ASU Gammage Inner Circle Magazine Volume 11

ASU GAMMAGE

INNER CIRCLE asugammage.com

Volume 11 | Summer 2016

PARDON OUR PIXIE DUST - CONSTRUCTION UPDATE

ASU GAMMAGE BEYOND SEASON ANNOUNCED

CABARET REINVENTION AS POWERFUL AS EVER

PARDON OUR PIXIE DUST As we look forward to the new season at ASU Gammage we are happy to announce that we have broken ground on the elevator and restroom expansion project. While we are still fundraising to completely support the initiative, we have raised enough funds to allow the project to start. It is a proud day for all ASU Gammage VIPs as you have helped make possible a new ASU Gammage.

D I R E C TO R ’ S S P OT LI G H T

Photo: Tim Trumble

The Arizona Board of Regents approved the project on June 9 and utility work began June 22 with an anticipated completion date of Spring 2017. Most of the summer was spent doing trenching for new water access to the building and demolition to make way for the expansion.

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ASU Gammage will remain completely operational during the construction project.

The construction does mean a few areas of the building will be affected, and this includes the VIP Lounge. The VIP Lounge will be moving to the ASU Gammage promenade during the 2016-17 season and work is being done to transform the space for our VIPs. Any VIPs who require special assistance to get to the new VIP Lounge should contact us, and we’ll be happy to arrange wheelchair service to help you to the new lounge. The decision to move the lounge was made after final construction drawings indicated the Kathryn Gammage Gallery (where the VIP Lounge had been located in the past) would be affected by construction. We appreciate your patience as we work to improve the promenade to meet all of your needs before a show.

We are committed to providing a first-class experience at ASU Gammage and can’t wait to share this season with you, and we look forward to Spring 2017 when our new restrooms and elevators will be unveiled. We thank you again for your support and patronage as we begin this new journey.

Colleen Jennings-Roggensack Executive Director for ASU Gammage and Associate Vice President Cultural Affairs for ASU

50TH ANNIVERSARY LEADERSHIP BOARD Colleen Jennings-Roggensack William Ahearn Jerry Appell (in memoriam) Felice Appell

ASU GAMMAGE INNER CIRCLE

JO Finks

Volume 11 | Summer 2016

Grady Gammage, Jr.

Executive Editor: Colleen Jennings-Roggensack

Laurie & Chuck Goldstein

Editor In Chief and Project Manager: Theresa Dickerson

Pat Langlin-Brazil

Managing Editor: Victor Hamburger

Albert Leffler

Creative Director: Sarah Moore

Michael Manning

Editorial Team: Kari Amarosso, Cheryl Amick, Michelle Johnson CAP-OM, Erica Lin

Sarah Nolan Leslie & Jeff Rich, Co-Chairs Bill Way Mary Way, Co-Chair

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ASU GAMMAGE INNER CIRCLE

Contributing Writers: Jennifer Haaland, Erica Lin, Savanah Yaghsezian Cover: AGUA FURIOSA. Photo: Steve Wylie

CONTENTS 4 Life Is A CABARET

6 ASU Gammage Announces Its 16-17 BEYOND Season

10 The Broadway League’s Spring Road Conference

12 VIP Event Photos

14 CO N T E N T S

Meet The People Behind The Magic— The ASU Gammage Technical Directors

16 Donor Profile: The Circle Of Art

17 Mesa High School Students Take On The Jimmy Awards in NYC

18 ASU Gammage Participates In New Cities, Future Ruins

19 Coffee At Kerr

20 Camp Broadway Alumni Perform At Carnegie Hall ASU Gammage VIP Club

24 Upcoming VIP Events

AGUA FURIOSA

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LI F E I S A C A BA R E T

Andrea Goss as Sally Bowles, Randy Harrison as the Emcee and the 2016 National Touring cast of Roundabout Theatre Company’s CABARET. Photo: Joan Marcus

LIFE IS A CABARET The audible gasp followed by the deafening silence that often greets the final shattering moment of the national tour of CABARET is a testament to the force of the invigorating Roundabout Theatre Company’s production. Written by John Kander (music), Fred Ebb (lyrics) and Joe Masteroff (book), CABARET has long been recognized as one of the best and most important musicals of the 20th century. But if the original production was groundbreaking, Roundabout’s version, directed by Sam Mendes and choreographed and co-directed by Rob Marshall, is seismic.

The show turns 50 years old in November, and there’s a good chance that you’ve seen a production somewhere—in regional theaters, colleges, even high schools. And of course there’s the famous, and very different, 1972 film. But regardless of how well you think you know CABARET, nothing quite prepares you for this decadent, riveting, devastating production, which Todd Haimes, Roundabout’s artistic director, calls a “reinvention” of the classic musical.

First presented by Roundabout in 1998, the Mendes-Marshall staging of CABARET won the Tony Award® for Best Revival of a Musical, ran for 2,377 performances and made a star of its Emcee, Alan Cumming, much as the original Hal Prince production made a star of Joel Grey. And the show’s directors caught the attention of Hollywood. Mendes would go on to win the 2000 Oscar® for Best Director for his first film, the Academy Award®-winning “American Beauty,” and Marshall was nominated as Best Director in 2003 for his first film, the Academy Award®-winning “Chicago.”

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ASU GAMMAGE INNER CIRCLE

Randy Harrison as the Emcee and the 2016 National Touring cast of Roundabout Theatre Company’s CABARET. Photo: Joan Marcus

In 2014, a decade after CABARET’S final “à bientôt,” Roundabout brought the production back to Broadway and then sent it on the road as part of the company’s 50th anniversary celebration. “This production changed musical theater,” says Haimes. “It gave us actors doubling as the orchestra and an environmental musical. I brought the show back because I thought a new generation should see the work that Sam and Rob did, which is truly seminal. Without changing the book, they captured the total debauchery of preNazi Germany in the first act, and gave powerful clarity to what was about to happen there in the second act.”

Mendes initially directed the show in 1993 at the 250-seat Donmar Warehouse in London, which he turned into a nightclub. He chose to have the ensemble double as musicians, unsure at the outset how that concept would work, and quickly realized that it served the production well. He and Marshall expanded on the idea for Broadway.

LI F E I S A C A BA R E T

“Making the ensemble the musicians helped the notion that it was the nightclub putting on the show,” he says. “Everything is done contained within the framework of the Kit Kat Klub.

It’s not just that the actors sing and dance and act and play instruments. They also move the furniture and watch the show. And that takes it into a slightly Brechtian, stylized world which seems to jibe with the Weimar cabaret world of the late ’20s and early ’30s. I love the fact that the rhythm of this production is governed entirely by human beings.

It’s suffused with a kind of home-made energy that comes directly from a multi-talented cast, which you can only get in the theater. It’s not spectacle in the traditional sense, but I think it proves how little spectacle you need to put on a great show.”

Marshall adds, “This particular production is really a celebration of the actor, because there’s nothing there but the acting.”

Lee Aaron Rosen as Clifford Bradshaw, Andrea Goss as Sally Bowles, Mark Nelson as Herr Schultz and Shannon Cochran as Fräulein Schneider in the 2016 National Touring Production of CABARET. Photo: Joan Marcus

Willkommen to Berlin, 1929, and to the Kit Kat Klub, a cabaret that serves as a reflection of the Weimar Republic as it plunges toward Nazism. “The nightclub is a perfect metaphor for the gradual entrapment of the German people within the Nazi regime,” says Mendes. The downward spiral is mirrored in the show’s two doomed love stories. The first is between Sally Bowles, a British singer with limited talent who performs at the club, and Clifford Bradshaw, a bisexual American writer.

The other romance is between Fräulein Schneider, who runs a boardinghouse, and Herr Schultz, a German-Jewish shopkeeper.

“I first knew CABARET from the movie, and I was astonished to discover the stage show is quite different,” says Mendes. “It was a much more complex piece of work than the movie, and it had many more songs. In fact, it has one of the greatest scores in the history of musical theater, with songs such as ‘Cabaret,’ ‘If You Could See Her Through My Eyes’ and ‘Willkommen.’ However, a score with nothing to say is only half a musical. What Hal Prince did was to create a great piece about the rise of Nazism and the rise of any kind of repressive regime. CABARET is a great piece of theater because it says something about racism, about the intersection of politics and private life – how it’s impossible for Sally Bowles to live the way she attempts to live in that political environment. It refutes the people who think like she does, who say about politics, ‘What does that have to do with us?’ The truth is, it has everything to do with us.”

