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ಸಂ

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ಸಚಿತ್ರ್ ಹಫ್ತ್ಯಾಳ ೊಂ

ಅೊಂಕ : 7 ಸಂಖ ೊ: 14 ಫ್ತ್ ಬ್ ್ರ್ 1, 2024

ಆಮಿ ವೊಳ ್ಕೊಂಚ ೊ ಶ್ರೀರಾಮ್ ಕಿತ ೊ​ೊ ವ ಗ ೊ​ೊ?

1 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಂಪಾದಕೀಯ್: ಆಮ್ಚೊ ಹಂಕಾರ್ ಆನಿ ತಾಚೊ ಪ್ರ ತಿಫಳ್! ಸಂಪಾದಕೀಯ್: ಆಮಂ ಭಾರತಾಂತ್ ಆಸಂವ್ ವ ವಾತಿಕಾನಂತ್?

ಆಮ್ಚಿ ಕ್ರ ೀಸ್ತ ಾಂವ್ ಪರ್ಜಾ ಫಕತ್ ಇಾಂಗ್ಲಿ ಷ್ ಮರ್ಜಾ ಆಪ್ಲಿ ಕರುನ್, ಆಪುಣ್ ಭಾರತಾಂತ್ ಆಸ್ಾಂ ಮಹ ಳ್ಳ ಾಂಚ್ ವಿಸ್ರರ ನ್ ಸ್ರಡ್ಟಾ ! ಅಸಾಂ ರ್ಜಾಂವ್​್ ಕಾರಣ್ ಕ್ತಾಂ? ಆಮ್​್ ಾಂ ಕ್ತಾ ಕ್ ಆಮ್ಿ ಾ ದೀಶಾಚೊ ಪ್ರ ೀಮ್ ನಾ? ಆಮ್​್ ಾಂ ಕ್ತಾ ಕ್ ಭಾರತೀಯ್ ಮರ್ಜಾ ರುಚಾನಾ? ಹ್ಯಾ ಸವಾಲಾಂಕ್ ಕೀಣ್ ಜವಾಬ್ ದೀತ್ಾಯ್? ದೀನ್ ದೀಸ್ಾಂ ಆದಾಂ ಭಾರತನ್ ಗಣರಾಜೀತ್ಸ ವ್ ಆಚರಿಲೊ; ಕ್ತಿ ಾ ಕ್ರ ೀಸ್ತ ಾಂವಾ​ಾಂನಿ ಹ್ಯಾಂತಾಂ ಪಾತ್ರ ಘೆತ್ಲಿ ? ಕ್ತಿ ಾ ಇಗರ್ಜಾ​ಾಂನಿ, ಶಾಲಾಂನಿ ಬಾವ್ಟಾ ಉಭಯ್ಲಿ ? ಕಾ​ಾಂಯ್ ಹೆಣಾಂ-ತಣಾಂ ಥೊಡ್ಟಾ ಾಂನಿ ಮ್ತ್ರ ! ಅಸಾಂ ಕ್ತಾ ಕ್? ಅಸಾಂ ರ್ಜಾಂವ್​್ ಆಮ್ಿ ಾ ವ್ಹ ಡಿಲಾಂನಿಮುಖ್ಾ ರ್ಜವ್​್ ಧಾಮ್ಚಾಕ್ ವ್ಹ ಡಿಲಾಂನಿ ಕ್ತಾ ಕ್ ಸ್ರಡ್ಟಿ ಾಂ? ಹ್ಯಾಂವಾಂ ಹ್ಯಾ ಸಾಂಗ್ಲತ ಾಂತ್ ಧಾಮ್ಚಾಕ್ ವ್ಹ ಡಿಲಾಂಲ್ ವ್ಟೀಡ್ನ್ ಹ್ಯಡ್ಟಿ ಾಂ ಕ್ತಾ ಕ್ಗ್ಲೀ ಮಹ ಳ್ಯಾ ರ್ - ಆಮ್ಚಿ ಚಡ್ಟಾ ವ್ ಕ್ರ ೀಸ್ತ ಾಂವ್ ಪರ ರ್ಜ ಯಾಜಕಾ​ಾಂಚಾ​ಾ ಮೂಟಿ ಭಿತ್ರ್ ಆಸ್; ತ ವಾಯ್ಲಲಿನ್ ವಾಹ ಜಯಾತ ನಾ ಹೆ ನಾಚಾತ ತ್! ಅಸಾಂ ಆಸ್ತ ಾಂ, ಕ್ರ ೀಸ್ತ ಾಂವ್ ಸಮುದಾಯಾಕ್ ಖ್ರಿ ಭಾರತೀಯ್ ಪರ ರ್ಜ ರ್ಜವ್​್ ಬದಿ ರ್ಜಯ್ ತ್ರ್ ಹೆಾಂ ಕಾಮ್ ಫಕತ್ ಧಾಮ್ಚಾಕ್ ಮಣಿಯಾಯಾ​ಾ​ಾಂ ಥಾವ್​್ ಮ್ತ್ರ ಸ್ಧ್ಯಾ ಆಸ್.

ಮೊಾಚಾ​ಾ ಧಾಮ್ಚಾಕಾ​ಾಂನೊ, ತಮ್ಚಿ ಕಾನ್ ಹೆವಿ​ಿ ನ್ ದಯಾ ಆನಿ ಹ್ಯಾ ಪರ ಮುಖ್ ಸಾಂಗ್ಲತ ಕ್ ಮ್ತಿ ಾಂ ಗುಮ್ನ್ ದಯಾ, ಆಮ್ಿ ಾ ಸಮುದಾಯಾಕ್ ದೀಶಾಚೊ ಪ್ರ ೀಮ್ ಕರುಾಂಕ್ ಶಿಖ್ಯಾ. ಹೆಾಂ ಆಮ್ಚಿ ಾಂ ಸವ್ಾ ಭಾರತೀಯಾ​ಾಂಚಾಂ ಕತ್ಾವ್ಾ ರ್ಜವಾ್ ಸ್.... ಆಯ್ಲಿ ವಾರ್ ಮಾಂಗುಳ ರಾ​ಾಂತ್ ವ್ಹ ಡ್ನ ವ್ಹ ಡ್ನ ಫೆಸ್ತ ಾಂ ಆಚರಿಲಿಾಂ. ಪುಣ್ ತಾಂಕಾ​ಾಂ ಆರಾಧಾನ್ ಕತಾನಾ ತ್ಲಾ ವಾತ ಪ್ಟವ್​್ ಕ್ತಾ ಚೊ ಬಾಂಗೊಸತ ಳ್ ಕಚೊಾ? ಹ್ಯಾ ವಾತಾಂ ನಿಮ್ಚತ ಾಂ ಕಣಾಕ್ ಕಾ​ಾಂಯ್ ಬರೆಪಣ್ ರ್ಜತ? ತಾ ಬದಾಿ ಕ್ ತಚ್ಿ ಪಯ್ಲಿ ಫಿಗಾಜಾಂತಿ ಾ ಗಜಾವ್ಾಂತಾಂಕ್ ತಾಂಚಾಂ ಭಾಡಾಂ ದೀಾಂವ್​್ , ಭುಾ​ಾ ಾ​ಾಂಕ್ ಶಾಳ್ಯಕ್ ವಚಾ​ಾ ಖ್ಚಾ​ಾಕ್ ವ್ ತಾಂದುಳ್ ವ್ ಹೆರ್ ಗಜಾಚೊ ಸ್ಮ್ನ್ ಹ್ಯಡಾಂಕ್ ದವಾ ತ್ ನ್ಹ ಾಂಯ್? ಇಗಜಾ ಭಾಯ್ರ ಆಸ್ಿ ಾಂ ತಾಂ ವಾತ ಭಾರ್ಜಿ ಾಂ ಮ್ಚರ್ಜಾಂ ಕಾಡ್ನ್ ಉಡವ್​್ ತಾ ಚ್ಿ ರ್ಜಾ​ಾ ರ್ ಥೊಡ ಕಾಂಡಾ ದವ್ನ್ಾ ತಾಂತಾಂ ಜರ್ ಲೊೀಕಾಕ್ ವಾತ ಬದಾಿ ಕ್ ಪಯ್ಲಿ ಜಮಯಾಿ ಾ ರ್ ನಿರ್ಜಕ್ೀ ತ ಸ್ಾಂತ್ ಸಾಂತ್ಲಸತ ಲೆ ಮಹ ಳ್ಳಳ ಮಹ ರ್ಜ ಅಭಿಪಾರ ಯ್; ವ್ಹ ಯ್ ರ್ಜಲಾ ರ್ ತ್ಕ್ಷಣ್ ವಾತ ಪ್ಟಾಂವಿ ಾಂ ತಥಾ​ಾನ್ ಬಾಂದ್ ಕರಾ! ಡ್ಟ. ಆಸ್ಾ ನ್ ಪರ ಭು, ಚಿಕಾಗೊ, ಸಾಂ.

2 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಮ ವೊಳ್ಕ ಂಚೊ ಶ್ರ ೀರಾಮ್ ಕತ್ಲೊ ವೆಗ್ಳೊ ?

-ಮನೋಜ್ ಫೆರ್ನಾಂಡಿಸ್

ಹ್ಯಾ ದಶಾ​ಾಂತ್ ಜಲೊೊ ನ್ ರಾಮ್ಯಣ ಆನಿ ಮಹ್ಯಭಾರತಚೊಾ ಕಾಣಿಯ್ಲ ಆಯಾ್ ನಾತ್ಲಿ​ಿ ೦ ಕಣಿೀ ನಾ​ಾಂತ್. ಥೊಡ್ಟಾ ಾಂಕ್ ಹೆ ಬೂಕ್ ಧಾಮ್ಚಾ ಕ್ ಪವಿತ್ರ ಗರ ಾಂಥ್, ಥೊಡ್ಟಾ ಾಂಕ್ ಪೌರಾಣಿಕ್ ಆನಿ ಚಾರಿತರ ಕ್ ದಾಖ್ಲಿ , ಆನಿ ಆಮಿ ತ್ಸಲಾ ಾಂಕ್ ಲಹ ನ್ ಥಾವ್​್ ಆಯಾ್ ಲೊಿ ಾ ಕಾಣಿಾಂಯ್ಲ. ಆಮ್​್ ೦ಚ್ ಕಳ್ಳತ್ನಾತ್ಲೆಿ ಬರಿ ಹ್ಯಾ ಬುಕಾ​ಾಂತಿ ಪಾತ್ರ -ಘಡಿತಾಂ ಆಮ್ಿ ಾ ದಸ್ರೊ ಡ್ಟತ ಾ ಕಾಮ್ಾಂನಿ ಆನಿ ಉಲೊಾಂವಾಿ ಭಾಶಾಂತ್

ಭಸಾಲಾ ೦ತ್. 'ತ್ಲ ಬಕಾಸುರಾಬರಿ ಖಾತ', 'ತಾಂ ಶೂಪಾನ್ಖಿ ತ್ಶಾಂ ದಸ್ತ ', 'ತ್ಲ ಭಿೀಮಬರಿ ದಡಾಂಗ್ ಆಸ್', ’ದಾನ್ಶೂರ ಕಣಾಬರಿ ತಚಾ​ಾ ಬಲಸ ಾಂತ್ ಏಕ್ ದಡಿ್ ಆಸ್ನಾ' ಅಶಾಂ ಸಬಾರ್ ನಿದರ್ಾನಾ​ಾಂ ಆಸ್ತ್.

1987oತ್ ದೂರ್ದರ್ಾನಾಚರ್ ರಮ್ನ್ಾಂದ್ ಸ್ಗರ್ಚಾಂ 'ರಾಮ್ಯಣ' ಪರ ಸ್ರ್ ರ್ಜತನಾ ಹರೆೀಕ್ ಆಯಾತ ರಾ ಸಕಾಳ್ಳಾಂ ಹಾಂದೂ ಲೊೀಕ್ ನಾಹ ಣ್

3 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಾಂಪೊವ್​್ , ನಿತ್ಳ್ ರ್ಜವ್​್ ಟಿ.ವಿ.ಕ್ ಫುಲಾಂ ಘಾಲ್​್ ತಚಮುಕಾರ್ ಬಸ್ತ ಲೊ ಖ್ಾಂಯ್. ಕ್ರ ಸ್ತ ಾಂವ್ ಲೊಕಾಕ್ ಸಯ್ತ ಹ್ಯಾ ಕಾಯಾಕರ ಮ್ಚಾಂ ಪ್ಲಶಾಂ ಆಸಲೆಿ ಾಂ ಮಹ ಣ್ ಥೊಡ್ಟಾ ಾಂನಿ ಸ್ಾಂಗ್ಲೆಿ ಾಂ ಹ್ಯಾಂವಾಂ ಆಯಾ್ ಲಾಂ. ಹ್ಯಾಂತಾಂ ದಾರಾ ಸ್ಾಂಾಚೊ ’ಹನುಮ್ನ್' ಪಾತ್ರ ಆತಾಂಯ್ ಲೊೀಕ್ ಉಡ್ಟಸ ಕಾಡ್ಟತ . ಮಹ ರ್ಜಾ ಬಾಳ್ಪಣಾರ್ ರಾಮ್ಯಣ ಪುನ್ರ್ ಪರ ಸ್ರ್ ರ್ಜತನಾ, ತಚಾ​ಾ ಸ್ಾಂಾತ ಸನಾ​ಾ ರಾ- ಆಯಾತ ರಾ 'ದಯಾಸ್ಗರ್' ಮಹ ಳ್ಳ ಾಂ ಕಾಯಾಕರ ಮ್ ಜಜು ಕ್ರ ೀಸ್ತಚಿ ರ್ಜಣಿ ಲೊಕಾಕ್ ದಾಕಾಂವಾಂ ಪ್ರ ೀತ್ನ್ ತ್ಶಾಂ ದೂರ್ದರ್ಾನಾಚರ್ ದಾಕಯಾತ ಲೆ. ಹ್ಯಾ ದೀನ್ ಕಾಯಾ​ಾ​ಾಂ ಮಧಾಂ ಮಹ ರ್ಜ ವಿಾಂಚವ್​್ 'ರಾಮ್ಯಣ' ರ್ಜವಾ್ ಸಲಿ​ಿ . ಹ್ಯಚಾ​ಾ ಪಾಟ್ಲಿ ನ್ ಧಾಮ್ಚಾಕ್ ವಾ ಭಾವಾಡ್ಟತ ಕ್ ಸಾಂಬಾಂಧ್ಯ ರ್ಜಲಿ​ಿ ಾಂ ಕಾರಣಾ​ಾಂ ನಾತ್ಲಿ​ಿ ಾಂ, ಬಾರ್ ಭುಾ​ಾ ಾಪಣಾರ್ ಗಾಂಭಿೀರ್ ಆನಿ ಸ್ಾಂತಮ್ಚಾಂತಳ್ ಶಿಕವ್​್ ದಾಂವಾಿ ದಯಾಸ್ಗರಾಚಾ​ಾ ಕ್ೀ ಝುರ್ಜಾಂ, ಘೊಡೆ್, ಹಸ್ತ , ರಾಕ್ ಸ, ಬಿಲ್ಲಿ ಬಾಣ ಚಡ್ನ ರೀಚಕ್ ಆನಿ ಆಕರ್ಾಕ್ ರ್ಜವ್​್ ದಸ್ತ ಲಿಾಂ. ಅಶಾಂ ಪಯ್ಲಿ ಪಾವಿಾ ೦ ಹ್ಯಾಂವಾಂ 'ಜೈ ಶಿರ ೀರಾಮ್' ಘೊೀರ್ಣ್ ಆಯಾ್ ಲೆಿ ಾಂ. ತಾಂತಾಂ ದಾಕಯಿಲೊಿ ಶಿರ ೀರಾಮ ಧಯಾರ ಧಿಕ್ ಪುಣ್ ತತ್ಲಿ ಚ್ ಮೊವಾಳ್, ರಾವಳ ರಾ​ಾಂತ್ ವಾಡ್ನ ಲೊಿ

ರಾಯ್ ತ್ರಿೀ, ರಾಣಾ​ಾಂತ್ ರ್ಜಯ್ಲಾಂವಾಿ ರ್ಬರಿ ನಾ​ಾಂವಾಚಾ​ಾ ಎಕೆ ಪಾರ ಯಾ ೦ತ್ ಸ್ತ ರೀಯ್ಲಚಾ​ಾ ಗುಡಸ ಲಕ್ ಭೆಟ್ ದತ. "ರೂಚ್ ಆಸಲಿ​ಿ ಾಂ ಫಳ್ಯಾಂಚ್ ಶಿರ ೀರಾಮಕ್ ದೀಜ" ಮಹ ಳ್ಯಾ ಇರಾದಾ​ಾ ನ್ ರ್ಬರಿನ್ ಚಾಬನ್ ದಲಿ​ಿ ಾಂ ಫಳ್ಯಾಂ ಸಯ್ತ ಖುಶನ್ ಸ್ಾ ೀಕಾರ್ ಕತಾ.

ಉಕಲ್​್ ಹ್ಯಡ್ಟತ ನಾ ತಚಾ​ಾ ತ್ಲಾಂಡ್ಟರ್ ಯ್ಲಾಂವಿ ೦ ನಾ​ಾಂವ್ 'ಜೈ ಶಿರ ೀರಾಮ್'.

ರ್ಜವಿತ್ ದಾಂವಾಿ ಾ ಚೊ ಸಾಂಕೆೀತ್. ಆಮ್ಚಾಂ ಕಶಾಂ 'ದೀವ್ ಬರೆಾಂ ಕರುಾಂ', 'ದೀವ್ ಬರ ದೀಸ ದೀಾಂವ್' ಮಹ ಳ್ಳಳ ಾಂ ಉತರ ಾಂ ಕಾಂಕೆ್ ೦ತ್ ವಾಪಾತಾ​ಾಂವ್, ತ್ಶಾಂಚ್ ಉತ್ತ ರ್ ಭಾರತಚಾ​ಾ ಹಾಂದ ಭಾಶಿಕಾ​ಾಂನಿ

ಹ್ಯಾಂಾಸರ್ ಜೈ ಲಾಡ್ನ ಕಾಡಿ

ಶಿರ ೀರಾಮ್ ರ್ಜೀವ್ ನ್ಹ ಾಂಯ್, ಬಾರ್

ಆಪ್ಲಿ ಪತಣ್ ಸ್ೀತಕ್ ಅಪಹರಣ್ ಕೆಲಿ ಾ ರಾವ್ಣಾಚೊ ಭಾವ್ ವಿೀಭಿರ್ಣ ಮ್ಫ್ ಮ್ಾತ ನಾ ತಕಾ ಭೊಗುಸ ನ್ ಆಪಾಿ ಾ ಸೈನಾ​ಾ ಾಂತ್ಚ್ಿ ರ್ಜಗೊ ದಾಂವಿ ಾಂ ಉದಾರ್ ಮನ್ ದಾಕಯಾತ . ಹ್ಯಾ ತಚಾ​ಾ ಸ್ದಪಣಾಕ್ ಲಗೊನ್ ತಕಾ ದಯ್ಲಾ ಉತ್ಲರ ನ್ ಶಿರ ೀಲಾಂಕಾಕ್ ವ್ಚೊಾಂಕ್ ಸ್ಾಂಕವ್ ಬಾ​ಾಂದುಾಂಕ್ ಕುಮೊಕ್ ಕಚಾ ಮ್ಾಂಕಡ್ನ ವಾ ವಾನ್ರ ಸೀನೆ ಹಯ್ಲಾಕಾ ಫಾತರ ಚರ್ 'ಜೈ ಶಿರ ೀರಾಮ್' ಮಹ ಣ್ ಬರವ್​್ ದಯಾ​ಾ​ಾಂತ್ ಉಡಯಾತ ತ್, ತಾಂಚಿ ಭಕ್ತ ಪಳ್ವ್​್ ತ ಫಾತ್ರ್ ಬುಡ್ಟನಾಸ್ತ ನಾ ದಯಾ​ಾ​ಾಂತ್ ಉಪ್ಾ ವ್​್ 'ರಾಮಸೀತ' ನಿಮ್ಾಣ್ ರ್ಜತ. ಸ್ೀತಕ್ ಸ್ರಡಾಂವಾಿ ಕ್ ಝುಜ್ ಮ್ಾಂಡ್ಟತ ನಾ, ಮತ್ ಚುಕನ್ ಪಡ್ನ ಲಿ ಾ ಲಕ್ಷೊ ಣಾಕ್ ವ್ಟಕತ್ ರ್ಜಾಂವಿ ೦ ಝಡ್ನ ಸಾಂರ್ಜೀವಿನಿ ಸ್ರಧುನ್ ಕಾಡಿ ಾಂ ಕಾಮ್ ಹನುಮ್ನಾಕ್ ವ್ಹ ಡ್ನ ಪಾಂಥಾಹ್ಯಾ ನ್ ರ್ಜತ. ಝಡ್ನ ಖ್ಾಂಯ್ಲಿ ೦ ಮಹ ಣ್ ಕಳ್ಯನಾಸ್ತ ನಾ ಸಗೊಳ ದರ ೀಣಗ್ಲರಿ ಪವ್ಾತ್ ಹನುಮ್ನ್

4 ವೀಜ್ ಕ ೊಂಕಣಿ

ಎಕಾಮ್ಚಕಾ ಭೆಟ್ಲತ ನಾಆದೀವ್ಸ ಮ್ಾತ ನಾ ನಿತ್ಳ್ ಕಾಳ್ಯಾ ನ್ 'ರಾಮ್ ರಾಮ್' ಸ್ಾಂಗ್ಲಿ ರಿವಾಜ್ ಆಜೂನ್ ಚಾಲಿತ ರ್ ಆಸ್. ಆಮ್ಚಾಂ ವ್ಟಳ್ಯ್ ನಾತ್ಲೊಿ 'ಶಿರ ೀರಾಮ್' ಕೆದಾಳ್ಯ ಹ್ಯಾ ದಶಾಚಾ​ಾ ಥೊಡ್ಟಾ ಮಾಂದರಾ​ಾಂನಿ ರಾಜಕ್ೀಯ್ ಪರ ವೀಶ್ ರ್ಜಲೆಾಂ, ತಾ ದಸ್ ಏಕ್ ವಿಭಿನ್ಸ ಶಿರ ೀರಾಮ್ನ್ ಜಲ್ೊ ಘೆತ್ಲಿ . ಹ್ಯಚಾ​ಾ ಜಲ್ೊ ದಾತರಾ​ಾಂನಿ , ಅನ್ಾ ಧಮ್ಚಾಯ್ ಲೊಕಾಕ್ ದಾ ೀಶ್ ಕಚೊಾ, ಅಮ್ಯಕಾ​ಾಂಚರ್ ಹಲೊಿ ಕಚೊಾ, ಸಬಾರ್ ಸಾಂಸ್ ೃತ ಬಗ್ಲಿ ಕ್ ದವ್ನ್ಾ ಹೊ ದೀಶ್ ಹಾಂದೂ ರಾಷ್ಟಾ ರ ರ್ಜಯಾ ಯ್ ಮಳ್ಳಳ ವಾದ್ ಮ್ಾಂಡ್ನಲಿ ಾ ಎಕಾ ಕೃತಾ ಕ್ ಶಿರ ೀರಾಮ್ಕ್ ಲೊಕಾಕ್ ಅಪ್ಲಾಲೊ. ತಚಾ​ಾ ಉಪಾರ ಾಂತ್ ರ್ಜಲಿ​ಿ ಾಂ ಘಡಿತಾಂ. ಪಳ್ಯಾ, ಅಯ್ಲೀಧಾ ಾಂತ್ ರಾಮ್ ಮಾಂದರ್ ನಿಮ್ಾಣ್ ರ್ಜಯಾ ಯ್ ಮಹ ಣ್ ಲಲ್ ಕೃಷ್ಟ್ ಅಡ್ಟಾ ಣಿನ್ 1990 ಇಸಾ ಾಂತ್ ಪಾರ ರಾಂಬ್ ಕೆಲಿ ಾ ರಥ್ಯಾತರ ಾಂತ್ 'ಜೈಶಿರ ೀರಾಮ್'

ಘೊೀರ್ಣ್ ಫಾಮ್ದ್ ರ್ಜಲೆಾಂ. ಹ್ಯಚೊ ಪರಿಣಾಮ್ ಅಸ್ರ ರ್ಜಲೊ ಕ್ೀ, ಉದರ ಕ್ತ ಹಾಂದೂ ಪಾಂಾ​ಾ ನ್ ಕೀಟ್ಲಾಚಾ​ಾ ತೀಪಾ​ಾಕ್ ರಾಕಾನಾಸ್ತ ನಾ 1992oತ್ ಬಾಬಿರ ಮಸ್ೀದ್ ಮೊಡ್ನ್ 'ಜೈ ಶಿರ ೀರಾಮ್' ಮಹ ಣ್ ಬಬಾಟಾಂಕ್ ಲಗ್ಲಿ . ತೀನ್ ವ್ಸ್ಾ​ಾಂ ಆದಾಂ ಟ್ಲಟ್ಲ ಕಾಂಪ್​್ ಚಾ​ಾ ಅಧಿೀನ್ ಆಸ್ಾ ರ 'ತ್ನಿಶ್​್ ' ಜುಾ ವಲಿ ರಿ ಬಾರ ಾಂಡ್ಟನ್ ಏಕ್ ರ್ಜಯಾರ ತ್ ತ್ಯಾರ್ ಕೆಲೆಿ ಾಂ. ಏಕ್ ಮುಸ್ಿ ಮ್ ಸ್ಸುಮ್ಾಂಯ್ಲನ್ ಆಪಾಿ ಹಾಂದೂ ಸುನೆಕ್ ಗುವಾ​ಾರಿಕ್ ಧಾಡಿ ೦ ದೃಶ್ಾ ಹ್ಯಾಂತಾಂ ಆಸಲೆಿ ಾಂ. . ಮೊಕ್ಳ ಕ್ ರ್ಜತ್ಚ್ ಹೆಾಂ 'ಲವ್ ರ್ಜಹ್ಯದಾ'ಕ್ ಪ್ರ ೀರಣ್ ದಾಂವಿ ಾಂ ಪ್ರ ೀತ್ನ್ ಮಹ ಣ್ ದೀಶ್ಭರ್ 'ತ್ನಿಶ್​್ ' ಶೀ ರೂಮ್ಾಂಚರ್ ಥೊಡ್ಟಾ ಸಾಂಘಟನಾ​ಾಂನಿ ದಾಡ್ನ ಫಾಲ್​್ 'ಜೈ ಶಿರ ೀರಾಮ್' ಮಹ ಣ್ ಬಬ್ ಮ್ತಾನಾ, ಹೆಾಂ ರ್ಜಯಾರ ತ್ಚ್ಾ ಕಾಂಪ್​್ ನ್ ರದ್ಾ ಕೆಲೆಾಂ. ರ್ಜಯಾರ ತಚೊ ನಿೀಜ್ ಉದಾ ೀಶ್

5 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಸಲೊಿ 'ಏಕತ್ಾ ಾಂ' ಮುಸ್ಿ ಮ್ ಎಕಾ ಟ್.

ವಾ

ಹಾಂದೂ-

ಸಕ್ ಡ್ನ ಸ್ರಡ್ನ್ , 2019ತ್ ಮೊೀದ ಸಕಾ​ಾರ್ ದುಸರ ಆವಾ ಕ್ ವಿಾಂಚುನ್ ಆಯಿಲಿ ಾ ವಳ್ಯರ್, ಪರ ರ್ಜಪರ ಭುತಾ ಚಾಂ ಮಾಂದರ್ ಮಹ ಣ್ ಆಮ್ಚಾಂ ಮ್ನುನ್ ಘೆ೦ವಾಿ ಪಾಲಿಾಮ್ಚಾಂಟ್ ಭವ್ನಾ​ಾಂತ್ಚ್ ಪರತ್ 'ಜೈ ಶಿರ ೀರಾಮ್' ಆಯ್ಲ್ ಾಂವ್​್ ಮ್ಚಳ್ಳ ಾಂ. ಪಾಲಿಾಮ್ಚಾಂಟ್ ಸ್ಾಂದಾ​ಾ ಾಂನಿ ಪರ ಮ್ಣ್ ವ್ಚನ್ ಸ್ಾ ೀಕಾರ್ ಕಚಾ​ಾ ವ್ಾತ ಹೆಾಂ ಘಡಿತ್ ಘಡಿ ಾಂ. ಸಗ್ಲಳ ಧಮ್ಾ ಸಮ್ನ್ ಮಹ ಣ್ ಅಥ್ಾ ದಾಂವ್ಟಿ 'ರ್ಜತಾ ತೀತ್' ಮಹ ಳ್ಳಳ ೀ ಸಬ್ಾ ದಶಾಚಿ ಬುನಾ​ಾ ದ್ ಘಾಲಿ ಾ ಮುಕೆಲಾ ಾಂನಿ ಹ್ಯಾ ಚ್ ಪಾಲಿಾಮ್ಚಾಂಟ್ ಭವ್ನಾ​ಾಂತ್ ಮಾಂಜೂರ್ ಕೆಲೊಿ ಮಹ ಳ್ಳ ಾಂ ವಿಪಯಾ​ಾಸ ತ್ಶಾಂ ಭೊಗ್ಲಿ ಾಂ, ಹ್ಯಚಾ​ಾ ಶಿವಾಯ್ ಗೊೀರಕ್ಷಕ್ ಮಹ ಣ್ ನಿೀಬ್ ದೀವ್​್ ಉಣಾ​ಾ ಸಾಂಖಾ​ಾ ತಾಂಚರ್, ದಲಿತ್ ಲೊಕಾ​ಾಂಚರ್ ಹಲೊಿ ಕತಾನಾ, 'ಸಾಂಸ್ ೃತಚ ರಾಕಾ ಲಿ' ಮಹ ಳ್ಳ ಾಂ ಮುಖ್ಲಡ ಾಂ ಘಾಲ್​್ ಪಾಕಾ​ಾ​ಾಂತ್ ಬಸಲಿ ತ್ನಾ​ಾ ಾ ಜಡ್ಟಾ ಾಂಕ್ ಮ್ನ್ಾ-ಬಡಯಾತ ನಾ, ಶಾರೂಖ್-ಆಮ್ಚೀರ್ ಖಾನಾಚಿಾಂ ಫಿಲೊ ಾಂ ಬಾ​ಾ ನ್ ಕರಿಜ ಮಹ ಣ್ ಥಿಯ್ಲೀಟರಾ​ಾಂನಿ ಗಲಟೊ ಕತಾನಾ ಸಯ್ತ ಹ್ಯಾ ಕಾಯಾಕತಾ​ಾಂಚಾಂ ತಾಂಚ್ ರಡ್ ಾಂ 'ಜೈ ಶಿರ ೀರಾಮ್'. ಗ್ಲಲಾ ತಾ ವ್ಸ್ಾ ಅಕಾ ೀಬರ್ 14 ತರಿಕೆರ್ ಗುಜರಾತಚಾ​ಾ ಅಹಮದಾಬಾದ್ ಶರಾ​ಾಂತಿ ಾ ನ್ರೆೀಾಂದರ ಮೊೀದ ಸಾ ೀಡಿಯಮ್ಾಂತ್ ಇಾಂಡಿಯಾ ಆನಿ ಪಾಕ್ಸ್ತ ನಾಚಾಂ ವಿರ್ಾ ಕಪ ಮ್ಾ ಚ್ ಚಲೆಿ ಾಂ.

1,32,000 ಲೊೀಕ್

ಸಾ ೀಡಿಯಮ್ಾಂತ್ ಆನಿ ಕರಡ್ಟಾಂನಿ ಲೊೀಕ್ ಟಿ.ವಿ.ಮುಕಾರ್ ಬಸ್ರನ್ ಹೆಾಂ ಮ್ಾ ಚ್ ಪಳ್ವ್​್ ಆಸಲೊಿ . ಪಯ್ಲಿ ಾಂ ಬಾ​ಾ ಟಿಾಂಗ್ ಕನ್ಾ ಆಸಲೆಿ ಾಂ ಪಾಕ್ಸ್ತ ನ್ ಎಕಾ ಹಾಂತರ್ ಕೆೀವ್ಲ್ ದೀನ್ ವಿಕೆಟ್ ಹೊಾಡ ವ್​್ 150 ರನ್ ಕನ್ಾ ಸುಸ್ಿ ತರ್ ಆಸಲೆಿ ಾಂ ತ್ರಿೀ, ಎಕಾಚಾಿ ಣಾಂ ವಿಕೆಟ್ ಪಡಾಂಕ್ ಸುರು ರ್ಜಲೊಾ . ಸಾ ೀಡಿಯಮ್ ಭಿತ್ರ್ ಪದಾ​ಾಂ ಖ್ಲಳ್ತ ಲಾ ಡಿ.ಜ.ನ್ ಆಯ್ಲಿ ವಾರ್ ಮೊಕ್ಳ ಕ್ ರ್ಜಲಿ ಾ 'ಆದಪುರುಶ್' ಪ್ಲಾಂತರಾಚಾಂ 'ರಾಮ್ ಸ್ಯಾ ರಾಮ್' ಲೌಡ್ನ ಸ್ೊ ೀಕರಾರ್ ಪ್ಿ ಕರುಾಂಕ್ ಸುರು ಕೆಲೆಾಂ. ಕ್ರ ಕೆಟ್ ಅಭಿಮ್ನಿಾಂಚೊ ಸಾಂಭರ ಮ್' ಖಿಣಾಭಿತ್ರ್ ಉದಾ ೀಗ್ ರ್ಜವ್​್ ಬದಲೊಿ . ಆಪ್ಲಿ ವಿಕೆಟ್ ಹೊಾಡ ವ್​್ ಪ್ವಿಲಿಯನಾಕ್ ಪಾಟಿಾಂ ವ್ಚೊನ್ ಆಸಲಿ ಾ ಪಾಕ್ಸ್ತ ನಾಚೊ ವಿಕೆಟ್ ಕ್ೀಪರ್ ಮಹಮೊ ದ್ ರಿರ್ಜಾ ನಾಕ್ ತಕಾಿ ವ್​್ ಮಹ ಳ್ಳ ಬರಿ ಭಾರತೀಯ್ ಅಭಿಮ್ನಿ " ಜೈ ಶಿರ ೀರಾಮ್, ಜೈ ಶಿರ ೀರಾಮ್", ಮಹ ಣ್ ಪರ ಚೊೀದನ್ಕಾರಿ ರಿತನ್ ಬಬಾಟಾಂಕ್ ಲಗ್ಲಿ . ಭಾರತೀಯ್ ಸಕಾ​ಾರಾನ್ ವಿೀಸ್ ದಾಂವ್​್ ನಾತ್ಲಿ ಾ ನ್, ಪಾಕ್ಸ್ತ ನಿ ಅಭಿಮ್ನಿಾಂಕ್ ಹೆಾಂ ಮ್ಾ ಚ್ ಪಳ್ಾಂವ್​್ ಯ್ಲೀಾಂವ್​್ ಅವಾ್ ಸ ನಾತ್ ಲೊಿ . ಪುಣ್ ಹ್ಯಾ ಘಡಿತಚೊ ವಿೀಡಿಯ್ಲ ಸಾಂಸ್ರ್ಭರ್ ವೈರಲ್ ರ್ಜಲೊ. 'ಅತಥಿ ದೀವ್ಟೀಭವ್' ಮಹ ಣ್ ಸಯಾರ ಾ ೦ಕ್ ದವಾಚಾಂ ಸ್ಿ ನ್ ದಲಿ​ಿ ಭಾರತೀಯ್ ಸಾಂಸ್ ೃತ ಹ್ಯಾ ಎಕಾ ಘಡಿತ ಥಾವ್​್ ರ್ಜಗತಕ್ ಮಟ್ಲಾ ರ್ ಲಜಕ್ ಪಡಿ​ಿ . ಇಾಂಡಿಯಾ ಮ್ಾ ಚ್ ರ್ಜಕೆಿ ಾಂ ತ್ರಿೀ ಮನಾಿ ಪಣ್ ಸಲಾ ಲೆಿ ಾಂ. ಕೆೀಾಂದರ

6 ವೀಜ್ ಕ ೊಂಕಣಿ

ಗೃಹಮಾಂತರ ಅಮ್ಚತ್ ಶಾ ಹೆಾಂ ಮ್ಾ ಚ್ ಪಳ್ಾಂವ್​್ ಸಾ ೀಡಿಯಮ್ಾಂತ್ ಹ್ಯಜರ್ ಆಸ್ತ ನಾ​ಾಂಚ್ ಹೆಾಂ ಘಡಿತ್ ಘಡ್ನಲೆಿ ಾಂ ತ್ರಿೀ ತಣಾಂ ರ್ಜಾಂವ್ ವಾ ಆಡಳ್ತ ಾಂ ಚಲೊಾಂವಾಿ ಬಿಜಪ್ಲ ಪಾಡಿತ ಚಾ​ಾ ಖ್೦ಯಾಿ ಾ ಯ್ ಏಕಾ ಮುಕೆಲಾ ನ್ ರ್ಜಾಂವ್ ಹ್ಯಚಾ​ಾ ವಿರೀಧ್ಯ ಏಕ್ ವಾಕ್ಮೊ ಲ್ ಸಯ್ತ ದೀಾಂವ್​್ ನಾ. ತ್ಮ್ಚಳುನಾಡ ರಾರ್ಜಾ ಚೊ ಖ್ಲಳ್ಯಮಾಂತರ ಡಿ.ಎಮ್.ಕೆ. ಪಾಡಿತ ಚಾ​ಾ ಉದಯನಿಧಿ ಸ್ಾ ಲಿನಾನ್ ಹ್ಯಾ ಘಡಿತಚಾಂ ಖ್ಾಂಡನ್ ಕನ್ಾ, "ಕ್ರ ಕೆಟ್ ಲೊೀಕಾಕ್ ಸ್ಾಂಾತ ಹ್ಯಡಿ ಾಂ ಹ್ಯತರ್ ರ್ಜಯ್ಲಾ , ವಿಭರ್ಜತ್ ಕಚಾ​ಾಂ ನ್ಹ ಾಂಯ್" ಮಹ ಣ್ ಆವಾಜ್ ಉಟಯ್ಲಿ . ಅಾಂತರಾಷ್ಟಾ ರೀಯ್ ಮ್ದಾ ಮ್ಾಂನಿ ಹ ಖ್ಬರ್ ಆವಾಜ್ ಕತಾನಾ, ಉರ್ಜಾ ಾ ಪಾಂಥಿೀಯ್ ರಾಜಕ್ೀಯ್ ಪಾಡತ ೦ಚಿ ಟೊರ ೀಲ್ ಆಮ್ಚಾ ಸ್ಮ್ರ್ಜಕ್ ರ್ಜಳ್ಳರ್ಜಾ​ಾ ಾಂನಿ ಹ್ಯಾ ಘಡಿತಚಾಂ ಸಮರ್ಾನ್ ಕರುಾಂಕ್ ಲಗ್ಲಿ . 'ಜೈ ಶಿರ ೀರಾಮ್ ಆಮ್ಚಿ ೦ ಧಾಮ್ಚಾಕ್ ಘೊೀರ್ಣ್, ಆಮ್ಚಾಂ ಪಾಕ್ಸ್ತ ನಿ ಖ್ಲಳ್ಯಾ ಡ್ಟಾ ಾಂಕ್ ಾಳ್ಳ ಸ್ರವಾಂಕ್ ನಾ​ಾಂತ್. ತ ಮುಸ್ಿ ಮ್ ಖ್ಲಳ್ಯಾ ಡಿ ಮ್ಾ ಚ್ ರ್ಜಕೆಿ ಲಾ ವಳ್ಯರ್ ಖ್ಲಳ್ಯ ಮಯಾ​ಾ ನಾರ್ ನ್ಮ್ಜ್ ಕತಾತ್ ತ್ರ್ ಆಮ್ಿ ಾ ದಶಾ​ಾಂತ್ ಆಮ್ಚಿ ಾಂ ಧಾಮ್ಚಾಕ್ ಘೊೀರ್ಣ್ ಕಚಾ​ಾ ಾ೦ತ್ ಕ್ತಾಂ ಚೂಕ್ ಆಸ್?' ಮಹ ಣ್ ಸಭಾರಾ​ಾಂನಿ ಅಭಿಪಾರ ಯ್ ದಲಿ. ಅಸಲಾ ಅಶಿೀರ್ ಚಿಾಂತೊ ಚಾ​ಾ ಲೊಕಾಕ್ ಮಹ ರ್ಜ ರ್ಜಪ ಅಶಿ. "ಖ್ಲಳ್ಯ ಮ್ಚೈದಾನಾರ್ ಧಾಮ್ಚಾಕ್ ಆಚರಣಾ​ಾಂಚಿ ಗಜ್ಾ ಭಿಲ್ಲ್ ಲ್ ನಾ. ಪುಣ್ ಥೊಡ್ಟಾ ಖ್ಲಳ್ಯಾ ಡ್ಟಾ ಾಂಚಾ​ಾ ರಾತ ಾಂತ್ ಧಮ್ಾ

ಅಸ್ರ ಮ್ಚಸ್ಳ ಲ ಕ್ೀ, ತಾಂಕಾ​ಾಂ ದವಾಚೊ ಉಡ್ಟಸ ತ್ವ್ಳ್-ತ್ವ್ಳ್ ಯ್ಲತ. ಚಡ್ಟತ ವ್ ಹಾಂದೂ ಖ್ಲಳ್ಯಾ ಡಿ ಮ್ಚೈದಾನಾಕ್ ಪರ ವೀಶ್ ಜಡ್ಟಿ ಾ ಪಯ್ಲಿ ಾಂ ಹ್ಯತಾಂತ್ ಮ್ತ ಆಪಡ್ನ್ ವಾ ಗಳ್ಯಾ ಾಂತ್ ಆಸ್ಿ ಾ ದವಾಚಾ​ಾ ತ್ಸ್ಾ ೀರೆಚೊ ಉಮೊ ಫೆತತ್ ತ್ರ್, ಮುಸ್ಿ ಮ್ ಖ್ಲಳ್ಯಾ ಡಿ ನ್ಮ್ಜ್ ರ್ಯಿ​ಿ ವಾಪಾನ್ಾ ದವಾಚೊ ಉಡ್ಟಸ ಕಾಡ್ಟತ ತ್. ಮ್ರ್ಜ ಕ್ರ ಕೆಟ್ ಖ್ಲಳ್ಯಾ ಡಿ ರಾಬಿನ್ ಉತ್ತ ಪೊ ಏಕ್ ಕ್ರ ಸ್ತ ಾಂವ್ ರ್ಜವಾ್ ಸ್ರನ್ ಹರೆೈಕ್ ಪಾವಿಾ ಾಂ ರ್ಜಕಾತ ನಾ 'ಆನ್ಾಂದ್ ಬಾಪಾ' ಘುತ್ಾ ಕಾಡ್ಟತ ಲೊ. ಪುಣ್ ಹ್ಯಾ ದಾಖಾಿ ಾ ಾಂನಿ ದಸ್ರನ್ ಯ್ಲಾಂವ್ಟಿ , ಖ್ಲಳ್ಯಾ ಡ್ಟಾ ಾಂಕ್ ತಾಂಚಾ​ಾ ಧಮ್ಾಚರ್, ದವಾಚರ್ ಆಸ್ರಿ ಮೊೀಗ್. ಪುಣ್ ಮೊೀದ ಸಾ ೀಡಿಯಮ್ಾಂತ್ ಘಡ್ನಲೆಿ ಾಂ ಘಡಿತ್ ಹೆರ್ ಧಮ್ಾ​ಾಂಚರ್ ಆಸ್ರಿ ದಾ ೀಶ್ ದಾಕಾಂವಿ ತ್ಸಲೆಾಂ, ಫಾಲಾ ಾಂ ವಿರಾಟ್ ಕಹಿ ಪಯಾಿ ಾ ಬಲಕ್ಚ್ ಔಟ್ ರ್ಜವ್​್ ವತನಾ ಪಾಕ್ಸ್ತ ನಿ ಅಭಿಮ್ನಿಾಂನಿ 'ಅಲಿ ಹು ಅಕಬ ರ್' ಮಹ ಣ್ ವಾ ಆಸಾ ರೀಲಿಯನ್ ಲೊಕಾನ್ 'ಅಲೆಿ ಲೂಯಾ' ಮಹ ಣ್ ವಾ ತಚಿಾಂ ಖ್ಲಳು್ ಳ್ಯಾಂ ಕೆಲಾ ರ್, ಅಸಲಾ ಲೊಕಾಕ್ ಆನಿ ಧಾಮ್ಚಾಕ್ ಮೂಳ್ಭೂತ್ವಾದಾಂಕ್ ಕಸಲೊಚ್ ಫರಕ್ ನಾ. ಹ್ಯಾ ಕಾಳ್ಯಚಿ ಗಜ್ಾ ರಾಮರಾಜಾ ದಶಾಕ್ ಸುಟ್ಲ್ ಮ್ಚಳ್ಯತ ನಾ ರಾಷ್ಟಾ ರಪ್ಲತ್ ಮಹ್ಯತ್ೊ ಾ​ಾಂಧಿ, ಹ್ಯಾಂಾ ರಾಮರಾಜಾ ಸ್ಿ ಪನ್ ರ್ಜಯ್ಲಾ ಮಹ ಣ್ ಸಪ್​್ ಲೊಿ . ಾ​ಾಂಧಿಚಾ​ಾ ರಾಮರಾರ್ಜಾ ಚೊ ನಿೀಜ್ ಅಥ್ಾ-ಸಮ್ನ್ತನ್ ಆನಿ ಭಾ​ಾಂದವ್ಾ ಣಾನ್ ಭಲಾಲೊ ಮೌಲಾ ಧಾರಿತ್ ದೀಶ್. ಆಮ್ಚಾಂ ಭಾರತ್

7 ವೀಜ್ ಕ ೊಂಕಣಿ

ನಿಮ್ಾಣ್ ಕನ್ಾ 77 ವ್ಸ್ಾ೦ ರ್ಜಲಿಾಂ ತ್ರಿೀ ಭಾರತೀಯಾ​ಾಂಕ್ ನಿಮ್ಾಣ್ ಕರಿಜ ತ್ರ್ ಆಜ್ ಾ​ಾಂಧಿಚಾ​ಾ ರಾಮರಾರ್ಜಾ ಚಿ ಗಜ್ಾ ಆಸ್. ಆಯ್ಲಿ ವಾರ್ ರ್ಜಲಿ ಾ ವಿರ್ಾ ಕಪ ಪಾಂದಾ​ಾ ಟ್ಲಾಂತ್ ಭಾರತೀಯ್ ಟಿೀಮ್ಚಾ ಯರ್ಸಾ ಾಂತ್ ಪರ ಧಾನ್ ಪಾತ್ರ ಫೆತ್ಲೆಿ ಖ್ಲಳ್ಯಾ ಡಿ ಮೊಹಮೊ ದ್ ರ್ಮ್ಚ ಆನಿ ಮೊಹಮೊ ದ್ ಸ್ರಾಜ್ ಮಹ ಳ್ಳ ಾಂ ಸತ್ ಸಾ ೀಡಿಯಮ್ಾಂನಿ 'ಜೈ ಶಿರ ೀರಾಮ್' ಬಬಾಟ್ತತ ಲಾ ಾಂಕ್ ವಿಸ್ರ ಲಾಂ ತ್ಶಾಂ ಭೊಾತ .

ಪಳ್ವ್​್ ರ್ಾಂಯ್ ಆಸಲೆಿ ಮ್ಾಂಕಡ್ನ "ತವಾಂ ಹ್ಯಡ್ನ ಲಿ ಾ ರೆಾಂವಾಂತ್ ಕ್ತ್ಲಿ ವ್ಹ ಡ್ನ ಸ್ಾಂಕವ್ ಭಾ​ಾಂದಾ ತ್ ?" ಮಹ ಣ್ ಚಾನಿಯ್ಲಚಿಾಂ ಖ್ಲಳು್ ಳ್ಯಾಂ ಕರುಾಂಕ್ ಲಗ್ಲಿ . ಹೆಾಂ ಸಕ್ ಡ್ನ ಪಯ್ಸ ಥಾವ್​್ ಪಳ್ವ್​್ ಆಸಲೊಿ ಶಿರ ೀರಾಮ ತಾ ಚಾನಿಯ್ಲಕ್ ಆಪಾಿ ಾ ಹ್ಯತಾಂತ್ ಫೆವ್​್ , ತಚಿ ಪಾಟ್ ಪೊಶವ್​್ ಮಹ ಣಾಲೊ ಖ್ಾಂಯ್ "ಮಹ ಜಾಂ ನಾ​ಾಂವ್ ಹ್ಯಾ ಸಾಂಸ್ರಾ​ಾಂತ್ ಆಸ್ತ ಮಹ ಣಾಸರ್ ತಾಂವಾಂ ದಲಿ​ಿ ತಾಂಕ್ಪುತಾ ಸವಾ ಲೊೀಕ್ ಉಡ್ಟಸ್ಾಂತ್ ದವ್ತ್ಲಾಲೊ". ರಾಮಸೀತ ನಿಮ್ಾಣ್ ರ್ಜತನಾ ಅಶಾಂ ರ್ಜವ್​್ ಚಾನಿಯ್ಲನ್ ಕೆಲೆಿ ತಾಂ ರ್ಾಂಯ್ ವ್ಹ ಡ್ನ ವಾ​ಾಂದರ್, ಗೊರಿಲಿ ಲಾ ನ್ ಕಾಮ್ ಆಜ್ ಪಯಾ​ಾ​ಾಂತ್ ಾತರ ಚ ವಾನ್ರ ಸೈನಿಕ್ ವ್ಹ ಡ್ನ ಫಾತ್ರ್ 'ಅಳ್ಳಲ್ಲ ಸೀವ' ಮಹ ಣ್ ಲೊೀಕ್ ಉಡ್ಟಸ ಹ್ಯಡ್ನ್ ರಾಸ ಘಾಲತ ಲೆ . ಹೆಾಂ ಪಳ್ವ್​್ ಕಾಡ್ಟತ . ಚಾನಿಯ್ಲ ಪಾಟಿರ್ ಆಸಾ ತೀನ್ ಆಸಲಿ ಏಕ್ ಲಹ ನ್ ಚಾನಿಯ್ಲಕ್ ಗ್ಲೀಟ್ ಶಿರ ೀರಾಮ್ಚಾ​ಾ ಬಟ್ಲಾಂಚಿಚ್ ಶಿರ ೀರಾಮ್ಕ್ ಕುಮೊಕ್ ಕಚಾ​ಾಂ ಮನ್ ನಿಶಾನಿ ಮಹ ಣ್ ಲೊೀಕ್ ಪಾತಾ ತ. ರ್ಜಲೆಾಂ. ಫಾತ್ರ್ ವಾಹ ವ್ಟಾಂವಿ​ಿ ತಾಂಕ್ ಆಮ್​್ ಾಂ ಹ ಏಕ್ ಕಾಣಿ ರ್ಜಾಂವ್​್ ಪುರ. ಚಾನಿಯ್ಲಕ್ ನಾತ್ಲಿ​ಿ . ಪುಣ್ ಪುಣ್ ಹ್ಯಾ ಕಾಣಿಯ್ಲಾಂತ್ ರ್ಜವಿತಚಾಂ ಆಪಾ್ ಚಾಂಯ್ ಮ್ಚತರ್ಪಣ್ ಆಸ್ರಾಂದ ಸತ್ ಆಸ್. ಶಿರ ೀರಾಮ್ಕ್ ತಾ ಮನಾ​ಾ ತ ಮಹ ಣ್ ದಯಾ​ಾಚಾ​ಾ ಉದಾ್ ಾಂತ್ ರ್ಾಂಯ್ ದೈವಿಕ್ಪಣ್ ದಸಿ ಾಂ. ಆಮ್ಿ ಾ ಆಪಾ್ ಕ್ ಭಿಜವ್​್ , ತ್ಡಿರ್ ಆಸಲಿ ಾ ದಶಾಚಾ​ಾ ಲೊಕಾಕ್ ಪ್ಲಾ ರ್ಾಂಯ್ ರೆಾಂವಾಂತ್ ಲೊಳ್ಳನ್, ಸ್ಾಂಕವ್ ದವಾಸೊ ಣಾಚಾ​ಾ ಕ್ೀ ಪಯ್ಲಿ ಾಂ ಮನಾ​ಾ ಪಣ್ ಬಾ​ಾಂದಾಿ ರ್ಜಾ​ಾ ರ್ ಯ್ಲೀವ್​್ ಆಪ್ಿ ಾಂ ದಸಲೆಿ ಘಡಿಯ್ಲ ಾ​ಾಂಧಿೀರ್ಜಚಾಂ ಆಾಂಗ್ ಹ್ಯಲೊವ್​್ ರೆೀಾಂವ್ ಪಾಪುಡಿ ಾಂ ರಾಮರಾರ್ಜಾ ಚಾಂ ಸಪಣ್ ನಿೀಜ್ ಕಾಮ್ ತ ಚಾನಿ ಕರುಾಂಕ್ ಲಗ್ಲಿ . ಹೆಾಂ ರ್ಜತಲೆಾಂ.

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8 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕನಾ​ಾಟಕಾ​ಾಂತ್ಲಿ ಾ ಾ​ಾ ರಾಂಟಿ’ - ಲೆೀಖ್ನ್ 6:

ಯುವನಿಧಿ ಯೋಜನ್ ಜಾರ್ಯೆಕ್ ಆರ್ಯಲೆಂ ಕನಾಟಕ ಗ್ಯಾ ರಂಟಿ

ಸಕಾ​ಾರಾಚಿ

ಪಾಂಚಿ​ಿ

2014ವಾ​ಾ ಇಸ್ವಿ ಉಪಾರ ಂತ್ ಭಾರತಾಚಂ ರಾಜಕೀಯ್ ಚಿತ್ರ ಣ್ ಬದ್ಲೊ ಲಂ. ಭಾರತಾಚಾ ಸಿ ತ್ಂತಾರ ಥಾವ್​್ ತೆದೊಳ್ ಪ್ರ್ಾಂತ್ ಭಾರತಾಂತ್ ಕೀಂದ್ರರ ಆನಿ ರಾಜ್ಾ ಂನಿ ಜ್ಯ್ತ ಂ ವಸಾಂ ಕಂಗ್ರರ ಸಚಂ ಬಳ್ ದಿಸೊನ್ ಆಯ್ಲ್ೊ ಂ. ಪೂಣ್ ವಿಸವಾ​ಾ ಶತ್ಮಾನಚಾ ನಿಮಾಣ್ಯಾ ವಸಾಂನಿ ಆನಿ ಎಕಿ ಸವಾ​ಾ ಶತ್ಮಾನಚಾ ಸುವಿಾಲಾ ವಸಾಂನಿ ಕಂಗ್ರರ ಸ್ ಪಾಟಿಂ ಪ್ಡ್ೊ ಂ. ಸುವಿಾಲಾ ಧಾ ವಸಾಂನಿ ಕಂಗ್ರರ ಸನ್ ರಾಜ್ಾ ಭಾರ್ ಚಲಯ್ೊ ಂ ತ್ರೀ ತಾ​ಾ ಉಪಾರ ಂತ್ ಪಾಟಿಂಚ್ ಪ್ಡ್ೊ ಂ. ಹಿ ಕೀಂದ್ಲರ ಂತಿೊ

ಗಜ್ಲ್ ತ್ರ್ ರಾಜ್ಾ ಂಚಿ ಗಜ್ಲ್ ಹಾಚಾ ಪಾರ ಸ್ ವಿಂಗಡ್ ನ. ರಾಜ್ಾ ಂಚೊ ಸಂಖೊ ಉಣೊ ಆಸತ ನ ಥಂಯ್ಸ ರ್ ರಾಜಿ ಟ್ಕಕ ಯ್ ಚಲಂವಾೊ ಾ ರಾಜ್ಾ ಸಕಾ​ಾರಾಂಚೊ ಸಂಖೊ ಚಡ್ ಆಸ್ಲ್ಲೊ . ಕೀಂದ್ಲರ ಂತ್ ನರೀಂದರ ಮ್ಚೀದಿಚಾ ಆಡಳ್ತ್ತ ಾ ಖಾಲ್ ಸಕಾ​ಾರ್ ಚಲ್ಲಂಕ್ ಲಗ್ಯೊ ಾ ಉಪಾರ ಂತ್ ಸವಾಕ ಸ್ ರಾಜ್ಾ ಂಚಂ ಚಿತ್ರ ಣ್ ಬದೊ​ೊ ನ್ ಗ್ರಲಂ. ಕನಾ​ಾಟಕಾ​ಾಂತ್ ಲೊಕಾಕ್ ಆಕರ್ಾ​ಾಂಕ್ ಆಯ್ಲಿ ಾ ಾ​ಾ ರಾಂಟಿ: ಕನಾ​ಾಟಕಾ​ಾಂತ್ ರ್ಜಯಿತ ಾಂ ವ್ಸ್ಾ​ಾಂ ಕಾಂಗ್ಲರ ಸ್ನ್ ಸಕಾ​ಾರ್ ಚಲಯಾಿ . ಪೂಣ್ ಆಯ್ಲಿ ವಾಚಾ​ಾ ವ್ಸ್ಾ​ಾಂನಿ ಕನಾ​ಾಟಕಾ​ಾಂತ್ಯಿೀ ಕಾಂಗ್ಲರ ಸ

9 ವೀಜ್ ಕ ೊಂಕಣಿ

ಖ್ಶಾವ್​್ ಆಸಲೆಿ ಾಂ. ತ್ಶಾಂ ಮಹ ಣ್ ಬಿಜಪ್ಲಕ್ ಕನಾ​ಾಟಕಾ​ಾಂತ್ ಲೊಕಾಚೊ ಬರ ಆಧಾರ್ ಆಸ್ ಮಹ ಣೊನ್ ನ್ಹ ಾಂಯ್. ತ್ರಿೀ 2023ವಾ​ಾ ಕನಾ​ಾಟಕ ವಿಧಾನ್ ಸಭಾ ಚುನಾವಾ​ಾಂತ್ ಕಾಂಗ್ಲರ ಸ್ಕ್ ಆದಾಿ ಾ ಬರಿ ಮತ್ ಆಪಾ್ ಾಂವ್​್ ಸ್ಧ್ಯಾ ನಾತ್ಲಿ​ಿ ಗರ್ಜಲ್ ಸುಸ್ತ ಲಿ​ಿ . ರಾಷ್ಾ ರ ಮಟ್ಲಾ ರ್ ಮೊೀದಚಾಂ ಆಡಳ್ತ ಾಂ ಆನಿ ತಚಿ ಕಾರಿಷ್ಮೊ . ಪಳ್ವ್​್ ಕನಾ​ಾಟಕಾ​ಾಂತಿ ಾ ಲೊಕಾನ್ ಬಿಜಪ್ಲಕ್ ಮತ್ ಘಾಲೊಿ ಸಾಂಭವ್ ಆಸಲೊಿ . ಹ್ಯಾ ಖಾತರ್ ಲೊಕಾಕ್ ಆಕರ್ಾ​ಾಂಚಾಂ ಕ್ತಾಂ ತ್ರಿೀ ದಲಾ ರ್ ಲೊಕಾಕ್ ಆಪಾ್ ’ವಿ​ಿ ಾಂ ವ್ಟಡಾಂಕ್ ಕಾಂಗ್ಲರ ಸ್ಕ್ ಸ್ಧ್ಯಾ ಆಸಲೆಿ ಾಂ. ಹ್ಯಾ ಉದಾ ೀಶಾನ್ ಕನಾ​ಾಟಕಾಚಾ ವ್ಹ ಡ್ನ ವಾ​ಾಂಟೊ ಲೊಕಾಕ್ ಲಗು ರ್ಜಾಂವಾಿ ಾ ಬರಿ ‘ಾ​ಾ ರಾಂಟಿ’ ಯ್ಲೀಜನಾ​ಾಂ ಉಬಿಾಂ ಕೆಲಿ​ಿ ಾಂ. ಬಿಪ್ಲಎಲ್, ಅಾಂತ್ಲಾ ೀದಯ ಕುಟ್ಲೊ ಾಂತಿ ಾ ಜಣಾ ಎಕಾಿ ಾ ಕ್ ಮಹನಾ​ಾ ವಾರ್ ಧಾ ಕ್ಲೊ ತಾಂದುಳ್ (ಪೊಟ್ಲಚೊ ಾರ ಸ) ದಾಂವಿ ಾಂ ಅನ್​್ ಭಾಗಾ , ಕನಾ​ಾಟಕಾಚಾ ಸವ್ಾ ಸ್ತ ರೀಯಾ​ಾಂಕ್ ಸಕಾ​ಾರಿ ಬಸ್ಸ ಾಂನಿ ಫುಾಂಕಾ​ಾ ಕ್ ಪಯಾ್ ಸವ್ಿ ತಯ್ಲಚಾಂ ರ್ಕ್ತ , ಘರಾಕ್ 200 ಯುನಿಟ್ಲಾಂ ತತಿ ವಿೀಜ್ ಸಕತ್ ಫುಾಂಕಾ​ಾ ಚಾಂ ಗೃಹಜಾ ೀತ, ಘರಾಿ ಾ ಯ್ಲರ್ಜೊ ನಿಕ್ ಮಹನಾ​ಾ ವಾರ್ 2000 ರುಪಯ್ ದಾಂವಿ ಾಂ ಗೃಹಲಕ್ಮ ೊ ಯ್ಲೀಜನ್ - ಹೊಾ ಚಾರ್ ಾ​ಾ ರಾಂಟಿ ಉದಲೊಾ . ಹ್ಯಾ ಸವಾಂ, ಪಾ​ಾಂಚಿಾ ಾ​ಾ ರಾಂಟಿ ರ್ಜವ್​್ ಡಿಗ್ಲರ / ಡಿಪೊಿ ಮ್ ಶಿಕ್ಲಿ ಾ ಯುವ್ಜಣಾ​ಾಂಕ್ ಕಾಮ್

ಮ್ಚಳ್ಳ ಾಂನಾ ತ್ರ್ ನಿರುದಾ ೀಗ್ ಭಾತಾ ಚಾಂ ಯುವ್ನಿಧಿ ಯ್ಲೀಜನ್ ರ್ಜಹೀರ್ ಕೆಲೆಿ ಾಂ. ಕನಾ​ಾಟಕಾ​ಾಂತ್ ಾ​ಾ ರಾಂಟಿ ಯ್ಲೀಜನಾ​ಾಂನಿ ಮ್ಾ ರ್ಜಕ್ ಕನ್ಾ, ಅಧಿಕಾರ್ ಚಲಾಂವಾಿ ಾ ಬಿಜಪ್ಲಕ್ ಸಕಯ್ಿ ದಾಂವ್ಯ್ಲಿ ಾಂ ಆನಿ ಕಾಂಗ್ಲರ ಸ್ಕ್ ವ್ಯ್ರ ಚಡಯ್ಲಿ ಾಂ. ರ್ಕ್, ಅನ್​್ ಭಾಗಾ , ಗೃಹಲಕ್ಮ ೊ ಆನಿ ಗೃಹಜಾ ೀತ ಯ್ಲೀಜನಾ​ಾಂ ಕಾಂಗ್ಲರ ಸ ಅಧಿಕಾರಾಕ್ ಆಯಿಲಿ ಾ ಥಾವ್​್ ಎಕೆಕ್ಚ್ ರ್ಜರಿ ಕೆಲಾ ಾಂತ್. ತ್ಶಾಂಚ್, ಹ್ಯಾಂಚಾ ವಿಷ್ಮಾ ಾಂತ್ ಸವಿಸ್ತ ರ್ ರ್ರಾನ್ ಬರಯಿಲಿ​ಿ ಾಂ ಲೆೀಖ್ನಾ​ಾಂ ಎದಳ್ಚ್ ವಿೀಜ್ ಕಾಂಕಣಿಚರ್ ಫಾಯ್ಸ ರ್ಜಲಾ ಾಂತ್.

