Woolley & Wallis Modern British & 20th Century Art by Park Communications

WOOLLEY & WALLIS MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 11TH DECEMBER 2019

www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART Wednesday 11th December 2019

AUCTION CALENDAR JANUARY 8th

Furniture, Works of Art & Clocks

FREE VALUATION MORNINGS First Friday of the month 10am-1pm. No appointment necessary.

21st & 22nd Silver & Objects of Vertu 23rd Jewellery

FEBRUARY

NEXT VALUATION DATES 6th December, 7th February & 6th March (No valuation day in January)

4th & 5th The Judith Howard Collection of Sèvres Porcelain 19th

Tribal Art & Antiquities

MARCH 4th

Old Masters, British & European Paintings

18th

Clarice Cliff, Art Deco & Design

APRIL 1st

Furniture, Works of Art & Clocks

21st

English & European Ceramics & Glass

28th & 29th Silver & Objects of Vertu 30th

Fine Jewellery

MAY 6th

Medals & Coins, Arms & Armour

19th & 20th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE 3rd

Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet

17th

Arts & Crafts

Dates may be subject to change

Lot 24

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

Lucien Pissarro (French, 1863-1944) Duton Hill, Essex (detail)

*Price includes buyer’s premium

SOLD FOR £10,000*

SPECIALIST DEPARTMENTS Please dial +44 (0) 1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV 424506 Jeremy Morgan +44 (0)7812 601098 Amber Lees 424571 Sarah Lopez-Ferreiro 424591 CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE WORKS OF ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA 424595 Jonathan Edwards FGAA (Consultant) 424504 Charlotte Glyde FGA 424586 MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA 424598 Amanda Lawrence (PA) 424509 MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie SALEROOM MANAGER Matt Hill CASTLE GATE MANAGER David Jordan CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424500

MODERN BRITISH & 20TH CENTURY ART at our Castle Street Salerooms, SP1 3SU

Wednesday 11th December 2019 at 10am VIEWING TIMES Saturday 7th December Monday 9th December Tuesday 10th December Wednesday 11th December

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. Victor Fauvelle +44 (0) 1722 446961 vf@woolleyandwallis.co.uk

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings.

LIVE BIDDING

Ed Beer +44 (0) 1722 446962 eb@woolleyandwallis.co.uk

PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 10th December.

Hannah Vernon +44 (0) 1722 446970 hv@woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 12th and 13th December - collection of lots on these days and Saturday 14th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 16th December collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted.

ILLUSTRATIONS

Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees.

Front cover: Lot 220 (detail) Back cover: Lot 149 (detail) Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post) Member of The Society

of Fine Art Auctioneers

Our offices will be closed for Christmas from Friday 20th December, re-opening on Thursday 2nd January. No collections are available during this period. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on 10th December.

Lot 150 (detail)

1 MODERN BRITISH SCHOOL Nativity scene with Holy Family, ox and ass Signed indistinctly and numbered 179/1000 5 interlinked polished bronzes with green patination on the reverse, on a dark resin base 13cm high £150-250

2‡ FREDDA BRILLIANT Polish 1903-1999

Jozef Adam Zygmunt Cyrankiewicz (Polish, 1911-1989), Premier of Poland (1947-1952 and 1954-1970), he was a Polish Socialist and after 1948 Communist politician Signed and dated 1957 Bronze 57cm high With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) (2) Brilliant describes how difficult it was to get the sitter to stand still due to his imprisonment during the war but she stepped firmly on his foot and dug her elbow into his ribs to hold him firm against the table!

£120-180

3 C. B. 20th Century

Portrait of a gentleman Signed with a monogram Bronze, on a marble base 36cm high; 51cm with base A resemblance to Albert Einstein has been suggested £200-300

2 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

4‡ DAVID WYNNE OBE 1926-2014

Sitting deer Numbered H 1/6 Bronze 16.5cm wide £1,500-2,500

5‡ GEOFFREY DASHWOOD b.1947

Roebuck Signed and inscribed A/C Bronze on wooden base, artist’s copy 21.8cm high £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

6‡ GEOFFREY DASHWOOD b.1947

Goldcrest on a ball Signed, numbered 12/24 and inscribed P.E. Bronze with green patina 7.5cm high £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

7 FOLLOWER OF HENRY MOORE Reclining figure Bronze, on a marble base 16cm wide (figure) Together with a resin replica on marble base of Moore’s 1945 Reclining Female (Detroit Institute of Arts, no. 70.199) (2) Provenance: Bronze, property of an antiques dealer, 1980s; By descent to his son; Criterion Auctions, 3 March 2014, lot 152 £400-600

8 FOLLOWER OF HENRY MOORE Reclining figure Oak 32.5cm wide £200-300

9 FOLLOWER OF KENNETH ARMITAGE Two figures seated on a bench Terracotta 26.5 x 29.5cm £200-300

9 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

10 FOLLOWER OF DAME ELISABETH FRINK

11 ‡ COSIMO CARLUCCI

12 ‡ CHARLIE MACPHERSON

13 ‡ GUY TAPLIN

Italian 1919-1987

Contemporary

b.1939

Bird

Untitled, abstract

Movement

Bronze 34cm high

Signed and dated 63 Brass 23cm wide

Seven, four in blue and three in colourless etched glass, each with windows Largest 83.5cm high; Smallest 56.9cm high (7)

Belt with buckle in the form of two rams heads; Belt with buckle in the form of two hands

£300-500

Provenance: The Estate of Peter and Rosa Seldon; Woolley and Wallis, Modern British & 20th Century Art, 4 December 2018, lot 206

Two, one inscribed Made by Guy Taplin on the strap Cast white metal buckles with leather straps 86cm; 82cm (2)

£250-450

£120-180

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

14 â&#x20AC;Ą GUY TAPLIN b.1939

Three curlews Signed and titled Painted wood with glass bead eyes, metal supports and driftwood base 54 x 99cm Provenance: Bonhams, London, Modern Pictures, 20 March 2007, lot 249A ÂŁ2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

15 ‡ GUY TAPLIN b.1939

Four guillemots and four eggs Signed and titled Painted wood with glass bead eyes, on a painted wooden base 63 x 61.5cm Provenance: Christie’s, London, 20th Century British Art, 5 November 2009, lot 167; Christie’s London, Sporting and Wildlife Art, 27 June 2012, lot 104 £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

16 ‡ GUY TAPLIN b.1939

Swan Pine with glass bead eyes 75 x 79cm Provenance: Purchased from the artist in the early 1970s £800-1,200

According to a letter from Guy Taplin to the present owner ‘the goose (lot 17) and swan (lot 16) are mine...among the first things I made and the journey has never stopped’. These works were made whilst Taplin was working as a bird keeper in Regents Park. Taplin has said that ‘I used to look after the ducks in the park and saw all these decoy ducks in the antique markets. I thought ‘I could make some of these’ - somebody came into the park and asked if they could have a few and it took off.’

17 ‡ GUY TAPLIN b.1939

Canada goose Painted wood with glass bead eyes 46.5 x 65.5cm Provenance: Purchased from the artist in the early 1970s £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

18 ‡ GUY TAPLIN b.1939

Crow flying with an egg in its mouth Signed and titled Painted wood with glass bead eyes, metal support, painted driftwood base 84 x 93cm £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

19 ‡ PETER RANDALL-PAGE RA b.1954

Bronze VI Bronze, unique, 1992 11.8 x 11cm Provenance: Clive Adams; From whom purchased by Mr R Warby, May 1992 Literature: Peter Randall-Page: Sculpture and Drawings, 1977-1992 (Leeds, City Art Gallery, 1992) catalogue raisonne no. 111 Exhibited: Leeds, Leeds City Art Gallery, Peter Randall-Page: Sculpture and Drawings, 1977-1992, April - June 1992, no. 106 Part of a series of six sculptures. £1,500-2,500

20 ‡ SIR WILLIAM REID DICK KCVO, RA 1879-1961

Dawn Signed and dated 1925 Bronze 12.5cm high The model for this work was the artist’s son John, when he was just a few days old. £1,200-1,800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

21 ‡ SIR ANTHONY CARO OM, CBE 1924-2013

Small Bronze ‘d’ Bronze, cast and welded, unique, 1982 17.1 x 16.5cm Literature: Dieter Blume, Anthony Caro Catalogue Raisonné, volume V (Cologne, 1986), no.1592, illustrated p.202 Exhibited: Waddington Galleries, London, Anthony Caro Recent Sculptures, Steel and Bronze, 1983 Part of a series of sixteen table top sculptures executed in 1982 and 1983. £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

22 ‡ HENRY MOORE OM, CH 1898-1986

Hand Relief No. 1 Bronze, with green patination, conceived in 1952 and cast in 1956 in an edition of nine plus one artist’s proof 33.5 x 35cm This work is registered with the Henry Moore Foundation, no. LH 354 Literature: Alan Bowness, ed., Henry Moore, Complete Sculpture, 1949-54, vol. 2, (Lund Humphries, London), no. 354 (another cast illustrated but incorrectly labelled as no. 355) Provenance: Either Laing Gallery, Toronto or Marlborough Gallery, Montreal; where purchased by Benjamin Luxenberg Q.C., Toronto; by descent to Leon Root, New York According to Moore the present work is a ‘study for the hands on a larger work, actually of the King and Queen, 1952/53. When I was making the large version of the King and Queen, and getting to working on the hands in detail, I got a little stuck with them, and contrary to any previous practice, I felt I needed to have a model of a real hand. And so I asked my wife to come into the studio and hold her hand in the position I required - she posed for about a quarter of an hour and then said she couldn’t stay any longer as the lunch she was cooking needed her attention. I then asked Mary, my daughter who was six years old, to come and hold her hand in the position I wanted, and in this way I was helped in completing the hands of the full-size sculpture.’ (Henry Moore, letter to Allan D. Emil, 21 October 1966, reprinted in Alan Wilkinson (ed.), Henry Moore: Writings and Conversations, Aldershot 2002, p.283) £20,000-30,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

Frank O. Salisbury (1874-1962)

Frank O. Salisbury in the gallery at Sarum Chase (fig.1) Frank O. Salisbury was one of the greatest society artists of his age, know as ‘Britain’s Painter Laureate’. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury’s work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase (fig.1) shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.

23 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

23 ‡ FRANK O. SALISBURY

24 ‡ FRANK O. SALISBURY

1874-1962

Fantasy

Sweetening the Hay

Signed and further titled and inscribed to verso Oil on canvas 87 x 112cm

Signed, and further titled, inscribed FRANK O. SALISBURY/62 avenue Rd/NW8, and with oil sketch of figure to verso Oil on canvas 108 x 194cm

Provenance: By descent from the artist Exhibited: Royal Academy, 1902, no. 726; Liverpool, Manchester, Bradford, Southport and New Zealand (according to inscription to verso) The model is the artist’s wife Maud. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

Provenance: By descent from the artist £6,000-8,000

25 â&#x20AC;Ą FRANK O. SALISBURY 1874-1962

Silent Confidences Signed and titled to verso Oil on canvas 76 x 76cm, framed as circle Provenance: By descent from the artist Exhibited: The St. James Art Society (according to label) ÂŁ2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

26 ‡ FRANK O. SALISBURY 1874-1962

Youth’s Dreamland Garden Signed, dated 1912, and further titled and inscribed to verso Oil on canvas, circular 152cm diameter Provenance: Painted for Samuel Ryder J.P., St. Alban’s; His posthumous sale, Christie’s, where purchased by the artist’s family (all according to inscriptions to verso); By descent

Exhibited: Royal Academy, 1912, no. 250, as Childhood; Liverpool, 1913; Southport, 1913; Oldham, 1914 This painting was originally painted for Samuel Ryder (1858-1936). Today he is best known for the eponymous golf tournament between Europe and the United States. Ryder was integral in setting up the competition, and donated the trophy for the inaugural event in 1927. £5,000-7,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

27 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

27 ‡ FRANK O. SALISBURY 1874-1962

Field Mice Signed Oil on canvas laid on board 162 x 123cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.18, illustrated The models are the artist’s twin daughters, Monica and Sylvia. This painting is the original version of the 1910 work sold at Christie’s, London, 5 March 1987, The field mice nutbrown maidens, the twins. The Christie’s work contained a mouse, reputed to be a later addition painted by Sylvia. £3,000-5,000

28 ‡ FRANK O. SALISBURY 1874-1962

Twins, The Twenty First Birthday Signed, and further inscribed to verso Oil on canvas 129 x 102cm Provenance: By descent from the artist The sitters are the artist’s twin daughters, Monica and Sylvia. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

29 ‡ FRANK O. SALISBURY 1874-1962

The Bride, Mrs Leonard Norris Signed, dated 1929, and titled and further inscribed to verso Oil on canvas 112 x 87cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.127, illustrated The sitter is the artist’s daughter Monica. £1,500-2,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

30 ‡ FRANK O. SALISBURY 1874-1962

Portrait of Mrs Leonard Norris, née Monica Salisbury, daughter of the artist Signed and dated Aug 14 1930 Oil on canvas 112 x 87cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.126, illustrated £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

31 ‡ GEORGE DENHOLM AMOUR

32 ‡ GEORGE DENHOLM AMOUR

1864-1949

Terriers in a covert

Setting out

Signed Watercolour 35.5 x 28cm

Signed Watercolour and bodycolour on linen 43 x 32.5cm

Provenance: Arthur Ackermann & Son, London

Exhibited: Christie’s, London, Sporting Art in Britain, British Sporting Art Trust 25th Anniversary Exhibition, 6-22 January 2003

£500-700

33 ‡ GEORGE DENHOLM AMOUR 1864-1949

Five Studies of a Mallard Duck Two signed with initials Chalk on buff paper Largest 6.4 x 12.7cm; Smallest 4.8 x 5.7cm (5) Framed as one Provenance: The Sadler Street Gallery, Wells £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

34 ‡ GEORGE DENHOLM AMOUR

35 JOSEPH CRAWHALL

1864-1949

Study of ducks

Elephant Signed with initials and titled Watercolour and bodycolour on linen 17.5 x 24.5cm Provenance: Fine Art Society, London £300-500

1861-1913 Signed and inscribed ‘Mary Auras Brenzini’ Chalk and watercolour 14.5 x 21.1cm Provenance: Spink, London, no. K3 6192b; Dallas Pratt (1914-1994); His posthumous sale, Christie’s, London, 16 March 1995, lot 327; Ewan Mundy Fine Art, Glasgow £200-300

36 JOSEPH CRAWHALL

37 JOSEPH CRAWHALL

1861-1913

Spring

Study of turkeys and ducks

Titled Pencil 7.8 x 11cm Provenance: Bourne Fine Art, Edinburgh £150-250

Signed Watercolour 20.8 x 25.6cm Provenance: Caroline Gee English Watercolours, Sussex £250-350

37 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

38 JOSEPH CRAWHALL 1861-1913

Bee Gee’s toes Inscribed ‘Birds eye view of Yorick Tabby and Bee Gee’s toes’ Pencil 16.2 x 12.3cm Provenance: Miss E. C. Challoner; Spink, London £300-500

