e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 2
Iteration 1
Iteration 3
Daylight Render
Material Render
Model Drawings 8M
North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
BUILDING PROJECT MANAGEMENT COST PLANNING ASSIGNMENT ONE - THE BUILDING COST PLAN
Iteration 3
Daylight Render
Material Render
Model Drawings
TDG B
10 M
8M
Iteration 2
Model Net
Physical Model
North Elevation
South Elevation
25 M
teration 1
Journey Three
= Medium frame = Business
Rhino
e: Linear rectangular cube
1
= Small frame
A1
A
North Elevation
A - A1 Section
West Elevation
The D’souza Group B1
East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 1
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Executive Summary:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 2
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Table of contents:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 3
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Table of contents:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 4
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Project Information:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 5
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
Dear Mr & Mrs McIntosh, = Residential
2
3
Materials: Glass, Metal
Daylight Render
Material Render
Model Drawings North Elevation
1
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Structure: Large linear cube
Iteration 3
8
6
Rhino
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Appended to this report is the cost of your new proposed home on the site of 10B Highland Crescent, Wadestown. As part of the services provided on behalf of the company, I would like to advise you that this included a full break down of the cost planning of the project, in full detail to enable you to reach a next-to-near if not completely plausible estimate for your proposed design. I am glad to inform you that the ‘ball park estimate’ - made at the start of the project - of $500,000.00 was much higher than the final sum of the proposed project at $418,257.16 and also well within your budget of $450,000.00. Please keep in mind however, that this price excludes items such as resource consent - and other exclusions that can be viewed in the report – which may play a big part in the overall price of the house. As you had requested, I have kept in mind the choice of materials and components used in this proposed build to a medium-range price group, so kindly note that the cost plan of this report could go either up or down, depending on finishing’s and materials you end up choosing to use. The design of the proposed house does not fit extremely well, which means that there has to be a fair amount of earthworks done in order to be able to firmly build on the land. I have explored different options, and have managed to situate the house so that it fits into the legal boundary, preventing you from having to buy extra land from the adjoining property. I would advise you that you consider starting this project within the next 6-8 months, as the prices of the different elements as well as labour could possibly increase slightly. By doing this, you also ensure that the project will be able to commence in summer, allowing for the main structural and framework to be done with minimal weather disturbances. To ensure that my services to you are as accurate as can be, I would like to arrange a meeting with you regarding the further detail this project would require, where we could discuss finalized fittings and furnishings that are more suited to you and your family. Stated through my report, I have highlighted the different ways that you could be able to cut down on costs either by downgrading the materials used or using different ways of construction altogether. There were a few elements that had weighed the majority of the building price but that is to be expected when building a large residential house, especially in this type of topography. I would encourage you to venture into using systems such as solar power panels, as this can reduce the running cost of your home as you’ll be taking advantage of the strong northerly sun on your site. Again, if you do wish to pursue these options, I would love to explore and cost these up for you at an additional fee.
I would like to thank you for this opportunity you have given this company to price up your new home for you. We do hope that you find this information useful and concise for your proposed build.
Yours sincerely, Austin D’souza Managing Director – TDG
Iteration 2
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
North Elevation
300327560
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
e: Linear rectangular cube
Cover letter to clients:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 6
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Elemental estimate summary:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 7
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
2. Substructure:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
1. Site Preparation:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 8
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
4. Structural walls:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
3. Frame
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 9
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
6. Roof:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
5. Upper floors
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 10
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business 1
2
7
3 2
= Residential
Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
3
Materials: Glass, Metal
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
3
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
Rhino
2
Sketchup
8. Windows and exterior doors:
7 8
Structure: Thick horizontal lines
Materials: Glass, Steele, Concrete
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Materials: Glass, Metal, Plastic
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
These dig The first rendered
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
Bibliography:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Daylight Render
East Elevation
ourney One
cture: Thick horizontal lines
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
7. Exterior walls and finishes:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 11
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
10. Interior walls:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
9. Stairs and balustrades:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 12
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
12. Floor finishes:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
11. Interior doors:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 13
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
14. Ceiling finishes
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
13. Wall finishes:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 14
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
15. Fittings and fixtures:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 15
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
16. Sanitary Plumbing:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 16
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business 1
2
7
3 2
= Residential
Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
3
Materials: Glass, Metal
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
3
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
Rhino
2
Sketchup
18. Fire services:
7 8
Structure: Thick horizontal lines
Materials: Glass, Steele, Concrete
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Materials: Glass, Metal, Plastic
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
These dig The first rendered
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
19. Electrical services:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Daylight Render
East Elevation
ourney One
cture: Thick horizontal lines
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
17. Heating and ventilation:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 17
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business 1
2
7
3 2
= Residential
Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
3
Materials: Glass, Metal
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
3
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
Rhino
2
Sketchup