Each cast brings something new to the piece, which is why it’s not uncommon for someone who saw a previous incarnation of the production to return for another look. “CABARET is one of the great pieces of twentieth-century theater, like LONG DAY’S JOURNEY INTO NIGHT or A STREETCAR NAMED DESIRE,” says Mendes. “That means that the show is different depending on who’s playing the roles – not better or worse, but different and just as exciting. Every Sally Bowles and every Emcee that I’ve seen has brought something new to the part, in a way that can only happen with a great role. And it enables you to see things in a different perspective.”

The theme of the show is as timely and urgent now as it was 50 years ago, and probably will be 50 years from now. “The world today is such a mess,” says Masteroff. “And when you understand what one man did to a sophisticated, intelligent country like Germany, then you wonder what could happen anywhere. It’s really kind of a warning.”

Mendes adds, “I hope the show unlocks a period of history in a way that feels totally accessible and available. I hope it answers the questions, ‘How could Hitler have happened?

How could fascism have happened?’ And I hope that people are aware enough to see that there are certain things that happened there that are still happening, which therefore makes the show as relevant as ever. I’m delighted that it’s touring, because it’s an incredible piece that deserves to be seen by a maximum number of people.”

Don’t miss CABARET at ASU Gammage September 13-18, 2016.

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SPEED KILLED MY COUSIN

ASU GAMMAGE ANNOUNCES ITS 16-17 BEYOND SEASON ASU Gammage’s BEYOND Series is like no other in the country. A completely unique experience Relevant, Moving, Eclectic and Entertaining.

This carefully curated live performance series brings adventurous, world-class artists to our stages and communities. These artists immerse themselves by not only performing evocative and exhilarating art, but also by connecting to our Valley residents through engaging Cultural Participation programs. The artist residency programs and master classes foster special connections to the community and leave a lasting legacy. This series is created with today’s realities and tomorrow’s possibilities in mind - a place of discovery, passion, thought and fun.

SPEED KILLED MY COUSIN The Carpetbag Theatre Inc. SATURDAY, OCTOBER 15, 2016 • 7 PM • ASU GAMMAGE The Carpetbag Theatre brings us the acclaimed production of SPEED KILLED MY COUSIN, a moving story of a young African American woman veteran of the Iraq War and her struggle with “Moral Injury,” Post Traumatic Stress Disorder (PTSD) and Military Sexual Trauma (MST). A third generation soldier, the central character courts death by vehicular suicide.

SPEED explores multiple issues related to war, including the history and otherness of African Americans in the military and the experiences of women in combat. Memories and flashbacks unfold before her, and in her rear-view mirror, as she drives. Ultimately she must decide whether to let go of the wheel or to choose life.

REASON TO SEE IT The Carpetbag Theatre tells our human story with courage and unfailing integrity. Telling deeply moving stories of communities of color for over two decades has been the calling card of this award-winning theater gem from Tennessee. We are very proud to host Carpetbag Theatre for their Arizona debut and powerful depiction of issues faced by our deployed military personnel.

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AGUA FURIOSA Contra Tiempo SATURDAY, NOVEMBER 12, 2016 • 7 PM • ASU GAMMAGE AGUA FURIOSA, Los Angeles based Contra Tiempo’s newest work, is a burst of energy, passion and physical expression that draws audiences in to confront realities of race in our country.

Inspired by Shakespeare’s The Tempest and Oya, the Afro-Cuban deity of wind and storms, Artistic Director and Choreographer Ana Maria Alvarez, harnesses her unique Urban-Latin AGUA FURIOSA movement approach to create a visually stunning and thought provoking evening of dance performance. AGUA FURIOSA merges call and response, a live vocalist, water themes, fierce physicality and the performers’ own personal narratives.

Audiences will walk away from AGUA FURIOSA impacted, entertained and inspired to join the complex and transforming conversation of race in America.

REASON TO SEE IT Ana Maria Alverez and the artists of Contra Tiempo are a breath of fresh air on the international dance scene, integrating vibrant expression of Latina/o culture, the complexities of contemporary America and passionate, nuanced dance artistry in a signature language all their own.

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AGING MAGICIAN

IT’S SO LEARNING

AGING MAGICIAN Rinde Eckert & Paola Prestini

IT’S SO LEARNING The Berserker Residents

SATURDAY, JANUARY 28, 2017 • 7 PM • ASU GALVIN PLAYHOUSE

SATURDAY, MARCH 4, 2017 • 7 PM • ASU GAMMAGE

AGING MAGICIAN is a composite of sonic and visual elements that paints an allegory on time, youth and the peculiar magic of ordinary life, and, perhaps, the ordinary magic of a peculiar life. Accompanied by a string quartet and a choir of young people, AGING MAGICIAN moves us along with Harold, from the surgical repair of a timepiece to the magic show of time itself, lives and deaths, appearances and disappearances. The man’s vibrant last adventure is brought to life by a team of multidisciplinary artists who combine music, theater, puppetry, instrument making and scenic design to create an enduring work for the stage. This work features vocalist Rinde Eckert, a musical set by Mark Stewart and the Brooklyn Youth Chorus and string quartet.

REASON TO SEE IT Rarely do artists of Rinde Eckert, Paola Prestini and director Julian Crouch’s caliber and imaginations collaborate. The result in AGING MAGICIAN is a richly layered, surreal and transporting multimedia musical meditation on life and the passing of time.

IT’S SO LEARNING is the seventh show from the comedic trio, The Berserker Residents. The show will push and pull you down a crazy, twisting, hilarious and terrifying path of self-reflection that asks the question, “Why do we go to school?” In IT’S SO LEARNING, you’ll be handed a backpack full of the supplies needed to survive inside the classroom; you’ll be hauled through the quizzes, grades, bullies, praises, grades again and hopefully you’ll graduate. Don’t be tardy, as a faculty of eccentrics is taking attendance. Prepare for anything in this interactive classroom experience.

REASON TO SEE IT If off the beaten path is where you like to go and ironic, brilliant and just plain wacky humor is your thing, The Berserker Residents are a can’t miss experience. IT’S SO LEARNING will take you on a hilarious, awkward and insightful trip through the familiar absurdities called adolescence and public school.

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DEAREST HOME

DEAREST HOME Kyle Abraham/Abraham.In.Motion SATURDAY, APRIL 1, 2017 • 7 PM • ASU GAMMAGE MacArthur “Genius” Fellowship awardee, choreographer and dance artist Kyle Abraham comes to ASU Gammage for the first time with DEAREST HOME (working title), an interactive dance focused on Love and Loving.

Abraham’s beautiful, visceral and unique signature choreography is alive and well in this moving and lush set of mostly solos and duets generated in conversation and collaboration with people of many ages and subcultures.

DEAREST HOME interweaves movement, in its most vulnerable or intimate state with an interest in cross-cultural conversation and community action to create an open dialogue on how different demographics view and converse on topics rooted in love and the absence of love.

REASON TO SEE IT Kyle Abraham is simply one of the most compelling artists creating dance works today. His rare gift lies in the ability to be completely relevant, exciting and moving through the language of dance ... a movement poet, a visceral social commentator ... for any audience. He is changing the idea of what dance performance is and can be for people from all walks of life.

BEYOND tickets are on sale now. l

IS MADE POSSIBLE BY

SPEED KILLED MY COUSIN Saturday, October 15, 2016 8

ASU GAMMAGE INNER CIRCLE

DEAREST HOME Saturday, April 1, 2017

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AGUA FURIOSA

Saturday, November 12, 2016

Don’t miss exclusive afterparties following each BEYOND performance!

Details at asugammage.com AGING MAGICIAN Saturday, January 28, 2017

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T H E B ROA DWAY LE AG U E ’ S S P R I N G ROA D CO N F E R E N C E

Keynote speaker George C. Wolfe

THE BROADWAY LEAGUE’S SPRING ROAD CONFERENCE • By Erica Lin Every May, ASU Gammage takes New York City by storm for The Broadway League’s annual Spring Road Conference. The Broadway League is the national trade association for the Broadway industry and the Spring Road Conference brings producers and presenters together from all over North America for discussion panels, speakers and round table discussions, all to better the world of Broadway on the road.