39 JAMES MCNEILL WHISTLER American 1834-1903

The Smith’s Yard Signed in the plate with butterfly Lithograph 18.5 x 15.8cm (image)

£250-450

40 JAMES MCNEILL WHISTLER American 1834-1903

Tête-à-tête in the Garden Signed in the plate with butterfly Lithograph 19.3 x 16.5cm (image) £400-600

41 HENRI DE TOULOUSE LAUTREC French 1864-1901

Le marchand de marrons; The chestnut seller

Lithograph 25.5 x 17.5cm (image) From the 1925 edition of 625 for Histoire de la Lithographie de Manet à nos Jours Provenance: William Weston Gallery, London Many impressions from this edition were destroyed in World War II £500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

42 ‡ RODGER MCPHAIL

43 ‡ RODGER MCPHAIL

44 ‡ RODGER MCPHAIL

b.1953

Study of a duck on a gatepost

Fieldfare on a branch

Mole

Signed with initials Watercolour and pencil 12.4 x 12.8cm

Ink and wash 12.3 x 11.3cm

Signed with initials and inscribed “Druck” To Jill with best wishes Watercolour 30.2 x 25.3cm

£200-300

Provenance: The Tryon Gallery, London £150-250

£200-300

45 ‡ RODGER MCPHAIL

46 ‡ RODGER MCPHAIL

b.1953

Redwings in the snow

Chaffinch

Signed with initials Watercolour 11.7 x 19.1cm

Signed with initials Watercolour and pencil 12.1 x 18.5cm

Provenance: The Tryon Gallery, London

£250-350

45 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

47 ‡ JONATHAN SAINSBURY b.1951

Glen Tarken - Ptarmigan Signed and dated ‘90 Watercolour 47 x 74cm Provenance: The William Marler Gallery £400-600

48 ‡ ERIC ARNOLD ROBERTS ENNION 1900-1981

Mandarin ducks Signed Watercolour and pencil heightened with white 49.5 x 62.5cm £200-300

49 ‡ CARL WHITFIELD b.1958

Goldfinch on a branch Signed Oil on panel 30 x 24cm Provenance: Burlington Paintings, London £400-600

50 ‡ IAN BOWLES b.1947

Red grouse; Kestrel; Study of a shoveler duck, wigeon and woodcock 48

Three, each signed, one with additional monogram Each watercolour and gouache Largest 49 x 32.5cm; Smallest 30 x 40cm (3) £250-350

50 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

51 HENRY HERBERT LA THANGUE RA 1859-1929

Provencal Oaks, Bormes Signed Oil on canvas 54.3 x 60cm Provenance: Leicester Galleries, London; Moses Nightingale Esq; Thence by descent to the previous owner Exhibited: London, Leicester Galleries, Exhibition of Paintings by H. H. La Thangue R.A., April 1914, no.9; Brighton, City Art Gallery and Museum, Memorial Exhibition of Works by the Late H. H. La Thangue R.A., September 1930, no.21 Literature: Anon, Watercolours and Oils at Hazeldene, Crawley, Sussex, 1919, no.105 £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

52 ROBERT BEVAN

53 FOLLOWER OF PAUL NASH

54 ‡ SIR STANLEY SPENCER CBE, RA

1865-1925

The Woodyard

1891-1959

Farmhouse in the Blackdown Hills

Bears inscription and titled twice verso Watercolour 39.5 x 49.8cm

Study for The Apotheosis of Hilda, 1959

£200-300

Provenance: Christie’s London, Sir Stanley Spencer studio sale, 5 November 1998, lot 245

Watercolour and chalk 24.3 x 33.5cm Provenance: R. A. Bevan, the artist’s son; Thomas Agnew & Sons, no. 34981; Thomas Agnew & Sons, no. 46908

Pencil on paper, squared for transfer 50 x 75cm

£800-1,200

£700-1,000

54 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

55 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

Mascots and Make-up Signed, titled and inscribed in pencil to margin 1925, Bolling & Withington, no. 39, 1st state - proof 2 (according to label) Dry point etching 24.5 x 35cm (plate); 30.5 x 45.5cm (sheet) £400-600

56 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

Study of Pavlova dancing Signed Pencil 32.2 x 21cm Provenance: Property of the artist (according to an old exhibition label on frame)

£400-600

57 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

A circus clown Signed Charcoal and coloured chalks 34 x 24.9cm Provenance: Sotheby’s, London, 6 November 1974, lot 295 £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

58 ‡ SIR FRANK BRANGWYN RA

61 ‡ EDWARD BAWDEN RA

1867-1956

1903-1989

Barnard Castle

A mountainous lake landscape

Signed with initials to plate Etching 37.4 x 30cm (image)

Signed and dated 1962 Watercolour 45.75 x 57cm

£300-500

Provenance: Christie’s, London, 13 September 2009, lot 165

59 ‡ SIR FRANK BRANGWYN RA 1867-1956

Study of jugs Inscribed with glazing instructions and other annotations Pencil and watercolour 56.5 x 88cm £300-500

60 ‡ JOHN DUNCAN FERGUSSON Scottish 1874-1961

Paris sketch Charcoal 16 x 11cm

£3,000-5,000

62 ‡ EDWARD BAWDEN RA 1903-1989

Fir trees in a mountainous landscape Signed and dated 1949 Pen, ink and watercolour heightened with white 45 x 56cm Provenance: Christie’s, London, 20th Century British Art, 14 July 2011, lot 124 £3,000-5,000

Provenance: Margaret Fergusson; Compass Gallery, Glasgow; A. B. Cameron OBE Exhibited: Compass Gallery, Glasgow, One-man Exhibition, 17 June-13 July 1972, No. 52 £200-300

60 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

62 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 169

63 FRENCH SCHOOL 20th Century

Provençal landscape Signed with monogram DS, and dated 1962 Oil on board 37.7 x 44.8cm £150-200

64 FRENCH SCHOOL 20th Century

La Rochelle Titled Watercolour and gouache 25.2 x 35.5cm £100-200

65 ODILON ROCHE French 1868-1947

Study of bathers Inscribed and dated Baudol (?) Mardi ‘8 Avril 1930 Pencil and watercolour 23 x 30.8cm £100-200

66 ‡ ARTHUR HENRY KNIGHTON-HAMMOND 1875-1970

Evening, Albenga Signed and titled Watercolour and gouache on paper 31.5 x 44cm £200-300

66 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

67 ‡ EDWARD SEAGO RWS, RBA 1910-1974

Goatherd in the High Atlas Signed Watercolour 27 x 36.5cm Provenance: Richard Green, London, no. RH1846; Sotheby’s, London, 27 June 2006, lot 86; Property of The Sandy And Zorica Glen Charitable Settlement £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

68 ISO RAE Australian 1860-1940

Girl in a meadow holding a flower Signed Oil on canvas 105.5 x 59.5cm Provenance: Louise Whitford Gallery, London, 19 December 1980 ÂŁ2,000-3,000

68 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

69 GEORGE WASHINGTON LAMBERT ARA Australian 1873-1930

Kate Kelly during the last stand of the Kelly Gang

The daring Kate Kelly came forth from the crowd and on her poor brother she call out aloud “Come forth, my dear brother, and fight while you can!”

Signed and dated 1908 Oil on canvas 35.7 x 50.9cm Provenance: Purchased from the artist by Sir Walter Baldwin Spencer, Melbourne (1860-1929); By descent to his daughter Lady Dorothy Young (d.1966); By descent to her son Patrick Templeton Young (1925-1992); And by descent to the present Private Collector Literature: William Henry Lang, Australia (T. C. & E. C. Jack, London, 1908), o.p.238, illustrated, as The Last Stand of the Kellys at Glen Rowan; Anne Gray, George Lambert 1873-1930 Catalogue Raisonné: Paintings and Sculpture, Drawings in Public Collections (Bonamy Press, 1996), p.25, no P89 Exhibited: Melbourne, Guild Hall, Australian art exhibition, March - April 1911, no. 29, as In front of the Glen Rowan - Kate Kelly; Sydney, Art Gallery of New South Wales, Sir W. Baldwin Spencer’s Collection, December 1916, no 206; Sydney, Art Gallery of New South Wales, Loan Exhibition of Australian Art, 1918, no. 70, as Ned Kelly; Melbourne, Fine Art Society, The Baldwin Spencer Collection of Australian Pictures and Works of Art, May 1919, no. 18; Melbourne, National Gallery of Victoria, Loan Exhibition of Australian Paintings, 1925, no. 193, as Ned Kelly; Sidney, Education Department Gallery, 1930, no. 93 This work depicts the last stand of the notorious Kelly Gang, at Glenrowan, Australia in 1880. The outlaws took numerous hostages at a local inn, and were besieged by the police. George Lambert has depicted Ned Kelly’s younger sister Kate, astride a horse, trying to make her way past the police and reach her brother. £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

70 ‡ ROBIN GOODWIN 1909-1997

Seascape with a ship in choppy waters Signed Oil on canvas 55.5 x 76.5cm £300-500

71 ‡ NEVILLE SOTHEBY PITCHER 1889-1959

On the Solent Signed and titled Oil on canvas 38 x 46cm £200-300

72 WILLIAM LIONEL WYLLIE RA

1851-1931

The Battle of Jutland Signed in pencil to margin Etching 25.8 x 49.3cm (image) £200-300

73 WILLIAM LIONEL WYLLIE RA 1851-1931

The barge Providence at Kits Hole Reach on the Medway Signed in pencil to margin Etching 29.5 x 52cm (image) £150-250

73 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

74 ‡ GEORGES CHARLES ROBIN French 1903-2003

Figures and boats on the edge of a sunlit town Signed Oil on panel 26 x 33.5cm £800-1,200

75 ‡ ELISABETH VELLACOTT 1905-2002

Inside and Outside I Pastel and pencil, executed 1963 34.4 x 30.9cm Provenance: Redfern Gallery, London, 2005, where purchased by the present owner Exhibited: Redfern Gallery, London, Elisabeth Vellacott: A Centenary Exhibition, 8 March 7 April 2005 £400-600

76 ‡ ROBERT LOUIS BANKS 1911-2000

Statue of Hercules, Palazzo Borghese, Rome Signed and numbered 485 Watercolour and pencil 70 x 49cm Provenance: The Trafford Gallery, London; Dr. Pierre Riniret, New York £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

77 ‡ CHARLES PEARS RI, ROI, RSMA 1873-1958

A ship and tug boat in a harbour at night Signed Oil on board 57 x 44cm Provenance: Darnley Fine Art, London £600-800

78 ‡ GUSTAVE ADOLPH WIEGAND German 1870-1957

Wooded landscape Signed Oil on canvas 26 x 36cm Provenance: Robert C. Vose, Boston £300-400

79 ‡ FRANK EGGINTON RCA 1908-1990

A wet day, Comber Road, Co. Down Signed Watercolour 36.5 x 52cm £400-600

79 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

80 WILLIAM WALCOT RBA, RE

81 WILLIAM WALCOT RBA, RE

82 WILLIAM WALCOT RBA, RE

1874-1943

A view of St. Paul’s Cathedral from Ludgate Hill

The west front of St. Paul’s Cathedral, London

A view of Fleet Street

Signed Watercolour and bodycolour 54 x 38.5cm

Signed and dated 1907 Watercolour heightened with white and gum arabic 72.5 x 45cm

Provenance: Chris Beetles, London

Provenance: M. Newman Ltd., London; Royal Exchange Art Gallery, London

£1,000-1,500

Exhibited: M. Newman Ltd., London, Exhibition of Paintings and Drawings by Royal Academy Exhibitors, 10-26 May 1967

Signed Watercolour and pencil heightened with white and gum arabic 50.5 x 41.5cm Provenance: Sotheby’s, London, Modern British and Irish Paintings and Drawings, 7 March 1990, lot 58; David Messum, London, 1991, no. A-765 £800-1,200

£1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

83 HENRI GAUDIER-BRZESKA

84 ‡ FRANK INSALL

French 1891-1915

Portrait of a young woman in motoring costume

Portrait of Germaine Black chalk 47.4 x 31.2cm Provenance: Jim Ede, Kettle’s Yard, Cambridge; Anonymous sale. Swann Galleries, New York, 8 March 2001, lot 220; Anonymous sale. Doyle, New York, 13 March 2018, lot 60; Christie’s, London, Modern/ British & Irish Art, 16-23 November 2018, lot 343 £1,500-2,500

20th Century

Signed and dated 07 Pastel 35.5 x 19.5cm £400-600

85 MARY ETHEL HUNTER 1878-1936

Portrait of Miss Murrell Signed Pastel 74.6 x 62cm £300-500

85 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

86 PAUL CÉSAR HELLEU French 1859-1927

Madame Helleu apres le bal Signed Sanguine, black and white chalks 67 x 54cm Provenance: Richard Green, London, no. SP 460; Property of The Sandy And Zorica Glen Charitable Settlement £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

87 ‡ DORIS ZINKEISEN

88 ‡ ANNA ZINKEISEN

Scottish 1898-1991

Scottish 1901-1976

Portrait of Lola Montez riding

Design for a mural for RMS Queen Mary

Signed Oil on canvas 63.5 x 76cm Together with a letter from the artist discussing the subject (2)

Signed Watercolour, pen and pencil 26.5 x 37.8cm

Provenance: Purchased from the artist by Mrs Randolph (the recipient of the letter)

£200-300

89 ‡ PAUL FURSE

The subject of the present work is Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld (1821-1861), a dancer and actress, better known by her stage name Lola Montez. In the accompanying letter Doris Zinkeisen describes her as ‘a very indifferent dancer but got away with it because she was extremely beautiful and attractive’.

