb, England, 2007 exhibition, no. 3, 04/04/2003 Robert Burke Collection, no. 58 $1,500–2,500

262

263

230

264

265

A Worcester porcelain shaped circular gilt edged plate, painted in the atelier of James Giles with flowers, English, circa 1765

A Worcester porcelain shaped circular plate,painted in the London atelier of James Giles with flowers around a gilt line, English, circa 1765/70

22.5cm diameter

22.2cm diameter

PROVENANCE

Robert Burke Collection

PROVENANCE

$1,000–1,500

Robyn Robb, London, possibly 23/08/2004 Robert Burke Collection, no. 218 $1,000–1,500

264

265

231

266

A Worcester lobed square porcelain dessert dish, painted in the London atelier of James Giles with a garland of flowers around a gilt line, English, circa 1765/70 24cm wide PROVENANCE

Robyn Robb, England, 21/07/2004 Robert Burke Collection, no. 67 $1,500–2,000

267

A Worcester porcelain pierced lattice-work basket, painted in the London atelier of James Giles, with fruit, butterflies and insects, English, circa 1765 21cm long over the handles, 18cm wide, 10cm high PROVENANCE

English Private Collection, acquired from Albert Amor Albert Amor Ltd, London, 1/4/2020 Robert Burke Collection, no. 58 $2,000–3,000

266

267

232

268

A pair of Worcester porcelain shaped circular plates, painted in the London atelier of James Giles with fruit, a mushroom and large butterflies, English, circa 1765/70 unmarked 22cm diameter PROVENANCE

Albert Amor Ltd, London, 06/12/1999 Robert Burke Collection $2,500–3,500

268

233

269

A Worcester porcelain exotic bird painted porcelain coffee cup, painted in the London atelier of James Giles with a bird on a rock and another in flight and a flowering shrub, English, circa 1768 6.5cm high, 8cm long over the handle PROVENANCE

Albert Amor Ltd, London, 04/05/2021 Robert Burke Collection $800–1,200

269

270

A gilt-edged Worcester porcelain pierced lattice work and floral encrusted circular basket painted in the London atelier of James Giles with birds in landscape, English, circa 1765/70 19cm diameter, 8cm high PROVENANCE

Robyn Robb, London, 2007 Exhibition, no. 7 acquired 07/04/2008 Robert Burke Collection, no. 184 $2,000–3,000

270

234

271

272

A gilt edged Worcester porcelain scalloped circular plate, decorated in the London atelier of James Giles with an exotic bird perched on a rock and two others perches in branches, English, circa 1765/70

A Worcester porcelain scalloped circular plate, painted in the London atelier of James Giles with mulberries and sloes and exotic birds around the edge, English, circa 1765/70 20.5cm diameter

19.5cm diameter

PROVENANCE

PROVENANCE

The Eric Sanders Collection

Robert Burke Collection

EXHIBITED

Albert Amor Ltd, London, Golden Age exhibition, 1980, no. 51 Acquired 18/11/1993 Robert Burke Collection, no. 186

$1,000–1,500

$1,000–1,500

271

272

235

273

A gilt edged Worcester porcelain lobed circular painted in the London atelier of James Giles with exotic birds, fruit and an insect, English, circa 1768/70 red anchor mark 19.5cm diameter PROVENANCE

Sir Ian and Lady Heilbron Collection Albert Amor Ltd, London, Treasures from Toronto, 1993, no. 40 Robert Burke Collection, no. 185.

The bold painting of the birds and the bright palette are typical of the works of Giles and this was probably the work of a painter formerly employed at Chelsea. $1,000–1,500

274

A Worcester porcelain gilt-edged lobed oval plate, decorated in the London atelier of James Giles with an exotic bird perched on a rock, butterflies, insects and berries, English, circa 1765/70 26cm long, 18cm wide PROVENANCE

Albert Amor Ltd, London, 18/05/1995 Robert Burke Collection, no. 187

273

$1,500–2,000

274

236

275

276

A Worcester porcelain gilt-edged shaped-circular plate, decorated in the London atelier of James Giles with an exotic bird perched on a rock and flowers, English, circa 1765/70

A Worcester porcelain lobed circular plate,painted in the London atelier of James Giles with an exotic bird on a rock and two others in branches, English, circa 1765/70