ಹೆರ್ ಚಾರ್ ಯೀಜನಂ ಮ್ಹ ಣ್ಜೆ ಅನ್ ಭಾಗಾ , ಶಕತ , ಗೃಜ್ಾ ೀತಿ ಆನಿ ಗೃಹನಿಧಿ ಎದೊಳ್ಚ್ ಜ್ಾ ರ ಜ್ವ್​್ ಚಲ್ಲನ್ ಆಸತ್. ಹಾ​ಾ ಖಾತಿರ್ ವಹ ಡ್ ಮ್ಟ್ಕಾ ಚಿಂ ಉಗ್ಯತ ವಣ್ ಕಾಯ್ಾಂ ರಾಜ್ಾ ಚಾ ವಿವಿಧ್ ಜ್ಗ್ಯಾ ಂನಿ ಚಲ್ಲ್ೊ ಂ. ಹಾ​ಾ ವಸಾ ಡಿಗ್ರರ , ಡಿಪ್ಲೊ ಮಾ ಜ್ಡ್ಲೊ ಾ ಂಕ್ಯ್ೀ ಹಾ​ಾ

10 ವೀಜ್ ಕ ೊಂಕಣಿ

ಯೀಜನಂತ್ ಕುಡ್ಸ ಂಕ್ ಆಸ್ಲೊ ಾ ನ್ ಯುವನಿಧಿ ಯೀಜನ್ ಅನುಷ್ಟಾ ನ್ ಕರಂಕ್ ಭಾಕ ಉರ್ಲ್ೊ ಂ. ಜನೆರ್ 12 ತಾರಕರ್ ಶ್ವಮ್ಚಗ್ಯಗ ಂತ್ ಯುವನಿಧಿ ಯೀಜನಚೊ ವಹ ಡ್ ಸಂಭ್ರ ಮ್ ಚಲ್ಲೊ . ಯುವನಿಧಿ ಯೀಜನ್ ಉಗ್ಯತ ವಣ್ ಕಚಾ​ಾ ಸವೆಂ ಆತಾಂ ಪಾಂಚ್ಯ್ೀ ಗ್ಯಾ ರಂಟಿ ಯೀಜನಂ ಅನುಷ್ಟಾ ನ್ ಕಲೊ ಾ ಬರ ಜ್ಲಾ ಂತ್. ಹೆಂ ಲ್ೀಖನ್ ಯುವನಿಧಿ ಯೀಜನಚೊ ವಿವರ್, ತಾಕಾ ಕೀಣ್ ಅರ್ಹಾ, ಅರ್ಜಾ ಘಾಲ್ೊ ಕಶ್ ಇತಾ​ಾ ದಿ ವಿವರ್ ಆಟ್ಕಪಾತ . ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾಕ್ ಅರ್ಹಾ ರ್ಜತತ್?:

ಕೀಣ್

ಗರಿಷ್ಾ ದೀನ್ ವ್ಸ್ಾ​ಾಂ ಮಹ ಣಾಸರ್ ಪದಾ ದಾರಾ​ಾಂಕ್ ಮಹನಾ​ಾ ವಾರ್ ರು. ತೀನ್ ಹರ್ಜರ್ ಆನಿ ಡಿಪೊಿ ಮ್ದಾರಾ​ಾಂಕ್ ಮಹನಾ​ಾ ವಾರ್ ದೀಡ್ನ ಹರ್ಜರ್ ರುಪಯ್ ಭಾತಾಂ ದತ. ಪದಾ ಆನಿ ಡಿಪೊಿ ಮ್ದಾರಾ​ಾಂನಿ ಉಾಂಚಿ ಾಂ ಶಿಕಾಪ ಮುಕಾಸ್ಾಲಾ ರ್ ಯುವ್ನಿಧಿಖಾಲ್ ಭಾತಾಂ ಮ್ಚಳ್ಯನಾ. ರಾಜ್ಾ ಸಕಾ​ಾರಾಚಾ ಕೌರ್ಲ್ ಅಭಿವೃದಿ ಪೊೀಟಾಲರ್ ನೊೀಾಂದಾಯಿತ್ ರ್ಜಲಿ ಾ ಾಂಕ್ ವಾವಾರ ಖುಶಿನ್ ತ್ರ್ಬಾತ ದಾಂವಿ ಾಂ ಯ್ಲೀಜನ್ ಚಲತ . ಕನಾ​ಾಟಕ ವ್ನ್, ಾರ ಮ ವ್ನ್, ಬಾಪೂರ್ಜ ಸೀವಾ ಕೆೀಾಂದರ ವಾ ಸೀವಾ ಸ್ಾಂಧು ಪೊೀಟಾಲರ್ ಅರ್ಜಾ ಘಾಲೆಾ ತ. ಆಧಾರ್ ಕಾಡ್ನಾ, ರೆೀರ್ನ್ ಕಾಡ್ನಾ, ಎಸ ಎಸ ಎಲ್ ಸ್, ಪ್ಲಯುಸ್, ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ಚಿ ಅಾಂಕ್ ಪಟಿಾ ಗಜಾಚಿ. ಶಿವ್ಮೊಾ​ಾ ಾಂತ್ ಯುವ್ನಿಧಿ ಸಾಂಭರ ಮ್ಚಕ್ ಉಾತ ವ್ಣ್ ಕಾಯ್ಲಾ​ಾಂ:

ಯುವ್ನಿಧಿ ಯ್ಲೀಜನ್ ಪದಾ ಆನಿ ಡಿಪೊಿ ಮ್ ಜಡ್ನಲಿ ಾ ಕನಾ​ಾಟಕಾ​ಾಂತಿ ಾ ಯುವ್ಜಣಾ​ಾಂಕ್ ಮ್ತ್ರ ಲಗು ರ್ಜತ. ಫಲಿತಾಂಶ್ ಯ್ಲೀವ್​್ ಸ ಮಹನೆ ರ್ಜಲಾ ರಿೀ ವಾವ್ರ ಲಭಾನಾತಿ ಾ ಕನಾ​ಾಟಕಾ​ಾಂತಿ ಾ ಯುವ್ಜಣಾ​ಾಂಕ್ ವಾವ್ರ ಮ್ಚಳ್ಯತ ವ್ರೆೀಗ್,

ಜನ್ವ್ರಿ 12 ತರಿಕ್ ವಿವೀಕನ್ಾಂದಾಚೊ ಜಲೊ ದೀಸ. ತ್ಲ ದೀಸ ರಾಷ್ಟಾ ರೀಯ್ ಯುವ್ ದೀಸ ರ್ಜವ್​್ ಯಿೀ ಆಚರಣ್ ಕತಾತ್. ತಾ ದೀಸ ಶಿವ್ಮೊಾ​ಾ ಾಂತ್

11 ವೀಜ್ ಕ ೊಂಕಣಿ

ಯುವ್ನಿಧಿ ಾ​ಾ ರಾಂಟಿಕ್ ಚಾಲನ್ ದಾಂವ್​್ ವ್ಹ ಡ್ನ ಸಾಂಭರ ರ ಮ್ ಚಲಯ್ಲಿ . ರಾಜ್ಾ ಮಟ್ಲಾ ಚಾ ಹ್ಯಾ ಸಾಂಭರ ಮ್ವಳ್ಳಾಂ ಮುಕೆಲ್ ಮಾಂತರ ಸ್ದಿ ರಾಮಯಾ ಆನಿ ಉಪ ಮುಕೆಲ್ ಮಾಂತರ ಡಿ.ಕೆ. ಶಿವ್ಕುಮ್ರ್, ಹ್ಯಣಿಾಂ ವಿಾಂಚಿ ಲಾ ಯುವ್ಜಣಾ​ಾಂಕ್ ಯುವ್ನಿಧಿ ಚಕ್ ವಿತ್ರಣ್ ಕಚಾ​ಾ ಮುಕಾ​ಾಂತ್ರ ಹ ಾ​ಾ ರಾಂಟಿ ರ್ಜಯ್ಲಾಕ್ ಹ್ಯಡಿ​ಿ , ಮಾಂತರ ರ್ರಣ ಪರ ಕಾಶ್ ಪಾಟಿೀಲ್, ಮಧು ಬಾಂಾರಪೊ , ಮಾಂಕಾಳ್ ವೈದಾ , ಎಾಂ.ಸ್. ಸುಧಾಕರ್ ಹ್ಯಾ ವಳ್ಯರ್ ಉಪಸ್ಿ ತ್ ಆಸಲೆಿ . ಹರ್ಜರಾ​ಾಂನಿ ಲೊೀಕ್, ಶಿವ್ಮೊಗಾ , ದಾವ್ಣಗ್ಲರೆ, ಚಿತ್ರ ದುಗಾ, ಚಿಕ್ ಮಗಳೂರು, ಉಡಪ್ಲ, ಹ್ಯವರಿ ಆನಿ ಹೆರ್ ರ್ಜಲಿ ಾ ಾಂಚ ಯುವ್ಜಣ್ ಹ್ಯಾ ಸಾಂಭರ ಮ್ಕ್ ಹ್ಯಜರ್ ಆಸಲೆಿ . ತದಳ್ ಪಯಾ​ಾ​ಾಂತ್ ಸುಮ್ರ್ ಸತ್ತ ರ್ ಹರ್ಜರ್ ಯುವ್ಜಣಾ​ಾಂನಿ ಯುವ್ನಿಧಿ ಸ್​್ ೀಮ್ಕ್ ಅರ್ಜಾ ಘಾಲಿ​ಿ . ಮ್ಚಡಿಕಲ್ ಶಿಕಾೊ ಚೊ ಆನಿ ಕೌರ್ಲ್ಾ ಅಭಿವೃದಿ ಇಲಖೊ ಯುವ್ನಿಧಿಚಿ ಉಸುತ ವಾರಿ ಪಳ್ಯಾತ . ರ್ರಣ ಪರ ಕಾಶ್ ಪಾಟಿೀಲ್ ಹ್ಯಾ ಖಾತಾ ಚೊ ಮಾಂತರ ರ್ಜವಾ್ ಸ್. ಹ್ಯಾ ವ್ಸ್ಾ ಅಡಯಿ​ಿ ಾಂ ಕರಡ್ನ ರುಪಯ್ ಹ್ಯಾ ಯ್ಲೀಜನಾಕ್ ಖ್ಚಾ​ಾತ್ಲೊ. ಮುಕಾಿ ಾ ವ್ಸ್ಾಕ್ ರು. ಏಕ್ ಹರ್ಜರ್ ದನಿ​ಿ ಾಂ ಕರಡ್ನ ಆನಿ 2026ವಾ​ಾ ವ್ಸ್ಾಕ್ ರು.1500 ಕರಡ್ನ ಅಮ್ನ್ತ್ ದವ್ತ್ಾಲೆ ಮಹ ಣ್ ಕಳ್ಯಾಿ ಾಂ. ಶಿವ್ಮೊಾ​ಾ ಾಂತ್

ಚಲ್ಲಿ ಾ

ಸಾಂಭರ ಮ್ವಳ್ಳಾಂ ಉಲಯಿಲಿ ಾ ಮುಕೆಲ್ ಮಾಂತರ ಸ್ದಿ ರಾಮಯಾ​ಾ ನ್ ೨೦೧೪ವಾ​ಾ ವ್ಸ್ಾ ಚುನಾವ್ ಪರ ಚಾರಾವಳ್ಳಾಂ ಬಿಜಪ್ಲ ಮುಕೆಲಿ ನ್ರೆೀಾಂದರ ಮೊೀದನ್ ವ್ಸ್ಾವಾರ್ ದೀನ್ ಕರಡ್ನ ಉದಾ ೀಗ್ ರಚಾತ ಾಂ ಮಹ ಣ್ ಸ್ಾಂಗ್ಲೆಿ ಾಂ. ತಾ ಪರ ಕಾರ್ ಎದಳ್ಯಿ ಾ ಭಿತ್ರ್ ದೀಶಾ​ಾಂತ್ ವಿೀಸ ಕರಡ್ನ ಉದಾ ೀಗ್ ರಚನ್ ರ್ಜಯಾ​ಾ ಯ್ ಆಸಲೆಿ . ಪೂಣ್ ರ್ಜಲೆಿ ನಾ​ಾಂತ್. ಮುಕಾರುನ್ ತಣ ಉದಾ ೀಗ್ ರಚನ್ ಖ್ಾಂಯ್ ಪುಣಿ ರ್ಜಲೆಿ ಆಸ್ತ್ಗ್ಲೀ ಮಹ ಣ್ ಸವಾಲ್ ಕೆಲೆಾಂ. ಮೊೀದನ್ ಭಾಸ್ವಿ್ ದಲಿ​ಿ ಮ್ತ್ರ ಶಿವಾಯ್ ತ ರ್ಜರಿ ಕರುಾಂಕ್ ನಾ ಮಹ ಳ್ಾಂ ತಣ. ಕನಾ​ಾಟಕಾ​ಾಂತ್ ಕಾಂಗ್ಲರ ಸ ಪಾಡಿತ ನ್ ಲೊಕಾಕ್ ಗಜಾಚಿಾಂ ಯ್ಲೀಜನಾ​ಾಂ ಭಾಸ್ಯಿಲಿ​ಿ ಾಂ. ತಾಂ ಆತಾಂ ಎಕೆಕ್ಚ್ ರ್ಜಾ ರಿ ರ್ಜಲಾ ಾಂತ್. ಶಿಕಪ ಆಸ್ಿ ಾ ರಿೀ ಕಾಮ್ ಮ್ಚಳ್ಯನಾತಿ ಾ ಯುವ್ಜಣಾ​ಾಂಚಾ

12 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಧಾರಾಕ್ ಲಗೊನ್ ಯುವ್ನಿಧಿ ಾ​ಾ ರಾಂಟಿ ಯ್ಲೀಜನ್ ಆಸ್ ಕೆಲಾಂ.

2022-2023ವಾ​ಾ ವ್ಸ್ಾ​ಾಂತ್ ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ಜಡ್ನಲೆಿ ಪಾ​ಾಂಚ್ ಲಖಾ​ಾಂವ್ಯ್ರ ಯುವ್ಜಣ್ ಆಸತ ಲೆ ಮಹ ಣ್ ಎದಳ್ಚ್ ಲೆೀಖ್ ಘಾಲಾಂ ಮಹ ಳ್ಾಂ ತಣಾಂ. ಕಾಂಗ್ಲರ ಸ ಪಾಡಿತ ನ್ ಚುನಾವಾವಳ್ಯರ್ ದಲಿ ಾ ಪಾ​ಾಂಚಾ ಾಂ ತ್ಶಾಂ ನಿಮ್ಣಾಂ ಾ​ಾ ರಾಂಟಿ ಯ್ಲೀಜನ್ ರ್ಜವಾ್ ಸಿ ಾಂ ಯುವ್ನಿಧಿ ರ್ಜರಿ ಕರುಾಂಕ್ ತಾ ಆದಾಂ ಮುಕೆಲ್ ಮಾಂತರ ಸ್ದಿ ರಾಮಯಾ​ಾ ನ್ ದಸಾಂಬರ್ 26ವರ್ ರ್ಬಾಂಗುಳ ರಾ​ಾಂತ್ ಚಾಲನ್ ದಲೆಿ ಾಂ. ಖ್ಾಂಯಿ​ಿ ಾ ೀಯ್ ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ರ್ಜವ್​್ ಕಾಮ್ ಮ್ಚಳ್ಯನಾತಿ ಾ ಯುವ್ಜಣಾ​ಾಂನಿ ಹ್ಯಾ ಯ್ಲೀಜನಾಚೊ ಫಾಯ್ಲಾ ಲಭೊಾಂಕ್ ಅರ್ಜಾ ಘಾಲೆಾ ತ. ಅರ್ಜಾ ಘಾಲಿ ಾ ಅರ್ಹಾ ಯುವ್ಜಣಾ​ಾಂಕ್ ಡಿಗ್ಲರ ಜಡ್ನಲಿ ಾ ಾಂಕ್ ರು.ತೀನ್ ಹರ್ಜರ್ ಆನಿ ಡಿಪೊಿ ಮ್ ರ್ಜಲಿ ಾ ಾಂಕ್ ರು.ದೀಡ್ನ ಹರ್ಜರ್ ಮ್ಚಳ್ಯತ . ಅರ್ಹಾ ಯುವ್ಜಣಾ​ಾಂನಿ ಅಜಾ ಸ್ಾಂಾತ ದಲಿ ಾ ಬಾ​ಾ ಾಂಕ್ ಎಕೌಾಂಟ್ಲಕ್ ಯುವ್ನಿಧಿಖಾಲ್ ಮ್ಚಳ್ಿ ಾಂ ಐವ್ಜ್ ವತ. ಯುವ್ನಿಧಿ ಸ್​್ ೀಮ್ಕ್ ಅಹಾತ ಕಸಲಿ?: ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾಕ್ ಅರ್ಜಾ ಘಾಲ್ಲಾಂಕ್ ಅಪ್ೀಕುಮ ಾಂಚೊ ಅಭಾ ಥಿಾ ಕನಾ​ಾಟಕ ರಾರ್ಜಾ ಾಂತ್ಲಿ ಆಸ್ರ್ಜಯ್. ಅಭಾ ಥಿಾನ್ 2022-2023ವಾ​ಾ ವ್ಸ್ಾ​ಾಂತ್ ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ಕರುಾಂಕ್ ರ್ಜಯ್.

ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ಸಟಿಾಫಿಕೆಟ್ ಹ್ಯತಾಂ ಮ್ಚಳ್ಲಿ​ಿ ಆಸ್ರ್ಜಯ್. ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ರ್ಜವ್​್ ಸ ಮಹನಾ​ಾ ಉಪಾರ ಾಂತ್ಯಿೀ ವಾವಾರ ವಿಣಾಂ ಆಸಲಿ ಾ ಾಂಕ್ ಯ್ಲೀಜನಾಖಾಲ್ ಅಹಾತ ಮ್ಚಳ್ಯತ . ಪರ ಸುತ ತ್ ಹ್ಯಾ ಸ್​್ ೀಮ್

13 ವೀಜ್ ಕ ೊಂಕಣಿ

ತ್ಸಲಾ ಹೆರ್ ಖ್ಾಂಯಾಿ ಾ ಯಿ ಯ್ಲೀಜನಾ ಥಾವ್​್ ಫಾಯ್ಲಾ ಜೀಡ್ನ್ ಆಸ್ಿ ಾ ಾಂಕ್ ಹ್ಯಾ ಸ್​್ ೀಮ್ಚೊ ಫಾಯ್ಲಾ ಲಭಾನಾ. ಅಪ್ರ ಾಂಟಿಸ ಶಿಷ್ಟಾ ವೀತ್ನ್, ಉಾಂಚಿ ಾಂ ಶಿಕಾಪ ಕತಾಲಾ ಾಂಕ್, ಸಕಾ​ಾರಿ ವಾ ಖಾಸ್ಾ ವಾವಾರ ರ್ ಆಸಲಿ ಾ ಾಂಕ್ ಹೆಾಂ ಸ್​್ ೀಮ್ ಲಗು ರ್ಜಯಾ್ . ಬಾ​ಾ ಾಂಕ್, ಸಕಾ​ಾರ್ ವಾ ಹೆರ್ ಏಜನಿಸ ಥಾವ್​್ ರಿೀಣ್ ಕಾಡ್ನ್ ಸಾ -ಉದಾ ೀಗ್ ಚಲಯ್ಲತ ಲಾ ಾಂಕ್ ಹ್ಯಾ ಯ್ಲೀಜನಾಚೊ ಫಾಯ್ಲಾ ಮ್ಚಳ್ಯನಾ. ಅಭಾ ಥಿಾಚಾಂ ಬಾ​ಾ ಾಂಕ್ ಎಕೌಾಂಟ್ ಆಧಾರಾಸವಾಂ ಮ್ಚಳ್ಳನ್ ಆಸ್ರಾಂಕ್ ರ್ಜಯ್. ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾ ಥಾವ್​್ ಫಾಯ್ಲಾ ಜಡಾಂಕ್ ಗಜಾಚ ದಾಖ್ಲಿ ಆನಿ ಮ್ಚಳ್ಳಿ ಐವ್ಜ್: ಯುವ್ನಿಧಿ ಥಾವ್​್ ಸಾ ೈಪ್ಾಂಡ್ನ ಮ್ಚಳ್ಳಾಂಕ್ ಹೆ ಸಕಯ್ಲಿ ದಾಖ್ಲಿ ಆಸ್ರಾಂಕ್ ರ್ಜಯ್. ಆಧಾರ್ ಕಾಡ್ನಾ, ನಿವಾಸ್ ವಾ ಡಮ್ಚಸೈಲ್ ಸಟಿಾಫಿಕೆಟ್, ಆದಾಯ್ ಸಟಿಾಫಿಕೆಟ್, ಶಿಕಾೊ ಆನಿ ಫಲಿತಾಂಶಾ ಬಾಬಿತ ಚ ದಾಖ್ಲಿ , ಬಾ​ಾ ಾಂಕ್ ಎಕೌಾಂಟ್ ವಿವ್ರ್ ದಾಂವ್​್ ಆಸ್ತ್.

2022-23ವಾ​ಾ ವ್ಸ್ಾ​ಾಂತ್ ಡಿಗ್ಲರ ವಾ ಡಿಪೊಿ ಮ್ ಶಿಕನ್, ಫಲಿತಾಂಶ್ ಹ್ಯತಕ್ ಮ್ಚಳ್ಲಿ ಾ ಸ ಮಹನಾ​ಾ ಾಂ ಉಪಾರ ಾಂತ್ಯಿೀ ವಾವ್ರ ಮ್ಚಳ್ಯನಾತಿ ಾ ಕನಾ​ಾಟಕ ರಾರ್ಜಾ ಾಂತಿ ಾ ನಿವಾಸ್ ಯುವ್ಜಣಾ​ಾಂಕ್ ಡಿಗ್ಲರ ಕೆಲೆಲಾ ಾಂಕ್ ರು. ತೀನ್ ಹರ್ಜರ್ ಆನಿ ಡಿಪೊಿ ಮ್ ರ್ಜಲೆಲಾ ಾಂಕ್ ರು. ದೀಡ್ನ ಹರ್ಜರ್

ಐವ್ಜ್ ಫಾವ್ಟ ರ್ಜತ. ತ್ಸಲಾ ಾಂಕ್ ಹೆರ್ ಖ್ಾಂಯಸ ರ್ಯಿೀ ವಾವ್ರ ಮ್ಚಳ್ಯಳ ಾ ರ್ ಆನಿ ಹ್ಯಾ ಸ್​್ ೀಮ್ ಥಾವ್​್ ಐವ್ಜ್ ಮ್ಚಳ್ಳಾಂಕ್ ಸುರು ರ್ಜವ್​್ ದೀನ್ ವ್ಸ್ಾ​ಾಂ ಉತರ ಲಾ ರ್ ಹ್ಯಾ ಸ್​್ ೀಮ್ ಥಾವ್​್ ಮ್ಚಳ್ಳಿ ಫಾಯ್ಲಾ ರಾವಾತ . ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾಕ್ ಅರ್ಜಾ ಘಾಲಿ​ಿ ಕಶಿ?:

sevasindhugs.karnataka.gov.in, Seva Sindhu Guarantee Schemes Portal. ಪೊೀಟಾಲರ್ ಲಗ್ಇನ್ ರ್ಜಾಂವಿ ಾಂ. ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾಕ್ ವಚಾಂ. ಎಪಾಿ ಯ್ ಕರುಾಂಕ್ ಕ್ಿ ಕ್ ಮಹ ಳ್ಯಳ ಕಡ ದಾ​ಾಂರ್ಬಿ ಾಂ ಆನಿ ವಿವ್ರ್ ಭಚಾ. ಅಶ ವಿವ್ರ್ ಭತಾನಾ ಸಗ್ಲಳ ದಾಖ್ಲಿ ಪೊೀಟಾಲರ್ ದಾಖ್ಲ್ ರ್ಜಾಂವಾಿ ಾ ಬರಿ ಪಳ್ಾಂವಿ ಾಂ. ತಾ ಉಪಾರ ಾಂತ್ ‘ಸಬಿೊ ಟ್’ ಬಟನ್ ದಾ​ಾಂಬಿ . ಅಜಾದಾರಾಕ್ ಸ್ಾ ೀಕೃತ ವಿವ್ರ್ ಮ್ಚಳ್ಯತ ತ್. ಕನಾ​ಾಟಕ ಸಕಾ​ಾರಾಚಾ ಅಧಿಕೃತ್ ವಬ್ಸೈಟಿರ್ ಹ್ಯಾ ಯ್ಲೀಜನಾವಿಶಿಾಂ, ದಲಿ​ಿ ಅರ್ಜಾ ಖ್ಾಂಯಾಿ ಹಾಂತರ್ ಆಸ್ ಆನಿ ಹೆರ್ ಸಾಂಗ್ಲತ ಾಂವಿಶಿಾಂ ಸೀವಾ ಸ್ಾಂಧು ಾ​ಾ ರಾಂಟಿ ಯ್ಲೀಜನಾ​ಾಂಚಾ ಪೊೀಟಾಲರ್ ವಿವ್ರ್ ಸ್ರಧುನ್ ಕಾಡಾ ತ್. ಶಿವ್ಮೊಾ​ಾ ಾಂತ್ ರಾಜ್ಾ ಮಟ್ಲಾ ಚಾಂ ಯುವ್ನಿಧಿ ಉಾತ ವ್ಣ್ ಕಾಯ್ಲಾ​ಾಂ ಚಲ್ಲೆಿ ಾಂ ತ್ರ್ ವಿವಿಧ್ಯ ರ್ಜಲಿ ಕೆೀಾಂದಾರ ಾಂನಿ ರ್ಜಲಿ ಮಟ್ಲಾ ಚಿಾಂ ಉಾತ ವ್ಣ್ ಕಾಯಿಾ​ಾಂ ಚಲಿ ಾ ಾಂತ್.

14 ವೀಜ್ ಕ ೊಂಕಣಿ

ರ್ಬಕಾರೊ ಣ್ ರಾಜ್ ಕಚಾ​ಾ ಹ್ಯಾ ಕಾಳ್ಯರ್ ಶಿಕ್ೊ ಯುವ್ಜಣಾ​ಾಂಕ್ ಯುವ್ನಿಧಿ ಯ್ಲೀಜನಾ ಥಾವ್​್ ಥೊಡ ತ್ರಿೀ ಉಪಾ್ ರ್ ರ್ಜತ್ಲೊ. ಆಯ್ಲಿ ವಾಚಾ​ಾ ವ್ಸ್ಾ​ಾಂನಿ ತಣ ಹೆಣ ರ್ಜಯ್ಲಾಕ್ ಹ್ಯಡ್ನಲಿ ಾ ಲೊಕಾಕ್ ಧಮ್ಾಥ್ಾ ರಿತನ್ ಸವ್ಿ ತಯ್ಲ ವ್ಟದಾ​ಾ ವ್​್ ದಾಂವಾಿ ಾ ಯ್ಲೀಜನಾ​ಾಂವಿಶಿಾಂ ಥೊಡ ಜರಾಲ್ ವಿಷ್ಟಯ್ ಮುಕಾಿ ಾ -ಎಚ್. ಆರ್. ಆಳ್ಿ ಲೆೀಖ್ನಾ​ಾಂತ್.....

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15 ವೀಜ್ ಕ ೊಂಕಣಿ

ಅವಸಿ ರ್ 40:

ಸಸ್ವೆ ನ್ಸ ,

ಥ್ರರ ಲೊ ರ್-ಪ್ತೆತ ೀದ್ಲರ

ಕಾಣಿ

ಥಾವ್​್ ತಜ ಕಡನ್ ತರ್ಜಾ ಪುತಚಾ​ಾ ರ್ಜೀವಾಚಾಂ ಕಾಂಟ್ತರ ಕ್ಾ ತಚಾ​ಾ

“ಖ್ಾಂಯ್ ಆಸ್ ಮಹ ಜ ಪೂತ್? ಮಹ ಜ ಪೂತ್ ಹ್ಯಾಂಾ ನಾ ತ್ರ್,

ಕರುನ್, ತಕಾ

ರ್ಜಣಾ ಾಂತಿ ಾಂಚ್ ಧಾ​ಾಂವಾಡ ಾಂವ್​್

ಹ್ಯಾಂವಾಂ ಚಿಾಂತ್ಲೆಿ ಾಂ...” “ಡರಟಿನ್ ತಕಾ ಹೆಾಂ ಕಾಮ್

ಮ್ಹ ಕಾ ರ್ಾಂಯ್ ಹ್ಯಾಂಾ ಭೊಾಂವಾಡ ವ್​್

ಸಾಂಪಾಂವ್​್

ನಾ

ಮಹ ಣ್

ಹ್ಯಾಂವ್

ಹ್ಯಾಂಾ

ಪರಾ​ಾ ಾಂತ್

ಪಾವ್ಾಂವ್ಟಿ

ರ್ಜಣಾ​ಾಂ.

ಸತ್

ಸ್ಾಂಗ್,

ತಚಾ​ಾ

ಮತ್ಿ ಬ್

ಕಸಲೊ?”

ನ್ಯಾ ಮ್ಚನಾನ್

ನಾ​ಾಂವಾರ್

ಹೆಾಂ

ಕಣಾಚಾ​ಾ

ಹಶಾ​ಾ ರಾ​ಾ ನ್

ರೆೈಟಸ್ಕ್ ಬಿಗ್ಲಾ ಲೆಾಂ. “ತಾಂ ವ್ಟಟ್ಲಾ ರೆ ತಕಾ ತರ ಸ ದೀವ್​್

ಪಾಿ ಾ ನ್

ತಾಂ ಕರುನ್

ಆಸ್ಯ್?” ನ್ಯಾ ಮ್ಚನಾನ್ ರೆೈಟಸ್ಕ್

ಪಯ್ಸ ವ್ಹ ರಾಂವಿ ಾಂ ಮಹ ಜಾಂ ಪಾಿ ಾ ನ್

ಕಾಭಾರ್ಚ್ ಕಾಡ್ಟಿ ಾ

ಆಸಲೆಿ ಾಂ. ಶಿೀದಾ ತಕಾ ತರ್ಜಾ

ಪುತ

ಗಳ್ಳ ಚಿಡಾನ್ ವಿಚಾರಾತ ನಾ, ರೆೈಟಸ

ಸಶಿಾ​ಾಂ

ಪಾವ್ಯಿಲೆಿ ಾಂ

ತಾಂ

ಆಪೊಿ

ಎದಳ್

ತಕಾ

ಸ್ರಡವ್​್ ಯಿ

ತ್ರ್,

ಆಮ್ಚಿ

ಥಾವ್​್

ವ್ಹ ರತ ಯ್.

ಹ್ಯಾಂಾ

ರ್ಜೀವ್

ರಿತರ್, ತಚೊ

ವಾ​ಾಂಚಾಂವ್​್

ಸ್ಾಂಾಲಗೊಿ “ಆಫೆರ ಲ್ಸ ಫಾಂಟೊ...”

16 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸತ್

“ಆಫೆರ ಲ್ಸ ಫಾಂಟೊ, ಡರಟಿಚೊ

ಚಿಾಂತನ್

ಆಸಲಿ ಾ

ರೆೈಟಸ್ಕ್

ಭಾವ್...!?” ನ್ಯಾ ಮ್ಚನ್ ಅರ್ಜಾ ಪೊಿ ಆನಿ

ನ್ಯಾ ಮ್ಚನ್

ಬಬಾಟೊಿ .

“ಮ್ಹ ಕಾ

ರೆೈಟಸ್ಚೊ

ವಗ್ಲಾ ಾಂ ಮಹ ರ್ಜಾ ಪುತಲಗ್ಲಾ ಾಂ ವ್ಹ ರುನ್,

ಬಿಗೊಾ ಳ್

ಸಡಿೀಳ್

ಕರಿಲಗೊಿ . “ತ್ಲ ಕ್ತಾ ಕ್ ಮ್ಹ ಕಾ ಮಹ ರ್ಜಾ

ಪುತಚಾ​ಾ

ದಾಖ್ಯ್ ತ್ಲ ಖ್ಾಂಯ್ ಆಸ್ ತಾಂ.”

ರ್ಜಣಾ ಾಂತಿ ಾಂ ಪಯ್ಸ

“ರ್ಜಯ್ತ , ತಕಾ ಹ್ಯಾಂವ್ ತರ್ಜಾ

ಕರುಾಂಕ್ ಆಶತ? ಹ್ಯಾಂತಾಂ ತಚೊ

ಪುತಸಶಿಾ​ಾಂ ವ್ಹ ರಾತ ಾಂ. ತ್ಲ ಆಮ್ಿ ಾ

ಕ್ತಾಂ ಲಬ್?”

‘ವಿಲಿ ರಿಕಾ’-ಾಂತ್

ಆಸ್ಿ ಾ

‘ಫಿಸ್ರ್

ಆಸ್.”

“ಆಪಾಿ ಾ ಭಯಿ್ ಚಾ​ಾ ಖುಶ ಖಾತರ್.”

ಫಾರ ಾ ಾಂಕ’

ಬಾಂಾಿ ಾ ರ್

“ಹೆಾಂ

ಅಪಾಹರಣ್

ರೆೈಟಸ್ನ್

ಸ್ಾಂಾತ ನಾ,

ಕರುನ್, ತಮ್ಚಾಂ ಆತಾಂ ಸಗ್ಲಳ ಮಹ ರ್ಜಾ

ರೆೈಟಸ್ಕ್

ಘೆವ್​್ ,

ಶಿಕೆಮ ಚ ವಾ​ಾಂಟ್ತಲಿ ರ್ಜಲಾ ತ್. ತಮ್​್ ಾಂ

ಕಾರಾರ್ ‘ವಿಲಿ ರಿಕಾ’ ಭಾಯ್ರ ಸರಿ .

ಪ್ಲಶಾ​ಾ ಾಂಚಾಂ

ಕಣಾಯಿ್

ಹ್ಯಾಂವ್ ಸ್ರಡಿ ಾಂ ನಾ.

ರೆೈಟಸ್ಚಾಂ

ನ್ಯಾ ಮ್ಚನ್

ರೆೈಟಸ್ಚಾ​ಾ ಚ್ ಕಾರ್

‘ಫಿಸ್ರ್

ಬಾಂಾಿ ಾ ರ್

ಪಾವಾತ ನಾ,

ಮಹ ಜ ಪೂತ್ ಖ್ಾಂಯ್ ಆಸ್? ತಕಾ

ಫಾರ ಾ ಾಂಕ’

ಕ್ಮಡಿ ಮ್ಹ ಕಾ ವ್ಟಪ್ಲಸ .”

ರ್ಾಂಯ್ ಆಸಲೆಿ ಸುರಕ್ಷಣ್ ರಾಕಾ ಲಿ ರ್ಜಗ್ಲ

ರೆೈಟಸ್ಕ್ ಭೊಗ್ಲಿ ಾಂ, ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ರ್ಜಲೆ!

ತಾಂಚಾ

ಬೀಸ್ಕ್

ಏಕ್

ಪುತಕ್ ಆಪಾಹರುಸ ನ್, ತಣಾಂ ವ್ಹ ಡಿ​ಿ

ಮನಿಸ, ಆಪಾಿ ಾ

ಚೂಕ್

ಯ್ಲಾಂವಿ ಾಂ ಪಳ್ವ್​್ , ಮುಕಾರ್ ಅಪಾಯ್

ಕೆಲಾ

ಮಹ ಣ್.

‘ಕಸ್ರಯಿ

ಆಫೆರ ಲ್ಸ

‘ವಿಲಿ ರಿಕಾ’

ಯ್ಲತ

ಮಹ ಣಾಲೊ,

ಆತಾಂ

ವಡ್ ಳ್ಯಾಂತ್ ಘೆವ್​್

ಆಸ್ ಮಹ ಣ್ ತ ಸಮ್ಾ ಲೆ.

ನ್ಯಾ ಮ್ಚನಾಕ್

ರೆೈಟಸ್ನ್

ರ್ಾಂಯ್ ವ್ಹ ರಾತ ನಾ, ಆಫೆರ ಲ್ಸ ಮಹ ಜರ್

ಬಲಸ ಾಂತ್ಲಿ

ಭಿಘಡತ ಲೊ.

ಕ್ಮಡಿ

ಆಪಾಿ ಾ

ಬುತಾಂವ್ ದಾ​ಾಂಬಿ .

ಆತಾಂ

ಹ್ಯಕಾ

ತ್ಲ ಬುತಾಂವ್ ದಾ​ಾಂಬಿ

ಹಶಾರ

‘ವಿಲಿ ರಿಕಾ’

ಆಸಲಿ ಾ

‘ಪ್ಲಸ್ರ್

ರ್ಜವಾ್ ಸಲೊಿ ,

ಲಗ್ಲಾ ಾಂ

ಆಸಲಿ ಾ

ಫಾರ ಾ ಾಂಕ’

ಅಡ್ಟಡ ಾ ಕ್

ವ್ಹ ರುನ್,

ಕಣಯಿ ಎಕಾಿ ಾ

ಾಡ್ಟಾನ್, ಕ್ಮಡಿ

ರ್ಾಂಯಸ ರ್ ಆಫೆರ ಲಸ ನ್ ಪಾ​ಾಂವಿ ಆದಾಂ, ಹ್ಯಾಂವಾಂ ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ರ್ಜಣಾ ಚರ್

ರೆೈಟಸ್ಚಾ​ಾ ಮಜತಕ್ ಪಾವ್ಟಾಂಕ್. ಬುತಾಂವಾಚೊ

ಹಶಾರ

‘ಫುಲ್ಿ ಸ್ರಾ ಫ್’ ಘಾಲ್ಲಾಂಕ್ ರ್ಜಯ್. ನಾ

ಮ್ಚಳ್ಲೊಿ ಲಗ್ಲಾ ಾಂಚ್ ಆಸಲೊಿ ಏಕಿ ,

ರ್ಜಲಾ ರ್, ಹೊ ನ್ಯಾ ಮ್ಚನ್ ಮ್ತ್ರ

ಲೊೀವ್ ಪಾಟ್ಲಿ ಾ ನ್ ಆಯ್ಲಿ ಆನಿ ತಣ

ನ್ಹಾಂ,

ನ್ಯಾ ಮ್ಚನಾಚಾ

ಆಫೆರ ಲ್ಸ ಯಿ

ಮ್ಹ ಕಾ

ಸ್ರಡಿ ನಾ.’ “ಕ್ತಾಂ

ಚಿಾಂತಯ್...?”

ತ್ಕೆಿ ಾ ರ್

ಬಾಂಧೂಕ್

ಲವ್​್ , ಸ್ಾಂಾಲಗೊಿ - “ಆಪ್ಿ ಕ್ತಾಂಗ್ಲ

ಹ್ಯತ್

ವ್ಯ್ರ ಕರ್. ನಾ ತ್ರ್, ತರ್ಜಾ ತ್ಕೆಿ ಾಂತ್

17 ವೀಜ್ ಕ ೊಂಕಣಿ

ಗುಳ್ಳ ಘಾಲೊತ ಲೊಾಂ.” ನ್ಯಾ ಮ್ಚನ್ ತಾ

ನ್ಯಾ ಮ್ಚನಾಕ್ ಘಾತ್ ಕರುನ್, ತಚರ್

ಮನಾಿ ಾ ಕ್ ಕೆೀರ್

ಕರಿನಾಸ್ತ ಾಂ, ರೆೈಟ್ಲಚೊ ಗಳ್ಳ ಆನಿಕ್ೀ ಜಾ ೀರ್

ಬಿಗುಾ ನ್

ಮಹ ಣಾಲೊ-

ಫಾರ್

ಸ್ರಡ್ಟತ ನಾ,

ಕಸ್ಳ್ಳಳ ರಾತಚಾ​ಾ ಕಾಂಡ್ಟಾಂತ್!!! “ಹೊ ಫಾರ್ ಕಣ ಸ್ರಡಿ ...?”

“ಮ್ಹ ಕಾ ಹ್ಯಾಂಾ ಕಣಾಯಿ ಲಗ್ಲಾ ಾಂ

ಭೆಷ್ಾ ಾಂಚ್

ದುಸ್ೊ ನ್ಕಾಯ್ ನಾ. ಹ್ಯಾಂವ್ ಮಹ ರ್ಜಾ

ಬಬಾಟೊಿ .

ಪುತಚಾ​ಾ ಸ್ರಡಾ ಣ ಖಾತರ್ ಆಯಾಿ ಾಂ.

ನ್ಯಾ ಮ್ಚನ್

ರೆೈಟಸ

ನಾಟಕ್

ನ್ಯಾ ಮ್ಚನ್ ಪಡ್ನಲೆಿ

ಕರುನ್

ರ್ಾಂಯ್, ತಾ

ಜದಾ್ ಾಂ ಪರಾ​ಾ ಾಂತ್ ಮ್ಹ ಕಾ ಮಹ ಜ

ರಾತ ಚಾ​ಾ

ಪೂತ್ ಮ್ಚಳ್ಯನಾ, ತಮ್ಿ ಾ ಬೀಸ್ಕ್

ಫಾರ್ ತಚರ್ ರೆೈಟಸ್ನ್ ಸ್ರಡ್ಟಿ ಾಂ

ಹ್ಯಾಂವ್

ಹ್ಯಾಂವ್

ಮಹ ಣ್

ತಣ

ಚಿಾಂತನ್

ಆಸ್ತ ನಾ,

ಮೊರಾತ ಾಂ ಮರಾತ ನಾ, ಹ್ಯಾ ಮನಾಿ ಾ ಚೊ

‘ರೆೈಟಸ

ತಾ

ಾಡ್ಟಾಕ್

ಕ್ತಾ ಕ್

ಗಳ್ಳ ಚಿಡಾನ್, ರ್ಜವಶಿಾಂ ಮ್ರತ ಲೊಾಂ!”

ಬಬಾಟ್ಲತ ? ತ್ರ್ ಕ್ತಾಂ ತ್ಲ ಫಾರ್

ಸ್ರಡಿ ಾಂನಾ.

ತತಿ ಾ ರ್

ಭೊೀವ್

ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಕಷ್ಮಾ ಾಂನಿ

ವಡ್ ಳ್ಯಾಂತ್ಲಿ

ಕಾಂಡ್ಟಾಂತ್

ಘುಸೊ ಡಿ .

ಾಡ್ಟಾನ್ಾಂಚ್ ಸ್ರಡ್ನಲೊಿ ?’ ಆನಿ ದುಸ್ರರ

ಫಾರ್ ರೆೈಟ್ಲಸ್ನ್

ರೆೈಟಸ ಪ್ಲಾಂಾ​ಾಲೊ ಆಪಾಿ ಾ ಮನಾಿ ಾ ಕ್

ಆಪಾಿ ಾ ಚ್

ಾಡ್ಟಾಕ್

ಮ್ರಿ !

ಪಳ್ವ್​್ - “ತಕಾ ಕಣ ಸ್ಾಂಗ್ಲಿ ಾಂ ಹ್ಯಾಂಾ

ಉಪಾರ ಾಂತ್

ನ್ಯಾ ಮ್ಚನಾಕ್

ಆಯಾ್

ಯ್ಲೀಾಂವ್​್ ?

ಸ್ಕೆಾ​ಾಂ

ರೆೈಟಸ

ತರ್ಜ

ಬಾಂಧೂಕ್

ಸಕಾಿ

ಕರ್...”

ವ್ಹ ಡ್ಟಿ ಾ ನ್

ಮಹ ಣಾಲೊ- “ಫಾರ್ ಸ್ರಡ್ಟಿ ಾ ಪಯ್ಲಿ ಾಂ,

ಬೀಸ್ಚಿ

ಹುಕುಮ್

ಆಯ್ಲ್ ನ್,

ಕಣಾಚರ್ ಫಾರ್ ಸ್ರಡ್ಟತ ಯ್ ಮಹ ಣ್

ಆಯಿಲಿ ಾ ಾಡ್ಟಾನ್, ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಚಿಾಂತನ್

ತ್ರಿೀ

ತ್ಕೆಿ ಾ ರ್ ಲಯಿಲಿ​ಿ

ಆತಾಂ

ಆಫೆರ ಲಸ ಕ್

ಬಾಂಧೂಕ್ ಸಕಾಿ

ಪಳ್ತ್ಲಯ್ ಪ್ಲಶಾ​ಾ .

ಕ್ತಾಂ

ಕರಾತ ನಾ, ನ್ಯಾ ಮ್ಚನ್ ಎಕಾ ಘಡಾ ಕ್

ದಾಂವಿ​ಿ ...?”

ರೆೈಟಸ್ಚೊ ಗಳ್ಳ ಸಡಿೀಳ್ ಕರಿಲಗೊಿ

ಬಾಂಧೂಕೆಾಂತ್ ಆಸಲೆಿ ಸಗ್ಲಳ ಗುಳ್ ಘಾಲೆ

ಆನಿ

ರೆೈಟ್ಲಸ್ನ್

ತಾ ಚಾ​ಾ ರಾ,

ನ್ಯಾ ಮ್ಚನಾಕ್ ಾಡ್ಟಾಚಾ​ಾ

ರೆೈಟ್ಲಸ್ನ್

ಲೊಟನ್,

ಬರಾಬರ್

ತಾ

ಾಡ್ಟಾಚಾ​ಾ

ಹಧಾ​ಾ ಾ​ಾಂತ್.

ಬಾಂಧೂಕ್

ರೆೈಟಸ್ಚಾ​ಾ ಘಾತ್ ಪಾಿ ಾ ನಾನ್ ತ್ಲ

ವ್ಟಡನ್ ಘೆವ್​್ , ನ್ಯಾ ಮ್ಚನಾಕ್ ಗುಳ್ಳ

ಾಡ್ನಾ ಧಡಬ ಡನ್ ಪಾರ ಣ್ ಸ್ರಡ್ಟತ ನಾ,

ಮ್ರಿ !!!

ಹೆಣಾಂ

ಎಕಾ ಆಪಾಿ ಾ

ಹ್ಯತಾಂತಿ

ತಾ

ಉತರ ಾಂ

ರ್ಜಪ

ಧಣಿಾರ್

ಕಸ್ಳ್ಲೊಿ

ಸಕುಾಂದಾಚಾ​ಾ

ಫರಕಾನ್,

ನ್ಯಾ ಮ್ಚನ್

ಕೆೈದಳ್ಯಾಂತಿ ಾ

ರೆೈಟಸ್ನ್

ಹ್ಯಡನ್, ಘಾತನ್ ಮ್ಹ ಕಾ ತವಾಂ

18 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪ್ಲಾಂಾ​ಾಲೊ-

“ಹ್ಯಾಂಾ

ಮ್ರೆಿ ಾಂಯ್.

ಮಹ ರ್ಜಾ

ಪುತಚರ್

ಬಾಡ್ಟಾ ಚ

ಮನಿಸ

ಮೊತಾಲೆ...”

ದೀಷ್ಾ ಘಾಲಿ ಾ ಆದಾಂ ಮ್ಹ ಕಾ ತವಾಂ

ಸ್ಾಂಗೊನ್ ನ್ಯಾ ಮ್ಚನಾನ್ ನಿಮ್ಣೊ

ತಚ ಥಾವ್​್ ವಿಾಂಗಡ್ನ ಕೆಲೆಾಂಯ್...”

ಸ್ಾ ಸ ಸ್ರಡಿ !!!

“ನಾ, ಹ್ಯವಾಂ ತಕಾ ಮ್ರುಾಂಕಾ್

ನ್ಯಾ ಮ್ಚನಾನ್

ಆಪಾ್

ಮುಖಾರ್

ನ್ಯಾ ಮ್ಚನ್..., ತಕಾ ಮ್ರೆಿ ಾಂ ಆಸಲೆಿ ಾಂ

ಪಾರ ಣ್ ಸ್ರಡ್ಟತ ನಾ, ಆಫೆರ ಲ್ಸ ಸಗೊಳ ಚ್

ತ್ರ್, ಆಮ್ಿ ಾ

ಮ್ಚಬಲಾ ನ್ ಅಡ್ಟಡ ಾ ರ್

ದದಸ್ೊ ರರ್ ರ್ಜಲೊ. ಆಪ್​್ ಾಂ ಕ್ತಾ ಕ್

ತಕಾ

ಕರುನ್

ಮ್ಟಿಾನ್ಲೂಕಾಚಾಂ

ಬಾಂಧಿ

ತ್ವ್ಟಳ್ಚ್

ಹ್ಯಡ್ನಲಿ ಾ

ಮ್ರತ ಾಂ.

ಹೆಾಂ

ಘಡಿ ಾಂ.”

ರೆೈಟಸ

ಚುಚುಾರಿ .

ಬಾಗೊಾ ನ್ ನ್ಯಾ ಮ್ಚನಾಕ್ ಸ್ಾಂಾತ ನಾ,

ರೆೈಟಸ್ನ್

ಚಿಾಂತನಾತ್ಲೆಿ ಾಂ ರ್ಾಂಯಸ ರ್

ಆಫೆರ ಲಸ ಚಾಂ

ಯ್ಲಣಾಂ

ರ್ಜಲೆಾಂ! ಪಡನ್

ನ್ಯಾ ಮ್ಚನಾಕ್ ರಾತ ಚಾ​ಾ ಪಳ್ವ್​್

ಕರುಾಂಕ್ ಸ್ಾಂಗ್ಲೆಿ ಾಂ ಕಣಾ್

ಭೊಾಸ ಣ “ಮ್ಹ ಕಾ

ಧಣಿಾರ್

ಆಸಲಿ ಾ ಕಾಂಡ್ಟಾಂತ್

ತ್ಲ ಧಾ​ಾಂವ್ಟನ್ ಯ್ಲತನಾ,

ನ್ಯಾ ಮ್ಚನಾನ್ ತಚರ್ ದೀಷ್ಾ ಘಾಲಿ. “ತಾಂವಾಂ ಹೆಾಂ ಸ್ಕೆಾ​ಾಂ ಕರುಾಂಕ್

ಅಪಾಹರಣ್

ಮಹ ಣ್

ಆಫೆರ ಲಸ

ಲಗ್ಲಾ ಾಂ

ಮ್ಗೊನ್

ಸ್ಾಂಗ್ಲಿ ಾಂ-

ಮ್ಪ

ಕರ್

ಆಫೆರ ಲ್ಸ .

ನ್ಯಾ ಮ್ಚನಾನ್ ಮಹ ಜರ್ ಹಲೊಿ ಕರುನ್, ಮ್ಹ ಕಾ

ರ್ಜವಶಿಾಂ

ಪಾಯಾತ ನಾ, ರ್ಜವ್​್

ತಕಾ

ಪಡಿ ಾಂ.

ಪುಣ್

ಮ್ರಾಿ ಾ

ಸ್ಿ ತರ್

ಹ್ಯಾಂವಾಂ

ಮಜೂಬ ರ್

ಹ್ಯಾಂಾ

ಹ್ಯಡಾಂಕ್

ಅಚಾನಾಕ್

ನಾ​ಾಂಯ್ ಆಫೆರ ಲ್ಸ . ಹ್ಯಾಂವ್ ತರ್ಜಾ

ಾಡ್ಟಾನ್,

ಭಯಿ್ ಚಾ​ಾ

ರ್ಜಣಾ ಾಂತ್ಲಿ

ಪಯ್ಸ

ನ್ಯಾ ಮ್ನಾಚರ್ ಫಾರ್ ಸ್ರಡಿ . ಪಳ್

ಸರಾಂಕ್

ನಾತ್ಲೊಿ ಾಂ.

ತಚಾ​ಾ

ತ್ಲ

ಹ್ಯಾಂಾಚ್

ಭವಿಷ್ಮಾ ಚಿ ವಾಟ್ ಸುಗಮ್ ಕರುಾಂಕ್

ತಚಾ​ಾ

ಹ್ಯಾಂವ್

ದಲಾ ...”

ತಚಾ​ಾ

ಉಟ್ಲೊಿ ಾಂ.

ಮಹ ರ್ಜಾ

ರಸ್ತ ಾ ವ್ಯ್ಲಿ ಪುತಸಾಂಗ್ಲಾಂ,

ಪಾಟ್ಲಿ ಾ ನ್

ಎಕಾ

ಸಮ್ಾ ನಾಸ್ತ ಾಂ,

ಆಸ್ತ ನಾ, ಹೆಾಂ ತವಾಂ ತರ್ಜಾ ಮನಾಿ ಾ ಾಂ

ಸ್ಾಂಬಾಳುಾಂಕ್

ಕನಾ​ಾ​ಾಂ,

ಸ್ಾಂಾಲಗೊಿ -

ಪುತಚಾಂ

ಅಪಾಹರಣ್ ಕರವ್​್ , ಮ್ಹ ಕಾ ಮ್ರಿಶಾಂ

ಆಸ್.

ಹ್ಯವಾಂ ತಕಾ

ಕ್ತಾಂ

ಹ್ಯಾಂವ್ ಮಹ ರ್ಜ ಎಕುಸ ರಿ ರ್ಜಣಿ ರ್ಜಯ್ಲವ್​್ ಮಹ ರ್ಜಾ

ಪಡನ್

ಚುಕ್ಚಿ ಶಿಕಾಮ

ಆಫೆರ ಲ್ಸ

ಯ್ಲೀವ್​್

ಕರೆಿ ಾಂ ಆಪ್ಲಿ

ತಾಂ ಬಚಾವಿ

ರೆೈಟಸ್ಕ್

“ಆತಾಂ ಏಕ್ ಕಾಮ್ ಕರ್, ಹ್ಯಾ

ಕರುನ್, ತವಾಂ ವ್ಹ ಡಿ​ಿ ಚೂಕ್ ಕೆಲಿಯ್.

ಮರನ್

ಆತಾಂ ಪಳ್, ಏಕ್ ದೀಸ ಮಹ ರ್ಜಾ ಚ್

ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಚಕಾ​ಾ ಾಕ್

ಪುತಚಾ​ಾ

ಅಪಾಹರುಸ ನ್,

ನ್ಯಾ ಮ್ಚನಾಲಗ್ಲಾ ಾಂ

ಹ್ಯತಾಂ ತಾಂ ಆನಿ ತಜ ಹೆ

19 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪಡ್ನಲಿ ಾ

ಮನಾಿ ಾ ನ್,

ರೆನ್ಸ ಮ್

ವ್ಸೂಲ್

ಕರುಾಂಕ್

ಪಾವಿತಸ ಲಿ ಾ

ಯ್ಲವಿಾ ಲಿ ಾ

ಪಾಿ ಾ ನಾ​ಾಂತ್,

ಹ್ಯಾಂಚ

‘ಗ್ಲರ ೀರ್ನ್ ಪಾಕ್ಾ’ ಆಪಯಿಲೊಿ ಹಶಾರ

ಮಧಾಂ ಝಗ್ಲಡ ಾಂ ರ್ಜವ್​್ ಹೆ ಎಕಾಮ್ಚಕಾಕ್

ಆಸ್.

ಮ್ರುಾಂಕ್ ಪಾವಿ

ಆಪಾಿ ಾ

ಮಹ ಳ್ಳಳ ಕಾಣಿ ಘಡ್ನ.

ಮ್ಟಿಾನ್ಲೂಕಾಕ್ಯಿ

ತ್ಸಾಂಚ್

ಪಯಾಿ ಾ

ತಾಂ

ಕಾ​ಾದ್

ಘರಾಚ್

ಮಹ ಳ್ಳ ಾಂ ಸೈತ್ ತಕಾ ಕಳ್ಳಾಂಕ್ ನ್ಜ.”

ಪಾರಾ​ಾ ಚಾ​ಾ

ರೆೈಟಸ

ಮಹ ಣಾಲೊ. ರ್ಜಲೊ.

ಕಾಣಿ,

ಆಮ್ಿ ಾ

ಮ್ತಾ ರ್

ಘಾಲ್ಲಾಂಕ್

ಸಲಿೀಸ ರ್ಜತ.” “ಬರೆಾಂ

ಆಫೆರ ಲ್ಸ ರ್ಾಂಯ್ ಥಾವ್​್ ಮ್ಯಾಗ್

ತ್ಸಾಂ

ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಮಡ್ಟಾರಾಚಿ

ಆಫೆರ ಲ್ಸ ”

ನ್ಯಾ ಮ್ಚನಾನ್

ಸ್ರಡ್ಟಿ ಾಂ.

