MOMIX Digital Program

Cover photo by Sharon Bradford. Courtesy of MOMIX | ALICE

D i sc o ve r the star s a nd t he fligh ts.

Nothing Replaces The LIVE Experience - This is our mantra this year. It is time to get back to celebrating the arts in person, with shared experiences and inspiration. So often, I leave the theater awe-struck at what I’ve just experienced; that’s what we aim for. This season will not disappoint.

Dance is such a distinct art form. Luminous, arduous, meaningful and inspiring. “I’m overwhelmed; this was not what I expected.” This is the reaction I most often hear from audiences, something our longtime subscribers have always known. Our 40+ years of experience affords TITAS the unique perspective of looking back and appreciating the amazing impact that high-quality, curatorial arts presentation has on a community, on a city.

TITAS/DANCE UNBOUND continues to present the most innovative, the most remarkable artists touring the world today. It’s time for all of us to return to the extraordinary shared performance experience, to leave our devices off and experience art with all our senses. Nothing Replaces the LIVE Experience!!!

The 2023:24 season won’t disappoint. International, creative and breathtaking imagery makes this an exceptional set of the world’s most interesting movement artists. We proudly present a season of ten extraordinary companies from the United States, Japan, Canada, Israel and France. Four of these companies are making their Texas/Dallas debuts with TITAS.

Thank you for being a part of another year of breathtaking performances, and thank you for actively engaging in the arts and for being a part of the TITAS/DANCE UNBOUND and AT&T Performing Arts Center family.

What we do together, truly does make a difference.

Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND

Program Note

Travel down the rabbit hole MOMIX-style with Moses Pendleton’s newest creation, ALICE, inspired by Alice in Wonderland. As Alice’s body grows and shrinks and grows again, MOMIX dancers extend themselves by means of props, ropes, and other dancers.

“We don’t intend to retell the whole Alice story,” he says,“but to use it as a taking off point for invention. I’m curious to see what will emerge, and I’m getting curiouser and curiouser the more I learn about Lewis Caroll. I share his passion for photography and his proclivity for puns.”

The Alice story is full of imagery and absurd logic – before there was Surrealism, there was Alice. Alice is an invitation to invent, to let the imagination run wild. “Go Ask Alice,” sang Grace Slick in “White Rabbit” – she also said, “feed your head.”

Pendleton continues, “You can see why I think Alice is a natural fit for MOMIX and an opportunity for us to extend our reach. We want to take this show into places we haven’t been before in terms of the fusion of dance, lighting, music, costumes, and projected imagery. Our puns are visual, not verbal. It’s not modern dance, it’s MOMIX – under the spell of Lewis Carroll, who was under the spell of Alice – who was still learning to spell.”

As with every MOMIX production, you never quite know what you are going to get. Hopefully, audiences will be taken on a journey that is both magical, mysterious, fun, eccentric, and much more. As Alice falls down the rabbit hole and experiences every kind of transformation, we invite you to follow her.

We see Alice as an invitation to invent, to dream, to alter the way we perceive the world, to open it to new possibilities. The stage is our rabbit hole, we welcome you to drop in!”

-- Moses Pendleton, Artistic Director

PROGRAM

(Program Subject to Change)

Conceived and Directed by:

Associate Director:

Assisted by:

Production Manager /

Lighting Supervisor:

Technical Crew:

Lighting Design:

Music Collage:

Music Editing:

Video Design:

Spider Puppet Design:

Costume Design:

Costume Construction:

Ballet Mistress:

Research Consultant:

Communications Manager:

Company Manager:

MOSES PENDLETON CYNTHIA QUINN

ANTHONY BOCCONI, BEAU CAMPBELL, JENNIFER CHICHEPORTICHE, SAMANTHA CHIESA, HEATHER CONN, GREGORY DE ARMOND, JONATHAN EDEN, MATT GIORDANO, SEAH HAGAN, HANNAH KLINKMAN, SEAN LANGFORD, HEATHER MAGEE, SARAH NACHBAUER, JADE PRIMICIAS, REBECCA RASMUSSEN, COLTON WALL, and JASON WILLIAMS

WOODROW F. DICK II

ALEXA DENNY, LILY FONTES

MICHAEL KORSCH

MOSES PENDLETON

ANDREW HANSON

WOODROW F. DICK, III

MICHAEL CURRY

PHOEBE KATZIN

PHOEBE KATZIN & BERYL TAYLOR

VICTORIA MAZZARELLI

PHILIP HOLLAND

QUINN PENDLETON

PAULA BUDETTI BURNS

This production of Alice has been funded, in part, by a contribution from Next Move Dance.

