The text of this familiar poem is set to an uncharacteristically brisk tempo. The premise behind this is
to catch the feel of a horse constantly traveling through the woods. Even though it is written in 6/8 time
throughout, the rhythm of the piece suggests a constant change from a 6/8 to a 3/4 feel, as a wooded path
is rarely stable. It is imperative to feel the differences between the two rhythmic feels when they occur.
At times the two different feels appear simultaneously. When this occurs, it is does so when the text
suggests moments of insecurities and doubt.
At measure 95, the accents are an integral part of the feel of the text. It suggests an uneasy feel of the
horse and it also plays on the word "mistake” since all of the accents are not placed on the strong beat
of these "3/4” measures. These measures should definitely be conducted in 3.
The soprano C6 at the end is optional depending on the capabilities and comfort level of the ensemble
performing the piece.
