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SURPRISING | CAPTIVATING | GRATEFUL
These words speak to what sets TITAS/DANCE UNBOUND apart, and to the state we find ourselves in as we emerge from the Covid Fog. They speak to who we are and how we enter our new season.
Dance is such a distinct art form. Luminous, arduous, meaningful and inspiring. Time and time again, “I’m overwhelmed, this was not what I expected,” are the reactions I hear from first-time audiences, something our longtime subscribers have always known. Reaching our 40th anniversary affords TITAS the unique perspective of looking back and exploring the impact high quality, curatorial arts presentation has on a city and on a community. For 40 years, TITAS/DANCE UNBOUND has presented the most innovative, the most remarkable artists touring the world today. We look forward to another 40 years of innovation.
The 2022:23 season won’t disappoint. Bold, beguiling and breathtaking imagery makes this a very special set of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, Canada and South Africa. Five of these companies are making their debuts with TITAS.
Thank you for being a part of another year of breathtaking performances, and thank you for actively engaging in the arts and for being a part of the TITAS/DANCE UNBOUND and AT&T Performing Arts Center family.
All that remains of communities and civilizations, all that remains of their worth and dignity exists in the art they leave.
William Carlos Williams Sincerely, Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUNDPRESENTS
Founder, Artistic Director and CEO
Gina Gibney
Gibney Center Artistic Director
Director of Engagement
Gibney Company Director
Senior Director of Community Action Managing Director
Senior Director of Development General Manager Gibney Company
Senior Director of Education Company Advisor
Nigel Campbell Amy Miller Gilbert T Small II Yasemin Özümerzifon
Jenny Thompson Shannon McPhee Shane Jewell Alexandra Wells
Representation
Outer/Most Barbara Frum 890 Broadway, Suite 5-2 New York, NY 10003 brum@outermostagency.com
TITAS/DANCE UNBOUND SEASON SPONSORS
The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.
(2016 / Company Premiere 2022)
Choreography Staging
Scenery Design Costume Design Lighting Design Music
Run Time
Johan Inger Yvan Dubreuil
Johan Inger
Johan Inger & Francesca Messori
Peter Lundin Keith Jarett
27 minutes
For this large-scale ensemble piece, Swedish choreographer Johan Inger uses the legend ary “Köln Concert” by jazz pianist Keith Jarrett; music that many consider to be the epito me of virtuoso improvisation. Rather than translating the music one-to-one into movement, it is more the feeling of Jarrett’s iconic music—free, soaring and ecstatic—that Inger translates into beautifully crafted dance, sending not only listeners, but audience members into a state of bliss.
PAUSE
A Measurable Existence
(World Premiere 2022)
Choreography Original Score
Lighting Design Costume Design Run Time
Yin Yue Rutger Zuydervelt
Asami Morita Christine Darch
18 minutes
Our existence is often measured, remembered, shared and felt by our interactions with space, time and each other. In A Measurable Existence, Yin Yue delves into how we discover aspects of ourselves by discovering others. The moment we realize our journeys parallel, intersect, repel or collide with others’ experiences, we begin a new understanding of our own existence that may frighten, challenge and, at the same time, sustain us.
Bliss This work was made possible by the generous support of Andrew A. Davis and the Shelby Cullom Davis Charitable Fund.
OH COURAGE!
(World Premiere 2021)
Choreography
Associate Choreographer
Original Music Set Design
Lighting Design Costume Design Costume Construction Run Time
Sonya Tayeh
Jenn Freeman
The Bengsons Rachel Hauck
Asami Morita
Márion Talán de la Rosa
Victoria Bek 26 minutes
OH COURAGE! is a piece about self-reflection, truth and resilience. It is a soul march that navigates what occurs when there is a guttural need for change. In that need, there is a sense of euphoria in possibility, and a vivid mourning for what is being lost along the way. How do we create a sanctuary for both?
This work was made possible by the generous support of Andrew A. Davis and the Shelby Cullom Davis Charitable Fund, the Mertz Gilmore Foundation, the New York State Council on the Arts, the O’Donnell-Green Music and Dance Foundation, and the Omomuki Foundation.
