Duv Vu - Project: Lida

Studio

FEAR AWE WONDER _Patrick Macasaet_

Minh Duc Vu s3776217

Final Project

LIDA Worlding Researches Method Blueprint Process Siteplan Groundplan Level 1 plane Short Section Long Section Exterior Views Interior Views Axometric Diagrams

Appendix MIDSEM PROJECT Week 1 +2

Week 3 + 4

Week 5+ 6

FEAR AWE WONDER

PROJECT: LIDA Duc Vu

Would it be interesting if we can change or merge one highly secure private space with/ or into a public space?

Curated data, online informations, there only purpose is to serve the big corporations, and politians The data that we created being used to chain us into their machine

Day by day, we only cared about what are the news online today?

We watch it, listen to it but never trully question about its legitimacy As long as our brain is satisfy with the random knowleges we receive, we’re happy.

We’re becoming more ignorant about our surrounding environment Little that we know, the data that we use and learn and hear online everyday is one of the major cause to the destruction of our Earth, due to the amount of energy a data centre consume to store data and air conditioning

Ancient Alexandria library the city of Alexandria was once home to the world’s greatest archive of knowledge.

Established by an exiled Athenian statesman the “universal library” of Alexandria was a project to house the knowledge of classical civilization; building on it, by rendering its accessible.

John Darling & Son Mill

A Victoria Heritage Site A symbol for the flour industry in Victoria

CONTOURS - WHAT IF WE DRAPE THE LANDSCAPE OVER SOMETHING?

Rule _Create a 4 blocks grid, but with the maximum length and width based on the type that the DGR is applying to. _Duplicate the type and move it back based on the grid. _Duplicate the type again, then rotate the type on y-axis -20 degree _Then rotate the duplicated-type -20 degree on the x-axis __Move Move iitt tto the left by one block based on the grid __Trim Tr the lines that are ut of the boundary

A binary condition One on top one at the bottom One being a data centre the other is another addition function that can help to open up the data centre for the public

Storage accessible for certain security clearance

Silos, monumental, iconic, historical significant

Private data

Architectural and historical significant of Victoria

what if the drape the landscape oversomething

Data Centre John Darling Mill

Public data

cross programming explose the private data centre to the public

Site

Library accessible by public and can be contribute by public Future form of library

the data are not filtered or curated to serve any corporation agendas Area for the public to have a conversation, study

Security Display data Projecting data, researches online to the real world for potential patrons which data is private which data is public?

Area for presentation exhibit researches

build a community

shared yours ideas to the public, or be able to collab with other inventors within the community

Can private data being display in real life for the public?

we already shared so much or our daily life/ private data online, why can’t it be presented in the real world? same information diffrent presentation?

PROJECT: LIDA The aim for the project is to create a data centre as a future form of library A cross-programming between a data centre with a library situated on a heritage site of John Darlingand & Son Mills A merging of a private with a public space, creating a sense of transparent, allowing certain access for the public to a (used to be) secured, highly private space.

Bringing back the idea of the ancient Alexandria Library, where data/ information/ knowledges are created and used by the public, by the surrounding community to create new inventions, create new conversations, and build a better world.

A

B

1

2

1

3

2

3

A2 + B3

4

RAW RESULT

Sometimes in order for it to be buildable straight lines and edges are OK!

FINAL ITERATION

SITE PLAN

GROUND PLAN

Level 2

SHORT SECTION

LONG SECTION

Exterior views

Exterior view

Interior views

Interior views

Interior views Data server hall with studying area Allowing people to directly accessing the data from bellow with minor censorship

Presentation hall and data server _allowing people to present their ideas for collaboration or looking for future pattrons

Interior views

Level 4

Level 3

Level 2 The heritage facade and tower

Level 1

The major wall seperating offices with public area

Public area floor typology

Roof and frame typology

‘Rail’ data server system - top view

‘Rail’ data server system

The silos

The silos’ rail data server system and presetation/ collaboration space

APPENDIX

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - RESEARCH

WHAT IS TYPE? “To recognise emerging type-organisations, a new classification system for buildings is suggested, one based not on function but rather on a consideration of the effects of urban geography, formal, economic and historical influences as manifestations of the cultural and social context”

BUILDING AS A LANSCAPE "Lausanne’s topography has transformed the relation of streets to buildings, indeed the whole notion of urban space. In some parts of the city, streets are suspended and buildings buried in the ground. Rooftops act as ground floors while the piano nobile1 can be found on any level. Buildings function as vertical passageways and bridges as multistory crossings. The practical irrelevance of a consistent datum place has also transformed the very concept of urbanism in this city." "engage with the public realm by pulling some part of the surface of the city over or onto the building, or by distributing it vertically through the building as a series of elevated plazas, gardens or arcades. Public space and landscape become hybridised with other programmatic elements of the building."