‘Would you tell me, please. which way I ought to go from here?”

“That depends a good deal on where you want to get to.”

“I don’t much care where -”

“Then it doesn’t matter which way you go.”

- Lewis Carrol

ACT ONE: Down the Rabbit Hole

A Summer Day

Alice Down the Rabbit Hole

Pool of Tears

A Trip of Rabbits

The Tweedles

The Cheshire Cat

Advice from a Blue Caterpillar

The Lobster Quadrille

Mad Hatters

The Queen of Diamonds

The Queen of Clubs Versus The Queen of Spades

The Mad Queen of Hearts

Cracked Mirrors

- 20 MINUTE INTERMISSION -

ACT TWO: Through the Looking Glass

There is Another Shore Into the Woods

The Wolf-Spied-Her

Looking Through Stained Glass

Garden of Molar Bears & Other Creatures

The Mock Turtle Deflated

Trial of the Fallen Cards

Bed of Roses

Go Ask Alice

Alice Soundtrack:

Des Chapeaux dans les Lapins by Odezenne - Alix Calliet, Jacques Cormary, and Matthia Lucchini, SDRM; Cracked Mirrors and Stopped

Clocks, Womb Duvet by Origamibiro -Tom Hill, Andy Tytherleigh, and The Joy of Box, Two Thousand and Eleven Ribbon Music; Faster and Faster by Tony Kinsey, KMP LTD; Fortress of Doors, Fungiferous Flora, Skool Daze, Falling Down the Rabbit Hole by Chris Vrenna & Mark Blasquez, Almo/Pink Lava; Taal Se Taal by Alka Yagnik & Udit Narayan - A.R. Rahman & Anand

Bakshi, Tips Industry Music Publishing; The Cheshire Cat by Danny Elfman, Wonderland Music Company; Restless by Sounds from the Ground - Nick Woolfson & Eliot Jones, Sherlock Holmes Music LTD; The Lobster Quadrille by Franz Ferdinand - Alexander Huntley, Nick McCarthy, Paul Thompson, and Robert Hardy, Universal Polygram Intl.; Mexicali, Jacquadi by Polo and Pan - Paul Armand-Delille & Alexandre Grynszpan, EOS; 1977 by Ana Tijoux, BMG; Don't Worry, We'll Be Watching You, Smoke and Mirrors by Gotye - Wouter De Backer, Songs of Kobalt Music.; Prologue/Cherry Ripe by Richard Hartley, He Pro Tunes, Inc.; The Sea by Joey Pecoraro, Rough Trade Songs; Divine Moments of Truth by Shpongle - Simon James Posford & Raja Ram, Twisted Music LTD; Requiem by House Made of Dawn, Arcane Creative Publishing; 2 Songar (Two Songs) II Vogguvis (Lullaby) by Jon Leifs, Iceland Music Information Center; Indifferent Universe, Liminalidad, Espera by Lucrecia Dalt, RVNG Intl.; White Rabbit words and music by Grace Wing Slick, Irving Music, Inc. (on behalf of Copperpenny Music); Perpetuum

Mobile by Simon Jeffes, Daniel Myer, Barbara Thompson, and Dejan

Samardzic, Editions Penguin Cafe LTD.