21. Special services
7 8
Structure: Thick horizontal lines
Materials: Glass, Steele, Concrete
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Materials: Glass, Metal, Plastic
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
These dig The first rendered
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
22. Drainage:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Daylight Render
East Elevation
ourney One
cture: Thick horizontal lines
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
20. Verticle and horizontal transportation:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 18
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
24. Sundries:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
23. External works:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 19
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business 1
2
7
3 2
= Residential
Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
3
Materials: Glass, Metal
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
3
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
Rhino
2
Sketchup
26. Margins:
7 8
Structure: Thick horizontal lines
Materials: Glass, Steele, Concrete
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Materials: Glass, Metal, Plastic
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
These dig The first rendered
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
27. Contingency:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Daylight Render
East Elevation
ourney One
cture: Thick horizontal lines
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
25. Preliminaries:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 20
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Daylight Render
Material Render
Model Drawings
B
8M
10 M
North Elevation
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
6
A1
A
A - A1 Section
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
3
5
4
Journey Two
6
1
= Small frame
= Small building
Journey Three
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Medium frame
= Medium building
5
= Large building = Time of day
4
= Large frame = Business
6
= 100 Occupants
= Residential
= Business
3 2
= Residential 1
2
7 Structure: Curved linear line
Materials: Glass, Metal
Structure: Linear curve (long)
Materials: Glass, Metal
Structure: Linear rectangular cube
Materials: Glass, Metal, Plaster
Structure: Large linear cube
Materials: Glass, Metal
3
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
8
Iter
Rhino
2
Sketchup
Cost reduction:
ourney One
Structure: Interconnected linear form
Materials: Metal
Materials: Metal
7
6
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
8
6
7 8
Materials: Glass, Steele, Concrete
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Chunky horizontal lines
Materials: Glass, Aluminium, Marble
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Plastic
Structure: Thick horizontal lines
Materials: Glass, Aluminium, Concrete
Structure: Horizontal lines
Structure: Thick long linear line
Materials: Glass, Metal, Plaster, Concrete
Iteration 3
Daylight Render
Structure: Curved linear line
Materials: Glass, Metal
Structure: Dome shape (curve)
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Material Render
Model Drawings
Model Net
B
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
These dig The first rendered
Physical Model
8M
10 M
Structure: Interconnected linear form
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Materials: Glass, Metal, Plastic
In the second journey we investigate the the entrances of buildings on a medium scale. Here we see that the frames are mostly thin and again mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are found in each entrance and are used to create an enclosed space something that can be explored in the model from this series.
e we explore the linearity of the buildings on our journey. Study shows that there is a strong case of horizontal lines on the buildings’ facade and could be extracted and used in the model derived from this series. The large scale of the building compliments the thickness of the horizontal lines which could be used to determine the scale of the model. Materials such as metal, crete and glass are mostly used on this series, indicating strength and durability.
teration 1
Iteration 3
1
3
Materials: Glass, Metal
Iteration 2
Iteration 1
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
cture: Thick horizontal lines
Journey Three
= Medium frame = Business
Rhino
e: Dome shape (curve)
1
= Small frame
Rhino
e: Linear rectangular cube
GST
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 21
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Conclusions:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 22
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
References:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 23
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 1:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 24
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 2:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 25
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 2:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 26
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 2:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 27
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 2:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 28
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 2
Iteration 1
Iteration 3
Daylight Render
Material Render
Model Drawings 8M
North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
e: Linear rectangular cube
1
= Small frame
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 29
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 30
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 31
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 32
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1 East Elevation
7 8 Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Iteration 3
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Daylight Render
Material Render
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
Model Drawings
Model Net
B
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Physical Model
8M
10 M
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
Iteration 2
Plan Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 33
e: Dome shape (curve)
Site Description
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings
B
10 M
North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
Rhino
Journey Three
= Medium frame = Business
8
6
B1
10B Highland Crescent, Wadestown, Wellington, 6012 is the site that is looking to be delevloped. The map co-ordinates for the site are; Longitude: 174.78, Latitude: -41.260. (Wellington City Council, 2013)
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
Plan
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Legal Description: The legal description for 10B Highland Crescent is; Lot 4 DP 11193, with there also being the option to encroach onto the site on the right hand side; Lot 2 DP 20482 -Pt Subjto & Int In R/W as the same people own both sites. Both these sites are currently both classified as 10B to the Wellington City Council. The combined land area for the two sites is 1,430 m2, with the site that is being focused on being 710 m2. The land value for both these sites are; $265,000.00 The capital value for them both are; $620,000.00 And the joint rates are also: $3,406.42 per year. The last valuation of the site was on the 1st September 2012, with this valuation being effective until 1st July 2015 (Valuation number; 16851-45300). (Wellington City Council, 2015)
Access: The current access to the 10B site that is being developed is quite difficult. This is becuase access is needed via the adjacent site to the right due to its location. This access involves walking up the path to the adjacent site, to the top, then walking along the path that forks to the left. This path is quite damaged and therefore dangerous. This access will need to be improved when the development of the site commenses as it is not an ideal, nor appropriate route to have the materials brought onto the site. There is currently no driveway specifically to the site, but this is something that may not be achieveable do to the contours of the land. The houses surrounding the site all have parking areas below the houses, with paths leading up to the house for access.