1904-1978

£400-600

£150-250

Heleborus Orientalis Seedlings; Hydrangeas Two, both signed, one dated March 1954 and titled, the other dated 1950 Both watercolour 34 x 24cm; 33.8 x 24cm (2)

90 INDIAN SCHOOL Study of a red bistort; Study of European goldenrod A pair, watercolour heightened with white 37.5 x 28.4cm (2) Exhibited: Mallett, London, Flora of the Simla Hills, 1999, nos. 195 & 238 £150-250

90 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

91 ‡ REGINALD BRILL

92 ‡ SIR WILLIAM GEORGE GILLIES RSA, RA

93 ‡ MABEL GEAR

1902-1974

Scottish 1898-1973

1898-1987

Awaiting the guests; Orders for the day

Yorkston Road, 1941

Portrait of a Scottish Terrier, ‘Murdoch’

Two, pencil, and pen and ink Each 13.5 x 17.3cm (2)

Signed Pen, sepia ink and wash 27 x 31.5cm

Signed and titled Pastel 31.9 x 24.9cm Together with a framed photograph of Murdoch, signed by James Tuersley (2)

Provenance: The Artist’s Studio, and thence by descent to Dr David Richards and John Webb; Private Collection Exhibited: The Phoenix Gallery, Lavenham; Kingston University, permanent loan, 13 July 1998

Provenance: Aitken Dott & Son, Edinburgh, February 1970, no. 55 £100-150

Literature: Judith Bumpus, Reginald Brill (Scolar Press in association with Kingston University, London, 1999), illustrated pl.90 and 91 £500-800

92 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

£100-200

94 ‡ NADIA BENOIS

95 ‡ NADIA BENOIS

96 ‡ NADIA BENOIS

Russian 1896-1975

View of La Rochelle, with the statue of Admiral Duperré

House in a Provençal landscape

Trequanda, Tuscany

Signed and dated 1934 Oil on canvas 33 x 58.5cm

Titled and inscribed To Did** with love from Nadia Watercolour with pen and ink 27 x 37cm

£400-600

£200-300

Signed and dated 55 Oil on canvas 40.7 x 56cm £800-1,200

96 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97 ERIC GILL 1882-1940

Hands on Heels Signed, titled, dated Gg 9.10.26/& 18.10.26/& 4,4,28, and inscribed M4 Pencil 50.7 x 35.4cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours and Drawings, 6 March 1992, lot 37 £3,000-5,000

98 ERIC GILL 1882-1940

Nude Signed and dated 4.3.28 Pencil 30.5 x 38cm Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 30 September 1998, lot 83; The Piccadilly Gallery, London, 1999 £2,500-3,500

98 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

99 ‡ BERNARD POTHAST Dutch 1882-1966

Reading with mother Signed Oil on canvas 54 x 65cm Provenance: Kunsthandel M.L. de Boer, Amsterdam. £1,500-2,500

100 ‡ JOHN ANTHONY PARK 1880-1962

Mevagissey Harbour Signed Oil on board 29.2 x 39.4cm £1,000-1,500

100 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

101 FRANCIS HENRY NEWBERY 1855-1946

The regatta at Walberswick Signed Oil on board 42.5 x 69.5cm Provenance: T. & R. Annan & Sons, Glasgow; From whom purchased by Sir Arthur Stewart Lusk Young Bt; And by descent to the present Private Collector Francis Henry Newbery was the highly influential director and headmaster of the Glasgow School of Art. Under his leadership the school became associated with the Glasgow School and artists including Charles Rennie Mackintosh. Newbery would spend his summers at Walberswick on the Suffolk coast, often with fellow artists such as Mackintosh. £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

102

103

104

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

102 JULIUS OLSSON RA

103 ‡ BERTRAM NICHOLLS

104 ‡ BERTRAM NICHOLLS

105 FRANTISEK SLABY

1864-1942

1883-1974

Czech 1863-1919

Moonlit seascape

View of Dunster Castle, Somerset

La Porte Croisée, Bruges

The potato pickers

Signed Oil on canvas 61.2 x 76.4cm

Signed and dated 1940 Oil on canvas 55.5 x 76cm Unframed

Signed and dated 1935 Oil on canvas laid on panel 42.5 x 65cm Unframed

Signed and dated 1902 Oil on canvas 59.2 x 85.2cm

Provenance: The Fine Art Society, London, May 1942; Beaulieu Fine Arts, Beaulieu; Private collection

Provenance: The Fine Art Society, London, June 1946; Private collection

£500-800

£400-600

£1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

£8,000-12,000

106 JACQUES-ÉMILE BLANCHE French 1861-1942

Racing at Auteuil Signed, also signed, titled and dated 1935 verso Oil on board 33 x 41cm Provenance: Lucien Lefebvre-Foinet, Paris, no. 5117; Exposition Biennale Internationale des Beaux Arts, Venice, 1936 (with the title Courses en Angleterre); Michael Parkin Fine Art Ltd, London, no. 4140; The Estate of Professor Rodney Fitch CBE Exhibited: 20th Venice Biennale, 1936; Leicester Galleries, May 1939, no. 102; Arthur Tooth & Sons, 1939, no. 32; Leicester Galleries, October 1969, no. 30 £1,500-2,500

106

107 ‡ JOHN SKEAPING 1901-1980

Winning Clearly Titled to verso Oil on canvas board 52.8 x 63.8cm Provenance: Arthur Ackermann & Son £700-1,000

108 ‡ SIR ALFRED JAMES MUNNINGS KCVO 1878-1959

Gypsy Life Signed in pencil to margin, and with Fine Art Trade Guild blindstamp Colour collotype, published by Frost and Reed, 1953 53.4 x 63.8cm

109 PAUL BROWN American 1893-1958

Near Side Back Shot Signed, titled and dated ‘55 Watercolour 24.2 x 32.8cm Provenance: The Sporting Gallery and Bookshop, New York £200-300

£200-300

107

108

109 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

110 ‡ NICHOLAS TOLLEY b.1958

Two figures helping Lester Piggott mount a racehorse Signed Mixed media on board 48.5 x 63.2cm £3,000-5,000

110

111 ‡ NICHOLAS TOLLEY b.1958

A jockey in purple and yellow preparing to mount a chestnut racehorse Signed Mixed media on board 93 x 115.5cm £2,000-3,000

111 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

112

112 ‡ LUCIEN PHILIPPE MORETTI

113 ‡ SERGE KISLAKOFF

114 ‡ ARTHUR RIGDEN READ

French 1922-2000

French 1897-1980

1879-1955

L’Ile de la Derivation ou Le temps

The terrace of a Parisian cafe at night

The chair menders

Signed and further signed, titled and further inscribed to verso Oil on canvas 73.5 x 92cm Provenance: M. Blache, Hotel Rameau, Versailles, Tableaux Modernes, 11 June 1986, lot 51

Signed Oil on canvas 45 x 53.5cm £400-600

£3,000-5,000

113

Signed Gouache 37.3 x 45.8cm Provenance: Aldridge Bros., Worthing £300-500

114 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115 WYNFORD DEWHURST RBA 1864-1941

Mountainous landscape with pink heather Signed Oil on canvas 38 x 46cm £1,500-2,500

115

116

117

116 WYNFORD DEWHURST RBA

117 ‡ SYLVIA GOSSE

1864-1941

1881-1968

Punting on the river

Cows in a sunny meadow

Signed Oil on board 19.5 x 26.9cm

Signed Oil on canvas 47 x 58cm

£500-1,000

Provenance: Bloomsbury Auctions, 20 June 2013, lot 6 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

118 ‡ PIERRE DE CLAUSADE French 1910-1978

Vue de la Loire Signed Oil on canvas 54.5 x 72.8cm Provenance: G. M. Lotinga Ltd, London, 1960 £1,000-1,500

119 FRENCH SCHOOL c.1900

Landscape with a donkey and a figure resting in the shade Oil on canvas 57 x 46cm Provenance: Charles Vere Pilkington, Chairman of Sotheby’s, and by family descent £200-300

118

120 EMMANUEL DE LA VILLÉON French 1858-1944

River landscape with a village on the far bank Signed Oil on canvas 46 x 38cm £600-800

119

120

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

121 LÉON AUGUSTIN LHERMITTE French 1844-1925

Les Laveuses près de Mont Saint-Père Signed and dated 1911 Pastel 69.7 x 89.7cm Provenance: Boussod, Valadon & Cie, Paris, no. 21738; Bernheim

Literature: Le Gaulois, 7 April 1911; G. Frappier, La République française, 15 April 1911; Art Décoratif, May 1911 Monique Le Pelley Fonteny, Léon Augustin Lhermitte (1844-1925): Catalogue Raisonné (Cercle d’Art, Paris, 1991), p. 257, no. 563, illustrated (with incorrect dimensions) Exhibited: Exposition des Pastellistes, 1911 £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

122

122 ‡ CAMPBELL ARCHIBALD MELLON 1876-1955

Landscape with cattle by a river (recto); Norfolk landscape with a windmill (verso); Extensive river landscape Two, one signed The former oil on board; the latter oil on paper 22.7 x 30.3cm; 22.9 x 35.6cm (2) £600-800

123 WILLIAM CUSHING LORING

124 ‡ MARTIN HARDIE

American 1879-1959

Sizewell Common; Stanhope; Landscape with church

Seascape

Three, each signed, one with monogram, and two titled Each watercolour Largest 21.5 x 27.5cm; Smallest 24.4 x 6.7cm (3)

Signed Oil on canvas 35.7 x 66cm £300-500

1875-1952

Provenance: Sizewell Common with Thos. Agnew & Sons, no. 30656 £250-350

125 OTTO SIEVERT Danish 1894-1940

Nude seated in an interior Signed Oil on canvas 109 x 111cm £200-300

123

124

125 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

126

126 ‡ ANNA DIXON Scottish 1873-1959

Cooking over a campfire (recto), Farmhouse (verso); Laundresses by a river A pair, one signed Both oil on panel 23.5 x 28.2cm (2) £500-800

127 ‡ RAOUL MILLAIS 1901-1999

Capote; Peon and capote; Matador; In the ring Four, three signed and one titled Two in black chalks and pencil, two in washes Largest 30 x 21.5cm; Smallest 12.7 x 15.6cm (4) Provenance: Three with the Tryon Gallery, London £200-400

127

128 ‡ RAOUL MILLAIS 1901-1999

Lion attacking its prey; An Arab on horseback being attacked; Arab on horseback; Study of a bull Four, all signed One in red chalk, three in watercolours Largest 33 x 22.5cm; Smallest 19 x 22cm (4) £200-400

128

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

129 JAMES HUMBERT CRAIG Irish 1878-1944

The Rosses, County Donegal Signed Oil on card 40 x 53cm £1,000-1,500

130 SPANISH SCHOOL 20th Century

Portrait of a gentleman with a monocle Indistinctly signed Oil on board 40.8 x 30.7cm £400-600

129

131 ENGLISH SCHOOL

132 ‡ GEORGE WEISSBORT

c.1930

1928-2013

Portrait of a World War I veteran wearing his decorations

Still life of a small cannon and a bottle

Indistinctly signed Oil on paper 36 x 25.5cm Provenance: Liss Fine Art

Signed and dated 1965 Oil on canvas board 40.5 x 60.5cm Provenance: Direct from the artist’s estate £80-120

£400-600

133 WILLIAM GERSHOM COLLINGWOOD 1854-1932

130

Portrait of Mrs James Thorneley seated in an interior

131

Signed and dated 1897, and inscribed Coniston 1897 to verso Watercolour heightened with white 26.4 x 38.5cm Provenance: Nicholas Bowlby Fine Watercolours, Tunbridge Wells £200-300

132

133 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

134

134 ‡ MARGARET BRYNHILD PARKER

135 ‡ RONALD I. COLEMAN

136 ‡ CECIL ARTHUR HUNT

1907-1987

20th Century

1873-1965

Harbour scene

Winter landscape; Cambridgeshire landscape

Extensive landscape with farm buildings

Signed Oil on canvas 42.3 x 63.3cm

Two, both signed and dated ‘71 Both watercolours 26.7 x 37.5cm; 31.5 x 50.5cm (2)

Signed Watercolour 25.9 x 38cm

£1,000-1,500

£200-300

£150-250

135

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

136

Mohammed Hoessein Enas (Malaysian 1924-1995) A largely self-taught artist, Enas approaches portraiture influenced by the European academic style â&#x20AC;&#x201C; something that was pioneering for his time. Art in Malaysia has traditionally been created for the elite, and portraits in particular were reserved for those at the highest levels of society, most notably royalty, and also deities. Enas painted portraits of the new, modern idols such as Muhammad Ali, and humble local characters such as Portrait of a man in an orange turban, and was even bestowed the title of Royal Portrait Painter in 1990. His empathetic palette and style resonated with his contemporaries and captured the changing times, from settling in Malaya in 1956, when he fronted the Malaysian Arts Council, to the creation of Malaysia in the 1960s, until his death in 1995.

137 MOHAMMED HOESSEIN ENAS Malaysian 1924-1995

Portrait of a man in an orange turban Signed and dated 66 Oil on canvas 61 x 49cm ÂŁ4,000-6,000

137 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

138 MOHAMMED HOESSEIN ENAS Malaysian 1924-1995

Portrait of a young girl seated in a blue dress Signed and dated 65 Oil on canvas 101 x 77cm £6,000-8,000

138 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

139 ‡ ADRIAN ALLINSON 1890-1959

Villa amongst the trees Signed and dated 23 Pastel 29.3 x 34.4cm £600-800

140 ‡ CAVENDISH MORTON 1911-2015

Still life with a vase of flowers by a window Signed and dated 1963 Watercolour 54.5 x 74.8cm £200-300

139

141 ‡ MICHAEL BLAKER

142 ‡ HARRY BUSH

b.1928

1883-1957

Midday in Montmartre; Morning in the Weald; Sailing Barges at Chatham

Haystacks

Three, each signed, titled and numbered in pencil to margin All coloured etchings Largest 39.5 x 50cm; Smallest 27.4 x 37cm (3) £100-150

Oil on board 1984 studio stamp to verso 26 x 35.4cm Provenance: Oscar and Peter Johnson Ltd., London £200-300

140

141

142 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143 ‡ GEORGES COSMADOPOULOS Greek 1895-1967

Orthodox Greek church by the sea Signed Oil on board 17.3 x 22.8cm £800-1,200

143

144 THOMAS EDWIN MOSTYN RBA, ROI 1864-1930

Figures in an ornamental garden Oil on canvas 30.6 x 46cm £300-500

145 GAETANO CAPONE Italian 1845-1924

A view of the Amalfi Coast from Ravello

144

Signed and inscribed Ravello Oil on board 27 x 24.5cm £200-300

146 MODERN SCHOOL 20th Century

Landscape with buildings amongst the trees Oil on canvas 46 x 35.5cm £200-300

145 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

146

147 CARL WUERMER American 1900-1983

Autumn tranquilty Signed Oil on canvas 49.5 x 60cm Provenance: Grand Central Art Galleries, New York £1,000-1,500

147A KURT SCHWITTERS German 1887-1948

Portrait of a gentleman holding a pipe Signed with monogram and dated 42 Oil on board 76.3 x 62.6cm £600-800

148 ‡ LUCY HARWOOD 1893-1972

Landscape with Butterflies and Telegraph Pole Oil on canvas 76.5 x 51.2cm

147

Provenance: Estate of Sir Cedric Morris; Sally Hunter Fine Art; From whom purchased by John Pattisson Esq., 1989 Exhibited: Fermoy Gallery, Kings Lynn; Ipswich Museum, 1987; Gardner Centre Gallery, University of Sussex, 1989; Sally Hunter Fine Art, London, Lucy Harwood, July-August 1989, no. 20 £800-1,200

147A

148

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

149 ‡ DOROTHEA SHARP, RBA, ROI, VPSWA 1874-1955

Summer in Cornwall Signed Oil on canvas 77 x 92cm Provenance: Paisnel Gallery, London £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

151

150 ‡ JULIAN TREVELYAN RA 1910-1988

151 ‡ MARY FEDDEN OBE, RA, RWA

Chiswick

1915-2012

Signed, titled and inscribed Artists Proof in pencil to margin Etching and aquatint in colours 47 x 35cm (image)

The Matisse Jug Signed and numbered 180/550 in pencil to margin Lithograph 40.4 x 33.8cm (image) £100-150

