Woolley & Wallis Modern British & 20th Century Art

MODERN BRITISH & 20TH CENTURY ART TUESDAY 11TH & WEDNESDAY 12TH MAY 2021

Lot 240

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

20TH CENTURY DESIGN 424505 446955

ASIAN ART 424506 +44 (0)7812 601098 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE WORKS OF ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

Sarah Bennie Nicola Young Megan Corbett

341469 446980

Sally Litherland

MARKETING 446959

ACCOUNTS Ruth Pike Sharon Ringwood

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

SILVER Rupert Slingsby Lucy Chalmers

424500

CASTLE GATE RECEPTION

Sally Trench 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

424501 424594

AFRICAN & OCEANIC ART & ANTIQUITIES Will Hobbs Zoe Cordey

424598 424509 424509

GENERAL OFFICE

Michael Jeffery Zoe Smith

John Axford MRICS ASFAV Jeremy Morgan Amber Lees

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

339752 446980

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

Front Cover: Lot 81 (detail) Back Cover: Lot 265 Catalogue £12.00 (£15.00 by post)

MODERN BRITISH & 20TH CENTURY ART TUESDAY 11TH & WEDNESDAY 12TH MAY 2021 10.00am at our Castle Street Salerooms, SP1 3SU

PAINTINGS

VIEWING BY APPOINTMENT ONLY Friday 7th May Saturday 8th May Monday 10th May

10.00am­– 4.00pm 10.00am­– 1.00pm 10.00am­– 1.00pm

There will be no viewing on the days of the sale.

Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

Please contact the department to make an appointment.

DAY ONE: Lots 1-303 DAY TWO: Lots 304-643 SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices.

TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Monday 10th May. ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details.

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 13th and 14th May - collection of lots on these days MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 17th May collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted.

Collection of sold and unsold lots must be within 21 days of the sale failure to collect within this time may result in storage fees.

Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

LIVE ONLINE BIDDING - FREE OF CHARGE

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Lot 245 (detail)

DAY 1 Lots 1-303

Lot 132

6

THE COLLECTION OF SIR ALAN AND LADY COX

LOTS 1-81 THE COLLECTION OF SIR ALAN AND LADY COX This collection of pictures has been purchased over the last 30 years, mainly from living artists, and is now being sold due to downsizing. Sir Alan was knighted in 1994 for services to industry in Wales, and Lady Rosamund is a singer and actress performing under the professional name of Rosamund Shelley.

1‡ CERI RICHARDS CBE Welsh 1903-1971

Prometheus I (from the Beethoven Suite) Screenprint, with Ceri Richards blindstamp 66 x 50cm (image) Provenance: The artist’s estate; Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £400-600

1

2‡ CERI RICHARDS CBE Welsh 1903-1971

The Author’s Prologue (from the Dylan Thomas Suite) Signed, dated and numbered 1 Ceri Richards 65 (in pencil, lower right) Lithograph, from an edition of 70 59 x 81.5cm (sheet)

2

Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

3

4

3‡ CLAUDIA WILLIAMS RCA b.1933

Fête de St. Jean Baptiste, France Signed Claudia/Williams (lower left) Watercolour, 2004 28 x 36.5cm Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £300-500

4‡ STEPHEN YOUNG b.1946

The Box Signed with initials S.Y. (lower right), and signed, inscribed and dated SYoung/’THE BOX’/2002 (to verso) Oil on linen 47.5 x 62.5cm Provenance: Martin Tinney Gallery, Cardiff, 2002; The Collection of Sir Alan and Lady Cox £250-350

5

6

5‡ STEPHEN YOUNG

6‡ JOHN SELWAY

Evening Boys

Carnival

Signed with initials S.Y. (lower right), and signed, dated and inscribed EVENING BOYS/S. Young/2008 (to verso) Oil on canvas 60 x 50.5cm

Signed and dated J H Selway 1978 (lower right) Watercolour, and pen and ink 47 x 31cm

b.1946

Provenance: Martin Tinney Gallery, Cardiff, March 2009; The Collection of Sir Alan and Lady Cox £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Welsh 1938-2017

Provenance: The Albany Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £100-150

7

8

THE COLLECTION OF SIR ALAN AND LADY COX 7 JOANNES JANSSONIUS Dutch 1588-1664

Principatus Wallæ Pars Australis, Vulgo South-Wales Engraved map with hand-colouring 41 x 52cm Provenance: Ash Rare Books, London; The Collection of Sir Alan and Lady Cox £50-100

7

8‡ KEITH BOWEN Welsh b.1950

A sheep standing in front of a cromlech Oil on board 33.5 x 37.5cm Provenance: Albany Gallery, Cardiff, December 1997; The Collection of Sir Alan and Lady Cox £300-400

8

9‡ MICHAEL CLARK Contemporary

Raglan Castle, Monmouthshire Oil on card 22 x 57cm Unframed Provenance: The Collection of Sir Alan and Lady Cox £100-150

9 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX 10 ‡ JOSEPH EDWARD HENNAH Welsh 1897-1967

View of the cliffs along the River Wye Signed J.E. HENNAH (lower left) Oil on canvas 44 x 59cm Provenance: 5D Gallery, Chepstow, 1993; The Collection of Sir Alan and Lady Cox £300-500

10

11 ‡ JOSEPH EDWARD HENNAH Welsh 1897-1967

Landscape with the River Severn in the distance Signed J.E. HENNAH. (lower left) Oil on canvas 39.5 x 60cm Provenance: 5D Gallery, Chepstow, 1997; The Collection of Sir Alan and Lady Cox £300-500

11

12 ‡ DONALD HENRY FLOYD 1892-1965

Thatched croft Signed DONALD H FLOYD (to verso) Oil on canvas 24 x 26cm Provenance: 5D Gallery, Chepstow, 1995; The Collection of Sir Alan and Lady Cox £150-250

12 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

9

10

THE COLLECTION OF SIR ALAN AND LADY COX

13 ‡ MICHAEL PAUL RAINSFORD Irish Contemporary

A river in spate Signed M Rainsford (lower left) Oil on canvas laid on board 55 x 60cm Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox £200-300

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14

15

16

14 ‡ MICHAEL PAUL RAINSFORD Irish Contemporary

Summer valley Signed Rainsford (lower right) Oil on canvas laid on board 60 x 75cm Provenance: Meg Speed Fine Art Services, Wakefield, June 1990; The Collection of Sir Alan and Lady Cox £200-300

15 ‡ MICHAEL PAUL RAINSFORD

16 ‡ MICHAEL PAUL RAINSFORD

17 ‡ MICHAEL PAUL RAINSFORD

Trees, Farnhill

Birches, Farnhill

River edge

Signed with initials MR (lower right) Oil on board 20 x 25cm

Signed with initials M.R. (lower left) Oil on canvasboard 20 x 25cm

Signed Rainsford (lower right) Oil on board 89 x 119cm

Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox

Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox

Provenance: Meg Speed Fine Art Services, Wakefield, October 1989; The Collection of Sir Alan and Lady Cox

£150-250

£150-250

£150-250

Irish Contemporary

Irish Contemporary

Irish Contemporary

17

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

19

18

18 ‡ ROBERT MESTELAN

19 ‡ VERONICA GIBSON

Château de Redortier, Aix-en-Provence

Sunburst

French 20th Century

Signed and dated R Mestelan/2000 (lower right) Watercolour and pencil 34 x 44.5cm Provenance: Atelier Lon Barri, Velleron; The Collection of Sir Alan and Lady Cox £100-150

b.1954

Signed, dated and inscribed Veronica Gibson/1.2.03/’SUNBURST’ (to verso) Oil on board 21 x 27cm Provenance: Miles Pepper, Fishguard, May 2003; The Collection of Sir Alan and Lady Cox £100-150

20 ‡ VERONICA GIBSON

21 ‡ VERONICA GIBSON

Lyrical Lights

Sunset, Pen-y-Fan

Signed Veronica Gibson (to verso) Oil on board 34 x 44.5cm

Signed Veronica Gibson (to mount) Watercolour and pencil on two joined pieces of paper 13 x 26.5cm

b.1954

Provenance: Miles Pepper, Fishguard, c.2002; The Collection of Sir Alan and Lady Cox £100-150

b.1954

20

Provenance: Miles Pepper, Fishguard, May 2003; The Collection of Sir Alan and Lady Cox £100-150

21

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

11

12

THE COLLECTION OF SIR ALAN AND LADY COX 22 ‡ ALISON MILNER-GULLAND

23 ‡ ALISON MILNER-GULLAND

Sun and wind

Broody Hen

Signed A. Milner-Gulland (lower centre) Oil on paper 54.8 x 80.5cm

Signed and inscribed Broody Hen A/P A Milner-Gullard (in pencil to margin) Etching 20 x 26.5cm (plate)

Contemporary

Provenance: 5D Gallery, Chepstow, 1996; The Collection of Sir Alan and Lady Cox £600-800

Contemporary

Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox £70-100

22

24 ‡ ALISON MILNER-GULLAND

25 ‡ ALISON MILNER-GULLAND

The Enlightenment

Angel

Signed A. Milner-Gulland (in pencil to margin) Etching, partly over newspaper 33 x 25cm (plate)

Signed A Milner-Gulland (lower right) Watercolour and paper collage 29 x 39cm

Provenance: R&G Galleries, Sussex; The Collection of Sir Alan and Lady Cox

Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox

£80-120

£100-150

Contemporary

Contemporary

23

24

25 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX 26 ‡ DAVID HUMPHREYS b.1937

Washing Triptych Signed Humphreys (upper right of central board), and signed and inscribed David/Humphreys/ “Washing Triptych (to backing board) Acrylic on board Each approx 30.4 x 30.1cm; Total 30.4 x 91cm Provenance: 5D Gallery, Chepstow, 1995; The Collection of Sir Alan and Lady Cox

26

£250-450

27 ‡ DAVID HUMPHREYS

28 ‡ DAVID HUMPHREYS

29 ‡ DAVID HUMPHREYS

Pembrokeshire Frolic 2

Pembrokeshire Landscape

Under the Downs

b.1937

Signed Humphreys (lower left), and signed and inscribed David/ Humphreys”Pembrokeshire/Frolic 2” and further inscribed (to backing board) Acrylic on panel 27.5 x 22.5cm Provenance: 5D Gallery, Chepstow, March 1995; The Collection of Sir Alan and Lady Cox £200-300

b.1937

Signed Humphreys (lower right), and signed and inscribed David Humphreys/ Pembrokeshire Landscape and further inscribed (to verso) Acrylic on board 58 x 58cm Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox

b.1937

Signed with initials dh (lower right), and signed David/Humphreys and further inscribed (to verso) Acrylic on board 27 x 27cm Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox £200-300

£300-500

27

28 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

29

13

14

THE COLLECTION OF SIR ALAN AND LADY COX 30 ‡ BRIAN GRAHAM b.1945

Brown headland with monolith Signed and dated Brian Graham ‘93 (lower right) Acrylic on paper 57 x 77cm Provenance: 5D Gallery, Chepstow, 1996; The Collection of Sir Alan and Lady Cox £300-500

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31

32

31 ‡ BRIAN GRAHAM

32 ‡ BRIAN GRAHAM

Brown monolith

A dolmen at night

Signed and dated ‘Brian Graham ‘93 (lower right) Acrylic on paper 26.5 x 21cm

Signed and dated Brian Graham 94 (lower centre) Acrylic on paper on board 56 x 61cm

Provenance: 5D Gallery, Chepstow, 1996; The Collection of Sir Alan and Lady Cox

Provenance: 5D Gallery, Chepstow, 1996; The Collection of Sir Alan and Lady Cox

£200-300

£250-450

b.1945

b.1945

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX 33 ‡ JOSEF HERMAN OBE, RA Polish 1911-2000

Three miners Pen and ink wash, c.1955 18 x 22cm Provenance: Martin Tinney Gallery, Cardiff, October 2002; The Collection of Sir Alan and Lady Cox £400-600

33

34 ‡ CHARLES BURTON Welsh b.1929

Rhondda Fawr Oil on canvas 48 x 48cm Provenance: Martin Tinney Gallery, Cardiff, January 2009; The Collection of Sir Alan and Lady Cox £300-500

34 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

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16

THE COLLECTION OF SIR ALAN AND LADY COX 35 ‡ GYÖRGY GORDON Hungarian 1924-2005

Asleep I Signed with initials and dated GG/85. (upper right) Oil on canvas 39 x 49cm Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox Literature: George T. Noszlopy, György Gordon (Smith Settle, 1989), p.84, plate 22 Exhibited: Leeds, Leeds City Art Gallery, Night Thoughts, György Gordon: A Retrospective, 20 April-21 May 1989, no.51 £250-450

35

36 ‡ GYÖRGY GORDON Hungarian 1924-2005

St Tropez, Citadel Hill Signed with initials and dated GG/90 (lower right) Oil on canvas 46 x 58cm Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox £200-300

36 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX 37 ‡ GYÖRGY GORDON Hungarian 1924-2005

Eating, Dr. Z. M. Signed with initials and dated GG./88 (upper right) Oil on canvas 89.5 x 49.7cm Together with George T. Noszlopy, György Gordon (Smith Settle, 1989) (2) Provenance: Meg Speed Fine Art Services, Wakefield, December 1990; The Collection of Sir Alan and Lady Cox Literature: George T. Noszlopy, György Gordon (Smith Settle, 1989), p.4 (illustrated showing the artist at his easel with the present work), p.93, plate 31 Exhibited: Leeds, Leeds City Art Gallery, Night Thoughts, György Gordon: A Retrospective, 20 April-21 May 1989, no.66; London, National Portrait Gallery, Gyorgy Gordon: Portraits and Figurative Work, 1956-1993, March-June 1995, no.51 £1,200-1,800

37 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

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18

THE COLLECTION OF SIR ALAN AND LADY COX 38 ‡ RICHARD TUFF b.1965

Abstract landscape Signed Richard Tuff. (lower left) Gouache 30 x 30cm Provenance: The Collection of Sir Alan and Lady Cox £100-150

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39

40

39 ‡ ANNICA NEUMÜLLER

40 ‡ ANNICA NEUMÜLLER

Grasping the Now III

Too Close for Comfort

Signed with initials an (lower left), and signed, dated and inscribed “Grasping the Now” III Annica Neumüller 2013 (to stretcher) Acrylic on canvas 50 x 50cm Unframed

Signed with initials an (lower left), and signed, dated and inscribed “Too close for comfort”/A. Neumüller 2012/2013 (to verso) Acrylic on canvas 76 x 101.5cm Unframed

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: The Collection of Sir Alan and Lady Cox

£100-150

£100-150

Swedish b.1963

Swedish b.1963

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

41

41 ‡ ADRIAN HEMMING

42 ‡ ADRIAN HEMMING

43 ‡ ADRIAN HEMMING

Winter Octave

Weltevrede

Estuary

Signed, dated and inscribed ‘WINTER OCTAVE’/ Adrian J. Hemming 97 (to verso) Oil on canvas 76 x 152cm

Signed Adrian Hemming (lower right), and inscribed and dated ‘WELTEVRED’ 2001 (lower left) Pastel on paper 17.5 x 24.5cm

Signed, dated and inscribed ‘ESTUARY’ 2007/ Adrian Hemming/SOLD Alan Cox (to verso) Oil on canvas 114 x 102cm Unframed

Provenance: Acquired from the artist, January 2003; The Collection of Sir Alan and Lady Cox

Provenance: Patrick Davies Contemporary Art, Buntingford, July 2007; The Collection of Sir Alan and Lady Cox

b.1945

Provenance: Acquired from the artist, January 2003; The Collection of Sir Alan and Lady Cox £600-1,000

b.1945

b.1945

£100-150

42 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

£400-600

43

19

20

THE COLLECTION OF SIR ALAN AND LADY COX

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45

46

47

44 ‡ PRUDENCE WALTERS

45 ‡ PRUDENCE WALTERS

46 ‡ PRUDENCE WALTERS

47 ‡ PRUDENCE WALTERS

Landscape

Red-hot landscape

The waterfall

Mountainous Landscape

Signed Walters (lower right) Acrylic and watercolour on card 30 x 31cm

Signed Walters (lower left) Acrylic and watercolour on card 27 x 37cm

Signed Walters (lower left) Mixed media on paper 33 x 49cm

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: The Collection of Sir Alan and Lady Cox

Signed Prudence Walters (lower right) Acrylic and watercolour on card 33 x 26cm

£100-150

£100-150

Welsh b.1949

Welsh b.1949

Welsh b.1949

Provenance: The Collection of Sir Alan and Lady Cox £100-150

Welsh b.1949

Provenance: The Collection of Sir Alan and Lady Cox £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

48

48 ‡ PETER PRENDERGAST Welsh 1946-2007

Violet Sky II Signed Peter Prendergast (lower right), and signed and inscribed VIOLET SKY II/Peter Prendergast (to backing board) Acrylic on paper, 1998 42 x 57cm Provenance: Martin Tinney, Gallery Cardiff, March 2008; The Collection of Sir Alan and Lady Cox Exhibited: Llandudno, Oriel Mostyn Gallery, no.38 £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

21

22

THE COLLECTION OF SIR ALAN AND LADY COX 49 ‡ WILLIAM POWELL WILKINS CBE b.1938

Rain: The Edge of the Lawn Signed with initials and dated WW ‘99 (to stretcher) Oil on canvas 17 x 31cm Provenance: Martin Tinney Gallery, Cardiff, June 2000; The Collection of Sir Alan and Lady Cox £400-600

49

50

51

50 ‡ LEONARD BEARD

51 ‡ LEONARD BEARD

Near Ammanford

Sunset Three

Signed and dated Leonard Beard 92 (lower left) Oil on board 45.5 x 52.5cm

Signed Leonard Beard (lower left) Oil on board 17.5 x 22.5cm

Provenance: 5D Gallery, Chepstow, 1992; The Collection of Sir Alan and Lady Cox

Provenance: 5D Gallery, Chepstow, 1992; The Collection of Sir Alan and Lady Cox

£150-250

£120-180

1942-2007

1942-2007

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

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53

54

55

52 ‡ LAURENCE ROCHE

53 ‡ LAURENCE ROCHE

At the end of the day

Henner School, Pembrokeshsire

Signed -LAURENCE ROCHE(lower left) Acrylic on paper, 1994 36 x 49.5cm

Signed -LAURENCE ROCHE.(lower right) Acrylic on paper, 1988 32.5 x 46.5cm

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: The Collection of Sir Alan and Lady Cox

£100-150

£100-150

Welsh b.1944

Welsh b.1944

56

54 ‡ LAURENCE ROCHE

55 ‡ LAURENCE ROCHE

56 ‡ LAURENCE ROCHE

Early Winter, near Bisley, Gloucestershire

Country crossing

Severn twilight

Signed -LAURENCE ROCHE- (lower right) Acrylic on paper, 1991 24.2 x 42cm

Signed -LAURENCE ROCHE- (lower right) Acrylic on paper, 1989 24 x 43cm

Signed -LAURENCE ROCHE- (lower left) Acrylic on paper, 1991 15 x 44cm

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: The Collection of Sir Alan and Lady Cox

£100-150

£100-150

£100-150

Welsh b.1944

Welsh b.1944

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Welsh b.1944

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24

THE COLLECTION OF SIR ALAN AND LADY COX

57

58

59

60

57 ‡ PETER DANIELS

58 ‡ PETER DANIELS

Nimbus Study

Nimbus Study - Garden Forms

Oil on paper 25 x 32.5cm

Signed and dated Daniels 96 (lower right) Oil on paper 25.5 x 33cm

1937-1998

Provenance: Acquired from the artist, 1997; The Collection of Sir Alan and Lady Cox £100-150

1937-1998

Provenance: Acquired from the artist, 1997; The Collection of Sir Alan and Lady Cox £100-150

59 ‡ MARY LLOYD JONES RCA, FLSW

60 ‡ MARY LLOYD JONES RCA, FLSW

Cwm Rheidol

Blaengarw

Signed and dated Mary Lloyd Jones 1998 (lower centre) Watercolour 20 x 25cm

Signed and dated Mary Lloyd Jones 1998. (lower centre) Watercolour 20 x 25cm

Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox

Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox

£300-500

£300-500

Welsh b.1934

Welsh b.1934

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

25

61 ‡ MARY LLOYD JONES RCA, FLSW Welsh b.1934

Corsydd (Bogland) Signed with initials and dated MLJ07 (lower right) Oil on canvas 76 x 76cm Unframed Provenance: Martin Tinney Gallery, Cardiff, February 2008; The Collection of Sir Alan and Lady Cox £600-800

61

62 ‡ MARY LLOYD JONES RCA, FLSW Welsh b.1934

Between Two Worlds Signed and dated Mary Lloyd Jones 1998 (lower left) Watercolour and pastel on paper 57 x 74cm Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £400-600

62 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

26

THE COLLECTION OF SIR ALAN AND LADY COX 63 ‡ BARRIE COOK 1929-2020

Yellow Stripe Signed Barrie Cook (lower right) Acrylic on paper 44 x 53cm Provenance: Old Library Gallery, Cardiff, 1995; The Collection of Sir Alan and Lady Cox £200-300

63

64 ‡ PADDY LENNON Irish b.1955

Green Landscape Signed with monogram and dated 04 (lower right) Oil on board 45 x 66cm Provenance: The Collection of Sir Alan and Lady Cox £200-300

64 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

65

65 ‡ CATRIN WEBSTER Welsh b.1966

Ynys Las Signed, dated and inscribed Ynys Las Catrin Webster 1991 (to verso) Oil on canvas, 1991 198 x 198cm Unframed Together with Nocturnes: A selected retrospective 1983-1999 and new paintings 2000 by Catrin Webster, exh. cat. (Ceredigion Museum, 2000) (2)

Provenance: Acquired from the 2000 exhibition; The Collection of Sir Alan and Lady Cox Literature: Nocturnes: A selected retrospective 1983-1999 and new paintings 2000 by Catrin Webster, exh. cat.

(Ceredigion Museum, 2000), p.2 (illustrated) Exhibited: Aberystwyth, Ceredigion Museum, and touring, Nocturnes: A selected retrospective 1983-1999 and new paintings 2000 by Catrin Webster, 2000 £1,500-2,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

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28

THE COLLECTION OF SIR ALAN AND LADY COX

66

67

69

68

66 SATISH GUPTA

67 ‡ IWAN DAFIS

68 ‡ BEV MORGAN

69 ‡ RICHARD H. BATT

Mountain landscape in Sikkim

Golau’r Hydref

Signed Satish (lower right) and inscribed and dated Sikkim, December ‘87 (lower left) Watercolour 20.5 x 29cm

Signed, dated and inscribed IWAN DAFIS/ LLANDUDOCH/2006/’’GOLAU’R HYDREF’ (to backing board) Acrylic on canvasboard 12.5 x 18.8cm

Bluebell Woods; Meadowsweet and Hemp Agrimony

Cardiff Rod Mills after the Snow, Bute East Dock

Two, the former signed Bev Morgan (in pencil to mount), the latter signed and dated B Morgan 88 (to backing board) Both embroidery and fabric collage 16 x 19cm; 21.5 x 17.5cm (2)

Signed, dated and inscribed BUTE EAST DOCK. CARDIFF ROD MILLS: AFTER THE SNOW Richard H. Batt Dec 86. (in pencil to margin) Watercolour within pencil framing lines 17.5 x 30cm

Indian b.1947

Provenance: The Collection of Sir Alan and Lady Cox £100-150

Welsh Contemporary

Provenance: The Collection of Sir Alan and Lady Cox £60-100

20th Century

Provenance: Both Oriel Gallery, Cardiff, 1988; The Collection of Sir Alan and Lady Cox £50-100

b.1945

Provenance: Acquired from the artist, 1987; The Collection of Sir Alan and Lady Cox £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX 70 HELEN POLLOCK

New Zealander b.1945

The Sea Washed Shore Signed Helen Pollock (to mount), and signed, dated and inscribed THE SEA WASHED SHORE HELEN POLLOCK 1991 (to backing board) Embroidery and fabric collage 35 x 47cm Provenance: The Collection of Sir Alan and Lady Cox £70-100

70

71

72

73

71 ‡ ALISON COOPER

72 JESUS TELLOSA

73 JESUS TELLOSA

Study of a lily

Seated white cat

Bronze cat and three doves

Signed and dated Alison Cooper 2004 (lower right) Watercolour and pencil 34.5 x 25cm

Signed and dated Tellosa/ ‘91 (lower right) Oil on canvasboard 50 x 40cm

Bronze with green patination 35cm high

Provenance: The Collection of Sir Alan and Lady Cox

Provenance: Acquired from the artist, 1992; The Collection of Sir Alan and Lady Cox

Welsh Contemporary

£80-120

Mexican 20th Century

£100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Mexican 20th Century

Provenance: The Collection of Sir Alan and Lady Cox £150-250

29

30

THE COLLECTION OF SIR ALAN AND LADY COX 74 ‡ CHRISTINE KINSEY Welsh Contemporary

Cartre Signed with initials CK (lower left) Gouache 29.5 x 22cm Provenance: The Collection of Sir Alan and Lady Cox £120-180

75 ‡ SUSIE ARBUTHNOTT Contemporary

Herefordshire orchard Signed with initials SRA (lower right) Oil on board 23.5 x 36cm Provenance: The Collection of Sir Alan and Lady Cox £100-150

76 ‡ LISA MICKLEWRIGHT Contemporary

Between Two Dark Hedges, Glyndebourne; Light and Hedges 74

Two, the former signed Lisa Micklewright (lower right), and further signed and inscribed (to backing board); the latter signed, dated and inscribed LISA MICKLEWRIGHT/”Light and Hedges” 1993 (to backing board) Both watercolour 25.2 x 37.5cm; 24 x 34cm (2) Provenance: The Collection of Sir Alan and Lady Cox £100-150

75

76 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF SIR ALAN AND LADY COX

77 ‡ MARC MIRANDA French b.1949

L’Aubrac Signed Marc Miranda (lower right), and signed, inscribed and dated “L’Aubrac”/Marc Miranda/1989 (to verso) Oil on canvas 52 x 63cm Provenance: Galleries Y.R., Les Baux-de-Provence, June 1990; The Collection of Sir Alan and Lady Cox £250-400

77

78 ‡ MARC MIRANDA French b.1949

Les Blés Signed Marc Miranda (lower left), signed Marc Miranda (to verso), and inscribed “Les blés” (to stretcher) Oil on canvas 49 x 64cm Provenance: Galleries Y.R., Les Baux-de-Provence, June 1990; The Collection of Sir Alan and Lady Cox £300-500

78

79 ‡ MARTIN BATES b.1939

Trees in Autumn Signed, dated and inscribed “Trees in Autumn” Three Colour Lithograph Martin Bates 1961 (in pencil to margin) Lithograph 29.8 x 38cm (image) Provenance: The Collection of Sir Alan and Lady Cox £100-150