ರ್ಜಲಿ ಾ ನ್

ಕಳ್ಳಾಂಕ್ ರ್ಜಯ್. ಹ್ಯಾಂವ್ ಕೀಣ್

“ರ್ಜಯ್ತ

ಕಾ​ಾ​ಾ ರ್

ರೆೈಟಸ,

ಚಕಾ​ಾ ಾಕ್ ತಚಾ​ಾ

ಹ್ಯಾಂವ್

ಹ್ಯಾ

ಘರಾ ಪಾವ್ಯಾತ ಾಂ,

ತಾಂ ಬಾಕ್ಚಾಂ ಕಾಮ್ ಕರ್.” ಸ್ಾಂಾತ

ರೆೈಟಸ ಕ್ಮಡಿ ಧಾ​ಾಂವ್ಟಿ

ಬಾಂಾಿ ಾ ಆನಿ

ಮ್ಟಿಾನ್ಲೂಕಾಕ್

ಬಾಂಧ್ಯ

ಭಿತ್ರ್

ಮಹ ಣಾಲೊ.

ಚಕಾ

ಕುಡ್ಟ

ಭಿತ್ರ್

ಬಾಂಧ್ಯ

ಆಸಲಿ ಾ

ಕರುನ್

ಚಕಾ​ಾ ಾ ಮ್ಟಿಾನ್ಲೂಕಾನ್, ಭಾಯ್ರ

ದವ್ರ್ಲಿ ಾ

ಕುಡ್ಟಲಗ್ಲಾ ಾಂ ವ್ಚೊನ್,

ರ್ಜಲೆಿ ಾಂ ಉಲೊಣ ಆಯಾ್ ಲೆಿ ಾಂ. ತಚೊ

ಚಕಾ​ಾ ಾಚಾ​ಾ

ನಿಾರ ಣಕ್

ಬಾಪಯ್ ರ್ಜೀವ್ ನಾ ತಾಂ ಆಯ್ಲ್ ನ್ ತ್ಲ

ಆಸಲಿ ಾ

ಆಪಾಿ ಾ ಸ್ಾಂಾತಾ ಕ್ ಸ್ಾಂಾಲಗೊಿ -

ಮೊಸುತ

“ಆಮ್ಚಿ ಾಂ ಪಾಿ ಾ ನ್ ಫೆೈಲ್ ರ್ಜಲೆಾಂ.

ಕರುಾಂಕ್

ಹ್ಯಾ

ಚಡ್ಟಾ ಚಾ​ಾ

ಬಾಪಾಯ್​್

ಶೂಟ್

ರಡಿ . ಪುಣ್ ಕಾ​ಾಂಯಿಾಂಚ್ ಸಕಿ ನಾ.

ತಚಾ​ಾ

ಅಪಹರಣಾ​ಾಂತ್ ತಚಾ​ಾ

ಬಾಪಾಯ್ಲಿ

ಕರುಾಂಕ್ ಪಡಿ ಾಂ ಮ್ಹ ಕಾ. ಆತಾಂ, ಹ್ಯಾ

ರ್ಜೀವ್ ಗ್ಲಲ ಮಹ ಳ್ಳ ಾಂ ಸತ್ ಸ್ರಡ್ಟಿ ಾ ರ್

ಚಡ್ಟಾ ಕ್ ಘೆವ್​್

ತಾಂ, ‘ವಡ್ನಸ್ರಾ ಕ್’

ಹೆರ್

ತಚಾ​ಾ

ಪಾವ್ಯ್.

ಹ್ಯಚಾ​ಾ

ರಿಗ್ಲಿ ಾಂನಾ.

ಮಡಾರಾಚಿ

ಕಾಣಿ

ಘರಾ

ಬಾಪಾಯಾಿ ಾ

ಘಡನ್, ಆಮ್ಿ ಾ ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಪಾರಾ​ಾ ಚಾ​ಾ

ಕುಡಿಾಂಕ್

‘ಪ್ಲಸ್ರ್ ಕಾಂಪೌಾಂಡ್ಟಾಂತಿ ಾಂ ನ್ಯಾ ಮ್ಚನಾಕ್

ಪಯ್ಲಿ ಾಂ

ಆನಿ

ಆಮ್ಿ ಾ

ಕ್ತಾಂಚ್

ತಚಾ​ಾ

ಚಕಾ​ಾ ಾಕ್ ತಚಾ​ಾ ಘರಾ ಸ್ರಡ್ಟತ ನಾ, ರೆೈಟಸ್ಚೊ

ಸ್ಾಂಾತ

ಮಹ ಣಾಲೊ,

“ತಜಾಂ ಅಪಹರಣ್ ಕೆಲೊಿ

ಫಾರ ಾ ಾಂಕ’ಚಾ​ಾ

ತರ್ಜಾ

ಬಾಪಾಯಾಿ ಾ

ಕಾಡನ್,

ಆನಿ

ತಣ

ಆಪಯಿಲಿ ಾ

ಮತಾಂತ್

ಮನಿಸ

ಹ್ಯತಾಂ ಮ್ಚಲ

ಮೊರಾತ ನಾ,

ತರ್ಜಾ

ಮ್ರಾಿ ಾಂ.

ಆತಾಂ

ಬಾಪಾಯ್​್ ಯಿ

‘ಗ್ಲರ ೀರ್ನ್ ಪಾಕ್ಾ’ ರ್ಜಾ​ಾ ರ್ ಸ್ರಡಾಂಕ್

ಆಮ್ಚಾಂ ಬರಾ​ಾ ಮನಾನ್ ತಜರ್ ದಯಾ

ರ್ಜಯ್.

ಕರುನ್,

ಹ್ಯವಾಂ

ನ್ಯಾ ಮ್ಚನಾಕ್

20 ವೀಜ್ ಕ ೊಂಕಣಿ

ತಕಾ

ತರ್ಜಾ

ಘರಾ

ಪಾವ್ಯ್ಲಿ ಾಂ...”

‘ಆನಿ ಆತಾಂ ಮ್ಟಿಾನ್ಲೂಕಾಕ್

ಕಾಣಿ ಘಡನ್ ಸ್ಾಂಗೊನ್ ಗ್ಲಲಿ ಾ

ಆಪುಣ್

ತಚಿ

ಆವ್ಯ್

ಮನಾಿ ಾ ಕ್ ಮ್ಟಿಾನ್ಲೂಕ್ ಬಿಜ್ಲಿ ಾ

ಸ್ಾಂಗೊನ್,

ದಳ್ಯಾ ಾಂನಿ ಪಳ್ಾಂವ್​್ ಪಡಿ . ತಕಾ

ದವ್ರುಾಂಕ್ ಪಳ್ಯಾಿ ಾ ರ್, ಖ್ಾಂಡಿೀತ್ಯಿ

ಸ್ಕೆಾ​ಾಂ

ಕಾ​ಾಂಯಿಾಂಚ್

ತಕಾ

ರ್ಜಲೆಾಂನಾ.

ಆಪಾಿ ಾ

ಹೊಾಡ ಯಿಲಿ ಾ

ಅಥ್ಾ ಬಾಪಾಯ್​್

ಖ್ಠೀಣ್ ಪರ ಭಾವ್

ಪಡ್ನಲೊಿ . ಬಾಪಾಯಾಿ ಾ

ತಕಾ

ಆಪಾ್

ಮಹ ಣ್

ದುಭಾವ್

ಸಾಂಗ್ಲಾಂ

ರ್ಜತ್ಲಲೊ,

ಹ್ಯಾಂವಾಂಚ್ ತಚಾ​ಾ ಬಾಪಾಯಿ್ ಖುನಿ ಕರಯಿಲಿ​ಿ

ಮಹ ಣ್.

ಅಸಾಂ

ಹ್ಯಾಂವ್

ಸ್ರಡಿ​ಿ ಾಂನಾ.

ರ್ಜಾಂವ್​್

ಮ್ಹ ಕಾ

ಮಣಾ​ಾ ಉಪಾರ ಾಂತ್

ರ್ಜೀಣ್ಭರ್ ಮಹ ರ್ಜಾ ಪುತ ಥಾವ್​್ ಪಯ್ಸ

ಅನಾಥ್

ರಾವ್ಟಾಂಕ್ ಪಡತ ಲೆಾಂ.’ ಅಸಾಂ ಚಿಾಂತನ್

ಮ್ಟಿಾನ್ಲೂಕ್

ರ್ಜಲೊಿ .

ಡರಟಿಕ್ ಕಳ್ಲೆಿ ಾಂ, ನ್ಯಾ ಮ್ಚನಾಚಾ​ಾ

ಡರಟಿನ್,

ಮಣಾ​ಾ​ಾಂತ್ ಮುಖಾ​ಾ

ತಾ ಗ್

ರ್ಜವ್​್

ತಚಾ​ಾ

ಮ್ಟಿಾನ್ಲೂಕಾಚೊ

ಕೆಲೊಿ .

ಮ್ಟಿಾನ್ಲೂಕಾಕ್

ಭಾವಾಚೊಚ್ ಹ್ಯತ್ ಆಸಲೊಿ ಮಹ ಣ್.

ಕಾಳ್ಯಾ ಾಂತ್

ತ್ಸಾಂ ಆಸ್ತ ಾಂ ತಣ ಆಫೆರ ಲಸ ಕ್ ಸ್ಸ್​್ ಕ್

ತಚಿ ಖ್ಬಾರ್ ದವ್ರುನ್ ರ್ಜಯ್ಲಾಂವಿ ಾಂ

ಪಯ್ಸ

ತಕಾ

ಶಿವಾಯ್, ತಕಾ ಆಪುಣ್ ತಚಿ ಆವ್ಯ್

ನ್ಯಾ ಮ್ಚನಾಸಾಂಗ್ಲಾಂ ಆನಿ ತಣ ಜನ್ಮ್

ಮಹ ಣೊನ್ ಕೆದಾಂಚ್ ಕಳ್ಾಂವಿ ಾಂ ನ್ಹಾಂ

ದಲಿ ಾ

ಆಪಾಿ ಾ

ಮಹ ಣ್

ರ್ಜೀವ್ನ್

ರ್ಜಯ್ಲಾಂವಿ​ಿ

ದವ್ರ್ಲೆಿ ಾಂ.

ಪುತಸಾಂಗ್ಲಾಂ ಫುಡಿ ಾಂ

ಆಸಲಿ​ಿ . ಫಕತ್ತ ಆಪ್ಲಿ

ಮೊಸುತ

ಆಶಾ

ಆಶಾ ಉರ್ಜರ್

ದವ್ರುನ್,

ತ

ಮ್ಟಿಾನ್ಲೂಕಾಚಾ​ಾ

ಪಯಿ​ಿ ಲಾ ನ್

ಕೆದಾಳ್ಯಚ್ ಮುಕಾರ್

ಪಡಿ​ಿ ನಾ.

ಕರಾತ ನಾ, ತಣ ತಚಾ​ಾ ನ್ಯಾ ಮ್ಚನಾಕ್ಚ್

ಸ್ಸ್​್ ಕ್ ಹೊಾಡ ಯಿಲೆಿ ಾಂ....

ಮುಖಾರುಸ ಾಂಕ್ ಆಸ್-

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21 ವೀಜ್ ಕ ೊಂಕಣಿ

ಟೊಕೊಯೋ ಆನಿ ಉದ್ಕಾ ರಾಕೊಾ ಸ್ ಕಾಂಕ್​್ ಕ್ : ಲಿಲಿ​ಿ ಮ್ಚರಾ​ಾಂದಾ - ಜಪುೊ (ರ್ಬಾಂಗುಳ ರ್) ಜಪಾನಾಚಾ​ಾ ಎಕಾನೆೀಕಾ ಾ​ಾಂವಾ​ಾಂತ್ ಸಭಾರ್ ಲೊೀಕ್ ದರ್ಯಾತ್ಡಿಾಂತ್ ಬುಡನ್, ರ್ಾಂಯಸ ರ್ಥಾವ್​್ ಮೊತಯಾ​ಾಂ ವಿಾಂಚುನ್ ಹ್ಯಡ್ನ್ ಗ್ಲರ ೀಸತ ವಾ​ಾ ಪಾರಿಸ್ತ ಾಂಕ್ ತಾಂ ವಿಕುನ್ ದೀಸ ಸ್ರಾತ ಲೊ. ತಾಂಚ ಸರಾ​ಾ ಾಂ ಮಧಾಂ ಉಟೊನ್ ದಸ್ತ ಲೆಾಂ ಮಹ ಳ್ಯಾ ರ್ ದಾಕೆಾ ಾಂ ಭುರೆಾ ಾಂ ಟೊಕಯ್ಲೀ. ತಾಂ ಸರಾ​ಾ ಾಂ ಪಾರ ಸ ಲಹ ನ್ ರ್ಜಲಾ ರಿ, ಧಯಾರ ಧಿಕ್. ಉದಾ್ ಪಾಂದಾ ಸರಾ​ಾ ಾಂ ಪಾರ ಸ ಚಡ್ನ ವೀಳ್ ಪಾಶಾರ್ ಕರಿ​ಿ ಶಾಥಿ ತಕಾ ಆಸಲಿ​ಿ . ಎಕೆೀಕ್ ಪಾವಿಾ . ಅರಾ ಘಾಂಟೊ ರ್ಜಲಾ ರಿ, ತಾಂ ಉದಾ್ ವ್ಯ್ರ ಯ್ಲೀನಾತಿ ಾಂ. ಕಾಂಾಲ್ ರ್ಜಲೊಿ ಲೊೀಕ್ ಆತಾಂ ಉದಾ್ ಾಂತ್ ಬುಡನ್ ತಚಾಂ ಮೊಡಾಂ ವ್ಯ್ರ ಹ್ಯಡಿಜ ಮಹ ಣ್ ಚಿಾಂತತ ಸ್ತ ನಾ​ಾಂಚ್, ಟೊಕಯ್ಲೀ ಉದಾ್ ವ್ಯ್ರ ಉಪ್ಾ ವ್​್ ಯ್ಲತಲೆಾಂ.

ತತಿ ಾಂ ಮ್ತ್ರ ನ್ಹ ಾಂಯ್, ತಚಾ​ಾ ಹ್ಯತಾಂತ್ ಮೂಟ್ ಭರ್​್ ಮೊತಯಾ​ಾಂಚಿ ರಾಸಚ್ ಆಸ್ತ ಲಿ. ಪೂಣ್ ತಚಾಂ ಬಾಳ್ೊ ಣ್ ಸಾಂತ್ಲಸಭ ರಿತ್ ಮಹ ಣೊಾಂಕ್ ರ್ಜಯಾ್ . ತಾಂ ದಾಕೆಾ ಾಂ ಭುರೆಾ ಾಂ ಆಸ್ತ ನಾ​ಾಂಚ್ ತಚಿ ಆವ್ಯ್ ಸರ್ಲಿ​ಿ . ಉಪಾರ ಾಂತ್ ತಚಿ ಜವಾಬಾ​ಾ ರಿ ಸಗ್ಲಳ ಬಾಪಾಯಾಿ ಾ ಮ್ತಾ ರ್ ಪಡಿ​ಿ . ತಚೊ ಬಾಪಯ್ ಕೆದಾ್ ಾಂ ಹ್ಯಸ್ರನ್ ಆಸ್ತ ಲೊ ಆನಿ ದುಸ್ರ ಾ ಾಂಕ್ ಹ್ಯಸಯಾತ ಲೊ. ಸಾಂತ್ಲಸ್ನ್ ತ್ಲ ಆಸ್ತ ಲೊ. ಏಕ್ ಪಾವಿಾ ಾಂ ಸದಾ​ಾಂ ಪ್ಲಡೀಸತ ರ್ಜವ್​್ ಖಾಟ್ತಾ ರ್ ಆಸ್ಿ ಾ ಆಪಾಿ ಾ ರಾಯಾವಿಶಿಾಂ ತ್ಮ್ಷ್ ಕರ್​್ ತ್ಲ ಉಲಯ್ಲಿ - ಆನಿ ದುಸ್ರ ಾ ಾಂಕ್ ಹ್ಯಸಯ್ಲಗೊಿ . ತಚಿಾಂ ಉತರ ಾಂ ಆಯಾ್ ಲಿ ಾ ಪತತ ೀದಾರಿಾಂನಿ ರಾಯಾಕ್ ತ ಖ್ಬರ್ ಕಳ್ಯಿ​ಿ . ತ್ಕ್ಷಣಾ​ಾಂಚ್ ಸೈನಿಕಾ​ಾಂನಿ ಯ್ಲೀವ್​್ ತಕಾ ಕಯ್ಾ ಕೆಲೊ ಆನಿ ಜಪಾನಾಥಾವ್​್ ಭೊೀವ್ ಪಯ್ಸ ಆಸ್ಿ ಾ ಒಕ್ ದಾ ೀಪಾ​ಾಂತ್ ಆಸಲಿ ಾ

22 ವೀಜ್ ಕ ೊಂಕಣಿ

ಜಯಾಿ ಾಂತ್ ತಕಾ ಫಿಚಾರ್ ಕೆಲೊ. ಟೊಕಯ್ಲೀಚಾ ರ್ಜೀವ್ನಾ​ಾಂತ್ ಕಾಳ್ಳಕ್ ವಿಸ್ತ ರಿ . ಆಪಾಿ ಾ ಬಾಪಾಯ್ ಪರಿಾಂಚ್ ಸದಾ​ಾಂ ಸಾಂತ್ಲಸ ಉಲಿ ಸ್ನ್ ನಾಚೊನ್ ಉಡನ್ ದೀಸ ಸ್ರೆಿ ಾಂ ಟೊಕಯ್ಲೀ ಅತಾಂ ಎಕಾ ಮ್ ಚಾಪ್ೊ ರ್ಜಲೆಾಂ. ಇಷ್ಟಾ ಣಾ​ಾ ಾಂನಿ ಕ್ತಿ ಾಂ ಹ್ಯಸ್ರಾಂವ್​್ ಪ್ರ ೀತ್ನ್ ಕೆಲಾ ರಿ ತಚಾ​ಾ ತ್ಲಾಂಡ್ಟರ್ ಹ್ಯಸ್ರ ಹ್ಯಡಾಂವ್​್ ತಾಂಕಾ​ಾಂ ಸ್ಧ್ಯಾ ರ್ಜಲೆಾಂನಾ. ಟೊಕಯ್ಲೀನ್ ಆಪಾಿ ಾ ಬಾಪಾಯ್​್ ಕಶಾಂಪುಣಿ ಸ್ರಡವ್​್ ಹ್ಯಡಿಜ ಮಹ ಣ್ ಒಕ್ ದಾ ೀಪಾಕ್ ಉಪ್ಾ ವ್​್ ವಚಿ ಆಲೊೀಚನ್ ಕೆಲಿ. ಏಕ್ ಪಾವಿಾ ಾಂ ಚಿಾಂತ್ಲಿ ಾ ಪರಿಾಂಚ್ ತಣಾಂ ಆಪಾಿ ಾ ಸರ್ಾ ಸ್ಾಂಾತಾ ಾಂಕ್ ಸ್ರಡ್ನ್ ಒಕ್ ದಾ ೀಪಾಚಿ ವಾಟ್ ಧರಿ​ಿ . ಉಪ್ಾ ಾಂವಾಿ ಾ ಾಂತ್ ಎಕಾ ಮ್ ಹುಶಾರ್ ಆಸಲಿ ಾ ತಕಾ ವಿಶೀಸ ಕಷ್ಾ ಭಗೊಾಂಕ್ ನಾ​ಾಂತ್. ಒಕ್ ದಾ ೀಪಾಚಾ​ಾ ತ್ಡಿರ್ ಪಾವಾತ ನಾ ರ್ಾಂಯಸ ರ್ ಆಸಲಿ ಾ ಉಬಾರ್ ಎಕಾ ದಾಂಾರ ರ್ ಥೊಡ ಸ್ರಜರ್ ಧವಾಂ ವ್ಸುತ ರ್ ನೆಹ ಸಲಿ ಾ ಎಕಾ ಚಡ್ಟಾ ಕ್ ಧರ್​್ ಆಸಲೆಿ ಾಂ ತಕಾ ದಸಿ ಾಂ. ಕ್ತಾಂ ತಾಂ ಪಳ್ವಾ​ಾ ಾಂ ಮಹ ಣ್ ಟೊಕಯ್ಲೀ ರ್ಾಂಯಸ ರ್ ಗ್ಲಲೆಾಂ. ಟೊಕಯ್ಲೀನ್ ಸ್ರಜರಾ​ಾಂಲಗ್ಲಾಂ ತ ರ್ಾಂಯಸ ರ್ ಕ್ತಾ ಕ್ ರಾವಾಿ ಾ ತ್ ಮಹ ಣ್ ವಿಚಾರೆಿ ಾಂ. ತ್ವ್ಳ್ ತಣಿಾಂ ಮಹ ಳ್ಾಂ ಹ್ಯಾ ದರ್ಯಾ​ಾಂತ್ ಏಕ್ ಉದಾ್ ರಾಕ್ ಸ ಆಸ್. ಹರೆಾ ಕ್ ವ್ರಾಸ ತಕಾ ಎಕಾ ಚಡ್ಟೊ ಕ್ ಬಲಿ ದೀಜ. ನಾ​ಾಂತ್ರ್ ತ್ಲ ಆಮ್ಿ ಾ ಾ​ಾಂವಾವ್ಯ್ರ ಆಕರ ಮಣ್ ಕರಾತ ಆನಿ ಸಗೊಳ ಾ​ಾಂವ್ಚ್ ಉದಾ್ ಾಂತ್ ಬುಡವ್​್ ಸ್ರಡ್ಟತ . ತಾ ಖಾತರ್ ರಾಯ್ ತಚಾ​ಾ ಕರಾರಾಕ್

ಒಪಾ​ಾ ಲ ಆನಿ ಹರೆಾ ಕ್ ವ್ರಾಸ ಎಕಾ ಚಡ್ಟಾ ಕ್ ರಾಕಾಸ ಲಗ್ಲಾಂ ಧಾಡ್ಟತ , ಹ್ಯಾ ವ್ಸ್ಾಚಿ ಬಲಿ ಹೆಾಂ ಚಡಾಂ ಅಶಾಂ ಸ್ಾಂಗುನ್ ತಣಿ ತಾ ಚಡ್ಟಾ ಕ್ ಟೊಕಯ್ಲೀಕ್ ದಾಕಯ್ಲಿ ಾಂ. ತಾಂ ಚಡಾಂ ಭಿಯಾನ್ ಕಾಂಾಲ್ ರ್ಜವ್​್ ರಡ್ಟತ ಲೆಾಂ. ಟೊಕಯ್ಲೀಕ್ ತಾ ಉದಾ್ ರಾಕಾಸ ವಿಶಿಾಂ ಅನಿಕ್ ಸಭಾರ್ ಸಾಂಗ್ಲತ ಕಳ್ಳತ್ ರ್ಜಲೊಾ . ತಾ ರಾಕಾಸ ನ್ಾಂಚ್ ರಾಯಾಕ್ ಸದಾ​ಾಂ ಪ್ಲಡೀಸತ ಕೆಲ ಆನಿ ತ್ಲ ಮ್ಚಲಾ ಶಿವಾಯ್ ರಾಯಾಕ್ ಪ್ಲಡಥಾವ್​್ ಮುಕ್ತ ನಾ ಮಹ ಳ್ಳ ಾಂ ತಕಾ ಕಳ್ಳತ್ ರ್ಜಲೆಾಂ. ಹರ್ಜರಾ​ಾಂನಿ ದಾಕೆತ ರಾ​ಾಂನಿ ಆನಿ ಪಾಂಡಿತಾಂನಿ ರಾಯಾಚಿ ಶುಶೂರ ಷ್ಮ ಕೆಲಾ ರಿೀ, ತಕಾ ಕಾ​ಾಂಯ್ ಬರೆಾಂಪಣ್ ರ್ಜಾಂವ್​್ ನಾತ್ಲಿ​ಿ ಖ್ಬಾರ್ ತಾ ರಾರ್ಜಾ ಾಂತಿ ಾ ಸರಾ​ಾ ಾಂಕ್ ಕಳ್ಳತ್ ಆಸಲಿ​ಿ . ಅತಾಂ ಟೊಕಯ್ಲೀಕ್ ರಾಯಾಚಾ​ಾ ಪ್ಲಡಚೊ ಘುಟ್ ಕಳ್ಳತ್ ರ್ಜಲೊ. ತಣಾಂ ಸ್ರಜರಾಲಗ್ಲಾಂ ಆಪಾ್ ಕ್ ಧವಾಂ ವ್ಸುತ ರ್ ಗುಟ್ಲಿ ವ್​್ ತಾ ರಾಕ್ ಸ್ಲಗ್ಲಾಂ ಧಾಡ್ಟಾ ಮಹ ಣ್ ವಿನ್ಾಂತ ಕೆಲಿ. ಪೂಣ್ ತ ಟೊಕೀಯ್ಲೀಚಾ​ಾ ಉತರ ಾಂಕ್ ಆಯ್ಲ್ ಾಂಕ್ ತ್ಯಾರ್ ನಾತ್ಲೆಿ . ಪೂಣ್ ಟೊಕಯ್ಲೀನ್ ಸಭಾರ್ ಪಾವಿಾ ಾಂ ಪರಾತಿ ಾ ಉಪಾರ ಾಂತ್ ತಕಾ ಧವಾಂ ವ್ಸುತ ರ್ ಪಾ​ಾಂಗರ ವ್​್ ಬಲಿ ದೀಾಂವ್​್ ತ ಒಪಾ​ಾ ಲೆ. ತಾ ಖಾತರ್ ತP ತಣಿಾಂ ಧವಾಂ ವ್ಸುತ ರ್ ಘಾಲ್​್ ದರ್ಯಾ​ಾಂತ್ ಲೊಟ್ತಿ ಾಂ ಟೊಕೀಯ್ಲೀ ಉಪ್ಾ ಾಂವಾಿ ಾ ಾಂತ್ ಕ್ತಿ ಾಂ ಹುಶಾರ್ ಆಸ್ ಮಹ ಣ್ ತಾಂಕಾ​ಾಂ ಕಳ್ಳತ್ ನಾತಿ ಾಂ. ತಾಂ ಉಪ್ಾ ವ್​್ ಉಪ್ಾ ವ್​್ ಉದಾ್ ಪಾಂದಾ ಗ್ಲಲೆಾಂ.

23 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಪಾ್ ಕ್ ವಾರಿ​ಿ ಕ್ ಬಲಿ ರ್ಜವ್​್ ಏಕ್ ರಾವಳ ರಾ​ಾಂತ್ ಸಭಾರ್ ಗುಳ್ಳಯ್ಲ ಸ್ರಭಿತ್ ರ್ಜೀವ್ ರ್ಜೀವ್ ಭುರೆಾ ಾಂ ವ್ಟಕಾತ ಾಂ ಸವ್​್ ಸದಾ​ಾಂ ಪ್ಲಡೀಸತ ಯ್ಲಾಂವಿ ಾಂ ಪಳ್ವ್​್ ರಾಕ್ ಸ್ಕ್ ಭಾರಿೀ ರ್ಜವಾ್ ಸಲೊಿ ರಾಯ್ ಎಕಾ ಮ್ ಖುಶಿ ರ್ಜಲಿ. ತ್ಲ ತಕಾ ಧರುಾಂಕ್ ಭಲಯ್ಲ್ ಭರಿತ್ ರ್ಜವ್​್ ಉಟೊಿ . ಆಪ್ಲಿ ಮುಕಾರ್ ಆಯ್ಲಿ . ತ್ರಿ ಭಲಯಿ್ ಇತಿ ಬರಿ ರ್ಜಲಿ​ಿ ವ್ಟಕಾತ ಾಂ ಉಪ್ಾ ಾಂವಾಿ ಾ ಾಂತ್ ಎಕಾ ಮ್ ಹುಶಾರ್ ನಿಮ್ಚತ ಾಂ ನ್ಹ ಾಂಯ್ ಬಾರ್ ಆಸಲಿ ಾ ಟೊಕೀಯ್ಲೀನ್ ರಾಕಾಸ ಕ್ ಟೊಕಯ್ಲೀಚಾ​ಾ ಸ್ಹಸ್ನ್ ಮಹ ಣ್ ಉಪ್ಾ ವ್​್ ಉಪ್ಾ ವ್​್ ಎಕಾ ಮ್ ರ್ಕಯ್ಲಿ ಾಂ ಕಳ್ತಚ್ ರಾಯಕ್ ಎಕಾ ಮ್ ಖುಶಿ ರ್ಜಲಿ. ಆನಿ ರಾಕಾಸ ಕ್ ವಿಪ್ಲರ ೀತ್ ಪುರಾಸಣ್ ತ್ಕ್ಷಣ್ ತಕಾ ರಾವಳ ರಾಕ್ ಆಪೊವ್​್ ರ್ಜಲೆಿ ವಳ್ಳಾಂ ಆಪಾಿ ಾ ವ್ಸುತ ರಾ​ಾಂತ್ ತಕಾ ಕ್ತಾಂ ರ್ಜಯ್ ತಾಂ ವಿಚಾರ್ ಲಿಪವ್​್ ದವ್ರ್ಲಿ​ಿ ಸುರಿ ಭಾಯ್ರ ಕಾಡಿ​ಿ ಮಹ ಳ್ಾಂ ರಾಯಾನ್. ತಣಾಂ ಕ್ತಾಂ ಆನಿ ರಾಕಾಸ ಕ್ ತ್ಲಪುನ್ ಮ್ರಿ​ಿ . ಹೊ ವಿಚಾರಾಿ ಾ ರಿೀ ಸಾಂತ್ಲಸ್ನ್ ದೀಾಂವ್​್ ಅನಿರಿೀಕ್ಮ ತ್ ಮ್ರ್ ರಾಕ್ ಸ್ನ್ ರಾಯ್ ತ್ಯಾರ್ ಆಸಲೊಿ . ಚಿಾಂತಾಂಕ್ ನಾತ್ಲೊಿ . ಸುರಿ ತಚಾಂ ಟೊಕಯ್ಲೀನ್ ಆಪಾಿ ಾ ಬಾಪಾಯಿ​ಿ ಪೊಟ್ ಚಿೀರ್​್ ಭಾಯ್ರ ಆಯಿ​ಿ . ಚೂಕ್ ಭೊಗುಸ ನ್ ತಕಾ ಜಯಾಿ ಾಂತ್ಲಿ ರಾಕ್ ಸ್ಕ್ ದಳ್ಯಾ ಾಂಕ್ ಕಾಳ್ಳಕ್ ಸ್ರಡಯಾಿ ಾ ರ್ ತಮೊಿ ವ್ಹ ಡಿ ಆಯ್ಲಿ . ಶಿರಾ​ಾಂಧಾರಿನಿಾಂ ರಗತ್ ಉಪಾ್ ರ್ ರ್ಜಯ್ತ ಮಹ ಣ್ ವಾಹ ಳ್ಳಾಂಕ್ ಲಗ್ಲಿ ಾಂ. ದರ್ಯಾಚಾಂ ರಾಯಾಲಗ್ಲಾಂ ವಿನ್ಾಂತ ಕೆಲಿ. ಉದಕ್ ಸಗ್ಲಳ ಾಂ ತಾಂರ್ಬಡ ಾಂ ರ್ಜಲೆಾಂ ಟೊಕಯ್ಲೀಚಾಂ ಉದಾರ್ ಕಾಳ್ಳಜ್ ಟೊಕಯ್ಲೀಕ್ ರಾಕ್ ಸ್ನ್ ರ್ಜವಿ​ಿ ಾಂ ಪಾರು್ ನ್ ರಾಯಾಕ್ ಭಾರಿೀ ಖುಶಿ ರ್ಜಲಿ. ಮ್ರ್ಲಿ ಾ ನ್ ಅಶಾಂ ರ್ಜಲೆಾಂ ಮಹ ಣ್ ತಣ ಟೊಕೀಯ್ಲಚಾ​ಾ ಬಾಪಾಯ್​್ ಸೈನಿಕ್ ಚಿಾಂತಲಗ್ಲಿ ಆನಿ ಟೊಕಯ್ಲೀ ಜಯಾಿ ಾಂತ್ ಥಾವ್​್ ಸ್ರಡವ್​್ ಆಪಾಿ ಾ ಖಾತರ್ ದುಕಾ​ಾಂ ಗಳ್ಯ್ ಲಗ್ಲಿ . ಮೊಾಳ್ ಧುವಸಾಂಗ್ಲಾಂ ತಚಾ​ಾ ಪೂಣ್ ಟೊಕಯ್ಲೀನ್ ರಾಕಾಸ ಕ್ ಾ​ಾಂವಾಕ್ ಧಾಡಿ ಾಂ. ಚಿೀರ್​್ ಲಾಡ್ನಚ್ ಕಾಡಿ . ತ್ಲ ರ್ಾಂಯಸ ರ್ ಮೊರತ ಚ್ ಹ್ಯಾಂಾಸರ್ -----------------------------------------------------------------------------------------2020ವಾ​ಾ ಮ್ಲಾ ಡ ಸ್ಹತ ಎಮ್. ಪ್ಲ. ವ್ಸ್ಾಚಾ​ಾ ಗೊೀವಾ ರಡಿರ ಗಸ ಹ್ಯಾಂಚೊ ಕಾವ್ಾ ಸಾಂಗರ ರ್ಹ ಕಾಂಕಣಿ ’ರಸ್ತ ಾ ದಗ್ಲಚಿಾಂ ಫುಲಾಂ’, ರೀಶು ಬಜೊ ಅಕಾಡಮ್ಚಚಾ ಹ್ಯಚೊ ಕಾವ್ಾ ಸಾಂಗರ ರ್ಹ ’ತೀಾಂತ್ ರ್ಜಲೆಾಂ ಪುರಸ್​್ ರಾ​ಾಂಕ್ ರಗತ್’ ಆನಿ ಎಾಂಟನಿ ಬಾಕ್ಮಾರ್ ವಿಾಂಚುನ್ ಆಯಾಿ ಾ ತ್. ಹೆ ಹ್ಯಚೊ ಕಥಾಸಾಂಗರ ರ್ಹ ’ಮ್ಸ್ಾಂ’ ಬೂಕ್ ಕವಿತ ಕರ ಮ್ನುಸ್ರ್ 2018, 2019 ಆನಿ ಟರ ಸ್ಾ ನ್ ಪರ ಕಾಶಿತ್ ಕೆಲೆಿ ಆಸ್ತ್. ಹ್ಯಾ 24 ವೀಜ್ ಕ ೊಂಕಣಿ

ಭಾಯ್ರ ಆಮ್ಿ ಾ ಚ್ ಕರಾವ್ಳ್ಾಂತ್ ಜಲೊೊ ನ್ ವ್ಹ ಡ್ನ ರ್ಜವ್​್ ಪರ ಸುತ ತ್ ಮುಾಂಬಯ್ ವ್ಸ್ತ ಕಚಾ​ಾ ಾ ವ್ಲಿ​ಿ ಕಾ​ಾ ಡರ ಸ್ಕ್ ಗೊಾಂಯಾಿ ಾ ಕಾಂಕಣಿ ಅಕಾಡಮ್ಚಚೊ ಪರ ತಶಿಾ ತ್ ’ಮ್ಧವ್ ಮಾಂಜುನಾಥ್ ಶಾನಾಭ ಗ್ ಸೀವಾ ಪುರಸ್​್ ರ್ -2021’ ಫಾವ್ಟ ರ್ಜಲ. ಪುರಸ್​್ ರ್ ಫಾವ್ಟ ರ್ಜಲಿ ಾ ಸ್ಹತ ಮ್ಚತರ ಾಂಕ್ ಅಭಿನ್ಾಂದನ್. ಸ್ಹತಕ್ ಪರಿಪ್ಲಕತಯ್ಲಚಿ

ಕಚಿಾ ಸಕತ್ ರೂಪ ರೂಪ ಝಳ್​್ ತ. ಹ್ಯಾ ವಿಶಿಾಂ ಆಮ್ಚಾಂ ಸಮಕಾಲಿೀನ್ ಕಾಂಕ್​್ ಬರವಾೊ ಾ ನಿಾಂ ರ್ಜಯ್ಲತ ಪಾವಿಾ ಾಂ ಅಧಿಕೃತ್ ಆನಿಾಂ ಅನ್ಧಿಕೃತ್ ಸಾಂವಾದ್ ಚಲಯ್ಲಿ ಆಸ್ತ್. ಎಾಂ.ಪ್ಲಯಾಬ್ ಆನಿಾಂ ವ್ಲಿ​ಿ ಕಾ​ಾ ಡರ ಸ ಸಾಂಶೀಧಿತ್ ಗರ್ಜಲಾ ನಿಾಂ ಚಡ್ನ ಹೆಳ್ ಲೆಿ ರ್ಜಲಿ ಾ ನ್ ತಾಂಚಾ ಕೃತಯಾನಿಾಂ ಕಾಳ್ಯಚಾಂ ಧಾಕಲಿೀಕರಣ್ ಅನಿಾಂ ತಚಿಾಂ ಪಾಟಿ​ಿ ಾಂ ಕಾರಣಾ​ಾಂ ಗುಾಂತನ್ ಅಸಿ ಲೆಾಂ ದಸ್ರನ್ ಯ್ಲತ. ಎಕೆ ತ್ಕೆಡ ರ್ ಸ್ಹತಕ್ ಜಡ್ಟಯ್ ಆನಿಾಂ ದುಸ್ರ ಾ ತ್ಕೆಡ ರ್ ಸ್ಹತಕ್ ಸ್ರಭಾಯ್ ತಕಾಿ ಾ ಾಂತ್ ಯರ್ಸ್ಾ ರ್ಜಲಿ ಾ ಹ್ಯಾಂಕಾ ಪುರಸ್​್ ರ್ ಫಾವ್ಟ ರ್ಜಲೆಿ ಾಂ ಆಮ್​್ ಾಂ ಅಭಿಮ್ನಾಚಿ ಗರ್ಜಲ್. ಏಕಾ ಭಾಶಚಾ ಸ್ಹತಕ್ ಮೂಳ್ ರ್ಜವ್​್ ಘೆತನಾ ರ್ಾಂಯಾಿ ಾ ಪುರಸ್​್ ರಾ​ಾಂಕ್ ಲಿಪ್ಲ -ಬಲಿಪಾರ ದೀಶಿಕ್ ವಾದಾಕ್ ಮುಳ್ಯವಿ ಅಹಾತ ರ್ಜವ್​್ ಥಿರಾ​ಾಂವ್​್ ನ್ಹ ಜ. ಬಾರ್ ಸ್ಹತಕ್ ಆನಿ ತಚಾ ಸ್ಹತಾ ಕ್ ಆಸ್ಿ Literary maturity ಪಯ್ಲಿ ಾಂ ಪರಿಗಣನಾಕ್ ಘೆಾಂವ್​್ ರ್ಜಯ್ ಮಹ ಳ್ಳ ಾಂ ಮಹ ಜಾಂ ಚಿಾಂತಪ. ಪಾಟ್ಲಿ ಾ ಥೊಡ್ಟಾ ತಾಂಪಾಥಾವ್​್ ಪಾರ ದೀಶಿಕ್ ರ್ಜವ್​್ ಉರನಾಸ್ತ ಾಂ , ಕೆೀವ್ಲ್ ಮುಳ್ಯಾಂ ಉಸುತ ನ್ಾಂಚ್ ದೀಸ ಸ್ರಿನಾಸ್ತ ಾಂ, ಭಾಶರ್ಾಂಯ್ ಸಾಂಪೂಣ್ಾ ಉಗ್ಲತ ಾಂ ರ್ಜಲಿ ಾ ಾಂಕ್ ಕಾಲ್ ಪರ ಕಟ್ ರ್ಜಲೆಿ ಗೊಾಂಯ್ ಸ್ಹತ್ ಅಕಾಡಮ್ಚ ಪುರಸ್​್ ರ್ ಏಕ್ ಪ್ರ ೀರಣ್ ರ್ಜವ್​್ ಉತಾಲೆ ಮಹ ಣಾಿ ಾ ಕ್ ದುಬಾವ್ ನಾ.

ಗರ್ಜಲ್ ಉಬಿ ರ್ಜತನಾ ಹೆ ಪುರಸ್​್ ರ್ ವಿಜೀತ್ ಸ್ಹತ ಚಡ್ನ ಮಹತ್ಾ ಚ ರ್ಜವ್​್ ಬದಳ್ಯತ ತ್. ರೀಶು ಆನಿಾಂ ಅಾಂಟನಿಚಾ -ಸ್ವಾ ನಿ ಬೀಳ್ತ್ ಕೃತಯಾನಿಾಂ ಸಮ್ಜಕ್ ಸ್ಾ ಧಿೀನ್ -----------------------------------------------------------------------------------------25 ವೀಜ್ ಕ ೊಂಕಣಿ

40. ಆದ್ೊ ಂ ಆನಿ ಆಯ್ೊ ವಾರಾೊ ಾ ಮ್ಧಂ ಸಮ್ನಿ ಯ್ ವಾಚಾ​ಾ ಥ್ಾ: ವೀದ, ಪುರಾಣ್, ಹಮ್ಲಯಾ​ಾಂತಿ ಾ ಮ್ಟ್ಲಾ ಾಂ ಥಾವ್​್ ಯ್ಲಾಂವಾಿ ಾ ರ್ಜಾ ನಾಚಾಂ ಗಾಂಗ್ಲ ಆಸಲಿ ಾ ಪರಿಾಂ. ಯಮುನಾ, ಶೀಣಾ ನ್ಾಂಯ್ಲ ಪೌರುಷ್ಪಣ್, ಬೂಧ್ಯ ಮಹ ಳ್ಳಳ ಾ ಯುಕತ ಾ . ಮುಳ್ಯಾಂತ್ ತ್ಯಾರ್ ರ್ಜಲಿ ಾ ಸಮಾ ಕ್, ರ್ಜಾ ನ್ಗಾಂಗ್ಲಕ್ ತಾ ತಾ ಕಾಳ್ಯಚೊಾ ಬೂಧಿ, ಯುಕತ ಾ ಉಪನ್ಾಂಯಾ​ಾಂಪರಿಾಂ ಯ್ಲವ್​್ ಕುಮೊಕ್ ಕರಿಜಯ್. ವಿವ್ರಣ್ : ಹಮ್ಲಯಾ ಪವ್ಾತ್ ಪರ ದೀಶಾಚಾ​ಾ ಗಾಂಗೊೀತರ ಾಂತ್ ಗಾಂಗ್ಲಚಾಂ ಉಗಮ್. ವ್ಸ್ಾಚಾ​ಾ ಸ, ಸ್ತ್ ಮಹನಾ​ಾ ಾಂಚೊ ಕಾಳ್ ಹಮ್ ಮಹ ಣಾ ಬಫಾ​ಾ​ಾಂತ್ಚ್ ಭರ್ಲಿ ಾ ಹ್ಯಾ ಚ್ ಾ​ಾಂವಾ ಥಾವ್​್ ಆಮ್​್ ಾಂ ಪರಮ್

ಪವಿತ್ರ ರ್ಜವಾ್ ಸಲಿ​ಿ ಗಾಂಾ ನ್ಾಂಯ್ ಭಾಯ್ರ ಸರಿ​ಿ , ತ ತದಾಳ್ಯ ಭಾಗ್ಲೀರಥಿ. ಮುಖಾರಿಾಂ ದೈವಿಕ್ ಪರ ಯ್ಲೀಾ​ಾಂತ್ ಅಲಕಾನ್ಾಂದ ನ್ಾಂಯ್​್ ಮ್ಚಳುನ್ ಗಾಂಾ ನ್ಾಂಯ್ ರ್ಜತ. ಮುಖಾರ್ ವಾಹ ಳುನ್ ಸಕಯ್ಿ ದಾಂವನ್ ಯ್ಲತನಾ, ಸರಸಾ ತ, ದೌಳ್ಳಗಾಂಾ, ನ್ಾಂದಾಕ್ನಿ, ಪ್ಲಾಂಡ್ಟರಾ ನ್ಾಂಯಾ​ಾಂಕ್ ದಾವಾ​ಾ ಕ್, ಹ್ಯಾಂಾ ಮಾಂದಾಕ್ನಿ ಉಜಾ ಾ ಕುಶಿನ್ ಸ್ಾಂಾತ ಘೆವ್​್ , ಸಮೃದ್ಿ ರ್ಜವ್​್ ವಾಹ ಳ್ಯತ . ಮುಖಾರ್ ಉತ್ತ ರ್ ಪರ ದೀಶಾ​ಾಂತ್ ವಾಹ ಳ್ಯತ ನಾ ಶೀಣಾ ನ್ಾಂಯ್ ಆನಿ ಪರ ಯಾ​ಾ​ಾಂತ್ ಯಮುನಾಕ್ ಕಾಣಾ ವ್​್ ವಿಸ್ತ ರ್ ರ್ಜತ. ಮೂಳ್ ನ್ಾಂಯ್ ಗಾಂಾಚ್. ಪುಣ್ ಉಪನ್ಾಂಯ್ಲ ಸ್ಾಂಾತ ಮ್ಚಳುನ್ ತ

26 ವೀಜ್ ಕ ೊಂಕಣಿ

ಬಳ್ಯಧಿಕ್ ರ್ಜವ್​್ ವಹ ತ. ಹೆಾಂ ವಾಸತ ವ್ ಮ್ಚಹ ಳ್ಾಂ ಸ್ರಡ್ನ್ ನ್ಾಂಯ್ ಮ್ಚಹ ಳ್ಾಂವಿ ಾ ಡಿ.ವಿ.ರ್ಜ.ಚಾ​ಾ ಚಿಾಂತೊ ಕ್ ಕಾಂಕಾತ . ಹೆಾ ಭಾಶನ್, ಸ್ಕಾ ಾ ನ್ಹ ಯ್ ಆಸಲೊಿ ಾ ಕವಿತ ದಾ​ಾ ರಿಾಂ ಗಾಂಾ ನ್ಾಂಯ್​್ ಬೂಧಿ (ಅಲೊೀಚನೊಾ , ಯುಕ್ತ , ಸಕತ ಾ ) ಆಮ್​್ ಾಂ ದಾಂವ್ಟಿ ಸಾಂದೀಶ್ ಬವ್ ಮೂಳ್ ರ್ಜಾ ನ್ ಮ್ಚಹ ಳ್ಯಾತ ತ್. ಗುಾಂಡ್ಟಯ್ಲಚೊ. ಹಮ್ಯಲಚಾ​ಾ ಗಾಂಗೊೀತರ ಾಂತ್ ಉದಕ್ ಉಾಂಚಾಿ ಾ ರ್ಜಾ​ಾ ರ್ ಥಾವ್​್ ಆಯಿಲಿ ಾ ಅತ್ಾ ಾಂತ್ ನಿತ್ಳ್ ಆಸಲೆಿ ಾ ಪರಿಾಂ, ರ್ಜಾ ನ್, ಗಾಂಾ ಭಾಶನ್, ಆಮ್ಿ ಾ ಋಷ್ಟ, ಸುವಾರ್ ನಿತ್ಳ್ಚ್ ಆಸ್ತ . ತ್ರಿೀಪುಣ್ ಮುನಿಾಂನಿ ಪಳ್ವ್​್ ಸ್ರಧುನ್ ಕಾಡಿ ಲಿಾಂ ತ್ಶಾಂಚ್ ಉರಾಂಕ್ ಸ್ಧ್ಯಾ ಯಿೀ ನಾ, ವೀದ ಪುರಾಣ, ರ್ಜಾ ನಾಚಿಾಂ ಮೂಳ್ಯಾಂ. ಸ್ಕೆಾ​ಾಂಯ್ ನ್ಹ ಯ್. ತಾ ತಾ ವಾಟ್ ಮುಖಾರ್ ಗ್ಲಲೆಿ ಾ ಪರಿಾಂ ಗಾಂಾ ಕಾಳ್ಯಚಾ​ಾ ಗರ್ಜಾ​ಾಂನುಸ್ರ್ ತಾ ತಾ ಸಬಾರ್ ಉಪನ್ಾಂಯಾ​ಾಂಕ್ ಮ್ಚಳ್ಲೆಿ ಾ ಕಾಳ್ಯಚಾ​ಾ ಮನಾಿ ಾಂಚಾ​ಾ ಸಕಾತ ಾ ಾಂಕ್ ಭಾಶನ್ ರ್ಜಾ ನ್ಮುಳ್ಯಾಂಕ್ ತಾ ತಾ ವಾಪನ್ಾ, ನ್ವಾಂಪಣ್ ಆಪಾ್ ಯಾ ಯ್. ಕಾಳ್ಯಚ ಪುರುಷ್, ಬೂಧಿ, ಯುಕ್ತ ನ್ವಾಂಪಣ್ಚ್ (ನ್ವ್ಸ ಣಿಾ) ರ್ಜೀವ್ನ್. ಸವಾ​ಾತತ್. ತ್ಲಾ ರ್ಜಾ ನ್ ಸಕತ ಾ ಪನೆಾ​ಾಂ ಮೊರನ್ ಪುರಾತ್ನ್ ಆನಿಕ್ೀ ಬಳ್ಯಧಿಕ್ ಕರಾತ ತ್. ಹ್ಯಾಂಾ ಆಷ್ೀಾಯ ರ್ಜಾ ನ್ ಕಾಳ್ಯ ತಕ್ದ್ ನ್ವಾ​ಾ ಏಕ್ ಚತರ ಯ್ಯಿೀ ಆಸ್. ಮಧಾಂ ನ್ವಾ​ಾ ರ್ಜೀವ್ಕಾ​ಾಂತಾಂಕ್ ಮ್ಚಳ್ವ್​್ ಪರ ಕೃತ್ ಮ್ಚಳ್ಲೊಿ ಾ ಉಪನ್ಾಂಯ್ಲ, ಆಪ್ಿ ಾಂ ರ್ಜೀವ್ನ್ ದೃಢ್ ಕರೆಿ ಾಂ ಗಜಾಚಾಂ ಕಾಮ್.

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27 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಿನೀದ್ರ

ಚಿಕನ್ ಸ ೊಂಟರ್ ಆನಿ ಪೊಕ ೊಳ್ ಕೊಂಪ ನಿ - ಪ್ಂಚು, ಬಂಟ್ಕಿ ಳ್. ಾ​ಾಂವಾರ್ ಏಕ್ "ಚಿಕನ್ ಸಾಂಟರ್" ಮಹ ಣ್ ಕುಾಂಕಾಡ ಚಿ ಆಾಂಗಡ್ನ ಕೆಲಾ ಉಪಾರ ಾಂತ್ ಹ್ಯಾಂವ್ ಲೊೀಕಲ್ ಲೊಕಾಚಾ​ಾ ಕಾಂಪ್ನಿಚೊ ಮಹ್ಯನ್ ಮನಿಸ ರ್ಜವನ್ ವ್ಹ ತ್ಾವಾತ ಾಂ. ಸದಾ​ಾಂ ಸಕಾಳ್ಳಾಂ ಉಟ್ಲತ ನಾ ಮಹ ರ್ಜ ಮತ್ ಸುಶಾತ್ ಆಸ್ರನ್, ತ್ಲಾಂಡ್ಟರ್ ಹ್ಯಸ್ರ ಪಜಾಳ್ಯಳ ಾ ರ್, ತಾ ದೀಸ ತ ದಾ​ಾಂತ್ ಪಳ್ವ್​್ ಟೂಥ್ ಪ್ೀಸ್ಾ ಾಂತ್ ಘಾಸ್ಾ ಾಂ ತ್ಶಾಂ ಭೊಾತ . ತ್ಕ್ಿ ವಿರಾರಾಯ್ ಆಸ್ ತ್ರ್ ಅಾಂಬಾ​ಾ ಚೊ ಕಲೊ ನಾ ತ್ರ್ ರಾ​ಾಂದಾಿ ಾ ಖುರಾವ್ಯ್ಲಿ ಇಾಂಗೊಳ ಯಿೀ ರ್ಜತ ಮ್ಕಾ. ಪುಣ್ ರಾತಾಂ ಖಾಟ್ತಾ ರ್ ನಿದಾಂಕ್ ಪಾಟ್ ತಾಂಕಾತ ನಾ ತ್ಕ್ಿ ಸಗ್ಲಳ

ಶಾಂಬರ್ ಮ್ಲೆಾಪರಿಾಂ, ರ್ಜಾಂಗ್ಲರ ಪ್ಲಸ್ಾಂವ್ ಕರಿತ್ತ ಆಸ್ತ . ಆಾಂಗ್ ಸಗ್ಲಳ ಾಂ ಕುಾಂಕಾಡ ಸ್ಾ ದಾನ್ ಪಮಾಳ್ಯತ ನಾ, ಬಾಯ್ಿ ನಾಣಾ ಚಿ ವಾಟ್ ದಾಕಯಾತ . ಉಪಾರ ಾಂತ್ ದಾ​ಾಂತ್ ದಾಕವ್​್ ಹ್ಯಸ್ಾ ಾಂ ಮಹ ಳ್ಯಾ ರಿೀ ತ್ಲೀಾಂಡ್ನ ಮ್ತ್ರ ಭಟ್ಲಚಾ​ಾ ಆಾಂಗ್ಲಡ ಚಾ​ಾ ವ್ಡ್ಟಾ ಪರಿಾಂ ಪುಗೊನ್ ಆಸ್ತ . ಎಕಾ ಕುಶಿನ್ ಮ್ಾಂಯ್, ಬಾಯ್ಿ ದಾವಾ​ಾ ಕುಶಿ ಥಾವ್​್ ಚಿರಿ ಪ್ಲರಿ, ಕುರು ಕುರು ಕತಾನಾ, ಸದಾ​ಾಂ ಕ್ಮ್ಚಾ​ಾಂ ಗಳ್ವ್​್ ಟರ ಾಂಪ್ಟ್ ವಾಹ ಜಾಂವಿ​ಿ ಾಂ ದಾ​ಾಂ ಭುಗ್ಲಾ​ಾಂ, ಘೊರೆವ್​್ ಆಸ್ತ ತ್. ಮ್ಗ್ಲರ್ ಾ​ಾಂವಾರ್ ನಾ​ಾಂವಾನ್ ಆಪಾಂವಾಿ ಾ ಾ​ಾಂವಾ್ ರಾ​ಾಂಚಿಾಂ ವ್ಹ ಡ್ನ ಲಯ್​್ ... ದಳ್ ಮೊಡಿ​ಿ ಾಂ ಚಡ್ಟಾ ಾಂ, ಜೀರ್ ಕಚಿಾ​ಾಂ ಪಾರ ಯ್ಲಸ್ತ ಾಂ, ಬೀರ್

28 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕಚಾ ತ್ನಾ​ಾಟ್ತ, ಊಲ..ಲಿ ಉಲಲಿ ಮಹ ಣಿ​ಿ ಾಂ ಭುಗ್ಲಾ​ಾಂ. ತಾಂಕಾ​ಾಂ ಸಕಾ​ಾ ಾಂಕ್ ಚಿೀತ್ ದೀವ್​್ ಆಯ್ಲ್ ನ್, ತ್ಕೆಿ ಾಂತ್ ಆಟವ್​್ , ಲಚಾರ್ ರ್ಜಾಂವಿ ಾಂ ಭಾಗ್ ಮಹ ಜಾಂ, ಸದಾ​ಾಂ ಸಕಾಳ್ಳಾಂಚಾಂ. ಕೀಣ್ ತ್ಲ ರ್ಜಾಂವ್ ತಣಾಂ ಏಕ್ ಸವಾಲ್ ವಿಚಾಲಾ ಾರ್ ಏಕ್ ರ್ಜಪ ದಲಾ ರ್ ತಾಂಕಾ​ಾಂ ಪಾವಾನಾ. ಪರತ್ ಪರತ್, ಘುಾಂವಾಡ ವ್​್ ಘುಾಂವಾಡ ವ್​್ , ಮ್ತಾ ಚಾ​ಾ ಕೆೀಸ್ ಥಾವ್​್ ಪಾ​ಾಂಯಾ​ಾಂಚಾ​ಾ ನಾಕೆಮ ಪಯಾ​ಾ​ಾಂತ್ ಪ್ಲಪ್ಲಾರಿಸ್ಾಂವ್. ತಾಂಚಿ ಮುಾ​ಾ ನಾತಿ ಾಂಚ್ ಸವಾಲಾಂ.

ಸ್ಡ ತನಿ​ಿ ಾಂ ಸ್ಾಂಾಲಗೊಿ .

ಖ್ಾಂಯ್!"

ಚವ್ಟತ

"ಕುಾಂಕಾಡ ಕ್ ಮೊೀಲ್ ರ್ಜಲಾ ರ್ ಫಿೀಡ್ಟಕ್ ಮೊೀಲ್ ಚಡ್ಟಿ ಾಂ ಮಹ ಣ್ ರ್ಜಲೆಾಂ" ಹ್ಯಾಂವ್ ಹಳೂ ಉಲಯ್ಲಿ ಾಂ. "ತ್ರ್ ದುಕಾರ ಚಾಂ ಫಿೀಡ್ಟಕ್ ಮೊೀಲ್ ಚಡ್ನ'ಗ್ಲೀ?" ತ ವಿಚಾರಿ. "ನಾ... ಖಾತಲೆ ಚಡ್ನ ರ್ಜಲಾ ತ್!" ಹ್ಯಾಂವಾಂ ರ್ಜಪ ದತನಾ ತ ಮೊನೆ ರ್ಜಲೆ.

ಕಾಲ್ ಸಕಾಳ್ಳಾಂಚಿ ಗರ್ಜಲ್.

'ಚಿಕನ್ ಸಾಂಟರಾ'ಕ್ ಆಯಿಲೊಿ ಎಕಿ ವಿಚಾರಿ. "ತಜಲಗ್ಲಾಂ ಕಾಟ್ಲಚ ಕಾಂರ್ಬ ಆಸ್ತಾ ?"

ಚಿಕನ್ ಸಾಂಟರಾಕ್ ವತನಾ ಮುಕಾರ್ ಮ್ಚಳ್ಳ ಕಲೆರ್ಜಕ್ ವಚ ಭುಗ್ಲಾ ಭಾರ್ಜತ ನಾ ಉಸ್ಳ್ಳ ಲೆ.

"ಆಸ್ತ್?"

"ಹ್ಯಯ್ ಫೆರ ಾಂಡ್ನಸ , ಪಳ್ಯಾ ಆಮ್ಿ ಾ ಚಿಕನ್ ಅಾಂಕಲಕ್.. ತಕಾ ಕಾಂಬಿಯ್ಲಪರಿಾಂ ತ್ಕ್ಿ ಸಪಾಯ್..." ಎಕಿ ಮಹ ಣಾಲೊ. "ತಚ ಖಾಡ್ನ ಪಳ್ಯಾ... ಾಲರ್ ಸಪಾಯ್, ಖಾಡ್ ರ್ ಮುಲಿ ಖಾಡ್ನ.." ದುಸ್ರ ಾ ನ್ ಪೊಡ್ನ್ ಘಾಲೆಾಂ. "ಆಜ್ ಚಿಕನಾಕ್ ರೆೀಟ್ ಕಶಿ ಮ್ಮು?" ತಸ್ರರ ವಿಚಾತಾನಾ​ಾಂಯ್ ರ್ಜಪ ಕಾಡಿ​ಿ ನಾ. "ಆತಾಂ ದುಕಾರ ಚೊ ವಾ​ಾ ರ್ ಕೆಲಾ ರ್ ಲೊಟಿರ ಖ್ಾಂಯ್ ಸ್ಯಾಬ ... ಕ್ಲಾ ಕ್

"ಕ್ತಾಂ ತ ಝುಜಿ ಗ್ಲೀ ಭಾ​ಾಂದತ ಚ್ ಧಾ​ಾಂವಿ ?"