£400-600

150

152

153

152 ‡ MARY FEDDEN OBE, RA, RWA

153 ‡ IVON HITCHENS

1915-2012

1893-1979

Cat on a Cornish Beach

Three Boats

Signed and numbered 223/500 in pencil to margin Lithograph 28.9 x 39.8cm (image)

Signed, numbered 40/375, and blindstamped to margin Lithograph 39.3 x 72.1cm (image) Unframed

£120-180

Only 100 of the total edition of 375 were signed by the artist £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

154 ‡ PEGGY SOMERVILLE

155 ‡ WILLIAM BIRNIE

1918-1975

1929-2006

Portrait of a girl in a yellow hat

September day, East Linton

Oil on canvas laid on board 26.8 x 20cm

Signed and dated 68 Oil on board 38 x 107cm

Provenance: David Messum, Marlow £500-700

Provenance: Artist’s address label verso £200-300

156 MAY HILLHOUSE

157 ‡ CHRISTOPHER ROBINSON

South African 1908-1989

b.1945

Two girls in a yard

Woman in the Sacred Forest, Madagascar

Signed and dated 48 Oil on canvas 39.9 x 50.2cm £500-800

Signed and further titled and inscribed to verso Oil on canvas 79.2 x 69.5cm Unframed £300-500

154

155

156 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

157

158

158 ‡ DUNCAN GRANT 1885-1978

Viareggio, Italy Indistinctly signed and dated 49 Oil on canvas laid on board 36.5 x 54cm Provenance: Acquired directly from the artist by the previous owners; By whom sold, Bonhams Knightsbridge, Modern Pictures, 18 May 2010, lot 173, where purchased by the present private collector £3,000-5,000

159 ‡ DUNCAN GRANT 1855-1978

Lovers Signed with initials Ball-point pen 20.3 x 16.2cm £500-700

159 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

160

160 ‡ SIR MATTHEW SMITH CBE 1879-1959

Still Life with Gothic Figure Signed with initials Oil on canvas 51 x 61cm Painted in 1944 Provenance: Mrs Dudley Tooth

Literature: John Gledhill, Catalogue Raisonné of the Oil Paintings of Matthew Smith with a Critical Introduction to his Work (Lund Humphries, 2009), p. 233, no. 619, illustrated (where dated 1945) Exhibited: The Arts Council of Great Britain, London; The Royal Academy of Art, Diploma Gallery, London, 1960; Arthur Tooth & Sons Ltd, London, Homage to Matthew Smith, 1960, no 11 (illustrated); Waddington Galleries, London, Ivon Hitchens & Matthew Smith, 1998 (illustrated) £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

161 ‡ FOUGASSE (CYRIL KENNETH BIRD) 1887-1965

Parking problem Signed and inscribed She said the number of her car was GU2634, & she’d bring the lunch & the tickets. Pen and black ink 34.7 x 24cm Provenance: Fine Art Society, London, June 1966, no.58 £300-500

162 ‡ CYRIL MANN 1911-1980

Self portrait with palette and brush Signed and dated 1962 Oil on canvas 91.2 x 53.4cm £300-500

161

162

163

164

163 ‡ JOHN ALDRIDGE RA

164 ‡ FELIKS TOPOLSKI RA

1905-1983

Polish 1907-1989

Naples; Bridgnorth

Figures in a London sitting room; Hampstead dinner party

Each signed and titled; the former dated Aug/Sep 45, the latter dated 6 Sept 57 Both pencil 24.6 x 34.5cm; 19.1 x 24.2cm Together with a letter from the artist (3)

Two, the former signed, dated ‘20.11.51’ and inscribed ‘To commemorate Hugh’s visit at 14 Hanover Terrace in London’; the later inscribed with names of figures and further inscribed to backing board The former pen and ink; the latter pen, ink and pencil 20 x 32.5cm; 12.9 x 18.1cm (2)

£150-250

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

166

167

168

165 ‡ ROWLAND SUDDABY

166 ‡ BERNARD LIGNON

167 ‡ BRYAN ORGAN

168 ‡ DAVID GENTLEMAN

1912-1972

French b.1928

b.1935

b.1930

Sunset at Cavendish

Still life with a jug of flowers and a bowl of fruit

Study of Rodolph the waiter in the Hotel Timeo

Quayside at Misley

Signed Oil on canvas 100.2 x 73.2cm

Signed, dated and inscribed Study Rodolphe 1975 Pencil 55 x 55cm

Signed Oil on board 35.8 x 51.3cm Provenance: Phipps and Company £200-300

Provenance: Paul Petrides (part label to stretcher) £100-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

£300-500

Signed and dated 66 in plate Lithograph 38.5 x 50cm (sheet) Together with a Tom Gentleman (1892-1966) lithograph for School Prints, The Grey Horses (2) £150-250

169

170

171

172

169 ‡ SUSAN BOWER RBA, ROI

170 ‡ SUSAN BOWER RBA, ROI

171 ‡ VICTOR VASARELY

172 ‡ VICTOR VASARLY

b.1953

Hungarian/French 1906-1997

The Awakening

Love Song

Lapidaire II

Zebras

Signed Oil on board 34.6 x 34.6cm

Signed Oil on board 23.7 x 23.7cm

Screenprint 50 x 50cm

Provenance: Wykeham Gallery, 2006, no. 6194

Provenance: Wykeham Gallery, 2006, no. 6197

Signed, numbered 67/150, and with Denise René blindstamp Screenprint in colours 82 x 74.5cm (Sheet)

£300-400

£200-400

Provenance: The Redfern Gallery, London, 1967; From whom purchased by Dennis Lennon Ltd £200-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

173 ‡ JOHN PIPER CH 1903-1992

Green Abstract Signed Pen, black ink, and watercolour 21.6 x 34.4cm Provenance: Christie’s, South Kensington, 20th Century British Art, 6 December 2001, lot 238 £4,000-6,000

174 ‡ JOHN PIPER CH 1903-1992

Sketches for the Chichester Cathedral tapestry Signed Watercolour, gouache and gum arabic 36.4 x 47.8cm £2,500-3,500

174 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

175 ‡ GEORGE CHAPMAN

177 ‡ GEORGE CHAPMAN

1908-1993

Street scene with a figure outside a shop

Street scene with a figures on a steep hill

Signed Charcoal 30.9 x 31.5cm

Signed Charcoal 45 x 31cm

£300-400

176 ‡ GEORGE CHAPMAN 1908-1993

Street scene with scaffolding Signed Charcoal 45.3 x 26.2cm £300-400

175

176

177 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

178 ‡ DAME ELISABETH FRINK RA 1930-1993

Drawing #2 (Birdman) Signed and dated 57 Pen and ink wash 75 x 55cm Provenance: Bertha Schaefer Gallery, New York, no 7274.11.59 £5,000-8,000

178

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

179

180

179 ‡ EDWARD PIPER

180 ‡ EDWARD PIPER

181 ‡ MICHAEL AYRTON

182 ‡ MICHAEL AYRTON

1938-1990

1921-1975

Modern Painters

Study of a woman in a kimono

Without Speaking

Dated 2 II 88 Watercolour, bodycolour and gum arabic 54 x 77cm

Pen and black ink 45.5 x 30.3cm

Lithograph 46.7 x 59.5cm

Provenance: Goldmark Gallery, Rutland

Provenance: David Messum, London

Provenance: Bohun Gallery, Henley-on-Thames, 1993; Where acquired by the present Private Collector

£300-400

£150-250

Provenance: Redfern Gallery, London, November 1951; From whom purchased by J. S. Neale, Esq; Woolley and Wallis, 20th Century & Contemporary Art, 8 June 2016, lot 69

£150-250

181

182

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183 ‡ MARK BARING 1916-1988

Strand-on-the-Green, London Signed and dated 78, and further inscribed to verso Oil on board 50.8 x 60.5cm Provenance: Mr Ian Marshall £300-500

184 ‡ MARK BARING 1916-1988

River landscape Signed and dated 85 Oil on canvas board 51 x 61cm £300-500

183

185 ‡ ROBERT TAVENER 1920-2004

Horse Guards No 7 (Evening) Signed and numbered 31/50 in pencil to margin Linocut 45.8 x 56.2cm (image) £120-180

186 ‡ ROBERT TAVENER 1920-2004

Country Garden and Beans Signed, titled and numbered 7/60 in pencil Linocut 50.2 x 62.3cm Unframed £100-150

184

185 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

186

187

188

187 YAO WEI

188 ROBERTO MAGALHAES

189 BRUCE ONOBRAKPEYA

190 ‡ ROBERT MEDLEY CBE, RA

Chinese 20th Century

Brazilian b.1940

Nigerian b.1932

1905-1994

Still life with a chair and calendar

Animal Muitissimo Estranho

Mai Tulu

Rupert Doone dancing

Signed with initials, dated 79, and titled Watercolour 26.5 x 36.5cm

Signed, dated January 1971, numbered EP 2/5, titled and inscribed Deep Etching Deep etching 44.6 x 59.6cm

Signed and inscribed for Xmas L Robert M (under mount) Watercolour 19 x 12cm

Signed and further inscribed to verso Oil on canvas 105 x 89.5cm Unframed and unstretched £200-300

Provenance: Galeria de Arte Saramenha, Rio de Janeiro, 1979 £200-300

189

Provenance: Davey Galleries, London

Robert Medley met the dancer Rupert Doone (1903-1966) in Paris in 1926, and they lived together for the rest of Doone’s life

£300-500

£120-180

190 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191 JAMINI ROY Indian 1887-1972

Horse Signed, and further inscribed Jamini Roy Calcutta 1940 on the backing board in Maurice Draper’s hand Mixed media on board 39.4 x 25.6cm Provenance: Given by the artist to Maurice Draper (1907-2012), Calcutta, 1940 (by repute in exchange for one of his paintings); By descent to the present owner Maurice Draper lived and worked in India from 1930-1945. Employed as an art teacher at La Martiniere school in Calcutta he travelled widely, making sketches and watercolours of the country. A contemporary review of an exhibition of Draper’s work mentions the influence of Jamini Roy, and it seems the two artists met and exchanged works in 1940. Following spells in Lucknow and Darjeeling, Draper and his family returned to the UK in 1945. £3,000-5,000

191

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

192

192 â&#x20AC;Ą SIR SIDNEY NOLAN OM, RA Australian 1917-1992

Leda and Swan Dated 3 Dec 1959 to verso Mixed media on paper 30 x 24.5cm ÂŁ1,500-2,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193 ‡ SIR SIDNEY NOLAN OM, RA Australian 1917-1992

Leda and Swan Signed, and further signed titled and dated 5 Dec 1959 to verso Mixed media on paper 23.5 x 30cm £1,500-2,500

193

194

195

194 KEVIN CHARLES ‘PRO’ HART MBE

195 KEVIN CHARLES ‘PRO’ HART MBE

Australian 1928-2006

Australian bush landscape

Australian landscape with eucalyptus trees

Signed Oil on board 32.2 x 31.3cm

Signed Oil on board 29.5 x 39cm

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

196

196 GERTIE HUDDLESTON Australian c.1933-2013

Bush scene after rain Inscribed with artistâ&#x20AC;&#x2122;s name, Shades of Ochre and numbered 819985 to verso Acrylic on canvas Painted in 1994 93.5 x 124cm Unframed Provenance: Shades of Ochre, Darwin, 1995 ÂŁ1,000-1,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197 EMILY KAME KNGWARREYE Australian 1910-1996

My Country Inscribed and numbered Emily A.E.K.K. 726-11-94 to verso Acrylic on canvas Painted in November 1994 92.5 x 55.5cm Unframed Provenance: Aboriginal Desert Art Gallery, 1995, with certificate of authenticity £4,000-6,000

197 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

198 EUNICE NAPANGARDI Autralian c.1950-2005

Bush Banana Dreaming Inscribed Eunice to verso Acrylic on canvas Painted in 1992 122 x 91cm Unframed Literature: Patrick Corbally Stourton, Songlines and Dreamings: Contemporary Australian Aboriginal Painting (Lund Humphries, 1996), p. 63, no. 53, illustrated £800-1,200

199 ESTHER HAYES NAPANGATI Australian 20th Century

Untitled Acrylic on canvas 60.4 x 90cm Unframed £400-600

200 ATTRIBUTED CLIFFORD POSSUM TJAPALTJARRI AO Australian 1932-2002

Sacred Ceremony Inscribed Clifford Possum Acrylic on canvas 60.5 x 82.5cm Unframed Literature: Patrick Corbally Stourton, Songlines and Dreamings: Contemporary Australian Aboriginal Painting (Lund Humphries, 1996), p. 49, no. 34, illustrated (as Clifford Possum Tjapaltjarri) £400-600

198

199

200 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201 CLIFFORD POSSUM TJAPALTJARRI AO Australian 1932-2002

Men’s Corroborie Inscribed with the artist’s name and numbered 142 to verso Acrylic on canvas Painted in 1990 166 x 123cm Unframed Provenance: Arunta Art Gallery, Alice Springs, 1990 Literature: Patrick Corbally Stourton, Songlines and Dreamings: Contemporary Australian Aboriginal Painting (Lund Humphries, 1996), p. 52, no. 38, illustrated £4,000-6,000

201

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

202 ‡ JOHN S. PIPER b.1946

Coastal Farm Signed and dated 2001, and further signed, dated, titled and inscribed to verso of frame Oil on board 30.2 x 30cm Provenance: Purchased from the artist by the present Private Collector, 2001 £400-800

202

203 ‡ JOHN S. PIPER b.1946

Evening Moor Signed and dated 2001, and further signed, dated, titled and inscribed to verso of frame Oil on board 30.1 x 30.1cm Provenance: Purchased from the artist by the present Private Collector, 2001 £400-800

203 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

204 ‡ CERI RICHARDS CBE Welsh 1903-1971

Origin of Species Signed, dated 71, and inscribed A/P in pencil Screenprint in colours, artist’s proof 64.2 x 79.2cm (sheet) £200-300

204

205 ‡ CERI RICHARDS CBE Welsh 1903-1971

Poissons d’Or apres Images par Claude Debussy Signed Pastel and bodycolour, 1963 15.5 x 24.2cm Provenance: Given by Ceri and Frances Richards to Eustace and Shiela Chesser (with dedication label) £300-500

205

206 ‡ DEREK BOSHIER b.1937

Night Passion Flower Signed, titled, dated 1988, and further inscribed to verso Oil on canvas 61.5 x 61.5cm £300-500

206 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

207 ‡ JEAN DUBUFFET French 1901-1985

Nappe du Sol Signed, dated 58, titled and inscribed épreuve l’artiste in pencil to margin Lithograph, artist’s proof 32.7 x 39.2cm (image) Provenance: Gimpel Fils Gallery, London; Where purchased by J.A. Boenders, June 1960s; By descent to his daughter, from whom aquired; Property of a distinguished English Private Collector £400-600

208 ‡ GWYNETH JOHNSTONE 1915-2010

Young woman in front of a town Signed Oil on board 61.5 x 50.5cm

207

Provenance: Woodstock Gallery, London; Where purchased by the present Private Collector in the early 1960s £300-500