79 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

31

32

THE COLLECTION OF SIR ALAN AND LADY COX

80

80 ‡ DONALD MCINTYRE RCA 1923-2009

Carn Llidi, St. David’s Signed DcINTYRE- (lower left) Oil on canvas 34 x 70cm Provenance: Howard Roberts Gallery, Cardiff; Vincent Kosmon Fine Art, Edinburgh; Sotheby’s, 5 April 2000, lot 152; The Collection of Sir Alan and Lady Cox £3,000-5,000

80 (framed)

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THE COLLECTION OF SIR ALAN AND LADY COX

81

81 ‡ SIR KYFFIN WILLIAMS OBE, RA Welsh 1918-2006

Standing stones at Penrhos Feilw Signed with initials KW. (lower left) Oil on canvas 60.9 x 91.5cm Provenance: By descent to Alun Davies; Given by the Davies family to the present owners, 2001; The Collection of Sir Alan and Lady Cox We are grateful to Nicholas Sinclair for his assistance cataloguing the present work. £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

81 (framed)

33

34

OTHER PROPERTIES 82 WILLIAM MARSHALL BROWN RSA, RSW Scottish 1863-1936

Gathering dulse Signed Marshall Brown/ ARSA (lower right) Watercolour heightened with white 24.8 x 35cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent £600-800

82

83 WILLIAM MARSHALL BROWN RSA, RSW Scottish 1863-1936

The morning catch Signed Marshall Brown/ ARSA (lower right) Watercolour and pencil 24.8 x 35.1cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent £600-800

83 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

35

84

84 WILLIAM MARSHALL BROWN RSA, RSW Scottish 1863-1936

Gathering wild roses Signed Marshall Brown and inscribed in a later hand ARSA (lower left) Oil on canvas 81 x 100.5cm Provenance: D. C. Thomson, Glasgow, from whom purchased March 1919; And by descent £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

36

85 WILLIAM MARSHALL BROWN RSA, RSW Scottish 1863-1936

Gathering shellfish Signed Marshall Brown ARSA (lower right) Watercolour heightened with white 29.8 x 39cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent £600-800

86 ‡ ROBERT RUSSELL MACNEE Scottish 1880-1952

The poultry yard Signed and dated R Russell Macnee 12 (lower left) Oil on canvas 30.8 x 46cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent

85

£700-1,000

86 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

37

87

87 WILLIAM PRATT

88 JOHN RENNIE MCKENZIE HOUSTON RSW

A girl driving cattle

A mother and two children in a kitchen; A mother sewing whilst her daughter plays and baby sleeps

Scottish 1855-1936

Signed WPratt (WP in ligature, lower right) Oil on canvas 57.3 x 76.4cm Provenance: D. C. Thomson, Glasgow, from whom purchased December 1920; And by descent

Scottish 1856-1932

Two, both signed John R. Houston. R.S.W. (lower right) Both watercolour 33.5 x 43.8cm; 33 x 43cm (2) £300-400

£1,500-2,000

88 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

38

89 ‡ WILLIAM LEE HANKEY RWS, RI, ROI, RE, NS 1869-1952

The Morning Purchase, Dieppe Signed W LEE HANKEY. (lower right), and inscribed THE MORNING PURCHASE BY W LEE-HANKEY RWS(to stretcher) Oil on canvas 51 x 61.2cm £1,500-2,000

89

89A ‡ WILLIAM LEE HANKEY RWS, RI, ROI, RE, NS 1869-1952

Young lady reading on a garden bench Signed and dated W LEE HANKEY 99 (lower left) Watercolour heightened with gum arabic 43 x 24.2cm Provenance: Frost & Reed, Bristol

89A

£1,000-1,500

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39

90

90 ‡ MAURICE GREIFFENHAGEN RA 1862-1931

Pickford Waller (1849-1930), with his wife and daughter Sybil Signed and dated MAURICE GREIFFENHAGEN 1901 (lower left) Oil on canvas 63.5 x 76cm Provenance: Pickford Waller and thence to his daughter Miss Sybil Waller; Christie’s, London, 12 October 1973, lot 140, where purchased by the family of the previous owners Exhibited: London, Royal Academy, Exhibition of Works by Past Members, 1933, no.307 Pickford Waller was an illustrator, and a collector of Whistler and blue and white porcelain. The present work depicts the dining room of the family house in St Georges Road. £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

40

91 CHARLES CONDER NEAC 1868-1909

Capriccio: Spring and Sea Oil on panel, c.1905 32.4 x 40.6cm Provenance: Sir William Rothenstein (1872-1945); By descent to his granddaughter £2,000-3,000

91

92

93

92 BRITISH SCHOOL

93 ‡ GEORGE VERNON STOKES

A girl seated on a fence reading

The Fairy Ring

Indistinctly signed (lower right) Oil on canvas 45.9 x 59cm

Signed G VERNON-STOKES (lower left) Pastel 49.2 x 74.7cm

Provenance: Private English collection, acquired no later than c.1920; And by descent £400-600

Provenance: Bonhams, London, Decorative and Modern Prints and English and Continental Watercolours, 11 July 1991, lot 184; Dominic Winter, Gloucestershire, 21 July 2011, lot 116

Early 20th Century

1873-1954

£500-800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

41

94 WILLIAM PAGE ATKINSON WELLS Scottish 1872-1923

Daisy Field Oil on canvas 100.3 x 80.1cm The authenticity of this work was confirmed by the artist’s widow, Helen G. Wells (according to a reproduction of a label to backing) £3,000-5,000

94

94A ALEXANDER BROWNLIE DOCHARTY Scottish 1862-1940

A mother and her children in a village, possibly Symington Signed A Brownlie Docharty (lower left) Oil on canvas 26 x 35.8cm Provenance: James McClure & Son, Glasgow £200-300

94A Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

42

95

96

95 LOVIS CORINTH German 1858-1925

Strasse in Königsberg Signed L***s Corinth (in pencil, lower right) Lithograph 39 x 25cm (image)

96 AFTER AUGUSTE RODIN

Illustration from Le Jardin des Supplices Lithograph 31.7 x 21cm (image) £200-300

Literature: Karl Schwarz, Das Graphische Werk von Lovis Corinth (Berlin, Fritz Gurlitt, 1922), no. 321 £500-700

97 C. VECCANTI

Italian Early 20th Century

A view of Milan Cathedral Signed CVeccanti (CV in ligature, lower left) Watercolour and pencil heightened with bodycolour 37.2 x 48cm

97

£400-600

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43

98

98 ÉDOUARD VUILLARD French 1868-1940

Interior with Pink Wallpaper III (Intérieur aux tentures roses III) Lithograph, 1899, from Landscapes and Interiors (Paysages et intérieurs) 34.3 x 27.5cm (image) Provenance: Redfern Gallery, London, where purchased by Hon. J. T. Roberts, 1937 £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

44

99 ROBERT POLHILL BEVAN 1865-1925

Hut in the valley, Applehayes Watercolour over black chalk 25 x 33cm Provenance: Collection of R.A. Bevan; Thomas Agnew and Sons Ltd., no. 32423 £1,500-2,500

99

100

101

100 CIRCLE OF ROBERT POLHILL BEVAN

101 ‡ CECIL KEELING 1912-1976

Study of a horse-drawn cart

Farm buildings

Black chalk 17 x 24.2cm Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall £120-180

Signed CKeeling (lower right) Watercolour and pencil 23 x 27.2cm Together with Cecil Keeling; Italian puppets; signed, dated and inscribed Italian Puppets - Drypoint Cecil Keeling 1947 (in pencil to mount); drypoint; 26.3 x 23cm (plate) (2) £150-250

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45

102 ‡ HENRY LAMB MC, RA 1883-1960

Dorelia and Edie McNeil and children gathering apples at Alderney Manor Variously inscribed with colour notes (recto), and inscribed To Francis/From/Henry Lamb,/June 1912. (verso) Graphite, coloured pencils, pen and ink, squared for transfer 29.4 x 38cm Provenance: Given by the artist to Francis Dodd RA (1874-1949) This recent discovery is a study for an unknown and probably never realised painting. Since 1907 Henry Lamb had been in love with Dorelia McNeil, the partner of Augustus John. Lamb would visit Dorelia frequently at Alderney Manor, Poole, writing in 1911 ‘She lives in an amazing place - a vast secluded park of prairies, pine woods, birch woods, dells and moors with a house, cottages and a circular walled-garden’. The work depicts Dorelia in the centre, plucking an apple in the guise of Eve, and her sister Edie. Additionally, we see two children, who Rebecca John has identified as her father Caspar and probably his younger brother Edwin, two of Augustus John’s children from his first marriage to Ida Nettleship.

102

£700-1,000

103

104

103 CIRCLE OF AUGUSTUS JOHN

104 ‡ AUGUSTUS JOHN OM, RA

Moses and the Brazen Serpent

Welsh 1878-1961

Bears signature John (lower left) Watercolour over pencil 51 x 73cm Unframed

Reclining female nude Signed John (lower right) Pencil 42.2 x 54.2cm

This composition is linked to Henry Tonks’s Slade School competition of 1898, the theme of which was Moses and the Brazen Serpent. Similarities to the work Edna Clarke Hall have also been suggested. Students at the time would have worked closely together and were known to help each other, which may explain the added signature.

£500-700

£200-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

46

105 ‡ AUGUSTUS JOHN OM, RA Welsh 1878-1961

Two boys Pencil 28.7 x 21.2cm £1,000-1,500

105

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47

106 ‡ AUGUSTUS JOHN OM, RA 1878-1961

Study of a dancing girl Signed John (lower right) Watercolour and pencil 39.4 x 18.7cm Provenance: Eldar Gallery, London (their frame and mount, and inscribed Eldar Gallery, Gt Marlborought St to verso) Literature: This work will be the subject of a forthcoming article by Richard Emerson to be published in the magazine of the Margaret Morris Movement This is one of a series of full and three-quarter length studies made by Augustus John from about 1909. In 1913 Margaret Morris set up her avant-garde dance troupe in a studio theatre in Flood Street, which John is known to have frequented. The dancer in this watercolour is wearing the green costume favoured by Morris and is thought to be one of her protégés, Kathleen Dillon or possibly Flossie Jolley.

We are grateful to Rebecca John for authenticating the present work. £2,000-3,000

106 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

48

107 CHARLES SARGEANT JAGGER MC, ARA 1885-1934

No Man’s Land Signed C. Sargeant Jagger Sc (lower right) Bronze relief with brown patina on an oak mount, conceived 1918-1919, probably from an edition of seven cast in 1935 16.6 x 49.1cm (excluding mount) Literature: Charles Sargeant Jagger, “How to do it” Series 5. Modelling and Sculpture in the Making (Herbert Reiach Ltd., London, 1935), detail illustrated p.49 (another cast); Ann Compton, The Sculpture of Charles Sargeant Jagger (The Henry Moore Foundation in association with Lund Humphries, Hertfordshire, 2004), no.22, illustrated p.30 (another cast) Exhibited: London, The Royal Society of Painters in Watercolours, Charles Sargeant Jagger Memorial Exhibition, War and Peace Sculpture, 21 May-20 June, 1935, no.7, illustrated in the catalogue, for sale at 18 gns, touring to Birmingham, Liverpool, Sheffield, Lincoln, Wakefield, Halifax, Dunfermline, Rochdale, Perth, Hull, Doncaster and Stockport (another cast); London, Imperial War Museum, Charles Sargeant Jagger War and Peace Sculpture Centenary Exhibition 1885-1985, 1 May-29 September 1985 (another cast); Sheffield, Mappin Art Gallery, Charles Sargeant Jagger, 19 October-30 November 1985, no.28 (another cast) Charles Sargeant Jagger was a sculptor who, following active service in the First World War, was renowned for his depictions of ordinary soldiers. He first began work on No Man’s Land in 1918, when recovering from a serious wound. The final, full sized version is in the Tate’s collections, and was described by John Singer Sargent as ‘The best thing I have seen so far by any artist of the War’. The work, based on Jagger’s own experiences, shows a listening post in No Man’s Land, where a soldier hides amongst the bodies of his dead comrades in order to listen to the enemy near by.

We are grateful to Ann Compton for her assistance in cataloguing the present work. £15,000-20,000

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49

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

50

108

108 ‡ JOHN NASH CBE, RA 1893-1977

Tresililan estuary, Truro Signed John Nash (lower left) and variously inscribed with colour notes Watercolour and pencil 22 x 29.2cm £1,000-1,500

109 ‡ JOHN NASH CBE, RA 1893-1977

Townscape Inscribed throughout with colour notes Pencil 22.3 x 28.7cm Provenance: The artist’s estate, reference 84/XV111 (estate stamp to label) £300-500

109 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

51

110

110 ‡ JOHN NASH CBE, RA 1893-1977

Farm in the Loire Valley Signed John Nash (lower left) Watercolour and pencil 36.3 x 54.7cm £1,000-1,500

111 ‡ JOHN NASH CBE, RA 1893-1977

Horse play; How To Get Married Two, the latter signed John Nash (lower left), and inscribed HOW TO GET MARRIED (upper centre) Both pen and ink 25.3 x 20.3cm; 17.6 x 19.2cm (2)

111

Provenance: ‘Horse play’: Rountree Fine Art; ‘How To Get Married’: The artist’s estate (estate stamp to backing board) £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

52

112 ‡ SIR WILLIAM RUSSELL FLINT RA, ROI

Scottish 1880-1869

View of a house by the river Signed and dated W RUSSELL FLINT 1910 (lower right) Watercolour 32.9 x 23.8cm Provenance: Sotheby’s, Billingshurst, The Garden and other Selected Paintings, 25 May 2000, lot 2235 £400-600

112

113

114

115

113 ‡ MARGARET GERE

114 ‡ BERNARD ADENEY

115 ‡ JAMES DURDEN

View of Saint-Pierre-aux-Liens, Lens, Switzerland

Boats by the quay

Evening sunlight

Watercolour and pencil 22.1 x 25.8cm

Oil on canvasboard 24.2 x 34.2cm

Together with Keith Baynes (1887-1977); Seated female nude; signed Keith Baynes (lower right); black ink and pastel; 25.6 x 17.5cm (2)

Provenance: The Bloomsbury Workshop, London

1878-1965

Signed M. GERE (lower left) Watercolour and pencil 22.6 x 19.4cm £200-300

1878-1966

Provenance: Both with The Bloomsbury Workshop, London

1878-1964

£200-300

£100-150

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53

116

116 ‡ DUNCAN GRANT

117 ‡ DUNCAN GRANT

Waiting for the Bus, Fez

Wheatsheaves

Signed with initials DG (lower right), and signed, dated and inscribed Waiting for the Bus Fez D GRANT FEZ 1969 (to stretcher) Oil on canvas 45.8 x 53.4cm

Signed with initials and dated D.G./51 (lower left) Pencil 20.7 x 27cm

1885-1978

Provenance: Anthony d’Offay, London; The Bloomsbury Workshop, London

1885-1978

Provenance: The Bloomsbury Workshop, London £300-500

Exhibited: London, The Bloomsbury Workshop, The Voyage Out: The Bloomsbury Artists Abroad, 7 June-28 July 1994 £2,000-3,000

117 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

54

118 CIRCLE OF PHILIP WILSON STEER Portrait of a young woman in a pink dress thought to be Gwen John inscribed Gwen John (on the stretcher) Oil on canvas 46 x 56cm £800-1,200

118

119

120

119 ‡ FRANK DOBSON RA

120 ROBERT WLÉRICK

Study of a crouching nude

Study of a female nude

Signed Frank Dobson (lower centre) Red chalk 25.1 x 34.4cm

SIgned R Wlérick (lower left) Red chalk 25.3 x 38.9cm

£300-400

£200-300

1886-1963

French 1882-1944

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55

121

121 ÉMILE-RENÉ MÉNARD French 1862-1930

La baigneuse Signed E R Menard (lower right) Oil on canvas 62.1 x 85cm Provenance: A. Witcomb & Cia., Buenos Aires; From whom purchased, Leopoldo Uriarte y Piñeiro, Buenos Aires, 1928; By whom bequeathed to Museo Nacional de Bellas Artes, Buenos Aires, 1941; Returned to the descendants of the Uriarte y Piñeiro family in 1991; And by descent to the previous owner; By whom sold Chiswick Auctions, London, British & European Fine Art including Portrait Miniatures, 29 October 2019, lot 210 £3,000-5,000

122 EDWARD MATTHEW HALE 1852-1924

Nude on a beach Signed with initials and dated EMH/1913 (lower right) Oil on canvasboard 24.4 x 20.6cm £200-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

122

56

123 ALEKSANDR VASILIEVICH SHEVCHENKO Ukranian 1883-1948

Female nude putting on a stocking Watercolour and pencil 26.2 x 22.9cm £1,000-1,500

123

124 CAMDEN TOWN SCHOOL The life drawing class Oil on canvasboard 48.2 x 45.2cm £200-300

125 RICHARD BERTRAM OGLE 19th/20th Century

A young girl holding a posy Signed Richard Ogle (lower left) Oil on canvas 49 x 38cm £100-150

124

125 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

57

126 WALTER SICKERT RA, RBA 1860-1942

Red Cross (Bromberg 162) Inscribed Red Cross / Unique state. Proof before letters (not for sale) (in pencil to margin) Etching, 1915 27.3 x 38cm (plate) £1,200-1,800

126

127 ‡ LEON UNDERWOOD 1890-1975

128 ‡ DAME LAURA KNIGHT DBE, RA, RWS

Studies of a female nude

1877-1970

Signed and dated Leon Underwood/1922 (lower centre) and inscribed No.36 Sleeping Girl’s head (lower right) Pencil 29.1 x 44.1cm

Signed and dated Laura Knight/1958 (lower right) Pencil 52.5 x 35.8cm

Provenance: Previously from the Estate of the Artist

Bathers at the swimming pool

£800-1,200

£250-450

127 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

128

58

129 ‡ SYLVIA GOSSE 1881-1968

Over the rooftops Signed Gosse (lower right) Oil on board 45.8 x 60.9cm £700-1,000

129

130

131

130 ‡ JOHN HODGSON LOBLEY

131 FRED HAMMERSLEY BALL

Cannon Street Station

Near Ashover, Derbyshire

Signed, titled and inscribed No/CANNON STREET/STATION/J Hodgson Lobley/49 Roland Gardens/SW7 (to verso) Oil on panel 37.5 x 45.9cm

Signed HammersleyBall (lower left) Oil on board 45 x 58.4cm

1878-1954

£400-600

1879-1939

£200-300

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59

132

132 RODERIC O’CONOR Irish 1860-1940

Seated Nude (Le modèle assis) Stamped with studio stamp atelier/O CONOR (on the reverse) Oil on canvas 92 x 73.5cm Provenance: Studio of the artist; Hôtel Drouot, Paris, Vente O’Conor, 7 February 1956;

Hôtel Drouot, Paris, 23-27 February 1970, lot 242; Crane Kalman Gallery, London; Where purchased by B. Shine Esq, 11 March 1970 Literature: Jonathan Benington, Roderic O’Conor, a Biography with a Catalogue of his Work (Dublin 1992), p. 221, no.264 £30,000-50,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

60

133 ‡ PIERRE ROUSSEL French 1927-1996

Paysage à l’Étang-la-Ville Signed Pierre Roussel (lower right) Oil on canvas 54 x 65cm Provenance: Arthur Tooth and Sons Ltd, London, no. 7143 £700-1,000

133

134

135

134 FRENCH SCHOOL

135 ‡ PHILIP GREGORY NEEDELL

Landscape with a farm building

View of Venice with Santa Maria della Salute in the distance

Early 20th Century Oil on canvasboard 20 x 34.7cm £200-300

1886-1974

Signed P.G. NEEDELL (lower left) Oil on board 34.7 x 43.4cm £100-150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

61

136 ‡ CAMPBELL ARCHIBALD MELLON 1876-1955

The Ferry at Symonds Yat (recto); River landscape with buildings on the bank (verso) Signed C A. Mellon. (lower left), and inscribed Late October/ The Ferry. Symonds Yat/ Outside Sketch (to verso) Oil on canvas board (recto); Pencil on board (verso) 22.8 x 30cm £1,200-1,800

136

137 ‡ CAMPBELL ARCHIBALD MELLON 1876-1955

The River Wye Signed C.A. Mellon. (lower left) Oil on board 21.2 x 29cm Provenance: W. Heffer & Sons Ltd, Cambridge £1,000-1,500

137 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

62

138 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

Continental landscape with a man and horse on the road Signed Ethelbert White (lower right) Watercolour and pencil 29.4 x 40.3cm £600-800

138

139

140

139 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

140 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Woodland scene with deer

Landscape with cattle watering

Signed Ethelbert White (lower right) Oil on canvas 47 x 60cm

Signed Ethelbert White (lower right) Oil on canvas 55 x 65.3cm

£300-500

£400-600

1891-1972

1891-1972

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63

141 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

A swollen river with a cottage beyond Signed Ethelbert/White (lower right) Oil on canvas 76.5 x 61cm £800-1,200

141

142 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

On the Stour, Dedham Signed Ethelbert White (lower left) Watercolour and pencil 27.8 x 35.4cm Provenance: Redfern Gallery, London; Where purchased by Miss A. M. Gepp, January 1935 £200-300

142 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

64

143

143 ‡ CHARLES PEARS RI, ROI, RSMA 1873-1958

The SS Orcades and the SS Himalaya Signed and inscribed ROUGH SKETCH/By CHAS PEARS ROI (lower left to mount), and with further annotations to mount Oil on paper laid down on card 31 x 70.5cm Unframed £800-1,200

144 ‡ FRANK HENRY MASON RBA, RI, RSMA 1876-1965

Reconnaissance off Santa Cruz, Tenerife, 1790 Signed FRANK.H. MASON/1947 (lower left) Oil on canvas 51 x 76.6cm

144

Provenance: W.B. Simpson, Glasgow; Bonhams, London, The Marine Sale, 24 March 2010, lot 90 £1,000-1,500

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65

145 HENRY SCOTT TUKE RA, RWS 1858-1929

Alonsa Signed, dated and inscribed “Alonsa” H S TUKE 1925 (lower right) Watercolour 34.7 x 24.8cm £2,500-3,500

146 WILLIAM LIONEL WYLLIE RA 1851-1931

HMS Kent standing by the sunken Nürnberg during the Battle of the Falkland Islands, 1914 Signed and inscribed Nürnberg Sinking/W L Wyllie (lower left) Watercolour heightened with bodycolour 26 x 43cm £2,000-3,000

145

146 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

66

147 ‡ LUDOVIC-RODO PISSARRO French 1878-1952

The Family Ride, Hyde Park Signed with initials and inscribed Hyde Park/ L.R. (lower left) and inscribed The family ride/Hyde Park (upper right) Watercolour, and pen and ink 16.1 x 25cm Provenance: Stern Pissarro Gallery, London

148 ‡ ATTRIBUTED TO SIR ALFRED JAMES MUNNINGS K.C.V.O., P.R.A., R.I. 1878-1959

Portrait of Herman Finck, playing the piano Signed To my friend/ Finck/ A.J.M./March 17th/1909 Pencil 25 x 35cm £700-1,000

£200-300

147

149 LEO VON KONIG German 1871-1944

150 ‡ JULIUS STAFFORD-BAKER

Herman Finck at the Savage Club

1909-1988

The Fitzroy Cafe

Signed Leo Von Konig (lower right) also inscribed Savage Club December 2nd 1933/76th Annual Dinner/In the chair Herman Finck/Guest of the Club - Sir Edward German Black crayon and black ink heightened with white, over pencil on cream paper 53 x 37.5cm

Pen and ink 30.8 x 37cm

£500-800

Provenance: Sally Hunter Fine Art, London; Where purchased by Mrs D. Raven, November 1989; Private Collection, Suffolk Exhibited: London, Sally Hunter Fine Art, Julius & Philip Stafford-Baker, November 1989, no. 60 £150-250

148

149

150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

67

151 ‡ ROWLAND HILDER 1905-1993

River landscape with a water mill Signed Rowland Hilder - 40 (upper right) Oil on canvasboard 51 x 60cm £800-1,200

152 ‡ BERNARD CECIL GOTCH 1876-1963

Old Cloister, Winchester College; School, Winchester College Two, the former signed BERNARD C. GOTCH (lower left); the latter signed BERNARD C. GOTCH (lower right) Both watercolour and pencil 37.5 x 25.7cm; 34.9 x 24.2cm Together with Charles Walter Radclyffe (1817-1903); Interior of School Room, Winchester College; Exterior of School Room, Winchester College; a pair, both coloured lithographs; each 22.9 x 31cm (image) (4) Provenance: Radclyffes with The Parker Gallery, London

151

£100-150

153 ‡ HAROLD HOPE READ 1881-1959

Figures in a parkland Signed with initials HHR (lower right) Pen and ink, and wash 24.4 x 26.4cm £80-120

153A ‡ HAROLD HOPE READ 1881-1959

And so, alas, the lady’s sweetness there was wasted Signed with initials HHR (upper left) Pen and ink wash 24.6 x 24.6cm £80-120

152

153 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

153A

68

154

154 ‡ SIR RONALD SEARLE CBE, RDI 1920-2011

The columnist with stars of stage and screen Signed Ronald Searle (lower left), and with artist’s stamp (verso) Pen and ink, c.1955 28 x 33.6cm Exhibited: London, Abbott and Holder, Exhibition of Twentieth Century Watercolours and Drawings, 2013, no.66 £2,500-3,500

154A MORTIMER MENPES 1860-1938

Portrait of Field Marshall the Rt. Hon. Garnet Joseph, Viscount Wolseley, KP, GCB, OM, GCMG (1833-1913) Signed mortimer menpes (lower left) Pencil and charcoal, c.1903 78.7 x 55.9cm £800-1,200

154A See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

69

155

155 ‡ EDMUND DULAC French 1882-1953

Our Musical Hope: Sir Thomas Beecham (1879-1961) conducting at the Queen’s Hall Signed and dated Edmund/Dulac/1915 (lower left) Pencil, ink, watercolour and bodycolour 50.8 x 40.6cm

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Exhibited: London, Grosvenor Gallery, The Spring Exhibition of The International Society of Sculptors, Painters and Gravers, 1915, no. 13, as ‘Notre Espoire Musicale’; London, Abbott and Holder, Exhibition of Twentieth Century Watercolours and Drawings, 2017, no.19 £3,000-5,000

70

155A

156

157

158

155A ‡ ADRIAN ALLINSON ROI

156 ‡ RONALD OSSORY DUNLOP RA

Portrait of a young lady

Margaret

1890-1959

Signed allinson (lower right) Oil on board 47.5 x 46cm £200-300

1894-1973

(according to inscription to verso); Abbott and Holder, London

According to an Signed Dunlop (lower right) inscription on the Oil on board reverse, the sitter 45.6 x 34cm was a friend of the Provenance: artist’s daughter.