ಯಾ

ಬಾಲ್

"ರ್ಜಕಾಿ ಾ ಉಪಾರ ಾಂತ್ ಪಯ್ಲಿ ಜೀಡ್ನ್ ದಾಂವಿ !" ಮಹ ಣಾತ ನಾ ತ್ಲ ಪನ್ಾಂದ ಪದಾರ ಡ್ನ. ** *** *** **** ತಾ ಎಕಾ ಸಕಾಳ್ಳಾಂ ಮಹ ಜ ಪಯ್ಲಿ ಪೊಳ್ಳ (ಪುತ್) ಧಾ​ಾಂವ್ಟನ್ ಯ್ಲೀವ್​್ ಮಹ ಣಾಲೊ "ಕಾಲ್ ಕಾಂರ್ಬಾ ನ್ ಆಮ್ಿ ಾ ತಾಂತಾಂ ದವ್ಲಾ​ಾಂ ಡ್ಟಡ್ಟ... ಆಜ್ ಆಮೊಿ ಕಾಂಬ ತಾಂತಾಂ ದವ್ರಿತ್'ಗ್ಲೀ?"

29 ವೀಜ್ ಕ ೊಂಕಣಿ

"ಅಳ್ೀ ಪುತ, ತಾಂತಯಾ​ಾಂ ದವ್ಚಿಾ​ಾಂ ಕಾಂರ್ಬಾ ನ್ ಮ್ತ್ರ . ಕಾಂಬ ದವ್ರಿನಾ"

"ಡ್ಟಡ್ಟ, ತಕಾ ಗೊತತ ಸ್ಯ್ಲ?" ತ್ಲ ಉಸೊ ಡನ್ಾಂಚ್ ಬಬಾಟೊಿ . "ಡ್ಟಡ್ಟ... ಡ್ಟಡ್ಟ.. ದಾಟಾ ರ್ಾಂಯ್ ಭಾಟ್ತಾ ವ್ಯ್ರ ರವಾಣಕ್ ಬಸ್ಿ "

"ತ್ರ್ ಕಾಂಬಾ​ಾ ನ್ ಕ್ತಾಂ ದವ್ಚಾ​ಾಂ?" "ಕಾಂರ್ಬಾ ಕ್ ರಾಂವಾಣಕ್ ಬಸಾಂವಿ ಾಂ" "ತಾಂ ಪೊಕ್ ಡ ಸ್ಾಂಾತ ಯ್... ಕಾಂಬ ಪಾಟ್ ಲಾತ ಖ್ಾಂಯ್. ತಾಂ ಕ್ತಾ ಕ್?" "ಕಾಂರ್ಬಾ ಕ್ ರಾಯಾ."

ರವಾಣಕ್

ಬಸ್ರಾಂಕ್

"ತವಾಂ ವ್ಹ ಡಲ್'ಯಿೀ ಮಹ ಳ್ಾಂಯ್... ಕಾಂರ್ಬಾ ಕ್ ರವಾಣಕ್ ಬಸ್ರಾಂಕ್ ಮಹ ಣ್. ಪುಣ್ ತಾಂತಾಂಯಾ​ಾಂ ಕ್ತಾ ಕ್?" ತಾಂತಯಾ​ಾಂ ರವಾಣಾಂತ್ ದವರ ಾಂಕ್. ಕಾಂಬಿ ಊಬ್ ದೀವ್​್ ಪ್ಲಲಾಂ ಕಾಡ್ಟತ . ನಾ ತ್ರ್ ತಾಂ ತಾಂತಾಂಯಾ​ಾಂ ತಕಾ ಆಮ್ಚಿ ಟ್ ಕರುಾಂಕ್ ಉಪಾ್ ತಾತ್... ಕಾಂಬಿ ತಾಂತಯಾ​ಾಂಚರ್ ಬಸಿ ಾಂ ಮಹ ಳ್ಯಾ ರ್ ರವಾಣಕ್ ಬಸಿ ಾಂ" ಮಹ ಣ್ ರಾ​ಾನ್ ಸ್ಾಂಾತ ನಾ ವ್ಹ ಡಿ ಪೊಳ್ಳ ಆವ್ಯ್ ಲಗ್ಲಾಂ ವ್ಚೊನ್ ತಾಂತಯಾ​ಾಂಚ ಆಮ್ಚಿ ಟ್ ಕರುಾಂಕ್ ಪಾಲಾಂವ್ ವ್ಟಡಿಲಗೊಿ . ಆವ್ಯ್ ಪಾಲಾಂವ್ ಪ್ಾಂಕಾಡ ಕ್ ಭಾ​ಾಂದುನ್ ಮಹ ರ್ಜಾ ಪಾಟಿಕ್ ಲಗ್ಲಿ , ಪುಣ್ ಹ್ಯಾಂವ್ ತ್ವ್ಳ್'ಚ್ ಖೊರೆಾಂ ಕಾಣಾ ವ್​್ ಾದಾ​ಾ ಕಡಾಂ ಪಾವ್'ಲೊಿ ಾಂ. ಾದಾ​ಾ ಕಡ ಥಾವ್​್ ಪಾಟಿಾಂ ಯ್ಲತನಾ ಪುಸುನ್ ಘಾಲೊಿ ಪೊಳ್ಳ ಧಾ​ಾಂವ್ಟನ್ ಆಯ್ಲಿ .

"ಹ್ಯಾಂ" ಹ್ಯಾಂವ್ ಹ್ಯಾಂಕೆರ ಲೊಾಂ. ಹ್ಯಾಂವ್ ಪುತ ಸ್ಾಂಾತ ಗೊಟ್ಲಾ ಕ್ ಪಾವಾತ ನಾ ವ್ಹ ಡಿ ಪೂತ್ ಭಾಟ್ತಾ ವ್ಯ್ರ ಬಸ್ರನ್ ಜಮ್ಚತಲೊ. "ಪುತ, ತಾಂ ಕ್ತಾಂ ಕನ್ಾ ಆಸ್ಯ್ ಬಾ... ಊಟ್..." "ಹ್ಯಾಂವ್ ಆಸ್ಾಂ"

ತಾಂತಯಾ​ಾಂ

ದವ್ನ್ಾ

"ಅಳ್ೀ ಪುತ, ತಾ ಭಾಟಿಯ್ಲಾಂತ್ ಕಾಂರ್ಬಾ ಚಿಾಂ ತಾಂತಯಾ​ಾಂ ಆಸ್ತ್. ತಚರ್ ಬಸ್ನಾಕಾ... ಅರೆೀ ತಾಂತಯಾ​ಾಂ ದವರ ಾಂಕ್ ಭಾಟಿ ನಾಕಾರೆೀ ಆಪಾ. ಭಾಟ್ತಾ ಾಂತ್ ಕಾಂಬಿ ತಾಂತಯಾ​ಾಂ ದವರ ಾಂದ.. ತಾಂ ಯ್ಲೀ. ತ ಆತಾಂ ರವಾಣಕ್ ರ್ಜಲಾ " "ಹೊೀ... ಹ್ಯಾಂವಾಂ ತಾಂತಯಾ​ಾಂ ದವ್ಲಾ ಾರ್ ರ್ಜಯಾ್ ಯ್ಲ?" "ಕ್ತಾ ಕ್?" "ರವಾಣಕ್ ಬಸ್ರಾಂಕ್" "ಮನಿಸ ತಾಂತಾಂ ದವ್ರಿನಾರೆೀ ಆಪಾ... ಕಾಂರ್ಬಾ ನ್ ಮ್ತ್ರ ತಾಂತಯಾ​ಾಂ ದವ್ಚಿಾ​ಾಂ."

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"ತರ್ಜಾಂ ಬಾಂಡಲಾಂ... ಆಮ್ಿ ಾ ಬೂಕಾ​ಾಂತ್ ಆಸ್... ಸತ್ತ ... ತ್ಲೀಮಸ ಆಲಾ ಎಡಿಸನಾನ್ ರಾಂವಾಣಕ್ ಬಸ್ರನ್ ತಾಂತಾ ಾಂಕ್ ಊಭ್ ದಲಿ​ಿ , ತ್ಶಾಂ ಕನ್ಾ ಕನ್ಾ ತ್ಲ ಮ್ಗ್ಲರ್ ತ್ಲ ಏಕ್ ವ್ಹ ಡ್ನ ವಿರ್ಜಾ ನಿ ರ್ಜಲೊ ಖ್ಾಂಯ್. ಮ್ಕಾ ಗೊತತ ನಾ​ಾಂಯ್ಲೀ! ಹ್ಯಾಂವ್ ರವಾಣ ವ್ಯ್ಲಿ ಉಟ್ಲನಾ... ಹ್ಯಾಂವಿೀ ವಿರ್ಜಾ ನಿ ರ್ಜತಾಂ" ತ್ಕೆಿ ಕ್ ಹ್ಯತ್ ಮ್ರಿತ್ತ ಹ್ಯಾಂವ್ ಘರಾ ಭಿತ್ರ್ ರಿಾತ ನಾ ವ್ಹ ಡಿ ಪೊಳ್ಳ ರಡನ್ ಭಿತ್ರ್ ಆಯ್ಲಿ . ತ್ಲಾಂಡ್ಟರ್ ಬಕಲೆಾಲೆ ಘಾಯ್ ಆಸಿ , ಆನಿ ತಾಂತಾಂ ರಾತ್ ವಾಹ ಳ್ಯತ ಲೆಾಂ. "ಕ್ತಾಂ ರ್ಜಲೆಾಂ ಪುತ?" "ಆಜ್ ತವಾಂ ತಾ ಕಾಂಬಿಯ್ಲಕ್ ಲಾಡ್ನ ಕಾಡಿಜ. ಆನಿ ತಚ ಪಾ​ಾಂಯ್ ಚಿಾಂವ್ಟನ್ ಹ್ಯಾಂವಾಂ ಸಾಂತ್ಲಸ ಪಾವಾಜ" "ಹೆ ಕಸಲೆ ಘಾಯ್ ತರ್ಜಾ ತ್ಲಾಂಡ್ಟರ್?" "ತ ದಳ್ಳಾ ರ್ ಕಾಂಬಿ ಬಬಾಟನ್ ಆಯಿ​ಿ , ಆನಿ ಮಹ ಜರ್ ಉಡಿ​ಿ . ಪಾ​ಾಂಯಾ​ಾಂನ್ ತಚಾ​ಾ ಬಕಲೆಾ​ಾಂ, ಬಾಂಚಿನ್ ಮಹ ಜ ಕೆೀಸ ವ್ಟಡಿ . ಹ್ಯಾಂವ್ ಧಾ​ಾಂವ್ಟನ್ ಆಯ್ಲಿ ಾಂ... ಕಾಂಬಿ ಪಾಟ್ಲಿ ಾ ನ್ಾಂಚ್... ಭಿತ್ರ್ ಆಯಿಲಿ ಾ ನ್ ವಾ​ಾಂಚೊಿ ಾಂ. ಆಜ್ ಕಾಂಬಿ ತವಾಂ ಮ್ರಿಜಚ್ಿ " ಮಹ ಣ್ ರಡ್ಟತ್ತ ಆವ್ಯ್ ಸಶಿಾ​ಾಂ ಗ್ಲಲೊ. ತಣಾಂ ಬಬಾಟಾಂಕ್ ತಳ್ಳ ಕಾಡಿ ಚ್. "ಕಸಲಾ ಪೂರಾ ಭಾಸ ನಾತಿ ಾ ಮನಾ​ಾ ತಾಂಕ್ ಪೊಸ್ತ ಯ್... ವ್ಹ ಚ್ ಆತಾಂಚ್ ವ್ಹ ಚ್...

ಆನಿ ಎಕಾ ತ್ಬಾ್ ಾಂತ್ ಕಾಂಬಿಯ್ಲಚ ಶಿಸ ಹ್ಯಡ್ನ" ಹೆರದಚಾ​ಾ ಸಾ ೈಲಿರ್ ಸ್ಾಂಾತ ನಾ ಏಕ್ ತ್ಬ್​್ ಘೆವ್​್ ಹ್ಯಾಂವ್ ರವಾಣಚಾ​ಾ ಕಾಂಬಿಯ್ಲ ಸಶಿಾ​ಾಂ ಪಾವ್ಟಿ ಾಂ. ತಣಾಂ ಪಾಕಾಟ್ತ ಪುಲವ್​್ ತಾಂತಾಂಯಾ​ಾಂ ಸ್ಾಂಬಾಳ್ಯತ ಮಹ ಣಾತ ನಾ, ಕಾಂಬಿಯ್ಲಚ ಶಿಸ ಹ್ಯಾಂವಾಂ ಕಾತ್ನ್ಾ ಸ್ರಡಿ ಾಂ. ಹ್ಯಾಂವಾಂ ತಾಂ ತ್ಬ್​್ ಹ್ಯಡಿ ಾಂ ಆನಿ ಪುತಲಗ್ಲಾಂ ದಲೆಾಂ. ತಣಾಂ ವ್ಹ ನ್ಾ ತಾಂ ತಚಾ​ಾ ಆವ್ಯ್​್ ದಲೆಾಂ. "ಹೊ ತ್ಕೆಿ ಾಂತ್ ಅಸ್ ತ್ ರ್ಜಲ... ಸಕಾಳ್ಳಾಂ ಉಟೊನ್ ಕಾಂಬಿ, ತಾಂತಾಂ, ರವಾಣಿ ಮಹ ಣ್ ಭುಾ​ಾ ಾಲಗ್ಲಾಂ ನಾಕಾ ರ್ಜಲೆಿ ಾಂ ಉಲಯಾತ ಲೊ. ಆತಾಂ ರವಾಣಚಾ​ಾ ಕಾಂಬಿಯ್ಲಕ್ ರ್ಜವಶಿಾಂ ಮ್ನ್ಾ ಆಯಾಿ ಮೂ? ಕಣಾಂಯ್ ತಕಾ ಮ್ಟ್ ಕರುಾಂಕ್ ನಾಮೂ!" ತ ಬಬಾಟಿ​ಿ ಚ್. ತಕಾ ತಣಾಂಚ್ ಅತತ ಾಂಚಾ​ಾ ಅತತ ಾಂ ಸ್ಾಂಗ್'ಲೊಿ ಉಾಡ ಸ ನಾತ್ಲಿ . ಹ್ಯಾಂವ್ ಹಳೂ ಪಾಟ್ಲಿ ಾ ಪಾ​ಾಂಯಾ​ಾಂನಿಾಂಚ್ ಸ್ರಪಾ​ಾ ಕ್ ಪಾವ್ಟಿ . ಮಹ ಜ ಪುಸುನ್ ಘಾಲೊಿ ಪೊಳ್ಳ, ಮಹ ರ್ಜಾ ಮ್ಾಂಯ್​್ ಭೊೀವ್ ಚಡ್ನ ಮೊಾಚೊ. ನಿದ್'ಲೆಿ ಕಡ ಥಾವ್​್ ಾಂಚ್ ತಣಾಂ ತಕಾ ಆಪಯ್ಲಿ ಾಂ. ತ್ಲ ಧಾ​ಾಂವಾ ಧಾ​ಾಂವಿ ಪಾವ್ಟಿ ಚ್. "ಆಜ್ ಖ್ಾಂಚೊ ದೀಸ ಪುತ?" "ಆಜ್ ರ್ಸಾ ಡೀ ಮ್ಾಂಯ್!" "ರ್ಸಾ ಡೀ ಮಹ ಳ್ಯಾ ರ್?" ತ ವಿಚಾರಿ. ಹ್ಯಾಂವಾಂ ಮಹ ಳ್ಾಂ ಆಜ್ ರ್ಬರ ೀಸ್ತ ರ್

31 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮ್ಾಂಯ್" ಹ್ಯಾಂವ್ ಹಳೂ ಆಾಂಾ್ ಕ್ ಗ್ಲಲೊಾಂ.

ನಿದನ್ ಘರ್ ರಾಕೆಿ ಾಂ ಕಾಮ್ ಕಚಾ​ಾಂ ಬರೆಾಂ.

"ಅಳ್ೀ ಪುತ... ತರ್ಜಾ ಮ್ಮ್ಚೊ ಡ್ಟಾ ಡಿ ಲಗ್ಲಾಂ ಸ್ಾಂಗ್. ಕಶಿಯಿೀ ಕಾಂಬಿ ಮ್ಲಿಾ ಪಳ್... ಆಜ್ ಭಾರಿ ಗಮೊ ತ್ ಕರಾ. ಆಯ್ಲಿ ದೀಸ ಬರ ದೀಸ. ಮ್ಹ ಕಾ ಸಾ ಪಾಣ್ ಪಡಿ ಾಂ ಪುತ... ಆಜ್ ತರ್ಜ ಮ್ಮ್ಚೊ ಡ್ಟಡ್ಟ ಸ್ಾಂಾತ ರ್ಬರ ೀಸ್ತ ರ್ ಆಚಸ್ಾಲಾ ರ್ ತಮ್​್ ಾಂ ಅನೆಾ ೀಕ್ 'ಬಾಯ್' ರ್ಜತ ಖ್ಾಂಡಿತ್!"

"ತಾಂ ವ್ಹ ಚ್ ಪುತ... ಆನಿ ಮ್ಮ್ಚೊ ಕಡ ಸ್ಾಂಗ್... ತಕಾ ಕಾ​ಾಂಯ್ ಸ್ಣಿಾ ಕುಾಂಟೊ ಸ್ರಧುಾಂಕ್ ಸಲಿೀಸ ರ್ಜತಲೆಾಂ" ಮಹ ಣ್ ಪುತಕ್ ಭಿತ್ರ್ ಧಾಡ್ನ್ ಸ್ರಡಿ ಾಂ. ಹ್ಯಾಂವಾಂ ಹ್ಯಸ್ರನ್ ಬಾರಾ ರ್ಬರ ೀಸ್ರ ರಾಚಿ ರ್ಜಣಿ ನಿಯಾಳುನ್ ಚಿಕನ್ ಸಾಂಟರಾ ಕುಶಿಕ್ ಮ್ಚಟ್ಲಾಂ ಕಾಡಿ​ಿ ಾಂ.

ಧಾಕಾ ಪುತ್ ಧಾ​ಾಂವ್ಟನ್ ಯ್ಲೀವ್​್ ಮಹ ರ್ಜಾ ಕಾನಾ​ಾಂತ್ ಸ್ಾಂಾಲಗೊಿ . ಹ್ಯಾಂವ್ ಹ್ಯಾಂಕೆರ ಲೊಾಂ.

ಸ್ಾಂಜರ್ ಪಾಟಿಾಂ ಯ್ಲತನಾ ಮ್ಚಲಿ​ಿ ರವಾಣಚಿ ಕಾಂಬಿ ಆಸ್ ತ್ಶಿಚ್ ತ್ಬಾ್ ಾಂತ್ ಆಸ್ರನ್ ಮಹ ರ್ಜ ವಾಟ್ ರಾಕನ್ ಆಸ್ಿ .

"ಆಜ್ ಸಕಾಳ್ಳಾಂಚ್ ಸುರು ರ್ಜಲಾಂ, ಬಾಯ್ಿ ದಾ​ಾಂತ್ ಖಿಲ್ಲಾ​ಾಂನ್ಾಂಚ್ ಆಸ್ಿ . ಬಾರಾ ರ್ಬರ ೀಸ್ತ ರ್ ಆನಿ ತರಾ ಸುಕಾರ ರ್. ಸ್ಾಂಜರ್ ಸ್ಾಂಾತ ಆಸ್ಿ ಾ ಕ್ೀ - ಪಾಂಚು, ಬಾಂಟ್ಲಾ ಳ್. ಹ್ಯಾಂವಾಂ ಸ್ರಪಾ​ಾ ರ್ ಎಟ್ಲಾ ಬರಿ ------------------------------------------------------------------------------------------

32 ವೀಜ್ ಕ ೊಂಕಣಿ

6. ಕಂಕಿ ಕಾವಾ​ಾ ಂ ಆಸ್ಾ ೀನ್ ಡಿಸ್ರೀರ್ಜ ಪರ ಭು ಕಾಂಕ್​್ ಸ್ಹತ್ಾ ಆನಿ ಚಡ್ನ ಕರ್​್ ಪತರ ಕೀದಾ ಮ್ ಸಾಂಸ್ರಾ​ಾಂತ್ ವ್ಹ ಡ್ನ ನಾ​ಾಂವ್ ಆಪಾಿ ಾ ಸಬಾರ್ ತಾಂಪಾ​ಾಂಚಾ​ಾ ಚುಟ್ ಲ್ ಸಾಂರಚನಾ​ಾಂಕ್ ಎಕಾ​ಾ ಾಂಯ್ ಕರ್​್ ವ್ರ್ಜರ ಾಂ ಸ್ಾಂಟೊ ತಣ ಆಯ್ಲತ ಕೆಲೊ. ಚಿಂತಾ್ ಂಚಿ ಧಾಂವಿ​ಿ ಚಿಾಂತ್ ಾಂ ಇತಿ ಾ ವಾನ್ ಧಾ​ಾಂವಾತ ತ್ ಎಕ್ಚ್ ಏಕ್ ಆವ್ಾ ಡ್ನ ಘಡನಾ ತಾ ಚ್ಪರಿಾಂ ಜರ್ ವಾಹನ್ ಧಾ​ಾಂವಾಡ ಯ್ಲಿ ಾಂ, ರ್ಜವಾಚಿ ಕ್ತಾಂಚ್ ಭದರ ತ ನಾ ಪಾರ ಯ್ ಜ್ಂವಿೊ

ಜನಾ್ ತಕಾ ಎಕಾ ಪಾ​ಾಂಯಾರ್ ಉಬ ರಾ​ಾಂವನ್ ಮೊಚಾ​ಾ ಚ ನಾಡ ಬಾ​ಾಂದುಾಂಕ್ ರ್ಜಯಾ್ ಾಂತ್ ತನಾ್ ತವಾಂ ಸಮೊಾ ಾಂಕ್ ರ್ಜಯ್ಗ್ಲೀ ತಕಾ ಪಾರ ಯ್ ರ್ಜವ್​್ ಆಯಿ​ಿ ಜ ಸ್ ಸ್ದಾ ಕಟ್ತಾ , ಆಮ್ಿ ಾ ಕಾಳ್ಯಚಾ​ಾ ಉದತಾ ಕವಿಾಂ ಪಯಿ್ ಎಕಿ . ತಚಾ​ಾ ಕವಿತಾಂಚ ದೀನ್ ಪುಾಂಜ ಎದಳ್ಚ್ ಪರಾ ಟ್ಲಿ ಾ ತ್. ತಚಾ​ಾ ‘ಮೊರಾನ್ ಸ್ಾಂಡಿ ಲಿಾಂ ಪಾಕಾ​ಾಂ’ ಸಾಂಗರ ಹ್ಯಾಂತ್ ದೀನ್ ಅವ್ಾ ಲ್ ಚುಟ್ ಲಾಂ ಮ್ಹ ಕಾ ವಾಚುಾಂಕ್ ಮ್ಚಳ್ಳಳ ಾಂ ಫಾಯ್ಲಾ ಹ್ಯಾಂವ್ ಬುಡಿ ಾಂ ಹೊಡಾಂ ಮಹ ಣ್ ಚಿಾಂತನ್ ತಾಂ ಭಾಯ್ರ ಉಡ್ನಲೆಿ ಾಂಚ್ ಮಹ ಜಾಂ ಹೊಡಾಂ ಉಪ್ಾ ವ್​್

33 ವೀಜ್ ಕ ೊಂಕಣಿ

ತ್ಡಿಕ್ ಪಾವಿ ಾಂ (ಪಾ ೪೭, ಮೊರಾನ್ ಸ್ಾಂಡಿ ಲಿಾಂ ಪಾಕಾ​ಾಂ; ಜ ಸ್ ಸ್ದಾ ಕಟ್ತಾ ಕಾಮ್ಚಾಲಿತ್; ಧಾ​ಾ ನ್ವ್ನ್ ಪರ ಕಾರ್ನ್,ರ್ಬಾಂಗುಳ ರ್-೨೦೧೧) ಹೆಾಂ ಚುಟ್ ಲ್ ಆನಿ ತತಿ ಾಂ ಉತರ ಾಂ ಉಣಿಾಂ ಕರ್​್ ಮ್ಾಂಡಯ್ಲತಾಂ ಕಾ​ಾಂಯ್ ಅಶಾಂ ಮ್ಹ ಕಾ ಭೊಾಿ ಾಂ ವ್ಹ ಯ್ ತ್ರಿೀ ಮಹ ನಾಿ ಾ ರ್ಜವಿತಾಂತಿ ಾಂ ಸ್ರಾ ಕಾಳ್ಳಕ್ ಸತ್ ಮ್ಾಂಡಿ ಲಿ ರಿೀತ್ ಆನಿ ಘುಾಂವಡ ಚಿ ಸ್ರಭಾಯ್ ಕಾ​ಾಂಯ್ ಉಣಿ ನಾ. ತಚಾಂಚ್ ಆನೆಾ ೀಕ್ ಚುಟ್ ಲ್ ಮ್ಹ ಕಾ ಖ್ರಾ​ಾ ನ್ ಬರೆಾಂ ರುಚಿ ಾಂ ಪೊಸಸ್ವ್ ಘೊವಾಕ್ ಬಾಯ್ಲಿ ಚೊ ಮೊೀಗ್ ಇತ್ಲಿ ಯ್ ಜಬಬ ರ್ ರ್ಜಲೊ ತಣ ತಕಾ ನ್ವ್ಟಚ್ ಬುರಾ್ ವ್ಟಲಯ್ಲಿ (ಪಾ 45, ಮೊರಾನ್ ಸ್ಾಂಡಿ ಲಿಾಂ ಪಾಕಾ​ಾಂ; ಜ ಸ್ ಸ್ದಾ ಕಟ್ತಾ ಕಾಮ್ಚಾಲಿತ್; ಧಾ​ಾ ನ್ವ್ನ್ ಪರ ಕಾರ್ನ್,ರ್ಬಾಂಗುಳ ರ್-೨೦೧೧) ಪಾನಾ ಪಾನಾ​ಾಂನಿ ವಿವ್ರುಯ್ಲತ್ ರ್ಜಲೆಿ ಾಂ ಚಾರ್ ಸ್ಲಿಾಂನಿ ಇಕಾರ ಉತರ ಾಂನಿ ರಾಂಬಾಂವಿ​ಿ ಶಾಥಿ ಹ್ಯಾಂಾ ಸ್ರಭಿತ್ ಕರ್​್ ಭಾಯ್ರ ಹ್ಯಡ್ಟಿ ಾ . ಕಾಂಕ್​್ ಭಾಂವಾರಾ​ಾಂತ್ ‘ನಾ​ಾಂವ್ ಚಾಲೆತ ರ್ ಆಸ್ರಾಂಕ್ ರ್ಜಯ್’ ಮಹ ಳ್ಳಳ ಮನಾತತ ಆಸ್. ತಾ ವಾವಾರ ಾಂತ್ ರಾಶಿನ್ ಆಸ್ಿ ಾಂ ಪತರ ಾಂ, ಸಾಂಘಸಾಂಸ್ಿ ಾ ಾಂಚಿಾಂ ತ್ಶಾಂಸ ಫಿರಾ ರ್ಜಾಂಚಿಾಂ ಮುಕ್ಪತರ ಾಂ ವ್ಹ ಡ್ನ ತ್ಲಾಂಕ ದತತ್. ಆನಿ ಸಲಿೀಸ್ಯ್ಲನ್ ನಾ​ಾಂವ್ ಛಾಪೊನ್ ಯ್ಲೀಾಂವ್​್ ಚುಟ್ ಲಾಂ ಆದಾರಿ ರ್ಜತತ್.

ರುಕಾಕ್ ಫಾ​ಾಂಟೊ ಗುಲೊಬಾಚೊ ಕಾ​ಾಂಟೊ ದೀ ಮಹ ರ್ಜಾ ಆಸ್ತ ಚೊ ವಾ​ಾಂಟೊ ನಾತಿ ಾ ರ್ ಪಾಯ್ ಮೊಡಾಂಕ್ ತ್ಯಾರ್ ಆಸ್ ಸ್ರಾಂಟೊ ಾ​ಾಂವ್ ಮಹ ಜ ಕಾರಾ​ಾ ರ್ ಸ್ರಿಾ ಸ ಮ್ಹ ಕಾ ತರಾ​ಾ ರ್ ಕಾರ್ಜರ್ ರ್ಜಲೊಿ ಾಂ ಬರಾೊ ರ್ ಬಾಯ್ಿ ಮಹ ರ್ಜ ಸ ಮಹ ಯಾ್ ಾ ಾಂಚಿ ಗುರಾ​ಾ ರ್ ಅಸಲಾ ರಾಸ ರಾಸ ಚುಟ್ ಲಾಂನಿ ಉತರ ಾಂ ಗ್ಲರ ೀಸತ ಕಾಯ್ ರ್ಜಾಂವ್, ಘುಾಂವಿಡ ದಾಂವಿ​ಿ ಶಾಥಿ ರ್ಜಾಂವ್, ವ್ಾ ಾಂಗ್ಾ ಸ್ರಭಾಯ್ ರ್ಜಾಂವ್ ಕ್ತಾಂಚ್ ದಸ್ನಾ. ‘ಚುಟ್ ಲಾಂನಿ ಚಾರ್ ಸ್ಲಿ ಆನಿ ಅಾಂತ್ಾ ಪಾರ ಸ ಆಸ್ಿ ಾ ರ್ ರ್ಜಲೆಾಂ’ ಮಹ ಣಿ​ಿ ಏಕ್ ಆಾಂದಳ ಪಾತಾ ಣಿ ಹ್ಯಾಂಾ ದಸ್ರನ್ ಯ್ಲತ. ‘ಆಪ್ಲಿ ಾಂ ಚಾರ್ ಚುಟ್ ಲಾಂ ಛಾಪೊನ್ ಆಯಿ​ಿ ಾಂ’ ಮಹ ಳ್ಯಳ ಾ ಉಪಾರ ಾಂತ್ ಮ್ಗ್ಲರ್ ಶಿಕಾಂಕ್ ಆಶತ ಕೀಣ್? ಆಮ್ಚಿ ಾಂ ನಾ​ಾಂವ್ ಫಾಮದ್ ಕರಾಿ ಾ ಸುರಾ​ಾ ಯ್ಲ ಹೊರಬ ಸ್ಕ್ ವ್ಹ ಡ್ನ ಆದಾರಿ ರ್ಜಾಂವಿ​ಿ ಾಂ ಚುಟ್ ಲಾಂ ಮ್ತ್ರ ಹ್ಯಾ ಅಖಾಯ ಾ ಪರ ಕ್ರ ಯ್ಲಾಂತ್ ನಿರಾಧಾರಿ ಚುಟ್ ಲಾಂಚಿ ವಾ​ಾ ಪತ ೨೦-೨೫ ಉತರ ಾಂಚಿ ೩-೪ ಥಾವ್​್ ೭-೮ ಸ್ಲಿಾಂ ಭಿತ್ರಿ​ಿ . ತ್ಶಾಂ ಮಹ ಣಾತ ನಾ​ಾಂ ಸಹಜ್ಪಣಿ ಬಳ್ಾ ಾಂತ್ ಉತರ ಾಂಕ್ ಬಳ್ಾ ಾಂತ್ಪಣಿ ವಾಪಾರಿ​ಿ ಶಾಥಿ ಆಸಲೊಿ ಮ್ತ್ರ ಹ್ಯಾಂಾಸರ್ ರ್ಜಕಾತ . ಉತರ ಾಂ ವಾಪಾರಿ​ಿ ಾಂ ಮಹ ಳ್ಯಾ ರ್ ಚಡ್ನ ಆನಿ ಚಡ್ನ ಉತರ ಾಂ ಕಳ್ಳತ್ ಆಸಿ ಾಂ ಚುಟ್ ಲ್ಾರಾಕ್

34 ವೀಜ್ ಕ ೊಂಕಣಿ

ಬೀವ್ ಗರೆಾ ಚಾಂ. ಆಜ್ ಇಾಂಗ್ಲಿ ೀಷ್ಮನ್ ಅಖಾಯ ಾ ಸಾಂಸ್ರ ಾಂತಿ ಾ ಸರ್ಾ ಭಾಸ್ಾಂಕ್ ಆನಿ ತಾಂಚಾ​ಾ ಸಬಾ​ಾ ಾಂ ಭಾಂಡ್ಟರಾ​ಾಂಕ್ ಮ್ರ್​್ ಉಡಯಾಿ ಾಂ ಆಸ್ತ ಾಂ; ಬಾನೆ್ , ಚಾನೆ್ , ಕಾನೆ್ , ಾನೆ್ , ಮ್ನೆ್ , ರ್ಜನೆ್ , ಪಾನೆ್ ಸಲಿೀಸ್ಯ್ಲನ್ ಮ್ಚಳ್ಯನಾ​ಾಂತ್. ಎಕಾ ಭಾಷ್ಕ್ ವ್ಳ್ಳ್ ಾಂಚಾಂ ಕಾಮ್ ಸುರಾ​ಾ ತಾಂಕ್ ತಾ ಭಾಷ್ಚಾಂ ಸ್ಾಂಸ್ ೃತಕ್ ಸಾಂರಚನ್ ವ್ಳ್ಳ್ ಾಂಚ ದಾ​ಾ ರಿಾಂ ಸುರಾ​ಾ ತಾಂಕ್ ರ್ಜಯ್. ಚುಟ್ ಲಾಂಚೊ ದುಸ್ರರ ಗೂಣ್ ಕಲತ್ೊ ಕ್ ಆನಿ ವ್ಾ ಾಂಾ​ಾ ತ್ೊ ಕ್ ಘುಾಂವಿಡ . ಹ್ಯಾ ಕಾವಾ​ಾ ಪರ ಕಾರಾ​ಾಂತ್ ರೀಸ ಉಜಬ ಾಂವಿ​ಿ ಕ್ರ ಯಾ ವ್ಾ ಾಂಾ​ಾ ದಾ​ಾ ರಿಾಂ ರ್ಜಯಾ ಯ್. ವ್ಕರ ೀಕ್ತ ಚುಟ್ ಲಾಂಚೊ ರ್ಜೀವ್. ತ್ಶಾಂ ಮಹ ಣಾತ ನಾ ಚುಟ್ ಲಾಂಚೊ ಉದಾ ೀಶ್ ಫಕತ್ತ ಹ್ಯಸ್ರವ್​್ ಉಡಾಂವ್ಟಿ ನ್ಹ ಾಂಯ್ ಗೂಾಂಡ್ನ ರ್ಜಣಾ ದಷ್ಮಾ ವ್ಟ ಆಣಿ ರ್ಜನಿತ ತ್ತಾ ಾಂ ಆಟ್ಲಪುನ್ ಆಸ್ಿ ಾಂ ಚುಟ್ ಲಾಂ ಚಾರ್ಕಾಳ್ ಖ್ಾಂಡಿತ್ ಉರಾತ ತ್, ನಾತಿ ಾ ರ್ ವಗ್ಲಾ ಾಂಚ್ ಬಾವಾತ ತ್. ಭಾರತಾಂತಿ ಾ ನ್ ಮಹ್ಯಯನಾ ಬುದಾ ಧರ್ೊ ಜನಾ್ ಸ್ನಾ​ಾ ದಶಾಕ್ (ಚಾಯಾ್ ) ಪಾವ್ಟಿ ರ್ಾಂಯಸ ರ್ ಆಸ್ತ ತಾ ಾಂತ್ ಆಸಲಿ ಾ ಪಾರ ಕಾತ ನ್ ತ್ತ್ಾ ಶಾಸ್ತ ರೀಯ್ ಆನಿ ಮಹ ನಾಿ ಾ ಶಾಸ್ತ ರಾಚಾ​ಾ ಸಾಂಯ್ಲೀಾನ್ ನ್ವಾ​ಾ ಚ್ ಧರ್ೊ ಶಾಸತ ರಾಚಾಂ ರುಪಾವ್ಣ್ ರ್ಜಲೆಾಂ. ಹ್ಯಾ ರುಪಾವ್ಣಕ್ ಉತರ ಾಂವ್​್ ‘ಜನ್​್ ’ ಮಹ ಣಿ ಾಂ ನ್ವಾಂ ಕಾವಾ​ಾ ರೂಪ ಉದಲೆಾಂ. ಸುಮ್ರ್ ಕ್ರ ಸ್ತ ರ್ಕೆಚಾ​ಾ ಚವಾತ ಾ ಶಕಾಡ ಾ ಥಾವ್​್ ಜನ್​್ ಚುಟ್ ಲಾಂ ಸಾಂಪರ ದಾಯ್ ವಾಡನ್ ಆಯಾಿ .

ಆಜೂನ್ ತ್ಲೀ ಲೊಕಾಮೊಾಳ್ ಆಸ್.

ಬೀವ್

ಪ್ಲಸ್ರಳ್ಾಂ ಆನಿ ಫುಲ್ ಮನಿಾಂ ಕಾ​ಾಂಯ್ ನಾ’ಶಾಂ ಪ್ಲಸ್ರಳ್ಯಾ ಕ್ ಆಪವ್ ಾಂ ದಲೆಾಂ ಫುಲನ್ ಮನಿಾಂ ಕಾ​ಾಂಯ್ ನಾ’ಶಾಂ ಪ್ಲಸ್ರಳ್ಾಂ ಭೆಟ್ತಿ ಾಂ ಫುಲಕ್ ಫುಲ್ ಉಗ್ಲತ ಾಂ ರ್ಜತ, ಪ್ಲಸ್ರಳ್ಾಂ ಉಬನ್ ಯ್ಲತ ಪ್ಲಸ್ರಳ್ಾಂ ಉಬನ್ ಯ್ಲತ, ಫುಲ್ ಉಗ್ಲತ ಾಂ ರ್ಜತ ಹ್ಯಾಂವ್ ಹೆರಾ​ಾಂಕ್ ನೆಣಾ​ಾಂ ಹೆರ್ ಮ್ಹ ಕಾ ನೆಣಾ​ಾಂತ್ ನೆಣಾ ಆಸ್ತ ಾಂ ಆಮ್ಚ ಪರ ಕೃತ ಪಾಟ್ಲಿ ವ್ ರ್ಜಣಾ​ಾಂವ್ (ಭಾಷ್ಮಾಂತ್ರ್: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ) ಆಳ್ಳಿ ಬೀವ್ ಆಳ್ಳಿ ಮಹತಾ ಕಾ​ಾಂಕ್ಿ ರ್ಜವಾೊ ಕ್ ಸಾಂಸ್ರ್ ಆಪ್ಲಿ ಕಾಳ್ಳಾ ಆಪುಣ್ ಕರುಾಂ ಮಹ ಣ್ ಸ್ರಡಿ ಾಂ ಹ್ಯಾಂವಾಂ. ಧಾ ದಸ್ಾಂಕ್ ಪುರ ಚಿಲಾಂತ್ಲಿ ತಾಂದುಳ್ ರಾ​ಾಂದ್ ಪೊರಾಿ ರ್ ಸುಕ್ಾಂ ರ್ಬತಾಂ ಕ್ತಾ ಖ್ಾಂತ್ ಪಾರ ಾಂಜಲ್ ಉರ್ಜಾ ಡ್ಟಚಿ, ರ್ಜಣಾ​ಾ ಯ್ಲಚಿ ಪಾಕಾ​ಾ ರ್ ಹ್ಯಾ ರಾತಾಂ ರ್ಜಾಂವಾಿ ಾ ಪಾವಾಳ ಾ ಆವಾರ್ಜಕ್ ಕಾನ್ ದೀವ್​್ ಸುಶಾನ್ ಬಸ್ಿ ಾಂ ಹ್ಯಾಂವ್, ದೀನ್ಯಿೀ ಪಾ​ಾಂಯ್ ಲಾಂಬ್ ಸ್ರಡ್ನ್ (ಭಾಷ್ಮಾಂತ್ರ್: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ)

35 ವೀಜ್ ಕ ೊಂಕಣಿ

ಚಡ್ನ ರ್ಜವ್​್ ‘ಜನ್​್ ’ ಆಸ್ರನ್ ನಾ ಆಸ್ ರ್ಜಾಂವ್​್ ಸಕಾಿ ಾ ಸ್ದಾ​ಾ ಾಂತಾಂಚರ್ ತ್ಳ್ ರ್ಜವ್​್ ಆಸ್.(ಷ್ಮಾ ದ್ ಆಸ್ತ ನಾಸ್ತ ) ಜನಾ್ ಹ್ಯಾಂವ್ ಆಸ್ರನ್ಯಿೀ ನಾ ಆಸ್ಿ ಾ ಸಾಂಯಾಭ ಾಂತ್ ರುಪ್ಲತ್ ರ್ಜಾಂವ್​್ ಸಕಾತ ಾಂ ತನಾ್ ಮಹ ರ್ಜಾ ಅಸ್ತ ತಾ ಕ್ ವಿಶೀಸ ಬಳ್ ಯ್ಲೀಾಂವ್​್ ವಾಟ್ ಸಲಿೀಸ ರ್ಜತ. ‘ಹ್ಯಾಂವ್ ಮಹ ಳ್ಳಳ ಅಡ್ ಳ್ ನಾ ರ್ಜವ್​್ ಉರ್ಜಾ ಡ್ಟಚೊ ವಾಹ ಳ್ಳ ನಿತ್ಳ್ ಭಿತ್ರ್ ರಿಾತ , ಮಹ ಳ್ಳ ಾಂ ತ್ತ್ಾ ಹ್ಯಾಂಾ ಆಸ್. ಜಲಲ್ಲದಾ ೀನ್ ಮಹಮೊ ದ್ ಭಾಲಿ್ (೧೨೦೭ – ೧೨೭೩)ಮಹ ಣೊಿ ಪರಿ​ಿ ಯನ್ ಕವಿ, ತ್ತ್ಾ ಶಾಸ್ತ ರ ಮ್ವಾಿ ನ್ ರುಮ್ಚ ಮಹ ಣೊನ್ಾಂಚ್ ನಾಮ್ಚ್ ಚೊ ರ್ಜಲ. ತಣ ಹ್ಯಾ ಚುಟ್ ಲಾಂ ವಿದಾನಾನ್ಾಂಚ್ ಆಪ್ಿ ಾಂ ತ್ತ್ಾ ಶಾಸ್ತ ರರ್ ಪರಾ ಟ್ತಿ ಾಂ ಅಶಾಂ ಕಳ್ಳನ್ ಯ್ಲತ. ತಚಿಾಂ ದೀನ್ ಚುಟ್ ಲಾಂ ಪಳ್ವಾ​ಾ ಾಂ. ಎಕಾ​ಾಂತ್ ಅತೊ ಾ ಉಲಿ ಸ ಎಕಾ​ಾಂತಾಂತಿ ಾ ನ್ ಮ್ತ್ರ ಯ್ಲತ ದಕುನ್ಾಂಚ್ ರ್ಜಣಾರಿ ಬಾ​ಾಂಯ್ತ ಲಾ ಗುಾಂಡ್ಟಯ್ಲಕ್ ಆಾಂವಡ ತ. ತಾ ಗುಾಂಡಿಯ್ಲಾಂತ್ಲಿ ಕಾಳ್ಳಕ್ ಮ್ತ್ರ ಹ್ಯಾಂಾ ವ್ಯಾಿ ಾ ಕಾಳ್ಳಕಾಕ್ ಮ್ರುಾಂಕ್ ಸಕಾತ . ಜ ಸಾಂಸ್ರ ಮ್ಚಟ್ಲಾಂ ಪಾಟ್ಲಿ ವ್ ಕರಾತ ತ್ಲ ತ್ಕ್ಿ ಆಪ್ಲಿ ಶಾಬಿತ್ ದವರ ಾಂಕ್ ನಾ ಸಕಾತ . (ಭಾ: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ) ರುಮ್ಚಚಾ​ಾ ಹ್ಯಾ ತ್ತ್ಾ ಶಾಸ್ತ ೀಯ್ ಮೊಟ್ಲಾ ಾ ಪದಾ​ಾಂನಿ ಸಮಕಾಲಿೀನ್ ತ್ಶಾಂಸ ತಾ ಉಪಾರ ಾಂತಿ ಾ ಕಾವಾ​ಾ

ಪರಾಂಪರೆಚರ್ ದಾಟ್ ಪರ ಭಾವ್ ಘಾಲ ತಾಂ ಖ್ರೆಾಂ. ಆಮ್ಿ ಾ ಚುಟ್ ಲಾಂ ಪರಿಾಂ ಜಪಾನಿೀ ಹ್ಯಯು್ ಆಸ್ತ್. ಹ್ಯಯು್ ಆಜ್ ರ್ಜಗತಕ್ ಮಳ್ಯರ್ ನಾಮ್ಚ್ ಚಿಾಂ ರ್ಜಾಂವ್​್ ಪಾವಾಿ ಾ ಾಂತ್. ಪಾಶಾಿ ತ್ಾ ಸಾಂಸ್ರಾರ್ ಸಯ್ತ ಹ್ಯಯು್ ವಾರೆಾಂ ಬಳ್ಯನ್ ವಾಹ ಳ್ಯತ . ಸತರ ಮ್ತರ ಾಂ (ಧಾ ನಿಮ್ ತಳ್) ಭಿತ್ರ್ ಹ್ಯಯು್ ಮುಗೊಾ ಾಂಕ್ ರ್ಜಯ್. ಹ್ಯಯು್ ಚಾಂ ಸ್ದಾರ್​್ ಸಾಂರಚನ್ ಅಶಾಂ ರ್ಜ-ಡಿ--ಞ ಥಿಚಿ (೫) ಞಚಿ-ತಚಿ- ಣ--ಞ- (೭) - ಟಿ -ಣ (೫) ಹ್ಯಚಾಂ ಭಾಷ್ಮಾಂತ್ರ್ ಕಾ​ಾಂಯ್ ಅಶಾಂ ಕರುಾಂಯ್ಲತ. ಪರನೆಾಂ ತ್ಳ್ಾಂ ರ್ಬಬ ತಾಂತಾಂ ಉಡಲೊ ಉದ್ಕಾಚೊ ತಳ್ಳ (ಭಾ: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ) ಅನಿ ಏಕ್ ಹ್ಯಯು್ ವಿಾಂಗಡ್ನಚ್ ಸಾಂರಚನಾ​ಾಂತ್ ಪಳ್ವಾ​ಾ ಾಂ ಚಿಣ ಡಿ ಚಿಡಿ ಞಟಿ ತ ಟಿಚಿಡಿ ಹಾಂವಾಳ್ಯಾ ಚಾ​ಾ ಪಯಿಲಿ ಾ ವಾರಾ​ಾ ಾಂತ್ ಮ್ಾಂಕಾಡ ಾಂಕ್ಯಿೀ ಆಯಿ​ಿ ಆಶಾ ನೆಹ ಸ್ರಾಂಕ್ ಖುತಾಂವ್ ತ್ಣಾಚೊ (ಭಾ: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ) ಕ್ಗೊ ಆನಿ ಕ್ರೆರ್ಜೀ ಮಹ ಣಿ​ಿ ಾಂ ದೀನ್ ಉತರ ಾಂ ಹ್ಯತ್ ಾಂತ್ ಗರೆಾ ಚಿಾಂ. ಕ್ಗೊೀ ಮಹ ಣಾ ವಿವ್ರಣಾತ್ೊ ಕ್ ಸಾಂರಚಕ್

36 ವೀಜ್ ಕ ೊಂಕಣಿ

ಉತರ ಾಂ ಆನಿ ಕ್ರೆರ್ಜೀ ಸಾಳ ಾ ಕಾವಾ​ಾ ತ್ೊ ಕ್ ಸಾಂರಚನಾಕ್ ಘುಾಂವಿಡ ದವಿೊ ಕಾತ್ರ ಪ್ಲ ಉತರ್. ಆಜ್ ಹ್ಯಯು್ ಸಾಂಸ್ರ ಚಾ​ಾ ಮುಲಾ ಮುಲಾ ಾಂನಿ ಪಾವಾಿ ಾಂ. ಮುಳ್ಯನ್ ರೆಾಂಗ್ಲೀ ಆನಿ ರೆಾಂಕು ಅಸಲಾ ಧಾರಿೊ ಕ್ ತ್ಳ್ಯರ್ ಆಸಲಿ ಾ ಜಪಾನಿೀ ಕವಿತ ಸಾಂಸ್ರಾಕ್ ಮ್ತಸ ಹೊ ಭಾಷೊ(೧೬೪೪–೧೬೯೪) ಆನಿ ಒಇಷ್ಟಮ್ ಒನಿತಸ ರಾ (೧೬೬೧–೧೭೩೮) ತ್ಸಲಾ ಕವಿಾಂನಿ ಲಯಿಕ್ ಸಾಂಸ್ರಾಕ್ ಹ್ಯಡಿ . ಹ್ಯಾ ಲಯಿಕ್ೀಕರಣ್ ಸಾಂದರಿಭ ಾಂ ಹ್ಯಯು್ ಚಾಂ ರೂಪ ವಾಡಾಂಕ್ ಲಗ್ಲಿ ಾಂ. ಯ್ಲೀಸ್ ಬುಸ್ರನ್, ಕಬಾಯಾಷ್ಟ ಇಸ್ಸ , ಮ್ಸ್ರೀವಾ್ ಶಿಕ್ ಹ್ಯಣಿ ಹ್ಯಯು್ ಕಾವಾ ಾಂ ವ್ಹ ಡ್ನ ಮಟ್ಲಾ ರ್ ವಾಡಾಂಕ್ ದಣಿಾ ದಲಿ.

ಖಾಲೊತ ಭೊಳ್ಳ ದೀವ್ ಮ್ಚಲೊ ಆನಿ ಸರಾ ಯ್ ಲೊಕಾಕ್ ಖಿಣಾ ಭಿತ್ರ್ ದಾಂವಾಿ ರಾಚೊ ಉಡ್ಟಸ ನಾ ರ್ಜಲೊ ಪೊಟ್ಲ ನಾಸ್ತ ಾಂ ತ್ಲ ಮ್ಚಲೊ ಮರಾ್ ಮ್ಚಸ್ ಆಮ್​್ ಾಂ ವ್ಹ ಡಿ ಮ್ಚೀಟ್ಪಫ್ ಏಕ್ ಫಾವ್ಟ ರ್ಜಲೊ

ಚುಟ್ ಲಾಂ ಮದಾಂ ಮ್ಹ ಕಾ ಚಡ್ನ ರುಚಿಕ್ ಲಗ್ಲಿ ಾಂ ಎಮ್ಚಲಿ ಡಿಕ್ನ್ಸ ನಾಚಿಾಂ ಚುಟ್ ಲಾಂ. ತಾಂತಾಂ ದಸ್ರನ್ ಯ್ಲತ ತೀ ಚಿಾಂತೊ ಗುಾಂಡಿ ವಿಶೀಸ. ಏಕ್ ತಮ್ಚಾಂಯ್ ಚಾಕನ್ ಪಳ್ಯಾ. ಹ್ಯಾಂವ್ ಆನಿ ತಾಂ ಹ್ಯಾಂವ್ ಕಣ್ಾಂಚ್ ನ್ಹ ಾಂಯ್! ತಾಂ ಕೀಣ್? ತಾಂಯ್ ಕಣ್ಾಂಚ್ ನ್ಹ ಾಂಯ್ಗ್ಲೀ ಕ್ತಾಂ? ತ್ರ್ ಆಮ್ಚ ಏಕ್ ಜಡಿ- ಜರಾನ್ ಸ್ಾಂಗುಾಂನಾಕಾ ತೀಾಂ ಇಸ್ತ ಹ್ಯರ್ ಘಾಲಿತ ತ್ ಕಣ್ಯಿೀ, ಕ್ತಾಂಯಿೀ ರ್ಜವಾ್ ಸಿ ಾಂ ಕ್ತಿ ಾ ಭಾಂಾ​ಾಂಚಾಂ ಮ್ಣಾ್ ಾ ಪರಿಾಂ ಕ್ತಿ ಾಂ ಉಗ್ಲತ ಾಂ ಉಗ್ಲತ ಾಂ ತಸ್ತ ಾ​ಾಂವಾಿ ಾ ಲೊಕಾ ಮುಕಾರ್ ಅಖಾಯ ಾ ದಸ್ ಉರ್ಜಾ ಡ್ಟ ನಾ​ಾಂವ್ ಸ್ಾಂಗೊನ್ ಭಾಂವಿ ಾಂ (ಭಾ: ಸ್ಾ ೀವ್ನ್ ಕಾ​ಾ ಡರ ಸ ಪ್ರುೊ ದ)

ಮ್ಚಲಿಾ ನ್ ರಡಿರ ಗಸ ಆಮ್ ಕಾ​ಾಂದಾಡ ಾ ಕಾಂಕ್​್ ಲೊಕಾ ಮದಾಂ ನಾಮ್ಚ್ ಚೊ ಕವಿ ತಣ ಕವಿತಾಂತಿ ಾಂ ವಿವಿದ್ ಪರ ಕಾರಾ​ಾಂ ಆಮ್ ಲೊಕಾ​ಾಂಕ್ ವ್ಳ್ಳ್ ಚಿಾಂ ರ್ಜಾಂವ್​್ ಪ್ರ ೀತ್ನಾ​ಾಂ ಕೆಲಾ ಾಂತ್. ಅಶಾಂ ಕರಾತ ಾಂ ಮೂಳ್ ಪರ ಕಾರಾಚಾಂ ಸೂತ್ರ ರೂಪ ಸ್ಾಂಬಾಳುಾಂಕ್ ತಣ ಗುಮ್ನ್ ದಲಾಂ. ಆಪಾಿ ಾ ಚುಟ್ ಲಾಂಕ್ ತಣ ಹ್ಯಯು್ ಮಹ ಣೊನ್ಾಂಚ್ ವ್ಟಲಯಾಿ ಾಂ. ಹ್ಯಾ ಹ್ಯಯು್ ಾಂಚಿ ಪರ ಕಾರ್ ರುಪ್ಲಾಂ ವಾಪಾರಿ್ ಕಾಂಕೆ್ ಾಂತ್ ನ್ವಿಚ್ ತ್ರಿೀ ರಡಿರ ಗಸ್ನ್ ಆಪಾ್ ಕ್ ಕಾಂಕ್​್ ಭಾಷ್ಾಂತ್ ಆಸ್ಿ ವಿಶೀಸ ತಾಂಕ್ ವಾಪಾರ್​್ ತಾಂಕಾ​ಾಂ ಲೊಕಾ ರುಚಿಚಿಾಂ ಕೆಲಾ ಾಂತ್.