Neighbouring Buildings: Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
There is a few neighbouring buildings surrounding the site, with the 10B site adjacent to the right being in a very close proximation, and also encroaching onto the sites perimeters. 8M
Iteration 2
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 34
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
8
These are the estimated travelling distances to get to 10B Highland Crescent from google maps. (Maps, 2015) From Vivian Street (Central City); 5
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
Travelling Distance:
8M
3
Sketchup
2
= Large frame
6
B1
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Bus: -26 minutes in total; No 14. Bus; Walk 500m (5 min), Bus (14 min) get off at Lennel Rd at Sefton St. Walk 750m (7 min)
Walking: -1 hour, 2 minutes in total; Via Jervois Quay. 4.5 km -1 hour, 3 minutes in total; Via Lambton Quay. 4.7 km -1 hour, 5 minutes in total; Via The Terrace. 4.8 km
Driving: -10 minutes in total; Via Highway 1. 5.5 km. -13 minutes in total; Via Jervois Quay. 4.8 km. -15 minutes in total; Via The Terrace. 5.3 km.
Biking: -30 minutes in total; Via Molesworth St. 4.7 km. -29 minutes in total; Via Molesworth St & Wadestown Rd. 4.7 km. -29 minutes in total; Via Lambton Quay. 4.9 km. From Hinemoa Street (Via the Port, if materials need to be shipped in, then taken by truck to site); Driving: -11 minutes in total; Via Molesworth St. 3.2 km. -12 minutes in total; Via Thordon. 4.2 km. -14 minutes in total; Thorndon Quay & Sar St. 5.2 km.
The low solar radiation on site is due to the current vegetation that is located on the site. There is a lot of trees and bush, which is creating a lot of shade, which therefore makes the site very cold, as the vegetation is blocking the suns path.
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 35
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
Materials: Metal
8M
Rhino
Structure: Interconnected linear form
Materials: Wood
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
00 314
10150
A1
A - A1 Section
25 M
A
B1 East Elevation
Plan
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
10100
ry Site Bounda
10B
1
Physical Model
North Elevation
South Elevation
A1
A
2
A-301
1 : 100
Model Net
B
10 M
Site Plan
Model Drawings
H IG HL AN D
C R ES CE N T
55 111
Material Render
8M
Daylight Render
West Elevation
North Elevation
A - A1 Section
1
25 M
Iteration 3
10 HIGHLAND CRESCENT LOT2 DP11193
Iteration 2
A-301
S.A.P 5
S.A.P 3
9100 9050 9000 8950 8900 8850 8800 8750 8700 8650 8600
9150
9250 9200
9900 9850 9800 9750 9700 9650 9600 9550 9500 9450 9400 9350 9300
10000 A-302
3
9950
10050
0 750
36 110
10A HIGHLAND CRESCENT LOT3 DP11193
10200
10250
10300
-
-
10350
10400
10450
Existing Garage underground
NORTH
0 270
0 240
South Elevation
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
0 130
Sheet:
Site Plan
Client: Jacqueline McIntosh
Address: 10B Highland Crescent Wadestown Wellington, 6011
Scale: 1 : 100
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
North Elevation
37600
Structure: Interconnected linear form
Materials: Metal
S.A.P 6
Materials: Metal
B
10 M
Steps Existing
Structure: Interconnected linear form
Model Drawings
98 40
Materials: Metal
8
Material Render
95 59
Structure: Interconnected linear form
Structure: Interconnected linear form
Materials: Metal
Daylight Render
10B HIGHLAND CRESCENT LOT4 DP11193
8
7
Stormwater
7
Structure: Interconnected linear form
Materials: Metal
Water Network
6
6
Materials: Glass, Metal, Plastic
Project:
Structure: Interconnected linear form
Materials: Metal
A-100
Structure: Interconnected linear form
5
5
Wastewater
1 4
WATER KEY
2 3
Drawn By: Nicole Scott
Structure: Linear triangle (sloped)
Materials: Glass, Metal
Issue Date: 08/03/15
Materials: Glass, Metal, Plastic
Structure: Large linear cube
Iteration 3
S.A.P 4
Course: BILD262 The Building Cost Plan = Residential
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
10E HIGHLAND CRESCENT LOT2 DP20482
4
Sketchup
3
Rhino
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
teration 1
Journey Three
= Medium frame = Business
76 0
e: Dome shape (curve)
1
= Small frame
10
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 36
Structure: Interconnected linear form
Structure: Interconnected linear form
Structure: Interconnected linear form
Materials: Metal
7
Materials: Metal
Daylight Render
Material Render
Model Drawings
B
10 M
North Elevation
South Elevation
8
Structure: Interconnected linear form
Materials: Metal
A - A1 Section
B1 East Elevation
10550 Materials: Metal
A1
A
25 M
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Plan
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