Olaf Barnett, London £300-500

157 ‡ JEAN SHEPEARD 1904-1989

Portrait of Ronald Ossory Dunlop (1894-1973) Signed with initials JS (lower left) Black ink 43.2 x 28.8cm £100-200

158 CIRCLE OF JOHN DUNCAN FERGUSSON 1855-1931

Portrait of Frank Harris Conté 17.3 x 14.8cm £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

71

159

159 ‡ CHARLES CUNDALL RA, RWS, RP 1890-1971

Derby Day Signed C. Cundall (lower right) Watercolour heightened with bodycolour 23.9 x 42.3cm £1,000-1,500

160 ‡ ATTRIBUTED TO ELIZA HAMMOND 1891-1952

Woman in an English country garden Oil on board 31.7 x 44.8cm £300-500

160

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

72

161 CIRCLE OF ALFRED HENRY MAURER Pont de la Concorde at night with the Palais Bourbon beyond Oil on paper laid on board 34.5 x 52.2cm £600-800

162 ÉMILE CAGNIART French 1851-1911

View of the Madeleine, Paris Signed ECagniart (lower left) Oil on panel 12.9 x 17.2cm Provenance: Lasson Gallery, London, where purchased by the present private collector, June 1987

161

£300-500

163 ATTRIBUTED TO NIKOLAI VASILYEVICH ORLOV Russian 1863-1924

Walled city in the snow; Woman carrying water from the well; Peasant woman resting Three, each signed in Cyrillic and dated 1922 Each watercolour and pencil heightened with white Largest 24.6 x 39.9cm; Smallest 24.3 x 39.8cm Unframed (3) £400-600

164 ‡ HAL WOOLF 1902-1962

Market Scene, Sóller, Mallorca Signed HAL WOOLF/36 (lower left) Oil on board 29.2 x 34.7cm Unframed £150-250

162

163

164

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

73

165

165 WILLIAM WALCOT RBA, RE

166 WILFRED HAYWARD VEAL

The Bank of England and the Royal Exchange

A quiet morning, Paris

Signed W. Walcot (lower right) Watercolour and pencil heightened with bodycolour and gum arabic 28.2 x 38.1cm

Signed Veal (lower right) Oil on canvas 51 x 41cm

1874-1943

Provenance: The Fine Art Society, London, May 1981 £1,000-1,500

Australian 1913-1968

Provenance: Piccadilly Gallery, October 1959 £100-150

166 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

74

167 CONTINENTAL SCHOOL Early 20th Century

An Indian ceremonial scene Oil on canvas 50 x 81.5cm £700-1,000

168 ‡ MARGARET MAITLAND HOWARD 1898-1983

Allegory of life Signed MAITLAND HOWARD (lower right) Oil on canvas 50.7 x 76.1cm £300-500

167

169 ‡ DOROTHY K. THICK

170 MODERN BRITISH SCHOOL

171 ‡ AFTER VANESSA BELL

The Madonna and Child with St John the Baptist

Study of a female nude

Basket of fruit

20th Century

Signed with monogram (lower left) Watercolour and bodycolour 35.5 x 25.2cm

Signed with monogram and dated 1926 (lower right) Gouache on vellum 63.8 x 51.3cm

£200-300

Numbered 1/150 (lower left in pencil) Linocut 20.5 x 15cm Unframed £60-100

£200-300

168

169

170

171

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

75

172 ‡ ALFRED WOLMARK RA Polish 1877-1961

He Hath Two Coats Signed, dated and numbered WOLMARK/1926 30 (lower right) Oil on canvas 152 x 95cm Provenance: Sotheby’s, London, 23 June 1999, lot 52; Sotheby’s, London, British and Continental Pictures & 20th Century British Art, 25 March 2009, lot 30 £5,000-8,000

172

76

173 ‡ ALFRED WOLMARK RA Polish 1877-1961

Landscape with outhouses amongst the trees Signed WOLMARK (lower right) Oil on canvas 40.9 x 51.2cm £400-600

173

174 ‡ STANLEY GRIMM

175 LÉO GAUSSON

Floral still life

View of a château through the trees

Signed Stanley Grimm/48 (lower left) also inscribed Olympia/1949 (on the overlap) Oil on canvas 52 x 40cm

Signed Leo. Gausson (lower right) Oil on card laid down on panel 26.7 x 34.8cm Unframed

£200-300

£500-800

174

175

1891-1966

French 1860-1944

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

77

176 ‡ KENNETH ROWNTREE 1915-1997

Landscape with threshing machine Oil on board 40.3 x 50.3cm £600-800

176

177 THOMAS HENNELL RWS, NEAC 1903-1945

Man standing with a donkey and cart Signed, dated and inscribed Thomas Hennell/to A.S. Hartrick ESA RWI/***1938 (lower left) Pencil, pen and ink 19.4 x 28.8cm £120-180

177

178 THOMAS HENNELL RWS, NEAC 1903-1945

A farmer ploughing a field (recto); Landscape with cottages (verso) Signed with initials TBH (lower right to recto) Oil on canvas 34.4 x 39.5cm Provenance: The artist’s sister; Michael MacLeod, the artist’s biographer Michael MacLeod has stated that the artist signed in this manner only up until the end of the 1920s. £500-800

178 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

78

179 ‡ MONTAGUE DAWSON RMSA, FRSA

181 ‡ FORTUNIO MATANIA RI

A British Destroyer passing the Needles, Isle of Wight

A field of great sorrow and of greater glory: The battle ground of Ypres - Visiting the old battlefields of the Western Front, the scene by the ruined cloth hall of Ypres

1890-1973

Oil on board 24.5 x 37.7cm Provenance: N. R. Omell, London; Sotheby’s, London, The Marine Sale, 18 June 2003, lot 131 Literature: The Sphere, 7 December 1940, p. 302 (illustrated) £800-1,200

179

180 M. DAWSON

British 20th Century

British Sea Plane Oil on canvasboard 28 x 75cm Provenance: Frost and Reed, no.44131 (label verso)

Italian 1881-1963

Signed F. Matania (lower left) Pencil, black chalk and grey wash heightened with white 35.8 x 51.5cm Provenance: Christie’s, South Kensington, 7 October 2014, lot 12 Literature: The Sphere, London, 20 September 1919, pp 276-7; Jane A. Kimball, Trench Art: An Illustrated History (Silverpenny Press, 2004), p.373 £400-600

£100-150

180

181

182

182 ‡ FORTUNIO MATANIA RI

183 ‡ STANLEY CORNWELL LEWIS

Anne Boyleyn being driven through the crowd

Christmas Greetings 1943

Italian 1881-1963

Signed FMatania (lower right) Pencil, pen and ink, and wash 34.2 x 54.2cm Provenance: The Court Gallery, Surrey £300-400

1905-2009

Signed Stanley/Lewis (lower centre) also titled Pen, ink and watercolour 26 x 22cm Provenance: Liss Fine Art as Working on the Searchlight 1943 £100-150

183 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

79

184 OSCAR RICCIARDI Italian 1864-1935

View of the bay of Naples Signed and inscribed Ricciardi Napoli (lower right) Oil on canvasboard 46.8 x 62cm £400-600

185 CONTINENTAL SCHOOL 20th Century

A view of Kotor, Montenegro Oil on canvas 25.6 x 35.7cm Provenance: The Estate of Constance, Duchess of Westminster; By whom sold, Beachern Wood, Brockenhurst, 15-16 July 1970, lot 657 (according to label) A label reads ‘Professor Boboni/Sizes/Corse Garibaldi/ KATTAD/KOTOR/inscription found on reverse of stretcher on relining in May 1971’

184

£200-300

186 BRITISH SCHOOL 20th Century

West coast of Sark showing Les Autelets Indistinctly signed (lower left) Oil on canvas 40.7 x 63.7cm £100-200

187 WILLIAM F. BURCHELL act.1909-1937

A Scottish Loch Signed W F Burchell (lower right) Oil on canvas 50.5 x 60.5cm £100-150

185

186 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

187

80

188

188 ‡ SIR FRANK BRANGWYN RA, RWS, RBA

189 ‡ SIR FRANK BRANGWYN RA, RWS, RBA

Gipsy caravan

The 1st Station: Jesus is condemned to death; The 3rd Station: Jesus falls under the cross the first time; The 13th Station: Jesus is taken down from the cross; The 14th Station: Jesus is laid in the tomb

1867-1956

Watercolour 55.5 x 72.6cm

Four, each pencil on tracing paper Two 73.7 x 88.2cm (1st & 14th stations); Two 74.5 x 80.5cm (3rd & 13th stations) (4)

Provenance: Miss Edith Hope, London; H.G. Hope, Liss, Hampshire; Mrs May Hope; Mrs H.W. Hiley; F. Lewis Collection

Provenance: Liss Fine Art, Oxfordshire

Exhibited: London, Queen’s Gate, Exhibition of Paintings, Drawings & Etchings by Frank Brangwyn RA, May-July 1924; London, Royal Academy, Exhibition of Works by Sir Frank Brangwyn, RA, 1952, no.15 £1,500-2,500

1867-1956

Literature: G.K. Chesterton, The Way of the Cross (London, 1935); Etchings & Lithographs by Frank Brangwyn (Brighton, 1935); Rodney Brangwyn, Brangwyn (London, 1978), pp.284, 289; William de Belleroche, Brangwyn Talks (London, 1946), pp.20, 55, 137; William de Belleroche, Brangwyn’s Pilgrimage (London, 1948), pp.120, 124; Dominique Marechal, Frank Brangwyn: Collection Catalogue (Bruges General Bank & Stedelijke Musea 1987), pp. 178-180; Frank Brangwyn: Stations of the Cross (Liss Fine Art, 2015), cat. nos.1, 5, 24, 25 £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81

189

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

82

190

190 ‡ SIR CECIL BEATON CBE 1904-1980

Cutting Garden Flowers Signed Beaton (lower right), and signed and inscribed Cutting garden flowers/Cecil Beaton (to verso) Oil on canvas 55.9 x 45.5cm £1,000-1,500

191

191 ‡ SIR CECIL BEATON CBE 1904-1980

Dancers Pen and ink 13.1 x 17.6cm Provenance: Christie’s, Reddish House, Broadchalke, Wiltshire, 9-10 June 1980 £200-300

192 ‡ SIR CECIL BEATON CBE

193 ‡ SIR CECIL BEATON CBE

Costume designs for The School for Scandal: Lady Sneerwell; Charles Surface

Portrait of Greta Garbo (1905-1990)

Two, the former inscribed Lady/Sneerwell/first scene (lower right), and School for Scandal (to verso); the latter inscribed Charles/Surface/Library (lower right) and School for Scandal/Comedie Francaise/1962 (to verso) Both pen and ink Each 19.5 x 14.6cm (2)

Inscribed Garbo (lower right) Pencil 22.8 x 17.1cm

These are designs for a 1962 production of ‘The School for Scandal’ at the Comedie Francaise. Lady Sneerwell was played by Yvonne Gaudeau, and Charles Surface by Jacques Destoop.

£300-500

1904-1980

1904-1980

Provenance: Purchased by the present owner at the Edinburgh Art Fair, c.2015

£300-500

192

193 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

83

194 ‡ ANTHONY GROSS CBE, RA 1905-1984

The thicket Signed anyGross (lower right) Watercolour and pen and ink 37.8 x 55.5cm Provenance: Purchased by the present owner directly from the artist £600-1,000

195 ‡ ANTHONY GROSS CBE, RA 1905-1984

A view of Montcuq, France Signed and dated antyGross 1977 (lower right), and inscribed Town of Montcuq (to verso) Watercolour and pen and ink 20 x 28.6cm Unframed £250-400

194

196 ‡ ANTHONY GROSS CBE, RA

197 ‡ ANTHONY GROSS CBE, RA

Goat Herds

Girl’s School

Signed and inscribed Trial goat Herds Final & 4th State anty gross (in pencil to margin) Etching 24 x 32.5cm Unframed

Signed, inscribed and numbered 33/50 girl’s school anty gross (in pencil to margin) Etching 16.5 x 24.4cm (plate) Unframed

£300-500

£250-350

1905-1984

1905-1984

195

196

197

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

84

198

199

198 ‡ RAY HOWARD-JONES

199 FRANCIS DODD RA

Soldiers wrestling near an army barracks

View of Segovia, Spain

1903-1996

Signed with monogram and dated 1943 (lower right) Watercolour and bodycolour over pencil 39 x 56cm £600-800

1874-1949

Signed and dated DODD/1931 (lower left) Oil on canvas 47.5 x 64.2cm Provenance: Spink, London £600-800

200 MARTIN

20th Century

Continental landscape with a farmer on his tractor, and two riders beyond Signed MARTIN (lower left), and indistinctly inscribed (to verso) Oil on canvas 35.7 x 55.5cm £200-400

200

201

202

201 BARCLAY HENRY

202 ‡ MARGARET FISHER PROUT

Cottage at the edge of a Loch

Farmyard scene with pigs a horse and chickens

Signed and dated Barclay Henry 1919 (lower left) Oil on canvas 40.8 x 61cm

Inscribed MARGARET FISHER PROUT (to verso) Oil on board 77 x 63cm

£300-400

£200-300

Scottish act.1891-1946

1875-1963

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

85

203 JESSIE M. MCGEEHAN Scottish 1872-1950

Market day Signed J.M. McGeehan (lower right) Oil on canvas 61 x 50.4cm £800-1,200

204 ‡ ROLAND BATCHELOR RWS 1889-1990

A Difference of Opinion Signed and inscribed ROLAND BATCHELOR/BERNAY (lower left) Watercolour and pen and ink 18.8 x 24.8cm Exhibited: New English Art Club £200-300

205 ‡ PENELOPE BEATON ARSA, RSW Scottish 1886-1963

Queensferry Signed Penelope Beaton (lower left) Watercolour and pen and ink 40.5 x 47.1cm Exhibited: Royal Scottish Society of Painters in Watercolours £200-400

203

204 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

205

86

206 LEONOR FINI

207 ‡ GERALD BROCKHURST RA

Scene de Theatre

Study for a tempera painting (Wright 1)

Argentinian 1907-1996 Signed Leonor Fini (lower right), and inscribed extensively (to verso) Pen and ink within pencil framing lines 28.7 x 19.7cm Provenance: Private Collection, London; By whom sold Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 6 June 2018, lot 32 £600-800

208 ‡ EDWARD ARDIZZONE CBE, RA 1900-1979

Old Perisher in the flowerbed

Signed and inscribed GL Brockhurst./Study for a tempera painting (first Etching) (in pencil to margin) Etching, 1914, one of five or six impressions 16.6 x 24cm (plate) Unframed £120-180

209 ‡ EDWARD ARDIZZONE CBE, RA 1900-1979

Watercolour, pen and black ink, and pencil 7.9 x 11.8cm

Evening Party at Robert Sielle’s

Provenance: The Medici Society, London

Signed with initials EA (lower right), and inscribed and dated Evening Party at Robert Sielle’s - June 1961/ Guests include Ceri Richards, William Scott,/ MacWilliam, Merlin Evans & their respective wives (upper centre) Pen and black ink 28.5 x 20.6cm Unframed

Literature: Diana Ross, Old Perisher (Faber & Faber, 1965), cover illustration

206

1890-1978

£200-300

Provenance: Private Collection, Sussex £300-500

210 ‡ ROBERT GIBBINGS Irish 1889-1958

207

208

Nude bottom (Montparnasse); Sketch of a dancing girl Two, both pencil, the former 1950, the latter 1947 36.8 x 24.9cm; 31.2 x 15.5cm (2) Provenance: Both Patience Empson; Martin Andrews, the artist’s biographer Literature: ‘Nude bottom (Montparnasse)’: Martin Andrews, The Life and Work of Robert Gibbings (Primrose Hill Press, 2003), p. 318 Exhibited: Both, Cork, Crawford Gallery, A True Tale of Love in Tonga, 2006-2007 The former work is one of a group of sketches drawn at the Academie de la Grande Chaumière, Paris. £120-180

209

210 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

87

211 ERIC GILL ARA 1882-1940

Twenty-Five Nudes The complete set of wood engravings plus title, and ‘Three Hands’, 1937 (P936-P950; P952-P955; P957-P970) Each 22.3 x 13.7cm Unframed (27) £1,000-1,500

211

212

212 ERIC GILL ARA 1882-1940

Landscape near Slindon, Sussex Downs Inscribed near Slindon (lower right) Watercolour and pencil, c.1908 13.1 x 21.4cm

213

Provenance: Anthony d’Offay, London; The McHenry Collection; The Felix Dennis Collection; Sotheby’s London, English Literature, History, Children’s Books And Illustrations Including Eric Gill - The Felix Dennis Collection, lot 133 £1,000-1,500

213 ERIC GILL ARA 1882-1940

Woman bending Inscribed proof (in pencil, lower right) Wood engraving, 1926 (P388) 6.1 x 4.9cm (image) Provenance: The Folio Society, London £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

88

214 CHRISTOPHER WOOD 1901-1930

Young Boy Oil on canvas, 1928 37.5 x 28 cm Provenance: Christie’s, London, 10 June 1988, lot 391; Fine Art Society, London, as ‘Portrait of an Acrobat’, where purchased by the previous private owner; By whom sold, Christie’s, London, Modern/British & Irish Art, 16-23 November 2018, lot 324 Literature: E. Newton, Christopher Wood 1901-1930 (London, 1938), p. 73, no. 306 Exhibited: London, The Redfern Gallery, The Complete Work of Christopher Wood, March - April 1938, no. 298, cat. no. 306 £8,000-12,000

214

215 CHRISTOPHER WOOD 1901-1930

Woman with a swan Blue crayon 29.7 x 18.8cm Provenance: Redfern Gallery, London; Victor Arwas, London; Askew Art, Henley-on-Thames £600-800

215 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

89

216

216 ‡ JOAN EARDLEY

Scottish 1921-1963

Coast III Signed EARDLEY (lower right), and inscribed COAST III and EDUCATION COMMITTEE GLASGOW/ 204 ST JAMES RD, and indistinctly Bracao Eslie Rd (all verso) Oil on board 28 x 40cm Provenance: Property of a deceased estate £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

90

217 JULIUS OLSSON RA 1864-1942

A lighthouse in choppy waters Signed Julius Olsson (lower left) Oil on canvas laid on board 45.7 x 61.1cm £2,500-3,500

217

218 JULIUS OLSSON RA 1864-1942

Dawn light over a calm sea Signed Julius Olsson (lower left) Oil on canvas 46 x 61.1cm £2,000-3,000

218 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

91

219 JULIUS OLSSON RA 1864-1942

A calm sea Signed Julius Olsson (lower left) Oil on canvas 45.5 x 61cm £2,000-3,000

219

220 JULIUS OLSSON RA 1864-1942

Waves crashing against the rocks Signed and inscribed Julius Olsson/To WGH (lower right) Oil on canvas 45.3 x 61.4cm £2,000-3,000

220 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

92

221 ‡ FREDERIC WHITING RP, RSW, RI 1874-1962

Portrait of Fred Archer (1857-1886) Signed Frederic Whiting (upper left) Oil on canvas 76.5 x 60.5cm Fred Archer was an English jockey described as ‘the best all-round jockey that the turf has ever seen’. The fact that Frederic Whiting painted him posthumously is a testament to his enduring legend. £1,000-1,500

221

222 BRITISH SCHOOL Early 20th Century

Captain Cuttle with Steve Donoghue up Oil on canvas 39.3 x 49.8cm Captain Cuttle was the outstanding British colt of his generation, winning The Derby and the St James’s Palace Stakes in 1922. His career was restricted by injury problems and he only raced six times. £200-300

223 No lot

222 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

93

224 ‡ KATHERINE CHURCH

225 ‡ LEONARD JOHN FULLER

Portrait of a lady seated

Portrait of Mrs Tom Mostyn, seated and wearing a blue-trimmed white dress

1910-1999

Signed and dated ‘61/Katherine Church (lower right) Oil on canvas 61.5 x 51cm £600-800

1891-1973

Signed LEONARD J. FULLER (upper right) Oil on canvas 101.5 x 76.2cm £700-1,000

226 BRITISH SCHOOL Mid 20th Century

Portrait of Dame Anna Neagle (1904-1986) Oil on canvas 163 x 100cm Unframed A label to verso reads Portrait of Dame Anna Neagle 1947/by P.D £400-600

224

225 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

226

94

227

227 ‡ IVON HITCHENS

228 ‡ ALBERT EDWARD BERBANK

229 ‡ SIMON NICHOLSON

The Game Keeper’s Cottage No. 3

Coloured Forces Unified

Timothy’s Corner, Isles of Scilly

Signed Hitchens (lower right), and further signed, inscribed, dated 1943 and inscribed with the artist’s address to label Oil on canvas 41 x 75cm

Signed with initial B (lower left) Oil on board 39.7 x 60.4cm

Signed Simon Hepworth-Nicholson (lower left), and signed, dated and inscribed Simon Hepworth Nicholson/Timothy’s Corner/Good Friday 3/56 (to label) Pencil 39.2 x 52.2cm

1893-1979

1896-1961

Provenance: Piccadilly Gallery, London; Tib Lane Gallery, Manchester

£400-600

Provenance: E. Alston Mott

Exhibited: Leeds, Temple Newsam, Ivon Hitchens, Henry Moore, 14 April-3 June 1945, cat. no.25

Exhibited: London, National Book League

£6,000-8,000

228

1934-1990

£200-300

229 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

95

230

230 ‡ JOHN TUNNARD ARA 1900-1971

Nemesis With studio stamp (to verso, under backing board) Watercolour and bodycolour 37 x 55cm Provenance: Lefèvre Gallery January 1947 Léon Suddaby Fine Art, Penzance, Cornwall Literature: Alan Peat and Brian A. Whitton, John Tunnard, His Life and Work (Scolar Press, Hampshire, 1997), no. 501 £4,000-6,000

231 ‡ JOHN TUNNARD ARA 1900-1971

Holiday Coloured lithograph, 1974, printed at The Baynard Press for Schools Prints Ltd. 48.6 x 75.2cm

231

£100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

96

232 ‡ COLIN MIDDLETON MBE Irish 1910-1983

Garden, Westmeath Signed COLIN and with monogram (lower right), and signed, dated and inscribed Garden: Westmeath/Colin 1971 and with monogram (to verso) Oil and tempera on board 21.6 x 21.6cm Provenance: The Tom Caldwell Gallery, Belfast, October 1971; Sotheby’s, Sussex, 4 July 1988, lot 61 £1,500-2,500

232

233

234

235

233 ‡ ROBERT SARGENT AUSTIN RA, PPRWS, PPRE

234 ‡ EDGAR HOLLOWAY

235 ‡ PILADE BERTIERI

Still life with chrysanthemums

Dancer in the spotlight

Signed AUSTIN (lower left) Watercolour and pencil 27.9 x 21.6cm

Signed and inscribed Chrysanthemums Edgar Holloway (in pencil to margin) Woodcut in colours, with hand-colouring 37.6 x 27.2cm (image)

Signed Bertieri (lower left) Oil on board 35.8 x 40.9cm

£200-300

£120-180

1895-1973

Still life with flowers in a glass jug

1914-2008

Italian 1874-1965

£200-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97

236 ‡ ÉMILE ANTOINE VERPILLEUX MBE Anglo-Belgian 1888-1964

A view of Bermuda Signed and dated A.E. VERPILLEUX 1941 (lower right) Oil on card 15.2 x 21.6cm We are grateful to Fritha Wolsak for confirming the attribution and subject of this work. £800-1,200

236

237 ‡ ÉMILE ANTOINE VERPILLEUX MBE Anglo-Belgian 1888-1964

A view of Bermuda Signed and dated A.E. VERPILLEUX/194* (lower right) Oil on card 15.2 x 21.6cm We are grateful to Fritha Wolsak for confirming the attribution and subject of this work. £800-1,200

237

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

98

238

238 ‡ BEN NICHOLSON OM 1894-1982

Banks Head, Cumberland Signed, dated and inscribed BANKSHEAD Ben Nicholson 1926 (to old backing board), and further inscribed given to David Sept 1961/from W.Nicholson/Boothby/ Brompton/Cumberland (to a further piece of old backing board) Pencil 35.4 x 51cm Provenance: Bonningtons, Epping, Fine Art & Antiques, 27 June 2018, lot 101 In 1923, Ben Nicholson, and his wife Winifred, settled in Cumbria, purchasing Banks Head, a seventeenth-century farmhouse on Hadrian’s Wall. They shared the house until 1931 and it remained Winifred’s home for the rest of her life. £2,000-3,000

239

239A

239 CHARLES WALCH

239A ‡ JOHN HUBBARD

Still life with a bowl of fruit and a glass

Beach stones, possibly at Porthmeor

French 1896-1948

Signed C Walch (lower left) Pencil 59.7 x 45.7cm Exhibited: Paris, Galerie de la Presidence

American 1931-2017

Signed and dated John Hubbard 1977 (lower right) Charcoal 55.9 x 77.5cm £400-600

£400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

99

240

240 ‡ ALGERNON NEWTON RA 1880-1968

Regent’s Canal, Paddington Signed with monogram and dated 40 (lower left) Oil on canvas 50.8 x 76.2cm Provenance: Leicester Galleries, London, where purchased by Robert McLean, 1941; David Lay, Penzance, Paintings, Prints & Other Art, 15 January 2009, lot 211 Exhibited: London, Leicester Galleries, Exhibition of works by Algernon Newton, June 1941 £25,000-35,000

240 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

100

241

242

241 ‡ SIR JACOB EPSTEIN

242 ‡ JOAN MIRÓ

Sunita reclining

Sonatine II (Dupin 419)

Signed Epstein (lower right) Pencil 43.5 x 51.5cm

Signed and inscribed H.C. Miró. in pencil to margin Etching and aquatint, 1968, an hors commerce impression in addition to the edition of 30 31 x 24.4cm (plate)

1880-1959

£800-1,200

Spanish 1893-1983

£400-600

243

243 ‡ MARY ADSHEAD 1904-1995

Designs for nursery fitments Inscribed throughout with explanatory notes Watercolour, bodycolour and pencil 36.5 x 53.4cm Provenance: The artist’s family; The Fine Art Society, London Literature: Paul Liss, British Murals and Decorative Painting 1910-1970 (Liss Fine Art and The Fine Art Society, 2013), cat. 50, illus. p.81 Exhibited: London, The Fine Art Society and Liss Fine Art, British Murals & Decorative Painting 1910-1970, February - March 2013, cat no. 50