209 ‡ NORMAN ACKROYD CBE, RA b.1938

Valley + Rainbow Signed, titled, dated 1974, and numbered 22/40 Aquatint and etching 16 x 20cm Exhibited: Norman Ackroyd Etchings and Aquatints 1959-1977, Market Print Gallery, October 1977, no. 44 £120-180

208

209

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

210

210 ‡ A.R. PENCK German 1939-2017

Adler und Tain Zer 2 Signed and titled, executed in 1982 Gouache 62.7 x 87.5cm Provenance: Waddington Galleries, London; Where acquired by Hon. Alison Shaw; Thence by descent; Bonhams, London, Contemporary Two, 19 October 2011, lot 238 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

211

211 ‡ KEITH VAUGHAN 1912-1977

Landscape with a figure and birds; Landscape Two, each pencil 9.1 x 12.3cm; 8.9 x 12.4cm (2) Provenance: Both Anthony Hepworth Fine Art, Bath £800-1,200

212 ‡ KEITH VAUGHAN 1912-1977

Two standing figures round a table Pencil 13 x 10.5cm Provenance: Austin/Desmond Fine Art Ltd, London; Anthony Hepworth Fine Art, Bath £600-800

212

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

213 ‡ KEITH VAUGHAN 1912-1977

Two figures around a table, one standing, one sitting Pencil 14.5 x 11.5cm Provenance: Austin/Desmond Fine Art, London; Anthony Hepworth Fine Art, Bath £600-800

213

214 ‡ KEITH VAUGHAN 1912-1977

Two figures with staffs Pen and blue ink, studio stamp to reverse (according to label) 34.5 x 25.5cm Provenance: Agnew’s, London, no. CM4363 £800-1,200

214 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

215

216

215 ‡ DAVID JONES CH, CBE 1895-1974

Everyman Wood engraving, 1929 13.9 x 16.3cm (image) £100-150

216 ‡ JOHN BUCKLAND-WRIGHT 1897-1954

Five Bathers 217

217 ‡ ANITA KLEIN Australian b.1960

Signed with initials in the plate, and titled and inscribed ep d’artiste NOT FOR SALE in pencil to margin Wood engraving 15 x 15cm (image) £200-300

The Japanese Anemones Signed, dated ‘08, and numbered 3/50 in pencil Woodcut 37 x 66cm (sheet) £120-180

218 ‡ JOHN STANTON WARD CBE, RA 1917-2007

Portrait of Cuthbert Bardsley, Bishop of Coventry (1907-1991) Signed and dated 1982 Charcoal heightened with white 46.4 x 31.3cm £150-250

218 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

219 ‡ JOHN CRAXTON RA 1922-2009

Portrait of a young boy Signed and dated 70 Charcoal and white chalk 38.5 x 26.8cm We are grateful to Ian Collins and Richard Riley for confirming the attribution. £1,500-2,500

219

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

220

220 ‡ WILLIAM SCOTT CBE, RA

221 ‡ BRYAN PEARCE

1913-1989

1929-2007

Composition from Thirty-Five Artists

The harbour at St Ives

Signed, dated 82, and inscribed H.C. Lithograph, an hors commence impression aside from the standard edition of 50 50 x 60cm

Signed Oil on board 50.8 x 40.7cm

£2,000-3,000

£5,000-7,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

221

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 169

100

222 ‡ KENNETH DRAPER RA b.1944

Harvest Signed, titled, dated 88 Pastel 16.8 x 22.4cm Provenance: Bought directly from artist, 1989 £100-150

222

223 ‡ CYRIL CROUCHER b.1951

Harbour wall Signed Acrylic on board 40.6 x 20.1cm Provenance: Fowey River Gallery, July 2002 £150-250

224 ‡ GEORGE LAMBOURN 1900-1977

Naughty daughter Inscribed and titled to label Oil on canvas 41 x 20.5cm £200-400

223

224 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

225 ‡ BREON O’CASEY 1928-2011

Bird with ochre wings Signed, dated 2006, and numbered 3/15 in pencil to margin Carborundum 46.9 x 61.7cm (image) £400-600

225

226 ‡ BREON O’CASEY 1928-2011

Bird with blue wings Signed, dated 2006, and numbered 3/15 in pencil to margin Carborundum 46.9 x 61.7cm (image) £400-600

226 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

102

227

228

227 ‡ BRYAN KNEALE MBE, RA

228 ‡ PHILIP REEVES RSA, PRSW

b.1930

Scottish 1931-2017

Study for sculpture

Underground station, 1953

Signed and dated 1959 Black ink and wash 49 x 33.9cm

Signed Gouache 32 x 23cm

Provenance: Redfern Gallery, London, February 1961, where purchased by Dr. Widdup; Woolley and Wallis, Salisbury, Modern British Art, 26 November 2013, lot 129

Provenance: The Compass Gallery, Glasgow; Mr. Cameron

£400-600

Exhibited: The Compass Gallery, Glasgow, One-Man Exhibition, 9 February - 2 March 1974, no. 2 £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

229 ‡ JOAN MIRÓ Spanish 1893-1983

La Femme des Sables Signed, and numbered 22/75 1969, Dupin no. 500 Etching, aquatint and carborundum 103.3 x 65.2cm Unframed £4,000-6,000

229 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

104

230

230 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Underground Design Includes an original coloured lithograph signed by the artist, eighteen further black and white prints, introductory essay by Peter Cook, conversations between Eduardo Paolozzi and Alvin Boyarsky, and script by Eduardo Paolozzi Architectural Association, 1986, Folio X, loose plates and bound catalogue issued in original box Sheets 30.4 x 30.4cm Box 32 x 32cm Produced to coincide with an exhibition at the Royal Academy of Paolozzi’s designs for murals for Tottenham Court Road Underground Station. £250-450

231 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Cloud Atomic Laboratory Six of the eight photogravures (missing sheets B & C), each signed, dated 1971, and numbered 22/75 Published by Editions Alecto, London, 1971, with title, introduction and contents, all loose (as issued) in original box Sheets approx. 53.5 x 35.2cm; Box 60.5 x 43.1cm £200-300

231 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

232 ‡ ALLEN JONES RA b.1937

Paso Doble Signed, dated 83, and inscribed artist’s proof Screenprint in colours 103 x 72.5cm (Sheet) £400-600

232

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

106

233 GEORGE BARRIS American 1922-2016

Marilyn at Santa Monica Beach 1962 A pair, both signed Photographs Both 25 x 20cm (2) ÂŁ300-500

233

234

234 MILTON H. GREENE American 1922-1985

Marilyn Monroe, Double portrait from the Black Sitting With embossed stamp lower right: Milton H. Greene Edward Weston Collection also stamped verso, numbered 9/99, and dated 1992 Bromoil gelatin silver print 27 x 35cm With a further photograph by Milton H. Greene of Marilyn by a swimming pool stamped lower right with the same embossed stamp 35 x 27cm (2) ÂŁ200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

235 MILTON H. GREENE American 1922-1985

Marilyn Monroe removing a stocking 1953 Signed and inscribed 3 AP Gelatin silver print 102 x 76cm £300-400

236 MARGARET BOURKE-WHITE American 1904-1971

United States Airship ‘Akron’, 1931 Signed Gelatin silver print 43.5 x 58cm Framed in the original duralumin frame, inscribed ‘Winner/Richardson’s Auto Service/Third Annual Goodyear Dealers Zeppelin Race/July-August 1931/ This frame is made of duralumin used in the girder construction of the United States Airship ‘Akron’ built by the Goodyear Zeppelin Corporation’ Literature: Stephen Bennett Phillips, Margaret Bourke-White: The Photography of Design 1927-1936 (New York, 2003), p. 73 £800-1,200

235

236 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

108

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art This privately owned collection illustrates some of the most interesting aesthetic developments in the art of the former USSR in the 20th century. In the years after Stalin’s death, far greater freedom of artistic and personal expression was permitted, in a period known as ‘The Thaw’. This was also the moment when the extraordinary holdings of Impressionist and Post-Impressionist art in the Hermitage and Tretyakov became available for study by the artistic community. The effect was immediately felt and there is a generation of artists from 1960 onwards who echo the style, composition and aesthetic of their French forebears. The period after ‘The Thaw’ was an exciting and febrile time when scientists, workers and engineers became the heroes of painting. From these economic and sociological changes, a style of painting known as ‘The Severe’ was born, well represented here. Additionally, the paintings in the more traditional Socialist Realist style, as well as a number of works by important female painters, are included. As a whole, this collection shines a much needed spotlight on undervalued and largely unrecognised talent.

237 CLARA IVANOVNA KALINICHEVA Russian 1933-1999

Landscape with a Red Cat Signed, titled and inscribed to verso Oil on board, executed in the 1960s 35.6 x 73.5cm Provenance: Acquired from the artist’s family in 2010 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 248, 250-251 (illustrated)

237

£400-600

238

239

238 EVGENY SPIRIDONOVICH LOGVINENKO

239 IVAN YEGOROVICH BAZANOV

Russian b.1944

Russian b.1946

Sunrise on the Black Sea

Narrow Street Flickering; Memorial House of the Painter E.V. Nagaievskaya

Signed and dated 1983, and further signed, dated, titled and inscribed to verso Oil on board 22.5 x 35.4cm Unframed Together with Boris Nikolaevich Bezikovich (Russian 1917-1980), Edge of a Forest, signed, dated 1948, titled and inscribed to verso, oil on canvas, 11.8 x 29.3cm, unframed and unstretched (2) Provenance: Each acquired from Moscow private collections by the present owner, 2007 and 2009 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 239-241. 270-271 (illustrated)

Two, each signed and further signed, titled, dated 2002 and 2003, and inscribed to verso Each oil on canvas 22 x 14cm; 15 x 20cm The latter unframed (2) Provenance: Both acquired from a Moscow private collection by the current owner, 2009 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 233-237 (both illustrated) £120-180

£150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

240

240 EVGENY DAVIDOVICH REDKO

241

241 EVGENY DAVIDOVICH REDKO

Russian 1924-2004

Autumn Evening

Wide Space

Signed, titled, dated 1980s and inscribed to verso Oil on board 34.7 x 46.7cm

Signed, dated 1980s, titled and inscribed to verso Oil on board 28.5 x 37.9cm

Provenance: Acquired by the present owner from the artist’s family, 2006

Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 354-355 (illustrated)

Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 340-341 (illustrated)

£400-600

242 EVGENY DAVIDOVICH REDKO Russian 1924-2004

The School Girl; Work in Spring; Fog in Winter Three, each signed and titled to verso Each oil on card Largest 36 x 48cm; Smallest 11.7 x 11.7cm Two unframed (3) Provenance: All acquired from the artist’s family by the current owner, 2006 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 344-345, 349 (all illustrated) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

242

109

110

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

243 KIM NIKOLAEVICH BRITOV Russian 1925-2010

244 IGOR NIKOLAEVICH AVRAMENKO

Spring Twilight

Russian b.1964

Signed, and further signed, dated 2007, titled and inscribed to verso Oil on canvas board 33 x 45.8cm

Sunset on the Caspian Sea; Street scene

Provenance: Acquired directly from the artist’s estate by the current owner, 2010 £400-600

245 EVGENY FIODOROVICH KARASIOV Russian 1926-1997

243

On the Volga Signed, dated 1957, and titled to verso Oil on card 13 x 18.6cm Together with Dmitriy Gavrilovich Leskin (Russian 1928-2008), Academicheskaya Dacha, signed and indistinctly titled and inscribed to verso, oil on cardboard, 10.2 x 15.4cm (2)

Each signed with initials Mixed media 40.7 x 46.8cm; 49.9 x 39.8cm Both unframed Together with A. Makhonin (Russian 20th Century), Still life with lilacs in a vase, signed and dated 1953, oil on card, 36.7 x 32.8cm, unframed (3) Provenance: Avramenkos with Seasons of the Year Gallery, Moscow, 2008, where acquired by the current owner; Makhonin acquired from a Moscow private collection Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 226-227, 230-231, 274-275 (all illustrated) £200-300

Provenance: Karasiov acquired by the current owner from Seasons of the Year Gallery, Moscow, 2005; Leskin acquired by the current owner from a private collection

246 PHIKRET MAMEDOVICH KASHIMOV

Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 252, 258-259, 264, 266-267 (both illustrated)

Signed with monogram, and further signed, inscribed and dated 1991 to verso Oil on canvas 96 x 172cm Unframed and unstretched

£120-180

£100-200

Azerbaijani b.1948

Moon Song

244

245

246

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

247

248

247 SERGEI NIKOLAIEVICH ANDRIYAKA Russian b.1943

The Resurrection Gate, Kremlin Signed and dated 2010 Watercolour 63 x 43.2cm Provenance: Acquired from the artist by the current owner Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 200-201, 222-223 (illustrated) £300-500

248 SERGEI NIKOLAIEVICH ANDRIYAKA Russian b.1943

Fir trees in the snow; Autumn trees Two, both signed, one dated 2010, the other 2004 Both watercolour 68.2 x 51.2cm; 74.6 x 53.2cm (2) Provenance: Both acquired from the artist by the current owner Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 216-217, 220-221 (both illustrated) £250-350

249

249 SERGEI NIKOLAIEVICH ANDRIYAKA Russian b.1943

Flooded forest; Landscape with buildings amongst trees; Landscape with a path running alongside a forest Three, each signed and variously dated 2008, 2004, and 2007, and extensively inscribed to backing boards

Each watercolour 11.2 x 16.6cm; 11 x 17.4cm; 10 x 17.8cm (3) Provenance: Each acquired directly from the artist by the present owner Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 214-215, 218 (each illustrated) £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

111

112

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

250

251

250 EKATERINA CONSTANTINOVNA MIKHALSKAYA

251 SULTANOV SABIR

Russian b.1966

Russian b.1953

View of Paris; Roses

Garden; White flowers; Purple flowers; Still life with flowers and apples; Still life with a vase of flowers; Cockerel

Two, each signed One watercolour, the other pastel 48.5 x 63cm; 48.7 x 62.8cm Together with 11 unframed watercolours and pastels by Mikhalskaya (13) Provenance: Acquired from the artist by the current owner, 2005-2010 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 298-299 (illustrated) ÂŁ300-500

Six, each signed and dated between 2000 and 2011 All oil on canvas Largest 86.2 x 106.7cm; Smallest 30 x 40cm (oval) All unframed (6) Provenance: Acquired from a private collection by the present owner Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 172. 174-177, 180-181 (four illustrated) ÂŁ300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

252

252 SERGEI PETROVICH TKACHEV Russian b.1922

Pasture Signed, and further signed, dated 1980, titled and inscribed to verso Oil on board 48 x 59.7cm £800-1,200

253 YURI KROTOV Russian b.1964

In the Garden Signed, and further signed and titled to verso Oil on canvas 73 x 50cm Unframed £200-300