The 2016 conference was my first one, and the theme was “Innovate, Inspire, Ignite.” As attendees, we learned of new innovations and trends in the Broadway industry, especially in technology and education, heard inspiring speakers, notably George C. Wolfe and Andrew Lloyd Weber, and were ignited to take the innovations and inspirations we learned about and experienced at the conference and connect those insights back to ASU Gammage.

“Broadway is the longest road in America and The Broadway League Spring Road Conference is the most important gathering for that road. It is a time to learn innovative methods of presenting, educating and creating Broadway and connecting it to our communities,” says ASU Gammage executive director Colleen Jennings-Roggensack. “This is the chance to build strong positive relationships with the Broadway and Road communities and see work that will be on the ASU Gammage stage.”

Playwright and director George C. Wolfe wowed and inspired us with his opening keynote address, touching on the diversity boom currently happening on Broadway. “Theater is a place of refuge and reflection … Diversity is seeing ourselves in each other’s stories.”

As a first timer, one of the major highlights was the Creative Conversations, where the cast and crew from currently running Broadway shows were invited to discuss their plays and musicals. These panels fulfilled the “inspire” theme of the conference, since all of the speakers were completely passionate about the projects they were involved in. The

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Creative conversation with the cast of SHUFFLE ALONG

conversations included the cast, director and playwright of THE HUMANS, the cast, choreographer and director of SHUFFLE ALONG, the cast and director of THE CRUCIBLE, a ‘Women in Broadway’ panel and the lyricist and director of FIDDLER ON THE ROOF. The enthusiasm and lovingness with which all of the speakers talked about their projects made me wish we had another week in NYC so that we could see all of their shows! Notable celebrity appearances included Aaron Sorkin, Andy Cohen, Lin-Manuel Miranda, Saoirse Ronan, Ali Stroker, Sara Bareilles, Jeanine Tesori, Danai Gurira, Savion Glover, Billy Porter, Sophie Okonedo, Steve Martin, Jessica Lange, Danielle Brooks and Cynthia Erivo.

As the Digital Marketing Specialist at ASU Gammage, I found one of the most beneficial sessions to be the Round Table session with other professionals in the Broadway industry. Table topics included Group Sales, Digital, Public Relations and several marketing fields. We were able to join with our counterparts in other Broadway communities to discuss common themes that many of us experience. It also gave me the opportunity to connect with other marketing professionals across the country that have similar job duties to what I do here at ASU Gammage.

On our first day at the conference, we were able to go to a special Sirius XM town hall conversation with the cast and creative team from HAMILTON! The conversation was moderated by CNN’s Anderson Cooper at the Richard Rogers Theatre where HAMILTON plays eight shows a week. The conversation featured Howell Binkley, Andy Blankenbuehler, Daveed Diggs, Christopher Jackson, Thomas Kail, David Korins, Alex Lacamoire, Lin-Manuel Miranda, Leslie Odom Jr., Phillipa Soo and Paul Tazewell, all 2016 Tony Award nominees, along with some winners.

Other speakers and panels over the three-day conference included Robert Greenblatt, the chairman of NBC entertainment in discussion with Seth Meyers on the history and future of live Broadway musicals on network TV, David Pogue, the founder of Yahoo Tech on the future of technology for theater pros and Ben Wellington of I Quant NY on how to use data to effect change.

As a first time conference attendee (and probably for every conference attendee), the best experience hands down was the opportunity to see Broadway shows on Broadway!

Tony voters have a chance to see nominated shows before they vote, and we had the opportunity to see shows that are coming to ASU Gammage for education and marketing purposes. ASU Gammage staff members were able to see many shows including MATILDA, FINDING NEVERLAND, AN AMERICAN IN PARIS, CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME and BEAUTIFUL.

T H E B ROA DWAY LE AG U E ’ S S P R I N G ROA D CO N F E R E N C E

Sirius XM town hall discussion with the cast of HAMILTON

Every night of the conference wrapped up with sponsored cocktail parties, complete with food and drink. I found that they were the best times to network with other presenters from around the country, as well as with press agents and show representatives that until the conference, I only knew through emails and phone calls.

It was a fantastic opportunity to unwind after a long day of conference sessions and discuss the shows we had all just seen!

I loved the time I was able to spend in New York City for the Spring Road Conference. I feel like I learned so much about the Broadway industry and I appreciated the opportunity to connect with my counterparts around the country. I already can’t wait for the 2017 conference! l Erica Lin • erica.lin@asu.edu THE CRUCIBLE, SHUFFLE ALONG and THE HUMANS Reception

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V I P E V E N T P H OTOS

42ND STREET VIP CAST PARTY

42ND STREET VIP Cast Party at P.F. Chang’s 1. Donors and cast members enjoying the party at P.F. Chang’s 2. VIP donor Lori Weinstein, center, pictured with cast members 3. VIP donor Marilyn Bostic, third from left, is pictured with cast members 4. L to R: Mary Farrington-Lorch, Matthew Taylor (Julian Marsh), Mary-Lou Stephens 5. L to R: Char Augenstein, Matthew Taylor (Julian Marsh), JO Finks 6. VIP donor Alan Augenstein, third from left, and Peter Means, on far right are pictured with cast members Photos: Tim Trumble

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NEWSIES VIP CAST PARTY

42ND STREET VIP LUNCH

V I P E V E N T P H OTOS

42ND STREET VIP Club benefit lunch ASU Gammage's Rae and Richard S. Love Lobby 1. Lee Bowman lunch co-sponsor pictured with Natalia Lepore Hagan (Annie) 2. Lamont Brown (Andy Lee), Violet Toy, Vanessa Mitchell (Lorraine), Carlos Morales (Mac/Doc/Thug), Betsy Yee 3. Lamont Brown (Andy Lee), Nanci Geres, Natalia Lepore Hagan (Annie), Iris Weiss, Carlos Morales (Mac/Doc/Thug) 4. Lamont Brown (Andy Lee), Michelle Jung, Carlos Morales (Mac/Doc/Thug) 5. Ron Starkman, Natalia Lepore Hagan (Annie), Carlos Morales (Mac/Doc/Thug), Susan Starkman 6. Seated: Marc Erpenbeck, Pat Langlin-Brazil, standing: Lamont Brown (Andy Lee), Vanessa Mitchell (Lorraine) 7. Carole Lee Randall, Carlos Morales (Mac/Doc/ Thug), Natalia Lepore Hagan (Annie), Denise McClain 8. Mallory Nolting (Phyllis), Stephen Smith, Vanessa Mitchell (Lorraine), Lamont Brown (Andy Lee), Lorri Smith, Carlos Morales (Mac/Doc/Thug) Photos: Denny Collins NEWSIES VIP Cast Party at P.F. Chang’s 1. Nico DeJesus (Romeo), Stephen Michael Langton (Davey), Bailey Smith, Alexia Lorch, Stephen Hernandez (Swing) 2. Leah Pallin-Hill, Joey Barreiro (Jack Kelly), Pat Kaufman, Morgan Keene (Katherine), Bryan Hill 3. Krystal Hancock, Zahnie Soe Myint, Joey Barreiro (Jack Kelly), Pat Kaufman, Morgan Keene (Katherine), Dianna Soe Myint 4. Anthony Zas (Elmer, Spot Conlon), Ashley Stys, Brooke Stys, Haley Spracale, Turner Birthisel (Les) Photos: Tim Trumble

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M E E T T H E A S U G A M M AG E T E C H N I C A L D I R E C TO R S

MEET THE PEOPLE BEHIND THE MAGIC—THE ASU GAMMAGE TECHNICAL DIRECTORS Have you ever wanted to take a look backstage during a performance at ASU Gammage? We’ve given you the next best thing—an exclusive interview with the people who make the magic happen behind the scenes. Meet ASU Gammage’s technical directors: Lisa Adamsen, Jeffrey Rollins and Shaun Schultz.

Lisa Adamsen How long have you been with ASU Gammage?

Since November 1998

What is your theater background like?

I did theater in high school and majored in theater and broadcast management in college.

What is your favorite type of show to work on?

The BEYOND shows because they are a greater challenge logistically, and I get to be more involved creatively than the other work we present, so for me the end result is a lot more satisfying because I’ve been a part of the creative process.

What has been your favorite Broadway show?