244

£150-250

244 ‡ EDWARD GORDON CRAIG CH, OBE 1872-1966

Actor (three-quarter length); Fear Two, both signed with initials EGC, the latter dated twice 1908 (in pencil) Both woodcuts, the former 1912, from an edition of 8 on yellow Japanese paper; the latter 1908, from an edition of 30 in the second (final) state 22.2 x 13.6cm; 29.5 x 15.6cm (2) Literature: ‘Actor’: William Shakespeare, Hamlet, illustrated by Edward Gordon Craig (Cranach Press, 1930), p.72 (illustrated); Both: Lindsay Newman (ed.), Black Figures: 105 Reproductions with an Unpublished Essay

by Edward Gordon Craig (Wellingborough, Skelton, 1989), nos. 16, 84 Exhibited: ‘Actor’: Aberystwyth, Monnow Valley Arts Centre and the School of Art Gallery and Museum, Edward Gordon Craig: Stage Designs, Drawings, Engravings and Photographs, 2010-11, cat.44 £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

245 ‡ LAURENCE STEPHEN LOWRY RA, RBA 1887-1976

Village on a Hill Signed and dated L.S. LOWRY 1966 (in red felt-tip pen, lower left), and numbered 59/75 (in pencil, lower right) Lithograph, published

by Ganymed Originals 93 x 61cm (image) Provenance: Bebb Fine Art (label to reverse) £4,000-6,000

245 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

102

246 ‡ JEAN MESSAGIER French 1920-1999

Untitled Signed and inscribed Messagier E.A., and with Valsuani foundry mark Bronze, an artist’s proof aside from the edition of 150 26.5 x 25 x 16.5cm £400-600

246

247 ‡ JEAN MESSAGIER French 1920-1999

Forêt Cassée Signed and numbered 91/150 Messagier, and with Valsuani foundry mark Bronze 22.2 x 24 x 19.5cm £400-600

247

248 ‡ JEAN MESSAGIER French 1920-1999

Entre les Arbres Signed and numbered 76/150 Messagier, and with Valsuani foundry mark Bronze 22.5 x 22.5 x 13cm £400-600

248

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

249 ‡ BRYAN KNEALE MBE, RA b.1930

Armour Welded metal, c.1962 206cm high Provenance: Whitechapel Gallery; Leicestershire Education Authority £7,000-10,000

249 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

104

250 ELSA MARTINUS

251 ‡ JACKIE KING-CLINE

Father and son

Family Serenade

Signed MARTINUS (to father’s leg) Bronze on a marble base 26.4cm high (including base)

Signed Jackie K-C and with Morris Singer Foundry stamp (to underside) Bronze on a slate base 19cm high (including base)

American 20th Century

b.1939

Provenance: Burrell Galleries, New York, where purchased by the present private collector January 1971

Provenance: Artizana Gallery, Prestbury, where purchased by the present private collector, June 1989

£400-600

Exhibited: Prestbury, Artizana Gallery, Taking Shape: An Exhibition of Sculpture in Stone and Bronze by Jackie King-Cline, 29 May - 17 June 1989 £200-300

250

251

252

252 ‡ DOREEN KERN

253 CONTINENTAL SCHOOL

Embrace

Virgin and child

Signed, dated and numbered Doreen Kern 74 9/12 (to underside of bronze) Bronze on a rotating slate base 12.3cm high (including base)

Indistinctly signed BH and stamped 1990 5/350 TX

b.1931

£150-250

1990

Bronze on a black marble base 30.8cm high (including base) £120-150

253 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

254 ‡ GERTRUDE HERMES OBE, RA 1901-1983

Two in One (Head and Totem Head) Bronze on a stone pedestal base, from an edition of six, conceived and modelled in china clay in 1937 and cast in bronze after World War II 21cm high (including base) Provenance: Anthony Hepworth, Bath; Where purchased by the present owner, June 2002 Literature: Penelope Curtis (ed.), Sculpture in 20th Century Britain: A guide to sculptors in the Leeds Collections (Henry Moore Institute), p.160 The original china clay model, and all related drawings, are held by the Henry Moore Foundation. £1,000-1,500

254

254 (alternative view)

256 ‡ ROY NOAKES 1936-2002

Mother and Child Signed, dated and numbered Roy NOAKES 86 1/10 Bronze on a wooden base 35cm high

255 ‡ ANNJA

Exhibited: London, Royal Academy, 1987

French b.1944

Tenderness II Signed and numbered Annja 1/8 (to lower edge of bronze) Bronze on a wooden base 48.5cm high (excluding base)

£400-600

Provenance: Purchased from the artist by the present private collector, August 1991 £500-800

255 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

256

106

257 ‡ ENZO PLAZZOTTA Italian 1921-1991

The fisherboy Stamped with signature and number Plazzotta/3/9, and with Luigi Tomassi foundry stamp (to base) Bronze, 1969 76.5cm high

Provenance: Chris Beetles, London, where purchased by the present private collector, March 1995 Literature: C. Plazzotta & R. O’Conor, Enzo Plazzotta: A Catalogue Raisonné (London, 1986), no.111, another cast illustrated Exhibited: New York, Acquavella Galleries, 1969; London, Grosvenor Galleries, 1970 £1,000-1,500

258

258 ‡ SYDNEY HARPLEY RA, FRBS 1927-1992

Towel girl Signed and numbered Harpley/2/9 (to towel) Bronze on a slate base 65.5cm high (including base) Provenance: Chris Beetles, London, where purchased by the present private collector, March 1995

257

Exhibited: Shown but not exhibited at The Royal Academy Summer Exhibition, 1992 (according to Chris Beetles receipt) £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

259 ‡ SYDNEY HARPLEY RA, FRBS 1927-1992

Girl on a Swing Signed and numbered Harpley 6/9 (to dress) Bronze on a slate base, 1987 63.1cm high (including base) Provenance: Duncalfe Galleries, Harrogate, where purchased by the present private collector, January 1988 £2,000-3,000

259

260 ‡ VIVIEN AP RHYS PRYCE b.1937

Girl dressing her hair Stamped near the lower edge and inscribed Girl Dressing/Her Hair 2/9/ Vivien ap Rhys Pryce (to label to underside) Bronze 37.5cm high Provenance: Purchased from the artist by the present private collector, June 1996 Exhibited: Royal Academy, 1996, no. 572 £500-800

260 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

108

261

262

261 ‡ MICHAEL AYRTON 1921-1975

Revealed Signed and inscribed Proof 2nd state michael ayrton (in pencil to margin) Etching, 1971, from the Minotaur suite 39.8 x 54.4cm (plate) Unframed Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (illustrated) £400-600

262 ‡ MICHAEL AYRTON 1921-1975

As Yearling Signed and numbered 71/75 michael ayrton (in pencil to margin) Etching, 1971, from the Minotaur suite 34.7 x 54.7cm (plate) Unframed Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (illustrated) £300-500

263

263 ‡ MICHAEL AYRTON

264 ‡ DAME ELISABETH FRINK CH, DBE, RA

Epode; Eclipse; Beast Fable I; Beast Fable II

Grey horse head (Wiseman 156)

Four each with Ayrton estate stamp and numbered 67/75; 75/75; 68/75; and 74/75 respectively (in pencil to margin) Each etching, 1975, from the Archilochos suite Each 30 x 25.3cm (plate) Unframed

Signed Frink (in pencil, lower right) and numbered 22/70 (lower left) Screenprint in two colours, 1990 98.5 x 70.5cm

1921-1975

1930-1993

Together with Michael Ayrton; Kore; with Ayrton estate stamp and numbered 6/75 (in pencil to margin); aquatint, 1975, originally conceived as part of the Archilochos series but subsequently excluded; 30 x 25.3cm; unframed (5) Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (each illustrated)

Provenance: Beaux Arts, London, where purchased by the present owner, May 1994 £3,000-5,000

£250-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

264 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

110

265 (another view)

265 ‡ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Soldier Signed and numbered Frink/5/6 Bronze, 1963 35.5 x 26 x 31cm Provenance: Kettles Yard Gallery, Cambridge, 1972, where purchased by the previous private collector; From whom purchased by the present owner, June 2006 Literature: Edwin Mullins, The Art of Elisabeth Frink (Lund Humphries, London, 1972), no.53 (another cast illustrated); Bryan Robertson, Elisabeth Frink: Catalogue Raisonné (Harpvale, Salisbury, 1984), no.100, p.158 (another cast illustrated); Elisabeth Frink: Sculpture and Drawings 1952-84, exh. cat (Royal Academy, London, 1985) (another cast); Isabel Johnstone and Joanna Drew, Introducing with Pleasure, exh. cat.

(Gardner Arts Centre, University of Sussex, 1987), p.34 (another cast); Elisabeth Frink, Sculpture and Drawings 1950-90, exh cat. (The National Museum of Women in Arts, Washington DC, 1990) (another cast); Annette Ratusniak, Elisabeth Frink, Catalogue Raisonné of Sculpture 1947-93 (Lund Humphries, 2013), p.87, no. FCR124 (another cast illustrated)

Exhibited: London, Waddington Galleries, Elisabeth Frink: Sculpture and Prints and Drawings from Chaucer, 1972 (another cast); Cambridge, Kettle’s Yard, Man and Beast: Sculpture, Drawings, Prints, Illustrated Books by Elisabeth Frink, 20th July - 11th August 1973, no.11 (another cast); London, Royal Academy of Arts, Elisabeth Frink, Sculpture and Drawings 1952-1984, 8 February-24 March 1985, no.24 (another cast); Sussex, Gardner Arts Centre and touring, Introducing with Pleasure: Star Choices from the Arts Council Collections, 1987 (another cast); Hong Kong, The Rotunda, Exchange Square, Elisabeth Frink: Sculpture & Drawings, 1989 (another cast); Washington, National Museum of Women in the Arts, Elisabeth Frink: Sculpture & Drawings 1950-1990, 1990 (another cast) ‘Among the heads appears not that of a warrior but that of a soldier, anguished and scarred - the ambiguity of war and our concept of heroism begins to become more evident in her sculpture’ £30,000-50,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

265

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

112

267

266 ‡ LIN JAMMET

267 ‡ LIN JAMMET

Two riders

Taming a horse

Signed, dated and numbered 15/50 Lin Jammet 97 (in pencil to margin), and with Gresham Studio blindstamp Screenprint 120.5 x 83.4cm (sheet) Unframed

Signed, dated and numbered 26/50 Lin Jammet ‘97 (in pencil to margin), and with Gresham Studio blindstamp Screenprint 76 x 76cm (sheet) Unframed

Provenance: The Estate of Lin Jammet

Provenance: The Estate of Lin Jammet

£150-250

£150-250

1958-2017

266

1958-2017

268 ‡ LIN JAMMET 1958-2017

Horse and rider Signed, dated and numbered 3/50 Lin Jammet ‘92 (in pencil, lower right), and with Curwen Chilford blindstamp Lithograph 76.6 x 55.6cm (sheet) Unframed Provenance: The Estate of Lin Jammet £150-250

269 ‡ LIN JAMMET 1958-2017

Mazeppa Signed, dated and numbered 9/30 Lin Jammet ‘98 (in pencil to margin), and with Gresham Studio blindstamp Etching 49.3 x 31.8cm (plate) Unframed

268

269

Provenance: The Estate of Lin Jammet £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

270 ‡ LIN JAMMET 1958-2017

Summer Signed, dated and numbered 43/50 Lin Jammet ‘97 (in pencil to margin), and with Gresham Studio blindstamp Screenprint 97 x 74cm (sheet) Unframed Provenance: The Estate of Lin Jammet £150-250

271 ‡ LIN JAMMET

272 ‡ LIN JAMMET

Spring

Winter

Signed, dated and numbered 9/50 Lin Jammet ‘97 (in pencil to margin), and with Gresham Studio blindstamp Screenprint 97 x 74cm (sheet) Unframed

Signed, dated and numbered 10/50 Lin Jammet ‘97 (in pencil to margin), and with Gresham Studio blindstamp Screenprint 97 x 74cm (sheet) Unframed

Provenance: The Estate of Lin Jammet

Provenance: The Estate of Lin Jammet

£150-250

£150-250

1958-2017

1958-2017

270

271 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

272

114

273

273 ‡ SIR SIDNEY NOLAN OM, AC, CBE, RA Australian 1917-1992

Leda and the Swan - two studies Two, the former signed, dated and inscribed nolan/21 July 1967/after doing postcard/for Charles Osborne and further inscribed (to verso); the latter signed and dated 11 June 1967/nolan/Leda (to verso) Each mixed media on paper Both 30.4 x 25.3cm Unframed (2) Provenance: Christie’s, London, Modern and Contemporary Australian and South African Art, 16 December 2008, lot 40 £700-1,000

274 ‡ SIR SIDNEY NOLAN OM, AC, CBE, RA Australian 1917-1992

Humming bird and flower Mixed media on paper 30.4 x 25.3cm Unframed Provenance: Christie’s, London, Modern and Contemporary Australian and South African Art, 16 December 2008, lot 46 £700-1,000

274 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

275

276

275 ‡ SIR SIDNEY NOLAN OM, AC, CBE, RA

276 ‡ SIR SIDNEY NOLAN OM, AC, CBE, RA

Flower study

Flower study

Signed Nolan (lower centre) and inscribed 5 March 68/5 (to verso) Mixed media on paper 30.5 x 25.5cm Unframed

Signed and dated Dec 69/nolan (to verso) Mixed media on paper 30.5 x 25.3cm Unframed

Provenance: Christie’s, London, Modern and Contemporary Australian and South African Art, 16 December 2008, lot 45

Provenance: Christie’s, London, Modern and Contemporary Australian and South African Art, 16 December 2008, lot 45

£300-500

£400-600

Australian 1917-1992

Australian 1917-1992

277 ‡ SIR SIDNEY NOLAN OM, AC, CBE, RA Australian 1917-1992

Flower study Signed dated and inscribed Britten-Smart/Rejoice in the Lamb/2 March 68/ Nolan (to verso) Mixed media on paper 30.5 x 25.2cm Unframed Provenance: Christie’s, London, Modern and Contemporary Australian and South African Art, 16 December 2008, lot 45 £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

277

116

278 ‡ AFTER HENRI MATISSE Jazz The complete portfolio, facsimiles printed in colours, with title, text, justification and images, published by George Braziller, New York, 1983 40.6 x 31.1cm (folio) Provenance: Bonhams, Knightsbridge, Old Master, Modern and Contemporary Prints, 18 May 2011, lot 404 £500-700

278

279

280

279 ‡ AFTER PABLO PICASSO

280 ‡ AFTER PABLO PICASSO

The Vollard Suite

Portrait of a Woman after Cranach the Younger; and 17 others

Complete suite of 100 reproduction prints after the original etchings, plus title, unbound 28 x 21.8cm (each sheet)

Eighteen, reproduction prints after the original pictures Largest 31.7 x 36.2cm; Smallest 19.2 x 20.5cm Unframed (18)

£800-1,200

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

281 ‡ MARC CHAGALL

Russian/French 1887-1985

Tables of the law Lithograph, 1962 32.5 x 24.4cm Unframed Together with After Marc Chagall, seven reproduction prints after original lithographs, unframed (8) £300-500

282 ‡ AFTER MARC CHAGALL Illustrations from Daphnis et Chloé Forty, reproduction prints after the original lithographs Largest 32 x 48cm; Smallest 32 x 24.1cm Unframed (40) £300-400

283 ‡ AFTER MARC CHAGALL The Green Fiddler Bears pencil signature Marc Chagall, date 1962, numbered 99/100 and inscribed 1er imprimé (on lower margin) Reproduction print 60 x 50cm (image) £100-200

281

282

283

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

118

PROPERTY OF A NOBLEMAN

LOTS 284-303 PROPERTY OF A NOBLEMAN

285

284

284 ‡ SUSAN LIGHT

285 ‡ ORLA WHELAN

286 ‡ JESSE LEROY SMITH

287 CONTEMPORARY BRITISH SCHOOL

Where’s the Beef?

Composition 15

Cat’s Cradle

Signed and dated Light ‘96 (lower right), and further extensively inscribed (to verso) Oil on canvas 142.5 x 152cm Unframed

Signed, dated and inscribed COMPOSITION 15./Orla Whelan ‘97. (to verso) Oil on board 119.5 x 119.5cm Unframed

Signed and inscribed ‘CAT’S CRADLE’/ Jesse Leroy Smith and further inscribed (to verso) Mixed media on canvas 149.5 x 157cm Unframed

Still life with jugs and cups on a table

b.1954

Provenance: Property of a nobleman £150-250

286

Irish b.1975

b.1966

Provenance: Christopher Hull Gallery, London, 1997, no. 4389; Property of a nobleman £200-300

Provenance: Property of a nobleman £150-250

Oil on canvas 122 x 183cm Provenance: Slade School of Art, Degree Show, c.1997; Property of a nobleman £100-150

287 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF A NOBLEMAN

119

288

288 ‡ MERLIN JAMES

289 ‡ ANDREW GADD

290 ‡ DAVID MACH RA

Conveyor

27th November 1993

The Tartan Army I, M8 Project

Signed with initial and dated M.9-7 (lower left), and signed, inscribed and dated Merlin James/’conveyor’/95’7 (to verso) Acrylic and mixed media on canvas 57 x 102cm Unframed

Oil on canvas 118 x 184.5cm

Collage 57 x 81.5cm

Provenance: Agnew’s, London; Property of a nobleman

Provenance: Property of a nobleman

Welsh b.1960

Provenance: Francis Graham-Dixon Gallery, London; Property of a nobleman

b.1968

£300-500

£1,500-2,500

289 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

290

Scottish b.1956

£300-500

120

291

PROPERTY OF A NOBLEMAN

292

291 ‡ ANNA GARDINER

292 ‡ ANNA GARDINER

Star (Celia)

All Buttoned Up

Signed, dated and inscribed “STAR” (CELIA)/ OIL ON LINEN 1996 150cm2/Anna Gardiner (to verso) Oil on linen canvas 150 x 150cm Unframed

Signed, dated and inscribed “ALL BUTTONED UP”/oil on linen 1997/W71 x L51cm/Anna Gardiner (to verso) Oil on linen canvas 51 x 71cm Unframed

Provenance: Art First Gallery, London; Property of a nobleman

Provenance: Art First Gallery, London; Property of a nobleman

£200-300

£100-150

293 ‡ MARK JAMES NICHOLLS

294 ‡ MARK JAMES NICHOLLS

C.T.B.S. 15

God, God’s, Ego, I Hallelujah for New Boots and Parties

b.1966

b.1966

293

Contemporary

Signed, dated and inscribed ‘C.T.B.S. 15’/1995/ Mark James Nicholls (to verso) Acrylic on canvas 78 x 87cm Unframed Provenance: Property of a nobleman £100-150

Contemporary

Signed, dated and inscribed ‘God’s, God, ego, I/hallelujah for new boots,/and parties’/1996/’Part Two’/Mark James Nicholls (to verso) Acrylic, oil and marker pen on canvas 121.2 x 106.7cm Unframed Provenance: Property of a nobleman £100-150

294 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY OF A NOBLEMAN

296

295

295 ‡ MATTHEW STONE b.1982

There Shall Be a Bond Between Us Lambda print, from an edition of 7 88 x 69cm Unframed Provenance: Sarah Myerscough Gallery, London; Property of a nobleman

297

296 CONTEMPORARY BRITISH SCHOOL Untitled Signed indistinctly, inscribed and dated ‘UNTITLED’ MAY 95 (to verso) Acrylic on board 60.5 x 61cm Unframed Provenance: Property of a nobleman

£200-300

£100-150

297 CONTEMPORARY BRITISH SCHOOL

298 ‡ AXEL MIRET

Abstract in four sections Mixed media 30.5 x 61cm Unframed Provenance: Property of a nobleman £100-150

French b.1956

La Route Bleue Signed MIRET. (lower right) Pastel 40.5 x 28.7cm Provenance: Property of a nobleman £60-100

298 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

121

122

PROPERTY OF A NOBLEMAN 299 ‡ GAVIN TREMLETT b.1977

Head of a girl Gouache and pencil 51.5 x 42.5cm Provenance: Charlie Smith Gallery; Property of a nobleman £100-150

300 ANDRE DURAND Canadian b.1947

Study of Suleyman, a favourite lurcher Signed with monogram (lower right) and inscribed Suleyman/March 1982 (lower right) Red and white chalk 88 x 69cm

299

Provenance: Property of a nobleman

300

£200-400

301

302

303

301 ‡ ROSIE TATCHELL

302 LILLIAN MAY BEVIS ROWLES

303 ‡ HERBERT JAMES GUNN

Standing nude from the rear

Portrait of a woman

Contemporary

Standing nude Signed Tatchell 09 (lower right) Pencil 49 x 27.5cm Provenance: Property of a nobleman £70-100

act.1914-1918

Inscribed H.L. (upper right) and embossed with E.S.K. stamp (lower centre left) Black chalk and pencil 71 x 44cm Provenance: Property of a nobleman

1893-1964

Signed James Gunn (lower right) Red chalk heightened with white chalk 44.7 x 30cm Provenance: Property of a nobleman £200-300

£70-100 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

DAY 2 Lots 304-643

Lot 347 (detail)

124

304 ‡ SIR HOWARD HODGKIN CH, CBE 1932-2017

Enter Laughing Signed and numbered Hodgkin 21/40 (lower right) Screenprint 50.6 x 76.7cm Unframed £800-1,200

304

305

306

305 LARRY ZOX

306 ‡ SIR TERRY FROST RA

Diamond Drill 3

Christmas Card III

Screenprint in four colours, 1968, one of 15 artist’s proofs aside from the edition of 75 61 x 50cm

Mixed media collage 11.5 x 12.5cm

American 1937-2006

£150-250

1915-2003

Provenance: Thompson’s, Aldeburgh £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

307 ‡ LUDWIG WILDING German 1927-2010

Kinetic object Signed and dated Wilding 67 (lower centre in pencil to card) Screenprint on plexiglass and card 59.5 x 49.5cm £1,500-2,500

308 ‡ PETER SEDGLEY b.1930

Looking Glass Suite VIII Signed and numbered Peter Sedgley 66/75 (lower centre) Screenprint 49.5 x 49.5cm Unframed £400-600

309 ‡ PETER SEDGLEY b.1930

Looking Glass Suite I Signed and numbered Peter Sedgley 70/75 (lower centre) Screenprint 49.5 x 49.5cm Unframed £250-450

307

308 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

309

126

310 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled Signed and dated Gear ‘76 (lower right) Acrylic 37.9 x 48cm £400-600

310

311 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Wales Signed and dated Gear ‘83 (lower right) Mixed media 28.8 x 40.6cm £500-700

311

312 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled Signed and dated Gear ‘70 (lower right) Acrylic 39.3 x 50.8cm £400-600

312 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

313

314

313 ‡ WILLIAM GEAR RA, FRSA, RBSA

314 ‡ WILLIAM GEAR RA, FRSA, RBSA

Untitled

Untitled

Signed and dated Gear ‘80 (lower right) Acrylic 66.3 x 46.7cm

Signed and dated Gear ‘67 (lower right) Watercolour, bodycolour and pastel 39 x 28.6cm

£500-700

£200-300

Scottish 1915-1997

Scottish 1915-1997

315 ‡ DEREK BOSHIER b.1937

Output Signed dated and inscribed Artists Proof Derek Boshier 1966 (to margin) Screenprint and stencil cut-outs on two sheets 46.5 x 81.5cm (image) Unframed £150-250

315 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

128

316 ANDY WARHOL

American 1928-1987

Banana Polaroid photograph, no. FA09.01849, 1977-78 8.2 x 10.5cm Together with a certificate from The Andy Warhol Foundation for the Visual Arts, Inc., confirming the authenticity of this work, dated 4 October 2012 (2) £600-800

316

317

318

317 ROBERT GORDY

318 ROBERT GORDY

Falling women: A study for the Golden Days suite

Women with columns: A study for the Golden Days suite

American 1933-1986

Signed and dated Gordy ‘69 (lower right) Watercolour 76.5 x 56cm Unframed £400-600

American 1933-1986 Signed and dated Gordy ‘69 (lower centre) Watercolour 56 x 76.5cm Unframed £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

319 ‡ RICHARD HAMILTON b.1922

The Solomon R. Guggenheim Lithograph, 1964, colour proof 58.5 x 76.5cm Unframed £1,000-1,500

319

320

321

320 ‡ BEN JOHNSON

321 ‡ DORRIT DEKK

Escalator

The Thames at London

Signed, dated and inscribed 7/15 AP B.J Ben Johnson ‘75 (in pencil to margin), and with Editions Alecto blindstamp Screenprint 66 x 94.5cm Unframed

Signed Dekk (lower left) Collage on board 53 x 81cm

£120-180

£150-250

Welsh b.1946

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Czech 1917-2014

Provenance: Purchased directly from the artist by Ruth Artmonsky

130

322 ‡ PATRICK PROCKTOR RA

323 ‡ PATRICK PROCKTOR RA

The very deep did rot

The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit’s fellow daemons; I pass, like night, from land to land

1936-2003

Signed Patrick Proctor (lower right), and inscribed The very deep did rot/for Joe and Rachel (lower left) Watercolour 87.1 x 56.7cm Unframed £600-800

1936-2003

Four, each signed and inscribed APII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; one 14.9 x 22.5cm (plate) Unframed (4)

324 ‡ SIR PETER BLAKE CBE, RDI, RA

£200-300

b.1932

Red Power Signed and numbered 68/125 Peter Blake (in pencil to margin) Screenprint in colours 44.6 x 28.8cm (sheet) Provenance: The late Greta Morrison, widow of Bryan Morrison; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 300, where purchased by the present private collector

322

323

£200-300

324 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

326

325 ‡ DAVID HOCKNEY OM, CH, RA

326 ‡ DAVID HOCKNEY OM, CH, RA

327 ‡ DAVID HOCKNEY OM, CH, RA

The Haunted Castle (S.A.C 92; M.C.A.T 89)

A Black Cat Leaping (S.A.C 94; M.C.A.T 91)

Study for Rumpelstiltskin

Etching and aquatint, 1969, from ‘Six Fairy Tales from the Brothers Grimm’, Edition A no. 65/100 (according to label) 34.9 x 21cm (plate)

Etching and aquatint, 1969, from ‘Six Fairy Tales from the Brothers Grimm’, Edition A no. 65/100 (according to label) 23.3 x 26.9cm (plate)

£1,200-1,800

£1,200-1,800

b.1937

325

327

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

b.1937

b.1937

Four etchings on one sheet, trial proof, 1972 24.6 x 56.9cm Unframed £800-1,200

132

328

328 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Study for Bruckner; On the Moon; Untitled Three, each signed, dated and inscribed A/P Eduardo Paolozzi 1984 (in pencil to margin) Each etching Largest 49.3 x 36.6cm; Smallest 23.6 x 28cm (plate) Unframed (3) Provenance: Given by the artist to the previous owner; And by descent £400-600

329 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

329

Moonstrips Empire News: Memory Core Units; Cover for a Journal; Ernie and T. T. at St Louis Airport; Secrets of the Internal Combustion Engine Four, each signed Eduardo Paolozzi and inscribed Artists Proof; Artists Proof; 417/500; 463/500 respectively (in pencil) Each screenprint, 1967 Each 37.9 x 25.5cm Unframed (4) £300-500

330 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

General Dynamic F.U.N.: An Empire of Silly Statistics…A Fake War for Public Relations; Inside Down Under… What are the building blocks of structuralism?; Totems and Taboos of the Nine to Five Day; Jesus colour by numbers Four, each signed Eduardo Paolozzi and numbered 22/350; 317/350; 22/350; 22/350 respectivley (in pencil) Each photo-lithograph Two 25.8 x 38.1cm; two 38.1 x 25.8cm Unframed (4) £300-500

330 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

331

332

333

334

331 ‡ PENWITH SOCIETY OF ARTS

332 ‡ ALLEN JONES RA

Penwith Print Room Portfolio: A Spring Collection

b.1937

A Fury for Prints

10 prints plus title comprising Helen Feiler (b.1952), Reflections, screenprint; Michael Foreman (b.1938), Cuckoo, etching; Rose Hilton (1931-2019), The Window, etching; Patrick Hughes (b.1939), Rainbow’s End, screenprint; Bryan Ingham (1936-1997), Spring Evening, etching; Sheila Oliner (1934-2020), Janet, etching and drypoint with hand colouring; Bryan Pearce (1929-2007), Parish Church & Harbour, etching; Lieke Ritman (b.1942), Jollytown Barn, screenprint; Alyson Stoneman (b.1948), Lamorna Spring, etching; Roy Walker (1936-2001), Storm Moon, etching Each signed and numbered 12/75, and variously inscribed and dated Each 52 x 38.5cm (sheet), unbound in a portfolio (10)

Signed, dated and numbered 36/75 allen jones 2003 (in pencil) Screenprint 84.3 x 60cm (sheet)

£300-500

£150-250

335

334 ‡ DAVID LEVERETT

335 R. B. KITAJ RA

State of Change

Rash Act

Signed and inscribed A Merry Christmas/ and a/Happy New Year/from/Breon & Doreen (to label) Collage on paper 15.1 x 11.4cm

Signed and numbered 23/75 David Leverett (in pencil) Lithograph, tusche with splatter, printed in five colours, 1973 71.6 x 91cm (sheet)

Signed and numbered Kitaj 3/30 (lower left in pencil) Lithograph, 1975 73 x 52cm

£200-300

£100-150

333 ‡ BREON O’CASEY 1928-2011

Christmas card

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

1938-2020

American 1932-2007

£700-1,000

134

336

337

338

339

336 ‡ RODERIC BARRETT

337 ‡ JOHN CRAXTON RA

Chairs and Men

Illustrations from The Poet’s Eye

1920-2000

Signed, dated, numbered and inscribed 9/50 Chairs and Men Roderic Barrett 52 (in pencil to margin) Woodcut 26.2 x 20.8cm £150-250

1922-2009

Thirteen, each lithograph Largest 20.3 x 13.5cm; Smallest 11.9 x 13.1cm Unframed (13) £400-600

338 ‡ EDWARD BAWDEN CBE, RA

339 ‡ EDWARD BAWDEN CBE, RA

The Ant and Grasshopper

The Flight from the Enchanter

Signed, numbered and inscribed Aesop’s Fables: Ant & Grasshopper Artist’s proof 12/50 Edward Bawden (in pencil to margin) Linocut 40.4 x 55.9cm Unframed

Signed and inscribed The Flight from the Enchanter.