ABOUT THE COMPANY

MOMIX, a company of dancer-illusionists under the direction of Moses Pendleton, has been presenting work of exceptional inventiveness and physical beauty for 40 years. From its base in Washington, Connecticut, the company has developed a devoted worldwide following. In addition to stage performances, MOMIX has also worked in film and television, as well as corporate advertising, with national commercials for Hanes and Target, and presentations for Mercedes-Benz, Fiat, and Pirelli. With performances on PBS’s Dance in America series, France’s Antenne II, and Italian RAI television, the company’s repertory has been beamed to 55 countries. The Rhombus Media film of Mussorgsky’s Pictures at an Exhibition with MOMIX and the Montreal Symphony was winner of an International Emmy for Best Performing Arts Special. MOMIX was also featured in IMAGINE, one of the first 3-D IMAX films released in IMAX theaters worldwide. MOMIX dancers Cynthia Quinn and Karl Baumann, under Moses Pendleton’s direction, played the role of “Bluey” in the feature film F/X2, and White Widow, co-choreographed by Pendleton and Quinn was featured in Robert Altman’s movie The Company. With nothing more than light, shadow, fabric, props, and the human body, MOMIX continues to astonish and delight audiences on five continents.

WHO’S WHO IN THE COMPANY

MOSES PENDLETON (Artistic Director) has been one of America’s most innovative and widely performed choreographers and directors for almost 50 years. A co-founder of the ground-breaking Pilobolus Dance Theater in 1971, he formed his own company, MOMIX, with Alison Chase in 1980. Mr. Pendleton has also worked extensively in film, TV, and opera and as a choreographer for ballet companies and special events.

Mr. Pendleton was born and raised on a dairy farm in Northern Vermont. His earliest experiences as a showman came from exhibiting his family’s dairy cows at the Caledonian County Fair. He received his BA in English Literature from Dartmouth College in 1971. Pilobolus began touring

immediately, and the group shot to fame in the 1970s, performing on Broadway under the sponsorship of Pierre Cardin, touring internationally, and appearing in PBS’s Dance in America and Great Performances series. By the end of the decade, Mr. Pendleton had begun to work outside of Pilobolus, performing in and serving as principal choreographer for the Paris Opera’s Intégrale Erik Satie in 1979 and choreographing the Closing Ceremony of the Winter Olympics at Lake Placid in 1980. In that same year, he created MOMIX, which rapidly established an international reputation for inventive and often illusionistic choreography. The troupe has now been creating new work under his direction and touring worldwide for four decades.

Mr. Pendleton has also been active as a performer and choreographer for other companies. He staged Picabia’s Dadaist ballet Relâche for the Paris Opera Ballet and the Joffrey Ballet, and Tutuguri, based on the writings of Artaud, for the Deutsche Oper Berlin. He created the role of the Fool for Yuri Lyubimov’s production of Mussorgsky’s Khovanschina at La Scala, choreographed Rameau’s Platée for the U.S. Spoleto Festival, and contributed choreography to Lina Wertmuller’s production of Carmen at the Munich State Opera. Mr. Pendleton has created new works for the Arizona Ballet and the Aspen Santa Fe Ballet, and he teamed up with Danny Ezralow and David Parsons, both former MOMIX dancers, to choreograph AEROS with the Romanian National Gymnastics Team. Most recently, Mr. Pendleton choreographed The Doves of Peace, featuring Diana Vishneva and 50 ballerinas, for the Opening Ceremony of the 2014 Winter Olympics.

Mr. Pendleton’s film and television work include the feature film F/X2 with Cynthia Quinn, Moses Pendleton Presents Moses Pendleton for ABC ARTS cable (winner of a CINE Golden Eagle award), and Pictures at an Exhibition with Charles Dutoit and the Montreal Symphony, which received an International Emmy for Best Performing Arts Special in 1991. Mr. Pendleton has also made music videos with Prince, Julian Lennon, and Cathy Dennis, among others.

Mr. Pendleton is an avid photographer whose work has been presented in Rome, Milan, Florence, and Aspen. Images of the sunflower plantings at his home in northwestern Connecticut have been featured in numerous books and articles on gardening. He is the subject of Salto di Gravita by Lisavetta

Scarbi (1999), and his photographs accompany the sixteen cantos of Phil Holland’s The Dance Must Follow (2015), which takes Mr. Pendleton’s own creative process as its subject.