10570
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
S.A.P 4 9920
10000
10050
10100
10150
10200
10250
0째 45.0
10300
10350
10400
10450
10365
10500
10550
Sheet:
Scale: 1 : 100
Client: Jacqueline McIntosh
Materials: Metal
Cross Sections
8
Address: 10B Highland Crescent Wadestown Wellington, 6011
Project:
6
7
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
6
Iteration 3
Rhino
Structure: Interconnected linear form
5
5
A-301
1 4
Drawn By: Nicole Scott
Structure: Linear triangle (sloped)
2 3
Materials: Glass, Metal
Issue Date: 08/03/15
Materials: Glass, Metal, Plastic
Structure: Large linear cube
Iteration 2
Iteration 1
8M
Course: BILD262 The Building Cost Plan
= Residential
Materials: Glass, Metal, Plaster
Sketchup
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
10490 10500
4
Rhino
3
10730
2
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
S.A.P 6
A1
A - A1 Section
1 : 100
Section - Centre of site
8700 8650 8800
8750
8700
45.0 0째 Physical Model
1
A
8520
South Elevation
Model Net
North Elevation
West Elevation
2
8M 25 M
45.0 0째
North Elevation
8900 8850
B
10 M
8980
Model Drawings
1 : 100
Material Render
Cross Section to West
Daylight Render
8750
9095
9100 9000 9150 8800 8900 9050 8850 8950
9200
9250
9245
9600 9550 9650 9300 9800 9500 9350 9700 9750 94009450
9850
9900
9950
0째 45.0 Iteration 3
S.A.P 3
B1
East Elevation
S.A.P 5 Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
2500
Iteration 2
2500
teration 1
Journey Three
= Medium frame
= Business
2500
e: Dome shape (curve)
1
= Small frame
2500
e: Linear rectangular cube
Appendices 3:
Plan of net sections
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 37
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
1
Structure: Interconnected linear form
4
5
5
6
7 8
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
7
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Material Render
Model Drawings
Structure: Interconnected linear form
Materials: Metal
Scale: 1 : 100
B
8M
10 M
South Elevation
Materials: Metal
8
Drawn By: Author
Project:
Daylight Render
North Elevation
A1
A
A - A1 Section
B1 East Elevation
Plan
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
Issue Date: 08/09/15
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Metal
6
Client: Jacqueline McIntosh
Materials: Glass, Metal, Plastic
Structure: Interconnected linear form
Materials: Metal
Iteration 3
25 M
3
Address: 10B Highland Crescent Wadestown Wellington, 6011
Materials: Glass, Metal
Iteration 2
Iteration 1
Rhino
2 Structure: Large linear cube
Cross Sections 2 A-302 Sheet:
= Residential Materials: Glass, Metal, Plaster
Sketchup
3
Rhino
2
Course: BILD262 The Building Cost Plan
= Large frame
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
9415
S.A.P 2 2500
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
9450 9600 9550 9500 9700 9650 9750 9800 9950 9900 9850 9980
Cross Section to North
9950 9900 9850
3
1 : 100
S.A.P 1 2500
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
teration 1
Journey Three
= Medium frame = Business
9965
e: Dome shape (curve)
1
= Small frame
9420
e: Linear rectangular cube
Appendices 3:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 38
e: Dome shape (curve)
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
8
-New development should generally recognise and complement the visual characteristics of the local neighbourhood and streetscape. Objectives – to recognise the unique qualities and sense of place of every urban setting and respond to and enhance these with new development. 5
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
Site Guides
4
8M
3
Sketchup
2
= Large frame
6
B1
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Guidelines Assessing and complementing neighbourhood buildings - Primary characteristics which should be followed include: Landform, Significant vegetation, height, plan dimensions and frontage width, setbacks from street frontage, wall and frontage orientation, The four dwellings each side of the site and those across the street should be used as a main reference point Building relationship is important however, replication does not need to be achieved. New buildings may relate to old buildings while introducing new elements. Consistency or Contrast - Consistency is required when a new development is placed within a valued and recognised group of buildings. -Contrast should be used to create a focus of attention, with the extent depending on the public significance of the building. Landform – maintain general landform, minimise the need for large retaining structures and design retaining walls as positive landscape features. – Developments should fit into rather than drastically alter the landform. Vegetation – keep significant existing trees and vegetation where applicable. -Use species that extend the planting and landscape patterns that characterise the wider setting. Height – Where height is a significant character issue, relate the height of the new development to that of buildings within the immediate area. Plan dimensions and siting – Relate to the existing pattern of building dimensions, frontage widths, and spaces between buildings by considering the following: -Grouping units together into modules. -Expressing the form of each unit with a separate roof, and/or differentiating each unit by varying the colours or material used. -Offsetting units in plan, introducing gaps or creating slots between blocks. -Offsetting units vertically, introducing height variation to articulate building bulk. -Using transitional forms and volumes to achieve a relationship between a large new development and smaller neighbours. Wall and frontage orientation – Follow the local pattern of orientation of walls relative to street edges and the street grid. Silhouette and roof forms – Where consistent silhouette and roof form is a defining pattern of a neighbourhood, make considered reference to the predominant patterns of roof type and pitch. – Roof forms should be considered in association with predominant roof materials and combinations of roof types, pitch and materials that are uncharacteristic of the area avoided. Façade articulation – Refer to existing patterns of façade articulation and use of secondary and tertiary forms to achieve a complementary level of visual relief and formal complexity. Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
Materials, finishes, textures, and colours – In situations characterised by consistency of materials finishes, textures, or colours, integrate typical and/or complementary materials into new developments, considering both texture and colour. South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
B1
East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 39
e: Dome shape (curve)
SITE PLANNING
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings
B
10 M
North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
-The integrated and comprehensive planning of buildings, access and open spaces together is fundamental to achieving high quality residential development.
B1
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Objectives – To plan and locate dwellings and open spaces together as a coherent whole, in a way that complements the character of neighbouring development and optimises amenity and liveability both within the development and for neighbours. Guidelines Comprehensive, integrated site planning – Integrate the location and design of buildings and open spaces. – Houses should be located to provide good indoor and outdoor areas. Positive open spaces - Planned positive open spaces between and around buildings will, by creating visual separation break down large scale developments -Aim to create an outdoor space for each area of the house. Sunlight and daylight to living areas – Position all dwellings to receive midwinter sun in at least one main living room for at least 4 house at mid-winter, i.e. living spaces located facing North Car parking, garage and driveways location – Avoid concentrating garages at the street frontage and monotonous repetition of garage doors along the street frontage or within any development. -Position and design any communal vehicle and pedestrian access ways to avoid intruding on the privacy of dwelling interiors -Locate garages to be conveniently reached from their associated dwellings but not where they completely obscure views of either the street or any common open space within the development. -Ensure any open car parking space can be viewed from the dwelling to which it is allocated.
BUILDING DESIGN -The liveability of the dwelling as well as its relationship to the street and wider neighbourhood is determined by its detailed design. – To ensure each building is coherently designed, demonstrates design integrity, and integrates all relevant design criteria in the best way. -To make a positive contribution to the safety, amenity and visual character of the street -To ensure the design of the new building enhances the visual amenities of the area when these are prominent in view. -To provide internal living environments that are healthy, comfortable, convenient, functional, and attractive for the occupants. -To provide reasonable privacy both for the new dwellings and for neighbours. Guidelines Internal consistency and integration – An overall consistency and coherence that integrates all of the relevant design guidelines in a coordinated way.