253 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

113

114

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

254 VLADIMIR ALEXEYEVICH VASIN Russian 1918-2006

Theatre Square, Moscow; The Mushroom Picker; The Blacksmith’s Shop Three, two signed, and all signed and titled to verso Two oil on board, one oil on cardboard Largest 39.4 x 53.5cm; Smallest 25.4 x 30.6cm (3) All unframed Provenance: Acquired from the artist’s family 2005-2006 Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 371-373, 382-383 (all illustrated) £300-500

254

255 NATTA KONYSHEVA Russian b.1935

Sergei’s Birthday; The Circus Two, the latter signed, and each signed, titled and dated 1999 and 2000 to verso The former oil on canvas, the latter oil on board 46.3 x 84.6cm; 39.3 x 58.9cm (2) Provenance: Each acquired directly from the artist’s estate by the present owner, c.2010 £150-250

255

256 EMIN MAMEDOV Russian 20th Century

Still life with a vase Inscribed to verso Oil on canvas 90.5 x 70cm Unframed Together with Breezhatyk (Russian 20th Century), Mother and Child, signed and dated 98, oil on canvas, 80.2 x 50.3cm, unframed (2) £80-120

256 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

257

258

259

260

257 VASILY DMITRIEVICH PHOMUK

258 PAVEL ALEXANDROVICH RADIMOV

Russian b.1960

Apple Tree; Heat Two, one signed and dated 11, each signed, dated 2011, titled and inscribed to verso Each oil on canvas 80 x 91cm; 70 x 80cm Both unframed (2) Provenance: Each acquired directly from the artist c.2010 £100-150

115

260 LEONID VASILIEVICH MARKOV

Russian 1887-1967

259 IGOR PAVLOVICH OBROSOV

Village landscape

Russian 1930-2010

Still life with a vase of roses

Oil on cardboard Inscribed and numbered 025624 to verso 27.8 x 44.7cm Unframed

A couple on a path in a wooded landscape

Signed and titled to verso Oil on board 41.8 x 23.4cm Unframed

Provenance: Acquired from the artist’s family by the current owner c.2007-2008

Signed Gouache 42.5 x 54.3cm £400-600

Russian 1926-1988

Provenance: Acquired from the artist’s family by the current owner, 2010

Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 329-331 (illustrated)

Literature: Natalia Alexandrova and Olga Polyanskaya, Beyond the Boundaries of Socialist Realism (Unicorn Press, 2015), pp. 276-277 (illustrated)

£300-400

£60-80

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

116

Lots 237-261 A Private Collection of Soviet, Russian and Azerbaijani Art

261

261 ATTRIBUTED TO VASILY VASILYEVICH VERESCHAGIN Russian 1842-1904

Bethlehem Signed, dated 1885, and indistinctly titled Oil on canvas 41.5 x 60.8cm Provenance: MC Fine Arts, Monaco, Tableaux, Sculptures et Objets d’Art Russes, Bijoux et Montres, 3 May 2014, lot 21 (as Vereschagin) £15,000-20,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

262

Other Properties 262 VIKTOR STEPANOVICH TYURIN Russian 1917-2008

Morning in the hills Signed, dated 1948, and further inscribed to verso Oil on board 13 x 23.8cm £500-800

263 KONSTANTIN GEORGIEVICH MOLTENINOV Russian b.1924

An Evening Rowing on Lake Khepoyarvi Signed and dated 73, and further signed, titled and inscribed to verso 50.4 x 65.5cm Unframed £150-250

263

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

118

264

264 PHILIP ANDREEVICH MALIAVIN Russian 1869-1940

Five female portraits Each signed, one dated 1932, one dated 1931 Four pastel and pencil, one pencil Largest 29.5 x 23.8cm; Smallest 22.6 x 18.4cm (5) Provenance: Rurik Bounatian, great-grandson of the artist; Acquired from the above by the previous owner in the 1990s; Sothebyâ&#x20AC;&#x2122;s, London, Russian Pictures, 2 June 2015, lot 90 ÂŁ1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

265

265 ATTRIBUTED TO PHILIP ANDREEVICH MALIAVIN Russian 1869-1940

Young woman with a red shawl Oil on canvas 61 x 70.8cm Provenance: Christie’s, South Kensington, 19th Century European Art, 23 September 2004, lot 167 Literature: Maya Semina, ‘The Paths and Crossroads of Philip Malyavin’ in Our Heritage (2015, no. 112), illustrated £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

120

266

266 ‡ ALEXANDRE BENOIS Russian 1870-1960

Costume designs for La Bohème Three, each signed, two with initials, numbered, and inscribed with production details Watercolour, gouache, ink and pencil 23 x 15cm (3) Provenance: Jay Pomeroy (1895-1955), London; Acquired from the above by Barnett and Sylvia Shine in London in the 1960s; By descent to the present owners These designs, and those in lots 267 and 268, were for the 1946 production of Giacomo Puccini’s La Bohème by the Cambridge London Opera Company at the Cambridge Theatre in London. Produced by Dino Borgioli (1891-1960) the production was positively received, with Alexandre Benois’ scenery and costumes particularly praised. The production company and theatre were owned by the Crimean Jay Pomeroy. These costume designs remained in Pomeroy’s private collection until they were acquired by his friends, Barnett and Sylvia Shine, in the 1960s. £800-1,200

267 ‡ ALEXANDRE BENOIS Russian 1870-1960

Costume design for La Bohème Signed, dated 1946, numbered 10, and inscribed with production details Watercolour, gouache, ink, chalk and pencil 28 x 20.3cm

267

Provenance: Jay Pomeroy (1895-1955), London; Acquired from the above by Barnett and Sylvia Shine in London in the 1960s; By descent to the present owners £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

268 ‡ ALEXANDRE BENOIS Russian 1870-1960

Costume designs for La Bohème Two, each signed with initials, numbered, and inscribed with production details Watercolour, gouache, ink, chalk and pencil Each 23 x 15cm, framed as one Provenance: Jay Pomeroy (1895-1955), London; Acquired from the above by Barnett and Sylvia Shine in London in the 1960s; By descent to the present owners £600-800

268

269 ‡ ALEXANDRE BENOIS Russian 1870-1960

Costume design for The Nutcracker: Les Marmitons de la Fée Dragée Signed, dated 1957, titled, and inscribed with production details Pen and ink, watercolour and pencil 22 x 15cm Provenance: Arthur Tooth & Sons, London £1,000-1,500

269 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

122

270

270 ‡ ROGER K. FURSE 1903-1972

Three costume designs: Merlin; Fleance from Macbeth; 3rd Lord Each signed and titled, two dated 55, and all further inscribed Each Watercolour, gouache and pencil on paper Largest 54.6 x 37.8cm; Smallest 46.6 x 32.3cm Unframed Together with a 1959 unframed watercolour cartoon by the same hand (4) £300-500

271 ‡ CHARLES MOZLEY 1914-1991

Cartoon with figures in an Italian garden; Cartoon with musicians, a nude dancer and a man on horseback in an Italian courtyard Two, each pen and ink, watercolour, and pastel 57 x 71.5cm; 60.5 x 85cm (2) £300-500

271 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

272

273

272 VICTOR YEFIMENKO

273 ‡ PETER KUHFELD

Ukranian b.1952

b.1952

A Sunny Morning

Andromeda I

Signed in Cyrillic, and further signed, titled and inscribed in Cyrillic to verso Oil on canvas 81 x 65cm

Signed Oil on board 37.4 x 23.6cm

£600-800

Provenance: W. H. Patterson, London £300-500

274 ‡ PETER KUHFELD b.1952

Jemima and Florence in the courtyard Signed Oil on canvas 45.2 x 55.5cm Provenance: W. H. Patterson, London £500-700

274

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

124

275 ‡ KEN HOWARD OBE, RA b.1932

The Old Harbour, Newlyn, Afternoon Light Signed Oil on canvas 51 x 61cm Exhibited: Royal Academy Summer Exhibition, 1991, no. 510 £1,500-2,500

276 ‡ KEN HOWARD OBE, RA b.1932

The Old Harbour, Newlyn Signed, and further titled and dated May 90 to verso of frame Oil on canvas 30.7 x 25.8cm £400-600

277 ‡ KEN HOWARD OBE, RA

275

b.1932

St Michael’s Mount I Signed Oil on canvas 19.5 x 24.4cm Provenance: W. H. Patterson, London £600-1,000

276

277

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

278

278 ‡ KEN HOWARD OBE, RA b.1932

The Red Headscarf Signed Oil on canvas 61 x 51cm Provenance: Oscar and Peter Johnson Ltd Exhibited: Oscar and Peter Johnson Ltd., London, Ken Howard: An Amalgam of Light, May 1989, no. 14 £2,500-3,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

126

279 ‡ MARK FRY

280 ‡ JAMES LONGUEVILLE

b.1952

b.1942

Water birds

Winter sun, The Dee near Rhewl, North Wales

Oil and oil pastel 60 x 84.8cm Exhibited: Christopher Hull Gallery, London, 1993 £300-500

279

Signed Oil on board 44.5 x 60cm Exhibited: Royal Institute of Oil Painters, Mall Galleries, 1975 £200-300

281 ‡ FIONA MILLAIS

282 ‡ FIONA MILLAIS

b.1960

Winter gem windfall

Estuary, low tide

Signed Acrylic on canvas 45.5 x 45.5cm

Signed Acrylic on canvas 50.5 x 51.2cm

£200-300

280

281

282 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

283

284

283 ‡ HARRY BILSON

284 ‡ JAMES FULLARTON

285 ‡ JAMES LYNCH

286 ‡ MARJ BOND RSW

Icelandic b.1948

Scottish b.1946

b.1956

Scottish b.1939

The balloon men

Clouds Over Straiton

Objects on a window sill

Head Hunter

Signed Oil on canvas 90 x 121.4cm Unframed

Signed Oil on canvas board 19 x 24cm

Signed and dated 87 Watercolour and gouache 48 x 41cm

£250-350

Exhibited: Royal Academy Summer Exhibition 1987, no. 862

Signed and dated 94, and further inscribed and titled to verso Mixed media on board 91.5 x 91.5cm Unframed

£700-1,000

£800-1,200

Provenance: The Contemporary Fine Art Gallery, Eton £500-700

285

286

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

128

287 ‡ DONALD MCINTYRE RCA 1923-2009

Girl at a piano Signed with initials Oil on board 16.6 x 19cm £800-1,200

287

288 ‡ FRED CUMING RA b.1930

Evening garden Signed Oil on board 19.4 x 24.2cm £600-800

288 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

289 ‡ FRED CUMING RA b.1930

Last light, Camber Signed Oil on board 59 x 49cm £1,200-1,800

289

290 ‡ FRED CUMING RA b.1930

The cloud Signed, and further titled to verso Oil on board 15.3 x 21.1cm Provenance: Alresford Gallery £600-800

290 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

130

291 ‡ PETER GREENHAM RA 1909-1992

Two figures on a beach by a breakwater Signed with initials Oil on board 15.7 x 19.2cm Provenance: Thos. Agnew & Sons, London £800-1,200

291

293

292 ‡ RYAN MUTTER

293 ‡ PETER WELLS NEAC, ROI

b.1978

20th Century

Industrial landscape

Sea Near Trevone

Signed Oil on board 36 x 26.8cm

Oil on linen 48.5 x 56cm

£400-600

292

Exhibited: David Messum, London, British Figurative Painting Exhibition, 1996, no. 42 £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

294

294 ‡ CHRISTINE WOODSIDE RSW, RGI Scottish b.1946

Palazzo Dario Signed Mixed media on board 71.1 x 55.9cm Provenance: Panter & Hall, London, no. 4106 £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

132

295 ‡ CHRISTOPHER P. WOOD b.1962

Landscape with a pond Signed with initials and dated 1997 Oil on canvas 57.4 x 75cm Unframed £150-250

296 ‡ ADRIAN DURHAM STOKES 1902-1972

Still life with bottles and a jar 295

Signed with initials to verso and inscribed Adrian’s dark bottles 1939 (?) Oil on canvas 53 x 51cm £600-800

297 ‡ DAVID SAWYER RBA b.1961

Big Sky over Sarre Mill Signed Oil on board 28 x 33cm Provenance: Panter & Hall, London £300-500

298 ‡ DAVID SAWYER RBA b.1961

Snow on the Downs, near Warlingham Signed Oil on board 16.5 x 24cm

296

297

Provenance: Panter & Hall, London £300-500

298 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

299 ‡ ANDREW MACARA b.1944

The Shower, Nauzan, Royan, France Signed and dated 1993, and titled verso Oil on canvas 91 x 61cm £700-1,000

300 ‡ TOM COATES RBA, RWS b.1941

A view of the Somerset Levels Signed with monogram Oil on canvas 40.5 x 50.5cm £200-300

301 ‡ TOM COATES RBA, RWS b.1941

Mary and Debra Signed with monogram and titled to verso of frame Oil on canvas 29.5 x 24.5cm Provenance: W. H. Patterson, London £250-350

299

300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

301

134

302

303

302 ‡ WILLIAM WATT MILNE Scottish 1869-1949

Rural landscape with a shepherd and his flock by a stream Signed Oil on canvas 30.8 x 38.2cm £300-500

303 ‡ J. H. DASHWOOD 20th Century

In a Cornish studio, St. Ives 304

Signed Oil on canvas 61.4 x 76.3cm £400-600

304 ‡ JULIAN BELL b.1952

The playground Signed and dated FEBRUARY 1975 Oil on canvas 51 x 76cm £200-300

305 ‡ FRANCIS PATRICK MARTIN Scottish 1883-1966

Mountainous river landscape

305

Signed Oil on canvas 51 x 61.5cm £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

306

306 ‡ GEORGE HAMMOND STEEL 1900-1960

Mountain landscape Signed Oil on board 24.5 x 35cm £1,200-1,800

307 ‡ GEORGE HAMMOND STEEL 1900-1960

Still life with flowers in a vase Signed Oil on board 21.8 x 16.8cm £600-800

308 ‡ JEAN-PIERRE ROUSSEAU French b.1939

307

Crouching female nude Signed and dated 62 Oil on canvas 92.3 x 73cm £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

308

136

309

310

309 ‡ GORDON BENINGFIELD

310 ‡ GORDON BENINGFIELD

311 ‡ GORDON BENINGFIELD

1936-1998

Purple-shot copper (Heodes alciphron gordius)

Lapland fritillary (Hypodryas iduna)

Peak white (Pontia callidice)

Signed Watercolour heightened with white 16.3 x 14cm

Signed Watercolour heightened with white 16.2 X 14cm

Signed Watercolour heightened with white 16.4 x 13.9cm

Provenance: Burlington Paintings, London

£800-1,200

£700-1,000

£600-800

312 ‡ GORDON BENINGFIELD 1936-1998

Black-veined white (Aporia crataegi) Signed Watercolour heightened with white 16.4 x 14cm Provenance: Burlington Paintings, London £600-800

311

312

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

313

314

315

316

313 ‡ GORDON BENINGFIELD

314 ‡ GORDON BENINGFIELD

315 ‡ GORDON BENINGFIELD

316 ‡ GORDON BENINGFIELD

1936-1998

Marbled white (Melanargia galathea)