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37 ವೀಜ್ ಕ ೊಂಕಣಿ

24 ಮೃದುಲಯ ಸಯರಯಭಯಯ್ 1911-1974

ಗ್ಲ್ಯಾಡಿಸ್ ಕ್​್ಾಡ್ರಸ್ ಪ ರ‍್ುದ ಭಾರತಚಾ​ಾ ಸ್ಾ ತ್ಾಂತರ ಖಾತರ್ ಚಲ್ಲೆಿ ಾಂ ಮಹ್ಯನ್ ಝುಜ್ ತಾ ಾಚಾಂ, ಬಲಿದಾನಾಚಾಂ ಆನಿ ನಿರಾಂತ್ರ್ ಬಾಂಧಡ್ನ ತ್ಶಾಂಚ್ ಮ್ರ್ಫಾರಾ​ಾಂಕ್ ಫುಡ್ನ ಕರೆಿ ಾಂ. ಹ್ಯಾ ಝುರ್ಜಾಂತ್ ಫಕತ್ ದುಬಾಳ ಾ ಆನಿ ದಲಿತ್ ವ್ರಾ​ಾ ಚಾ​ಾ ಾಂಚರ್ ಮ್ತ್ರ ನ್ಹ ಾಂಯ್ ಗ್ಲರ ೀಸತ ಆನಿ ಸುಶಿಕ್ಮ ತಾಂಚರ್ಯಿ ಬಿರ ಟಿೀಶಾ​ಾಂಚಾ​ಾ ಶೀಷ್ಟಣಾಚೊ ಉಜ ಪಡನ್ ಆಸಲೊಿ . ಹ್ಯಾ ಸಾಂದರಿಭ ಾಂ ಾ​ಾಂಧಿೀರ್ಜಚಾ​ಾ ಆನಿ ಹೆರ್ ಮುಕೆಲಾ ಾಂಚಾ​ಾ ಪರ ಭಾವಾನ್ ಸಭಾರ್ ಸಿ ಳ್ಳೀಕ್ ಮುಕೆಲಾ ಾಂನಿ ಕಾ​ಾಂಗ್ಲರ ಸ್ಸ ಧಾ​ಾ ರಿಾಂ ಸ್ಾ ತ್ಾಂತ್ರ ಸಾಂಘರ್ಿ ರ್ಜವ್ಟ ದವ್ರಿ . ಅಸಲಾ ಸಿ ಳ್ಳೀಕ್ ಮುಕೆಲಾ ಾಂ

ಪಯಿ್ ಆಹೊ ದಾಬಾದಾಚಿ ಮೃದುಲ ಸ್ರಾಭಾಯ್ ಎಕ್ಿ ಅಸ್. ಮೃದುಲ ಸ್ರಾಭಾಯ್ ಗುಜರಾತಾಂತಿ ಾ ಗ್ಲರ ೀಸತ ಯಾರಾ್ ರಿ ಆನಿ ಉದಾ ಮ್ಚ ಅಾಂಬಾಲಲ್ ಸ್ರಾಬಾಯ್ ಆನಿ ಸರಳ್ಯ ದೀವಿಚಿ ಧುವ್ ರ್ಜವ್​್ ಜನಾೊ ಲಿ. ನಾ​ಾಂವಾಡಿಾ ಕ್ ವಿರ್ಜಾ ನಿ ವಿಕರ ಮ್ ಸ್ರಾಬಾಯ್ ತಚೊ ಭಾವ್. ತ್ರಾ್ ಾ ಪಾರ ಯ್ಲರ್ಚ್ ತ ಉಾಂಚಾಿ ಾ ಶಿಕಾೊ ತವಿ​ಿ ಾಂ ಆಕರಿ​ಿ ತ್ ರ್ಜಲಿ. ೧೯೨೮ ಇಸಾ ಾಂತ್ ಗುಜರಾತ್ ವಿದಾ​ಾ ಪ್ಲೀಠಾಕ್ ತ ಭರಿತ ರ್ಜಲಿ ತ್ರಿ ಮ್ಚಟ್ಲ ಚಳ್ಾ ಳ್ ಸುರಾ​ಾ ತ್ಲಿ ತನಾ್ ತಣ ಶಿಕಪ ಸ್ರಡ್ನ್ ಾ​ಾಂಧಿೀರ್ಜಚಾ​ಾ ಮ್ಚಟ್ಲಾಂನಿ ಚಲೊಿ ನಿರಾ​ಾ ರ್ ಕೆಲೊ. ವಿದೀಶಿ ಮುಸ್ತ ಯಿ್ ,

38 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಿದೀಶಿ ಶಿಕಪ ಬಹಷ್ಮ್ ರ್ ಕರಾಿ ಾ ಾ​ಾಂಧಿೀರ್ಜಚಾ​ಾ ಉಲಾ ನ್ ತಚರ್ ವ್ರತ ಪರ ಭಾವ್ ಘಾಲೊ. ಇಾಂದರಾ ಾ​ಾಂಧಿೀ ಸವಾಂ ವಾನ್ರ ಸೀನಾ​ಾಂತ್ ತಣ ವಾವ್ರ ಕೆಲೊ. ಸತಾ ಗರ ಹ ಮುಕೆಲಾ ಾಂಚ ಸಾಂದೀಶ್ ಎಕಾಮ್ಚಕಾ ವ್ಹ ರ್​್ ಪಾವ್ಟಾಂವಿ ಾಂ ತಚಾಂ ಕಾಮ್ ರ್ಜಲೆಿ ಾಂ, ತಾಂಕಾ​ಾಂ ಖಾಣಾವ್ಟರಿಾ ಪಾವ್ಟಾಂವಿ ಾಂ ಕಾಮ್ಯಿ ತ ಕರಾತ ಲಿ. ೧೯೨೭ ಇಸಾ ಾಂತ್ ರಾಜ್ಕೀಟ್ಲಾಂತ್ ಚಲ್ಲಿ ಾ ಕಾ​ಾಂಗ್ಲರ ಸಸ ಯುವ್ಸಮ್ಚೊ ೀಳ್ನಾ​ಾಂತ್ ಮಹತಾ ಚೊ ವಾವ್ರ ತಣ ಕೆಲೊಿ . ತಚಾ​ಾ ತ್ರಾ್ ಾ ಪಾರ ಯ್ಲರ್ ಸತ ತಣ ದಾಕಯಿ ಲಾ ಸ್ಹಸ್ಕ್ ಭಿಯ್ಲವ್​್ ಬಿರ ಟಿೀಶಾ​ಾಂನಿ ತಕಾ ದದೀನ್ ಪಾವಿಾ ಾಂ ಬಾಂಧಾಂತ್ ಘಾಲೆಾಂ. ೧೯೩೪ ಇಸಾ ಾಂತ್ ತಕಾ ಗುಜರಾತ ಥಾವ್​್ ಭಾರತ್ ರಾಷ್ಟಾ ರೀಯ್ ಕಾ​ಾಂಗ್ಲರ ಸ್ಸ ಚಾ​ಾ ಮಹ್ಯಸಭೆಕ್ -ಎಅಯ್ಸ್ಸ್ ಪರ ತನಿಧಿ ಕೆಲೆಾಂ. ಮಹಳ್ಯ ಕಾ​ಾಂಗ್ಲರ ಸ್ಸ ಚಾಂ ಮುಕೆೀಲೊ ಣ್ ಘೆವ್​್ ಸ್ತ ರೀಯಾ​ಾಂನಿ ಚಡ್ನ ಆನಿ ಚಡ್ನ ಸಾಂಕಾ​ಾ ಾಂತ್ ಕಾ​ಾಂಗ್ಲರ ಸ್ಸ ಚಾ​ಾ ರಾಟ್ಲವ್ಳ್ಳಾಂನಿ ಆನಿ ತಾ ಮುಕಾ​ಾಂತ್ರ ದಶಾಚಾ​ಾ ಸ್ಾ ತ್ಾಂತ್ರ ಸಾಂಾರ ಮ್ಾಂತ್ ಭಾಗ್ ಘೆಾಂವಾಿ ಾ ಪರಿಾಂ ಕರಾಿ ಾ ಾಂತ್ ತಣ ಮಸುತ ಕಾಮ್ ಕೆಲೆಾಂ. ಭಾರತಚಾ​ಾ ಆರಿತ ಕ್ ವವ್ಸ್ತ ಾ ಾಂತ್ ಸುಧಾರಣ್ ಹ್ಯಡ್ಟಿ ಾ ಕ್ ರುಪ್ಲತ್ ಕೆಲಿ ಾ ಸಮ್ಚತಾಂತ್ ತ ಮಹಳ್ಯ ಆರಿತ ಕ್ ಸುಧಾರಣ್ ಉಪಸಮ್ಚತಚಿ ಅಧಾ ಕ್ಷ್ ಆಸಲಿ​ಿ . ೧೯೪೬ ಇಸಾ ಾಂತ್ ತಕಾ ಭಾರತ್ ರಾಷ್ಟಾ ರೀಯ್ ಕಾ​ಾಂಗ್ಲರ ಸ್ಸ ಚಾ​ಾ ಪರ ಧಾನ್

ಕಾರಾ ದರಿ​ಿ ಹುದಾ​ಾ ಾ ಕ್ ನೆಮ್ಚಿ ಾಂ. ತಾ ಧಾ​ಾ ರಿಾಂ ತ ಕಾ​ಾಂಗ್ಲರ ಸ ಕಾರಾ ಕಾರಿ ಸಮ್ಚತಚೊ -ಸ್ಡಬೂಿ ಾ ಸ್ ಸ್ಾಂಧೊ ರ್ಜಲಿ. ಹ್ಯಾ ಭೊವ್ ಜವಾಭಾ​ಾ ರೆಚಾ​ಾ ಹುದಾ​ಾ ಾ ರ್ ಆಸ್ತ ನಾ ಸ್ಾ ತ್ಾಂತರ ಚಾ​ಾ ಸುರೆಾ ರ್ ಭಾರತಚಾಂ ಸಾ ರೂಪ ರ್ಜತಾ ತೀತ್ ಉರಾಿ ಾ ಕ್ ನೆಹರೂನ್ ಕೆಲಿ ಾ ಸರ್ಾ ವಾವಾರ ಾಂಕ್ ತಣ ವ್ರತ ಪಾಟಿಾಂಬ ದಲೊ. ಕಾಶಿೊ ೀರಾ​ಾಂತ್ ಭಾರತಸವಾಂ ರಾರ್ಜ ಸಾಂಧಾನಾಚಾಂ ವಾಡಿ ಪರಿಾಂ ಕರಾಿ ಾ ವಾವಾರ ಾಂತ್ಯಿ ತ ವ್ಾ ಸತ ಆಸಲಿ​ಿ . ಸ್ಾ ತ್ಾಂತರ ಚಾ​ಾ ಸುರೆಾ ರ್ ಕೀಮುವಾದ ಹಾಂಸ್ ಸುರಾ​ಾ ತತ ನಾ ತಣ ಚಡ್ನ ಆನಿ ಚಡ್ನ ವೀಳ್ ಾ​ಾಂಧಿೀರ್ಜ ಸವಾಂ ಖ್ರಿ​ಿ ಲೊ. ನ್ವಾ್ ಲಿಾಂತ್, ಪಾಟ್ಲ್ ಾಂತ್ ಆನಿ ಡಲಿ​ಿ ಾಂತ್ ಕೀಮುವಾದ ಹಾಂಸ್ಚಾರ್ ದಸುನ್ ಯ್ಲತನಾರ್ಾಂಯಸ ರ್ ವ್ಚುನ್ ಶಾ​ಾಂತ ಸ್ಿ ಪನ್ ಕರುಾಂಕ್ ತ ವಾವರಿ​ಿ . ರ್ಜತದಾಂಾ​ಾ ಾಂಚಾ​ಾ ವಳ್ಯರ್ ಸಮ್ಧಾನ್ ಸ್ಿ ಪನ್ ಕರುಾಂಕ್ ನಿಷ್ಟೊ ಕ್ಷ್ಪಣಿ ತಣ ಕೆಲೊಿ ವಾವ್ರ ಹರೆಾ ಕಾಿ ಾ ಕ್ ದಕ್ಚೊ ಮಹ ಣಾಂಯ್ಲತ. ಭಾರತ್ ವಾಡ್ಟವ್ಳ್ಳಚಾ​ಾ ವಾಟ್ತನ್ ಮುಕಾರ್ ಮುಕಾರ್ ವ್ಚಾಜ ತ್ರ್ ರ್ಜತ್ ಧರ್ೊ ನಿರಪ್ೀಕ್ಮ ತ್ ರ್ಜವ್​್ , ದುಬಾಳ ಾ ದಾಕಾ​ಾ ಾ ಾಂಚಾ​ಾ ಆಶದಶಾಂಕ್ ಪಾಟಿಾಂಬ ದಾಂವಿ ಾಂ ರಾಷ್ಾ ರ ರ್ಜವ್​್ ವಾಡ್ಟಿ ಾ ರ್ ಮ್ತ್ರ ಸ್ಧ್ಯಾ ಮಹ ಣಿ ಾಂ ತಚಾಂ ಚಿಾಂತ್ಪ ಆಸಲೆಿ ಾಂ.

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39 ವೀಜ್ ಕ ೊಂಕಣಿ

ರ ೊೀಸ್ ವ ೀಸ್ ಜಾಯ್ಾ​ಾಯೆ

- ವಿಲ್ೊ , ಅಲ್ೊ ಪಾದ್.

ಕಾಂಕ್​್ ಸಮ್ಜಾಂತ್ ಸಬಾರ್, ಸಾಂಸ್ ರತ ಆಸ್ರನ್ ದೀಸ ವತಾಂ ವತಾಂ ಥೊಡಾ ಕಣಾಕ್ೀ ಆಸಕ್ತ ನಾಸ್ತ ಾಂ ಆಳ್ಯಾ ತತ್ ಆನಿ ಥೊಡಾ ಆಧುನಿಕ್ ಫಾ​ಾ ರ್ನಾ​ಾಂಕ್ ಲಗೊನ್ ನ್ವಾಂ ರೂಪ ಘೆತತ್. ಪುಣ್ ಕಶಾಂ ಆಮ್ಚಾಂ ಆಮ್ಿ ಕುಡಿಚಿ, ಖಾಣಾ ಜವಾ್ ಚಿ, ನೆಸ್​್ ಚಿ ಜತ್ನ್ ಘೆತಾಂವ್'ಗ್ಲೀ, ತ್ಶಾಂಚ್ ಆಮ್ಿ ಾ ಸಾಂಸ್ ತಚಿಯಿೀ ಜತ್ನ್ ಕಚಿಾ ಗಜ್ಾ. ತ್ರ್ ಆತಾಂ ಆಮ್ಚಾಂ ಆಮ್ಿ ಾ ಬೀವ್ ಪುರಾತ್ನ್ ತ್ಶಾಂಚ್ ಬೀವ್ ಗಜಾಚಾ ರಸ್ ಸಾಂಭರ ಮ್ ಕುಶಿನ್ ಏಕ್ ದೀಷ್ಾ ಘುಾಂವಾಡ ಾಂವಾ​ಾ ಾಂ. ಸ್ಮ್ನ್ಾ ರ್ಜವ್​್ ರಸ್ ಸಾಂಭರ ಮ್ಾಂತ್ ಪಾ​ಾಂಚ್ ಭಾಗ್ ಆಸ್ತ್ 1 ಸ್ಾ ಗತ್

2 ಮ್ಗ್ಲ್ ಾಂ 3 ವ್ಟಜಾಂ 4 ನಾಲ್ಾ ಫಡಿ 5 ರೀಸ ಪುಸ್ರಿ ಸ್ಾ ಗತ್ ಮಹ ಳ್ಯಾ ರ್ ಕ್ತಾಂ?

ಆದಾಂ ಘರಾನಿಾಂ ಮೊಡ್ಟಿ ಾಂ ಮ್ಟೊವ್ ವ್ ಇಾಂದಾತಳ್ ಮ್ಟೊವ್ ಘಾಲ್​್ ರಸ್ ಕಾಯ್ಲಾ​ಾಂ ಸಾಂಭರ ಮ್ತ ಲೆ. ಸರ್ಜರಿ, ವಾಡ್ಟಾ ಾರಾ​ಾಂ, ಕುಟ್ಲೊ ದಾರಾ​ಾಂ ಮಹನಾ​ಾ ಪಯ್ಲಿ ಾಂಚ್ ಕಾರ್ಜರಾಚಾ ಘರಾ ಯ್ಲಾಂವಿ ಾಂ, ವಚಾಂ, ಗಜಾಚಿಾಂ ಆಯಾ​ಾ ನಾ​ಾಂ, ಮ್ಟ್ಲಾ ಕ್ ರ್ಜಯ್ ರ್ಜಲಿ​ಿ ಸ್ಹೆತ್ ಹ್ಯಡ್ನ್ ದಾಂವಿ​ಿ , ಆಶಾಂ ಕುಮಕ್ ಕತಾಲಿಾಂ. ಆನಿ ಹಯ್ಲಾಕಾ ಕಾಯಾ​ಾಕ್ ಮ್ಟ್ಲಾ ಭಾ​ಾಿ ರ್ ಘಚೊಾ ಯ್ಲರ್ಜೊ ನಿ

40 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪಾನ್ೊ ಡ್ನ ಉದಾ್ ಸವಾಂ ಆಯ್ಲಿ ಲಾ ವ್ಟವಾಳ ಾ ಾಂಕ್ ಮಯಾ​ಾದಚೊ ಸ್ಾ ಗತ್ ದತಲೊ. ತಾ ಕಾಳ್ಯರ್ ಎಮ್. ಸ್( M C) . ನಾತ್'ಲೊಿ . ವಾಡ್ಟಾ ಚೊ ಗುಕಾ​ಾರ್ ಕಾಯಾ​ಾಚಿ ಮ್ಾಂಡ್ಟವ್ಳ್, ಜವಾಬಾ​ಾ ರಿ ವ್ಹಸುನ್ ವಾಡ್ಟಾ ಾರಾ​ಾಂ ಸ್ಾಂಾತ ಮ್ಚಳ್ಳನ್ ಯ್ಲರ್ಜೊ ನಾ​ಾ ಕ್ ಆಧಾರ್ ದತಲೊ. ಪೂಣ್ ಆಧುನಿಕ್ ಕಾಳ್ಯರ್ ರಸ್ ಸಾಂಭರ ಮ್ ಘರಾ ಆಾಂಾ್ ಥಾವ್​್ ರೆಸ್ರಟ್ಾ, ಹೊಲ್, ಆನಿ ಉಾತ ಾ ಮಯಾ​ಾ ನಾ​ಾಂಕ್ ಪಾವಾಿ . ಪಾನೊ​ೊ ಡಿಚಿ ಬಶಿ, ಉದಾ್ ಚೊ ಚಾಂಬು ಕನಾಿ ಾ ಾಂತ್ ಪಡನ್, ಕೆೀಟರಿಾಂಾಚೊ ರಸ್​್ ವ್ ಜೂಾ ಸ್ಚೊ ಾಿ ಸ ಮ್ಟ್ಲಾ ಬಾ​ಾಿ ರ್ ಉಬ ರ್ಜಲ. ಆತಾಂ ಕಾಯ್ಲಾ​ಾಂ ಸುರು ಕತಾನಾ ಜರಾಲ್ ರ್ರಾನ್ ಪಾನ್ೊ ಡ್ನ, ಉದಾಕ್ ಹಸ್ತ ಾಂತ್ರ್ ಕತಾತ್ ತ್ರಿೀ ತಾಂ ತ್ಸ್ಾ ೀರೆಚಾ ಉದಾ ೀಶಾನ್ ಮ್ತ್ರ . ಮ್ಗ್ಲ್ ಾಂ ಖ್ಾಂಯಸ ರ್ ಪಾವಾಿ ಾಂ? ಆದಾಂ ರಸ್ ಮ್ಟ್ಲಾ ಾಂತ್ ಮ್ಗ್ಲ್ ಾಂ ಪರ ಧಾನ್ ಪಾತ್ರ ಘೆತಲೆಾಂ. ಘಚಿಾ​ಾಂ, ವಾಡ್ಟಾ ಾರಾ​ಾಂ, ಸ್ಾಂಾತ ಮ್ಚಳ್ಳನ್ ಆಮೊರಿ, ಮ್ಾ್ ಾ ಚಿ ವಿಧಿ ಚಲವ್​್ ವ್ಹ ತಾಲಿಾಂ ಆನಿ ವ್ಟವಿಳ ಾಂಯಿೀ ದೀವ್ ಭಿರಾ​ಾಂತನ್ ಮ್ಗ್ಲ್ ಾಂ ಸುರು ರ್ಜಾಂವಾಿ ಪಯ್ಲಿ ಾಂಚ್ ಮ್ಟ್ಲಾ ಾಂತ್ ಹ್ಯಜರ್ ಆಸ್ತ ಲಿಾಂ. ಪುಣ್ ಆಧುನಿಕ್ ಕಾಳ್ಯರ್ ಮ್ಗ್ಲ್ ಾಂ ಆಸ್ ತ್ರಿೀ ಪುಸತ ಕದ ಬದನೆಕಾಯಿ ಮ್ತ್ರ . ಗುಕಾ​ಾರಾನ್ ವ್ ಪರ ತನಿಧಿಾಂನಿ ದಾಂವಾಿ ಬುಕಾ​ಾಂತ್ ಕ್ತಾಂ

ಆಸ್ ತತಿ ಾಂ ಮ್ತ್ರ . ಥೊಡ ಕಡ ಮ್ಾ್ ಾ ಆದಾಂಚ್ ಬಾರ್ ಒಪನ್ ರ್ಜತ ಹ ಭೊೀವ್ ರ್ಬರ್ಜರಾಯ್ಲಚಿ ಗರ್ಜಲ್ ವ್ಟಜಾಂ ಮಹ ಳ್ಯಾ ರ್ ರ್ಜಯ್'ಗ್ಲೀ?

ಕ್ತಾಂ?

ವ್ಟಜಾಂ

ಆಜ್ ಕಾಲ್ ಕ್ರ ಸ್ತ ಾಂವ್ ಸಮ್ಜಾಂತ್ ರ್ಜಯ್ಲತ ಕಡ ಚಚಾ​ಾ ವ್ಟಜಾಂ ರ್ಜಯ್ ಗ್ಲೀ? ಪೂಣ್ ಹ್ಯಾ ಸವಾಲಚಾಕ್ೀ ಪಯ್ಲಿ ಾಂ ವ್ಟಜಾಂ ಮಹ ಳ್ಯಾ ರ್ ಕ್ತಾಂ? ತಾಂ ಕಶಾಂ ಹ್ಯಡಿಜ ? ಹೆಾಂ ಸಮೊಾ ಾಂಚಾಂ ಗಜ್ಾ. ವ್ಟಜಾಂ ಮಹ ಳ್ಯಾ ರ್ ಆದಾಂ ಘರಾನಿಾಂ ಮ್ಟೊವ್ ಘಾಲ್​್ ರಾ​ಾಂದ್ , ರಸ್ಾ ಾಂತ್ ರಾ​ಾಂದಪ ಕತಾನಾ ರಸ್ಚಾ, ಕಾರ್ಜರಾಚಾ ಜವಾ್ ಚಾ ಖ್ಚಾ​ಾಕ್ ಮಹ ಣ್ ಕುಟ್ಲೊ ದಾರಾನಿಾಂ, ಆಪಾಿ ಾ ಶತಾಂನಿ ರ್ಜಲಿ​ಿ ರಾ​ಾಂದಾ ಯ್ ಧಾಡ್ನ್ ದಾಂವಿ​ಿ ಮೊಾಚಿ ಕಾಣಿಕ್. ತೀಯಿೀ ರಸ್, ಕಾರ್ಜರಾಕ್ ಉಪಾ್ ಚಿಾ ಮ್ತ್ರ . ದಾಖಾಿ ಾ ಕ್ ಕುವಾಳ್ಳ, ನಾಲ್ಾ, ನಿಸ್ತ ಾ ಚೊ ಗಡ್ಟಯ್, ಪ್ಲಕ ಗಡ್ಟಯ್, ಪೊಪಾಳ ಾಂ, ದುಕರ್, ತಾಂದಾಳ ಮುಡ, ಇತಾ ದ. ಪೂಣ್ ಹಾಂ ವ್ಟರ್ಜಾಂ

41 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕುಟ್ಲೊ ದಾರಾ​ಾಂ ಖುದ್ಾ ಘೆವ್​್ ಯ್ಲನಾತಿ ಾಂ. ಆಪಾಿ ಾ ಘಚಾ​ಾ ವಾ ಾವಾ​ಾಂತಿ ಾ ನೌಕರಾಲಗ್ಲಾಂ ಹಪಾತ ಾ ವಾ ತೀನ್ ದಸ್ಾಂ ಪಯ್ಲಿ ಾಂ ಧಾಡ್ನ್ ದತಲಿಾಂ ಮ್ತ್ರ ನ್ಹ ಯ್ ಹ್ಯಾ ಕಾಬಾ​ಾಯಾ​ಾ​ಾಂಕ್ ಸ್ಾಂಬಾಳುಾಂಕ್, ವ್ಟಜಾಂ ಶಾಬಿತ್ ಕಾಯಾ​ಾಚಾ ಘರಾ ಪಾವ್ಟಾಂಕ್ ಜವಾಬಾ​ಾ ರಿ ಎಕಾ ಮ್ಲಾ ಡ್ಟಾ ಮಹ ನಾಿ ಕ್ ದತಲಿಾಂ. ತ್ಲಚ್ ವ್ಟರ್ಜಾ ಗುಕಾ​ಾರ್. ಹ್ಯಾಂತಾಂಯಿೀ ಕ್ತಾಂಯ್ ಆದಿ ಮನ್ಸ್ತ ಪ, ಧಾ ೀಷ್ ಮನಾ​ಾಂತ್ ಆಸ್ ರ್ಜಲಾ ರ್ ಆಸಲಾ ಾಂಚಿಾಂ ವ್ಟರ್ಜಾಂ ಘಚೊಾ ಯ್ಲರ್ಜೊ ನಿ ಆಪಾಿ ಾ ಮಯಾ​ಾದಚಾ ದರ ಷ್ಾ ನ್ ಸ್ಾ ೀಕಾರ್ ಕರಿನಾತ್ಲಿ . ದಕುನುಾಂಚ್ ವ್ಟರ್ಜಾ ಚಾ ಗುಕಾ​ಾರಾನ್ ಪಯ್ಸ ಥಾವ್​್ ಾಂಚ್ ವ್ಟಜಾಂ ಧಾಡ್ನ್ ದಲೆಲಾ ಚಾಂ ನಾ​ಾಂವ್ ಸ್ಾಂಗೊನ್ ಯ್ಲರ್ಜೊ ನಾ​ಾ ಚಿ ಪವ್ಾಣಿಾ ಘೆಾಂವ್​್ ಆಸ್ಿ . ದಾಕಾಿ ಾ ಕ್ :- ಯ್ಲೀ ಘಚಾ​ಾ ಾ ಯ್ಲರ್ಜೊ ನಾ​ಾ ಮ್ವಾಳ ಾ ನ್ ಬಾ​ಾಂದಿ ಲಿಾಂ ವ್ಟರ್ಜಾಂ ಮ್ಟ್ಲಾ ಬಾ​ಾಿ ರ್ ಪಾವಾಿ ಾ ಾಂತ್ ಭಿತ್ರ್ ಹ್ಯಡಾ ತ್ ಮಹ ಣಾತ ತಾ ೀ? ರ್ಜಪ :- ಹ್ಯಾಂ ಧಾದಶಿ ಮನಾನ್ ಹ್ಯಡಾ ತ್ ಮಹ ಣಾತ ತ್. ವ್ಟರ್ಜಾಂ ಭಿತ್ರ್ ಪಾವಾಿ ಾ ಉಪಾರ ಾಂತ್ ಯ್ಲರ್ಜೊ ನಿ ಮುಡ್ಟಾ ಕ್ ಹ್ಯತ್ ದೀವ್​್ ವ್ಟರ್ಜಾಂ ದಾಂವ್ಯಾತ ಲೊ ಆನಿ ಆತಾಂಚಪರಿಾಂ ಕಾಬಾ​ಾಯಾ​ಾ​ಾಂಕ್

ಪುರಾಸಣ್ ಕಾಡಾಂಕ್ ರಸ್​್ , ಜೂಾ ಸ ಕಾ​ಾಂಯ್ ನಾತಿ ಾಂ ದಕುನ್ ಇಲೊಿ ಸ್ರ ಘರಾಚ್ ಉಕಡಿ ಲೊ ಅಪುಟ್ ಕಾಜುಚೊ ಸ್ರರ ವ್ಟರ್ಜಾ ಚಾ ಗುಕಾ​ಾರಾಚಾ ಹ್ಯತಾಂ ದತಲೊ. ಆನಿ ಹ್ಯಾ ಸಾಂತ್ಲಸ್ನ್ ಘಚಾ​ಾ ಯ್ಲರ್ಜೊ ನಾ​ಾ ಕ್ ದೀವ್ ಬರೆಾಂ ಕರುಾಂ ಮಹ ಣೊನ್, ಕಾಬಾ​ಾರಿ ಸ್ಾಂಾತ ಏಕ್ ಪದ್ ಮಹ ಣೊನ್, ನಾಚ್ ನಾಚೊನ್ ಪಾಟಿಾಂ ವತಲೆ. ಪೂಣ್ ಆಜ್ ಕಾಲ್ ವ್ಟಜಾಂ ಫಕತ್ ಏಕ್ ಮಹ ಜಚೊ ಖ್ಲಳ್, ವ್ ನ್ಕ್ಿ ನೆಹ ಸ್​್ ಸೊ ಧೊಾ ರ್ಜಲ. ಪಯಾಿ ಾ ಾಂಚಾ ಬಳ್ಯನ್ ಕ್ತಾಂಚ್ ಕಳ್ಳತ್ ನಾತಿ ಾ ಾಂನಿ ವ್ಟಜಾಂ ಚಲವ್​್ ವ್ಚಾ​ಾಂ, ಭಿತ್ರ್ ರಿಾತ ನಾ​ಾಂಚ್ ರ್ಬಬಾ​ಾ ಾ ಚಾಂ ನ್ಟನ್, ಸ್ಾಂಾತ ಆಬಿಾ, ಫಿಾಂಾ​ಾ ಾ​ಾಂಚೊ ವೀಸ, ಅಧಾ​ಾಂಕುರೆಾಂ ನೆಹ ಸಿ ಲಾ ಚಡ್ಟಾ ಾಂಚಾಂ ನ್ಟನ್, ಪೊಜಡ ಾಂ ಉಲವ್ ಾಂ ಅಶಾಂ ಕನ್ಾ ವ್ಟಜಾಂ ಮಹ ಳ್ಯಾ ರ್ ಏಕ್ ಫಿತಸೊ ಣ್ ಮಹ ಣ್ ವ್ಟಲಯಾಿ ಾಂ. ನಿೀಜ್ ರ್ಜವ್​್ ಕುಟ್ಲೊ ದಾರಾ​ಾಂನಿ, ಸಯಾರ ಾ ಾಂನಿ ವ್ಟರ್ಜಾಂ ಹ್ಯಡಾಂಕ್ ನಾ​ಾಂತ್, ತಣಿಾಂ ಫಕತ್ ವ್ಟರ್ಜಾಂ ಹ್ಯಡಿ ಲಾ ಕಾಬಾ​ಾಯಾ​ಾ​ಾಂಚಾ ಸಾಂತ್ಲಸ್ಾಂತ್ ನಾಚಾ ಮುಕಾ​ಾಂತ್ರ ವಾ​ಾಂಟ್ತಲಿ ರ್ಜಾಂವಿ ಾಂ ಮ್ತ್ರ . ಪೂಣ್ ಆತಾಂಚಾ ವ್ಟರ್ಜಾ ಾಂನಿ ಗಜಾ ಭಾಯ್ಲಿ ಾ ಮೊಸತ ರಾ​ಾಂದಾ ಯ್ಲ ತ್ಲಾ ಯಿೀ ಏಕ್ ಗೊಸ್ಳ್ಾಂ, ಏಕ್ ಭೆಾಂಡ್ನ, ವಾಳ್ಿ ಬಾರ್ಜ ಆಶಾಂ ಕುಟ್ಲೊ ದಾರಾ​ಾಂ ಪ್ಾಂಕಾಡ್ನ ಹ್ಯಲವ್​್ ದಸರಾಚೊ ವೀಸ ಭಿತ್ರ್

42 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸರ್'ಲೆಿ ಪರಿಾಂ ಭಿತ್ರ್ ಸತಾತ್, ಮ್ತ್ರ ನ್ಹ ಯ್ ಸ್ಮ್ರ್ಜಕ್ ಮ್ಧಾ ಮ್ಾಂನಿ ಘಾಲ್​್ ಆಪಾಿ ಾ ಚ್ ತ್ಲಾಂಡ್ಟಕ್ ಕರಿ ಪುಸುನ್ ಘೆತತ್ . ಹಾಂ ವ್ಟರ್ಜಾಂ ಪಳ್ಯಾತ ನಾ ರಸ್ಚಿಾಂ ವ್ಟರ್ಜಾಂಗ್ಲೀ ವ್ ದವಾಳ ಚಾಂ ಹೊರೆ ಕಾಣಿಕೆಗ್ಲೀ ಮಹ ಣ್ ದುಬಾವ್ ಮ್ತಾ. ಆನಿಾಂ ದುಕರ್, ಬಕ್ಡ ವ್ ಕಾಂಬ ನಾ ತ್ರ್ ವ್ಟಜಾಂ ಅಪೂಣ್ಾ ಆಶಾಂ ಥೊಡ್ಟಾ ಾಂಚೊ ವಾದ್. ಪೂಣ್ ತ್ಲಾಂಡ್ನ ಯ್ಲೀನಾತಿ ಾ ಮಹ ನಾ​ಾ ತಕ್ ಶಿಕಾಮ ದೀವ್​್ ಸ್ರಭಾಯ್ ಪಳ್ಾಂವಿ ಾಂ ಮಹ ನಾಿ ಪಣ್ ನ್ಹ ಯ್. ಆಮ್ಚಾಂ ವ್ಟರ್ಜಾಂ ಕತಾನಾ ಹ್ಯಾ ರಿವಾರ್ಜಚೊ ಆಥ್ಾ ಕ್ತಾಂ ಆನಿ ಹ ರಿವಾಜ್ ಕ್ತಾ ಕ್ ರ್ಜವಾಳ್ ದವ್ರುಾಂಕ್ ರ್ಜಯ್ ಮಹ ಣ್ ಮುಕಾಿ ಾ ಪ್ಲಳ್ಾಕ್ ಸಮ್ಾ ಸ್ಕೆಾ​ಾಂ ವ್ಟವಾಳ ಾ ಾಂ ಸ್ಮ್ಯ ರ್'ಚ್ ವ್ಟರ್ಜಾ ಚಾ ಗುಕಾ​ಾರಾನ್ ವಿವ್ರಣ್ ದೀವ್​್ ಆಮ್ಚಿ ಸಾಂಸ್ ೃತ ರ್ಜವಾಳ್ ದವ್ರುಾಂಕ್ ಏಕ್ ಮ್ಗಾದಶಿಾ ರ್ಜಾಂವ್​್ ರ್ಜಯ್. ಆಮ್ಚಾಂ ಖ್ಾಂಚಯಿೀ ಸಾಂಭರ ಮ್ ಆಚಸ್ಾತನಾ ಕ್ತಿ ಾ ಗದಾ ಳ್ಯಯ್ಲನ್ ಆಚಸ್ಾಲ ಮಹ ಣಾಿ ಾ ಕ್ೀ? ಸಮ್ಜಕ್ ಕ್ತಾಂ ಸಾಂದೀಶ್ ದಲ ಮಹ ಣ್ ಸಮೊಾ ಾಂಚಾಂ ಗಜ್ಾ. ನಾಲ್ಾ ಫಡಿ ಕಣಾಂ? ರಸ್ ಸಾಂಭರ ಮ್ಾಂತ್ ಸ್ಾ ಭಾವಿಕ್ ರ್ಜವ್​್ ಹೊರೆತಚಾ ವ್ ಹೊಕೆಿ ಚಾ ಆವ್ಯ್​್ ನಾಲ್ಾ ಫಡಿ​ಿ ರಿವಾಜ್. ಜರ್ ಆವ್ಯ್ ನಾ ತ್ರ್ ಹೆಾಂ ಹಕ್​್

ವ್ಟನಿಯಾ​ಾಂಕ್ ವ್ ಮೌಶಿ, ಆಶಾಂ ವತ. ಆತಾಂಚಾ ಸಾಂಭರ ಮ್ನಿಾಂ ಕ್ತಿ ನಾಲ್ಾ ಫಡಿ ಆಶಾಂಯಿೀ ಗೊಾಂದಳ್ ಆಸ್. ಪುಣ್ ಆದಾಂ ಥಾವ್​್ ಆಯಿಲಿ​ಿ ರಿವಾಜ್ ಏಕ್, ತೀನ್, ಪಾ​ಾಂಚ್ ಆಶಾಂ ಆಸ್ರ್ಜಯ್, ತಚಾ​ಾ ಬದಾಿ ಕ್ ದೀನ್, ಚಾರ್, ಸ ಆಶಾಂ ನಾಲ್ಾ ಭೆತಾಂಕ್ ರ್ಜಯಾ್ ಾಂತ್. ರೀಸ್ಚೊ ಆಥ್ಾ ಕ್ತಾಂ? ಆಮ್ಚಾಂ ಆದಾಂ ಥಾವ್​್ ರಸ್ ಸಾಂಭರ ಮ್ ಚಲಯಾತ ಾಂವ್, ಪೂಣ್ ಹ್ಯಚೊ ಆಥ್ಾ ಕ್ತಾಂ ಮಹ ಣ್ ಥೊಡ್ಟಾ ಾಂಕ್ ಮ್ತ್ರ ಕಳ್ಳತ್. ತ್ರ್ ರೀಸ ಮಹ ಳ್ಯಾ ರ್ ಕ್ತಾಂ? ನಾಲ್ಾ ನಿತ್ಳ್ ರ್ಜಲಿ ಾ ನ್ ಕಾರ್ಜರ್ ರ್ಜಾಂವಾಿ ಚಲಾ ನ್ ವಾ ಚಲೆಾ ನ್ ಆಪ್ಿ ಾಂ ಆಾಂಕಾ​ಾ ರಿ ರ್ಜವಿತ್ ವ್ಾ ಭಿಚಾರಾಚಾಂ ಪಾತ್ಕ್ ನಾಸ್ತ ಾಂ ನಿತ್ಳ್ ಸ್ಾಂಭಾಳ್ಯಳ ಾಂ ವ್ ಜರ್ ಕ್ತಾಂಯಿೀ ನೆಣಾಪಾಣಾಚಾ ಚುಕ್ನ್ ಲೆೈಾಂಗ್ಲಕತಚಾಂ ಪಾತ್ಕ್ ಆಧಾಲಾ​ಾಂ ತ್ರ್ ತಾಂ ಆಮ್ಚಾಂ ಹ್ಯಾ ರಸ್ ಮುಖಾ​ಾಂತ್ರ ಧುವ್​್ ತಕಾ ಸ್ತ್ಲಾ ಸ್ಕಾರ ಮ್ಚಾಂತ್ ಜಡಾಂಕ್ ಆಯ್ಲತ ಕೆಲ ಮಹ ಳ್ಳಳ ಭಾಯ್ಲಿ ಗುತ್ಾ ರ್ಜವಾ್ ಸ್. ಆಧುನಿಕ್ ರಸ್ ಸಾಂಭರ ಮ್ಾಂತ್ ರೀಸ ಪುಸ್ಿ ಾ ಉಪಾರ ಾಂತ್ ಬಿಯರ್, ತಾಂತಾ ಾಂ, ಫುಟವ್​್ ಮ್ತಾ ರ್ ವ್ಟತತ ತ್. ಪುಣ್ ಹ

43 ವೀಜ್ ಕ ೊಂಕಣಿ

ಚೂಕ್. ಆಮ್​್ ಾಂ ಸಾಂಭರ ಮ್ಚೊ ಆನ್ಾಂದ್ ಭೊಗುಾಂಕ್ ಆಸ್ ತ್ರ್ ದೂದ್, ಧಾಂಯ್ ವಾ ಕ್ತಾಂಯಿೀ ನಿತ್ಳ್ ವ್ಸುತ ವಾಪಯ್ಲಾತ. ಆಮೊಿ ರಸ್ ಸಾಂಭರ ಮ್ಚೊ ದಬಾಜ ಪಳ್ವ್​್ ಆತಾಂ ಹಾಂದು ಭಾವಾನಿಾಂಯಿೀ ಹಳ್ದ್ ಪುಸುನ್ ರ್ಜಲಿ ಾ ಉಪಾರ ಾಂತ್ ನಾಲಾ ರೀಸ ಪುಸುಾಂಕ್ ಸುರು ಕೆಲ ತ ಭೊೀವ್ ಅಭಿಮ್ನಾಚಿ ಗರ್ಜಲ್. ಪೂಣ್ ತ ತಾಂತಾ ಾಂ, ಬಿಯರ್ ವ್ಟತನ್ ಭೊಾಂಗೊಸತ ಳ್ ಬಿಲ್ಲ್ ಲ್ ಕರಿನಾ​ಾಂತ್. ತೀಲ್ ಘಾಲೆಿ ಾಂ ಕ್ತಾ ಕ್? ಆಮೊಿ ಾ ಕ್ರ ೀಸ್ತ ೀ ಭಾವಾಡ್ಟತಚೊಾ ಹಯ್ಲಾಕ್ ರಿವಾರ್ಜ ಕಪಾಲರ್ ವ್ ಮ್ತಾ ರ್ ತೀಲ್ ಮ್ಖ್ಲಿ ವ್ವಿಾ​ಾಂ ಸುರು ರ್ಜತತ್. ರ್ಜಾಂವ್ ಬಾಪ್ಲತ ಜ್ೊ , ಕ್ರ ೀಜ್ೊ , ಯಾಜಕ್ೀ ದೀಕಾಮ , ಆಶಾಂ ಆಸ್ತ ಾಂ ಕಾರ್ಜರ್ ಏಕ್ ಸ್ಕಾರ ಮ್ಚಾಂತ್ ರ್ಜಲಿ ಾ ನ್ ಹೊರೆತಕ್ ವಾ ಹೊಕೆಿ ಕ್ ತಲ ಮುಖಾ​ಾಂತ್ರ ಪವಿತ್ರ ಕನ್ಾ ಲಾ್ ಸಾಂಸ್​್ ರಾಕ್ ಆಯ್ಲತ ಾಂ ಕತಾಲಿಾಂ. ದಕುನ್ಾಂಚ್ ಆದಾಿ ಾ ಕಾಳ್ಯರ್ ರೀಸ ಪುಸುನ್ ರ್ಜಲಿ ಾ ಹೊರೆತಕ್ ವಾ ಹೊಕೆಿ ಕ್ ಘರಾಚಾ ಆಾಂಾ್ ಭಾಯ್ರ ಯ್ಲೀಾಂವ್​್ ನಾತಿ ಾಂ. ತಣಿಾಂ ದುಸ್ರ ಾ ದಸ್ ಸಕಾಳ್ಳಾಂ ರೆಸೊ ರಾಕ್'ಚ್ ಭಾಯ್ರ ಮ್ಚೀಟ್ ಕಾಡಿ ಾಂ ಆಸಿ ಾಂ. ತ್ರ್ ವ್ಟವ್ಟಾ ಮಹ ಣೊಿ ಕ್ತಾ ಕ್?

ಆತಾಂಚಾ ರಸ್ಾಂತ್ ವ್ಟವ್ಟಾ ಮಹ ಳ್ಯಾ ರ್ ಎಕಾಮ್ಚಕಾ ಪಾ​ಾಂಯ್ ವ್ಟಡಿ , ವ್ ಕ್ತಾಂಗ್ಲೀ ತ್ಲಾಂಡ್ಟಕ್ ಆಯ್ಲಿ ಾಂ ಸ್ಾಂಗ್ಲಿ ಾಂ ಅಸಲೆಾಂ ಚಿಾಂತ್ಪ ಆಸ್, ಥೊಡ ಪಾವಿಾ ಾಂ ಸುವಾರ್ ಥಾವ್​್ ಾಂಚ್ ವ್ಟವಾ​ಾ ಾಂನಿ ಪೊಜಡ ಪಣ್ ವಾಹ ಳ್ಳನ್ ಯ್ಲತ. ಪೂಣ್ ಹ ಚೂಕ್. ವ್ಟವ್ಟಾ ಮಹ ಳ್ಯಾ ರ್ ಕಾರ್ಜರ್ ರ್ಜತಲಾ ಚಲಾ ಕ್ ವಾ ಚಲೆಾ ಕ್ ತಚಾ ಪಾಟ್ಲಿ ಾ ರ್ಜಣಾ ಚಿಾಂ ಘಡಿತಾಂ ಉಾಡ ಸ್ಕ್ ಹ್ಯಡಿ​ಿ ಾಂ ಆನಿ ಫುಡ್ಟಿ ಾ ಸ್ಾಂಾತ ರ್ಜಣಾ ಕ್ ಚತರ ಯ್ ಸ್ಾಂಗ್ಲಿ ರಿೀತ್ ರ್ಜವಾ್ ಸ್. ಹ್ಯಾಂತಾಂ ಪಾ​ಾಂಚ್ ಭಾಗ್ ಆಸ್ತ್ ಪಯ್ಲಿ :- ದವಾಕ್ ವ್ ದವಾಧಿೀನ್ ರ್ಜಲಿ ಾ ಸ್ಾಂಧಾ​ಾ ಾಂಕ್ ಮ್ನ್ ದಾಂವ್ಟಿ ಾ ವ್ಟವ್ಟಾ . ದಾಕಾಿ ಾ ಕ್ :- ಕಾನಿಾಂ ಘಾಲೆಾಂ ತೀಲ್, ಕಪೊಲಿಾಂ ಕಾಡಿ ಖುರಿಸ, ವೈಾಂಕುಟಿಚೊ ಜಜು ಕ್ರ ೀಸತ ಹೊರೆತಕ್ ರ್ಬಸ್ಾಂವ್ ದಾಂವ್...

- ಹ್ಯತಾಂತ್ ಧಲಾ ಾ ಬಶಿ, ಮ್ಚರ್ಜರ್ ದವ್ಲಾ ಾ ಗ್ಲಾಂಡಿ, ಸಾ​ಾರ್ ಘಾಲಾ ದಾಂಬಿ ಹೊಕೆಿ ಆರ್ಜಯ್ಲನ್ ತರ್ಜ... ದುಸ್ರರ :- ರ್ಜಗುರ ತ್ ಯ್ಲಚೊಾ ವ್ಟವ್ಟಾ .

- ಮಹ ಳ್ಯಾ ರ್ ತಚ ಪಾಸತ್ ತಚಾ​ಾ ಆವ್ಯ್, ಬಾಪಯ್ ವ್ ಕುಟ್ಲೊ ದಾರಾ​ಾಂನಿ ಕಾಡಿ ಕಷ್ಾ ಉಾಡ ಸ್ಕ್ ಹ್ಯಡಿ .

44 ವೀಜ್ ಕ ೊಂಕಣಿ

ಧಾಕಾಿ ಾ ಕ್ :- ಭಾರಿಕ್ ರೆಾಂವ್ ಧಣಿಾರ್ ವಾರಯಿ​ಿ , ವಾಟ್ ಝರಯಿ​ಿ ಹೊರೆತ ಬಾಪಯ್​್ ತರ್ಜ...

ಪಾಟ್ಲಿ ಾ ರಾನಾ​ಾಂತ್ ಮ್ತಾ ವಾಗ್, ಉತರ ಆಮ್ಿ ಹೊರೆತಕ್...

ತ್ಳ್ಾ ಾಂ ಮೊಡಲ್ ಕಯ್ಲತ ನ್ ರ್ಬಾಂಡಿನಾಕಾ, ಕಾರ್ಜರ್ ರ್ಜಲೆಾಂಯ್ ಮಹ ಣೊನ್ ಕುಟ್ಲೊ ಕ್ ಖ್ಲಾಂಡಿನಾಕಾ...

ತಳ್ಯಾ ಾ ಭಾಷ್ಾಂತ್ ಪ್ಜಕ್ ಮಹ ಣಾತ ತ್ ಗಾಂರ್ಜ, ತಕಾ ಕ್ತಾ ಕ್ ನ್ಾಂರ್ಜ ಹ್ಯಾಂವಾಂ ವ್ಟವ್ಟಾ ಮಹ ಳ್ಳಾ ಮಹ ಣ್....

ತಸ್ರರ :- ರೀಸ ಪುಸ್ರಿ ಾ ವ್ಟವ್ಟಾ ಮಹ ಳ್ಯಾ ರ್ ರಸ್ಕ್ ಸಾಂಭಾಂಧ್ಯ ರ್ಜಲೊಾ ವ್ಟವ್ಟಾ .

ಪಾ​ಾಂಚೊಾ ಭಾಗ್ ;- ನಾಹ ಾಂವ್​್ ಆಪವ್​್ ವ್ಚೊಾ. ಹೊಾ ನಿಮ್ಣಾ​ಾ ಭಾ​ಾ​ಾಂತ್ ಯ್ಲತತ್.

ಧಾಕಾಿ ಾ ಕ್ :- ಆಪೊರ ಸ್ಚಿ ವಾಟಿ​ಿ ದಾವಿಗ್ಲೀ ಉರ್ಜಾ ಪಯ್ಲಿ ರಸ ಲಯಾತ ಹೊರೆತ ಆವ್ಯ್ ತರ್ಜ...

ಧಾಕಾಿ ಾ ಕ್ :- ತಾಂಬಾ​ಾ ಚಾ ಭಾಣಿಾಂ ಉದಾಕ್ ತಪಯಾಿ ಾಂ, ನಾಹ ಾಂವ್​್ ಆಪಯಾಿ ಾಂ ಆಮ್ಿ ಹೊರೆತಕ್...

- ನ್ಾಂಡನ್ ಘಾಲೆಾಂ ಲೊಣಿ ಾಂ ಭಾವಾ ನ್ ಘಾಲಿ ಧೊಸ, ವಿಾರ್ ರೀಸ ಪುಸ್ತ ಹೊರೆತ ನಿಟ್ಾ ಬಸ

ಮ್ಡಾ ಚಿ ಕಾ​ಾಂಬ್ ಬಾವನ್ ತಸ್ಾ , ದಾ​ಾಂಬುನ್ ಘಾಸ್ಾ ಆಮ್ಿ ಹೊರೆತಕ್.

ಚವ್ಟತ :- ಪಾ​ಾಂಯ್ ವ್ಟಡಿ ಾ ವ್ಟವ್ಟಾ . ಮಹ ಳ್ಯಾ ರ್ ಹೊಾ ಫಕತ್ ಎಕಾಮ್ಚಕಾಕ್ ವ್ಟಲವ್​್ ತ್ಮ್ಷ್ಮಾ ಾಂ ಖಾತರ್ ಮಹ ಣೊಿ ಾ . ಪೂಣ್ ಹ್ಯಾಂತ ಕಸಲೊಚ್ ರಾಗ್ ಕರುಾಂಕ್ ವಾ ಝಾಡ ಾ ಕ್ ಕಾರಣ್ ಸ್ರಧುಾಂಕ್ ನಾ. ಧಾಕಾಿ ಾ ಕ್ :- ವ್ಟರೆತ್ ಆಮೊಿ ಅಾಂಬಡ ಧಾಡ್ಟಯಾತ ಲೊ, ಕಾರ್ಜರ್ ರ್ಜಯಾ್ ಮಹ ಣ್ ಆಮ್​್ ಾಂ ಹೆಡ್ಟಯಾತ ಲೊ...

ಘೊರಜ್ ಫುಡ ರಾಗ್

ಇತಿ ಾ ಸ್ರಭಾಯ್ಲಚಿ ಆನಿ ಅಥಾ​ಾಭರಿತ್ ಸಾಂಸ್ ರತ ಆಮ್ಚಾಂ ರ್ಜವ್​್ ಾಂಚ್ ಪಾಡ್ನ ಕೆಲಾ ಮಹ ಣ್ ಸ್ಾಂಾಿ ಾ ಾಂತ್ ದೀನ್ ಉತರ ಾಂ ನಾ​ಾಂತ್. ಆನೆಾ ೀಕ್ ಮಹ ರ್ಜಾ ದಳ್ಯಾ ಾಂ ಮುಕಾರ್ ಘಡಲೆಿ ಾಂ ಘಡಿತ್ ಹ್ಯಾಂವ್ ತಮ್ಿ ಾ ಮುಕಾರ್ ದವ್ರುಾಂಕ್ ಆಶತಾಂ. ಏಕ್ ದೀಸ ಹ್ಯಾಂವ್ ಬಸಸ ಸ್ರಾ ಪಾರ್ ಬಸ್ಸ ಕ್ ರಾಕನ್ ಆಸ್ರಿ ಾಂ, ತ್ವ್ಳ್ ಕುಶಿನ್ ದೀಗ್ ತ್ನಾ​ಾಟ್ತ ಈಷ್ಾ ಗರ್ಜಲಿ ಮ್ನ್ಾ ಆಸಿ . ಎಕಿ ಕ್ರ ೀಸ್ತ ಾಂವ್, ಆನೆಾ ೀಕಿ ಹಾಂದು. ಥೊಡ್ಟಾ

45 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಳ್ಯನ್ ಕ್ರ ೀಸ್ತ ಾಂವ್ ಮಹ ಣಾಲೊ ಹಾಂದಾ​ಾ ಲಗ್ಲಾಂ ಮಹ ಣಾಲೊ. "ರ್ಜಯ್ತ ತ್ರ್ ಹ್ಯಾಂವ್ ವತಾಂ, ಮ್ಹ ಕಾ ರಸ್ಕ್ ವ್ಚೊಾಂಕ್ ಆಸ್ ". ತ್ವ್ಳ್ ಹಾಂದು ಮಹ ಣಾಲೊ "ರೀಸ ಮಹ ಳ್ಯಾ ರ್ ಕ್ತಾಂ? " ಕ್ರ ೀಸ್ತ ಾಂವ್ ತ್ನಾ​ಾಟ್ಲಾ ಚಿ ರ್ಜಪ "ರೀಸ ಮಹ ಳ್ಯಾ ರ್ ವಚಾಂ, ದೀನ್, ಚಾರ್ ಬಿಯರ್ ಮ್ಚೊಾ ಾ, ಉಪಾರ ಾಂತ್ ಡ್ಟನ್​್ ಮ್ನ್ಾ ಪಾಟಿಾಂ ಯ್ಲಾಂವಿ ಾಂ " ಹ ರ್ಜಪ ಆಯಾ್ ತ್ಚ್ ಮ್ಹ ಕಾ ಮೊಸುತ ರ್ಬರ್ಜರ್ ಭೊಗ್ಲಿ ಾಂ.

ಘೆಾಂವ್​್ ವ್ತ್ಲಾ ಅಭಿಮ್ನ್ ಭೊಗೊಾಂದ. ಬದಾಿ ಕ್ ತಾಂಕಾ​ಾಂ ಚೂಕ್ ಸಮೊಾ ಣಿ ದೀವ್​್ ಆಮ್ಿ ಚ್ ತ್ಲಾಂಡ್ಟಕ್ ಕರಿ ಪುಸ್ಿ ನಾಕಾ. ಆಮ್​್ ಾಂ ಸಾಂಸ್ ರತ ವಿಷ್ಮಾ ಾಂತ್ ಸಮೊಾ ಣಿ ನಾ ರ್ಜಾಂವ್​್ ಅನೆಾ ಕ್ ಮುಖ್ಾ ಕಾರಣ್ ಆಮ್ಚಾಂ ಆಖ್ಲರ ೀಚಾ ಘಡಾ ಕಾಯಾ​ಾಕ್ ಹ್ಯಜರ್ ರ್ಜಾಂವಿ ಾಂ. ದಕುನ್ ಫುಡಾಂ ಆಮ್ಿ ಸಾಂಸ್ ರತಚಿ ಘನ್ತಯ್ ಸಮೊಾ ನ್, ವಳ್ಯರ್ ಹ್ಯಜರ್ ರ್ಜವ್​್ ಮುಕಾಿ ಾ ಪ್ಲಳ್ಾ ಾ ಕ್ ವಾಟ್ತ ದವ್ಟ ರ್ಜವಾ​ಾ ಾಂ. ಆಮ್ಚಿ ಸಾಂಸ್ ರತ ಆಮ್ಚಿ ಾಂ ದಾಯ್ಾ ಹ ಸ್ಾಂಬಾಳುಾಂಕ್ ಆಮ್ಚಾಂ ಶಿವಾಯ್ ದುಸ್ರರ ಕಣಿೀ ನಾ ವ್ಯ್ಾ

ಮೊಾಚಾ​ಾಂನೊೀ ಆಮ್ಿ ಸಾಂಸ್ ರತ, ಕಾಯ್ಲಾ​ಾಂ ಸ್ರಭಾಣಾವಿಶಿಾಂ ಆಮ್​್ ಾಂ ರ್ಜಣಾ​ಾ ಯ್ ಆಸ್ರಾಂದ. ಆನಿ ತ ವಿಲಿ​ಿ ಅಲಿ​ಿ ಪಾದ* ಆನಾಭ ವಾಥಾ​ಾ ಾ​ಾಂ ರ್ಾಂಯ್ ವಾ​ಾಂಟನ್ ----------------------------------------------------------------------------------------

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(ನಿೀಜ್ ಘಡಿತ್)

ಜಯ್ ಸೀತಾರಾಮ್! ಟೀನಿ ಮಂಡೀನಸ ನಿಡಡ ೀಡಿ (ದುಬಾಯ್) ಸಬಾರ್ ವ್ಸ್ಾ​ಾಂ ಥಾವ್​್ ಮಹ ರ್ಜಾ ಕಾನಾ​ಾಂನಿ “ಜಯ್ ಸ್ೀತರಾಮ್” ಹೊ ಸಬ್ಾ ಪರ ತಧಾ ನಿ ರ್ಜವ್​್ ಚ್ ಆಸ್. ಕಾರಣ್ ತದಾಳ್ಯ ಹ್ಯಾಂವ್ ಲಹ ನ್ ೧೨ ವ್ಸ್ಾ​ಾಂಚೊ ಭುಗೊಾ ಆಸ್ತ ನಾ​ಾಂಚ್ ಪಳ್ಲೊಿ ಹೊ 25-30 ವ್ಸ್ಾ​ಾಂಚೊ ಧೃಡ್ನಕಾಯ್ ಮನಿಸ, ಬರಾ​ಾ ರೂಪಾಚೊ, ಸ್ರಭಾಯ್ಲಚೊ ಆನಿ ಶಿಕ್ೊ ತ್ನಾ​ಾಟೊ ಮಹ ಣ್ ತಕಾ ತಾ ವಳ್ಯರ್ ಪಳ್ಲೆಿ ಭಿಲ್ಲ್ ಲ್ ನೆಾರ್ ಕರೆಿ ನಾ​ಾಂತ್. ಖಾಕ್ ವ್ಸುತ ರಾಚಿ ಲಾಂಬ್ ಚಡಿಡ ತ್ಶಾಂ ತಚ ವ್ಯ್ರ ಥೊಡಿಾಂ ಬಲಸ ಾಂ ಆಸಿ ಾಂ ಖಾಕ್ ವ್ಸುತ ರಾಚಾಂ ರ್ಟ್ಾ, ತ್ಕೆಿ ರ್ ಲಾಂಬ್ ವಾಡಾಂಕ್ ಸ್ರಡಿ ಲೆ ಕೆೀಸ, ತಾ ಬರಾಬರ್ ತಸ್ನಾಸ್ತ ಾಂ ಆಸಿ ಾಂ ಖಾಡ್ನ ಆನಿ ಮ್ಚಶಿ. ನಾಕಾ ವ್ಯ್ರ ದಳ್ಯಾ ಾಂಕ್ ಝಳ್ಾ ಳ್ಿ ಾಂ ವ್ಟಕ್ಿ ಸ್ರಭಾತ ಲೆಾಂ.