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
teration 1
Journey Three
= Medium frame = Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Appendices 3:
Frontages to the street – Present a public face to the street with entrances and windows orientated towards the street. B1
East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 40
e: Dome shape (curve)
= Residential Structure: Large linear cube
Materials: Glass, Metal
3
2
3
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
Iteration 2
Iteration 1
Iteration 3
Daylight Render
Material Render
Model Drawings
B
10 M
8M
Journey Three
Sketchup
1
2
Materials: Glass, Metal, Plaster
1
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
North Elevation
Materials: Metal
8
6
South Elevation
A1
A
A - A1 Section
B1 East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Materials: Glass, Metal, Plastic
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
Plan
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Building tops – Integrate the tops of buildings, as explicit and coherent parts of the overall composition. Space and amenity – Locate and design the living areas of individual residential units to optimise sun exposure, natural lighting and views. -Ensure circulation and spaces within dwellings are efficiently planned to optimise amenity and flexibility in the use of space. -Ensure rooms are large enough to accommodate the functions appropriate to their type including storage. -Provide for each dwelling which has private open space at ground, and which is not supplied with a lockable garage, a secure storage cupboard accessible from the outside with a minimum internal volume of 1m3 Privacy for internal spaces – Position windows or otherwise restrict the direct outlook so that the short range view from one dwelling is not directly into the main internal living areas of any neighbouring dwellings. (Distance increases privacy) -Position windows adjacent to public or communal areas to minimise loss of privacy from passers-by looking in, while still letting people inside look out. Entrances and sense of address – Provide entry to dwellings that: 1. Is visible from the street or readily accessed from common areas within the development 2. Provides a sheltered area immediately outside the door and a reception space inside the dwelling that is not a main living area. -Make main entrances to houses visible, attractive, safe, and well lit, and place these to provide good physical and visual connections between the street and lobby spaces.
OPEN SPACE DESIGN -Positive open space in the form of an outdoor room increases the range of activities that people can enjoy in and around their home, allows and important expression of personal identity and gives connection with the outdoors. Objectives – To ensure the open space provided is of a high quality, that it will provide a pleasant outlook, create a pleasant, safe and visually attractive setting for the dwelling and accommodate the reasonable outdoor recreational, service and storage needs of residents. - Provide a type and quality that is appropriate to the dwelling type - Safe, convenient, and attractive pedestrian and vehicle access to the dwelling Guidelines
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
Private open space – Provide an area directly accessible from the main living area within all ground level private open spaces so these can function as an extension of that living area of the dwelling. Should be positioned with regard to: Prevailing wind, optimise sun exposure, be flat, and maintain a degree of visual privacy -Locate the principle area of the private open space to the north, west, or east of the dwelling to ensure that it can revive no fewer than 3 hours of direct sunlight. -Use balconies or roof terraces to meet the private open space requirements for above ground North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
-Avoid using reflective or dark, heat absorbing glass on building frontages. Scale and visual complexity – Give a sense of human scale at the publicly occupied edges of buildings i.e. openings with proportions and /or dimensions that are similar to those of a human figure. -Provide visual interest on new facades, articulating or eliminating wall surfaces that are featureless or plain (Particularly important on street frontages) 25 M
= Large frame
Rhino
= Medium frame = Business
Rhino
e: Linear rectangular cube
= Small frame
B1
East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 41
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential
2
Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings
North Elevation
1
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
8
6
B1
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Access way design – Offset or otherwise articulate long vehicle access ways to reduce vehicle speeds, and landscape them to make them visually attractive. - Plan open parking or vehicle manoeuvring areas to provide for pedestrian access and activity, and an attractive outlook from all dwellings that overlook them. Planting design – Provide planting within new development that is suitable for situation, wind and sun exposure and soil type, placing this to enhance amenity. Site development and construction – Provide lighting as required at night for wayfinding and in situations where personal safety or security is likely to be of primary importance. - Design carports or garages or garages and use materials and finishes so that these are visually compatible with, or of a similar standard to, the development as a whole. - Avoid large retaining walls. Where they are necessary, their visibility, formal composition and visual quality are important. - Ensure front fences and boundary walls enable people in the dwelling to see out to the street.