MAMMA MIA! Is really fun, really well crafted. My litmus test: if I take the music and the actors and put it in a park without any of the technology and special effects, and it still holds its own then you know you have quality. MAMMA MIA! has a solid arc, it’s well crafted, the music is fun and you can put it in a park and be totally fine.

Jeffrey Rollins How many years have you been with ASU Gammage?

Seven and a half years

What is your theater background like?

I got involved with theater my junior year in high school. The first show I saw was ASPECTS OF LOVE at ASU Gammage …

I was an actor and paid my way through college by doing tech, and that hobby became a career.

Favorite Broadway show?

I think probably MARY POPPINS because it was the first really big, intricate show that I did.

What is your favorite celebrity moment at ASU Gammage?

During IF/THEN, Idina Menzel wasn’t feeling well and ran off stage left to the stage manager panel. I was standing next to the stage manager and she took a moment. Then you saw her close her eyes, take a breath and run back onstage. She was such a trooper.

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L to R: Shaun Schultz, Jeff Rollins and Lisa Adamsen

Shaun Schultz How long have you been with ASU Gammage?

10 months

Where did you work prior to ASU Gammage?

I previously worked for Rhino Staging, and I’ve done sound effects for movies, the executive production of radio shows and audio engineering.

What is your favorite Broadway musical to work on?

Probably THE BOOK OF MORMON. The show itself is so crazy and the crew was only slightly crazier so that was a fun crew to hang out with. And it was a funny show.

What’s the craziest thing that’s happened to you at ASU Gammage (so far)?

“The 2 a.m. phone call saying the building was on fire was pretty interesting ... and I had only been here about five months so I was still relatively new,” said Schultz reflecting back to the underground fire in one of the tunnels that connects ASU Gammage to campus. The fire led to around the clock work by the team as a Broadway show was in the house and caused the entire venue to run on a tractor sized generator for nearly two weeks because as we all know, the show must go on.

M E E T T H E A S U G A M M AG E T E C H N I C A L D I R E C TO R S

Jeff Rollins giving a backstage tour

Tales from Backstage Every now and then a Broadway show will require some emergency assistance from ASU Gammage’s technical directors.

Adamsen recalled the time a fire alarm in the theater had a wiring shortage, causing a production of HAIRSPRAY to come to a halt not once, but twice.

“The way that fire code is written is once you start an evacuation (in a public place) you have to finish it,” said Adamsen.

Fortunately, Adamsen said, the cast members were understanding and even made a joke about the fire alarms during an improvised segment once the performance resumed.

More recently, ASU Gammage dealt with overhead sprinklers flooding the stage 12 hours before the 2016-17 Season Announcement.

Backstage Secrets Backstage at ASU Gammage may seem like a never-ending maze to the untrained eye.

The stairs go down past the dressing rooms, and cast management offices run into the electrical rooms and vast storage spaces. There aren’t any skeletons in ASU Gammage’s closets, but there are a few hidden gems.

Many patrons may not know that directly under the orchestra pit there are rows of chairs that can be moved up or down depending on the size of the audience. Up above, the spotlight control room is covered with spray painted stencils of Broadway shows that have toured through ASU Gammage, like permanent posters.

More uniquely to ASU Gammage, there is a “floating” door that leads to nowhere located backstage that originally was part of a second story wardrobe room on stage left that was demolished years ago. It’s about 30 feet in the air and just opens to a piece of plywood on the other side.

Also, the carpet in the women’s and men’s chorus dressing rooms is different from the hallway and other dressing rooms because a famous actor requested to have the carpet changed.

“His people came in and said ‘No really, we need to change the carpet’ ... It came down to a deal ... we’ll give you the carpet and paint the walls if you pay for it,” said Adamsen. l Savanah Yaghsezian • savanah.yaghsezian@asu.edu VOLUME 11 | 2016

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THE CIRCLE OF ART Almost 50 years ago Jerrye and Tim Van Leer began working in the ASU Gammage box office. Those part-time jobs were the genesis of a shared lifetime focused on performing arts that’s come full circle this month as the Van Leers established a gift to help carry ASU Gammage through another 50 years of arts presentation unequaled.

D O N O R P RO F I LE

“It was just a job, something to do to earn money,” Jerrye recalls of her employment when the two were ASU students in the late 1960s. Over the decades that followed, the performing arts became central to their family, encouraging interests that became the foundation of their future. “ASU Gammage is where we learned about the importance of the arts in everyone’s life.”

Tim began in a ticket sales position at newly-constructed ASU Gammage. Shortly thereafter his career blossomed into arts administration and presentation at several impressive venues across the country. His box office experience piqued an interest that led to his service as Event Coordinator at ASU Gammage through 1977.

"I was really taken by the conversations I had with the community,” remembers Tim about those early ASU Gammage days. “Their excitement, sharing with me about a certain artist or program, made quite an impression. Their passion and enthusiasm struck me.”

As the Event Coordinator, Tim recalls one defining ASU Gammage example of how the arts connect us all. “Eugene Ormandy and the Philadelphia Orchestra were playing on the ASU Gammage stage. I remember the utter silence in which we all sat. Captivated. Listening. There was a great deal of personal satisfaction acquiring an artist. To watch the relationship that an artist develops with the community was so rewarding. Then, to be a part of the audience was exceptional because we could witness so many levels of participation.”

From events-immersion in Tempe, the couple moved their young family to Ohio State and eventually Lawrence, Kansas, where Van Leer retired in 2013 from his 12-year executive directorship at the Leid Center for Performing Arts at the University of Kansas.

Sharing a childhood memory, Tim connected the arts enthusiasm he first encountered in ASU Gammage patrons to what his own had been when an aunt took him to his first symphony concert in Phoenix when he was in third grade. “We were very lucky to have family interested in arts activities,” he says.

“Tim and I both grew up in Phoenix. As children we had access to all of the arts in our schools,” says Jerrye, as she contrasts the experience with those of later public education conditions across the country when arts programs began being cut. “In Columbus, Ohio, where our three children grew up, arts weren’t as available. About then, as a generation, we realized we needed to make the arts more accessible. We knew by then—art will change their lives.”

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ASU GAMMAGE INNER CIRCLE

Jerrye and Tim Van Leer

Jerrye, who feels “very fortunate to have had time at home” to raise their children, continued her arts involvement at the Spencer Museum of Art at University of Kansas coordinating tours along with other Visitor Service roles until 2011.

“When we retired, we established a fund at the Leid Center at the University of Kansas in support of education activities and expansion of the arts," Tim says.

Throughout the years, the couple remained in occasional contact with ASU Gammage executives because of their shared membership and duties in various arts presenting capacities.

“In those days we were ‘Concert Managers.’ The term ‘Arts Presenter’ didn't come about until later,” said Van Leer, describing his early interactions with Colleen JenningsRoggensack, ASU Gammage Executive Director of the last two decades.

Jerrye says in her concluding thoughts about their ASU Gammage beginnings, “I hate to confess that I had no idea what I was doing as we attended those early concerts. But yet, we went. It took us away. We didn't think about anything else. We would be so involved … we could all rise together in applause at the end.”

That very element of naïveté that grew to impassioned involvement is the beauty of Van Leer’s story. Jerrye and Tim Van Leer built a history of arts support from humble beginnings fueled by how art changed lives, their own and those surrounding them.

“This is where it all started,” Tim reflects as he thinks back on a long, rewarding career and considers the pivotal role that ASU Gammage provided. l Jennifer Haaland

MESA HIGH SCHOOL STUDENTS TAKE ON THE JIMMY AWARDS IN NYC Usually, actors don’t get the opportunity to perform on Broadway until they’ve “made it” in the world of theatre and spent years struggling in the industry. However, for 62 high school students, their Broadway debut would come before they’ve even moved out of their parents’ houses.

Both Payne and King said they were surprised to hear their names called out on the ASU Gammage stage, announcing that they were heading on to the next round in the big city.

“Out of nowhere my name got called out of all that talent on stage,” said King.

Their win also came as a surprise because Payne and King attended the same high school. King said he was expecting the winners to come from different parts of the state.

“Holly and I had the unique experience to be together from start to finish,” said King.

The contestants had about a month to pack and prepare for the big competition. King, Payne, and 60 other teenagers then headed off to the Great White Way. New York University housed the students in dorms and professional performance coaches were called in to give one-on-one and group training.