Edward Bawden (in pencil) Linocut, printed by Philip Bawden in the 1980s under the artist’s direction, a printer’s proof aside from the edition of 15 10.8 x 15.5cm

1903-1989

£500-800

1903-1989

Literature: Edward Bawden, A Book of Cuts (London, Scolar Press, 1979), p.72; Justin Howes, Edward Bawden: A Retrospective Survey (Bath, 1988), no.152; Jeremy Greenwood, Edward Bawden: Editioned Prints (2005), no.44; The present work is part of the design for the cover of Iris Murdoch’s The Flight from the Enchanter (Chatto & Windus, 1956) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

340

341

340A

340 ‡ KEITH VAUGHAN

340A ‡ KEITH VAUGHAN

341 ‡ NORMAN ACKROYD CBE, RA

The Walled Garden

The dancer

Winter Sunlight - Garsington

Lithograph, 1951 38.7 x 49.5cm (image)

With studio stamp (lower right) Pencil, c.1950 19 x 10.8cm

Signed, dated, numbered and inscribed Winter Sunlight - Garsington 35/100 Norman Ackroyd 95 (in pencil to margin) Aquatint 32.4 x 53.9cm (plate)

1912-1977

£800-1,200

1912-1977

Provenance: The Estate of Professor John Ball £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

b.1938

This work was commissioned by the Garsington Opera Company. £250-350

136

342 ‡ CRAIGIE AITCHISON CBE, RSA, RA Scottish 1926-2009

Ram in the moonlight Signed, numbered and dated Craigie Aitchison/66/75 2000/ in white ink to margin, and with Advanced Graphics, London blindstamp Screenprint in colours 51.3 x 43.9cm (sheet) Exhibited: London, Bebb Fine Art, November 2010 £800-1,200

343 ‡ ALAN DAVIE

Scottish 1920-2014

Ghost of a Chance III Signed, dated and numbered 50/75 alan Davie 65 (in pencil), and with Editions Alecto blindstamp Lithograph 63.1 x 90cm Unframed £150-250

344 ‡ EILEEN AGAR RA 1899-1991

Past and Present Signed and numbered 17/75 AGAR (in pencil to margin) Screenprint, 1990 75.7 x 56.8cm (sheet) Provenance: Property of Sir George and Lady Bain £200-300

342

343

344

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

345 ‡ WILHELMINA BARNS-GRAHAM CBE Scottish 1912-2004

Constructed painting (Moonlit) Signed (to verso) Acrylic and collage on board 13.5 x 9.8cm £1,000-1,500

345

346 ‡ LYNN CHADWICK CBE, RA 1914-2003

Group of standing figures Signed, dated and numbered Chadwick 1952 15/50 in pencil to margin Lithograph 24.6 x 38.7cm (image) £600-800

346

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

138

347 (another view)

347 ‡ LYNN CHADWICK CBE, RA 1914-2003

Pair of Cloaked Figures III Each signed dated and numbered C/77/765/5/8 (‘C’ in a triangle, on the underside of each cloak) Bronze Male figure 17.1 x 19cm Female figure 17.5 x 15.5cm (2) Provenance: Purchased at the 1979 exhibition by the previous owner; By whom sold, Christie’s, London, 20th Century British Art, 22 November 2002, lot 70; Osborne Samuel, London, where purchased by the present private collector Literature: Dennis Farr & Eva Chadwick, Lynn Chadwick: Sculptor, With a Complete Illustrated Catalogue 1947-2005 (Aldershot, Lund Humphries, 2006), p.324, no.765 (another cast illustrated)

Exhibited: Londonderry, Keys Gallery, Chadwick Recent Sculpture, March 1979, no. 14, and subsequently at Dublin, The David Hendriks Gallery; Belfast, Arts Council Gallery The present pair are part of a group of cloaked figures that developed from Lynn Chadwick’s Winged Figure series in the 1960s. As Dennis Farr has written ‘in 1976 [Chadwick] evolved striding figures clad in cloaks which, as the idea took hold of his imagination, became ever more voluminous and billow out [sic] in the wind behind them’ (op. cit. p.12). Whilst the pair have an intrinsic stateliness, the cloaks add a sense of movement and dynamism, as they stride forward.

We are grateful to Sarah Chadwick for confirming the authenticity of this work. £30,000-40,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

347

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

140

349

349 MODERN BRITISH SCHOOL Mother and child reclining Terracotta on a wooden base 9 x 25 x 9.6cm (including base)

348

A label to the base reads D. Poposki/MOTHER WITH/CHILD £150-250

348 20TH CENTURY SCHOOL Supine figure Terracotta with painted bronze glaze 20 x 20.7 x 18.7cm Together with 20th Century School; A group of writhing figures; terracotta; 19.5 x 14.5 x 15cm (2) £250-400

350 AFTER THE OMBRA DELLA SERA Cast metal on stone base

351

27.3cm high Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

351 ‡ PERCY BROWN 1911-1996

£100-200

Curved abstract form Signed PERCY BROWN and inscribed indistinctly (to base) Steel and blue paint, on a marble base 36.4cm high (including base) £300-500

350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

352 ‡ WILLIAM PYE b.1938

Hambalt Signed, dated and numbered PYE 1969 4/6 Chrome plated steel 55cm high Provenance: The Estate of Mark Zulli Exhibited: London, Redfern Gallery, William Pye: New Sculpture, 1969 (erroneously listed as an edition of four) £1,500-2,500

352

353 ‡ KENNETH ARMITAGE CBE, RA 1916-2002

Bernadette Going to Wales Stamped KA 1972/77 1/9 (to edge) Painted aluminium with printed image 24.5cm high Literature: James Scott assisted by Claudia Milburn, The Sculpture of Kenneth Armitage (Lund Humphries, London, 2016), cat. no.209 (another cast illustrated) £1,500-2,500

353

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

142

354 ‡ CARL TOMS OBE 1927-1999

The Royal Opera House, Covent Garden Watercolour heightened with gum arabic 66.5 x 46.4cm Unframed £200-300

355 ‡ JAMES HULL 1921-1990

Abstract Signed and dated HUL/VIII89 (lower right) Watercolour 67.8 x 50.8cm £300-500

354

355

356

357

358

356 ‡ STUART WALTON

357 20TH CENTURY SCHOOL

358 ‡ ALICIA BOYLE

b.1933

Palm Tree, Majorca

Street scene Signed and dated WALTON.71. (lower right) Oil on board 44.8 x 29.5cm Together with N. Botting; Studies of a cathedral and the surrounds; signed N. Botting (in pencil to margin); drypoint 45.2 x 29.9cm (plate) (2)

Indistinctly signed, dated 92, and inscribed PALM TREE/MAJORCA (to backing board) Mixed media collage 17.5 x 36.7cm £100-150

Irish 1908-1997

Bishop Gate, Derry Signed with initials AB (lower right), signed BOYLE (to verso), and inscribed BISHOP GATE, DERRY/The Arch Bar and Pet’s Corner/by Alicia Boyle and with artist’s address (to stretcher) Oil on canvas 61 x 51cm £100-200

£100-200 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143

359 ‡ FELIKS TOPOLSKI RA Polish 1907-1989

A view of Carnaby Street; A view of Berwick Street Two, the former signed Feliks Topolski (lower left); the latter signed Feliks Topolski (lower right) Both chalk, pastel and watercolour 44.5 x 29.5cm; 44.2 x 29.9cm (2) £800-1,200

360 ‡ FELIKS TOPOLSKI RA Polish 1907-1989

Study of ballet dancers; Study of a ballet dancer pirouetting, with others watching on Two, the former signed and dated Feliks Topolski 72 (lower right), the latter signed and dated Feliks Topolski/72 (lower left) The former pencil, black marker pen and coloured crayon; the latter pencil, black marker pen and black crayon 35 x 50.4cm; 34.7 x 50cm (2) £1,000-1,500

359

360A

360A ‡ FELIKS TOPOLSKI RA Polish 1907-1989

Theatre design for ‘The Motherly and Auspicious being the life of the Empress Dowager Tzu Hsi in the form of a drama’ Signed and dated Feliks Topolski/45 (lower right) Ink and watercolour 56.5 x 74.9cm Exhibited: London, Leicester Galleries, 1946 A stage design for the play by Maurice Collis (1889-1973) £600-800

360 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

144

361 ‡ PETER HOWSON OBE

362 ‡ JOCK MCFADYEN RA

The Roadsweep

Bethnal Green Santa

Signed and inscribed HOWSON ‘THE ROADSWEEP’ (to verso) Oil on canvas 61 x 50.9cm

Signed, inscribed and dated ‘Santa’ in Bethnal Green ‘90 Jock McFadyen (lower right) Gouache 75.4 x 56.5cm

Scottish b.1958

Provenance: William Hardie Gallery, Glasgow, where purchased by the present private collector Literature: The Independent, 25 January 1993, p.7 (illustrated)

Scottish b.1950

Provenance: William Jackson Gallery, London, where purchased by the present private collector, December 1991 £800-1,200

£2,000-3,000

363 ‡ JOCK MCFADYEN RA Scottish b.1950

Starry Night Signed, dated and inscribed Jock McFadyen 91 Starry Night (upper right) Gouache 75 x 57.4cm Provenance: Beaux Arts, London William Jackson Gallery, London, where purchased by the present private collector, March 1992

361

362

£700-1,000

363 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

365

364

366

364 ‡ JOHN BRATBY RA

365 ‡ JOHN BRATBY RA

366 ‡ JOHN BRATBY RA

Girl in a carved chair

Portrait of a young man in a blue jumper

Self portrait whilst smoking a pipe

Indistinctly inscribed 2* (upper left) Oil on canvas 76 x 51cm

Signed, dated and inscribed John/Bratby Self-Portrait/June 1961 Pencil 35.6 x 46.2cm

1928-1992

Signed BRATBY (lower left) Oil on board, c.1960 121 x 61.5cm Provenance: The Zwemmer Gallery, London; Sotheby’s, 1983, where purchased by the present English private collector £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

1928-1992

£400-600

1928-1992

£300-500

146

367

368

369

370

367 ‡ NINA HOSALI

368 ‡ NINA HOSALI

369 ‡ NINA HOSALI

370 ‡ NINA HOSALI

Live Forms

Light and Dark

Judas

Human Laboratory

Signed with initials NH (upper right), and signed, dated and inscribed Hosali/’68/LIVE FORMS (to verso) Oil on board 153 x 91cm

Signed with initials and dated NH64 (lower left), and inscribed LIGHT AND DARK (to verso) Oil on board 152.7 x 91.7cm

Signed with initals NH (upper left), and signed and dated Hosali ‘66 (to verso) Oil on board 148 x 86.5cm

Signed, dated and inscribed Hosali/’63/HUMAN LABORATORY (to verso) Oil on board 91.5 x 152.8cm

£100-150

£100-150

£100-150

£100-150

1898-1987

1898-1987

1898-1987

1898-1987

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

371

371 ‡ NINA HOSALI 1898-1987

Brund Fell; Reclining figure Two, the former signed Hosali (to verso); the latter signed with initials and dated NH 59 (lower right), and signed and dated Hosali/59 (to verso) Each oil on board Both 61.2 x 122cm (2) £150-250

372 ‡ NINA HOSALI 1898-1987

Spiral State; Children of War Two, the former signed and dated Hosali/1962 (to verso); the latter signed with initials NH (upper left), and signed, dated and inscribed Hosali/’65/ CHILDREN OF WAR (to verso) Each oil on board 102 x 122cm; 92 x 61.3cm (2)

372

£150-250

373 ‡ NINA HOSALI 1898-1987

Floating Forms; Encounter I; Two figures Three, one signed and dated Hosali 58 (upper left); one signed and dated Hosali/’63 (to verso) Two oil on board, one oil on canvas Largest 73.5 x 60.2cm; Smallest 44.7 x 58.6cm One unframed (3)

373

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

148

374 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

The gambler Signed BELLANY (lower right) Watercolour 56.5 x 38.2cm Provenance: Fischer Fine Art Ltd, London; Compass Gallery, Glasgow, where purchased by the present private collector, May 1990 £1,500-2,500

374

375 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Diva Signed Bellany (lower right) and inscribed DIVA (lower centre) Watercolour and pencil 36.5 x 27cm Provenance: Purchased by the present owner at an exhibition in Helmsdale, Scotland, c.2005 £1,200-1,800

375

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

376

376 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Venus of Seton Signed with initials JB (lower right), and signed and inscribed for Peter/’VENUS OF/SETON’/john Bellany (to verso) Oil on canvas 152.5 x 173.7cm Unframed Provenance: Acquired directly from the artist by the present British private collector, 1990 £12,000-15,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

150

377

378

377 ‡ REG BUTLER

378 VALENTIN KHRUSHCH

Study of a crouching nude

Torso

Signed and dated Butler ‘70 (lower right) Pencil and charcoal 64.1 x 83.9cm

Oil on canvas 33.5 x 24.8cm

Provenance: Drue Heinz (1915-2018)

Exhibited: Harrogate, Hatchwell Fine Art and Harrogate Fine Arts, The First Major Exhibition of Russian Paintings in Yorkshire, 27 October - 4 November 1990, no.3

1913-1981

£1,000-1,500

Ukrainian 1943-2005

Provenance: Hatchwell Fine Art, London

£200-400

379

379 ‡ CLIFFORD HALL RBA, ROI

380 ‡ FRANK HASELER

Female nude seated on a bed

Female nude reclinging in front of a dressing table

1904-1973

Signed Clifford Hall (lower left) Oil on board 33.9 x 44.1cm £400-600

1928-1998

Signed and dated Haseler 87 (lower right) Oil on canvas laid on board 50 x 58.5cm Provenance: Bourne Gallery Ltd, Surrey £400-600

380 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

381 ‡ KEN MORONEY

382 ‡ FRANCO MATANIA

The artist’s son

Nude on a sofa

Signed Moroney (lower left) Oil on board 12.8 x 16.6cm

Signed Franco/Matania (lower left) Pastel 34 x 43cm

Provenance: 20th Century Gallery, London

£100-150

b.1949

1922-2006

£300-500

383 ‡ SONIA LAWSON RA, RWS, RWA b.1934

Portrait of a lady in a purple dress and turban Signed sonialawson (lower right) Watercolour 15.1 x 12.5cm

384 ‡ ROBIN GUTHRIE 1902-1971

Study of a girl paddling Signed with initials R.G (lower right) Watercolour over pencil 49 x 28cm

381

£100-150

£100-200

385 COLIN GARLAND Australian b.1935

Figure with a red collar Signed and dated Colin/Garland/60 (lower right) Mixed media 45.7 x 37.2cm £100-150

382

383

384

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

385

152

386 LEONARD CREO

American 1923-2019

Three little girls; Child with towel Two, both signed Creo (lower right) The former oil on board, 1965; the latter oil on canvas, 1967 30.7 x 40.9cm; 22.2 x 22.3cm (2) Provenance: Both with Portal Gallery, London, where purchased by the present private collector, the latter in March 1968 £400-600

387 LEONARD CREO

386

American 1923-2019

On the lake Signed Creo. (lower right) Oil on canvas 70.8 x 91cm Provenance: Sands Gallery, Harrogate, where purchased by the present private collector, May 1972 £200-300

388 ‡ EMMANUEL BELLINI French 1904-1989

Calèche à Cannes Signed E. Bellini (lower right), and signed and inscribed AHBi/Calèche à Cannes/E. Bellini (to verso) Oil on canvas 65 x 54cm Provenance: Galerie Gantois, Cannes, where purchased by the present private collector, August 1995 (a certificate of authenticity from Galeries Gantois, and a photograph signed by the artist’s daughter confirming the authenticity, accompany this work)

387

£200-300

389 ‡ EMMANUEL BELLINI French 1904-1989

Joueurs de boules Signed and dated E Bellini/49 (lower left), and signed and inscribed No 70/Joueurs de Boules/E. Bellini (to verso) Oil on board 23.7 x 19.2cm Provenance: Galerie Gantois, Cannes, where purchased by the present private collector, August 1995 (a certificate of authenticity from Galeries Gantois, and a photograph signed by the artist’s daughter confirming the authenticity, accompany this work) £150-250

388

389 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

391

390 ‡ CAREL WEIGHT CH, CBE, RA 1908-1997

Warm & Dry Signed Carel Weight (lower left) Oil on board 30.6 x 21.8cm Provenance: Brandler Galleries, Essex, where purchased by the present owner, February 2002 £600-800

391 ‡ ANTHONY GILBERT 1916-1995

Profile with bouffant hair Watercolour and pencil, heightened with gum arabic 9 x 10.7cm Provenance: Messum’s, London, where purchased by the present private collector, April 2014 Exhibited: London, Messum’s, Anthony Gilbert 2014: Works from the Studio, no. 82 £200-300

392 20TH CENTURY SCHOOL

390

Bird on a branch Signed M(?)oati (lower right) Pastel 41.7 x 31cm Together with 20th Century School; Man on a donkey; indistinctly signed and dated 77 (lower right); mixed media; 41.7 x 31cm (2) £100-200

393 ‡ LESZEK MUSZYNSKI Polish 1923-2012

Three women in a village Oil on canvasboard 21.5 x 16.5cm Provenance: Ashgate Gallery, Farnham; Sir John Verney Bt; And by descent £400-600

392

393

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

154

394 ‡ MICHAEL ROTHENSTEIN RA 1908-1993

The awakening Signed M. Rothenstein (upper right) Watercolour 47.6 x 60cm Provenance: Bonhams, Knightsbridge, Modern Pictures and Illustrations, 19 May 2009, lot 141; Goldmark Gallery, London £800-1,200

394

395

396

395 ‡ CERI RICHARDS

396 ‡ ALAN SORRELL

St. Veronica wipes the face of Jesus

Study for the mural at the head office of Bovril Ltd

Signed Ceri Richards (lower left) Pen and ink, and wash 27.9 x 55.9cm

Watercolour, bodycolour and pencil 23 x 47cm

Welsh 1903-1971

£600-800

1904-1974

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

397

397 ‡ EDWARD BURRA 1905-1976

Fruit and Flowers Stamped signature E.J. Burra (lower right) Black ink and watercolour, c.1965-67 44.6 x 79.5cm Provenance: Archeus Fine Art, London; Sotheby’s, London, Modern British & Irish Paintings, Drawings And Sculpture, 1 October 1997, lot 120; Bonhams, London, 20th Century British Art, 8 March 2005, lot 57; Christie’s, London, 20th Century British Art, 17 November 2006, lot 85 Literature: A. Causey, Edward Burra Complete Catalogue (Oxford, 1985), no. 328 (illustrated) Exhibited: London, Lefevre Gallery, Recent Works by Edward Burra, April - May 1967, no. 12 £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

156

398

398 ‡ FRED CUMING RA b.1930

Low tide, late evening Signed Cuming (lower left) Oil on canvasboard 30.5 x 61cm

400 ‡ EDWARD SEAGO RBA, ARWS, RWS 1910-1974

Morning Sunlight, Ponza

£2,500-3,500

Signed Edward Seago (lower left), and inscribed Morning Sunlight Ponza (to verso) Watercolour and pencil 16.8 x 25.4cm

399 ‡ RICHARD BAWDEN

Provenance: M. Newman Ltd., London

b.1936

£800-1,200

Nude climbing a staircase Signed and dated Richard Bawden/2008 (lower right) Watercolour and pencil 64.8 x 48cm

401 ‡ KIT BARKER 1916-1988

A label on the reverse identifies the pictures hanging on the walls of the staircase, including works by Anthony Gross, Peter Freeth and Fred Cuming.

The Seine, Les Andelys

£400-600

Provenance: Arthur Tooth & Sons Ltd, London

Signed, dated and inscribed Barker 72/THE SEINE, LES ANDELYS (to verso) Oil on canvas 61 x 111.4cm

£400-600

399 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

400

401

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

158

402 ‡ BARBARA JONES

403 ‡ BARBARA JONES

View of a castle

Christ’s Hospital Girls’ School, Hertford

1912-1978

Signed and dated Barbara Jones ‘53 Watercolour and bodycolour 39.7 x 54.5cm Provenance: Acquired directly from the artist’s studio, Hampstead £200-300

Signed and inscribed Christs Hospital Girls School/Hertford/ Barbara Jones (to backing board) Watercolour and pencil 34 x 45.7cm Provenance: Commissioned for Shell-Mex & B.P. (job sheet to backing board); The Shell-Mex & B.P. Advertising Archive £150-250

402

403

404

405

406

404 ‡ BARBARA JONES

405 ‡ GYRTH RUSSELL RI, ROI, RSMA

1912-1978

1892-1970

Luqa Inscribed Sergeants Quarters/Luqa Malta (lower right) Watercolour 33.4 x 48.3cm Provenance: Acquired directly from the artist’s studio, Hampstead (estate stamp to verso) £150-250

1912-1978

Boverton Castle Signed indistinctly (lower right) Oil on board 30.6 x 40.8cm £200-300

406 ‡ MICHAEL LONG b.1940

Sunlight after the storm Signed and dated Michael Long 62 (lower right) Oil on canvas 51 x 76.3cm Provenance: Frost & Reed £80-120

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

407

408

409

407 ‡ MICHAEL RANDALL 1947-2000

Mudlarks Signed with initials and inscribed MR 299 “MUDLARKS” (to backing board) Oil on board 47.5 x 60cm £400-600

408 ‡ JOHN ALDRIDGE RA 1905-1983

Two views of San Severo, Italy Signed and dated twice J. Aldridge July 1944 (lower and centre right), and inscribed San Severo (lower left) Pen and ink, and wash 33.2 x 23.6cm Provenance: Abbott and Holder, London; Private Collection £150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

410

409 ‡ ROBERT BUHLER RA

410 ‡ J. P. NELSON

Snow, Borden Wood

Thames view near Battersea Power Station

1916-1989

Signed Buhler. (lower right) Oil on canvas laid down on board 38 x 45cm £400-600

20th Century

Signed JPNelson. (lower right) Watercolour with pencil 27.4 x 37.8cm £150-250

160

411 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

Iver Grove, Buckinghamshire Signed and dated HUGH CASSON ‘81 (lower right) and inscribed Iver Grove.