ಹ್ಯಚಾಂ ಕಾಮ್ ಕ್ತಾಂಗ್ಲೀ ಮಹ ಳ್ಯಾ ರ್ ದನಾೊ ರ್ ಪಯಾ​ಾ​ಾಂತ್ ಘರಾ​ಾಂ-ಘರಾ​ಾಂನಿ ವ್ಚುನ್ “ಜಯ್ ಸ್ೀತ ರಾಮ್” ಉದಾ​ಾ ರ್ ಕಾಡನ್ ಭಿಕ್ ಮ್ಗ್ಲಿ ಾಂ. ಭಿಕ್ ಮ್ಗೊನ್ ಮ್ಚಳ್ಳ ಲಾ ವ್ಸುತ ಾಂನಿ ಆನಿ ಪಯಾಿ ಾ ಾಂನಿ ತಾ ದಸ್ಚಾಂ ರ್ಜೀವ್ನ್ ಸ್ರೆಿ ಾಂ. ಏಕ್ ಪಾವಿಾ ಾಂ ಗ್ಲಲಿ ಾ ಘರಾಕ್ ಆನೆಾ ೀಕ್ ಪಾವಿಾ ಾಂ ವಚಾಂ ತ್ರ್ ಥೊಡ ಹಫೆತ ಪಾಶಾರ್ ರ್ಜತಲೆ. ತಾ ಖಾತರ್ಚ್ ತಕಾ ಕಣ್ಯಿೀ ಭಿಕ್ ನೆಾರ್ ಕರಿನಾಸ್ತ ಾಂ ಸಾಂತ್ಲಸ್ನ್ ದತಲೆ. ಮ್ಹ ಕಾ ಮ್ತ್ರ ತಕಾ ಪಳ್ಲಿ ಾ ತ್ವ್ಳ್ ಥಾವ್​್ ಹೊ ಕ್ತಾ ಕ್ ಅಸ್ರ? ಹ್ಯಕಾ ರ್ಜಲಾಂ ತ್ರಿೀ ಕ್ತಾಂ? ಹ್ಯಾ ಪಾರ ಯ್ಲರ್ ಹ್ಯಕಾ ಸಾಂಕಷ್ಾ ಉಬಾ ಾಂಕ್ ಕಾರಣ್ ಕ್ತಾಂ? ಕಸಲೊ ಧಖೊ ಹ್ಯಕಾ ಪಾರ ಪತ ರ್ಜಲ? ಅಸಲಿಾಂ ನಾನಾ​ಾಂತಾಂ ಸವಾಲಾಂ

47 ವೀಜ್ ಕ ೊಂಕಣಿ

ಮಹ ರ್ಜಾ ಮತಾಂತ್ ಘುಾಂವಾತ ಲಿಾಂ. ಎಕೆೀಕ್ ಪಾವಿಾ ಾಂ ಕಾರಣ್ ವಿಚಾರ್​್ ಚ್ ಸ್ರಡ್ಟಾ ಾಂ ಮಹ ಣ್ ಭಾತ ಲೆಾಂ. ಪುಣ್ ತದಾಳ್ಯಚಿ ಮಹ ರ್ಜ ಪಾರ ಯ್ ಮ್ಹ ಕಾ ಧಯ್ರ ದೀನಾತ್ಲಿ​ಿ . ತಾ ಉಪಾರ ಾಂತ್ ಹ್ಯಾಂವಾಂ ಮುಾಂಬಯ್​್ ಪಯ್​್ ಧರೆಿ ಾಂ. ಮುಾಂಬಯಾ​ಾಂತಿ ಾಂ ಮಹ ಜಾಂ ಲಹ ನೆಿ ಾಂ ಕಾಮ್ ಸಾಂಪವ್​್ ರಜರ್ ಾ​ಾಂವಾಕ್ ಪಾವಾತ ಲೊಾಂ. ತ್ವ್ಳ್ ಘರಾಲಗ್ಲಾಂ ಹೆವಿ​ಿ ನ್ ಆನಿ ತವಿ​ಿ ನ್ ಮಹ ಳ್ಳ ಪರಿಾಂ “ಜಯ್ ಸ್ೀತರಾಮ್” ಮಹ ಳ್ಳಳ ೀ ತಳ್ಳ ಆಯ್ಲ್ ಾಂಕ್ ಮ್ಚಳ್ಯತ ಲೊ. ತ್ರಿೀ, ಆದಾಂ ಮಹ ಜ ರ್ಾಂಯ್ ಆಸಲಿ​ಿ ಆತರತ ಆತಾಂ ನಾತಿ ಲಾ ನಿಮ್ಚತ ಾಂ ತಚಾ​ಾ ಕುಶಿಾಂ ಮಹ ಜಾಂ ಗಮನ್ ವ್ಚಾನಾಸ್ತ ಾಂ ತಾಂ ಸದಾ​ಾಂಚಾಂ ಏಕ್ ಮ್ಮೂಲ್ ಮಹ ಣ್ ಚಿಾಂತನ್ ವ್ಗೊಚ್ ರಾವಾತ ಲೊಾಂ. ರರ್ಜ ಆಖ್ಲೀರ್ ರ್ಜವ್​್ ಪರತ್ ಮುಾಂಬಯ್ ಪಾವಾತ ಲೊಾಂ. ತ್ರಿೀ ಎಕೆೀಕ್ ಪಾವಿಾ ಾಂ “ಜಯ್ ಸ್ೀತರಾಮ್” ಮಹ ಳ್ಳಳ ತಳ್ಳ ಮಹ ರ್ಜಾ ಕಾನಾ​ಾಂನಿ “ಗುಾಂಯ್” ಕರ್​್ ಆವಾಜ್ ಕರಾತ ಲೊ. ತಚಾಂ ರುಪ್​್ ಾಂ ಮಹ ರ್ಜಾ ದಳ್ಯಾ ಾಂ ಫುಡಾಂ ಉದವ್​್ ಮ್ಯಾಗ್ ರ್ಜತಲೆಾಂ. ಪುನಾ​ಾ ನ್ ಮಹ ಳ್ಳ ಪರಿಾಂ ಆನೆಾ ೀಕ್ ಪಾವಿಾ ಾಂ ಾ​ಾಂವಾಕ್ ಪಾವ್ಲಿ ಾ ವಳ್ಳಾಂ ತ್ಲಚ್ “ಜಯ್ ಸ್ೀತರಾಮ್” ಮಹ ಳ್ಳಳ ಸಬ್ಾ ತಾ ಚ್ ವ್ಾ ಕ್ತಚೊ ಆಮ್ಿ ಾ ಘರಾ ಆಾಂಾ್ ಾಂತ್ ಆಯಾ್ ತನಾ ಶಿರಿಾಂ ಚುಕಿ ಾಂ. ಭಾಯಾಿ ಾ ನ್ ಕಠಣ್ ಶಿರಾ​ಾಂಧಾರಿಚೊ ಪಾವ್ಸ ವ್ಟತತ ಲೊ. ತಾ ವ್ಾ ಕ್ತ ರ್ಾಂಯ್ ಸ್ಾಂಗೊಾಂಕ್ ಆಸ್ಿ ತ್ಸಲಿ ರ್ಜಯಿತ ಬದಾಿ ವ್ಣ್ ರ್ಜಲಿ​ಿ . ವ್ಟತಕ್

ಸುಕನ್, ಪಾವಾಸ ಕ್ ಭಿಜನ್ ಇತಿ ಾಂ ವ್ರಾಸ ಾಂ ಪಾಶಾರ್ ಕರ್​್ ತಚಿ ಕ್ಮಡ್ನ ಝುಜಾರನ್ ಗ್ಲಲಿ​ಿ . ಮುಖ್ಮಳ್ಯಚೊ ಆದಿ ಪಜಾಳ್ ಆತಾಂ ನಾ ರ್ಜಲೊಿ . ಬಾವ್ಟನ್ ಸುಕನ್ ಗ್ಲಲೆಿ ಾಂ ತ್ಲಾಂಡ್ನ, ವಾ​ಾಂಕೆಡ -ತಾಂಕೆಡ ಲಾಂಬ್ ವಾಡನ್ ಆಸಲೆ ಗುಾಂಗುರ್ ಕೆೀಸ ತಾ ಚ್ ರಿತನ್ ವಾಡ್ನಲೊಿ ಾ ಖಾಡ್ನ ಆನಿ ಮ್ಚಶಿಯ್ಲ. ನಾಕಾ ವ್ಯ್ರ ದಳ್ಯಾ ಾಂಕ್ ಖೊವ್ಯಿಲೆಿ ಾಂ ಗಯ್ಲರ ಾಂ ವ್ಟಕ್ಿ . ಬಲಸ ಾಂನಿ ಭರನ್ ಆಸಿ ಾಂ ತಾಂಚ್ ಖಾಕ್ ವ್ಸುತ ರಾ​ಾಂಚಾಂ ಖೊಮ್ಚಸ, ನೆಹ ಸಲಿ ಅಧಿಾ ಖಾಕ್ ಚಡಿಡ . ಕ್ಮ ೀಣ್ ದುಬಾಲತನ್ ಚಲೊನ್ ನಿತರ ಣ್ ರ್ಜಲೆಿ ಪಾ​ಾಂಯ್ ತಣಾಂ ಗುಡ್ಟಡ ಯಿಲಿ ಾ ವಾಟ್ತಾಂಚಿ ಕಥಾ ಉಗ್ಲತ ದಸ್ತ ಲಿ. ಮಹ ಜಾಂ ಮನ್ ತ್ಡಾ ಾಂಕ್ ಸಕಾನಾಸತ ಾಂ ಏಕ್ ಘಡಿ ಭರ್ ತಕಾ ಭಿತ್ರ್ ಆಪೊವಾ​ಾ ಾಂ ಮಹ ಣ್ ಭೊಗ್ಲಿ ಾಂ ಆನಿ ಘಳ್ಯಯ್ ಕರಿನಾಸ್ತ ಾಂ ಆಪೊವ್​್ ಾಂಚ್ ಸ್ರಡಿ ಾಂ. “ಆಬಾ, ಭಾಯ್ರ ವಿಪ್ಲರ ೀತ್ ಪಾವ್ಸ ಪಡ್ಟತ . ಥೊಡ್ಟಾ ವಳ್ಯ ಖಾತರ್ ತಾಂ ಭಿತ್ರ್ ಯ್ಲೀ” ಮಹ ಳ್ಳ ಾಂ ಹ್ಯಾಂವಾಂ. ಪುಣ್ ತ್ಲ ವ್ಾ ಕ್ತ ಒಪೊಾ ಾಂಚಪರಿಾಂ ದಸ್ರಿ ನಾ. “ಆಸ್ರಾಂದ ಸ್ರಡ್ನ ಧನಿಯಾ, ಮಹ ಜಾಂ ಕ್ತಾಂ ಹೆಾಂ ಸದಾ​ಾಂಚಾಂಚ್” ಮಹ ಣಾಲೊ. ಪುಣ್ ಹ್ಯಾಂವಾಂ ತಕಾ ಸ್ರಡ್ನ್ ದಲೆಾಂನಾ. ಪಾವಾಸ ಕ್ ಭಿರ್ಜನಾಶಾಂ ಭಿತ್ರ್ ಯ್ಲೀರ್ಜಯಿಚ್ ಮಹ ಣ್ ವ್ತತ ಯ್ ಕೆಲಿ. ಮನ್ ನಾ ತ್ರಿ ತ್ಲ ಭಿತ್ರ್, ಮಹ ಳ್ಯಾ ರ್ ಆಾಂಾ್ ದಗ್ಲಚಾ​ಾ ಪಾಕಾ​ಾ ಮುಳ್ಯಾಂತ್ ಯ್ಲೀವ್​್ ಉಬ ರಾವ್ಟಿ .

48 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸ್ಾಂಗ್ಲಿ ಲಾ ವ್ತತ ಯ್ಲಕ್ ಆಯ್ಲ್ ನ್ ರ್ಾಂಯ್ಿ ಆಸಲಿ ಾ ಧಕುಾ ಲಾ ಬಾ​ಾಂಕಾರ್ ಆಪ್ಿ ಾಂ ಖಾಕ್ಯ್ಲಾಂತ್ ಖೊವ್ಯಿಲೆಿ ಾಂ ಪೊತಾಂ ಆನಿ ಉಸಯಿಲಿ​ಿ ಸತರ ದಡನ್ ರ್ಾಂಯಸ ರ್ ಬಸ್ರಿ . “ಆಬಾ, ತಕಾ ರ್ಬರ್ಜರಾಯ್ ನಾ ತ್ರ್ ಏಕ್-ದೀನ್ ಸವಾಲಾಂ ತಕಾ ವಿಚಾರುಾಂಕ್ ಚಿಾಂತಿ ಾಂ. ಕಾರಣ್ ಹ್ಯಮ್ಾ ತಕಾ ಮಹ ರ್ಜಾ ಲಹ ನ್ ಪಾರ ಯ್ಲರ್ ಥಾವ್​್ ವ್ಳ್ಯ್ ತಾಂ. ತರ್ಜಾ ಹ್ಯಾ ರಿತಚಾ​ಾ ರ್ಜಣಿಯ್ಲಕ್ ಕಾರಣ್ ಕಸಲೆಾಂ ಮಹ ಳ್ಳ ಾಂ ದಯಾ ಕರ್​್ ಸ್ಾಂಗ್ಲಿ ಗ್ಲೀ?” ಮಹ ಣ್ ವಿಚಾರೆಿ ಾಂ. ನಿವ್ಟಾಗ್ ನಾಸ್ತ ಾಂ ಸ್ಾಂಗೊಾಂಕ್ ಮನ್ ನಾ ತ್ರಿ, ಆಪಾಿ ಾ ಉಾಡ ಸ್ಚಿ ಕರಾಳ್ ಭುತ ಉಗ್ಲತ ಕರಿಲಗೊಿ . ತ್ಲಾಂಡ್ಟ ವ್ಯ್ರ ಖಿನ್​್ ತ ಆಸಲಿ​ಿ . ನಿೀಟ್ ಉಸ್ಾ ಸ ಸ್ರಡನ್ “ಹ್ಯಾಂವ್ ತಕಾ ತಾಂ ಲಹ ನ್ ಭುಗೊಾ ಆಸ್ತ ನಾ ತ್ವ್ಳ್ ಥಾವ್​್ ಪಳ್ವ್​್ ರ್ಜಣಾ​ಾಂ. ತರ್ಜಾಂ ಆವ್ಯ್ಬಾಪಯ್ ಆತಾಂ ನಾ​ಾಂತ್. ತಾಂ ಆಸ್ತ ನಾ ತ್ವ್ಳ್ ಥಾವ್​್ ಆಜ್ ಪಯಾ​ಾ​ಾಂತ್ ಹ್ಯಾ ಘರಿ​ಿ ಭಿಕ್ ಮ್ಹ ಕಾ ಚುಕ್ಲಿ​ಿ ನಾತ್ಲಿ​ಿ . ಕೆದಾ್ ಾಂಚ್ ಮ್ಹ ಕಾ ಪಾಟಿಾಂ ಧಾಡ್ನಲೆಿ ಾಂ. ನಾ. ಪುಣ್, ಮಹ ರ್ಜಾ ಹ್ಯಾ ರ್ಜಣಿಯ್ಲ ವಿಶಾ​ಾ ಾಂತ್ ತಕಾ ಸ್ಾಂಾಿ ಾ ರ್ ಕ್ತಾಂ ಫಾಯ್ಲಾ ತಾಂ ಮ್ಹ ಕಾ ಕಳ್ಯನಾ ತ್ರಿೀ, ಸ್ಾಂಾತ ಾಂ, ಆಯ್​್ ”. “ಹ್ಯಾಂವ್ಯಿೀ ಸವ್ಾ ಹೆರಾ​ಾಂಪರಿಾಂ ಮಹ ಜಚ್ ಮಹ ಳ್ಳಳ ಫುಡ್ಟರ್ ಬಾ​ಾಂಧುನ್ ರ್ಜಯ್ಲಾಂವ್​್ ಆಶಲೊಿ ಮನಿಸ. ಬಿರ ಟಿಷ್ ಪದಾಧಿಕಾರಿಾಂಚಾ​ಾ ಹ್ಯತ ಸಕಯ್ಿ ವಾವರಿ ಲೊ

ಪದವಿೀಧರ್. ಎಕಾ ಬರಾ​ಾ ಘರಾಣಾ​ಾ ಕುಟ್ಲೊ ಾಂತ್ಲಿ ರ್ಜವ್​್ ಆಸ್ರಿ ಾಂ. 28 ವ್ರಾಸ ಾಂಚಾ​ಾ ಪಾರ ಯ್ಲರ್ ಹೆರಾ​ಾಂಪರಿಾಂ ಹ್ಯಾಂವ್ಯಿೀ ಕಾರ್ಜರ್ ರ್ಜಲೊಾಂ. ಅಧಿಕ್ ಸ್ರಭಾಯ್ಲಚಾ​ಾ ಸುಾಂದರ್ ರೂಪವ್ತ ಹೊಕೆಿ ಚೊ ಹ್ಯತ್ ಧರುನ್ ಘರಿ​ಿ ಾಂ ಮ್ಚಟ್ಲಾಂ ಚಡಿ ಾಂ. ದೀನ್ತೀನ್ ವ್ರಾಸ ಾಂ ಆಮ್ಚ ಮೊಾನ್ ಎಕಾಮ್ಚಕಾ ಪಾವಾ-ಗ್ಲಬುಾಜಾಂ ಪರಿಾಂ ಆಸಲಿ ಾ ಮ್ಾ . ಮಹ ರ್ಜಾ ಕಾಮ್ಾಂ ಬಾಬಿತ ನ್ ತ್ವ್ಳ್-ತ್ವ್ಳ್ ಥೊಡ್ಟಾ ದಸ್ಾಂಕ್ ವಿವಿಧ್ಯ ಾ​ಾಂವಾ​ಾಂಕ್ ರ್ಜಾ​ಾ ಾಂಕ್ ವ್ಚಾರ್ಜಯ್ ಪಡ್ಟತ ಲೆಾಂ. ಮನ್ ನಾ ತ್ರಿೀ ತಾಂ ಕಾಮ್ಾಂ ಮುಗುಾ ನ್ ಹ್ಯಾಂವ್ ಧಾ​ಾಂವಾ​ಾಂಧಾ​ಾಂವಿಾಂ ಮಹ ಳ್ಳ ಪರಿಾಂ ಘರಾ ಪಾವಾತ ಲೊಾಂ. “ಘರಾ ಭಿತ್ರ್ ಯ್ಲೀವ್​್ ಕ್ತಾಂ ಪಳ್ತಾಂ? ಮಹ ರ್ಜಾ ಹಧಾ​ಾ ಾ ಭಿತ್ರೆಿ ಾಂ ಕಾಳ್ಳಜ್ ಫುಟೊನ್ ಭೆಸ್ಾಂ ರ್ಜಾಂವಾಿ ಾ ತ್ಸಲೆಾಂ ದೃಶ್ಾ ಹ್ಯಾಂವಾಂ ಪಳ್ಲೆಾಂ. ತ್ಕೆಿ ಕ್ ಘುಾಂವ್ಟಳ್ ಆಯಿಲಿ ಾ ಪರಿಾಂ ಭಾಸ ರ್ಜಲೆಾಂ. ಮಹ ರ್ಜ ಸ್ರಭಾಯ್ಲಚಿ ಪುತಳ , ಮಹ ರ್ಜ ಪತಣ್, ಮಹ ಜ ವ್ಯ್ಲಿ ಅಧಿಕಾರಿ ಮ್ಚೀಜರ್ ಜನ್ರಲ್ ಸ್ಯಾಬ ಚಾ​ಾ ಉಸ್​್ ಾ ರ್ ತಚಾ​ಾ ವಾಂಗ್ಲಾಂತ್ ಬಸ್ರನ್ ಆಸಲಿ​ಿ . ತಚ ಹ್ಯತ್ ಮಹ ರ್ಜಾ ಪತಣಚಾ​ಾ ಉಬಾರ್ ಹಧಾ​ಾ ಾಚರ್ ಚರಾತ ಲೆ. ಥೊಡಾ ಘಡಿಯ್ಲ ಹೆಾಂ ದೃಶ್ಾ ಪಳ್ವ್​್ ಅಾಂತ್ಮಾಳ್ಯಾಂ ಉಡಿ​ಿ ಾಂ ಆನಿ ದಾಭ ರಾಂತ್ ರ್ಜಲೊಾಂ! “ಹ್ಯಾ ಫುಡಾಂ ಹ್ಯಾಂವಾಂ ಕ್ತಾ ಕ್ ವಾ​ಾಂಚೊನ್ ಉರಾರ್ಜಯ್ ಮಹ ಣ್ ಭೊಗ್ಲಿ ಾಂ. ರ್ಜೀವಾ​ಾ ತ್ ಕರಾಿ ಾ ಕ್

49 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಲೊೀಚನ್ ಆಯಿ​ಿ . ತ್ಕ್ಿ ಪ್ಲಶಿ ರ್ಜಲೆಿ ಪರಿಾಂ ರ್ಜವ್​್ ರ್ಾಂಯ್ ಥಾವ್​್ ಸಬ್ಾ ಕಾಡಿನಾಸ್ತ ಾಂ ಪಾಟಿಾಂ ಘುಾಂವ್ಟಿ ಾಂ. ರ್ಜೀವ್ನಾ​ಾಂತ್ ರ್ಜಗುಪಾಸ ಉಬಾ​ಾ ಲಿ.

ದೀಸ ಸ್ರಾತ ಾಂ”. ಅಶಾಂ ಆಪ್ಿ ಾಂ ಉತ್ರ್ ಆಖ್ಲೀರ್ ಕರುನ್ ಆಪಾಿ ಾ ನಿಸತ ೀಜ್ ದಳ್ಯಾ ಾಂ ಖಾ​ಾಂಚಿಾಂನಿ ದಾಂವಿ​ಿ ಾಂ ದುಖಾ​ಾಂ ಪುಸ್ತ್ ಆಪ್ಿ ಾಂ ಭಿಕ್ ಘೆವ್​್ ಮ್ಹ ಕಾ ಹ್ಯತ್ ಜಡನ್ ಆಕಾಶ್ಭುಮ್ಚ ಏಕ್ ರ್ಜಾಂವಾಿ ಾ ತ್ಸಲಾ ಪಾವಾಸ ಕ್ ಭಿಜನ್ “ಜಯ್ ಸ್ೀತರಾಮ್” ಮಹ ಣಾತ್ ಮಹ ರ್ಜಾ ದಳ್ಯಾ ಮುಕಿ ಅದೃಶ್ಾ ರ್ಜಲೊ.

“ಸಾಂಸ್ರ್ಚ್ ನಾಕಾ ಮಹ ಣ್ ಭೊಗುನ್ ಸಗ್ಲಳ ಾಂ ಸ್ಾಂಡನ್ ದಸೊ ಡತ ಾಂ ರ್ಜಯ್ ತತಿ ಾಂ ಭಿಕ್ ಚಾ​ಾ ರ್ ಘರಾ​ಾಂನಿ ಮ್ಗೊನ್, ರ್ಾಂಯ್-ಹ್ಯಾಂಾ ರುಕಾ ಮುಳ್ಯಾಂನಿ, ರಸ್ತ ಾ ಾಂನಿ ನಿದನ್ ಆಜ್ ಘರಾ​ಾಂತ್ ಹೆ ------------------------------------------------------------------------------------------

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ಮಾಹ ಕಾ ತುಮೊ ಂ ಬಪಾ​ಾಂ ಫಕತ್ ವಿೀಜ್ತ್ಪಾೆ ಲರ್ (ಈ ಮೀಯ್ೊ ) ಮಾತ್ರ ಧಾಡ್ತ್: veezkonkani@gmail.com

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ವಿಕಾರಪಾರ್ ಆಸಾ.... ಕವಿತಾ ಪುಸತ ಕ್

ಮ್ಂಗ್ಳೊ ರಾಂತ್ : ಜೆರೊಸ ಕಂಪೆನಿ, ಹಂಪ್ನ್'ಕಟ್ಕಾ ಇನೆಫ ಂಟ್ ರ್ಜೀಜಸ್ ಬುಕ್ ಸಾ ಲ್, ಕಾಮಾಲ್ ಗ್ಳಡ. ಸಂಪ್ಕಾ​ಾಕ್ Email: avilrasquinha@gmail.com ಆಪ್ರ್ - ಆವಿಲ್ ರಸ್ಕ ೀಞಾ: +91 89715 63221 ಪಾನಂ: XXII + 114

ಮ್ಚೀಲ್: ರ.150/= 56 ವೀಜ್ ಕ ೊಂಕಣಿ

57 ವೀಜ್ ಕ ೊಂಕಣಿ

ಚಿಟ್... ಚುಟ್... ಚುಟುಕಾಂ...39 1. ಸಂವಿಧಾನ್ ಆಮಾೊ ಾ ಹಕಾಕ ಂಚಿ ಆವಯ್ ಜ್ವಾ್ ಸ ಆಮೊ ಂ ಸಂವಿಧಾನ್

ಕಾಯೊ ಆಮಾಕ ಂ ಆಸ ಕರಂಕ್ ಸದ್ಲಂ ತಿಚಂ ರಕ್ಷಣ್.

2. ಮ್ಚಗ್ಯ ಜ್ಡ್ಂ ಹಾಂವ್ ತುಜ್, ತುಂ ಮ್ಹ ಜೆಂ

ಆಮೊ ಂ ಜ್ಡ್ಂ ಸೊಭಾಯ್ಚಂ ವೆಂಗ್ರಂತ್ ರಾವಾ​ಾ ಂ ಸದ್ಲಂ ಅಶಂ ರ್ಜವಿತ್ ಆಮೊ ಂ ಜ್ಂವ್ ಮ್ಚಗ್ಯಚಂ.

3. ದ್ವಾ ನಂವ್ ಸ್ಧ್ೊ ರಾಮ್ರ್ೊ ಾ ನಂವಾಂತ್ ಲ್ಪ್ಲನ್ ಆಸ ದ್ವಾ ನಂವ್ 'ರಾಮ್' ಗ್ಯಂಧಿೀರ್ಜನ್ ಸಿ ಪೆಿ ಲ್ೊ ಂ ರಾಮ್ರಾಜಾ ಖರಂ ಕರತ್ ಸ್ದೊ ರಾಮ್ಯ್ಾ ??

-ಮಾಚಾೊ , ಮಲರ್

58 ವೀಜ್ ಕ ೊಂಕಣಿ

ವಿಲ್ಫಿ ಏಕ್ ಶ್ಲ್ಫಿ! ಕಂಕಣ್ಯಂತಾೊ ಾ ಕನಾ ನ್ ಕನಾ ಕಂಕಿ ಉಲಂವಾೊ ಾ ಹಯ್ೀಾಕ್ ಮ್ನಾ ಕ್ ವಿಲ್ಫ -ಮೀನಚಿಂ ಪ್ದ್ಲಂ ಮ್ಹ ಳ್ತ್ಾ ರ್ ನಚಾೆ ಕ್ಚ್ ತ್ರ್ರ್ ವಿಸೊರ ನ್ ಹೊ ಸಂಸರ್! ಕಷ್ಟಾ ಂತ್ ವಾಡನ್, ನಷ್ಟಾ ಂತ್ ಪ್ಡನ್ ಕಂಕಿ ಖಾತಿರ್ ರಾತ್-ದಿೀಸ್ ಘೊಳ್ನ್ ನಿೀದ್ರ-ವಿಶ್ರ ಂತ್ ನಸತ ಂ ಪ್ದ್ಲಂ ಘಡ್ನ್ ಆಪೆೊ ಾ ಚ್ ಶೈಲ್ಚಂ ಏಕ್ ಸಂಗ್ರೀತ್ ವಾಹ ಳ್ವ್​್ ಕಾಳ್ತ್ೆ ಂ ಆಪಾಿ ವ್​್ , ಮ್ನಂ ಪಿಸಿ ವ್​್ ಕಂಕಿ ಸಂಗ್ರೀತಾಂತ್ ಏಕ್ ಕಾರ ಂತಿಚ್ ಊಸವ್​್ ಆಖ್ಯಾ ಕುಟ್ಕಮ್ಂಚ್ ಸಂಗ್ರೀತಾಂತ್ ವಾಟವ್​್ ಕಂಕಣ್ ಮಾಯ್ಕ್ ಸಂಭ್ರ ಮಾನ್ ನೆಟವ್​್ ಘಾಂಟಿಂಕ್, ದ್ೀವಾಳ್ತ್ಂಕ್, ಇಗಜೆಾ ಹೊಲಂಕ್ ಶ್ಲಂಕ್, ಆಶರ ಮಾಂಕ್ ಹರ್ ಏಕ್ ವತುಾಲಂತ್ "ವಿಲ್ಫ ಚಿಂ ಪ್ದ್ಲಂ" ಮ್ಹ ಳ್ೊ ಬಾವೊಾ ಉಭ್ಯೊ ತಾಚಾ​ಾ ಪ್ದ್ಲಂ ಸಂಗ್ರೀತಾನ್ ದುಡ್ ಜಮ್ಯೊ ಕಂಕಿ ಸಂಸರ್ ಆಸ ಭಾರಚ್ ಲಹ ನ್ ಪ್ಯ್ಾ ಹಾಂಗ್ಯ ಜಮಾನಂತ್, ಫಕತ್ ಮಾನ್ ತ್ರೀ ಅಮಾೊ ಾ ವಿಲ್ಫ ನ್ ಧೈರ್ ಸಂಡ್ೊ ಂ ನ ಸ್ವಥ ೈರಾನ್ ಮುಖಾರನ್ ಪಾಟಿಂ ಕಾಡ್ೊ ಂ ನ 59 ವೀಜ್ ಕ ೊಂಕಣಿ

ನಮಾನ್ ವಿಲ್ಫ ತುಕಾ, ನಮಾನ್ ಮೀನ ವಿಲ್ಫ ತ್ಸೊ​ೊ ಸ್ಥ ರ್ ವಿೀರ್ ಹೆರ್ ಜಲ್ಲಮ ಂಕ್ ನ ತಾಚಂ ಸಧ್ನ್ ಭಿಲ್ಕಕ ಲ್ ನಿನಾಮ್ ಜ್ಲ್ಂ ನ ತಾಚಾ​ಾ ಪಾಟ್ಕೊ ವಾ​ಾ ಂಚಿ ಶ್ಂಖಳ್ ತುಟಿೊ ನ ಕಂಕಣ್ ಕನಾ ಂನಿ ಆಜ್ ಸಂಗ್ರೀತ್ ಉದ್ಲಂ ಪ್ದ್ಲಂ-ಘಡ್ಿ ರಾಂನಿ ತಾಚಾ​ಾ ಪಾವಾೊ ಂಕ್ ವೆಂಗ್ಯೊ ಂ ತಾಚಾ ವಿೀನ್ ಖಂಡಿತ್ ಕಂಕಿ ಜ್ತಿ ಗರೀಬ್ ನಚಯ್ೊ ಂ ಆಮಾಕ ಂ ತಾಣಿಂ ಕಶ್ ವಹ ಡಿೊ ಪ್ರಬ್ ಕಂಕಿ ಕಂಕಿ ಕಂಕಿ ಕಂಕಿ

ಪ್ದ್ಲಂಚೊ ಏಕ್ ರಾಯ್ಚ್ ತ್ಲ ಸಂಗ್ರೀತಾಚೊಯ್ ರಾಯ್ಚ್ ತ್ಲ ನೆೈಟ್ಕಂಚೊಯ್ ರಾಯ್ಚ್ ತ್ಲ ಕಾಯ್ಾವಳಂಚೊಯ್ ರಾಯ್ಚ್ ತ್ಲ!

ಆವಿೊ ತ್ ಭ್ಲಯ್ಕ ನ್ ಸಂಡ್ನ್ ತ್ಲ ಗ್ರಲ್ಲ ಸೊಡ್ನ್ ಆಮಾಕ ಂ ಪ್ದ್ಲಂ ರಾಶ್ಂಚೊ ಸುವಾಳ್ ಕೀಣ್ ತ್ರೀ ಭ್ರತ್ಗ್ಯಯ್ ತಾಚೊ ಖಾಲ್ ಜ್ಗ್ಳ? ಚಿಂತಿನ ಜಲಮ ತ್ ಕಂಕಿ ಸಂಗ್ರೀತಾಚೊ ಧಿಗ್ಳ ತ್ಲ ಏಕ್ ವಾ ಕತ ನಂಯ್, ಏಕ್ ಬಳಷ್ಠ್ ಸಂಘಟನ್ ಖಡ್ೆ ತ್ಸೊ​ೊ ಮಾನವ್, ಅಖಂಡ್ ತಾಚಂ ಪೆರ ೀರಣ್ ವರಸ್ ಜ್ಲ್ಂ ಸಂಡ್ನ್, ದಿೀ ಆಮಾಕ ಂ ಉತೆತ ೀಜನ್ ಸಗ್ಯಾವಯ್ೊ ಂ ಆಶ್ೀವಾ​ಾದ್ಲಂ ಧಾಡ್ - ಮ್ಹ ಜೆಂ ಪಾರ ಥಾನ್

-ಆಸ್ಾ ನ್ ಪ್ರ ಭು, ಚಿಕಾಗ್ಳ 60 ವೀಜ್ ಕ ೊಂಕಣಿ

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ಉದ್ಾಕಚಿ ಝರ್ ಸುರ್ಾಚಾ ಕಣ್ಯಾಂಚಾ ಪ್ರೆ ಳ್ತ್ಕ್ ಸಫ ಟಿಕಾ ಬರ ಝಳ್ಝ ಳ್ನ್ ಶ್ರ್ಸಣ್ಯ ಥಾವ್​್ ದ್ಂವುನ್ ಪ್ವಿತ್ರ ಸಂಕೀತ್ ದಿವ್​್ ಫಾಲಕ ಾ ಂನಿ ಫುಟನ್ ಶಹರಾಂ ಮ್ಧಾೊ ಾ ನ್ ವಾಹ ಳ್ನ್ ಉದ್ಲಕ ಚಿಂ ತ್ಳಂ ಅರಣ್ಯಾ ಂತ್ ನಹ ಂಯೊ ವಾಹ ಳ್ ಬಾಗ್ರಂತ್ ಫಾಂಟೆ ಜ್ವ್​್ ನಹ ಂಯ್ ಜಹ ಂಯ್ ವಾಹ ಳ್ತ್ತ ಥಂಯ್ ಆಲ್ಲತ ಡಿ ಥಾವ್​್ ಪ್ಲಲ್ಲತ ಡಿಕ್ ನಿರಂತ್ರ್ ದಿವ್​್ ಪ್ಲೀಷಣ್ ನಿತ್ಳ್ ಝರಚಂ ಉದಕ್ ರ್ಜವಿತಾಚೊ ಶ್ಂವರ್ ಭ್ರೊನ್ ಮ್ರ್ೆ ಸಚಾ ಕಣ್ಯಾನ್ ಸವಾ​ಾಂಕ್ ದಿವ್​್ ರ್ಜವಿತ್

- ಪಿರ ೀಮಾ ಮ್ಚರಾಸ್ 70 ವೀಜ್ ಕ ೊಂಕಣಿ

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75 ವೀಜ್ ಕ ೊಂಕಣಿ

ಆಯ್ಲಿ ವಾರ್ ಮಾಂಗುಳ ರಾ​ಾಂತ್, ಕಾಂಕ್​್ ಭಾಷ್ಮ ಮಾಂಡಳ್ ಕನಾ​ಾಟಕ್ (ರಿ) ಹ್ಯಾಂಚಾ​ಾ ಭಾ​ಾಂಾರೀತ್ಸ ವಾ ಸಾಂದಭಿಾ​ಾಂ ಸಭಾರ್ ಕಾಂಕ್​್ ವಾವಾರ ಡ್ಟಾ ಾಂಕ್ ಗೌರವ್ ದೀವ್​್ ಮ್ನ್ ಕೆಲೊಿ . ತಾ ಾಂ ಪಯಿ್ ವಿೀಜ್ ಲೆೀಖ್ಕ್ ಹೆ ಆಸಿ : ವಿೀಜ್ ಸಹ ಸಾಂಪಾದಕ್ ಪಾಂಚು ಬಾಂಟ್ಲಾ ಳ್, ವಿೀಜ್ ವ್ಾ ಾಂಗ್ಾ ಚಿತ್ರ ಕಾರ್ ಏಾಂಟನಿ ಲ್ಲವಿಸ ಆನಿ ವಿೀಜ್ ರಾಜಕ್ೀಯ್ ಲೆೀಖ್ನಾ​ಾಂಚೊ ರಾಯ್ ಎಚ್. ಆರ್. ಆಳ್ಯಾ . ಹ್ಯಾಂಕಾ​ಾಂ ವಿೀಜ್ ಸಾಂಭರ ಮ್ನ್ ಪಬಿಾ​ಾಂ ಮಹ ಣಾ​ಾ ಆನಿ ತಾಂಚಾ​ಾ ಬಯಾ​ಾ ಕಾಮ್ಕ್ ಮ್ನ್ ದತ.

76 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪರ ಸುತ ತ್ ಉಡ್ಟತ ಾ , ನಾಚಾಕ್ ಯ್ಲೀಗ್ಾ ನ್ವಿ ಕಾಂಕ್​್ ಪದಾ​ಾಂ ಉಣಿಾಂ ಆಸ್ತ್. ತಾಂತಿ ಾ ತಾಂತಾಂ ಕಾಂಕ್​್ ನಾಚ್ ಸೊ ಧಾ​ಾ ಾಕ್ ಆನಿ ಕಾರ್ಜರಾ​ಾಂ ಸ್ರಭಾಣಾ​ಾಂ ತ್ಸಲಾ ಸ್ಮ್ರ್ಜಕ್ ಕಾಯಾ​ಾ​ಾಂನಿ ಹೆಾಂ ಉಣಾಂಪಣ್ ದಸ್ತ . ಹೆಾಂ ಭರಿತ ಕರಾಿ ಾ ಖಾತರ್ ಆನಿ ನಾಚಾೊ ಪದಾ​ಾಂಚಾಂ ಭಾಂಡ್ಟರ್ ವಾಡಾಂವಾಿ ಾ ಖಾತರ್ ಮ್ಾಂಡ್ನ ಸ್ರಭಾಣ್ ಹ ಯ್ಲವ್ಾ ಣ್ ಘೊೀಷ್ಟತ್ ಕರಾತ .

1. ಖ್ಾಂಚಾ​ಾ ಯ್ ಭಾಶಚಾ​ಾ , ಬಲಿಚಾ​ಾ , ಧಮ್ಾಚಾ​ಾ , ಪಾಂಾಡ ಚಾ​ಾ ಯಾ ಸಾಂಸ್ರಾಚಾ​ಾ ಖ್ಾಂಚಾ​ಾ ಯ್ ಪರ ದೀಶಾಚಾ​ಾ ವಕ್ತ ಾಂನಿ ಹ್ಯಾಂತಾಂ ಭಾಗ್ ಘೆವಾ ತ್.

2. ಖ್ಾಂಚಾ​ಾ ಯ್ ಕಾಂಕ್​್ ಬಲಿಯ್ಲಾಂತ್ ಪದ್ ರಚಾ ತ್.

3. ಕಾಂಕ್​್ ಭಾಶಚಾಂ, ಉಡ್ಟತ ಾ ನಾಚಾಕ್ ಯ್ಲೀಗ್ಾ ರ್ಜಲೆಿ ಾಂ ಏಕ್ ನ್ವಾಂಚ್ ಪದ್ ಬರವ್​್ , ತಳ್ಳ ಬಸ್ರವ್​್ , ಆಡಿಯ್ಲ ರೆಕಡ್ನಾ ಕರ್​್ , ಉತರ ಾಂಸವಾಂ (lyrics) ಧಾಡಾಂಕ್ ರ್ಜಯ್.

4. ಪದ್ ಬರವಿೊ (ಕವಿ), ತಳ್ಳ ಬಸ್ರವಿೊ (ಪದ್ ರಚಾ್ ರ್) ಆನಿ ಾವಿೊ ಎಕ್ಚ್ ವಕ್ತ ರ್ಜವಾ ತ ವಾ ವಿವಿಾಂಗಡ್ನ ವಕ್ತ ಆಸುಾಂಯ್ಲತ.

5. ಪದ್ ಎಕಡಾಂ, ದಡಾಂ ವಾ ಜಮ್ಾ ನ್ ಾ​ಾಂವ್​್ ರ್ಜಾಂವಿ ಪರಿಾಂ ರಚಾ ತ್.

6. ನಾಚ್ ಸ್ರಭಾಣ್ ಹ್ಯಾ ಪದಾ​ಾಂಕ್ ನಾಚ್ ಸಜಯಾತ .

7. ಮ್ಾಂಡ್ನ ಸ್ರಭಾಣ್ ಹ್ಯಾ ಪದಾ​ಾಂಕ್ ಸಾಂಗ್ಲೀತ್ ಸಾಂಯ್ಲೀಜನ್ ಕನ್ಾ, ಾವಾೊ ಾ ಾಂಕ್ ತ್ಭೆಾತ ದೀವ್​್ , ನಾಚಾಸವಾಂ ಮಹ ಯಾ್ ಾ ಳ್ಾ ಮ್ಾಂಚಿಯ್ಲರ್ ಪರ ಸುತ ತ್ ಕಚಾದಾ​ಾ ರಿಾಂ 77 ವೀಜ್ ಕ ೊಂಕಣಿ

ಪದಾ​ಾಂಕ್ ರ್ಜೀವ್ ದತ.

8. ಮ್ಾಂಚಿಯ್ಲರ್ ಪದಾ​ಾಂ ಾ​ಾಂವ್​್ ಾವಾೊ ಾ ಚಿ ಗಜ್ಾ ತ್ರ್ ಸಹಕಾರ್ ಮ್ಚಳ್ತ ಲೊ.

9. ಹ್ಯಾ ಯ್ಲವ್ಾ ಣ ಖಾಲ್ ಆಯಿಲಿ ಾ ಪದಾ​ಾಂ ಪಯಿ್ ಾಂ ಮ್ಾಂಡ್ನ ಸ್ರಭಾಣ್ 10 ಪದಾ​ಾಂ ವಿಾಂಚುನ್ ಕಾಡ್ಟತ . ಹಯ್ಲಾಕಾ ಪದಾ ಪಾಟ್ಲಿ ಾ ನ್ - ಬರವಾೊ ಾ ಕ್ ರು 1000/-, ತಳ್ಳ ಬಸ್ರವಾೊ ಾ ಕ್ ರು 1000/- ಆನಿ ಾಯಾನ್ ಕೆಲಿ ಾ ಕ್ ರು. 2000/- (ಅಭಾ​ಾ ಸ ಭಾತಾಂ ಧನ್ಾ) ಅಶಾಂ ಎಕಾ ಪದಾ ಪಾಟ್ಲಿ ಾ ನ್ ರು. 4000/- ಗೌರವ್ ಸಾಂಭಾವ್ನ್ ಪದಾ​ಾಂ ಘಡ್ಟ್ ರಾಚಾ ಹ್ಯತಾಂ ದತ.

10. ಎಕಾಿ ಾ ನ್ ಕ್ತಿ ಾಂಯ್ ಪದಾ​ಾಂ ಧಾಡಾಂಯ್ಲತ.

11. ಪದಾಚಿ ಆಡಿಯ್ಲ ಮ್ಾಂಡ್ನ ಸ್ರಭಾಣಾಕ್ 15.02.2024 ಭಿತ್ರ್ mandd.sobhann86@gmail.com ದಾ​ಾ ರಿಾಂ ಪಾವಿತ್ ಕರಿಜ.

12. ಪದಾಚಿಾಂ ಉತರ ಾಂ ಆನಿ ತಳ್ಳ ಸಾ ಾಂತ್ ಆಸುಾಂಕ್ ರ್ಜಯ್. ಹ ಜವಾಬಾ​ಾ ರಿ ಪದಾ​ಾಂ ರಚಾ್ ರಾಚಿ.

13. ಹೊ ಸೊ ಧೊಾ ನ್ಹ ಯ್ ರ್ಜಲಿ ಾ ನ್ ವ್ಹ ಡ್ನ ಸಾಂಖಾ​ಾ ನ್ ಪಾತ್ರ ಘೆಾಂವ್​್ ಉಲೊ ದತಾಂವ್.

-----------------------------------------------------------------------------------------ಪಬಿಾ​ಾಂ ತಮ್​್ ಾಂ ಬಾಬ್ ವ್ಲಿ​ಿ ಕಾ​ಾ ಡರ ಸ @ Valley Quadras ಗೊಾಂಯಾಿ ಾ ಕಾಂಕಣಿ ಅಕಾಡಮ್ಚಚೊ ಹ್ಯಾ ವ್ಸ್ಾಚೊ ಪರ ತಶಿಾ ತ್ ’ಮ್ಧವ್ ಮಾಂಜುನಾಥ್ ಶಾನ್ಭಾಗ್ ಸೀವಾ ಪುರಸ್​್ ರ್ 2021’, ಕಾಂಕಣಿ ಸ್ಹತಾ ಕ್ ಸವಕ್ ಲಗುನ್ ಮುಾಂಬಯಾಿ ಾ ವ್ಲಿ​ಿ ಕಾ​ಾ ಡರ ಸ್ಕ್ ಫಾವ್ಟ ರ್ಜಲ. ಗೊಾಂಯ್ಲಿ ರಾಜ್ಾ ಪಾಲ್ ಗೌರವಾನಿಾ ತ್ ಮ್ನೆಸತ ಪ್ಲ.ಎಸ. ಶಿರ ೀಧರನ್ ಪ್ಲಳ್ಳ ೈ ಹ್ಯಾಂಚಾ​ಾ ಹಸುತ ಕ್ಾಂ, ಫೆರ್ಬರ ರ್ 4 ತರಿಕೆರ್ ಗೊಾಂಯಾಿ ಾ ರಾಜ್ಭವ್ನಾ​ಾಂತ್ ಹೊ ಪುರಸ್​್ ರ್ ಲಭತ ಲೊ. ಮುಾಂಬಯ್ ರಾವಿೊ ವ್ಲಿ​ಿ ಕಾ​ಾ ಡರ ಸ ಕಾಂಕಣಿಾಂತ್ ಪಾಟ್ಲಿ ಾ 40 ವ್ಸ್ಾ​ಾಂ ಥಾವ್​್ ಸಕ್ರ ಯ್ ಲೆೀಖ್ಕ್/ವಾವಾರ ಡಿ ರ್ಜವ್​್ ವಾವನ್ಾ ಆಸ್. ಮೊಟೊಾ ಾ ಕಥಾ, ಲೆೀಖ್ನಾ​ಾಂ, 78 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಮ್ಚೀಕಾಿ , ಕವಿತ, ಕಾದಾಂಬರಿ, ರುಪಾರ್ ತ್ಶಾಂಚ್ ಆಶಾವಾದ ಪರ ಕಾರ್ನಾ ನಾಟ್ ಳ್, ಭಾಷ್ಟಣಾ​ಾಂ, ತ್ಜಾಣ್ ತ್ಶಾಂಚ್ ಥಾವ್​್ 45 ವ್ಯ್ರ ಡಿರ್ಜಟಲ್ ಇಲಿಪಾ ಾಂತ್ರ್ ಅಶಾಂ ಸ್ಹತಾ ಚಾ​ಾ ಪುಸತ ಕಾ​ಾಂ, ತ್ಶಾಂಚ್ ಆ-ಪುಸತ ಕಾ​ಾಂ ಚಡ್ಟತ ವ್ ಪರ ಕಾರಾ​ಾಂನಿ ಹ್ಯಚಾಂ ವಿಶೀಸ ಸಾಂಪಾದನ್ ಕರುನ್ ಯ್ಲೀಗ್ದಾನ್ ವ್ಟಳ್ಳ್ ನ್ ಹೊ ಉರ್ಜಾ ಡ್ಟಯಾಿ ಾ ಾಂತ್. ಪುರಸ್​್ ರ್ ಫಾವ್ಟ ರ್ಜಲ. ತಚಿಾಂ ಸಾ ತಾಃಚಿಾಂ 32 ಕಾಂಕಣಿ ಪುಸತ ಕಾ​ಾಂ, 1 -ಲಯ್ನೆಲ್ ಅಜೆಕಾರ್ ಇಾಂಗ್ಲಿ ಶ್, 1 ಕನ್​್ ಡ್ನ ಪುಸತ ಕ್ ಛಾಪಾ​ಾ ------------------------------------------------------------------------------------------

"Tya Søpnnachya Ganvant" Lyrics: Pratap Naik, SJ Music: Eric Ozario Singers and Musicians: Mandd Sobhann Troupe, Mangaluru 1. Where devotion never diminishes Where love has no boundaries Where justice has no obstacles Where peace has no pre-conditions Where truth has no fears.

Chorus: In that land of dreams Lead my country Send my people.

2. Where non-violence is the weapon Where love is the banner Where forgiveness is the shower Where mercy is the ocean Where fondness is the anchor.

79 ವೀಜ್ ಕ ೊಂಕಣಿ

Chorus: In that land of dreams Lead my country Send my people.

May the Almighty God bless my country and its people. May he protect this country which is based on "Unity in diversity". This is my prayer today and every day for my country India Bharat.

----------------------------------------------------------------------------------ಪ್ತಿರ ಕಾ ಪ್ರ ಕಟಣ್ಯ ಖಾತಿರ,

ವಿಶಿ ಕಂಕಣಿ ಕೀಂದ್ಲರ ಚ 2023 ವರಸಚ ವಿಶಿ ಕಂಕಣಿ ಪುರಸಕ ರ ಜ್ಹಿೀರ್

ಮಾಂಗಳೂರಚ ವಿರ್ಾ ಕಾಂಕಣಿ ಕೆೀಾಂದರ ವ್ತೀನ್ ದವ್ಚ ಅಖಿಲ ಭಾರತ್ ಮಟಾ ಚ ಶಿರ ೀಮತ ವಿಮಲ ವಿ. ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಸ್ಹತ್ಾ ಪುರಸ್​್ ರ -2023, ಬಸ್ತ ವಾಮನ್ ಶಣೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಸೀವಾ ಪುರಸ್​್ ರ-2023 ಆನಿ ಡ್ಟ. ಪ್ಲ ದಯಾನ್ಾಂದ ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಪುರಸ್​್ ರ- 2023 ಪರ ಕಟ ರ್ಜಲಾಂ.

ವ್ರಸ್ಚ ಕಾಂಕಣಿ ಸ್ಹತ್ಾ ಕೃತಕ ದವ್ಚ ಶಿರ ೀಮತ ವಿಮಲ ವಿ. ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಸ್ಹತ್ಾ ಪುರಸ್​್ ರ- 2023 ಕ ಗೊಾಂಯಚ ಕಾಂಕಣಿ ಲೆೀಖ್ಕ ಪರ ಕಾಶ್ ಪರಿಯಾಂಕಾರ ಹ್ಯನಿ್ ರಚನ್ ಕೆಲೆಲೆ "ಪೂರಣ್” ವಿಾಂಚುನ್ ಆಯಲಾಂ. ವ್ರಸ್ಚ ಕಾಂಕಣಿ ಕವಿತ ಕೃತ ಪುರಸ್​್ ರ -2023ಕ ಕೆೀರಳ್ಚ ಕಾಂಕಣಿ

80 ವೀಜ್ ಕ ೊಂಕಣಿ

ಕವಿ, ಲೆೀಖ್ಕ ಆರ್ ಎಸ ಭಾಸ್ ರ್ ಹ್ಯನಿ್ ರಚನ್ ಕೆಲೆಲೆ ಕಾಂಕಣಿ ಕವಿತ ಸಾಂಕಲನ್ "ಚೈತ್ರ ಕವಿತ" ವಿಾಂಚುನ್ ಆಯಲಾಂ. ಕಾಂಕಣಿ ಭಾಸ, ಸ್ಹತ್ಾ , ಸಾಂಸ್ ೃತಚ ಉದರಗತಕ ವಿಶೀಷ್ಟ ರ್ಜವ್ನ್ ದಣ ದಲೆಲೆ ಮ್ಹ ಲಾ ಡಾಂಕ ಗೌರವ್ ದವ್ಚಾಕ ಸ್ಿ ಪನ್ ಕೆಲೆಲೆ ಶಿರ ೀಮತ ವಿಮಲ ವಿ. ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ರ್ಜೀವ್ನ್ ಸ್ದಿ ಸಮ್ೊ ನ್ 2023 ಕ ಗೊಾಂಯಚ ಮ್ಹ ಲಾ ಡ ಕಾಂಕಣಿ ಕಲವಿದ ರಮ್ನ್ಾಂದ ರಾಯ್ ರ ಹ್ಯಾಂಕಾ ಕಾಂಕಣಿ ಭಾಸ,, ಸಾಂಗ್ಲೀತ್ ಸ್ಹತಾ ಕ ದಲೆಲೆ ಅಪಾರ ದಣ ಮ್ನುನ್ ಘೆವ್ನ್ ವಿಾಂಚುನ್ ಕಾಳ್ಯಾಂ.

ಬಸ್ತ ವಾಮನ್ ಶಣೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಸೀವಾ ಪುರಸ್​್ ರ -2023ಕ ಬಾಯಲಾಂಗ್ಲಲೆ ವಿಭಾ​ಾ​ಾಂತ್ ಮ್ಚಟಮೊೀಫೆಾಸ ಸೀವಾ ಸಾಂಸಿ ರ್ಬಾಂಗಳೂರಚ ರ್ಕುಾಂತ್ಲ ಎ. ಭಾಂಢಾರಕಾರ ವಿಾಂಚುನ್ ಆಯಲಾಂ. ಬಸ್ತ ವಾಮನ್ ಶಣೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಸೀವಾ ಪುರಸ್​್ ರ -2023ಕ ದಾರಲೆಾಂಗ್ಲಲೆ ವಿಭಾ​ಾ​ಾಂತ್ ಮಾಂಜೀರ್ಾ ರಾಚ ಸ್ ೀಹ್ಯಲಯ ಚಾ​ಾ ರಿಟ್ತೀಬಲ್ ಟರ ಸಾ ಚ ಜೀಸಫ್ ಕಾರ ಸ್ತ ಹ್ಯನಿ್ ವಿಾಂಚುನ್ ಆಯಲಾಂಚಿ. ಡ್ಟ . ಪ್ಲ. ದಯಾನ್ಾಂದ ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ಅನುವಾದ ಪುರಸ್​್ ರ 2023ಕ

81 ವೀಜ್ ಕ ೊಂಕಣಿ

ಗೊಾಂಯಚ ಲೆೀಖ್ಕ ರಮ್ಚೀರ್ ವಿಾಂಚುನ್ ಆಯಲಾಂಚಿ.

ಲಡ್ನ

ಡ್ಟ. ಪ್ಲ ದಯಾನ್ಾಂದ ಪ್ೈ ವಿರ್ಾ ಕಾಂಕಣಿ ರಾಂಗಶರ ೀಷ್ಟಾ ಪುರಸ್​್ ರ 2023ಕ ಶಿರ ೀನಿವಾಸ ರಾವ್ (ಕಾಸರಗೊೀಡ ಚಿನಾ್ ) ವಿಾಂಚುನ್ ಆಯಲಾಂಚಿ.

ನಾಟಕ ಮಾಂಗಳೂರಚ ಟಿ. ವಿ. ರಮಣ ಪ್ೈ ಸಭಾಗೃಹ್ಯಾಂತ್ ಪರ ದರ್ಾನ್ ರ್ಜವ್ಚ ಆಸ್.

1996 ಇಸವಿ ವಿರ್ಾ ಕಾಂಕಣಿ ಸರದಾರ ಶಿರ ೀ ಬಸ್ತ ವಾಮನ್ ಶಣೈ ಹ್ಯಾಂಗ್ಲಲೆ ನೆೀತೃತಾ ರಿ ಪಾರ ರಾಂಭ ರ್ಜಲೆಲೆ ಕಾಂಕಣಿ ಭಾಸ ಆನಿ ಸಾಂಸ್ ೃತ ಪರ ತಷ್ಮಾ ನ್ ವಿರ್ಾ ಕಾಂಕಣಿ ಕೆೀಾಂದರ ಮಾಂಗಳೂರಚ ರ್ಕ್ತ ನ್ಗರಾ​ಾಂತ್ ಸ್ಿ ಪನ್ ಕರನು ಕಾಂಕಣಿ ಭಾಷ್, ಸ್ಹತ್ಾ , ಸಾಂಸ್ ೃತ ಚ ಅಭಿವೃದಿ ಕ ಆನಿ ಕಾಂಕಣಿ ಸಮುದಾಯಾಚ ಸವಾ​ಾ​ಾಂಗ್ಲೀಣ ಉದರಗತೀಕ ವಿಶೀಷ್ಟ ಕಾಯಾಕರ ಮ ಮ್ಾಂಡನ್ ಹ್ಯಡತ. ಅಶಿಾಂ ವಿರ್ಾ ಕಾಂಕಣಿ ಕೆೀಾಂದಾರ ಚ ಅಧಾ ಕ್ಷ ನ್ಾಂದಗೊೀಪಾಲ ಶಣಯ್ ಹ್ಯನಿ್ ಹೆಾಂ ಪತರ ಕಾ ಪರ ಕಟಣ ದಲಾಂ.

ಏಕ ಲಖ್ಿ ರೂಪಾಯಿ ಸಮ್ೊ ನ್ಧನ್ ಆನಿ ಫಲಕ ರ್ಜವ್ನ್ ಹೆಾಂ 7 ಪರ ರ್ಸ್ತ ವಿತ್ರಣಾ 2024 ಫೆಬುರ ವ್ರಿ 11 ಆಯತರ ಸಕಾಳ್ಳ 10 ಗಾಂಟ್ತಕ ವಿರ್ಾ ಕಾಂಕಣಿ ಕೆೀಾಂದಾರ ಾಂತ್ ಚಲಚ ವಾಷ್ಟಾಕ ವಿರ್ಾ ಕಾಂಕಣಿ ಸಮ್ರೀಹ ಸಮ್ರಾಂಭಾ​ಾಂತ್ ಪರ ರ್ಸ್ತ ಪರ ದಾನ್ ಕರಚ ಆಸ್.

2024 ಫೆಬರ ವ್ರಿ 10 ಆನಿ 11 ಕ ಚಲಚ ವಿರ್ಾ ಕಾಂಕಣಿ ಸ್ಹತ್ಾ ಸಮ್ರೀಹಚ ಅಾಂಗ ರ್ಜವ್ನು ಸಾಂಜ 5.00ತಕುನ್ 8.00 ಪಯಾ​ಾಂತ್ ಚಾರಿ ವವಗಳ್ ಕಾಂಕಣಿ ------------------------------------------------------------------------------------------

ರಾಷ್ಟಾ ರಪತ ಪುರಸ್​್ ರ ಮುಡಿಗ್ಲೀರಿಸ್ದ ಕನ್​್ ಡಿಗ ಪೊೀಲಿಸ ಅಧಿಕಾರಿ ವಿೀರೆೀರ್ ಪರ ಭು ಸಾಂಗನ್ಕಲ್ ಮುಾಂಬಯಿ (ಆರ್ಬಿಐ), ಜ. 26: ಭಾರತ್ ರಾಷ್ಟಾ ರದ 75ನೆೀ ಗಣರಾಜಾ ೀತ್ಸ ವ್ದ ಸಾಂದಭಾದಲಿ​ಿ ರಾಷ್ಟಾ ರಪತ ದೌರ ಪದ ಮುರುಮು ಅವ್ರು ೨೦೨೪ನೆೀ ಸ್ಲಿನ್ ಗಣರಾಜಾ ೀತ್ಸ ವ್ಸಾಂದಭಾದಲಿ​ಿ ಒಟಾ

ಆರು ಕೆೀಾಂದರ ೀಯ ತ್ನಿಖಾ ದಳ್ (ಸ್ಬಿಐ) ಅಧಿಕಾರಿಗಳು ಮತತ ಅಧಿಕಾರಿಗಳ್ಳಗ್ಲ ವಿಶಿಷ್ಟಾ ಸೀವಾಗ್ಲ ರಾಷ್ಟಾ ರಪತಗಳ್ ಪೊಲಿೀಸ ಪದಕಗಳ್ನು್ ಪರ ದಾನಿಸ್ದುಾ ಆ ಪ್ೈಕ್ ಕನ್​್ ಡಿಗ ಹರಿಯ ಪೊೀಲಿಸ ಅಧಿಕಾರಿ ಸ್ಬಿಐ ಮುಾಂಬಯಿ

82 ವೀಜ್ ಕ ೊಂಕಣಿ

ಡಿಐರ್ಜ ಶಾಖ್ಲಯ ಮುಖ್ಾ ಸಿ (ಐಪ್ಲಎಸ) ಓವ್ಾರಾಗ್ಲದಾ​ಾ ರೆ.

ಸ್​್ ತ್ಕೀತ್ತ ರ ಪದವಿ ಗಳ್ಳಸ್ರುವ್ರು. ಭಾರತೀಯ ಪೊಲಿೀಸ ಸೀವಯಲಿ​ಿ ನೆೀಮಕಾತ ಹೊಾಂದದುಾ ಕೆೀಡರ್ ೨೦೦೫ರ ಬಾ​ಾ ಚ್ ಐಪ್ಲಎಸ ಅಧಿಕಾರಿ ಆಗ್ಲದುಾ ಸದಾ ಡಿಐರ್ಜ ಶರ ೀಣಿಯಲಿ​ಿ ದಾ​ಾ ರೆ. ಪರ ಸುತ ತ್ ಮಹ್ಯರಾಷ್ಟಾ ರದ ಅಪರಾಧ ವಿಭಾಗದ ಮುಾಂಬಯಿ ಇಲಿ​ಿ ಹೆಚುಿ ವ್ರಿ ಪೊಲಿೀಸ ಆಯುಕತ ರು ಆಗ್ಲರುವ್ರು. ಮಹ್ಯರಾಷ್ಟಾ ರ ರಾಜಾ ದ ಗೊಾಂಡಿಯಾ ಮತತ ಮ್ಲೆಾ​ಾಂವ್ನ್ಲಿ​ಿ ಸಹ್ಯಯಕ ಪೊೀಲಿಸ ಅಧಿೀಕ್ಷರಾಗ್ಲ ಸೀವ ಸಲಿ​ಿ ಸ್ದುಾ , ಅಹಮದ್ನ್ಗರದಲಿ​ಿ ಹೆಚುಿ ವ್ರಿ ಎಸಪ್ಲ, ಗಡಿ​ಿ ರೀಲಿ, ಅಮರಾವ್ತ ಾರ ಮ್ಾಂತ್ರ,

ಐಪ್ಲಎಸ ಅಧಿಕಾರಿ ವಿೀರೆೀರ್ ಪರ ಭು ಇವ್ರ ವಿಶೀಷ್ಟ ಸ್ಧನಿೀಯ ಸೀವಾಗ್ಲ ಸೀರಿದಾಂತ 25 ಸ್ಬಿಐ ಅಧಿಕಾರಿಗಳು ಮತತ ಇತ್ರ ಪೊಲಿೀಸ ಅಧಿಕಾರಿಗಳ್ಳಗ್ಲ ಮುಮುಾ ಅವ್ರು ರಾಷ್ಟಾ ರಪತಗಳ್ ಪೊಲಿೀಸ ಪದಕಗಳ್ನು್ ಪದಕವ್ನು್ ಪರ ದಾನಿಸ್ ಗೌರವಿಸ್ ಅಭಿನ್ಾಂದಸ್ದರು. ಕನಾ​ಾಟಕ ರಾಜಾ ದ ಬಳ್ಯಳ ರಿ ರ್ಜಲೆಿ ಯ ಸಾಂಗನ್ಕಲ್ ಾರ ಮದ ನಿವಾಸ್ ಚನ್​್ ನ್ ಗೌಡ್ನ.ಎಸ ಮತತ ಮಹ್ಯದೀವಿ ಸಾಂಗನ್ಕಲ್ ದಾಂಪತ ಸುಪುತ್ರ ರಾದ ವಿೀರೆೀರ್ ಪರ ಭು, ಧಾರವಾಡದ ಕನಾ​ಾಟಕ ಕಾಲೆೀಜ್ನ್ಲಿ​ಿ ಬಿ.ಎ ಪದವಿೀಧರರಾಗ್ಲದುಾ ನ್ಾಂತ್ರ ಮ್ಚೈಸೂರು ಕೆಎಸಒಯು ವಿದಾ​ಾ ಲಯದಾಂದ ರಾಜಾ ಶಾಸತ ರದಲಿ​ಿ ಎಾಂ.ಎ ಪದವಿ, ಹೆೈದರಬಾದ್ನ್ ಉಸ್ೊ ನಿಯಾ ಪೊಲಿೀಸ

ವಿರ್ಾ ವಿದಾ​ಾ ಲಯದಾಂದ ನಿವ್ಾಹಣಯಲಿ​ಿ

ಸ್ರಲಿ ಪುರ ಾರ ಮ್ಾಂತ್ರದಲಿ​ಿ ಎಸಪ್ಲ ಆಗ್ಲ ಕೆಲಸ ನಿವಾ​ಾಹಸ್ದಾ​ಾ ರೆ. ಟ್ಲರ ಫಿಕ್ ಬಾರ ಾಂಚ್, ಸಾಂಟರ ಲ್ ರಿೀಜನ್, ಮುಾಂಬಯಿನ್ಲಿ​ಿ ಹೆಚುಿ ವ್ರಿ ಪೊಲಿೀಸ ಕಮ್ಚಷ್ಟನ್ರ್ ಆಗ್ಲ ಕೆಲಸ ಮ್ಡಿದುಾ ಪರ ಸುತ ತ್ ಕೆರ ೈಮ್ ಬಾರ ಾಂಚ್ ಮುಾಂಬಯಿನ್ಲಿ​ಿ ಹೆಚುಿ ವ್ರಿ ಕಮ್ಚಷ್ಟನ್ರ್ ಆಫ್ ಪೊಲಿೀಸ ಆಗ್ಲ ಕೆಲಸ ಮ್ಡತತ ದಾ​ಾ ರೆ. ಮಹ್ಯರಾಷ್ಟಾ ರ ಸಕಾ​ಾರದಾಂದ ಡಿರ್ಜಪ್ಲಯ ಲಾಂಛನ್, ಮಹ್ಯರಾಷ್ಟಾ ರ ಸಕಾ​ಾರದಾಂದ ಕಠಣ ಕತ್ಾವ್ಾ ಕಾ್ ಗ್ಲ ವಿಶೀಷ್ಟ ಸೀವಾ ಪದಕ ಮಹ್ಯರಾಷ್ಟಾ ರದ, ಭಾರತ್ ಸಕಾ​ಾರದ

ಸುರಕಾಮ

ಸೀವಾ

ಪದಕ,

ಮಹ್ಯರಾಷ್ಟಾ ರಸಕಾ​ಾರದ ಅಲೊ ಸಾಂಖಾ​ಾ ತ್ರ ಆಯ್ಲೀಗವ ಮಹ್ಯತೊ ಾ​ಾಂಧಿ ಶಾ​ಾಂತ ಪರ ರ್ಸ್ತ ಯನು್ ನಿೀಡಿ ಗೌರವಿಸ್ದ ಹೆಮ್ಚೊ ಯ ಕನ್​್ ಡಿಗ ಪೊೀಲಿಸ ಅಧಿಕಾರಿಯಾಗ್ಲದಾ​ಾ ರೆ.