RESIDENTIAL AREA STANDARDS Noise levels Noise emission levels from any non-residential activity occurring within a Residential area, must not exceed the following noise limits: Outer residential area Monday to Sunday 7am to 7pm 50dB LAeq (15mins) Monday to Sunday 7am to 10pm 45dB LAeq (15mins) Monday to Sunday 10pm to 7am 40dB LAeq (15mins) Monday to Sunday 10pm to 7am 70dB LAF max Temporary activity Noise - Temporary activities in Residential areas are not subject to the noise standards stated above except between the hours of 9am to 9pm each day (Sun – Thu), and 9am to 10pm (Fri – Sat). Vehicle Parking – A minimum of one on site car park shall be provided per household unit - There shall be a maximum of one vehicular access to a site, except that a site with more than one road frontage may have one access per frontage - The maximum width of any vehicular access is 6.0 meters
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
Work from home activities - Not more than one third of the total gross floor area of buildings on the site shall be used for work from home activities. - Noise generated by any work from home activities must comply with residential noise limits - One onsite parking space must be provided for each person working on the site excluding people resident on the site. - Any external storage of material associated with the work from home activity shall be screened so as to not be seen from outside the site. North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
Journey Three
= Medium frame
= Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Privacy for open spaces – Protect the private spaces of dwellings from being directly overlooked by careful positioning and planning, distance, screening devices or landscaping. -Plan outdoor living areas and position upper level windows of main living areas so that they do not have a direct short range view into the spaces of adjacent buildings -Provide screening devices where an acceptable level of privacy cannot be achieved by separation and the orientation of windows, buildings and spaces.
B1
East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 42
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential
2
Iteration 2
Iteration 1
Iteration 3
Daylight Render
Material Render
Model Drawings
Structure: Large linear cube
Materials: Glass, Metal
3
North Elevation
1
Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
B
8M
10 M
South Elevation
Materials: Metal
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Sketchup
3
= Large frame
8
6
B1
East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Plan
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Side and rear yards – No requirement for minimum size of outer residential side and rear yards. - Outdoor access to any open area to the rear of a building must be provided with a minimum width of 1 meter. - A minimum width of 1 meter must be maintained between buildings where a residential building on an adjoining site is sited less than 1 meter from the boundary. - Decks, terraces, or balconies with a finished floor, paving or turf level of 1.5 meters or more above ground level at the boundary shall be located no closer than 2 meters to any side or rear boundary except: driveways or parking structures, pedestrian walkways less than 1.5 meters wide, stairs and stair landings with a stair tread less than 4m2 Ground level open space – Ground level open space in the outer residential area must be at least 50m2 (min 4m dimension). - No area of ground level open space shall be used for vehicle access ways, parking, or manoeuvring areas, or be covered by buildings, except for: Balconies or verandas (max depth = 1.5m), uncovered decks less than 1m above ground are regarded as ground level open space. - Up to 15m2 of ground level open space may be used for vehicle access ways or manoeuvring areas. - Up to 15m2 of ground level open space may be used for non-open space purposes when the car parking is provided in a basement or under croft. Site coverage – Site coverage for outer residential areas equals 35% (can be increased to 40% if the extra site coverage comprises only uncovered decks over 1m in height) Maximum height – The maximum height standards for buildings and structures in outer residential areas is 8 meters. - An additional 1 meter can be added to the maximum height of any building with as slope of 15 degrees or greater. Building recession planes – All buildings, including fences and walls, shall be contained within a building recession envelop provided that: No account shall be taken of aerials, satellite dishes, light tubes, skylights, chimneys or decorative features, provided none of the above exceed 1 meter in any horizontal direction. No account shall be taken of solar panels or solar hot water systems provided that the panels do not protrude more than 50mm from the surface of the roof and the total area of solar panels does not exceed 10m2. Gable end roofs may penetrate the building recession plane by no more than 1/3 of the gable height. - Each recession control line shall rise vertically for 2.5 meters from ground level at the boundary. - The building recession plan angles for the different boundary bearings in the outer residential area are 45 degrees to the horizontal. Maximum fence height – On a street frontage or in a front yard, a fence or wall, or combination of these structures, shall have a maximum height of 2 meters measured from the ground level at the boundary. - Within 1 meter of any side or rear boundary, a fence or wall or combination of these structures, shall have a maximum height of 2 meters measured from the ground level at the boundary. Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