Finally, Payne and King had the opportunity to perform on the Minskoff Theatre stage. Although neither of them won the $2,500 scholarship prize, Payne won the Rising Star award for her achievements in the program.

Payne’s mother, Brenda Payne, said she knew her daughter had the talent and passion for musical theatre at a young age.

T H E J I M M Y AWA R D S

After winning the ASU Gammage High School Musical Theater Awards, the National High School Musical Theater Awards, also known as the Jimmy Awards, sent Mesa High School graduates Holly Payne and Noah King to New York City to compete with other high school students across the country for scholarships and other awards.

Holly (L) and Noah (R) outside of Sardi’s in New York City

Payne said she learned quickly and was able to adjust despite having to work with multiple directors at once.

“I hope I get to do it again (perform in New York City) … it was an unforgettable experience,” said Payne.

Holly Payne performing as Peter Pan

King said he struggled the most with the dance lessons, but choreographer Kiesha Lalama made sure he could nail every step by the end of the week. She noticed King was struggling and pulled him up to the front of the class so she could monitor him closely.

“I went and practiced and got the choreography down,” said King. “I became one of the dancers she (Lalama) could trust.”

Although the aspiring actors were in a competitive environment, Payne said no one came to New York with a bad attitude. Both Payne and King made friends and bonded with their fellow performers.

“It was a very positive place,” said Payne.

Noah King performing as Captain Hook

Holly and her teacher posing with her Rising Star award

“She was constantly singing and acting,” said Brenda. “We knew she could go far.”

As for their futures, Payne hopes to keep theater in her life as she continues to audition for local productions.

Eventually, she hopes to return to New York or audition for a performing role in Disneyland. King will be going on a two-year religious mission trip with the Church of of Jesus Christ of Latter-Day Saints and afterwards will attend ASU as a business major. What is clear, is that ASU Gammage has to keep an eye on these “Rising Stars.” l Savanah Yaghsezian • savanah. yaghsezian@asu.edu VOLUME 11 | 2016

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NEW CITIES, FUTURE RUINS

ASU GAMMAGE PARTICIPATES IN NEW CITIES, FUTURE RUINS New Cities, Future Ruins is a four-year curatorial initiative inviting artists, designers, and thinkers to re-imagine and engage the extreme urbanism of America’s Western Sun Belt. ASU Gammage is partnering with Southern Methodist University’s Meadows School for the Arts and University of Texas at El Paso’s Stanlee and Gerald Rubin Center for the Visual Arts on the ambitious endeavor led by project Artistic Director Gavin Kroeber.

New Cities, Future Ruins will engage the cities of the South West pioneering art and design. The region, stretching from Houston to Denver and from Phoenix to San Diego, is home to some of the fastest-growing cities in the country, symbols of opportunity and entrepreneurialism, historic cradles of free market capitalism. Their path, however, may be unsustainable: located in delicate ecosystems, the unprecedented growth of these cities is marked by sprawl and resource overuse, dramatic demographic shifts and struggles over immigration.

Some of the most pressing questions of our moment— questions of whether current ways of life can or should persist environmentally, economically and socially—are in few places as clear or as compelling as in these western Sun Belt cities.

Suburban in texture, these new cities are 21st century spaces that resist creative traditions inherited from the industrial city. Bringing critical and innovative art and design practice from around the world to bear on this urban landscape, the initiative seeks to foster visionary thought and artistic experimentation at these urgent sites, places that both embody and illuminate global crises of rapid urbanization.

The first convening of this project will take place in Dallas November 11-14, 2016 (with public programming commencing Saturday, November 12).

A hybrid conference and festival, the event will be open to the public, featuring artists’ projects, bus tours, and events throughout the city, as well as talks, roundtable discussions, screenings and workshops. A multidisciplinary coalition of practitioners from across the region will convene alongside an international network of artists, designers, researchers, activists, curators and scholars to explore a set of urgent issues manifested in this compelling but often overlooked political geography and parallel global sites.

“The project is an important part of fulfilling ASU Gammage’s mission of Connecting Communities™ as we will be seeking to connect local artists, divergent organizations and ASU departments and to create an inclusive, equitable ongoing structure for sustainable urban planning,” said Michael Reed, ASU Gammage’s Senior Director of Programs and Organizational Initiatives. l Theresa Dickerson • theresa.dickerson@asu.edu

For more information visit http://newcitiesfutureruins.com

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ASU GAMMAGE INNER CIRCLE

COFFEE AT KERR It’s a Wednesday morning at the ASU Kerr Cultural Center, and a welcoming scent of coffee fills the air as a soprano belts out a high note that echoes through the studio. An accompaniment of operatic music follows in perfect harmony. Known as a cultural hub for local artists to hone their skills and perform, it’s no surprise that ASU Kerr Cultural Center partnered with Arizona Opera to bring opera to Scottsdale.

What was inspired by a tradition of Louise Kerr providing free coffee at all her events, Coffee at Kerr has become a popular fixture at the historic building since the 90s. A partnership with the Arizona Opera has given first-time and veteran opera listeners the chance to hear samples of classic arias.

K E R R KO R N E R

Also, you can’t beat the price. The series is free, but suggested donations of $5 or a can of food are encouraged.

“Retirees, students, guests taking an early lunch, tourists from area hotels and adults playing hooky can all be seen at Coffee at Kerr,” said Stacey Bailey, the program coordinator at ASU Kerr. “It’s an affordable and enjoyable way to meet members of the community, get a feel for the historic ASU Kerr Cultural Center and Arizona Opera and experience how we connect communities through accessible, high-quality cultural programs.”

The program begins at 9:30 a.m. with coffee from local café Buzzberry and Bistro. Performances start at 10:30 a.m. with a quick introduction from Joshua Borths, the director of education at the Arizona Opera.

“Borths does a brilliant job of opening up a more profound understanding of the opera through his in-depth analysis of key components of each work,” said Bailey.

Bailey said the actors typically pick which arias they want to perform, but according to the Arizona Opera they make sure the arias they choose will be a good fit for a wide range of audience members.

“We try to go with more iconic pieces,” said Caitie Quick, marketing manager for the Arizona Opera. “People can get a sense of what they’re walking into and give people a little bit of a preview if it’s their first time.” Quick said most people have heard some sort of opera before; they just might not have realized it at the time.

This season, visitors can attend Coffee at Kerr September 28, November 2, January 25, February 15 and March 22. Actors will be performing segments from Sapphire Celebration, Rusalka, Madama Butterfly, Riders of the Purple Sage and La Ceneretola, respectively.

“For anyone who has not been to ASU Kerr Cultural Center, the Coffee at Kerr events are a marvelous opportunity to escape to the tranquil Kerr property, see the one-of-a-kind historic venue and experience a taste of music in the superb acoustics of the studio,” said Bailey. l Savanah Yaghsezian • savanah.yaghsezian@asu.edu Artwork courtesy of Arizona Opera.

VOLUME 11 | 2016

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CAMP BROADWAY ALUMNI PERFORM AT CARNEGIE HALL

DONORS

ASU Gammage Camp Broadway participants Zachary & Sarah Astrowsky, Natalie Koch and Zoe & Max Zink performed at the annual New York Pops benefit gala concert at Carnegie Hall.

100K MILESTONE ASU Gammage gratefully acknowledges these individual donors and foundations whose cumulative giving totaled $100,000 or more as of July 2016. The contributions of these generous benefactors, in partnership with those of other visionary patrons, sponsors and volunteers, have incalculably enriched our community.