22cm diameter

19.2cm diameter

PROVENANCE

PROVENANCE

Robert Burke Collection, no. 216

Albert Amor Ltd, London Robert Burke Collection, no. 183

$1,000–1,500

$1,000–2,000

275

276

237

277

A Worcester porcelain floral-painted and gilt lappet-edged shaped circular plate painted in the London atelier of James Giles with green entwined leaf and rope border, English, circa 1770 22.5cm diameter PROVENANCE

Robyn Robb, London, 08/09/1999 Robert Burke Collection, no. 23 $1,000–1,500

278

A Worcester porcelain heart-shaped dish, painted in the London atelier of James Giles with flowers around a gilt-line, English, circa 1770 25.5cm long, 19.5cm wide PROVENANCE

Robyn Robb, 10/06/2004 Robert Burke Collection, no. 62 $800–1,200

277

278

238

279

281

A Chelsea porcelain figure of Apollo, English, circa 1760/65

A Chelsea porcelain and gilt figure of Hercules, English, circa 1758/60

gold anchor mark 13.4cm high

gold anchor mark 13.5cm high, approx. 5cm wide

PROVENANCE

Bonhams, London, 03/10/2012, lot 50 Private Collection Albert Amor Ltd, London, 2018, Chelsea Porcelain, A Private Collection Part 2, figures no. 46 Robert Burke Collection, no. 191

PROVENANCE

Albert Amor Ltd, London, 2018, Chelsea Porcelain, A Private Collection Part 2, figures no. 46.

Robert Burke Collection, no. 334 $800–1,200

$1,000–1,500

282

280

A Chelsea porcelain figure of Pan, English, circa 1758/60

A Chelsea porcelain figure of Marsyas playing a flute, English, circa 1760

gold anchor mark 14cm high, 5cm wide

gold anchor mark 13.2cm high, 4.2cm wide

PROVENANCE

PROVENANCE

Albert Amor Ltd, London, 2018, Chelsea Porcelain, A Private Collection Part 2, figures no. 49 Robert Burke Collection

Albert Amor Ltd, London, 2018, Chelsea Porcelain, A Private Collection Part 2, figures no. 51 Robert Burke Collection, no. 189

$1,000–1,500

$1,000–1,500

279

280

281

282

239

283

A rare and large Chelsea porcelain figure of Perseus unchaining Andromeda from the rock, English, circa 1758/60 31cm high, 21cm wide PROVENANCE

Albert Amor Ltd, London Robert Burke Collection, no. 174 REFERENCE

The Cheyne Book of Chelsea, pl,7, no. 200 for a similar group A version of this figure sold Albert Amor Ltd, London, 2018, Chelsea Porcelain A Private Collection Part 2, Figures no. 52 A figure of the same model with colour variations sold Christie's, London, 25/10/2011, lot 494 $2,000–3,000

283

240

284

A Chelsea porcelain leaf moulded oval dish, painted in the London atelier of James Giles with birds and butterflies, English, circa 1765 unmarked 26cm long, 20cm wide PROVENANCE

English private Collection Albert Amor Ltd, London, 03/10/2012 Robert Burke Collection, no. 156 $1,000–1,500

284

241

285

A Worcester porcelain Sevres-style hop-trellis variant pattern gilt-decorated sparrow-beak cream jug, English, circa 1775 11cm high, 9.75cm wide over the handle and sparrow beak PROVENANCE

Tim Olney Collection, no. 136 Albert Amor Ltd, London, 9/6/2020 Robert Burke Collection REFERENCE

Albert Amor Ltd, London, A Celebration of 250 years of Worcester Porcelain, 2001, numbers 70, 70a, 70b for a teapot, tea-canister and tea-bowl in this pattern $400–600

286

A Worcester porcelain pink-ground fluted circular tea cup and saucer, painted in Sevres style in the Hop-Trellis pattern, English, circa 1770/75 unmarked saucer 13.5cm diameter, cup 4.6cm high, 9.5cm wide PROVENANCE

285

Albert Amor, London EXHIBITED

Dr Wall, Worcester, The Brilliant Years, 1760-1775, no. 11 acquired 9/2/2021 Robert Burke Collection $1,000–1,500

286

242

287

A fine Worcester porcelain pink ground and gilt lobed circular sugar bowl and cover, painted in a version of the Hop-Trellis pattern, English, circa 1775 12cm high, 12cm diameter PROVENANCE

Samuel Clarke Collection Robyn Robb, England, 3/7/2013 Robert Burke Collection, no. 163 $2,000–3,000