83 ವೀಜ್ ಕ ೊಂಕಣಿ

ಸಂ. ಲ್ಕವಿಸ್ ಕಲ್ೀರ್ಜಂತ್ “ರಯುನಿಯ್ನ್ – ೨೦೨೪” 1973 ಆನಿ 1974 ವಸಾಚಾ​ಾ ಪ್ದ್ಿ ದ್ಲರಾಂಚೊ ಭಾಂಗ್ಯರ ಳ್ತ್ಾ ವಸಾಚೊ ಸಂಭ್ರ ಮ್ -

ಮಾಚಾೊ , ಮಲರ್

84 ವೀಜ್ ಕ ೊಂಕಣಿ

85 ವೀಜ್ ಕ ೊಂಕಣಿ

86 ವೀಜ್ ಕ ೊಂಕಣಿ

87 ವೀಜ್ ಕ ೊಂಕಣಿ

88 ವೀಜ್ ಕ ೊಂಕಣಿ

89 ವೀಜ್ ಕ ೊಂಕಣಿ

90 ವೀಜ್ ಕ ೊಂಕಣಿ

ಝಳ್ಯ್ ತಲೊ. ಭತಾ

ಪರತ್

ರ್ಜಾಂವ್​್

ಕಲೆೀರ್ಜಕ್

ಆಯಿಲಿ ಾ ಬರಿಾಂ

ತಾಂಕಾ​ಾಂ ಭೊಾತ ಲೆಾಂ. ಕಾಫಿ-ಫಳ್ಯಹ ರ್

ರ್ಜತಚ್,

ತಾಂಚಿಾಂ

ನಾ​ಾಂವಾ​ಾಂ

ದಾಕಲ್

ಕನ್ಾ,

ಪದಾ

ಜಡ್ಟತ ನಾ

ಹಯ್ಲಾಕಾಿ ಾ ಾಂಕ್, ದಾಂವ್ಟಿ

ಪದಾ

ಕಾಳ್ಳ ದಗೊಿ ನೆಸಯ್ಲಿ ಆನಿ

ಸ್ಾ ೀಕಾರ್ ಕಚಾ​ಾ ಾ ವಳ್ಯ ದಾಂವಿ​ಿ

ತ್ಲಪ್ಲ ತಾಂಚಾ​ಾ ಮ್ತಾ ರ್ ಬಸಯಿ​ಿ . ಉಪಾರ ಾಂತ್ ಸಹೊೀದಯ ಸ್ಲ ಥಾವ್​್ ಬಾ​ಾ ಾಂಡ್ಟ

ವಾರ್ಜೊ ಾ

ಪುಶಾ​ಾ​ಾಂವಾಚರ್

ಸಾಂಗ್ಲಾಂ ಕಲೆೀರ್ಜಚಾ​ಾ

ಪರ ಧಾನ್ ಬಾ​ಾಂದಾೊ ಮುಕಾರ್ ರಾವನ್

-

ತ್ಸ್ಾ ೀಯ್ಲಾ

ಮಾಚಾೊ , ಮಲರ್

ಮಾಂಗುಳ ರ್ : ಸ್ಾಂ. ಲ್ಲವಿಸ ಕಲೆೀರ್ಜಚಾ​ಾ 1973 ಆನಿ 1974 ವ್ಸ್ಾ ಬಿ.ಎ., ಬಿ.ಎಸ್ಸ ., ಅನಿ ಬಿ.ಕಮ್. ಪದಾ

ಜಡ್ನ ಲಿ ಾ

ಪದಾ ದಾರಾ​ಾಂಚಾಂ ರಿಯುನಿಯನ್ 2024 (ಭಾ​ಾಂಾರೀತ್ಸ ವ್

ಸಾಂಭರ ಮ್)

ಜನೆರಾಚಾ​ಾ 11 ತಕೆಾರ್ ಮಾಂಗಳ ಚಾ​ಾ ಾ ಸ್ಾಂ.

ಲ್ಲವಿಸ

ಕಲೆೀರ್ಜಾಂತ್

ಸಾಂಭರ ಮ್ನ್ ಚಲೆಿ ಾಂ. ಸಕಾಳ್ಳಾಂಚಾ​ಾ ಕಾಫಿ-ಫಳ್ಯಹ ರಾ ಸ್ಾಂಾತ ಸವ್ಾ ಪದಾ

ಜಡ್ನ ಲೆಿ

ವಿದಾ​ಾ ಥಿಾ

“ಸಹೊೀದಯ” ಸ್ಲಾಂತ್ ಸ್ಾಂಾತ ಮ್ಚಳ್ಳ .

ಎಕಾಮ್ಚಕಾ

ವಿಚಾರ್ ಸವಾ​ಾ​ಾಂಚಾ​ಾ ವಿಶೀಷ್

ವ್ಹ ಳ್ಕ್

ವಿನಿಮಯ್

ಕರಿಲಗ್ಲಿ .

ಮುಕಮಳ್ಯರ್ ರಿತಚೊ

ದನ್ಾ ಏಕ್

ಸಾಂತ್ಲಸ

ಕಾಡಿ ಾ

ಕಲೆೀರ್ಜಚಾ​ಾ

ಆಮ್ಚಾ, ನೆವ್ಲ್ ಆನಿ ಏರ್ ಫೀಸಾ ಪಾಂಾಡ ಚಾ​ಾ ಪಾಸಾ

ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ಕನ್ಾ

ಗೌರವ್

ಮ್ಚ್ಾ

ಪಾಟಯ್ಲಿ .

ನ್ಾಂತ್ರ್ ಸ್ಾಂ. ಲ್ಲವಿಸ ಕಲೆೀರ್ಜಚೊ ಬಾವ್ಟಾ ಪಾರ ಾಂಶುಪಾಲಾಂನಿ ಉಬಯ್ಲಿ ಅನಿ ಸಾಂಚಾಲಕಾನ್ ರಿಯುನಿಯನ್ -

2024 ಉಾತ ವ್ಣ್ ಕೆಲೆಾಂ. ಉಪಾರ ಾಂತ್ ಪುಶಾ​ಾ​ಾಂವ್ ದ| ಎಲ್. ಎಫ್. ರಸ್​್ ೀನಾಚಾ​ಾ

ಸ್ಲ

ಕುಶಿನ್

ಗ್ಲಲೊ.

ರ್ಾಂಯಸ ರ್

ಪದಾ ದಾರಾ​ಾಂಕ್

ಗೌರವ್

ಕಚಾ​ಾಂ ವೀದ ಕಾಯ್ಲಾ​ಾಂ ಮ್ಾಂಡನ್ ಹ್ಯಡ್ನ ಲೆಿ ಾಂ. ಕಾಳ್ಳ ದಗೊಿ ನೆಸ ಲಿ ಾ ಆನಿ ಮ್ತಾ ರ್ ಕಾಳ್ಳ ತ್ಲಪ್ಲ ದವ್ನ್ಾ ಸ್ರಭಯಿಲಿ ಾ ಸವ್ಾ 1973 ಆನಿ 1974 ಸವ್ಾ

ವಿದಾ​ಾ ಥಿಾ​ಾಂಕ್

ಯಾದಸ್ತ ಕಾ ದೀವ್​್

91 ವೀಜ್ ಕ ೊಂಕಣಿ

ಶಾಳ್

ಆನಿ

ಸನಾೊ ನ್ ಕೆಲೊ.

ಸುಮ್ರ್

70

ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ಕಾಯಾ​ಾಕರ ಮ್ಾಂತ್

ಹ್ಯಾ

ಥಾವ್​್

ಪಾರ ರ್ಾನ್

ಗ್ಲೀತ್

ಸಾಂತ್ಲಸ್ನ್

ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ಭಾ​ಾಂಾರ ಳ್ಯಾ

ಸ್ಾ ಗತ್

ನಾಚ್

ಸಾಂಭರ ಮ್ ಸಾಂಧಬಿಾ​ಾಂ ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ಮ್ನೆಸತ

ಮನೊೀಜನ್

ರು. 15 ಲಕಾ​ಾಂಚಿ ಚಕ್​್ ರೆಕಾ ರ್ ಆನಿ

ನಿವ್ಾಹಣ್ ಕೆಲೆಾಂ. ಬಾಪ ಹೆಕಾ ರಾನ್

ಪಾರ ಶುಾಂಪಾಲಕ್ ಸಮಪ್ಲಾತ್ ಕೆಲಿ.

ಸ್ಾ ಗತ್ ಕೆಲೊ ಆನಿ ಮ್ನೆಸತ ಕನಾರ ಡ್ನ

ಉಪಾರ ಾಂತ್ ಚಲ್ ಲಿ ಾ ವೀದ ಕಾಯಾ​ಾ

ನ್ಜರ ತನ್

ವಳ್ಯರ್

ದನಾೊ ರಾ​ಾಂಚಾ​ಾ ಜವಾ್ ಸಾಂಗ್ಲಾಂ ಕಾಯ್ಲಾ​ಾಂ

ಭಾಗ್

ಘೆತ್ಲಿ .

ಹ್ಯಾ

ದಾ​ಾಂ

ಕಲೆೀರ್ಜಚಾ​ಾ

ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ರ್ಜವಿತ

ವಿಷ್ಮಾ ಾಂತ್

ಥಾವ್​್

ಆನಿ

ಆಕಷ್ಟಾಕ್

ಸ್ದರ್

ಉಪಾ್ ರ್

ಕೆಲೊ. ಕಾಯ್ಲಾ​ಾಂ

ಭಾವಡಿ .

ಸಾಂಪ್ಿ ಾಂ.

ತಾಂಚೊ ಅನೊಭ ೀಗ್ ವಾ​ಾಂಟೊಿ . ನಿವೃತ್ತ

ಸ್ಾಂ.

ಪಾರ ಧಾ​ಾ ಪಕ್ ಮ್ನೆಸತ ಆರ್. ವಿಕಾ ರಾನ್

ವಿದಾ​ಾ ಥಿಾ​ಾಂನಿ

ಕಲೆೀರ್ಜಾಂತ್ ತಚಾ​ಾ ರ್ಜವಿತ ವಿಶಾ​ಾ ಾಂತ್

ದಲೊಿ ಆನಿ ಕಾಯ್ಲಾ​ಾಂ ಯರ್ಸ್ಾ ಕರುಾಂಕ್

ತಚೊ ಅನೊಭ ೀಗ್ ವಾ​ಾಂಟನ್ ಘೆತ್ಲಿ .

ವ್ತಾ ಮ್ಚನ್ಹ ತ್ ಕಾಡ್ನ ಲಿ​ಿ .

ಪಾರ ಶುಾಂಪಾಲ್ ಬಾಪ ದ. ಪರ ವಿೀಣ್

ಸಾಂತ್ಲಸ್ಚಿ ಖ್ಬರ್ :

ಮ್ಟಿಾಸ ಯ್ಲಸ. ಜ. ಆನಿ ರೆಕಾ ರ್ ಬಾಪ

ಹ ವ್ದಾ ಬರವ್​್ ಆಖ್ಲೀರ್ ಕತಾನಾ,

ಮ್ಚಲಿಾ ನ್ ಪ್ಲಾಂಟೊ ಯ್ಲಸ. ಜ. ತಾಂಚೊ

ಸ್ಾಂ.

ಸಾಂದೀಶ್ ದಲೊ.

ಕಲೆೀಜ್

ಸುವಾರ್ ಸ್ಾಂ. ಲ್ಲವಿಸ ಕಲೆೀರ್ಜಚಾ​ಾ

ಅಾಂಗ್ಲೀಕೃತ್ ರ್ಜಲಾ

ವಿದಾ​ಾ ಥಿಾ​ಾಂಚಾ​ಾ

ಆಯಾಿ ಾ .

ಾಯನ್

ಪಾಂಾಡ

ಲ್ಲವಿಸ ಮೊಟೊ

ಲ್ಲವಿಸ ,

ಕಲೆೀರ್ಜಚಾ​ಾ ಸಹಕಾರ್

ಅಟೊೀನೊಮಸ

ಯುನಿವ್ಸ್ಾಟಿ

ರ್ಜವ್​್

ಮಹ ಣ್ ಖ್ಬರ್

----------------------------------------------------------------------------------------

Dear All: Subject : Meet and greet with Mohd. Sinnan Where ?: Udupi madras cafe When : Monday January 29 th 6:30 pm onwards Light snack provided

30-year-old Indian resident who was on a mission to travel to 75 countries across three continents by road. After having started his 92 ವೀಜ್ ಕ ೊಂಕಣಿ

journey in Karnataka, India , travelled so far countries and covered 38000 KMs including Dubai , Iran , Turkey , Europe and now in Canada See you, Sincerely yours Everest dante

https://gulfnews.com/uae/watch-meet-30-year-old-indian-on-solo-road-

trip-across-75-countries-1.96881599 <-- Click for more news.

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93 ವೀಜ್ ಕ ೊಂಕಣಿ

94 ವೀಜ್ ಕ ೊಂಕಣಿ

Veez English Weekly

Vol:

3

No: 11 February 1, 2024

St. Aloysius University 95 ವೀಜ್ ಕ ೊಂಕಣಿ

Mangaluru: St Aloysius College (Autonomous) gets University status

Media Release Mangaluru, Jan 25: The University Grants Commission (UGC) and Ministry of Education, government of India, has approved the proposal for the status of Deemed to be

University by the well-known St Aloysius College (Autonomous), Mangaluru and granted university status. With this coveted status the institution will from now on be called St Aloysius (Deemed to be University) Mangaluru.

The management of the institution expressed its delight at the prospect of the unique opportunity provided

96 Veez Illustrated Weekly

to serve the cause of higher education in this part of the world.

Addressing the media, Fr Praveen Martis SJ, principal of St Aloysius College, expressed his gratitude on this momentous occasion, stating, "In a historic move, St Aloysius Autonomous College becomes St Aloysius Deemed University. With a century-long legacy, this achievement showcases our constant commitment and excellence in education.

As Principal, I am grateful for everyone's efforts in achieving this esteemed University status. Our journey includes four successful NAAC accreditation cycles, notable achievements in sports, drama, and culture, collaborations with TEDx, and international events, and numerous memorandums of understanding (MoU). We are also gearing up for admissions to PhD

programs, which will commence very shortly."

Fr Melvin Pinto, rector of St Aloysius College, shared the joy, highlighting the college's excellence, and said, "We regularly receive high NAAC ratings, including an A++, the district's highest. Achieving deemed University status aligns with our long-term goals, which have been recognized by the UGC for digital design, graduate outcomes, and placements. According to central regulations, only first-year students will be admitted. This changing advancement represents a new chapter in our institution's history.

We are grateful to our alumni and supporters and look forward to an ongoing rise as St Aloysius Deemed University."

Addressing questions from the media regarding the implementation of the National

97 Veez Illustrated Weekly

Education Policy (NEP) and other regulations, Fr Praveen Martis said, "We follow the Central regulations, and deemed-to-be University students will only be first-year students, while the second and final year students will be under the affiliated university. Admissions will start from now onwards, and the academic year will commence in June."

"The UGC and the ministry of education, after making a thorough study of the college proposal on various parameters like physical and digital infrastructure, curricular design, research and innovation, graduate outcomes, student attainment levels, placements, vision and mission of the institution and its impact on the society along with the considerations of the higher levels of successive NAAC accreditations, NIRF and distinctive rankings and achievements, has granted the university status to the college. This status enables the

institution to create a sustainable ecosystem driven by globally competitive curricula, high-end research, innovations, and entrepreneurship initiatives.

It provides unprecedented opportunities to explore possibilities for robust collaborations with regional, national, and global partners to facilitate interdisciplinary, multidisciplinary, and transdisciplinary undergraduate, postgraduate, and doctoral studies with joint and twinning programmes providing cross cultural learning exposure to students", her added.

On this occasion, Alwyn D'Sa, registrar of St Aloysius College, members of the Aloysius Board, and other teaching and non-teaching staff were present.

About St Aloysius College Established in 1880 by the Jesuit fathers, St Aloysius College has been a premier higher educational

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institution having several distinctive consecutive terms. The university achievements serving the youth of status granted to the college is the this region moulding them into result of the dedicated and tireless persons with commitment, efforts of the management, staff, competence, compassion, and students, and all stakeholders who conscience. The college was shared the long and sustained elevated to the autonomous status dream of the well-deserved status in 2007 considering its national and of a university. global presence. It has been the As the college embarks on a new consistent endeavour of the and exciting journey spearheading institution to set higher benchmarks its educational endeavours towards in all criteria governing higher creating men and women for and education and function like a with others, it places on record its university. Further, the institution immense gratitude to all the has consistently maintained top collaborators, men and women of notch credentials in all the four goodwill, esteemed alumni and cycles of NAAC accreditations at the recommits itself to serve the society national level reaching A++ grade with greater dedication and take with a CGPA of 3.67 out of 4 and utmost efforts to create a difference NIRF rankings showing the college in the society. within the top 100 Colleges for 3 ------------------------------------------------------------------------------------

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Pride of Mangaluru SAC is Now SAU...

Mangaluru is indeed smiling and proud that "St. Aloysius College (SAC)" is now "St. Aloysius University (SAU)", indeed a giant leap for any educational institution in India, add the renowned reputation of a 144 years and it is on the firm path to become a great University, GOD willing!

A few lines from a great wellwisher and hard worker of SAC: On the hard-earned status that SAC has risen, it never believed in short-cuts. The institution truly deserves it and in fact it should have

happened a few years earlier. I recall an intermediary hinting about a much-used method, in one of our visits to Delhi which Jesuits don’t believe in, Principal Fr Praveen Martis said that we believe in God & we will abide by Him. Jesuits truly believed and practiced that education is a service and not a commercial venture. I have spent the most productive part of my life in Aloysius (42 years) and I was fortunate and privileged enough to be recognized and trusted by the Jesuits to be a part of Aloysius in

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several of the milestones achieved by it. I am grateful to them.

The progress of an institution is not realized as a hanging fruit but the fruit of the labour of generations of stakeholders.

However, some people are instrumental for it.

Primarily the credit is for the Jesuits for their progressive thinking and selfless services. Rav Fr Dion Vaz, who was the Rector, now the Provincial who pushed us into it, Fr Praveen Martis who took the lead, Fr Francis Serrao, present Bishop, Shimoga, Fr Swebert D’Silva, all former Principals, Rectors till the present Fr Melwyn Pinto, present and the past teaching-non-teaching staff, and above all the proud Aloysians deserve appreciation and compliments. The road ahead has many challenges. But SAU will surely march forward......

CONGRATULATIONS....

St. ALOYSIUS COLLEGE. MANGALORE. South India: The British rule post Captivity of the Konkani Catholics of Mangalore, from the early 1800's created a deeper need for education in keeping with standards of Europe to bring progress to the local communities. Hardly any formal School existed, the Catholics felt a compelling need for Schools and colleges and resulted in many petitions to the Holy See and particularly the request to bring in the Jesuit Missionaries. Fortunately, the well to do landed Mangalore Catholics were of one mind and donations were generously given in keeping with the circumstances of the times. In April 1879 the first idea was tabled, and a forward momentum commenced.

In December 1879 Fr. Willy SJ who had charge of the matter brought out a prospectus that proposed the

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launching of Classes in January 1880 which gave Birth to St. Aloysius Mangalore. A few classes were opened with 150 students, some of them from different religions of Canara; in the bungalow at Codialbail lent by Mrs. Mary Coelho, it was a good start. The matriculation was added in 1881 and the following year intermediate, BA degree and so on affiliated to the renowned Madras University for South Kanara was part of the British Madras Presidency of the times.

It must be noted that Konkani Catholics of Canara originate from Saraswat stock and were given

predominantly Portuguese names; their ancient names that a few are proud of, are traceable in most cases...like Prabhu, Kamath, Shenoy, Shet, Nayak and so on and on. Fr. J Moore's 1904 "History of the Diocese of Mangalore '' compiled from various local journals gives a glimpse of the glory of the early days.

The main site was conditionally donated by Mr. Lawrence Lobo Prabhu, who died January 1883 and is buried in the College Chapel as he desired, marked by a Latin mural tablet. An impressive two storied building was erected based on the model of the 'Oratory' of St Philip Neri. Rome was partially opened in February 1885,

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presently its tiles of Mangalore repute are being replaced for the first time. There was steady progress and expansions and now has an area of about 40 acres, an annex AIMIT has been established to house the AIMIT a few miles Southeast of the city. St Aloysius Institute of Management & Information Technology (AIMIT) Beeri, is offering the two years MBA programme affiliated to Mangalore University and approved by AICTE, Delhi now a very well-known management institute.

These great institutions today provide a wide spectrum of courses from KG (Kindergarten) to PG (Post Graduation) and more.

This institution has so efficiently served all people of the region that one can find its past pupils almost everywhere in the world. It is stunning to note the number of prominent achievers among the

Alumnus Aloysians. Many have returned as Jesuits, Faculty, resource persons or as supporters to this ancient grand old institution. Many have won accolades in various exams of the Indian Government and Universities and excelled in different fields the world over.

The St. Aloysius College (Autonomous) was a NAAC accredited with GRADE 'A'; The College is also declared as "COLLEGE WITH POTENTIAL FOR EXCELLENCE" is managed by the Mangalore Jesuit Educational Society which is registered under the Societies Registration Act..1860

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and admits students without discriminating against any religion, caste or creed and seeks to establish a collegian environment in which those of diverse cultural backgrounds and religious beliefs can participate in the community in a spirit of co-operation and mutual respect substantially. This institution was preceded by St Agnes College for women Mangalore, a first in the South India region in the 1870s established by the Apostolic Carmel. In the 20th Century, Mangalore was perhaps the hub of education which flourished with a great many institutions coming up and professional education leading the modern India in many educational firsts.

Aloysius College was ‘Autonomous' for long and finally has deservedly got the status of a "University"... The College offers Graduate and Post-

Graduate Diploma and Ph.D. programmes in a wide variety of subjects in Humanities, Sciences, Commerce and Management. The College also teaches Pre-University Courses in Science, Commerce and Arts. In 1989 it was thrown open to the fair sex, which was considered a landmark for the College, it has proved a highly constructive initiative. St. Agnes College and other women’s colleges of Mangalore have shared the progressive outlook.

College has Science block, the Computer Centre, Auditorium, Hostels, the Xavier Block-science & Research, the Gonzaga Block, and the cafeteria and in the recent past a state-of-the-art standard has

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been adopted in all possible areas of growth. The internationally famed church, with frescoes by Br. Moscheni SJ, with painted scenes from the scriptures and lives of Jesuit saints all over on the ceiling, pillars, and walls; the Chapel is part of the College and is now mentored by the famed Archaeological Survey of India (ASI). The church is visited by people from far and near and is a great attraction of the area. The 'Aloysium' is an interesting museum of local historic material donated by its prominent residents from time to time.

A Few of the Famous alumni: Mangalore: K K Venugopal, Senior Advocate, Supreme Court of India.

Aravinda Adiga, Winner of the Man Booker Prize. 2008 (who migrated to Australia soon after his

Schooling). Dr. Devi Prasad Shetty, Cardiac Surgeon, and Philanthropist. Fr. Cecil Saldanha S.J., Biologist and Research Scholar. Dr. L P Fernandes. CoFounder Fr Muller's Hospital Mangalore. (see Box). George Fernandes, Trade Unionist and Former Union Defense Minister. V.J.P. Saldanha, Konkani language litterateur, dramatist, novelist, and poet. Mangaldas Shetty, President &CEO, ELIND Computers Pvt Ltd. Maxwell Pereira IPS, former Joint Police Commissioner, Delhi.

Stephen Vadakkan, Mathematician.......

-Compiled from published materials: By. Ivan Saldanha-Shet.

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Daijiworld.com turns 24: A journey of growth, gratitude and charity •

Sun, Jan 14, 2024, 12:09:01 AM

Walter Nandalike Founder & editor-in-chief Daijiworld.com As we mark the 24th birthday of Daijiworld.com, it fills our hearts with immense joy and pride to reflect on the remarkable journey that began as a small HTML page on January 14, 2001. Today, our web portal stands as a testament to the collective efforts of a spirited team, unwavering support from advertisers, sponsors, advertising agencies, and, most importantly, our loyal readers - the backbone of our growth and progress.

We extend our heartfelt gratitude to each one of you for being an integral part of our journey. While we celebrate this milestone today, we are acutely aware that there is still a long way to go. We must continue to evolve with technology and surpass your expectations. With your continued support, we are confident that we can tread many more miles.

The year 2023 witnessed significant progress, not only in our English and Kannada language news portals but also in the television and audiovisual segments. We experienced growth in both website readership and television viewership through Daijiworld 24x7.

The proliferation of technology and social media has allowed us to experiment with new ideas and expand our social media presence.

Platforms such as WhatsApp, Facebook, YouTube, Twitter (Now X), Instagram, and others have played a pivotal role in helping us reach a wider audience across the globe.

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Charity Mission Milestone: Rs individuals.

The success of 27.5 Crore Raised Daijiworld.com is attributed to the At the core of our media house is a sincere efforts, dedication, and commitment to extending a helping commitment of our entire team. hand to those in need. Our motto, Our directors have been our 'direct from donors to beneficiary,' constant inspiration and strength. has transformed hundreds of lives, Their unwavering support and and the mission continues to thrive. sacrifices have played a pivotal role Through Daijiworld.com and our TV in achieving this success. media, readers and viewers globally As we look ahead, we anticipate have generously contributed to continued support from our aiding those in need, raising a readers, well-wishers, agencies, cumulative amount exceeding Rs advertisers, sponsors, and team 27.5 crore in the last 23 years. This members. The year 2024 holds the phenomenal achievement promise of being busy and eventful, underscores our dedication to social and with your support, we aim to causes while fulfilling our primary persist in delivering accurate news goal of delivering news, as it unfolds and keeping you information, and entertainment to informed through daijiworld.com people from all walks of life, for many more years. We are excited regardless of religion, region, or to explore new ventures and expand caste. While we acknowledge our our horizons. limitations in accommodating every May the year 2024 bring abundant appeal, the unwavering trust and happiness, peace, and prosperity to support of our generous readers all, and let us collectively pray for a have made this possible. We remain healthier world. committed to being a conduit for You are invited to join our rapidly positive social change and aspire to expanding WhatsApp community do even more in the coming days. for instant access to the latest news On this 24th foundation day, we and updates on your devices. Click express our gratitude to every staff here to join. member, without naming ----------------------------------------------------------------------------------------------------107 Veez Illustrated Weekly

INAUGURATION OF THE TWIN JUBILEE OF THE SERVANT OF GOD MGR RFC MASCARENHAS

Mangalore Bethany at Bendur was all joy and attention on Jan 23, 2024, with the inauguration of the Twin Jubilee of the Servant of God Mgr. RFC Mascarenhas. Besides his 150th birth anniversary (January 23, 1875), his 125th anniversary of Priestly Ordination (March 4th, 1900) in a solemn manner. Recognizing the multi roles

played by the Servant of God, his great grandnephew Rev. Fr Cedric Prakash, SJ, spelt out the meaning of RFC as Revolutionary, Fearless and Committed. Fr Raymond created a revolution in the society by touching the lives of the poor, giving dignity and scope to thousands especially the girl children of the 19th century. He

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walked the narrow rough path fearlessly, propelling the band of Bethany’s sisters to walk fearlessly into the mission lands.

Founder had a dream. He had heard the call and seen the star. He had sensed the spurring of the Spirit in the hearts of not a few to dedicate themselves fully to the Lord. He was committed to the mandate of Jesus as a Pastor, Founder, Educationist and Scriptural man. Committed to the Cause of Justice and Truth, he stood head and shoulders high above his contemporaries be that in Secular field or Religious Avenue.

He was known as the ‘Father of the Poor.’ On this auspicious day, Jan 23, 2024, at sharp 5.00 p.m. eighteen ordained ministers of God, made their devout entry in procession to the Altar of God for the Eucharistic celebration to the tune of melodious entrance hymn.

Most Rev. Dr Aloysius Paul D’Souza, the bishop Emeritus of Mangalore Diocese concelebrated the Jubilee Mass along with Most Rev. Dr William D’ Souza, the Archbishop Emeritus of Patna Archdiocese and other priest brothers.

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Sr Lisa BS introduced the celebration highlighting the important milestones of the Servant of God. Breaking the Word of God from Jer. 1: 4-9, Heb. 5:1-10 and Lk. 4: 16-22, Rev. Fr J.B. Saldanha preached an inspiring homily.

Referring to Tony D’Mello’s Prayer of the Frog, he spoke about the Servant of God’s unassuming life of simplicity and of holiness which he translated into action uplifting the lower strata of people especially girl children. He promoted devotions to the Bl. Sacrament, Sacred Hearts of Jesus and Mary, the Little Flower of

Jesus, and her missionary zeal.

During the first Diocesan Eucharistic Congress, he preached on the greatness of the Blessed Sacrament which is remembered even today. He had special devotion and affection to the Blessed Virgin Mary whom he called Queen and Mother.

Mgr. RFC was convinced of his ministerial role and practiced it conscientiously spreading God’s compassionate love to all. During the offertory procession as a mark of thanksgiving 150 kg rice was offered in memory of the 150 fruitful years of

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the life of the Servant of God. Sr Leera Maria proposed a vote of thanks and offered guidelines for the participants to follow the Eucharistic celebration. The choir elevated the souls and minds of the faithful with their melodious hymns during the celebration.

After Mass all moved towards the tomb of the Servant of God. Ten wreaths were placed on the tomb by different people representing various sections in the society. A short documentary film on the Servant of God was displayed and

prayer for his beatification was recited. Most Rev. Dr William D’ Souza the Archbishop Emeritus of Patna released calendars on the Servant of God Mgr. Raymond FC Mascarenhas to mark the occasion. A concluding thanksgiving hymn was sung by the choir. Curtains were drawn to the joyous and meaningful celebration with a cordial fellowship with all joining in.

All are enthusiastically looking forward to the Jubilee year and observances ahead.

-Bethany Congregation. Mangalore.

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Mangaluru: St Joseph’s Institute of Philosophy declared Ecclesiastical Higher Education Institution •

Wed, Jan 24 2024 04:06:57 PM Media Release

Mangaluru, Jan 24: In a momentous ceremony held at St Joseph's Seminary, Jeppu, St Joseph’s Institute of Philosophy in Mangaluru was officially declared as an Ecclesiastical Higher Education

Institution on Wednesday January 24. The proclamation of the decree was conducted by Dr Matthew Attumkal, CMI, dean of the faculty of philosophy at Dharmaram Vidya Ksetram, Bengaluru.

The declaration took place in the presence of Dr Peter Paul Saldanha,

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the bishop of Mangalore and the

moderator

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of

the

institute.

Fr

Ronald Serrao, rector of St Joseph

Seminary,

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extended

a

warm

welcome to the dignitaries and the

gathered audience.

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Dr Ivan D'Souza, the director of St

Joseph’s Institute of Philosophy,

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elucidated on the significance of

becoming

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an

Institute

of

Philosophy. He highlighted that an

institute is required for students to

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obtain BPh to qualify themselves for

their further studies in theology.

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BPh degree would motivate the

candidates to take philosophical

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study seriously and help them to philosophise in a deeper way. It also motivates the teaching faculty to be rigorous, responsible, and serious about teaching philosophy. It would pave the way both for the staff and students for the learning of local or regional literature, culture, history, beliefs, practices, and philosophy.

Dr Mathew highlighted that the affiliation is valid for five years on an experimental basis, and the certification is recognised in Europe and America. He also announced that the online library of philosophy at Dharmaram is now accessible for students at St Joseph’s Institute.

“We assure our support and help in the journey of learning and imparting knowledge,” Dr. Mathew assured, emphasising the commitment to foster a conducive learning environment.

Bishop Dr Peter Paul Saldanha officially announced and proclaimed the decree of promulgation, “The Dicastery for Culture and Education, on October 23, 2023, issued the decree of erection of St Joseph's Institute of Philosophy, Mangaluru, affiliating it with the faculty of philosophy of the Pontifical Atheneum Dharmaram

Vidya Kshetram, Bengaluru, and approving its statutes. With much hope and prayer that St Joseph's Institute of Philosophy, Mangaluru, will fulfil its objectives and the expectations that the church has reposed on it, I am pleased to promulgate these statutes of St Joseph's Institute of Philosophy and decree that they shall come into force on January 1, 2024.”

In his address Bishop Peter expressed his gratitude, stating, “It is a God-sent moment for us to have the institute of higher education in philosophy in our centre, providing access for all women religious to undergo education along with men.” He emphasised the versatility of philosophy as a discipline, covering dialogues across all fields of knowledge. The bishop urged both students and staff to seize this opportunity, as the institute will undergo evaluation after five years.

Fr George Kulankara introduced the faculty of Dharmaram Vidya Ksetram, underlining the collaboration and exchange of knowledge between the institutions.

The ceremony concluded with a cultural presentation, as ‘Tulunadu

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Purana’ was staged to celebrate the a significant step for St Joseph’s rich culture and art forms of Institute of Philosophy, solidifying Tulunadu and Canara Christians. its position as an Ecclesiastical The depiction included Yakshagana, Higher Education Institution in Kambala, Korikatta, Folk Dance, Mangaluru with a commitment to Gumta, Baila, Roce, and wedding imparting knowledge and fostering ceremony, adding an artistic touch intellectual growth. to the event.

Dr Aloysius Paul D’Souza, bishop Fr Manoj Mathew, the teacher of emeritus, Dr Joseph Martis, Sr Lilly philosophy proposed the vote of Pereira, Dr Rocky D’Cunha, OFM thanks and acknowledged the help CAP, religious sisters and priests and assistance of everyone. and the staff and students of St This momentous declaration marks Joseph Seminary were present.

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PRESS RELEASE

Sandesha Foundation Unveils Sandesha Awards 2024

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Mangalore,

–

related courses, the foundation

Established in 1989 and officially

plays a pivotal role in nurturing

registered as a charitable institution

diverse talents.

in 1991, the Sandesha Foundation

The foundation actively organizes

for

workshops

Culture

07.01.2024

and

Education

is

on

drama,

poetry,

steadfast in its commitment to

media, and various other subjects,

constructing a value-based society.

creating a dynamic platform that

With a focus on fostering harmony

unites

through active support for art,

walks of life. Notably, Sandesha has

culture, education, and folklore-

recently entered a Memorandum of

related activities, Sandesha stands

Understanding

as

Karnataka

a

distinguished

educational

individuals

from

(MOU)

Gangubhai

with Hanagal

institution. Offering comprehensive

Music

training programs in music, dance,

University. This collaboration aims

art, painting, journalism, media

to broaden educational horizons by

education, public speaking, and

introducing certificate and diploma

127 Veez Illustrated Weekly

and

various

Performing

Arts

programs, further enriching the

Peter Machado, Archbishop of

educational

Bangalore

and

foundation.

Karnataka

Regional

About Sandesha Awards:

Conference, The Chief Guest for the

The 'Sandesha Awards' program, a

occasion will be Shri U. T. Khader,

pivotal

and

much-anticipated

Honourable

Speaker

annual

event

hosted

Karnataka

Legislative

offerings

of

by

the

the

President

of

Bishops

of

the

Assembly.

esteemed Sandesha Foundation,

Notable guests include

serves as a distinguished platform

Henry D’Souza, the Bishop of

to

Bellary

recognize,

and

celebrate

and

Chairman

Bishop of

the

exceptional contributions in various

Institute, Most Rev. Dr. Peter Paul

domains. These include Literature,

Saldanha, Bishop of Mangalore,

Journalism, Arts, Education, Music,

Most Rev. Dr. Gerald Isaac Lobo,

Media, and Social Service, among

Bishop of Udupi, Dr. Sudeep Paul,

other

This

MSFS, the Director of Sandesha,

only

Mr. Roy Castelino, and Rev. Fr.

outstanding

Ivan Pinto, the trustees of the

impactful

significant

sectors.

initiative

applauds

not

achievements but also emphasizes

Institute.

the importance of values in the

Sandesha Awardees 2024:

recipients' contributions, promoting a culture of excellence and positive societal impact. year's

Sandesha

Awards

ceremony is scheduled for Sunday, February 11, 2024, at 5:30 pm at the Sandesha Institute Grounds.

The distinguished event will be presided over by Most Rev. Dr.

Literature

Award

(Kannada): B. A. Viveka Rai • Sandesha

Sandesha Awards 2024 Details: This

• Sandesha

Literature

Award

(Konkani): Valerian Quadras • Sandesha Literature Award (Tulu): Muddu Moodubele • Sandesha

Media

Award:

Abdussalam Puttige • Sandesha Konkani Music Award: Alwyn Dcunha

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• Sandesha Art Award: Chandranth Acharya

literary works of Shivaram Karanth

• Sandesha

Education

Award:

Hucchamma • Sandesha

a young age when introduced to the by his father, setting the stage for a lifelong dedication to these fields.

Special

Award:

Jana

Dr. B. A. Viveka Rai has not only

Shikshana Trust

contributed

Bio Data of the Awardees

academic landscape as a professor

Prof. B. A. Viveka Rai:

but

Dr. B. A. Viveka Rai, the recipient of

positions, including the role of Vice-

the Sandesha Award for Kannada

Chancellor at Kannada University,

Literature 2024, is a distinguished

Hampi, and KSOU, Mysore. His

Kannada researcher, critic, folklorist,

impact on Kannada literature and

and

career

his tireless efforts in fostering

spanning five decades. Born on

cultural understanding have earned

December

him

professor 8,

with 1946,

a in

Agrala,

has

the

significantly also

held

Sandesha

to

the

esteemed

Award,

a

Puncha Village, Dakshina Kannada

recognition well-deserved for his

District, Karnataka, Dr. Rai's rich

exceptional contributions to the

journey in the realms of study,

literary and cultural heritage of

teaching, and research has left an

Karnataka.

indelible mark on Kannada and Tulu

Shri Valerian Quadras:

literature.

Valerian Alwyn Quadros, known as

A scholar deeply rooted in his Tulu

Valley

heritage, Dr. Rai's linguistic prowess

distinguished literary figure shaping

extends to both Kannada and Tulu,

Konkani culture. Based in Mumbai,

reflecting

his

commitment

to

his prolific career spans over 50

preserving

and

promoting

the

years,

Quadros,

marked

Ajekar,

by

is

a

extensive

linguistic diversity of the region. His

contributions to Konkani literature.

journey into the world of language,

As a versatile writer, editor, and

literature, and culture was ignited at

scholar, Valerian's impact is evident

129 Veez Illustrated Weekly

in his diverse works, including over

Karnataka

350 poems, 250 short stories, six

Academy

novels, and seven skits.

Mathais Family Kavita Trust Poetry

His anthologies like "Aashavadi,"

Award, Valerian Alwyn Quadros's

"Khilo," and "Satham aani Khotham"

unwavering dedication has left an

showcase his deep understanding

enduring legacy, solidifying his

of Konkani storytelling. Valerian

revered

explores poetry analysis in books

literary landscape.

like "Kavitha Paath" and "Daryaak

Shri Muddu Moodubele

Udak," adding analytical depth to

Muddu Moodubelle, a prominent

Konkani poetry appreciation. His

figure in Tulu literature, is acclaimed

editorial role extends to curating

as

collections shekdyaachyo

a

Konkani Award

status

poet,

in

Saithya

(thrice),

the

and

Konkani

storyteller,

singer,

like

"20vya

playwright, actor, folklore scholar,

konknni

kaaniyio"

and Senior Announcer at All India

and "Suryo Udetha."

Radio. Known by pennames like ‘Aradhaka,’ ‘Mumukshu,’ ‘Shrivatsa,’

Valerian's

literary

endeavours

and

‘Pathika,’

he

has

made

transcend scripts, with contributions

substantial

in Nagari, Romi, and Kannada script

literature, arts, and culture.

Konkani. He has edited national-

Muddu

level compilations, conducted over

talents include fiction writing, and

65 literary workshops, and played a

his noteworthy works encompass

pivotal role in publishing 50+ books

detective novels, poetry collections,

as

the

Editor

contributions Moodubelle's

to

diverse

of

Aashavadi

and anthologies of short stories. His

His

digital

Tulu books 'Udhipu' and 'Osayo'

engagement includes serving as the

won the Sahitya Academy Award,

Editor of poinnari.com.

becoming prescribed texts for MA

Recognized with esteemed awards,

courses in Tulu language.

including the Divo Literary Award,

Delving into Tulu folk culture,

Publications.

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Muddu

Moodubelle

authored

marginalized

communities

is

'Janapada Ineroopakolu,' exploring

evident in his widely acclaimed

the rich heritage of Tulu folklore. His

interview, 'The Muslim Kannadiga,'

research

conducted by scholar Yoginder

work

'Mulkiseemeya

Avaliveeraru Kantabare Budabare'

Sikand.

received acclaim and underwent

Puthige's significant contribution

multiple editions.

extends to literature, with the

A recipient of numerous awards,

release of 'Kannadadalli Qur'an

including the prestigious 'Masti

Anuvada' in 2012. This Kannada

Katha Puraskara' and multiple prizes

translation of the Quran has seen

in

multiple editions, with the third

story

Muddu

writing

competitions,

Moodubelle's

literary

edition published in Dubai by the

journey has left an indelible mark on

Department

Tulu literature and culture, making

Government of Dubai. Available

him a revered figure in the field.

online

Shri Absussalam Puttige

application, 'Quran in Kannada'

Abdussalam Puthige, the Editor-in-

further

Chief of Varthabharathi, a Kannada

commitment to making religious

daily

texts accessible.

newspaper

based

in

of

and

Islamic

as

an

demonstrates

Affairs, android Puthige's

Mangalore and Bangalore, is a

Born on April 2, 1964, in Ganjimutt,

prominent

Dakshina

figure

in

media.

Kannada

district,

Launching Vartha Bharathi in 2003,

Karnataka, Abdussalam Puthige's

Puthige has played a pivotal role in

multifaceted contributions to media

shaping Kannada journalism.

and literature have left an enduring

His notable English work, 'Towards

impact on the cultural landscape.

Performing Da'wah,' was published

Shri Alwyn Dcunha

by The International Council for

Julian

Islamic Information (ICII) in the UK.

distinguished figure in Konkani

Puthige's

music. Renowned as a maestro in

engagement

with

131 Veez Illustrated Weekly

Alwyn

D'Cunha,

a

the realm of music, Julian's journey

empowerment.

is a narrative woven with accolades

excellent mentor has earned him

and devotion to the rich traditions

recognition

of Konkani music.

music enthusiasts, reflecting the

Guided by his parents, Walter

breadth of his impact across various

Albuquerque, and Patrick Carlo, and

musical genres. Rooted in the

inspired by the teachings of A. W.

traditional

D'Souza, Julian immersed himself in

music, his distinctive musical style

the language of music from a young

continues

age. His participation and triumphs

dimensions and perspectives.

in numerous musical competitions

Shri Chandranath Acharya

solidify

Chandranath Acharya stands as a

his

standing

as

an

from

to

multifaceted

musical heritage.

D'Cunha's

extends

commitment

beyond

achievements;

he

role

as an

scholars

essence

exceptional contributor to Konkani Julian

His

bring

of

and

Konkani

forth

new

artist

with

an

expansive

creative

palette.

His

artistic

pursuits

encompass

personal

painting, printmaking, book cover

actively

design, and art direction for award-

contributes to shaping the future of

winning films.

music

aspiring

A celebrated magazine illustrator,

musicians. Many of his disciples

Chandranath has left an indelible

have

noteworthy

mark by infusing a new direction

figures in the music industry, a

and creative dimension into the

testament to his dedication and

fascinating world of art. For him,

influence.

painting is not merely an act but a

Having served as a training officer at

journey to delve into, explore, and

the

ITI

express the inner world where raw

Kadri Hills, Julian exemplifies his

human emotions—such as sex,

commitment

hunger, pleasure, and the fear of

by

mentoring

emerged

as

government-recognized

education

to

comprehensive and

youth

death—are laid bare. His images

132 Veez Illustrated Weekly

pulsate with the excitement of

with reality, dreams with desires,

realism and the magic of surrealism,

and concern with compassion, he

capturing both external contours

fearlessly traverses artistic trails that

and internal stirrings of human

others may shy away from.

relationships.

Chandranath Acharya's contribution

Incorporating

as

to the world of art extends beyond

Chandranath

the canvas, leaving an enduring

breathes life into his paintings,

legacy that challenges and enriches

representing

human

the artistic landscape.

passion,

predicament.

inspired

animal

symbols,

and

forms

sentiment, The

Smt. Hucchamma Chowdri

structures and postures of these

In an extraordinary act of altruism,

creatures mirror the vigor and verve

Hucchamma

of human behavior. Whether taming

affectionately known as the "mother

ferocious monsters, flirting with

of

angels, or coaxing domesticated

essence of selfless service. At 75, she

pets

pranks,

has devoted her life to the welfare

Chandranath's work is alive with

of the Kunikeri village, leaving an

playfulness, teasing joviality, and

indelible mark on the community.

warmth.

Married at an early age to Basappa

His unique ability to grasp intricate

Chowdri, Hucchamma found herself

human conditions and transform

without children after her husband's

them

visual

demise three decades ago. Living a

remarkable.

solitary life, she made a living

Chandranath's keen scrutiny and

through agriculture on the two

comprehension find expression in

acres of land she owned beside the

deliberately

village.

into

into

statements

mischievous

meaningful is

ambiguous

and

mothers,"

Chowdri, exemplifies

the

mischievous images, yet there is

When the village faced the need for

never a dull moment or discordant

a new school building, Hucchamma

note in his work. Merging fantasy

took a bold step and donated one

133 Veez Illustrated Weekly

acre of her land. Her generosity

selflessness becomes a beacon of

didn't

hope,

stop

there;

when

the

erasing

inequalities

and

requirement for a playground arose,

fostering harmony. Her life's work

she willingly gave away her only

stands as a testament to the

remaining acre of land.

transformative

Today,

well-equipped

of

school

compassion and the impact one

stands on the land donated by

individual can have on an entire

Hucchamma,

the

community. Hucchamma Chowdri,

education needs of the village.

through her actions, inspires others

Despite the surge in land prices due

to embrace humanity and work

to

towards the betterment of society.

the

a

power

catering

establishment

to

of

steel

factories in Kunikeri, she could have

Jana Shikshana Trust

easily earned a substantial amount

In the realm of social service, where

by selling her property. However,

compassion meets action, Jana

Hucchamma harbors no regrets,

Shikshana Trust (JST) stands as a

expressing that two square meals a

beacon

day are more than sufficient for her.

Founded by the dynamic duo of

Working as the chief cook in the

trained social workers, N. Sheena

same school, Hucchamma considers

Shetty, and Krishna Moolya, JST is a

all 300 children studying there as

not-for-profit, non-political, non-

her own. She provides them with

religious, and secular organization.

nourishing meals every day. Even

Their journey is shaped by the

though she could have earned a

knowledge

considerable

Hucchamma

"Ratnamanasa," a residential life

prefers her role as a cook and

education center in Ujire, and the

laborer, choosing a life of humility

School of Social Work Roshni Nilaya

and service over personal gain.

Mangalore.

In a society often divided by caste

Driven by the spirit of knowledge,

and

JST is on a mission to plant hopes

sum,

religion,

Hucchamma's

134 Veez Illustrated Weekly

of

selfless

dedication.

acquired

at

and cultivate happiness in the lives

enhance the quality of life for tribes

of

marginalized

and all marginalized communities.

individuals. The trust operates with

The trust firmly believes in the

the fundamental philosophy that

transformative

power

true development is synonymous

reliance

community-driven

with the development of people.

development.

This

JST's legacy is not merely in the

thousands

core

of

principle

manifests

through: a)

and

of

self-

services rendered but, in the lives, Actively

touched, uplifted, and empowered.

engaging and mobilizing people in

As the recipient of the Special

the fight against social inequality

Recognition

and injustices.

Awards 2024, Jana Shikshana Trust

b)

Mass

Mobilization:

Grassroots

at

the

Sandesha

Empowerment:

exemplifies the profound impact

Developing a grassroots power

that dedicated individuals can have

base at the village level and

when driven by the spirit of service

federating at higher levels to build

and the unwavering belief in the

collective strength.

collective power of communities.

c) Catalyzing Change: Providing external assistance through change

For more details contact:

agents

Rev. Dr. Sudeep Paul, MSFS

acting

as

catalysts

for

transformation.

Director

JST has dedicated the past 30 years

Sandesha Foundation for Culture

to

and Education ®

initiating

processes

that

and

facilitating

empower

and

Mob: 9113646986

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Mangaluru: Vishwa Konkani Kendra announces annual awards for 2023

Tue, Jan 23, 2024, 08:01:09 PM Daijiworld Media Mangaluru (EP)

Network

–

Mangaluru, Jan 23: The Vishwa Konkani Kendra, Mangaluru has announced the names of the

beneficiaries of annual all India level Vimala V Pai Konkani literary award 2023, Basti Vaman Shenoy global Konkani Service award 2023 and Dr P Dayananda Pai global Konkani award 2023.

‘Pooran’, the work by Goa-based

136 Veez Illustrated Weekly

author Pariyanker has been selected for the Vimala V Pai Konkani literary award for 2023.

‘Chaitra Kavita’, a collection of

poems by Kerala-based Konkani author and poet, R S Bhaskar has been selected for best Konkani work during 2023.

The veteran Konkani artist of Goa, Ramanand Raiker has been selected for Srimati Vimala V Pai Konkani Siddi award – 2023 founded to honour the elders who have contributed in a special manner for the growth of Konkani language, literature, and culture.

In the women’s division, Bengaluru-

based Shakuntala A Bhadarkar, Metamorphize Service Organisation has selected for Basti Vaman Shenoy global service award – 2023.

In the men’s division, Manjeshwar Snehalaya Charitable Trust’s Joseph Crasta has been selected for Basti Vaman Shenoy Konkani service award – 2023.

137 Veez Illustrated Weekly

Ramesh Lad from Goa has been selected for Dr P Dayananda Pai global translation award – 2023.

All the seven awards carry a cash prize of Rs 1 lac and a plaque. The awards will be presented during the annual global Konkani valedictory ceremony at the Vishwa Konkani Kendra on February 11 at 10 am.

Four Konkani dramas will also be performed at T V Ramana Pai auditorium, Mangaluru from 5 pm to 8 pm on February 10 and 11.

Srinivas Rao (Kasargod Chinna) has been selected for 2023 Dr P Dayananda Pai global Konkani drama award.

The Konkani Bhas and Samskriti Prathistana was started by Vishwa Konkani Saradar Basti Vaman Shenoy in 1996 at Shakti Nagar, Mangaluru. It has been conducting programmes for the growth of Konkani language, literature, culture, and the all-round growth of Konkani communities.

138 Veez Illustrated Weekly

of the Kendra.

The press notification was released

by Nandagopal Shenoy, president ------------------------------------------------------------------------------------

139 Veez Illustrated Weekly

Fiducia Supplicans (Supplicating Trust)

Declaration of the Dicastery for the Doctrine of the Faith on the Pastoral Meaning of Blessings with special reference to blessing of couples in irregular situations and couples of the same sex

On 18 December 2023 the Dicastery for the Doctrine of the Faith published a Declaration approved

by Pope Francis, titled Fiducia Supplicans (Supplicating Trust) on the Pastoral meaning of Blessings.

The above-mentioned document permits priests to informally bless couples in irregular situations and

same-sex couples when they ask for a blessing.

The permission from the Holy See for priests to bless such couples I am sure was received with much joy by gay and lesbian couples and the LGBTQ+ community while some of them perhaps were also disappointed that the Pope did not go far enough to permit blessing

140 Veez Illustrated Weekly

and recognizing their union as marriage.

But Fiducia Supplicans has met with

strong reaction, opposition, and rejection on the part of many Bishops, including Cardinals and Bishops’ Conferences in Africa and elsewhere. They feel that blessing same sex couples sends a wrong signal and people can easily confuse it with blessing same -sex marriage or legitimization of an irregular union. It can undermine and call in question the age-old doctrine of marriage as understood and taught by the Church and mislead people regarding the teaching of the Magisterium on the immorality of homosexuality and same sexmarriage. Cardinal Robert Sarah describes Fiducia Supplicans as heresy that seriously undermine the Church: “We oppose a heresy that seriously undermines the Church” he said.

Some even fear that blessing of same-sex couples may be a step toward the Catholic Church recognizing same-sex marriage. But Cardinal Víctor Manuel Fernández, Prefect of the Dicastery for the Doctrine of the Faith who has signed and published the Declaration, said clearly in an interview with the Spanish Newspaper ABC published on December 25, 2023, that “Vatican is not moving toward accepting samesex marriage and the Church remains firm in teaching that marriage is only a life-long union between a man and a woman”.

In fact, the Document takes great pains to explain and repeatedly cautions readers and the faithful not to confuse a simple, spontaneous blessing or prayer requests by same-sex couples with any liturgical or sacramental rite.

The Declaration states clearly: “one should neither provide for nor promote a ritual for the blessings of couples in an irregular situation. At the same time, one should not prevent or prohibit the Church’s closeness to people in every situation in which they might seek

141 Veez Illustrated Weekly

God’s help through a simple blessing. In a brief prayer preceding this spontaneous blessing, the ordained minister could ask that the individuals have peace, health, a spirit of patience, dialogue, and mutual assistance—but also God’s light and strength to be able to fulfil his will completely”. (No.38) The document further clarifies and directs: “In any case, precisely to avoid any form of confusion or scandal, when the prayer of blessing is requested by a couple in an irregular situation, even though it is expressed outside the rites prescribed by the liturgical books,

this blessing should never be imparted in concurrence with the ceremonies of a civil union, and not even in connection with them. Nor can it be performed with any clothing, gestures, or words that are proper to a wedding. The same applies when the blessing is requested by a same-sex couple”.

(No.39 Emphasis mine) Hence it is very clear that the Document does not want in any way to legitimize any irregular or samesex union: “there is no intention to legitimize anything, but rather to

open one’s life to God, to ask for his help to live better, and also to invoke the Holy Spirit so that the values of the Gospel may be lived with greater faithfulness”. (No. 40 Emphasis mine) Reaffirming the perennial teaching of the Church on marriage the Document states: “Therefore, rites and prayers that could create confusion between what constitutes marriage—which is the “exclusive, stable, and indissoluble union between a man and a woman, naturally open to the generation of children” [6]—and what contradicts it are inadmissible. This conviction is grounded in the perennial Catholic doctrine of marriage; it is only in this context that sexual relations find their natural, proper, and fully human meaning. The Church’s doctrine on this point remains firm”.

(No. 4 Emphasis mine) Furthermore the Declaration unambiguously states: “For this reason, when it comes to blessings, the Church has the right and the duty to avoid any rite that might contradict this conviction or lead to confusion……….. the Church does

not have the power to impart

142 Veez Illustrated Weekly

blessings on unions of persons of the same sex”. (No.5 Emphasis mine) In my opinion, the Document after clearly explaining the meaning of blessings in Sacred Scripture, theological-pastoral understanding of blessings, the blessing in the Sacrament of marriage etc. permits the ordained minister to impart a simple, spontaneous, non-liturgical, non-sacramental blessing with no liturgical rite. The document is clear.

But still people could misunderstand it, interpret it towards their own advantage, and confuse the blessing with legitimization or recognition of same sex marriage etc.

Hence caution, lot of caution will be required on the part of the priest who may say a prayer and impart a blessing on people in irregular situations or same sex couples who may request it.

In this context it may not be out of place but rather useful to present here briefly the Church’s teaching on homosexuality and the immorality of same-sex marriage.

To understand the right and wrong of homosexuality, it is important to make a distinction between homosexual orientation and homosexual acts. This distinction between homosexual orientation and homosexual acts is a very essential distinction to be kept in mind while evaluating the morality of homosexual acts. Homosexuality is not merely a matter of legality but also of morality.

It is true no one can be held culpable for having a homosexual orientation if it is innate and permanent. They should be treated with respect just as any human being and certainly not as criminals.

It must be borne in mind that all homosexuals who have this tendency are not born homosexuals. While some may be born homosexuals, others acquire this orientation due to external environmental factors, especially in early childhood. While homosexuals may not be personally responsible for having a homosexual orientation, they are responsible for the sexual acts which they indulge

143 Veez Illustrated Weekly

in. All homosexuals have a moral obligation not to indulge in homosexual acts because these are contrary to the inbuilt meaning of human sexuality and marriage.

Remember that all unmarried persons, whatever their sexual orientation, are also morally obliged to live a chaste life without engaging in sexual activities. Right reason and natural law would teach that there is an “inseparable connection, willed by God and unable to be broken by man on his own initiative, between the two meanings of the conjugal act: the unitive (love-giving) meaning and the procreative (life-giving) meaning. Indeed, by its intimate structure, the conjugal act, while most closely uniting husband and wife, capacitates them for the generation of new lives, according to laws inscribed in the very being of man and of woman”.

Any sexual act in order to be in keeping with the order willed by God, and therefore morally right, must respect at the same time both these inseparable aspects or

finalities. Homosexual acts are incapable of achieving the finality of procreation. The Catholic Church teaches that marriage is “a natural institution consisting of a specific communion of persons, essentially rooted in the complementarity of the sexes and oriented to procreation. Sexual differences cannot be dismissed as irrelevant to the definition of marriage.” Same sex marriage and homosexual acts, therefore, are contrary to nature as designed by God. The Catechism of the Catholic Church clearly teaches: “Basing itself on Sacred Scriptures, which presents homosexual acts as acts of grave depravity (cf. Gen. 19:1-29); Rom 1:24-27; 1Cor. 6:10; 1Tim 1;10), tradition has always declared that ‘homosexual acts are intrinsically disordered.’ They are contrary to the natural law. They close the sexual act to the gift of life. They do not proceed from a genuine affective and sexual complementarity. Under no circumstances can they be approved’ (CCC No. 2357)

144 Veez Illustrated Weekly

The institutions of marriage and family are crucial to the stability and welfare of the society. These must be safeguarded with utmost care.