"The proliferation of buildings that create new terrain through the folding and creasing of surfaces, or the piling up of blocks to create artificial peaks in the urban context, signals a desire to treat urban space as geological matter and to blur the boundary between nature and culture. And it is not only the outward form of the mountain that is visible in these new projects but also the building blocks of geology as well: rocks or stones strewn in the landscape, earth mounds, craters and crevasses, the aggregation of crystalline units."

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - RESEARCH Typological exploration one: nebulous landscape & didactic civic fields Flinder Street Station Southern Cross Station

THE ‘SHED’

THE ‘ADMIN’

CIRCULATION

King’s Cross Station

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - TYPE, GOD

Train Station G.O.D WHITE (public) A ‘SHED’ covering the entire station, creating a close/ open space, creating a sense of welcoming and very public and civic.

BLUE (public) General model of a circulation within a train station, leading the people from the entrances into the platforms, and from there they enter the system.

RED (non-public) The ‘AD MIN’ p roviding ttickets, ickets, trains’ trains’ informations, informations, controling controling the the rail rail system. system.

DMIN’ providing

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - PROCESS CHOREOGRAPHING Rule _Create a 4 blocks grid, but with the maximum length and width based on the type that the DGR is applying to. _Duplicate the type and move it back based on the grid. _Duplicate the type again, then rotate the type on y-axis -20 degree _Then rotate the duplicated-type -20 degree on the x-axis _Move it to the left by one block based on the grid _Trim the lines that are ut of the boundary

PART A TYPOLOGICAL, T YPOLOGICAL, PROCEDURAL, PROCEDURAL, EXPLORATION EXPLORATIO & ECOLOGIES E COLOGIES - PROCESS PROCESS C CHOREOGRAPHING HOREOGRAPHING

THE ‘SHED’

THE ‘ADMIN’

CIRCULATION

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - RESEARCH Typological exploration two: Spatial Strategies & Programmatic Imagination

LIBRARY THE ‘DATA STORAGE’

G.O.D

COLLABORATION AREA

CIRCULATION

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES E COLOGIES - PROCESS PROCESS C CHOREOGRAPHING HOREOGR SSlice, lice, D Dice, ice, M Move ove aand nd SScale cale - SDMD SDMD

Rule _Duplicate each type cut them in x-axis and y-axis for each duplication _Used the bitcoin price chart to move the each block up and down _Scale each block of each duplication based on how they were cut in x-axis then scale them on the x-axis and via versa on the y-axis _scaling using data from the Bitcoin chart, divided by 1000, ex 49000 = scale by 4.9

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - ECOLOGIES

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - ECOLOGIES (groupwork with CHIARA)

PART B GAMING INTELLIGENT & WORLDING POLEMICS

PART B GAMING INTELLIGENT & WORLDING POLEMICS

Our idea for the data centre’s typology are based on the fluidity of the natural landscape, the constant flow and changing of information on the internet can help to open up a private, fortified data centre to the public realm. Creating a fluid, dynamic and always changing form that can engage with the public, with the cities, with its surround environment and landscape, but also in its ever changing and collective spacial qualities and programs.

The formal qualities of the data centre at the moment, did satisfy our target a bit in someway, it’s a creation between join data from the natural landscape and Bitcoin price chart, as a result a wavey, flowy form, that open up the space for the public. But the form is quite open, lacking connection with its surrounding, or haven’t really response to its surrounding. Question about how the public can actually interact with the form itself, for example be able to walk on top of the ‘shed’?, it looks nice but how can the public interact with it?

Idea of a hidden private data centre within the landscape? in side a cave? maybe?

The spacial quality has some potential to explore more. The void under the ‘shed’ is quite large, has a lot of potential for more programs, it’s a quite linear in its form? Thinking how the function and spacial void type can be spread more within the form?

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - RESEARCH Typological exploration two: Spatial Strategies & Programmatic Imagination

“Buildings are increasingly called upon to produce an illusion of freedom coupled with the reality of control and surveilance”

“Consciously or not, Levi-Strauss echoes the romantic vision of Hugh Ferriss, who , in the late 1920s, had also rendered the city as an aggregation of crystalline geological forms.