288

A rare Worcester Earl Manvers-pattern lobed circular plate, decorated with a pink trellis and green flowers and central flowers, English, circa 1775 21cm diameter PROVENANCE

287

288

Robert and Judy Jones, London, 06/11/1979 Robert Burke Collection, no. 31 $1,000–1,500

289

243

289

291

A Worcester porcelain gilt and pink ground herringbone and foliate trellis decorated ovoid tea canister and cover, English, circa 1772

A rare Worcester pink-scale bordered and gilt floral decorated barrel-shaped teapot and cover, painted in the London atelier of James Giles, English, circa 1770

a variant of the hop trellis pattern 17cm high, 8cm diameter

13.5cm high

PROVENANCE

Albert Amor Ltd, London, 30/12/2012 Robert Burke Collection, no. 164

The Clifton Collection, no. 29 Albert Amor, London, 27/02/2018 Robert Burke Collection, no. 161

PROVENANCE

$1,500–2,500

$1,000–1,500

290

A rare Worcester porcelain pink-scale bordered and gilt sparrowbeak cream jug and cover, decorated in the atelier of James Giles with flowers, English, circa 1770 13cm high, 9.5cm wide over the handle PROVENANCE

Albert Amor Ltd, London, James Giles Exhibition, 1977 Robert Burke Collection, no. 162 $1,000–1,500

290

291

244

292

A rare Chelsea porcelain figure of the Rape of the Sabines, probably modelled by Joseph Willems, English, circa 1755 red anchor mark 25.4cm high, 14.5cm wide, base 14cm wide PROVENANCE

Belamy Gardner Collection Brookman Collection, sold Sotheby's London, October 8 1946 Theodore Barclay Collection and by family descent.

Albert Amor Ltd, London, 13/11/2013 Robert Burke Collection, no. 89 REFERENCE

Another example of this group is in the collection of the British Museum $2,000–3,000

293

A marked Rockingham parian ware figure of a girl with a lamb at a water well, English, first half of the 19th century Impressed mark: Rockingham works, Brameld, incised N 26 14cm high, 7cm wide PROVENANCE

Robert Burke Collection, no. 144 EXHIBITED

Northern Ceramic Society, Manchester, 1976, no. 18 $80–120 Illustrated online at artvisory.com.au

294

A Worcester porcelain Royal-blue and gilt twelve-sided oval dish, painted with exotic birds in landscape and scattered fruit and flowers, English, circa 1770 underglaze blue open crescent mark 29.5cm long, 23.7cm high PROVENANCE

American Private Collection and acquired from Albert Amor, London Acquired from Albert Amor Ltd, 14/02/2020 Robert Burke Collection REFERENCE

A dish of this rare form painted with horses is in the Marshall Collection at the Ashmolean Museum Oxford. $1,000–2,000 Illustrated online at artvisory.com.au

292

245

295

297

A Tournai moulded and shaped circular plate, painted with a central flowering shrub and scattered sprigs, Belgian, circa 1775

A Spode porcelain gilt and iron-red banded 'kakiemon' shaped oval serving dish, English, circa 1820

underglaze blue dotted cross mark 23.2cm diameter

underglaze blue double circles to base 28cm long, 19cm wide

PROVENANCE

PROVENANCE

Robert and Judy Jones, London, 13/05/1983 Robert Burke Collection

Robert Burke Collection

REFERENCE

Illustrated online at artvisory.com.au

A Tournai plate of the same design is in the collection of the National Gallery of Victoria from the Felton Bequest cat. no. 4688-D3

298

$300–500

296

A Chinese famille-rose export ware overglaze enamel and gilt tea-cup, painted with figures and a dog on a terrace, Qianlong period, 18th century

$400–600

A Berlin porcelain white-glazed porcelain figure (Amalthea) of a lady feeding grapes to a goat, German, 19th century underglaze blue sceptre mark 21cm high, base 11.5cm wide $200–300 Illustrated online at artvisory.com.au

6cm high, 9cm wide over the handle PROVENANCE

Robert Burke Collection $100–200 Illustrated online at artvisory.com.au

295

246

299

A large Vienna porcelain figure group of a Spanish family, modelled by Anton Grassi, Austrian, circa 1780 30cm high, 22cm wide PROVENANCE

Siegfreid Ducret Collection Robert and Judy Jones, London, 13/05/1983 Robert Burke Collection, no. 227.