ABOUT THE COMPANY
Gina Gibney (Founder, Artistic Director & CEO, @ginagibney) (she/her) is a choreographer, director, entrepreneur, and Founder, Artistic Director and CEO of Gibney. She founded Gibney in 1991 as an arts organization dedicated to social action, and today the organization has rapidly emerged as a cultural leader operating 23 studios across two Lower Manhattan facilities. With the mission of tapping into the vast potential of movement, creativity, and performance to effect social change and personal transformation, Gibney works through three interrelated fields of activity—Company, the acclaimed resident dance ensemble; Center, two beautiful spaces at 890 and 280 Broadway; and Community, highly respected and impactful social action programs. Considered a pioneer in connecting the arts with the broader community, she was inducted into the Vanity Fair Hall of Fame for “making art and taking action” in 2008. Gibney is serving her second term as a Trustee of Dance/USA and has received the organization’s Ernie Award, given annually to a changemaker in the field. Gibney was a Founding Member of Dance/NYC’s Board of Directors, and continues to serve today. She was included in Dance Magazine’s 2017 list of The Most Influential People in Dance Today and named to the Out100 2016 list of influential members of the LGBT community. Gibney is a frequent panelist and speaker on topics of dance, entrepreneurship, and arts-community partnerships. She holds a Bachelor of Arts and Master of Fine Arts from Case Western Reserve University where she graduated summa cum laude and Phi Beta Kappa. In 2018, she received the University’s Distinguished Alumni Award.
Gilbert T Small II (Company Director, @gil_ty) (he/him) joined Gibney Company in 2020 as Curatorial Director of Training and Company Rehearsal Director and was promoted to Company Director in 2022. He is a mentor to many emerging artists in New York and abroad and serves as guest faculty for institutions internationally, cultivating relationships and connections across many demographics and communities. Previously, Small was a leading artist with the internationally acclaimed Ballet British Columbia under the leadership of Emily Molnar. During his ten years with the company, he worked with choreographers William Forsythe, Crystal Pite, Medhi Walerski, Emily Molnar, and Cayetano Soto, and others, and took on the role of Rehearsal Director for the company’s fall 2017 season.
He received a Bachelor of Fine Art from SUNY Purchase Conservatory of Dance in 2009. While at Purchase, he studied abroad at Codarts in Rotterdam, an opportunity that shifted his perspective, pushing him to investigate and explore the multifaceted nature of the art form. Originally from Baltimore, Maryland, Small began his formal training at the Baltimore School for the Arts.
Alexander Anderson (Artistic Associate, @zanderander) (he/him) joined Gibney Company as an Artistic Associate in 2020 after serving as a guest artist in the spring of that year. He received a Bachelor of Fine Arts in Dance from The Juilliard School, where his choreography received Choreographic Honors and was featured in the Peter Jay Sharp Theater from 2010 to 2014. He was a 2012 recipient of the Dizzy Feet Foundation Scholarship Award, a 2013 recipient of the Princess Grace Foundation Scholarship Award, and received the Alexander Bay Moore Dance Award. Anderson began his professional career dancing for Nederlands Dans Theater 2 and later joined Nederlands Dans Theater 1 as a company artist. Anderson’s Moving Towards Justice Fellowship at Gibney, Revive, aims to address mental health, and promote mindfulness in the dance community, to enable longevity and sustainability in dancers’ careers. He is originally from South Florida and attended the Alexander W. Dreyfoos School of the Arts.
Scott Autry (Artistic Associate, @scott-autry) (he/him) joined Gibney Company as an Artistic Associate in 2022. He is 2022 graduate of The Juilliard School, where he performed works by Ohad Naharin, Bobbi Jene Smith, Aszure Barton, Justin Peck, Lea Ved, Jamar Roberts, and many more. Committed to developing his choreographic voice during his tenure at Juilliard, he was selected to create works for Juilliard’s Choreographers and Composers and 2022’s Senior Production, and had multiple works shown in Choreographic Honors. He was selected as the 2022 Juilliard Choreographic Fellow for the inaugural collaboration between LaGuardia Dance and Juilliard Dance and was honored to receive the Héctor Zaraspe Prize from the Juilliard Dance Department for demonstrating outstanding talent and development as a choreographer. Autry began dancing at 13 and as a senior in high school was recognized as a YoungArts Winner by the National YoungArts Foundation. He is a native of Colorado Springs, Colorado.