Iver (lower left) Watercolour 31.8 x 48.9cm Provenance: Abbot and Holder, London Iver Grove was once the home of Tom and Miriam Stoppard. £300-500

411

412

412 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

Children of the Castle Signed with initials and inscribed HC./”Children of the Castle…” (lower centre) Watercolour and pencil 33 x 24.1cm Provenance: Thompson’s, Aldeburgh, where purchased by the present private collector, June 2010 £250-350

413 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

Picnic Interval; Garden Gate, Warham

413

Two, the former signed with initials H.C. (lower right) and inscribed Picnic Interval. (lower left); the latter signed with initials HC (lower right) and inscribed Garden Gate/Warham (lower left) Both watercolour and pencil 9.9 x 11.8cm; 12.8 x 7.8cm (2) Provenance: Picnic Interval with Thompson’s Aldeburgh, where purchased by the present private collector May 2011; Garden Gate with Thompson’s, London, where purchased by the present private collector March 2009

414

Exhibited: Garden Gate: London, Thompson’s, Unseen Works from the Studio of Sir Hugh Casson, 19-29 March 2009

414 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

Anderson shelter; Broadwalk, Rivington Garden Two, the former signed and dated HUGH CASSON 1946. (lower right); the latter signed with initials H.C. (lower right) The former pastel; the latter watercolour, and pen and ink 12 x 19.7cm; 10.8 x 18.2cm (2)

Provenance: Both with Thompson’s London, where purchased by the present private collector, March 2009

£200-300

Exhibited: Both London, Thompson’s, Unseen Works from the Studio of Sir Hugh Casson, 19-29 March 2009 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

415

415 ‡ PAUL MAZE

416 ‡ SUSAN FRENCH

Guards on parade

The church of St. Mary and St. Lawrence, Stratford Tony, Wiltshire

French 1887-1979 Signed with initials P.M. (lower right) and indistinctly inscribed (upper right) 11 x 31.3cm Provenance: Thompson’s, Aldeburgh, where purchased by the present private collector, May 2011 £300-500

20th Century

Signed Susan French (lower left) and signed and inscribed Wiltshire Churchyard/by/Susan French (to verso) Oil and pencil on board 61.3 x 76cm Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 13 December 2016, lot 179 £300-500

416

417 ‡ BERNARD DUFOUR French 1922-2016

Young women boating; Young women in an alleyway SaintTropez; A view of Antibes; Boats on the shore, Antibes Four, each signed Bernard Dufour Three oil on canvas, one oil on canvasboard Largest 47.1 x 37.2cm; Smallest 45.6 x 37.6cm (4) £200-300

417 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

162

418

419

418 PHYLLIS DEL VECCHIO

419 ‡ HOWARD DEVONALD

420 LUDMILA JANOVSKA

Landscape shrouded in mist

Landscape at dawn

View of the Vltava, Prague in winter

Signed DelVecchio (lower right) Watercolour heightened with white 36.8 x 54.7cm

Signed Howard Devonald (lower left) Oil on canvas 46.1 x 61cm

Signed L. Janovska (lower right) Pastel 42 x 63cm

£300-500

£100-150

£100-150

American Contemporary

20th Century

Yugoslavian b.1907

421 ‡ HANS JAENISCH German 1907-1989

Sturmgeist; Heiter am Zaun Two, both signed Jae (lower right) The former watercolour on silk; the latter watercolour on paper 13.5 x 22.5cm; 15.8 x 22.4cm (2) Provenance: Both with The Stone Gallery, Newcastle upon Tyne £200-300

420

421 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

422

423

422 ‡ MARTIN BRADLEY

423 ‡ HENRI ERNST PFEIFFER

424 MARGO VEILLON

425 ‡ ALISTAIR GRANT

Cart 1

Abstract in pink, purple and blue; and further abstract works

View of the River Nile through the trees

Rome

Ten, each signed with initials HP and dated, and further certified by the artist to the reverse Each watercolour Largest 47.7 x 32cm; Smallest 45 x 32cm Unframed (10)

Signed and dated margo Veillon 1962 (lower right) Watercolour and bodycolour 48.6 x 69.9cm

b.1931

Signed MB 1965 (lower left) Watercolour 77 x 56cm Provenance: Ewan Phillips Gallery, London £600-800

German 1907-1994

Swiss 1907-2003

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Signed and inscribed ALISTAIR/ GRANT/”ROME” (to verso) Oil on canvas 45.5 x 51cm Provenance: Art First, London £300-500

£800-1,200

424

1925-1997

425

164

426 ‡ JOHN RIDGEWELL 1937-2004

A Yorkshire coastal town Signed and dated JRidgewell 66 (lower right) Oil on canvas 71.2 x 91.4cm Provenance: The New Art Centre, London £600-800

426

427 ‡ AUSTIN OSMAN SPARE 1886-1956

Mountain range Signed with initials and dated AOS 55 (lower left) Pastel 58 x 46.5cm Provenance: Christie’s, South Kensington, 9 May 1977, lot 363, where purchased by the previous owner; By whom sold, Roseberys, London, 25 April 2015, lot 363 £1,000-1,500

428 ‡ AUSTIN OSMAN SPARE 1886-1956

The boxer Charcoal and pastel, c.1953 41.3 x 34.4cm Provenance: Acquired by the previous owner in the 1980s; By whom sold, Christie’s, London, Modern British & Irish Art, lot 116

427

£5,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

428

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

166

430

429 ‡ SANDRA BLOW RA

430 ‡ MARK LANCASTER

Abstract in browns

Henry VI Suite: I; II; III

Signed and dated Blow ‘97 (lower left) Gouache 30.9 x 24cm

Three, each signed Mark Lancaster, titled, dated 71, and numbered 26/40; 20/40; 14/40 respectively (in pencil), and blindstamped Each lithograph Each 59.5 x 79.5cm (3)

1925-2006

£600-800

b.1938

£150-250

429

431 ‡ CHARLES BARTLETT 1921-2014

Ships at Anchor; Evening Anchorage Two, the former signed, numbered and inscribed 42/60 “Ships at Anchor” Charles Bartlett (in pencil to margin), and with Gorner & Millard blindstamp; the latter signed and inscribed Artist’s Proof Evening Anchorage Charles Bartlett (in pencil to margin) Both etching and aquatint 41.2 x 55.4cm; 40.2 x 45.2cm (plate) Unframed Together with Didier Moreau (French 20th Century); L’amour angélique; signed Didier Moreau (in pencil); lithograph; 47.6 x 64.7cm; unframed (3) £150-250

431

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

432 ‡ HENRY MOORE OM, CH 1898-1986

M Signed and dated Moore 50 (lower right) Watercolour and pencil 15.2 x 12.8cm Provenance: Christie’s, London, Impressionist & Modern Paintings, Drawings & Sculpture, 24 May 1990, lot 174, where purchased by the present private collector This drawing is recorded in the Henry Moore Foundation Archives under no. HMF 2573A. £2,000-3,000

433 ‡ MARINO MARINI Italian 1901-1980

Aquarius Signed MM (lower right in blue) and inscribed P.A. (lower left in pencil) Lithograph, 1978 53 x 41cm (image) Unframed £500-700

434 ‡ ROY TURNER DURRANT 1925-1998

Untitled Inscape Signed, dated and inscribed with reference number 11R410/I. VII 63/durrant (lower right) and inscribed 11/410 Untitled Inscape to mount Watercolour 34.1 x 42cm £400-600

433

432

434

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

168

435

436

437

435 ‡ JULIAN TREVELYAN RA

436 ‡ MARY FEDDEN OBE, RA, RWA

437 ‡ MARY FEDDEN OBE, RA, RWA

Self-Portrait

Cormorant

The cake shop

Signed, numbered and inscribed 98/100 Self-Portrait Julian Trevelyan (in pencil to margin) Etching and aquatint, from the Florentine suite, 1965-6 47.7 x 35.1cm Unframed

Signed and dated Fedden ‘01 (lower left) Pencil 53 x 37.3cm

Signed and dated Fedden 1971 (lower right) Pencil 66.4 x 46.1cm

£800-1,200

£1,000-1,500

1910-1988

1915-2012

1915-2012

£400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

438

438 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Masque at Strawberry Hill Signed Fedden 1990 (lower right) Oil on canvas 61.3 x 76cm Literature: Christopher Andreae, Mary Fedden: Enigmas and Variations (Farnham, Lund Humphries, 2007), p. 72, no. 75 (illustrated) Exhibited: Bristol, Royal West of England Academy, Mary Fedden: A Retrospective, 23 June - 13 July 1996, no. 71 £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

170

439

439 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Landscape with a reclining female nude, lions and zebras Signed and dated Fedden 1955 (lower left) Oil on board 32 x 51.5cm

Provenance: Sir John and Lady Verney; And by descent Mary Fedden and her husband Julian Trevelyan were great friends with Sir John and Lady Verney.

According to Fedden ‘we met first, I think, just after we were together… and have been great friends of theirs ever since… I’m godmother to the youngest, and we were great friends with all of them as a tribe, the parents and the children’ (Mary Fedden interviewed by Mel Gooding, 19 January 1991).

440 ‡ MARY FEDDEN OBE, RA, RWA

441 ‡ MARY FEDDEN OBE, RA, RWA

What Are You Like

The Orange Mug

Signed and numbered Mary Fedden 27/50 (in pencil to margin) Reproduction print 36.2 x 50.5cm (sheet) Unframed

Signed and numbered 485/500 Fedden (in pencil to margin), and with Bow Art blindstamp Reproduction print 32 x 40.5cm (sheet) Unframed

1915-2012

£200-300

1915-2012

£200-300

£6,000-8,000

440

441 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171

442

442 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Cat and a pineapple in a landscape Signed and dated Fedden 1981 (lower left) Gouache 54.3 x 74.2cm Provenance: Hansons, Derbyshire, Decorative Arts and Design, 21 February 2018, lot 434 £6,000-8,000

442A ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with fruit, a jug and a butterfly on a tabletop Signed and dated Fedden 1973 (lower left) Pencil 55.9 x 76.2cm £1,500-2,500

442A Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

172

443 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

The Fish Signed and dated ‘09/ Fedden (lower left) Oil on canvas 40.5 x 56cm Literature: José Manser, Mary Fedden and Julian Trevelyan: Life and Art by the River Thames (Unicorn Press, 2012), p.201 (illustrated) £3,000-5,000

443

444 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

The Black Lemon Signed and dated 1977 Fedden (lower left) Gouache, watercolour and pencil 67.2 x 46.8cm Provenance: Sir John and Lady Verney; And by descent to the present owner Exhibited: London, New Grafton Gallery, 1 December 1977, cat. no. 32 Mary Fedden and her husband Julian Trevelyan were great friends with Sir John and Lady Verney. According to Fedden ‘we met first, I think, just after we were together… and have been great friends of theirs ever since… I’m godmother to the youngest, and we were great friends with all of them as a tribe, the parents and the children’ (Mary Fedden interviewed by Mel Gooding, 19 January 1991). £3,000-5,000

444 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

445 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with a pineapple, two pears and an apple Signed and dated Fedden 09 (lower right) Oil on canvas 40.6 x 50.7cm £4,000-6,000

445

446 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with an artichoke and fruit in a landscape Signed Fedden (lower right) Watercolour, bodycolour and gum arabic 37.5 x 48.3cm Provenance: Duke’s, Dorchester, 14 September 2017, lot 874 £2,000-3,000

446 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

174

447

448

447 BERNARD MENINSKY 1891-1950

Still life with a loaf of bread and a knife on a platter Signed Meninsky (to verso) Oil on canvas 46 x 61cm £400-600

448 ‡ MURIEL PEMBERTON RWS 1909-1993

Still life with fruit on a kitchen table Oil on canvas 39 x 49.4cm Provenance: The artist’s estate; Chris Beetles, London £100-200

449 VESTEY RICH 20th Century

The golf bag Signed -Vestey Rich (lower right) Oil on board 49.2 x 39.5cm £100-200

449

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

450 ‡ MAXWELL ASHBY ARMFIELD RWS 1881-1972

The pink lustre set Signed with monogram and numbered p518 (to a cup) Tempera on board 26.6 x 33.1cm Provenance: The Fine Art Society, London, May 1984 £2,000-3,000

450

451 ‡ JOHN KASHDAN 1917-2001

Boy with Bird Signed Kashdan (lower left) Oil on canvas, c.1949 51.3 x 61.5cm Exhibited: London, England & Co., John Kashdan Monotypes & Paintings: 1940-1955, October 1989, cat. no. 23 £1,000-1,500

451 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

176

452 ‡ ELISE BYE-RAWSON 20th Century

Spray of flowers with a harbour beyond Signed and dated E Bye-Rawson/19*7 (lower right) Oil on canvas 61 x 50.9cm £200-300

453 ‡ CATHLEEN MANN 1896-1959

Still life with flowers in a vase Oil on canvas 61.2 x 51.3cm Exhibited: London, The Chelsea Arts Society

452

453

454

455

454 ‡ PAMELA DAVIS

455 ‡ JAMES NOBLE

Still life with anemones and jasmine in a jug

Spring flowers

Signed -Pamela Davis- (lower left) Gouache 25.5 x 19cm

Signed James Noble (lower left) Oil on canvas, 1976 40.5 x 30.5cm

£100-150

£200-300

1927-2019

£300-500

1919-1989

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

177

456

457

456 ‡ HERBERT DAVIS RICHTER 1874-1955

In the looking glass Signed H Davis Richter (lower right) and inscribed with the artist’s address (to stretcher) Oil on canvas 61.1 x 50.5cm Provenance: Bonhams, London, European, Victorian and British Impressionist Art, 25 November 2014, lot 470 £1,000-1,500

457 ‡ GERALD A. COOPER 1898-1975

Still life with flowers in a glass vase on a marble ledge Signed Gerald Cooper (lower right) Oil on panel 49 x 39.5cm Provenance: Haynes Fine Art, Broadway £1,500-2,500

458 ‡ WILLEM DOLPHYN

458

Belgian 1935-2016

Still life with coffee pot and apricots on a table Signed and dated WDolphyn 2010 Fecit (lower left) Oil on board 38.5 x 48.5cm

Provenance: Gladwell & Patterson, London; Private Collection, Dorset £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

178

459

459 ‡ DAVID SHEPHERD CBE, FRSA 1931-2017

Lion Signed Da**Shepherd (lower right), signed and dated 2001/DAVID SHEPHERD (to verso), and inscribed to Emma - with love and best wishes/from David (to frame) Oil on canvas 10.5 x 12.6cm Provenance: Given to the present owner by the artist as an 18th birthday present £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179

460 ‡ DORIS ZINKEISEN Scottish 1898-1991

Riding near Windsor Signed Doris Zinkeisen (lower right) Oil on canvas 63.5 x 76.5cm Provenance: Christie’s, London, Twentieth Century British Art, 6 December 2001, lot 42 £800-1,200

460

461 ‡ DORIS ZINKEISEN Scottish 1898-1991

Miss Hennesey on her hunter Signed Doris Zinkeisen (lower right) Oil on canvas 71.2 x 91cm Miss Margaret “Moggy” Hennesey was a successful trainer and exhibitor of horses. £700-1,000

461 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

180

462

462 ‡ MANOLO RUIZ PIPÓ

463 ‡ NICHOLAS TOLLEY

464 ‡ ALAN BRASSINGTON

The parade ring at Longchamp

A jockey in purple and yellow preparing to mount a chestnut racehorse

Maramito, a Grey Andalusian

Spanish 1929-1998

Signed and dated Ruiz Pipó 62 (lower right) Oil on canvas 50.4 x 65.5cm £700-1,000

b.1958

Signed Nicholas Tolley (lower left) Mixed media on board 93 x 115.5cm

Irish b.1959

Signed and dated A. BRASSINGTON 95 (lower right) Watercolour and pencil 30.2 x 41.7cm Provenance: The Park Gallery, London

£500-700

£300-500

463

464 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

181

465 ‡ ALAN BRASSINGTON Irish b.1959

Before the Grand National Signed and dated a. BRASSINGTON 02 (lower left) Watercolour and pencil 46.75 x 29cm Provenance: The Park Gallery, London £300-500

466 ‡ ALAN BRASSINGTON Irish b.1959

Study of a jockey Signed a. Brassington (lower right) Pastel and pencil 77 x 53.5cm £400-600

467 ‡ ALAN BRASSINGTON

465

466

Irish b.1959

Jockey on the scales at Layton Signed A. Brassington (lower left) Watercolour and pencil 59 x 46.7cm £400-600

468 ‡ ALAN BRASSINGTON Irish b.1959

Parade ring, Royal Week, Ascot Signed with monogram AB (lower right) Oil on panel 58.7 x 56.5cm Provenance: The Park Gallery, London £500-800

467

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

468

182

469

469 ‡ FERDINAND

470

20th Century

470 ‡ PETER PARTINGTON SWLA

A pheasant takes flight

b.1941

471 ‡ PETER PARTINGTON SWLA

Geese in flight

Terns

Signed Ferdinand (lower right) Oil on canvas 61 x 46cm

Signed and dated Peter Partington/87 (lower right) Watercolour 45 x 47cm

Signed Peter Partington (lower centre) Watercolour 20.4 x 14.6cm

£200-400

£200-300

£100-150

471

b.1941

472 ‡ BRYAN REED b.1934

Bitterne Signed Bryan Reed (lower left) Bodycolour 58 x 36cm Together with David Hankinson (1928-2011);

Dried bulbs; signed with initials and dated DH/70 (lower right); watercolour and bodycolour; 44 x 34cm (2) Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall £150-250

472 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183

473 ‡ JOHN CYRIL HARRISON 1898-1985

Golden Eagle taking off Signed J.C. Harrison. (lower right) Watercolour 59.4 x 44.8cm Provenance: Bonhams, London, Thorburn’s Legacy, 26 November 1998, lot 174, where purchased by the present private collector Literature: J. C. Harrison, Bird Portraits (London, 1949), plate 1 £2,500-3,500

474 ‡ HRH THE PRINCE OF WALES b.1948

Balmoral Signed with initial, numbered, dated and inscribed 125/295 Balmoral C’91 (in pencil), and with three blindstamps Lithograph in 12 colours, published by Anna Hunter and Guy Thompson 30.8 x 44.9cm (image) Together with a certificate signed by the publishers (2) £200-300

475 ‡ JULIAN WILLIAMS b.1953

Geese Signed and numbered 54/100 (in pencil to margin) Etching and aquatint 19.4 x 64.1cm (plate) £100-150

473

474

475

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

184

476

477

476 ‡ CECIL ROCHFORT D’OYLY-JOHN 1906-1993

Le Lavandou, near Toulon Signed DOYLY-JOHN (lower right) and inscribed Le Lavandou/near Toulon/South Coast/France (to verso) Oil on canvas 30.6 x 51.2cm Together with Philip Kelleway & Paul Mayhew, D’Oyly-John: Living in the Sun (Halstar Ltd, 2012) (2) Literature: Philip Kelleway & Paul Mayhew, D’Oyly-John: Living in the Sun (Halstar Ltd, 2012), p.138 (illustrated) £400-600

478

479

477 FRENCH SCHOOL

478 ‡ NICK ANDREW

Bouquinistes by the Seine, Paris, Notre Dame beyond

Les Tuilleries, Paris

20th Century

Oil on canvas 46.1 x 61cm Unframed £300-500

b.1957

Signed and dated Nick Andrew ‘89 (lower left) Acrylic on paper 38 x 28.5cm £200-300

479 ‡ NICK ANDREW

480 ‡ VINCE PETERSEN

Field in spring

Grazing by the River Otter

Signed and dated Nick Andrew ‘89 (lower left) Acrylic on paper 25.5 x 25.5cm

Signed Vince Petersen (lower right) Oil on board 30.2 x 40.8cm

b.1957

£100-150

b.1945

480

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185

481

482

481 ‡ JOYCE PALLOT 1912-2004

Farm at Brightlingsea Signed JOYCE PALLOT (lower left), and signed and inscribed Brightlingsea/Joyce Pallot (to verso) Oil on canvas 48.6 x 61.6cm Provenance: Glyn Morgan (1926-2015) £400-600

482 ROSITA MANSER

South African 20th Century

Dusk near Franschhoeck Signed Rosita Manser (lower right) Acrylic on canvas 65 x 84.8cm £200-300

483

483 S. CLOSE

20th Century

A village by a river Signed Oil on board 30 x 41cm £100-150

484 ‡ JOHN THIRLWALL b.1943

Ducal Palace Gardens, Mantua Signed and dated Thir ‘98 (lower left), and inscribed John Thirwall/Ducal Palace Gardens/Mantua ‘98/Thir. (to verso) Oil on canvas 53.8 x 69cm £200-400

484 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

186

485

486

485 YAKOV BESPERSTOV

486 RUSSIAN SCHOOL

487 YAKUP ABBASI

488 ASIAN SCHOOL

Evening on the Volga

Portrait of a woman, bust-length, in a fur hat

A man carrying a carpet; A man with a staff

Washerwomen by the river

Signed NicoJ (upper left) Oil on canvas 38.4 x 30.8cm Unframed

A pair, both signed in Arabic (lower left) Both watercolour heightened with gilt Each 14.3 x 10.3cm (2)

Russian 1929-1998

Signed in Cyrillic (lower left), and further inscribed in Cyrillic and dated 1980 (to verso) Oil on board 32.2 x 42.5cm Unframed £200-300

487

20th Century

£300-500

Iranian b.1948

20th Century

Signed indistinctly (lower left) Oil on canvas 43.1 x 24.3cm £100-200

£100-150

488 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

187

489 SHEN MING CUN Chinese b.1956

Day at the horsefair Signed and dated Shen Mingcun/1998.6 (lower right) Oil on canvas 72.5 x 91.5cm Provenance: Bonhams, Bath, Paintings and Works on Paper, 12 December 2005, lot 39 £2,000-3,000

489

490 SHANSHAN SHENG Chinese b.1957

Enlightenment of Amber Signed S. Sheng (lower left), signed and dated Shan-shan Sheng 1994 and inscribed in Chinese (to verso) Oil on canvas 95.4 x 117cm Provenance: East West Fine Art, San Francisco £1,500-2,500

490 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

188

491 ‡ ANNE GRAHAM b.1925

The bead dancers Signed Anne Dunbar Graham ‘74 (lower right) Enamel and shellac on gold foil paper on board 67.1 x 90cm £400-600

491

492 CONTINENTAL SCHOOL

492

20th Century

Two women and a child on a beach Oil on canvas 52.8 x 48cm £200-300

493 MURLI LAHOTI Indian b.1943

Clouds over a landscape Signed LAHOT! (centre left), and further signed LAHOT! (to verso) Oil on canvas 121.5 x 152.5cm Provenance: Property of Sir George and Lady Bain £100-150

493

494

495

494 DATTAPRASANNA RANE

495 ‡ JEREMY GARDINER

The Man with Cockerel; The Woman

Tilly Whim; Seacombe, Dorset

A pair, both signed Rane/92 (lower right), and signed, titled, dated and further inscribed (to verso) Both oil on canvas Each 152 x 75cm (2)

A pair, both signed, dated and inscribed 1/1 Monoprint Jeremy Gardiner 2005 and additionally titled in pencil to margin Both intaglio monoprints Each 8.5 x 46.7cm (2)

Indian b.1952

Provenance: Property of Sir George and Lady Bain £200-400

b.1957

Provenance: Both with Foss Fine Art, London £300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

189

496

497

496 ‡ HANS SCHWARZ

497 ‡ NORMAN STEVENS ARA

View from My Studio

Cow parsley and farm buildings

Austrian 1922-2003

Signed and dated H Schwarz/87 (lower left) Watercolour 127.8 x 97.2cm Provenance: Thackeray Gallery, London, where purchased by the present private collector, March 1988 Exhibited: London, Thackeray Gallery, Hans Schwarz: Watercolours, February-March 1988, no. 16 £400-600

1937-1988

Oil on board, 1984 29.8 x 24.4cm Provenance: The Redfern Gallery, London, where purchased by Professor John Ball, July 2008 Exhibited: London, The Redfern Gallery, Norman Stevens ARA 1937-1988: An English Landscape, 1989 (cat. no. 12); London, The Redfern Gallery, The Norman Stevens Tribute Exhibition, 2008 (illus. cat.); Bradford College, Dye House Gallery, Norman Stevens ARA: Painter and Printmaker, 2014 £600-800

498

498 ‡ LIONEL BULMER 1919-1992

Landscape with Walberswick in the distance Signed L. Bulmer (lower left) Oil on board 39.6 x 49.3cm £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

190

499

500

499 ‡ ALAN COTTON b.1938

Provence - Valley Farm Signed Alan Cotton (lower right) Oil on canvas 31 x 30.5cm £300-500

500 ‡ ALAN COTTON b.1938

Reflections in the lake at Killarney 501

Signed and dated Alan Cotton 1970 (lower left), and variously inscribed to stretcher Oil on canvas 35.5 x 51cm £300-500

501 ‡ CHARLES WYATT WARREN Welsh 1908-1993

Snowdon from Llyn Padarn, Wales Signed Chas. Wyatt Warren (lower left) Oil on board 24 x 54cm £200-300

502 ‡ CHARLES WYATT WARREN 502

Welsh 1908-1993

Beddgelert in Snowdonia, Wales Signed Chas. Wyatt Warren (lower left) Oil on board 24 x 54cm £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191

503 ‡ MARKEY ROBINSON Irish 1918-1999

Shoreline Signed Markey (lower left) Oil on board 19.4 x 19.4cm Provenance: The Solomon Gallery, London £600-800

504 ‡ SIMEON STAFFORD b.1956

Boats Returning Signed Simeon (lower left), and inscribed 10.210 Boats Returning (to verso) Oil on board 30.3 x 40.4cm Provenance: Thompson’s, London, where purchased by the present private collector, March 2011 £400-600

505 ‡ SIMEON STAFFORD b.1956

Ruby and Dad Signed and dated Simeon/04.5.9 (upper right) and inscribed ***/Ruby and Dad (to verso, partially hidden by label) Oil on board 25.3 x 20.1cm Provenance: Thompson’s, London, where purchased by the present private collector, June 2010

503

£200-300

504 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

505

192

506 ‡ DONALD MCINTYRE RCA 1923-2009

Aberayron harbour Signed DM’INTYRE- (lower left) Oil on board 100.4 x 62.5cm Provenance: Bonhams, Bath, Paintings & Works on Paper, 17 July 2006, lot 5 Exhibited: Society of Marine Artists (label to verso) £2,000-3,000

506 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

507

507 ‡ DONALD MCINTYRE RCA 1923-2009

Mersea Island, Essex Oil on board 44.8 x 70.2cm Together with a letter from the artist to the previous owner confirming the authenticity and location of the work, 3 October 1991 (2) Provenance: Albany Gallery, Cardiff, 1973 £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

194

508 VENETIAN SCHOOL 20th Century

Venetian view with figures outside a palazzo; Venetian view with boats on the lagoon A pair, both indistinctly signed (lower right) Both oil on canvas Each 24.2 x 49.3cm (2) £800-1,200

508

509

510

509 ‡ MARTIN YEOMAN

510 ‡ MARTIN YEOMAN

Venetian canal with gondolas

Santa Maria della Salute, Venice

Signed Yeoman (lower right) Oil on canvasboard 16.2 x 27cm

Signed Yeoman (lower right) Oil on board 39 x 29.1cm

£150-250

£250-350

b.1953

b.1953

511 ‡ TONY BRUMMELL SMITH b.1949

The Basilica, St Mark’s Square I Signed Brummell Smith (lower left) Pastel 71.5 x 62cm Exhibited: Harrogate, Walker Galleries Contemporary Art, 2000, no. 53

511

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

195

512

512 ‡ KEN HOWARD OBE, RA

513 ‡ KEN HOWARD OBE, RA

514 ‡ KEN HOWARD OBE, RA

The cable ship Iris moored at Greenwich

The Belvedere, Bath

Near Campo Santa Margherita, Venice

Signed Ken Howard (lower right) Oil on canvas 45.7 x 91.4cm

Signed Ken Howard (lower left) Watercolour and pencil 15.3 x 23.4cm

Signed Ken Howard (lower right) Watercolour, bodycolour and pencil 17 x 25.5cm

£2,000-3,000

Provenance: Nevill Gallery, Bath

£500-800

b.1932

b.1932

£300-500

513

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

514

b.1932

196

515 ‡ LUCIEN LÉVY-DHURMER French 1865-1953

Hommage to Watteau Signed indistinctly (lower right), and inscribed with artist’s address (to verso) Oil on canvas 67.2 x 78cm £1,500-2,500

516 ‡ CECIL TODD 1912-1986

Commedia del’Arte (recto); Apollo and Poseidon (verso) Signed and dated C Todd/42 (lower left recto) Oil on canvas 71.1 x 91.4cm £300-500

517 ‡ WILLIAM LYONS-WILSON 1892-1981

Grisdale Peat Hags Signed, dated and inscribed Grisdale Peat Hags/Lyons Wilson/1933 (lower right) Ink and watercolour 30.5 x 36.2cm £100-150

515

516

517 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

518 SIR DAVID YOUNG CAMERON RA, RSA, RE Scottish 1865-1945

Cliffs and Crags of Ross Signed and inscribed Cliffs & Crags of Ross.