Mr. Pendleton was a Guggenheim Fellow in 1977. He was a recipient of the Connecticut Commission on the Arts Governor’s Award in 1998. He received the Positano Choreographic Award in 1999 and the 2002 American Choreography Award for his contributions to choreography for film and television. In 2010, Mr. Pendleton received an Honorary Doctorate of Fine Arts (HDFA) from the University of the Arts in Philadelphia, where he delivered the commencement address. In 2021, Mr. Pendleton received an Honorary Doctor of Arts from his alma mater, Dartmouth College for his lifetime contribution to the arts.

CYNTHIA QUINN (Associate Director) grew up in Southern California. She graduated Phi Beta Kappa from the University of California at Riverside and continued there as an Associate in Dance for five years. As a member of Pilobolus in the 1980s, she performed on Broadway and throughout the United States, Europe,Canada, Israel, and Japan, and she collaborated on the choreography of Day Two, Elegy for the Moment, Mirage, What Grows in Huygens Window and Stabat Mater. Ms. Quinn began performing with MOMIX in1983 and has toured worldwide with the company. She has appeared in numerous television programs and music videos, and has assisted Moses Pendleton in the choreography of Pulcinella for the Ballet Nancy in France, Tutuguri for the Deutsche Oper Berlin, Platée for the Spoleto Festival USA, Les Mariés de la Tour Eiffel in New York, AccorDION for the Zurich-Volksbuhne Theatre, Carmen for the Munich State Opera, as well as Opus Cactus for the Arizona Ballet and Noir Blanc for the Aspen Santa Fe Ballet. She has also appeared as a guest artist with the Ballet Théâtre Française de Nancy, the Deutsche Oper Berlin Ballet, and the Munich State Opera, as well as international galas in Italy, France, and Japan. Ms. Quinn made her film debut as “Bluey” (a role she shared with Karl Baumann) in F/X2. She was a featured performer in the Emmy Award-winning Pictures at an Exhibition with the Montreal Symphony and has also appeared in the3D IMAX film IMAGINE. Ms. Quinn is a board member of the Nutmeg Conservatory in Torrington, Conn., and is on the advisory board of Torrington’s Susan B. Anthony Project. She was featured with Ru Paul and k.d.lang for M.A.C. Cosmetics’ “Fashion Cares” benefit in Toronto and Vancouver. Ms. Quinn is co-choreographer

of “White Widow,” which is featured prominently in Robert Altman’s The Company. Ms.Quinn was also featured in the film “First Born,” with Elisabeth Shue. Most recently, she co-choreographed The Doves of Peace, featuring Diana Vishneva, for the Opening Ceremony of the 2014 Winter Olympics. Her most rewarding and challenging role, however, has been as a mother to her daughter, Quinn Elisabeth.

ÓRLA BAXENDALE (Dancer) is originally from Lancashire, UK where she trained and competed in Irish Dancing from a very early age. Her love of dance led her to train at Northern Ballet Academy and Elmhurst Ballet School. In 2018 she moved to New York to train as a scholarship student at The Ailey School. Since graduating, Órla has performed professionally across the UK and United States in various styles including Contemporary Dance, Classical Ballet and Musical Theatre as well as Film/TV and Live Stage Productions. She has worked for NYFW, H&M, Coach and Commodity Fragrances, and danced at The Choreographers Carnival. She was cast in the World Premiere production of Romeo and Juliet for Sir Matthew Bourne’s New Adventures Company, and also performed as Juliet for Women In Dance’s Romeo and Juliet - The Choice. Most recently, Órla performed in the show English with an Accent at Lincoln Center in New York City. She is a soon to be certified Pilates Teacher, and works as a Performance Entertainer across the Tri-State Area. Órla joined MOMIX in June 2023!