Alicia Delgadillo (Artistic Associate, @aliisabel) (she/her) joined Gibney Company in 2021 as an Artistic Associate. Prior to joining Gibney Company, Delgadillo danced with Hubbard Street 2 and Hubbard Street Dance Chicago and is a founding member of PARA.MAR Dance Theatre. Delgadillo has collaborated with a wide array of choreographers and institutions, including Crystal Pite, Ohad Naharin, Alejandro Cerrudo, Third Coast Percussion, and The Second City. She graduated with Honors from the Ailey/Fordham BFA Program where she was able to foster her passion for arts outreach through JUNTOS Collective, a non-profit dance outreach organization. As an arts educator and entrepreneur, Delgadillo has served as Artistic Coordinator for Hubbard Street Summer Intensive, Company Manager for PARA.MAR Dance Theatre, and has produced various artistic projects. She was born in San Francisco, CA, and began her dance training in Half Moon Bay, CA, before moving to Charlotte, NC, where she studied at Charlotte School of Ballet and Piedmont School of Music and Dance.
Miriam Gittens (Artistic Associate, @miriamgittens) (she/her) joined Gibney Company as an Artistic Associate in 2022. She graduated from The Juilliard School with a Bachelor of Fine Arts in Dance in 2017 and joined chuthis under the direction of Peter Chu. In 2018, Miriam joined Ballet BC, where she performed works by Aszure Barton, Sharon Eyal + Gai Behar, William Forsythe, Marco Goecke, Johan Inger, Felix Landerer, Emily Molnar, Ohad Naharin, Out Innerspace, Crystal Pite, and Medhi Walerski over four seasons. Gittens was born and raised in Fresno, California and received a diverse dance education from The Dance Studio of Fresno.
Zultari (Zui) Gomez (Artistic Associate, @iam.zui) (she/her) joined Gibney as an Artistic Associate in 2017. After receiving a Bachelor of Fine Arts in Dance from the Boston Conservatory at Berklee, Gomez danced with Ballet Hispánico, Ballet Hispánico Dos, Collage Dance Collective, DanceNOW! Ensemble, ArmitageGone! Dance, RuddUR Dance Company, Rosie Herrera Dance Theatre, and Zest Collective, and worked alongside Jamar Roberts in the premiere of his Veil in Miami. She has performed works by Bobbi Jene Smith, Micaela Taylor, Adam Burruch, Shannon Gillen, Stephanie Batten Bland, Bryan Arias, and Alan Lucien Øyen, and has collaborated with Mark Caserta. Her Moving Toward Justice fellowship project at Gibney, CONFIDANZ, uses movement to help create more confidence for artists in front of the camera, while also providing
guidance on lighting, angles, and advocacy. Gomez was born in the Dominican Republic and raised in Miami.
Eddieomar Gonzalez-Castillo (Artistic Associate, @Eddieomar.Gonzalez) (he/him) joined Gibney Company as an Artistic Associate in 2022. He graduated with a Bachelor of Fine Art in Modern Performance from SUNY Purchase Conservatory of Dance and studied at the Western Australian Academy of Performing Arts in Perth, Australia with a concentration in Classical Ballet. Throughout his training, he has performed repertory by Jose Limón, Shannon Gillen, Ana Maria Lucaciu, Kimberly Bartosik, Tom Weinberger, and Crystal Pite. The start of his professional journey led him to work for companies such as Visceral Dance Chicago and Bocatuya. In 2021 he joined Alejandro Cerrudo on his self-produced work It Starts Now , and most recently he was seen in the national tour of Fiddler on the Roof, performing choreography by Hofesh Shechter. A South Florida native, Gonzalez-Castillo began his formal training at the Dreyfoos School of the Arts and Florida School for Dance Education.
Eleni Loving (Artistic Associate, @eleni.loving) (she/her) joined Gibney Company as an Artistic Associate in 2022. She is a graduate of The Juilliard School, where she collaborated with noted choreographers including Ohad Naharin, Justin Peck, Francesca Harper, Bobbi Jene Smith, Victor Quijada, and Shamel Pitts, and had her own work selected to be presented in the school’s Choreographic Honors program. She has studied with Mejia Ballet International, Dance Theatre of Harlem, and Alonzo King LINES Ballet. Loving was named a 2018 YoungArts winner and is a NAACP ACT-SO awardee. Loving is a native of Dallas and began her training with Dallas Black Dance Academy.