D.Y. Cameron (to stretcher) Oil on canvas 42.5 x 52cm Provenance: Fine Art Society, London, January 1957 £1,200-1,800

518

519

520

519 SIR DAVID YOUNG CAMERON RA, RSA, RE

520 ‡ SIR WILLIAM MACTAGGART FRSE, RA, PPRSA

A view of Loch Ness with Fort Augustus Abbey

Coastal landscape

Signed D.Y. Cameron (lower right) Watercolour and pencil 30.9 x 45.9cm

Studio stamp W. McTaggart / Studio No.192 (to verso) Pencil and watercolour 36.8 x 45.75cm

£600-800

Exhibited: Phipps and Co, 1988; London, Abbott and Holder, Exhibition of Twentieth Century Watercolours and Drawings, 2015, no. 49

Scottish 1865-1945

Scottish 1903-1981

£400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

198

521 ‡ RUTH STAGE

522 ‡ ANTHONY LYSYCIA

Chelsea night

View of the Thames I; View of the Thames II

Tempera on board 45.8 x 73.6cm

Two, the former signed, dated and inscribed anthony lysycia 1988/view of the Thames I (lower right); the latter signed, dated and inscribed anthony lysycia 1989/view of the Thames II (lower right) Both watercolour Each 55 x 75cm (2)

b.1969

£400-600

b.1959

Provenance: Property of Sir George and Lady Bain £200-300

521

522

523

524

525

523 ‡ GIUSEPPE CASALLONI

524 ‡ GIUSEPPE CASALLONI

525 ‡ GIUSEPPE CASALLONI

Mother and daughter on the beach

Children by a water fountain

Fishermen and boy

Signed CASALLONI (lower left) Oil on canvas 69 x 49cm

Signed CASALLONI (lower left) Oil on canvas 69 x 49cm

Signed CASALLONI (lower left) Oil on canvas 69 x 49cm

£120-180

£120-180

£120-180

Italian b.1944

Italian b.1944

Italian b.1944

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

526 ‡ JOHN PIPER CH 1903-1992

St Nicholas, Alcester (Levinson 383) Signed John Piper (in pencil to margin) Screenprint in colours, 1986 50.4 x 65.8cm (image) Provenance: Possibly Beaux Arts, London (their label, but with incorrect title) £700-1,000

526

527 ‡ JOHN PIPER CH 1903-1992

Long Melford Church (Levinson 336) Signed and numbered John Piper 261/275 (in pencil to margin) Screenprint in colours, 1982 54.4 x 76.3cm (sheet) £600-800

527 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

200

528 KRIKOR BÉDIKIAN Turkish 1908-1981

Vendange en Beaujolais Signed K Bedikian (lower right), and signed and inscribed Vendange/en Beaujolais/K Bedikian (to verso) Oil on canvas 60 x 73cm £600-800

528

529 KRIKOR BÉDIKIAN Turkish 1908-1981

Circus procession Signed K Bedikian (lower right) Oil on canvas 54.7 x 65.3cm £600-800

529 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201

530‡ YVES BRAYER

French 1907-1990

Paysage de Camargue aux Deux Chevaux Signed YVES BRAYER (lower right), and inscribed PAYSAGE DE CAMARGUE AUX DEUX CHEVAUX (to verso) Oil on canvas 51 x 65.8cm £2,000-3,000

530

531

532

531 ‡ GRÉGOIRE MICHONZE

532 ‡ GRÉGOIRE MICHONZE

Landscape with villagers and horses

The artist at work

Signed and dated Michonze 58 (lower right) Oil on board 49.7 x 73.1cm

Signed and dated Michonze 58 (lower right) Oil on canvas 50 x 61cm

£500-800

Provenance: H. L. Padova Fine Arts, London

French 1902-1982

French 1902-1982

£600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

202

533 ‡ BRIAN STONEHOUSE MBE 1918-1998

Dressed for the polo ground, Palm Beach Gouache with fibre-tip pen on tan paper 55.9 x 43.9cm Provenance: The artist’s estate (estate stamp to verso) Literature: ‘Shop Hound...in Palm Beach’, in American Vogue, 1 February 1962, pp.88-91 (illustrated) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.4 £500-700

534 ‡ BRIAN STONEHOUSE MBE 1918-1998

White vests and chelsea boots Charcoal, gouache, watercolour and ink on pink paper 63.5 x 48.3cm Provenance: The artist’s estate (estate stamp to verso) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.5 Painted for an American fashion magazine, c.1975. £300-500

533

535 ‡ BRIAN STONEHOUSE MBE 1918-1998

A green belt Charcoal, watercolour, gouache and ink on pink paper 63.5 x 48.3cm Provenance: The artist’s estate (estate stamp to verso) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.13 Painted for an American fashion magazine, c.1975. £300-500

534

535 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203

536 ‡ BRIAN STONEHOUSE MBE 1918-1998

A red, white and blue sweat shirt Chalk, gouache, watercolour and ink on pink paper 58.4 x 45.7cm Provenance: The artist’s estate (estate stamp to verso) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.11 Painted for an American fashion magazine, c.1975. £300-500

537 ‡ BRIAN STONEHOUSE MBE 1918-1998

Knights of 55 Chalk, gouache and watercolour on tan paper 61 x 30.5cm Provenance: The artist’s estate (estate stamp to verso) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.5 Painted for an American fashion magazine, c.1975. £300-500

536

538 ‡ BRIAN STONEHOUSE MBE 1918-1998

The tennis shorts Gouache with fibre-tip pen on tan paper 92.7 x 59.6cm Provenance: The artist’s estate (estate stamp to verso) Exhibited: London, Abbott and Holder, Brian Stonehouse M.B.E. (1918-1998) WWII SOE Agent Then Fashion Illustrator Menswear 1965-1975, January 2019, no.16 Painted for an American fashion magazine, probably Vogue, c.1960. £300-500

537 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

538

204

539 GRAHAM FOSTER Bermudan b.1970

Fishermen and Hamlet: Study for the Hall of History Mural, Bermuda Signed foster (lower right), dated and inscribed STUDY FOR HALL OF HISTORY MURAL BERMUDA 2008 (lower centre), and signed, dated and inscribed STUDY FOR THE HALL OF HISTORY MURAL BERMUDA/FISHERMEN AND HAMLET/MAY 2008/GFoster (to verso) Tempera on board 122 x 91.3cm £600-800

540 ‡ SILVA PALMEIRA Portuguese b.1934

Barcos - Portimão Signed and dated SIlva Palmeira/71 (lower right) Oil on canvas 70 x 90.5cm Provenance: Galeria Portimão, Portugal, where purchased by the present private collector, June 1971 £400-600

541 ‡ MURIEL MINTER 1897-1983

Argenteuil, 1874, After Manet Oil on canvas, squared for transfer 50 x 39cm Provenance: Liss Fine Art £100-150

539

540

541 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

205

542

542 ‡ FRED YATES 1922-2008

The garden fete Signed FRED YATES (lower right) Oil on canvas 51 x 76cm Provenance: Courcoux & Courcoux Contemporary Art Ltd, Stockbridge £1,500-2,500

543 ‡ FRED YATES 1922-2008

Path into the woods, Rancon Signed FRED YATES (lower right) Oil on canvas 27 x 35cm £700-1,000

543 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

206

544 ‡ JOHN BANTING 1902-1972

The Secret Visit Signed, dated, numbered and inscribed The Secret Visit John Banting 1931 7/100 (in ink along lower edge) Cyanotype, from ‘12 Blueprints’, from one of fourteen known impressions of the series 23.1 x 15.2cm (sheet) Unframed £1,500-2,500

544

545 ‡ JOHN BANTING 1902-1972

Untitled Signed, dated, and numbered John Banting/1932/7/100 (in ink, lower right) Cyanotype, from ‘12 Blueprints’, from one of fourteen known impressions of the series 25.4 x 20.3cm (sheet) Unframed £500-700

545 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

546 ‡ JOHN BANTING 1902-1972

Untitled Signed and dated J Banting/1932 (in ink, lower centre) Cyanotype, from ‘12 Blueprints’, from one of fourteen known impressions of the series 25.7 x 20.6cm (sheet) Unframed £1,500-2,500

546

547 ‡ JOHN BANTING 1902-1972

Untitled Signed and dated J.Banting 1932 (in ink, lower right) Cyanotype, from ‘12 Blueprints’, from one of fourteen known impressions of the series 25.4 x 19.2cm (sheet) Unframed £1,500-2,500

547 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

208

548 ‡ ROY RAY b.1936

Penninsula Grey Signed and inscribed Peninnsula [sic] Grey/Roy Ray 1981/Acrylic on collage (to verso) Acrylic on collage on board 76 x 91.5cm £300-500

549 ‡ ROY RAY b.1936

Ochre Peninsula Signed and inscribed March 28: Ochre Peninsula Roy Ray 1986 (in pencil to mount) Mixed media 32.6 x 40.3cm £150-250

550 ‡ ROY RAY b.1936

Red Arc Signed, dated and inscribed Red Arc/Roy Ray 1986. Acrylic (to verso) Acrylic on collage on canvas 47.8 x 47.8cm

548

549

£150-250

550

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

209

551 ‡ STEPHEN COX RA b.1946

Earth, Water, Fire, Air, Ether Signed Cox 88 (lower right) Charcoal, coloured chalks and watercolour 165 x 107cm Provenance: Corporate Collection, Germany £1,000-1,500

552 ‡ ROBERT FLORIS VAN EYCK 1916-1991

Abstract forms in five windows; Landscape with abstract forms; Abstract form in a room Three, each signed Rob Van Eyck (to verso) Each oil on board Two 120 x 89.5cm; One 89.5 x 120cm (3) £500-800

551

552 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

210

553

553 ‡ JOHN CHARLESWORTH

554 ‡ JOHN CHARLESWORTH

555 ‡ MANUEL TRINIDAD

Eurostar terminus

The Twins

Guitarra

Signed John Charlesworth (lower left) and dated 2004 (lower right) Acrylic on panel with arched top 43 x 76cm Unframed

Signed and dated 1994/John Charlesworth (lower centre) Acrylic on panel, oval 36.8 x 52.3cm Unframed

Signed with monogram (lower right), and signed and inscribed “GUITARRA”/MANUEL TRINIDAD/CARACAS 1973 (to verso) Oil on canvas 59.6 x 47.7cm

£400-600

£300-500

£100-200

b.1947

554

b.1947

Spanish b.1936

555

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

211

556 ‡ VALERIOS CALOUTSIS

Greek 1927-2004

Crevasses Signed and dated V.Caloutsis ’62 (lower right), and signed, dated and inscribed -CREVASSES-V.CALOUTSIS/ PARIS/1962 (to verso) Oil on canvas 65 x 81cm Provenance: Leicestershire Education Authority £800-1,200

556

557 ‡ SANDRA LAWRENCE b.1945

Cubist still life with chicken Signed Sandra Lawrence 87 (lower right) Watercolour, bodycolour and chalk 60 x 46cm £400-600

558 ‡ PAUL J. GOUGH b.1958

A Death of Harry Signed GOUGH (lower right), and signed and inscribed “A DEATH OF HARRY”/PAUL J. GOUGH 1985 (to verso) Acrylic on board 110 x 82.1cm £300-500

557

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

558

212

560

559 ‡ TRACEY EMIN CBE, RA b.1963

Portrait of a man in an interior Signed and dated MISS T.K. Emin 1984 (in pencil to margin) Linocut 39 x 32.5cm (sheet) Provenance: Given by the artist to the previous owner, whilst at Maidstone College of Art, c.1984; And by descent £600-800

559

560 ‡ HENRY KORDA b.1957

Reclining nude Signed and dated Korda 91 (lower right) and further inscribed (to stretcher) Oil on canvas 40.4 x 76.7cm £300-500

561 ‡ ALAN HALLIDAY b.1952

Songs for a Wayfarer - Nureyev; Torso Two, the former signed and dated Halliday 83 (lower right), and inscribed Songs for a wayfarer-Nuyeyev (upper left); the latter signed and dated Halliday 82 (lower left) Watercolour on paper; Oil on paper 28.1 x 19.5cm; 79.2 x 55.6cm (2)

561

Provenance: ‘Songs for a Wayfarer’ acquired directly from the artist, International Contemporary Art Fair, London, January 1984 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

213

562 ‡ CRAWFURD ADAMSON Scottish b.1953

Man balancing on one leg Signed Crawfurd adamson (lower right) Oil on canvas, 1993 107 x 91.7cm Provenance: Jill George Gallery, London, where purchased by the present private collector, June 1993 Exhibited: London, Jill George Gallery, Crawfurd Adamson: Paintings, 16 June - 16 July 1993, no. 15 £4,000-6,000

563 ‡ MARTIN KANE b.1958

Down Town Light

562

Signed Martin/Kane (to verso) Oil on canvas, 1994 61 x 66cm Provenance: Beaux Arts, London £300-500

564 ‡ BRENDAN KELLY Scottish b.1970

Head Signed Brendan Kelly (lower centre) Mixed media collage 71.5 x 54cm Provenance: Cooling Gallery, London, where purchased by the present private collector, July 1992 £200-300

563

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

564

214

565 ‡ J. P. DONLEAVY Irish 1926-2017

Bird Signed J.P. Donleavy (lower right) Watercolour, pen and ink 18.6 x 31.6cm Provenance: Tom Caldwell Galleries, Dublin £400-600

565

566 ‡ EYVIND OLESEN Danish 1907-1995

Chickens Signed and dated Ey Olesen/69 (lower left) and inscribed in Danish to verso Oil on canvas 41.4 x 51.4cm £200-300

566

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

567 ‡ PETER MCLAREN Scottish b.1964

Figure in a hot landscape Signed indistinctly and dated PM**/91 (lower right) Oil on card 73 x 55.2cm Provenance: The artist; The Scottish Gallery, Edinburgh, where purchased by the present private collector, September 1991 £800-1,200

568 ‡ PETER MCLAREN Scottish b.1964

Cyclist Oil on card 47.8 x 64.1cm £600-800

569 ‡ TOM NASH b.1931

Festivale Fontvieille Signed Tom Nash (lower left) Oil on paper 35.4 x 47.9cm Provenance: Gallery 10 Ltd., London £80-120

567

568 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

569

216

570 ‡ RACHAEL KANTARIS b.1967

Heartland Signed, numbered and inscribed 1/10 “Heartland” Rachael Kantaris (in pencil to margin) Etching 39.5 x 39.5cm (plate) £100-150

570

571 ‡ JANET PATTERSON Scottish b.1941

Pelican, near Cairns, Northern Queensland Inscribed PELICAN NR CAIRNS/NORTHERN/ QUEENSLAND and with various annotations (to verso of each canvas) Acrylic on two conjoined canvases 127 x 214.5cm Provenance: The Scottish Gallery, London & Edinburgh; Property of Sir George and Lady Bain £250-400

571

572 ‡ JOHN KEANE b.1954

Car; Home Two, each signed dated and numbered 12/75 John Keane 1994 (in pastel lower right) Each screenprint with woodblock and collage Both 125.5 x 99cm (sheet) (2) Provenance: Both with Flowers East, London, where purchased by the present private collector, December 1994

572

£150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

217

573

573 ‡ PETER JOYCE

574 ‡ PETER JOYCE

Smedmore Hill

To Pen Hill

Signed, dated and inscribed ‘Smedmore Hill,/PJ ‘05/2005 Peter Joyce (verso) Acrylic on canvas 132.5 x 107cm

Signed with initials and dated PJ ‘07 (lower left), and signed, dated and inscribed ‘To Pen Hill’/**’07/2007 Peter Joyce (to backing board) Acrylic on board 111.8 x 19.5cm

b.1964

Provenance: Purchased from the artist by the present owner £1,500-2,500

b.1964

Provenance: Purchased from the artist by the present owner £500-800

574 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

218

575 ‡ ALASTAIR MICHIE RWA, FRBS Scottish 1921-2008

G.E.L.T. Signed Alastair Michie also titled and inscribed (verso) Acrylic on canvas 102 x 126cm £800-1,200

575

576 ‡ ALASTAIR MICHIE RWA, FRBS Scottish 1921-2008

Indian Summer XII Signed Alastair Michie (lower right), and signed and inscribed (verso) Acrylic on board 70 x 90cm £600-800

576

577 ‡ BARBARA RAE CBE, RA, FRSE Scottish b.1943

Karoo Signed, numbered and inscribed 32/90 Karoo Rae (in pencil along lower edge) Screenprint 58 x 75.7cm Provenance: Glasgow Print Studio, Glasgow, from whom acquired by the present owner £500-700

577 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

219

578

578 ‡ WILLIAM CROZIER RA 1930-2011

Night Road Signed Crozier (lower right), and signed and dated William Crozier/”Night Road” 1990 (to verso) Oil on canvas 35.5 x 45.8cm £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

220

579

579 ‡ JOSÉ MARIA DAVID French 1944-2015

Cheetah Signed, numbered and dated 14 NOV 2000/Jose Maria DAVID/2/8 and with Fonderie Chapon, Paris stamp (to base) Patinated bronze 69 x 127cm Provenance: Sotheby’s, Olympia, Furniture & Decorations, 14 October 2003, lot 33 £6,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

221

580 DYLAN LEWIS

South African b.1964

Leopard Torso Signed Dylan Lewis 3/12 (on base) Bronze 39 x 74cm Provenance: Everard Read Gallery, London and Johannesburg, South Africa; Property of a nobleman £4,000-6,000

580

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

222

581 ‡ HEATHER JANSCH b.1948

Neptune Signed Heather Jansch (to inside of back left leg) Copper wire, driftwood and glass 72.5 x 58cm £3,000-5,000

581

582 ‡ IAIN NUTTING b.1961

Proud horse Signed and numbered IAIN 1/8 (to base) Bronze with green patination 38 x 42cm £1,000-1,500

582

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

223

583 ‡ GEOFFREY DASHWOOD b.1947

Golden Pheasant Signed and numbered Dashwood 5/12 and with Pangolin Editions stamp (to base) Bronze, 1996 28.2 x 84cm Literature: Geoffrey Dashwood, Geoffrey Dashwood Sculptor (HSW Print, 2011), pp.132-133, 297 £2,000-3,000

584 ‡ GEOFFREY DASHWOOD b.1947

Mallard Drake I Signed and numbered Dashwood 7/12 Bronze with green patina, 1986 21.5 x 37.5cm Literature: Geoffrey Dashwood, Geoffrey Dashwood Sculptor (HSW Print, 2011), pp.24-25, 35, 286 Geoffrey Dashwood has described this work as ‘a pivotal piece and transitionally important’ to his career (op. cit., p.25). £2,000-3,000

584

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

583

224

585

585 ‡ GUY TAPLIN b.1939

Six dunlins Signed and inscribed 10 DUNLIN/GUY/TAPLIN (to underside of each bird) Painted wood, glass bead eyes, metal supports and a driftwood base 35 x 67 x 23.5cm £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

225

586

586 ‡ GUY TAPLIN b.1939

Owl family with frog and worm Painted driftwood with glass bead eyes 35 x 64.5 x 12.8cm £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

226

587 ‡ GUY TAPLIN b.1939

Lapwing Signed and inscribed LAPWING/GUY TAPLIN and with an incised drawing of a boat (to underside of tail) Painted wood and metal with glass bead eyes, metal support and a driftwood base 30.5cm high £500-700

588 ‡ GUY TAPLIN b.1939

Oystercatcher Signed and inscribed OYSTER CATCHER/GUY TAPLIN/WIVENHOE (to reverse) Painted driftwood with glass bead eye 32 x 62.5cm £500-700

587

588

589 ‡ GUY TAPLIN b.1939

Swan Signed and inscribed SWAN/GUY TAPLIN (twice to the reverse, incised and in pencil) Painted driftwood 27.6 x 50cm £800-1,200

589

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

227

590 ROBERT BROTHERTON

591 ‡ KATE PRATT

Mallard

Rabbit

Signed with initial R (to base) Welded copper 29.5 x 33.5cm

Signed and numbered K Pratt 1/9 Bronze 16 x 27.8cm

£600-800

£500-800

American 1920-2000

Contemporary

590

591

592 ‡ IAN ROOK

20th Century

Goose Signed and dated.I. ROOK.84. (to underside) Elm with metal eyes 40 x 55cm £200-300

592

593 ‡ IAN ROOK

20th Century

Dog turning its head; Recumbent dog Two, the former signed and dated I ROOK 85 (to underside) The former elmwood with metal eyes; the latter elmwood 24 x 50cm; 17.5 x 70cm (2) £300-400

593

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

228

594 ‡ SOPHIE RYDER b.1963

Hares and flowers Signed and dated Ryder 93 (lower right) Collage 26.8 x 21.8cm £800-1,200

595 ‡ SOPHIE RYDER b.1963

Black goat Signed and numbered 63/70 Ryder (in pencil) Screenprint 79 x 103.5cm (sheet) £300-500

596 ‡ SOPHIE RYDER b.1963

Blue hare Signed and numbered 41/70 Ryder (in pencil) Lithograph 54.6 x 74.6cm (sheet) £200-300

594

595

596 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

229

597

598

597 ‡ SOPHIE RYDER

598 ‡ SOPHIE RYDER

Crouching lady-hare

Kneeling lady-hare

Signed, dated and numbered 6/30 Ryder 2002 (in pencil) Lithograph 90 x 66cm (sheet)

Signed, dated and numbered 4/30 Ryder 2002 (in pencil) Lithograph 66 x 90.2cm (sheet)

b.1963

£300-500

b.1963

£300-500

599

600

599 MAX LEUCHARS

600 MAX LEUCHARS

Sleeping whippet

Figure study

Signed with initials ML (lower right) Mixed media on canvas 121.8 x 152.5cm Unframed

Signed with initials ML (lower right) Mixed media on canvas 120 x 150.5cm Unframed

£600-800

£300-500

Contemporary

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

Contemporary

230

601 ‡ FRIEDA HUGHES b.1960

Yellow Sky Signed Frieda Hughes FH (lower right), and signed, dated and inscribed YELLOW SKY/20/9/96/ Frieda Hughes (to verso) Oil on canvas 121.5 x 183cm £1,000-1,500

601

602 ‡ FRIEDA HUGHES b.1960

Sunset No. 1 Signed Frieda Hughes (lower right), and signed and inscribed SUNSET NO 1./Frieda Hughes (to backing board) Oil on canvasboard 49.5 x 39.3cm £400-600

603 ‡ FRIEDA HUGHES b.1960

Sunset No. 3 Signed Frieda Hughes (lower right), and signed and inscribed SUNSET NO 3./Frieda Hughes (to backing board) Oil on canvasboard 49.5 x 39.3cm

602

603

£400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

231

605 604

604 ‡ FRIEDA HUGHES b.1960

Field of Sheep Signed with initials FH (lower right), and signed dated and inscribed SUNSET/SERIES/No 5/(FIELD OF SHEEP)/9/9/98/ Frieda Hughes (lower right) Oil on canvas 102.2 x 82.2cm £800-1,200

605 ‡ A CHILD’S NURSERY ELBOW CHAIR PAINTED BY SYLVIA PLATH 1932-1963

With coloured flower and heart pattern over a white ground 47 x 28 x 29cm Together with 3 balls of the red wool used for the original woven seat,

and a letter from Frieda Hughes confirming the provenance (5) Provenance: Painted by Sylvia Plath for her children Frieda (b.1960), and Nicholas (b.1962); Loaned by Ted Hughes (1930-1998) to a family friend; Property of Frieda Hughes £200-400

606 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

606 ‡ HARRY HUDSON RODMELL 1896-1984

TSS Golfito Gouache 22.6 x 36.6cm £200-300

607 NEIL TAYLOR

Australian b.1953

White Water Signed with initials and inscribed White Water/NT (centre right), and signed, dated and inscribed “White Water”/Neil Taylor 1982/Acrylic only (to verso) Acrylic on canvas 95 x 130cm £200-400

607

232

608 ANDREI ROITER Russian b.1960

Untitled Signed and dated A. ROITER/1991. (to verso) Pigment and plaster on canvas 66 x 41.9cm Unframed Provenance: Anders Tornberg Gallery, Ltd, where acquired by the previous owner, 1993; By whom sold, Christie’s, London, Post-War & Contemporary Art, 26 March 2014, lot 143 £1,000-1,500

609 ‡ PAULINE AMOS Contemporary

Let Nothing be Called Natural in an Age of Bloody Confusion - Brecht Signed P AMOS (upper right), inscribed Let Nothing be Called Natural in an Age of Bloody Confusion – Brecht (along the lower edge), and further signed and inscribed Pauline Amos/ Bloody Confusion/Brecht (to backing board) Mixed media and collage with photographs 39 x 28cm £200-300

610 ‡ PAULINE AMOS Contemporary

2002 Signed Amos (lower right), and signed and inscribed Pauline Amos 2002 (to backing board) Mixed media 74 x 53cm

608

609

£600-800

610 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

233

611 ‡ KEITH TYSON b.1969

Studio Wall Drawing: Intrinsic Variation No. 3 Signed with initials and dated K. Ty 2007. (to backing board) Acrylic on paper 75.8 x 60.1cm Provenance: Haunch of Venison, London £3,000-5,000