REFERENCE

Illustrated front cover, Eighteenth Century Porcelain,

by Siegfreid Ducret, Phaidon press $2,000–3,000

300

A large Ludwigsburg porcelain figure group of a young couple next to a tree-stump with a sheep, German, 18th century 21cm high, 23.5cm wide PROVENANCE

Robert Burke Collection $1,500–2,500

299

300

247

301

A large Hochst porcelain figure group of a young lady and a male suitor with a sheep and a dog, modelled by Johann Peter Melchior, German, 18th century blurred underglaze blue round mark 26cm wide, 20cm high PROVENANCE

Robert Burke Collection $1,500–2,000

302

A Hochst porcelain figure group of three playful children, modelled by Johann Peter Melchior, German, 18th century underglaze blue wheel mark 14cm high, 18.5cm wide PROVENANCE

Robert Burke Collection, no. 34 $1,000–1,500

303

301

A Hochst porcelain figure of a young boy and girl milking a goat, modelled by Johann Peter Melchior, German, 18th century incised: N 30 i R 16.3cm high, 19cm long $1,000–1,500

302

303

248

304

Two small Meissen porcelain winged figures of Harlequin and Columbine, German, circa 1750 blue crossed swords mark 8.5cm high, bases 3cm wide $1,000–1,500

305

A rare Ludwigsburg porcelain figure group of a young man and lady dancing, modelled by Jospeh Ness, German, circa 1770 15.2cm high, 11cm wide PROVENANCE

Robert and Judy Jones, London, 06/11/1979 Robert Burke Collection, no. 60 $1,000–1,500

304

305

249

306

A pair of rare Frankenthal porcelain figures of a young lady and gentleman dancing, known as La Camargo, modelled

by Johann Friedrich Lueck, German, circa 1765/70 21 and 22cm high, 16cm wide PROVENANCE

Formerly in the Oppenheim Collection Acquired Sotheby's, Parke Bernet, Zurich, 2 December 1981, lot 52 Robert Burke Collection, no. 26 REFERENCE

See the Bohler sale catalogue, Munich 18-20 May 1936, lot 991/992 For another example see Hofmann, Frankenthaler Przellan, Vol. I, pl. 59, no. 261/262 and the Pauls-Eiseneeiss Collection Catalogue page 30.

Note: Marie Camargo was a famous 18th century ballerina. $2,500–3,500

306

250

307

308

A rare Meissen porcelain figure modelled by J.J.Kändler after Giambologna of the Rape of the Sabine Woman, German, circa 1750

A Vienna porcelain figure group, known as 'Geography', of two boys with a globe and a telescope, a monkey behind, Vienna, 18th century

underglaze blue crossed swords mark 24cm high, approx. 15cm wide

20.5cm high, 16cm wide

PROVENANCE

Robert Burke Collection, no. 153

Rhodes Collection Albert Amor Ltd, London, 03/07/2015 Robert Burke Collection, no. 200

PROVENANCE

$600–1,000

$4,000–6,000

307

308

251

309

310

311

A Hochst porcelain figure of a young girl, crying over split milk, possibly modelled by Johann Peter Melchior, German, 18th century

A small Hochst porcelain figure of a young girl in a headscarf with a water jug, possibly modelled

by Johann Peter Melchior, German, 18th century

A small Hochst porcelain figure of a boy with a water jug, possibly modelled by Johann Peter Melchior, German, 18th century

12.5cm high, base 5.7cm wide

10.5cm high, 5cm wide

PROVENANCE

Robert and Judy Jones, London, 13/05/1983 Robert Burke Collection, no. 40 $400–600

309

underglaze blue orb and cross mark 12cm high, 8cm wide, base 5.5cm wide

PROVENANCE

PROVENANCE

Robert and Judy Jones, London, 13/05/1983 Robert Burke Collection, no. 139

Robert and Judy Jones, London, 13/05/1983 Robert Burke Collection, no. 94

$400–600

$400–600

310

311

252

312

320

326

A collection of books relating to European Fine art

The Blohm Collection of European Porcelain, Sotheby's, London, Parts 1/2/3, July 1960, April/October 1961, Hardbound.

H. Rissik Marshall, Coloured Worcester Porcelain of the first period (1751-1783), 1954, Ceramic Book Company, England, Hardbound.