Jesse Obremski (Artistic Associate, @jesse_obremski) (he/him) joined Gibney Company in 2018 as a Guest Artist and became an Artistic Associate in 2019. He has danced with Lar Lubovitch Dance Company, Helen Simoneau Dance, WHITE WAVE, Brian Brooks Moving Company, and The Limón Dance Company (soloist and principal). Obremski’s choreographic work has been presented internationally by Gibney Company, Buglisi Dance Theatre, Brigham Young University, and Earl Mosley’s Diversity of Dance (EMDOD), among others. He is an educator and has restaged José Limón’s work at MOVE|NYC|, The University of
Wyoming, and has assisted at The Juilliard School. In 2018, he founded Obremski/Works, which has appeared internationally with an emphasis on dance films and AAPI Support Fellowships. He was the recipient of the Asian American Arts Alliance’s 2016 Jadin Wong Award. For his Gibney Moving Toward Justice Fellowship project, Obremski created OUR PATHS, which seeks to cultivate greater communal empathy. A native of New York City, Obremski began his studies at The Ailey School and studied at Jacob’s Pillow and Springboard Danse Montreal, and is a graduate of The Fiorello H. LaGuardia High School and The Juilliard School.
Kevin Pajarillaga (Artistic Associate, @kevin.pajarillaga) (he/him) joined Gibney Company as an Artistic Associate in 2020. Previously, he worked with companies including NW Dance Project, Yin Yue’s YY Dance Company, Bruce Wood Dance and Sonya Tayeh Dance, and has guestperformed with Parsons Dance Company, Dayton Contemporary Dance Company, and Pittsburgh Ballet Theater. He has choreographed for NW Dance Project and The Juilliard School’s senior showcase 2017. Pajarillaga co-founded Moving Forward Dallas, a non-profit dedicated to nurturing the thriving young artists in Dallas. He has appeared in GAP’s 2018 spring campaign “Experiment in Color”. He was the movement coach/ choreographer for artist “BIG WILD”, Jackson. Pajarillaga is the co-founder of Moving Forward Dallas, a non-profit dedicated to nurturing thriving young artists in Dallas. Pajarillaga’s Moving Toward Justice Fellowship project with Gibney, EVERGREEN, is a platform for diverse creators to produce socially relevant and impactful new works on film. Pajarillaga is a Filipino American, born and raised in Silver Spring, MD.
Jordan Powell (Artistic Associate, @jordannpow) (she/her) joined Gibney Company in 2022 as an Artistic Associate. She graduated from the University of Southern California’s Glorya Kaufman School of Dance, where she performed works by George Balanchine, Jiří Kylián, William Forsythe, Merce Cunningham, Paul Taylor, Doug Varone, Ohad Naharin, Barak Marshall, and Hope Boykin, among other influential choreographers. She has done additional intensive training at Jacob’s Pillow, The Juilliard School, BalletX, and Complexions Contemporary Ballet. As a dance educator, Powell has taught at Everybody Dance LA! and Project Dance in New Jersey. Powell is originally from Freehold, NJ.
Jie-Hung Connie Shiau, (Artistic Associate , @jiehungshiau) (she/her) joined Gibney Company in 2020 as an Artistic Associate and has been selected as a Gibney Choreographic Fellow for the 2022-23 season. For her fellowship, she is creating a new work that will be presented at Gibney Center in New York in November 2022. As a dancer, choreographer, and educator, Shiau has worked as a collaborator with an array of companies, including Hubbard Street Dance Chicago, AIM by Kyle Abraham, Gallim Dance, Helen Simoneau Danse, MeenMoves, Adam Barruch/Anatomiae Occultii, and Kevin Wynn Works. Her choreographic work has been presented at New Choreographer Project in Taipei, Taiwan, Loyola University, Hubbard Street Dance Chicago summer intensives, Little Island Dance Festival, SUNY Purchase Spring Concert, and Hubbard Street Dance Chicago’s 43rd Virtual Season. As a dancer, Shiau has been recognized as a Chicago Dancemaker Forum Greenhouse Artist in 2019, as one of Dance Magazine’s 2018 “25 To Watch” picks, with an Honorable Mention for the Jadin Wong Award for Emerging Asian American Dancer in 2014, and with a Reverb Dance Festival Dancer Award in 2014. Her Moving Toward Justice Fellowship project with Gibney is BODYHUES, a platform to promote self-caring and self-loving practices as a means of fighting body shaming culture. Born in Gainesville, Florida, Shiau was raised in Tainan, Taiwan.