Emperor dragonfly (Anax imperator)

Fenton’s wood white (Leptidea morsei)

Brimstone (Gonepteryx rhamni)

Signed Watercolour heightened with white 16.4 x 14cm

Signed Watercolour heightened with white 14 x 16.5cm

Signed Watercolour heightened with white 16.3 x 13.8cm

Signed Watercolour heightened with white 16.4 x 14cm

Provenance: Burlington Paintings, London

£800-1,200

£700-1,000

£600-800

£700-1,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

138

317

318

319

320

317 ‡ GORDON BENINGFIELD

318 ‡ GORDON BENINGFIELD

319 ‡ GORDON BENINGFIELD

320 ‡ GORDON BENINGFIELD

1936-1998

Holly blue (Celastrina argiolus)

Common eggfly (Hypolimnas bolina)

Arctic grayling (Oeneis bore)

Wood white (Leptidea sinapis)

Signed Watercolour heightened with white 16.2 x 14.1cm

Signed Watercolour heightened with white 16.4 x 14cm

Provenance: Burlington Paintings, London

£800-1,200

£700-1,000

Signed Watercolour heightened with white 16.4 x 13.9cm Provenance: Burlington Paintings, London £700-1,000

Signed Watercolour heightened with white 16.2 x 14cm Provenance: Burlington Paintings, London £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

321 ‡ GORDON BENINGFIELD 1936-1998

Monarch (Danaus plexippus) Signed Watercolour heightened with white 16.5 x 14.1cm Provenance: Burlington Paintings, London £800-1,200

322 ‡ GORDON BENINGFIELD 1936-1998

False grayling (Arethusana arethusa) Signed Watercolour 16.2 x 14cm

321

322

Provenance: Burlington Paintings, London £600-800

323 ‡ GORDON BENINGFIELD

324 ‡ GORDON BENINGFIELD

325 ‡ GORDON BENINGFIELD

1936-1998

Eastern orange tip (Anthocharis damone)

Dusky grizzled skipper (Pyrgus cacaliae)

A set of four stamps depicting Small Tortoiseshell, Large Blue, Peacock, and Chequered Skipper, framed with larger reproductions

Signed Watercolour 16.2 x 14cm Provenance: Burlington Paintings, London

Signed Watercolour and gouache 16.2 x 14cm Provenance: Burlington Paintings, London £600-800

£700-1,000

323

Signed and each stamped by the National Butterfly Museum Issued by the Post Office in 1981 Each 14 x 10cm, framed as one Together with two copies of Robert Goodden, ‘Beningfield’s Butterflies’, one signed (3) £100-200

324

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

325

140

326 ‡ RICHARD PRICE ROI

327 ‡ TOM NASH

b.1962

Welsh 1931-2013

Night Figure (Lucy)

Carousel

Signed Oil on board 39.5 x 29.5cm

Signed Oil on canvas 75.8 x 100.5cm

£300-500

Provenance: Mrs R. H. Ingalls; Gallery 10, London £200-400

326

327

328 ‡ PADDY HIGSON Scottish Contemporary

Still life with sunflowers in a vase Signed Oil on canvas 81 x 61cm £200-300

329 ‡ JEAN-BAPTISTE VALADIÉ French b.1933

The girl on the beach; Les souvenirs A pair, both signed and one dated 64 Both oil on canvas Each 80 x 40cm (2) Provenance: Frost and Reed, London, nos. 36024 & 36026 £400-600

328

329 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

330

331

330 ‡ JOHN WRAGG RA

331 ‡ JOHN WRAGG RA

b.1937

Abstract

Birds in the Night

Signed to verso Acryllic on canvas 152 x 122.5cm Unframed

Signed and titled to verso Acryllic on canvas 122.5 x 96cm Unframed

£500-800

332 ‡ BRIAN GRAHAM b.1945

Encroaching Headland Signed and dated 98 Acrylic on board 53.1 x 49.9cm £250-350

332

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

142

333 ‡ DAVID GRIFFITHS Welsh b.1939

Portrait of Sir Kyffin Williams Signed and further signed and titled to verso Oil on canvas 60.9 x 76cm £800-1,200

333

334 ‡ PETER HOWSON OBE Scottish b.1958

Head and shoulders study of a figure smoking Signed Oil and pencil on paper 19.5 x 13.7cm £800-1,200

334 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143

335 ‡ PETER HOWSON OBE Scottish b.1958

Study of a female nude lying on her front Signed Charcoal and pastel 28 x 43.2cm Provenance: McTears, Glasgow, 10 June 2018, lot 142; Private Collection, UK £400-600

335

336

337

336 ‡ PETER HOWSON OBE

337 ‡ PETER HOWSON OBE

Scottish b.1958

A dockside fight

Study of a female nude lying on her back

Signed Charcoal and white chalk 41 x 29cm

Signed Charcoal and pastel 43.7 x 28.5cm

Provenance: Cyril Gerber Fine Art

Provenance: McTears, Glasgow, 10 June 2018, lot 170; Private Collection, UK

£500-700

£400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

144

338 ‡ MAX LEUCHARS Contemporary

Study of whippets Signed Mixed media on board 109.5 x 181cm £400-600

338

339 ‡ COLIN CARRUTHERS Northern Irish Contemporary

Low Tide (Triptych) Three, each signed and numbered to verso Oil on canvas Each 60 x 39.8cm (3) Unframed £300-500

339

340 ‡ ROBBIE WRAITH b.1952

Corinne II Signed, also titled verso Charcoal heightened with white 50 x 35cm Unframed £200-300

341 ‡ ROBBIE WRAITH b.1952

Standing female nude Charcoal 50 x 35cm Unframed £200-300

340

341 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

342 ‡ JOHN LOWRIE MORRISON OBE Scottish b.1948

Storm Passing - Uisjen Beach, Mull Signed, and further signed dated 2004, and titled to verso Oil on canvas 39.5 x 39.5cm Provenance: Henshelwood Gallery, 2004 £1,000-1,500

342

343 ‡ JOHN LOWRIE MORRISON OBE Scottish b.1948

Ardtun Croft, Isle of Mull Signed and dated 99, and further signed and dated to backing board Oil on board 29 x 29cm Provenance: Torrance Gallery, 1999 £1,000-1,500

343 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

146

344 BOB DYLAN American b.1941

Cassandra Signed in pencil and numbered 151/295 Giclee print, 2010 70 x 56cm Provenance: Washington Green Fine Art (with certificate of authenticity) £800-1,200

345 ‡ SIR ANTONY GORMLEY RA b.1950

Standing figure Coloured ink 11.2 x 15.4cm Provenance: Given by the artist’s mother to the current owner, January 2008 (a letter from the artist to the owner accompanies this work) £200-300

346 ‡ SIR RICHARD LONG RA b.1945

A Climb up the Avon Gorge Signed, numbered 40/50, and blindstamped Limited edition screenprint 67.4 x 56cm (full sheet) Literature: Richard Long: Prints 1970-2013, ed. Mönig, R. & Vermeulen, G. (Walther Koenig, 2013), no.36 £200-300

344

345

346 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

347

347 ‡ DAMIEN HIRST b.1965

Butterfly spin painting Printed signature to verso Acrylic on card 45 x 45cm Provenance: Woolley & Wallis, Modern British & 20th Century Art, 7 June 2017, lot 357 £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

148

348 ‡ JOHN KINGSLEY RSW, PAI Scottish b.1956

St Paul de Vence, France Signed Oil on canvas 81.5 x 81.5cm Provenance: The Contemporary Fine Art Gallery, Eton £1,500-2,000

348

349 ‡ JOHN KINGSLEY RSW, PAI Scottish b.1956

Mending the nets, Ierapetra, Crete Signed Oil on canvas 46 x 51cm Provenance: The Contemporary Fine Art Gallery, Eton £500-700

349 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

350 ‡ JOHN KINGSLEY RSW, PAI Scottish b.1956

Back street, Ronda, Spain Signed Oil on canvas 51 x 51cm Provenance: The Contemporary Fine Art Gallery, Eton £600-800

350

351 ‡ JOHN KINGSLEY RSW, PAI Scottish b.1956

Landscape in Averyron, France Signed Oil on canvas 46 x 51cm Provenance: The Contemporary Fine Art Gallery, Eton £600-800

351 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

150

352 ‡ JOHN BELLANY RA Scottish 1942-2013

The music lesson Signed Oil on canvas 60.8 x 50.7cm Provenance: Given by the artist to his sister Margaret; Robert Eagle Fine Art, London, with certificate of authenticity signed by the artist’s sister £2,000-3,000

352

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

353 ‡ JOHN BELLANY RA Scottish 1942-2013

Gourmet at the Ritz Signed and titled to verso Oil on canvas 101.2 x 75.9cm Provenance: Geoffrey Harley; His posthumous sale, Woolley and Wallis, 7 February 2018, lot 23; Private Collection, UK £3,000-5,000

353

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

152

354 ‡ JOHN BELLANY RA Scottish 1942-2013

Bells afore ye go Signed and titled Watercolour and pencil 37 x 27.5cm Provenance: McTears, Glasgow, The Scottish Contemporary Art Auction, 11 November 2018, lot 132 £800-1,200

355 ‡ SVEN BERLIN 1911-1999

Leaping hare Signed and dated 78/79 Oil on board 58.5 x 89.5cm £500-800

356 ‡ SVEN BERLIN 1911-1999

Shepherd and a ram Signed and dated 99 Oil on board 59 x 87cm £600-800

354

355

356

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

357 ‡ FRED YATES 1922-2008

Figures on a bridge outside a church Signed Oil on canvas 25.4 x 30.7cm £600-800

358 ‡ FRED YATES 1922-2008

An elderly couple Signed Oil on canvas 40 x 40cm Provenance: David Lay, Cornwall, Fine Art, 26 October 2017, lot 135; Private Collection, UK £700-900

359 ‡ FRED YATES 1922-2008

Crowd Signed, and further signed and titled to verso Oil on canvas 54.4 x 37.2cm

357

Provenance: David Lay, Cornwall, Fine Art, 26 October 2017, lot 136; Private Collection, UK £400-600

358

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

359

154

360 ‡ FRED YATES 1922-2008

My Day at the Fair Signed and further titled to verso Oil on canvas board 21 x 29.5cm £800-1,200

360

361 ‡ FRED YATES 1922-2008

Street scene Signed Oil on canvas 26 x 34cm Provenance: The Heather Bray Collection; David Lay, Cornwall, Fine Art, 26 October 2017, lot 298; Private Collection, UK £800-1,200

361

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

362

362 ‡ FRED YATES 1922-2008

The clairvoyant Signed Oil on canvas 80 x 80cm Provenance: Clark Art, Manchester, 2009; Woolley and Wallis, Modern British & 20th Century Art, 29 November 2017, lot 215; Private Collection, UK £1,500-2,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

156

363 â&#x20AC;Ą JOHN BRATBY RA 1928-1992

Self portrait surrounded by bottles, busts and a clock Signed and dated 76+78, and further inscribed To Jack Merrill with every good wish John Bratby (to stretcher) Oil on canvas 91.2 x 61cm Provenance: Purchased from the artist by John Merrill; By descent to his son; Woolley and Wallis, Modern British & 20th Century Art, 7 June 2017, lot 259; Private Collection, UK Exhibited: National Portrait Gallery, London, John Bratby Portraits, March-May 1991, no. 24 ÂŁ3,000-5,000

363

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

364

365

364 ‡ JOHN BRATBY RA

365 ‡ JOHN BRATBY RA

1928-1992

Portrait of Gloria as an art student

Self portrait standing at his easel in y-fronts

Signed, and further inscribed Dear Jack, this is a portrait of Gloria - 1960 - Blackheath / Gloria as an art student / Goldsmiths School of Art New Cross / Jack Merrill (to verso) Oil on canvas 101.5 x 61cm

Signed Oil on canvas, executed 1974-1975 127.2 x 102cm

Provenance: Purchased from the artist, by the previous owner’s father; Woolley and Wallis, Modern British & 20th Century Art, 6 June 2018, lot 321; Private Collection, UK Gloria Bishop was one of Bratby’s favourite models. £1,500-2,500

Provenance: Patti Bratby, the artist’s wife; By whom sold, Grand Auctions, Folkestone, 8 May 2017, lot 252; Private Collection, UK Exhibited: National Portrait Gallery, London, John Bratby Portraits, March-May 1991, no. 22; W.K.P Kennedy Public Gallery, Ontario, no. 10; Redpath Gallery, Vancouver £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

158

366

367

368

369

366 ‡ JOHN BRATBY RA

367 ‡ JOHN BRATBY RA

368 ‡ JOHN BRATBY RA

369 ‡ JOHN BRATBY RA

1928-1992

Portrait of a gentleman

Portrait of the playwright Mary O’Malley (b.1941)

Portrait of Sir Charles ‘Chay’ Blyth (b.1940)

Patti in Miss Selfridge Jump Suit

Signed Oil on canvas 40.7 x 35.5cm

Signed, titled, dated and inscribed 12 October 1979 Hastings. The Cupola Pastel and pencil 37 x 31cm

Signed Oil on canvas 45.5 x 35.7cm Provenance: Henry Adams, Chichester, 8 July 2015, lot 591; Private Collection, UK £500-700

Signed and titled Oil on canvas 43 x 43cm Provenance: Special Auction Services, Newbury, 14 December 2017, lot 36; Private Collection, UK £500-700

Provenance: John Nicholson’s, Haslemere, 11 October 2017, lot 437; Private Collection, UK Chay Blyth is a Scottish yachtsman, and in 1971 was the first person to sail single-handed non-stop westwards around the world.

