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Seguidilla “Près des remparts de Séville” from “Carmen” Georges Bizet (1838-1875) transcribed and edited by Marc Oliver Allegretto, in 1 q . = 56

C Flutes

1st Solo œœ b 3 œ œ nœ nœ &bb 8 p

œ . œ œ. œ. œ. n œ. nœ

A

b 3 &bb 8

Bassoons

? b 3 bb 8

1st B b Clarinet

3 &b 8

2nd & 3rd B b Clarinets

3 &b 8

B b Bass Clarinet

& b 38

Oboes

Solo

œœ p

.œ. . . n œ # œ œ œ œ œ œ œ n œ. b œ ‰

E b Alto Saxophones

&

38

B b Tenor Saxophone

3 &b 8

3 8

Open

Open

E b Baritone Saxophone

&

Allegretto, in 1 q . = 56 Straight mute

1st B b Trumpet

3 œ. &b 8 P

3 & b 8 # œœ .. P bb 3 ∑ & 8

Straight mute

2nd & 3rd B b Trumpets

1st & 2nd F Horns

3rd & 4th F Horns

b 3 &b 8

œ.

œ.

œ J‰‰

œœ ..

# n œœ ..

j œœ ‰ ‰

œ. J π

. ‰ ‰ œJ

a2

. ‰ ‰ œJ

. ‰ ‰ œJ

∑ œ œ œ. œ œ œ œ bœ

1st Solo

œ nœ nœ œ P leggiero . . ‰ ‰ œJ ‰ ‰ œJ π

. ‰ ‰ œJ

‰ ‰

j œ. π

j ‰ ‰ œ.

j ‰ ‰ œ.

j ‰ ‰ œ.

K # œ. œ. K # œ. œ. K # œ. œ. ≈ . # œr œ œ ≈ . # œr œ œ ≈ . # œr œ œ π . . . . . . ≈. #œ œ œ ≈. #œ œ œ ≈. #œ œ œ RÔ RÔ RÔ π ∑

j ‰ ‰ œ. ‰ π K # œ. œ. K # œ. ≈ . # œr œ œ ≈ . # œr œ π . . . ≈. #œ œ œ ≈. #œ œ RÔ RÔ π ∑

j ‰ œ.

‰ ‰ œj ‰ ‰ .

œœ. K # œ. œ. rK œœ. œœ. ≈ . # œr œ œ ≈ . œ œ. ≈ . # œ œ. œ. ≈ . œ œ. œ. RÔ ÔR

A

Straight mute

œœ ..

b œœ ..

œœ J‰‰

œ.

œ.

n œ.

œ‰‰ J

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

1st & 2nd Trombones

? b 3 bb 8

3rd Trombone

? b b 38 b

Euphonium

? b b 38 b

Tuba

? b 3 bb 8

String Bass

? b 3 bb 8

Timpani

? b 3 bb 8

n œœ ..

P

Straight mute

P

Open

Open

œ. J π

. ‰ ‰ œJ

. ‰ ‰ œJ

. ‰ ‰ œJ

. ‰ ‰ œJ π

. ‰ ‰ œJ

This transcription is the intellectual property of Marc Oliver and Wind Band MusicMachine and is distributed by Ayotte Custom Musical Engravings, LLC (A.S.C.A.P.) (www.ayottemusic.com)

. ‰ ‰ œJ

‰ ‰


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