Unlike t he traditional city of squares and public spaces- places of collective sociabilityFerriss’ dramatic views of an imagined Manhattan depict a mineral city cut through by streets in mid-air and disconnected from the traditional urban ground. This is a space of pure exteriority, where the individual, alone in the city, confronts an unforgiving urban landscape, much as the solitary explorer confronted the rugged landscape of the American West”

“As seemingly unforeseeable spatial and organisational differences are revealed, a variety of new typological possibilities emerge”

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - RESEARCH

The Sphere

Circulations

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - PROCESS CHOREOGRAPHING

Rule _Place a 12*1 grid over the G.O.D and seperate it according to the grid. _Extrude each piece according to the average temperature of each month _Scale the G.O.D by 10 vertically _Duplicate it and rotate by 35 degree

PART A TYPOLOGICAL, T YPOLOGICAL, PROCEDURAL, PROCEDURAL, EXPLORATION EXPLORA & ECOLOGIES E COLOGIES - ECOLOGY ECOLOGY (group (group work work merging merg model with G LORIA) GLORIA)

__Not Not responsive responsive tto o tthe he ssite, ite, ttoo oo ccramp ramp

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - ECOLOGY (group work merging model with GLORIA)

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - ECOLOGY (group work merging model with GLORIA)

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - ECOLOGY (group work merging model with GLORIA)

Trying to respone more to the elongated site

An idea of two seperated world co-exist with each other One above and one bellow The data city above, gathering data, information and people to come and live whitin the city, then use their knowledge to contribute and build a better world There was also an idea of worshipping data, creating a religion that preaching it? not so sure what it could look like or it’s good idea?

PART B GAMING INTELLIGENT & WORLDING POLEMICS

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES RESEARCH

Combining two or more progams, whereby a required spatial configuration of program A contaminates program B and B’s possible configuration. The new program B may be extracted from the inherent contradictions contained in program A, and B’s required spatial configuration may be applied to A. America city has been field-like: open and porous to the landscape With new technologies, and an expaned scale of intervention, new urban typologies have emerged: vast enclose stadia; simulated streets and interconnected urban shopping malls; labyrinthine transit nodes; artificial ski hills and surfing beaches; atria and gardens extending high into the air. The strong seperation of exterior and interior dissappears, and with it, the sense of architecture as a man-made artifact sittuated within a natural lanscape.

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES RESEARCH Typological exploration two: Spatial Strategies & Programmatic Imagination

Domes

Skyscrapers

‘Areas of interest’ Popular retail blocks

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - G.O.D Domes

Skyscrapers

‘Areas of interest’ Popular retail blocks

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - PROCESS CHOREOGRAPHING Using online data to distribute the G.O.D and scaling on the site

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - PROCESS CHOREOGRAPHING

PART A TYPOLOGICAL, PROCEDURAL, EXPLORATION & ECOLOGIES - PROCESS CHOREOGRAPHING

Interesting forms and spatial conditions are being generated but lacking the main idea, the position on this explorations.

What is the main target? what is it for ? ideas?

MIDSEM - Round table crit

Do we have to eat salt in order to taste the saltiness?

Japanese researchers have developed computerised chopsticks that enhance salty tastes, potentially helping those who need to reduce sodium in their diets. Co-developed by Meiji University professor Homei Miyashita and beverage maker Kirin Holdings Co. (2503.T), the chopsticks enhance tastes using electrical stimulation and a mini-computer worn on a wristband. The device uses a weak electrical current to transmit sodium ions from food, through the chopsticks, to the mouth where they create a sense of saltiness, said Miyashita.

“As a result, the salty taste enhances 1.5 times,” he said. Miyashita and his lab have explored various ways that technology can interact with and stimulate human sensory experiences. He’s also developed a lickable TV screen that can imitate various food flavours.

The taste-enhancing chopsticks may have particular relevance in Japan, where the traditional diet favours salty tastes. The average Japanese adult consumes about 10 grams of salt per day, double the amount recommended by the World Health Organisation.

Excess sodium intake is related to increased incidence of high blood pressure, strokes and other ailments.

Do we have to build things, see things, touch things to know what is real? what is possible?

What if we could simply trick our senses?

CONCEPT A DATA CENTRE IS NOT JUST A DATA CENTRE The project look at what if the data centre could be more than just a data centre. Do we have to build the ‘what if ’ when there could be so much potential online, in the metaverse. Using the data centre as a server host, create a different seperated world, a different possibility, a public space, exhibiting datas, arts, researches, allow gatherings, trade and investment in new technology to help develop reality, creating a meta conventional centre.

In real life,....

In meta.....

In real life,....

In meta.....

In real life,....

In meta.....

In real life,....

In meta.....

THE END.