Jacob Thoman (Artistic Associate, @jacob.thoman) (he/him) joined Gibney as an Artistic Associate in 2019. Graduating from The Juilliard School in 2019, under the direction of Larry Rhodes and Alicia Graf Mack, he has performed works by Roy Assaf, Crystal Pite, and Stefanie Batten Bland. Thoman has worked with Benoit Swan Pouffer and Alexandra Damiani at Cedar Lake 360 Intensive, as well as with Alexandra Wells at Springboard Danse Montreal. In Summer 2019, Jacob performed in the inaugural production of Dragon Spring Phoenix Rise at The Shed, choreographed by Akram Khan. Thoman spent his childhood in Cincinnati, Ohio and Manila, Philippines, where he trained and performed with Exhale Dance Tribe, following Missy Lay Zimmer and Andrew Hubbard, and received additional training at The School for Creative and Performing Arts and at Cincinnati Ballet.
Jake Tribus (Artistic Associate, @jake.tribus) (he/him) joined Gibney Company as an Artistic Associate in 2019. A 2020 graduate of USC’s Glorya Kaufman School of Dance, Tribus’ past training includes intensives
with Netherlands Dance Theater, Batsheva Gaga Technique, The Juilliard School, and Complexions Contemporary Ballet. Additionally, he has performed repertoire from choreographers Ohad Naharin, Crystal Pite, Jîrí Kylián, Johan Inger, Paul Taylor, Victor Quijada, Aszure Barton, and Dwight Rhoden. Jake has performed on stages including The Joyce Theatre with Gibney Company and the Glorya Kaufman School of Dance, The Shed with A Quiet Evening of Dance by William Forsythe, the Kampnagel International Summer Festival premiering Where There’s Form by Aszure Barton, and in 2022 the Fire Island Dance Festival choreography by Akira Uchida and Micaela Taylor. He has also performed in music videos and on stage for artists including Taylor Swift, Lorde, Backstreet Boys, and Janet Jackson, among others. Jake is the recipient of a 2022 Princess Grace Award in Dance. His Moving Toward Justice Fellowship project with Gibney, Converge2Emerge (“C2E”), aims to magnify emerging choreographic voices in New York City. He is originally from Raleigh, North Carolina, where he began his training at CC & Company Dance Complex, Green Music and Dance Foundation, and the Omomuki Foundation.
ARTISTS’ REPRESENTATIVE
Barbara Frum
Outer/Most barbara@sharingspacesproductions.com www.sharingspaces.ca
955 Queen Street West, PH05 Toronto, ON M6J 1G9 Canada
GIBNEY COMPANY
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Marc Williams Linda and Ralph Williams Rickey "Rick" Williams Mary Williford-Shade Sunny Wood James William Woodall Diane Woodend Jones Donna Wurster Susan Yanofsky Melissa Young JoEllen Zabel Meredith and Ian Zapata
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee
BOARD OF TRUSTEES
Lee Cobb, President
Sue Benn
Joel Bines
Arthur P. Bollon
Kitty Carter
Michael Crossley Claire Dewar
Lenore Diamond
Wanda Gierhart Fearing Steven Gendler
Bill Graue
Gail Griswold Matrice Ellis-Kirk
Lola Lott
Rodger Kobes
Fred Margolin
Tracy Preston DeMetris Sampson Charles Santos
Saundra Steinberg
Arlene Switzer Steinfield Michael Titens
Katherine Walker Chandana Weerasekara Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher Kathryn D. Greene
Carol Hall
Sally Hansen
Charles Santos
Executive Director/Artistic Director
Alan Lerner
Charlene Marsh Lynn Nikaidoh Deedie Rose
John Frazier
Director of Operations
Tammy Elkins Director of Finance
Jessica Malek
Director of Development and Education
Tom Adams and Gene Leggett
TITAS Co-Founders
700 N. Pearl Street, Suite 1800, Dallas, TX 75201
Administrative Office: 214.978.2855 · Box Office: 214.880.0202 titas.org
Dare to Discover Our Dallas
Comprehensively transformed and perfectly situated the Sheraton Dallas Hotel is connecting guests to all Dallas has to offer. You’ll be stepping into a stylish hotel with stunning spaces, connecting you with redesigned guest rooms and public areas, including restaurants and bars and our Sheraton Club Lounge.
A stay at the Sheraton Dallas is a stay at the center of the city and an invitation to explore. Steps from our front door you can discover the city’s leading attractions, culture, restaurants, shopping and more.
Embrace the excitement and culture downtown Dallas has to offer with a stay at the Sheraton Dallas.
Sheraton Dallas 400 North Olive Street Dallas, TX, 75201 214-922-8000 SheratonDallas.com