HEATHER CONN (Dancer) is originally from New York. She attended the Long Island High School for the Arts as a dance major and holds a BFA in dance from the Tisch School of the Arts at New York University. Additionally, she has trained with the Joffrey Ballet School, the Bolshoi Ballet, and the Boston Conservatory, among others. Heather has performed professionally across the United States and beyond, in contemporary dance, musical theater, film, and live production art. She has performed in such notable venues as Radio City Music Hall, the Kennedy Center, the Apollo Theater, Jacob’s Pillow, and the Folies Bergere in Paris, France. Heather has danced for Nickerson-Rossi Dance, Schoen Movement Company, and The Orsano Project as assistant to Phil Orsano. She was given a leading role in Busch Gardens Christmastown production of their show Miracles. She performs for TEN31 Productions as a “living art” performer at events, as well as the live arts company Moving On. Heather is featured in the published photography book Dance Across the

USA by Jonathan Givens, as a dancer representing the state of New York. She is a certified Yoga teacher, a certified Animal Flow® instructor, and an Essential Oil Specialist. Heather has a passion for healing and is an advocate for social justice, wildlife, and the Earth. Heather joined MOMIX in 2018.

NATHANIEL DAVIS (Dance Captain) was born in Toronto, Canada, and started his training at the age of seventeen. He attended the New World School of the Arts college graduating cum laude in 2015 with a BFA in dance. He has previously worked with the Peter London Dance Company in Miami, Florida, and Artichoke Dance Company in Brooklyn, New York. He has performed works by Robert Battle, Daniel Ulbricht, George Balanchine, Jose Limon, Kyle Abraham, Bill T. Jones, and Darshan Bueller. Nathaniel joined MOMIX in 2017.

DEREK ELLIOTT JR (Dancer) is a recent graduate of DeSales University where he graduated with a BA in both Musical Theatre Performance and Dance. He has had the privilege to train with Trinette Singleton, Julia A. Mayo, Timothy Cowart, and Angela Sigley Grossman, and had the opportunity to perform excerpts from Paul Taylor's Cloven Kingdom restaged by Annmaria Mazzini. More recently, Derek worked with Luis Villabon as an Offstage Cover and Swing in A Chorus Line at the Pennsylvania Shakespeare Festival. Apart from dancing and acting, Derek holds a Black Belt in Traditional Karate, Jeet Kune Do, and Lee Jun Fan Gung Fu, and has an International Certification in Parkour. Derek loves and thanks his family for their undying support. Derek joined MOMIX in August 2022.

HAILEY GREEN (Dancer) grew up in the outskirts of Chicago where she began dancing at a young age. In 2021, she graduated Summa Cum Laude from the Boston Conservatory at Berklee with a BFA in Contemporary Dance Performance. Shortly after, she moved to NYC and trained at Broadway Dance Center. Hailey has performed at sea with Step One Dance Company, cruising on the Holland America Line. She currently works as a model when she is not dancing. Hailey is very excited to begin her first season with Momix, having joined the company in June 2023.

SEAH HAGAN (Dance Captain) Born and raised in Tallahassee Florida, Seah is a third-generation dancer. She began her training at the Southern Academy of Ballet Arts under the tutelage of Natalia Botha and Charles Hagan. At age fourteen she became an Advanced Company member with the Pas de Vie Ballet where she performed many classical and contemporary soloist and principal roles. Along with her ballet and modern training, Seah is also an experienced ballroom dancer, having competed in multiple world championships. At age 16, she graduated Summa Cum Laude from the Florida State University Schools. Seah also held a part-time position with the State of Florida at the Florida Fish and Wildlife Conservation Commission. On her 18th birthday, Seah began her professional dance career with the world-renowned company MOMIX. She has since toured across the United States, Canada, and Europe performing in three original shows, VIVA MOMIX Forever, Opus Cactus, and Alice where she has performed featured solos in all three. Seah was also a member of the creation and premiere of their newest show, Alice. Seah joined MOMIX in 2017.