313

$20–40

$50–100

A collection of books relating to European ceramics

321

327

Simon Spero and John Sandon, Worcester Porcelain 1751-1790 The Zorensky collection, Antiques Collectors Club edition

R. L. Hobson. Worcester porcelain.

A Description of the ware of the Wall Period to the present day, Bernard Quaritch, 1910, Hardbound.

Gilt tooled covers.

$20–40

$50–100

314

A collection of catalogue and pamphlets relating to Antiques and art $20–40

315

Frank Stoner, Chelsea Bow and Derby Porcelain Figures, Ceramic Book Company, Newport $20–40

316

Gerald Coke, In Search of James Giles Micawber publications, 1983 $20–40

317

A collection of books relating to European antiques and public collections $20–40

318

A collection of American and English ceramics circles journals and International Ceramics Fairs Catalogues $20–40

319

Rosalind Sword, The Marshall Collection of Worcester Porcelain in the Ashmolean Museum, Vol I and II $100–200

$20–40

$100–200

322

Simon Spero, Worcester Porcelain, The Klepner Collection, Lund Humphries publishers, Hardbound.

328

$20–40

$20–40

323

329

R.L.Hobson, Catalogue of the Frank Lloyd collection of Worcester Porcelain of The Wall period in The British Museum, Oxford University Press, 1923

F.Severne Mackenna. Chelsea Porcelain, The Triangle and Raised anchor wares, F.Lewis Publishers, England, Hardbound edition 399/500.

$20–40

$40–60

324

330

Rev. A.W. Oxford. Alfred Amor, London, A Catalogue of Bristol and Plymouth Porcelain in the collection made by Alfred Trapnell, 1912, Cloth boards.

The F.Severne Mackenna Collection of English Porcelain. Vol 1 Chelsea Porcelain, Vol II Plymouth and Bristol, Vol III Worcester, F.Lewis Publishers, England, Hardbound edition, 1972

$40–60

F.Severne Mackenna. Chelsea Porcelain, The Red Anchor Wares, F.Lewis Publishers, England, Hardbound.

$100–150

325

The Parkinson collection, Sotheby's, 1966, Part 1 (2 copies), part 2 and part 3, Hardbound.

Vol 1/2 with attached price list detailing names of the buyers.

331

F.Severne Mackenna. 18th century English Porcelain. F.Lewis Publishers, England, Hardbound, 1970 $20–40

$40–60

END OF SALE

253

FORTHCOMING EXHIBITION

Sollai Cartwright Opening Day • Saturday 13 April 2024, 11am-5pm Exhibition open Tuesday to Saturday for the month of April

We are delighted to announce the forthcoming exhibition for rising-star sculptor Sollai Cartwight. Following his highly acclaimed last exhibition titled 'Birds and Muses', which was exhibited with Artvisory in 2021, this will be the first gallery exhibition for the artist since then and will be keenly anticipated.

Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au www.artvisory.com.au Sollai Cartwright Woman in Dress 2020 Italian Statuario marble 31 x 63 x 21cm

To feature a 1946 Masterpiece

by Ralph Balson from an old Sydney Private collection

Entries Invited

Auction mid 2024 • Australian art and Applied arts from Europe, The Middle-East, Asia and Australia

Australian & International Art Paul Sumner +61 412 337 827 paul@artvisory.com.au

European Applied Arts Sandy Bruce +61 421 920 387 Paul Sumner +61 412 337 827

Arts of the Middle East & Historic Textiles Dr Susan Scollay +61 418 175 694

Indigenous Australian Art Shaun Dennison +61 410 501 857

Email enquiries: mail@artvisory.com.au www.artvisory.com.au

ENTRIES NOW INVITED

Fine Chinese & Asian Art Auction • May 2024

www.artvisory.com.au

Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au Illustrated: A Chinese iron red dragon dish, Guangxu six-character underglaze mark and of the Period (1874-1908). Sold at Artvisory June 2023 for AUD$21,420 inc. BP

Contemporary

Ceramics Showcasing curated collections of contemporary ceramics by Australian artists.

Collect now

craft.org.au Yen Qin, Imperial Treasure, Silk Road Splendour and Tranquil Lotus, 2023 stoneware, porcelain slip, glaze, oxides. Photographer: Henry Trumble.

A leading centre for contemporary craft and design.

Visit Watson Place, Naarm/Melbourne

258

Absentee Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 26% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

259

Telephone Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ Telephone bids must be received by Artvisory no later than 24 hours prior to the commencement of the Auction. Once received, your bid will be confirmed by email.