South Elevation
A1
A
North Elevation
A - A1 Section
West Elevation
25 M
teration 1
2
= Medium frame
= Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Journey Three
Yards Front yards - Outer residential area: 3 meters, or 10 meters less half the width of the road, whichever is the lesser. - Buildings may extend into the required front yard if the part of the building nearest the street does not project forward of a line from the forward most part of the two adjacent. - Accessory buildings, including structures, may be erected in front yards. The maximum width of these buildings must be 6 meters
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 43
e: Dome shape (curve)
4
= Locked on post = Locked on stand = Weather = BMX bike = Road bike = Sports bike
= Residential 2 Structure: Large linear cube
Materials: Glass, Metal
3
Iteration 3
Daylight Render
Material Render
Model Drawings
B
10 M
North Elevation
1 Structure: Interconnected linear form
4
Structure: Interconnected linear form
Materials: Metal
5
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
7
6
South Elevation
Materials: Metal
8
Maps, G. (2015). Google Maps. (MapData Sciences Pty LTD, PSMA) Retrieved 08 02, 2015 from Google Maps: https://www.google.com/maps/place/Wadestown,+Wellington,+New+Zealand /@-41.2601174,174.7794884,19z/data=!4m2!3m1!1s0x6d38ae1f9ac3aed1:0x500ef6143a311d0 5
A1
A
A - A1 Section
25 M
Materials: Glass, Metal, Plaster
Iteration 2
Iteration 1
8M
3
Sketchup
2
= Large frame
6
B1 East Elevation
7
8
Materials: Glass, Metal, Plastic
Structure: Linear triangle (sloped)
Structure: Interconnected linear form
Materials: Glass, Metal, Plastic
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Materials: Metal
Structure: Interconnected linear form
Plan
West Elevation
Materials: Wood
In this series we explore the linear formations of bike frame at a small scale. Study shows that the lines interlock with eachother, creating a delicate yet strong frame. Again, metal is mostly used in this series and can also be explored in the model that is designed from the analysis of this series.
ain mostly follow the linear pattern that this project is investigating. Metal and glass are again materials that are
These digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. The first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being rendered in clay using the 3D Studio Max software.
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Wellington City Council. (2013). WebMaps. (P. Bernhardt, Producer, & rcGIS Javascript API by ESRI) Retrieved 08 02, 2015 from Wellington City Council; Web Maps: http://wellington.govt.nz/webmap/wccmap.html Wellington City Council. (2015). Wellington City Council; Property; 10B Highland Crescent, Wadestown, Wellington, 6012. Retrieved 08 02, 2015 from Wellington City Council: http://wellington.govt.nz/services/ rates-and-property/property/property-search/details?account=1088897&previousPage=%2fservices%2frates-and-property%2fproperty%2fproperty-search%2fresults%3fstreetStartNumber%3d10%26streetName%3dHIGHLAND%2520CRESCENT
Iteration 3
Daylight Render
Material Render
Model Drawings
Model Net
B
10 M
Physical Model
8M
Iteration 2
North Elevation
South Elevation
A1
A
West Elevation
North Elevation
A - A1 Section
25 M
teration 1
Journey Three
= Medium frame
= Business
Rhino
1
= Small frame
Rhino
e: Linear rectangular cube
Bibliography:
B1 East Elevation
Plan of net sections
Plan
ese digital models have been designed by taking ideas from the analysis of the three journeys undertaken around Wellington city. e first three have been constructed using sketchup, with the second and third row been done in Rhinoceros and then finally being ndered in clay using the 3D Studio Max software.
TDG
This is the final model that has been chosen from the different iterations in the previous step. The first photo is a daylight clay render and the second shows materiality. The material chosen for this model is steele. The reson for this is that it best replicates the study that it was derived from and also gives the stucture a sense of elegance as well as strength. Here we can also see the scale of the model, which is quite large and hollow, allowing people to walk through the stucture and experience the feeling on linear domination.
West Elevation
B - B1 Section
Here we see the technical drawings for the final model, which includes the plan and different elevations, as well as the section cuts of the model. This also includes the dimentions of the stucture and the lines in the drawing that were purposly left there to show the different dents, mountains and valleys that the model has.
Plan
This is the net of the model that will be made. This net has been developed using the pepekura software and will be used to create the template for my model which will then be cut out and built.
South Elevation
East Elevation
This is the physical model of the stucture made from a thick card and using the net that was created in the previous step. Here we can see the plan of the stucture, along with its elevations and also some detail shots of the model. Miniature people have been inserted to show scale and relevance of the stucture and a brown background has be the clay renders done in the previous stages.
Pg 44