Photo by Sharon Bradford. Courtesy of MOMIX | ALICE

TITAS/DANCE UNBOUND SUPPORTERS

As of May 2023

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Jason Klein

Dawn Knowlton

Vince Kordmeier

Budi Kusumo

Charmaine Lampert

Lori Lawrenz

Kenneth Leathers

Maria Lowery

Anthony Ludlow

Barbara Lynn

Lorn MacDougal

Jeannine Mahoney

Jessica and Dylan Malek

Leticia McCray

Aleta McGhee

Yaminah McKessey

Maranatha McLean

Loren Moore

Robert Moore

Alejandro Munoz

Alice Murray

Pamela Navarro

Charles Nearburg

Gernelle Nelson

Natalie Newman

Deborah and Jim Nugent

Linda Owen

Kimberlie Page

Claudia Palomeque

Emmanuel Parker

Riana Pellicane-Hart

Shawanna Phillips

Dr. Michael and Mrs. Iris Podolsky

Cheryl Pollman

Ellen Presby

Odealya Price

Jim Price

Gerald Ragan

Susan Abrams and Gregory Rainger

Cinde Rawn

Stephanie Riggall

Cynthia Rollow and Edward Bennett

Jane Scholz

Alexandra Schwartz

Jodee Sedalnick

Kathleen Sharp

Sheila and Joel Sheilds

Allen Simmons

Michael Simone

Jennifer Simpson

Snehamay Sinha

Suzanne and Jamie Smith

Nancy and Rene Somodevilla

Nancy S Spence

Melanie H. Spiegel

TW Spilker

Jay Stamper

Camille Stearns Miller

Bradley Swiger

Monica Tenhunen

Lela Thompson

Meagan Kirk Thompson Hubert and Dr. Linda Threats

Iris Tinner

Veronica Towe

Stormi Truesdell

Martha Turner

Amparo Valenzuela

Michael van Enter

Gordon Walker

Sadie Wallace

Paula Wenstrom

Linda and Ralph Williams

Marc Williams

Christy Wolverton

James W. Woodall

Meredith and Ian Zapata

* in Memoriam

~ denotes TITAS/DANCE UNBOUND

Board of Trustee

Photo by Sharon Bradford. Courtesy of MOMIX | ALICE

BOARD OF TRUSTEES

Lee Cobb, President

Sue Benn

Joel Bines

Arthur P. Bollon

Mary Ann Borden-Neary

Michael Crossley

Claire Dewar

Lenore Diamond

Matrice Ellis-Kirk

Wanda Gierhart Fearing

Steven Gendler

Bill Graue

Rodger Kobes

Lola Lott

Tracy Preston

DeMetris Sampson

Charles Santos

Saundra Steinberg

Arlene Switzer Steinfield

Estela Tejeda

Michael Titens

Chandana Weerasekara

Krista Weinstein

Lily Cabatu Weiss

HONORARY BOARD

Mr. Tom Adams (TITAS Co-Founder)

Penny Atkiss

William Benac

Jeanne Marie Clossey

Lauren Embrey

Bess Enloe

Rebecca Enloe Fletcher

Kathryn D. Greene

Carol Hall

Gayle Ziaks Halperin

Sally Hansen

Zoé deRopp Hart

Alan Lerner

Charlene Marsh

Lynn Nikaidoh

Deedie Rose

CHARLES SANTOS

Executive Director

Artistic Director

JOHN FRAZIER

Director of Operations

JESSICA MALEK

Director of Development/ Education

TAMARA ELKINS

Director of Finance

TITAS/DANCE UNBOUND CO-FOUNDERS

Tom Adams and Gene Leggett

TITAS/DANCE UNBOUND

700 North Pearl Street, Suite 1800 Dallas TX 75201

214.978.2855

Box Office 214.880.0202

titas.org

attpac.org/titas

Just Renovated

Step into a completely transformed space at the Sheraton Dallas Hotel. Fresh out of a multi-million-dollar hotel-wide renovation, we welcome you with an elevated arrival experience in an exceptional Arts District location. Renovated guest rooms and suites feature new aesthetics and furnishings paired with stunning views. For more information about the Sheraton Dallas Hotel, visit Marriott.com/DALDH.

Sheraton Dallas Hotel 400 Nor th Olive Street Dallas, Texas 75201 T 214 922 8000

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