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 26% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

260

Terms and Conditions of Sale The terms and conditions of sale listed here contain the policies of Artvisory Pty Ltd. They are the terms on which Artvisory Pty Ltd and the Seller contract with the Buyer.

They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

b)

1. Background to the Terms used in these Conditions The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot

Images are measured height by width (sight size).

Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue.

“the Buyers Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Artvisory has agreed with the Seller that the lot can be sold.

“Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including re-painting). “the insured value” means the amount that Artvisory in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Artvisory.)

Catalogue and other Descriptions All statements by Artvisory in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied upon as statements of fact.

Such statements do not constitute a representation, warranty or assumption of liability by Artvisory of any kind. References in the catalogue entry to the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or it’s value for any other purpose. Neither Artvisory nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material.

c)

Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller.

Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

2. Artvisory Auctions as Agent Except as otherwise stated Artvisory Pty Ltd acts as agent for the Seller.

4. At the Sale

The contract for the sale of the property is therefore made between the Seller and the Buyer.

a)

Refusal of Admission Artvisory reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

b)

Registration before Bidding Any prospective new buyer must complete and sign a registration form and provide photo-identification before bidding. Artvisory may request bank, trade or other financial references to substantiate this registration.

3. Before the Sale Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Artvisory nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below.

The property is otherwise sold “AS IS”

Bidding as a Principal When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Artvisory before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Artvisory and that Artvisory will only look to the principal for payment.

d)

International Registrations All International clients not known to Artvisory will be required to scan through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Artvisory’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Artvisory also reserves the right to request any additional forms of identification prior to registering an overseas bid.

This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 can not be charged to this card without prior arrangement.

This deposit is redeemable against any auction purchase.

e)

Absentee bids Artvisory will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Artvisory after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

f)

Telephone bids Priority will be given to overseas and interstate bidders. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Artvisory accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Artvisory cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen.

Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

Foreign buyers should note that all transactions are in Australian dollars so there may be a small exchange rate risk. The costs associated with acquiring a good certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

All values expressed in Artvisory Pty Ltd catalogues (in any format) are in Australian Dollars (AU$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in Australian Dollars (AU$) unless otherwise specified.

a)

c)

261

G) Online Bidding Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com.

Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

5. After the Sale a)

Buyers Premium In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 26% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b)

Payment and passing of title The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

H) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

I)

J)

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received.

This applies even if the buyer wishes to send items interstate or overseas.

Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit). Payments can also be made by credit card in person with a 1.43% (inc GST) merchant fee for Visa, Mastercard and American Express. Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

Auctioneers Discretion The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive.

Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account. c)

K) Indicative Bidding steps, etc.

Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion: Increment Amount

Dollar Range

$20

$0–$500

$50

$500–$1,000

$100

$1,000–$2,000

$200

$2,000–$5,000

$500

$5,000–$10,000

$1,000

$10,000–$20,000

$2,000

$20,000–$50,000

$5,000

$50,000–$100,000

$10,000

$100,000–$200,000

$20,000

$200,000–$500,000

$50,000

$500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

Collection of Purchases & Insurance Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer.

At the fall of the hammer, insurance is the responsibility of the purchaser.

d)

e)

Packing, Handling and shipping Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

Cultural heritage Export Licences Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted. f)

Remedies for non-payment If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) i)

to charge interest at such a rate as we shall reasonably decide

ii)

to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii)

to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit v)

to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer. vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs. viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids. ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us. x)

to take such other action as Artvisory deem necessary or appropriate If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default.

If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

262

g)

Failure to collect purchases Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

The warranty is subject to the following: i)

ii)

iii)

it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable.

Neither the Seller nor Artvisory will be liable for

v)

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

1.

The items are exported through a Artvisory approved freight company including Australia Post

2.

The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

14. Resale Royalty Scheme

8. Severability

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions.

GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate.

GST is also applicable on the buyer’s premium.

•

was the artwork acquired after 8 June 2010?

•

is the sale/reserve price (including GST) $1,000 or more?

•

is the artist from Australia or a country listed in the Regulations to the Act?

•

is the artist alive, or deceased less than 70 years?

The seller: i)

acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii)

undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii)

undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL).

Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST).

The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.

SINGLE OWNER AUCTION SPECIALISTS

310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artvisory.com.au