Abbett Family Foundation American Airlines Arizona Lottery APS Susan & William Ahearn Jerry Appell Carmen & Michael Blank F. Richard Bloechl Family George Brazil Plumbing & Electrical Broadway Across America JO & Harvey Finks Laurie & Chuck Goldstein Joanne & Mark Halberg Patricia Kaufman Patricia Langlin-Brazil Hugh W. Long, Jr. Family Rae & Richard S. Love Robert Machiz Lesley & Paul Monfardini Rosenbluth Family Foundation Kemper & Ethel Marley Foundation Margaret T. Morris Foundation Rev. Jenny Norton & Bob Ramsey Nationwide Insurance Foundation Ticketmaster VMI Holdings The Way Family/Way Family Charitable Foundation

CORPORATE/ FOUNDATION SPONSORS $100,000+ Abbett Family Foundation Broadway Across America Desert Schools Federal Credit Union Margaret T. Morris Foundation/J.W. Kieckhefer Foundation $99,999-$50,000 George Brazil Plumbing & Electrical Ticketmaster $49,999-$25,000 Andrew Family Foundation Century Link National Endowment for the Arts

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ASU GAMMAGE INNER CIRCLE

$24,999-$10,000 Arizona Lottery APS California Institute of Contemporary Arts

Penrose Academy Stinson Leonard Street LLP/Michael C. Manning The Way Family/Way Family Charitable Foundation $9,999-$2,500 Abbot Downing Arizona Business Bank Arizona Business Magazine Macy’s Foundation The New England Foundation for the Arts The Reflective Designer Target Tim Trumble Photography, Inc.

LEGACY

INVESTORS GUILD $25,000 and Above

Susan & William Ahearn* Carmen & Michael Blank Mrs. Frank A. Bowman* Joanne & Mark Halberg Dr. & Mrs. Charles Goldstein Beth & Michael Kasser Patricia Langlin-Brazil Rev. Jenny Norton & Mr. Bob Ramsey The Hugh W. Long, Jr. Family

PRODUCERS ACADEMY $10,000 and Above

Bill & Cindy Abbott* Dr. & Mrs. William Andrew* Jerry Appell* Janet & Doug Baughman John Breeding Jeffrey & Marcia Buzzella* James L. Cramer & Allen C. Kalchik Joan Cremin Eileen Curtin* Jane & Clive Cussler Todd & Wendy Dickerson JO & Harvey Finks Karen & Grady Gammage Jr. John Gore Peter Harries* Patricia Kaufman* Sharron Lewis Robert Machiz Rod & Julie Rebello* Jana & Charles Sample Joanne Schust Jerrye & Tim Van Leer Barbara & Barry Zemel

GRADY GAMMAGE SOCIETY $5,000 and Above

Anonymous Allen-Heath Memorial Foundation Reginald M. Ballantyne III E.G. & Carol Barmore Mary A. Barrett Oonagh & John Boppart Renee Cermak & Fred Auzenne Jacqueline Chadwick, MD Laurie Dennhardt & Anna de Jesus* Michele & Chris England Dr. & Mrs. Steven Farber Sophia & Mike Fong Fractured Prune Doughnuts Arizona Christine & Luis Gonzalez Jan & Dick Govig* Jay & Rojon Hasker* David N. Horowitz & Damon J. Bolling Norman & Teresa Klein Family Kathy & Albert Leffler Julie & Herbert Louis Richard S. & Rae Love Dr. & Mrs. Gerald Mandell Merrily Metzger* Lesley & Paul Monfardini* The George and Karen Nackard Foundation Jeffrey D. Oliver BOLD indicates $50K cumulative giving to ASU Gammage * denotes multi-year commitment

• as of 7/2016

Arthur & Linda Pelberg Larry & Lisa Rogoff Rosenbluth Family Foundation Richard & Christy Schust Enid & Michael Seiden Lorri & Stephen Smith Roxane Smyer & Bailey Smith Mr. & Mrs. Ron Starkman* Steffie & Millie Marsha & Charles Van Dam Kristi Vasquez & Jeff Roberts Veteran Tickets Foundation Pam & Wayne Wesala Jana & Mark Wilcke Patrick H. Zanzucchi KATHRYN GAMMAGE CIRCLE $2,500 and Above

AADS Office Solutions Int’l, LLC & Top Priority Messenger Service, Inc. Kathy Aichele & Fran Tepner & Robert Scrivner Nancy & Warren Alter Anderson, Chavet and Anderson Inc. Buffie & Ray Anderson Rhet & Marcia Andrews Anonymous Felice Appell Tran & Glenn Appell Arizona Glaucoma Specialists - Jeffrey S. Kay, M.D. Alan & Char Augenstein Harrison & Laura Bachrach Tara Bickford Bailey & Glen R. Bailey Craig & Barbara Barrett Kristy & David Benton Barbara, Irv & Jeremy Berger* Karen & Gary Bethune Janet Bioletto Corilee & Kevin Bishop The Blunck Family Jon & Jennifer Bohnert Tara & Todd Bookspan Marilyn Bostic Susan & David Brachman Dr. & Mrs. Derek Braun Steve & Belinda Brown Cheryl & Lee Brueckel Jim Cairns & Dani Stanton Linda Carneal Rick & Kathy Cartell Dr. David & Mrs. Georgiana Cave Susan & Steven Charney Children’s Dental Village Marilee & David Clarke Carol & Larry Clemmensen Les & Becky Coates/Lawns by Les Dr. & Mrs. Lance Cohen John H. Cole III M.D. & Patrick T. Boyhan Marilyn & Bob Colvert Angela & David Conwell Hollie M. Crim Barbi Crisp & Mark Nemscoff Diane & Phil Daspit Beth & Ed Dawkins Cyndi & Terry DeBoer Mr. & Mrs. Tom DeBonis Bob Demaine Teresa & Michael Dempsey Cathy Dickey Mr. & Mrs. Robert Donat Richard & Lou Ender VOLUME 11 | 2016

DONORS

Anonymous Susan & William Ahearn E.G. & Carol Barmore Weasley Beckley Larry Berentzen Barbara, Irv & Jeremy Berger Charley Beyer George & Patricia Brazil Marlene Bushard Carl J. Cross Leonard & Emily Dudziak Raylan & Beverley Evans Mary Flora Marilyn & Jim Foley Alan & Anita Handelsman Henry & Mary Hansen Carl & Patricia Harris Robert & Jeanette Heacock David N. Horowitz Lucille Hudgens Donald & June Julen Sue Larsen Richard S. & Rae Love Douglas Lowe Larry Mattal Ellis & Kiran Means Merrily Metzger Paul & Janet Morrison Vickie & Ron Neill Clyde C. Parker Jr. Dr. & Mrs. Michael Pollay Russell A. Robbins Mitchell & Heather Ross Virginia Schantz Margaret Schulz Mr. & Mrs. Russell Smith Jo & Frank Stockman Bruce C. Thoeny Mollie C. Trivers John & Joyce Webb

ASU GAMMAGE VIP CLUB

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DONORS

ASU GAMMAGE VIP CLUB

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Daniel Eng Kerry & Jim Engbarth Mr. & Mrs. Glenn Ensor Ardie & Steve Evans Jane & Andrew Evans II Ray & Bettijune Fanning Mary Farrington-Lorch & Martin Lorch Nelson Faux Phyllis & Jack Finney Mike & Becky Fish Eric Fox & Raymond Hebert & Judith Rosenthal & Georgia Garrett-Norris Terry Gimmellie & Brooks Hull & Paula Kampinski Mrs. Saul Ginsberg Neil G. Giuliano Davie Glaser In Loving Memory of David H. Glaser Judy & Herb Gold Mark & Sherry Goldberg Don & Justine Good Penni & Todd Graham John & Deanne Greco Joan & Al Gudriks & Mary & Dan Stamp Gretchen & Jim Haahr In Memory of Ada Halbreich Mr. & Mrs. Don Hall Alan & Anita Handelsman Liesa Harkness Jeffrey E. Harper Carl & Patricia Harris Jennifer & Stuart Hetrick Ralph & Ellen Hirsch Genevieve & Michael Hogan Jacqueline Hufford-Jensen & Greg Kroening Christine Hughes Tara Iyengar Dr. Ellie & John Izzo Jaburg & Wilk, P.C. Colleen Jennings-Roggensack & Dr. Kurt Roggensack Brian Jones Dr. Lyndy Jones Peggy R. Joslin Michelle Jung & Chris Rodriguez Mr. & Mrs. Tim Kaehr Stacy & Alan Klibanoff Michael & Ellyn Kruke Michelle Laiss-Lepner Patricia & Mark Landay Aaron & Brenda LaTowsky Law Office of Christina M. Lopez, PLLC Machrina & Dale Leach Hope & Steven Leibsohn Herb & Nancy Lienenbrugger Douglas Lowe Kurt & Keli Luther Kristen & Doug Magnuson Cheryl & Johan Magnusson Marketline Mortgage Ms. Michelle Matiski & Dr. Alan Snyder Steve & Rhonda Maun* Celia & Kent McClelland Cathy McDavid Leslie McDonnell In Memory of Jack McDonnell Patrick McPhilomy Andrew & Marcia Meyer Kathleen A. Mickle & Karen B. Roth ASU GAMMAGE INNER CIRCLE