Provenance: Patti Bratby, the artist’s wife; Grand Auctions, Folkestone, 8 May 2017, lot 251; Private Collection, UK £200-300

£500-700 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

370

371

370 ‡ JOHN BRATBY RA

371 ‡ JOHN BRATBY RA

1928-1992

Portrait of Julian Lloyd Webber (b.1951)

Portrait of Mike Winters (1926-2013)

Signed Oil on canvas 91 x 61cm Provenance: Purchased directly from the artist by the vendor’s father £800-1,200

Signed Oil on canvas 50.8 x 40.5cm Provenance: John Nicholson’s, Haslemere, 11 October 2017, lot 434; Private Collection, UK Alongside his brother Bernie, the sitter formed part of the comedy double act Mike and Bernie Winters. £600-800

372 ‡ JOHN BRATBY RA 1928-1992

Study of doves Signed Pastel 58 x 40cm Provenance: Grand Auctions, Folkestone, 8 May 2017, lot 309; Private Collection, UK £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

372

160

373

374

375

376

373 ‡ BARRY MCGLASHAN

374 ‡ PREFAB77

375 ‡ ALAN BENNETT

376 ‡ GUY DENNING

Scottish b.1974

Contemporary

b.1954

Quite a View

Heist; George

Three heads

La Plus Longue Chute

Oil on canvas laid on board 88.8 x 116.8cm

Two, each signed, the former numbered 2/300, the latter numbered 8/300 Both screenprints Each 41.8 x 29.6cm (2)

Signed Acrylic on canvas board 37 x 35.2cm

Signed, titled, dated 2013, and numbered #2308 Oil and collage on canvas 99.5 x 99.5cm

Provenance: John Martin Gallery, London, 2007 £400-600

Provenance: Metropolis Art, Bournemouth

Provenance: The Contemporary Fine Art Gallery, Eton

£300-500

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

378

377

379

377 ‡ ALEXANDER MILLIGAN GALT RGI

378 ‡ DIANNE FLYNN

379 ‡ STEPHEN CULLEN

Scottish 1913-2000

b.1939

Irish b.1959

Reclining Nude II

Girl paddling at Teignmouth

Figures walking through a park

Oil on canvas 41 x 25.4cm

Signed Acryllc 25.9 x 36.2cm

Signed and dated ‘88 Oil on canvas 43.5 x 61cm

£200-300

£300-400

Provenance: Panter & Hall, London £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

162

380 ‡ MARY E. CARTER

381 ‡ KEN LILLY

b.1947

1929-1996

Under the Christmas tree

A robin sheltering in a postbox

Signed and dated 2006 Oil on board 9.6 x 10.1cm

Signed Watercolour and gouache 17.9 x 26.2cm Together with a 1995 set of five Christmas stamps, including one featuring the present work (2)

Provenance: Llewellyn Alexander Ltd., London £200-400

£250-350

382 ‡ ANTONY WARREN 20th Century

River landscape with houses by a bridge Signed Oil on canvas 63.5 x 76.5cm £200-300

380

381

382

383 ‡ BASSETT WILSON 1888-1972

Champs-Élysées: Daudet Signed and dated 37, and further titled and inscribed to verso Oil on canvas 65 x 54cm £200-300

384 ‡ KEVIN HUGHES RI b.1947

Farm at the edge of the Somerset Levels Signed Watercolour 40.5 x 33.8cm

383

384

Provenance: Alresford Gallery £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

385

386

387

385 NORA L. M. CUNDELL

388

387 ‡ GERALD NORDEN

388 ‡ GEORGES LAPORTE

1889-1948

386 ‡ PAMELA KAY RWS, RBA, NEAC

1912-2000

French 1926-2000

Rain on the Window

b.1939

Signed and dated 43, and titled to verso Oil on canvas 51 x 41cm

Still life with a dish of plums, a croissant and michaelmas daisies

Walnuts in a Basket IV; A Pound of Cherries 1; Boiled Eggs III

Still life with flowers in a vase

Three, each signed, one dated 90, one dated 91 Each oil on board Largest 17.5 x 20.2cm; Smallest 14.9 x 17.6cm (3)

Signed Oil on canvas 27 x 22.4cm

Provenance: The Catto Gallery, London, 1991, nos. 2676, 2212, 2472

£200-300

Provenance: Catto Gallery, London £200-300

£150-250

Exhibited: Art Exhibitions Bureau, London £200-300

Signed with monogram Oil on board 32.5 x 34.8cm

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 169

164

INDEX OF ARTISTS A Ackroyd, Norman 209 163 Aldridge, John Allinson, Adrian 139 Amitage, Kenneth, Follower of 9 Amour, George Denholm 31, 32, 33, 34 Andriyaka, Sergei Nikolaievich 247, 248, 249 244 Avramenko, Igor Nikolaevich Ayrton, Michael 181, 182 B Banks, Robert Louis 76 183, 184 Baring, Mark Barris, George 233 61, 62 Bawden, Edward 239 Bazanov, Ivan Yegorovich Bell, Julian 304 352, 353, 354 Bellany, John Beningfield, Gordon 309, 310, 311, 312, 313, 314, 315 ,316, 317, 318, 319, 320, 321, 322, 323, 324, 325 Bennett, Alan 375 Benois, Alexandre 266, 267, 268, 269 Benois, Nadia 94, 95, 96 355, 356 Berlin, Sven 52 Bevan, Robert Bilson, Harry 283 Birnie, William 155 Blaker, Michael 141 Blanche, Jacques-Émile 106 286 Bond, Marj Boshier, Derek 206 Bourke-White, Margaret 236 Bower, Susan 169, 170 Bowles, Ian 50 58, 59 Brangwyn, Sir Frank Bratby, John 363, 364, 365, 366, 367, 368, 369, 370, 371, 372 Brill, Reginald 91 Brilliant, Fredda 2 Britov, Kim Nikolaevich 243 Brown, Paul 109 Buckland-Wright, John 216 Bush, Harry 142 C C.B. 3 Capone, Gaetano 145 Carlucci, Cosimo 11 Caro, Sir Anthony 21 Carruthers, Colin 339 Carter, Mary E. 380 Chapman, George 175, 176, 177 Clausade, Pierre de 118 300, 301 Coates, Tom Coleman, Ronald I. 135 Collingwood, William Gershom 133 Cosmadopoulos, Georges 143 Craig, James Humbert 129 Crawhall, Joseph 35, 36, 37, 38 Croucher, Cyril 223 Craxton, John 219 Cullen, Stephen 379 Cuming, Fred 288, 289, 290 Cundell, Nora L.M. 385 D Dashwood, Geoffrey Dashwood, J.H. Denning, Guy Dewhurst, Wynford Dick, Sir William Reid Dixon, Anna Draper, Kenneth Dubuffet, Jean Dylan, Bob

5, 6 303 376 115, 116 20 126 222 207 344

E Egginton, Frank 79 Enas, Mohammed Hoessein 137, 138

English School c.1930 Ennion, Eric Arnold Roberts

131 48

F Fedden, Mary 151, 152 Fergusson, John Duncan 60 Flynn, Dianne 378 161 Fougasse (Cyril Kenneth Bird) French School 20th Century 63, 64 French School c. 1900 119 Frink, Dame Elisabeth 178 Frink, Follower of Dame Elisabeth 10 Fry, Mark 279 Fullarton, James 284 Furse, Paul 89 Furse, Roger K. 270 G Galt, Alexander Milligan Gaudier-Brzeska, Henri Gear, Mabel Gentleman, David Gill, Eric Gillies, Sir William George Goodwin, Robin Gormley, Sir Antony Gosse, Sylvia Graham, Brian Grant, Duncan Greene, Milton H. Greenham, Peter Griffiths, David

377 83 93 168 97, 98 92 70 345 117 332 158, 159 234, 235 291 333

H Hardie, Martin 124 Hart, Kevin Charles ‘Pro’ Hart 194, 195 148 Harwood, Lucy Helleu, Paul César 86 Higson, Paddy 328 156 Hillhouse, May Hirst, Damien 347 153 Hitchens, Ivon Howard, Ken 275, 276, 277, 278 334, 335, 336, 337 Howson, Peter Huddleston, Gertie 196 384 Hughes, Kevin Hunt, Cecil Arthur 136 85 Hunter, Mary Ethel I Indian School Insall, Frank J Johnstone, Gwyneth Jones, Allen Jones, David

90 84 208 232 215

K Kalinicheva, Clara Ivanovna 237 Karasiov, Evgeny Fiodorovich 245 Kashimov, Phikret Mamedovich 246 Kay, Pamela 386 Kingsley, John 348, 349, 351, 352 Kislakoff, Serge 113 Klein, Anita 217 Kneale, Bryan 227 Kngwarreye, Emily Kame 197 Knight, Dame Laura 55, 56, 57 Knighton-Hammond, Arthur Henry 66 Konysheva, Natta 255 253 Krotov, Yuri Kuhfeld, Peter 273, 274 L La Thangue, Henry Herbert Lambert, George Washington Lambourn, George Laporte, Georges Leuchars, Max Lhermitte, Léon Augustin Lignon, Bernard

51 69 224 388 338 121 166

Lilly, Ken Logvinenko, Evgeny Spiridonovich Long, Sir Richard Longueville, James Loring, William Cushing Lynch, James

381 238 346 280 123 285

M Macara, Andrew 299 12 Macpherson, Charlie 188 Magalhaes, Roberto Maliavin, Philip Andreevich 264 Maliavin, Attributed to Philip Andreevich 265 Mamedov, Emin 256 162 Mann, Cyril Markov, Leonid Vasilievich 260 Martin, Francis Patrick 305 373 McGlashan, Barry McIntyre, Donald 287 42, 43, 44, 45, 46 McPhail, Rodger 190 Medley, Robert Mellon, Campbell Archibald 122 Mikhalskaya, Ekaterina Constantinovna 250 Millais, Fiona 281, 282 Millais, Raoul 127, 128 Milne, William Watt 302 229 Miró, Joan Modern British School 1 146 Modern School 20th Century Molteninov, Konstantin Georgievich 263 22 Moore, Henry 7, 8 Moore, Follower of Henry Moretti, Lucien Philippe 112 342, 343 Morrison, John Lowrie Morton, Cavendish 140 Mostyn, Thomas Edwin 144 Mozley, Charles 271 108 Munnings, Sir Alfred James Mutter, Ryan 292

Redko, Evgeny Davidovich Reeves, Philip Richards, Ceri Robin, Georges Charles Robinson, Christopher Roche, Odilon Rousseau, Jean-Pierre Roy, Jamini

240, 241, 242 228 204, 205 74 157 65 308 191

S Sabir, Sultanov 251 Sainsbury, Jonathan 47 23, 24, 25, 26, Salisbury, Frank O. 27, 28, 29, 30 297, 298 Sawyer, David 147A Schwitters, Kurt Scott, William 220 67 Seago, Edward 149 Sharp, Dorothea Sievert, Otto 125 107 Skeaping, John 105 Slaby, Frantisek Smith, Sir Matthew 160 Somerville, Peggy 154 130 Spanish School 20th Century 54 Spencer, Sir Stanley Steel, George Hammond 306, 307 Stokes, Adrian Durham 296 165 Suddaby, Rowland T Taplin, Guy 13, 14, 15, 16, 17, 18 Tavener, Robert 185, 186 Tjapaltjarri, Clifford Possum 201 Tjapaltjarri, Attributed to Clifford Possum 200 Tkachev, Sergei Petrovich 252 Tolley, Nicholas 110, 111 Topolski, Feliks 164 Toulouse Lautrec, Henri de 41 150 Trevelyan, Julian Tyurin, Viktor Stepanovich 262

N Napangardi, Eunice Napangati, Esther Hayes Nash, Follower of Paul Nash, Tom Newbery, Francis Henry Nicholls, Bertram Nolan, Sir Sidney Norden, Gerald

198 199 53 327 101 103, 104 192, 193 387

O Obrosov, Igor Pavlovich O’Casey, Breon Olsson, Julius Onobrakpeya, Bruce Organ, Bryan

V Valadié, Jean-Baptiste 329 Vasarely, Victor 171, 172 Vasin, Vladimir Alexeyevich 254 Vaughan, Keith 211, 212, 213, 214 Vellacott, Elisabeth 75 Vereschagin, Attributed to Vasily Vasilyevich 261 Villéon, Emmanuel de la 120

259 225, 226 102 189 167

W Walcot, William Ward, John Stanton Warren, Antony Wei, Yao Weissbort, George Wells, Peter Whistler, James McNeill Whitfield, Carl Wiegand, Gustave Adolph Wilson, Bassett Wood, Christopher P. Woodside, Christine Wragg, John Wraith, Robbie Wuermer, Carl Wyllie, William Lionel Wynne, David

P Paolozzi, Sir Eduardo 230, 231 Park, John Anthony 100 Parker, Margaret Brynhild 134 Pearce, Bryan 221 Pears, Charles 77 Penck, A.R. 210 Phomuk, Vasily Dmitrievich 257 Piper, Edward 179, 180 Piper, John 173, 174 Piper, John S. 202, 203 Pitcher, Neville Sotheby 71 Pothast, Bernard 99 Prefab77 374 326 Price, Richard R Radimov, Pavel Alexandrovich Rae, Iso Randall-Page, Peter Read, Arthur Rigden

258 68 19 114

80, 81, 82 218 382 187 132 293 39, 40 49 78 383 295 294 330, 331 340, 341 147 72, 73 4

Y Yates, Fred 357, 358, 359, 360, 361, 362 Yefimenko,Victor 272 Z Zinkeisen, Anna Zinkeisen, Doris

88 87

FURNITURE, WORKS OF ART & CLOCKS Wednesday 8th January 2020

A George IV terrestrial library globe by Newton Estimate Â£1,500 - 2,500*

ENQUIRIES Mark Yuan-Richards +44 (0) 1722 411854 myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 4th March 2020 Closing date for entries 15th January

Eloise Harriet Stannard (1829-1914) Still life with strawberries and a cabbage leaf Signed and dated 1882, oil on canvas, 27 x 32cm; 10½ x 12½in Estimate £2,000 - 3000* ENQUIRIES Victor Fauvelle |+44 (0) 1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

CLARICE CLIFF, ART DECO & DESIGN Wednesday 18th March 2020 Closing date for entries 24th January

A large Goldscheider Pottery model of a woman designed by Stefan Dakon Estimate ÂŁ700 - 900*

ENQUIRIES Michael Jeffery +44 (0) 1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

168

Auction Information OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm and 10am – 1pm on Saturdays Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd 07973 389436 andy@kimdan.co.uk Mailboxes 01962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester Pack & Send 01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

169

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: Up to €50,000 4% 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

170

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

171 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

172 10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

11. WARRANTY OF TITLE AND AVAILABILITY

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

(a)

14. DESCRIPTIONS AND CONDITION

(b)

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(c)

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

(d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

173

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/ dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider. LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

174 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley and Wallis valuations are accepted by all leading insurance companies. PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof. We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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A345 Castle Rd

SALISBURY AMESBURY

A36

Clifford Street, Mayfair

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

Design & Production by

EXCELLENCE IN DESIGN & PRINT

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Absentee Bid Form Modern British & 20th Century Art Wednesday 11 December 2019 PW111219

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Email �� All accounts must be settled within 21 days. ID is required for all first time bidders. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

AUCTION CALENDAR JANUARY 8th

Furniture, Works of Art & Clocks

FREE VALUATION MORNINGS First Friday of the month 10am-1pm. No appointment necessary.

21st & 22nd Silver & Objects of Vertu 23rd Jewellery

FEBRUARY

NEXT VALUATION DATES 6th December, 7th February & 6th March (No valuation day in January)

4th & 5th The Judith Howard Collection of Sèvres Porcelain 19th

Tribal Art & Antiquities

MARCH 4th

Old Masters, British & European Paintings

18th

Clarice Cliff, Art Deco & Design

APRIL 1st

Furniture, Works of Art & Clocks

21st

English & European Ceramics & Glass

28th & 29th Silver & Objects of Vertu 30th

Fine Jewellery

MAY 6th

Medals & Coins, Arms & Armour

19th & 20th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE 3rd

Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet

17th

Arts & Crafts

Dates may be subject to change

Lot 24

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

Lucien Pissarro (French, 1863-1944) Duton Hill, Essex (detail)

*Price includes buyer’s premium

SOLD FOR £10,000*

WOOLLEY & WALLIS MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 11TH DECEMBER 2019

www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART Wednesday 11th December 2019