611

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

234

612 ‡ NIGEL HALL RA b.1943

Slow Motion Maquette Signed, dated and inscribed SLOW MOTION/MAQUETTE/ Nigel Hall/ ‘07, stamped N.H. 8/25, and further inscribed Maquette of 5m/sculpture of Kunsthalle, Mannheim (all to underside of base) Painted steel on painted plywood base 24.5 x 15 x 15cm (including base) Provenance: Gainsborough’s House, Sudbury, The Contemporary & Post War British Art Auction, 20 October 2017, lot 61 £800-1,200

612

613

613 ‡ JANET NATHAN 1938-2002

Green Haven Signed, dated and inscribed GREEN HAVEN/1994/JANET NATHAN (to verso) Mixed media on wood and resin 167 x 115cm Provenance: William Jackson Gallery, London, where purchased by the present private collector, August 1994 £500-800

614 ‡ DAVID MACH RA Scottish b.1956

Skull 614

Signed Mach 98/No. 10/12 (to label underneath chin) Japanese coloured matches on a wooden base 41.7cm high (including base) £500-800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

235

615

615 ‡ PAUL FRYER b.1963

Helen of Troy Lenticular print with integral LED panel, 2011 58 x 87.5cm Together with a certificate of authenticity signed by the artist (2) Provenance: Acquired from the artist by the present owner, July 2013 £1,000-1,500

616 ‡ PAUL FRYER b.1963

Sign Wave Signed Paul Fryer 2012 (lower right) Pencil heightened with red 57 x 76cm Provenance: Acquired from the artist by the present owner £600-800

616 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

236

617

618

619

617 ‡ DOUGLAS THOMSON

618 ‡ DOUGLAS THOMSON

619 ‡ DOUGLAS THOMSON

620 ‡ DOUGLAS THOMSON

The Navigator

Edwardian Melodramatist

The Confronter

Dawn

Signed THOMSON (lower left) Oil on board 53.2 x 38.7cm

Signed THOMSON (lower left), and inscribed THE CONFRONTER (to verso) Oil on canvas 41.2 x 31cm

Signed THOMSON (lower right) Oil on canvas 114.5 x 138cm

Provenance: Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, March 1994

Provenance: Glasgow Print Studio, Glasgow, where purchased by the present private collector, March 1990

Provenance: Glasgow Print Studio, Glasgow, where purchased by the present private collector, January 1993

Provenance: Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, June 1991

£200-300

£200-300

£200-300

£400-600

Scottish b.1955 Signed, dated and inscribed THE/NAVIGATOR/ THOMSON ‘91 (to verso) Oil on canvas 41 x 31cm

620

Scottish b.1955

Scottish b.1955

Scottish b.1955

621 ‡ DOUGLAS THOMSON Scottish b.1955

Interior at Dusk Signed THOMSON (lower right), and signed, dated and inscribed INTERIOR AT DUSK/ THOMSON 90 (to verso) Oil on canvas 103 x 108cm Provenance: Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, January 1991 £200-300

621 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

237

622 ‡ DOUGLAS THOMSON

623 ‡ DOUGLAS THOMSON

The Adventurer

Outdoor Man

Signed, dated and inscribed THOMSON 89/“THE ADVENTURER”/ DOUGLAS THOMSON (to verso) Oil on board 41.6 x 33.1cm

Signed Thomson (lower right) Oil on canvasboard 55 x 49.6cm

Scottish b.1955

Provenance: Compass Gallery, Glasgow, where purchased by the present private collector, May, 1990

Scottish b.1955

Provenance: Compass Gallery, Glasgow £200-300

£200-300

622

624 ‡ DOUGLAS THOMSON

625 ‡ DOUGLAS THOMSON

Young Girl

Evening

Signed THOMSON (lower right), and signed, dated and inscribed YOUNG/ GIRL/D THOMSON/91 (to verso) Oil on canvas 41 x 30.5cm

Signed and dated THOMSON 90 (upper right) and inscribed EVENING (to verso) Oil on canvas 40.7 x 30.2cm

Scottish b.1955

Scottish b.1955

Provenance: Glasgow Print Studio, Glasgow, where purchased by the present private collector, January 1993

Provenance: Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, January 1991

£200-300

£200-300

624

626 ‡ DOUGLAS THOMSON

627 ‡ DOUGLAS THOMSON

Nude

The Straight Man

Signed and inscribed MONOTYPE NUDE THOMSON (in pencil to margin) Monotype 81 x 63.6cm (image)

Signed THOMSON (upper right), and signed, dated and inscribed THE/STRAIGHT MAN/ THOMSON ‘91 (to verso) Oil on canvas 41 x 31cm

Scottish b.1955

Provenance: Glasgow Print Studio, Glasgow £200-300

623

625

Scottish b.1955

Provenance: Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, March 1994 £200-300

626 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

627

238

628

629

628 ‡ PETER SAMSON

629 ‡ PETER SAMSON

630 ‡ JOHN SCARLAND

Animation of abstract forms

System Sol or The Motion of Astronomical Forms

AFTER JEAN-ÉTIENNE LIOTARD

Signed SAMSON (lower right) Watercolour, black pen and pencil 63.2 x 45.7cm

Signed with initials PAS (lower right) Watercolour, black pen and pencil 44.8 x 73.8cm

French 1702-1789

£150-250

£150-250

Signed Scarland (lower right) Watercolour and pencil 28.6 x 23.5cm

Contemporary

Contemporary

631

Portrait of Maria Gunning, Countess of Coventry (1733-1760)

631 ‡ JOHN SCARLAND

632 ‡ JOHN SCARLAND

On the bus

At the bus stop

Signed Scarland (to base) White card and steel against a painted backdrop and within an integral white wooden frame 33.5 x 53.5 x 7.1cm (including frame)

Signed Scarland (to base) White card and steel against a painted backdrop and within an integral white wooden frame 33.5 x 53.5 x 7.1cm (including frame)

Contemporary

630

Contemporary

£40-60

Contemporary

£50-100

£50-100

632 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

239

633

633 ‡ ATTRIBUTED TO ROBERT COMBAS French b.1957

Carnival Acrylic on card 76.5 x 56.3cm £400-600

634

634 ‡ MARK TITCHNER b.1973

Scream Set List and Sigils Signed with initials and dated MT’07 (lower right), and signed, dated and inscribed “SCREAM SET LIST/AND SIGILS” 2007/Mark Titchner (to verso according to label) Acrylic and pen on card 29.6 x 20.8cm £300-500

635 ‡ LINDY GUINNESS 1941-2020

Easter lillies Signed and dated Lindy Guinness/1983 (lower right) Pastel 65.2 x 51.8cm Provenance: Browse & Darby, London, from whom purchased by the Countess of Iveagh £200-300

635

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

240

636

637

636 BILL MACK

637 ‡ LINDER

638 ‡ ANTHONY FARRELL

Dimensional

Oh Grateful Colours, Bright Looks

Falling

Signed bill mack (upper right) and numbered 86/98 (upper left) Resin with bonded bronze finish, 2000 91.5 x 62 x 42cm

Collage on photographic paper (photography by Tim Walker), 2009 41.5 x 27.8cm

£600-800

Provenance: Blum & Poe, Los Angeles

Signed, dated and inscribed A/P A Farrell 1976 (in pencil to margin) Etching and aquatint 42.4 x 29.3cm (plate)

American b.1944

b.1954

£1,500-2,500

b.1945

£80-120

639 ‡ TONI PATTEN 20th Century

Striking workers Signed Toni Patten (lower right) Pen 34.4 x 54.7cm £50-100

638

639

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

241

640

640 ‡ JOE MALCOLMSON Contemporary

The changing of the guard Signed MALCOLMSON (lower left) Oil on board 18.5 x 13.4cm

641

641 ‡ LIBBY JANUARY Contemporary

Still life with a vessel Signed with initials LJ (lower right) Mixed media 38 x 48.2cm £100-150

£100-150

642 JOSUE JOSEPH Haitian b.1947

Adam and Eve in the garden of Eden Signed JOSUÉ Joseph (lower right) Oil on board 20 x 25.3cm £100-150

643 ‡ JULIAN SUTHERLANDBEATSON b.1955

Views at Glyndebourne: Opera House at Night; Long Bar Atrium; By the Long Bar; Picnic in the Grounds

642

Four, each signed with initials JSB and dated respectively 26 6 11; 20 6 11; 18 6 11; 25 6 11 (lower right), and each signed to label Each acrylic on board Each 19.9 x 19.9cm (4) £200-400

643 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 249

242

INDEX OF ARTISTS 20th Century School 348, 357, 392 A Abbasi, Yakup 487 Ackroyd, Norman 341 Adamson, Crawfurd 562 Adeney, Bernard 114 Adshead, Mary 243 Agar, Eileen 344 Aitchison, Craigie 342 Aldridge, John 408 Allinson, Adrian 155a Amos, Pauline 609, 610 Andrew, Nick 478, 479 Annja 255 Ap Rhys Pryce, Vivien 260 Arbuthnott, Susie 75 Ardizzone, Edward 208, 209 Armfield, Maxwell Ashby 450 Armitage, Kenneth 353 Asian School 488 Austin, Robert Sargent 233 Ayrton, Michael 261, 262, 263 B Ball, Fred Hammersley 131 Banting, John 544, 545, 546, 547 Barker, Kit 401 Barns-Graham, Wilhelmina 345 Barrett, Roderic 336 Bartlett, Charles 431 Batchelor, Roland 204 Bates, Martin 79 Batt, Richard H. 69 Bawden, Edward 338, 339 Bawden, Richard 399 Beard, Leonard 50, 51 Beaton, Cecil 190, 191, 192, 193 Beaton, Penelope 205 Bédikian, Krikor 528, 529 Bell, Vanessa, After 171 Bellany, John 374, 375, 376 Bellini, Emmanuel 388, 389 Berbank , Albert Edward 228 Bertieri, Pilade 235 Besperstov, Yakov 485 Bevan, Robert Polhill 99 Bevan, Robert, Circle of 100 Blake, Peter 324 Blow, Sandra 429 Boshier, Derek 315 Bowen, Keith 8 Boyle, Alicia 358 Bradley, Martin 422 Brangwyn, Frank 188, 189 Brassington, Alan 464, 465, 466

467, 468 Bratby, John 364, 365, 366 Brayer, Yves 530 British School 92, 170, 186,

222, 226, 287, 296, 297, 349 Brockhurst, Gerald 207 Brotherton, Robert 590

Brown, Percy Brummell Smith, Tony Buhler, Robert Bulmer, Lionel Burchell, William F. Burra, Edward Burton, Charles Butler, Reg Bye-Rawson, Elise

351 511 409 498 187 397 34 377 452

C Cagniart, Émile 162 Caloutsis, Valerios 556 Camden Town School 124 Cameron, David Young 518, 519 Casalloni, Giuseppe 523, 524, 525 Casson, Hugh 411, 412, 413, 414 Chadwick, Lynn 346, 347 Chagall, Marc 281 Chagall, Marc , After 282, 283 Charlesworth, John 553, 554 Church, Katherine 224 Clark, Michael 9 Close, S. 483 College of Art 537 Combas, Robert, Attributed to 633 Conder, Charles 91 Continental School 167, 185,

253, 492 Cook, Barrie 63 Cooper, Alison 71 Cooper, Gerald A. 457 Corinth, Lovis 95 Cotton, Alan 499, 500 Cox, Stephen 551 Craig, Edward Gordon 244 Craxton, John 337 Creo, Leonard 386, 387 Crozier, William 578 Cuming, Fred 398 Cundall, Charles 159 D Dafis, Iwan 67 Daniels, Peter 57, 58 Dashwood, Geoffrey 583, 584 David, José Maria 579 Davie, Alan 343 Davis, Pamela 454 Dawson, M. 180 Dawson, Montague 179 Dekk, Dorrit 321 Del Vecchio, Phyllis 418 Devonald, Howard 419 Dobson, Frank 119 Docharty, Alexander Brownlie 94a Dodd, Francis 199 Dolphyn, Willem 458 Donleavy, J. P. 565 D’Oyly-John, Cecil Rochfort 476 Dufour, Bernard 417 Dulac, Edmund 155 Dunlop, Ronald Ossory 156

Durand, Andre Durden, James Durrant, Roy Turner

300 115 434

E Eardley, Joan Emin, Tracey Epstein, Jacob

216 559 241

F Farrell, Anthony 638 Fedden, Mary 436, 437, 438, 439,

440, 441, 442, 442a,

443, 444, 445, 446 Ferdinand 469 Fergusson, John Duncan, Circle of 158 Fini, Leonor 206 Fisher Prout, Margaret 202 Flint, William Russell 112 Floris van Eyck, Robert 552 Floyd, Donald Henry 12 Foster, Graham 539 French School 134, 477 French, Susan 416 Frink, Elisabeth 264, 265 Frost, Terry 306 Fryer, Paul 615, 616 Fuller, Leonard John 225 G Gadd, Andrew 289 Gardiner, Anna 291, 292 Gardiner, Jeremy 495 Garland, Colin 385 Gausson, Léo 175 Gear, William 310, 311, 312,

313, 314 Gere, Margaret 113 Gibbings, Robert 210 Gibson, Veronica 19, 20, 21 Gilbert, Anthony 391 Gill, Eric 211, 212, 213 Gluck 232 Gordon, György 35, 36, 37 Gordy, Robert 317, 318 Gosse, Sylvia 129 Gotch, Bernard Cecil 152 Gough, Paul J. 558 Graham, Anne 491 Graham, Brian 30, 31, 32 Grant, Alistair 425 Grant, Duncan 116, 117 Greiffenhagen, Maurice 90 Grimm, Stanley 174 Gross, Anthony 194, 195, 196, 197 Guinness, Lindy 635 Gunn, Herbert James 303 Gupta, Satish 66 Guthrie, Robin 384 H Hale, Edward Matthew Hall, Clifford

122 379

Hall, Nigel 612 Halliday, Alan 561 Hamilton, Richard 319 Hammond, Eliza, Attributed to 160 Hankey, William Lee 89, 89a Harpley, Sydney 258, 259 Harrison, John Cyril 473 Haseler, Frank 380 Hemming, Adrian 41, 42, 43 Hennah, Joseph Edward 10, 11 Hennell, Thomas 177, 178 Henry, Barclay 201 Herman, Josef 33 Hermes, Gertrude 254 Hilder, Rowland 151 Hitchens, Ivon 227 Hockney, David 325, 326, 327 Hodgkin, Howard 304 Holloway, Edgar 234 Hope Read, Harold 153, 153a Hosali, Nina 367, 368, 369,

370, 371, 372, 373 Houston, John Rennie McKenzie 88 Howard, Ken 512, 513, 514 Howard-Jones, Ray 198 Howson, Peter 361 HRH The Prince of Wales 474 Hubbard, John 239a Hughes, Frieda 601, 602, 603, 604 Hull, James 355 Humphreys, David 26, 27, 28, 29 J Jaenisch, Hans 421 Jagger, Charles Sargeant 107 James, Merlin 288 Jammet, Lin 266, 267, 268, 269,

270, 271, 272 Janovska, Ludmila 420 Jansch, Heather 581 Janssonius, Joannes 7 January, Libby 641 John, Augustus 104, 105, 106 John, Augustus, Circle of 103 Johnson, Ben 320 Jones, Allen 332 Jones, Barbara 402, 403, 404 Joseph, Josue 642 Joyce, Peter 573, 574 K Kane, Martin Kantaris, Rachael Kashdan, John Keane, John Keeling, Cecil Kelly, Brendan Kern, Doreen Khrushch, Valentin King-Cline, Jackie Kinsey, Christine Kitaj, R. B. Kneale, Bryan

563 570 451 572 101 564 252 378 251 74 335 249

243

INDEX OF ARTISTS Knight, Laura Korda, Henry

128 560

L Lahoti, Murli 493 Lamb, Henry 102 Lancaster, Mark 430 Lawrence, Sandra 557 Lawson, Sonia 383 Lennon, Paddy 64 Leuchars, Max 599, 600 Leverett, David 334 Lévy-Dhurmer, Lucien 515 Lewis, Dylan 580 Lewis, Stanley Cornwell 183 Light, Susan 284 Linder 637 Lloyd Jones, Mary 59, 60, 61, 62 Lobley, John Hodgson 130 Long, Michael 406 Lowry, Laurence Stephen 245 Lyons-Wilson, William 517 Lysycia, Anthony 522 M Mach, David 290, 614 Mack, Bill 636 MacNee, Robert Russell 86 MacTaggart, William 520 Maitland Howard, Margaret 168 Malcolmson, Joe 640 Mann, Cathleen 453 Manser, Rosita 482 Marini, Marino 433 Marshall Brown, William 82, 83,

84, 85 Martin 200 Martinus, Elsa 250 Mason, Frank Henry 144 Matania, Fortunio 181, 182 Matania, Franco 382 Matisse, Henri, After 278 Maurer, Alfred Henry, Circle of 161 Maze, Paul 415 McFadyen, Jock 362, 363 McGeehan, Jessie M. 203 McIntyre, Donald 80, 506, 507 McLaren, Peter 567, 568 Mellon, Campbell Archibald 136, 137 Ménard, Émile-René 121 Meninsky, Bernard 447 Menpes, Mortimer 154a Messagier, Jean 246, 247, 248 Mestelan, Robert 18 Michie, Alastair 575, 576 Michonze, Grégoire 531, 532 Micklewright, Lisa 76 Middleton, Colin 232 Milner-Gulland, Alison 22, 23,

24, 25 Minter, Muriel 541 Miranda, Marc 77, 78

Miret, Axel Miró, Joan Moore, Henry Morgan, Bev Moroney, Ken Munnings, Alfred James, Attributed to Muszynski, Leszek

298 242 432 68 381 148 393

N Nash, John 108, 109, 110, 111 Nash, Tom 569 Nathan, Janet 613 Needell, Philip Gregory 135 Nelson, J. P. 410 Neumüller, Annica 39, 40 Newton, Algernon 240 Nicholls, Mark James 293, 294 Nicholson, Ben 238 Nicholson, Simon 229 Noakes, Roy 256 Noble, James 455 Nolan, Sidney 273, 274, 275,

276, 277 Nutting, Iain 582 O O’Casey, Breon 333 O’Conor, Roderic 132 Ogle, Richard Bertram 125 Olesen, Eyvind 566 Olsson, Julius 217, 218, 219, 220 Ombra della Sera, After 350 Orlov, Nikolai Vasilyevich, Attributed to 163 P Pallot, Joyce 481 Palmeira, Silva 540 Paolozzi, Eduardo 328, 329, 330 Partington, Peter 470, 471 Patten, Toni 639 Patterson, Janet 571 Pears, Charles 143 Pemberton, Muriel 448 Penwith Society of Arts 331 Petersen, Vince 480 Pfeiffer, Henri Ernst 423 Picasso, Pablo, After 279, 280 Piper, John 526, 527 Pissarro, Ludovic-Rodo 147 Plath, Sylvia 605 Plazzotta, Enzo 257 Pollock, Helen 70 Pratt, Kate 591 Pratt, William 87 Prendergast, Peter 48 Procktor, Patrick 322, 323 Pye, William 352 R Rae, Barbara 577 Rainsford, Michael Paul 13, 14, 15,

16, 17

Randall, Michael

407

Rane, Dattaprasanna

494

Ray, Roy

548, 549, 550

Reed, Bryan

472

Ricciardi, Oscar

184

Rich, Vestey

449

Richards, Ceri

1, 2, 395

Richter, Herbert Davis

456

Ridgewell, John

426

Robinson, Markey

503

Roche, Laurence 52, 53, 54, 55, 56 Rodin, Auguste, After

96

Rodmell, Harry Hudson

606

Roiter, Andrei

608

Rook, Ian

592, 593

Rothenstein, Michael

394

Roussel, Pierre

133

Rowles, Lillian May Bevis

302

Rowntree, Kenneth

176

Ruiz Pipó, Manolo

462

Russell, Gyrth

405

Russian School

486

Ryder, Sophie

594, 595, 596,

597, 598

S Samson, Peter

628, 629

Scarland, John

630, 631, 632

Schwarz, Hans

496

Seago, Edward

400

Searle, Ronald

154

Sedgley, Peter

308, 309

Selway, John

6

Shanshan Sheng

490

Shen Ming Cun

489

Shepeard, Jean

157

Shepherd, David

459

Shevchenko, Aleksandr Vasilievich 123 Sickert, Walter

126

Smith, Jesse Leroy

286

Sorrell, Alan

396

Spare, Austin Osman

427, 428

Stafford, Simeon

504, 505

Stafford-Baker, Julius

150

Stage, Ruth

521

Stevens, Norman

497

Stone, Matthew

295

Stonehouse, Brain

533, 534, 535,

536, 537, 538

Sutherland-Beatson, Julian

643

T Taplin, Guy 585, 586, 587, 588, 589 Tatchell, Rosie Taylor, Neil Tellosa, Jesus

301 607 72, 73

Thick, Dorothy K.

169

Thirlwall, John

484

Thomson, Douglas 617, 618,

619, 620, 621, 622,

623, 624, 625, 626, 627 Titchner, Mark 634 Todd, Cecil 516 Tolley, Nicholas 463 Toms, Carl 354 Topolski, Feliks 359, 360, 360a Tremlett, Gavin 299 Trevelyan, Julian 435 Trinidad, Manuel 555 Tuff, Richard 38 Tuke, Henry Scott 145 Tunnard, John 230, 231 Tyson, Keith 611 U Underwood, Leon

127

V Vaughan, Keith 340, 340a Veal, Wilfred Hayward 166 Veccanti, C. 97 Veillon, Margo 424 Venetian School 508 Vernon Stokes, George 93 Verpilleux, Émile Antoine 236, 237 Von Konig, Leo 149 Vuillard, Édouard 98 W Walch, Charles 239 Walcot, William 165 Walters, Prudence 44, 45, 46, 47 Walton, Stuart 356 Warhol, Andy 316 Webster, Catrin 65 Weight, Carel 390 Wells, William Page Atkinson 94 Whelan, Orla 285 White, Ethelbert 138, 139, 140,

141, 142 Whiting, Frederic 221 Wilding, Ludwig 307 Wilkins, William Powell 49 Williams, Julian 475 Williams, Claudia 3 Williams, Kyffin 81 Wilson Steer, Philip, Circle of 118 Wlérick, Robert 120 Wolmark , Alfred 172, 173 Wood, Christopher 214, 215 Woolf, Hal 164 Wyatt Warren, Charles 501, 502 Wyllie, William Lionel 146 Y Yates, Fred Yeoman, Martin Young, Stephen

542, 543 509, 510 4, 5

Z Zinkeisen, Doris Zox, Larry

460, 461 305

THE HORATIO’S GARDEN CHARITY AUCTION OF MODERN ART

ONLINE ONLY 15TH–30TH MAY 2021 ENQUIRIES Clare Durham | +44 (0)1722 424507 cd@woolleyandwallis.co.uk *VAT may be applicable on some lots

Julian Wild FRSS Stripping the Willow Number 3 from an edition of 3 Lacquered and painted bronze 250cm high The other two editions of this sculpture are in the Kressner Collection and the Cate Blanchett Collection, respectively.

Estimate £30,000-40,000*

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 11TH AUGUST 2021

Sir Joshua Reynolds PRA (1723-1792) Girl leaning on a pedestal, ‘The Laughing Girl’ Oil on canvas 76.4 x 63.5cm; 30 x 25in Estimate £15,000-20,000*

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Provenance: Painted for the Polygraphic Society, 1787; Their sale, Christie’s, London, 14 November 1793, where purchased by John Opie RA (1761-1807); His posthumous sale, Peter Coxe, London, 6 June 1807, lot 108, where purchased by William Lowther, 1st Earl of Lonsdale (1757-1844) (£451.10s); By descent to William Lowther, 2nd Earl of Lonsdale (1787-1872); By descent to Henry Lowther, 3rd Earl of Lonsdale (1818-1876); By descent to St George Lowther, 4th Earl of Lonsdale (1855-1882); His sale, Christie, Manson and Woods, London, 8 March 1879, lot 5 (unsold); By descent to Hugh Lowther, 5th Earl of Lonsdale (1857-1944); His sale, Christie, Manson and Woods, London, 18 June 1887, lot 819, where purchased by Thos. Agnew & Sons; From whom purchased by James Orrock RI, ROI (1829-1913), 23 June 1887; Arthur Sanderson Esq. by c.1900; His sale, Christie, Manson and Woods, London, 6 May 1910, lot 120 (unsold); Christie, Manson and Woods, London, Important Pictures by Old Masters, 2 July 1937, lot 21, where purchased by The Fine Art Society, London (£199); The Fine Art Society, London, November 1937; Private Collection, Berkshire; And by descent

AFRICAN & OCEANIC ART & ANTIQUITIES TUESDAY 8TH JUNE 2021

A Tabwa male ancestor figure mipasi Democratic Republic of the Congo 59.5cm high Estimate £2,000-3,000*

ENQUIRIES Will Hobbs | +44 (0)1722 339752 wh@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

BRITISH ART POTTERY TUESDAY 25TH MAY 2021

CLARICE CLIFF, ART DECO & DESIGN WEDNESDAY 26TH MAY 2021

Dame Lucie Rie (1902-1995) A tall bottle vase with flaring rim Estimate £15,000-20,000*

ENQUIRIES Michael Jeffery | +44 (0)1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed.

Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made

by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

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2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue.

Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(j) (k)

15. FORGERIES

BOOKS AUCTIONS

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources:

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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254 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

TUESDAY 11TH & WEDNESDAY 12TH MAY 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) ��������������������������������� ��������������������������������������������������������� Address �������������������������������������������������� ��������������������������������������������������������� ��������������������������������������������������������� ___________________________ Postcode ������������������� Daytime Telephone ��������������������������������������� Email ���������������������������������������������������� All accounts must be settled within 21 days.

ID may be required even if you have bid with us before.

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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR APRIL 2021 20th & 21st Furniture, Works of Art & Clocks 27th & 28th Silver & Objects of Vertu

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS

29th Jewellery

MAY 11th & 12th Modern British & 20th Century Art 25th

British Art Pottery

26th Clarice Cliff, Art Deco & Design

JUNE 8th

African & Oceanic Art & Antiquities

22nd

Medals & Coins, Arms & Armour

23rd

Fine Porcelain & Pottery

JULY 6th & 7th

Furniture, Works of Art & Clocks

13th & 14th Silver & Objects of Vertu 15th

Fine Jewellery

27th & 28th Asian Art, Chinese Paintings & Japanese Works of Art

AUGUST 11th

Old Masters, British & European Paintings

24th Arts & Crafts 25th

Design

Dates may be subject to change +44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

Henry Moore OM, CH (1898-1986) Upright Connected Forms SOLD FOR £45,000*

www.woolleyandwallis.co.uk