Glenn & Stephanie Mitchell Kathleen & Barry Monheit Scott More Larry & Virginia Morrison Carl C. Mueller Kenneth & Donna Muller Dawn & John Mulligan Rafael & Mary Munoz Dr. & Mrs. Jacob Musallam Dick & Jane Neuheisel Nathan & Betty Norris Novack Family Linda & Kevin Olson Mr. & Mrs. Enrique Ortega ON Media Publications PRM Association Management Frank & Ginny Palamara Leah Pallin-Hill & Bryan Hill* Dr. John Parente Bela Patel & Miguel Fernandez Jeffrey Perlmeter Dwight & Kathryn Peters Pat Piazza Debbie & Tobie Pirone MaryLee & Glen Poole Carol A. Poore, Ph.D. Practice Strategies Pragmatic Marketing, Inc. Dr. Coral Quiet/Arizona Breast Cancer Specialists Dr. Carolyn Ragatz & Mr. Phillip Ragatz Jeff & Leslie Rich Mario Trejo Romero & G. Lewis Penrose Russell A. Robbins Mitchell & Heather Ross Jim & Brenda Rowland Cheryl Rubbelke Karen & John Runberg Norm & Pam Saba Jesse & Jennifer Schwarz Danny Sharaby/Tickets Unlimited Jeffrey & Deborah Smith Zahnie Soe Myint Ava Spanier & Steve Garland Nicole Spracale Dr. Cheri St. Arnauld & Family Dr. Barry & Judith Stern Morgan Stewart & Troy Homewood Cheryl & Ed Sucato John & Monica Suriano Holly, Kristen & Lauren Terrell Bruce C. Thoeny Brinley Thomas & Charles Bentley Tiller Family Foundation Violet Toy & Betsy Toy Yee Cheryl & Gary Van Brunt Susan Van Dyke MD/Van Dyke Laser & Skin Care Mark & Lynn Vanderlinde/VRealty Advisors Laura & Richard Varner M.A. Verso MD Doug Walters Col. Alexander Warschaw Jeffrey & Dian Weisman Todd & Tammy Wilkening Daryl & Karly Williams Dr. Syd Wilson & Dr. Carol Wilson Dr. Salpi Wolper Judith Wolf Dr. Frederick T. Wood & Mrs. Kim Wood* Frank & Candace Yaconis

Greg Yagi & Don Strook Ray & Sue York Martha Zachary Charlie & Judy Zarrelli*

DIRECTORS CLUB $1,250 and Above

Mariana & Richard Abelson Marilyn Alsager Altier Credit Union Anonymous Louraine Arkfeld Kevin Axx & Cameron Goebeler AZ Obstetrics & Gynecology Sam Baar Luisa & Berke Bakay Shayna Balch Douglas Ball & Constance Stine Jim Barash & Dr. Tamar Gottfried Lory Baraz & Robert Zucker Fredric D. Bellamy Michael & Julie Bennett Gina & Gregory Berman Col. Jody Blanchfield Katherine & John Boisvert Kelley & John Bonowski Susan & Richard Bookspan Teresa & Mark Borota Linda Broomhead & Terese Sanchez Patti & Rick Brown Shirley F. Brown & Fred L. Brown Cheryl & Pat Burke Janet & Edward Burke Elizabeth Burm Dawna & Dan Calderone Camelview Physical Therapy Elaine & Paul Campbell David E. Cantrell & Glenn W. Eyet III Kent Cattani Helen Cho Kathryn A. Christman Grainger Cole Kris Cook & Dale Wendt Jr. Kathleen Cullen Rene & Jeremy Daer Marilee & Zach Dal Pra Tiersa & Lawrence Damore Bette DeGraw Brian & Becky Delghiaccio Lloyd Dennington Drs. Fred & Suzie DePrez Donna & Bob Dichiaro Jackie & James Disney Janice Donnelly & John King Michael Drexler Jim Edmonds Cynthia Emmons Christine English & Lenard Hailey Jody Epperson Michele & Michael Etheridge Thomas Fannin Dino & Linda Farfante Gail Fawcett Penny & Charles Fine Sandra J. Fromm Brooke Fry Family Crystal Fyke Marybeth & Jimmy Garrett Kyla & Michael Garrison Barbara & Gregory Geidel Dr. Philip E. & Roseann M. Geiger Carole & Ronnie Gilbert Sue & Joe Gilleland

Joe & Helen Goldblatt Lisa & David Goldstein Vicki Greener Lindsey, Victor & Henrik Hamburger Lynlie & Myron Hansen Kathy & Marty Harper Diane Harrison Dottie & Mark Harshbarger Nora & Tim Hart Marilyn & Paul Harter Larmon & Linda Haugen Hensley Beverage Company Christopher & Judy Hossack Mike Hughes & Dr. Kevin Mendivil Teresa & Darrel Huish The Til Hutchison Family Jacqueline E. Jackson Kim Jameson & Jon Ann Hockersmith Gwen Johnson In Memory of Steven R. Jonas Lynda Jones & Ron Jenks Lynn Judd Shari & Irwin Kanefsky Rona & Allan Kasen Casey & Clara Khaleesi Alan Kierman Lawrence R. Lathom Linda & Jim Lee Patty & Matthew Lernor Mary E. LeRoy & Mark F. Tabar Paul, Pat & Kelsey Lewis Sharon Lytle-Breen Rita & Nicole Mann Bev & Bruce Martin Robbyn McDowell Dr. Geoffrey McKinzie & Tabitha McKinzie Bruce Meyerson & Mary Ellen Simonson In Memory of J. Eric Miller Mr. & Mrs. John Minch Tammy Munizza Mary Murphy & Kurt Meyer Christine & John Minch Mutual Management Services Karen & Robert Nagle Brenlie & Jim Nagy Christine & Frank Nechvatal Pamela & Tom Ng In Memory of Cindy Olstein Shannon Olwine & Mohit Mehta Dr. & Mrs. Donald A. Opila Todd Ott Dr. & Mrs. Donald Patterson Dr. & Mrs. Thomas Piemme Gloria & Jill Pierce-Garcia Keith & Laura Price Hari Puri Matt Raiff Toni Ramsey & Mark Mulligan Mr. & Mrs. Wayne Rawlings Dean Rennell Herschel & Valerie Richter Rebecca P. Ripley & Tara Swinehart Sharon & James Robbin Dr. Lynn Robershotte & Bryce Rene & Theresa Romero Kristine Romine Rosedale Hair Design Scott Rudin Jeff Salomone Mr. & Mrs. Harold Samloff

SUPPORTING MEMBER $500 and Above

Anonymous Andrea Alley In memory of Jerry Appell Anne Beck Rosemary Berg Ross & Shirley Berg In Memory of Nan Beyer Suzanne & David Black Babette Burdman Emily Burns Arlene Busch Stephanie & Brad Butler Dawn Cernak Ann Chafoulias Sophia Chiang & Wayne Gaafar Rose & Joseph Circello Steven & Shari Cohen Catherine M. Comer Carl J. Cross Shelly & Mark Detmer Don Dotts Jane Dowling Priscilla Ethier Rhonda Elifritz-Rix Virginia & Ron Erhardt Karen Felts & Amanda Felts Mr. & Mrs. Armando Flores Jane & Bob Franek