The often-cited argument that heterosexuals have sexual outlet; therefore, homosexuals also should have sexual outlet in homosexual acts, does not hold water.

Heterosexuals too cannot arbitrarily engage in sexual activity with any person. Heterosexual acts are morally permitted only among lawfully married partners. Adultery, rape, premarital sex, pornography, bestiality, masturbation, anal sex etc. are wrong for all, even heterosexuals. The full purpose of human sexuality can be achieved only in heterosexual marriage and family. Same sex marriage is contrary to nature and God’s design for humanity.

It is also argued that prohibition of same sex marriage or sexual activity among homosexuals is discriminatory and goes against human rights. An impotent person cannot claim the right to marriage because he is incapable of placing

the conjugal act.

Similarly homosexual acts are incapable of respecting the procreative finality of human sexuality and therefore not morally permissible and cannot be claimed as a right.

Permitting homosexual activity, even among consenting adults, does have far reaching consequences on the society. It questions the age-old institution of marriage and family and militates against the right order willed by God by creating human beings as male and female (cf.Gen.1:27-28). It creates a whole permissive and promiscuous mentality which is detrimental to the welfare of family, children, and the entire society. Let us also not forget that homosexual activity is one of the major causes of spread of HIV/AIDS. Many get confused between legality and morality. What is legal is not by that very fact also moral. Abortion and euthanasia for example are legal in many countries. That does not mean that they are morally acceptable and permissible.

Similarly, even if homosexuality is

145 Veez Illustrated Weekly

decriminalized and same sex marriage may even be legalized, yet it does not mean that they are morally right. Anyone entering same sex union and engaging in homosexual acts, will be culpable of serious moral evil. As good human beings we are expected to obey not only the law of the State, but also the law of God or Natural Law.

† Gerald John Mathias Bishop of Lucknow

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ALL SET FOR ST. SATURNINE CHAPEL,

KELAGURU PLATINUM JUBILEE CELEBRATION PRESS RELESE IVAN D’COSTA, SAMPIGEKHAN

Amrita Mahotsava – Platinum Jubilee celebration of Kelaguru Saint Saturnine Chapel. Kelaguru is a small village of Chickmagaluru district within Mudigere Taluka which is 57 KMS away from Chikmagaluru Town in the hill country. This area is famous for its Coffee and Tea plantations. In 1926, the Kelaguru Coffee and Tea

Plantation was started by the then late Mr. Saturnine Louis Mathias.

The Reverend, who was a provider of livelihood to the people of many castes and religions, called the then clergymen from Mudigere Parish and enabled the Christians to fulfil their religious obligations at their respective residences.

146 Veez Illustrated Weekly

In 1943, when Hirebile, which was a sub-station of Mudigere, was declared an independent Parish.

Kelaguru area came under the jurisdiction of Hirebile parish.

Always responsive to the temporal and spiritual needs of the people, the late Rev.S.L. Mathias always complained that they were unable

offered a title to S.L. Mathias as a “Knight of St. Gregory the Great” and he was also accorded the title of “Dewan Bahadur by the Maharaja Krishnaraja Wodeyar.

He and His sons Casimir, George, Edward and Harry decided to fulfil their father’s dream of building a chapel also as per the wish of their mother Mrs. Stefania Mathias and dedicated the Chapel to Saint Saturnine on 29th November 1948, the birthday of Diwan Bahadur S.L. Mathias at Kelaguru Coffee and Tea plantations. The church was inaugurated and blessed by Most Rev. Dr Bishop Rene Feuga, who was the then Bishop of the Mysore Diocese. Since then and even todate, the Kelaguru chapel is a substation of the Hirebile parish.

to put up a church owing to financial constraints. Pope Pius 11th 147 Veez Illustrated Weekly

People in and around Kelaguru remember Mathias family of

Kelaguru with gratitude for having bestowed them with such a precious gift. From then on, every Sunday, on all festival days and special days Holy ass is celebrated at 7.00 a.m. and liturgical celebrations are, however, held continuously.

While constructing this chapel, a grand Grotto of Our Lady of Lourdes was also included. Today, this village is known for its spirituality. The sight of people coming to grotto to offer prayers to Our Lady is very common.

On 11th February, every year, the Feast of Our Lady of Lourdes is celebrated with great devotion and with no discrimination of caste, creed or colour. People gather in thousands to honour blessed Mother. People come here pray at the grotto and owing to its popularity, it has now become a Centre for inter-religious harmony.

On feast every year, people flock to this place to offer prayers and thanksgiving.

Because of such intense devotion of Christians, this place has become sort of miraculous spot.

The Kelaguru Mathias family and the people of Kelaguru sub-station are indebted to the services of the Priests and Assistant Priests from Hirebile parish. Priests come to this sub-station on Sundays and festival days 13 Kilometres away to offer Holy Mass even in harsh conditions

148 Veez Illustrated Weekly

like cold, rain and wind.

The people of Kelaguru remember with devotion the selfless service of all these priests even today. Late Rev. Fr. J. A. Pereira(1946-1952) was the first priest to serve at Kelaguru sub-station, followed by Late Rev. Fr. Fidelis Pinto,(1952-1966) Late Rev. Fr. Joe Mary Lobo,(1966-1971) Rev. Fr. Patrick D’Souza,(1971-1980) Rev. Fr.Daniel D’Souza,(1980-1989) Rev. Fr. George D’Souza,( 19891995) Late Rev. Fr. G.V. D’Souza,(1995-2002) Rev. Fr. Francis Rasquinha,(2002-2008) Rev. Fr. R. Rajendra,(2008-2014) late Rev. Late Fr. Gilbert Pinto, (2014-2015) Rev. Fr. George Andrade, (2015-2022) and the Assistant Priests, Late Rev. Fr. Felix. Walter Pinto, (1975-1978) Rev. Fr. J.B. Castellino, (1978-1980) late Rev. Fr A. Shanthappa(1991-1993) Rev. Fr. Sunil Prakash Rodrigues (2014-2015) and Rev. Fr. Avin

Michael(2021-2022.) while we thank all the priests for their selfless services we gratefully acknowledge the services of those who have departed to their heavenly abode.

May their souls rest in eternal peace.

May merciful Lord grants them heavenly bliss.

All the priests took special care to fulfill the spiritual needs of the faithful here. They visited each house and took good pastoral care of the people. Priests who have served here were great preachers, organizers, Bible scholars, musicians, and Writers. They were the pioneers in igniting the spiritual movement among people. People received good guidance due to priests’ zeal for work, devotion to God and commitment to the Church. The 60th Anniversary of this Chapel was celebrated on 29th November 2008 under the leadership of Rev. Fr. R. Rajendra.

We gratefully acknowledge their services. May Lord Jesus, the high priest, bless all the priests with good health, joy and happiness.

149 Veez Illustrated Weekly

Rev Fr Joe Mary Lobo took immense trouble and pains to train the people to walk on the spiritual path.

He formed a good choir group here and taught Music to the youth. He trained Mr Jerome Pinto to play harmonium. Till the retirement of Mr Pinto Kelagur had a splendid and melodious musical choir.

52 years ago, during Rev Fr Joe Mary Lobo’s tenure, the revered priest brought the famous wilfy Rebimbus troop here and organized Konkani, Kannada and Tulu Musical programmes at Hirebile as well.

During this Musical Programme Konkan Kogul Mr wilfy sang a melodious song titled “Chendada

Ooru Kelaguru….Andada bailu Hirebileu”.

Fr Joe also trained many kelagur Youth to take part in cultural programmes .

Rev Fr George D’souza, during his tenure, took lot of trouble to organize faith formation classes to children, conducted camps at 150 Veez Illustrated Weekly

programme.

Infinite thanks to our former Bishops Most Rev Dr. Alphonsus Mathias and Late Most Rev.John Baptist Sequeira and the present shepherd Most Rev. Dr. T. Anthony Swamy for providing us all the Spiritual guidance and Support.

Kelaguru and encouraged youth to participate in Diocesan and Regional level programmes.

The present 15th Parish Priest viz: Very Rev. Fr. David Prakash is active like Mercury and Cool as Cucumber, works like a Bee gathering the sweetness and goodness in hearts of the faithful. In one year alone, he has accomplished many good programs and continues working beyond his strength for religious, social, educational, and economic progress of the Parish. In his committed services, we can find ingenuity, diligence, devotion, talent, companionship with people, eloquence, and erudition to mesmerize the Parishioners. It is a great opportunity for us work with Fr David Prakash under whose able Leadership we are conducting this

A native Priest viz Fr Faustine Brank of Kelaguru Sub-station has been ordained as a priest on 15.04.1983.

This took place during Fr Daniel D Souza’s period. Late Joe Mary Lobo took Lead to organise this programme. In this chapel, many a Baptisms, First Holy Communion, and Weddings have taken place.

Presently, a native of this Parish is undergoing training as a Seminarian to be eventually ordained as a Priest. We also have nurtured few vocations to become religious brothers, religious sisters who having been serving in different religious Congregations in India.

At the time when this small chapel was established, there were many people. There were nearly 350 catholic who use to participate in the Sunday Mass. Now the number

151 Veez Illustrated Weekly

is reduced to 75 only. But the same spirit is moving in them. As time progressed, the population of the Christian community decreased as the youth migrated to various cities in search of education, employment, and livelihood. We are proud of their growth and for their contributions in various fields. They are settled in well-developed countries. Today we can see them as Professors, Sports men etc., However, we are happy to say that the spark of devotion of the devotees and faith of the faithful living here has not dried up and is

still shining brightly. The Kelaguru Mathias family is credited with not only building the chapel of Saint Saturnine but also for providing all the necessary facilities and raising it to the present status. Late E. J. Mathias, who was the Managing Partner, built a small chapel and grotto of Our Lady of Lourdes and the facility of vehicle arrangement to facilitate the coming and going of devotees from Meguru ‘A’ and Meguru ‘B’ sections of Kelaguru farm, for participation in Holy Eucharistic celebrations and other services continues even today.

Vehicle arrangements have been made for the priests to come and go from Hirebile parish to offer Holy Mass. Food and accommodation are duly arranged for their comfortable stay at the Centre. It is our prayer that the Lord will grant eternal rest to all the bereaved family members of Kelaguru Mathias. Mr. Peter Mathias, who was a senior naval officer, who took charge of the path laid down by his predecessors has gained popular recognition by responding to the needs of the

152 Veez Illustrated Weekly

chapel and the people. Mr. Sanjay Mathias, the current manager, continues the legacy of the elders with fondness and commitment to the Catholic Church. In all these developments, the services of the superintendents and attendants of the Kelaguru farm are exceptional and commendable. They work as a bridge and link between the people and administration.

We also thank all the Ursuline Franciscan Sisters (UFS) who always rendered their selfless services from Sacred Heart Convent Hirebile and supported spiritually supported us in the past and are helping us even in present days’ Eucharistic celebrations.

We gratefully appreciate Sr Helen Sequeira UFS Superior and community Members.

On behalf of the Kelaguru Mathias family, we extend our heartfelt thanks to all those who have contributed to the 75 years of development of this chapel.

There is one cemetery also in Kelagur in front of the chapel. It is beautifully maintained by the Estate authority.

153 Veez Illustrated Weekly

The Platinum Jubilee celebration will take place on 24th January 2024, Wednesday. His excellency Most Rev. T.Anthony Swamy Bishop of Chickmagalur will offer thanks giving Holy Eucharist Mass along with Fr David Prakash, Parish Priest together with Balehonnur Deanery Priests joined by former parish priests. After the Holy Mass, there will be cultural programmes followed by fellowship meals

organized by the Estate authority.

This programme will be telecast live on Divyavani Channel. This event will be an important milestone in the history of Kelaguru Sub-station.

Known as the Ooty of Karnataka, the lush green scenic views of Kelaguru plantations attract many tourists and soothe their eyes. Many Kannada films are shot here.

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Udupi: ‘Vishwaprabha’ title conferred on renowned litterateur Jayant Kaikini •

Thu, Jan 25 2024 01:03:02 PM Daijiworld Media Udupi (JD/MS)

Network

–

Udupi, Jan 25: The Vishwaprabha – 2024 award was presented to

renowned litterateur Jayant Kaikini at the Sanskriti Utsav that is being held at Muddana Mantapa of MGM college under the aegis of MGM College, Kannada and culture department and Sanskriti Vishwa Pratishtana.

154 Veez Illustrated Weekly

During his acceptance speech, Jayant Kaikini highlighted the grandeur of programmes in coastal Karnataka and emphasized the importance of art as a means of united progress. He expressed

concern about human beings harbouring hatred towards each other and emphasized that art serves as a medium that unites everyone and complements literature, education, and the pursuit of knowledge.

The event was presided over by litterateur Prof K P Rao, and congratulatory remarks were delivered by litterateur Dr Katyayani

155 Veez Illustrated Weekly

Kunjibettu. Other notable attendees welcomed the attendees. Singers included the founder of Sanskriti Vinush Bharadwaj and Vishwa Pratistana Vishwanatha Vijayalakshmi Muttinahole Shenoy, Prabha Shenoy, President presented popular cinema songs by Prof Shankar, deputy director of Jayant Kaikini during the event.

Kannada and culture department Additionally, there was a discussion Poornima, and MD of Gandhi on movie songs involving Jayant Hospital Dr Harishchandra.

Kaikini, with participants including The Vishwaprabha award Dr Suresh Shenoy, poet Wilson committee's Nagaraj Hebbar Kateel, Sushmita Shetty, and Maud provided an introductory speech, G M. Avinash Kamath served as the and the convener Raviraj H P compere for the programme.

------------------------------------------------------------------------------------

Mangaluru: Golden Jubilee mega conference of Catholic Charismatic Renewal Movement set for February 2024 •

Mon, Jan 22, 2024, 07:36:55 PM Pics: Spoorthi Ullal Daijiworld Media Mangaluru (ANK)

Network

–

Mangaluru, Jan 22: Bishop of Mangalore Diocese, Dr Peter Paul Saldanha, announced that the golden jubilee mega conference of The Catholic Charismatic Renewal Movement will take place from February 22 to 25 at Holy Cross Church Cordel grounds, Kulshekar.

With a rich history spanning 49

years, the Catholic Charismatic Renewal Movement originated in 1975 under the guidance of Bishop Late Dr Basil D'Souza and Bishop Emeritus Dr Aloysius Paul D'Souza, with continued support from Dr Peter Paul Saldanha. Organized by

156 Veez Illustrated Weekly

Mangalore Diocesan Service Communion and Bible Commission, the movement has positively impacted thousands in the diocese

through various programs, prayer gatherings, and conferences.

In celebration of the movement's 50th year, the Golden Jubilee Mega Conference is eagerly anticipated.

The four-day event at Holy Cross Church ground, Kulshekar, from February 22 to 25, will be led by Fr Joseph Edattu VC from the Divine Retreat Centre in Kerala. With an expected 6,000 participants, the conference will feature half-day training sessions for leaders across Mangaluru and other Karnataka dioceses. This gathering promises a spiritually enriching environment, incorporating unique religious rituals, and providing attendees an

157 Veez Illustrated Weekly

opportunity to seek divine blessings Mangalore Diocese Roy Castelino, for family prosperity, global peace, Vicar General of Mangalore Diocese and the well-being of all humanity.

Fr Maxim Noronha, Elias Fernandes Rakhno editor Fr Rupesh Maadtha, from Four Winds, and others were parish priest of Cordel Church Fr present.

Clifford Fernandes, PRO of ------------------------------------------------------------------------------------

Karkala: Fifth day of St Lawrence Attur Basilica feast dedicated to Our Lady of Gratitude •

Thu, Jan 25 2024 07:20:50 PM Media Release

Karkala, Jan 25: The fifth day of the feast of St Lawrence at Karkal Attur Basilica was observed on Thursday, January 25. This day was dedicated to Our Lady of Gratitude, offering special prayers for all the

parishioners of Karkal Attur Shrine Parish. The masses for the day were celebrated by Fr Vishal Monis from Kayyar, Fr David Chikkamagaluru, Fr

158 Veez Illustrated Weekly

Francis Cornelio from Padukone, Fr Denis D’Sa Thottam, Fr Ronald

Cardoza from Chikkamagaluru, Fr Valerian Mendonca from Kallianpur,

159 Veez Illustrated Weekly

Fr Francline D’Souza from Shivamogga, and Fr Stany Pinto from Puttur.

The theme for the day was "Pray

with Humility." The main mass presided over by Dr Peter Paul Saldanha, Bishop of Mangalore, took place at 10 am. In his homily, Bishop Saldanha emphasized the significance of praying with humility, stating, "A prayer made with humility pierces the clouds, and God hears those prayers." The final mass of the day was celebrated at 10 pm, with prayers offered for the sick after every mass.

Throughout the day, confessional ministry was conducted by more than 25 priests. Fr Alban D'Souza, the rector of the Shrine, expressed gratitude to all who contributed to the organization of the feast. The concluding festal mass for the feast

160 Veez Illustrated Weekly

of St. Lawrence will take place on January 26 at 5 PM. ------------------------------------------------------------------------------------

Campus get-together for the faculty, and support staff

161 Veez Illustrated Weekly

St. Agnes PU College hosted a campus get-together for the faculty, and support staff on 24 January 2024. Sr Maria Shamita AC, the Provincial Superior of the Apostolic Carmel, Karnataka Province, was the

esteemed guest of honor.

Dr Sr Maria Roopa AC, Joint Secretary of the Agnes Group of Institutions, also graced the occasion and welcomed Sr Shamita and the gathering. The occasion was

162 Veez Illustrated Weekly

enhanced by invoking divine blessings through a prayer song by lecturers of St Agnes PU College.

Sr Shamita emphasized the importance of looking inward and

urged everyone present to view teaching as a vocation. She exhorted the audience to aspire to move from "good to great" and highlighted it as a collective endeavor. The importance of

163 Veez Illustrated Weekly

reviewing, reflecting, responding, and self-rating as individuals was also accentuated by her. She concluded with a call to invest time wisely, prioritize important tasks, and strive for excellence and creativity in teaching.

Dr Geetha Nazareth, Associate Professor, Department of Chemistry, St Agnes Centre for Post Graduate Studies, and Research,

served as the charismatic anchor for the day. Mrs. Preethi Patrao from St Agnes High School proposed the heartfelt vote of thanks.

Sr Carmel Rita, Administrator, St Agnes Degree College, Sr Edna Furtado, Co-Ordinator, St Agnes CBSE School and the Heads of the various institutions on the campus were among the other dignitaries present.

-----------------------------------------------------------------------------------164 Veez Illustrated Weekly

Konkani literature and work. The honorable governor Shree P. S. Sreedharan Pillai will be presenting this award on the 4th of February 2024 at Rajbhavan Goa. Valley Quadras based in Mumbai is one amongst the active writers/activists in Konkani, has been working mainly in the field of literature since last 40 years. His writing includes short stories, poetry, novels, plays, articles, analysis, translation as well as transliteration across three scripts in Konkani. 32 of his books published in print format in The Goa Konkani Academi has Konkani, 1 each in English and selected Valley Quadras Mumbai for Kannada. He has edited and its prestigious Madhav Manjunath published over 45 digital e-books Shanbhag Seva Puraskar 2021 for and a-books so far through his outstanding contribution to Ashawadi Prakashan.

------------------------------------------------------------------------------------

Congratulations to our Spiritual Director Rev Dr Fr Francis Assisi for

securing Ph.D. on Article 30 of the Constitution of India the title of the

165 Veez Illustrated Weekly

thesis

*"Minority

educational

Institutions in India in the Era of Privatization"* We are proud of your achievements.

------------------------------------------------------------------------------------

ST ALOYSIUS COLLEGE

(AUTONOMOUS), MANGALURU PRESS RELEASE

Members

Present

during

the

Press Meet:

ordinator, TEDxSAC Tehsin

Ahmed,

Student

ordinator, TEDxSAC Dr Alwyn D’Sa, Registrar, SAC

Ms Chandrakala, P.R.O.

Dr Smitha D.K., Programme Co-

ABOUT TED

ordinator, TEDxSAC Diya Mascarenhas, Student Co-

TED is a nonprofit organization

166 Veez Illustrated Weekly

Co-

devoted to Ideas Worth Spreading, often in the form of short talks delivered by leading thinkers and doers. Many of these talks are given at TED Conferences, intimate TED Salons

and

independently

thousands organised

of TEDx

events around the world. Videos of these talks are made available, free, on TED.com and other platforms.

Audio versions of TED Talks are published

to

TED

Talks

Daily,

available on all podcast platforms.

x = independently organized event the

speakers combine to spark deep discussion and connection. These local, self-organized events are branded

TEDx,

where

x

=

independently organized TED event.

The

TED

Conference

provides

general guidance for the TEDx program, but individual TEDx events are

self-organized.

(Subject

to

certain rules and regulations.)

SAC St Aloysius College (Autonomous) is

About TEDx

In

event, TED Talks video and live

a premier institution that has been at the service of the youth of Mangalore and its environs, as an

spirit

of

ideas

worth

spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx

educational institution run by the Mangalore

Jesuit

Educational

Society. It was established in the year 1880. The motto of the college, Lucet et Ardet which means shine to

167 Veez Illustrated Weekly

enkindle

has

inspired

many

students to become men and women

for

and

with

technology, and thought-provoking ted talks.

others.

Inculcating social awareness and

Theme- KOSEI

enhancing social concerns is one of

In the intricate canvas of human

the main thrusts of the college.

existence, our quest extends far beyond mere survival; it reaches

TEDxSAC

deep into the very essence of what

The rolling hills, the scattered

defines us as human beings. Picture

coconut, palm trees, freshwater

this journey as the revelation of a

streams, and hard red-clay tiled-

radiant light, with each of us

roof buildings, pristine beaches,

representing a unique stroke of

broad roads and calm localities.

paint on the canvas. Some strokes

Mangalore

and

have already burst forth, basking in

culturally rich city known for its

the brilliance of recognition, while

unique blend of tradition and

others remain concealed, patiently

modernity.

awaiting

is

a

beautiful

TedxSAC

independently

is

organised

a Tedx

their

moment

of

revelation.

event held at St Aloysius College. It is a platform for spreading ideas,

As this light blaze and casts its warm

fostering innovation, inspiring the

glow, it is the diverse brushstrokes

community through engaging talks

within yourself that ascend higher

and presentations.

and shine brighter. Our theme,

TEDXSAC is a chance to check out

'Kosei,' borrowed from the Japanese

from day- to -day routine go on an

language, encapsulates the essence

intellectual journey with smart and

of individuality, celebrates oneself,

curious friends to a world filled with

and attains the utmost potential.

brilliant

speakers,

performances,

captivating

amazing

new

This year, TEDx invites you to

168 Veez Illustrated Weekly

embark on a transformative journey of self-discovery and exploration.

encounter.

3. Fr. Saju George SJ

With 'Kosei', we will delve deep into

Fr. Saju George SJ, the dancing

the rich canvas of individuality,

Jesuit and Founder Director of

unlocking the traits that make our

Kalahrdaya,

individuality

Bharatanatyam dancer with 2000+

soar

higher

and

brighter.

solo

is

a

performances

renowned and

global

lectures. Versatile in dance forms SPEAKERS:

like

Kathakali

and

Kathak,

his

journey beautifully blends faith and 1. Aarti Malhotra

art, revealing universal potential.

Aarti Malhotra, inspired by her son

4. Vicky Roy

Arvey's legacy, champions the fight

Former

against bullying against the queer

Bengal, Vicky Roy, rehabilitated by

community. Committed to fostering

Salaam Baalak Trust, became a

open discussions, she envisions a

celebrated

positive society where individuals

Media Fellowship in 2014, Forbes

express themselves freely without

Asia

fear.

documented World Trade Center's

2. Shekhar Naik

rag

30

picker

from

West

photographer. under

30

in

MIT 2016,

reconstruction, and acclaimed solo

Shekhar Naik, a Padmashri awardee,

exhibitions like 'Home Street Home.'

stands as a beacon in Indian blind cricket. As the former captain, he

5. Neeraj Chaudhary

steered the national team to victory

An accomplished content creator,

in two T20 World Cups, showcasing

Neeraj Chaudhary is known for his

that

versatile content revolving around

unwavering

passion,

dedication, and hard work can

adventures,

fitness,

propel

filmmaking.

His

individuals

to

triumph,

irrespective of the challenges they

evident

169 Veez Illustrated Weekly

through

travel

and

dedication

is

his

numerous

brand collaborations with leading

8. Pramodini Roul

brands and his association with

Pramodini Roul, an acid attack

muscleblaze as a sponsored athlete,

survivor, embodies resilience and

solidifying his reputation as a

hope in the face of unimaginable

reliable

adversity. Refusing to be defined by

&

innovative

content

creator.

her scars, Roul strives to help others

6. Dikshith Rai

like her. Today, Roul, alongside her

A

fellow

St.

Aloysius

College

mother, runs the Sheroes Hangout

alumnus, Dikshith Rai is the CEO of

Café, providing a safe haven for

CodeCraft Technologies, a creative

others. Despite her unimaginable

engineering company that solves

pain, her story embodies triumph

business problems through design

over adversity, inspiring others to

and

embrace hope and resilience.

technology.

Technologies

CodeCraft

partners

with

businesses across diverse domains

9. Dr. Rukhsaar Sayeed

with their solutions being featured

Dr. Rukhsaar Sayeed, a trailblazing

by Global tech companies such as

Kashmiri food technologist, has

Apple, Microsoft and Intel.

etched her name in history as the

7. Karthik Chennoji Rao

first Kashmiri contestant on the

Karthik Chennoji Rao, or KC, artfully

prestigious

intertwines his Mangalore heritage

Beyond the culinary realm, Dr.

into lively music. Transitioning from

Rukhsaar is also an entrepreneur

EdTech to music, KC positively

who founded “Khalis”, a frozen food

influences remote schools while

venture. Her journey embodies an

garnering accolades in Kannada

inspiring narrative of overcoming

films.

barriers and crafting a delectable

As

Pineapple

Express’s

frontman, he spreads joy through nationwide

tours,

MasterChef

India.

success story.

delivering

uplifting, multilingual melodies.

10. Major Samar Pal Singh Toor:

170 Veez Illustrated Weekly

A third-generation Indian army

including Jab Tak Hai Jaan, Dabangg

officer, Major Toor is a proud

2, and Khichdi: The Movie.

patriot. He is a war veteran skilled in

12.

Aashna Rai

various combat forms He has 10

A student at St. Aloysius College

years of comprehensive experience

(Autonomous) joined the NCC unit

in several challenging profiles in the

in 8th grade and later, continued

Indian army. . He served at the

NCC service during her PUC days.

Siachen

also

She was selected as Karnataka and

deployed for a UN mission in South

Goa Directorate's best cadet to

Sudan in 2013 and carried out

represent the Directorate at the

extensive

national level in Republic Day Camp

Glacier

and

was

operations

against

government rebels.

at New Delhi. she was awarded the Best Cadet and received the PM

11.

Gireesh Sahdev Gireesh Sahdev is an Indian film and

Baton

and

Honorable

Medal Prime

from

the

Minister

Shri

television actor. He is known for his

Narendra Modi. She has been

roles in serials like Best of Luck

chosen to represent India as a Youth

Nikki, and Navya. Naye Dhadkan

Ambassador at YEP in Vietnam.

Naye Sawaal, Ardhangini – Ek Khoobsurat Jeevan Sathi, Aladdin –

FOR MORE INFORMATION:

Naam Toh Suna Hoga and Instant

PR HEAD: DIYA MASCARENHAS

Khichdi.

Girish

Sahdev

who

+91 7348928710

impressed the audience with his role in Karha Aankhen has now

STUDENT COORDINATORS:

joined the cast of the TV show

TAHSIN

Vanshj. He has also worked as a

8050199896

AHMED,

+91

supporting actor in several films ---------------------------------------------------------------------------------171 Veez Illustrated Weekly

172 Veez Illustrated Weekly

INAUGURATION OF NEW PREMISES OF MCC BANK SURATHKAL BRANCH AND SILVER JUBILEE CELEBRATION (1999-2024)

173 Veez Illustrated Weekly

For the convenience of the esteemed customers of the Bank, the Surathkal branch of MCC Bank Limited was shifted to the fully airconditioned premises on the ground floor of Land Links Pearl, Service Road, Surathkal, Mangalore

on 26.01.2024. During the occasion, the silver jubilee of the Surathkal branch was also celebrated.

The new premises of Surathkal branch was inaugurated by the chairman, ‘Sahakara Ratna’ Mr Anil Lobo.

174 Veez Illustrated Weekly

V. Rev. Fr Austin Peter Peris, Parish Priest, Sacred Heart Church, Surathkal, blessed the new premises.

Mr Joseph Quadras, Former General Manager of M.C.C Bank Ltd.,

Mangalore, was the chief guest for the the programme and Mr Rajesh Shettigar, Businessman, was the guest of honour.

Safe Room was inaugurated by the chief guest, Mr Joseph Quadras.

175 Veez Illustrated Weekly

Mr. Rajesh Shettigar, guest of honour, inaugurated the E-Stamp facility.

The inaugural & Silver Jubilee programme was presided over by the Chairman, ‘Sahakara Ratna’ Mr Anil Lobo.

The Programme began with a prayer song conducted by Prem S. Dsouza and team.

‘Sahakara Ratna’ Mr Anil Lobo, Chairman of the Bank, in his presidential address informed the gathering that the assurance given

176 Veez Illustrated Weekly

by the management at the customer meet held last year that

the branch will be shifted to a more convenient location on the ground

177 Veez Illustrated Weekly

floor with parking facility, has been fulfilled. He said that all the banking

services available at MCC Bank are at par with nationalized and other commercial banks. He said that the bank has been responsive to the needs and aspirations of the customers. The staff members of the Bank have been trained to be more customer centric giving preference to the banking needs of the customers. He also assured the customers about the safety and security of the funds with the bank, as the bank is regulated by the Reserve Bank of India and the deposits are insured by DIGCC. He called upon the customers to support the bank with a long history of 112 years so that more employment opportunities can be created along with the progress of the bank. He emphasised that because of the support and confidence shown by the members, customers, Board of Directors, and the hard work rendered by the staff members has helped him to be the award winner as Sahakara Ratna. He also informed the gathering on the milestone achievement of 1000 crore business turnover of the Bank and that the offers introduced on this occasion.

V. Rev. Fr Austin Peter Peris, who

178 Veez Illustrated Weekly

blessed the new premises, congratulated the Chairman and his team and all the constituents for shifting the branch to a more convenient and for celebrating the silver jubilee of the Surathkal branch.

He appreciated for providing good parking facility, convenient space for the customers to conduct their transactions in a comfortable manner. He called upon the bank to move in a steady pace by implementing the innovative products and services for the betterment of the Bank. He emphasised the necessity of 3 “C” s in Banking, viz, Customers, Customisation and Confidence; implementation of which would help the Bank to move to greater acheivements. He wished all the very best for the development of the Bank.

Mr Joseph Quadras, while addressing the gathering, congratulated the management for providing customer friendly ambience. He appreciated the vision and leadership of the chairman, in the growth of the bank. He presented the financials of the Bank which have doubled in the last 5 years...

On this occasion, 25 customers who were with the Bank from the date of opening of the branch till date by treating them as silver jubilee customers. The 1st Manager of the branch, Mr Leslie Pais and the landlords of the erstwhile premises, Mr Vijay Kumar Iddya and Mr Uday Shankar Rao, were honoured by the chairman.

Mr Keshava Salian, owner of new premises and Mr Karthik Kiran, civil engineer were honoured for providing the premises and the excellent work done at the new premises, respectively.

The Chairman honoured the chief guests and guest of honour with memento as a token of gratitude.

The Directors Dr Gerald Pinto, Herald John Monteiro, David Dsouza, Melwyn Aquinas Vas, Sushanth Saldanha, Felix Dcruz, Irene Rebello, General Manager Mr Sunil Menezes were present on the occasion.

Mr Anil Patrao, Branch Support Director of the branch welcomed the gathering.

Mrs Sunitha Dsouza, Branch Manager, proposed vote of thanks and Manoj Fernandes, Kirem

179 Veez Illustrated Weekly

compered the programme.

------------------------------------------------------------------------------------

INAUGURATION OF NEW PREMISES OF MCC BANK SURATHKAL BRANCH AND SILVER JUBILEE CELEBRATION (1999-2024)

For the convenience of the esteemed customers of the Bank, the Surathkal branch of MCC Bank Limited was shifted to the fully airconditioned premises on the ground floor of Land Links Pearl, Service Road, Surathkal, Mangalore on 26.01.2024. During the occasion,

the silver jubilee of the Surathkal branch was also celebrated.

The new premises of Surathkal branch was inaugurated by the chairman, ‘Sahakara Ratna’ Mr Anil Lobo V. Rev. Fr Austin Peter Peris, Parish Priest, Sacred Heart Church,

180 Veez Illustrated Weekly

Surathkal, blessed the new premises.

Mr Joseph Quadras, Former General Manager of M.C.C Bank Ltd., Mangalore, was the chief guest for the the programme and Mr Rajesh Shettigar, Businessman, was the guest of honour.

Safe Room was inaugurated by the

chief guest, Mr Joseph Quadras.

Mr. Rajesh Shettigar, guest of honour, inaugurated the E-Stamp facility.

The inaugural & Silver Jubilee programme was presided over by the Chairman, ‘Sahakara Ratna’ Mr Anil Lobo.

The Programme began with a

181 Veez Illustrated Weekly

prayer song conducted by Prem S. Dsouza and team.

‘Sahakara Ratna’ Mr Anil Lobo, Chairman of the Bank, in his presidential address informed the gathering that the assurance given by the management at the customer meet held last year that the branch will be shifted to a more convenient location on the ground floor with parking facility, has been fulfilled. He said that all the banking services available at MCC Bank are at par with nationalized and other commercial banks. He said that the bank has been responsive to the needs and aspirations of the customers. The staff members of the Bank have been trained to be more customer centric giving preference to the banking needs of the customers. He also assured the customers about the safety and security of the funds with the bank, as the bank is regulated by the Reserve Bank of India and the deposits are insured by DIGCC. He called upon the customers to support the bank with a long history of 112 years so that more employment opportunities can be created along with the progress of the bank. He emphasised that

because of the support and confidence shown by the members,customers,Board of Directors and the hardwork rendered by the staff members has helped him to be the award winner as Sahakara Ratna. He also informed the gathering on the milestone achievement of 1000 crore business turnover of the Bank and that the offers introduced on this occasion.

V.Rev. Fr Austin Peter Peris, who blessed the new premises, congratulated the Chairman and his team and all the constituents for shifting the branch to a more convenient and for celebrating the silver jubilee of the Surathkal branch.

He appreciated for providing good parking facility, convenient space for the customers to conduct their transactions in a comfortable manner. He called upon the bank to move in a steady pace by implementing the innovative products and services for the betterment of the Bank. He emphasised the neccessity of 3 “C” s in Banking, viz, Customers, Customisation and Confidence; implementation of which would help the Bank to move to greater acheivements. He wished all the

182 Veez Illustrated Weekly

very best for the development of premises and Mr Karthik Kiran, civil the Bank. engineer were honoured for Mr Joseph Quadras, while providing the premises and the addressing the gathering, excellent work done at the new congratulated the management for premises, respectively. providing customer friendly ambience. He appreciated the vision The Chairman honoured the chief and leadership of the chairman, in guests and guest of honour with the growth of the bank. He memento as a token of gratitude. presented the financials of the Bank The Directors Dr Gerald Pinto, which have doubled in the last 5 Herald John Monteiro, David years. .

Dsouza, Melwyn Aquinas Vas, On this occasion, 25 customers who Sushanth Saldanha, Felix Dcruz, were with the Bank from the date of Irene Rebello, General Manager Mr opening of the branch till date by Sunil Menezes were present on the treating them as silver jubilee occasion. customers. The 1st Manager of the Mr Anil Patrao, Branch Support branch, Mr Leslie Pais and the Director of the branch welcomed landlords of the erstwhile premises, the gathering.

Mr Vijay Kumar Iddya and Mr Uday Mrs Sunitha Dsouza, Branch Shankar Rao, were honoured by the Manager, proposed vote of thanks chairman. and Manoj Fernandes, Kirem Mr Keshava Salian, owner of new compered the programme.

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183 Veez Illustrated Weekly

The First Christmas Tree

By Henry van Dyke

Collection by-Urban Dsouza, Moodbidri "Look here, --how a fighting man of the cross is shod! I have seen the

boots of the Bishop of Tours, -white kid, broidered with silk; a day in the bogs would tear them to shreds. I have seen the sandals that the monks use on the highroads, -yes, and worn them; ten pair of them have I worn out and thrown away in a single journey. Now I shoe my feet with the toughest hides, hard as iron; no rock can cut them, no branches can tear them. Yet more than one pair of these have I outworn, and many more shall I outwear ere my journeys are ended.

And I think, if God is gracious to me, that I shall die wearing them. Better so than in a soft bed with silken coverings. The boots of a warrior, a hunter, a woodsman, --these are my preparation of the gospel of peace.

"Come, Gregor," he said, laying his brown hand on the youth's shoulder, "come, wear the forester's boots with me. This is the life to which we are called. Be strong in the Lord, a hunter of the demons, a subduer of the wilderness, a

184 Veez Illustrated Weekly

woodsman of the faith. Come."

The boy's eyes sparkled. He turned to his grandmother. She shook her head vigorously.

"Nay, father," she said, "draw not the lad away from my side with these wild words. I need him to help me with my labours, to cheer my old age."

"Do you need him more than the Master does?" asked Winfried; "and will you take the wood that is fit for a bow to make a distaff?"

"But I fear for the child. Thy life is too hard for him. He will perish with hunger in the woods."

"Once," said Winfried, smiling, "we were camped on the bank of the river Ohru. The table was set for the morning meal, but my comrades cried that it was empty; the provisions were exhausted; we must go without breakfast, and perhaps starve before we could escape from the wilderness.

While they complained, a fish-hawk flew up from the river with flapping wings and let fall a great pike during the camp. There was food enough and to spare! Never have I seen the righteous forsaken, nor his seed

begging bread."

"But the fierce pagans of the forest," cried the abbess, --"they may pierce the boy with their arrows or dash out his brains with their axes. He is but a child, too young for the danger and the strife."

"A child in years," replied Winfried, "but a man in spirit. And if the hero falls early in the battle, he wears the brighter crown, not a leaf withered, not a flower fallen."

The aged princess trembled a little.

She drew Gregor close to her side and laid her hand gently on his brown hair. "I am not sure that he wants to leave me yet. Besides, there is no horse in the stable to give him, now, and he cannot go as befits the grandson of a king."

Gregor looked straight into her eyes.

"Grandmother," said he, "dear grandmother, if thou wilt not give me a horse to ride with this man of God, I will go with him afoot."

The Trail Through the Forest Two years had passed since that Christmas-eve in the cloister of Pfalzel. A little company of pilgrims,

185 Veez Illustrated Weekly

less than a score of men, were travelling slowly northward through the wide forest that rolled over the hills of central Germany.

At the head of the band marched Winfried, clad in a tunic of fur, with his long black robe girt high above his waist, so that it might not hinder his stride. His hunter's boots were crusted with snow. Drops of ice sparkled like jewels along the thongs that bound his legs. There were no other ornaments of his dress except the bishop's cross hanging on his breast, and the silver clasp that fastened his cloak about his neck. He carried a strong, tall staff in his hand, fashioned at the top into the form of a cross.

Close beside him, keeping step like a familiar comrade, was the young Prince Gregor. Long marches through the wilderness had stretched his legs and broadened his back and made a man of him in stature as well as in spirit. His jacket and cap were of wolf-skin, and on his shoulder, he carried an axe, with broad, shining blade. He was a mighty woodsman now and could make a spray of chips fly around him

as he hewed his way through the trunk of a pine-tree.

Behind these leaders followed a pair of teamsters, guiding a rude sledge, loaded with food and the equipage of the camp, and drawn by two big, shaggy horses, blowing thick clouds of steam from their frosty nostrils.

Tiny icicles hung from the hairs on their lips. Their flanks were smoking.

They sank above the fetlocks at every step in the soft snow.

Last of all came the rear guard, armed with bows and javelins. It was no child's play, in those days, to cross Europe afoot.

The weird woodland, somber and illimitable, covered hill and vale, tableland, and mountain peak.

There were wide moors where the wolves hunted in packs as if the devil drove them, and tangled thickets where the lynx and the boar made their lairs. Fierce bears lurked among the rocky passes and had not yet learned to fear the face of man. The gloomy recesses of the forest gave shelter to inhabitants who were still more cruel and dangerous than beasts of prey, -outlaws and sturdy robbers and

186 Veez Illustrated Weekly

mad were-wolves and bands of wandering pillagers.

The pilgrim who would pass from the mouth of the Tiber to the mouth of the Rhine must trust in God and keep his arrows loose in the quiver.

The travelers were surrounded by an ocean of trees, so vast, so full of endless billows, that it seemed to be pressing on every side to overwhelm them. Gnarled oaks, with branches twisted and knotted as if in rage, rose in groves like tidal waves. Smooth forests of beechtrees, round, and gray, swept over the knolls and slopes of land in a mighty groundswell. But most of all, the multitude of pines and firs, innumerable and monotonous, with straight, stark trunks, and branches woven together in an unbroken flood of darkest green, crowded through the valleys and over the hills, rising on the highest ridges into ragged crests, like the foaming edge of breakers.

Through this sea of shadows ran a narrow stream of shining whiteness, --an ancient Roman road, covered with snow. It was as if some great ship had ploughed through the

green ocean long ago, and left behind it a thick, smooth wake of foam. Along this open track the travelers held their way, --heavily, for the drifts were deep; warily, for the hard winter had driven many packs of wolves down from the moors.

The steps of the pilgrims were noiseless; but the sledges creaked over the dry snow, and the panting of the horses throbbed through the still air. The pale-blue shadows on the western side of the road grew longer. The sun, declining through its shallow arch, dropped behind the treetops. Darkness followed swiftly, as if it had been a bird of prey waiting for this sign to swoop down upon the world.

"Father," said Gregor to the leader, "surely this day's march is done. It is time to rest, and eat, and sleep. If we press onward now, we cannot see our steps; and will not that be against the word of the psalmist David, who bids us not to put confidence in the legs of a man?"

Winfried laughed. "Nay, my son Gregor," said he, "thou hast tripped, even now, upon thy text. For David

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said only, 'I take no pleasure in the legs of a man.' And so say I, for I am not minded to spare thy legs or mine, until we come farther on our way, and do what must be done this night. Draw thy belt tighter, my son, and hew me out this tree that is fallen across the road, for our campground is not here."

The youth obeyed; two of the foresters sprang to help him; and while the soft fir-wood yielded to the stroke of the axes, and the snow flew from the bending branches, Winfried turned and spoke to his followers in a cheerful voice, that refreshed them like wine.

"Courage, brothers, and forward yet a little! The moon will light us presently, and the path is plain. Well know I that the journey is weary; and my own heart wearies also for the home in England, where those I love are keeping feast this Christmaseve. But we have work to do before we feast to-night. For this is the Yuletide, and the heathen people of the forest are gathered at the thunder-oak of Geismar to worship their god, Thor. Strange things will be seen there, and deeds which

make the soul black. But we are sent to lighten their darkness; and we will teach our kinsmen to keep a Christmas with us such as the woodland has never known.

Forward, then, and stiffen up the feeble knees!"

A murmur of assent came from the men. Even the horses seemed to take fresh heart. They flattened their backs to draw the heavy loads and blew the frost from their nostrils as they pushed ahead.

The night grew broader and less oppressive. A gate of brightness was opened secretly somewhere in the sky. Higher and higher swelled the clear moon-flood, until it poured over the eastern wall of forest into the road. A drove of wolves howled faintly in the distance, but they were receding, and the sound soon died away. The stars sparkled merrily through the stringent air; the small, round moon shone like silver; little breaths of dreaming wind wandered across the pointed fir-tops, as the pilgrims toiled bravely onward, following their clew of light through a labyrinth of darkness.

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After a while the road began to open out a little. There were spaces of meadowland, fringed with alders, behind which a boisterous river ran clashing through spears of ice.

Rude houses of hewn logs appeared in the openings, each one casting a patch of inky shadow upon the snow. Then the travelers passed a larger group of dwellings, all silent and unlighted; and beyond, they saw a great house, with many outbuildings and enclosed courtyards, from which the hounds bayed furiously, and a noise of stamping horses came from the stalls. But there was no other sound of life. The fields around lay naked to the moon. They saw no man, except that once, on a path that skirted the farther edge of a meadow, three dark figures passed them, running very swiftly.

Then the road plunged again into a dense thicket, traversed it, and climbing to the left, emerged suddenly upon a glade, round and level except at the northern side, where a hillock was crowned with a huge oak-tree. It towered above the heath, a giant with contorted arms,

beckoning to the host of lesser trees. "Here," cried Winfried, as his eyes flashed and his hand lifted his heavy staff, "here is the Thunderoak; and here the cross of Christ shall break the hammer of the false god Thor."

The Shadow of the Thunder-Oak Withered leaves still clung to the branches of the oak: torn and faded banners of the departed summer.

The bright crimson of autumn had long since disappeared, bleached away by the storms and the cold.

But to-night these tattered remnants of glory were red again: ancient bloodstains against the dark-blue sky. For an immense fire had been kindled in front of the tree. Tongues of ruddy flame, fountains of ruby sparks, ascended through the spreading limbs and flung a fierce illumination upward and around. The pale, pure moonlight that bathed the surrounding forests was quenched and eclipsed here. Not a beam of it sifted through the branches of the oak. It stood like a pillar of cloud between the still light of heaven and

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the crackling, flashing fire of earth.

But the fire itself was invisible to Winfried and his companions. A great throng of people were gathered around it in a half-circle, their backs to the open glade, their faces toward the oak. Seen against that glowing background, it was but the silhouette of a crowd, vague, black, formless, mysterious.

The travelers paused for a moment at the edge of the thicket and took counsel together.

"It is the assembly of the tribe," said one of the foresters, "the great night of the council. I heard of it three days ago, as we passed through one of the villages. All who swear by the old gods have been summoned.

They will sacrifice a steed to the god of war, and drink blood, and eat horseflesh to make them strong. It will be at the peril of our lives if we approach them. At least we must hide the cross, if we would escape death."

"Hide me no cross," cried Winfried, lifting his staff, "for I have come to show it, and to make these blind folk see its power. There is more to be done here to-night than the

slaying of a steed, and a greater evil to be stayed than the shameful eating of meat sacrificed to idols. I have seen it in a dream. Here the cross must stand and be our rede."

At his command the sledge was left in the border of the wood, with two of the men to guard it, and the rest of the company moved forward across the open ground. They approached unnoticed, for all the multitude were looking intently toward the fire at the foot of the oak.

Then Winfried's voice rang out, "Hail, ye sons of the forest! A stranger claims the warmth of your fire in the winter night."

Swiftly, and as with a single motion, a thousand eyes were bent upon the speaker. The semicircle opened silently in the middle; Winfried entered with his followers; it closed again behind them.

Then, as they looked round the curving ranks, they saw that the hue of the assemblage was not black, but white, --dazzling, radiant, solemn. White, the robes of the women clustered together at the points of the wide crescent; white,

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the glittering byrnies of the warriors standing in close ranks; white, the fur mantles of the aged men who held the central palace in the circle; white, with the shimmer of silver ornaments and the purity of lamb'swool, the raiment of a little group of children who stood close by the fire;

white, with awe and fear, the faces of all who looked at them; and over all the flickering, dancing radiance of the flames played and glimmered like a faint, vanishing tinge of blood on snow.

(To be continued next week)

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ST.

AGNES

HIGH

SCHOOL

CELEBRATES REPUBLIC DAY

Republic Day is a celebration of India’s commitment to democracy,

justice, liberty, equality, “J¯ÉèqÉ

¥À¸Àj¸À° ¸ËºÁzÀðvÉAiÀÄÄ”, with this

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message, St. Agnes High school celebrated the Republic Day. It was day with filled with patriotic fervor.

Celebration of Republic Day commenced by unfurling the national flag by the Headmistress Sr.

Gloria A.C. The students paid respect to the nation by singing Vande Mataram, which invoked a sense of devotion and patriotism. Sr. Noreen A.C Principal, St. Agnes PU College, Sr. Janet A.C Vice principal,

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PTA executive Committee member Mrs. Gowri and students at the High School and College were present.

Later the students assembled in the school hall for the cultural program presented by class 8A. The stage

program began with the devout prayer service which reflected the values of democracy, with the prayers for unity, brotherhood, and peace of the nation. Ancilla welcomed the staff and the

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essence of the constitution.

Prathiviraj recited the poem on Dr B.R Ambedkar, which was respectful tribute to the key architect of the Indian constitution. The whole class sang the group song. students, which was followed by rhythmic welcome dance. Chaithra enlightened the gathering on the 75th Republic Day celebration. The song with enactment of gender equality, caste system, education and adult franchise captured the

“MANAVARAGONA” with a sense of love and fellowship towards the other fellow beings. In her speech the Headmistress Sr. Gloria commended the students and the class teacher, Mrs. Wilma Viegas for the dedicated efforts in organizing

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and executing the whole program.

Constitution.

The programme She called the students to follow the concluded with a thankful note values enshrined in the delivered by Thasleema.

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Parish Day at Our Lady of Miracles

Church, Mangalore was celebrated on 20th January 2024.

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The parishioners along with the

clergy and the religious of Milagres parish celebrated Parish Day on

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Saturday. Fr Arun Wilson Lobo, the principal of the Padua College, Mangalore was the main celebrant for the thanksgiving mass, joined by the clergy of the parish and Fr Royston Madtha S.J. Fr Arun in his homily stressed on building our hearts and minds for Jesus.

After the Eucharistic celebration the parishioners had a cultural evening exhibiting the talents of all, from the young to the old. Children performed dances and musical skits, YCS and ICYM members entertained the gathering with their splendid dance medleys. Mothers danced to the tune of Konkani folklore music and other parishioners took part in a comedy play.

The parishioners and guests were later treated to a sumptuous meal prepared by the parishioners and the programme ended with traditional Baila dancing.

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PROVINCIAL ASSEMBLY AND JUBILEE CELEBRATION OF BETHANY SISTERS, MANGALORE PROVINCE

21.01.2024 Province assembly of Mangalore Province of the Sisters of the Little Flower of Bethany Congregation held on 19th and 20th of January 2024 at Bethany Provincialate, Vamanjoor, Mangalore with the theme, ‘Pilgrims of Hope with a special reference to Prayer.’ In her keynote address Sr Cicilia Mendonca BS the Provincial Superior expounded the theme of

the Jubilee Year 2025 wherein Pope Francis urges Catholics to prepare for the Jubilee by spending time in studying the four Constitutions of the Second Vatican Council and focusing on Prayer. Rev Fr Arun Luis SJ the Director of Ashirvad Bangalore in two sessions on the first day highlighted on Prayer and preparation for forthcoming General Elections of the Country. He

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enabled the group to understand 9 steps that help in Prayer, Purpose of Prayer, and Stages in Prayer. Next day Ms Kripanjali Tellis Nayak from Attavar, Mangalore dealt on the topic of Gerentology.

She

highlighted the various issues of old age and care of the elderly.

On 21st January at 9.45am the felicitation programme for Silver and Golden Jubilarians was held in

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the Bethany Provincialate Hall. Sr Shanthi Agnes the Silver Jubilarian and Sr Agnes Mary, Sr Deepika, Sr Lilly Ange, Sr Laetitiabeth, Sr Lillybeth and Sr Sharon the Golden jubilarians were honoured and

greeted by the Provincial Superior and the Councillors along with Province Assembly members.

Superiors and few members from the various communities were represented. Sisters from St

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Raymond’s community echoed the Jubilee chorus. Sr Loyan BS from Bethany Provincialate compeered the felicitation programme. It was followed by Eucharistic Celebration officiated by Rev Fr Wilfred Prakash

DSouza the director of St Joseph Engineering College, Vamanjoor and concelebrated by Rev Fr Kenneth Crasta the Assistant Director. In his homily he highlighted the qualities of a true

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humanity through various apostolates.

Sisters from St Raymond’s community assisted the Eucharist through melodious choir and the members of the province assembly conducted the meaningful liturgy on the occasion.

It was culminated by fellowship meal in St Raymond’s Convent refectory.

disciple. Being the Sunday of the Word of God, he expounded the importance of Word of God in our Report by: day today life. He also appreciated the generous services of the Silver Sr Florine Jyothi BS and Golden Jubilarians towards Nazareth Convent, Bajpe Bethany Congregation, Church, and ------------------------------------------------------------------------------------

Governor Ramesh Bais hosts Civic Reception on 75th Republic Day UN General Assembly President is Special Guest Mumbai (RBI), Jan.26: The Governor of Maharashtra Ramesh Bais hosted the traditional reception and high tea for eminent invitees on 75th Republic Day on Friday (26 Jan).

President of United Nations General Assembly Dennis Francis, India’s representative to the United

Nations Ruchira Kamboj, Speaker of Legislative Assembly Rahul Narwekar, Deputy Speaker of Legislative Council Dr. Neelam Gorhe, Former Governor Ram Naik, Former Chief Minister Sushil Kumar Shinde, MLA Amin Patel, State DGP Rashmi Shukla, Vice Chancellor of SNDT Women's University Dr. Ujwala

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Chakradev, Vice Chancellor of Maharashtra State Skills University Dr. Apoorva Palkar, film and television personalities Rohit Shetty,

Bharat Dabholkar, Sudesh Bhosle, Adnan Sami, Shailesh Lodha, Pehlaj Nihalani and dignitaries from various walks of life were present.

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“Neralillada Manushyaru” Play held at SAC

Yaksha Rangayana Karkala, in association with St Aloysius College {Autonomous}, Mangalore, Ranga Adhyayana Kendra, St Aloysius College and Journey Theater (R) Mangalore staged Sumanasa Troupe Play “Neralillada Manushyaru” on 19-01-2024 in L.C.R.I Hall.

The program was hosted by Mr. S. Mahesh Kumar, Assistant Commissioner of Police, Mangalore,

inaugurated the play by knocking the ‘Nagari’. Ms Poornima, Special Duty Officer of Yaksha Rangayana, welcomed the guests and gave the introductory speech.

Shri S. Mahesh Kumar, in his guest speech, said that drama is an art, through art, mental health can be progressed towards Sattva and spoke about the importance of theatre art.

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Rev. Dr. Praveen Martis SJ, Principal, St. Aloysius College (Autonomous), Mangalore, presided over the 209 Veez Illustrated Weekly

play, ‘Men without Shadows’ (Neralillada Manushyaru), sheds light on the mind-boggling dilemmas of the soldiers of the French Resistance during World War II. Satreya's humanitarian thoughts are firmly rooted in this play, which makes us think and melts the mind. It motivates us to raise our voices against the evils of society.

Arjun Acharya, Journey Theater Group (R) Mangalore, Praveen G program and said how theater has Kodavoor, Sumanasa Kodavoor (R) had a positive impact on the society.

Udupi were present in the Based on Jean-Paul Sartre's French programme.

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Spark Ignited! Rohan Creators Meet 2024 Connects and Empowers Mangalore's Content Warriors The energy crackled like static electricity on Saturday, January 20th, as Rohan Corporation brought together Mangalore's vibrant

content creators for the Rohan Creators Meet 2024. The air at AJ Grand buzzed with excitement as over 50+ passionate creators from

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diverse backgrounds – bloggers, photographers, videographers, music makers, and more – united under one roof to network, learn, and ignite their creative spark.

Notable attendees included influencers such as Sharan Chilimbi, Prajwal Shetty, Mokshith Poojary, Sahil Rai, Hera Pinto, Mangalore

Meri Jaan, Soujanya Hegde, and many other prominent figures in the social media landscape. Their presence added an extra layer of excitement and expertise to the event.

Rohan Monterio, the visionary managing director of Rohan Corporation, graced the occasion and addressed the talented assembly of content creators. Rohan Monterio commended the creators

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for their outstanding work and encouraged them to continue their efforts in promoting Mangalore as a brand through their unique content.

During his address, Rohan Monterio expressed his company's commitment to fostering collaboration with the creative minds present at the event. He highlighted the openness of Rohan Corporation to support and engage in meaningful partnerships with creators possessing innovative ideas. He emphasized the potential of collaboration as a driving force for mutual growth.

"The content creators present here today have the power to shape perceptions and contribute

significantly to the promotion of Mangalore as a thriving brand.

Rohan Corporation is eager to collaborate and support any promising ideas that align with our vision for the region," stated Rohan Monterio.

The event, characterized by insightful discussions, engaging activities, and valuable networking opportunities, left a lasting impression on both creators and attendees. The Rohan Creators Meet 2024 showcased the potential for synergy between social media influencers and corporate entities, fostering a creative ecosystem that promotes the growth of Mangalore as a vibrant and unique brand."

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St. Agnes High School celebrated the feast of its Alma mater

On 20th Saturday St. Agnes High School celebrated the feast of its Alma mater. The students of class 8B conducted pleasingly, a meaningful programme in honour of the young martyr Saint Agnes. The whole programme highlighted the purity and sacrifice of St. Agnes. The program began with a solemn prayer service, focusing her patronage on children youth,

maidens, gardeners, and girl guides.

The prayer service filled the air with spiritual fervor.

An alluring and flawless dance was staged on the empowered woman was a befitting tribute to the amazing women who are the real architects of our society.

A captivating skit of St. Agnes life

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and martyrdom was enacted by the students. The skit conveyed the very essence of her unwavering faith in God in her short yet inspiring journey.

A buoyant zumba dance enthralled the gathering with a message of fitness and de-stress during examination time.

The chief guest Mrs. Lavina Aranha remembered with gratitude her memories associated with St. Agnes

from KG till her graduation. She even emphasized the significant virtues of truth and honesty and its connection with the school values.

The endowment prizes and scholarship winners were honored by the chief guest.

The Headmistress Sr. Gloria A.C congratulated the students of class 8B for their active participation and vibrant performance. She also commended the class teacher Mrs. Preema Frank for diligent planning and meticulous execution the whole

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program.

work.

A sweet- toned group song was sung by the whole class honouring the patron saint was a harmonious blend of musical talent and team –

The program was smartly compered

by Ritu Jean Lobo and Snehal Miranda, Thrisha welcomed the gathering and Varnika proposed the vote of thanks.

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1973 & 1974 Batches of SAC held Golden Reunion

The Golden Jubilee Reunion of 1973 & 1974 Batches of St Aloysius College, Mangalore, held on January 11, 2024, in the LF Rasquinha hall. The esteemed chief guest was Rev. Fr Melwin Pinto SJ, and the event was presided over by Rev. Fr Praveen Martis SJ, the Principal of St Aloysius College, Mangalore, along with Dr Alwyn

D’Sa, Registrar and Controller of Examination, Prof. Victor and the staff coordinators, Dr Florin Shelomith Soans, and Ms Renita Fernandes.

During the ceremony, the 1973 as well as 1974 batch was honoured with mementos in their graduation gowns. Following this, two students

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from each batch, Mr Shrinivas Shenoy and Mr Pramod Fernandes, shared their experiences as students of St Aloysius College.

Rev Fr Melwin Pinto SJ, the Chief

Guest, shared his thoughts on the significance of the Golden Jubilee.

Rev. Fr Praveen Martis SJ, Principal of the College, addressed the graduates, expressing his

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viewpoints on the event and highlighting the significant acknowledging the contributions of contributions the College has made the alumni, particularly appreciating to his life’s journey. the affection shown by the 1973 and 1974 students towards their Alma Mr Manoj Dyson Fernandes, Faculty Mater. of BBA, compered the program. Mr Addressing the gathering, Prof.

Conrad T Nazareth delivered the Victor reminisced his time as a vote of thanks. lecturer in St Aloysius College and ------------------------------------------------------------------------------------

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