Rose M. Frankfort Natalie & Edward Gaylord Jill Hart Ronald H. Harten Col. Paul Harwood Linda Heppe Beth & Bill Hicks Patty & Ronnie Horn William Hosking Kathy & Kenneth Hudson Laurene Hughes Mister Jackson Michelle Louise Johnson Mr. & Mrs. Malcolm Jozoff Ellen & Howard Katz Dr. & Mrs. Dean Kile Mr. & Mrs. Michael Kirby Sr. Diana & Mark Kirk Brenda Koblick & Jeffrey Hertz Joan & Walt Koppenbrink Alisa & Michael Lacey Cheryl Laurent Lisa & William Leighton Dorothy Lincoln-Smith Christine Mahon & CHarles Mackey Alice Mason Marilyn & Mark McCall Ellis & Kiran Means Julie Mooney Vickie & Ron Neill New Electric, Inc. Karen Nordstrand Kathy & James O’Brien Michael O’Meara Sara Oliver Pam & Gary Passey Valerie & Gregory Patten Natalie & Robert Perucelli Sandra Phillips MaryLee & Glen Poole Nathanael Pretlow Toni Ramsey & Mark Mulligan Rosalie Raptosh Gail & Michael Reed Michael Rego Lauren Reid Ronald & Beverly Richards John & Dee Ann Rogers Jordan Roth Norma & Henry Rother Alice & Doug Safford Beth Saiki-Olsen & Morgan Olsen Ed Sandler Dawn & Michael Sandlin Jacob Schwarz In Memory of Judith Signeski Ronald P. Slamin, Sr. William Smith Tena & Michael Sprenger Richard P. Stahl Cynthia & Adam Stcyr Laura & Michael Suriano Chris & Geri Swahn Frank & Donna Tanori Vicki & Tom Taradash Dr. Jerome & Dr. Selma E. Targovnik VIP Tours of New York LLC Margaret Vick Sandy Wagner Jean & Darren West Kelli & Lonnie Williams Deborah Wright & Robert Singley Larry Wulkan Dr. & Mrs. Howard E. Wulsin Joseph Zavislak

CONTRIBUTING MEMBER $250 and Above

Anonymous Joseph Albach Ted Allmon Teresa Amabisca Brenda & Kerry Amstutz Susan Anderson & Robert Arthur Association of the United States Army,

Arizona Territorial Chapter Melissa & Joshua Baker Sheryl & Fred Barlam Lori Barnes C.K. “Wiggie” Bastian & Stephanie Keeler David Bayliff Veronica & John Beamer William Becker Mark Betz Regina & Peter Bidstrup Kristine Black David Blaylock Neva & Jim Bochenek Judy Bodnar George & Mary Ann Bradbury Lauri & Mike Branch Dr. & Mrs. Peter S. Brown Saundra Bryn Elizabeth & Dan Burk Rudy Burns Mary & Ray Byke Christine Carlson Peggy & Cy Carney Catherine Clarich Brent Collins Dorothy & Roger Colucci Kevin Corrigan Stacey Craig Michele & Bruce Davis Casey Dickinson Julie & Michael Dillon Jan & Leo Dressel Richard Duke Cheryl Eames & Bill Achtenberg Patricia & Fred Farsjo Sharon Feltus Patricia Fimbres Catherine Flowers Jodie Ford Sylvia & John Fox Friedel Family Foundation Mary Ann Gallagher Nanci Geres Sarah Giunta Selma Glass Alyssa Ann Goldstein Melissa Gram Jessica Griffin Michelle Gonzales Morton L. Goodman & Kathleen Niederst Sharon & Tim Gregory Jessia Griffin Eva & James Hamant Cynthia Hanna Therese & Scott Hannemann Kristine & Walter Harnden Lettie & David Harrald Brody Hawker Angeline Hawkes Sara & James Herschauer Jamie Hormel Dorothy J. Horn Mr. & Mrs. Jason Hug Margo Hull Patricia Hynoski Mary Sue & Paul Ingraham Gary Jackson Joe W. Janick & Tina Firetag Frances Johnson-Gibbs Robert Johnson Raylene Johnston Anne & Tom Jones Kathryn Keast Louis C. Kirby Ann & Timothy Kneuss Alexandra Knight Edith & Donald Kunz Richard Laborin William & Linda Langer Raenelle & William Lees Mr. & Mrs. Brian Leiphart Patricia Liaros Florence & Paul Libin Christy Lindsay Steven Lofgren Trenda & John Long Marissa Luck Karie Lurie Suzan Makaus Kimberly Marshall Alice Mason Julie Mate Julie McCallister James McDonald Lynette Merkell Erica Moran

Kathryn Morrison Christine & Edward Moss Gerald & Juanita Myers David Novarina Erik Olson Larry Paprocki Shannon Payne & Richard Joos Alicia Pendley Paul Peters Valleria Pickett Ann & Richard Porras Melanie Powers William Rase Mariese & Glen Reeves Justin Reynolds Peter & Jeane Robbeloth Lynn Robinson Matthew Robinson Ronald & Cynthia Rodgers Donna & Jack Rubino Virginia Savage Gloria Sawrey Plezana Schuler Carolyn Sechler CPA Elvia Senter & Norman Buckner, Jr. Roberta & Robert Shank In Honor of Kendall Siebels Kathy Sill & Joel Birenbaum Raj Sivananthan Daniel L. Smith Laura & Toby Sneed Hector Sosa Marguerite Spears Mary Stahl Allan Stein Mark Stevens Trisa Summers Orin & Mary Svarc Audreyetta Swanson Sherri Tanis Particia Taylor In Memory of Ralph Thomas Rochelle & Tim Thomas Bradley Timmerman Josephine Torrez Jennifer Turner Francisco Uriarte Celia Vasfaret Katherina & Harold Watson Leesa & George Weisz Marty Westfall Stacy & Ronnie Wince Darcey Winterland Christine Woodson Tandy Young Yubeta Family Veronica Zavala Lisa Zelasko Gayle Zerkel

VOLUME 11 | 2016

DONORS

Bryan & Katherine Sandler Christine & Frank Scarpati Mark Schiavoni Ellen & Paul Schifman Dr. Katherine Schmidt & Professor Randall Schmidt Lyrna & Michael Schoon Marcia & John Sciali Ryan & Rachel Semro Judy Sera-Windell & Robert Windell Mr. & Mrs. Clark Skeans Rebecca & William Smead Lynn Speed Frances Sreekumar Karen Stein Roslyn & Alan Stoff Christina & Tim Tarter Toby Teret Taylor Carla & Gary Tenney Tewksbury Financial Group/John & Sunny Tewksbury Kartika & Eric Thornbre Susan Thrasher & Chuck Schwartz Kerie S. Trindle Byrne & Derek Byrne Mollie C. Trivers Alicia Torruella Zeena Ubogy M.D. & Millard Thaler M.D./Papillon Cosmetic Dermatology Center Ann & Paul Underwood Joseph Walters Dale & Sheryl Wanek Phyl Wason Suzanne & Craig Weaver Lori Weinstein Kristi West John O. Whiteman Jeanne Wilcox & Joe Rody Doris & Duly Winkler Coral & Thomas Wood Sharon K. Woodman Michelle & Chris Zachar Joseph Zavislak Pam Ziegler Robert Zinn

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ASU GAMMAGE INNER CIRCLE

PO Box 870205 Tempe, AZ 85287-0205 480.965.5062 asugammage.com

UPCOMING VIP EVENTS Late August

Friday, October 14

Keep an eye on your mailbox for donor benefit materials like parking passes and VIP Lounge passes.

Open Rehearsal: Carpetbag Theatre – SPEED KILLED MY COUSIN

Supporting Member and above.

12:00-1:00 p.m.

Bring your lunch and enjoy a rare behindthe-scenes look at the upcoming BEYOND performance. Get a glimpse of visiting artists’ and stage technicians’ process, and ask questions directly to the artists during the last 15 minutes.

Open to the public.

Saturday, October 15 BEYOND: Carpetbag Theatre – SPEED KILLED MY COUSIN Sarah Bishop as Helga, Andrea Goss as Sally Bowles and Alison Ewing as Fritzie in the 2016 National Tour of CABARET. Photo: Joan Marcus

Tuesday, September 13 Cast Party: CABARET 10:00 p.m. (approx.)

Join ASU Gammage and cast members from CABARET for beverages and light hors d’oeuvres on Opening Night Exclusive VIP Club member benefit (Directors Club and above)! Must RSVP.

7:00 p.m.

We are very proud to host this award-winning theater gem from Tennessee for their Arizona debut.

Tickets are available through the ASU Gammage box office.

Ben Davis as Captain Georg von Trapp with Kerstin Anderson as Maria Rainer and the von Trapp Children in THE SOUND OF MUSIC. Photo: Matthew Murphy

Tuesday, October 18 Cast Party: THE SOUND OF MUSIC 10:00 p.m. (approx.)

Join ASU Gammage and cast members from THE SOUND OF MUSIC for beverages and light hors d’oeuvres on Opening Night Exclusive VIP Club member benefit (Directors Club and above)! Must RSVP.